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authorKarl Berry <karl@freefriends.org>2006-01-09 00:47:01 +0000
committerKarl Berry <karl@freefriends.org>2006-01-09 00:47:01 +0000
commit950209b26f70aa87ed07c54f82a95b6f03b7c3a0 (patch)
tree32b2d4ab4e36aee3a9aaf41877a5c0c581de9b77 /Master/texmf-dist/doc
parent71c5ce4be7e36bdc6bdda98641bc9368e28223ad (diff)
doc/fonts
git-svn-id: svn://tug.org/texlive/trunk@83 c570f23f-e606-0410-a88d-b1316a301751
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diff --git a/Master/texmf-dist/doc/fonts/allrunes/README b/Master/texmf-dist/doc/fonts/allrunes/README
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index 00000000000..c9c0441b647
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@@ -0,0 +1,158 @@
+ALLRUNES
+ The allrunes package is a set of fonts and a LaTeX package
+ for writing runes of all kinds using LaTeX.
+
+AUTHOR AND HOMEPAGE
+ Carl-Gustav Werner is the author of allrunes.
+ More information can be found at
+ http://www.maths.lth.se/~carl/allrunes/
+
+COPYRIGHT
+ This program is provided under the terms of the
+ LaTeX Project Public License distributed from CTAN
+ archives in the directory macros/latex/base/lppl.txt.
+ (C) 2001-2004 Carl-Gustav Werner
+
+VERSION
+ This README.txt describes the allrunes version 2.1
+
+CHANGES
+ 1.0 First public release.
+ 1.01 Removed a few remaining 8-bit characters from
+ frum.mf. They didn't work with the new MiKTeX
+ package handling system. Also added a lost table,
+ added an example and corrected a few spelling
+ mistakes in the documentation.
+ 2.0 Added type1 versions for the main types of the
+ allrunes fonts, and support for them in the LaTeX package.
+ Merged the former Scandinavian-Gothic and the Continental
+ font families to a Common Germanic font family. Renamed the
+ commands for flipping and turning runes. Made the commands
+ for flipping and turning runes work for all six font families.
+ Inserted kerning information for the Common Germanic and
+ Anglo-Frisian font families. Complemented the sets of runes
+ with a few more, especially the Medieval one. Corrected many
+ spelling mistakes in the documentation.
+ 2.1 Modified the handling of type1 fontes to take advantage
+ of the new map-file handling system of MiKTeX- and teTeX-
+ implementations. Removed a bug that prevented the use of
+ medieval rune with straight twigs. Minor updates to the
+ documentation.
+
+FILES AND DIRECTORIES AT CTAN
+ README.txt This file.
+ allrunes.dtx The source for the allrunes Metafont fonts and
+ LaTeX package.
+ allrunes.ins Driver file for allrunes.dtx
+ allrunes.ps PostScript version of the documentation,
+ using only mf (pk) fonts.
+ allrunes.pdf Pdf version of the documentation,
+ using only type1 fonts.
+ type1 Directory for the type1 fonts, containing:
+ pfb Directory for the pfb files
+ allrunes.map Map file for mapping the type1 file names
+
+REQUIREMENTS
+ The installation of the allrunes package requires the docstrip
+ package. Using the allrunes package requires the ifthen package.
+ Processing the documentation for the allrunes package requires
+ the fontenc package and the ec fonts. I do not know what version
+ of LaTeX is required.
+
+INSTALLATION (OF THE LATEX PACKAGE AND THE METAFONT SOURCE FILES)
+ The installation procedure is described in the documentation, but
+ since there is weak catch 22, in that you might need the fonts to
+ produce the documentation, and you might need the documentation to
+ install the fonts, it's also described here. The descriptions below
+ are intended to be correct for MiKTeX version 2.3 and 2.4, and for
+ teTeX version 2.0.
+
+ 1. Download the files allrunes.ins and allrunes.dtx to a preferably
+ empty directory. If you intend to keep the documentation, you'd
+ better create a suitable directory and put the files there right
+ now; like
+ <tex doc base>/fonts/allrunes/
+ In a typical MiKTeX system it would be
+ C:\texmf\doc\fonts\allrunes\
+ In a teTeX system it might be like
+ /usr/local/teTeX/share/texmf/doc/fonts/allrunes/
+ 2. Start a window where you can enter commands from the keyboard,
+ i.e. get an DOS prompt on a Windows machine or a xterm-window
+ on a UNIX/linux machine.
+ 3. Go to the directory where you did put the files allrunes.dtx
+ and allrunes.ins
+ 4. Run the command
+ latex allrunes.ins
+ Wait. There are 231 files to be generated.
+ 5. Move all the 224 *.mf files to a suitable directory, preferably
+ <font source base>/public/allrunes/
+ which in a typical MiKTeX system would be
+ C:\texmf\fonts\source\public\allrunes\
+ In a teTeX system it might be like
+ /usr/local/teTeX/share/texmf/fonts/source/public/allrunes/
+ 6. Move the 6 *.fd files and the file allrunes.sty
+ to a suitable directory, preferably
+ <tex base>/tex/latex/allrunes/
+ which in a typical MiKTeX system would be
+ C:\texmf\tex\latex\allrunes\
+ In a typical teTeX system it would be like
+ /usr/local/teTeX/share/texmf/tex/latex/allrunes/
+ 7. Refresh the file name database. In MiKTeX you would run
+ the command
+ initexmf -u
+ or find it somewhere in Start|Program|MiKTeX...
+ In teTeX you would just run
+ texhash
+ or use the configuration tool
+ texconfig
+ and find some suitable alternative.
+ 8. Run the command
+ latex allrunes.dtx
+ to produce the documentation and test the installation.
+ Run it one more time to resolve the references, before
+ you view it.
+
+INSTALLATION (OF THE TYPE1 FONT FILES)
+
+ Installation of the type1 fonts requires the allrunes package
+ to be installed according to the above description. Be sure
+ that both LaTeX and dvips works fine with the Metafont
+ fonts before you install the type1 fonts.
+
+ 1. Copy all the files (named fru??.pfb) from the type1/pfb
+ directory to a suitable directory, preferably
+ <type1 font base>/public/allrunes
+ which in a typical MiKTeX system would be
+ C:\texmf\fonts\type1\public\allrunes\
+ and in a teTeX system it might be like
+ /usr/local/teTeX/share/texmf/fonts/type1/public/allrunes/
+ 2. Copy the file allrunes.map from the type1 directory
+ to some suitable directory, like
+ <dvips base>/allrunes
+ which in a typical MiKTeX system would be
+ C:\texmf\dvips\allrunes\
+ and in a teTeX system it might be like
+ /usr/local/teTeX/share/texmf/dvips/allrunes/
+ 3. Edit the file
+ <texmf base>/web2c/updmap.cfg
+ which in a typical MiKTeX system would be
+ C:\texmf\web2c\updmap.cfg
+ and in a teTeX system it might be like
+ /usr/local/teTeX/share/texmf/web2c/updmap.cfg
+ search for a line like:
+ MixedMap allrunes.map
+ in the file. If the line is not present, then add that line.
+ 4. Refresh the file name database, see paragraph 7 above.
+ 5. Update the other .map files. In MiKTeX you run
+ initexmf -v --mkmap
+ and in teTeX you run
+ updmap
+ 6. Run
+ latex allrunes.dtx
+ then try both
+ dvips -Ppk allrunes
+ (which will use the bitmapped pk fonts) and
+ dvips -Poutline allrunes
+ (which will use the ouline type1 fonts). You might also try
+ pdflatex allrunes.dtx
+
diff --git a/Master/texmf-dist/doc/fonts/allrunes/allrunes.pdf b/Master/texmf-dist/doc/fonts/allrunes/allrunes.pdf
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+%%EndComments
+%DVIPSWebPage: (www.radicaleye.com)
+%DVIPSCommandLine: dvips -Ppk allrunes
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+%DVIPSSource: TeX output 2004.01.08:0945
+%%BeginProcSet: texc.pro
+%!
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diff --git a/Master/texmf-dist/doc/fonts/allrunes/ar_demo.pdf b/Master/texmf-dist/doc/fonts/allrunes/ar_demo.pdf
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--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/allrunes/ar_demo.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/allrunes/ar_demo.tex b/Master/texmf-dist/doc/fonts/allrunes/ar_demo.tex
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+++ b/Master/texmf-dist/doc/fonts/allrunes/ar_demo.tex
@@ -0,0 +1,62 @@
+\documentclass{article}
+% Use
+\usepackage{allrunes}
+% for Metafont/pk fonts, or use
+%\usepackage[type1]{allrunes}
+% for type1 fonts.
+\title{A Short Demo of the \textsf{allrunes} Font and Package}
+\author{Carl-Gustav Werner}
+\begin{document}
+\maketitle
+In Bj\"orketorp, Blekinge, Sweden, three
+large stones are erected. On one of them a threatening
+inscription is made in Primitive Norse:
+\begin{quotation}
+\noindent
+{\arcfamily \large
+h\A idRrunoronu\\
+f\A l\A h\A Kh\A ider\A g\\
+in\A run\A R\A r\A geu\\
+h\A er\A m\A l\A usR\\
+uti\A rwel\A d\A ue\\
+s\A R\th \A tb\A rutR\\
+u\th\A r\A b\A sb\A}
+\end{quotation}
+
+In Torna H\"allestad, Sk\r ane, Sweden, three rune stones are set up
+in the wall of the church, all with normal Scandinavian runes. (But note the
+special dotted m-rune \textarn{\"m} instead of the normal \textarn{m}.)
+The longest inscription of the three reads as follows:
+\begin{quotation}
+\noindent
+{\arnfamily \large
+:askil:sati:stin:\th ansi:iftiR\\
+:tuka:kur\"ms:sun:saR:hulan:\\
+trutin:saR:flu:aigi:at:ub:\\
+:salu\"m\\
+satu:trikaR:iftiR:sin:bru\th r\\
+stin:A:biarki:stu\th an:runu\"m:\th iR:\\
+kur\"ms:tuka:kiku:nistiR}
+\end{quotation}
+
+In England, now at the British Museum, the stone cross from Lancaster
+has the following runic inscription:
+\begin{quotation}
+\noindent
+{\arafamily \large
+gibiD\ae\th fo\\
+r\ae cynibal\\
+\th cu\th bere}
+\end{quotation}
+
+In H\"og, H\"arjedalen, Sweden, a stone has an inscription made with staveless runes:
+\begin{quotation}
+\noindent
+{\arlfamily \large \withlines
+ku\th niutr\tripledot \th rusun\tripledot litritastin\th ina
+\tripledot akbrukir\th i\tripledot aftiRbru\th rsina\tripledot
+asbiurn:\\
+akatku\th laf}
+\end{quotation}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/amsfonts/READ.ME b/Master/texmf-dist/doc/fonts/amsfonts/READ.ME
new file mode 100644
index 00000000000..8de91196148
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/amsfonts/READ.ME
@@ -0,0 +1,226 @@
+AMSFonts 2.2 READ.ME January 1995
+This is a documentation file to accompany the AMSFonts 2.2 distribution.
+
+Copy all of the files in this directory (/pub/tex/amsfonts) and the following
+subdirectories, into a corresponding directory tree on your system:
+
+ All users:
+ /pub/tex/amsfonts/plaintex
+ /pub/tex/amsfonts/doc
+ /pub/tex/amsfonts/doc/latex
+ /pub/tex/amsfonts/latex
+ /pub/tex/amsfonts/tfm
+
+ Users of Cyrillic text:
+ /pub/tex/amsfonts/alt-cyr
+
+ Users who wish to use .pk files provided with the distribution:
+ appropriate subdirectories of /pub/tex/amsfonts/pk-files,
+ depending on resolution of output device
+
+ Users who wish to generate their own .pk files:
+ /pub/tex/amsfonts/sources and its subdirectories
+
+Read the section below, "Installing AMSFonts 2.2 on your system," for
+instructions for correct installation.
+
+If you are preparing to obtain the files in this distribution by ftp,
+please note that transmission time can be improved by getting the files
+in compressed format, if you have the necessary unpacking tools at your
+end.
+
+From a CTAN archive, you can for example request dirname.zip to get the
+contents of any directory in zipped form, and similarly for other common
+compression formats; see the CTAN help information for more details.
+(NOTE: subdirectories are automatically included; but in the case of the
+AMSFonts distribution you should be careful to avoid retrieving all the
+pk-files subdirectories, as they contain hundreds of files and it's
+highly unlikely that you will require them all.)
+
+From the AMS archive at e-math.ams.org, .tar.Z or .tar files for
+various common selections are available in the parent directory `ams'.
+To unpack these you need `tar' and `uncompress' programs.
+
+-----------------------------------------------------------------
+
+What changes were made between AMSFonts 2.1 and AMSFonts 2.2?
+
+The primary change is the inclusion of LaTeX support macro files as
+part of the AMSFonts distribution. The files in the "latex" subdirectory
+of this directory are compatible with LaTeX2e, the current LaTeX standard.
+Users of LaTeX 2.09 are strongly encouraged to upgrade to LaTeX2e, as
+we do not support the use of AMSFonts with LaTeX 2.09.
+
+The only significant change to the characters in the fonts was a bug
+fix which corrected an anomaly in the Blackboard Bold N character from
+the MSBM fonts. That character printed incorrectly at a few
+resolutions (including 600dpi), and it now prints correctly at all
+resolutions. The metrics for AMSFonts 2.2 are not different from those
+for AMSFonts 2.1.
+
+There has also been a slight change to the file amssym.tex, and very
+significant changes to the User's Guide.
+
+-----------------------------------------------------------------
+
+INSTALLING AMSFonts 2.2 ON YOUR SYSTEM
+
+1. Installing the fonts:
+
+The files from the appropriate subdirectory of the pk-files
+subdirectory of this directory (/pub/tex/amsfonts/pk-files/dpi118 for
+118dpi fonts, /pub/tex/amsfonts/pk-files/dpi180 for 180dpi fonts,
+etc.) should be copied into the directory/ies where your device
+drivers look for .pk files to translate .dvi files into printed or
+displayed output.
+
+If your TeX looks at one directory, where the magnifications and resolutions
+of the pk files are indicated as part of the extension of the filename, then
+you may copy them precisely as they are. If your TeX expects all pk files to
+have the extension simply `.pk' and the magnifications and resolutions are
+determined by the name of the subdirectory in which they appear, then you
+will want to copy them into subdirectories named similarly to their current
+extensions, and rename them all to have extension `.pk'. For example, if your
+TeX looks for a subdirectory named DPI300 for 300dpi pk files, then you will
+want to copy all of the files *.300pk into that directory and then rename
+them all to *.pk; also copy *.329pk into DPI329 (or whatever name your TeX
+uses) and then rename them all to *.pk; etc...
+
+The .tfm files from the directory /pub/tex/amsfonts/tfm should be
+copied into the directory on your system where your implementation of
+TeX looks for .tfm files.
+
+2. Installing the auxiliary files:
+
+There are two sets of files which provide macros necessary for using
+AMSFonts 2.2 in TeX. One set is for Plain TeX or AMS-TeX, and one set
+is for LaTeX. If you use Plain TeX or AMS-TeX, then the files in
+/pub/tex/amsfonts/plaintex should be placed in the directory (or a
+directory in the path) which your implementation of TeX searches for
+input files. If you use LaTeX2e, then the files in
+/pub/tex/amsfonts/latex should be placed in that directory.
+
+WARNING: If your version of LaTeX2e is earlier than December 1996, and
+if your operating system and TeX implementation both refer to
+filenames in a case-sensitive manner, you will need to use the .fd
+files in the obsolete subdirectory of the latex directory, instead of
+the .fd files in the latex directory. Note that this generally does
+not apply to you if you are using DOS/Windows or using Textures
+on the Macintosh. However, if you are using TeX in Unix or using
+OzTeX on a Macintosh, this warning does apply to you.
+
+If you are likely to use LaTeX2e as well as Plain TeX or AMS-TeX, then
+install the files from both directories where your TeX will find them
+for input.
+
+If you use LaTeX 2.09, then we strongly encourage you to upgrade your
+installation to LaTeX2e, as this is the current standard for LaTeX
+throughout the world, and we do not provide support for use of
+AMSFonts in LaTeX 2.09.
+
+3. The User's Guide:
+
+The `doc' subdirectory (/pub/tex/amsfonts/doc) contains five files which
+have filenames beginning with `amsfndoc'. In order to TeX and print
+the entire User's Guide, you must first install the fonts. When you
+have completed all of the above installation steps, run the file
+`amsfndoc.tex' through TeX. It will input the other four `amsfndoc'
+files. The output will be a complete guide to the use of AMSFonts 2.1.
+NOTE: Do NOT use AMS-TeX or LaTeX to TeX amsfndoc.tex; simply use
+Plain TeX.
+
+This directory also contains a file called "amsfonts.faq" in which we
+will place frequently asked questions about AMSFonts.
+
+The /latex subdirectory of the "doc" directory contains LaTeX .dtx
+files containing technical commentary on the source code for the LaTeX
+support files in the AMSFonts distribution. Although these .dtx files
+are included for reference, most users can ignore them.
+
+4. Other files:
+
+Some PC device drivers have a font table which needs to be updated in order
+for the driver to recognize the fonts. For instance, the TeX Preview software
+provided by ArborText has a file called `preview.fnt' which contains the names
+of all fonts which the Preview program is expected to find, and the effective
+resolutions (resolution multiplied by magnification) at which to find them. In
+order to use AMSFonts with this, or any other software which uses such a table,
+you must enter the names of each of the fonts in the AMSFonts package and the
+effective resolutions at which you have them installed. The file
+`amsfonts.lst' in the /pub/tex/amsfonts directory contains a list of all of the
+font names and all of the resolutions for the 118dpi and 300dpi distribution.
+You may have to alter the format of this file to make it conform to your
+driver's needs or to reflect installation of only some of the fonts, or
+globally some of the resolutions with different ones (e.g. replace all
+magnifications of 300dpi with corresponding magnifications of 240dpi). See the
+documentation for your device driver to see what format is required. IF YOUR
+DEVICE DRIVER DOES NOT DEPEND ON SUCH A TABLE, THIS FILE IS NOT NECESSARY.
+
+-----------------------------------------------------------------
+
+USE OF THE LATEX `amsfonts' PACKAGE
+
+Version 2.2 of the LaTeX package amsfonts.sty is carefully constructed
+to allow it to be used for processing pre-existing documents originally
+written for AMS-LaTeX 1.2beta or earlier. This means that documents that
+loaded amsfonts.sty through statements such as the following should
+continue to work without change.
+
+1. \documentstyle[amsfonts]{article}
+
+2. \documentstyle[amstex]{article}
+
+3. \documentstyle[amssymb]{article}
+
+4. \documentstyle{amsart}
+
+5. \documentclass{amsart}
+
+6. \documentclass{article}
+ \usepackage{amsfonts}
+
+7. \documentclass{article}
+ \usepackage{amstex}
+
+8. \documentclass{article}
+ \usepackage{amssymb}
+
+There is an exception, however, for the variants 6 and 7: If your document
+was written for AMS-LaTeX 1.2beta, some time in 1994, AND if it uses any
+of the symbols
+
+ \square \Box
+ \lozenge \Diamond
+ \vartriangleright \rhd
+ \vartriangleleft \lhd
+ \trianglerighteq \unrhd
+ \trianglelefteq \unlhd
+ \rightsquigarrow \leadsto
+ \Join
+
+then you may find that those symbol commands now produce `Undefined
+control sequence' errors. The easiest way to fix this is to load
+the amssymb package, i.e. change variants 6 and 7 to
+
+6a. \documentclass{article}
+ \usepackage{amssymb}
+
+7a. \documentclass{article}
+ \usepackage{amssymb,amstex}
+
+For symbols \Box, etc, you have a choice of either adding the latexsym
+package or defining them in terms of the equivalent symbols from the
+amssymb package.
+
+-----------------------------------------
+Questions concerning the use of AMSFonts may be directed to:
+
+Technical Support
+Electronic Products and Services
+American Mathematical Society
+201 Charles Street
+P.O. Box 6248
+Providence, RI 02940 USA
+ (800) 321-4AMS (321-4267) ext. 4080
+ (401) 455-4080
+Internet: tech-support@math.ams.org
diff --git a/Master/texmf-dist/doc/fonts/amsfonts/README-amsps.txt b/Master/texmf-dist/doc/fonts/amsfonts/README-amsps.txt
new file mode 100644
index 00000000000..014ef58864d
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/amsfonts/README-amsps.txt
@@ -0,0 +1,52 @@
+Map files for the AMS/Y&Y/Bluesky postscript type 1 fonts (for the
+AMS fonts). This file just lists the file names. For use in teTeX's
+updmap.cfg, prepend the lines with MixedMap as in the following example:
+ MixedMap ams-bsr-interpolated.map
+
+Ok, here comes the listing of the map files:
+
+#####################################################################
+ams-bsr.map
+ams-bsr-interpolated.map
+ams-cmcsc-bsr-interpolated.map
+ams-cmex-bsr-interpolated.map
+#####################################################################
+
+Possible replacements:
+
+The map files provided here are split up to allow using a different
+implementation for some of the fonts provided in this commection.
+
+Replacement 1
+=============
+For using Latin Modern fonts as "drop in" replacements (version must
+be at least 0.98.3) for the AMS/Y&Y/Bluesky postscript type 1 fonts,
+you can use the two map files
+
+ cmtext-lm.map
+ cmtext-lm-interpolated.map
+
+instead of
+
+ cmtext-bsr.map (from a different package containing the cmps fonts)
+ cmtext-bsr-interpolated.map (from a different package containing the
+ cmps fonts)
+ ams-cmcsc-bsr-interpolated.map
+
+The files define the same fonts, but the implementation will be different.
+Use at your own risk.
+
+Replacement 2
+=============
+Instead of using a down-scaled cmex10 as implementation for cmex7 /
+cmex8, you can use an implementation of cmex7 / cmex8 that was obtained
+by running textrace.
+
+To do this, use
+ ttcmex.map
+instead of
+ ams-cmex-bsr-interpolated.map
+ cmother-bsr-interpolated.map (from a different package containing
+ the cmps fonts)
+
+June 2006, Thomas Esser
diff --git a/Master/texmf-dist/doc/fonts/amsfonts/amsfndoc.cyr b/Master/texmf-dist/doc/fonts/amsfonts/amsfndoc.cyr
new file mode 100644
index 00000000000..b057a97f80d
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/amsfonts/amsfndoc.cyr
@@ -0,0 +1,161 @@
+%%% ====================================================================
+%%% @TeX-file{
+%%% filename = "amsfndoc.cyr",
+%%% version = "2.2c",
+%%% date = "1997/12/15",
+%%% time = "15:38:20 EST",
+%%% checksum = "53700 162 1000 6879"
+%%% author = "American Mathematical Society",
+%%% filetype = "AMSFonts: documentation",
+%%% copyright = "Copyright (C) 1994 American Mathematical Society,
+%%% all rights reserved. Copying of this file is
+%%% authorized only if either:
+%%% (1) you make absolutely no changes to your copy,
+%%% including name; OR
+%%% (2) if you do make changes, you first rename it
+%%% to some other name.",
+%%% address = "American Mathematical Society,
+%%% Technical Support,
+%%% Electronic Products and Services,
+%%% P. O. Box 6248,
+%%% Providence, RI 02940,
+%%% USA",
+%%% telephone = "401-455-4080 or (in the USA and Canada)
+%%% 800-321-4AMS (321-4267)",
+%%% FAX = "401-331-3842",
+%%% email = "tech-support@ams.org (Internet)",
+%%% codetable = "ISO/ASCII",
+%%% keywords = "amsfonts, tex, cyrillic",
+%%% abstract = "This file contains the cyrillic definitions for
+%%% AMSFNDOC.TEX, the AMSFonts 2.1 User's Guide."
+%%% docstring = "The checksum field above contains a CRC-16 checksum
+%%% as the first value, followed by the equivalent of
+%%% the standard UNIX wc (word count) utility output of
+%%% lines, words, and characters. This is produced by
+%%% Robert Solovay's checksum utility.",
+%%% }
+%%% ====================================================================
+
+\figuretitle{\number\cyrtablefigno} Input conventions for AMS cyrillic
+
+\begingroup
+
+% If using PostScript outlines of AMSFonts from Blue Sky Research and Y&Y,
+% then only sizes 5, 7, and 10 are present for AMSFonts. In this case,
+% definitions of other sizes are scalings of these three sizes. Although
+% wncyr9 would be the `correct' font to use here, use wncyr10 (already
+% accessed as \tencyr) to avoid user problems.
+\let\ninecyr=\tencyr
+
+\def\cyr{\ninecyr\cyracc}
+\ninepoint
+
+\parindent=0pt
+\parskip=0pt
+\baselineskip=13pt
+\lineskip=0pt
+\lineskiplimit=0pt
+
+\newbox\BoxA
+\newbox\BoxB
+
+\def\TwoUp{\centerline{%
+ \valign{##\vfil\cr
+ \box\BoxA\cr
+ \noalign{\hfil\vrule width\mtrulethickness
+ \kern.2em\vrule width\mtrulethickness\enspace\hfil}
+ \box\BoxB\cr}}}
+
+\setbox\TestBox=\hbox{\kern.4em\cyr Zh}
+\newdimen\cyrwd
+\cyrwd=\wd\TestBox
+\setbox\TestBox=\hbox{\quad\tt xCdprime}
+\newdimen\ttwd
+\ttwd=\wd\TestBox
+\setbox\TestBox=\hbox{\enskip Shch}
+\newdimen\romwd
+\romwd=\wd\TestBox
+
+\def\|{\vrule height 9pt depth 4pt width.3pt\enspace\ignorespaces}
+
+\settabs \+\hskip\cyrwd &\hskip\cyrwd
+ &\hskip.2em\hskip\ttwd &\hskip\ttwd
+ &\hskip.7em\hskip\romwd &\hskip\romwd\cr
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\setbox\BoxA=\vbox{\hsize=.45\hsize
+\+Cyrillic & &\qquad Input & &\enspace Translit. \cr
+\vskip 2pt
+\+{\cyr A} &{\cyr a} &\| |A| & |a| &\| A & a \cr
+\+{\cyr B} &{\cyr b} &\| |B| & |b| &\| B & b \cr
+\+{\cyr V} &{\cyr v} &\| |V| & |v| &\| V & v \cr
+\+{\cyr G} &{\cyr g} &\| |G| & |g| &\| G & g \cr
+\+{\cyr D} &{\cyr d} &\| |D| & |d| &\| D & d \cr
+\+{\cyr Dj} &{\cyr dj} &\| |Dj| & |dj| &\| Dj & dj \cr
+\+{\cyr \'G} &{\cyr \'g} &\| |\'G| & |\'g| &\| \'G & \'g \cr
+\+{\cyr E} &{\cyr e} &\| |E| & |e| &\| E & e \cr
+\+{\cyr \"E} &{\cyr \"e} &\| |\"E| & |\"e| &\| \"E & \"e \cr
+\+{\cyr \=E} &{\cyr \=e} &\| |\=E| & |\=e| &\| \=E & \=e \cr
+\+{\cyr Zh} &{\cyr zh} &\| |Zh| & |zh| &\| Zh & zh \cr
+\+{\cyr Z} &{\cyr z} &\| |Z| & |z| &\| Z & z \cr
+\+{\cyr I} &{\cyr i} &\| |I| & |i| &\| I & i \cr
+\+{\cyr \=I} &{\cyr \=\i}&\| |\=I| & |\=\i| &\| \=I & \=\i \cr
+\+{\cyr \"I} &{\cyr \"\i}&\| |\"I| & |\"\i| &\| \"I & \"\i \cr
+\+{\cyr J} &{\cyr j} &\| |J| & |j| &\| J & j \cr
+\+{\cyr \u I}&{\cyr \u\i}&\| |\u I| & |\u\i| &\| \u I & \u\i \cr
+\+{\cyr K} &{\cyr k} &\| |K| & |k| &\| K & k \cr
+\+{\cyr L} &{\cyr l} &\| |L| & |l| &\| L & l \cr
+\+{\cyr Lj} &{\cyr lj} &\| |Lj| & |lj| &\| Lj & lj \cr
+\+{\cyr M} &{\cyr m} &\| |M| & |m| &\| M & m \cr
+\+{\cyr N} &{\cyr n} &\| |N| & |n| &\| N & n \cr
+\+{\cyr Nj} &{\cyr nj} &\| |Nj| & |nj| &\| Nj & nj \cr
+\+{\cyr O} &{\cyr o} &\| |O| & |o| &\| O & o \cr
+\+{\cyr P} &{\cyr p} &\| |P| & |p| &\| P & p \cr
+} % end \BoxA
+
+\setbox\BoxB=\vbox{\hsize=.45\hsize
+\+Cyrillic & &\qquad Input & &\enspace Translit. \cr
+\vskip 2pt
+\+{\cyr R} &{\cyr r} &\| |R| & |r| &\| R & r \cr
+\+{\cyr S} &{\cyr s} &\| |S| & |s| &\| S & s \cr
+\+{\cyr T} &{\cyr t} &\| |T| & |t| &\| T & t \cr
+\+{\cyr \'C} &{\cyr \'c} &\| |\'C| & |\'c| &\| \'C & \'c \cr
+\+{\cyr \'K} &{\cyr \'k} &\| |\'K| & |\'k| &\| \'K & \'k \cr
+\+{\cyr U} &{\cyr u} &\| |U| & |u| &\| U & u \cr
+\+{\cyr \u U}&{\cyr \u u}&\| |\u U| & |\u u| &\| \u U & \u u \cr
+\+{\cyr F} &{\cyr f} &\| |F| & |f| &\| F & f \cr
+\+{\cyr Kh} &{\cyr kh} &\| |Kh| & |kh| &\| Kh & kh \cr
+\+{\cyr Ts} &{\cyr ts} &\| |Ts| & |ts| &\| Ts & ts \cr
+\+{\cyr Ch} &{\cyr ch} &\| |Ch| & |ch| &\| Ch & ch \cr
+\+{\cyr \Dzh}&{\cyr \dzh}&\| |\Dzh| & |\dzh| &\| \Dzh & \dzh \cr
+\+{\cyr Sh} &{\cyr sh} &\| |Sh| & |sh| &\| Sh & sh \cr
+\+{\cyr Shch}&{\cyr shch}&\| |Shch| & |shch| &\| Shch & shch \cr
+\+{\cyr \Cdprime}&{\cyr \cdprime}
+ &\| |\Cdprime| & |\cdprime|
+ &\| \Cdprime & \cdprime \cr
+\+{\cyr Y} &{\cyr y} &\| |Y| & |y| &\| Y & y \cr
+\+{\cyr \Cprime}&{\cyr \cprime}
+ &\| |\Cprime| & |\cprime|
+ &\| \Cprime & \cprime \cr
+\+{\cyr \`E} &{\cyr \`e} &\| |\`E| & |\`e| &\| \`E & \`e \cr
+\+{\cyr Yu} &{\cyr yu} &\| |Yu| & |yu| &\| Yu & yu \cr
+\+{\cyr Ya} &{\cyr ya} &\| |Ya| & |ya| &\| Ya & ya \cr
+\+{\cyr \Dz} &{\cyr \dz} &\| |\Dz| & |\dz| &\| \Dz & \dz \cr
+\+{\cyr N0} & &\| |N0| & &\| N0 & \cr
+\+{\cyr <} & &\| |<| & &\| < & \cr
+\+{\cyr >} & &\| |>| & &\| > & \cr
+\+{\cyr \cydot}& &\| |\cydot| & &\| \cydot & \cr
+} % end \BoxB
+
+\TwoUp
+
+\endgroup % end \ninepoint
+
+\vskip.5\baselineskip
+
+\DoHrule
+
+\vskip.5\baselineskip
+
+\endinput
diff --git a/Master/texmf-dist/doc/fonts/amsfonts/amsfndoc.def b/Master/texmf-dist/doc/fonts/amsfonts/amsfndoc.def
new file mode 100644
index 00000000000..b4029de23d7
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/amsfonts/amsfndoc.def
@@ -0,0 +1,868 @@
+%%% ====================================================================
+%%% @TeX-file{
+%%% filename = "amsfndoc.def",
+%%% version = "2.2d",
+%%% date = "2002/01/18",
+%%% time = "16:32:20 EST",
+%%% checksum = "45009 868 2072 26371"
+%%% author = "American Mathematical Society",
+%%% copyright = "Copyright 1994, 2001 American Mathematical Society,
+%%% all rights reserved. Copying of this file is
+%%% authorized only if either:
+%%% (1) you make absolutely no changes to your copy,
+%%% including name; OR
+%%% (2) if you do make changes, you first rename it
+%%% to some other name.",
+%%% address = "American Mathematical Society,
+%%% Technical Support,
+%%% Publications Technical Group,
+%%% P. O. Box 6248,
+%%% Providence, RI 02940,
+%%% USA",
+%%% telephone = "401-455-4080 or (in the USA and Canada)
+%%% 800-321-4AMS (321-4267)",
+%%% FAX = "401-331-3842",
+%%% email = "tech-support@ams.org (Internet)",
+%%% codetable = "ISO/ASCII",
+%%% keywords = "amsfonts",
+%%% supported = "yes",
+%%% abstract = "This is part of the AMSFonts distribution.
+%%% It contains macro definitions for use in
+%%% the AMSFonts user's guide, amsfndoc.tex.",
+%%% docstring = "The checksum field above contains a CRC-16 checksum
+%%% as the first value, followed by the equivalent of
+%%% the standard UNIX wc (word count) utility output of
+%%% lines, words, and characters. This is produced by
+%%% Robert Solovay's checksum utility.",
+%%% }
+%%% ====================================================================
+\def\fontsreleasedate{January 2002}
+
+\def\makeatletter{\catcode`\@=11 }
+\chardef\other=12
+\def\makeatother{\catcode`\@=\other}
+\makeatletter
+
+% If someone tries to typeset this user's guide with amstex or latex,
+% let's give them a reasonably informative error message instead of
+% totally random ones.
+\def\temp{\errmessage{%
+ Plain TeX format must be used for amsfndoc.tex}%
+ \csname @@end\endcsname\end}
+
+\ifx\amstexloaded@\relax
+ \errhelp{It seems that AMSTeX was used instead of plain TeX.}
+\else
+ \ifx\@@end\undefined
+ \let\temp\relax
+ \else
+ \errhelp{It seems that LaTeX was used instead of plain TeX.}
+ \fi
+\fi
+
+\temp
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%
+% Utility registers and definitions
+
+% Test registers for transient use; paired - internal/external
+\newbox\T@stBox \newbox\TestBox
+\newcount\T@stCount \newcount\TestCount
+\newdimen\T@stDimen \newdimen\TestDimen
+\newif\ifT@stIf \newif\ifTestIf
+
+\newif\ifPrelimDraft \PrelimDraftfalse
+
+% flag for when we decide whether the Extended Distribution for Mac will
+% still exist
+\newif\ifExtendedExists
+\ExtendedExiststrue
+\ExtendedExistsfalse
+
+% Avoid unwanted vertical glue when making up pages.
+\def\basezero{\baselineskip\z@ \lineskip\z@}
+
+
+% Vertical `laps'; cf. \llap and \rlap
+\long\def\ulap#1{\vbox to \z@{\vss#1}}
+\long\def\dlap#1{\vbox to \z@{#1\vss}}
+
+%
+% Support ad-hoc strut construction.
+\def\makestrut[#1;#2]{\vrule height#1 depth#2 width\z@ }
+
+% Miscellaneous useful stuff
+
+\def\BlackBoxes{\overfullrule=5pt }
+\def\NoBlackBoxes{\overfullrule=0pt }
+
+\def\linebreak{\unskip\break}
+\def\newline{\hskip0pt plus \pagewd \break}
+\def\newpage{\par\vfill\eject}
+
+\def\bull{\vrule height 1ex width .8ex depth -.2ex } % square bullet
+
+% Hack to permit automatic hyphenation after an actual hyphen.
+
+\def\hyph{-\penalty0\hskip0pt\relax }
+
+\def\slash{/\penalty0\hskip0pt} % "breakable" slash
+
+\def\dotsfill{\leaders\hbox to1em{\hfil.\hfil}\hfill}
+
+
+% Today's date, to be printed on drafts. Based on TeXbook, p.406.
+
+\def\today{\number\day\space \ifcase\month\or
+ Jan \or Feb \or Mar \or Apr \or May \or Jun \or
+ Jul \or Aug \or Sep \or Oct \or Nov \or Dec \fi
+ \number\year}
+
+% Current time; this may be system dependent!
+\newcount\hours
+\newcount\minutes
+\def\SetTime{\hours=\time
+ \global\divide\hours by 60
+ \minutes=\hours
+ \multiply\minutes by 60
+ \advance\minutes by-\time
+ \global\multiply\minutes by-1 }
+\SetTime
+\def\now{\number\hours:\ifnum\minutes<10 0\fi\number\minutes}
+
+\def\Now{\today\ \now}
+
+%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%
+% Page dimensions
+%
+
+
+% Dimensions given before fonts; \colwd is needed in definition of \ragged...
+
+\newdimen\pagelgt
+\newdimen\rheadlgt \rheadlgt=2.5pc
+\newdimen\collgt \collgt=47pc
+\maxdepth=2pt
+\newdimen\rfootlgt \rfootlgt=2pc
+
+\newif\ifThisIsFirstPage \ThisIsFirstPagetrue
+
+\def\resetpagelgt{\pagelgt=\collgt
+ \advance\pagelgt by \rheadlgt
+ \advance\pagelgt by \maxdepth
+ \global\advance\pagelgt by \rfootlgt
+ \global\vsize=\collgt }
+
+\resetpagelgt
+\raggedbottom
+
+\newdimen\colwd \colwd=30pc
+\hsize=\colwd
+\newdimen\pagewd \pagewd=30pc
+\parskip=\smallskipamount
+
+
+%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%
+% Fonts and friends
+%
+
+
+% PLAIN CM fonts needed for \tenpoint, \ninepoint and \eightpoint
+
+\font\tenrm=cmr10
+\font\ninerm=cmr9
+\font\eightrm=cmr8
+\font\sevenrm=cmr7
+\font\sixrm=cmr6
+\font\fiverm=cmr5
+
+\font\teni=cmmi10 \skewchar\teni='177
+\font\ninei=cmmi9 \skewchar\ninei='177
+\font\eighti=cmmi8 \skewchar\eighti='177
+\font\seveni=cmmi7 \skewchar\seveni='177
+\font\sixi=cmmi6 \skewchar\sixi='177
+\font\fivei=cmmi5 \skewchar\fivei='177
+
+\font\tensy=cmsy10 \skewchar\tensy='60
+\font\ninesy=cmsy9 \skewchar\ninesy='60
+\font\eightsy=cmsy8 \skewchar\eightsy='60
+\font\sevensy=cmsy7 \skewchar\sevensy='60
+\font\sixsy=cmsy6 \skewchar\sixsy='60
+\font\fivesy=cmsy5 \skewchar\fivesy='60
+
+\font\tenex=cmex10
+
+\font\tenbf=cmbx10
+\font\ninebf=cmbx9
+\font\eightbf=cmbx8
+\font\sevenbf=cmbx7
+\font\sixbf=cmbx6
+\font\fivebf=cmbx5
+
+\font\tentt=cmtt10
+\font\ninett=cmtt9
+\font\eighttt=cmtt8
+
+\font\tensl=cmsl10
+\font\ninesl=cmsl9
+\font\eightsl=cmsl8
+
+\font\tenit=cmti10
+\font\nineit=cmti9
+\font\eightit=cmti8
+\font\sevenit=cmti7
+
+\font\tensmc=cmcsc10
+
+\def\mit{\fam\@ne}
+\def\cal{\fam\tw@}
+
+%
+%% Minimize font usage [mjd,20-Dec-1994]
+\def\manual{\tenss}% font substitution
+
+\newfam\titlefam
+\newdimen\titlefontbaselineskip \titlefontbaselineskip=18pt
+\def\titlefont{\textfont\titlefam=\sixteenbf
+ \scriptfont\titlefam=\twelvebf \scriptscriptfont\titlefam=\tenbf
+ \fam\titlefam \sixteenbf \baselineskip=\titlefontbaselineskip }
+
+
+% Struts give ascenders and descenders to assist in baseline alignment
+% (e.g. of adjoining vertical boxes); useful only with text fonts.
+%
+% \strut is defined in PLAIN . The structure of \strutt is equivalent.
+
+\newbox\struttbox
+\def\strutt{\relax\ifmmode\copy\struttbox\else\unhcopy\struttbox\fi}
+
+% Struts are given the following dimensions:
+%
+% \strut = height/depth of parenthesis in current font
+% (not the same as PLAIN)
+% \strutt height + depth = \normalbaselineskip,
+% height = same as \strut
+% (equivalent to PLAIN \strut )
+
+
+% PLAIN's definition of \raggedright doesn't permit any stretch, and
+% results in too many overfull boxes. Change.
+\newdimen\raggedskip \raggedskip=\z@
+\newdimen\raggedstretch \raggedstretch=\colwd
+\newskip\raggedparfill \raggedparfill=\z@ plus 1fil
+
+\def\raggedspaces{\spaceskip=.3333em \xspaceskip=.5em }
+% Some applications may have to add stretch, in order to avoid
+% all overfull boxes.
+
+\def\raggedright{\rightskip=\raggedskip plus\raggedstretch \raggedspaces
+ \parfillskip=\raggedparfill }
+\def\raggedleft{\leftskip=\raggedskip plus\raggedstretch \raggedspaces
+ \parfillskip=\z@ }
+\def\raggedcenter{\leftskip=\raggedskip plus\raggedstretch
+ \rightskip=\leftskip \raggedspaces
+ \parindent=\z@ \parfillskip=\z@ }
+
+\def\normalspaces{\spaceskip=.3333em plus.1667em minus.1111em
+ \xspaceskip=.4444em plus.5em minus.037em }
+
+%
+% Allow text to be a bit stretchier than the built-in setting;
+% TeXbook, page 433, 355
+
+\newdimen\normaltenptstretch \normaltenptstretch=1.6667pt
+\newdimen\extratenptstretch \extratenptstretch=4pt
+\def\NormalTenPointSpacing{\fontdimen3\tenrm=\normaltenptstretch
+ \fontdimen3\tenit=\normaltenptstretch}
+\def\StretchyTenPointSpacing{\fontdimen3\tenrm=\extratenptstretch
+ \fontdimen3\tenit=\extratenptstretch}
+
+\def\tenpoint{\normalbaselineskip=12pt
+ \abovedisplayskip=3pt plus 3pt minus 1pt
+ \belowdisplayskip=3pt plus 3pt minus 1pt
+ \abovedisplayshortskip=0pt plus 3pt
+ \belowdisplayshortskip=2pt plus 3pt
+ \def\rm{\fam\z@\tenrm}%
+ \textfont0=\tenrm \scriptfont0=\sevenrm \scriptscriptfont0=\fiverm
+ \def\oldstyle{\fam\@ne\teni}%
+ \textfont1=\teni \scriptfont1=\seveni \scriptscriptfont1=\fivei
+ \textfont2=\tensy \scriptfont2=\sevensy \scriptscriptfont2=\fivesy
+ \textfont3=\tenex \scriptfont3=\tenex \scriptscriptfont3=\tenex
+ \def\it{\fam\itfam\tenit}%
+ \textfont\itfam=\tenit \scriptfont\itfam=\sevenit
+ \def\sl{\fam\slfam\tensl}%
+ \textfont\slfam=\tensl \scriptfont\slfam=\eightsl
+ \def\bf{\fam\bffam\tenbf}%
+ \textfont\bffam=\tenbf \scriptfont\bffam=\eightbf
+ \scriptscriptfont\bffam=\sixbf
+ \def\smc{\tensmc}%
+ \def\tt{\tentt}%
+ \setbox\strutbox=\hbox{\vrule height7.5pt depth2.5pt width\z@}%
+ \setbox\struttbox=\hbox{\vrule height8.5pt depth3.5pt width\z@}%
+ \normalbaselines \rm }
+
+\tenpoint % initialize -- default font
+
+%
+\newdimen\normalnineptstretch \normalnineptstretch=1.5pt
+\newdimen\extranineptstretch \extranineptstretch=3.6pt
+\def\NormalNinePointSpacing{\fontdimen3\ninerm=\normalnineptstretch}
+\def\StretchyNinePointSpacing{\fontdimen3\ninerm=\extranineptstretch}
+
+\def\ninepoint{\normalbaselineskip=11pt
+ \abovedisplayskip=2.5pt plus 2.5pt minus 1pt
+ \belowdisplayskip=2.5pt plus 2.5pt minus 1pt
+ \abovedisplayshortskip=0pt plus 2.5pt
+ \belowdisplayshortskip=2pt plus 2.5pt
+ \def\rm{\fam\z@\ninerm}%
+ \textfont0=\ninerm \scriptfont0=\sevenrm \scriptscriptfont0=\fiverm
+ \def\oldstyle{\fam\@ne\ninei}%
+ \textfont1=\ninei \scriptfont1=\seveni \scriptscriptfont1=\fivei
+ \textfont2=\ninesy \scriptfont2=\sevensy \scriptscriptfont2=\fivesy
+ \def\it{\fam\itfam\nineit}%
+ \textfont\itfam=\nineit
+ \def\sl{\fam\slfam\ninesl}%
+ \textfont\slfam=\ninesl
+ \def\bf{\fam\bffam\ninebf}%
+ \textfont\bffam=\ninebf \scriptfont\bffam=\sevenbf
+ \scriptscriptfont\bffam=\sixbf
+ \def\tt{\ninett}%
+ \setbox\strutbox=\hbox{\vrule height 6.75pt depth 2.25pt width\z@}%
+ \setbox\struttbox=\hbox{\vrule height 7.75pt depth 3.25pt width\z@}%
+ \normalbaselines \rm }
+
+%
+\newdimen\normaleightptstretch \normaleightptstretch=1.333pt
+\newdimen\extraeightptstretch \extraeightptstretch=3pt
+\def\NormalEightPointSpacing{\fontdimen3\eightrm=\normaleightptstretch}
+\def\StretchyEightPointSpacing{\fontdimen3\eightrm=\extraeightptstretch}
+
+\def\eightpoint{\normalbaselineskip=10pt
+ \abovedisplayskip=3pt plus 2pt minus 1pt
+ \belowdisplayskip=3pt plus 2pt minus 1pt
+ \abovedisplayshortskip=0pt plus 2pt
+ \belowdisplayshortskip=2pt plus 2pt
+ \def\rm{\fam\z@\eightrm}%
+ \textfont0=\eightrm \scriptfont0=\sixrm \scriptscriptfont0=\fiverm
+ \def\oldstyle{\fam\@ne\eighti}%
+ \textfont1=\eighti \scriptfont1=\sixi \scriptscriptfont1=\fivei
+ \textfont2=\eightsy \scriptfont2=\sixsy \scriptscriptfont2=\fivesy
+ \def\it{\fam\itfam\eightit}%
+ \textfont\itfam=\eightit
+ \def\sl{\fam\slfam\eightsl}%
+ \textfont\slfam=\eightsl
+ \def\bf{\fam\bffam\eightbf}%
+ \textfont\bffam=\eightbf \scriptfont\bffam=\sixbf
+ \scriptscriptfont\bffam=\sixbf
+ \def\smc{\eightsmc}%
+ \def\tt{\eighttt}%
+ \setbox\strutbox=\hbox{\vrule height 6pt depth 2pt width\z@}%
+ \setbox\struttbox=\hbox{\vrule height 7pt depth 3pt width\z@}%
+ \normalbaselines \rm }
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%
+% Headers/footers
+%
+
+
+\newdimen\pagenowidth
+\setbox0=\hbox{\tenrm 99\quad}
+\pagenowidth=\wd0
+
+\newdimen\rtitlebaseline \rtitlebaseline=10pt
+\def\rtitlex{\ignorespaces\firstmark\unskip}
+\def\rhsection#1#2{\if!#1!\else #1. \fi#2}
+
+\def\runhead{\vbox to \rheadlgt{\let\mnm=\notmain
+ \line{\tenrm
+ \makestrut[\rtitlebaseline;\z@]%
+ \ifodd\pageno \hfil\rtitlex\hfil\hbox to\z@{\hss\number\pageno}%
+ \else \hbox to \z@{\number\pageno\hss}\hfil\rtitlex\hfil \fi }%
+ \vfil }}
+
+\def\runfoot{\vbox to \rfootlgt{\baselineskip=1.5pc
+ \line{\hfil\line{\hfil
+ \ifPrelimDraft \tenrm \makestrut[1.5pc;\z@]\Now \fi
+ }\hfil}
+ \vfil }}
+
+%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%
+% Output
+%
+
+
+\output{\shipout \vbox{\basezero
+ \hrule height\z@ depth\z@ width\p@
+ \vskip-\rheadlgt
+ \vbox to \pagelgt{\basezero
+ \ifThisIsFirstPage \vskip\rheadlgt \global\ThisIsFirstPagefalse
+ \else \runhead
+ \fi % \vsize applied in \pagebody
+ \hbox to \pagewd{\hfil\pagebody \hfil}%
+ \vfil % if no depth, avoid underfull box
+ \runfoot }%
+ }%
+ \global\advancepageno }
+
+
+% Reorganize \pagecontents from PLAIN to put footnotes at very
+% bottom of page, even if \raggedbottom.
+
+\def\pagecontents{\ifvoid\topins\else\unvbox\topins\fi
+ \dimen@=\dp\@cclv \unvbox\@cclv % open up \box255
+ \ifr@ggedbottom \kern-\dimen@ \vfil \fi
+ \ifvoid\footins\else % footnote info is present
+ \vskip\skip\footins
+ \footnoterule
+ \unvbox\footins\fi }
+
+% Redefine \@ins to avoid the \par of PLAIN.
+
+\def\@ins{\begingroup\setbox\z@\vbox\bgroup} % start a \vbox
+
+%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%
+% Titles and section headings
+%
+
+\newskip\AboveTitleSkip \AboveTitleSkip=12pt plus 2pt minus 2pt
+\newskip\BelowTitleSkip \BelowTitleSkip=8pt plus 1pt minus 1pt
+
+\newdimen\mtrulethickness \mtrulethickness=.6pt
+\def\mthrule{\hrule height\mtrulethickness depth 0pt \relax }
+\let\DoHrule=\mthrule
+
+\newbox\maintitlebox
+\def\maintitle #1\\#2<{\vfil\eject
+ \vbox{\rightskip=0pt plus 1fil\leftskip=\rightskip
+ \parindent=0pt\parfillskip=0pt\bf#1\par
+ }%
+ \setbox\maintitlebox\hbox{#2}%
+ \ifdim\wd\maintitlebox=\z@
+ \else\vskip3pt\centerline{#2}\fi
+ \medskip\SetupFirstPar }
+
+
+% First-paragraph formatting
+
+\newif\ifFirstPar \FirstParfalse
+\def\SetupFirstPar{\global\parindent=0pt \global\FirstPartrue }
+
+\newif\ifNoParIndent \NoParIndentfalse
+\def\NoParIndent{\parindent=0pt \NoParIndenttrue}
+
+\newdimen\normalparindent \normalparindent=20pt
+\def\NormalParIndent{\global\parindent=\normalparindent
+ \global\NoParIndentfalse}
+\NormalParIndent
+
+% Make the first paragraph after a title start flush left, then reset
+% \parindent; but don't reset if all paragraphs should start flush left.
+\everypar{\ifNoParIndent
+ \else \ifFirstPar \NormalParIndent \global\FirstParfalse \fi
+ \fi }
+%
+\newif\ifFigure \Figurefalse
+
+\def\figuretitle#1{\Figuretrue \section{Figure #1}}
+
+% Don't make running heads from \section in the appendices.
+\def\section#1#2\par{%
+ \penalty-20
+ \vskip\AboveTitleSkip
+ {\raggedcenter
+ {\smc\noindent\ignorespaces\if!#1!\else#1. \fi
+ \ifFigure\rm\fi\ignorespaces
+ #2\unskip}\strutt
+ \ifFigure \global\Figurefalse
+ \else
+ \tocwrites\tocsection{#1}{#2}%
+ \ifAppendix
+ \else \toks0{\rhsection{#1}{#2}}\mark{\the\toks0}%
+ \fi
+ \fi \endgraf
+ }%
+ \nobreak \vskip\BelowTitleSkip
+ \SetupFirstPar }
+
+\let\primend=\end
+\def\end{\immediate\closeout\auxfile
+ \ifNoToc
+ \immediate\write16{*** Warning: Need to rerun to get TOC}%
+ \fi
+ \primend}
+
+\newwrite\auxfile
+\def\auxwrite{\immediate\openout\auxfile=\jobname.aux \relax
+ \global\let\auxwrite\auxwriteb \auxwriteb}
+\def\auxwriteb{\write\auxfile}
+
+\long\def\gobbletwo#1#2{}
+\long\def\gobblethree#1#2#3{}
+
+\def\tocwrite#1#2#3{%
+ \begingroup
+ \def\temp{{#2}{#3}}\edef\temp{\mmeaning\temp}%
+ \edef\tempb{\noexpand\auxwrite{%
+ \string#1\temp{\noexpand\the\pageno}}}%
+ \tempb
+ \endgroup
+}
+
+\def\tocwrites{\tocwrite}
+\def\tocwritea{\tocwrite}
+
+\newif\ifAppendix
+\def\appendix#1#2{\maintitle Appendix #1\break #2\\<
+ \mark{Appendix #1.\enspace#2}\tocwritea\tocappendix{#1}{#2}%
+ \gdef\theappendix{#1}%
+% Now \section should no longer go into the table of contents.
+ \let\tocwrites\gobblethree
+% And forget the running head on the first page of an appendix.
+ \global\ThisIsFirstPagetrue \Appendixtrue
+ \InstSec=0 \relax }
+
+% main/not main macro, prints arg #1 in the main text, #2 in running
+% head or table of contents
+\def\mnm#1#2{#1}
+\def\notmain#1#2{#2}
+
+\def\mmeaning{\expandafter\mstrip\meaning}
+\def\mstrip#1->{}
+
+\long\def\gobble#1{}
+
+\def\References#1{\section{}References\par
+ \begingroup \raggedright \hyphenpenalty=10000 \exhyphenpenalty=10000
+ \setbox\TestBox=\hbox{[#1] }
+ \leftskip=\wd\TestBox
+}
+
+\def\endReferences{\par\endgroup}
+
+\def\bibitem [#1] {\noindent\kern-\leftskip
+ \hbox to\leftskip{[#1]\hfil}\ignorespaces}
+
+\def\bysame{\hbox to 3em{\leaders\hrule\hfill}\thinspace, }
+
+% Note that, since \raggedbottom is turned on, there is already an
+% implied 60pt (= 5\baselineskip) margin allowed, so the penalty
+% should not be overly attractive.
+\def\subsection#1#2\par{\ifFirstPar \nobreak
+ \else \vskip\z@ plus 4\baselineskip \penalty-10
+ \vskip\z@ plus-4\baselineskip \vskip 8pt \vskip\parskip \fi
+ {\raggedright\hyphenpenalty=10000 \exhyphenpenalty=10000
+ \noindent\bf#1. \ignorespaces#2\endgraf}\nobreak \vskip 4pt\relax
+ \SetupFirstPar }
+
+
+\def\Contents{%
+ \subsection{\gobble}Contents of this document\par
+ \begingroup
+ \parfillskip=\normalparindent \parindent=\normalparindent
+ \let\mnm=\notmain
+ \input \jobname.aux \relax
+ \par\endgroup
+}
+
+\def\tocsection#1#2#3{%
+ \par \global\NoTocfalse
+ \begingroup \hangindent\parindent\indent
+ \if!#1!\else#1. \fi#2\dotsfill\ #3\endgraf
+ \endgroup}
+
+\def\tocappendix#1{\tocsection{Appendix #1}}
+
+% Define address blocks and other structures that use \obeylines
+% in the context \tag ...<
+% This requires that < be active, so that \obeylines is invoked
+% at the outer level. \tag{...} will not deliver the data with
+% ^M (carriage return) intact, so is not a suitable format for
+% any construction using \obeylines; the reference (if any) in
+% The TeXbook has not been found, and this information has been
+% determined empirically, referring to \obeylines constructions
+% in PLAIN and MANMAC.TeX (The TeXbook macros).
+{\catcode`\^^M=\active % these lines must end with %
+ \gdef\obeylinesblock{\catcode`\^^M\active \def^^M{\par\nobreak}}}
+
+{\catcode`\<=\active \obeylines
+\gdef\TextAddr{\endgraf\def\Phone{\leavevmode\kern\parindent}%
+ \let\NetAddr=\Phone %
+ \catcode`\<=\active %
+% next line intentionally ends with <cr> %
+ \def<{
+ \egroup\allowbreak\catcode`\<=12 }%
+ \bgroup\penalty9999 \obeylinesblock }%
+}
+
+\newbox\usertypebox
+\let\usertypeskip\empty
+\long\def\usertype@#1{%
+ \setbox\usertypebox\hbox{\hskip2pc\tt#1}%
+ \par\usertypeskip
+ {\let\oldpar=\par
+ \def\par{%
+ \oldpar\leavevmode\hbox to 0pt
+ {\ifdim1\wd\usertypebox>10pc\hskip1\wd\usertypebox\hskip1pc
+ \else\hskip10pc
+ \fi
+ \rm $\langle$return$\rangle$\hss}\hskip2pc}%
+ \par\tt#1}%
+ \par\usertypeskip}
+
+\def\usertype{\let\usertypeskip=\smallskip \usertype@}
+\def\usertypenoskip{\let\usertypeskip=\empty \usertype@}
+
+%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%
+% Abbreviations and logos
+%
+
+
+\def\AMS{American Mathematical Society}
+
+\def\AmS{{\the\textfont2 A}\kern-.1667em\lower.5ex\hbox
+ {\the\textfont2 M}\kern-.125em{\the\textfont2 S}}
+\def\AmSTeX{\AmS-\TeX}
+
+\def\AW{Addison\kern.1em-\penalty0\hskip0pt Wesley}
+
+\def\BibTeX{{\rm B\kern-.05em{\smc i\kern-.025emb}\kern-.08em\TeX}}
+
+\def\CandT{{\sl Computers \& Typesetting}}
+
+\def\cn#1{{\tt \bs #1}}
+
+\def\JoT{{\sl The Joy of \TeX}}
+\def\Joy{{\sl Joy}}
+
+% note -- \LaTeX definition is from LATEX.TEX 2.09 of 7 Jan 86,
+% adapted for additional flexibility.
+%\def\LaTeX{\TestCount=\the\fam \leavevmode L\raise.42ex
+% \hbox{$\fam\TestCount\scriptstyle\kern-.3em A$}\kern-.15em\TeX}
+% note -- broken in two parts, to permit separate use of La, as in (La)TeX
+\def\La{\TestCount=\the\fam \leavevmode L\raise.42ex
+ \hbox{$\fam\TestCount\scriptstyle\kern-.3em A$}}
+\def\LaTeX{\La\kern-.15em\TeX}
+\def\LaTeXe{\LaTeX\kern.15em2$_{\textstyle\varepsilon}$}
+
+\def\MF{{\manual META}\-{\manual FONT}\spacefactor1000 }
+\def\mf{{\manual MF}\spacefactor1000 }
+
+\def\MR{{\sl Mathematical Reviews}}
+
+\def\pkg#1{{\tt #1}}
+
+\def\POBox{P.\thinspace O.~Box }
+
+\def\TB{{\sl The \TeX book}}
+
+\def\TeX{T\kern-.1667em\lower.424ex\hbox{E}\kern-.125emX\spacefactor1000 }
+
+\def\Textures{{\it Textures\/}}
+
+\def\TUB{{\sl TUGboat}}
+\def\TUG{\TeX{} Users Group}
+
+%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%
+% Verbatim
+%
+
+
+% Verbatim listing of TeX source, as defined in TeXbook, p. 421.
+
+\def\ttverbatim{\begingroup \catcode`\\=\other
+ \catcode`\{=\other \catcode`\}=\other \catcode`\$=\other
+ \catcode`\&=\other \catcode`\#=\other \catcode`\%=\other
+ \catcode`\~=\other \catcode`\_=\other \catcode`\^=\other
+ \catcode`\"=\other \catcode`\@=\other
+ \obeyspaces \obeylines \hyphenpenalty=10000 \tt}
+
+\newskip\ttglue
+{\tenpoint\tt \global\ttglue=.5em plus .25em minus .15em}
+% this should be installed in each font
+
+{\obeyspaces\gdef {\ifvmode\indent\fi\space}}
+
+% Permissible overhang beyond right margin; in MANMAC, this is 5pc,
+% which is fine for the TeXbook, but too much here.
+\newdimen\ttrightskip
+\ttrightskip=1pc
+
+\newcount\linenumber
+
+\def\setuptt{%
+ \vskip\abovedisplayskip
+ \begingroup\def\par{\leavevmode\null\endgraf}\ttverbatim\parskip=\z@
+ \linenumber=0
+ \everypar={\global\advance\linenumber by\@ne
+ \ifnum\linenumber<3 \nobreak \fi}%
+ \catcode`\|=0
+ \frenchspacing\rightskip=-\ttrightskip}
+\outer\def\begintt{\setuptt\ttfinish}
+\def\skipaftertt{%
+ \vskip\belowdisplayskip
+ \penalty20
+ \vskip-\parskip
+ \vskip-\abovedisplayshortskip
+ \vskip-2\baselineskip
+ \vskip-\belowdisplayshortskip
+ $$\null$$ % whatever follows will behave as if it follows a display
+ }
+{\catcode`\|=0 |catcode`|\=\other % | is temporary escape character
+ |obeylines % end of line is active
+ |gdef|ttfinish#1^^M#2\endtt{#1#2|endgroup|endgroup|skipaftertt%
+ |ignorespaces}}
+
+%
+% Other non-tt elements that may be embedded within \begintt...\endtt .
+\def\MTH{$}
+\def\sb{_}
+\def\sp{^}
+\def\SP{{\tt\char"20 }} % "visible" space
+\chardef\bs=`\\
+\def\vrt{{\tt\char`\|}}
+
+\catcode`\|=\active
+{\obeylines %
+ \gdef|{\ttverbatim \spaceskip\ttglue \xspaceskip\ttglue %
+ \hyphenpenalty=10000 \let^^M=\ \let|=\endgroup}}
+
+\def\@period{.}
+\def\@gobble#1{}
+%\def\furtherinfo{\futurelet\test@period\check@period}
+%\def\check@period{Appendix D, {\bf For further information}%
+% \ifx\test@period .\def\next{.\@gobble}\else \def\next{''}\fi \next }
+\def\typeiapp{Appendix B}
+\def\furtherinfo{Appendix C, {\bf For further information}}
+\def\fontchartapp{Appendix D}
+
+\def\@Note #1{\def\endx{\ifhmode \unskip\endgraf \fi \endgroup \medskip }%
+ \ifdim\lastskip>\medskipamount \else \removelastskip\medskip \fi
+ \begingroup
+ \leftskip=3pc \rightskip=\leftskip
+ \interlinepenalty=10000
+ \noindent
+ {\bf\ignorespaces#1\unskip: } \ignorespaces }
+\def\Note{\@Note{Note}}
+\def\Warn{\@Note{Warning}}
+
+\def\<#1>{$\langle${\rm #1\/}$\rangle$}
+
+\def\filename#1{%
+ \leavevmode\hbox{\tt\ignorespaces#1\unskip}}
+\def\fontname{\filename}
+\let\fn=\filename
+
+\def\description{\par\begingroup \parskip0pt \raggedright
+ \def\item##1{\par \hang
+ \noindent\hbox{\quad##1}\enspace\ignorespaces}%
+}
+\def\enddescription{\par\endgroup}
+
+\def\mathfrak{\frak}
+\def\opt{\pkg}
+
+\def\ctab#1{\noindent$$\def\\{\cr}%
+ \def\hline##1{\noalign{\nointerlineskip\vskip2pt}%
+ \multispan{##1}\hrulefill\\%
+ \noalign{\vskip-2pt}}%
+ \tabskip0pt plus1fil
+ \halign to\hsize\bgroup#1\tabskip0pt plus1fil\cr}
+\def\endctab{\crcr\egroup$$}
+
+\makeatother
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%
+% Initialization
+%
+
+
+\PrelimDraftfalse
+\pageno=1
+
+\StretchyTenPointSpacing
+\StretchyEightPointSpacing
+
+\clubpenalty=10000
+\widowpenalty=10000
+
+\normallineskiplimit=1pt
+
+% some hyphenation exceptions:
+\hyphenation{man-u-script man-u-scripts}
+
+% for amsfndoc.ins:
+\font\tenss=cmss10
+
+% These fonts and related stuff should be avoided for amsfndoc.ins
+% because they either assume the AMSFonts collection is already
+% installed, or they aren't needed in the appendices.
+\def\extrafonts{\input amssym.def \input amssym.tex \relax
+ \font\teneusm=eusm10 \relax
+ \font\teneurm=eurm10 \relax
+ \font\teneurb=eurb10 \relax
+ \def\matheurm##1{{\teneurm##1}}%
+ \def\matheurb##1{{\teneurb##1}}%
+ \input cyracc.def \relax
+ \font\tencyr=wncyr10 \relax
+ \def\cyr{\tencyr\cyracc}%
+}
+
+\newcount\InstSec
+\def\instsecno{\theappendix.\number\InstSec\relax}
+\def\instsec{\global\advance\InstSec 1
+ \begingroup\edef\0{\endgroup\noexpand\section{\instsecno}}%
+ \0}
+\def\theappendix{}
+
+\def\OtherSec#1{%
+ \begingroup\advance\InstSec #1 \theappendix.\number\InstSec\endgroup}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% TOC generation
+
+\newif\ifNoToc
+\NoToctrue % set to false by \tocsection
+
+\ifx\InstName\relax % then we are doing only the installation instructions.
+ \NoTocfalse % don't complain about the absence of TOC
+ \let\tocwrite\gobblethree
+\else
+% Make sure there is an auxfile.
+ \openin\auxfile=\jobname.aux \relax
+ \ifeof\auxfile
+ \closein\auxfile
+ \immediate\openout\auxfile=\jobname.aux \relax
+ \write\auxfile{\relax}% to avoid \par
+ \immediate\closeout\auxfile
+ \else
+ \closein\auxfile
+ \fi
+\fi
+
+\ifx\InstName\relax % then we are doing only the installation instructions.
+\else
+ \begingroup \let\tocsection\gobblethree
+ \input \jobname.aux
+ \endgroup
+\fi
+
+\def\InstName{}
+
+\endinput
diff --git a/Master/texmf-dist/doc/fonts/amsfonts/amsfndoc.fnt b/Master/texmf-dist/doc/fonts/amsfonts/amsfndoc.fnt
new file mode 100644
index 00000000000..2a0e261e742
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/amsfonts/amsfndoc.fnt
@@ -0,0 +1,151 @@
+%%% ====================================================================
+%%% @TeX-file{
+%%% filename = "amsfndoc.fnt",
+%%% version = "2.2c",
+%%% date = "16 November 2001",
+%%% time = "16:56:02 EST",
+%%% checksum = "14554 151 584 5881"
+%%% author = "American Mathematical Society",
+%%% copyright = "Copyright (C) 1994 American Mathematical Society,
+%%% all rights reserved. Copying of this file is
+%%% authorized only if either:
+%%% (1) you make absolutely no changes to your copy,
+%%% including name; OR
+%%% (2) if you do make changes, you first rename it
+%%% to some other name.",
+%%% address = "American Mathematical Society,
+%%% Technical Support,
+%%% Electronic Products and Services,
+%%% P. O. Box 6248,
+%%% Providence, RI 02940,
+%%% USA",
+%%% telephone = "401-455-4080 or (in the USA and Canada)
+%%% 800-321-4AMS (321-4267)",
+%%% FAX = "401-331-3842",
+%%% email = "tech-support@ams.org (Internet)",
+%%% codetable = "ISO/ASCII",
+%%% keywords = "amsfonts, msam, msbm, eufm, eusm, Euler,
+%%% blackboard bold, fraktur",
+%%% supported = "yes",
+%%% abstract = "This is part of the AMSFonts distribution. It is
+%%% the plain TeX source file for the font charts that
+%%% comprise Appendix E of the AMSFonts user's guide.",
+%%% docstring = "The checksum field above contains a CRC-16 checksum
+%%% as the first value, followed by the equivalent of
+%%% the standard UNIX wc (word count) utility output of
+%%% lines, words, and characters. This is produced by
+%%% Robert Solovay's checksum utility.",
+%%% }
+%%% ====================================================================
+
+\newcount\curchar \newcount\currow \newcount\curcol
+\newdimen\indexwd \newdimen\tempcellwd
+\setbox0\hbox{\tentt 0\kern.2em}
+\indexwd=\wd0
+
+\def\ident#1{#1}
+\def\hexnumber#1{\ifcase\expandafter\ident\expandafter{\number#1} 0\or
+1\or 2\or 3\or 4\or 5\or 6\or 7\or 8\or 9\or A\or B\or C\or D\or E\or
+F\else ?\fi}
+
+\def\rownumber{\tentt\hexnumber\currow}
+\def\colnumber{\tentt\hexnumber\curcol \global\advance\curcol 1 }
+
+% Note that the cyrillic short I has an unexpected height of more than
+% 8.5pt, and is thus centered vertically rather than aligned on the
+% baseline; this has been reported as a bug, and may be fixed sometime.
+\def\charnumber{\setbox0=\hbox{\char\curchar}%
+ \ifdim\ht0>7.5pt\reposition
+ \else\ifdim\dp0>2.5pt\reposition\fi\fi
+ \box0 \global\advance\curchar1 }
+\def\reposition{\setbox0=\hbox{$\vcenter{\kern1.5pt\box0\kern1.5pt}$}}
+
+% For these charts we avoid \offinterlineskip as that makes for
+% problems when cells have unusual height or depth. Instead the
+% vertical rules in the charts are added after the total height of
+% the chart is know.
+\def\dochart#1{%
+ \begingroup
+ \global\curchar=0 \global\currow=0 \global\curcol=0
+ \def\hline{\kern2pt\hrule\kern3pt }%
+ \setbox0\vbox{#1%
+% 16 cols for chars + 2 for row numbers + 12pt space for 5 vrules
+ \def\0{\hbox to\cellwd{\curcol}{\hss\charnumber\hss}}%
+ \colnumbers
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \colnumbers
+ }%
+% Now that we know the total height, we can add the vertical rules.
+ \vbox{%
+ \hbox to\hsize{\kern\indexwd
+ \def\fullrule{\hfil\vrule height\ht0 depth\dp0\hfil}%
+ \fullrule\kern\cellwd{0}\kern\cellwd{1}\kern\cellwd{2}\kern\cellwd{3}%
+ \fullrule\kern\cellwd{4}\kern\cellwd{5}\kern\cellwd{6}\kern\cellwd{7}%
+ \fullrule\kern\cellwd{8}\kern\cellwd{9}\kern\cellwd{10}\kern\cellwd{11}%
+ \fullrule\kern\cellwd{12}\kern\cellwd{13}\kern\cellwd{14}\kern\cellwd{15}%
+ \fullrule\kern\indexwd}%
+ \kern-\ht0 \kern-\dp0 \unvbox0}%
+ \endgroup
+}
+
+\def\colnumbers{\hbox to\hsize{\global\curcol 0
+ \def\1{\hbox to\cellwd{\curcol}{\hfil\colnumber\hfil}}%
+ \kern\indexwd\hfil\hfil
+ \1\1\1\1\hfil\hfil \1\1\1\1\hfil\hfil
+ \1\1\1\1\hfil\hfil \1\1\1\1\hfil\hfil
+ \kern\indexwd}%
+}
+
+\def\setrow{\hbox to\hsize{%
+ \hbox to\indexwd{\hfil\rownumber\kern.2em}\hfil\hfil
+ \0\0\0\0\hfil\hfil \0\0\0\0\hfil\hfil
+ \0\0\0\0\hfil\hfil \0\0\0\0\hfil\hfil
+ \hbox to\indexwd{\tentt\kern.2em \rownumber\hfil}}%
+ \global\advance\currow 1 }%
+
+\def\cellwd#1{20pt}% initialize
+
+% This is supposed to help tailor cell widths to a specific font;
+% but at the moment just make all cells the same width.
+% [mjd,20-Dec-1994]
+\def\measurecolwidths#1{%
+ \tempcellwd\hsize \advance\tempcellwd-2\indexwd
+% Space for vrules:
+ \advance\tempcellwd -12pt
+ \divide\tempcellwd 16
+ \xdef\cellwd##1{\the\tempcellwd}%
+}
+
+\def \table #1#2#3{\par\penalty-200 \bigskip
+ \font #1=#2 \relax
+ \vbox{\hsize=29pc
+ \measurecolwidths{#1}%
+ \centerline{#3 -- {\tt#2}}%
+ \medskip
+ \dochart{#1}%
+}}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\raggedbottom
+
+\noindent {\bf Note:} Row and column numbers are hexadecimal.
+
+\table \tenmsam{msam10}{Extra symbols, group 1, medium weight}
+\table \tenmsbm{msbm10}{Extra symbols, group 2, medium weight}
+\table \teneufm{eufm10}{Euler Fraktur medium weight}
+\table \teneurm{eurm10}{Euler cursive (roman) medium weight}
+\table \teneusm{eusm10}{Euler script medium weight}
+\table \teneuex{euex10}{Euler-compatible extension font}
+\table \tencyr{wncyr10}{Cyrillic, medium weight}
+\table \tencyi{wncyi10}{Italic Cyrillic, medium weight}
+\table \tencsc{cmcsc10}{Computer Modern caps and small caps}
+\table \tenmib{cmmib10}{Computer Modern bold math italic}
+\table \tenbsy{cmbsy10}{Computer Modern bold math symbols}
+\table \tenex{cmex10}{Computer Modern math extension font}
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/amsfonts/amsfndoc.ins b/Master/texmf-dist/doc/fonts/amsfonts/amsfndoc.ins
new file mode 100644
index 00000000000..96564770377
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/amsfonts/amsfndoc.ins
@@ -0,0 +1,498 @@
+%%% ====================================================================
+%%% @TeX-file{
+%%% filename = "amsfndoc.ins",
+%%% version = "2.2e",
+%%% date = "2002/01/18",
+%%% time = "15:20:31 EST",
+%%% checksum = "08238 498 2587 20382"
+%%% author = "American Mathematical Society",
+%%% copyright = "Copyright 1994, 2002 American Mathematical Society,
+%%% all rights reserved. Copying of this file is
+%%% authorized only if either:
+%%% (1) you make absolutely no changes to your copy,
+%%% including name; OR
+%%% (2) if you do make changes, you first rename it
+%%% to some other name.",
+%%% address = "American Mathematical Society,
+%%% Technical Support,
+%%% Publications Technical Group,
+%%% P. O. Box 6248,
+%%% Providence, RI 02940,
+%%% USA",
+%%% telephone = "401-455-4080 or (in the USA and Canada)
+%%% 800-321-4AMS (321-4267)",
+%%% FAX = "401-331-3842",
+%%% email = "tech-support@ams.org (Internet)",
+%%% codetable = "ISO/ASCII",
+%%% keywords = "amsfonts, msam, msbm, eufm, eusm, eurm, Euler,
+%%% blackboard bold, fraktur",
+%%% supported = "yes",
+%%% abstract = "This is part of the AMSFonts distribution. It is
+%%% the plain TeX source file for the appendices of the
+%%% AMSFonts user's guide which contain installation
+%%% instructions.",
+%%% docstring = "The checksum field above contains a CRC-16 checksum
+%%% as the first value, followed by the equivalent of
+%%% the standard UNIX wc (word count) utility output of
+%%% lines, words, and characters. This is produced by
+%%% Robert Solovay's checksum utility.",
+%%% }
+%%% ====================================================================
+
+% If these installation instructions are processed by themselves, we
+% will add a bit of extra information \InstName in the appendix titles.
+\ifx\undefined\InstName
+ \let\InstName\relax \input amsfndoc.def \def\InstName{ for AMSFonts 2.2d}%
+\fi
+
+\def\AFUG{{\sl AMSFonts 2.2d User's Guide\/}}
+
+\def\TEXMF{{\tt TEXMF}}
+
+\appendix{A}{Installation Procedures\InstName}
+
+\instsec Introduction
+
+``AMSFonts'' is a collection of fonts that supplement the basic Computer
+Modern fonts, for use with the \TeX\ typesetting system. These fonts were
+originally intended for use with the \AmSTeX\ or \AmS-\LaTeX\ macro packages,
+but they can also be used with plain \TeX{} or \LaTeX, independently of the
+AMS formatting packages.
+
+AMSFonts can be used with any full implementation of \TeX. Many \TeX{}
+distributions include the AMSFonts; check the documentation that came
+with the \TeX{} distribution you are using. When a new version of
+AMSFonts is released, all distributors are notified, so if your \TeX{}
+system is up to date, it is likely that you don't need to do anything at
+all.
+
+Most current \TeX{} installations are organized according to the
+\TeX{} Directory Structure (TDS)\null. This is a tree structure whose
+root is identified as something like {\tt /usr/local/share/texmf} or
+{\tt c:\char`\\sw\char`\\texmf}. In the following instructions,
+we will use the name \TEXMF{} to identify the root directory of a
+TDS or similar structure. (For detailed documentation of the TDS,
+see the report at\newline
+\null\indent {\tt http://www.ctan.org/tex-archive/tds/standard/tds/}\newline
+for a browsable version, or the file {\tt tds.pdf} in the same area if
+you prefer a copy formatted for printing.)
+
+When installing a new release of the AMSFonts, you may want to first
+back up your old version, if you have existing documents that use it.
+Although new releases are intended to be backward compatible, a backup
+provides insurance in case something goes wrong.
+
+
+\instsec Location of AMSFonts files in a TDS tree
+
+Files in the AMSFonts distribution fall into several categories:
+\fn{.tfm} (metric) files, macro files for use with \TeX{}, source files,
+documentation, and raster image (\fn{.pk}) files. The following list
+shows the files in the current distribution, along with their recommended
+locations in a TDS tree.
+
+\medskip
+\begingroup
+\parskip=0pt
+\obeylines\obeyspaces\tt%
+TEXMF/
+\ fonts/source/
+\ ams/
+\ README
+\ amsfonts.lst
+\ cmextra/
+\ cmbsy*.mf \hbox{\rm(5 files)}
+\ cmcsc*.mf \hbox{\rm(2 files)}
+\ cmex*.mf \hbox{\rm(3 files)}
+\ cmmib*.mf \hbox{\rm(5 files)}
+\ \null
+\ cyrillic/ \phantom{\rm(99 files)}%
+\ cyr-alt/
+\ cyr*.mf \hbox{\rm(9 files)\phantom{9}}%
+\ README
+\ serb*.mf \hbox{\rm(2 files)\phantom{9}}%
+\ wkcy*.vpl \hbox{\rm(5 files)}
+\ wncy*.mf \hbox{\rm(22 files)}%
+\ wlcy*.vpl \hbox{\rm(5 files)}
+\ \phantom{\rm(99 files)}%
+\ wvcy*.vpl \hbox{\rm(5 files)}
+\ euler/ \phantom{\rm(99 files)}%
+\ symbols/
+\ ebigop.mf \phantom{\rm(99 files)}%
+\ amsy*.mf \hbox{\rm(2 files)}
+\ eubase.mf \phantom{\rm(99 files)}%
+\ *symbols.mf \hbox{\rm(2 files)}
+\ euex*.mf \hbox{\rm(4 files)\phantom{9}}%
+\ msam*.mf \hbox{\rm(6 files)}
+\ eufb*.mf \hbox{\rm(7 files)\phantom{9}}%
+\ msbm*.mf \hbox{\rm(6 files)}
+\ eufm*.mf \hbox{\rm(7 files)\phantom{9}}%
+\ xb*.mf \hbox{\rm(3 files)}
+\ eurb*.mf \hbox{\rm(7 files)}
+\ eurm*.mf \hbox{\rm(7 files)}
+\ eusb*.mf \hbox{\rm(7 files)}
+\ eusm*.mf \hbox{\rm(7 files)}
+\ public/misc/
+\ dummy.mf
+\ fonts/pk/
+\ \<device resolution>/
+\ \hbox{\rm (not included in bundled collection)}
+\ fonts/tfm/
+\ ams/
+\ cmextra/
+\ cyrillic/
+\ euler/
+\ symbols/
+\ public/misc/
+\ dummy.tfm
+\ tex/latex/amsfonts/
+\ amsdtx.cls %
+\ eucal.sty
+\ amsfonts.sty %
+\ eufrak.sty
+\ amssymb.sty %
+\ euscript.sty
+\ cmmib7.sty %
+\ ueu*.fd \hbox{\rm(8 files)}
+\ %
+\ ums*.fd \hbox{\rm(4 files)}
+\ tex/plain/amsfonts/
+\ amssym.def
+\ amssym.tex
+\ cyracc.def
+\ doc/ams/amsfonts/
+\ amsfndoc.tex %
+\ amsfonts.ins
+\ amsfndoc.def %
+\ amsfonts.bug
+\ amsfndoc.cyr %
+\ amsfonts.faq
+\ amsfndoc.fnt %
+\ amssymb.dtx
+\ amsfndoc.ins %
+\ cmmib57.dtx
+\ amsfndoc.ps %
+\ eufrak.dtx
+\ amsfonts.dtx %
+\ euscript.dtx
+\ amsfonts.fdd
+\endgroup
+
+\medskip
+\noindent
+The AMSFonts distribution can be retrieved in bundled form from the AMS
+web site, e.g., as a \fn{.zip}, \fn{.tar} or \fn{.hqx} file. In this
+form, the files are already arranged according to the TDS structure.
+The \fn{.pk} files are not included in the main bundle; they are
+bundled separately, by output device resolution or by platform.
+To install the main bundle, place the bundled file into a convenient
+directory and unpack it using the \TEXMF{} directory as the ``Extract to''
+target. Some examples:
+
+\halign{\quad#\hfil\quad & #\hfil \cr
+ WinZip: & Click on ``Extract'' and then in the ``Extract to'' box, enter\cr
+ & {\tt\char`\\sw\char`\\texmf}\quad (or whatever {\tt TEXMF} is
+ on your system)\cr
+ gzip: & {\tt gzip -dc amstex.tgz \char`\|\ (cd TEXMF; tar xvf -)}\cr
+ unzip: & {\tt unzip amstex2.zip -d TEXMF}\cr
+}
+
+\noindent
+The bundled file may be deleted after unpacking.
+
+\goodbreak
+
+\instsec Installing the \fn{.pk} files
+
+Many modern \TeX{} installations incorporate a feature called MakeTeXPk
+that creates a \fn{.pk} file only when it has actually been requested by
+a job. Check the documentation that came with your system; if MakeTeXPk
+is available, you may choose to omit installing any \fn{.pk} files, but
+let the system generate them on demand.
+
+Alternatively, if you are using a PostScript output device, you will
+probably want to use Postscript (Type~1) outline files rather than
+\fn{.pk} files. Type~1 versions of the AMSFonts are available separately
+from the AMS web site,\newline
+\null\indent{\tt http://www.ams.org/tex/amsfonts.html}\newline
+The fonts in the Type~1 collection do not include all sizes; for details,
+see the appropriate section of the \AFUG{} and the documentation that
+comes with the collection.
+
+If you do decide you want to install the \fn{.pk} files from the AMS server,
+consult the TDS tree shown above to identify the proper location.
+
+The amount of disk space required for installation of the AMSFonts depends on
+the resolution of your output device and on which families of fonts you choose
+to install. There are five families of fonts, and you may choose to install
+any or all of these families. Also, you may choose to install all
+magnifications or only magnifications 100\%, 109.5\% and 120\% (\TeX{}
+magsteps 0, $1\over 2$ and 1). For a more complete description of these
+families and magnifications, please see the appropriate sections of the
+\AFUG{}.
+
+The following table lists all the families and the disk space required
+for their installation. Before you begin the installation, decide which
+fonts and which magnifications you will choose, and make sure that
+you have enough disk space available.
+
+
+%%%%%%%%%%%%%%%%%%% this is the table of required disk space
+\bigskip
+
+\centerline{\bf Approximate Disk Space Required for AMSFonts
+ Installation}
+\nobreak
+\bigskip
+\begingroup
+\parindent0pt
+\leavevmode\hfil\vbox{\font\eightrm=cmr9
+\eightrm
+%\def\1#1<{\def\\{\cr}\baselineskip=10pt
+% \vbox{\halign{\hss##\hss\cr#1\crcr}}}
+\def\dropentry#1{\smash{\lower.5\baselineskip\hbox{#1}}}
+\setbox0\hbox{9}
+\def~{\kern\wd0 }
+\settabs\+400dpi\ \ &100\% thru 120\%\ \ &\hskip3pc&\hskip3pc
+ &\hskip3pc&\hskip3pc&\hskip3pc&\hskip3pc&\cr
+\newbox\tablerulebox
+\setbox\tablerulebox=\vbox{\+400dpi\ \ &100\% thru 120\%\ \ &\hskip3pc
+ &\hskip3pc&\hskip3pc&\hskip3pc&\hskip3pc&\hskip3pc&\cr}
+\def\tablerule{\smallskip\hrule width 1\wd\tablerulebox \smallskip}
+
+\baselineskip=10pt
+\+&&\hss Extra\hss&\hss Euler\hss&\hss Other\hss&\hss Extra\hss&\hss
+ \hss&\hss All\hss&\cr
+\+&&\hss CM\hss&\hss Fraktur\hss&\hss Euler\hss&\hss Symbols\hss&\hss
+ Cyrillic\hss&\hss Fonts\hss&\cr
+
+%\+&&\relax\1Extra\\CM<&\relax\1Euler\\Fraktur<&\relax\1Other\\Euler<&
+% \relax\1Extra\\Symbols<&\relax\1Cyrillic<&\relax\1All\\Fonts<&\cr
+\tablerule
+
+\baselineskip=11pt
+\+\dropentry{118dpi}&100\% thru 120\%\hss&\hss~200K\hss&\hss~150K\hss&\hss
+ ~350K\hss&\hss~150K\hss&\hss~250K\hss&\hss 1100K\hss&\cr
+\+&all mags\hss&\hss\ 550K\hss&\hss\ 350K\hss&\hss~850K\hss&\hss
+ ~450K\hss&\hss~750K\hss&\hss 2950K\hss&\cr
+\tablerule
+
+\+\dropentry{180dpi}&100\% thru 120\%\hss&\hss~250K\hss&\hss~150K\hss&\hss
+ ~350K\hss&\hss~200K\hss&\hss~300K\hss&\hss 1250K\hss&\cr
+\+&all mags\hss&\hss~750K\hss&\hss~450K\hss&\hss~950K\hss&\hss
+ ~650K\hss&\hss 1000K\hss&\hss 3800K\hss&\cr
+\tablerule
+\+\dropentry{240dpi}&100\% thru 120\%\hss&\hss~300K\hss&\hss~150K\hss&\hss
+ ~350K\hss&\hss~250K\hss&\hss~400K\hss&\hss 1450K\hss&\cr
+\+&all mags\hss&\hss~900K\hss&\hss~500K\hss&\hss 1000K\hss&\hss
+ ~800K\hss&\hss 1200K\hss&\hss 4400K\hss&\cr
+\tablerule
+
+\+\dropentry{300dpi}&100\% thru 120\%\hss&\hss~350K\hss&\hss~200K\hss&\hss
+ ~450K\hss&\hss~350K\hss&\hss~500K\hss&\hss 1850K\hss&\cr
+\+&all mags\hss&\hss 1100K\hss&\hss~700K\hss&\hss 1300K\hss&\hss\
+ 1000K\hss&\hss 1500K\hss&\hss 5600K\hss&\cr
+\tablerule
+
+\+\dropentry{400dpi}&100\% thru 120\%\hss&\hss~450K\hss&\hss~250K\hss&\hss
+ ~500K\hss&\hss~400K\hss&\hss~550K\hss&\hss 2150K\hss&\cr
+\+&all mags\hss&\hss 1450K\hss&\hss~825K\hss&\hss 1625K\hss&\hss
+ 1250K\hss&\hss 1850K\hss&\hss 7000K\hss&\cr
+\tablerule
+
+\+\dropentry{600dpi}&100\% thru 120\%\hss&\hss~650K\hss&\hss~325K\hss&\hss
+ ~600K\hss&\hss~500K\hss&\hss~725K\hss&\hss 2800K\hss&\cr
+\+&all mags\hss&\hss 2000K\hss&\hss1150K\hss&\hss 2150K\hss&\hss
+ 1750K\hss&\hss 2650K\hss&\hss 9700K\hss&\cr
+\tablerule
+}\endgraf
+\endgroup
+%%%%%%%%%%%%%%%%%%%%%%%%%%% end of table
+
+\instsec What if your \TeX{} system isn't in a TDS tree?
+
+If your \TeX{} system is arranged in some other way, you must consult
+the user documentation for guidance. The hints that follow are just
+that---hints. If your \TeX{} system documentation recommends something
+different, you should follow that procedure.
+
+We recommend placing AMSFonts files into distinct subdirectories or
+folders, to simplify installation of future versions.
+
+First, determine where \TeX{} will look for its files. The AMSFonts
+collection contains not only fonts, but also support for their use with
+plain \TeX{} and \LaTeX. Look first for files listed in the tree above;
+if you find them, you should simply install the new versions in the
+same areas. If you don't find them, some more specific hints follow.
+
+To install plain \TeX{} support files, look on your system for the file
+\fn{plain.tex}; the files listed above under {\tt tex/plain/amsfonts/}
+should go into (a subarea of) that area.
+
+To install \LaTeX{} support files, look for the file \fn{article.sty};
+the files listed above under {\tt tex/latex/amsfonts/} should go into
+(a subarea of) that area.
+
+To install the \fn{.tfm} files, look for the file \fn{cmr10.tfm}.
+
+Raster image files may or may not have {\tt pk} in the file extension,
+depending on the system. These files are used by the output device
+drivers, not by \TeX{} itself. Consult the documentation for your
+drivers to see where they look for \fn{.pk} files. In the AMSFonts
+distribution, the directories are labeled {\tt \bs amsfonts\bs dpiXXX},
+where {\tt XXX} is the resolution of the output device multiplied by
+the magnification (for example, for a 300dpi printer, {\tt XXX} would
+be {\tt 300} for a font at 100\% or {\tt 360} for a font at 120\%).
+Unix users will have to rename the \fn{.pk} files in each directory to
+the extension \fn{.XXXpk}, where \filename{XXX} is the number in the
+directory \filename{dpiXXX} in which the file is located. Once all
+the files have been renamed, they can be placed all together in the
+directory where your drivers will find them.
+
+
+\instsec Font definition files for \LaTeX{}
+
+{\bf Warning:} If your version of \LaTeXe{} is earlier than December
+1996, {\it and} if your operating system and \TeX{} implementation
+both refer to filenames in a case-sensitive manner, the \fn{.fd} files
+you need are not included in the bundled AMSFonts distribution; you will
+need to retrieve them explicitly from the AMS FTP server, at\newline
+\null\indent{\tt ftp://ftp.ams.org/pub/tex/amsfonts/latex/obsolete/}\newline
+This warning may apply to users of Unix systems; it does not generally
+apply to users of Windows or DOS.
+
+A better option, which we recommend strongly, is to update your version
+of \LaTeX{}; the case-sensitive \fn{.fd} filenames were made obsolete
+with the December 1996 release of \LaTeX{}, so if you are still using an
+older version, it is overdue for update.
+
+\instsec Additional note for all users of AMSFonts
+
+The device driver with which you are using these fonts may have a font
+table that needs to be updated in order for the driver to recognize
+the fonts. In order to use AMSFonts with any software that uses such
+a table, you must enter the names of each of the fonts in the AMSFonts
+package and the effective resolutions at which you have them installed.
+The file \fn{amsfonts.lst}, which appears at the same level in the TDS
+tree as the \fn{README} file, contains a list of all of the font names and
+all of the resolutions contained in the distribution. You may have to
+alter the format of this file to make it conform to your driver's
+needs or to reflect installation of only some of the fonts, but it
+provides you with the necessary data. See the documentation for your
+device driver to see what format is required. If your device driver
+does not depend on such a table, this step is not necessary.
+
+\instsec Note for users of \Textures{} on Macintosh
+
+The AMSFonts distribution for \Textures{} is different from what has
+been described above; the fonts are distributed in several different
+suitcase files rather than in a TDS tree. This distribution is
+bundled in the file\newline
+\null\indent{\tt /pub/macintosh/amsfonts2-2.hqx}\newline
+which is available from the AMS FTP server or web site.
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\appendix{B}{Using the PostScript (Type 1) AMSFonts}
+
+The AMSFonts were reimplemented in Type 1 outline form jointly by Blue
+Sky Research and Y\&Y, and made freely available for general use through
+a consortium of scientific publishers. These Type~1 fonts are not part
+of the main AMSFonts distribution, but are available separately from the
+AMS web site:\newline
+\null\indent{\tt http://www.ams.org/tex/type1-fonts.html}\newline
+The web page contains a more detailed history of these fonts than is
+given here.
+
+This collection can also be found on CTAN (the Comprehensive \TeX{}
+Archive Network), at\newline
+\null\indent{\tt http://www.ctan.org/tex-archive/amsfonts/ps-type1/}\newline
+The CTAN entry is mirrored directly from the AMS server.
+
+The symbols and fonts of mathematical alphabets in the Type~1 collection
+are provided only in sizes 5, 7, and 10 point, with additional sizes
+produced by interpolation. To accommodate this reduced set of sizes, a
+``PS AMS fonts'' option is provided with both \LaTeX{} and \AmSTeX; see the
+relevant sections of this guide for details. Papers and monographs
+submitted to the AMS for publication are required to use this option.
+
+\Warn Adding the ``PS AMS fonts'' option to an existing file may result
+ in changed line and page breaks, owing to the fact that sizes
+ 6, 8, and 9 are produced by interpolation.
+\endx
+
+The Type~1 cyrillic fonts are provided only in 10 point. The ``PS AMS fonts''
+option does not apply to cyrillic at the present time.
+
+Some output device drivers (e.g., {\tt dvips}) require a ``map'' file
+to identify Type~1 fonts; for details, see the documentation for your
+device driver.
+
+If you are using the Type~1 AMSFonts, you may wish to rename the \fn{.tfm}
+files for the intermediate sizes---6, 8, and 9 point for the math fonts
+and all sizes but 10 point for the cyrillic---so that \TeX{} won't find
+them. This will insure that the bitmaps aren't used inadvertently, or
+created on demand by systems that use the MakeTeXPk facility.
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\appendix{C}{For further information}
+
+The AMSFonts collection was implemented and packaged by the Society's
+Publications Technical Group.
+Questions or suggestions for improvements should be directed to that
+group at the following address:
+\begingroup
+\smallskip
+\parskip=0pt
+\TextAddr Publications Technical Group
+ \AMS{}
+ \POBox 6248
+ Providence, RI 02940
+ \smallskip Phone: 800-321-4AMS (4267)\quad or\quad 401-455-4080
+ Internet: {\tt tech-support@ams.org}<
+\endgroup
+
+\smallskip
+
+\noindent
+Questions or comments concerning \Textures{} can be directed to:
+\begingroup
+\smallskip\parskip0pt
+\TextAddr
+ Blue Sky Research
+ 516 Southeast Morrison
+ Portland, OR 97204
+ \smallskip
+ Phone: 800-622-8398 \quad or \quad 503-222-9571
+ Internet: {\tt help@bluesky.com}<
+
+\endgroup
+
+\smallskip
+
+%\noindent
+%The \TUG{} is a good source of general information about fonts for use
+%with \TeX. Inquiries can be directed to:
+%\begingroup
+%\smallskip
+%\parskip=0pt
+%\TextAddr \TUG{}
+% 1850 Union Street, \#1637
+% San Francisco, CA 94123 USA
+% \smallskip Phone: 415-982-8449
+% Internet: {\tt tug@tug.org}<
+%\endgroup
+
+\noindent
+The Internet newsgroup {\tt comp.text.tex} is an excellent source of
+general information about anything related to \TeX, and fonts are no
+exception. The newsgroup and its archives can be accessed at
+{\tt http://groups.google.com/}.
+
+The \TeX{} Resources pages at the AMS web site
+({\tt http://www.ams.org/tex/}) contain pointers to additional sources
+of \TeX{}-related information, including answers to Frequently Asked
+Questions (FAQ).
+
+\bye
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diff --git a/Master/texmf-dist/doc/fonts/amsfonts/amsfndoc.tex b/Master/texmf-dist/doc/fonts/amsfonts/amsfndoc.tex
new file mode 100644
index 00000000000..371dbaebed6
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/amsfonts/amsfndoc.tex
@@ -0,0 +1,1471 @@
+%%% ====================================================================
+%%% @TeX-file{
+%%% filename = "amsfndoc.tex",
+%%% version = "2.2d",
+%%% date = "2002/01/19",
+%%% time = "12:21:18 EST",
+%%% checksum = "17515 1471 8131 61305"
+%%% author = "American Mathematical Society",
+%%% copyright = "Copyright 1994, 2001 American Mathematical Society,
+%%% all rights reserved. Copying of this file is
+%%% authorized only if either:
+%%% (1) you make absolutely no changes to your copy,
+%%% including name; OR
+%%% (2) if you do make changes, you first rename it
+%%% to some other name.",
+%%% address = "American Mathematical Society,
+%%% Technical Support,
+%%% Publications Technical Group,
+%%% P. O. Box 6248,
+%%% Providence, RI 02940,
+%%% USA",
+%%% telephone = "401-455-4080 or (in the USA and Canada)
+%%% 800-321-4AMS (321-4267)",
+%%% FAX = "401-331-3842",
+%%% email = "tech-support@ams.org (Internet)",
+%%% codetable = "ISO/ASCII",
+%%% keywords = "amsfonts, msam, msbm, eufm, eusm, Euler,
+%%% blackboard bold, fraktur",
+%%% supported = "yes",
+%%% abstract = "This is part of the AMSFonts distribution. It is
+%%% the plain TeX source file for the AMSFonts user's
+%%% guide.",
+%%% docstring = "The checksum field above contains a CRC-16 checksum
+%%% as the first value, followed by the equivalent of
+%%% the standard UNIX wc (word count) utility output of
+%%% lines, words, and characters. This is produced by
+%%% Robert Solovay's checksum utility.",
+%%% }
+%%% ====================================================================
+
+\input amsfndoc.def
+\extrafonts
+
+\maintitle User's Guide to AMSFonts Version 2.2d\\
+ \fontsreleasedate<
+
+Standard distributions of \TeX{} ordinarily come with all the fonts
+specified in \filename{plain.tex}, and they may also come with a number of
+additional fonts intended for use with \LaTeX. Additional fonts
+designed for use in mathematics and defined in \AmSTeX{} are not always
+included among such font collections. For this reason, the \AMS{} has
+compiled a collection, known as AMSFonts, which contains fonts of
+symbols and several alphabets corresponding to symbols and alphabets
+used in AMS publications, including electronic journals and the MathSci
+online database.
+
+% Get toc from .aux file
+\Contents
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\section{1} Contents of the AMSFonts collection
+
+The AMSFonts collection contains the \MF{} sources, \fn{.tfm} files and
+bitmaps for the following fonts, in the sizes indicated:
+
+\begingroup
+\raggedright
+\parskip=0pt
+\item{\bull} The Euler family, all but \fontname{euex} in 5, 6, 7, 8, 9,
+ and 10 point:
+\itemitem{--} Fraktur (German), medium-weight and bold (\fontname{eufm}
+ and \fontname{eufb})
+\itemitem{--} ``roman'' cursive, medium-weight and bold (\fontname{eurm}
+ and \fontname{eurb})
+\itemitem{--} script, medium-weight and bold (\fontname{eusm} and
+ \fontname{eusb})
+\itemitem{--} Euler-compatible extension font (\fontname{euex}),
+ in 7, 8, 9, and 10 point
+
+\item{\bull} Additional sizes of some Computer Modern math fonts
+ (the 10-point fonts are included in standard \TeX\ distributions):
+\itemitem{--} bold math italic (\fontname{cmmib}), in 5, 6, 7, 8, and 9 point
+\itemitem{--} bold math symbols (\fontname{cmbsy}), in 5, 6, 7, 8, and 9 point
+\itemitem{--} math extension font (\fontname{cmex}), in 7, 8, and 9 point
+
+\goodbreak
+\item{\bull} Extra math symbols, in 5, 6, 7, 8, 9, and 10 point:
+\itemitem{--} first series, medium-weight (\fontname{msam})
+\itemitem{--} second series, including Blackboard Bold, medium-weight
+ (\fontname{msbm})
+
+\item{\bull} Cyrillic, developed at the University of Washington
+\itemitem{--} lightface (\fontname{wncyr}), in 5, 6, 7, 8, 9, and 10 point
+\itemitem{--} bold (\fontname{wncyb}), in 5, 6, 7, 8, 9, and 10 point
+\itemitem{--} italic (\fontname{wncyi}), in 5, 6, 7, 8, 9, and 10 point
+\itemitem{--} caps and small caps (\fontname{wncysc}), in 10 point
+\itemitem{--} sans serif (\fontname{wncyss}), in 8, 9, and 10 point
+\itemitem{--} virtual font property list (\filename{.vpl})
+ files to enable the use of these fonts with alternate
+ encodings and transliteration schemes
+
+\item{\bull} Computer Modern caps and small caps (\fontname{cmcsc}),
+ in 8 and 9 point
+ (the 10-point font is included in standard \TeX\ distributions)
+
+\item{\bull} The ``dummy font'', used in \AmSTeX{} for syntax checking,
+ which consists only of metrics (\filename{dummy.tfm}), no character shapes
+
+\item{\bull} Packages for using these fonts with \LaTeX{}:
+\itemitem{--} \filename{amsfonts}, a package for using the fonts
+ \fontname{msam}, \fontname{msbm}, and \fontname{eufm} in \LaTeX{}
+\itemitem{--} \filename{amssymb}, a package for defining en masse
+ (instead of selectively) command names for all the math symbols
+ in the fonts \fontname{msam} and \fontname{msbm}
+\itemitem{--} \filename{eucal}, a package for using the Euler script font
+ \fontname{eusm}
+%\itemitem{--} \filename{eurom}, a package for using the Euler cursive
+% (roman) font \fontname{eurm}
+\itemitem{--} \filename{cmmib57}, a package for adapting the font
+ definitions for \fn{cmmib} and \fn{cmbsy} to scale from sizes 5,7,10
+ instead of sizes 5,6,7,8,9,10 when the Y\&Y/Blue Sky PostScript outline
+ fonts are used
+\itemitem{--} \filename{*.fd}, font definition files
+\item{} For details, see Section 3 on using AMSFonts with \LaTeX{}.
+
+\item{\bull} Macro files for using these fonts with plain \TeX{}:
+\itemitem{--} \filename{amssym.tex}, a file defining names for the symbols
+ in fonts \fontname{msam} and \fontname{msbm}
+\itemitem{--} \filename{amssym.def}, a file that loads the fonts
+ \fontname{msam}, \fontname{msbm} and \fontname{eufm} and defines some
+ control sequences required by \filename{amssym.tex}
+\itemitem{--} \filename{cyracc.def}, a file containing definitions needed for
+ proper access to characters in the cyrillic fonts
+
+\item{\bull} Documentation files:
+\itemitem{--} \filename{amsfndoc.tex}, the source file for this User's Guide
+\itemitem{--} \filename{amsfndoc.cyr}, the source file for the table showing
+ cyrillic input conventions, input by \filename{amsfndoc.tex}
+\itemitem{--} \filename{amsfndoc.fnt}, the source file for the tables of
+ the principal 10-point fonts in the AMSFonts collection, input by
+ \filename{amsfndoc.tex}; this file may also be \TeX{}ed by itself
+\itemitem{--} \filename{amsfndoc.def}, the macros used to format this
+ User's Guide
+\itemitem{--} \filename{amsfndoc.ins}, the source file for the appendixes
+ to this User's Guide, input by
+ \filename{amsfndoc.tex}; this file may also be \TeX{}ed by itself
+\itemitem{--} \filename{amsfonts.faq}, a file of Frequently Asked
+ Questions about AMSFonts
+\itemitem{--} \filename{amsfonts.bug}, a chronicle of bug fixes and list
+ of known bugs still outstanding
+\endgraf
+\endgroup % end \raggedright
+
+\noindent
+Each font at a particular size is provided in seven standard \TeX{}
+magnifications, magsteps 0~through~5, including magstephalf (except the
+{\it Textures}\slash Macintosh package, which includes
+only magnifications 0 and 1; see the installation instructions).
+
+The philosophy under which the Euler fonts were implemented was different
+from that used for Computer Modern, and the result is a lower degree of
+``meta-ness''. For that reason, the appearance of these fonts is not
+very good at small sizes when output on low-resolution devices, in
+particular on screens. Even so, the fonts are included in AMSFonts in all
+the sizes and magnifications offered, on the assumption that the printed
+output will be prepared on a device of higher resolution (at least 300dpi)
+where this effect will not be noticeable.
+
+Font charts are given in \fontchartapp.
+
+
+\subsection{1.1} Font naming conventions
+
+Developers of fonts for use with \TeX, at least those using \MF,
+generally try to make the names distinctive, so that a user will know
+the origin of the font by the font name. For most of the fonts in the
+AMSFonts collection, the first two letters identify the font source,
+as follows:
+
+\begingroup
+\raggedright
+\parskip=0pt
+\item{\bull} ``{\tt cm}'': These fonts are based directly on the
+ specifications for Knuth's Computer Modern fonts, as described
+ in Volume~E of \CandT{} [DEK86E].
+\item{\bull} ``{\tt eu}'': These are members of the Euler family,
+ described below.
+\item{\bull} ``{\tt ms}'': These fonts of math symbols were developed
+ by or under the direction of the AMS staff.
+\item{\bull} ``{\tt wn}'': These cyrillic fonts were developed at or
+ under the direction of the University of Washington Humanities and
+ Arts Computing Center, and are distributed with their permission.
+\endgraf
+\endgroup
+
+\noindent
+The font called \fn{dummy} is a special case; it was developed
+as part of the Stanford University \TeX{} Project, and follows no
+particular naming convention.
+
+For information on Computer Modern fonts other than those specifically named
+here, and on other fonts in general, the newsgroup {\tt comp.text.tex}
+is a good source. For some other suggestions, see \furtherinfo.
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\section{2} History of these fonts
+
+When the AMS began using \TeX{} to produce its publications, the available
+complement of symbols was found to be inadequate. Several alphabets
+used extensively as symbols were not available either. While
+development of the symbols could be undertaken by in-house personnel,
+using the existing \TeX{} symbol font as a model, the creation of new
+Fraktur and script alphabets required the assistance of someone with
+experience in font design.
+
+
+\subsection{2.1} Euler
+
+With Donald Knuth's assistance and encouragement, Hermann Zapf, one of the
+premier font designers of this century, was commissioned to create designs
+for Fraktur and script, and for a somewhat experimental, upright cursive
+alphabet that would represent a mathematician's handwriting on a blackboard
+and that could be used in place of italic. The designs that resulted were
+named Euler, in honor of Leonhard Euler, a prominent mathematician of the
+eighteenth century. Zapf's designs were rendered in \MF{} code by graduate
+students at Stanford, working under Knuth's direction; the process by which
+the \MF{} fonts were implemented is described in a report by David Siegel
+[DRS85]. The Euler fonts were designed to be used as math symbols; they are
+not intended for setting running text.
+
+The Fraktur face of the Euler family has been used in production by the
+AMS since it became available. However, no extensive test or use had
+been made of the script or cursive until Knuth decided that they should be
+used in a textbook, {\sl Concrete Mathematics}, written by him and two
+co-authors [GKP88]. During the course of preparing that book, a number of
+errors, particularly in spacing parameters affecting the placement of sub-
+and superscripts, were discovered. All these errors have been corrected in
+the medium-weight versions of the Euler fonts (almost no boldface symbols
+were used in {\sl Concrete Mathematics\/}). Knuth also noticed that the
+style of some symbols in the Computer Modern extension font, in particular
+the integral sign, was too slanted to be attractive with Euler, and
+consequently he prepared a new (partial) extension font for use with Euler.
+Knuth described his experience with the Euler fonts in a \TUB\/ article
+[DEK89]. In the article he also identified the macros he used and where they
+can be obtained.
+
+The Euler fonts are sparsely populated; only the alphabetic locations are
+filled in most instances (see the font charts in \fontchartapp{} for
+specifics). For this reason, when processing the file for this User's
+Guide, and in particular the font charts, warnings about ``Missing
+characters'' are not a cause for concern.
+
+
+\subsection{2.2} Additional Computer Modern fonts for use in math
+
+Only the 10-point size of the Computer Modern bold math italic (which
+includes Greek), symbol, and math extension fonts are included in standard
+distributions of \TeX{}. Since these symbols are often needed in
+mathematics, other sizes have been constructed, using the principles
+demonstrated in Knuth's {\sl Computer Modern Typefaces\/} [DEK86E], and
+included in the AMSFonts collection.
+
+
+\subsection{2.3} Symbols
+
+Two fonts of ``extra'' symbols are included in the AMSFonts collection.
+These are named \fontname{msam} and \fontname{msbm}, and have been
+implemented in ``new'' \MF{} (\mf84); they replace earlier fonts (named
+\fontname{msxm} and \fontname{msym}) that were defined in old \MF{}
+(\mf79)\null. These fonts contain symbols needed in the publishing program
+of the AMS, including the MathSci online database, and include the
+uppercase letters of an alphabet known as Blackboard Bold
+($\Bbb A, \dots, \Bbb Z$).
+
+
+\subsection{2.4} Cyrillic
+
+Titles of books reviewed in \MR\/ are traditionally rendered in their
+original language. For books published in Russian or other Slavic
+languages, this frequently requires use of the cyrillic alphabet.
+A cyrillic font was developed at AMS using \MF\/79 with the \fontname{am}
+fonts as a model. This font was organized in a manner suitable for use with
+the transliteration scheme adopted by {\sl MR\/} in 1980, and contained only
+those letters which appear in current mathematical literature.
+In particular, this meant that the letters dropped from the Russian
+alphabet after the Revolution of 1917, and some letters used in non-Slavic
+languages now rendered in cyrillic (such as Azerbaijani, from which no
+mathematical literature is currently reviewed in {\sl MR\/}) were absent.
+
+In 1988, the Humanities and Arts Computing Center of the University of
+Washington undertook a font development project for support of scholars
+in Slavic languages. The fonts developed through this project include
+several different font layouts. One layout is based on that of the
+original AMS cyrillic augmented with `{\cyr \u\i}' (cyrillic short `i'),
+`{\cyr\"e}' (umlauted `e'), and several pre-Revolutionary letters.
+The fonts with the AMS layout are included in the AMSFonts collection
+with the permission of the University of Washington developers.
+%For information on cyrillic fonts with other layouts, see \furtherinfo.
+``Virtual property list'' (\fn{.vpl}) files are also included in the
+collection to support several other layouts; these can be found in the
+\fn{cyr-alt} area, and are accomanied by a \fn{README} file with
+further information.
+
+The cyrillic fonts are based on Computer Modern letter shapes.
+Type styles include ordinary upright, bold (based on CM bold
+extended), caps and small caps, italic, and upright sans serif.
+The principal text fonts (upright, italic and boldface) are present in
+sizes from 5 through 10 point;
+sans serif is in sizes 8, 9 and 10 point;
+caps and small caps are in 10 point only.
+See also \typeiapp{} for information on a PostScript (Type~1) version
+of the cyrillic fonts, in particular concerning the sizes provided in
+that format.
+
+
+\subsection{2.5} Caps/small caps
+
+The font \fontname{cmcsc10} is referenced in \filename{plain.tex} and
+should be included in all standard \TeX{} distributions. However, Knuth
+did not generate this font in any other sizes. The AMSFonts collection
+includes 8 and 9-point sizes, generated according to the same principles as
+other CM fonts of these sizes.
+
+
+\subsection{2.6} Dummy font
+
+The dummy font contains no ligature or kerning information, and all
+dimensions and parameter values are set to zero. This is a pseudo-font,
+which has only general font metrics and no characters. No \filename{.pk}
+or \filename{.gf} files are needed for this font; it is provided only in
+\filename{.tfm} and \filename{.mf} form.
+
+The dummy font is used in \AmSTeX{} to implement ``syntax checking''.
+(Syntax checking is activated by the |\printoptions| command as
+described in \JoT{} [MDS86].) In this mode, the dummy font replaces all
+the usual ``printing'' fonts, so that \TeX{} never accumulates any text
+to be set, and never tries to write out a page, but in the process of
+reading the input file, checks all control sequences for syntactic
+correctness. In this mode, an input file will be processed perhaps 30
+percent faster than if it were actually being set. However, some errors
+and conditions are not detected during a syntax check; in particular,
+overfull boxes cannot be detected until setting actually occurs.
+
+
+\subsection{2.6} PostScript (Type 1) implementation of AMSFonts
+
+The AMSFonts are available in Type~1 outline form as an alternative
+to the bitmap images generated by \MF. The Type~1 files are not
+part of the regular AMSFonts distribution, but can be obtained at
+no charge from the AMS server. For details, see \typeiapp.
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\section{3} How to use AMSFonts with \LaTeX{}
+
+\subsection{3.1} General
+
+These instructions are for current \LaTeX{} (version 2$\varepsilon$, dated
+January 1995 or later). If you have version 2.09 of \LaTeX{}, dated 1993 or
+earlier, you must upgrade to current \LaTeX{}. Earlier versions of \LaTeX{}
+are no longer supported for AMSFonts; however, the \LaTeX{} compatibility
+mode will usually allow documents prepared for version 2.09 to be processed
+with the current version.
+
+To use the AMSFonts collection with \LaTeX{} you choose from an
+assortment of \LaTeX{} ``packages'' that provide various kinds of access
+to the fonts, calling the packages that you need in a given document
+through standard \LaTeX{} \cn{usepackage} statements. For example, the
+statement
+\begintt
+\usepackage{amsfonts}
+\endtt
+calls in the \pkg{amsfonts} package, which provides blackboard bold
+and Fraktur letters and selective access to the math symbol fonts
+\fn{msam} and \fn{msbm}.
+
+These packages are currently available:
+
+\begingroup
+\raggedright
+\parskip=0pt
+\item{\bull} {\tt amsfonts} -- for blackboard bold letters, Fraktur letters,
+ and miscellaneous symbols
+\item{\bull} {\tt amssymb} -- superset of the \pkg{amsfonts} package, defines
+ the full set of symbol names for the \fn{msam} and \fn{msbm} fonts
+\item{\bull} {\tt eufrak} -- for Fraktur letters; redundant if \fn{amsfonts}
+ is used
+\item{\bull} {\tt eucal} -- Makes \cn{mathcal} use Euler script instead of
+ the usual Computer Modern calligraphic alphabet
+\item{\bull} {\tt euscript} -- old name of the \pkg{eucal} package, now
+ obsolete but included for convenience in printing pre-existing documents
+%\item{\bull} {\tt eurom} -- for Euler cursive (roman) letters
+\endgraf
+\endgroup
+
+All of the above packages have a `\opt{psamsfonts}' option that should
+be used if and only if your copy of the AMSFonts collection is the
+Y\&Y/Blue Sky Research PostScript version. In that version, the font
+files are not provided in all the sizes (5,6,7,8,9,10), but only in sizes
+5,7,10, with sizes 6,8,9 produced by interpolation. In practice it's
+easy to tell if you need to use the \opt{psamsfonts} option: you'll get
+an error message about a missing \fn{.tfm} file:
+\begingroup \parindent0pt
+\begintt
+! Font \U/AMSa/m/n/9=msam9 not loadable: Metric (TFM) file not found.
+\endtt
+\endgroup
+where the mentioned font name is one of the AMS font names (\fn{msam},
+\fn{msbm}, \fn{eufm}, etc.), and the font size is 6, 8, or 9.
+If this happens to you, look at your \cn{usepackage} statements and
+change
+$$\hbox{|\usepackage{amssymb}|\qquad to\qquad
+|\usepackage[psamsfonts]{amssymb}|}$$
+or
+$$\hbox{|\usepackage{eucal}|\qquad to\qquad
+|\usepackage[psamsfonts]{eucal}|}$$
+and so forth.
+
+If you are using an AMS document class (\fn{amsart}, \fn{amsbook},
+\fn{amsproc}) or an AMS author package, apply the option \fn{[psamsfonts]}
+to \cn{documentclass} as well.
+
+\Warn Adding the option \fn{[psamsfonts]} to an existing file may
+ result in changed line and page breaks, owing to the fact that sizes
+ 6, 8, and 9 are produced by interpolation.
+\endx
+
+Use of the PostScript AMSFonts is explicitly marked in individual
+documents because the interpolation process used produces character
+metrics that are not identical with those of the noninterpolated font
+files for the corresponding sizes. If these discrepancies were simply
+ignored, {\it there would be no warning} of unexpected changes in line
+or page breaks that might occur in documents exchanged between colleagues.
+As it is, if you find it necessary to add or remove the \fn{psamsfonts}
+option in order to print a colleague's document, you are free to go ahead
+and do so, but the fact that you must make that change should be understood
+as a reminder that a small possibility of changed line breaks or page
+breaks does exist.
+
+A package \pkg{cmmib57} provides analogous font
+definitions for the fonts \fn{cmmib} and \fn{cmbsy} (yes, both in the
+same package, despite the name), for those users who have the Y\&Y/Blue
+Sky Research PostScript versions of those fonts. Typical usage is:
+\begintt
+\documentclass{article}
+\usepackage{cmmib57}
+\endtt
+
+
+\subsection{3.2} Computer Modern bold math italic and symbols
+
+The package \pkg{amsbsy} (part of the \AmS-\LaTeX{} distribution) defines
+two commands to obtain bold symbols:
+
+\begingroup
+\smallskip
+\description
+\item {\cn{boldsymbol}} -- for bold numbers and other nonalphabetic symbols,
+ as well as bold Greek letters, which cannot be made bold via the \cn{mathbf}
+ command, and bold math italic letters
+\item {\cn{pmb}} -- ``poor man's bold'', which overlays multiple copies
+ of the same symbol with slight offsets, for cases where \cn{boldsymbol}
+ does not work, e.g., a bold font is not available
+\enddescription
+\endgroup
+
+\noindent
+\cn{boldsymbol} can also be used to obtain bold letters from the Euler fonts.
+
+These commands are valid in math mode only. For example,
+\begintt
+$$\boldsymbol{\beta} \pmb{\boxdot}
+\boldsymbol{\Omega} \boldsymbol+ \pmb{\mathbb{R}}$$
+\endtt
+(Since this User's Guide is not prepared with \LaTeX{}, getting output
+for this expression is left as an exercise to the user.)
+
+
+\subsection{3.3} Blackboard bold letters (uppercase only)
+
+The \pkg{amsfonts} package defines a ``math alphabet'' command \cn{mathbb}
+for printing letters of the blackboard bold alphabet that resides in the
+\fn{msbm} font. This alphabet is restricted to uppercase only (no
+lowercase, no numerals). The suggested method for defining a \cn{R}
+command to print a blackboard bold R is as follows:
+\begintt
+\usepackage{amsfonts}
+\newcommand{\R}{\mathbb{R}}
+\endtt
+
+
+\subsection{3.4} Extra math symbols
+
+The \pkg{amssymb} package defines math symbol commands for all the extra
+math symbols in the \fn{msam} and \fn{msbm} fonts, as listed in the
+table in Section 7. Thus if you want to use the \cn{blacktriangle}
+$\blacktriangle$ and \cn{nsubseteq} $\nsubseteq$ symbols, the easiest
+way is to put the statement
+\begintt
+\usepackage{amssymb}
+\endtt
+in the preamble of your document.
+
+If you want more selective access to the math symbols in those fonts
+you can use the \pkg{amsfonts} package instead and define math symbol
+commands individually using \LaTeX{}'s \cn{DeclareMathSymbol}
+(cf.\ [LFG] or [GMS94]):
+\begintt
+\usepackage{amsfonts}
+\DeclareMathSymbol{\blacktriangle}{\mathord}{AMSa}{"4E}
+\DeclareMathSymbol{\nsubseteq}{\mathrel}{AMSb}{"2A}
+\endtt
+This alternative might be useful to you if adding the \pkg{amssymb}
+package to your document leads to an error message of the form
+\begintt
+! TeX capacity exceeded, sorry (hash size=3000)
+\endtt
+This could happen if you have an older version of \TeX{} with a
+relatively low limit on the number of commands that can be defined in a
+single document. (But in that case, note that there may be configuration
+options for increasing that limit; check the documentation for your
+\TeX{} system.)
+
+Since \cn{DeclareMathSymbol} is used in the \pkg{amssymb} package, the
+definitions for particular symbols can be borrowed from there (file
+\fn{amssymb.sty}). Alternatively, the values can be obtained from the
+tables in Section 7.2, as follows:
+
+\begingroup
+\raggedright
+\item{\bull} First digit identifies font:
+\itemitem{1} AMSa
+\itemitem{2} AMSb
+\item{\bull} Second digit identifies class:
+\itemitem{0} \cn{mathord}
+\itemitem{2} \cn{mathbin}
+\itemitem{3} \cn{mathrel}
+\item{\bull} Third and fourth digits identify (hex) location in font.
+\endgraf
+\endgroup
+
+
+\subsection{3.5} Euler Fraktur letters
+
+A math alphabet command \cn{mathfrak} for using Fraktur letters such as
+$\mathfrak{A}\;\mathfrak{m}\;\mathfrak{g}\;\mathfrak{H}$ in math can be
+obtained by using any of the packages \pkg{amssymb}, \pkg{amsfonts}, or
+\pkg{eufrak}.
+
+
+\subsection{3.6} Euler script letters (uppercase only)
+
+The main purpose of the \pkg{eucal} package is to change \LaTeX{}'s
+\cn{mathcal} command so that it produces Euler script instead of
+Computer Modern calligraphic letters:
+\ctab{\hfil#\tabskip1em&
+ #ABCDEFGHIJKLMNOPQRSTUVWXYZ\hfil}
+CM calligraphic:& \tensy\\
+Euler script:& \teneusm
+\endctab
+There is also an option \opt{mathscr} for the \pkg{eucal} package that
+causes Euler script to be associated to a \cn{mathscr} command, leaving
+the \cn{mathcal} command unaffected. This imitates the behavior of the
+predecessor package \pkg{euscript}.
+
+
+%\subsection{3.7} Euler cursive (roman) letters
+%
+%Math alphabet commands \cn{matheurm} and \cn{matheurb} are defined by
+%the package \pkg{eurom} for medium weight and bold forms of the Euler
+%cursive letters respectively, for example, \matheurm{A}, \matheurb{A},
+%\matheurm{B}, \matheurb{B}.
+
+
+\subsection{3.7} University of Washington Cyrillic fonts
+
+There is no AMS package for \LaTeX{} at the present time to support the
+use of Cyrillic languages in \LaTeX{} documents with the \fn{wncy*}
+fonts. Producing a proper Cyrillic package involves rather difficult
+questions of input and output encodings, for which it would be useful to
+rely on general mechanisms provided by \LaTeX{}.
+
+If you require these fonts, you can consult the \LaTeX{} documentation
+[LFG], [L94] and use directly the commands described there, such as
+\cn{DeclareFontFamily}, \cn{DeclareFontShape}, and \cn{symbol}. A scheme
+for accessing letters that don't correspond to the 26-letter Latin alphabet
+will be needed; the file \fn{cyracc.def} can be used as a starting point.
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\section{4} How to use AMSFonts with \AmSTeX{}
+
+In \JoT{}, Michael Spivak describes various fonts that are used in
+mathematics in addition to the fonts provided with the standard
+distributions of \TeX. Two references in particular are of interest with
+respect to AMSFonts: the section {\bf Fonts in math mode} in Chapter 19,
+and Appendix G, {\bf Further fonts}. The first describes the use of
+letters from alphabets, including Fraktur, and the second, mostly
+nonalphabetic symbols.
+
+Instructions for using the fonts of the AMSFonts collection with \AmSTeX{}
+are also given in the {\sl User's Guide to \AmSTeX{} Version~2.2\/} [AMS01]
+and in Appendix~G of editions of \JoT{} [MDS90] dated 1990 or later.
+
+Additional fonts to be used with \AmSTeX{} should be specified at the top
+of the document input file, in what is known as the ``preamble''. The
+arrangement of commands at the top of an input file is the following:
+\begintt
+\input amstex
+\documentstyle{...}
+|<preamble commands>
+\endtt
+
+\AmSTeX{} provides a simple method for accessing most of the fonts in the
+AMSFonts collection. The two extra symbol fonts and Euler Fraktur are
+loaded automatically by the preprint style (\filename{amsppt.sty}).
+If you are using \AmSTeX{}, but not the preprint style, the method used to
+load these fonts and define the associated symbol names depends on how many
+symbols will be needed. If a lot of the symbols will be needed, or
+you aren't worried about memory space and just want to do what is easiest,
+all three fonts will be loaded and the symbol names defined if you type the
+command |\UseAMSsymbols| in the preamble. This will load the file
+\filename{amssym.tex}, in which all the symbol names (more than 200 of them)
+are defined. If only a few symbols from these fonts are needed, the
+commands |\loadmsam|, |\loadmsbm|, and |\loadeufm| will load the
+medium-weight versions of the two extra symbol fonts and Euler Fraktur
+respectively. The command |\newsymbol| can then be used to define just
+those symbols that are needed; its use is described in Section 7,
+{\bf Using the extra symbols}.%
+\footnote{*}{Additional fonts from the AMSFonts collection can be accessed
+ easily in \AmSTeX{}.
+ However, users should be aware that \TeX{} limits the number of
+ math mode font families to 16, of which 11 are predefined in \AmSTeX{}.
+ Only those additional families should be activated that will actually
+ be used in a document, to avoid exceeding the limit.}
+
+Two sizes of fonts, suitable for body text and for passages requiring smaller
+type (e.g.\ abstracts and footnotes), are incorporated in the preprint style
+\filename{amsppt.sty}. These are accessed through the control sequences
+|\tenpoint| and |\eightpoint|, which are ordinarily referred to only by
+higher-level commands that identify the kind of text being input (e.g.\
+|\title|, |\abstract|, |\footnote|). Most fonts in the AMSFonts collection
+have |\load...|\ instructions defined in \AmSTeX{} and will be accessed
+properly for use with the preprint style when the |\load| instructions are
+included in the preamble of the document input. If you are not using the
+preprint style, you can use the font definitions in \filename{amsppt.sty} as a
+model.
+
+If you are using the PostScript version of the AMSFonts developed by
+Y\&Y/Blue Sky Research, only selected sizes (5, 7 and 10) are provided, and
+the other sizes are produced by interpolation. With the \AmSTeX{} preprint
+style, use the command \cn{PSAMSFonts}, placed after the \cn{documentstyle}
+line and before \cn{topmatter} and \cn{document}, to access these fonts
+correctly. Papers and monographs submitted to the AMS for publication are
+required to use this command.
+
+\Warn Adding the command \cn{PSAMSFonts} to an existing file may result
+ in changed line and page breaks, owing to the fact that sizes
+ 6, 8, and 9 are produced by interpolation.
+\endx
+
+\subsection{4.1} Euler
+
+The Euler fonts are defined only in math mode, in sizes appropriate for
+text and two orders of sub- and superscripts. They can be activated by
+invoking the proper |\load| instructions before the |\documentstyle|
+command, in the preamble of a paper in which the fonts are to be used.
+(The medium-weight Fraktur font is activated automatically by the preprint
+style.) The Euler fonts can be activated by the following commands:
+
+\begingroup
+\smallskip
+\parskip=0pt
+\def\1 #1 {\item{}{\tt\bs#1}\qquad\ignorespaces}
+\1 loadeufm Euler Fraktur medium (automatic with the preprint style)
+\1 loadeufb Euler Fraktur bold
+\1 loadeurm Euler cursive medium
+\1 loadeurb Euler cursive bold
+\1 loadeusm Euler script medium
+\1 loadeusb Euler script bold
+\endgraf
+\endgroup
+
+After the \fontname{eufm} font has been loaded, the medium-weight Fraktur
+letters can be produced by typing |\frak| followed by the desired letter.
+For example, |$\frak g \frak A$| yields $\frak g \frak A$. \AmSTeX{} 2.1 also
+defines |\eufm|, |\eufb|, |\eurm|, |\eurb|, |\eusm| and |\eusb|.
+
+
+\subsection{4.2} Computer Modern bold math italic and symbols
+
+The Computer Modern bold math italic (\fontname{cmmib}) and bold math
+symbol (\fontname{cmbsy}) fonts can both be loaded in \AmSTeX{} by the
+command |\loadbold|; there are no predefined commands to load them separately.
+|\loadbold| must be invoked in the preamble of the document input file.
+
+A rather elaborate mechanism has been defined in \AmSTeX{} to simplify
+access to bold letters and symbols, in math mode only. Three control
+sequences are available, each of which affects a particular class of
+characters:
+
+\begingroup
+\smallskip
+\parskip=0pt
+\setbox0=\hbox{\tt xboldsymbol}
+\def\1 #1 {\item{}\hbox to\wd0{\tt\bs#1\hfil}\qquad\ignorespaces}
+\1 bold for a single letter or numeral
+\1 boldkey for other symbols that appear on the keyboard
+\1 boldsymbol for a symbol specified by a single control sequence
+\endgraf
+\endgroup
+\noindent
+These facilities are described in more detail in the {\sl User's Guide to
+\AmSTeX{} Version~2.2\/} [AMS01] and editions of \Joy\/ published in 1990
+or later [MDS90].
+
+
+\subsection{4.3} Computer Modern math extension font
+
+Smaller sizes of the math extension font are appropriate for use in text
+smaller than ten-point and in sub- and superscripts. They are provided
+automatically for these environments in the preprint style. If you are
+not using the preprint style, you can use the font definitions in either
+\filename{amsppt.sty} or Appendix~E of \TB\/ [DEK86A] as a model.
+
+
+\subsection{4.4} Extra symbols
+
+The medium-weight versions of the two extra symbol fonts are available
+automatically, including all the symbol names, if you are using the preprint
+style or if you have specified |\input amssym|. If you wish to load these
+fonts separately, use the appropriate control sequence |\loadmsam| or
+|\loadmsbm| in the preamble of your document. If you load the fonts
+separately, a few symbols will be defined when one of the fonts is loaded,
+but most must be defined using the |\newsymbol| command before they can be
+used. See Section 7, {\bf Using the extra symbols}, for
+information on both the symbol names and on using |\newsymbol| to define them.
+
+
+\subsection{4.5} Cyrillic
+
+Cyrillic is not referred to in the \AmSTeX{} files as distributed.
+The cyrillic fonts included in AMSFonts are intended for use mainly in text,
+not as symbols in math. Detailed instructions for loading and using cyrillic
+appear below in Section 6, {\bf Using cyrillic}.
+
+
+\subsection{4.6} Caps/small caps
+
+Caps/small caps are loaded automatically by the \AmSTeX{} preprint style
+for use in ten-point and eight-point text. If you are not using the preprint
+style, you can use the font definitions in either \filename{amsppt.sty}
+or Appendix~E of \TB\/ [DEK86A] as a model.
+
+
+\subsection{4.7} Dummy font
+
+No special action is needed to use the dummy font with \AmSTeX{}.
+It is already built into the syntax checking procedure.
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\section{5} How to use AMSFonts with plain \TeX{} or other macro packages
+
+If you are not using \LaTeX{} or \AmSTeX{} then there are too many
+variables for us to provide much specific guidance. It will be necessary
+to assume that you either have some experience with \TeX{} macros or
+have a \TeX nician available to help you. However, some general
+guidelines may be helpful.
+
+Two models for defining fonts should be accessible to most users:
+\item{\bull} Appendix E of \TB\/ contains size-specific font definitions
+ for \hbox{|\tenpoint|}, \hbox{|\ninepoint|} and |\eightpoint| that permit
+ size-switching, including support of mathematics.
+\item{\bull} \filename{amsppt.sty}, the file of macros supporting the
+ \AmSTeX{} preprint style, contains similar font definitions, |\tenpoint|
+ and |\eightpoint|.
+
+The font-size-switching facilities of \LaTeX{} are not recommended as a
+model because they include many features (such as loading fonts on demand)
+that make them too complex to be copied easily for uses outside of
+\LaTeX{} except by someone with substantial \TeX{} expertise.
+
+Before attempting to load all available fonts into every \TeX{} job,
+determine (if you can) how many fonts can be accommodated by the
+implementation of \TeX{} you are using. It is generally a good idea to
+load seldom-used fonts selectively.
+
+
+\subsection{5.1} Euler
+
+The following commands will load the medium-weight Euler Fraktur font, and
+can be used as a model for accessing the other Euler fonts.
+\begintt
+\font\teneufm=eufm10
+\font\seveneufm=eufm7
+\font\fiveeufm=eufm5
+\newfam\eufmfam
+\textfont\eufmfam=\teneufm
+\scriptfont\eufmfam=\seveneufm
+\scriptscriptfont\eufmfam=\fiveeufm
+\def\eufm#1{{\fam\eufmfam\relax#1}}
+\endtt
+
+Individual letters in the Euler fonts are accessible by the ordinary
+letters on your keyboard, once the font has been loaded and named by
+a control sequence equivalent to |\eufm|.
+
+The medium-weight Fraktur font, \fontname{eufm}, can also be loaded by
+|\input amssym.def|; this loads the two extra symbol fonts as well.
+
+
+\subsection{5.2} Computer Modern bold math italic and symbols
+
+The \fontname{cmmib} and \fontname{cmbsy} fonts can be loaded and made
+accessible to math in ten-point environments by the following code:
+\begintt
+\font\tencmmib=cmmib10 \skewchar\tencmmib='177
+\font\sevencmmib=cmmib7 \skewchar\sevencmmib='177
+\font\fivecmmib=cmmib5 \skewchar\fivecmmib='177
+\newfam\cmmibfam
+\textfont\cmmibfam=\tencmmib \scriptfont\cmmibfam=\sevencmmib
+ \scriptscriptfont\cmmibfam=\fivecmmib
+
+\font\tencmbsy=cmbsy10 \skewchar\tencmbsy='60
+\font\sevencmbsy=cmbsy7 \skewchar\sevencmbsy='60
+\font\fivecmbsy=cmbsy5 \skewchar\fivecmbsy='60
+\newfam\cmbsyfam
+\textfont\cmbsyfam=\tencmbsy \scriptfont\cmbsyfam=\sevencmbsy
+ \scriptscriptfont\cmbsyfam=\fivecmbsy
+\endtt
+The \TeX{} primitive |\mathchar| must be used to access individual characters
+from a font in math mode.
+|\mathchar|, like the |\char| primitive, requires that you know the position in
+the font of the character you are accessing. However, |\mathchar| also
+requires that you specify the ``class'' and the family of the math character
+being accessed. See Chapter 17 of \TB{} for more details on the use of
+|\mathchar|, as well as |\mathchardef|, which will allow you to define your own
+macro names for individual characters in these fonts.
+
+\Note The file \filename{amssym.def} contains a convenient macro,
+|\hexnumber@|, to determine the family number of the font being accessed
+through |\mathchar|. For example, the |\mathchar| statement to properly access
+the bold alpha in the \fn{cmmib} font would be:
+\begintt
+\mathchar"0\hexnumber@\cmmibfam0B
+\endtt
+\endx
+
+
+\subsection{5.3} Computer Modern math extension font
+
+The 10-point \fontname{cmex} font is loaded by \filename{plain.tex}.
+To install the 7-point size appropriate for sub- and superscripts in
+a ten-point math environment, include the following code in your file:
+\begintt
+\font\sevenex=cmex7
+\scriptfont3=\sevenex \scriptscriptfont3=\sevenex
+\endtt
+To use other sizes implies the use of switchable-size fonts,
+which may be implemented according to the models cited
+at the beginning of this section.
+
+
+\subsection{5.4} Extra symbols
+
+Detailed instructions for accessing the \fontname{msam} and \fontname{msbm}
+fonts are given in Section 7, {\bf Using the extra symbols}.
+
+
+\subsection{5.5} Cyrillic
+
+See Section 6, {\bf Using cyrillic}, for instructions.
+
+
+\subsection{5.6} Caps/small caps
+
+The 10-point \fontname{cmcsc} font is loaded by \filename{plain.tex}.
+To use the smaller versions implies the use of switchable-size fonts,
+which may be implemented according to the models cited at the beginning
+of this section.
+
+
+\subsection{5.7} Dummy font
+
+The dummy font was designed to be used for syntax checking. The general
+technique is described in Appendix~D of \TB, p.~401. This has been
+implemented in the file \filename{amstex.tex}, which can be used as a model.
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\section{6} Using cyrillic
+
+\def\2#1{${}\mapsto{}${\cyr#1}}
+
+\newcount\cyrtablefigno \cyrtablefigno=1
+\def\cyrtablefig{Figure~\number\cyrtablefigno}
+
+The cyrillic fonts in the AMSFonts collection have been designed so that
+input using the transliteration conventions of {\sl Mathematical
+Reviews\/} will be converted directly to cyrillic text. Other
+transliteration schemes exist, as well as methods for keying directly
+from the keyboard to access cyrillic characters. We have included two
+sets of virtual fonts in this distribution, which provide access to the
+characters of the cyrillic fonts through the KOI-8 or Alternativnyj
+Variant (AV) encodings. At the present time macro support is provided
+only for the {\sl Mathematical Reviews\/} transliteration scheme; to use
+one of the other encodings, you must seek support from other sources.
+Also, the instructions in this section are unsuitable for \LaTeX{}; they
+apply only to \AmSTeX{}, plain \TeX{}, and other macro packages that use
+plain \TeX{} font loading methods.
+
+The following cyrillic fonts are included:
+
+\item{} \fontname{wncyr} (upright), in sizes 5, 6, 7, 8, 9, and 10 point
+\item{} \fontname{wncyb} (bold), in the same range of sizes as \fontname{wncyr}
+\item{} \fontname{wncyi} (italic), in the same range of sizes as
+ \fontname{wncyr}
+\item{} \fontname{wncysc} (caps and small caps), in size 10 point
+\item{} \fontname{wncyss} (upright sans serif), in sizes 8, 9, and 10 point
+
+\noindent
+(The Y\&Y/Blue Sky PostScript collection contains only 10-point outlines.
+Other sizes must be obtained by scaling.)
+
+The file \filename{cyracc.def}, which is included in the AMSFonts collection,
+must be input to any document using the cyrillic fonts as defined with the
+AMS layout. Since the cyrillic alphabet contains more letters than the
+roman alphabet, some cyrillic letters are accessed by combinations of roman
+letters, accented letters, or control sequences. \filename{cyracc.def}
+contains the definitions of these accents and control sequences.
+If this file is not input, some cyrillic letters will be inaccessible.
+
+
+\subsection{6.1} Making cyrillic available to a document
+
+If you are using plain \TeX{}, include the following instructions near the
+top of the document input file to make the 10-point cyrillic font available
+for use in text (see below for cyrillic in math):
+\begintt
+\input cyracc.def
+\font\tencyr=wncyr10
+\def\cyr{\tencyr\cyracc}
+\endtt
+If you require cyrillic text in more than one size, you must take a
+different approach in defining |\cyr|. An appropriate model appears in
+Appendix~E of \TB\/ [DEK86A], pages 414--15. The definition of |\cyr|
+should be incorporated into size-specific macros such as |\tenpoint| and
+|\eightpoint| similarly to what is done there for |\bf|. Don't forget to
+include the command |\cyracc| in the definition.
+
+If you are using \AmSTeX{} and the preprint style, include the following
+instructions in the preamble of your document input file to make
+cyrillic available in 10-point and 8-point text:
+\begintt
+\input cyracc.def
+\catcode`\@=11
+\font@\tencyr=wncyr10
+\font@\eightcyr=wncyr8
+\catcode`\@=13
+\addto\tenpoint{\def\cyr{\tencyr\cyracc}}
+\addto\eightpoint{\def\cyr{\eightcyr\cyracc}}
+\endtt
+(The |\font@| command not only loads the fonts, but also makes them behave
+properly during syntax checking.)
+If you are not using the preprint style, you can use the font definitions
+in either \filename{amsppt.sty} or \TB\/ Appendix~E as a model.
+
+The macro definitions in \filename{cyracc.def} govern the behavior of
+cyrillic-specific control sequences, including accents, in cyrillic and
+noncyrillic text. Definitions governing noncyrillic text are activated
+as soon as \filename{cyracc.def} is |\input|. This will permit text input
+according to the scheme shown in \cyrtablefig{} to be typeset in
+transliterated form, according to the {\sl MR\/} conventions. To produce
+actual cyrillic text, enclose the cyrillic input in a group that begins with
+the instruction |\cyr| {\sl inside\/} the group, as
+\begintt
+... {\cyr ...} ...
+\endtt
+Enclosing in braces both the |\cyr| and the text to be set in cyrillic type
+(in the same way that an italic phrase would be indicated in a roman text)
+is particularly important for two reasons. First, like |\it|, |\cyr| must
+be explicitly terminated to return to roman text. And second, unlike |\it|,
+the special cyrillic control sequences invoked by |\cyracc| are interpreted
+differently by \TeX{} depending on whether they are in a cyrillic or a
+noncyrillic environment. The ``cyrillic'' interpretation is not turned
+off simply by invoking |\rm|. Failure to follow this practice will yield
+gibberish.
+
+
+\subsection{6.2} Cyrillic input
+
+The table in \cyrtablefig{} follows the alphabetical order of the table
+published in the 1983 MR author index. The three paired columns
+contain: (1)~Cyrillic; (2)~Input; (3)~Transliteration.
+
+The letters in the Cyrillic columns will appear in the
+typeset output when the corresponding codes from the Input columns
+are used in the |{\cyr ...}| context described above. The roman
+letters in the Transliteration columns will appear in the output when
+the corresponding codes from the Input columns are used in a noncyrillic
+environment, i.e., have not been preceded by |\cyr|.
+
+\penalty0
+\topinsert
+\begingroup
+\input amsfndoc.cyr
+\endgroup
+\endinsert
+
+\penalty0
+\indent
+Several points should be noted here.
+
+\nobreak
+\item{\bull} Input codes for uppercase cyrillic which consist of more than
+ one letter, e.g. |Zh|\2{Zh}, can also be input in all caps, e.g. |ZH|\2{ZH},
+ if the context is entirely in caps.
+
+\item{\bull} Particular care is necessary when the letter t\2{t} is followed
+ by s\2{s}. The control sequence |\cydot| (``cyrillic dot'')
+ is provided as a separator to keep those letters distinct:
+ |t\cydot s|~(t\cydot s)\2{t\cydot s}.
+ Otherwise, they will be combined as ts\2{ts}.
+
+\item{} The t\cydot s pair appears, for example, in the word
+ |sovet\cydot ski\u\i|
+ (sovet\cydot ski\u\i)\2{sovet\cydot ski\u\i}
+ and is not uncommon in the suffix of reflexive verbs, e.g.
+ \hbox{|nakhodyat\cydot sya|}
+ (nakhodyat\cydot sya)\2{nakhodyat\cydot sya}.
+
+\item{\bull} Because there is not a one-to-one correspondence between
+ cyrillic and roman letters, some cyrillic letters have been placed
+ in locations where a roman letter does not have a cyrillic
+ counterpart. A user who is aware of this fact may be able to
+ detect input keying that does not conform to the recommendations
+ shown in \cyrtablefig, and correct it more easily than otherwise.
+ The following nonstandard assignments have been made:\newline
+\indent |c|\2{c}; |h|\2{h}; |q|\2{q}; |w|\2{w}; |x|\2{x}.
+
+\item{\bull} Some very strange effects can occur in cyrillic text
+ hyphenated by the default English hyphenation rules; in particular,
+ a cyrillic letter input as a group of letters can be decomposed.
+ (Most multiple-letter input groups are converted to a single cyrillic
+ letter by way of \TeX's ligaturing mechanism.) For example,
+ |shch|\2{shch} might, in especially unlucky circumstances, be
+ decomposed as {\cyr s-hch}, {\cyr sh-ch} or {\cyr shc-h}.
+ In other words, if there is any chance that cyrillic text might fall
+ into a position where hyphenation could occur, the results should be
+ checked very carefully, and discretionary hyphens used as appropriate.
+
+\item{\bull} Hyphenation patterns do not exist for the AMS cyrillic font
+ when the input conventions shown here are used. Furthermore, it is
+ probably impracticable to attempt to develop such rules, since the
+ rules to recognize control sequences and complicated ligatures, both
+ used extensively by the AMS cyrillic input conventions, are not easily
+ specified to \TeX's hyphenation mechanism. Another approach to
+ hyphenation, requiring some changes to the cyrillic \filename{.tfm}
+ files, has been described by Dimitri Vulis in a \TUB\/ article [DLV89].
+
+
+\subsection{6.3} Cyrillic in math
+
+Although the cyrillic fonts are intended for use as text, individual
+letters are sometimes requested in math; for example, {\cyr SH} may be
+used to represent the Shafarevich group. When cyrillic is needed in
+math mode, replace the definition of |\cyr| shown previously (which
+will work only for text) by the following instructions (which will
+support the use of cyrillic in both text and math):
+\begintt
+\newfam\cyrfam
+\font\tencyr=wncyr10
+\font\sevencyr=wncyr7
+\font\fivecyr=wncyr5
+\def\cyr{\fam\cyrfam\tencyr\cyracc}
+\textfont\cyrfam=\tencyr \scriptfont\cyrfam=\sevencyr
+ \scriptscriptfont\cyrfam=\fivecyr
+\endtt
+If only the 10-point cyrillic font has been accessed, the references
+to |\sevencyr| and |\fivecyr| can be changed to |\tencyr| to save memory.
+When using \AmSTeX{} and the preprint style, use |\font@| instead of |\font|,
+remembering to change the |\catcode| of the |@| appropriately, and embed the
+font family specifications in |\addto\tenpoint|, as shown above.
+
+If other base text sizes are used besides ten point, the suggestions given
+above in Section 6.1, {\bf Making cyrillic available}, apply here as well.
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\makeatletter
+
+% Define macros for presentation of tables of symbols.
+\def\BBB#1{\par\bigbreak
+ \leavevmode\llap{$\bullet$\enspace}{\bf#1}}
+\def\ttcs#1{\leavevmode\hbox{\tt\bs\ignorespaces#1\unskip}}
+\newdimen\biggest
+\setbox0\hbox{$\dashrightarrow$}\biggest=\wd0
+\def\1#1{\hbox to\biggest{\hfil$\csname#1\endcsname$\hfil}\ \ %
+ \ttcs{#1}}
+
+\def\getID@#1{\edef\next@{\expandafter\meaning\csname#1\endcsname}%
+ \expandafter\getID@@\next@0\getID@@}
+\def\getID@@#1"#2#3#4#5#6\getID@@{\def\next@{#6}%
+ \ifx\next@\empty
+ \def\next@{#2}%
+ \ifx\next@\msafam@
+ \def\ID@{10#3#4}%
+ \else
+ \def\ID@{20#3#4}%
+ \fi
+ \else
+ \def\next@{#3}%
+ \ifx\next@\msafam@
+ \def\ID@{1#2#4#5}%
+ \else
+ \def\ID@{2#2#4#5}%
+ \fi
+ \fi}
+\def\2#1{\hbox to.5\hsize
+ {\hbox to\biggest{\hfill$\csname#1\endcsname$\hfill}\ \ %
+ \getID@{#1}{\tt\ID@}\ \ \ttcs{#1}\hfill}}
+\def\3#1#2{\hbox to.5\hsize
+ {\hbox to\biggest{\hfil$\csname#1\endcsname$\hfil}\ \ %
+ \getID@{#1}{\tt\ID@}\ \ \ttcs{#1}, \ttcs{#2}\hss}}
+\def\4#1{\hbox to.5\hsize
+ {\hbox to\biggest{\hfill$\csname#1\endcsname$\hfill}\ \ %
+ \getID@{#1}{\tt\ID@}\ \ \ttcs{#1}\ \ {\eightpoint(U)}\hfill}}
+
+\makeatother
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\section{7} Using the extra symbols
+
+Most users of the extra symbol fonts will probably want to make them
+accessible to their \TeX{} jobs with the least possible fuss. For \AmSTeX{}
+users, these fonts are available automatically with the preprint style, and
+other methods of loading them for use with \AmSTeX{} are described above.
+To load these fonts with \LaTeX{} or \AmS-\LaTeX{}, see Section 3.4,
+{\bf Extra math symbols}.
+
+If you are not using \AmSTeX{} or \LaTeX{}, the easiest method of loading
+these fonts and defining the control sequences for accessing the symbols is
+to place the command
+\begintt
+\input amssym.tex
+\endtt
+at the top of your input file. This will load the fonts \fontname{msam},
+\fontname{msbm}, and \fontname{eufm} in sizes 10, 7, and 5 point, suitable
+for use in ordinary ten-point math environments, and define the names of
+all the symbols in these fonts. However, this assigns more than 200
+control sequence names, so if you are limited for space, an alternative
+method may be preferred.
+
+If you type just |\input amssym.def| (or |\usepackage{amsfonts}| for
+\LaTeX), the fonts will be loaded, but only the
+names of the few special symbols listed below will be defined.
+
+First there are four symbols that are normally used outside of math mode:
+$$\vcenter{\halign to\hsize{\1{#}\hfil\tabskip\centering&
+ \hbox to.5\hsize{\1{#}\hfil}\tabskip0pt\cr
+checkmark&circledR\cr
+maltese&yen\cr}}
+$$
+These symbols, like \P, \S, \dag, and \ddag, can also be used in math mode;
+they will change sizes correctly in subscripts and superscripts.
+
+Next are four symbols that are ``delimiters'' (although there are
+no larger versions obtainable with \ttcs{left} and \ttcs{right}), so they
+must be used in math mode:
+$$\vcenter{\halign to\hsize{\1{#}\hfil\tabskip\centering&
+ \hbox to.5\hsize{\1{#}\hfil}\tabskip0pt\cr
+ ulcorner&urcorner\cr
+ llcorner&lrcorner\cr}}$$
+
+Finally, two dashed arrows are constructed from symbols in this family
+(note that one of them has two names; it can be accessed by either one):
+$$\vcenter{\halign to\hsize{\1{#}\hfil\tabskip\centering&
+ \hbox to.5\hsize{\1{#}\hfil}\tabskip0pt\cr
+ \omit\hbox to.5\hsize{\hbox to\biggest{\hfil$\dashrightarrow$\hfil}\ \ %
+ \ttcs{dashrightarrow}, \ttcs{dasharrow}\hss}&dashleftarrow\cr}}$$
+
+The Blackboard Bold letters $\Bbb A,\dots,\Bbb Z$ can be accessed by typing
+(in math mode) |\Bbb A|$,\dots,$|\Bbb Z| in plain \TeX{} or \AmSTeX, or
+|\mathbb{A}|$,\dots,$|\mathbb{Z}| in \LaTeX.
+
+Wider versions of the \filename{plain.tex} |\widehat| and |\widetilde|
+are now available.
+
+Letters in the \fontname{eufm} font can be accessed (in math mode) by typing,
+for example, |\frak A \frak g| to get $\frak A \frak g$
+(|\mathfrak{Ag}| in \LaTeX). For the other Euler
+fonts, see the various ``Euler'' subsections under the sections for
+different macro packages (\LaTeX{}, \AmSTeX{}, plain \TeX{}).
+
+\subsection{7.1} The {\tt\bs newsymbol} command (\AmSTeX{} or plain \TeX{})
+
+All other symbols of the \fontname{msam} and \fontname{msbm} fonts must be
+named by control sequences so that they can be used (in math mode only) when
+the fonts are loaded. If you are very short on space for control sequence
+names, and need only a few of these symbols, you can omit the loading of
+\filename{amssym.tex} and instead assign only the names you will need by
+using the command |\newsymbol| for each symbol you need, to create a
+control sequence that will properly produce that symbol. The control
+sequence can be either the ``standard'' name, as listed below, or one
+of your own choosing.
+
+The list of symbols below shows for each symbol the symbol itself, a
+four-character~``ID'', and the ``standard'' name of the symbol.
+(The first character of the ID identifies the font family in which a
+symbol resides. Symbols from the \fontname{msam} family have {\tt1} as the
+first character; symbols from the \fontname{msbm} family have {\tt2} as the
+first character.)
+For example, the symbol $\nleqslant$ appears as
+\medskip
+\noindent\kern\parindent\2{nleqslant}
+\medskip
+\noindent
+To produce a control sequence with this name, the instruction
+\begintt
+\newsymbol\nleqslant 230A
+\endtt
+appears in the file \filename{amssym.tex}. This same instruction can
+be typed by a user who is not using the \AmSTeX{} preprint style and has
+chosen not to load all the symbols, and thereafter the control sequence
+|\nleqslant| will produce the symbol $\nleqslant$ (in math mode), and will
+act properly as a ``binary relation''.
+
+A few symbols in these fonts replace symbols defined in \filename{plain.tex}
+by combinations of symbols available in the Computer Modern fonts. These
+are |\angle|~($\angle$) and |\hbar|~($\hbar$) from the group
+``Miscellaneous symbols'', and |\rightleftharpoons|~($\rightleftharpoons$)
+from the group ``Arrows'' below. The new symbols will
+change sizes correctly in subscripts and superscripts, provided that you
+are using appropriate redefinitions. In order to use |\newsymbol| to
+replace an existing definition, the name must first be ``undefined''.
+Here are the lines you must put in your file if you are not using the
+\AmSTeX{} preprint style or |\input amssym| (which perform the redefinition
+automatically):
+\begintt
+\undefine\angle
+\newsymbol\angle 105C
+\undefine\hbar
+\newsymbol\hbar 207E
+\undefine\rightleftharpoons
+\newsymbol\rightleftharpoons 130A
+\endtt
+\noindent
+These symbols are flagged in the tables below with a ``{\eightpoint(U)}'',
+as a reminder that they must be undefined.
+
+\subsection{7.2} The extra symbols
+
+Note in the tables that some symbols are shown with two names; in such a
+case, either one can be used to access the symbol.
+
+\BBB{Lowercase Greek letters}
+$$\halign{\hbox to.5\hsize{\2{#}}&\2{#}\cr
+digamma&varkappa\cr}$$
+
+\BBB{Hebrew letters}
+$$\halign{\hbox to.5\hsize{\2{#}}&\2{#}\cr
+beth&gimel\cr
+daleth\cr
+}$$
+
+\BBB{Miscellaneous symbols}
+$$\halign{\hbox to.5\hsize{\2{#}}&\2{#}\cr
+\omit\4{hbar}&backprime\cr
+hslash&varnothing\cr
+vartriangle&blacktriangle\cr
+triangledown&blacktriangledown\cr
+square&blacksquare\cr
+lozenge&blacklozenge\cr
+circledS&bigstar\cr
+\omit\4{angle}&sphericalangle\cr
+measuredangle&\omit\cr
+nexists&complement\cr
+mho&eth\cr
+Finv&diagup\cr
+Game&diagdown\cr
+Bbbk&\omit\cr
+}$$
+
+\BBB{Binary operators}
+$$\halign{\hbox to.5\hsize{\2{#}}&\2{#}\cr
+dotplus&ltimes\cr
+smallsetminus&rtimes\cr
+\omit\3{Cap}{doublecap}&leftthreetimes\cr
+\omit\3{Cup}{doublecup}&rightthreetimes\cr
+barwedge&curlywedge\cr
+veebar&curlyvee\cr
+% %%%%%%%%%%
+%\noalign{\newpage}
+% %%%%%%%%%%
+doublebarwedge\cr
+boxminus&circleddash\cr
+boxtimes&circledast\cr
+boxdot&circledcirc\cr
+boxplus&centerdot\cr
+divideontimes&intercal\cr}
+$$
+
+\BBB{Binary relations}
+$$\halign{\hbox to.5\hsize{\2{#}}&\2{#}\cr
+leqq&geqq\cr
+leqslant&geqslant\cr
+eqslantless&eqslantgtr\cr
+lesssim&gtrsim\cr
+lessapprox&gtrapprox\cr
+approxeq&eqsim\cr
+lessdot&gtrdot\cr
+\omit\3{lll}{llless}&\omit\3{ggg}{gggtr}\cr
+lessgtr&gtrless\cr
+lesseqgtr&gtreqless\cr
+lesseqqgtr&gtreqqless\cr
+\omit\3{doteqdot}{Doteq}&eqcirc\cr
+risingdotseq&circeq\cr
+fallingdotseq&triangleq\cr
+backsim&thicksim\cr
+backsimeq&thickapprox\cr
+subseteqq&supseteqq\cr
+Subset&Supset\cr
+sqsubset&sqsupset\cr
+preccurlyeq&succcurlyeq\cr
+curlyeqprec&curlyeqsucc\cr
+precsim&succsim\cr
+precapprox&succapprox\cr
+vartriangleleft&vartriangleright\cr
+trianglelefteq&trianglerighteq\cr
+vDash&Vdash\cr
+Vvdash\cr
+smallsmile&shortmid\cr
+smallfrown&shortparallel\cr
+bumpeq&between\cr
+Bumpeq&pitchfork\cr
+varpropto&backepsilon\cr
+blacktriangleleft&blacktriangleright\cr
+therefore&because\cr}$$
+\bigbreak
+\BBB{Negated relations}
+$$\halign{\hbox to.5\hsize{\2{#}}&\2{#}\cr
+nless&ngtr\cr
+nleq&ngeq\cr
+nleqslant&ngeqslant\cr
+nleqq&ngeqq\cr
+lneq&gneq\cr
+lneqq&gneqq\cr
+lvertneqq&gvertneqq\cr
+lnsim&gnsim\cr
+lnapprox&gnapprox\cr
+% %%%%%%%%%%
+%\noalign{\newpage}
+% %%%%%%%%%%
+nprec&nsucc\cr
+npreceq&nsucceq\cr
+precneqq&succneqq\cr
+precnsim&succnsim\cr
+precnapprox&succnapprox\cr
+nsim&ncong\cr
+nshortmid&nshortparallel\cr
+nmid&nparallel\cr
+nvdash&nvDash\cr
+nVdash&nVDash\cr
+ntriangleleft&ntriangleright\cr
+ntrianglelefteq&ntrianglerighteq\cr
+nsubseteq&nsupseteq\cr
+nsubseteqq&nsupseteqq\cr
+subsetneq&supsetneq\cr
+varsubsetneq&varsupsetneq\cr
+subsetneqq&supsetneqq\cr
+varsubsetneqq&varsupsetneqq\cr}$$
+
+\overfullrule=0pt
+
+\BBB{Arrows}
+$$\halign{\hbox to.5\hsize{\2{#}}&\2{#}\cr
+leftleftarrows&rightrightarrows\cr
+leftrightarrows&rightleftarrows\cr
+Lleftarrow&Rrightarrow\cr
+twoheadleftarrow&twoheadrightarrow\cr
+leftarrowtail&rightarrowtail\cr
+looparrowleft&looparrowright\cr
+leftrightharpoons&\omit\4{rightleftharpoons}\cr
+curvearrowleft&curvearrowright\cr
+circlearrowleft&circlearrowright\cr
+Lsh&Rsh\cr
+upuparrows&downdownarrows\cr
+upharpoonleft&\omit\3{upharpoonright}{restriction}\cr
+downharpoonleft&downharpoonright\cr
+multimap&rightsquigarrow\cr
+leftrightsquigarrow\cr}$$
+
+\BBB{Negated arrows}
+$$\halign{\hbox to.5\hsize{\2{#}}&\2{#}\cr
+nleftarrow&nrightarrow\cr
+nLeftarrow&nRightarrow\cr
+nleftrightarrow&nLeftrightarrow\cr}$$
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\References{DEK86A}
+
+\bibitem [AMS01] {\sl User's Guide to \AmSTeX{} Version~2.2, August 2001},
+ \AMS, Providence, RI, 2001; distributed with \AmSTeX{} Version~2.2.
+
+\bibitem [AMSPS] {\sl AMSFonts in Type 1 (PostScript) form}, AMS web
+ server, URL: |http://www.ams.org/tex/type1-fonts.html|.
+
+\bibitem [DEK86A] Donald E. Knuth, {\sl The \TeX book},
+ Volume~A of \CandT, \AW{} Publishing Co.,
+ Reading, MA, 1986.
+
+\bibitem [DEK86E] \bysame {\sl Computer Modern Typefaces},
+ Volume~E of \CandT, \AW{} Publishing Co.,
+ Reading, MA, 1986.
+
+\bibitem [DEK89] \bysame ``Typesetting Concrete Mathematics'',
+ {\sl \TUB\/} {\bf10} (1989), no.~1, 31--36; erratum,
+ {\sl \TUB\/} {\bf10} (1989), no.~3, 342.
+
+\bibitem [DLV89] Dimitri Vulis, ``Notes on Russian \TeX'',
+ {\sl \TUB\/} {\bf10} (1989), no.~3, 332--36.
+
+\bibitem [DRS86] David R Siegel, {\sl The Euler Project at Stanford},
+ Computer Science Department, Stanford University, 1985.
+
+\bibitem [GKP88] Ronald L. Graham, Donald E. Knuth, and Oren Patashnik,
+ {\sl Concrete Mathematics}, \AW{} Publishing Co.,
+ Reading, MA, 1988.
+
+\bibitem[GMS94] {\sl The \LaTeX{} companion}, Michel Goossens, Frank
+ Mittelbach, and Alexander Samarin, \AW{} Publishing Company,
+ Reading, MA, 1994. Chapter~8 describing AMS-\LaTeX{} is obsolete;
+ a replacement chapter is available in PDF form from
+ |http://www.ctan.org/tex-archive/info/companion-rev/ch8.pdf|.
+
+\bibitem[L94] {\sl \LaTeX: A document preparation system}, Second edition,
+ Leslie Lamport, \AW{} Publishing Company, Reading, MA, 1994.
+
+\bibitem[LFG] ``\LaTeX{}2e font selection'', \fn{fntguide.tex} in the
+ \LaTeX{} distribution.
+
+\bibitem [MDS86] M. D. Spivak, \JoT, \AMS, Providence, RI, 1986.
+
+\bibitem [MDS90] \bysame \JoT, $2^{\rm nd}$ (revised) edition,
+ \AMS, Providence, RI, 1990.
+
+\endReferences
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\begingroup \def\bye{\par\endinput}
+\input amsfndoc.ins
+\endgroup
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\appendix{D}{Font charts}
+\begingroup \def\bye{\par\endinput}
+\input amsfndoc.fnt
+\endgroup
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/amsfonts/amsfonts.bug b/Master/texmf-dist/doc/fonts/amsfonts/amsfonts.bug
new file mode 100644
index 00000000000..08b31747e87
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/amsfonts/amsfonts.bug
@@ -0,0 +1,279 @@
+amsfonts.bug [2002/01/22]
+
+History of bug reports and fixes for the AMSFonts collection
+
+Please direct bug reports or related questions to the AMS technical
+support address: tech-support@math.ams.org (or by phone: 401-455-4080;
+in the USA or Canada, 1-800-321-4267 ext 4080).
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+Open bugs:
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+File: eusmch.mf, eufmch.mf, eurmch.mf
+Date reported: 1997/11/01 (Matthias Clasen) latexbug amslatex/2657
+
+Wrong glyph dimensions:
+ Depth of letter Y in eusm, can be fixed by replacing
+ charbegin( "Y", 2006h#, capheight*v#, baseline );
+ with charbegin( "Y", 2006h#, capheight*v#, 2/3descender*v# );
+Other glyphs with suspicious dimensions:
+ eusmch.mf -- character 120 (smss)
+ eufmch.mf -- letter j
+ eurmch.mf -- character 125 (gm175)
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+File: bsymbols.mf
+Date reported: 1997/09/26 (Ulrik Vieth)
+
+digamma ("stylized F", oct"172") is not affected by parameter changes.
+Elliptical pen defined in terms of rule_thickness should be redefined in
+terms of CM parameters.
+
+Hebrew letters beth, gimel, daleth also don't seem to be affected by
+parameter changes (unlike the aleph from cmsy10).
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+File: cmbsy*.mf
+Date reported: 1997/08/31 (Matthias Clasen) latexbug amslatex/2593
+
+In cmbsy7.mf, crisp#:=11pt#, should be crisp#:=11/36pt#.
+Affects spacing around vertical arrows.
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+File: serb.mf
+Date reported: 1997/01/14 (barbara beeton)
+
+Letter "short I" is excessively high; this is demonstrated in AMSFonts User's
+Guide chart, where it is centered rather than on baseline because it exceeds
+the expected height (wncyr, wncyi).
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+File: bsymbols.mf
+Date reported: 1996/06/24 (Ernst Reissner)
+
+Hebrew letter gimel lacks the notch at lower right, and thus has the shape
+of the letter nun.
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+File: ebigop.mf
+Date reported: 1996/02/15 (Frank Jensen)
+
+There are no real characters associated with positions oct"100", oct"101"
+so TeX reports "missing character" for
+ extensible oct"100": oct"070",0,oct"073",oct"076"; % left moustache
+ extensible oct"101": oct"071",0,oct"072",oct"076"; % left moustache
+This could be cured by changing these as follows:
+ extensible oct"074": oct"070",0,oct"073",oct"076"; % left moustache
+ extensible oct"075": oct"071",0,oct"072",oct"076"; % left moustache
+Because Metafont shouldn't permit this, bug should be submitted to DEK.
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+File: eufmch.mf
+Date reported: 1995/10/14 (Christian Schwarz)
+
+Rule for minus is too thin; it disappears on previewer.
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+File: xbbase.mf
+Date reported: 1995/07/21 (Denis B. Roegel)
+
+Letter \Bbb N has the wrong shape at certain resolutions; presumably the
+result of a typo in the definition of leftserif@ :
+ if ypart A>ypart B:reverse fi
+should be if ypart A>ypart Bl:reverse fi
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+File: amssymb.sty
+Date reported: 1995/03/28 (Andreas Amann) latexbug amslatex/1524
+
+Braces (from cmex) in \small environment are larger than those in \normalsize.
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+VERSION 2.2? RELEASED: 2002/01/22
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+Note: This release does not affect any .mf sources or the fonts themselves;
+ it updates only the Plain TeX and LaTeX support.
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+File: all .dtx./sty and .fdd/.fd files (LaTeX support)
+Date reported: 1998/03/06
+
+Reported versions and dates do not match header information.
+
+Corrected: 2001/10/18
+Version: various 2.2 sub-versions
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+File: amssymb.sty
+Date reported: 1997/09/06 (T. Michniewski) latexbug amslatex/2596
+
+Conflict: \lll defined in polish.ldf to be suppressed l.
+Add documentation suggesting reordering of packages to avoid error message.
+
+Addressed: 2001/10/01
+Added documentation to amsfonts.faq on how to avoid the error
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+File: amssymb.sty
+
+Double-quote character may be active (e.g., if german.sty is loaded first),
+in conflict with the hex value input to \DeclareMathSymbol. Change it to
+\catcode=12 for the duration.
+
+Corrected: 2002/01/22
+Version: 2.2d
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+File: cmmib57.sty
+Date reported: 1999/01/04 (Walter Schmidt) latexbug amslatex/2935
+
+Changed font shape from bx to b for both cmmib and cmbsy.
+
+Corrected: 2001/10/01
+Version: 2.2g
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+File: cyracc.def
+Date reported: 1997/09/04 (Tomasz Michniewski)
+
+Add documentation to the header that says this file is for use only with
+plain TeX, not LaTeX. Latexbug amslatex/2597 reported that this does not
+work with babel, but it was never designed to.
+
+Corrected: 2001/10/01
+Version: 2.2b (no version change)
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+VERSION 2.2c RELEASED: 1996/11/07
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+File: amsfonts.sty
+Date reported: 1996/03/03 (Joerg Knappen) latexbug amslatex/2096
+
+\Bbb, \frak and \bold caused endless loop (in titles, not in ordinary text)
+owing to a misdefinition of \@obsolete; fixed by making these robust commands
+with one argument.
+
+Corrected: 1996/11/03
+Version: 2.2c
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+File: amsfonts.sty
+Date reported: 1995/02/02 (Piet van Oostrum) latexbug amslatex/1415
+ 1995/04/07 (Klaus Barthel)
+
+Symbols in lasy (latexsym.sty) not defined except in compatibility mode:
+\leadsto, \Box, \Diamond, ...
+
+Corrected: 1996/11/03
+Version: 2.2c
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+File: amsfonts.sty
+Date reported: 30-Jan-1995 (G. Gratzer)
+
+Complications with the `cmex10' option of the amsmath package---sensitive
+to relative loading order with the amsfonts package.
+
+Corrected: 1-Feb-1995
+Version: 2.2b
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+File: amssymb.sty
+Date reported: 30-Jan-1995 (mjd)
+
+The psamsfonts option was missing.
+
+Corrected: 1-Feb-1995
+Version: 2.2a
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+File: amsfonts.sty
+Date reported: 30-Jan-1995 (C. Jonsson)
+
+Missing definition of \@mathmeasure in amsfonts.dtx/sty.
+
+Corrected: 30-Jan-1995
+Version: 2.2a
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+VERSION 2.2 RELEASED: January 27, 1995
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+File: cmmib*.mf
+Date reported: 13 Jul 1993
+
+The values of "crisp" in cmmib*.mf (except cmmib9.mf) are incorrect: The
+values are whole numbers which should be divided by 36 (as the values for
+cmmib10 and cmmib9 are).
+
+Corrected: 3-Jan-1995
+Version: 2.2
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+File: amssym.tex
+Date reported: 1-Jul-1992 (M. Spivak)
+
+\diagup and \diagdown should be class 0 instead of class 3.
+
+Corrected: 22-Dec-1994 mjd
+Version: 2.2
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+File: amssym.def
+Date reported: 14-Mar-1993 (bnb)
+
+Space at the end of \mathhexbox@ calls is wrong. Doesn't disappear if
+used outside of math mode.
+
+\def\yen{{\mathhexbox@\msafam@55 }}
+\def\checkmark{{\mathhexbox@\msafam@58 }}
+\def\circledR{{\mathhexbox@\msafam@72 }}
+\def\maltese{{\mathhexbox@\msafam@7A }}
+
+Corrected: 22-Dec-1994 mjd
+Version: 2.2
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+File: xbcaps.mf
+Date reported: 11-MAY-1993
+
+Blackboard Bold N breaks down at certain resolutions, noticeably at 600dpi.
+
+Corrected: 12-Dec-1994 ngb
+Version: 2.2
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+Reported: 19-NOV-1991 wncy*.tfm, wncy?.mf
+Reported by: Piet Tutelaers (rcpt@urc.tue.nl)
+
+In the cyrillic fonts, the ligature commands for e0 and i0 are reversed
+(i0 produces \"e and e0 produces \u\i). For an interim fix, the .tfm
+files can be run through TFtoPL, changes made in the .pl files to the
+affected ligature instructions, and the .pl files run through PLtoTF.
+Thomas Ridgeway notified 23-DEC-1991 (bnb).
+
+Corrected: 26-Aug-93
+Version: 2.1a
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+Reported: 12-DEC-1991
+File: userdoc.tex
+
+p. 21, under "negated arrows", \leftarrow should be \nleftarrow.
+Reference number (now 2320) should be 2338, and arrow should be slashed.
+
+Corrected: 24-DEC-1991 bnb
+Version: 2.1b
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+Reported: 22-SEP-1991
+File: eubase.mf
+
+Euler fonts generate characters at the wrong height when the aspect
+ratio is not 1. John Hobby suggested a fix which NGB inserted at the top
+of the file.
+
+Corrected: 5-NOV-1991 NGB
+Version: 2.1a
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+Reported: 27-SEP-1991 xbbold characters
+
+There is an incompatibility between the code for Blackboard Bold and the
+code in Karl Berry's modes.mf. The result is that characters generated with a
+magnification other than \magstep0 come out larger than they should.
+
+Corrected: 15-OCT-1991 NGB
+Version: 2.1a
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+Reported: 17-SEP-1991 ebigop.mf (euex)
+
+Integral signs appear slanted; in Euler they should be upright.
+NGB consulted John Hobby, who provided instructions which corrected
+the problem.
+
+Corrected: 25-SEP-1991 NGB
+Version: 2.1a
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
diff --git a/Master/texmf-dist/doc/fonts/amsfonts/amsfonts.faq b/Master/texmf-dist/doc/fonts/amsfonts/amsfonts.faq
new file mode 100644
index 00000000000..00b06cc3e3d
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/amsfonts/amsfonts.faq
@@ -0,0 +1,131 @@
+amsfonts.faq, last updated 2002/01/18
+
+ Frequently Asked Questions about the AMSFonts Distribution
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+(1) I'm using LaTeX -- How do I get bold greek, or bold italic letters
+a,A,b,B,... in math?
+
+Get the amsbsy.sty package in the amslatex distribution, which provides
+a \boldsymbol command that can be applied to Greek and Latin letters
+(e.g., \boldsymbol{\beta} or \boldsymbol{M}).
+
+This package is not included in the AMSFonts distribution because the
+bold fonts that will most often be required -- cmmib and cmbsy -- have
+since 1994 been considered to be part of the standard LaTeX font set,
+so they should be at your disposal whether or not you have the AMSFonts
+collection installed.
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+(2) I use a 360dpi printer. Can I use one of the sets of .pk files which
+are posted on the archive, or do I need to generate my own files from
+the Metafont source code?
+
+If you want pk files for a 360dpi printer, the simplest thing to do is
+to retrieve the 300dpi pk files and install them. Since they include
+the fonts at magsteps 0 through 5, and since each magstep is 1.2 times
+the previous one, 300dpi at magsteps 0 through 5 is also 360dpi at
+magsteps 0 through 4. All you will be missing is magstephalf and
+magstep 5, which most people don't use anyway. In other words, if you
+look at the contents of the 300dpi distribution, you will see for each
+font a 300, 329, 360, 432, 518, 622, and 746 dpi pk file. The last five
+of these are useful for a 360dpi printer.
+
+If you wish to have pk files for magstephalf and magstep5 at 360dpi,
+you will have to generate them yourself using Metafont, but you can
+very likely get along without them.
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+(3) How can I get PostScript outlines of AMSFonts?
+
+PostScript Type 1 versions of the AMSFonts can be obtained from the AMS
+web server at http://www.ams.org/tex/type1-fonts.html. The collection
+is mirrored onto CTAN, in the area fonts/amsfonts/ps-type1.
+
+Only sizes 5, 7, and 10-point are included in this collection. When
+using these fonts, it is generally advisable to use the `psamsfonts'
+option to access them. This option is supported for both (AMS-)LaTeX
+and AMS-TeX; see the AMSFonts User's Guide for details.
+
+Warning: If `psamsfonts' is added to an existing document, it may result
+in some differences in line and page breaks.
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+(4) I use OzTeX. The Macintosh AMSFonts package is for use with Textures.
+What do I do?
+
+OzTeX is an implementation of TeX on the Macintosh which behaves similarly
+to implementations in DOS or Unix. The files for use with DOS and Unix can
+be used in OzTeX on the Macintosh. In the installation instructions,
+simply substitute "folder" for "directory" in all cases.
+
+The current OzTeX distribution includes the version of the AMSFonts as
+of when the distribution was compiled. If your version of OzTeX is not
+the most recent, updating it may be the simplest way of installing the
+AMSFonts.
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+(5) Why isn't a 10-point font for cmcsc, cmmib, cmbsy, or cmex included
+in the AMSFonts package?
+
+All of these fonts at 10-point are included in the standard set of fonts
+with any implementation of TeX. If you do not have them available on
+your system, re-install the fonts from the original distribution files
+of your TeX implementation or contact the distributor/vendor of that
+implementation of TeX.
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+(6) What happened to the fonts msxm* and msym*?
+
+A very early release of AMSFonts in the mid-1980s included fonts called
+msxm5-10 and msym5-10. These were replaced in the late 1980s by the
+fonts msam5-10 and msbm5-10 (included in this distribution). The msxm
+and msym fonts were done in a very early version of Metafont which is
+no longer available. The Metafont code for these fonts will not work
+with current implementations of Metafont in current operating systems.
+This means that the msxm and msym fonts cannot be generated. They are
+not supported by the AMS, and their use or distribution is strongly
+discouraged.
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+(7) I've seen a fancy script font used in AMS publications. Why isn't it
+included in AMSFonts, and where can I get it?
+
+Many AMS publications use some proprietary fonts which were purchased
+from commercial font vendors and are not in the public domain. This
+includes the script font which appears in many of our books and
+journals. Users who wish to purchase such a font in PostScript or
+TrueType outline form from a commercial font vendor will also need to
+convert the metrics file from the vendor into a .tfm file using one of
+the available programs for doing to (Tomas Rokicki's afm2tfm is in the
+public domain, and Y&Y's afmtotfm is a proprietary program).
+
+Another option that may prove satisfactory is to use the rsfs font --
+`Ralph Smith's Fancy Script'. This can be found on CTAN in the area
+fonts/rsfs/ ; both Metafont and Type 1 versions are available.
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+(8) I'm using Textures on a Macintosh, and I followed the instructions
+for installing msam* and msbm*, but some of the symbols won't print or
+display properly on the screen. What's wrong?
+
+Although there are several possible causes, the easiest one to put right
+is a setting for the monitor that instructs it to use more than 256
+colors. If this is reset to exactly 256, the symbols should appear as
+expected.
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+(9) I'm using babel with the polish option as well as the amssymb package.
+There is an error: ! LaTeX Error: Command `\lll' already defined. How
+can I avoid this error?
+
+In amssymb, there is a synonum for \lll, namely \llless, so anyone who
+needs to use babel with the polish option does not lose access to this
+symbol. In polish.ldf, \lll is used as an internal command. It has been
+suggested to replace this by a command using `@' to avoid conflicts of
+this sort; whether or not that is done, the error can be avoided by
+loading amssymb before babel:
+ \usepackage{amssymb}
+ \usepackage[polish]{babel}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/antiqua/README.base35 b/Master/texmf-dist/doc/fonts/antiqua/README.base35
new file mode 100644
index 00000000000..e3d3d8e7d72
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/antiqua/README.base35
@@ -0,0 +1,89 @@
+These are the PostScript Base fonts, provided by
+
+ URW++ Design and Development Incorporated
+ Poppenbuetteler Bogen 29A
+ D-22399 Hamburg
+ Germany
+ tel. +49 (40) 60 60 50
+ fax +49 (40) 60 60 51 11
+ http://www.urwpp.de
+
+for distribution under the GNU General Public License.
+Each of these fonts is individually covered by the license:
+for licensing purposes, they are not "part of" any larger
+entity.
+
+These are the same fonts as supplied with, e.g., GNU
+Ghostscript 7.06. However, all font files were renamed for
+use with TeX according to the "Karl-Berry" scheme", and the
+font files uhvr8a.pfb and uhvro8a.pfb were patched by
+
+ Primoz Peterlin
+ Ljubljana, Slovenija.
+ mailto:primoz.peterlin@biofiz.mf.uni-lj.si
+ http://biofiz.mf.uni-lj.si/~peterlin/
+
+to fix the glyph "germandbls". (The original files are
+provided with the names uhvr8a-105.pfb and uhvro8a-105.pfb.)
+
+All fonts carry the version number 1.05, except for uzdr
+(1.005) and the patched uhvr8a.pfb and uhvro8a.pfb (1.05a).
+
+TeX systems can use these fonts as drop-in replacements for
+Adobe's PostScript Base fonts, which are not free. No
+particular TeX metrics, virtual fonts or macro files are
+provided for URW's base fonts. They are to be used with the
+same support files as Adobe's originals, i.e., with the
+files of the PSNFSS collection.
+
+AFM and PFM files are supplied here for the sake of
+completeness only. They are normally not required for use
+with TeX.
+
+This collection was put together by
+
+ Walter Schmidt
+ mailto:was@vr-web.de
+
+
+KB name FontName (URW) corresponding Adobe font:
+--------------------------------------------------------------------------
+
+uagd8a URWGothicL-Demi pagd8a AvantGarde-Demi
+uagdo8a URWGothicL-DemiObli pagdo8a AvantGarde-DemiOblique
+uagk8a URWGothicL-Book pagk8a AvantGarde-Book
+uagko8a URWGothicL-BookObli pagko8a AvantGarde-BookOblique
+ubkd8a URWBookmanL-DemiBold pbkd8a Bookman-Demi
+ubkdi8a URWBookmanL-DemiBoldItal pbkdi8a Bookman-DemiItalic
+ubkl8a URWBookmanL-Ligh pbkl8a Bookman-Light
+ubkli8a URWBookmanL-LighItal pbkli8a Bookman-LightItalic
+ucrb8a NimbusMonL-Bold pcrb8a Courier-Bold
+ucrbo8a NimbusMonL-BoldObli pcrbo8a Courier-BoldOblique
+ucrr8a NimbusMonL-Regu pcrr8a Courier
+ucrro8a NimbusMonL-ReguObli pcrro8a Courier-Oblique
+uhvb8a NimbusSanL-Bold phvb8a Helvetica-Bold
+uhvb8ac NimbusSanL-BoldCond phvb8an Helvetica-Narrow-Bold
+uhvbo8a NimbusSanL-BoldItal phvbo8a Helvetica-BoldOblique
+uhvbo8ac NimbusSanL-BoldCondItal phvbo8an Helvetica-Narrow-BoldOblique
+uhvr8a NimbusSanL-Regu phvr8a Helvetica
+uhvr8ac NimbusSanL-ReguCond phvr8an Helvetica-Narrow
+uhvro8a NimbusSanL-ReguItal phvro8a Helvetica-Oblique
+uhvro8ac NimbusSanL-ReguCondItal phvro8an Helvetica-Narrow-Oblique
+uncb8a CenturySchL-Bold pncb8a NewCenturySchlbk-Bold
+uncbi8a CenturySchL-BoldItal pncbi8a NewCenturySchlbk-BoldItalic
+uncr8a CenturySchL-Roma pncr8a NewCenturySchlbk-Roman
+uncri8a CenturySchL-Ital pncri8a NewCenturySchlbk-Italic
+uplb8a URWPalladioL-Bold pplb8a Palatino-Bold
+uplbi8a URWPalladioL-BoldItal pplbi8a Palatino-BoldItalic
+uplr8a URWPalladioL-Roma pplr8a Palatino-Roman
+uplri8a URWPalladioL-Ital pplri8a Palatino-Italic
+usyr StandardSymL psyr Symbol
+utmb8a NimbusRomNo9L-Medi ptmb8a Times-Bold
+utmbi8a NimbusRomNo9L-MediItal ptmbi8a Times-BoldItalic
+utmr8a NimbusRomNo9L-Regu ptmr8a Times-Roman
+utmri8a NimbusRomNo9L-ReguItal ptmri8a Times-Italic
+uzcmi8a URWChanceryL-MediItal pzcmi8a ZapfChancery-MediumItalic
+uzdr Dingbats pzdr ZapfDingbats
+
+
+-- finis
diff --git a/Master/texmf-dist/doc/fonts/antiqua/antiqua.txt b/Master/texmf-dist/doc/fonts/antiqua/antiqua.txt
new file mode 100644
index 00000000000..af57fc7e4ed
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/antiqua/antiqua.txt
@@ -0,0 +1,30 @@
+============================================================
+
+ Using the URW Antiqua Condensed Font with LaTeX
+
+============================================================
+ 2002-09-12
+ Walter Schmidt
+ <was@VR-Web.de>
+
+The "URW Antiqua Condensed" typeface can be used with LaTeX
+by selecting the font family "uaq":
+
+ \fontfamily{uaq}\selecfont
+
+switches to that font within the current group or
+environment.
+
+
+NFSS CLASSIFICATION
+
+family series shapes FontName
+-------------------------------------------------------
+uaq m n, sl, sc URWAntiquaT-RegularCondensed
+
+Supported encodings are OT1, T1 and TS1.
+
+NB: The slanted and smallcaps shapes are "faked".
+
+
+== finis
diff --git a/Master/texmf-dist/doc/fonts/antp/README.ENG b/Master/texmf-dist/doc/fonts/antp/README.ENG
new file mode 100644
index 00000000000..5c509787228
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/antp/README.ENG
@@ -0,0 +1,624 @@
+*****************************************************************************
+* A replica of Antykwa P\'o\l{}tawskiego font *
+* in PostScript Type 1 format -- preliminary version *
+* Public domain *
+*****************************************************************************
+
+---------
+SYNOPSIS:
+---------
+
+The Antykwa P\'o\l{}tawskiego family (regular, italic, bold, and bold italic)
+consists of the following files:
+
+ antpr.pfb, antpri.pfb, antpb.pfb, antpbi.pfb -- outlines
+ antpr.afm, antpri.afm, antpb.afm, antpbi.afm -- Adobe font metric
+ antpr.pfm, antpri.pfm, antpb.pfm, antpbi.pfm -- printer font metric
+ antpr.tfm, antpri.tfm, antpb.tfm, antpbi.tfm -- TeX font metric
+ antp.enc -- encoding file (for dvips)
+ antp.map -- fonts map file (for dvips)
+ config.antp or antp.cfg -- config file (for dvips)
+
+Moreover LaTeX .sty and .fd files were added (see latex/ subdirectory).
+
+In order to use the font with either TeX or Windows you will need to
+follow standard installation procedures (consult respective manuals
+for details).
+
+The used character set is a subset of QX layout (see below).
+
+--------
+HISTORY:
+--------
+
+This font was designed in the 'twenties and the 'thirties of XX century
+by a Polish graphic artist and a typographer Adam P\'o\l{}tawski. It was
+widely used by Polish printing houses as long as metal types were in
+use (until ca the 'sixties).
+
+The electronic replica of Antykwa P\'o\l{}tawskiego was prepared by
+Bogus\l{}aw Jackowski, Janusz M. Nowacki and Piotr Strzelczyk (JNS TEAM)
+and released during the meeting of the Polish TeX Users Group (GUST)
+(Bachotek, Poland, April-May, 2000) as a preliminary version.
+
+The current version is 0.51 (of 17 May 2000).
+
+---------
+COLOPHON:
+---------
+
+The main source of Antykwa P\'o\l{}tawskiego were printouts
+of metal types. Janusz M. Nowacki programmed glyphs in METAPOST
+using tools prepared by Bogus\l{}aw Jackowski and Piotr Strzelczyk.
+The tools make use of METAPOST, AWK, TeX, Type 1 utilities, Ghostscript,
+and perl. A lot of testing and tuning was carried out in the BOP firm.
+
+Many thanks the JNS TEAM owes to Andrzej Tomaszewski and Adam Twardoch for
+valuable discussions and comments. Hearty thanks go to Marcin Woli\'nski who
+devoted his time verifying preliminary versions of Antykwa P\'o\l{}tawskiego
+and prepared files that facilitate using Antykwa P\'o\l{}tawskiego in LaTeX.
+We are extremely grateful to Staszek Wawrykiewicz who carefully (as always)
+prepared the package for distribution.
+
+The current version of Antykwa P\'o\l{}tawskiego is meant for bold people,
+primarily for testing purposes.
+
+In the final version, the METAPOST sources and font making engine
+will be included.
+
+
+--------------
+EMAIL CONTACT:
+--------------
+
+ B.Jackowski@gust.org.pl
+or
+ J.Nowacki@gust.org.pl
+or
+ P.Strzelczyk@gust.org.pl
+
+
+---------
+QX LAYOUT
+---------
+
+QX layout for TeX is based on EC encoding (Cork Encoding) with a bow
+towards PL layout (i.e., CM layout equipped with Polish diacritical
+characters, to be used with the Polish version of plain, MeX), while QX
+layout for Windows is a difficult compromise between several so called
+standards (how several ``standards'' can co-exist?). QX layout has been
+worked out by the Polish TeX Users Group GUST. The character set of the QX
+layout should suffice to typeset texts (using TeX) in most European
+languages.
+
+Below you'll find comparison of underlying TeX and Windows layouts with
+the QX one.
+
+% =========================================================================
+% COMPARISON OF TeX LAYOUTS
+% =========================================================================
+% CODE CM EC PL QX ver 0.03
+% =========================================================================
+ 0 00 Gamma grave Gamma alpha
+ 1 01 Delta acute Delta Delta
+ 2 02 Theta circumflex Theta beta
+ 3 03 Lambda tilde Lambda delta
+ 4 04 Xi dieresis Xi pi
+ 5 05 Pi hungarumlaut Pi Pi
+ 6 06 Sigma ring Sigma Sigma
+ 7 07 Upsilon caron Upsilon mu
+ 8 08 Phi breve Phi ellipsis
+ 9 09 Psi macron Psi fk
+ 10 0A Omega dotaccent Omega Omega
+ 11 0B ff cedilla ff ff
+ 12 0C fi ogonek fi fi
+ 13 0D fl quotesinglbase fl fl
+ 14 0E ffi guilsinglleft ffi ffi
+ 15 0F ffl guilsinglright ffl ffl
+ 16 10 dotlessi quotedblleft dotlessi dotlessi
+ 17 11 dotlessj quotedblright dotlessj dotlessj
+ 18 12 grave quotedblbase grave grave
+ 19 13 acute guillemotleft acute acute
+ 20 14 caron guillemotright caron caron
+ 21 15 breve endash breve breve
+ 22 16 macron emdash macron macron
+ 23 17 ring compoundwordmark ring ring
+ 24 18 cedilla perthousand cedilla cedilla
+ 25 19 germandbls dotlessi germandbls germandbls
+ 26 1A ae dotlessj ae ae
+ 27 1B oe ff oe oe
+ 28 1C oslash fi oslash oslash
+ 29 1D AE fl AE AE
+ 30 1E OE ffi OE OE
+ 31 1F Oslash ffl Oslash Oslash
+ 32 20 suppress visualspace ogonek space
+ 33 21 exclam exclam exclam exclam
+ 34 22 quotedblright quotedbl quotedblright quotedblright
+ 35 23 numbersign numbersign numbersign numbersign
+ 36 24 dollar dollar dollar dollar
+ 37 25 percent percent percent percent
+ 38 26 ampersand ampersand ampersand ampersand
+ 39 27 quoteright quoteright quoteright quoteright
+ 40 28 parenleft parenleft parenleft parenleft
+ 41 29 parenright parenright parenright parenright
+ 42 2A asterisk asterisk asterisk asterisk
+ 43 2B plus plus plus plus
+ 44 2C comma comma comma comma
+ 45 2D hyphen hyphen hyphen hyphen
+ 46 2E period period period period
+ 47 2F slash slash slash slash
+ 48 30 zero zero zero zero
+ 49 31 one one one one
+ 50 32 two two two two
+ 51 33 three three three three
+ 52 34 four four four four
+ 53 35 five five five five
+ 54 36 six six six six
+ 55 37 seven seven seven seven
+ 56 38 eight eight eight eight
+ 57 39 nine nine nine nine
+ 58 3A colon colon colon colon
+ 59 3B semicolon semicolon semicolon semicolon
+ 60 3C exclamdown less exclamdown exclamdown
+ 61 3D equal equal equal equal
+ 62 3E questiondown greater questiondown questiondown
+ 63 3F question question question question
+ 64 40 at at at at
+ 65 41 A A A A
+ 66 42 B B B B
+ 67 43 C C C C
+ 68 44 D D D D
+ 69 45 E E E E
+ 70 46 F F F F
+ 71 47 G G G G
+ 72 48 H H H H
+ 73 49 I I I I
+ 74 4A J J J J
+ 75 4B K K K K
+ 76 4C L L L L
+ 77 4D M M M M
+ 78 4E N N N N
+ 79 4F O O O O
+ 80 50 P P P P
+ 81 51 Q Q Q Q
+ 82 52 R R R R
+ 83 53 S S S S
+ 84 54 T T T T
+ 85 55 U U U U
+ 86 56 V V V V
+ 87 57 W W W W
+ 88 58 X X X X
+ 89 59 Y Y Y Y
+ 90 5A Z Z Z Z
+ 91 5B bracketleft bracketleft bracketleft bracketleft
+ 92 5C quotedblleft backslash quotedblleft quotedblleft
+ 93 5D bracketright bracketright bracketright bracketright
+ 94 5E circumflex asciicircum circumflex circumflex
+ 95 5F dotaccent underscore dotaccent dotaccent
+ 96 60 quoteleft quoteleft quoteleft quoteleft
+ 97 61 a a a a
+ 98 62 b b b b
+ 99 63 c c c c
+100 64 d d d d
+101 65 e e e e
+102 66 f f f f
+103 67 g g g g
+104 68 h h h h
+105 69 i i i i
+106 6A j j j j
+107 6B k k k k
+108 6C l l l l
+109 6D m m m m
+110 6E n n n n
+111 6F o o o o
+112 70 p p p p
+113 71 q q q q
+114 72 r r r r
+115 73 s s s s
+116 74 t t t t
+117 75 u u u u
+118 76 v v v v
+119 77 w w w w
+120 78 x x x x
+121 79 y y y y
+122 7A z z z z
+123 7B endash braceleft endash endash
+124 7C emdash bar emdash emdash
+125 7D hungarumlaut braceright hungarumlaut hungarumlaut
+126 7E tilde asciitilde tilde tilde
+127 7F dieresis hyphen dieresis dieresis
+128 80 @ Abreve @ @
+129 81 @ Aogonek Aogonek Aogonek
+130 82 @ Cacute Cacute Cacute
+131 83 @ Ccaron @ greater
+132 84 @ Dcaron @ greaterequal
+133 85 @ Ecaron @ approxequal
+134 86 @ Eogonek Eogonek Eogonek
+135 87 @ Gbreve @ Iogonek
+136 88 @ Lacute @ less
+137 89 @ Lquoteright @ lessequal
+138 8A @ Lslash Lslash Lslash
+139 8B @ Nacute Nacute Nacute
+140 8C @ Ncaron @ asciitilde
+141 8D @ Eng @ asciicircum
+142 8E @ Ohungarumlaut @ ell
+143 8F @ Racute @ dagger
+144 90 @ Rcaron @ daggerdbl
+145 91 @ Sacute Sacute Sacute
+146 92 @ Scaron @ Scaron
+147 93 @ Scedilla @ Scedilla
+148 94 @ Tcaron @ degree
+149 95 @ Tcedilla @ Tcedilla
+150 96 @ Uhungarumlaut @ ogonek
+151 97 @ Uring @ Uogonek
+152 98 @ Ydieresis @ Ydieresis
+153 99 @ Zacute Zacute Zacute
+154 9A @ Zcaron @ Zcaron
+155 9B @ Zdotaccent Zdotaccent Zdotaccent
+156 9C @ IJ @ @
+157 9D @ Idotaccent @ braceleft
+158 9E @ dbar @ braceright
+159 9F @ section @ section
+160 A0 @ abreve @ @
+161 A1 @ aogonek aogonek aogonek
+162 A2 @ cacute cacute cacute
+163 A3 @ ccaron @ registered
+164 A4 @ dquoteright @ copyright
+165 A5 @ ecaron @ divide
+166 A6 @ eogonek eogonek eogonek
+167 A7 @ gbreve @ iogonek
+168 A8 @ lacute @ minus
+169 A9 @ lquoteright @ multiply
+170 AA @ lslash lslash lslash
+171 AB @ nacute nacute nacute
+172 AC @ ncaron @ plusminus
+173 AD @ eng @ infinity
+174 AE @ ohungarumlaut guillemotleft guillemotleft
+175 AF @ racute guillemotright guillemotright
+176 B0 @ rcaron @ paragraph
+177 B1 @ sacute sacute sacute
+178 B2 @ scaron @ scaron
+179 B3 @ scedilla @ scedilla
+180 B4 @ tquoteright @ bullet
+181 B5 @ tcedilla @ tcedilla
+182 B6 @ uhungarumlaut @ @
+183 B7 @ uring @ uogonek
+184 B8 @ ydieresis @ ydieresis
+185 B9 @ zacute zacute zacute
+186 BA @ zcaron @ zcaron
+187 BB @ zdotaccent zdotaccent zdotaccent
+188 BC @ ij @ @
+189 BD @ exclamdown @ periodcentered
+190 BE @ questiondown @ quotedbl
+191 BF @ sterling @ quotesingle
+192 C0 @ Agrave @ Agrave
+193 C1 @ Aacute @ Aacute
+194 C2 @ Acircumflex @ Acircumflex
+195 C3 @ Atilde @ Atilde
+196 C4 @ Adieresis @ Adieresis
+197 C5 @ Aring @ Aring
+198 C6 @ AE @ backslash
+199 C7 @ Ccedilla @ Ccedilla
+200 C8 @ Egrave @ Egrave
+201 C9 @ Eacute @ Eacute
+202 CA @ Ecircumflex @ Ecircumflex
+203 CB @ Edieresis @ Edieresis
+204 CC @ Igrave @ Igrave
+205 CD @ Iacute @ Iacute
+206 CE @ Icircumflex @ Icircumflex
+207 CF @ Idieresis @ Idieresis
+208 D0 @ Eth @ Eth
+209 D1 @ Ntilde @ Ntilde
+210 D2 @ Ograve @ Ograve
+211 D3 @ Oacute Oacute Oacute
+212 D4 @ Ocircumflex @ Ocircumflex
+213 D5 @ Otilde @ Otilde
+214 D6 @ Odieresis @ Odieresis
+215 D7 @ OE @ currency
+216 D8 @ Oslash @ perthousand
+217 D9 @ Ugrave @ Ugrave
+218 DA @ Uacute @ Uacute
+219 DB @ Ucircumflex @ Ucircumflex
+220 DC @ Udieresis @ Udieresis
+221 DD @ Yacute @ Yacute
+222 DE @ Thorn @ Thorn
+223 DF @ Germandbls @ bar
+224 E0 @ agrave @ agrave
+225 E1 @ aacute @ aacute
+226 E2 @ acircumflex @ acircumflex
+227 E3 @ atilde @ atilde
+228 E4 @ adieresis @ adieresis
+229 E5 @ aring @ aring
+230 E6 @ ae @ underscore
+231 E7 @ ccedilla @ ccedilla
+232 E8 @ egrave @ egrave
+233 E9 @ eacute @ eacute
+234 EA @ ecircumflex @ ecircumflex
+235 EB @ edieresis @ edieresis
+236 EC @ igrave @ igrave
+237 ED @ iacute @ iacute
+238 EE @ icircumflex @ icircumflex
+239 EF @ idieresis @ idieresis
+240 F0 @ eth @ eth
+241 F1 @ ntilde @ ntilde
+242 F2 @ ograve @ ograve
+243 F3 @ oacute oacute oacute
+244 F4 @ ocircumflex @ ocircumflex
+245 F5 @ otilde @ otilde
+246 F6 @ odieresis @ odieresis
+247 F7 @ oe @ anglearc
+248 F8 @ oslash @ diameter
+249 F9 @ ugrave @ ugrave
+250 FA @ uacute @ uacute
+251 FB @ ucircumflex @ ucircumflex
+252 FC @ udieresis @ udieresis
+253 FD @ yacute @ yacute
+254 FE @ thorn @ thorn
+255 FF @ germandbls quotedblbase quotedblbase
+% =========================================================================
+
+
+% =========================================================
+% COMPARISON OF GUI LAYOUTS
+% =========================================================
+% CODE NEW ANSI (0--127) Macintosh QX ver. 0.03
+% + CODE PAGE 1250 PLEURO
+% =========================================================
+ 0 00 @ @ @
+ 1 01 @ @ acute
+ 2 02 @ @ circumflex
+ 3 03 @ @ cedilla
+ 4 04 @ @ dieresis
+ 5 05 @ @ breve
+ 6 06 @ @ dotaccent
+ 7 07 @ @ macron
+ 8 08 @ @ ring
+ 9 09 @ @ @
+ 10 0A @ @ hungarumlaut
+ 11 0B @ @ ogonek
+ 12 0C @ @ caron
+ 13 0D @ @ @
+ 14 0E @ @ dotlessi
+ 15 0F @ @ dotlessj
+ 16 10 @ @ tilde
+ 17 11 @ @ ff
+ 18 12 @ @ ffi
+ 19 13 @ @ ffl
+ 20 14 @ @ fk
+ 21 15 @ @ approxequal
+ 22 16 @ @ ell
+ 23 17 @ @ infinity
+ 24 18 @ @ alpha
+ 25 19 @ @ beta
+ 26 1A @ @ delta
+ 27 1B @ @ pi
+ 28 1C @ @ Delta
+ 29 1D @ @ Pi
+ 30 1E @ @ Sigma
+ 31 1F @ @ Omega
+ 32 20 space space space
+ 33 21 exclam exclam exclam
+ 34 22 quotedbl quotedbl quotedbl
+ 35 23 numbersign numbersign numbersign
+ 36 24 dollar dollar dollar
+ 37 25 percent percent percent
+ 38 26 ampersand ampersand ampersand
+ 39 27 quotesingle quotesingle quotesingle
+ 40 28 parenleft parenleft parenleft
+ 41 29 parenright parenright parenright
+ 42 2A asterisk asterisk asterisk
+ 43 2B plus plus plus
+ 44 2C comma comma comma
+ 45 2D hyphen hyphen hyphen
+ 46 2E period period period
+ 47 2F slash slash slash
+ 48 30 zero zero zero
+ 49 31 one one one
+ 50 32 two two two
+ 51 33 three three three
+ 52 34 four four four
+ 53 35 five five five
+ 54 36 six six six
+ 55 37 seven seven seven
+ 56 38 eight eight eight
+ 57 39 nine nine nine
+ 58 3A colon colon colon
+ 59 3B semicolon semicolon semicolon
+ 60 3C less less less
+ 61 3D equal equal equal
+ 62 3E greater greater greater
+ 63 3F question question question
+ 64 40 at at at
+ 65 41 A A A
+ 66 42 B B B
+ 67 43 C C C
+ 68 44 D D D
+ 69 45 E E E
+ 70 46 F F F
+ 71 47 G G G
+ 72 48 H H H
+ 73 49 I I I
+ 74 4A J J J
+ 75 4B K K K
+ 76 4C L L L
+ 77 4D M M M
+ 78 4E N N N
+ 79 4F O O O
+ 80 50 P P P
+ 81 51 Q Q Q
+ 82 52 R R R
+ 83 53 S S S
+ 84 54 T T T
+ 85 55 U U U
+ 86 56 V V V
+ 87 57 W W W
+ 88 58 X X X
+ 89 59 Y Y Y
+ 90 5A Z Z Z
+ 91 5B bracketleft bracketleft bracketleft
+ 92 5C backslash backslash backslash
+ 93 5D bracketright bracketright bracketright
+ 94 5E asciicircum asciicircum asciicircum
+ 95 5F underscore underscore underscore
+ 96 60 grave grave grave
+ 97 61 a a a
+ 98 62 b b b
+ 99 63 c c c
+100 64 d d d
+101 65 e e e
+102 66 f f f
+103 67 g g g
+104 68 h h h
+105 69 i i i
+106 6A j j j
+107 6B k k k
+108 6C l l l
+109 6D m m m
+110 6E n n n
+111 6F o o o
+112 70 p p p
+113 71 q q q
+114 72 r r r
+115 73 s s s
+116 74 t t t
+117 75 u u u
+118 76 v v v
+119 77 w w w
+120 78 x x x
+121 79 y y y
+122 7A z z z
+123 7B braceleft braceleft braceleft
+124 7C bar bar bar
+125 7D braceright braceright braceright
+126 7E asciitilde asciitilde asciitilde
+127 7F @ @ @
+128 80 @ @ Iogonek
+129 81 @ @ fi
+130 82 quotesinglbase quotesinglbase fl
+131 83 @ Ydieresis Ydieresis
+132 84 quotedblbase quotedblbase quotedblbase
+133 85 ellipsis ellipsis ellipsis
+134 86 dagger dagger dagger
+135 87 daggerdbl daggerdbl daggerdbl
+136 88 @ Ecircumflex Ecircumflex
+137 89 perthousand perthousand perthousand
+138 8A Scaron Scaron Scaron
+139 8B guilsinglleft guilsinglleft Scedilla
+140 8C Sacute Sacute Sacute
+141 8D Tcaron OE OE
+142 8E Zcaron Zcaron Zcaron
+143 8F Zacute Zacute Zacute
+144 90 @ @ iogonek
+145 91 quoteleft quoteleft quoteleft
+146 92 quoteright quoteright quoteright
+147 93 quotedblleft quotedblleft quotedblleft
+148 94 quotedblright quotedblright quotedblright
+149 95 bullet bullet bullet
+150 96 endash endash endash
+151 97 emdash emdash emdash
+152 98 @ ecircumflex ecircumflex
+153 99 trademark trademark anglearc
+154 9A scaron scaron scaron
+155 9B guilsinglright guilsinglright scedilla
+156 9C sacute sacute sacute
+157 9D tquoteright oe oe
+158 9E zcaron zcaron zcaron
+159 9F zacute zacute zacute
+160 A0 @ nbspace nbspace
+161 A1 caron exclamdown exclamdown
+162 A2 breve questiondown questiondown
+163 A3 Lslash Lslash Lslash
+164 A4 currency currency currency
+165 A5 Aogonek Aogonek Aogonek
+166 A6 brokenbar brokenbar diameter
+167 A7 section section section
+168 A8 dieresis dieresis Uogonek
+169 A9 copyright copyright copyright
+170 AA Scedilla AE AE
+171 AB guillemotleft guillemotleft guillemotleft
+172 AC logicalnot Ntilde Ntilde
+173 AD hyphen minus minus
+174 AE registered registered registered
+175 AF Zdotaccent Zdotaccent Zdotaccent
+176 B0 degree degree degree
+177 B1 plusminus plusminus plusminus
+178 B2 ogonek twosuperior lessequal
+179 B3 lslash lslash lslash
+180 B4 acute acute greaterequal
+181 B5 mu mu mu
+182 B6 paragraph paragraph paragraph
+183 B7 periodcentered periodcentered periodcentered
+184 B8 cedilla @ uogonek
+185 B9 aogonek aogonek aogonek
+186 BA scedilla ae ae
+187 BB guillemotright guillemotright guillemotright
+188 BC Lquoteright ntilde ntilde
+189 BD hungarumlaut onehalf Tcedilla
+190 BE lquoteright threequarters tcedilla
+191 BF zdotaccent zdotaccent zdotaccent
+192 C0 Racute Agrave Agrave
+193 C1 Aacute Aacute Aacute
+194 C2 Acircumflex Acircumflex Acircumflex
+195 C3 Abreve Atilde Atilde
+196 C4 Adieresis Adieresis Adieresis
+197 C5 Lacute Aring Aring
+198 C6 Cacute Cacute Cacute
+199 C7 Ccedilla Ccedilla Ccedilla
+200 C8 Ccaron Egrave Egrave
+201 C9 Eacute Eacute Eacute
+202 CA Eogonek Eogonek Eogonek
+203 CB Edieresis Edieresis Edieresis
+204 CC Ecaron Igrave Igrave
+205 CD Iacute Iacute Iacute
+206 CE Icircumflex Icircumflex Icircumflex
+207 CF Dcaron Idieresis Idieresis
+208 D0 Eth Eth Eth
+209 D1 Nacute Nacute Nacute
+210 D2 Ncaron Ograve Ograve
+211 D3 Oacute Oacute Oacute
+212 D4 Ocircumflex Ocircumflex Ocircumflex
+213 D5 Ohungarumlaut Otilde Otilde
+214 D6 Odieresis Odieresis Odieresis
+215 D7 multiply multiply multiply
+216 D8 Rcaron Oslash Oslash
+217 D9 Uring Ugrave Ugrave
+218 DA Uacute Uacute Uacute
+219 DB Uhungarumlaut Ucircumflex Ucircumflex
+220 DC Udieresis Udieresis Udieresis
+221 DD Yacute Yacute Yacute
+222 DE Tcedilla Thorn Thorn
+223 DF germandbls germandbls germandbls
+224 E0 racute agrave agrave
+225 E1 aacute aacute aacute
+226 E2 acircumflex acircumflex acircumflex
+227 E3 abreve atilde atilde
+228 E4 adieresis adieresis adieresis
+229 E5 lacute aring aring
+230 E6 cacute cacute cacute
+231 E7 ccedilla ccedilla ccedilla
+232 E8 ccaron egrave egrave
+233 E9 eacute eacute eacute
+234 EA eogonek eogonek eogonek
+235 EB edieresis edieresis edieresis
+236 EC ecaron igrave igrave
+237 ED iacute iacute iacute
+238 EE icircumflex icircumflex icircumflex
+239 EF dquoteright idieresis idieresis
+240 F0 dbar eth eth
+241 F1 nacute nacute nacute
+242 F2 ncaron ograve ograve
+243 F3 oacute oacute oacute
+244 F4 ocircumflex ocircumflex ocircumflex
+245 F5 ohungarumlaut otilde otilde
+246 F6 odieresis odieresis odieresis
+247 F7 divide divide divide
+248 F8 rcaron oslash oslash
+249 F9 uring ugrave ugrave
+250 FA uacute uacute uacute
+251 FB uhungarumlaut ucircumflex ucircumflex
+252 FC udieresis udieresis udieresis
+253 FD yacute yacute yacute
+254 FE tcedilla thorn thorn
+255 FF dotaccent ydieresis ydieresis
+% =======================================================
+
diff --git a/Master/texmf-dist/doc/fonts/antp/README.POL b/Master/texmf-dist/doc/fonts/antp/README.POL
new file mode 100644
index 00000000000..d7030a5e5fc
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/antp/README.POL
@@ -0,0 +1,625 @@
+% iso8859-2
+*****************************************************************************
+* Replika fontu Antykwa Półtawskiego *
+* w postscriptowym formacie Type 1 -- wersja wstępna *
+* Public domain *
+*****************************************************************************
+
+-----
+OPIS:
+-----
+
+Rodzina fontów Antykwa Półtawskiego (krój prosty, kursywa, półgruby
+oraz półgruby-kursywa) składa się z następujących plików:
+
+ antpr.pfb, antpri.pfb, antpb.pfb, antpbi.pfb -- obwiednie
+ antpr.afm, antpri.afm, antpb.afm, antpbi.afm -- metryki fontowe Adobe
+ antpr.pfm, antpri.pfm, antpb.pfm, antpbi.pfm -- metryki drukarkowe
+ antpr.tfm, antpri.tfm, antpb.tfm, antpbi.tfm -- metryki TeX-owe
+ antp.enc -- plik przekodowania (dla dvips)
+ antp.map -- plik mapy fontowej (dla dvips)
+ config.antp, antp.cfg -- plik konfiguracyjny (dla dvips)
+
+Do pakietu dodano ponadto pliki .sty i .fd potrzebne do korzystania
+z fontów w LaTeX2e (patrz podkatalog latex/).
+
+Użycie fontów w systemie TeX lub w Windows wymaga odpowiedniej instalacji
+zgodnej ze stosowną dokumentacją (patrz np.
+http://www.gust.org.pl/FONTY/fonthint.html)
+
+Zastosowany w fontach układ znaków jest podzbiorem układu QX (patrz niżej).
+
+---------
+HISTORIA:
+---------
+
+Font niniejszy został zaprojektowany w latach dwudziestych i trzydziestych
+XX wieku przez polskiego grafika i typografa Adama Półtawskiego
+i był stosowany przez polskie drukarnie tak długo, jak długo metalowe
+czcionki były w użyciu (mniej więcej do lat sześćdziesiątych).
+
+Replika elektroniczna Antykwy Półtawskiego przygotowana została przez
+Bogusława Jackowskiego, Janusza M. Nowackiego i Piotra Strzelczyka
+(JNS TEAM) i udostępniona jako wersja wstępna podczas VIII Konferencji
+Grupy Użytkowników Systemu TeX (GUST) w Bachotku (kwiecień-maj 2000).
+
+Obecna wersja nosi numer 0.51 i datę 17 maja 2000.
+
+--------
+KOLOFON:
+--------
+
+Głównym źródłem repliki Antykwa Półtawskiego były wydruki wykonane
+czcionkami metalowymi. Janusz M. Nowacki zaprogramował obrysy znaków (glyphs)
+w programie METAPOST, korzystając z narzędzi przygotowanych przez
+Bogusława Jackowskiego i Piotra Strzelczyka. Narzędzia te wykorzystują
+programy: METAPOST, AWK, TeX, Type 1 utilities, Ghostscript i Perl. Sporo
+testowania i cyzelowania fontów miało miejsce w firmie BOP.
+
+JNS TEAM pragnie podziękować Andrzejowi Tomaszewskiemu i Adamowi Twardochowi
+za wartościowe dyskusje i komentarze. Serdeczne podziękowania należą się
+również Marcinowi Wolińskiemu, który poświęcił czas na weryfikowanie
+wstępnych wersji Antykwy Półtawskiego i przygotował pliki umożliwiające
+korzystanie z niej w systemie LaTeX. Pakiet do dystrybucji starannie (jak
+zwykle) przygotował Staszek Wawrykiewicz. Jesteśmy mu za to niezmiernie
+wdzięczni.
+
+Obecna wersja Antykwy Półtawskiego jest przeznaczona dla dzielnych
+użytkowników, przede wszystkim do celów testowych.
+
+W wersji docelowej do dystrybucji zostaną włączone pliki źródłowe
+METAPOST-a oraz maszyneria do budowy fontów.
+
+------
+EMAIL:
+------
+
+ B.Jackowski@gust.org.pl
+lub
+ J.Nowacki@gust.org.pl
+lub
+ P.Strzelczyk@gust.org.pl
+
+---------
+UKŁAD QX:
+---------
+
+Układ QX dla TeX-a bazuje na układzie EC (Cork Encoding) z uwzględnieniem
+pewnych cech układu PL (zastosowanego w pakiecie MeX, w polskim rozszerzeniu
+fontów CM), podczas gdy układ QX dla Windows jest trudnym kompromisem
+pomiędzy istniejącymi tzw. standardami kodowania (jak może istnieć
+wiele standardów na raz?). Układ QX został opracowany przez Polską Grupę
+Użytkowników Systemu TeX. Przyjęty w układzie QX zestaw znaków
+powinien sprostać wymaganiom składu w większości europejskich języków.
