diff options
author | Karl Berry <karl@freefriends.org> | 2006-01-12 23:45:36 +0000 |
---|---|---|
committer | Karl Berry <karl@freefriends.org> | 2006-01-12 23:45:36 +0000 |
commit | 2939242967231097459df0fc3150fabc2f639111 (patch) | |
tree | 00fe7273a946e43cc5d5b9fb00250af4fe82866e /Master/texmf-dist/tex/fontinst/smblmtx | |
parent | 5bcbcf594f1d7f279c5897da00d676e6270a0a9a (diff) |
trunk/Master/texmf-dist/tex/fontinst
git-svn-id: svn://tug.org/texlive/trunk@612 c570f23f-e606-0410-a88d-b1316a301751
Diffstat (limited to 'Master/texmf-dist/tex/fontinst/smblmtx')
-rw-r--r-- | Master/texmf-dist/tex/fontinst/smblmtx/resetosf.mtx | 88 | ||||
-rw-r--r-- | Master/texmf-dist/tex/fontinst/smblmtx/textcomp.mtx | 561 | ||||
-rw-r--r-- | Master/texmf-dist/tex/fontinst/smblmtx/unsetnum.mtx | 62 |
3 files changed, 711 insertions, 0 deletions
diff --git a/Master/texmf-dist/tex/fontinst/smblmtx/resetosf.mtx b/Master/texmf-dist/tex/fontinst/smblmtx/resetosf.mtx new file mode 100644 index 00000000000..bde54d55d8e --- /dev/null +++ b/Master/texmf-dist/tex/fontinst/smblmtx/resetosf.mtx @@ -0,0 +1,88 @@ +% Copyright 1998, 1999 the fontinst maintenance team and any individual +% authors listed elsewhere in this file. All rights reserved. +% +% This file is part of the fontinst system version 1.9. +% ----------------------------------------------------- +% +% It may be distributed under the terms of the LaTeX Project Public +% License, as described in lppl.txt in the base LaTeX distribution. +% Either version 1.0 or, at your option, any later version. +% +%%% ==================================================================== +%%% @TeX-font-metrics-file{ +%%% author = "Ulrik Vieth", +%%% version = "1.910", +%%% date = "16 November 1999", +%%% time = "23:01:44 CET", +%%% filename = "resetosf.mtx", +%%% email = "fontinst@cogs.susx.ac.uk", +%%% URL = "http://www.tug.org/applications/fontinst/", +%%% checksum = "04190 88 254 2588", +%%% codetable = "ISO/ASCII", +%%% keywords = "metrics, raw, TeX, PostScript", +%%% supported = "yes", +%%% abstract = "This is a metrics file, for use with the +%%% fontinst utility. It recodes glyph names +%%% for oldstyle numerals read from AFM files +%%% to glyph names with an `oldstyle' suffix.", +%%% package = "fontinst", +%%% dependencies = "fontinst.sty, fontdoc.sty", +%%% } +%%% ==================================================================== + +\relax + +\documentclass[twocolumn]{article} +\usepackage{fontdoc} + +\title{The \texttt{resetosf.mtx} metrics file} +\author{Ulrik Vieth} +\date{16 November 1999 \\ +Version 1.910} + +\begin{document} +\maketitle + +This document describes the \texttt{resetosf.mtx} metrics file, which is +used to recode raw glyph names for oldstyle numerals to glyph names +with an `oldstyle' suffix. + +\metrics + +\setcommand\oldstyleglyph#1{ + \ifisglyph{#1}\then + \setglyph{#1oldstyle}\glyph{#1}{1000} + \endsetglyph + \fi +} + +\setcommand\oldstylekerning#1{ + \ifisglyph{#1}\then + \setleftrightkerning{#1oldstyle}{#1}{1000} + \fi +} + +\oldstyleglyph{zero} +\oldstyleglyph{one} +\oldstyleglyph{two} +\oldstyleglyph{three} +\oldstyleglyph{four} +\oldstyleglyph{five} +\oldstyleglyph{six} +\oldstyleglyph{seven} +\oldstyleglyph{eight} +\oldstyleglyph{nine} + +\oldstylekerning{zero} +\oldstylekerning{one} +\oldstylekerning{two} +\oldstylekerning{three} +\oldstylekerning{four} +\oldstylekerning{five} +\oldstylekerning{six} +\oldstylekerning{seven} +\oldstylekerning{eight} +\oldstylekerning{nine} + +\endmetrics +\end{document} diff --git a/Master/texmf-dist/tex/fontinst/smblmtx/textcomp.mtx b/Master/texmf-dist/tex/fontinst/smblmtx/textcomp.mtx new file mode 100644 index 00000000000..ac2216139f2 --- /dev/null +++ b/Master/texmf-dist/tex/fontinst/smblmtx/textcomp.mtx @@ -0,0 +1,561 @@ +% Copyright 1997, 1998 Sebastian Rahtz, +% copyright 1998, 1999, 2003 the fontinst maintenance team and +% any individual authors listed elsewhere in this file. +% All rights reserved. +% +% This file is part of the fontinst system version 1.9. +% ----------------------------------------------------- +% +% It may be distributed under the terms of the LaTeX Project Public +% License, as described in lppl.txt in the base LaTeX distribution. +% Either version 1.0 or, at your option, any later version. +% +%%% ==================================================================== +%%% @TeX-font-metrics-file{ +%%% author = "Sebastian Rahtz and Ulrik Vieth and +%%% Walter Schmidt and Lars Hellstr{\"o}m", +%%% version = "1.926", +%%% date = "2003-07-13", +%%% time = "23:34:04 +02:00", +%%% filename = "textcomp.mtx", +%%% email = "w-a-schmidt@arcor.de", +%%% URL = "http://www.tug.org/applications/fontinst/", +%%% codetable = "ISO/ASCII", +%%% keywords = "metrics, TeX, PostScript", +%%% supported = "yes", +%%% abstract = "This is a font metrics file, for use with the +%%% fontinst utility. It provides the defaults +%%% used to install the text companion glyphs.", +%%% package = "fontinst", +%%% dependencies = "fontinst.sty, fontdoc.sty", +%%% } +%%% ==================================================================== + +\relax + +\documentclass[twocolumn]{article} +\usepackage{fontdoc}[2002/06/30] %Just guessing. + +\title{The \textsf{fontinst} text companion glyphs} +\author{Sebastian Rahtz\and Ulrik Vieth\and Walter Schmidt\and + Lars Hellstr\"om} +\date{Version 1.926} + +\showbranches + +\begin{document} +\maketitle + +\section{Introduction} + +This document describes the glyphs used by the \textsf{fontinst} +package when generating \TeX{} text companion fonts. + +\metrics + +\needsfontinstversion{1.917} + +% \unfakable is a glyph which can't be faked. + +\setcommand\unfakable#1{ + \setglyph{#1} + \glyphrule{500}{500} + \glyphwarning{missing glyph `#1'} + \endsetglyph +} +% \unfakableaccent is similar, but has an ``accent position'' +\setcommand\unfakableaccent#1{ + \setglyph{#1} + \moveup{\add{\int{xheight}}{50}} + \movert{\scale{\add{\int{xheight}}{50}}{\int{italicslant}}} + \glyphrule{250}{\sub{\sub{\int{ascender}}{\int{xheight}}}{100}} + \movert{\neg{\scale{\add{\int{xheight}}{50}}{\int{italicslant}}}} + \glyphwarning{missing glyph `#1'} + \endsetglyph +} + +% \fakeglyph replaces glyph #1 by #2, if it exists. + +\setcommand\fakeglyph#1#2{ + \ifisglyph{#2}\then + \setglyph{#1} + \glyph{#2}{1000} + \endsetglyph + \Fi +} + + +\begincomment +\section{Default values} +\endcomment + +\setint{italicslant}{0} +\setint{xheight}{\height{x}} +\setint{capheight}{\height{A}} +\setint{ascender}{\height{d}} +\setint{descender}{\depth{g}} +\setint{underlinethickness}{40} + +% Vertical symmetry axis. (WaS) +\setint{vaxis}{\scale{\sub{\height{parenleft}}{\depth{parenleft}}}{500}} + + +\begincomment +\section{Oldstyle numerals} +\endcomment + +\unfakable{zerooldstyle} +\unfakable{oneoldstyle} +\unfakable{twooldstyle} +\unfakable{threeoldstyle} +\unfakable{fouroldstyle} +\unfakable{fiveoldstyle} +\unfakable{sixoldstyle} +\unfakable{sevenoldstyle} +\unfakable{eightoldstyle} +\unfakable{nineoldstyle} + + +\begincomment +\section{Capital accents} +\endcomment + +\fakeglyph{capitalgrave}{grave} +\fakeglyph{capitalacute}{acute} +\fakeglyph{capitalcircumflex}{circumflex} +\fakeglyph{capitaltilde}{tilde} +\fakeglyph{capitaldieresis}{dieresis} +\fakeglyph{capitalhungarumlaut}{hungarumlaut} +\fakeglyph{capitalring}{ring} +\fakeglyph{capitalcaron}{caron} +\fakeglyph{capitalbreve}{breve} +\fakeglyph{capitalmacron}{macron} +\fakeglyph{capitaldotaccent}{dotaccent} +\fakeglyph{capitalcedilla}{cedilla} +\fakeglyph{capitalogonek}{ogonek} + + +\begincomment +\section{ASCII-style accents} +\endcomment + +\ifisglyph{asciitilde}\then + \setglyph{tildelow} + \glyph{asciitilde}{1000} + \endsetglyph +\Fi + +\ifisglyph{grave}\then + \setglyph{asciigrave} + \glyph{grave}{1000} + \endsetglyph +\Fi + +\ifisglyph{breve}\then + \setglyph{asciibreve} + \glyph{breve}{1000} + \endsetglyph +\Fi + +\ifisglyph{acute}\then + \setglyph{asciiacutedbl} + \ifisint{monowidth}\then + \glyph{acute}{1000} + \glyph{acute}{1000} + \Else + \glyph{acute}{1000} + \movert{\neg{\scale{\width{acute}}{333}}} + \glyph{acute}{1000} + \Fi + \endsetglyph +\Fi + +\ifisglyph{grave}\then + \setglyph{asciigravedbl} + \ifisint{monowidth}\then + \glyph{grave}{1000} + \glyph{grave}{1000} + \Else + \glyph{grave}{1000} + \movert{\neg{\scale{\width{grave}}{333}}} + \glyph{grave}{1000} + \Fi + \endsetglyph +\Fi + +\ifisglyph{caron}\then + \setglyph{asciicaron} + \glyph{caron}{1000} + \endsetglyph +\Fi + +\ifisglyph{dieresis}\then + \setglyph{asciidieresis} + \glyph{dieresis}{1000} + \endsetglyph +\Fi + +\ifisglyph{macron}\then + \setglyph{asciimacron} + \glyph{macron}{1000} + \endsetglyph +\Fi + +\ifisglyph{acute}\then + \setglyph{asciiacute} + \glyph{acute}{1000} + \endsetglyph +\Fi + + +\begincomment +\section{Glyphs} +\endcomment + +\setglyph{capitalcompwordmark} + \glyphrule{0}{\int{capheight}} +\endsetglyph +\setint{capitalcompwordmark-spacing}{0} + +\setglyph{ascendercompwordmark} + \glyphrule{0}{\int{ascender}} +\endsetglyph +\setint{ascendercompwordmark-spacing}{0} + +% centers wrt/ vertical symmetry axis. (WaS) +\ifisglyph{asterisk}\then + \resetglyph{asteriskcentered} + \moveup{\neg{\sub + {\scale{\sub{\height{asterisk}}{\depth{asterisk}}}{500}} + {\int{vaxis}} + }} + \glyph{asterisk}{1000} + \resetdepth{0} + \endresetglyph +\Fi + +% assumes that 2/3em = 667 and \width{endash} about 500 +\ifisglyph{endash}\then + \setglyph{twelveudash} + \ifisint{monowidth}\then + \glyph{hyphen}{1000} + \glyph{hyphen}{1000} + \Else + \glyph{endash}{1000} + \movert{\sub{667}{\mul{2}{\width{endash}}}} + \glyph{endash}{1000} + \comment{This assumes that \(2/3\,\mathrm{em} = 667\) and + that the leading of the \texttt{endash} is less than + \(333/4\).} + \Fi + \endsetglyph +\Fi + +% assumes that 3/4em = 750 and \width{endash} = 500 +\ifisglyph{endash}\then + \setglyph{threequartersemdash} + \ifisint{monowidth}\then + \glyph{hyphen}{1000} + \glyph{hyphen}{1000} + \Else + \glyph{endash}{1000} + \movert{\sub{750}{\mul{2}{\width{endash}}}} + \glyph{endash}{1000} + \comment{This assumes that the leading of the + \texttt{endash} is less than \(250/4\).