diff options
author | Karl Berry <karl@freefriends.org> | 2007-01-09 17:00:57 +0000 |
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committer | Karl Berry <karl@freefriends.org> | 2007-01-09 17:00:57 +0000 |
commit | 758542dcaf9fe598599f7c12a26786e614d66647 (patch) | |
tree | b0527f36ee1b0fc5e0e7abcaf49dd5176be6e471 /Master/texmf-dist/source/xelatex | |
parent | 495c69687a8bde0ee29922154b52671aec54ec63 (diff) |
new xelatex package+font philokalia
git-svn-id: svn://tug.org/texlive/trunk@3276 c570f23f-e606-0410-a88d-b1316a301751
Diffstat (limited to 'Master/texmf-dist/source/xelatex')
-rw-r--r-- | Master/texmf-dist/source/xelatex/philokalia/philokalia.dtx | 222 | ||||
-rw-r--r-- | Master/texmf-dist/source/xelatex/philokalia/philokalia.ins | 55 |
2 files changed, 277 insertions, 0 deletions
diff --git a/Master/texmf-dist/source/xelatex/philokalia/philokalia.dtx b/Master/texmf-dist/source/xelatex/philokalia/philokalia.dtx new file mode 100644 index 00000000000..cc20cbb400a --- /dev/null +++ b/Master/texmf-dist/source/xelatex/philokalia/philokalia.dtx @@ -0,0 +1,222 @@ +%% \CharacterTable +%% {Upper-case \A\B\C\D\E\F\G\H\I\J\K\L\M\N\O\P\Q\R\S\T\U\V\W\X\Y\Z +%% Lower-case \a\b\c\d\e\f\g\h\i\j\k\l\m\n\o\p\q\r\s\t\u\v\w\x\y\z +%% Digits \0\1\2\3\4\5\6\7\8\9 +%% Exclamation \! Double quote \" Hash (number) \# +%% Dollar \$ Percent \% Ampersand \& +%% Acute accent \' Left paren \( Right paren \) +%% Asterisk \* Plus \+ Comma \, +%% Minus \- Point \. Solidus \/ +%% Colon \: Semicolon \; Less than \< +%% Equals \= Greater than \> Question mark \? +%% Commercial at \@ Left bracket \[ Backslash \\ +%% Right bracket \] Circumflex \^ Underscore \_ +%% Grave accent \` Left brace \{ Vertical bar \| +%% Right brace \} Tilde \~} +%\iffalse +% +% (c) Copyright 2007 Apostolos Syropoulos +% This program can be redistributed and/or modified under the +% terms of the LaTeX Project Public License Distributed from +% http://www.latex-project.org/lppl.txt; either +% version 1.3c of the License, or any later version. +% +% This work has the LPPL maintenance status `maintained'. +% +% Please report errors or suggestions for improvement to +% +% Apostolos Syropoulos (asyropoulos@yahoo.com) +% +%\fi +% \CheckSum{32} +% \iffalse This is a Metacomment +% +%<philokalia>\ProvidesFile{philokalia.sty} +%<EU1plk>\ProvidesFile{eu1plk.fd} +% +%<philokalia>[2007/01/07 v1.0 Package `philokalia'] +%<EU1plk>[2007/01/07 v1.0 Philokalia-Regular Support File] +% +% \begin{macrocode} +%<*driver> +\documentclass{ltxdoc} +\usepackage[local]{philokalia} +\GetFileInfo{philokalia.drv} +\begin{document} + \DocInput{philokalia.dtx} +\end{document} +%</driver> +% \end{macrocode} +% \fi +% +%\title{The \textsf{philokalia} package} +%\author{Apostolos Syropoulos\\366, 28th October Str.\\ +%GR-671 00 Xanthi, HELLAS\\ +%Email:\texttt{asyropoulos@yahoo.com}} +% \date{2007/01/07} +%\maketitle +%\begin{abstract} +% This document describes the functionality of the \textsf{philokalia} package, which +% have been designed to ease the use of the Philokalia-Regular OpenType font with \XeLaTeX, as well as +% the OpenType features of the Philokalia-Regular font. +%\end{abstract} +%\StopEventually{} +%\section{Introduction} +% The \textsf{philokalia} package has been designed to ease the use of the Philokalia-Regular (henceforward +% it will specified simply as the font) +% OpenType font with \XeLaTeX. The package provides two options: \texttt{global} and \texttt{local}. +% When the package is used with the \texttt{global} option, which is the default option, the font +% is made the main font of the entire