+
+Poniżej zamieszczone została tabela porównująca TeX-owe i windowsowe
+układy znaków z układem QX.
+
+% =========================================================================
+% PORÓWNANIE UKŁADÓW ZNAKÓW W TeX-U
+% =========================================================================
+% CODE CM EC PL QX ver 0.03
+% =========================================================================
+ 0 00 Gamma grave Gamma alpha
+ 1 01 Delta acute Delta Delta
+ 2 02 Theta circumflex Theta beta
+ 3 03 Lambda tilde Lambda delta
+ 4 04 Xi dieresis Xi pi
+ 5 05 Pi hungarumlaut Pi Pi
+ 6 06 Sigma ring Sigma Sigma
+ 7 07 Upsilon caron Upsilon mu
+ 8 08 Phi breve Phi ellipsis
+ 9 09 Psi macron Psi fk
+ 10 0A Omega dotaccent Omega Omega
+ 11 0B ff cedilla ff ff
+ 12 0C fi ogonek fi fi
+ 13 0D fl quotesinglbase fl fl
+ 14 0E ffi guilsinglleft ffi ffi
+ 15 0F ffl guilsinglright ffl ffl
+ 16 10 dotlessi quotedblleft dotlessi dotlessi
+ 17 11 dotlessj quotedblright dotlessj dotlessj
+ 18 12 grave quotedblbase grave grave
+ 19 13 acute guillemotleft acute acute
+ 20 14 caron guillemotright caron caron
+ 21 15 breve endash breve breve
+ 22 16 macron emdash macron macron
+ 23 17 ring compoundwordmark ring ring
+ 24 18 cedilla perthousand cedilla cedilla
+ 25 19 germandbls dotlessi germandbls germandbls
+ 26 1A ae dotlessj ae ae
+ 27 1B oe ff oe oe
+ 28 1C oslash fi oslash oslash
+ 29 1D AE fl AE AE
+ 30 1E OE ffi OE OE
+ 31 1F Oslash ffl Oslash Oslash
+ 32 20 suppress visualspace ogonek space
+ 33 21 exclam exclam exclam exclam
+ 34 22 quotedblright quotedbl quotedblright quotedblright
+ 35 23 numbersign numbersign numbersign numbersign
+ 36 24 dollar dollar dollar dollar
+ 37 25 percent percent percent percent
+ 38 26 ampersand ampersand ampersand ampersand
+ 39 27 quoteright quoteright quoteright quoteright
+ 40 28 parenleft parenleft parenleft parenleft
+ 41 29 parenright parenright parenright parenright
+ 42 2A asterisk asterisk asterisk asterisk
+ 43 2B plus plus plus plus
+ 44 2C comma comma comma comma
+ 45 2D hyphen hyphen hyphen hyphen
+ 46 2E period period period period
+ 47 2F slash slash slash slash
+ 48 30 zero zero zero zero
+ 49 31 one one one one
+ 50 32 two two two two
+ 51 33 three three three three
+ 52 34 four four four four
+ 53 35 five five five five
+ 54 36 six six six six
+ 55 37 seven seven seven seven
+ 56 38 eight eight eight eight
+ 57 39 nine nine nine nine
+ 58 3A colon colon colon colon
+ 59 3B semicolon semicolon semicolon semicolon
+ 60 3C exclamdown less exclamdown exclamdown
+ 61 3D equal equal equal equal
+ 62 3E questiondown greater questiondown questiondown
+ 63 3F question question question question
+ 64 40 at at at at
+ 65 41 A A A A
+ 66 42 B B B B
+ 67 43 C C C C
+ 68 44 D D D D
+ 69 45 E E E E
+ 70 46 F F F F
+ 71 47 G G G G
+ 72 48 H H H H
+ 73 49 I I I I
+ 74 4A J J J J
+ 75 4B K K K K
+ 76 4C L L L L
+ 77 4D M M M M
+ 78 4E N N N N
+ 79 4F O O O O
+ 80 50 P P P P
+ 81 51 Q Q Q Q
+ 82 52 R R R R
+ 83 53 S S S S
+ 84 54 T T T T
+ 85 55 U U U U
+ 86 56 V V V V
+ 87 57 W W W W
+ 88 58 X X X X
+ 89 59 Y Y Y Y
+ 90 5A Z Z Z Z
+ 91 5B bracketleft bracketleft bracketleft bracketleft
+ 92 5C quotedblleft backslash quotedblleft quotedblleft
+ 93 5D bracketright bracketright bracketright bracketright
+ 94 5E circumflex asciicircum circumflex circumflex
+ 95 5F dotaccent underscore dotaccent dotaccent
+ 96 60 quoteleft quoteleft quoteleft quoteleft
+ 97 61 a a a a
+ 98 62 b b b b
+ 99 63 c c c c
+100 64 d d d d
+101 65 e e e e
+102 66 f f f f
+103 67 g g g g
+104 68 h h h h
+105 69 i i i i
+106 6A j j j j
+107 6B k k k k
+108 6C l l l l
+109 6D m m m m
+110 6E n n n n
+111 6F o o o o
+112 70 p p p p
+113 71 q q q q
+114 72 r r r r
+115 73 s s s s
+116 74 t t t t
+117 75 u u u u
+118 76 v v v v
+119 77 w w w w
+120 78 x x x x
+121 79 y y y y
+122 7A z z z z
+123 7B endash braceleft endash endash
+124 7C emdash bar emdash emdash
+125 7D hungarumlaut braceright hungarumlaut hungarumlaut
+126 7E tilde asciitilde tilde tilde
+127 7F dieresis hyphen dieresis dieresis
+128 80 @ Abreve @ @
+129 81 @ Aogonek Aogonek Aogonek
+130 82 @ Cacute Cacute Cacute
+131 83 @ Ccaron @ greater
+132 84 @ Dcaron @ greaterequal
+133 85 @ Ecaron @ approxequal
+134 86 @ Eogonek Eogonek Eogonek
+135 87 @ Gbreve @ Iogonek
+136 88 @ Lacute @ less
+137 89 @ Lquoteright @ lessequal
+138 8A @ Lslash Lslash Lslash
+139 8B @ Nacute Nacute Nacute
+140 8C @ Ncaron @ asciitilde
+141 8D @ Eng @ asciicircum
+142 8E @ Ohungarumlaut @ ell
+143 8F @ Racute @ dagger
+144 90 @ Rcaron @ daggerdbl
+145 91 @ Sacute Sacute Sacute
+146 92 @ Scaron @ Scaron
+147 93 @ Scedilla @ Scedilla
+148 94 @ Tcaron @ degree
+149 95 @ Tcedilla @ Tcedilla
+150 96 @ Uhungarumlaut @ ogonek
+151 97 @ Uring @ Uogonek
+152 98 @ Ydieresis @ Ydieresis
+153 99 @ Zacute Zacute Zacute
+154 9A @ Zcaron @ Zcaron
+155 9B @ Zdotaccent Zdotaccent Zdotaccent
+156 9C @ IJ @ @
+157 9D @ Idotaccent @ braceleft
+158 9E @ dbar @ braceright
+159 9F @ section @ section
+160 A0 @ abreve @ @
+161 A1 @ aogonek aogonek aogonek
+162 A2 @ cacute cacute cacute
+163 A3 @ ccaron @ registered
+164 A4 @ dquoteright @ copyright
+165 A5 @ ecaron @ divide
+166 A6 @ eogonek eogonek eogonek
+167 A7 @ gbreve @ iogonek
+168 A8 @ lacute @ minus
+169 A9 @ lquoteright @ multiply
+170 AA @ lslash lslash lslash
+171 AB @ nacute nacute nacute
+172 AC @ ncaron @ plusminus
+173 AD @ eng @ infinity
+174 AE @ ohungarumlaut guillemotleft guillemotleft
+175 AF @ racute guillemotright guillemotright
+176 B0 @ rcaron @ paragraph
+177 B1 @ sacute sacute sacute
+178 B2 @ scaron @ scaron
+179 B3 @ scedilla @ scedilla
+180 B4 @ tquoteright @ bullet
+181 B5 @ tcedilla @ tcedilla
+182 B6 @ uhungarumlaut @ @
+183 B7 @ uring @ uogonek
+184 B8 @ ydieresis @ ydieresis
+185 B9 @ zacute zacute zacute
+186 BA @ zcaron @ zcaron
+187 BB @ zdotaccent zdotaccent zdotaccent
+188 BC @ ij @ @
+189 BD @ exclamdown @ periodcentered
+190 BE @ questiondown @ quotedbl
+191 BF @ sterling @ quotesingle
+192 C0 @ Agrave @ Agrave
+193 C1 @ Aacute @ Aacute
+194 C2 @ Acircumflex @ Acircumflex
+195 C3 @ Atilde @ Atilde
+196 C4 @ Adieresis @ Adieresis
+197 C5 @ Aring @ Aring
+198 C6 @ AE @ backslash
+199 C7 @ Ccedilla @ Ccedilla
+200 C8 @ Egrave @ Egrave
+201 C9 @ Eacute @ Eacute
+202 CA @ Ecircumflex @ Ecircumflex
+203 CB @ Edieresis @ Edieresis
+204 CC @ Igrave @ Igrave
+205 CD @ Iacute @ Iacute
+206 CE @ Icircumflex @ Icircumflex
+207 CF @ Idieresis @ Idieresis
+208 D0 @ Eth @ Eth
+209 D1 @ Ntilde @ Ntilde
+210 D2 @ Ograve @ Ograve
+211 D3 @ Oacute Oacute Oacute
+212 D4 @ Ocircumflex @ Ocircumflex
+213 D5 @ Otilde @ Otilde
+214 D6 @ Odieresis @ Odieresis
+215 D7 @ OE @ currency
+216 D8 @ Oslash @ perthousand
+217 D9 @ Ugrave @ Ugrave
+218 DA @ Uacute @ Uacute
+219 DB @ Ucircumflex @ Ucircumflex
+220 DC @ Udieresis @ Udieresis
+221 DD @ Yacute @ Yacute
+222 DE @ Thorn @ Thorn
+223 DF @ Germandbls @ bar
+224 E0 @ agrave @ agrave
+225 E1 @ aacute @ aacute
+226 E2 @ acircumflex @ acircumflex
+227 E3 @ atilde @ atilde
+228 E4 @ adieresis @ adieresis
+229 E5 @ aring @ aring
+230 E6 @ ae @ underscore
+231 E7 @ ccedilla @ ccedilla
+232 E8 @ egrave @ egrave
+233 E9 @ eacute @ eacute
+234 EA @ ecircumflex @ ecircumflex
+235 EB @ edieresis @ edieresis
+236 EC @ igrave @ igrave
+237 ED @ iacute @ iacute
+238 EE @ icircumflex @ icircumflex
+239 EF @ idieresis @ idieresis
+240 F0 @ eth @ eth
+241 F1 @ ntilde @ ntilde
+242 F2 @ ograve @ ograve
+243 F3 @ oacute oacute oacute
+244 F4 @ ocircumflex @ ocircumflex
+245 F5 @ otilde @ otilde
+246 F6 @ odieresis @ odieresis
+247 F7 @ oe @ anglearc
+248 F8 @ oslash @ diameter
+249 F9 @ ugrave @ ugrave
+250 FA @ uacute @ uacute
+251 FB @ ucircumflex @ ucircumflex
+252 FC @ udieresis @ udieresis
+253 FD @ yacute @ yacute
+254 FE @ thorn @ thorn
+255 FF @ germandbls quotedblbase quotedblbase
+% =========================================================================
+
+
+% =========================================================
+% PORÓWNANIE UKŁADÓW ZNAKÓW W SYSTEMACH OKIENKOWYCH (GUI)
+% =========================================================
+% CODE NEW ANSI (0--127) Macintosh QX ver. 0.03
+% + CODE PAGE 1250 PLEURO
+% =========================================================
+ 0 00 @ @ @
+ 1 01 @ @ acute
+ 2 02 @ @ circumflex
+ 3 03 @ @ cedilla
+ 4 04 @ @ dieresis
+ 5 05 @ @ breve
+ 6 06 @ @ dotaccent
+ 7 07 @ @ macron
+ 8 08 @ @ ring
+ 9 09 @ @ @
+ 10 0A @ @ hungarumlaut
+ 11 0B @ @ ogonek
+ 12 0C @ @ caron
+ 13 0D @ @ @
+ 14 0E @ @ dotlessi
+ 15 0F @ @ dotlessj
+ 16 10 @ @ tilde
+ 17 11 @ @ ff
+ 18 12 @ @ ffi
+ 19 13 @ @ ffl
+ 20 14 @ @ fk
+ 21 15 @ @ approxequal
+ 22 16 @ @ ell
+ 23 17 @ @ infinity
+ 24 18 @ @ alpha
+ 25 19 @ @ beta
+ 26 1A @ @ delta
+ 27 1B @ @ pi
+ 28 1C @ @ Delta
+ 29 1D @ @ Pi
+ 30 1E @ @ Sigma
+ 31 1F @ @ Omega
+ 32 20 space space space
+ 33 21 exclam exclam exclam
+ 34 22 quotedbl quotedbl quotedbl
+ 35 23 numbersign numbersign numbersign
+ 36 24 dollar dollar dollar
+ 37 25 percent percent percent
+ 38 26 ampersand ampersand ampersand
+ 39 27 quotesingle quotesingle quotesingle
+ 40 28 parenleft parenleft parenleft
+ 41 29 parenright parenright parenright
+ 42 2A asterisk asterisk asterisk
+ 43 2B plus plus plus
+ 44 2C comma comma comma
+ 45 2D hyphen hyphen hyphen
+ 46 2E period period period
+ 47 2F slash slash slash
+ 48 30 zero zero zero
+ 49 31 one one one
+ 50 32 two two two
+ 51 33 three three three
+ 52 34 four four four
+ 53 35 five five five
+ 54 36 six six six
+ 55 37 seven seven seven
+ 56 38 eight eight eight
+ 57 39 nine nine nine
+ 58 3A colon colon colon
+ 59 3B semicolon semicolon semicolon
+ 60 3C less less less
+ 61 3D equal equal equal
+ 62 3E greater greater greater
+ 63 3F question question question
+ 64 40 at at at
+ 65 41 A A A
+ 66 42 B B B
+ 67 43 C C C
+ 68 44 D D D
+ 69 45 E E E
+ 70 46 F F F
+ 71 47 G G G
+ 72 48 H H H
+ 73 49 I I I
+ 74 4A J J J
+ 75 4B K K K
+ 76 4C L L L
+ 77 4D M M M
+ 78 4E N N N
+ 79 4F O O O
+ 80 50 P P P
+ 81 51 Q Q Q
+ 82 52 R R R
+ 83 53 S S S
+ 84 54 T T T
+ 85 55 U U U
+ 86 56 V V V
+ 87 57 W W W
+ 88 58 X X X
+ 89 59 Y Y Y
+ 90 5A Z Z Z
+ 91 5B bracketleft bracketleft bracketleft
+ 92 5C backslash backslash backslash
+ 93 5D bracketright bracketright bracketright
+ 94 5E asciicircum asciicircum asciicircum
+ 95 5F underscore underscore underscore
+ 96 60 grave grave grave
+ 97 61 a a a
+ 98 62 b b b
+ 99 63 c c c
+100 64 d d d
+101 65 e e e
+102 66 f f f
+103 67 g g g
+104 68 h h h
+105 69 i i i
+106 6A j j j
+107 6B k k k
+108 6C l l l
+109 6D m m m
+110 6E n n n
+111 6F o o o
+112 70 p p p
+113 71 q q q
+114 72 r r r
+115 73 s s s
+116 74 t t t
+117 75 u u u
+118 76 v v v
+119 77 w w w
+120 78 x x x
+121 79 y y y
+122 7A z z z
+123 7B braceleft braceleft braceleft
+124 7C bar bar bar
+125 7D braceright braceright braceright
+126 7E asciitilde asciitilde asciitilde
+127 7F @ @ @
+128 80 @ @ Iogonek
+129 81 @ @ fi
+130 82 quotesinglbase quotesinglbase fl
+131 83 @ Ydieresis Ydieresis
+132 84 quotedblbase quotedblbase quotedblbase
+133 85 ellipsis ellipsis ellipsis
+134 86 dagger dagger dagger
+135 87 daggerdbl daggerdbl daggerdbl
+136 88 @ Ecircumflex Ecircumflex
+137 89 perthousand perthousand perthousand
+138 8A Scaron Scaron Scaron
+139 8B guilsinglleft guilsinglleft Scedilla
+140 8C Sacute Sacute Sacute
+141 8D Tcaron OE OE
+142 8E Zcaron Zcaron Zcaron
+143 8F Zacute Zacute Zacute
+144 90 @ @ iogonek
+145 91 quoteleft quoteleft quoteleft
+146 92 quoteright quoteright quoteright
+147 93 quotedblleft quotedblleft quotedblleft
+148 94 quotedblright quotedblright quotedblright
+149 95 bullet bullet bullet
+150 96 endash endash endash
+151 97 emdash emdash emdash
+152 98 @ ecircumflex ecircumflex
+153 99 trademark trademark anglearc
+154 9A scaron scaron scaron
+155 9B guilsinglright guilsinglright scedilla
+156 9C sacute sacute sacute
+157 9D tquoteright oe oe
+158 9E zcaron zcaron zcaron
+159 9F zacute zacute zacute
+160 A0 @ nbspace nbspace
+161 A1 caron exclamdown exclamdown
+162 A2 breve questiondown questiondown
+163 A3 Lslash Lslash Lslash
+164 A4 currency currency currency
+165 A5 Aogonek Aogonek Aogonek
+166 A6 brokenbar brokenbar diameter
+167 A7 section section section
+168 A8 dieresis dieresis Uogonek
+169 A9 copyright copyright copyright
+170 AA Scedilla AE AE
+171 AB guillemotleft guillemotleft guillemotleft
+172 AC logicalnot Ntilde Ntilde
+173 AD hyphen minus minus
+174 AE registered registered registered
+175 AF Zdotaccent Zdotaccent Zdotaccent
+176 B0 degree degree degree
+177 B1 plusminus plusminus plusminus
+178 B2 ogonek twosuperior lessequal
+179 B3 lslash lslash lslash
+180 B4 acute acute greaterequal
+181 B5 mu mu mu
+182 B6 paragraph paragraph paragraph
+183 B7 periodcentered periodcentered periodcentered
+184 B8 cedilla @ uogonek
+185 B9 aogonek aogonek aogonek
+186 BA scedilla ae ae
+187 BB guillemotright guillemotright guillemotright
+188 BC Lquoteright ntilde ntilde
+189 BD hungarumlaut onehalf Tcedilla
+190 BE lquoteright threequarters tcedilla
+191 BF zdotaccent zdotaccent zdotaccent
+192 C0 Racute Agrave Agrave
+193 C1 Aacute Aacute Aacute
+194 C2 Acircumflex Acircumflex Acircumflex
+195 C3 Abreve Atilde Atilde
+196 C4 Adieresis Adieresis Adieresis
+197 C5 Lacute Aring Aring
+198 C6 Cacute Cacute Cacute
+199 C7 Ccedilla Ccedilla Ccedilla
+200 C8 Ccaron Egrave Egrave
+201 C9 Eacute Eacute Eacute
+202 CA Eogonek Eogonek Eogonek
+203 CB Edieresis Edieresis Edieresis
+204 CC Ecaron Igrave Igrave
+205 CD Iacute Iacute Iacute
+206 CE Icircumflex Icircumflex Icircumflex
+207 CF Dcaron Idieresis Idieresis
+208 D0 Eth Eth Eth
+209 D1 Nacute Nacute Nacute
+210 D2 Ncaron Ograve Ograve
+211 D3 Oacute Oacute Oacute
+212 D4 Ocircumflex Ocircumflex Ocircumflex
+213 D5 Ohungarumlaut Otilde Otilde
+214 D6 Odieresis Odieresis Odieresis
+215 D7 multiply multiply multiply
+216 D8 Rcaron Oslash Oslash
+217 D9 Uring Ugrave Ugrave
+218 DA Uacute Uacute Uacute
+219 DB Uhungarumlaut Ucircumflex Ucircumflex
+220 DC Udieresis Udieresis Udieresis
+221 DD Yacute Yacute Yacute
+222 DE Tcedilla Thorn Thorn
+223 DF germandbls germandbls germandbls
+224 E0 racute agrave agrave
+225 E1 aacute aacute aacute
+226 E2 acircumflex acircumflex acircumflex
+227 E3 abreve atilde atilde
+228 E4 adieresis adieresis adieresis
+229 E5 lacute aring aring
+230 E6 cacute cacute cacute
+231 E7 ccedilla ccedilla ccedilla
+232 E8 ccaron egrave egrave
+233 E9 eacute eacute eacute
+234 EA eogonek eogonek eogonek
+235 EB edieresis edieresis edieresis
+236 EC ecaron igrave igrave
+237 ED iacute iacute iacute
+238 EE icircumflex icircumflex icircumflex
+239 EF dquoteright idieresis idieresis
+240 F0 dbar eth eth
+241 F1 nacute nacute nacute
+242 F2 ncaron ograve ograve
+243 F3 oacute oacute oacute
+244 F4 ocircumflex ocircumflex ocircumflex
+245 F5 ohungarumlaut otilde otilde
+246 F6 odieresis odieresis odieresis
+247 F7 divide divide divide
+248 F8 rcaron oslash oslash
+249 F9 uring ugrave ugrave
+250 FA uacute uacute uacute
+251 FB uhungarumlaut ucircumflex ucircumflex
+252 FC udieresis udieresis udieresis
+253 FD yacute yacute yacute
+254 FE tcedilla thorn thorn
+255 FF dotaccent ydieresis ydieresis
+% =======================================================
+
diff --git a/Master/texmf-dist/doc/fonts/antp/testot4.tex b/Master/texmf-dist/doc/fonts/antp/testot4.tex
new file mode 100644
index 00000000000..e0c23ac6526
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/antp/testot4.tex
@@ -0,0 +1,64 @@
+%& --translate-file=il2-pl
+%% plik ten prezentuje użycie fontów Antykwa Półtawskiego
+%% w LaTeX2e, w standardowym kodowaniu OT4, włączanym domyślnie przez
+%% pakiet polski.sty
+%% (Marcin Woliński, maj 2000)
+
+\documentclass{article}
+\usepackage{antpolt}
+\usepackage{polski}
+
+\begin{document}
+\parindent0pt
+\fontsize{12dd}{16dd}\selectfont
+\prefixing
+
+P/ojd/x ki/n/ze t/e chmurno/s/c w~g/l/ab flaszy.
+
+P/OJD/X KI/N/ZE T/E CHMURNO/S/C W~G/L/AB FLASZY.
+
+[(<<@>>,,0123456789''\&\#//=+*)] -- --- ,.;:!?<> fifka fi ff ffi fk
+
+\bigskip
+{\itshape
+P/ojd/x ki/n/ze t/e chmurno/s/c w~g/l/ab flaszy.
+
+P/OJD/X KI/N/ZE T/E CHMURNO/S/C W~G/L/AB FLASZY.
+
+[(<<@>>,,0123456789''\&\#//=+*)] -- --- ,.;:!?<> fifka fi ff ffi fk
+
+}
+\bigskip
+
+{\bfseries
+P/ojd/x ki/n/ze t/e chmurno/s/c w~g/l/ab flaszy.
+
+P/OJD/X KI/N/ZE T/E CHMURNO/S/C W~G/L/AB FLASZY.
+
+[(<<@>>,,0123456789''\&\#//=+*)] -- --- ,.;:!?<> fifka fi ff ffi fk
+
+\bigskip
+\itshape
+P/ojd/x ki/n/ze t/e chmurno/s/c w~g/l/ab flaszy.
+
+P/OJD/X KI/N/ZE T/E CHMURNO/S/C W~G/L/AB FLASZY.
+
+[(<<@>>,,0123456789''\&\#//=+*)] -- --- ,.;:!?<> fifka fi ff ffi fk
+
+}
+\bigskip
+
+\nonprefixing
+{\bf Pójdź} {\it kińże} {\bf tę \em chmurność} \textbf{w~\emph{głąb
+ \emph{flaszy}}}.
+
+Pójdź kińże tę chmurność w~głąb flaszy.
+
+PÓJDŹ KIŃŻE TĘ CHMURNOŚĆ W~GŁĄB FLASZY.
+
+\textit{Pójdź kińże tę chmurność w~głąb flaszy.}
+
+\textit{PÓJDŹ KIŃŻE TĘ CHMURNOŚĆ W~GŁĄB FLASZY.}
+
+\end{document}
+
diff --git a/Master/texmf-dist/doc/fonts/antp/testqx.tex b/Master/texmf-dist/doc/fonts/antp/testqx.tex
new file mode 100644
index 00000000000..f76ee027305
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/antp/testqx.tex
@@ -0,0 +1,251 @@
+%& --translate-file=il2-pl
+%% plik ten prezentuje użycie fontów Antykwa Półtawskiego
+%% w LaTeX2e. Dzięki makrom zdefiniowanym w pliku qxenc.def
+%% (z pakietu ftp://ftp.gust.org.pl/language/polish/platex-1.2.1.zip)
+%% mamy dostęp do wielu symboli -- patrz dalej przykłady w tym pliku.
+%% (Marcin Woliński, kwiecień 2001)
+%% Uwaga: u/zycie kodowania QX wymaga zainstalowania font/ow Quasi Times
+
+\documentclass{article}
+\usepackage{antpolt}
+\usepackage[QX]{fontenc}
+\usepackage{polski}
+
+\begin{document}
+\parindent0pt
+\fontsize{12dd}{16dd}\selectfont
+\prefixing
+
+P/ojd/x ki/n/ze t/e chmurno/s/c w~g/l/ab flaszy.
+
+P/OJD/X KI/N/ZE T/E CHMURNO/S/C W~G/L/AB FLASZY.
+
+[(<<@>>,,0123456789''\&\#//=+*)] -- --- ,.;:!?<> fifka fi ff ffi fk
+
+\bigskip
+{\itshape
+P/ojd/x ki/n/ze t/e chmurno/s/c w~g/l/ab flaszy.
+
+P/OJD/X KI/N/ZE T/E CHMURNO/S/C W~G/L/AB FLASZY.
+
+[(<<@>>,,0123456789''\&\#//=+*)] -- --- ,.;:!?<> fifka fi ff ffi fk
+
+}
+\bigskip
+
+{\bfseries
+P/ojd/x ki/n/ze t/e chmurno/s/c w~g/l/ab flaszy.
+
+P/OJD/X KI/N/ZE T/E CHMURNO/S/C W~G/L/AB FLASZY.
+
+[(<<@>>,,0123456789''\&\#//=+*)] -- --- ,.;:!?<> fifka fi ff ffi fk
+
+\bigskip
+\itshape
+P/ojd/x ki/n/ze t/e chmurno/s/c w~g/l/ab flaszy.
+
+P/OJD/X KI/N/ZE T/E CHMURNO/S/C W~G/L/AB FLASZY.
+
+[(<<@>>,,0123456789''\&\#//=+*)] -- --- ,.;:!?<> fifka fi ff ffi fk
+
+}
+\bigskip
+
+\nonprefixing
+{\bf Pójdź} {\it kińże} {\bf tę \em chmurność} \textbf{w~\emph{głąb
+ \emph{flaszy}}}.
+
+Pójdź kińże tę chmurność w~głąb flaszy.
+
+PÓJDŹ KIŃŻE TĘ CHMURNOŚĆ W~GŁĄB FLASZY.
+
+\textit{Pójdź kińże tę chmurność w~głąb flaszy.}
+
+\textit{PÓJDŹ KIŃŻE TĘ CHMURNOŚĆ W~GŁĄB FLASZY.}
+
+%%== Symbole zaprocentowane poniżej są niedostępne w Antykwie Półtawskiego
+%%== ponieważ zestaw znaków stanowi tylko podzbiór zestawu znaków QX
+
+%\textDelta
+%\textbeta
+%\textdelta
+%\textpi
+%\textPi
+%\textSigma
+%\textmu
+%\textOmega
+
+\i\
+\. i
+\j\
+\` x
+\' x
+\v x
+\u x
+\= x
+% \macron x
+\b x
+\r x
+\c x
+\^ x
+\. x
+\H x
+\~ x
+\" x
+\k x
+\d x
+
+\ss\
+\ae\
+\oe\
+\o\
+\AE\
+\OE\
+\O\
+\k A
+\' C
+\k E
+\k I
+\L\
+\' N
+\' S
+\v S
+\c S
+\c T
+\k U
+\" Y
+\' Z
+\v Z
+\. Z
+\k a
+\' c
+\k e
+\k i
+\l\
+\' n
+\' s
+\v s
+\c s
+\c t
+\k u
+\" y
+\' z
+\v z
+\. z
+\` A
+\' A
+\^ A
+\~ A
+\" A
+\AA\
+\c C
+\` E
+\' E
+\^ E
+\" E
+\` I
+\' I
+\^ I
+\" I
+\DH\
+\DJ\
+\~ N
+\` O
+\' O
+\^ O
+\~ O
+\" O
+\` U
+\' U
+\^ U
+\" U
+\' Y
+\TH\
+\` a
+\' a
+\^ a
+\~ a
+\" a
+\aa\
+\r a
+\c c
+\` e
+\' e
+\^ e
+\" e
+\` i
+\' i
+\^ i
+\" i
+\dh\
+\dj\
+\~ n
+\` o
+\' o
+\^ o
+\~ o
+\" o
+\` u
+\' u
+\^ u
+\" u
+\' y
+\th\
+
+\textellipsis
+\textquotedblright\
+\textdollar\
+\textquoteright\
+\textexclamdown\
+\textquestiondown\
+\textquotedblleft\
+\textquoteleft\
+\textendash\
+\textemdash\
+\textgreater\
+\textxgeq\
+%\textapprox\
+%\textapproxequal\
+\textless\
+\textxleq\
+\textasciitilde\
+\textasciicircum\
+%\textell\
+\dag\
+\textdagger\
+\ddag\
+\textdaggerdbl\
+\textdegree\
+\textbraceleft\
+\textbraceright\
+\textsection\
+\textregistered\
+\copyright\
+\textdiv\
+%\textdivide
+\textminus\
+\texttimes\
+%%\textmultiply\
+\textpm
+%%\textplusminus\
+%\textinfty\
+%%\textinfinity
+\guillemotleft\
+\guillemotright\
+\textparagraph\
+\textbullet\
+%\textcdot\
+\textperiodcentered\
+\textquotedbl\
+\textquotesingle\
+\textbackslash\
+\textcurrency\
+\textperthousand\
+\textbar\
+\textunderscore\
+\textanglearc\
+\textdiameter\
+\quotedblbase
+
+\end{document}
+
diff --git a/Master/texmf-dist/doc/fonts/archaic/README.PRW b/Master/texmf-dist/doc/fonts/archaic/README.PRW
new file mode 100644
index 00000000000..4f9558f727c
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/README.PRW
@@ -0,0 +1,53 @@
+README.PRW
+
+ Some, if not all, of the subdirectories in the archaic directory provide a
+series of METAFONT fonts and LaTeX packages for typesetting example texts
+with ancient alphabets and scripts. These are scripts that were in use
+from about 1600 BC until the first century or so AD.
+
+ Not all of the possible scripts are provided --- they number in
+the dozens --- but hopefully a representative sample of the more important
+are here. In this context `more important' means that they have been along
+the main line of development culminating in the Roman alphabet and Capital
+letters.
+
+ The series I have developed consists of the following scripts:
+
+Script Century Subdirectory
+------ ------- -------------
+Proto-Semitic 16 BC protosem
+Phoenician 10 BC phoenician
+Greek 6 BC greek6cbc
+Greek 4 BC greek4bc
+Etruscan 8 BC etruscan
+Futharc (Anglo-Saxon) 6 AD runic
+
+ Other scripts in the series are representative of earlier writings.
+These include:
+
+Script Century Subdirectory
+------ ------- -------------
+Hieroglyphics 30 BC hieroglf
+Linear B 15 BC linearb
+Ugaritic Cuneiform 13 BC ugarite
+Cypriot 9 BC cypriot
+Old Persian 5 BC oldprsn
+
+ The small OandS font, in subdirectory oands, contains a few odd
+characters for use in translitering some of the above scripts.
+
+ I may, or may not, as the case will be, perhaps add to the collection.
+
+ The file asamples.ps is a Postscript file which displays samples of each of
+the script fonts that I have developed.
+
+ This distribution is released under the terms of the LaTeX Project
+Public License (LPPL).
+
+ Please note that anyone is welcome to make their own contributions to the
+archaic directory. It is not mine, although the CTAN maintainers were kind
+enough to create it at my request.
+
+Peter W.
+peter.r.wilson@boeing.com
+16 September 2000
diff --git a/Master/texmf-dist/doc/fonts/archaic/aramaic-README b/Master/texmf-dist/doc/fonts/archaic/aramaic-README
new file mode 100644
index 00000000000..174b617ae0b
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/aramaic-README
@@ -0,0 +1,86 @@
+ The aramaic bundle provides fonts for Aramaic script as it was used in
+the Middle East between about 1000--200 BC.
+ This is one of a series of fonts for archaic scripts.
+
+Changes in version 1.2 (2005/06/14)
+o Font supplied as Postscript Type 1 as well as METAFONT
+
+Changes in version 1.1 (2000/09/30)
+o Minor changes to glyph encodings
+
+Changes in version 1.0 (1999/03/14)
+o First public release
+
+------------------------------------------------------------------
+ Author: Peter Wilson (Herries Press) herries dot press at earthlink dot net
+ Copyright 1999--2005 Peter R. Wilson
+
+ This work may be distributed and/or modified under the
+ conditions of the Latex Project Public License, either
+ version 1.3 of this license or (at your option) any
+ later version.
+ The latest version of the license is in
+ http://www.latex-project.org/lppl.txt
+ and version 1.3 or later is part of all distributions of
+ LaTeX version 2003/06/01 or later.
+
+ This work has the LPPL maintenance status "author-maintained".
+
+ This work consists of the files:
+ README (this file)
+ aramaic.dtx
+ aramaic.ins
+ aramaic.pdf
+ and the derived files
+ aramaic.sty
+ ot1aram10.fd
+ t1aram10.fd
+ aramaic.map
+ aram10.mf
+
+------------------------------------------------------------------
+ The distribution consists of the following files:
+README (this file)
+aramaic.dtx
+aramaic.ins
+aramaic.pdf (user manual)
+tryaramaic.tex (example usage)
+tryaramaic.pdf
+aram10.afm
+aram10.pfb
+aram10.tfm
+
+ To install the bundle:
+o If you want MetaFont sources uncomment the appropriate lines in aramaic.ins.
+o run: latex aramaic.ins, which will generate:
+ aramaic.sty
+ *.fd files
+ aramaic.map
+ and possibly aram10.mf
+o Move *.sty and *.fd files to a location where LaTeX will find them
+ e.g., .../texmf-local/tex/latex/aramaic
+o Move *.afm, *.pfb and *.tfm files to where LaTeX looks for font information
+ e.g., .../texmf-var/fonts/afm/public/archaic/*.afm
+ .../texmf-var/fonts/type1/public/archaic/*.pfb
+ .../texmf-var/fonts/tfm/public/archaic/*.tfm
+o Add the *.map information to the dvips/pdftex font maps
+ If you want the MetaFont version as well:
+ o Move the *.mf files to, e.g., .../texmf-var/fonts/source/public/aramaic
+ o Add a line like the following to the (texmf/fontname/)special.map file:
+ aram10.mf public aramaic
+o Refresh the database
+ (for more information on the above see the FAQ).
+
+o run: (pdf)latex tryaramaic for a test of the font
+
+ If you want a full manual with all the MetaFont and LaTeX code and commentry,
+comment out the \OnlyDescription line in aramaic.dtx.
+o run: (pdf)latex aramaic.dtx
+o (for an index run: makeindex -s gind.ist *.idx)
+o run: (pdf)latex *.dtx
+o Print *.(pdf|dvi) for a hardcopy of the package manual
+
+2005/06/14
+Peter Wilson
+herries dot press at earthlink dot net
+
diff --git a/Master/texmf-dist/doc/fonts/archaic/aramaic.pdf b/Master/texmf-dist/doc/fonts/archaic/aramaic.pdf
new file mode 100644
index 00000000000..a6f95f30cab
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/aramaic.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/archaic/asamples.ps b/Master/texmf-dist/doc/fonts/archaic/asamples.ps
new file mode 100644
index 00000000000..ab851d1fd32
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/asamples.ps
@@ -0,0 +1,4746 @@
+%!PS-Adobe-2.0
+%%Creator: dvips(k) 5.86 Copyright 1999 Radical Eye Software
+%%Title: asamples.dvi
+%%Pages: 7
+%%PageOrder: Ascend
+%%BoundingBox: 0 0 612 792
+%%DocumentFonts: CMR17 CMR12 CMTT12 CMBX12 CMBX10 CMR10 CMTT10 CMCSC10
+%%+ CMTI10 LCIRCLEW10
+%%EndComments
+%DVIPSWebPage: (www.radicaleye.com)
+%DVIPSCommandLine: dvips -o asamples.ps asamples
+%DVIPSParameters: dpi=600, compressed
+%DVIPSSource: TeX output 2000.09.22:0857
+%%BeginProcSet: texc.pro
+%!
+/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S
+N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72
+mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0
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+mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[
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+}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{
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+%%EndProcSet
+%%BeginProcSet: texps.pro
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+%%EndProcSet
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+%!PS-AdobeFont-1.1: LCIRCLEW10 1.00
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+
+11 dict begin
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+/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def
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+/FamilyName (LaTeX) readonly def
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+/isFixedPitch false def
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+/FontMatrix [0.001 0 0 0.001 0 0] readonly def
+/Encoding 256 array
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+dup 12 /a12 put
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+dup 14 /a14 put
+dup 15 /a15 put
+readonly def
+/FontBBox{-2000 -2000 2080 2080}readonly def
+/UniqueXX 5011943 def
+currentdict end
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+%%EndFont
+%%BeginFont: CMTI10
+%!PS-AdobeFont-1.1: CMTI10 1.00B
+%%CreationDate: 1992 Feb 19 19:56:16
+
+% Copyright (C) 1997 American Mathematical Society. All Rights Reserved.
+
+11 dict begin
+/FontInfo 7 dict dup begin
+/version (1.00B) readonly def
+/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def
+/FullName (CMTI10) readonly def
+/FamilyName (Computer Modern) readonly def
+/Weight (Medium) readonly def
+/ItalicAngle -14.04 def
+/isFixedPitch false def
+end readonly def
+/FontName /CMTI10 def
+/PaintType 0 def
+/FontType 1 def
+/FontMatrix [0.001 0 0 0.001 0 0] readonly def
+/Encoding 256 array
+0 1 255 {1 index exch /.notdef put} for
+dup 16 /dotlessi put
+dup 18 /grave put
+dup 19 /acute put
+dup 20 /caron put
+dup 21 /breve put
+dup 22 /macron put
+dup 24 /cedilla put
+dup 45 /hyphen put
+dup 46 /period put
+dup 58 /colon put
+dup 65 /A put
+dup 66 /B put
+dup 67 /C put
+dup 76 /L put
+dup 95 /dotaccent put
+dup 96 /quoteleft put
+dup 97 /a put
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+dup 100 /d put
+dup 101 /e put
+dup 102 /f put
+dup 103 /g put
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+dup 111 /o put
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+dup 113 /q put
+dup 114 /r put
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+dup 116 /t put
+dup 117 /u put
+dup 118 /v put
+dup 119 /w put
+dup 120 /x put
+dup 121 /y put
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+readonly def
+/FontBBox{-163 -250 1146 969}readonly def
+/UniqueXX 5000828 def
+currentdict end
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+% Copyright (C) 1997 American Mathematical Society. All Rights Reserved.
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+%%CreationDate: 1992 Apr 26 10:42:42
+
+% Copyright (C) 1997 American Mathematical Society. All Rights Reserved.
+
+11 dict begin
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+%%CreationDate: 1992 Feb 19 19:54:52
+
+% Copyright (C) 1997 American Mathematical Society. All Rights Reserved.
+
+11 dict begin
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+/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def
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+%%EndFont
+%%BeginFont: CMBX10
+%!PS-AdobeFont-1.1: CMBX10 1.00B
+%%CreationDate: 1992 Feb 19 19:54:06
+
+% Copyright (C) 1997 American Mathematical Society. All Rights Reserved.
+
+11 dict begin
+/FontInfo 7 dict dup begin
+/version (1.00B) readonly def
+/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def
+/FullName (CMBX10) readonly def
+/FamilyName (Computer Modern) readonly def
+/Weight (Bold) readonly def
+/ItalicAngle 0 def
+/isFixedPitch false def
+end readonly def
+/FontName /CMBX10 def
+/PaintType 0 def
+/FontType 1 def
+/FontMatrix [0.001 0 0 0.001 0 0] readonly def
+/Encoding 256 array
+0 1 255 {1 index exch /.notdef put} for
+dup 45 /hyphen put
+dup 48 /zero put
+dup 49 /one put
+dup 50 /two put
+dup 51 /three put
+dup 52 /four put
+dup 53 /five put
+dup 54 /six put
+dup 55 /seven put
+dup 56 /eight put
+dup 57 /nine put
+dup 66 /B put
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+dup 108 /l put
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+dup 110 /n put
+dup 111 /o put
+dup 112 /p put
+dup 114 /r put
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+dup 116 /t put
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+dup 121 /y put
+readonly def
+/FontBBox{-301 -250 1164 946}readonly def
+/UniqueXX 5000768 def
+currentdict end
+currentfile eexec
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+%%CreationDate: 1991 Aug 20 16:34:54
+
+% Copyright (C) 1997 American Mathematical Society. All Rights Reserved.
+
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+/version (1.0) readonly def
+/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def
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+% Copyright (C) 1997 American Mathematical Society. All Rights Reserved.
+
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+%%EndFont
+%%BeginFont: CMR12
+%!PS-AdobeFont-1.1: CMR12 1.0
+%%CreationDate: 1991 Aug 20 16:38:05
+
+% Copyright (C) 1997 American Mathematical Society. All Rights Reserved.
+
+11 dict begin
+/FontInfo 7 dict dup begin
+/version (1.0) readonly def
+/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def
+/FullName (CMR12) readonly def
+/FamilyName (Computer Modern) readonly def
+/Weight (Medium) readonly def
+/ItalicAngle 0 def
+/isFixedPitch false def
+end readonly def
+/FontName /CMR12 def
+/PaintType 0 def
+/FontType 1 def
+/FontMatrix [0.001 0 0 0.001 0 0] readonly def
+/Encoding 256 array
+0 1 255 {1 index exch /.notdef put} for
+dup 48 /zero put
+dup 50 /two put
+dup 51 /three put
+dup 80 /P put
+dup 83 /S put
+dup 87 /W put
+dup 98 /b put
+dup 101 /e put
+dup 105 /i put
+dup 108 /l put
+dup 109 /m put
+dup 110 /n put
+dup 111 /o put
+dup 112 /p put
+dup 114 /r put
+dup 115 /s put
+dup 116 /t put
+readonly def
+/FontBBox{-34 -251 988 750}readonly def
+/UniqueXX 5000794 def
+currentdict end
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+
+%%EndFont
+%%BeginFont: CMR17
+%!PS-AdobeFont-1.1: CMR17 1.0
+%%CreationDate: 1991 Aug 20 16:38:24
+
+% Copyright (C) 1997 American Mathematical Society. All Rights Reserved.
+
+11 dict begin
+/FontInfo 7 dict dup begin
+/version (1.0) readonly def
+/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def
+/FullName (CMR17) readonly def
+/FamilyName (Computer Modern) readonly def
+/Weight (Medium) readonly def
+/ItalicAngle 0 def
+/isFixedPitch false def
+end readonly def
+/FontName /CMR17 def
+/PaintType 0 def
+/FontType 1 def
+/FontMatrix [0.001 0 0 0.001 0 0] readonly def
+/Encoding 256 array
+0 1 255 {1 index exch /.notdef put} for
+dup 65 /A put
+dup 70 /F put
+dup 83 /S put
+dup 97 /a put
+dup 99 /c put
+dup 101 /e put
+dup 104 /h put
+dup 105 /i put
+dup 108 /l put
+dup 109 /m put
+dup 110 /n put
+dup 111 /o put
+dup 112 /p put
+dup 114 /r put
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+readonly def
+/FontBBox{-33 -250 945 749}readonly def
+/UniqueXX 5000795 def
+currentdict end
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+%%Trailer
+end
+userdict /end-hook known{end-hook}if
+%%EOF
diff --git a/Master/texmf-dist/doc/fonts/archaic/asamples.tex b/Master/texmf-dist/doc/fonts/archaic/asamples.tex
new file mode 100644
index 00000000000..89c9d9a6dce
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/asamples.tex
@@ -0,0 +1,382 @@
+% bsample.tex Samples of archaic fonts
+\documentclass{article}
+\usepackage{protosem}
+\usepackage{phoenician}
+\usepackage{greek6cbc}
+\usepackage{greek4cbc}
+\usepackage{etruscan}
+\usepackage{runic}
+\usepackage{linearb}
+\usepackage{cypriot}
+\usepackage{hieroglf}
+\usepackage{ugarite}
+\usepackage{oldprsn}
+\usepackage{oands}
+
+%\newcommand{\ABC}{ABCDEFGHIJKL MNOPQRSTUVWXYZ}
+\newcommand{\abc}{abcdefghijklmnopqrstuvwxyz}
+
+\newcommand{\BC}{\textsc{bc}}
+\newcommand{\AD}{\textsc{ad}}
+
+\title{Archaic Font Sampler}
+\author{Peter Wilson\\ \texttt{peter.r.wilson@boeing.com}}
+\date{23 September 2000}
+\begin{document}
+\maketitle
+\tableofcontents
+
+\clearpage
+\section{Introduction}
+
+ This document provides some samples of archaic fonts. They are
+available from CTAN in the \texttt{fonts/archaic} directory. The fonts
+form a set that display how the Latin alphabet and script evolved from the
+initial Proto-Semitic script until Roman times.
+
+ The fonts consist of letters only --- punctuation had not been invented
+during this period, neither, effectively, had numerals. The fonts are all
+single-cased. Upper- and lower-case letters were again only invented after
+the end of this period.
+
+ Other fonts are also available for some scripts that were not on the
+main alphabetic tree. The period covered by the scripts is from about
+3000~\BC{} to the Middle Ages.
+
+ For some of the scripts transliterations into the Latin alphabet can
+be automatically generated by the accompanying LaTeX packages.
+
+\clearpage
+
+
+\section{Proto-Semitic}
+
+ Around 1600~\BC{} there were alphabetic scripts in use in the Middle East
+that are variously called Proto-Siniatic, Proto-Canaanite, etc. I
+have lumped these together into a Proto-Semitic font. Several
+of the signs in this alphabet are obviously derived from Egyptian
+Hieroglyphs, and it may have been a precursor to the Phoenician script.
+
+ The alphabet consisted of 23 letters, some of which had alternate
+forms. Writing was generally from left to right, but could be vertical
+or in other directions.
+
+ The font and package are in the \texttt{protosem} subdirectory.
+
+\begin{center}
+\protofamily
+abgdzewhiyklmnopuvqrsxt
+\end{center}
+
+
+\section{Phoenician}
+
+ The Phoenician alphabetic script dates from about 1000~\BC.
+The Phoenecians wrote right to left. The script is provided in both a
+left to right and a right to left form. The alphabet consisted of
+22 letters. The font provided actually includes a 23rd letter as
+the \textit{vau} character had two forms: \textphnc{V} and \textphnc{F}.
+
+ The font and package are in the \texttt{phoenician} subdirectory.
+
+\begin{center}
+\phncfamily
+ABGDEFVZH\TTheta IKLMN\TXi OP\Tsade QRST \\
+tsrq\tsade po\tXi nmlki\tTheta hzvfedgba
+\end{center}
+
+\section{Greek}
+
+ The Greeks used the Phoenician script and alphabet as a basis for their
+own writing. In the earliest times the Greeks used to alternate the writing
+direction for successive lines, but later settled down to writing left to
+right. Two forms of the Greek script are provided.
+
+The earlier one is representative of about the sixth century~\BC, when the
+Greek alphabet consisted of 26 letters.
+ The font and package are in the \texttt{greek6cbc} subdirectory.
+
+\begin{center}
+\gvibcfamily
+ABGDEFZH\TTheta IKLMN\TXi OPQRSTUX\TPhi\TPsi\TOmega
+\end{center}
+
+ The later script is representative of the fourth century~\BC, when the
+alphabet had been reduced to the 24 letters in use today.
+ The font and package are in the \texttt{greek4cbc} subdirectory.
+
+\begin{center}
+\givbcfamily
+ABGDEZH\TTheta IKLMN\TXi OPRSTUX\TPhi\TPsi\TOmega
+%%abgdezh\tTheta iklmn\tXi oprstux\tPhi\tPsi\tOmega
+\end{center}
+
+\section{Etruscan}
+
+ The Etruscans, who were the precursors of the Romans in Italy, based their
+alphabet and script on the Phoenician and Greek models. Like the Phoenicians,
+they wrote right to left. In their turn, the Romans based their alphabet on
+the Etruscan one, but they wrote left to right and provided the forms of
+our capital letters.
+
+ The script is provided in both a left to right and a right to left form
+and is representative of about the eighth century~\BC.
+ The font and package are in the \texttt{etruscan} subdirectory.
+
+\begin{center}
+\etrfamily
+ABGDEFZH\TTheta IKLMN\TXi OP\Tsade QRSTUX\TPhi\TPsi 8\\
+8\tPsi\tPhi xutsrq\tsade po\tXi nmlki\tTheta hzfedgba
+\end{center}
+
+
+\section{Runic}
+
+ The \textit{futharc} alphabetic script
+(named, like ours, after the first few letters)
+was a script used in Northern Europe until after the Middle Ages, when it
+died out after printing was invented. It has glyphs that are reminiscent of
+some of those in the other scripts shown here, but some are wildly different.
+I have included it because it has the \textit{wen} character, \textfut{W},
+which is the first appearance of a character for the `W' sound. Also, it
+has the \textit{ger} character, \textfut{J}, which corresponds to the modern
+`J' sound --- `J' did not appear in the Latin alphabet until about the mid
+1500's.
+
+ The Anglo-Saxon version of the font and package are in the \texttt{runic}
+subdirectory.
+
+\begin{center}
+\futfamily
+FU\Fthorn ARKGWHNIJYPXSTBEML\Fng DO
+\end{center}
+
+\section{Hieroglyphics}
+
+ Hieroglyphics were used by the Egyptians from about 3000~\BC{} to
+400~\AD. The script is partly a consonantal alphabet, a syllabary,
+and logograms. There are approximately 6000 known different
+hieroglyphs, but less than 1000 were in use at any one time.
+
+ The hieroglf package provides about 60 hieroglyphs, enough to
+write a few names, like Cleopatra or Ptolemy. Serge Rosmorduc's
+hieroglyphic package is for serious Egyptologists and provides about
+600 hieroglyphs.
+
+ The hieroglf package, which is in the \texttt{hieroglf} subdirectory and
+which requires the oands package, includes the following hieroglyphs:
+
+\begin{center}
+\renewcommand{\baselinestretch}{1.2}
+\pmhgfamily
+a b c d e f g h i j k l m n o p q r s t u v w x y z
+A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
++ ? / | \Hms\ Hibp\ \Hibw\ \Hibs\ \Hibl\ \Hsv
+\end{center}
+
+ The package can also be used for hieroglyphs within either
+horizontal or vertical cartouches. The three below are the
+names Cleopatra, Caesar and Alexander.
+
+\begin{center}
+\renewcommand{\baselinestretch}{1.2}
+\Cartouche{\pmglyph{K:l-i-o-p-a-d:r-a}}
+\Vertouche{\pmvglyph{k:y:S:l:S}}
+\Cartouche{\pmglyph{a-l:k-s-i-n:d-r:S}}
+\end{center}
+
+\section{Linear B}
+
+ The \textit{Linear B} script was a syllabary that was used during the
+approximate period between 1600 and 1200~\BC{} for writing the Mycenaean Greek
+dialect. Most examples of the script come from Crete, and in particular from
+Knossos. The script was deciphered in 1953 by Michael Ventris with assistance
+from John Chadwick.
+
+ The script consists of some 60 basic signs, 16 optional signs, and about
+11 signs that have yet to be deciphered. The script also had signs for numbers
+(1--1000), and signs for various kinds of weights and measures. There were
+also sets of signs for different kinds of trade goods, such as pots or wool.
+Although Linear B was used for writing Greek, there is no other relationship
+between this ancient script and the Greek alphabet.
+
+ The Metafont script includes only the basic, optional, unidentified,
+and number signs. The font and package are in the \texttt{linearb}
+subdirectory. The basic signs are illustrated below.
+
+\begin{center}
+\renewcommand{\baselinestretch}{1.2}
+\linbfamily
+a e i o u
+d D f g x
+j J b L
+k K c h v
+m M y A B
+n N C E F
+p P G H I
+q Q X 8
+r R O U V
+s S Y 1 2
+t T 3 4 5
+w W 6 7
+z Z 9
+
+\end{center}
+
+
+\section{Cypriot}
+
+ The \textit{Cypriot} script was a syllabary used in Cyprus during the
+approximate period between 1000 and 200~\BC{} for writing Greek. It has a
+relationship to Linear~B as it includes some of the same signs. Towards
+the end of its life few people could read the script, so inscriptions
+were written using both the syllabary and the Greek alphabetic characters.
+These bilinguals made it relatively easy to decipher the script, a task that
+was essentially completed by the last quarter of the nineteenth century.
+
+ Like Linear B, the Cypriot script has no relationship with the Greek
+alphabet apart from the fact that both can be used for writing the same
+language.
+
+ The script consisted of 55 signs. The Metafont source and package is
+in the \texttt{cypriot} subdirectory.
+
+\begin{center}
+\renewcommand{\baselinestretch}{1.2}
+\cyprfamily
+a e i o u
+g
+j b
+k K c h v
+l L d f q
+m M y A B
+n N C E F
+p P G H I
+r R O U V
+s S Y 1 2
+t T 3 4 5
+w W 6 7
+x X z
+9
+
+\end{center}
+
+\section{Ugaritic Cuneiform}
+
+ The first cuneiform scripts appeared around 2800~\BC{} and the last
+recorded use of cuneiform was in 75~\AD.
+
+ The Ugaritic cuneiform script dates from about 1300~\BC{} and
+was alphabetical. The script consisted of 30 letters and a ideographic word
+divider (a short vertical wedge). The Metafont source and package
+is in the \texttt{ugarite} subdirectory.
+
+\begin{center}
+\cugarfamily
+\Ua\ \Ub\ \Ug\ \Uhu\ \Ud\
+\Uh\ \Uw\ \Uz\ \Uhd\ \Utd\
+\Uy\ \Uk\ \Usa\ \Ul\ \Um\
+\Udb\ \Un\ \Uzd\ \Us\ \Ulq\
+\Up\ \Usd\ \Uq\ \Ur\ \Utb\
+\Ugd\ \Ut\ \Ui\ \Uu\ \Usg\
+\Uwd
+\end{center}
+
+ Modern Western transliterations of these glyphs are:
+\begin{center}
+\translitcugar{%
+\Ua\ \Ub\ \Ug\ \Uhu\ \Ud\
+\Uh\ \Uw\ \Uz\ \Uhd\ \Utd\
+\Uy\ \Uk\ \Usa\ \Ul\ \Um\
+\Udb\ \Un\ \Uzd\ \Us\ \Ulq\
+\Up\ \Usd\ \Uq\ \Ur\ \Utb\
+\Ugd\ \Ut\ \Ui\ \Uu\ \Usg\
+\Uwd}
+\end{center}
+
+\section{Old Persian}
+
+ It is believed that the Old Persian cuneiform script was invented on
+the order of the Persian king Darius~I for use on royal monuments.
+The script was only in use between about 500 and 350~\BC.
+
+ Old Persian was a syllabary with 36 glyphs. There were also 5 ideographs,
+some with multiple forms,
+for the words \textit{king}, \textit{country}, \textit{earth}, \textit{god}
+and \textit{Ahuramazda} (the Persian god), together with a word divider.
+Numerals were also represented.
+The Metafont source and package is in the \texttt{ugarite} subdirectory, but
+the numerals are not provided.
+
+\begin{center}
+\copsnfamily
+\Oa\ \Oi\ \Ou\ \Oka\ \Oku\
+\Oxa\ \Oga\ \Ogu\ \Oca\ \Oja\
+\Oji\ \Ota\ \Otu\ \Otha\ \Occa\
+\Oda\ \Odi\ \Odu\ \Ona\ \Onu\
+\Opa\ \Ofa\ \Oba\ \Oma\ \Omi\
+\Omu\ \Oya\ \Ora\ \Oru\ \Ola\
+\Ova\ \Ovi\ \Osa\ \Osva\ \Oza\
+\Oha\
+\Oking\ \Ocountrya\ \Ocountryb\ \Oearth\ \Ogod\
+\OAura\ \OAurb\ \OAurc\
+\Owd
+\end{center}
+
+
+\clearpage
+\section{Transliteration}
+
+ There are generally accepted transliterations of ancient scripts
+into modern alphabetic characters, often with diacritics. The
+OandS font, in subdirectory \texttt{oands}, provides a few odd
+characters needed for these.
+
+ At present, the font consists of only two characters: \textoands{` z}.
+
+ For example, the following hieroglyphs:
+\begin{center}
+\renewcommand{\baselinestretch}{1.2}
+\pmglyph{\HU\Hw\HL\HJ\Hf-\Hq:\Hvbar-\HR:{\Hr:\Hr}-\Hy-\Ht:\HN-\Hf-\Hn:\Ht-\Hc\Hm\Hv-\HG:\Hvbar-\Hf\HZ\Hw\HV}
+\end{center}
+are transliterated as:
+\begin{center}
+\translitpmhg{\HU\ \HJ.\Hf\ \Hq\ \HR\Hr\Hy\Ht.\Hf\ \Hn\Ht\ \Hc\ \HG.\Hf\ \HZ}
+\end{center}
+and can be translated as:
+\begin{center}
+His Majesty departed upon his chariot of electrum, his heart joyful.
+\end{center}
+
+\newcommand{\xerxes}{%
+ \Oxa\Osva\Oya\Oa\Ora\Osva\Oa\Owd\-% 1
+ \Oxa\Osva\Oa\Oya\Otha\Oi\Oya\Owd\-% 2
+ \Ova\Oza\Ora\Oka\Owd\-% 3
+ \Oxa\Osva\Oa\Oya\Otha\Oi\Oya\Owd\-% 4
+ \Oxa\Osva\Oa\Oya\Otha\Oi\Oya\Oa\Ona\Oa\Oma\Owd\-% 5
+ \Oda\Oa\Ora\Oya\Ova\Oha\Ou\Osva\Owd\-% 6
+ \Oxa\Osva\Oa\Oya\Otha\Oi\Oya\Oha\Oya\Oa\Owd\-% 7
+ \Opa\Ou\Occa\Owd\-% 8
+ \Oha\Oxa\Oa\Oma\Ona\Oi\Osva\Oi\Oya\Owd}
+
+
+ Xerxes had this inscription carved above the doorways of his palace
+at Persepolis:
+\begin{center}
+\textcopsn{\xerxes}
+\end{center}
+which transliterates as:
+\begin{center}
+\translitcopsn{\xerxes}
+\end{center}
+and which, when translated, means:
+\begin{center}
+Xerxes, the great king, the king of kings, the son of Darius the king,
+an Achaemenian.
+\end{center}
+
+
+
+
+\end{document}
+
diff --git a/Master/texmf-dist/doc/fonts/archaic/cypriot-README b/Master/texmf-dist/doc/fonts/archaic/cypriot-README
new file mode 100644
index 00000000000..15ade5ac372
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/cypriot-README
@@ -0,0 +1,84 @@
+ The cypriot bundle provides packages and fonts for a syllabic
+script which was used on Cyprus for writing Greek. The script was
+in use between approximately the tenth and third centuries BC.
+The bundle is one of a series for archaic fonts.
+
+Changes in version 1.1 (2005/06/13)
+o Font supplied as Postscript Type1 as well as MetaFont
+
+Changes in version 1.0 (1999/03/14)
+o First public release
+
+------------------------------------------------------------------
+ Author: Peter Wilson (Herries Press) herries dot press at earthlink dot net
+ Copyright 1999--2005 Peter R. Wilson
+
+ This work may be distributed and/or modified under the
+ conditions of the Latex Project Public License, either
+ version 1.3 of this license or (at your option) any
+ later version.
+ The latest version of the license is in
+ http://www.latex-project.org/lppl.txt
+ and version 1.3 or later is part of all distributions of
+ LaTeX version 2003/06/01 or later.
+
+ This work has the LPPL maintenance status "author-maintained".
+
+ This work consists of the files:
+ README (this file)
+ cypriot.dtx
+ cypriot.ins
+ cypriot.pdf
+ and the derived files
+ cypriot.sty
+ ot1cypr10.fd
+ t1cypr10.fd
+ cypriot.map
+ cypr10.mf
+
+------------------------------------------------------------------
+ The distribution consists of the following files:
+README (this file)
+cypriot.dtx
+cypriot.ins
+cypriot.pdf (user manual)
+trycypriot.tex (example usage)
+trycypriot.pdf
+cypr10.afm
+cypr10.pfb
+cypr10.tfm
+
+ To install the bundlee:
+o If you want MetaFont sources uncomment the appropriate lines in cypriot.ins.
+o run: latex cypriot.ins, which will generate:
+ cypriot.sty
+ *.fd files
+ cypriot.map
+ and possibly cypr10.mf
+o Move *.sty and *.fd files to a location where LaTeX will find them
+ e.g., .../texmf-local/tex/latex/cypriot
+o Move *.afm, *.pfb and *.tfm files to where LaTeX looks for font information
+ e.g., .../texmf-var/fonts/afm/public/archaic/*.afm
+ .../texmf-var/fonts/type1/public/archaic/*.pfb
+ .../texmf-var/fonts/tfm/public/archaic/*.tfm
+o Add the *.map information to the dvips/pdftex font maps
+ If you want the MetaFont version as well:
+ o Move the *.mf files to, e.g., .../texmf-var/fonts/source/public/cypriot
+ o Add a line like the following to the (texmf/fontname/)special.map file:
+ cypr10.mf public cypriot
+o Refresh the database
+ (for more information on the above see the FAQ).
+
+o run: (pdf)latex trycypriot for a test of the font
+
+ If you want a full manual with all the MetaFont and LaTeX code and commentry,
+comment out the \OnlyDescription line in cypriot.dtx.
+o run: (pdf)latex cypriot.dtx
+o (for an index run: makeindex -s gind.ist *.idx)
+o run: (pdf)latex *.dtx
+o Print *.(pdf|dvi) for a hardcopy of the package manual
+
+2005/06/13
+Peter Wilson
+herries dot press at earthlink dot net
+
diff --git a/Master/texmf-dist/doc/fonts/archaic/cypriot.pdf b/Master/texmf-dist/doc/fonts/archaic/cypriot.pdf
new file mode 100644
index 00000000000..b38659b3597
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/cypriot.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/archaic/etruscan-README b/Master/texmf-dist/doc/fonts/archaic/etruscan-README
new file mode 100644
index 00000000000..e8e57bc6154
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/etruscan-README
@@ -0,0 +1,88 @@
+ The etruscan bundle provides fonts for the Etruscan script which was
+in use between approximately 1000 BC to 100 AD. The font comes in mirrored
+forms suitable for writing either left-to-right or right-to-left (as the
+Etruscans did). The bundle is one of a series for archaic scripts.
+
+Changes in version 2.1 (2005/04/11)
+o Font supplied as Postscript Type1
+o One additional glyph and some corrections
+
+Changes in version 2.0 (2000/10/01)
+o Major rewrite
+
+Changes in version 1.0 (1999/03/14)
+o First public release
+
+------------------------------------------------------------------
+ Author: Peter Wilson (Herries Press) herries dot press at earthlink dot net
+ Copyright 1999--2005 Peter R. Wilson
+
+ This work may be distributed and/or modified under the
+ conditions of the Latex Project Public License, either
+ version 1.3 of this license or (at your option) any
+ later version.
+ The latest version of the license is in
+ http://www.latex-project.org/lppl.txt
+ and version 1.3 or later is part of all distributions of
+ LaTeX version 2003/06/01 or later.
+
+ This work has the LPPL maintenance status "author-maintained".
+
+ This work consists of the files:
+ README (this file)
+ etruscan.dtx
+ etruscan.ins
+ etruscan.pdf
+ and the derived files
+ etruscan.sty
+ ot1fut10.fd
+ t1fut10.fd
+ etruscan.map
+ etr10.mf
+
+------------------------------------------------------------------
+ The distribution consists of the following files:
+README (this file)
+etruscan.dtx
+etruscan.ins
+etruscan.pdf (user manual)
+tryetruscan.tex (example usage)
+tryetruscan.pdf
+etr10.afm
+etr10.pfb
+etr10.tfm
+
+ To install the package:
+o If you want MetaFont sources uncomment the appropraite lines in etruscan.ins
+o run: latex etruscan.ins, which will generate:
+ etruscan.sty
+ *.fd files
+ etruscan.map
+ and possibly etr10.mf
+o Move *.sty and *.fd files to a location where LaTeX will find them
+ e.g., .../texmf-local/tex/latex/etruscan
+o Move *.afm, *.pfb and *.tfm files to where LaTeX looks for font information
+ e.g., .../texmf-var/fonts/afm/public/archaic/*.afm
+ .../texmf-var/fonts/type1/public/archaic/*.pfb
+ .../texmf-var/fonts/tfm/public/archaic/*.tfm
+o Add the *.map information to the dvips/pdftex font maps
+ If you want the MetaFont version as well:
+ o Move the *.mf files to, e.g., ...texmf-var/fonts/source/public/etruscan
+ o Add a line like the following to the (texmf/fontname/)special.map file
+ etr10.mf public etruscan
+o Refresh the database
+ (for more information on the above see the FAQ).
+
+o run: (pdf)latex tryetruscan for a test of the font
+
+ If you want a full manual with all MetaFont and LaTeX code and commentary,
+comment out the \OnlyDescription line in etruscan.dtx.
+o run: (pdf)latex etruscan.dtx
+o (for an index run: makeindex -s gind.ist *.idx)
+o run: (pdf)latex *.dtx
+o Print *.(pdf|dvi) for a hardcopy of the package manual
+
+2005/04/11
+Peter Wilson
+herries dot press at earthlink dot net
+
diff --git a/Master/texmf-dist/doc/fonts/archaic/etruscan.pdf b/Master/texmf-dist/doc/fonts/archaic/etruscan.pdf
new file mode 100644
index 00000000000..bfb5efbc17f
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/etruscan.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/archaic/greek4cbc-README b/Master/texmf-dist/doc/fonts/archaic/greek4cbc-README
new file mode 100644
index 00000000000..c26734d612c
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/greek4cbc-README
@@ -0,0 +1,78 @@
+ The greek4cbc bundle provides a Greek font typical of those used in
+the 4th century BC. It is one of a series for archaic scripts.
+
+Changes in version 1.2 (2005/04/06)
+o Font supplied as Postscript Type1 instead of MetaFont
+
+Changes in version 1.1 (2000/10/22)
+o Practically everything changed
+
+Changes in version 1.0 (1999/03/14)
+o First public release
+
+------------------------------------------------------------------
+ Author: Peter Wilson (Herries Press) herries dot press at earthlink dot net
+ Copyright 1999--2005 Peter R. Wilson
+
+ This work may be distributed and/or modified under the
+ conditions of the Latex Project Public License, either
+ version 1.3 of this license or (at your option) any
+ later version.
+ The latest version of the license is in
+ http://www.latex-project.org/lppl.txt
+ and version 1.3 or later is part of all distributions of
+ LaTeX version 2003/06/01 or later.
+
+ This work has the LPPL maintenance status "author-maintained".
+
+ This work consists of the files:
+ README (this file)
+ greek4cbc.dtx
+ greek4cbc.ins
+ greek4cbc.pdf
+ and the derived files
+ greek4cbc.sty
+ ot1givbc10.fd
+ t1givbc10.fd
+ greek4cbc.map
+ and possibly givbc10.mf
+
+------------------------------------------------------------------
+ The distribution consists of the following files:
+README (this file)
+greek4cbc.dtx
+greek4cbc.ins
+greek4cbc.pdf (user manual)
+trygivbc.tex (example usage)
+trygivbc.pdf
+givbc10.afm
+givbc10.pfb
+givbc10.tfm
+
+ To install the package:
+o run: latex greek4cbc.ins, which will generate:
+ greek4cbc.sty
+ *.fd files
+ greek4cbc.map
+o Move *.sty and *.fd files to a location where LaTeX will find them
+ e.g., .../texmf-local/tex/latex/greek4cbc
+o Move *.afm, *.pfb and *.tfm files to where LaTeX looks for font information
+ e.g., .../texmf-var/fonts/afm/public/archaic/*.afm
+ .../texmf-var/fonts/type1/public/archaic/*.pfb
+ .../texmf-var/fonts/tfm/public/archaic/*.tfm
+o Add the *.map information to the dvips/pdftex font maps
+o Refresh the database
+ (for more information on the above see the FAQ).
+
+o run: (pdf)latex trygivbc for a test of the font
+
+ To generate a second copy of the manual (which is already supplied as a PDF file):
+o run: latex greek4cbc.dtx
+o (for an index run: makeindex -s gind.ist *.idx)
+o run: latex *.dtx
+o Print *.dvi for a hardcopy of the package manual
+
+2005/04/06
+Peter Wilson
+herries dot press at earthlink dot net
+
diff --git a/Master/texmf-dist/doc/fonts/archaic/greek4cbc-trygivbc.pdf b/Master/texmf-dist/doc/fonts/archaic/greek4cbc-trygivbc.pdf
new file mode 100644
index 00000000000..0b8cdb2104c
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/greek4cbc-trygivbc.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/archaic/greek4cbc-trygivbc.tex b/Master/texmf-dist/doc/fonts/archaic/greek4cbc-trygivbc.tex
new file mode 100644
index 00000000000..890bb05ac93
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/greek4cbc-trygivbc.tex
@@ -0,0 +1,130 @@
+% trygivbc.tex Test 4thC BC Greek font
+\documentclass{article}
+\usepackage{greek4cbc}
+
+\newcommand{\abc}{a b g d e z h T i k l m n x o p r s t y X f P O}
+\newcommand{\Acomms}{\Aalpha%\
+ \Abeta%\
+ \Agamma%\
+ \Adelta%\
+ \Aepsilon%\
+ \Azeta%\
+ \Aeta%\
+ \Atheta%\
+ \Aiota%\
+ \Akappa%\
+ \Alambda%\
+ \Amu%\
+ \Anu%\
+ \Axi%\
+ \Aomicron%\
+ \Api%\
+ \Arho%\
+ \Asigma%\
+ \Atau%\
+ \Aupsilon%\
+ \Achi%\
+ \Aphi%\
+ \Apsi%\
+ \Aomega}
+
+\newcommand{\ARcomms}{\ARalpha%\
+ \ARbeta%\
+ \ARgamma%\
+ \ARdelta%\
+ \ARepsilon%\
+ \ARzeta%\
+ \AReta%\
+ \ARtheta%\
+ \ARiota%\
+ \ARkappa%\
+ \ARlambda%\
+ \ARmu%\
+ \ARnu%\
+ \ARxi%\
+ \ARomicron%\
+ \ARpi%\
+ \ARrho%\
+ \ARsigma%\
+ \ARtau%\
+ \ARupsilon%\
+ \ARchi%\
+ \ARphi%\
+ \ARpsi%\
+ \ARomega}
+
+
+\title{Try 4th Century BC Greek Font}
+%%\author{Peter Wilson \\ \texttt{herries dot press at earthlink dot net}}
+\author{}
+\date{}
+\begin{document}
+\maketitle
+
+ This provides a short test of the characters in the 4th century \textsc{bc} Greek
+font
+--- the \verb|givbc| font family.
+
+\begin{center}
+The smooth font in Large size \\
+{\givbcfamily\Large \abc \par
+}
+\end{center}
+
+\begin{center}
+The font in its normal size, both smooth and rough, and for comparison, transliterated into
+Modern Greek. \\
+\textgivbc{\Acomms} \\ \textgivbc{\ARcomms} \\
+\translitgivbc{\Acomms} \\
+\end{center}
+
+ GREEK in Greek is: \textgivbc{greek}.
+
+The next lines of `Greek' are produced by the following code (note that
+the Greeks had no punctuation marks):
+\begin{verbatim}
+{\givbcfamily this font gomes in both a rough and a smooT
+form \quad
+Tis is Te smooT form \quad at Tis time Te
+greeks no longer used boustrofedron riting}
+\end{verbatim}
+
+{\givbcfamily this font gomes in both a rough and a smooT
+form \quad
+Tis is Te smooT form \quad at Tis time Te
+greeks no longer used boustrofedron riting}
+
+\begin{table}
+\centering
+\caption{Alphabet and commands}
+\begin{tabular}{|c|c||l|l|} \hline
+Glyph & ASCII & Smooth & Rough \\ \hline
+\textgivbc{a} & a & \verb|\Aalpha| & \verb|\ARalpha| \\
+\textgivbc{b} & b & \verb|\Abeta| & \verb|\ARbeta| \\
+\textgivbc{g} & g & \verb|\Agamma| & \verb|\ARgamma| \\
+\textgivbc{d} & d & \verb|\Adelta| & \verb|\ARdelta| \\
+\textgivbc{e} & e & \verb|\Aepsilon| & \verb|\ARepsilon| \\
+\textgivbc{z} & z & \verb|\Azeta| & \verb|\ARzeta| \\
+\textgivbc{h} & h & \verb|\Aeta| & \verb|\AReta| \\
+\textgivbc{T} & T & \verb|\Atheta| & \verb|\ARtheta| \\
+\textgivbc{i} & i & \verb|\Aiota| & \verb|\ARiota| \\
+\textgivbc{k} & k & \verb|\Akappa| & \verb|\ARkappa| \\
+\textgivbc{l} & l & \verb|\Alambda| & \verb|\ARlambda| \\
+\textgivbc{m} & m & \verb|\Amu| & \verb|\ARmu| \\
+\textgivbc{n} & n & \verb|\Anu| & \verb|\ARnu| \\
+\textgivbc{x} & x & \verb|\Axi| & \verb|\ARxi| \\
+\textgivbc{o} & o & \verb|\Aomicron| & \verb|\ARomicron| \\
+\textgivbc{p} & p & \verb|\Api| & \verb|\ARpi| \\
+\textgivbc{r} & r & \verb|\Arho| & \verb|\ARrho| \\
+\textgivbc{s} & s & \verb|\Asigma| & \verb|\ARsigma| \\
+\textgivbc{t} & t & \verb|\Atau| & \verb|\ARtau| \\
+\textgivbc{y} & y & \verb|\Aupsilon| & \verb|\ARupsilon| \\
+\textgivbc{X} & X & \verb|\Achi| & \verb|\ARchi| \\
+\textgivbc{f} & f & \verb|\Aphi| & \verb|\ARphi| \\
+\textgivbc{P} & P & \verb|\Apsi| & \verb|\ARpsi| \\
+\textgivbc{O} & O & \verb|\Aomega| & \verb|\ARomega| \\
+\hline
+\end{tabular}
+\end{table}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/archaic/greek4cbc.pdf b/Master/texmf-dist/doc/fonts/archaic/greek4cbc.pdf
new file mode 100644
index 00000000000..d1031444286
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/greek4cbc.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/archaic/greek6cbc-README b/Master/texmf-dist/doc/fonts/archaic/greek6cbc-README
new file mode 100644
index 00000000000..6f7ba71b95f
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/greek6cbc-README
@@ -0,0 +1,78 @@
+ The greek6cbc bundle provides a Greek font typical of those used in
+the 6th century BC. It is one of a series for archaic scripts.
+
+Changes in version 2.1 (2005/04/06)
+o Font supplied as Postscript Type1 instead of MetaFont
+
+Changes in version 2.0 (2000/10/01)
+o Practically everything changed
+
+Changes in version 1.0 (1999/03/14)
+o First public release
+
+------------------------------------------------------------------
+ Author: Peter Wilson (Herries Press) herries dot press at earthlink dot net
+ Copyright 1999--2005 Peter R. Wilson
+
+ This work may be distributed and/or modified under the
+ conditions of the Latex Project Public License, either
+ version 1.3 of this license or (at your option) any
+ later version.
+ The latest version of the license is in
+ http://www.latex-project.org/lppl.txt
+ and version 1.3 or later is part of all distributions of
+ LaTeX version 2003/06/01 or later.
+
+ This work has the LPPL maintenance status "author-maintained".
+
+ This work consists of the files:
+ README (this file)
+ greek6cbc.dtx
+ greek6cbc.ins
+ greek6cbc.pdf
+ and the derived files
+ greek6cbc.sty
+ ot1gvibc10.fd
+ t1gvibc10.fd
+ greek6cbc.map
+ and possibly gvibc10.mf
+
+------------------------------------------------------------------
+ The distribution consists of the following files:
+README (this file)
+greek6cbc.dtx
+greek6cbc.ins
+greek6cbc.pdf (user manual)
+trygvibc.tex (example usage)
+trygvibc.pdf
+gvibc10.afm
+gvibc10.pfb
+gvibc10.tfm
+
+ To install the package:
+o run: latex greek6cbc.ins, which will generate:
+ greek6cbc.sty
+ *.fd files
+ greek6cbc.map
+o Move *.sty and *.fd files to a location where LaTeX will find them
+ e.g., .../texmf-local/tex/latex/greek6cbc
+o Move *.afm, *.pfb and *.tfm files to where LaTeX looks for font information
+ e.g., .../texmf-var/fonts/afm/public/archaic/*.afm
+ .../texmf-var/fonts/type1/public/archaic/*.pfb
+ .../texmf-var/fonts/tfm/public/archaic/*.tfm
+o Add the *.map information to the dvips/pdftex font maps
+o Refresh the database
+ (for more information on the above see the FAQ).
+
+o run: (pdf)latex trygvibc for a test of the font
+
+ To generate a second copy of the manual (which is already supplied as a PDF file):
+o run: latex greek6cbc.dtx
+o (for an index run: makeindex -s gind.ist *.idx)
+o run: latex *.dtx
+o Print *.dvi for a hardcopy of the package manual
+
+2005/04/06
+Peter Wilson
+herries dot press at earthlink dot net
+
diff --git a/Master/texmf-dist/doc/fonts/archaic/greek6cbc-trygvibc.pdf b/Master/texmf-dist/doc/fonts/archaic/greek6cbc-trygvibc.pdf
new file mode 100644
index 00000000000..45dbd00cd5c
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/greek6cbc-trygvibc.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/archaic/greek6cbc-trygvibc.tex b/Master/texmf-dist/doc/fonts/archaic/greek6cbc-trygvibc.tex
new file mode 100644
index 00000000000..a1d73b8fc07
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/greek6cbc-trygvibc.tex
@@ -0,0 +1,100 @@
+% trygvibc.tex Test 6thC BC Greek font
+\documentclass{article}
+\usepackage{greek6cbc}
+
+
+
+\newcommand{\abc}{a b g d e F z h T i k l m n x o p q r s t y X f P O}
+\newcommand{\Acomms}{\Aalpha%\
+ \Abeta%\
+ \Agamma%\
+ \Adelta%\
+ \Aepsilon%\
+ \Adigamma%\
+ \Azeta%\
+ \Aeta%\
+ \Atheta%\
+ \Aiota%\
+ \Akappa%\
+ \Alambda%\
+ \Amu%\
+ \Anu%\
+ \Axi%\
+ \Aomicron%\
+ \Api%\
+ \Akoppa%\
+ \Arho%\
+ \Asigma%\
+ \Atau%\
+ \Aupsilon%\
+ \Achi%\
+ \Aphi%\
+ \Apsi%\
+ \Aomega}
+
+%\newcommand{\Tth}{\ensuremath{\mathbf{\Theta}}}
+
+\title{Try 6th Century BC Greek Font}
+%\author{Peter Wilson \\ \texttt{herries dot press at earthlink dot net}}
+\author{}
+\date{}
+\begin{document}
+\maketitle
+
+%\Tth
+
+ This provides a short test of the characters in the 6th century \textsc{bc} Greek
+font
+--- the \verb|gvibc| font family.
+
+\begin{center}
+The font in Large size \\
+{\gvibcfamily\Large \abc \par}
+\end{center}
+
+\begin{center}
+The font in its normal size and, for comparison, transliterated into
+Modern Greek. \\
+\textgvibc{\Acomms} \\
+\translitgvibc{\Acomms} \\
+\end{center}
+
+ GREEK in this Greek font is: \textgvibc{greek}.
+
+\begin{table}
+\centering
+\caption{Alphabet and commands}
+\begin{tabular}{|c|l|c|l|} \hline
+Glyph & Name & ASCII & Command \\ \hline
+\textgvibc{a} & alpha & a & \verb|\Aalpha| \\
+\textgvibc{b} & beta & b & \verb|\Abeta| \\
+\textgvibc{g} & gamma & g & \verb|\Agamma| \\
+\textgvibc{d} & delta & d & \verb|\Adelta| \\
+\textgvibc{e} & epsilon & e & \verb|\Aepsilon| \\
+\textgvibc{F} & digamma & F & \verb|\Adigamma| \\
+\textgvibc{z} & zeta & z & \verb|\Azeta| \\
+\textgvibc{h} & eta & h & \verb|\Aeta| \\
+\textgvibc{T} & theta & T & \verb|\Atheta| \\
+\textgvibc{i} & iota & i & \verb|\Aiota| \\
+\textgvibc{k} & kappa & k & \verb|\Akappa| \\
+\textgvibc{l} & lambda & l & \verb|\Alambda| \\
+\textgvibc{m} & mu & m & \verb|\Amu| \\
+\textgvibc{n} & nu & n & \verb|\Anu| \\
+\textgvibc{x} & xi & x & \verb|\Axi| \\
+\textgvibc{o} & omicron & o & \verb|\Aomicron| \\
+\textgvibc{p} & pi & p & \verb|\Api| \\
+\textgvibc{q} & koppa & q & \verb|\Akoppa| \\
+\textgvibc{r} & rho & r & \verb|\Arho| \\
+\textgvibc{s} & sigma & s & \verb|\Asigma| \\
+\textgvibc{t} & tau & t & \verb|\Atau| \\
+\textgvibc{y} & upsilon & y & \verb|\Aupsilon| \\
+\textgvibc{X} & chi & X & \verb|\Achi| \\
+\textgvibc{f} & phi & f & \verb|\Aphi| \\
+\textgvibc{P} & psi & P & \verb|\Apsi| \\
+\textgvibc{O} & omega & O & \verb|\Aomega| \\
+\hline
+\end{tabular}
+\end{table}
+
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/archaic/greek6cbc.pdf b/Master/texmf-dist/doc/fonts/archaic/greek6cbc.pdf
new file mode 100644
index 00000000000..90ec53e9bb0
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/greek6cbc.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/archaic/hieroglf-README b/Master/texmf-dist/doc/fonts/archaic/hieroglf-README
new file mode 100644
index 00000000000..6738f736cbf
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/hieroglf-README
@@ -0,0 +1,92 @@
+ The hieroglf bundle provides a Postscript Type1 version of about 80
+Egyptian hieroglyphs from Serge Rosmorduc's comprehensive hieroglyph
+package. Hieroglyphic writing was used between about 3000 BC and 400 AD.
+Sufficient glyphs are provided for writing a few names like
+Cleopatra and Ptomemy (together with cartouches), and there is a
+command for transliterating into a modern alphabet. The bundle
+is not for serious Egyptologists.
+
+ The bundle is one of a series for archiac scripts.
+
+ The hieroglf package requires the oands package for some symbols
+used in the transliteration.
+
+Changes in version 1.3 (2005/04/02)
+o Font supplied as Postscript Type1 instead of MetaFont
+
+Changes in version 1.2 (2000/09/23)
+o Added another bunch of glyphs
+
+Changes in version 1.1 (2000/08/26)
+o Added 6 more glyphs
+
+Changes in version 1.0 (2000/08/19)
+o First public release
+
+
+------------------------------------------------------------------
+ Author: Peter Wilson (Herries Press) herries dot press at earthlink dot net
+ Copyright 2000--2005 Peter R. Wilson
+
+ This work may be distributed and/or modified under the
+ conditions of the Latex Project Public License, either
+ version 1.3 of this license or (at your option) any
+ later version.
+ The latest version of the license is in
+ http://www.latex-project.org/lppl.txt
+ and version 1.3 or later is part of all distributions of
+ LaTeX version 2003/06/01 or later.
+
+ This work has the LPPL maintenance status "author-maintained".
+
+ This work consists of the files:
+ README (this file)
+ hieroglf.dtx
+ hieroglf.ins
+ hieroglf.pdf
+ and the derived files
+ hieroglf.sty
+ ot1pmhg.fd
+ t1pmhg.fd
+ hieroglf.map
+ and possibly some pmhg*.mf files
+
+------------------------------------------------------------------
+ The distribution consists of the following files:
+README (this file)
+hieroglf.dtx
+hieroglf.ins
+hieroglf.pdf (user manual)
+trypmhg.tex (example usage)
+trypmhg.pdf
+pmhg.afm
+pmhg.pfb
+pmhg.tfm
+
+ To install the package:
+o run: latex hieroglf.ins, which will generate:
+ hieroglf.sty
+ *.fd files
+ hieroglf.map
+o Move *.sty and *.fd files to a location where LaTeX will find them
+ e.g., .../texmf-local/tex/latex/hieroglf
+o Move *.afm, *.pfb and *.tfm files to where LaTeX looks for font information
+ e.g., .../texmf-var/fonts/afm/public/archaic/*.afm
+ .../texmf-var/fonts/type1/public/archaic/*.pfb
+ .../texmf-var/fonts/tfm/public/archaic/*.tfm
+o Add the *.map information to the dvips/pdftex font maps
+o Refresh the database
+ (for more information on the above see the FAQ).
+
+o run: (pdf)latex trypmhg for a test of the font
+
+ To generate a second copy of the manual (which is already supplied as a PDF file):
+o run: latex hieroglf.dtx
+o (for an index run: makeindex -s gind.ist *.idx)
+o run: latex *.dtx
+o Print *.dvi for a hardcopy of the package manual
+
+2005/04/02
+Peter Wilson
+herries dot press at earthlink dot net
+
diff --git a/Master/texmf-dist/doc/fonts/archaic/hieroglf-trypmhg.pdf b/Master/texmf-dist/doc/fonts/archaic/hieroglf-trypmhg.pdf
new file mode 100644
index 00000000000..f81e0d2224d
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/hieroglf-trypmhg.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/archaic/hieroglf-trypmhg.tex b/Master/texmf-dist/doc/fonts/archaic/hieroglf-trypmhg.tex
new file mode 100644
index 00000000000..964e88c6ad0
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/hieroglf-trypmhg.tex
@@ -0,0 +1,349 @@
+% trypmhg.tex Test Poor mans Hieroglyph fonts
+\documentclass{article}
+\usepackage{hieroglf}
+
+\newcommand{\UC}{A B C D E F G H I J K L M N O P Q R S T U V W X Y Z}
+\newcommand{\LC}{a b c d e f g h i j k l m n o p q r s t u v w x y z}
+\newcommand{\SY}{+ ? / |}
+\newcommand{\ST}{\Hms\ \Hibp\ \Hibw\ \Hibs\ \Hibl\ \Hsv\
+ \Hman\ \Htongue\ \Hscribe\ \Hplural\ \Hdual}
+\newcommand{\SN}{\Hone\ \Hten\ \Hhundred\ \Hthousand\ \HXthousand
+ \HCthousand\ \Hmillion}
+\newcommand{\Caesar}{\pmvglyph{\Hk:\Hy:\HS:\Hl:\HS}}
+
+\setlength{\parskip}{5pt}
+\newlength{\mylen}
+
+\title{The Poor Man's Hieroglyphic Font}
+\author{}
+\date{}
+\begin{document}
+\maketitle
+\tableofcontents
+\clearpage
+
+\renewcommand{\baselinestretch}{1.1}
+
+\section{Introduction}
+
+ This provides a short test of the characters in the Poor Man's Hieroglyph
+fonts
+--- the \verb|pmhg| font family.
+Table~\ref{tab:coded} on page~\pageref{tab:coded}
+shows the `numeric' coded commands and the corresponding
+glyphs.
+Table~\ref{tab:alpha} on page~\pageref{tab:alpha}
+shows the alphabetic coding (in both single
+character and command form) and the corresponding glyphs together with their
+transliterations. Note that not every glyph has a transliteration.
+
+\section{The glyphs}
+
+
+As a single stream of glyphs:
+\begin{verbatim}
+\textpmhg{ABCDEFGHIJKLMNOPQRSTUVWXYZ \\
+ abcdefghijklmnopqrstuvwxyz \\
+ +?/| \\
+ \Hms\Hibp\Hibw\Hibs\Hibl\Hsv\Hman\Htongue\Hscribe\Hplural\Hdual \\
+ \Hone 234567}
+\end{verbatim}
+\textpmhg{ABCDEFGHIJKLMNOPQRSTUVWXYZ \\
+ abcdefghijklmnopqrstuvwxyz \\
+ +?/| \\
+ \Hms\Hibp\Hibw\Hibs\Hibl\Hsv\Hman\Htongue\Hscribe\Hplural\Hdual \\
+ \Hone 234567}
+
+{\Huge And in the Huge size: \\
+\textpmhg{\UC \\ \LC \\ \SY \\ \ST \\ \SN}
+\par
+}
+
+ Using single characters: \\
+\verb|\pmglyph{{A-i:w-a}}| \pmglyph{{A-i:w-a}} \\
+\verb|\pmglyph{A}| \pmglyph{A} \\
+\verb|\pmglyph{i}| \pmglyph{i} \\
+\verb|\pmglyph{A-i}| \pmglyph{A-i} \\
+\verb|\pmglyph{A-i-a:w-a}| \pmglyph{A-i-a:w-a}
+
+ Using character commands: \\
+\verb|\pmglyph{\HA}| \pmglyph{\HA} \\
+\verb|\pmglyph{\Hi}| \pmglyph{\Hi} \\
+\verb|\pmglyph{\HA-\Hi}| \pmglyph{\HA-\Hi} \\
+\verb|\pmglyph{\HA-\Hi-\Ha:\Hw-\Hl}| \pmglyph{\HA-\Hi-\Ha:\Hw-\Hl} \\
+\verb|\pmglyph{\HA-\Hi-\Hw:\Ha-\Hl}| \pmglyph{\HA-\Hi-\Hw:\Ha-\Hl}
+
+\section{Some cartouches}
+
+ This illustrates several ways in which glyphs can be assembled.
+
+\verb|\pmglyph{\HA-\Hi-\Ha-\Hp-\Hx-\HH}| \\
+\verb|\cartouche{\pmglyph{\HA-\Hi-\Ha-\Hp-\Hx-\HH}}| \\
+\verb|\Cartouche{\pmglyph{\HA-\Hi-\Ha-\Hp-\Hx-\HH}}| \\
+\pmglyph{\HA-\Hi-\Ha-\Hp-\Hx-\HH}
+\cartouche{\pmglyph{\HA-\Hi-\Ha-\Hp-\Hx-\HH}}
+\Cartouche{\pmglyph{\HA-\Hi-\Ha-\Hp-\Hx-\HH}}
+
+\verb|\pmglyph{\HA:\Hi:\Ha:\Hp:\Hx:\HH}| \\
+\verb|\Cartouche{\pmglyph{\HA:\Hi:\Ha:\Hp:\Hx:\HH}}| \\
+\pmglyph{\HA:\Hi:\Ha:\Hp:\Hx:\HH}
+\Cartouche{\pmglyph{\HA:\Hi:\Ha:\Hp:\Hx:\HH}}
+
+\verb|\pmglyph{\HA-\Hi-\Ha:{\Hp-\Hx}-\HH}| \\
+\verb|\Cartouche{\pmglyph{\HA-\Hi-\Ha:{\Hp-\Hx}-\HH}}| \\
+\pmglyph{\HA-\Hi-\Ha:{\Hp-\Hx}-\HH}
+\Cartouche{\pmglyph{\HA-\Hi-\Ha:{\Hp-\Hx}-\HH}}
+
+
+\verb|\pmglyph{\HA-\Hi-{\Hp-\Hx}:\Ha-\HH}| \\
+\verb|\Cartouche{\pmglyph{\HA-\Hi-{\Hp-\Hx}:\Ha-\HH}}| \\
+\pmglyph{\HA-\Hi-{\Hp-\Hx}:\Ha-\HH}
+\Cartouche{\pmglyph{\HA-\Hi-{\Hp-\Hx}:\Ha-\HH}}
+
+\verb|\pmglyph{\HA\Hi{\Hp\Hx}:\Ha\HH}| \\
+\verb|\Cartouche{\pmglyph{\HA\Hi{\Hp\Hx}:\Ha\HH}}| \\
+\pmglyph{\HA\Hi{\Hp\Hx}:\Ha\HH}
+\Cartouche{\pmglyph{\HA\Hi{\Hp\Hx}:\Ha\HH}}
+
+\verb|\pmglyph{\HA \Hi {\Hp \Hx}:\Ha \HH}| \\
+\verb|\Cartouche{\pmglyph{\HA \Hi {\Hp \Hx}:\Ha \HH}}| \\
+\pmglyph{\HA \Hi {\Hp \Hx}:\Ha \HH}
+\Cartouche{\pmglyph{\HA \Hi {\Hp \Hx}:\Ha \HH}}
+
+\verb|\pmglyph{\HA-\Hp-{\Hi-\HH}:\Ha-\Hx}| \\
+\verb|\Cartouche{\pmglyph{\HA-\Hp-{\Hi-\HH}:\Ha-\Hx}}| \\
+\pmglyph{\HA-\Hp-{\Hi-\HH}:\Ha-\Hx}
+\Cartouche{\pmglyph{\HA-\Hp-{\Hi-\HH}:\Ha-\Hx}}
+
+\verb|\pmglyph{\HA-\Hp-{\Hi-\ \HH}:\Ha-\Hx}| \\
+\verb|\Cartouche{\pmglyph{\HA-\Hp-{\Hi\ -\HH}:\Ha-\Hx}}| \\
+\pmglyph{\HA-\Hp-{\Hi-\ \HH}:\Ha-\Hx}
+\Cartouche{\pmglyph{\HA-\Hp-{\Hi\ -\HH}:\Ha-\Hx}}
+
+\verb|\pmglyph{\HA-\ \Hi-\ {\Hp-\Hx}:\Ha-\ \HH}| \\
+\verb|\Cartouche{\pmglyph{\HA-\Hi-{\Hp-\ -\Hx}:\Ha-{}\HH}}| \\
+\verb|\Cartouche{\pmglyph{\HA-\Hi-{\Hp-{} -\Hx}:\Ha-{}\HH}}| \\
+\pmglyph{\HA-\ \Hi-\ {\Hp-\Hx}:\Ha-\ \HH}
+\Cartouche{\pmglyph{\HA-\Hi-{\Hp-\ -\Hx}:\Ha-{}\HH}}
+\Cartouche{\pmglyph{\HA-\Hi-{\Hp-{} -\Hx}:\Ha-{}\HH}}
+
+\verb|\Cartouche{\pmglyph{\HA-\Hi-{\Hp-\ -\Hx}:\Ha-\HH}}|
+ \Cartouche{\pmglyph{\HA-\Hi-{\Hp-\ -\Hx}:\Ha-\HH}}
+
+\verb|\Cartouche{\pmglyph{A-i-{p-\ -x}:a-H}}|
+ \Cartouche{\pmglyph{A-i-{p-\ -x}:a-H}}
+
+\section{Some Cleopatras}
+
+ This section uses the glyphs forming the name of the person we know
+as Cleopatra, and displays them in a variety of ways.
+
+Cleopatra \verb|\pmglyph{K:l-i-o-p-a-d:r-a}|
+ \pmglyph{K:l-i-o-p-a-d:r-a}
+
+Cleopatra \verb|\pmglyph{K:liopat:ra}|
+ \pmglyph{K:liopat:ra}
+
+Cleopatra \verb|\pmglyph{\HK:\HExxiii-\Hi-\HViv-\Hp-\Ha-\Hd:\Hr-\Ha}|
+ \pmglyph{\HK:\HExxiii-\Hi-\HViv-\Hp-\Ha-\Hd:\Hr-\Ha}
+
+Cleopatra \verb|\pmglyph{\HK:\HExxiii\Hi\HViv\Hp\Ha\Hd:\Hr\Ha}|
+ \pmglyph{\HK:\HExxiii\Hi\HViv\Hp\Ha\Hd:\Hr\Ha}
+
+Cleopatra \verb|\pmglyph{\HNxxix:\HExxiii-\HMxvii-\HViv-\HQiii-\HGi-\HXi:\HDxxi-\HGi}|
+ \pmglyph{\HNxxix:\HExxiii-\HMxvii-\HViv-\HQiii-\HGi-\HXi:\HDxxi-\HGi}
+
+Cleopatra \verb|\pmglyph{\HNxxix:\HExxiii\HMxvii\HViv\HQiii\HGi\HXi:\HDxxi\HGi}|
+ \pmglyph{\HNxxix:\HExxiii\HMxvii\HViv\HQiii\HGi\HXi:\HDxxi\HGi}
+
+
+
+Internal cartouche \verb|\pmglyph{K-l-i-\cartouche{o-p-a}-d-r-a}| \\
+ \pmglyph{K-l-i-\cartouche{o-p-a}-d-r-a}
+
+Internal cartouche \verb|\textpmhg{K-l-i-\cartouche{o-p-a}-d-r-a}| \\
+ \textpmhg{K-l-i-\cartouche{o-p-a}-d-r-a}
+
+External cartouche \verb|\pmglyph{K-l-i} \cartouche{\pmglyph{o-p-a}} \pmglyph{d-r-a}| \\
+ \pmglyph{K-l-i} \cartouche{\pmglyph{o-p-a}} \pmglyph{d-r-a}
+
+\section{Odd cartouching}
+
+ Cartouches can be used for other things than hieroglyphs.
+
+Latin cartouche \verb|\cartouche{A Latin cartouche}|
+ \cartouche{A Latin cartouche} example.
+
+Math cartouche \verb|\cartouche{$sin^{2} x + cos^{2} x = 1$}|
+ \cartouche{$sin^{2} x + cos^{2} x = 1$}
+
+Multiline cartouche \verb|\cartouche{$sin^{2} x + cos^{2} x = 1$ \\ Next line}|
+ \cartouche{$sin^{2} x + cos^{2} x = 1$ \\ Next line}
+
+\section{Famous people}
+
+ The hieroglyphic forms of the names of some famous people are
+displayed.
+
+Cleopatra \verb|\cartouche{\pmglyph{K:l-i-o-p-a-d:r-a}}| \\
+\verb|\translitpmhg{\HK\Hl\Hi\Ho\Hp\Ha\Hd\Hr\Ha}| \\
+\cartouche{\pmglyph{K:l-i-o-p-a-d:r-a}}
+\translitpmhg{\HK\Hl\Hi\Ho\Hp\Ha\Hd\Hr\Ha}
+
+Huge Cleopatra \verb|\cartouche{\pmglyph{K:l-i-o-p-a-d:r-a}}| \\
+\verb|\translitpmhg{\HK\Hl\Hi\Ho\Hp\Ha\Hd\Hr\Ha}| \\
+
+\noindent{\Huge\cartouche{\pmglyph{K:l-i-o-p-a-d:r-a}}
+\translitpmhg{\HK\Hl\Hi\Ho\Hp\Ha\Hd\Hr\Ha}
+\par
+}
+
+Ptolemy \verb|\cartouche{\pmglyph{\Hp:\Ht-\Ho-\Hl:\HM-\Hy-\Hs}}| \\
+\verb|\translitpmhg{\Hp\Ht\Ho\Hl\HM\Hy\Hs}| \\
+\cartouche{\pmglyph{\Hp:\Ht-\Ho-\Hl:\HM-\Hy-\Hs}}
+\translitpmhg{\Hp\Ht\Ho\Hl\HM\Hy\Hs}
+
+Berenice \verb|\cartouche{\pmglyph{\HB:\Hr-\Hn:\Hy-\Hg-\Ha-\Ht:\HO}}| \\
+\verb|\translitpmhg{\HB\Hr\Hn\Hy\Hg\Ha}| \\
+\cartouche{\pmglyph{\HB:\Hr-\Hn:\Hy-\Hg-\Ha-\Ht:\HO}}
+\translitpmhg{\HB\Hr\Hn\Hy\Hg\Ha}
+
+Alexander \verb|\cartouche{\pmglyph{\Ha-\Hl:\Hk-\Hs-\Hi-\Hn:\Hd-\Hr:\HS}}| \\
+\verb|\translitpmhg{\Ha\Hl\Hk\Hs\Hi\Hn\Hd\Hr\HS}| \\
+\cartouche{\pmglyph{\Ha-\Hl:\Hk-\Hs-\Hi-\Hn:\Hd-\Hr:\HS}}
+\translitpmhg{\Ha\Hl\Hk\Hs\Hi\Hn\Hd\Hr\HS}
+
+Caesar \verb|\pmvglyph{\Hk:\Hy:\HS:\Hl:\HS}| \\
+\pmvglyph{\Hk:\Hy:\HS:\Hl:\HS}
+
+Caesar \verb|\vertouche{\pmvglyph{\Hk:\Hy:\HS:\Hl:\HS}}| \\
+\vertouche{\pmvglyph{\Hk:\Hy:\HS:\Hl:\HS}}
+
+Autocrator \verb|\pmvglyph{{\Ha-\HW}:{\Ht-\HK}:\Hd:\Hr}| \\
+\pmvglyph{{\Ha-\HW}:{\Ht-\HK}:\Hd:\Hr}
+
+Autocrator \verb|\Vertouche{\pmvglyph{{\Ha-\HW}:{\Ht-\HK}:\Hd:\Hr}}| \\
+\Vertouche{\pmvglyph{{\Ha-\HW}:{\Ht-\HK}:\Hd:\Hr}}
+
+Thothemes \verb|\cartouche{\pmglyph{\Hibp-\Hms-\Hs}}| \\
+\cartouche{\pmglyph{\Hibp-\Hms-\Hs}} \\
+
+
+\section{A sentence}
+
+
+\pmglyph{\HU\Hw\HL\HJ\Hf-\Hq:\Hvbar-\HR:{\Hr:\Hr}-\Hy-\Ht:\HN-\Hf-\Hn:\Ht-\Hc\Hm\Hv-\HG:\Hvbar-\Hf\HZ\Hw\HV} \\
+transliterates into (noting that not every glyph is transliterated as some are determinitives, etc)\\
+\translitpmhg{\HU\ \HJ.\Hf\ \Hq\ \HR\Hr\Hy\Ht.\Hf\ \Hn\Ht\ \Hc\ \HG.\Hf\ \HZ} \\
+which, when translated means \\
+`His Majesty departed upon his chariot of electrum, his heart joyful.'
+
+
+\section{Code tables}
+
+Table~\ref{tab:coded}
+shows the `numeric' coded commands and the corresponding
+glyphs.
+
+Table~\ref{tab:alpha}
+shows the alphabetic coding (in both single
+character and command form) and the corresponding glyphs together with their
+transliterations. Note that not every glyph has a transliteration.
+
+
+
+\begin{table}
+\centering
+\caption{Coded coding} \label{tab:coded}
+\begin{tabular}{|l|c||l|c||l|c|} \hline
+\verb|\HAii| (A2) & \textpmhg{\HAii} & \verb|\HNxxix| (N31) & \textpmhg{\HNxxix} & \verb|\HAai| (Aa1) & \textpmhg{\HAai} \\
+\verb|\HAxxviii| (A28) & \textpmhg{\HAxxviii} & \verb|\HNxxxv| (N35) & \textpmhg{\HNxxxv} & \verb|\HAaxii| (Aa12) & \textpmhg{\HAaxii} \\
+\verb|\HDi| (D1) & \textpmhg{\HDi} & \verb|\HNxxxvii| (N37) & \textpmhg{\HNxxxvii} & \verb|\HPWi| (PW1) & \textpmhg{\HPWi} \\
+\verb|\HDii| (D2) & \textpmhg{\HDii} & \verb|\HOi| (O1) & \textpmhg{\HOi} & \verb|\HPWii| (PW2) & \textpmhg{\HPWii} \\
+\verb|\HDiv| (D4) & \textpmhg{\HDiv} & \verb|\HOiv| (O4) & \textpmhg{\HOiv} & \verb|\HFxxxi| (F31) & \textpmhg{\HFxxxi} \\
+\verb|\HDxxi| (D21) & \textpmhg{\HDxxi} & \verb|\HOxxxiv| (O34) & \textpmhg{\HOxxxiv} & \verb|\HGxxvi| (G26) & \textpmhg{\HGxxvi} \\
+\verb|\HDxxxvi| (D36) & \textpmhg{\HDxxxvi} & \verb|\HQiii| (Q3) & \textpmhg{\HQiii} & \verb|\HGxxvis| (G26*) & \textpmhg{\HGxxvis} \\
+\verb|\HDxlvi| (D46) & \textpmhg{\HDxlvi} & \verb|\HRvii| (R7) & \textpmhg{\HRvii} & \verb|\HGxxvii| (G27) & \textpmhg{\HGxxvii} \\
+\verb|\HDxlvii| (D47) & \textpmhg{\HDxlvii} & \verb|\HSxii| (S12) & \textpmhg{\HSxii} & \verb|\HGxxviii| (G28) & \textpmhg{\HGxxviii} \\
+\verb|\HDliv| (D54) & \textpmhg{\HDliv} & \verb|\HSxxix| (S29) & \textpmhg{\HSxxix} & \verb|\HZvi| (Z6) & \textpmhg{\HZvi} \\
+\verb|\HDlviii| (D58) & \textpmhg{\HDlviii} & \verb|\HSxxxix| (S39) & \textpmhg{\HSxxxix} & \verb|\HAi| (A1) & \textpmhg{\HAi} \\
+\verb|\HExxiii| (E23) & \textpmhg{\HExxiii} & \verb|\HSxli| (S41) & \textpmhg{\HSxli} & \verb|\HFxx| (F20) & \textpmhg{\HFxx} \\
+\verb|\HFi| (F1) & \textpmhg{\HFi} & \verb|\HTiii| (T3) & \textpmhg{\HTiii} & \verb|\HYiv| (Y4) & \textpmhg{\HYiv} \\
+\verb|\HFxxxiv| (F34) & \textpmhg{\HFxxxiv} & \verb|\HTxiv| (T14) & \textpmhg{\HTxiv} & \verb|\HZii| (Z2) & \textpmhg{\HZii} \\
+\verb|\HFxl| (F40) & \textpmhg{\HFxl} & \verb|\HUxxxvi| (U36) & \textpmhg{\HUxxxvi} & \verb|\HZiv| (Z4) & \textpmhg{\HZiv} \\
+\verb|\HGi| (G1) & \textpmhg{\HGi} & \verb|\HViv| (V4) & \textpmhg{\HViv} & \verb|\HCxi| (C11) & \textpmhg{\HCxi} \\
+\verb|\HGxvii| (G17) & \textpmhg{\HGxvii} & \verb|\HVxiii| (V13) & \textpmhg{\HVxiii} & \verb|\HDl| (D50) & \textpmhg{\HDl} \\
+\verb|\HGxxxvi| (G36) & \textpmhg{\HGxxxvi} & \verb|\HVxxiv| (V24) & \textpmhg{\HVxxiv} & \verb|\HIviii| (I8) & \textpmhg{\HIviii} \\
+\verb|\HGxliii| (G43) & \textpmhg{\HGxliii} & \verb|\HVxxviii| (V28) & \textpmhg{\HVxxviii} & \verb|\HMxii| (M12) & \textpmhg{\HMxii} \\
+\verb|\HHviii| (H8) & \textpmhg{\HHviii} & \verb|\HVxxxi| (V31) & \textpmhg{\HVxxxi} & \verb|\HVi| (V1) & \textpmhg{\HVi} \\
+\verb|\HIix| (I9) & \textpmhg{\HIix} & \verb|\HWxi| (W11) & \textpmhg{\HWxi} & \verb|\HVxx| (V20) & \textpmhg{\HVxx} \\
+\verb|\HIx| (I10) & \textpmhg{\HIx} & \verb|\HXi| (X1) & \textpmhg{\HXi} & & \\
+\verb|\HKi| (K1) & \textpmhg{\HKi} & \verb|\HYiV| (Y1v) & \textpmhg{\HYiV} & & \\
+\verb|\HMiii| (M3) & \textpmhg{\HMiii} & \verb|\HZi| (Z1) & \textpmhg{\HZi} & & \\
+\verb|\HMviii| (M8) & \textpmhg{\HMviii} & \verb|\HZvii| (Z7) & \textpmhg{\HZvii} & & \\
+\verb|\HMxvii| (M17) & \textpmhg{\HMxvii} & \verb|\HZxi| (Z11) & \textpmhg{\HZxi} & & \\
+\hline
+\end{tabular}
+\end{table}
+
+\begin{table}
+\centering
+\caption{Alphabetic coding} \label{tab:alpha}
+\begin{tabular}{|cl|c|l||cl|c|l||cl|c|l|} \hline
+A & \verb|\HA| & \textpmhg{A} & \translitpmhg{\HA} & a & \verb|\Ha| & \textpmhg{a} & \translitpmhg{\Ha}
+ & + & \verb|\Hplus| & \textpmhg{+} & \translitpmhg{\Hplus} \\
+B & \verb|\HB| & \textpmhg{B} & \translitpmhg{\HB} & b & \verb|\Hb| & \textpmhg{b} & \translitpmhg{\Hb}
+ & ? & \verb|\Hquery| & \textpmhg{?} & \translitpmhg{\Hquery} \\
+C & \verb|\HC| & \textpmhg{C} & \translitpmhg{\HC} & c & \verb|\Hc| & \textpmhg{c} & \translitpmhg{\Hc}
+ & / & \verb|\Hslash| & \textpmhg{/} & \translitpmhg{\Hslash} \\
+D & \verb|\HD| & \textpmhg{D} & \translitpmhg{\HD} & d & \verb|\Hd| & \textpmhg{d} & \translitpmhg{\Hd}
+ & \verb?|? & \verb|\Hvbar| & \textpmhg{|} & \translitpmhg{\Hvbar} \\
+E & \verb|\HE| & \textpmhg{E} & \translitpmhg{\HE} & e & \verb|\He| & \textpmhg{e} & \translitpmhg{\He}
+ & & \verb|\Hms| & \textpmhg{\Hms} & \translitpmhg{\Hms} \\
+F & \verb|\HF| & \textpmhg{F} & \translitpmhg{\HF} & f & \verb|\Hf| & \textpmhg{f} & \translitpmhg{\Hf}
+ & & \verb|\Hibp| & \textpmhg{\Hibp} & \translitpmhg{\Hibp} \\
+G & \verb|\HG| & \textpmhg{G} & \translitpmhg{\HG} & g & \verb|\Hg| & \textpmhg{g} & \translitpmhg{\Hg}
+ & & \verb|\Hibw| & \textpmhg{\Hibw} & \translitpmhg{\Hibw} \\
+H & \verb|\HH| & \textpmhg{H} & \translitpmhg{\HH} & h & \verb|\Hh| & \textpmhg{h} & \translitpmhg{\Hh}
+ & & \verb|\Hibs| & \textpmhg{\Hibs} & \translitpmhg{\Hibs} \\
+I & \verb|\HI| & \textpmhg{I} & \translitpmhg{\HI} & i & \verb|\Hi| & \textpmhg{i} & \translitpmhg{\Hi}
+ & & \verb|\Hibl| & \textpmhg{\Hibl} & \translitpmhg{\Hibl} \\
+J & \verb|\HJ| & \textpmhg{J} & \translitpmhg{\HJ} & j & \verb|\Hj| & \textpmhg{j} & \translitpmhg{\Hj}
+ & & \verb|\Hsv| & \textpmhg{\Hsv} & \translitpmhg{\Hsv} \\
+K & \verb|\HK| & \textpmhg{K} & \translitpmhg{\HK} & k & \verb|\Hk| & \textpmhg{k} & \translitpmhg{\Hk}
+ & & \verb|\Hman| & \textpmhg{\Hman} & \translitpmhg{\Hman} \\
+L & \verb|\HL| & \textpmhg{L} & \translitpmhg{\HL} & l & \verb|\Hl| & \textpmhg{l} & \translitpmhg{\Hl}
+ & & \verb|\Htongue| & \textpmhg{\Htongue} & \translitpmhg{\Htongue} \\
+M & \verb|\HM| & \textpmhg{M} & \translitpmhg{\HM} & m & \verb|\Hm| & \textpmhg{m} & \translitpmhg{\Hm}
+ & & \verb|\Hscribe| & \textpmhg{\Hscribe} & \translitpmhg{\Hscribe} \\
+N & \verb|\HN| & \textpmhg{N} & \translitpmhg{\HN} & n & \verb|\Hn| & \textpmhg{n} & \translitpmhg{\Hn}
+ & & \verb|\Hplural| & \textpmhg{\Hplural} & \translitpmhg{\Hplural} \\
+O & \verb|\HO| & \textpmhg{O} & \translitpmhg{\HO} & o & \verb|\Ho| & \textpmhg{o} & \translitpmhg{\Ho}
+ & & \verb|\Hdual| & \textpmhg{\Hdual} & \translitpmhg{\Hdual} \\
+P & \verb|\HP| & \textpmhg{P} & \translitpmhg{\HP} & p & \verb|\Hp| & \textpmhg{p} & \translitpmhg{\Hp}
+ & \verb?|? & \verb|\Hone| & \textpmhg{|} & \translitpmhg{\Hone} \\
+Q & \verb|\HQ| & \textpmhg{Q} & \translitpmhg{\HQ} & q & \verb|\Hq| & \textpmhg{q} & \translitpmhg{\Hq}
+ & 2 & \verb|\Hten| & \textpmhg{2} & \translitpmhg{\Hten} \\
+R & \verb|\HR| & \textpmhg{R} & \translitpmhg{\HR} & r & \verb|\Hr| & \textpmhg{r} & \translitpmhg{\Hr}
+ & 3 & \verb|\Hhundred| & \textpmhg{3} & \translitpmhg{\Hhundred} \\
+S & \verb|\HS| & \textpmhg{S} & \translitpmhg{\HS} & s & \verb|\Hs| & \textpmhg{s} & \translitpmhg{\Hs}
+ & 4 & \verb|\Hthousand| & \textpmhg{4} & \translitpmhg{\Hthousand} \\
+T & \verb|\HT| & \textpmhg{T} & \translitpmhg{\HT} & t & \verb|\Ht| & \textpmhg{t} & \translitpmhg{\Ht}
+ & 5 & \verb|\HXthousand| & \textpmhg{5} & \translitpmhg{\HXthousand} \\
+U & \verb|\HU| & \textpmhg{U} & \translitpmhg{\HU} & u & \verb|\Hu| & \textpmhg{u} & \translitpmhg{\Hu}
+ & 6 & \verb|\HCthousand| & \textpmhg{6} & \translitpmhg{\HCthousand} \\
+V & \verb|\HV| & \textpmhg{V} & \translitpmhg{\HV} & v & \verb|\Hv| & \textpmhg{v} & \translitpmhg{\Hv}
+ & 7 & \verb|\Hmillion| & \textpmhg{7} & \translitpmhg{\Hmillion} \\
+W & \verb|\HW| & \textpmhg{W} & \translitpmhg{\HW} & w & \verb|\Hw| & \textpmhg{w} & \translitpmhg{\Hw} & & & & \\
+X & \verb|\HX| & \textpmhg{X} & \translitpmhg{\HX} & x & \verb|\Hx| & \textpmhg{x} & \translitpmhg{\Hx} & & & & \\
+Y & \verb|\HY| & \textpmhg{Y} & \translitpmhg{\HY} & y & \verb|\Hy| & \textpmhg{y} & \translitpmhg{\Hy} & & & & \\
+Z & \verb|\HZ| & \textpmhg{Z} & \translitpmhg{\HZ} & z & \verb|\Hz| & \textpmhg{z} & \translitpmhg{\Hz} & & & & \\
+\hline
+\end{tabular}
+\end{table}
+
+
+%%%%%%%%%%%%%%%
+\end{document}
+%%%%%%%%%%%%%%%
+
diff --git a/Master/texmf-dist/doc/fonts/archaic/hieroglf.pdf b/Master/texmf-dist/doc/fonts/archaic/hieroglf.pdf
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diff --git a/Master/texmf-dist/doc/fonts/archaic/linearb-README b/Master/texmf-dist/doc/fonts/archaic/linearb-README
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+++ b/Master/texmf-dist/doc/fonts/archaic/linearb-README
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+ The linearb bundle provides a font and package for the Linear B script,
+which was a syllabary used in the Bronze Age for writing Mycenaean Greek.
+It is one of a series for archaic scripts.
+
+Changes in version 1.2 (2005/06/22)
+o Font supplied as Postscript Type1 as well as MetaFont
+o 47 new pictograms
+o Added map file
+o Reconfigured the encoding of the numerals and unknown glyphs
+
+Changes in version 1.1 (2001/08/01)
+o Changed \Bpiii to \Bpaiii
+
+Changes in version 1.0 (1999/06/20)
+o First public release
+
+------------------------------------------------------------------
+ Author: Peter Wilson (Herries Press) herries dot press at earthlink dot net
+ Copyright 1999--2005 Peter R. Wilson
+
+ This work may be distributed and/or modified under the
+ conditions of the Latex Project Public License, either
+ version 1.3 of this license or (at your option) any
+ later version.
+ The latest version of the license is in
+ http://www.latex-project.org/lppl.txt
+ and version 1.3 or later is part of all distributions of
+ LaTeX version 2003/06/01 or later.
+
+ This work has the LPPL maintenance status "author-maintained".
+
+ This work consists of the files:
+ README (this file)
+ linearb.dtx
+ linearb.ins
+ linearb.pdf
+ and the derived files
+ linearb.sty
+ t1linb10.fd
+ linearb.map
+ linb10.mf
+
+------------------------------------------------------------------
+ The distribution consists of the following files:
+README (this file)
+linearb.dtx
+linearb.ins
+linearb.pdf (user manual)
+trylinearb.tex (example usage)
+trylinearb.pdf
+linb10.afm
+linb10.pfb
+linb10.tfm
+
+ To install the bundle:
+o If you want MetaFont sources uncomment the appropriate lines in linearb.ins.
+o run: latex linearb.ins, which will generate:
+ linearb.sty
+ *.fd files
+ linearb.map
+ and possibly linb10.mf
+o Move *.sty and *.fd files to a location where LaTeX will find them
+ e.g., .../texmf-local/tex/latex/linearb
+o Move *.afm, *.pfb and *.tfm files to where LaTeX looks for font information
+ e.g., .../texmf-var/fonts/afm/public/archaic/*.afm
+ .../texmf-var/fonts/type1/public/archaic/*.pfb
+ .../texmf-var/fonts/tfm/public/archaic/*.tfm
+o Add the *.map information to the dvips/pdftex font maps
+ If you want the MetaFont version as well:
+ o Move the *.mf files to, e.g., .../texmf-var/fonts/source/public/linearb
+ o Add a line like the following to the (texmf/fontname/)special.map file:
+ linb10.mf public linearb
+o Refresh the database
+ (for more information on the above see the FAQ).
+
+o run: (pdf)latex trylinearb for a test of the font
+
+ If you want a full manual with all the MetaFont and LaTeX code and commentry,
+comment out the \OnlyDescription line in linearb.dtx.
+o run: (pdf)latex linearb.dtx
+o (for an index run: makeindex -s gind.ist *.idx)
+o run: (pdf)latex *.dtx
+o Print *.(pdf|dvi) for a hardcopy of the package manual
+
+2005/06/22
+Peter Wilson
+herries dot press at earthlink dot net
+
diff --git a/Master/texmf-dist/doc/fonts/archaic/linearb.pdf b/Master/texmf-dist/doc/fonts/archaic/linearb.pdf
new file mode 100644
index 00000000000..062169bb939
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/linearb.pdf
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diff --git a/Master/texmf-dist/doc/fonts/archaic/nabatean-README b/Master/texmf-dist/doc/fonts/archaic/nabatean-README
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index 00000000000..9672f9a8335
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/nabatean-README
@@ -0,0 +1,137 @@
+ The nabatean bundle provides packages and fonts for the Nabatean script
+used in the Middle East between the fourth centuries BC and AD.
+The bundle is one of a series for archaic scripts.
+
+Changes in version 1.2 (2005/06/16)
+o Font supplied as PostScript Type1 as well as METAFONT
+
+Changes in version 1.1 (2000/09/30)
+o Minor changes to glyph encodings
+
+Changes in version 1.0 (1999/03/14)
+o First public release
+
+------------------------------------------------------------------
+ Author: Peter Wilson (Herries Press) herries dot press at earthlink dot net
+ Copyright 1999--2005 Peter R. Wilson
+
+ This work may be distributed and/or modified under the
+ conditions of the Latex Project Public License, either
+ version 1.3 of this license or (at your option) any
+ later version.
+ The latest version of the license is in
+ http://www.latex-project.org/lppl.txt
+ and version 1.3 or later is part of all distributions of
+ LaTeX version 2003/06/01 or later.
+
+ This work has the LPPL maintenance status "author-maintained".
+
+ This work consists of the files:
+ README (this file)
+ nabatean.dtx
+ nabatean.ins
+ nabatean.pdf
+ and the derived files
+ nabatean.sty
+ ot1nab10.fd
+ t1nab10.fd
+ nabatean.map
+ nab10.mf
+
+------------------------------------------------------------------
+ The distribution consists of the following files:
+README (this file)
+nabatean.dtx
+nabatean.ins
+nabatean.pdf (user manual)
+trynabatean.tex (example usage)
+trynabatean.pdf
+nab10.afm
+nab10.pfb
+nab10.tfm
+
+ To install the bundle:
+o If you want MetaFont sources uncomment the appropriate lines in nabatean.ins.
+o run: latex nabatean.ins, which will generate:
+ nabatean.sty
+ *.fd files
+ nabatean.map
+ and possibly nab10.mf
+o Move *.sty and *.fd files to a location where LaTeX will find them
+ e.g., .../texmf-local/tex/latex/nabatean
+o Move *.afm, *.pfb and *.tfm files to where LaTeX looks for font information
+ e.g., .../texmf-var/fonts/afm/public/archaic/*.afm
+ .../texmf-var/fonts/type1/public/archaic/*.pfb
+ .../texmf-var/fonts/tfm/public/archaic/*.tfm
+o Add the *.map information to the dvips/pdftex font maps
+ If you want the MetaFont version as well:
+ o Move the *.mf files to, e.g., .../texmf-var/fonts/source/public/nabatean
+ o Add a line like the following to the (texmf/fontname/)special.map file:
+ nab10.mf public nabatean
+o Refresh the database
+ (for more information on the above see the FAQ).
+
+o run: (pdf)latex trynabatean for a test of the font
+
+ If you want a full manual with all the MetaFont and LaTeX code and commentry,
+comment out the \OnlyDescription line in nabatean.dtx.
+o run: (pdf)latex nabatean.dtx
+o (for an index run: makeindex -s gind.ist *.idx)
+o run: (pdf)latex *.dtx
+o Print *.(pdf|dvi) for a hardcopy of the package manual
+
+2005/03/31
+Peter Wilson
+herries dot press at earthlink dot net
+
+
+
+
+
+
+
+
+
+
+
+
+ The protosem package provides fonts for the Proto-Semitic script in use
+about 1600 BC, and which may have been a very early ancestor of many of the
+world's alphabets. Files for using the font with LaTeX are also included.
+This is one of a series of ancient fonts.
+
+ The distribution consists of the following files:
+README (this file)
+protosem.ins
+protosem.dtx
+tryfont.tex
+
+ The distribution is provided under the terms of the LaTeX
+Project Public License (LPPL).
+
+Changes in version 1.1
+----------------------
+o Minor changes to the glyph encoding to match other fonts in the series
+
+ To install the package:
+o run: latex protosem.ins, which will generate:
+ proto*.mf files
+ *.fd files
+ protosem.sty
+o run: latex protosem.dtx
+o run: makeindex -s gind.ist protosem
+o run: latex protosem.dtx
+o Print protosem.dvi for a hardcopy of the package manual
+o Move the generated files to locations where LaTeX will find them.
+ For example: the *.fd and .sty files to .../local/texmf/tex/latex/protosem
+ the proto*.mf files to .../texmf/fonts/source/public/protosem
+ On a teTeX distribution you might also have to add the following
+ line to texmf/fontname/special.map:
+ proto10.mf public protosem
+ On a teTeX distribution remember to run texhash after moving the files.
+
+o run: latex tryfont for a testpage of the Proto-Semitic font
+
+2000/09/30
+Peter Wilson
+peter.r.wilson@boeing.com
diff --git a/Master/texmf-dist/doc/fonts/archaic/nabatean.pdf b/Master/texmf-dist/doc/fonts/archaic/nabatean.pdf
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diff --git a/Master/texmf-dist/doc/fonts/archaic/oands-README b/Master/texmf-dist/doc/fonts/archaic/oands-README
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index 00000000000..30d1e71ee32
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+++ b/Master/texmf-dist/doc/fonts/archaic/oands-README
@@ -0,0 +1,83 @@
+ The oands bundle provides a Postscript Type1 version of some odd
+characters that are used as symbols when transliterating ancient
+scripts into a modern alphabet. The bundle is part of a series for
+archaic fonts.
+
+Changes in version 1.1 (2005/03/31)
+o Font supplied as Postscript Type1 instead of MetaFont
+o Improved glottal stop glyph
+
+Changes in version 1.0 (2000/08/19)
+o First public release
+
+------------------------------------------------------------------
+ Author: Peter Wilson (Herries Press) herries dot press at earthlink dot net
+ Copyright 1999--2005 Peter R. Wilson
+
+ This work may be distributed and/or modified under the
+ conditions of the Latex Project Public License, either
+ version 1.3 of this license or (at your option) any
+ later version.
+ The latest version of the license is in
+ http://www.latex-project.org/lppl.txt
+ and version 1.3 or later is part of all distributions of
+ LaTeX version 2003/06/01 or later.
+
+ This work has the LPPL maintenance status "author-maintained".
+
+ This work consists of the files:
+ README (this file)
+ oands.dtx
+ oands.ins
+ oands.pdf
+ and the derived files
+ oands.sty
+ ot1oands.fd
+ t1oands.fd
+ oands.map
+ and possibly several oands*.mf files
+
+
+------------------------------------------------------------------
+ The distribution consists of the following files:
+README (this file)
+oands.dtx
+oands.ins
+oands.pdf (user manual)
+tryoands.tex (example usage)
+tryoands.pdf
+oandsu10.afm
+oandsu10.pfb
+oandsu10.tfm
+oandsi10.afm
+oandsi10.pfb
+oandsi10.tfm
+
+ To install the bundle:
+o run: latex oands.ins, which will generate:
+ oands.sty
+ *.fd files
+ oands.map
+o Move *.sty and *.fd files to a location where LaTeX will find them
+ e.g., .../texmf-local/tex/latex/oands
+o Move *.afm, *.pfb and *.tfm files to where LaTeX looks for font information
+ e.g., .../texmf-var/fonts/afm/public/archaic/*.afm
+ .../texmf-var/fonts/type1/public/archaic/*.pfb
+ .../texmf-var/fonts/tfm/public/archaic/*.tfm
+o Add the *.map information to the dvips/pdftex font maps
+o Refresh the database
+ (for more information on the above see the FAQ).
+
+o run: (pdf)latex tryoands for a test of the font
+
+ To generate a second copy of the manual (which is already supplied as a PDF file):
+o run: latex oands.dtx
+o (for an index run: makeindex -s gind.ist *.idx)
+o run: latex *.dtx
+o Print *.dvi for a hardcopy of the package manual
+
+2005/04/02
+Peter Wilson
+herries dot press at earthlink dot net
+
+
diff --git a/Master/texmf-dist/doc/fonts/archaic/oands.pdf b/Master/texmf-dist/doc/fonts/archaic/oands.pdf
new file mode 100644
index 00000000000..f2b5ee30336
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/oands.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/archaic/oldprsn-README b/Master/texmf-dist/doc/fonts/archaic/oldprsn-README
new file mode 100644
index 00000000000..74493feaf9e
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/oldprsn-README
@@ -0,0 +1,121 @@
+ The oldprsn bundle provides fonts for the Old Persian Cuneiform script
+in use between about 500 to 350 BC.
+This is one of a series for ancient scripts.
+
+Changes in version 1.2 (2005/06/17)
+o Font supplied as Postscript Type1 instead of MetaFont
+
+Changes in version 1.1 (2000/09/24)
+o Added numerals
+
+Changes in version 1.0 (1999/03/14)
+o First public release
+
+------------------------------------------------------------------
+ Author: Peter Wilson (Herries Press) herries dot press at earthlink dot net
+ Copyright 1999--2005 Peter R. Wilson
+
+ This work may be distributed and/or modified under the
+ conditions of the Latex Project Public License, either
+ version 1.3 of this license or (at your option) any
+ later version.
+ The latest version of the license is in
+ http://www.latex-project.org/lppl.txt
+ and version 1.3 or later is part of all distributions of
+ LaTeX version 2003/06/01 or later.
+
+ This work has the LPPL maintenance status "author-maintained".
+
+ This work consists of the files:
+ README (this file)
+ oldprsn.dtx
+ oldprsn.ins
+ oldprsn.pdf
+ and the derived files
+ oldprsn.sty
+ ot1copsn.fd
+ t1copsn.fd
+ oldprsn.map
+ copsn10.mf
+
+------------------------------------------------------------------
+ The distribution consists of the following files:
+README (this file)
+oldprsn.dtx
+oldprsn.ins
+oldprsn.pdf (user manual)
+tryoldprsn.tex (example usage)
+tryoldprsn.pdf
+copsn10.afm
+copsn10.pfb
+copsn10.tfm
+
+ To install the bundle:
+o If you want MetaFont sources uncomment the appropriate lines in oldprsn.ins.
+o run: latex oldprsn.ins, which will generate:
+ oldprsn.sty
+ *.fd files
+ oldprsn.map
+ and possibly copsn10.mf
+o Move *.sty and *.fd files to a location where LaTeX will find them
+ e.g., .../texmf-local/tex/latex/oldprsn
+o Move *.afm, *.pfb and *.tfm files to where LaTeX looks for font information
+ e.g., .../texmf-var/fonts/afm/public/archaic/*.afm
+ .../texmf-var/fonts/type1/public/archaic/*.pfb
+ .../texmf-var/fonts/tfm/public/archaic/*.tfm
+o Add the *.map information to the dvips/pdftex font maps
+ If you want the MetaFont version as well:
+ o Move the *.mf files to, e.g., .../texmf-var/fonts/source/public/oldprsn
+ o Add a line like the following to the (texmf/fontname/)special.map file:
+ copsn10.mf public oldprsn
+o Refresh the database
+ (for more information on the above see the FAQ).
+
+o run: (pdf)latex tryoldprsn for a test of the font
+
+ If you want a full manual with all the MetaFont and LaTeX code and commentry,
+comment out the \OnlyDescription line in oldprsn.dtx.
+o run: (pdf)latex oldprsn.dtx
+o (for an index run: makeindex -s gind.ist *.idx)
+o run: (pdf)latex *.dtx
+o Print *.(pdf|dvi) for a hardcopy of the package manual
+
+2005/06/17
+Peter Wilson
+herries dot press at earthlink dot net
+
+
+
+
+
+ The distribution consists of the following files:
+README (this file)
+oldprsn.ins
+oldprsn.dtx
+tryfont.tex
+
+ The distribution is provided under the terms of the LaTeX
+Project Public License (LPPL).
+
+ To install the package:
+o run: latex oldprsn.ins, which will generate:
+ copsn*.mf files
+ *.fd files
+ oldprsn.sty
+o run: latex oldprsn.dtx
+o run: makeindex -s gind.ist oldprsn
+o run: latex oldprsn.dtx
+o Print oldprsn.dvi for a hardcopy of the package manual
+o Move the generated files to locations where LaTeX will find them.
+ For example: the copsn*.mf files to .../texmf/fonts/source/public/oldprsn
+ the *.fd and .sty files to /texmf/tex/latex/local/oldprsn
+ On a teTeX distribution you might also have to add the following
+ line to texmf/fontname/special.map:
+ copsn10.mf public oldprsn
+ On a teTeX distribution remember to run texhash after moving the files.
+
+o run: latex tryfont for a testpage of the font
+
+2000/09/16
+Peter Wilson
+peter.r.wilson@boeing.com
diff --git a/Master/texmf-dist/doc/fonts/archaic/oldprsn.pdf b/Master/texmf-dist/doc/fonts/archaic/oldprsn.pdf
new file mode 100644
index 00000000000..59c0dddaf47
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/oldprsn.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/archaic/phoenician-README b/Master/texmf-dist/doc/fonts/archaic/phoenician-README
new file mode 100644
index 00000000000..b1a0086774b
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/phoenician-README
@@ -0,0 +1,81 @@
+ The phoenician bundle provides Postscript Type1 fonts for the semitic
+script in use from about 1600 BC, and which formed the basis for all the
+world's alphabets. Mirrored forms are provided for typesetting either
+left-to-right or right-to-left (as the Phoenicians did). This is one of a
+series for archaic scripts.
+
+Changes in version 2.1 (2005/04/04)
+o Font supplied as Postscript Type1 instead of MetaFont
+
+Changes in version 2.0 (2000/10/01)
+o Changes to practically everything
+
+Changes in version 1.0 (1999/03/14)
+o First public release
+
+------------------------------------------------------------------
+ Author: Peter Wilson (Herries Press) herries dot press at earthlink dot net
+ Copyright 1999--2005 Peter R. Wilson
+
+ This work may be distributed and/or modified under the
+ conditions of the Latex Project Public License, either
+ version 1.3 of this license or (at your option) any
+ later version.
+ The latest version of the license is in
+ http://www.latex-project.org/lppl.txt
+ and version 1.3 or later is part of all distributions of
+ LaTeX version 2003/06/01 or later.
+
+ This work has the LPPL maintenance status "author-maintained".
+
+ This work consists of the files:
+ README (this file)
+ phoenician.dtx
+ phoenician.ins
+ phoenician.pdf
+ and the derived files
+ phoenician.sty
+ ot1phnc.fd
+ t1phnc.fd
+ phoenician.map
+ and possibly phnc10.mf
+
+------------------------------------------------------------------
+ The distribution consists of the following files:
+README (this file)
+phoenician.dtx
+phoenician.ins
+phoenician.pdf (user manual)
+tryphnc.tex (example usage)
+tryphnc.pdf
+phnc10.afm
+phnc10.pfb
+phnc10.tfm
+
+ To install the package:
+o run: latex phoenician.ins, which will generate:
+ phoenician.sty
+ *.fd files
+ phoenician.map
+o Move *.sty and *.fd files to a location where LaTeX will find them
+ e.g., .../texmf-local/tex/latex/phoenician
+o Move *.afm, *.pfb and *.tfm files to where LaTeX looks for font information
+ e.g., .../texmf-var/fonts/afm/public/archaic/*.afm
+ .../texmf-var/fonts/type1/public/archaic/*.pfb
+ .../texmf-var/fonts/tfm/public/archaic/*.tfm
+o Add the *.map information to the dvips/pdftex font maps
+o Refresh the database
+ (for more information on the above see the FAQ).
+
+o run: (pdf)latex tryphnc for a test of the font
+
+ To generate a second copy of the manual (which is already supplied as a PDF file):
+o run: latex phoenician.dtx
+o (for an index run: makeindex -s gind.ist *.idx)
+o run: latex *.dtx
+o Print *.dvi for a hardcopy of the package manual
+
+2005/04/04
+Peter Wilson
+herries dot press at earthlink dot net
+
diff --git a/Master/texmf-dist/doc/fonts/archaic/phoenician-tryphnc.pdf b/Master/texmf-dist/doc/fonts/archaic/phoenician-tryphnc.pdf
new file mode 100644
index 00000000000..8a8f7f83ed3
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/phoenician-tryphnc.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/archaic/phoenician-tryphnc.tex b/Master/texmf-dist/doc/fonts/archaic/phoenician-tryphnc.tex
new file mode 100644
index 00000000000..d7dc9aa09bf
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/phoenician-tryphnc.tex
@@ -0,0 +1,95 @@
+% tryphnc.tex Test Phoenician fonts
+\documentclass{article}
+\usepackage{phoenician}
+
+%\newcommand{\ABC}{ABGDEFZH\TTheta{}IKLMN\TXi{}OP\Tsade{}QRSTV}
+%\newcommand{\abc}{abgdefzh\tTheta{}iklmn\tXi{}op\tsade{}qrstv}
+%\newcommand{\cba}{vtsrq\tsade{}po\tXi{}nmlki\tTheta{}hzfedgba}
+%\newcommand{\UCABC}{ABGDEFZH IKLMN OP QRSTV}
+\newcommand{\abc}{a b g d h w f z H T y k l m n s o p x q r S t}
+\newcommand{\cba}{\ARt\
+ \ARsv\
+ \ARr\
+ \ARq\
+ \ARsd\
+ \ARp\
+ \ARo\
+ \ARs\
+ \ARn\
+ \ARm\
+ \ARl\
+ \ARk\
+ \ARy\
+ \ARtd\
+ \ARhd\
+ \ARz\
+ \ARf\
+ \ARw\
+ \ARh\
+ \ARd\
+ \ARg\
+ \ARb\
+ \ARa}
+
+\title{Try Phoenician Fonts}
+\author{Peter Wilson}
+\date{2005/04/04}
+\begin{document}
+\maketitle
+
+ This provides a short test of the characters in the Phoenician fonts
+--- the \verb|phnc| font family.
+
+\begin{center}
+The Phoenician font in Large size \\
+{\phncfamily\Large \abc\\ \cba \par}
+\end{center}
+
+\begin{center}
+The font in its normal size \\
+\textphnc{\abc} \\
+and the Computer Modern Roman for comparison \\
+\abc
+\end{center}
+
+ PHOENICIAN in Phoenician is (as near as possible): \\
+\textphnc{phongan} which transliterates as: \\
+\translitphnc{\Ap\Ah\Ao\An\Ag\Aa\An}. But, they would have written it as: \\
+\begin{flushright} .\textphnc{\ARn\ARa\ARg\ARn\ARo\ARh\ARp} \end{flushright}
+
+
+\begin{table}
+\centering
+\caption{Alphabet and commands}
+\begin{tabular}{|c||l|l|c|c|c|} \hline
+Value & Name & Meaning & Glyph & ASCII & Command \\
+ & & & & L-R & L-R \\ \hline
+\translitphnc{\Aaleph} & aleph & ox & \textphnc{a} & ' a & \verb|\Arq| \verb|\Aa| \verb|\Aaleph| \\
+\translitphnc{\Abeth} & beth & house & \textphnc{b} & b & \verb|\Ab| \verb|\Abeth| \\
+\translitphnc{\Agimel} & gimel & camel & \textphnc{g} & g & \verb|\Ag| \verb|\Agimel| \\
+\translitphnc{\Adaleth} & daleth & door & \textphnc{d} & d & \verb|\Ad| \verb|\Adaleth| \\
+\translitphnc{\Ahe} & he & window? & \textphnc{h} & h & \verb|\Ah| \verb|\Ahe| \\
+\translitphnc{\Avav} & vau & nail & \textphnc{w} & w & \verb|\Aw| \verb|\Avav| \\
+\translitphnc{\Avav} & vau & nail & \textphnc{f} & f & \verb|\Af| \verb|\Avaf| \\
+\translitphnc{\Azayin} & zayin & dagger? & \textphnc{z} & z & \verb|\Az| \verb|\Azayin| \\
+\translitphnc{\Aheth} & cheth & fence? & \textphnc{H} & H & \verb|\Ahd| \verb|\Aheth| \\
+\translitphnc{\Ateth} & thet & & \textphnc{T} & T & \verb|\Atd| \verb|\Ateth| \\
+\translitphnc{\Ayod} & yod & hand & \textphnc{y} & y & \verb|\Ay| \verb|\Ayod| \\
+\translitphnc{\Akaph} & kaph & palm & \textphnc{k} & k & \verb|\Ak| \verb|\Akaph| \\
+\translitphnc{\Alamed} & lamed & ox goad & \textphnc{l} & l & \verb|\Al| \verb|\Alamed| \\
+\translitphnc{\Amem} & mem & water & \textphnc{m} & m & \verb|\Am| \verb|\Amem| \\
+\translitphnc{\Anun} & nun & fish & \textphnc{n} & n & \verb|\An| \verb|\Anun| \\
+\translitphnc{\Asamekh} & samech & post & \textphnc{s} & s & \verb|\As| \verb|\Asamekh| \\
+\translitphnc{\Aayin} & ayin & eye & \textphnc{o} & ` o & \verb|\Alq| \verb|\Ao| \verb|\Aayin| \\
+\translitphnc{\Ape} & pe & mouth & \textphnc{p} & p & \verb|\Ap| \verb|\Ape| \\
+\translitphnc{\Asade} & tsade & & \textphnc{x} & x & \verb|\Asd| \verb|\Asade| \\
+\translitphnc{\Aqoph} & qoph & knot? & \textphnc{q} & q & \verb|\Aq| \verb|\Aqoph| \\
+\translitphnc{\Aresh} & resh & head & \textphnc{r} & r & \verb|\Ar| \verb|\Aresh| \\
+\translitphnc{\Ashin} & shin & teeth & \textphnc{S} & S & \verb|\Asv| \verb|\Ashin| \\
+\translitphnc{\Atav} & tav & mark & \textphnc{t} & t & \verb|\At| \verb|\Atav| \\
+\hline
+\end{tabular}
+\end{table}
+
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/archaic/phoenician.pdf b/Master/texmf-dist/doc/fonts/archaic/phoenician.pdf
new file mode 100644
index 00000000000..d8f162f51b8
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/phoenician.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/archaic/protosem-README b/Master/texmf-dist/doc/fonts/archaic/protosem-README
new file mode 100644
index 00000000000..c462399cfe4
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/protosem-README
@@ -0,0 +1,83 @@
+ The protosem package provides fonts for the Proto-Semitic script in use
+about 1600 BC, and which may have been a very early ancestor of many of the
+world's alphabets. Files for using the font with LaTeX are also included.
+This is one of a series of ancient fonts.
+
+Changes in version 1.2 (2005/03/18)
+----------------------
+o Font supplied as Postscript Type1 instead of MetaFont
+
+Changes in version 1.1 (2000/09/30)
+----------------------
+o Minor changes to the glyph encoding to match other fonts in the series
+
+Changes in version 1.0 (1999/03/14)
+----------------------
+o First public release
+
+------------------------------------------------------------------
+ Author: Peter Wilson (Herries Press) herries dot press at earthlink dot net
+ Copyright 2005 Peter R. Wilson
+
+ This work may be distributed and/or modified under the
+ conditions of the Latex Project Public License, either
+ version 1.3 of this license or (at your option) any
+ later version.
+ The latest version of the license is in
+ http://www.latex-project.org/lppl.txt
+ and version 1.3 or later is part of all distributions of
+ LaTeX version 2003/06/01 or later.
+
+ This work has the LPPL maintenance status "author-maintained".
+
+ This work consists of the files:
+ README (this file)
+ protosem.dtx
+ protosem.ins
+ protosem.pdf
+ and the derived files
+ protosem.sty
+ ot1proto.fd
+ t1proto.fd
+ proto10.map
+ proto10.mf
+
+------------------------------------------------------------------
+ The distribution consists of the following files:
+README (this file)
+protosem.dtx
+protosem.ins
+protosem.pdf (user manual)
+tryprotosem.tex (example usage)
+tryprotosem.pdf
+proto10.afm
+proto10.pfb
+proto10.tfm
+
+ To install the package:
+o run: latex protosem.ins, which will generate:
+ protosem.sty
+ *.fd files
+ proto10.map
+o Move the *.sty and *.fd files to a location where LaTeX will find them
+ e.g. .../texmf-local/tex/latex/protosem
+o Move the *.afm, *.pfb and *.tfm files where LaTeX looks for font information
+ e.g., .../texmf-var/fonts/afm/public/archaic/*.afm
+ .../texmf-var/fonts/type1/public/archaic/*.pfb
+ .../texmf-var/fonts/tfm/public/archaic/*.tfm
+o Add the *.map information to the dvips/pdftex psfont maps
+o Refresh the database
+ (for more information on the above see the FAQ).
+
+o run: latex tryprotosem for a test of the Proto-Semitic font
+
+ To generate a second copy of the manual (which is already supplied as a PDF file):
+o run: latex protosem.dtx
+o (for an index run: makeindex -s gind.ist protosem.idx)
+o run: latex protosem.dtx
+o Print protosem.dvi for a hardcopy of the package manual
+
+2005/03/18
+Peter Wilson
+herries dot press at earthlink dot net
+
diff --git a/Master/texmf-dist/doc/fonts/archaic/protosem.pdf b/Master/texmf-dist/doc/fonts/archaic/protosem.pdf
new file mode 100644
index 00000000000..db38b42444b
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/protosem.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/archaic/runic-README b/Master/texmf-dist/doc/fonts/archaic/runic-README
new file mode 100644
index 00000000000..cb42abe3346
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/runic-README
@@ -0,0 +1,76 @@
+ The runic bundle provides fonts and packages for the Anglo-Saxon futharc
+script, used in England until just after printing was established.
+The bundle is one of a series for archaic scripts.
+
+Changes in version 1.1 (2005/03/31)
+o Font supplied as Postscript Type1 instead of MetaFont
+
+Changes in version 1.0 (1999/03/14)
+o First public release
+
+------------------------------------------------------------------
+ Author: Peter Wilson (Herries Press) herries dot press at earthlink dot net
+ Copyright 1999--2005 Peter R. Wilson
+
+ This work may be distributed and/or modified under the
+ conditions of the Latex Project Public License, either
+ version 1.3 of this license or (at your option) any
+ later version.
+ The latest version of the license is in
+ http://www.latex-project.org/lppl.txt
+ and version 1.3 or later is part of all distributions of
+ LaTeX version 2003/06/01 or later.
+
+ This work has the LPPL maintenance status "author-maintained".
+
+ This work consists of the files:
+ README (this file)
+ runic.dtx
+ runic.ins
+ runic.pdf
+ and the derived files
+ runic.sty
+ ot1fut10.fd
+ t1fut10.fd
+ fut10.map
+ fut10.mf
+
+------------------------------------------------------------------
+ The distribution consists of the following files:
+README (this file)
+runic.dtx
+runic.ins
+runic.pdf (user manual)
+tryrunic.tex (example usage)
+tryrunic.pdf
+fut10.afm
+fut10.pfb
+fut10.tfm
+
+ To install the package:
+o run: latex runic.ins, which will generate:
+ runic.sty
+ *.fd files
+ fut10.map
+o Move *.sty and *.fd files to a location where LaTeX will find them
+ e.g., .../texmf-local/tex/latex/runic
+o Move *.afm, *.pfb and *.tfm files to where LaTeX looks for font information
+ e.g., .../texmf-var/fonts/afm/public/archaic/*.afm
+ .../texmf-var/fonts/type1/public/archaic/*.pfb
+ .../texmf-var/fonts/tfm/public/archaic/*.tfm
+o Add the *.map information to the dvips/pdftex font maps
+o Refresh the database
+ (for more information on the above see the FAQ).
+
+o run: (pdf)latex tryrunic for a test of the font
+
+ To generate a second copy of the manual (which is already supplied as a PDF file):
+o run: latex runic.dtx
+o (for an index run: makeindex -s gind.ist *.idx)
+o run: latex *.dtx
+o Print *.dvi for a hardcopy of the package manual
+
+2005/03/31
+Peter Wilson
+herries dot press at earthlink dot net
+
diff --git a/Master/texmf-dist/doc/fonts/archaic/runic.pdf b/Master/texmf-dist/doc/fonts/archaic/runic.pdf
new file mode 100644
index 00000000000..fd12fbdef4b
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/runic.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/archaic/tryaramaic.pdf b/Master/texmf-dist/doc/fonts/archaic/tryaramaic.pdf
new file mode 100644
index 00000000000..e311a7bf7da
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/tryaramaic.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/archaic/tryaramaic.tex b/Master/texmf-dist/doc/fonts/archaic/tryaramaic.tex
new file mode 100644
index 00000000000..5bec3af7aaa
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/tryaramaic.tex
@@ -0,0 +1,68 @@
+% tryaramaic.tex Test Aramaic fonts
+\documentclass[11pt]{article}
+\usepackage{aramaic}
+
+\newcommand{\thisfont}{Aramaic}
+\newcommand{\abc}{a b g d h w z H T y k l m n s o p x q r S t}
+\newcommand{\UCABC}{ABGDZEWHIYKLMNOPUVQRSXT}
+
+
+\title{Try Aramaic Fonts}
+%%\author{Peter Wilson \\ \texttt{herries dor press at earthlink dot net}}
+\author{}
+\date{}
+\begin{document}
+\maketitle
+
+ This provides a short test of the characters in the \thisfont{} fonts
+--- the \verb|aram| font family.
+
+\begin{center}
+The \thisfont{} font in the huge size \\
+{\aramfamily\huge \abc\par}
+\end{center}
+
+\begin{center}
+The font in its normal size \\
+\textaram{\abc} \\
+and the Computer Modern Roman for comparison \\
+\abc
+\end{center}
+
+ \thisfont{} in \thisfont{} is: \textaram{aramaig} \\
+which transliterates as: \translitaram{\Aa\Ar\Aa\Am\Aa\Ag}
+
+
+\begin{table}
+\centering
+\caption{Alphabet and commands}
+\begin{tabular}{|c|c|c|l|l|} \hline
+Value & Glyph & ASCII & Command & Command \\ \hline
+\translitaram{\Aa} & \textaram{a} & ' a & \verb|\Arq| \verb|\Aa| & \verb|\Aaleph| \\
+\translitaram{\Ab} & \textaram{b} & b & \verb|\Ab| & \verb|\Abeth| \\
+\translitaram{\Ag} & \textaram{g} & g & \verb|\Ag| & \verb|\Agimel| \\
+\translitaram{\Ad} & \textaram{d} & d & \verb|\Ad| & \verb|\Adaleth| \\
+\translitaram{\Ah} & \textaram{h} & h & \verb|\Ah| & \verb|\Ahe| \\
+\translitaram{\Aw} & \textaram{w} & w & \verb|\Aw| & \verb|\Avav| \\
+\translitaram{\Az} & \textaram{z} & z & \verb|\Az| & \verb|\Azayin| \\
+\translitaram{\Ahd} & \textaram{H} & H & \verb|\Ahd| & \verb|\Aheth| \\
+\translitaram{\Atd} & \textaram{T} & T & \verb|\Atd| & \verb|\Ateth| \\
+\translitaram{\Ay} & \textaram{y} & y & \verb|\Ay| & \verb|\Ayod| \\
+\translitaram{\Ak} & \textaram{k} & k & \verb|\Ak| & \verb|\Akaph| \\
+\translitaram{\Al} & \textaram{l} & l & \verb|\Al| & \verb|\Alamed| \\
+\translitaram{\Am} & \textaram{m} & m & \verb|\Am| & \verb|\Amem| \\
+\translitaram{\An} & \textaram{n} & n & \verb|\An| & \verb|\Anun| \\
+\translitaram{\As} & \textaram{s} & s & \verb|\As| & \verb|\Asamekh| \\
+\translitaram{\Ao} & \textaram{o} & ` o & \verb|\Alq| \verb|\Ao| & \verb|\Aayin| \\
+\translitaram{\Ap} & \textaram{p} & p & \verb|\Ap| & \verb|\Ape| \\
+\translitaram{\Asd} & \textaram{x} & x & \verb|\Asd| & \verb|\Asade| \\
+\translitaram{\Aq} & \textaram{q} & q & \verb|\Aq| & \verb|\Aqoph| \\
+\translitaram{\Ar} & \textaram{r} & r & \verb|\Ar| & \verb|\Aresh| \\
+\translitaram{\Asv} & \textaram{S} & S & \verb|\Asv| & \verb|\Ashin| \\
+\translitaram{\At} & \textaram{t} & t & \verb|\At| & \verb|\Atav| \\
+\hline
+\end{tabular}
+\end{table}
+
+\end{document}
+
diff --git a/Master/texmf-dist/doc/fonts/archaic/trycypriot.pdf b/Master/texmf-dist/doc/fonts/archaic/trycypriot.pdf
new file mode 100644
index 00000000000..389d96e7909
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/trycypriot.pdf
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diff --git a/Master/texmf-dist/doc/fonts/archaic/trycypriot.tex b/Master/texmf-dist/doc/fonts/archaic/trycypriot.tex
new file mode 100644
index 00000000000..d4eb84dce72
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/trycypriot.tex
@@ -0,0 +1,132 @@
+% tryfont.tex Cypriot font
+\documentclass{article}
+\usepackage{cypriot}
+
+\title{The Cypriot Font}
+\author{}
+\date{}
+
+\newcommand*{\CP}[1]{\textcypr{#1}}
+\renewcommand{\baselinestretch}{1.2}
+\begin{document}
+\maketitle
+
+ This provides short examples of the Cypriot font.
+
+ The vowels (a, e, i, o, u) are: \textcypr{a e i o u}.
+
+% The vowels (a, e, i, o, u) are: \textcypr{\Ca{} \Ce{} \Ci{} \Co{} \Cu}.
+
+ The g syllables (ga) are: \textcypr{g}.
+
+% The g syllables (ga) are: \textcypr{\Cga}.
+
+ The j syllables (ja, jo) are: \textcypr{j b}.
+
+% The j syllables (ja, jo) are: \textcypr{\Cja{} \Cjo}.
+
+ The k syllables (ka, ke, ki, ko, ku) are: \textcypr{k K c h v}.
+
+% The k syllables (ka, ke, ki, ko, ku) are: \textcypr{\Cka{} \Cke{} \Cki{} \Cko{} \Cku}.
+
+ The l syllables (la, le, li, lo, lu) are: \textcypr{l L d f q}.
+
+% The l syllables (la, le, li, lo, lu) are: \textcypr{\Cla{} \Cle{} \Cli{} \Clo{} \Clu}
+
+ The m syllables (ma, me, mi, mo, mu) are: \textcypr{m M y A B}.
+
+% The m syllables (ma, me, mi, mo, mu) are: \textcypr{\Cma{} \Cme{} \Cmi{} \Cmo{} \Cmu}
+
+ The n syllables (na, ne, ni, no, nu) are: \textcypr{n N C E F}.
+
+% The n syllables (na, ne, ni, no, nu) are: \textcypr{\Cna{} \Cne{} \Cni{} \Cno{} \Cnu}
+
+ The p syllables (pa, pe, pi, po, pu) are: \textcypr{p P G H I}.
+
+% The p syllables (pa, pe, pi, po, pu) are: \textcypr{\Cpa{} \Cpe{} \Cpi{} \Cpo{} \Cpu}
+
+ The r syllables (ra, re, ri, ro, ru) are: \textcypr{r R O U V}.
+
+% The r syllables (ra, re, ri, ro, ru) are: \textcypr{\Cra{} \Cre{} \Cri{} \Cro{} \Cru}
+
+ The s syllables (sa, se, si, so, su) are: \textcypr{s S Y 1 2}.
+
+% The s syllables (sa, se, si, so, su) are: \textcypr{\Csa{} \Cse{} \Csi{} \Cso{} \Csu}
+
+ The t syllables (ta, te, ti, to, tu) are: \textcypr{t T 3 4 5}.
+
+% The t syllables (ta, te, ti, to, tu) are: \textcypr{\Cta{} \Cte{} \Cti{} \Cto{} \Ctu}
+
+ The w syllables (wa, we, wi, wo) are: \textcypr{w W 6 7}.
+
+% The w syllables (wa, we, wi, wo) are: \textcypr{\Cwa{} \Cwe{} \Cwi{} \Cwo}
+
+ The x syllables (xa, xe, xo) are: \textcypr{x X z}.
+
+% The x syllables (xa, xe, xo) are: \textcypr{\Cxa{} \Cxe{} \Cxo}
+
+ The z syllables (zo) are: \textcypr{9}.
+
+% The z syllables (zo) are: \textcypr{\Czo}.
+
+ The word divider (coded as , and : and /) are: \textcypr{, : /}
+
+ Note that some use \textit{za}, \textit{ya} and \textit{yo} as the
+syllabic values represented by the signs \textcypr{\Cza\ \Cya\ \Cyo}; above
+these are given as the \textit{ga}, \textit{ja} and \textit{jo} syllables,
+respectively.
+
+%%\clearpage
+
+\newcommand{\egtext}{\Cti\Cme/\Cto/\Cre\Cti\Cre}
+The Cypriot text \textcypr{\egtext} transliterates to
+\translitcypr{\egtext}.
+The previous sentence was produced by:
+
+\begin{verbatim}
+\newcommand{\egtext}{\Cti\Cme/\Cto/\Cre\Cti\Cre}
+The Cypriot text \textcypr{\egtext} transliterates to
+\translitcypr{\egtext}.
+\end{verbatim}
+
+\clearpage
+
+\begin{table}
+\centering
+\caption{The syllabary}
+\begin{tabular}{c|ccccc} \hline
+ & a & e & i & o & u \\ \hline
+\\
+ & \CP{\Ca} & \CP{\Ce} & \CP{\Ci} & \CP{\Co} & \CP{\Cu} \\
+g & \CP{\Cga} \\
+j & \CP{\Cja} & & & \CP{\Cjo} \\
+k & \CP{\Cka} & \CP{\Cke} & \CP{\Cki} & \CP{\Cko} & \CP{\Cku} \\
+l & \CP{\Cla} & \CP{\Cle} & \CP{\Cli} & \CP{\Clo} & \CP{\Clu} \\
+m & \CP{\Cma} & \CP{\Cme} & \CP{\Cmi} & \CP{\Cmo} & \CP{\Cmu} \\
+n & \CP{\Cna} & \CP{\Cne} & \CP{\Cni} & \CP{\Cno} & \CP{\Cnu} \\
+p & \CP{\Cpa} & \CP{\Cpe} & \CP{\Cpi} & \CP{\Cpo} & \CP{\Cpu} \\
+r & \CP{\Cra} & \CP{\Cre} & \CP{\Cri} & \CP{\Cro} & \CP{\Cru} \\
+s & \CP{\Csa} & \CP{\Cse} & \CP{\Csi} & \CP{\Cso} & \CP{\Csu} \\
+t & \CP{\Cta} & \CP{\Cte} & \CP{\Cti} & \CP{\Cto} & \CP{\Ctu} \\
+w & \CP{\Cwa} & \CP{\Cwe} & \CP{\Cwi} & \CP{\Cwo} \\
+x & \CP{\Cxa} & \CP{\Cxe} & & \CP{\Cxo} \\
+z & & & & \CP{\Czo}
+\end{tabular}
+\end{table}
+
+
+\end{document}
+
+Just checking that transliteration does no permanent damage:
+First \textcypr{\egtext}
+then as \translitcypr{\egtext}
+and back again \textcypr{\egtext}
+
+
+%%\end{document}
+
+A familiar English saying:
+\textcypr{Now Is The Time For All Good Men And Women To Come To The Aid Of the
+Party While the Quick Brown Fox Jumps Over The Lazy Dog}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/archaic/tryetruscan.pdf b/Master/texmf-dist/doc/fonts/archaic/tryetruscan.pdf
new file mode 100644
index 00000000000..b3ec84a38bc
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/tryetruscan.pdf
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diff --git a/Master/texmf-dist/doc/fonts/archaic/tryetruscan.tex b/Master/texmf-dist/doc/fonts/archaic/tryetruscan.tex
new file mode 100644
index 00000000000..940a273c1ce
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/tryetruscan.tex
@@ -0,0 +1,136 @@
+% tryfont.tex Test Etruscan fonts
+\documentclass{article}
+\usepackage{etruscan}
+
+
+
+%%\newcommand{\ABC}{ABGDEFZH\TTheta{}IKLMN\TXi{}OP\Tsade{}QRSTUX\TPhi\TPsi8}
+%%\newcommand{\abc}{abgdefzh\tTheta{}iklmn\tXi{}op\tsade{}qrstux\tPhi\tPsi8}
+%%\newcommand{\cba}{8\tPsi\tPhi{}xutsrq\tsade{}po\tXi{}nmlki\tTheta{}hzfedgba}
+%%\newcommand{\UCABC}{ABGDEFZH IKLMN OP QRSTUX 8}
+
+\newcommand{\abc}{a b g e F z h T i k l m n x o p S q r s t y X f P v}
+\newcommand{\Acomms}{%
+\Aalpha
+\Abeta
+\Agamma
+\Adelta
+\Aepsilon
+\Adigamma
+\Azeta
+\Aeta
+\Atheta
+\Aiota
+\Akappa
+\Alambda
+\Amu
+\Anu
+\Axi
+\Aomicron
+\Api
+\Aesade
+\Aqoph
+\Arho
+\Asigma
+\Atau
+\Aupsilon
+\Achi
+\Aphi
+\Apsi
+\Avau
+}
+
+\newcommand{\ARcomms}{%
+\ARalpha
+\ARbeta
+\ARgamma
+\ARdelta
+\ARepsilon
+\ARdigamma
+\ARzeta
+\AReta
+\ARtheta
+\ARiota
+\ARkappa
+\ARlambda
+\ARmu
+\ARnu
+\ARxi
+\ARomicron
+\ARpi
+\AResade
+\ARqoph
+\ARrho
+\ARsigma
+\ARtau
+\ARupsilon
+\ARchi
+\ARphi
+\ARpsi
+\ARvau
+}
+
+
+
+\title{Try Etruscan Fonts}
+%%\author{Peter Wilson \\ \texttt{peter.r.wilson@boeing.com}}
+\author{}
+\date{}
+\begin{document}
+\maketitle
+
+ This provides a short test of the characters in the Etruscan fonts
+--- the \verb|etr| font family.
+
+\begin{center}
+The Etruscan font in Large size \\
+{\etrfamily\Large \abc\\ \ARcomms \par}
+\end{center}
+
+\begin{center}
+The font in its normal size, with a transliteration for comparison \\
+\textetr{\Acomms} \\
+\translitetr{\Acomms}
+\end{center}
+
+ ETRUSCAN in Etruscan is: \textetr{etrysgan}, or as they would have
+written it: \begin{flushright}
+.\textetr{\ARnu\ARalpha\ARgamma\ARsigma\ARupsilon\ARrho\ARtau\ARepsilon}
+\end{flushright}
+
+\begin{table}
+\centering
+\caption{Alphabet and commands}
+\begin{tabular}{|c|c|l||l|c||c|} \hline
+Glyph & ASCII & Command (L-R) & Command (R-l) & Glyph & Transliteration \\ \hline
+\textetr{a} & a & \verb|\Aalpha| & \verb|\ARalpha| & \textetr{\ARalpha} & \translitetr{\Aalpha} \\
+\textetr{b} & b & \verb|\Abeta| & \verb|\ARbeta| & \textetr{\Abeta} & \translitetr{\Abeta} \\
+\textetr{g} & g & \verb|\Agamma| & \verb|\ARgamma| & \textetr{\Agamma} & \translitetr{\Agamma} \\
+\textetr{d} & d & \verb|\Adelta| & \verb|\ARdelta| & \textetr{\ARdelta} & \translitetr{\Adelta} \\
+\textetr{e} & e & \verb|\Aepsilon| & \verb|\ARepsilon| & \textetr{\ARepsilon} & \translitetr{\Aepsilon} \\
+\textetr{F} & F & \verb|\Adigamma| & \verb|\ARdigamma| & \textetr{\ARdigamma} & \translitetr{\Adigamma} \\
+\textetr{z} & z & \verb|\Azeta| & \verb|\ARzeta| & \textetr{\ARzeta} & \translitetr{\Azeta} \\
+\textetr{h} & h & \verb|\Aeta| & \verb|\AReta| & \textetr{\AReta} & \translitetr{\Aeta} \\
+\textetr{T} & T & \verb|\Atheta| & \verb|\ARtheta| & \textetr{\ARtheta} & \translitetr{\Atheta} \\
+\textetr{i} & i & \verb|\Aiota| & \verb|\ARiota| & \textetr{\ARiota} & \translitetr{\Aiota} \\
+\textetr{k} & k & \verb|\Akappa| & \verb|\ARkappa| & \textetr{\ARkappa} & \translitetr{\Akappa} \\
+\textetr{l} & l & \verb|\Alambda| & \verb|\ARlambda| & \textetr{\ARlambda} & \translitetr{\Alambda} \\
+\textetr{m} & m & \verb|\Amu| & \verb|\ARmu| & \textetr{\ARmu} & \translitetr{\Amu} \\
+\textetr{n} & n & \verb|\Anu| & \verb|\ARnu| & \textetr{\ARnu} & \translitetr{\Anu} \\
+\textetr{x} & x & \verb|\Axi| & \verb|\ARxi| & \textetr{\ARxi} & \translitetr{\Axi} \\
+\textetr{o} & o & \verb|\Aomicron| & \verb|\ARomicron| & \textetr{\ARomicron} & \translitetr{\Aomicron} \\
+\textetr{p} & p & \verb|\Api| & \verb|\ARpi| & \textetr{\ARpi} & \translitetr{\Api} \\
+\textetr{S} & S & \verb|\Aesade| & \verb|\AResade| & \textetr{\AResade} & \translitetr{\Aesade} \\
+\textetr{q} & q & \verb|\Aqoph| & \verb|\ARqoph| & \textetr{\ARqoph} & \translitetr{\Aqoph} \\
+\textetr{r} & r & \verb|\Arho| & \verb|\ARrho| & \textetr{\ARrho} & \translitetr{\Arho} \\
+\textetr{s} & s & \verb|\Asigma| & \verb|\ARsigma| & \textetr{\ARsigma} & \translitetr{\Asigma} \\
+\textetr{t} & t & \verb|\Atau| & \verb|\ARtau| & \textetr{\ARtau} & \translitetr{\Atau} \\
+\textetr{y} & y & \verb|\Aupsilon| & \verb|\ARupsilon| & \textetr{\ARupsilon} & \translitetr{\Aupsilon} \\
+\textetr{X} & X & \verb|\Achi| & \verb|\ARchi| & \textetr{\ARchi} & \translitetr{\Achi} \\
+\textetr{f} & f & \verb|\Aphi| & \verb|\ARphi| & \textetr{\ARphi} & \translitetr{\Aphi} \\
+\textetr{P} & P & \verb|\Apsi| & \verb|\ARpsi| & \textetr{\ARpsi} & \translitetr{\Apsi} \\
+\textetr{v} & v & \verb|\Avau| & \verb|\ARvau| & \textetr{\ARvau} & \translitetr{\Avau} \\ \hline
+\end{tabular}
+\end{table}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/archaic/trylinearb.pdf b/Master/texmf-dist/doc/fonts/archaic/trylinearb.pdf
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--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/trylinearb.pdf
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diff --git a/Master/texmf-dist/doc/fonts/archaic/trylinearb.tex b/Master/texmf-dist/doc/fonts/archaic/trylinearb.tex
new file mode 100644
index 00000000000..a39bf627a25
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/trylinearb.tex
@@ -0,0 +1,134 @@
+% trylinearb.tex Linear B font
+\documentclass{article}
+%%\documentclass[12pt]{article}
+\usepackage{linearb}
+
+\title{The Linear B Font}
+\author{}
+\date{}
+
+\renewcommand{\baselinestretch}{1.2}
+\begin{document}
+%%\maketitle
+
+ This provides short examples of the Linear B font.
+
+ The vowels (a, e, i, o, u) are: \textlinb{a e i o u}.
+
+ The d syllables (da, de, di, do, du) are: \textlinb{d D f g x}
+
+ The j syllables (ja, je, jo, ju) are: \textlinb{j J b L}.
+
+ The k syllables (ka, ke, ki, ko, ku) are: \textlinb{k K c h v}
+
+ The m syllables (ma, me, mi, mo, mu) are: \textlinb{m M y A B}
+
+ The n syllables (na, ne, ni, no, nu) are: \textlinb{n N C E F}
+
+ The p syllables (pa, pe, pi, po, pu) are: \textlinb{p P G H I}.
+
+ The q syllables (qa, qe, qi, qo) are: \textlinb{q Q X 8}.
+
+ The r syllables (ra, re, ri, ro, ru) are: \textlinb{r R O U V}.
+
+ The s syllables (sa, se, si, so, su) are: \textlinb{s S Y 1 2}
+
+ The t syllables (ta, te, ti, to, tu) are: \textlinb{t T 3 4 5}
+
+ The w syllables (wa, we, wi, wo) are: \textlinb{w W 6 7}.
+
+ The z syllables (za, ze, zo) are: \textlinb{z Z 9}.
+
+ The word divider (coded as , and : and /) are: \textlinb{, : /}
+
+ The optional a signs (a2, a3, au) are: \textlinb{\Baii{} \Baiii{} \Bau}
+
+ The optional d signs (dwe, dwo) are: \textlinb{\Bdwe{} \Bdwo}
+
+ The optional n signs (nwa) are: \textlinb{\Bnwa}
+
+ The optional p signs (pa3, pu2, pte) are: \textlinb{\Bpaiii{} \Bpuii{} \Bpte}
+
+ The optional r signs (ra2, ra3, ro2) are: \textlinb{\Braii{} \Braiii{} \Broii}
+
+ The optional s signs (swa, swi) are: \textlinb{\Bswa{} \Bswi}
+
+ The optional t signs (ta2, two) are: \textlinb{\Btaii{} \Btwo}
+
+%%\clearpage
+
+ The numbers 1 to 9: \textlinb{\BNi{} \BNii{} \BNiii{} \BNiv{} \BNv{} \BNvi{} \BNvii{} \BNviii{} \BNix}
+
+ The numbers 10 to 90: \textlinb{\BNx{} \BNxx{} \BNxxx{} \BNxl{} \BNl{} \BNlx{} \BNlxx{} \BNlxxx{} \BNxc}
+
+ The numbers 100 to 900: \textlinb{\BNc{} \BNcc{} \BNccc{} \BNcd{} \BNd{} \BNdc{} \BNdcc{} \BNdccc{} \BNcm}
+
+ The number 1000: \textlinb{\BNm}
+
+ The unidentified signs: \textlinb{\BUi\ \BUii\ \BUiii\ \BUiv\ \BUv\ \BUvi\
+ \BUvii\ \BUviii\ \BUix\ \BUx\ \BUxi} \\
+ Note that, depending on the source, the sign \textlinb{\BUxii} is classed
+either as an unidentified sign or as an optional \textit{twe} sign.
+
+%%\clearpage
+
+\newcommand{\egtext}{\Bti\Bme/\Bto/\Bre\Bti\Bre}
+\newcommand{\egnum}{\BNm\BNcm\BNlxxx\BNiv\ \BUiii}
+The Linear B text \textlinb{\egtext} transliterates to
+\translitlinb{\egtext} and \textlinb{\egnum} transliterates
+to \translitlinb{\egnum}.
+The previous sentence was produced by:
+\begin{verbatim}
+\newcommand{\egtext}{\Bti\Bme/\Bto/\Bre\Bti\Bre}
+\newcommand{\egnum}{\BNm\BNcm\BNlxxx\BNiv\ \BUiii}
+The Linear B text \textlinb{\egtext} transliterates to
+\translitlinb{\egtext} and \textlinb{\egnum} transliterates
+to \translitlinb{\egnum}.
+\end{verbatim}
+
+\newcommand{\weights}{\BPwta\ \BPwtb\ \BPwtc\ \BPwtd\ \BPtalent}
+The system of weight measures: \textlinb{\weights} which transliterates as:
+ \translitlinb{\weights}
+
+\newcommand{\fluids}{\BPvola\ \BPvolb\ \BPvolcd\ \BPvolcf}
+The system of fluid measures: \textlinb{\fluids} which transliterates as:
+ \translitlinb{\fluids}
+
+\newcommand{\commodities}{\BPcloth\ \BPwool\ \BPwheat\ \BPbarley\
+ \BPwine\ \BPolive\ \BPbronze\ \BPgold}
+Some commodities: \textlinb{\commodities} which transliterates as:
+ \translitlinb{\commodities}
+
+\newcommand{\menhorses}{\BPman\ \BPwoman\ \BPhorse\ \BPfoal}
+Some people and animals: \textlinb{\menhorses} which transliterates as:
+ \translitlinb{\menhorses}
+
+\newcommand{\livestock}{\BPpig\ \BPboar\ \BPsow\
+ \BPox\ \BPbull\ \BPcow\
+ \BPsheep\ \BPram\ \BPewe\
+ \BPgoat\ \BPbilly\ \BPnanny}
+Some livestock: \textlinb{\livestock} which transliterates as:
+ \translitlinb{\livestock}
+
+\newcommand{\weapons}{\BPchariot\ \BPchassis\ \BPwheel\
+ \BPsword \BParrow\ \BPspear}
+Some weapons: \textlinb{\weapons} which transliterates as:
+ \translitlinb{\weapons}
+
+
+
+
+\end{document}
+
+Just checking that transliteration does no permanent damage:
+First \textlinb{\egtext}
+then as \translitlinb{\egtext}
+and back again \textlinb{\egtext}
+
+\end{document}
+
+A familiar English saying:
+\textlinb{Now Is The Time For All Good Men And Women To Come To The Aid Of the
+Party While the Quick Brown Fox Jumps Over The Lazy Dog}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/archaic/trynabatean.pdf b/Master/texmf-dist/doc/fonts/archaic/trynabatean.pdf
new file mode 100644
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--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/trynabatean.pdf
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diff --git a/Master/texmf-dist/doc/fonts/archaic/trynabatean.tex b/Master/texmf-dist/doc/fonts/archaic/trynabatean.tex
new file mode 100644
index 00000000000..28ee538207b
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/trynabatean.tex
@@ -0,0 +1,72 @@
+% trynabatean.tex Test Nabatean fonts
+\documentclass[11pt]{article}
+\usepackage{nabatean}
+
+
+\newcommand{\thisfont}{Nabatean}
+\newcommand{\abc}{a b g d h w z H T y k l m n s o p x q r S t}
+\newcommand{\UCABC}{ABGDZEWHIYKLMNOPUVQRSXT}
+
+
+\title{Try Nabatean Fonts}
+%%\author{Peter Wilson \\ \texttt{peter.r.wilson@boeing.com}}
+\author{}
+\date{}
+\begin{document}
+\maketitle
+
+ This provides a short test of the characters in the \thisfont{} fonts
+--- the \verb|nab| font family.
+
+\begin{center}
+The \thisfont{} font in the huge size \\
+{\nabfamily\huge \abc\par}
+\end{center}
+
+\begin{center}
+The font in its normal size \\
+\textnab{\abc} \\
+and the Computer Modern Roman for comparison \\
+\abc
+\end{center}
+
+ \thisfont{} in \thisfont{} is: \textnab{nabatan} \\
+which transliterates as: \translitnab{\An\Aa\Ab\Aa\At\Aa\An}
+
+
+\begin{table}
+\centering
+\caption{Alphabet and commands}
+\begin{tabular}{|c|c|c|l|l|} \hline
+Value & Glyph & ASCII & Command & Command \\ \hline
+\translitnab{\Aa} & \textnab{a} & ' a & \verb|\Arq| \verb|\Aa| & \verb|\Aaleph| \\
+\translitnab{\Ab} & \textnab{b} & b & \verb|\Ab| & \verb|\Abeth| \\
+\translitnab{\Ag} & \textnab{g} & g & \verb|\Ag| & \verb|\Agimel| \\
+\translitnab{\Ad} & \textnab{d} & d & \verb|\Ad| & \verb|\Adaleth| \\
+\translitnab{\Ah} & \textnab{h} & h & \verb|\Ah| & \verb|\Ahe| \\
+\translitnab{\Aw} & \textnab{w} & w & \verb|\Aw| & \verb|\Avav| \\
+\translitnab{\Az} & \textnab{z} & z & \verb|\Az| & \verb|\Azayin| \\
+\translitnab{\Ahd} & \textnab{H} & H & \verb|\Ahd| & \verb|\Aheth| \\
+\translitnab{\Atd} & \textnab{T} & T & \verb|\Atd| & \verb|\Ateth| \\
+\translitnab{\Ay} & \textnab{y} & y & \verb|\Ay| & \verb|\Ayod| \\
+\translitnab{\Ak} & \textnab{k} & k & \verb|\Ak| & \verb|\Akaph| \\
+\translitnab{\Al} & \textnab{l} & l & \verb|\Al| & \verb|\Alamed| \\
+\translitnab{\Am} & \textnab{m} & m & \verb|\Am| & \verb|\Amem| \\
+\translitnab{\An} & \textnab{n} & n & \verb|\An| & \verb|\Anun| \\
+\translitnab{\As} & \textnab{s} & s & \verb|\As| & \verb|\Asamekh| \\
+\translitnab{\Ao} & \textnab{o} & ` o & \verb|\Alq| \verb|\Ao| & \verb|\Aayin| \\
+\translitnab{\Ap} & \textnab{p} & p & \verb|\Ap| & \verb|\Ape| \\
+\translitnab{\Asd} & \textnab{x} & x & \verb|\Asd| & \verb|\Asade| \\
+\translitnab{\Aq} & \textnab{q} & q & \verb|\Aq| & \verb|\Aqoph| \\
+\translitnab{\Ar} & \textnab{r} & r & \verb|\Ar| & \verb|\Aresh| \\
+\translitnab{\Asv} & \textnab{S} & S & \verb|\Asv| & \verb|\Ashin| \\
+\translitnab{\At} & \textnab{t} & t & \verb|\At| & \verb|\Atav| \\
+\hline
+\end{tabular}
+\end{table}
+
+
+
+\end{document}
+
+
diff --git a/Master/texmf-dist/doc/fonts/archaic/tryoands.pdf b/Master/texmf-dist/doc/fonts/archaic/tryoands.pdf
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index 00000000000..b87ca672c83
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/tryoands.pdf
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diff --git a/Master/texmf-dist/doc/fonts/archaic/tryoands.tex b/Master/texmf-dist/doc/fonts/archaic/tryoands.tex
new file mode 100644
index 00000000000..d4508270631
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/tryoands.tex
@@ -0,0 +1,51 @@
+% tryoands.tex Test OandS fonts
+\documentclass{article}
+\usepackage{oands}
+
+
+
+\newcommand{\OANDS}{` z}
+
+\title{Try OandS Fonts}
+\author{Peter Wilson}
+\date{}
+\begin{document}
+\maketitle
+
+ This provides a short test of the characters in the Odds and Sods font
+--- the \verb|oands| font family.
+
+\begin{center}
+The font in Large size \\
+{\oandsfamily\Large \OANDS}
+\end{center}
+
+\begin{center}
+The font --- \textoands{\OANDS} --- in its normal size \\
+%% \textoands{\OANDS} \\
+and the Computer Modern Roman --- {\OANDS} --- for comparison \\
+%% \OANDS
+\end{center}
+
+\begin{center}
+The font --- \textoands{\textit{\OANDS}} --- in its normal size and italic \\
+%%\textoands{\textit{\OANDS}} \\
+and the Computer Modern Roman --- \textit{\OANDS} --- for comparison \\
+%%\textit{\OANDS}
+\end{center}
+
+
+\begin{table}
+\centering
+\caption{Characters and commands}
+\begin{tabular}{|c|l|c|} \hline
+Symbol & Name & Command \\ \hline
+\textoands{`} & Mirrored right quote & ` \\
+\textoands{z} & Glottal stop & z \\
+\hline
+\end{tabular}
+\end{table}
+
+ This is the end of the test file.
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/archaic/tryoldprsn.pdf b/Master/texmf-dist/doc/fonts/archaic/tryoldprsn.pdf
new file mode 100644
index 00000000000..485f22f7f54
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/tryoldprsn.pdf
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diff --git a/Master/texmf-dist/doc/fonts/archaic/tryoldprsn.tex b/Master/texmf-dist/doc/fonts/archaic/tryoldprsn.tex
new file mode 100644
index 00000000000..cad53391d07
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/tryoldprsn.tex
@@ -0,0 +1,139 @@
+% tryoldprsn.tex Test Old Persian Cuneiform fonts
+\documentclass[11pt]{article}
+\usepackage{oldprsn}
+
+\newcommand{\thisfont}{Old Persian}
+\newcommand{\abc}{a i u k K x g G c j J t T o C d P D n N %
+ p f b m w M y r R l v V s S z h %
+ X q Q L B e E F :}
+\newcommand{\xerxes}{%
+ \Oxa\Osva\Oya\Oa\Ora\Osva\Oa\Owd\-% 1
+ \Oxa\Osva\Oa\Oya\Otha\Oi\Oya\Owd\-% 2
+ \Ova\Oza\Ora\Oka\Owd\-% 3
+ \Oxa\Osva\Oa\Oya\Otha\Oi\Oya\Owd\-% 4
+ \Oxa\Osva\Oa\Oya\Otha\Oi\Oya\Oa\Ona\Oa\Oma\Owd\-% 5
+ \Oda\Oa\Ora\Oya\Ova\Oha\Ou\Osva\Owd\-% 6
+ \Oxa\Osva\Oa\Oya\Otha\Oi\Oya\Oha\Oya\Oa\Owd\-% 7
+ \Opa\Ou\Occa\Owd\-% 8
+ \Oha\Oxa\Oa\Oma\Ona\Oi\Osva\Oi\Oya\Owd}
+
+
+
+
+
+\title{Try Old Persian Cuneiform Fonts}
+%%\author{Peter Wilson \\ \texttt{peter.r.wilson@boeing.com}}
+\author{}
+\date{}
+\begin{document}
+\maketitle
+
+ This provides a short test of the characters in the \thisfont{} fonts
+--- the \verb|copsn| font family.
+
+\begin{center}
+The \thisfont{} font in the huge size \\
+{\copsnfamily\huge \abc\\ 1 2 3 4 5}
+\end{center}
+
+\begin{center}
+The font in its normal size \\
+\textcopsn{\abc\\ 1 2 3 4 5} \\
+and the Computer Modern Roman for comparison \\
+\abc\\ 1 2 10 20 100
+\end{center}
+
+ \thisfont{} in the \thisfont{} script is (as near as possible): \\
+\textcopsn{ld:persian}, which transliterates as: \\
+\translitcopsn{\Ola\Oda\Owd\Opa\Ora\Osa\Oi\Oa\Ona}
+
+\clearpage
+
+ Xerxes had this inscription carved above the doorways of his palace at
+Persepolis:
+\begin{center}
+\textcopsn{\xerxes}
+\end{center}
+which transliterates as:
+\begin{center}
+\translitcopsn{\xerxes}
+\end{center}
+and which, when translated, means:
+\begin{center}
+Xerxes, the great king, the king of kings, the son of Darius the king,
+an Achaemenian.
+\end{center}
+
+%%\end{document}
+
+\begin{table}
+\centering
+\caption{Syllabary and commands}
+\begin{tabular}{|c|c|c|l|} \hline
+Value & Glyph & ASCII & Command \\ \hline
+\textit{a} & \textcopsn{a} & a & \verb|\Oa| \\
+\textit{i} & \textcopsn{i} & i & \verb|\Oi| \\
+\textit{u} & \textcopsn{u} & u & \verb|\Ou| \\
+\textit{ka} & \textcopsn{k} & k & \verb|\Oka| \\
+\textit{ku} & \textcopsn{K} & K & \verb|\Oku| \\
+\textit{xa} & \textcopsn{x} & x & \verb|\Oxa| \\
+\textit{ga} & \textcopsn{g} & g & \verb|\Oga| \\
+\textit{gu} & \textcopsn{G} & G & \verb|\Ogu| \\
+\textit{ca} & \textcopsn{c} & c & \verb|\Oca| \\
+\textit{ja} & \textcopsn{j} & j & \verb|\Oja| \\
+\textit{ji} & \textcopsn{J} & J & \verb|\Oji| \\
+\textit{ta} & \textcopsn{t} & t & \verb|\Ota| \\
+\textit{tu} & \textcopsn{T} & T & \verb|\Otu| \\
+\textit{tha} & \textcopsn{o} & o & \verb|\Otha| \\
+\textit{\c{c}a} & \textcopsn{C} & C & \verb|\Occa| \\
+\textit{da} & \textcopsn{d} & d & \verb|\Oda| \\
+\textit{di} & \textcopsn{P} & P & \verb|\Odi| \\
+\textit{du} & \textcopsn{D} & D & \verb|\Odu| \\
+\textit{na} & \textcopsn{n} & n & \verb|\Ona| \\
+\textit{nu} & \textcopsn{N} & N & \verb|\Onu| \\
+\textit{pa} & \textcopsn{p} & p & \verb|\Opa| \\
+\textit{fa} & \textcopsn{f} & f & \verb|\Ofa| \\
+\textit{ba} & \textcopsn{b} & b & \verb|\Oba| \\
+\textit{ma} & \textcopsn{m} & m & \verb|\Oma| \\
+\textit{mi} & \textcopsn{w} & w & \verb|\Omi| \\
+\textit{mu} & \textcopsn{M} & M & \verb|\Omu| \\
+\textit{ya} & \textcopsn{y} & y & \verb|\Oya| \\
+\textit{ra} & \textcopsn{r} & r & \verb|\Ora| \\
+\textit{ru} & \textcopsn{R} & R & \verb|\Oru| \\
+\textit{la} & \textcopsn{l} & l & \verb|\Ola| \\
+\textit{va} & \textcopsn{v} & v & \verb|\Ova| \\
+\textit{vi} & \textcopsn{V} & V & \verb|\Ovi| \\
+\textit{sa} & \textcopsn{s} & s & \verb|\Osa| \\
+\textit{\v{s}a} & \textcopsn{S} & S & \verb|\Osva| \\
+\textit{za} & \textcopsn{z} & z & \verb|\Oza| \\
+\textit{ha} & \textcopsn{h} & h & \verb|\Oha| \\
+\hline
+\end{tabular}
+\end{table}
+
+\begin{table}
+\centering
+\caption{Word glyphs, numerals, and commands}
+\begin{tabular}{|c|c|c|l|} \hline
+Value & Glyph & ASCII & Command \\ \hline
+\textit{x\v{s}\={a}yathiya} & \textcopsn{X} & X & \verb|\Oking| \\
+\textit{dahy\={a}u\v{s}} & \textcopsn{q} & q & \verb|\Ocountrya| \\
+\textit{dahy\={a}u\v{s}} & \textcopsn{Q} & Q & \verb|\Ocountryb| \\
+\textit{b\={u}mi\v{s}} & \textcopsn{L} & L & \verb|\Oearth| \\
+\textit{baga} & \textcopsn{B} & B & \verb|\Ogod| \\
+\textit{Auramazd\={a}} & \textcopsn{e} & e & \verb|\OAura| \\
+\textit{Ahuramazda} & \textcopsn{E} & E & \verb|\OAurb| \\
+\textit{Ahuramazda} & \textcopsn{F} & F & \verb|\OAurc| \\
+\textit{1} & \textcopsn{1} & 1 & \verb|\Oone| \\
+\textit{2} & \textcopsn{2} & 2 & \verb|\Otwo| \\
+\textit{10} & \textcopsn{3} & 3 & \verb|\Oten| \\
+\textit{20} & \textcopsn{4} & 4 & \verb|\Otwenty| \\
+\textit{100} & \textcopsn{5} & 5 & \verb|\Ohundred| \\
+\texttt{|} & \textcopsn{:} & : & \verb|\Owd| \\
+\hline
+\end{tabular}
+\end{table}
+
+%%%% This is the end of the test file.
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/archaic/tryprotosem.pdf b/Master/texmf-dist/doc/fonts/archaic/tryprotosem.pdf
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diff --git a/Master/texmf-dist/doc/fonts/archaic/tryprotosem.tex b/Master/texmf-dist/doc/fonts/archaic/tryprotosem.tex
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index 00000000000..4a2bbed130d
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/tryprotosem.tex
@@ -0,0 +1,78 @@
+% tryprotosem.tex Test Proto-Semitic fonts
+\documentclass[11pt]{article}
+\usepackage{protosem}
+
+\newcommand{\thisfont}{Proto-Semitic}
+\newcommand{\ABC}{A B D e E Y K L O P X Q R V}
+\newcommand{\abc}{a b g d z h w H T y k l m n o s p x q r S v t}
+
+\providecommand{\translitproto}[1]{}
+
+\title{The Proto-Semitic Fonts}
+\author{Peter Wilson \\ \texttt{herries dot press at earthlink dot net}}
+%%\author{}
+\date{}
+\begin{document}
+\maketitle
+
+ This provides a short test of the characters in the \thisfont{} fonts
+--- the \verb|proto| font family.
+
+ Following the declaration \verb?\protofamily? the \thisfont{} font
+is used. For just a few characters the \verb?\textproto{arg}? macro will
+typeset \verb?arg? in the \thisfont{} font.
+
+\begin{center}
+The \thisfont{} font, and alternate glyphs, in the huge size \\
+{\protofamily\huge \abc\\ \ABC\\}
+\end{center}
+
+\begin{center}
+The font, and alternates, in its normal size followed by the Computer Modern Roman
+for comparison \\
+\textproto{\abc} \\ \textproto{\ABC} \\
+\abc \\ \ABC
+\end{center}
+
+ The macro \verb?\translitproto{<cmds>}? will give a transliteration
+of the commands in its argument. For example,
+ \thisfont, as near as possible, in \thisfont{} is: \textproto{proto Semitig},
+which transliterates as \translitproto{\Ap\Ar\Ao\At\Ao{} \Asv\Ae\Am\At\Ag}.
+
+
+\begin{table}
+\centering
+\caption{Alphabet and commands}
+\begin{tabular}{|l|l|c|c|c|l|} \hline
+Name & Meaning & Value & Glyph(s) & ASCII & Commands \\ \hline
+alpu & ox & \translitproto{\Aa} & \textproto{a} \textproto{A} & a A & \verb|\Aa| \verb|\Aaleph| \verb|\AAa| \verb|\AAaleph| \\
+betu & house & \translitproto{\Ab} & \textproto{b} \textproto{B} & b B & \verb|\Ab| \verb|\Abeth| \verb|\AAb| \verb|\AAbeth| \\
+?? & throw-stick? & \translitproto{\Ag} & \textproto{g} & g & \verb|\Ag| \verb|\Agimel| \\
+?? & fish? & \translitproto{\Ad}? & \textproto{d} \textproto{D} & d D & \verb|\Ad| \verb|\Adaleth| \verb|\AAd| \verb|\AAdaleth| \\
+?? & man? & \translitproto{\Ah}? & \textproto{e} \textproto{E} & e E & \verb|\Ae| \verb|\Ahe| \verb|\AAe| \verb|\AAhe| \\
+wawwu & hook/peg & \translitproto{\Aw} & \textproto{w} & w & \verb|\Aw| \verb|\Avav| \\
+?? & ?? & \translitproto{\Az} & \textproto{z} & z & \verb|\Az| \verb|\Azayin| \\
+hotu & fence & \translitproto{\Ahd} & \textproto{h} \textproto{H} & h H & \verb|\Ahd| \verb|\Aheth| \verb|\AAhd| \verb|\AAheth| \\
+?? & twisted flax & \translitproto{\Atd}? & \textproto{T} & T & \verb|\Atd| \verb|\Ateth| \\
+yadu & hand/arm & \translitproto{\Ay} & \textproto{y} \textproto{Y} & y Y & \verb|\Ay| \verb|\Ayod| \verb|\AAy| \verb|\AAyod| \\
+kappu & palm of hand & \translitproto{\Ak} & \textproto{k} \textproto{K} & k K & \verb|\Ak| \verb|\Akaph| \verb|\AAk| \verb|\AAkaph| \\
+lamdu & ox goad & \translitproto{\Al} & \textproto{l} \textproto{L} & l L & \verb|\Al| \verb|\Alamed| \verb|\AAl| \verb|\AAlamed| \\
+mayyuma? & water & \translitproto{\Am} & \textproto{m} & m & \verb|\Am| \verb|\Amem| \\
+nahasu & snake & \translitproto{\An} & \textproto{n} & n & \verb|\An| \verb|\Anun| \\
+enu & eye & \translitproto{\Ao} & \textproto{o} \textproto{O} & o O & \verb|\Ao| \verb|\Aayin| \verb|\AAo| \verb|\AAayin| \\
+?? & ?? & \translitproto{\As}? & \textproto{s} & s & \verb|\As| \verb|\Asamekh| \\
+?? & leg/foot? & \translitproto{\Ap}? & \textproto{p} \textproto{P} & p P & \verb|\Ap| \verb|\Ape| \verb|\AAp| \verb|\AApe| \\
+?? & plant? & \translitproto{\Asd}? & \textproto{x} \textproto{X} & x X & \verb|\Asd| \verb|\Asade| \verb|\AAsd| \verb|\AAsade| \\
+?? & knot? & \translitproto{\Aq}? & \textproto{q} \textproto{Q} & q Q & \verb|\Aq| \verb|\Aqoph| \verb|\AAq| \verb|\AAqoph| \\
+rasu & head & \translitproto{\Ar} & \textproto{r} \textproto{R} & r R & \verb|\Ar| \verb|\Aresh| \verb|\AAr| \verb|\AAresh| \\
+?? & lotus pool? & \translitproto{\Asv} & \textproto{S} & S & \verb|\Asv| \verb|\Ashin| \\
+tawwu & mark & \translitproto{\At} & \textproto{t} & t & \verb|\At| \verb|\Atav| \\
+%%%?? & ?? & \translitproto{\Au} & \textproto{u} \textproto{U} & u U & \verb|\Au| \verb|\Afoot| \verb|\AAu| \verb|\AAfoot| \\
+?? & ?? & \translitproto{\Av} & \textproto{v} \textproto{V} & v V & \verb|\Av| \verb|\Ahelmet| \verb|\AAv| \verb|\AAhelmet| \\
+\hline
+\end{tabular}
+\end{table}
+
+
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/archaic/tryrunic.pdf b/Master/texmf-dist/doc/fonts/archaic/tryrunic.pdf
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diff --git a/Master/texmf-dist/doc/fonts/archaic/tryrunic.tex b/Master/texmf-dist/doc/fonts/archaic/tryrunic.tex
new file mode 100644
index 00000000000..b2085304cef
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/tryrunic.tex
@@ -0,0 +1,64 @@
+% tryrunic.tex Test Runic fonts
+\documentclass{article}
+\usepackage{runic}
+
+\newcommand{\FUT}{FU\Fthorn{}ARKGWHNIJYPXSTBEML\Fng{}DO:}
+\newcommand{\UCFUT}{FU ARKGWHNIJYPXSTBEML DO:}
+
+\title{Try Futharc (Runic) Fonts}
+\author{Peter Wilson \\ \texttt{herries dot press at earthlink dot net}}
+\date{}
+\begin{document}
+\maketitle
+
+ This provides a short test of the characters in the Runic (futharc) font
+--- the \verb|fut| font family.
+
+\begin{center}
+The Futharc font in Large size \\
+{\futfamily\Large \FUT}
+\end{center}
+
+\begin{center}
+The font in its normal size \\
+\textfut{\FUT} \\
+and the Computer Modern Roman for comparison \\
+\UCFUT
+\end{center}
+
+ RUNIC in Runic is: \textfut{RUNIK}.
+
+\begin{table}
+\centering
+\caption{Alphabet and commands}
+\begin{tabular}{|c|l|l|c|} \hline
+Letter & Name & Meaning & Command \\ \hline
+\textfut{F} & feof, feh, fe & wealth & F \\
+\textfut{U} & ur, hur & auroch & U \\
+\textfut{\Fthorn} & thorn & & \verb|\Fthorn| \\
+\textfut{A} & \ae sc, os & oak tree & A \\
+\textfut{R} & rad, rat & riding & R \\
+\textfut{K} & cen, kaun & torch & K \\
+\textfut{G} & gebu, gifu & gift & G \\
+\textfut{W} & wen & joy & W \\
+\textfut{H} & hegl, hagal & hail & H \\
+\textfut{N} & nyd, nod & need, hardship & N \\
+\textfut{I} & is & ice & I \\
+\textfut{J} & ger, yr, ar & year & J \\
+\textfut{Y} & hic, ih, eoh & & Y \\
+\textfut{P} & peorth, perc & & P \\
+\textfut{X} & eohlx & elk? & X \\
+\textfut{S} & sigil & sun & S \\
+\textfut{T} & tir & name of a star? & T \\
+\textfut{B} & berc, birth & birch tree & B \\
+\textfut{E} & h\ae c, ech, eh & horse & E \\
+\textfut{M} & man & man & M \\
+\textfut{L} & lagu & water or sea & L \\
+\textfut{\Fng} & ng & & \verb|\Fng| \\
+\textfut{D} & dag, d\ae g & day & D \\
+\textfut{O} & o, oe & mouth & O \\
+\textfut{:} & & & : \\ \hline
+\end{tabular}
+\end{table}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/archaic/tryugarite.pdf b/Master/texmf-dist/doc/fonts/archaic/tryugarite.pdf
new file mode 100644
index 00000000000..f98b19ee8d5
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/tryugarite.pdf
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diff --git a/Master/texmf-dist/doc/fonts/archaic/tryugarite.tex b/Master/texmf-dist/doc/fonts/archaic/tryugarite.tex
new file mode 100644
index 00000000000..e58f8585124
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/tryugarite.tex
@@ -0,0 +1,80 @@
+% tryugarite.tex Test Ugaritic Cuneiform fonts
+\documentclass[11pt]{article}
+\usepackage{ugarite}
+
+\newcommand{\thisfont}{Ugaritic Cuneiform}
+\newcommand{\ABC}{A B G D Z E W H I Y K L M N O P U V Q R S X T}
+\newcommand{\abc}{a b g H d h w z I J y k S l m D n Z s ` p x q r T G t i u X :}
+\newcommand{\UCABC}{ABGDZEWHIYKLMNOPUVQRSXT}
+
+
+\title{Try Ugaritic Cuneiform Fonts}
+%%\author{Peter Wilson \\ \texttt{herries dot press at earthlink dot net}}
+\author{}
+\date{}
+\begin{document}
+\maketitle
+
+ This provides a short test of the characters in the \thisfont{} fonts
+--- the \verb|cugar| font family.
+
+\begin{center}
+The \thisfont{} font in the huge size \\
+{\cugarfamily\huge \abc\\}
+\end{center}
+
+\begin{center}
+The font in its normal size \\
+\textcugar{\abc} \\
+and the Computer Modern Roman for comparison \\
+\abc
+\end{center}
+
+ \thisfont{} in \thisfont{} is (as near as possible): \\
+\textcugar{ugaritiG:Gunirm}, which transliterates as: \\
+\translitcugar{\Au\Agimel\Aaleph\Aresh\Ai\Atav\Ai\Agd\Awd\Agd\Au\Anun\Ai\Aresh\Amem}.
+
+
+
+\begin{table}
+\centering
+\caption{Alphabet and commands}
+\begin{tabular}{|c|c|c|l|l|} \hline
+Value & Glyph & ASCII & Command & Command \\ \hline
+\translitcugar{\Arq} & \textcugar{a} & ' a & \verb|\Arq| \verb|\Aa| & \verb|\Aaleph| \\
+\translitcugar{\Ab} & \textcugar{b} & b & \verb|\Ab| & \verb|\Abeth| \\
+\translitcugar{\Ag} & \textcugar{g} & g & \verb|\Ag| & \verb|\Agimel| \\
+\translitcugar{\Ahu} & \textcugar{I} & I & \verb|\Ahu| & \\
+\translitcugar{\Ad} & \textcugar{d} & d & \verb|\Ad| & \verb|\Adaleth| \\
+\translitcugar{\Ah} & \textcugar{h} & h & \verb|\Ah| & \verb|\Ahe| \\
+\translitcugar{\Aw} & \textcugar{w} & w & \verb|\Aw| & \verb|\Avav| \\
+\translitcugar{\Az} & \textcugar{z} & z & \verb|\Az| & \verb|\Azayin| \\
+\translitcugar{\Ahd} & \textcugar{H} & H & \verb|\Ahd| & \verb|\Aheth| \\
+\translitcugar{\Atd} & \textcugar{T} & T & \verb|\Atd| & \verb|\Ateth| \\
+\translitcugar{\Ay} & \textcugar{y} & y & \verb|\Ay| & \verb|\Ayod| \\
+\translitcugar{\Ak} & \textcugar{k} & k & \verb|\Ak| & \verb|\Akaph| \\
+\translitcugar{\Asa} & \textcugar{X} & X & \verb|\Asa| & \\
+\translitcugar{\Al} & \textcugar{l} & l & \verb|\Al| & \verb|\Alamed| \\
+\translitcugar{\Am} & \textcugar{m} & m & \verb|\Am| & \verb|\Amem| \\
+\translitcugar{\Adb} & \textcugar{D} & D & \verb|\Adb| & \\
+\translitcugar{\An} & \textcugar{n} & n & \verb|\An| & \verb|\Anun| \\
+\translitcugar{\Azd} & \textcugar{Z} & Z & \verb|\Azd| & \\
+\translitcugar{\As} & \textcugar{s} & s & \verb|\As| & \verb|\Asamekh| \\
+\translitcugar{\Alq} & \textcugar{`} & ` o & \verb|\Alq| \verb|\Ao| & \verb|\Aayin| \\
+\translitcugar{\Ap} & \textcugar{p} & p & \verb|\Ap| & \verb|\Ape| \\
+\translitcugar{\Asd} & \textcugar{x} & x & \verb|\Asd| & \verb|\Asade| \\
+\translitcugar{\Aq} & \textcugar{q} & q & \verb|\Aq| & \verb|\Aqoph| \\
+\translitcugar{\Ar} & \textcugar{r} & r & \verb|\Ar| & \verb|\Aresh| \\
+\translitcugar{\Atb} & \textcugar{J} & J & \verb|\Atb| & \\
+\translitcugar{\Agd} & \textcugar{G} & G & \verb|\Agd| & \\
+\translitcugar{\At} & \textcugar{t} & t & \verb|\At| & \verb|\Atav| \\
+\translitcugar{\Ai} & \textcugar{i} & i & \verb|\Ai| & \\
+\translitcugar{\Au} & \textcugar{u} & u & \verb|\Au| & \\
+\translitcugar{\Asg} & \textcugar{V} & V & \verb|\Asg| & \\
+\translitcugar{\Awd} & \textcugar{:} & : & \verb|\Awd| & \\
+\hline
+\end{tabular}
+\end{table}
+
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/archaic/ugarite-README b/Master/texmf-dist/doc/fonts/archaic/ugarite-README
new file mode 100644
index 00000000000..be9199f8704
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/ugarite-README
@@ -0,0 +1,86 @@
+ The ugarite bundle provides fonts for the Ugaritic Cuniform script in use
+about 1300 BC.
+This is one of a series of ancient scripts.
+
+Changes in version 1.2 (2005/06/18)
+o Font supplied as Postscript Type1 instead of MetaFont
+
+Changes in version 1.1 (2000/09/30)
+o Minor encoding changes
+
+Changes in version 1.0 (1999/03/14)
+o First public release
+
+------------------------------------------------------------------
+ Author: Peter Wilson (Herries Press) herries dot press at earthlink dot net
+ Copyright 1999--2005 Peter R. Wilson
+
+ This work may be distributed and/or modified under the
+ conditions of the Latex Project Public License, either
+ version 1.3 of this license or (at your option) any
+ later version.
+ The latest version of the license is in
+ http://www.latex-project.org/lppl.txt
+ and version 1.3 or later is part of all distributions of
+ LaTeX version 2003/06/01 or later.
+
+ This work has the LPPL maintenance status "author-maintained".
+
+ This work consists of the files:
+ README (this file)
+ ugarite.dtx
+ ugarite.ins
+ ugarite.pdf
+ and the derived files
+ ugarite.sty
+ ot1cugar.fd
+ t1cugar.fd
+ ugarite.map
+ cugar10.mf
+
+------------------------------------------------------------------
+ The distribution consists of the following files:
+README (this file)
+ugarite.dtx
+ugarite.ins
+ugarite.pdf (user manual)
+tryugarite.tex (example usage)
+tryugarite.pdf
+cugar10.afm
+cugar10.pfb
+cugar10.tfm
+
+ To install the bundle:
+o If you want MetaFont sources uncomment the appropriate lines in ugarite.ins.
+o run: latex ugarite.ins, which will generate:
+ ugarite.sty
+ *.fd files
+ ugarite.map
+ and possibly cugar10.mf
+o Move *.sty and *.fd files to a location where LaTeX will find them
+ e.g., .../texmf-local/tex/latex/ugarite
+o Move *.afm, *.pfb and *.tfm files to where LaTeX looks for font information
+ e.g., .../texmf-var/fonts/afm/public/archaic/*.afm
+ .../texmf-var/fonts/type1/public/archaic/*.pfb
+ .../texmf-var/fonts/tfm/public/archaic/*.tfm
+o Add the *.map information to the dvips/pdftex font maps
+ If you want the MetaFont version as well:
+ o Move the *.mf files to, e.g., .../texmf-var/fonts/source/public/ugarite
+ o Add a line like the following to the (texmf/fontname/)special.map file:
+ cugar10.mf public ugarite
+o Refresh the database
+ (for more information on the above see the FAQ).
+
+o run: (pdf)latex tryugarite for a test of the font
+
+ If you want a full manual with all the MetaFont and LaTeX code and commentry,
+comment out the \OnlyDescription line in ugarite.dtx.
+o run: (pdf)latex ugarite.dtx
+o (for an index run: makeindex -s gind.ist *.idx)
+o run: (pdf)latex *.dtx
+o Print *.(pdf|dvi) for a hardcopy of the package manual
+
+2005/06/18
+Peter Wilson
+herries dot press at earthlink dot net
+
diff --git a/Master/texmf-dist/doc/fonts/archaic/ugarite.pdf b/Master/texmf-dist/doc/fonts/archaic/ugarite.pdf
new file mode 100644
index 00000000000..61545b17a99
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/ugarite.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/archaic/viking-README b/Master/texmf-dist/doc/fonts/archaic/viking-README
new file mode 100644
index 00000000000..8b4d1acf3ea
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/viking-README
@@ -0,0 +1,38 @@
+ The viking package provides fonts for the runic script used by the vikings
+in Scandinavia from about 700 AD to about 1200 AD. It is based on and meant as
+adn addition to Peter Wilsons collection of ancient fonts.
+
+ The distribution consists of the following files:
+README.txt (this file)
+viking.ins
+viking.dtx
+try_vik.tex
+
+ The distribution is provided under the terms of the LaTeX
+Project Public License (LPPL).
+
+ To install the package:
+o run: latex viking.ins, which will generate:
+ vik*.mf files
+ *.fd files
+ viking.sty
+o run: latex viking.dtx or: pdflatex viking.dtx
+o run: makeindex -s gind.ist viking
+o run: latex viking.dtx or: pdflatex viking.dtx
+o Print viking.dvi (or viking.pdf) for a hardcopy of the package manual
+o Move the generated files to locations where LaTeX will find them.
+ For example: the vik*.mf files to .../texmf/fonts/source/public/viking
+ the *.fd and .sty files to /texmf/tex/latex/local/viking
+ On a teTeX distribution you might also have to add the following
+ line to texmf/fontname/special.map:
+ fut10.mf public viking
+ On a teTeX distribution remember to run texhash after moving the files.
+
+ On a MikTeX distribution you will have to refresh the filename database
+ from the MikTeX options program.
+o run: latex try_vik or pdflatex try_vik
+ for a testpage of this Runic font
+
+2003/08/12
+Uwe Zimmermann
+Uwe.Zimmermann@sciencetronics.com
diff --git a/Master/texmf-dist/doc/fonts/archaic/viking-try_vik.tex b/Master/texmf-dist/doc/fonts/archaic/viking-try_vik.tex
new file mode 100644
index 00000000000..ed0715b5479
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/archaic/viking-try_vik.tex
@@ -0,0 +1,58 @@
+\documentclass{article}
+\usepackage{viking}
+\newcommand{\AD}{\textsc{ad}}
+\newcommand{\VIK}{:FUDORKG.HNIEASZ.TBMLY:}
+\newcommand{\vik}{:fudork.hnias.tbmly:}
+\pagestyle{empty}
+
+\title{Try Viking Runic Fonts}
+\author{Uwe Zimmermann \\ \texttt{uwe.zimmermann@sciencetronics.com}}
+\date{}
+\begin{document}
+\maketitle\thispagestyle{empty}
+
+\begin{center}
+The Viking Futhark font its normal size \\
+\textvik{\VIK} \\
+\textvik{\vik} \\[1ex]
+and here is a runic inscription (U112) near Ed in Uppland/Sweden dating back to about 1000~\AD: \\
+{\vikfamily .RAHNUALTR.LIT.RISTA.RUNAR.EFY.FASTUI.MODUR.SINA.ONEMS.\\
+.TOTY.TOI.AIDI.KUD.HIALBI.ANT.HENA.}\\
+{\ttfamily RAHNUALTR LIT RISTA RUNAR EFY FASTUI MODUR SINA ONEMS \\
+ TOTY TOI AIDI KUD HIALBI ANT HENA }\\
+{\itshape Raghnvaldr let carve runes after Fastvi, mother his, Onem's\\
+daughter, (who) died in Ed. God help soul hers.}
+\end{center}
+
+
+\begin{center}
+\begin{tabular}{|cc|l|l|c|} \hline
+\multicolumn{2}{|c|}{Runic letter} & \multicolumn{1}{|c|}{Name} & \multicolumn{1}{|c|}{Meaning} & Command \\
+long-arm & short-arm &&&\\
+ \hline
+\textvik{F} &\textvik{f} & fe, fiu & wealth & F \\
+\textvik{U} &\textvik{u} & ur, urR & auroch & U \\
+\textvik{D} &\textvik{d} & thurs, thhurs & troll, giant & D \\
+\textvik{O} &\textvik{o} & ass & asa-god & O \\
+\textvik{R} &\textvik{r} & reidh, raithu & riding & R \\
+\textvik{K} &\textvik{k} & kaun & wound & K \\
+\textvik{G} & & & & G \\[1ex]
+\textvik{H} &\textvik{h} & hagal & hail & H \\
+\textvik{N} &\textvik{n} & naudhr, nauthR& need & N \\
+\textvik{I} &\textvik{i} & is & ice & I \\
+\textvik{E} & & & & E \\
+\textvik{A} &\textvik{a} & ar & year & A \\
+\textvik{S},\textvik{Z} &\textvik{s} & sol, sulu & sun & S, Z \\[1ex]
+%&&&&\\
+\textvik{T} &\textvik{t} & Tyr, tiuR & god Tyr & T \\
+\textvik{B} &\textvik{b} & biarkan & birch tree & B \\
+\textvik{M} &\textvik{m} & madhr, manR & man & M \\
+\textvik{L} &\textvik{l} & laukr, laugr & water & L \\
+\textvik{Y} &\textvik{y} & yR & bow & Y \\
+\textvik{:} &\textvik{:} & & & : \\
+\textvik{.} &\textvik{.} & & & . \\
+\hline
+\end{tabular}
+\end{center}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/aurical/Auricall.sfd b/Master/texmf-dist/doc/fonts/aurical/Auricall.sfd
new file mode 100644
index 00000000000..768f77924dd
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/aurical/Auricall.sfd
@@ -0,0 +1,7406 @@
+SplineFontDB: 1.0
+FontName: AuriocusKalligraphicus
+FullName: AuriocusKalligraphicus
+FamilyName: AuriocusKalligraphicus
+Weight: Medium
+Copyright: Created by Christian Gollwitzer with FontForge 1.0 \nCaligraphic handwriting
+Comments: 2004-4-15: Created.
