diff options
author | Norbert Preining <preining@logic.at> | 2006-11-03 06:16:00 +0000 |
---|---|---|
committer | Norbert Preining <preining@logic.at> | 2006-11-03 06:16:00 +0000 |
commit | a6d4e22f961008636a3bfc36f89570e6fa0c85f6 (patch) | |
tree | 9d13f81b2a37ab6bdf3336066017d4cb5e701011 /Master/texmf-dist/source/latex/screenplay | |
parent | e9b9a3f32d1a5b371fa2256f098ee4b158f6df1d (diff) |
several updates (sorry Karl, it was a long train ride):
updates of packages: screenplay, bussproofs computational-complexity
dvdcoll gnuplottex mathmode movie15 pgf pstricks-add pst-labo
trfsigns (dvi->pdf move, COPYING file to doc) toptesi tocvsec2 thumb
textfit (doc move)
added to tpm-ctan-check: typogrid trsym trfsigns tracking toptesi toolbox
todo tocvsec2 tocloft tocbibind titling titlefoot thumb textopo textfit
teubner tensor
git-svn-id: svn://tug.org/texlive/trunk@2382 c570f23f-e606-0410-a88d-b1316a301751
Diffstat (limited to 'Master/texmf-dist/source/latex/screenplay')
-rw-r--r-- | Master/texmf-dist/source/latex/screenplay/screenplay.dtx | 324 |
1 files changed, 216 insertions, 108 deletions
diff --git a/Master/texmf-dist/source/latex/screenplay/screenplay.dtx b/Master/texmf-dist/source/latex/screenplay/screenplay.dtx index b4421cc7897..55a0f51e2e8 100644 --- a/Master/texmf-dist/source/latex/screenplay/screenplay.dtx +++ b/Master/texmf-dist/source/latex/screenplay/screenplay.dtx @@ -34,7 +34,7 @@ %</dtx> %<driver>\ProvidesFile{screenplay.drv} % \fi -%\ProvidesFile{screenplay}[2006/10/08 v1.504 +%\ProvidesFile{screenplay}[2006/10/25 v1.516 % LaTeX2e Draft Screenplay document class % (C)2006 John Pate % released under the GNU General Public License] @@ -54,7 +54,7 @@ pdfsubject=LaTeX2e\ class\ documentation\ and\ source\ (C)2006\ John\ Pate] %</driver> % \fi % -% \CheckSum{312} +% \CheckSum{332} % \changes{1.0.0}{2006 Sep 23}{first \texttt{screenplay.dtx, 2006/09/23, v1.457}} % \changes{1.0.1}{2006 Sep 24}{minor code changes, revision to documentation, % v1.461} @@ -68,10 +68,6 @@ pdfsubject=LaTeX2e\ class\ documentation\ and\ source\ (C)2006\ John\ Pate] % v1.494} % \changes{1.0.6}{2006 Sep 30}{fixed typos, v1.496} % \changes{1.0.7}{2006 Oct 01}{revision to documentation, v1.499} -% \changes{1.0.8}{2006 Oct 02}{minor format fix, v1.500} -% \changes{1.0.9}{2006 Oct 06}{added \texttt{hardmarg.sty}, v1.502} -% \changes{1.1.0}{2006 Oct 08}{minor code changes, v1.503} -% \changes{1.1.1}{2006 Oct 08}{minor code changes, v1.504} % % \MakeShortVerb{\|} % @@ -89,10 +85,10 @@ pdfsubject=LaTeX2e\ class\ documentation\ and\ source\ (C)2006\ John\ Pate] % the \textit{Nicholl Fellowships in Screenwriting}. % Full-length feature film screenplays are submitted (for % a fee). You can win money but, more importantly, placing in -% the competition will make agents take notice. The -% \textit{Academy} recommends a particular format which this +% the competition will make agents take notice. +% \textit{The Academy} recommends a particular format which this % \texttt{class} file attempts to duplicate, using a -% \texttt{.pdf} available from the Academy website as the +% \texttt{.pdf} available from \textit{The Academy} website as the % model. This format has various functions, amongst which is a % gate-keeping function to show you have at least a first idea. % It also gives readers a better chance of assessing how long, @@ -104,12 +100,10 @@ pdfsubject=LaTeX2e\ class\ documentation\ and\ source\ (C)2006\ John\ Pate] % Letter size paper. I have a ream on my lap as I type: 20 % pound, 106 bright, acid