} + \Fi + \endsetglyph +\Fi + +% questionable fakery, doesn't really work with all fonts +\ifisglyph{bracketleft}\then + \setglyph{openbracketleft} + \ifisint{monowidth}\then + \glyph{bracketleft}{1000} + \glyph{bracketleft}{1000} + \Else + \glyph{bracketleft}{1000} + \movert{\neg{\scale{\width{bracketleft}}{666}}} + \glyph{bracketleft}{1000} + \comment{This is questionable fakery, which doesn't + really work with all fonts.} + \Fi + \endsetglyph +\Fi + +% questionable fakery, doesn't really work with all fonts +\ifisglyph{bracketright}\then + \setglyph{openbracketright} + \ifisint{monowidth}\then + \glyph{bracketright}{1000} + \glyph{bracketright}{1000} + \Else + \glyph{bracketright}{1000} + \movert{\neg{\scale{\width{bracketright}}{666}}} + \glyph{bracketright}{1000} + \comment{This is questionable fakery, which doesn't + really work with all fonts.} + \Fi + \endsetglyph +\Fi + +% questionable fakery, doesn't really work with all fonts +\ifisglyph{bar}\then + \setglyph{bardbl} + \ifisint{monowidth}\then + \glyph{bar}{1000} + \glyph{bar}{1000} + \Else + \glyph{bar}{1000} + \movert{\neg{\scale{\width{bar}}{333}}} + \glyph{bar}{1000} + \comment{This is questionable fakery, which doesn't + really work with all fonts.} + \Fi + \endsetglyph +\Fi + +\ifareglyphs{degree,C}\then + \setglyph{centigrade} + \glyph{degree}{1000} + \glyph{C}{1000} + \resetitalic{\italic{C}} + \endsetglyph +\Fi + +\ifisglyph{Euro}\then + \setglyph{euro} + \glyph{Euro}{1000} + \endsetglyph +\Else\ifisglyph{C}\then + \setglyph{euro} + \movert{50} + \push + \moveup{\half{\sub{\height{C}}{\depth{C}}}} + \movert{\scale + {\half{\sub{\height{C}}{\depth{C}}}} + {\int{italicslant}} + } + \push + \moveup{\scale{\int{underlinethickness}}{1500}} + \glyphrule{\scale{\width{C}}{750}}{\int{underlinethickness}} + \pop + \moveup{\scale{\int{underlinethickness}}{-1500}} + \glyphrule{\scale{\width{C}}{700}}{\int{underlinethickness}} + \comment{That this bar is slightly shorter than the previous + is deliberate. That the two bars are not quite centered + around the vertical midpoint is also deliberate.} + \pop + \movert{50} + \comment{This movement should be much larger for some fonts, + e.g. New Century Schoolbook Italic, but experiments indicate + that it is independent of the italic slant.} + \glyph{C}{1000} + \resetitalic{\italic{C}} + \endsetglyph +\Fi\Fi + +\ifareglyphs{question,exclam}\then + \setglyph{interrobang} + \push + \movert{\add{\half{\sub{\width{question}}{\width{exclam}}}}{-50}} + \comment{The extra $-50$ serves to separate the exclamation mark + from the right side of the question mark.} + \glyph{exclam}{1000} + \pop + \glyph{question}{1000} + \endsetglyph +\Fi +\ifareglyphs{questiondown,exclamdown}\then + \setglyph{interrobangdown} + \push + \movert{\add + {\half{\sub{\width{questiondown}}{\width{exclamdown}}}} + {50} + } + \glyph{exclamdown}{1000} + \pop + \glyph{questiondown}{1000} + \endsetglyph +\Fi + + +\begincomment +\section{Unfakable glyphs} +In general, every glyph is unfakable unless we know how to fake it. +\endcomment + +\unfakableaccent{capitalgrave} % 8r,8y +\unfakableaccent{capitalacute} % 8r,8y +\unfakableaccent{capitalcircumflex} % 8r,8y +\unfakableaccent{capitaltilde} % 8r,8y +\unfakableaccent{capitaldieresis} % 8r,8y +\unfakableaccent{capitalhungarumlaut} % 8r,8y +\unfakableaccent{capitalring} % 8r,8y +\unfakableaccent{capitalcaron} % 8r,8y +\unfakableaccent{capitalbreve} % 8r,8y +\unfakableaccent{capitalmacron} % 8r,8y +\unfakableaccent{capitaldotaccent} % 8r,8y +\unfakable{capitalcedilla} % 8r,8y +\unfakable{capitalogonek} % 