+Version: 001.000
+ItalicAngle: 0
+UnderlinePosition: -100
+UnderlineWidth: 50
+Ascent: 720
+Descent: 280
+NeedsXUIDChange: 1
+XUID: [1021 352 772172551 5208529]
+FSType: 0
+ScriptLang: 1
+ 1 latn 1 dflt
+TtfTable: cvt 4
+!$MDh
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+ 127.152 161.296 102.368 114.698 133.049 97.0244 c 0
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+ 224.165 92.0029 231.005 91.4082 232.543 99.6562 c 0
+ 235.871 117.52 245.283 131.225 247.457 158.259 c 0
+ 249.375 182.119 250.572 198.142 238.919 222.834 c 0
+ 234.238 232.753 230.417 242.396 230.417 244.291 c 0
+ 230.417 248.068 210.381 267.219 198.534 265.547 c 0
+ 192.462 264.689 188.621 265.255 185.478 267.468 c 0
+ 175.015 274.837 144.215 263.645 130.417 269.393 c 0
+ 126.368 271.08 123.142 273.149 123.156 274.049 c 0
+ 123.284 281.949 142.637 319.393 152.451 330.729 c 0
+ 159.783 339.198 168.879 341.885 203.089 345.686 c 0
+ 214.628 346.968 224.725 349.154 226.571 350.77 c 0
+ 228.393 352.363 231.05 353.621 232.644 353.645 c 0
+ 243.978 353.812 263.998 384.725 272.23 397.126 c 0
+ 299.741 438.557 262.782 513.096 234.263 537.973 c 0
+ 218.798 551.464 203.18 546.731 194.183 554.876 c 0
+ 190.336 558.355 182.654 559.141 180.888 556.234 c 0
+ 176.744 549.422 149.722 549.352 139.324 544.271 c 0
+ 130.649 540.036 116.24 520 112.843 507.449 c 0
+ 109.866 496.453 104.932 495.595 104.858 482.955 c 0
+ 104.73 461.241 91.0537 427.082 90.5381 407.045 c 0
+ 90.2461 395.633 86.0146 384.9 86.4902 371.822 c 0
+ 87.2451 351.012 77.4131 310.903 81.5332 293.279 c 0
+ 82.3623 289.735 82.0986 281.943 80.9502 276.073 c 0
+ 75.8037 249.757 72.4541 215.601 72.6533 191.457 c 0
+ 72.9023 161.375 64.8291 159.632 65.3359 130.932 c 0
+ 65.8105 104.038 57.7275 106.413 59.5664 77.8945 c 0
+ 61.8018 43.2588 49.4004 31.9062 47.2334 2.79395 c 0
+ 45.668 -18.2588 44.3125 -23.1572 38.0439 -30.4053 c 0
+ 28.3486 -41.6152 28.4482 -81.2549 22.9082 -87.6924 c 0
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+ -0.904297 -122.753 -7.74414 -156.033 -15.332 -163.198 c 0
+ -19.3809 -167.022 -22.6191 -171.61 -22.6191 -173.522 c 0
+ -22.6191 -178.082 -35.9785 -194.372 -41.04 -195.982 c 0
+ -43.0645 -196.627 -44.8867 -198.837 -44.8867 -200.647 c 0
+ -44.8867 -204.939 -55.7695 -218.259 -75.3184 -237.895 c 0
+ -101.236 -263.928 -118.4 -269.681 -173.429 -263.635 c 0
+ -201.972 -260.498 -203.119 -259.91 -201.537 -249.23 c 0
+ -198.342 -227.671 -180.778 -213.753 -173.63 -198.623 c 0
+ -167.963 -186.626 -145.291 -179.711 -131.121 -185.658 c 0
+ -118.43 -190.984 -78.2871 -187.02 -63.7129 -179 c 0
+ -57.9482 -175.829 -46.1572 -162.591 -37.0156 -149.028 c 0
+ -30.3086 -139.08 -22.6191 -133.983 -22.6191 -129.798 c 0
+ -22.6191 -120.926 7.42578 -78.9053 11.6924 -62.1865 c 0
+ 14.4512 -51.373 19.8906 -37.4854 19.8906 -25.3438 c 0
+EndSplineSet
+EndChar
+EndChars
+EndSplineFont
diff --git a/Master/texmf-dist/doc/fonts/aurical/README b/Master/texmf-dist/doc/fonts/aurical/README
new file mode 100644
index 00000000000..e17ae7d4dd8
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/aurical/README
@@ -0,0 +1,18 @@
+Aurical
+=======
+
+Aurical is the short name for the font AuriocusKalligraphicus. It implements a
+calligraphic font resembling my handwriting in Type1-Format, T1/Cork encoding
+for use with LaTeX. Some glyphs are still missing, and there is not yet
+exhaustive kerning information. Apart from that, the font may be useful for
+invitations or informal texts, as it looks calligraphic but quite readable.
+
+See the file "aurical.tex" for an example of usage or "aurical.pdf" for the
+compiled document.
+
+This material is subject to the LaTeX Project Public License. See
+http://www.ctan.org/tex-archive/help/Catalogue/licenses.lppl.html for the
+details of that license.
+
+Christian Gollwitzer <auriocus@btcips73x1.cip.uni-bayreuth.de>
+
diff --git a/Master/texmf-dist/doc/fonts/aurical/aurical.pdf b/Master/texmf-dist/doc/fonts/aurical/aurical.pdf
new file mode 100644
index 00000000000..a00048034a6
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/aurical/aurical.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/aurical/aurical.tex b/Master/texmf-dist/doc/fonts/aurical/aurical.tex
new file mode 100644
index 00000000000..184e4357eca
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/aurical/aurical.tex
@@ -0,0 +1,49 @@
+\documentclass[12pt]{article}
+\usepackage{aurical}
+\usepackage[a4paper]{geometry}
+\begin{document}
+\begin{center}
+\Fontauri\fontsize{40pt}{40pt}\selectfont
+Auriocus Kalligraphicus \\
+\fontsize{30pt}{30pt}\selectfont %
+\textemdash{} a decorative font in T1 encoding \textemdash
+\end{center}
+
+This package implements a font I created for fun in April 2004. In fact I needed an absolutely free
+font that I could change (i.e. add all accent marks necessary to write Czech) and distribute. The
+font has been created in the following manner:
+
+First, I drew all characters on paper with a calligraphic pen. These images have been scanned as a
+truecolor bitmap using sane. The image has been further processed with GIMP to extract the
+foreground characters. The image has then been broken up into its individual characters, which hav
+been named according to their unicode value like \emph{uni0074.png}.
+
+These images can be imported to fontforge\footnote{a very good, free font editor, formerly known as
+pfaedit}. Then I ran ``Autotrace'' from fontforge's menu, which started
+Peter Selingers potrace on the scanned images to produce the first, raw outlines. Potrace does a
+very good job, so despite the bad quality of the scanned images the first version of the font has
+been done within a few hours.
+
+\Fontauri\fontsize{14pt}{14pt}\selectfont Despite the fact, that the font is meant to be
+decorative, it is quite good readable even for longer texts, though not at small pointsizes (I
+recommend a minimum of 12pt).
+
+\normalfont\normalsize Usage is very simple: Just include \verb!\usepackage{aurical}! into the
+preamble of your document, then you can use \verb!\Fontauri!\Fontauri{} to switch to the calligraphic
+font and \normalfont\verb!\normalfont! to switch back. Of course the mapfile and the fontfiles need
+to be installed in the usual places, so that \TeX can find them. Alternatively you can copy all of
+the files into the same directory where your document is, and \verb!dvips! it with the command\\
+\texttt{dvips -u+./aurical.map yourdocument.dvi}\\
+
+Some characters are still missing, because I have no clue what they should look like, or just
+because I was too lazy to implement them. These are: compwordmark, perthousandzero, @, Eng, Thorn,
+eth, thorn. The numbers should look like old style figures, the drawback is that they don't look good
+in calculations: \Fontauri 130-927=1057 \normalfont
+
+And now enjoy the font!
+
+\hfill{\Fontauri\fontsize{20pt}{20pt}\selectfont Christian Gollwitzer (Auriocus)}
+
+
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/barcode2/README b/Master/texmf-dist/doc/fonts/barcode2/README
new file mode 100644
index 00000000000..0ad209f8bb5
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/barcode2/README
@@ -0,0 +1,72 @@
+This package consists of
+ BCFAQ.TEX (* Some more documentation)
+ BARCODES.STY (* some often used macros for barcoding)
+ CODE39.TEX (* macros in TeX for producing code 39 barcode,
+ documented in itself)
+ CODEAN.PL ( Preprocessor for EAN and code 128 (written in Perl))
+ EANDOC.TEX (* Documentation for WLEAN.MF and CODEAN.PL)
+ EXAMPLES.TEX (* demo sheet showing the use of all barcode fonts)
+ WLC128.MF (* Raw Code 128 in Metafont format)
+ WLC39.MF (* Metafont source for Code 39)
+ WLC93.MF (* Metafont source for Code 93)
+ WLC11.MF (* Metafont source for Code 11)
+ WLEAN.MF (* Metafont source for EAN)
+ WLCR39.MF (* Metafont source for Code 39 rotated running down)
+ WLCDB.VPL ( virtual font for codabar barcode)
+ WLITF.VPL ( virtual font for ITF barcode---interleaved
+ 2 of 5)
+ WLCF39.VPL ( virtual full ascii code 39)
+ CHANGES ( text file listing the changes made)
+ README ( this file)
+ BARCODES.INS ( run this through TeX to make the files
+ ( marked above with a star*)
+ BARCODES.DTX ( required by barcodes.ins)
+
+At first you should run barcodes.ins through TeX to obtain the files
+marked above with an asterisk.
+
+To use wlitf and/or wlcdb, run it through vptovf, move the tfm and vf
+files, then in TeX say, e.g.
+
+\font\bcfont=wlitf scaled 2000
+{\bcfont+1234-}
+
+for ITF. The second line will print 1234 as ITF barcode.
++ and - make the itf start and stop sign, respectively. Please note
+that ITF requires an even number of digits.
+
+For Code 39, you may use something like
+
+\font\bcfont=wlc39 scaled 2000
+{\bcfont @Hello\char32{}12345@}
+
+This will yield the word Hello, a space and the digits from one to five.
+Please note that the @ is used as start/stop sign in this font.
+
+Code 128 requires wlc128.mf to be copied to a place where metafont can
+find it. Also you should use codean.pl to preprocess your input.
+Read the docs, code 128 is somewhat complicated.
+
+One last example:
+
+\font\bcfont=wlcdb scaled 2000
+{\bcfont a5678t \qquad b2345n \qquad c6789* \qquad d1234e}
+
+The last two code lines show the use of codabar.
+Please note that the start/stop signs for codabar get decoded, too.
+
+Usage ist freely permitted, comments are welcome, any warranty is
+void. If you may find any inconveniences, bugs, or improvements, do
+not hesitate to tell me.
+
+Please note, the package is still far from complete.
+Especially, barcodes.sty needs lots of refinement and some documentation.
+Also, code 93 is not thoroughly tested.
+
+April, 1998
+Peter Willadt
+(email: Willadt@t-online.de)
+
+
+
+
diff --git a/Master/texmf-dist/doc/fonts/barcode2/bcfaq.bbl b/Master/texmf-dist/doc/fonts/barcode2/bcfaq.bbl
new file mode 100644
index 00000000000..4dcbe98f544
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/barcode2/bcfaq.bbl
@@ -0,0 +1,47 @@
+%%
+%% This is file `bcfaq.bbl',
+%% generated with the docstrip utility.
+%%
+%% The original source files were:
+%%
+%% barcodes.dtx (with options: `bcfaqbbl')
+%% As this is a generated file, you may perhaps not want to edit it.
+%% This file belongs to the barcode package.
+%% It may be of no great use without the rest of the barcode package.
+%% \CharacterTable
+%% {Upper-case \A\B\C\D\E\F\G\H\I\J\K\L\M\N\O\P\Q\R\S\T\U\V\W\X\Y\Z
+%% Lower-case \a\b\c\d\e\f\g\h\i\j\k\l\m\n\o\p\q\r\s\t\u\v\w\x\y\z
+%% Digits \0\1\2\3\4\5\6\7\8\9
+%% Exclamation \! Double quote \" Hash (number) \#
+%% Dollar \$ Percent \% Ampersand \&
+%% Acute accent \' Left paren \( Right paren \)
+%% Asterisk \* Plus \+ Comma \,
+%% Minus \- Point \. Solidus \/
+%% Colon \: Semicolon \; Less than \<
+%% Equals \= Greater than \> Question mark \?
+%% Commercial at \@ Left bracket \[ Backslash \\
+%% Right bracket \] Circumflex \^ Underscore \_
+%% Grave accent \` Left brace \{ Vertical bar \|
+%% Right brace \} Tilde \~}
+%%
+\begin{thebibliography}{Sau92}
+
+\bibitem[Ol{\v{s}}94]{bc:ean}
+Peter Ol{\v{s}}ak.
+\newblock The ean barcodes by {\TeX}.
+\newblock {\em TUGboat}, 15(4):459--464, 1994.
+
+\bibitem[Sau92]{bc:sauter}
+John Sauter.
+\newblock Postnet codes using metafont.
+\newblock {\em TUGboat}, 13(4):472--476, 1992.
+
+\bibitem[Vul91]{bc:vulis}
+Dimitri Vulis.
+\newblock {\TeX} and envelopes.
+\newblock {\em TUGboat}, 12(2):279--284, 1991.
+
+\end{thebibliography}
+\endinput
+%%
+%% End of file `bcfaq.bbl'.
diff --git a/Master/texmf-dist/doc/fonts/barcode2/bcfaq.tex b/Master/texmf-dist/doc/fonts/barcode2/bcfaq.tex
new file mode 100644
index 00000000000..8e2e1085961
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/barcode2/bcfaq.tex
@@ -0,0 +1,597 @@
+%%
+%% This is file `bcfaq.tex',
+%% generated with the docstrip utility.
+%%
+%% The original source files were:
+%%
+%% barcodes.dtx (with options: `bcfaq')
+%% As this is a generated file, you may perhaps not want to edit it.
+%% This file belongs to the barcode package.
+%% It may be of no great use without the rest of the barcode package.
+%% \CharacterTable
+%% {Upper-case \A\B\C\D\E\F\G\H\I\J\K\L\M\N\O\P\Q\R\S\T\U\V\W\X\Y\Z
+%% Lower-case \a\b\c\d\e\f\g\h\i\j\k\l\m\n\o\p\q\r\s\t\u\v\w\x\y\z
+%% Digits \0\1\2\3\4\5\6\7\8\9
+%% Exclamation \! Double quote \" Hash (number) \#
+%% Dollar \$ Percent \% Ampersand \&
+%% Acute accent \' Left paren \( Right paren \)
+%% Asterisk \* Plus \+ Comma \,
+%% Minus \- Point \. Solidus \/
+%% Colon \: Semicolon \; Less than \<
+%% Equals \= Greater than \> Question mark \?
+%% Commercial at \@ Left bracket \[ Backslash \\
+%% Right bracket \] Circumflex \^ Underscore \_
+%% Grave accent \` Left brace \{ Vertical bar \|
+%% Right brace \} Tilde \~}
+%%
+\documentclass[a4paper]{article}
+\bibliographystyle{alpha}
+
+
+\font\itf=wlitf scaled 1200
+
+\def\bcbox#1{\lower3pt\hbox{\itf +#1-}}
+
+\newbox\bsavebox
+\newdimen\bcboxdepth
+\bcboxdepth=4pt
+\def\bdbox#1{\setbox\bsavebox\hbox{\itf +#1-}
+\vbox{\hsize=\wd\bsavebox\offinterlineskip%
+\copy\bsavebox%
+\vskip-\ht\bsavebox\vskip\bcboxdepth%
+\box\bsavebox\vskip-\bcboxdepth}}
+\def\bebox#1{\setbox\bsavebox\hbox{\itf +#1-}
+\vbox{\hsize=\wd\bsavebox\offinterlineskip%
+\copy\bsavebox%
+\copy\bsavebox%
+\vskip-\ht\bsavebox\vskip\bcboxdepth%
+\box\bsavebox\vskip-\bcboxdepth}}
+
+\def\tbs{{\tt\char92}}
+\begin{document}
+\title{Barcodes-FAQ}
+\author{Peter Willadt}
+\date{1997-11-09}
+\maketitle
+\begin{abstract}
+
+This file deals with questions about barcode fonts created for
+\TeX{}. Its purpose is not to replace the regular documents, but to add
+informations that may be of no interest for the casual reader.
+
+\end{abstract}
+
+\section{Changelog}
+
+\subsection{Changes of the barcode package in general}
+\begin{tabular}{ll}
+\em Date & \em Change\\
+1998-11-28 & included wlcr39, wlcf39, and wlc93\\
+1998-04-21 & fixed wlitf bug\\
+1998-04-10 & switched partially to docstrip archive\\
+ & added support for code 11\\
+1998-01-24 & added code 128 in MF format, changed codean.pl\\
+1997-11-08 & changed metrics of {\sc itf} start/stop chars\\
+1997-10-09 & released first version of the barcode package
+\end{tabular}
+
+\subsection{Changes within this document}
+
+\begin{tabular}{ll}
+\em Date & \em Change\\
+1998-11-28 & added docs about code 93\\
+1998-04-10 & added docs about code 11\\
+1998-01-24 & added information about code 128\\
+1997-12-08 & added contributions to {\sc ean} coding by Kalvis M. Jansons\\
+ & changed section on plessey\\
+1997-11-09 & added several items, rearranged sections\\
+1997-11-08 & started writing first version
+\end{tabular}
+
+\section{Introduction}
+
+The barcode package itself can be found on {\tt ctan} in the
+subdirectory\\ {\tt fonts/barcodes/willadt}. It contains---among
+others---several fonts in {\sc vpl} format, so your {\sc dvi} driver
+should be able to handle virtual fonts. If it doesn't, you may perhaps
+use {\em dvicopy} to resolve the references to virtual fonts, or you
+may perhaps upgrade to a more modern \TeX{} package.
+
+\section{What about docs?}
+
+\subsection{Docs about barcodes}
+
+With the barcode package, there comes documentation about {\sc ean}
+fonts. In the README file, there are short examples of the use of
+the other fonts, too. Also the files {\tt examples.tex} shows the look
+and basic usage of the barcodes.
+
+In {\sl TUGboat}, barcoding has been covered in several
+articles \cite{bc:ean,bc:sauter,bc:vulis}. The barcode package itself
+is covered in an article that has appeared in the december issue,
+1997, of {\sl TUGboat}.
+
+\subsection{Some information about code 128}
+
+Code 128 is able to print all 128 ascii chars. There are a little more
+than a hundred glyphs that are interpreted in three different
+ways. Some of the glyphs are used as shift chars to determine which
+interpretation to use. A checksum is mandatory. To use it, you must
+install {\tt wlc128.mf}.
+
+The preprocessing---switching among the different character sets,
+coding efficiently, calculating the checksum---is handled by the
+newer versions of codean.pl. This is perhaps not as pleasing as to do
+it with \TeX{} alone, but, alas, it works.
+
+The way to run the preprocessor is described in {\tt eandoc.tex}. To
+use code 128, you have to write a line starting with {\tt\tbs cxxviii\{}
+followed by the characters you want to code and followed by a closing
+brace. Non-printing seven-bit ascii characters may be specified in hex
+in C or \TeX{} style, like {\tt\tbs x3f} or \verb|^^3f|. Anything up to
+the rightmost closing brace in this line will be coded---there is no
+brace matching. But you will get a warning message if your text
+includes a right brace. So you may want to code braces in hex form to
+avoid this message. Please note that {\tt codean.pl} does almost no
+checking for errors, so if you intend to produce garbage, there are
+lots of ways. If you need code 128 escape characters, they may be
+included as hex characters with codes starting at 0x80.
+
+\begin{tabular}{lllll}
+\em Input Code & \em C128 number &\multicolumn{3}{c}{\em meaning}\\
+\em(hex) & \em(dec.) & \em Set A & \em Set B & \em Set C\\
+0x80 & 96 & FNC3 & FNC3 & 96\\
+0x81 & 97 & FNC2 & FNC2 & 97\\
+0x82 & 98 & SHIFT & SHIFT & 98\\
+0x83 & 99 & CODE C& CODE C& 99\\
+0x84 & 100 & CODE B& FNC4 & CODE B\\
+0x85 & 101 & FNC4 & CODE A& CODE A\\
+0x86 & 102 & FNC1 & FNC1 & FNC1\\
+0x87 & 103 & START A& START A& START A\\
+0x88 & 104 & START B& START B& START B\\
+0x89 & 105 & START C& START C& START C\\
+0x8a & 106 & STOP & STOP & STOP
+\end{tabular}
+
+But please keep in mind that {\tt codean.pl} does almost anything for you,
+you should not have the need to insert start/stop codes and the
+like. Only if you use EAN128, you will need {\tt FNC1}. Just to make
+it clear: For your barcode to include {\tt FNC1} you have to write
+\verb|^^86| before preprocessing.
+
+{\tt codean.pl} will insert a sequence of hex digits; the original
+text will be appended to the line as a comment.
+Also, your \TeX{} file has to define some macros. They look like
+this:
+
+\begin{verbatim}
+\font\fntcxx=wlc128 scaled \magstep3
+\def\CXXVIII{\bgroup\fntcxx\let\next\hexchar\next}
+\def\cxxviii{\message{OOPS, use codean.pl}}
+\def\hexchar#1#2{\if#1@
+ \global\let\next\egroup
+ \else\char"#1#2\fi\next}
+\end{verbatim}
+
+If you do not like end recursion, you might use other ones. If
+you dislike the hex format produced by {\tt codean.pl}, you are free to
+change it---as long as you don't redistribute.
+
+\subsection{A little bit about code 11}
+
+Code 11 is a numeric-only barcode. It is almost as space-efficient as
+{\sc itf}, and it comes with a checksum. The checksum should be
+swallowed by the reading device. The checksum is a weighted mod-11
+checksum. There are apparently two kinds of checksum in use: such with
+one checkdigit and such with two checkdigits.
+
+To use code 11, you should include {\tt barcode.sty}. \TeX{} will
+calculate the checksum on its own. If you need two check digits, you
+should say\\
+{\tt\tbs codexichecksumktrue}.\\
+How many check digits you
+actually need should be made clear in the documentation to your
+reading device\footnote{You may also want to check the documentation
+to find out if your reading device supports code 11 at all; code 11 is
+not that common.}. You may code the digits 0--9, and the minus
+sign. The start and stop sign is mapped to the @ character. Here is a
+full example. {Please note: If you do not use \LaTeX{}, you may
+have to supply a definition for {\tt\tbs makeatletter}
+and {\tt\tbs makeatother}}:
+
+\begin{verbatim}
+\input barcodes.sty
+%% with two check digits
+\codexichecksumktrue
+\codxi{12-1234}
+
+%% with only one check digit.
+\codexichecksumkfalse
+\codxi{12-1234}
+\bye
+\end{verbatim}
+
+\subsection{About code 93}
+
+Code 93 is a little bit more compact than code 39 (as it uses also the
+gap between the characters), but in other aspects it is quite
+similiar. A checksum with two digits is mandatory. As with code 11,
+checksumming works by weighing the characters different depending on
+their position within the barcode.
+
+The version of code 93 that is included within the package resorts to
+uppercase ascii, digits, and to some other signs. Start and stop sign
+are mapped to {\tt<} and {\tt>}, respectively.
+
+Full ascii works similiar to full ascii with code 39 (that means with
+escape characters), but fortunately the escape characters are
+different from ordinary characters, so that you can hardly be
+misunderstood. Unfortunately the escape characters are named (\$),
+(\%), (/), and (+), so I decided to map them to opening and closing
+parentheses and brackets, respectively. This may not seem very clever
+when it comes to full ascii, but these characters may also appear as
+checksum characters, so we need them when doing uppercase ascii,
+too. For full ascii, it would be clever to redo the font in a
+completely different way and to map start sign, stop sign and the four
+escape characters to positions above 128, so that any 7 bit ascii
+character can be input directly.
+
+Code 93 is supported by codean.pl in the same way as ean or code 128
+are. You have to write {\tt\tbs xciii\{YOUR DATA 123\}}, run the file
+through {\tt codean.pl}, then you'll get\\
+{\tt\tbs XCIII\{YOUR DATA 123NN\}\%Code93(YOUR DATA 123)}
+
+The NN make up the two check characters. Normally, they are different,
+but in this example they are equal, by incident.
+
+\subsection{Docs about VPL Files}
+
+VPL files are documented in the files {\tt VPtoVF.WEB} and {\tt
+VFtoVP.WEB}. Both files can be found on {\sc ctan} under {\tt
+SYSTEMS/KNUTH}. {\em WEAVE} may be used to produce \TeX{} files. The
+documentation about the VPL/VF file formats is covered within the
+first few sections.
+
+\section{I want other metrics etc.}
+
+\subsection{My barcodes should have depth}
+
+You have got several possibilities to obtain depth. The most simple
+approach may be to set the barcodes with the regular barcode fonts into an
+{\tt\tbs hbox} and then to {\tt\tbs lower} this hbox.
+
+Let's look at an example:
+
+\begin{verbatim}
+\font\itf=wlitf scaled 1200
+\def\bcbox#1{\lower3pt\hbox{\itf +#1-}}
+ Example:
+{\sc itf} barcode looks like \quad\bcbox{1009}\quad
+for 1009, e.g.
+\end{verbatim}
+
+This code yields the following result:
+
+{\sc itf} barcode looks like \quad\bcbox{1009}\quad for 1009, e.g.
+
+Another approach is to edit the font sources. In case of {\sc vpl}
+files, this is quite painful. Rules in {\sc vpl} files do not have
+depth, so you have to change the characters mapping in a way that you
+add a {\em movedown} before you draw, and a {\em moveup} afterwards.
+You may see the changes for an arbitrary character from {\tt
+WLITF.VPL}:
+
+\begin{verbatim}
+(CHARACTER D48
+ (COMMENT from WLITF.VPL}
+ (CHARWD D 14) (CHARHT R 10)
+ (CHARDP R 0) (CHARIC R 0.0)
+ (MAP
+ (SETRULE R 14 R 1)(MOVERIGHT R 1)
+ (SETRULE R 14 R 1)(MOVERIGHT R 1)
+ (SETRULE R 14 R 2)(MOVERIGHT R 2)
+ (SETRULE R 14 R 2)(MOVERIGHT R 2)
+ (SETRULE R 14 R 1)(MOVERIGHT R 1)
+ )
+ )
+\end{verbatim}
+
+This character may be lowered by four units by editing in a way that the
+following lines result. Please note that there were not only the {\em
+moveup} and {\em movedown} commands added, but also the height an
+depth have been changed.
+
+\begin{verbatim}
+(CHARACTER D48
+ (COMMENT Lowered to give some depth)
+ (CHARWD D 14) (CHARHT R 10)
+ (CHARDP R 4) (CHARIC R 0.0)
+ (MAP
+ (MOVEDOWN R 4)
+ (SETRULE R 14 R 1)(MOVERIGHT R 1)
+ (SETRULE R 14 R 1)(MOVERIGHT R 1)
+ (SETRULE R 14 R 2)(MOVERIGHT R 2)
+ (SETRULE R 14 R 2)(MOVERIGHT R 2)
+ (SETRULE R 14 R 1)(MOVERIGHT R 1)
+ (MOVEUP R 4)
+ )
+ )
+\end{verbatim}
+
+\subsection{My barcodes are too tall}
+
+For the sake of the person who has to scan the barcodes, barcodes just
+can't be tall enough. If the complete code is as tall as wide, the
+reading device can be twisted against the code at an angle of 45
+degrees. If they are half as high, the angle reduces to 26 degrees.
+
+If you really want short codes, you have to edit the sources. In the
+{\sc vpl} file, you have to change the {\em charht} and the first parameter
+to the {\em setrule} command at well. You also should change the {\em
+designsize} parameter.
+
+\subsection{My barcodes are not tall enough}
+
+You may also change the sources, like described in the previous
+subsection. But there is another solution that is perhaps more
+practical. The idea is simple that double black is still black and
+that you may overlay several printouts of the same barcode. Here is
+the example code (it may be made taller by adding more copies of the
+barcode box, of course). There is an extra dimension {\em bcboxdepth}
+added to yield depth for the barcodes.
+
+\begin{verbatim}
+\newbox\bsavebox
+\newdimen\bcboxdepth
+\bcboxdepth=4pt
+\def\bdbox#1{\setbox\bsavebox\hbox{\itf +#1-}
+\vbox{\hsize=\wd\bsavebox\copy\bsavebox%
+\vskip-\ht\bsavebox\vskip\bcboxdepth%
+\box\bsavebox\vskip-\bcboxdepth}}
+\def\bebox#1{\setbox\bsavebox\hbox{\itf +#1-}
+\vbox{\hsize=\wd\bsavebox\copy\bsavebox%
+\vskip0pt\copy\bsavebox%
+\vskip-\ht\bsavebox\vskip\bcboxdepth%
+\box\bsavebox\vskip-\bcboxdepth}}
+ Example:
+Tall {\sc itf} barcode looks like \quad\bdbox{1009}\quad
+or (still taller) \quad\bebox{1009}\quad for 1009, e.g.
+\end{verbatim}
+
+And here is the result, you may compare it with the output of the
+previous example:
+
+Tall {\sc itf} barcode looks like \quad\bdbox{1009}\quad or (still
+taller) \quad\bebox{1009}\quad for 1009, e.g.
+
+\subsection{My barcodes are too wide/too narrow}
+
+Perhaps you should change the barcode size (by changing
+{\tt\tbs magnification}) and then read the subsections above about too
+tall bars and bars that are not tall enough.
+
+\subsection{My barcodes should run vertically}
+
+Vertically oriented barcode is a good idea for cans, bottles and
+similiar things.
+
+It just depends on your {\sc dvi} driver. Perhaps there is a
+possibility to handle rotation via {\tt\tbs special}, as with {\em
+dvips} and the {\em rotate} macros. For experimantal purposes I have
+included a code 39 version running down instead right ({\tt
+wlcr39.mf}). You may perhaps use it with {\tt\tbs shortstack} or
+similiar. Here is some code I used (successfully) with plain \TeX:
+
+\begin{verbatim}
+\font\testfont=wlcr39 scaled 1200
+\def\bcbax{\let\next\bcbox\vbox\bgroup
+ \offinterlineskip\testfont\setbox0\hbox{@}\hsize=\wd0
+ \noindent{}@\hfil\break\next}
+\def\fertig{@\hfil\break\egroup}
+\def\bcbox#1{\if @#1\let\next\fertig\else#1\hfil\break\fi\next}
+
+Look buddy, this is \bcbax1406632@ code 39
+stacked and running downwards.
+\end{verbatim}
+
+\subsection{I heard something about full ascii code 39}
+
+Well, umh, now that you ask\dots The truth is: You may perhaps be able to
+configure your reading device to accept full ascii code~39. Then you may
+code any 7~bit character you may think of. The bad news is that most of
+the symbols have to be coded by two
+characters -- and as code 39 has already low density, you should not
+expect to get much use of it. Perhaps you might want to try code 128
+instead---it features full 7-bit ascii without any compromise.
+
+Another anti-feature is that switching to reading full-ascii code~39
+may lead to some bad reads of `normal' code~39. In full ascii, the lower
+case letters, e.g., are made by prepending the uppercase letters with a
+plus sign, so {\tt+A} is read as {\tt a}. So, if you have got regular
+code~39 that contains such character sequences, and you have switched
+your reading device to full ascii, you may get bad results.
+
+But, now that you want it: With the barcode package there comes a font
+{\tt wlcf39.vpl}. You may install it like the other vpl files. It has got
+132 characters and has already taken all the coding for full ascii, so
+when you typ {\tt e,\$4+A}, it will silently be mapped to what you
+would have typed as {\tt+E/L/D/KA}, if you would use the plain code~39
+format\footnote{Please take note: 6 characters are blown up to 9,
+think again about using another code}. In my version of full ascii
+code~39, the start/stop sign is mapped to @@ (or \verb|\char128|). So
+you actually had to add @@ to the front and the end of the example
+string. If you can not exclude that the character sequence @@ appears
+within the text you want to code, you have to avoid ligature
+processing. You may do that like this:
+
+\begin{verbatim}
+\font\fullas=wlcf39 scaled 1728
+\def\alphanolig{\char64\kern0pt}
+\def\printacode#1{{\fullas@@{\catcode`\@=\active%
+\let @=\alphanolig#1}@@}}
+\end{verbatim}
+
+You also have to escape or circumscribe special characters to make
+them really printable, of course, so that when you wanted a backspace,
+a tab, a space, a dollar sign, a percent sign, and a bell character to
+be coded, you would type something like
+
+\begin{verbatim}
+{\fullas @@\char8\char9\char32\$\%\char7}
+\end{verbatim}
+
+\section{Troubleshooting}
+
+\subsection{My barcodes can't be decoded}
+
+At first, try to make them larger. If that does't help, make them
+larger, again. If that will not help, obtain fonts in \TeX{} or
+Metafont format and make them brighter. Or, perhaps better, obtain a
+better printer.
+
+You also should check the contrast between bars and background,
+especially when using a dot matrix printer or coloured background
+or---still worse---red bars.
+
+\subsection{My decoder reads extra digits, sometimes}
+
+I guess you use {\sc itf} barcode with a number of digits that is
+sometimes even and sometimes odd. As {\sc itf} always codes two digits
+at once, you should take care just to code an even number of digits at
+any time. If an excess zero at the beginning of your number is not
+acceptable, you might try another kind of barcode instead of {\sc
+itf}.
+
+\section{Missing items}
+
+\subsection{I am missing two-of-five}
+
+I got specs for two-of-five (three bars). If you want it, let me know;
+I might implement it. For other kinds of two-of-five, I haven't got
+complete specs.
+
+\subsection{I am missing plessey}
+
+I got the specs but I haven't yet got the time to implement them. With
+plessey, there also rise several questions due to the fact that
+plessey has never been officialy standardized. The only thing that is
+absolutely sure about plessey is how binary ones and zeros are
+encoded. There are codes that are more wide-spread. Several modern
+barcode readers can't cope with plessey code.
+
+\subsection{I am missing \dots{} some other barcode}
+
+I have checked out several two-dimensional barcodes. But for most of
+them, support by \TeX{} seems to be rather pointless. Perhaps Metafont
+could be called any time you have to code something to draw the
+symbols, but you might as well use a custom drawing program that comes
+from the barcode vendor. Also, most two-dimensional barcodes (and
+other barcodes not mentioned here) are proprietary. Last not least the
+reading devices I have access to can deal only with a finite range of
+barcodes.
+
+I am sorry, but I haven't got the specs for further barcodes
+not mentioned here. If you could be so kind as to send them to me, I
+might perhaps implement them.
+
+\section{Contributions}
+
+\subsection{EAN without preprocessing}
+
+The following code is due to Kalvis M. Jansons.
+
+It handles printing of {\sc ean} without having to run a
+preprocessor. Not only are the {\sc ean} bars drawn, also the checksum
+checksum is checked. It can be easily
+adapted to non-\LaTeX{} use by omitting anything before \verb|\font|
+
+\begin{verse}
+Kalvis M. Jansons
+
+eMail: \verb|<kalvis@math.ucl.ac.uk>|
+
+\end{verse}
+
+An easy way to use the barcode fonts in \LaTeX{}:
+
+\begin{verbatim}
+\documentclass[a4paper]{article}
+
+\pagestyle{empty}
+
+\setlength{\oddsidemargin}{0pt}
+\setlength{\textwidth}{\paperwidth}
+\addtolength{\textwidth}{-2in}
+\setlength{\marginparwidth}{0pt}
+
+\setlength{\textheight}{\paperheight}
+\addtolength{\textheight}{-2.5in}
+\setlength{\topmargin}{0pt}
+
+\font\eanfont=WLEAN scaled 2000
+\def\ean#1{\vbox{\vskip20pt\eanfont#1\vskip20pt}}
+\newcount\num
+\def\a#1{\num=#1 \advance\num by `A \char\num}
+\def\b#1{\num=#1 \advance\num by `a \char\num}
+\def\c#1{\num=#1 \advance\num by `K \char\num}
+\def\C#1#2#3#4#5#6{\c#1\c#2\c#3\c#4\c#5\c#6}
+
+\def\A#1#2#3#4#5#6#7{\ifcase #7
+{\a#1\a#2\a#3\a#4\a#5\a#6}%
+\or {\a#1\a#2\b#3\a#4\b#5\b#6}%
+\or {\a#1\a#2\b#3\b#4\a#5\b#6}%
+\or {\a#1\a#2\b#3\b#4\b#5\a#6}%
+\or {\a#1\b#2\a#3\a#4\b#5\b#6}%
+\or {\a#1\b#2\b#3\a#4\a#5\b#6}%
+\or {\a#1\b#2\b#3\b#4\a#5\a#6}%
+\or {\a#1\b#2\a#3\b#4\a#5\b#6}%
+\or {\a#1\b#2\a#3\b#4\b#5\a#6}%
+\or {\a#1\b#2\b#3\a#4\b#5\a#6}%
+\fi}
+
+\newcount\cha
+\newcount\chb
+\makeatletter
+\long\def\for{\@for}
+\makeatother
+\gdef\mysix#1#2#3#4#5#6{,#1#2,#3#4,#5#6}
+\gdef\mywork#1#2{\advance\cha by #1 \advance\chb by #2}
+\gdef\barch#1.#2.#3.{
+\xdef\mylist{0#1\mysix#2\mysix#3}
+\cha=0
+\chb=0
+\for \x:=\mylist\do{\expandafter\mywork\x}
+\multiply\cha by 3
+\advance\chb by \cha
+\cha=\chb
+\divide\cha by 10
+\multiply\cha by -10
+\advance\chb by \cha}
+\def\bar#1.#2.#3.{\barch#1.#2.#3.
+\ifnum\chb>0 #1#2#3 has a bad check sum!\\[20pt]
+\else \ean{#1 +\A#2#1-\C#3+}\fi}
+\begin{document}
+
+ Examples
+
+\bar3.034325.106199.
+
+\bar4.074400.410000.
+
+\bar5.449000.055521.
+
+\bar5.010027.522336.
+
+\bar8.410005.421052.
+
+\bar9.780192.828941.
+
+\end{document}
+\end{verbatim}
+
+\bibliography{bcfaq}
+
+\end{document}
+\endinput
+%%
+%% End of file `bcfaq.tex'.
diff --git a/Master/texmf-dist/doc/fonts/barcode2/changes b/Master/texmf-dist/doc/fonts/barcode2/changes
new file mode 100644
index 00000000000..4214325c514
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/barcode2/changes
@@ -0,0 +1,18 @@
+This file documents changes to the barcode package.
+Its purpose is to make updating easier.
+
+1998-04-21 fixed wlitf bug
+1998-04-10 switched partly to docstrip-archive:
+ moved TeX and MF sources into barcodes.dtx,
+ added barcodes.ins
+ moved some macros to barcodes.sty (unfinished)
+ added code 11, so changed bcfaq.tex and examples.tex
+1998-01-24 Added Code 128. Adopted codean.pl to code 128
+ corrected isbn bug in codean.pl
+ Minor change to eandoc.tex
+ Added code 128 to bcfaq.tex, examples.tex, REAMDE
+1997-11-29 Added version date to examples.tex
+1997-11-08 Changed metrics of WLITF start and stop char
+ to remove the large whitespace.
+1997-11-08 Corrected README file.
+1997-10-09 Released first version of the barcode package. \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/barcode2/eandoc.tex b/Master/texmf-dist/doc/fonts/barcode2/eandoc.tex
new file mode 100644
index 00000000000..c89375950da
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/barcode2/eandoc.tex
@@ -0,0 +1,355 @@
+%%
+%% This is file `eandoc.tex',
+%% generated with the docstrip utility.
+%%
+%% The original source files were:
+%%
+%% barcodes.dtx (with options: `eandoc')
+%% As this is a generated file, you may perhaps not want to edit it.
+%% This file belongs to the barcode package.
+%% It may be of no great use without the rest of the barcode package.
+%% \CharacterTable
+%% {Upper-case \A\B\C\D\E\F\G\H\I\J\K\L\M\N\O\P\Q\R\S\T\U\V\W\X\Y\Z
+%% Lower-case \a\b\c\d\e\f\g\h\i\j\k\l\m\n\o\p\q\r\s\t\u\v\w\x\y\z
+%% Digits \0\1\2\3\4\5\6\7\8\9
+%% Exclamation \! Double quote \" Hash (number) \#
+%% Dollar \$ Percent \% Ampersand \&
+%% Acute accent \' Left paren \( Right paren \)
+%% Asterisk \* Plus \+ Comma \,
+%% Minus \- Point \. Solidus \/
+%% Colon \: Semicolon \; Less than \<
+%% Equals \= Greater than \> Question mark \?
+%% Commercial at \@ Left bracket \[ Backslash \\
+%% Right bracket \] Circumflex \^ Underscore \_
+%% Grave accent \` Left brace \{ Vertical bar \|
+%% Right brace \} Tilde \~}
+%%
+\documentclass{article}
+\begin{document}
+\author{Peter Willadt}
+\title{EAN Barcodes by \TeX{} an Metafont}
+\date{1998-01-24}
+\maketitle
+\begin{abstract}
+This article documents the use of the font {\tt wlean.mf}. With the font,
+there also comes an auxiliary Perl file for preprocessing TeX source.
+Its use is also documented here.
+\end{abstract}
+
+\section{Legal Restrictions and Introduction}
+
+The files in this package come with no warranty. They may be freely
+used without permission. The complete contents of this package is
+described in the file {\tt readme}. That file also contains some
+information about the use of the other barcode fonts that are
+contained. For more information about these other files you may want
+to read an article that has appeared in the december, 1997 issue of
+{\em TUGboat}. Please see also the remarks in the section {\em
+Address} later in this file.
+
+\section{About {\sc ean}}
+
+In stores, {\sc upc} and {\sc ean} codes are widely used for automatic
+identification, pricing etc. {\sc ean} consist of either eight or
+thirteen digits. Twelve digit {\sc upc} codes are like thirteen digit
+{\sc ean} with the first digit equal to zero. {\sc ean} specifications
+do not only
+require bars, also the encoded number has to be written in plain text,
+in case a reader is defective or the code is too hard to read. {\sc
+ean} is a high-density code, and so it is highly vulnerable.
+
+\subsection{Coding}
+
+The last digit of an {\sc ean} is a weighted mod 10 checksum. Digits
+are alternatingly multiplied by 1 or 3. The so calculated sum over all
+digits has to be divisible by ten without any remainder.
+
+There are three different {\sc ean} character sets labeled A, B, and
+C. Eight digit {\sc ean} codes use character sets A and C, {\sc ean}
+codes with thirteen digits use all three character sets---see below.
+
+\begin{verse}
+{\sc ean} with eight digits consists of:\\
+a sidebar\\
+the first four digits (coded in character set A),\\
+the middle separator,\\
+the other four digits (coded in character set C)\\
+another sidebar.
+\end{verse}
+
+The first half of an {\sc ean} code with thirteen digits is coded in
+the character sets A and B, the second half in character set C. The
+coding of the very first digit is hidden in the varying use of the
+character sets A and B. A C programmer might use the following table
+and algorithm to decide which character set to use for digits 2--7:
+
+\begin{verbatim}
+static UBYTE abtab[10][6]={
+ {0,0,0,0,0,0}, /* 0 */
+ {0,0,1,0,1,1}, /* 1 */
+ {0,0,1,1,0,1}, /* 2 */
+ {0,0,1,1,1,0}, /* 3 */
+ {0,1,0,0,1,1}, /* 4 */
+ {0,1,1,0,0,1}, /* 5 */
+ {0,1,1,1,0,0}, /* 6 */
+ {0,1,0,1,0,1}, /* 7 */
+ {0,1,0,1,1,0}, /* 8 */
+ {0,1,1,0,1,0} /* 9 */
+};
+
+char eancode[18];
+char eansource[14]="4025700001030";
+
+eancode[0]=eansource[0];
+eancode[1]=' ';
+eancode[2]='+';
+for(i=1;i<7;i++)
+ eancode[i+2]='A'+eansource[i]-'0'
+ +abtab[eansource[0]-'0'][i-1]*('a'-'A');
+/* then the middle separator, digits 7--13,
+ * and the final + sign */
+\end{verbatim}
+
+A zero means to use character set A and a one means to use character
+set B for the respective digit. The printed code of an {\sc ean} 13
+consist of the following elements, from left to right:
+
+\begin{verse}
+The first digit in human-readable form\\
+an {\sc ean} sidebar\\
+six digits in character sets A or B\\
+the {\sc ean} middle separator\\
+six digits in character set C\\
+another {\sc ean} sidebar
+\end{verse}
+
+Magazines or codes with pricing have a so called extension following
+the main code with some fixed distance. This extension consists of one
+sidebar and two or five digits. As I have no full {\sc ean}
+documentation at hand at the time of this writing, I am sorry that I
+am not able to tell you more about this.
+
+The {\sc ean} digits themselves obey to the following rules: Each
+digit takes seven units of space. Some of the seven elements are
+white, others are black. Digits from character set A always are white
+at the left edge and black at the right, and they always have an odd numer
+of black elements. Digits from character set B are quit similiar, but
+they have an even number of black elements. Digits from Character set C
+always start with a black element and have an even number of
+black elements. The rightmost element in character set C is always white.
+The sidebars are three elements wide, the middle separator takes five
+elements.
+
+\subsection{What {\sc ean} numbers may I use?}
+
+For inhouse use, you may use any 13-digit {\sc ean} that starts with a
+2. If you want to have your products sold elsewhere, you have to buy a
+set of {\sc ean} numbers from the organisation in your country that
+holds these numbers. For germany, this organisation is the {\em
+Zentrale f\"ur Coorganisation} in Cologne. Almost any country has a
+similiar organisation.
+
+The first digit or sometimes the first two digits code the country of
+origin, the next five to six digits code the manufacturer, the eigth
+to twelfth digits are for free use by the manufacturer. The
+thirteenth digit is, as explained above, a checksum. {\sc ean} do not
+contain any qualifiers, so if you get an {\sc ean} from somewhere, you
+may find out about the country of origin and about the manufacturer of
+the product, but if you want to know more, you have to contact the
+manufacturer.
+
+\section{Using {\tt wlean.mf}}
+
+{\tt wlean.mf} is rather raw. It contains all three {\sc ean}
+character sets within one single font, but at different places.
+The character sets A, B, C, and the digits are
+featured through the following characters:
+
+\begin{verse}
+0 to 9 yield the digits from 0 to 9\\
+A to J yield the codes from character set A\\
+a to j yield the codes from character set B\\
+K to T yield the codes from character set C\\
++ makes the left and right sidebar and\\
+- makes the middle sign
+\end{verse}
+
+So, to code the number {\tt 2099993098253}, you have to write\\
+\verb*|{\eanfont2 +AJjjJd-KTSMPN+}|. The space is necessary to separate
+the leading 2 from the barcode.
+
+{\tt wlean.mf} does not use true {\sc ocr} digits, as it should. As
+the digits will not be used for {\sc ocr}, I do not consider this as
+a serious restriction. If you really need {\sc ocr} digits, there is
+an {\sc ocr} font on {\sc ctan}. And in {\em TUGboat}, there has been
+a publication about {\sc ean}, where \TeX{} draws the bars and
+the {\sc ocr} font prints the digits, see [1].
+
+{\tt wlean.mf} uses the normal {\sc ean} dimensions. If you would like
+lower bars---in contradiction to the {\sc ean} rules---you have to edit
+the source. The rules also make recommendations about the scaling. To
+be fully compatible, this font may be scaled 0.8, 0.9, 1, 1.2, 1.4,
+1.5, 1.7, 1.85, or 2 times the original size. With a 300 dpi printer,
+I do not recommend using sizes$<1.0$.
+
+\subsection{Installation}
+
+The installation itself is pretty mundane, like with any plain font.
+Just copy {\tt wlean.mf} to a location where Metafont can find
+it. Then invoke Metafont to create a {\sc tfm} file. Move this {\sc
+tfm} file where \TeX{} can find it. Type in the example at the end of
+this file and run it through \TeX{}. Then call Metafont again to
+produce a font suitable for your printer or previewer and move this
+font to an appropriate location. You may also want to edit {\tt
+codean.pl} to run on your shell. For this purpose you have to read
+your system's documentation or the documentation that comes with Perl.
+
+\subsection{Making readable output}
+
+Don't make {\sc ean} too small. With a 300 dpi printer, you should not
+use this font with magnification$<1$; {\tt scaled 1200} will be okay.
+If you want to do mass production, go to somebody with a barcode
+reader and check your output, {\em before} you loose money. You also
+should consider changes in the blackness that may be caused by
+production printing devices. And, of course, you should only use
+colours that can be used with barcode reading devices. Especially, do
+not use red and watch for much contrast between the colour you print
+and the colour of the paper.
+
+\subsection{Coding the numbers}
+
+You will perhaps not want to write something as ugly and error-prone
+as \verb*|{\eanfont2 +AJjjJd-KTSMPN+}| manually. So you have to use a
+preprocessor\footnote{See bcfaq.tex for \TeX{} code to go without
+preprocessing. It is very fine.}. With {\tt wlean.mf} there comes a
+tiny Perl program ({\tt codean.pl}) that does preprocessing within
+your \TeX{} sources\footnote{codean.pl in the meantime also handles
+code 128. See bcfaq.tex}.
+
+The \TeX{} file to be filtered may contain any number of lines
+that have one of the following commands starting at the leftmost position.
+
+\begin{itemize}
+\item \verb|\ean{|{\em12 or 13 digit number}\verb|}|
+The number will be coded as {\sc ean}. If it is only 12 digits long, the
+checksum will be calculated, too.
+
+\item \verb|\embed{|{\em12 or 13 digit number}\verb|}|
+The number is used as a base for embedding article numbers \&c.\
+within an {\sc ean}.
+
+\item \verb|\eean{|{\em number with at most 11 digits}\verb|}|
+This number is to be embedded within an {\sc ean}.
+
+\item \verb|\isbn{|{\em valid ISBN}\verb|}| An {\sc isbn} to
+make an embedded {\sc ean} of.
+\end{itemize}
+
+Let's look at an example: You want the {\sc isbn} {\tt0-201-13448-9}
+to be embedded. So you write \verb|\isbn{0201134489}|, but you might
+also use the embedding method and write
+\verb|\embed{9780000000000}| and, somewhere later in the file,
+\verb|\eean{020113448}|. In this latter case you have to omit the last digit,
+as {\sc isbn} loose their check digit in favour of the {\sc ean} check digit.
+Anyway you do it, you get your command replaced by
+\verb|\EAN{|{\em13-digit-number-coded-strange}\verb|}| in the output
+file.
+
+But embedding is especially useful if you also write the program that
+reads the barcodes. This program might then extract your article
+number from an {\sc ean} starting with {\tt20}, eg.
+
+What you have to do is, of course, to use stub definitions for the
+three macros mentioned above---as they shall never actually be
+typeset---and to use a valid definition for \verb|\EAN|. Then you run
+your \TeX{} source through {\tt codean.pl}. This program takes as
+first parameter the name of your original file and as second parameter
+the name of your destination file. If you omit the parameters, you will
+be asked for them.
+
+You may of course also peek the source of {\tt codean.pl} to see how
+{\sc ean} checksums are calculated, and so on.
+
+\subsection{Example}
+
+Here is a full example.
+Use this \TeX{} source:
+
+\begin{verbatim}
+\font\eanfont=WLEAN
+\def\ean#1{\message{Call codean.pl}}
+\def\eean#1{\message{Call codean.pl}}
+\def\isbn#1{\message{Call codean.pl}}
+\def\embed#1{}
+\def\EAN#1{\vbox{\vskip10pt\eanfont#1\vskip10pt}}
+ Now, something to do:
+\ean{4025700001030} % or, without checksum:
+\ean{402570000103}
+\embed{2500000000000}
+\eean{123}
+\isbn{0201134489}
+\end{verbatim}
+
+Having run your file through {\tt codean.pl}, the lines after the percent
+sign look like this:
+
+\begin{verbatim}
+ Now, something to do:
+\EAN{4 +AcFHaa-KKLKNK+} % or, without checksum: %(4025700001030)
+\EAN{4 +AcFHaa-KKLKNK+} %(402570000103)
+\embed{2500000000000}
+\EAN{2 +FAaaAa-KKLMNT+} % embedded(123)
+\EAN{9 +HiaCaB-LNOOSN+} % ISBN(0201134489)
+\end{verbatim}
+
+Running this file through \TeX{}, you get {\sc dvi} output containig
+{\sc ean} barcodes. Perhaps you wonder why there is not even a
+single {\sc ean} contained within this documentation. The reason is
+quite simple: You should be able to read the docs {\em before} you
+have installed the font. But now is the right time to try the example
+on your own. Better yet, you may code an {\sc ean} where you have
+taken the number from something like your favourite candy and then,
+having printed it, you may compare the bars. This is a nice way to
+spend your evenings. I actually started deciphering {\sc ean} codes in
+this way, several years ago.
+
+\section{The End}
+
+\subsection{Address}
+
+Just in case you want to write to me, here is my address---but
+please note: I am not the {\sc ean} guru.
+
+\begin{verbatim}
+Peter Willadt
+Heinrich-Wieland-Allee 5
+75177 Pforzheim
+Germany
+email: Willadt@t-online.de
+\end{verbatim}
+
+I also would appreciate if only one version of the material contained
+in this package is distributed. So if you have any corrections,
+suggestions, \&c., please do not hesitate to send them to me to
+incorporate them within this package.
+
+\subsection{Acknowledgement}
+
+I want to express my special thanks to Barbara Beeton for proofreading
+and making valuable suggestions. If there are still any typos or
+illegibilities, that is due to the fact that I had to change some
+things later on.
+
+\begin{thebibliography}{1}
+
+\bibitem{bc:ean}
+Peter Ol{\v{s}}ak.
+\newblock The {\sc ean} barcodes by {\TeX}.
+\newblock {\em TUGboat}, 15(4):459--464, 1994.
+
+\end{thebibliography}
+
+\end{document}
+\endinput
+%%
+%% End of file `eandoc.tex'.
diff --git a/Master/texmf-dist/doc/fonts/barcode2/examples.tex b/Master/texmf-dist/doc/fonts/barcode2/examples.tex
new file mode 100644
index 00000000000..520fcb78431
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/barcode2/examples.tex
@@ -0,0 +1,138 @@
+%%
+%% This is file `examples.tex',
+%% generated with the docstrip utility.
+%%
+%% The original source files were:
+%%
+%% barcodes.dtx (with options: `example')
+%% As this is a generated file, you may perhaps not want to edit it.
+%% This file belongs to the barcode package.
+%% It may be of no great use without the rest of the barcode package.
+%% \CharacterTable
+%% {Upper-case \A\B\C\D\E\F\G\H\I\J\K\L\M\N\O\P\Q\R\S\T\U\V\W\X\Y\Z
+%% Lower-case \a\b\c\d\e\f\g\h\i\j\k\l\m\n\o\p\q\r\s\t\u\v\w\x\y\z
+%% Digits \0\1\2\3\4\5\6\7\8\9
+%% Exclamation \! Double quote \" Hash (number) \#
+%% Dollar \$ Percent \% Ampersand \&
+%% Acute accent \' Left paren \( Right paren \)
+%% Asterisk \* Plus \+ Comma \,
+%% Minus \- Point \. Solidus \/
+%% Colon \: Semicolon \; Less than \<
+%% Equals \= Greater than \> Question mark \?
+%% Commercial at \@ Left bracket \[ Backslash \\
+%% Right bracket \] Circumflex \^ Underscore \_
+%% Grave accent \` Left brace \{ Vertical bar \|
+%% Right brace \} Tilde \~}
+%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%
+%% This file documents look and use of
+%% the barcodes this package belongs to.
+%% It may be freely used without any
+%% further permission.
+%% You should have received this file as part of
+%% the barcode package.
+%%
+%% Author: Peter Willadt
+%% Date: 1997-11-29
+%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%
+%% Note:
+%% 1. This file has already been run through codean.pl
+%%
+%% 2. You need to have the fonts installed, of course.
+%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%% Fonts
+%%
+\font\xlix=wlc39 scaled 2000
+\font\itf=wlitf scaled 2000
+\font\cdb=wlcdb scaled 2000
+\font\eanfont=WLEAN scaled 1200
+\font\fntcxx=wlc128 scaled \magstep3
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%% Inputs
+%%
+\input code39.tex
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%% Def's
+%%
+%% for EAN
+\def\ean#1{\message{Call codean.pl}}
+\def\eean#1{\message{Call codean.pl}}
+\def\isbn#1{\message{Call codean.pl}}
+\def\embed#1{}
+\def\EAN#1{\vbox{\hsize=0.4\hsize\vskip10pt\eanfont#1\vskip10pt}}
+%% for Code 128
+\def\CXXVIII{\bgroup\fntcxx\let\next\hexchar\next}
+\def\hexchar#1#2{\if#1@\global\let\next\egroup\else\char"#1#2\fi\next}
+%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%% Here we go
+\parindent0pt
+Hello, this is a test sheet of the barcode fonts.
+
+At first, we deal with code 39. Code 39 is represented in this package
+both in form of a native font (Metafont-source) and in form of
+\TeX{}-macros. code 39 features low-density alphanumeric encoding.
+
+Here you may see how HELLO looks like in code 39 (the start and stop
+sign is mapped to @, if you're curious, so in the source to this sheet
+I have written {\tt@HELLO@} after having selected the proper
+font). This first example uses the font.
+
+{\xlix@HELLO@}
+
+Another approach is to use \TeX{} macros to make up bars. Here is the
+same HELLO with macros:
+
+\begincodethirtynine{HELLO}\endcodethirtynine
+
+Interleaved two-of-five (ITF for short) features high-density
+numerical-only encoding. Your code has to have an even number of
+digits. The start sign is mapped to $+$, the end sign to $-$.
+So, to code 0123456789, you type {\tt+0123456789-}, and the result
+looks like this:
+
+{\itf+0123456789-}
+
+If you still have not got enough of barcoding, here is codabar. Here
+you got four sets of start/stop signs that get decoded together with
+the numbers. The start/stop sign pairs are a/t, b/n, c/*, and d/e. So
+{\tt a12345t} looks like this:\bigskip
+
+{\cdb a12345t}
+
+Now you should have a look at code 128. The bars itself look sometimes
+disrupted; this is due to the fact that the widest elements are four
+times as wide as the narrowest. Code 128 enables you to code any 7-bit
+ascii character. With digits only, it is as efficent as itf. The bad
+news is the preprocessing required, so you have to read the docs. The
+following bars mean {\tt Hallo123456}\bigskip
+
+\CXXVIII 6828414C4C4F630C2238506A@@ % Code128(Hallo123456)
+
+And, last and perhaps most important, the EAN font. Read {\tt
+eandoc.tex} to find out how these are coded, here is just the output
+of the example code mentioned there:
+\embed{2500000000000}
+
+\line{
+\EAN{4 +AcFHaa-KKLKNK+} % or, without checksum: %(4025700001030)
+\hfil
+\EAN{4 +AcFHaa-KKLKNK+} %(402570000103)
+}
+\line{
+\EAN{2 +FAaaAa-KKLMNT+} % embedded(123)
+\hfil
+\EAN{9 +HiaCaB-LNOOSN+} % ISBN(0201134489)
+}
+
+And that's all. Perhaps you may think that this is not a beautiful
+document---but barcodes aren't beautiful. As long as reading devices
+do not have \ae{}sthetic feelings, I don't regard this as a problem.
+\bye
+\endinput
+%%
+%% End of file `examples.tex'.
diff --git a/Master/texmf-dist/doc/fonts/belleek/README b/Master/texmf-dist/doc/fonts/belleek/README
new file mode 100644
index 00000000000..4e285617872
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/belleek/README
@@ -0,0 +1,17 @@
+These are the Belleek fonts described in my paper at TUG 98, the 1998 annual
+meeting of the TeX Users Group. They are drop-in replacements for the
+proprietary fonts required by the LaTeX mathtime style, where the "dropping
+in" process is simply to change the .fd files calling for specific fonts to
+reflect the font names starting with "bl".
+
+Notwithstanding any copyright notices in the files, these fonts have been
+contributed to the public domain in their Type 1 (.pfb) and TrueType (.ttf)
+forms:
+
+ blex
+ blsy
+ rblmi
+
+Richard Kinch
+http://truetex.com
+August 18, 1998
diff --git a/Master/texmf-dist/doc/fonts/bera/LICENSE b/Master/texmf-dist/doc/fonts/bera/LICENSE
new file mode 100644
index 00000000000..442cbcfa2f9
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bera/LICENSE
@@ -0,0 +1,56 @@
+The fonts are distributed under the following copyright:
+
+Copyright
+
+Copyright (c) 2003 by Bitstream, Inc. All Rights Reserved.
+Bitstream Vera is a trademark of Bitstream, Inc.
+
+Permission is hereby granted, free of charge, to any person
+obtaining a copy of the fonts accompanying this license
+(˙Fonts˙) and associated documentation files (the ˙Font
+Software˙), to reproduce and distribute the Font Software,
+including without limitation the rights to use, copy, merge,
+publish, distribute, and/or sell copies of the Font
+Software, and to permit persons to whom the Font Software is
+furnished to do so, subject to the following conditions:
+
+The above copyright and trademark notices and this
+permission notice shall be included in all copies of one or
+more of the Font Software typefaces.
+
+The Font Software may be modified, altered, or added to, and
+in particular the designs of glyphs or characters in the
+Fonts may be modified and additional glyphs or characters
+may be added to the Fonts, only if the fonts are renamed to
+names not containing either the words ˙Bitstream˙ or the
+word ˙Vera˙.
+
+This License becomes null and void to the extent applicable
+to Fonts or Font Software that has been modified and is
+distributed under the ˙Bitstream Vera˙ names.
+
+The Font Software may be sold as part of a larger software
+package but no copy of one or more of the Font Software
+typefaces may be sold by itself.
+
+THE FONT SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF
+ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+ANY WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR
+PURPOSE AND NONINFRINGEMENT OF COPYRIGHT, PATENT, TRADEMARK,
+OR OTHER RIGHT. IN NO EVENT SHALL BITSTREAM OR THE GNOME
+FOUNDATION BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
+LIABILITY, INCLUDING ANY GENERAL, SPECIAL, INDIRECT,
+INCIDENTAL, OR CONSEQUENTIAL DAMAGES, WHETHER IN AN ACTION
+OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF THE USE
+OR INABILITY TO USE THE FONT SOFTWARE OR FROM OTHER DEALINGS
+IN THE FONT SOFTWARE.
+
+Except as contained in this notice, the names of Gnome, the
+Gnome Foundation, and Bitstream Inc., shall not be used in
+advertising or otherwise to promote the sale, use or other
+dealings in this Font Software without prior written
+authorization from the Gnome Foundation or Bitstream Inc.,
+respectively. For further information, contact: fonts at
+gnome dot org.
+
+%% finis
diff --git a/Master/texmf-dist/doc/fonts/bera/README b/Master/texmf-dist/doc/fonts/bera/README
new file mode 100644
index 00000000000..a8e1922c4a6
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bera/README
@@ -0,0 +1,189 @@
+===========================================================
+ "Bera" font pack for LaTeX
+ as of 2004-09-30
+============================================================
+ Malte Rosenau
+ Walter Schmidt
+
+
+This collection comprises the "Bera" Type1 fonts and the
+files required to use them with LaTeX on the Un*x or PC
+platform.
+
+"Bera" is a set of three PostScript Type1 font families:
+Bera Serif (a slab-serif Roman), Bera Sans (a Frutiger
+descendant), and Bera Mono (monospaced/typewriter). The
+fonts were originally designed by Bitstream, Inc in TrueType
+format under the name "Bitstream Vera". These fonts are
+available from <http://ftp.gnome.org/pub/GNOME/sources/
+ttf-bitstream-vera/1.10/>.
+
+Malte Rosenau converted the Vera fonts to the Postscript
+type1 format; the license required a different name ("Bera")
+to be assigend to the result. Ulrich Dirr (Art & Satz)
+reworked the kerning tables of the Bera Sans fonts.
+
+The file bera.pdf shows samples of the Bera fonts and lists
+all available families, series and shapes.
+
+The below installation instructions assume a TDS-compliant
+TeX system, such as teTeX, MikTeX or VTeX/Free. Yet they
+may not exactly fit your particular TeX system; please,
+consult its documentation, too! The directory name "texmf"
+refers to the root directory of a TDS directory tree. In
+case your TeX systems has more than one TDS tree, its
+documentation should tell you where to install new files.
+
+
+
+History
+-------
+2004-09-30
+ bugs in the kerning tables of BeraSans fixed
+
+2004-09-07
+ substantially improved kerning data for Bera Sans
+ (special thanks to Ulrich Dirr!);
+ minor fixes to the kerning data of Bera Serif;
+ miinor changes to the substititions in the fd files;
+ minor changes to the documentation;
+ font sample;
+
+2004-01-31
+ preliminary release
+
+
+
+Installing the Type1 font files
+-------------------------------
+The Type1 font files
+
+ fveb8a.pfb
+ fver8a.pfb
+ fvmb8a.pfb
+ fvmbo8a.pfb
+ fvmr8a.pfb
+ fvmro8a.pfb
+ fvsb8a.pfb
+ fvsbo8a.pfb
+ fvsr8a.pfb
+ fvsro8a.pfb
+
+are to be copied to the directory
+
+ texmf/fonts/type1/public/bera
+
+of your TeX system, and the related .afm files should go
+into
+
+ texmf/fonts/afm/public/bera
+
+Most likely, you will have to create these directories
+first.
+
+
+
+Installing the TeX support files from the archive bera.zip
+----------------------------------------------------------
+Unpack the ZIP archive bera.zip in the directory "texmf" of
+your TeX system; thus, all files will be copied to the
+appropriate directories.
+
+
+
+Updating the filename database
+------------------------------
+Many TeX systems require manual updating of a "filename
+database" after adding of new files. Please, consult the
+documentation of your TeX system!
+
+
+
+Configuring your TeX system
+---------------------------
+The required actions depend on the particular TeX system.
+Particular sets of instructions are provided below for
+
+ * teTeX 2.0 and later,
+ * VTeX/Free 8.x and later.
+
+In case you have a different TeX system, consult its
+documentation how to make it use the additional font map
+file named "bera.map". Two copies of this file reside in
+the directories texmf/dvips/config/ and
+texmf/fonts/map/dvips.
+
+Configuring teTeX:
+Use the shell script "updmap" to add the font map file named
+"bera.map" to the configuration. See the documentation of
+your particular teTeX version how to use the script. With
+teTeX 2.0 and above, execute the following commands:
+
+ texhash
+ updmap --enable Map bera.map
+
+
+Configuring VTeX/Free:
+Make VTeX read the additional font map ("aliasing") file
+bera.ali. This is usually accomplished by putting a record
+for this file into each of the configuration files
+
+ texmf/vtex/config/pdf.fm
+and
+ texmf/vtex/config/ps.fm
+
+"bera.ali" is to be added to the TYPE1 section of the
+above-mentioned files:
+
+ TYPE1 {
+ ...
+ bera.ali
+ }
+
+
+
+Using the Bera fonts with LaTeX
+-------------------------------
+See the file bera.txt, which resides in the directory
+texmf/doc/fonts/bera.
+
+
+
+Bugs and problems
+-----------------
+With older versions of the dvips program, font subsetting
+may fail with the Bera fonts. In this case, disable
+subsetting through the dvips option "-j0", or change the
+font map file bera.map accordingly.
+
+The Type1 fonts exhibit a font-specific encoding, rather
+than the usual "Adobe Standard". While this is irrelevant
+for TeX, it may lead to problems with applications from the
+non-TeX world. In case you encounter any such problem,
+please report to
+Malte Rosenau <malte.rosenau@theol.uni-goettingen.de>.
+
+Any bugs regarding the TeX metrics (including the kerning
+data), fd files and macros should be reported to
+WalterSchmidt <w.a.schmidt@gmx.net>.
+
+
+Legal notice
+------------
+The license terms for the Bera fonts are included in
+the file LICENSE.
+
+The contents of the archive file bera.zip are
+
+ Copyright (c) 2004 Walter Schmidt
+
+The files may be distributed (either as a ZIP archive or
+unpacked) and/or modified under the conditions of the LaTeX
+Project Public License, either version 1.2 of this license
+or (at your option) any later version. The latest version
+of this license is in http://www.latex-project.org/lppl.txt
+and version 1.2 or later is part of all distributions of
+LaTeX version 1999/12/01 or later.
+
+
+== finis
diff --git a/Master/texmf-dist/doc/fonts/bera/bera.pdf b/Master/texmf-dist/doc/fonts/bera/bera.pdf
new file mode 100644
index 00000000000..ae16f18bcc0
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bera/bera.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/bera/bera.txt b/Master/texmf-dist/doc/fonts/bera/bera.txt
new file mode 100644
index 00000000000..02d701bfdd3
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bera/bera.txt
@@ -0,0 +1,117 @@
+============================================================
+ Using the Bera fonts with LaTeX
+============================================================
+ 2004-09-07
+ Walter Schmidt
+ w.a.schmidt@gmx.net
+
+"Bera" is a set of three PostScript Type1 font families:
+Bera Serif (a slab-serif Roman), Bera Sans (a "Frutiger
+descendant") and Bera Mono (monospaced/typewriter).
+
+
+USING SINGLE FONT FAMILIES
+
+Several macro packages are provided to use these font
+families with LaTeX:
+
+package: effect:
+------------------------------------------------------------
+beraserif selects Bera Serif as the default roman family
+berasans selects Bera Sans as the default sansserif family
+beramono selects Bera Mono as the default typewriter family
+
+You need not necessarily use all three font families
+together (even though this is supported, see below).
+Bera Sans blends well with many roman typefaces, as long as
+their x-height is not too low. Bera Mono is a versatile
+"all-purpose" monospaced typeface, whose advantage over
+CM-Typewriter is the availability of a bold font series.
+
+Notice that the Bera fonts are supported with T1 (european)
+and TS1 (textcompanion) encoding only, so you should issue
+the commands
+
+ \usepackage[T1]{fontenc}
+ \usepackage{textcomp}
+
+in the document preamble. The obsolete OT1 encoding, which
+is still the default with LaTeX, is _not_ supported.
+
+The Bera fonts are much larger than many others, when used
+at the same nominal size. This can be fixed by loading the
+above package so with the option [scaled=...]. For
+instance,
+
+ \usepackage[scaled=0.95]{berasans}
+
+loads the Bera Sans fonts, scaled down to 95% of their
+"natural" size. Omitting the factor, i.e.,
+
+ \usepackage[scaled]{...}
+
+selects a default scaling of 90%, which makes the Bera fonts
+approximately match the size of the Computer Modern fonts.
+
+
+USING THE BERA FONT FAMILIES TOGETHER
+
+To make the use of the three Bera fonts families together
+most easy, a further macro package bera.sty is provided:
+
+ \usepackage{bera}
+
+effects all of the following:
+
+* T1 and textcompanion encoding is selected
+
+* Bera Roman, Sans and Mono at 90% are loaded as the three
+ main text font families (while the math fonts remain
+ unchanged!)
+
+* the line spacing is enlarged by 5%, i.e.,
+ \linespread{1.05}, with respect to the large x-height of
+ the Bera typefaces;
+
+* the definitions of the TeX and LaTeX logos \TeX and \LaTeX
+ are changed so as to suit BeraSerif.
+
+Even though there are no math fonts that were designed
+particularly to go with Bera Serif, math typesetting is
+possible. It is recommended to use the the math fonts of
+Y&Y's Lucida font set <http://www.yandy.com/lucida.htm>,
+which blend surprisingly well with Bera. Notice that the
+Lucida math fonts are to be scaled correspondingly:
+
+ \usepackage{bera}
+ \usepackage[expert]{lucbmath}
+ \def\DeclareLucidaFontShape#1#2#3#4#5#6{%
+ \DeclareFontShape{#1}{#2}{#3}{#4}{<->s*[0.90]#5}{#6}}
+
+
+
+
+NFSS CLASSIFICATION
+
+encodings family series shape(s) Postscript font name
+---------------------------------------------------------
+T1, TS1 fve m n, sl(*) BeraSerif-Roman
+T1, TS1 fve b n, sl(*) BeraSerif-Bold
+T1, TS1 fvs m n, sl BeraSans-Roman
+ BeraSans-Oblique
+T1, TS1 fvs b n, sl BeraSans-Bold
+ BeraSans-BoldOblique
+T1, TS1 fvm m n, sl BeraSansMono-Roman
+ BeraSansMono-Oblique
+T1, TS1 fvm b n, sl BeraSansMono-Bold
+ BeraSansMono-BoldOb
+
+(*) The slanted series of the Bera Serif fonts are
+artificially slanted; there are no correspoding real fonts.
+
+In the TS1 encoding only the characters of the ISO-Adobe
+character set plus the Euro (\texteuro) and the Omega
+(\textomega) are available.
+
+
+== finis
diff --git a/Master/texmf-dist/doc/fonts/blacklettert1/COPYING b/Master/texmf-dist/doc/fonts/blacklettert1/COPYING
new file mode 100644
index 00000000000..5b05fe86893
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/blacklettert1/COPYING
@@ -0,0 +1,318 @@
+
+The LaTeX Project Public License
+=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
+
+LPPL Version 1.2 1999-09-03
+
+Copyright 1999 LaTeX3 Project
+ Everyone is allowed to distribute verbatim copies of this
+ license document, but modification of it is not allowed.
+
+
+PREAMBLE
+========
+
+The LaTeX Project Public License (LPPL) is the license under which the
+base LaTeX distribution is distributed.
+
+You may use this license for any program that you have written and wish
+to distribute. This license may be particularly suitable if your
+program is TeX-related (such as a LaTeX package), but you may use it
+even if your program is unrelated to TeX. The section `WHETHER AND HOW
+TO DISTRIBUTE PROGRAMS UNDER THIS LICENSE', below, gives instructions,
+examples, and recommendations for authors who are considering
+distributing their programs under this license.
+
+In this license document, `The Program' refers to any program
+distributed under this license.
+
+This license gives conditions under which The Program may be distributed
+and conditions under which modified versions of The Program may be
+distributed. Individual files of The Program may bear supplementary
+and/or superseding conditions on modification of themselves and on the
+distribution of modified versions of themselves, but *no* file of The
+Program may bear supplementary or superseding conditions on the
+distribution of an unmodified copy of the file. A distributor wishing
+to distribute a complete, unmodified copy of The Program therefore
+needs to check the conditions only in this license and nowhere else.
+
+Activities other than distribution and/or modification of The Program
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+We, the LaTeX3 Project, believe that the conditions below give you
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+in the base LaTeX distribution for suggestions.
+
+
+CONDITIONS ON DISTRIBUTION AND MODIFICATION
+===========================================
+
+You may distribute a complete, unmodified copy of The Program.
+Distribution of only part of The Program is not allowed.
+
+You may not modify in any way a file of The Program that bears a legal
+notice forbidding modification of that file.
+
+You may distribute a modified file of The Program if, and only if, the
+following eight conditions are met:
+
+ 1. You must meet any additional conditions borne by the file on the
+ distribution of a modified version of the file as described below
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+ The Program'.
+
+ 2. If the file is a LaTeX software file, then you must meet any
+ applicable additional conditions on the distribution of a modified
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+
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+
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+
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+ The Program free of charge (either the version from which
+ your modification is derived, or perhaps a later version).
+
+Note that in the above, `distribution' of a file means making the
+file available to others by any means. This includes, for instance,
+installing the file on any machine in such a way that the file is
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+
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+conventions of the target file systems) is considered to be a
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+above conditions. Note, however, that Condition 7. does apply to
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+
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+apply to, the updating, by any method, of a file so that it becomes
+identical to the latest version of that file of The Program.
+
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+
+A Recommendation on Modification Without Distribution
+-----------------------------------------------------
+
+It is wise never to modify a file of The Program, even for your own
+personal use, without also meeting the above eight conditions for
+distributing the modified file. While you might intend that such
+modified files will never be distributed, often this will happen by
+accident -- you may forget that you have modified the file; or it may
+not occur to you when allowing others to access the modified file
+that you are thus distributing it and violating the conditions of
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+of The Program identical with the public one. Many programs provide
+ways to control the behavior of that program without altering its
+licensed files.
+
+
+Additional Conditions on Individual Files of The Program
+--------------------------------------------------------
+
+An individual file of The Program may bear additional conditions that
+supplement and/or supersede the conditions in this license if, and only
+if, such additional conditions exclusively concern modification of the
+file or distribution of a modified version of the file. The conditions
+on individual files of The Program therefore may differ only with
+respect to the kind and extent of modification of those files that
+is allowed, and with respect to the distribution of modified versions
+of those files.
+
+
+Additional Conditions on LaTeX Software Files
+---------------------------------------------
+
+If a file of The Program is intended to be used with LaTeX (that is,
+if it is a LaTeX software file), then the following additional
+conditions, which supplement and/or supersede the conditions
+above, apply to the file according to its filename extension:
+
+ - You may not modify any file with filename extension `.ins' since
+ these are installation files containing the legal notices that are
+ placed in the files they generate.
+
+ - You may distribute modified versions of files with filename
+ extension `.fd' (LaTeX font definition files) under the standard
+ conditions of the LPPL as described above. You may also distribute
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+ provided that:
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+ available fonts or prevent attempts to access unavailable fonts;
+ (2) you also distribute the original, unmodified files (TeX input
+ paths can be used to control which set of LaTeX font definition
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+
+ - You may distribute modified versions of files with filename
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+Because of portability and exchangeability issues in LaTeX software,
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+
+NO WARRANTY
+===========
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+distribute and/or modify The Program as permitted above, be liable to
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+inability to use The Program (including, but not limited to, loss of
+data, data being rendered inaccurate, or losses sustained by anyone as
+a result of any failure of The Program to operate with any other
+programs), even if The Copyright Holder or said author or said other
+party has been advised of the possibility of such damages.
+
+
+WHETHER AND HOW TO DISTRIBUTE PROGRAMS UNDER THIS LICENSE
+=========================================================
+
+This section contains important instructions, examples, and
+recommendations for authors who are considering distributing their
+programs under this license. These authors are addressed as `you' in
+this section.
+
+
+Choosing This License or Another License
+----------------------------------------
+
+If for any part of your program you want or need to use *distribution*
+conditions that differ from those in this license, then do not refer to
+this license anywhere in your program but instead distribute your
+program under a different license. You may use the text of this license
+as a model for your own license, but your license should not refer to
+the LPPL or otherwise give the impression that your program is
+distributed under the LPPL.
+
+The document `modguide.tex' in the base LaTeX distribution explains
+the motivation behind the conditions of this license. It explains,
+for example, why distributing LaTeX under the GNU General Public
+License (GPL) was considered inappropriate. Even if your program is
+unrelated to LaTeX, the discussion in `modguide.tex' may still be
+relevant, and authors intending to distribute their programs under any
+license are encouraged to read it.
+
+
+How to Use This License
+-----------------------
+
+To use this license, place in each of the files of your program both
+an explicit copyright notice including your name and the year and also
+a statement that the distribution and/or modification of the file is
+constrained by the conditions in this license.
+
+Here is an example of such a notice and statement:
+
+ %% pig.dtx
+ %% Copyright 2001 M. Y. Name
+ %
+ % This program may be distributed and/or modified under the
+ % conditions of the LaTeX Project Public License, either version 1.2
+ % of this license or (at your option) any later version.
+ % The latest version of this license is in
+ % http://www.latex-project.org/lppl.txt
+ % and version 1.2 or later is part of all distributions of LaTeX
+ % version 1999/12/01 or later.
+ %
+ % This program consists of the files pig.dtx and pig.ins
+
+Given such a notice and statement in a file, the conditions given in
+this license document would apply, with `The Program' referring to the
+two files `pig.dtx' and `pig.ins', and `The Copyright Holder' referring
+to the person `M. Y. Name'.
+
+
+Important Recommendations
+-------------------------
+
+ Defining What Constitutes The Program
+
+ The LPPL requires that distributions of The Program contain all the
+ files of The Program. It is therefore important that you provide a
+ way for the licensee to determine which files constitute The Program.
+ This could, for example, be achieved by explicitly listing all the
+ files of The Program near the copyright notice of each file or by
+ using a line like
+
+ % This program consists of all files listed in manifest.txt.
+
+ in that place. In the absence of an unequivocal list it might be
+ impossible for the licensee to determine what is considered by you
+ to comprise The Program.
+
+ Noting Exceptional Files
+
+ If The Program contains any files bearing additional conditions on
+ modification, or on distribution of modified versions, of those
+ files (other than those listed in `Additional Conditions on LaTeX
+ Software Files'), then it is recommended that The Program contain a
+ prominent file that defines the exceptional conditions, and either
+ lists the exceptional files or defines one or more categories of
+ exceptional files.
+
+ Files containing the text of a license (such as this file) are
+ often examples of files bearing more restrictive conditions on
+ modification. LaTeX configuration files (with filename extension
+ `.cfg') are examples of files bearing less restrictive conditions
+ on the distribution of a modified version of the file. The
+ additional conditions on LaTeX software given above are examples
+ of declaring a category of files bearing exceptional additional
+ conditions.
+
+
+
diff --git a/Master/texmf-dist/doc/fonts/blacklettert1/INSTALL b/Master/texmf-dist/doc/fonts/blacklettert1/INSTALL
new file mode 100644
index 00000000000..5b252a5dc0e
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/blacklettert1/INSTALL
@@ -0,0 +1,29 @@
+ blacklettert1 package
+
+ 2003/02/17
+
+INSTALLATION
+
+Copy the *.vf, *.tfm, and *.fd files of the blacklettert1 distribution where
+your TeX system can find them (if you don't know where, put them where files of
+the same type are already located).
+
+Alternatively use the Makefile. Call
+
+ make TEXMFDIR=/usr/local/texmf install
+
+to install blacklettert1 in a TDS compliant system. It may be necessary to be
+root for that. TEXMFDIR denotes your TEXMF root directory of course. To
+install it locally, you may write
+
+ make TEXMFDIR=/home/yourlogin/texmf install
+
+
+Then update your TeX filename database. This may be done with "texhash" or
+"initexmf --update-fndb" depending on your TeX implementation.
+
+
+For usage information, run the file blacklettert1.dtx through LaTeX or run
+"make doc".
+
+Tell me (torsten.bronger@gmx.de) if you have trouble with the installation.
diff --git a/Master/texmf-dist/doc/fonts/blacklettert1/README b/Master/texmf-dist/doc/fonts/blacklettert1/README
new file mode 100644
index 00000000000..f0b7e36d966
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/blacklettert1/README
@@ -0,0 +1,21 @@
+ blacklettert1 package
+
+ 2003/02/17
+
+This packages provides TeX virtual fonts for T1 variants of
+Haralambous' typefaces yfrak, yswab and ygoth.
+
+You get a detailed description if you run the file blacklettert1.dtx
+through LaTeX or if you run "make doc".
+
+ This program may be distributed and/or modified under the
+ conditions of the LaTeX Project Public License, either version 1.2
+ of this license or (at your option) any later version.
+ The latest version of this license is in
+ http://www.latex-project.org/lppl.txt
+ and version 1.2 or later is part of all distributions of LaTeX
+ version 1999/12/01 or later.
+
+The author can be contacted at torsten.bronger@gmx.de
+
+--- Copyright 2003 Torsten Bronger. All rights reserved ---
diff --git a/Master/texmf-dist/doc/fonts/blacklettert1/blacklettert1.pdf b/Master/texmf-dist/doc/fonts/blacklettert1/blacklettert1.pdf
new file mode 100644
index 00000000000..bc8df079b36
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/blacklettert1/blacklettert1.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/bookhands/README.PRW b/Master/texmf-dist/doc/fonts/bookhands/README.PRW
new file mode 100644
index 00000000000..9c362716870
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/README.PRW
@@ -0,0 +1,47 @@
+README.PRW
+
+ Some, if not all, of the subdirectories in the bookhands directory provide a
+series of METAFONT fonts and LaTeX packages for typesetting with the manuscript
+book-hands that were used during the period from the first century until the
+invention of printing.
+
+ Not all of the possible manuscript hands are provided --- they number in
+the hundreds --- but hopefully a representative sample of the more important
+are here. In this context `more important' means that they have been among
+the main ancestors of our modern printing types.
+
+ The series as I have planned it will consist of the following book-hands:
+
+Book-hand Century Subdirectory?
+--------- ------- -------------
+Square Capitals 1 onwards sqrcaps
+Roman Rustic 1--6 rustic
+Uncial 3--6 uncial
+Half Uncial 3--9 huncial
+Artificial Uncial 6--10 auncial
+Insular majuscule 6--9 inslrmaj
+Insular miniscule 6 onwards inslrmin
+Carolingian minuscule 8--12 carolmin
+Early Gothic 11--12 egothic
+Gothic Textura 13--15 tgothic
+Gothic Prescius 13 onwards pgothic
+Rotunda 13--15 rotunda
+Humanist minuscule 14 onwards humanist
+
+ The proposed subdirectory names are, of course, subject to the agreement
+of the CTAN maintainers. From time to time I hope to add to the current
+collection until all are done.
+
+ The file bsamples.ps is a Postscript file which displays samples of each of
+the book-hand fonts that I have developed.
+
+ This distribution is released under the terms of the LaTeX Project
+Public License (LPPL).
+
+ Please note that anyone is welcome to make their own contributions to the
+bookhands directory. It is not mine, although the CTAN maintainers were kind
+enough to create it at my request.
+
+Peter W.
+peter.r.wilson@boeing.com
+22 May 1999 \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/bookhands/README.auncial b/Master/texmf-dist/doc/fonts/bookhands/README.auncial
new file mode 100644
index 00000000000..213fead20ed
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/README.auncial
@@ -0,0 +1,71 @@
+ The auncial and allauncl packages provide Meatfont fonts based on the
+Artificial Uncial manuscript book-hand used between the 6th & 10th century AD.
+The font consists of minuscules and digits, with some appropriate
+period punctuation marks. Both normal and bold versions are provided.
+This is one in a series of manuscript fonts.
+
+ Access to the docmfp package is desireable but not essential.
+
+ The distribution consists of the following files:
+README (this file)
+auncial.ins
+auncial.dtx
+tryfont.tex
+allfont.tex
+
+ The distribution is provided under the terms of the LaTeX
+Project Public License (LPPL).
+
+To install the package:
+=======================
+
+o run: latex uncial.ins, which will generate:
+ auncl*.mf files
+ *.fd files
+ auncial.sty
+ allauncl.sty
+o Move the generated files to locations where LaTeX will find them.
+ For example: the auncl*.mf files to .../texmf/fonts/source/public/auncial
+ the *.fd and *.sty files to /texmf/tex/latex/local/auncial
+
+ On a teTeX distribution you might also have to add lines like the
+ following to texmf/fontname/special.map:
+ auncl7.mf public auncial
+ auncl10.mf public auncial
+ auncl17.mf public auncial
+ aunclb7.mf public auncial
+ aunclb10.mf public auncial
+ aunclb17.mf public auncial
+ On a teTeX distribution remember to run texhash after moving the files.
+
+ (I use a teTeX distribution and found that if I didn't add to the special.map
+ file, then the generated tfm and pk files were put in directories corresponding
+ to some vendor's font.)
+
+ Other LaTeX distributions might require procedures similar to those for teTeX.
+
+To typeset the documentation:
+=============================
+
+o run: latex auncial.dtx
+o if you want an index then run: makeindex -s gind.ist auncial
+o run: latex auncial.dtx
+o Print auncial.dvi for a hardcopy of the package manual
+
+ Note that the docmfp package is normally required for LaTeXing auncial.dtx.
+The package is available from CTAN in tex-archive/macros/latex/contrib/supported.
+If you haven't got this and don't want to get it, then there are instructions
+in the first part of the .dtx file about how to edit it to avoid the use of docmfp.
+(docmfp is an extension of the doc package for describing METAFONT, or other
+non-LaTeX, code.)
+
+
+To check out your installation:
+===============================
+
+o run: latex tryfont for a testpage of the Artificial Uncial fonts
+o run: latex allfont for a document typeset with the Artificial Uncial fonts
+
+1999/05/22
+Peter Wilson
+peter.r.wilson@boeing.com
diff --git a/Master/texmf-dist/doc/fonts/bookhands/README.carolmin b/Master/texmf-dist/doc/fonts/bookhands/README.carolmin
new file mode 100644
index 00000000000..cd8b73bb767
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/README.carolmin
@@ -0,0 +1,71 @@
+ The carolmin and allcmin packages provide Metafont fonts based on the
+Carolingan Miniscules manuscript book-hand used between the 8th & 12th century AD.
+The font consists of minuscules and digits, with some appropriate
+period punctuation marks. Both normal and bold versions are provided.
+This is one in a series of manuscript fonts.
+
+ Access to the docmfp package is desireable but not essential.
+
+ The distribution consists of the following files:
+README (this file)
+carolmin.ins
+carolmin.dtx
+tryfont.tex
+allfont.tex
+
+ The distribution is provided under the terms of the LaTeX
+Project Public License (LPPL).
+
+To install the package:
+=======================
+
+o run: latex carolmin.ins, which will generate:
+ cmin*.mf files
+ *.fd files
+ carolmin.sty
+ allcmin.sty
+o Move the generated files to locations where LaTeX will find them.
+ For example: the cmin*.mf files to .../texmf/fonts/source/public/carolmin
+ the *.fd and *.sty files to /texmf/tex/latex/local/carolmin
+
+ On a teTeX distribution you might also have to add lines like the
+ following to texmf/fontname/special.map:
+ cmin7.mf public carolmin
+ cmin10.mf public carolmin
+ cmin17.mf public carolmin
+ cminb7.mf public carolmin
+ cminb10.mf public carolmin
+ cminb17.mf public carolmin
+ On a teTeX distribution remember to run texhash after moving the files.
+
+ (I use a teTeX distribution and found that if I didn't add to the special.map
+ file, then the generated tfm and pk files were put in directories corresponding
+ to some vendor's font.)
+
+ Other LaTeX distributions might require procedures similar to those for teTeX.
+
+To typeset the documentation:
+=============================
+
+o run: latex carolmin.dtx
+o if you want an index then run: makeindex -s gind.ist carolmin
+o run: latex carolmin.dtx
+o Print carolmin.dvi for a hardcopy of the package manual
+
+ Note that the docmfp package is normally required for LaTeXing carolmin.dtx.
+The package is available from CTAN in tex-archive/macros/latex/contrib/supported.
+If you haven't got this and don't want to get it, then there are instructions
+in the first part of the .dtx file about how to edit it to avoid the use of docmfp.
+(docmfp is an extension of the doc package for describing METAFONT, or other
+non-LaTeX, code.)
+
+
+To check out your installation:
+===============================
+
+o run: latex tryfont for a testpage of the fonts
+o run: latex allfont for a document typeset with the fonts
+
+2002/12/30
+Peter Wilson
+peter.r.wilson@boeing.com
diff --git a/Master/texmf-dist/doc/fonts/bookhands/README.egothic b/Master/texmf-dist/doc/fonts/bookhands/README.egothic
new file mode 100644
index 00000000000..462eae9eb1a
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/README.egothic
@@ -0,0 +1,71 @@
+ The egothic and allegoth packages provide Metafont fonts based on the
+Early Gothic manuscript book-hand used between the 11th & 12th century AD.
+The font consists of minuscules and digits, with some appropriate
+period punctuation marks. Both normal and bold versions are provided.
+This is one in a series of manuscript fonts.
+
+ Access to the docmfp package is desireable but not essential.
+
+ The distribution consists of the following files:
+README (this file)
+egothic.ins
+egothic.dtx
+tryfont.tex
+allfont.tex
+
+ The distribution is provided under the terms of the LaTeX
+Project Public License (LPPL).
+
+To install the package:
+=======================
+
+o run: latex egothic.ins, which will generate:
+ egoth*.mf files
+ *.fd files
+ egothic.sty
+ allegoth.sty
+o Move the generated files to locations where LaTeX will find them.
+ For example: the egoth*.mf files to .../texmf/fonts/source/public/egothic
+ the *.fd and *.sty files to /texmf/tex/latex/local/egothic
+
+ On a teTeX distribution you might also have to add lines like the
+ following to texmf/fontname/special.map:
+ egoth7.mf public egothic
+ egoth10.mf public egothic
+ egoth17.mf public egothic
+ egothb7.mf public egothic
+ egothb10.mf public egothic
+ egothb17.mf public egothic
+ On a teTeX distribution remember to run texhash after moving the files.
+
+ (I use a teTeX distribution and found that if I didn't add to the special.map
+ file, then the generated tfm and pk files were put in directories corresponding
+ to some vendor's font.)
+
+ Other LaTeX distributions might require procedures similar to those for teTeX.
+
+To typeset the documentation:
+=============================
+
+o run: latex egothic.dtx
+o if you want an index then run: makeindex -s gind.ist egothic
+o run: latex egothic.dtx
+o Print egothic.dvi for a hardcopy of the package manual
+
+ Note that the docmfp package is normally required for LaTeXing egothic.dtx.
+The package is available from CTAN in tex-archive/macros/latex/contrib/supported.
+If you haven't got this and don't want to get it, then there are instructions
+in the first part of the .dtx file about how to edit it to avoid the use of docmfp.
+(docmfp is an extension of the doc package for describing METAFONT, or other
+non-LaTeX, code.)
+
+
+To check out your installation:
+===============================
+
+o run: latex tryfont for a testpage of the fonts
+o run: latex allfont for a document typeset with the fonts
+
+2002/12/30
+Peter Wilson
+peter.r.wilson@boeing.com
diff --git a/Master/texmf-dist/doc/fonts/bookhands/README.humanist b/Master/texmf-dist/doc/fonts/bookhands/README.humanist
new file mode 100644
index 00000000000..60b76ab3b1e
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/README.humanist
@@ -0,0 +1,105 @@
+ The humanist and allhmin packages provide Metafont fonts based on the
+Humanist manuscript book-hand used from the 14th century AD onwards.
+The font consists of uppercase and lowercase letters, digits,
+and with some appropriate period punctuation marks. Both normal and bold
+versions are provided.
+This is one in a series of manuscript fonts.
+
+ Access to the docmfp package is desireable but not essential.
+
+Changes in version 1.1 (2003/06/20)
+----------------------
+o Added `ae' and `AE' conjunctions
+
+Changes in version 1.0 (2002/12/30)
+----------------------
+o First public release
+
+
+--------------------------------------------------------------------
+ Author: Peter Wilson (CUA) now at peter.r.wilson@boeing.com
+ (or pandgwilson@earthlink.net)
+ Copyright 2002, 2003 Peter R. Wilson
+
+ This work may be distributed and/or modified under the
+ conditions of the LaTeX Project Public License, either
+ version 1.3 of this license or (at your option) any
+ later version.
+ The latest version of the license is in
+ http://www.latex-project.org/lppl.txt
+ and version 1.3 or later is part of all distributions of
+ LaTeX version 2003/06/01 or later.
+
+ This work has the LPPL maintenance status "author-maintained".
+
+ This work consists of the files README, humanist.dtx, humanist.ins,
+ tryfont.tex, and allfont.tex and the derived files humanist.sty,
+ allhmin.sty, ot1hmin.fd, t1hmin.fd, hmin7.mf, hmin10.mf, hmin17.mf,
+ hminb7.mf, hminb10.mf, hminb17.mf, hmindig.mf, hminl.mf, hminlig.mf,
+ hminpunct.mf, hmintitle.mf and hminu.mf.
+--------------------------------------------------------------------
+
+ The distribution consists of the following files:
+README (this file)
+humanist.ins
+humanist.dtx
+tryfont.tex
+allfont.tex
+
+
+To install the package:
+=======================
+
+o run: latex humanist.ins, which will generate:
+ hmin*.mf files
+ *.fd files
+ humanist.sty
+ allhmin.sty
+o Move the generated files to locations where LaTeX will find them.
+ For example: the hmin*.mf files to .../texmf/fonts/source/public/humanist
+ the *.fd and *.sty files to /texmf/tex/latex/local/humanist
+
+ On a teTeX distribution you might also have to add lines like the
+ following to texmf/fontname/special.map:
+ hmin7.mf public humanist
+ hmin10.mf public humanist
+ hmin17.mf public humanist
+ hminb7.mf public humanist
+ hminb10.mf public humanist
+ hminb17.mf public humanist
+ On a teTeX distribution remember to run texhash after moving the files.
+
+ (I use a teTeX distribution and found that if I didn't add to the special.map
+ file, then the generated tfm and pk files were put in directories corresponding
+ to some vendor's font.)
+
+ Other LaTeX distributions might require procedures similar to those for teTeX.
+
+o If you are reinstalling the font, you should first delete any existing
+ generated tfm and pk files for the font, then follow the above procedure.
+
+To typeset the documentation:
+=============================
+
+o run: latex humanist.dtx
+o if you want an index then run: makeindex -s gind.ist humanist
+o run: latex humanist.dtx
+o Print humanist.dvi for a hardcopy of the package manual
+
+ Note that the docmfp package is normally required for LaTeXing humanist.dtx.
+The package is available from CTAN in tex-archive/macros/latex/contrib/supported.
+If you haven't got this and don't want to get it, then there are instructions
+in the first part of the .dtx file about how to edit it to avoid the use of docmfp.
+(docmfp is an extension of the doc package for describing METAFONT, or other
+non-LaTeX, code.)
+
+
+To check out your installation:
+===============================
+
+o run: latex tryfont for a testpage of the fonts
+o run: latex allfont for a document typeset with the fonts
+
+2003/06/20
+Peter Wilson
+peter.r.wilson@boeing.com
diff --git a/Master/texmf-dist/doc/fonts/bookhands/README.huncial b/Master/texmf-dist/doc/fonts/bookhands/README.huncial
new file mode 100644
index 00000000000..3ffded4339d
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/README.huncial
@@ -0,0 +1,71 @@
+ The huncial and allhuncl packages provide Metafont fonts based on the
+Half Uncial manuscript book-hand used between the 3rd & 9th century AD.
+The font consists of minuscules and digits, with some appropriate
+period punctuation marks. Both normal and bold versions are provided.
+This is one in a series of manuscript fonts.
+
+ Access to the docmfp package is desireable but not essential.
+
+ The distribution consists of the following files:
+README (this file)
+huncial.ins
+huncial.dtx
+tryfont.tex
+allfont.tex
+
+ The distribution is provided under the terms of the LaTeX
+Project Public License (LPPL).
+
+To install the package:
+=======================
+
+o run: latex uncial.ins, which will generate:
+ huncl*.mf files
+ *.fd files
+ huncial.sty
+ allhuncl.sty
+o Move the generated files to locations where LaTeX will find them.
+ For example: the huncl*.mf files to .../texmf/fonts/source/public/huncial
+ the *.fd and *.sty files to /texmf/tex/latex/local/huncial
+
+ On a teTeX distribution you might also have to add lines like the
+ following to texmf/fontname/special.map:
+ huncl7.mf public huncial
+ huncl10.mf public huncial
+ huncl17.mf public huncial
+ hunclb7.mf public huncial
+ hunclb10.mf public huncial
+ hunclb17.mf public huncial
+ On a teTeX distribution remember to run texhash after moving the files.
+
+ (I use a teTeX distribution and found that if I didn't add to the special.map
+ file, then the generated tfm and pk files were put in directories corresponding
+ to some vendor's font.)
+
+ Other LaTeX distributions might require procedures similar to those for teTeX.
+
+To typeset the documentation:
+=============================
+
+o run: latex huncial.dtx
+o if you want an index then run: makeindex -s gind.ist huncial
+o run: latex huncial.dtx
+o Print huncial.dvi for a hardcopy of the package manual
+
+ Note that the docmfp package is normally required for LaTeXing huncial.dtx.
+The package is available from CTAN in tex-archive/macros/latex/contrib/supported.
+If you haven't got this and don't want to get it, then there are instructions
+in the first part of the .dtx file about how to edit it to avoid the use of docmfp.
+(docmfp is an extension of the doc package for describing METAFONT, or other
+non-LaTeX, code.)
+
+
+To check out your installation:
+===============================
+
+o run: latex tryfont for a testpage of the Half Uncial fonts
+o run: latex allfont for a document typeset with the Half Uncial fonts
+
+1999/05/22
+Peter Wilson
+peter.r.wilson@boeing.com
diff --git a/Master/texmf-dist/doc/fonts/bookhands/README.inslrmaj b/Master/texmf-dist/doc/fonts/bookhands/README.inslrmaj
new file mode 100644
index 00000000000..25a33265e2e
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/README.inslrmaj
@@ -0,0 +1,71 @@
+ The inslrmaj and allimaj packages provide Metafont fonts based on the
+Insular Majuscule manuscript book-hand used between the 6th & 9th century AD.
+The font consists of majuscules and digits, with some appropriate
+period punctuation marks. Both normal and bold versions are provided.
+This is one in a series of manuscript fonts.
+
+ Access to the docmfp package is desireable but not essential.
+
+ The distribution consists of the following files:
+README (this file)
+inslrmaj.ins
+inslrmaj.dtx
+tryfont.tex
+allfont.tex
+
+ The distribution is provided under the terms of the LaTeX
+Project Public License (LPPL).
+
+To install the package:
+=======================
+
+o run: latex inslrmaj.ins, which will generate:
+ imaj*.mf files
+ *.fd files
+ inslrmaj.sty
+ allimaj.sty
+o Move the generated files to locations where LaTeX will find them.
+ For example: the imaj*.mf files to .../texmf/fonts/source/public/inslrmaj
+ the *.fd and *.sty files to /texmf/tex/latex/local/inslrmaj
+
+ On a teTeX distribution you might also have to add lines like the
+ following to texmf/fontname/special.map:
+ imaj7.mf public inslrmaj
+ imaj10.mf public inslrmaj
+ imaj17.mf public inslrmaj
+ imajb7.mf public inslrmaj
+ imajb10.mf public inslrmaj
+ imajb17.mf public inslrmaj
+ On a teTeX distribution remember to run texhash after moving the files.
+
+ (I use a teTeX distribution and found that if I didn't add to the special.map
+ file, then the generated tfm and pk files were put in directories corresponding
+ to some vendor's font.)
+
+ Other LaTeX distributions might require procedures similar to those for teTeX.
+
+To typeset the documentation:
+=============================
+
+o run: latex inslrmaj.dtx
+o if you want an index then run: makeindex -s gind.ist inslrmaj
+o run: latex inslrmaj.dtx
+o Print inslrmaj.dvi for a hardcopy of the package manual
+
+ Note that the docmfp package is normally required for LaTeXing inslrmaj.dtx.
+The package is available from CTAN in tex-archive/macros/latex/contrib/supported.
+If you haven't got this and don't want to get it, then there are instructions
+in the first part of the .dtx file about how to edit it to avoid the use of docmfp.
+(docmfp is an extension of the doc package for describing METAFONT, or other
+non-LaTeX, code.)
+
+
+To check out your installation:
+===============================
+
+o run: latex tryfont for a testpage of the fonts
+o run: latex allfont for a document typeset with the fonts
+
+2000/09/16
+Peter Wilson
+peter.r.wilson@boeing.com
diff --git a/Master/texmf-dist/doc/fonts/bookhands/README.inslrmin b/Master/texmf-dist/doc/fonts/bookhands/README.inslrmin
new file mode 100644
index 00000000000..970138fe412
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/README.inslrmin
@@ -0,0 +1,71 @@
+ The inslrmin and allimin packages provide Metafont fonts based on the
+Insular Miniscules manuscript book-hand used from the 6th century onwards.
+The font consists of minuscules and digits, with some appropriate
+period punctuation marks. Both normal and bold versions are provided.
+This is one in a series of manuscript fonts.
+
+ Access to the docmfp package is desireable but not essential.
+
+ The distribution consists of the following files:
+README (this file)
+inslrmin.ins
+inslrmin.dtx
+tryfont.tex
+allfont.tex
+
+ The distribution is provided under the terms of the LaTeX
+Project Public License (LPPL).
+
+To install the package:
+=======================
+
+o run: latex inslrmin.ins, which will generate:
+ imin*.mf files
+ *.fd files
+ inslrmin.sty
+ allimin.sty
+o Move the generated files to locations where LaTeX will find them.
+ For example: the imin*.mf files to .../texmf/fonts/source/public/inslrmin
+ the *.fd and *.sty files to /texmf/tex/latex/local/inslrmin
+
+ On a teTeX distribution you might also have to add lines like the
+ following to texmf/fontname/special.map:
+ imin7.mf public inslrmin
+ imin10.mf public inslrmin
+ imin17.mf public inslrmin
+ iminb7.mf public inslrmin
+ iminb10.mf public inslrmin
+ iminb17.mf public inslrmin
+ On a teTeX distribution remember to run texhash after moving the files.
+
+ (I use a teTeX distribution and found that if I didn't add to the special.map
+ file, then the generated tfm and pk files were put in directories corresponding
+ to some vendor's font.)
+
+ Other LaTeX distributions might require procedures similar to those for teTeX.
+
+To typeset the documentation:
+=============================
+
+o run: latex inslrmin.dtx
+o if you want an index then run: makeindex -s gind.ist inslrmin
+o run: latex inslrmin.dtx
+o Print inslrmin.dvi for a hardcopy of the package manual
+
+ Note that the docmfp package is normally required for LaTeXing inslrmin.dtx.
+The package is available from CTAN in tex-archive/macros/latex/contrib/supported.
+If you haven't got this and don't want to get it, then there are instructions
+in the first part of the .dtx file about how to edit it to avoid the use of docmfp.
+(docmfp is an extension of the doc package for describing METAFONT, or other
+non-LaTeX, code.)
+
+
+To check out your installation:
+===============================
+
+o run: latex tryfont for a testpage of the fonts
+o run: latex allfont for a document typeset with the fonts
+
+2002/12/30
+Peter Wilson
+peter.r.wilson@boeing.com
diff --git a/Master/texmf-dist/doc/fonts/bookhands/README.pgothic b/Master/texmf-dist/doc/fonts/bookhands/README.pgothic
new file mode 100644
index 00000000000..af3783a98cc
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/README.pgothic
@@ -0,0 +1,75 @@
+Prescius Gothic. The pgoth fonts TBD
+
+
+ The pgothic and allpgoth packages provide Metafont fonts based on the
+Gothic Textura Prescius vel sine pedibus manuscript book-hand used
+from the 13th century AD. The font consists of majuscules, minuscules
+and digits, with some appropriate period punctuation marks.
+Both normal and bold versions are provided.
+This is one in a series of manuscript fonts.
+
+ Access to the docmfp package is desireable but not essential.
+
+ The distribution consists of the following files:
+README (this file)
+pgothic.ins
+pgothic.dtx
+tryfont.tex
+allfont.tex
+
+ The distribution is provided under the terms of the LaTeX
+Project Public License (LPPL).
+
+To install the package:
+=======================
+
+o run: latex pgothic.ins, which will generate:
+ pgoth*.mf files
+ *.fd files
+ pgothic.sty
+ allpgoth.sty
+o Move the generated files to locations where LaTeX will find them.
+ For example: the pgoth*.mf files to .../texmf/fonts/source/public/pgothic
+ the *.fd and *.sty files to /texmf/tex/latex/local/pgothic
+
+ On a teTeX distribution you might also have to add lines like the
+ following to texmf/fontname/special.map:
+ pgoth7.mf public pgothic
+ pgoth10.mf public pgothic
+ pgoth17.mf public pgothic
+ pgothb7.mf public pgothic
+ pgothb10.mf public pgothic
+ pgothb17.mf public pgothic
+ On a teTeX distribution remember to run texhash after moving the files.
+
+ (I use a teTeX distribution and found that if I didn't add to the special.map
+ file, then the generated tfm and pk files were put in directories corresponding
+ to some vendor's font.)
+
+ Other LaTeX distributions might require procedures similar to those for teTeX.
+
+To typeset the documentation:
+=============================
+
+o run: latex pgothic.dtx
+o if you want an index then run: makeindex -s gind.ist pgothic
+o run: latex pgothic.dtx
+o Print pgothic.dvi for a hardcopy of the package manual
+
+ Note that the docmfp package is normally required for LaTeXing pgothic.dtx.
+The package is available from CTAN in tex-archive/macros/latex/contrib/supported.
+If you haven't got this and don't want to get it, then there are instructions
+in the first part of the .dtx file about how to edit it to avoid the use of docmfp.
+(docmfp is an extension of the doc package for describing METAFONT, or other
+non-LaTeX, code.)
+
+
+To check out your installation:
+===============================
+
+o run: latex tryfont for a testpage of the fonts
+o run: latex allfont for a document typeset with the fonts
+
+2002/12/30
+Peter Wilson
+peter.r.wilson@boeing.com
diff --git a/Master/texmf-dist/doc/fonts/bookhands/README.rotunda b/Master/texmf-dist/doc/fonts/bookhands/README.rotunda
new file mode 100644
index 00000000000..223869b990c
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/README.rotunda
@@ -0,0 +1,71 @@
+ The rotunda and allrtnd packages provide Metafont fonts based on the
+Rotunda manuscript book-hand used between the 13th & 15th century AD.
+The font consists of lower- and uppercase letters, and digits, with some appropriate
+period punctuation marks. Both normal and bold versions are provided.
+This is one in a series of manuscript fonts.
+
+ Access to the docmfp package is desireable but not essential.
+
+ The distribution consists of the following files:
+README (this file)
+rotunda.ins
+rotunda.dtx
+tryfont.tex
+allfont.tex
+
+ The distribution is provided under the terms of the LaTeX
+Project Public License (LPPL).
+
+To install the package:
+=======================
+
+o run: latex rotunda.ins, which will generate:
+ rtnd*.mf files
+ *.fd files
+ rotunda.sty
+ allrtnd.sty
+o Move the generated files to locations where LaTeX will find them.
+ For example: the rtnd*.mf files to .../texmf/fonts/source/public/rotunda
+ the *.fd and *.sty files to /texmf/tex/latex/local/rotunda
+
+ On a teTeX distribution you might also have to add lines like the
+ following to texmf/fontname/special.map:
+ rtnd7.mf public rotunda
+ rtnd10.mf public rotunda
+ rtnd17.mf public rotunda
+ rtndb7.mf public rotunda
+ rtndb10.mf public rotunda
+ rtndb17.mf public rotunda
+ On a teTeX distribution remember to run texhash after moving the files.
+
+ (I use a teTeX distribution and found that if I didn't add to the special.map
+ file, then the generated tfm and pk files were put in directories corresponding
+ to some vendor's font.)
+
+ Other LaTeX distributions might require procedures similar to those for teTeX.
+
+To typeset the documentation:
+=============================
+
+o run: latex rotunda.dtx
+o if you want an index then run: makeindex -s gind.ist rotunda
+o run: latex rotunda.dtx
+o Print rotunda.dvi for a hardcopy of the package manual
+
+ Note that the docmfp package is normally required for LaTeXing rotunda.dtx.
+The package is available from CTAN in tex-archive/macros/latex/contrib/supported.
+If you haven't got this and don't want to get it, then there are instructions
+in the first part of the .dtx file about how to edit it to avoid the use of docmfp.
+(docmfp is an extension of the doc package for describing METAFONT, or other
+non-LaTeX, code.)
+
+
+To check out your installation:
+===============================
+
+o run: latex tryfont for a testpage of the fonts
+o run: latex allfont for a document typeset with the fonts
+
+2002/12/30
+Peter Wilson
+peter.r.wilson@boeing.com
diff --git a/Master/texmf-dist/doc/fonts/bookhands/README.rustic b/Master/texmf-dist/doc/fonts/bookhands/README.rustic
new file mode 100644
index 00000000000..9f9bcf0aaea
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/README.rustic
@@ -0,0 +1,73 @@
+ The rustic and allrust packages provide fonts based on the
+Roman Rustic manuscript book-hand used between the 1st and 6th
+century AD. The font consists of majuscules only, with some
+appropriate period punctuation marks. Both normal and bold versions
+are provided. This is one in a series of manuscript fonts.
+
+ Access to the docmfp package is desireable but not essential.
+
+ The distribution consists of the following files:
+README (this file)
+rustic.ins
+rustic.dtx
+tryfont.tex
+allfont.tex
+
+ The distribution is provided under the terms of the LaTeX
+Project Public License (LPPL).
+
+To install the package:
+=======================
+
+o run: latex rustic.ins, which will generate:
+ rust*.mf files
+ *.fd files
+ rustic.sty
+ allrust.sty
+o Move the generated files to locations where LaTeX will find them.
+ For example: the rust*.mf files to .../texmf/fonts/source/public/rustic
+ the *.fd and .sty files to /texmf/tex/latex/local/rustic
+
+ On a teTeX distribution you might also have to add lines like the
+ following to texmf/fontname/special.map:
+ rust7.mf public rustic
+ rust10.mf public rustic
+ rust17.mf public rustic
+ rustb7.mf public rustic
+ rustb10.mf public rustic
+ rustb17.mf public rustic
+ On a teTeX distribution remember to run texhash after moving the files.
+
+ (I use a teTeX distribution and found that if I didn't add to the special.map
+ file, then the generated tfm and pk files were put in directories corresponding
+ to another set of fonts according to the font naming scheme for vendors'
+ fonts.)
+
+ Other LaTeX distributions might require procedures similar to those for teTeX.
+
+To typeset the documentation:
+=============================
+
+o run: latex rustic.dtx
+o if you want an index then run: makeindex -s gind.ist rustic
+o run: latex rustic.dtx
+o Print rustic.dvi for a hardcopy of the package manual
+
+ Note that the docmfp package is normally required for LaTeXing rustic.dtx.
+The package is available from CTAN in tex-archive/macros/latex/contrib/supported.
+If you haven't got this and don't want to get it, then there are instructions
+in the first part of the .dtx file about how to edit it to avoid the use of docmfp.
+(docmfp is an extension of the doc package for describing METAFONT, or other
+non-LaTeX, code.)
+
+
+To check out your installation:
+===============================
+
+o run: latex tryfont for samples of the Roman Rustic font
+o run: latex allfont for a sample document typeset with the Roman Rustic font
+
+
+1999/05/01
+Peter Wilson
+peter.r.wilson@boeing.com
diff --git a/Master/texmf-dist/doc/fonts/bookhands/README.sqrcaps b/Master/texmf-dist/doc/fonts/bookhands/README.sqrcaps
new file mode 100644
index 00000000000..a72bafd5fae
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/README.sqrcaps
@@ -0,0 +1,71 @@
+ The sqrcaps and allsqrc packages provide Metafont fonts based on the
+Square Capitals manuscript book-hand used from the 1st century AD.
+The font consists of capital letters and digits, with some appropriate
+period punctuation marks. Both normal and bold versions are provided.
+This is one in a series of manuscript fonts.
+
+ Access to the docmfp package is desireable but not essential.
+
+ The distribution consists of the following files:
+README (this file)
+sqrcaps.ins
+sqrcaps.dtx
+tryfont.tex
+allfont.tex
+
+ The distribution is provided under the terms of the LaTeX
+Project Public License (LPPL).
+
+To install the package:
+=======================
+
+o run: latex sqrcaps.ins, which will generate:
+ sqrc*.mf files
+ *.fd files
+ sqrcaps.sty
+ allsqrc.sty
+o Move the generated files to locations where LaTeX will find them.
+ For example: the sqrc*.mf files to .../texmf/fonts/source/public/sqrcaps
+ the *.fd and *.sty files to /texmf/tex/latex/local/sqrcaps
+
+ On a teTeX distribution you might also have to add lines like the
+ following to texmf/fontname/special.map:
+ sqrc7.mf public sqrcaps
+ sqrc10.mf public sqrcaps
+ sqrc17.mf public sqrcaps
+ sqrcb7.mf public sqrcaps
+ sqrcb10.mf public sqrcaps
+ sqrcb17.mf public sqrcaps
+ On a teTeX distribution remember to run texhash after moving the files.
+
+ (I use a teTeX distribution and found that if I didn't add to the special.map
+ file, then the generated tfm and pk files were put in directories corresponding
+ to some vendor's font.)
+
+ Other LaTeX distributions might require procedures similar to those for teTeX.
+
+To typeset the documentation:
+=============================
+
+o run: latex sqrcaps.dtx
+o if you want an index then run: makeindex -s gind.ist sqrcaps
+o run: latex sqrcaps.dtx
+o Print sqrcaps.dvi for a hardcopy of the package manual
+
+ Note that the docmfp package is normally required for LaTeXing sqrcaps.dtx.
+The package is available from CTAN in tex-archive/macros/latex/contrib/supported.
+If you haven't got this and don't want to get it, then there are instructions
+in the first part of the .dtx file about how to edit it to avoid the use of docmfp.
+(docmfp is an extension of the doc package for describing METAFONT, or other
+non-LaTeX, code.)
+
+
+To check out your installation:
+===============================
+
+o run: latex tryfont for a testpage of the fonts
+o run: latex allfont for a document typeset with the fonts
+
+2002/12/30
+Peter Wilson
+peter.r.wilson@boeing.com
diff --git a/Master/texmf-dist/doc/fonts/bookhands/README.tgothic b/Master/texmf-dist/doc/fonts/bookhands/README.tgothic
new file mode 100644
index 00000000000..bf69c3b7fb6
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/README.tgothic
@@ -0,0 +1,71 @@
+ The tgothic and alltgoth packages provide Metafont fonts based on the
+Gothic Textura Quadrata manuscript book-hand used between the 13th & 15th century AD.
+The font consists of minuscules and digits, with some appropriate
+period punctuation marks. Both normal and bold versions are provided.
+This is one in a series of manuscript fonts.
+
+ Access to the docmfp package is desireable but not essential.
+
+ The distribution consists of the following files:
+README (this file)
+tgothic.ins
+tgothic.dtx
+tryfont.tex
+allfont.tex
+
+ The distribution is provided under the terms of the LaTeX
+Project Public License (LPPL).
+
+To install the package:
+=======================
+
+o run: latex tgothic.ins, which will generate:
+ tgoth*.mf files
+ *.fd files
+ tgothic.sty
+ alltgoth.sty
+o Move the generated files to locations where LaTeX will find them.
+ For example: the tgoth*.mf files to .../texmf/fonts/source/public/tgothic
+ the *.fd and *.sty files to /texmf/tex/latex/local/tgothic
+
+ On a teTeX distribution you might also have to add lines like the
+ following to texmf/fontname/special.map:
+ tgoth7.mf public tgothic
+ tgoth10.mf public tgothic
+ tgoth17.mf public tgothic
+ tgothb7.mf public tgothic
+ tgothb10.mf public tgothic
+ tgothb17.mf public tgothic
+ On a teTeX distribution remember to run texhash after moving the files.
+
+ (I use a teTeX distribution and found that if I didn't add to the special.map
+ file, then the generated tfm and pk files were put in directories corresponding
+ to some vendor's font.)
+
+ Other LaTeX distributions might require procedures similar to those for teTeX.
+
+To typeset the documentation:
+=============================
+
+o run: latex tgothic.dtx
+o if you want an index then run: makeindex -s gind.ist tgothic
+o run: latex tgothic.dtx
+o Print tgothic.dvi for a hardcopy of the package manual
+
+ Note that the docmfp package is normally required for LaTeXing tgothic.dtx.
+The package is available from CTAN in tex-archive/macros/latex/contrib/supported.
+If you haven't got this and don't want to get it, then there are instructions
+in the first part of the .dtx file about how to edit it to avoid the use of docmfp.
+(docmfp is an extension of the doc package for describing METAFONT, or other
+non-LaTeX, code.)
+
+
+To check out your installation:
+===============================
+
+o run: latex tryfont for a testpage of the fonts
+o run: latex allfont for a document typeset with the fonts
+
+2002/12/30
+Peter Wilson
+peter.r.wilson@boeing.com
diff --git a/Master/texmf-dist/doc/fonts/bookhands/README.uncial b/Master/texmf-dist/doc/fonts/bookhands/README.uncial
new file mode 100644
index 00000000000..15c416b6f57
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/README.uncial
@@ -0,0 +1,71 @@
+ The uncial and alluncl packages provide Meatfont fonts based on
+the Uncial manuscript book-hand used between the 3rd and 6th century AD.
+The font consists of minuscules and digits, with some appropriate
+period punctuation marks. Both normal and bold versions are provided.
+This is one in a series of manuscript fonts.
+
+ Access to the docmfp package is desireable but not essential.
+
+ The distribution consists of the following files:
+README (this file)
+uncial.ins
+uncial.dtx
+tryfont.tex
+allfont.tex
+
+ The distribution is provided under the terms of the LaTeX
+Project Public License (LPPL).
+
+To install the package:
+=======================
+
+o run: latex uncial.ins, which will generate:
+ uncl*.mf files
+ *.fd files
+ uncial.sty
+ alluncl.sty
+o Move the generated files to locations where LaTeX will find them.
+ For example: the uncl*.mf files to .../texmf/fonts/source/public/uncial
+ the *.fd and *.sty files to /texmf/tex/latex/local/uncial
+
+ On a teTeX distribution you might also have to add lines like the
+ following to texmf/fontname/special.map:
+ uncl7.mf public uncial
+ uncl10.mf public uncial
+ uncl17.mf public uncial
+ unclb7.mf public uncial
+ unclb10.mf public uncial
+ unclb17.mf public uncial
+ On a teTeX distribution remember to run texhash after moving the files.
+
+ (I use a teTeX distribution and found that if I didn't add to the special.map
+ file, then the generated tfm and pk files were put in directories corresponding
+ to the URW New Century Schoolbook font.)
+
+ Other LaTeX distributions might require procedures similar to those for teTeX.
+
+To typeset the documentation:
+=============================
+
+o run: latex uncial.dtx
+o if you want an index then run: makeindex -s gind.ist uncial
+o run: latex uncial.dtx
+o Print uncial.dvi for a hardcopy of the package manual
+
+ Note that the docmfp package is normally required for LaTeXing uncial.dtx.
+The package is available from CTAN in tex-archive/macros/latex/contrib/supported.
+If you haven't got this and don't want to get it, then there are instructions
+in the first part of the .dtx file about how to edit it to avoid the use of docmfp.
+(docmfp is an extension of the doc package for describing METAFONT, or other
+non-LaTeX, code.)
+
+
+To check out your installation:
+===============================
+
+o run: latex tryfont for a testpage of the Uncial fonts
+o run: latex allfont for a document typeset with the Uncial fonts
+
+1999/05/15
+Peter Wilson
+peter.r.wilson@boeing.com
diff --git a/Master/texmf-dist/doc/fonts/bookhands/auncial-allfont.ps.gz b/Master/texmf-dist/doc/fonts/bookhands/auncial-allfont.ps.gz
new file mode 100644
index 00000000000..6d04c0fd18d
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/auncial-allfont.ps.gz
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/bookhands/auncial-allfont.tex b/Master/texmf-dist/doc/fonts/bookhands/auncial-allfont.tex
new file mode 100644
index 00000000000..6c764904d83
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/auncial-allfont.tex
@@ -0,0 +1,92 @@
+% allfont.tex Test Artificial Uncial fonts
+\documentclass{article}
+\usepackage{allauncl}
+
+\newcommand{\romannum}[1]{\romannumeral #1}
+\newcommand{\Romannum}[1]{\uppercase\expandafter{\romannumeral #1}}
+\newcommand{\ABC}{ABCDEFGHIJKL MNOPQRSTUVWXYZ}
+\newcommand{\abc}{abcdefghijkl mnopqrstuvwxyz}
+\newcommand{\punct}{.,;:!?`' \&{} () []}
+\newcommand{\dashes}{- -- ---}
+\newcommand{\figs}{0123456789}
+\newcommand{\sentence}{%
+this is an example of the artificial uncial rustic font. now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog:}
+
+\newcommand{\Sentence}{%
+This is an example of the Artificial Uncial font. Now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog:}
+
+\newcommand{\latin}{Te canit adcelebratqve polvs rex gazifer hymnis.
+ Trans zephyriqve globvm scandvnt tva facta per axem.}
+
+\title{Try Artificial Uncial Fonts}
+\author{}
+\date{}
+\pagenumbering{roman}
+\begin{document}
+\maketitle
+
+\tableofcontents
+
+\section{First section}
+
+ This provides a short test of the characters in the Artificial Uncial fonts
+--- the \verb|auncl| font family.
+
+
+
+\begin{center}
+The Artificial Uncial Huge normal font. \\ \par
+{\Huge \ABC\\ \abc\\ \punct{}\dashes\\ \figs\\ \par }
+\end{center}
+
+
+\begin{center}
+The Artificial Uncial font in its normal size \\
+{\ABC{} \abc{} \punct{} \dashes{} \figs} \\
+\end{center}
+
+\begin{center}
+The bold normal font, the normal font, and the bold Computer Modern
+Roman, all in the normal size \\
+{\textbf{\abc{} \figs}} \\
+{\abc{} \figs} \\
+\textcmr{\textbf{\abc{} \figs}} \\
+\end{center}
+
+\begin{center}
+The bold versions, in Huge and tiny sizes. \par
+\bfseries
+\Huge \abc{} \figs \par
+\tiny \abc{} \figs \par
+\end{center}
+
+\begin{center}
+The font in the tiny size \\ \par
+{\tiny \ABC{} \\ \abc\\ \figs\\ \par }
+\end{center}
+
+\begin{center}
+ Some ligatures in the normal font \\
+{``the brown \& lazy dog --- but quick \& red fox?''}
+\end{center}
+
+\section{Second section}
+
+ First some well known English phrases in an abcedarian sentence.
+
+\Sentence{}
+
+ These are two Latin abecedarian sentences dating from about
+\Romannum{790}.
+
+\latin{}
+
+\textcmss{This is the end of the test file, with this sentence being typeset
+using the Computer Modern Sans font in the point size as specified for this
+document.}
+
+\end{document} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/bookhands/auncial-tryfont.ps.gz b/Master/texmf-dist/doc/fonts/bookhands/auncial-tryfont.ps.gz
new file mode 100644
index 00000000000..b3052ab1f5f
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/auncial-tryfont.ps.gz
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/bookhands/auncial-tryfont.tex b/Master/texmf-dist/doc/fonts/bookhands/auncial-tryfont.tex
new file mode 100644
index 00000000000..b4015f2f5e3
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/auncial-tryfont.tex
@@ -0,0 +1,76 @@
+% tryfont.tex Test Artificial Uncial fonts
+\documentclass[12pt]{article}
+\usepackage{auncial}
+
+\newcommand{\ABC}{ABCDEFGHIJKL MNOPQRSTUVWXYZ}
+\newcommand{\abc}{abcdefghijkl mnopqrstuvwxyz}
+\newcommand{\punct}{.,;:!?`' \&{} () []}
+\newcommand{\figs}{0123456789}
+\newcommand{\dashes}{- -- ---}
+\newcommand{\sentence}{%
+this is an example of the artificial uncial font. now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog:}
+
+\newcommand{\Sentence}{%
+This is an example of the Artificial Uncial font. Now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog:}
+
+
+\title{Try Artificial Uncial Fonts}
+\author{}
+\date{}
+\begin{document}
+\maketitle
+
+ This provides a short test of the characters in the Artificial Uncial fonts
+--- the \verb|auncl| font family.
+
+
+
+\begin{center}
+The Artificial Uncial Huge normal font. \\ \par
+{\aunclfamily\Huge \ABC\\ \abc\\ \punct{} \dashes\\ \figs\\ \par }
+\end{center}
+
+\begin{center}
+The Artificial Uncial font in its normal size \\
+\textauncl{\ABC{} \abc{} \punct{} \dashes{} \figs} \\
+\end{center}
+
+\begin{center}
+The bold minuscule font, the normal minuscule font, and the bold Computer Modern
+Roman, all in the normal size \\
+\textauncl{\textbf{\abc{} \figs}} \\
+\textauncl{\abc{} \figs} \\
+\textbf{\abc{} \figs} \\
+\end{center}
+
+\begin{center}
+The bold versions, in Huge and tiny sizes. \par
+\aunclfamily\bfseries
+\Huge \abc{} \figs \par
+\tiny \abc{} \figs \par
+\end{center}
+
+\begin{center}
+The font in the tiny size \\ \par
+{\aunclfamily\tiny \ABC{} \\ \abc\\ \figs\\ \par }
+\end{center}
+
+\begin{center}
+ Some ligatures in the normal font \\
+\textauncl{``the lazy \& brown dog --- but quick \& red fox?''}
+\end{center}
+
+{
+\aunclfamily
+\sentence{}
+
+\Sentence{}
+}
+
+ This is the end of the test file.
+
+\end{document} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/bookhands/bsamples.ps.gz b/Master/texmf-dist/doc/fonts/bookhands/bsamples.ps.gz
new file mode 100644
index 00000000000..8ebee26ba6b
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/bsamples.ps.gz
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/bookhands/bsamples.tex b/Master/texmf-dist/doc/fonts/bookhands/bsamples.tex
new file mode 100644
index 00000000000..14e9e8e5d39
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/bsamples.tex
@@ -0,0 +1,417 @@
+% bsample.tex Samples of book-hand fonts
+\documentclass{article}
+\usepackage{sqrcaps}
+\usepackage{rustic}
+\usepackage{uncial}
+\usepackage{auncial}
+\usepackage{huncial}
+\usepackage{inslrmaj}
+\usepackage{inslrmin}
+\usepackage{carolmin}
+\usepackage{egothic}
+\usepackage{tgothic}
+\usepackage{pgothic}
+\usepackage{rotunda}
+\usepackage{humanist}
+
+%\newcommand{\ABC}{ABCDEFGHIJKL MNOPQRSTUVWXYZ}
+\newcommand{\abc}{a b c d e f gh i j k l m n o p q r s t u v w x y z}
+\newcommand{\punct}{. , ; : ! ? ` ' \& ( ) [ ]}
+\newcommand{\figs}{0123456789}
+\newcommand{\dashes}{- -- ---}
+\newcommand{\ligs}{``the brown \& white dog --- but fast acting hare''}
+\newcommand{\sentence}{%
+ now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog.}
+\newcommand{\latin}{%
+ Te canit adcelebratque polus rex gazifer hymnis.
+Trans zephyrique globum scandunt tua facta per axem.
+Explicit secunda pars summe fratris thome de aquino
+ordinis fratrum predicatorium, longissima, prolixissima,
+\& tediossima scribent; Deo gratias, Deo gratias, et iterumm
+Deo gratias.
+}
+
+\renewcommand{\sentence}{%
+Here is is an example of the font. Now is the time for all good
+men, and women, to come to the aid of the party. Boys and girls come
+out to play while the quick brown fox jumps over the lazy dog.}
+
+\hyphenation{glo-b-um tra-ns ad-cel-e-brat-que zeph-yr-ique}
+
+\title{Bookhands Font Sampler}
+\author{Peter Wilson\\ \texttt{peter.r.wilson@boeing.com}}
+\date{December 2002}
+\begin{document}
+\maketitle
+\tableofcontents
+\clearpage
+
+\section{Introduction}
+
+ This document provides some samples of the book-hand fonts. They are
+available from CTAN in the \texttt{fonts/bookhands} directory. The
+characters in each font are displayed first, followed by an example
+of some text including ligatures. Then some more text is
+shown in the font. The first part of the text are sentences containing some
+well known English phrases. The second part consists of Latin
+sentences. The first two of these are Latin
+abecedarian sentences dating from about 790~\textsc{ad}. The last
+sentence also dates from around that time.
+
+ As an example, the Computer Modern Roman font would be sampled like this:
+\begin{center}
+\abc \\
+\punct{} \dashes \\
+\figs
+
+\ligs\par
+\end{center}
+
+\begin{quotation}
+\sentence{} \latin \par
+\end{quotation}
+
+ It should be noted that not all the fonts have the complete range of
+punctuation marks and ligatures as shown in the CMR example. Punctuation
+was virtually non-existant in the first century while by Gutenberg's time
+all of our modern punctuation marks were in use.
+
+\clearpage
+
+\section{Square Capitals}
+
+ Square Capitals were used from the first century onwards, principally
+in the form of capital letters with other hands.
+
+ The font and packages are in the \texttt{sqrcaps} subdirectory.
+
+\begin{center}
+\sqrcfamily
+\abc \\
+\punct{} \dashes \\
+\figs
+
+\ligs\par
+\end{center}
+
+\begin{quotation}
+\renewcommand{\baselinestretch}{1.7}
+\sqrcfamily
+\sentence{} \latin \par
+\end{quotation}
+
+
+\clearpage
+\section{Roman Rustic}
+
+ The Roman Rustic font was used between the first and sixth centuries.
+Capital letters, if used at all, were just larger versions of the normal letters.
+
+ The font and packages are in the \texttt{rustic} subdirectory.
+
+\begin{center}
+\rustfamily
+\abc \\
+\punct{} \dashes \\
+\figs
+
+\ligs\par
+\end{center}
+
+\begin{quotation}
+\renewcommand{\baselinestretch}{1.9}
+\rustfamily
+\sentence{} \latin \par
+\end{quotation}
+
+
+\clearpage
+\section{Uncial}
+
+ The Uncial font was used between the third and sixth centuries.
+Capital letters, if used at all, were either just larger versions of the
+normal letters, or Roman Rustic letters.
+
+ The font and packages are in the \texttt{uncial} subdirectory.
+
+\begin{center}
+\unclfamily
+\abc \\
+\punct{} \dashes \\
+\figs
+
+\ligs\par
+\end{center}
+
+\begin{quotation}
+\renewcommand{\baselinestretch}{1.37}
+\unclfamily
+\sentence{} \latin \par
+\end{quotation}
+
+\clearpage
+\section{Half Uncial}
+
+ The Half Uncial font was used between the third and ninth centuries.
+Capital letters were only used at the
+start of a paragraph and were always partially, or completely, set in the margin.
+They were either larger versions of the normal letters, or letters from earlier
+fonts.
+
+ The font and packages are in the \texttt{huncial} subdirectory.
+
+\begin{center}
+\hunclfamily
+\abc \\
+\punct{} \dashes \\
+\figs
+
+\ligs\par
+\end{center}
+
+\begin{quotation}
+\renewcommand{\baselinestretch}{1.4}
+\hunclfamily
+\sentence{} \latin \par
+\end{quotation}
+
+\clearpage
+\section{Artificial Uncial}
+
+ The Artificial Uncial font was used between the sixth and tenth centuries.
+Capital letters were only used at the
+start of a paragraph and were always partially, or completely, set in the margin.
+They were either larger versions of the normal letters, or letters from earlier
+fonts.
+
+ The font and packages are in the \texttt{auncial} subdirectory.
+
+\begin{center}
+\aunclfamily
+\abc \\
+\punct{} \dashes \\
+\figs
+
+\ligs\par
+\end{center}
+
+\begin{quotation}
+\renewcommand{\baselinestretch}{1.4}
+\aunclfamily
+\sentence{} \latin \par
+\end{quotation}
+
+
+\clearpage
+\section{Insular Majuscule}
+
+ The Insular Majuscule font was used between the sixth and ninth centuries,
+firstly in Ireland and then later in England.
+Capital letters were only used at the start of sentences.
+They were either larger versions of the normal letters, or highly decorated
+very large letters.
+
+
+ The font and packages are in the \texttt{inslrmaj} subdirectory.
+
+\begin{center}
+\imajfamily
+\abc \\
+\punct{} \dashes \\
+\figs
+
+\ligs\par
+\end{center}
+
+\begin{quotation}
+\renewcommand{\baselinestretch}{1.5}
+\imajfamily
+\sentence{} \latin \par
+\end{quotation}
+
+
+\clearpage
+\section{Insular Minuscule}
+
+ The Insular Minuscule hand was an informal version of Insular Majuscule and has been
+used from the sixth century onwards.
+Capital letters were only used at the start of sentences.
+They were either larger versions of the normal letters, or highly decorated
+very large letters.
+
+
+ The font and packages are in the \texttt{inslrmin} subdirectory.
+
+\begin{center}
+\iminfamily
+\abc \\
+\punct{} \dashes \\
+\figs
+
+\ligs\par
+\end{center}
+
+\begin{quotation}
+\renewcommand{\baselinestretch}{1.5}
+\iminfamily
+\sentence{} \latin \par
+\end{quotation}
+
+
+\clearpage
+\section{Carolingian Minuscule}
+
+ The Carolingian Minuscule script was used between the 8th and 12th centuries,
+throughout the Western Christian world.
+Capital letters were only used at the start of sentences.
+They were either larger versions of the normal letters, or taken from
+earlier hands.
+
+ The font and packages are in the \texttt{carolmin} subdirectory.
+
+\begin{center}
+\cminfamily
+\abc \\
+\punct{} \dashes \\
+\figs
+
+\ligs\par
+\end{center}
+
+\begin{quotation}
+\renewcommand{\baselinestretch}{1.1}
+\cminfamily
+\sentence{} \latin \par
+\end{quotation}
+
+
+\clearpage
+\section{Early Gothic}
+
+ The Early Gothic hand was used between the 11th and 12th centuries, as a short lived
+intermediary between the Carolingian script and the full-blown Gothic hands.
+
+
+ The font and packages are in the \texttt{egothic} subdirectory.
+
+\begin{center}
+\egothfamily
+\abc \\
+\punct{} \dashes \\
+\figs
+
+\ligs\par
+\end{center}
+
+\begin{quotation}
+\renewcommand{\baselinestretch}{1.3}
+\egothfamily
+\sentence{} \latin \par
+\end{quotation}
+
+
+\clearpage
+\section{Gothic Textura Quadrata}
+
+ Gothic Textura Quadrata was the principal Gothic hand on the continent between about
+the 13th and 15th centuries. Guthenberg based his types on this hand.
+
+ The font and packages are in the \texttt{tgothic} subdirectory.
+
+\begin{center}
+\tgothfamily
+\abc \\
+\punct{} \dashes \\
+\figs
+
+\ligs\par
+\end{center}
+
+\begin{quotation}
+\renewcommand{\baselinestretch}{1.3}
+\tgothfamily
+\sentence{} \latin \par
+\end{quotation}
+
+
+\clearpage
+\section{Gothic Textura Prescius}
+
+ Gothic Textura Prescius, which is slightly simpler than Quadrata, was used in
+England from the 13th century. Caxton based his types on this hand.
+
+
+ The font and packages are in the \texttt{pgothic} subdirectory.
+
+\begin{center}
+\pgothfamily
+\abc \\
+\punct{} \dashes \\
+\figs
+
+\ligs\par
+\end{center}
+
+\begin{quotation}
+\renewcommand{\baselinestretch}{1.1}
+\pgothfamily
+\sentence{} \latin \par
+\end{quotation}
+
+
+\clearpage
+\section{Rotunda}
+
+ The Italians did not go for the excesses of the Gothic Textura scripts and
+they transformed Early Gothic into the Rotunda hand, in use between the 13th and
+15th centuries.
+
+ The font and packages are in the \texttt{rotunda} subdirectory.
+
+\begin{center}
+\rtndfamily
+\abc \\
+\punct{} \dashes \\
+\figs
+
+\ligs\par
+\end{center}
+
+\begin{quotation}
+\renewcommand{\baselinestretch}{1.1}
+\rtndfamily
+\sentence{} \latin \par
+\end{quotation}
+
+
+\clearpage
+\section{Humanist Minuscule}
+
+ Our modern roman types are based on the Humanist Minuscule script that
+was used from the 14th century onward in Italy. It was the successor to Rotunda.
+
+
+ The font and packages are in the \texttt{humanist} subdirectory.
+
+\begin{center}
+\hminfamily
+\abc \\
+\punct{} \dashes \\
+\figs
+
+\ligs\par
+\end{center}
+
+\begin{quotation}
+\renewcommand{\baselinestretch}{1.0}
+\hminfamily
+\sentence{} \latin \par
+\end{quotation}
+
+
+
+\end{document}
+
+
diff --git a/Master/texmf-dist/doc/fonts/bookhands/carolmin-allfont.tex b/Master/texmf-dist/doc/fonts/bookhands/carolmin-allfont.tex
new file mode 100644
index 00000000000..791b5b7eb3f
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/carolmin-allfont.tex
@@ -0,0 +1,97 @@
+% allfont.tex Test Carolingian Minuscule fonts
+\documentclass{article}
+%\documentclass[12pt]{article}
+\usepackage{allcmin}
+
+\newcommand{\romannum}[1]{\romannumeral #1}
+\newcommand{\Romannum}[1]{\uppercase\expandafter{\romannumeral #1}}
+\newcommand{\ABC}{ABCDEFGHIJKL MNOPQRSTUVWXYZ}
+\newcommand{\abc}{abcdefghijkl mnopqrstuvwxyz}
+\newcommand{\punct}{.,;:!?`' \&{} () []}
+\newcommand{\dashes}{- -- ---}
+\newcommand{\figs}{0123456789}
+\newcommand{\sentence}{%
+this is an example of the carolingian minuscule font. now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog.}
+
+\newcommand{\Sentence}{%
+This is an example of the Carolingian Minuscule font. Now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog.}
+
+\newcommand{\latin}{Te canit adcelebratque polus rex gazifer hymnis.
+ Trans zephyrique globum scandunt tua facta per axem.
+ Explicit secunda pars summe fratris thome de aquino ordinis fratrum
+ predicatorium, longissima, prolixissima, \& tediosissima scribent;
+ Deo gratias, Deo gratias, et iterumm Deo gratias. }
+
+\title{Try Carolingian Minuscule Fonts}
+\author{}
+\date{}
+%%\pagenumbering{roman}
+\begin{document}
+\maketitle
+
+\tableofcontents
+
+\section{The character set}
+
+ This provides a short test of the characters in the Carolingian Minuscule fonts
+--- the \verb|cmin| font family.
+
+
+
+\begin{center}
+The Carolingian Minuscule Huge normal font. \\ \par
+{\Huge \ABC\\ \abc\\ \punct{}\dashes\\ \figs\\ \par }
+\end{center}
+
+
+\begin{center}
+The Carolingian Minuscule font in its normal size \\
+{\ABC{} \abc{} \figs} \\
+\end{center}
+
+\begin{center}
+The bold normal font, the normal font, and the bold Computer Modern
+Roman, all in the normal size \\
+{\textbf{\abc{} \figs}} \\
+{\abc{} \figs} \\
+\textcmr{\textbf{\abc{} \figs}} \\
+\end{center}
+
+\begin{center}
+The bold versions, in Huge and tiny sizes. \par
+\bfseries
+\Huge \abc{} \figs \par
+\tiny \abc{} \figs \par
+\end{center}
+
+\begin{center}
+The font in the tiny size \\ \par
+{\tiny \ABC{} \\ \abc\\ \figs\\ \par }
+\end{center}
+
+\begin{center}
+ Some ligatures in the normal font \\
+{``the lazy dog --- but quick fox?''}
+\end{center}
+
+\section{Example texts}
+
+ First some well known English phrases in an abcedarian sentence.
+
+\Sentence{}
+
+ After this there are two Latin abecedarian sentences dating from about
+\Romannum{790}, and another sentence from roughly the same period.
+
+\latin{}
+
+
+\textcmss{This is the end of the test file, with this sentence being typeset
+using the Computer Modern Sans font in the point size as specified for this
+document.}
+
+\end{document} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/bookhands/carolmin-tryfont.tex b/Master/texmf-dist/doc/fonts/bookhands/carolmin-tryfont.tex
new file mode 100644
index 00000000000..e9c32980d2b
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/carolmin-tryfont.tex
@@ -0,0 +1,124 @@
+% tryfont.tex Test Carolingian Minuscule fonts
+%\documentclass[12pt]{article}
+\documentclass{article}
+\usepackage{carolmin}
+
+\newcommand{\ABC}{ABCDEFGHIJKL MNOPQRSTUVWXYZ}
+\newcommand{\abc}{abcdefghijkl mnopqrs{}tuvwxyz}
+\newcommand{\ABCnb}{ABCDEFGHIJKLMNOPQRSTUVWXYZ}
+\newcommand{\abcnb}{abcdefghijklmnopqrs{}tuvwxyz}
+\newcommand{\punct}{.,;:!?`' () []}
+\newcommand{\figs}{0123456789}
+\newcommand{\dashes}{- -- ---}
+\newcommand{\ligs}{\&{} ct st}
+\newcommand{\sentence}{%
+this is an example of the carolingian minuscule font. now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog:}
+
+\newcommand{\Sentence}{%
+This is an example of the Carolingian Minuscule font. Now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog:}
+
+\newcommand{\esses}{sa sb sc sd se sf sg sh si sj sk sl sm
+ sn so sp sq sr ss st su sv sw sx sy sz}
+
+\newcommand{\exes}{xa xb xc xd xe xf xg xh xi xj xk xl xm
+ xn xo xp xq xr xs xt xu xv xw xx xy xz}
+
+\newcommand{\jays}{aj bj cj dj ej fj gj hj ij jj kj lj mj
+ nj oj pj qj rj sj tj uj vj wj xj yj zj}
+
+\newcommand{\dees}{ad bd cd dd ed fd gd hd id jd kd ld md
+ nd od pd qd rd sd td ud vd wd xd yd zd}
+
+\newcommand{\ares}{ra rb rc rd re rf rg rh ri rj rk rl rm
+ rn ro rp rq rr rs rt ru rv rw rx ry rz}
+
+\newcommand{\Esses}{SA SB SC SD SE SF SG SH SI SJ SK SL SM
+ SN SO SP SQ SR SS ST SU SV SW SX SY SZ}
+
+\newcommand{\Exes}{XA XB XC XD XE XF XG XH XI XJ XK XL XM
+ XN XO XP XQ XR XS XT XU XV XW XX XY XZ}
+
+\newcommand{\Jays}{AJ BJ CJ DJ EJ FJ GJ HJ IJ JJ KJ LJ MJ
+ NJ OJ PJ QJ RJ SJ TJ UJ VJ WJ XJ YJ ZJ}
+
+\newcommand{\Dees}{AD BD CD DD ED FD GD HD ID JD KD LD MD
+ ND OD PD QD RD SD TD UD VD WD XD YD ZD}
+
+\newcommand{\Ares}{RA RB RC RD RE RF RG RH RI RJ RK RL RM
+ RN RO RP RQ RR RS RT RU RV RW RX RY RZ}
+
+\title{Try Carolingian Minuscule Fonts}
+\author{}
+\date{}
+\begin{document}
+\maketitle
+
+ This provides a short test of the characters in the Carolingian Minuscule fonts
+--- the \verb|cmin| font family. Pen angle 45 degrees, 5 and 4 nibs for
+normal and bold versions.
+
+
+
+\begin{center}
+The Carolingian Minuscule Huge normal font. \\ \par
+{\cminfamily\Huge \ABC\\ \abc\\ \punct{} \dashes\\ \ligs{} \figs\\ \par }
+\end{center}
+
+\begin{center}
+The Carolingian Minuscule font in its normal size \\
+\textcmin{\ABCnb{} \abcnb{} \punct{} \dashes{} \ligs{} \figs} \\
+\end{center}
+
+\begin{center}
+The bold minuscule font, the normal minuscule font, and the bold Computer Modern
+Roman, all in the normal size \\
+\textcmin{\textbf{\abcnb{} \figs{} \ligs{}}} \\
+\textcmin{\abcnb{} \figs{} \ligs{}} \\
+\textbf{\abcnb{} \figs{} \ligs{}} \\
+\end{center}
+
+\begin{center}
+The bold versions, in Huge and tiny sizes. \par
+\cminfamily\bfseries
+\Huge \abc{} \figs{} \ligs{} \par
+\tiny \abc{} \figs{} \ligs{} \par
+\end{center}
+
+\begin{center}
+The font in the tiny size \\ \par
+{\cminfamily\tiny \ABC{} \\ \abc\\ \figs\\ \ligs{} \par }
+\end{center}
+
+\begin{center}
+ Some built-in ligatures in the normal font \\
+\textcmin{``first active brown dog --- but quick \& red fox?''}
+\end{center}
+
+%\begin{center}
+% Individual ligatures in the normal font \\
+% \textcmin{\esses} \\
+% \textcmin{\exes} \\
+% \textcmin{\jays} \\
+% \textcmin{\dees} \\
+% \textcmin{\ares} \\
+% \textcmin{\Esses} \\
+% \textcmin{\Exes} \\
+% \textcmin{\Jays} \\
+% \textcmin{\Dees} \\
+% \textcmin{\Ares} \\
+%\end{center}
+
+{
+\cminfamily
+\sentence{}
+
+\Sentence{}
+}
+
+ This is the end of the test file.
+
+\end{document} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/bookhands/egothic-allfont.tex b/Master/texmf-dist/doc/fonts/bookhands/egothic-allfont.tex
new file mode 100644
index 00000000000..861f0a68867
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/egothic-allfont.tex
@@ -0,0 +1,97 @@
+% allfont.tex Test Early Gothic fonts
+\documentclass{article}
+%\documentclass[12pt]{article}
+\usepackage{allegoth}
+
+\newcommand{\romannum}[1]{\romannumeral #1}
+\newcommand{\Romannum}[1]{\uppercase\expandafter{\romannumeral #1}}
+\newcommand{\ABC}{ABCDEFGHIJKL MNOPQRSTUVWXYZ}
+\newcommand{\abc}{abcdefghijkl mnopqrstuvwxyz}
+\newcommand{\punct}{.,;:!?`' \&{} () []}
+\newcommand{\dashes}{- -- ---}
+\newcommand{\figs}{0123456789}
+\newcommand{\sentence}{%
+this is an example of the early gothic font. now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog.}
+
+\newcommand{\Sentence}{%
+This is an example of the Early Gothic font. Now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog.}
+
+\newcommand{\latin}{Te canit adcelebratque polus rex gazifer hymnis.
+ Trans zephyrique globum scandunt tua facta per axem.
+ Explicit secunda pars summe fratris thome de aquino ordinis fratrum
+ predicatorium, longissima, prolixissima, \& tediosissima scribent;
+ Deo gratias, Deo gratias, et iterumm Deo gratias. }
+
+\title{Try Early Gothic Fonts}
+\author{}
+\date{}
+%%\pagenumbering{roman}
+\begin{document}
+\maketitle
+
+\tableofcontents
+
+\section{The character set}
+
+ This provides a short test of the characters in the Early Gothic fonts
+--- the \verb|egoth| font family.
+
+
+
+\begin{center}
+The Early Gothic Huge normal font. \\ \par
+{\Huge \ABC\\ \abc\\ \punct{}\dashes\\ \figs\\ \par }
+\end{center}
+
+
+\begin{center}
+The Early Gothic font in its normal size \\
+{\ABC{} \abc{} \figs} \\
+\end{center}
+
+\begin{center}
+The bold normal font, the normal font, and the bold Computer Modern
+Roman, all in the normal size \\
+{\textbf{\abc{} \figs}} \\
+{\abc{} \figs} \\
+\textcmr{\textbf{\abc{} \figs}} \\
+\end{center}
+
+\begin{center}
+The bold versions, in Huge and tiny sizes. \par
+\bfseries
+\Huge \abc{} \figs \par
+\tiny \abc{} \figs \par
+\end{center}
+
+\begin{center}
+The font in the tiny size \\ \par
+{\tiny \ABC{} \\ \abc\\ \figs\\ \par }
+\end{center}
+
+\begin{center}
+ Some ligatures in the normal font \\
+{``the lazy dog --- but quick fox?''}
+\end{center}
+
+\section{Example texts}
+
+ First some well known English phrases in an abcedarian sentence.
+
+\Sentence{}
+
+ After this there are two Latin abecedarian sentences dating from about
+\Romannum{790}, and another sentence from roughly the same period.
+
+\latin{}
+
+
+\textcmss{This is the end of the test file, with this sentence being typeset
+using the Computer Modern Sans font in the point size as specified for this
+document.}
+
+\end{document} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/bookhands/egothic-tryfont.tex b/Master/texmf-dist/doc/fonts/bookhands/egothic-tryfont.tex
new file mode 100644
index 00000000000..3faf7eb7069
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/egothic-tryfont.tex
@@ -0,0 +1,124 @@
+% tryfont.tex Test Early Gothic fonts
+%\documentclass[12pt]{article}
+\documentclass{article}
+\usepackage{egothic}
+
+\newcommand{\ABC}{ABCDEFGHIJKL MNOPQRSTUVWXYZ}
+\newcommand{\abc}{abcdefghijkl mnopqrs{}tuvwxyz}
+\newcommand{\ABCnb}{ABCDEFGHIJKLMNOPQRSTUVWXYZ}
+\newcommand{\abcnb}{abcdefghijklmnopqrs{}tuvwxyz}
+\newcommand{\punct}{.,;:!?`' () []}
+\newcommand{\figs}{0123456789}
+\newcommand{\dashes}{- -- ---}
+\newcommand{\ligs}{\&{} ct st}
+\newcommand{\sentence}{%
+this is an example of the early gothic font. now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog.}
+
+\newcommand{\Sentence}{%
+This is an example of the Early Gothic font. Now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog.}
+
+\newcommand{\esses}{sa sb sc sd se sf sg sh si sj sk sl sm
+ sn so sp sq sr ss st su sv sw sx sy sz}
+
+\newcommand{\exes}{xa xb xc xd xe xf xg xh xi xj xk xl xm
+ xn xo xp xq xr xs xt xu xv xw xx xy xz}
+
+\newcommand{\jays}{aj bj cj dj ej fj gj hj ij jj kj lj mj
+ nj oj pj qj rj sj tj uj vj wj xj yj zj}
+
+\newcommand{\dees}{ad bd cd dd ed fd gd hd id jd kd ld md
+ nd od pd qd rd sd td ud vd wd xd yd zd}
+
+\newcommand{\ares}{ra rb rc rd re rf rg rh ri rj rk rl rm
+ rn ro rp rq rr rs rt ru rv rw rx ry rz}
+
+\newcommand{\Esses}{SA SB SC SD SE SF SG SH SI SJ SK SL SM
+ SN SO SP SQ SR SS ST SU SV SW SX SY SZ}
+
+\newcommand{\Exes}{XA XB XC XD XE XF XG XH XI XJ XK XL XM
+ XN XO XP XQ XR XS XT XU XV XW XX XY XZ}
+
+\newcommand{\Jays}{AJ BJ CJ DJ EJ FJ GJ HJ IJ JJ KJ LJ MJ
+ NJ OJ PJ QJ RJ SJ TJ UJ VJ WJ XJ YJ ZJ}
+
+\newcommand{\Dees}{AD BD CD DD ED FD GD HD ID JD KD LD MD
+ ND OD PD QD RD SD TD UD VD WD XD YD ZD}
+
+\newcommand{\Ares}{RA RB RC RD RE RF RG RH RI RJ RK RL RM
+ RN RO RP RQ RR RS RT RU RV RW RX RY RZ}
+
+\title{Try Early Gothic Fonts}
+\author{}
+\date{}
+\begin{document}
+\maketitle
+
+ This provides a short test of the characters in the Early Gothic fonts
+--- the \verb|egoth| font family. Pen angle 35 degrees, 6 and 5 nibs for
+normal and bold versions.
+
+
+
+\begin{center}
+The Early Gothic Huge normal font. \\ \par
+{\egothfamily\Huge \ABC\\ \abc\\ \punct{} \dashes\\ \ligs{} \figs\\ \par }
+\end{center}
+
+\begin{center}
+The Early Gothic font in its normal size \\
+\textegoth{\ABCnb{} \abcnb{} \punct{} \dashes{} \ligs{} \figs} \\
+\end{center}
+
+\begin{center}
+The bold Gothic font, the normal Gothic font, and the bold Computer Modern
+Roman, all in the normal size \\
+\textegoth{\textbf{\abcnb{} \figs{} \ligs{}}} \\
+\textegoth{\abcnb{} \figs{} \ligs{}} \\
+\textbf{\abcnb{} \figs{} \ligs{}} \\
+\end{center}
+
+\begin{center}
+The bold versions, in Huge and tiny sizes. \par
+\egothfamily\bfseries
+\Huge \abc{} \figs{} \ligs{} \par
+\tiny \abc{} \figs{} \ligs{} \par
+\end{center}
+
+\begin{center}
+The font in the tiny size \\ \par
+{\egothfamily\tiny \ABC{} \\ \abc\\ \figs\\ \ligs{} \par }
+\end{center}
+
+\begin{center}
+ Some built-in ligatures in the normal font \\
+\textegoth{``first active brown dog --- but quick \& red fox?''}
+\end{center}
+
+%\begin{center}
+% Individual ligatures in the normal font \\
+% \textegoth{\esses} \\
+% \textegoth{\exes} \\
+% \textegoth{\jays} \\
+% \textegoth{\dees} \\
+% \textegoth{\ares} \\
+% \textegoth{\Esses} \\
+% \textegoth{\Exes} \\
+% \textegoth{\Jays} \\
+% \textegoth{\Dees} \\
+% \textegoth{\Ares} \\
+%\end{center}
+
+{
+\egothfamily
+\sentence{}
+
+\Sentence{}
+}
+
+ This is the end of the test file.
+
+\end{document} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/bookhands/humanist-allfont.tex b/Master/texmf-dist/doc/fonts/bookhands/humanist-allfont.tex
new file mode 100644
index 00000000000..f0e02460b57
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/humanist-allfont.tex
@@ -0,0 +1,97 @@
+% allfont.tex Test Humanist fonts
+\documentclass{article}
+%\documentclass[12pt]{article}
+\usepackage{allhmin}
+
+\newcommand{\romannum}[1]{\romannumeral #1}
+\newcommand{\Romannum}[1]{\uppercase\expandafter{\romannumeral #1}}
+\newcommand{\ABC}{ABCDEFGHIJKL MNOPQRSTUVWXYZ}
+\newcommand{\abc}{abcdefghijkl mnopqrstuvwxyz}
+\newcommand{\punct}{.,;:!?`' \&{} () []}
+\newcommand{\dashes}{- -- ---}
+\newcommand{\figs}{0123456789}
+\newcommand{\sentence}{%
+this is an example of the humanist font. now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog.}
+
+\newcommand{\Sentence}{%
+This is an example of the Humanist font. Now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog.}
+
+\newcommand{\latin}{Te canit adcelebratque polus rex gazifer hymnis.
+ Trans zephyrique globum scandunt tua facta per axem.
+ Explicit secunda pars summe fratris thome de aquino ordinis fratrum
+ predicatorium, longissima, prolixissima, \& tediosissima scribent;
+ Deo gratias, Deo gratias, et iterumm Deo gratias. }
+
+\title{Try Humanist Fonts}
+\author{}
+\date{}
+%%\pagenumbering{roman}
+\begin{document}
+\maketitle
+
+\tableofcontents
+
+\section{The character set}
+
+ This provides a short test of the characters in the Humanist fonts
+--- the \verb|hmin| font family.
+
+
+
+\begin{center}
+The Humanist Huge normal font. \\ \par
+{\Huge \ABC\\ \abc\\ \punct{}\dashes\\ \figs\\ \par }
+\end{center}
+
+
+\begin{center}
+The Humanist font in its normal size \\
+{\ABC{} \abc{} \figs} \\
+\end{center}
+
+\begin{center}
+The bold normal font, the normal font, and the bold Computer Modern
+Roman, all in the normal size \\
+{\textbf{\abc{} \figs}} \\
+{\abc{} \figs} \\
+\textcmr{\textbf{\abc{} \figs}} \\
+\end{center}
+
+\begin{center}
+The bold versions, in Huge and tiny sizes. \par
+\bfseries
+\Huge \abc{} \figs \par
+\tiny \abc{} \figs \par
+\end{center}
+
+\begin{center}
+The font in the tiny size \\ \par
+{\tiny \ABC{} \\ \abc\\ \figs\\ \par }
+\end{center}
+
+\begin{center}
+ Some ligatures in the normal font \\
+{``the lazy dog --- but quick fox?''}
+\end{center}
+
+\section{Example texts}
+
+ First some well known English phrases in an abcedarian sentence.
+
+\Sentence{}
+
+ After this there are two Latin abecedarian sentences dating from about
+\Romannum{790}, and another sentence from roughly the same period.
+
+\latin{}
+
+
+\textcmss{This is the end of the test file, with this sentence being typeset
+using the Computer Modern Sans font in the point size as specified for this
+document.}
+
+\end{document} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/bookhands/humanist-tryfont.tex b/Master/texmf-dist/doc/fonts/bookhands/humanist-tryfont.tex
new file mode 100644
index 00000000000..8a3d7201e8c
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/humanist-tryfont.tex
@@ -0,0 +1,124 @@
+% tryfont.tex Test Humanist Minuscule fonts
+%\documentclass[12pt]{article}
+\documentclass{article}
+\usepackage{humanist}
+
+\newcommand{\ABC}{ABCDEFGHIJKL MNOPQRSTUVWXYZ}
+\newcommand{\abc}{abcdefghijkl mnopqrs{}tuvwxyz}
+\newcommand{\ABCnb}{ABCDEFGHIJKLMNOPQRSTUVWXYZ}
+\newcommand{\abcnb}{abcdefghijklmnopqrs{}tuvwxyz}
+\newcommand{\punct}{.,;:!?`' () []}
+\newcommand{\figs}{0123456789}
+\newcommand{\dashes}{- -- ---}
+\newcommand{\ligs}{\&{} ct st}
+\newcommand{\sentence}{%
+this is an example of the humanist minuscule font. now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog.}
+
+\newcommand{\Sentence}{%
+This is an example of the Humanist Minuscule font. Now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog.}
+
+\newcommand{\esses}{sa sb sc sd se sf sg sh si sj sk sl sm
+ sn so sp sq sr ss st su sv sw sx sy sz}
+
+\newcommand{\exes}{xa xb xc xd xe xf xg xh xi xj xk xl xm
+ xn xo xp xq xr xs xt xu xv xw xx xy xz}
+
+\newcommand{\jays}{aj bj cj dj ej fj gj hj ij jj kj lj mj
+ nj oj pj qj rj sj tj uj vj wj xj yj zj}
+
+\newcommand{\dees}{ad bd cd dd ed fd gd hd id jd kd ld md
+ nd od pd qd rd sd td ud vd wd xd yd zd}
+
+\newcommand{\ares}{ra rb rc rd re rf rg rh ri rj rk rl rm
+ rn ro rp rq rr rs rt ru rv rw rx ry rz}
+
+\newcommand{\Esses}{SA SB SC SD SE SF SG SH SI SJ SK SL SM
+ SN SO SP SQ SR SS ST SU SV SW SX SY SZ}
+
+\newcommand{\Exes}{XA XB XC XD XE XF XG XH XI XJ XK XL XM
+ XN XO XP XQ XR XS XT XU XV XW XX XY XZ}
+
+\newcommand{\Jays}{AJ BJ CJ DJ EJ FJ GJ HJ IJ JJ KJ LJ MJ
+ NJ OJ PJ QJ RJ SJ TJ UJ VJ WJ XJ YJ ZJ}
+
+\newcommand{\Dees}{AD BD CD DD ED FD GD HD ID JD KD LD MD
+ ND OD PD QD RD SD TD UD VD WD XD YD ZD}
+
+\newcommand{\Ares}{RA RB RC RD RE RF RG RH RI RJ RK RL RM
+ RN RO RP RQ RR RS RT RU RV RW RX RY RZ}
+
+\title{Try Humanist Minuscule Fonts}
+\author{}
+\date{}
+\begin{document}
+\maketitle
+
+ This provides a short test of the characters in the Humanist Minuscule fonts
+--- the \verb|hmin| font family. Pen angle is 25 degrees, 5 and 4 nibs for
+normal and bold versions.
+
+
+
+\begin{center}
+The Humanist Minuscule Huge normal font. \\ \par
+{\hminfamily\Huge \ABC\\ \abc\\ \punct{} \dashes\\ \ligs{} \figs\\ \par }
+\end{center}
+
+\begin{center}
+The Humanist Minuscule font in its normal size \\
+\texthmin{\ABCnb{} \abcnb{} \punct{} \dashes{} \ligs{} \figs} \\
+\end{center}
+
+\begin{center}
+The bold minuscule font, the normal minuscule font, and the bold Computer Modern
+Roman, all in the normal size \\
+\texthmin{\textbf{\abcnb{} \figs{} \ligs{}}} \\
+\texthmin{\abcnb{} \figs{} \ligs{}} \\
+\textbf{\abcnb{} \figs{} \ligs{}} \\
+\end{center}
+
+\begin{center}
+The bold versions, in Huge and tiny sizes. \par
+\hminfamily\bfseries
+\Huge \abc{} \figs{} \ligs{} \par
+\tiny \abc{} \figs{} \ligs{} \par
+\end{center}
+
+\begin{center}
+The font in the tiny size \\ \par
+{\hminfamily\tiny \ABC{} \\ \abc\\ \figs\\ \ligs{} \par }
+\end{center}
+
+\begin{center}
+ Some built-in ligatures in the normal font \\
+\texthmin{``first active brown dog --- but quick \& red fox?''}
+\end{center}
+
+%\begin{center}
+% Individual ligatures in the normal font \\
+% \texthmin{\esses} \\
+% \texthmin{\exes} \\
+% \texthmin{\jays} \\
+% \texthmin{\dees} \\
+% \texthmin{\ares} \\
+% \texthmin{\Esses} \\
+% \texthmin{\Exes} \\
+% \texthmin{\Jays} \\
+% \texthmin{\Dees} \\
+% \texthmin{\Ares} \\
+%\end{center}
+
+{
+\hminfamily
+\sentence{}
+
+\Sentence{}
+}
+
+ This is the end of the test file.
+
+\end{document} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/bookhands/huncial-allfont.ps.gz b/Master/texmf-dist/doc/fonts/bookhands/huncial-allfont.ps.gz
new file mode 100644
index 00000000000..90c6d008999
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/huncial-allfont.ps.gz
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/bookhands/huncial-allfont.tex b/Master/texmf-dist/doc/fonts/bookhands/huncial-allfont.tex
new file mode 100644
index 00000000000..14c5bb4d50e
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/huncial-allfont.tex
@@ -0,0 +1,92 @@
+% allfont.tex Test Half Uncial fonts
+\documentclass{article}
+\usepackage{allhuncl}
+
+\newcommand{\romannum}[1]{\romannumeral #1}
+\newcommand{\Romannum}[1]{\uppercase\expandafter{\romannumeral #1}}
+\newcommand{\ABC}{ABCDEFGHIJKL MNOPQRSTUVWXYZ}
+\newcommand{\abc}{abcdefghijkl mnopqrstuvwxyz}
+\newcommand{\punct}{.,;:!?`' \&{} () []}
+\newcommand{\dashes}{- -- ---}
+\newcommand{\figs}{0123456789}
+\newcommand{\sentence}{%
+this is an example of the half uncial rustic font. now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog:}
+
+\newcommand{\Sentence}{%
+This is an example of the Half Uncial font. Now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog:}
+
+\newcommand{\latin}{Te canit adcelebratqve polvs rex gazifer hymnis.
+ Trans zephyriqve globvm scandvnt tva facta per axem.}
+
+\title{Try Half Uncial Fonts}
+\author{}
+\date{}
+\pagenumbering{roman}
+\begin{document}
+\maketitle
+
+\tableofcontents
+
+\section{First section}
+
+ This provides a short test of the characters in the Half Uncial fonts
+--- the \verb|huncl| font family.
+
+
+
+\begin{center}
+The Half Uncial Huge normal font. \\ \par
+{\Huge \ABC\\ \abc\\ \punct{}\dashes\\ \figs\\ \par }
+\end{center}
+
+
+\begin{center}
+The Half Uncial font in its normal size \\
+{\ABC{} \abc{} \punct{} \dashes{} \figs} \\
+\end{center}
+
+\begin{center}
+The bold normal font, the normal font, and the bold Computer Modern
+Roman, all in the normal size \\
+{\textbf{\abc{} \figs}} \\
+{\abc{} \figs} \\
+\textcmr{\textbf{\abc{} \figs}} \\
+\end{center}
+
+\begin{center}
+The bold versions, in Huge and tiny sizes. \par
+\bfseries
+\Huge \abc{} \figs \par
+\tiny \abc{} \figs \par
+\end{center}
+
+\begin{center}
+The font in the tiny size \\ \par
+{\tiny \ABC{} \\ \abc\\ \figs\\ \par }
+\end{center}
+
+\begin{center}
+ Some ligatures in the normal font \\
+{``first active brown dog --- but quick \& red fox?''}
+\end{center}
+
+\section{Second section}
+
+ First some well known English phrases in an abcedarian sentence.
+
+\Sentence{}
+
+ These are two Latin abecedarian sentences dating from about
+\Romannum{790}.
+
+\latin{}
+
+\textcmss{This is the end of the test file, with this sentence being typeset
+using the Computer Modern Sans font in the point size as specified for this
+document.}
+
+\end{document} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/bookhands/huncial-tryfont.ps.gz b/Master/texmf-dist/doc/fonts/bookhands/huncial-tryfont.ps.gz
new file mode 100644
index 00000000000..697cc1b387a
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/huncial-tryfont.ps.gz
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/bookhands/huncial-tryfont.tex b/Master/texmf-dist/doc/fonts/bookhands/huncial-tryfont.tex
new file mode 100644
index 00000000000..06fbf33921b
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/huncial-tryfont.tex
@@ -0,0 +1,76 @@
+% tryfont.tex Test Half Uncial fonts
+\documentclass[12pt]{article}
+\usepackage{huncial}
+
+\newcommand{\ABC}{ABCDEFGHIJKL MNOPQRSTUVWXYZ}
+\newcommand{\abc}{abcdefghijkl mnopqrstuvwxyz}
+\newcommand{\punct}{.,;:!?`' \&{} () []}
+\newcommand{\figs}{0123456789}
+\newcommand{\dashes}{- -- ---}
+\newcommand{\sentence}{%
+this is an example of the half uncial font. now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog:}
+
+\newcommand{\Sentence}{%
+This is an example of the Half Uncial font. Now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog:}
+
+
+\title{Try Half Uncial Fonts}
+\author{}
+\date{}
+\begin{document}
+\maketitle
+
+ This provides a short test of the characters in the Half Uncial fonts
+--- the \verb|huncl| font family.
+
+
+
+\begin{center}
+The Half Uncial Huge normal font. \\ \par
+{\hunclfamily\Huge \ABC\\ \abc\\ \punct{} \dashes\\ \figs\\ \par }
+\end{center}
+
+\begin{center}
+The Half Uncial font in its normal size \\
+\texthuncl{\ABC{} \abc{} \punct{} \dashes{} \figs} \\
+\end{center}
+
+\begin{center}
+The bold minuscule font, the normal minuscule font, and the bold Computer Modern
+Roman, all in the normal size \\
+\texthuncl{\textbf{\abc{} \figs}} \\
+\texthuncl{\abc{} \figs} \\
+\textbf{\abc{} \figs} \\
+\end{center}
+
+\begin{center}
+The bold versions, in Huge and tiny sizes. \par
+\hunclfamily\bfseries
+\Huge \abc{} \figs \par
+\tiny \abc{} \figs \par
+\end{center}
+
+\begin{center}
+The font in the tiny size \\ \par
+{\hunclfamily\tiny \ABC{} \\ \abc\\ \figs\\ \par }
+\end{center}
+
+\begin{center}
+ Some ligatures in the normal font \\
+\texthuncl{``first active brown dog --- but quick \& red fox?''}
+\end{center}
+
+{
+\hunclfamily
+\sentence{}
+
+\Sentence{}
+}
+
+ This is the end of the test file.
+
+\end{document} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/bookhands/inslrmaj-allfont.ps.gz b/Master/texmf-dist/doc/fonts/bookhands/inslrmaj-allfont.ps.gz
new file mode 100644
index 00000000000..5a07488fc3e
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/inslrmaj-allfont.ps.gz
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/bookhands/inslrmaj-allfont.tex b/Master/texmf-dist/doc/fonts/bookhands/inslrmaj-allfont.tex
new file mode 100644
index 00000000000..6d3ec1018e9
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/inslrmaj-allfont.tex
@@ -0,0 +1,93 @@
+% allfont.tex Test Insular Majuscule fonts
+\documentclass{article}
+\usepackage{allimaj}
+
+\newcommand{\romannum}[1]{\romannumeral #1}
+\newcommand{\Romannum}[1]{\uppercase\expandafter{\romannumeral #1}}
+\newcommand{\ABC}{ABCDEFGHIJKL MNOPQRSTUVWXYZ}
+\newcommand{\abc}{abcdefghijkl mnopqrstuvwxyz}
+\newcommand{\punct}{.,;:!?`' \&{} () []}
+\newcommand{\dashes}{- -- ---}
+\newcommand{\figs}{0123456789}
+\newcommand{\sentence}{%
+this is an example of the insular majuscule font. now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog:}
+
+\newcommand{\Sentence}{%
+This is an example of the Insular Majuscule font. Now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog:}
+
+\newcommand{\latin}{Te canit adcelebratqve polvs rex gazifer hymnis.
+ Trans zephyriqve globvm scandvnt tva facta per axem.}
+
+\title{Try Insular Majuscule Fonts}
+\author{}
+\date{}
+\pagenumbering{roman}
+\begin{document}
+\maketitle
+
+\tableofcontents
+
+\section{First section}
+
+ This provides a short test of the characters in the Insular Majuscule fonts
+--- the \verb|imaj| font family.
+
+
+
+\begin{center}
+The Insular Majuscule Huge normal font. \\ \par
+{\Huge \ABC\\ \abc\\ \punct{}\dashes\\ \figs\\ \par }
+\end{center}
+
+
+\begin{center}
+The Insular Majuscule font in its normal size \\
+{\ABC{} \abc{} \punct{} \dashes{} \figs} \\
+\end{center}
+
+\begin{center}
+The bold normal font, the normal font, and the bold Computer Modern
+Roman, all in the normal size \\
+{\textbf{\abc{} \figs}} \\
+{\abc{} \figs} \\
+\textcmr{\textbf{\abc{} \figs}} \\
+\end{center}
+
+\begin{center}
+The bold versions, in Huge and tiny sizes. \par
+\bfseries
+\Huge \abc{} \figs \par
+\tiny \abc{} \figs \par
+\end{center}
+
+\begin{center}
+The font in the tiny size \\ \par
+{\tiny \ABC{} \\ \abc\\ \figs\\ \par }
+\end{center}
+
+\begin{center}
+ Some ligatures in the normal font \\
+{``first active brown dog --- but quick \& red fox?''}
+\end{center}
+
+\section{Second section}
+
+ First some well known English phrases in an abcedarian sentence.
+
+\Sentence{}
+
+ These are two Latin abecedarian sentences dating from about
+\Romannum{790}.
+
+\latin{}
+
+\textcmss{This is the end of the test file, with this sentence being typeset
+using the Computer Modern Sans font in the point size as specified for this
+document.}
+
+\end{document}
+
diff --git a/Master/texmf-dist/doc/fonts/bookhands/inslrmaj-tryfont.ps.gz b/Master/texmf-dist/doc/fonts/bookhands/inslrmaj-tryfont.ps.gz
new file mode 100644
index 00000000000..a9d29fb5e90
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/inslrmaj-tryfont.ps.gz
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/bookhands/inslrmaj-tryfont.tex b/Master/texmf-dist/doc/fonts/bookhands/inslrmaj-tryfont.tex
new file mode 100644
index 00000000000..b6c415bebf4
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/inslrmaj-tryfont.tex
@@ -0,0 +1,119 @@
+% tryfont.tex Test Insular Majuscule fonts
+\documentclass[12pt]{article}
+\usepackage{inslrmaj}
+
+\newcommand{\ABC}{ABCDEFGHIJKL MNOPQRSTUVWXYZ}
+\newcommand{\abc}{abcdefghijkl mnopqrstuvwxyz}
+\newcommand{\punct}{.,;:!?`' \&{} () []}
+\newcommand{\figs}{0123456789}
+\newcommand{\dashes}{- -- ---}
+\newcommand{\sentence}{%
+this is an example of the insular majuscule font. now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog:}
+
+\newcommand{\Sentence}{%
+This is an example of the Insular Majuscule font. Now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog:}
+
+\newcommand{\esses}{sa sb sc sd se sf sg sh si sj sk sl sm
+ sn so sp sq sr ss st su sv sw sx sy sz}
+
+\newcommand{\exes}{xa xb xc xd xe xf xg xh xi xj xk xl xm
+ xn xo xp xq xr xs xt xu xv xw xx xy xz}
+
+\newcommand{\jays}{aj bj cj dj ej fj gj hj ij jj kj lj mj
+ nj oj pj qj rj sj tj uj vj wj xj yj zj}
+
+\newcommand{\dees}{ad bd cd dd ed fd gd hd id jd kd ld md
+ nd od pd qd rd sd td ud vd wd xd yd zd}
+
+\newcommand{\ares}{ra rb rc rd re rf rg rh ri rj rk rl rm
+ rn ro rp rq rr rs rt ru rv rw rx ry rz}
+
+\newcommand{\Esses}{SA SB SC SD SE SF SG SH SI SJ SK SL SM
+ SN SO SP SQ SR SS ST SU SV SW SX SY SZ}
+
+\newcommand{\Exes}{XA XB XC XD XE XF XG XH XI XJ XK XL XM
+ XN XO XP XQ XR XS XT XU XV XW XX XY XZ}
+
+\newcommand{\Jays}{AJ BJ CJ DJ EJ FJ GJ HJ IJ JJ KJ LJ MJ
+ NJ OJ PJ QJ RJ SJ TJ UJ VJ WJ XJ YJ ZJ}
+
+\newcommand{\Dees}{AD BD CD DD ED FD GD HD ID JD KD LD MD
+ ND OD PD QD RD SD TD UD VD WD XD YD ZD}
+
+\newcommand{\Ares}{RA RB RC RD RE RF RG RH RI RJ RK RL RM
+ RN RO RP RQ RR RS RT RU RV RW RX RY RZ}
+
+\title{Try Insular Majuscule Fonts}
+\author{}
+\date{}
+\begin{document}
+\maketitle
+
+ This provides a short test of the characters in the Insular Majuscule fonts
+--- the \verb|imaj| font family.
+
+
+
+\begin{center}
+The Insular Majuscule Huge normal font. \\ \par
+{\imajfamily\Huge \ABC\\ \abc\\ \punct{} \dashes\\ \figs\\ \par }
+\end{center}
+
+\begin{center}
+The Insular Majuscule font in its normal size \\
+\textimaj{\ABC{} \abc{} \punct{} \dashes{} \figs} \\
+\end{center}
+
+\begin{center}
+The bold minuscule font, the normal minuscule font, and the bold Computer Modern
+Roman, all in the normal size \\
+\textimaj{\textbf{\abc{} \figs}} \\
+\textimaj{\abc{} \figs} \\
+\textbf{\abc{} \figs} \\
+\end{center}
+
+\begin{center}
+The bold versions, in Huge and tiny sizes. \par
+\imajfamily\bfseries
+\Huge \abc{} \figs \par
+\tiny \abc{} \figs \par
+\end{center}
+
+\begin{center}
+The font in the tiny size \\ \par
+{\imajfamily\tiny \ABC{} \\ \abc\\ \figs\\ \par }
+\end{center}
+
+\begin{center}
+ Some built-in ligatures in the normal font \\
+\textimaj{``first active brown dog --- but quick \& red fox?''}
+\end{center}
+
+%\begin{center}
+% Individual ligatures in the normal font \\
+% \textimaj{\esses} \\
+% \textimaj{\exes} \\
+% \textimaj{\jays} \\
+% \textimaj{\dees} \\
+% \textimaj{\ares} \\
+% \textimaj{\Esses} \\
+% \textimaj{\Exes} \\
+% \textimaj{\Jays} \\
+% \textimaj{\Dees} \\
+% \textimaj{\Ares} \\
+%\end{center}
+
+{
+\imajfamily
+\sentence{}
+
+\Sentence{}
+}
+
+ This is the end of the test file.
+
+\end{document} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/bookhands/inslrmin-allfont.tex b/Master/texmf-dist/doc/fonts/bookhands/inslrmin-allfont.tex
new file mode 100644
index 00000000000..9e096767e1c
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/inslrmin-allfont.tex
@@ -0,0 +1,98 @@
+% allfont.tex Test Insular Minuscule fonts
+\documentclass{article}
+%\documentclass[12pt]{article}
+\usepackage{allimin}
+
+\newcommand{\romannum}[1]{\romannumeral #1}
+\newcommand{\Romannum}[1]{\uppercase\expandafter{\romannumeral #1}}
+\newcommand{\ABC}{ABCDEFGHIJKL MNOPQRSTUVWXYZ}
+\newcommand{\abc}{abcdefghijkl mnopqrstuvwxyz}
+\newcommand{\punct}{.,;:!?`' \&{} () []}
+\newcommand{\dashes}{- -- ---}
+\newcommand{\figs}{0123456789}
+\newcommand{\sentence}{%
+this is an example of the insular minuscule font. now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog.}
+
+\newcommand{\Sentence}{%
+This is an example of the Insular Minuscule font. Now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog.}
+
+\newcommand{\latin}{Te canit adcelebratque polus rex gazifer hymnis.
+ Trans zephyrique globum scandunt tua facta per axem.
+ Explicit secunda pars summe fratris thome de aquino ordinis fratrum
+ predicatorium, longissima, prolixissima, \& tediosissima scribent;
+ Deo gratias, Deo gratias, et iterumm Deo gratias. }
+
+\title{Try Insular Minuscule Fonts}
+\author{}
+\date{}
+%%\pagenumbering{roman}
+\begin{document}
+\maketitle
+
+\tableofcontents
+
+\section{The character set}
+
+ This provides a short test of the characters in the Insular Minuscule fonts
+--- the \verb|imin| font family.
+
+
+
+\begin{center}
+The Insular Minuscule Huge normal font. \\ \par
+{\Huge \ABC\\ \abc\\ \punct{}\dashes\\ \figs\\ \par }
+\end{center}
+
+
+\begin{center}
+The Insular Minuscule font in its normal size \\
+{\ABC{} \abc{} \figs} \\
+\end{center}
+
+\begin{center}
+The bold normal font, the normal font, and the bold Computer Modern
+Roman, all in the normal size \\
+{\textbf{\abc{} \figs}} \\
+{\abc{} \figs} \\
+\textcmr{\textbf{\abc{} \figs}} \\
+\end{center}
+
+\begin{center}
+The bold versions, in Huge and tiny sizes. \par
+\bfseries
+\Huge \abc{} \figs \par
+\tiny \abc{} \figs \par
+\end{center}
+
+\begin{center}
+The font in the tiny size \\ \par
+{\tiny \ABC{} \\ \abc\\ \figs\\ \par }
+\end{center}
+
+\begin{center}
+ Some ligatures in the normal font \\
+{``the lazy dog --- but quick fox?''}
+\end{center}
+
+\section{Example texts}
+
+ First some well known English phrases in an abcedarian sentence.
+
+\Sentence{}
+
+ After this there are two Latin abecedarian sentences dating from about
+\Romannum{790}, and another sentence from roughly the same period.
+
+\latin{}
+
+
+\textcmss{This is the end of the test file, with this sentence being typeset
+using the Computer Modern Sans font in the point size as specified for this
+document.}
+
+\end{document}
+
diff --git a/Master/texmf-dist/doc/fonts/bookhands/inslrmin-tryfont.tex b/Master/texmf-dist/doc/fonts/bookhands/inslrmin-tryfont.tex
new file mode 100644
index 00000000000..6f4ee7ca2ae
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/inslrmin-tryfont.tex
@@ -0,0 +1,123 @@
+% tryfont.tex Test Insular Miniscule fonts
+%\documentclass[12pt]{article}
+\documentclass{article}
+\usepackage{inslrmin}
+
+\newcommand{\ABC}{ABCDEFGHIJKL MNOPQRSTUVWXYZ}
+\newcommand{\abc}{abcdefghijkl mnopqrstuvwxyz}
+\newcommand{\ABCnb}{ABCDEFGHIJKLMNOPQRSTUVWXYZ}
+\newcommand{\abcnb}{abcdefghijklmnopqrstuvwxyz}
+\newcommand{\punct}{.,;:!?`' \&{} () []}
+\newcommand{\figs}{0123456789}
+\newcommand{\dashes}{- -- ---}
+\newcommand{\sentence}{%
+this is an example of the insular minuscule font. now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog:}
+
+\newcommand{\Sentence}{%
+This is an example of the Insular Minuscule font. Now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog:}
+
+\newcommand{\esses}{sa sb sc sd se sf sg sh si sj sk sl sm
+ sn so sp sq sr ss st su sv sw sx sy sz}
+
+\newcommand{\exes}{xa xb xc xd xe xf xg xh xi xj xk xl xm
+ xn xo xp xq xr xs xt xu xv xw xx xy xz}
+
+\newcommand{\jays}{aj bj cj dj ej fj gj hj ij jj kj lj mj
+ nj oj pj qj rj sj tj uj vj wj xj yj zj}
+
+\newcommand{\dees}{ad bd cd dd ed fd gd hd id jd kd ld md
+ nd od pd qd rd sd td ud vd wd xd yd zd}
+
+\newcommand{\ares}{ra rb rc rd re rf rg rh ri rj rk rl rm
+ rn ro rp rq rr rs rt ru rv rw rx ry rz}
+
+\newcommand{\Esses}{SA SB SC SD SE SF SG SH SI SJ SK SL SM
+ SN SO SP SQ SR SS ST SU SV SW SX SY SZ}
+
+\newcommand{\Exes}{XA XB XC XD XE XF XG XH XI XJ XK XL XM
+ XN XO XP XQ XR XS XT XU XV XW XX XY XZ}
+
+\newcommand{\Jays}{AJ BJ CJ DJ EJ FJ GJ HJ IJ JJ KJ LJ MJ
+ NJ OJ PJ QJ RJ SJ TJ UJ VJ WJ XJ YJ ZJ}
+
+\newcommand{\Dees}{AD BD CD DD ED FD GD HD ID JD KD LD MD
+ ND OD PD QD RD SD TD UD VD WD XD YD ZD}
+
+\newcommand{\Ares}{RA RB RC RD RE RF RG RH RI RJ RK RL RM
+ RN RO RP RQ RR RS RT RU RV RW RX RY RZ}
+
+\title{Try Insular Minuscule Fonts}
+\author{}
+\date{}
+\begin{document}
+\maketitle
+
+ This provides a short test of the characters in the Insular Minuscule fonts
+--- the \verb|imin| font family. Pen angle 45 degrees, 6 and 5 nibs for
+normal and bold versions.
+
+
+
+\begin{center}
+The Insular Minuscule Huge normal font. \\ \par
+{\iminfamily\Huge \ABC\\ \abc\\ \punct{} \dashes\\ \figs\\ \par }
+\end{center}
+
+\begin{center}
+The Insular Minuscule font in its normal size \\
+\textimin{\ABCnb{} \abcnb{} \punct{} \dashes{} \figs} \\
+\end{center}
+
+\begin{center}
+The bold minuscule font, the normal minuscule font, and the bold Computer Modern
+Roman, all in the normal size \\
+\textimin{\textbf{\abcnb{} \figs}} \\
+\textimin{\abcnb{} \figs} \\
+\textbf{\abcnb{} \figs} \\
+\end{center}
+
+\begin{center}
+The bold versions, in Huge and tiny sizes. \par
+\iminfamily\bfseries
+\Huge \abc{} \figs \par
+\tiny \abc{} \figs \par
+\end{center}
+
+\begin{center}
+The font in the tiny size \\ \par
+{\iminfamily\tiny \ABC{} \\ \abc\\ \figs\\ \par }
+\end{center}
+
+\begin{center}
+ Some built-in ligatures in the normal font \\
+\textimin{``first active brown dog --- but quick \& red fox?''}
+\end{center}
+
+%\begin{center}
+% Individual ligatures in the normal font \\
+% \textimin{\esses} \\
+% \textimin{\exes} \\
+% \textimin{\jays} \\
+% \textimin{\dees} \\
+% \textimin{\ares} \\
+% \textimin{\Esses} \\
+% \textimin{\Exes} \\
+% \textimin{\Jays} \\
+% \textimin{\Dees} \\
+% \textimin{\Ares} \\
+%\end{center}
+
+{
+\iminfamily
+\sentence{}
+
+\Sentence{}
+}
+
+ This is the end of the test file.
+
+\end{document} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/bookhands/pgothic-allfont.tex b/Master/texmf-dist/doc/fonts/bookhands/pgothic-allfont.tex
new file mode 100644
index 00000000000..ce15182c2cb
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/pgothic-allfont.tex
@@ -0,0 +1,97 @@
+% allfont.tex Test Gothic Prescius fonts
+\documentclass{article}
+%\documentclass[12pt]{article}
+\usepackage{allpgoth}
+
+\newcommand{\romannum}[1]{\romannumeral #1}
+\newcommand{\Romannum}[1]{\uppercase\expandafter{\romannumeral #1}}
+\newcommand{\ABC}{ABCDEFGHIJKL MNOPQRSTUVWXYZ}
+\newcommand{\abc}{abcdefghijkl mnopqrstuvwxyz}
+\newcommand{\punct}{.,;:!?`' \&{} () []}
+\newcommand{\dashes}{- -- ---}
+\newcommand{\figs}{0123456789}
+\newcommand{\sentence}{%
+this is an example of the gothic textura prescius font. now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog.}
+
+\newcommand{\Sentence}{%
+This is an example of the Gothic Textura Prescius font. Now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog.}
+
+\newcommand{\latin}{Te canit adcelebratque polus rex gazifer hymnis.
+ Trans zephyrique globum scandunt tua facta per axem.
+ Explicit secunda pars summe fratris thome de aquino ordinis fratrum
+ predicatorium, longissima, prolixissima, \& tediosissima scribent;
+ Deo gratias, Deo gratias, et iterumm Deo gratias. }
+
+\title{Try Gothic Textura Prescius Fonts}
+\author{}
+\date{}
+%%\pagenumbering{roman}
+\begin{document}
+\maketitle
+
+\tableofcontents
+
+\section{The character set}
+
+ This provides a short test of the characters in the Gothic Textura Prescius fonts
+--- the \verb|pgoth| font family.
+
+
+
+\begin{center}
+The Gothic Textura Prescius Huge normal font. \\ \par
+{\Huge \ABC\\ \abc\\ \punct{}\dashes\\ \figs\\ \par }
+\end{center}
+
+
+\begin{center}
+The Gothic Textura Prescius font in its normal size \\
+{\ABC{} \abc{} \figs} \\
+\end{center}
+
+\begin{center}
+The bold normal font, the normal font, and the bold Computer Modern
+Roman, all in the normal size \\
+{\textbf{\abc{} \figs}} \\
+{\abc{} \figs} \\
+\textcmr{\textbf{\abc{} \figs}} \\
+\end{center}
+
+\begin{center}
+The bold versions, in Huge and tiny sizes. \par
+\bfseries
+\Huge \abc{} \figs \par
+\tiny \abc{} \figs \par
+\end{center}
+
+\begin{center}
+The font in the tiny size \\ \par
+{\tiny \ABC{} \\ \abc\\ \figs\\ \par }
+\end{center}
+
+\begin{center}
+ Some ligatures in the normal font \\
+{``the lazy dog --- but quick fox?''}
+\end{center}
+
+\section{Example texts}
+
+ First some well known English phrases in an abcedarian sentence.
+
+\Sentence{}
+
+ After this there are two Latin abecedarian sentences dating from about
+\Romannum{790}, and another sentence from roughly the same period.
+
+\latin{}
+
+
+\textcmss{This is the end of the test file, with this sentence being typeset
+using the Computer Modern Sans font in the point size as specified for this
+document.}
+
+\end{document} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/bookhands/pgothic-tryfont.tex b/Master/texmf-dist/doc/fonts/bookhands/pgothic-tryfont.tex
new file mode 100644
index 00000000000..0ecd3a4671b
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/pgothic-tryfont.tex
@@ -0,0 +1,124 @@
+% tryfont.tex Test Gothic Textura Prescius fonts
+%\documentclass[12pt]{article}
+\documentclass{article}
+\usepackage{pgothic}
+
+\newcommand{\ABC}{ABCDEFGHIJKL MNOPQRSTUVWXYZ}
+\newcommand{\abc}{abcdefghijkl mnopqrs{}tuvwxyz}
+\newcommand{\ABCnb}{ABCDEFGHIJKLMNOPQRSTUVWXYZ}
+\newcommand{\abcnb}{abcdefghijklmnopqrs{}tuvwxyz}
+\newcommand{\punct}{.,;:!?`' () []}
+\newcommand{\figs}{0123456789}
+\newcommand{\dashes}{- -- ---}
+\newcommand{\ligs}{\&{} ct st}
+\newcommand{\sentence}{%
+this is an example of the gothic textura prescius font. now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog.}
+
+\newcommand{\Sentence}{%
+This is an example of the Gothic Textura Prescius font. Now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog.}
+
+\newcommand{\esses}{sa sb sc sd se sf sg sh si sj sk sl sm
+ sn so sp sq sr ss st su sv sw sx sy sz}
+
+\newcommand{\exes}{xa xb xc xd xe xf xg xh xi xj xk xl xm
+ xn xo xp xq xr xs xt xu xv xw xx xy xz}
+
+\newcommand{\jays}{aj bj cj dj ej fj gj hj ij jj kj lj mj
+ nj oj pj qj rj sj tj uj vj wj xj yj zj}
+
+\newcommand{\dees}{ad bd cd dd ed fd gd hd id jd kd ld md
+ nd od pd qd rd sd td ud vd wd xd yd zd}
+
+\newcommand{\ares}{ra rb rc rd re rf rg rh ri rj rk rl rm
+ rn ro rp rq rr rs rt ru rv rw rx ry rz}
+
+\newcommand{\Esses}{SA SB SC SD SE SF SG SH SI SJ SK SL SM
+ SN SO SP SQ SR SS ST SU SV SW SX SY SZ}
+
+\newcommand{\Exes}{XA XB XC XD XE XF XG XH XI XJ XK XL XM
+ XN XO XP XQ XR XS XT XU XV XW XX XY XZ}
+
+\newcommand{\Jays}{AJ BJ CJ DJ EJ FJ GJ HJ IJ JJ KJ LJ MJ
+ NJ OJ PJ QJ RJ SJ TJ UJ VJ WJ XJ YJ ZJ}
+
+\newcommand{\Dees}{AD BD CD DD ED FD GD HD ID JD KD LD MD
+ ND OD PD QD RD SD TD UD VD WD XD YD ZD}
+
+\newcommand{\Ares}{RA RB RC RD RE RF RG RH RI RJ RK RL RM
+ RN RO RP RQ RR RS RT RU RV RW RX RY RZ}
+
+\title{Try Gothic Textura Prescius Fonts}
+\author{}
+\date{}
+\begin{document}
+\maketitle
+
+ This provides a short test of the characters in the Gothic Textura Prescius fonts
+--- the \verb|pgoth| font family. Pen angle 45 degrees, 5 and 4 nibs for
+normal and bold versions.
+
+
+
+\begin{center}
+The Gothic Textura Prescius Huge normal font. \\ \par
+{\pgothfamily\Huge \ABC\\ \abc\\ \punct{} \dashes\\ \ligs{} \figs\\ \par }
+\end{center}
+
+\begin{center}
+The Gothic Textura Prescius font in its normal size \\
+\textpgoth{\ABCnb{} \abcnb{} \punct{} \dashes{} \ligs{} \figs} \\
+\end{center}
+
+\begin{center}
+The bold Gothic font, the normal Gothic font, and the bold Computer Modern
+Roman, all in the normal size \\
+\textpgoth{\textbf{\abcnb{} \figs{} \ligs{}}} \\
+\textpgoth{\abcnb{} \figs{} \ligs{}} \\
+\textbf{\abcnb{} \figs{} \ligs{}} \\
+\end{center}
+
+\begin{center}
+The bold versions, in Huge and tiny sizes. \par
+\pgothfamily\bfseries
+\Huge \abc{} \figs{} \ligs{} \par
+\tiny \abc{} \figs{} \ligs{} \par
+\end{center}
+
+\begin{center}
+The font in the tiny size \\ \par
+{\pgothfamily\tiny \ABC{} \\ \abc\\ \figs\\ \ligs{} \par }
+\end{center}
+
+\begin{center}
+ Some built-in ligatures in the normal font \\
+\textpgoth{``first active brown dog --- but quick \& red fox?''}
+\end{center}
+
+%\begin{center}
+% Individual ligatures in the normal font \\
+% \textpgoth{\esses} \\
+% \textpgoth{\exes} \\
+% \textpgoth{\jays} \\
+% \textpgoth{\dees} \\
+% \textpgoth{\ares} \\
+% \textpgoth{\Esses} \\
+% \textpgoth{\Exes} \\
+% \textpgoth{\Jays} \\
+% \textpgoth{\Dees} \\
+% \textpgoth{\Ares} \\
+%\end{center}
+
+{
+\pgothfamily
+\sentence{}
+
+\Sentence{}
+}
+
+ This is the end of the test file.
+
+\end{document} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/bookhands/rotunda-allfont.tex b/Master/texmf-dist/doc/fonts/bookhands/rotunda-allfont.tex
new file mode 100644
index 00000000000..8566d3a6335
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/rotunda-allfont.tex
@@ -0,0 +1,97 @@
+% allfont.tex Test Rotunda fonts
+\documentclass{article}
+%\documentclass[12pt]{article}
+\usepackage{allrtnd}
+
+\newcommand{\romannum}[1]{\romannumeral #1}
+\newcommand{\Romannum}[1]{\uppercase\expandafter{\romannumeral #1}}
+\newcommand{\ABC}{ABCDEFGHIJKL MNOPQRSTUVWXYZ}
+\newcommand{\abc}{abcdefghijkl mnopqrstuvwxyz}
+\newcommand{\punct}{.,;:!?`' \&{} () []}
+\newcommand{\dashes}{- -- ---}
+\newcommand{\figs}{0123456789}
+\newcommand{\sentence}{%
+this is an example of the rotunda font. now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog.}
+
+\newcommand{\Sentence}{%
+This is an example of the Rotunda font. Now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog.}
+
+\newcommand{\latin}{Te canit adcelebratque polus rex gazifer hymnis.
+ Trans zephyrique globum scandunt tua facta per axem.
+ Explicit secunda pars summe fratris thome de aquino ordinis fratrum
+ predicatorium, longissima, prolixissima, \& tediosissima scribent;
+ Deo gratias, Deo gratias, et iterumm Deo gratias. }
+
+\title{Try Rotunda Fonts}
+\author{}
+\date{}
+%%\pagenumbering{roman}
+\begin{document}
+\maketitle
+
+\tableofcontents
+
+\section{The character set}
+
+ This provides a short test of the characters in the Rotunda fonts
+--- the \verb|rtnd| font family.
+
+
+
+\begin{center}
+The Rotunda Huge normal font. \\ \par
+{\Huge \ABC\\ \abc\\ \punct{}\dashes\\ \figs\\ \par }
+\end{center}
+
+
+\begin{center}
+The Rotunda font in its normal size \\
+{\ABC{} \abc{} \figs} \\
+\end{center}
+
+\begin{center}
+The bold normal font, the normal font, and the bold Computer Modern
+Roman, all in the normal size \\
+{\textbf{\abc{} \figs}} \\
+{\abc{} \figs} \\
+\textcmr{\textbf{\abc{} \figs}} \\
+\end{center}
+
+\begin{center}
+The bold versions, in Huge and tiny sizes. \par
+\bfseries
+\Huge \abc{} \figs \par
+\tiny \abc{} \figs \par
+\end{center}
+
+\begin{center}
+The font in the tiny size \\ \par
+{\tiny \ABC{} \\ \abc\\ \figs\\ \par }
+\end{center}
+
+\begin{center}
+ Some ligatures in the normal font \\
+{``the lazy dog --- but quick fox?''}
+\end{center}
+
+\section{Example texts}
+
+ First some well known English phrases in an abcedarian sentence.
+
+\Sentence{}
+
+ After this there are two Latin abecedarian sentences dating from about
+\Romannum{790}, and another sentence from roughly the same period.
+
+\latin{}
+
+
+\textcmss{This is the end of the test file, with this sentence being typeset
+using the Computer Modern Sans font in the point size as specified for this
+document.}
+
+\end{document} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/bookhands/rotunda-tryfont.tex b/Master/texmf-dist/doc/fonts/bookhands/rotunda-tryfont.tex
new file mode 100644
index 00000000000..2daafc990d7
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/rotunda-tryfont.tex
@@ -0,0 +1,124 @@
+% tryfont.tex Test Rotunda fonts
+%\documentclass[12pt]{article}
+\documentclass{article}
+\usepackage{rotunda}
+
+\newcommand{\ABC}{ABCDEFGHIJKL MNOPQRSTUVWXYZ}
+\newcommand{\abc}{abcdefghijkl mnopqrs{}tuvwxyz}
+\newcommand{\ABCnb}{ABCDEFGHIJKLMNOPQRSTUVWXYZ}
+\newcommand{\abcnb}{abcdefghijklmnopqrs{}tuvwxyz}
+\newcommand{\punct}{.,;:!?`' () []}
+\newcommand{\figs}{0123456789}
+\newcommand{\dashes}{- -- ---}
+\newcommand{\ligs}{\&{} ct st}
+\newcommand{\sentence}{%
+this is an example of the rotunda font. now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog.}
+
+\newcommand{\Sentence}{%
+This is an example of the Rotunda font. Now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog.}
+
+\newcommand{\esses}{sa sb sc sd se sf sg sh si sj sk sl sm
+ sn so sp sq sr ss st su sv sw sx sy sz}
+
+\newcommand{\exes}{xa xb xc xd xe xf xg xh xi xj xk xl xm
+ xn xo xp xq xr xs xt xu xv xw xx xy xz}
+
+\newcommand{\jays}{aj bj cj dj ej fj gj hj ij jj kj lj mj
+ nj oj pj qj rj sj tj uj vj wj xj yj zj}
+
+\newcommand{\dees}{ad bd cd dd ed fd gd hd id jd kd ld md
+ nd od pd qd rd sd td ud vd wd xd yd zd}
+
+\newcommand{\ares}{ra rb rc rd re rf rg rh ri rj rk rl rm
+ rn ro rp rq rr rs rt ru rv rw rx ry rz}
+
+\newcommand{\Esses}{SA SB SC SD SE SF SG SH SI SJ SK SL SM
+ SN SO SP SQ SR SS ST SU SV SW SX SY SZ}
+
+\newcommand{\Exes}{XA XB XC XD XE XF XG XH XI XJ XK XL XM
+ XN XO XP XQ XR XS XT XU XV XW XX XY XZ}
+
+\newcommand{\Jays}{AJ BJ CJ DJ EJ FJ GJ HJ IJ JJ KJ LJ MJ
+ NJ OJ PJ QJ RJ SJ TJ UJ VJ WJ XJ YJ ZJ}
+
+\newcommand{\Dees}{AD BD CD DD ED FD GD HD ID JD KD LD MD
+ ND OD PD QD RD SD TD UD VD WD XD YD ZD}
+
+\newcommand{\Ares}{RA RB RC RD RE RF RG RH RI RJ RK RL RM
+ RN RO RP RQ RR RS RT RU RV RW RX RY RZ}
+
+\title{Try Rotunda Fonts}
+\author{}
+\date{}
+\begin{document}
+\maketitle
+
+ This provides a short test of the characters in the Rotunda fonts
+--- the \verb|rtnd| font family. Pen angle 35 degrees, 6 and 5 nibs for
+normal and bold versions.
+
+
+
+\begin{center}
+The Rotunda Huge normal font. \\ \par
+{\rtndfamily\Huge \ABC\\ \abc\\ \punct{} \dashes\\ \ligs{} \figs\\ \par }
+\end{center}
+
+\begin{center}
+The Rotunda font in its normal size \\
+\textrtnd{\ABCnb{} \abcnb{} \punct{} \dashes{} \ligs{} \figs} \\
+\end{center}
+
+\begin{center}
+The bold Rotunda font, the normal Rotunda font, and the bold Computer Modern
+Roman, all in the normal size \\
+\textrtnd{\textbf{\abcnb{} \figs{} \ligs{}}} \\
+\textrtnd{\abcnb{} \figs{} \ligs{}} \\
+\textbf{\abcnb{} \figs{} \ligs{}} \\
+\end{center}
+
+\begin{center}
+The bold versions, in Huge and tiny sizes. \par
+\rtndfamily\bfseries
+\Huge \abc{} \figs{} \ligs{} \par
+\tiny \abc{} \figs{} \ligs{} \par
+\end{center}
+
+\begin{center}
+The font in the tiny size \\ \par
+{\rtndfamily\tiny \ABC{} \\ \abc\\ \figs\\ \ligs{} \par }
+\end{center}
+
+\begin{center}
+ Some built-in ligatures in the normal font \\
+\textrtnd{``first active brown dog --- but quick \& red fox?''}
+\end{center}
+
+%\begin{center}
+% Individual ligatures in the normal font \\
+% \textrtnd{\esses} \\
+% \textrtnd{\exes} \\
+% \textrtnd{\jays} \\
+% \textrtnd{\dees} \\
+% \textrtnd{\ares} \\
+% \textrtnd{\Esses} \\
+% \textrtnd{\Exes} \\
+% \textrtnd{\Jays} \\
+% \textrtnd{\Dees} \\
+% \textrtnd{\Ares} \\
+%\end{center}
+
+{
+\rtndfamily
+\sentence{}
+
+\Sentence{}
+}
+
+ This is the end of the test file.
+
+\end{document} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/bookhands/rustic-allfont.ps.gz b/Master/texmf-dist/doc/fonts/bookhands/rustic-allfont.ps.gz
new file mode 100644
index 00000000000..d8f028d70b0
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/rustic-allfont.ps.gz
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/bookhands/rustic-allfont.tex b/Master/texmf-dist/doc/fonts/bookhands/rustic-allfont.tex
new file mode 100644
index 00000000000..44953b06bd3
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/rustic-allfont.tex
@@ -0,0 +1,97 @@
+% allfont.tex Test Roman Rustic fonts
+\documentclass{article}
+%\documentclass[12pt]{article}
+\usepackage{allrust}
+
+%%\renewcommand{\encodingdefault}{T1}
+
+
+\newcommand{\romannum}[1]{\romannumeral #1}
+\newcommand{\Romannum}[1]{\uppercase\expandafter{\romannumeral #1}}
+\newcommand{\ABC}{ABCDEFGHIJKL MNOPQRSTUVWXYZ}
+\newcommand{\abc}{abcdefghijkl mnopqrstuvwxyz}
+\newcommand{\punct}{.,;:!?`' \&{} () []}
+\newcommand{\dashes}{- -- ---}
+\newcommand{\figs}{0123456789}
+\newcommand{\sentence}{%
+this is an example of the roman rustic font. now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog:}
+
+\newcommand{\Sentence}{%
+This is an example of the Roman Rustic font. Now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog:}
+
+\newcommand{\latin}{Te canit adcelebratqve polvs rex gazifer hymnis.
+ Trans zephyriqve globvm scandvnt tva facta per axem.}
+
+\title{Try Roman Rustic Fonts}
+\author{}
+\date{}
+\pagenumbering{roman}
+\begin{document}
+\maketitle
+
+\tableofcontents
+
+\section{First section}
+
+ This provides a short test of the characters in the Roman Rustic fonts
+--- the \verb|rust| font family.
+
+
+
+\begin{center}
+The Rustic Huge normal font. \\ \par
+{\Huge \ABC\\ \abc\\ \punct{}\dashes\\ \figs\\ \par }
+\end{center}
+
+
+\begin{center}
+The Rustic font in its normal size \\
+{\ABC{} \abc{} \figs} \\
+\end{center}
+
+\begin{center}
+The bold normal font, the normal font, and the bold Computer Modern
+Roman, all in the normal size \\
+{\textbf{\abc{} \figs}} \\
+{\abc{} \figs} \\
+\textcmr{\textbf{\abc{} \figs}} \\
+\end{center}
+
+\begin{center}
+The bold versions, in Huge and tiny sizes. \par
+\bfseries
+\Huge \abc{} \figs \par
+\tiny \abc{} \figs \par
+\end{center}
+
+\begin{center}
+The font in the tiny size \\ \par
+{\tiny \ABC{} \\ \abc\\ \figs\\ \par }
+\end{center}
+
+\begin{center}
+ Some ligatures in the normal font \\
+{``the lazy dog --- but quick fox?''}
+\end{center}
+
+\section{Second section}
+
+ First some well known English phrases in an abcedarian sentence.
+
+\Sentence{}
+
+ These are two Latin abecedarian sentences dating from about
+\Romannum{790}.
+
+\latin{}
+
+
+\textcmss{This is the end of the test file, with this sentence being typeset
+using the Computer Modern Sans font in the point size as specified for this
+document; you should see a large baselineskip.}
+
+\end{document} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/bookhands/rustic-tryfont.ps.gz b/Master/texmf-dist/doc/fonts/bookhands/rustic-tryfont.ps.gz
new file mode 100644
index 00000000000..f5440861b65
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/rustic-tryfont.ps.gz
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/bookhands/rustic-tryfont.tex b/Master/texmf-dist/doc/fonts/bookhands/rustic-tryfont.tex
new file mode 100644
index 00000000000..1137617207f
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/rustic-tryfont.tex
@@ -0,0 +1,85 @@
+% tryfont.tex Test Roman Rustic fonts
+\documentclass{article}
+%\documentclass[12pt]{article}
+\usepackage{rustic}
+
+\newcommand{\ABC}{ABCDEFGHIJKL MNOPQRSTUVWXYZ}
+\newcommand{\abc}{abcdefghijkl mnopqrstuvwxyz}
+\newcommand{\punct}{.,;:!?`' \&{} () []}
+\newcommand{\figs}{0123456789}
+\newcommand{\dashes}{- -- ---}
+\newcommand{\sentence}{%
+this is an example of the roman rustic font. now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog:}
+
+\newcommand{\Sentence}{%
+This is an example of the Roman Rustic font. Now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog:}
+
+
+\title{Try Roman Rustic Fonts}
+\author{}
+\date{}
+\begin{document}
+\maketitle
+
+ This provides a short test of the characters in the Roman Rustic fonts
+--- the \verb|rust| font family.
+
+
+
+\begin{center}
+The Rustic Huge normal font. \\ \par
+{\rustfamily\Huge \ABC\\ \abc\\ \punct{}\dashes\\ \figs\\ \par }
+\end{center}
+
+%%\begin{center}
+%%The Rustic Large normal font \\ \par
+%%{\rustfamily\Large \ABC\\ \abc\\ } % \punct{}\dashes\\ \par }
+%%\end{center}
+
+\begin{center}
+The Rustic font in its normal size \\
+\textrust{\ABC{} \abc{} \figs} \\
+\end{center}
+
+\begin{center}
+The bold minuscule font, the normal minuscule font, and the bold Computer Modern
+Roman, all in the normal size \\
+\textrust{\textbf{\abc{} \figs}} \\
+\textrust{\abc{} \figs} \\
+\textbf{\abc{} \figs} \\
+\end{center}
+
+\begin{center}
+The bold versions, in Huge and tiny sizes. \par
+\rustfamily\bfseries
+\Huge \abc{} \figs \par
+\tiny \abc{} \figs \par
+\end{center}
+
+\begin{center}
+The font in the tiny size \\ \par
+{\rustfamily\tiny \ABC{} \\ \abc\\ \figs\\ \par }
+\end{center}
+
+\begin{center}
+ Some ligatures in the normal font \\
+\textrust{``the lazy dog --- but quick fox?''}
+\end{center}
+
+
+
+{
+\rustfamily
+\sentence{}
+
+\Sentence{}
+
+}
+
+ This is the end of the test file.
+
+\end{document} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/bookhands/sqrcaps-allfont.tex b/Master/texmf-dist/doc/fonts/bookhands/sqrcaps-allfont.tex
new file mode 100644
index 00000000000..5a15ff46465
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/sqrcaps-allfont.tex
@@ -0,0 +1,97 @@
+% allfont.tex Test Square Capitals fonts
+\documentclass{article}
+%\documentclass[12pt]{article}
+\usepackage{allsqrc}
+
+\newcommand{\romannum}[1]{\romannumeral #1}
+\newcommand{\Romannum}[1]{\uppercase\expandafter{\romannumeral #1}}
+\newcommand{\ABC}{ABCDEFGHIJKL MNOPQRSTUVWXYZ}
+\newcommand{\abc}{abcdefghijkl mnopqrstuvwxyz}
+\newcommand{\punct}{.,;:!?`' \&{} () []}
+\newcommand{\dashes}{- -- ---}
+\newcommand{\figs}{0123456789}
+\newcommand{\sentence}{%
+this is an example of the square capitals font. now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog.}
+
+\newcommand{\Sentence}{%
+This is an example of the Square Capitals font. Now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog.}
+
+\newcommand{\latin}{Te canit adcelebratque polus rex gazifer hymnis.
+ Trans zephyrique globum scandunt tua facta per axem.
+ Explicit secunda pars summe fratris thome de aquino ordinis fratrum
+ predicatorium, longissima, prolixissima, \& tediosissima scribent;
+ Deo gratias, Deo gratias, et iterumm Deo gratias. }
+
+\title{Try Square Capitals Fonts}
+\author{}
+\date{}
+%%\pagenumbering{roman}
+\begin{document}
+\maketitle
+
+\tableofcontents
+
+\section{The character set}
+
+ This provides a short test of the characters in the Square Capitals fonts
+--- the \verb|sqrc| font family.
+
+
+
+\begin{center}
+The Square Capitals Huge normal font. \\ \par
+{\Huge \ABC\\ \abc\\ \punct{}\dashes\\ \figs\\ \par }
+\end{center}
+
+
+\begin{center}
+The Square Capitals font in its normal size \\
+{\ABC{} \abc{} \figs} \\
+\end{center}
+
+\begin{center}
+The bold normal font, the normal font, and the bold Computer Modern
+Roman, all in the normal size \\
+{\textbf{\abc{} \figs}} \\
+{\abc{} \figs} \\
+\textcmr{\textbf{\abc{} \figs}} \\
+\end{center}
+
+\begin{center}
+The bold versions, in Huge and tiny sizes. \par
+\bfseries
+\Huge \abc{} \figs \par
+\tiny \abc{} \figs \par
+\end{center}
+
+\begin{center}
+The font in the tiny size \\ \par
+{\tiny \ABC{} \\ \abc\\ \figs\\ \par }
+\end{center}
+
+\begin{center}
+ Some ligatures in the normal font \\
+{``the lazy dog --- but quick fox?''}
+\end{center}
+
+\section{Example texts}
+
+ First some well known English phrases in an abcedarian sentence.
+
+\Sentence{}
+
+ After this there are two Latin abecedarian sentences dating from about
+\Romannum{790}, and another sentence from roughly the same period.
+
+\latin{}
+
+
+\textcmss{This is the end of the test file, with this sentence being typeset
+using the Computer Modern Sans font in the point size as specified for this
+document.}
+
+\end{document} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/bookhands/sqrcaps-tryfont.tex b/Master/texmf-dist/doc/fonts/bookhands/sqrcaps-tryfont.tex
new file mode 100644
index 00000000000..443b055f123
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/sqrcaps-tryfont.tex
@@ -0,0 +1,76 @@
+% tryfont.tex Test Square Capitals fonts
+%\documentclass[12pt]{article}
+\documentclass{article}
+\usepackage{sqrcaps}
+
+\newcommand{\ABC}{ABCDEFGHIJKL MNOPQRSTUVWXYZ}
+\newcommand{\abc}{abcdefghijkl mnopqrs{}tuvwxyz}
+\newcommand{\ABCnb}{ABCDEFGHIJKLMNOPQRSTUVWXYZ}
+\newcommand{\abcnb}{abcdefghijklmnopqrs{}tuvwxyz}
+\newcommand{\punct}{.,;:!?`' () []}
+\newcommand{\figs}{0123456789}
+\newcommand{\dashes}{- -- ---}
+\newcommand{\ligs}{\&{} ct st}
+\newcommand{\sentence}{%
+this is an example of the square capitals font. now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog.}
+
+\newcommand{\Sentence}{%
+This is an example of the Square Capitals font. Now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog.}
+
+
+
+\title{Try Square Capitals Fonts}
+\author{}
+\date{}
+\begin{document}
+\maketitle
+
+ This provides a short test of the characters in the Square Capitals fonts
+--- the \verb|sqrc| font family. Pen angle is 0 degrees, 5 and 4 nibs for
+normal and bold versions.