free. My sister brought it from % America for me---it's very expensive to buy outside the US -% and not easy to find. However, if all else fails you can -% have a stationer cut down A3 80gsm paper for you. It won't -% be the same weight but it's unlikely anyone will notice. One -% might imagine it's at the photocopy stage that dealing with A4 -% in America becomes a nuisance---one more reason to put -% your magnum opus to the bottom of the pile. +% and not easy to find. One might imagine it's at the +% photocopy stage that dealing with A4 in America becomes +% a nuisance---one more reason to put your magnum opus +% to the bottom of the pile. % % Of course, if you didn't know this already you likely % need to do some serious reading and research \emph{before} @@ -163,9 +157,9 @@ pdfsubject=LaTeX2e\ class\ documentation\ and\ source\ (C)2006\ John\ Pate] % \texttt{test.pdf}. % % Make sure everything in the printing chain can deal properly -% with 8.5ins by 11ins letter paper. Print out your +% with 8.5ins by 11ins Letter paper. Print out your % version of \texttt{test} and the provided \texttt{test.pdf} -% (on letter paper of course!) and compare them. The two +% (on Letter paper of course!) and compare them. The two % printouts should be dimensionally identical. The left margin % should measure as \emph{exactly} 1.5ins. If not you have % an old version of \texttt{dvips} and/or your printer driver @@ -180,7 +174,7 @@ pdfsubject=LaTeX2e\ class\ documentation\ and\ source\ (C)2006\ John\ Pate] % The formatting required is minimalist. \texttt{screenplay.cls} will % issue an error message if you use any options. % -% |\documentclass{screenplay}[2006/10/08]| \\ +% |\documentclass{screenplay}[2006/10/25]| \\ % is your first command, you can give the optional date argument in % case of any earlier copies of \texttt{screenplay.cls} lying around. % I'll try not to break things retro-actively with later revisions @@ -208,7 +202,7 @@ pdfsubject=LaTeX2e\ class\ documentation\ and\ source\ (C)2006\ John\ Pate] % I made the time of day optional because my screenplay had % stuff happening in space where there is no time of % day. You will likely \emph{always} use either \textit{day} -% or \textit{night}. (Refer to the \textit{Academy's} information +% or \textit{night}. (Refer to \textit{The Academy's} information % on formatting.) Likewise there's an |\extslug[]{}| for EXT. % % After a slugline you would typically have some description. This @@ -228,7 +222,7 @@ pdfsubject=LaTeX2e\ class\ documentation\ and\ source\ (C)2006\ John\ Pate] % Do not put any blank lines in dialogue text. % % So you wander on with your screenplay requiring little in the -% way of \LaTeXe's spiffy powers until you reach the end of the +% way of \LaTeXe's powers until you reach the end of the % final scene. Personally I use \texttt{Elvis} with a selection % of macros in my \texttt{.exrc} to save me having to type the % commands I've invented. @@ -280,20 +274,24 @@ pdfsubject=LaTeX2e\ class\ documentation\ and\ source\ (C)2006\ John\ Pate] % that has had manual linebreaks inserted but not manual pagebreaks. % % \section{Hard Margins package} -% +% \changes{1.0.9}{2006 Oct 06}{added \texttt{hardmarg.sty}, v1.502} +% % Here we're emulating a typewriter. On a typewriter, the left % margin is a hard stop, whereas the right margin is a bell % (those of us who typed in the stone age well remember % that ``ding''). Even the best typist would run past the % right margins by a character or two once in a while, sometimes -% deliberately. Hence the ``fudge factors'' interpolated by me. +% deliberately. Hence the ``fudge factors'' interpolated by me, +% which in days of yore would perhaps have been referred to as +% the \textit{gutter}. % % The provided \texttt{hardmarg.sty} shows you what happens % with the \textit{fudge factors} eliminated. Place the command % |usepackage{hardmarg}| in the document preamble % (i.e.