document, while when the package is used with the \texttt{local} +% option, it just provides the commands \verb=\textphlk= and \verb=\phkl=. The first command takes +% one argument which is typeset using the font. The second command makes the font the main font of +% current environment, local scope, or the rest of the document. The complete package provides the +% following \XeLaTeX\ files: +%\begin{center} +% \begin{tabular}{ll} +% driver & produce the documentation \\ +% philokalia & the package itself \\ +% EU1pkl & The Philokalia font shapes\\ +% \end{tabular} +% \end{center} +% +% \section{About The Font} +% +% The font started as a project to digitize the typeface +% used to typeset the Philokalia books. For information regarding these books, the reader +% should visit either the following URL: +%\begin{center} +% \verb=http://orthodoxwiki.org/Philokalia= +%\end{center} +% or enter the word {\em philokalia} in the Amazon.com search box. The project was carried out by +% Apostolos Syropoulos and Ioannis Gamvets. Initially, the project was part +% of Ioannis Gamvetas's diploma thesis, but the resulting Opetype font is not part of this +% thesis work and it was developed by this author. The original thesis work was to develop Type~1 fonts +% and tools to typeset portions of the Philokalia books with Omega. Since, the original thesis work has +% not been completed yet (!), the idea of releasing an OpenType font emerged quite naturally. +% The font contains only Greek letters but it can be used to typeset any Greek text. However, since the +% shapes of the letters are not that obvious, here is a ``translation''-table: +% \begin{center} +% \begin{tabular}{cccccccccc} +% \textphlk{α} & \texttt{α} & \textphlk{β} & \texttt{β} & \textphlk{γ} & \texttt{γ} & +% \textphlk{δ} & \texttt{δ} & \textphlk{ε} & \texttt{ε} \\ +% \textphlk{ζ} & \texttt{ζ} & \textphlk{η} & \texttt{η} & \textphlk{θ} & \texttt{θ} & +% \textphlk{ι} & \texttt{ι} & \textphlk{κ} & \texttt{κ} \\ +% \textphlk{λ} & \texttt{λ} & \textphlk{μ} & \texttt{μ} & \textphlk{ν} & \texttt{ν} & +% \textphlk{ξ} & \texttt{ξ} & \textphlk{ο} & \texttt{ο} \\ +% \textphlk{π} & \texttt{π} & \textphlk{ρ} & \texttt{ρ} & \textphlk{σ} & \texttt{σ} & +% \textphlk{ς} & \texttt{ς} & \textphlk{τ} & \texttt{τ} \\ +% \textphlk{υ} & \texttt{υ} & \textphlk{φ} & \texttt{φ} & \textphlk{χ} & \texttt{χ} & +% \textphlk{ψ} & \texttt{ψ} & \textphlk{ω} & \texttt{ω} +% \end{tabular} +% \end{center} +% One of the interesting aspect of this font is that accents are placed {\em after} capital +% letters (see the sample below). Another interesting aspect of the font is the great number of +% ligatures it provides. In fact, it provides more than 40 {\em historical} ligatures plus two +% {\em contextual} ligatures. When typing \texttt{κι} and these letters are not part of a word, then +% one gets the \textphlk{κι} symbol, which is the Greek ampersand. The same ligature can be +% obtained if we substiture {\em iota} with {\em iota with varia}. The table below shows all the +% ligatures provided by the font: +% \begin{center} +% \begin{tabular}{llllllllll} +% \textphlk{λλ} & \texttt{λλ} & \textphlk{ἀν} & \texttt{ἀν} & \textphlk{εν} & \texttt{εν} & +% \textphlk{γάρ} & \texttt{γάρ} & \textphlk{κατὰ} & \texttt{κατὰ} \\ +% \textphlk{μετὰ} & \texttt{μετὰ} & \textphlk{στί} & \texttt{στί} & \textphlk{σθ} & \texttt{σθ} & +% \textphlk{σχ} & \texttt{σχ} & \textphlk{τῶν} & \texttt{τῶν} \\ +% \textphlk{χρ} & \texttt{χρ} & \textphlk{καὶ} & \texttt{καὶ} & \textphlk{σσ} & \texttt{σσ} & +% \textphlk{δια} & \texttt{δια} & \textphlk{ευ} & \texttt{ευ} \\ +% \textphlk{εὑ} & \texttt{εὑ} & \textphlk{εὐ} & \texttt{εὐ} & \textphlk{ου} & \texttt{ου} & +% \textphlk{ού} & \texttt{ού} & \textphlk{οὺ} & \texttt{οὺ} \\ +% \textphlk{οὖ} & \texttt{οὖ} & \textphlk{οὗ} & \texttt{οὗ} & \textphlk{εύ} & \texttt{εύ} & +% \textphlk{αι} & \texttt{αι} & \textphlk{αῖ} & \texttt{αῖ} \\ +% \textphlk{αί} & \texttt{αί} & \textphlk{αὶ} & \texttt{αὶ} & \textphlk{αἰ} & \texttt{αἰ} & +% \textphlk{αύ} & \texttt{αύ} & \textphlk{ει} & \texttt{ει} \\ +% \textphlk{εῖ} & \texttt{εῖ} & \textphlk{όξ} & \texttt{όξ} & \textphlk{ὄξ} & \texttt{ὄξ} & +% \textphlk{ρί} & \texttt{ρί} & \textphlk{ρὶ} & \texttt{ρὶ} \\ +% \textphlk{ρῖ} & \texttt{ρῖ} & \textphlk{ἡν} & \texttt{ἡν} & \textphlk{ην} & \texttt{ην} & +% \textphlk{ῆν} & \texttt{ῆν} & \textphlk{ήν} & \texttt{ήν} \\ +% \textphlk{υν} & \texttt{υν} & \textphlk{ύν} & \texttt{ύν} & \textphlk{΄-} & \texttt{΄-} & +% \textphlk{στ} & \texttt{στ} +% \end{tabular} +% \end{center} +% Notice that in order to get the \textphlk{΄-} symbol one has to type a tonos and then a +% hyphen. This symbol has been used by the ancient Greek mathematician Diophantus to denote +% the minus sign. This symbol was not in the original Philokalia font, but it has been +% included here for reasons of completeness. Future releases of the font may contain some more +% mathematical symbols. In case, someone wants only to use this symbol, she can use the +% \verb=\dminus= command. +% +% These ligatures really honor content and most of them are really rare in the sense that are not +% used in modern Greek typography. We provide +% a short passage from Aristotle's treatise {\em The Poetics} typeset with the font so that readers can +% appreciate the beauty of these ligatures: +% \begin{quotation} +%\fontfamily{plk}\selectfont\language\ancientgreek +%1. Περὶ ποιητικῆς αὐτῆς τε καὶ τῶν εἰδῶν αὐτῆς, ἥν τινα δύναμιν ἕκαστον ἔχει, +%καὶ πῶς δεῖ συνίστασθαι τοὺς μύθους εἰ μέλλει καλῶς ἕξειν ἡ ποίησις, ἔτι δὲ ἐκ πόσων καὶ ποίων +%ἐστὶ μορίων, ὁμοίως δὲ καὶ περὶ τῶν ἄλλων ὅσα τῆς αὐτῆς ἐστι μεθόδου, λέγωμεν ἀρξάμενοι κατὰ φύσιν +%πρῶτον ἀπὸ τῶν πρώτων. +% +%Ἐποποιία δὴ καὶ ἡ τῆς τραγῳδίας ποίησις ἔτι δὲ κωμῳδία καὶ ἡ διθυραμβοποιητικὴ καὶ τῆς αὐλητικῆς +%ἡ πλείστη καὶ κιθαριστικῆς πᾶσαι τυγχάνουσιν οὖσαι μιμήσεις τὸ σύνολον· διαφέρουσι δὲ ἀλλήλων τρισίν, +%ἢ γὰρ τῷ ἐν ἑτέροις μιμεῖσθαι ἢ τῷ ἕτερα ἢ τῷ ἑτέρως καὶ μὴ τὸν αὐτὸν τρόπον. +% +%Ὥσπερ γὰρ καὶ χρώμασι καὶ σχήμασι πολλὰ μιμοῦνταί τινες ἀπεικάζοντες (οἱ μὲν [20] διὰ τέχνης οἱ δὲ διὰ συνηθείας), +%ἕτεροι δὲ διὰ τῆς φωνῆς, οὕτω κἀν ταῖς εἰρημέναις τέχναις ἅπασαι μὲν ποιοῦνται τὴν μίμησιν ἐν ῥυθμῷ καὶ λόγῳ καὶ +%ἁρμονίᾳ, τούτοις δ᾽ ἢ χωρὶς ἢ μεμιγμένοις· οἷον ἁρμονίᾳ μὲν καὶ ῥυθμῷ χρώμεναι μόνον ἥ τε αὐλητικὴ καὶ ἡ κιθαριστικὴ +%κἂν εἴ τινες [25] ἕτεραι τυγχάνωσιν οὖσαι τοιαῦται τὴν δύναμιν, οἷον ἡ τῶν συρίγγων, αὐτῷ δὲ τῷ ῥυθμῷ [μιμοῦνται] +%χωρὶς ἁρμονίας ἡ τῶν ὀρχηστῶν (καὶ γὰρ οὗτοι διὰ τῶν σχηματιζομένων ῥυθμῶν μιμοῦνται καὶ ἤθη καὶ πάθη καὶ πράξεις)· +% \end{quotation} +% \section{The package \textsf{philokalia}} +% The code of the \textsf{philokalia} package is really very simple. First, we specify what has to be +% done when the package is invoked with the corresponding option and then load some reuired packages. +% \begin{macrocode} +%<*philokalia> +\DeclareOption{global}{% + \renewcommand{\rmdefault}{plk}% +} +\DeclareOption{local}{% + \def\phkl{\fontfamily{plk}\selectfont}% + \newcommand{\textphlk}[1]{{\phkl #1}}% +} +\ExecuteOptions{global} +\ProcessOptions +\RequirePackage{fontspec} +\RequirePackage{xunicode} +\RequirePackage{xltxtra} +% \end{macrocode} +% The