+
+
+
+\begin{center}
+The Square Capitals Huge normal font. \\ \par
+{\sqrcfamily\Huge \ABC\\ \abc\\ \punct{} \dashes\\ \figs{} \ligs{} \par }
+\end{center}
+
+\begin{center}
+The Square Capitals font in its normal size \\
+\textsqrc{\ABCnb{} \abcnb{} \punct{} \dashes{} \figs{} \ligs{} } \\
+\end{center}
+
+\begin{center}
+The bold font, the normal font, and the bold Computer Modern
+Roman, all in the normal size \\
+\textsqrc{\textbf{\abc{} \figs{} \ligs{}}} \\
+\textsqrc{\abc{} \figs{} \ligs{}} \\
+\textbf{\abc{} \figs{} \ligs{}} \\
+\end{center}
+
+\begin{center}
+The bold versions, in Huge and tiny sizes. \par
+\sqrcfamily\bfseries
+\Huge \abc{} \figs{} \ligs{} \par
+\tiny \abc{} \figs{} \ligs{} \par
+\end{center}
+
+\begin{center}
+The font in the tiny size \\ \par
+{\sqrcfamily\tiny \abc{} \figs{} \ligs{} \par }
+\end{center}
+
+
+{
+\sqrcfamily
+\Sentence{}
+}
+
+ This is the end of the test file.
+
+\end{document} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/bookhands/tgothic-allfont.tex b/Master/texmf-dist/doc/fonts/bookhands/tgothic-allfont.tex
new file mode 100644
index 00000000000..cc473459c02
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/tgothic-allfont.tex
@@ -0,0 +1,97 @@
+% allfont.tex Test Gothic Textura fonts
+\documentclass{article}
+%\documentclass[12pt]{article}
+\usepackage{alltgoth}
+
+\newcommand{\romannum}[1]{\romannumeral #1}
+\newcommand{\Romannum}[1]{\uppercase\expandafter{\romannumeral #1}}
+\newcommand{\ABC}{ABCDEFGHIJKL MNOPQRSTUVWXYZ}
+\newcommand{\abc}{abcdefghijkl mnopqrstuvwxyz}
+\newcommand{\punct}{.,;:!?`' \&{} () []}
+\newcommand{\dashes}{- -- ---}
+\newcommand{\figs}{0123456789}
+\newcommand{\sentence}{%
+this is an example of the gothic textura quadrata font. now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog.}
+
+\newcommand{\Sentence}{%
+This is an example of the Gothic Textura Quadrata font. Now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog.}
+
+\newcommand{\latin}{Te canit adcelebratque polus rex gazifer hymnis.
+ Trans zephyrique globum scandunt tua facta per axem.
+ Explicit secunda pars summe fratris thome de aquino ordinis fratrum
+ predicatorium, longissima, prolixissima, \& tediosissima scribent;
+ Deo gratias, Deo gratias, et iterumm Deo gratias. }
+
+\title{Try Gothic Textura Quadrata Fonts}
+\author{}
+\date{}
+%%\pagenumbering{roman}
+\begin{document}
+\maketitle
+
+\tableofcontents
+
+\section{The character set}
+
+ This provides a short test of the characters in the Gothic Textura Quadrata fonts
+--- the \verb|tgoth| font family.
+
+
+
+\begin{center}
+The Gothic Textura Quadrata Huge normal font. \\ \par
+{\Huge \ABC\\ \abc\\ \punct{}\dashes\\ \figs\\ \par }
+\end{center}
+
+
+\begin{center}
+The Gothic Textura Quadrata font in its normal size \\
+{\ABC{} \abc{} \figs} \\
+\end{center}
+
+\begin{center}
+The bold normal font, the normal font, and the bold Computer Modern
+Roman, all in the normal size \\
+{\textbf{\abc{} \figs}} \\
+{\abc{} \figs} \\
+\textcmr{\textbf{\abc{} \figs}} \\
+\end{center}
+
+\begin{center}
+The bold versions, in Huge and tiny sizes. \par
+\bfseries
+\Huge \abc{} \figs \par
+\tiny \abc{} \figs \par
+\end{center}
+
+\begin{center}
+The font in the tiny size \\ \par
+{\tiny \ABC{} \\ \abc\\ \figs\\ \par }
+\end{center}
+
+\begin{center}
+ Some ligatures in the normal font \\
+{``the lazy dog --- but quick fox?''}
+\end{center}
+
+\section{Example texts}
+
+ First some well known English phrases in an abcedarian sentence.
+
+\Sentence{}
+
+ After this there are two Latin abecedarian sentences dating from about
+\Romannum{790}, and another sentence from roughly the same period.
+
+\latin{}
+
+
+\textcmss{This is the end of the test file, with this sentence being typeset
+using the Computer Modern Sans font in the point size as specified for this
+document.}
+
+\end{document} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/bookhands/tgothic-tryfont.tex b/Master/texmf-dist/doc/fonts/bookhands/tgothic-tryfont.tex
new file mode 100644
index 00000000000..98bbdea7e56
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/tgothic-tryfont.tex
@@ -0,0 +1,124 @@
+% tryfont.tex Test Gothic Textura Quadrata fonts
+%\documentclass[12pt]{article}
+\documentclass{article}
+\usepackage{tgothic}
+
+\newcommand{\ABC}{ABCDEFGHIJKL MNOPQRSTUVWXYZ}
+\newcommand{\abc}{abcdefghijkl mnopqrs{}tuvwxyz}
+\newcommand{\ABCnb}{ABCDEFGHIJKLMNOPQRSTUVWXYZ}
+\newcommand{\abcnb}{abcdefghijklmnopqrs{}tuvwxyz}
+\newcommand{\punct}{.,;:!?`' () []}
+\newcommand{\figs}{0123456789}
+\newcommand{\dashes}{- -- ---}
+\newcommand{\ligs}{\&{} ct st}
+\newcommand{\sentence}{%
+this is an example of the gothic textura quadrata font. now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog.}
+
+\newcommand{\Sentence}{%
+This is an example of the Gothic Textura Quadrata font. Now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog.}
+
+\newcommand{\esses}{sa sb sc sd se sf sg sh si sj sk sl sm
+ sn so sp sq sr ss st su sv sw sx sy sz}
+
+\newcommand{\exes}{xa xb xc xd xe xf xg xh xi xj xk xl xm
+ xn xo xp xq xr xs xt xu xv xw xx xy xz}
+
+\newcommand{\jays}{aj bj cj dj ej fj gj hj ij jj kj lj mj
+ nj oj pj qj rj sj tj uj vj wj xj yj zj}
+
+\newcommand{\dees}{ad bd cd dd ed fd gd hd id jd kd ld md
+ nd od pd qd rd sd td ud vd wd xd yd zd}
+
+\newcommand{\ares}{ra rb rc rd re rf rg rh ri rj rk rl rm
+ rn ro rp rq rr rs rt ru rv rw rx ry rz}
+
+\newcommand{\Esses}{SA SB SC SD SE SF SG SH SI SJ SK SL SM
+ SN SO SP SQ SR SS ST SU SV SW SX SY SZ}
+
+\newcommand{\Exes}{XA XB XC XD XE XF XG XH XI XJ XK XL XM
+ XN XO XP XQ XR XS XT XU XV XW XX XY XZ}
+
+\newcommand{\Jays}{AJ BJ CJ DJ EJ FJ GJ HJ IJ JJ KJ LJ MJ
+ NJ OJ PJ QJ RJ SJ TJ UJ VJ WJ XJ YJ ZJ}
+
+\newcommand{\Dees}{AD BD CD DD ED FD GD HD ID JD KD LD MD
+ ND OD PD QD RD SD TD UD VD WD XD YD ZD}
+
+\newcommand{\Ares}{RA RB RC RD RE RF RG RH RI RJ RK RL RM
+ RN RO RP RQ RR RS RT RU RV RW RX RY RZ}
+
+\title{Try Gothic Textura Quadrata Fonts}
+\author{}
+\date{}
+\begin{document}
+\maketitle
+
+ This provides a short test of the characters in the Gothic Textura Quadrata fonts
+--- the \verb|tgoth| font family. Pen angle 45 degrees, 5 and 4 nibs for
+normal and bold versions.
+
+
+
+\begin{center}
+The Gothic Textura Quadrata Huge normal font. \\ \par
+{\tgothfamily\Huge \ABC\\ \abc\\ \punct{} \dashes\\ \ligs{} \figs\\ \par }
+\end{center}
+
+\begin{center}
+The Gothic Textura Quadrata font in its normal size \\
+\texttgoth{\ABCnb{} \abcnb{} \punct{} \dashes{} \ligs{} \figs} \\
+\end{center}
+
+\begin{center}
+The bold Gothic font, the normal Gothic font, and the bold Computer Modern
+Roman, all in the normal size \\
+\texttgoth{\textbf{\abcnb{} \figs{} \ligs{}}} \\
+\texttgoth{\abcnb{} \figs{} \ligs{}} \\
+\textbf{\abcnb{} \figs{} \ligs{}} \\
+\end{center}
+
+\begin{center}
+The bold versions, in Huge and tiny sizes. \par
+\tgothfamily\bfseries
+\Huge \abc{} \figs{} \ligs{} \par
+\tiny \abc{} \figs{} \ligs{} \par
+\end{center}
+
+\begin{center}
+The font in the tiny size \\ \par
+{\tgothfamily\tiny \ABC{} \\ \abc\\ \figs\\ \ligs{} \par }
+\end{center}
+
+\begin{center}
+ Some built-in ligatures in the normal font \\
+\texttgoth{``first active brown dog --- but quick \& red fox?''}
+\end{center}
+
+%\begin{center}
+% Individual ligatures in the normal font \\
+% \texttgoth{\esses} \\
+% \texttgoth{\exes} \\
+% \texttgoth{\jays} \\
+% \texttgoth{\dees} \\
+% \texttgoth{\ares} \\
+% \texttgoth{\Esses} \\
+% \texttgoth{\Exes} \\
+% \texttgoth{\Jays} \\
+% \texttgoth{\Dees} \\
+% \texttgoth{\Ares} \\
+%\end{center}
+
+{
+\tgothfamily
+\sentence{}
+
+\Sentence{}
+}
+
+ This is the end of the test file.
+
+\end{document} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/bookhands/uncial-allfont.ps.gz b/Master/texmf-dist/doc/fonts/bookhands/uncial-allfont.ps.gz
new file mode 100644
index 00000000000..d08782d4043
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/uncial-allfont.ps.gz
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/bookhands/uncial-allfont.tex b/Master/texmf-dist/doc/fonts/bookhands/uncial-allfont.tex
new file mode 100644
index 00000000000..0dac080ff79
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/uncial-allfont.tex
@@ -0,0 +1,94 @@
+% allfont.tex Test Uncial fonts
+\documentclass{article}
+%\documentclass[12pt]{article}
+\usepackage{alluncl}
+
+\newcommand{\romannum}[1]{\romannumeral #1}
+\newcommand{\Romannum}[1]{\uppercase\expandafter{\romannumeral #1}}
+\newcommand{\ABC}{ABCDEFGHIJKL MNOPQRSTUVWXYZ}
+\newcommand{\abc}{abcdefghijkl mnopqrstuvwxyz}
+\newcommand{\punct}{.,;:!?`' \&{} () []}
+\newcommand{\dashes}{- -- ---}
+\newcommand{\figs}{0123456789}
+\newcommand{\sentence}{%
+this is an example of the uncial rustic font. now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog:}
+
+\newcommand{\Sentence}{%
+This is an example of the Uncial font. Now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog:}
+
+\newcommand{\latin}{Te canit adcelebratqve polvs rex gazifer hymnis.
+ Trans zephyriqve globvm scandvnt tva facta per axem.}
+
+\title{Try Uncial Fonts}
+\author{}
+\date{}
+\pagenumbering{roman}
+\begin{document}
+\maketitle
+
+\tableofcontents
+
+\section{First section}
+
+ This provides a short test of the characters in the Uncial fonts
+--- the \verb|uncl| font family.
+
+
+
+\begin{center}
+The Uncial Huge normal font. \\ \par
+{\Huge \ABC\\ \abc\\ \punct{}\dashes\\ \figs\\ \par }
+\end{center}
+
+
+\begin{center}
+The Uncial font in its normal size \\
+{\ABC{} \abc{} \figs} \\
+\end{center}
+
+\begin{center}
+The bold normal font, the normal font, and the bold Computer Modern
+Roman, all in the normal size \\
+{\textbf{\abc{} \figs}} \\
+{\abc{} \figs} \\
+\textcmr{\textbf{\abc{} \figs}} \\
+\end{center}
+
+\begin{center}
+The bold versions, in Huge and tiny sizes. \par
+\bfseries
+\Huge \abc{} \figs \par
+\tiny \abc{} \figs \par
+\end{center}
+
+\begin{center}
+The font in the tiny size \\ \par
+{\tiny \ABC{} \\ \abc\\ \figs\\ \par }
+\end{center}
+
+\begin{center}
+ Some ligatures in the normal font \\
+{``the lazy dog --- but quick fox?''}
+\end{center}
+
+\section{Second section}
+
+ First some well known English phrases in an abcedarian sentence.
+
+\Sentence{}
+
+ These are two Latin abecedarian sentences dating from about
+\Romannum{790}.
+
+\latin{}
+
+
+\textcmss{This is the end of the test file, with this sentence being typeset
+using the Computer Modern Sans font in the point size as specified for this
+document; you should see a large baselineskip.}
+
+\end{document} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/bookhands/uncial-tryfont.ps.gz b/Master/texmf-dist/doc/fonts/bookhands/uncial-tryfont.ps.gz
new file mode 100644
index 00000000000..2e903e98c0d
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/uncial-tryfont.ps.gz
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/bookhands/uncial-tryfont.tex b/Master/texmf-dist/doc/fonts/bookhands/uncial-tryfont.tex
new file mode 100644
index 00000000000..a93aad9bce5
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/bookhands/uncial-tryfont.tex
@@ -0,0 +1,76 @@
+% tryfont.tex Test Uncial fonts
+\documentclass[12pt]{article}
+\usepackage{uncial}
+
+\newcommand{\ABC}{ABCDEFGHIJKL MNOPQRSTUVWXYZ}
+\newcommand{\abc}{abcdefghijkl mnopqrstuvwxyz}
+\newcommand{\punct}{.,;:!?`' \&{} () []}
+\newcommand{\figs}{0123456789}
+\newcommand{\dashes}{- -- ---}
+\newcommand{\sentence}{%
+this is an example of the uncial font. now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog:}
+
+\newcommand{\Sentence}{%
+This is an example of the Uncial font. Now is the time for all good
+men, and women, to come to the aid of the party while the quick brown fox
+jumps over the lazy dog:}
+
+
+\title{Try Uncial Fonts}
+\author{}
+\date{}
+\begin{document}
+\maketitle
+
+ This provides a short test of the characters in the Uncial fonts
+--- the \verb|uncl| font family.
+
+
+
+\begin{center}
+The Uncial Huge normal font. \\ \par
+{\unclfamily\Huge \ABC\\ \abc\\ \punct{}\dashes\\ \figs\\ \par }
+\end{center}
+
+\begin{center}
+The Uncial font in its normal size \\
+\textuncl{\ABC{} \abc \figs} \\
+\end{center}
+
+\begin{center}
+The bold minuscule font, the normal minuscule font, and the bold Computer Modern
+Roman, all in the normal size \\
+\textuncl{\textbf{\abc{} \figs}} \\
+\textuncl{\abc{} \figs} \\
+\textbf{\abc{} \figs} \\
+\end{center}
+
+\begin{center}
+The bold versions, in Huge and tiny sizes. \par
+\unclfamily\bfseries
+\Huge \abc{} \figs \par
+\tiny \abc{} \figs \par
+\end{center}
+
+\begin{center}
+The font in the tiny size \\ \par
+{\unclfamily\tiny \ABC{} \\ \abc\\ \figs\\ \par }
+\end{center}
+
+\begin{center}
+ Some ligatures in the normal font \\
+\textuncl{``the lazy dog --- but quick fox?''}
+\end{center}
+
+{
+\unclfamily
+\sentence{}
+
+\Sentence{}
+}
+
+ This is the end of the test file.
+
+\end{document} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/cc-pl/00readme b/Master/texmf-dist/doc/fonts/cc-pl/00readme
new file mode 100644
index 00000000000..08caecfc8ae
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/cc-pl/00readme
@@ -0,0 +1,49 @@
+Polish | English
+---------------------------------------------------------------------------
+AUTORZY WERSJI POLSKIEJ | AUTHORS OF POLISH COMPUTER CONCRETE
+COMPUTER CONCRETE (PC): | VERSION (PC):
+ Bogus\l{}aw Jackowski i Marek Ry\'cko
+---------------------------------------------------------------------------
+Pliki stanowiace zrodlo polskiej | The files:
+wersji rodziny fontow Computer |
+Concrete, tzn.: |
+
+ FIC_MIC.MF, PCMI10.MF, PCR10.MF, PCR5.MF, PCR6.MF, PCR7.MF,
+ PCR8.MF, PCR9.MF, PCSL10.MF, PCSLC9.MF, PCTI10.MF oraz PCCSC10.MF
+
+sa dobrem wspolnym na takiej | are the Polish version of Computer
+zasadzie jak fonty PL (polska | Concrete and belong to the public
+wersja rodziny Computer Modern) | domain under conditions similar
+-- p. odnosna dokumentacja dolaczona | to those of D. E. Knuth specified for
+do pakietu MeX (pliki MEXINFO.POL | the Computer Modern family of fonts.
+i MEXINFO.ENG). W szczegolnosci moga | In particular, only the authors
+byc przekazywane jedynie w calosci | are entitled to modify this file.
+i niezmienione, a do zmian uprawnieni|
+sa wylacznie autorzy. |
+ |
+Do wygenerowania fontow za pomoca | In order to generate the Polish
+METAFONT-a potrzebne sa programy | version of Computer Concrete fonts
+METAFONT-owe znajdujace sie | using METAFONT, appropriate METAFONT
+w pakiecie MeX. | files from the MeX package are
+ | necessary; see the files MEXINFO.POL
+ | and/or MEXINFO.ENG.
+ CTAN://language/polish/mex105.zip
+lub | or
+ CTAN://language/polish/pl-mf.zip
+Niezbedne sa zrodla oryginalnych | The original Computer Concrete
+fontow Computer Concrete | source files are necessary
+ CTAN://fonts/concrete/
+---------------------------------------------------------------------------
+ HISTORIA | HISTORY
+ |
+Wer. 1.00 (dokladnej daty nie ma) | Ver. 1.00 (exact date not fixed)
+ |
+Wer. 1.01 (18.XII.1992) | Ver. 1.01 (18 Dec 1992)
+Modyfikacja pliku FIC_MIC.MF | Modification of the file FIC_MIC.MF
+zgodna ze zmianami w fontach PL | in accordance with changes in PL
+(plik FIK_MIK.MF) | fonts (file FIK_MIK.MF)
+ |
+Wer. 1.02 (9.VI.1998) | Ver. 1.02 (9 Jun 1998)
+Dodany brakujacy font pcsl10.mf | Missing pcsl10.mf added
+---------------------------------------------------------------------------
+
diff --git a/Master/texmf-dist/doc/fonts/cc-pl/README b/Master/texmf-dist/doc/fonts/cc-pl/README
new file mode 100644
index 00000000000..556ac9665b5
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/cc-pl/README
@@ -0,0 +1,20 @@
+Polskie rozszerzenie fontów Computer Concrete w formacie Type 1.
+Fonty zostały wygenerowane przez program pktrace (autor:
+Han-Wen Nienhuys) z bitmap utworzonych przez MetaFonta w oparciu
+o oryginalne źrodła prof. D. E. Knutha i rozszerzenia
+z pakietu cc-pl (Bogusław Jackowski i Marek Ryćko).
+
+Polish version of Computer Concrete in Adobe Type 1 format.
+The fonts were produced with pktrace (by Han-Wen Nienhuys)
+using original bitmaps produced by MetaFont with D. E. Knuth's
+original .mf sources and extensions from cc-pl package
+(Bogus\law Jackowski and Marek Ry\'cko).
+
+License
+-------
+This package may be distributed under the terms of the LaTeX Project
+Public License, as described in lppl.txt in the base LaTeX
+distribution. Either version 1.0 or, at your option, any later
+version.
+
+(c) January 2002 by W\l{}odek Bzyl <matwb@univ.gda.pl>
diff --git a/Master/texmf-dist/doc/fonts/charter/readme.charter b/Master/texmf-dist/doc/fonts/charter/readme.charter
new file mode 100644
index 00000000000..789bb43e809
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/charter/readme.charter
@@ -0,0 +1,19 @@
+This is a copy of the Charter Type-1 fonts which Bitstream contributed
+to the X consortium, renamed for use with TeX.
+
+ (c) Copyright 1989-1992, Bitstream Inc., Cambridge, MA.
+
+ You are hereby granted permission under all Bitstream propriety rights
+ to use, copy, modify, sublicense, sell, and redistribute the 4
+ Bitstream Charter (r) Type 1 outline fonts for any purpose and without
+ restriction; provided, that this notice is left intact on all copies
+ of such fonts and that Bitstream's trademark is acknowledged as shown
+ below on all unmodified copies of the 4 Charter Type 1 fonts.
+
+ BITSTREAM CHARTER is a registered trademark of Bitstream Inc.
+
+TeX metrics, virtual fonts and LaTeX font definition files can be found
+in the archive CTAN:fonts/metrics/freenfss.zip.
+
+-- finis
+
diff --git a/Master/texmf-dist/doc/fonts/chemarrow/Liesmich.txt b/Master/texmf-dist/doc/fonts/chemarrow/Liesmich.txt
new file mode 100644
index 00000000000..bc5670983d5
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/chemarrow/Liesmich.txt
@@ -0,0 +1,139 @@
+Neue Pfeilspitzen fuer chemische Reaktionen 4. Februar 2001
+-------------------------------------------
+
+1) Wozu das ganze?
+
+LaTeX ist sehr vielseitig zum Setzen der unterschiedlichsten Texte
+einsetzbar, aber der Satz chemischer Reaktionen ist aesthetisch nicht sehr
+ansprechend, da die vorhandenen Pfeile \rightarrow, \leftarrow und
+\rightleftharpoons fŸr diesen Zweck zu kurz sind und die Pfeilspitzen nicht
+unbedingt dem "Standard" entsprechen, den man in Lehrbuechern und Zeitschriften
+vorfindet.
+
+Das Makro chemarrow.sty soll in Verbindung mit dem Zeichensatz arrow.mf das
+Setzen chemischer Reaktionsgleichungen in LaTeX vereinfachen und vor allem
+verschoenern.
+
+2) Dateien
+
+arrow.mf MetaFont Sourcecode von arrow
+arrow.tfm .tfm Datei von arrow fŸr TeX
+chemarrow.sty Makro zum Setzen von Pfeilen fŸr Reaktionsgleichungen
+Readme.txt englische Liesmich Datei
+testchem.tex Testdatei fŸr chemarrow.sty und arrow.mf
+Liesmich.txt deutsche Liesmich Datei
+Type 1/arrow Mac.sit.hqx Type 1 Version von arrow fŸr den Mac
+Type 1/arrow PC.zip Type 1 Version arrow fŸr PC/Unix
+Type 1/arrow.mp MetaPost Sourcecode zu arrow
+
+Die FontLab Datei arrow.vfb in den beiden Type 1 Archiven muss nicht mitkopiert
+werden, ich habe sie nur dazugepackt, falls jemand mein Design verbessern
+will :-)
+
+3) Verwendung
+
+Die Beispieldatei testchem.tex sollte Aufschluss genug geben, wie das Packet
+chemarrow.sty verwendet wird, auch gibt es in chemarrow.sty eine
+Kurzanleitung aller definierten Befehle. Zur Benutzung muss arrow.tfm in
+einen Ordner kopiert werden, in dem LaTeX nach .tfm Files sucht, arrow.mf
+muss in einen Ordner kopiert werden, in dem MetaFont nach MetaFont Sourcen
+sucht. Die benoetigten .pk Dateien sollten dann automatisch vom DVI
+Previewer oder vom Druckertreiber erzeugt werden.
+
+Ich habe zusaetzlich noch PostScript Type 1 Zeichensaetze fuer den Mac und fuer
+PCs/Unix im .pfb Format beigelegt zur Erzeugung von PDF Dokumenten. Dazu muessen
+die Type 1 Zeichensaetze in einen Ordner kopiert werden, wo TeX und Freunde
+nach Type 1 Zeichensaetzen suchen, am besten dort hin, wo sich die Computer
+Modern Type 1 Zeichensaetze befinden.
+
+Damit dvips weiss, dass es nicht die .pk Zeichensaetze von arrow.mf sondern
+die Type 1 Zeichensaetze einbinden soll, muss noch ein Eintrag in
+psfonts.map gemacht werden.
+
+- FŸr Macs:
+
+arrow arrow <arrow
+
+- PC/Unix:
+
+arrow arrow <arrow.pfb
+
+Bei der Verwendung von pdfTeX statt dvips und Acrobat Distiller mu§ ein
+Eintrag in pdftex.map gemacht werden:
+
+arrow <arrow.pfb
+
+4) Disclaimer
+
+Das Makro chemarrow.sty und der Font arrow.mf sind schnelle Hacks fuer
+meine eigenen Zwecke, ob sie auf anderen Systemen einwandfrei funktionieren,
+kann ich nicht garantieren. Dafuer veroeffentliche ich das ganze Packet als
+sogennante Free Software, d.h. jeder kann damit machen, was er will. Ich
+moechte nur darum bitten, bei Veraenderungen und Wiederveroeffentlichung
+meinen Namen durch den eigenen zu ergaenzen oder zu ersetzen. Danke.
+
+Fuer Anregungen und Verbesserungen bin ich dankbar und freue mich.
+
+5) Entstehung
+
+Bei der Suche nach neuen Pfeilen bin ich auf den relativ neuen Zeichensatz
+cryst.mf von Ulrich Mueller gestossen, der mir ganz gut gefallen hat, und nach
+ein paar Modifikationen ist daraus arrow.mf entstanden.
+
+Von Andreas Hertwig habe ich ein Makro bekommen, mit dem man verlaengerbare
+Reaktionspfeile setzen kann. Dieses habe ich an meine Beduerfnisse angepasst,
+und die Original Pfeilspitzen durch Pfeilspitzen aus arrow.mf ersetzt. Das
+Original Makro wurde wohl auf einer TeX Mailingliste gepostet, der Autor
+ist aber leider nicht mehr bekannt. Falls er dieses liest moechte ich mich
+herzlich fuer die Vorlage bedanken!
+
+Der zeitaufwendigste und komplizierteste Teil war die Umsetzung der
+MetaFont Sourcen in einen Type 1 Zeichensatz. Leider gibt es kein freies
+Programm fuer diese Zwecke wie ich enttaeuscht feststellen musste :-(
+Weiterhin musste ich feststellen, dass das Einbinden von .pk Zeichensaetzen in
+PDF Dokumente keine schoenen Ergebnisse liefert, das Verwenden von Type 1
+Zeichensaetzen ist fuer eine leserliche und ansehnliche Darstellung
+Pflicht :-(
+
+Aus arrow.mp, einem leicht modifizierten arrow.mf, habe ich mit MetaPost
+und mfplain Graphiken im EPS Format erzeugt, und diese in die Demo
+von FontLab 3.0 importiert. Nach einigen Arbeitsschritten und
+Verkleinerung auf 79% konnte ich dann einen Type 1 Zeichensatz abspeichern.
+
+6) Probleme
+
+Leider bin ich kein Experte auf dem Gebiet der Erstellung von Zeichensaetzen.
+Das ist wohl der Grund dafuer, warum die Pfeile in einem PDF Dokument auf
+manchen Plattformen erst ab 125% Vergroesserung zu erkennen sind. Unterhalb
+dieser Vergroesserung sieht man nur Striche :-(
+
+Ich denke, mit einem anstaendigen Hinting duerfte sich dieses Problem loesen
+lassen, aber das uebersteigt meine derzeitigen Faehigkeiten und die
+Laufdauer der Demo von Fontlab :-)
+
+Wenn also jemand weiss, wie man diese letzte Unschoenheit beseitigen kann,
+waere ich fuer eine Antwort dankbar.
+
+7) Zukuenftige Versionen
+
+Ehrlich gesagt weiss ich nicht, ob es zukuenftige Versionen dieses Packetes
+geben wird, denn fuer meine Zwecke tut eigentlich alles, wie es soll. Etwas
+unschoen ist die direkte Verdrahtung des arrow Zeichensatzes in
+chemarrow.sty, dies werde ich evtl. bei Gelegenheit aendern. Weiterhin
+unschoen ist das Problem bei PDF Dokumenten, wenn sich da eine Loesung
+ergibt, werde ich sie veroeffentlichen.
+
+8) Dank
+
+- D. E. Knuth fuer TeX
+- L. Lamport fuer LaTeX
+- dem LaTeX3 Team fuer LaTeX2e
+- A. Hertwig fuer die freundliche Bereitstellung des Original Makros
+- dem unbekannten Autor des Original Makros
+- U. Mueller fuer cryst.mf
+
+9) Autor
+
+Thomas Schroeder
+
+schroeder@ictw.chemie.uni-karlsruhe.de
diff --git a/Master/texmf-dist/doc/fonts/chemarrow/Readme.txt b/Master/texmf-dist/doc/fonts/chemarrow/Readme.txt
new file mode 100644
index 00000000000..440efe07dc3
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/chemarrow/Readme.txt
@@ -0,0 +1,137 @@
+New arrow heads for chemical reaction schemes 4 February 2001
+---------------------------------------------
+
+1) What's the name of the game?
+
+LaTeX can be used to typeset many kinds of different documents, but
+typesetting chemical reactions is esthetically not very pleasing because
+LaTeX's own arrows \rightarrow, \leftarrow and \rightleftharpoons which
+you might use for this purpose are too short and the arrow heads are not
+like the "standard" ones you will find in books or journals on chemistry.
+
+The macro chemarrow.sty in conjunction with the font arrow.mf is supposed
+to make the typesetting of chemical reaction schemes in LaTeX easier and
+especially nicer looking.
+
+2) Dateien
+
+arrow.mf MetaFont source code of the arrow font
+arrow.tfm .tfm Datei of arrow for the use with TeX
+chemarrow.sty macro for the typesetting of arrows in chemical reaction schemes
+Readme.txt English Readme
+testchem.tex test file for chemarrow.sty and arrow.mf
+Liesmich.txt German Readme
+Type 1/arrow Mac.sit.hqx type 1 version of arrow for Macintosh
+Type 1/arrow PC.zip type 1 version of arrow for PC/Unix
+Type 1/arrow.mp MetaPost source code of arrow
+
+There is no need to copy the FontLab file arrow.vfb included in both of the
+type 1 archives, I just put it there in case you want to enhance my designs :-)
+
+
+3) Usage
+
+The examples in the file testchem.tex should be sufficient for the
+understanding of how chemarrow.sty works, and there's also a short
+description in chemarrow.sty of all the newly defined commands. To use the
+package, arrow.tfm must be copied to a directory where LaTeX will be
+searching for .tfm files, arrow.mf must be copied to a directory where
+MetaFont will be searching for MetaFont sources. The required .pk files
+should be produced automatically by a dvi previewer or a printer driver.
+
+There are also type 1 fonts of arrow.mf in Mac and PC/Unix format so that
+you can produce PDF documents easily. To use the type 1 font it must be
+copied to a directory where TeX and friends will be searching for type 1
+fonts, the best place would of course be where the Computer Modern type 1
+fonts reside.
+
+If dvips is supposed to use the type 1 font instead of the .pk font you
+must add this line to psfonts.map:
+
+- for Macintosh:
+
+arrow arrow <arrow
+
+- for PC/Unix:
+
+arrow arrow <arrow.pfb
+
+If you use pdfTeX instead of dvips and Acrobat Distiller you must also add
+this line to pdftex.map:
+
+arrow <arrow.pfb
+
+4) Disclaimer
+
+The macro chemarrow.sty and the font arrow.mf are quick hacks for my own
+needs, I cannot guarantee that they will work an other systems than my own.
+In exchange I am publishing this package as free software which means you
+can do whatever you like with it and it comes for free. I would just like
+to ask that in case you do make changes und publish the package or any parts of
+it to add your own name or replace it with mine. Thank you.
+
+Any hints and suggestions will be accepted gratefully.
+
+5) History
+
+As I was looking for new arrows I found a quite new font named cryst.mf by
+Ulrich Mueller which I rather liked. After a few modifications the new font
+arrow.mf was born.
+
+I received a macro by Andreas Hertwig with which you can typeset arrows
+that will change in size. I modified this macro to my needs and replaced the
+original arrows with the arrows from arrow.mf. The original macro was apparently
+posted in a TeX mailing list, but its author is unfortunately unknown. So, if
+you are the original author and read this I'd like to thank you for your work!
+
+The most time consuming and complicated part was to produce a type 1 font
+from my MetaFont sources. Unfortunately there is no free software to do
+this :-(
+Also, if you include .pk fonts into PDF documents you won' get nice results
+because Acrobat Reader renders them very poorly. Therefore it is vital to
+include type 1 fonts into a PDF document :-(
+
+Using arrow.mp which is a slightly modified arrow.mf in combination with
+MetaPost and mfplain I was able to produce graphics in the EPS format which I
+imported into a demo of FontLab 3.0. After a few steps and reducing the
+size to 79% I was able to save the font in type 1 format.
+
+6) Problems
+
+Unfortunately I am no expert on creating fonts. This is probably why the
+arrows will show on some platforms only at 125% or larger. Below 125% there
+will only be some strokes :-(
+
+I think if someone did a manual hinting of the font then this problem
+would be remedied, but this will probably not be me because this is out of
+my league and beyond the time limit of the demo of FontLab :-)
+
+So if there is somebody out there who is able to help me with this problem
+I'd be grateful.
+
+7) Future versions
+
+To tell you the truth, I don't really know if there will be future versions
+because as far as I'm concerned the package works as it is supposed to.
+The direct linking of the arrow font in chemarrow.sty is maybe not so nice,
+so this might be something I will change in the future. The rendering
+problem of PDF documents on some platforms is also not very nice so if
+some sort of solution pops up I will publish it.
+
+8) Thank-Yous
+
+- D. E. Knuth for TeX
+- L. Lamport for LaTeX
+- to the LaTeX3 team for LaTeX2e
+- A. Hertwig for being so nice to give me the original macro
+- to the unknown author of the original macro
+- U. Mueller for cryst.mf
+
+9) Author
+
+Thomas Schroeder
+
+schroeder@ictw.chemie.uni-karlsruhe.de
+
+PS: Sorry for any misspellings and such, English is not my native
+language :-) \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/chemarrow/testchem.tex b/Master/texmf-dist/doc/fonts/chemarrow/testchem.tex
new file mode 100644
index 00000000000..277f5c02f7d
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/chemarrow/testchem.tex
@@ -0,0 +1,117 @@
+\documentclass[fleqn,12pt,a4paper]{article} % normal
+% \documentclass[fleqn,a0,portrait]{a0poster} % poster
+\usepackage{amsmath,chemarrow}
+\begin{document}
+
+% \tiny
+% \footnotesize
+% \small
+\normalsize
+% \large
+% \Large
+% \LARGE
+% \huge
+% \Huge
+
+\newcommand{\aqua}{\ensuremath{\text{H}_{\text{2}}\text{O}}}
+\newcommand{\acid}{\ensuremath{\text{H}_{\text{3}}\text{O}^{\text{+}}}}
+\newcommand{\base}{\ensuremath{\text{OH}^{\text{$-$}}}}
+
+
+
+% \section{size check}
+%
+% \fbox{{\symbol{65}}}
+% \fbox{{\symbol{66}}}
+% \fbox{{\symbol{67}}}
+% \fbox{{\symbol{68}}}
+% \fbox{{\symbol{69}}}
+% \fbox{{\symbol{70}}}
+% \fbox{{\symbol{71}}}
+%
+% {\Huge
+% \fbox{{\arro\symbol{65}}}
+% \fbox{{\arro\symbol{66}}}
+% \fbox{{\arro\symbol{67}}}
+% \fbox{{\arro\symbol{68}}}
+% \fbox{{\arro\symbol{69}}}
+% \fbox{{\arro\symbol{70}}}
+% \fbox{{\arro\symbol{71}}}
+% }
+
+
+\section{chemarrow}
+
+
+\begin{displaymath}
+\aqua + \aqua\ \chemarrow\ \acid + \base
+\end{displaymath}
+
+
+\section{rarrowfill 2.5em}
+
+
+\begin{displaymath}
+\aqua + \aqua \rarrowfill{2.5em} \acid + \base
+\end{displaymath}
+
+\section{larrowfill 2.5em}
+
+
+\begin{displaymath}
+\aqua + \aqua \larrowfill{2.5em} \acid + \base
+\end{displaymath}
+
+
+\section{rightleftharpoonsfill 2.5em}
+
+
+\begin{displaymath}
+\aqua + \aqua \rightleftharpoonsfill{2.5em} \acid + \base
+\end{displaymath}
+
+
+\section{leftrightharpoonsfill 2.5em}
+
+
+\begin{displaymath}
+\aqua + \aqua \leftrightharpoonsfill{2.5em} \acid + \base
+\end{displaymath}
+
+
+
+\section{autorightleftharpoons}
+
+
+\begin{displaymath}
+\aqua + \aqua \autorightleftharpoons{$k_a$}{$k_b$} \acid + \base
+\end{displaymath}
+
+
+\section{autoleftrightharpoons}
+
+
+\begin{displaymath}
+\aqua + \aqua \autoleftrightharpoons{$k_a$}{$k_b$} \acid + \base
+\end{displaymath}
+
+
+\section{autorightarrow}
+
+
+\begin{displaymath}
+\aqua + \aqua \autorightarrow{$k_a$}{$k_b$} \acid + \base
+\end{displaymath}
+
+
+\section{autoleftarrow}
+
+
+\begin{displaymath}
+\aqua + \aqua \autoleftarrow{$k_a$}{$k_b$} \acid + \base
+\end{displaymath}
+
+
+
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/cjhebrew/cjhebtst.tex b/Master/texmf-dist/doc/fonts/cjhebrew/cjhebtst.tex
new file mode 100644
index 00000000000..f65130691ef
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/cjhebrew/cjhebtst.tex
@@ -0,0 +1,48 @@
+\documentclass[a4paper]{article}
+\usepackage{german}
+\usepackage[T1]{fontenc}
+\usepackage{cjhebrew}
+
+\frenchspacing
+
+\newcommand{\cjh}{\textsf{cjhebrew}}
+
+\begin{document}
+
+\section*{Ein kleines \cjh-Beispieldokument}
+
+Das \cjh"=Paket erlaubt es, auf recht einfache Weise hebr"aischen
+Text zu setzen, und zwar insbesondere innerhalb von "`normalen"'
+Flie"stext. Wenn ich also nun einen beliebigen Vers aus dem
+Jeremiabuch einfach so hier einmal hinschreiben wollte, dann
+k"onnte ich das problemlos tun, etwa so: \<nim:.s:'U d:bArEykA
+wA'ok:lem way:hiy d:bAr:kA liy l:,sA,sOn Ul:,sim:.hat l:bAbiy
+k*iy--niq:rA' +sim:kA `Alay yhwh 'E:lohey .s:bA'Ot;> Hier zeigt
+sich auch gleich, wie der hebr"aische Text in der richtigen
+Schreibrichtung gesetzt und korrekt umbrochen wird.
+
+Hier folgt nun ein l"angerer hebr"aischer Text in erh"ohter
+Schriftgr"o"se, der auch zugleich die Verwendung von \verb+\cjLR+
+demonstriert:
+
+\def\vers#1{\cjLR{\rmfamily\normalsize#1}}
+
+\Large
+
+\begin{cjhebrew}
+
+\vers{1}~b*:re'+siyt b*ArA' 'E:lohiym 'et ha+s*Amayim w:'et
+hA'ArE.s; \vers{2}~w:hA'ArE.s hAy:tAh tohU wAbohU w:.ho+sEk:
+`al--p*:ney t:hOm w:rU/a.h 'E:lohiym m:ra.hEpEt `al--p*:ney
+ham*Ayim;
+
+\vers{3}~way*o'mEr 'E:lohiym y:hiy 'Or way:hiy--'Or;
+\vers{4}~way*ar:' 'E:lohiym 'Et--hA'Or k*iy--.tOb way*ab:d*el
+'E:lohiym b*eyn hA'Or Ubeyn ha.ho+sEk:; \vers{5}~way*iq:rA'
+'E:lohiym lA'Or yOm w:la.ho+sEk: qArA' lAy:lAh way:hiy--`ErEb
+way:hiy--boqEr yOm 'E.hAd;
+
+\end{cjhebrew}
+
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/cjhebrew/manual.pdf b/Master/texmf-dist/doc/fonts/cjhebrew/manual.pdf
new file mode 100644
index 00000000000..bbc85e0ddd2
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/cjhebrew/manual.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/cm-super/COPYING b/Master/texmf-dist/doc/fonts/cm-super/COPYING
new file mode 100644
index 00000000000..d60c31a97a5
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/cm-super/COPYING
@@ -0,0 +1,340 @@
+ GNU GENERAL PUBLIC LICENSE
+ Version 2, June 1991
+
+ Copyright (C) 1989, 1991 Free Software Foundation, Inc.
+ 59 Temple Place, Suite 330, Boston, MA 02111-1307 USA
+ Everyone is permitted to copy and distribute verbatim copies
+ of this license document, but changing it is not allowed.
+
+ Preamble
+
+ The licenses for most software are designed to take away your
+freedom to share and change it. By contrast, the GNU General Public
+License is intended to guarantee your freedom to share and change free
+software--to make sure the software is free for all its users. This
+General Public License applies to most of the Free Software
+Foundation's software and to any other program whose authors commit to
+using it. (Some other Free Software Foundation software is covered by
+the GNU Library General Public License instead.) You can apply it to
+your programs, too.
+
+ When we speak of free software, we are referring to freedom, not
+price. Our General Public Licenses are designed to make sure that you
+have the freedom to distribute copies of free software (and charge for
+this service if you wish), that you receive source code or can get it
+if you want it, that you can change the software or use pieces of it
+in new free programs; and that you know you can do these things.
+
+ To protect your rights, we need to make restrictions that forbid
+anyone to deny you these rights or to ask you to surrender the rights.
+These restrictions translate to certain responsibilities for you if you
+distribute copies of the software, or if you modify it.
+
+ For example, if you distribute copies of such a program, whether
+gratis or for a fee, you must give the recipients all the rights that
+you have. You must make sure that they, too, receive or can get the
+source code. And you must show them these terms so they know their
+rights.
+
+ We protect your rights with two steps: (1) copyright the software, and
+(2) offer you this license which gives you legal permission to copy,
+distribute and/or modify the software.
+
+ Also, for each author's protection and ours, we want to make certain
+that everyone understands that there is no warranty for this free
+software. If the software is modified by someone else and passed on, we
+want its recipients to know that what they have is not the original, so
+that any problems introduced by others will not reflect on the original
+authors' reputations.
+
+ Finally, any free program is threatened constantly by software
+patents. We wish to avoid the danger that redistributors of a free
+program will individually obtain patent licenses, in effect making the
+program proprietary. To prevent this, we have made it clear that any
+patent must be licensed for everyone's free use or not licensed at all.
+
+ The precise terms and conditions for copying, distribution and
+modification follow.
+
+ GNU GENERAL PUBLIC LICENSE
+ TERMS AND CONDITIONS FOR COPYING, DISTRIBUTION AND MODIFICATION
+
+ 0. This License applies to any program or other work which contains
+a notice placed by the copyright holder saying it may be distributed
+under the terms of this General Public License. The "Program", below,
+refers to any such program or work, and a "work based on the Program"
+means either the Program or any derivative work under copyright law:
+that is to say, a work containing the Program or a portion of it,
+either verbatim or with modifications and/or translated into another
+language. (Hereinafter, translation is included without limitation in
+the term "modification".) Each licensee is addressed as "you".
+
+Activities other than copying, distribution and modification are not
+covered by this License; they are outside its scope. The act of
+running the Program is not restricted, and the output from the Program
+is covered only if its contents constitute a work based on the
+Program (independent of having been made by running the Program).
+Whether that is true depends on what the Program does.
+
+ 1. You may copy and distribute verbatim copies of the Program's
+source code as you receive it, in any medium, provided that you
+conspicuously and appropriately publish on each copy an appropriate
+copyright notice and disclaimer of warranty; keep intact all the
+notices that refer to this License and to the absence of any warranty;
+and give any other recipients of the Program a copy of this License
+along with the Program.
+
+You may charge a fee for the physical act of transferring a copy, and
+you may at your option offer warranty protection in exchange for a fee.
+
+ 2. You may modify your copy or copies of the Program or any portion
+of it, thus forming a work based on the Program, and copy and
+distribute such modifications or work under the terms of Section 1
+above, provided that you also meet all of these conditions:
+
+ a) You must cause the modified files to carry prominent notices
+ stating that you changed the files and the date of any change.
+
+ b) You must cause any work that you distribute or publish, that in
+ whole or in part contains or is derived from the Program or any
+ part thereof, to be licensed as a whole at no charge to all third
+ parties under the terms of this License.
+
+ c) If the modified program normally reads commands interactively
+ when run, you must cause it, when started running for such
+ interactive use in the most ordinary way, to print or display an
+ announcement including an appropriate copyright notice and a
+ notice that there is no warranty (or else, saying that you provide
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+ the Program is not required to print an announcement.)
+
+These requirements apply to the modified work as a whole. If
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+Thus, it is not the intent of this section to claim rights or contest
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+
+In addition, mere aggregation of another work not based on the Program
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+ 3. You may copy and distribute the Program (or a work based on it,
+under Section 2) in object code or executable form under the terms of
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+
+ a) Accompany it with the complete corresponding machine-readable
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+
+ 4. You may not copy, modify, sublicense, or distribute the Program
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+
+ 5. You are not required to accept this License, since you have not
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+distribute the Program or its derivative works. These actions are
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+modifying or distributing the Program (or any work based on the
+Program), you indicate your acceptance of this License to do so, and
+all its terms and conditions for copying, distributing or modifying
+the Program or works based on it.
+
+ 6. Each time you redistribute the Program (or any work based on the
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+restrictions on the recipients' exercise of the rights granted herein.
+You are not responsible for enforcing compliance by third parties to
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+
+ 7. If, as a consequence of a court judgment or allegation of patent
+infringement or for any other reason (not limited to patent issues),
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+license would not permit royalty-free redistribution of the Program by
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+
+If any portion of this section is held invalid or unenforceable under
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+
+It is not the purpose of this section to induce you to infringe any
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+integrity of the free software distribution system, which is
+implemented by public license practices. Many people have made
+generous contributions to the wide range of software distributed
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+system; it is up to the author/donor to decide if he or she is willing
+to distribute software through any other system and a licensee cannot
+impose that choice.
+
+This section is intended to make thoroughly clear what is believed to
+be a consequence of the rest of this License.
+
+ 8. If the distribution and/or use of the Program is restricted in
+certain countries either by patents or by copyrighted interfaces, the
+original copyright holder who places the Program under this License
+may add an explicit geographical distribution limitation excluding
+those countries, so that distribution is permitted only in or among
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+
+ 9. The Free Software Foundation may publish revised and/or new versions
+of the General Public License from time to time. Such new versions will
+be similar in spirit to the present version, but may differ in detail to
+address new problems or concerns.
+
+Each version is given a distinguishing version number. If the Program
+specifies a version number of this License which applies to it and "any
+later version", you have the option of following the terms and conditions
+either of that version or of any later version published by the Free
+Software Foundation. If the Program does not specify a version number of
+this License, you may choose any version ever published by the Free Software
+Foundation.
+
+ 10. If you wish to incorporate parts of the Program into other free
+programs whose distribution conditions are different, write to the author
+to ask for permission. For software which is copyrighted by the Free
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+
+ NO WARRANTY
+
+ 11. BECAUSE THE PROGRAM IS LICENSED FREE OF CHARGE, THERE IS NO WARRANTY
+FOR THE PROGRAM, TO THE EXTENT PERMITTED BY APPLICABLE LAW. EXCEPT WHEN
+OTHERWISE STATED IN WRITING THE COPYRIGHT HOLDERS AND/OR OTHER PARTIES
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+PROGRAM PROVE DEFECTIVE, YOU ASSUME THE COST OF ALL NECESSARY SERVICING,
+REPAIR OR CORRECTION.
+
+ 12. IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING
+WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MAY MODIFY AND/OR
+REDISTRIBUTE THE PROGRAM AS PERMITTED ABOVE, BE LIABLE TO YOU FOR DAMAGES,
+INCLUDING ANY GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES ARISING
+OUT OF THE USE OR INABILITY TO USE THE PROGRAM (INCLUDING BUT NOT LIMITED
+TO LOSS OF DATA OR DATA BEING RENDERED INACCURATE OR LOSSES SUSTAINED BY
+YOU OR THIRD PARTIES OR A FAILURE OF THE PROGRAM TO OPERATE WITH ANY OTHER
+PROGRAMS), EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+ END OF TERMS AND CONDITIONS
+
+ How to Apply These Terms to Your New Programs
+
+ If you develop a new program, and you want it to be of the greatest
+possible use to the public, the best way to achieve this is to make it
+free software which everyone can redistribute and change under these terms.
+
+ To do so, attach the following notices to the program. It is safest
+to attach them to the start of each source file to most effectively
+convey the exclusion of warranty; and each file should have at least
+the "copyright" line and a pointer to where the full notice is found.
+
+ <one line to give the program's name and a brief idea of what it does.>
+ Copyright (C) <year> <name of author>
+
+ This program is free software; you can redistribute it and/or modify
+ it under the terms of the GNU General Public License as published by
+ the Free Software Foundation; either version 2 of the License, or
+ (at your option) any later version.
+
+ This program is distributed in the hope that it will be useful,
+ but WITHOUT ANY WARRANTY; without even the implied warranty of
+ MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
+ GNU General Public License for more details.
+
+ You should have received a copy of the GNU General Public License
+ along with this program; if not, write to the Free Software
+ Foundation, Inc., 59 Temple Place, Suite 330, Boston, MA 02111-1307 USA
+
+
+Also add information on how to contact you by electronic and paper mail.
+
+If the program is interactive, make it output a short notice like this
+when it starts in an interactive mode:
+
+ Gnomovision version 69, Copyright (C) year name of author
+ Gnomovision comes with ABSOLUTELY NO WARRANTY; for details type `show w'.
+ This is free software, and you are welcome to redistribute it
+ under certain conditions; type `show c' for details.
+
+The hypothetical commands `show w' and `show c' should show the appropriate
+parts of the General Public License. Of course, the commands you use may
+be called something other than `show w' and `show c'; they could even be
+mouse-clicks or menu items--whatever suits your program.
+
+You should also get your employer (if you work as a programmer) or your
+school, if any, to sign a "copyright disclaimer" for the program, if
+necessary. Here is a sample; alter the names:
+
+ Yoyodyne, Inc., hereby disclaims all copyright interest in the program
+ `Gnomovision' (which makes passes at compilers) written by James Hacker.
+
+ <signature of Ty Coon>, 1 April 1989
+ Ty Coon, President of Vice
+
+This General Public License does not permit incorporating your program into
+proprietary programs. If your program is a subroutine library, you may
+consider it more useful to permit linking proprietary applications with the
+library. If this is what you want to do, use the GNU Library General
+Public License instead of this License.
diff --git a/Master/texmf-dist/doc/fonts/cm-super/ChangeLog b/Master/texmf-dist/doc/fonts/cm-super/ChangeLog
new file mode 100644
index 00000000000..7f77e98923c
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/cm-super/ChangeLog
@@ -0,0 +1,101 @@
+2003-03-30 Vladimir Volovich <vvv@vsu.ru>
+
+ * added Debian package files, provided by
+ Peter Szabo <pts@math.bme.hu>
+
+2002-05-25 Vladimir Volovich <vvv@vsu.ru>
+
+ * Version 0.3.3 released.
+
+ * Added Computer Modern Bright super-fonts: 19 *.pfb and *.afm.gz
+ files, and corresponding entries in the MAP files.
+
+ * Generated precise (non-integer) widths for Concrete fonts.
+
+ * some changes to README, INSTALL files.
+
+2001-12-05 Vladimir Volovich <vvv@vsu.ru>
+
+ * INSTALL: rewritten for generic TeX systems.
+
+ * dvips/config.cm-super: new file.
+
+2001-11-29 Vladimir Volovich <vvv@vsu.ru>
+
+ * Version 0.3.2 released.
+
+ * dvips/cm-super.GS: new file -- Ghostscript Fontmap file for
+ CM-Super fonts.
+
+2001-11-28 Vladimir Volovich <vvv@vsu.ru>
+
+ * Added Computer Modern Concrete super-fonts: 14 *.pfb and *.afm.gz
+ files, and corresponding entries in the MAP files.
+
+ * Added FAQ file.
+
+2001-11-17 Vladimir Volovich <vvv@vsu.ru>
+
+ * Added VTeX/Free support files. See the file INSTALL for
+ installation instructions.
+
+2001-10-24 Vladimir Volovich <vvv@vsu.ru>
+
+ * Version 0.3.1 released.
+
+ * Added MAP files for dvipdfm.
+
+ * Minor comment changes in ENC files.
+
+ * Renamed ENC files to avoid conflicts with other packages:
+ t1.enc -> cm-super-t1.enc
+ ts1.enc -> cm-super-ts1.enc
+ t2a.enc -> cm-super-t2a.enc
+ t2b.enc -> cm-super-t2b.enc
+ t2c.enc -> cm-super-t2c.enc
+ x2.enc -> cm-super-x2.enc
+
+ * Added the INSTALL file.
+
+2001-10-14 Vladimir Volovich <vvv@vsu.ru>
+
+ * Changed all FontName strings to uppercase for Macintosh
+ compatibility. See Adobe Tech Note 0091 (Macintosh FOND Resources),
+ section 6.5 for a discussion. Thanks to Tom Kacvinsky <tjk@ams.org>.
+ All MAP files were changed, too, so if you upgrade, do not forget
+ to regenerate the main dvips/pdftex MAP files.
+
+2001-10-11 Vladimir Volovich <vvv@vsu.ru>
+
+ * Version 0.3.0 released and uploaded to CTAN.
+
+ * Generated AFM metric files.
+
+ * Changed lenIV to 0 to reduce font sizes (requires non-outdated
+ Postscript interpreters).
+
+2001-10-10 Vladimir Volovich <vvv@vsu.ru>
+
+ * Generated precise (non-integer) widths for all glyphs in PFB
+ files to match TFM widths (using continued fraction approximation).
+ Corrected width of space glyph to match default TeX font space width.
+
+2001-09-29 Vladimir Volovich <vvv@vsu.ru>
+
+ * Added glyph variants guillemotleft.cyr, guillemotright.cyr from
+ LH fonts (french guillemets are curly, but the cyrillic ones are
+ straight).
+
+2001-09-21 Vladimir Volovich <vvv@vsu.ru>
+
+ * Version 0.2.0 released.
+
+ * Added germandbls.alt glyph with the original CM shape to
+ all fonts.
+
+ * Changed license from Aladdin Free Public License (AFPL)
+ to GNU General Public License (GNU GPL).
+
+2001-09-18 Vladimir Volovich <vvv@vsu.ru>
+
+ * Version 0.1 released: first public release.
diff --git a/Master/texmf-dist/doc/fonts/cm-super/FAQ b/Master/texmf-dist/doc/fonts/cm-super/FAQ
new file mode 100644
index 00000000000..21c691c45c3
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/cm-super/FAQ
@@ -0,0 +1,131 @@
+Below are answers to some frequently asked questions about the
+CM-Super fonts.
+
+Q.1. Are the CM-Super fonts stable (version number 0.x)?
+
+A.1. I just prefer to number versions from 0, not from 1. And I
+consider the fonts quite stable. This does not mean that the fonts
+will not be developped and improved.
+
+General areas for future development:
+
+* Increase the number of glyphs in each super-font (e.g. cover Greek,
+ Vietnamese, ...)
+
+* Improve the quality of the fonts.
+
+There are some known problems which occur when using the fonts with
+old versions of dvips. They were already fixed and will propagate in
+the future versions of TeX distributions like teTeX, TeX Live, MikTeX.
+
+Meanwhile, if your dvips gives an error related to using the CM-Super
+fonts, you can use the option "-j0" as a workaround, to suppress
+partial font downloading. The problem in dvips which occurs when the
+same Type 1 font is re-encoded several times in one document (which
+could occur if you are using the CM-Super fonts) has also been solved,
+and the fixed version will appear in the future versions of TeX
+distributions.
+
+Note that VTeX/Free versions older than 7.6 had some bugs due to which
+there were problems with using CM-Super fonts. Please upgrade to VTeX/Free
+version 7.6 or higher.
+
+Q.2. Are the CM-Super fonts complete?
+
+A.2. Yes, they are rather complete even now: they cover the whole
+EC/TC, EC Concrete, EC Bright and LH font set. The number of CM-Super
+Type 1 fonts is 434, and they are a drop-in replacement for 2536 TeX
+fonts! Each CM-Super Type 1 font supports 6 LaTeX font encodings: T1,
+TS1, T2A, T2B, T2C, X2.
+
+[the following excerpt is from README]
+Note that a small number of (fortunately, rarely used) fonts are not
+included yet because of the bugs in EC font drivers which prevented
+their generation. We plan to provide these missing fonts soon.
+
+Each Type 1 super-font currently contains 585 glyphs per non-SC font
+and 468 glyphs per SC font.
+
+Q.3. Are the CM-Super fonts supported?
+
+A.3. Yes, as far as any free of charge product could be supported.
+The fonts are also free (in the sense of freedom to distribute and/or
+modify the fonts) and are licensed under the GNU General Public License.
+
+It appears that in practice, the support for free products may be even
+better than the support for commercial products.
+
+I make no official promises for supporting the fonts, but I will try
+to fix any reported bugs and will (if time permits) work on improving
+the fonts in the future.
+
+Q.4. Are the CM-Super fonts legal?
+
+A.4. Yes, the fonts are totally legal. Licenses of EC/TC, EC Concrete,
+EC Bright and LH fonts allow production and distribution of Type 1
+fonts.
+
+Q.5. What are the drawbacks? Size? Is it true that the converted fonts
+are more than 3 times larger than commercial fonts (statement on the
+TeXtrace site)?
+
+A.5. No, this is not applicable to CM-Super fonts. Their size is
+comparable to the size of commercial fonts. That is because the fonts
+were optimized (and hinted) using FontLab 3 which significantly
+reduced the number of control points used to encode the outlines.
+
+The size of Type 1 outline files (*.pfb) is big because each such font
+contains big number of glyphs (see A.2.). If a commercial-quality font
+would include the same set of glyphs, it's size would be about the
+same.
+
+Q.6. What's the quality? Do the CM-Super fonts display nicely on
+screen? When printed? Would you spot a difference to commercial
+versions?
+
+A.6. Printing quality is definitely very good. On-screen quality is at
+least satisfactory (I let you judge on this topic :-). In my
+experience, the PDF files produced using the CM-Super fonts look
+better in Acrobat Reader than DVI files with bitmap fonts (both
+previewers use anti-aliasing mechanisms).
+
+Q.7. What "super" means in the name of the CM-Super font package?
+
+A.7. The CM-Super package contains a collection of multilingual fonts
+covering big number of glyphs (super-fonts) originating from Computer
+Modern font families. It is NOT supposed to be a super-collection of
+Computer Modern fonts: it contains only multilingual Computer Modern
+fonts (super-fonts), but not all fonts related to Computer Modern.
+
+We may, however, add some related fonts (e.g. Concrete math fonts)
+which are not yet freely available in Type 1 format.
+
+Q.8. How do I use the CM-Super fonts? I couldn't find any *.sty file
+included with the CM-Super package.
+
+A.8. Just use the fonts with any encoding(s) supported by the CM-Super
+font package: T1, TS1, T2A, T2B, T2C, X2, with the default (Computer
+Modern) or Computer Modern Concrete font families
+(e.g. \usepackage[T1]{fontenc}). Once you have installed the CM-Super
+fonts properly, your pdflatex, dvips or whatever driver will use
+outline Type 1 fonts from the CM-Super bundle instead of the
+corresponding bitmap fonts (in PK format).
+
+Q.9. I would like to download the CM-Super package as one big file
+instead of downloading a lot of small files.
+
+A.9. All main CTAN nodes support archivation of files and directories
+on the fly. So you can point your browser e.g. to
+ftp://ftp.dante.de/tex-archive/fonts/ps-type1/cm-super.tar.gz
+and you will get a single tarball with the CM-Super package.
+Note that restarting of incomplete downloads will not work in this case,
+so you need a reasonably fast connection.
+
+Q.10. What needs to be done to make PDF files produced by pdflatex
+"searchable" in Acrobat Reader (and also make "cut-n-paste" work from
+Acrobat Reader to other applications)?
+
+A.10. You need to preload the CMap objects into the PDF file and
+associate them with the fonts depending on font encodings. This can be
+done by using the "cmap" package - see
+CTAN:macros/latex/contrib/cmap
diff --git a/Master/texmf-dist/doc/fonts/cm-super/INSTALL b/Master/texmf-dist/doc/fonts/cm-super/INSTALL
new file mode 100644
index 00000000000..1f8c5ef107f
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/cm-super/INSTALL
@@ -0,0 +1,167 @@
+========================================================================
+
+These are generic installation instructions for the CM-Super font package.
+
+Below, we assume that your TeX system is compliant to the TDS
+(TeX Directory Structure) standard. If it is not so, refer to
+documentation of your TeX system for the proper locations of files of
+various types.
+
+To install the CM-Super font package in teTeX, fpTeX, TeX Live, MikTeX or
+VTeX/Free systems:
+
+1) Copy all Type 1 fonts (*.pfb files) to
+ .../texmf/fonts/type1/public/cm-super/ directory.
+
+2) [optional] Copy all AFM files to .../texmf/fonts/afm/public/cm-super/
+ and gunzip them: gunzip *.afm.gz
+ Note that the AFM files are not needed for using these fonts
+ with pdf(la)tex or dvips, and their uncompressed size is huge!
+
+3.1) [not for VTeX/Free]
+ Copy all dvips/*.map and dvips/*.enc files and dvips/config.cm-super
+ to .../texmf/dvips/cm-super/ directory.
+
+ These dvips/*.map files are suited to be used by BOTH dvips and
+ pdf(la)tex.
+
+ If you are using dvipdfm, then copy all dvipdfm/*.map files to
+ .../texmf/dvipdfm/config/ directory.
+
+3.2) [for VTeX/Free]
+ Copy all dvips/*.enc files to .../texmf/vtex/enc/ directory.
+ Copy all vtex/*.ali files to .../texmf/vtex/config/ directory.
+
+ You will need to generate all needed TFM files, because VTeX/Free can
+ not generate them on the fly (TFM files for EC/TC, EC Concrete and
+ EC Bright fonts are included into the VTeX/Free distribution).
+ You can generate these files e.g. by processing your document by
+ teTeX's latex. Put the TFM files to the curresponding subdirectories
+ under .../texmf/fonts/tfm/.
+
+3.3) If you wish to use the original CM germandbls (sharp s) shape,
+ rather than the new EC one, change "germandbls" to "germandbls.alt"
+ in cm-super-t1.enc.
+
+4) Instruct your TeX (pdftex, vtex, etc.) or drivers (dvips, dvipdfm,
+ etc.) to use these fonts. To accomplish this, do one of the following
+ points which corresponds to your TeX system (if it is not listed here,
+ please refer to the documentation).
+
+4.1) [not for VTeX/Free] Instruct dvips and pdftex to use these fonts:
+
+ a) [on teTeX, but not on TeX Live]
+ edit the file .../texmf/dvips/config/updmap
+ and add the following lines into the extra_modules section:
+
+../cm-super/cm-super-t1.map
+../cm-super/cm-super-ts1.map
+../cm-super/cm-super-t2a.map
+../cm-super/cm-super-t2b.map
+../cm-super/cm-super-t2c.map
+../cm-super/cm-super-x2.map
+
+ b) run the updmap script.
+
+4.2) If your TeX system does not have tools like updmap for
+ maintaining global MAP files (e.g. MikTeX), you can instead
+ configure each program which uses the Type 1 fonts:
+
+ a) edit the file .../texmf/dvips/config/config.ps and add the
+ following lines:
+
+p +cm-super-t1.map
+p +cm-super-ts1.map
+p +cm-super-t2a.map
+p +cm-super-t2b.map
+p +cm-super-t2c.map
+p +cm-super-x2.map
+
+ Alternatively, run dvips with the option "-Pcm-super".
+
+ b) edit the file .../texmf/pdftex/config/pdftex.cfg and add the
+ following lines:
+
+map +cm-super-t1.map
+map +cm-super-ts1.map
+map +cm-super-t2a.map
+map +cm-super-t2b.map
+map +cm-super-t2c.map
+map +cm-super-x2.map
+
+ c) edit the file .../texmf/dvipdfm/config/config and add the
+ following lines:
+
+f cm-super-t1.map
+f cm-super-ts1.map
+f cm-super-t2a.map
+f cm-super-t2b.map
+f cm-super-t2c.map
+f cm-super-x2.map
+
+4.3) [for VTeX/Free only] Edit the files .../texmf/vtex/config/ps.fm and
+ .../texmf/vtex/config/pdf.fm, and add the following lines into the
+ TYPE1 section:
+
+cm-super.ali
+cm-super-t1.ali
+cm-super-ts1.ali
+cm-super-t2a.ali
+cm-super-t2b.ali
+cm-super-t2c.ali
+cm-super-x2.ali
+
+ (at the beginning of that section, if you wish to use CM-Super
+ fonts even for EC/TC fonts which are now bundled with VTeX/Free)
+
+5) [not for VTeX/Free] Update the filename search database:
+ run "mktexlsr" on teTeX, TeX Live, or fpTeX;
+ run "initexmf.exe -u" on MikTeX (or do the same via a menu item)
+
+6) [optional, for advanced users]
+ If you wish to not download CM-Super fonts into your PS or PDF
+ files (to make them smaller), you may want to change the dvips
+ *.map files by removing "<" characters before *.pfb file names,
+ i.e. change lines like
+
+ecrm1000 SFRM1000 "T1Encoding ReEncodeFont" <cm-super-t1.enc <sfrm1000.pfb
+
+ to:
+
+ecrm1000 SFRM1000 "T1Encoding ReEncodeFont" <cm-super-t1.enc sfrm1000.pfb
+
+ [this should be done after step 3)]
+ If you have Perl, you can do this by running the command:
+
+perl -p -i.orig -e 's/<([a-z0-9]+\.pfb)$/$1/' cm-super-*.map
+
+ You also need to make the CM-Super fonts visible in Ghostscript.
+ To do this, install the file dvips/cm-super.GS into the Ghostscript's
+ "lib" directory, and add the following line to the file "Fontmap":
+
+(cm-super.GS) .runlibfile
+
+ and make sure that the CM-Super *.pfb font files are present in the
+ Ghostscript search path (see the "Font lookup" section in Use.htm
+ in Ghostscript distribution).
+
+ Note that if you distribute such PS or PDF files, you must make
+ sure that the recipient has the CM-Super fonts installed and
+ visible to Ghostscript or Acrobat Reader; otherwise, you should
+ embed fonts into the PS or PDF documents (which is used by default).
+
+7) You can install the CM-Super fonts as regular Windows fonts, if you
+ wish to use them in non-TeX applications (e.g. packages for
+ preparation of graphics which are to be included into your TeX
+ documents, or even word processors, etc.)
+
+ You will need Adobe Type Manager (either a regular version, or the
+ Lite version, which is available for free from the Adobe web site).
+
+ To do this, you will need to uncompress the AFM files provided with
+ this distribution (e.g. using WinZip).
+
+ Place all corresponding PFB, AFM, and INF files which you need to
+ install into the same directory, and feed it to ATM.
+
+========================================================================
diff --git a/Master/texmf-dist/doc/fonts/cm-super/README b/Master/texmf-dist/doc/fonts/cm-super/README
new file mode 100644
index 00000000000..635291c739c
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/cm-super/README
@@ -0,0 +1,199 @@
+=========================================================================
+ CM-Super font package
+ version 0.3.3 (May 25, 2002)
+
+ Copyright (c) 2001, 2002 Vladimir Volovich <vvv@vsu.ru>.
+
+ This package is free software; you can redistribute it and/or modify
+ it under the terms of the GNU General Public License as published by
+ the Free Software Foundation; either version 2 of the License, or
+ (at your option) any later version.
+
+ As a special exception, permission is granted to include these font
+ programs in a Postscript or PDF file that consists of a document that
+ contains text to be displayed or printed using these fonts, regardless
+ of the conditions or license applying to the document itself.
+
+ This package is distributed in the hope that it will be useful,
+ but WITHOUT ANY WARRANTY; without even the implied warranty of
+ MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
+ GNU General Public License for more details.
+
+ You should have received a copy of the GNU General Public License
+ along with this program; if not, write to the Free Software
+ Foundation, Inc., 59 Temple Place, Suite 330, Boston, MA 02111-1307 USA
+
+The CM-Super package contains Type 1 fonts converted from METAFONT
+fonts and covers entire EC/TC, EC Concrete, EC Bright and LH fonts
+(Computer Modern font families). All European and Cyrillic writings
+are covered. Each Type 1 font program contains ALL glyphs from the
+following standard LaTeX font encodings: T1, TS1, T2A, T2B, T2C, X2,
+and also Adobe StandardEncoding (585 glyphs per non-SC font and 468
+glyphs per SC font), and could be reencoded to any of these encodings
+using standard dvips or pdftex facilities (the corresponding support
+files are also included).
+
+See the file INSTALL for installation instructions for teTeX, TeX Live,
+MikTeX or VTeX/Free systems.
+
+See the file FAQ for answers to some frequently asked questions.
+
+PLEASE read the files README, INSTALL, and FAQ carefully before
+reporting problems.
+
+The goal was to provide full support for a wide number of fonts used
+in LaTeX, and at the same time minimize the number and total size of
+font files. Each Type 1 font shares all common glyphs which are present
+in supported encodings. E.g. Latin letters, Russian letters, accents
+and a number of other glyphs which are present in more than one font
+encoding are stored only once in Type 1 fonts.
+
+These Type 1 fonts could be used as a drop-in replacement for LaTeX's
+EC/TC, EC Concrete, EC Bright and LH fonts to create Postscript and
+PDF documents with vector fonts (if you used METAFONT versions of
+EC/TC, EC Concrete, EC Bright or LH fonts, no changes to your LaTeX
+documents are required to use these Type 1 fonts once you have them
+installed). You will still need the METAFONT sources of these fonts to
+be able to generate needed TFM metric files (once you have them
+generated, METAFONT will not be used). You could also prepare EPS or
+PDF illustrations in your favorite applications with texts written
+using these fonts, and then include them in your LaTeX documents.
+These fonts could be used not only in TeX-related applications, but
+also as all other Type 1 text fonts, e.g. in Windows (and you will be
+able to typeset multilingual texts using them).
+
+Font file names correspond to the scheme used in EC fonts, with the
+first two letters "sf" ("super font") instead of "ec". E.g., sfrm1000.pfb
+contains all glyphs from:
+ecrm1000, tcrm1000, larm1000, lbrm1000, lcrm1000, rxrm1000.
+
+The third and fourth letters in the font name correspond to font shape.
+The list of provided font shapes is included below:
+
+ rm: Computer Modern Roman
+ sl: Computer Modern Slanted
+ ti: Computer Modern Italic
+ cc: Computer Modern Caps and Small Caps
+ ui: Computer Modern Unslanted Italic
+ sc: Computer Modern Slanted Caps and Small Caps
+ ci: Computer Modern Classical Serif Italic
+ bx: Computer Modern Bold Extended
+ bl: Computer Modern Bold Extended Slanted
+ bi: Computer Modern Bold Extended Italic
+ xc: Computer Modern Bold Extended Caps and Small Caps
+ oc: Computer Modern Bold Extended Slanted Caps and Small Caps
+ rb: Computer Modern Roman Bold
+ bm: Computer Modern Roman Bold Variant
+ ss: Computer Modern Sans Serif
+ si: Computer Modern Sans Serif Slanted
+ sx: Computer Modern Sans Serif Bold Extended
+ so: Computer Modern Sans Serif Bold Extended Slanted
+ tt: Computer Modern Typewriter
+ st: Computer Modern Typewriter Slanted
+ it: Computer Modern Typewriter Italic
+ tc: Computer Modern Typewriter Caps and Small Caps
+ vt: Computer Modern Variable Width Typewriter
+ vi: Computer Modern Variable Width Typewriter Italic
+ dh: Computer Modern Dunhill Roman
+ fb: Computer Modern Fibonacci Medium
+ fs: Computer Modern Fibonacci Slanted
+ ff: Computer Modern Funny Roman
+ fi: Computer Modern Funny Italic
+
+Each font shape comes in 14 font sizes ranging from 5pt to 35.83pt (or
+11 font sizes for typewriter fonts ranging from 8pt to 35.83pt).
+
+Also, the following 13 one-sized font shapes are included:
+
+ sflq8: Computer Modern SliTeX Sans Serif Quotation
+ sfli8: Computer Modern SliTeX Sans Serif Quotation Inclined
+ sflb8: Computer Modern SliTeX Sans Serif Quotation Bold
+ sflo8: Computer Modern SliTeX Sans Serif Quotation Bold Oblique
+ sfltt8: Computer Modern LaTeX Typewriter
+ isflq8: Computer Modern SliTeX Sans Serif Quotation Invisible
+ isfli8: Computer Modern SliTeX Sans Serif Quotation Inclined Invisible
+ isflb8: Computer Modern SliTeX Sans Serif Quotation Bold Invisible
+ isflo8: Computer Modern SliTeX Sans Serif Quotation Bold Oblique Invisible
+ isfltt8: Computer Modern LaTeX Typewriter Invisible
+ sfsq8: Computer Modern Sans Serif Quotation
+ sfqi8: Computer Modern Sans Serif Quotation Inclined
+ sfssdc10: Computer Modern Sans Serif Demi Condensed
+
+Also, the following 14 fonts from Computer Modern Concrete family are
+included (font file names correspond to the scheme used in EC Concrete
+fonts):
+
+ sform5 .. sform10: Computer Modern Concrete Roman
+ sfosl5 .. sfosl10: Computer Modern Concrete Slanted
+ sfoti10: Computer Modern Concrete Italic
+ sfocc10: Computer Modern Concrete Caps and Small Caps
+
+Also, the following 19 fonts from Computer Modern Bright family are
+included (font file names correspond to the scheme used in European
+Computer Modern Bright fonts):
+
+ sfbmr{8,9,10,17}: Computer Modern Bright Roman
+ sfbmo{8,9,10,17}: Computer Modern Bright Oblique
+ sfbsr{8,9,10,17}: Computer Modern Bright Semibold
+ sfbso{8,9,10,17}: Computer Modern Bright Semibold Oblique
+ sfbbx10: Computer Modern Bright Bold Extended
+ sfbtl10: Computer Modern Typewriter Light
+ sfbto10: Computer Modern Typewriter Light Oblique
+
+Fonts were created using TeXtrace (based on AutoTrace and
+Ghostscript), t1utils and a bunch of Perl scripts, and were optimized
+and hinted using FontLab 3.1. The set of UniqueID values was
+registered at Adobe. We use AGL compliant glyph names when possible
+(there are some glyphs which are neither present in AGL nor in
+Unicode).
+
+It should also be noted that the fonts use precise (non-integer) glyph
+widths which better match the TFM widths than just rounding to the
+nearest integer. These widths are generated using the best
+approximation (based on continued fractions) with the denominator not
+exceeding 107 to fit in 1 byte in CharString. Apparently, such subtle
+technique was used first in BSR/Y&Y CM fonts.
+
+I'd like to thank Peter Szabo for TeXtrace, Martin Weber for
+AutoTrace, and FontLab Ltd. for providing a copy of FontLab.
+
+It should be noted that while creating these fonts we intentionally
+and on principle used only automatic methods which do not require font
+designers talents. The aim was to use TOTALLY automatic conversion of
+METAFONT fonts to Type 1 format, automatic optimization and hinting,
+with the best achievable quality of final Type 1 fonts, to be able to
+re-generate the fonts if necessary (e.g. when a new version of
+original METAFONT fonts will be released). Undoubtedly, there are
+fields for improvement of this approach, which we will use in future
+versions of the fonts, but even now the fonts seem to look and print
+quite good (we hope :-).
+
+It appears that careless approach to FontLab's optimization and
+auto-hinting facilities could lead to loss of quality of the original
+font (some glyph shapes could be broken), so we used the most precise
+optimization, and hope that optimized and hinted fonts are indeed
+better than original traced fonts (also, they are significantly
+smaller in size). So far, we did not find any bugs in optimized fonts.
+
+There are 434 Type 1 outline fonts (*.pfb) in the CM-Super font set,
+and they cover 2536 TeX fonts!
+
+Note that a small number of (fortunately, rarely used) fonts are not
+included yet because of the bugs in EC font drivers which prevented
+their generation. We plan to provide these missing fonts soon.
+(Currently there are 25 missing Type 1 font files.)
+
+The CM-Super package could be freely downloaded from
+CTAN:fonts/ps-type1/cm-super
+and also from
+ftp://ftp.vsu.ru/pub/tex/font-packs/cm-super/
+(see also ftp://ftp.vsu.ru/pub/tex/README for a list of mirrors)
+The total size of all PFB files is about 57 Mb
+(AFM files are provided, too, for use with non-TeX applications).
+
+Although this package is provided AS IS, WITHOUT WARRANTY (as
+explained in the file COPYING), we welcome your comments and bug
+reports which should be sent to the email address given above.
+
+Happy TeXing!
+=========================================================================
diff --git a/Master/texmf-dist/doc/fonts/cm-super/TODO b/Master/texmf-dist/doc/fonts/cm-super/TODO
new file mode 100644
index 00000000000..03e792df4ee
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/cm-super/TODO
@@ -0,0 +1,29 @@
+Things to do for the CM-Super fonts (in no particular order):
+
+* INSTALL: miktex: \texmf\miktex\config\config.makepk needs to be configured too? (for YAP)
+* generate all missing fonts
+* add INF files?
+* provide optimized but not hinted version (will be smaller)?
+* realize composite glyphs via Type 1 facilities to make the fonts smaller
+* include glyphs from TS1 encoding into SC fonts?
+ (might be useful for non-TeX applications)
+* add glyphs from T2D encoding
+* add all other glyphs from LH fonts
+* full support for unicode cyrillic codepage
+* include glyphs from cbgreek ec-like fonts
+* include stroked glyphs from bbm/bbold/doublestroke/AMS fonts
+* include glyphs from tipa/cipa/bipa fonts (T3 LaTeX encoding) [sugg. by Berthold Crysmann <crysmann@dfki.de>]
+* include glyphs from fc (african) fonts (T4 LaTeX encoding) [sugg. by Berthold Crysmann <crysmann@dfki.de>]
+* include glyphs from the vnr family to cover Vietnamese (T5 LaTeX encoding) [sugg. by Werner Lemberg <wl@gnu.org>]
+* include all missing glyphs from the Unicode extended Latin sections
+* add supplemental math fonts for concrete and bright
+* fix bugs in EC fonts which prevent generation of some fonts
+* replace some glyphs in EC fonts with better ones
+ Euro: cmbright, cbgreek, ...
+ numero: LH fonts
+ Tcommaaccent: ?
+ germandbls: EC (CM)
+ Change defaults to use better shapes (with same metrics)
+* add new families like bold typewriter, unslanted bold italic
+* try to improve glyphs using mf2pt1 package
+* will pfaedit give better optimization?
diff --git a/Master/texmf-dist/doc/fonts/cm/README b/Master/texmf-dist/doc/fonts/cm/README
new file mode 100644
index 00000000000..07c2bd816d7
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/cm/README
@@ -0,0 +1,69 @@
+Notes on the Computer Modern parameters
+
+Dimensions are mostly in units of 1/36pt, because I originally worked
+on graph paper with 36 pixels per point (in 1977). This experience made
+me familiar with such units, so I later decided to make METAFONT produce
+proofmode output at the same scale.
+
+The basic fonts cmr5--cmr17 scale proportionately in most vertical
+dimensions (e.g., the x_height in 5pt is half that in 10pt), but
+horizontally the smaller fonts are more extended and have relatively
+heavier weight (especially in hairlines).
+
+The slanted fonts cmsl8--cmsl12 are identical to their unslanted
+counterparts except that they have slant=1/6.
+
+Font cmdunh10 is the same as cmr10 except that body_height, asc_height,
+cap_height, and fig_height have been drastically increased.
+
+The bold fonts cmbx5--cmbx12 have similar vertical dimensions to the ordinary
+roman (except that the x_height is a bit taller and bar_height is lower);
+they use bolder pen strokes, of course, and they are rather more extended.
+Font cmb10 is like cmbx10 except not extended (i.e., 1em=10pt in cmb10,
+but 1em=11.5pt in cmbx10); it also has slightly shorter cap serifs. Font
+cmbxsl10 is like cmbx10 but slanted.
+
+The typewriter fonts cmtt8--cmtt12 have the same x_heights as their
+roman counterparts, but they have shorter ascenders and longer descenders.
+Their math_axis is based on ascenders only. The stroke weights are
+almost all identical to the corresponding roman stem weight.
+Font cmsltt10 is a slanted version of cmtt10; cmvtt10 is non-monospaced.
+
+The sans serif fonts cmss8--cmss17 are analogous to cmr8--cmr17; they have
+slanted counterparts with slant of 12 degrees. A few other isolated sans
+serif fonts appear in the standard set, as demonstrations of how other
+varieties could be made: There's a demibold condensed version, cmssdc10,
+and a bold extended version, cmssbx10. (The title pages in The TeXbook use
+cmssdc10 at 40pt and a magnified version of cmssbx10 called cminch; to
+save font storage space, cminch is restricted to digits and uppercase
+letters only.) Finally, there's a pair of fonts called cmssq8 and cmssqi8;
+these are in a rather different style (extended, with short ascenders
+and descenders), used for the end-of-chapter quotations in The TeXbook.
+
+The font cmfib8 is another `demonstration' of parameters; it's a serifed
+font whose proportions are based on Fibonacci numbers. Also, the font
+cmff10 is a weird concoction of little use except for testing.
+
+The text italic fonts cmti7--cmti12 have parameters like their roman
+cousins, except that they are more condensed and slightly lighter.
+The math italic fonts cmmi5--cmmi12 are not condensed and not
+quite as light.
+
+Four special italic fonts are provided as demonstrations of further
+possibilities: cmbxti10 is a bold extended text italic; cmmib10 is
+a bold math italic; cmit10 is an italic typewriter font; cmu10 is
+an unslanted italic with the same stem weights as cmr10.
+
+The math symbol fonts, cmsy5--cmsy10, have the same parameters
+as the corresponding math italic; these fonts also have special
+parameters of their own. There's a bold math symbols font for
+demonstration purposes: cmbsy10.
+
+The math extension font, cmex10, has the parameters of cmr10.
+
+The extended ASCII font, cmtex10, has the parameters of cmtt10, except
+that the slant is positive (for a few characters that will be slanted).
+
+And finally there are two caps-and-small-caps fonts, cmcsc10 (to match cmr10)
+and cmtcsc10 (to match cmtt10). These fonts are unusual in having two
+sets of parameters, one for the upper uppercase and one for the lower uppercase.
diff --git a/Master/texmf-dist/doc/fonts/cm/README-cmps.txt b/Master/texmf-dist/doc/fonts/cm/README-cmps.txt
new file mode 100644
index 00000000000..d19502df80b
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/cm/README-cmps.txt
@@ -0,0 +1,53 @@
+Map files for the AMS/Y&Y/Bluesky postscript type 1 fonts (computer
+modern fonts, LaTeX fonts and part of computer modern extra fonts).
+This file just lists the file names. For use in teTeX's updmap.cfg,
+prepend the lines with MixedMap as in the following example:
+ MixedMap cmtext-bsr.map
+
+Ok, here comes the listing of the map files:
+
+#####################################################################
+cmtext-bsr.map
+cmother-bsr.map
+cmtext-bsr-interpolated.map
+latex-bsr.map
+#####################################################################
+
+Possible replacements:
+
+The map files provided here are split up to allow using a different
+implementation for some of the fonts provided in this commection.
+
+Replacement 1
+=============
+For using Latin Modern fonts as "drop in" replacements (version must
+be at least 0.98.3) for the AMS/Y&Y/Bluesky postscript type 1 fonts,
+you can use the two map files
+
+ cmtext-lm.map
+ cmtext-lm-interpolated.map
+
+instead of
+
+ cmtext-bsr.map
+ cmtext-bsr-interpolated.map
+ ams-cmcsc-bsr-interpolated.map (from a different package containing
+ the amsps fonts)
+
+The files define the same fonts, but the implementation will be different.
+Use at your own risk.
+
+Replacement 2
+=============
+Instead of using a down-scaled cmex10 as implementation for cmex7 /
+cmex8, you can use an implementation of cmex7 / cmex8 that was obtained
+by running textrace.
+
+To do this, use
+ ttcmex.map
+instead of
+ ams-cmex-bsr-interpolated.map (from a different package containing
+ the amsps fonts)
+ cmother-bsr-interpolated.map
+
+June 2006, Thomas Esser
diff --git a/Master/texmf-dist/doc/fonts/cmpica/README.cmp b/Master/texmf-dist/doc/fonts/cmpica/README.cmp
new file mode 100644
index 00000000000..1bfe128f4ed
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/cmpica/README.cmp
@@ -0,0 +1,24 @@
+The CMPICA family was created by Don Hosek in 1988 to fill a need for
+a usable face for submitting fiction manuscripts to mainline
+publishers. Changes to parameters were made to create a face with
+roughly the same proportions as the Xerox Pica typeface available for
+use on Xerox laser printers and some changes to encoding were added as
+well so that TeX input conventions could be used to produce output
+that matched standard typescript conventions. In short, `` and ''
+become a straight double quote, ` and ' become a straight single
+quote, --- becomes -- and -- becomes -. In addition, two auxiliary
+fonts are provided: cmpicati underlines characters and cmpicab
+underlines characters with a squiggly underline. Either of these fonts
+may be used as a model of how to apply the same effect to other
+MF-generated types.
+
+A modified version of the original companion LaTeX [2.09] style can be
+found floating around on the net if one looks hard. A companion math
+face was proposed but never completed. It was envisioned to be a mix
+of typewriter-style characters and hand-drawn letters to give the full
+antediluvian effect.
+
+Don Hosek
+Quixote Digital Typography
+dhosek@quixote.com
+fax: 909-625-1342
diff --git a/Master/texmf-dist/doc/fonts/cns/cns40-1/README b/Master/texmf-dist/doc/fonts/cns/cns40-1/README
new file mode 100644
index 00000000000..2dc5478fc17
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/cns/cns40-1/README
@@ -0,0 +1,12 @@
+This is the README file of the cns40-1.tar.gz package.
+
+It contains a CNS plane 1 encoded Chinese bitmap (song style) file together
+with its HBF header file, an hbf2gf configuration file and .tfm files to be
+used with the CJK package for LaTeX2e.
+
+The package follows the TDS directory structure.
+
+Please read the documentation (especially the INSTALL file) of CJK for
+further details.
+
+---End of README---
diff --git a/Master/texmf-dist/doc/fonts/cns/cns40-2/README b/Master/texmf-dist/doc/fonts/cns/cns40-2/README
new file mode 100644
index 00000000000..4f26a794c0d
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/cns/cns40-2/README
@@ -0,0 +1,12 @@
+This is the README file of the cns40-2.tar.gz package.
+
+It contains a CNS plane 2 encoded Chinese bitmap (song style) file together
+with its HBF header file, an hbf2gf configuration file and .tfm files to be
+used with the CJK package for LaTeX2e.
+
+The package follows the TDS directory structure.
+
+Please read the documentation (especially the INSTALL file) of CJK for
+further details.
+
+---End of README---
diff --git a/Master/texmf-dist/doc/fonts/cns/cns40-3/README b/Master/texmf-dist/doc/fonts/cns/cns40-3/README
new file mode 100644
index 00000000000..31ad4830f34
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/cns/cns40-3/README
@@ -0,0 +1,12 @@
+This is the README file of the cns40-3.tar.gz package.
+
+It contains a CNS plane 3 encoded Chinese bitmap (song style) file together
+with its HBF header file, an hbf2gf configuration file and .tfm files to be
+used with the CJK package for LaTeX2e.
+
+The package follows the TDS directory structure.
+
+Please read the documentation (especially the INSTALL file) of CJK for
+further details.
+
+---End of README---
diff --git a/Master/texmf-dist/doc/fonts/cns/cns40-4/README b/Master/texmf-dist/doc/fonts/cns/cns40-4/README
new file mode 100644
index 00000000000..ef2326032ae
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/cns/cns40-4/README
@@ -0,0 +1,12 @@
+This is the README file of the cns40-4.tar.gz package.
+
+It contains a CNS plane 4 encoded Chinese bitmap (song style) file together
+with its HBF header file, an hbf2gf configuration file and .tfm files to be
+used with the CJK package for LaTeX2e.
+
+The package follows the TDS directory structure.
+
+Please read the documentation (especially the INSTALL file) of CJK for
+further details.
+
+---End of README---
diff --git a/Master/texmf-dist/doc/fonts/cns/cns40-5/README b/Master/texmf-dist/doc/fonts/cns/cns40-5/README
new file mode 100644
index 00000000000..ab7e2cb22d8
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/cns/cns40-5/README
@@ -0,0 +1,12 @@
+This is the README file of the cns40-5.tar.gz package.
+
+It contains a CNS plane 5 encoded Chinese bitmap (song style) file together
+with its HBF header file, an hbf2gf configuration file and .tfm files to be
+used with the CJK package for LaTeX2e.
+
+The package follows the TDS directory structure.
+
+Please read the documentation (especially the INSTALL file) of CJK for
+further details.
+
+---End of README---
diff --git a/Master/texmf-dist/doc/fonts/cns/cns40-6/README b/Master/texmf-dist/doc/fonts/cns/cns40-6/README
new file mode 100644
index 00000000000..f4271ab8a3e
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/cns/cns40-6/README
@@ -0,0 +1,12 @@
+This is the README file of the cns40-6.tar.gz package.
+
+It contains a CNS plane 6 encoded Chinese bitmap (song style) file together
+with its HBF header file, an hbf2gf configuration file and .tfm files to be
+used with the CJK package for LaTeX2e.
+
+The package follows the TDS directory structure.
+
+Please read the documentation (especially the INSTALL file) of CJK for
+further details.
+
+---End of README---
diff --git a/Master/texmf-dist/doc/fonts/cns/cns40-7/README b/Master/texmf-dist/doc/fonts/cns/cns40-7/README
new file mode 100644
index 00000000000..0ab5615256c
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/cns/cns40-7/README
@@ -0,0 +1,12 @@
+This is the README file of the cns40-7.tar.gz package.
+
+It contains a CNS plane 7 encoded Chinese bitmap (song style) file together
+with its HBF header file, an hbf2gf configuration file and .tfm files to be
+used with the CJK package for LaTeX2e.
+
+The package follows the TDS directory structure.
+
+Please read the documentation (especially the INSTALL file) of CJK for
+further details.
+
+---End of README---
diff --git a/Master/texmf-dist/doc/fonts/cns/cns40-b5/README b/Master/texmf-dist/doc/fonts/cns/cns40-b5/README
new file mode 100644
index 00000000000..1b713b86293
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/cns/cns40-b5/README
@@ -0,0 +1,10 @@
+This is the README file of the cns40-b5.tar.gz package.
+
+It contains an HBF header file for a Big 5 encoded font built up from CNS
+bitmap fonts planes 1-3 (the bitmaps itself are in the cns40-1 - cns40-3
+packages), an hbf2gf configuration file and .tfm files to be used with the
+CJK package for LaTeX2e.
+
+The package follows the TDS directory structure.
+
+---End of README---
diff --git a/Master/texmf-dist/doc/fonts/croatian/crogl.tex b/Master/texmf-dist/doc/fonts/croatian/crogl.tex
new file mode 100644
index 00000000000..c1644a2e779
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/croatian/crogl.tex
@@ -0,0 +1,518 @@
+
+% TUGboat, Vol 17, No1, March 1996
+
+% two-coloumn style
+%% incorporates editing changes by bb; 6 jan 1996
+
+\input tugboat.sty
+
+\input llig
+\input ste
+
+\def\q{\quad}
+\long\def\okkvir#1#2#3{%
+\hbox{\vrule\vbox{\hrule\vskip#1pt\hbox{\hskip#1pt\vbox{%
+\hsize#2cm\parindent=0pt #3%
+}\hskip#1pt}\vskip#1pt\hrule}\vrule}%
+}
+
+
+\font\ugv=ugve
+
+\def\d@anger#1{\medbreak\begingroup\clubpenalty=10000
+\def\par{\endgraf\endgroup\medbreak}%
+\setbox0=\hbox{\ugv #1\kern2mm}%
+\hangindent=\wd0
+\def\slov@{\smash{\lower\baselineskip\hbox{\copy0}}}
+\noindent\hangafter=-2%
+\hbox to0pt{\hskip-\hangindent
+\slov@\hfill}}
+
+\outer\def\slovo{\d@anger}
+\def\enddanger{\endgraf\endgroup}
+
+
+\font\stechak=stechak
+
+
+\title * Croatian Fonts *
+
+\author * Darko \v Zubrini\'c *
+%\address * University of Zagreb \\ FER, Avenija Vukovar 39, Zagreb \\ Croatia *
+\address * University of Zagreb \\ FER, Avenija Vukovar 39 \\ Zagreb, Croatia *
+\netaddress [\network{Internet}] * darko.zubrinic@fer.hr *
+
+\article
+
+
+
+The aim of this note is to inform the interested reader
+about the possibility of obtaining several new fonts: Croatian
+Glagolitic (round -- sometimes called Bulgarian glagolitic,
+angular, Ba\v ska tablet, cursive,
+%% bb -- re the "ba\v{s}ka plate", please see below
+%ligatures, the Baromi\'c broken ligatures, caligraphic),
+ligatures, the Baromi\'c broken ligatures, calligraphic),
+Croatian Cyrillic, ste\'cak ornaments and Croatian wattle patterns.
+They represent a considerable extension of the first version
+of glagolitic fonts I created in 1992 (see [2]).
+
+Having in mind that Croatian Glagolitic Script has a long history of
+at least 11 centuries (from 9th to 20th), it is not
+surprising that there exists a large
+%variety of its handwritten and printed versions. The author has
+%created several major types of this Script.
+variety of handwritten and printed versions. The author has
+created several major fonts of type using this Script.
+\medskip
+
+%\noindent$\bullet$ The so called ``round type'', together
+\noindent$\bullet$ The so-called ``round type'', together
+with the corresponding numerical values, is the following:
+
+\input ttablo
+
+\noindent In some documents there appear additional
+%versions of letters,
+versions of some letters,
+%like e.g.\ the ``spider-like h'' {\obl\char'076}. It is interesting
+e.g.\ the ``spider-like h'' {\obl\char'076}. The
+tops of letters appearing in this font are aligned. The
+``hanging style'' the round galgolitic can be illustrated
+e.g.\ by
+{\obl b3yzzetva}, {\obl svoem}, as it appears on the Kiiv folia
+(the first folio
+is from Croatia, written in region of Dubrovnik, 11th century;
+ the remaining six are from Czechia, 10th century).
+
+\medskip
+
+%% bb -- to me, ``plate'' often implies a flat dish meant for serving
+%% food -- these are sometimes ceremonial, and that's why i first
+%% misunderstood this sentence; i know that is not what is meant here.
+%% perhaps ``tablet'' or ``plaque'' is close enough in meaning,
+%% and would not be as confusing.
+\noindent$\bullet$ The font of the Ba\v ska stone tablet
+(carved in nd A.D.\
+1100 on the island of Krk):
+
+\input ttablb
+
+
+The Ba\v ska tablet is one of our most important cultural
+monuments ($2\times 1$ m${}^2$). The reason is that it was
+written in the Croatian
+%language (with the elements of the Church Slavonic) as early as
+language (with elements of Church Slavonic) as early as
+in the 11th century. Its text comprises more than $400$
+letters and contains the earliest
+mention of a Croatian king written in the Croatian
+vernacular: Z''v''nimir'', kral'' hr''vat''sk''\"{\i}
+(Hrvatska $=$ Croatia), i.e.\
+{\it Zvonimir, the Croatian king\/}, or in the
+Glagolitic:
+\setbox0=\hbox{\bassv kral3 \ hr3vxt3sk3y}
+$$
+\okkvir36{\hbox to \wd0{\hss\bassv z3v3nimir3\hss}
+\vskip2mm
+\hbox{\bassv kral3 \ hr3vxt3sk3y}}
+$$
+There are also earlier monuments from the 9th century that
+mention Croatian kings and dukes, but written in the Latin
+Script and in the Latin
+language.
+
+%The reader will notice that several Latin and(or) Cyrillic
+The reader will notice that several Latin and/or Cyrillic
+letters appear on the table: {\bass O, I, M, N, T, V} ($=$
+%V). This
+V)\null. This
+is only one among numerous proofs of the parallel use of three
+%Scripts (Glagolitic, Latin, Cyrillic) and three languages
+scripts (Glagolitic, Latin, Cyrillic) and three languages
+(Croatian, Church Slavonic and Latin) in Croatia. The
+%three-scriptural and three-language character of the
+three-script and three-language character of the
+Croatian Middle Ages is a unique phenomenon in the history of
+European culture (see [1]).
+
+\medskip
+
+\noindent$\bullet$ Since the 12th century the Glagolitic
+%Script survived only on the Croatian soil. Until that time
+Script has survived only in Croatia. Until that time
+%it existed also in some other regions, like in Bulgaria,
+it existed also in some other regions, e.g.\ Bulgaria,
+Macedonia, Roumania, Ukraine, when it was replaced by
+%theillic Script. In Croatia there developped the so
+%called {\it angular form\/} of the Glagolitic.
+the Cyrillic Script, and also in Czechia. In Croatia there developed the so-called
+{\it angular form\/} of the Glagolitic.
+
+\input ttabl
+
+\noindent Its golden period
+falls between the 12th and the 16th century:
+After that a
+%decline of this Script ensued, as a result of
+decline of this script ensued, as a result of
+the penetration of the Ottoman Empire.
+\medskip
+
+
+\noindent$\bullet$ The Croatian Glagolitic has hundreds of interesting
+ligatures.
+ Let us present some of them:
+
+\input ttlis
+
+
+\noindent It is
+striking that a {\it printed\/} Glagolitic book, the Brozi\'c breviary from 1561
+(1081 pages), has as many as $250$ ligatures.
+
+
+\noindent$\bullet$ A unique
+creation in the history of European printing are the so called
+{\it Baromi\'c broken ligatures\/}. The idea was to add one half of
+a letter (say {\lom A} of {\mgl A}) to another (say {\mgl
+B}), to obtain a broken ligature (\hbox{{\mgl B}{\lom A}} -- ba). Other
+combinations are also possible with
+{\lom D} ({\mgl D}, D),
+{\lom ZZ} ({\mgl ZZ}, \v Z),
+%{\lom L} ({\mgl L}, T),
+{\lom L} ({\mgl L}, L),
+{\lom V} ({\mgl V}, V),
+{\lom T} ({\mgl T}, T).
+Broken ligatures were used in the Baromi\'c Missal, the
+incunabula printed in the Croatian city of Senj in 1494
+(last year we celebrated its $500$th
+anniversary). Only three samples are preserved: one in
+the Saltyko S\v cedrin Library in St.Petersburg (Russia),
+one and the only complete copy in
+the Szeczenyi Library in Budapest (Hungary), and one
+in Croatia on the island of Cres. When looking at the text
+containing Baromi\'c broken ligatures, one has the impression as if this
+incunabula was handwritten. Few examples: \hbox{{\mgl B}{\lom
+A}{\mgl ROMICH}} (Baromi\'c), \hbox{{\mgl D}{\lom AZZD6}} (rain), \hbox{\mgl
+MO{\lom L}{\mgl I}{\lom TVA}} (prayer).
+
+
+%Hundreds of Croatian Glagolitic monuments, both handwritten and
+Hundreds of Croatian Glagolitic texts, both handwritten and
+printed, the oldest from the 12th century,
+ are held in national museums in more than $20$ European
+countries, and also in the USA.\footnote{I would like to
+take the opportunity to send an appeal to those readers who maybe
+know of any of the Croatian Glagolitic documents
+held in private possession to inform me.}
+
+% The reader living in New York can see the beuatiful
+ The reader living in New York can see the beautiful
+Croatian Missal from around 1410 in the Pierpont Morgan
+Library (reprinted by the Martin Sagner Verlag, Munich, 1976). In
+%the Congress Library in Washington you can see a sample of
+the Library of Congress in Washington you can see a sample of
+the first Croatian incunabula, printed in 1483
+(unfortunately, it is not known where precisely).
+Six copies are in Croatia, two in the Vatican Library, one
+in the National Library in Vienna (Austria) and one in the
+Saltykov \v S\v cedrin
+Library in St.Petersburg (Russia). It was the first book in
+the history of European printing that was not printed in the
+Latin characters, as well as the first incunabula not printed in the
+Latin language.
+
+Probably the most valuable
+Croatian Glagolitic book is the Missal of Hrvoje (1404), held in
+the Library of Turkish sultans (Topkapi Saray) in Constantinople.
+
+
+
+ It is interesting that a Croat George (Juraj) de Slavonie, or de
+Sorbonne (14/15th century),
+a professor at Sorbonne in
+Paris,
+left us several valuable Glagolitic manuscripts
+written by his hand, held today in
+Municipal Library in Reims (France). One of them contains a prayer
+``Our Father'', on which we would like to illustrate the Croatian
+Glagolitic:
+
+
+\slovo{O}{\mgl cce nass6 izze esi nanebesih6 * sveti se ime
+\tvo e * {\gg\char'005}idi cesars\tv o \tv oe * budi vola \tv oya yako
+nanebesi inaze\ml i * \lower1.33pt\hbox{H}lib nass vsedanni dai
+nam'ga danas i \ot pusti nam' dl'gi nasse *
+\lower1.33pt\hbox{Ya}kozze i mi \ot pusschaem' dl'ge dlzznikom
+nassim6 * i nevavedi nas' v' napast' * \lower1.33pt\hbox{N}a
+iz'bavinas' od ne{\gg\char'005}iyazni} % \char'005=pr
+
+\medskip
+
+%\noindent$\bullet$ In the 16th and 17th century there began
+%to appear some caligraphic Glagolitic letters in Crotian
+\noindent$\bullet$ In the 16th and 17th century
+some calligraphic Glagolitic letters began to appear in Croatian
+printed books:
+$$
+\gather
+\text{
+{\kal A} (A),
+{\kal V} (V),
+{\kal D} (D),
+{\kal Z} (Z),
+{\kal I} (I),}\\
+\text{
+{\kal K} (K),
+{\kal L} (L),
+{\kal M} (M),
+{\kal N} (N),
+{\kal P} (P),}\\
+\text{
+{\kal R} (R),
+{\kal S} (S),
+{\kal H} (H),
+{\kal CC} (\v C).}
+\endgather
+$$
+\medskip
+
+\noindent$\bullet$ There are thousands of
+{\it cursive\/} Glagolitic
+documents, witnessing above all about the Croatian language
+and its very early use in official documents, and about
+ highly organized civil life
+ in the Middle Ages. Probably the
+%most important is the {\it Vinodole Code\/} from 1288. This
+most important is the {\it Vinodol Code\/} from 1288.
+%% bb -- this is the spelling used above
+ Very important
+is the {\it Istarski razvod\/} from
+the 14th century, written in the region of Istria in three
+official copies:
+in the Latin and German languages (in Latin Script), and in
+the
+Croatian language (as was expressly stated), using the
+Glagolitic Script. It defined the borders between different
+rulers in Istria.
+Equally important are the city
+statutes of many Croatian cities written in the Glagolitic, the earliest dating from
+the 14th century. Here is
+a variant of the cursive Croatian Glagolitic
+ (we provide also the angular type for comparison):
+
+\input ttablokurz
+
+\noindent An example: {\kur Darko Zzubrinich}.
+
+\medskip
+
+\noindent$\bullet$ Croatian Cyrillic (also called Bosan\v
+cica or Bosanica)
+ was quite widespread
+%in Bosnia and in the Dalmatian part of Croatia. Its developement
+among the Croats in Bosnia and in the Dalmatian part of Croatia.
+Its development
+can be traced from the 12th to 19th century.
+Here it is:
+
+\input ttablhc
+
+
+%\noindent Probably the most beutiful Croatian Cyrillic book
+\noindent Probably the most beautiful Croatian Cyrillic book
+is the Missal of Hval written in 1400-1404, now held in the University
+Library in Bologna (Italy), reprinted in Sarajevo in 1986.
+\medskip
+
+
+\noindent$\bullet$ There
+%exist more that $66,000$ mysterious tombstone monuments, mostly in
+exist more than $66,000$ mysterious tombstone monuments, mostly in
+%Bosnia-Herzegovina and Croatia, called {\it ste\'cak\/},
+Bosnia-Herzegovina and Croatia, called {\it ste\'cak\/}
+ (13-14th century),
+some of them having short engravings in the
+Croatian Cyrillic Script (e.g.\ ``please do not
+disturb me, I was like you and
+you will be like me''), with interesting and simple border
+%decorations, like:
+decorations, like these:
+\medskip
+\cvijet
+\smallskip
+\kukagd
+\smallskip
+\dvije8
+\smallskip
+\Oo
+
+\medskip
+\noindent dancers:
+$$
+\text{\stechak lkkkkkd}
+$$
+human-like figures:
+$$
+\text{\stechak L\q L\q L}
+$$
+birds:
+$$
+\text{\stechak p q}
+$$
+star-like ornaments:
+$$
+\gather
+\text{\stechak 4\q Z}\\
+\text{\stechak a\q b\q 5}\\
+\text{\stechak i\q j\q e\q f}
+\endgather
+$$
+a circle (or a wheel), a symbol of eternal life:
+$$
+\text{\stechak g\q h\q K}
+$$
+swastika:
+$$
+\text{\stechak s}
+$$
+various crosses:
+$$
+\text{\stechak
+A\q B\q C\q D\q T}
+$$
+The following ornament is frequent:
+$$
+\text{\stechak R P a}\hbox to0pt{\,.\hss}
+$$
+%\noindent These monuments belong to Krstyans, memebers of the Bosnian
+\noindent These monuments belong to Krstyans, members of the Bosnian
+Church, a Christian religious sect about which we still know very
+little.
+
+
+\noindent$\bullet$ Let me finish this article with some of
+the most typical Croatian wattle patterns appearing in
+ our preromanesque churches, built between the 9th and 12th
+ century. From
+ about $300$ preromanesque Croatian
+ churches only $15$ are well preserved. The most widespread
+ wattle pattern is
+$$
+\text{\pleter 1eeeeeeeeeeeeeeeeee2}
+$$
+\noindent Of course, it is composed of {\pleter 1 e e 2}.
+Somewhat more complex
+patterns are:
+%\centerline{\plet ommp}
+$$
+\gather
+\text{\ple a}\\
+\vbox to1mm{}\\
+\text{\plet srrt}
+\endgather
+$$
+
+%\noindent Additional informations about the Croatian Glagolitic can be
+\noindent Additional information about Croatian Glagolitic can be
+seen at the URL:
+$$
+\text{\tt http://www.tel.fer.hr/hrvatska/Croatia-HCS.html}
+$$
+%(see ``Croatia -- its History, Culture and Science'').
+All the fonts appearing in this article will be available
+ freely via the WWW on the CTAN web.
+%see {\tt croatian}).
+All ligatures and fonts are defined in the file {\tt llig.tex} of the
+package.
+ The angular glagolitic font is activated by
+{\tt$\backslash$mgl} (a slightly larger version can be obtained using
+{\tt$\backslash$ngl}).
+If one wants to use glagolitic
+ligatures, the definition list in {\tt llig.tex} should be
+consulted. For example, to obtain {\mgl\ml} (ml) one has to write
+{\tt$\backslash$mgl$\backslash$ml}. Other fonts are
+activated in a similar way (they contain no glagolitic
+ligatures): {\tt$\backslash$obl} (round glagolitic,
+{\tt$\backslash$nobl} is a bit larger),
+{\tt$\backslash$bass} (Baska tablet),
+{\tt$\backslash$kur} (cursive),
+{\tt$\backslash$kal} (caligraphic),
+{\tt$\backslash$lom} (Baromich broken ligatures)
+{\tt$\backslash$hc} (Croatian Cyrillic),
+and several wattle
+patterns are activated by
+{\tt$\backslash$ple},
+{\tt$\backslash$plet},
+{\tt$\backslash$pleter}.
+In general, glagolitic letters corresponding to {\it \v c, \v z,
+\v s, \'c (\v s\'c, \v st)} are encoded in \TeX\ ligtables as {\tt cc,
+zz, ss, ch} respectively. More precisely, \hbox{{\mgl cc}} is
+obtained from {\tt$\backslash$mgl cc}.
+Capital letters are obtained by using CC (or Cc) etc.
+Using {\tt cx} you can obtain yet another version of the
+angular \v c: \hbox{{\mgl cx}}.
+The so-called `djerv' is obtained by typing {\tt j} (or {\tt
+J}) in the
+round glagolitic. In the angular form the following two version of the
+`djerv' can be obtained:
+ {\mgl j} ({\tt j}) and \hbox{{\mgl dd}} ({\tt dd}).
+ `Yat' -- \hbox{\mobl ya}, \hbox{\mgl ya} -- appearing in round and angular
+ glagolitic can be obtained using {\tt ya} (or {\tt YA,
+ Ya}).
+ Moreover, if `yat' is to be read as `ye' (which is the
+ case when it
+ appears after a consonant), then you can use {\tt ye} as
+ well.
+ The letter `yu' {\mgl yu} is obtained by typing {\tt yu},
+ `izze' ({\obl y}, {\mgl y}) by typing {\tt y}.
+ The same for the Croatian cyrillic. Two versions of
+ very frequently used {\it Croatian semivowels\/} can be obtained:
+ either by typing apostrophe {\tt '} (`yerok'; for example
+ in {\mgl bog'} - God) or
+ {\tt6} (`yer'; {\mgl bog6}). Definitions of semivowels
+ `yer' and `yor' and other letters (like
+{\mobl\char'003, \char'005}) appearing in some oldest Croatian and Bulgarian --
+ Macedonian documents written in the round glagolitic
+ can be seen in metafont files {\tt oblm.mf} and {\tt
+ oblv.mf}, that are inputted in {\tt obl.mf} - a round glagolitic
+ metafont file.
+
+As you see, an appropriate
+hypenation table is necessary to prevent line breaking
+between pairs of letters like {\tt cc, zz, ss, ch, dd,
+ya, ye,} and it has been
+included to the Croatian font package too ({\tt
+glhypehn.tex}). The table also
+incorporates some basic
+hypenation rules of the Croatian language.
+Definition
+names of many other symbols appearing in various fonts can be seen
+by looking into source files accompaning this text.
+
+%In the case you use Croatian fonts, I would deeply appreciate
+%to inform me.
+ If you should use Croatian fonts, I would deeply appreciate
+if you would inform me.
+
+
+
+\medskip
+
+\noindent{\bf References}
+
+
+\item{[1]} Eduard Hercigonja: {\it Tropismena i trojezi\v cna
+kultura hrvatskoga srednjovjekovlja\/} (Three-script and
+three-language culture of the Croatian Middle Ages), Matica
+hrvatska, Zagreb, 1994 (in Croatian),
+
+\item{[2]} Darko \v Zubrini\'c: {\it The exotic Croatian
+Glagolitic Alphabet\/}, TUGboat, Vol 13, No 4, 1992, p.\
+470--471.
+
+
+\makesignature
+\endarticle
+
diff --git a/Master/texmf-dist/doc/fonts/croatian/readme.txt b/Master/texmf-dist/doc/fonts/croatian/readme.txt
new file mode 100644
index 00000000000..6b6abb5930f
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/croatian/readme.txt
@@ -0,0 +1,107 @@
+
+C R O A T I A N F O N T S
+
+The basic file is crogl.tex, containing my article ``Croatian
+fonts'', accompanied by several files with tables.
+There you can see how to use these fonts.
+
+The definitions of fonts and ligatures are contained in
+llig.tex, which should always be inputed in a tex file.
+In the case you use Croatian fonts for your own books
+or articles, I would appreciate a mention.
+
+The following files should be metafonted:
+
+====================================================
+
+ANGULAR GLAGOLITIC
+
+ugl10 (angular glagolitic, 10pt) activated by \mgl
+ugl (12pt) activated by \ngl
+ugve (large)
+
+ANGULAR GLAGOLITIC LIGATURES (about 60)
+
+gg10 (10pt)
+gg (12pt)
+ggv (large)
+ggv1 (large)
+
+ These ligatures are activated also by \ugl or \ngl.
+ See the definition list of various ligatures in
+ llig.tex (for example, to get the `ml' glagolitic
+ ligature, you should write {\mgl\ml}).
+
+ROUND GLAGOLITIC
+
+obl10 (10pt) activated by \mobl
+obl (12pt) activated by \obl
+
+BASKA TABLET STYLE
+
+bass10 (10pt) activated by \bass
+bass (12pt) activated by \bassv
+
+BAROMICH BROKEN LIGATURES
+
+lom (10pt) activated by \lom
+
+CURSIVE CROATIAN GLAGOLITIC
+
+kur (10pt) activated by \kur
+
+SEVERAL CALYGRAPHIC LETTERS
+
+cal (12pt) activated by \kal
+
+CROATIAN CYRILLIC (bosancica)
+
+hcyr (10pt) activated by \hc
+
+CROATIAN WATTLE PATERNS
+
+pleter activated by \pleter
+plet activated by \plet
+ple activated by \ple
+
+
+ A standard way to use \pleter is to write
+ {\pleter 1eeeeeee2}. In this way you can obtain a very nice
+ headline composed of the Croatian wattle. You can also
+ compose vertical patterns.
+
+ To use \plet you write {\plet srrrt} to obtain a rather
+ complex wattle.
+
+ The ple.mf contains only one symbol ``a'' (a rather complex
+ circular wattle pattern): {\ple a}
+
+STECHAK ORNAMENTS
+
+stechak
+
+ For example, see what happens when you write
+ {\stechak NNNNNNNN}
+
+====================================================
+
+
+Additional informations can be obtained at the end of my
+article glcro.tex, accepted for publication in TUG (March
+1996).
+
+Finally, I would be free to inform you that I prepared a
+book ``Hrvatska glagoljica'', devoted to the history of
+the glagolitic script (``Croatian glagolitic'', written
+in Croatian), 414 p. (A5 format). It is planned to be
+published in March 1996.
+
+Best wishes,
+
+Darko Zubrinic,
+Faculty of Electrical Engineering and Computing
+Av. Vukovar 39, Zagreb, Croatia
+
+e-mail: darko.zubrinic@fer.hr
+http://www.tel.fer.hr/hrvatska/Croatia-HCS.html
+
diff --git a/Master/texmf-dist/doc/fonts/cryst/cryst.ger b/Master/texmf-dist/doc/fonts/cryst/cryst.ger
new file mode 100644
index 00000000000..a5d09d929e2
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/cryst/cryst.ger
@@ -0,0 +1,100 @@
+=========================================================================
+Datei CRYST.GER
+=========================================================================
+TeX-ZEICHENSATZ (Fonts)
+CRYST
+ZUM DRUCK DER BILDSYMBOLE FUER SYMMETRIEELEMENTE IN DER KRISTALLOGRAPHIE
+=========================================================================
+Version 1.
+19. Juli 1999
+
+von Ulrich Mueller, Fachbereich Chemie, Universitaet Marburg
+=========================================================================
+
+Anleitung zur Installation der Schriftzeichen
+
+-------------------------------------------------------------------------
+
+Zur Bearbeitung benoetigen TeX und LaTeX die Datei CRYST.TFM (TeX Font Metrics),
+die in das Standard-Directory zu kopieren ist, wo TeX die TFM-Dateien erwartet.
+Unter UNIX ist das gewoehnlich .../tex/fonts/tfm (z.B.
+/usr/local/lib/tex/fonts/tfm). Fuer emTeX auf PC-Rechner
+(unter DOS) wird im Directory \emtex\tfm das Unterdirectory
+\emtex\tfm\cryst eingerichtet und CRYST.TFM dorthin kopiert.
+
+Bei Verwendung des Zeichsatz-Auswahlverfahrens NFSS fuer LaTeX2e wird auch
+die Datei UCRYS.FD benoetigt, die in das entsprechende Directory zu kopieren
+ist. Unter UNIX ist das zum Beipiel .../tex/fonts/fd, fuer emTeX ist es
+\emtex\texinput\latex2e.
+
+Zum Drucken wird die Pixel-Datei ( .PK-Datei) benoetigt, die der gewuenschten
+Schriftgroesse, Druckeraufloesung und dem Druckertyp angepasst sein muss.
+
+Unter UNIX haben die Pixel-Dateien die Namen CRYST.nnnPK, wobei nnn eine Zahl
+ist, welche die Druckeraufloesung in dpi (dots per inch) mal Vergroesserungs-
+faktor angibt; z.B. CRYST.300PK fuer 300 dpi und Vergroesserung 1.0 oder
+CRYST.864PK fuer 600 dpi und Verfgroesserungsfaktor 1.44. Die Dateien
+CRYST.nnnPK muessen dorthin kopiert werden, wo TeX diese Dateien erwartet,
+gewoehnlich im Directory .../tex/fonts/pk.
+
+Unter DOS wird fuer jede Vergroesserungs-mal-Aufloesungsstufe nnn ein
+eigenes Unterdirectory angelegt und die zugehoerige CRYST.PK-Datei unter
+diesem Namen dorthin kopiert. Bei emTeX stehen sie je nach Druckertyp in
+Directories wie
+\texfonts\pixel.lj\nnnDPI (fuer LaserJet mit 300 dpi) oder
+\texfonts\pixel.ljh\nnnDPI (fuer LaserJet mit 600 dpi).
+
+Am bequemsten ist es, wenn die Erzeugung und Speicherung einer fehlenden
+.PK-Datei vom Druckertreiber selbst veranlasst wird, indem er bei Bedarf
+Metafont aufruft. Bei den Druckertreibern von emTeX (z.B. PRTHPLJ) ist das der
+Fall. Dazu muss die Datei CRYST.MF vorher in das zugehoerige Directory kopiert
+worden sein, bei UNIX z.B. in .../mf/inputs oder bei emTeX in \emtex\mfinput.
+
+Vorgehensweise, um die Dateien CRYST.TFM und CRYST.nnnPK bzw. CRYST.PK selbst
+zu erzeugen:
+
+Benoetigt wird die Datei CRYST.MF, die Programme Metafont (MF.EXE oder
+MF386.EXE) und GFtoPK und die Datei PLAIN.BAS, die bei emTeX im Directory
+\emtex\mfbases oder \emtex\bmfbases steht. PLAIN.BAS ist gegebenenfalls in das
+Directory zu kopieren, in dem die Bearbeitung erfolgt.
+Der Aufruf erfolgt durch
+
+MF '\mode=localfont; mag=n.nn; input cryst' (unter UNIX)
+bzw.
+MF386 \mode=localfont; mag=n.nn; input cryst (unter DOS)
+(evtl. MF anstelle von MF386).
+
+Fuer n.nn wird die gewuenschte Vergroesserungsstufe angegeben, z.B. 1.00
+oder 1.44 (sinnvollerweise sollte man die bei TeX ueblichen
+Vergroesserungsstufen (magstep-Stufen) waehlen, d.h. Potenzen von 1.20).
+\mode=localfont setzt voraus, dass ein bestimmter Druckertyp voreingestellt
+ist. Fuer andere Druckertypen (oder wenn keiner voreingestellt ist)
+setzt man den Druckertyp und [optional] die Aufloesung in dpi, z.B.
+\mode=laserjet[300]. Es koennen nur Druckernamen
+verwendet werden, die dem System bekannt sind. Welche das sind, geht aus der
+Datei modes.mf (die zu Metafont gehoert) hervor; bei emTeX heisst diese Datei
+local.mf, sie steht im Directory \emtex\mfinput\etc .
+
+Waehrend Metafont laeuft, protokolliert es die erzeugten Zeichen als
+Symbol-Nummern, [0] [10] ....
+Neben einer Protokolldatei CRYST.LOG werden zwei Dateien erzeugt,
+
+CRYST.TFM und
+CRYST.nnnGF (UNIX) bzw. CRYST.nnn (DOS).
+
+Falls nicht schon geschehen, wird CRYST.TFM in das entsprechende Directoty
+kopiert (siehe oben). Diese Datei ist fuer alle Vergroesserungsstufen und
+Druckertypen dieselbe, braucht also nur ein- fuer allemal kopiert zu werden.
+
+Aus der GF-Datei (generic font) CRYST.nnnGF bzw. CRYST.nnn wird eine
+.PK-Datei erzeugt durch Aufruf von
+
+gftopk CRYST.nnnPK (UNIX)
+bzw. gftopk CRYST.nnn (DOS).
+
+Die entstandene Datei CRYST.nnnPK bzw. CRYST.PK wird in das zugehoerige
+Directory kopiert (siehe oben).
+
+Zur Verwendung der Schriftzeichen in einem TeX-Dokument siehe die LaTeX-Datei
+CRYST.TEX oder die daraus erzeugte Datei CRYST.DVI. LaTeX erfordert fuer die
+Bearbeitung von CRYST.TEX, dass die CRYST-Schriftzeichen verfuegbar sind.
diff --git a/Master/texmf-dist/doc/fonts/cryst/cryst.tex b/Master/texmf-dist/doc/fonts/cryst/cryst.tex
new file mode 100644
index 00000000000..aa195cf27fa
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/cryst/cryst.tex
@@ -0,0 +1,240 @@
+% Zeichensatz (Fonts) CRYST zum Druck der bildlichen Symbole fuer
+% Symmetrieelemente in der Kristallographie
+%
+% Ulrich Mueller
+% Fachbereich Chemie, Universitaet Marburg
+% D-43032 Marburg
+%
+% Fassung 1.
+% 19. Juli 1999
+%
+% Die LaTeX-Bearbeitung dieses Dokuments setzt voraus, dass der Zeichensatz
+% CRYST bereits verfuegbar sind.
+% Wie der Zeichnsatz verfuegbar gemacht wird und wie er mit Metafont
+% aus der Datei CRYST.MF erzeugt werden kann siehe in der Datei CRYST.GER.
+%
+% Dieses Dokument beschreibt, wie die Symmetriesymbole in ein LaTeX-Dokument
+% eingebunden werden koennen und zeigt, wie sie aussehen.
+%
+\documentclass[12pt]{article}
+\usepackage{german}
+\setlength{\parindent}{0mm}
+\setlength{\textwidth}{162mm}
+\setlength{\textheight}{245mm}
+\setlength{\unitlength}{1cm}
+\setlength{\parskip}{3pt plus 3pt minus 1pt}
+\setlength{\topsep}{2pt plus 2pt}
+\setlength{\partopsep}{0pt plus 2pt}
+\setlength{\parsep}{2pt plus 2pt}
+\setlength{\topmargin}{-24mm}
+\setlength{\evensidemargin}{4mm}
+\setlength{\oddsidemargin}{4mm}
+\renewcommand{\arraystretch}{1.3}
+\newfont{\kris}{cryst}
+\newfont{\crys}{cryst scaled 1200}
+\newfont{\Crys}{cryst scaled 1440}
+\newfont{\CRys}{cryst scaled 1728}
+\newfont{\CRYs}{cryst scaled 2074}
+\newcommand{\cry}[1]{\mbox{\crys\symbol{#1}}}
+\newcommand{\Cry}[1]{\mbox{\Crys\symbol{#1}}}
+\sloppy
+
+\begin{document}
+\vspace*{12pt}
+\begin{center}
+{\Large \TeX -Zeichsatz (Fonts) CRYST zum Druck der Bildsymbole f"ur
+ Symmetrieelemente in der Kristallographie}
+
+\vskip10pt
+\textsc{Ulrich M\"uller}\\
+Fachbereich Chemie, Universit"at Marburg\\
+D-35032 Marburg
+\end{center}
+
+\vskip12pt
+Der \TeX -Zeichensatz \textsf{CRYST} stellt die Bildsymbole zur Verf"ugung,
+die in der Kristallographie f"ur Symmetrieelemente gebr"auchlich sind.
+Jedes Symmetriesymbol entspricht einem Schriftzeichen (Font).
+
+Die Zeichen stehen als \textsf{\small METAFONT}-Datei \texttt{CRYST.MF} zur Verf"ugung.
+Mit dem Programm \textsf{\small METAFONT} k"onnen sie in beliebiger Gr"o"se und f"ur
+beliebige Drucker erzeugt werden. Zur Einbindung in ein \TeX{}- oder
+\LaTeX -Dokument mu"s vorher die Datei \texttt{CRYST.TFM} (TeX font metric)
+vorhanden sein. Zum Drucken selbst mu"s die Datei \texttt{CRYST.PK} f"ur die
+gew"unschte Schriftgr"o"se und Druckeraufl"osung und f"ur den Druckertyp
+verf"ugbar sein. Eine Anleitung zur Erzeugung und Installation dieser Dateien
+findet sich in der Datei \texttt{CRYST.GER}.
+
+\vskip6pt
+Um die Zeichen einzubinden, gibt es zwei M"oglichkeiten:
+
+\vskip6pt
+\textbf{1.} Das bei \LaTeXe{} "ubliche Auswahlverfahren \textsf{NFSS}
+f"ur Zeichens"atze erfordert die Datei \texttt{UCRYS.FD}, die in dem
+Directory unterzubringen ist, wo \TeX{} die \texttt{.FD}-Dateien erwartet.
+Anstelle der Datei \texttt{UCRYS.FD} kann im Dokumentenvorspann die Befehlsfolge
+stehen: \\[6pt]
+\texttt{\symbol{92}DeclareFontFamily\{U\}\{crys\}\{\symbol{92}hyphenchar\symbol{92}font=-1\}}\\
+\texttt{\symbol{92}DeclareFontShape\{U\}\{crys\}\{m\}\{n\}\{%
+ <9> <10> <10.95> <12> <14.4> <17.28> <20.74> <24.88> cryst\}\{\}} \\[6pt]
+Bei skalierbaren Post-Script Druckern oder wenn der Druckertreiber
+bei Bedarf durch Aufruf von \textsf{\small METAFONT} Zeichens"atze generiert,
+kann der letztgenannte Befehl auch\\[6pt]
+\texttt{\symbol{92}DeclareFontShape\{U\}\{crys\}\{m\}\{n\}\{ <-> cryst\}\{\}} \\[6pt]
+lauten. Au"serdem wird in jedem Fall im Vorspann des Dokuments der Befehl\\[6pt]
+\texttt{\symbol{92}newcommand\{\symbol{92}crys\}\{\symbol{92}usefont\{U\}\{crys\}\{m\}\{n\}\}}\\[6pt]
+ben"otigt. Die Zeichengr"o"se wird durch
+Gr"o"senbefehle wie \texttt{\symbol{92}Large} gesteuert.
+
+\vskip6pt
+\textbf{2.} Die Befehlsfolge nach der "alteren Version \LaTeX 2.09 ist auch mit
+\LaTeXe{} anwendbar. Im Vorspann des Dokuments wird der Befehl\\[6pt]
+\texttt{\symbol{92}newfont\{\symbol{92}}\emph{Name}\texttt{\}\{cryst scaled} $nnnn$\}\\[6pt]
+aufgenommen (f"ur 10 pt-Schrift kann der Zusatz \texttt{scaled} $nnnn$ entfallen).
+Werden die Symbole in verschiedenen Gr"o"sen ben"otigt,
+so sind mehrere dieser Befehle vonn"oten. Gr"o"senbefehle
+(\texttt{\symbol{92}Large} usw.) sind ohne Wirkung.
+Zum Beispiel stellen die Befehle\\[6pt]
+\texttt{\symbol{92}newfont\{\symbol{92}cry\}\{cryst\} \\
+\symbol{92}newfont\{\symbol{92}Cry\}\{cryst scaled 1200\} \\
+\symbol{92}newfont\{\symbol{92}CRY\}\{cryst scaled 1440\} }\\[6pt]
+die Symmetriesymbole in den Gr"o"sen 10, 12 und 14 pt unter den Schriftartnamen
+\texttt{\symbol{92}cry}, \texttt{\symbol{92}Cry} und \texttt{\symbol{92}CRY} zur Verf"ugung.
+Anmerkung: man verwende f"ur die Schriftarten keine Bezeichnungen, die Ziffern
+enthalten, z.B. \texttt{cry14} anstelle von \texttt{CRY}, da \TeX{} nach seinen
+internen Namenskonventionen sonst nach entsprechend bezeichneten
+Schrifttypen sucht (und nicht findet, womit die weitere Bearbeitung
+unm"oglich wird).
+
+\vskip12pt
+\textbf{Erzeugung von Symmetriesymbolen im Text}\\[6pt]
+Ein Symmetriesymbol entsteht im Dokument mit dem Befehl
+\texttt{\symbol{92}symbol\{$n$\}} nachdem die zuvor definierte Schriftart gew"ahlt
+wurde. $n$ steht f"ur die Nummer des Symbols in der Liste der Symbole.
+Der Befehl\\[6pt]
+\texttt{\{\symbol{92}Cry\symbol{92}symbol\{41\}\}} \\[6pt]
+erzeugt zum Beispiel das
+Zeichen \cry{41} in 12 pt-Schrift, falls im Vorspann \texttt{\symbol{92}Cry}
+wie oben durch
+\texttt{\symbol{92}newfont\{\symbol{92}Cry\}\{cryst scaled 1200\}}
+definiert wurde. Bei Verwendung des \textsf{NFSS}-Auswahlverfahrens
+lautet der Befehl\\[6pt]
+\texttt{\{\symbol{92}crys\symbol{92}symbol\{41\}\}} \\[6pt]
+und das Symmetriesymbol erscheint in der gerade aktuellen Schriftgr"o"se.
+Der Befehl sollte zwischen geschweiften Klammern
+stehen; werden sie weggelassen, so erscheinen im gesamten folgenden Text
+Symmetriesymbole anstelle von normalen Schriftzeichen.
+
+Zur Arbeitserleichterung kann man im Vorspann auch
+neue Kommandos definieren, etwa nach dem Muster\\[6pt]
+\texttt{\symbol{92}newfont\{\symbol{92}Cry\}\{cryst scaled 1200\}\\
+\symbol{92}newcommand\{\symbol{92}Symm\}[1]\{\symbol{92}mbox\{\symbol{92}Cry\symbol{92}symbol\{\#1\}\}\}%
+}\\[6pt]
+Der Befehl \texttt{\symbol{92}Symm\{41\}} erzeugt dann das Symmetriesymbol Nr. 41
+in 12 pt-Schrift, also \cry{41}\,. Dieser Befehl braucht nicht in geschweifte
+Klammern eingeschlossen zu werden.
+
+Will man die Symbole in einer \texttt{\symbol{92}picture}-Umgebung verwenden, so
+sollte man sie mit \texttt{\symbol{92}put(}$x,y$\texttt{)\{\symbol{92}makebox(0,0)}[\emph{Pos}]\{...\}\}-Befehlen
+positionieren. Der optionale Parameter [\emph{Pos}] entf"allt, wenn das
+Symbol in der Position $x,y$ zentriert werden soll.
+
+Bei den Symbolen f"ur schr"ag zur Papierebene geneigten Symmetrieelementen,
+wie sie bei kubischen Raumgruppen verwendet werden, z.B. \ \cry{103} oder
+\cry{121}\,, und bei den Pfeilen, die zweiz"ahlige Achsen parallel zur
+Papierebene bezeichnen, zum Beispiel \cry{37}\,, sollte sich die
+Positionierung am Angelpunkt ausrichten, d.h. am Kringel, am schwarzen Punkt
+oder am Pfeilende, wobei je nach dessen Lage die Positionier-Parameter
+\texttt{t}, \texttt{b}, \texttt{l}, \texttt{r} f"ur \emph{Pos} im
+\texttt{\symbol{92}makebox}-Befehl verwendet werden, zum Beispiel:
+
+\begin{picture}(16,2.2)(0,-0.40)
+\put(5,1){\line(1,0){8.5}}
+\multiput(2.5,0.5)(1.5,0){2}{\line(0,1){1}}
+\multiput(8.5,0.5)(1.5,0){4}{\line(0,1){1}}
+\put(2.5,1){\makebox(0,0)[l]{\Cry{102}}}
+\put(4.0,1){\makebox(0,0)[r]{\Cry{121}}}
+\put(5.5,1){\makebox(0,0)[t]{\Cry{157}}}
+\put(7.0,1){\makebox(0,0)[b]{\Cry{221}}}
+\put(8.5,1){\makebox(0,0)[tl]{\Cry{103}}}
+\put(10,1){\makebox(0,0)[bl]{\Cry{223}}}
+\put(11.5,1){\makebox(0,0)[br]{\Cry{77}}}
+\put(13,1){\makebox(0,0)[tr]{\Cry{129}}}
+\put(0.5,0){\makebox(0,0)[bl]{\emph{Pos} =}}
+\put(2.5,0){\makebox(0,0)[b]{\texttt{l}}}
+\put(4.0,0){\makebox(0,0)[b]{\texttt{r}}}
+\put(5.5,0){\makebox(0,0)[b]{\texttt{t}}}
+\put(7.0,0){\makebox(0,0)[b]{\texttt{b}}}
+\put(8.5,0){\makebox(0,0)[b]{\texttt{tl}}}
+\put(10,0){\makebox(0,0)[b]{\texttt{bl}}}
+\put(11.5,0){\makebox(0,0)[b]{\texttt{br}}}
+\put(13,0){\makebox(0,0)[b]{\texttt{tr}}}
+\end{picture}
+
+Die Symbole sind mit Symbol-Nummern bezeichnet, die im Zeichensatz \texttt{cryst}
+die Bedeutung gem"a"s der Tabelle auf der n"achsten Seite haben.
+
+Die Nummern f"ur die einfachen Symbole sprechen f"ur sich selbst, zum Beispiel
+4 f"ur eine vierz"ahlige Drehachse oder 32 f"ur eine $3_2$-Achse. Kommt ein
+Inversionszentrum hinzu, so ist eine 0 angeh"angt (Ausnahme: $6_3/m$ hat die Nummer 66). Die "ubrigen Symbole
+sind etwas komplizierter (wegen der Beschr"ankung
+der Symbolnummern auf die Zahlen 0 bis 255). Symbole mit einem Angelpunkt
+(wie in obigem Bild) haben dreistellige Nummern, die mit 1 oder 2 beginnen;
+1 wenn die Achse in der Projektion auf das Papier horizontal oder von links
+oben nach rechts unten verl"auft; 2 wenn sie vertikal oder von rechts oben
+nach links unten verl"auft. Die Symbole Nr. 0 und Nr. 10 (Inversionspunkt)
+unterscheiden sich geringf"ugig in ihrer Gr"o"se.
+
+Die Nummern der Pfeile f"ur $2_1$-Achsen enden auf 5 und 7, die f"ur 2-Achsen auf 8
+und 9.
+Die Pfeilrichtung entspricht dem Neigungswinkel, ausgedr"uckt in aufgerundeten
+Vielfachen von $10\pi$: $30^\circ\!$ = 0,166$\pi \Rightarrow 10\cdot$0,166
+$\Rightarrow 2;$ $150^\circ\!$ = 0,833$\pi \Rightarrow 10\cdot$0,833 $\Rightarrow 9$.
+Die Zahl ist der 5,7, 8 oder 9
+vorangestellt. Die verf"ugbaren Neigungen der Pfeile sind Vielfache von
+$30^\circ$ und $45^\circ$.
+
+\vskip12pt
+\tabcolsep1.0mm
+
+\begin{tabular}{@{}c@{}r@{\hspace{5mm}}c@{}r@{\hspace{5mm}}c@{}r@{\hspace{5mm}}%
+c@{}r@{\hspace{5mm}}c@{}r@{\hspace{5mm}}c@{}r@{\hspace{5mm}}c@{}r}
+\small Symbol&\small Nr.&\small Symbol&\small Nr. &\small Symbol&\small Nr. %
+&\small Symbol&\small Nr. &\small Symbol&\small Nr. &\small Symbol&\small Nr. &\small Symbol&\small Nr. \\
+\cry{0}&0 &\cry{3}&3 &\cry{4}&4 & \cry{43}&43 & \cry{5}&5 & \cry{7}&7 & \cry{8}&8 \\
+\cry{10}&10 &\cry{30}&30 &\cry{40}&40 & \cry{83}&83 & \cry{25}&25 & \cry{27}&27 & \cry{28}&28 \\
+\cry{2}&2 &\cry{133}&133 &\cry{44}&44 & \cry{143}&143 & \cry{35}&35 & \cry{37}&37 & \cry{38}&38\\
+\cry{20}&20 &\cry{233}&233 &\cry{140}&140 & \cry{243}&243 & \cry{45}&45 & \cry{47}&47 & \cry{48}&48\\
+\cry{12}&12 &\cry{136}&136&\cry{104}&104 & \cry{15}&15 & \cry{55}&55 & \cry{57}&57& \cry{58}&58\\
+\cry{102}&102 &\cry{236}&236 &\cry{204}&204 & \cry{50}&50 & \cry{75}&75 & \cry{77}&77 & \cry{78}&78\\
+\cry{120}&120 &\cry{103}&103 &\cry{24}&24 & \cry{6}&6 & \cry{85}&85 & \cry{87}&87& \cry{88}&88\\
+\cry{22}&22 &\cry{203}&203 &\cry{84}& 84 & \cry{60}&60 & \cry{95}&95 & \cry{97}&97 & \cry{98}&98\\
+\cry{202}&202 &\cry{130}&130 &\cry{124}&124 & \cry{36}&36 & \cry{105}&105 & \cry{107}&107 & \cry{108}&108\\
+\cry{220}&220 &\cry{230}&230 &\cry{224}&224 & \cry{61}&61 & \cry{125}&125 & \cry{127}&127 & \cry{128}&128\\
+\cry{21}&21 & \cry{31}&31 &\cry{41}&41 & \cry{62}&62 & \cry{135}&135 & \cry{137}&137& \cry{138}&138\\
+\cry{210}&210 &\cry{113}&113 &\cry{81}&81 & \cry{63}&63 & \cry{145}&145 & \cry{147}&147 & \cry{148}&148\\
+\cry{112}&112 &\cry{213}&213 &\cry{141}&141 & \cry{66}&66 & \cry{155}&155 & \cry{157}&157 & \cry{158}&158\\
+\cry{121}&121 &\cry{131}&131 &\cry{241}&241 &\cry{64}&64& \cry{175}&175& \cry{177}&177& \cry{178}&178\\
+\cry{212}&212 &\cry{231}&231 &\cry{42}&42 &\cry{65}&65 & \cry{185}&185& \cry{187}&187& \cry{188}&188\\
+\cry{221}&221 & \cry{32}&32 &\cry{82}& 82 &&& \cry{195}&195& \cry{197}&197& \cry{198}&198\\
+&& \cry{123}&123 & \cry{240}&240 & \cry{9}&9 & \cry{59}&59 & \cry{109}&109 & \cry{159}&159 \\
+&& \cry{223}&223 & \cry{80}&80 & \cry{29}&29 & \cry{79}&79 & \cry{129}&129 & \cry{179}&179 \\
+&& \cry{132}&132 & \cry{142}&142 &\cry{39}&39 & \cry{89}&89 & \cry{139}&139 & \cry{189}&189 \\
+&& \cry{232}&232 & \cry{242}&242 & \cry{49}&49 & \cry{99}&99 & \cry{149}&149 & \cry{199}&199
+\end{tabular}
+
+\vskip12pt
+Beispiele f"ur Schriftg"o"sen:\\[6pt]
+1000 \qquad {\kris\symbol{20}\quad\symbol{21}\quad\symbol{3}\quad\symbol{113}\quad\symbol{43}%
+\quad\symbol{36}\quad\symbol{95}\quad\symbol{57}\quad\symbol{189}}\\[4pt]
+1200 \qquad {\crys\symbol{20}\quad\symbol{21}\quad\symbol{3}\quad\symbol{113}\quad\symbol{43}%
+\quad\symbol{36}\quad\symbol{95}\quad\symbol{57}\quad\symbol{189}}\\[5pt]
+1440 \qquad {\Crys\symbol{20}\quad\symbol{21}\quad\symbol{3}\quad\symbol{113}\quad\symbol{43}%
+\quad\symbol{36}\quad\symbol{95}\quad\symbol{57}\quad\symbol{189}}\\[6pt]
+1728 \qquad {\CRys\symbol{20}\quad\symbol{21}\quad\symbol{3}\quad\symbol{113}\quad\symbol{43}%
+\quad\symbol{36}\quad\symbol{95}\quad\symbol{57}\quad\symbol{189}}\\[7pt]
+2074 \qquad {\CRYs\symbol{20}\quad\symbol{21}\quad\symbol{3}\quad\symbol{113}\quad\symbol{43}%
+\quad\symbol{36}\quad\symbol{95}\quad\symbol{57}\quad\symbol{189}}
+
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/dice/dice3d.tex b/Master/texmf-dist/doc/fonts/dice/dice3d.tex
new file mode 100644
index 00000000000..aceda6cfd4d
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/dice/dice3d.tex
@@ -0,0 +1,46 @@
+% DICE3D.TEX
+%
+% a short demo on the usage of the DICE3D font
+%
+% Thomas A Heim (1998)
+%
+% LICENSE: LPPL
+%
+\documentclass{article}
+\addtolength{\textwidth}{1cm}
+\addtolength{\oddsidemargin}{-5mm}
+\addtolength{\evensidemargin}{-5mm}
+ \newfont\dice{dice3d}
+\pagestyle{empty}
+\begin{document}
+\section*{Dicey font}
+Plain 2D-like faces with the appropriate number of dots are obtained
+with the characters `1' through `6' in the font \verb+dice3d+.
+For an authentic 3D-look, we use the fact that for `good' dice the
+point total on opposing faces is always 7. Therefore, if face $n$ is
+up, there are only four possible values $m$ on the front. Furthermore,
+assuming identical dice throughout, the value on the right side is
+fixed once the values on the top and front are specified. Thus, we end up
+with 24 different 3D arrangement of the dots / faces. In the font,
+these are mapped to the letters `a' through `x'. In order to simplify
+the usage, the 3D dice are accessible using \emph{ligatures}, based on the
+following principle: A number from `1' to `6' determines the value on
+the top face, and a letter (appended without a space) from `a' to `d'
+determines the value on the front face, ordered according to increasing
+value. Alternatively, the value on the front face could be indicated
+directly with a letter from `a' to `f'. This can be achieved by changing
+the ligature tables appropriately (at the end of file \verb+dice3d.mf+).
+
+\subsection*{Example (at 30pt size)}
+\begin{flushleft}
+{\dice 123456} \\
+produced with \verb+{\dice 123456}+ \\[2ex]
+{\dice 1a 1b 1c 1d 2a 2b 2c 2d} \\
+produced with \verb+{\dice 1a 1b 1c 1d 2a 2b 2c 2d}+ \\[2ex]
+{\dice 3a 3b 3c 3d 4a 4b 4c 4d} \\
+produced with \verb+{\dice 3a 3b 3c 3d 4a 4b 4c 4d}+ \\[2ex]
+{\dice 5a 5b 5c 5d 6a 6b 6c 6d} \\
+produced with \verb+{\dice 5a 5b 5c 5d 6a 6b 6c 6d}+
+\end{flushleft}
+\end{document}
+
diff --git a/Master/texmf-dist/doc/fonts/doublestroke/dsdoc.tex b/Master/texmf-dist/doc/fonts/doublestroke/dsdoc.tex
new file mode 100644
index 00000000000..9c6b3b4e9bd
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/doublestroke/dsdoc.tex
@@ -0,0 +1,347 @@
+\documentclass[a4paper]{article}
+\usepackage{dsfont}
+
+% We need both the roman and the sans serif version of
+% the font in this document for example purposes.
+% Do not do this at home, unless you really know why.
+% Chances are you will not end up with a
+% masterpiece of digital typography.
+\DeclareMathAlphabet{\varmathds}{U}{dsss}{m}{n}
+
+\newcommand{\MF}{\textsf{Metafont}}
+
+\begin{document}
+
+\title{\bf The Doublestroke Font V1.111}
+
+\author{Olaf Kummer}
+
+\maketitle
+
+\section{Introduction}
+
+This font is useful for typesetting the mathematical
+symbols for the natural numbers ($\mathds{N}$),
+whole numbers ($\mathds{Z}$), rational numbers ($\mathds{Q}$),
+real numbers ($\mathds{R}$), complex numbers ($\mathds{C}$),
+and a couple of others which are sometimes needed.
+
+The easiest possibility to represent these sets using
+\TeX{} is to use boldface, where you get $\mathbf{N}$
+after entering \verb:$\mathbf{N}$:.
+
+Then one can assemble the glyphs from
+other ones. For example the expression \verb:$\mathrm{I\!N}$:
+yields $\mathrm{I\!N}$.
+
+The calligraphic symbol $\mathcal{N}$ generated by
+\verb:$\mathcal{N}$: is another option.
+
+But if none of the above suits your needs or
+personal taste, you should use a special font. These fonts
+are known as the blackboard bold fonts. There is a
+well-known font distributed by the AMS as
+\texttt{amsyb}, but the fonts
+\texttt{bbold} by Alain Jeffery and \texttt{bbm} by
+Gilles F.~Robert are viable options, too.
+
+And there is this font, too, which was designed
+to be as similar to the Computer Modern family of fonts
+by Donald E.~Knuth as possible. Which of these options you
+prefer is a matter of personal taste, so read on to find
+out whether you like this font.
+
+
+\section{License}
+
+You may use and distribute these fonts as you like.
+You may modify these fonts as long as you do not
+rename the files to one of those names that
+Donald E.~Knuth chose for the Computer Modern fonts.
+(And seriously, who would want to do that?)
+
+
+\section{Installation}
+
+Here are the instructions to install the doublestroke package.
+
+\begin{enumerate}
+\item If a previous version of this font is installed, remove all
+the files, especially the font files that were generated by
+\MF{} after the first installation.
+
+\item Depending on how you obtained this package it might be
+necessary to unpack/uncompress an archive. Now the files
+\begin{verbatim}
+dsdoc.dvi dsrom12.pfb dsss10.mf dsss8.tfm
+dsdoc.ps dsrom12.tfm dsss10.pfb dstroke.map
+dsdoc.tex dsrom8.mf dsss10.tfm readme
+dsfont.sty dsrom8.pfb dsss12.mf Udsrom.fd
+dsrom10.mf dsrom8.tfm dsss12.pfb Udsss.fd
+dsrom10.pfb dsrom.mf dsss12.tfm
+dsrom10.tfm dsromo.mf dsss8.mf
+dsrom12.mf dsromu.mf dsss8.pfb
+\end{verbatim}
+should be present.
+
+\item Make sure that you have \TeX, \LaTeX{} (with NFSS), and \MF{}
+installed. Make sure that \texttt{cmbase.mf} is accessible by \MF.
+
+\item Move the files to their destination.
+
+\begin{tabular}{lll}
+The files & are & and are needed by \\[1ex]
+\texttt{*.tfm} & font metric files & \TeX \\
+\texttt{*.fd} & font defintions & \TeX \\
+\texttt{*.sty} & style files & \TeX \\
+\texttt{*.mf} & \MF sources & \MF \\
+\texttt{*.pfb} & PostScript fonts & \TeX \\
+\texttt{*.map} & font map files & \texttt{dvips}, PDF\TeX
+\end{tabular}
+
+The exact location where the files belong depends on your
+installation. As a first approximation, install them
+near other files with the same extension.
+
+Unlike previous versions of this font, no pregenerated
+fonts at 300\,dpi are included, because
+these fonts should always be generated with the proper
+\MF{} mode. The metric files are included, however, because
+they do not depend on the printer.
+
+\item Verify the installation by generating this documentation
+file from its source \texttt{dsdoc.tex}. The resulting file
+\texttt{dsdoc.dvi} should be identical to this text.
+
+\item If you want to use the PostScript fonts, you have to make
+ them known to \texttt{dvips} and/or PDF\TeX. The details of
+ this process depend on your system installation. For example,
+ if you are working in a Unix-style environment with a recent
+ \TeX\ installation, you can configure \texttt{dvips} by setting
+ the environment variable \texttt{DVIPSRC} to point to a
+ configuration file \texttt{myconfig}, which would look as
+ follows:
+\begin{verbatim}
+p +dstroke.map
+\end{verbatim}
+ This will tell \texttt{dvips} to load the font map file.
+ PDF\TeX\ looks for a configuration file called
+ \texttt{pdftex.cfg}, into which you should put the line
+\begin{verbatim}
+map +dstroke.map
+\end{verbatim}
+ for it to find the PostScript fonts.
+
+ Note that for this to work, all files need to be put into their
+ appropriate places. If you are unsure about where to put
+ things, consult your system administrator or the manual of your
+ \TeX\ system.
+\end{enumerate}
+
+You have probably done all of the above, because you are reading
+this documentation. But maybe you got this documentation from
+somewhere else and ran into trouble during the installation.
+In this case try the following:
+
+\begin{itemize}
+\item If \LaTeX{} complains about a missing input file, check whether
+ the files \texttt{*.fd} and \texttt{*.sty} are accessible and readable.
+\item If \LaTeX{} complains about a missing font, check the
+ placement of the files \texttt{*.tfm}.
+\item If \LaTeX{} issues strange errors, you might have an old version
+ of \LaTeX{} or NFSS. Try using the fonts with low-level font
+ commands instead of dsfont.sty and check the next item, too.
+\item If \LaTeX{} issues strange errors, the files might have been
+ corrupted during transmission. Conversions of CR, LF, and
+ so on might cause this problem.
+\item If the previewer or the printer driver complains about missing
+ fonts and does not automatically call \MF{} to generate
+ these font, either adapt your installation or generate
+ the fonts by hand. Depending on your installation you
+ must run something like
+\begin{verbatim}
+mf '\mode=localfont; input dsrom10'
+\end{verbatim}
+ for each of the fonts.
+\item If \MF{} is called and complains about missing source
+ files, check whether these (\texttt{*.mf}) are placed
+ correctly.
+\item If \MF{} is called and complains about strange paths
+ or about paths that do not intersect, you are probably
+ generating the font at a lower resolution than 100\,dpi.
+ There is little you can do except ignoring the errors or
+ telling \MF{} to do so. Please report such errors only
+ if they occur at resolutions above 100\,dpi.
+\item If the previewer or the printer driver complains about missing
+ characters, check whether you have deleted all files from
+ previous versions of this font.
+\item If the previewer or the printer driver complains about a
+ checksum error, check whether you have deleted all files from
+ previous versions of this font.
+\end{itemize}
+
+If that does not help and your friendly \TeX nician is unavailable,
+drop me a mail. I will try to help you, if time permits.
+
+
+\section{Usage}
+
+You can use the fonts with all versions of \TeX{} and \LaTeX,
+if you apply the low-level command \verb:\font:.
+For example we can write
+\begin{verbatim}
+\font\dsrom=dsrom10
+$$\hbox{\dsrom N}=\{0,1,2,\ldots\}$$
+$$\hbox{\dsrom ABCDEFGHIJKLMNOPQRSTUVWXYZ}$$
+\bye
+\end{verbatim}
+to obtain
+\[\mathds{N}=\{0,1,2,\ldots\}\]
+\[\mathds{ABCDEFGHIJKLMNOPQRSTUVWXYZ}\]
+using \TeX{} alone.
+If \LaTeX{} and NFSS are available as suggested in the installation
+section, you can use the style \texttt{dsfont} for an easier and more
+flexible approach. The style provides a single command \verb:\mathds:
+which can be used in math mode to typeset a doublestroke symbol.
+It use is similar to that of \verb:\mathbb: from the
+AMS package. For example
+\begin{verbatim}
+\documentclass{article}
+\usepackage{dsfont}
+\begin{document}
+\[\mathds{N}=\{0,1,2,\ldots\}\]
+\[\mathds{ABCDEFGHIJKLMNOPQRSTUVWXYZ}\]
+\end{document}
+\end{verbatim}
+will again result in
+\[\mathds{N}=\{0,1,2,\ldots\}\]
+\[\mathds{ABCDEFGHIJKLMNOPQRSTUVWXYZ}\]
+as we have already done in \TeX. The uppercase letters shown here
+are the most common, but there are a few others in use.
+\begin{verbatim}
+\[\mathds{1}\;\mathds{h}\;\mathds{k}\]
+\end{verbatim}
+results in
+\[\mathds{1}\;\mathds{h}\;\mathds{k}\]
+Why are the other lowercase letters and numerals missing? Well,
+they would be ugly if treated in the same way as the uppercase
+letters. Hence I considered the beauty of each individual letter
+more important than the completeness of the whole character set.
+Using \verb:\mathds{a}: we can get the letter $\mathds{a}$.
+This is the way the letter $\mathds{A}$ looked in previous versions
+of this font. It is provided in case somebody likes the old
+version better. The two other letters $\mathds{V}$ and $\mathds{W}$
+have changed significantly, too, but there will be nobody who
+prefers the old glyphs, I think.
+
+Let us look at some examples.
+\begin{verbatim}
+\[\mathds{N}\subset\mathds{Z}\subset\mathds{Q}
+ \subset\mathds{R}\subset\mathds{C}\]
+\[\{a_i\}_{i\in\mathds{N}}\textrm{~where~}a_i\in\mathds{C}\]
+\[\forall x\in\mathds{X}:\exists s\in\mathds{S}:
+ x\circ t\in\mathds{T}^\mathds{1}\]
+\end{verbatim}
+After running \LaTeX{} we get
+\[\mathds{N}\subset\mathds{Z}\subset\mathds{Q}
+ \subset\mathds{R}\subset\mathds{C}\]
+\[(a_i)_{i\in\mathds{N}}\textrm{~where~}a_i\in\mathds{R}\]
+\[\forall x\in\mathds{X}:\exists s\in\mathds{S}:
+ x\circ s\in\mathds{T}^\mathds{1}\]
+We can see that the font can occur in subscripts
+or superscripts without any problems.
+The last formula shows the possibility to use the
+doublestroke font for custom defined objects. Some caution is
+required here. Usually it is best to stick to those symbols
+whose usage is common, like the natural numbers $\mathds{N}$ etc.
+But there are reasons to use own glyphs, of course.
+
+Some people prefer a sans serif doublestroke font. This can be
+accomplished by a minimal change of the \TeX{} source.
+\begin{verbatim}
+\documentclass{article}
+\usepackage[sans]{dsfont}
+\begin{document}
+\[\mathds{N}=\{0,1,2,\ldots\}\]
+\[\mathds{ABCDEFGHIJKLMNOPQRSTUVWXYZ}\]
+\end{document}
+\end{verbatim}
+Did you spot the change? The result is
+\[\varmathds{N}=\{0,1,2,\ldots\}\]
+\[\varmathds{ABCDEFGHIJKLMNOPQRSTUVWXYZ}\]
+In this document I had to use both fonts for example purposes.
+Do not do this at home, unless you really know why.
+I discourage the simultaneous use of serif and
+sans serif doublestroke fonts in a single document, because
+it results in confused readers.
+
+
+\section{Changes}
+
+\subsection*{Changes in Version 1.0}
+
+\begin{itemize}
+\item The characters $\mathds{1}$, $\mathds{h}$, and $\mathds{k}$
+were added.
+
+\item The characters $\mathds{A}$, $\mathds{V}$, and $\mathds{W}$
+were completely redone.
+
+\item For several characters the size of the serifs was adjusted.
+
+\item Several characters were made more robust at low resolutions.
+In order to achieve this goal, the appearance of the letter
+$\mathds{S}$ had to be changed for some extreme parameter settings.
+
+\item The sans serif version of the font was added. The metaness
+required to generate a sans serif font was already present
+in the earlier version. The style file was rewritten to allow
+a choice between the two fonts.
+
+\item 8-point fonts for subscripts were added.
+
+\item The pregenerated fonts were removed from the distribution.
+
+\item This document was written.
+\end{itemize}
+
+
+\subsection*{Changes in Version 1.1}
+
+\begin{itemize}
+\item The license section was added.
+\end{itemize}
+
+
+\subsection*{Changes in Version 1.11}
+
+\begin{itemize}
+\item Documentation bugs were corrected
+\end{itemize}
+
+
+\subsection*{Changes in Version 1.111}
+
+\begin{itemize}
+\item PostScript versions of the fonts were added. These were
+ generated from the \MF\ sources using the \texttt{mftrace}
+ program by Han-Wen Nienhuys.
+\end{itemize}
+
+
+\section{Thanks}
+
+Thanks go to D.~E.~Knuth who gave \TeX, \MF, and
+Computer Modern to the world.
+Marco Kuhlmann added the PostScript version of the fonts
+and commented on the installation process.
+J\"urgen Vollmer provided some
+ideas that were used in this documentation file.
+Han-Wen Nienhuys created \texttt{mftrace}, which was
+required for creating PostScript versions of this font.
+Reinhard Zierke did not only provide the most complete
+\TeX{} installation I can imagine, but also
+motivated this improved version of the font.
+
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/doublestroke/readme b/Master/texmf-dist/doc/fonts/doublestroke/readme
new file mode 100644
index 00000000000..89860688cf8
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/doublestroke/readme
@@ -0,0 +1,125 @@
+
+Doublestroke Font V1.111 27th of August, 2002
+------------------------
+
+This font is based on the Computer Modern Roman family of fonts
+by D. E. Knuth. It is useful for typesetting the mathematical
+symbols for the natural numbers (N), whole numbers (Z),
+rational numbers (Q), real numbers (R) and complex numbers (C).
+
+
+License
+-------
+
+You may use and distribute these fonts as you like.
+You may modify these fonts as long as you do not
+rename the files to one of those names that
+Donald E. Knuth chose for the Computer Modern fonts.
+(And seriously, who would want to do that?)
+
+
+How to Install
+--------------
+
+1. If a previous version of this font is installed, remove all
+the files, especially the font files that were generated by
+Metafont after the first installation.
+
+2. Depending on how you obtained this package it might be
+necessary to unpack/uncompress an archive. Now the files
+
+dsdoc.dvi dsrom12.pfb dsss10.mf dsss8.tfm
+dsdoc.ps dsrom12.tfm dsss10.pfb dstroke.map
+dsdoc.tex dsrom8.mf dsss10.tfm readme
+dsfont.sty dsrom8.pfb dsss12.mf Udsrom.fd
+dsrom10.mf dsrom8.tfm dsss12.pfb Udsss.fd
+dsrom10.pfb dsrom.mf dsss12.tfm
+dsrom10.tfm dsromo.mf dsss8.mf
+dsrom12.mf dsromu.mf dsss8.pfb
+
+should be present.
+
+3. Make sure you have TeX, LaTeX (with NFSS), and Metafont
+installed. Make sure that cmbase.mf is accessible by Metafont.
+
+4. Move the files to their destination.
+
+The files are and are needed by
+ *.tfm TeX font metric files TeX
+ *.fd font defintions TeX
+ *.sty style files TeX
+ *.mf Metafont sources Metafont
+
+The exact location where the files belong depends on your
+installation. As a first approximation, install them
+near other files with the same extension.
+
+5. Verify the installation by generating the documentation.
+Run `latex dsdoc' and have a look at the file dsdoc.dvi which
+contains the documentation and usage samples.
+
+6. If you want to use the PostScript fonts, you have to make
+them known to dvips and/or PDFTeX. The details of
+this process depend on your system installation,
+typically using the mapping information from the
+file dstroke.map and following further instructions
+contained in the main manual.
+
+7. After reading the examples in the file dsdoc you can
+use the fonts in your own documents.
+
+
+
+After the Installation
+----------------------
+
+Do not worry, most installations complete without any problems.
+However, if the procedure described above does not work, I suggest
+the following actions:
+ - If LaTeX complains about a missing input file, check whether
+ the files *.fd and *.sty are accessible and readable.
+ - If LaTeX complains about a missing font, check the
+ placement of the files *.tfm .
+ - If LaTeX issues strange errors, you might have an old version
+ of LaTeX or NFSS. Try using the fonts with low-level font
+ commands instead of dsfont.sty and check the next item, too.
+ - If LaTeX issues strange errors, the files might have been
+ corrupted during transmission. Conversions of CR, LF, and
+ so on might cause this problem.
+ - If the previewer or the printer driver complains about missing
+ fonts and does not automatically call Metafont to generate
+ these font, either adapt your installation or generate
+ the fonts by hand. Depending on your installation you
+ must run something like
+ mf '\mode=localfont; input dsrom10'
+ for each of the fonts.
+ - If Metafont is called and complains about missing source
+ files, check whether these (*.mf) are placed correctly.
+ - If Metafont is called and complains about strange paths
+ or about paths that do not intersect, you are probably
+ generating the font at a lower resolution than 100 dpi.
+ There is little you can do except ignoring the errors or
+ telling Metafont to do so. Please report such errors only
+ if they occur at resolutions above 100 dpi.
+ - If the previewer or the printer driver complains about missing
+ characters, check whether you have deleted all files from
+ previous versions of this font.
+ - If the previewer or the printer driver complains about a
+ checksum error, check whether you have deleted all files from
+ previous versions of this font.
+
+If that does not help and your friendly TeXnician is unavailable,
+drop me a mail. I will try to help you, if time permits.
+
+I am always glad to hear about improvements and bug reports,
+general comments are appreciated, too.
+
+Olaf Kummer
+
+Universitaet Hamburg
+Fachbereich Informatik -- Arbeitsbereich TGI
+Vogt-Koelln-Strasse 30
+22527 Hamburg (Germany)
+
+mailto:kummer@informatik.uni-hamburg.de
+http://www.informatik.uni-hamburg.de/TGI/mitarbeiter/wimis/kummer.html
diff --git a/Master/texmf-dist/doc/fonts/duerer/duerer.readme b/Master/texmf-dist/doc/fonts/duerer/duerer.readme
new file mode 100644
index 00000000000..9609669136a
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/duerer/duerer.readme
@@ -0,0 +1,20 @@
+This directory contains the "Computer Duerer" fonts designed by
+Alan Hoenig (see the 1990 TUG Conference Proceedings for a full
+background on this). The version here is for use as titling only
+and consists of the uppercase letters A-Z.
+
+duerer.readme This file
+
+cdb10.mf Computer Duerer Boldface
+cdi10.mf Computer Duerer "Informal" (modeled in
+ part, after Stone Informal) This
+ font does not generate properly at
+ resolutions under ~400dpi.
+cdr10.mf Computer Duerer Roman
+cdsl10.mf Computer Duerer Slanted
+cdss10.mf Computer Duerer Sans Serif
+cdtt10.mf Computer Duerer Typewriter Type
+
+dromani.mf Low level MF files for the Computer
+dromanu.mf Duerer fonts
+dtitle.mf
diff --git a/Master/texmf-dist/doc/fonts/ean/README b/Master/texmf-dist/doc/fonts/ean/README
new file mode 100644
index 00000000000..cf8a9989f12
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/ean/README
@@ -0,0 +1,22 @@
+This directory contains the macro ean13 and ean8 for making EAN
+barcodes (13 or 8 digit on input and kern-rule queue on output).
+
+The usage of the macros is commeted in the file ean13.tex or ean8.tex.
+The simple test is presented in file eantest.tex (for plain).
+Macro works in plain and LateX and other standard macro packages.
+
+The fonts ocrb9 and ocrb7 is used. The mf-sources are presented (this
+is the copy from CTAN:fonts/ocr-b) with a little correction (the
+mode_setup is added to begin of file ocrbmac.mf).
+
+ean13.tex .... EAN 13 macro by Petr Olsak
+ean8.tex .... EAN 8 macro by Jaroslav Moucka (student)
+eantest.tex .. test of ean13 and ean8 in plain.
+*.mf ......... mf-sources of OCR-b font by Norbert Schwarz
+
+Petr Olsak (Ol\v{s}\'ak)
+Department of Mathematics
+Czech Techical University in Prague,
+Czech Republic
+e-mail: olsak@math.feld.cvut.cz
+
diff --git a/Master/texmf-dist/doc/fonts/ean/ocrbinfo b/Master/texmf-dist/doc/fonts/ean/ocrbinfo
new file mode 100644
index 00000000000..b9a5ea1fb21
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/ean/ocrbinfo
@@ -0,0 +1,65 @@
+Some remarks to the METAFONT-Definitions for OCR-B fonts:
+---------------------------------------------------------
+
+ 1. This information was developed by
+
+ Norbert Schwarz
+ Ruhr-Universitaet Bochum
+ Rechenzentrum
+ Postfach 10 21 48
+ D-4630 Bochum 1
+ West Germany
+
+ Internet: Norbert.Schwarz@rz.ruhr-uni-bochum.de
+
+
+ 2. It is given to free non commercial use, but it may be
+ that there rights to the typeface stuff, as
+ the original typeface for OCR-B was developed by
+ Adam Frutiger. These rights may restrict the use,
+ I do not know. (In Germany there even exists an industrial
+ standard - DIN ????? - that describes the typefaces.
+ Based on such material the input has been developed.)
+ Therefore the only rights that I can grant are the
+ rights for the digitization in METAFONT input.
+
+ 3. It is tested that the generated output is machine readable.
+ The tests are done with a 300 pixel laser engine.
+
+ 4. As this work has been done with an early METAFONT version
+ and testing was the main purpose, there was no further
+ development in defining good points with respect to pixels etc.
+ Low resolution devices may give problems.
+
+ 5. There are two main files:
+
+ OCRBDEF MF 33454 12.11.86 11:02
+ OCRBMAC MF 8152 8.09.89 19:51
+
+ The first one contains the path definitions for all the
+ characters, the second one contains the operating macros.
+
+ 6. Driver files:
+
+ The file OCRB10.MF is the main driver file for the
+ original OCR-B font, all other files contain variant
+ for illustrating purposes.
+
+ OCRB10 MF 776 12.11.86 11:06
+
+ OCRB10S MF 774 12.11.86 11:06 sharp corners
+ OCRB10L MF 770 12.11.86 11:05 slanted
+
+ OCRB10G MF 778 12.11.86 11:05 outline, slanted
+ OCRB10F MF 770 12.11.86 11:05 outline
+
+ OCRB10E MF 784 12.11.86 11:04 negative, sharp corners
+ OCRB10X MF 777 12.11.86 11:06 negative
+
+ some smaller sizes:
+
+ OCRB5 MF 776 12.11.86 11:07
+ OCRB6 MF 776 12.11.86 11:07
+ OCRB7 MF 776 12.11.86 11:08
+ OCRB8 MF 776 12.11.86 11:08
+ OCRB9 MF 776 12.11.86 11:08
diff --git a/Master/texmf-dist/doc/fonts/ec/00bugs.txt b/Master/texmf-dist/doc/fonts/ec/00bugs.txt
new file mode 100644
index 00000000000..534e2ac15e4
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/ec/00bugs.txt
@@ -0,0 +1,15 @@
+% 00bugs.txt
+% List of `known' bugs in the ec-fonts version 1.0 as of 19-JAN-1997
+
+
+This file contains the known bugs in version 1.0 of the ec-fonts. The bugs
+are given in no particular order. If you think you have found a bug in ec
+fonts 1.0, please check this list, if it is already `known'.
+
+ 1. With the following input files, some low resolution errors
+ occur frequently even for 300dpi modes (strange path,
+ Undefined x coordinate has been replaced by 0)
+
+ecit0800
+tcit0900
+
diff --git a/Master/texmf-dist/doc/fonts/ec/00error.txt b/Master/texmf-dist/doc/fonts/ec/00error.txt
new file mode 100644
index 00000000000..7c8f3d0db82
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/ec/00error.txt
@@ -0,0 +1,64 @@
+% 00error.txt
+%
+% (c) Copyright 1995, 1996, 1997 J"org Knappen
+%
+% This file is part of ecfonts version 1.0
+%
+% Please read the files 00readme.txt, 00inst.txt, 00error.txt, and
+% copyrite.txt for further information
+%
+% You find some documentation in dcdoc.tex (needs LaTeX2e)
+%
+
+ How to report errors and bugs with the ec fonts
+
+To improve the quality of the ec fonts and to make them free of any errors
+and bugs, your feedback is appreciated.
+
+Please make sure, that your report is concise, clear and reproduceable, also
+make sure, that you are using the newest version of the ec fonts and that
+your bug isn't fixed yet.
+
+The following information is needed:
+
+Which font produced the bug?
+
+Which mode do you use?
+
+What is the error message issued by METAFONT?
+
+Which character carries the error? Is the error visible in the output and
+how can it be described? Always try to generate output and look at it
+first, some errors may be invisible at all.
+
+Please include the .log file in your report.
+
+The fonts should work at resolutions from 200dpi upwards, and in a size
+range from 5pt to 100pt. If your effective resolution lies below 200dpi
+-- for non square pixels the lower resolution counts -- (screen modes
+or fonts at reduced sizes), if the parameter blacker of your mode is
+negative, or if you generate a font outside the given size range, problems
+are to be expected and do not qualify as bugs.
+
+The funny fonts needn't work at all, they surely don't work at low sizes.
+The typewriter fonts don't work below 8pt.
+
+The fractions and the superscript digits from the tc fonts don't work at
+small sizes (below 10 pt) even for fair resolutions (about 300dpi).
+
+If you have a fix for your your problem, it is very appreaciated.
+
+Please report errors to
+J"org Knappen AAA
+joerg.knappen@uni-mainz.de <---- < new >
+ VVV
+
+In case, that you are not sure, whether a strange feature or error message
+qualifies as a bug, you may want to ask a question on the metafont
+mailing list. To subscribe send a mail to
+
+LISTSERV@ens.fr
+
+containing the one line
+
+subscribe metafont "Your Full Name"
diff --git a/Master/texmf-dist/doc/fonts/ec/00files.txt b/Master/texmf-dist/doc/fonts/ec/00files.txt
new file mode 100644
index 00000000000..81b6ad25723
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/ec/00files.txt
@@ -0,0 +1,136 @@
+% 00files.txt
+%
+% (c) Copyright 1995, 1996, 1997 J"org Knappen
+%
+% This file is part of ecfonts version 1.0
+%
+% Please read the files 00readme.txt, 00inst.txt, 00error.txt, and
+% copyrite.txt for further information
+
+
+ Length Date Time Name
+ ------ ---- ---- ----
+ 492 02-05-97 16:55 00bugs.txt
+ 2180 02-05-97 16:42 00error.txt
+ 4764 01-19-97 22:38 00files.txt
+ 5015 02-05-97 16:47 00inst.txt
+ 1709 02-05-97 16:48 00readme.txt
+ 3044 01-19-97 20:02 copyrite.txt
+ 19368 02-05-97 16:50 dc-chg.txt
+ 23101 01-19-97 20:04 dcdoc.tex
+ 534 02-05-97 16:54 ec-chg.txt
+ 6445 01-19-97 20:05 ecbi.mf
+ 5836 01-19-97 20:05 ecbl.mf
+ 6254 01-19-97 20:05 ecbm.mf
+ 5823 01-19-97 20:05 ecbx.mf
+ 9095 01-19-97 20:05 eccc.mf
+ 4998 01-19-97 20:05 ecci.mf
+ 6259 01-19-97 20:05 ecdh.mf
+ 4757 01-19-97 20:06 ecfb.mf
+ 4543 01-19-97 20:06 ecff.mf
+ 4542 01-19-97 20:06 ecfi.mf
+ 4772 01-19-97 20:06 ecfs.mf
+ 4549 01-19-97 20:06 ecit.mf
+ 1764 01-19-97 20:06 eclb8.mf
+ 1832 01-19-97 20:06 ecli8.mf
+ 1786 01-19-97 20:07 eclo8.mf
+ 1809 01-19-97 20:07 eclq8.mf
+ 1821 01-19-97 20:07 ecltt8.mf
+ 9053 01-19-97 20:07 ecoc.mf
+ 1774 01-19-97 20:07 ecqi8.mf
+ 6047 01-19-97 20:07 ecrb.mf
+ 6359 01-19-97 20:07 ecrm.mf
+ 9058 01-19-97 20:07 ecsc.mf
+ 4978 01-19-97 20:07 ecsi.mf
+ 6361 01-19-97 20:07 ecsl.mf
+ 4770 01-19-97 20:08 ecso.mf
+ 1750 01-19-97 20:08 ecsq8.mf
+ 4953 01-19-97 20:08 ecss.mf
+ 1758 01-19-97 20:08 ecssdc10.mf
+ 4551 01-19-97 20:08 ecst.mf
+ 14009 01-19-97 20:08 ecstdedt.tex
+ 4749 01-19-97 20:08 ecsx.mf
+ 6555 01-19-97 20:09 ectc.mf
+ 4983 01-19-97 20:09 ecti.mf
+ 4539 01-19-97 20:09 ectt.mf
+ 6256 01-19-97 20:09 ecui.mf
+ 4498 01-07-97 18:51 ecvi.mf
+ 4529 01-19-97 20:09 ecvt.mf
+ 8977 01-19-97 20:09 ecxc.mf
+ 3752 01-19-97 20:09 exaccent.mf
+ 37536 01-19-97 20:11 exaccess.mf
+ 52157 01-19-97 20:11 exbase.mf
+ 9757 01-19-97 20:11 exbraces.mf
+ 7581 01-19-97 22:24 excligtb.mf
+ 3574 01-19-97 22:26 excsc.mf
+ 10630 01-19-97 20:11 excspl.mf
+ 12246 01-19-97 20:11 exidigit.mf
+ 29081 01-19-97 20:11 exileast.mf
+ 11579 01-19-97 20:11 exilig.mf
+ 7576 01-19-97 22:07 exiligtb.mf
+ 22489 01-19-97 20:11 exillett.mf
+ 29528 01-19-97 20:12 exilwest.mf
+ 2961 01-19-97 20:12 exisixts.mf
+ 4219 01-19-97 20:12 exitalp.mf
+ 952 01-19-97 20:12 exmligtb.mf
+ 3212 01-19-97 20:13 expseudo.mf
+ 11574 01-19-97 20:53 expunct.mf
+ 14974 01-19-97 20:13 exrdigit.mf
+ 52050 01-19-97 20:13 exrleast.mf
+ 9844 01-19-97 20:13 exrlig.mf
+ 10142 01-19-97 22:03 exrligtb.mf
+ 39732 01-19-97 20:13 exrllett.mf
+ 52110 01-19-97 20:13 exrlwest.mf
+ 2293 01-19-97 19:42 exroman.mf
+ 4622 01-19-97 20:13 exromp.mf
+ 44920 01-19-97 20:13 exrueast.mf
+ 36144 01-19-97 20:14 exrulett.mf
+ 44016 01-19-97 20:14 exruwest.mf
+ 10072 01-19-97 20:14 exsign.mf
+ 2954 01-19-97 20:15 exsixtst.mf
+ 2229 01-19-97 19:43 extextit.mf
+ 1822 01-19-97 20:15 ieclb8.mf
+ 1889 01-19-97 20:15 iecli8.mf
+ 1844 01-19-97 20:15 ieclo8.mf
+ 1866 01-19-97 20:15 ieclq8.mf
+ 1834 01-19-97 20:15 iecltt8.mf
+ 7284 02-05-97 16:52 tc-chg.txt
+ 6434 01-19-97 20:15 tcbi.mf
+ 5821 01-19-97 20:16 tcbl.mf
+ 6250 01-19-97 20:16 tcbm.mf
+ 5808 01-19-97 20:16 tcbx.mf
+ 4978 01-19-97 20:16 tcci.mf
+ 6279 01-19-97 20:16 tcdh.mf
+ 4748 01-19-97 20:16 tcfb.mf
+ 4526 01-19-97 20:16 tcff.mf
+ 4525 01-19-97 20:16 tcfi.mf
+ 4762 01-07-97 19:03 tcfs.mf
+ 4533 01-19-97 20:16 tcit.mf
+ 5850 01-19-97 20:17 tcrb.mf
+ 6239 01-19-97 20:17 tcrm.mf
+ 4963 01-19-97 20:17 tcsi.mf
+ 6242 01-19-97 20:17 tcsl.mf
+ 4753 01-19-97 20:17 tcso.mf
+ 4939 01-19-97 20:17 tcss.mf
+ 4519 01-19-97 20:17 tcst.mf
+ 12807 12-23-96 02:25 tcstdedt.tex
+ 4731 01-19-97 20:17 tcsx.mf
+ 4970 01-19-97 20:17 tcti.mf
+ 4524 01-19-97 20:18 tctt.mf
+ 6251 01-19-97 20:18 tcui.mf
+ 4533 01-19-97 20:18 tcvi.mf
+ 4523 01-19-97 20:18 tcvt.mf
+ 5344 01-19-97 20:18 txaccent.mf
+ 4286 01-19-97 20:18 txgen.mf
+ 5844 01-19-97 20:19 txifract.mf
+ 4771 01-19-97 20:19 txisuper.mf
+ 12634 01-19-97 20:19 txitlod.mf
+ 2164 01-19-97 20:19 txpseudo.mf
+ 8576 01-19-97 20:19 txrfract.mf
+ 15206 01-19-97 20:19 txromod.mf
+ 7814 01-19-97 20:19 txrsuper.mf
+ 2058 01-19-97 20:20 txsymb.mf
+ 93212 01-19-97 20:20 txsymbol.mf
+ ------ -------
+1161061 121
+
diff --git a/Master/texmf-dist/doc/fonts/ec/00inst.txt b/Master/texmf-dist/doc/fonts/ec/00inst.txt
new file mode 100644
index 00000000000..87678e531ee
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/ec/00inst.txt
@@ -0,0 +1,148 @@
+% 00inst.txt
+%
+% (c) Copyright 1995, 1996, 1997 J"org Knappen
+%
+% This file is part of ecfonts version 1.0
+%
+% Please read the files 00readme.txt, 00inst.txt, 00error.txt, and
+% copyrite.txt for further information
+%
+% You find some documentation in dcdoc.tex (needs LaTeX2e)
+%
+ How to install the ec and tc fonts
+
+
+To install the ec and tc fonts from the sources, take the following steps:
+
+1) Generate the driver files
+
+$ tex ecstdedt
+$ tex tcstdedt
+
+There are no driver files distributed, instead they are generated by
+running plain TeX on ecstdedt.tex and tcstdedt.tex. The unchanged version
+of these files gives you a standard set of Fonts, if you want other sizes
+you can add them by editing ecstdedt.tex and tcstdedt.tex.
+
+The driver files are very simple and look like:
+
+ % This is ecrm1000.mf in text format as of January, 19, 1997
+ if unknown exbase: input exbase fi;
+ gensize:=10;
+ generate ecrm
+
+Running TeX on ecstdedt and tcstdedt also generates a batch file in the
+style of missfont.log. You may edit the line starting with \BatchFile
+to get the appropriate result for your operating system.
+
+2) Run plain METAFONT on the driver files to generate the metric (tfm) files
+and the generic font files (gf files).
+
+$ mf "\mode=localfont; input ecrm1000"
+
+Running METAFONT on the driver files produces you the metric file
+(suffix .tfm) and the generic font file (suffix .%%%gf, where %%% is the
+resolution of your device). Only the plain base is needed, the file exbase
+will be loaded on demand.
+
+You should NOT use a METAFONT with cmbase preloaded, because of
+incompatibility. In fact, using cmmf on the ec fonts will stop
+with an error message generated.
+
+3) Pack the generic font files
+
+$ gftopk ecrm1000.%%%gf
+
+gftopk packs the generic font file to a packed font file, which is the
+standard form accepted by all dvi drivers. Note, that you can't create
+a .pxl file (obsolete as they are) from the ec fonts, since the pxl file
+format is limited to 128 characters.
+
+4) Copy the tfm files to a place, where TeX and the dvi-drivers find them
+
+This place is traditionally given by the environment variable TEXFONTS
+(or something similar, like TEX_FONTS). Within the proposed TeX Directory
+Structure (TDS), the proper place is
+
+TEXMF/fonts/tfm/jknappen/ec/
+
+5) Copy the pk files to a place where the dvi drivers find them
+
+This place is traditionally given by the environment variable TEXPK
+(or something similar, like TEX_PKDIR). Within the proposed TeX Directory
+Structure (TDS), the proper place is
+
+TEXMF/fonts/pk/<device>/jknappen/ec/<resolution>/
+
+(Note: There was a long and engaged dispute over the latter place. It may
+change, or local needs may enforce a different structure. Regard it as a
+suggestion, not as a prescription)
+
+6) Put the .mf files (including the generated driver files) at a place,
+where METAFONT finds them.
+
+The rationale of this step is to allow automatic font generation on demand,
+e.g. by maketexpk or similar tools.
+
+This place is traditionally given by the environment variable MFINPUTS
+(or something similar, like MF_INPUTS). Within the proposed TeX Directory
+Structure (TDS), the proper place is
+
+TEXMF/fonts/source/jknappen/ec
+
+(I have to get used to such a path. Under my VMS installation, it is simply
+TEX_ROOT:[MF.EC])
+
+7) Delete unneeded files
+
+The following files are no longer needed and can be deleted:
+
+*.log (on VMS: *.lis) log files
+*.*gf generic font files
+ecstdedt.dvi
+tcstdedt.dvi
+
+8) Hints and possible problems
+
+a) Problems with font generation
+
+You need an up-to-date installation of METAFONT (at least version 2.0,
+current is 2.718), plain.mf (version 2.71 is required, 2.0 does not work)
+modes.mf (3.0 is required, if you want to generate the ec fonts for a
+write-white device) to generate the ec and tc fonts successfully.
+
+exbase checks for the most common errors and gives an error message.
+
+
+b) Installation under LaTeX
+
+Note that the LaTeX format preloads some fonts. In order to use the
+new fonts under LaTeX2e, you'll need to regenerate the LaTeX format after
+installing the fonts. The ec fonts are supported beginning with
+LaTeX2e from 1996/12/01.
+
+c) Write-white devices
+
+The handling of write-white devices with older modes (distributed in
+modes.mf 2.*) was incompatible with exbase. Get modes.mf 3.0 if you
+have a write-white device for which you want to generate the ec fonts.
+
+d) dc fonts
+
+It is strongly recommended that you delete all older versions of the dc
+fonts after backing them up.
+
+The dc fonts have had several incompatible versions, which are now finally
+replaced by the ec fonts. It is suggested that you regenerate your dvi
+files from the LaTeX source files.
+
+There are now virtual dc fonts available, reconstructing the dc fonts as
+virtual fonts from the ec fonts. They can be used in two ways:
+
+* To display and print dvi files containing the older dc fonts
+
+* To migrate older dvi files directly to the ec fonts, using the program
+dvicopy on them.
+
+
+--J"org Knappen
diff --git a/Master/texmf-dist/doc/fonts/ec/00readme.txt b/Master/texmf-dist/doc/fonts/ec/00readme.txt
new file mode 100644
index 00000000000..891f5ee2cfd
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/ec/00readme.txt
@@ -0,0 +1,49 @@
+% 00readme.txt
+%
+% (c) Copyright 1995, 1996, 1997 J"org Knappen
+% (c) Copyright 1990, 1992 Norbert Schwarz
+%
+% This file is part of ecfonts version 1.0
+%
+% Please read the files 00readme.txt, 00inst.txt, 00error.txt, and
+% copyrite.txt for further information
+
+ European Computer Modern Fonts and Text Companion Fonts
+
+This is the first stable release of the European Computer Modern fonts.
+They are intended to be as stable as the Computer Modern fonts from D.
+Knuth are. This means, that there will be no changes to the following
+features of the ec fonts:
+
+* There will be no changes to the font encoding
+
+* There will be no changes to the font metrics
+
+* The macros from exbase will not be removed, nor will their
+ arguments change meaning, even if they are by chance unused in the ec
+ fonts.
+
+For the tc fonts, the following features remain stable:
+
+* No characters will be removed from the tc fonts, nor will their
+ codepoints change
+
+* The metrics of the established symbols will not be changed.
+
+Note, that future releases of the tc fonts may contain more characters,
+which will lead to different tfm files and checksum errors. However, those
+errors can safely be ignored because the extensions will not spoil
+backwards compatibility.
+
+The documentation is currently provisorial and I want to replace it
+when I find the time to complete the real documentation of the ec fonts.
+
+Please read the copying conditions as given in the file copyrite.txt.
+
+For installation, please read the file 00inst.txt.
+
+If you find a problem or a bug, please read the file 00error.txt
+before submitting a bug report. The address for submitting bug
+reports is joerg.knappen@uni-mainz.de
+
+--J"org Knappen.
diff --git a/Master/texmf-dist/doc/fonts/ec/copyrite.txt b/Master/texmf-dist/doc/fonts/ec/copyrite.txt
new file mode 100644
index 00000000000..dc7f2cd61ab
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/ec/copyrite.txt
@@ -0,0 +1,84 @@
+% copyrite.txt
+%
+% (c) Copyright 1997 J"org Knappen
+%
+% This file is part of ecfonts version 1.0
+
+
+ Copyright notice to the ec fonts
+
+(c) Copyright 1995, 1996, 1997 J"org Knappen, Mainz
+(c) Copyright 1990, 1992 Norbert Schwarz, Ruhr-Universit"at Bochum
+
+
+C O P Y R I G H T (1997)
+------------------------
+
+This distribution is copyright 1990--1997 Norbert Schwarz and Joerg Knappen.
+
+
+WARRANTY
+
+There is NO WARRANTY for the ec fonts, to the extent permitted by
+applicable law. Except when otherwise stated in writing, the authors
+provides the program `as is' without warranty of any kind, either
+expressed or implied, including, but not limited to, the implied
+warranties of merchantability and fitness for a particular purpose.
+The entire risk as to the quality and performance of the program is
+with you. Should the program prove defective, you assume the cost of
+all necessary servicing, repair or correction.
+
+In no event unless required by applicable law or agreed to in writing
+will the authors be liable to you for damages, including any general,
+special, incidental or consequential damages arising out of any use of the
+program or out of inability to use the program (including but not
+limited to loss of data or data being rendered inaccurate or losses
+sustained by you or by third parties as a result of a failure of the
+program to operate with any other programs), even if such holder or
+other party has been advised of the possibility of such damages.
+
+
+DISTRIBUTION
+
+Redistribution of unchanged files is allowed provided that all files
+listed in the file 00files.txt are distributed, including this file.
+
+If you receive only some of these files from someone, complain!
+
+The distribution of changed versions of certain files included in
+the ec fonts, and the re-use of code from those files, are allowed
+under the following restrictions:
+
+ * It is allowed only if the legal notice in the file does not
+ expressly forbid it.
+
+ * You rename the file before you make any changes to it, unless the
+ file explicitly says that renaming is not required. Any such changed
+ files should be distributed under conditions that ensure that those
+ files, and any files derived from them, will never be redistributed
+ under the names used by the original files in the ec fonts.
+
+ * The names of the modified fonts must not start with the two letters
+ `ec' or `tc'.
+
+ * You change the `error report address' so that we do not get error
+ reports for files not maintained by us.
+
+ * You acknowledge the source and authorship of the original version
+ in the modified file.
+
+ * You also distribute the unmodified version of the fonts.
+ J"org Knappen
+ Unternehmensberatung
+ Barbarossaring 43
+ D-55118 Mainz
+ Federal Republic of Germany
+
+
+ Norbert Schwarz
+ Rechenzentrum Ruhr-Universitaet Bochum
+ Postfach 102148
+ Universitaetsstrasse 150
+ D-4630 Bochum 1
+ West Germany
+
diff --git a/Master/texmf-dist/doc/fonts/ec/dc-chg.txt b/Master/texmf-dist/doc/fonts/ec/dc-chg.txt
new file mode 100644
index 00000000000..417352bbfb9
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/ec/dc-chg.txt
@@ -0,0 +1,396 @@
+% dc-chg.txt
+%
+% (c) Copyright 1995, 1996, 1997 J"org Knappen
+%
+% This file is part of ecfonts version 1.0
+%
+% Please read the files 00readme.txt, 00inst.txt, 00error.txt, and
+% copyrite.txt for further information
+%
+% You find some documentation in ecdoc.tex (needs LaTeX2e)
+%
+
+dc-chg.txt
+
+This file documents the changes on the dc-fonts since version 1.1. Most
+recent changes are on top of this file.
+
+ 1-FEB-1997 After the release of the ec fonts, this file is closed.
+ Further changes will be documented in ec-chg.txt.
+
+19-JAN-1997 Fought again with the |uc_hachek_accent| since it came out too
+ high (with white space above) in the metrics. Eliminated
+ |uc_acc_height#| from exrueast.mf and the driver files.
+ Fixed a bug in the single base quote (reported by Bernd Raichle)
+ Added anti-kernings to separate ```triple''' and
+ ````quadruple'''' quotes nicely
+ ectc: Call exmligtb for monospace ligatures
+ Did some finish to the ligtables (this is the last chance, in
+ fact, since changing the ligtables changes the metrics).
+
+ 7-JAN-1997 Added ecfs (Fibonacci Slanted) as suggested by Ulrik Vieth
+ Changed |vair| for ecso from 13 to 15 (found by Ulrik Vieth)
+ Corrected Batch file generation in ecstdedt.tex
+ Deleted dxbase.ini_mf (suggested by Ulrik Vieth)
+
+23-DEC-1996 Made all fontnames 4 letters + 4 digits for the interpolating
+ fonts. Renamed ecr -> ecrm, ecb -> ecrb, ecu -> ecui.
+
+22-DEC-1996 Accents for small capital letters are now ``small capital
+ accents''. Moved information from exaccess to exbase.
+ Made capital tilde accent 9u# wide. Reincluded
+ |center_on| in exbase. Deleted all references to dcbase.
+ Consequently applied |hi.| in expseudo.mf. Improved the
+ |uc_hachek_accent| on small caps.
+ Added typewriter fonts (both visible and invisible) for
+ documentclass slides (former SliTeX), named [i]ecltt8.
+ ecltt8 is unfortunately different from ectt0800, because the
+ interpolation routines introduce some rounding errors on
+ the base points.
+
+21-DEC-1996 Deleted boolean variable |acute_sharp| from exbase, because
+ it was never used. Added switch |fancy_thorn| to choose
+ different thorn shapes.
+
+20-DEC-1996 Starting transition to ec: Renamed files, replaced
+ |dcchar| by |ecchar|, renamed |font_identifier|, changed
+ file headers, changed |version_check| to ask for (1,0).
+
+19-NOV-1996 Removed |big_...|-macros from dxbase. Added macro
+ |super_crescent| used in the Servicemark sign.
+
+18-NOV-1996 Adjusted parameters in dcbi (there was an awful bug
+ in |jut| causing no error messages but damaged
+ glyphs with dcbi0500)
+
+18-NOV-1996 Added more ligtable entries: Kv (Kvarner) Kw (Kwik),
+ V against consonants (russian transliteration)
+
+ 4-NOV-1996 Adjusted the position of the circumflex in \^a. Also made
+ all lowercase circumflexes overshoot a little (oo).
+
+*********** Release of dc 1.3 Patchlevel 4 *************************************
+
+25-AUG-1996 Aplied the parameter change also to dcso at 5 pt
+
+*********** Release of dc 1.3 Patchlevel 3 *************************************
+
+23-AUG-1996 Changed Parameters for dcsx at 5 pt, adjusted
+ |lc_hachek_accent|
+
+23-AUG-1996 Added |zero_width| to the programme for the compound word
+ mark; without this statement the chardx value is wrong.
+
+*********** Release of dc 1.3 Patchlevel 2 *************************************
+
+ 3-JUL-1996 Added macro |clear_mode_guards|. This change makes modes like
+ |nechi| as defined in modes.mf 3.0 work.
+ Added missing |;| in the checking section
+ Corrected wording of one error message, hopefully
+ never to be seen by an end user.
+ All changes suggested by Andreas Schwab
+
+ Added file 00bugs.txt with known bugs.
+
+*********** Release of dc 1.3 Patchlevel 1 *************************************
+
+20-JUN-1996 Added |inner bye;| to dxbase before checking for
+ old versions.
+
+*********** Release of dc 1.3 **************************************************
+31-MAY-1996 Corrected |tiny| for dcsx..tcso at 5 pt
+ Renamed |clear_memory| to |clear_extra_memory|
+ Additional fontdimensions are now 8..16
+ Changed dcvi font identifier to DCVTTI
+ Corrected |math_spread| for some fonts
+ Corrected |u#| for dcso at 5 pt
+ Set |true_mono| for dcst
+ Changed unit of |notch_cut#| for some fonts
+ Don't interpolate |slant|
+ Corrected slant for dcfi
+ (the latter 7 changes were suggested by Ulrik Vieth)
+
+17-MAY-1996 Added |penstroke| to the |killtext|ed macros
+ New macro |clear_memory| to free some memory
+ after parameter interpolation
+ Changed |version_check| macro
+ Did some finish (file headers etc.)
+ Went through the documentation
+ Added danish style italic \ae
+
+13-MAY-1996 Added many kernings for accented letters
+ (dxrligtb.mf and dxiligtb.mf)
+
+12-MAY-1996 Added dcsc.mf and dcoc.mf (slanted and oblique=bold
+ extenden slanted caps and small caps)
+ Adapted dcsdtedt.tex appropriately
+ Added 30pt size (2986) to dcstdedt.tex
+ Made parameters of dcsl the same as dcr.mf, except,
+ of course, slant (Reported by Ulrik Vieth)
+ Added dcvi (variable width italic typewriter)
+ Made En- and Em-dash equal to hyphen in monospaced
+ fonts
+ Added kernings for nanovolts and hektowatts
+ Gave the cwm |x_height#|
+ Made the typewriter fonts really monospaced
+ (including ffl and ffi ligatures)
+ Added kerning >>. and >>, (suggested by Thierry Bouche)
+ Made dcsx0500 more extended (noted by Walter Schmidt)
+ Added more kernings after capital A
+ Added the additional font dimensions 23--31
+ Removed unneeded |lc_circle_height(#)|
+ Fixed lowercase hachek (dunhill!)
+
+11-MAY-1996 Tuned the |lower.cap_height#| of dccc1728
+
+10-MAY-1996 Corrected |corrital| to use the canonical sharp mode
+ (dxaccess.mf/Reported by Bernd Raichle)
+%% Added check against old |plain.mf| (suggeseted by Bernd Raichle)
+ Added check against |cmbase|
+ Added check against METAFONT 1.x
+ Applied patch from Andreas Schwab to |beginchar_twice|,
+ fixing the annoying `missing fi'-bug.
+ Changed def's in |dxpseudo.mf| to vardef's (found by
+ Andreas Schwab)
+
+24-APR-1996 Added |lower.dot_size#| to dctc.mf, removed
+ |lower.uu#| from the same file.
+ Changed the |basedef|-line for dcbi to contain unrounded
+ sizes (14.4 instead of 14 etc.)
+ Added bold slitex fonts (dclb8, dclo8, idclb8, idclo8)
+ Buildt in version consistency control
+ Moved some information from |dxaccess.mf| to |dxpseudo.mf|
+
+16-APR-1996 Added Bold Extended Small Caps (dcxc.mf)
+ Removed |ligs| from all parameter files, since
+ it is never used, removed it also from dxbase
+ Tuned some parameter in dccc
+ Introduced |lower.dot_size| as a new parameter
+
+15-APR-1996 Redid dxpseudo.mf; made many variables macros,
+ created macro pseudo_setup;
+ Inserted pseudo_setup at the appropriate places
+ Took provision for modes.mf in dxbase.mf
+ After some solid hacking the fonts compile again
+ Gone through the easern and western european letters,
+ did some clean up (character names, placement of \~N).
+
+14-APR-1996 Buildt in changes from plfonts 1.07 to fix resolution-
+ dependent metrics. This affects the following characters
+ and macros:
+ dxpunct.mf: French opening and closing quotes
+ dxruwest.mf/dxrueast.mf: All letters with acute, hungarian,
+ grave, and dot above; \L
+ dxrlwest, dxrleast, dxilwest, dxileast: All letters with acute,
+ hungarian, grave, and dot above; \L
+ dxaccess.mf: Corrections to |put_accent|, |put_dot|, |put_grave|
+ dxbase.mf: Included |beginchar_twice| and |repeat_once|
+ Introduced switch |true_mono| to get monospaced ligatures
+ Deleted macros for big mathematical operators from dxbase
+
+12-APR-1996 Applied suggestions of Daniel Taupin to dxrlwest and dxruwest
+ (Fine tuning of some accent positions)
+ dxrlwest.mf: Removed superfluos vround from lowercase edh
+ Played around with the shape of the sharp s: Made upper bowl
+ pos 4 lighter, moved pos 4 a bit leftwards.
+ Increased width of guillemets. Changed `guillemot' to
+ `guillemet' in order not to copy A*'s spelling error.
+
+28-FEB-1996 Applied fixes from cm85.bug
+ dxrulett.mf, letter J: pickup tiny.nib; bulb(3,4,5); % bulb
+ ditto for dxspl.mf and dxrueast.mf (IJ)
+ dxrllett.mf, dxrulett.mf letters w and W:
+ else: fill diag_end(6r,5r,1,1,5l,6l)--.9[z5l,z6l]
+ ..{z5-z6}.1[z5r,z6r]--cycle; % middle stem
+ dxrllett.mf, letter m:
+ lft x1l=hround(2.5u-.5stem); x1l=x1'l=x2l=x2'l; % stem, sic
+ lft x3l=hround(.5w-.5mfudged.stem); x5-x3=x3-x1;
+ if not monospace: r:=hround(x5+x1)+r-w; fi
+ % change width for better fit
+ dxrulett.mf, letter Q: Added penlabel No. 8
+ dxrllett.mf, letter i: Care for rounder dots
+ dxbase.mf: Use adjust_fit routines from cmbase1992
+ dxilwest.mf, dxrlwest.mf: Corrected italic correction of edh
+
+*********** Release of dc 1.2 Patchlevel 1 *************************************
+17-NOV-1995 Fixed bug #20:
+ Introduced ligature <hyphen> + <hyphenchar> ---> <hyphenchar>
+ Fixed bug #3: (Font identifier of dcci)
+ Fixed bug #14: Disappearing hairline of digit `8'
+ by applying fix to cm fonts of 1989.
+ From #15: Fix to italic l:
+ old: top y1=h; x1=x2; filldraw stroke z1e--z2e; % stem
+ new: top y1=h; x1=x2; filldraw stroke z1e--z2'e; % stem
+ Did the same to \l, \'l and \v l in dxleast.mf
+ Marked Fixed and partially fixed bugs in 00bugs.txt
+
+ 6-NOV-1995 Released file 00bugs.txt with list of `known bugs'
+
+*********** Release of dc 1.2 **************************************************
+31-AUG-1995 Adjusted german scharfes s
+ Tuned spread for dcbx
+ Adjusted semicolon
+ Removed unused parameter uu# from parameter files and
+ from dxbase
+ Restored line | forsuffixes $=notch_cut,cap_notch_cut: if $<3:
+ $:=3; fi endfor| in dxbase from cmbase.
+ Did some finish: file headers, documentation files,
+ deletion of old files
+
+28-AUG-1995 Added kerning Wn and Vn (polish/russian proper names)
+ Kern italic "W" like "V" instead of "T"
+
+24-AUG-1995 Made dcsi and dcso conformant with dcss and dcsx
+ Made single size parameter files for dcssdc10.mf,
+ dcsq8.mf, dcqi8.mf, dclq8.mf, and dcli8.mf
+ Added invisible fonts idclq8.mf and idcli8.mf
+ Deleted old files dcssdc.mf, dcqi.mf and dcsq.mf
+ Made SliTeX-style `I' work
+ Added boolean parameter |one_serif| to control base
+ serif on digit `1'
+ Added parameters for dcfb0500 (Fibonacci font), corrected
+ basesizes to be Fibonacci numbers.
+ |notch_cut#| and |cap_notch_cut#| are measured in |pt#|, not
+ in |1/36pt#|. Corrected in several parameter files.
+ Tuned again the sans parameters, this time for small sizes;
+ dcsx0500 works now, but it is more condensed than dcss0500
+
+17-AUG-1995 Changed positions 6, 7, and 6' of capital R from |vair| to
+ |.5[vair,cap_band]|, because |vair| looks too thin at 99.99pt
+ Undid the previous change again, since it causes more trouble
+ at low sizes than it saves a really large ones.
+ Changed |math_spread| in cmr to [-.2] for 17.28pt
+ Did the same for dcsl, dcss, and dcsi
+ Completely retuned the parameters for sans serif fonts.
+ dcsx is now always bolder then dcss, dcss much brighter
+ then in release 1.1
+ Tuned height of acute accent again.
+
+16-AUG-1995 Added some sidebearings to the double quotes
+ Added kerning for kV, kW, mV, mW, eV, Vv (Vvedensky)
+ Added kerning for \'n, \v{n}, \eng, and \~n
+ Added kerning for ,,j, ,,g, and ,,y
+ Added kerning between boundarychar and quotes
+ Defined |lig_O_table| and |lig_C_table|
+ Added kerning between Av and Aw
+ Added some special kerning for \l and \k{a}
+ Added `, ``, and '' to the characters with special kerning
+ after f and ff
+ Corrected bugs in |lig_a_table| and |lig_o_table| for roman
+ fonts
+ Added kernings for boundarychar and quotes for italic fonts
+ Added \AE to |lig_A_table| for italic fonts
+
+22-JUL-1995 Included renovated section sign from txsymbol
+ Added missing penlabel (9) to italic \dj
+ Included new shape of sharp s from fc fonts, added boolean
+ switch |classic_sharp_s| to decide between old and new shape
+
+16-JUL-1995 Introduced |accent_gap| in Capital letter U with ring
+ Corrected height of uppercase hachek for sans serif case
+ Changed definition of uc_acc_height#
+ dxcsc now recalculates the pseudoparameters for the lowercase
+ settings, this fixes a problem with \sc{\^o}
+ Moved acute on `i' a little to the left
+
+11-JUL-1995 Deleted macro |pi_stroke| from dxbase
+ Renamed second argument of the circle accent macros to
+ |y_bottom| (was |y_center| bzw. |y_move|, which gives a
+ wrong impression of its function)
+ Deleted pens and macros needed for calligraphic letters only
+ from dxbase
+ Replaced the original cm accents in dxaccent.mf with the
+ lowercase version used in the precomposed letters
+ Made proviso for dot accent in dxaccess
+ Adjusted height of a and g with breve
+ Removed no longer needed accent macros from dxbase
+ Adjusted height of accent macros in dxbase
+ Introduced |accent_gap| into dxbase, it is a little dirty
+ at the moment, but I can be sure that it is known when needed (jk)
+
+10-JUL-1995 Minor fix to |put_dot| in dxaccess
+
+ 3-JUL-1995 Corrected fudge in dcss.mf (the value for 17.28 is changed
+ from 1 to 0.965). This gives good results upto 99.99 pt
+ (Problem reported by Klaus Barthelmann, Mainz).
+ There is another problem with the parameters left,
+ causing the `=' sign to collapse at large sizes, ditto
+ with `#', `>', and `<'. (jk)
+
+19-JUN-1995 Corrected height of S with cedilla
+ Finally got the hachek on typewriter capitals looking okay
+
+18-JUN-1995 Made provision for tc blank symbol in dxaccess.mf
+ Added humanist design for blank space in serifed fonts
+ Changed the height of the blank space sign to reduce the
+ number of different heights in the font
+ Corrected height of T with cedilla
+ Made dotted capital I consistent with dotted capital Z (jk)
+
+17-JUN-1995 Made hyphenchar hanging iff not monospace (dxbraces.mf)
+ Adjusted height of lowercase umlaut (dxbase.mf, dxpseudo.mf) (jk)
+
+16-JUN-1995 Changed the naming scheme of dc fonts. Edited dcstdedt
+ appropriately, renamed the driver files
+ Zeroed depth of italic digit 7 (compare Knuth's remark at the
+ end of cm85.bug)
+ Changed the quotation marks to sit symetrically in their
+ boxen (dxpunct.mf)
+ Corrected boundary box of german opening quotes (dxpunct.mf) (jk)
+
+29-MAY-1995 Included fine tuning from polkap.mf (plfonts: driver for
+ caps'n'small caps) into dxcsc.mf
+ Replaced capital Eng with the one from the fc fonts and
+ deleted macro eng_stroke from dxbase.mf
+ Modelled grave after the acute accent (dxaccess.mf)
+ Changed all letters with grave accent (jk)
+
+19-MAY-1995 Completed preparations for sans typewriter
+ Changed acute accent to agree with plfonts
+ Changed all letters with acute to agree with plfonts
+ Removed comment in dxbraces (same slope as in the acute accent)
+ since the acute accent was changed
+ Deleted |uppercase_acute| from dxbase.mf
+ Changed the Hungarian long umlaut to be consistent with
+ the new acute accent (jk)
+
+ 7-MAY-1995 Replaced all settings of dot_diam# and dot_diam in the dc
+ fonts by pseudoparameters.
+ Removed all initialisations of heavy_hair
+ Introduced pseudoparameter lc_trema_height# from csfonts
+ Introduced boolean variable slitex (controls serifs on
+ capital I)
+ Introduced preparations for sans serif typewriter shape
+ (Serifs on I, upper serif on i and l if monospace [not completed])
+ Included some czech and slovak letter from csfonts
+ Included macros form csaccent.mf in dxaccess.mf (jk)
+
+22-APR-1995 Fixed more classic_serif bugs (dotless i and j)
+ Created dxpseudo.mf containing some pseudoparameters
+ Modified for test purposes the dot_height in dcr.mf (jk)
+
+21-APR-1995 Created dxaccess.mf from pl_dod.mf (plfonts)
+ Included polish special letters from plfonts
+ Included guillemets from plfonts
+ Modified the driver files to use dxaccess
+ Minor bug fix: Changed `enj' to `eng' in dxrleast and dxileast
+ Ditto: Changed `Italic letter d' to `... with hachek' in dxileast
+ Fixed some if classical_serif bugs (r with acute and hachek in
+ dxileast, i with circumflex in dxilwest)
+ Called italic classic serif fonts dcci* and added them to
+ dcstdedt.tex (jk)
+
+19-APR-1995 Edited off all Ctrl-Z's
+ Replaced lowercase edh with fixed version by Yannis
+ Replaced lowercase thorn with Knuth's version from cmman
+ Changed base serif to extend also to the right of the stem
+ Replaced dcb.mf with improved version by Tomas Vanhala
+ Applied bug fix to pounds sign
+ Fixed lig_a_table to contain oct"240" instead of oct"242" (\c c)
+ Added ligtables for monospaced fonts (dxmligtb.mf) (jk)
+
+Long ago: Edited stdedt.tex to produce all magstep sizes
+ Inserted endinput; to suppress Ctrl-Z
+ Fixed ?` and !` in the ligtable (jk)
+
+End.
diff --git a/Master/texmf-dist/doc/fonts/ec/dcdoc.tex b/Master/texmf-dist/doc/fonts/ec/dcdoc.tex
new file mode 100644
index 00000000000..f343e285538
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/ec/dcdoc.tex
@@ -0,0 +1,632 @@
+% dcdoc.tex
+% (c) Copyright 1995, 1996, 1997 J"org Knappen
+%
+% This file is part of ecfonts version 1.0
+% It will be replaced by better documentation when I find the time
+% to write it.
+%
+% Please read the files 00readme.txt, 00inst.txt, 00error.txt, and
+% copyrite.txt for further information
+%
+% You find some documentation in dcdoc.tex (needs LaTeX2e)
+%
+\NeedsTeXFormat{LaTeX2e}
+\documentclass{article}
+\usepackage{mflogo}
+\usepackage[T1]{fontenc}
+\defaulthyphenchar='0177 % use hanging hyphenation
+\renewcommand{\-}{\discretionary{\char'0177 }{}{}}
+\newcommand{\nicefrac}[2]{\leavevmode\kern.1em
+\raise.5ex\hbox{\the\scriptfont0 #1}\kern-.1em
+/\kern-.15em\lower.25ex\hbox{\the\scriptfont0 #2}}
+\newcommand{\ordmale}{\raise1ex\hbox{\underbar{\scriptsize o}}}
+\newcommand{\ordfemale}{\raise1ex\hbox{\underbar{\scriptsize a}}}
+\newcommand{\cwm}{\char'027}
+\title{The European Computer Modern Fonts\\
+ --- Documentation ---}
+\author{J\"org Knappen\\
+ Barbarossaring 43\\
+ 55118 Mainz\\
+ email: \texttt{knappen@vkpmzd.kph.uni-mainz.de}}
+\date{1--JUN--1996}
+\begin{document}
+\maketitle
+\section{Introduction}
+\subsection{The \textsf{dc} fonts}
+In 1990 at the TUG meeting at Cork, Ireland, the european \TeX\ user groups
+agreed on a 256 character incoding supporting many european languages with
+latin writing. This encoding is both an \emph{internal encoding} for \TeX\ %
+and a \emph{font encoding}. This double nature is a consequence of the fact,
+that both kind of encodings cannot be entirely separated within \TeX.
+
+The design goals of the Cork encoding are to allow as many languages as
+possible to be hyphenated correctly and to guarantee correct kerning for
+those languages. Therefore it includes many ready-made accented letters.
+
+It also includes some innovative features, which have not become very
+popular yet, though they deserve to become so. First to mention is a
+special, zero width invisible character, the compound word mark (cwm).
+Its design purpose is to assist correct hyphenation at morpheme boundaries,
+which can occur in minimal pairs (e.\,g. german \emph{Wachs-tube} vs.
+\emph{Wach-stube}), if the previous example is typeset in \emph{fraktur}
+different styles of the letter `s' are needed.
+
+In the new version dc 1.3 I have given the cwm a height, namely x-height,
+in order be function as a carrier of accents which are placed
+between letters like in the german abbreviature \emph{-b\u\cwm g.}
+(\emph{-burg}).
+
+The second innovative feature is the separation of the two characters
+$<$hyphen$>$ and $<$hyphenchar$>$. The hyphenchar is designed as a
+hanging hyphen, giving a smother text boundary.
+
+The final version of the Cork encoded fonts will be called \textsf{ec}
+(European Computer Modern or Extended Computer Modern) fonts. The current
+version, \textsf{dc 1.3}, is the last intermediate step towards the
+final version. Note, that in the cause of bug fixes and improvements, the
+metrics may change. After the renaming to \textsf{ec} the metrics will
+remain stable, as the metrics of the \textsf{cm} fonts do.
+
+\subsection{The \textsf{tc}-fonts}
+The need for a text companion font was first articulated in the discussion
+of new 256 character mathematical fonts in 1993. In order to achieve a
+better orthogonality between text and math, some text
+symbols stored in the math fonts should be moved to the text companion
+fonts\footnote{The archives of the
+math-font-discuss mailing list are available for ftp on
+\texttt{ftp.cogs.susx.ac.uk} in directory \texttt{pub/tex/mathfont}.}.
+The text companion fonts are also the ideal place to store some new
+characters, like currency symbols.
+
+There are now 108 characters in the \textsf{tc} fonts, including
+special uppercase versions of the accents, oldstyle digits,
+genealogical symbols, footnote symbols, currency symbols and
+other custom characters. The selection is unique and superior
+to most commercially available expert sets.
+
+\section{Supported languages}
+The following languages are supported by the Cork encoding:
+Afrikaans, Albanian, Breton, Croat, Czech, Danish, Dutch, English, Estonian,
+Faroese, Fin\-nish, French, Frisian, Gaelic, Galician, German, Greenlandic,
+Hungarian, Icelandic, Irish (modern orthography), Italian, Letzeburgish,
+Lusatian (Sorbian), Norwegian, Polish, Portuguese, Rhaetian (Rumantsch),
+Rumanian, Slovak, Slo\-ve\-ne, Spanish, Swedish, Turkish. Many non-european
+languages using the standard latin alphabet (e.\,g. Bahasa Indonesia,
+Suaheli) are also supported.
+
+In europe, the following languages aren't supported: Azeri, Basque,
+Catalan, Esperanto, Irish (old orthography), Latvian, Lithuanian, Maltese,
+Sami, Welsh. Of course, Greek and all languages with cyrillic writing are
+outside the scope of the Cork encoding.
+
+\section{Standard Control Sequences}
+
+The following standard control sequences are assigned with \LaTeX's
+\texttt{T1} encoding for the \textsf{dc} fonts:\\
+\texttt{\string\r} Ring accent (\texttt{\string\r\ u} gives \r{u})\\
+\texttt{\string\k} Ogonek (\texttt{\string\k\ e} gives \k{e})\\
+\texttt{\string\dh}, \texttt{\string\DH} Icelandic letter edh (\dh, \DH)\\
+\texttt{\string\dj}, \texttt{\string\DJ} Letter d with stroke (\dj, \DJ)\\
+\texttt{\string\ng}, \texttt{\string\NG} Letter eng (\ng, \NG)\\
+\texttt{\string\th}, \texttt{\string\TH} Icelandic letter thorn (\th, \TH).\\
+
+To load the \textsf{tc} fonts, use the \texttt{textcomp}-package, which
+provides control sequences for all the included symbols.