\ between |\documentclass{|\ldots|}| and |\begin{document}|) % and judge for yourself. Personally I'll stick with my -% \textit{fudge}. All the brainwork makes me crave carbs anyway. +% \textit{fudge}. All the brain-work makes me crave carbs anyway. +% But if you want, use it to fix your script to tighter margins. % % \section{User customisation} % @@ -306,25 +304,31 @@ pdfsubject=LaTeX2e\ class\ documentation\ and\ source\ (C)2006\ John\ Pate] % class file by redefining the |\slugspace| command % e.g.\ |\renewcommand*{\slugspace}{ - }| % which will change the default 3em space to |em hyphen em| spacing. -% Likewise you could |\renewcommand*{\pov}{POV }| to lose the dots. +% Likewise you could |\renewcommand*{\pov}{POV}| to lose the dots. +% If for some strange reason you don't like \textit{The Academy's} use +% of uppercase for (MORE) and (CONT'D) you can |\renewcommand*| the +% |\more| and |\contd| macros. % % Should you not want page number 1 to appear on the first page % of the body of the script put the |\thispagestyle{empty}| command % in your document source file immediately \emph{after} the command % to build the title page. % -% \section{Specs from the Academy} +% Likely, in the usual \LaTeXe\ fashion, you should develop your own +% style package depending on what conventions you want to use. +% +% \section{Specs from \textit{The Academy}} % -% Be sure to read, carefully, and inwardly digest, \\ +% Be sure to read, carefully, and inwardly digest and re-read, \\ % \href{http://www.oscars.org/nicholl/format.html}% % {\texttt{http://www.oscars.org/nicholl/format.html}} \\ -% and view, \\ +% and, \\ % \href{http://www.oscars.org/nicholl/script.pdf}% % {\texttt{http://www.oscars.org/nicholl/script.pdf}}, \\ -% the model document. +% (the model document). % % \begin{itemize} -% \item Letter paper 8.5"x11.0" \\ +% \item 20lb Letter paper (8.5"x11.0") \\ % Courier 12pt, 10 pitch % % \item\textbf{Page} \nopagebreak \\ @@ -353,8 +357,13 @@ pdfsubject=LaTeX2e\ class\ documentation\ and\ source\ (C)2006\ John\ Pate] % \StopEventually{\PrintIndex\PrintChanges} % % \section{The Coding} +% \changes{1.0.8}{2006 Oct 02}{minor format fix, v1.500} +% \changes{1.1.0}{2006 Oct 08}{minor code changes, v1.503} +% \changes{1.1.1}{2006 Oct 08}{minor code changes, v1.504} +% \changes{1.1.5}{2006 Oct 19}{minor code changes, revision to +% comments, v1.511} % -% \texttt{screenplay.cls v1.504} was tested with\ldots +% \texttt{screenplay.cls v1.516} was tested with\ldots % \begin{itemize} % \item pdfe\TeX\ 3.141592-1.21a-2.2 (\Web2C\ 7.5.4) % \item \texttt{dvips(k)} 5.95a @@ -374,7 +383,7 @@ pdfsubject=LaTeX2e\ class\ documentation\ and\ source\ (C)2006\ John\ Pate] % \end{macrocode} % Say it like it is\ldots % \begin{macrocode} -\ProvidesClass{screenplay}[2006/10/08 v1.504 +\ProvidesClass{screenplay}[2006/10/25 v1.516 LaTeX2e Draft Screenplay document class (C)2006 John Pate released under the GNU General Public License] @@ -383,7 +392,7 @@ pdfsubject=LaTeX2e\ class\ documentation\ and\ source\ (C)2006\ John\ Pate] % \begin{macrocode} \DeclareOption*{% \PackageError{screenplay}{Unwanted option '\CurrentOption'}% - {There are no options available for class screenplay v1.504}} + {There are no options available for class screenplay v1.516}} \ProcessOptions\relax % \end{macrocode} % |ifthen| needed for testing for optional args\ldots @@ -392,20 +401,21 @@ pdfsubject=LaTeX2e\ class\ documentation\ and\ source\ (C)2006\ John\ Pate] % \end{macrocode} % Use \texttt{article} class for its base functionality, % \emph{must} be -% American letter paper \emph{not} A4, \texttt{screenplay.cls} +% American Letter paper \emph{not} A4, \texttt{screenplay.cls} % eats any papersize options and ignores them\ldots % \begin{macrocode} \LoadClass[12pt,letterpaper,onecolumn,oneside]{article}[2004/02/16] % \end{macrocode} -% \texttt{geometry} package makes dvips/pdf do the right thang -% for letter paper\ldots +% \texttt{geometry} package puts marks in to suggest to dvi interpretors +% to do the right thang for Letter paper\ldots % \begin{macrocode} \RequirePackage[dvips,letterpaper]{geometry}[2002/07/08] % \end{macrocode} -% \ldots and make sure your printer driver knows letter. -% Yes, you \emph{must} use American 8.5"x11" letter -% paper---stationers in the UK call it `quarto' paper, -% see\ldots\\ +% \ldots and make sure your printer driver (which means +% \textit{Ghostscript} in my case) knows Letter. +% I say again, you \emph{must} use American 8.5"x11" Letter +% paper---stationers in the UK may call it `US Quarto' if they've +% even heard of it, see\ldots\\ % \href{http://www.gwydir.demon.co.uk/jo/units/print.htm}% % {\texttt{http://www.gwydir.demon.co.uk/jo/units/print.htm}} % \begin{macrocode} @@ -429,7 +439,7 @@ pdfsubject=LaTeX2e\ class\ documentation\ and\ source\ (C)2006\ John\ Pate] \raggedright % \end{macrocode} % (you'll have to nuke |\raggedright| wherever found to test out -% hyphenation) +% hyphenation---but don't bother!) % % \begin{macro}{Page Nums} % Arabic top right, I'll live with where \TeX\ puts the margin\ldots @@ -440,20 +450,23 @@ pdfsubject=LaTeX2e\ class\ documentation\ and\ source\ (C)2006\ John\ Pate] % \begin{macro}{CR/LF} % Line spacing / pitch---it looks to me the standard % \LaTeXe\ \texttt{courier} font is correct pitch, -% 12pt line-spacing is what's in \texttt{script.pdf}\ldots +% 12pt skip is what's in \texttt{script.pdf}\ldots % \begin{macrocode} \setlength{\baselineskip}{12pt plus 0pt minus 0pt} % \end{macrocode} % and this |\baselinestretch| appears to emulate \texttt{script.pdf} -% closely\dots +% closely and, more importantly, measures up as matching the effect +% of the |\baselineskip| value---it matches what \textit{Movie Magic +% Screenwriter} does, for instance\dots % \begin{macrocode} \renewcommand*{\baselinestretch}{0.8} % \end{macrocode} -% adjust space above |\minipage| in dialogue to emulate -% description linebreaks, must be adjusted if |\baselinestretch| -% is altered\ldots +% \textit{vspace} adjustment in |\minipage| and |\parbox| in dialogue +% to correct line spacing, should likely be adjusted if +% |\baselinestretch| is altered for some (crazy) reason\ldots +% \changes{1.1.3}{2006 Oct 16}{minor format fix, v1.508} % \begin{macrocode} -\newcommand*{\dialfix}{\vspace{3pt}} +\newcommand*{\dialfix}{\vspace{2pt}} % \end{macrocode} % skip one line between paras\ldots % \begin{macrocode} @@ -472,40 +485,55 @@ pdfsubject=LaTeX2e\ class\ documentation\ and\ source\ (C)2006\ John\ Pate] % (will result in a total of |3em| space). % \end{macro} % \begin{macro}{Margins/tabs} +% \changes{1.1.4}{2006 Oct 17}{minor code changes, revision to documentation, v1.509} % See specs, -% fudge factors are needed to resemble the `correct' -% layout, take a ruler to it and \texttt{script.pdf}\ldots +% fudge factors (i.e.