8r,8y +\unfakable{quotesinglbase} % 8r,8y +\unfakable{quotedblbase} % 8r,8y +\unfakable{twelveudash} % faked 8r,8x +\unfakable{threequartersemdash} % 8x (Adobe) +\unfakable{arrowleft} +\unfakable{arrowright} +\unfakableaccent{tieaccentlowercase} +\unfakableaccent{tieaccentcapital} +\unfakableaccent{newtieaccentlowercase} +\unfakableaccent{newtieaccentcapital} +\unfakable{blank} +\unfakable{dollar} % 8r,8y +\unfakable{quotesingle} % 8r,8y +\unfakable{asteriskcentered} % faked 8r,8y +\unfakable{comma} % 8r,8y +\unfakable{hyphendbl} +\unfakable{period} % 8r,8y +\unfakable{fraction} % 8r,8y +\unfakable{angbracketleft} +\unfakable{minus} % 8r,8y +\unfakable{angbracketright} +\unfakable{Omegainv} +\unfakable{bigcircle} +\unfakable{Omega} +\unfakable{openbracketleft} % faked 8r,8y +\unfakable{openbracketright} % faked 8r,8y +\unfakable{arrowup} +\unfakable{arrowdown} +\unfakable{asciigrave} % 8r,8y +\unfakable{born} +\unfakable{divorced} +\unfakable{died} +\unfakable{leaf} +\unfakable{married} +\unfakable{musicalnote} +\unfakable{tildelow} % 8r,8y +\unfakable{hyphendblchar} +\unfakable{asciibreve} % 8r,8y +\unfakable{asciicaron} % 8r,8y +\unfakable{asciiacutedbl} % faked 8r,8y +\unfakable{asciigravedbl} % faked 8r,8y +\unfakable{dagger} % 8r,8y +\unfakable{daggerdbl} % 8r,8y +\unfakable{bardbl} % faked 8r,8y +\unfakable{perthousand} % 8r,8y +\unfakable{bullet} % 8r,8y +\unfakable{centigrade} % faked 8r,8y +\unfakable{dollaroldstyle} % 8x (Adobe) +\unfakable{centoldstyle} % 8x (Adobe) +\unfakable{florin} % 8r,8y +\unfakable{colonmonetary} % 8x (Adobe) +\unfakable{won} +\unfakable{naira} +\unfakable{guarani} +\unfakable{peso} +\unfakable{lira} % 8x (URW) +\unfakable{recipe} +\unfakable{interrobang} +\unfakable{interrobangdown} +\unfakable{dong} +\unfakable{trademark} % 8r,8y +\unfakable{pertenthousand} % faked 8x +\unfakable{pilcrow} +\unfakable{baht} +\unfakable{numero} +\unfakable{discount} +\unfakable{estimated} +\unfakable{openbullet} +\unfakable{servicemark} +\unfakable{quillbracketleft} +\unfakable{quillbracketright} +\unfakable{cent} % 8r,8y +\unfakable{sterling} % 8r,8y +\unfakable{currency} % 8r,8y +\unfakable{yen} % 8r,8y +\unfakable{brokenbar} % 8r,8y +\unfakable{section} % 8r,8y +\unfakable{asciidieresis} % 8r,8y +\unfakable{copyright} % 8r,8y +\unfakable{ordfeminine} % 8r,8y +\unfakable{copyleft} +\unfakable{logicalnot} % 8r,8y +\unfakable{circledP} +\unfakable{registered} % 8r,8y +\unfakable{asciimacron} % 8r,8y +\unfakable{degree} % 8r,8y +\unfakable{plusminus} % 8r,8y +\unfakable{twosuperior} % 8r,8y +\unfakable{threesuperior} % 8r,8y +\unfakable{asciiacute} % 8r,8y +\unfakable{mu} % 8r,8y +\unfakable{paragraph} % 8r,8y +\unfakable{periodcentered} % 8r,8y +\unfakable{referencemark} +\unfakable{onesuperior} % 8r,8y +\unfakable{ordmasculine} % 8r,8y +\unfakable{radical} +\unfakable{onequarter} % 8r,8y +\unfakable{onehalf} % 8r,8y +\unfakable{threequarters} % 8r,8y +\unfakable{euro} % faked 8r,8y +\unfakable{multiply} % 8r,8y +\unfakable{divide} % 8r,8y + + +% \begincomment +% \section{Accents} +% \TeX's math accent-positioning requires accents to have zero depth, +% but is that really relevant for these accents? +% \endcomment +% +% \setcommand\zerodepth#1{ +% \ifisglyph{#1}\then +% \resetglyph{#1} +% \glyph{#1}{1000} +% \resetdepth{0} +% \endresetglyph +% \Fi +% } +% \zerodepth{capitalgrave} +% \zerodepth{capitalacute} +% \zerodepth{capitalcircumflex} +% \zerodepth{capitaltilde} +% \zerodepth{capitaldieresis} +% \zerodepth{capitalhungarumlaut} +% \zerodepth{capitalring} +% \zerodepth{capitalcaron} +% \zerodepth{capitalbreve} +% \zerodepth{capitalmacron} +% \zerodepth{capitaldotaccent} + +\endmetrics + +\section{Changes} + +1999/10/25: Definition of \verb|\unfakable| simplified. (UV\&LH) +Rationale: It is thoroughly confusing if the size of the black box +created by \verb|\unfakable| depends on the metrics of an unencoded +glyph that isn't accessible and therefore unavailable for all +pratical purposes. + +February--March 2003: Explicitly centering the +\texttt{asteriskcentered}. Introduced the \textit{vaxis} integer. (WaS) + +2003/07/09: +Making use of \verb|\showbranches|, \verb|\begincomment|, and +\verb|\endcomment|. Make definitions of \texttt{twelveudash} and +\texttt{threequartersemdash} less dependent on the exact width of +\texttt{endash}. Added a fake definition of \texttt{euro}. (LH) + +2003/07/10: +Commented out section on zero-depth accents. (LH) Rationale: +\texttt{TS1}-encoded fonts are, to my knowledge, never used in math. + +2003/07/13: +Added some \verb|\resetitalic| commands. Added fakes for +\texttt{interrobang} and \texttt{interrobangdown}. Using an +\verb|unfakableaccent| for unfakable accents. (LH) Rationale: +The result becomes much more readable. + +\end{document} diff --git a/Master/texmf-dist/tex/fontinst/smblmtx/unsetnum.mtx b/Master/texmf-dist/tex/fontinst/smblmtx/unsetnum.mtx new file mode 100644 index 00000000000..c9f89b9ea9a --- /dev/null +++ b/Master/texmf-dist/tex/fontinst/smblmtx/unsetnum.mtx @@ -0,0 +1,62 @@ +% Copyright 1998, 1999 the fontinst maintenance team and any individual +% authors listed elsewhere in this file. All rights reserved. +% +% This file is part of the fontinst system version 1.9. +% ----------------------------------------------------- +% +% It may be distributed under the terms of the LaTeX Project Public +% License, as described in lppl.txt in the base LaTeX distribution. +% Either version 1.0 or, at your option, any later version. +% +%%% ==================================================================== +%%% @TeX-font-metrics-file{ +%%% author = "Ulrik Vieth", +%%% version = "1.910", +%%% date = "16 November 1999", +%%% time = "23:02:47 CET", +%%% filename = "unsetnum.mtx", +%%% email = "fontinst@cogs.susx.ac.uk", +%%% URL = "http://www.tug.org/applications/fontinst/", +%%% checksum = "24513 62 213 1967", +%%% codetable = "ISO/ASCII", +%%% keywords = "metrics, raw, TeX, PostScript", +%%% supported = "yes", +%%% abstract = "This is a metrics file, for use with the +%%% fontinst utility. It makes glyph names +%%% for numerals undefined.", +%%% package = "fontinst", +%%% dependencies = "fontinst.sty, fontdoc.sty", +%%% } +%%% ==================================================================== + +\relax + +\documentclass[twocolumn]{article} +\usepackage{fontdoc} + +\title{The \texttt{unsetnum.mtx} metrics file} +\author{Ulrik Vieth} +\date{16 November 1999 \\ +Version 1.910} + +\begin{document} +\maketitle + +This document describes the \texttt{unsetnum.mtx} metrics file, which is +used to make glyph names for numerals undefined. + +\metrics + +\unsetglyph{zero} +\unsetglyph{one} +\unsetglyph{two} +\unsetglyph{three} +\unsetglyph{four} +\unsetglyph{five} +\unsetglyph{six} +\unsetglyph{seven} +\unsetglyph{eight} +\unsetglyph{nine} + +\endmetrics +\end{document} |