+
+\section{Ligatures}
+In the proportional fonts, the following ligatures are implemented:\\
+\begin{tabbing}
+\verb:---: \=--- (em dash) \kill
+\verb:--: \>-- (en dash)\\
+\verb:---: \>--- (em dash)\\
+\verb:``: \>`` (english opening quotes, german closing quotes)\\
+\verb:'': \>'' (english and polish closing quotes)\\
+\verb:,,: \>,, (german and polish opening quotes)\\
+\verb:<<: \><< (french opening quotes)\\
+\verb:>>: \>>> (french closing quotes)\\
+\verb:!`: \>!` (spanish opening exclamation mark)\\
+\verb:?`: \>?` (spanish opening question mark)\\
+\verb:fi: \>fi\\
+\verb:ff: \>ff\\
+\verb:fl: \>fl\\
+\verb:ffi: \>ffi\\
+\verb:ffl: \>ffl
+\end{tabbing}
+
+In the typewriter fonts, the following ligatures are implemented:
+\begin{tabbing}
+\verb:---: \=--- (em dash) \kill
+\verb:--: \>\texttt{--} (en dash or number range dash)\\
+\verb:---: \>\texttt{---} (em dash)\\
+\verb:``: \>\texttt{``} (english opening quotes, german closing quotes)\\
+\verb:'': \>\texttt{''} (english and polish closing quotes)\\
+\verb:,,: \>\texttt{,,} (german and polish opening quotes)\\
+\verb:<<: \>\texttt{<<} (french opening quotes)\\
+\verb:>>: \>\texttt{>>} (french closing quotes)\\
+\verb:!`: \>\texttt{!`} (spanish opening exclamation mark)\\
+\verb:?`: \>\texttt{?`} (spanish opening question mark)
+\end{tabbing}
+
+The convention on the dashes suites british usage for number range dashes
+best and does not interfer with any other known usage. In verbatim mode,
+all ligatures are switched off.
+
+\section{Hints on usage}
+
+The \textsf{dc} fonts are intended for text usage in european languages.
+The Cork font encoding is selected with the command
+\verb:\usepackage[T1]{fontenc}: in \LaTeXe.
+
+The \textsf{tc} fonts are a multi-purpose font. Suggested usages include
+verbatim setting of latin-1 and latin-2 listings, avoiding the so-called
+``hidden math'' in text mode (that's the reason, why there are footnote
+symbols in), providing building blocks for virtual fonts (oldstyle digits
+are included for this reason), or just providing otherwise unavailable
+symbols (like the permille sign).
+
+Some characters are primarily intended for verbatim listings, in plain text
+they may be replaced with macros. These characters include the raised digits,
+the fractions, the trademark sign, and the ordinal indicators.
+
+For text fractions, the following macro is suggested (from the \TeX book,
+exercise 11.6):
+\begin{verbatim}
+\newcommand{\nicefrac}[2]{\leavevmode\kern.1em
+\raise.5ex\hbox{\the\scriptfont0 #1}\kern-.1em
+/\kern-.15em\lower.25ex\hbox{\the\scriptfont0 #2}}
+\end{verbatim}
+It can produce arbitrary fractions and is not restricted to some simple
+cases, the output looks \nicefrac12, \nicefrac54, \nicefrac{17}{42}.
+
+For the ordinal indicators (\ordmale\ and \ordfemale),
+the following macros are suggested (from
+spanish.ldf, \textsf{babel} bundle):
+\begin{verbatim}
+\newcommand{\ordmale}{\raise1ex\hbox{\underbar{\scriptsize o}}}
+\newcommand{\ordfemale}{\raise1ex\hbox{\underbar{\scriptsize a}}}
+\end{verbatim}
+
+\section{Naming of the font files}
+Currently, the extended computer modern font have the prefix \textsf{dc}.
+This prefix will changew to \textsf{ec} with the final release after
+another round of bug fixing. I hope to make the transition from \textsf{dc}
+to \textsf{ec} in about one year. The text companion fonts have the prefix
+\textsf{tc}, which is not subject to change. However, later releases may
+included more characters and therefore have different checksums. No
+characters shall be removed from the \textsf{tc} fonts.
+
+Most of the \textsf{dc} fonts can be generated at any size one want in the
+range from 5pt to 100pt. For each size, a unique name is needed.
+
+With the release 1.2 of the \textsf{dc} fonts, a new, more precise naming
+scheme is in effect. Since there are widely used operating sytems limiting
+the file name to 8 character (plus an extension of 3 characters) the
+following scheme is used:
+
+\begin{itemize}
+\item The first two letters (either \texttt{dc} or \texttt{tc} denote
+ the encoding and the general design of the font.
+\item The one or two following letters denotes the family, shape, and
+ series attributes of the font. E.\,g. \texttt{r} for roman,
+ \texttt{bx} for bold extended, \texttt{ti} for text italic, or
+ \texttt{bi} for bold extended italic. A complete overview is given
+ at the end of this section.
+\item The following four digits give the design size in \TeX's points
+ multiplied with 100. E.\,g \texttt{1000} denotes tex point,
+ \texttt{1440} denotes magstep 2, i.\,e. 14.4 point, and
+ \texttt{0500} denotes five point.
+\end{itemize}
+
+Here are the implemented styles:
+
+\textbf{Roman family:} \texttt{r} roman, \texttt{b} bold, \texttt{bx} bold
+extended, \texttt{sl} slanted, \texttt{bl} bold extended slanted,
+\texttt{cc} caps and small caps, \texttt{xc} bold extended caps and small
+caps, \texttt{sc} slanted caps and small caps, \texttt{oc} oblique
+(bold extended slanted) caps and small caps,
+\texttt{ti} (text) italic, \texttt{bi} bold extended italic,
+\texttt{u} unslanted
+italic, \texttt{ci} classical serif italic (new design).
+
+\textbf{Sans serif family:} \texttt{ss} sans serif, \texttt{si} sans serif
+inclined (slanted), \texttt{sx} sans serif bold extended,
+\texttt{so} sans serif bold extended oblique (slanted).
+
+\textbf{Typewriter family:} \texttt{tt} typewriter, \texttt{tc} typewriter
+caps and small caps, \texttt{st} slanted typewriter,
+\texttt{it} italic typewriter.
+
+\textbf{Variable width typewriter family}
+\texttt{vt} variable width typewriter,
+\texttt{vi} variable width italic typewriter.
+
+\textbf{Various other fonts:} \texttt{bm} variant bold roman,
+\texttt{dh} dunhill, \texttt{fb} Fibonacci parameters, \texttt{ff} funny,
+\texttt{fi} funny italic. Expect errors with the funny fonts, they aren't
+really worked out.
+
+
+Here are some examples:\\
+\begin{tabular}{ll}
+\texttt{dcr1000} & European computer modern roman at 10pt\\
+\texttt{tcr1000} & Text companion symbols roman at 10pt\\
+\texttt{dcss1728} & European computer modern sans serif at 17.28pt\\
+\texttt{dcbx0900} & European computer modern roman bold extended at 9pt
+\end{tabular}\\[18pt]
+Some remaining fonts come at one size only, those are\\
+\begin{tabular}{ll}
+\texttt{dcssdc10} & sans serif demi-bold condensed\\
+\texttt{dcsq8} & sans serif quotation\\
+\texttt{dcqi8} & sans serif quotation inclined\\
+\texttt{dclq8} & latex sans serif quotation \\
+\texttt{dcli8} & latex sans serif quotation inclined\\
+\texttt{dclb8} & latex sans serif quotation bold\\
+\texttt{dclo8} & latex sans serif quotation oblique (bold inclined)\\
+\texttt{idclq8} & invisible latex sans serif quotation \\
+\texttt{idcli8} & invisible latex sans serif quotation inclined\\
+\texttt{idclb8} & invisible latex sans serif quotation bold\\
+\texttt{idclo8} & invisible latex sans serif quotation oblique.
+\end{tabular}\\
+The last eight fonts are for the \textsf{slides} document class, which
+replaces old \textsc{Sli}\TeX. They contain a special version of the capital
+letter `I'.
+
+\appendix
+
+\section{The Cork Encoding}
+\begin{tabbing}
+position \= base double straight quotes\kill
+position \> description \\
+(octal) \> \\
+\rule{\linewidth}{.4pt}\>\\
+Accents for lowercase letters\>\\
+\rule{\linewidth}{.4pt}\>\\
+000 \> grave \\
+001 \> acute \\
+002 \> circumflex\\
+003 \> tilde \\
+004 \> umlaut\\
+005 \> hungarian \\
+006 \> ring \\
+007 \> hachek\\
+010 \> breve \\
+011 \> macron\\
+012 \> dot above \\
+013 \> cedilla \\
+014 \> ogonek\\
+\rule{\linewidth}{.4pt}\>\\
+Miscellaneous\>\\
+\rule{\linewidth}{.4pt}\>\\
+015 \> single base quote \\
+016 \> single opening guillemet \\
+017 \> single closing guillemet \\
+020 \> english opening quotes \\
+021 \> english closing quotes \\
+022 \> base quotes \\
+023 \> opening guillemets \\
+024 \> closing guillemets \\
+025 \> en dash \\
+026 \> em dash \\
+027 \> compound word mark (invisible)\\
+030 \> perthousandzero\\
+031 \> dotless i\\
+032 \> dotless j\\
+033 \> ligature ff\\
+034 \> ligature fi\\
+035 \> ligature fl\\
+036 \> ligature ffi\\
+037 \> ligature ffl\\
+040 \> visible space\\
+\rule{\linewidth}{.4pt}\>\\
+ASCII\>\\
+\rule{\linewidth}{.4pt}\>\\
+041 \> exclamation mark\\
+042 \> straight quotes\\
+043 \> hash mark\\
+044 \> dollar sign\\
+045 \> percent sign\\
+046 \> ampersand\\
+047 \> apostroph\\
+050 \> opening parentheses\\
+051 \> closing parentheses\\
+052 \> asterisk\\
+053 \> plus sign\\
+054 \> comma\\
+055 \> hyphen (note: not minus sign)\\
+056 \> full stop\\
+057 \> solidus\\
+060 \> digit 0\\
+\dots\> \\
+071 \> digit 9\\
+072 \> colon\\
+073 \> semicolon\\
+074 \> less than sign\\
+075 \> equals sign\\
+076 \> greater than sign\\
+077 \> question mark\\
+080 \> commercial at\\
+081 \> capital letter A\\
+\dots\>\\
+132 \> capital letter Z\\
+133 \> opening square bracket\\
+134 \> backslash\\
+135 \> closing square bracket\\
+136 \> ASCII circumflex\\
+137 \> underscore\\
+140 \> opening quote (not ASCII grave!)\\
+141 \> lowercase letter a\\
+\dots\>\\
+172 \> lowercase letter z\\
+173 \> opening curly brace\\
+174 \> vertical bar\\
+175 \> closing curly brace\\
+176 \> ASCII tilde\\
+177 \> hyphenchar (hanging)\\
+\rule{\linewidth}{.4pt}\>\\
+Letters for eastern european languages (from latin-2)\>\\
+\rule{\linewidth}{.4pt}\>\\
+200 \> capital letter A with breve\\
+201 \> capital letter A eith ogonek\\
+202 \> capital letter C with acute\\
+203 \> capital letter C with hachek\\
+204 \> capital letter D with hachek\\
+205 \> capital letter E with hachek\\
+206 \> capital letter E with ogonek\\
+207 \> capital letter G with breve\\
+210 \> capital letter L with acute\\
+211 \> capital letter L with hachek\\
+212 \> capital letter crossed L\\
+213 \> capital letter N with acute\\
+214 \> capital letter N with hachek\\
+215 \> capital letter Eng\\
+216 \> capital letter O with hungarian double acute\\
+217 \> capital letter R with acute\\
+220 \> capital letter R with hachek\\
+221 \> capital letter S with acute\\
+222 \> capital letter S with hachek\\
+223 \> capital letter S with cedilla\\
+224 \> capital letter T with hachek\\
+225 \> capital letter T with cedilla\\
+226 \> capital letter U with hungarian double acute\\
+227 \> capital letter U with ring\\
+230 \> capital letter Y with diaeresis\\
+231 \> capital letter Z with acute\\
+232 \> capital letter Z with hachek\\
+233 \> capital letter Z with dot\\
+234 \> capital letter IJ\\
+235 \> capital letter I with dot\\
+236 \> lowercase letter d with bar\\
+237 \> section sign\\
+240 \> lowercase letter a with breve\\
+241 \> lowercase letter a with ogonek\\
+242 \> lowercase letter c with acute\\
+243 \> lowercase letter c with hachek\\
+244 \> lowercase letter d with hachek\\
+245 \> lowercase letter e with hachek\\
+246 \> lowercase letter e with ogonek\\
+247 \> lowercase letter g with breve\\
+250 \> lowercase letter l with acute\\
+251 \> lowercase letter l with hachek\\
+252 \> lowercase letter crossed l\\
+253 \> lowercase letter n with acute\\
+254 \> lowercase letter n with hachek\\
+255 \> lowercase letter eng\\
+256 \> lowercase letter o with hungarian double acute\\
+257 \> lowercase letter r with acute\\
+260 \> lowercase letter r with hachek\\
+261 \> lowercase letter s with acute\\
+262 \> lowercase letter s with hachek\\
+263 \> lowercase letter s with cedilla\\
+264 \> lowercase letter t with hachek\\
+265 \> lowercase letter t with cedilla\\
+266 \> lowercase letter u with hungarain double acute\\
+267 \> lowercase letter u with ring\\
+270 \> lowercase letter y with diaeresis\\
+271 \> lowercase letter z with acute\\
+272 \> lowercase letter z with hachek\\
+273 \> lowercase letter z with dot\\
+274 \> lowercase letter ij\\
+275 \> spanish inverted exclamation mark\\
+276 \> spanish inverted question mark\\
+277 \> pound sign\\
+\rule{\linewidth}{.4pt}\>\\
+Letters for western european languages (from latin-1)\>\\
+\rule{\linewidth}{.4pt}\>\\
+300 \> capital letter A with grave\\
+301 \> capital letter A with acute\\
+302 \> capital letter A with circumflex\\
+303 \> capital letter A with tilde\\
+304 \> capital letter A with diaeresis\\
+305 \> capital letter A with ring\\
+306 \> capital letter AE\\
+307 \> capital letter C with cedilla\\
+310 \> capital letter E with grave\\
+311 \> capital letter E with acute\\
+312 \> capital letter E with circumflex\\
+313 \> capital letter E with diaeresis\\
+314 \> capital letter I with grave\\
+315 \> capital letter I with acute\\
+316 \> capital letter I with circumflex\\
+317 \> capital letter I with diaeresis\\
+320 \> capital letter Edh (D with bar)\\
+321 \> capital letter N with tilde\\
+322 \> capital letter O with grave\\
+323 \> capital letter O with acute\\
+324 \> capital letter O with circumflex\\
+325 \> capital letter O with tilde\\
+326 \> capital letter O with diaeresis\\
+327 \> capital letter OE\\
+330 \> capital letter O with slash\\
+331 \> capital letter U with grave\\
+332 \> capital letter U with acute\\
+333 \> capital letter U with circumflex\\
+334 \> capital letter U with diaeresis\\
+335 \> capital letter Y with acute\\
+336 \> capital letter Thorn\\
+337 \> capital letter Sharp S (deviating from latin-1)\\
+340 \> lowercase letter a with grave\\
+341 \> lowercase letter a with acute\\
+342 \> lowercase letter a with circumflex\\
+343 \> lowercase letter a with tilde\\
+344 \> lowercase letter a with diaeresis\\
+345 \> lowercase letter a with ring\\
+346 \> lowercase letter ae\\
+347 \> lowercase letter c with cedilla\\
+350 \> lowercase letter e with grave\\
+351 \> lowercase letter e with acute\\
+352 \> lowercase letter e with circumflex\\
+353 \> lowercase letter e with diaeresis\\
+354 \> lowercase letter i with grave\\
+355 \> lowercase letter i with acute\\
+356 \> lowercase letter i with circumflex\\
+357 \> lowercase letter i with diaeresis\\
+360 \> lowercase letter edh\\
+361 \> lowercase letter n with tilde\\
+362 \> lowercase letter o with grave\\
+363 \> lowercase letter o with acute\\
+364 \> lowercase letter o with circumflex\\
+365 \> lowercase letter o with tilde\\
+366 \> lowercase letter o with diaeresis\\
+367 \> lowercase letter oe\\
+370 \> lowercase letter o with slash\\
+371 \> lowercase letter u with grave\\
+372 \> lowercase letter u with acute\\
+373 \> lowercase letter u with circumflex\\
+374 \> lowercase letter u with diaeresis\\
+375 \> lowercase letter y with acute\\
+376 \> lowercase letter thorn\\
+377 \> lowercase letter sharp s (deviating from latin-1)
+\end{tabbing}
+
+\section{The Text Companion Encoding}
+
+\begin{tabbing}
+position \= base double straight quotes\kill
+position \> description \\
+(octal) \> \\
+\rule{\linewidth}{.4pt}\>\\
+Accents for capital letters\>\\
+\rule{\linewidth}{.4pt}\>\\
+000 \> grave \\
+001 \> acute \\
+002 \> circumflex\\
+003 \> tilde \\
+004 \> umlaut\\
+005 \> hungarian \\
+006 \> ring \\
+007 \> hachek\\
+010 \> breve \\
+011 \> macron\\
+012 \> dot above \\
+013 \> cedilla \\
+014 \> ogonek\\
+\rule{\linewidth}{.4pt}\>\\
+Miscellaneous\>\\
+\rule{\linewidth}{.4pt}\>\\
+015 \> base single straight quote\\
+022 \> base double straight quotes\\
+025 \> twelve u dash \\
+026 \> three quarters emdash\\
+027 \> capital cwm\\
+030 \> left pointing arrow \\
+031 \> right pointing arrow \\
+032 \> tie accent (lowercase)\\
+033 \> tie accent (capital) \\
+040 \> blank symbol \\
+044 \> dollar sign\\
+047 \> straight quote \\
+052 \> centered star \\
+054 \> comma\\
+056 \> full stop\\
+057 \> fraction \\
+\rule{\linewidth}{.4pt}\>\\*
+Oldstyle digits \>\\*
+\rule{\linewidth}{.4pt}\>\\*
+060 \> oldstyle digit 0 \\
+061 \> oldstyle digit 1 \\
+062 \> oldstyle digit 2 \\
+063 \> oldstyle digit 3 \\
+064 \> oldstyle digit 4 \\
+065 \> oldstyle digit 5 \\
+066 \> oldstyle digit 6 \\
+067 \> oldstyle digit 7 \\*
+070 \> oldstyle digit 8 \\*
+071 \> oldstyle digit 9 \\
+\rule{\linewidth}{.4pt}\>\\
+Miscellaneous\>\\
+\rule{\linewidth}{.4pt}\>\\
+115 \> mho sign \\
+117 \> big circle \\
+127 \> ohm sign \\
+136 \> arrow up \\
+137 \> arrow down \\
+140 \> backtick (ASCII grave) \\
+142 \> born \\
+144 \> died \\
+154 \> leaf \\
+155 \> married \\
+156 \> musical note\\
+176 \> low tilde \\
+177 \> short equals\\
+\rule{\linewidth}{.4pt}\>\\
+TS1-symbols \>\\
+\rule{\linewidth}{.4pt}\>\\
+200 \> ASCII-style breve \\
+201 \> ASCII-style hachek\\
+202 \> double tick (ASCII double acute) \\
+203 \> double backtick \\
+204 \> dagger \\
+205 \> ddager \\
+206 \> double vert \\
+207 \> perthousand\\
+210 \> bullet \\
+211 \> centigrade \\
+212 \> dollaroldstyle\\
+213 \> centoldstyle\\
+214 \> florin \\
+215 \> colon \\
+216 \> won \\
+217 \> naira \\
+220 \> guarani \\
+221 \> peso \\
+222 \> lira \\
+223 \> recipe \\
+224 \> interrobang \\
+225 \> gnaborretni \\
+226 \> dong sign \\ % vietnamese currency
+227 \> trademark \\
+\rule{\linewidth}{.4pt}\>\\*
+Symbols from ISO-8859-1 (latin-1)\>\\*
+\rule{\linewidth}{.4pt}\>\\*
+242 \> cent \\*
+243 \> sterling \\
+244 \> currency sign \\
+245 \> yen \\
+246 \> broken vertical bar \\
+247 \> section sign \\
+250 \> high dieresis\\
+251 \> copyright \\
+252 \> feminine ordinal indicator \\
+254 \> logical not \\
+256 \> circled R \\
+257 \> macron\\
+260 \> degree sign \\
+261 \> plus-minus sign \\
+262 \> superscript 2 \\
+263 \> superscript 3 \\
+264 \> tick (ASCII-style acute) \\
+265 \> micro sign \\
+266 \> pilcrow sign \\
+267 \> centered dot \\
+271 \> superscript 1\\
+272 \> masculine ordinal indicator\\
+274 \> fraction one quarter\\
+275 \> fraction one half \\
+276 \> fraction three quarters\\
+326 \> multiplication sign (times) \\ % in fact misplaced
+366 \> division sign \\ % in fact misplaced
+\rule{\linewidth}{.4pt}\>\\
+\end{tabbing}
+
+\end{document}
+
diff --git a/Master/texmf-dist/doc/fonts/ec/ec-chg.txt b/Master/texmf-dist/doc/fonts/ec/ec-chg.txt
new file mode 100644
index 00000000000..880ed0c632e
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/ec/ec-chg.txt
@@ -0,0 +1,16 @@
+% ec-chg.txt
+%
+% (c) Copyright 1997 J"org Knappen
+%
+% This file is part of ecfonts version 1.0
+%
+% Please read the files 00readme.txt, 00inst.txt, 00error.txt, and
+% copyrite.txt for further information
+%
+% You find some documentation in ecdoc.tex (needs LaTeX2e)
+
+This file documents changes to the ec and tc fonts after 1-FEB-1997
+
+ 1-FEB-1997 Opened this file. Made minor corrections to the readme files.
+ Note the new e-mail adress: joerg.knappen@uni-mainz.de
+ The old one will remain valid for some time.
diff --git a/Master/texmf-dist/doc/fonts/ec/ecstdedt.tex b/Master/texmf-dist/doc/fonts/ec/ecstdedt.tex
new file mode 100644
index 00000000000..8a13d1bc94d
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/ec/ecstdedt.tex
@@ -0,0 +1,365 @@
+% ecstdedt.tex
+%
+% (c) Copyright 1995, 1996, 1997 J"org Knappen
+% (c) Copyright 1990, 1992 Norbert Schwarz
+%
+% This file is part of ecfonts version 1.0
+%
+% Please read the files 00readme.txt, 00inst.txt, 00error.txt, and
+% copyrite.txt for further information
+%
+% You find some documentation in ecdoc.tex (needs LaTeX2e)
+%
+% Generating MF-files for the EC fonts EC Version 1.0 / 19-JAN-1997
+%
+% Running TeX with this file as an input results in a lot of
+% Metafont font driver files (ecrm5.mf, ecrm6.mf, ..). The files
+% which should be generated are marked in the following macro
+% \FontsToBeGenerated. For each font there has to be an entry
+% with the pt sizes the font should be generate with. Additionally
+% in the heading \tablevalues all used pt sizes have to be mentioned,
+% just to get an fine printout.
+%
+% Furthermore there is a batch file which can be customized for the
+% Metafont batch run.
+%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%
+% please change only here:
+%
+\long\def\FontsToBeGenerated{
+
+ \tablevalues ( 5[0500] 6[0600] 7[0700] 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488]
+ 29.86[2986] 35.83[3583])
+
+ \makefont ecrm ( 5[0500] 6[0600] 7[0700] 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+ \makefont ecsl ( 5[0500] 6[0600] 7[0700] 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+ \makefont ecbx ( 5[0500] 6[0600] 7[0700] 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+ \makefont ecbl ( 5[0500] 6[0600] 7[0700] 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+ \makefont ecrb ( 5[0500] 6[0600] 7[0700] 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+ \makefont ecti ( 5[0500] 6[0600] 7[0700] 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+ \makefont ecui ( 5[0500] 6[0600] 7[0700] 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+ \makefont ecbi ( 5[0500] 6[0600] 7[0700] 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+ \makefont eccc ( 5[0500] 6[0600] 7[0700] 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+ \makefont ecxc ( 5[0500] 6[0600] 7[0700] 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+ \makefont ecsc ( 5[0500] 6[0600] 7[0700] 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+ \makefont ecoc ( 5[0500] 6[0600] 7[0700] 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+ \makefont ecci ( 5[0500] 6[0600] 7[0700] 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+ \makefont ectt (% 5[0500] 6[0600] 7[0700]
+ 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+ \makefont ecit (% 5[0500] 6[0600] 7[0700]
+ 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+ \makefont ecvt (% 5[0500] 6[0600] 7[0700]
+ 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+ \makefont ecvi (% 5[0500] 6[0600] 7[0700]
+ 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+ \makefont ectc (% 5[0500] 6[0600] 7[0700]
+ 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+ \makefont ecst (% 5[0500] 6[0600] 7[0700]
+ 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+ \makefont ecss ( 5[0500] 6[0600] 7[0700] 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+ \makefont ecsi ( 5[0500] 6[0600] 7[0700] 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+ \makefont ecsx ( 5[0500] 6[0600] 7[0700] 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+ \makefont ecso ( 5[0500] 6[0600] 7[0700] 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+% \makefont ecff ( 5[0500] 6[0600] 7[0700] 8[0800] 9[0900]
+% 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+% 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+% 35.83[3583])
+% \makefont ecfi ( 5[0500] 6[0600] 7[0700] 8[0800] 9[0900]
+% 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+% 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+% 35.83[3583])
+% \makefont ecfb ( 5[0500] 6[0600] 7[0700] 8[0800] 9[0900]
+% 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+% 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+% 35.83[3583])
+ \makefont ecdh ( 5[0500] 6[0600] 7[0700] 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+}
+% If a font with a fraction, e.g. "7.5", should be generated
+% and the file name is not allowed to contain a period, an
+% optional file name part can be specified.
+%
+% 7.5[0750]
+%
+% result in - may be - "dcr0750.mf" and an entry of "gensize:=7.5;"
+% (The new value has to be specified in the \tablevalues-line too!
+%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%
+% The Batch file entries ( #1 contains the fontname )
+%
+% should be of the following form:
+%
+% \def\BatchOutput{\BatchLine{...}%
+% ...
+% \BatchLine{...}}
+%
+%
+% preset value, change \BatchOutput if you like ....
+%
+\def\BatchOutput#1{
+ \BatchLine{$ MF "\string\mode=localfont; input #1"}
+}
+%
+% File naming conventions:
+%
+\def\BatchFileName{ecfonts.com}
+%
+%
+\def\MetafontFileExtension{.mf}
+%
+\def\modedef{} % e.g. \def\modedef{\string\mode:=hplaser;}
+%
+%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%
+% please n o changes from here, thanks !
+%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%
+%
+% (Avoiding inspecting the macros (sigh!)
+%
+% Norbert Schwarz, Dezember 1990
+%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\magnification\magstep1
+\overfullrule=0pt
+%\tracingonline1
+%\tracingcommands=1
+%\tracingmacros=1
+% some token handling
+\let\EA\expandafter
+\def\JoinToks#1=(#2+#3){#1=\EA\EA\EA{\EA\the\EA#2\the#3}}
+\def\UpToHere{\relax}
+\def\IgnoreRest#1#2\UpToHere{#1}
+\def\IgnoreFirst#1#2\relax\UpToHere{#2}
+\def\First#1{\EA\IgnoreRest\the#1{}\UpToHere}
+\def\FirstOf#1{\EA\EA\EA{\EA\IgnoreRest\the#1{}\UpToHere}}
+\def\MoveFirst(#1to#2){#2\FirstOf#1}
+\def\Rest#1{\EA\IgnoreFirst\the#1\relax\UpToHere}
+\def\RestOf#1{\EA\EA\EA{\EA\IgnoreFirst\the#1\relax\UpToHere}}
+\def\MoveRest(#1to#2){#2=\RestOf{#1}}
+% borrowed from p. 132 in N.Schwarz, Introduction to TeX (some advertising ..)
+
+\newtoks\Basis
+\newtoks\Table
+\def\storetoks#1{\toks0={#1}\JoinToks\Table=(\Table+\toks0)}
+\Table={}
+%
+\def\hash{##}
+\newwrite \batchoutput
+\newwrite \fontoutput
+\def\today{\ifcase\month\or
+ January\or Februar\or March\or April\or May\or June\or
+ July\or August\or September\or October\or November\or December\fi,
+ \number\day,
+ \space\number\year}
+
+\def\BatchLine#1{\immediate\write\batchoutput{#1}}
+\immediate\openout\batchoutput=\BatchFileName
+
+\def\empty{}
+\def\minus{-}
+\def\blank{ }
+\def\singlefont#1 {%
+ \def\fontsize{#1}%\message{<#1>}%
+ \ifx\fontsize\minus\let\next\relax
+ \else
+ \ifx\fontsize\empty\let\next\singlefont
+ \else
+ \ifx\fontsize\blank\let\next\singlefont
+ \else
+ \let\next\dofont
+ \fi\fi\fi
+ \next}
+
+\def\doentry{\MoveFirst(\Workbase to\Htok)%
+ \Workbase=\RestOf\Workbase
+ \edef\doou{\the\Htok}%
+ \ifx\doou\fontsize
+ \def\dooU{\storetoks{\hfill $\bullet$\hfill&}}%
+ \let\weiter\dooU
+ \else
+ \def\weiter{\storetoks{~\hfill&}\doentry}%
+ \fi\weiter}
+
+
+\def\singletablevalue#1 {%
+ \def\fontsize{#1}%
+ \ifx\fontsize\blank\let\next\singletablevalue
+ \else
+ \ifx\minus\fontsize\let\next\relax
+ \else\let\next\dotablevalue\fi
+ \fi
+ \next}
+
+\newtoks\Htok
+\newtoks\Workbase
+\def\dotablevalue{\edef\dooo{\Htok={{\fontsize}}}%
+ \dooo
+ \EA\storetoks\EA{\fontsize&}%
+ \JoinToks\Basis=(\Basis+\Htok)\singletablevalue}
+
+\def\tablevalues(#1){\storetoks{\bf Fonts &}\singletablevalue#1 -
+ \storetoks{\cr}}
+
+\def\makefont #1 (#2){\JoinToks\Workbase=(\Basis+\Basis)%
+ \myc=0\immediate\write15{}%
+ \edef\fontnamebody{#1}%
+ \def\dostoretoks{\storetoks{#1 &}}\dostoretoks
+ \singlefont #2 - \storetoks{\cr}}
+
+\def~{\ifdim\dimen0>0pt
+ \message{\number\dimen0}%
+ \global\advance\dimen0 by -5.25pt
+ \message{ }\fi}
+
+\newcount\myc
+\def\extraspaces{\setbox0=\hbox{\tt\fontname}%
+\dimen0=78.75pt
+\advance\dimen0 by -\wd0\relax
+ \advance\myc by 1
+ \ifnum \myc=5
+ \immediate\write15{}%
+ \myc=0 \fi}
+
+
+\def\dofonttest#1[#2]#3\nothing{%
+\def\fontsize{#2}%
+\ifx\fontsize\empty
+ \def\fontsizename{#1}%
+ \def\fontsize{#1}%
+\else
+ \def\fontsize{#1}%
+ \def\fontsizename{#2}%
+\fi}
+\def\dofont{\doentry\expandafter\dofonttest\fontsize[]\nothing\Dofont}
+
+{\catcode`\%=11
+\catcode`\|=14
+\gdef\Dofont{|
+ \edef\fontname{\fontnamebody\fontsizename\MetafontFileExtension}|
+ \edef\dowrite{|
+ \immediate\openout \fontoutput = \fontname|
+ \immediate\write
+ \fontoutput {% This is \fontname\space
+ in text format as of \today}|
+ \immediate\write \fontoutput {if unknown exbase: input exbase fi;}|
+ \immediate\write \fontoutput {}|
+ \immediate\write \fontoutput {\modedef}|
+ \immediate\write \fontoutput {gensize:=\fontsize;}|
+ \immediate\write \fontoutput {generate \fontnamebody}|
+ \immediate\closeout \fontoutput|
+ \BatchOutput{\fontnamebody\fontsizename}
+ \message{\fontname\blank}|\extraspaces~~~~~~~~~~~|
+}\dowrite\singlefont}}
+\immediate\write15{generated mf-files:}
+\immediate\write15{-------------------}
+
+\nopagenumbers
+
+\def\minimumbox#1{\setbox0=\hbox{#1}%
+ \ifdim\wd0>15pt \box0\else \hbox to 15pt{\hfil
+ \box0\hfil}\fi}
+\storetoks{\hrule
+\medskip
+\centerline{Overview EC - Standard font set}
+\medskip
+\hrule
+\bigskip
+\noindent The following table describes the generated {*.mf} files which
+are needed for the setup of the standard DC/EC-font set.
+\bigskip
+\bigskip
+$$\vbox\bgroup\nointerlineskip\halign\bgroup\hash\hfil\quad&&\strut
+ \quad\minimumbox{\hash}\cr
+\noalign{\medskip}}
+
+
+
+%\tracingonline1
+%\tracingmacros2
+%\tracingcommands1
+
+\FontsToBeGenerated
+
+\storetoks{\egroup\egroup$$}
+
+\let\hash=#
+\the\Table
+\end
diff --git a/Master/texmf-dist/doc/fonts/ec/tc-chg.txt b/Master/texmf-dist/doc/fonts/ec/tc-chg.txt
new file mode 100644
index 00000000000..819c04e2626
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/ec/tc-chg.txt
@@ -0,0 +1,169 @@
+% tc-chg.txt
+%
+% (c) Copyright 1995, 1996, 1997 J"org Knappen
+%
+% This file is part of ecfonts version 1.0
+%
+% Please read the files 00readme.txt, 00inst.txt, 00error.txt, and
+% copyrite.txt for further information
+%
+% You find some documentation in ecdoc.tex (needs LaTeX2e)
+
+This file documents changes to the tc fonts after 17-JUN-1995
+
+ 1-FEB-1997 After the release of the ec fonts, this file is closed.
+ Further changes will be documented in ec-chg.txt.
+
+19-JAN-1997 Adjusted height of capital hachek accent
+ Added <hyphen><hyphenchar> ligature even for tc fonts.
+
+11-JAN-1997 Tuned the center dot to work well with catalan l.l
+
+ 7-JAN-1997 Replaced |monospace| by |hefty| in condition for pos3 in
+ textsurd.
+ Added forgotten |pickup tiny.nib| to italic fractions
+ 1/2 and 1/4.
+ Improved shape of the low lying tilde.
+ Corrected |font_identifier| for tcsl (found by Ulrik Vieth)
+ Changed |vair| for tcso from 13 to 15 (found by Ulrik Vieth)
+ Added tcfs (Fibonacci Slanted) as suggeseted by Ulrik Vieth
+
+ Finally found the bug in upwards and downwards arrows, causing
+ strange pathes at high resolution. Some r's and l's were
+ switched.
+
+23-DEC-1996 Made all fontnames 4 letters + 4 digits for the interpolating
+ fonts. Renamed tcr -> tcrm, tcb -> tcrb, tcu -> tcui.
+
+22-DEC-1996 Got rid of txmacros.mf by moving the few definitions either
+ to exbase.mf or txaccent.mf.
+ Consequently applied |hi.| in txpseudo.mf.
+
+20-DEC-1996 Starting transition to ec: Renamed files, replaced |dcchar| by
+ |ecchar|, changed file headers, changed |version_check| to ask
+ for (1,0).
+
+19-NOV-1996 Added more characters: New capital tie, semantic brackets,
+ servicemark, abzueglich
+
+18-NOV-1996 Added more characters: textminus, ascender height cwm,
+ copyleft, circled P, new tie, capital new tie,
+ numero sign, aestimated sign, quill brackets,
+ reference mark, textsurd, open bullet
+
+18-NOV-1996 Applied the changes in dcbi parameters also to
+ tcbi
+
+*********** Release of dc 1.3 Patchlevel 4 *************************************
+
+25-AUG-1996 Applied the parameter change also to tcso at 5 pt
+
+*********** Release of dc 1.3 Patchlevel 3 *************************************
+
+23-AUG-1996 Changed Parameters for tcsx at 5 pt.
+
+23-AUG-1996 Added |zero_width| to the programme for the capital compound word
+ mark; without this statement the chardx value is wrong.
+
+*********** Release of dc 1.3 **************************************************
+
+31-MAY-1996 Corrected |tiny| for dcsx..tcso at 5 pt
+ Changed |clear_memory| to |clear_extra_memory|
+ Finnish
+ Checked parameters for several fonts (suggested
+ by Ulrik Vieth)
+
+12-MAY-1996 Added a capital cwm to the tc fonts
+ Changed several def's to vardef's in txpseudo.mf
+ Brought tcstdedt.tex up-to-date
+ Added tcvi (variable width italic typewriter)
+ Made tcr and tcsl parameters equal to dcr/dcsl
+ Made tcsx0500 more expanded, ditto tcso
+ Added the additional font dimensions 23--31
+ Removed unneeded |lc_circle_height(#)|
+
+24-APR-1996 Changed the |basedef|-line for tcbi to contain unrounded
+ sizes (14.4 instead of 14 etc.)
+ Buildt in version consistency control
+ Added comma and full stop to the tc character set,
+ this facilates macros for oldstyle digits.
+
+15-APR-1996 Remade txpseudo in the style of dxpseudo, with all
+ consequences
+
+14-APR-1996 Deleted superfluous |pickup fine.nib| in \textdivide
+ Added italic oldstyle digits by Gert-Jan Lockhorst
+
+******************* Version 1.0 *****************************************
+ 2-SEP-1995 Fixed bug in double hyphen and double hyphenchar (strokes
+ were too thin)
+
+31-AUG-1995 Finish: Added file headers, clean up the directory
+
+24-AUG-1995 Made sans serif parameters conformant with the dc sans
+ family
+
+ 6-AUG-1995 Added |if .5w <> good.x .5w: change_width; fi| to the bullet
+ Made superscripts and fractions less wide
+ Adjusted Registered (tail of R)
+
+ 4-AUG-1995 Changed depth of the big circle to
+ |max(desc_depth#,paren_depth#)|
+ Adjusted the C inside the copyright sign
+
+ 3-AUG-1995 Changed pen for horizontal crossbars in Yen, Won, Naira, Lira,
+ and Peso to |extra_rule.nib| (finer than |rule.nib|)
+ Added Female and Male Ordinal Indicators
+ Added trademark
+ Added Copyright and Registered, made the big circle deeper for
+ typewriter design (replaced |paren_depth| with |desc_depth|)
+ There are now all characters for release 1.0 implemented.
+
+25-JUL-1995 Added Baht sign (Thai currency)
+
+22-JUL-1995 Added Won, Naira, Peso and Dong
+ Added base serif to the pilcrow sign, if the font bears serifs,
+ the original design is still available in the sans serif font
+ Added Centigrade
+ Added alternate pilcrow with one vertical bar only in oct"231"
+ Added fractions 1/4, 1/2, 3/4
+ Added interrobang and gnaborretni
+ Added recipe, made provision for recipe in dxaccess.mf
+
+21-JUL-1995 Added superscript digits 1, 2, and 3 both for roman
+ and italic (New files txrsuper.mf and txisuper.mf)
+ Included degree sign and per ten thousand sign from
+ Yannis' Unicode Computer Modern fonts
+ Added symmetry fix from Alan Jeffrey's stmaryrd fonts to
+ the degree sign
+ Fine tuned the Lira sign to guarantee equal crossbars
+ Added tie accent, cm version (for lowercase) in txsymbol,
+ oct"023", and a new uppercase version in txaccent, oct"033".
+ Duplicated the double hyphen, one instance is completely inside
+ its box, placed on `-', the other is hanging (oct"177")
+ Renovated the section sign (\S), very much improved especially
+ for bold extended parameters.
+
+16-JUL-1995 Sorted accents in txaccent by their font position
+ Introduced |accent_gap| to the ring accent
+ Changed width of capital ring accent
+
+11-JUL-1995 Adjusted heights of capital accents
+ Added |cap_accent_height#| and |cap_accent_height| to txpseudo.mf
+ Finally got all capital accents in a consitent look (jk)
+
+10-JUL-1995 Adjusted umlaut, dot above and hachek accents to use with
+ capitals.
+ Added dirty trick for the sharp dimensions to txaccent.mf
+ Added a bunch of pseudoparameters to txpseudo.mf (jk)
+
+19-JUN-1995 Decided to add Ohm sign and Mho sign to the tc fonts.
+ Placed them on `W' and `M' respectively.
+
+18-JUN-1995 Added tick, double tick, back tick and double back tick
+ to txsymbol.mf
+ Added blank sign to txsymbol.mf
+ Created file txpseudo.mf with pseudoparameters
+ Added this file to the input list of txsymb.mf
+
+17-JUN-1995 The tc fonts are consolidated enough that I open the change log
diff --git a/Master/texmf-dist/doc/fonts/ec/tcstdedt.tex b/Master/texmf-dist/doc/fonts/ec/tcstdedt.tex
new file mode 100644
index 00000000000..de20eb8ea99
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/ec/tcstdedt.tex
@@ -0,0 +1,345 @@
+% tcstdedt.mf
+%
+% (c) Copyright 1995, 1996, 1997 J"org Knappen
+% (c) Copyright 1990, 1992 Norbert Schwarz
+%
+% This file is part of ecfonts version 1.0
+%
+% Please read the files 00readme.txt, 00inst.txt, 00error.txt, and
+% copyrite.txt for further information
+%
+% You find some documentation in dcdoc.tex (needs LaTeX2e)
+%
+% Generating MF-files for TC fonts EC Version 1.0 / 1-JAN-1997
+%
+% Running TeX with this file as an input results in a lot of
+% Metafont font driver files (tcrm5.mf, tcrm6.mf, ..). The files
+% which should be generated are marked in the following macro
+% \FontsToBeGenerated. For each font there has to be an entry
+% with the pt sizes the font should be generate with. Additionally
+% in the heading \tablevalues all used pt sizes have to be mentioned,
+% just to get an fine printout.
+%
+% Furthermore there is a batch file which can be customized for the
+% Metafont batch run.
+%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%
+% please change only here:
+%
+\long\def\FontsToBeGenerated{
+
+ \tablevalues ( 5[0500] 6[0600] 7[0700] 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+
+ \makefont tcrm ( 5[0500] 6[0600] 7[0700] 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+ \makefont tcsl ( 5[0500] 6[0600] 7[0700] 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+ \makefont tcbx ( 5[0500] 6[0600] 7[0700] 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+ \makefont tcbl ( 5[0500] 6[0600] 7[0700] 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+% \makefont tcfb ( 5[0500] 6[0600] 7[0700] 8[0800] 9[0900]
+% 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+% 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+% 35.83[3583])
+ \makefont tcrb ( 5[0500] 6[0600] 7[0700] 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+% \makefont tcdh ( 5[0500] 6[0600] 7[0700] 8[0800] 9[0900]
+% 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+% 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+% 35.83[3583])
+ \makefont tctt (% 5[0500] 6[0600] 7[0700]
+ 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+ \makefont tcvt (% 5[0500] 6[0600] 7[0700]
+ 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+ \makefont tcvi (% 5[0500] 6[0600] 7[0700]
+ 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+ \makefont tcst (% 5[0500] 6[0600] 7[0700]
+ 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+ \makefont tcit (% 5[0500] 6[0600] 7[0700]
+ 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+ \makefont tcss ( 5[0500] 6[0600] 7[0700] 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+ \makefont tcsi ( 5[0500] 6[0600] 7[0700] 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+ \makefont tcsx ( 5[0500] 6[0600] 7[0700] 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+ \makefont tcso ( 5[0500] 6[0600] 7[0700] 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+% \makefont tcff ( 5[0500] 6[0600] 7[0700] 8[0800] 9[0900]
+% 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+% 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+% 35.83[3583])
+% \makefont tcfi ( 5[0500] 6[0600] 7[0700] 8[0800] 9[0900]
+% 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+% 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+% 35.83[3583])
+ \makefont tcbi ( 5[0500] 6[0600] 7[0700] 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+ \makefont tcti ( 5[0500] 6[0600] 7[0700] 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+ \makefont tcui ( 5[0500] 6[0600] 7[0700] 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+ \makefont tcci ( 5[0500] 6[0600] 7[0700] 8[0800] 9[0900]
+ 10[1000] 10.95[1095] 12[1200] 14.4[1440]
+ 17.28[1728] 20.74[2074] 24.88[2488] 29.86[2986]
+ 35.83[3583])
+}
+% If a font with a fraction, e.g. "7.5", should be generated
+% and the file name is not allowed to contain a period, an
+% optional file name part can be specified.
+%
+% 7.5[0750]
+%
+% result in - may be - "tcr0750.mf" and an entry of "gensize:=7.5;"
+% (The new value has to be specified in the \tablevalues-line too!
+%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%
+% The Batch file entries ( #1 contains the fontname )
+%
+% should be of the following form:
+%
+% \def\BatchOutput{\BatchLine{...}%
+% ...
+% \BatchLine{...}}
+%
+%
+% preset value, change \BatchOutput if you like ....
+%
+\def\BatchOutput#1{
+ \BatchLine{$ MF "\string\mode=localfont; input #1"}
+% \BatchLine{mf/batch "&exbase \string\mode:=imagen; input #1"}
+}
+%
+% File naming conventions:
+%
+\def\BatchFileName{tcfonts.com}
+%
+%
+\def\MetafontFileExtension{.mf}
+%
+\def\modedef{} % e.g. \def\modedef{\string\mode:=hplaser;}
+%
+%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%
+% please n o changes from here, thanks !
+%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%
+%
+% (Avoiding inspecting the macros (sigh!)
+%
+% Norbert Schwarz, Dezember 1990
+%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\magnification\magstep1
+\overfullrule=0pt
+%\tracingonline1
+%\tracingcommands=1
+%\tracingmacros=1
+% some token handling
+\let\EA\expandafter
+\def\JoinToks#1=(#2+#3){#1=\EA\EA\EA{\EA\the\EA#2\the#3}}
+\def\UpToHere{\relax}
+\def\IgnoreRest#1#2\UpToHere{#1}
+\def\IgnoreFirst#1#2\relax\UpToHere{#2}
+\def\First#1{\EA\IgnoreRest\the#1{}\UpToHere}
+\def\FirstOf#1{\EA\EA\EA{\EA\IgnoreRest\the#1{}\UpToHere}}
+\def\MoveFirst(#1to#2){#2\FirstOf#1}
+\def\Rest#1{\EA\IgnoreFirst\the#1\relax\UpToHere}
+\def\RestOf#1{\EA\EA\EA{\EA\IgnoreFirst\the#1\relax\UpToHere}}
+\def\MoveRest(#1to#2){#2=\RestOf{#1}}
+% borrowed from p. 132 in N.Schwarz, Introduction to TeX (some advertising ..)
+
+\newtoks\Basis
+\newtoks\Table
+\def\storetoks#1{\toks0={#1}\JoinToks\Table=(\Table+\toks0)}
+\Table={}
+%
+\def\hash{##}
+\newwrite \batchoutput
+\newwrite \fontoutput
+\def\today{\ifcase\month\or
+ January\or Februar\or March\or April\or May\or June\or
+ July\or August\or September\or October\or November\or December\fi,
+ \number\day,
+ \space\number\year}
+
+\def\BatchLine#1{\immediate\write\batchoutput{#1}}
+\immediate\openout\batchoutput=\BatchFileName
+
+\def\empty{}
+\def\minus{-}
+\def\blank{ }
+\def\singlefont#1 {%
+ \def\fontsize{#1}%\message{<#1>}%
+ \ifx\fontsize\minus\let\next\relax
+ \else
+ \ifx\fontsize\empty\let\next\singlefont
+ \else
+ \ifx\fontsize\blank\let\next\singlefont
+ \else
+ \let\next\dofont
+ \fi\fi\fi
+ \next}
+
+\def\doentry{\MoveFirst(\Workbase to\Htok)%
+ \Workbase=\RestOf\Workbase
+ \edef\doou{\the\Htok}%
+ \ifx\doou\fontsize
+ \def\dooU{\storetoks{\hfill $\bullet$\hfill&}}%
+ \let\weiter\dooU
+ \else
+ \def\weiter{\storetoks{~\hfill&}\doentry}%
+ \fi\weiter}
+
+
+\def\singletablevalue#1 {%
+ \def\fontsize{#1}%
+ \ifx\fontsize\blank\let\next\singletablevalue
+ \else
+ \ifx\minus\fontsize\let\next\relax
+ \else\let\next\dotablevalue\fi
+ \fi
+ \next}
+
+\newtoks\Htok
+\newtoks\Workbase
+\def\dotablevalue{\edef\dooo{\Htok={{\fontsize}}}%
+ \dooo
+ \EA\storetoks\EA{\fontsize&}%
+ \JoinToks\Basis=(\Basis+\Htok)\singletablevalue}
+
+\def\tablevalues(#1){\storetoks{\bf Fonts &}\singletablevalue#1 -
+ \storetoks{\cr}}
+
+\def\makefont #1 (#2){\JoinToks\Workbase=(\Basis+\Basis)%
+ \myc=0\immediate\write15{}%
+ \edef\fontnamebody{#1}%
+ \def\dostoretoks{\storetoks{#1 &}}\dostoretoks
+ \singlefont #2 - \storetoks{\cr}}
+
+\def~{\ifdim\dimen0>0pt
+ \message{\number\dimen0}%
+ \global\advance\dimen0 by -5.25pt
+ \message{ }\fi}
+
+\newcount\myc
+\def\extraspaces{\setbox0=\hbox{\tt\fontname}%
+\dimen0=78.75pt
+\advance\dimen0 by -\wd0\relax
+ \advance\myc by 1
+ \ifnum \myc=5
+ \immediate\write15{}%
+ \myc=0 \fi}
+
+
+\def\dofonttest#1[#2]#3\nothing{%
+\def\fontsize{#2}%
+\ifx\fontsize\empty
+ \def\fontsizename{#1}%
+ \def\fontsize{#1}%
+\else
+ \def\fontsize{#1}%
+ \def\fontsizename{#2}%
+\fi}
+\def\dofont{\doentry\expandafter\dofonttest\fontsize[]\nothing\Dofont}
+
+{\catcode`\%=11
+\catcode`\|=14
+\gdef\Dofont{|
+ \edef\fontname{\fontnamebody\fontsizename\MetafontFileExtension}|
+ \edef\dowrite{|
+ \immediate\openout \fontoutput = \fontname|
+ \immediate\write
+ \fontoutput {% This is \fontname\space
+ in text format as of \today}|
+ \immediate\write \fontoutput {if unknown exbase: input exbase fi;}|
+ \immediate\write \fontoutput {}|
+ \immediate\write \fontoutput {\modedef}|
+ \immediate\write \fontoutput {gensize:=\fontsize;}|
+ \immediate\write \fontoutput {generate \fontnamebody}|
+ \immediate\closeout \fontoutput|
+ \BatchOutput{\fontnamebody\fontsizename}
+ \message{\fontname\blank}|\extraspaces~~~~~~~~~~~|
+}\dowrite\singlefont}}
+\immediate\write15{generated mf-files:}
+\immediate\write15{-------------------}
+
+\nopagenumbers
+
+\def\minimumbox#1{\setbox0=\hbox{#1}%
+ \ifdim\wd0>15pt \box0\else \hbox to 15pt{\hfil
+ \box0\hfil}\fi}
+\storetoks{\hrule
+\medskip
+\centerline{Overview TC - Standard font set}
+\medskip
+\hrule
+\bigskip
+\noindent The following table describes the generated {*.mf} files which
+are needed for the setup of the standard TC-font set.
+\bigskip
+\bigskip
+$$\vbox\bgroup\nointerlineskip\halign\bgroup\hash\hfil\quad&&\strut
+ \quad\minimumbox{\hash}\cr
+\noalign{\medskip}}
+
+
+
+%\tracingonline1
+%\tracingmacros2
+%\tracingcommands1
+
+\FontsToBeGenerated
+
+\storetoks{\egroup\egroup$$}
+
+\let\hash=#
+\the\Table
+\end
diff --git a/Master/texmf-dist/doc/fonts/eco/CHANGES b/Master/texmf-dist/doc/fonts/eco/CHANGES
new file mode 100644
index 00000000000..e7a6872b976
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/eco/CHANGES
@@ -0,0 +1,24 @@
+eco fonts v1.3 -- CHANGES
+=========================
+
+v1.1 (1998/06/04):
+- Fixed a fairly nasty spacing error:
+ fontinst doesn't use the \fontdimens from the .pl files it reads in,
+ but uses its own standard values instead; this can lead to inferior
+ typesetting quality in some cases.
+ dostretch.mtx fixes this problem.
+ Thanks to Rowland <rebecca@astrid.u-net.com> for spotting this
+ problem and to Alan Jeffrey <ajeffrey@cs.depaul.edu> for providing
+ a fix.
+v1.2 (1998/07/19):
+- Added INSTALL. Funny, I never really thought of writing an
+ installation guide.
+- New command \newstylenums{} in eco.sty (analogous to \oldstylenums{}.)
+v1.3 (1999/06/4):
+- I became a victim of copy&paste: The file T1cmoss.fd contained
+ substitution rules for cmor, which substituted cmor/m/sl for
+ cmor/m/it once T1cmoss.fd was loaded. This is one of those
+ errors that simply shout out "Hit me, I'm stupid!".
+- \newstylenums{} works now. (Nobody ever noticed this, so apparently
+ nobody ever used this command, not even the person who requested it.)
+- Fixed some bugs concerning logging in create.sh.
diff --git a/Master/texmf-dist/doc/fonts/eco/COPYING b/Master/texmf-dist/doc/fonts/eco/COPYING
new file mode 100644
index 00000000000..e77696ae8dd
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/eco/COPYING
@@ -0,0 +1,339 @@
+ GNU GENERAL PUBLIC LICENSE
+ Version 2, June 1991
+
+ Copyright (C) 1989, 1991 Free Software Foundation, Inc.
+ 675 Mass Ave, Cambridge, MA 02139, USA
+ Everyone is permitted to copy and distribute verbatim copies
+ of this license document, but changing it is not allowed.
+
+ Preamble
+
+ The licenses for most software are designed to take away your
+freedom to share and change it. By contrast, the GNU General Public
+License is intended to guarantee your freedom to share and change free
+software--to make sure the software is free for all its users. This
+General Public License applies to most of the Free Software
+Foundation's software and to any other program whose authors commit to
+using it. (Some other Free Software Foundation software is covered by
+the GNU Library General Public License instead.) You can apply it to
+your programs, too.
+
+ When we speak of free software, we are referring to freedom, not
+price. Our General Public Licenses are designed to make sure that you
+have the freedom to distribute copies of free software (and charge for
+this service if you wish), that you receive source code or can get it
+if you want it, that you can change the software or use pieces of it
+in new free programs; and that you know you can do these things.
+
+ To protect your rights, we need to make restrictions that forbid
+anyone to deny you these rights or to ask you to surrender the rights.
+These restrictions translate to certain responsibilities for you if you
+distribute copies of the software, or if you modify it.
+
+ For example, if you distribute copies of such a program, whether
+gratis or for a fee, you must give the recipients all the rights that
+you have. You must make sure that they, too, receive or can get the
+source code. And you must show them these terms so they know their
+rights.
+
+ We protect your rights with two steps: (1) copyright the software, and
+(2) offer you this license which gives you legal permission to copy,
+distribute and/or modify the software.
+
+ Also, for each author's protection and ours, we want to make certain
+that everyone understands that there is no warranty for this free
+software. If the software is modified by someone else and passed on, we
+want its recipients to know that what they have is not the original, so
+that any problems introduced by others will not reflect on the original
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+
+ Finally, any free program is threatened constantly by software
+patents. We wish to avoid the danger that redistributors of a free
+program will individually obtain patent licenses, in effect making the
+program proprietary. To prevent this, we have made it clear that any
+patent must be licensed for everyone's free use or not licensed at all.
+
+ The precise terms and conditions for copying, distribution and
+modification follow.
+
+ GNU GENERAL PUBLIC LICENSE
+ TERMS AND CONDITIONS FOR COPYING, DISTRIBUTION AND MODIFICATION
+
+ 0. This License applies to any program or other work which contains
+a notice placed by the copyright holder saying it may be distributed
+under the terms of this General Public License. The "Program", below,
+refers to any such program or work, and a "work based on the Program"
+means either the Program or any derivative work under copyright law:
+that is to say, a work containing the Program or a portion of it,
+either verbatim or with modifications and/or translated into another
+language. (Hereinafter, translation is included without limitation in
+the term "modification".) Each licensee is addressed as "you".
+
+Activities other than copying, distribution and modification are not
+covered by this License; they are outside its scope. The act of
+running the Program is not restricted, and the output from the Program
+is covered only if its contents constitute a work based on the
+Program (independent of having been made by running the Program).
+Whether that is true depends on what the Program does.
+
+ 1. You may copy and distribute verbatim copies of the Program's
+source code as you receive it, in any medium, provided that you
+conspicuously and appropriately publish on each copy an appropriate
+copyright notice and disclaimer of warranty; keep intact all the
+notices that refer to this License and to the absence of any warranty;
+and give any other recipients of the Program a copy of this License
+along with the Program.
+
+You may charge a fee for the physical act of transferring a copy, and
+you may at your option offer warranty protection in exchange for a fee.
+
+ 2. You may modify your copy or copies of the Program or any portion
+of it, thus forming a work based on the Program, and copy and
+distribute such modifications or work under the terms of Section 1
+above, provided that you also meet all of these conditions:
+
+ a) You must cause the modified files to carry prominent notices
+ stating that you changed the files and the date of any change.
+
+ b) You must cause any work that you distribute or publish, that in
+ whole or in part contains or is derived from the Program or any
+ part thereof, to be licensed as a whole at no charge to all third
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+
+ c) If the modified program normally reads commands interactively
+ when run, you must cause it, when started running for such
+ interactive use in the most ordinary way, to print or display an
+ announcement including an appropriate copyright notice and a
+ notice that there is no warranty (or else, saying that you provide
+ a warranty) and that users may redistribute the program under
+ these conditions, and telling the user how to view a copy of this
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+ the Program is not required to print an announcement.)
+
+These requirements apply to the modified work as a whole. If
+identifiable sections of that work are not derived from the Program,
+and can be reasonably considered independent and separate works in
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+sections when you distribute them as separate works. But when you
+distribute the same sections as part of a whole which is a work based
+on the Program, the distribution of the whole must be on the terms of
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+entire whole, and thus to each and every part regardless of who wrote it.
+
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+your rights to work written entirely by you; rather, the intent is to
+exercise the right to control the distribution of derivative or
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+
+In addition, mere aggregation of another work not based on the Program
+with the Program (or with a work based on the Program) on a volume of
+a storage or distribution medium does not bring the other work under
+the scope of this License.
+
+ 3. You may copy and distribute the Program (or a work based on it,
+under Section 2) in object code or executable form under the terms of
+Sections 1 and 2 above provided that you also do one of the following:
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+
+ 4. You may not copy, modify, sublicense, or distribute the Program
+except as expressly provided under this License. Any attempt
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+
+ 5. You are not required to accept this License, since you have not
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+distribute the Program or its derivative works. These actions are
+prohibited by law if you do not accept this License. Therefore, by
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+ 6. Each time you redistribute the Program (or any work based on the
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+infringement or for any other reason (not limited to patent issues),
+conditions are imposed on you (whether by court order, agreement or
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+If any portion of this section is held invalid or unenforceable under
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+
+This section is intended to make thoroughly clear what is believed to
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+
+ 8. If the distribution and/or use of the Program is restricted in
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+original copyright holder who places the Program under this License
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+ 9. The Free Software Foundation may publish revised and/or new versions
+of the General Public License from time to time. Such new versions will
+be similar in spirit to the present version, but may differ in detail to
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+
+Each version is given a distinguishing version number. If the Program
+specifies a version number of this License which applies to it and "any
+later version", you have the option of following the terms and conditions
+either of that version or of any later version published by the Free
+Software Foundation. If the Program does not specify a version number of
+this License, you may choose any version ever published by the Free Software
+Foundation.
+
+ 10. If you wish to incorporate parts of the Program into other free
+programs whose distribution conditions are different, write to the author
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+
+ NO WARRANTY
+
+ 11. BECAUSE THE PROGRAM IS LICENSED FREE OF CHARGE, THERE IS NO WARRANTY
+FOR THE PROGRAM, TO THE EXTENT PERMITTED BY APPLICABLE LAW. EXCEPT WHEN
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+
+ 12. IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING
+WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MAY MODIFY AND/OR
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+INCLUDING ANY GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES ARISING
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+TO LOSS OF DATA OR DATA BEING RENDERED INACCURATE OR LOSSES SUSTAINED BY
+YOU OR THIRD PARTIES OR A FAILURE OF THE PROGRAM TO OPERATE WITH ANY OTHER
+PROGRAMS), EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+ END OF TERMS AND CONDITIONS
+
+ How to Apply These Terms to Your New Programs
+
+ If you develop a new program, and you want it to be of the greatest
+possible use to the public, the best way to achieve this is to make it
+free software which everyone can redistribute and change under these terms.
+
+ To do so, attach the following notices to the program. It is safest
+to attach them to the start of each source file to most effectively
+convey the exclusion of warranty; and each file should have at least
+the "copyright" line and a pointer to where the full notice is found.
+
+ <one line to give the program's name and a brief idea of what it does.>
+ Copyright (C) 19yy <name of author>
+
+ This program is free software; you can redistribute it and/or modify
+ it under the terms of the GNU General Public License as published by
+ the Free Software Foundation; either version 2 of the License, or
+ (at your option) any later version.
+
+ This program is distributed in the hope that it will be useful,
+ but WITHOUT ANY WARRANTY; without even the implied warranty of
+ MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
+ GNU General Public License for more details.
+
+ You should have received a copy of the GNU General Public License
+ along with this program; if not, write to the Free Software
+ Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA.
+
+Also add information on how to contact you by electronic and paper mail.
+
+If the program is interactive, make it output a short notice like this
+when it starts in an interactive mode:
+
+ Gnomovision version 69, Copyright (C) 19yy name of author
+ Gnomovision comes with ABSOLUTELY NO WARRANTY; for details type `show w'.
+ This is free software, and you are welcome to redistribute it
+ under certain conditions; type `show c' for details.
+
+The hypothetical commands `show w' and `show c' should show the appropriate
+parts of the General Public License. Of course, the commands you use may
+be called something other than `show w' and `show c'; they could even be
+mouse-clicks or menu items--whatever suits your program.
+
+You should also get your employer (if you work as a programmer) or your
+school, if any, to sign a "copyright disclaimer" for the program, if
+necessary. Here is a sample; alter the names:
+
+ Yoyodyne, Inc., hereby disclaims all copyright interest in the program
+ `Gnomovision' (which makes passes at compilers) written by James Hacker.
+
+ <signature of Ty Coon>, 1 April 1989
+ Ty Coon, President of Vice
+
+This General Public License does not permit incorporating your program into
+proprietary programs. If your program is a subroutine library, you may
+consider it more useful to permit linking proprietary applications with the
+library. If this is what you want to do, use the GNU Library General
+Public License instead of this License.
diff --git a/Master/texmf-dist/doc/fonts/eco/INSTALL b/Master/texmf-dist/doc/fonts/eco/INSTALL
new file mode 100644
index 00000000000..efc3f971831
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/eco/INSTALL
@@ -0,0 +1,28 @@
+eco fonts v1.3 -- INSTALL
+=========================
+
+The eco fonts have to be installed in addition to the ec fonts by J"org
+Knappen <knappen@vkpmzd.kph.uni-mainz.de>. You can get the ec fonts from
+CTAN:/fonts/ec.
+
+All the files ending in .sty, .tfm, .vf and .fd have to installed where TeX
+and/or your dvi driver can find them. Please refer to your TeX distribution's
+manual for how to install additional packages.
+
+According to the TeX Directory Standard (TDS), the files should be installed
+in your local texmf/ tree as follows:
+
+-- src/eco.sty -> texmf/tex/latex/eco/
+-- tfm/* -> texmf/fonts/tfm/public/eco/
+-- vf/* -> texmf/fonts/vf/public/eco/
+-- fd/* -> texmf/tex/latex/eco/
+
+
+To use the eco fonts in your documents, load eco.sty by including the
+following:
+
+ \usepackage{eco}
+
+eco.sty provides the additional command \newstylenums{} (analogous to
+\oldstylenums{}) which switches back to new-style figures.
+
diff --git a/Master/texmf-dist/doc/fonts/eco/README b/Master/texmf-dist/doc/fonts/eco/README
new file mode 100644
index 00000000000..b5ae5bd8d08
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/eco/README
@@ -0,0 +1,48 @@
+eco fonts v1.3 -- README
+========================
+
+This is a set of font metric files and virtual fonts for using the ec fonts
+with oldstyle numerals. This font family is called eco fonts. (No pun
+intended.)
+
+It can only be used together with the standard ec fonts. (European Computer
+Modern fonts by J"org Knappen <knappen@vkpmzd.kph.uni-mainz.de>,
+CTAN:/fonts/ec)
+
+It consists of:
+ - .tfm files for use by TeX in new Cork encoding
+ - .vf (virtual font) files for dvi drivers
+ - .fd (font definition) files for use with LaTeX2e
+ - eco.sty style file which loads the T1 encoding and sets the family defaults
+ for eco fonts.
+ - create.sh (Bourne shell script) which reproduces the whole font family.
+ *DO NOT RUN THIS SCRIPT* if you don't know exactly what you're doing! It
+ is only provided as a sample of how to produce such a font family and it
+ *NOT* needed for normal operation.
+
+The .tfm files of the eco fonts were produced using the original .tfm files of
+the ec fonts from CTAN.
+
+eco.sty is sufficient to use the eco fonts, but if you intend to use other
+font families as well, eg. PostScript fonts, I recommend that you try the
+altfont package, from CTAN:/macros/latex/contrib/supported/altfont.
+
+Because some of the filenames have more than 8 characters, I am afraid that
+the package is unusable with MS-DOG.
+
+
+Copyright (C) 1996--1999 Sebastian Marius Kirsch <skirsch@t-online.de>
+
+This program is free software; you can redistribute it and/or modify
+it under the terms of the GNU General Public License as published by
+the Free Software Foundation; either version 2 of the License, or
+(at your option) any later version.
+
+This program is distributed in the hope that it will be useful,
+but WITHOUT ANY WARRANTY; without even the implied warranty of
+MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
+GNU General Public License for more details.
+
+You should have received a copy of the GNU General Public License
+along with this program; if not, write to the Free Software
+Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA.
diff --git a/Master/texmf-dist/doc/fonts/eco/VERSION b/Master/texmf-dist/doc/fonts/eco/VERSION
new file mode 100644
index 00000000000..be41e0f6a67
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/eco/VERSION
@@ -0,0 +1,2 @@
+eco fonts v1.3
+Copyright (C) 1996--1999, Sebastian Marius Kirsch <skirsch@t-online.de>
diff --git a/Master/texmf-dist/doc/fonts/elvish/README b/Master/texmf-dist/doc/fonts/elvish/README
new file mode 100644
index 00000000000..4bb3346b45f
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/elvish/README
@@ -0,0 +1,94 @@
+28/06/91 As a concession to those who for some reason don't have Metafont,
+the following files are now included: teng10.tfm and cirth.tfm (the font
+metric files), and {teng10,cirth}.pk{300,360} (the pk files generated
+with mode imagen (i.e. Laserwriter) at normal size and at magstep 1).
+
+
+(README changed 13/06/90; conditions relaxed)
+
+*** Important Note ***
+
+These files are copyright (c) 1987 J.C. Bradfield.
+They are distributed on the following conditions:
+ (a) You may make the source and generated fonts available at your site.
+ (b) You may use the generated fonts in any academic or non-commercial
+ publication. You may not charge, or allow any other user at your
+ site to charge, for use of these fonts.
+ (c) You, or any user at your site, may make modifications for his or
+ her own use. If you distribute any modified form of these files, you
+ must include the original files clearly labelled as such.
+ If you produce modifications that seem useful, you are asked to
+ send them to me, so that they can be incorporated into the master
+ files.
+ (d) You may redistribute these files to single individuals (who are
+ asked to act on the note below), but you may *not* place these
+ files in a public archive site without my permission.
+
+The tengwar font is still under development; when I consider that a
+reasonably final version has been produced, conditions (c) and (d)
+will no longer apply; but until then I ask you to comply.
+
+
+*** PLEASE *** If you use these fonts, let me know (at the contact
+address below). One day, I may actually get round to the necessary tidying
+and improvement, at which time I shall want to replace all earlier versions.
+In particular, I hope that the facilities of TeX 3.0 will allow a great
+improvement in the "user interface" to the fonts.
+
+
+******************************************
+
+The only file that needs to be input is teng10.mf ; all the other
+files are called by it. Hence, on a Unix system, the following
+should generate a tengwar font at magnification \magstep1 for
+the Apple Laserwriter:
+mf '\mode:=imagen; mag := magstep1; input teng10'
+
+If you have difficulties, contact your local Metafont guru in
+the first instance.
+
+*****************************************
+
+The cirth font is rather hastily put together, and is not properly
+organized as yet. It is therefore distributed as a single stand-alone
+file, so again all you have to do is:
+mf '\mode:=imagen; mag := magstep1; input cirth'
+
+*****************************************
+
+The file teng.tex contains the macros I use for setting tenwar
+when using TeX. I'm afraid they're not commented---tough! The general
+idea is that the ^ character is used to put a vowel over its consonant,
+so for example to print
+ Ai! laurie lantar lassi s\'urinen
+in tengwar, I would type
+{\quenya ^Ia l^Ua^ri^@e ^la^DaR ^la^Zi s^*u^ri^nen}
+
+You'll have to note which ASCII character corresponds to which
+tengwa for yourself; I don't have a table prepared. A point to watch
+out for is that in Quenya, 'v' usually transcribes vilya, which is
+represented by the ASCII character w ; v represents the tengwa
+amba (i.e. the encoding is basically set up for use with English).
+
+*****************************************
+
+Contacting me:
+
+I can be contacted by post at:
+ J.C. Bradfield
+ Dept of Computer Science
+ The King's Buildings
+ Mayfield Road
+ EDINBURGH
+ U.K. EH9 3JZ
+
+I can be contacted by electronic mail as:
+ jcb@lfcs.ed.ac.uk (in Internet domain ordering)
+
+If that doesn't work, you should kick your postmaster, and then
+get him/her to tell you how to reach that address. (Well, maybe
+you kick after you get the info!)
+
+
+Happy typesetting,
+Julian Bradfield.
diff --git a/Master/texmf-dist/doc/fonts/eulervm/fontinst/Makefile b/Master/texmf-dist/doc/fonts/eulervm/fontinst/Makefile
new file mode 100644
index 00000000000..a367239f605
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/eulervm/fontinst/Makefile
@@ -0,0 +1,75 @@
+# Makefile for the Euler Virtual Math Fonts v3.0
+# (c) Walter Schmidt 1999--2003
+
+# *** lines marked by asterisks may need to be customized!
+# the present entries suit OS/2 with emTeX/TDS
+
+# *** the TDS root directory:
+tdsdir= e:\texmf
+
+# *** the directories where the .vf, .tfm and .fd files should go:
+vfdir= $(tdsdir)\fonts\vf\public\eulervm
+tfmdir= $(tdsdir)\fonts\tfm\public\eulervm
+
+# *** how to run plain TeX:
+tex= tex
+
+
+ZAP= eurm10.mtx cmmi10.mtx eufm10.mtx \
+ eurm7.mtx cmmi7.mtx eufm7.mtx \
+ eurm5.mtx cmmi5.mtx eufm5.mtx \
+ eusm10.mtx cmsy10.mtx eusm7.mtx cmsy7.mtx eusm5.mtx cmsy5.mtx \
+ cmr5.mtx cmr7.mtx cmr10.mtx \
+ cmex10.mtx euex10.mtx \
+ eurb10.mtx cmmib10.mtx eufb10.mtx \
+ eurb7.mtx cmmib7.mtx eufb7.mtx \
+ eurb5.mtx cmmib5.mtx eufb5.mtx \
+ eusb10.mtx cmbsy10.mtx eusb7.mtx cmbsy7.mtx eusb5.mtx cmbsy5.mtx \
+ cmbx5.mtx cmbx7.mtx cmbx10.mtx
+
+all: tex vfs installfonts
+
+tex:
+ $(tex) fontevm
+
+vfs:
+ vptovf zeurm5.vpl
+ vptovf zeurm7.vpl
+ vptovf zeurm10.vpl
+ vptovf zeusm5.vpl
+ vptovf zeusm7.vpl
+ vptovf zeusm10.vpl
+ vptovf zeuex10.vpl
+ vptovf zeurb5.vpl
+ vptovf zeurb7.vpl
+ vptovf zeurb10.vpl
+ vptovf zeusb5.vpl
+ vptovf zeusb7.vpl
+ vptovf zeusb10.vpl
+
+installfonts:
+ -mkdir $(vfdir)
+ -mkdir $(tfmdir)
+ mv -f *.vf $(vfdir)
+ mv -f zeurm5.tfm $(tfmdir)
+ mv -f zeurm7.tfm $(tfmdir)
+ mv -f zeurm10.tfm $(tfmdir)
+ mv -f zeusm5.tfm $(tfmdir)
+ mv -f zeusm7.tfm $(tfmdir)
+ mv -f zeusm10.tfm $(tfmdir)
+ mv -f zeuex10.tfm $(tfmdir)
+ mv -f zeurb5.tfm $(tfmdir)
+ mv -f zeurb7.tfm $(tfmdir)
+ mv -f zeurb10.tfm $(tfmdir)
+ mv -f zeusb5.tfm $(tfmdir)
+ mv -f zeusb7.tfm $(tfmdir)
+ mv -f zeusb10.tfm $(tfmdir)
+
+
+clean:
+ -rm $(ZAP)
+
+realclean: clean
+ -rm *.vpl *.log *.vf *.tfm *.fd
+
+# finis
diff --git a/Master/texmf-dist/doc/fonts/eulervm/fontinst/amsrel10.mtx b/Master/texmf-dist/doc/fonts/eulervm/fontinst/amsrel10.mtx
new file mode 100644
index 00000000000..a9468be2ea7
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/eulervm/fontinst/amsrel10.mtx
@@ -0,0 +1,14 @@
+%Filename: msam10.mtx
+
+%This file contains the information of msam10.pl in a form
+%more easily read by TeX. It is used by the fontinst package.
+
+\relax
+\metrics
+
+\needsfontinstversion{1.914}
+
+\setrawglyph{lessequal}{msam10}{10.0pt}{54}{777}{636}{136}{0}
+\setrawglyph{greaterequal}{msam10}{10.0pt}{62}{777}{636}{136}{0}
+
+\endmetrics
diff --git a/Master/texmf-dist/doc/fonts/eulervm/fontinst/amsrel5.mtx b/Master/texmf-dist/doc/fonts/eulervm/fontinst/amsrel5.mtx
new file mode 100644
index 00000000000..19d742f73dc
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/eulervm/fontinst/amsrel5.mtx
@@ -0,0 +1,14 @@
+%Filename: msam5.mtx
+
+%This file contains the information of msam5.pl in a form
+%more easily read by TeX. It is used by the fontinst package.
+
+\relax
+\metrics
+
+\needsfontinstversion{1.914}
+
+\setrawglyph{lessequal}{msam5}{5.0pt}{54}{1083}{716}{219}{0}
+\setrawglyph{greaterequal}{msam5}{5.0pt}{62}{1083}{716}{219}{0}
+
+\endmetrics
diff --git a/Master/texmf-dist/doc/fonts/eulervm/fontinst/amsrel7.mtx b/Master/texmf-dist/doc/fonts/eulervm/fontinst/amsrel7.mtx
new file mode 100644
index 00000000000..e063694706a
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/eulervm/fontinst/amsrel7.mtx
@@ -0,0 +1,14 @@
+%Filename: msam7.mtx
+
+%This file contains the information of msam7.pl in a form
+%more easily read by TeX. It is used by the fontinst package.
+
+\relax
+\metrics
+
+\needsfontinstversion{1.914}
+
+\setrawglyph{lessequal}{msam7}{7.0pt}{54}{892}{688}{189}{0}
+\setrawglyph{greaterequal}{msam7}{7.0pt}{62}{892}{688}{189}{0}
+
+\endmetrics
diff --git a/Master/texmf-dist/doc/fonts/eulervm/fontinst/eubar10.mtx b/Master/texmf-dist/doc/fonts/eulervm/fontinst/eubar10.mtx
new file mode 100644
index 00000000000..97add62808c
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/eulervm/fontinst/eubar10.mtx
@@ -0,0 +1,16 @@
+\relax
+\metrics
+
+\needsfontinstversion{1.801}
+
+\setrawglyph{lslashslash}{cmbx10}{10.0pt}{32}{319}{444}{0}{0}
+\setglyph{hslash}
+ \push
+ \moveup{180}
+ \movert{15}
+ \glyph{lslashslash}{1000}
+ \pop
+ \glyph{h}{1000}
+\endsetglyph
+
+\endmetrics
diff --git a/Master/texmf-dist/doc/fonts/eulervm/fontinst/eubar5.mtx b/Master/texmf-dist/doc/fonts/eulervm/fontinst/eubar5.mtx
new file mode 100644
index 00000000000..d1c3118b1bd
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/eulervm/fontinst/eubar5.mtx
@@ -0,0 +1,16 @@
+\relax
+\metrics
+
+\needsfontinstversion{1.801}
+
+\setrawglyph{lslashslash}{cmbx5}{5.0pt}{32}{436}{444}{0}{0}
+\setglyph{hslash}
+ \push
+ \moveup{180}
+ \movert{75}
+ \glyph{lslashslash}{1000}
+ \pop
+ \glyph{h}{1000}
+\endsetglyph
+
+\endmetrics
diff --git a/Master/texmf-dist/doc/fonts/eulervm/fontinst/eubar7.mtx b/Master/texmf-dist/doc/fonts/eulervm/fontinst/eubar7.mtx
new file mode 100644
index 00000000000..164dd930cc9
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/eulervm/fontinst/eubar7.mtx
@@ -0,0 +1,17 @@
+\relax
+\metrics
+
+\needsfontinstversion{1.801}
+
+\setrawglyph{lslashslash}{cmbx7}{7.0pt}{32}{363}{444}{0}{0}
+\setglyph{hslash}
+ \push
+ \moveup{180}
+ \movert{35}
+ \glyph{lslashslash}{1000}
+ \pop
+ \glyph{h}{1000}
+\endsetglyph
+
+
+\endmetrics
diff --git a/Master/texmf-dist/doc/fonts/eulervm/fontinst/euml.etx b/Master/texmf-dist/doc/fonts/eulervm/fontinst/euml.etx
new file mode 100644
index 00000000000..3ae425ea9d4
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/eulervm/fontinst/euml.etx
@@ -0,0 +1,575 @@
+\relax
+
+\documentclass[twocolumn]{article}
+\usepackage{fontdoc}
+
+\title{Euler-VM math italic encoding vector}
+\author{Walter Schmidt}
+\date{2002-11-12 \\
+Version 2.9a}
+
+\begin{document}
+\maketitle
+
+\section{Introduction}
+
+This document describes the encoding of the Euler-VM `letters'
+font.
+
+\encoding
+
+\needsfontinstversion{1.800}
+
+
+\comment{\section{Default values}}
+
+\setstr{codingscheme}{TEX MATH ITALIC}
+
+\setint{italicslant}{0}
+
+\ifisglyph{x}\then
+ \setint{xheight}{\height{x}}
+\else
+ \setint{xheight}{500}
+\fi
+
+
+\comment{\section{Default font dimensions}}
+
+\setint{fontdimen(1)}{\int{italicslant}} % italic slant
+\setint{fontdimen(2)}{0} % interword space
+\setint{fontdimen(3)}{0} % interword stretch
+\setint{fontdimen(4)}{0} % interword shrink
+\setint{fontdimen(5)}{\int{xheight}} % x-height
+\setint{fontdimen(6)}{1000} % quad
+\setint{fontdimen(7)}{0} % extra space after .
+
+
+\comment{\section{The encoding}
+ There are 128 glyphs in this encoding.}
+
+\setslot{Gammaupright}
+ \comment{The greek letter `$\Gamma$'.}
+\endsetslot
+
+\setslot{Deltaupright}
+ \comment{The greek letter `$\Delta$'.}
+\endsetslot
+
+\setslot{Thetaupright}
+ \comment{The greek letter `$\Theta$'.}
+\endsetslot
+
+\setslot{Lambdaupright}
+ \comment{The greek letter `$\Lambda$'.}
+\endsetslot
+
+\setslot{Xiupright}
+ \comment{The greek letter `$\Xi$'.}
+\endsetslot
+
+\setslot{Piupright}
+ \comment{The greek letter `$\Pi$'.}
+\endsetslot
+
+\setslot{Sigmaupright}
+ \comment{The greek letter `$\Sigma$'.}
+\endsetslot
+
+\setslot{Upsilonupright}
+ \comment{The greek letter `$\Upsilon$' named `Upsilon1' by Adobe.}
+\endsetslot
+
+\setslot{Phiupright}
+ \comment{The greek letter `$\Phi$'.}
+\endsetslot
+
+\setslot{Psiupright}
+ \comment{The greek letter `$\Psi$'.}
+\endsetslot
+
+\setslot{Omegaupright}
+ \comment{The greek letter `$\Omega$'.}
+\endsetslot
+
+\setslot{alphaupright}
+ \comment{The greek letter `$\alpha$'.}
+\endsetslot
+
+\setslot{betaupright}
+ \comment{The greek letter `$\beta$'.}
+\endsetslot
+
+\setslot{gammaupright}
+ \comment{The greek letter `$\gamma$'.}
+\endsetslot
+
+\setslot{deltaupright}
+ \comment{The greek letter `$\delta$'.}
+\endsetslot
+
+\setslot{epsilonupright}
+ \comment{The greek letter `$\epsilon$'.}
+\endsetslot
+
+\setslot{zetaupright}
+ \comment{The greek letter `$\zeta$'.}
+\endsetslot
+
+\setslot{etaupright}
+ \comment{The greek letter `$\eta$'.}
+\endsetslot
+
+\setslot{thetaupright}
+ \comment{The greek letter `$\theta$'.}
+\endsetslot
+
+\setslot{iotaupright}
+ \comment{The greek letter `$\iota$'.}
+\endsetslot
+
+\setslot{kappaupright}
+ \comment{The greek letter `$\kappa$'.}
+\endsetslot
+
+\setslot{lambdaupright}
+ \comment{The greek letter `$\lambda$'.}
+\endsetslot
+
+\setslot{muupright}
+ \comment{The greek letter `$\mu$'.}
+\endsetslot
+
+\setslot{nuupright}
+ \comment{The greek letter `$\nu$'.}
+\endsetslot
+
+\setslot{xiupright}
+ \comment{The greek letter `$\xi$'.}
+\endsetslot
+
+\setslot{piupright}
+ \comment{The greek letter `$\pi$'.}
+\endsetslot
+
+\setslot{rhoupright}
+ \comment{The greek letter `$\rho$'.}
+\endsetslot
+
+\setslot{sigmaupright}
+ \comment{The greek letter `$\sigma$'.}
+\endsetslot
+
+\setslot{tauupright}
+ \comment{The greek letter `$\tau$'.}
+\endsetslot
+
+\setslot{upsilonupright}
+ \comment{The greek letter `$\upsilon$'.}
+\endsetslot
+
+\setslot{phiupright}
+ \comment{The greek letter `$\phi$'.}
+\endsetslot
+
+\setslot{chiupright}
+ \comment{The greek letter `$\chi$'.}
+\endsetslot
+
+\setslot{psiupright}
+ \comment{The greek letter `$\psi$'.}
+\endsetslot
+
+\setslot{omegaupright}
+ \comment{The greek letter `$\omega$'.}
+\endsetslot
+
+\setslot{epsilon1upright}
+ \comment{The greek letter `$\varepsilon$'.}
+\endsetslot
+
+\setslot{theta1upright}
+ \comment{The greek letter `$\vartheta$'.}
+\endsetslot
+
+\setslot{pi1upright}
+ \comment{The greek letter `$\varpi$', rather unfortunately named
+ `omega1' by Adobe.}
+\endsetslot
+
+\nextslot{39}
+\setslot{phi1upright}
+ \comment{The greek letter `$\varphi$'.}
+\endsetslot
+
+\setslot{harpoonleftup}
+ \comment{The harpoon symbol `$\leftharpoonup$',
+ named `arrowlefttophalf' in MathTime and Lucida New Math.}
+\endsetslot
+
+\setslot{harpoonleftdown}
+ \comment{The harpoon symbol `$\leftharpoondown$',
+ named `arrowleftbothalf' in MathTime and Lucida New Math.}
+\endsetslot
+
+\setslot{harpoonrightup}
+ \comment{The harpoon symbol `$\rightharpoonup$',
+ named `arrowrighttophalf' in MathTime and Lucida New Math.}
+\endsetslot
+
+\setslot{harpoonrightdown}
+ \comment{The harpoon symbol `$\rightharpoondown$',
+ named `arrowrightbothalf' in MathTime and Lucida New Math.}
+\endsetslot
+
+\setslot{hookrightchar}
+ \comment{The building block for `$\hookrightarrow$',
+ named `arrowhookleft' in MathTime and Lucida New Math.}
+\endsetslot
+
+\setslot{hookleftchar}
+ \comment{The building block for `$\hookleftarrow$',
+ named `arrowhookright' in MathTime and Lucida New Math.}
+\endsetslot
+
+\setslot{triangleright}
+ \comment{The triangle symbol `$\triangleright$'.}
+\endsetslot
+
+\setslot{triangleleft}
+ \comment{The triangle symbol `$\triangleleft$'.}
+\endsetslot
+
+\setslot{zeroupright}
+ \comment{The oldstyle digit zero `0'.}
+\endsetslot
+
+\setslot{oneupright}
+ \comment{The oldstyle digit one `1'.}
+\endsetslot
+
+\setslot{twoupright}
+ \comment{The oldstyle digit two `2'.}
+\endsetslot
+
+\setslot{threeupright}
+ \comment{The oldstyle digit three `3'.}
+\endsetslot
+
+\setslot{fourupright}
+ \comment{The oldstyle digit four `4'.}
+\endsetslot
+
+\setslot{fiveupright}
+ \comment{The oldstyle digit five `5'.}
+\endsetslot
+
+\setslot{sixupright}
+ \comment{The oldstyle digit six `6'.}
+\endsetslot
+
+\setslot{sevenupright}
+ \comment{The oldstyle digit seven `7'.}
+\endsetslot
+
+\setslot{eightupright}
+ \comment{The oldstyle digit eight `8'.}
+\endsetslot
+
+\setslot{nineupright}
+ \comment{The oldstyle digit nine `9'.}
+\endsetslot
+
+\setslot{period}
+ \comment{The period `$.$'.}
+\endsetslot
+
+\setslot{comma}
+ \comment{The comma `$,$'.}
+\endsetslot
+
+\setslot{less}
+ \comment{The less-than sign `$<$'.}
+\endsetslot
+
+\setslot{slash}
+ \comment{The forwards oblique `$/$'.}
+\endsetslot
+
+\setslot{greater}
+ \comment{The greater-than sign `$>$'.}
+\endsetslot
+
+\setslot{star}
+ \comment{The star symbol `$\star$'.}
+\endsetslot
+
+\setslot{partialdiffupright}
+ \comment{The upright partial differentiation symbol `$\partial$'.}
+\endsetslot
+
+\setslot{A}
+ \comment{The letter `$\mathnormal{A}$'.}
+\endsetslot
+
+\setslot{B}
+ \comment{The letter `$\mathnormal{B}$'.}
+\endsetslot
+
+\setslot{C}
+ \comment{The letter `$\mathnormal{C}$'.}
+\endsetslot
+
+\setslot{D}
+ \comment{The letter `$\mathnormal{D}$'.}
+\endsetslot
+
+\setslot{E}
+ \comment{The letter `$\mathnormal{E}$'.}
+\endsetslot
+
+\setslot{F}
+ \comment{The letter `$\mathnormal{F}$'.}
+\endsetslot
+
+\setslot{G}
+ \comment{The letter `$\mathnormal{G}$'.}
+\endsetslot
+
+\setslot{H}
+ \comment{The letter `$\mathnormal{H}$'.}
+\endsetslot
+
+\setslot{I}
+ \comment{The letter `$\mathnormal{I}$'.}
+\endsetslot
+
+\setslot{J}
+ \comment{The letter `$\mathnormal{J}$'.}
+\endsetslot
+
+\setslot{K}
+ \comment{The letter `$\mathnormal{K}$'.}
+\endsetslot
+
+\setslot{L}
+ \comment{The letter `$\mathnormal{L}$'.}
+\endsetslot
+
+\setslot{M}
+ \comment{The letter `$\mathnormal{M}$'.}
+\endsetslot
+
+\setslot{N}
+ \comment{The letter `$\mathnormal{N}$'.}
+\endsetslot
+
+\setslot{O}
+ \comment{The letter `$\mathnormal{O}$'.}
+\endsetslot
+
+\setslot{P}
+ \comment{The letter `$\mathnormal{P}$'.}
+\endsetslot
+
+\setslot{Q}
+ \comment{The letter `$\mathnormal{Q}$'.}
+\endsetslot
+
+\setslot{R}
+ \comment{The letter `$\mathnormal{R}$'.}
+\endsetslot
+
+\setslot{S}
+ \comment{The letter `$\mathnormal{S}$'.}
+\endsetslot
+
+\setslot{T}
+ \comment{The letter `$\mathnormal{T}$'.}
+\endsetslot
+
+\setslot{U}
+ \comment{The letter `$\mathnormal{U}$'.}
+\endsetslot
+
+\setslot{V}
+ \comment{The letter `$\mathnormal{V}$'.}
+\endsetslot
+
+\setslot{W}
+ \comment{The letter `$\mathnormal{W}$'.}
+\endsetslot
+
+\setslot{X}
+ \comment{The letter `$\mathnormal{X}$'.}
+\endsetslot
+
+\setslot{Y}
+ \comment{The letter `$\mathnormal{Y}$'.}
+\endsetslot
+
+\setslot{Z}
+ \comment{The letter `$\mathnormal{Z}$'.}
+\endsetslot
+
+\setslot{flat}
+ \comment{The flat musical symbol `$\flat$'.}
+\endsetslot
+
+\setslot{natural}
+ \comment{The natural musical symbol `$\natural$'.}
+\endsetslot
+
+\setslot{sharp}
+ \comment{The sharp musical symbol `$\sharp$'.}
+\endsetslot
+
+\setslot{slurbelow}
+ \comment{The slur symbol `$\smile$'.}
+\endsetslot
+
+\setslot{slurabove}
+ \comment{The slur symbol `$\frown$'.}
+\endsetslot
+
+\setslot{lscript}
+ \comment{The script letter `$\ell$'.}
+\endsetslot
+
+\setslot{a}
+ \comment{The letter `$\mathnormal{a}$'.}
+\endsetslot
+
+\setslot{b}
+ \comment{The letter `$\mathnormal{b}$'.}
+\endsetslot
+
+\setslot{c}
+ \comment{The letter `$\mathnormal{c}$'.}
+\endsetslot
+
+\setslot{d}
+ \comment{The letter `$\mathnormal{d}$'.}
+\endsetslot
+
+\setslot{e}
+ \comment{The letter `$\mathnormal{e}$'.}
+\endsetslot
+
+\setslot{f}
+ \comment{The letter `$\mathnormal{f}$'.}
+\endsetslot
+
+\setslot{g}
+ \comment{The letter `$\mathnormal{g}$'.}
+\endsetslot
+
+\setslot{h}
+ \comment{The letter `$\mathnormal{h}$'.}
+\endsetslot
+
+\setslot{i}
+ \comment{The letter `$\mathnormal{i}$'.}
+\endsetslot
+
+\setslot{j}
+ \comment{The letter `$\mathnormal{j}$'.}
+\endsetslot
+
+\setslot{k}
+ \comment{The letter `$\mathnormal{k}$'.}
+\endsetslot
+
+\setslot{l}
+ \comment{The letter `$\mathnormal{l}$'.}
+\endsetslot
+
+\setslot{m}
+ \comment{The letter `$\mathnormal{m}$'.}
+\endsetslot
+
+\setslot{n}
+ \comment{The letter `$\mathnormal{n}$'.}
+\endsetslot
+
+\setslot{o}
+ \comment{The letter `$\mathnormal{o}$'.}
+\endsetslot
+
+\setslot{p}
+ \comment{The letter `$\mathnormal{p}$'.}
+\endsetslot
+
+\setslot{q}
+ \comment{The letter `$\mathnormal{q}$'.}
+\endsetslot
+
+\setslot{r}
+ \comment{The letter `$\mathnormal{r}$'.}
+\endsetslot
+
+\setslot{s}
+ \comment{The letter `$\mathnormal{s}$'.}
+\endsetslot
+
+\setslot{t}
+ \comment{The letter `$\mathnormal{t}$'.}
+\endsetslot
+
+\setslot{u}
+ \comment{The letter `$\mathnormal{u}$'.}
+\endsetslot
+
+\setslot{v}
+ \comment{The letter `$\mathnormal{v}$'.}
+\endsetslot
+
+\setslot{w}
+ \comment{The letter `$\mathnormal{w}$'.}
+\endsetslot
+
+\setslot{x}
+ \comment{The letter `$\mathnormal{x}$'.}
+\endsetslot
+
+\setslot{y}
+ \comment{The letter `$\mathnormal{y}$'.}
+\endsetslot
+
+\setslot{z}
+ \comment{The letter `$\mathnormal{z}$'.}
+\endsetslot
+
+\setslot{dotlessi}
+ \comment{The dotless letter `$\imath$'.}
+\endsetslot
+
+\setslot{dotlessj}
+ \comment{The dotless letter `$\jmath$'.}
+\endsetslot
+
+\setslot{weierstrass}
+ \comment{The Weierstrass P symbol `$\wp$'.}
+\endsetslot
+
+\setslot{vector}
+ \comment{The vector accent symbol `$\vec{x}$'.}
+\endsetslot
+
+\setslot{skewchar}\endsetslot
+
+\setslot{hslash}
+ \comment{The letter `$\hslash$'.}
+\endsetslot
+
+\setslot{minus}
+ \comment{The `relbar'}
+\endsetslot
+
+\setslot{equal}
+ \comment{The `Relbar'}
+\endsetslot
+
+\endencoding
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/eulervm/fontinst/eums.etx b/Master/texmf-dist/doc/fonts/eulervm/fontinst/eums.etx
new file mode 100644
index 00000000000..4fa9cdd2dd7
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/eulervm/fontinst/eums.etx
@@ -0,0 +1,621 @@
+\relax
+
+\documentclass[twocolumn]{article}
+\usepackage{fontdoc}
+
+\title{The Euler-VM math symbol encoding vector}
+\author{Walter Schmidt}
+\date{2000-02-02 \\
+Version 2.2}
+
+\begin{document}
+\maketitle
+
+\section{Introduction}
+
+This document describes the encoding of the Euler-VM `symbols' font.
+
+\encoding
+
+\needsfontinstversion{1.800}
+
+
+\comment{\section{Default values}}
+
+\setstr{codingscheme}{TEX MATH SYMBOLS}
+
+\setint{italicslant}{0}
+
+\ifisglyph{x}\then
+ \setint{xheight}{\height{x}}
+\else
+ \setint{xheight}{500}
+\fi
+
+\comment{\section{Default font dimensions}}
+
+\setint{fontdimen(1)}{\int{italicslant}} % italic slant
+\setint{fontdimen(2)}{0} % interword space
+\setint{fontdimen(3)}{0} % interword stretch
+\setint{fontdimen(4)}{0} % interword shrink
+\setint{fontdimen(5)}{\int{xheight}} % x-height
+\setint{fontdimen(6)}{1000} % quad
+\setint{fontdimen(7)}{0} % extra space after .
+
+\comment{The following font dimensions are taken from cmsy10.}
+
+\setint{fontdimen(8)}{677} % num 1
+\setint{fontdimen(9)}{394} % num 2
+\setint{fontdimen(10)}{444} % num 3
+\setint{fontdimen(11)}{686} % denom 1
+\setint{fontdimen(12)}{345} % denom 2
+\setint{fontdimen(13)}{413} % sup 1
+\setint{fontdimen(14)}{363} % sup 2
+\setint{fontdimen(15)}{289} % sup 3
+\setint{fontdimen(16)}{150} % sub 1
+\setint{fontdimen(17)}{247} % sub 2
+\setint{fontdimen(18)}{386} % supdrop
+\setint{fontdimen(19)}{50} % subdrop
+\setint{fontdimen(20)}{2390} % delim 1
+\setint{fontdimen(21)}{1010} % delim 2
+\setint{fontdimen(22)}{250} % math axis height
+
+
+\comment{\section{The encoding}
+ There are 128 glyphs in this encoding.}
+
+\setslot{minus}
+ \comment{The subtraction symbol `$-$'.}
+\endsetslot
+
+\setslot{periodcentered}
+ \comment{The centered dot symbol `$\cdot$'.
+ It is called `dotmath' in Adobe Symbol.}
+\endsetslot
+
+\setslot{multiply}
+ \comment{The multiplication symbol `$\times$'.}
+\endsetslot
+
+\setslot{asteriskmath}
+ \comment{The centered asterisk symbol `$*$'.}
+\endsetslot
+
+\setslot{divide}
+ \comment{The division symbol `$\plaindiv$'.}
+\endsetslot
+
+\setslot{diamondmath}
+ \comment{The diamond symbol `$\diamond$'.}
+\endsetslot
+
+\setslot{plusminus}
+ \comment{The plus or minus symbol `$\pm$'.}
+\endsetslot
+
+\setslot{minusplus}
+ \comment{The minus or plus symbol `$\mp$'.}
+\endsetslot
+
+\setslot{circleplus}
+ \comment{The circled plus symbol `$\oplus$'.}
+\endsetslot
+
+\setslot{circleminus}
+ \comment{The circled minus symbol `$\ominus$'.}
+\endsetslot
+
+\setslot{circlemultiply}
+ \comment{The circled multiplication symbol `$\otimes$'.}
+\endsetslot
+
+\setslot{circledivide}
+ \comment{The circled oblique symbol `$\oslash$'.}
+\endsetslot
+
+\setslot{circledot}
+ \comment{The circled dot symbol `$\odot$'.}
+\endsetslot
+
+\setslot{circlecopyrt}
+ \comment{The large circle symbol `$\bigcirc$' used for building the
+ copyright symbol `\copyright'.}
+\endsetslot
+
+\setslot{openbullet}
+ \comment{The circle symbol `$\circ$'.}
+\endsetslot
+
+\setslot{bullet}
+ \comment{The bullet symbol `$\bullet$'.}
+\endsetslot
+
+\setslot{equivasymptotic}
+ \comment{The asymptotic equals symbol `$\asymp$'.}
+\endsetslot
+
+\setslot{equivalence}
+ \comment{The equivalence symbol `$\equiv$'.}
+\endsetslot
+
+\setslot{reflexsubset}
+ \comment{The subset or equals symbol `$\subseteq$'.}
+\endsetslot
+
+\setslot{reflexsuperset}
+ \comment{The superset or equals symbol `$\supseteq$'.}
+\endsetslot
+
+\setslot{lessequal}
+ \comment{The less or equals symbol `$\leq$'.}
+\endsetslot
+
+\setslot{greaterequal}
+ \comment{The greater or equals symbol `$\geq$'.}
+\endsetslot
+
+\setslot{precedesequal}
+ \comment{The precedes or equals symbol `$\preceq$'.}
+\endsetslot
+
+\setslot{followsequal}
+ \comment{The follows or equals symbol `$\succeq$'.}
+\endsetslot
+
+\setslot{similar}
+ \comment{The similar symbol `$\sim$'.}
+\endsetslot
+
+\setslot{approxequal}
+ \comment{The approximate equality symbol `$\approx$'.}
+\endsetslot
+
+\setslot{propersubset}
+ \comment{The subset symbol `$\subset$'.}
+\endsetslot
+
+\setslot{propersuperset}
+ \comment{The superset symbol `$\supset$'.}
+\endsetslot
+
+\setslot{lessmuch}
+ \comment{The much less symbol `$\ll$'.}
+\endsetslot
+
+\setslot{greatermuch}
+ \comment{The much greater symbol `$\gg$'.}
+\endsetslot
+
+\setslot{precedes} % was curlyless
+ \comment{The precedes symbol `$\prec$'.}
+\endsetslot
+
+\setslot{follows} % was curlygreater
+ \comment{The follows symbol `$\succ$'.}
+\endsetslot
+
+\setslot{arrowleft}
+ \comment{The left arrow symbol `$\leftarrow$'.}
+\endsetslot
+
+\setslot{arrowright}
+ \comment{The right arrow symbol `$\rightarrow$'.}
+\endsetslot
+
+\setslot{arrowup}
+ \comment{The up arrow symbol `$\uparrow$'.}
+\endsetslot
+
+\setslot{arrowdown}
+ \comment{The down arrow symbol `$\downarrow$'.}
+\endsetslot
+
+\setslot{arrowboth}
+ \comment{The horizontal arrow symbol `$\leftrightarrow$'.}
+\endsetslot
+
+\setslot{arrownortheast}
+ \comment{The north-east arrow symbol `$\nearrow$'.}
+\endsetslot
+
+\setslot{arrowsoutheast}
+ \comment{The south-east arrow symbol `$\searrow$'.}
+\endsetslot
+
+\setslot{similarequal}
+ \comment{The similar or equal symbol `$\simeq$'.}
+\endsetslot
+
+\setslot{arrowdblleft}
+ \comment{The double left arrow symbol `$\Leftarrow$'.}
+\endsetslot
+
+\setslot{arrowdblright}
+ \comment{The double right arrow symbol `$\Rightarrow$'.}
+\endsetslot
+
+\setslot{arrowdblup}
+ \comment{The double up arrow symbol `$\Uparrow$'.}
+\endsetslot
+
+\setslot{arrowdbldown}
+ \comment{The double down arrow symbol `$\Downarrow$'.}
+\endsetslot
+
+\setslot{arrowdblboth}
+ \comment{The double horizontal arrow symbol `$\Leftrightarrow$'.}
+\endsetslot
+
+\setslot{arrownorthwest}
+ \comment{The north-west arrow symbol `$\nwarrow$'.}
+\endsetslot
+
+\setslot{arrowsouthwest}
+ \comment{The south-west arrow symbol `$\swarrow$'.}
+\endsetslot
+
+\setslot{proportional}
+ \comment{The proportional symbol `$\propto$'.}
+\endsetslot
+
+\setslot{prime}
+ \comment{The prime symbol `$\prime$'.}
+\endsetslot
+
+\setslot{infinity}
+ \comment{The infinity symbol `$\infty$'.}
+\endsetslot
+
+\setslot{element}
+ \comment{The set membership symbol `$\in$'.}
+\endsetslot
+
+\setslot{owner}
+ \comment{The backwards set membership symbol `$\ni$'.}
+\endsetslot
+
+\setslot{triangle}
+ \comment{The upwards triangle symbol `$\bigtriangleup$'.}
+\endsetslot
+
+\setslot{triangleinv}
+ \comment{The downwards triangle symbol `$\bigtriangledown$'.}
+\endsetslot
+
+\setslot{negationslash}
+ \comment{The negation slash symbol, used to construct
+ negated relations or arrows such as `$\not=$'.}
+\endsetslot
+
+\setslot{mapstochar}
+ \comment{The maps to building block symbol `$\mapstochar$',
+ used to build `$\mapsto$'.}
+\endsetslot
+
+\setslot{universal}
+ \comment{The universal quantification symbol `$\forall$'.}
+\endsetslot
+
+\setslot{existential}
+ \comment{The existential quantification symbol `$\exists$'.}
+\endsetslot
+
+\setslot{logicalnot}
+ \comment{The negation symbol `$\neg$'.}
+\endsetslot
+
+\setslot{emptysetstress}
+ \comment{The `stressed' empty set symbol `$\emptyset$', which should
+ look like a zero with a slash. The `emptyset' symbol is a circle
+ with a slash.}
+\endsetslot
+
+\setslot{Rfraktur}
+ \comment{The upper case Fraktur R symbol `$\Re$'. It is called
+ `Rfractur' rather than `Rfraktur' in MathTime and Lucida New Math.}
+\endsetslot
+
+\setslot{Ifraktur}
+ \comment{The upper case Fraktur I symbol `$\Im$'. It is called
+ `Ifractur' rather than `Ifraktur' in MathTime and Lucida New Math.}
+\endsetslot
+
+\setslot{latticetop}
+ \comment{The inverted perpendicular symbol `$\top$'.}
+\endsetslot
+
+\setslot{perpendicular}
+ \comment{The perpendicular symbol `$\perp$'.}
+\endsetslot
+
+\setslot{aleph}
+ \comment{The aleph symbol `$\aleph$'.}
+\endsetslot
+
+\setslot{Acal}
+ \comment{The calligraphic letter `$\mathcal{A}$'.}
+\endsetslot
+
+\setslot{Bcal}
+ \comment{The calligraphic letter `$\mathcal{B}$'.}
+\endsetslot
+
+\setslot{Ccal}
+ \comment{The calligraphic letter `$\mathcal{C}$'.}
+\endsetslot
+
+\setslot{Dcal}
+ \comment{The calligraphic letter `$\mathcal{D}$'.}
+\endsetslot
+
+\setslot{Ecal}
+ \comment{The calligraphic letter `$\mathcal{E}$'.}
+\endsetslot
+
+\setslot{Fcal}
+ \comment{The calligraphic letter `$\mathcal{F}$'.}
+\endsetslot
+
+\setslot{Gcal}
+ \comment{The calligraphic letter `$\mathcal{G}$'.}
+\endsetslot
+
+\setslot{Hcal}
+ \comment{The calligraphic letter `$\mathcal{H}$'.}
+\endsetslot
+
+\setslot{Ical}
+ \comment{The calligraphic letter `$\mathcal{I}$'.}
+\endsetslot
+
+\setslot{Jcal}
+ \comment{The calligraphic letter `$\mathcal{J}$'.}
+\endsetslot
+
+\setslot{Kcal}
+ \comment{The calligraphic letter `$\mathcal{K}$'.}
+\endsetslot
+
+\setslot{Lcal}
+ \comment{The calligraphic letter `$\mathcal{L}$'.}
+\endsetslot
+
+\setslot{Mcal}
+ \comment{The calligraphic letter `$\mathcal{M}$'.}
+\endsetslot
+
+\setslot{Ncal}
+ \comment{The calligraphic letter `$\mathcal{N}$'.}
+\endsetslot
+
+\setslot{Ocal}
+ \comment{The calligraphic letter `$\mathcal{O}$'.}
+\endsetslot
+
+\setslot{Pcal}
+ \comment{The calligraphic letter `$\mathcal{P}$'.}
+\endsetslot
+
+\setslot{Qcal}
+ \comment{The calligraphic letter `$\mathcal{Q}$'.}
+\endsetslot
+
+\setslot{Rcal}
+ \comment{The calligraphic letter `$\mathcal{R}$'.}
+\endsetslot
+
+\setslot{Scal}
+ \comment{The calligraphic letter `$\mathcal{S}$'.}
+\endsetslot
+
+\setslot{Tcal}
+ \comment{The calligraphic letter `$\mathcal{T}$'.}
+\endsetslot
+
+\setslot{Ucal}
+ \comment{The calligraphic letter `$\mathcal{U}$'.}
+\endsetslot
+
+\setslot{Vcal}
+ \comment{The calligraphic letter `$\mathcal{V}$'.}
+\endsetslot
+
+\setslot{Wcal}
+ \comment{The calligraphic letter `$\mathcal{W}$'.}
+\endsetslot
+
+\setslot{Xcal}
+ \comment{The calligraphic letter `$\mathcal{X}$'.}
+\endsetslot
+
+\setslot{Ycal}
+ \comment{The calligraphic letter `$\mathcal{Y}$'.}
+\endsetslot
+
+\setslot{Zcal}
+ \comment{The calligraphic letter `$\mathcal{Z}$'.}
+\endsetslot
+
+\setslot{union}
+ \comment{The set union symbol `$\cup$'.}
+\endsetslot
+
+\setslot{intersection}
+ \comment{The set intersection symbol `$\cap$'.}
+\endsetslot
+
+\setslot{unionmulti}
+ \comment{The multiset union symbol `$\uplus$'.}
+\endsetslot
+
+\setslot{logicaland}
+ \comment{The meet symbol `$\wedge$'.}
+\endsetslot
+
+\setslot{logicalor}
+ \comment{The join symbol `$\vee$'.}
+\endsetslot
+
+\setslot{turnstileleft}
+ \comment{The turnstile symbol `$\vdash$'.}
+\endsetslot
+
+\setslot{turnstileright}
+ \comment{The backwards turnstile symbol `$\dashv$'.}
+\endsetslot
+
+\setslot{floorleft}
+ \comment{The left floor symbol `$\lfloor$'.}
+\endsetslot
+
+\setslot{floorright}
+ \comment{The right floor symbol `$\rfloor$'.}
+\endsetslot
+
+\setslot{ceilingleft}
+ \comment{The left ceiling symbol `$\lceil$'.}
+\endsetslot
+
+\setslot{ceilingright}
+ \comment{The right ceiling symbol `$\rceil$'.}
+\endsetslot
+
+\setslot{braceleft}
+ \comment{The left brace symbol `$\{$'.}
+\endsetslot
+
+\setslot{braceright}
+ \comment{The right brace symbol `$\}$'.}
+\endsetslot
+
+\setslot{angleleft}
+ \comment{The left angle bracket symbol `$\langle$'.
+ It is called `angbracketleft' in MathTime and Lucida,
+ but `angleleft' in Adobe Symbol.}
+\endsetslot
+
+\setslot{angleright}
+ \comment{The right angle bracket symbol `$\rangle$'.
+ It is called `angbracketright' in MathTime and Lucida,
+ but `angleleft' in Adobe Symbol.}
+\endsetslot
+
+\setslot{bar}
+ \comment{The vertical bar symbol `$|$'.}
+\endsetslot
+
+\setslot{bardbl}
+ \comment{The parallel vertical bars symbol `$\parallel$'.}
+\endsetslot
+
+\setslot{arrowbothv}
+ \comment{The vertical arrows symbol `$\updownarrow$'.}
+\endsetslot
+
+\setslot{arrowdblbothv}
+ \comment{The double vertical arrows symbol `$\Updownarrow$'.}
+\endsetslot
+
+\setslot{backslash}
+ \comment{The backwards oblique symbol `$\backslash$'.}
+\endsetslot
+
+\setslot{wreathproduct}
+ \comment{The Wreath product symbol `$\wp$'.}
+\endsetslot
+
+\setslot{radicallow}
+ \comment{The lowered radical symbol `$\surd$'.}
+\endsetslot
+
+\setslot{coproduct}
+ \comment{The textstyle coproduct symbol `$\coprod$'.}
+\endsetslot
+
+\setslot{gradient}
+ \comment{The inverted Delta symbol `$\nabla$'.
+ It is also called `gradient' in MathTime and Lucida,
+ but `gradient' in Adobe Symbol.}
+\endsetslot
+
+\setslot{integral}
+ \comment{The small integral symbol `$\plainint$'.}
+\endsetslot
+
+\setslot{unionsq}
+ \comment{The square union symbol `$\sqcup$'.}
+\endsetslot
+
+\setslot{intersectionsq}
+ \comment{The square intersection symbol `$\sqcap$'.}
+\endsetslot
+
+\setslot{subsetsqequal}
+ \comment{The square subset or equal symbol `$\sqsubseteq$'.}
+\endsetslot
+
+\setslot{supersetsqequal}
+ \comment{The square superset or equal symbol `$\sqsupseteq$'.}
+\endsetslot
+
+\setslot{section}
+ \comment{The section symbol `\S'.}
+\endsetslot
+
+\setslot{dagger}
+ \comment{The dagger symbol `\dag'.}
+\endsetslot
+
+\setslot{daggerdbl}
+ \comment{The double dagger symbol `\ddag'.}
+\endsetslot
+
+\setslot{paragraph}
+ \comment{The paragraph symbol `\P'.}
+\endsetslot
+
+\setslot{club}
+ \comment{The club suit symbol `$\clubsuit$'.}
+\endsetslot
+
+\setslot{diamond}
+ \comment{The diamond suit symbol `$\diamondsuit$'.}
+\endsetslot
+
+\setslot{heart}
+ \comment{The heart suit symbol `$\heartsuit$'.}
+\endsetslot
+
+\setslot{spade}
+ \comment{The spade suit symbol `$\spadesuit$'.}
+\endsetslot
+
+\nextslot{161}
+\setslot{exclam}\endsetslot
+
+\nextslot{168}
+\setslot{parenleft}\endsetslot
+\setslot{parenright}\endsetslot
+\skipslots{1}
+\setslot{plus}\endsetslot
+
+\nextslot{176}
+\setslot{skewchar}\endsetslot
+
+\nextslot{186}
+\setslot{colon}\endsetslot
+\setslot{semicolon}\endsetslot
+\skipslots{1}
+\setslot{equal}\endsetslot
+\skipslots{1}
+\setslot{question}\endsetslot
+
+\nextslot{219}
+\setslot{bracketleft}\endsetslot
+\skipslots{1}
+\setslot{bracketright}\endsetslot
+\setslot{asciicircum}\endsetslot
+
+\endencoding
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/eulervm/fontinst/eumx.etx b/Master/texmf-dist/doc/fonts/eulervm/fontinst/eumx.etx
new file mode 100644
index 00000000000..b4b24744a8f
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/eulervm/fontinst/eumx.etx
@@ -0,0 +1,641 @@
+\relax
+
+\documentclass[twocolumn]{article}
+\usepackage{fontdoc}
+
+\title{The Euler-VM math extension encoding vector}
+\author{Walter Schmidt}
+\date{1999-04-20 \\
+Version 1.801}
+
+\begin{document}
+\maketitle
+
+\section{Introduction}
+
+This document describes the encoding of the Euler-VM `largesymbols' font.
+
+\encoding
+
+\needsfontinstversion{1.800}
+
+
+\comment{\section{Default values}}
+
+\setstr{codingscheme}{TEX MATH EXTENSION}
+
+\setint{italicslant}{0}
+
+\ifisglyph{x}\then
+ \setint{xheight}{\height{x}}
+\else
+ \setint{xheight}{500}
+\fi
+
+\comment{\section{Default font dimensions}}
+
+\setint{fontdimen(1)}{\int{italicslant}} % italic slant
+\setint{fontdimen(2)}{0} % interword space
+\setint{fontdimen(3)}{0} % interword stretch
+\setint{fontdimen(4)}{0} % interword shrink
+\setint{fontdimen(5)}{\int{xheight}} % x-height
+\setint{fontdimen(6)}{1000} % quad
+\setint{fontdimen(7)}{0} % extra space after .
+
+\comment{The following font dimensions are taken from cmex10.}
+
+\setint{fontdimen(8)}{40} % default rule thickness
+\setint{fontdimen(9)}{111} % bigopspacing 1
+\setint{fontdimen(10)}{167} % bigopspacing 2
+\setint{fontdimen(11)}{200} % bigopspacing 3
+\setint{fontdimen(12)}{600} % bigopspacing 4
+\setint{fontdimen(13)}{100} % bigopspacing 5
+
+
+\comment{\section{The encoding}
+ There are 128 glyphs in this encoding.}
+
+\setslot{parenleftbig}
+ \nextlarger{parenleftBig}
+\endsetslot
+
+\setslot{parenrightbig}
+ \nextlarger{parenrightBig}
+\endsetslot
+
+\setslot{bracketleftbig}
+ \nextlarger{bracketleftBig}
+\endsetslot
+
+\setslot{bracketrightbig}
+ \nextlarger{bracketrightBig}
+\endsetslot
+
+\setslot{floorleftbig}
+ \nextlarger{floorleftBig}
+\endsetslot
+
+\setslot{floorrightbig}
+ \nextlarger{floorrightBig}
+\endsetslot
+
+\setslot{ceilingleftbig}
+ \nextlarger{ceilingleftBig}
+\endsetslot
+
+\setslot{ceilingrightbig}
+ \nextlarger{ceilingrightBig}
+\endsetslot
+
+\setslot{braceleftbig}
+ \nextlarger{braceleftBig}
+\endsetslot
+
+\setslot{bracerightbig}
+ \nextlarger{bracerightBig}
+\endsetslot
+
+\setslot{angleleftbig}
+ \nextlarger{angleleftBig}
+\endsetslot
+
+\setslot{anglerightbig}
+ \nextlarger{anglerightBig}
+\endsetslot
+
+\setslot{barex}
+ \varchar
+ \varrep{barex}
+ \endvarchar
+\endsetslot
+
+\setslot{bardblex}
+ \varchar
+ \varrep{bardblex}
+ \endvarchar
+\endsetslot
+
+\setslot{slashbig}
+ \nextlarger{slashBig}
+\endsetslot
+
+\setslot{backslashbig}
+ \nextlarger{backslashBig}
+\endsetslot
+
+\setslot{parenleftBig}
+ \nextlarger{parenleftbigg}
+\endsetslot
+
+\setslot{parenrightBig}
+ \nextlarger{parenrightbigg}
+\endsetslot
+
+\setslot{parenleftbigg}
+ \nextlarger{parenleftBigg}
+\endsetslot
+
+\setslot{parenrightbigg}
+ \nextlarger{parenrightBigg}
+\endsetslot
+
+\setslot{bracketleftbigg}
+ \nextlarger{bracketleftBigg}
+\endsetslot
+
+\setslot{bracketrightbigg}
+ \nextlarger{bracketrightBigg}
+\endsetslot
+
+\setslot{floorleftbigg}
+ \nextlarger{floorleftBigg}
+\endsetslot
+
+\setslot{floorrightbigg}
+ \nextlarger{floorrightBigg}
+\endsetslot
+
+\setslot{ceilingleftbigg}
+ \nextlarger{ceilingleftBigg}
+\endsetslot
+
+\setslot{ceilingrightbigg}
+ \nextlarger{ceilingrightBigg}
+\endsetslot
+
+\setslot{braceleftbigg}
+ \nextlarger{braceleftBigg}
+\endsetslot
+
+\setslot{bracerightbigg}
+ \nextlarger{bracerightBigg}
+\endsetslot
+
+\setslot{angleleftbigg}
+ \nextlarger{angleleftBigg}
+\endsetslot
+
+\setslot{anglerightbigg}
+ \nextlarger{anglerightBigg}
+\endsetslot
+
+\setslot{slashbigg}
+ \nextlarger{slashBigg}
+\endsetslot
+
+\setslot{backslashbigg}
+ \nextlarger{backslashBigg}
+\endsetslot
+
+\setslot{parenleftBigg}
+ \nextlarger{parenlefttp}
+\endsetslot
+
+\setslot{parenrightBigg}
+ \nextlarger{parenrighttp}
+\endsetslot
+
+\setslot{bracketleftBigg}
+ \nextlarger{bracketlefttp}
+\endsetslot
+
+\setslot{bracketrightBigg}
+ \nextlarger{bracketrighttp}
+\endsetslot
+
+\setslot{floorleftBigg}
+ \nextlarger{bracketleftbt}
+\endsetslot
+
+\setslot{floorrightBigg}
+ \nextlarger{bracketrightbt}
+\endsetslot
+
+\setslot{ceilingleftBigg}
+ \nextlarger{bracketleftex}
+\endsetslot
+
+\setslot{ceilingrightBigg}
+ \nextlarger{bracketrightex}
+\endsetslot
+
+\setslot{braceleftBigg}
+ \nextlarger{bracelefttp}
+\endsetslot
+
+\setslot{bracerightBigg}
+ \nextlarger{bracerighttp}
+\endsetslot
+
+\setslot{angleleftBigg}
+\endsetslot
+
+\setslot{anglerightBigg}
+\endsetslot
+
+\setslot{slashBigg}
+\endsetslot
+
+\setslot{backslashBigg}
+\endsetslot
+
+\setslot{slashBig}
+ \nextlarger{slashbigg}
+\endsetslot
+
+\setslot{backslashBig}
+ \nextlarger{backslashbigg}
+\endsetslot
+
+\setslot{parenlefttp}
+ \varchar
+ \vartop{parenlefttp}
+ \varbot{parenleftbt}
+ \varrep{parenleftex}
+ \endvarchar
+\endsetslot
+
+\setslot{parenrighttp}
+ \varchar
+ \vartop{parenrighttp}
+ \varbot{parenrightbt}
+ \varrep{parenrightex}
+ \endvarchar
+\endsetslot
+
+\setslot{bracketlefttp}
+ \varchar
+ \vartop{bracketlefttp}
+ \varbot{bracketleftbt}
+ \varrep{bracketleftex}
+ \endvarchar
+\endsetslot
+
+\setslot{bracketrighttp}
+ \varchar
+ \vartop{bracketrighttp}
+ \varbot{bracketrightbt}
+ \varrep{bracketrightex}
+ \endvarchar
+\endsetslot
+
+\setslot{bracketleftbt}
+ \varchar
+ \varbot{bracketleftbt}
+ \varrep{bracketleftex}
+ \endvarchar
+\endsetslot
+
+\setslot{bracketrightbt}
+ \varchar
+ \varbot{bracketrightbt}
+ \varrep{bracketrightex}
+ \endvarchar
+\endsetslot
+
+\setslot{bracketleftex}
+ \varchar
+ \vartop{bracketlefttp}
+ \varrep{bracketleftex}
+ \endvarchar
+\endsetslot
+
+\setslot{bracketrightex}
+ \varchar
+ \vartop{bracketrighttp}
+ \varrep{bracketrightex}
+ \endvarchar
+\endsetslot
+
+\setslot{bracelefttp}
+ \varchar
+ \vartop{bracelefttp}
+ \varmid{braceleftmid}
+ \varbot{braceleftbt}
+ \varrep{braceex}
+ \endvarchar
+\endsetslot
+
+\setslot{bracerighttp}
+ \varchar
+ \vartop{bracerighttp}
+ \varmid{bracerightmid}
+ \varbot{bracerightbt}
+ \varrep{braceex}
+ \endvarchar
+\endsetslot
+
+\setslot{braceleftbt}
+ \varchar
+ \vartop{bracelefttp}
+ \varbot{braceleftbt}
+ \varrep{braceex}
+ \endvarchar
+\endsetslot
+
+\setslot{bracerightbt}
+ \varchar
+ \vartop{bracerighttp}
+ \varbot{bracerightbt}
+ \varrep{braceex}
+ \endvarchar
+\endsetslot
+
+\setslot{braceleftmid}
+ \varchar
+ \varrep{arrowvertex}
+ \endvarchar
+\endsetslot
+
+\setslot{bracerightmid}
+ \varchar
+ \varrep{arrowdblvertex}
+ \endvarchar
+\endsetslot
+
+\setslot{braceex}
+ \varchar
+ \varrep{braceex}
+ \endvarchar
+\endsetslot
+
+\setslot{arrowvertex}
+ \varchar
+ \vartop{arrowtp}
+ \varbot{arrowbt}
+ \varrep{arrowvertex}
+ \endvarchar
+\endsetslot
+
+\setslot{parenleftbt}
+ \varchar
+ \vartop{bracelefttp}
+ \varbot{bracerightbt}
+ \varrep{braceex}
+ \endvarchar
+\endsetslot
+
+\setslot{parenrightbt}
+ \varchar
+ \vartop{bracerighttp}
+ \varbot{braceleftbt}
+ \varrep{braceex}
+ \endvarchar
+\endsetslot
+
+\setslot{parenleftex}
+ \varchar
+ \varrep{parenleftex}
+ \endvarchar
+\endsetslot
+
+\setslot{parenrightex}
+ \varchar
+ \varrep{parenrightex}
+ \endvarchar
+\endsetslot
+
+\setslot{angleleftBig}
+ \nextlarger{angleleftbigg}
+\endsetslot
+
+\setslot{anglerightBig}
+ \nextlarger{anglerightbigg}
+\endsetslot
+
+\setslot{unionsqtext}
+ \nextlarger{unionsqdisplay}
+\endsetslot
+
+\setslot{unionsqdisplay}
+\endsetslot
+
+\setslot{contintegraltext}
+ \nextlarger{contintegraldisplay}
+\endsetslot
+
+\setslot{contintegraldisplay}
+\endsetslot
+
+\setslot{circledottext}
+ \nextlarger{circledotdisplay}
+\endsetslot
+
+\setslot{circledotdisplay}
+\endsetslot
+
+\setslot{circleplustext}
+ \nextlarger{circleplusdisplay}
+\endsetslot
+
+\setslot{circleplusdisplay}
+\endsetslot
+
+\setslot{circlemultiplytext}
+ \nextlarger{circlemultiplydisplay}
+\endsetslot
+
+\setslot{circlemultiplydisplay}
+\endsetslot
+
+\setslot{summationtext}
+ \nextlarger{summationdisplay}
+\endsetslot
+
+\setslot{producttext}
+ \nextlarger{productdisplay}
+\endsetslot
+
+\setslot{integraltext}
+ \nextlarger{integraldisplay}
+\endsetslot
+
+\setslot{uniontext}
+ \nextlarger{uniondisplay}
+\endsetslot
+
+\setslot{intersectiontext}
+ \nextlarger{intersectiondisplay}
+\endsetslot
+
+\setslot{unionmultitext}
+ \nextlarger{unionmultidisplay}
+\endsetslot
+
+\setslot{logicalandtext}
+ \nextlarger{logicalanddisplay}
+\endsetslot
+
+\setslot{logicalortext}
+ \nextlarger{logicalordisplay}
+\endsetslot
+
+\setslot{summationdisplay}
+\endsetslot
+
+\setslot{productdisplay}
+\endsetslot
+
+\setslot{integraldisplay}
+\endsetslot
+
+\setslot{uniondisplay}
+\endsetslot
+
+\setslot{intersectiondisplay}
+\endsetslot
+
+\setslot{unionmultidisplay}
+\endsetslot
+
+\setslot{logicalanddisplay}
+\endsetslot
+
+\setslot{logicalordisplay}
+\endsetslot
+
+\setslot{coproducttext}
+ \nextlarger{coproductdisplay}
+\endsetslot
+
+\setslot{coproductdisplay}
+\endsetslot
+
+\setslot{hatwide}
+ \nextlarger{hatwider}
+\endsetslot
+
+\setslot{hatwider}
+ \nextlarger{hatwiderr}
+\endsetslot
+
+\setslot{hatwiderr}
+\endsetslot
+
+\setslot{tildewide}
+ \nextlarger{tildewider}
+\endsetslot
+
+\setslot{tildewider}
+ \nextlarger{tildewiderr}
+\endsetslot
+
+\setslot{tildewiderr}
+\endsetslot
+
+\setslot{bracketleftBig}
+ \nextlarger{bracketleftbigg}
+\endsetslot
+
+\setslot{bracketrightBig}
+ \nextlarger{bracketrightbigg}
+\endsetslot
+
+\setslot{floorleftBig}
+ \nextlarger{floorleftbigg}
+\endsetslot
+
+\setslot{floorrightBig}
+ \nextlarger{floorrightbigg}
+\endsetslot
+
+\setslot{ceilingleftBig}
+ \nextlarger{ceilingleftbigg}
+\endsetslot
+
+\setslot{ceilingrightBig}
+ \nextlarger{ceilingrightbigg}
+\endsetslot
+
+\setslot{braceleftBig}
+ \nextlarger{braceleftbigg}
+\endsetslot
+
+\setslot{bracerightBig}
+ \nextlarger{bracerightbigg}
+\endsetslot
+
+\setslot{radicalbig}
+ \nextlarger{radicalBig}
+\endsetslot
+
+\setslot{radicalBig}
+ \nextlarger{radicalbigg}
+\endsetslot
+
+\setslot{radicalbigg}
+ \nextlarger{radicalBigg}
+\endsetslot
+
+\setslot{radicalBigg}
+ \nextlarger{radicalbt}
+\endsetslot
+
+\setslot{radicalbt}
+ \varchar
+ \varbot{radicalbt}
+ \vartop{radicaltp}
+ \varrep{radicalvertex}
+ \endvarchar
+\endsetslot
+
+\setslot{radicalvertex}
+\endsetslot
+
+\setslot{radicaltp}
+\endsetslot
+
+\setslot{arrowdblvertex}
+ \varchar
+ \vartop{arrowdbltp}
+ \varbot{arrowdblbt}
+ \varrep{arrowdblvertex}
+ \endvarchar
+\endsetslot
+
+\setslot{arrowtp}
+ \varchar
+ \vartop{arrowtp}
+ \varrep{arrowvertex}
+ \endvarchar
+\endsetslot
+
+\setslot{arrowbt}
+ \varchar
+ \varbot{arrowbt}
+ \varrep{arrowvertex}
+ \endvarchar
+\endsetslot
+
+\setslot{bracehtipdownleft}
+\endsetslot
+
+\setslot{bracehtipdownright}
+\endsetslot
+
+\setslot{bracehtipupleft}
+\endsetslot
+
+\setslot{bracehtipupright}
+\endsetslot
+
+\setslot{arrowdbltp}
+ \varchar
+ \vartop{arrowdbltp}
+ \varrep{arrowdblvertex}
+ \endvarchar
+\endsetslot
+
+\setslot{arrowdblbt}
+ \varchar
+ \varbot{arrowdblbt}
+ \varrep{arrowdblvertex}
+ \endvarchar
+\endsetslot
+
+\nextslot{153}
+\setslot{infinity}\endsetslot
+
+\endencoding
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/eulervm/fontinst/fontevm.tex b/Master/texmf-dist/doc/fonts/eulervm/fontinst/fontevm.tex
new file mode 100644
index 00000000000..2dc83dde383
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/eulervm/fontinst/fontevm.tex
@@ -0,0 +1,78 @@
+% format: plain
+
+% fontevm.tex -- creating the Euler Virtual Math Fonts v3.0
+%
+% (c) Walter Schmidt 1999, 2000
+
+\input fontinst.sty
+
+\needsfontinstversion{1.801}
+
+\installfonts
+
+ \installfamily{U}{zeur}{\skewchar\font=127}
+ \installfamily{U}{zeus}{\skewchar\font=176}
+ \installfamily{U}{zeuex}{}
+
+
+% The `letters' font: Euler Roman + CM Math Italic
+% + hslash from cmbx
+% + relbar (minus sign) from cmsy
+% + Relbar (equals sign) from cmr
+%
+ \installfont{zeurm10}
+ {eurm10, kernoff, cmmi10, eubar10, cmsy10, cmr10, kernon}
+ {euml}{U}{zeur}{m}{n}{<8->}
+ \installfont{zeurm7}
+ {eurm7, kernoff, cmmi7, eubar7, cmsy7, cmr7, kernon}
+ {euml}{U}{zeur}{m}{n}{<6-8>}
+ \installfont{zeurm5}
+ {eurm5, kernoff, cmmi5, eubar5, cmsy5, cmr5, kernon}
+ {euml}{U}{zeur}{m}{n}{<-6>}
+
+% The `symbols' font: Euler Script + CM Symbol + Euler Fraktur
+% + \leq and \neq from AMS Symbols
+
+ \installfont{zeusm10}
+ {cmsy10, unseteus, eusm10, eufm10, unsetams, amsrel10}
+ {eums}{U}{zeus}{m}{n}{<8->}
+ \installfont{zeusm7}
+ {cmsy7, unseteus, eusm7, eufm7, unsetams, amsrel7}
+ {eums}{U}{zeus}{m}{n}{<6-8>}
+ \installfont{zeusm5}
+ {cmsy5, unseteus, eusm5, eufm5, unsetams, amsrel5}
+ {eums}{U}{zeus}{m}{n}{<-6>}
+
+% The `large symbols': CM Math Extension + Euler Extension
+%
+ \installfont{zeuex10}
+ {cmex10, unsetex, kernoff, euex10, kernon}
+ {eumx}{U}{zeuex}{m}{n}{}
+
+% ditto, bold:
+
+ \installfont{zeurb10}
+ {eurb10, kernoff, cmmib10, eubar10, cmbsy10, cmbx10, kernon}
+ {euml}{U}{zeur}{b}{n}{<8->}
+ \installfont{zeurb7}
+ {eurb7, kernoff, cmmib7, eubar7, cmbsy7, cmbx7, kernon}
+ {euml}{U}{zeur}{b}{n}{<6-8>}
+ \installfont{zeurb5}
+ {eurb5, kernoff, cmmib5, eubar5, cmbsy5, cmbx5, kernon}
+ {euml}{U}{zeur}{b}{n}{<-6>}
+
+ \installfont{zeusb10}
+ {cmbsy10, unseteus, eusb10, eufb10}
+ {eums}{U}{zeus}{b}{n}{<8->}
+ \installfont{zeusb7}
+ {cmbsy7, unseteus, eusb7, eufb7}
+ {eums}{U}{zeus}{b}{n}{<6-8>}
+ \installfont{zeusb5}
+ {cmbsy5, unseteus, eusb5, eufb5}
+ {eums}{U}{zeus}{b}{n}{<-6>}
+
+% bold `large symbols' are missing
+
+\endinstallfonts
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/eulervm/fontinst/unsetams.mtx b/Master/texmf-dist/doc/fonts/eulervm/fontinst/unsetams.mtx
new file mode 100644
index 00000000000..7161cc7ede1
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/eulervm/fontinst/unsetams.mtx
@@ -0,0 +1,9 @@
+\relax
+\metrics
+
+\needsfontinstversion{1.914}
+
+\unsetglyph{lessequal}
+\unsetglyph{greaterequal}
+
+\endmetrics
diff --git a/Master/texmf-dist/doc/fonts/eulervm/fontinst/unseteus.mtx b/Master/texmf-dist/doc/fonts/eulervm/fontinst/unseteus.mtx
new file mode 100644
index 00000000000..6fd573cdf99
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/eulervm/fontinst/unseteus.mtx
@@ -0,0 +1,18 @@
+\relax
+\metrics
+
+\unsetglyph{minus}
+\unsetglyph{similar}
+\unsetglyph{logicalnot}
+\unsetglyph{Rfraktur}
+\unsetglyph{Ifraktur}
+\unsetglyph{aleph}
+\unsetglyph{logicaland}
+\unsetglyph{logicalor}
+\unsetglyph{braceleft}
+\unsetglyph{braceright}
+\unsetglyph{bar}
+\unsetglyph{backslash}
+\unsetglyph{section}
+
+\endmetrics
diff --git a/Master/texmf-dist/doc/fonts/eulervm/fontinst/unsetex.mtx b/Master/texmf-dist/doc/fonts/eulervm/fontinst/unsetex.mtx
new file mode 100644
index 00000000000..af4f7ee4dc0
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/eulervm/fontinst/unsetex.mtx
@@ -0,0 +1,34 @@
+\relax
+\metrics
+
+\unsetglyph{braceleftbig}
+\unsetglyph{bracerightbig}
+\unsetglyph{braceleftBig}
+\unsetglyph{bracerightBig}
+\unsetglyph{braceleftbigg}
+\unsetglyph{bracerightbigg}
+\unsetglyph{braceleftBigg}
+\unsetglyph{bracerightBigg}
+\unsetglyph{bracelefttp}
+\unsetglyph{bracerighttp}
+\unsetglyph{braceleftbt}
+\unsetglyph{bracerightbt}
+\unsetglyph{braceleftmid}
+\unsetglyph{bracerightmid}
+\unsetglyph{braceex}
+\unsetglyph{contintegraltext}
+\unsetglyph{contintegraldisplay}
+\unsetglyph{summationtext}
+\unsetglyph{producttext}
+\unsetglyph{integraltext}
+\unsetglyph{summationdisplay}
+\unsetglyph{productdisplay}
+\unsetglyph{integraldisplay}
+\unsetglyph{coproducttext}
+\unsetglyph{coproductdisplay}
+\unsetglyph{bracehtipdownleft}
+\unsetglyph{bracehtipdownright}
+\unsetglyph{bracehtipupleft}
+\unsetglyph{bracehtipupright}
+
+\endmetrics
diff --git a/Master/texmf-dist/doc/fonts/eulervm/manifest.txt b/Master/texmf-dist/doc/fonts/eulervm/manifest.txt
new file mode 100644
index 00000000000..f907b2c372d
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/eulervm/manifest.txt
@@ -0,0 +1,55 @@
+The following files constitute the Euler-VM bundle
+and must be distributed as a whole:
+
+eulervm.dtx
+eulervm.ins
+manifest.txt
+readme
+
+fontinst:
+Makefile
+amsrel10.mtx
+amsrel5.mtx
+amsrel7.mtx
+eubar10.mtx
+eubar5.mtx
+eubar7.mtx
+euml.etx
+eums.etx
+eumx.etx
+fontevm.tex
+unsetams.mtx
+unseteus.mtx
+unsetex.mtx
+
+tfm:
+zeuex10.tfm
+zeurb10.tfm
+zeurb5.tfm
+zeurb7.tfm
+zeurm10.tfm
+zeurm5.tfm
+zeurm7.tfm
+zeusb10.tfm
+zeusb5.tfm
+zeusb7.tfm
+zeusm10.tfm
+zeusm5.tfm
+zeusm7.tfm
+
+vf:
+zeuex10.vf
+zeurb10.vf
+zeurb5.vf
+zeurb7.vf
+zeurm10.vf
+zeurm5.vf
+zeurm7.vf
+zeusb10.vf
+zeusb5.vf
+zeusb7.vf
+zeusm10.vf
+zeusm5.vf
+zeusm7.vf
+
+% finis
diff --git a/Master/texmf-dist/doc/fonts/eulervm/readme b/Master/texmf-dist/doc/fonts/eulervm/readme
new file mode 100644
index 00000000000..69650ad2313
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/eulervm/readme
@@ -0,0 +1,171 @@
+============================================================
+
+ eulervm v3.0a, 2004-01-17
+
+ The Virtual Euler Math fonts and the LaTeX package eulervm
+
+============================================================
+ Walter Schmidt
+ w.a.schmidt@gmx.net
+
+
+
+The well-known Euler math fonts (designed by H. Zapf) are
+suitable for math typesetting in conjunction with a variety
+of text fonts which do not provide math character sets of
+their own.
+
+Euler-VM is a set of _virtual_ math fonts based on Euler and
+CM. This approach has several advantages over immediately
+using the _real_ Euler fonts: Most noticeably, less TeX
+resources are consumed, the quality of various math symbols
+is improved, and a usable \hslash symbol can be provided.
+
+The fonts are accompanied by a LaTeX package which makes
+them easy to use, particularly in conjunction with Type 1
+(PostScript) text fonts.
+
+
+
+Installing
+----------
+* Run the installation script eulervm.ins through LaTeX.
+
+* Move the resulting .sty and .fd files to a directory where
+ TeX searches for input files; in a TDS compliant system
+ this should be:
+
+ texmf/tex/latex/eulervm
+
+ In case you have properly set up your docstrip program,
+ and the above directory exists already, this is done
+ automagically!
+
+* Move all files from tfm to a directory where TeX searches
+ for font metrics. In a TDS compliant system this should
+ be:
+ texmf/fonts/tfm/public/eulervm
+
+* Move all files from vf to a directory where dvips
+ searches for virtual fonts. In a TDS compliant system
+ this should be:
+
+ texmf/fonts/vf/public/eulervm
+
+* Run the file eulervm.dtx through LaTeX, this will create
+ the documentation. Move the resulting DVI (PS, PDF) file
+ to a suitable place. In a TDS compliant TeX system this
+ should be:
+
+ texmf/doc/latex/eulervm
+
+
+
+The fontinst sources
+--------------------
+The directory fontinst contains the sources of the virtual
+fonts, including a `makefile'. You need these files only in
+case you want to rebuild or modify the fonts. The following
+.pl files are required additionally:
+
+cmbsy10.pl cmmi10.pl cmr5.pl eufb5.pl eurb7.pl
+cmbsy5.pl cmmi5.pl cmr7.pl eufb7.pl eurm10.pl
+cmbsy7.pl cmmi7.pl cmsy10.pl eufm10.pl eurm5.pl
+cmbx10.pl cmmib10.pl cmsy5.pl eufm5.pl eurm7.pl
+cmbx5.pl cmmib5.pl cmsy7.pl eufm7.pl eusb10.pl
+cmbx7.pl cmmib7.pl euex10.pl eurb10.pl eusb5.pl
+cmex10.pl cmr10.pl eufb10.pl eurb5.pl eusb7.pl
+eusm10.pl eusm5.pl eusm7.pl
+
+
+
+History
+-------
+2004-01-07, v3.0a
+ The package does no longer redefine \vdots and \ddots,
+ because fixing these macros should be left to the package
+ mathdots.sty. Virtual fonts and font metrics are
+ unchanged.
+
+ Documentation updated wrt/ email address and CTAN links.
+
+2003-06-10, v3.0
+ The symbols \leq and \geq now show the shape that is
+ preferred by DEK in conjunction with the Euler fonts.
+ (Credits to Frank Mittelbach for pointing me to this!)
+ The width of the symbols is unchanged.
+
+ The option [small] now acts on the AMS fonts, too, so
+ there are no more restrictions affecting the usage of
+ amssymb.sty in conjunction with the Euler-VM fonts.
+
+ Slightly changed mapping of font sizes to design sizes
+ used. Particularly, when a math font with a size of 8pt
+ is requested, we are now going to scale up a 7pt font,
+ rather than scaling down a 10pt one. This should improve
+ the appearance of documents with a normal font size of
+ 11pt, where 8pt is used for super- and subscripts.
+ Strictly speaking, this is an incompatible change, but I
+ hope that the amount of practical problems is tolerable,
+ as compared with the improvement.
+
+ Fixed Makefile so as not to install the auto-generated .fd
+ files, which are lacking the code for the [small] option.
+
+ VFs and TFMs were now generated with fontinst v1.914, so
+ that the metrics may have changed sligthly, because of
+ improved rounding algorithm. This may cause problems when
+ procesing existing DVI files.
+
+2003-03-02, v2.9b
+ \hbar produces an appropriate warning message now,
+ as suggested by FMi.
+ Additional math symbols \upOmega and \upDelta with type
+ \mathord, to protect against problems with the packages
+ gensymb and units.
+ Small changes to the documentation.
+ Note that the virtual fonts are unchanged.
+
+2002-11-13, v2.9a
+ Virtual fonts: \epsilon and \varepsilon are no longer
+ mixed up.
+ Macro package: The slash, when used as a math delimiter,
+ is now taken from the Euler Roman font, rather than from
+ the text font.
+ Documentation: Minor fixes and additions.
+
+2002-03-10, v2.8
+ Use \familydefault for the operators font, rather
+ than \rmdefault. Minor code cleanup.
+
+2001-04-10, v2.7
+ The option [icomma] is still available, however
+ undocumented. The package icomma.sty from the CTAN
+ directory macros/latex/contrib/supported/was/ should
+ be used instead.
+
+2001-03-06, v2.6
+ Bug fixes: eulervm.sty should now work with amsmath 2.x,
+ regardless of the sequence of loading; \ldots, \vdots,
+ \ddots and the period are taken from the same fonts now,
+ according to the euler-digits option; improved algorithm
+ for the intelligent comma.
+
+ New feature: With the package option [small], the Euler
+ fonts will be used at 95% of their nominal size, thus
+ blending better with certain text fonts such as Minion.
+
+ The virtual fonts are unchanged. When installing v2.6
+ over v2.2, only the package file and the .fd files need to
+ be replaced.
+
+2000-02-02, v2.2
+ Bug fixes: Use Euler script for \mathcal, instead of
+ CM-Calligraphic; added missing bold symbols; improved
+ documentation.
+
+2000-01-19, v2.1
+ first public release
+
+
+-- finis
diff --git a/Master/texmf-dist/doc/fonts/euro-ce/euro-ce.doc b/Master/texmf-dist/doc/fonts/euro-ce/euro-ce.doc
new file mode 100644
index 00000000000..2d94484a0c9
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/euro-ce/euro-ce.doc
@@ -0,0 +1,172 @@
+EURO CURRENCY SYMBOL and CE MARK --- version 3.0 (6 March 2002)
+(c) 1998-2002 Harold W. de Wijn --- No warranty whatsoever
+
+IN CASE YOU APPRECIATE THESE FILES, OR HAVE ANY COMMENTS, PLEASE SEND AN
+E-MAIL TO H.W.deWijn@phys.uu.nl
+
+ABOUT THE AUTHOR: www.phys.uu.nl/~dewijn
+
+
+
+(1) METAFONT source of the official euro currency symbol and scores of
+ variants, including italic, slanted, boldface, boldface italic
+ boldface slanted, condensed, and outline. Varying single parameters
+ for compression, thickness, and slanting allows the user to add new
+ variants.
+
+(2) METAFONT source of the CE mark and several variants.
+
+
+ *** FILES ***
+
+euro-ce.doc documentation (this file)
+euroof.mf METAFONT source of the official euro currency symbol
+eurorm.mf METAFONT source of the official euro currency symbol
+ and its condensed variants, both filled and in outline
+euroit.mf METAFONT source of the italic variants
+eurosl.mf METAFONT source of the slanted variants
+eurobf.mf METAFONT source of the boldface variants
+eurobfit.mf METAFONT source of the boldface italic variants
+eurobfsl.mf METAFONT source of the boldface slanted variants
+eurosp.mf Example of METAFONT source for specials
+euromac.mf driver file for generating euro symbols
+cerm.mf METAFONT source of the CE mark
+ceit.mf METAFONT source of the italic variant
+cesl.mf METAFONT source of the slanted variant
+cemac.mf driver file for generating CE marks
+euro-ce.tex test (to be run with plain TeX)
+
+The METAFONT source files should be run with plain METAFONT.
+
+Files should be renamed whenever they are modified!
+
+
+ *** CHARACTERS ***
+
+The euro symbol is provided in roman (eurorm.mf), italic (euroit.mf),
+slanted (eurosl.mf), boldface (eurobf.mf), boldface italic (eurobfit.mf),
+and boldface slanted (eurobfsl.mf) typefaces, each of which comprises the
+letters:
+
+ E,e official width
+ D,d demicondensed
+ F,f condensed
+ G,g double condensed
+ O,o one-pixel-outline, official width
+ N,n one-pixel-outline, demicondensed
+ P,p one-pixel-outline, condensed
+ Q,q one-pixel-outline, double condensed
+
+Upper-case letters refer to euro symbols having the height of the
+capital C of the corresponding Computer Modern roman font. Lower-case
+letters refer to euro symbols having the height of the Computer Modern
+roman numerals (which you may like better).
+
+The file euroof.mf only contains the official symbol. The file
+eurosp.mf provides a number of "strange" euro symbols.
+
+The CE mark is available in roman (cerm.mf), italic (ceit.mf), and
+slanted (cesl.mf) typefaces:
+
+ CE CE mark
+ ce CE mark, one-pixel-outline
+
+
+
+ *** NOTES ON PROGRAMMING ***
+
+The euro currency symbols are computed on the basis of the geometry
+published on the European Union's web site www.europa.eu.int/euro. The
+official symbol, which is of roman type and inspired by the Greek letter
+epsilon (rather than the capital C), is composed of a well-defined
+280-degree segment of a perfect circle and two cross bars. It features a
+uniform thickness, 1/12 of its outer diameter, and distinctive oblique
+ends.
+
+With regard to the condensed (i.e., horizontally compressed), italic, and
+slanted variants derived here from the official geometry, the following
+observations are of relevance:
+
+(i) Horizontal compression and slanting are straightforwardly implemented
+by the use of METAFONT's transformations. These transformations permit
+control of compression and slanting through single parameters;
+
+(ii) It is desirable that a uniform thickness be preserved. In case the
+official euro symbol has been drawn by filling its outline, however, this
+requirement precludes constructing its variants by transformations.
+Horizontal compression would narrow the upright strokes of the circle,
+while slanting would make the first and third quadrants thicker, and the
+second and fourth quadrants thinner;
+
+(iii) By contrast, METAFONT's pen nibs are invariant under METAFONT's
+transformations.
+
+The symbols are therefore drawn by (a) picking up a circular pen of a
+diameter equal to the chosen thickness, (b) drawing a full circle and
+oversized cross bars, and (c) erasing the excess according to the demands
+of the geometry. Horizontal scaling and slanting transformations, to the
+extent applicable, then provide the desired result.
+
+Horizontal compression, slanting, and thickness are controlled by the
+parameters C, S, and T, which are input to the generating macro
+"draw_euro" in the driver file "euromac.mf". Their default values
+correspond to the official symbol, i.e., C=1 (no compression), S=0 (no
+slanting), and T=1 (thickness is 1/12 of the outer diameter). Possible
+combinations are of course limited by the geometry.
+
+The width of the box is taken equal to the overall width of the
+compressed, but unslanted symbol at the given thickness, augmented with
+uniform cmr10-sized margins at either side. The italic corrections
+provided are designed to maintain the right margin.
+
+More technical details are commented on in the driver file "euromac.mf"
+itself. Running "eurosp.mf" in proof mode demonstrates the robustness of
+"draw_euro" against variations of C, S, and T from their default values.
+
+The above is of equal concern to the CE mark and, for that matter, any
+other fully or partly circular image.
+
+
+ *** EXAMPLES OF USAGE ***
+
+In TeX:
+
+\font\euro=eurorm scaled \magstephalf % 11-point roman euro symbol
+\def\EUR{{\euro E}}
+\EUR 123.00
+
+\font\ce=cerm % 10-point CE symbol
+{\ce CE}
+
+
+In LaTeX:
+
+\newfont{\euroit}{euroit scaled \magstep1} % 12-point italic euro symbol
+\newcommand{\EUR}{{\euroit E}}
+\EUR 123.00
+
+\newfont{\ce}{cerm} % 10-point CE symbol
+{\ce CE}
+
+
+ *** HISTORY ***
+
+v1.2 (2 June 1998) eurorm, euroit, eurosl, cerm, ceit, cesl.
+
+v1.3 (9 February 2001) Adding the eurobf; modification of euromac.mf to
+ accommodate boldface euro symbols; improved
+ handling of font dimensions; minor corrections.
+
+v1.3a (15 February 2002) Patch in euromac.mf to remove spurious speckles.
+
+v2.0 (3 March 2002) Adding demicondensed euro symbols (which seem
+ quite popular), eurobfit, and eurobfsl.
+
+v3.0 (6 March 2002) Completely revised package. Improved METAFONT
+ code. Improvements include better positioning
+ of euro symbol in box, better rendition at low
+ resolution, and adding eurosp.
+
+
+ *** END OF FILE ***
+
diff --git a/Master/texmf-dist/doc/fonts/euro-ce/euro-ce.tex b/Master/texmf-dist/doc/fonts/euro-ce/euro-ce.tex
new file mode 100644
index 00000000000..5ddeff4fd61
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/euro-ce/euro-ce.tex
@@ -0,0 +1,129 @@
+% EURO-CE.TEX --- version 3.0 (6 March 2002) --- (c) Harold W. de Wijn
+% Testing euro and CE symbols
+% Run with plain TeX
+
+\parindent0pt \nopagenumbers
+
+\def\E#1#2{\smallskip\leavevmode
+ #1 pt\qquad{\font\euro=#2\euro EDFG ONPQ edfg onpq}}
+\def\F#1#2{\smallskip\leavevmode
+ #1 pt\qquad{\font\euro=#2\euro EDFG O edfg o}}
+\def\G#1#2{\smallskip\leavevmode
+ #1 pt\qquad{\font\euro=#2\euro dcEab Eefg ihEjk lmn\/opq}}
+\def\CE#1{\hfill{\font\ce=#1\ce CE ce}}
+
+\vglue-20pt {\bf TEST OF EURO CURRENCY SYMBOL\hfill TEST OF CE MARK}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%% Comment out sizes you are not interested in! %%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\bigskip
+ROMAN
+%\E{\enskip 7}{eurorm scaled 700} %\CE{cerm scaled 700}
+%\E{\enskip 8}{eurorm scaled 800} %\CE{cerm scaled 800}
+%\E{\enskip 9}{eurorm scaled 900} %\CE{cerm scaled 900}
+ \E{10}{eurorm} \CE{cerm}
+%\E{11}{eurorm scaled \magstephalf} \CE{cerm scaled \magstephalf}
+ \E{12}{eurorm scaled \magstep1} \CE{cerm scaled \magstep1}
+%\E{14}{eurorm scaled \magstep2} \CE{cerm scaled \magstep2}
+ \E{17}{eurorm scaled \magstep3} \CE{cerm scaled \magstep3}
+%\E{21}{eurorm scaled \magstep4} \CE{cerm scaled \magstep4}
+ \E{25}{eurorm scaled \magstep5} \CE{cerm scaled \magstep5}
+%\E{30}{eurorm scaled 2986}
+
+\bigskip
+BOLDFACE
+%\E{\enskip 7}{eurobf scaled 700}
+%\E{\enskip 8}{eurobf scaled 800}
+%\E{\enskip 9}{eurobf scaled 900}
+ \E{10}{eurobf}
+%\E{11}{eurobf scaled \magstephalf}
+ \E{12}{eurobf scaled \magstep1}
+%\E{14}{eurobf scaled \magstep2}
+ \E{17}{eurobf scaled \magstep3}
+%\E{21}{eurobf scaled \magstep4}
+ \E{25}{eurobf scaled \magstep5}
+%\F{30}{eurobf scaled 2986}
+
+\bigskip
+ITALIC
+%\E{\enskip 7}{euroit scaled 700} %\CE{ceit scaled 700}
+%\E{\enskip 8}{euroit scaled 800} %\CE{ceit scaled 800}
+%\E{\enskip 9}{euroit scaled 900} %\CE{ceit scaled 900}
+ \E{10}{euroit} \CE{ceit}
+%\E{11}{euroit scaled \magstephalf} \CE{ceit scaled \magstephalf}
+ \E{12}{euroit scaled \magstep1} \CE{ceit scaled \magstep1}
+%\E{14}{euroit scaled \magstep2} \CE{ceit scaled \magstep2}
+ \E{17}{euroit scaled \magstep3} \CE{ceit scaled \magstep3}
+%\E{21}{euroit scaled \magstep4} \CE{ceit scaled \magstep4}
+ \E{25}{euroit scaled \magstep5} \CE{ceit scaled \magstep5}
+%\F{30}{euroit scaled 2986}
+
+\bigskip
+BOLDFACE ITALIC
+%\E{\enskip 7}{eurobfit scaled 700}
+%\E{\enskip 8}{eurobfit scaled 800}
+%\E{\enskip 9}{eurobfit scaled 900}
+ \E{10}{eurobfit}
+%\E{11}{eurobfit scaled \magstephalf}
+ \E{12}{eurobfit scaled \magstep1}
+%\E{14}{eurobfit scaled \magstep2}
+ \E{17}{eurobfit scaled \magstep3}
+%\E{21}{eurobfit scaled \magstep4}
+ \E{25}{eurobfit scaled \magstep5}
+%\F{30}{eurobfit scaled 2986}
+
+\bigskip
+SLANTED
+%\E{\enskip 7}{eurosl scaled 700} %\CE{cesl scaled 700}
+%\E{\enskip 8}{eurosl scaled 800} %\CE{cesl scaled 800}
+%\E{\enskip 9}{eurosl scaled 900} %\CE{cesl scaled 900}
+ \E{10}{eurosl} \CE{cesl}
+%\E{11}{eurosl scaled \magstephalf} \CE{cesl scaled \magstephalf}
+ \E{12}{eurosl scaled \magstep1} \CE{cesl scaled \magstep1}
+%\E{14}{eurosl scaled \magstep2} \CE{cesl scaled \magstep2}
+ \E{17}{eurosl scaled \magstep3} \CE{cesl scaled \magstep3}
+%\E{21}{eurosl scaled \magstep4} \CE{cesl scaled \magstep4}
+ \E{25}{eurosl scaled \magstep5} \CE{cesl scaled \magstep5}
+%\F{30}{eurosl scaled 2986}
+
+\bigskip
+BOLDFACE SLANTED
+%\E{\enskip 7}{eurobfsl scaled 700}
+%\E{\enskip 8}{eurobfsl scaled 800}
+%\E{\enskip 9}{eurobfsl scaled 900}
+ \E{10}{eurobfsl}
+%\E{11}{eurobfsl scaled \magstephalf}
+ \E{12}{eurobfsl scaled \magstep1}
+%\E{14}{eurobfsl scaled \magstep2}
+ \E{17}{eurobfsl scaled \magstep3}
+%\E{21}{eurobfsl scaled \magstep4}
+ \E{25}{eurobfsl scaled \magstep5}
+%\F{30}{eurobfsl scaled 2986}
+%\F{36}{eurobfsl scaled 3583}
+
+\bigskip
+SPECIALS
+%\G{10}{eurosp}
+%\G{12}{eurosp scaled \magstep1}
+%\G{14}{eurosp scaled \magstep2}
+ \G{17}{eurosp scaled \magstep3}
+%\G{25}{eurosp scaled \magstep5}
+
+\bigskip
+EXAMPLES in 10 point:
+\smallskip
+Roman euro symbol
+ \font\euro = eurorm {\euro E}000 {\euro F}123\hfill
+{\it Italic euro symbol
+ \font\euro = euroit {\euro E}000 {\euro F}123\hfill
+{\sl Slanted euro symbol
+ \font\euro = eurosl {\euro E}000 {\euro F}123}
+\smallskip
+{\bf Boldface euro symbol
+ \font\euro = eurobf {\euro E}000 {\euro F}123}
+
+\vglue-20pt
+\bye
+
diff --git a/Master/texmf-dist/doc/fonts/eurofont/README.europs b/Master/texmf-dist/doc/fonts/eurofont/README.europs
new file mode 100644
index 00000000000..f59e98140ac
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/eurofont/README.europs
@@ -0,0 +1,156 @@
+Adobe's Euro currency fonts for LaTeX
+=====================================
+
+[ Note: this Europs package has been merged with the fonts/euro package
+so the paths in this documentation aren't correct any more. You find all
+support files apart from the Adobe fonts itself in the directory
+CTAN:/tex-archive/fonts/euro.
+
+Reinhard Zierke, 09-Aug-1999 ]
+
+
+1. Introduction
+---------------
+
+This is yet another attempt to provide the Euro currency symbol for LaTeX.
+There are already several solutions, but each with limited possibilities:
+
+ - The package marvosym (by Thomas Henlich) provides a PostScript font with
+ four glyphs: The official Euro symbol, and three not-so-official shapes
+ which are more convenient when using the symbol together with Times,
+ Helvetica or Courier.
+
+ - The package eurosym (by Henrik Theiling) provides the Euro symbol in
+ several shapes, among them one that is constructed from the exact
+ specifications. The font itself is done with Metafont, which is not
+ a problem by itself. But if you want to create PDFs containing the Euro
+ symbol, you're bound for trouble.
+
+ - Finally, there is a set of tfm files for Adobe's Euro fonts, which were
+ placed on CTAN on behalf of Y&Y. The included (plain) TeX-example works,
+ but leaves much to be desired.
+
+
+2. This Package
+---------------
+
+So, several solutions, but every single one has it's drawbacks. So I decided
+to try to hack something together, and that's what I came up with:
+
+ - I use the twelve fonts distributed by Adobe, as the Y&Y package does.
+
+ - The font names conform to Karl Berry's naming scheme. The following
+ list gives the PostScript names and the corresponding TeX names. The
+ two other file names in the list are used later:
+
+ PostScript TeX PC Macintosh
+
+ EuroSans-Regular zpeurs.pfb _1______.PFB EuroSanReg
+ EuroSans-Italic zpeuris.pfb _1I_____.PFB EuroSanIta
+ EuroSans-Bold zpeubs.pfb _1B_____.PFB EuroSanBol
+ EuroSans-BoldItalic zpeubis.pfb _1BI____.PFB EuroSanBolIta
+
+ EuroSerif-Regular zpeur.pfb _3______.PFB EuroSerReg
+ EuroSerif-Italic zpeuri.pfb _3I_____.PFB EuroSerIta
+ EuroSerif-Bold zpeub.pfb _3B_____.PFB EuroSerBol
+ EuroSerif-BoldItalic zpeubi.pfb _3BI____.PFB EuroSerBolIta
+
+ EuroMono-Regular zpeurt.pfb _2______.PFB EuroMonReg
+ EuroMono-Italic zpeurit.pfb _2I_____.PFB EuroMonIta
+ EuroMono-Bold zpeubt.pfb _2B_____.PFB EuroMonBol
+ EuroMono-BoldItalic zpeubit.pfb _2BI____.PFB EuroMonBolIta
+
+ - I have included fd files, so that within each of the three font families
+ the usual NFSS commands for changing series and shape work.
+
+ - The file europs.sty defines five commands for selecting the Euro symbol:
+
+ \EURhv selects EuroSans
+ \EURtm selects EuroSerif
+ \EURcr selects EuroMono
+ \EUR selects one of the three above, depending on the current
+ context
+ \EURofc selects EuroSans Regular independent of context
+ N.B.: This is the only "official" Euro symbol. If you
+ want to conform with the rules of the EU (or
+ whoever), you may only use this symbol.
+
+ The first four names are stolen from marvosym. Although the association
+ with Helvetica, Times and Courier is not necessarily intelligent, these
+ names are easy to remember.
+
+So, you can simply say
+
+ \textsf{just my 2 \EUR}
+ \textbf{\textit{just my 2 \EUR}}
+
+and you get the symbol you expect.
+
+
+3. Installation
+---------------
+
+This archive consists of the following files:
+
+ dvips
+ zpeu.map
+ pdftex
+ zpeu.pdfmap
+ tex
+ europs.dtx europs.ins
+ eutest.ps eutest.tex
+ tfm
+ zpeub.tfm zpeubi.tfm zpeubis.tfm zpeubit.tfm
+ zpeubs.tfm zpeubt.tfm zpeur.tfm zpeuri.tfm
+ zpeuris.tfm zpeurit.tfm zpeurs.tfm zpeurt.tfm
+
+Install the tfm files in the appropriate place, depending on your TeX version.
+
+You will need the Type 1 files from Adobe. For legal reasons they cannot be
+included in this package. You have to fetch them personally, e.g. from
+
+ http://www.adobe.com/type/eurofont.html
+
+or
+
+ ftp://ftp.adobe.com/pub/adobe/type/win/all/eurofont.exe
+ ftp://ftp.adobe.com/pub/adobe/type/mac/all/eurofont.sea.hqx
+
+You can either unpack one of these archives on an appropriate computer, or
+you can use the freely distributable "unzip" to extract the files from the
+file "eurofont.exe". Once you've done this, you have to rename the fonts
+according to the table shown above, i.e. _1______.PFB is renamed to
+zpeurs.pfb, and so on. If you have downloaded and unpacked the Macintosh
+archive, you have to extract the POST part from the resource fork of the
+fonts. This can e.g. be done with the program "macfont". It is available
+at your nearest CTAN mirror. Once you got the PFB files, put them into the
+type1 directory of your TeX installation.
+
+Append(!!) zpeu.map to psfonts.map, and, if you are using pdfTeX, zpeu.pdfmap
+to the appropriate mapping file, so that dvips and pdfTeX know how to handle
+these fonts. Note: dvips prior to 5.80 has problems with partial font
+downloading in general, and with Adobe's Euro fonts in particular. You can
+say "dvips -j0 ..." to switch off partial font downloading completely, but
+this may increase the size of the generated PostScript file. You should
+really get the most recent version of dvips, which can be found at
+
+ http://www.radicaleye.com/
+
+Most TeX distributions include new versions of the individual programs quite
+fast, so you may want to check your distribution for a recent version of
+dvips.
+
+Process europs.ins with TeX or LaTeX. This will produce a style file and
+three font definition files. Move them to a place where LaTeX can find them.
+
+Now you should be able to use the Euro currency symbol.
+
+
+4. Bugs
+-------
+
+Probably many. If you find one, or want a feature to be added, please contact
+
+ Joern Clausen
+ University of Bielefeld, Faculty of Technology
+ joern@TechFak.Uni-Bielfeld.DE
diff --git a/Master/texmf-dist/doc/fonts/eurofont/README.eurosans b/Master/texmf-dist/doc/fonts/eurofont/README.eurosans
new file mode 100644
index 00000000000..e20363f1556
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/eurofont/README.eurosans
@@ -0,0 +1,149 @@
+============================================================
+ The LaTeX package eurosans
+ version 3.0
+============================================================
+ Walter Schmidt
+ was@VR-Web.de
+ 2002-01-09
+
+Usage
+-----
+The LaTeX package "eurosans" provides a convenient LaTeX
+interface for the free Adobe Euro symbol fonts in Type 1
+(PostScript) format. Loading of the package
+
+ \usepackage{eurosans}
+
+provides a new command
+
+ \euro
+
+which typesets an Euro symbol. The weight (medium or
+boldface), shape (upright or oblique) and width (regular or
+condensed) varies according to the font currently selected.
+The symbol blends well with most typefaces, except for
+typewriter fonts. The medium/upright/regular variant meets
+the official design by the EC.
+
+The Euro Fonts can be scaled, in order to match the other
+fonts in the document, by loading the package with the
+option [scaled=...]. For instance, to use the Euro fonts at
+90% of their `natural' size:
+
+ \usepackage[scaled=0.9]{eurosans}
+
+The eurosans package requires the package keyval.sty, which
+is part of the `graphics' bundle and should be available
+with any decent LaTeX system.
+
+
+
+The font family "eurosans"
+--------------------------
+The command \euro switches to a particular font family named
+"eurosans", which is set up with the encoding "U" only.
+
+NFSS classification:
+
+ series shapes PostScript FontName
+ --------------------------------------------------------
+ m n,it,sl EuroSans-Regular, EuroSans-Italic
+ b,bx n,it,sl EuroSans-Bold, EuroSans-BoldItalic
+ mc n,it,sl EuroMono-Regular, EuroMono-Italic
+ sbc,bc n,it,sl EuroMono-Bold, EuroMono-BoldItalic
+
+(The EuroMono typefaces are actually condensed versions of
+EuroSans.)
+
+
+
+Obtaning and installing the Euro Fonts
+--------------------------------------
+
+(1) Install the font metrics (.tfm files), to be found in
+the CTAN directory fonts/euro/tfm.
+
+(2) Install a font map file for dvips, pdfTeX etc, to be found
+in the CTAN directory fonts/euro/dvips.
+
+A font map file and the .tfm files for the Euro fonts may
+already be provided in your TeX system, so that you need not
+install them manually; please, consult its documentation!
+
+(3) Due to legal reasons, the actual Type1 fonts (.pfb and
+.afm files) are _not_ distributed from CTAN. They can be
+obtained from free from Adobe:
+
+ <http://www.adobe.com/type/eurofont.html>
+
+You will receive a self-extracting archive "eurofont.exe" for
+DOS/Win, which can be unpacked using Info-Zip's "unzip"
+program, too. The archive file can also be downloaded
+immediately:
+
+ ftp://ftp.adobe.com/pub/adobe/type/win/all/eurofont.exe
+ ftp://ftp-pac.adobe.com/pub/adobe/type/win/all/eurofont.exe
+
+(4) Move the .pfb and .afm files from the archive to a
+suitable directory of your TeX system. When using the map
+file "zpeu.map", you also have to rename the files as
+follows:
+
+ _1______.PFB -> zpeurs.pfb
+ _1B_____.PFB -> zpeubs.pfb
+ _1I_____.PFB -> zpeuris.pfb
+ _1BI____.PFB -> zpeubis.pfb
+ _2______.PFB -> zpeurt.pfb
+ _2B_____.PFB -> zpeubt.pfb
+ _2I_____.PFB -> zpeurit.pfb
+ _2BI____.PFB -> zpeubit.pfb
+ _3______.PFB -> zpeur.pfb
+ _3B_____.PFB -> zpeub.pfb
+ _3I_____.PFB -> zpeuri.pfb
+ _3BI____.PFB -> zpeubi.pfb
+
+...and ditto for the .AFM files!
+
+When using the map file "zpeu-origname.map", you need NOT
+rename the files; however, on Unix you should make sure that
+the names are lower case.
+
+
+
+Known problems
+--------------
+With dvips prior to version 5.83, partial font downloading
+will fail with an error message like this one:
+
+ File <_1bi____.pfb> ended before all chars have been found
+ We scan 0 Chars from 226
+ Lst seen token was '/Euro'
+
+Partial font downloading can be turned off by calling dvips
+with the option -j0 or by specifying j0 in the dvips
+configuration file.
+
+This bug has been fixed with dvips version 5.83.
+
+
+
+History
+-------
+v3.0 2002-01-09
+ optional scaling
+
+v2.1 2000-06-15
+ the EuroMono fonts are used for the condensed series
+
+v2.0 1999-07-21
+ changed the font names acording to "Karl Berry" scheme
+
+v1.0 1999-01-19
+ \euro is now robust;
+ documentation update
+
+v0.9 1998-11-09
+ first public version
+
+
+-- finis
diff --git a/Master/texmf-dist/doc/fonts/eurofont/dvidrive.txt b/Master/texmf-dist/doc/fonts/eurofont/dvidrive.txt
new file mode 100644
index 00000000000..05bb1bb5013
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/eurofont/dvidrive.txt
@@ -0,0 +1,189 @@
+%% LaTeX2e file `dvidrive.txt'
+%% generated by the `filecontents' environment
+%% from source `eurofont' on 1999/02/02.
+%%
+File dvidrive.txt
+Copyright 1998 Rowland McDonnell
+email rebecca@astrid.u-net.com
+
+
+This file contains information on how to configure dvips and OzTeX to use
+Adobe's Eurofonts and the Marvosym fount. I believe that pdfTeX can use
+dvips entries.
+
+If there are any problems with the information below, or if you have
+information on how to configure other dvi drivers, please let me know by
+emailing: rebecca@astrid.u-net.com
+
+
+DVI DRIVER CONFIGURATION LINES FOR ADOBE'S EUROFONTS
+====================================================
+
+Note that versions of dvips before v5.83 have trouble doing partial fount
+downloading with Adobe's Eurofonts. Because of this, I have listed the
+dvips psfont.map entries with `|<<|' and with `|<|': the `|<<|'
+entries prevent dvips attempting to do partial fount downloading with
+that particular fount.
+
+The `<<' syntax does not work with all versions of dvips; it does work
+with dvips v5.78, but doesn't work with v5.70. If you're using a pre
+`<<' dvips, you should use the entries with `<' and don't use partial
+fount downloading with any document containing Adobe's Eurofonts;
+passing the -j0 switch to dvips will prevent it from doing partial
+fount downloading if this is normally turned on.
+
+I've asked the author of dvips when the `<<' syntax was first
+introduced, and he can't remember.
+
+I am told that pdftex can do partial fount downloading using Adobe's
+Eurofonts.
+
+Eurofont configuration lines for Windows/Unix/any others?
+=========================================================
+
+(you need to re-name the *.PFB files *.pfb; thanks to Stefan Ulrich
+<ulrich@cis.uni-muenchen.de> for this and the following entries)
+
+
+psfonts.map entries for Windows/Unix/other
+dvips v5.78 or similar
+
+zpeurs EuroSans-Regular <<_1______.pfb
+zpeubs EuroSans-Bold <<_1B_____.pfb
+zpeuris EuroSans-Italic <<_1I_____.pfb
+zpeubis EuroSans-BoldItalic <<_1BI____.pfb
+zpeurt EuroMono-Regular <<_2______.pfb
+zpeubt EuroMono-Bold <<_2B_____.pfb
+zpeurit EuroMono-Italic <<_2I_____.pfb
+zpeubit EuroMono-BoldItalic <<_2BI____.pfb
+zpeur EuroSerif-Regular <<_3______.pfb
+zpeub EuroSerif-Bold <<_3B_____.pfb
+zpeuri EuroSerif-Italic <<_3I_____.pfb
+zpeubi EuroSerif-BoldItalic <<_3BI____.pfb
+
+
+psfonts.map entries for Windows/Unix/other
+dvips v5.70 or before, dvips v5.83 and above, and pdftex:
+
+(note that I don't use pdftex; this suggestion might not work)
+
+zpeurs EuroSans-Regular <_1______.pfb
+zpeubs EuroSans-Bold <_1B_____.pfb
+zpeuris EuroSans-Italic <_1I_____.pfb
+zpeubis EuroSans-BoldItalic <_1BI____.pfb
+zpeurt EuroMono-Regular <_2______.pfb
+zpeubt EuroMono-Bold <_2B_____.pfb
+zpeurit EuroMono-Italic <_2I_____.pfb
+zpeubit EuroMono-BoldItalic <_2BI____.pfb
+zpeur EuroSerif-Regular <_3______.pfb
+zpeub EuroSerif-Bold <_3B_____.pfb
+zpeuri EuroSerif-Italic <_3I_____.pfb
+zpeubi EuroSerif-BoldItalic <_3BI____.pfb
+
+
+Eurofont configuration lines for Macs
+=====================================
+
+
+Macintosh psfonts.map entries for dvips v5.78 or similar
+
+zpeur EuroSerif-Regular <<EuroSerReg
+zpeuri EuroSerif-Italic <<EuroSerIta
+zpeub EuroSerif-Bold <<EuroSerBol
+zpeubi EuroSerif-BoldItalic <<EuroSerBolIta
+zpeurs EuroSans-Regular <<EuroSanReg
+zpeuris EuroSans-Italic <<EuroSanIta
+zpeubs EuroSans-Bold <<EuroSanBol
+zpeubis EuroSans-BoldItalic <<EuroSanBolIta
+zpeurt EuroMono-Regular <<EuroMonReg
+zpeurit EuroMono-Italic <<EuroMonIta
+zpeubt EuroMono-Bold <<EuroMonBol
+zpeubit EuroMono-BoldItalic <<EuroMonBolIta
+
+
+Macintosh psfonts.map entries for
+dvips v5.70 or before, dvips v5.83 and above, and pdftex:
+
+(note that I don't use pdftex; this suggestion might not work)
+
+zpeur EuroSerif-Regular <EuroSerReg
+zpeuri EuroSerif-Italic <EuroSerIta
+zpeub EuroSerif-Bold <EuroSerBol
+zpeubi EuroSerif-BoldItalic <EuroSerBolIta
+zpeurs EuroSans-Regular <EuroSanReg
+zpeuris EuroSans-Italic <EuroSanIta
+zpeubs EuroSans-Bold <EuroSanBol
+zpeubis EuroSans-BoldItalic <EuroSanBolIta
+zpeurt EuroMono-Regular <EuroMonReg
+zpeurit EuroMono-Italic <EuroMonIta
+zpeubt EuroMono-Bold <EuroMonBol
+zpeubit EuroMono-BoldItalic <EuroMonBolIta
+
+
+OzTeX config file entries
+
+zpeur EuroSerif-Regular "Euro Serif" nil
+zpeuri EuroSerif-Italic "Euro Serif" nil i
+zpeub EuroSerif-Bold "Euro Serif" nil b
+zpeubi EuroSerif-BoldItalic "Euro Serif" nil bi
+zpeurs EuroSans-Regular "Euro Sans" nil
+zpeuris EuroSans-Italic "Euro Sans" nil i
+zpeubs EuroSans-Bold "Euro Sans" nil b
+zpeubis EuroSans-BoldItalic "Euro Sans" nil bi
+zpeurt EuroMono-Regular "Euro Monospace" nil
+zpeurit EuroMono-Italic "Euro Monospace" nil i
+zpeubt EuroMono-Bold "Euro Monospace" nil b
+zpeubit EuroMono-BoldItalic "Euro Monospace" nil bi
+
+
+DVI DRIVER CONFIGURATION LINES FOR MARVOSYM
+===========================================
+
+Here are some lines to configure dvips to use the Marvosym fount:
+
+Dvips psfonts.map entries for the original Marvosym fount:
+
+fmvr8x Martin_Vogels_Symbole <marvosym.pfb
+fmvri8x Martin_Vogels_Symbole " .167 SlantFont" <marvosym.pfb
+
+
+Dvips psfonts.map entries for the Y&Y `ATM compatible'
+re-worked Marvosym fount:
+
+fmvr8x Marvosym <marvosym.pfb
+fmvri8x Marvosym " .167 SlantFont" <marvosym.pfb
+
+
+I have assumed that all dvi drivers that can use PostScript Type 1
+founts can also produce fake italic founts by slanting an upright
+version. Because of this, I have made no provision for dvi drivers
+that can't do this. If you have a dvi driver that can't fake an
+italic, please let me know and I'll modify the eurofont package to
+take this into account, probably by adding another option and writing
+a new fd file.
+
+Note for Macintosh users
+
+A Mac version of the Marvosym fount has been created in PostScript Type 1
+and TrueType versions. It uses the Y&Y names as above, and these lines are
+be needed for dvips's psfonts.map file:
+
+fmvr8x Marvosym <Marvo
+fmvri8x Marvosym " .167 SlantFont" <Marvo
+
+And these lines for OzTeX's default config file:
+
+fmvr8x Marvosym Marvosym nil
+fmvri8x Marvosym Marvosym nil i
+
+
+If a version of the original Marvosym fount is ever released for Macs,
+these lines will be needed for dvips's psfonts.map file:
+
+fmvr8x Martin_Vogels_Symbole <MartiVogSym
+fmvri8x Martin_Vogels_Symbole " .167 SlantFont" <MartiVogSym
+
+And these lines for OzTeX's default config file:
+
+fmvr8x MartiVogSym "Martin Vogels Symbole" nil
+fmvri8x MartiVogSym "Martin Vogels Symbole" nil i
diff --git a/Master/texmf-dist/doc/fonts/eurofont/eurofont.dtx b/Master/texmf-dist/doc/fonts/eurofont/eurofont.dtx
new file mode 100644
index 00000000000..57800578f5f
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/eurofont/eurofont.dtx
@@ -0,0 +1,4148 @@
+%%\iffalse
+%% File eurofont.sty
+%% copyright Rowland McDonnell 1998
+%% email rebecca@astrid.u-net.com
+%%\This file is part of the eurofont distribution. You can distribute it
+%% freely provided that you include the rest of the eurofont distribution
+%% with this file and make no more than a nominal charge to cover the
+%% costs of distributing it.
+%%
+%% If you would like to change the contents of this file, please make a
+%% copy of it under a different name and change that instead. Keep my
+%% copyright notice attached, but make it clear that the new file is your
+%% responsibility so you get the credit for the improvements and I don't
+%% get blamed for the bugs.
+%
+% Remove \OnlyDescription to get the code typeset.
+%
+% Note to me: comment out \OnlyDescription to get the checksum right,
+% and then uncomment it. Maybe.
+%
+%\fi
+%\iffalse
+%<*driver>
+\documentclass[a4paper,10pt]{ltxdoc}
+\usepackage{tabularx,varioref,xspace}
+\usepackage[OT1]{fontenc}
+% \OnlyDescription
+\begin{document}
+ \DocInput{eurofont.dtx}
+\end{document}
+%</driver>
+%\fi
+%\iffalse
+%<*package>
+%\fi
+%% \CheckSum{1267}
+%% \CharacterTable
+%% {Upper-case \A\B\C\D\E\F\G\H\I\J\K\L\M\N\O\P\Q\R\S\T\U\V\W\X\Y\Z
+%% Lower-case \a\b\c\d\e\f\g\h\i\j\k\l\m\n\o\p\q\r\s\t\u\v\w\x\y\z
+%% Digits \0\1\2\3\4\5\6\7\8\9
+%% Exclamation \! Double quote \" Hash (number) \#
+%% Dollar \$ Percent \% Ampersand \&
+%% Acute accent \' Left paren \( Right paren \)
+%% Asterisk \* Plus \+ Comma \,
+%% Minus \- Point \. Solidus \/
+%% Colon \: Semicolon \; Less than \<
+%% Equals \= Greater than \> Question mark \?
+%% Commercial at \@ Left bracket \[ Backslash \\
+%% Right bracket \] Circumflex \^ Underscore \_
+%% Grave accent \` Left brace \{ Vertical bar \|
+%% Right brace \} Tilde \~}
+%
+% \author{Rowland McDonnell\\ \texttt{rebecca@astrid.u-net.com}}
+% \title{The \packname{eurofont} package v1.1.3}
+% \date{30th January 1999}
+%
+% \newcommand*{\packname}[1]{{\sffamily #1}}
+% \newcommand*{\classname}[1]{{\ttfamily #1}}
+% \newcommand*{\optname}[1]{{\ttfamily #1}}
+% \newcommand*{\lfntname}[1]{{\ttfamily #1}}
+% \newcommand*{\filename}[1]{{\ttfamily #1}}
+% \DeclareRobustCommand*{\filename}[1]{{\ttfamily#1}}
+% \newcommand*{\OzTeX}{O\kern-.03em z\kern-.15em\TeX}
+% \newcommand{\PS}{PostScript\xspace}
+% \newcommand{\dvidriver}{dvi driver\xspace}
+% \newcommand{\Dvidriver}{Dvi driver\xspace}
+%
+%\makeatletter
+%\iffalse
+% The instances of ^^A are `real' comment characters to suppress the
+% end-of-line space in the middle of the command definitions.
+%\fi
+%
+%\newcommand{\ttlb}{{\ttfamily\def\@tempcmda{OT1}^^A
+%\ifx\f@encoding\@tempcmda\char"7B\else\{\fi}}
+%
+%\newcommand{\ttrb}{{\ttfamily\def\@tempcmda{OT1}^^A
+%\ifx\f@encoding\@tempcmda\char"7D\else\}\fi}}
+%
+%\newcommand{\ttbs}{{\ttfamily\def\@tempcmda{OT1}^^A
+%\ifx\f@encoding\@tempcmda\char`\\\else\textbackslash\fi}}
+%
+%\newcommand*{\comname}[2][VF500F2E]{{\ttfamily\ttbs #2^^A
+%\def\@tempcmda{VF500F2E}\def\@tempcmdb{#1}^^A
+%\ifx\@tempcmda\@tempcmdb\else\comarg{#1}\fi}}
+%
+%\newcommand*{\comarg}[1]{{\ttfamily\ttlb$\langle$^^A
+%{\rmfamily\itshape#1}\/$\rangle$\ttrb}}
+%
+%\newcommand*{\comoptarg}[1]{{\ttfamily[$\langle$^^A
+%{\rmfamily\itshape#1}\/$\rangle$]}}
+%
+%\makeatother
+%
+% \maketitle
+%
+% \tableofcontents
+%
+% \section{Introduction}
+%
+% The \packname{eurofont} package was written to do two complementary
+% jobs: firstly, to automate the process of using a euro symbol from any
+% source in any fount\footnote{I am one of the last people in the world
+% to use this spelling of the word to refer to `a set of type in one
+% size and style'.}; secondly, to generate a `faked' euro symbol from a C
+% with two lines across it, which can be used automatically when no
+% suitable real euro symbol exists.
+%
+% Despite the name, the \packname{eurofont} package does not itself
+% have a fount containing euro symbols: it's meant to help you use
+% founts with euro symbols.
+%
+% The \packname{eurofont} package defines two commands meant to be used
+% in documents: the \comname{euro} command which prints a euro symbol,
+% and the \comname[amount]{euros} command which prints a euro symbol
+% next to its argument -- normally a number -- with a small space in
+% between the two. The particular euro symbol printed depends on the way
+% \packname{eurofont} has been set up: the decision made is based on the
+% fount in use at the time you use the command. The \comname{euros}
+% command uses the \comname{euro} command to print the euro symbol, so
+% these commands print the same symbol under the same circumstances.
+%
+% There are several ways of controlling which particular euro symbol you
+% get with any given fount; the idea is that -- with a bit of luck --
+% most users won't need to do anything more complicated than passing
+% options to \packname{eurofont} and making minor changes to the
+% configuration file, \filename{eurofont.cfg}.
+%
+% Note for \OzTeX\ users (and perhaps others): throughout this document,
+% I refer to the standard set of \PS Type 1 founts (Times, Helvetica,
+% Courier, etc). If, like me, you use TrueType versions of Times,
+% Palatino, etc., instead of \PS Type 1 versions, the difference doesn't
+% matter.
+%
+% This is the second public release of the \packname{eurofont} package;
+% as I had expected, at least one bug did escape my notice in the first
+% release (it was a problem with the advice given on configuring dvips).
+% I've fixed the problem reported, but there's probably a few more bugs
+% lurking in the package; if you do spot any bugs, have any trouble with
+% the documentation, you'd like to tell me how to configure the
+% \dvidriver \emph{you} use (I'd love to hear from Amiga or Archimedes
+% \TeX\ users in particular), or you'd just like to make a comment or
+% suggestion about the \packname{eurofont} package, I'd appreciate an
+% email at: |rebecca@astrid.u-net.com|.
+%
+% \subsection{What else do I need?}
+%
+% The only thing you must have to use the \packname{eurofont} package is
+% a working \LaTeX2e\ installation. This package has only been tested
+% with the June 1998 release of \LaTeX2e, but will probably work
+% correctly with earlier versions. \packname{Eurofont} will not work
+% with \LaTeX~2.09.
+%
+% The \packname{eurofont} package can be configured to produce useful
+% euro symbols in the absence of any founts containing real euro
+% symbols, but you will need to edit the configuration file if you want
+% this; an introduction to configuring this package can be found in
+% section~\vref{sec:config_intro}.
+%
+% In its default configuration, \packname{eurofont} expects to find
+% Adobe's Eurofonts installed. If you want to avoid these, you can pass
+% the \optname{marvosym} option to \packname{eurofont} and it'll expect
+% the Marvosym fount instead. Adobe's Eurofonts have italic, bold, and
+% bold italic variants which Marvosym lacks.
+%
+% Both Marvosym and the Eurofonts are \PS Type 1 founts: you can use
+% them if you have a \PS printer, ATM (Adobe Type Manager), or a \PS
+% emulator like Ghostscript. Section~\vref{sec:getPSfounts} has more on
+% these founts and how to get them.
+%
+% The \packname{eurosym} and \packname{China2e} packages both have euro
+% symbols in Metafont format which can be used by \packname{eurofont}.
+% You'll get \packname{eurosym}'s euro symbol if you pass the
+% \optname{eurosym} option to \packname{eurofont} -- this gives you
+% \packname{eurosym}'s euro symbol instead of Adobe's Eurofonts or
+% Marvosym's euro symbols, and also replaces the euro symbols you get
+% with the Computer Modern founts. You will need to edit the
+% configuration file if you want to use the euro symbol from the China2e
+% fount.
+%
+%
+% \subsection{How to install the package -- in brief}
+%
+% \begin{enumerate}
+% \item Run \LaTeX\ on \filename{eurofont.ins}.
+% \item Put \filename{eurofont.sty}, \filename{eurofont.cfg}, and all
+% the files ending in \filename{.fd} into a directory on your
+% tex-inputs search path.
+% \item (optional) Get and install Adobe's Eurofonts, and/or the
+% marvosym fount, and/or the \packname{China2e} package, and/or the EC
+% founts (the T1 encoded re-working of the original Computer Modern
+% founts), and/or the \packname{Eurosym} package. See
+% section~\vref{sec:getfounts} for details.
+% \item (optional) If you want to use Adobe's Eurofont's, put the
+% \filename{zpeu...tfm} files into a directory on your tex-fonts search
+% path, and the \filename{zpeu...vf} files into a directory on your vf
+% (virtual founts) search path.
+% \item (optional) If you intend to use the marvosym fount, put one
+% of the two files \filename{fmvri8x.tfm} into a directory on your
+% tex-fonts search path; put it with the file \filename{fmvr8x.tfm} that
+% comes with the \packname{marvosym} distribution.
+% \item (optional) Copy the appropriate lines from
+% \filename{dvidrive.txt} to the appropriate file on your system to
+% configure your \dvidriver to use marvosym and/or Adobe's Eurofonts.
+% This procedure is also covered in section~\vref{sec:dvidriver_config}.
+% \item (optional) Modify the file \filename{eurofont.cfg} as you like.
+% \end{enumerate}
+%
+% \subsection{How to use the package -- a brief introduction}
+%
+% This is how to use \packname{eurofont} in your document:
+%\begin{verbatim}
+% \documentclass[a4paper]{article}
+% \usepackage{eurofont}
+% \begin{document}
+% The euro symbol looks like this: \euro. A sum of money can
+% be written like this: \euros{500}.
+% \end{document}
+%\end{verbatim}
+% The \comname{euro} command prints the euro symbol; the \comname{euros}
+% command is meant to be used to typeset a sum of money in euros: it
+% prints the euro symbol to the left (by default) of its argument, with
+% a small amount of space between the symbol and the text of the
+% argument. If you give the \packname{eurofont} package the
+% \optname{right} option, the euro symbol will be on the right.
+%
+% The \packname{eurofont} package's default setup assumes that you've
+% got Adobe's Eurofonts installed. If you want use to euro symbols from
+% the Marvosym fount instead, use the \optname{marvosym} option:
+%\begin{verbatim}
+% \usepackage[marvosym]{eurofont}
+%\end{verbatim}
+%
+% The next question is: what do you get when you use the \comname{euro}
+% or \comname{euros} command? The \packname{eurofont} package decides
+% which euro symbol to use depending on the fount in use at the place
+% where the \comname{euro} command is encountered. The way the package
+% is set up initially, you get this:
+% \begin{itemize}
+% \item All bar one of the `standard' set of \PS founts get a
+% euro symbol from one of Adobe's Eurofonts: Bookman, Times, Palatino, New
+% Century Schoolbook, and Utopia use Euroserif; Avant Garde, Helvetica,
+% Symbol, and Zapf Dingbats use Eurosans; and Courier uses Euromono.
+% \item Zapf Chancery (the one exception) uses a euro symbol faked with
+% medium rules.
+% \item Each of the three Computer Modern text fount families (Computer
+% Modern Roman, Computer Modern Sanserif, and Computer Modern
+% Typewriter (\lfntname{cmr}, \lfntname{cmss}, and \lfntname{cmtt}) uses
+% either the appropriate euro symbol from the matching `text companion' (TC)
+% fount (if installed); or, if the TC founts appear to be missing,
+% \packname{eurofont} will print a faked euro symbol instead.
+% \item Everything else gets a euro symbol faked with medium weight
+% rules.
+% \end{itemize}
+% The \optname{marvosym} option tells \packname{eurofont} to use the
+% Marvosym fount's euro symbols in place of Adobe's Eurofonts.
+%
+% The faked euro symbols I refer to above are euro symbols produced by
+% superimposing a pair of horizontal lines over a letter `C'. The
+% result can be surprisingly tolerable in some cases.
+%
+% \subsubsection{Options}
+%
+% This is my best guess at the options most new users are likely to
+% want to know about first, not a full list of all the options -- you
+% can find that in section~\vref{sec:all_options}.
+% \begin{description}
+% \item[\optname{left}] This option makes the \comname{euros} command
+% print the euro symbol to the left of its argument, which is normally a
+% number; the \comname{euros} command is meant for typesetting sums of
+% money. This is the default behaviour.
+%
+% \item[\optname{right}] This option makes the \comname{euros} command
+% print the euro symbol to the right of its argument, which is normally
+% a number; the \comname{euros} command is meant for typesetting sums of
+% money.
+%
+% \item[\optname{marvosym}] This option tells \packname{eurofont} to use
+% the Marvosym fount's euro symbols for the standard set of \PS
+% Type 1 founts. The \packname{eurofont} package automatically fakes a
+% bold version when needed, and you'll also get a decent faked
+% italic/slanted version if your \dvidriver can slant a fount.
+%
+% \item[\optname{eurosym}] This option tells \packname{eurofont} to use
+% the \packname{eurosym} package's euro symbol for the Computer Modern
+% families and for the standard set of \PS Type 1 founts. If the
+% \packname{eurosym} package isn't available, \packname{eurofont}
+% complains and all euro symbols are created using the normal
+% \packname{eurofont} code for printing faked euro symbols.
+% \end{description}
+%
+% \subsection{Some founts with euro symbols}\label{sec:someeurofounts}
+%
+% It's a good idea to get some founts containing the euro symbol.
+% Section~\vref{sec:getfounts} has more details of some freely available
+% founts. In brief, the founts with euro symbols in that I know about are:
+% \begin{center}
+% \begin{tabularx}{\textwidth}{@{}ll>{\raggedright\arraybackslash}X@{}}
+% \textbf{Fount} & \textbf{Format} & \textbf{Notes} \\[1ex]
+% Adobe Eurofonts & PS Type 1 & Seriffed, sanserif, and
+% monospaced all in upright,
+% italic, bold, and bold italic\\
+% Marvosym & pfa and pfb only & Seriffed, sanserif, and monospaced
+% in upright medium only\\[0.5ex]
+% China2e & Metafont & A single beautiful upright euro
+% symbol \\[0.5ex]
+% Eurosym & Metafont & The official euro and an
+% alternative approach to printing a
+% faked euro\\[0.5ex]
+% Text Companion & Metafont & Founts containing extra
+% symbols that come with the T1
+% encoded version of the Computer
+% Modern founts \\
+% \end{tabularx}
+% \end{center}
+% If you know of other founts containing euro symbols that are used
+% with \LaTeX\, do please let me know and I'll add them to this list.
+%
+% The \packname{china2e} and \packname{marvosym} packages come with
+% founts in one shape and weight only: medium upright. Despite this, the
+% \packname{eurofont} package will print what looks like a bold euro symbol
+% from either fount, and can (with a bit of help from your \dvidriver)
+% also manage italic and bold italic euro symbols from \packname{marvosym}.
+%
+% The way it works is this: \packname{eurofont} comes with two
+% \filename{tfm} files -- both called \filename{fmvri8x.tfm} -- for a
+% slanted version of the Marvosym fount\footnote{Use the \filename{tfm}
+% file from the \filename{original} directory if you're using the
+% original version of Marvosym (the \filename{pfa} or \filename{pfb}
+% files from CTAN or the TrueType version from Martin Vogel's Web site);
+% and use the \filename{tfm} file from the \filename{yandy} folder if
+% you're using the Y\&Y version of Marvosym -- either downloaded from
+% the Y\&Y Web site, or the Macintosh version from CTAN.}. This fount
+% doesn't really exist, but some \dvidriver{}s can create a slanted
+% fount from an upright one by leaning it to one side.
+%
+% Assuming your \dvidriver can create a slanted fount (dvips can -- see
+% section~\ref{sec:dvidriver_config:mvs} for more details), this extra
+% \filename{tfm} file means you can use the Marvosym fount's euro
+% symbols with slanted or italic founts: the results you get with this
+% should be good enough for all practical purposes. \packname{Eurofont}
+% also has two commands to print a `poor man's bold' version of a euro
+% symbol; one of these is used automatically to print bold versions of
+% the Marvosym or China2e euro symbols, which are missing bold variants.
+% These poor man's bold commands print six copies of the requested
+% symbol, each offset from the others by a very small amount in a
+% hexagonal arrangement. There's a bit more detail in
+% section~\vref{sec:howitworks:EFpmb}.
+%
+% If you want to use the euro symbol from China2e, you could do worse
+% than to read section~\vref{sec:config_intro}.
+%
+% \subsection{How to change what you get -- a brief
+% intro}\label{sec:config_intro}
+%
+% The \packname{eurofont} package comes with a configuration file called
+% \filename{eurofont.cfg}. The idea is that you can change this file as
+% much as you like to meet your preferences.
+%
+% But before diving in and changing anything, there are several options
+% that can change what the package does. There's a brief description of
+% some of them in section~\vref{sec:someeurofounts}, and
+% section~\vref{sec:all_options} tells all.
+%
+% The basic idea behind \packname{eurofont}'s \comname{euro} command is
+% this: there are several lists which have their contents defined in the
+% file \filename{eurofont.cfg}. When you use the \comname{euro} or
+% \comname{euros} command, the current fount family is checked against
+% each list in turn. If the fount family matches an entry in a list,
+% then the command corresponding to that list is executed. This command
+% prints a particular euro symbol. The first match you get decides which
+% euro symbol you get: you can't get two euro symbols if one fount
+% family is listed in, say, the \comname{chinaelist} and the
+% \comname{seriflist}
+%
+% So, for example, the fount family \lfntname{ptm} (Adobe Times) is
+% listed in \comname{seriflist}. If you use the \comname{euro} command
+% in the middle of some text typeset in Times, the command
+% \comname{makeserifeuro} is executed, and you get a euro symbol from
+% Adobe's Euroserif fount (by default, that is; if you've used the
+% \optname{marvosym} option, you'll get Marvosym's seriffed euro
+% symbol). I'll explain how to find out the internal fount family name
+% of each fount in a bit.
+%
+% The configuration file (\filename{eurofont.cfg}) contains this by
+% default:
+%\begin{verbatim}
+%%
+%% List contents Corresponding command
+%%
+% \EFaddtolist{\userlist}{}% \makeusereuro
+% \EFaddtolist{\texteurolist}{}% \maketexteuro
+% \EFaddtolist{\chinaelist}{}% \makechinaeeuro
+% \EFaddtolist{\cmlist}{cmr,cmss,cmtt}% \makecmeuro
+% \EFaddtolist{\seriflist}{pbk,pnc,ppl,ptm,put}% \makeserifeuro
+% \EFaddtolist{\sanslist}{pag,phv,psy,pzd}% \makesanseuro
+% \EFaddtolist{\monolist}{pcr}% \makemonoeuro
+% \EFaddtolist{\fakemediumlist}{pzc}% \makefakemediumeuro
+% \EFaddtolist{\fakelightlist}{}% \makefakelighteuro
+% \EFaddtolist{\fakeheavylist}{}% \makefakeheavyeuro
+%\end{verbatim}
+% The lists are created at the start of the \packname{eurofont}
+% package with nothing in them: the code above tells you
+% the full story about what's in each list. You can use the
+% \comname{EFaddtolist} command anywhere after the \packname{eurofont}
+% package has been loaded; you can use it in individual document
+% preambles if you like, as well as in \filename{eurofont.cfg}.
+%
+% Each fount in \LaTeX\ belongs to a fount family. For example, Bookman
+% Roman, Bookman Italic, Bookman Bold, and Bookman Bold Italic are all
+% different founts, but they belong to the Bookman family. This family
+% has an internal \LaTeX\ name: \lfntname{pbk}. One way of discovering
+% the name of a fount family is to use \packname{eurofont}'s
+% \comname{showfontfamily} command in your document: it displays the
+% internal name of the current fount family on the screen and in the log
+% file.
+%
+% Before going any further, remember this: each list is a list of fount
+% family names. If you're using a fount family that's in a particular
+% list, you get the euro symbol generated by the command corresponding
+% to that list. Section~\vref{sec:fountfamilies} has more notes on
+% \LaTeX\ fount families.
+%
+% If, for example, you don't like the euro symbol that you get with
+% Computer Modern Roman, and you'd rather have the euro symbol from
+% China2e with Computer Modern Roman, you can do this by changing two lines.
+% Where the configuration file says this:
+%\begin{verbatim}
+% \EFaddtolist{\chinaelist}{}
+% \EFaddtolist{\cmlist}{cmr,cmss,cmtt}
+%\end{verbatim}
+% you should change it to this:
+%\begin{verbatim}
+% \EFaddtolist{\chinaelist}{cmr}
+% \EFaddtolist{\cmrlist}{cmss,cmtt}
+%\end{verbatim}
+%
+% You might have a new \PS fount that you'd like to use Adobe's
+% Euroserif euro symbol with. If that fount is, say, Monotype Joanna
+% (fount family name \lfntname{mjo}), you can do this by adding
+% \lfntname{mjo} to the \comname{seriflist}:
+%\begin{verbatim}
+% \EFaddtolist{\seriflist}{pbk,pnc,ppl,ptm,put,mjo}
+%\end{verbatim}
+%
+% Or you might be using (say) Bitstream Bernhard Modern (family name
+% \lfntname{bb7}) which you might think doesn't go well with any of the
+% real euro symbols on offer. You might prefer a euro symbol faked with
+% light rules in this case. You can get this by saying:
+%\begin{verbatim}
+% \EFaddtolist{\fakelightlist}{bb7}
+%\end{verbatim}
+%
+% Then again, you might have a fount that has a real euro symbol in it:
+% call it Adobe Xyzzy (\lfntname{pxy}) for the sake of argument. If this
+% fount has been set up properly for use with \LaTeX, the euro symbol
+% will be available using the \comname{texteuro} command. Rather than
+% having to use a different command to select the euro symbol if you're
+% using this fount family, you can say:
+%\begin{verbatim}
+% \EFaddtolist{\texteurolist}{pxy}
+%\end{verbatim}
+%
+% There are mechanisms that allow you to bypass the standard behaviours.
+% You can, for example, use \comname{newcommand} in the configuration
+% file to define any of the \comname{make...euro} commands to anything
+% you like. You could, for example, say:
+%\begin{verbatim}
+% \newcommand{\makesanseuro}
+% {{\fontfamily{phv}\selectfont\makefakeeuro}}
+%\end{verbatim}
+% and all fount families in the \comname{sanseurolist} would have a euro
+% symbol faked from a C in Helvetica with two rules drawn across it.
+%
+% Alternatively, you could put a fount in \comname{usereurolist}, and
+% you'd get a euro symbol generated by the \comname{makeusereuro}
+% command. This is meant to be defined by you: by default, it prints a
+% euro symbol faked with medium weight rules and displays on the screen a
+% message explaining that you should have defined the
+% \comname{makeusereuro} command to do what you want it to do. For
+% example, the following lines in the configuration file:
+%\begin{verbatim}
+% \newcommand{\makeusereuro}
+% {EUR}
+%\end{verbatim}
+% will give you `EUR' -- the standard international currency
+% abbreviation for the euro currency unit -- for the euro symbol in all
+% fount families listed in the \comname{usereurolist}.
+%
+% \comname{usereurolist} is the first list looked at: if a fount
+% family is listed in the \comname{usereurolist} as well as another
+% list, what you get is the euro symbol produced by
+% \comname{makeusereuro}.
+%
+% Immediately after \comname{usereurolist} is examined, the
+% \comname{euro} command looks to see if a command of the form
+% \comname{<fam>euro} exists (where |<fam>| is the name of the
+% current fount family). If it does, this command is executed and the
+% \comname{euro} command finishes. For example, assume you've designed a
+% euro symbol to match URW's Arnold Boecklin fount (family name
+% \lfntname{uab}). Let's say you've written a command
+% \comname{arnoldboecklineuro} to print this symbol. You could say this:
+%\begin{verbatim}
+% \newcommand{\uabeuro}{\arnoldboecklineuro}
+%\end{verbatim}
+% and the \comname{euro} command would print your new euro symbol
+% whenever you were using Arnold Boecklin.
+%
+% \subsection{About this package and document}
+%
+% The original aim of the \packname{eurofont} package was to provide a
+% trivial interface to allow one to use the euro symbols from Adobe's
+% Eurofonts with any fount. The package has grown a bit since the
+% original idea, which might explain a few things. While their
+% contributions to the final code might look small, this package
+% couldn't have been started (let alone finished) without the help of
+% Donald Arseneau and Stefan Ulrich (in alphabetical order, in case
+% you're wondering). They provided the list handling code which is at
+% the heart of the package.
+%
+% The biggest problem I had with this package was documenting it. I've
+% no idea whether or not the documentation has `hit the right note' --
+% if you've any comments at all to make about the documentation (or the
+% package for that matter), do please email me and let me know what you
+% think. Comments, suggestions, and bug reports are all very much
+% welcome. To say that writing the documentation was a headache is
+% putting it mildly. If you read the documentation from start to
+% finish, you'll notice that there's a certain amount of repetition.
+% This is deliberate, and is meant to make it easier to use the
+% documentation.
+%
+% One problem that this package will face is that more and more founts
+% containing euro symbols will appear as time goes on. With a bit of
+% luck, it's flexible enough for you to be able to configure it to deal
+% with these new founts. If not, or if you've had a thought about what
+% might be done with one or more of these new founts, do please let me
+% know by email -- if it's practical, it would be nice to modify this
+% package to make it more useful.
+%
+% \section{Installing the \packname{eurofont} package}
+% \label{sec:installation}
+%
+% The \packname{eurofont} package proper comes in two files:
+% \filename{eurofont.dtx} and \filename{eurofont.ins}. Running
+% \LaTeX\ on \filename{eurofont.dtx} produces this document, so I'll
+% assume you've done that. Running \LaTeX\ on \filename{eurofont.ins}
+% generates:
+% \begin{center}
+% \begin{tabularx}{\textwidth}{@{}l>{\raggedright\arraybackslash}X@{}}
+% \filename{dvidrive.txt}& Information on configuring \dvidriver{}s to
+% use Adobe's Eurofonts and the Marvosym fount. \\
+% \filename{eurofont.cfg}& The configuration file: edit this file to change
+% \packname{eurofont}'s behaviour. \\
+% \filename{eurofont.sty}& The package file proper. \\
+% \filename{uzmvs.fd} & \LaTeX\ code for selecting the Marvosym fount. \\
+% \filename{uzpeur.fd} & \LaTeX\ code for selecting Adobe's Euroserif fount.\\
+% \filename{uzpeuss.fd} & \LaTeX\ code for selecting Adobe's Eurosans fount.\\
+% \filename{uzpeutt.fd} & \LaTeX\ code for selecting Adobe's Euromono fount.\\
+% \end{tabularx}
+% \end{center}
+% \filename{eurofont.cfg} and \filename{eurofont.sty} should be put in
+% a directory on your tex-inputs search path: they're both essential.
+% If you're using either Adobe's Eurofonts or the Marvosym fount, read
+% \filename{dvidrive.txt}. Once you've used it, you can discard it.
+%
+% The \filename{fd} files are only needed if you're using the founts in
+% question. What they're for is this: \TeX\ can only typeset text in a
+% particular fount if it has a \filename{tfm} file corresponding to that
+% fount to look at. \LaTeX\ \filename{fd} files contain code to select a
+% \filename{tfm} file when you ask for a particular fount using \LaTeX\
+% commands. For example, you might ask for `U encoded Adobe Euroserif in
+% bold italic'. \LaTeX\ would then look at the file
+% \filename{uzpeur.fd}, and discover that this request corresponded to
+% \filename{zpeubi.tfm}.
+%
+% If you intend to use the Marvosym fount, put the file
+% \filename{uzmvs.fd} into a directory on your tex-inputs search path.
+% This file is named so that it won't clash with the original Marvosym
+% fount definitions: you don't have to worry about the
+% \packname{marvosym} package getting confused because the
+% \packname{eurofont} package uses the \packname{marvosym} fount
+% differently.
+%
+% If you intend to use Adobe's Eurofonts, put the three
+% \filename{uzpeu...fd} files into a directory on your tex-inputs search
+% path. If you already have files with these names from a different
+% source, I suggest that you replace the older files with the
+% \filename{fd} files that come with \packname{eurofont}. If this causes
+% any problems, please let me know by emailing
+% \texttt{rebecca@astrid.u-net.com}.
+%
+% \subsection{Using Marvosym and Adobe's Eurofonts}
+%
+% How to get these founts is covered in section~\vref{sec:getfounts}. To
+% use them with the \packname{eurofont} package, you need to install the
+% appropriate \filename{fd} files and configure your \dvidriver, as
+% explained above. Assuming you have installed the actual fount files on
+% your computer, you then need \filename{tfm} files for these founts:
+% these are the files that tells \TeX\ exactly what size each letter is,
+% and allows it to produce output with a given fount.
+%
+% The \packname{eurofont} package comes with suitable \filename{tfm}
+% files for Adobe's Eurofonts, and two extra \filename{tfm} files for
+% the Marvosym fount. Which of these two \filename{tfm} files you should
+% use depends on which version of the Marvosym fount you have.
+%
+% \subsubsection{Using Adobe's Eurofonts}
+%
+% If you intend to use Adobe's Eurofonts, you should put all 12 files in
+% the \filename{adobeuro/tfmfiles/} directory into a tex-fonts
+% directory. These files should exist happily alongside any other
+% \filename{tfm} files generated for Adobe's Eurofonts: being generated
+% by \packname{afm2tfm}, they should be identical to any others you
+% might have. I suggest that you remove any other \filename{tfm} files
+% you might have for these founts unless you know that you need to keep
+% them installed. If this advice causes you any problems, please email
+% me and let me know.
+%
+% \subsubsection{Using the Marvosym fount}
+%
+% The Marvosym fount comes with a \filename{tfm} file of its own, and
+% the \packname{eurofont} package includes two extra \filename{tfm}
+% files: you should use one of these to allow you access to a faked
+% italic/slanted version of Marvosym, assuming that your \dvidriver can
+% produce a faked italic by slanting an upright fount. Both dvips and
+% \OzTeX\ can do this.
+%
+% If you are using a version of the original Marvosym fount (the
+% original \filename{pfa} or \filename{pfb} files from CTAN, or the
+% Truetype version from Martin Vogel's Web site), then you should take
+% the file \filename{fmvri8x.tfm} from the directory
+% \filename{marvosym/tfmfiles/original}, and put it in the same
+% tex-fonts directory as the file \filename{fmvr8x.tfm} which came with
+% the \packname{marvosym} package.
+%
+% If you are using one of the ATM-compatible versions of the Marvosym
+% fount from Y\&Y (either from Y\&Y's Web site or any of the Mac
+% versions from CTAN), things are slightly more complicated. In this
+% case, you might be using the Y\&Y supplied \filename{tfm} file
+% \filename{marvosym.tfm} to use this fount. If so, leave
+% \filename{marvosym.tfm} alone: take the files \filename{fmvr8x.tfm}
+% and \filename{fmvri8x.tfm} from the directory
+% \filename{marvosym/tfmfiles/yandy}, and put them in the tex-fonts
+% directory which contains \filename{marvosym.tfm}. If you have changed
+% the name of the Y\&Y supplied \filename{tfm} file to
+% \filename{fmvr8x.tfm}, just add \filename{fmvri8x.tfm}.
+%
+% Note that you should not use the file \filename{fmvr8x.tfm} supplied
+% for the original Marvosym fount with any of the Y\&Y versions of
+% Marvosym, or vice versa: the founts are very, very similar, but differ
+% in tiny details which affect the metrics file very slightly. You
+% should therefore use the \filename{tfm} file supplied with the
+% particular fount you're using. If you're not sure of the source of the
+% Marvosym \filename{tfm} file already installed on your computer, you
+% might prefer to replace it with the appropriate version of
+% \filename{fmvr8x.tfm} supplied with the \packname{eurofont} package.
+%
+% The original \PS version of the Marvosym fount has the \PS name
+% \texttt{Martin\_Vogels\_Symbole}, while the Y\&Y re-worked version has
+% the \PS name \texttt{Marvosym}; this leads to different \dvidriver
+% configuration file entries which should help you avoid any confusion
+% over which version you've got.
+%
+% \section{All the options}\label{sec:all_options}
+%
+% Here are all of \packname{eurofont}'s options, presented in no
+% particular order.
+% \begin{description}
+% \item[\optname{left}] This option makes the \comname{euros} command
+% print the euro symbol to the left of its argument. When you use this
+% option, it's also passed to the \packname{eurosym} package, so that
+% \packname{eurosym}'s \comname{EUR} command will also print the euro
+% symbol to the left of its argument. This is the default behaviour.
+%
+% \item[\optname{right}] This option makes the \comname{euros} command
+% print the euro symbol to the right of its argument. When you use this
+% option, it's also passed to the \packname{eurosym} package, so that
+% \packname{eurosym}'s \comname{EUR} command will also print the euro
+% symbol to the right of its argument.
+%
+% \item[\optname{marvosym}] This option tells \packname{eurofont} to use
+% the Marvosym fount's euro symbols for the standard set of \PS
+% Type 1 founts. The \packname{eurofont} package automatically fakes a
+% bold version when needed, and you'll also get a decent faked
+% italic/slanted version if your \dvidriver can slant a fount. This
+% option counteracts the \optname{adobeeurofonts} option, and can be
+% over-ridden by the \optname{eurosym} option.
+%
+% \item[\optname{adobeeurofonts}] This option tells \packname{eurofont}
+% to use Adobe's Eurofonts to supply the euro symbols for the standard
+% set of \PS Type 1 founts; this setting is used by default. This
+% option counteracts the \optname{marvosym} option, and can be
+% over-ridden by the \optname{eurosym} option.
+%
+% \item[\optname{eurosym}] This option tells \packname{eurofont} to use
+% the \packname{eurosym} package's euro symbol for the Computer Modern
+% families, and the standard set of \PS Type 1 founts. If the
+% \packname{eurosym} package isn't available, \packname{eurofont}
+% complains and all euro symbols are created using the normal
+% \packname{eurofont} code for printing faked euro symbols.
+%
+% \item[\optname{noeurosym}] This option counteracts the
+% \optname{eurosym} option; if (for example) you have a configuration
+% file that says \comname{ExecuteOptions\ttlb eurosym\ttrb}, you can tell
+% \packname{eurofont} \emph{not} to use \packname{eurosym}'s euro
+% symbols, and use the normal founts -- typically Adobe's Eurofonts and
+% the Text Companion founts. This is the default behaviour.
+% \end{description}
+%
+% These next four options only affect what you get when you've given the
+% \packname{eurofont} package the \optname{eurosym} option. See the
+% \packname{eurosym} package's documentation for more details.
+% \begin{description}
+% \item[\optname{official}]This option is passed to the
+% \packname{eurosym} package, and tells it to give you the official euro
+% symbol.
+%
+% \item[\optname{gen}]This option is passed to the \packname{eurosym}
+% package, and tells it to give you a faked euro symbol.
+%
+% \item[\optname{gennarrow}] This option is passed to the
+% \packname{eurosym} package, and tells it to give you a faked euro
+% symbol with narrow cross-strokes.
+%
+% \item[\optname{genwide}]This option is passed to the
+% \packname{eurosym} package, and tells it to give you a faked euro
+% symbol with wide cross-strokes.
+% \end{description}
+%
+% The following three options affect how \packname{eurofont} produces
+% faked euro symbols.
+% \begin{description}
+% \item[\optname{noslantfakeeuro}] \packname{Eurofont}'s faked euro
+% symbols are produced with two rules of the same length.