\ a ``gutter'') are needed to resemble +% the `correct' layout---take a ruler to it and \texttt{script.pdf}. % -% left margin 1.5", default 1" + +% 0.1" represents |1 em| in \texttt{courier} 12pt 10 pitch. +% \begin{macro}{left margin} +% 1.5", default 1" + % \begin{macrocode} \setlength{\evensidemargin}{0.5in} \setlength{\oddsidemargin}{0.5in} % \end{macrocode} -% top margin (0.5" to number, 1" to body)\ldots +% \end{macro} +% \begin{macro}{top margin} +% 0.5" to number, 1" to body\ldots % \begin{macrocode} \setlength{\topmargin}{-0.5in} \setlength{\headsep}{0.4in} \setlength{\topskip}{0in} % \end{macrocode} +% \end{macro} +% \begin{macro}{bottom margin} % 11" - (1" top margin) - (0.5" bottom) = % \begin{macrocode} \setlength{\textheight}{9.5in} % \end{macrocode} % \ldots bottom can go to 1.5" for page breaking purposes. +% \end{macro} % +% \begin{macro}{right margin} % 6" width for description text to give 1" right margin, +0.1" fudge\ldots % \begin{macrocode} -\setlength{\textwidth}{6.1in} -% \end{macrocode} -% \ldots so we can adjust centring and flush right to the `correct' -% margin\ldots -% \begin{macrocode} -\newcommand*{\widthfudge}{0.1in} +\setlength{\textwidth}{6.0in} +\newlength{\widthgutter} +\setlength{\widthgutter}{0.1in} +\addtolength{\textwidth}{\widthgutter} % \end{macrocode} +% (later on, we must adjust centring and flush right to the `correct' +% margin by subtracting |\widthgutter|). +% \end{macro} +% % \textbf{Tabbing / spacing dialogues}\\ % Width of dialogue text, 3" with 0.2" fudge\ldots % \begin{macrocode} -\newcommand*{\dialwidth}{3.2in} +\newlength{\dialwidth} +\setlength{\dialwidth}{3.0in} +\newlength{\dialgutter} +\setlength{\dialgutter}{0.2in} +\addtolength{\dialwidth}{\dialgutter} % \end{macrocode} % 3" from left edge of page (1.5" left margin + 1.5")\ldots % \begin{macrocode} @@ -518,19 +546,15 @@ pdfsubject=LaTeX2e\ class\ documentation\ and\ source\ (C)2006\ John\ Pate] % \end{macrocode} % parenthetical 1.5" with 0.2" fudge\ldots % \begin{macrocode} -\newcommand*{\parenwidth}{1.7in} +\newlength{\parenwidth} +\setlength{\parenwidth}{1.5in} +\addtolength{\parenwidth}{\dialgutter} % \end{macrocode} % parenthetical, tab in 3.7" (margin + |\dialtab| + |\parentab|) % from left edge of page\ldots % \begin{macrocode} \newcommand*{\parentab}{\hspace{0.7in}} % \end{macrocode} -% fix for formatting of multi-line parenthetical -% (I really should look at the \TeX\ source sometime because -% I don't know why I had to do this.)\ldots -% \begin{macrocode} -\newcommand*{\parenkludge}{\dialfix} -% \end{macrocode} % % AFAICS floats not involved\ldots % \begin{macrocode} @@ -655,6 +679,22 @@ pdfsubject=LaTeX2e\ class\ documentation\ and\ source\ (C)2006\ John\ Pate] % \end{macro} % End title page---author details % \end{macro} +% +% \begin{macro}{\more, \contd} +% \changes{1.1.6}{2006 Oct 22}{minor code changes, revision to +% documentation, v1.512} +% \textbf{More and Continued.