command \verb|\dminus| provides access to the glyph that represents Diophantus minus sign. +% \begin{macrocode} +\def\dminus{{\fontfamily{plk}\selectfont\char"0185}} +%</philokalia> +% \end{macrocode} +% +% \section{The Font Definition File} +% Since there is only one font shape, there is not much work to do: we just need to specify +% the available font properties: +% \begin{macrocode} +%<*EU1plk> +\DeclareFontFamily{EU1}{plk}{} +\DeclareFontShape{EU1}{plk}{m}{n}% + {<-> "[Philokalia-Regular]/ICU:script=grek,+hlig,+clig:mapping=tex-text"}{ +} +% \end{macrocode} +% And here we define the default substitutions: +% \begin{macrocode} +\DeclareFontShape{EU1}{plk}{m}{sl}{<-> ssub * plk/m/n}{} +\DeclareFontShape{EU1}{plk}{m}{it}{<-> ssub * plk/m/sl}{} +\DeclareFontShape{EU1}{plk}{m}{sc}{<-> ssub * plk/m/n}{} +\DeclareFontShape{EU1}{plk}{b}{n}{<-> ssub * plk/m/n}{} +\DeclareFontShape{EU1}{plk}{b}{sl}{<-> ssub * plk/m/n}{} +\DeclareFontShape{EU1}{plk}{b}{it}{<-> ssub * plk/m/n}{} +\DeclareFontShape{EU1}{plk}{bx}{n}{<-> ssub * plk/b/n}{} +\DeclareFontShape{EU1}{plk}{bx}{it}{<-> ssub * plk/b/sl}{} +\DeclareFontShape{EU1}{plk}{bx}{sl}{<-> ssub * plk/b/sl}{} +%</EU1plk> +% \end{macrocode} +% +% \section*{Acknowledgement} +% Firts of all, I thank Ioannis Gamvetas for his collaboration back in the years 2002-2003. +% Also, I would like to thank George Williams, the designer of FontForge, the free font-editor, for all his +% valuable help, Adam Twardoch for explaining to me how to implement the contextual ligature, and Dimitrios +% Philippou for his comments and suggestions. Last, but certainly not least, I thank my son for his help! +% \Finale diff --git a/Master/texmf-dist/source/xelatex/philokalia/philokalia.ins b/Master/texmf-dist/source/xelatex/philokalia/philokalia.ins new file mode 100644 index 00000000000..cff7cc831a3 --- /dev/null +++ b/Master/texmf-dist/source/xelatex/philokalia/philokalia.ins @@ -0,0 +1,55 @@ +%% Copyright 1999 Apostolos Syropoulos +%% +%% This file is part of the `grtimes' package. +%% You are not allowed to modify its contents. +%% +\def\filedate{2007/01/07} +\def\batchfile{philokalia.ins} +\input docstrip.tex + +{\ifx\generate\undefined +\Msg{**********************************************} +\Msg{*} +\Msg{* This installation requires docstrip} +\Msg{* version 2.3c or later.} +\Msg{*} +\Msg{* An older version of docstrip has been input} +\Msg{*} +\Msg{**********************************************} +\errhelp{Move or rename old docstrip.tex.} +\errmessage{Old docstrip in input path} +\batchmode +\csname @@end\endcsname +\fi} + +\preamble + + (c) Copyright 2007 Apostolos Syropoulos + This program can be redistributed and/or modified under the + terms of the LaTeX Project Public License Distributed from + http://www.latex-project.org/lppl.txt; either + version 1.3c of the License, or any later version. + + This work has the LPPL maintenance status `maintained'. + + Please report errors or suggestions for improvement to + + Apostolos Syropoulos (asyropoulos@yahoo.com) + +\endpreamble + + +\keepsilent + +\generate{\generateFile{philokalia.sty}{f}{\from{philokalia.dtx}{philokalia}} + \generateFile{eu1plk.fd}{f}{\from{philokalia.dtx}{EU1plk}}} +\postamble +\endpostamble +\Msg{**********************************************************} +\Msg{* To finish installation you have to copy} +\Msg{* the .fd files, the .mf file and the .sty} +\Msg{* file in the appropriate directories and to} +\Msg{* rehash your TeX, if it is required to do so.} +\Msg{* Happy XeTeXing!} +\Msg{**********************************************************} +\endinput |