+%
+% \item[\optname{normalslantfakeeuro}] \packname{Eurofont}'s faked euro
+% symbols are produced with two rules of slightly different length: the
+% lower rule is the shorter of the two. This is the default
+% behaviour; it approximates the difference in length of the two rules
+% in the official euro symbol.
+%
+% \item[\optname{bigslantfakeeuro}] \packname{Eurofont}'s faked euro
+% symbols are produced with two rules of greatly different length: the
+% lower rule is by far the shorter of the two. This was inspired by
+% the China2e fount's euro symbol.
+% \end{description}
+%
+% And finally, some options which don't seem to belong with anything
+% else.
+% \begin{description}
+% \item[\optname{notextcomp}] This option tells the \packname{eurofont}
+% package not to load the \packname{textcomp} package; it counteracts
+% the \optname{textcomp} option. You might want to use this option if
+% you find that some characters or accents are unexpectedly wrong when
+% using the \packname{eurofont} package -- this sort of thing can be
+% caused by loading the \packname{textcomp} package. See also the
+% \optname{fixtieaccent} option.
+%
+% \item[\optname{textcomp}] This option tells the \packname{eurofont}
+% package to load the \packname{textcomp} package (part of the standard
+% \LaTeX\ distribution) if it is available. This package defines the
+% \comname{texteuro} command (amongst other things). Trying to load
+% \packname{textcomp} is the default behaviour. One possibly unwanted
+% effect of loading \packname{textcomp} is that tie accents are
+% typically messed up if you're using \PS Type 1 founts; the
+% \optname{fixtieaccent} option can help out with this.
+%
+% \item[\optname{fixtieaccent}] This option counteracts the
+% \optname{nofixtieaccent} option: it makes \packname{eurofont} define
+% the tie accent to work the way it does as standard when the
+% \packname{textcomp} package hasn't been loaded. If you find tie
+% accents no longer work when using \packname{eurofont}, you can use
+% either this option or the \optname{notextcomp} option to fix things.
+%
+% \item[\optname{nofixtieaccent}] This option counteracts the
+% \optname{fixtieaccent} option: it stops \packname{eurofont} defining
+% the tie accent to work the way it does as standard when the
+% \packname{textcomp} package hasn't been loaded. This is the default
+% behaviour.
+%
+% \item[\optname{debugreport}] This option tells the
+% \packname{eurofont} package to print all sorts of debugging
+% information out when you use its commands. I added this option for my
+% own benefit, but you might find it useful if you're configuring
+% \packname{eurofont} in strange fashions and not getting what you want.
+%
+% \item[\optname{nodebugreport}]This option tells the
+% \packname{eurofont} package not to print out any debugging
+% information. This is the default behaviour.
+% \end{description}
+%
+% For those who might be interested: the following lines are executed
+% just before loading the configuration file:
+%{\small
+%\begin{verbatim}
+% \ExecuteOptions{adobeeurofonts}% Use Adobe's Eurofonts
+% \ExecuteOptions{noeurosym}% Don't use eurosym
+% \ExecuteOptions{left}% Euro symbol on left
+% \ExecuteOptions{normalslantfakeeuro}% Fake euros with slight slant
+% \ExecuteOptions{nodebugreport}% No debugging reports
+% \ExecuteOptions{textcomp}% Load the textcomp package
+% \ExecuteOptions{nofixtieaccent}% Don't modify tie accents
+%\end{verbatim}
+%}
+% You can therefore over-ride any of these defaults by placing a
+% subsequent \comname{ExecuteOptions} statement in the configuration
+% file. For example, to make the \comname{euros} command place the
+% euro symbol on the right of the sum by default, add:
+%\begin{verbatim}
+% \ExecuteOptions{right}
+%\end{verbatim}
+% to the configuration file, \filename{eurofont.cfg}.
+%
+% \section{Configuring the \packname{eurofont} package}\label{sec:config}
+%
+% There are three main mechanisms for changing the behaviour of
+% \packname{eurofont}'s \comname{euro} command: passing an option to
+% the \packname{eurofont} package, adding a fount family name to one
+% of \packname{eurofont}'s lists, and re-defining the \comname{make...}
+% commands used by the \comname{euro} command to print euro symbols.
+% Options have been covered in section~\vref{sec:all_options}; the
+% other two are covered here.
+%
+% The \packname{eurofont} package comes with a configuration file --
+% \filename{eurofont.cfg} -- that's meant to be changed to match your
+% preferences. If you want to add a fount family to a list, or re-define
+% some commands, you can make the changes in the configuration file. You
+% can also put code to do these jobs in a document file if you like.
+% Please don't change \filename{eurofont.sty} itself, unless you change
+% its name to something else.
+%
+% The way the \comname{euro} command works is this: when you use the
+% \comname{euro} command, it compares the current fount family name with
+% the contents of a series of lists. If the current fount family name is
+% in a given list, the command corresponding to that list is executed.
+% This prints a particular euro symbol, and the \comname{euro} command
+% finishes. If you don't know what a fount family name is in \LaTeX,
+% have a look at section~\vref{sec:fountfamilies}.
+%
+% The lists are created at the start of the \packname{eurofont} package,
+% and have fount family names entered into them by the
+% \comname{EFaddtolist} command. There's more than just the lists I've
+% mentioned in section~\ref{sec:config_intro}, though. The configuration
+% file contains the following lines by default:
+%\begin{verbatim}
+%%
+%% List contents Corresponding command
+%%
+% \EFaddtolist{\userlist}{}% \makeusereuro
+% \EFaddtolist{\texteurolist}{}% \maketexteuro
+% \EFaddtolist{\chinaelist}{}% \makechinaeeuro
+% \EFaddtolist{\cmlist}{cmr,cmss,cmtt}% \makecmeuro
+% \EFaddtolist{\seriflist}{pbk,pnc,ppl,ptm,put}% \makeserifeuro
+% \EFaddtolist{\sanslist}{pag,phv,psy,pzd}% \makesanseuro
+% \EFaddtolist{\monolist}{pcr}% \makemonoeuro
+% \EFaddtolist{\fakemediumlist}{pzc}% \makefakemediumeuro
+% \EFaddtolist{\fakelightlist}{}% \makefakelighteuro
+% \EFaddtolist{\fakeheavylist}{}% \makefakeheavyeuro
+%
+% \EFaddtolist{\faketexteurolist}{}
+%
+%% Put all the standard LaTeX weights (and likely extras)
+%% into one of the following lists:
+%
+% \EFaddtolist{\EFlightserieslist}{ul,el,l,ulc,elc,lc,ulx,elx,lx}
+% \EFaddtolist{\EFmediumserieslist}
+% {m,mb,db,sb,mc,mbc,dbc,sbc,mx,mbx,dbx,sbx}
+% \EFaddtolist{\EFboldserieslist}{b,bx,bc}
+% \EFaddtolist{\EFultraboldserieslist}{eb,ub,ebc,ubc,ebx,ubx}
+%\end{verbatim}
+% The point of the configuration file is that you should change it any
+% way you like. But what do all these lines mean? In brief, what goes on
+% is this: when you use the \comname{euro} command (and remember that
+% the \comname{euro} command is used by the \comname{euros} command so
+% this discussion applies to both commands), the current \LaTeX\ fount
+% family name is compared to the contents of each of the lists above, in
+% the order given, with an extra test I'll mention in a bit. If, for
+% example, you're using New Century Schoolbook (fount family name
+% \lfntname{pnc}), what happens with the default settings is this:
+% \begin{enumerate}
+% \item \comname{userlist} is examined. It's empty, so no match is
+% found, and the command continues.
+% \item This is the extra test mentioned above: a test is made to see if
+% the command \comname{pnceuro} exists (in general, the command
+% \comname{<fam>euro} is looked for, where |<fam>| is the \LaTeX\ fount
+% family name of the current fount). If this command exists, it's
+% executed and the \comname{euro} command terminates. In this case, the
+% command doesn't exist, so the command continues.
+% \item \comname{texteurolist} is examined. It's empty, so the
+% \comname{euro} command continues.
+% \item \comname{chinaelist} is examined. It's empty, so the
+% \comname{euro} command continues.
+% \item \comname{cmlist} is examined. It's not empty: the current fount
+% family is \lfntname{pnc}, but the list contains \lfntname{cmr},
+% \lfntname{cmss}, and \lfntname{cmtt}. No match is found, so the
+% \comname{euro} command continues.
+% \item \comname{seriflist} is examined. It's not empty: the current
+% fount family is \lfntname{pnc}, and the list contains \lfntname{pbk},
+% \lfntname{pnc}, \lfntname{ppl}, \lfntname{ptm}, and \lfntname{put}. A
+% match is found, so \comname{makeserifeuro} -- the command
+% corresponding to this list -- is executed, which prints a euro symbol
+% from one of Adobe's Euroserif founts, and the \comname{euro} command
+% finishes.
+% \end{enumerate}
+% You might be wondering what the \comname{faketexteuro} list is for. If
+% a fount family is listed in \comname{faketexteuro}, the
+% \comname{maketexteuro} command will always execute the
+% \comname{makefakeeuro} command to generate a faked euro symbol for
+% that fount family. It prevents the \comname{euro} command from
+% printing a euro symbol using the \comname{texteuro} command. I'm not
+% sure that this is particularly useful, but it seemed like a good idea
+% at the time.
+%
+% Another unanswered question is: what happens if the \comname{euro}
+% command has made all its tests and not printed a euro symbol? In this
+% case, the \comname{makedefaulteuro} command is executed. By default,
+% this command executes the \comname{makefakeeuro} command which prints
+% a euro symbol faked with medium weight rules. You can of course
+% re-define the \comname{makedefaulteuro} and \comname{makefakeeuro}
+% commands any way you like.
+%
+% The \comname{EF...serieslist} commands are used by the commands that
+% print faked euro symbols; these commands are slightly more involved
+% than you might think. I'll deal with this in detail in a bit.
+%
+% \subsection{The \comname{make...euro} commands}\label{sec:config-makeeuro}
+%
+% It might be that you want to do something that can't be done
+% conveniently by just changing which fount families are listed in the
+% lists above. If so, you'll probably find it most convenient to play
+% around with the definitions of the various \comname{make...euro}
+% commands; please do cut-and-paste the original definitions into the
+% configuration file and modify them there if you think this will help.
+% I used the \comname{providecommand} command to define all the
+% \comname{make...euro} commands so that the definitions in
+% \filename{eurofont.sty} won't have any effect if the commands have
+% been defined earlier. There's more detail on what these commands do in
+% section~\vref{sec:how_it_works} and in the commented source code.
+%
+% The \comname{euro} command works like this: the current fount family
+% name is compared against the contents of a series of lists. If the
+% current fount family is present in a particular list, the command
+% corresponding to that list is executed. The first match ends the
+% execution of the \comname{euro} command: you'll not get two euro
+% symbols if the current fount family is in two lists. You can see what
+% I mean in section~\vref{sec:how_euro_works}.
+%
+% One anomaly is the second test made in the \comname{euro} command,
+% directly after looking in \comname{userlist}: this second test doesn't
+% check for a match in a list, but instead checks for the existence of a
+% command \comname{<fam>euro}, where |<fam>| is the current fount family
+% name. If this command exists, it's executed and the \comname{euro}
+% command ends. For example, if you define:
+%\begin{verbatim}
+% \newcommand{\pcreuro}{EUR}
+%\end{verbatim}
+% every time you use the \comname{euro} or \comname{euros} command while
+% using Courier -- which has the fount family name \lfntname{pcr} --
+% you'll get `EUR' printed (the standard international abbreviation for
+% the euro) rather than a euro symbol of any sort.
+%
+% This table is a partial summary of what goes on:
+% \begin{center}\small
+% \begin{tabularx}{\textwidth}{@{}ll>{\raggedright\arraybackslash}X@{}}
+% \textbf{List name} & \textbf{Command executed}
+% & \textbf{What you get by default} \\[1ex]
+% \comname{userlist} & \comname{makeusereuro}
+% & Fakes a euro and prints a warning. \\
+% & \comname{<fam>euro}
+% & If it exists, \comname{<fam>euro} is
+% executed. \\
+% \comname{texteurolist } & \comname{maketexteuro}
+% & Prints a euro symbol from the current
+% fount or a faked euro symbol. \\
+% \comname{chinaelist} & \comname{makechinaeeuro}
+% & Prints the euro from the China2e fount. \\
+% \comname{cmlist} & \comname{makecmeuro}
+% & Prints a euro symbol from the current
+% fount or a faked euro symbol. \\
+% \comname{seriflist} & \comname{makeserifeuro}
+% & Prints a euro from Adobe Euroserif. \\
+% \comname{sanslist} & \comname{makesanseuro}
+% & Prints a euro from Adobe Eurosans. \\
+% \comname{monolist} & \comname{makemonoeuro}
+% & Prints a euro from Adobe Euromono. \\
+% \comname{fakelightlist} & \comname{makefakelighteuro}
+% & Fakes a euro with light weight rules. \\
+% \comname{fakemediumlist} & \comname{makefakemediumeuro}
+% & Fakes a euro with medium weight rules. \\
+% \comname{fakeheavylist} & \comname{makefakeheavyeuro}
+% & Fakes a euro with heavy weight rules. \\
+% \end{tabularx}
+% \end{center}
+% What happens when you use the \comname{euro} command is that each list
+% is considered in turn, starting with the \comname{userlist}. If the
+% fount family being used at that point in the document is in that list,
+% a euro symbol is generated by the specified command and that's the end
+% of the command. If the fount family being used isn't in the first
+% list, the next list is looked at and so on. If this explanation is
+% less than crystal clear, you might find it useful to read
+% section~\vref{sec:how_euro_works}.
+%
+% If each list has been checked and the current fount family hasn't been
+% found in any of them, the \comname{makedefaulteuro} command is
+% executed. This produces a faked euro symbol: the \packname{eurofont} package
+% has commands to make these by drawing two rules over a letter C; they
+% can be surprisingly acceptable particularly if made with a sanserif
+% fount.
+%
+% A brief description of what each of the \comname{make...euro} command
+% does is:
+%
+% \begin{description}
+% \item[\comname{makefakeeuro}] This command doesn't correspond to a
+% list, but is used by the \comname{makedefaulteuro} command and other
+% parts of the \packname{eurofont} package. What it does is this: it
+% first checks to see if the command \comname{<fam>fakeeuro} exists,
+% where |<fam>| is the current \LaTeX\ fount family name. If this
+% command exists, it's executed; if not, the current fount family name
+% is checked against (in this order) the \comname{fakelightlist},
+% \comname{fakemediumlist}, and \comname{fakeheavylist}. If there's a
+% match, it executes \comname{makefakelighteuro},
+% \comname{makefakemediumeuro}, or \comname{makefakeheavyeuro}
+% (depending on which list had the match). If it finds no match, it
+% executes \comname{makefakemediumeuro}.
+%
+% The \comname{makefake...euro} commands produce euro symbols faked by
+% placing a pair of rules over a letter `C'.
+%
+% For example, if you were using Zapf Chancery, which has an internal
+% \LaTeX\ fount family name of \lfntname{pzc}, and
+% \comname{makefakeeuro} were executed, the first test would be to see
+% if \comname{pzcfakeeuro} existed. Since \packname{eurofont} does
+% define this command, it exists, and is executed.
+%
+% \item[\comname{makeusereuro}] Meant to be defined by you; by default,
+% this command generates an on-screen warning and executes the
+% \comname{fakemediumrule\-euro} command which prints a euro symbol
+% faked with medium rules.
+%
+% \item[\comname{maketexteuro}]\label{item:maketexteuro:config}
+% This command executes the \comname{texteuro} command if these three
+% conditions are met: the current \LaTeX\ fount family is not listed in
+% the \comname{faketexteurolist}, the \comname{texteuro} command exists
+% (it's defined by the \packname{textcomp} package which
+% \packname{eurofont} tries to load by default), and the fount
+% definition file |ts1<fam>.fd| exists (where |<fam>| is the current
+% \LaTeX\ fount family name -- this \filename{fd} file will normally
+% exist if the fount does have a euro symbol available). If these
+% conditions are not met, it executes \comname{makefakeeuro} instead of
+% \comname{texteuro}.
+%
+% The \comname{texteuro} command, defined by \packname{textcomp}, prints
+% a euro symbol from the current fount, assuming everything's working
+% right; the \comname{makefakeeuro} command prints a euro symbol faked
+% by placing two rules over a letter `C'.
+%
+% \item[\comname{makechinaeeuro}] This command prints the euro symbol
+% from the China2e fount. If the current fount series is listed as light
+% or medium by being in either \comname{EFlightserieslist} or
+% \comname{EFmediumserieslist} you'll get the straight China2e euro
+% symbol; if the current fount series is listed as bold or ultra bold by
+% being in either \comname{EFbold\-series\-list} or
+% \comname{EFultraboldserieslist} you'll get a faked bold China2e euro
+% symbol. If the current fount series isn't listed in any of these
+% lists, you'll get a straight China2e euro symbol.
+%
+% The \comname{makechinaeeuro} command checks for the \packname{china2e}
+% package: if it's missing, you'll get a warning message and a faked
+% euro symbol.
+%
+% \item[\comname{makecmeuro}] This command normally has the same effect
+% as \comname{maketexteuro}: it executes the \comname{texteuro} command
+% if the three conditions are met (see above, in the
+% \comname{maketexteuro} entry on
+% page~\pageref{item:maketexteuro:config}); otherwise, it executes
+% \comname{makefakeeuro} -- this command fakes a euro symbol from a C
+% over-printed with two rules. This behaviour can be changed using an
+% option: if you've passed the \packname{eurosym} option to
+% \packname{eurofont}, the \comname{makecmeuro} command prints Eurosym's
+% euro symbol instead.
+%
+% \item[\comname{makeserifeuro}]
+% This command normally prints a euro symbol from one of Adobe's
+% Euroserif founts (medium, italic, bold, or bold italic). If you've
+% passed the \optname{marvosym} option to \packname{eurofont}, you'll
+% get a seriffed euro symbol from the Marvosym fount instead. Since
+% Marvosym doesn't have real bold euro symbols, you'll get a faked bold
+% euro symbol if the current fount series is listed in
+% \comname{EFboldserieslist} or \comname{EFultraboldserieslist} (as
+% with the \comname{makechinaeeuro} command).
+%
+% If you've passed the \optname{eurosym} option to \packname{eurofont},
+% you'll get a euro symbol generated by \packname{eurosym}'s
+% \comname{euro} command: this option over-rides both the
+% \optname{marvosym} option and the default \optname{adobeeurofonts}
+% option.
+%
+% The commands \comname{makeserifeuro}, \comname{makesanseuro}, and
+% \comname{makemonoeuro} are very similar.
+%
+% \item[\comname{makesanseuro}]
+% This command normally prints a euro symbol from one of Adobe's
+% Eurosans founts (medium, italic, bold, or bold italic). If you've
+% passed the \optname{marvosym} option to \packname{eurofont}, you'll
+% get a sanserif euro symbol from the Marvosym fount instead. Since
+% Marvosym doesn't have real bold euro symbols, you'll get a faked bold
+% euro symbol if the current fount series is listed in
+% \comname{EFboldserieslist} or \comname{EFultraboldserieslist} (as
+% with the \comname{makechinaeeuro} command).
+%
+% If you've passed the \optname{eurosym} option to \packname{eurofont},
+% you'll get a euro symbol generated by \packname{eurosym}'s \comname{euro}
+% command: this option over-rides both the \optname{marvosym} option and
+% the default \optname{adobeeurofonts} option.
+%
+% The commands \comname{makeserifeuro}, \comname{makesanseuro}, and
+% \comname{makemonoeuro} are very similar.
+%
+% \item[\comname{makemonoeuro}]
+% This command normally prints a euro symbol from one of Adobe's
+% Euromono founts (medium, italic, bold, or bold italic). If you've
+% passed the \optname{marvosym} option to \packname{eurofont}, you'll
+% get a monospaced euro symbol from the Marvosym fount instead. Since
+% Marvosym doesn't have real bold euro symbols, you'll get a faked bold
+% euro symbol if the current fount series is listed in
+% \comname{EFboldserieslist} or \comname{EFultraboldserieslist} (as
+% with the \comname{makechinaeeuro} command).
+%
+% If you've passed the \optname{eurosym} option to \packname{eurofont},
+% you'll get a euro symbol generated by \packname{eurosym}'s \comname{euro}
+% command: this option over-rides both the \optname{marvosym} option and
+% the default \optname{adobeeurofonts} option.
+%
+% The commands \comname{makeserifeuro}, \comname{makesanseuro}, and
+% \comname{makemonoeuro} are very similar.
+%
+% \item[\comname{makefakelighteuro}]
+% First checks to see if the command \comname{<fam>fakeeuro} exists
+% (where |<fam>| is the name of the current fount family); if so, it
+% executes \comname{<fam>fakeeuro} (as with \comname{makefakeeuro}). If
+% not, it executes \comname{fakelighteuro} -- this gives you a euro
+% symbol faked with light rules.
+%
+% The particular weight (or thickness) of these rules varies depending
+% on which \comname{EF...serieslist} the current fount series is in: the
+% rules are lightest if the current fount series is listed in
+% \comname{EFlightserieslist}, progressively heavier if listed in
+% \comname{EFmediumseries} and \comname{EFboldseries}, and heaviest if
+% listed in \comname{EFultraboldseries}. If the current fount series
+% isn't listed in any of these lists, you get the rules you'd get if the
+% current series were listed in \comname{EFmediumseries}.
+%
+% This command is very similar to the commands
+% \comname{makefakemediumeuro} and \comname{makefakeheavyeuro}.
+%
+% \item[\comname{makefakemediumeuro}]
+% First checks to see if the command \comname{<fam>fakeeuro} exists
+% (where |<fam>| is the name of the current fount family); if so, it
+% executes \comname{<fam>fakeeuro} (as with \comname{makefakeeuro}). If
+% not, it executes \comname{fakemediumeuro} -- this gives you a euro
+% symbol faked with medium weight rules.
+%
+% The particular weight (or thickness) of these rules varies depending
+% on which \comname{EF...serieslist} the current fount series is in: the
+% rules are lightest if the current fount series is listed in
+% \comname{EFlightserieslist}, progressively heavier if listed in
+% \comname{EFmediumseries} and \comname{EFboldseries}, and heaviest if
+% listed in \comname{EFultraboldseries}. If the current fount series
+% isn't listed in any of these lists, you get the rules you'd get if the
+% current series were listed in \comname{EFmediumseries}.
+%
+% This command is very similar to the commands
+% \comname{makefakemediumeuro} and \comname{makefakeheavyeuro}.
+%
+% \item[\comname{makefakeheavyeuro}]
+% First checks to see if the command \comname{<fam>fakeeuro} exists
+% (where |<fam>| is the name of the current fount family); if so, it
+% executes \comname{<fam>fakeeuro} (as with \comname{makefakeeuro}). If
+% not, it executes \comname{fakeheavyeuro} -- this gives you a euro
+% symbol faked with heavy rules.
+%
+% The particular weight (or thickness) of these rules varies depending
+% on which \comname{EF...serieslist} the current fount series is in: the
+% rules are lightest if the current fount series is listed in
+% \comname{EFlightserieslist}, progressively heavier if listed in
+% \comname{EFmediumseries} and \comname{EFboldseries}, and heaviest if
+% listed in \comname{EFultraboldseries}. If the current fount series
+% isn't listed in any of these lists, you get the rules you'd get if the
+% current series were listed in \comname{EFmediumseries}.
+%
+% This command is very similar to the commands
+% \comname{makefakemediumeuro} and \comname{makefakeheavyeuro}.
+%
+% \item[\comname{makedefaulteuro}]
+% This command normally prints a faked euro symbol generated with the
+% \comname{makefakeeuro} command.
+%
+% If you've passed the \optname{eurosym} option to \packname{eurofont},
+% the \comname{makedefaulteuro} command prints a euro symbol generated
+% by \packname{eurosym}'s \comname{euro} command. Otherwise, the
+% \comname{makedefaulteuro} command prints a faked euro symbol generated
+% with the \comname{makefakeeuro} command.
+%
+% For the curious: \packname{eurofont} defines the \comname{ESeuro}
+% command to be whatever \packname{eurosym} defined the \comname{euro}
+% command to be. \packname{Eurofont} can then define the \comname{euro}
+% command to be something else, but \packname{eurosym}'s \comname{euro}
+% code is still accessible by using the \comname{ESeuro} command.
+%
+% \end{description}
+%
+% \section{Founts containing euro symbols}\label{sec:getfounts}
+%
+% This section was written in October 1998: I know that there are founts
+% other than the ones I've noted below that contain euro symbols, but
+% these are the only ones I know of that are convenient to use with
+% \LaTeX. As far as I know, the founts currently included with `euro
+% compatible' versions of MS-Windows and the MacOS have a euro symbol
+% that is close to the official euro symbol. This doesn't match the
+% fount it's included with in most cases. It seems to me that there is
+% nothing to be gained by using these euro symbols with \LaTeX. I expect
+% this situation will change in time, and matching euro symbols are
+% designed for more founts.
+%
+% Aside from the Text Companion founts which accompany the EC founts
+% (the relatively new T1 encoded versions of the standard Computer
+% Modern founts used by \LaTeX -- I think they are included with all
+% recent \LaTeX\ distributions), Metafont euro symbols are included in
+% two other founts available from CTAN: China2e, which has a single very
+% lovely euro symbol; and Eurosym, which has the official euro symbol.
+% You can find out how to get all of these in
+% section~\vref{sec:getMFfounts}.
+%
+% The euro symbols in the Text Companion founts were designed before
+% the final official euro symbol was decided on, and might be considered
+% a bit eccentric by some.
+%
+% I know of two sets of \PS Type 1 founts containing euro
+% symbols: Adobe's Eurofonts, a set of 12 founts providing seriffed,
+% sanserif, and monospaced euro symbols in medium upright, italic, bold,
+% and bold italic version; and the Marvosym fount, which has three euro
+% symbols, very similar to the medium upright seriffed, sanserif, and
+% monospaced euro symbols from Adobe.
+%
+% Your \TeX\ system's documentation should tell you if you can use \PS
+% Type 1 founts. Typically, you need either: a \PS printer or \PS
+% interpreter on your computer such as Ghostscript; or Adobe Type
+% Manager (ATM) installed on your computer and a \dvidriver (such as
+% \OzTeX's) which can take advantage of this.
+%
+% \subsection{Getting Marvosym or Adobe's Eurofonts}\label{sec:getPSfounts}
+%
+% Adobe's Eurofonts are available (October 1998) in a Mac version
+% from here:
+%\begin{verbatim}
+% ftp://ftp.adobe.com/pub/adobe/type/mac/all/eurofont.sea.hqx
+% ftp://ftp-pac.adobe.com/pub/adobe/type/mac/all/eurofont.sea.hqx
+%\end{verbatim}
+% Textures users on Macs should also download these files from CTAN:
+%\begin{verbatim}
+% systems/mac/textures/contrib/IdealFonts/EuroDefs.sit.hqx
+% systems/mac/textures/contrib/IdealFonts/README.IF
+%\end{verbatim}
+% You should still download Adobe's Eurofonts separately.
+%
+% Adobe's Eurofonts are available (October 1998) in a version suitable
+% for MS-Windows PCs and Unix from here:
+%\begin{verbatim}
+% ftp://ftp.adobe.com/pub/adobe/type/win/all/eurofont.exe
+% ftp://ftp-pac.adobe.com/pub/adobe/type/win/all/eurofont.exe
+%\end{verbatim}
+% These files are self-extracting archives on MS-Windows computers which
+% can be decompressed on Unix computers with the \verb|unzip| command.
+%
+% The Marvosym fount is available from CTAN in \filename{pfb} and
+% \filename{pfa} versions, and I gather these versions won't work with
+% ATM. There are also Mac versions based on the Y\&Y re-working of
+% Marvosym mentioned below -- a Truetype version and a Mac PS Type 1
+% version that will work with ATM.
+%
+% The Marvosym fount and package are (October 1998) in this location at
+% CTAN:
+% site (October 1998):
+%\begin{verbatim}
+% /fonts/psfonts/marvosym/
+%\end{verbatim}
+%
+% A version which is apparently ATM compatible (implying the original
+% version from CTAN isn't) is available from here:
+%\begin{verbatim}
+% http://www.YandY.com/download/marvosym.zip
+%\end{verbatim}
+% Note that the metrics for this version of Marvosym are slightly
+% different to the original; to use this version of Marvosym with
+% \packname{eurofont}, you should re-name the file
+% \filename{marvosym.tfm} to \filename{fmvr8x.tfm} and put it on your
+% tex-fonts path.
+%
+% Martin Vogel's Web page contains a TrueType version of Marvosym, in
+% a format suitable for MS-Windows computers:
+%\begin{verbatim}
+% http://www.fh-bochum.de/fb1/vogel/marvosym.html
+%\end{verbatim}
+%
+% \subsection{\Dvidriver configuration for
+% Adobe's Eurofonts and the Marvosym fount} \label{sec:dvidriver_config}
+%
+% This section contains information on how to configure dvips and
+% \OzTeX\ to use Adobe's Eurofonts and the Marvosym fount. I believe
+% that pdf\TeX\ can use dvips entries.
+%
+% You might find it useful to refer to the file \filename{dvidrive.txt}
+% that is created by running \LaTeX\ on \filename{eurofont.ins}:
+% \filename{dvidrive.txt} contains a plain text version of this
+% \dvidriver configuration information, so you can cut and paste the
+% lines you need to the appropriate file on your computer.
+%
+% If you have any problems with this information, or if you have
+% information on how to configure other \dvidriver{}s, please let me
+% know by email.
+%
+% \subsubsection{\Dvidriver configuration lines for Adobe's Eurofonts}
+%
+% This section contains information for configuring \dvidriver{}s to use
+% these \PS Type 1 founts; what you need to do is add the given
+% lines to a file so that your \dvidriver knows which \PS Type 1 fount
+% file (and so on) corresponds to a particular \filename{tfm} file in a
+% \filename{dvi} file. In the case of dvips, the file you add lines to
+% is typically called \filename{psfonts.map}. In the case of \OzTeX, you
+% will normally add lines to the \filename{Default} configuration file
+% -- if you also use dvips, you'll add lines to \filename{psfonts.map}
+% as well.
+%
+% Note that versions of dvips before v5.83 have trouble doing partial fount
+% downloading with Adobe's Eurofonts. Because of this, I have listed the
+% dvips psfont.map entries with `|<<|' and with `|<|': the `|<<|'
+% entries prevent dvips attempting to do partial fount downloading with
+% that particular fount.
+%
+% The `|<<|' syntax does not work with all versions of dvips; it does
+% work with dvips~v5.78, but doesn't work with v5.70. If you're using a
+% pre `|<<|' dvips, you should use the entries with `|<|' and don't use
+% partial fount downloading with any document containing Adobe's
+% Eurofonts; passing the |-j0| switch to dvips will prevent it from
+% doing partial fount downloading if this is normally turned on.
+%
+% I've asked the author of dvips when the `|<<|' syntax was first introduced,
+% and he can't remember.
+%
+% I am told that pdf\TeX\ can do partial fount downloading using Adobe's
+% Eurofonts.
+%
+% \paragraph{Eurofont configuration lines for MS-Windows and Unix}
+%
+% The following lines were supplied by Stefan Ulrich
+% |<ulrich@cis.uni-muenchen.de>|, who tells me that you need to re-name
+% the \filename{PFB} files \filename{pfb}.
+%
+% If these lines work with computers other than those running
+% MS-Windows and Unix, please let me know so I can change the
+% documentation to suit.
+%
+% The following entries are for dvips~v5.78 and possibly some other
+% versions:
+%\begin{verbatim}
+% zpeurs EuroSans-Regular <<_1______.pfb
+% zpeubs EuroSans-Bold <<_1B_____.pfb
+% zpeuris EuroSans-Italic <<_1I_____.pfb
+% zpeubis EuroSans-BoldItalic <<_1BI____.pfb
+% zpeurt EuroMono-Regular <<_2______.pfb
+% zpeubt EuroMono-Bold <<_2B_____.pfb
+% zpeurit EuroMono-Italic <<_2I_____.pfb
+% zpeubit EuroMono-BoldItalic <<_2BI____.pfb
+% zpeur EuroSerif-Regular <<_3______.pfb
+% zpeub EuroSerif-Bold <<_3B_____.pfb
+% zpeuri EuroSerif-Italic <<_3I_____.pfb
+% zpeubi EuroSerif-BoldItalic <<_3BI____.pfb
+%\end{verbatim}
+%
+% The following entries are for dvips~v5.70 or earlier, probably dvips
+% v5.79 and above, and pdf\TeX. Since that I don't use pdf\TeX, this
+% suggestion might not work -- please let me know if you have any
+% problems.
+%\begin{verbatim}
+% zpeurs EuroSans-Regular <_1______.pfb
+% zpeubs EuroSans-Bold <_1B_____.pfb
+% zpeuris EuroSans-Italic <_1I_____.pfb
+% zpeubis EuroSans-BoldItalic <_1BI____.pfb
+% zpeurt EuroMono-Regular <_2______.pfb
+% zpeubt EuroMono-Bold <_2B_____.pfb
+% zpeurit EuroMono-Italic <_2I_____.pfb
+% zpeubit EuroMono-BoldItalic <_2BI____.pfb
+% zpeur EuroSerif-Regular <_3______.pfb
+% zpeub EuroSerif-Bold <_3B_____.pfb
+% zpeuri EuroSerif-Italic <_3I_____.pfb
+% zpeubi EuroSerif-BoldItalic <_3BI____.pfb
+%\end{verbatim}
+%
+% \paragraph{Eurofont configuration lines for Macs}
+%
+% Macintosh \filename{psfonts.map} entries for dvips v5.78 and possibly
+% some other versions:
+%\begin{verbatim}
+% zpeur EuroSerif-Regular <<EuroSerReg
+% zpeuri EuroSerif-Italic <<EuroSerIta
+% zpeub EuroSerif-Bold <<EuroSerBol
+% zpeubi EuroSerif-BoldItalic <<EuroSerBolIta
+% zpeurs EuroSans-Regular <<EuroSanReg
+% zpeuris EuroSans-Italic <<EuroSanIta
+% zpeubs EuroSans-Bold <<EuroSanBol
+% zpeubis EuroSans-BoldItalic <<EuroSanBolIta
+% zpeurt EuroMono-Regular <<EuroMonReg
+% zpeurit EuroMono-Italic <<EuroMonIta
+% zpeubt EuroMono-Bold <<EuroMonBol
+% zpeubit EuroMono-BoldItalic <<EuroMonBolIta
+%\end{verbatim}
+%
+%
+% Macintosh \filename{psfonts.map} entries for dvips~v5.70 or before,
+% probably dvips v5.79 and above, and pdf\TeX. Since that I don't use
+% pdf\TeX, this suggestion might not work -- please let me know if you
+% have any problems.
+%\begin{verbatim}
+% zpeur EuroSerif-Regular <EuroSerReg
+% zpeuri EuroSerif-Italic <EuroSerIta
+% zpeub EuroSerif-Bold <EuroSerBol
+% zpeubi EuroSerif-BoldItalic <EuroSerBolIta
+% zpeurs EuroSans-Regular <EuroSanReg
+% zpeuris EuroSans-Italic <EuroSanIta
+% zpeubs EuroSans-Bold <EuroSanBol
+% zpeubis EuroSans-BoldItalic <EuroSanBolIta
+% zpeurt EuroMono-Regular <EuroMonReg
+% zpeurit EuroMono-Italic <EuroMonIta
+% zpeubt EuroMono-Bold <EuroMonBol
+% zpeubit EuroMono-BoldItalic <EuroMonBolIta
+%\end{verbatim}
+%
+%
+% \OzTeX\ config file entries: these lines are normally added to the
+% \filename{Default} config file in \OzTeX's \filename{Configs} folder.
+% These lines should work with any version of \OzTeX\ from at least
+% version~1.7 onwards. Please let me know if you have any problems.
+%\begin{verbatim}
+% zpeur EuroSerif-Regular "Euro Serif" nil
+% zpeuri EuroSerif-Italic "Euro Serif" nil i
+% zpeub EuroSerif-Bold "Euro Serif" nil b
+% zpeubi EuroSerif-BoldItalic "Euro Serif" nil bi
+% zpeurs EuroSans-Regular "Euro Sans" nil
+% zpeuris EuroSans-Italic "Euro Sans" nil i
+% zpeubs EuroSans-Bold "Euro Sans" nil b
+% zpeubis EuroSans-BoldItalic "Euro Sans" nil bi
+% zpeurt EuroMono-Regular "Euro Monospace" nil
+% zpeurit EuroMono-Italic "Euro Monospace" nil i
+% zpeubt EuroMono-Bold "Euro Monospace" nil b
+% zpeubit EuroMono-BoldItalic "Euro Monospace" nil bi
+%\end{verbatim}
+%
+% \subsubsection{\Dvidriver configuration lines for
+% Marvosym}\label{sec:dvidriver_config:mvs}
+%
+% I have been greatly confused while trying to work out how to configure
+% \dvidriver{}s to use Marvosym. I think I've got it right, but I can't
+% test on anything but my Mac. I'd appreciate an email if you find that
+% any of the information below turns out to be wrong.
+%
+% There are two versions of the Marvosym out there in network land: the
+% original, and a version that's been re-worked by Y\&Y. As far as I can
+% work out, the Y\&Y version of Marvosym has identical glyphs to the
+% original, and differs in that it works properly with ATM and has
+% better hinting. This means that the new version should render better
+% at low and medium resolutions. In other words, I think the Y\&Y
+% version is better than the original. The metrics for the two
+% versions are very slightly different to each other, so you should make
+% sure you're using the \filename{tfm} file that came with the version
+% of the Marvosym fount that you're using.
+%
+% Dvips \filename{psfonts.map} entries for the original Marvosym fount:
+%\begin{verbatim}
+% fmvr8x Martin_Vogels_Symbole <marvosym.pfb
+% fmvri8x Martin_Vogels_Symbole " .167 SlantFont" <marvosym.pfb
+%\end{verbatim}
+%
+% Dvips \filename{psfonts.map} entries for the Y\&Y `ATM compatible'
+% re-worked Marvosym fount:
+%\begin{verbatim}
+% fmvr8x Marvosym <marvosym.pfb
+% fmvri8x Marvosym " .167 SlantFont" <marvosym.pfb
+%\end{verbatim}
+%
+% I have assumed that all \dvidriver{}s that can use \PS Type 1 founts
+% can also produce fake italic founts by slanting an upright version.
+% Because of this, I have made no provision for \dvidriver{}s that can't
+% do this. If you have a \dvidriver that can't fake an italic, please
+% let me know and I'll modify the \packname{eurofont} package to take
+% this into account, probably by adding another option and writing a
+% new \filename{fd} file.
+%
+% \paragraph{Note for Macintosh users}
+%
+% A Mac version of the Marvosym fount has been created in \PS Type 1 and
+% TrueType versions. It uses the Y\&Y names as above, and
+% these lines are be needed for dvips's \filename{psfonts.map} file:
+%\begin{verbatim}
+% fmvr8x Marvosym <Marvo
+% fmvri8x Marvosym " .167 SlantFont" <Marvo
+%\end{verbatim}
+% And these lines for \OzTeX's default config file:
+%\begin{verbatim}
+% fmvr8x Marvosym Marvosym nil
+% fmvri8x Marvosym Marvosym nil i
+%\end{verbatim}
+%
+% If a version of the original Marvosym fount is ever released for Macs,
+% these lines will be needed for dvips's \filename{psfonts.map} file:
+%\begin{verbatim}
+% fmvr8x Martin_Vogels_Symbole <MartiVogSym
+% fmvri8x Martin_Vogels_Symbole " .167 SlantFont" <MartiVogSym
+%\end{verbatim}
+% And these lines for \OzTeX's default config file:
+%\begin{verbatim}
+% fmvr8x MartiVogSym "Martin Vogels Symbole" nil
+% fmvri8x MartiVogSym "Martin Vogels Symbole" nil i
+%\end{verbatim}
+%
+% \subsection{Metafont founts containing euro symbols}\label{sec:getMFfounts}
+%
+% The three Metafont sources of euro symbols that I know of are the
+% Text Companion founts, the China2e fount, and the Eurosym fount. If
+% you know of others, I'd appreciate an email to tell me about them.
+%
+% The current (October 1998) version of \LaTeX\ is set up to work with
+% the relatively new T1 (and TS1) encoded versions of the usual Computer
+% Modern founts. If you don't have the `European Computer Modern' and
+% `Text Companion' founts -- otherwise known as the EC and TC founts --
+% it might be a good idea to get them now: the TS1 encoded Text
+% Companion founts are the ones containing euro symbols.
+%
+% If the above paragraph doesn't make much sense to you, you can find
+% out if your \LaTeX\ has access to the European Computer Modern and
+% Text Companion founts by \LaTeX ing this file:
+%\begin{verbatim}
+% \documentclass{article}
+% \usepackage[T1]{fontenc}
+% \usepackage{textcomp}
+% \begin{document}
+% Hello world. \texteuro.
+% \end{document}
+%\end{verbatim}
+% If you get no error messages, you have access to both the European
+% Computer Modern (EC) and Text Companion (TC) founts.
+%
+% If not, you can get these founts, as well as the Eurosym and China2e
+% founts and packages, from these locations at your nearest CTAN
+% site:
+%\begin{verbatim}
+% /fonts/ec/
+% /fonts/eurosym/
+% /macros/latex/contrib/supported/china2e/
+%\end{verbatim}
+%
+% \section{Potentially useful extra information}
+%
+% Most of the ideas in the \packname{eurofont} package are not my own
+% invention, and are documented elsewhere. \LaTeX's fount selection
+% scheme, for example, is documented in the file
+% \filename{fntguide.tex} which is part of the standard \LaTeX\
+% distribution. The file \filename{simple-nfss.tex} kept in the
+% \filename{info/} directory at CTAN is also useful.
+%
+% If you're interested in understanding the details of the source code,
+% you'll probably find it useful to read \filename{clsguide.tex} (also
+% part of the standard \LaTeX\ distribution), as well as Leslie
+% Lamport's `\LaTeX, a document preparation system', 2nd edition,
+% Addison-Wesley. Donald Knuth's `The \TeX book', also published by
+% Addison-Wesley, is probably essential reading. Goosens, Mittlebach,
+% and Samarin's `The \LaTeX\ Companion', published by Addison-Wesley, is
+% apparently a useful source of documentation on the internals of
+% \LaTeX; I've found the commented \LaTeX\ source code an adequate
+% substitute for this book.
+%
+% \subsection{Fount families and series}\label{sec:fountfamilies}
+%
+% \LaTeXe\ comes with a way of selecting founts called the New Fount
+% Selection Scheme (NFSS). Each fount you use is specified by five
+% things: encoding, family, series, shape, and size. A typical
+% specification is |OT1/ptm/m/n at 12pt|. This means an \lfntname{OT1}
+% encoded version of \lfntname{ptm} (Adobe Times) family, \lfntname{m}
+% (medium) series, \lfntname{n} (normal upright roman) shape, in a size
+% of 12pt. The point of the NFSS is to take a particular fount
+% specification -- like |OT1/ptm/m/n at 12pt| -- and work out which
+% \filename{tfm} file should be used.
+%
+% This job is essential, because as far as \TeX\ is concerned, a
+% \filename{tfm} file \emph{is} a fount: without a \filename{tfm} file,
+% you get no letters on the page. A \filename{tfm} file is just a list
+% of sizes of each letter and things like that; the actual letter shapes
+% are kept elsewhere. The \dvidriver needs to know which \filename{tfm}
+% file corresponds to which `real' fount, which is what dvips's
+% \filename{psfonts.map} is for.
+%
+% What the NFSS does is add a high-level interface to let you select a
+% particular \filename{tfm} file without having to deal with any of the
+% awkward details -- \LaTeX\ has always had some sort of interface to
+% allow this sort of thing, but the NFSS is much better than earlier
+% efforts, and much, much easier to set up for a new set of founts.
+%
+% The precise details of exactly which \filename{tfm} file is to be used
+% for each fount specification are contained in the various
+% \filename{fd} files installed on your computer (they're kept somewhere
+% on the tex-inputs path). \filename{ot1ptm.fd}, for example, is
+% consulted in the above example. It says that \filename{ptm7t.tfm}
+% should be used for |OT1/ptm/m/n| at all sizes. This doesn't mean that
+% you can only get Adobe Times in one size, because \TeX\ will scale the
+% fount to the appropriate size -- the instruction to do this is
+% included in the \filename{fd} file.
+%
+% You might be wondering what an encoding is. Well, when you type
+% information into a computer, each character you type is given a number
+% and this number is stored in memory: this number `is' the character
+% you have just typed. The relationship between the characters and
+% numbers is called an encoding. ASCII encoding, for example, says that
+% the letter `A' has the number 65; `B' has the number 66, and so on. In
+% the case of \LaTeX, you have two encodings: the input encoding --
+% which is used to translate the input file into \TeX's internal
+% encoding (which you can forget about for now); and the output
+% encoding, which is used to create the \filename{dvi} file. For
+% example, a Mac user might type an \"{o} (number 194) into a
+% \filename{tex} file. Assuming that he'd said
+% \comname{usepackage[applemac]\ttlb inputenc\ttrb}, that would result
+% in the appropriate character appearing in the \filename{dvi} file.
+% This character would be represented in the \filename{dvi} file by a
+% number 246 if you were using a \lfntname{T1} encoded fount at that
+% point. If you were using an \lfntname{OT1} encoded fount, it would be
+% represented by a combination of character number 128 (umlaut) placed
+% over character number 111 (the letter o). There are many other output
+% and input encodings that are commonly used. It is, for example, common
+% to use ASCII input encoding, so you have to type |\"{o}| to get \"{o}.
+% \LaTeX\ usually sorts out all the details for you so you don't have
+% to think about encodings that often.
+%
+% From the point of view of configuring the \packname{eurofont} package,
+% you can probably ignore encodings. The two most common text fount
+% encodings used with \LaTeX\ are \lfntname{OT1} and \lfntname{T1}:
+% the original 7-bit standard encoding and the newer 8-bit standard
+% encoding respectively.
+%
+% What \packname{eurofont} is most interested in is the fount family
+% name. This comes after the encoding: |OT1/ptm|, and is usually a three
+% letter abbreviation like \lfntname{ptm} for Adobe Times. The full
+% explanation of the naming scheme is presented in the fontname
+% documentation\footnote{Available from CTAN: \texttt{/info/fontname/}}.
+% In brief, the first letter of this family usually indicates the firm
+% that made the fount. Adobe is indicated by a `\lfntname{p}' (for \PS,
+% because Adobe created \PS). The next two letters indicates the name of
+% the fount. Times is indicated by `\lfntname{tm}'. Not all fount
+% families follow this pattern: the Computer Modern families pre-date
+% the fontname naming scheme, so (for example) the Computer Modern
+% Sanserif family has the name `\lfntname{cmss}'. And some fount families
+% named according to the fontname scheme have very strange names. The
+% Adobe Euroserif family has the name `\lfntname{zpeur}', the letter
+% \lfntname{z} being a prefix meaning `bizarre'.
+%
+% There's effectively an unlimited range of fount family names. One way
+% of finding out what the name is of a particular fount family is using
+% \packname{eurofont}'s \comname{showfontfamily} command in your
+% document: it'll print the current fount family on the console and in
+% the log file. For example, if you \LaTeX\ this file:
+%\begin{verbatim}
+% \documentclass{article}
+% \usepackage{otherfont}% A fictitious package to select a fount
+% \usepackage{eurofont}
+% \begin{document}
+% Blah blah blah
+% \showfontfamily
+% \end{document}
+%\end{verbatim}
+% You'll get a message in the log file and the terminal output telling
+% you what the fount family used to typeset `Blah blah blah' is.
+%
+% Another way of finding out a particular fount family name is this:
+% files for using different founts with \LaTeX\ -- such as
+% \filename{times.sty} -- tend to contain lines like:
+%\begin{verbatim}
+% \renewcommand{\sfdefault}{phv}
+% \renewcommand{\rmdefault}{ptm}
+% \renewcommand{\ttdefault}{pcr}
+%\end{verbatim}
+% This means that the \lfntname{phv} (Adobe Helvetica) family is used
+% for \comname{sffamily}, the \lfntname{ptm} family (Adobe Times) family
+% is used for \comname{rmfamily}, and the \lfntname{pcr} family (Adobe
+% Courier) is used for \comname{ttfamily}. This means you can find out
+% which fount family is used by examining the package file you use to
+% select it.
+%
+% If you're interested in the details of producing faked euro
+% symbols, the fount series becomes relevant. The normally available
+% fount series are just different weights:
+% \begin{center}
+% \begin{tabular}{ll|ll}
+% ul & ultra light & sb & semi bold \\
+% el & extra light & b & bold \\
+% l & light & bx & bold extended\\
+% m & normal (medium) & eb & extra bold \\
+% mb & medium bold & ub & ultra bold \\
+% db & demi bold & \\
+% \end{tabular}
+% \end{center}
+% Of these, only two are selectable with normal commands.
+% \comname{bfseries}, for example, selects the \lfntname{bx} (bold
+% extended) series; and \comname{mdseries} selects the \lfntname{m}
+% (normal `medium' weight). Most fount families come in two different
+% weights only. No normal founts are available in the range of weights
+% just listed, although Multiple Master founts (those with a weight
+% design axis) can be used in any number of different weights over
+% almost any range. If you have produced a Multiple Master fount setup
+% that gives you access to the full standard range of \LaTeX\ fount
+% series, you are clearly mad\footnote{And probably called something
+% like Melissa or Sebastian} and equally clearly don't need me to
+% explain anything about the NFSS.
+%
+% If you want to select something like ultrabold, one way is to say:
+%\begin{verbatim}
+% \fontseries{ub}\selectfont
+%\end{verbatim}
+%
+% A complication is that some fount families have condensed versions,
+% and this has to be indicated by the fount series too. This means
+% that the list of `standard' series can be extended to include:
+% \begin{center}
+% \begin{tabular}{ll|ll}
+% ulc & ultra light condensed & dbc & demi bold condensed \\
+% elc & extra light condensed & sbc & semi bold condensed \\
+% lc & light condensed & bc & bold condensed \\
+% mc & normal (medium) condensed & ebc & extra bold condensed \\
+% mbc & medium bold condensed & ubc & ultra bold condensed \\
+% \end{tabular}
+% \end{center}
+% Likewise, a fount family might have extended version of some weights
+% (Computer Modern Roman's Bold Extended is an example of this), so the
+% `standard' list of series must also include variants like
+% \lfntname{ulx} for ultra light extended. This is only relevant to
+% \packname{eurofont} when it's asked to create a faked euro symbol: it
+% has to know which series are bold (or whatever) to decide what
+% thickness lines to draw across the C.
+%
+% \section{How \packname{eurofont} works -- in detail}
+% \label{sec:how_it_works}
+%
+% This section is not meant to be a replacement for the rest of the
+% documentation for \TeX nical people. The idea is that this is an
+% intermediate step between the usual user documentation and the rather
+% eccentrically-commented source code -- it's probably a good idea to
+% read the earlier parts of this document before digging in to this
+% section.
+%
+% The \packname{eurofont} package provides two commands meant to be used
+% in documents for generating a euro symbol: \comname{euro} which just
+% prints a euro symbol, and \comname[amount]{euros} which prints a euro
+% symbol (generated by the \comname{euro} command) next to the argument
+% of the command, with a small space between the two. The euro symbol is
+% to the left of the argument by default: if you pass the
+% \optname{right} option to the \packname{eurofont} package, the euro
+% symbol is printed to the right of the argument of the command.
+%
+% The \comname{euros} command uses the \comname{euro} command to
+% generate the euro symbol, so everything that applies to the
+% \comname{euro} command also applies to the \comname{euros} command.
+%
+% I see the package code as being in several main parts: the code for
+% handling the lists, the \comname{euro} command and supporting
+% \comname{make...} commands, the other commands for selecting and
+% printing euro symbols, and the code to construct fake euro symbols.
+% This is an entirely arbitrary division; I mention it in the hope that
+% it might explain the way I've divided up this part of the documentation.
+%
+% Note that the \comname{make...euro} commands are all meant to be
+% called directly by the \comname{euro} command; the idea is to give you
+% a `top level' set of commands to modify in the configuration file any
+% way you like, while still allowing access to any of the euro symbols
+% the \packname{eurofont} package is set up to work with by default:
+% the \comname{make...euro} commands are all defined in terms of other
+% commands, and it's these other commands that do the job of actually
+% printing a euro symbol. You might, for example, change the
+% \comname{makechinaeeuro} command to print `EUR':
+%\begin{verbatim}
+% \newcommand{\makechinaeeuro}{EUR}
+%\end{verbatim}
+% and use entries in the \comname{chinaeeuro} list to select this, rather
+% than the euro symbol I intended. Even so, the `lower level' command
+% \comname{chinaeeuro} will be unaffected: it will still produce the
+% euro symbol from the China2e fount, and you will still be able to use
+% it. For example, you might say:
+%\begin{verbatim}
+% \newcommand{\pgyeuro}{\chinaeeuro}
+%\end{verbatim}
+% to get a euro symbol from the China2e fount with Adobe Goudy (family
+% name \lfntname{pgy})
+%
+% A point that might be useful to know is this: the \packname{eurofont}
+% package doesn't define the \comname{euro} command when it's loaded
+% using the \comname{usepackage\ttlb eurofont\ttrb} command. What
+% happens is that \packname{eurofont} defines the \comname{EFeuro}
+% command to begin with: \comname{EFeuro} is just \packname{eurofont}'s
+% \comname{euro} command under a different name. The \packname{eurofont}
+% package arranges for the \comname{euro} command that you use in your
+% document to be created later. The way it's done is this:
+% \packname{eurofont} adds some code to the \comname{AtBeginDocument}
+% hook. This code uses \TeX's \comname{let} command to make the
+% \comname{euro} command identical to \comname{EFeuro} at the
+% \comname{begin\ttlb document\ttrb} command. Immediately before this,
+% the code added by \packname{eurofont} uses \TeX's \comname{let}
+% command again to make the \comname{oldeuro} command identical to the
+% \comname{euro} command. This means that \packname{eurofont}'s
+% definition of \comname{euro} will over-ride any earlier definitions,
+% while saving any earlier definitions for you to use. This might also
+% explain strange behaviour you encounter if trying to re-define
+% \comname{euro} yourself in a document preamble. It's probably best to
+% do something like this:
+% \label{sec:how_it_works:redefine_euro}
+%\begin{verbatim}
+% \documentclass{whateveryouwant}
+% ...
+% \usepackage{eurofont}
+% \newcommand{\myeuro}{Some code}
+% \AtBeginDocument{\let\euro\myeuro}
+% ...
+% \begin{document}
+%\end{verbatim}
+% The \packname{eurosym} package is a special case: if you pass the
+% \optname{eurosym} option to \packname{eurofont}, \packname{eurofont}
+% uses \comname{let} to make the \comname{ESeuro} command identical to
+% \packname{eurosym}'s \comname{euro} command just after
+% \packname{eurofont} has loaded \packname{eurosym}. This
+% \comname{ESeuro} command appears in \packname{eurofont}'s code in
+% various places: remember that it's defined to be whatever the
+% \packname{eurosym} package defined the \comname{euro} command to be.
+%
+% \subsection{The \comname{euro} command}\label{sec:how_euro_works}
+%
+% The \comname{euro} command works like this: it looks at the current
+% fount family (I shall call this \verb|<fam>| for now -- \lfntname{ptm}
+% for Adobe Times, \lfntname{cmr} for Computer Modern Roman, and so on),
+% and performs the following sequence of tests:
+%\begin{verbatim}
+%If <fam> is in \userlist, \makeusereuro
+% else
+% if \<fam>euro exists, \<fam>euro
+% else
+% if <fam> is in \texteurolist, \maketexteuro
+% else
+% if <fam> is in \chinaelist, \makechinaeeuro
+% else
+% if <fam> is in \cmlist, \makecmeuro
+% else
+% if <fam> is in \serifeurolist, \makeserifeuro
+% else
+% if <fam> is in \sanseurolist, \makesanseuro
+% else
+% if <fam> is in \monoeurolist, \makemonoeuro
+% else
+% if <fam> is in \makefakelighteurolist, \makefakelighteuro
+% else
+% if <fam> is in \makefakemediumeurolist, \makefakemediumeuro
+% else
+% if <fam> is in \makefakeheavyeurolist, \makefakeheavyeuro
+% else \makedefaulteuro
+% fi fi fi fi fi fi fi fi fi fi fi
+%\end{verbatim}
+% In other words, it first looks to see if the current fount family is
+% listed in the \comname{usereurolist}. If it is, it executes the
+% \comname{usereuro} command and finishes. If not, it looks to see if a
+% command \comname{<fam>euro} exists. For example, if you're typesetting
+% with Adobe Times at that point (family name \lfntname{ptm}), it'll
+% look for the \comname{ptmeuro} command. If this command exists, it is
+% executed and the \comname{euro} command finishes. If not, it looks to
+% see if the current fount family is in the \comname{texteurolist}. If
+% it is, the \comname{texteuro} command is executed, and the
+% \comname{euro} command finishes. This continues to the final test: if
+% the current fount family is in the \comname{makefakeheavyeurolist},
+% the \comname{makefakeheavyeuro} command is executed, and the
+% \comname{euro}command finishes. If it's got to the end of the tests
+% and no match has been found, the \comname{defaulteuro} command is
+% executed.
+%
+% It's up to you to define the \comname{makeusereuro} and
+% \comname{<fam>euro} commands. All the other \comname{make...euro}
+% commands may be re-defined as you see fit, but are defined by the
+% \packname{eurofont} package to produce euro symbols.
+%
+% \subsection{The \comname{make...euro} commands}
+%
+% What each of these commands does by default is this:
+%
+% \subsubsection{\comname{maketexteuro}}
+% Executes either the \comname{texteuro} command or the
+% \comname{makefakeeuro} command. The \comname{texteuro} command is
+% normally defined by the \packname{textcomp} package (part of the
+% standard \LaTeX\ distribution) to print a euro symbol from the TS1
+% encoded complement to the current fount. This TS1 encoded complement
+% often does not exist, and even if it does exist, it usually (October
+% 1998) does not have a euro symbol. The \comname{makefakeeuro} command
+% is described in section~\vref{sec:howitworks:makefakeeuro}. The
+% \packname{eurofont} package tries to load the \packname{textcomp}
+% package by default; see section~\vref{sec:all_options} for more
+% details.
+%
+% The decision on whether to execute \comname{texteuro} or
+% \comname{makefakeeuro} is made like this: the \comname{texteuro}
+% command is executed if these three conditions are met: 1)~the current
+% fount family is not listed in \comname{faketext\-eurolist}, 2)~the
+% \packname{textcomp} package has been loaded, and 3)~that the fount
+% definition file \filename{ts1<fam>.fd} exists (where |<fam>| is the
+% current fount family name). That \filename{fd} file is the thing that
+% tells \LaTeX\ where to find the symbol asked for in the
+% \comname{texteuro} command defined by the \packname{textcomp} package:
+% if it doesn't exist, the current fount family certainly doesn't have a
+% euro symbol available in the expected place.
+%
+% The decision isn't foolproof: there's no way that \TeX\ can check for
+% the existence of a real glyph in a fount (the matter is complicated
+% greatly by virtual founts and `missing glyph' rule boxes), so
+% \comname{maketexteuro}'s checks mustn't be relied on.
+%
+% \subsubsection{\comname{makefakeeuro}}
+% \label{sec:howitworks:makefakeeuro}
+% This command first checks to see if the command
+% \comname{<fam>fakeeuro} exists, where |<fam>| is the name of the
+% current fount family; if this command exists, it's executed. If not,
+% \comname{makefakeeuro} then checks for the presence of the current
+% fount family name in (in this order) \comname{EFfakelightlist},
+% \comname{EFfakemediumlist}, and \comname{EFfake\-heavylist}. If it finds
+% a match, it executes the corresponding \comname{makefake...euro}
+% command; these are explained below. If it finds no match, it executes
+% the \comname{makefakemediumeuro} command. \comname{makefakeeuro}
+% doesn't appear directly in the definition of the \comname{euro}
+% command.
+%
+% \subsubsection{\comname{makechinaeeuro}}
+% \label{sec:howitworks:makechinaeeuro}
+% Executes the \comname{chinaeeuro} command, which prints a fake
+% bold euro symbol created from the China2e fount's euro symbol if the
+% current \comname{fontseries} is listed in the
+% \comname{EFbold\-serieslist} or the \comname{EFultraboldserieslist},
+% and a straight euro symbol from the China2e fount otherwise. The
+% \comname{chinaeeuro} command is described in
+% section~\vref{sec:howitworks:chinaeeuro}.
+%
+% \subsubsection{\comname{makecmeuro}}
+% \label{sec:howitworks:makecmeuro}
+% If you've given the \optname{eurosym} option to the
+% \packname{eurofont} package and the \packname{eurosym} package has
+% been loaded successfully, \comname{makecmeuro} executes the
+% \comname{ESeuro} command which prints the specified \packname{eurosym}
+% euro symbol, as described in section~\vref{sec:howitworks:makecmeuro}.
+% Otherwise, the \comname{cmeuro} command is executed, which gives you
+% either a euro symbol from the text companion founts, or a faked euro
+% symbol; this faked euro symbol is made with light rules for Computer
+% Modern Roman and medium weight rules for Computer Modern Sanserif
+% and Typewriter. The \comname{cmeuro} command is described in
+% section~\vref{sec:howitworks:cmeuro}.
+%
+% \subsubsection{\comname{makeserifeuro}}
+% \label{sec:howitworks:makeserifeuro}
+% This executes the \comname{serifeuro} command, described in
+% section~\vref{sec:howitworks:serifeuro}. By default,
+% \comname{serifeuro} executes the \comname{zpeureuro} command,
+% described in section~\vref{sec:howitworks:zpeureuro}, which prints a
+% euro symbol from Adobe's Euroserif fount. If you have given the
+% \optname{marvosym} option to \packname{eurofont} and you have not used
+% the \optname{eurosym} option, the \comname{serifeuro} command will
+% instead execute the \comname{marvosymserifeuro} command, described in
+% section~\vref{sec:howitworks:marvosymserifeuro}: this will try to
+% print a seriffed euro symbol from the Marvosym fount. If the current
+% fount series is in \comname{EFboldserieslist} or
+% \comname{EFultraboldserieslist}, you'll get a faked bold euro from the
+% Marvosym fount. The default setup assumes that your \dvidriver can
+% print a faked italic version of the Marvosym fount.
+%
+% If you've given the \optname{eurosym} option to the
+% \packname{eurofont} package and the \packname{eurosym} package has
+% been loaded successfully, the \comname{serifeuro} command prints the
+% specified \packname{eurosym} euro symbol by executing the
+% \comname{ESeuro} command. The \comname{ESeuro} command is described in
+% section~\vref{sec:howitworks:ESeuro}.
+%
+% \subsubsection{\comname{makesanseuro}}
+% \label{sec:howitworks:makesanseuro}
+% This executes the \comname{sanseuro} command, described in
+% section~\vref{sec:howitworks:sanseuro}. By default, \comname{sanseuro}
+% executes the \comname{zpeusseuro} command, described in
+% section~\vref{sec:howitworks:zpeusseuro}, which prints a euro symbol
+% from Adobe's Eurosans fount. If you have given the \optname{marvosym}
+% option to \packname{eurofont} and you have not used the
+% \optname{eurosym} option, the \comname{sanseuro} command will instead
+% execute the \comname{marvosymsanseuro} command, described in
+% section~\vref{sec:howitworks:marvosymsanseuro}: this will try to print
+% a sanserif euro symbol from the Marvosym fount. If the current fount
+% series is in \comname{EFboldserieslist} or the
+% \comname{EFultraboldserieslist}, you'll get a faked bold euro from the
+% Marvosym fount. The default setup assumes that your \dvidriver can
+% print a faked italic version of the Marvosym fount.
+%
+% If you've given the \optname{eurosym} option to the
+% \packname{eurofont} package and the \packname{eurosym} package has
+% been loaded successfully, the \comname{sanseuro} command prints the
+% specified \packname{eurosym} euro symbol by executing the \comname{ESeuro}
+% command.
+%
+% \subsubsection{\comname{makemonoeuro}}
+% \label{sec:howitworks:makemonoeuro}
+% This executes the \comname{monoeuro} command, described in
+% section~\vref{sec:howitworks:monoeuro}. By default,
+% \comname{monoeuro} executes the \comname{zpeutteuro} command,
+% described in section~\vref{sec:howitworks:zpeutteuro}, which prints a
+% euro symbol from Adobe's Euroserif fount. If you have given the
+% \optname{marvosym} option to \packname{eurofont} and you have not used
+% the \optname{eurosym} option, the \comname{monoeuro} command will
+% instead execute the \comname{marvosymmonoeuro} command, described in
+% section~\vref{sec:howitworks:marvosymserifeuro}: this will try to
+% print a monospaced euro symbol from the Marvosym fount. If the current
+% fount series is in \comname{EFboldserieslist} or
+% \comname{EFultraboldserieslist}, you'll get a faked bold euro from the
+% Marvosym fount. The default setup assumes that your \dvidriver can
+% print a faked italic version of the Marvosym fount.
+%
+% If you've given the \optname{eurosym} option to the
+% \packname{eurofont} package and the \packname{eurosym} package has
+% been loaded successfully, the \comname{sanseuro} command prints the
+% specified \packname{eurosym} euro symbol by executing the \comname{ESeuro}
+% command.
+%
+% \subsubsection{\comname{makefakelighteuro}}
+% \label{sec:howitworks:makefakelighteuro}
+% If the command \comname{<fam>fakeeuro} exists (where |<fam>| is the
+% name of the current fount family), execute it. Otherwise, execute the
+% \comname{fakelighteuro} command, which prints a euro symbol faked from
+% a letter C with two light rules printed over it; you can find out more
+% about this in section~\vref{sec:howitworks:fakelighteuro}. The
+% \comname{makefakelighteuro} command is unaffected by the
+% \optname{eurosym} option.
+%
+%
+% \subsubsection{\comname{makefakemediumeuro}}
+% \label{sec:howitworks:makefakemediumeuro}
+% If the command \comname{<fam>fakeeuro} exists (where |<fam>| is the
+% name of the current fount family), execute it. Otherwise, execute the
+% \comname{fakemediumeuro} command, which prints a euro symbol faked
+% from a letter C with two light rules printed over it; you can find out
+% more about this in section~\vref{sec:howitworks:fakemediumeuro}. The
+% \comname{makefakemediumeuro} command is unaffected by the
+% \optname{eurosym} option.
+%
+% \subsubsection{\comname{makefakeheavyeuro}}
+% \label{sec:howitworks:makefakeheavyeuro}
+% If the command \comname{<fam>fakeeuro} exists (where |<fam>| is the
+% name of the current fount family), execute it. Otherwise, execute the
+% \comname{fakeheavyeuro} command, which prints a euro symbol faked
+% from a letter C with two light rules printed over it; you can find out
+% more about this in section~\vref{sec:howitworks:fakeheavyeuro}. The
+% \comname{makefakeheavyeuro} command is unaffected by the
+% \optname{eurosym} option.
+%
+% \subsubsection{\comname{makedefaulteuro}}
+% \label{sec:howitworks:makedefaulteuro}
+% Executes the \comname{makefakeeuro} command. This usually prints a
+% euro faked with medium weight rules. See
+% section~\vref{sec:howitworks:makefakeeuro} for more details.
+%
+% \subsection{Other commands to print euro symbols}
+%
+% \subsubsection{\comname{chinaeeuro}}
+% \label{sec:howitworks:chinaeeuro}
+%
+% This prints the euro symbol from the China2e fount. There is only one
+% euro character available, in the upright shape and medium weight only.
+% This command uses the \comname{SelectOnWeight} command to print either
+% a China2e euro symbol in its natural state (for light and medium
+% weights), or a `poor man's bold' version for bold and ultra bold
+% weights.
+%
+% The \comname{SelectOnWeight} command is described in
+% section~\vref{sec:howitworks:selectonweight}.
+%
+% \subsubsection{\comname{cmeuro}}
+% \label{sec:howitworks:cmeuro}
+%
+% The \comname{cmeuro} command executes the \comname{texteuro} command to
+% print a euro symbol from the TS1 encoded complement of the current
+% fount if these three conditions are met: 1) the current fount family
+% is not in the \comname{faketexteurolist}; 2) the command
+% \comname{texteuro} exists; and 3) the file \filename{ts1<fam>.fd}
+% exists, where \filename{<fam>} is the name of the current fount
+% family. If all three conditions are not met, \comname{cmeuro} executes
+% the \comname{makefakeeuro} command to print a faked euro symbol; this
+% command is described in section~\vref{sec:howitworks:makefakeeuro}.
+%
+% \subsubsection{\comname{EFeuro}}
+% \label{sec:howitworks:EFeuro}
+%
+% This is the name under which the \comname{euro} command is defined
+% originally; the \packname{eurofont} package adds some code to the
+% standard \LaTeX\ \comname{AtBeginDocument} hook that makes the
+% \comname{euro} command equivalent to the \comname{EFeuro} command
+% (using the primitive \TeX\ \comname{let} command). This code added to
+% the \comname{AtBeginDocument} hook is executed, unsurprisingly, at the
+% \comname{begin\ttlb document\ttrb} command. It's best not to use the
+% \comname{EFeuro} command yourself unless you have a particular need
+% to, but if you're writing a class or package file that uses
+% \packname{eurofont}, you might have such a need.
+%
+% The \comname{EFeuro} command is identical to the \comname{euro}
+% command, but they are different commands. If you want to change the
+% \comname{euro} command in your document, you should do so after the
+% \comname{begin\ttlb document\ttrb} command. One suggestion on how to
+% do this is in section~\vref{sec:how_it_works:redefine_euro}. This way
+% of re-defining the \comname{euro} command means you still have access
+% to \packname{eurofont}'s original \comname{euro} command under the
+% name \comname{EFeuro}. The \comname{EFeuro} command shouldn't be used
+% directly in a \LaTeX\ document. It's not that anything terrible will
+% happen if you do, just that \LaTeX\ convention states that commands
+% with mixed-case names are meant for use by class and package writers
+% only, and it seemed right to me to add this restriction to the
+% \comname{EFeuro} command.
+%
+% \subsubsection{\comname{ESeuro}}
+% \label{sec:howitworks:ESeuro}
+%
+% If you tell the \packname{eurofont} package to load the
+% \packname{eurosym} package, \packname{eurofont} makes the
+% \comname{ESeuro} command identical to the \comname{euro} command
+% defined by \packname{eurosym}. This means that \packname{eurosym}'s
+% \comname{euro} command is still available as \comname{ESeuro}, even
+% though \packname{eurofont} re-defines the \comname{euro} command to be
+% something completely different. It's probably best not to use the
+% \comname{ESeuro} command unless you have no choice in the matter, as
+% is often the case when writing package files.
+%
+% In case you're wondering, the \comname{ESeuro} command will be the
+% same as the \comname{oldeuro} command if \packname{eurofont} has
+% loaded \packname{eurosym}.
+%
+% \subsubsection{\comname{oldeuro}}
+% \label{sec:howitworks:oldeuro}
+%
+% The \packname{eurofont} package adds another bit of code to the
+% \comname{AtBeginDocument} hook: this code not only sets the
+% \comname{euro} command to be whatever \comname{EFeuro} has been
+% defined as (as mentioned in section~\vref{sec:howitworks:EFeuro}), but
+% just before that, the code sets the \comname{oldeuro} command to be
+% whatever the \comname{euro} command was at that instant. This means
+% that any package which has defined a \comname{euro} command has not
+% wasted its effort: its command is still available as
+% \comname{oldeuro}.
+%
+% As mentioned above, the \comname{ESeuro} command will be the
+% same as the \comname{oldeuro} command if \packname{eurofont} has
+% loaded \packname{eurosym}.
+%
+%
+% \subsubsection{\comname{sanseuro}}
+% \label{sec:howitworks:sanseuro}
+%
+% Depending on what you've asked for in the options to the
+% \packname{eurofont} package, this command executes one of three
+% commands. By default, or if you've used the \optname{adobeeurofonts}
+% option, it executes \comname{zpeusseuro}; if you've used the
+% \optname{marvosym} option, it executes \comname{marvosymsanseuro}; and
+% if you've used the eurosym option (which over-rides the other two), it
+% executes \comname{ESeuro}.
+%
+% The \comname{zpeusseuro} command is described in
+% section~\vref{sec:howitworks:zpeusseuro}; the
+% \comname{marvosymsans\-euro} is described in
+% section~\vref{sec:howitworks:marvosymsanseuro}; and the
+% \comname{ESeuro} command is described in
+% section~\vref{sec:howitworks:ESeuro}.
+%
+% \subsubsection{\comname{serifeuro}}
+% \label{sec:howitworks:serifeuro}
+%
+% Depending on what you've asked for in the options to the
+% \packname{eurofont} package, this command executes one of three
+% commands. By default, or if you've used the \optname{adobeeurofonts}
+% option, it executes \comname{zpeureuro}; if you've used the
+% \optname{marvosym} option, it executes \comname{marvosymserifeuro}; and
+% if you've used the eurosym option (which over-rides the other two), it
+% executes \comname{ESeuro}.
+%
+% The \comname{zpeureuro} command is described in
+% section~\vref{sec:howitworks:zpeureuro}; the
+% \comname{marvosymserif\-euro} is described in
+% section~\vref{sec:howitworks:marvosymserifeuro}; and the
+% \comname{ESeuro} command is described in
+% section~\vref{sec:howitworks:ESeuro}.
+%
+% \subsubsection{\comname{monoeuro}}
+% \label{sec:howitworks:monoeuro}
+%
+% Depending on what you've asked for in the options to the
+% \packname{eurofont} package, this command executes one of three
+% commands. By default, or if you've used the \optname{adobeeurofonts}
+% option, it executes \comname{zpeutteuro}; if you've used the
+% \optname{marvosym} option, it executes \comname{marvosymmonoeuro}; and
+% if you've used the eurosym option (which over-rides the other two), it
+% executes \comname{ESeuro}.
+%
+% The \comname{zpeutteuro} command is described in
+% section~\vref{sec:howitworks:zpeureuro}; the
+% \comname{marvosymmono\-euro} is described in
+% section~\vref{sec:howitworks:marvosymmonoeuro}; and the
+% \comname{ESeuro} command is described in
+% section~\vref{sec:howitworks:ESeuro}.
+%
+% \subsubsection{\comname{zpeureuro}}
+% \label{sec:howitworks:zpeureuro}
+%
+% This command prints a euro symbol from one of Adobe's four Euroserif
+% founts (Roman, Italic, Bold, or Bold Italic). The selection is done
+% using \LaTeX's usual fount selection mechanism.
+%
+% \subsubsection{\comname{zpeusseuro}}
+% \label{sec:howitworks:zpeusseuro}
+%
+% This command prints a euro symbol from one of Adobe's four Eurosans
+% founts (Roman, Italic, Bold, or Bold Italic). The selection is done
+% using \LaTeX's usual fount selection mechanism.
+%
+% \subsubsection{\comname{zpeutteuro}}
+% \label{sec:howitworks:zpeutteuro}
+%
+% This command prints a euro symbol from one of Adobe's four Euromono
+% founts (Roman, Italic, Bold, or Bold Italic). The selection is done
+% using \LaTeX's usual fount selection mechanism.
+%
+% \subsubsection[\comname{marvosymeuro}]
+% {\comname{marvosymeuro}\comarg{char}}
+% \label{sec:howitworks:marvosymeuro}
+%
+% This command is used by \comname{marvosymserifeuro} (and friends) to
+% print a euro symbol from the Marvosym fount. Like the
+% \comname{chinaeeuro} command, it uses the \comname{SelectOnWeight}
+% command -- covered in section~\vref{sec:howitworks:selectonweight} --
+% to print a normal euro symbol for medium and light weight founts, and
+% produces a `poor man's bold' version when you're using a bold or ultra
+% bold fount.
+%
+% The \comname{marvosymeuro} command takes a single argument, which is
+% the number of the character to be printed: 99 for the sanserif euro symbol,
+% 100 for the monospaced euro symbol, and 101 for the seriffed euro symbol.
+%
+% \subsubsection{\comname{marvosymsanseuro}}
+% \label{sec:howitworks:marvosymsanseuro}
+%
+% The \comname{marvosymsanseuro} command prints a sanserif euro
+% symbol from the Marvosym fount by executing
+% \comname{marvosymeuro\ttlb 99\ttrb}.
+%
+% \subsubsection{\comname{marvosymserifeuro}}
+% \label{sec:howitworks:marvosymserifeuro}
+%
+% The \comname{marvosymsanseuro} command prints a seriffed euro
+% symbol from the Marvosym fount by executing
+% \comname{marvosymeuro\ttlb 101\ttrb}.
+%
+% \subsubsection{\comname{marvosymmonoeuro}}
+% \label{sec:howitworks:marvosymmonoeuro}
+%
+% The \comname{marvosymsanseuro} command prints a monospaced euro
+% symbol from the Marvosym fount by executing
+% \comname{marvosymeuro\ttlb 100\ttrb}.
+%
+% \subsubsection{\comname{cmrfakeeuro}}
+% \label{sec:howitworks:cmrfakeeuro}
+%
+% This command creates a euro symbol faked with light rules, using the
+% \comname{fakelight\-euro} command which is described in
+% section~\vref{sec:howitworks:fakelighteuro}. Note that the
+% \comname{euro} command will execute \comname{<fam>fakeeuro} (where
+% |<fam>| is the current fount family) if it's asked to fake a euro
+% symbol using any of the \comname{makefake...euro} commands. This means
+% that you need to re-define \comname{cmrfakeeuro} if you want to change
+% the sort of faked euro symbol you get with Computer Modern Roman; just
+% putting |cmr| in (say) \comname{fakemediumlist} won't do the job.
+%
+% \subsubsection{\comname{cmssfakeeuro}}
+% \label{sec:howitworks:cmssfakeeuro}
+%
+% This command creates a euro symbol faked with medium rules, using the
+% \comname{fake\-mediumeuro} command which is described in
+% section~\vref{sec:howitworks:fakemediumeuro}. Note that the
+% \comname{euro} command will execute \comname{<fam>fakeeuro} (where
+% |<fam>| is the current fount family) if it's asked to fake a euro
+% symbol using any of the \comname{makefake...euro} commands. This means
+% that you need to re-define \comname{cmssfakeeuro} if you want to
+% change the sort of faked euro symbol you get with Computer Modern
+% Sanserif; just putting |cmss| in (say) \comname{fakelightlist} won't
+% do the job.
+%
+% \subsubsection{\comname{cmttfakeeuro}}
+% \label{sec:howitworks:cmttfakeeuro}
+%
+% This command creates a euro symbol faked with medium rules, using the
+% \comname{fake\-mediumeuro} command which is described in
+% section~\vref{sec:howitworks:fakemediumeuro}. Note that the
+% \comname{euro} command will execute \comname{<fam>fakeeuro} (where
+% |<fam>| is the current fount family) if it's asked to fake a euro
+% symbol using any of the \comname{makefake...euro} commands. This means
+% that you need to re-define \comname{cmttfakeeuro} if you want to
+% change the sort of faked euro symbol you get with Computer Modern
+% Typewriter; just putting |cmtt| in (say) \comname{fakelightlist} won't
+% do the job.
+%
+% \subsubsection{\comname{pzcfakeeuro}}
+% \label{sec:howitworks:pzcfakeeuro}
+%
+% This command creates a euro symbol faked with medium rules, using the
+% \comname{fakemediumeuro[-0.1ex]} command. The optional argument
+% lowers the height of the cross-strokes by 0.1\,ex to match the C in
+% Zapf Chancery.
+%
+% Note that the \comname{euro} command will execute
+% \comname{<fam>fakeeuro} (where |<fam>| is the current fount family) if
+% it's asked to fake a euro symbol using any of the
+% \comname{makefake...euro} commands. This means that you need to
+% re-define \comname{pzcfakeeuro} if you want to change the sort of
+% faked euro symbol you get with Zapf Chancery; just putting |pzc| in
+% (say) \comname{fakelightlist} won't do the job.
+%
+% \subsection{Commands used to produce faked euro symbols}
+%
+% \subsubsection[\comname{fakeheavyeuro}]
+% {\comname{fakeheavyeuro}\comoptarg{lift}\comoptarg{slant corr}}
+% \label{sec:howitworks:fakeheavyeuro}
+%
+% This is one of three similar commands: this command prints a euro
+% symbol faked with heavy rules. It's executed by the \comname{euro}
+% command if the current fount family is in the \comname{fakeheavylist}.
+% It takes two optional arguments: the first one, \comoptarg{lift},
+% lifts the cross-strokes of the faked euro symbol by the specified
+% length; the default length is 0\,pt. The second optional argument,
+% \comoptarg{slant corr}, is a percentage factor by which the nominal
+% slant of the fount is multiplied by before calculating the horizontal
+% position of the rules. Its default value is 100 (i.e., multiply the
+% slant by $100/100 = 1$); this argument never has any effect on upright
+% founts because they have no slant.
+%
+% If you pass one optional argument to \comname{fakeheavyeuro}, it is
+% interpreted as being the \comoptarg{lift} argument.
+%
+% \comname{fakeheavyeuro} is defined to be one of these three:
+% \begin{center}
+% \begin{tabular}{ll}
+% \textbf{Option} & \textbf{Command} \\[1ex]
+% \optname{noslantfakeeuro} & \comname{heavyruleeuronoslant} \\
+% \optname{normalslantfakeeuro} & \comname{heavyruleeuronorm} \\
+% \optname{bigslantfakeeuro} & \comname{heavyruleeurobigslant} \\
+% \end{tabular}
+% \end{center}
+% The optional argument to \comname{fakeheavyeuro} is passed as the
+% first argument (rule lift) to the given \comname{heavyrule\-euro...}
+% command; it's 0\,ex by default. The second argument (slant
+% correction factor) to the \comname{heavyrule\-euro...} command is
+% left blank, so it defaults to 100. See
+% section~\vref{sec:howitworks:EFruleeuro} for more about this.
+%
+% This command was written for the sake of symmetry more than
+% anything else; I would be surprised if anyone found a real use for
+% it.
+%
+% \subsubsection[\comname{fakelighteuro}]
+% {\comname{fakelighteuro}\comoptarg{lift}\comoptarg{slant corr}}
+% \label{sec:howitworks:fakelighteuro}
+%
+% This is one of three similar commands: this command prints a euro symbol
+% faked with light rules. It's executed by the \comname{euro} command if
+% the current fount family is in the \comname{fakelightlist}. It takes
+% two optional arguments: the first one, \comoptarg{lift}, lifts the
+% cross-strokes of the faked euro symbol by the specified length; the
+% default length is 0\,pt. The second optional argument, \comoptarg{slant
+% corr}, is a percentage factor by which the nominal slant of the fount
+% is multiplied by before calculating the horizontal position of the
+% rules. Its default value is 100 (i.e., multiply the
+% slant by $100/100 = 1$); this argument never has any effect on upright
+% founts because they have no slant.
+%
+% If you pass one optional argument to \comname{fakeheavyeuro}, it is
+% interpreted as being the \comoptarg{lift} argument.
+%
+% \comname{fakelighteuro} is defined by the options in
+% \packname{eurofont} to be one of these three;
+% \comname{lightruleeuronorm} by default.
+% \begin{center}
+% \begin{tabular}{ll}
+% \textbf{Option} & \textbf{Command} \\[1ex]
+% \optname{noslantfakeeuro} & \comname{lightruleeuronoslant} \\
+% \optname{normalslantfakeeuro} & \comname{lightruleeuronorm} \\
+% \optname{bigslantfakeeuro} & \comname{lightruleeurobigslant} \\
+% \end{tabular}
+% \end{center}
+% The optional argument to \comname{fakelighteuro} is passed as the
+% first argument (rule lift) to the given \comname{lightrule\-euro...}
+% command; it's 0\,ex by default. The second argument (slant
+% correction factor) to the \comname{lightrule\-euro...} command is
+% left blank, so it defaults to 100. See
+% section~\vref{sec:howitworks:EFruleeuro} for more about this.
+%
+% \subsubsection[\comname{fakemediumeuro}]
+% {\comname{fakemediumeuro}\comoptarg{lift}\comoptarg{slant corr}}
+% \label{sec:howitworks:fakemediumeuro}
+%
+% This is one of three similar commands: this command prints a euro symbol
+% faked with light rules. It's executed by the \comname{euro} command if
+% the current fount family is in the \comname{fakemediumlist}. It takes
+% two optional arguments: the first one, \comoptarg{lift}, lifts the
+% cross-strokes of the faked euro symbol by the specified length; the
+% default length is 0\,pt. The second optional argument, \comoptarg{slant
+% corr}, is a percentage factor by which the nominal slant of the fount
+% is multiplied by before calculating the horizontal position of the
+% rules. Its default value is 100 (i.e., multiply the
+% slant by $100/100 = 1$); this argument never has any effect on upright
+% founts because they have no slant.
+%
+% If you pass one optional argument to \comname{fakeheavyeuro}, it is
+% interpreted as being the \comoptarg{lift} argument.
+%
+% \comname{fakemediumeuro} is defined by the options in
+% \packname{eurofont} to be one of these three;
+% \comname{lightruleeuronorm} by default.
+% \begin{center}
+% \begin{tabular}{ll}
+% \textbf{Option} & \textbf{Command} \\[1ex]
+% \optname{noslantfakeeuro} & \comname{mediumruleeuronoslant} \\
+% \optname{normalslantfakeeuro} & \comname{mediumruleeuronorm} \\
+% \optname{bigslantfakeeuro} & \comname{mediumruleeurobigslant} \\
+% \end{tabular}
+% \end{center}
+% The optional argument to \comname{fakemediumeuro} is passed as the
+% first argument (rule lift) to the given \comname{mediumrule\-euro...}
+% command; it's 0\,ex by default. The second argument (slant
+% correction factor) to the \comname{mediumrule\-euro...} command is
+% left blank, so it defaults to 100. See
+% section~\vref{sec:howitworks:EFruleeuro} for more about this.
+%
+% \subsubsection{\comname{EFruleeuro}}\label{sec:EFruleeuro}
+% \label{sec:howitworks:EFruleeuro}
+%
+% The command generates a euro symbol from a `C' with a pair of rules
+% drawn on top of it. \comname{EFruleeuro} is not meant to be used in
+% documents directly; if you need it, you should follow the
+% \packname{eurofont} package's example and use it in the definition of
+% a new command to generate a euro symbol. The
+% \comname{mediumruleeuronorm} command and others show you a way of
+% doing this.
+%
+% \comname{EFruleeuro} has six arguments:
+% \begin{center}
+%\begin{tabbing}
+% \comname{EFruleeuro}\= \\
+% \> \comarg{backshift \%age}\comarg{top rule width \%age}\relax
+% \comarg{bottom rule width \%age}\\
+% \> \comarg{rule thickness}\comarg{rule vertical spacing}\relax
+% \comarg{rule vertical offset}\\
+% \> \comarg{slant correction factor \%age}\\
+%\end{tabbing}
+% \end{center}
+%
+% The first three arguments are numbers which are interpreted as a
+% percentage of the width of a letter `C' in the current fount. The next
+% three arguments are normal \LaTeX\ lengths. The final argument is
+% another number that's interpreted as a percentage: it's the percentage
+% by which the nominal slant of a fount (as specified in the
+% \filename{tfm} file) is multiplied by before working out the
+% horizontal position of the cross-strokes of a faked euro symbol; if
+% this slant correction factor argument is left blank, it defaults to
+% 100 (multiply by $100/100 = 1$, so it has no effect), which is what it
+% should be most of the time. This slant correction factor never has any
+% effect on upright founts, since they have a slant of 0.
+%
+% The \comarg{rule vertical offset} and \comarg{slant correction factor
+% \%age} arguments are needed because the letters as printed are
+% sometimes not quite what the metrics files would have you believe.
+%
+% The way the whole thing works is this: the \comname{EFruleeuro}
+% command begins by putting a letter `C' on the page. It then backs up
+% by |<backshift>|, and draws the two rules. Each rule is
+% |<rule thickness>| thick, and the centre lines of the rules are
+% separated by a vertical distance of |<rule spacing>| (if this
+% dimension is 0\,pt, the rules are printed on top of each other and it
+% appears that you only have one rule printed). The top rule has a
+% horizontal length of |<top rule width>|, and the bottom rule has a
+% horizontal length of |<bottom rule width>|. The rules are positioned
+% half-way up the `C', plus |<rule vertical offset>|; this parameter is
+% needed because some letters have metrics that don't quite tie up with
+% reality. For example, the C in Zapf Chancery is actually lower than
+% the metrics would suggest, so \packname{eurofont}'s calculations go
+% awry and a `hand-correction' of -0.1\,ex needs to be applied. The
+% following code is executed by \packname{eurofont}'s
+% \comname{pzcfakeeuro} command:
+%\begin{verbatim}
+% \EFruleeuro{110}{80}{72}{0.04ex}{0.27ex}{-0.1ex}{}
+%\end{verbatim}
+% This creates a euro symbol faked from a `C' with a pair of horizontal
+% rules drawn across it.
+%
+% These rules have their left-hand edge 110\% of the width of the C to
+% the left of the right-hand edge of the C. The top rule has a width of
+% 80\% of the width of the C; the bottom rule has a width of 72\% of the
+% width of the C.
+%
+% The rules are 0.04\,ex thick, and the distance between the centre
+% lines of the rules is 0.27\,ex. The centre line of the pair of rules
+% is usually half way up the C according to the fount metrics; in this
+% case, these rules are shifted down from this position by 0.1\,ex.
+%
+% If the C used by \comname{EFruleeuro} is an italic C, the code to
+% place the rules takes this into account: it shifts the rules an
+% appropriate amount to the right. The rules are also staggered slightly
+% to match the slant of the C -- rather than put both rules directly
+% above each other at the specified position (taking the italic
+% correction into account), the top rule is placed a touch to the
+% right and the bottom rule a touch to the left.
+%
+% And this brings me on to the final parameter: the slant correction
+% factor. This is needed because some founts have italic or oblique
+% versions in which the slant angle specified in the fount metrics file
+% doesn't match the real slant of the printed letters. I have no idea
+% why this is the case, but I do know that it means that
+% \comname{EFruleeuro}'s careful calculations to place the rules
+% correctly produce ugly results when working with these slanted
+% founts. This slant correction factor is the percentage by which the
+% slant parameter is scaled by. If the rules are being printed too far
+% to the left (so that they protrude out the back of the C too far), you
+% might try something like this:
+%\begin{verbatim}
+% \EFruleeuro{110}{80}{72}{0.04ex}{0.27ex}{0ex}{200}
+%\end{verbatim}
+% which works very well with Adobe Optima -- the line above tells the
+% command to work on the basis that the slant is twice as great as
+% specified in the metrics file. Since the \packname{fontinst}-generated
+% \filename{tfm} file has the slant as $11^{\circ}$ ($1^{\circ}$ less
+% than in the \filename{afm} file due to rounding errors), and the slant
+% I measured is $21^{\circ}$, you can see that this should work well;
+% if you have this fount youself, you will see that it does indeed work
+% very well.
+%
+% On the other hand, Bitstream Optima has a specified slant of
+% $10^{\circ}$, but a measured slant of $5^{\circ}$. This means the
+% rules are placed too far to the right, so they don't protrude out the
+% back of the C far enough. The obvious thing to try in this case is:
+%\begin{verbatim}
+% \EFruleeuro{110}{80}{72}{0.04ex}{0.27ex}{0ex}{50}
+%\end{verbatim}
+% which is a definite improvement but far from perfect. This is because
+% the italic C in this fount is positioned further to the left than
+% expected for reasons which are rather involved. There's no easy
+% and good way to deal with this without adding yet another parameter to
+% the \comname{EFruleeuro} command, which I decided wasn't justified. In
+% the case of Bitstream Optima, you might prefer the results you get
+% with a slant correction factor of 25\% or perhaps even 0\%.
+%
+% A final note: in an attempt to reduce the Byzantine complexity of the
+% \comname{EFruleeuro} command to manageable levels, I have assumed that
+% the cross-strokes do not extend beyond the right-hand limit of the
+% letter `C' which they're printed over. This shouldn't cause any
+% problems unless you do something strange.
+%
+% \subsubsection[\comname{mediumruleeuronorm}]
+% {\comname{mediumruleeuronorm}\comarg{lift}\comarg{slant corr}}
+% \label{sec:howitworks:mediumruleeuronorm}
+%
+% This command uses the \comname{SelectOnWeight} command (see
+% section~\vref{sec:howitworks:selectonweight}) to print a faked euro
+% symbol intended to match a medium weight fount family like Times:
+% thicker rules are used for bolder founts in the family, and thinner
+% rules are used for lighter founts in the family. The two rules drawn
+% across the C have slightly different lengths, approximately the same
+% as in the official euro symbol.
+%
+% \comname{mediumruleeuronorm} takes two arguments: the first, the
+% length \comarg{lift}, raises the cross-stroke rules by the specified
+% amount from their default position half way up the `C'; and the
+% second, the number \comarg{slant corr}, is interpreted as the
+% percentage by which the specified slant of the current fount is
+% multiplied before calculating the horizontal position of the
+% cross-strokes. See the explanation of \comname{EFruleeuro} in
+% section~\vref{sec:howitworks:EFruleeuro} for a fuller description of
+% these parameters with examples.
+%
+% \subsubsection[\comname{mediumruleeuronoslant}]
+% {\comname{mediumruleeuronoslant}\comarg{lift}\comarg{slant corr}}
+% \label{sec:howitworks:mediumruleeuronoslant}
+%
+% This command uses the \comname{SelectOnWeight} command (see
+% section~\vref{sec:howitworks:selectonweight}) to print a faked euro
+% symbol intended to match a medium weight fount family like Times:
+% thicker rules are used for bolder founts in the family, and thinner
+% rules are used for lighter founts in the family. The two rules drawn
+% across the C have the same length.
+%
+% \comname{mediumruleeuronoslant} takes two arguments: the first, the
+% length \comarg{lift}, raises the cross-stroke rules by the specified
+% amount from their default position half way up the `C'; and the
+% second, the number \comarg{slant corr}, is interpreted as the
+% percentage by which the specified slant of the current fount is
+% multiplied before calculating the horizontal position of the
+% cross-strokes. See the explanation of \comname{EFruleeuro} in
+% section~\vref{sec:howitworks:EFruleeuro} for a fuller description of
+% these parameters with examples.
+%
+% \subsubsection[\comname{mediumruleeurobigslant}]
+% {\comname{mediumruleeurobigslant}\comarg{lift}\comarg{slant corr}}
+% \label{sec:howitworks:mediumruleeurobigslant}
+%
+% This command uses the \comname{SelectOnWeight} command (see
+% section~\vref{sec:howitworks:selectonweight}) to print a faked euro
+% symbol intended to match a medium weight fount family like Times:
+% heavier rules are used for bolder founts in the family, and lighter
+% rules are used for lighter founts in the family. The two rules drawn
+% across the C have quite different lengths, following the example of
+% the China2e euro symbol.
+%
+% \comname{mediumruleeurobigslant}takes two arguments: the first, the
+% length \comarg{lift}, raises the cross-stroke rules by the specified
+% amount from their default position half way up the `C'; and the
+% second, the number \comarg{slant corr}, is interpreted as the
+% percentage by which the specified slant of the current fount is
+% multiplied before calculating the horizontal position of the
+% cross-strokes. See the explanation of \comname{EFruleeuro} in
+% section~\vref{sec:howitworks:EFruleeuro} for a fuller description of
+% these parameters with examples.
+%
+% \subsubsection[\comname{lightruleeuronorm}]
+% {\comname{lightruleeuronorm}\comarg{lift}\comarg{slant corr}}
+% \label{sec:howitworks:lightruleeuronorm}
+%
+% This command behaves the same as \comname{mediumruleeuronorm} (see
+% section~\vref{sec:howitworks:mediumruleeuronorm}), but uses lighter
+% rules meant to match a fount family like Computer Modern Roman.
+%
+% \subsubsection[\comname{lightruleeuronoslant}]
+% {\comname{lightruleeuronoslant}\comarg{lift}\comarg{slant corr}}
+% \label{sec:howitworks:lightruleeuronoslant}
+%
+% This command behaves the same as \comname{mediumruleeuronoslant} (see
+% section~\vref{sec:howitworks:mediumruleeuronoslant}), but uses lighter rules
+% meant to match a fount family like Computer Modern Roman.
+%
+% \subsubsection[\comname{lightruleeurobigslant}]
+% {\comname{lightruleeurobigslant}\comarg{lift}\comarg{slant corr}}
+% \label{sec:howitworks:lightruleeurobigslant}
+%
+% This command behaves the same as \comname{mediumruleeurobigslant} (see
+% section~\vref{sec:howitworks:mediumruleeurobigslant}), but uses
+% lighter rules meant to match a fount family like Computer Modern
+% Roman.
+%
+% \subsubsection[\comname{heavyruleeuronorm}]
+% {\comname{heavyruleeuronorm}\comarg{lift}\comarg{slant corr}}
+% \label{sec:howitworks:heavyruleeuronorm}
+%
+% This command behaves the same as \comname{mediumruleeuronorm} (see
+% section~\vref{sec:howitworks:mediumruleeuronorm}), but uses heavier
+% rules that aren't likely to match anything but a few display founts.
+%
+% \subsubsection[\comname{heavyruleeuronoslant}]
+% {\comname{heavyruleeuronoslant}\comarg{lift}\comarg{slant corr}}
+% \label{sec:howitworks:heavyruleeuronoslant}
+%
+% This command behaves the same as \comname{mediumruleeuronoslant} (see
+% section~\vref{sec:howitworks:mediumruleeuronoslant}), but uses heavier
+% rules that aren't likely to match anything but a few display founts.
+%
+% \subsubsection[\comname{heavyruleeurobigslant}]
+% {\comname{heavyruleeurobigslant}\comarg{lift}\comarg{slant corr}}
+% \label{sec:howitworks:heavyruleeurobigslant}
+%
+% This command behaves the same as \comname{mediumruleeurobigslant} (see
+% section~\vref{sec:howitworks:mediumruleeurobigslant}), but uses
+% heavier rules that aren't likely to match anything but a few display
+% founts.
+%
+% \subsection{Other supporting commands}
+%
+% \subsubsection{\comname{showfontfamily}}
+% \label{sec:howitworks:showfontfamily}
+%
+% This command displays the current fount family name on the console,
+% and also notes the same information in the log file. It's meant to
+% be used if you're configuring \packname{eurofont}, but aren't sure
+% what a particular fount family name is.
+%
+% If you don't know what a fount family name is in \LaTeX, have a look
+% at section~\vref{sec:fountfamilies}.
+%
+% \subsubsection[\comname{SelectOnWeight}]
+% {\comname{SelectOnWeight}
+% \comarg{light}\comarg{medium}\comarg{bold}\comarg{ultrabold}}
+% \label{sec:howitworks:selectonweight}
+%
+% This command takes four arguments: the first is executed if the
+% current fount series is listed in \comname{lightserieslist}; the
+% second if the current fount series is in the
+% \comname{mediumserieslist}; the third if it's in the
+% \comname{boldserieslist}; and the fourth if it's in the
+% \comname{ultraboldserieslist}. If the current fount series isn't
+% listed in any of these lists, the second argument (used for medium
+% weight founts) is executed.
+%
+% A typical use of \comname{SelectOnWeight} is this:
+%\begin{verbatim}
+% \newcommand{\mediumruleeuronorm}[2]{%
+% \SelectOnWeight%
+% {\EFruleeuro{110}{80}{72}{0.04ex}{0.27ex}{#1}{#2}}% light
+% {\EFruleeuro{110}{80}{72}{0.07ex}{0.27ex}{#1}{#2}}% medium
+% {\EFruleeuro{110}{80}{72}{0.14ex}{0.27ex}{#1}{#2}}% bold
+% {\EFruleeuro{110}{80}{72}{0.18ex}{0.27ex}{#1}{#2}}% ultra bold
+% }
+%\end{verbatim}
+% This defines the \comname{mediumruleeuro} command so that it'll print
+% one of four different faked euro symbols, depending on the weight of the
+% current fount: lighter weight founts get a euro symbol faked with lighter
+% rules; the heavier the fount, the heavier the rules. If the fount
+% series isn't in any of the lists, you get the rules used for the medium
+% weight series.
+%
+% Section~\vref{sec:config} shows what's in the four different
+% \comname{EF...serieslist} commands by default.
+%
+% \subsubsection[\comname{EFaddtolist}]
+% {\comname{EFaddtolist}\comarg{list name}\comarg{items to add}}
+% \label{sec:howitworks:EFaddtolist}
+%
+% This command takes two arguments: the first argument is the name of a
+% list (which must have already been defined as a \TeX\ command), and
+% the second argument is a comma delimited list of items to add to the
+% list. For example:
+%\begin{verbatim}
+% \EFaddtolist{\sanslist}{pag,phv,psy,pzd}
+%\end{verbatim}
+% adds four items to the list called \comname{sanslist}. The list ends
+% up containing the given items with a special delimiter to make it
+% easier to examine the list using \TeX\ code. A check is made to ensure
+% that each item is unique: if you tried to put (say) \lfntname{ptm}
+% (Adobe Times) onto the list twice, you'd only end up with one instance
+% of \lfntname{ptm} in the list. No warnings are made when this happens.
+%
+% \subsubsection[\comname{EFiftexteuroexists}]
+% {\comname{EFiftexteuroexists}\comarg{if true}\comarg{if false}}
+% \label{sec:howitworks:EFiftexteuroexists}
+%
+% This command takes two arguments. It's used by \comname{maketexteuro}
+% and \comname{cmeuro} like this:
+%\begin{verbatim}
+% \EFiftexteuroexists{\texteuro}{\makefakeeuro}}
+%\end{verbatim}
+% What happens is that three tests are made: if the current fount family
+% is not listed in the \comname{faketexteurolist}, the
+% \comname{texteuro} command exists, and a TS1 encoded \filename{fd} file
+% exists for the current fount family, then the first argument is
+% executed (\comname{texteuro} in this example). If any of these tests
+% fails, then the second argument (\comname{makefakeeuro} in this
+% example) is executed.
+%
+% The idea is that if there's a good chance that the \comname{texteuro}
+% command will print something useful, then the first argument is
+% executed; the second argument is executed otherwise.
+%
+% The \comname{texteuro} command is defined by the standard
+% \LaTeX\ \packname{textcomp} package which \packname{eurofont} tries to
+% load by default. The TS1 encoded \filename{fd} file searched for is
+% \filename{ts1<fam>.fd}, where |<fam>| is the name of the current fount
+% family.
+% \subsubsection[\comname{EF@pmb}]{\comname{EF@pmb}\comarg{text}}
+% \label{sec:howitworks:EFpmb}
+% This command, not meant to be used in documents, is one of the two
+% commands the \packname{eurofont} package uses to print faked bold
+% characters. What it does is print six copies of its argument, each
+% copy offset from the others by a small amount in a hexagonal
+% arrangement. The other command to do this job, \comname{EF@pmsb}, is
+% identical except that it uses a slightly smaller vertical offset to
+% produce better results with the Marvosym euro symbols.
+%
+% This fakery is no substitute for a real bold symbol, but it's much
+% better than the `poor man's bold' used in the TeXbook and the standard
+% \LaTeX\ \packname{bm} package. The \packname{eurofont} package's
+% \comname{EF@pmb} command produces tolerable results over the full
+% range I've tested it: sizes from 5\,pt to 90\,pt; whereas the
+% alternative three copy poor man's bold doesn't work at all well at
+% large sizes. Thanks are due to Donald Arseneau for suggesting a six
+% copy method.
+%
+% If you're interested, the actual code can be found in
+% section~\vref{sec:code:EFpmb}.
+%
+% \StopEventually{}
+%
+%\iffalse
+%
+% 1999/01/30 v1.1.3 Made \EFeuro (and hence \euro) robust. Added note
+% about dvips v5.83 being able to partially download Adobe's
+% eurofonts correctly. Changed backslash printing in \comname.
+% 1999/01/18 v1.1.2 Corrected a trivial literal error. Unreleased.
+% 1998/11/14 v1.1.1 Corrected \ttrb command.
+% 1998/11/10 v1.1 Congratulations to "Walter Schmidt" <wschmi@ibm.net>
+% for reporting the first bug *and* telling me how to fix it: say
+% Marvosym not marvosym in dvips map file entries. Done this,
+% and made some very minor documentation mods.
+% 1998/11/03 v1.0 <gulp> This is it... Minor doc changes, commented
+% out some typeouts, and off we go (maybe).
+% 1998/11/03 v0.32beta more documentation changes. Sorted out some of
+% the readmes.
+% 1998/10/31 v0.31beta Spooky, eh? Changed the \fake...euro commands
+% to have two option arguments (thanks to Heiko Oberdiek
+% <oberdiek@ruf.uni-freiburg.de> for the method). Documentation
+% mods to match the code mods. Clobbered some extra spaces that
+% had crept in somehow
+% 1998/10/30 v0.30beta Some documentation changes again - dealing with
+% slantfudge. The washing machine has changed colour.
+% 1998/10/29 v0.29beta I've got a (silver) washing machine, and I'm
+% still feeling mean. Changed \EFruleeuro to include
+% slantfudge.
+% 1998/10/28 v0.28beta More documentation changes. Fixed
+% \makeusereuro bug. Added \EF@pmsb command for Marvosym euro
+% symbols. Added \f@family etc to \EFeuro debugrep.
+% 1998/10/22 v0.27beta More documentation changes. Getting there...
+% Modified \showfontfamily message. Added \comarg and \comoptarg;
+% modified \comname.
+% 1998/10/21 v0.26beta More documentation changes; added note to
+% dvidrive.txt about dvips fix. Does anybody want to buy a
+% Starfighter?
+% 1998/10/19 v0.25beta Added a documentation note about LaTeX
+% versions - why did it take me so long to spot the need for
+% this?
+% 1998/10/17 v0.24beta Added \EF@fakeeurobase to replace literal `C'
+% in fake euro code. \EFeuro now \providecommanded. Brought
+% config file replacement in eurofont.sty into line with current
+% eurofont.cfg; did something similar with driver section.
+% Dealt with overfull \hboxes one way or another, and documented
+% the overfullness and cheating in the code section.
+% 1998/10/16 v0.23beta More documentation mods; fiddled with pmb
+% code; fiddled with heavyruleeuros; fiddled with normruleeuro
+% slant
+% 1998/10/15 v0.22beta Did a spelling check :-) More documentation
+% changes.
+% 1998/10/14 v0.21beta More documentation changes.
+% 1998/10/13 v0.20beta More documentation. The end is in sight.
+% 1998/10/12 v0.19beta More documentation. Is there never going to be
+% an end to all this? Added a test for china2e.sty to the
+% \chinaeeuro command.
+% 1998/10/06 v0.18beta More documentation. Tidied up some redundant
+% comments and code. Improved bold faking. Swapped some \defs
+% for \providecommands. Swapped debug reports around in
+% \SelectOnWeight
+% 1998/10/04 v0.17beta Yet more bloody documentation. Added
+% fixtieaccent and nofixtieaccent options.
+% 1998/10/03 v0.16beta More documentation. Modified \EFruleeuro and
+% \EF@crosstrokes: they both now take C depth into account.
+% 1998/10/01 v0.15beta Yet more documentation; \EF@crosstrokes now
+% staggers the rules if the fount slants. My head hurts. Why is
+% arithmetic in TeX such a pain, Dr Knuth?
+% 1998/09/30 v0.14beta More documentation; added psy and pzd to
+% seriflist
+% 1998/09/29 v0.13beta More documentation; replaced cmr/ss/tteuro
+% lists with single cmeuro list.
+% 1998/09/28 v0.12beta changed \notexteuro to \faketexteuro; more
+% documentation; got rid of \let\ESeuro at end; made textcomp
+% loading optional; re-named \rightappenditem->\EF@rightappenditem.
+% 1998/09/24 v0.11beta corrected \makesansesuro typo; added
+% optargs to \fake...euro commands; modified ruleeuro commands.
+% My brain hurts.
+% 1998/09/24 v0.10beta Added \typeouts announcing beta status
+% 1998/09/23 v0.9beta Changed values for ultrabold fakemedium and
+% fakeheavy, and added \nobreaks to \euros commands
+% 1998/09/22 v0.8beta Played about with faking code some more: added
+% heavy stuff, and stuff for variant rules in fake euros
+% controlled by options. Removed the odd bug. Added debugreport
+% option and code. Changed behaviour of eurosym option: almost
+% all \makeeuro commands are now affected.
+% 1998/09/17 v0.7beta Changed docs; made more \make... commands;
+% 1998/09/12 v0.6beta Changed code docs; made \@ruleeuro->\EFruleeuro;
+% added stuff for China2e euro; dropped \EUR and made \euros instead
+% 1998/09/10 v0.5beta Added \notexteurolist and modified \texteuro
+% stuff: new test. Modifed \EFruleeuro to have different length
+% cross-strokes.
+% 1998/09/09 v0.4beta Added eurosym stuff; modified faking stuff
+% (added four different weight lists, added support for
+% \<fam>fakeeuro, and changed other bits too but my brain hurts
+% now); added support for <fam>euro. Changed \cmreuro (etc) to
+% \makecmreuro. Added some \AtBeginDocument stuff so \euro is
+% always eurofont's \euro when eurosym is loaded; \EFeuro is
+% defined here, and \let\euro\EFeuro \AtBeginDocument does the
+% job. eurosym's \euro is (also) saved if needed:
+% \let\ESeuro\euro.
+% 1998/09/07 v0.3beta Added cfg file, eurosym options, and some more docs.
+% 1998/09/07 v0.2beta First attempt to keep track of changes; added ui
+% stuff to marvosym fd bits and farmed the whole lot out to an fd
+% file. Improved \EF@pmb a bit. Added the start of the
+% documentation and doc/docstrip-isation. Corrected an incredibly
+% stupid fd file mistake. Changed some \defs to \providecommands in
+% anticipation of the cfg file.
+% 1998/08/something-1998/09/04 v0.1beta And so it grew...
+%
+%\fi
+%
+% \section{The code itself}
+%
+% To the interested reader: the code below grew rather than being
+% designed and constructed according to a plan. This is reflected in the
+% curious structure and eccentric comments; the comments were written
+% for the chap who wrote the code, rather than anyone else. There's a
+% fair bit of redundant code left (commented out) and quite a lot of
+% debugging reports and development notes left in -- these are me
+% talking to myself, so don't be worried if you see something
+% inexplicable.
+%
+% One problem with the documented code is that the visual formatting I
+% used means that quite a lot of lines are longer than 72 characters, so
+% they won't fit within the normal width of the text. There are
+% therefore rather a lot of overfull \comname{hboxes} below. I can't see
+% any easy way round this, so I have cheated and set \comname{hfuzz} to
+% a large value to suppress the warnings.
+%
+% Say `hello' to the nice \LaTeX\ program. Who am I, and what do I need?
+% This package might work with any version of \LaTeXe, but I've
+% only tested it with the June 1998 release. For best results, you
+% need the ec founts andthe \packname{textcomp} package (part of recent
+% \LaTeX s).
+%
+%
+% \begin{macrocode}
+\NeedsTeXFormat{LaTeX2e}[1998/06/01]
+\ProvidesPackage{eurofont}[1999/01/30 v1.1.3 A package for using euro
+symbols]
+% \end{macrocode}
+%
+% Get all these defined before loading the config file which might
+% want to use them.
+%
+% \begin{macrocode}
+\def\userlist{}
+\def\texteurolist{}
+\def\chinaelist{}
+\def\cmlist{}
+\def\seriflist{}
+\def\sanslist{}
+\def\monolist{}
+\def\fakemediumlist{}
+\def\fakelightlist{}
+\def\fakeheavylist{}
+\def\faketexteurolist{}
+% begin with list of what's light, medium, bold, and ultra bold
+\def\EFlightserieslist{}
+\def\EFmediumserieslist{}
+\def\EFboldserieslist{}
+\def\EFultraboldserieslist{}
+% \end{macrocode}
+%\begin{macro}{\ifEF@debugreport}
+%\begin{macro}{\EF@debugrep}
+%
+%Flag and command to allow option switching of debugging reports
+%
+% \begin{macrocode}
+\newif\ifEF@debugreport
+\EF@debugreportfalse% Debugging reports off by default
+\def\EF@debugrep#1{\ifEF@debugreport\typeout{eurofont: #1}\fi}
+% \end{macrocode}
+%\end{macro}
+%\end{macro}
+%
+% \subsection{List handling code}
+% Needed by the config file etc., which is why it's here.
+%\begin{verbatim}
+% \EFaddtolist{\listname}{comma delimited list of items to add}
+% \EF@checkiflisted{item}{\listname}
+% this sets \ifEF@listed to true or false
+%\end{verbatim}
+%
+% Code from Stefan Ulrich |<ulrich@cis.uni-muenchen.de>|:
+%
+%\begin{macro}{\EF@checkiflisted}
+% \begin{macrocode}
+\newif\ifEF@listed
+%
+\def\EF@checkiflisted#1#2{% check if element #1 is in list #2
+\EF@listedfalse%
+\edef\thiselem{#1}% changed to edef from def RJMM 1/9/98
+\let\@@elt\@elt% Save \@elt (in case this command is executed
+% somewhere strange)
+\def\@elt##1{\def\testelem{##1}%
+\ifx\thiselem\testelem\EF@listedtrue\fi}%
+#2\let\@elt\@@elt}% execute list and restore \@elt
+% \end{macrocode}
+%\end{macro}
+%
+%\begin{macro}{\EFaddtolist}
+% \begin{macrocode}
+\newcommand{\EFaddtolist}[2]{% #1 = list name;
+% #2 = comma-delimited list of items to add
+% \typeout{elements to add: #2}% debugging code; retain
+% \expandafter%%% this seems redundant
+\EF@addtolist#2,:#1\end}
+% \end{macrocode}
+%\end{macro}
+%
+%
+%\begin{macro}{\EF@addtolist}
+% \begin{macrocode}
+\def\EF@addtolist#1,#2:#3\end{% #3 is the list now
+\def\@tempcmda{#2}%
+\ifx\@tempcmda\@empty%
+ \EF@debugrep{Last elem: #1}\relax% if #2 is empty, do this.
+ \EF@addMember{#1}{#3}% if #2 is empty, do this
+ \else
+ \EF@debugrep{elem: #1}\relax% if #2 is not empty, do this
+ \EF@addMember{#1}{#3}% if #2 is not empty, do this
+% \expandafter%%% this seems redundant
+ \EF@addtolist#2:#3\end\fi}% if #2 is not empty, do this
+% \end{macrocode}
+%\end{macro}
+%
+%
+%\begin{macro}{\EF@addMember}
+% \begin{macrocode}
+\newcommand{\EF@addMember}[2]{%
+ %%% add #1 only if it isn't yet in the list
+ %%% it surely would be more efficient without the check...
+ {\EF@checkiflisted{#1}{#2}\relax% to suppress space
+ \ifEF@listed
+ \EF@debugrep{#1 already in the list}\relax%
+ \else
+ \EF@debugrep{adding #1 to \string #2}\relax%
+ \EF@rightappenditem{#1}{#2}\fi}}
+% \end{macrocode}
+%\end{macro}
+%
+%\begin{macro}{\EF@rightappenditem}
+% \begin{macrocode}
+\newtoks\EF@tokb% token list register for temp use
+\newcommand{\EF@rightappenditem}[2]%
+{\@temptokena={\@elt{#1}}\EF@tokb=\expandafter{#2}%
+\xdef#2{\the\EF@tokb\the\@temptokena}}% change the list globally
+% \end{macrocode}
+%\end{macro}
+%
+% End Stefan's bit
+%
+% \subsection{Options}
+%
+% Some options: select between Adobe's Eurofonts (typographically
+% better) or the Marvosym fount for |\serifeuro|, |\sanseuro|, and |\monoeuro|.
+%
+% \begin{macrocode}
+\newif\ifEF@marvosym\EF@marvosymfalse% Adobe Eurofonts by default
+\newif\ifEF@eurosym\EF@eurosymfalse% Don't use eurosym by default
+\newif\ifEF@textcomp\EF@textcomptrue% Load the textcomp package if
+% possible (by default)
+\newif\ifEF@fixtieaccent\EF@fixtieaccentfalse% Don't re-define tie
+% accent by default
+%
+\DeclareOption{marvosym} {\EF@marvosymtrue}
+\DeclareOption{adobeeurofonts}{\EF@marvosymfalse}
+%
+\DeclareOption{eurosym} {\EF@eurosymtrue}
+\DeclareOption{noeurosym}{\EF@eurosymfalse}
+%
+\DeclareOption{debugreport}{\EF@debugreporttrue}
+\DeclareOption{nodebugreport}{\EF@debugreportfalse}
+%
+\DeclareOption{notextcomp}{\EF@textcompfalse}
+\DeclareOption{textcomp}{\EF@textcomptrue}
+%
+\DeclareOption{fixtieaccent}{\EF@fixtieaccenttrue}
+\DeclareOption{nofixtieaccent}{\EF@fixtieaccentfalse}
+% \end{macrocode}
+%
+%\begin{macro}{\fakelighteuro}
+%\begin{macro}{\fakemediumeuro}
+%\begin{macro}{\fakeheavyeuro}
+%
+% These commands were defined in the options: they're used by
+% \comname{makefake\-mediumeuro}, \comname{makefakelighteuro}, and
+% \comname{makefakeheavyeuro} commands later on.
+%
+% They all take two optional arguments:
+%\begin{verbatim}
+% \fake...euro[lift][slant correction factor%]
+%\end{verbatim}
+% The first argument is a normal dimension; the second is a
+% percentage. Default values are 0\,pt and 100 respectively. The
+% lift is the amount by which the cross-strokes are raised above the
+% nominal vertical centre line of the C; the slant correction factor is
+% the factor by which the nominal slant of an italic or oblique C is
+% multiplied by before working out where to put the cross-strokes.
+% Some founts have metrics that disagree with reality quite wildly in
+% terms of the specified italic angle. If the cross-strokes are too
+% far to the right in the case of slanted versions of a fake euro, this
+% second optional argument should be set to something less than 100 (50
+% or 25 are good values to try to begin with); if the cross-strokes are
+% too far to the left, this second optional argument should be set to
+% something more than 100 to begin with (200 is a good value to try to
+% begin with).
+%{\hfuzz=10.0376pt
+% \begin{macrocode}
+\newcommand*{\fakelighteuro}[1][0ex]{\def\EF@tmprlift{#1}\@fakelighteuro}
+\newcommand*{\fakemediumeuro}[1][0ex]{\def\EF@tmprlift{#1}\@fakemediumeuro}
+\newcommand*{\fakeheavyeuro}[1][0ex]{\def\EF@tmprlift{#1}\@fakeheavyeuro}
+% \end{macrocode}
+%}
+%\end{macro}
+%\end{macro}
+%\end{macro}
+%
+%
+%\begin{macro}{\@fakelighteuro}
+%\begin{macro}{\@fakemediumeuro}
+%\begin{macro}{\@fakeheavyeuro}
+% These commands are the ones that change depending on which sort
+% of slant you want on the rules; it's done like this so you can
+% effectively have two optional arguments for the \comname{fake...euro}
+% commands, which is awkward to arrange using \comname{newcommand}.
+% These commands are meant to be called only from the three
+% \comname{fake...euro} commands above.
+% \begin{macrocode}
+\DeclareOption{noslantfakeeuro} {%
+ \def\EF@fakeslant{0}% in case anyone's interested
+ \newcommand*{\@fakemediumeuro}[1][100]
+ {\mediumruleeuronoslant{\EF@tmprlift}{#1}}
+ \newcommand*{\@fakelighteuro}[1][100]
+ {\lightruleeuronoslant{\EF@tmprlift}{#1}}
+ \newcommand*{\@fakeheavyeuro}[1][100]
+ {\heavyruleeuronoslant{\EF@tmprlift}{#1}}}
+\DeclareOption{normalslantfakeeuro} {%
+ \def\EF@fakeslant{1}% in case anyone's interested
+ \newcommand*{\@fakemediumeuro}[1][100]
+ {\mediumruleeuronorm{\EF@tmprlift}{#1}}
+ \newcommand*{\@fakelighteuro}[1][100]
+ {\lightruleeuronorm{\EF@tmprlift}{#1}}
+ \newcommand*{\@fakeheavyeuro}[1][100]
+ {\heavyruleeuronorm{\EF@tmprlift}{#1}}}
+\DeclareOption{bigslantfakeeuro} {%
+ \def\EF@fakeslant{2}% in case anyone's interested
+ \newcommand*{\@fakemediumeuro}[1][100]
+ {\mediumruleeurobigslant{\EF@tmprlift}{#1}}
+ \newcommand*{\@fakelighteuro}[1][100]
+ {\lightruleeurobigslant{\EF@tmprlift}{#1}}
+ \newcommand*{\@fakeheavyeuro}[1][100]
+ {\heavyruleeurobigslant{\EF@tmprlift}{#1}}}
+% \end{macrocode}
+%\end{macro}
+%\end{macro}
+%\end{macro}
+%
+% The |\euros| command was more-or-less stolen from eurosym.sty:
+% The Euro Symbol Package for \LaTeX\ by
+% Henrik Theiling |<theiling@coli.uni-sb.de>|,
+%\begin{verbatim}
+% http://www.coli.uni-sb.de/~theiling
+% \ProvidesPackage{eurosymbol}
+% [1998/08/06 v1.1 European currency symbol ``Euro'']
+%\end{verbatim}
+% {\hfuzz=19.48749pt
+% \begin{macrocode}
+\DeclareOption{left}{\PassOptionsToPackage{left}{eurosym}%
+\DeclareRobustCommand{\euros}[1]{\euro\nobreak\,#1}}
+\DeclareOption{right}{\PassOptionsToPackage{right}{eurosym}%
+\DeclareRobustCommand{\euros}[1]{#1\nobreak\,\euro}}
+\DeclareOption{official}{\PassOptionsToPackage{official}{eurosym}}
+\DeclareOption{gen}{\PassOptionsToPackage{gen}{eurosym}}
+\DeclareOption{gennarrow}{\PassOptionsToPackage{gennarrow}{eurosym}}
+\DeclareOption{genwide}{\PassOptionsToPackage{genwide}{eurosym}}
+%
+\ExecuteOptions{adobeeurofonts}% Use Adobe's Eurofonts by default
+\ExecuteOptions{noeurosym}% Don't use eurosym by default
+\ExecuteOptions{left}% Euro symbol on left by default
+\ExecuteOptions{normalslantfakeeuro}% Fake euros with slight slant by default
+\ExecuteOptions{nodebugreport}% No debugging reports by default
+\ExecuteOptions{textcomp}% Load the textcomp package by default
+\ExecuteOptions{nofixtieaccent}% Don't re-define the tie accent by
+% default
+% \end{macrocode}
+%}
+%
+% \begin{macrocode}
+\InputIfFileExists{eurofont.cfg}{}%
+{\PackageWarningNoLine{eurofont}%
+{I can't find the eurofont.cfg configuration file.\MessageBreak
+Perhaps something is wrong with this installation?\MessageBreak
+The \protect\euro\space command will work with default settings}%
+\EFaddtolist{\userlist}{}
+\EFaddtolist{\texteurolist}{}
+\EFaddtolist{\chinaelist}{}
+\EFaddtolist{\cmlist}{cmr,cmss,cmtt}
+\EFaddtolist{\seriflist}{pbk,pnc,ppl,ptm,put}
+\EFaddtolist{\sanslist}{pag,phv,psy,pzd}
+\EFaddtolist{\monolist}{pcr}
+\EFaddtolist{\fakemediumlist}{pzc}
+\EFaddtolist{\fakelightlist}{}
+\EFaddtolist{\fakeheavylist}{}
+%
+\EFaddtolist{\faketexteurolist}{}
+% \end{macrocode}
+% The following lists are used to decide which thickness line should be used
+% for producing faked euro symbols. demibold and semibold are in the
+% medium list because I reckon it's better to have a line that's a
+% touch too light than too heavy.
+% {\hfuzz=10.0376pt
+% \begin{macrocode}
+\EFaddtolist{\EFlightserieslist}{ul,el,l,ulc,elc,lc,ulx,elx,lx}
+\EFaddtolist{\EFmediumserieslist}{m,mb,db,sb,mc,mbc,dbc,sbc,mx,mbx,dbx,sbx}
+\EFaddtolist{\EFboldserieslist}{b,bx,bc}
+\EFaddtolist{\EFultraboldserieslist}{eb,ub,ebc,ubc,ebx,ubx}%
+%
+% And two non-standard series:
+%
+\EFaddtolist{\EFultraboldserieslist}{xb,ebd}
+}
+% \end{macrocode}
+%}
+%
+% Note: the stuff above should include more-or-less everything in the
+% default config file.
+%
+%
+% \begin{macrocode}
+\ProcessOptions
+% \end{macrocode}
+%
+% If requested (as it is by default), load textcomp.sty if it exists;
+% this conditional code and subsequent checking for
+% \filename{textcomp.sty} should allow eurofont.sty to work with old or
+% OT1-only \LaTeX s.
+%
+%{\hfuzz=0.5877pt
+% \begin{macrocode}
+\ifEF@textcomp\IfFileExists{textcomp.sty}{\RequirePackage{textcomp}}{}\fi
+% \end{macrocode}
+%}
+%
+% If the textcomp package is going to be loaded, it'll be loaded by
+% now, so now is the time to re-define the tie accent (if this has been
+% asked for):
+% \begin{macrocode}
+\ifEF@fixtieaccent \DeclareTextAccentDefault{\t}{OML}\fi
+% \end{macrocode}
+%
+% \begin{macrocode}
+\ifEF@eurosym%
+% \end{macrocode}
+% even if eurosym can't be loaded, ensure that some sort of euro is
+% printed:
+% \begin{macrocode}
+\def\euro{\makefakeeuro}
+% \end{macrocode}
+% Load eurosym if asked and if possible
+% \begin{macrocode}
+\IfFileExists{eurosym.sty}{\RequirePackage{eurosym}}{%
+\PackageError{eurofont}{I can't find the eurosym package}%
+{You've used the eurosym option; this requires the eurosym package
+which doesn't appear to be installed}}%
+% \end{macrocode}
+% Save eurosym's |\euro| as |\ESeuro|; if eurosym couldn't be
+% loaded, |\euro| is still defined as |\makefakeeuro| (see above), so a
+% sort of |\euro| symbol will be printed
+% \begin{macrocode}
+\let\ESeuro\euro
+\fi
+% \end{macrocode}
+%
+% \subsection{A spare command or more?}
+%
+% \begin{macro}{\showfontfamily}
+% \begin{macrocode}
+\newcommand{\showfontfamily}{
+\typeout{**********************************}
+\typeout{* \protect\showfontfamily:
+ \space\space\space\space\space\space
+ \space\space\space\space\space\space
+ \space\space\space*}
+\typeout{*\space\space\space\space\space\space
+ \space\space\space\space\space\space
+ \space\space\space\space\space\space
+ \space\space\space\space\space\space
+ \space\space\space\space\space\space
+ \space\space\space*}
+\typeout{* The current font family is: \f@family\space *}
+\typeout{*\space\space\space\space\space\space
+ \space\space\space\space\space\space
+ \space\space\space\space\space\space
+ \space\space\space\space\space\space
+ \space\space\space\space\space\space
+ \space\space\space*}
+\typeout{***********************************}
+}
+% \end{macrocode}
+% \end{macro}
+%
+%
+% \subsection{Code to fudge a euro if needed}
+%
+% The author commands to generate faked euro symbols now select one of four
+% weights of cross-stroke to match light, medium, bold, and ultrabold.
+% This should do.
+%
+%\begin{macro}{\EF@crossstrokes}
+%
+% Arguments as noted; this is the command that draws the horizontal
+% strokes for a fake euro symbol.
+% \hfuzz=14.76254pt
+% \begin{macrocode}
+\def\EF@crossstrokes#1#2#3#4#5#6#7#8#9{%
+% #1 = width of C
+% #2 = height of C
+% #3 = depth of C
+% #4 = back shift as percentage of #1
+% #5 = strokelen as percentage of #1
+% #6 = strokelen of bottom rule as percentage of #1
+% #7 = thickness of cross-strokes
+% #8 = centre line spacing of cross-strokes
+% #9 = extra rule lift
+% Need to lift cross strokes by 1/2 (height C - height cross-strokes)
+%
+% N.B. slanted founts are an interesting thingy.
+% The metrics often lie about the slant, so \EF@slantcorr is a
+% percentage to multiply the slant/point figure from the tfm file by.
+% Start out by ensuring that it exists:
+\@ifundefined{EF@slantcorr}{\def\EF@slantcorr{100}}{}%
+% \fontdimen1 is slant per point (in points).
+\@tempdima=#8%
+% \typeout{rule spacing = \the\@tempdima}%
+\@tempdima=\fontdimen1\font%
+% \typeout{slant per point = \the\@tempdima}%
+% now apply fudge factor:
+\@tempdima=0.1\@tempdima%
+\@tempdima=\EF@slantcorr\@tempdima%
+\@tempdima=0.1\@tempdima%
+% (the eccentric multiplication is to reduce rounding error and
+% reduce the risk of the dimen getting too big)
+\edef\@tempcmda{\strip@pt\@tempdima}%
+% \typeout{fudged slant per point/points = \@tempcmda}%
+% \@tempdima=#1%
+\@tempdima=#2% Changed from width #1 to height #2
+\@tempdima=\@tempcmda\@tempdima%
+% \typeout{Width of C = #1}%
+% \typeout{Height of C = #2}%
+% \typeout{slant in points (for C) = \the\@tempdima}%
+\@tempdima=0.5\@tempdima%
+% \typeout{half slant in points (for C) = \the\@tempdima}%
+% % now apply fudge factor:
+% \@tempdima=0.1\@tempdima%
+% \@tempdima=\EF@slantcorr\@tempdima%
+% \@tempdima=0.1\@tempdima%
+% % (the eccentric multiplication is to reduce rounding error and
+% % reduce the risk of the dimen getting too big)
+\edef\EF@slantC{\the\@tempdima}%
+% \typeout{final half slant in points (for C) = \EF@slantC}%
+%
+% \EF@slantC is now 1/2 the slant of a C;
+% need this for shifting back and forth
+%
+% Now calculate horizontal offset between rules
+% \@tempcmda is still the fudged slant per point/points, so...
+\@tempdimb=#8% centre line spacing of rules
+\@tempdimb=\@tempcmda\@tempdimb%
+\@tempdimb=0.5\@tempdimb%
+\edef\EF@rulehoffset{\the\@tempdimb}%
+%
+% below is the old, mad, and incorrect (?) calc
+%
+% \begin{madness}
+%
+% \@tempdima=#2
+% \@tempdima=100\@tempdima
+% \advance\@tempdima by0.5pt\@settopoint\@tempdima
+% \edef\@tempcmda{\strip@pt\@tempdima}%
+% \@tempdima=100pt%
+% \divide\@tempdima by\@tempcmda%
+% \edef\@tempcmda{\strip@pt\@tempdima}%
+% \@tempdima=#8%
+% \@tempdima=\@tempcmda\@tempdima%
+% \@tempdimb=\EF@slantC%
+% \@tempdimb=2\@tempdimb% since \EF@slantC is actually 1/2 slantC
+% \edef\@tempcmda{\strip@pt\@tempdimb}%
+% \@tempdima=\@tempcmda\@tempdima%
+% \@tempdima=0.5\@tempdima%
+% %
+% \edef\EF@rulehoffset{\the\@tempdima}%
+%
+% \end{madness}
+%
+% \typeout{\protect\EF@rulehoffset\space = \EF@rulehoffset}%
+%
+% \EF@ruleoffset is now 1/2 the horizontal offset between rules;
+% need this for shifting back and forth even more.
+%
+\@tempdima=#1% \
+\@tempdima=0.01\@tempdima% \
+\@tempdima=#4\@tempdima% } move back to add cross-strokes
+\kern-\@tempdima% /
+\kern\EF@slantC% / Slant correction forward for italic
+% lift = (height C - depth C - rule gap - rule thickness)/2 + offset
+% Note that `rule gap' is the distance between the centre lines of
+% the rules, not the gap between them
+\@tempdima=#2% \
+\advance\@tempdima by-#3% \
+\advance\@tempdima by-#8% \ calc lift of cross-strokes
+\advance\@tempdima by-#7% /
+\@tempdima=0.5\@tempdima% /
+\advance\@tempdima by#9% /
+% 0.17ex was 1/2 height c/s; height 0.07ex; spacing 0.2ex
+\@tempdimc=#8% \ calc cross-stroke spacing
+\advance\@tempdimc by-#7% /
+\raisebox{\@tempdima}{%
+\vbox{% \
+\@tempdimb=#1% \ \
+\@tempdimb=0.01\@tempdimb% } calc width of cross-stroke
+\@tempdimb=#5\@tempdimb% / \
+\hbox{\kern\EF@rulehoffset% \ top rule
+\vbox{\hrule width\@tempdimb height#7}}% \
+\nointerlineskip% } draw cross-strokes
+\vskip\@tempdimc% / (using \@tempdima/b/c from above)
+\@tempdimb=#1% \ /
+\@tempdimb=0.01\@tempdimb% } calc width of cross-stroke
+\@tempdimb=#6\@tempdimb% / /
+\hbox{\kern-\EF@rulehoffset% /
+\vbox{\hrule width\@tempdimb height#7}}}}% bottom rule
+\@tempcnta=#4% \
+\advance\@tempcnta by-#5% (aha!) \
+\@tempdima=#1% \
+\@tempdima=0.01\@tempdima% \ move forward to end of C
+\@tempdima=\@tempcnta\@tempdima% /
+\kern\@tempdima% /
+% shift by slant amount /
+\kern-\EF@slantC% / slant correction
+}
+%
+% \end{macrocode}
+%\end{macro}
+%\begin{macro}{\EF@fakeeurobase}
+% This command contains the letter that's used as the base to fake a
+% euro symbol -- it's used by the \comname{EFruleeuro} command.
+% \begin{macrocode}
+\providecommand\EF@fakeeurobase{C}
+% \end{macrocode}
+% \end{macro}
+%
+%\begin{macro}{\EFruleeuro}
+% The internal command to generate faked euro symbols; meant to be used in
+% config files and things if the user wants to create new sorts of fake
+% euro symbols.
+% \begin{macrocode}
+\def\EFruleeuro#1#2#3#4#5#6#7{{% Confine defs to \EFruleeuro
+% #1 = percentage of width of C that back shift of
+% rules is; 110 usually
+% #2 = percentage of width of C that width of
+% top rules is
+% #3 = percentage of width of C that width of
+% bottom rule is
+% #4 = rule thickness (dimen)
+% #5 = rule spacing (dimen)
+% #6 = extra rule lift (dimen)
+% #7 = slant fudge factor (percentage); this is used to
+% scale the slant per point dimension from the tfm
+% file; it's often wrong in terms of the C glyph
+\settowidth{\@tempdima}{\EF@fakeeurobase}%
+\settoheight{\@tempdimb}{\EF@fakeeurobase}%
+\settodepth{\@tempdimc}{\EF@fakeeurobase}%
+\edef\EF@Cwidth{\the\@tempdima}%
+\edef\EF@Cheight{\the\@tempdimb}%
+\edef\EF@Cdepth{\the\@tempdimc}%
+\advance\@tempdimb by\@tempdimc%
+% \edef\totalCheight{\the\@tempdimb}%\totalCheight is height+depth of C
+% \typeout{\protect\EF@Cwidth\space = \EF@Cwidth}%
+% \typeout{\protect\EF@Cheight\space = \EF@Cheight}%
+% \typeout{\protect\EF@Cdepth\space = \EF@Cdepth}%
+% First job: deal with slant fudge
+\def\EF@slantcorr{#7}%
+\ifx\EF@slantcorr\@empty\def\EF@slantcorr{100}\fi%
+% Ensure that \EF@slantcorr is 100 (%) if not specified. This
+% parameter is used by \EF@crossstrokes
+\def\EF@backshift{#1}% percentage of \EF@Cwidth that back shift is
+\@tempdimb=0.01\@tempdima% swapped these two lines;
+\@tempdimb=\EF@backshift\@tempdimb% dimen can get too big otherwise
+% \@tempdimb now = length of shift back to add cross-strokes
+% Note that this ignores the italic corrections. Is this right?
+% (ignoring italic correction seems to be right; but... The
+% introduction of the horizontal offset to the rules might not be
+% right to ignore; it seems suitable in tests, but? Since the amount
+% should always be small, I'll ignore it for now - dealing with it is
+% awkward and the offset *should* help things fit together better.)
+% \@tempdima now = width of C
+% typeset the faked euro
+%
+% Assumption: that the cross-strokes don't extend to the right of the
+% C (allows the width calculations to be a bit simpler than they
+% otherwise would be).
+%
+% \@tempdima = width of C; \@tempdimb = \EF@backshift x width of C
+% \typeout{\the\@tempdima\space = width of C}%
+% \typeout{\the\@tempdimb\space = \protect\EF@backshift x width of C}%
+% Following line: make box = largest of (\@tempdima,\@tempdimb)
+\ifdim\@tempdimb>\@tempdima\@tempdima=\@tempdimb\fi%
+\makebox[\@tempdima][r]%
+{\EF@fakeeurobase\EF@crossstrokes{\EF@Cwidth}{\EF@Cheight}{\EF@Cdepth}%
+ {\EF@backshift}{#2}{#3}{#4}{#5}{#6}}%
+}}
+% \end{macrocode}
+%\end{macro}
+%
+%\begin{macro}{\SelectOnWeight}
+%
+%\begin{verbatim}
+% if the current fount series:
+% is in the light list, do #1; else
+% if it's in the medium list, do #2; else
+% if it's in the bold list, do #3; else
+% if it's in the ultrabold list, do #4; else
+% do #2
+%\end{verbatim}
+%
+% \begin{macrocode}
+\def\SelectOnWeight#1#2#3#4{%
+\EF@checkiflisted{\f@series}{\EFlightserieslist}%
+\ifEF@listed\EF@debugrep{SelectOnWeight light}#1%
+\else
+\EF@checkiflisted{\f@series}{\EFmediumserieslist}%
+\ifEF@listed\EF@debugrep{SelectOnWeight medium}#2%
+\else
+\EF@checkiflisted{\f@series}{\EFboldserieslist}%
+\ifEF@listed\EF@debugrep{SelectOnWeight bold}#3%
+\else
+\EF@checkiflisted{\f@series}{\EFultraboldserieslist}%
+\ifEF@listed\EF@debugrep{SelectOnWeight ultrabold}#4%
+\else\EF@debugrep{SelectOnWeight default to medium}%
+#2%
+\fi\fi\fi\fi}
+% \end{macrocode}
+%\end{macro}
+%
+%\begin{macro}{\mediumruleeuronorm}
+%\begin{macro}{\mediumruleeuronoslant}
+%\begin{macro}{\mediumruleeurobigslant}
+% This is the standard command for faking a euro symbol. It selects
+% one of four weights of cross-stroke depending on the current fount
+% series.
+%
+% The light and ultra bold weights are fairly arbitrary. \hfuzz=57.28705pt
+%
+% \begin{macrocode}
+\providecommand*{\mediumruleeuronorm}[2]{\EF@debugrep{medium rule euro norm}%
+\SelectOnWeight%
+{\EFruleeuro{110}{80}{72}{0.04ex}{0.27ex}{#1}{#2}}% light
+{\EFruleeuro{110}{80}{72}{0.07ex}{0.27ex}{#1}{#2}}% medium
+{\EFruleeuro{110}{80}{72}{0.14ex}{0.27ex}{#1}{#2}}% bold
+{\EFruleeuro{110}{80}{72}{0.18ex}{0.27ex}{#1}{#2}}% ultra bold - new numbers
+}
+\providecommand*{\mediumruleeuronoslant}[2]{\EF@debugrep{medium rule euro noslant}%
+\SelectOnWeight%
+{\EFruleeuro{110}{80}{80}{0.04ex}{0.27ex}{#1}{#2}}% light
+{\EFruleeuro{110}{80}{80}{0.07ex}{0.27ex}{#1}{#2}}% medium
+{\EFruleeuro{110}{80}{80}{0.14ex}{0.27ex}{#1}{#2}}% bold
+{\EFruleeuro{110}{80}{80}{0.18ex}{0.27ex}{#1}{#2}}% ultra bold
+}
+\providecommand*{\mediumruleeurobigslant}[2]{\EF@debugrep{medium rule euro bigslant}%
+\SelectOnWeight%
+{\EFruleeuro{110}{80}{60}{0.04ex}{0.27ex}{#1}{#2}}% light
+{\EFruleeuro{110}{80}{60}{0.07ex}{0.27ex}{#1}{#2}}% medium
+{\EFruleeuro{110}{80}{60}{0.14ex}{0.27ex}{#1}{#2}}% bold
+{\EFruleeuro{110}{80}{60}{0.18ex}{0.27ex}{#1}{#2}}% ultra bold
+}
+% \end{macrocode}
+%\end{macro}
+%\end{macro}
+%\end{macro}
+%\begin{macro}{\lightruleeuronorm}
+%\begin{macro}{\lightruleeuronoslant}
+%\begin{macro}{\lightruleeurobigslant}\hfuzz=47.83716pt
+% A complementary command for faking a euro with lighter cross-strokes;
+% suitable for founts like Computer Modern Roman.
+% \begin{macrocode}
+\providecommand*{\lightruleeuronorm}[2]{\EF@debugrep{light rule euro norm}%
+\SelectOnWeight%
+{\EFruleeuro{110}{80}{72}{0.02ex}{0.27ex}{#1}{#2}}% light
+{\EFruleeuro{110}{80}{72}{0.04ex}{0.27ex}{#1}{#2}}% medium
+{\EFruleeuro{110}{80}{72}{0.07ex}{0.27ex}{#1}{#2}}% bold
+{\EFruleeuro{110}{80}{72}{0.14ex}{0.27ex}{#1}{#2}}% ultra bold
+}
+\providecommand*{\lightruleeuronoslant}[2]{\EF@debugrep{light rule euro noslant}%
+\SelectOnWeight%
+{\EFruleeuro{110}{80}{80}{0.02ex}{0.27ex}{#1}{#2}}% light
+{\EFruleeuro{110}{80}{80}{0.04ex}{0.27ex}{#1}{#2}}% medium
+{\EFruleeuro{110}{80}{80}{0.07ex}{0.27ex}{#1}{#2}}% bold
+{\EFruleeuro{110}{80}{80}{0.14ex}{0.27ex}{#1}{#2}}% ultra bold
+}
+\providecommand*{\lightruleeurobigslant}[2]{\EF@debugrep{light rule euro bigslant}%
+\SelectOnWeight%
+{\EFruleeuro{110}{80}{60}{0.02ex}{0.27ex}{#1}{#2}}% light
+{\EFruleeuro{110}{80}{60}{0.04ex}{0.27ex}{#1}{#2}}% medium
+{\EFruleeuro{110}{80}{60}{0.07ex}{0.27ex}{#1}{#2}}% bold
+{\EFruleeuro{110}{80}{60}{0.14ex}{0.27ex}{#1}{#2}}% ultra bold
+}
+% \end{macrocode}
+%\end{macro}
+%\end{macro}
+%\end{macro}
+%\begin{macro}{\heavyruleeuronorm}
+%\begin{macro}{\heavyruleeuronoslant}
+%\begin{macro}{\heavyruleeurobigslant}
+% A complementary command for faking a euro with heavy cross-strokes;
+% it seemed inevitable after the other two. I'm not sure that there's
+% any particular sense to the bold and ultra bold values in this case.
+%
+% I'm still not \emph{completely} happy with this, but it's much better
+% now.\hfuzz=47.83716pt
+% \begin{macrocode}
+\providecommand*{\heavyruleeuronorm}[2]{\EF@debugrep{heavy rule euro norm}%
+\SelectOnWeight%
+{\EFruleeuro{110}{80}{72}{0.14ex}{0.27ex}{#1}{#2}}% light
+{\EFruleeuro{110}{80}{72}{0.18ex}{0.27ex}{#1}{#2}}% medium
+{\EFruleeuro{110}{80}{72}{0.22ex}{0.30ex}{#1}{#2}}% bold
+{\EFruleeuro{110}{80}{72}{0.26ex}{0.33ex}{#1}{#2}}% ultra bold
+}
+\providecommand*{\heavyruleeuronoslant}[2]{\EF@debugrep{heavy rule euro noslant}%
+\SelectOnWeight%
+{\EFruleeuro{110}{80}{80}{0.14ex}{0.27ex}{#1}{#2}}% light
+{\EFruleeuro{110}{80}{80}{0.18ex}{0.27ex}{#1}{#2}}% medium
+{\EFruleeuro{110}{80}{80}{0.22ex}{0.30ex}{#1}{#2}}% bold
+{\EFruleeuro{110}{80}{80}{0.26ex}{0.33ex}{#1}{#2}}% ultra bold
+}
+\providecommand*{\heavyruleeurobigslant}[2]{\EF@debugrep{heavy rule euro bigslant}%
+\SelectOnWeight%
+{\EFruleeuro{110}{80}{60}{0.14ex}{0.27ex}{#1}{#2}}% light
+{\EFruleeuro{110}{80}{60}{0.18ex}{0.27ex}{#1}{#2}}% medium
+{\EFruleeuro{110}{80}{60}{0.22ex}{0.30ex}{#1}{#2}}% bold
+{\EFruleeuro{110}{80}{60}{0.26ex}{0.33ex}{#1}{#2}}% ultra bold
+}
+% \end{macrocode}
+%\end{macro}
+%\end{macro}
+%\end{macro}
+%
+%\subsection{Code to use marvosym}
+%
+% Code to use marvosym fount; needs faked italic tfm (and \dvidriver
+% able to fake an italic)
+%
+%\begin{macro}{\EF@mvs}
+% \begin{macrocode}
+\def\EF@mvs{\fontencoding{U}\fontfamily{zmvs}\fontseries{m}\selectfont}
+% \end{macrocode}
+%\end{macro}
+%
+% Note that the |\mbox| is now redundant; leave it in in case
+% |\EF@pmb| changes again
+%
+%\begin{macro}{\marvosymeuro}
+% \begin{macrocode}
+\providecommand{\marvosymeuro}[1]{%
+\EF@debugrep{marvosymeuro}%
+\SelectOnWeight%
+{\EF@mvs\char#1}% light
+{\EF@mvs\char#1}% medium
+{\mbox{\EF@pmsb{\EF@mvs\char#1}}}% bold
+{\mbox{\EF@pmsb{\EF@mvs\char#1}}}% ultra bold
+}
+% \end{macrocode}
+%\end{macro}
+%
+%\begin{macro}{\marvosymserifeuro}
+%\begin{macro}{\marvosymsanseuro}
+%\begin{macro}{\marvosymmonoeuro}
+% \begin{macrocode}
+\providecommand
+ {\marvosymserifeuro}{\EF@debugrep{marvosymserifeuro}\marvosymeuro{101}}
+\providecommand
+ {\marvosymsanseuro}{\EF@debugrep{marvosymsanseuro}\marvosymeuro{99}}
+\providecommand
+ {\marvosymmonoeuro}{\EF@debugrep{marvosymmonoeuro}\marvosymeuro{100}}
+% \end{macrocode}
+%\end{macro}
+%\end{macro}
+%\end{macro}
+%
+% \subsection{Faking a bold character}
+% \label{sec:code:EFpmb}
+%
+% Original comments:
+% |\EF@pmb| fakes bold; modified from the \TeX book
+%
+% I don't pretend to understand it all, but this seems to do the job
+% better, and ensures that the width taken by the box is the width taken
+% by the printed glyphs. This is used by |\marvosymeuro|
+% Original code:
+%\begin{verbatim}
+% \def\EF@pmb#1{\makebox{\setbox\@tempboxa=\hbox{#1}%
+% \kern0em\copy\@tempboxa\kern-\wd\@tempboxa
+% \kern.025em\raise.0216em\copy\@tempboxa\kern-\wd\@tempboxa
+% \kern.025em\box\@tempboxa }}
+%\end{verbatim}
+%
+% This code produces a better faked bold; the idea of using a hexagonal
+% arrangement was suggested by Donald Arseneau. You can probably tell
+% I wrote the |\EF@pmb| macro myself :-) I might move to an
+% octagonal arrangement later on.
+%
+% Marvosym complicates matters; a vertical shift of |0.866 x 0.020em|
+% makes the horizontal strokes collide when you fake a bold Marvosym
+% euro symbol. The solution is to move away from a regular hexagon and
+% use a smaller vertical shift.
+%
+% So now there's two commands: \comname{EF@pmb} for normal fake bold,
+% and \comname{EF@pmsb} (semi bold) for the Marvosym euro symbols.
+% It's only slightly less heavy than the usual version.
+%
+%\begin{macro}{\EF@pmbshift}
+%\begin{macro}{\EF@pmb}
+%\begin{macro}{\EF@pmsb}
+% \begin{macrocode}
+\newlength{\EF@pmbshift}
+%
+\newcommand{\EF@pmsb}[1]{%
+\EF@debugrep{EF@pmsb}%
+\EF@pmbshift=0.020em% as was
+\hbox{%
+\rlap{#1}%
+\kern0.5\EF@pmbshift%
+\raisebox{0.50\EF@pmbshift}[0pt][0pt]{\rlap{#1}}%
+\raisebox{-0.50\EF@pmbshift}[0pt][0pt]{\rlap{#1}}%
+\kern1\EF@pmbshift%
+\raisebox{0.50\EF@pmbshift}[0pt][0pt]{\rlap{#1}}%
+\raisebox{-0.50\EF@pmbshift}[0pt][0pt]{\rlap{#1}}%
+\kern0.5\EF@pmbshift%
+#1}}
+%
+\newcommand{\EF@pmb}[1]{%
+\EF@debugrep{EF@pmb}%
+\EF@pmbshift=0.020em% as was
+\hbox{%
+\rlap{#1}%
+\kern0.5\EF@pmbshift%
+\raisebox{0.866\EF@pmbshift}[0pt][0pt]{\rlap{#1}}%
+\raisebox{-0.866\EF@pmbshift}[0pt][0pt]{\rlap{#1}}%
+\kern1\EF@pmbshift%
+\raisebox{0.866\EF@pmbshift}[0pt][0pt]{\rlap{#1}}%
+\raisebox{-0.866\EF@pmbshift}[0pt][0pt]{\rlap{#1}}%
+\kern0.5\EF@pmbshift%
+#1}}
+% \end{macrocode}
+%\end{macro}
+%\end{macro}
+%\end{macro}
+%
+%
+% \subsection{The code to select and print euro symbols}
+%
+%
+% But better yet: add a pair of options: `|adobeeurofont|' or
+% `|marvosym|'. The |marvosym| option will set up
+% |\monoeuro| (etc) to use marvosym glyphs; the |adobeeurofont| option
+% (default) will set |\monoeuro| (etc) to use adobe glyphs.
+%
+% Do this, \emph{and} add documentation on fiddling with |\userlist| (etc)
+% so you can use both
+%
+% |\texteuro| is a problem: this command is here to help.
+%\begin{verbatim}
+% if <fam> is in \faketexteurolist, #2,
+% else
+% if \texteuro is defined and TS1<fam>.fd exists #1,
+% else #2
+% fi fi
+%\end{verbatim}
+%\begin{macro}{\EFiftexteuroexists}
+% \begin{macrocode}
+\def\EFiftexteuroexists#1#2{%
+\EF@checkiflisted{\f@family}{\faketexteurolist}%
+\ifEF@listed#2%
+\else
+\ifx\texteuro\@undefined#2% if \texteuro doesn't exist, #2 and finish
+\else%
+\IfFileExists{ts1\f@family.fd}%
+{#1}% if ts1<fam>.fd exists, #1. Can't usefully test for glyph existing
+{#2}% if ts1<fam>.fd doesn't exist, #2 and finish
+\fi\fi}
+% \end{macrocode}
+%\end{macro}
+%\begin{macro}{\zpeutteuro}
+%\begin{macro}{\zpeureuro}
+%\begin{macro}{\zpeusseuro}
+% Define these for |\monoeuro| etc., to use. Note that the command
+% names are such that if you happen to be in |zpeutt| and say |\euro|,
+% you'll get |\zpeutteuro| executed straight away. I don't have to
+% list these fount families in |\seriflist| etc.
+% \begin{macrocode}
+\providecommand{\zpeutteuro}{\EF@debugrep{zpeutteuro}%
+{\fontencoding{U}\fontfamily{zpeutt}\selectfont e}}
+\providecommand{\zpeureuro}{\EF@debugrep{zpeureuro}%
+{\fontencoding{U}\fontfamily{zpeur}\selectfont e}}
+\providecommand{\zpeusseuro}{\EF@debugrep{zpeusseuro}%
+{\fontencoding{U}\fontfamily{zpeuss}\selectfont e}}
+% \end{macrocode}
+%\end{macro}
+%\end{macro}
+%\end{macro}
+%
+% Use either marvosym or Adobe's Eurofonts for serif/sans/mono lists
+%
+% These might have already been defined in the cfg file; don't want
+% to over-ride those definitions, so |\providecommand| them.
+%
+% It's not safe to assume that either Adobe's Eurofonts or the Marvosym
+% fount are in fact installed, but I don't see any easy way of finding
+% out the truth of the matter. I suspect it's best to leave it up to the
+% user to get the configuration right. Careful with that documentation,
+% Eugene.
+%
+%\begin{macro}{\monoeuro}
+%\begin{macro}{\serifeuro}
+%\begin{macro}{\sanseuro}
+% \begin{macrocode}
+\ifEF@marvosym
+\providecommand{\monoeuro}{\EF@debugrep{monoeuro}{\marvosymmonoeuro}}
+\providecommand{\serifeuro}{\EF@debugrep{serifeuro}{\marvosymserifeuro}}
+\providecommand{\sanseuro}{\EF@debugrep{sanseuro}{\marvosymsanseuro}}
+\else
+\providecommand{\monoeuro}{\EF@debugrep{monoeuro}\zpeutteuro}
+\providecommand{\serifeuro}{\EF@debugrep{serifeuro}\zpeureuro}
+\providecommand{\sanseuro}{\EF@debugrep{sanseuro}\zpeusseuro}
+\fi
+% \end{macrocode}
+%\end{macro}
+%\end{macro}
+%\end{macro}
+%
+% Slightly more involved code for \comname{makeusereuro}: make it issue a
+% warning if it's not user defined.
+%
+%\begin{macro}{\makeusereuro}
+% \begin{macrocode}
+\providecommand{\makeusereuro}
+ {\EF@debugrep{makeusereuro}\makefakemediumeuro%
+%
+\PackageWarningNoLine{eurofont}{%
+You have tried to use the \protect\makeusereuro\space command
+to\MessageBreak print a euro symbol, but you have not defined
+the\MessageBreak \protect\makeusereuro\space command. This has
+probably happened in\MessageBreak the \protect\euro\space command. I
+shall print a faked euro symbol\MessageBreak for now}}
+% \end{macrocode}
+%\end{macro}
+%
+%\begin{macro}{\chinaeeuro}
+% I have some misgivings about faking a bold from this euro symbol;
+% it's a beautiful glyph which doesn't really deserve this sort of
+% abuse.
+%
+% Removed the anomalous parameter from definition of |\chinaeeuro|.
+% What was I thinking of?
+%
+% And finally\ldots\ Test for the existence of china2e.sty, and assume
+% that China2e's not been installed if the package file is missing. I'd
+% rather test for the existence of the tfm file, but I don't know how:
+% if you know, I'd appreciate an email explaining how.
+%
+% \begin{macrocode}
+\DeclareFontFamily{OT1}{chin}{}
+\DeclareFontShape{OT1}{chin}{m}{n}{<-> china10}{}
+%
+\providecommand{\chinaeeuro}{%
+\IfFileExists{china2e.sty}%
+{\EF@debugrep{chinaeeuro}%
+\SelectOnWeight%
+{{\usefont{OT1}{chin}{m}{n}\char255}}% light
+{{\usefont{OT1}{chin}{m}{n}\char255}}% medium
+{\mbox{\EF@pmb{\usefont{OT1}{chin}{m}{n}\char255}}}% bold
+{\mbox{\EF@pmb{\usefont{OT1}{chin}{m}{n}\char255}}}% ultra bold
+}%
+{\EF@debugrep{chinaeeuro - we have a problem}%
+\PackageWarning{eurofont}{%
+The \protect\euro\space command
+is trying to print a euro symbol\MessageBreak
+from the China2e fount, but I can't find the file\MessageBreak
+china2e.sty.\MessageBreak\MessageBreak
+I'm assuming that you've not got the China2e font\MessageBreak
+installed, so I'm printing a faked euro instead\MessageBreak}%
+\makefakeeuro}}
+% \end{macrocode}
+%\end{macro}
+%
+%\begin{macro}{\cmrfakeeuro}
+%\begin{macro}{\cmssfakeeuro}
+%\begin{macro}{\cmttfakeeuro}
+% \begin{macrocode}
+\providecommand{\cmrfakeeuro}{%
+\EF@debugrep{\protect\cmrfakeeuro}\fakelighteuro}
+%
+\providecommand{\cmssfakeeuro}{%
+\EF@debugrep{\protect\cmssfakeeuro}\fakemediumeuro}
+%
+\providecommand{\cmttfakeeuro}{%
+\EF@debugrep{\protect\cmttfakeeuro}\fakemediumeuro}
+% \end{macrocode}
+%\end{macro}
+%\end{macro}
+%\end{macro}
+%\begin{macro}{\makefakeeuro}
+%\begin{macro}{\makefakeheavyeuro}
+%\begin{macro}{\makefakemediumeuro}
+%\begin{macro}{\makefakelighteuro}
+% If \comname{<fam>fakeeuro} exists, do \comname{<fam>fakeeuro}; else
+% \comname{fakelighteuro}, \comname{fake\-mediumeuro}, or
+% \comname{fakeheavyeuro} depending).
+%
+% |\providecommand|s again so that these definitions can be
+% over-ridden in the config file
+%
+% \begin{macrocode}
+\providecommand{\makefakemediumeuro}{\EF@debugrep{makefakemediumeuro}%
+\@ifundefined{\f@family fakeeuro}{\fakemediumeuro}%
+{\csname\f@family fakeeuro\endcsname}}
+%
+\providecommand{\makefakelighteuro}{\EF@debugrep{makefakelighteuro}%
+\@ifundefined{\f@family fakeeuro}{\fakelighteuro}%
+{\csname\f@family fakeeuro\endcsname}}
+%
+\providecommand{\makefakeheavyeuro}{\EF@debugrep{makefakeheavyeuro}%
+\@ifundefined{\f@family fakeeuro}{\fakeheavyeuro}%
+{\csname\f@family fakeeuro\endcsname}}
+%
+\providecommand{\makefakeeuro}{\EF@debugrep{makefakeeuro}%
+\@ifundefined{\f@family fakeeuro}{%
+% if \<fam>fakeeuro doesn't exist, do this:
+\EF@checkiflisted{\f@family}{\fakelightlist}\relax
+ \ifEF@listed \makefakelighteuro
+ \else
+ \EF@checkiflisted{\f@family}{\fakemediumlist}\relax
+ \ifEF@listed \makefakemediumeuro
+ \else
+ \EF@checkiflisted{\f@family}{\fakeheavylist}\relax
+ \ifEF@listed \makefakeheavyeuro
+ \else% If <fam>'s not listed,
+ \makefakemediumeuro% print medium faked euro
+ \fi \fi \fi
+}%
+% If \<fam>fakeeuro does exist, execute it:
+{\csname\f@family fakeeuro\endcsname}}
+% \end{macrocode}
+%\end{macro}
+%\end{macro}
+%\end{macro}
+%\end{macro}
+%
+% This turned into a heavy bummer. Re-wrote the faking code to push
+% the top rule to the right and the bottom rule to the left when the
+% fount slants.
+%
+%\begin{macro}{\pzcfakeeuro}
+% \begin{macrocode}
+\providecommand{\pzcfakeeuro}{\EF@debugrep{pzcfakeeuro}%
+% \@tempdima=1ex% you what?
+% commented out until I find out what I thought I was doing
+\fakemediumeuro[-0.1ex]}
+% \end{macrocode}
+%\end{macro}
+%
+% \subsection{Make euro commands}
+%
+% Can't just |\let| one equal to the other because of the debugging
+% reports.
+%\begin{macro}{\maketexteuro}
+%\begin{macro}{\cmeuro}
+% \begin{macrocode}
+\providecommand{\maketexteuro}{\EF@debugrep{maketexteuro}%
+\EFiftexteuroexists{\texteuro}{\makefakeeuro}}
+%
+\providecommand{\cmeuro}{\EF@debugrep{cmeuro}%
+\EFiftexteuroexists{\texteuro}{\makefakeeuro}}
+% \end{macrocode}
+%\end{macro}
+%\end{macro}
+%
+% If the eurosym option's been specified, switch to eurosym's version of
+% the euro for: the Computer Modern families, serifeuro, sanseuro, and
+% monoeuro, and the default euro.
+%
+% This is the only place where these euro commands are defined; use
+% \comname{provide\-command} so they can be over-ridden by the config
+% file.
+%
+% \begin{macro}{\makecmeuro}
+% \begin{macro}{\makedefaulteuro}
+% \begin{macro}{\makeserifeuro}
+% \begin{macro}{\makesanseuro}
+% \begin{macro}{\makemonoeuro}\hfuzz=33.66232pt
+% \begin{macrocode}
+\ifEF@eurosym
+\EF@debugrep{Using eurosym's euro command}
+\providecommand{\makecmeuro} {\EF@debugrep{makecmeuro; ESeuro}\ESeuro}
+\providecommand{\makedefaulteuro}{\EF@debugrep{makedefaulteuro; ESeuro}\ESeuro}
+\providecommand{\makeserifeuro} {\EF@debugrep{makeserifeuro; ESeuro}\ESeuro}
+\providecommand{\makesanseuro} {\EF@debugrep{makesanseuro; ESeuro}\ESeuro}
+\providecommand{\makemonoeuro} {\EF@debugrep{makemonoeuro; ESeuro}\ESeuro}
+\else
+\EF@debugrep{Not using eurosym's euro command}
+\providecommand{\makecmeuro} {\EF@debugrep{makecmeuro }\cmeuro}
+\providecommand{\makedefaulteuro}{\EF@debugrep{makedefaulteuro}\makefakeeuro}
+\providecommand{\makeserifeuro} {\EF@debugrep{makeserifeuro }\serifeuro}
+\providecommand{\makesanseuro} {\EF@debugrep{makesanseuro }\sanseuro}
+\providecommand{\makemonoeuro} {\EF@debugrep{makemonoeuro }\monoeuro}
+\fi
+% \end{macrocode}
+% \end{macro}
+% \end{macro}
+% \end{macro}
+% \end{macro}
+% \end{macro}
+% \begin{macro}{\makechinaeeuro}
+% This command needs a test to detect the existence of the china2e tfm
+% file before trying to use the fount
+% \begin{macrocode}
+\providecommand{\makechinaeeuro}
+ {\EF@debugrep{makechinaeeuro}\chinaeeuro}
+% \end{macrocode}
+% \end{macro}
+%
+% Note: |\makecmeuro|+|\maketexteuro| could have identical definitions,
+% since |\makefakeeuro| will call |\<fam>euro| if it exists before trying the
+% generic fake euro code. (much later) Does anyone know what I mean by this?
+%
+% {\small\hfuzz=32.4455pt
+%\begin{verbatim}
+% If \f@family is in \userlist, \makeusereuro
+% else
+% if \<fam>euro exists, \<fam>euro
+% else
+% if \f@family is in \texteurolist, \maketexteuro
+% else
+% if \@family is in \chinaelist, \makechinaeeuro
+% else
+% if \f@family is in \cmlist, \makecmeuro
+% else
+% if \f@family is in \serifeurolist, \makeserifeuro
+% else
+% if \f@family is in \sanseurolist, \makesanseuro
+% else
+% if \f@family is in \monoeurolist, \makemonoeuro
+% else
+% if \f@family is in \makefakemediumeurolist, \makefakemediumeuro
+% else
+% if \f@family is in \makefakeheavyeurolist, \makefakeheavyeuro
+% else
+% if \f@family is in \makefakelighteurolist, \makefakelighteuro
+% else \makedefaulteuro
+% fi fi fi fi fi fi fi fi fi fi fi
+%\end{verbatim}
+%}
+% |\makecmeuro|:
+%\begin{verbatim}
+% \texteuro if:
+% not in \faketexteurolist and TS1<fam>.fd and \texteuro exist,
+% \makefakeeuro otherwise
+%\end{verbatim}
+%
+% |\maketexteuro|:
+%\begin{verbatim}
+% \texteuro if:
+% not in \faketexteurolist and TS1<fam>.fd and \texteuro exist,
+% \makefakeeuro otherwise
+%\end{verbatim}
+%
+% This is it\ldots\ The |\relaxes| are in there just to suppress unwanted
+% spaces and let me use the visual formatting in the command that I
+% wanted to.
+%
+%\begin{macro}{\EFeuro}\hfuzz=66.73694pt
+% \begin{macrocode}
+\DeclareRobustCommand{\EFeuro}{\EF@debugrep{start EFeuro:
+ \f@encoding/\f@family/\f@series/\f@shape}%
+ \EF@checkiflisted{\f@family}{\userlist}\relax
+ \ifEF@listed\EF@debugrep{EFeuro makeuser euro}\makeusereuro
+ \else
+ \@ifundefined{\f@family euro}{\@tempswatrue}% test for \<fam>euro
+ {\EF@debugrep{EFeuro \f@family euro}\relax% do \<fam>euro
+ \@tempswafalse\csname\f@family euro\endcsname}\relax% do \<fam>euro
+ \if@tempswa% if \<fam>euro doesn't exist, do the next test
+ \EF@checkiflisted{\f@family}{\texteurolist}\relax
+ \ifEF@listed \EF@debugrep{EFeuro texteuro}\maketexteuro
+ \else
+ \EF@checkiflisted{\f@family}{\chinaelist}\relax
+ \ifEF@listed \EF@debugrep{EFeuro China2e euro}\makechinaeeuro
+ \else
+ \EF@checkiflisted{\f@family}{\cmlist}\relax
+ \ifEF@listed \EF@debugrep{EFeuro cm euro}\makecmeuro
+ \else
+ \EF@checkiflisted{\f@family}{\seriflist}\relax
+ \ifEF@listed \EF@debugrep{EFeuro serif euro}\makeserifeuro
+ \else
+ \EF@checkiflisted{\f@family}{\sanslist}\relax
+ \ifEF@listed \EF@debugrep{EFeuro sans euro}\makesanseuro
+ \else
+ \EF@checkiflisted{\f@family}{\monolist}\relax
+ \ifEF@listed \EF@debugrep{EFeuro mono euro}\makemonoeuro
+ \else
+ \EF@checkiflisted{\f@family}{\fakelightlist}\relax
+ \ifEF@listed \EF@debugrep{EFeuro fake light euro}\makefakelighteuro
+ \else
+ \EF@checkiflisted{\f@family}{\fakemediumlist}\relax
+ \ifEF@listed \EF@debugrep{EFeuro fake med euro}\makefakemediumeuro
+ \else
+ \EF@checkiflisted{\f@family}{\fakeheavylist}\relax
+ \ifEF@listed \EF@debugrep{EFeuro fake heavy euro}\makefakeheavyeuro
+ \else \EF@debugrep{EFeuro default euro}\makedefaulteuro
+ \fi \fi \fi \fi \fi \fi \fi \fi \fi \fi \fi}
+% \end{macrocode}
+%\end{macro}
+%
+% Now then\ldots \packname{eurofont's} euro-generating command is
+% defined as \comname{EFeuro} to begin with. That's so that it can be
+% defined without clashing with anything else (with luck). The following
+% code is to try and ensure that the \comname{euro} command used in the
+% document is what \packname{eurofont} wants it to be. If
+% \packname{eurosym}'s been loaded, its \comname{euro} command is saved
+% as \comname{ESeuro} just after its been loaded, and if any command
+% called \comname{euro} exists at all, it's renamed \comname{oldeuro}
+% at the \comname{begin\{document\}} command. Yes, that does mean that
+% \comname{ESeuro} and \comname{oldeuro} can end up identical if
+% you've loaded the \packname{eurosym} package.
+%
+% \begin{macrocode}
+\AtBeginDocument{%
+% \@ifpackageloaded{eurosym}{\let\ESeuro\euro}{}% save eurosym's \euro
+% No: this is redundant to an extent. If the eurosym option has been
+% specified, \ESeuro has already be \let to \euro. Best to leave it
+% at that, I think: any already-defined \euro command will be saved
+% as \EFoldeuro anyway.
+\let\oldeuro\euro% save the previous \euro command (if one exists)
+\let\euro\EFeuro}% make the \euro command be \EFeuro come what may
+% \end{macrocode}
+%
+% \begin{macrocode}
+\endinput
+% \end{macrocode}
+% \Finale
+%\iffalse
+%</package>
+%%
+%% End of file `eurofont.sty'
+%% \fi \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/eurofont/eurofont.ins b/Master/texmf-dist/doc/fonts/eurofont/eurofont.ins
new file mode 100644
index 00000000000..65c20f0b983
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/eurofont/eurofont.ins
@@ -0,0 +1,451 @@
+\iffalse
+Copyright 1998 Rowland McDonnell
+This file is part of the eurofont distribution. You can distribute it
+freely provided that you include the rest of the eurofont distribution
+with this file and make no more than a nominal charge to cover the
+costs of distributing it.
+
+If you would like to change the contents of this file, please make a
+copy of it under a different name and change that instead. Keep my
+copyright notice attached, but make it clear that the new file is your
+responsibility so you get the credit for the improvements and I don't
+get blamed for the bugs.
+\fi
+\ProvidesFile{eurofont.ins}
+%
+% fd file for Marvosym:
+\begin{filecontents}{uzmvs.fd}
+% Filename: uzmvs.fd
+% Copyright 1998 Rowland McDonnell
+% email rebecca@astrid.u-net.com
+%
+% Fount definitions for Marvosym
+%
+% THIS FILE SHOULD BE PUT IN A TEX INPUTS DIRECTORY
+%
+% The slightly strange name is because Marvosym already has an
+% official name and I'd like to avoid any conflicts. So make the
+% Marvosym used by eurofont.sty a bizzare one (z prefix) because
+% nothing else seems right to me.
+%
+% Please don't use this file for anything directly: it's meant to
+% provide NFSS fount definitions so that the eurofont package can make
+% a half-decent job of printing euro symbols using the Marvosym
+% fount. Because of this, it's a bit eccentric to match eurofont's
+% eccentric way of doing things.
+%
+% If you want to modify the code in this file, save the file under a
+% different name and modify *that*. Please make sure you add a note
+% indicating that you've changed things.
+%
+\ProvidesFile{uzmvs.fd}
+ [1998/10/10 Hacked by RJMM font definitions for U/zmvs.]
+%
+\DeclareFontFamily{U}{zmvs}{}
+\DeclareFontShape{U}{zmvs}{m}{n} {<-> fmvr8x}{}
+%
+% Extra font defs needed
+\DeclareFontShape{U}{zmvs}{m}{it}{<-> fmvri8x}{}
+\DeclareFontShape{U}{zmvs}{m}{sl}{<-> fmvri8x}{}
+\DeclareFontShape{U}{zmvs}{m}{sc}{<-> fmvr8x}{}
+%
+\DeclareFontShape{U}{zmvs}{l}{n} {<-> fmvr8x}{}
+\DeclareFontShape{U}{zmvs}{l}{it}{<-> fmvri8x}{}
+\DeclareFontShape{U}{zmvs}{l}{sl}{<-> fmvri8x}{}
+\DeclareFontShape{U}{zmvs}{l}{sc}{<-> fmvr8x}{}
+%
+\DeclareFontShape{U}{zmvs}{l} {ui} {<->ssub * zmvs/m/n}{}
+\DeclareFontShape{U}{zmvs}{m} {ui} {<->ssub * zmvs/m/n}{}
+%
+\endinput
+\end{filecontents}
+
+% fd file for Adobe Euroserif:
+\begin{filecontents}{uzpeur.fd}
+% Filename: uzpeur.fd
+% Copyright 1998 Rowland McDonnell
+% email rebecca@astrid.u-net.com
+%
+% Fount definitions for Adobe Euroserif
+%
+%THIS FILE SHOULD BE PUT IN A TEX INPUTS DIRECTORY
+
+\ProvidesFile{uzpeur.fd}
+ [1998/10/10 Eurofont package font definitions for U/zpeur.]
+
+\DeclareFontFamily{U}{zpeur}{\hyphenchar\font\m@ne}%
+
+\DeclareFontShape{U}{zpeur}{m}{n} {<->zpeur} {}
+\DeclareFontShape{U}{zpeur}{m}{it}{<->zpeuri}{}
+\DeclareFontShape{U}{zpeur}{m}{sl}{<->ssub * zpeur/m/it}{}
+\DeclareFontShape{U}{zpeur}{m}{sc}{<->ssub * zpeur/m/n}{}
+
+\DeclareFontShape{U}{zpeur}{b}{n} {<->zpeub} {}
+\DeclareFontShape{U}{zpeur}{b}{it}{<->zpeubi}{}
+\DeclareFontShape{U}{zpeur}{b}{sl}{<->ssub * zpeur/b/it} {}
+\DeclareFontShape{U}{zpeur}{b}{sc}{<->ssub * zpeur/b/n}{}
+
+\DeclareFontShape{U}{zpeur}{l}{n} {<->ssub * zpeur/m/n} {}
+\DeclareFontShape{U}{zpeur}{l}{it}{<->ssub * zpeur/m/it}{}
+\DeclareFontShape{U}{zpeur}{l}{sl}{<->ssub * zpeur/m/it}{}
+\DeclareFontShape{U}{zpeur}{l}{sc}{<->ssub * zpeur/m/n} {}
+
+\DeclareFontShape{U}{zpeur}{bx}{n} {<->ssub * zpeur/b/n} {}
+\DeclareFontShape{U}{zpeur}{bx}{it}{<->ssub * zpeur/b/it}{}
+\DeclareFontShape{U}{zpeur}{bx}{sl}{<->ssub * zpeur/b/it}{}
+\DeclareFontShape{U}{zpeur}{bx}{sc}{<->ssub * zpeur/b/n} {}
+
+\DeclareFontShape{U}{zpeur}{l} {ui} {<->ssub * zpeur/m/n}{}
+\DeclareFontShape{U}{zpeur}{m} {ui} {<->ssub * zpeur/m/n}{}
+\DeclareFontShape{U}{zpeur}{b} {ui} {<->ssub * zpeur/b/n}{}
+\DeclareFontShape{U}{zpeur}{bx}{ui} {<->ssub * zpeur/b/n}{}
+%
+\endinput
+\end{filecontents}
+
+% fd file for Adobe Eurosans:
+\begin{filecontents}{uzpeuss.fd}
+% Filename: uzpeuss.fd
+% Copyright 1998 Rowland McDonnell
+% email rebecca@astrid.u-net.com
+%
+% Fount definitions for Adobe Eurosans
+%
+%THIS FILE SHOULD BE PUT IN A TEX INPUTS DIRECTORY
+
+\ProvidesFile{uzpeuss.fd}
+ [1998/10/10 Eurofont package font definitions for U/zpeuss.]
+
+\DeclareFontFamily{U}{zpeuss}{\hyphenchar\font\m@ne}%
+
+\DeclareFontShape{U}{zpeuss}{m}{n} {<->zpeurs} {}
+\DeclareFontShape{U}{zpeuss}{m}{it}{<->zpeuris}{}
+\DeclareFontShape{U}{zpeuss}{m}{sl}{<->ssub * zpeuss/m/it}{}
+\DeclareFontShape{U}{zpeuss}{m}{sc}{<->ssub * zpeuss/m/n}{}
+
+\DeclareFontShape{U}{zpeuss}{b}{n} {<->zpeubs} {}
+\DeclareFontShape{U}{zpeuss}{b}{it}{<->zpeubis}{}
+\DeclareFontShape{U}{zpeuss}{b}{sl}{<->ssub * zpeuss/b/it} {}
+\DeclareFontShape{U}{zpeuss}{b}{sc}{<->ssub * zpeuss/b/n}{}
+
+\DeclareFontShape{U}{zpeuss}{l}{n} {<->ssub * zpeuss/m/n}{}
+\DeclareFontShape{U}{zpeuss}{l}{it}{<->ssub * zpeuss/m/it}{}
+\DeclareFontShape{U}{zpeuss}{l}{sl}{<->ssub * zpeuss/m/it}{}
+\DeclareFontShape{U}{zpeuss}{l}{sc}{<->ssub * zpeuss/m/n} {}
+
+\DeclareFontShape{U}{zpeuss}{bx}{n} {<->ssub * zpeuss/b/n} {}
+\DeclareFontShape{U}{zpeuss}{bx}{it}{<->ssub * zpeuss/b/it}{}
+\DeclareFontShape{U}{zpeuss}{bx}{sl}{<->ssub * zpeuss/b/it}{}
+\DeclareFontShape{U}{zpeuss}{bx}{sc}{<->ssub * zpeuss/b/n} {}
+
+\DeclareFontShape{U}{zpeuss}{l} {ui} {<->ssub * zpeuss/m/n}{}
+\DeclareFontShape{U}{zpeuss}{m} {ui} {<->ssub * zpeuss/m/n}{}
+\DeclareFontShape{U}{zpeuss}{b} {ui} {<->ssub * zpeuss/m/b}{}
+\DeclareFontShape{U}{zpeuss}{bx}{ui} {<->ssub * zpeuss/m/b}{}
+%
+\endinput
+\end{filecontents}
+
+% fd file for Adobe Euromono:
+\begin{filecontents}{uzpeutt.fd}
+%Filename: uzpeutt.fd
+% Copyright 1998 Rowland McDonnell
+% email rebecca@astrid.u-net.com
+%
+% Fount definitions for Adobe Euromono
+%
+%THIS FILE SHOULD BE PUT IN A TEX INPUTS DIRECTORY
+
+\ProvidesFile{Uzpeutt.fd}
+ [1998/10/10 Eurofont package font definitions for U/zpeutt.]
+
+\DeclareFontFamily{U}{zpeutt}{\hyphenchar\font\m@ne}%
+
+\DeclareFontShape{U}{zpeutt}{m}{n} {<->zpeurt} {}
+\DeclareFontShape{U}{zpeutt}{m}{it}{<->zpeurit}{}
+\DeclareFontShape{U}{zpeutt}{m}{sl}{<->ssub * zpeutt/m/it}{}
+\DeclareFontShape{U}{zpeutt}{m}{sc}{<->ssub * zpeutt/m/n}{}
+
+\DeclareFontShape{U}{zpeutt}{b}{n} {<->zpeubt} {}
+\DeclareFontShape{U}{zpeutt}{b}{it}{<->zpeubit}{}
+\DeclareFontShape{U}{zpeutt}{b}{sl}{<->ssub * zpeutt/b/it} {}
+\DeclareFontShape{U}{zpeutt}{b}{sc}{<->ssub * zpeutt/b/n}{}
+
+\DeclareFontShape{U}{zpeutt}{l}{n} {<->ssub * zpeutt/m/n}{}
+\DeclareFontShape{U}{zpeutt}{l}{it}{<->ssub * zpeutt/m/it}{}
+\DeclareFontShape{U}{zpeutt}{l}{sl}{<->ssub * zpeutt/m/it}{}
+\DeclareFontShape{U}{zpeutt}{l}{sc}{<->ssub * zpeutt/m/n} {}
+
+\DeclareFontShape{U}{zpeutt}{bx}{n} {<->ssub * zpeutt/b/n} {}
+\DeclareFontShape{U}{zpeutt}{bx}{it}{<->ssub * zpeutt/b/it}{}
+\DeclareFontShape{U}{zpeutt}{bx}{sl}{<->ssub * zpeutt/b/it}{}
+\DeclareFontShape{U}{zpeutt}{bx}{sc}{<->ssub * zpeutt/b/n} {}
+
+\DeclareFontShape{U}{zpeutt}{l} {ui} {<->ssub * zpeutt/m/n}{}
+\DeclareFontShape{U}{zpeutt}{m} {ui} {<->ssub * zpeutt/m/n}{}
+\DeclareFontShape{U}{zpeutt}{b} {ui} {<->ssub * zpeutt/m/b}{}
+\DeclareFontShape{U}{zpeutt}{bx}{ui} {<->ssub * zpeutt/m/b}{}
+%
+\endinput
+\end{filecontents}
+
+% Config file
+\begin{filecontents}{eurofont.cfg}
+% Configuration file for the eurofont package
+% Copyright 1998 Rowland McDonnell
+% email rebecca@astrid.u-net.com
+%
+% Please do change this file as much as you like, but don't distribute
+% modified versions.
+%
+% If you change this file, do make sure that you change the date,
+% version number, and identification note below:
+%
+\ProvidesFile{eurofont.cfg}[1998/11/03 v1.0 Default config file for
+the eurofont package]
+%
+% List contents Corresponding command
+%
+\EFaddtolist{\userlist}{}% \makeusereuro
+\EFaddtolist{\texteurolist}{}% \maketexteuro
+\EFaddtolist{\chinaelist}{}% \makechinaeeuro
+\EFaddtolist{\cmlist}{cmr,cmss,cmtt}% \makecmeuro
+\EFaddtolist{\seriflist}{pbk,pnc,ppl,ptm,put}% \makeserifeuro
+\EFaddtolist{\sanslist}{pag,phv,psy,pzd}% \makesanseuro
+\EFaddtolist{\monolist}{pcr}% \makemonoeuro
+\EFaddtolist{\fakemediumlist}{pzc}% \makefakemediumeuro
+\EFaddtolist{\fakelightlist}{}% \makefakelighteuro
+\EFaddtolist{\fakeheavylist}{}% \makefakeheavyeuro
+%
+\EFaddtolist{\faketexteurolist}{}
+%
+% Put all the standard LaTeX weights (and likely extras)
+% into one of the following lists:
+%
+\EFaddtolist{\EFlightserieslist}{ul,el,l,ulc,elc,lc,ulx,elx,lx}
+\EFaddtolist{\EFmediumserieslist}{m,mb,db,sb,mc,mbc,dbc,sbc,mx,mbx,dbx,sbx}
+\EFaddtolist{\EFboldserieslist}{b,bx,bc}
+\EFaddtolist{\EFultraboldserieslist}{eb,ub,ebc,ubc,ebx,ubx}
+%
+% And two non-standard weights:
+%
+\EFaddtolist{\EFultraboldserieslist}{xb,ebd}
+%
+\endinput
+\end{filecontents}
+\begin{filecontents}{dvidrive.txt}
+File dvidrive.txt
+Copyright 1998 Rowland McDonnell
+email rebecca@astrid.u-net.com
+
+
+This file contains information on how to configure dvips and OzTeX to use
+Adobe's Eurofonts and the Marvosym fount. I believe that pdfTeX can use
+dvips entries.
+
+If there are any problems with the information below, or if you have
+information on how to configure other dvi drivers, please let me know by
+emailing: rebecca@astrid.u-net.com
+
+
+DVI DRIVER CONFIGURATION LINES FOR ADOBE'S EUROFONTS
+====================================================
+
+Note that versions of dvips before v5.83 have trouble doing partial fount
+downloading with Adobe's Eurofonts. Because of this, I have listed the
+dvips psfont.map entries with `|<<|' and with `|<|': the `|<<|'
+entries prevent dvips attempting to do partial fount downloading with
+that particular fount.
+
+The `<<' syntax does not work with all versions of dvips; it does work
+with dvips v5.78, but doesn't work with v5.70. If you're using a pre
+`<<' dvips, you should use the entries with `<' and don't use partial
+fount downloading with any document containing Adobe's Eurofonts;
+passing the -j0 switch to dvips will prevent it from doing partial
+fount downloading if this is normally turned on.
+
+I've asked the author of dvips when the `<<' syntax was first
+introduced, and he can't remember.
+
+I am told that pdftex can do partial fount downloading using Adobe's
+Eurofonts.
+
+Eurofont configuration lines for Windows/Unix/any others?
+=========================================================
+
+(you need to re-name the *.PFB files *.pfb; thanks to Stefan Ulrich
+<ulrich@cis.uni-muenchen.de> for this and the following entries)
+
+
+psfonts.map entries for Windows/Unix/other
+dvips v5.78 or similar
+
+zpeurs EuroSans-Regular <<_1______.pfb
+zpeubs EuroSans-Bold <<_1B_____.pfb
+zpeuris EuroSans-Italic <<_1I_____.pfb
+zpeubis EuroSans-BoldItalic <<_1BI____.pfb
+zpeurt EuroMono-Regular <<_2______.pfb
+zpeubt EuroMono-Bold <<_2B_____.pfb
+zpeurit EuroMono-Italic <<_2I_____.pfb
+zpeubit EuroMono-BoldItalic <<_2BI____.pfb
+zpeur EuroSerif-Regular <<_3______.pfb
+zpeub EuroSerif-Bold <<_3B_____.pfb
+zpeuri EuroSerif-Italic <<_3I_____.pfb
+zpeubi EuroSerif-BoldItalic <<_3BI____.pfb
+
+
+psfonts.map entries for Windows/Unix/other
+dvips v5.70 or before, dvips v5.83 and above, and pdftex:
+
+(note that I don't use pdftex; this suggestion might not work)
+
+zpeurs EuroSans-Regular <_1______.pfb
+zpeubs EuroSans-Bold <_1B_____.pfb
+zpeuris EuroSans-Italic <_1I_____.pfb
+zpeubis EuroSans-BoldItalic <_1BI____.pfb
+zpeurt EuroMono-Regular <_2______.pfb
+zpeubt EuroMono-Bold <_2B_____.pfb
+zpeurit EuroMono-Italic <_2I_____.pfb
+zpeubit EuroMono-BoldItalic <_2BI____.pfb
+zpeur EuroSerif-Regular <_3______.pfb
+zpeub EuroSerif-Bold <_3B_____.pfb
+zpeuri EuroSerif-Italic <_3I_____.pfb
+zpeubi EuroSerif-BoldItalic <_3BI____.pfb
+
+
+Eurofont configuration lines for Macs
+=====================================
+
+
+Macintosh psfonts.map entries for dvips v5.78 or similar
+
+zpeur EuroSerif-Regular <<EuroSerReg
+zpeuri EuroSerif-Italic <<EuroSerIta
+zpeub EuroSerif-Bold <<EuroSerBol
+zpeubi EuroSerif-BoldItalic <<EuroSerBolIta
+zpeurs EuroSans-Regular <<EuroSanReg
+zpeuris EuroSans-Italic <<EuroSanIta
+zpeubs EuroSans-Bold <<EuroSanBol
+zpeubis EuroSans-BoldItalic <<EuroSanBolIta
+zpeurt EuroMono-Regular <<EuroMonReg
+zpeurit EuroMono-Italic <<EuroMonIta
+zpeubt EuroMono-Bold <<EuroMonBol
+zpeubit EuroMono-BoldItalic <<EuroMonBolIta
+
+
+Macintosh psfonts.map entries for
+dvips v5.70 or before, dvips v5.83 and above, and pdftex:
+
+(note that I don't use pdftex; this suggestion might not work)
+
+zpeur EuroSerif-Regular <EuroSerReg
+zpeuri EuroSerif-Italic <EuroSerIta
+zpeub EuroSerif-Bold <EuroSerBol
+zpeubi EuroSerif-BoldItalic <EuroSerBolIta
+zpeurs EuroSans-Regular <EuroSanReg
+zpeuris EuroSans-Italic <EuroSanIta
+zpeubs EuroSans-Bold <EuroSanBol
+zpeubis EuroSans-BoldItalic <EuroSanBolIta
+zpeurt EuroMono-Regular <EuroMonReg
+zpeurit EuroMono-Italic <EuroMonIta
+zpeubt EuroMono-Bold <EuroMonBol
+zpeubit EuroMono-BoldItalic <EuroMonBolIta
+
+
+OzTeX config file entries
+
+zpeur EuroSerif-Regular "Euro Serif" nil
+zpeuri EuroSerif-Italic "Euro Serif" nil i
+zpeub EuroSerif-Bold "Euro Serif" nil b
+zpeubi EuroSerif-BoldItalic "Euro Serif" nil bi
+zpeurs EuroSans-Regular "Euro Sans" nil
+zpeuris EuroSans-Italic "Euro Sans" nil i
+zpeubs EuroSans-Bold "Euro Sans" nil b
+zpeubis EuroSans-BoldItalic "Euro Sans" nil bi
+zpeurt EuroMono-Regular "Euro Monospace" nil
+zpeurit EuroMono-Italic "Euro Monospace" nil i
+zpeubt EuroMono-Bold "Euro Monospace" nil b
+zpeubit EuroMono-BoldItalic "Euro Monospace" nil bi
+
+
+DVI DRIVER CONFIGURATION LINES FOR MARVOSYM
+===========================================
+
+Here are some lines to configure dvips to use the Marvosym fount:
+
+Dvips psfonts.map entries for the original Marvosym fount:
+
+fmvr8x Martin_Vogels_Symbole <marvosym.pfb
+fmvri8x Martin_Vogels_Symbole " .167 SlantFont" <marvosym.pfb
+
+
+Dvips psfonts.map entries for the Y&Y `ATM compatible'
+re-worked Marvosym fount:
+
+fmvr8x Marvosym <marvosym.pfb
+fmvri8x Marvosym " .167 SlantFont" <marvosym.pfb
+
+
+I have assumed that all dvi drivers that can use PostScript Type 1
+founts can also produce fake italic founts by slanting an upright
+version. Because of this, I have made no provision for dvi drivers
+that can't do this. If you have a dvi driver that can't fake an
+italic, please let me know and I'll modify the eurofont package to
+take this into account, probably by adding another option and writing
+a new fd file.
+
+Note for Macintosh users
+
+A Mac version of the Marvosym fount has been created in PostScript Type 1
+and TrueType versions. It uses the Y&Y names as above, and these lines are
+be needed for dvips's psfonts.map file:
+
+fmvr8x Marvosym <Marvo
+fmvri8x Marvosym " .167 SlantFont" <Marvo
+
+And these lines for OzTeX's default config file:
+
+fmvr8x Marvosym Marvosym nil
+fmvri8x Marvosym Marvosym nil i
+
+
+If a version of the original Marvosym fount is ever released for Macs,
+these lines will be needed for dvips's psfonts.map file:
+
+fmvr8x Martin_Vogels_Symbole <MartiVogSym
+fmvri8x Martin_Vogels_Symbole " .167 SlantFont" <MartiVogSym
+
+And these lines for OzTeX's default config file:
+
+fmvr8x MartiVogSym "Martin Vogels Symbole" nil
+fmvri8x MartiVogSym "Martin Vogels Symbole" nil i
+\end{filecontents}
+
+\begin{filecontents}{eurofont.tmp}
+\ProvidesFile{eurofont.tmp}
+\def\batchfile{eurofont.tmp}
+\input{docstrip}
+\keepsilent
+\generateFile{eurofont.sty}{t}{\from{eurofont.dtx}{package}}
+\typeout{Finished stripping the comments from eurofont.dtx.}
+\typeout{}
+\typeout{To finish the installation, put these files in a sensible place}
+\typeout{on your system's TeX search path:}
+\typeout{}
+\typeout{eurofont.sty, eurofont.cfg, and all the files ending in fd.}
+\typeout{}
+\typeout{To produce the documentation, run LaTeX on eurofont.dtx.}
+\typeout{}
+\typeout{To find out what to do with the tfm files, read the documentation.}
+\typeout{}
+\typeout{You might like to keep the original files safe as a backup, or}
+\typeout{in case you want to pass on the eurofont package to someone.}
+\typeout{}
+\typeout{You can delete:}
+\typeout{eurofont.dvi, eurofont.aux, eurofont.toc, eurofont.log, and
+ eurofont.tmp}
+\typeout{}
+\endinput
+\end{filecontents}
+\input{eurofont.tmp}
+\endinput
diff --git a/Master/texmf-dist/doc/fonts/eurofont/eurosamp.pdf b/Master/texmf-dist/doc/fonts/eurofont/eurosamp.pdf
new file mode 100644
index 00000000000..b165862be0a
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/eurofont/eurosamp.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/eurofont/eurosamp.tex b/Master/texmf-dist/doc/fonts/eurofont/eurosamp.tex
new file mode 100644
index 00000000000..2360dc78791
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/eurofont/eurosamp.tex
@@ -0,0 +1,60 @@
+% Simple plain TeX test file for Adobe Euro fonts
+
+\nopagenumbers
+
+\font\eurosansr=zpeurs
+\font\eurosansb=zpeubs
+\font\eurosansi=zpeuris
+\font\eurosansbi=zpeubis
+
+\font\euromonor=zpeurt
+\font\euromonob=zpeubt
+\font\euromonoi=zpeurit
+\font\euromonobi=zpeubit
+
+\font\euroserifr=zpeur
+\font\euroserifb=zpeub
+\font\euroserifi=zpeuri
+\font\euroserifbi=zpeubi
+
+{\bf The `Euro' fonts in ATM compatible Type 1 format from Adobe}
+
+\vskip 2mm
+
+Euro Sans (regular) {\eurosansr This is EuroSans!}
+
+Euro Sans (bold) {\eurosansb This is EuroSans!}
+
+Euro Sans (italic) {\eurosansi This is EuroSans!}
+
+Euro Sans (bold italic) {\eurosansbi This is EuroSans!}
+
+\vskip 2mm
+
+Euro Monospace (regular) {\euromonor This is EuroMonospace!}
+
+Euro Monospace (bold) {\euromonob This is EuroMonospace!}
+
+Euro Monospace (italic) {\euromonoi This is EuroMonospace!}
+
+Euro Monospace (bold italic) {\euromonobi This is EuroMonospace!}
+
+\vskip 2mm
+
+Euro Serif (regular) {\euroserifr This is EuroSerif!}
+
+Euro Serif (bold) {\euroserifb This is EuroSerif!}
+
+Euro Serif (italic) {\euroserifi This is EuroSerif!}
+
+Euro Serif (bold italic) {\euroserifbi This is EuroSerif!}
+
+\vskip 2mm
+
+{\tt http://www.adobe.com/type/eurofont.html}
+
+\vskip 2mm
+
+{\tt ftp://ftp.adobe.com/pub/adobe/type/win/all/eurofont.exe}
+
+\end
diff --git a/Master/texmf-dist/doc/fonts/eurofont/eutest.tex b/Master/texmf-dist/doc/fonts/eurofont/eutest.tex
new file mode 100644
index 00000000000..558f1c83b81
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/eurofont/eutest.tex
@@ -0,0 +1,46 @@
+\documentclass{article}
+\usepackage{times,europs}
+
+\setlength{\parindent}{0mm}
+\setlength{\parskip}{2\baselineskip}
+
+\newcommand{\eutab}[1]{\begin{tabular}{l|cc}%
+ & upright & italic \\%
+\hline%
+medium & \textup{\textmd{#1}} & \textit{\textmd{#1}} \\%
+bold & \textup{\textbf{#1}} & \textit{\textbf{#1}}%
+\end{tabular}}
+
+\begin{document}
+
+\def\sampletext{%
+The Euro symbol \eur{} comes in different shapes, depending on the
+\textbf{current context \eur}. Font changes \textit{can \eur{} be followed,
+\textbf{even if \eur{} they are nested}}. \textsf{Changes of \eur{} the font
+family} \texttt{are handled \eur{} differently.}
+}
+
+\let\eur\EUR
+\sampletext
+
+\textrm{EuroSerif}:\\
+\eutab{\EURtm}\\
+\let\eur\EURtm
+\sampletext
+
+\textsf{EuroSans}:\\
+\eutab{\EURhv}\\
+\let\eur\EURhv
+\sampletext
+
+\texttt{EuroMono}:\\
+\eutab{\EURcr}\\
+\let\eur\EURcr
+\sampletext
+
+\textrm{official}:\\
+\eutab{\EURofc}\\
+\let\eur\EURofc
+\sampletext
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/eurofont/readme.txt b/Master/texmf-dist/doc/fonts/eurofont/readme.txt
new file mode 100644
index 00000000000..86129438266
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/eurofont/readme.txt
@@ -0,0 +1,124 @@
+File readme.txt
+Part of the eurofont package
+Copyright 1998 Rowland McDonnell
+email: rebecca@astrid.u-net.com
+
+The eurofont package consists of the following files:
+
+adobeuro
+ readme.txt
+ tfmfiles
+ zpeub.tfm
+ zpeubi.tfm
+ zpeubis.tfm
+ zpeubit.tfm
+ zpeubs.tfm
+ zpeubt.tfm
+ zpeur.tfm
+ zpeuri.tfm
+ zpeuris.tfm
+ zpeurit.tfm
+ zpeurs.tfm
+ zpeurt.tfm
+eurofont.dtx
+eurofont.ins
+marvosym
+ readme.txt
+ source
+ fmvr8x.afm
+ mvrit.tex
+ tfmfiles
+ original
+ fmvr8x.tfm
+ fmvri8x.tfm
+ yandy
+ fmvr8x.tfm
+ fmvri8x.tfm
+readme.txt
+
+To install the package, do the following:
+
+Run LaTeX on eurofont.ins
+
+Put eurofont.sty, eurofont.cfg, and all the files ending in .fd into a
+directory on your tex-inputs search path.
+
+Run LaTeX on eurofont.dtx and print out the documentation.
+
+Read at least the introductory sections of the documentation.
+
+If you want to use Adobe's Eurofonts, put the files zpeub.tfm -
+zpeurt.tfm (all the files in the adobeuro/tfm/ directory) into a directory
+on your tex-fonts search path. The file dvidrive.txt has
+information on how to configure your dvi driver to use Adobe's Eurofonts.
+
+If you want to use the Marvosym fount, read the eurofont package
+documentation. The file dvidrive.txt has information on how to configure
+your dvi driver to use the marvosym fount.
+
+Read the documentation so you can set up the package to meet your needs.
+
+
+FONTS CONTAINING EURO SYMBOLS
+=============================
+
+Aside from the Text Companion founts which accompany the EC founts (the T1
+encoded version of the standard Computer Modern founts), Metafont euro
+symbols are included in two other founts that I know of, both available
+from CTAN. The following urls retrieve the packages from my nearest CTAN
+mirror:
+
+ftp://ftp.tex.ac.uk/tex-archive/macros/latex/contrib/supported/china2e.zip
+ftp://ftp.tex.ac.uk/tex-archive/fonts/eurosym.zip
+
+(other CTAN sites are listed at the end of this document)
+
+There are PostScript Type 1 founts containing euro symbols: Adobe's
+Eurofonts, a set of 12 founts providing seriffed, sanserif, and monospaced
+euro symbols in medium upright, italic, bold, and bold italic version; and
+the Marvosym fount, which has three euro symbols, very similar to the
+medium upright seriffed, sanserif, and monospaced euro symbols from
+Adobe.
+
+Adobe's Eurofonts are available (September 1998) in a Mac version
+from here:
+
+ftp://ftp.adobe.com/pub/adobe/type/mac/all/eurofont.sea.hqx
+ftp://ftp-pac.adobe.com/pub/adobe/type/mac/all/eurofont.sea.hqx
+
+For Textures users on Macs, take the installer from CTAN:
+
+systems/mac/textures/contrib/IdealFonts/EuroDefs.sit.hqx
+systems/mac/textures/contrib/IdealFonts/README.IF
+
+You should still download Adobe's Eurofonts separately.
+
+And in a version suitable for MS-Windows PCs and Unix from here:
+
+ftp://ftp.adobe.com/pub/adobe/type/win/all/eurofont.exe
+ftp://ftp-pac.adobe.com/pub/adobe/type/win/all/eurofont.exe
+
+these files are self-extracting archives on MS-Windows computers which
+can be decompressed on Unix computers with the unzip command.
+
+The marvosym fount is available from CTAN; this url retrieves the marvosym
+fount from my nearest CTAN site (November 1998):
+
+ftp://ftp.tex.ac.uk/tex-archive/fonts/psfonts/marvosym.zip
+
+
+CTAN SITES -- JANUARY 1999.
+===========================
+
+The three CTAN primary sites:
+
+ctan.tug.org (in Massachusetts, USA)
+ftp.dante.de (in Deutschland)
+ftp.tex.ac.uk (in England)
+
+this url can point you to your nearest CTAN site - there are many more
+than the three above:
+
+http://www.ucc.ie/cgi-bin/ctan
+
+
diff --git a/Master/texmf-dist/doc/fonts/eurosym/COPYING b/Master/texmf-dist/doc/fonts/eurosym/COPYING
new file mode 100644
index 00000000000..8662d314578
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/eurosym/COPYING
@@ -0,0 +1,32 @@
+Copyright (c) 1999-2002 Henrik Theiling
+Licence Version 2
+
+This software is provided 'as-is', without warranty of any kind,
+express or implied. In no event will the authors or copyright holders
+be held liable for any damages arising from the use of this software.
+
+Permission is granted to anyone to use this software for any purpose,
+including commercial applications, and to alter it and redistribute it
+freely, subject to the following restrictions:
+
+1. The origin of this software must not be misrepresented; you must
+not claim that you wrote the original software. If you use this
+software in a product, an acknowledgment in the product documentation
+would be appreciated.
+
+2. Altered source versions must be plainly marked as such, and must
+not be misrepresented as being the original software.
+
+3. You must not use any of the names of the authors or copyright
+holders of the original software for advertising or publicity
+pertaining to distribution without specific, written prior permission.
+
+4. If you change this software and redistribute parts or all of it in
+any form, you must make the source code of the altered version of this
+software available.
+
+5. This notice may not be removed or altered from any source
+distribution.
+
+This licence is governed by the Laws of Germany. Disputes shall be
+settled by Saarbruecken City Court.
diff --git a/Master/texmf-dist/doc/fonts/eurosym/Changes b/Master/texmf-dist/doc/fonts/eurosym/Changes
new file mode 100644
index 00000000000..7a6035d0160
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/eurosym/Changes
@@ -0,0 +1,45 @@
+This is the change log of the Euro currency symbol for TeX/LaTeX.
+(if you want to complain about anything: theiling@coli.uni-sb.de)
+
+30-Apr-2002:
+ - Added licence
+
+6-Aug-1998:
+ - added fixes to the mf file to make the symbol look nice in
+ many different resolutions and sizes
+
+ - added a lot of text to the testeuro.tex documentation file
+
+ - added commands \EUR, \geneuro etc.
+
+ - moved the documentation to doc subdirectory and changed the
+ Makefiles.
+
+ - added a text example with two different shapes of the symbol
+
+ - changed the symbol \char0 in the font to include thin lines
+ showing the construction of the symbol and added it to the
+ docu.
+
+28-Jul-1998:
+ - fixed the amount the bars came out of the symbol on the left.
+ The fix is a hack but a good one. :-)
+
+ - added new characters for only the bars for construction of
+ Euro currency symbols from other fonts' C characters. There
+ are two widths: 100% and 80%. This is due to the fact that
+ most C's are less wide than the Euro glyph
+
+ - fixed the overunder-amount to match the cmr-C in most of the
+ usual sizes
+
+ - changed the bold glyph to look nicer. simply re-drawing the
+ border is ugly
+
+ - threw out the b series and replaced it with bx in the style
+ file because it isn't different anymore. However, for
+ compatibility reasons, the b series should be defined.
+
+27-Jul-1998: version 1.0 completed
+
+26-Jul-1998: initial version
diff --git a/Master/texmf-dist/doc/fonts/eurosym/README b/Master/texmf-dist/doc/fonts/eurosym/README
new file mode 100644
index 00000000000..d83b274715a
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/eurosym/README
@@ -0,0 +1,16 @@
+Thomas Schröder sent me a mail about having composed
+Type1 fonts from the Metafont source. I pass the files
+through to you without checking them, but I suspect
+they are useful.
+
+These fonts are made from an older version of the Eurosym
+package (< 1.4) and so the measures may be slightly different
+from the official construction.
+
+Thomas used textrace to create the g* files and then
+edited them to contain hints using pfaedit. This makes
+the f* series. A map file for dvips is also provided.
+
+Contact Thomas here: schlumpf@mac.com
+
+Have fun!
diff --git a/Master/texmf-dist/doc/fonts/eurosym/doc/Makefile b/Master/texmf-dist/doc/fonts/eurosym/doc/Makefile
new file mode 100644
index 00000000000..180ca36941e
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/eurosym/doc/Makefile
@@ -0,0 +1,14 @@
+all: dummy
+ (cd ../src; $(MAKE))
+
+clean: dummy
+ (cd ../src; $(MAKE) clean)
+
+ps: dummy
+ (cd ../src; $(MAKE) ps)
+
+print: dummy
+ (cd ../src; $(MAKE) print)
+
+dummy:
+
diff --git a/Master/texmf-dist/doc/fonts/eurosym/makemfs b/Master/texmf-dist/doc/fonts/eurosym/makemfs
new file mode 100644
index 00000000000..52bcfa218ff
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/eurosym/makemfs
@@ -0,0 +1,64 @@
+#!/usr/bin/perl
+
+my $pref="fey";
+my $scaleunit= 0.425;
+my $overunder= 0.4;
+
+my $makemf= 0;
+my $maketfm= 0;
+
+$MYTEX= "$ENV{HOME}/lib/tex";
+$ENV{TEXINPUTS}='.//:$TEXMF//'.":${MYTEX}//";
+$ENV{MFINPUTS}='.//:$TEXMF//'.":${MYTEX}//";
+$ENV{TFMFONTS}='.//:$TEXMF/fonts//'.":/var/texfonts//:${MYTEX}//";
+
+sub createshape {
+ my ($size, $suffix, $textline)= @_;
+ my $filename= $pref.$suffix.$size;
+
+ if ($makemf) {
+ $filename.= ".mf";
+ my $text= $textline." dsize=".$size.";";
+ die "trying to overwrite main file..." if ($filename eq "$pref.mf");
+ print "$filename\n";
+ open F, ">$filename";
+ print F "% Created by makeeurosymbols. Don't edit!\n\n";
+ print F "mode_setup;\n\n";
+ print F "boolean doslant, dooutline;\n";
+ print F "numeric boldamount, dsize;\n\n";
+ print F "$text\n\n";
+ print F "font_size 10pt#;\n";
+ print F "scaleunit:= $scaleunit;\n";
+ print F "firstunit#:= scaleunit * pt#;\n";
+ print F "overunder#:= $overunder firstunit#;\n\n";
+ print F "input $pref.mf;\n\n";
+ print F "end.\n";
+ close F;
+ }
+ elsif ($maketfm) {
+ system { "/usr/scripts/maketfm" } "maketfm", $filename;
+ }
+}
+
+for $i (@ARGV) {
+ if ($i =~ /^-tfm$/) {
+ $maketfm= 1;
+ $makemf= 0;
+ }
+ elsif ($i =~ /^-mf/) {
+ $makemf= 1;
+ $maketfm= 0;
+ }
+}
+
+die "You should specify either -mf or -tfm.\n" unless ($maketfm || $makemf);
+
+for $size (10) {
+ for $i ([0,"m"], [2, "b"]) {
+ my ($a,$b) = ($$i[0], $$i[1]);
+ createshape ($size, "${b}r", "doslant:= false; dooutline:= false; boldamount:= $a;");
+ createshape ($size, "${b}o", "doslant:= true; dooutline:= false; boldamount:= $a;");
+ createshape ($size, "${b}l", "doslant:= false; dooutline:= true; boldamount:= $a;");
+ }
+}
+
diff --git a/Master/texmf-dist/doc/fonts/eurosym/rundvips b/Master/texmf-dist/doc/fonts/eurosym/rundvips
new file mode 100644
index 00000000000..c399ec392eb
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/eurosym/rundvips
@@ -0,0 +1,11 @@
+#!/bin/sh
+MYTEX=${HOME}/lib/tex
+TEXINPUTS='.//:$TEXMF/tex//':${MYTEX}//
+MFINPUTS='.//:$TEXMF/mf//':${MYTEX}//
+TFMFONTS='.//:$TEXMF/fonts//':${MYTEX}//
+
+export TEXINPUTS
+export MFINPUTS
+export TFMFONTS
+
+dvips -D600 "$@"
diff --git a/Master/texmf-dist/doc/fonts/eurosym/runlatex b/Master/texmf-dist/doc/fonts/eurosym/runlatex
new file mode 100644
index 00000000000..66f197322b3
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/eurosym/runlatex
@@ -0,0 +1,11 @@
+#!/bin/sh
+MYTEX=${HOME}/lib/tex
+TEXINPUTS='.//:$TEXMF//':${MYTEX}//
+MFINPUTS='.//:$TEXMF//':${MYTEX}//
+TFMFONTS='.//:$TEXMF/fonts//':/var/texfonts//:${MYTEX}//
+
+export TEXINPUTS
+export MFINPUTS
+export TFMFONTS
+
+latex "$@"
diff --git a/Master/texmf-dist/doc/fonts/eurosym/src/Makefile b/Master/texmf-dist/doc/fonts/eurosym/src/Makefile
new file mode 100644
index 00000000000..ca27dd70971
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/eurosym/src/Makefile
@@ -0,0 +1,91 @@
+RCSFILES=../sty/eurosym.sty \
+ fey.mf \
+ ../README \
+ ../Changes \
+ ../doc/testeuro.tex \
+ makemfs \
+ Makefile
+TARDIR=$(HOME)/transfer
+VERSION=1.3
+
+SHAPES=bl bo br ml mo mr
+FILES=$(addprefix fey, $(addsuffix 10, $(SHAPES)))
+
+MF_FILES= $(addsuffix .mf, $(FILES))
+TFM_FILES= $(addprefix ../tfm/, $(addsuffix .tfm, $(FILES)))
+
+all: mf tfm feymr10.dvi feybr10.dvi ../doc/testeuro.dvi
+.PHONY: All
+
+.PRECIOUS: $(TFM_FILES) $(MF_FILES)
+
+%.dvi: %.2602gf
+ gftodvi $<
+
+%.2602gf: %.mf fey.mf
+ mf $<
+
+feymr10.mf feybr10.mf: makemfs
+ ./makemfs -mf
+
+../doc/testeuro.dvi: ../doc/testeuro.tex feymr10.mf
+ (cd ../doc; latex testeuro.tex)
+
+.PHONY: clean
+clean: clean-keep-tfm
+ rm -f ../tfm/*.tfm
+
+.PHONY: clean-keep-tfm
+clean-keep-tfm:
+ rm -f /var/texfonts/tfm/fey*.tfm
+ rm -f /var/texfonts/pk/*/fey*.*pk
+ rm -f ../doc/fey*.*pk
+ rm -f *.log *.aux *.2602gf *.600gf *10.mf *~ *.ps* ../doc/*.ps* ../doc/*.log ../doc/*.aux
+ rm -f *.tfm
+ cat /dev/null >../doc/testeuro.dvi
+ cat /dev/null >feymr10.dvi
+ cat /dev/null >feybr10.dvi
+
+
+.PHONY: mf
+mf:
+ ./makemfs -mf
+
+%.mf: mf
+
+%.tfm: %.mf
+ mf '\mode:=ljfour; mag:=1; nonstopmode; input $<'
+
+../tfm/%: %
+ cp $< $@
+
+.PHONY: tfm
+tfm: mf
+ $(MAKE) $(TFM_FILES)
+
+dummy:
+
+ps: ../doc/testeuro.ps.gz
+
+print: ../doc/testeuro.ps.gz
+ lpr $<
+
+../doc/testeuro.ps.gz: ../doc/testeuro.dvi
+ rm -f $@
+ (cd ../doc; dvips -D600 testeuro.dvi -o testeuro.ps && gzip -f testeuro.ps)
+
+ci: dummy
+ for i in $(RCSFILES); do \
+ if [ -w $$i ]; then \
+ ci $$i </dev/null; \
+ fi; \
+ if [ ! -f $$i ]; then \
+ co $$i </dev/null; \
+ fi; \
+ done
+
+.PHONY: cleandvi
+cleandvi: dummy
+ rm -f *.dvi ../doc/*.dvi
+
+
diff --git a/Master/texmf-dist/doc/fonts/eurosym/testeuro.tex b/Master/texmf-dist/doc/fonts/eurosym/testeuro.tex
new file mode 100644
index 00000000000..f8e736dc61c
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/eurosym/testeuro.tex
@@ -0,0 +1,278 @@
+\documentclass[10pt]{article}
+
+\usepackage{german}
+\usepackage[official,right]{eurosym}
+\usepackage{multicol}
+
+\makeatletter
+
+\def\finalpagebreak{\vfill\pagebreak}
+
+%\usepackage{standard}
+
+\oddsidemargin 0 in % Note that \oddsidemargin = \evensidemargin
+\evensidemargin 0 in
+%\marginparwidth 0.75 in
+\textwidth 6.375 true in % Width of text line.
+%\textheight 21cm
+%\topmargin-1cm
+
+\renewcommand\section[1]{%
+ \par\vspace{0.5\baselineskip}%
+ \noindent{\bfseries\large #1}%
+ \\[0.5\baselineskip]}
+
+\def\EUR{\,\euro}
+
+\def\oldefault{ol}
+\DeclareRobustCommand\olshape{\fontshape\oldefault\selectfont}
+
+\setlength\parskip{0.5\baselineskip}
+\setlength\parindent{0pt}
+
+\begin{document}
+\begin{centering}
+\LARGE{The European Currency Symbol \euro{} for \LaTeX}\\
+\vspace*{4mm}
+\large{by Henrik Theiling}\\
+\large{\tt theiling@coli.uni-sb.de}\\
+\end{centering}
+\vspace*{2\baselineskip}
+
+%======================================================================
+\section{Why?}
+The European currency symbol \euro{} is already available for \LaTeX{}
+in different packages (Text-Companion fonts, Marvosym package,
+etc.{}). However, I wanted to create a symbol that is constructed
+according to the official European Commision's definitions.