} You may want to use these +% macros if you feel it's necessary to follow what appears to +% be the ``older'' style where they aren't only used for +% pagebreaks\ldots +% \begin{macrocode} +\newcommand*{\more}{(MORE)} +% \end{macrocode} +% \begin{macrocode} +\newcommand*{\contd}{(CONT'D)} +% \end{macrocode} +% \end{macro} +% % \textbf{Dialogue blocks}\ldots % \begin{macro}{\paren} % |\paren{hello world}| \\ @@ -663,7 +703,7 @@ pdfsubject=LaTeX2e\ class\ documentation\ and\ source\ (C)2006\ John\ Pate] % the optional argument is for internal use \emph{only}\ldots % \begin{macrocode} \newcommand{\paren}[2][\\]{% -#1\parentab\parbox[t]{\parenwidth}{\raggedright(#2)\parenkludge}\\ +#1\parentab\parbox[t]{\parenwidth}{\raggedright(#2)\dialfix}\\ }%paren % \end{macrocode} % \end{macro} @@ -678,7 +718,7 @@ pdfsubject=LaTeX2e\ class\ documentation\ and\ source\ (C)2006\ John\ Pate] % \begin{macrocode} \newenvironment{dialogue}[2][]{ -\dialtab\dialnametab\hbox{\MakeUppercase{#2}}\nopagebreak\\ +\dialtab\dialnametab\hbox{\MakeUppercase{#2}}\\* \dialtab\begin{minipage}[b]{\dialwidth} \dialfix \raggedright @@ -703,14 +743,14 @@ pdfsubject=LaTeX2e\ class\ documentation\ and\ source\ (C)2006\ John\ Pate] % have killed every muthafucka in the room!\dots % \begin{macrocode} \newcommand{\dialbreak}[2][]{ -\\\dialnametab\hbox{(MORE)}% +\\\dialnametab\hbox{\more}% \end{dialogue} \pagebreak \ifthenelse{\not\equal{#1}{}} { -\begin{dialogue}[#1]{\MakeUppercase{#2} (CONT'D)} +\begin{dialogue}[#1]{\MakeUppercase{#2} \contd} }{ -\begin{dialogue}{\MakeUppercase{#2} (CONT'D)} +\begin{dialogue}{\MakeUppercase{#2} \contd} } }%dialbreak % \end{macrocode} @@ -801,12 +841,11 @@ pdfsubject=LaTeX2e\ class\ documentation\ and\ source\ (C)2006\ John\ Pate] \ifthenelse{\not\equal{#1}{}} { -TITLE OVER (#1):\\ +TITLE OVER #1: }{ -TITLE OVER:\\ -} -\vspace{\baselineskip} -\nopagebreak +TITLE OVER: +}% +\\*[\baselineskip] \dialtab\begin{minipage}[b]{\dialwidth} \raggedright }{ @@ -820,28 +859,27 @@ TITLE OVER:\\ % pagebreak for titleover environment\ldots % \begin{macrocode} \newcommand{\titbreak}{ -\\\dialnametab\hbox{(MORE)}% +\\\dialnametab\hbox{\more}% \end{titleover} \pagebreak -\begin{titleover}[CONT'D] +\begin{titleover}[\contd] }%titbreak % \end{macrocode} % \end{macro} % \begin{macro}{\centretitle} % |\centretitle| |{short text}| \\ -% titleover for short text most often a date\ldots +% titleover for short text most often a date, centred with +% adjustment for gutter\ldots % \begin{macrocode} \newcommand{\centretitle}[1]{ -TITLE OVER: -\nopagebreak - -\hspace*{\fill}{#1}\hspace{\fill}\hspace{\widthfudge} +TITLE OVER:\\*[\baselineskip] +\hspace*{\fill}{#1}\hspace{\fill}\hspace{\widthgutter} }%centretitle % \end{macrocode} % \end{macro} -% \textbf{Other spiffy macros} +% \textbf{Other macros} % % \begin{macro}{\fadein} % |\fadein| \\ @@ -856,50 +894,46 @@ FADE IN: % \end{macro} % \begin{macro}{\fadeout} % |\fadeout| \\ -% always the last thing in your script, for some reason\ldots +% always the last thing in your script for some reason, +% flush right with adjustment for gutter\ldots % % \begin{macrocode} \newcommand{\fadeout}{ -\hspace*{\fill}FADE OUT:\hspace{\widthfudge} +\hspace*{\fill}FADE OUT:\hspace{\widthgutter} }%fadeout % \end{macrocode} % \end{macro} % \begin{macro}{\intercut} +% flush right with adjustment for gutter\ldots % \begin{macrocode} \newcommand{\intercut}{ -\hspace*{\fill}INTERCUT WITH:\hspace{\widthfudge} +\hspace*{\fill}INTERCUT WITH:\hspace{\widthgutter} }%intercut % \end{macrocode} % \end{macro} -% \textbf{Misc}---IMHO this stuff is useful for description, -% maybe you should develop your own style package for your -% own screenplays\ldots % \begin{macro}{\pov, \revert} -% switch point of view\ldots +% \changes{1.1.7}{2006 Oct 25}{minor revisions, v1.516} +% Switch point of view\ldots % \begin{macrocode} -\newcommand*{\pov}{P.O.V. } +\newcommand*{\pov}{P.O.V.