+Furthermore, I wanted to do it with {\sf METAFONT} because I don't
+like to use PostScript fonts because they are likely to create
+compatibility problems.
+
+\section{Usage}
+At the beginning of the document in the pre-amble, declare
+\verb:\usepackage{eurosym}:. Then the new commands
+\verb:\officialeuro{}:, \verb:\geneuro{}:, \verb:\geneuronarrow{}: and
+\verb:\geneurowide{}: create \officialeuro{}, \geneuro{},
+\geneuronarrow{}, and \geneurowide{} resp. The latter three create an
+overlayed symbol from the current font's C and the two horizontal bars
+with three different lengths. Of course you should only use the
+latter commands if the font you're using lacks the \officialeuro{}
+symbol or you don't like ``\officialeuro{}'' for some reason.
+Officially, ``\officialeuro{}'' has to be used with all the fonts
+because it's the only official shape. However, this doesn't always
+look nice (especially in bold or oblique font shapes). Furthermore,
+even the OCR draft suggests a different shape for OCR-B.
+
+There is also the command \verb:\euro{}: which defaults to be a
+shortcut for \verb:\officialeuro{}:. You can set a different default
+symbol by either declaring e.\,g.{} \verb:\let\euro=\eurogen: or by
+using one of the package options {\tt{}official}, {\tt{}gen},
+{\tt{}gennarrow} or {\tt{}genwide}.
+
+There is a convenient command \verb:\EUR{:\dots\verb:}: which lets you
+typeset an amount of money nicely (with a micro space \verb:\,:
+between the symbol and the number). Because in some countries the
+symbol has to appear on the left of the number while in others it has
+to be on the right, the packages recognizes the two options {\tt left}
+and {\tt right}. So if you put \verb:\usepackage[left]{eurosym}: at
+the beginning of your document, \verb:\EUR{1000}: will create
+\euro{}\,1000, while a \verb:\usepackage[right]{eurosym}: makes it
+appear as 1000\,\euro{}. The package default is {\tt [left]} unless
+the {\tt german} package was included {\em before\/} the {\tt eurosym}
+package. You can change the shape of the symbol that \verb:\EUR: uses
+by redefining \verb:\euro:.
+
+%======================================================================
+\section{Table of Commands}
+Here is a table of the major commands:
+
+\begin{tabular}{ll}
+\verb:\usepackage[:{\it options}\verb:]{eurosym}:
+ & include the eurosym package. Available options:\\
+ & {\tt left}, {\tt right}, {\tt official}, {\tt gen},
+ {\tt gennarrow}, {\tt genwide}.\\
+\verb:\euro{}:
+ & create a \euro{} symbol. The shape depends on the \\
+ & package options and defaults to \verb:\officialeuro{}:\\
+\verb:\EUR{:{\it amount}\verb:}:
+ & typeset an amount of \euro{}. The position of the\\
+ & currency symbol depends on the package option and\\
+ & defaults to {\tt left} except the {\tt german} package\\
+ & is loaded in which case it defaults to {\tt right}.
+\end{tabular}
+
+\noindent There should generally be no need to use the following minor
+commands.
+
+\begin{tabular}{ll}
+\verb:\officialeuro{}: & create a \officialeuro{} symbol\\
+\verb:\geneuro{}: & create a \geneuro{} symbol\\
+\verb:\geneuronarrow{}: & create a \geneuronarrow{} symbol\\
+\verb:\geneurowide{}: & create a \geneurowide{} symbol\\
+\verb:\eurobars{}: & create only the bars of the symbol: \eurobars\\
+\verb:\eurobarsnarrow{}: & create the bars of the symbol in 80\% width: \eurobarsnarrow\\
+\verb:\eurobarswide{}: & create the bars of the symbol in 120\% width: \eurobarswide\\
+\end{tabular}
+
+\section{Exact Sizes}
+A \euro{} symbol is as tall as a C. The {\tt bx}-shaped version
+should be a little wider than the normal one and should of course be
+bold.
+
+\vspace*{2mm}
+\setlength\fboxsep{0pt}
+\setlength\fboxrule{0.1pt}
+\def\EC#1{\def\f@size{#1}\selectfont\let\ff=\f@size{\normalsize\ff\,pt:} \fbox{\euro{}C}}
+\begin{tabular}{lll@{\qquad}ll}
+{\EC{24.88}} & {\EC{10}} & {\EC{6}} & \tt n & \noindent{\Huge \fbox{\euro{}}}\\
+{\EC{17.28}} & {\EC{9}} & {\EC{5}} & \tt b & \noindent{\Huge \fbox{\bfseries\euro}{}}\\
+{\EC{14.4}} & {\EC{8}} & & &\\
+{\EC{12}} & {\EC{7}} & & &\\
+\end{tabular}
+
+
+\section{Appearance in Text}
+\setlength\parskip{0.5ex}
+\begin{tabular}{lll}
+\mddefault & \updefault & Ich bezahlte 500\EUR{} f\"ur das Radio. Bzw. 1000\,\geneuro{} f\"ur den Fernseher.\\
+\mddefault & \sldefault & \slshape Ich bezahlte 500\EUR{} f\"ur das Radio. Bzw. 1000\,\geneuro{} f\"ur den Fernseher. \\
+\mddefault & \itdefault & \itshape Ich bezahlte 500\EUR{} f\"ur das Radio. Bzw. 1000\,\geneuro{} f\"ur den Fernseher. \\
+\mddefault & \scdefault & \scshape Ich bezahlte 500\EUR{} f\"ur das Radio. Bzw. 1000\,\geneuro{} f\"ur den Fernseher. \\
+\bfdefault & \updefault & \bfseries Ich bezahlte 500\EUR{} f\"ur das Radio. Bzw. 1000\,\geneuro{} f\"ur den Fernseher. \\
+\bfdefault & \sldefault & \bfseries\slshape Ich bezahlte 500\EUR{} f\"ur das Radio. Bzw. 1000\,\geneuro{} f\"ur den Fernseher. \\
+\bfdefault & \itdefault & \bfseries\itshape Ich bezahlte 500\EUR{} f\"ur das Radio. Bzw. 1000\,\geneuro{} f\"ur den Fernseher.
+\end{tabular}
+
+\section{Table of Shapes}
+The following shapes are derived from the official symbol ``Euro glyph''.\\
+\let\testeuro\euro
+\begin{tabular}{l|ccc}
+ & \tt\updefault=\tt\scdefault & \tt\sldefault=\tt\itdefault & \tt\oldefault \\\hline
+\tt\mddefault & \testeuro & \slshape\testeuro &{\olshape\officialeuro}\\
+\tt\bfdefault & \bfseries\testeuro & \bfseries\slshape\testeuro &{\bfseries\olshape\officialeuro}\\
+\end{tabular}
+
+The style file defines \verb:\slshape: as \verb:\itshape: for this symbol and
+normal shape for \verb:\scshape:.
+
+\section{Table of Generic Shapes}
+The font also contains only the bars for a fast hacking way to create the Euro currency
+symbol with fonts that don't contain it. Usually you can simply use \verb:\geneuro: to
+get a hacked Euro symbol for the current font.
+
+\begin{tabular}{l|cc}
+ & \tt\updefault & \tt\sldefault \\\hline
+\tt\mddefault & \geneuro & \slshape\geneuro \\
+\tt\bfdefault & \bfseries\geneuro & \bfseries\slshape\geneuro
+\end{tabular}
+
+If the font you are using is wider or more narrow so that the sizes of
+the bars don't look nice for that font, you can either try
+\verb:\geneuronarrow: or \verb:\geneurowide:.
+
+\begin{tabular}{l|cccc}
+ & \multicolumn{2}{c}{\tt{$\backslash$}geneuronarrow}
+ & \multicolumn{2}{c}{\tt{$\backslash$}geneurowide}\\
+ & \tt\updefault & \tt\sldefault
+ & \tt\updefault & \tt\sldefault \\\hline
+\tt\mddefault & \geneuronarrow & \slshape\geneuronarrow
+ & \geneurowide & \slshape\geneurowide \\
+\tt\bfdefault & \bfseries\geneuronarrow & \bfseries\slshape\geneuronarrow
+ & \bfseries\geneurowide & \bfseries\slshape\geneurowide
+\end{tabular}
+
+%======================================================================
+\section{Construction of the Symbol}
+The construction is taken from the German c't Magazine, 11/98,
+page~211. That construction was missing one measure. A completion of
+my construction was reported by Dr. Werner Gans, who found the full
+construction in `Encyclopaedia Britannica, Book of the Year 2002'.
+
+Let the line thickness be $x$. Then the radius of the inner circle is
+$5\,x$ and the distance between the inner bars is $x$. The angle of
+the opening on the right is $80^\circ$. The $x$-coordinate of the
+left pointed end of the bars is $8\,x$ from the center. All the other
+points are obtained by intersection of lines and by parallelism.
+
+\noindent
+\setlength\unitlength{1mm}
+\begin{picture}(80,80)
+\put(30,15) {\mbox{\fontencoding{U}\fontfamily{eurosym}\def\f@size{200}\selectfont\char0}}
+\put(66,38) {\mbox{$80^\circ$}}
+\put(30.3,6) {\mbox{$\longleftarrow\hbox to20pt{~} 8 \times \hbox to20pt{~}\longrightarrow$}}
+\put(38.7,10){\mbox{$\longleftarrow\hbox to8pt{~} 6 \times \hbox to8.2pt{~}\longrightarrow$}}
+\put(43,38) {\mbox{$\longleftarrow\hbox to2pt{~} 5 \times \hbox to2pt{~}\longrightarrow$}}
+\end{picture}
+
+\section{Example in a Longer Text}
+In the following, I've copied an article from a local newspaper
+(Neue Westf\"alische, Nr.~174, Donnerstag, 30.~Juli 1998) containing
+money amounts and changed ``DM'' to ``\euro'' or ``\geneuro''
+resp.{} in order to give an impression of how it looks in a longer
+text.
+
+\setlength\premulticols{0pt}
+\setlength\postmulticols{0pt}
+\def\thetesttext{
+\noindent\leftline{\large\bfseries Erzeugergemeinschaft plant bis zum Jahr
+2003 Verdopplung des Umsatzes}\\[2ex]
+\noindent\leftline{\Large\bfseries EGO will Riesenvorsprung nutzen}
+\begin{multicols}{3}
+\begin{bfseries}
+\noindent B\,i\,s\,s\,e\,n\,d\,o\,r\,f\,/\,L\,a\,g\,e (blo).
+Verbraucher kaufen Fleisch- und Wurstwaren
+inzwischen sehr kritisch ein, gehen wieder viel h\"aufiger ins
+Fleischerfachgesch\"aft. Das kommt der EGO (Erzeugergemeinschaft
+f\"ur Schlachtvieh im Raum Osnabr\"uck e.\,G.{}) mit Ihren
+"`Eichenhof"'-Produkten entgegen. Die EGO setzt auf
+nachpr\"ufbare Herkunft und Qualit\"at, kooperiert mit 175 Fleischereien
+und plant bis zum Jahr 2003 eine Umsatzverdopplung auf 400 Mio.{}\,\Euro{}.
+\end{bfseries}
+\par\vspace{1ex}
+\noindent Dabei kann die EGO ein gro\ss es Pfund in die Waagschale
+werfen. "`Wir haben mindestens 15~Jahre Vorsprung."' erkl\"arte
+gesch\"aftsf\"uhrender Vorstandsvorsitzender Karl-Heinz
+H\"ugelsmeyer in Bissendort. Der Vorsprung sind die strengen Kriterien,
+nach denen der genossenschaftliche Zusammenschlu\ss{} vor knapp
+700~vertraglich gebundenen b\"auerlichen Familienbetrieben zwischen
+Teutoburger Wald und Wiehengebirge arbeitet: Tiergerechte Schweine- und
+Rinderhaltung mit festen Regeln f\"ur F\"utterung, Zucht und
+Aufzucht, Andienungspflicht und Abnahmegarantie, Sauberkeit der Produktion,
+Regelverst\"o\ss{}e werden hart mit Ausschlu\ss{} geahndet.
+\par\vspace{1ex}
+\noindent Die Landwirte profitieren durch gute Auszahlungspreise und
+Pr\"amien an die Mitglieder in 1997 aus, berichtete Gesch\"aftsf\"uhrer
+Rudolf Fester. Er l\"ost am 1.~August EGO-Gr\"under Karl-Heinz
+H\"uggelsmeyer als Vorstandschef ab. Der 65j\"ahrige H\"uggelsmeyer
+wird noch f\"ur einige Jahre als Gesch\"aftsf\"uhrer der Tochterfirmen
+Pieper (Lage) und Kinnius (Osnabr\"uck) t\"atig sein. diese beiden
+Verarbeitsbetriebe erzielen den Angaben zufolge derzeit positivere
+Ergebnisse als 1997, weil die Rohstoffpreise sinken. Insgesamt
+stehe die EGO besser da als vor einem Jahr. F\"ur 1998 rechnet
+die 210~Mitarbeiter besch\"aftigende Gruppe mit 200~Mio.{}\,\Euro{},
+davon 5~Mio.{}\,\Euro{} mit Convenience-Produkten. Sie sollen
+einmal 15~Mio.{}\,\Euro{} bringen. 1997 war der EGO-Umsatz um
+7\% auf 197~Mio.{}\,\Euro{} gestiegen.
+\par\vspace{1ex}
+\noindent Die Landschlachterei Pieper, die einige ihrer
+Abnehmer ausgesiebt hat, kam dabei im Vorjahr auf
+29,3 (Vorjahr 30,3) Mio.{}\,\Euro{}\@. Die Zahl der
+Mitgliedsbetriebe stieg um gut 100 auf~687. Aus der Fusion mit
+der Erzeugergemeinschaft Minden-Ravensberg-Lippe (Herford),
+die 320~Mitglieder hatte, kamen nur 81~Betriebe hinzu. Das Gros
+wurde nicht \"ubernommen. Zitat: "`Die wollten unsere Kriterien
+nicht erf\"ullen."'
+\end{multicols}
+}
+
+\sloppy
+\vfill\pagebreak
+\let\Euro\euro
+\thetesttext
+
+\vfill\pagebreak
+\let\Euro\geneuro
+\thetesttext
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/fourier/README b/Master/texmf-dist/doc/fonts/fourier/README
new file mode 100644
index 00000000000..0eeb010b9fe
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fourier/README
@@ -0,0 +1,241 @@
+Fourier-GUTenberg distribution, Michel Bovani michel.bovani@wanadoo.fr
+
+1 VERSIONS
+2 LICENCE
+3 INSTALLATION
+4 CONFIGURATION
+5 USAGE
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+1 VERSION
+This version number is 1.4.1 (2005-1-30)
+NEW in version 1.4.1:
+
+* no more gap in long arrows symbols
+
+* two new symbols: \decosix and \starredbullet
+
+* Bernard Gaulle's Makefile come back.
+
+
+NEW in version 1.4 (2005-1-1):
+
+* The widespace option works again (was broken in 1.3)
+
+* Bold versions of FML encoded fonts (essentially greek and latin letters).
+Thanks to Timur Mukhamedjanov who designed a first version that was
+already pretty good.
+The \boldmath command and the bm package seem to be correctly supported.
+
+* Variants of varpi and partialdiff symbols (closer to the cm design).
+The commands are \varvarpi and \varpartialdiff.
+
+* New amssymb-like symbols (\leftleftarrows, \rightrightarrows, \square,
+\blacksquare, \curvearrowleft, \curvearrowright, \subsetneqq).
+
+* Ornaments are now provided by the fourier-orns package, which is required
+ by fourier, but may be called separately.
+
+* New ornaments symbols. The commands are \decothreeleft
+\decothreeright \decofourleft \decofourright, \floweroneleft, \floweroneright,
+\lefthand, \righthand, \bomb.
+
+* No more gap between the square root and its overbar. Thanks to Hans Hagen
+ and Sebastian Sturm who find that (it was an italic correction problem).
+
+* \rmdefaut redefinition made before calling fontenc (in order to
+allow fourier usage even if cork-encoded cm aren't insalled).
+Thanks to Robin Fairbanks who pointed that out.
+
+* Capital greek letters are now mathord (instead of mathalpha). Thanks
+to Yvon Henel who reported that.
+
+* Metrics improved in math... (I hope!). Thanks to all who reported
+metrics features. I do my best to do correction, but it is a long way...
+
+* The \widehat and \widetilde symbols are no longer intercepted by amssymb.
+(Thanks to Peter Harmand for his help).
+
+NEW in version 1.3 (2004-03-12).
+
+* There is now an UNIX makefile. Many thanks to Bernard Gaulle
+who made it.
+
+* Bug corrected in the ornaments font (the Poscript name didn't match
+ fourier.map)
+
+* There is a new symbol in the ornament font.
+
+
+NEW in version 1.2 (LaTeX Companion 2) 2004-03-02
+
+* Bug corrected in fourier.map. Thanks to Walter Schmidt for pointing this
+out.
+
+* The titling fonts are now named putrd8a.pfb, futrd8r.tfm, futrd8t.tfm,
+futrd8t.vf, according to the Karl Berry scheme. Thanks to Dr Peter Schenzel
+for pointing this out.
+
+* The commands \dblbrackleft and \dblbrackright are deprecated and replaced
+by \llbracket and \rrbracket.
+
+* It is now possible to call amsmath after fourier. Collaboration between the
+two packages had been improved (many thanks to Walter Schmidt).
+
+* There is a new option (widespace) which enlarge the default interword space
+of Utopia
+
+* There is a new ornament font with 15 new symbols.
+
+* The \eurologo is now in the ornament font (was in a wrong place in the
+TS1 encoding, shame on me). Thanks to Frank Mittelbach and Thierry Bouche
+for their help.
+
+* All character codes are now decimal number (no more clash with
+(n)german.sty). Thanks to Walter Schmidt for pointing this out.
+
+
+
+
+2 LICENCE
+The licence of fourier-GUTenberg is lppl (latex public
+project licence). All the files of this distribution remain in directories
+wich name is "fourier".
+texmf/dvips/fourier
+texmf/fonts/tfm/public/fourier
+texmf/fonts/type1/public/fourier
+texmf/fonts/vf/public/fourier
+texmf/tex/latex/fourier
+
+BEWARE
+fourier uses utopia as his base font. Utopia has been gracefully donated by
+Adobe but his licence is more restrictive than LPPL (it is nocharge and
+freely distributable software, but it's *not* free software.)
+Four files are concerned by this licence :
+texmf/fonts/type1/adobe/utopia/putr8a.pfb
+texmf/fonts/type1/adobe/utopia/putri8a.pfb
+texmf/fonts/type1/adobe/utopia/putb8a.pfb
+texmf/fonts/type1/adobe/utopia/putbi8a.pfb
+
+And here is the licence of utopia
+
+% The following notice accompanied the Utopia font:
+%
+% Permission to use, reproduce, display and distribute the listed
+% typefaces is hereby granted, provided that the Adobe Copyright notice
+% appears in all whole and partial copies of the software and that the
+% following trademark symbol and attribution appear in all unmodified
+% copies of the software:
+%
+% Copyright (c) 1989 Adobe Systems Incorporated
+% Utopia (R)
+% Utopia is a registered trademark of Adobe Systems Incorporated
+%
+% The Adobe typefaces (Type 1 font program, bitmaps and Adobe Font
+% Metric files) donated are:
+%
+% Utopia Regular
+% Utopia Italic
+% Utopia Bold
+% Utopia Bold Italic
+
+Note that Adobe sells two packages of fonts (utopia = 6 fonts, and utopia
+expert = 16 fonts) which are fully usable with fourier (see expert and
+oldstyle options below).
+
+3 - INSTALLATION
+The texmf tree provides a standard TDS.
+You have to install all the "fourier" directories of the fourier texmf tree
+in one of yours texmf trees.
+
+If you don't still have the four utopia fonts (texmf/fonts/type1/adobe/utopia/),
+you have to install them too.
+
+If you have a licence for the commercial utopia packages, you have to
+rename the *.pfb files to suit the declarations in fourier-utopia-expert.map
+ (or to modify this file). Mac fonts should be contverted to pfb format (with
+t1unmac, for instance).
+
+4 - CONFIGURATION
+With updmap
+run
+% updmap --enable Map fourier.map
+
+if you need to install the commercial packages
+
+% updmap --enable Map fourier-utopia-expert.map
+
+If you don't have updmap or don't want to use it
+For dvips, add these lines in config.ps
+p +fourier.map
+eventually
+p +fourier-utopia-expert.map
+
+For pdf(la)tex add these lines in pdftex.cfg
+map +fourier.map
+eventually
+map +fourier-utopia-expert.map
+
+If you have problems when installing fourier, please tell me.
+
+5 - USAGE
+
+If you need more symbols ask me (I don't promise anything if you need a
+complete alphabet!)
+
+Usage : \usepackage[<options>]{fourier}
+Don't call \usepackage[T1]{fontenc} or \usepackage{textcomp} as they are
+already loaded by fourier.
+
+
+The options are
+
+* maths : sloped (default) and upright. With upright greek lowercases are
+upright and so are roman uppercases (a la french!).
+
+\otheralpha, \otherbeta, etc. can be used to switch to the other-sloped
+greek symbol.
+
+* text :
+-- poorman (default) the 4 standard fonts
+-- expert: expert full set (if you have the fonts!) with lining digits
+-- oldstyle: expert set with oldstyle text digits
+-- fulloldstyle: expert set with oldstye digits in text and in math.
+
+with the three last options the following commands are provided
+\sbseries \textsb semi-bold
+\blackseries \textblack extra-bold
+\titleshape \texttitle titling (caps only)
+
+ \lining and \oldstyle allow you to change the style of digits (use them in
+a group).
+
+amsmath compatibility: full (I hope).
+
+amssymb :
+No need to call it if you only need:
+
+\mathbb (A..Z, 1, k)
+
+\leqslant\geqslant\vDash\intercal\blacktriangleleft\blacktriangleright
+\nleqslant\ngeqslant\nparallel\complement\hslash\nexists\varsubsetneq
+
+If you need others amssymb symbols please, call amssymb *before* fourier
+
+Other commands:
+
+A slanted parallel symbol (french poeple like it!)
+$\parallelslant$
+$\nparallelslant$
+
+More integrals
+$\iint,\iiint$
+$\oiint,\oiiint,\slashint$
+\[\iint,\iiint,\oiint,\oiiint,\slashint\]
+
+A special QED symbol for a false proof (of course you need it, don't you ?)
+$\thething$
+
+XSwords symbols
+$\xswordsup$ $\xswordsdown$
+
diff --git a/Master/texmf-dist/doc/fonts/fourier/fourier-doc-en.pdf b/Master/texmf-dist/doc/fonts/fourier/fourier-doc-en.pdf
new file mode 100644
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--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fourier/fourier-doc-en.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/fourier/fourier-doc-en.tex b/Master/texmf-dist/doc/fonts/fourier/fourier-doc-en.tex
new file mode 100644
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+\documentclass[a4paper,11pt]{article}
+\usepackage[latin1]{inputenc}
+\usepackage{amsmath}
+\usepackage[sloped]{fourier}
+\usepackage{bm}
+\usepackage[frenchb,english]{babel}
+\renewcommand{\labelitemi}{\lefthand}
+\setlength{\leftmargini}{1em}
+\newcommand{\fourier}{Fourier-GUT\textit{enberg}}
+\renewcommand{\ttdefault}{lmtt}
+\title{\decofourleft{}\,Fourier-GUT{\itshape enberg}\,\decofourright}
+\author{Michel Bovani\\\texttt{michel.bovani@wanadoo.fr}}
+%%\renewcommand{\FrenchLabelItem}{\textbullet}
+\begin{document}
+\maketitle
+
+\section{What is \fourier{}?}
+\fourier{} is a \LaTeX{} typesetting system wich uses Adobe Utopia as its standard base font.
+Adobe Utopia has been choosen for several reasons. The main of them is that
+four typefaces from the Utopia fonts packages have been gracefully donated to the X-consortium by
+Adobe. These typefaces (Utopia Regular, Utopia Italic, Utopia Bold, Utopia Bold Italic)
+ are free of charges, and freely distributable (but it is \emph{not} free software:
+ see the licence in the read-me file!).
+\par
+Shortly, here are the main features of \fourier:
+\begin{itemize}
+\item \fourier{} provides all complementary typefaces needed to allow Utopia based \TeX{} typesetting.
+The system is absolutely stand-alone: apart from Utopia and fourier, no other typefaces are required.
+\item \fourier{} provides two greeks, slanted and upright, that may be used in the same document.
+\item It make it possible to typeset ``ŕ la french'': upright roman uppercases,
+and upright greek in math mode.
+\item \fourier{} do not use OT1 encoding at all. As in standard \LaTeX{} greek uppercases
+are in the text OT1 font, maths encodings have been redefined.
+\item It is \emph{fully} T1 encoded: text symbols like ``dottlessj'' (\j, \textbf{\j}) or ``eng'' (\ng, \NG) are provided
+through a virtual fonts mechanism.
+\item Optionnaly, the commercial Adobe expert complement may be fully used by fourier.
+It includes old-style digits, real (not faked) small caps, semi-bold, extra-black, etc.
+ It may be usefull for professionnal typesetting, but of course, you have to buy the fonts!
+\item The \verb=\boldmath= command is not still fully implemented, \emph{but} there are
+ now bold versions of math letters fonts, which can be used with the
+ \verb=\bm= command (package \texttt{bm.sty} which \emph{must} be called after \texttt{fourier.sty}): $\bm{\alpha x +\beta y}$.
+ \item \fourier{} provides specific symbols, in math mode ($\llbracket,
+\rrbracket$, $\oiiint$) and in text mode (\texteuro, \eurologo, \aldineright).
+\item There is a new package provided with \fourier{}: \texttt{fourier-orns}.
+This is for those who want only the \fourier{} logos \& decos, but not the \fourier{} fonts.
+\textit{Please don't call it if you call \texttt{fourier}}.
+\end{itemize}
+
+\section{Installation \textsc{\&} setup}
+The texmf tree provides a standard TDS.
+You have to install all the \texttt{fourier} directories of the fourier texmf tree
+in one of yours texmf trees, according to your TDS specifications.
+
+\begin{description}
+\item[WARNING:] Note that in not up to date distributions, the \fourier{} map files
+should be in
+
+\texttt{texmf/dvips/fourier}
+
+and \emph{not} in
+
+\texttt{texmf/fonts/map/dvips/fourier}
+\end{description}
+If you don't still have the four Utopia fonts, you have to install them too in
+
+\texttt{texmf/fonts/type1/adobe/utopia/}
+
+If you have a licence for the commercial Utopia packages, you have to
+rename the *.pfb files to suit the declarations in \texttt{fourier-utopia-expert.map} (or to
+modify this file). Mac fonts should be contverted to pfb format (with
+\texttt{t1unmac}, for instance).
+
+You have now to setup your installation.
+Depending, of the choosen texmf tree, it is possible that you have to regenerate
+first the database (\texttt{mktexlsr} command, for instance).
+
+Then, if you have a recent \texttt{web2c} distribution
+(teTeX, TeXlive, fpTeX...), just run updmap.
+
+\begin{description}
+\item[UNIX:]\quad
+\begin{verbatim}
+ % updmap --enable Map fourier.map
+\end{verbatim}
+If you want to install the commercial complement too (remember that you will have to buy it...)
+\begin{verbatim}
+ % updmap --enable Map fourier-utopia-expert.map
+\end{verbatim}
+\item[Windows:]\quad
+\begin{verbatim}
+ % updmap --enable Map=fourier.map
+\end{verbatim}
+If you want to install the commercial complement too (remember that you will have to buy it...)
+\begin{verbatim}
+ % updmap --enable Map=fourier-utopia-expert.map
+\end{verbatim}
+
+\end{description}
+ Please note that the setting
+ of the dvi previewer is not documented here. On a \texttt{web2c} distribution, \texttt{updmap} should do it.
+
+If you don't have \texttt{updmap} or if the syntax doens not match the described command, please tell me.
+
+\section{Usage}
+\subsection{Calling \fourier}
+You call \fourier{} with:
+\begin{verbatim}
+ \usepackage[<options>]{fourier}
+\end{verbatim}
+The options are:
+\begin{enumerate}
+\item \texttt{sloped} (default): in maths, lowercase greek is slanted, uppercase greek is upright, roman uppercase are slanted.
+\[M\in\Gamma \iff OM=x\rho\]
+\item \texttt{upright} (ŕ la french): in maths, lowercase and uppercase greeks are upright, and so is roman uppercase.
+\[\mathrm{M}\in\Gamma \iff \mathrm{OM}=x\otherrho\]
+\item \texttt{widespace}: this option offers a larger interword space to those who think that the standard space of Utopia is too narrow\ldots
+\item \texttt{expert}, \texttt{oldstyle}, \texttt{fulloldstyle}: in order to use these options you need the commercial complements of Utopia.
+The \texttt{expert} option provides small caps (not faked), semi-bold, extra-black, (see the commands below) and more symbols in the TS1 companion encoding. The \texttt{oldstyle} option is the same, with oldstyle digits in text mode, and the \texttt{fulloldstyle} option is the same with oldstyle digits in text mode and in math mode.
+\item \texttt{poorman} (default): if you don't have the commercial complement, you must use this option. The main disadvantage is that small caps will became \textsc{reduced Caps}.
+\end{enumerate}
+\subsection{Text commands}
+First it is not usefull to call the T1 encoding (\verb=\usepackage[T1]{fontenc}=)
+because \verb=fourier= will do it anyway.
+
+Note that the T1 encoding have been completed:
+\begin{itemize}
+\item \verb=\j=\quad \j, \textbf{\j}, \textit{\bfseries\j} etc.
+\item \verb=\ng=, \verb=\NG=\quad \ng, \NG, \textit{\ng},
+\textbf{\NG} etc.
+\item \verb=\textperthousand=, \verb=\textpertenthousand= \quad
+\textperthousand, \textpertenthousand, \textbf{\textperthousand},
+\textbf{\itshape\textpertenthousand} etc.
+\end{itemize}
+\subsection{The companion encoding}
+The TS1 encoding is generally used through the
+ \verb=textcomp= package. This encoding is not fully implemented in \fourier{}
+ and the \verb=textcomp= package is called by \texttt{fourier}
+ \par What is avaible is roughtly what is provided in the adobe standard encoding, with some complements:
+\begin{itemize}
+\item The euro symbol: \verb=\texteuro= \texteuro,
+\textit{\texteuro}, \textbf{\texteuro}, \textbf{\itshape\texteuro}.
+%%\item A leaf: \verb=\textleaf= \textleaf
+\end{itemize}
+\par
+\subsection{Fourier ornaments}
+\fourier{} provides several logos and ornaments:
+\begin{itemize}
+\item A ``starred'' bullet: \verb=\starredbullet= \starredbullet
+\item A variant of the euro symbol: \verb=\eurologo= \eurologo, \textbf{\eurologo}.
+Please note that the \verb=\textit= command will not change the slant of this symbol, but \verb=\textsl{\eurologo}= \textsl{\eurologo} will do it.
+\item Decos and logos: \verb=\noway= \noway, \verb=\danger= \danger, \verb=\textxswup= \textxswup,
+\verb=\textxswdown= \textxswdown, \verb=\decoone= \decoone, \verb=\decotwo= \decotwo,
+\verb=\decothreeleft= \decothreeleft, \verb=\decothreeright= \decothreeright,
+\verb=\decofourleft= \decofourleft, \verb=\decofourright= \decofourright,\verb=\floweroneleft= \floweroneleft,
+\verb=\floweroneright= \floweroneright,\verb=\lefthand= \lefthand, \verb=\righthand= \righthand, \verb=\decosix= \decosix, \verb=\bomb= \bomb.
+\item Smileys: \verb=\grimace= \grimace, \verb=\textthing= \textthing.
+\item Leaves: \verb=\leafleft= \leafleft, \verb=\leafright=\leafright, \verb=\leafNE= \leafNE, \verb=\aldineleft= \aldineleft,
+\\ \verb=\aldineright= \aldineright, \verb=\aldine= \aldine, \verb=\aldinesmall= \aldinesmall.
+\end{itemize}
+
+Finally, some symbols are also provided in math mode, with other names:
+\begin{itemize}
+\item\verb=$\thething$= $\thething$ is a \emph{QEDsymbol}
+for a false proof. Of course, you don't need it!
+\item\verb=$\xswordsup$=, \verb=$\xsworddown$= $\xswordsup$ may be used as tags for a debatted statement, or for anything else. $\xswordsdown$
+\end{itemize}
+
+\subsection{Mathematical encodings}
+\subsection*{Compatibility with amsmath}
+\fourier{} is compatible with the \texttt{amsmath} package, you no longer need to call
+\texttt{amsmath} \emph{before} \texttt{fourier} (thanks to Walter Schmidt).
+The \texttt{amssymb} package will be usefull only if the wanted symbols does not still exists
+ in \fourier{} (see the list below). If you finally need \texttt{amssymb},
+ it is best to call it \emph{before} \texttt{fourier}.
+\subsubsection*{Standard \LaTeX{} math commands}
+All standard \LaTeX{} math commands are supported by \fourier{}.
+
+Of course, all these symbols have been redesigned in order to suit Utopia in
+terms of boldness, contrast and proportions. Greek is particularly concerned:
+
+\vspace{-40pt}
+{\Huge
+\[a, \alpha, \mathrm{a}, \otheralpha, n, \eta, \mathrm{n}, \othereta,
+c, \epsilon, \varepsilon, \mathrm{c}, \otherepsilon,
+\othervarepsilon, \mathrm{A}, \Lambda\]\par\vspace{-12pt}
+
+\vspace{-40pt}
+\boldmath\bfseries
+\[a, \alpha, \mathbf{a}, \otheralpha, n, \eta, \mathbf{n}, \othereta,
+c, \epsilon, \varepsilon, \mathbf{c}, \otherepsilon,
+\othervarepsilon, \mathbf{A}, \Lambda\]\par
+}
+\noindent but also delimiters (and plenty of others glyphs):
+\def\testdelim#1#2{%
+ - \left#1\left#1\left#1\left#1\left#1\left#1\left#1\left#1
+ \smash{\widetilde{D}}
+ \right#2\right#2\right#2\right#2\right#2\right#2\right#2\right#2 -}
+\begingroup
+\delimitershortfall-1pt
+\begin{displaymath}
+ \testdelim\{\}
+ \qquad
+ \testdelim()
+\end{displaymath}
+\begin{displaymath}
+\testdelim\lfloor\rfloor
+\qquad
+\testdelim[]
+\end{displaymath}
+\endgroup
+\subsubsection*{Mathematical alphabets}
+Latin alphabets have been stolen to Utopia...
+
+\begin{itemize}
+\item Greek alphabet
+
+\smallskip
+Slanted version
+
+\smallskip
+$\alpha\,\beta\,\gamma\,\delta\,\epsilon\,\eta\,\zeta\,\theta\,\iota\,\kappa\,\lambda\,\mu\,\nu\,\xi\,\pi\,\rho\,\sigma\,\tau\,\upsilon\,\phi\,\chi\,\psi\,\omega$
+
+$\otherGamma$\,$\otherDelta$\,$\otherTheta$\,$\otherLambda$\,$\otherXi$\,$\otherPi$\,$\otherSigma$\,$\otherUpsilon$\,$\otherPhi$\,$\otherPsi$\,$\otherOmega$
+
+
+\smallskip
+\textit{Variants:}
+$\varepsilon$\,$\vartheta$\,$\varkappa$\,$\varpi$\,$\varvarpi$,\,$\varrho$\,$\varsigma$\,$\varphi$
+
+
+\smallskip
+Upright version
+
+\smallskip
+$\otheralpha\,\otherbeta\,\othergamma\,\otherdelta\,\otherepsilon\,\othereta\,\otherzeta\,\othertheta\,\otheriota\,\otherkappa\,\otherlambda\,\othermu\,\othernu\,\otherxi\,\otherpi\,\otherrho\,\othersigma\,\othertau\,\otherupsilon\,\otherphi\,\otherchi\,\otherpsi\,\otheromega$
+
+$\Gamma$\,$\Delta$\,$\Theta$\,$\Lambda$\,$\Xi$\,$\Pi$\,$\Sigma$\,$\Upsilon$\,$\Phi$\,$\Psi$\,$\Omega$
+
+
+\smallskip
+\textit{Variants:}
+$\othervarepsilon$\,$\othervartheta$\,$\othervarkappa$\,$\othervarpi$\,$\othervarvarpi$\,$\othervarrho$\,$\othervarsigma$\,$\othervarphi$
+
+
+
+The way these symbols may be obtained depends of the required option (\texttt{sloped} ou \texttt{upright}). For instance, with
+\begin{verbatim}
+ \[\alpha,\otheralpha,\Omega,\otherOmega\]
+\end{verbatim}
+You get
+\[\alpha,\otheralpha,\Omega,\otherOmega\]
+with the \texttt{sloped} option and
+\[\otheralpha,\alpha,\Omega,\otherOmega\]
+with the \texttt{upright} option.
+
+The \verb=\other= prefix allow you to switch from one greek to the other.
+
+\smallskip
+
+\item Calligraphic alphabet (\verb=\mathcal= command)
+
+$\mathcal{ABCDEFGHIJKLMNOPQRSTUVWXYZ}$
+
+\smallskip
+
+\item Blackboard-bold alphabet (\verb=\mathbb= command). No need to load \texttt{amssymb} to get it!
+
+$\mathbb{ABCDEFGHIJKLMNOPQRSTUVWXYZ1k}$
+\end{itemize}
+\subsubsection*{Provided \texttt{amssymb} commands}
+
+\begin{tabular}{lll}
+\verb=\leqslant= $\leqslant$&
+\verb=\geqslant= $\geqslant$&
+\verb=\blacktriangleleft= $\blacktriangleleft$\\
+\verb=\intercal= $\intercal$&
+\verb=\vDash= $\vDash$&
+\verb=\blacktriangleright= $\blacktriangleright$\\
+\verb=\nleqslant= $\nleqslant$&
+\verb=\ngeqslant= $\ngeqslant$&
+\verb=\nparallel= $\nparallel$\\
+\verb=\complement= $\complement$&
+\verb=\hslash= $\hslash$&
+\verb=\hbar= $\hbar$\\
+\verb=\nexists= $\nexists$&
+\verb=\notowns= $\notowns$&
+\verb=\varsubsetneq= $\varsubsetneq$\\
+\verb=\smallsetminus= $\smallsetminus$&
+\verb=\nvDash= $\nvDash$&
+\verb=\square= $\square$\\
+\verb=\leftleftarrows= $\leftleftarrows$&
+\verb=\rightrightarrows= $\rightrightarrows$&
+\verb=\subsetneqq= $\subsetneqq$\\
+\verb=\curvearrowleft= $\curvearrowleft$&
+\verb=\curvearrowright= $\curvearrowright$&
+\verb=\blacksquare= $\blacksquare$
+\end{tabular}
+\subsubsection*{\fourier{} extended commands}
+The \verb=\widehat= and \verb=\widetilde= commands have been extended (like in \texttt{yhmath}).
+\[\widehat{x}\; \widehat{xx} \;\widehat{xxx} \;\widehat{xxxx}
+\;\widehat{xxxxx} \;\widehat{xxxxxx} \;\widetilde{x}\; \widetilde{xx}
+\;\widetilde{xxx} \;\widetilde{xxxx} \;\widetilde{xxxxx}
+\;\widetilde{xxxxxx} \]
+\subsubsection*{\fourier{} specific commands}
+The following commands are provided by \fourier{}.
+\begin{itemize}
+\item \verb=\varkappa=, \verb=\varvarrho=, \verb=\varvarpi=, \verb=\varpartialdiff= :
+$\varkappa$, $\varvarrho$, $\varvarpi$, $\varpartialdiff$.
+\item \verb=\parallelslant= et \verb=\nparallelslant= :
+$\parallelslant$, $\nparallelslant$.
+\item \verb=\iint=, \verb=\iiint=,
+\verb=\oiint=,\verb=\oiiint=,\verb=\slashint= :
+$\iint,\iiint,\oiint,\oiiint,\slashint$
+\[\iint,\iiint,\oiint,\oiiint,\slashint\]
+\item \verb=\llbracket=, \verb=\rrbracket=, \verb=\VERT=
+\begingroup
+\delimitershortfall-1pt
+\begin{displaymath}
+ \testdelim\llbracket\rrbracket
+ \qquad
+ \testdelim\VERT\VERT
+ \end{displaymath}
+ \endgroup
+ Note that the first version of \fourier{} used \verb=\dblbrackleft= and \verb=\dblbrackright= in place of
+ \verb=\llbracket= and \verb=\rrbracket=. The old commands still exist, but are deprecated.
+ \item \verb=\wideparen= et \verb=\widering= (like in
+\texttt{yhmath}, but please note that it is necessary to call the \texttt{amsmath} package in order to get the \verb=\widering= command in \fourier).
+ \[\wideparen{XXXXXXXXX}\quad \widering{(A\cup B)\cap(C\cup D)}\]
+\item Finally \verb=\widearc= and \verb=\wideOarc=
+\[\widearc{AMB}\quad \wideOarc{AMB}\]
+
+\end{itemize}
+\subsection{Usage of commercial typefaces}
+The \texttt{expert}, \texttt{oldstyle} or \texttt{fulloldstyle} options, if usable, provides these complementary commands:
+\begin{itemize}
+\item \verb=\textsb= \verb=\sbseries= semi-bold;
+\item \verb=\textblack= \verb=\blackseries= extra-black;
+\item \verb=\texttitle= \verb=\titleshape= titling
+(incomplete T1 encoding);
+\item \verb=\oldstyle= to switch to the oldstyle digits with the \texttt{expert} option;
+\item \verb=\lining= to switch to the lining digits with the \texttt{oldstyle} option.
+\end{itemize}
+
+\begin{center}\Huge
+\decotwo
+\end{center}
+
+\end{document} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/fourier/fourier-orns.pdf b/Master/texmf-dist/doc/fonts/fourier/fourier-orns.pdf
new file mode 100644
index 00000000000..6149a674740
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fourier/fourier-orns.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/fourier/fourier-orns.tex b/Master/texmf-dist/doc/fonts/fourier/fourier-orns.tex
new file mode 100644
index 00000000000..0743ee62299
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fourier/fourier-orns.tex
@@ -0,0 +1,63 @@
+\documentclass[a4paper,11pt]{article}
+\usepackage[latin1]{inputenc}
+\usepackage{array}
+\usepackage{fourier-orns}
+\usepackage[frenchb,english]{babel}
+\setlength{\leftmargini}{1em}
+\newcommand{\fourier}{Fourier-GUT\kern-0.15em\textit{enberg}}
+\title{\floweroneleft{}\,The \emph{fourier-orns} package\,\floweroneright}
+\author{Michel Bovani\\\texttt{michel.bovani@wanadoo.fr}}
+%%\renewcommand{\FrenchLabelItem}{\textbullet}
+\renewcommand\arraystretch{1.5}
+\renewcommand{\labelitemi}{\starredbullet}
+\begin{document}
+\maketitle
+
+\fourier{} provides several logos and ornaments: they are now usable by those who do not want to use
+the \fourier{} font system. In this case, just call the \textit{fourier-orns} package (\verb=\usepackage{fourier-orns}=).
+Remember that:
+\begin{itemize}
+\item You have to install \fourier{} anyway.
+\item If you call \textit{fourier}, you should \emph{not} call \textit{fourier-orns}, because \textit{fourier} will do it anyway.
+All the commands described here may be used with \textit{fourier}.
+\end{itemize}
+Here are the provided symbols:
+
+\begin{itemize}
+\item A variant of the euro symbol: \verb=\eurologo= \eurologo, \textbf{\eurologo}.
+
+Please note that the \verb=\textit= command will not change the slant of this symbol,
+but \verb=\textsl{\eurologo}= \textsl{\eurologo} will do it.
+
+\item A ``starred'' bullet \verb=\starredbullet=: used as the item mark in this document.
+\item Decos and logos typesetted in \verb=\LARGE= size:
+
+
+\begin{tabular}{l>{\centering\LARGE}p{2cm}l>{\centering\LARGE}p{2cm}}
+\verb=\noway= &\noway&\verb=\danger=& \danger\tabularnewline
+\verb=\textxswup=&\textxswup&\verb=\textxswdown= &\textxswdown\tabularnewline
+ \verb=\decoone= &\decoone& \verb=\decotwo= &\decotwo\tabularnewline
+ \verb=\decothreeleft= &\decothreeleft& \verb=\decothreeright=& \decothreeright\tabularnewline
+ \verb=\decofourleft= &\decofourleft&\verb=\decofourright= &\decofourright\tabularnewline
+ \verb=\floweroneleft= &\floweroneleft&\verb=\floweroneright= &\floweroneright\tabularnewline
+ \verb=\lefthand= &\lefthand&\verb=\righthand=& \righthand\tabularnewline
+\verb=\decosix= &\decosix&\verb=\bomb=&\bomb
+ \end{tabular}
+\item Smileys typesetted in \verb=\LARGE= size:
+
+\begin{tabular}{l>{\centering\LARGE}p{2cm}l>{\centering\LARGE}p{2cm}}
+ \verb=\grimace=& \grimace&\verb=\textthing= \textthing
+ \end{tabular}
+\item Leaves typesetted in \verb=\LARGE= size:
+
+\begin{tabular}{l>{\centering\LARGE}p{2cm}l>{\centering\LARGE}p{2cm}}
+\verb=\leafleft= &\leafleft&\verb=\leafright=&\leafright\tabularnewline
+ \verb=\leafNE= &\leafNE& \verb=\aldine=&\aldine\tabularnewline
+ \verb=\aldineleft= &\aldineleft&\verb=\aldineright=& \aldineright\tabularnewline
+ \verb=\aldinesmall=& \aldinesmall&&
+ \end{tabular}
+\end{itemize}
+
+
+
+\end{document} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/frcursive/COPYING b/Master/texmf-dist/doc/fonts/frcursive/COPYING
new file mode 100644
index 00000000000..d60c31a97a5
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/frcursive/COPYING
@@ -0,0 +1,340 @@
+ GNU GENERAL PUBLIC LICENSE
+ Version 2, June 1991
+
+ Copyright (C) 1989, 1991 Free Software Foundation, Inc.
+ 59 Temple Place, Suite 330, Boston, MA 02111-1307 USA
+ Everyone is permitted to copy and distribute verbatim copies
+ of this license document, but changing it is not allowed.
+
+ Preamble
+
+ The licenses for most software are designed to take away your
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+Foundation's software and to any other program whose authors commit to
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diff --git a/Master/texmf-dist/doc/fonts/frcursive/FILES b/Master/texmf-dist/doc/fonts/frcursive/FILES
new file mode 100644
index 00000000000..39c5101c57f
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/frcursive/FILES
@@ -0,0 +1,105 @@
+The distribution contains the following directories:
+
+* mf/
+
+ This directory contains the source files for the font in its various
+ flavours. Following the TeX Directory Standard, this directory has to be
+ copied somewhere inside .../texmf/fonts/source. The files in this directory
+ are the following:
+
+ - frcursive.mf
+
+ This is the main source file, it contains general parameter definitions
+ and the shape of all glyphs, depending on parameters that should be
+ defined in driver files.
+
+ - mkdrv.sh
+
+ This shell script is used to generate driver files with appropriate
+ parameters for various sizes and variants. Run it with no parameters to
+ get a description of the syntax.
+
+ - frca10.mf, frcw10.mf
+
+ Example driver files with non-standard parameters. The "frca" variant is an
+ "academic" one, i.e. with integer ratios between base height, ascenders
+ and descenders. The "frcw" variant is a modification of the standard
+ "frcr10" with wide inter-letter links.
+
+ - Makefile
+
+ This is used to build the standard set of sources.
+
+ The directory also contains a set of driver files produced by "mkdrv.sh".
+
+* latex/
+
+ This directory contains support sources for LaTeX. The directory has to be
+ copied somewhere in .../texmf/tex/latex (in the case of teTeX, I don't know
+ the other distributions). The following files are present:
+
+ - t1frc.fd
+
+ The font is defined in the T1 (TeX text extended) encoding, thus providing
+ (most of) the standard Latin-1 accented letters. This file is the
+ associated NFSS font definition.
+
+ - frcursive.dtx, frcursive.ins
+
+ The Docstrip literate source for the LaTeX support package. The ".ins"
+ file is the script to make the proper ".sty" package file.
+
+ - Makefile
+
+ This contains the rule to make the package out of its literate source. To
+ build the formatted documentation, use the Makefile from the doc/
+ directory.
+
+* doc/
+
+ This directory contains various pieces of documentation associated to the
+ font.
+
+ - COPYING
+
+ This is the copyright terms that apply to the font's sources, i.e. the
+ General Public License.
+
+ - FILES
+
+ This file...
+
+ - fcsource.tex
+
+ This is a driver file for pretty-printing the Metafont sources, it
+ contains some TeX macros that are used when typesetting the TeX file
+ produced by mft from frcursive.mf.
+
+ - Makefile
+
+ This contains rules to build Postscript versions of the pretty-printed
+ source and the documentation for the LaTeX support package.
+
+* test/
+
+ This directory contains some files used to test the font.
+
+ - Makefile
+
+ Just some rules to compile the examples.
+
+ - figs.tex, chars.mp
+
+ This is an experiment at using the font's sources to produce Metapost
+ figures. Just use "make figs.ps" to make it compile.
+
+ - tfrc.tex, lttst.tex
+
+ Two raw test files, in Plain TeX and LaTeX respectively, that I use during
+ developement.
+
+ - txt-fr.tex, txt-en.tex
+
+ These two example files are longer texts typeset using French Cursive
+ variants (the first chapter of "Les Trois Mousquetaires" by Dumas and
+ "Robinson Crusoe" by Defoe, respectively).
diff --git a/Master/texmf-dist/doc/fonts/frcursive/README b/Master/texmf-dist/doc/fonts/frcursive/README
new file mode 100644
index 00000000000..24671bbb8c9
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/frcursive/README
@@ -0,0 +1,62 @@
+This is the French Cursive font, a cursive hand-writing font family in the
+style of the French academic running-hand, written with Metafont.
+
+This package is dated February 2nd, 2004.
+
+
+Installation
+------------
+
+Copy the files from the "mf" subdirectory somewhere in Metafont's search path
+and the files from the "latex" subdirectory somewhere in LaTeX's search path.
+
+On Unix, the top-level Makefile can be used to install the files. Become root
+and just type "make install" to copy the files in a place appropriate for TeX
+distributions that respect the hierarchy standard. You may change the value of
+the variables at the beginning of the Makefile if you don't want to install
+the files in "/usr/share/texmf/...".
+
+You may have to update TeX's databases by running "texhash" or "mktexlsr"
+(this is for Kpathsea-based distributions like teTeX) or a similar command.
+
+
+Usage
+-----
+
+The "doc" directory contains some documentation, but more would be a good
+thing. The file "latex/frcursive.dtx" contains documentation for the LaTeX
+package. The "test" directory contains some examples in plain TeX and LaTeX.
+
+Look at doc/FILES for a more descriptive list of files.
+
+
+Feedback
+--------
+
+Any comments and suggestions are welcome, as I consider this work to be in
+continuous (but slow) developement. Check out the home page at
+
+ http://beffara.org/stuff/frcursive/
+
+Enjoy !
+
+Š Emmanuel Beffara <manu@beffara.org>, 2001--2004
+For those interested in legal stuff, this work is covered by the GPL license.
+
+
+ChangeLog
+---------
+
+2004/02/02:
+ - added the square brackets and the slash
+ - added some hinting information
+ - fixed the NFSS description files to make them agree with standard drivers
+ - updated the LaTeX package to give access to all variants
+
+2003/06/19:
+ - added the Spanish opening exclamation and interrogation marks
+ - changed the driver names from "fc*" to "frc*" to avoid clashes with Jorg
+ Knappen's FC series
+
+2003/04/29:
+ - first release on CTAN
diff --git a/Master/texmf-dist/doc/fonts/frcursive/fcsource.tex b/Master/texmf-dist/doc/fonts/frcursive/fcsource.tex
new file mode 100644
index 00000000000..04d214fb7a0
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/frcursive/fcsource.tex
@@ -0,0 +1,83 @@
+% This files contains macros used to pretty-print the Metafont source file of
+% the French-Cursive typeface. It acts as a driver file: compile it after
+% processing frcursive.mf through mft to get the DVI document. The font itself
+% must be available since it is used in the source's comments.
+
+%-- some fonts
+
+\font\tentex=ectt10
+\font\eightrm=cmr8
+\font\tensc=cmcsc10
+\font\titlefont=cmcsc14
+\font\fc=frcr10
+\tenrm
+
+%-- some useful macros
+
+\def\cs#1{{\tt\string#1}}
+\def\item{%
+ \par\noindent%
+ --\kern 1.5ex\relax}
+\def\deflist#1{\halign{\kern\parindent\relax##\hfil&\ = ##\hfil\cr#1}}
+
+%-- a nice title
+
+\def\title#1,#2.{%
+ \begingroup%
+ \parindent=0pt%
+ \parfillskip=0pt%
+ \leftskip=3em plus 1fil%
+ \rightskip=\leftskip%
+ {\titlefont #1}\medskip
+ {\tensc \let\cr\medskip \ignorespaces #2}\bigskip%
+ \vrule height 0.4pt width 10cm\bigskip%
+ \endgroup}
+
+%-- sectioning
+
+\newwrite\tocfile
+\openout\tocfile=\jobname.toc
+
+\newcount\secnum
+\outer\def\sec#1.{%
+ \par\vfil\break%
+ \advance\secnum1\relax\subsecnum0%
+ \sechead{$\oldstyle\the\secnum.$ #1}%
+ \write\tocfile{\noexpand\tocsec{\the\pageno}{\the\secnum}{#1}}}
+
+\def\sechead#1{%
+ \centerline{\tensc #1}%
+ \centerline{\vrule height 0.4pt width 5em}%
+ \bigskip}
+
+\newcount\subsecnum
+\outer\def\subsec#1.{%
+ \medbreak%
+ \advance\subsecnum1%
+ \centerline{\it\the\subsecnum. #1.}%
+ \smallskip}
+
+%-- generating the toc file
+
+\def\tocsec#1#2#3{%
+ \medskip%
+ \line{\kern2cm%
+ \hbox to 7mm{$\oldstyle#2.$\hfil}#3 \xleaders\hbox{ . }\hfil\ #1%
+ \kern2cm}}
+
+%-- input the processed Metafont source
+
+\input frcursive
+
+%-- generating the table of contents
+
+\closeout\tocfile
+
+\vfill\eject
+\nopagenumbers
+\topskip 0pt plus 1fill
+\sechead{Table of contents}
+\input\jobname.toc
+\vfill
+
+\end
diff --git a/Master/texmf-dist/doc/fonts/frcursive/figs.tex b/Master/texmf-dist/doc/fonts/frcursive/figs.tex
new file mode 100644
index 00000000000..40651c2a4c8
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/frcursive/figs.tex
@@ -0,0 +1,38 @@
+\documentclass{article}
+\usepackage[a4paper,margin=2cm]{geometry}
+\usepackage{graphicx}
+\begin{document}
+
+\newcount\c
+\c=`a
+\def\loopc{%
+ \includegraphics{chars.\the\c}\par\pagebreak
+ \advance\c1%
+ \message{\the\c}%
+ \ifnum\c>`z\relax\else\expandafter\loopc\fi}
+\loopc
+
+\end{document}
+
+This is the uppercase A in French Cursive, in its regular flavour at ten
+points base size:
+\begin{center}
+ \includegraphics[scale=0.3]{chars.65}
+\end{center}
+And these are three representative lowercase letters, showing ascending and
+descending loops:
+\begin{center}
+ \includegraphics[scale=0.3]{chars.97} \hfil
+ \includegraphics[scale=0.3]{chars.98} \hfil
+ \includegraphics[scale=0.3]{chars.106}
+\end{center}
+But these are isolated letters, without links. If we add the appropriate links
+and spacings, here is the result:
+\begin{center}
+ \includegraphics[scale=0.3]{chars.0}
+\end{center}
+The same inside text looks like this:
+{\usefont{T1}{frc}{m}{n}abject}.
+Isn't is nice?
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/frcursive/latex/Makefile b/Master/texmf-dist/doc/fonts/frcursive/latex/Makefile
new file mode 100644
index 00000000000..e77d86c3479
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/frcursive/latex/Makefile
@@ -0,0 +1,7 @@
+all: frcursive.sty
+
+clean:
+ rm -f *.log *.sty
+
+frcursive.sty: frcursive.ins frcursive.dtx
+ latex --interaction=batchmode $<
diff --git a/Master/texmf-dist/doc/fonts/frcursive/lttst.tex b/Master/texmf-dist/doc/fonts/frcursive/lttst.tex
new file mode 100644
index 00000000000..1c035784b59
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/frcursive/lttst.tex
@@ -0,0 +1,62 @@
+\documentclass{article}
+
+\usepackage[frenchb]{babel}
+\usepackage[latin1]{inputenc}
+\usepackage[T1]{fontenc}
+\usepackage{color}
+
+\usepackage{frcursive}
+
+\renewcommand{\seyesDefault}{\color{blue}}
+
+\begin{document}
+
+Voici un texte destiné ŕ essayer diverses commandes de convenance pour
+l'utilisation de la police French Cursive. Un aspect difficile concerne
+l'interligne, parce que les lettres de cette police sont plus hautes et plus
+profondes que celles de Computer Modern, par exemple. Il faut en fait ajouter
+un tiers ŕ l'interligne, sans quoi un mot \textcursive{haut} peut bousculer
+l'espacement d'une ligne par rapport aux autres, ce qui choque ŕ la lecture.
+On pourrait se dire que, de toutes façons, les rčgles typographiques ŕ
+respecter en écriture cursive ne sont pas les męme qu'en imprimerie, il
+n'empčche que le problčme de l'interligne est ŕ considérer. Si le mot se
+trouve aussi ętre \textcursive{profond}, les dégâts sont encore plus visibles.
+Une solution consiste ŕ donner le bon interligne ŕ tout le paragraphe,
+cependant il devient trop grand pour les polices usuelles. Autant n'écrire que
+des paragraphes complets en cursif.
+
+\begin{cursive}
+ En effet, si l'on se restreint ŕ l'écriture cursive dans tout un paragraphe,
+ il est possible d'agrandir l'interligne pour ce paragraphe de telle sorte
+ que l'espacement de lignes consécutives soit suffisant. Ŕ présent, plus de
+ problčme d'irrégularité. Cependant, si l'idée venait d'introduire ŕ nouveau
+ du texte en \textrm{caractčres d'imprimerie}, celui-ci pourrait paraître
+ trop petit au milieu du texte environnant.
+\end{cursive}
+
+Un effet intéressant peut consister ŕ écrire du texte cursif par-dessus des
+lignes comme dans un cahier. On rend donc explicite la ligne de base, les
+lignes pour petites lettres, barres et boucle montantes, et les lignes pour
+barres et boucles descendantes. Mais voici quel est l'effet obtenu:
+\begin{quote}
+ \cursive
+ \seyes{Les lignes ne sont pas réguličrement disposées.}
+\end{quote}
+Mais ce qui est bien, c'est que la commande \texttt{\string\seyes} utilisée se
+base uniquement sur les dimensions de certains caractčres, si bien qu'il est
+possible de s'en servir avec Computer Modern:
+\begin{quote}
+ \seyes{Le résultat est particulier...}
+\end{quote}
+Mais surtout on peut utiliser la variante ``académique'' de French Cursive, oů
+les rapports entre dimensions de base sont entiers:
+\begin{quote}
+ \cursive\acadshape
+ \seyes[\color{red}]{Et lŕ on obtient quelque chose de régulier !}
+\end{quote}
+Par contre le texte sur lequel les lignes sont insérées est composé en mode
+horizontal, ce qui interdit de composer un paragraphe entier de cette façon.
+Pluieurs remčdes sont imaginables, je tenterai de les mettre en \oe uvre si le
+besoin s'en fait sentir...
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/frcursive/mf/Makefile b/Master/texmf-dist/doc/fonts/frcursive/mf/Makefile
new file mode 100644
index 00000000000..ae49a9de4ad
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/frcursive/mf/Makefile
@@ -0,0 +1,9 @@
+# This makefile assumes that as long as frcr10.mf is present, all standard
+# drivers are.
+
+all: frcr10.mf
+frcr10.mf: mkdrv.sh
+ ./mkdrv.sh default
+
+clean:
+ rm -f *~ frcr*.mf frcbx*.mf frcsl*.mf frcslbx*.mf frcc*.mf frcf*.mf
diff --git a/Master/texmf-dist/doc/fonts/frcursive/mkdrv.sh b/Master/texmf-dist/doc/fonts/frcursive/mkdrv.sh
new file mode 100755
index 00000000000..0102a56d0c0
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/frcursive/mkdrv.sh
@@ -0,0 +1,171 @@
+#!/bin/sh
+#
+# Automatic generation of driver files for French Cursive.
+#
+# Š Emmanuel Beffara, 2001--2004. This script is covered by the GPL licence,
+# and is part of the French Cursive font sources.
+
+calc()
+{
+ ( echo "scale=3"; echo $* ) | bc -l
+}
+
+make_driver()
+{
+ DESCR="" # textual description
+ IDENT="" # font identifier
+ SIZE=$1 # specific size in points
+
+ EX=0 # value of ex# in sharp points
+ THIN=0.2 # thickness of thin drawings
+ MED=0.4 # thickness of medium drawings
+ THICK=0.6 # thickness of thick drawings
+ DOT=0.8 # diameter of dots
+
+ WIDTH=0.8 # base width
+ SLANT=0 # slant factor
+
+ ACCW=0.7 # relative width of accents
+
+ FIXED=false # fixed-thickness version ?
+
+ shift
+ while [ "$#" != 0 ]; do
+ case $1 in
+ bold) IDENT="${IDENT}B"; MED=0.55; THICK=0.8; DOT=1.25;
+ DESCR="${DESCR}bold ";;
+ callig) IDENT="${IDENT}C"; MED=0.3; THICK=0.8;
+ DESCR="${DESCR}calligraphic ";;
+ ext) IDENT="${IDENT}X"; WIDTH=0.9;
+ DESCR="${DESCR}extended ";;
+ slant) IDENT="${IDENT}SL"; SLANT=0.3;
+ DESCR="${DESCR}slanted ";;
+ fixed) IDENT="${IDENT}F"; FIXED=true;
+ THIN=$MED; THICK=$MED; DOT=`calc "2*$MED"`;
+ DESCR="${DESCR}fixed-thickness ";;
+ esac
+ shift
+ done
+
+ # The value of ex# is computed the same way as for Computer Modern:
+ EX=`calc "$SIZE*15.5"`/36
+
+ # The base width is multiplied by a scale factor related to height
+ WIDTH=`calc "$WIDTH/e(l($SIZE/10)/6)"`
+
+ # Correct the thickness values according to the size:
+ THIN=`calc "$THIN*$SIZE/10"`
+ MED=`calc "$MED*$SIZE/10"`
+ THICK=`calc "$THICK*$SIZE/10"`
+ DOT=`calc "$DOT*$SIZE/10"`
+
+ # The identifier is "FRC" followed by the letters above (or "R")
+ IDENT="FRC${IDENT:-R}"
+
+ # And here we go...
+
+ cat <<EOF
+%%% This file is part of the French Cursive font definition.
+%%% This is a parameter file for the ${DESCR:-regular }variant
+
+font_identifier := "$IDENT";
+font_size $SIZE pt#;
+
+mode_setup;
+
+ex# := $EX pt#;
+med# := $MED pt#;
+thin# := $THIN pt#;
+thick# := $THICK pt#;
+dot_size# := $DOT pt#;
+
+base_width := $WIDTH;
+slant := $SLANT;
+accent_wd := $ACCW;
+link_width := 0.13;
+straight_ascend := 2;
+loop_ascend := 2.5;
+uc_ascend := 2.5;
+straight_descend := 1.2;
+loop_descend := 1.5;
+dot_height := 1.4;
+accent_bot := 1.2;
+accent_top := 1.6;
+cedilla_dp = 0.2;
+
+EOF
+
+ # When using a fixed-thickness version, we have to add special code to use
+ # the "draw" macro instead of "penstroke":
+
+ $FIXED && cat <<EOF
+def penstroke text t =
+ begingroup
+ save e; def e = enddef;
+ draw t withpen pencircle scaled med;
+ endgroup
+enddef;
+
+EOF
+
+ # And the final line:
+ echo "input frcursive"
+}
+
+
+make_series()
+{
+ local NAME=$1
+ shift
+
+ local OPTS=""
+ while [ -n "$1" -a "$1" != "at" ]; do
+ OPTS="$OPTS $1"
+ shift
+ done
+
+ if [ -n "$1" ]; then
+ shift
+ SIZES="$*"
+ else
+ echo "syntax: ./mkdrv.sh <base name> <modifiers> at <sizes>"
+ exit 1
+ fi
+
+ local SIZE
+ for SIZE in $SIZES; do
+ local RS=$(echo "x=$SIZE;y=x-x%1;if(x%1>.5)y+1else y" | bc)
+ local FN="$NAME${RS%%.*}.mf"
+ echo "making $FN"
+ make_driver $SIZE $OPTS > $FN
+ done
+}
+
+if [ "$#" = 0 ]; then
+ cat <<EOF
+The syntax is one of:
+ $(basename $0) <base name> <modifiers> at <sizes>
+ $(basename $0) default
+
+The second form produces a set of standard variants and sizes.
+
+The modifiers are words among:
+ bold = thicker stems and hairlines
+ callig = more contrasted stems and hairlines
+ fixed = fixed thickness
+ ext = slightly extended width
+ slant = well, slanted...
+
+The sizes are expressed in points, they can be non-integer. The file names
+produced are of the form <base name><integer part of size>.mf.
+EOF
+elif [ "$1" = default ]; then
+ make_series frcr at 7 8 9 10 10.95 12 14.4 17.28
+ make_series frcsl slant at 7 8 9 10 10.95 12 14.4 17.28
+ make_series frcbx bold ext at 7 8 9 10 10.95 12 14.4 17.28
+ make_series frcslbx slant bold ext at 7 8 9 10 10.95 12 14.4 17.28
+ make_series frcc callig at 10 10.95 12 14.4
+ make_series frcf fixed at 10 10.95 12 14.4
+else
+ make_series $@
+fi
diff --git a/Master/texmf-dist/doc/fonts/frcursive/test/Makefile b/Master/texmf-dist/doc/fonts/frcursive/test/Makefile
new file mode 100644
index 00000000000..84f2d9074c3
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/frcursive/test/Makefile
@@ -0,0 +1,42 @@
+MP = mpost --interaction=scrollmode
+SRC = ../mf
+LTX = ../latex
+
+MPATH = env MFINPUTS=$(SRC):$$MFINPUTS
+LMPATH = $(MPATH) TEXINPUTS=$(LTX):$$TEXINPUTS
+
+all: figs.ps lttst.ps txt-fr.dvi txt-en.dvi
+
+clean:
+ rm -f *~ *.*pk *.tfm *.dvi *.ps *.log *.[0-9]* *.aux
+ rm -f frcursive.* mfplain.*
+
+#-- A LaTeX example
+
+lttst.dvi: lttst.tex $(SRC)/frcr10.mf $(LTX)/t1frc.fd $(LTX)/frcursive.sty
+ $(LMPATH) latex lttst
+
+#-- An example with Metapost figures
+
+figs.dvi: figs.tex chars.97 $(SRC)/frcr10.mf $(LTX)/frcursive.sty
+ $(LMPATH) latex $<
+
+mfplain.mem:
+ ini$(MP) "mfplain dump"
+
+chars.97: chars.mp mfplain.mem $(SRC)/frcr10.mf $(SRC)/frcursive.mf
+ $(MPATH) $(MP) --mem mfplain $<
+
+#-- Generic rules.
+
+$(LTX)/frcursive.sty: $(LTX)/frcursive.dtx
+ @make -C $(LTX)
+
+$(SRC)/frcr10.mf:
+ @make -C $(SRC)
+
+%.ps: %.dvi
+ $(MPATH) dvips $< -o $@
+
+%.dvi: %.tex $(SRC)/frcr10.mf
+ $(MPATH) tex $<
diff --git a/Master/texmf-dist/doc/fonts/frcursive/tfc.tex b/Master/texmf-dist/doc/fonts/frcursive/tfc.tex
new file mode 100644
index 00000000000..b40c2e22781
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/frcursive/tfc.tex
@@ -0,0 +1,53 @@
+%\magnification=2000
+\hoffset -.9in
+\voffset -.9in
+\hsize=10cm \baselineskip=16pt \parindent=0pt
+\def\stepstop{.}
+\def\dostep#1{%
+ \expandafter\ifx\csname#1\endcsname\.\stepstop\else%
+ \do{#1}\expandafter\dostep\fi}
+
+\def\fnt#1{\font\f=frc#1\f}
+
+{\fnt{c17} La police French-Cursive}
+
+\def\try#1{\par\fnt{#1}\char189portez! ce [vieux/jeune] \char190whisky? au
+juge blond qui (fume/boit)}
+\def\do#1{\try{#110}}\dostep r{bx}fwc{sl}.
+\try{r7}\try{bx7}
+\fnt{r10}
+
+%\font\tryfont=psch10\tryfont portez ce vieux whisky au juge blond qui fume
+
+\bigskip Évidemment, mais le meilleur moyen de se faire une idée, c'est de
+tenter une collection de pangrammes (c'est-ŕ-dire des phrases qui contiennent
+toutes les lettres):
+
+\medskip
+
+Dčs Noël, oů un zéphyr haď me vęt de glaçons würmiens, je dîne d'exquis
+rôtis de boeuf au kir, ŕ l'a˙ d'âge műr, \&~caetera. % ć ?
+
+\medskip
+
+R\&D, Argh, förlĺt, \char154, Övningskörning
+
+De l'art ou du Cauchon ? ``Ah'', fit-il.
+
+Blomonoxvmvnvxömönöxamanaxbmbnbxemenex.
+
+\chardef\HL=131
+\chardef\LL=139
+
+Nouveauté: le Ťoeť est obtenu par kerning, mais le ``o\HL e'' peut
+s'obtenir en mettant la liaison ŕ la main. Ceci permet des fantaisies comme ce
+b\HL\HL\HL\HL\HL\HL el espacement. Le principe s'étend aux liaisons
+ba\LL\LL\LL\LL\LL\LL sses. Conséquence: \par
+\line{il d\LL\leaders\hbox{\LL}\hfil\LL evient
+po\HL\leaders\hbox{\HL}\hfil\HL ssible
+de bien s'am\LL\leaders\hbox{\LL}\hfil\LL user !}
+
+\fnt{a10}
+Ceci est une variante dont les proportions sont du genre ŤAcadémiqueť.
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/frcursive/txt-en.tex b/Master/texmf-dist/doc/fonts/frcursive/txt-en.tex
new file mode 100644
index 00000000000..55ed5456110
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/frcursive/txt-en.tex
@@ -0,0 +1,176 @@
+\hoffset=-1in \advance\hoffset2cm \voffset=\hoffset
+\hsize=17cm \vsize=26cm
+
+\font\tenrm=frcr12
+\font\bold=frcbx12
+\font\calligraphic=frcbx17
+
+\tenrm\baselineskip=21.75pt
+
+\centerline{\calligraphic Robinson Crusoe}
+\smallskip\centerline{by Daniel Defoe}
+
+\bigskip
+
+\centerline{\bold Chapter One}
+
+\medskip
+
+I was born in the year 1632, in the city of York, of a good family,
+though not of that country, my father being a foreigner of Bremen, who
+settled first at Hull. He got a good estate by merchandise, and leaving
+off his trade lived afterward at York, from whence he had married my
+mother, whose relations were named Robinson, a good family in that
+country, and from whom I was called Robinson Kreutznear; but by the
+usual corruption of words in England we are now called, nay, we call
+ourselves, and write our name, Crusoe, and so my companions always
+called me.
+
+I had two elder brothers, one of which was lieutenant-colonel to an
+English regiment of foot in Flanders, formerly commanded by the famous
+Colonel Lockhart, and was killed at the battle near Dunkirk against the
+Spaniards; what became of my second brother I never knew, any more than
+my father and mother did know what was become of me.
+
+Being the third son of the family, and not bred to any trade, my head
+began to be filled very early with rambling thoughts. My father, who
+was very ancient, had given me a competent share of learning, as far as
+house-education and a country free school generally goes, and designed
+me for the law, but I would be satisfied with nothing but going to sea;
+and my inclination to this led me so strongly against the will, nay, the
+commands, of my father, and against all the entreaties and persuasions
+of my mother and other friends, that there seemed to be something fatal
+in that propension of nature tending directly to the life of misery
+which was to befall me.
+
+My father, a wise and grave man, gave me serious and excellent counsel
+against what he foresaw was my design. He called me one morning into
+his chamber, where he was confined by the gout, and expostulated very
+warmly with me upon this subject. He asked me what reasons more than a
+mere wandering inclination I had for leaving my father's house and my
+native country, where I might be well introduced, and had a prospect of
+raising my fortunes by application and industry, with a life of ease and
+pleasure. He told me it was for men of desperate fortunes on one hand,
+or of aspiring, superior fortunes on the other, who went abroad upon
+adventures, to rise by enterprise, and make themselves famous in
+undertakings of a nature out of the common road; that these things were
+all either too far above me, or too far below me; that mine was the
+middle state, or what might be called the upper station of low life,
+which he had found by long experience was the best state in the world,
+the most suited to human happiness, not exposed to the miseries and
+hardships, the labor and sufferings, of the mechanic part of mankind,
+and not embarrassed with the pride, luxury, ambition, and envy of the
+upper part of mankind. He told me I might judge of the happiness of
+this state by one thing, viz., that this was the state of life which all
+other people envied; that kings have frequently lamented the miserable
+consequences of being born to great things, and wished they had been
+placed in the middle of the two extremes, between the mean and the
+great; that the wise man gave his testimony to this as the just standard
+of true felicity, when he prayed to have neither poverty nor riches.
+
+He bid me observe it, and I should always find that the calamities of
+life were shared among the upper and lower part of mankind; but that the
+middle station had the fewest disasters and was not exposed to so many
+vicissitudes as the higher or lower part of mankind. Nay, they were not
+subjected to so many distempers and uneasiness either of body or mind as
+those were who, by vicious living, luxury, and extravagancies on one
+hand, or by hard labor, want of necessaries, and mean or insufficient
+diet on the other hand, bring distempers upon themselves by the natural
+consequences of their way of living; that the middle station of life was
+calculated for all kind of virtues and all kind of enjoyments; that
+peace and plenty were the handmaids of a middle fortune; that
+temperance, moderation, quietness, health, society, all agreeable
+diversions, and all desirable pleasures, were the blessings attending
+the middle station of life; that this way men went silently and smoothly
+through the world, and comfortably out of it, not embarrassed with the
+labors of the hands or of the head, not sold to the life of slavery for
+daily bread, or harassed with perplexed circumstances, which rob the
+soul of peace, and the body of rest; not enraged with the passion of
+envy, or secret burning lust of ambition for great things; but in easy
+circumstances sliding gently through the world, and sensibly tasting the
+sweets of living, without the bitter, feeling that they are happy, and
+learning by every day's experience to know it more sensibly.
+
+After this, he pressed me earnestly, and in the most affectionate
+manner, not to play the young man, not to precipitate myself into
+miseries which Nature and the station of life I was born in seemed to
+have provided against; that I was under no necessity of seeking my
+bread; that he would do well for me, and endeavor to enter me fairly
+into the station of life which he had been just recommending to me; and
+that if I was not very easy and happy in the world it must be my mere
+fate or fault that must hinder it, and that he should have nothing to
+answer for, having thus discharged his duty in warning me against
+measures which he knew would be to my hurt; in a word, that as he would
+do very kind things for me if I would stay and settle at home as he
+directed, so he would not have so much hand in my misfortunes, as to
+give me any encouragement to go away. And to close all, he told me I
+had my elder brother for an example, to whom he had used the same
+earnest persuasions to keep him from going into the Low Country wars,
+but could not prevail, his young desires prompting him to run into the
+army, where he was killed; and though he said he would not cease to pray
+for me, yet he would venture to say to me, that if I did take this
+foolish step, God would not bless me, and I would have leisure hereafter
+to reflect upon having neglected his counsel when there might be none to
+assist in my recovery.
+
+I observed in this last part of his discourse, which was truly
+prophetic, though I suppose my father did not know it to be so himself -
+I say, I observed the tears run down his face very plentifully, and
+especially when he spoke of my brother who was killed; and that when he
+spoke of my having leisure to repent, and none to assist me, he was so
+moved that he broke off the discourse, and told me his heart was so full
+he could say no more to me.
+
+I was sincerely affected with this discourse, as indeed who could be
+otherwise? and I resolved not to think of going abroad any more, but to
+settle at home according to my father's desire. But alas! a few days
+wore it all off; and, in short, to prevent any of my father's farther
+importunities, in a few weeks after I resolved to run quite away from
+him. However, I did not act so hastily neither as my first heat of
+resolution prompted, but I took my mother, at a time when I thought her
+a little pleasanter than ordinary, and told her that my thoughts were so
+entirely bent upon seeing the world that I should never settle to
+anything with resolution enough to go through with it, and my father had
+better give me his consent than force me to go without it; that I was
+now eighteen years old, which was too late to go apprentice to a trade,
+or clerk to an attorney; that I was sure if I did, I should never serve
+out my time, and I should certainly run away from my master before my
+time was out, and go to sea; and if she would speak to my father to let
+me go but one voyage abroad, if I came home again and did not like it, I
+would go no more, and I would promise by a double diligence to recover
+that time I had lost.
+
+This put my mother into a great passion. She told me she knew it would
+be to no purpose to speak to my father upon any such subject; that he
+knew too well what was my interest to give his consent to anything so
+much for my hurt, and that she wondered how I could think of any such
+thing after such a discourse as I had had with my father, and such kind
+and tender expressions as she knew my father had used to me; and that,
+in short, if I would ruin myself there was no help for me; but I might
+depend I should never have their consent to it; that for her part, she
+should not have so much hand in my destruction, and I should never have
+it to say, that my mother was willing when my father was not.
+
+Though my mother refused to move it to my father, yet, as I have heard
+afterwards, she reported all the discourse to him, and that my father,
+after showing a great concern at it, said to her with a sigh, "That boy
+might be happy if he would stay at home, but if he goes abroad he will
+be the miserablest wretch that was ever born: I can give no consent to
+it."
+
+It was not till almost a year after this that I broke loose, though in
+the meantime I continued obstinately deaf to all proposals of settling
+to business, and frequently expostulating with my father and mother
+about their being so positively determined against what they knew my
+inclinations prompted me to. But being one day at Hull, where I went
+casually, and without any purpose of making an elopement that time; but
+I say, being there, and one of my companions being going by sea to
+London, in his father's ship, and prompting me to go with them, with the
+common allurement of sea-faring men, viz., that it should cost me
+nothing for my passage, I consulted neither father nor mother any more,
+nor so much as sent them word of it; but leaving them to hear of it as
+they might, without asking God's blessing, or my father's, without any
+consideration of circumstances or consequences, and in an ill hour, God
+knows.
+
+\bye
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+%\catcode`Ť=\active \chardefŤ='23
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+
+\centerline{\call Les Trois Mousquetaires}
+\smallskip\centerline{Alexandre Dumas, fils}
+
+\bigskip
+\centerline{\bf Chapitre Premier}
+\centerline{\bf Les Trois présents de M. d'Artagnan Pčre}
+
+\medskip
+
+Le premier lundi du mois d'avril 1625, le bourg de Meung, oů naquit l'auteur
+du {\it Roman de la Rose}, semblait ętre dans une révolution aussi entičre que
+si les huguenots en fussent venus faire une seconde Rochelle. Plusieurs
+bourgeois, voyant s'enfuir les femmes du côté de la Grande-Rue, entendant les
+enfants crier sur le seuil des portes, se hâtaient d'endosser la cuirasse et,
+appuyant leur contenance quelque peu incertaine d'un mousquet ou d'une
+pertuisane, se dirigeaient vers l'hôtellerie du {\it Franc Meunier}, devant
+laquelle s'empressait, en grossissant de minute en minute, un groupe compact,
+bruyant et plein de curiosité.
+
+En ce temps-lŕ les paniques étaient fréquentes, et peu de jours se passaient
+sans qu'une ville ou l'autre enregistrât sur ses archives quelque événement de
+ce genre. Il y avait les seigneurs qui guerroyaient entre eux~; il y avait le
+roi qui faisait la guerre au cardinal~; il y avait l'Espagnol qui faisait la
+guerre au roi. Puis, outre ces guerres sourdes ou publiques, secrčtes ou
+patentes, il y avait encore les voleurs, les mendiants, les huguenots, les
+loups et les laquais, qui faisaient la guerre ŕ tout le monde. Les bourgeois
+s'armaient toujours contre les voleurs, contre les loups, contre les laquais,
+--- souvent contre les seigneurs et les huguenots, --- quelquefois contre le
+roi, --- mais jamais contre le cardinal et l'Espagnol. Il résulta donc de
+cette habitude prise, que, ce susdit premier lundi du mois d'avril 1625, les
+bourgeois, entendant du bruit, et ne voyant ni le guidon jaune et rouge, ni la
+livrée du duc de Richelieu, se précipitčrent du côté de l'hôtel du {\it Franc
+Meunier}.
+
+Arrivé lŕ, chacun put voir et reconnaître la cause de cette rumeur.
+
+Un jeune homme... --- traçons son portrait d'un seul trait de plume~:
+figurez-vous don Quichotte ŕ dix-huit ans, don Quichotte décorcelé, sans
+haubert et sans cuissards, don Quichotte revętu d'un pourpoint de laine dont
+la couleur bleue s'était transformée en une nuance insaisissable de lie-de-vin
+et d'azur céleste. Visage long et brun~; la pommette des joues saillante,
+signe d'astuce~; les muscles maxillaires énormément développés, indice
+infaillible auquel on reconnaît le Gascon, męme sans béret, et notre jeune
+homme portait un béret orné d'une espčce de plume, l'oeil ouvert et
+intelligent~; le nez crochu, mais finement dessiné~; trop grand pour un
+adolescent, trop petit pour un homme fait, et qu'un oeil peu exercé eűt pris
+pour un fils de fermier en voyage, sans sa longue épée qui, pendue ŕ un
+baudrier de peau, battait les mollets de son propriétaire quand il était ŕ
+pied, et le poil hérissé de sa monture quand il était ŕ cheval.
+
+Car notre jeune homme avait une monture, et cette monture était męme si
+remarquable, qu'elle fut remarquée~: c'était un bidet du Béarn, âgé de douze
+ou quatorze ans, jaune de robe, sans crins ŕ la queue, mais non pas sans
+javarts aux jambes, et qui, tout en marchant la tęte plus bas que les genoux,
+ce qui rendait inutile l'application de la martingale, faisait encore
+également ses huit lieues par jour. Malheureusement les qualités de ce cheval
+étaient si bien cachées sous son poil étrange et son allure incongrue, que
+dans un temps oů tout le monde se connaissait en chevaux, l'apparition du
+susdit bidet ŕ Meung, oů il était entré il y avait un quart d'heure ŕ peu prčs
+par la porte de Beaugency, produisit une sensation dont la défaveur rejaillit
+jusqu'ŕ son cavalier.
+
+Et cette sensation avait été d'autant plus pénible au jeune d'Artagnan (ainsi
+s'appelait le don Quichotte de cette autre Rossinante), qu'il ne se cachait
+pas le côté ridicule que lui donnait, si bon cavalier qu'il fűt, une pareille
+monture~; aussi avait-il fort soupiré en acceptant le don que lui en avait
+fait M. d'Artagnan pčre. Il n'ignorait pas qu'une pareille bęte valait au
+moins vingt livres~; il est vrai que les paroles dont le présent avait été
+accompagné n'avaient pas de prix.
+
+Ť~Mon fils, avait dit le gentilhomme gascon --- dans ce pur patois de Béarn
+dont Henri IV n'avait jamais pu parvenir ŕ se défaire ---, mon fils, ce cheval
+est né dans la maison de votre pčre, il y a tantôt treize ans, et y est resté
+depuis ce temps-lŕ, ce qui doit vous porter ŕ l'aimer. Ne le vendez jamais,
+laissez-le mourir tranquillement et honorablement de vieillesse, et si vous
+faites campagne avec lui, ménagez-le comme vous ménageriez un vieux serviteur.
+A la cour, continua M. d'Artagnan pčre, si toutefois vous avez l'honneur d'y
+aller, honneur auquel, du reste, votre vieille noblesse vous donne des droits,
+soutenez dignement votre nom de gentilhomme, qui a été porté dignement par vos
+ancętres depuis plus de cinq cents ans. Pour vous et pour les vôtres --- par
+les vôtres, j'entends vos parents et vos amis ---, ne supportez jamais rien
+que de M. le cardinal et du roi. C'est par son courage, entendez-vous bien,
+par son courage seul, qu'un gentilhomme fait son chemin aujourd'hui. Quiconque
+tremble une seconde laisse peut-ętre échapper l'appât que, pendant cette
+seconde justement, la fortune lui tendait. Vous ętes jeune, vous devez ętre
+brave par deux raisons~: la premičre, c'est que vous ętes Gascon, et la
+seconde, c'est que vous ętes mon fils. Ne craignez pas les occasions et
+cherchez les aventures. Je vous ai fait apprendre ŕ manier l'épée~; vous avez
+un jarret de fer, un poignet d'acier~; battez-vous ŕ tout propos~; battez-vous
+d'autant plus que les duels sont défendus, et que, par conséquent, il y a deux
+fois du courage ŕ se battre. Je n'ai, mon fils, ŕ vous donner que quinze écus,
+mon cheval et les conseils que vous venez d'entendre. Votre mčre y ajoutera la
+recette d'un certain baume qu'elle tient d'une bohémienne, et qui a une vertu
+miraculeuse pour guérir toute blessure qui n'atteint pas le coeur. Faites
+votre profit du tout, et vivez heureusement et longtemps. --- Je n'ai plus
+qu'un mot ŕ ajouter, et c'est un exemple que je vous propose, non pas le mien,
+car je n'ai, moi, jamais paru ŕ la cour et n'ai fait que les guerres de
+religion en volontaire~; je veux parler de M. de Tréville, qui était mon
+voisin autrefois, et qui a eu l'honneur de jouer tout enfant avec notre roi
+Louis treizičme, que Dieu conserve~! Quelquefois leurs jeux dégénéraient en
+bataille, et dans ces batailles le roi n'était pas toujours le plus fort. Les
+coups qu'il en reçut lui donnčrent beaucoup d'estime et d'amitié pour M. de
+Tréville. Plus tard, M. de Tréville se battit contre d'autres dans son premier
+voyage ŕ Paris, cinq fois~; depuis la mort du feu roi jusqu'ŕ la majorité du
+jeune sans compter les guerres et les sičges, sept fois~; et depuis cette
+majorité jusqu'aujourd'hui, cent fois peut-ętre~! --- Aussi, malgré les édits,
+les ordonnances et les arręts, le voilŕ capitaine des mousquetaires,
+c'est-ŕ-dire chef d'une légion de César, dont le roi fait un trčs grand cas,
+et que M. le cardinal redoute, lui qui ne redoute pas grand-chose, comme
+chacun sait. De plus, M. de Tréville gagne dix mille écus par an~; c'est donc
+un fort grand seigneur. --- Il a commencé comme vous, allez le voir avec cette
+lettre, et réglez-vous sur lui, afin de faire comme lui.~ť
+
+Sur quoi, M. d'Artagnan pčre ceignit ŕ son fils sa propre épée, l'embrassa
+tendrement sur les deux joues et lui donna sa bénédiction.
+
+En sortant de la chambre paternelle, le jeune homme trouva sa mčre qui
+l'attendait avec la fameuse recette dont les conseils que nous venons de
+rapporter devaient nécessiter un assez fréquent emploi. Les adieux furent de
+ce côté plus longs et plus tendres qu'ils ne l'avaient été de l'autre, non pas
+que M. d'Artagnan n'aimât son fils, qui était sa seule progéniture, mais M.
+d'Artagnan était un homme, et il eűt regardé comme indigne d'un homme de se
+laisser aller ŕ son émotion, tandis que Mme d'Artagnan était femme et, de
+plus, était mčre. --- Elle pleura abondamment, et, disons-le ŕ la louange de
+M. d'Artagnan fils, quelques efforts qu'il tentât pour rester ferme comme le
+devait ętre un futur mousquetaire, la nature l'emporta, et il versa force
+larmes, dont il parvint ŕ grand-peine ŕ cacher la moitié.
+
+Le męme jour le jeune homme se mit en route, muni des trois présents paternels
+et qui se composaient, comme nous l'avons dit, de quinze écus, du cheval et de
+la lettre pour M. de Tréville~; comme on le pense bien, les conseils avaient
+été donnés par-dessus le marché.
+
+Avec un pareil vade-mecum, d'Artagnan se trouva, au moral comme au physique,
+une copie exacte du héros de Cervantes, auquel nous l'avons si heureusement
+comparé lorsque nos devoirs d'historien nous ont fait une nécessité de tracer
+son portrait. Don Quichotte prenait les moulins ŕ vent pour des géants et les
+moutons pour des armées, d'Artagnan prit chaque sourire pour une insulte et
+chaque regard pour une provocation. Il en résulta qu'il eut toujours le poing
+fermé depuis Tarbes jusqu'ŕ Meung, et que l'un dans l'autre il porta la main
+au pommeau de son épée dix fois par jour~; toutefois le poing ne descendit sur
+aucune mâchoire, et l'épée ne sortit point de son fourreau. Ce n'est pas que
+la vue du malencontreux bidet jaune n'épanouît bien des sourires sur les
+visages des passants~; mais, comme au-dessus du bidet sonnait une épée de
+taille respectable et qu'au-dessus de cette épée brillait un oeil plutôt
+féroce que fier, les passants réprimaient leur hilarité, ou, si l'hilarité
+l'emportait sur la prudence, ils tâchaient au moins de ne rire que d'un seul
+côté, comme les masques antiques. D'Artagnan demeura donc majestueux et intact
+dans sa susceptibilité jusqu'ŕ cette malheureuse ville de Meung.
+
+Mais lŕ, comme il descendait de cheval ŕ la porte du {\it Franc Meunier} sans
+que personne, hôte, garçon ou palefrenier, fűt venu prendre l'étrier au
+montoir, d'Artagnan avisa ŕ une fenętre entrouverte du rez-de-chaussée un
+gentilhomme de belle taille et de haute mine, quoique au visage légčrement
+renfrogné, lequel causait avec deux personnes qui paraissaient l'écouter avec
+déférence. D'Artagnan crut tout naturellement, selon son habitude, ętre
+l'objet de la conversation et écouta. Cette fois, d'Artagnan ne s'était trompé
+qu'ŕ moitié~: ce n'était pas de lui qu'il était question, mais de son cheval.
+Le gentilhomme paraissait énumérer ŕ ses auditeurs toutes ses qualités, et
+comme, ainsi que je l'ai dit, les auditeurs paraissaient avoir une grande
+déférence pour le narrateur, ils éclataient de rire ŕ tout moment. Or, comme
+un demi-sourire suffisait pour éveiller l'irascibilité du jeune homme, on
+comprend quel effet produisit sur lui tant de bruyante hilarité.
+
+Cependant d'Artagnan voulut d'abord se rendre compte de la physionomie de
+l'impertinent qui se moquait de lui. Il fixa son regard fier sur l'étranger et
+reconnut un homme de quarante ŕ quarante-cinq ans, aux yeux noirs et perçants,
+au teint pâle, au nez fortement accentué, ŕ la moustache noire et parfaitement
+taillée~; il était vętu d'un pourpoint et d'un haut-de-chausses violet avec
+des aiguillettes de męme couleur, sans aucun ornement que les crevés habituels
+par lesquels passait la chemise. Ce haut-de-chausses et ce pourpoint, quoique
+neufs, paraissaient froissés comme des habits de voyage longtemps renfermés
+dans un portemanteau. D'Artagnan fit toutes ces remarques avec la rapidité de
+l'observateur le plus minutieux, et sans doute par un sentiment instinctif qui
+lui disait que cet inconnu devait avoir une grande influence sur sa vie ŕ
+venir.
+
+Or, comme au moment oů d'Artagnan fixait son regard sur le gentilhomme au
+pourpoint violet, le gentilhomme faisait ŕ l'endroit du bidet béarnais une de
+ses plus savantes et de ses plus profondes démonstrations, ses deux auditeurs
+éclatčrent de rire, et lui-męme laissa visiblement, contre son habitude,
+errer, si l'on peut parler ainsi, un pâle sourire sur son visage. Cette fois,
+il n'y avait plus de doute, d'Artagnan était réellement insulté. Aussi, plein
+de cette conviction, enfonça-t-il son béret sur ses yeux, et, tâchant de
+copier quelques-uns des airs de cour qu'il avait surpris en Gascogne chez des
+seigneurs en voyage, il s'avança, une main sur la garde de son épée et l'autre
+appuyée sur la hanche. Malheureusement, au fur et ŕ mesure qu'il avançait, la
+colčre l'aveuglant de plus en plus, au lieu du discours digne et hautain qu'il
+avait préparé pour formuler sa provocation, il ne trouva plus au bout de sa
+langue qu'une personnalité grossičre qu'il accompagna d'un geste furieux.
+
+Ť~Eh~! Monsieur, s'écria-t-il, Monsieur, qui vous cachez derričre ce volet~!
+oui, vous, dites-moi donc un peu de quoi vous riez, et nous rirons ensemble.~ť
+
+Le gentilhomme ramena lentement les yeux de la monture au cavalier, comme s'il
+lui eűt fallu un certain temps pour comprendre que c'était ŕ lui que
+s'adressaient de si étranges reproches~; puis, lorsqu'il ne put plus conserver
+aucun doute, ses sourcils se froncčrent légčrement, et aprčs une assez longue
+pause, avec un accent d'ironie et d'insolence impossible ŕ décrire, il
+répondit ŕ d'Artagnan~:
+
+Ť~Je ne vous parle pas, Monsieur.
+
+--- Mais je vous parle, moi~!~ť s'écria le jeune homme exaspéré de ce mélange
+ d'insolence et de bonnes maničres, de convenances et de dédains.
+
+L'inconnu le regarda encore un instant avec son léger sourire, et, se retirant
+de la fenętre, sortit lentement de l'hôtellerie pour venir ŕ deux pas de
+d'Artagnan se planter en face du cheval. Sa contenance tranquille et sa
+physionomie railleuse avaient redoublé l'hilarité de ceux avec lesquels il
+causait et qui, eux, étaient restés ŕ la fenętre.
+
+D'Artagnan, le voyant arriver, tira son épée d'un pied hors du fourreau.
+
+Ť~Ce cheval est décidément ou plutôt a été dans sa jeunesse bouton d'or,
+reprit l'inconnu continuant les investigations commencées et s'adressant ŕ ses
+auditeurs de la fenętre, sans paraître aucunement remarquer l'exaspération de
+d'Artagnan, qui cependant se redressait entre lui et eux. C'est une couleur
+fort connue en botanique, mais jusqu'ŕ présent fort rare chez les chevaux.
+
+--- Tel rit du cheval qui n'oserait pas rire du maître~! s'écria l'émule de
+ Tréville, furieux.
+
+--- Je ne ris pas souvent, Monsieur, reprit l'inconnu, ainsi que vous pouvez le
+ voir vous-męme ŕ l'air de mon visage~; mais je tiens cependant ŕ conserver
+ le privilčge de rire quand il me plaît.
+
+--- Et moi, s'écria d'Artagnan, je ne veux pas qu'on rie quand il me déplaît~!
+
+--- En vérité, Monsieur~? continua l'inconnu plus calme que jamais, eh bien,
+ c'est parfaitement juste.~ť Et tournant sur ses talons, il s'appręta ŕ
+ rentrer dans l'hôtellerie par la grande porte, sous laquelle d'Artagnan en
+ arrivant avait remarqué un cheval tout sellé.
+
+Mais d'Artagnan n'était pas de caractčre ŕ lâcher ainsi un homme qui avait eu
+l'insolence de se moquer de lui. Il tira son épée entičrement du fourreau et
+se mit ŕ sa poursuite en criant~:
+
+Ť~Tournez, tournez donc, Monsieur le railleur, que je ne vous frappe point
+par-derričre.
+
+--- Me frapper, moi~! dit l'autre en pivotant sur ses talons et en regardant le
+ jeune homme avec autant d'étonnement que de mépris. Allons, allons donc,
+ mon cher, vous ętes fou~!~ť
+
+Puis, ŕ demi-voix, et comme s'il se fűt parlé ŕ lui-męme~:
+
+Ť~C'est fâcheux, continua-t-il, quelle trouvaille pour Sa Majesté, qui cherche
+des braves de tous côtés pour recruter ses mousquetaires~!~ť
+
+Il achevait ŕ peine, que d'Artagnan lui allongea un si furieux coup de pointe,
+que, s'il n'eűt fait vivement un bond en arričre, il est probable qu'il eűt
+plaisanté pour la derničre fois. L'inconnu vit alors que la chose passait la
+raillerie, tira son épée, salua son adversaire et se mit gravement en garde.
+Mais au męme moment ses deux auditeurs, accompagnés de l'hôte, tombčrent sur
+d'Artagnan ŕ grands coups de bâtons, de pelles et de pincettes. Cela fit une
+diversion si rapide et si complčte ŕ l'attaque, que l'adversaire de
+d'Artagnan, pendant que celui-ci se retournait pour faire face ŕ cette gręle
+de coups, rengainait avec la męme précision, et, d'acteur qu'il avait manqué
+d'ętre, redevenait spectateur du combat, rôle dont il s'acquitta avec son
+impassibilité ordinaire, tout en marmottant néanmoins~:
+
+Ť~La peste soit des Gascons~! Remettez-le sur son cheval orange, et qu'il s'en
+aille~!
+
+--- Pas avant de t'avoir tué, lâche~!~ť criait d'Artagnan tout en faisant face
+ du mieux qu'il pouvait et sans reculer d'un pas ŕ ses trois ennemis, qui le
+ moulaient de coups.
+
+Ť~Encore une gasconnade, murmura le gentilhomme. Sur mon honneur, ces Gascons
+sont incorrigibles~! Continuez donc la danse, puisqu'il le veut absolument.
+Quand il sera las, il dira qu'il en a assez.~ť
+
+Mais l'inconnu ne savait pas encore ŕ quel genre d'entęté il avait affaire~;
+d'Artagnan n'était pas homme ŕ jamais demander merci. Le combat continua donc
+quelques secondes encore~; enfin d'Artagnan, épuisé, laissa échapper son épée
+qu'un coup de bâton brisa en deux morceaux. Un autre coup, qui lui entama le
+front, le renversa presque en męme temps tout sanglant et presque évanoui.
+
+C'est ŕ ce moment que de tous côtés on accourut sur le lieu de la scčne.
+L'hôte, craignant du scandale, emporta, avec l'aide de ses garçons, le blessé
+dans la cuisine oů quelques soins lui furent accordés.
+
+Quant au gentilhomme, il était revenu prendre sa place ŕ la fenętre et
+regardait avec une certaine impatience toute cette foule, qui semblait en
+demeurant lŕ lui causer une vive contrariété.
+
+Ť~Eh bien, comment va cet enragé~? reprit-il en se retournant au bruit de la
+porte qui s'ouvrit et en s'adressant ŕ l'hôte qui venait s'informer de sa
+santé.
+
+--- Votre Excellence est saine et sauve~? demanda l'hôte.
+
+--- Oui, parfaitement saine et sauve, mon cher hôtelier, et c'est moi qui vous
+ demande ce qu'est devenu notre jeune homme.
+
+--- Il va mieux, dit l'hôte~: il s'est évanoui tout ŕ fait.
+
+--- Vraiment~? fit le gentilhomme.
+
+--- Mais avant de s'évanouir il a rassemblé toutes ses forces pour vous appeler
+ et vous défier en vous appelant.
+
+--- Mais c'est donc le diable en personne que ce gaillard-lŕ~! s'écria
+ l'inconnu.
+
+--- Oh~! non, Votre Excellence, ce n'est pas le diable, reprit l'hôte avec une
+ grimace de mépris, car pendant son évanouissement nous l'avons fouillé, et
+ il n'a dans son paquet qu'une chemise et dans sa bourse que onze écus, ce
+ qui ne l'a pas empęché de dire en s'évanouissant que si pareille chose
+ était arrivée ŕ Paris, vous vous en repentiriez tout de suite, tandis
+ qu'ici vous ne vous en repentirez que plus tard.
+
+--- Alors, dit froidement l'inconnu, c'est quelque prince du sang déguisé.
+
+--- Je vous dis cela, mon gentilhomme, reprit l'hôte, afin que vous vous teniez
+ sur vos gardes.
+
+--- Et il n'a nommé personne dans sa colčre~?
+
+--- Si fait, il frappait sur sa poche, et il disait~: Ť~Nous verrons ce que M.
+ de Tréville pensera de cette insulte faite ŕ son protégé.~ť
+
+--- M. de Tréville~? dit l'inconnu en devenant attentif~; il frappait sur sa
+ poche en prononçant le nom de M. de Tréville~?... Voyons, mon cher hôte,
+ pendant que votre jeune homme était évanoui, vous n'avez pas été, j'en suis
+ bien sűr, sans regarder aussi cette poche-lŕ. Qu'y avait-il~?
+
+--- Une lettre adressée ŕ M. de Tréville, capitaine des mousquetaires.
+
+--- En vérité~!
+
+--- C'est comme j'ai l'honneur de vous le dire, Excellence.~ť
+
+L'hôte, qui n'était pas doué d'une grande perspicacité, ne remarqua point
+l'expression que ses paroles avaient donnée ŕ la physionomie de l'inconnu.
+Celui-ci quitta le rebord de la croisée sur lequel il était toujours resté
+appuyé du bout du coude, et fronça le sourcil en homme inquiet.
+
+Ť~Diable~! murmura-t-il entre ses dents, Tréville m'aurait-il envoyé ce
+Gascon~? il est bien jeune~! Mais un coup d'épée est un coup d'épée, quel que
+soit l'âge de celui qui le donne, et l'on se défie moins d'un enfant que de
+tout autre~; il suffit parfois d'un faible obstacle pour contrarier un grand
+dessein.~ť
+
+Et l'inconnu tomba dans une réflexion qui dura quelques minutes.
+
+Ť~Voyons, l'hôte, dit-il, est-ce que vous ne me débarrasserez pas de ce
+frénétique~? En conscience, je ne puis le tuer, et cependant, ajouta-t-il avec
+une expression froidement menaçante, cependant il me gęne. Oů est-il~?
+
+--- Dans la chambre de ma femme, oů on le panse, au premier étage.
+
+--- Ses hardes et son sac sont avec lui~? il n'a pas quitté son pourpoint~?
+
+--- Tout cela, au contraire, est en bas dans la cuisine. Mais puisqu'il vous
+ gęne, ce jeune fou...
+
+--- Sans doute. Il cause dans votre hôtellerie un scandale auquel d'honnętes
+ gens ne sauraient résister. Montez chez vous, faites mon compte et
+ avertissez mon laquais.
+
+--- Quoi~! Monsieur nous quitte déjŕ~?
+
+--- Vous le savez bien, puisque je vous avais donné l'ordre de seller mon
+ cheval. Ne m'a-t-on point obéi~?
+
+--- Si fait, et comme Votre Excellence a pu le voir, son cheval est sous la
+ grande porte, tout appareillé pour partir.
+
+--- C'est bien, faites ce que je vous ai dit alors.~ť
+
+Ť~Ouais~! se dit l'hôte, aurait-il peur du petit garçon~?~ť
+
+Mais un coup d'oeil impératif de l'inconnu vint l'arręter court. Il salua
+humblement et sortit.
+
+Ť~Il ne faut pas que Milady soit aperçue de ce drôle, continua l'étranger~:
+elle ne doit pas tarder ŕ passer~; déjŕ męme elle est en retard. Décidément,
+mieux vaut que je monte ŕ cheval et que j'aille au-devant d'elle... Si
+seulement je pouvais savoir ce que contient cette lettre adressée ŕ
+Tréville~!~ť
+
+Et l'inconnu, tout en marmottant, se dirigea vers la cuisine.
+
+Pendant ce temps, l'hôte, qui ne doutait pas que ce ne fűt la présence du
+jeune garçon qui chassât l'inconnu de son hôtellerie, était remonté chez sa
+femme et avait trouvé d'Artagnan maître enfin de ses esprits. Alors, tout en
+lui faisant comprendre que la police pourrait bien lui faire un mauvais parti
+pour avoir été chercher querelle ŕ un grand seigneur --- car, ŕ l'avis de
+l'hôte, l'inconnu ne pouvait ętre qu'un grand seigneur ---, il le détermina,
+malgré sa faiblesse, ŕ se lever et ŕ continuer son chemin. D'Artagnan, ŕ
+moitié abasourdi, sans pourpoint et la tęte tout emmaillotée de linges, se
+leva donc et, poussé par l'hôte, commença de descendre~; mais, en arrivant ŕ
+la cuisine, la premičre chose qu'il aperçut fut son provocateur qui causait
+tranquillement au marchepied d'un lourd carrosse attelé de deux gros chevaux
+normands.
+
+Son interlocutrice, dont la tęte apparaissait encadrée par la portičre, était
+une femme de vingt ŕ vingt-deux ans. Nous avons déjŕ dit avec quelle rapidité
+d'investigation d'Artagnan embrassait toute une physionomie~; il vit donc du
+premier coup d'oeil que la femme était jeune et belle. Or cette beauté le
+frappa d'autant plus qu'elle était parfaitement étrangčre aux pays méridionaux
+que jusque-lŕ d'Artagnan avait habités. C'était une pâle et blonde personne,
+aux longs cheveux bouclés tombant sur ses épaules, aux grands yeux bleus
+languissants, aux lčvres rosées et aux mains d'albâtre. Elle causait trčs
+vivement avec l'inconnu.
+
+Ť~Ainsi, Son Eminence m'ordonne..., disait la dame.
+
+--- De retourner ŕ l'instant męme en Angleterre, et de la prévenir directement
+si le duc quittait Londres.
+
+--- Et quant ŕ mes autres instructions~? demanda la belle voyageuse.
+
+--- Elles sont renfermées dans cette boîte, que vous n'ouvrirez que de l'autre
+ côté de la Manche.
+
+--- Trčs bien~; et vous, que faites-vous~?
+
+--- Moi, je retourne ŕ Paris.
+
+--- Sans châtier cet insolent petit garçon~?~ť demanda la dame.
+
+L'inconnu allait répondre~: mais, au moment oů il ouvrait la bouche,
+d'Artagnan, qui avait tout entendu, s'élança sur le seuil de la porte.
+
+Ť~C'est cet insolent petit garçon qui châtie les autres, s'écria-t-il, et
+j'espčre bien que cette fois-ci celui qu'il doit châtier ne lui échappera pas
+comme la premičre.
+
+--- Ne lui échappera pas~? reprit l'inconnu en fronçant le sourcil.
+
+--- Non, devant une femme, vous n'oseriez pas fuir, je présume.
+
+--- Songez, s'écria Milady en voyant le gentilhomme porter la main ŕ son épée,
+ songez que le moindre retard peut tout perdre.
+
+--- Vous avez raison, s'écria le gentilhomme~; partez donc de votre côté, moi,
+ je pars du mien.~ť
+
+Et, saluant la dame d'un signe de tęte, il s'élança sur son cheval, tandis que
+le cocher du carrosse fouettait vigoureusement son attelage. Les deux
+interlocuteurs partirent donc au galop, s'éloignant chacun par un côté opposé
+de la rue.
+
+Ť~Eh~! votre dépense~ť, vociféra l'hôte, dont l'affection pour son voyageur se
+changeait en un profond dédain en voyant qu'il s'éloignait sans solder ses
+comptes.
+
+Ť~Paie, maroufle~ť, s'écria le voyageur toujours galopant ŕ son laquais,
+lequel jeta aux pieds de l'hôte deux ou trois pičces d'argent et se mit ŕ
+galoper aprčs son maître.
+
+Ť~Ah~! lâche, ah~! misérable, ah~! faux gentilhomme~!~ť cria d'Artagnan
+s'élançant ŕ son tour aprčs le laquais.
+
+Mais le blessé était trop faible encore pour supporter une pareille secousse.
+A peine eut-il fait dix pas, que ses oreilles tintčrent, qu'un éblouissement
+le prit, qu'un nuage de sang passa sur ses yeux et qu'il tomba au milieu de la
+rue, en criant encore~:
+
+Ť~Lâche~! lâche~! lâche~!
+
+--- Il est en effet bien lâche~ť, murmura l'hôte en s'approchant de d'Artagnan,
+ et essayant par cette flatterie de se raccommoder avec le pauvre garçon,
+ comme le héron de la fable avec son limaçon du soir.
+
+Ť~Oui, bien lâche, murmura d'Artagnan~; mais elle, bien belle~!
+
+--- Qui, elle~? demanda l'hôte.
+
+--- Milady~ť, balbutia d'Artagnan.
+
+Et il s'évanouit une seconde fois.
+
+Ť~C'est égal, dit l'hôte, j'en perds deux, mais il me reste celui-lŕ, que je
+suis sűr de conserver au moins quelques jours. C'est toujours onze écus de
+gagnés.~ť
+
+On sait que onze écus faisaient juste la somme qui restait dans la bourse de
+d'Artagnan.
+
+L'hôte avait compté sur onze jours de maladie ŕ un écu par jour~; mais il
+avait compté sans son voyageur. Le lendemain, dčs cinq heures du matin,
+d'Artagnan se leva, descendit lui-męme ŕ la cuisine, demanda, outre quelques
+autres ingrédients dont la liste n'est pas parvenue jusqu'ŕ nous, du vin, de
+l'huile, du romarin, et, la recette de sa mčre ŕ la main, se composa un baume
+dont il oignit ses nombreuses blessures, renouvelant ses compresses lui-męme
+et ne voulant admettre l'adjonction d'aucun médecin. Grâce sans doute ŕ
+l'efficacité du baume de Bohęme, et peut-ętre aussi grâce ŕ l'absence de tout
+docteur, d'Artagnan se trouva sur pied dčs le soir męme, et ŕ peu prčs guéri
+le lendemain.
+
+Mais, au moment de payer ce romarin, cette huile et ce vin, seule dépense du
+maître qui avait gardé une dičte absolue, tandis qu'au contraire le cheval
+jaune, au dire de l'hôtelier du moins, avait mangé trois fois plus qu'on n'eűt
+raisonnablement pu le supposer pour sa taille, d'Artagnan ne trouva dans sa
+poche que sa petite bourse de velours râpé ainsi que les onze écus qu'elle
+contenait~; mais quant ŕ la lettre adressée ŕ M. de Tréville, elle avait
+disparu.
+
+Le jeune homme commença par chercher cette lettre avec une grande patience,
+tournant et retournant vingt fois ses poches et ses goussets, fouillant et
+refouillant dans son sac, ouvrant et refermant sa bourse~; mais lorsqu'il eut
+acquis la conviction que la lettre était introuvable, il entra dans un
+troisičme accčs de rage, qui faillit lui occasionner une nouvelle consommation
+de vin et d'huile aromatisés~: car, en voyant cette jeune mauvaise tęte
+s'échauffer et menacer de tout casser dans l'établissement si l'on ne
+retrouvait pas sa lettre, l'hôte s'était déjŕ saisi d'un épieu, sa femme d'un
+manche ŕ balai, et ses garçons des męmes bâtons qui avaient servi la
+surveille.
+
+Ť~Ma lettre de recommandation~! s'écria d'Artagnan, ma lettre de
+recommandation, sangdieu~! ou je vous embroche tous comme des ortolans~!~ť
+
+Malheureusement une circonstance s'opposait ŕ ce que le jeune homme accomplît
+sa menace~: c'est que, comme nous l'avons dit, son épée avait été, dans sa
+premičre lutte, brisée en deux morceaux, ce qu'il avait parfaitement oublié.
+Il en résulta que, lorsque d'Artagnan voulut en effet dégainer, il se trouva
+purement et simplement armé d'un tronçon d'épée de huit ou dix pouces ŕ peu
+prčs, que l'hôte avait soigneusement renfoncé dans le fourreau. Quant au reste
+de la lame, le chef l'avait adroitement détourné pour s'en faire une lardoire.
+
+Cependant cette déception n'eűt probablement pas arręté notre fougueux jeune
+homme, si l'hôte n'avait réfléchi que la réclamation que lui adressait son
+voyageur était parfaitement juste.
+
+Ť~Mais, au fait, dit-il en abaissant son épieu, oů est cette lettre~?
+
+--- Oui, oů est cette lettre~? cria d'Artagnan. D'abord, je vous en préviens,
+ cette lettre est pour M. de Tréville, et il faut qu'elle se retrouve~; ou
+ si elle ne se retrouve pas, il saura bien la faire retrouver, lui~!~ť
+
+Cette menace acheva d'intimider l'hôte. Aprčs le roi et M. le cardinal, M. de
+Tréville était l'homme dont le nom peut-ętre était le plus souvent répété par
+les militaires et męme par les bourgeois. Il y avait bien le pčre Joseph,
+c'est vrai~; mais son nom ŕ lui n'était jamais prononcé que tout bas, tant
+était grande la terreur qu'inspirait l'Eminence grise, comme on appelait le
+familier du cardinal.
+
+Aussi, jetant son épieu loin de lui, et ordonnant ŕ sa femme d'en faire autant
+de son manche ŕ balai et ŕ ses valets de leurs bâtons, il donna le premier
+l'exemple en se mettant lui-męme ŕ la recherche de la lettre perdue.
+
+Ť~Est-ce que cette lettre renfermait quelque chose de précieux~? demanda
+l'hôte au bout d'un instant d'investigations inutiles.
+
+--- Sandis~! je le crois bien~! s'écria le Gascon qui comptait sur cette lettre
+ pour faire son chemin ŕ la cour~; elle contenait ma fortune.
+
+--- Des bons sur l'Epargne~? demanda l'hôte inquiet.
+
+--- Des bons sur la trésorerie particuličre de Sa Majesté~ť, répondit
+ d'Artagnan, qui, comptant entrer au service du roi grâce ŕ cette
+ recommandation, croyait pouvoir faire sans mentir cette réponse quelque peu
+ hasardée.
+
+Ť~Diable~! fit l'hôte tout ŕ fait désespéré.
+
+--- Mais il n'importe, continua d'Artagnan avec l'aplomb national, il
+ n'importe, et l'argent n'est rien~: --- cette lettre était tout. J'eusse
+ mieux aimé perdre mille pistoles que de la perdre.~ť
+
+Il ne risquait pas davantage ŕ dire vingt mille, mais une certaine pudeur
+juvénile le retint.
+
+Un trait de lumičre frappa tout ŕ coup l'esprit de l'hôte, qui se donnait au
+diable en ne trouvant rien.
+
+Ť~Cette lettre n'est point perdue, s'écria-t-il.
+
+--- Ah~! fit d'Artagnan.
+
+--- Non~; elle vous a été prise.
+
+--- Prise~! et par qui~?
+
+--- Par le gentilhomme d'hier. Il est descendu ŕ la cuisine, oů était votre
+ pourpoint. Il y est resté seul. Je gagerais que c'est lui qui l'a volée.
+
+--- Vous croyez~?~ť répondit d'Artagnan peu convaincu~; car il savait mieux que
+ personne l'importance toute personnelle de cette lettre, et n'y voyait rien
+ qui pűt tenter la cupidité. Le fait est qu'aucun des valets, aucun des
+ voyageurs présents n'eűt rien gagné ŕ posséder ce papier.
+
+Ť~Vous dites donc, reprit d'Artagnan, que vous soupçonnez cet impertinent
+gentilhomme.
+
+--- Je vous dis que j'en suis sűr, continua l'hôte~; lorsque je lui ai annoncé
+ que Votre Seigneurie était le protégé de M. de Tréville, et que vous aviez
+ męme une lettre pour cet illustre gentilhomme, il a paru fort inquiet, m'a
+ demandé oů était cette lettre, et est descendu immédiatement ŕ la cuisine
+ oů il savait qu'était votre pourpoint.
+
+--- Alors c'est mon voleur, répondit d'Artagnan~; je m'en plaindrai ŕ M. de
+ Tréville, et M. de Tréville s'en plaindra au roi.~ť Puis il tira
+ majestueusement deux écus de sa poche, les donna ŕ l'hôte, qui
+ l'accompagna, le chapeau ŕ la main, jusqu'ŕ la porte, remonta sur son
+ cheval jaune, qui le conduisit sans autre incident jusqu'ŕ la porte
+ Saint-Antoine ŕ Paris, oů son propriétaire le vendit trois écus, ce qui
+ était fort bien payé, attendu que d'Artagnan l'avait fort surmené pendant
+ la derničre étape. Aussi le maquignon auquel d'Artagnan le céda moyennant
+ les neuf livres susdites ne cacha-t-il point au jeune homme qu'il n'en
+ donnait cette somme exorbitante qu'ŕ cause de l'originalité de sa couleur.
+
+D'Artagnan entra donc dans Paris ŕ pied, portant son petit paquet sous son
+bras, et marcha tant qu'il trouvât ŕ louer une chambre qui convînt ŕ
+l'exiguďté de ses ressources. Cette chambre fut une espčce de mansarde, sise
+rue des Fossoyeurs, prčs du Luxembourg.
+
+Aussitôt le denier ŕ Dieu donné, d'Artagnan prit possession de son logement,
+passa le reste de la journée ŕ coudre ŕ son pourpoint et ŕ ses chausses des
+passementeries que sa mčre avait détachées d'un pourpoint presque neuf de M.
+d'Artagnan pčre, et qu'elle lui avait données en cachette~; puis il alla quai
+de la Ferraille, faire remettre une lame ŕ son épée~; puis il revint au Louvre
+s'informer, au premier mousquetaire qu'il rencontra, de la situation de
+l'hôtel de M. de Tréville, lequel était situé rue du Vieux-Colombier,
+c'est-ŕ-dire justement dans le voisinage de la chambre arrętée par
+d'Artagnan~: circonstance qui lui parut d'un heureux augure pour le succčs de
+son voyage.
+
+Aprčs quoi, content de la façon dont il s'était conduit ŕ Meung, sans remords
+dans le passé, confiant dans le présent et plein d'espérance dans l'avenir, il
+se coucha et s'endormit du sommeil du brave.
+
+Ce sommeil, tout provincial encore, le conduisit jusqu'ŕ neuf heures du matin,
+heure ŕ laquelle il se leva pour se rendre chez ce fameux M. de Tréville, le
+troisičme personnage du royaume d'aprčs l'estimation paternelle.
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/futhark/READ.ME b/Master/texmf-dist/doc/fonts/futhark/READ.ME
new file mode 100644
index 00000000000..462fd7a687a
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/futhark/READ.ME
@@ -0,0 +1,46 @@
+Hi there - Stayka is here! 1993/05/03
+
+My apologies for sending this stuff again, but I was told by a friend
+who successfully built the Klingon alphabet for LaTeX yesterday (as far
+as I know he will post it to the net as soon as it's completely ready -
+there are some minor adjustments to make...) how I could solve the
+problem with the missing blank space in the font. Furthermore I
+corrected the spacing between the letters, they should look better now.
+Unfortunately at the moment I have no tool to make a shar archive of the
+files, but I hope you will forgive me...
+
+BTW, I compiled the runes with the following command. As example I use
+the 10pt version of the Futhark font for hp-Laser-/Deskjet (300dpi).
+I run Metafont under SCO-Unix, but I'd say it shouldn't be too different
+to use the DOS/Mac/Amiga/Atari/??? versions of Metafont.
+
+mf "\mode:= CanonCX;" "\mag:= 1;" \input futhol10
+
+This will build the gf-file. To get the pk-file you have to invoke the
+program gftopk, and afterwards copy tfm and pk files into the
+directories where they belong.
+
+And now again here's the Metafont source for the Older Futhark alphabet
+with corrected spacing between the letters. They are as good as Shavana
+and I managed to design them. I include the parameter files and the
+files to compile 10pt, 20pt, 30pt, 40pt and 50pt runes, which should
+cover almost every case.
+
+This font should be used with LaTeX and the old font selection scheme,
+as I haven't created a font family and so on for it yet. Who wants to
+use AmS-LaTeX or the new font selection scheme has to put a little more
+work in it.
+
+I didn't encounter any problems compiling this font with Metafont (with
+plain bases, not the computer modern ones), and I hope you don't either.
+Enjoy!
+
+
+Walk in the Light!
+ Stayka deyAvemta
+
+-------------------------------------------------------------------------
+Email: hz225wu@unidui.uni-duisburg.de | We live in a universe of magic!
+
+-------------------------------------------------------------------------
+
diff --git a/Master/texmf-dist/doc/fonts/futhark/futhold.tex b/Master/texmf-dist/doc/fonts/futhark/futhold.tex
new file mode 100644
index 00000000000..f5ec338c602
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/futhark/futhold.tex
@@ -0,0 +1,70 @@
+\documentstyle{article}
+%
+% File: futhold.tex
+% Date: 1993/05/02
+%
+\parindent0pt
+\newfont{\futharknormal}{futhol10}
+\newfont{\futharklarge}{futhol20}
+\newfont{\futharklarger}{futhol30}
+\newfont{\futharkhuge}{futhol40}
+\newfont{\futharkmonstrous}{futhol50}
+\begin{document}
+
+\begin{tabular}{|c|c|c|}
+\hline
+\multicolumn{3}{|c|}{\large\bf{}The Older Futhark,
+10pt\rule[-0.5ex]{0pt}{3ex}}\\
+\hline
+\hline
+Letter to type in & 'Real Letter' & Rune \\
+\hline
+\rule{0pt}{3ex} F & F & {\futharknormal F } \\
+U & U & {\futharknormal U } \\
+X & TH & {\futharknormal X } \\
+A & A & {\futharknormal A } \\
+R & R & {\futharknormal R } \\
+K & K & {\futharknormal K } \\
+G & G & {\futharknormal G } \\
+W & W & {\futharknormal W } \\
+H & H & {\futharknormal H } \\
+N & N & {\futharknormal N } \\
+I & I & {\futharknormal I } \\
+J & J & {\futharknormal J } \\
+Y & EI & {\futharknormal Y } \\
+P & P & {\futharknormal P } \\
+Z & Z & {\futharknormal T } \\
+S & S & {\futharknormal S } \\
+T & T & {\futharknormal T } \\
+B & B & {\futharknormal B } \\
+E & E & {\futharknormal E } \\
+M & M & {\futharknormal M } \\
+L & L & {\futharknormal L } \\
+Q & ING & {\futharknormal Q } \\
+D & D & {\futharknormal D } \\
+O & O & {\futharknormal O } \\
+: & : & {\futharknormal : } \\
+\hline
+\end{tabular}
+
+\pagebreak
+{\bf FUTHARK, 10pt}\\[1ex]
+{\futharknormal FUXARK}
+
+\vspace{3ex}
+{\bf FUTHARK, 20pt}\\[1ex]
+{\futharklarge FUXARK}
+
+\vspace{3ex}
+{\bf FUTHARK, 30pt}\\[1ex]
+{\futharklarger FUXARK}
+
+\vspace{3ex}
+{\bf FUTHARK, 40pt}\\[1ex]
+{\futharkhuge FUXARK}
+
+\vspace{3ex}
+{\bf FUTHARK, 50pt}\\[1ex]
+{\futharkmonstrous FUXARK}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/genealogy/README b/Master/texmf-dist/doc/fonts/genealogy/README
new file mode 100644
index 00000000000..47f55b8731a
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/genealogy/README
@@ -0,0 +1,25 @@
+Genealogy symbols in METAFONT
+-----------------------------
+
+Files in this distribution:
+
+ drgen10.mf % the mf driver file
+ drgen10.tfm % tfm file for TeX
+ drgen.mf % the mf character definitions
+ testgen.tex % a test file
+ README % this file
+ licence.txt % licence conditions
+
+The MF files in this distribution are a simple compilation
+of the genealogical symbols found in the `wasy' and `gen' font.
+Actually, all I have done was to add the male and female symbols
+to Knuth's `gen' font. Thus, it avoids loading two fonts
+when you need only genealogical symbols.
+
+Hope this is helpful to somebody.
+
+Denis Roegel, May 30, 1996. (updated March 2, 1999)
+(roegel@loria.fr)
+
+
+
diff --git a/Master/texmf-dist/doc/fonts/genealogy/licence.txt b/Master/texmf-dist/doc/fonts/genealogy/licence.txt
new file mode 100644
index 00000000000..e53351c2f7a
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/genealogy/licence.txt
@@ -0,0 +1,5 @@
+% Copyright 1999 Denis Roegel
+% This program can be redistributed and/or modified under the terms
+% of the LaTeX Project Public License Distributed from CTAN
+% archives in directory macros/latex/base/lppl.txt; either
+% version 1 of the License, or any later version.
diff --git a/Master/texmf-dist/doc/fonts/genealogy/testgen.tex b/Master/texmf-dist/doc/fonts/genealogy/testgen.tex
new file mode 100644
index 00000000000..a10087d7e24
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/genealogy/testgen.tex
@@ -0,0 +1,26 @@
+% D. Roegel, 30 May 1996
+% roegel@loria.fr
+
+\font\gensymbols=drgen10
+\def\male{{\gensymbols\char"1A}}
+\def\female{{\gensymbols\char"19}}
+\def\died{{\gensymbols d}}
+\def\married{{\gensymbols m}}
+\def\born{{\gensymbols b}}
+\def\divorced{{\gensymbols1}}
+\def\leaf{{\gensymbols l}}
+
+\centerline{\bf Genealogical symbols from {\tt wasy} and {\tt gen} fonts}
+
+\bigskip
+\centerline{\vbox{\halign{#\hfil&\quad#\hfil\cr
+Male&\male\cr
+Female&\female\cr
+Born&\born\cr
+Married&\married\cr
+Divorced&\divorced\cr
+Died&\died\cr
+Leaf&\leaf\cr}}}
+
+\bye
+
diff --git a/Master/texmf-dist/doc/fonts/gothic/README b/Master/texmf-dist/doc/fonts/gothic/README
new file mode 100644
index 00000000000..7fb801d79b6
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/gothic/README
@@ -0,0 +1,32 @@
+Haralambous Broken Typefaces PostScript Fonts
+(Adobe Type 1 format)
+
+Copyright (c) 2002 Torsten Bronger, torsten.bronger@gmx.de
+2002/05/23 Ver. 1.0
+
+
+This PostScript Type 1 implementation of the fonts yfrak, yswab and
+ygoth, originally created by Yannis Haralambous using METAFONT, is
+freely available for general use.
+
+The conversion was done with textrace, finetuning and hinting with
+pfaedit.
+
+This distribution does not contain the TFM files that are necessary to
+use the fonts with TeX; the TFM files can be obtained from CTAN, in
+fonts/gothic/{yfrak,yswab,ygoth}, where you also can find the Metafont
+sources of the original glyphs.
+
+Notice that the AFM files included in this distribution contain no
+ligature information, therefore they cannot be used to generate proper
+TFM files.
+
+The fragment for the dvips mapfile is
+yfrak yfrak-Regular < yfrak.pfb
+yswab yswab-Regular < yswab.pfb
+ygoth ygoth-Regular < ygoth.pfb
+
+
+Although the PFB files may still need some finetuning, the font
+metrics are frozen since 1990 and thus the use with TeX is totally
+unaffected by future improvements of the PFB files.
diff --git a/Master/texmf-dist/doc/fonts/grotesq/README.base35 b/Master/texmf-dist/doc/fonts/grotesq/README.base35
new file mode 100644
index 00000000000..e3d3d8e7d72
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/grotesq/README.base35
@@ -0,0 +1,89 @@
+These are the PostScript Base fonts, provided by
+
+ URW++ Design and Development Incorporated
+ Poppenbuetteler Bogen 29A
+ D-22399 Hamburg
+ Germany
+ tel. +49 (40) 60 60 50
+ fax +49 (40) 60 60 51 11
+ http://www.urwpp.de
+
+for distribution under the GNU General Public License.
+Each of these fonts is individually covered by the license:
+for licensing purposes, they are not "part of" any larger
+entity.
+
+These are the same fonts as supplied with, e.g., GNU
+Ghostscript 7.06. However, all font files were renamed for
+use with TeX according to the "Karl-Berry" scheme", and the
+font files uhvr8a.pfb and uhvro8a.pfb were patched by
+
+ Primoz Peterlin
+ Ljubljana, Slovenija.
+ mailto:primoz.peterlin@biofiz.mf.uni-lj.si
+ http://biofiz.mf.uni-lj.si/~peterlin/
+
+to fix the glyph "germandbls". (The original files are
+provided with the names uhvr8a-105.pfb and uhvro8a-105.pfb.)
+
+All fonts carry the version number 1.05, except for uzdr
+(1.005) and the patched uhvr8a.pfb and uhvro8a.pfb (1.05a).
+
+TeX systems can use these fonts as drop-in replacements for
+Adobe's PostScript Base fonts, which are not free. No
+particular TeX metrics, virtual fonts or macro files are
+provided for URW's base fonts. They are to be used with the
+same support files as Adobe's originals, i.e., with the
+files of the PSNFSS collection.
+
+AFM and PFM files are supplied here for the sake of
+completeness only. They are normally not required for use
+with TeX.
+
+This collection was put together by
+
+ Walter Schmidt
+ mailto:was@vr-web.de
+
+
+KB name FontName (URW) corresponding Adobe font:
+--------------------------------------------------------------------------
+
+uagd8a URWGothicL-Demi pagd8a AvantGarde-Demi
+uagdo8a URWGothicL-DemiObli pagdo8a AvantGarde-DemiOblique
+uagk8a URWGothicL-Book pagk8a AvantGarde-Book
+uagko8a URWGothicL-BookObli pagko8a AvantGarde-BookOblique
+ubkd8a URWBookmanL-DemiBold pbkd8a Bookman-Demi
+ubkdi8a URWBookmanL-DemiBoldItal pbkdi8a Bookman-DemiItalic
+ubkl8a URWBookmanL-Ligh pbkl8a Bookman-Light
+ubkli8a URWBookmanL-LighItal pbkli8a Bookman-LightItalic
+ucrb8a NimbusMonL-Bold pcrb8a Courier-Bold
+ucrbo8a NimbusMonL-BoldObli pcrbo8a Courier-BoldOblique
+ucrr8a NimbusMonL-Regu pcrr8a Courier
+ucrro8a NimbusMonL-ReguObli pcrro8a Courier-Oblique
+uhvb8a NimbusSanL-Bold phvb8a Helvetica-Bold
+uhvb8ac NimbusSanL-BoldCond phvb8an Helvetica-Narrow-Bold
+uhvbo8a NimbusSanL-BoldItal phvbo8a Helvetica-BoldOblique
+uhvbo8ac NimbusSanL-BoldCondItal phvbo8an Helvetica-Narrow-BoldOblique
+uhvr8a NimbusSanL-Regu phvr8a Helvetica
+uhvr8ac NimbusSanL-ReguCond phvr8an Helvetica-Narrow
+uhvro8a NimbusSanL-ReguItal phvro8a Helvetica-Oblique
+uhvro8ac NimbusSanL-ReguCondItal phvro8an Helvetica-Narrow-Oblique
+uncb8a CenturySchL-Bold pncb8a NewCenturySchlbk-Bold
+uncbi8a CenturySchL-BoldItal pncbi8a NewCenturySchlbk-BoldItalic
+uncr8a CenturySchL-Roma pncr8a NewCenturySchlbk-Roman
+uncri8a CenturySchL-Ital pncri8a NewCenturySchlbk-Italic
+uplb8a URWPalladioL-Bold pplb8a Palatino-Bold
+uplbi8a URWPalladioL-BoldItal pplbi8a Palatino-BoldItalic
+uplr8a URWPalladioL-Roma pplr8a Palatino-Roman
+uplri8a URWPalladioL-Ital pplri8a Palatino-Italic
+usyr StandardSymL psyr Symbol
+utmb8a NimbusRomNo9L-Medi ptmb8a Times-Bold
+utmbi8a NimbusRomNo9L-MediItal ptmbi8a Times-BoldItalic
+utmr8a NimbusRomNo9L-Regu ptmr8a Times-Roman
+utmri8a NimbusRomNo9L-ReguItal ptmri8a Times-Italic
+uzcmi8a URWChanceryL-MediItal pzcmi8a ZapfChancery-MediumItalic
+uzdr Dingbats pzdr ZapfDingbats
+
+
+-- finis
diff --git a/Master/texmf-dist/doc/fonts/grotesq/grotesq.txt b/Master/texmf-dist/doc/fonts/grotesq/grotesq.txt
new file mode 100644
index 00000000000..57e089f9585
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/grotesq/grotesq.txt
@@ -0,0 +1,28 @@
+============================================================
+
+ Using the URW Grotesk Bold Font with LaTeX
+
+============================================================
+ 2002-09-12
+ Walter Schmidt
+ <was@VR-Web.de>
+
+The "URW Grotesk Bold" typeface can be used with LaTeX by
+selecting the font family "ugq":
+
+ \fontfamily{ugq}\selecfont
+
+switches to that font within the current group or
+environment. Notice that there is no "normal" font series
+available; yet the bold font can be useful in headlines,
+titles etc.
+
+
+NFSS CLASSIFICATION
+
+encodings family series shapes FontName
+----------------------------------------------------------
+OT1, T1, TS1 ugq b n, sl URWGroteskT-Bold
+
+
+== finis
diff --git a/Master/texmf-dist/doc/fonts/hfbright/README b/Master/texmf-dist/doc/fonts/hfbright/README
new file mode 100644
index 00000000000..1e0c1cc4595
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/hfbright/README
@@ -0,0 +1,83 @@
+
+cmbright fonts in Type1 format (Version 0.6, 2002/11/22)
+========================================================
+
+This package contains the cmbright fonts in Type1 format. Only the
+fonts are included that are not part of the cm-super bundle
+(thus, math and OT1 fonts).
+
+This package contains the ready Postscript Type1 fonts in PFB format as
+used by dvips and pdflatex, as well as a map file and a config file for
+dvips.
+
+Everything I am describing is valid for the current beta version of teTeX.
+If you have another distribution you might have to change several things.
+
+If you want to built the fonts on your own look at the end of this document.
+
+The font names and the file names begin with 'hf' for 'harders font'. This
+has been done for not getting mixed up with the commercial cmbright fonts by
+MicroPress. This has been suggested by Walter Schmidt, the creator of
+the cmbright fonts.
+
+The outlines were generated using mftrace and pfaedit. The only changes I
+have done were the change of the font names and the other global font flags.
+I have not done any hinting by hand. Thus the fonts are far from perfect.
+But at least they increase quality when using acrobat reader on the screen.
+
+Licence is LPPL. No Warrancy.
+
+Many thanks
+- to Walter Schmidt (was@vr-web.de)
+ for the permission to upload these fonts to CTAN and the help with the
+ arithmetic overflow.
+- to Felix Neubauer (felix.neubauer@gmx.net)
+ who suggested a workaround for some fonts that did an arithmetic
+ overflow and found the problem that UniqueID was zero.
+ Additionally, he has tested the fonts.
+- to Ralf Stubner (ralf.stubner@physik.uni-erlangen.de)
+ who told me how to create the needed encoding files and helped me with
+ pfaedit. Ralf has also tested the fonts.
+
+Manual installation
+-------------------
+
+Put the pfb files (./pfb/*.pfb) into the TeX search path for fonts
+(e.g. $TEXMFLOCAL/fonts/type1/public/hfbright/) and the dvips
+configuration files (./dvips/*) into $TEXMFLOCAL/dvips/config.
+
+You can also add the contents of cmbright.map to psfonts.map. For the current
+teTeX beta, this is done by adding
+ Map hfbright.map
+to the file updmap.cfg which normally is in $TEXMFMAIN/web2c/.
+Then update the font maps by calling 'updmap'.
+
+
+Automatic installation (and generation)
+---------------------------------------
+
+Just execute ./install.sh.
+If some files are missing, generate.sh is called before installation.
+Please have a look into install.sh to be sure the right directories etc.
+are used.
+
+
+Generation of the Type 1 fonts
+------------------------------
+
+Just call ./generate.sh. The pfa files are written into ./pfa/, the pfb
+files into ./pfb/. hfbright.map and config.hfbright are written into
+./dvips/.
+
+
+
+To Do
+-----
+
+I have ordered UniqueIDs from Adobe. I have to wait until they arrive and
+then apply them to the fonts. This should not cause any trouble.
+
+
+2002-11-22
+Harald Harders
+h.harders@tu-bs.de
diff --git a/Master/texmf-dist/doc/fonts/hfoldsty/ChangeLog b/Master/texmf-dist/doc/fonts/hfoldsty/ChangeLog
new file mode 100644
index 00000000000..e4a13eaff59
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/hfoldsty/ChangeLog
@@ -0,0 +1,23 @@
+2004/11/19 v1.13 Harald Harders (h.harders@tu-bs.de)
+ - More errors in \ProvidesFile line fixed.
+
+2004/09/12 v1.12 Harald Harders (h.harders@tu-bs.de)
+ - Error in \ProvidesFile line fixed.
+
+2004/08/21 v1.11 Harald Harders (h.harders@tu-bs.de)
+ - Detect already loaded fix-cm.sty.
+ - Add more fd files and generate them by the dtx file.
+ - Restructure the directory structure.
+
+2004/08/19 v1.11 Harald Harders (h.harders@tu-bs.de)
+ - New option `fix-cm' similar to fix-cm package.
+
+2003/10/12 v1.00 Harald Harders (h.harders@tu-bs.de)
+ - LaTeX package: total new implementation.
+ - Add kerning to sans-serif fonts, 70% of serif fonts.
+
+Older changes:
+
+v0.90: Rename package from hfo to hfoldsty.
+v0.20: Do not set \hyphenchar to '177. For character produting, the
+ pdfcprot package should be used.
diff --git a/Master/texmf-dist/doc/fonts/hfoldsty/README b/Master/texmf-dist/doc/fonts/hfoldsty/README
new file mode 100644
index 00000000000..954463710e7
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/hfoldsty/README
@@ -0,0 +1,53 @@
+hfoldsty fonts
+==============
+
+The hfoldsty package provides virtual fonts for using oldstyle
+(0123456789) figures with the European Computer Modern fonts.
+It does a similar job as the eco package by Sebastian
+Kirsch <skirsch@t-online.de> but includes a couple of
+improvements, e.g., better kerning with guillemets, support for
+character protruding using the pdfcprot package, arbitrary font
+sizes in conjunction with fix-cm.sty.
+
+The distribution contains of two zip files:
+- hfoldsty-#_##.zip contains the files you have to install to use the
+ hfoldsty fonts.
+- hfoldsty-src-#_##.zip contains the shell scripts, fontinst and latex
+ source codes that have been used to generate the installation files
+ in hfoldsty-#_##.zip. If you are not really sure what you are doing
+ don't touch that file.
+
+Installation in a TDS TeX implementation:
+
+Change to the LocalTeXMF directory
+(e.g., `c:\Programme\TeXLive\texmf-local', `/usr/TeX/texmf-local',
+`/usr/local/teTeX/share/texmf-local') and unzip hfoldsty-v#_##.zip (where
+#_## stands for the version). Then refresh the TeX file database by
+using the Start Menu or `texhash'.
+
+
+The hfoldsty fonts have been developed starting from the eco fonts by
+Sebastian Kirsch <skirsch@t-online.de>. Many thanks to him for his great
+work.
+
+
+Copyright (C) 2003--2004 Harald Harders
+
+This program is free software; you can redistribute it and/or
+modify it under the terms of the GNU General Public License
+as published by the Free Software Foundation; either version 2
+of the License, or (at your option) any later version.
+
+This program is distributed in the hope that it will be useful,
+but WITHOUT ANY WARRANTY; without even the implied warranty of
+MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
+GNU General Public License for more details.
+
+You should have received a copy of the GNU General Public License
+along with this program; if not, write to the Free Software
+Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA.
+
+
+Harald Harders
+h.harders@tu-bs.de
+2004-08-21
diff --git a/Master/texmf-dist/doc/fonts/hfoldsty/TODO b/Master/texmf-dist/doc/fonts/hfoldsty/TODO
new file mode 100644
index 00000000000..b42482c4297
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/hfoldsty/TODO
@@ -0,0 +1,2 @@
+
+- Improve kerning
diff --git a/Master/texmf-dist/doc/fonts/hfoldsty/TS1.etx b/Master/texmf-dist/doc/fonts/hfoldsty/TS1.etx
new file mode 100644
index 00000000000..1a1c6fb593c
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/hfoldsty/TS1.etx
@@ -0,0 +1,459 @@
+\relax
+
+\documentstyle[fontdoc,twocolumn]{article}
+
+\title{The \TeX\ Companion Font vector}
+\author{Sebastian Rahtz}
+\date{November 1995}
+
+\begin{document}
+
+\maketitle
+
+\section{Introduction}
+
+This document describes the TeX companion encoding vector
+
+\encoding
+
+\needsfontinstversion{1.335}
+
+\comment{\section{Default values}}
+
+\setstr{codingscheme}{TEXCOMPANION1}
+
+\setint{italicslant}{0}
+\setint{xheight}{500}
+\setint{interword}{333}
+\comment{\section{Default font dimensions}}
+
+\setint{fontdimen(1)}{\int{italicslant}} % italic slant
+\setint{fontdimen(2)}{\int{interword}} % interword space
+\setint{fontdimen(3)}{0} % interword stretch
+\setint{fontdimen(4)}{0} % interword shrink
+\setint{fontdimen(5)}{\int{xheight}} % x-height
+\setint{fontdimen(6)}{1000} % quad
+\setint{fontdimen(7)}{\int{interword}} % extra space after .
+
+\setslot{grave}
+\endsetslot
+
+\nextslot{'1}
+\setslot{acute}
+\endsetslot
+
+\nextslot{'2}
+\setslot{circumflex}
+\endsetslot
+
+\nextslot{'3}
+\setslot{tilde}
+\endsetslot
+
+\nextslot{'4}
+\setslot{dieresis}
+\endsetslot
+
+\nextslot{'5}
+\setslot{hungarumlaut}
+\endsetslot
+
+\nextslot{'6}
+\setslot{ring}
+\endsetslot
+
+\nextslot{'7}
+\setslot{caron}
+\endsetslot
+
+\nextslot{'10}
+\setslot{breve}
+\endsetslot
+
+\nextslot{'11}
+\setslot{macron}
+\endsetslot
+
+\nextslot{'12}
+\setslot{dotaccent}
+\endsetslot
+
+\nextslot{'13}
+\setslot{cedilla}
+\endsetslot
+
+\nextslot{'14}
+\setslot{ogonek}
+\endsetslot
+
+\nextslot{'15}
+\setslot{quotesinglbase}
+\endsetslot
+
+\nextslot{'22}
+\setslot{quotedblbase}
+\endsetslot
+
+\nextslot{'25}
+\setslot{twelveudash}
+\endsetslot
+
+\nextslot{'26}
+\setslot{threequartersemdash}
+\endsetslot
+
+\nextslot{'30}
+\setslot{leftpointingarrow}
+\endsetslot
+
+\nextslot{'31}
+\setslot{rightpointingarrow}
+\endsetslot
+
+\nextslot{'32}
+\setslot{tieaccentlowercase}
+\endsetslot
+
+\nextslot{'33}
+\setslot{tieaccentcapital}
+\endsetslot
+
+\nextslot{'40}
+\setslot{blank}
+\endsetslot
+
+\nextslot{'44}
+\setslot{dollar}
+\endsetslot
+
+\nextslot{'47}
+\setslot{quotesingle}
+\endsetslot
+
+\nextslot{'52}
+\setslot{centeredstar}
+\endsetslot
+
+\nextslot{'055}
+\setslot{shortequals}
+\endsetslot
+
+
+\nextslot{'57}
+\setslot{fraction}
+\endsetslot
+
+\nextslot{'60}
+\setslot{zerooldstyle}
+\endsetslot
+
+\nextslot{'61}
+\setslot{oneoldstyle}
+\endsetslot
+
+\nextslot{'62}
+\setslot{twooldstyle}
+\endsetslot
+
+\nextslot{'63}
+\setslot{threeoldstyle}
+\endsetslot
+
+\nextslot{'64}
+\setslot{fouroldstyle}
+\endsetslot
+
+\nextslot{'65}
+\setslot{fiveoldstyle}
+\endsetslot
+
+\nextslot{'66}
+\setslot{sixoldstyle}
+\endsetslot
+
+\nextslot{'67}
+\setslot{sevenoldstyle}
+\endsetslot
+
+\nextslot{'70}
+\setslot{eightoldstyle}
+\endsetslot
+
+\nextslot{'71}
+\setslot{nineoldstyle}
+\endsetslot
+
+\nextslot{'115}
+\setslot{mho}
+\endsetslot
+
+\nextslot{'117}
+\setslot{bigcircle}
+\endsetslot
+
+\nextslot{'127}
+\setslot{ohm}
+\endsetslot
+
+\nextslot{'136}
+\setslot{arrowup}
+\endsetslot
+
+\nextslot{'137}
+\setslot{arrowdown}
+\endsetslot
+
+\nextslot{'140}
+\setslot{grave}
+\endsetslot
+
+\nextslot{'142}
+\setslot{born}
+\endsetslot
+
+\nextslot{'143}
+\setslot{divorced}
+\endsetslot
+
+\nextslot{'144}
+\setslot{died}
+\endsetslot
+
+\nextslot{'154}
+\setslot{leaf}
+\endsetslot
+
+\nextslot{'155}
+\setslot{married}
+\endsetslot
+
+\nextslot{'156}
+\setslot{musicalnote}
+\endsetslot
+
+\nextslot{'176}
+\setslot{asciitilde}
+\endsetslot
+
+\nextslot{'200}
+\setslot{breve}
+\endsetslot
+
+\nextslot{'201}
+\setslot{caron}
+\endsetslot
+
+\nextslot{'202}
+\setslot{quotedbl}
+\endsetslot
+
+\nextslot{'203}
+\setslot{doublebacktick}
+\endsetslot
+
+\nextslot{'204}
+\setslot{dagger}
+\endsetslot
+
+\nextslot{'205}
+\setslot{daggerdbl}
+\endsetslot
+
+\nextslot{'206}
+\setslot{doublevert}
+\endsetslot
+
+\nextslot{'207}
+\setslot{perthousand}
+\endsetslot
+
+\nextslot{'210}
+\setslot{bullet}
+\endsetslot
+
+\nextslot{'211}
+\setslot{centigrade}
+\endsetslot
+
+\nextslot{'212}
+\setslot{dollaroldstyle}
+\endsetslot
+
+\nextslot{'213}
+\setslot{centoldstyle}
+\endsetslot
+
+\nextslot{'214}
+\setslot{florin}
+\endsetslot
+
+\nextslot{'215}
+\setslot{colonmonetary}
+\endsetslot
+
+\nextslot{'216}
+\setslot{won}
+\endsetslot
+
+\nextslot{'217}
+\setslot{naira}
+\endsetslot
+
+\nextslot{'220}
+\setslot{guarani}
+\endsetslot
+
+\nextslot{'221}
+\setslot{peso}
+\endsetslot
+
+\nextslot{'222}
+\setslot{lira}
+\endsetslot
+
+\nextslot{'223}
+\setslot{recipe}
+\endsetslot
+
+\nextslot{'224}
+\setslot{interrobang}
+\endsetslot
+
+\nextslot{'225}
+\setslot{gnaborretni}
+\endsetslot
+
+\nextslot{'226}
+\setslot{dong}
+\endsetslot
+
+\nextslot{'227}
+\setslot{trademark}
+\endsetslot
+
+\nextslot{'230}
+\setslot{pertenthousand}
+\endsetslot
+
+\nextslot{'231}
+\setslot{pilcrow}
+\endsetslot
+
+\nextslot{'232}
+\setslot{baht}
+\endsetslot
+
+\nextslot{'242}
+\setslot{cent}
+\endsetslot
+
+\nextslot{'243}
+\setslot{sterling}
+\endsetslot
+
+\nextslot{'244}
+\setslot{currency}
+\endsetslot
+
+\nextslot{'245}
+\setslot{yen}
+\endsetslot
+
+\nextslot{'246}
+\setslot{brokenbar}
+\endsetslot
+
+\nextslot{'247}
+\setslot{section}
+\endsetslot
+
+\nextslot{'250}
+\setslot{highdieresis}
+\endsetslot
+
+\nextslot{'251}
+\setslot{copyright}
+\endsetslot
+
+\nextslot{'252}
+\setslot{ordfeminine}
+\endsetslot
+
+\nextslot{'254}
+\setslot{logicalnot}
+\endsetslot
+
+\nextslot{'256}
+\setslot{registered}
+\endsetslot
+
+\nextslot{'257}
+\setslot{macron}
+\endsetslot
+
+\nextslot{'260}
+\setslot{degree}
+\endsetslot
+
+\nextslot{'261}
+\setslot{plusminus}
+\endsetslot
+
+\nextslot{'262}
+\setslot{twosuperior}
+\endsetslot
+
+\nextslot{'263}
+\setslot{threesuperior}
+\endsetslot
+
+\nextslot{'264}
+\setslot{acute}
+\endsetslot
+
+\nextslot{'265}
+\setslot{mu}
+\endsetslot
+
+\nextslot{'266}
+\setslot{paragraph}
+\endsetslot
+
+\nextslot{'267}
+\setslot{periodcentered}
+\endsetslot
+
+\nextslot{'271}
+\setslot{onesuperior}
+\endsetslot
+
+\nextslot{'272}
+\setslot{ordmasculine}
+\endsetslot
+
+\nextslot{'274}
+\setslot{onequarter}
+\endsetslot
+
+\nextslot{'275}
+\setslot{onehalf}
+\endsetslot
+
+\nextslot{'276}
+\setslot{threequarters}
+\endsetslot
+
+\nextslot{'326}
+\setslot{multiply}
+\endsetslot
+
+\nextslot{'366}
+\setslot{divide}
+\endsetslot
+
+\endencoding
+
+\end{document}
+
+
+
diff --git a/Master/texmf-dist/doc/fonts/hfoldsty/dostretch.mtx b/Master/texmf-dist/doc/fonts/hfoldsty/dostretch.mtx
new file mode 100644
index 00000000000..0df97b656a2
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/hfoldsty/dostretch.mtx
@@ -0,0 +1,49 @@
+
+%From ajeffrey@cs.depaul.edu Thu Jun 4 19:29:25 1998
+%Date: Thu, 04 Jun 1998 09:47:17 -0500
+%From: Alan Jeffrey <ajeffrey@cs.depaul.edu>
+%To: Fontinst mailing list <fontinst@cogs.susx.ac.uk>
+%Cc: Sebastian Kirsch <skirsch@t-online.de>
+%Subject: Re: A question about spacing
+
+%Rebecca and Rowland wrote:
+%> The space parameter is the same in both cases, but the stretch, shrink,
+%> and extraspace parameters are markedly different.
+%>
+%> The minor differences in xheight and quad are most likely due to rounding
+%> errors.
+%>
+%> Does anyone have any idea what's going on?
+
+%Er, OK this is my fault. I can't remember the syntax of my own file
+%formats. Try replacing dostretch.mtx by:
+
+\relax
+
+\metrics
+
+\ifisint{italicslant}\then\setint{fontdimen(1)}{\int{italicslant}}\fi
+\ifisint{interword}\then\setint{fontdimen(2)}{\int{interword}}\fi
+\ifisint{stretchword}\then\setint{fontdimen(3)}{\int{stretchword}}\fi
+\ifisint{shrinkword}\then\setint{fontdimen(4)}{\int{shrinkword}}\fi
+\ifisint{xheight}\then\setint{fontdimen(5)}{\int{xheight}}\fi
+\ifisint{quad}\then\setint{fontdimen(6)}{\int{quad}}\fi
+\ifisint{extraspace}\then\setint{fontdimen(7)}{\int{extraspace}}\fi
+
+\endmetrics
+
+%then it'll work:
+
+%(FONTDIMEN
+% (PARAMETER D 1 R 0.0)
+% (PARAMETER D 2 R 3.32996)
+% (PARAMETER D 3 R 1.65991)
+% (PARAMETER D 4 R 1.10999)
+% (PARAMETER D 5 R 4.29993)
+% (PARAMETER D 6 R 10.0)
+% (PARAMETER D 7 R 1.10999)
+% )
+
+%Doh!
+
+%Alan.
diff --git a/Master/texmf-dist/doc/fonts/hfoldsty/generate.sh b/Master/texmf-dist/doc/fonts/hfoldsty/generate.sh
new file mode 100755
index 00000000000..3e0a59a08b7
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/hfoldsty/generate.sh
@@ -0,0 +1,691 @@
+#!/bin/sh
+#
+# hfoldsty v1.11: A package for using oldstyle numerals with the ec fonts with
+# better kerning for quillemets
+#
+# For use with ec fonts (European Computer Modern fonts by J"org Knappen
+# <knappen@vkpmzd.kph.uni-mainz.de>, CTAN:/fonts/ec)
+#
+# Much code is taken from the eco fonts by
+# Sebastian Marius Kirsch <skirsch@t-online.de>
+#
+#Copyright (C) 2003--2004 Harald Harders <h.harders@tu-bs.de>
+#
+#This program is free software; you can redistribute it and/or modify
+#it under the terms of the GNU General Public License as published by
+#the Free Software Foundation; either version 2 of the License, or
+#(at your option) any later version.
+#
+#This program is distributed in the hope that it will be useful,
+#but WITHOUT ANY WARRANTY; without even the implied warranty of
+#MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
+#GNU General Public License for more details.
+#
+#You should have received a copy of the GNU General Public License
+#along with this program; if not, write to the Free Software
+#Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA.
+#
+#This Bourne shell script requires the following programs:
+# - tftopl, vptovf
+# - ed, sed
+# - TeX, fontinst >= 1.926
+# - a shell which supports here-documents (i.e. bash)
+# - a TeX with kpathsea (i.e. teTeX)
+#
+# Change v1.13, 2004/11/19: More errors in \ProvidesFile line fixed.
+#
+# Change v1.12, 2004/09/12: Error in \ProvidesFile line fixed.
+#
+# Change v1.11, 2004/08/21: Installation is done by Makefile instead of this
+# script.
+#
+# Change v1.11, 2004/08/21: Adapt to fix-cm.sty
+#
+# Change v1.01: Unique Copyright for all files: GPL
+#
+# Change v1.00: Add kerning to sans-serif fonts, 70% of serif fonts.
+#
+# Change v0.90: Rename package from hfo to hfoldsty.
+#
+# Change v0.20: Do not set \hyphenchar to '177. For character produting, the
+# pdfcprot package should be used.
+
+VERSION=1.13
+DATE=2004/09/12
+
+size="0500 0600 0700 0800 0900 1000 1095 1200 1440 1728 2074 2488 2986 3583"
+# Change v0.2: Use lining figures with small capitals.
+# Change v0.4: Use old-style figures with small capitals again.
+family="rm ti ui sl rb bx bl bi ss si sx so tt st it vt vi dh cc xc sc oc tc"
+#family="rm ti ui sl rb bx bl bi ss si sx so tt st it vt vi dh"
+
+kpsewhich=kpsewhich
+
+logfile=./hfofonts.log
+
+# Change v0.2: Use lining figures with small capitals.
+# Change v0.4: Use old-style figures with small capitals again.
+rofamily="rm ti ui sl rb bx bl bi cc xc sc oc"
+#rofamily="rm ti ui sl rb bx bl bi"
+#rfamily="m/sc bx/sc"
+
+# Change v0.2: Use lining figures with small capitals.
+# Change v0.4: Use old-style figures with small capitals again.
+ttofamily="tt st it tc"
+#ttofamily="tt st it"
+#ttfamily="m/sc"
+
+ssofamily="ss si sx so"
+
+vtofamily="vt vi"
+
+dhofamily="dh"
+
+
+function getpl () {
+curfam=$1
+
+echo "# Converting .tfm to .pl" >> $logfile
+
+for f in ${curfam}; do
+ for s in ${size}; do
+ if [ -z `${kpsewhich} tfm ec${f}${s}.tfm` ] ; then
+ echo "Making ec${f}${s}.tfm" >> ${logfile}
+ echo -n "ec${f}${s}.tfm "
+ mktextfm ec${f}${s}
+ fi
+ if [ `${kpsewhich} tfm ec${f}${s}.tfm` ] ; then
+ tftopl `${kpsewhich} tfm ec${f}${s}.tfm` ./ec${f}${s}.pl &>/dev/null;
+ echo "ec${f}${s}.tfm -> ec${f}${s}.pl" >> ${logfile}
+ echo -n "ec${f}${s}.pl "
+ else
+ echo "! tfm file ec${f}${s}.tfm not found." >> ${logfile}
+ echo "! ec${f}${s}.tfm not found."
+ fi
+ if [ -z `${kpsewhich} tfm tc${f}${s}.tfm` ] ; then
+ echo "Making tc${f}${s}.tfm" >> ${logfile}
+ echo -n "tc${f}${s}.tfm "
+ mktextfm tc${f}${s}
+ fi
+ if [ `${kpsewhich} tfm tc${f}${s}.tfm` ] ; then
+ tftopl `${kpsewhich} tfm tc${f}${s}.tfm` ./tc${f}${s}.pl &> /dev/null;
+ echo "tc${f}${s}.tfm -> tc${f}${s}.pl" >> ${logfile}
+ echo -n "tc${f}${s}.pl "
+ else
+ echo "! tfm file tc${f}${s}.tfm not found" >> ${logfile}
+ echo "! tc${f}${s}.tfm not found."
+ fi
+ done
+done
+
+echo
+}
+
+function getvf () {
+curfam=$1
+
+echo "# Converting .vpl to .vf and .tfm" >> $logfile
+
+for f in $curfam; do
+ for s in $size; do
+ if [ -f hfo${f}${s}.vpl ]; then
+ vptovf hfo${f}${s}.vpl hfo${f}${s}.vf hfo${f}${s}.tfm &> /dev/null;
+ echo "hfo${f}${s}.vpl -> hfo${f}${s}.vf" >> ${logfile}
+ echo -n "hfo${f}${s}.vf "
+ else
+ echo "vpl file hfo${f}${s}.vpl not found" >> ${logfile}
+ echo "! hfo${f}${s}.vpl not found."
+ fi
+ done
+done
+
+echo
+}
+
+function cleanup () {
+curfam=$1
+
+for f in $curfam; do
+ for s in $size; do
+ rm -f hfo${f}${s}.vpl ec${f}${s}.pl ec${f}${s}.mtx tc${f}${s}.pl tc${f}${s}.mtx
+ done
+done
+}
+
+function intro () {
+cat << EOM
+\input fontinst.sty
+
+\declareencoding{TEX TEXT COMPANION SYMBOLS 1---TS1}{TS1}
+
+\installfonts
+EOM
+}
+
+function extro () {
+cat << EOM
+\endinstallfonts
+
+\bye
+EOM
+}
+
+function echomtx () {
+f=$1
+
+echo
+for ec in ${size}; do
+ if [ -f ec${f}${ec}.pl ]; then
+ echo "\frompl{ec${f}${ec}}"
+ fi
+ if [ -f tc${f}${ec}.pl ]; then
+ echo "\frompl{tc${f}${ec}}"
+ fi
+done;
+}
+
+# Inserts kerning information to the mtx file
+function insertkerns ()
+{
+ f=$1
+# Change v1.00: Scale Kerning by $FAK/1000
+ FAK=$2
+
+ for ec in ${size}
+ do
+
+ MULTI=`grep '\quad' ec${f}${ec}.mtx | sed s/'.*{\([0-9]*\)}'/'\1'/`
+ echo ec${f}${ec}: multiplikator $MULTI
+
+ GKERN="0110"
+ GKERN=`echo "$GKERN $MULTI * 1000 / p" | dc`
+ KKERN="0070"
+ KKERN=`echo "$KKERN $MULTI * 1000 / p" | dc`
+
+ LISTE="%"
+ for CHAR in A B C D E F G H I J K L M N O P Q R S T U V W X Y Z \
+ Adieresis Odieresis Udieresis
+ do
+ RKERN=$GKERN
+ LKERN=$GKERN
+ case $CHAR in
+ A) LKERN=`echo "$LKERN 1200 * 1000 / $FAK * 1000 / p" | dc`; \
+ RKERN=`echo "$RKERN 1200 * 1000 / $FAK * 1000 / p" | dc`;;
+ B) LKERN=`echo "$LKERN 300 * 1000 / $FAK * 1000 / p" | dc`;;
+ C) LKERN=`echo "$LKERN 300 * 1000 / $FAK * 1000 / p" | dc`; \
+ RKERN=`echo "$RKERN 600 * 1000 / $FAK * 1000 / p" | dc`;;
+ D) LKERN=`echo "$LKERN 300 * 1000 / $FAK * 1000 / p" | dc`;;
+ E) LKERN=`echo "$LKERN 300 * 1000 / $FAK * 1000 / p" | dc`;;
+ G) LKERN=`echo "$LKERN 300 * 1000 / $FAK * 1000 / p" | dc`; \
+ RKERN=`echo "$RKERN 600 * 1000 / $FAK * 1000 / p" | dc`;;
+ K) LKERN=`echo "$LKERN 1400 * 1000 / $FAK * 1000 / p" | dc`;;
+ L) LKERN=`echo "$LKERN 300 * 1000 / $FAK * 1000 / p" | dc`;;
+ N) LKERN=`echo "$LKERN 1100 * 1000 / $FAK * 1000 / p" | dc`;;
+ O) LKERN=`echo "$LKERN 600 * 1000 / $FAK * 1000 / p" | dc`; \
+ RKERN=`echo "$RKERN 600 * 1000 / $FAK * 1000 / p" | dc`;;
+ P) LKERN=`echo "$LKERN 1100 * 1000 / $FAK * 1000 / p" | dc`;;
+ Q) LKERN=`echo "$LKERN 600 * 1000 / $FAK * 1000 / p" | dc`; \
+ RKERN=`echo "$RKERN 600 * 1000 / $FAK * 1000 / p" | dc`;;
+ R) LKERN=`echo "$LKERN 300 * 1000 / $FAK * 1000 / p" | dc`;;
+ S) LKERN=`echo "$LKERN 300 * 1000 / $FAK * 1000 / p" | dc`; \
+ RKERN=`echo "$RKERN 300 * 1000 / $FAK * 1000 / p" | dc`;;
+ T) LKERN=`echo "$LKERN 1200 * 1000 / $FAK * 1000 / p" | dc`; \
+ RKERN=`echo "$RKERN 1200 * 1000 / $FAK * 1000 / p" | dc`;;
+ V) LKERN=`echo "$LKERN 1300 * 1000 / $FAK * 1000 / p" | dc`; \
+ RKERN=`echo "$RKERN 1300 * 1000 / $FAK * 1000 / p" | dc`;;
+ W) LKERN=`echo "$LKERN 1300 * 1000 / $FAK * 1000 / p" | dc`; \
+ RKERN=`echo "$RKERN 1300 * 1000 / $FAK * 1000 / p" | dc`;;
+ X) LKERN=`echo "$LKERN 1300 * 1000 / $FAK * 1000 / p" | dc`; \
+ RKERN=`echo "$RKERN 1300 * 1000 / $FAK * 1000 / p" | dc`;;
+ Y) LKERN=`echo "$LKERN 1300 * 1000 / $FAK * 1000 / p" | dc`; \
+ RKERN=`echo "$RKERN 1300 * 1000 / $FAK * 1000 / p" | dc`;;
+ Z) LKERN=`echo "$LKERN 300 * 1000 / $FAK * 1000 / p" | dc`;;
+ Adieresis) LKERN=`echo "$LKERN 1200 * 1000 / $FAK * 1000 / p" | dc`; \
+ RKERN=`echo "$RKERN 1200 * 1000 / $FAK * 1000 / p" | dc`;;
+ Odieresis) LKERN=`echo "$LKERN 600 * 1000 / $FAK * 1000 / p" | dc`; \
+ RKERN=`echo "$RKERN 600 * 1000 / $FAK * 1000 / p" | dc`;;
+ esac
+ LISTE="$LISTE\\
+\\\\setkern{guillemotright}{$CHAR}{-$RKERN}\\
+\\\\setkern{$CHAR}{guillemotleft}{-$LKERN}"
+ done
+
+ for CHAR in a b c d e f g h i j k l m n o p q r s t u v w x y z \
+ adieresis odieresis udieresis germandbls
+ do
+ RKERN=$KKERN
+ LKERN=$KKERN
+ case $CHAR in
+ b) LKERN=`echo "$LKERN 1000 * 1000 / $FAK * 1000 / p" | dc`; \
+ RKERN=`echo "$RKERN 1200 * 1000 / $FAK * 1000 / p" | dc`;;
+ esac
+ LISTE="$LISTE\\
+\\\\setkern{guillemotright}{$CHAR}{-$RKERN}\\
+\\\\setkern{$CHAR}{guillemotleft}{-$LKERN}"
+ done
+
+ sed "1,/\\\\setrawglyph/ { /\\\\setrawglyph/i \\
+$LISTE
+; }" ec${f}${ec}.mtx > ec${f}${ec}.mtx.tmp && \
+ mv -f ec${f}${ec}.mtx.tmp ec${f}${ec}.mtx || \
+ rm -f ec${f}${ec}.mtx.tmp
+ done
+}
+
+function echoinstalls () {
+enc=$1; f=$2; se=$3; sh=$4
+
+echo
+for ec in ${size}; do
+ case ${ec} in
+ 0500) fs="5";;
+ 0600) fs="6";;
+ 0700) fs="7";;
+ 0800) fs="8";;
+ 0900) fs="9";;
+ 1000) fs="10";;
+ 1095) fs="10.95";;
+ 1200) fs="12";;
+ 1440) fs="14.4";;
+ 1728) fs="17.28";;
+ 2074) fs="20.74";;
+ 2488) fs="24.88";;
+ 2986) fs="29.86";;
+ 3583) fs="35.83";;
+ esac
+ if [ -f ec${f}${ec}.pl -a -f tc${f}${ec}.pl ]; then
+ echo "\installfont{hfo${f}${ec}}{ec${f}${ec},tc${f}${ec},dostretch}{T19}{T1}{hfo${enc}}{${se}}{${sh}}{<${fs}>}"
+# Change v0.2: Use lining figures with small capitals again.
+# Thus, no extra handling for these fonts necessary anymore.
+# Change v0.4: Use old-style figures with small capitals again.
+ else if [ ${f} == "cc" -o ${f} == "xc" -o ${f} == "sc" -o ${f} == "oc" -o ${f} == "tc" ]
+ then
+ [ ${f} == "cc" ] && tcf="rm"
+ [ ${f} == "xc" ] && tcf="bx"
+ [ ${f} == "sc" ] && tcf="sl"
+ [ ${f} == "oc" ] && tcf="bl"
+ [ ${f} == "tc" ] && tcf="tt"
+ if [ -f ec${f}${ec}.pl -a -f tc${tcf}${ec}.pl ]; then
+ echo "\installfont{hfo${f}${ec}}{ec${f}${ec},tc${tcf}${ec},dostretch}{T19}{T1}{hfo${enc}}{${se}}{${sh}}{<${fs}>}"
+# echo "\installfont{hfo${f}${ec}}{ec${f}${ec},dostretch}{T1}{T1}{hfo${enc}}{${se}}{${sh}}{<${fs}>}"
+ fi
+ fi
+ fi
+done;
+}
+
+
+function modfd ()
+{
+ fdfile=$1
+
+ cat ${fdfile} | \
+ grep -1 -e '<[-.0-9]*>' \
+ -e 'DeclareFontShape' | \
+ grep -v -e '<10\.95>' -e '<14\.4>' -e '<20\.74>' \
+ -e '<24\.88>' -e '<29\.86>' -e '<35\.83>' | \
+ sed -e 's/<5>/<-6>/g' -e 's/<6>/<6-7>/g' -e 's/<7>/<7-8>/g' \
+ -e 's/<8>/<8-9>/g' -e 's/<9>/<9-10>/g' -e 's/<10>/<10-12>/g' \
+ -e 's/<12>/<12-17>/g' -e 's/<17\.28>/<17->/g' > asdf.fd
+ echo '\else' >> asdf.fd
+ echo '\typeout{'${fdfile}': Using all design sizes}%' >> asdf.fd
+ sed '/\\endinput/d' asdf.fd > tmp.fd && mv -f tmp.fd asdf.fd
+ cat ${fdfile} | \
+ sed -e '/DeclareFontFamily/i \
+\\ifhfofixcm\
+\\typeout{'${fdfile}': Using fewer design sizes (fix-cm)}% \
+' \
+ -e '/\\endinput/i \
+\\fi\
+' \
+ -e '/\\DeclareFontFamily/r asdf.fd' > tmp.fd
+ mv -f tmp.fd ${fdfile}
+ rm -f asdf.fd
+}
+
+
+# function main () {
+
+# Roman family
+#
+
+echo >> $logfile
+echo "Roman Family" >> $logfile
+echo "------------" >> $logfile
+echo >> $logfile
+
+getpl "$rofamily"
+
+(
+intro
+
+echomtx rm
+echomtx ti
+echomtx sl
+echomtx ui
+echomtx cc
+echomtx sc
+echomtx rb
+echomtx bx
+echomtx bi
+echomtx bl
+echomtx xc
+echomtx oc
+
+extro
+) > hformtx.tex
+
+tex hformtx.tex
+
+insertkerns rm 1000
+insertkerns ti 1000
+insertkerns sl 1000
+insertkerns ui 1000
+insertkerns cc 1000
+insertkerns sc 1000
+insertkerns rb 1000
+insertkerns bx 1000
+insertkerns bi 1000
+insertkerns bl 1000
+insertkerns xc 1000
+insertkerns oc 1000
+
+(
+intro
+
+echo; echo "\installfamily{T1}{hfor}{}"
+
+echoinstalls r rm m n
+echoinstalls r ti m it
+echoinstalls r sl m sl
+echoinstalls r ui m ui
+echoinstalls r cc m sc
+echoinstalls r sc m scsl
+echoinstalls r rb b n
+echoinstalls r bx bx n
+echoinstalls r bi bx it
+echoinstalls r bl bx sl
+echoinstalls r xc bx sc
+echoinstalls r oc bx scsl
+
+extro
+) > hfor.tex
+
+tex hfor.tex
+
+# Change v0.2: LaTeX is big enough not to split generation of Roman family.
+
+getvf "$rofamily"
+
+cleanup "$rofamily"
+
+ed t1hfor.fd <<EOS
+\$-1,\$d
+w
+q
+EOS
+
+(
+# Change v0.2: Support slanted small capitals
+# Change v0.90: Fix the wrong generation of this entry. It prevented LaTeX
+# from finding the correct small caps with old-style digits.
+for f in m bx; do
+ echo "\DeclareFontShape{T1}{hfor}{$f}{scit}{<->ssub * hfor/$f/scsl}{}"
+done
+echo
+# Change v0.2: Use lining figures with small capitals again.
+# Change v0.4: Use old-style figures with small capitals again.
+for f in $rfamily; do
+ se=`echo $f | cut -f 1 -d "/"`
+ sh=`echo $f | cut -f 2 -d "/"`
+ echo "\DeclareFontShape{T1}{hfor}{$se}{$sh}{<->ssub * cmr/$se/$sh}{}"
+done
+echo
+echo '\endinput'
+) >> t1hfor.fd
+
+modfd t1hfor.fd
+
+sed 's/Fontinst .*/ v'$VERSION' European Computer Modern with oldstyle digits]/' \
+ t1hfor.fd > asdf && mv -f asdf t1hfor.fd
+
+# Sans Serif family
+
+echo >> $logfile
+echo "Sans Serif family" >> $logfile
+echo "-----------------" >> $logfile
+echo >> $logfile
+
+getpl "$ssofamily"
+
+(
+intro
+
+echomtx ss
+echomtx si
+echomtx sx
+echomtx so
+
+extro
+) > hfossmtx.tex
+
+tex hfossmtx.tex
+
+# Change v1.00: Add kerning to sans-serif fonts, 70% of serif fonts.
+insertkerns ss 0700
+insertkerns si 0700
+insertkerns sx 0700
+insertkerns so 0700
+
+(
+intro
+
+echo; echo "\installfamily{T1}{hfoss}{}"
+
+echoinstalls ss ss m n
+echoinstalls ss si m sl
+echoinstalls ss sx bx n
+echoinstalls ss so bx sl
+
+extro
+) > hfoss.tex
+
+tex hfoss.tex
+
+getvf "$ssofamily"
+
+cleanup "$ssofamily"
+
+ed t1hfoss.fd <<EOS
+\$-1,\$d
+w
+q
+EOS
+
+for f in $ssfamily; do
+ se=`echo $f | cut -f 1 -d "/"`
+ sh=`echo $f | cut -f 2 -d "/"`
+ echo "\DeclareFontShape{T1}{hfoss}{$se}{$sh}{<->ssub * cmss/$se/$sh}{}" >> t1hfoss.fd
+done
+
+for f in m bx; do
+ echo "\DeclareFontShape{T1}{hfoss}{$f}{it}{<->ssub * hfoss/$f/sl}{}" >> t1hfoss.fd
+ echo "\DeclareFontShape{T1}{hfoss}{$f}{scit}{<->ssub * hfoss/$f/sl}{}" >> t1hfoss.fd
+ echo "\DeclareFontShape{T1}{hfoss}{$f}{scsl}{<->ssub * hfoss/$f/sl}{}" >> t1hfoss.fd
+done
+echo '' >> t1hfoss.fd
+echo '\endinput' >> t1hfoss.fd
+
+modfd t1hfoss.fd
+
+sed 's/Fontinst .*/ v'$VERSION' European Computer Modern with oldstyle digits]/' \
+ t1hfoss.fd > asdf && mv -f asdf t1hfoss.fd
+
+
+# Typewriter family
+
+echo >> $logfile
+echo "Typewriter family" >> $logfile
+echo "-----------------" >> $logfile
+echo >> $logfile
+
+getpl "$ttofamily"
+
+(
+intro
+
+echomtx tt
+echomtx it
+echomtx st
+# Change v0.2: Use lining figures with small capitals again.
+# Change v0.4: Use old-style figures with small capitals again.
+echomtx tc
+
+extro
+) > hfottmtx.tex
+
+tex hfottmtx.tex
+
+(
+intro
+
+echo; echo "\installfamily{T1}{hfott}{\hyphenchar\font=\m@ne }"
+
+echoinstalls tt tt m n
+echoinstalls tt it m it
+echoinstalls tt st m sl
+# Change v0.2: Use lining figures with small capitals again.
+# Change v0.4: Use old-style figures with small capitals again.
+echoinstalls tt tc m sc
+
+extro
+) > hfott.tex
+
+tex hfott.tex
+
+getvf "$ttofamily"
+
+cleanup "$ttofamily"
+
+ed t1hfott.fd <<EOS
+,s/\\\hyphenchar \\\font =\\\m @ne /\\\hyphenchar\\\font=\\\m@ne/
+w
+q
+EOS
+
+(
+echo
+# Change v0.2: Use lining figures with small capitals again.
+# Change v0.4: Use old-style figures with small capitals again.
+for f in $ttfamily; do
+ se=`echo $f | cut -f 1 -d "/"`
+ sh=`echo $f | cut -f 2 -d "/"`
+ echo "\DeclareFontShape{T1}{hfott}{$se}{$sh}{<->ssub * cmtt/$se/$sh}{}"
+done
+echo
+echo '\endinput'
+) >> t1hfott.fd
+
+modfd t1hfott.fd
+
+sed 's/Fontinst .*/ v'$VERSION' European Computer Modern with oldstyle digits]/' \
+ t1hfott.fd > asdf && mv -f asdf t1hfott.fd
+
+
+# Dunhill family
+
+echo >> $logfile
+echo "Dunhill family" >> $logfile
+echo "--------------" >> $logfile
+echo >> $logfile
+
+getpl "$dhofamily"
+
+(
+intro
+
+echomtx dh
+
+extro
+
+) > hfodhmtx.tex
+
+tex hfodhmtx.tex
+
+(
+intro
+
+echo; echo "\installfamily{T1}{hfodh}{}"
+
+echoinstalls dh dh m n
+
+extro
+
+) > hfodh.tex
+
+tex hfodh.tex
+
+getvf "$dhofamily"
+
+cleanup "$dhofamily"
+
+modfd t1hfodh.fd
+
+sed 's/Fontinst .*/ v'$VERSION' European Computer Modern with oldstyle digits]/' \
+ t1hfodh.fd > asdf && mv -f asdf t1hfodh.fd
+
+
+# Variable width Typewriter family
+
+echo >> $logfile
+echo "Variable width Typewriter family" >> $logfile
+echo "--------------------------------" >> $logfile
+echo >> $logfile
+
+getpl "$vtofamily"
+
+(
+intro
+
+echomtx vt
+echomtx vi
+
+extro
+) > hfovtmtx.tex
+
+tex hfovtmtx.tex
+
+(
+intro
+
+echo; echo "\installfamily{T1}{hfovt}{\hyphenchar\font=\m@ne }"
+
+echoinstalls vt vt m n
+echoinstalls vt vi m it
+
+extro
+) > hfovt.tex
+
+tex hfovt.tex
+
+getvf "$vtofamily"
+
+cleanup "$vtofamily"
+
+ed t1hfovt.fd <<EOS
+,s/\\\hyphenchar \\\font =\\\m @ne /\\\hyphenchar\\\font=\\\m@ne/
+w
+q
+EOS
+
+echo '\endinput' >> t1hfovt.fd
+
+modfd t1hfovt.fd
+
+sed 's/Fontinst .*/ v'$VERSION' European Computer Modern with oldstyle digits]/' \
+ t1hfovt.fd > asdf && mv -f asdf t1hfovt.fd
+
+
+exit 0
+
+# }
diff --git a/Master/texmf-dist/doc/fonts/hfoldsty/gpl.txt b/Master/texmf-dist/doc/fonts/hfoldsty/gpl.txt
new file mode 100644
index 00000000000..60549be514a
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/hfoldsty/gpl.txt
@@ -0,0 +1,340 @@
+ GNU GENERAL PUBLIC LICENSE
+ Version 2, June 1991
+
+ Copyright (C) 1989, 1991 Free Software Foundation, Inc.
+ 59 Temple Place, Suite 330, Boston, MA 02111-1307 USA
+ Everyone is permitted to copy and distribute verbatim copies
+ of this license document, but changing it is not allowed.
+
+ Preamble
+
+ The licenses for most software are designed to take away your
+freedom to share and change it. By contrast, the GNU General Public
+License is intended to guarantee your freedom to share and change free
+software--to make sure the software is free for all its users. This
+General Public License applies to most of the Free Software
+Foundation's software and to any other program whose authors commit to
+using it. (Some other Free Software Foundation software is covered by
+the GNU Library General Public License instead.) You can apply it to
+your programs, too.
+
+ When we speak of free software, we are referring to freedom, not
+price. Our General Public Licenses are designed to make sure that you
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+anyone to deny you these rights or to ask you to surrender the rights.
+These restrictions translate to certain responsibilities for you if you
+distribute copies of the software, or if you modify it.
+
+ For example, if you distribute copies of such a program, whether
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+ The precise terms and conditions for copying, distribution and
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+ GNU GENERAL PUBLIC LICENSE
+ TERMS AND CONDITIONS FOR COPYING, DISTRIBUTION AND MODIFICATION
+
+ 0. This License applies to any program or other work which contains
+a notice placed by the copyright holder saying it may be distributed
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+Activities other than copying, distribution and modification are not
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+running the Program is not restricted, and the output from the Program
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+Program (independent of having been made by running the Program).
+Whether that is true depends on what the Program does.
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+ 1. You may copy and distribute verbatim copies of the Program's
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+notices that refer to this License and to the absence of any warranty;
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+along with the Program.
+
+You may charge a fee for the physical act of transferring a copy, and
+you may at your option offer warranty protection in exchange for a fee.
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+ 2. You may modify your copy or copies of the Program or any portion
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+ c) If the modified program normally reads commands interactively
+ when run, you must cause it, when started running for such
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+
+These requirements apply to the modified work as a whole. If
+identifiable sections of that work are not derived from the Program,
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+exercise the right to control the distribution of derivative or
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+
+In addition, mere aggregation of another work not based on the Program
+with the Program (or with a work based on the Program) on a volume of
+a storage or distribution medium does not bring the other work under
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+
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+under Section 2) in object code or executable form under the terms of
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+ 8. If the distribution and/or use of the Program is restricted in
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+Foundation.
+
+ 10. If you wish to incorporate parts of the Program into other free
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+ NO WARRANTY
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+ 12. IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING
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+PROGRAMS), EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+ END OF TERMS AND CONDITIONS
+
+ How to Apply These Terms to Your New Programs
+
+ If you develop a new program, and you want it to be of the greatest
+possible use to the public, the best way to achieve this is to make it
+free software which everyone can redistribute and change under these terms.
+
+ To do so, attach the following notices to the program. It is safest
+to attach them to the start of each source file to most effectively
+convey the exclusion of warranty; and each file should have at least
+the "copyright" line and a pointer to where the full notice is found.
+
+ <one line to give the program's name and a brief idea of what it does.>
+ Copyright (C) 19yy <name of author>
+
+ This program is free software; you can redistribute it and/or modify
+ it under the terms of the GNU General Public License as published by
+ the Free Software Foundation; either version 2 of the License, or
+ (at your option) any later version.
+
+ This program is distributed in the hope that it will be useful,
+ but WITHOUT ANY WARRANTY; without even the implied warranty of
+ MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
+ GNU General Public License for more details.
+
+ You should have received a copy of the GNU General Public License
+ along with this program; if not, write to the Free Software
+ Foundation, Inc., 59 Temple Place, Suite 330, Boston, MA 02111-1307 USA
+
+
+Also add information on how to contact you by electronic and paper mail.
+
+If the program is interactive, make it output a short notice like this
+when it starts in an interactive mode:
+
+ Gnomovision version 69, Copyright (C) 19yy name of author
+ Gnomovision comes with ABSOLUTELY NO WARRANTY; for details type `show w'.
+ This is free software, and you are welcome to redistribute it
+ under certain conditions; type `show c' for details.
+
+The hypothetical commands `show w' and `show c' should show the appropriate
+parts of the General Public License. Of course, the commands you use may
+be called something other than `show w' and `show c'; they could even be
+mouse-clicks or menu items--whatever suits your program.
+
+You should also get your employer (if you work as a programmer) or your
+school, if any, to sign a "copyright disclaimer" for the program, if
+necessary. Here is a sample; alter the names:
+
+ Yoyodyne, Inc., hereby disclaims all copyright interest in the program
+ `Gnomovision' (which makes passes at compilers) written by James Hacker.
+
+ <signature of Ty Coon>, 1 April 1989
+ Ty Coon, President of Vice
+
+This General Public License does not permit incorporating your program into
+proprietary programs. If your program is a subroutine library, you may
+consider it more useful to permit linking proprietary applications with the
+library. If this is what you want to do, use the GNU Library General
+Public License instead of this License.
diff --git a/Master/texmf-dist/doc/fonts/hfoldsty/hfoldsty.pdf b/Master/texmf-dist/doc/fonts/hfoldsty/hfoldsty.pdf
new file mode 100644
index 00000000000..e43f0af82b2
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/hfoldsty/hfoldsty.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/hfoldsty/hfoldsty.xml b/Master/texmf-dist/doc/fonts/hfoldsty/hfoldsty.xml
new file mode 100644
index 00000000000..73bf15f4b6b
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/hfoldsty/hfoldsty.xml
@@ -0,0 +1,33 @@
+<?xml version="1.0"?>
+<!DOCTYPE entry SYSTEM "../catalogue.dtd">
+<entry id="hfoldsty"
+ datestamp="2004/11/19"
+ modifier="h.harders@tu-bs.de">
+ <about>
+ <name>hfoldsty</name>
+ <caption>European Computer Modern font with old-style numerals and better kerning for guillemets.</caption>
+ <author>
+ <name>Harald Harders</name>
+ <email>h.harders@tu-bs.de</email>
+ </author>
+ <license type="gpl"/>
+ <version>
+ <number>1.13</number>
+ </version>
+ </about>
+ <description>
+ <abstract>
+The hfoldsty package provides virtual fonts for using oldstyle
+(0123456789) figures with the European Computer Modern fonts.
+It does a similar job as the `eco' package by Sebastian
+Kirsch but includes a couple of improvements, e.g., better
+kerning with guillemets, support for character protruding
+using the pdfcprot package, arbitrary font sizes in conjunction with
+fix-cm.sty.
+ </abstract>
+ </description>
+ <distribution>
+ <texlive>latex3</texlive>
+ <ctan>macros/latex/contrib/hfoldsty</ctan>
+ </distribution>
+</entry>
diff --git a/Master/texmf-dist/doc/fonts/hfoldsty/t19.etx b/Master/texmf-dist/doc/fonts/hfoldsty/t19.etx
new file mode 100644
index 00000000000..3b7b27b8b55
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/hfoldsty/t19.etx
@@ -0,0 +1,1325 @@
+%%% ====================================================================
+%%% @TeX-font-encoding-file{
+%%% author = "Alan Jeffrey and Sebastian Rahtz and
+%%% Ulrik Vieth",
+%%% version = "1.801",
+%%% date = "29 June 1998",
+%%% time = "23:52:06 CEST",
+%%% filename = "t1.etx",
+%%% email = "vieth@thphy.uni-duesseldorf.de",
+%%% URL = "http://www.thphy.uni-duesseldorf.de/~vieth/",
+%%% checksum = "59251 1325 2587 30171",
+%%% codetable = "ISO/ASCII",
+%%% keywords = "encoding, TeX, PostScript",
+%%% supported = "yes",
+%%% abstract = "This is the T1 encoding as a TeX font encoding
+%%% file, for use with the fontinst utility.
+%%% It implements the TeX extended text encoding.",
+%%% package = "fontinst",
+%%% dependencies = "fontinst.sty, fontdoc.sty",
+%%% }
+%%% ====================================================================
+
+\relax
+
+\documentclass[twocolumn]{article}
+\usepackage[TS1,T1]{fontenc}
+\usepackage{textcomp}
+\usepackage{fontdoc}
+
+\title{The \TeX\ extended text encoding vector}
+\author{Alan Jeffrey, Sebastian Rahtz, Ulrik Vieth}
+\date{29 June 1998 \\
+Version 1.801}
+
+\begin{document}
+
+\maketitle
+
+\section{Introduction}
+
+This document describes the Cork (T1) text encoding.
+
+To use this encoding, you should define the following macros:
+\begin{itemize}
+\item \verb|\lc{A}{a}| should return the name of a lower-case
+ glyph, for example `{\tt a}' or `{\tt Asmall}'.
+
+\item \verb|\uc{A}{a}| should return the name of an upper-case
+ glyph, for example `{\tt A}' or `{\tt Amedium}'.
+
+\item \verb|\lctop{Aacute}{aacute}| should return the name of a
+ lower-case composite glyph formed from putting a diacritical above
+ a letter, for example `{\tt aacute}' or `{\tt Aacutesmall}'.
+
+\item \verb|\uctop{Aacute}{aacute}| should return the name of an
+ upper-case composite glyph formed from putting a diacritical above
+ a letter, for example `{\tt Aacute}' or `{\tt Aacutemedium}'.
+
+\item \verb|\lclig{FI}{fi}| should return the name of a lower-case
+ ligature, for example `{\tt fi}' or `{\tt FIsmall}'.
+
+\item \verb|\uclig{FI}{fi}| should return the name of an upper-case
+ ligature, for example `{\tt FI}' or `{\tt FImedium}'.
+
+\item \verb|\digit{zero}| should return the name of a digit, for
+ example `{\tt zero}' or `{\tt zerooldstyle}'.
+\end{itemize}
+These should all expand in the mouth, otherwise you may get error
+messages!
+
+For example, to get the standard upper and lower case font, you should
+define:
+\begin{verbatim}
+ \setcommand\lc#1#2{#2}
+ \setcommand\uc#1#2{#1}
+ \setcommand\lctop#1#2{#2}
+ \setcommand\uctop#1#2{#1}
+ \setcommand\lclig#1#2{#2}
+ \setcommand\uclig#1#2{#1}
+ \setcommand\digit#1{#1}
+\end{verbatim}
+To get a caps and small caps font with old style digits and letter
+spacing, you should define:
+\begin{verbatim}
+ \setcommand\lc#1#2{#1small}
+ \setcommand\uc#1#2{#1}
+ \setcommand\lctop#1#2{#1small}
+ \setcommand\uctop#1#2{#1}
+ \setcommand\lclig#1#2{#2small}
+ \setcommand\uclig#1#2{#1spaced}
+ \setcommand\digit#1{#1oldstyle}
+\end{verbatim}
+To get an all-caps font with medium-cap composite letters and letter
+spacing, you should define:
+\begin{verbatim}
+ \setcommand\lc#1#2{#1}
+ \setcommand\uc#1#2{#1}
+ \setcommand\lctop#1#2{#1medium}
+ \setcommand\uctop#1#2{#1medium}
+ \setcommand\lclig#1#2{#1spaced}
+ \setcommand\uclig#1#2{#1spaced}
+ \setcommand\digit#1{#1}
+\end{verbatim}
+This document describes the upper and lower case encoding.
+
+\encoding
+
+\needsfontinstversion{1.800}
+
+
+\comment{\section{Default values}}
+
+\setstr{codingscheme}{EXTENDED TEX FONT ENCODING - LATIN}
+
+\setcommand\lc#1#2{#2}
+\setcommand\uc#1#2{#1}
+\setcommand\lctop#1#2{#2}
+\setcommand\uctop#1#2{#1}
+\setcommand\lclig#1#2{#2}
+\setcommand\uclig#1#2{#1}
+\setcommand\digit#1{#1}
+
+\setint{italicslant}{0}
+
+\ifisglyph{x}\then
+ \setint{xheight}{\height{x}}
+\else
+ \setint{xheight}{500}
+\fi
+
+\ifisglyph{space}\then
+ \setint{interword}{\width{space}}
+\else\ifisglyph{i}\then
+ \setint{interword}{\width{i}}
+\else
+ \setint{interword}{333}
+\fi\fi
+
+% added by Thierry Bouche <Thierry.Bouche@ujf-grenoble.fr>
+% 1997/02/07 to calculate values for extra EC fontdimens
+% Amended by SPQR 1997/02/09
+\ifisglyph{X}\then
+ \setint{capheight}{\height{X}}
+\else
+ \setint{capheight}{750}
+\fi
+
+\ifisglyph{d}\then
+ \setint{ascender}{\height{d}}
+\else
+ \ifisint{capheight}\then
+ \setint{ascender}{\int{capheight}}
+ \else
+ \setint{ascender}{750}
+\fi\fi
+
+\ifisglyph{Aring}\then
+ \setint{acccapheight}{\height{Aring}}
+\else
+ \setint{acccapheight}{999}
+\fi
+
+\ifisint{descender_neg}\then
+ \setint{descender}{\neg{\int{descender_neg}}}
+ \else
+ \ifisglyph{p}\then
+ \setint{descender}{\depth{p}}
+ \else
+ \setint{descender}{250}
+ \fi
+\fi
+
+\ifisglyph{Aring}\then
+ \setint{maxheight}{\height{Aring}}
+\else
+ \setint{maxheight}{1000}
+\fi
+
+\ifisint{maxdepth_neg}\then
+ \setint{maxdepth}{\neg{\int{maxdepth_neg}}}
+\else
+ \ifisglyph{j}\then
+ \setint{maxdepth}{\depth{j}}
+ \else
+ \setint{maxdepth}{250}
+ \fi
+\fi
+
+\ifisglyph{six}\then
+ \setint{digitwidth}{\width{six}}
+\else
+ \setint{digitwidth}{500}
+\fi
+
+\setint{capstem}{0} % not in AFM files
+\setint{baselineskip}{1200}
+% end changes by Thierry
+
+
+\comment{\section{Default font dimensions}}
+
+\setint{fontdimen(1)}{\int{italicslant}} % italic slant
+\setint{fontdimen(2)}{\int{interword}} % interword space
+\ifisint{monowidth}\then
+ \setint{fontdimen(3)}{0} % interword stretch
+ \setint{fontdimen(4)}{0} % interword shrink
+\else
+ \setint{fontdimen(3)}{\scale{\int{interword}}{600}}% interword stretch
+ \setint{fontdimen(4)}{\scale{\int{interword}}{240}}% interword shrink
+\fi
+\setint{fontdimen(5)}{\int{xheight}} % x-height
+\setint{fontdimen(6)}{1000} % quad
+\ifisint{monowidth}\then
+ \setint{fontdimen(7)}{\int{interword}} % extra space after .
+\else
+ \setint{fontdimen(7)}{\scale{\int{interword}}{240}}% extra space after .
+\fi
+% added by Thierry Bouche <Thierry.Bouche@ujf-grenoble.fr> 1997/02/07
+\setint{fontdimen(8)}{\int{capheight}} % cap height
+\setint{fontdimen(9)}{\int{ascender}} % ascender
+\setint{fontdimen(10)}{\int{acccapheight}} % accented cap height
+\setint{fontdimen(11)}{\int{descender}} % descender's depth
+\setint{fontdimen(12)}{\int{maxheight}} % max height
+\setint{fontdimen(13)}{\int{maxdepth}} % max depth
+\setint{fontdimen(14)}{\int{digitwidth}} % digit width
+\setint{fontdimen(15)}{\int{capstem}} % cap_stem
+\setint{fontdimen(16)}{\int{baselineskip}} % baselineskip
+
+
+\comment{\section{The encoding}
+ There are 256 glyphs in this encoding.}
+
+\setslot{\lc{Grave}{grave}}
+ \comment{The grave accent `\`{}'.}
+\endsetslot
+
+\setslot{\lc{Acute}{acute}}
+ \comment{The acute accent `\'{}'.}
+\endsetslot
+
+\setslot{\lc{Circumflex}{circumflex}}
+ \comment{The circumflex accent `\^{}'.}
+\endsetslot
+
+\setslot{\lc{Tilde}{tilde}}
+ \comment{The tilde accent `\~{}'.}
+\endsetslot
+
+\setslot{\lc{Dieresis}{dieresis}}
+ \comment{The umlaut or dieresis accent `\"{}'.}
+\endsetslot
+
+\setslot{\lc{Hungarumlaut}{hungarumlaut}}
+ \comment{The long Hungarian umlaut `\H{}'.}
+\endsetslot
+
+\setslot{\lc{Ring}{ring}}
+ \comment{The ring accent `\r{}'.}
+\endsetslot
+
+\setslot{\lc{Caron}{caron}}
+ \comment{The caron or h\'a\v cek accent `\v{}'.}
+\endsetslot
+
+\setslot{\lc{Breve}{breve}}
+ \comment{The breve accent `\u{}'.}
+\endsetslot
+
+\setslot{\lc{Macron}{macron}}
+ \comment{The macron accent `\={}'.}
+\endsetslot
+
+\setslot{\lc{Dotaccent}{dotaccent}}
+ \comment{The dot accent `\.{}'.}
+\endsetslot
+
+\setslot{\lc{Cedilla}{cedilla}}
+ \comment{The cedilla accent `\c {}'.}
+\endsetslot
+
+\setslot{\lc{Ogonek}{ogonek}}
+ \comment{The ogonek accent `\k {}'.}
+\endsetslot
+
+\setslot{quotesinglbase}
+ \comment{A German single quote mark `\quotesinglbase' similar to a comma,
+ but with different sidebearings.}
+\endsetslot
+
+\setslot{guilsinglleft}
+ \comment{A French single opening quote mark `\guilsinglleft',
+ unavailable in \plain\ \TeX.}
+\endsetslot
+
+\setslot{guilsinglright}
+ \comment{A French single closing quote mark `\guilsinglright',
+ unavailable in \plain\ \TeX.}
+\endsetslot
+
+\setslot{quotedblleft}
+ \comment{The English opening quote mark `\,\textquotedblleft\,'.}
+\endsetslot
+
+\setslot{quotedblright}
+ \comment{The English closing quote mark `\,\textquotedblright\,'.}
+\endsetslot
+
+\setslot{quotedblbase}
+ \comment{A German double quote mark `\quotedblbase' similar to two commas,
+ but with tighter letterspacing and different sidebearings.}
+\endsetslot
+
+\setslot{guillemotleft}
+ \comment{A French double opening quote mark `\guillemotleft',
+ unavailable in \plain\ \TeX.}
+\endsetslot
+
+\setslot{guillemotright}
+ \comment{A French closing opening quote mark `\guillemotright',
+ unavailable in \plain\ \TeX.}
+\endsetslot
+
+\setslot{rangedash}
+ \ligature{LIG}{hyphen}{punctdash}
+ \comment{The number range dash `1--9'. In a monowidth font, this
+ might be set as `{\tt 1{-}9}'.}
+\endsetslot
+
+\setslot{punctdash}
+ \comment{The punctuation dash `Oh---boy.' In a monowidth font, this
+ might be set as `{\tt Oh{-}{-}boy.}'}
+\endsetslot
+
+\setslot{compwordmark}
+ \comment{An invisible glyph, with zero width and depth, but the
+ height of lowercase letters without ascenders.
+ It is used to stop ligaturing in words like `shelf{}ful'.}
+\endsetslot
+
+\setslot{perthousandzero}
+ \comment{A glyph which is placed after `\%' to produce a
+ `per-thousand', or twice to produce `per-ten-thousand'.
+ Your guess is as good as mine as to what this glyph should look
+ like in a monowidth font.}
+\endsetslot
+
+\setslot{\lc{dotlessI}{dotlessi}}
+ \comment{A dotless i `\i', used to produce accented letters such as
+ `\=\i'.}
+\endsetslot
+
+\setslot{\lc{dotlessJ}{dotlessj}}
+ \comment{A dotless j `\j', used to produce accented letters such as
+ `\=\j'. Most non-\TeX\ fonts do not have this glyph.}
+\endsetslot
+
+\setslot{\lclig{FF}{ff}}
+ \ligature{LIG}{\lc{I}{i}}{\lclig{FFI}{ffi}}
+ \ligature{LIG}{\lc{L}{l}}{\lclig{FFL}{ffl}}
+ \comment{The `ff' ligature. It should be two characters wide in a
+ monowidth font.}
+\endsetslot
+
+\setslot{\lclig{FI}{fi}}
+ \comment{The `fi' ligature. It should be two characters wide in a
+ monowidth font.}
+\endsetslot
+
+\setslot{\lclig{FL}{fl}}
+ \comment{The `fl' ligature. It should be two characters wide in a
+ monowidth font.}
+\endsetslot
+
+\setslot{\lclig{FFI}{ffi}}
+ \comment{The `ffi' ligature. It should be three characters wide in a
+ monowidth font.}
+\endsetslot
+
+\setslot{\lclig{FFL}{ffl}}
+ \comment{The `ffl' ligature. It should be three characters wide in a
+ monowidth font.}
+\endsetslot
+
+\setslot{visiblespace}
+ \comment{A visible space glyph `\textvisiblespace'.}
+\endsetslot
+
+\setslot{exclam}
+ \ligature{LIG}{quoteleft}{exclamdown}
+ \comment{The exclamation mark `!'.}
+\endsetslot
+
+\setslot{quotedbl}
+ \comment{The `neutral' double quotation mark `\,\textquotedbl\,',
+ included for use in monowidth fonts, or for setting computer
+ programs. Note that the inclusion of this glyph in this slot
+ means that \TeX\ documents which used `{\tt\char`\"}' as an
+ input character will no longer work.}
+\endsetslot
+
+\setslot{numbersign}
+ \comment{The hash sign `\#'.}
+\endsetslot
+
+\setslot{dollar}
+ \comment{The dollar sign `\$'.}
+\endsetslot
+
+\setslot{percent}
+ \comment{The percent sign `\%'.}
+\endsetslot
+
+\setslot{ampersand}
+ \comment{The ampersand sign `\&'.}
+\endsetslot
+
+\setslot{quoteright}
+ \ligature{LIG}{quoteright}{quotedblright}
+ \comment{The English closing single quote mark `\,\textquoteright\,'.}
+\endsetslot
+
+\setslot{parenleft}
+ \comment{The opening parenthesis `('.}
+\endsetslot
+
+\setslot{parenright}
+ \comment{The closing parenthesis `)'.}
+\endsetslot
+
+\setslot{asterisk}
+ \comment{The raised asterisk `*'.}
+\endsetslot
+
+\setslot{plus}
+ \comment{The addition sign `+'.}
+\endsetslot
+
+\setslot{comma}
+ \ligature{LIG}{comma}{quotedblbase}
+ \comment{The comma `,'.}
+\endsetslot
+
+\setslot{hyphen}
+ \ligature{LIG}{hyphen}{rangedash}
+ \ligature{LIG}{hyphenchar}{hyphenchar}
+ \comment{The hyphen `-'.}
+\endsetslot
+
+\setslot{period}
+ \comment{The period `.'.}
+\endsetslot
+
+\setslot{slash}
+ \comment{The forward oblique `/'.}
+\endsetslot
+
+\setslot{\digit{zerooldstyle}}
+ \comment{The number `0'. This (and all the other numerals) may be
+ old style or ranging digits.}
+\endsetslot
+
+\setslot{\digit{oneoldstyle}}
+ \comment{The number `1'.}
+\endsetslot
+
+\setslot{\digit{twooldstyle}}
+ \comment{The number `2'.}
+\endsetslot
+
+\setslot{\digit{threeoldstyle}}
+ \comment{The number `3'.}
+\endsetslot
+
+\setslot{\digit{fouroldstyle}}
+ \comment{The number `4'.}
+\endsetslot
+
+\setslot{\digit{fiveoldstyle}}
+ \comment{The number `5'.}
+\endsetslot
+
+\setslot{\digit{sixoldstyle}}
+ \comment{The number `6'.}
+\endsetslot
+
+\setslot{\digit{sevenoldstyle}}
+ \comment{The number `7'.}
+\endsetslot
+
+\setslot{\digit{eightoldstyle}}
+ \comment{The number `8'.}
+\endsetslot
+
+\setslot{\digit{nineoldstyle}}
+ \comment{The number `9'.}
+\endsetslot
+
+\setslot{colon}
+ \comment{The colon punctuation mark `:'.}
+\endsetslot
+
+\setslot{semicolon}
+ \comment{The semi-colon punctuation mark `;'.}
+\endsetslot
+
+\setslot{less}
+ \ligature{LIG}{less}{guillemotleft}
+ \comment{The less-than sign `\textless'.}
+\endsetslot
+
+\setslot{equal}
+ \comment{The equals sign `='.}
+\endsetslot
+
+\setslot{greater}
+ \ligature{LIG}{greater}{guillemotright}
+ \comment{The greater-than sign `\textgreater'.}
+\endsetslot
+
+\setslot{question}
+ \ligature{LIG}{quoteleft}{questiondown}
+ \comment{The question mark `?'.}
+\endsetslot
+
+\setslot{at}
+ \comment{The at sign `@'.}
+\endsetslot
+
+\setslot{\uc{A}{a}}
+ \comment{The letter `{A}'.}
+\endsetslot
+
+\setslot{\uc{B}{b}}
+ \comment{The letter `{B}'.}
+\endsetslot
+
+\setslot{\uc{C}{c}}
+ \comment{The letter `{C}'.}
+\endsetslot
+
+\setslot{\uc{D}{d}}
+ \comment{The letter `{D}'.}
+\endsetslot
+
+\setslot{\uc{E}{e}}
+ \comment{The letter `{E}'.}
+\endsetslot
+
+\setslot{\uc{F}{f}}
+ \comment{The letter `{F}'.}
+\endsetslot
+
+\setslot{\uc{G}{g}}
+ \comment{The letter `{G}'.}
+\endsetslot
+
+\setslot{\uc{H}{h}}
+ \comment{The letter `{H}'.}
+\endsetslot
+
+\setslot{\uc{I}{i}}
+ \comment{The letter `{I}'.}
+\endsetslot
+
+\setslot{\uc{J}{j}}
+ \comment{The letter `{J}'.}
+\endsetslot
+
+\setslot{\uc{K}{k}}
+ \comment{The letter `{K}'.}
+\endsetslot
+
+\setslot{\uc{L}{l}}
+ \comment{The letter `{L}'.}
+\endsetslot
+
+\setslot{\uc{M}{m}}
+ \comment{The letter `{M}'.}
+\endsetslot
+
+\setslot{\uc{N}{n}}
+ \comment{The letter `{N}'.}
+\endsetslot
+
+\setslot{\uc{O}{o}}
+ \comment{The letter `{O}'.}
+\endsetslot
+
+\setslot{\uc{P}{p}}
+ \comment{The letter `{P}'.}
+\endsetslot
+
+\setslot{\uc{Q}{q}}
+ \comment{The letter `{Q}'.}
+\endsetslot
+
+\setslot{\uc{R}{r}}
+ \comment{The letter `{R}'.}
+\endsetslot
+
+\setslot{\uc{S}{s}}
+ \comment{The letter `{S}'.}
+\endsetslot
+
+\setslot{\uc{T}{t}}
+ \comment{The letter `{T}'.}
+\endsetslot
+
+\setslot{\uc{U}{u}}
+ \comment{The letter `{U}'.}
+\endsetslot
+
+\setslot{\uc{V}{v}}
+ \comment{The letter `{V}'.}
+\endsetslot
+
+\setslot{\uc{W}{w}}
+ \comment{The letter `{W}'.}
+\endsetslot
+
+\setslot{\uc{X}{x}}
+ \comment{The letter `{X}'.}
+\endsetslot
+
+\setslot{\uc{Y}{y}}
+ \comment{The letter `{Y}'.}
+\endsetslot
+
+\setslot{\uc{Z}{z}}
+ \comment{The letter `{Z}'.}
+\endsetslot
+
+\setslot{bracketleft}
+ \comment{The opening square bracket `['.}
+\endsetslot
+
+\setslot{backslash}
+ \comment{The backwards oblique `\textbackslash'.}
+\endsetslot
+
+\setslot{bracketright}
+ \comment{The closing square bracket `]'.}
+\endsetslot
+
+\setslot{asciicircum}
+ \comment{The ASCII upward-pointing arrow head `\textasciicircum'.
+ This is included for compatibility with typewriter fonts used
+ for computer listings.}
+\endsetslot
+
+\setslot{underscore}
+ \comment{The ASCII underline character `\textunderscore', usually
+ set on the baseline.
+ This is included for compatibility with typewriter fonts used
+ for computer listings.}
+\endsetslot
+
+\setslot{quoteleft}
+ \ligature{LIG}{quoteleft}{quotedblleft}
+ \comment{The English opening single quote mark `\,\textquoteleft\,'.}
+\endsetslot
+
+\setslot{\lc{A}{a}}
+ \comment{The letter `{a}'.}
+\endsetslot
+
+\setslot{\lc{B}{b}}
+ \comment{The letter `{b}'.}
+\endsetslot
+
+\setslot{\lc{C}{c}}
+ \comment{The letter `{c}'.}
+\endsetslot
+
+\setslot{\lc{D}{d}}
+ \comment{The letter `{d}'.}
+\endsetslot
+
+\setslot{\lc{E}{e}}
+ \comment{The letter `{e}'.}
+\endsetslot
+
+\setslot{\lc{F}{f}}
+\ifisint{monowidth}\then\else
+ \ligature{LIG}{\lc{I}{i}}{\lclig{FI}{fi}}
+ \ligature{LIG}{\lc{F}{f}}{\lclig{FF}{ff}}
+ \ligature{LIG}{\lc{L}{l}}{\lclig{FL}{fl}}
+\fi
+ \comment{The letter `{f}'.}
+\endsetslot
+
+\setslot{\lc{G}{g}}
+ \comment{The letter `{g}'.}
+\endsetslot
+
+\setslot{\lc{H}{h}}
+ \comment{The letter `{h}'.}
+\endsetslot
+
+\setslot{\lc{I}{i}}
+ \comment{The letter `{i}'.}
+\endsetslot
+
+\setslot{\lc{J}{j}}
+ \comment{The letter `{j}'.}
+\endsetslot
+
+\setslot{\lc{K}{k}}
+ \comment{The letter `{k}'.}
+\endsetslot
+
+\setslot{\lc{L}{l}}
+ \comment{The letter `{l}'.}
+\endsetslot
+
+\setslot{\lc{M}{m}}
+ \comment{The letter `{m}'.}
+\endsetslot
+
+\setslot{\lc{N}{n}}
+ \comment{The letter `{n}'.}
+\endsetslot
+
+\setslot{\lc{O}{o}}
+ \comment{The letter `{o}'.}
+\endsetslot
+
+\setslot{\lc{P}{p}}
+ \comment{The letter `{p}'.}
+\endsetslot
+
+\setslot{\lc{Q}{q}}
+ \comment{The letter `{q}'.}
+\endsetslot
+
+\setslot{\lc{R}{r}}
+ \comment{The letter `{r}'.}
+\endsetslot
+
+\setslot{\lc{S}{s}}
+ \comment{The letter `{s}'.}
+\endsetslot
+
+\setslot{\lc{T}{t}}
+ \comment{The letter `{t}'.}
+\endsetslot
+
+\setslot{\lc{U}{u}}
+ \comment{The letter `{u}'.}
+\endsetslot
+
+\setslot{\lc{V}{v}}
+ \comment{The letter `{v}'.}
+\endsetslot
+
+\setslot{\lc{W}{w}}
+ \comment{The letter `{w}'.}
+\endsetslot
+
+\setslot{\lc{X}{x}}
+ \comment{The letter `{x}'.}
+\endsetslot
+
+\setslot{\lc{Y}{y}}
+ \comment{The letter `{y}'.}
+\endsetslot
+
+\setslot{\lc{Z}{z}}
+ \comment{The letter `{z}'.}
+\endsetslot
+
+\setslot{braceleft}
+ \comment{The opening curly brace `\textbraceleft'.}
+\endsetslot
+
+\setslot{bar}
+ \comment{The ASCII vertical bar `\textbar'.
+ This is included for compatibility with typewriter fonts used
+ for computer listings.}
+\endsetslot
+
+\setslot{braceright}
+ \comment{The closing curly brace `\textbraceright'.}
+\endsetslot
+
+\setslot{asciitilde}
+ \comment{The ASCII tilde `\textasciitilde'.