} % \end{macrocode} % \ldots switch it back\ldots % \begin{macrocode} -\newcommand*{\revert}{REVERSE \pov } -% \end{macrocode} -% \end{macro} -% \begin{macro}{\nb} -% \begin{macrocode} -\newcommand*{\nb}{NOTE: } +\newcommand*{\revert}{REVERSE \pov} % \end{macrocode} % \end{macro} +% % \begin{macro}{\theend} % But this is what we've all been waiting for\ldots % OK, so this is actually the \emph{last} thing in the script\ldots % \begin{macrocode} \newcommand{\theend}{ -\hspace*{\fill}THE END\hspace{\fill}\hspace{\widthfudge} +\hspace*{\fill}THE END\hspace{\fill}\hspace{\widthgutter} }%THE END % \end{macrocode} @@ -914,11 +948,12 @@ FADE IN: % % \textbf{Hard Margins package} \\ % Re-defines margins to exactly as stated in \texttt{script.pdf}. -% Try it out and see why I don't like it. +% Try it out and see if you like it. Also shows you what +% todo if you want to fiddle with some of the margin settings\ldots % % Issue info as to what we do\ldots % \begin{macrocode} -\ProvidesPackage{hardmarg}[2006/10/08 v1.504 +\ProvidesPackage{hardmarg}[2006/10/25 v1.516 For use with class screenplay (C)2006 John Pate released under the GNU General Public License] @@ -926,20 +961,88 @@ released under the GNU General Public License] % Hard 1" right margin\ldots % \begin{macrocode} \setlength{\textwidth}{6.0in} -\renewcommand*{\widthfudge}{0in} +% \end{macrocode} +% Flushright and centring use this, so eliminate it\ldots +% \begin{macrocode} +\setlength{\widthgutter}{0in} % \end{macrocode} % Set dialogue to 3" width, right margin 2.5"\dots % \begin{macrocode} -\renewcommand*{\dialwidth}{3.0in} +\setlength{\dialwidth}{3.0in} % \end{macrocode} % Set parentheticals to 1.5" width, right margin 3.3"\ldots % \begin{macrocode} -\renewcommand*{\parenwidth}{1.5in} +\setlength{\parenwidth}{1.5in} % \end{macrocode} % \end{macro} %\iffalse %</hard> %\fi +% +% \section{More about paper} +% \changes{1.1.2}{2006 Oct 12}{revision to documentation, v1.507} +% +% Unless you're in America, getting Letter paper will be a problem. +% Another issue is that the recommended 20lb weight paper is +% equivalent to 75gsm, a non-standard weight for metric papers. +% (Well, strictly speaking the Americans have defined their measures +% using metric standards but let's not get into that.) +% Americans have a 24lb weight paper that's close to 80gsm. +% I've got samples of Letter in both 20lb and 80gsm. The same script, with +% the same card covers (240gsm plain white card) measures 12mm vs 15mm +% in thickness. The 80gsm stuff is noticeably heavier and thicker +% (less flexible). +% +% IMHO good quality 20lb is nicer in handling and you can very much +% tell the difference. Old-style typing paper was usually pretty +% thin for ``normal'' use. +% +% Copy Shops will cut down A3 paper to 8.5" by 11" for you but +% whether they'll get you 75gsm weight is another matter. One +% told me he could ``probably'' get 75gsm paper if I really +% wanted it. +% +% Buying Letter paper mail order in the UK is very expensive and +% I haven't seen American-style pound bond weights quoted---the +% ``heavy'' paper I have was sourced in the UK as +% XEROX PREMIER 216mm~x~279mm 80gsm. +% +% Another issue is that the paper must be three-hole punched. Specs +% gleaned from the Internet suggest that Letter three-hole paper is +% a central hole (i.e.\ 140mm down from the top edge) with the other +% two holes 108mm up, and down, from that central hole. I'm hoping +% to get some genuine three-hole from America to check that out, +% meantime I got a Copy Shop to drill a ream of paper for me (and +% some card for covers). I'd advise that if you can't buy punched +% paper, get a Copy Shop to drill it for you. It produces a vastly +% neater result than using a hole punch---and a suitable hole punch +% for ``home'' use is going to be rather expensive in any case. +% +% And then there's the paper fasteners\ldots\\ +% To cut a long story short, here's what you want: +% \begin{itemize} +% \item ACCO solid brass \#5 brads, 1.25" long, part number 71505; +% \item ACCO \#2 brass washers, part number 71511. +% \end{itemize} +% \ldots and a rubber mallet to hammer them in with. +% The rubber mallet is easy enough to come by but +% you'll have to source the paper fasteners from America (it seems to +% be mainly the screenwriting fraternity that call them ``brads'' +% rather than paper fasteners, BTW). The brass-plated ersatz +% versions available in the UK are clearly \emph{not} up to the job +% by a long shot. And beware that ACCO make a version that isn't +% solid brass and is inferior to these all-brass ones, hence the +% necessity for part numbers. +% +% The washers are for the side where the prongs are +% folded over, you use \textbf{two brads}, each with a single washer, +% one in the top and one in the bottom hole leaving the central hole empty. +% +% And while I'm on about paper, 120 pages is really the absolute +% longest you should go. A script that runs between 100 and 110 +% pages is a better bet---and that's with plenty of whitespace in the +% passages of description. +% % \section{Todo} % If anybody else uses it maybe they'll spot stuff that's % wrong but \textsl{Johnny} says, ``It works for me.'' @@ -952,7 +1055,10 @@ released under the GNU General Public License] % % A printout of the first page \texttt{script.pdf} and % \texttt{test.pdf} show identical pitch and the inter-line -% spacing is pretty damn close. +% spacing is pretty close. However, I chose a |\baselinestretch| +% value to complement the |\baselineskip| and be more typographically +% correct rather than exactly match \texttt{script.pdf}. +% % You can easily tell which is which because, as well as the % title being in bold on the cover page, \texttt{test.pdf} % numbers the first page whilst \texttt{script.pdf} starts numbering @@ -973,7 +1079,9 @@ released under the GNU General Public License] % All Hail Discordia! % % \bigskip -%\normalsize +% \normalsize +% \pagebreak +% %\iffalse %<*rider> %% Test document: facsimile of first page @@ -982,7 +1090,7 @@ released under the GNU General Public License] %% see http://www.dvc.org.uk/sacrific.txt/ %% for more information on the document class. %% -\documentclass{screenplay}[2006/10/08] +\documentclass{screenplay}[2006/10/25] \begin{document} \titleauthor{For a Few Days More}{April Rider} {April Rider\\ @@ -1040,7 +1148,7 @@ comes. %\fi %\iffalse %<*example> -\documentclass{screenplay}[2006/10/08] +\documentclass{screenplay}[2006/10/25] \begin{document} %% cover page, this command has to go first ... %% choose one of \titleauthor, \titleextra, \nicholl ... @@ -1146,10 +1254,10 @@ Or even this. \extslug[day or nite]{NO WARRANTY -- EXPRESS OR IMPLIED} -\pov I made the slugline DAY/NIGHT optional 'cause in space no-one can +\pov\ I made the slugline DAY/NIGHT optional 'cause in space no-one can tell the time. You probably will need to specify. -\nb Don't put in pagebreaks by hand until you're really, really +Don't put in pagebreaks by hand until you're really, really finished editing! %% see what happens if you take out the linebreak |