+ This is included for compatibility with typewriter fonts used
+ for computer listings.}
+\endsetslot
+
+\setslot{hyphenchar}
+ \comment{The glyph used for hyphenation in this font, which will
+ almost always be the same as `hyphen'.}
+\endsetslot
+
+\setslot{\uctop{Abreve}{abreve}}
+ \comment{The letter `\u A'.}
+\endsetslot
+
+\setslot{\uc{Aogonek}{aogonek}}
+ \comment{The letter `\k A'.}
+\endsetslot
+
+\setslot{\uctop{Cacute}{cacute}}
+ \comment{The letter `\' C'.}
+\endsetslot
+
+\setslot{\uctop{Ccaron}{ccaron}}
+ \comment{The letter `\v C'.}
+\endsetslot
+
+\setslot{\uctop{Dcaron}{dcaron}}
+ \comment{The letter `\v D'.}
+\endsetslot
+
+\setslot{\uctop{Ecaron}{ecaron}}
+ \comment{The letter `\v E'.}
+\endsetslot
+
+\setslot{\uc{Eogonek}{eogonek}}
+ \comment{The letter `\k E'.}
+\endsetslot
+
+\setslot{\uctop{Gbreve}{gbreve}}
+ \comment{The letter `\u G'.}
+\endsetslot
+
+\setslot{\uctop{Lacute}{lacute}}
+ \comment{The letter `\' L'.}
+\endsetslot
+
+\setslot{\uc{Lcaron}{lcaron}}
+ \comment{The letter `\v L'.}
+\endsetslot
+
+\setslot{\uc{Lslash}{lslash}}
+ \comment{The letter `\L'.}
+\endsetslot
+
+\setslot{\uctop{Nacute}{nacute}}
+ \comment{The letter `\' N'.}
+\endsetslot
+
+\setslot{\uctop{Ncaron}{ncaron}}
+ \comment{The letter `\v N'.}
+\endsetslot
+
+\setslot{\uc{Ng}{ng}}
+ \comment{The Sami letter `\NG'. It is unavailable in \plain\ \TeX.}
+\endsetslot
+
+\setslot{\uctop{Ohungarumlaut}{ohungarumlaut}}
+ \comment{The letter `\H O'.}
+\endsetslot
+
+\setslot{\uctop{Racute}{racute}}
+ \comment{The letter `\' R'.}
+\endsetslot
+
+\setslot{\uctop{Rcaron}{rcaron}}
+ \comment{The letter `\v R'.}
+\endsetslot
+
+\setslot{\uctop{Sacute}{sacute}}
+ \comment{The letter `\' S'.}
+\endsetslot
+
+\setslot{\uctop{Scaron}{scaron}}
+ \comment{The letter `\v S'.}
+\endsetslot
+
+\setslot{\uc{Scedilla}{scedilla}}
+ \comment{The letter `\c S'.}
+\endsetslot
+
+\setslot{\uctop{Tcaron}{tcaron}}
+ \comment{The letter `\v T'.}
+\endsetslot
+
+\setslot{\uc{Tcedilla}{tcedilla}}
+ \comment{The letter `\c T'.}
+\endsetslot
+
+\setslot{\uctop{Uhungarumlaut}{uhungarumlaut}}
+ \comment{The letter `\H U'.}
+\endsetslot
+
+\setslot{\uctop{Uring}{uring}}
+ \comment{The letter `\r U'.}
+\endsetslot
+
+\setslot{\uctop{Ydieresis}{ydieresis}}
+ \comment{The letter `\" Y'.}
+\endsetslot
+
+\setslot{\uctop{Zacute}{zacute}}
+ \comment{The letter `\' Z'.}
+\endsetslot
+
+\setslot{\uctop{Zcaron}{zcaron}}
+ \comment{The letter `\v Z'.}
+\endsetslot
+
+\setslot{\uctop{Zdotaccent}{zdotaccent}}
+ \comment{The letter `\. Z'.}
+\endsetslot
+
+\setslot{\uclig{IJ}{ij}}
+ \comment{The letter `IJ'. This is a single letter, and in a monowidth
+ font should ideally be one letter wide.}
+\endsetslot
+
+\setslot{\uctop{Idotaccent}{idotaccent}}
+ \comment{The letter `\. I'.}
+\endsetslot
+
+\setslot{\lc{Dbar}{dbar}}
+ \comment{The letter `\dj'.}
+\endsetslot
+
+\setslot{section}
+ \comment{The section mark `\textsection'.}
+\endsetslot
+
+\setslot{\lctop{Abreve}{abreve}}
+ \comment{The letter `\u a'.}
+\endsetslot
+
+\setslot{\lc{Aogonek}{aogonek}}
+ \comment{The letter `\k a'.}
+\endsetslot
+
+\setslot{\lctop{Cacute}{cacute}}
+ \comment{The letter `\' c'.}
+\endsetslot
+
+\setslot{\lctop{Ccaron}{ccaron}}
+ \comment{The letter `\v c'.}
+\endsetslot
+
+\setslot{\lctop{Dcaron}{dcaron}}
+ \comment{The letter `\v d'.}
+\endsetslot
+
+\setslot{\lctop{Ecaron}{ecaron}}
+ \comment{The letter `\v e'.}
+\endsetslot
+
+\setslot{\lc{Eogonek}{eogonek}}
+ \comment{The letter `\k e'.}
+\endsetslot
+
+\setslot{\lctop{Gbreve}{gbreve}}
+ \comment{The letter `\u g'.}
+\endsetslot
+
+\setslot{\lctop{Lacute}{lacute}}
+ \comment{The letter `\' l'.}
+\endsetslot
+
+\setslot{\lc{Lcaron}{lcaron}}
+ \comment{The letter `\v l'.}
+\endsetslot
+
+\setslot{\lc{Lslash}{lslash}}
+ \comment{The letter `\l'.}
+\endsetslot
+
+\setslot{\lctop{Nacute}{nacute}}
+ \comment{The letter `\' n'.}
+\endsetslot
+
+\setslot{\lctop{Ncaron}{ncaron}}
+ \comment{The letter `\v n'.}
+\endsetslot
+
+\setslot{\lc{Ng}{ng}}
+ \comment{The Sami letter `\ng'. It is unavailable in \plain\ \TeX.}
+\endsetslot
+
+\setslot{\lctop{Ohungarumlaut}{ohungarumlaut}}
+ \comment{The letter `\H o'.}
+\endsetslot
+
+\setslot{\lctop{Racute}{racute}}
+ \comment{The letter `\' r'.}
+\endsetslot
+
+\setslot{\lctop{Rcaron}{rcaron}}
+ \comment{The letter `\v r'.}
+\endsetslot
+
+\setslot{\lctop{Sacute}{sacute}}
+ \comment{The letter `\' s'.}
+\endsetslot
+
+\setslot{\lctop{Scaron}{scaron}}
+ \comment{The letter `\v s'.}
+\endsetslot
+
+\setslot{\lc{Scedilla}{scedilla}}
+ \comment{The letter `\c s'.}
+\endsetslot
+
+\setslot{\lctop{Tcaron}{tcaron}}
+ \comment{The letter `\v t'.}
+\endsetslot
+
+\setslot{\lc{Tcedilla}{tcedilla}}
+ \comment{The letter `\c t'.}
+\endsetslot
+
+\setslot{\lctop{Uhungarumlaut}{uhungarumlaut}}
+ \comment{The letter `\H u'.}
+\endsetslot
+
+\setslot{\lctop{Uring}{uring}}
+ \comment{The letter `\r u'.}
+\endsetslot
+
+\setslot{\lctop{Ydieresis}{ydieresis}}
+ \comment{The letter `\" y'.}
+\endsetslot
+
+\setslot{\lctop{Zacute}{zacute}}
+ \comment{The letter `\' z'.}
+\endsetslot
+
+\setslot{\lctop{Zcaron}{zcaron}}
+ \comment{The letter `\v z'.}
+\endsetslot
+
+\setslot{\lctop{Zdotaccent}{zdotaccent}}
+ \comment{The letter `\. z'.}
+\endsetslot
+
+\setslot{\lclig{IJ}{ij}}
+ \comment{The letter `ij'. This is a single letter, and in a monowidth
+ font should ideally be one letter wide.}
+\endsetslot
+
+\setslot{exclamdown}
+ \comment{The Spanish punctuation mark `!`'.}
+\endsetslot
+
+\setslot{questiondown}
+ \comment{The Spanish punctuation mark `?`'.}
+\endsetslot
+
+\setslot{sterling}
+ \comment{The British currency mark `\textsterling'.}
+\endsetslot
+
+\setslot{\uctop{Agrave}{agrave}}
+ \comment{The letter `\` A'.}
+\endsetslot
+
+\setslot{\uctop{Aacute}{aacute}}
+ \comment{The letter `\' A'.}
+\endsetslot
+
+\setslot{\uctop{Acircumflex}{acircumflex}}
+ \comment{The letter `\^ A'.}
+\endsetslot
+
+\setslot{\uctop{Atilde}{atilde}}
+ \comment{The letter `\~ A'.}
+\endsetslot
+
+\setslot{\uctop{Adieresis}{adieresis}}
+ \comment{The letter `\" A'.}
+\endsetslot
+
+\setslot{\uctop{Aring}{aring}}
+ \comment{The letter `\r A'.}
+\endsetslot
+
+\setslot{\uc{AE}{ae}}
+ \comment{The letter `\AE'. This is a single letter, and should not be
+ faked with `AE'.}
+\endsetslot
+
+\setslot{\uc{Ccedilla}{ccedilla}}
+ \comment{The letter `\c C'.}
+\endsetslot
+
+\setslot{\uctop{Egrave}{egrave}}
+ \comment{The letter `\` E'.}
+\endsetslot
+
+\setslot{\uctop{Eacute}{eacute}}
+ \comment{The letter `\' E'.}
+\endsetslot
+
+\setslot{\uctop{Ecircumflex}{ecircumflex}}
+ \comment{The letter `\^ E'.}
+\endsetslot
+
+\setslot{\uctop{Edieresis}{edieresis}}
+ \comment{The letter `\" E'.}
+\endsetslot
+
+\setslot{\uctop{Igrave}{igrave}}
+ \comment{The letter `\` I'.}
+\endsetslot
+
+\setslot{\uctop{Iacute}{iacute}}
+ \comment{The letter `\' I'.}
+\endsetslot
+
+\setslot{\uctop{Icircumflex}{icircumflex}}
+ \comment{The letter `\^ I'.}
+\endsetslot
+
+\setslot{\uctop{Idieresis}{idieresis}}
+ \comment{The letter `\" I'.}
+\endsetslot
+
+\setslot{\uc{Eth}{eth}}
+ \comment{The uppercase Icelandic letter `Eth' similar to a `D'
+ with a horizontal bar through the stem. It is unavailable
+ in \plain\ \TeX.}
+\endsetslot
+
+\setslot{\uctop{Ntilde}{ntilde}}
+ \comment{The letter `\~ N'.}
+\endsetslot
+
+\setslot{\uctop{Ograve}{ograve}}
+ \comment{The letter `\` O'.}
+\endsetslot
+
+\setslot{\uctop{Oacute}{oacute}}
+ \comment{The letter `\' O'.}
+\endsetslot
+
+\setslot{\uctop{Ocircumflex}{ocircumflex}}
+ \comment{The letter `\^ O'.}
+\endsetslot
+
+\setslot{\uctop{Otilde}{otilde}}
+ \comment{The letter `\~ O'.}
+\endsetslot
+
+\setslot{\uctop{Odieresis}{odieresis}}
+ \comment{The letter `\" O'.}
+\endsetslot
+
+\setslot{\uc{OE}{oe}}
+ \comment{The letter `\OE'. This is a single letter, and should not be
+ faked with `OE'.}
+\endsetslot
+
+\setslot{\uc{Oslash}{oslash}}
+ \comment{The letter `\O'.}
+\endsetslot
+
+\setslot{\uctop{Ugrave}{ugrave}}
+ \comment{The letter `\` U'.}
+\endsetslot
+
+\setslot{\uctop{Uacute}{uacute}}
+ \comment{The letter `\' U'.}
+\endsetslot
+
+\setslot{\uctop{Ucircumflex}{ucircumflex}}
+ \comment{The letter `\^ U'.}
+\endsetslot
+
+\setslot{\uctop{Udieresis}{udieresis}}
+ \comment{The letter `\" U'.}
+\endsetslot
+
+\setslot{\uctop{Yacute}{yacute}}
+ \comment{The letter `\' Y'.}
+\endsetslot
+
+\setslot{\uc{Thorn}{thorn}}
+ \comment{The Icelandic capital letter Thorn, similar to a `P'
+ with the bowl moved down. It is unavailable in \plain\ \TeX.}
+\endsetslot
+
+\setslot{\uclig{SS}{germandbls}}
+ \comment{The ligature `SS', used to give an upper case `\ss'.
+ In a monowidth font it should be two letters wide.}
+\endsetslot
+
+\setslot{\lctop{Agrave}{agrave}}
+ \comment{The letter `\` a'.}
+\endsetslot
+
+\setslot{\lctop{Aacute}{aacute}}
+ \comment{The letter `\' a'.}
+\endsetslot
+
+\setslot{\lctop{Acircumflex}{acircumflex}}
+ \comment{The letter `\^ a'.}
+\endsetslot
+
+\setslot{\lctop{Atilde}{atilde}}
+ \comment{The letter `\~ a'.}
+\endsetslot
+
+\setslot{\lctop{Adieresis}{adieresis}}
+ \comment{The letter `\" a'.}
+\endsetslot
+
+\setslot{\lctop{Aring}{aring}}
+ \comment{The letter `\r a'.}
+\endsetslot
+
+\setslot{\lc{AE}{ae}}
+ \comment{The letter `\ae'. This is a single letter, and should not be
+ faked with `ae'.}
+\endsetslot
+
+\setslot{\lc{Ccedilla}{ccedilla}}
+ \comment{The letter `\c c'.}
+\endsetslot
+
+\setslot{\lctop{Egrave}{egrave}}
+ \comment{The letter `\` e'.}
+\endsetslot
+
+\setslot{\lctop{Eacute}{eacute}}
+ \comment{The letter `\' e'.}
+\endsetslot
+
+\setslot{\lctop{Ecircumflex}{ecircumflex}}
+ \comment{The letter `\^ e'.}
+\endsetslot
+
+\setslot{\lctop{Edieresis}{edieresis}}
+ \comment{The letter `\" e'.}
+\endsetslot
+
+\setslot{\lctop{Igrave}{igrave}}
+ \comment{The letter `\`\i'.}
+\endsetslot
+
+\setslot{\lctop{Iacute}{iacute}}
+ \comment{The letter `\'\i'.}
+\endsetslot
+
+\setslot{\lctop{Icircumflex}{icircumflex}}
+ \comment{The letter `\^\i'.}
+\endsetslot
+
+\setslot{\lctop{Idieresis}{idieresis}}
+ \comment{The letter `\"\i'.}
+\endsetslot
+
+\setslot{\lc{Eth}{eth}}
+ \comment{The Icelandic lowercase letter `eth' similar to
+ a `$\partial$' with an oblique bar through the stem.
+ It is unavailable in \plain\ \TeX.}
+\endsetslot
+
+\setslot{\lctop{Ntilde}{ntilde}}
+ \comment{The letter `\~ n'.}
+\endsetslot
+
+\setslot{\lctop{Ograve}{ograve}}
+ \comment{The letter `\` o'.}
+\endsetslot
+
+\setslot{\lctop{Oacute}{oacute}}
+ \comment{The letter `\' o'.}
+\endsetslot
+
+\setslot{\lctop{Ocircumflex}{ocircumflex}}
+ \comment{The letter `\^ o'.}
+\endsetslot
+
+\setslot{\lctop{Otilde}{otilde}}
+ \comment{The letter `\~ o'.}
+\endsetslot
+
+\setslot{\lctop{Odieresis}{odieresis}}
+ \comment{The letter `\" o'.}
+\endsetslot
+
+\setslot{\lc{OE}{oe}}
+ \comment{The letter `\oe'. This is a single letter, and should not be
+ faked with `oe'.}
+\endsetslot
+
+\setslot{\lc{Oslash}{oslash}}
+ \comment{The letter `\o'.}
+\endsetslot
+
+\setslot{\lctop{Ugrave}{ugrave}}
+ \comment{The letter `\` u'.}
+\endsetslot
+
+\setslot{\lctop{Uacute}{uacute}}
+ \comment{The letter `\' u'.}
+\endsetslot
+
+\setslot{\lctop{Ucircumflex}{ucircumflex}}
+ \comment{The letter `\^ u'.}
+\endsetslot
+
+\setslot{\lctop{Udieresis}{udieresis}}
+ \comment{The letter `\" u'.}
+\endsetslot
+
+\setslot{\lctop{Yacute}{yacute}}
+ \comment{The letter `\' y'.}
+\endsetslot
+
+\setslot{\lc{Thorn}{thorn}}
+ \comment{The Icelandic lowercase letter `thorn', similar to a `p'
+ with an ascender rising from the stem. It is unavailable
+ in \plain\ \TeX.}
+\endsetslot
+
+\setslot{\lc{SS}{germandbls}}
+ \comment{The letter `\ss'.}
+\endsetslot
+
+\endencoding
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/hfoldsty/test-eco-hfo.tex b/Master/texmf-dist/doc/fonts/hfoldsty/test-eco-hfo.tex
new file mode 100644
index 00000000000..2d5a3779bde
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/hfoldsty/test-eco-hfo.tex
@@ -0,0 +1,83 @@
+\listfiles
+\RequirePackage{fix-cm}
+\documentclass[ngerman,11pt]{article}
+\usepackage[T1]{fontenc}
+\usepackage[latin1]{inputenc}
+\usepackage{babel}
+\usepackage[textwidth=190mm,textheight=280mm]{geometry}
+\ifhfo
+ \usepackage{hfoldsty}
+\else
+ \usepackage{eco}
+\fi
+\usepackage{slantsc}
+\pagestyle{empty}
+%\def\flqq{\guillemotleft}
+%\def\frqq{\guillemotright}
+\def\flqq{%
+ \textormath{\guillemotleft}{\mbox{\guillemotleft}}}
+\def\frqq{%
+ \textormath{\guillemotright}{\mbox{\guillemotright}}}
+
+\begingroup
+\shorthandon{"}
+\gdef\text{ABCDEFGHIJKLMNOPQRSTUVWXYZÄÖÜ abcdefghijklmnopqrstuvwxyzäöüß
+ 0123456789\\
+ fi fl ff ffi ffl
+ \frqq H\flqq\ \frqq\kern0pt H\kern0pt\flqq\
+ \frqq A\flqq\ \frqq\kern0pt A\kern0pt\flqq\
+ \frqq V\flqq\ \frqq\kern0pt V\kern0pt\flqq}
+\endgroup
+
+\parindent0mm
+\parskip5mm
+\begin{document}
+\textbf{\jobname}
+
+\begingroup
+\rmfamily
+{\text}\\
+{\itshape\text}\\
+{\slshape\text}\\
+{\bfseries\text}\\
+{\bfseries\itshape\text}\\
+{\bfseries\slshape\text}\\
+\scshape
+{\text}\\
+{\itshape\text}\\
+{\bfseries\text}\\
+{\bfseries\itshape\text}
+\endgroup
+
+\begingroup
+\sffamily
+{\text}\\
+{\itshape\text}\\
+{\slshape\text}\\
+{\bfseries\text}\\
+{\bfseries\itshape\text}\\
+{\bfseries\slshape\text}\\
+\scshape
+{\text}\\
+{\itshape\text}\\
+{\bfseries\text}\\
+{\bfseries\itshape\text}
+\endgroup
+
+\begingroup
+\ttfamily
+{\text}\\
+{\itshape\text}\\
+{\slshape\text}\\
+{\bfseries\text}\\
+{\bfseries\itshape\text}\\
+{\bfseries\slshape\text}\\
+\scshape
+{\text}\\
+{\itshape\text}\\
+{\bfseries\text}\\
+{\bfseries\itshape\text}
+\endgroup
+
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/hfoldsty/test-eco.tex b/Master/texmf-dist/doc/fonts/hfoldsty/test-eco.tex
new file mode 100644
index 00000000000..7d1b78f6f83
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/hfoldsty/test-eco.tex
@@ -0,0 +1,3 @@
+\newif\ifhfo
+\hfofalse
+\input{test-eco-hfo}
diff --git a/Master/texmf-dist/doc/fonts/hfoldsty/test-hfo.tex b/Master/texmf-dist/doc/fonts/hfoldsty/test-hfo.tex
new file mode 100644
index 00000000000..3a970005202
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/hfoldsty/test-hfo.tex
@@ -0,0 +1,3 @@
+\newif\ifhfo
+\hfotrue
+\input{test-eco-hfo}
diff --git a/Master/texmf-dist/doc/fonts/ifsym/ifsym.ps.gz b/Master/texmf-dist/doc/fonts/ifsym/ifsym.ps.gz
new file mode 100644
index 00000000000..4e60d0defdc
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/ifsym/ifsym.ps.gz
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/itrans/README b/Master/texmf-dist/doc/fonts/itrans/README
new file mode 100644
index 00000000000..fc8d3d000e4
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/itrans/README
@@ -0,0 +1,124 @@
+%
+ Files in the ITRANS/doc directory
+ -----------------------------------------------------
+ http://www.aczone.com/itrans/
+ -----------------------------------------------------
+
+Description of the files in the "doc" directory of the ITRANS package.
+
+Fast help (see idoc.itx, ../README, etc for more details):
+
+To print files with .itx extension:
+ $ ../src/itrans -v -i idoc.itx -o x.tex
+(now, to print files with .tex extension):
+ $ latex x.tex
+ $ dvips x.dvi | lp
+
+To print files with .ips extension:
+ $ ../src/itrans -v -P -i flag.ips -o xps
+ $ ../src/prips xps
+
+To print files with .ps extension (send them directly to a PostScript
+printer):
+ $ cat idoc.ps | lp
+
+------------------------------------------------------------------------
+For many sample documents using ITRANS, check out the ITRANS Song Book.
+That is a database of thousands of ITRANS documents, including hindi film
+song lyrics, sanskrit texts such as the bhagvad gita, etc.
+Use WWW search tools to search for the substring "isongs", or visit
+http://www.aczone.com/itrans/
+------------------------------------------------------------------------
+Note that all the *.ps files may not be present the itrans source
+file archive (itrans*.zip or itrans*.tar) --- they are present in a separate
+archive (usually itransps.zip or itransps.tgz).
+------------------------------------------------------------------------
+Files in the doc directory:
+
+idoc.itx -- ITRANS general user manual
+ -- LaTeX document
+idoc.ps -- printer-ready file, if you cannot generate
+ -- a printed copy from idoc.itx!
+
+ex_latex.itx -- a sample input file, uses LaTeX. Use this as a
+ -- template when you need to begin using ITRANS.
+
+ex_ltn1.itx -- a sample input file for generating direct text
+ -- output - for direct display on WWW browsers such
+ -- as Netscape. Uses ISO-Latin1 fonts.
+
+ex_ps.itx -- a sample input file, for direct PostScript
+ -- output.
+
+ex_utf8.itx -- a sample input file, produces Unicode UTF-8
+ -- HTML output.
+
+dvnc.itx -- marathi/hindi transliteration map
+ -- for the Devnac PostScript font
+ -- in latex format
+dvnc.ps -- printer-ready file for dvnc.itx
+
+dvng.itx -- marathi/hindi/sanskrit transliteration map
+ -- for the Devnag Metafont font & Xdvng font
+ -- in latex format
+ -- NOTE: This file typesets some large tables,
+ -- most normal latex programs will barf on it.
+ -- It requires a latex will larger than normal
+ -- memory capacities: on the PC I use -- blatex.
+dvng.ps -- printer-ready file corresponding to dvng.itx
+
+tamil.itx -- tamil transliteration map
+ -- in latex format
+tamil.ps -- printer-ready file for tamil.itx
+
+tlgutx.itx -- telugu transliteration map (for the TeluguTeX font)
+ -- in latex format
+ -- NOTE: This file typesets some large tables,
+ -- most normal latex programs will barf on it.
+ -- It requires a latex will larger than normal
+ -- memory capacities: on the PC I use -- blatex.
+tlgutx.ps -- printer-ready file for tlgutx.itx
+
+gujdoc.itx -- Gujarati transliteration map (ItxGuj Type1 font)
+gujdoc.ps -- printer-ready file for gujdoc.itx
+
+itxbeng.itx -- manual for Type 1 Bengali font
+itxbeng.ps -- printer-ready file for itxbeng.itx
+
+kantex.itx -- manual for the Kannada font (Metafont)
+kantex.ps -- printer-ready file for kantex.itx
+
+pundoc.itx -- manual for the Punjabi Gurmukhi font (PostScript)
+pundoc.ps -- printer-ready file for kantex.itx
+
+romancsx.itx -- Romanized Sanksrit (CSUtopia Type 1 font)
+ -- transliteration map and documentation
+romancsx.ps -- printer-ready file for romancsx.itx
+
+icsx.itx -- documentation for the CS/CSX encoding support
+ -- in ITRANS.
+icsx.ps -- PostScript printer ready file of icsx.itx
+
+nehru.itx -- hindi transliterated text, nehru's sayings
+ -- in latex format (uses Devnac font)
+
+flag.ips -- draws the indian flag, and a hindi song
+ -- in PostScript format
+ -- also contains interesting PostScript code
+ -- to change font size, change the basic font, etc
+ -- a must-see!
+
+tech.tex -- english LaTeX file, contains technical
+ -- details regarding this software package
+ -- *** is incomplete and way out-of-date!
+
+../src/itrans.1 -- man page, source
+ -- use "man -d itrans.1" to see file.
+
+../src/prips.1 -- man page, source
+ -- use "man -d prips.1" to see file.
+
+../src/itrans.man -- man page, formatted (file may not be present)
+ -- use "more itrans.man" to see file.
+
+----------------------------------------------------------------------
diff --git a/Master/texmf-dist/doc/fonts/itrans/beng.itx b/Master/texmf-dist/doc/fonts/itrans/beng.itx
new file mode 100644
index 00000000000..40f1ce789d1
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/itrans/beng.itx
@@ -0,0 +1,1723 @@
+% Avinash Chopde <avinash@acm.org>
+% --------------------------------------------------------------------
+% User Documentation for the Itrans Package, Bengali
+% Bengali Transliteration Table for ItxBeng PostScript Font and
+% Bengali Transliteration Table for bwti Metafont Font
+% bwti Metafont created by Abhijit Das of IISc Bangalore.
+% bwti support in ITRANS added by Jaijeet Roychowdhury.
+
+\documentclass[11pt]{article}
+
+\usepackage[preprocess]{itrans} % Ross Moore's extensions to latex2html
+
+\usepackage{html} % from standard latex2html package
+ % if you do not have html.sty in your machine, change the html to
+ % htmlstub (htmlstub.sty is included in the ITRANS/lib directory)
+
+\usepackage{longtable}
+
+\portraitpage % defined in itrans.sty (idevn.tex), get a larger page size
+
+\renewcommand{\arraystretch}{1.25}
+\newcommand{\rarrow}{\mbox{---\hspace{-8pt}$>$}}
+
+\newcommand{\SB}{\texttt{\char35bengali}}
+\newcommand{\EB}{\texttt{\char35endbengali}}
+
+\newfont{\itxbengf}{itxbeng at 15pt}
+%\newfont{\itxbengf}{itxbengo at 15pt} % the oblique version
+%\newfont{\itxbengf}{itxbngrc at 15pt} % the scaled down (x-axis) version
+%\newfont{\itxbengf}{itxbngre at 15pt} % the scaled down (x-axis) version
+
+\newfont{\bnr}{bnr10 at 14pt}
+\newfont{\bnsl}{bnsl10 at 14pt}
+
+\hyphenchar\itxbengf=-1 % disable hyphenation using this font
+\hyphenchar\bnr=-1 % disable hyphenation using this font
+\hyphenchar\bnsl=-1 % disable hyphenation using this font
+
+% for the Bwti font, use the #bengali markers
+#bengaliifm=bnbeng.ifm
+#bengalifont=\bnr
+
+% for the ItxBeng font, use the #indian marker
+#indianifm=itxbeng.ifm
+#indianfont=\itxbengf
+
+\begin{document}
+
+\footnotetext[0]{Last modification: \today}
+
+\centerline{\bf Transliteration Maps for}
+\medskip
+\centerline{\LARGE\bf Bengali fonts ItxBeng and BWTI}
+\bigskip
+\centerline{\bf itrans}
+\smallskip
+\centerline{\bf \copyright 1997--98 Avinash Chopde}
+\bigskip
+\centerline{\bf {\sl bwti} font developed by Abhijit Das (Barda)}
+\smallskip
+\centerline{\bf {\sl bwti} font support added by Jaijeet Roychowdhury}
+
+\section{Fonts Available}
+
+There are currently two Bengali fonts available with ITRANS: {\em bwti} and {\em ItxBeng}.
+The {\em bwti} fonts are written in {\sf METAFONT}, while {\em ItxBeng} is a PostScript font.
+At present, the {\em bwti} fonts have a complete set of Bengali characters including all
+the standard conjunct consonants
+(#bengali JuktaakShar#endbengali s),
+while the
+{\em ItxBeng} fonts are missing some characters. {\em ItxBeng}, however, works with the \TeX, direct PostScript and HTML
+interfaces of ITRANS, while {\em bwti} is limited to only the \TeX\ interface.
+
+\subsection{\TeX\ Interface}
+
+
+\subsubsection{{\em bwti} font}
+
+{\em bwti} is a family of {\sf METAFONT} fonts defined in the files {\em bnr10.mf} and
+{\em bnsl10.mf}. They can be used only with
+the \TeX\ interface.
+
+\begin{description}
+\item [bnr10] This is the basic {\em bwti} Bengali font.
+\item [bnsl10] This is the slanted version of {\em bwti}.
+\end{description}
+
+\noindent
+These can be used at any font size in your document.
+In this document the following line was used for
+loading the font:
+\noindent\verb+\newfont{\bnr}{bnr10 at 14pt}+.
+
+\subsubsection{{\em ItxBeng} font}
+
+{\em ItxBeng} is a PostScript font whose specification
+is in the file {\em itxbeng.pfa} or {\em itxbeng.pfb}.
+It is a user-defined Type I PostScript font.
+Four styles, transformations on the basic ItxBeng font,
+are bundled with the itrans package.
+Their names (in the \TeX\ interface) are itxbeng, itxbengo, itxbngrc, and
+itxbngre.
+
+\begin{description}
+\item [itxbeng] This is the basic {\em ItxBeng} Bengali font. There are some other fonts
+available, derived by transforming this font.
+\item [itxbengo] This is the slanted version of {\em itxbeng}.
+\item [itxbngrc] A scaled down, compressed version
+(along the x-axis) of the basic font is available as {\em itxbeng}.
+\item[itxbngre] This is heavier than {\em itxbeng}, to be used as a bold version.
+\end{description}
+
+Since these are PostScript fonts, you can use them at any font size in
+your document.
+In this document the following line was used for
+loading the font:
+
+\noindent\verb+\newfont{\itxbengf}{itxbeng at 15pt}+.
+
+\subsection{Direct Textual Interface: HTML Output ({\em ItxBeng} only)}
+
+This mode is provided for generating text that can be displayed
+on any WWW browser such as Netscape (version 3.0 or later).
+See the example file provided (ITRANS/doc/s1html.itx) on examples
+of how to use this mode.
+See the manual idoc.itx for information on the Direct Text Output mode
+of ITRANS.
+
+The same IFM file (for {\em ItxBeng}) is used for this mode as for the \TeX\ interface.
+
+\subsection{Direct Textual Interface: PostScript Output ({\em ItxBeng} only)}
+
+This interface does not offer any word-processing capabilities other
+than that of checking when a page is complete, and then
+resetting the current point to the top of the next page.
+Thus, all spaces, lines, etc from the input text appear
+in the output too.
+
+The user may also directly invoke
+PostScript commands to create various versions of the font, as required.
+Refer to PostScript language manuals for specific help regarding the
+PostScript font manipulation commands.
+If you decide to go this route, take a look at the file {\em itrans.pro},
+it is the prologue that gets sent to the printer.
+It contains definitions of various commands such as {\em normalfont},
+{\em slantfont}, {\em compressedfont}, etc, which may be used to change
+the font being used.
+These PostScript functions take a single argument:~the font size to use.
+All this and more information can be obtained from the prologue file, {\em
+itrans.pro}, and PostScript users should take a look at it.
+For example usage, look through the sample input files provided.
+Files ending in {\em .ips} are the direct PostScript input files, itrans
+(with the -P option) directly produces PostScript output for these files.
+
+The file {\em itxbeng.pfa} contains the PostScript
+language program for this bengali font.
+
+%-------------------------------------------------------------------------
+
+\subsection{Font Developers}
+
+\subsubsection{{\em bwti}}
+
+The bwti fonts have been created by Abhijit Das of IISc Bangalore.
+
+\subsubsection{{\em ItxBeng}}
+
+The ItxBeng has been developed by Shrikrishna Patil, who has been
+developing fonts for over a decade now. He has been extremely generous to
+all of us users of ITRANS, and has offered us two freeware fonts:
+one for Gujarati (ItxGuj), and one for Bengali (ItxBeng).
+I am thankful to him for this
+gift! If any one using this ITRANS package finds the need for
+fonts for Microsoft Windows
+or Apple Macintosh platforms, feel free to contact Patil at his e-mail
+address {\em sapatil@pacbell.net}. His fonts are available at very
+reasonable costs, around US\$50 to US\$100 depending on the font.
+
+\subsection{IFM File Developers}
+
+Each font requires an {\em ITRANS Font Metric (IFM)} file to be
+supplied in the ITRANS document.
+This Bengali user manual for ITRANS makes use of two IFM files, since it
+needs to print text in both the bwti and ItxBeng fonts.
+
+\subsubsection{{\em bwti} font}
+
+The IFM file for {\em bwti} is called {\em bnbeng.ifm}.
+
+I would like to thank Jaijeet Roychowdhury, who created a new IFM file
+for the bwti fonts and thus add support for them in ITRANS. He also
+helped fix some problems with the Bengali IFM files.
+
+\subsubsection{{\em ItxBeng} font}
+
+The IFM file is called {\em itxbeng.ifm}.
+
+I would like to thank Ansuman Lahiri ({\em ansu@thon.csb.ki.se}),
+who helped in creating the IFM file for ItxBeng and in proof-reading the
+test samples I sent him. There may still be problems with the current
+Bengali support, but that is because I do not know bengali at all, so if
+you do find that some conjuncts do not work they should, please send me
+(Avinash Chopde) e-mail, my address is available elsewhere in this
+document.
+
+%-------------------------------------------------------------------------
+\section {Example}
+
+Input text:
+
+\noindent
+{%\tt\SB
+\begin{verbatim}
+ke la_ibe mor kaaJa^r, kahe sandhyaa rabi \\
+shuniYaa jagat.h rahe niruttar chhabi | \\
+maaTir pradiip chhila, se kahila, sbaamii \\
+aamaar JeTuku saadhya kariba taa aami | \\
+--- rabiindranaath Thaakuur
+\end{verbatim}
+%\EB
+}
+
+\vspace{0.3in}
+\begin{minipage}{3in}
+In the {\em ItxBeng} font, the text produces:
+\vspace{0.1in}
+
+{#indian
+\noindent
+ke la_ibe mor kaaJa^r, kahe sandhyaa rabi \\
+shuniYaa jagat.h rahe niruttar chhabi | \\
+maaTir pradiip chhila, se kahila, sbaamii \\
+aamaar JeTuku saadhya kariba taa aami | \\
+--- rabiindranaath Thaakuur
+#endbengali}
+\end{minipage}\
+\begin{minipage}{3in}
+In the {\em bwti} font, the above text produces:
+\vspace{0.1in}
+
+{#bengali
+\noindent
+ke la_ibe mor kaaJa^r, kahe sandhyaa rabi \\
+shuniYaa jagat.h rahe niruttar chhabi | \\
+maaTir pradiip chhila, se kahila, sbaamii \\
+aamaar JeTuku saadhya kariba taa aami | \\
+--- rabiindranaath Thaakuur
+#endbengali}
+\end{minipage}
+
+\bigskip\hrule
+\vfill
+\bigskip
+\section{Author}
+
+\noindent
+ITRANS has been developed by Avinash Chopde. \\
+E-mail:
+\htmladdnormallink{\texttt{avinash@acm.org}}{mailto:avinash@acm.org}. \\
+Home page:
+\htmladdnormallink{\texttt{http://www.aczone.com/}}{http://www.aczone.com/}
+
+\bigskip\hrule
+%-------------------------------------------------------------------
+\newpage
+%-------------------------------------------------------------------
+\begin{htmlonly}
+\section{Bengali Table}
+\end{htmlonly}
+
+{
+\begin{tabular}{c}
+{
+\begin{tabular}{ccc}
+\vbox{\hbox{
+\begin{makeimage}
+\begin{tabular}{|c|c|c|}
+\hline {\em bwti} & {\em ItxBeng} & \small ITRANS\\ \hline \hline
+
+ #bengali a #endbengali &
+ #indian a #endbengali &
+{\tt a} \\ \hline
+ #bengali aa #endbengali &
+ #indian aa #endbengali &
+{\tt aa} or {\tt A} \\ \hline
+ #bengali i #endbengali &
+ #indian i #endbengali &
+{\tt i} \\ \hline
+ #bengali ii #endbengali &
+ #indian ii #endbengali &
+{\tt ii} or {\tt I}\\ \hline
+ #bengali u #endbengali &
+ #indian u #endbengali &
+{\tt u} \\ \hline
+ #bengali uu #endbengali &
+ #indian uu #endbengali&
+{\tt uu} or {\tt U}\\ \hline
+ #bengali R^i #endbengali &
+ #indian R^i #endbengali &
+{\tt RRi} or {\tt R\char`^i} \\ \hline
+ #bengali e #endbengali &
+ #indian e #endbengali &
+{\tt e} \\ \hline
+ #bengali ai #endbengali &
+ #indian ai #endbengali &
+{\tt ai} \\ \hline
+ #bengali o #endbengali &
+ #indian o #endbengali &
+{\tt o}\\ \hline
+ #bengali au #endbengali &
+ #indian au #endbengali&
+{\tt au}\\ \hline
+\end{tabular}
+\end{makeimage}
+}\vfill}
+&
+\vbox{\hbox{
+\begin{makeimage}
+\begin{tabular}{|c|c|c|}
+\hline {\em bwti} & {\em ItxBeng} & \small ITRANS\\ \hline \hline
+
+ #bengali 0 #endbengali &
+ #indian 0 #endbengali &
+{\tt 0} \\ \hline
+ #bengali 1 #endbengali &
+ #indian 1 #endbengali &
+{\tt 1} \\ \hline
+ #bengali 2 #endbengali &
+ #indian 2 #endbengali &
+{\tt 2} \\ \hline
+ #bengali 3 #endbengali &
+ #indian 3 #endbengali &
+{\tt 3} \\ \hline
+ #bengali 4 #endbengali &
+ #indian 4 #endbengali &
+{\tt 4} \\ \hline
+ #bengali 5 #endbengali &
+ #indian 5 #endbengali&
+{\tt 5} \\ \hline
+ #bengali 6 #endbengali &
+ #indian 6 #endbengali &
+{\tt 6} \\ \hline
+ #bengali 7 #endbengali &
+ #indian 7 #endbengali &
+{\tt 7} \\ \hline
+ #bengali 8 #endbengali &
+ #indian 8 #endbengali &
+{\tt 8} \\ \hline
+ #bengali 9 #endbengali &
+ #indian 9 #endbengali &
+{\tt 9}\\ \hline
+\end{tabular}
+\end{makeimage}
+}\vfill}
+&
+\vbox{\hbox{
+\begin{makeimage}
+\begin{tabular}{|c|c|c|}
+\hline {\em bwti} & {\em ItxBeng} & \small ITRANS\\ \hline \hline
+
+ #bengali ga.n #endbengali &
+ #indian ga.n #endbengali &
+{\em ga}{\tt .n} \\ \hline
+ #bengali gaa.N #endbengali &
+ #indian gaa.N #endbengali &
+{\em gaa}{\tt .N} \\ \hline
+ #bengali aa^r #endbengali &
+ #indian aa^r #endbengali &
+{\em aa}{\tt \char`^r} \\ \hline
+ #bengali m.h #endbengali &
+ #indian m.h #endbengali &
+{\em m}{\tt .h} \\ \hline
+ #bengali t.h #endbengali &
+ #indian t.h #endbengali &
+{\tt t.h} \\ \hline
+ #bengali duH #endbengali &
+ #indian duH #endbengali &
+{\em du}{\tt H} \\ \hline
+ #bengali GYa #endbengali &
+ #indian GYa #endbengali&
+{\tt GY}{\em a} \\ \hline
+\end{tabular}
+\end{makeimage}
+}\vfill}
+\\
+Vowels & Numerals & Accents/Specials
+\end{tabular}
+}
+\\
+\vbox{\vskip0.2in\hbox{
+\begin{tabular}{c}
+\framebox{\mbox{
+\begin{tabular}{ccc}
+\begin{makeimage}
+\begin{tabular}{|c|c|c|}
+\hline {\em bwti} & {\em ItxBeng} & \small ITRANS\\ \hline \hline
+
+ #bengali ka #endbengali &
+ #indian ka #endbengali &
+{\tt k}{\em a} \\ \hline
+ #bengali kha #endbengali &
+ #indian kha #endbengali &
+{\tt kh}{\em a} \\ \hline
+ #bengali ga #endbengali &
+ #indian ga #endbengali &
+{\tt g}{\em a} \\ \hline
+ #bengali gha #endbengali &
+ #indian gha #endbengali &
+{\tt gh}{\em a} \\ \hline
+ #bengali ~N #endbengali &
+ #indian ~N #endbengali &
+{\tt \char`~N}{\em a} or {\tt N\char`^}a \\ \hline
+\end{tabular}
+\end{makeimage}
+&
+\begin{makeimage}
+\begin{tabular}{|c|c|c|}
+\hline {\em bwti} & {\em ItxBeng} & \small ITRANS\\ \hline \hline
+
+ #bengali cha #endbengali &
+ #indian cha #endbengali &
+{\tt ch}{\em a} \\ \hline
+ #bengali chha #endbengali &
+ #indian chha #endbengali &
+{\tt chh}{\em a} \\ \hline
+ #bengali ja #endbengali &
+ #indian ja #endbengali &
+{\tt j}{\em a} \\ \hline
+ #bengali jha #endbengali &
+ #indian jha #endbengali &
+{\tt jh}{\em a} \\ \hline
+ #bengali ~n #endbengali &
+ #indian ~n #endbengali &
+{\tt \char`~n}{\em a} or {\tt n\char`^}a \\ \hline
+\end{tabular}
+\end{makeimage}
+&
+\begin{makeimage}
+\begin{tabular}{|c|c|c|}
+\hline {\em bwti} & {\em ItxBeng} & \small ITRANS\\ \hline \hline
+
+ #bengali Ta #endbengali &
+ #indian Ta #endbengali &
+{\tt T}{\em a} \\ \hline
+ #bengali Tha #endbengali &
+ #indian Tha #endbengali &
+{\tt Th}{\em a} \\ \hline
+ #bengali Da #endbengali &
+ #indian Da #endbengali &
+{\tt D}{\em a} \\ \hline
+ #bengali Dha #endbengali &
+ #indian Dha #endbengali &
+{\tt Dh}{\em a} \\ \hline
+ #bengali Na #endbengali &
+ #indian Na #endbengali &
+{\tt N}{\em a} \\ \hline
+\end{tabular}
+\end{makeimage}
+\\
+\hbox{\lower.7in\hbox{
+\begin{makeimage}
+\begin{tabular}{|c|c|c|}
+ \hline
+ \setbox0=\hbox{\em bwti}\hbox to\wd0{ #bengali ta #endbengali} &
+ \setbox0=\hbox{\em ItxBeng}\hbox to\wd0{\kern0.2in#indian ta #endbengali} &
+\setbox0=\hbox{{\tt \char`~N}{\em a} or {\tt N\char`^}a}\hbox to\wd0{\kern0.3in {\tt t}{\em a}} \\ \hline
+ \hbox{ #bengali tha #endbengali} &
+ #indian tha #endbengali &
+{\tt th}{\em a} \\ \hline
+ #bengali da #endbengali &
+ #indian da #endbengali &
+{\tt d}{\em a} \\ \hline
+ #bengali dha #endbengali &
+ #indian dha #endbengali &
+{\tt dh}{\em a} \\ \hline
+ #bengali na #endbengali &
+ #indian na #endbengali &
+{\tt n}{\em a} \\ \hline
+\end{tabular}
+\end{makeimage}
+}}
+&
+\hbox{\lower.7in\hbox{
+\begin{makeimage}
+\begin{tabular}{|c|c|c|}
+ \hline
+ \setbox0=\hbox{\em bwti}\hbox to\wd0{ #bengali pa #endbengali} &
+ \setbox0=\hbox{\em ItxBeng}\hbox to\wd0{\kern0.2in#indian pa #endbengali} &
+\setbox0=\hbox{{\tt \char`~n}{\em a} or {\tt n\char`^}a}\hbox to\wd0{\kern0.3in {\tt p}{\em a}} \\ \hline
+ \hbox{ #bengali pha #endbengali} &
+ #indian pha #endbengali &
+{\tt ph}{\em a} \\ \hline
+ #bengali ba #endbengali &
+ #indian ba #endbengali &
+{\tt b}{\em a} \\ \hline
+ #bengali bha #endbengali &
+ #indian bha #endbengali &
+{\tt bh}{\em a} \\ \hline
+ #bengali ma #endbengali &
+ #indian ma #endbengali &
+{\tt m}{\em a} \\ \hline
+\end{tabular}
+\end{makeimage}
+}}
+&
+\hbox{\lower.7in\hbox{
+\begin{makeimage}
+\begin{tabular}{|c|c|c|}
+ \hline
+ \setbox0=\hbox{\em bwti}\hbox to\wd0{ #bengali Ja #endbengali} &
+ \setbox0=\hbox{\em ItxBeng}\hbox to\wd0{\kern0.2in#indian Ja #endbengali} &
+\setbox0=\hbox{\small ITRANS}\hbox to\wd0{\kern0.0in{\tt J}{\em a} or
+{\tt y}{\em a}} \\ \hline
+ \hbox{ #bengali ra #endbengali} &
+ #indian ra #endbengali &
+{\tt r}{\em a} \\ \hline
+ #bengali la #endbengali &
+ #indian la #endbengali &
+{\tt l}{\em a} \\ \hline
+ #bengali ba #endbengali &
+ #indian ba #endbengali &
+{\tt b}{\em a} \\ \hline
+ #bengali sha #endbengali &
+ #indian sha #endbengali &
+{\tt sh}{\em a} \\ \hline
+\end{tabular}
+\end{makeimage}
+}} \\
+\hbox{\lower.7in\hbox{
+\begin{makeimage}
+\begin{tabular}{|c|c|c|}
+ \hline
+ \setbox0=\hbox{\em bwti}\hbox to\wd0{ #bengali Sha #endbengali} &
+ \setbox0=\hbox{\em ItxBeng}\hbox to\wd0{\kern0.2in#indian Sha #endbengali} &
+\setbox0=\hbox{{\tt \char`~N}{\em a} or {\tt N\char`^}a}\hbox to\wd0{\kern0.3in {\tt Sh}{\em a}} \\ \hline
+ \hbox{ #bengali sa #endbengali} &
+ #indian sa #endbengali &
+{\tt s}{\em a} \\ \hline
+ #bengali ha #endbengali &
+ #indian ha #endbengali &
+{\tt h}{\em a} \\ \hline
+ &
+ &
+ \\ \hline
+ &
+ &
+ \\ \hline
+\end{tabular}
+\end{makeimage}}}
+&
+\hbox{\lower.7in\hbox{
+\begin{makeimage}
+\begin{tabular}{|c|c|c|}
+ \hline
+ \setbox0=\hbox{\em bwti}\hbox to\wd0{ #bengali kSha #endbengali} &
+ \setbox0=\hbox{\em ItxBeng}\hbox to\wd0{\kern0.2in#indian kSha #endbengali} &
+\setbox0=\hbox{{\tt \char`~n}{\em a} or {\tt n\char`^}a}\hbox to\wd0{\kern0.0in {\tt kSh}{\em a} or {\tt x}{\em a}} \\ \hline
+ \hbox{ #bengali Ya #endbengali} &
+ #indian Ya #endbengali &
+{\tt Y}{\em a} \\ \hline
+ #bengali .Da #endbengali &
+ #indian .Da #endbengali &
+{\tt .D}{\em a} \\ \hline
+ #bengali .Dha #endbengali &
+ #indian .Dha #endbengali &
+{\tt .Dh}{\em a} \\ \hline
+ &
+ &
+ \\ \hline
+\end{tabular}
+\end{makeimage}}}
+\end{tabular}}}\\
+\hbox{\lower0.1in\hbox{Consonants}}\\
+\hbox{\lower0.2in\hbox{\bf ITRANS: Bengali to English Transliteration Table}}
+\end{tabular}
+}}
+\end{tabular}
+}
+
+%-------------------------------------------------------------------
+\newpage
+%-------------------------------------------------------------------
+\begin{htmlonly}
+\section{Conjunct Consonants (warning: big images; table in multiple parts)}
+\end{htmlonly}
+
+\begin{makeimage}
+\begin{longtable}{|c|c|c|c|c|c|c|}
+\caption{Conjunct Consonants\protect\html{, Part 1}} \\
+\hline conjunct & ITRANS & bn & itxbeng & ITRANS example & bn example & itxbeng example \\ \hline
+ \multicolumn{7}{c}{\vadjust{\vskip-10pt}}
+ \endfirsthead
+
+\caption[]{Conjunct Consonants (contd)} \\
+ \hline
+ conjunct & ITRANS & bn & itxbeng & ITRANS example & bn example & itxbeng example \\ \hline
+ \multicolumn{7}{c}{\vadjust{\vskip-10pt}}
+ \endhead
+
+\multicolumn{7}{r}{continued on the next page...} \\ \endfoot
+
+\hline \endlastfoot
+
+\hline
+ #bengali ka + ka #endbengali &
+ {\tt kk} &
+ #bengali kk #endbengali &
+ #indian kk #endbengali &
+ {\tt dhikkaar} &
+ #bengali dhikkaar #endbengali &
+ #indian dhikkaar #endbengali\\ \hline
+ #bengali ka + Ta #endbengali &
+ {\tt kT} &
+ #bengali kT #endbengali &
+ #indian kT #endbengali &
+ {\tt akTopaas} &
+ #bengali akTopaas #endbengali &
+ #indian akTopaas #endbengali\\ \hline
+ #bengali ka + ta #endbengali &
+ {\tt kt} &
+ #bengali kt #endbengali &
+ #indian kt #endbengali &
+ {\tt Daaktaar} &
+ #bengali Daaktaar #endbengali &
+ #indian Daaktaar #endbengali\\ \hline
+ #bengali ka + ba #endbengali &
+ {\tt kb} &
+ #bengali kb #endbengali &
+ #indian kb #endbengali &
+ {\tt pakba} &
+ #bengali pakba #endbengali &
+ #indian pakba #endbengali\\ \hline
+ #bengali ka + ma #endbengali &
+ {\tt km} &
+ #bengali km #endbengali &
+ #indian km #endbengali &
+ {\tt rukmiNI} &
+ #bengali rukmiNI #endbengali &
+ #indian rukmiNI #endbengali\\ \hline
+ #bengali ka + ra #endbengali &
+ {\tt kr} &
+ #bengali kr #endbengali &
+ #indian kr #endbengali &
+ {\tt bakra} &
+ #bengali bakra #endbengali &
+ #indian bakra #endbengali\\ \hline
+ #bengali ka + la #endbengali &
+ {\tt kl} &
+ #bengali kl #endbengali &
+ #indian kl #endbengali &
+ {\tt klIba} &
+ #bengali klIba #endbengali &
+ #indian klIba #endbengali\\ \hline
+ #bengali ka + Sh #endbengali &
+ {\tt kSh} &
+ #bengali kSh #endbengali &
+ #indian kSh #endbengali &
+ {\tt rakShaa} &
+ #bengali rakShaa #endbengali &
+ #indian rakShaa #endbengali\\ \hline
+ #bengali ka + Sh + Na #endbengali &
+ {\tt k\_ShN}\footnotemark &
+ #bengali k_ShNa #endbengali &
+ #indian k_ShNa #endbengali &
+ {\tt tIk\_ShNa } &
+ #bengali tIk_ShNa #endbengali &
+ #indian tIk_ShNa #endbengali\\ \hline
+ #bengali ka + Sh + ma #endbengali &
+ {\tt k\_Shm}&
+ #bengali k_Shma #endbengali &
+ #indian k_Shma #endbengali &
+ {\tt lak\_ShmI} &
+ #bengali lak_ShmI #endbengali &
+ #indian lak_ShmI #endbengali\\ \hline
+ #bengali ka + sa #endbengali &
+ {\tt ks} &
+ #bengali ks #endbengali &
+ #indian ks #endbengali &
+ {\tt riksaa} &
+ #bengali riksaa #endbengali &
+ #indian riksaa #endbengali\\ \hline
+ #bengali ga + dh #endbengali &
+ {\tt gdh} &
+ #bengali gdh #endbengali &
+ #indian gdh #endbengali &
+ {\tt mugdha} &
+ #bengali mugdha #endbengali &
+ #indian mugdha #endbengali\\ \hline
+ #bengali ga + na #endbengali &
+ {\tt gn} &
+ #bengali gn #endbengali &
+ #indian gn #endbengali &
+ {\tt agni} &
+ #bengali agni #endbengali &
+ #indian agni #endbengali\\ \hline
+ #bengali ga + ba #endbengali &
+ {\tt gb} &
+ #bengali gb #endbengali &
+ #indian gb #endbengali &
+ {\tt digbijaY} &
+ #bengali digbijaY #endbengali &
+ #indian digbijaY #endbengali\\ \hline
+ #bengali ga + ma #endbengali &
+ {\tt gm} &
+ #bengali gm #endbengali &
+ #indian gm #endbengali &
+ {\tt Jugma} &
+ #bengali Jugma #endbengali &
+ #indian Jugma #endbengali\\ \hline
+ #bengali ga + la #endbengali &
+ {\tt lm} &
+ #bengali gl #endbengali &
+ #indian gl #endbengali &
+ {\tt glaani} &
+ #bengali glaani #endbengali &
+ #indian glaani #endbengali\\ \hline
+ #bengali gh + na #endbengali &
+ {\tt ghn} &
+ #bengali ghn #endbengali &
+ #indian ghn #endbengali &
+ {\tt bighna} &
+ #bengali bighna #endbengali &
+ #indian bighna #endbengali\\ \hline
+ #bengali ~N + ka #endbengali &
+ {\tt \char126 N + ka} &
+ #bengali ~Nk #endbengali &
+ #indian ~Nk #endbengali &
+ {\tt sha\char126 Nkita} &
+ #bengali sha~Nkita #endbengali &
+ #indian sha~Nkita #endbengali\\ \hline
+ #bengali ~N + ka + Sh #endbengali &
+ {\tt \char126 Nk\_Sh} &
+ #bengali ~Nk_Sha #endbengali &
+ #indian ~Nk_Sha #endbengali &
+ {\tt aakaa\char126 Nk\_Shaa } &
+ #bengali aakaa~Nk_Shaa #endbengali &
+ #indian aakaa~Nk_Shaa #endbengali \\ \hline
+ #bengali ~N + kh #endbengali &
+ {\tt \char126 N + kh } &
+ #bengali ~Nkh #endbengali &
+ #indian ~Nkh #endbengali &
+ {\tt sha\char126 Nkha} &
+ #bengali sha~Nkha #endbengali &
+ #indian sha~Nkha #endbengali\\ \hline
+ #bengali ~N + ga #endbengali &
+ {\tt \char126 N + g } &
+ #bengali ~Nga #endbengali &
+ #indian ~Nga #endbengali &
+ {\tt byaa\char126 Ng} &
+ #bengali byaa~Ng #endbengali &
+ #indian byaa~Ng #endbengali\\ \hline
+ #bengali ~N + gh #endbengali &
+ {\tt \char126 N + gh } &
+ #bengali ~Ngh #endbengali &
+ #indian ~Ngh #endbengali &
+ {\tt sa\char126 Ngha} &
+ #bengali sa~Ngha #endbengali &
+ #indian sa~Ngha #endbengali\\ \hline
+ #bengali ~N + ma #endbengali &
+ {\tt \char126 N + m } &
+ #bengali ~Nm #endbengali &
+ #indian ~Nm #endbengali &
+ {\tt baa\char126 NmaY} &
+ #bengali baa~NmaY #endbengali &
+ #indian baa~NmaY #endbengali\\ \hline
+ #bengali ch + ch #endbengali &
+ {\tt chch } &
+ #bengali chch #endbengali &
+ #indian chch #endbengali &
+ {\tt saachchaa} &
+ #bengali saachchaa #endbengali &
+ #indian saachchaa #endbengali\\ \hline
+ #bengali ch + chh #endbengali &
+ {\tt chchh } &
+ #bengali chchh #endbengali &
+ #indian chchh #endbengali &
+ {\tt baachchhaa} &
+ #bengali baachchhaa #endbengali &
+ #indian baachchhaa #endbengali\\ \hline
+ #bengali ch + chh + ba #endbengali &
+ {\tt chchhb } &
+ #bengali chchhb #endbengali &
+ #indian chchhb #endbengali &
+ {\tt uchchhbaas} &
+ #bengali uchchhbaas #endbengali &
+ #indian uchchhbaas #endbengali\\ \hline
+ #bengali ch + ~n #endbengali &
+ {\tt ch\char126 n } &
+ #bengali chJN #endbengali &
+ #indian chJN #endbengali &
+ {\tt Jaach\char126 naa } &
+ #bengali JaachJNaa #endbengali &
+ #indian JaachJNaa #endbengali\\ \hline
+ #bengali j + j #endbengali &
+ {\tt jj } &
+ #bengali jj #endbengali &
+ #indian jj #endbengali &
+ {\tt lajjaa } &
+ #bengali lajjaa #endbengali &
+ #indian lajjaa #endbengali\\ \hline
+ #bengali j + j + b #endbengali &
+ {\tt jjb } &
+ #bengali jjb #endbengali &
+ #indian jjb #endbengali &
+ {\tt ujjbal } &
+ #bengali ujjbal #endbengali &
+ #indian ujjbal #endbengali\\ \hline
+ #bengali j + jh #endbengali &
+ {\tt jjh } &
+ #bengali jjh #endbengali &
+ #indian jjh #endbengali &
+ {\tt kujjhaTikaa } &
+ #bengali kujjhaTikaa #endbengali &
+ #indian kujjhaTikaa #endbengali\\ \hline
+ #bengali j + JN #endbengali &
+ {\tt GY}&
+ #bengali GY #endbengali &
+ #indian GY #endbengali &
+ {\tt biGYaan } &
+ #bengali biGYaan #endbengali &
+ #indian biGYaan #endbengali\\ \hline
+ #bengali j + b #endbengali &
+ {\tt jb}&
+ #bengali jb #endbengali &
+ #indian jb #endbengali &
+ {\tt jbaalaa } &
+ #bengali jbaalaa #endbengali &
+ #indian jbaalaa #endbengali\\ \hline
+% -----------------
+\begin{htmlonly}
+\end{longtable}
+\end{makeimage}
+
+More examples of Conjunct Consonants are available by clicking the
+following images:
+
+Conjunct Consonants, Part 2:
+\begin{makeimage}
+\htmlimage{external}
+\begin{longtable}{|c|c|c|c|c|c|c|}
+\caption{Conjunct Consonants\protect\html{, Part 2}} \\
+\hline conjunct & ITRANS & bn & itxbeng & ITRANS example & bn example & itxbeng example \\ \hline
+ \multicolumn{7}{c}{\vadjust{\vskip-10pt}}
+ \endfirsthead
+
+\caption[]{Conjunct Consonants (contd)} \\
+ \hline
+ conjunct & ITRANS & bn & itxbeng & ITRANS example & bn example & itxbeng example \\ \hline
+ \multicolumn{7}{c}{\vadjust{\vskip-10pt}}
+ \endhead
+
+\multicolumn{7}{r}{continued on the next page...} \\ \endfoot
+
+\hline \endlastfoot
+\hline
+\end{htmlonly}
+% -----------------
+ #bengali JN + ch #endbengali &
+ {\tt \char126 nch }&
+ #bengali ~nch #endbengali &
+ #indian ~nch #endbengali &
+ {\tt ma\char126 ncha } &
+ #bengali ma~ncha #endbengali &
+ #indian ma~ncha #endbengali\\ \hline
+ #bengali JN + chh #endbengali &
+ {\tt \char126 nchh }&
+ #bengali ~nchh #endbengali &
+ #indian ~nchh #endbengali &
+ {\tt laa\char126 nchhnaa } &
+ #bengali laa~nchhnaa #endbengali &
+ #indian laa~nchhnaa #endbengali\\ \hline
+ #bengali JN + ja #endbengali &
+ {\tt \char126 nj }&
+ #bengali ~nj #endbengali &
+ #indian ~nj #endbengali &
+ {\tt ga\char126 nja } &
+ #bengali ga~nja #endbengali &
+ #indian ga~nja #endbengali\\ \hline
+ #bengali JN + jh #endbengali &
+ {\tt \char126 njh }&
+ #bengali ~njh #endbengali &
+ #indian ~njh #endbengali &
+ {\tt jha\char126 njhaa } &
+ #bengali jha~njhaa #endbengali &
+ #indian jha~njhaa #endbengali\\ \hline
+ #bengali T + T #endbengali &
+ {\tt TT }&
+ #bengali TT #endbengali &
+ #indian TT #endbengali &
+ {\tt aTTaalikaa } &
+ #bengali aTTaalikaa #endbengali &
+ #indian aTTaalikaa #endbengali\\ \hline
+ #bengali T + b #endbengali &
+ {\tt Tb }&
+ #bengali Tb #endbengali &
+ #indian Tb #endbengali &
+ {\tt khaTbaa } &
+ #bengali khaTbaa #endbengali &
+ #indian khaTbaa #endbengali\\ \hline
+ #bengali D + D #endbengali &
+ {\tt DD }&
+ #bengali DD #endbengali &
+ #indian DD #endbengali &
+ {\tt uDDIn } &
+ #bengali uDDIn #endbengali &
+ #indian uDDIn #endbengali\\ \hline
+ #bengali N + T #endbengali &
+ {\tt NT }&
+ #bengali NT #endbengali &
+ #indian NT #endbengali &
+ {\tt kaNTakita } &
+ #bengali kaNTakita #endbengali &
+ #indian kaNTakita #endbengali\\ \hline
+ #bengali N + Th #endbengali &
+ {\tt NTh }&
+ #bengali NTh #endbengali &
+ #indian NTh #endbengali &
+ {\tt laNThan } &
+ #bengali laNThan #endbengali &
+ #indian laNThan #endbengali\\ \hline
+ #bengali N + D #endbengali &
+ {\tt ND }&
+ #bengali ND #endbengali &
+ #indian ND #endbengali &
+ {\tt gaNDaar } &
+ #bengali gaNDaar #endbengali &
+ #indian gaNDaar #endbengali\\ \hline
+ #bengali N + N #endbengali &
+ {\tt NN }&
+ #bengali NN #endbengali &
+ #indian NN #endbengali &
+ {\tt biShaNNa } &
+ #bengali biShaNNa #endbengali &
+ #indian biShaNNa #endbengali\\ \hline
+ #bengali N + m #endbengali &
+ {\tt Nm }&
+ #bengali Nm #endbengali &
+ #indian Nm #endbengali &
+ {\tt hiraNmaY } &
+ #bengali hiraNmaY #endbengali &
+ #indian hiraNmaY #endbengali\\ \hline
+ #bengali t + t #endbengali &
+ {\tt tt }&
+ #bengali tt #endbengali &
+ #indian tt #endbengali &
+ {\tt uttaal } &
+ #bengali uttaal #endbengali &
+ #indian uttaal #endbengali\\ \hline
+ #bengali ta + ta + ba #endbengali &
+ {\tt ttb} &
+ #bengali ttba #endbengali &
+ #indian ttba #endbengali &
+ {\tt tattba } &
+ #bengali tattba #endbengali &
+ #indian tattba #endbengali \\ \hline
+ #bengali ta + tha #endbengali &
+ {\tt tth} &
+ #bengali tth #endbengali &
+ #indian tth #endbengali &
+ {\tt ashbattha } &
+ #bengali ashbattha #endbengali &
+ #indian ashbattha #endbengali \\ \hline
+ #bengali ta + na #endbengali &
+ {\tt tn} &
+ #bengali tn #endbengali &
+ #indian tn #endbengali &
+ {\tt ratna } &
+ #bengali ratna #endbengali &
+ #indian ratna #endbengali \\ \hline
+ #bengali ta + ba #endbengali &
+ {\tt tb} &
+ #bengali tb #endbengali &
+ #indian tb #endbengali &
+ {\tt tbaraa } &
+ #bengali tbaraa #endbengali &
+ #indian tbaraa #endbengali \\ \hline
+ #bengali ta + ma #endbengali &
+ {\tt tm} &
+ #bengali tm #endbengali &
+ #indian tm #endbengali &
+ {\tt aatmaa } &
+ #bengali aatmaa #endbengali &
+ #indian aatmaa #endbengali \\ \hline
+ #bengali ta + ra #endbengali &
+ {\tt tr} &
+ #bengali tr #endbengali &
+ #indian tr #endbengali &
+ {\tt sab.rtra } &
+ #bengali sab.rtra #endbengali &
+ #indian sab.rtra #endbengali \\ \hline
+ #bengali da + ga #endbengali &
+ {\tt dg} &
+ #bengali dg #endbengali &
+ #indian dg #endbengali &
+ {\tt udgaataa } &
+ #bengali udgaataa #endbengali &
+ #indian udgaataa #endbengali \\ \hline
+ #bengali da + gha #endbengali &
+ {\tt dgh} &
+ #bengali dgh #endbengali &
+ #indian dgh #endbengali &
+ {\tt udghaaTan } &
+ #bengali udghaaTan #endbengali &
+ #indian udghaaTan #endbengali \\ \hline
+ #bengali da + da #endbengali &
+ {\tt dd} &
+ #bengali dd #endbengali &
+ #indian dd #endbengali &
+ {\tt baraadda } &
+ #bengali baraadda #endbengali &
+ #indian baraadda #endbengali \\ \hline
+ #bengali da + dha #endbengali &
+ {\tt ddh} &
+ #bengali ddh #endbengali &
+ #indian ddh #endbengali &
+ {\tt uddhaar } &
+ #bengali uddhaar #endbengali &
+ #indian uddhaar #endbengali \\ \hline
+ #bengali da + ba #endbengali &
+ {\tt db} &
+ #bengali db #endbengali &
+ #indian db #endbengali &
+ {\tt dbIp } &
+ #bengali dbIp #endbengali &
+ #indian dbIp #endbengali \\ \hline
+ #bengali da + bha #endbengali &
+ {\tt dbh} &
+ #bengali dbh #endbengali &
+ #indian dbh #endbengali &
+ {\tt sadbhaab } &
+ #bengali sadbhaab #endbengali &
+ #indian sadbhaab #endbengali \\ \hline
+ #bengali da + bha + ra #endbengali &
+ {\tt dbhr} &
+ #bengali dbhr #endbengali &
+ #indian dbhr #endbengali &
+ {\tt udbhraanta } &
+ #bengali udbhraanta #endbengali &
+ #indian udbhraanta #endbengali \\ \hline
+ #bengali da + ma #endbengali &
+ {\tt dm} &
+ #bengali dm #endbengali &
+ #indian dm #endbengali &
+ {\tt padma } &
+ #bengali padma #endbengali &
+ #indian padma #endbengali \\ \hline
+ #bengali dha + na #endbengali &
+ {\tt dhn} &
+ #bengali dhn #endbengali &
+ #indian dhn #endbengali &
+ {\tt gRRidhna } &
+ #bengali gRRidhna #endbengali &
+ #indian gRRidhna #endbengali \\ \hline
+ #bengali dha + ba #endbengali &
+ {\tt dhb} &
+ #bengali dhb #endbengali &
+ #indian dhb #endbengali &
+ {\tt dhbajaa } &
+ #bengali dhbajaa #endbengali &
+ #indian dhbajaa #endbengali \\ \hline
+ #bengali na + Ta #endbengali &
+ {\tt nT} &
+ #bengali nT #endbengali &
+ #indian nT #endbengali &
+ {\tt aanTaak.rTikaa } &
+ #bengali aanTaak.rTikaa #endbengali &
+ #indian aanTaak.rTikaa #endbengali \\ \hline
+ #bengali na + Da #endbengali &
+ {\tt nD} &
+ #bengali nD #endbengali &
+ #indian nD #endbengali &
+ {\tt byaanD } &
+ #bengali byaanD #endbengali &
+ #indian byaanD #endbengali \\ \hline
+ #bengali na + ta #endbengali &
+ {\tt nt} &
+ #bengali nt #endbengali &
+ #indian nt #endbengali &
+ {\tt antim } &
+ #bengali antim #endbengali &
+ #indian antim #endbengali \\ \hline
+% -----------------
+\begin{htmlonly}
+\end{longtable}
+\end{makeimage}
+
+Conjunct Consonants, Part 3:
+\begin{makeimage}
+\htmlimage{external}
+\begin{longtable}{|c|c|c|c|c|c|c|}
+\caption{Conjunct Consonants\protect\html{, Part 3}} \\
+\hline conjunct & ITRANS & bn & itxbeng & ITRANS example & bn example & itxbeng example \\ \hline
+ \multicolumn{7}{c}{\vadjust{\vskip-10pt}}
+ \endfirsthead
+
+\caption[]{Conjunct Consonants (contd)} \\
+ \hline
+ conjunct & ITRANS & bn & itxbeng & ITRANS example & bn example & itxbeng example \\ \hline
+ \multicolumn{7}{c}{\vadjust{\vskip-10pt}}
+ \endhead
+
+\multicolumn{7}{r}{continued on the next page...} \\ \endfoot
+
+\hline \endlastfoot
+\hline
+\end{htmlonly}
+% -----------------
+ #bengali na + ta + u #endbengali &
+ {\tt ntu} &
+ #bengali ntu #endbengali &
+ #indian ntu #endbengali &
+ {\tt jantu } &
+ #bengali jantu #endbengali &
+ #indian jantu #endbengali \\ \hline
+ #bengali na + ta + ba #endbengali &
+ {\tt ntb} &
+ #bengali ntb #endbengali &
+ #indian ntb #endbengali &
+ {\tt saantbanaa } &
+ #bengali saantbanaa #endbengali &
+ #indian saantbanaa #endbengali \\ \hline
+ #bengali na + ta + ra #endbengali &
+ {\tt ntr} &
+ #bengali ntr #endbengali &
+ #indian ntr #endbengali &
+ {\tt Jantra } &
+ #bengali Jantra #endbengali &
+ #indian Jantra #endbengali \\ \hline
+ #bengali na + tha #endbengali &
+ {\tt nth} &
+ #bengali nth #endbengali &
+ #indian nth #endbengali &
+ {\tt manthar } &
+ #bengali manthar #endbengali &
+ #indian manthar #endbengali \\ \hline
+ #bengali na + da #endbengali &
+ {\tt nd} &
+ #bengali nd #endbengali &
+ #indian nd #endbengali &
+ {\tt bandI } &
+ #bengali bandI #endbengali &
+ #indian bandI #endbengali \\ \hline
+ #bengali na + dha #endbengali &
+ {\tt ndh} &
+ #bengali ndh #endbengali &
+ #indian ndh #endbengali &
+ {\tt gandha } &
+ #bengali gandha #endbengali &
+ #indian gandha #endbengali \\ \hline
+ #bengali na + na #endbengali &
+ {\tt nn} &
+ #bengali nn #endbengali &
+ #indian nn #endbengali &
+ {\tt anna } &
+ #bengali anna #endbengali &
+ #indian anna #endbengali \\ \hline
+ #bengali na + ba #endbengali &
+ {\tt nb} &
+ #bengali nb #endbengali &
+ #indian nb #endbengali &
+ {\tt samanbaY } &
+ #bengali samanbaY #endbengali &
+ #indian samanbaY #endbengali \\ \hline
+ #bengali na + ma #endbengali &
+ {\tt nm} &
+ #bengali nm #endbengali &
+ #indian nm #endbengali &
+ {\tt janma } &
+ #bengali janma #endbengali &
+ #indian janma #endbengali \\ \hline
+ #bengali na + sa #endbengali &
+ {\tt ns} &
+ #bengali ns #endbengali &
+ #indian ns #endbengali &
+ {\tt sens } &
+ #bengali sens #endbengali &
+ #indian sens #endbengali \\ \hline
+ #bengali pa + Ta #endbengali &
+ {\tt pT} &
+ #bengali pT #endbengali &
+ #indian pT #endbengali &
+ {\tt kipTe } &
+ #bengali kipTe #endbengali &
+ #indian kipTe #endbengali \\ \hline
+ #bengali pa + ta #endbengali &
+ {\tt pt} &
+ #bengali pt #endbengali &
+ #indian pt #endbengali &
+ {\tt saptaaha } &
+ #bengali saptaaha #endbengali &
+ #indian saptaaha #endbengali \\ \hline
+ #bengali pa + na #endbengali &
+ {\tt pn} &
+ #bengali pn #endbengali &
+ #indian pn #endbengali &
+ {\tt sbapna } &
+ #bengali sbapna #endbengali &
+ #indian sbapna #endbengali \\ \hline
+ #bengali pa + pa #endbengali &
+ {\tt pp} &
+ #bengali pp #endbengali &
+ #indian pp #endbengali &
+ {\tt dhaappaa } &
+ #bengali dhaappaa #endbengali &
+ #indian dhaappaa #endbengali \\ \hline
+ #bengali pa + la #endbengali &
+ {\tt pl} &
+ #bengali pl #endbengali &
+ #indian pl #endbengali &
+ {\tt plaaban } &
+ #bengali plaaban #endbengali &
+ #indian plaaban #endbengali \\ \hline
+ #bengali pa + sa #endbengali &
+ {\tt ps} &
+ #bengali ps #endbengali &
+ #indian ps #endbengali &
+ {\tt abhIpsaa } &
+ #bengali abhIpsaa #endbengali &
+ #indian abhIpsaa #endbengali \\ \hline
+ #bengali pha + la #endbengali &
+ {\tt phl} &
+ #bengali phl #endbengali &
+ #indian phl #endbengali &
+ {\tt phlipaar } &
+ #bengali phlipaar #endbengali &
+ #indian phlipaar #endbengali \\ \hline
+ #bengali ba + ja #endbengali &
+ {\tt bj} &
+ #bengali bj #endbengali &
+ #indian bj #endbengali &
+ {\tt kubja } &
+ #bengali kubja #endbengali &
+ #indian kubja #endbengali \\ \hline
+ #bengali ba + da #endbengali &
+ {\tt bd} &
+ #bengali bd #endbengali &
+ #indian bd #endbengali &
+ {\tt shabda } &
+ #bengali shabda #endbengali &
+ #indian shabda #endbengali \\ \hline
+ #bengali ba + dha #endbengali &
+ {\tt bdh} &
+ #bengali bdh #endbengali &
+ #indian bdh #endbengali &
+ {\tt aarabdha } &
+ #bengali aarabdha #endbengali &
+ #indian aarabdha #endbengali \\ \hline
+ #bengali ba + ba #endbengali &
+ {\tt bb} &
+ #bengali bb #endbengali &
+ #indian bb #endbengali &
+ {\tt maatabbar } &
+ #bengali maatabbar #endbengali &
+ #indian maatabbar #endbengali \\ \hline
+ #bengali ba + la #endbengali &
+ {\tt bl} &
+ #bengali bl #endbengali &
+ #indian bl #endbengali &
+ {\tt blaTi.n } &
+ #bengali blaTi.n #endbengali &
+ #indian blaTi.n #endbengali \\ \hline
+ #bengali bha + ra #endbengali &
+ {\tt bhr} &
+ #bengali bhr #endbengali &
+ #indian bhr #endbengali &
+ {\tt bhram } &
+ #bengali bhram #endbengali &
+ #indian bhram #endbengali \\ \hline
+ #bengali bha + la #endbengali &
+ {\tt bhl} &
+ #bengali bhl #endbengali &
+ #indian bhl #endbengali &
+ {\tt bhlaadimir } &
+ #bengali bhlaadimir #endbengali &
+ #indian bhlaadimir #endbengali \\ \hline
+ #bengali ma + na #endbengali &
+ {\tt mn} &
+ #bengali mn #endbengali &
+ #indian mn #endbengali &
+ {\tt nimna } &
+ #bengali nimna #endbengali &
+ #indian nimna #endbengali \\ \hline
+ #bengali ma + pa #endbengali &
+ {\tt mp} &
+ #bengali mp #endbengali &
+ #indian mp #endbengali &
+ {\tt kampa } &
+ #bengali kampa #endbengali &
+ #indian kampa #endbengali \\ \hline
+ #bengali ma + pha #endbengali &
+ {\tt mph} &
+ #bengali mph #endbengali &
+ #indian mph #endbengali &
+ {\tt lampha } &
+ #bengali lampha #endbengali &
+ #indian lampha #endbengali \\ \hline
+ #bengali ma + ba #endbengali &
+ {\tt mb} &
+ #bengali mb #endbengali &
+ #indian mb #endbengali &
+ {\tt ambal } &
+ #bengali ambal #endbengali &
+ #indian ambal #endbengali \\ \hline
+ #bengali ma + bha #endbengali &
+ {\tt mbh} &
+ #bengali mbh #endbengali &
+ #indian mbh #endbengali &
+ {\tt dambha } &
+ #bengali dambha #endbengali &
+ #indian dambha #endbengali \\ \hline
+ #bengali ma + bha + ra #endbengali &
+ {\tt mbhr} &
+ #bengali mbhr #endbengali &
+ #indian mbhr #endbengali &
+ {\tt sambhram } &
+ #bengali sambhram #endbengali &
+ #indian sambhram #endbengali \\ \hline
+ #bengali ma + ma #endbengali &
+ {\tt mm} &
+ #bengali mm #endbengali &
+ #indian mm #endbengali &
+ {\tt aahaammak } &
+ #bengali aahaammak #endbengali &
+ #indian aahaammak #endbengali \\ \hline
+ #bengali ma + la #endbengali &
+ {\tt ml} &
+ #bengali ml #endbengali &
+ #indian ml #endbengali &
+ {\tt mlaan } &
+ #bengali mlaan #endbengali &
+ #indian mlaan #endbengali \\ \hline
+ #bengali la + ka #endbengali &
+ {\tt lk} &
+ #bengali lk #endbengali &
+ #indian lk #endbengali &
+ {\tt balkal } &
+ #bengali balkal #endbengali &
+ #indian balkal #endbengali \\ \hline
+% -----------------
+\begin{htmlonly}
+\end{longtable}
+\end{makeimage}
+
+Conjunct Consonants, Part 4:
+\begin{makeimage}
+\htmlimage{external}
+\begin{longtable}{|c|c|c|c|c|c|c|}
+\caption{Conjunct Consonants\protect\html{, Part 4}} \\
+\hline conjunct & ITRANS & bn & itxbeng & ITRANS example & bn example & itxbeng example \\ \hline
+ \multicolumn{7}{c}{\vadjust{\vskip-10pt}}
+ \endfirsthead
+
+\caption[]{Conjunct Consonants (contd)} \\
+ \hline
+ conjunct & ITRANS & bn & itxbeng & ITRANS example & bn example & itxbeng example \\ \hline
+ \multicolumn{7}{c}{\vadjust{\vskip-10pt}}
+ \endhead
+
+\multicolumn{7}{r}{continued on the next page...} \\ \endfoot
+
+\hline \endlastfoot
+\hline
+\end{htmlonly}
+% -----------------
+ #bengali la + ga #endbengali &
+ {\tt lg} &
+ #bengali lg #endbengali &
+ #indian lg #endbengali &
+ {\tt balgaa } &
+ #bengali balgaa #endbengali &
+ #indian balgaa #endbengali \\ \hline
+ #bengali la + ga + u #endbengali &
+ {\tt lgu} &
+ #bengali lgu #endbengali &
+ #indian lgu #endbengali &
+ {\tt phaalgun } &
+ #bengali phaalgun #endbengali &
+ #indian phaalgun #endbengali \\ \hline
+ #bengali la + Ta #endbengali &
+ {\tt lT} &
+ #bengali lT #endbengali &
+ #indian lT #endbengali &
+ {\tt palTan } &
+ #bengali palTan #endbengali &
+ #indian palTan #endbengali \\ \hline
+ #bengali la + Da #endbengali &
+ {\tt lD} &
+ #bengali lD #endbengali &
+ #indian lD #endbengali &
+ {\tt holDaar } &
+ #bengali holDaar #endbengali &
+ #indian holDaar #endbengali \\ \hline
+ #bengali la + pa #endbengali &
+ {\tt lp} &
+ #bengali lp #endbengali &
+ #indian lp #endbengali &
+ {\tt kalpanaa } &
+ #bengali kalpanaa #endbengali &
+ #indian kalpanaa #endbengali \\ \hline
+ #bengali la + ba #endbengali &
+ {\tt lb} &
+ #bengali lb #endbengali &
+ #indian lb #endbengali &
+ {\tt bilba } &
+ #bengali bilba #endbengali &
+ #indian bilba #endbengali \\ \hline
+ #bengali la + ma #endbengali &
+ {\tt lm} &
+ #bengali lm #endbengali &
+ #indian lm #endbengali &
+ {\tt gulma } &
+ #bengali gulma #endbengali &
+ #indian gulma #endbengali \\ \hline
+ #bengali la + la #endbengali &
+ {\tt ll} &
+ #bengali ll #endbengali &
+ #indian ll #endbengali &
+ {\tt praphulla } &
+ #bengali praphulla #endbengali &
+ #indian praphulla #endbengali \\ \hline
+ #bengali sh + cha #endbengali &
+ {\tt shch} &
+ #bengali shch #endbengali &
+ #indian shch #endbengali &
+ {\tt punashcha } &
+ #bengali punashcha #endbengali &
+ #indian punashcha #endbengali \\ \hline
+ #bengali sh + chha #endbengali &
+ {\tt shchh} &
+ #bengali shchh #endbengali &
+ #indian shchh #endbengali &
+ {\tt shirashchhed } &
+ #bengali shirashchhed #endbengali &
+ #indian shirashchhed #endbengali \\ \hline
+ #bengali sh + na #endbengali &
+ {\tt shn} &
+ #bengali shn #endbengali &
+ #indian shn #endbengali &
+ {\tt prashna } &
+ #bengali prashna #endbengali &
+ #indian prashna #endbengali \\ \hline
+ #bengali sh + ma #endbengali &
+ {\tt shm} &
+ #bengali shm #endbengali &
+ #indian shm #endbengali &
+ {\tt rashmi } &
+ #bengali rashmi #endbengali &
+ #indian rashmi #endbengali \\ \hline
+ #bengali sh + la #endbengali &
+ {\tt shl} &
+ #bengali shl #endbengali &
+ #indian shl #endbengali &
+ {\tt shlaaghaa } &
+ #bengali shlaaghaa #endbengali &
+ #indian shlaaghaa #endbengali \\ \hline
+ #bengali sh + ba #endbengali &
+ {\tt shb} &
+ #bengali shb #endbengali &
+ #indian shb #endbengali &
+ {\tt shbaapad } &
+ #bengali shbaapad #endbengali &
+ #indian shbaapad #endbengali \\ \hline
+ #bengali Sh + ka #endbengali &
+ {\tt Shk} &
+ #bengali Shk #endbengali &
+ #indian Shk #endbengali &
+ {\tt pariShkaar } &
+ #bengali pariShkaar #endbengali &
+ #indian pariShkaar #endbengali \\ \hline
+ #bengali Sh + ka + ra #endbengali &
+ {\tt Shkr} &
+ #bengali Shkr #endbengali &
+ #indian Shkr #endbengali &
+ {\tt niShkramaN } &
+ #bengali niShkramaN #endbengali &
+ #indian niShkramaN #endbengali \\ \hline
+ #bengali Sh + Ta #endbengali &
+ {\tt ShT} &
+ #bengali ShT #endbengali &
+ #indian ShT #endbengali &
+ {\tt kaShTa } &
+ #bengali kaShTa #endbengali &
+ #indian kaShTa #endbengali \\ \hline
+ #bengali Sh + Tha #endbengali &
+ {\tt ShTh} &
+ #bengali ShTh #endbengali &
+ #indian ShTh #endbengali &
+ {\tt niShThur } &
+ #bengali niShThur #endbengali &
+ #indian niShThur #endbengali \\ \hline
+ #bengali Sh + Na #endbengali &
+ {\tt ShN} &
+ #bengali ShN #endbengali &
+ #indian ShN #endbengali &
+ {\tt uShNa } &
+ #bengali uShNa #endbengali &
+ #indian uShNa #endbengali \\ \hline
+ #bengali Sh + pa #endbengali &
+ {\tt Shp} &
+ #bengali Shp #endbengali &
+ #indian Shp #endbengali &
+ {\tt baaShpa } &
+ #bengali baaShpa #endbengali &
+ #indian baaShpa #endbengali \\ \hline
+ #bengali Sh + pha #endbengali &
+ {\tt Shph} &
+ #bengali Shph #endbengali &
+ #indian Shph #endbengali &
+ {\tt niShphal } &
+ #bengali niShphal #endbengali &
+ #indian niShphal #endbengali \\ \hline
+ #bengali Sh + ma #endbengali &
+ {\tt Shm} &
+ #bengali Shm #endbengali &
+ #indian Shm #endbengali &
+ {\tt bhiiShma } &
+ #bengali bhiiShma #endbengali &
+ #indian bhiiShma #endbengali \\ \hline
+ #bengali s + ka #endbengali &
+ {\tt sk} &
+ #bengali sk #endbengali &
+ #indian sk #endbengali &
+ {\tt puraskRRita } &
+ #bengali puraskRRita #endbengali &
+ #indian puraskRRita #endbengali \\ \hline
+ #bengali s + ka + ra #endbengali &
+ {\tt skr} &
+ #bengali skr #endbengali &
+ #indian skr #endbengali &
+ {\tt skriin } &
+ #bengali skriin #endbengali &
+ #indian skriin #endbengali \\ \hline
+ #bengali s + ka + la #endbengali &
+ {\tt skl} &
+ #bengali skl #endbengali &
+ #indian skl #endbengali &
+ {\tt skleraa } &
+ #bengali skleraa #endbengali &
+ #indian skleraa #endbengali \\ \hline
+ #bengali sa + kha #endbengali &
+ {\tt skh} &
+ #bengali skh #endbengali &
+ #indian skh #endbengali &
+ {\tt skhalan } &
+ #bengali skhalan #endbengali &
+ #indian skhalan #endbengali \\ \hline
+ #bengali sa + Ta #endbengali &
+ {\tt sT} &
+ #bengali sT #endbengali &
+ #indian sT #endbengali &
+ {\tt sTapaar } &
+ #bengali sTapaar #endbengali &
+ #indian sTapaar #endbengali \\ \hline
+ #bengali sa + ta #endbengali &
+ {\tt st} &
+ #bengali st #endbengali &
+ #indian st #endbengali &
+ {\tt asta } &
+ #bengali asta #endbengali &
+ #indian asta #endbengali \\ \hline
+ #bengali sa + ta + u #endbengali &
+ {\tt stu} &
+ #bengali stu #endbengali &
+ #indian stu #endbengali &
+ {\tt bastu } &
+ #bengali bastu #endbengali &
+ #indian bastu #endbengali \\ \hline
+ #bengali sa + ta + ra #endbengali &
+ {\tt str} &
+ #bengali str #endbengali &
+ #indian str #endbengali &
+ {\tt strain } &
+ #bengali strain #endbengali &
+ #indian strain #endbengali \\ \hline
+ #bengali sa + tha #endbengali &
+ {\tt sth} &
+ #bengali sth #endbengali &
+ #indian sth #endbengali &
+ {\tt upasthita } &
+ #bengali upasthita #endbengali &
+ #indian upasthita #endbengali \\ \hline
+ #bengali sa + na #endbengali &
+ {\tt sn} &
+ #bengali sn #endbengali &
+ #indian sn #endbengali &
+ {\tt snaan } &
+ #bengali snaan #endbengali &
+ #indian snaan #endbengali \\ \hline
+% -----------------
+\begin{htmlonly}
+\end{longtable}
+\end{makeimage}
+
+Conjunct Consonants, Part 5:
+\begin{makeimage}
+\htmlimage{external}
+\begin{longtable}{|c|c|c|c|c|c|c|}
+\caption{Conjunct Consonants\protect\html{, Part 5}} \\
+\hline conjunct & ITRANS & bn & itxbeng & ITRANS example & bn example & itxbeng example \\ \hline
+ \multicolumn{7}{c}{\vadjust{\vskip-10pt}}
+ \endfirsthead
+
+\caption[]{Conjunct Consonants (contd)} \\
+ \hline
+ conjunct & ITRANS & bn & itxbeng & ITRANS example & bn example & itxbeng example \\ \hline
+ \multicolumn{7}{c}{\vadjust{\vskip-10pt}}
+ \endhead
+
+\multicolumn{7}{r}{continued on the next page...} \\ \endfoot
+
+\hline \endlastfoot
+\hline
+\end{htmlonly}
+% -----------------
+ #bengali sa + pa #endbengali &
+ {\tt sp} &
+ #bengali sp #endbengali &
+ #indian sp #endbengali &
+ {\tt paraspar } &
+ #bengali paraspar #endbengali &
+ #indian paraspar #endbengali \\ \hline
+ #bengali sa + pa + la #endbengali &
+ {\tt spl} &
+ #bengali spl #endbengali &
+ #indian spl #endbengali &
+ {\tt spliT } &
+ #bengali spliT #endbengali &
+ #indian spliT #endbengali \\ \hline
+ #bengali sa + pha #endbengali &
+ {\tt sph} &
+ #bengali sph #endbengali &
+ #indian sph #endbengali &
+ {\tt aasphaalan } &
+ #bengali aasphaalan #endbengali &
+ #indian aasphaalan #endbengali \\ \hline
+ #bengali sa + ba #endbengali &
+ {\tt sb} &
+ #bengali sb #endbengali &
+ #indian sb #endbengali &
+ {\tt sbadesh } &
+ #bengali sbadesh #endbengali &
+ #indian sbadesh #endbengali \\ \hline
+ #bengali sa + ma #endbengali &
+ {\tt sm} &
+ #bengali sm #endbengali &
+ #indian sm #endbengali &
+ {\tt smaraN } &
+ #bengali smaraN #endbengali &
+ #indian smaraN #endbengali \\ \hline
+ #bengali sa + la #endbengali &
+ {\tt sl} &
+ #bengali sl #endbengali &
+ #indian sl #endbengali &
+ {\tt slip } &
+ #bengali slip #endbengali &
+ #indian slip #endbengali \\ \hline
+ #bengali ha + Na #endbengali &
+ {\tt hN} &
+ #bengali hN #endbengali &
+ #indian hN #endbengali &
+ {\tt paraahNa } &
+ #bengali paraahNa #endbengali &
+ #indian paraahNa #endbengali \\ \hline
+ #bengali ha + na #endbengali &
+ {\tt hn} &
+ #bengali hn #endbengali &
+ #indian hn #endbengali &
+ {\tt chihnita } &
+ #bengali chihnita #endbengali &
+ #indian chihnita #endbengali \\ \hline
+ #bengali ha + ma #endbengali &
+ {\tt hm} &
+ #bengali hm #endbengali &
+ #indian hm #endbengali &
+ {\tt brahmaa } &
+ #bengali brahmaa #endbengali &
+ #indian brahmaa #endbengali \\ \hline
+ #bengali ha + ba #endbengali &
+ {\tt hb} &
+ #bengali hb #endbengali &
+ #indian hb #endbengali &
+ {\tt aahbaan } &
+ #bengali aahbaan #endbengali &
+ #indian aahbaan #endbengali \\ \hline
+ #bengali ha + la #endbengali &
+ {\tt hl} &
+ #bengali hl #endbengali &
+ #indian hl #endbengali &
+ {\tt aahlaad } &
+ #bengali aahlaad #endbengali &
+ #indian aahlaad #endbengali \\ \hline
+ #bengali ha + RRi #endbengali &
+ {\tt hRRi} &
+ #bengali hRRi #endbengali &
+ #indian hRRi #endbengali &
+ {\tt hRRidaY } &
+ #bengali hRRidaY #endbengali &
+ #indian hRRidaY #endbengali \\ \hline
+ #bengali Ra + ga #endbengali &
+ {\tt Rg} &
+ #bengali Rg #endbengali &
+ #indian Rg #endbengali &
+ {\tt khaRga } &
+ #bengali khaRga #endbengali &
+ #indian khaRga #endbengali \\ \hline
+ #bengali Sh + Na #endbengali &
+ {\tt ShN} &
+ #bengali ShNa #endbengali &
+ #indian ShNa #endbengali &
+ {\tt kRRiShNa} &
+ #bengali kRRiShNa #endbengali &
+ #indian kRRiShNa #endbengali\\ \hline
+ #bengali ga + u #endbengali &
+ {\tt gu} &
+ #bengali gu #endbengali &
+ #indian gu #endbengali &
+ {\tt phaaguner } &
+ #bengali phaaguner #endbengali &
+ #indian phaaguner #endbengali \\ \hline
+\end{longtable}
+\end{makeimage}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/itrans/dvnc.itx b/Master/texmf-dist/doc/fonts/itrans/dvnc.itx
new file mode 100644
index 00000000000..886086fcd7f
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/itrans/dvnc.itx
@@ -0,0 +1,447 @@
+% User Documentation for the Itrans Package, Devanagari Devnac PostScript Font
+% Use for Sanskrit, Hindi, and Marathi Languages
+
+\documentclass[11pt]{article}
+
+\usepackage[preprocess]{itrans} % Ross Moore's extensions to latex2html
+
+\usepackage{html} % from standard latex2html package
+ % if you do not have html.sty in your machine, change the html to
+ % htmlstub (htmlstub.sty is included in the ITRANS/lib directory)
+
+\portraitpage % defined in itrans.sty (idevn.tex), get a larger page size
+
+\renewcommand{\arraystretch}{1.25}
+\newcommand{\rarrow}{\mbox{---\hspace{-8pt}$>$}}
+\newcommand{\SM}{\char35hindi}
+\newcommand{\EM}{\char35endhindi}
+\newfont{\devnf}{dnh at 15pt}
+%\newfont{\devnf}{dnho at 15pt} % the oblique version
+%\newfont{\devnf}{dnhrc at 10pt} % the scaled down (x-axis) version
+\hyphenchar\devnf=-1 % disable hyphenation using this font
+
+#hindiifm=dvnc.ifm
+#hindifont=\devnf
+
+\begin{document}
+
+\footnotetext[0]{Last modification: \today}
+
+\centerline{\bf Transliteration Map}
+\medskip
+\centerline{\LARGE\bf DEVNAC font}
+\medskip
+\centerline{\bf (Hindi, Marathi, Sanskrit)}
+\bigskip
+\centerline{\bf itrans}
+\smallskip
+\centerline{\bf \copyright 1991--1998 Avinash Chopde}
+
+\section{Fonts Available}
+
+\subsection{\TeX\ Interface}
+
+The devanagari font is called {\em devnac}, and its PostScript description
+resides in the file {\em devnac.ps}.
+It is a user-defined type III PostScript font.
+Four fonts, variations on the basic devnac font, are bundled with the itrans
+package.
+Their names (in the \TeX\ interface) are dnh, dnho, dnhrc, and dnhre.
+
+\begin{description}
+\item [dnh] This is the basic devanagari font. There are some other fonts
+available, derived by transforming this font.
+\item [dnho] This is the slanted version of {\em dnh}.
+\item [dnhrc] Both {\em dnho} and {\em dnh} look extremely heavy.
+A scaled down, compressed version
+(along the x-axis) of the basic font is available as {\em dnhrc}.
+\item[dnhre] This is heavier than {\em dnh}, to be used as a bold version.
+\end{description}
+
+Since these are PostScript fonts, you can use them at any font size in
+your document.
+In fact, the font size must be specified when loading in the font.
+In this document (and in idoc.itx), the following line was used for
+loading the font:
+
+\noindent\verb+\newfont{\devnf}{dnh at 15pt}+.
+
+Even though this document has been typeset using a 11 point size, the
+devanagari font is loaded in at 15 point size.
+This is just to emphasize the devanagari characters.
+Normally, I would suggest loading in the font at 15-20\% greater size than
+the other text in the document.
+So, if your document is being typeset at 11 point, load in the devanagari
+fonts using a 13 point size.
+Of course, this relation of size is important only if you wish to mix
+english and devanagari in the same document.
+In any case, go wild, experiment with various font sizes.
+Since the characters are described as outlines in bezier curve form,
+smaller point sizes do not look too good on a 300dpi output device, the
+larger the font size, the better the shapes look.
+
+\subsection{\LaTeX\ Interface}
+
+In ITRANS version 5.2, apart from the addition of a new style file named
+\texttt{itrans.sty}, a font definition file for Devnac was also added.
+The file is named \texttt{Udvnc.fd}, and it can be used to load this font
+using \LaTeX2e commands where the font encoding is \texttt{U} (unknown)
+and the font family is \texttt{dvnc}. Thus, the following can be used
+to load the medium series with normal shape:
+
+\verb=\usefont{U}{dvnc}{m}{n}=
+and then to select a size and baselineskip:
+\verb=\fontsize{18pt}{24pt}\selectfont=
+
+The above will load the \texttt{dnh} version of this font.
+
+\verb=\usefont{U}{dvnc}{b}{sl}=
+will load the \texttt{dnho} version, and
+
+\verb=\usefont{U}{dvnc}{c}{n}=
+will load the \texttt{dnhrc} version, and
+
+\verb=\usefont{U}{dvnc}{bx}{n}=
+will load the \texttt{dnhre} version.
+
+\subsection{Textual Interface - PostScript}
+
+A direct PostScript interface is supported. HTML and Unicode (UTF-8)
+are not supported for this font.
+
+This interface does not offer any wordprocessing capabilities other
+than that of checking when a page is complete, and then
+resetting the current point to the top of the next page.
+Thus, all spaces, lines, etc from the input text appear
+in the output too.
+
+For the PostScript mode, the user may also directly invoke
+PostScript commands to create various versions of the font, as required.
+Refer to PostScript language manuals for specific help regarding the
+PostScript font manipulation commands.
+If you decide to go this route, take a look at the file {\em itrans.pro},
+it is the prologue that gets sent to the printer.
+It contains definitions of various commands such as {\em normalfont},
+{\em slantfont}, {\em compressedfont}, etc, which may be used to change
+the font being used.
+These PostScript functions take a single argument:~the font size to use.
+All this and more information can be obtained from the prologue file, {\em
+itrans.pro}, and PostScript users should take a look at it.
+For example usage, look through the sample input files provided.
+Files ending in {\em .ips} are the direct PostScript input files, itrans
+(with the -P option) directly produces PostScript output for these files.
+
+The file {\em devnac.ps} contains the PostScript
+language program for this devanagari font.
+
+\subsection{Sanskrit, Hindi and Marathi}
+
+The single IFM file {\em dvnc.ifm} can be used for
+Sanskrit, Hindi or Marathi output.
+
+The marathi form of ra-half is available through the {\tt R}
+character, the second LA is at {\tt L} (or {\tt ld}), etc.
+The table displays the complete mapping from English to Devanagari
+for all the three Indic Scripts.
+
+\subsection{Text Interface - Unicode (UTF-8) for Sanskrit, Hindi, and Marathi}
+
+IFM file to use is named {\em udvng.ifm}.
+
+Unicode (UTF-8) output is supported for this the Devanagari script, but no
+Unicode fonts are included with the ITRANS package. There are many
+Unicode fonts available on the Web, and more are being developed
+so it should be easy to locate a Unicode font when needed. Not all
+Unicode fonts fully support Indian Languages yet.
+
+\section{Known Problems}
+
+In the \TeX\ interface, characters with any non-zero Y offset are
+not correctly printed in some cases, when the PostScript font Devnac
+is used.
+I have only seen this happen for the {#hindi da#endhindi} consonant,
+in cases such as the da-u consonant-vowel, or the da-ra ligature, words
+such as {\em draaviiDa} (#hindi draaviiDa#endhindi) or {\em dukaanaat}
+{#hindi dukaanaat#endhindi}.
+Note that it is only in certain cases that the
+word is printed incorrectly, in most cases it is handled correctly.
+Usually, when the word appears near the end of the line, \TeX\ (or
+dvips, I'm inclined to think it is dvips)
+inserts a negative kern just before the character with a
+non-zero Y offset, and the word appears squashed up at that point.
+Have no remedy for this, only workaround is to force a line break before the
+problem word, it usually sets everything right.
+
+I have never encountered this problem when using Frans Velthuis's Devnag
+font with the itrans package, therefore this problem is probably related
+to the use of PostScript fonts in \TeX.
+
+\bigskip\hrule
+%-------------------------------------------------------------------
+\begin{htmlonly}
+\section{Devanagari Table}
+\end{htmlonly}
+
+\begin{table}[hp]
+\begin{center}
+\vspace*{-0.5in}\begin{tabular}{c@{\hspace{1in}}c@{\hspace{1in}}c}
+% --- first col is vowels inside a tabular
+\begin{makeimage}
+\begin{tabular}{|c|c|}
+\multicolumn{2}{c}{Vowels} \\
+\hline
+{#hindi a #endhindi} & {\tt a} \\ \hline
+{#hindi aa #endhindi} & {\tt aa {\it or} A} \\ \hline
+{#hindi i #endhindi} & {\tt i} \\ \hline
+{#hindi ii #endhindi} & {\tt ii {\it or} I} \\ \hline
+{#hindi u #endhindi} & {\tt u} \\ \hline
+{#hindi uu #endhindi} & {\tt uu {\it or} U} \\ \hline
+{#hindi R^i #endhindi} & {\tt RRi {\it or} R\char`^i} \\ \hline
+{#hindi e #endhindi} & {\tt e} \\ \hline
+{#hindi ai #endhindi} & {\tt ai} \\ \hline
+{#hindi o #endhindi} & {\tt o} \\ \hline
+{#hindi au #endhindi} & {\tt au} \\ \hline
+{#hindi aM #endhindi} & {\tt {\it a}M} \\ \hline
+{#hindi aH #endhindi} & {\tt {\it a}H} \\ \hline
+\multicolumn{2}{c}{} \\
+\multicolumn{2}{c}{} \\
+\multicolumn{2}{c}{Digits} \\
+\hline
+{#hindi 0 #endhindi} & {\tt 0} \\ \hline
+{#hindi 1 #endhindi} & {\tt 1} \\ \hline
+{#hindi 2 #endhindi} & {\tt 2} \\ \hline
+{#hindi 3 #endhindi} & {\tt 3} \\ \hline
+{#hindi 4 #endhindi} & {\tt 4} \\ \hline
+{#hindi 5 #endhindi} & {\tt 5} \\ \hline
+{#hindi 6 #endhindi} & {\tt 6} \\ \hline
+{#hindi 7 #endhindi} & {\tt 7} \\ \hline
+{#hindi 8 #endhindi} & {\tt 8} \\ \hline
+{#hindi 9 #endhindi} & {\tt 9} \\ \hline
+\end{tabular}
+\end{makeimage}
+% --- end first col
+&
+% --- second col is consonants
+\begin{makeimage}
+\begin{tabular}{|c|c|}
+\multicolumn{2}{c}{Consonants} \\
+\hline
+{#hindi ka #endhindi} & {\tt k{\it a}} \\ \hline
+{#hindi kha #endhindi} & {\tt kh{\it a}} \\ \hline
+{#hindi ga #endhindi} & {\tt g{\it a}} \\ \hline
+{#hindi gha #endhindi} & {\tt gh{\it a}} \\ \hline
+{#hindi ~Na #endhindi} & {\tt \char`~N{\it a or} N\char`^{\it a}} \\ \hline
+{#hindi cha #endhindi} & {\tt ch{\it a}} \\ \hline
+{#hindi chha #endhindi} & {\tt chh{\it a}} \\ \hline
+{#hindi ja #endhindi} & {\tt j{\it a}} \\ \hline
+{#hindi jha #endhindi} & {\tt jh{\it a}} \\ \hline
+{#hindi ~na #endhindi} & {\tt \char`~n{\it a or} JN{\it a}} \\ \hline
+{#hindi Ta #endhindi} & {\tt T{\it a}} \\ \hline
+{#hindi Tha #endhindi} & {\tt Th{\it a}} \\ \hline
+{#hindi Da #endhindi} & {\tt D{\it a}} \\ \hline
+{#hindi Dha #endhindi} & {\tt Dh{\it a}} \\ \hline
+{#hindi Na #endhindi} & {\tt N{\it a}} \\ \hline
+{#hindi ta #endhindi} & {\tt t{\it a}} \\ \hline
+{#hindi tha #endhindi} & {\tt th{\it a}} \\ \hline
+{#hindi da #endhindi} & {\tt d{\it a}} \\ \hline
+{#hindi dha #endhindi} & {\tt dh{\it a}} \\ \hline
+{#hindi na #endhindi} & {\tt n{\it a}} \\ \hline
+{#hindi pa #endhindi} & {\tt p{\it a}} \\ \hline
+{#hindi pha #endhindi} & {\tt ph{\it a}} \\ \hline
+{#hindi ba #endhindi} & {\tt b{\it a}} \\ \hline
+{#hindi bha #endhindi} & {\tt bh{\it a}} \\ \hline
+{#hindi ma #endhindi} & {\tt m{\it a}} \\ \hline
+{#hindi ya #endhindi} & {\tt y{\it a}} \\ \hline
+{#hindi ra #endhindi} & {\tt r{\it a}} \\ \hline
+{#hindi la #endhindi} & {\tt l{\it a}} \\ \hline
+{#hindi va #endhindi} & {\tt v{\it a or} w{\it a}} \\ \hline
+{#hindi sha #endhindi} & {\tt sh{\it a}} \\ \hline
+{#hindi Sha #endhindi} & {\tt Sh{\it a or} shh{\it a}} \\ \hline
+{#hindi sa #endhindi} & {\tt s{\it a}} \\ \hline
+{#hindi ha #endhindi} & {\tt h{\it a}} \\ \hline
+{#hindi lda #endhindi} & {\tt ld{\it a or} L{\it a}} \\ \hline
+{#hindi kSha #endhindi} & {\tt kSh{\it a or} x{\it a}} \\ \hline
+{#hindi j~na #endhindi} & {\tt j\char`~n{\it a or} GY{\it a}} \\ \hline
+\end{tabular}
+\end{makeimage}
+% --- end second col
+&
+% --- third col of specials/accents inside a tabular
+\begin{makeimage}
+\begin{tabular}{|c|c|}
+\multicolumn{2}{c}{Specials/Accents} \\
+\hline
+{#hindi qa #endhindi} & {\tt q{\it a}} \\ \hline
+{#hindi Ka #endhindi} & {\tt K{\it a}} \\ \hline
+{#hindi Ga #endhindi} & {\tt G{\it a}} \\ \hline
+{#hindi za #endhindi} & {\tt J{\it a or} z{\it a}} \\ \hline
+{#hindi fa #endhindi} & {\tt f{\it a}} \\ \hline
+{#hindi .Da #endhindi} & {\tt .D{\it a}} \\ \hline
+{#hindi .Dha #endhindi} & {\tt .Dh{\it a}} \\ \hline
+{#hindi AUM #endhindi} & {\tt AUM} or {\tt OM} \\ \hline
+{#hindi Rga #endhindi} & {\tt R{\it ga}} \\ \hline
+{#hindi rga #endhindi} & {\tt rga {\it or} {\it ga}\char`^r} \\ \hline
+{#hindi ga.n #endhindi} & {\tt {\it ga}.n} \\ \hline
+{#hindi aa.c #endhindi} & {\tt {\it aa}.c} \\ \hline
+{#hindi Da.N #endhindi} & {\tt {\it Da}.N} \\ \hline
+{#hindi D.h #endhindi} & {\tt {\it D}.h} \\ \hline
+{#hindi duH #endhindi} & {\tt {\it du}H} \\ \hline
+{#hindi .a #endhindi} & {\tt .a} \\ \hline
+\end{tabular}
+\end{makeimage}
+\\
+\end{tabular} % end the larger tabular encompassing all four tables
+\hfill
+\\
+\end{center}
+\caption {\bf ITRANS: Devanagari to English Transliteration Table.}
+\label{ienc}
+\end{table}
+
+%------------------------------------------------------------------------
+\begin{htmlonly}
+\section{Examples}
+\end{htmlonly}
+
+\begin{table}[hp]
+\begin{center}
+\begin{makeimage}
+\begin{tabular}{|c|c|}
+\multicolumn{2}{c}{Sample Letters} \\
+\hline
+{#hindi ka kaa ki kii ku kuu #endhindi}
+& {\tt ka kaa ki kii ku kuu} \\ \hline
+{#hindi s.h sa saa si sii su suu #endhindi}
+& {\tt s.h sa saa si sii su suu} \\ \hline
+{#hindi khRRi khe khai khaM khaH kha.c kha.N #endhindi}
+& {\tt khRRi khe khai khaM khaH kha.c kha.N} \\ \hline
+{#hindi De Dai DaM DaH Da.c Da.N #endhindi}
+& {\tt De Dai DaM DaH Da.c Da.N} \\ \hline
+\end{tabular}
+\end{makeimage}
+\\
+\vspace{0.1in}
+\begin{tabular}{cc}
+\multicolumn{2}{c}{Sample Words} \\
+% --- first col
+\begin{makeimage}
+\begin{tabular}{|c|c|}
+\hline
+{#hindi bhaagya #endhindi} & {\tt bhaagya} \\ \hline
+{#hindi raajya #endhindi} & {\tt raajya} \\ \hline
+{#hindi vidyaa #endhindi} & {\tt vidyaa} \\ \hline
+{#hindi shishhya #endhindi} & {\tt shishhya} \\ \hline
+{#hindi mukhya #endhindi} & {\tt mukhya} \\ \hline
+{#hindi gaaDyaa #endhindi} & {\tt gaaDyaa} \\ \hline
+{#hindi tyaag #endhindi} & {\tt tyaag} \\ \hline
+{#hindi dhyaan #endhindi} & {\tt dhyaan} \\ \hline
+{#hindi nyaay #endhindi} & {\tt nyaay} \\ \hline
+{#hindi shyaam #endhindi} & {\tt shyaam} \\ \hline
+{#hindi jyot #endhindi} & {\tt jyot} \\ \hline
+{#hindi manushhy #endhindi} & {\tt manushhy} \\ \hline
+{#hindi chaa.ndaNyaa #endhindi} & {\tt chaa.ndaNyaa} \\ \hline
+{#hindi abhyaas #endhindi} & {\tt abhyaas} \\ \hline
+{#hindi kalyaaN #endhindi} & {\tt kalyaaN} \\ \hline
+{#hindi ghaDyaald #endhindi} & {\tt ghaDyaald} \\ \hline
+{#hindi kachchaa #endhindi} & {\tt kachchaa} \\ \hline
+{#hindi khaD.hDaa #endhindi} & {\tt khaD.hDaa} \\ \hline
+{#hindi gaTh.hThaa #endhindi} & {\tt gaTh.hThaa} \\ \hline
+{#hindi dhakkaa #endhindi} & {\tt dhakkaa} \\ \hline
+{#hindi pattaa #endhindi} & {\tt pattaa} \\ \hline
+{#hindi tippat #endhindi} & {\tt tippat} \\ \hline
+{#hindi pannaas #endhindi} & {\tt pannaas} \\ \hline
+{#hindi sajjan #endhindi} & {\tt sajjan} \\ \hline
+{#hindi pustak #endhindi} & {\tt pustak} \\ \hline
+\end{tabular}
+\end{makeimage}
+% --- end first col
+&
+% --- second col
+\begin{makeimage}
+\begin{tabular}{|c|c|}
+\hline
+{#hindi kasturii #endhindi} & {\tt kasturii} \\ \hline
+{#hindi naastik #endhindi} & {\tt naastik} \\ \hline
+{#hindi praapt #endhindi} & {\tt praapt} \\ \hline
+{#hindi swata.ntr #endhindi} & {\tt swata.ntr} \\ \hline
+{#hindi svaata.ntrya #endhindi} & {\tt svaata.ntrya} \\ \hline
+{#hindi dhvanii #endhindi} & {\tt dhvanii} \\ \hline
+{#hindi goshhT #endhindi} & {\tt goshhT} \\ \hline
+{#hindi yud.hdh #endhindi} & {\tt yud.hdh} \\ \hline
+{#hindi yuddh #endhindi} & {\tt yuddh} \\ \hline
+{#hindi pashchim #endhindi} & {\tt pashchim} \\ \hline
+{#hindi phakt #endhindi} & {\tt phakt} \\ \hline
+{#hindi tarhaa #endhindi} & {\tt tarhaa} \\ \hline
+{#hindi arth #endhindi} & {\tt arth} \\ \hline
+{#hindi kartaa #endhindi} & {\tt kartaa} \\ \hline
+{#hindi gardii #endhindi} & {\tt gardii} \\ \hline
+{#hindi nirNay #endhindi} & {\tt nirNay} \\ \hline
+{#hindi patr #endhindi} & {\tt patr} \\ \hline
+{#hindi trikoN #endhindi} & {\tt trikoN} \\ \hline
+{#hindi shraavaN #endhindi} & {\tt shraavaN} \\ \hline
+{#hindi aashram #endhindi} & {\tt aashram} \\ \hline
+{#hindi shushruushhaa #endhindi} & {\tt shushruushhaa} \\ \hline
+{#hindi gra.nth #endhindi} & {\tt gra.nth} \\ \hline
+{#hindi prajaa #endhindi} & {\tt prajaa} \\ \hline
+{#hindi draakShe #endhindi} & {\tt draakShe} \\ \hline
+{#hindi gRRihasth #endhindi} & {\tt gRRihasth} \\ \hline
+{#hindi prakR^itii #endhindi} & {\tt prakR\char`^itii} \\ \hline
+\end{tabular}
+\end{makeimage}
+\\
+\end{tabular} % big tabular, nests two tabulars
+\end{center}
+\caption {\bf Examples}
+\end{table}
+
+
+\begin{table}[hp]
+\begin{center}
+\begin{makeimage}
+\begin{tabular}{|c|c|}
+\hline
+{#hindi nairR^itya #endhindi} & {\tt nairR\char`^itya} \\ \hline
+{#hindi shubhr #endhindi} & {\tt shubhr} \\ \hline
+{#hindi sahastr #endhindi} & {\tt sahastr} \\ \hline
+{#hindi kriiDaa #endhindi} & {\tt kriiDaa} \\ \hline
+{#hindi svachchh #endhindi} & {\tt svachchh} \\ \hline
+{#hindi svaruup #endhindi} & {\tt svaruup} \\ \hline
+{#hindi Trak #endhindi} & {\tt Trak} \\ \hline
+{#hindi aamhii #endhindi} & {\tt aamhii} \\ \hline
+{#hindi chaturthii #endhindi} & {\tt chaturthii} \\ \hline
+{#hindi RRituu #endhindi} & {\tt RRituu} \\ \hline
+{#hindi aa.cktobar #endhindi} & {\tt aa.cktobar} \\ \hline
+{#hindi novhe.nbar #endhindi} & {\tt novhe.nbar} \\ \hline
+{#hindi gra.cm #endhindi} & {\tt gra.cm} \\ \hline
+{#hindi uu.Nchaa #endhindi} & {\tt uu.Nchaa} \\ \hline
+{#hindi bailagaaDii #endhindi} & {\tt bailagaaDii} \\ \hline
+{#hindi gurud.hvaaraa #endhindi} & {\tt gurud.hvaaraa}\\ \hline
+{#hindi gurudvaaraa #endhindi} & {\tt gurudvaaraa}\\ \hline
+{#hindi niraaldyaa #endhindi} & {\tt niraaldyaa} \\ \hline
+{#hindi GYaan #endhindi} & {\tt GYaan} \\ \hline
+{#hindi meka.cnik #endhindi} & {\tt meka.cnik} \\ \hline
+{#hindi mhais #endhindi} & {\tt mhais} \\ \hline
+{#hindi deNaaryaa #endhindi} & {\tt deNaaryaa} \\ \hline
+{#hindi pratishhThaa #endhindi} & {\tt pratishhThaa} \\ \hline
+{#hindi itihaas #endhindi} & {\tt itihaas} \\ \hline
+{#hindi aasthaabaddh #endhindi} & {\tt aasthaabaddh} \\ \hline
+{#hindi a.ntarraashhTriiy #endhindi} & {\tt a.ntarraashhTriiy} \\ \hline
+\end{tabular}
+\end{makeimage}
+\end{center}
+\smallskip
+\caption {\bf More Examples}
+\end{table}
+
+\vspace*{1pt}\vfill
+
+\section{Author and Font Developer}
+
+\noindent
+The Devnac font has been developed by Avinash Chopde. \\
+E-mail:
+\htmladdnormallink{\texttt{avinash@acm.org}}{mailto:avinash@acm.org}. \\
+Home page:
+\htmladdnormallink{\texttt{http://www.aczone.com/}}{http://www.aczone.com/}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/itrans/dvng.itx b/Master/texmf-dist/doc/fonts/itrans/dvng.itx
new file mode 100644
index 00000000000..c42bb4776d4
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/itrans/dvng.itx
@@ -0,0 +1,882 @@
+
+\documentclass[11pt]{article}
+
+\usepackage[preprocess]{itrans} % Ross Moore's extensions to latex2html
+
+\usepackage{html} % from standard latex2html package
+ % if you do not have html.sty in your machine, change the html to
+ % htmlstub (htmlstub.sty is included in the ITRANS/lib directory)
+
+% User Documentation for the Itrans Package, for Devanagari (Dvng)
+% Use for Sanskrit, Hindi, and Marathi Languages
+% Doc for Frans Velthuis's Devnag Font
+%*******
+% NOTE: This file cannot be handled by TeX until you install the
+% devnag package......see the first section for information
+% on how to get the devnag package...
+% If you need to just look at the font before getting it over,
+% try printing the postscript version of this file: dvng.ps
+%*******
+
+\portraitpage % defined in itrans.sty (idevn.tex), get a larger page size
+
+\renewcommand{\arraystretch}{1.25}
+\newcommand{\rarrow}{\mbox{\rm ---\hspace{-8pt}$>$}}
+\newcommand{\SM}{\char35hindi}
+\newcommand{\EM}{\char35endhindi}
+\newfont{\devnf}{dvng10 scaled \magstep1}
+\hyphenchar\devnf=-1 % disable hyphenation using this font
+
+#sanskritifm=dvngfull.ifm
+#sanskritfont=\devnf
+
+#hindiifm=dvng.ifm
+#hindifont=\devnf
+
+\begin{document}
+
+\footnotetext[0]{Last modification: \today}
+
+\centerline{\bf Transliteration Map}
+\medskip
+\centerline{\LARGE\bf DEVNAG font}
+\medskip
+\centerline{\bf (Hindi, Marathi, Sanskrit)}
+\bigskip
+\centerline{\bf itrans}
+\smallskip
+\centerline{\bf \copyright 1991--1998 Avinash Chopde}
+
+\section{Fonts Available}
+
+\subsection{\TeX\ Interface}
+
+This devanagari font {\em devnag} is a Metafont font,
+developed by Frans Velthuis, and his package is called ``Devanagari for
+TeX''.
+
+The devnag font is in a archive named {\tt devnag} or {\tt devanagari}.
+It is available at all CTAN \TeX\ archives
+in the languages directory. At the time of writing this document,
+it was certainly available at ftp.cdrom.com, ctan.tug.org, and many other sites.
+Please use your Internet search tools to locate the CTAN site closest to
+you for downloading the devnag archive.
+
+This font is not bundled with the itrans package, but is available at
+many FTP sites. This font may be available in the separate font archive
+containing extra fonts, named \texttt{itransxt.zip}, which may be available
+in the same place you obtained the main ITRANS archive.
+\textsl{
+[The authors use the restrictive GPL to license their
+software, which is really too bad, but because of that, I am unable to
+include their fonts with the main ITRANS archive.]
+}
+
+This ITRANS package makes use of Velthuis's Devanagari for TeX package,
+version 1.6 (released March 1998).
+
+\medskip
+
+Bundled with itrans is a Metafont file (dvpn10.mf) which generates a
+variation of the Devnag font.
+If you have Metafont on your system, you may
+use it to generate the PK and TFM files for \TeX.
+This variation was developed by Thomas Ridgeway, and in his words,
+it is ``a trivial variation of dvng10.mf to resemble devanagari
+written with an ordinary writing pen''.
+Looks nice, so I have included the dvpn10.mf file here.
+
+Note that the {\em dvpn10.mf} file alone is insufficient to
+generate the \TeX\ font, the complete devnag package is required
+to make it usable.
+And, you must know enough about Metafont to run it.
+
+\bigskip
+
+{\bf Important:} {
+itrans does not automatically handle all the ligatures present in the
+devnag font.
+The Devnag font does contain many three- and four- consonant ligatures, most
+of which are not currently supported using {\em itrans}.
+See the section titled ``Limitations'' for more details.}
+
+\subsection{Direct Textual Interface - HTML}
+
+HTML interface is supported using this font,
+Unicode (UTF-8) is supported for this the Devanagari script, but no
+Unicode fonts are included with the ITRANS package.
+
+Since this is a \TeX\ font, this interface cannot be used as is for HTML.
+But, Sandeep Sibal, developer of the Jtrans package, has made available a
+font named Xdvng, which is derived from the dvng font, and which allows
+use of Xdvng with the direct Text HTML output mode of ITRANS.
+See the example files for HTML output in the ITRANS doc directory
+(ITRANS/doc/s1html.itx); the
+IFM file to use is named {\em xdvng.ifm}.
+The IFM file has been developed by Sandeep Sibal, and the Xdvng font
+(available for multiple platforms) has been
+developed by Sandeep Sibal and Arun Gupta
+See
+\newcommand{\sibalhttp}{http://www.sibal.com/sandeep/jtrans/}
+\htmladdnormallink{\texttt{\sibalhttp}}{\sibalhttp}
+for info on Sandeep Sibal's Jtrans package.
+
+\subsection{Text Interface - Unicode (UTF-8) for Sanskrit, Hindi, and Marathi}
+
+IFM file to use is named {\em udvng.ifm}.
+
+Unicode (UTF-8) output is supported for this the Devanagari script, but no
+Unicode fonts are included with the ITRANS package. There are many
+Unicode fonts available on the Web, and more are being developed
+so it should be easy to locate a Unicode font when needed. Not all
+Unicode fonts fully support Indian Languages yet.
+
+\subsection{Sanskrit (or Hindi) and Marathi}
+
+The IFM file {\em dvnc.ifm} can be used for
+Sanskrit, Hindi or Marathi output.
+
+The marathi form of ra-half is available through the {\tt R}
+character and the second LA is at {\tt L} (or {\tt ld}), etc.
+The tables (\ref{ienc} and \ref{ienc-velth}) display
+the complete mapping from English to Devanagari
+for all the three Indic Scripts.
+
+A second IFM file is also provided, {\em dvngfull.ifm}, and is meant to be
+used for text that needs to use many archaic consonant conjunct forms.
+Use this file only if you really need all the consonant conjuncts; in
+most cases a smaller set of consonant conjuncts, as defined by the
+dvng.ifm file suffices.
+The tables that follow include information on which conjunct glyphs
+are available using which IFM file.
+dvng.ifm file is the one most commonly used, since this has the ``best''
+set of ligatures.
+
+\section{Font Developer}
+
+This font has been created by Frans Velthuis as part of his
+``Devanagari for TeX'' package.
+He holds copyright to the fonts in the package.
+I would like to thank him for making it available as freeware.
+
+{\obeylines\tt
+Frans Velthuis
+University of Groningen
+The Netherlands
+
+e-mail address: velthuis@rc.rug.nl (Frans J. Velthuis)
+}
+
+Since 1990, many other people have worked to enhance the original
+``Devanagari for TeX'' package, the current version is being supported by
+John Smith and Anshuman Pandey.
+
+Table~\ref{ienc-velth}
+shows the ITRANS encoding in a compact table, this table was sent
+in by Ashok Basargekar, and it is similar in layout to the table included
+with the documentation in the original Velthius Devanagari for TeX
+package.
+
+%-------------------------------------------------------------------
+\begin{htmlonly}
+\section{Devanagari Table}
+\end{htmlonly}
+
+\begin{table}[hp]
+\begin{center}
+\vspace*{-0.5in}\begin{tabular}{c@{\hspace{1in}}c@{\hspace{1in}}c}
+% --- first col is vowels inside a tabular
+\begin{makeimage}
+\begin{tabular}{|c|c|}
+\multicolumn{2}{c}{Vowels} \\
+\hline
+{#hindi a #endhindi} & {\tt a} \\ \hline
+{#hindi aa #endhindi} & {\tt aa {\it or} A} \\ \hline
+{#hindi i #endhindi} & {\tt i} \\ \hline
+{#hindi ii #endhindi} & {\tt ii {\it or} I} \\ \hline
+{#hindi u #endhindi} & {\tt u} \\ \hline
+{#hindi uu #endhindi} & {\tt uu {\it or} U} \\ \hline
+{#hindi R^i #endhindi} & {\tt RRi {\it or} R\char`^i} \\ \hline
+{#hindi R^I #endhindi} & {\tt RRI {\it or} R\char`^I} \\ \hline
+{#hindi L^i #endhindi} & {\tt LLi {\it or} L\char`^i} \\ \hline
+{#hindi L^I #endhindi} & {\tt LLI {\it or} L\char`^I} \\ \hline
+{#hindi e #endhindi} & {\tt e} \\ \hline
+{#hindi ai #endhindi} & {\tt ai} \\ \hline
+{#hindi o #endhindi} & {\tt o} \\ \hline
+{#hindi au #endhindi} & {\tt au} \\ \hline
+{#hindi aM #endhindi} & {\tt {\it a}M} \\ \hline
+{#hindi aH #endhindi} & {\tt {\it a}H} \\ \hline
+\multicolumn{2}{c}{} \\
+\multicolumn{2}{c}{} \\
+\multicolumn{2}{c}{Digits} \\
+\hline
+{#hindi 0 #endhindi} & {\tt 0} \\ \hline
+{#hindi 1 #endhindi} & {\tt 1} \\ \hline
+{#hindi 2 #endhindi} & {\tt 2} \\ \hline
+{#hindi 3 #endhindi} & {\tt 3} \\ \hline
+{#hindi 4 #endhindi} & {\tt 4} \\ \hline
+{#hindi 5 #endhindi} & {\tt 5} \\ \hline
+{#hindi 6 #endhindi} & {\tt 6} \\ \hline
+{#hindi 7 #endhindi} & {\tt 7} \\ \hline
+{#hindi 8 #endhindi} & {\tt 8} \\ \hline
+{#hindi 9 #endhindi} & {\tt 9} \\ \hline
+\end{tabular}
+\end{makeimage}
+% --- end first col
+&
+% --- second col is consonants
+\begin{makeimage}
+\begin{tabular}{|c|c|}
+\multicolumn{2}{c}{Consonants} \\
+\hline
+{#hindi ka #endhindi} & {\tt k{\it a}} \\ \hline
+{#hindi kha #endhindi} & {\tt kh{\it a}} \\ \hline
+{#hindi ga #endhindi} & {\tt g{\it a}} \\ \hline
+{#hindi gha #endhindi} & {\tt gh{\it a}} \\ \hline
+{#hindi ~Na #endhindi} & {\tt \char`~N{\it a or} N\char`^{\it a}} \\ \hline
+{#hindi cha #endhindi} & {\tt ch{\it a}} \\ \hline
+{#hindi Cha #endhindi} & {\tt Ch{\it a or} chh{\it a}} \\ \hline
+{#hindi ja #endhindi} & {\tt j{\it a}} \\ \hline
+{#hindi jha #endhindi} & {\tt jh{\it a}} \\ \hline
+{#hindi ~na #endhindi} & {\tt \char`~n{\it a or} JN{\it a}} \\ \hline
+{#hindi Ta #endhindi} & {\tt T{\it a}} \\ \hline
+{#hindi Tha #endhindi} & {\tt Th{\it a}} \\ \hline
+{#hindi Da #endhindi} & {\tt D{\it a}} \\ \hline
+{#hindi Dha #endhindi} & {\tt Dh{\it a}} \\ \hline
+{#hindi Na #endhindi} & {\tt N{\it a}} \\ \hline
+{#hindi ta #endhindi} & {\tt t{\it a}} \\ \hline
+{#hindi tha #endhindi} & {\tt th{\it a}} \\ \hline
+{#hindi da #endhindi} & {\tt d{\it a}} \\ \hline
+{#hindi dha #endhindi} & {\tt dh{\it a}} \\ \hline
+{#hindi na #endhindi} & {\tt n{\it a}} \\ \hline
+{#hindi pa #endhindi} & {\tt p{\it a}} \\ \hline
+{#hindi pha #endhindi} & {\tt ph{\it a}} \\ \hline
+{#hindi ba #endhindi} & {\tt b{\it a}} \\ \hline
+{#hindi bha #endhindi} & {\tt bh{\it a}} \\ \hline
+{#hindi ma #endhindi} & {\tt m{\it a}} \\ \hline
+{#hindi ya #endhindi} & {\tt y{\it a}} \\ \hline
+{#hindi ra #endhindi} & {\tt r{\it a}} \\ \hline
+{#hindi la #endhindi} & {\tt l{\it a}} \\ \hline
+{#hindi va #endhindi} & {\tt v{\it a or} w{\it a}} \\ \hline
+{#hindi sha #endhindi} & {\tt sh{\it a}} \\ \hline
+{#hindi Sha #endhindi} & {\tt Sh{\it a or} shh{\it a}} \\ \hline
+{#hindi sa #endhindi} & {\tt s{\it a}} \\ \hline
+{#hindi ha #endhindi} & {\tt h{\it a}} \\ \hline
+{#hindi La #endhindi} & {\tt ld{\it a or} L{\it a}} \\ \hline
+{#hindi kSha #endhindi} & {\tt kSh{\it a or} x{\it a}} \\ \hline
+{#hindi j~na #endhindi} & {\tt j\char`~n{\it a or} GY{\it a}} \\ \hline
+\end{tabular}
+\end{makeimage}
+% --- end second col
+&
+% --- third col of specials/accents inside a tabular
+\begin{makeimage}
+\begin{tabular}{|c|c|}
+\multicolumn{2}{c}{Specials/Accents} \\
+\hline
+{#hindi qa #endhindi} & {\tt q{\it a}} \\ \hline
+{#hindi Ka #endhindi} & {\tt K{\it a}} \\ \hline
+{#hindi Ga #endhindi} & {\tt G{\it a}} \\ \hline
+{#hindi za #endhindi} & {\tt J{\it a or} z{\it a}} \\ \hline
+{#hindi fa #endhindi} & {\tt f{\it a}} \\ \hline
+{#hindi .Da #endhindi} & {\tt .D{\it a}} \\ \hline
+{#hindi .Dha #endhindi} & {\tt .Dh{\it a}} \\ \hline
+{#hindi AUM #endhindi} & {\tt AUM} or {\tt OM} \\ \hline
+{#hindi Rga #endhindi} & {\tt R{\it ga}} \\ \hline
+{#hindi rga #endhindi} & {\tt rga {\it or} {\it ga}\char`^r} \\ \hline
+{#hindi ga.n #endhindi} & {\tt {\it ga}.n} \\ \hline
+{#hindi aa.c #endhindi} & {\tt {\it aa}.c} \\ \hline
+{#hindi Da.N #endhindi} & {\tt {\it Da}.N} \\ \hline
+{#hindi D.h #endhindi} & {\tt {\it D}.h} \\ \hline
+{#hindi duH #endhindi} & {\tt {\it du}H} \\ \hline
+{#hindi .a #endhindi} & {\tt .a} \\ \hline
+\end{tabular}
+\end{makeimage}
+\\
+\end{tabular} % end the larger tabular encompassing all four tables
+\hfill
+\\
+\end{center}
+\caption {\bf ITRANS: Devanagari to English Transliteration Table.}
+\label{ienc}
+\end{table}
+
+%------------------------------------------------------------------------
+\begin{htmlonly}
+\section{Examples}
+\end{htmlonly}
+
+\begin{table}[hp]
+\begin{center}
+\begin{makeimage}
+\begin{tabular}{|c|c|}
+\multicolumn{2}{c}{Sample Letters} \\
+\hline
+{#hindi ka kaa ki kii ku kuu #endhindi}
+& {\tt ka kaa ki kii ku kuu} \\ \hline
+{#hindi s.h sa saa si sii su suu #endhindi}
+& {\tt s.h sa saa si sii su suu} \\ \hline
+{#hindi kh.r khe khai khaM khaH kha.c kha.N #endhindi}
+& {\tt kh.r khe khai khaM khaH kha.c kha.N} \\ \hline
+{#hindi De Dai DaM DaH Da.c Da.N #endhindi}
+& {\tt De Dai DaM DaH Da.c Da.N} \\ \hline
+\end{tabular}
+\end{makeimage}
+\\
+\vspace{0.1in}
+\begin{tabular}{cc}
+\multicolumn{2}{c}{Sample Words} \\
+% --- first col
+\begin{makeimage}
+\begin{tabular}{|c|c|}
+\hline
+{#hindi bhaagya #endhindi} & {\tt bhaagya} \\ \hline
+{#hindi raajya #endhindi} & {\tt raajya} \\ \hline
+{#hindi vidyaa #endhindi} & {\tt vidyaa} \\ \hline
+{#hindi shiShya #endhindi} & {\tt shiShya} \\ \hline
+{#hindi mukhya #endhindi} & {\tt mukhya} \\ \hline
+{#hindi gaaDyaa #endhindi} & {\tt gaaDyaa} \\ \hline
+{#hindi tyaag #endhindi} & {\tt tyaag} \\ \hline
+{#hindi dhyaan #endhindi} & {\tt dhyaan} \\ \hline
+{#hindi nyaay #endhindi} & {\tt nyaay} \\ \hline
+{#hindi shyaam #endhindi} & {\tt shyaam} \\ \hline
+{#hindi jyot #endhindi} & {\tt jyot} \\ \hline
+{#hindi manushhya #endhindi} & {\tt manushhya} \\ \hline
+{#hindi chaa.ndaNyaa #endhindi} & {\tt chaa.ndaNyaa} \\ \hline
+{#hindi abhyaas #endhindi} & {\tt abhyaas} \\ \hline
+{#hindi kalyaaN #endhindi} & {\tt kalyaaN} \\ \hline
+{#hindi ghaDyaald #endhindi} & {\tt ghaDyaald} \\ \hline
+{#hindi kachchaa #endhindi} & {\tt kachchaa} \\ \hline
+{#hindi khaD.hDaa #endhindi} & {\tt khaD.hDaa} \\ \hline
+{#hindi khaDDaa #endhindi} & {\tt khaDDaa} \\ \hline
+{#hindi gaThThaa #endhindi} & {\tt gaThThaa} \\ \hline
+{#hindi dhakkaa #endhindi} & {\tt dhakkaa} \\ \hline
+{#hindi pattaa #endhindi} & {\tt pattaa} \\ \hline
+{#hindi tippat #endhindi} & {\tt tippat} \\ \hline
+{#hindi pannaas #endhindi} & {\tt pannaas} \\ \hline
+{#hindi sajjan #endhindi} & {\tt sajjan} \\ \hline
+{#hindi pustak #endhindi} & {\tt pustak} \\ \hline
+\end{tabular}
+\end{makeimage}
+% --- end first col
+&
+% --- second col
+\begin{makeimage}
+\begin{tabular}{|c|c|}
+\hline
+{#hindi kasturii #endhindi} & {\tt kasturii} \\ \hline
+{#hindi naastik #endhindi} & {\tt naastik} \\ \hline
+{#hindi praapt #endhindi} & {\tt praapt} \\ \hline
+{#hindi swata.ntra #endhindi} & {\tt swata.ntra} \\ \hline
+{#hindi svaata.ntrya #endhindi} & {\tt svaata.ntrya} \\ \hline
+{#hindi dhvanii #endhindi} & {\tt dhvanii} \\ \hline
+{#hindi goshhT #endhindi} & {\tt goshhT} \\ \hline
+{#hindi yud.hdh #endhindi} & {\tt yud.hdh} \\ \hline
+{#hindi yuddh #endhindi} & {\tt yuddh} \\ \hline
+{#hindi pashchim #endhindi} & {\tt pashchim} \\ \hline
+{#hindi phakt #endhindi} & {\tt phakt} \\ \hline
+{#hindi tarhaa #endhindi} & {\tt tarhaa} \\ \hline
+{#hindi arth #endhindi} & {\tt arth} \\ \hline
+{#hindi kartaa #endhindi} & {\tt kartaa} \\ \hline
+{#hindi gardii #endhindi} & {\tt gardii} \\ \hline
+{#hindi nirNay #endhindi} & {\tt nirNay} \\ \hline
+{#hindi patr #endhindi} & {\tt patr} \\ \hline
+{#hindi trikoN #endhindi} & {\tt trikoN} \\ \hline
+{#hindi shraavaN #endhindi} & {\tt shraavaN} \\ \hline
+{#hindi aashram #endhindi} & {\tt aashram} \\ \hline
+{#hindi shushruushhaa #endhindi} & {\tt shushruushhaa} \\ \hline
+{#hindi gra.nth #endhindi} & {\tt gra.nth} \\ \hline
+{#hindi prajaa #endhindi} & {\tt prajaa} \\ \hline
+{#hindi draakShe #endhindi} & {\tt draakShe} \\ \hline
+{#hindi g.rhasth #endhindi} & {\tt g.rhasth} \\ \hline
+{#hindi prakR^itii #endhindi} & {\tt prakR\char`^itii} \\ \hline
+\end{tabular}
+\end{makeimage}
+\\
+\end{tabular} % big tabular, nests two tabulars
+\end{center}
+\caption {\bf Examples}
+\end{table}
+
+\begin{table}[hp]
+\begin{center}
+\begin{makeimage}
+\begin{tabular}{|c|c|}
+\hline
+{#hindi nairR^itya #endhindi} & {\tt nairR\char`^itya} \\ \hline
+{#hindi shubhr #endhindi} & {\tt shubhr} \\ \hline
+{#hindi sahastr #endhindi} & {\tt sahastr} \\ \hline
+{#hindi kriiDaa #endhindi} & {\tt kriiDaa} \\ \hline
+{#hindi svachchh #endhindi} & {\tt svachchh} \\ \hline
+{#hindi svaruup #endhindi} & {\tt svaruup} \\ \hline
+{#hindi Trak #endhindi} & {\tt Trak} \\ \hline
+{#hindi aamhii #endhindi} & {\tt aamhii} \\ \hline
+{#hindi chaturthii #endhindi} & {\tt chaturthii} \\ \hline
+{#hindi RRituu #endhindi} & {\tt RRituu} \\ \hline
+{#hindi aa.cktobar #endhindi} & {\tt aa.cktobar} \\ \hline
+{#hindi novhe.nbar #endhindi} & {\tt novhe.nbar} \\ \hline
+{#hindi gra.cm #endhindi} & {\tt gra.cm} \\ \hline
+{#hindi uu.Nchaa #endhindi} & {\tt uu.Nchaa} \\ \hline
+{#hindi bailagaaDii #endhindi} & {\tt bailagaaDii} \\ \hline
+{#hindi gurud.hvaaraa #endhindi} & {\tt gurud.hvaaraa}\\ \hline
+{#hindi gurudvaaraa #endhindi} & {\tt gurudvaaraa}\\ \hline
+{#hindi niraaldyaa #endhindi} & {\tt niraaldyaa} \\ \hline
+{#hindi GYaan #endhindi} & {\tt GYaan} \\ \hline
+{#hindi meka.cnik #endhindi} & {\tt meka.cnik} \\ \hline
+{#hindi mhais #endhindi} & {\tt mhais} \\ \hline
+{#hindi deNaaryaa #endhindi} & {\tt deNaaryaa} \\ \hline
+{#hindi pratishhThaa #endhindi} & {\tt pratishhThaa} \\ \hline
+{#hindi itihaas #endhindi} & {\tt itihaas} \\ \hline
+{#hindi aasthaabaddh #endhindi} & {\tt aasthaabaddh} \\ \hline
+{#hindi a.ntarraashhTriiy #endhindi} & {\tt a.ntarraashhTriiy} \\ \hline
+\end{tabular}
+\end{makeimage}
+\end{center}
+\smallskip
+\caption {\bf More Examples}
+\end{table}
+
+\section{Limitations}
+
+As mentioned in the first section, {\em itrans} makes use of only a subset
+of the ligatures available in the Devnag font.
+{\em itrans} only recognizes two-consonant ligatures, and most ligature
+of more than two consonants is ignored.
+
+The two tables (in tables \ref{lig-supp-dvng} and \ref{lig-supp-dvngfull})
+display the ligatures that are being
+used in ITRANS.
+All the ra-$<$consonant$>$ and $<$consonant$>$-ra ligatures
+are not displayed in the available list, but they are handled by itrans
+correctly.
+
+Table~\ref{lig-notsupp} displays ligatures that are not used, along with
+their decimal character codes (glyph positions).
+
+ITRANS versions 5.1 and newer do support three- or more consonant
+conjuncts, so, it is technically possible to support all these conjuncts,
+but to keep things simple, I am currently simply ignoring these complex
+glyphs. If there are a few conjuncts that are important enough to be
+included, let me know, and will add those definitions to the dvng.ifm
+file. I have added a few such conjuncts to dvng.ifm and dvngfull.ifm
+files, the tables \ref{lig-supp-dvng} and \ref{lig-supp-dvngfull} show
+all supported conjuncts.
+
+%------------------------------------------------------------------------
+\begin{htmlonly}
+\section{Ligatures Supported}
+\end{htmlonly}
+
+\begin{table}
+\vspace*{-0.00in}
+%begin{latexonly}
+\hspace*{-0.0in}\mbox{\vbox{
+%end{latexonly}
+\begin{center}
+\hfill
+\begin{makeimage}
+\begin{tabular}{|c|c|c|}
+\hline
+{#hindi ka ka #endhindi} & {\tt kka} & {#hindi kka #endhindi} \\ \hline
+{#hindi ka ta #endhindi} & {\tt kta} & {#hindi kta #endhindi} \\ \hline
+{#hindi ka na #endhindi} & {\tt kna} & {#hindi kna #endhindi} \\ \hline
+{#hindi ka ma #endhindi} & {\tt kma} & {#hindi kma #endhindi} \\ \hline
+{#hindi ka ya #endhindi} & {\tt kya} & {#hindi kya #endhindi} \\ \hline
+{#hindi ka la #endhindi} & {\tt kla} & {#hindi kla #endhindi} \\ \hline
+{#hindi ka va #endhindi} & {\tt kva} & {#hindi kva #endhindi} \\ \hline
+{#hindi ka shha #endhindi} & {\tt xa} & {#hindi xa #endhindi} \\ \hline
+{#hindi gha na #endhindi} & {\tt ghna} & {#hindi ghna #endhindi} \\ \hline
+{#hindi ~Na ka #endhindi} & {\tt \char`~Nka} & {#hindi ~Nka #endhindi} \\ \hline
+{#hindi ~Na kha #endhindi} & {\tt \char`~Nkha} & {#hindi ~Nkha #endhindi}\\ \hline
+{#hindi ~Na ga #endhindi} & {\tt \char`~Nga} & {#hindi ~Nga #endhindi} \\ \hline
+{#hindi ~Na gha #endhindi} & {\tt \char`~Ngha} & {#hindi ~Ngha #endhindi}\\ \hline
+{#hindi ~Na ~Na #endhindi} & {\tt \char`~N\char`~Na} & {#hindi ~N~Na #endhindi}\\ \hline
+{#hindi ~Na na #endhindi} & {\tt \char`~Nna} & {#hindi ~Nna #endhindi} \\ \hline
+{#hindi ~Na ma #endhindi} & {\tt \char`~Nma} & {#hindi ~Nma #endhindi} \\ \hline
+{#hindi ~Na ya #endhindi} & {\tt \char`~Nya} & {#hindi ~Nya #endhindi} \\ \hline
+{#hindi cha cha #endhindi} & {\tt chcha} & {#hindi chcha #endhindi}\\ \hline
+{#hindi cha ~na #endhindi} & {\tt ch~na} & {#hindi ch~na #endhindi}\\ \hline
+{#hindi chha ya #endhindi} & {\tt chhya} & {#hindi chhya #endhindi}\\ \hline
+{#hindi ja ~na #endhindi} & {\tt j\char`~na} & {#hindi j~na #endhindi}\\ \hline
+{#hindi ~na cha #endhindi} & {\tt \char`~ncha} & {#hindi ~ncha #endhindi}\\ \hline
+{#hindi ~na ja #endhindi} & {\tt \char`~nja} & {#hindi ~nja #endhindi}\\ \hline
+{#hindi Ta ka #endhindi} & {\tt Tka} & {#hindi Tka #endhindi}\\ \hline
+{#hindi Ta Ta #endhindi} & {\tt TTa} & {#hindi TTa #endhindi}\\ \hline
+{#hindi Ta Tha #endhindi} & {\tt TTha} & {#hindi TTha #endhindi}\\ \hline
+{#hindi Ta ya #endhindi} & {\tt Tya} & {#hindi Tya #endhindi}\\ \hline
+\end{tabular}
+\end{makeimage}
+\hfill
+\begin{makeimage}
+\begin{tabular}{|c|c|c|}
+\hline
+{#hindi Tha ya #endhindi} & {\tt Thya} & {#hindi Thya #endhindi}\\ \hline
+{#hindi Da ga #endhindi} & {\tt Dga} & {#hindi Dga #endhindi}\\ \hline
+{#hindi Da gha #endhindi} & {\tt Dgha} & {#hindi Dgha #endhindi}\\ \hline
+{#hindi Da Da #endhindi} & {\tt DDa} & {#hindi DDa #endhindi}\\ \hline
+{#hindi Da ma #endhindi} & {\tt Dma} & {#hindi Dma #endhindi}\\ \hline
+{#hindi Da ya #endhindi} & {\tt Dya} & {#hindi Dya #endhindi}\\ \hline
+{#hindi Dha ya #endhindi} & {\tt Dhya} & {#hindi Dhya #endhindi}\\ \hline
+{#hindi ta ta #endhindi} & {\tt tta} & {#hindi tta #endhindi}\\ \hline
+{#hindi ta na #endhindi} & {\tt tna} & {#hindi tna #endhindi}\\ \hline
+{#hindi ta ra #endhindi} & {\tt tra} & {#hindi tra #endhindi}\\ \hline
+{#hindi da ga #endhindi} & {\tt dga} & {#hindi dga #endhindi}\\ \hline
+{#hindi da gha #endhindi} & {\tt dgha} & {#hindi dgha #endhindi}\\ \hline
+{#hindi da da #endhindi} & {\tt dda} & {#hindi dda #endhindi}\\ \hline
+{#hindi da dha #endhindi} & {\tt ddha} & {#hindi ddha #endhindi}\\ \hline
+{#hindi da na #endhindi} & {\tt dna} & {#hindi dna #endhindi}\\ \hline
+{#hindi da ba #endhindi} & {\tt dba} & {#hindi dba #endhindi}\\ \hline
+{#hindi da bha #endhindi} & {\tt dbha} & {#hindi dbha #endhindi}\\ \hline
+{#hindi da ma #endhindi} & {\tt dma} & {#hindi dma #endhindi}\\ \hline
+{#hindi da ya #endhindi} & {\tt dya} & {#hindi dya #endhindi}\\ \hline
+{#hindi da va #endhindi} & {\tt dva} & {#hindi dva #endhindi}\\ \hline
+{#hindi da va ya #endhindi} & {\tt dvya} & {#hindi dvya #endhindi}\\ \hline
+{#hindi da va ra #endhindi} & {\tt dvra} & {#hindi dvra #endhindi}\\ \hline
+{#hindi dha na #endhindi} & {\tt dhna} & {#hindi dhna #endhindi}\\ \hline
+{#hindi na na #endhindi} & {\tt nna} & {#hindi nna #endhindi}\\ \hline
+{#hindi pa ta #endhindi} & {\tt pta} & {#hindi pta #endhindi}\\ \hline
+{#hindi pa na #endhindi} & {\tt pna} & {#hindi pna #endhindi}\\ \hline
+{#hindi pa la #endhindi} & {\tt pla} & {#hindi pla #endhindi}\\ \hline
+\end{tabular}
+\end{makeimage}
+\hfill
+\begin{makeimage}
+\begin{tabular}{|c|c|c|}
+\hline
+{#hindi ba na #endhindi} & {\tt bna} & {#hindi bna #endhindi}\\ \hline
+{#hindi ba ba #endhindi} & {\tt bba} & {#hindi bba #endhindi}\\ \hline
+{#hindi ba va #endhindi} & {\tt bva} & {#hindi bva #endhindi}\\ \hline
+{#hindi bha na #endhindi} & {\tt bhna} & {#hindi bhna #endhindi}\\ \hline
+{#hindi ma na #endhindi} & {\tt mna} & {#hindi mna #endhindi}\\ \hline
+{#hindi ma la #endhindi} & {\tt mla} & {#hindi mla #endhindi}\\ \hline
+{#hindi la la #endhindi} & {\tt lla} & {#hindi lla #endhindi}\\ \hline
+{#hindi va na #endhindi} & {\tt vna} & {#hindi vna #endhindi}\\ \hline
+{#hindi sha cha #endhindi} & {\tt shcha} & {#hindi shcha #endhindi}\\ \hline
+{#hindi sha na #endhindi} & {\tt shna} & {#hindi shna #endhindi}\\ \hline
+{#hindi sha ba #endhindi} & {\tt shba} & {#hindi shba #endhindi}\\ \hline
+{#hindi sha ra #endhindi} & {\tt shra} & {#hindi shra #endhindi}\\ \hline
+{#hindi sha la #endhindi} & {\tt shla} & {#hindi shla #endhindi}\\ \hline
+{#hindi sha va #endhindi} & {\tt shva} & {#hindi shva #endhindi}\\ \hline
+{#hindi shha Ta #endhindi} & {\tt shhTa} & {#hindi shhTa #endhindi}\\ \hline
+{#hindi shha Tha #endhindi} & {\tt shhTha} & {#hindi shhTha #endhindi}\\ \hline
+{#hindi sa na #endhindi} & {\tt sna} & {#hindi sna #endhindi}\\ \hline
+{#hindi ha Na #endhindi} & {\tt hNa} & {#hindi hNa #endhindi}\\ \hline
+{#hindi ha na #endhindi} & {\tt hna} & {#hindi hna #endhindi}\\ \hline
+{#hindi ha ma #endhindi} & {\tt hma} & {#hindi hma #endhindi}\\ \hline
+{#hindi ha ya #endhindi} & {\tt hya} & {#hindi hya #endhindi}\\ \hline
+{#hindi ha ra #endhindi} & {\tt hra} & {#hindi hra #endhindi}\\ \hline
+{#hindi ha la #endhindi} & {\tt hla} & {#hindi hla #endhindi}\\ \hline
+{#hindi ha va #endhindi} & {\tt hva} & {#hindi hva #endhindi}\\ \hline
+{#hindi za ra #endhindi} & {\tt zra} & {#hindi zra #endhindi}\\ \hline
+{#hindi pha ra #endhindi} & {\tt phra} & {#hindi phra #endhindi}\\ \hline
+{#hindi fa ra #endhindi} & {\tt fra} & {#hindi fra #endhindi}\\ \hline
+\end{tabular}
+\end{makeimage}
+\hfill
+\\
+\end{center}
+%begin{latexonly}
+}} % end hbox and vbox
+%end{latexonly}
+\caption {\bf Ligatures Supported (when using dvng.ifm)}
+\label{lig-supp-dvng}
+\end{table}
+
+\htmlrule[50\%,all]
+
+\begin{table}
+\vspace*{-0.00in}
+%begin{latexonly}
+\hspace*{-0.0in}\mbox{\vbox{
+%end{latexonly}
+\begin{center}
+\hfill
+\begin{makeimage}
+\begin{tabular}{|c|c|c|}
+\hline
+{#sanskrit ka ka #endsanskrit} & {\tt kka} & {#sanskrit kka #endsanskrit} \\ \hline
+{#sanskrit ka ta #endsanskrit} & {\tt kta} & {#sanskrit kta #endsanskrit} \\ \hline
+{#sanskrit ka na #endsanskrit} & {\tt kna} & {#sanskrit kna #endsanskrit} \\ \hline
+{#sanskrit ka ma #endsanskrit} & {\tt kma} & {#sanskrit kma #endsanskrit} \\ \hline
+{#sanskrit ka ya #endsanskrit} & {\tt kya} & {#sanskrit kya #endsanskrit} \\ \hline
+{#sanskrit ka la #endsanskrit} & {\tt kla} & {#sanskrit kla #endsanskrit} \\ \hline
+{#sanskrit ka va #endsanskrit} & {\tt kva} & {#sanskrit kva #endsanskrit} \\ \hline
+{#sanskrit ka shha #endsanskrit} & {\tt xa} & {#sanskrit xa #endsanskrit} \\ \hline
+{#sanskrit gha na #endsanskrit} & {\tt ghna} & {#sanskrit ghna #endsanskrit} \\ \hline
+{#sanskrit ~Na ka #endsanskrit} & {\tt \char`~Nka} & {#sanskrit ~Nka #endsanskrit} \\ \hline
+{#sanskrit ~Na kha #endsanskrit} & {\tt \char`~Nkha} & {#sanskrit ~Nkha #endsanskrit}\\ \hline
+{#sanskrit ~Na ga #endsanskrit} & {\tt \char`~Nga} & {#sanskrit ~Nga #endsanskrit} \\ \hline
+{#sanskrit ~Na gha #endsanskrit} & {\tt \char`~Ngha} & {#sanskrit ~Ngha #endsanskrit}\\ \hline
+{#sanskrit ~Na ~Na #endsanskrit} & {\tt \char`~N\char`~Na} & {#sanskrit ~N~Na #endsanskrit}\\ \hline
+{#sanskrit ~Na na #endsanskrit} & {\tt \char`~Nna} & {#sanskrit ~Nna #endsanskrit} \\ \hline
+{#sanskrit ~Na ma #endsanskrit} & {\tt \char`~Nma} & {#sanskrit ~Nma #endsanskrit} \\ \hline
+{#sanskrit ~Na ya #endsanskrit} & {\tt \char`~Nya} & {#sanskrit ~Nya #endsanskrit} \\ \hline
+{#sanskrit cha cha #endsanskrit} & {\tt chcha} & {#sanskrit chcha #endsanskrit}\\ \hline
+{#sanskrit cha ~na #endsanskrit} & {\tt ch\char`~na} & {#sanskrit ch~na #endsanskrit}\\ \hline
+{#sanskrit chha ya #endsanskrit} & {\tt chhya} & {#sanskrit chhya #endsanskrit}\\ \hline
+{#sanskrit ja ~na #endsanskrit} & {\tt j\char`~na} & {#sanskrit j~na #endsanskrit}\\ \hline
+{#sanskrit ~na cha #endsanskrit} & {\tt \char`~ncha} & {#sanskrit ~ncha #endsanskrit}\\ \hline
+{#sanskrit ~na ja #endsanskrit} & {\tt \char`~nja} & {#sanskrit ~nja #endsanskrit}\\ \hline
+{#sanskrit Ta ka #endsanskrit} & {\tt Tka} & {#sanskrit Tka #endsanskrit}\\ \hline
+{#sanskrit Ta Ta #endsanskrit} & {\tt TTa} & {#sanskrit TTa #endsanskrit}\\ \hline
+{#sanskrit Ta Tha #endsanskrit} & {\tt TTha} & {#sanskrit TTha #endsanskrit}\\ \hline
+{#sanskrit Ta ya #endsanskrit} & {\tt Tya} & {#sanskrit Tya #endsanskrit}\\ \hline
+\end{tabular}
+\end{makeimage}
+\hfill
+\begin{makeimage}
+\begin{tabular}{|c|c|c|}
+\hline
+{#sanskrit Tha ya #endsanskrit} & {\tt Thya} & {#sanskrit Thya #endsanskrit}\\ \hline
+{#sanskrit Da ga #endsanskrit} & {\tt Dga} & {#sanskrit Dga #endsanskrit}\\ \hline
+{#sanskrit Da gha #endsanskrit} & {\tt Dgha} & {#sanskrit Dgha #endsanskrit}\\ \hline
+{#sanskrit Da Da #endsanskrit} & {\tt DDa} & {#sanskrit DDa #endsanskrit}\\ \hline
+{#sanskrit Da ma #endsanskrit} & {\tt Dma} & {#sanskrit Dma #endsanskrit}\\ \hline
+{#sanskrit Da ya #endsanskrit} & {\tt Dya} & {#sanskrit Dya #endsanskrit}\\ \hline
+{#sanskrit Dha ya #endsanskrit} & {\tt Dhya} & {#sanskrit Dhya #endsanskrit}\\ \hline
+{#sanskrit ta ta #endsanskrit} & {\tt tta} & {#sanskrit tta #endsanskrit}\\ \hline
+{#sanskrit ta na #endsanskrit} & {\tt tna} & {#sanskrit tna #endsanskrit}\\ \hline
+{#sanskrit ta ra #endsanskrit} & {\tt tra} & {#sanskrit tra #endsanskrit}\\ \hline
+{#sanskrit da ga #endsanskrit} & {\tt dga} & {#sanskrit dga #endsanskrit}\\ \hline
+{#sanskrit da gha #endsanskrit} & {\tt dgha} & {#sanskrit dgha #endsanskrit}\\ \hline
+{#sanskrit da da #endsanskrit} & {\tt dda} & {#sanskrit dda #endsanskrit}\\ \hline
+{#sanskrit da dha #endsanskrit} & {\tt ddha} & {#sanskrit ddha #endsanskrit}\\ \hline
+{#sanskrit da na #endsanskrit} & {\tt dna} & {#sanskrit dna #endsanskrit}\\ \hline
+{#sanskrit da ba #endsanskrit} & {\tt dba} & {#sanskrit dba #endsanskrit}\\ \hline
+{#sanskrit da bha #endsanskrit} & {\tt dbha} & {#sanskrit dbha #endsanskrit}\\ \hline
+{#sanskrit da ma #endsanskrit} & {\tt dma} & {#sanskrit dma #endsanskrit}\\ \hline
+{#sanskrit da ya #endsanskrit} & {\tt dya} & {#sanskrit dya #endsanskrit}\\ \hline
+{#sanskrit da va #endsanskrit} & {\tt dva} & {#sanskrit dva #endsanskrit}\\ \hline
+{#sanskrit da va ya #endsanskrit} & {\tt dvya} & {#sanskrit dvya #endsanskrit}\\ \hline
+{#sanskrit da va ra #endsanskrit} & {\tt dvra} & {#sanskrit dvra #endsanskrit}\\ \hline
+{#sanskrit dha na #endsanskrit} & {\tt dhna} & {#sanskrit dhna #endsanskrit}\\ \hline
+{#sanskrit na na #endsanskrit} & {\tt nna} & {#sanskrit nna #endsanskrit}\\ \hline
+{#sanskrit pa ta #endsanskrit} & {\tt pta} & {#sanskrit pta #endsanskrit}\\ \hline
+{#sanskrit pa na #endsanskrit} & {\tt pna} & {#sanskrit pna #endsanskrit}\\ \hline
+{#sanskrit pa la #endsanskrit} & {\tt pla} & {#sanskrit pla #endsanskrit}\\ \hline
+\end{tabular}
+\end{makeimage}
+\hfill
+\begin{makeimage}
+\begin{tabular}{|c|c|c|}
+\hline
+{#sanskrit ba na #endsanskrit} & {\tt bna} & {#sanskrit bna #endsanskrit}\\ \hline
+{#sanskrit ba ba #endsanskrit} & {\tt bba} & {#sanskrit bba #endsanskrit}\\ \hline
+{#sanskrit ba va #endsanskrit} & {\tt bva} & {#sanskrit bva #endsanskrit}\\ \hline
+{#sanskrit bha na #endsanskrit} & {\tt bhna} & {#sanskrit bhna #endsanskrit}\\ \hline
+{#sanskrit ma na #endsanskrit} & {\tt mna} & {#sanskrit mna #endsanskrit}\\ \hline
+{#sanskrit ma la #endsanskrit} & {\tt mla} & {#sanskrit mla #endsanskrit}\\ \hline
+{#sanskrit la la #endsanskrit} & {\tt lla} & {#sanskrit lla #endsanskrit}\\ \hline
+{#sanskrit va na #endsanskrit} & {\tt vna} & {#sanskrit vna #endsanskrit}\\ \hline
+{#sanskrit sha cha #endsanskrit} & {\tt shcha} & {#sanskrit shcha #endsanskrit}\\ \hline
+{#sanskrit sha na #endsanskrit} & {\tt shna} & {#sanskrit shna #endsanskrit}\\ \hline
+{#sanskrit sha ba #endsanskrit} & {\tt shba} & {#sanskrit shba #endsanskrit}\\ \hline
+{#sanskrit sha ra #endsanskrit} & {\tt shra} & {#sanskrit shra #endsanskrit}\\ \hline
+{#sanskrit sha la #endsanskrit} & {\tt shla} & {#sanskrit shla #endsanskrit}\\ \hline
+{#sanskrit sha va #endsanskrit} & {\tt shva} & {#sanskrit shva #endsanskrit}\\ \hline
+{#sanskrit shha Ta #endsanskrit} & {\tt shhTa} & {#sanskrit shhTa #endsanskrit}\\ \hline
+{#sanskrit shha Tha #endsanskrit} & {\tt shhTha} & {#sanskrit shhTha #endsanskrit}\\ \hline
+{#sanskrit sa na #endsanskrit} & {\tt sna} & {#sanskrit sna #endsanskrit}\\ \hline
+{#sanskrit ha Na #endsanskrit} & {\tt hNa} & {#sanskrit hNa #endsanskrit}\\ \hline
+{#sanskrit ha na #endsanskrit} & {\tt hna} & {#sanskrit hna #endsanskrit}\\ \hline
+{#sanskrit ha ma #endsanskrit} & {\tt hma} & {#sanskrit hma #endsanskrit}\\ \hline
+{#sanskrit ha ya #endsanskrit} & {\tt hya} & {#sanskrit hya #endsanskrit}\\ \hline
+{#sanskrit ha ra #endsanskrit} & {\tt hra} & {#sanskrit hra #endsanskrit}\\ \hline
+{#sanskrit ha la #endsanskrit} & {\tt hla} & {#sanskrit hla #endsanskrit}\\ \hline
+{#sanskrit ha va #endsanskrit} & {\tt hva} & {#sanskrit hva #endsanskrit}\\ \hline
+{#sanskrit za ra #endsanskrit} & {\tt zra} & {#sanskrit zra #endsanskrit}\\ \hline
+{#sanskrit pha ra #endsanskrit} & {\tt phra} & {#sanskrit phra #endsanskrit}\\ \hline
+{#sanskrit fa ra #endsanskrit} & {\tt fra} & {#sanskrit fra #endsanskrit}\\ \hline
+\end{tabular}
+\end{makeimage}
+\hfill
+\\
+\end{center}
+%begin{latexonly}
+}} % end hbox and vbox
+%end{latexonly}
+\caption {\bf Ligatures Supported (when using dvngfull.ifm)}
+\label{lig-supp-dvngfull}
+\end{table}
+
+%------------------------------------------------------------------------
+\begin{htmlonly}
+\section{Ligatures NOT supported}
+\end{htmlonly}
+
+\begin{table}
+\vspace*{-0.00in}
+%begin{latexonly}
+\hspace*{0.0in}\mbox{\vbox{
+\centerline{
+%end{latexonly}
+\begin{makeimage}
+\begin{tabular}{|c|c|c|}
+\hline
+Consonants & Ligature & Char Code \\ \hline
+{#sanskrit ka ta ya #endsanskrit} & {#sanskrit \char197 #endsanskrit} & {\tt 197} \\ \hline
+{#sanskrit ka ta va#endsanskrit} & {#sanskrit \char198 #endsanskrit} & {\tt 198} \\ \hline
+{#sanskrit ka na ya#endsanskrit} & {#sanskrit \char230 #endsanskrit} & {\tt 230} \\ \hline
+{#sanskrit ka ra ya#endsanskrit} & {#sanskrit \char231 #endsanskrit} & {\tt 231} \\ \hline
+{#sanskrit ka va ya#endsanskrit} & {#sanskrit \char204 #endsanskrit} & {\tt 204} \\ \hline
+{#sanskrit ka ta ra ya#endsanskrit} & {#sanskrit \char252 #endsanskrit} & {\tt 252} \\ \hline
+{#sanskrit ~Na ka ta#endsanskrit} & {#sanskrit \char173 #endsanskrit} & {\tt 173} \\ \hline
+{#sanskrit ~Na ka ya#endsanskrit} & {#sanskrit \char175 #endsanskrit} & {\tt 175} \\ \hline
+{#sanskrit ~Na ka shha#endsanskrit} & {#sanskrit \char176 #endsanskrit} & {\tt 176} \\ \hline
+{#sanskrit ~Na kha ya#endsanskrit} & {#sanskrit \char186 #endsanskrit} & {\tt 186} \\ \hline
+{#sanskrit ~Na ga ya#endsanskrit} & {#sanskrit \char190 #endsanskrit} & {\tt 190} \\ \hline
+{#sanskrit ~Na gha ya#endsanskrit} & {#sanskrit \char185 #endsanskrit} & {\tt 185} \\ \hline
+{#sanskrit ~Na gha ra#endsanskrit} & {#sanskrit \char192 #endsanskrit} & {\tt 192} \\ \hline
+{#sanskrit ~Na ka ta ya#endsanskrit} & {#sanskrit \char174 #endsanskrit} & {\tt 174} \\ \hline
+{#sanskrit ~Na ka shha va#endsanskrit} & {#sanskrit \char177 #endsanskrit} & {\tt 177} \\ \hline
+\end{tabular}
+\end{makeimage}
+\hfill
+\begin{makeimage}
+\begin{tabular}{|c|c|c|}
+\hline
+Consonants & Ligature & Char Code \\ \hline
+{#sanskrit Da ga ya#endsanskrit} & {#sanskrit \char184 #endsanskrit} & {\tt 184} \\ \hline
+{#sanskrit Da gha ra#endsanskrit} & {#sanskrit \char182 #endsanskrit} & {\tt 182} \\ \hline
+{#sanskrit Da ra ya#endsanskrit} & {#sanskrit \char251 #endsanskrit} & {\tt 251} \\ \hline
+{#sanskrit da ga ra#endsanskrit} & {#sanskrit \char237 #endsanskrit} & {\tt 237} \\ \hline
+{#sanskrit da gha ra#endsanskrit} & {#sanskrit \char238 #endsanskrit} & {\tt 238} \\ \hline
+{#sanskrit da da ya#endsanskrit} & {#sanskrit \char144 #endsanskrit} & {\tt 144} \\ \hline
+{#sanskrit da da va#endsanskrit} & {#sanskrit \char248 #endsanskrit} & {\tt 248} \\ \hline
+{#sanskrit da dha ya#endsanskrit} & {#sanskrit \char143 #endsanskrit} & {\tt 143} \\ \hline
+{#sanskrit da dha va#endsanskrit} & {#sanskrit \char249 #endsanskrit} & {\tt 249} \\ \hline
+{#sanskrit da bha ya#endsanskrit} & {#sanskrit \char142 #endsanskrit} & {\tt 142} \\ \hline
+{#sanskrit da ra ya#endsanskrit} & {#sanskrit \char239 #endsanskrit} & {\tt 239} \\ \hline
+{#sanskrit shha Ta ya#endsanskrit} & {#sanskrit \char247 #endsanskrit} & {\tt 247} \\ \hline
+{#sanskrit shha Ta va#endsanskrit} & {#sanskrit \char171 #endsanskrit} & {\tt 171} \\ \hline
+{#sanskrit shha Ta ra ya#endsanskrit} & {#sanskrit \char170 #endsanskrit} & {\tt 170} \\ \hline
+\end{tabular}
+\end{makeimage}
+%begin{latexonly}
+} % centerline
+}} % end hbox and vbox
+%end{latexonly}
+\caption {\bf Ligatures NOT Supported}
+\label{lig-notsupp}
+\end{table}
+
+%------------------------------------------------------------------------
+\begin{htmlonly}
+\section{ITRANS Encoding Table (format similar to Velthuis' doc)}
+\end{htmlonly}
+
+%From ashok.basargekar@postoffice.worldnet.att.net Sun Aug 10 15:07:04 1997
+%Date: Sun, 10 Aug 1997 12:00:12 -0700
+%From: Ashok Basargekar <ashok.basargekar@postoffice.worldnet.att.net>
+
+\newcommand{\dn}{\devnf} % don't use \let, latex2html fails.
+\newcommand{\dnx}{\devnf}
+
+\begin{table}
+\begin{center}
+\begin{makeimage}
+\begin{tabular} {||l|l||l|l||l|l||l|l|l||@{\protect\rule{0cm}{.35cm}}} \hline
+{\tt a} & {\dn a} &
+{\tt k.h} & {\dnx k\kRn{-0.500}{\char94}\kRn{0.500}} &
+{\tt p} & {\dnx p} &
+{\tt .D} & {\dnx\symbol{'167}} & \\
+{\tt aa} or {\tt A} & {\dnx aA} or {\dnx A} &
+{\tt k} & {\dnx k} &
+{\tt ph} & {\dnx P} &
+{\tt .Dh} & {\dnx\symbol{'170}} & \\
+{\tt i} & {\dnx i} or {\dnx\symbol{'105}} &
+{\tt kh} & {\dnx K} &
+{\tt b} & {\dnx b} &
+{\tt 1} & {\dnx 1} & \\
+{\tt ii} or {\tt I} & {\dnx I} or {\dnx\symbol{'106}} &
+{\tt g} & {\dnx g} &
+{\tt bh} & {\dnx B} &
+{\tt 2} & {\dnx 2} & \\
+{\tt u} & {\dnx u} or {\dnx\symbol{0}} &
+{\tt gh} & {\dnx G} &
+{\tt m} & {\dnx m} &
+{\tt 3} & {\dnx 3} & \\
+{\tt uu} or {\tt U} & {\dnx U} or {\dnx\symbol{'1}} &
+{\tt\symbol{'176}N} & {\dnx R} &
+{\tt y} & {\dnx y} &
+{\tt 4} & {\dnx 4} & \\
+{\tt R\symbol{'136}i} & {\dnx\symbol{'33}} or {\dnx\symbol{2}} &
+{\tt ch} & {\dnx c} &
+{\tt r} & {\dnx r} &
+{\tt 5} & {\dnx 5} & \\
+{\tt R\symbol{'136}I} & {\dnx\symbol{'21}} or {\dnx\symbol{'16}} &
+{\tt chh} or {\tt Ch} & {\dnx C} &
+{\tt l} & {\dnx l} &
+{\tt 6} & {\dnx 6} & \\
+{\tt L\symbol{'136}i} & {\dnx\symbol{'30}} or {\dnx\symbol{'37}} &
+{\tt j} & {\dnx j} &
+{\tt v} & {\dnx v} &
+{\tt 7} & {\dnx 7} & \\
+{\tt L\symbol{'136}I} & {\dnx\symbol{'31}} or {\dnx\symbol{'174}} &
+{\tt jh} & {\dnx J} &
+{\tt sh} & {\dnx\symbol{'146}} &
+{\tt 8} & {\dnx 8} & \\
+{\tt e} & {\dnx e} or {\dnx\symbol{3}} &
+{\tt JN} or {\tt\symbol{'176}n} & {\dnx\symbol{'32}} &
+{\tt shh} or {\tt Sh} & {\dnx\symbol{'161}} &
+{\tt 9} & {\dnx 9} & \\
+{\tt ai} & {\dnx {e\kRn{-0.800}{\char3}}} or {\dnx\symbol{'173}} &
+{\tt T} & {\dnx\symbol{'126}} &
+{\tt s} & {\dnx s} &
+{\tt 0} & {\dnx 0} & \\
+{\tt o} & {\dnx ao} or {\dnx o} &
+{\tt Th} & {\dnx\symbol{'127}} &
+{\tt h} & {\dnx h} &
+{\tt .n} or {\tt M} & {\dnx\symbol{'25}} & anusv\={a}ra \\
+{\tt au} & {\dnx aO} or {\dnx O} &
+{\tt D} & {\dnx\symbol{'130}} &
+{\tt\ ld} or {\tt L} & {\dnx\symbol{'17}} &
+{\tt .N} & {\dnx\symbol{'40}} & chandrabindu \\
+{\tt a.n} or {\tt aM} & {\dnx a\kRn{-0.270}\sBs{-0.060}{{\char92}}\kRn{-0.063}} &
+{\tt Dh} & {\dnx\symbol{'131}} &
+{\tt x} or {\tt kSh} & {\dn "} &
+{\tt H} & {\dnx\symbol{'54}} & visarga \\
+{\tt aH} & {\dnx a{\char44}} &
+{\tt N} & {\dnx\symbol{'132}} &
+{\tt j\symbol{'176}n} or {\tt GY} or {\tt dny} &{\dn } &
+{\tt .} & {\dnx\symbol{'56}} & danda \\
+{\tt a.c} & {\dnx a\kRn{-0.600}{\char4}\kRn{-0.030}} &
+{\tt t} & {\dnx t} &
+{\tt q} & {\dnx\symbol{'52}} &
+{\tt R} & {\dnx\symbol{'35}} & Marathi r \\
+{\tt aa.c} or {\tt A.c} & {\dnx aA\kRn{-0.600}{\char4}\kRn{-0.030}} &
+{\tt th} & {\dnx T} &
+{\tt K} & {\dnx\symbol{'14}} &
+{\tt ..} or {\tt ;} & {\dnx\symbol{'73}} & paragraph end \\
+{\tt OM} or {\tt AUM} & {\dnx\symbol{'72}} &
+{\tt d} & {\dnx d} &
+{\tt G} & {\dnx\symbol{'13}} &
+{\tt .a} & {\dnx\symbol{'137}} & avagraha \\
+{\tt .a} & {\dnx\symbol{'137}} &
+{\tt dh} & {\dnx D} &
+{\tt z} & {\dnx\symbol{'51}} &
+{\tt .c} & {\dnx\symbol{'4}} & a like in at \\
+{\tt Ra} & {\dnx r} &
+{\tt n} & {\dnx n} &
+{\tt f} & {\dnx\symbol{'47}} &
+{\tt{\char123}{\char92}rm .{\char125}} & {\dnx\symbol{'24}} & period \\ \hline
+\end{tabular}
+\end{makeimage}
+\end{center}
+\caption {\bf ITRANS Encoding (table format is similar to Velthuis's documentation)}
+\label{ienc-velth}
+\end{table}
+
+\vspace*{1pt}\vfill
+
+\section{Author}
+\noindent
+ITRANS has been developed by Avinash Chopde. \\
+E-mail:
+\htmladdnormallink{\texttt{avinash@acm.org}}{mailto:avinash@acm.org}. \\
+Home page:
+\htmladdnormallink{\texttt{http://www.aczone.com/}}{http://www.aczone.com/}
+
+\bigskip
+\hrule
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/itrans/ex_latex.itx b/Master/texmf-dist/doc/fonts/itrans/ex_latex.itx
new file mode 100644
index 00000000000..95b3d6d1d55
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/itrans/ex_latex.itx
@@ -0,0 +1,143 @@
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% Example LaTeX Input File for using ITRANS (Version 5.x)
+% For use with the TeX output mode of ITRANS.
+% Note: This file makes use of multiple Indic Script fonts, so it may all
+% seem a lot more complicated. In most cases, you may be using a single
+% font in any one document.
+% This file shows a Devanagari example, but other language scripts
+% are similar.
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\documentclass[11pt]{article}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\usepackage[preprocess]{itrans} % useful macros for the ITRANS package
+ % itrans.sty is in the lib/ directory,
+ % taken from Ross Moore's extensions
+ % to latex2html
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% #output=TeX % use this for producing TeX output (is default)
+% #output=HTML_7 % use this for producing HTML output (ASCII)
+% #output=HTML_8 % use this for producing HTML output (8-bit)
+% #output=UTF_8 % use this for producing HTML output (Unicode UTF-8)
+% #output=PostScript % use this for producing PostScript output
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+#useshortmarkers % ITRANS command. Allows me to use ##
+ % instead of #<lang> and #end<lang>
+ % this is the default, ## can always be used, so
+ % it is not necessary to specify this.
+ % use #ignoreshortmarkers to disable ##
+
+% #usecsx % uncomment this if using CS/CSX input encoding
+
+#indianifm=dvng.ifm % ITRANS command
+#indianfont=\fransdvng % ITRANS command: argument specifies use of
+ % Frans's dvng font, fransdvng is a command defined
+ % in itrans.sty (idevn.tex)
+
+#sanskritifm=dvng.ifm % duplicates for #indian, not needed, but just
+#sanskritfont=\fransdvng % provided as an example.
+
+#hindiifm=dvnc.ifm % The PostScript devanagari font bundled with ITRANS
+#hindifont=\postdvng % postdvng is defined in itrans.sty (idevn.tex)
+
+%begin{latexonly}
+\let\usedvng=\largedvng % use largedvng size devanagari text, by default
+%end{latexonly}
+
+% \newfont{\romancsx}{ncpicsxp at 10pt} % NCS_CSX italic version
+\newfont{\romancsx}{ncprcsxp at 10pt} % NCS_CSX normal version at given pt size
+#romanifm=romancsx.ifm % Romanized Sanskrit IFM file.
+#romanfont=\romancsx
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\portraitpage % defined in itrans.sty (idevn.tex), get a larger page size
+ % also available: \landscapepage
+\parindent=0pt
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\begin{document}
+
+{\bf Example Text Input File for ITRANS}
+
+\bigskip
+
+This is english text.
+
+\medskip
+Following sentences are in hindi, using Frans Velthuis's Devanagari font:
+\medskip
+
+%----------------------------------------------------------------------
+## % ITRANS command, a toggle, here equivalent to #indian
+mai.n isakii kataii paravaah nahii.n karataa ki mere marane ke baada
+meraa yaa merii pratishhThaa kaa kyaa hogaa.
+lekin agar kuchh log mere baare mai.n sochanaa chaahe.n, to mai.n
+chaahuu.Ngaa ki ve yahii kahe.n ki is aadamii ne puure dilo\-dimaag se
+bhaarat aur bhaarat ke logo.n ko pyaar kiyaa, aur ve bhii usake prati
+utane hii anugrahii rahe aur unho.nne use apanaa bharapuur aur aparimit
+sneha pradaan kiyaa.
+
+{\englfont ---} ## % ITRANS command, a toggle, here equivalent to #endindian
+Jawaharlal Nehru
+
+\bigskip
+Some more lines, using a larger font size:
+\medskip
+
+%----------------------------------------------------------------------
+## % ITRANS command, a toggle, here equivalent to #indian
+\LARGEdvng
+\noindent
+ kahii.n duur jab din Dhal jaaye \\
+ saa.Njh kii dulhan badan churaaye \\
+ chupake se aaye\\
+ mere khayaalo.n ke aa.ngan me.n \\
+ koii sapano ke diip jalaaye, diip jalaaye
+
+## % ITRANS command, a toggle, here equivalent to #endindian
+
+\bigskip
+Same lines, using the PostScript Devanagari font that is bundled with ITRANS:
+\smallskip
+
+%----------------------------------------------------------------------
+#hindi
+\LARGEdvng % override default font definition temporarily
+\noindent
+ kahii.n duur jab din Dhal jaaye \\
+ saa.Njh kii dulhan badan churaaye \\
+ chupake se aaye\\
+ mere khayaalo.n ke aa.ngan me.n \\
+ koii sapano ke diip jalaaye, diip jalaaye
+
+#endhindi
+
+\bigskip
+Back to english.
+
+%----------------------------------------------------------------------
+\bigskip
+Now some example text in romanized sanskrit and then in sanskrit.
+\bigskip
+
+#roman
+
+ karmaNyevaadhikaaraste maa phaleshhu kadaachana | \\
+ maa karmaphalaheturbhuurmaa te saN^go.astvakarmaNi || 47 ||
+
+ yogasthaH kuru karmaaNi saN^ga.n tyaktvaa dhana.njaya | \\
+ sid.hdhyasid.hdhyoH samo bhuutvaa samatva.n yoga uchyate || 48 ||
+
+#endroman
+
+\bigskip
+
+#sanskrit
+
+ karmaNyevaadhikaaraste maa phaleshhu kadaachana | \\
+ maa karmaphalaheturbhuurmaa te saN^go.astvakarmaNi || 47||
+
+ yogasthaH kuru karmaaNi saN^ga.n tyaktvaa dhana.njaya | \\
+ sid.hdhyasid.hdhyoH samo bhuutvaa samatva.n yoga uchyate || 48||
+
+#endsanskrit
+\end{document}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
diff --git a/Master/texmf-dist/doc/fonts/itrans/ex_ltn1.itx b/Master/texmf-dist/doc/fonts/itrans/ex_ltn1.itx
new file mode 100644
index 00000000000..0d442b03be9
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/itrans/ex_ltn1.itx
@@ -0,0 +1,469 @@
+<HTML>
+<HEAD>
+<TITLE>Example: HTML ISO-Latin1 output from ITRANS</TITLE>
+
+ <meta http-equiv="Content-Type" content="text/html; charset=x-user-defined">
+ <!--
+ meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1"
+ -->
+
+ <LINK REV="made" HREF="mailto:avinash@acm.org">
+
+ <META Name="keywords" Content="ITRANS, Indian Languages, Indian Scripts,
+ Romanized Devanagari, Bengali, Gujarati, Devanagari">
+
+ <style type="text/css">
+ BODY {margin-left: 10% ; margin-right: 10%}
+ </style>
+</HEAD>
+
+<!--
+% June 2001, example ITRANS input that produces HTML output - ISO Latin1 fonts.
+%
+% Romanized Sanskrit, Gujarati, Bengali & Devanagari example, HTML format.
+% Uses the direct Text (HTML) output of ITRANS.
+% This is a ITRANS input file, here's the command to get a HTML output
+% file:
+% itrans -v -8 -i ex_ltn1.itx -o ex_ltn1.html
+
+% Note: following ITRANS commands are in a HTML comment, but will be
+% parsed by ITRANS anyway - ITRANS comment char is %
+%
+#output=HTML_8
+ % I wish I could make it HTML_7 (ASCII output), but that does not
+ % display correctly on Mac WWW browswers!
+
+% load all the ITRANS input files
+#romanifm=romancsx.ifm
+#romanfont=<FONT FACE="NCS_CSX+">
+
+#gujaratiifm=itxguj.ifm
+#gujaratifont=<FONT FACE="ItxGuj" SIZE="+2">
+
+#bengaliifm=itxbeng.ifm
+#bengalifont=<FONT FACE="ItxBeng" SIZE="+2">
+
+#sanskritifm=xdvng.ifm
+#sanskritfont=<FONT FACE="Xdvng">
+
+% for all languages, the end is the same:
+#endfont=</FONT>
+% end of ITRANS commands -----------------------------------------
+
+% end of large HTML comment (which contained ITRANS commands too)
+-->
+<BODY
+ TEXT="#000033" BGCOLOR="#EEEEFF"
+ LINK="#000066" VLINK="#666699" ALINK="#669966"
+ BACKGROUND="/images/smil_d3.gif">
+
+
+<!-- ================================ trailer ========================== -->
+
+<CENTER>
+ <TABLE BORDER="1" CELLPADDING="7">
+ <TR>
+ <TD>
+ <FONT SIZE="+0"> <A HREF="./">ITRANS</A> </FONT>
+ </TD>
+ <TD>
+ <FONT SIZE="+0"> <A HREF="../avigb.html">Guestbook</A> </FONT>
+ </TD>
+ <TD>
+ <FONT SIZE="+0"> <A HREF="mailto:avinash@acm.org"> E-mail</A> </FONT>
+ </TD>
+ </TR>
+ </TABLE>
+</CENTER>
+
+<P>
+<BR>
+<P>
+
+<HR SIZE="3" WIDTH="100%" NOSHADE>
+<P>
+
+<!-- =============================== end trailer ========================= -->
+<CENTER>
+ <H1>
+ <FONT SIZE="+3"> HTML ISO-Latin1 Output</FONT> <BR>
+ <FONT SIZE="+1"> ITRANS 5.3 </FONT> <BR>
+ </H1>
+</CENTER>
+
+<HR SIZE="3" WIDTH="70%">
+
+<P>
+<EM>
+Note: This page can be viewed correctly only after the NCS_CSX+,
+ItxGuj, ItxBeng, and Xdvng fonts have been installed on your machine,
+and Netscape 3.0
+(or newer; or similar WWW browser) is used to view this page.
+</EM>
+
+<P>
+<EM>
+If the browser is not displaying text correctly, you may have
+to experiment with the Document Encoding options of the browser.
+In Netscape: View -> Character Set. In Internet Explorer: View -> Encoding.
+</EM>
+
+<P>
+This page shows some samples of text using the NCS_CSX+ (Romanized
+Devanagari), ItxGuj (Gujarati), ItxBeng (Bengali, Xdvng (Devanagari) fonts.
+This text was produced by running
+<A HREF="./">ITRANS</A> in the Text (HTML) Output mode, on this
+<A HREF="ex_ltn1.itx">input file</A> ( <EM>ex_ltn1.itx</EM> ).
+ Here are the TrueType fonts for each supported script (fonts
+ in other formats are available for download at the
+ <A HREF="./index.html#download">main ITRANS</A> page):
+ <P>
+ &nbsp;
+ Xdvng for Hindi, Marathi, Sanskrit:
+ <A HREF="/fonts/xdvng.ttf">xdvng.ttf</A>
+ <BR>
+ &nbsp;
+ ItxGuj for Gujarati:
+ <A HREF="/fonts/itxguj.ttf">itxguj.ttf</A>
+ <BR>
+ &nbsp;
+ ItxBeng for Bengali:
+ <A HREF="/fonts/itxbeng.ttf">itxbeng.ttf</A>
+ <BR>
+ &nbsp;
+ NCS_CSX+ for Romanized Sanskrit:
+ <A HREF="/fonts/ncpr____.ttf">ncpr____.ttf</A>
+ &nbsp;&nbsp;&nbsp;&nbsp;
+ <P>
+ All the fonts above are freeware, and copyrights are held by their
+ authors. Visit the
+ <A HREF="http://www.aczone.com/itrans/" TARGET="_top">ITRANS</A>
+ section for complete documentation.
+
+
+<P>
+<HR SIZE="1" WIDTH="70%">
+<P>
+
+<P>
+<CENTER>
+ <STRONG>Index of info on this page...</STRONG>
+</CENTER>
+
+<P>
+<UL>
+ <LI>
+ <A HREF="#inputsample">ITRANS encoded text</A>,
+ that is used to produce text in Indic script.
+ <BR>
+ This paragraph shows the ITRANS encoded text. This text is what
+ is input to ITRANS.
+ <P>
+ <LI>
+ <A HREF="#xdvngsample">Text using the Xdvng</A> font;
+ output from Itrans.
+ <BR>
+ This paragraph shows the Devanagari output from ITRANS.
+ <P>
+ <LI>
+ <A HREF="#itxgujsample">Text using the ItxGuj</A> font;
+ output from Itrans.
+ <BR>
+ This paragraph shows the Gujarati output from ITRANS.
+ <P>
+ <LI>
+ <A HREF="#itxbengsample">Text using the ItxBeng</A> font;
+ output from Itrans.
+ <BR>
+ This paragraph shows the Bengali output from ITRANS.
+ <P>
+ <LI>
+ <A HREF="#ncsxsample">Text using the NCS_CSX+</A> font;
+ output from Itrans.
+ <BR>
+ This paragraph shows the output from ITRANS.
+ <P>
+</UL>
+
+<A NAME="inputsample"></A>
+<BR>
+<!-- ============================================================ -->
+<HR SIZE="7" WIDTH="100%">
+<P>
+<BR>
+
+<H3>
+ Text input to ITRANS (for the examples that follow):
+</H3>
+
+The following text represents Sanskrit and Hindi; encoded using the
+ITRANS encoding.
+This is the text that will be converted by ITRANS into Devanagari,
+Romanized Sanskrit, Gujarati, etc, which is displayed in following sections.
+ITRANS currently supports many Indic Scripts when used in the PostScript
+or TeX output modes. But for WWW document display, only Romanized
+Sanskrit, Gujarati, Bengali, and Devanagari are currently supported.
+
+<P>
+<PRE>
+
+ karmaNyevaadhikaaraste maa phaleshhu kadaachana |
+ maa karmaphalaheturbhuurmaa te saN^go.astvakarmaNi || 47 ||
+
+ yogasthaH kuru karmaaNi saN^ga.n tyaktvaa dhana.njaya |
+ sid.hdhyasid.hdhyoH samo bhuutvaa samatva.n yoga uchyate || 48 ||
+
+ <HR SIZE="1" WIDTH="20%">
+
+ jana gaNa mana adhinaayaka jaya he
+ bhaarata bhaagya vidhaataa
+ pa.njaaba si.ndhu gujaraata maraaThaa
+ dravi.Da utkala va.nga
+ vi.ndhya himaachala yamunaa ga.ngaa
+ uchchhala jaladhi tara.nga
+ tava shubha naame jaage
+ tava shubha aashishha maage
+ gaahe tava jaya gaathaa
+ jana gaNa ma.ngala daayaka jaya he
+ bhaarata bhaagya vidhaataa
+ jaya he jaya he jaya he
+ jaya jaya jaya jaya he
+
+ - raviindranaath Taagor
+
+</PRE>
+<P>
+
+<A NAME="xdvngsample"></A>
+<BR>
+<!-- ============================================================ -->
+<HR SIZE="7" WIDTH="100%">
+<P>
+<BR>
+
+<H3>
+ ITRANS Output - Devanagari.
+</H3>
+
+<P>
+Same text as above, displayed using the Devangari font Xdvng.
+
+<P>
+<PRE>
+#sanskrit
+ karmaNyevaadhikaaraste maa phaleshhu kadaachana .
+ maa karmaphalaheturbhuurmaa te saN^go.astvakarmaNi .. 47 ..
+
+ yogasthaH kuru karmaaNi saN^ga.n tyaktvaa dhana.njaya .
+ sid.hdhyasid.hdhyoH samo bhuutvaa samatva.n yoga uchyate .. 48 ..
+ ##
+ <HR SIZE="1" WIDTH="20%">
+ ##
+ jana gaNa mana adhinaayaka jaya he
+ bhaarata bhaagya vidhaataa
+ pa.njaaba si.ndhu gujaraata maraaThaa
+ dravi.Da utkala va.nga
+ vi.ndhya himaachala yamunaa ga.ngaa
+ uchchhala jaladhi tara.nga
+ tava shubha naame jaage
+ tava shubha aashishha maage
+ gaahe tava jaya gaathaa
+ jana gaNa ma.ngala daayaka jaya he
+ bhaarata bhaagya vidhaataa
+ jaya he jaya he jaya he
+ jaya jaya jaya jaya he
+
+ raviindranaath Taagor
+#endsanskrit
+</PRE>
+
+<A NAME="itxgujsample"></A>
+<BR>
+<!-- ============================================================ -->
+<HR SIZE="7" WIDTH="100%">
+<P>
+<BR>
+
+<H3>
+ ITRANS Output - Gujarati.
+</H3>
+
+<P>
+Same text as above, displayed using the Gujarati font ItxGuj.
+
+<PRE>
+#gujarati
+ karmaNyevaadhikaaraste maa phaleshhu kadaachana |
+ maa karmaphalaheturbhuurmaa te saN^go.astvakarmaNi || 47 ||
+
+ yogasthaH kuru karmaaNi saN^ga.n tyaktvaa dhana.njaya |
+ sid.hdhyasid.hdhyoH samo bhuutvaa samatva.n yoga uchyate || 48 ||
+ ##
+ <HR SIZE="1" WIDTH="20%">
+ ##
+ jana gaNa mana adhinaayaka jaya he
+ bhaarata bhaagya vidhaataa
+ pa.njaaba si.ndhu gujaraata maraaThaa
+ dravi.Da utkala va.nga
+ vi.ndhya himaachala yamunaa ga.ngaa
+ uchchhala jaladhi tara.nga
+ tava shubha naame jaage
+ tava shubha aashishha maage
+ gaahe tava jaya gaathaa
+ jana gaNa ma.ngala daayaka jaya he
+ bhaarata bhaagya vidhaataa
+ jaya he jaya he jaya he
+ jaya jaya jaya jaya he
+
+ - raviindranaath Taagor
+#endgujarati
+</PRE>
+
+<A NAME="itxbengsample"></A>
+<BR>
+<!-- ============================================================ -->
+<HR SIZE="7" WIDTH="100%">
+<P>
+<BR>
+
+<H3>
+ ITRANS Output - Bengali.
+</H3>
+
+<P>
+Same text as above, displayed using the Bengali font ItxBeng.
+
+<PRE>
+#bengali
+ karmaNyevaadhikaaraste maa phaleshhu kadaachana |
+ maa karmaphalaheturbhuurmaa te saN^go stvakarmaNi || 47 ||
+
+ yogasthaH kuru karmaaNi saN^ga.n tyaktvaa dhana.njaya |
+ sid.hdhyasid.hdhyoH samo bhuutvaa samatva.n yoga uchyate || 48 ||
+ ##
+ <HR SIZE="1" WIDTH="20%">
+ ##
+ jana gaNa mana adhinaayaka jaya he
+ bhaarata bhaagya vidhaataa
+ pa.njaaba si.ndhu gujaraata maraaThaa
+ dravi.Da utkala va.nga
+ vi.ndhya himaachala yamunaa ga.ngaa
+ uchchhala jaladhi tara.nga
+ tava shubha naame jaage
+ tava shubha aashishha maage
+ gaahe tava jaya gaathaa
+ jana gaNa ma.ngala daayaka jaya he
+ bhaarata bhaagya vidhaataa
+ jaya he jaya he jaya he
+ jaya jaya jaya jaya he
+
+ - rabiindranaath Thaakuur
+#endbengali
+</PRE>
+
+
+<A NAME="ncsxsample"></A>
+<BR>
+<!-- ============================================================ -->
+<HR SIZE="7" WIDTH="100%">
+<P>
+<BR>
+
+<H3>
+ ITRANS Output - Romanized Devanagari.
+</H3>
+
+
+<P>
+Same text as above, displayed using the Romanized Sanskrit font NCS_CSX+.
+This can be generated as output from ITRANS, or it can even be
+used as input to ITRANS to produce text in any other supported Indic
+Script in ITRANS.
+
+<P>
+<HR SIZE="1" WIDTH="10%">
+
+<P>
+The first four lines are the same here, they are duplicated just to
+display four variations: Bold, Bold-Italic,
+Italic, and Regular.
+
+<P>
+<PRE>
+#roman
+ ##<STRONG>##karmaNyevaadhikaaraste maa phaleshhu kadaachana |##</STRONG>##
+ ##<STRONG><EM>##karmaNyevaadhikaaraste maa phaleshhu kadaachana |##</EM></STRONG>##
+ ##<EM>##karmaNyevaadhikaaraste maa phaleshhu kadaachana |##</EM>##
+ karmaNyevaadhikaaraste maa phaleshhu kadaachana |
+ maa karmaphalaheturbhuurmaa te saN^go.astvakarmaNi || 47 ||
+
+ yogasthaH kuru karmaaNi saN^ga.n tyaktvaa dhana.njaya |
+ sid.hdhyasid.hdhyoH samo bhuutvaa samatva.n yoga uchyate || 48 ||
+ ##
+ <HR SIZE="1" WIDTH="20%">
+ ##
+ jana gaNa mana adhinaayaka jaya he
+ bhaarata bhaagya vidhaataa
+ pa.njaaba si.ndhu gujaraata maraaThaa
+ dravi.Da utkala va.nga
+ vi.ndhya himaachala yamunaa ga.ngaa
+ uchchhala jaladhi tara.nga
+ tava shubha naame jaage
+ tava shubha aashishha maage
+ gaahe tava jaya gaathaa
+ jana gaNa ma.ngala daayaka jaya he
+ bhaarata bhaagya vidhaataa
+ jaya he jaya he jaya he
+ jaya jaya jaya jaya he
+
+ - raviindranaath Taagor
+#endroman
+</PRE>
+
+<!-- ================================ trailer ========================== -->
+<P>
+<BR>
+<P>
+<HR SIZE="3" WIDTH="100%" NOSHADE>
+<P>
+<BR>
+<P>
+
+<CENTER>
+ <TABLE BORDER="1" CELLPADDING="7">
+ <TR>
+ <TD>
+ <FONT SIZE="+0"> <A HREF="./">ITRANS</A> </FONT>
+ </TD>
+ <TD>
+ <FONT SIZE="+0"> <A HREF="../avigb.html">Guestbook</A> </FONT>
+ </TD>
+ <TD>
+ <FONT SIZE="+0"> <A HREF="mailto:avinash@acm.org"> E-mail</A> </FONT>
+ </TD>
+ </TR>
+ </TABLE>
+</CENTER>
+
+<P>
+<BR>
+<P>
+<HR SIZE="3" WIDTH="100%" NOSHADE>
+
+<P>
+<BR>
+<P>
+
+<!-- =============================== end trailer ========================= -->
+
+<P>
+<ADDRESS>
+ <P align=center>
+ <B>Copyright &copy; 1995-2001 Avinash Chopde, <A href="mailto:avinash@acm.org">
+ avinash@acm.org</A>. All rights reserved.</B>
+
+ <P align=center>
+ <FONT SIZE="-2">Page URL: http://www.aczone.com/itrans/ex_ltn1.html</FONT>
+</ADDRESS>
+
+</BODY></HTML>
diff --git a/Master/texmf-dist/doc/fonts/itrans/ex_ps.itx b/Master/texmf-dist/doc/fonts/itrans/ex_ps.itx
new file mode 100644
index 00000000000..44b79ecd964
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/itrans/ex_ps.itx
@@ -0,0 +1,55 @@
+% Devanagari Example, direct PostScript output.
+% Uses the PostScript devanagari font.
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% For other languages, uncomment appropriate line:
+% /BASEFONTNAME /ItxBeng def %% define the default font to be Bengali
+% /BASEFONTNAME /ItxGuj def %% define the default font to be Gujarati
+% /BASEFONTNAME /NCS_CSX+-Roman def %% use CS/CSX font
+% /BASEFONTNAME /DevnacPlain def %% default: font is Devanagari
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% Instead of running ITRANS this way:
+% itrans -v -P -i ex_ps.itx -o ex_ps.ps
+% you can use:
+% itrans -v -i ex_ps.itx -o ex_ps.ps
+% if the following line is uncommented:
+%output=PostScript
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+% define a function that loads in the indian language font..
+/devn22 {
+ 22 normalfont % get the default font, at 22 point size
+} def
+
+#hindiifm=dvnc.ifm
+#hindifont=devn22
+
+#hindi
+ ham aapakii aa.Nkho.n me.n, is dil ko basaa de.n to
+ ham muu.Nd ke palako.n ko, is dil ko sazaa de.n to
+ ham aapakii aa.Nkho.n me.n, is dil ko basaa de.n to
+
+ in zulfo.n me.n guu.Nde.nge, ham phuul muhabbat ke
+ zulfo.n ko jhaTak kar ham, ye phuul giraa de.n to
+ in zulfo.n me.n guu.Nde.nge, ham phuul muhabbat ke
+ zulfo ko jhaTak kar ham, ye phuul giraa de.n to
+
+ ham aapakii aa.Nkho.n me.n, is dil ko basaa de to
+
+ ham aapako khvaabo.n me.n, laa laa ke sataaye.nge
+ ham aapakii aa.Nkho.n se, nii.nde.n hii uDaade.n to
+ ham aapako khvaabo.n me.n, laa, laa ke sataaye.nge
+ ham aapakii aa.Nkho.n se, nii.nde.n hii uDaade.n to
+
+ ham aapakii aa.Nkho.n me.n, is dil ko basaa de.n to
+
+ ham aapake kadamo.n par, gir jaaye.nge Gash khaa kar
+ is par bhii na ham apane, aa.nchal kii havaa de.n to
+ ham aapake kadamo.n par, gir jaaye.nge Gash khaa kar
+ is par bhii na ham apane, aa.nchal kii havaa de.n to
+
+ ham aapakii aa.Nkho.n me.n, is dil ko basaa de.n to
+ ham muu.Nd ke palako.n ko, is dil ko sazaa de.n to
+ ham aapakii aa.Nkho.n me.n, is dil ko basaa de.n to
+ ham muu.Nd ke palako.n ko, is dil ko sazaa de.n to
+ ham aapakii aa.Nkho.n me.n, is dil ko basaa de.n to
+#endhindi
diff --git a/Master/texmf-dist/doc/fonts/itrans/ex_utf8.itx b/Master/texmf-dist/doc/fonts/itrans/ex_utf8.itx
new file mode 100644
index 00000000000..da3efeee86e
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/itrans/ex_utf8.itx
@@ -0,0 +1,390 @@
+<HTML>
+<HEAD>
+<TITLE>Example: HTML Unicode output from ITRANS</TITLE>
+
+ <meta http-equiv="Content-Type" content="text/html; charset=utf-8">
+
+ <LINK REV="made" HREF="mailto:avinash@acm.org">
+
+ <style type="text/css">
+ BODY {margin-left: 10% ; margin-right: 10%}
+ </style>
+
+ <META Name="keywords" Content="ITRANS, Indian Languages, Indian Scripts,
+ Romanized Devanagari, Bengali, Gujarati, Devanagari,
+ Hindi, Marathi, Sanskrit, Tamil, Telugu, Gurmukhi, Oriya,
+ Malayalam">
+
+</HEAD>
+
+<BODY
+ TEXT="#000033" BGCOLOR="#EEEEFF"
+ LINK="#000066" VLINK="#666699" ALINK="#669966"
+ BACKGROUND="/images/smil_d3.gif">
+
+<!--
+% June 2001, example ITRANS input that produces HTML output - Unicode fonts.
+%
+% Uses the direct Text (HTML) output of ITRANS.
+% This is a ITRANS input file, here's the command to get a HTML output
+% file:
+% itrans -v -U -i ex_utf8.itx -o ex_utf8.html
+
+% Note: following ITRANS commands are in a HTML comment, but will be
+% parsed by ITRANS anyway - ITRANS comment char is %
+%
+% ITRANS 5.30 control statements: (5.30 or later required)
+#output=UTF_8
+
+% both #<lang>font and #endfont are empty - assume that user
+% has set browser to some Unicode font, so no setting is required here
+
+#indianifm=udvng.ifm
+#indianfont=
+
+#hindiifm=udvng.ifm
+#hindifont=
+
+#marathiifm=udvng.ifm
+#marathifont=
+
+#sanskritifm=udvng.ifm
+#sanskritfont=
+
+#bengaliifm=ubeng.ifm
+#bengalifont=
+
+#gujaratiifm=uguj.ifm
+#gujaratifont=
+
+#gurmukhiifm=ugur.ifm
+#gurmukhifont=
+
+#teluguifm=utel.ifm
+#telugufont=
+
+#tamilifm=utml.ifm
+#tamilfont=
+
+#kannadaifm=ukan.ifm
+#kannadafont=
+
+#romanifm=uroman.ifm
+#romanfont=
+
+% oriya and malyalam are supported in Unicode only - no TeX or PS font
+% available!
+
+#oriyaifm=uoriya.ifm
+#oriyafont=
+
+#malayalamifm=umal.ifm
+#malayalamfont=
+
+#endfont=
+-->
+
+<!-- ================================ trailer ========================== -->
+
+<CENTER>
+ <TABLE BORDER="1" CELLPADDING="7">
+ <TR>
+ <TD>
+ <FONT SIZE="+0"> <A HREF="./">ITRANS</A> </FONT>
+ </TD>
+ <TD>
+ <FONT SIZE="+0"> <A HREF="../avigb.html">Guestbook</A> </FONT>
+ </TD>
+ <TD>
+ <FONT SIZE="+0"> <A HREF="mailto:avinash@acm.org"> E-mail</A> </FONT>
+ </TD>
+ </TR>
+ </TABLE>
+</CENTER>
+
+<P>
+<BR>
+<P>
+
+<HR SIZE="3" WIDTH="100%" NOSHADE>
+<P>
+
+<!-- =============================== end trailer ========================= -->
+
+<H1 ALIGN="center">HTML Unicode UTF-8 Output</H1>
+<H2 ALIGN="center">ITRANS 5.3</H2>
+
+<HR SIZE="3" WIDTH="70%">
+
+<P>
+This text was produced by running
+<A HREF="./">ITRANS</A> in the Text (HTML) Output mode, on this
+<A HREF="exutf8.itx">input file</A> (ex_utf8.itx).
+
+ <P>
+ The Unicode output can be viewed
+ correctly on your computer if there is
+ a Unicode font with support for Indian Language Scripts installed,
+ and the web browser is configured to use that font for
+ Unicode UTF-8 documents.
+ <P>
+ ITRANS does not come with any Unicode fonts.
+ <P>
+ For Windows, there are a few Unicode fonts available, you can
+ search for them on the web.
+ One such font:
+ <A HREF="http://office.microsoft.com/downloads/2000/aruniupd.aspx">Office
+ 2000 - Arial Unicode MS Download</A> [ 15 MBytes ].
+ Note that this font does not have conjunct consonants - it uses
+ viraam to denote a half-consonant.
+
+
+<P>
+<HR SIZE="1" WIDTH="70%">
+<P>
+
+ <TD VALIGN="top">
+ <TABLE CELLSPACING="10" CELLPADDING="10" BORDER="1" VALIGN="middle">
+ <TR>
+ <TD>
+ Language/Script
+ </TD>
+ <TD>
+ Unicode Display
+ </TD>
+ <TD>
+ <FONT FACE="Courier New,Courier">
+ ITRANS input
+ </FONT>
+ </TD>
+ </TR>
+ <TR>
+ <TD>
+ <FONT>Gujarati:</FONT>
+ </TD>
+ <TD>
+ #gujarati
+ gujaraatii
+ #endgujarati
+ </TD>
+ <TD>
+ <FONT FACE="Courier New,Courier">
+ gujaraatii
+ </FONT>
+ </TD>
+ </TR>
+ <TR>
+ <TD>
+ <FONT>Hindi:</FONT>
+ </TD>
+ <TD>
+ #hindi
+ hindii
+ #endhindi
+ </TD>
+ <TD>
+ <FONT FACE="Courier New,Courier">
+ hindii
+ </FONT>
+ </TD>
+ </TR>
+ <TR>
+ <TD>
+ <FONT>Marathi:</FONT>
+ </TD>
+ <TD>
+ #marathi
+ maraaThii
+ #endmarathi
+ </TD>
+ <TD>
+ <FONT FACE="Courier New,Courier">
+ maraaThii
+ </FONT>
+ </TD>
+ </TR>
+ <TR>
+ <TD>
+ <FONT>Sanskrit:</FONT>
+ </TD>
+ <TD>
+ #sanskrit
+ sa.nskRRita
+ #endsanskrit
+ </TD>
+ <TD>
+ <FONT FACE="Courier New,Courier">
+ sa.nskRRita
+ </FONT>
+ </TD>
+ </TR>
+ <TR>
+ <TD>
+ <FONT>Bengali:</FONT>
+ </TD>
+ <TD>
+ #bengali
+ baa.nlaa
+ #endbengali
+ </TD>
+ <TD>
+ <FONT FACE="Courier New,Courier">
+ baa.nlaa
+ </FONT>
+ </TD>
+ </TR>
+ <TR>
+ <TD>
+ <FONT>Tamil:</FONT>
+ </TD>
+ <TD>
+ #tamil
+ tamiz
+ #endtamil
+ </TD>
+ <TD>
+ <FONT FACE="Courier New,Courier">
+ tamiz
+ </FONT>
+ </TD>
+ </TR>
+ <TR>
+ <TD>
+ <FONT>Kannada:</FONT>
+ </TD>
+ <TD>
+ #kannada
+ kannaDa
+ #endkannada
+ </TD>
+ <TD>
+ <FONT FACE="Courier New,Courier">
+ kannaDa
+ </FONT>
+ </TD>
+ </TR>
+ <TR>
+ <TD>
+ <FONT>Telugu:</FONT>
+ </TD>
+ <TD>
+ #telugu
+ telugu
+ #endtelugu
+ </TD>
+ <TD>
+ <FONT FACE="Courier New,Courier">
+ telugu
+ </FONT>
+ </TD>
+ </TR>
+ <TR>
+ <TD>
+ <FONT>Gurmukhi:</FONT>
+ </TD>
+ <TD>
+ #gurmukhi
+ gurmukhii
+ #endgurmukhi
+ </TD>
+ <TD>
+ <FONT FACE="Courier New,Courier">
+ gurmukhii
+ </FONT>
+ </TD>
+ </TR>
+ <TR>
+ <TD>
+ <FONT>Romanized Sanskrit:</FONT>
+ </TD>
+ <TD>
+ #roman
+ sa.nskRRita
+ #endroman
+ </TD>
+ <TD>
+ <FONT FACE="Courier New,Courier">
+ sa.nskRRita
+ </FONT>
+ </TD>
+ </TR>
+ <TR>
+ <TD>
+ <FONT>Oriya:</FONT>
+ </TD>
+ <TD>
+ #oriya
+ sa.nskRRita
+ #endoriya
+ </TD>
+ <TD>
+ <FONT FACE="Courier New,Courier">
+ sa.nskRRita
+ </FONT>
+ </TD>
+ </TR>
+ <TR>
+ <TD>
+ <FONT>Malayalam:</FONT>
+ </TD>
+ <TD>
+ #malayalam
+ sa.nskRRita
+ #endmalayalam
+ </TD>
+ <TD>
+ <FONT FACE="Courier New,Courier">
+ sa.nskRRita
+ </FONT>
+ </TD>
+ </TR>
+ </TABLE>
+
+
+<!-- ================================ trailer ========================== -->
+<P>
+<BR>
+<P>
+<HR SIZE="3" WIDTH="100%" NOSHADE>
+<P>
+<BR>
+<P>
+
+<CENTER>
+ <TABLE BORDER="1" CELLPADDING="7">
+ <TR>
+ <TD>
+ <FONT SIZE="+0"> <A HREF="./">ITRANS</A> </FONT>
+ </TD>
+ <TD>
+ <FONT SIZE="+0"> <A HREF="../avigb.html">Guestbook</A> </FONT>
+ </TD>
+ <TD>
+ <FONT SIZE="+0"> <A HREF="mailto:avinash@acm.org"> E-mail</A> </FONT>
+ </TD>
+ </TR>
+ </TABLE>
+</CENTER>
+
+<P>
+<BR>
+<P>
+<HR SIZE="3" WIDTH="100%" NOSHADE>
+
+<P>
+<BR>
+<P>
+
+<!-- =============================== end trailer ========================= -->
+
+<P>
+<ADDRESS>
+ <P align=center>
+ <B>Copyright &copy; 2001 Avinash Chopde, <A href="mailto:avinash@acm.org">
+ avinash@acm.org</A>. All rights reserved.</B>
+
+ <P align=center>
+ <FONT SIZE="-2">Page URL: http://www.aczone.com/itrans/ex_utf8.html</FONT>
+</ADDRESS>
+
+</BODY></HTML>
diff --git a/Master/texmf-dist/doc/fonts/itrans/flag.ips b/Master/texmf-dist/doc/fonts/itrans/flag.ips
new file mode 100644
index 00000000000..23e8f8abeda
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/itrans/flag.ips
@@ -0,0 +1,171 @@
+% Devanagari Example
+% $Header: /home/cvsroot/itrans/nextrel/doc/flag.ips,v 1.1.1.1 1996/11/29 01:45:31 avinash Exp $
+% This is an example direct PostScript input to the itrans program.
+% This file shows how to change fonts, change font size, etc
+% in the file..
+%
+% Prints indian anthem, flag song, and the flag itself! Must SEE!
+
+% *** Thanks to numerous others for making lots of spelling corrections
+% in the original document I wrote... [abc]
+
+% 15 englishfont % set current font to be an english font (see itrans.pro)
+% (itrans sample file: flag.ips) show
+% first, the two songs......
+
+% define functions that load in the font..
+/devn18 {
+ 18 normalfont % get the normal devnagri font, at 18 point size
+} def
+
+/devns25 {
+ 25 slantfont % define a slanted font, using the a 25pt font size
+} def
+
+#hindiifm=dvnc.ifm
+#hindifont=devn18
+
+#hindi
+vijayii vishvatira.ngaa pyaaraa |
+ jha.nDaa uu.Nchaa rahe hamaaraa ||
+sadaa shakti sarasaanevaalaa |
+premasudhaa barasaanevaalaa ||
+viiro.nko harashhaanevaalaa |
+maat.rbhuumi kaa tanamana saaraa |
+ jha.nDaa uu.Nchaa rahe hamaaraa ||
+shaana na isakii jaane paaye |
+chaahe jaana bhale hii jaaye ||
+vishvavijaya karake dikhalaaye |
+taba hove praNa puurNa hamaaraa |
+ jha.nDaa uu.Nchaa rahe hamaaraa ||
+#endhindi
+
+newline
+0.4 setlinewidth
+currentpoint
+currentpoint exch pop 0.0 exch moveto
+206 0 rmoveto 200 0 rlineto stroke % draw a straight line..
+moveto % use x,y of first currentpoint above
+ % this is important, the current point must always exist
+ % for itrans.pro and this document to print correctly:
+ % the macros newline, etc make use of it.
+newline
+
+#hindifont=devns25 % use the slanted font, 25pt font size
+
+#hindi
+ jana gaNa mana adhinaayaka jaya he
+ bhaarata bhaagya vidhaataa
+ pa.njaaba si.ndhu gujaraata maraaThaa
+ dravi.Da utkala va.nga
+ vi.ndhya himaachala yamunaa ga.ngaa
+ uchchhala jaladhi tara.nga
+ tava shubha naame jaage
+ tava shubha aashishha maage
+ gaahe tava jaya gaathaa
+ jana gaNa ma.ngala daayaka jaya he
+ bhaarata bhaagya vidhaataa
+ jaya he jaya he jaya he
+ jaya jaya jaya jaya he
+
+ - raviindranaatha Taagora #endhindi
+
+% now, code to draw an indian flag.
+% draw the center wheel
+/drawwheel { % diameter drawwheel --
+ % draws a wheel at the currentpoint, of the given diameter
+
+ 2 div /rad exch def % get radius
+ gsave
+
+ currentpoint translate
+
+ 0 0 rad 0 360 arc stroke % draw the wheel outline
+
+ % compute radius of the small circles hanging off the wheel..
+ /smallrad rad 7.5 sin mul def
+ /smallcx rad 7.5 cos mul def
+
+ 0 15 345 { % draw the 24 spokes
+ gsave
+ rotate % use the for loop variable value, 0..245
+
+ 0 0 moveto rad 0 lineto stroke % draw spoke
+
+ smallcx smallrad -1 mul smallrad 82.5 262.5 arc fill
+ grestore
+ } for
+ grestore
+} def
+
+% some color definitions
+/blackcolor {
+ 0.0 setgray
+} def
+
+/whitecolor {
+ 1.0 setgray
+} def
+
+/redcolor {
+ 1.0 0.0 0.0 setrgbcolor
+} def
+
+/bluecolor {
+ 0.0 0.0 1.0 setrgbcolor
+} def
+
+/greencolor {
+ 0.0 1.0 0.0 setrgbcolor
+} def
+
+/saffroncolor {
+ 1.0 0.34 0.0 setrgbcolor
+} def
+
+%------------------------------------------------------------------------
+% The following may be redefined to blackcolor, see below....
+
+
+% draw the entire flag
+/drawflag { % width drawwheel --
+ % draws a flag at the currentpoint, of the given width
+ % (height = width/2)
+ /width exch def
+ gsave
+ currentpoint translate
+ /height width 2.0 div def
+ /hrect height 3.0 div def
+
+ % draw bottom green rect (use intensity = 58.7%)
+ greencolor
+ 0 0 moveto width 0 lineto width hrect lineto 0 hrect lineto
+ closepath fill
+
+ % draw top saffron rect (== 100% red, 34% green use intensity=50.0%)
+ 0 hrect 2.0 mul translate
+ saffroncolor
+ 0 0 moveto width 0 lineto width hrect lineto 0 hrect lineto
+ closepath fill
+ 0 hrect -2.0 mul translate % restore matrix
+
+ % draw center wheel
+ blackcolor
+ 0.8 setlinewidth
+ width 2.0 div height 2.0 div moveto
+ hrect 0.95 mul drawwheel
+
+ % draw a boundary
+ blackcolor 0.4 setlinewidth
+ 0 0 moveto width 0 lineto width height lineto 0 height lineto
+ closepath stroke
+ 0 hrect moveto width hrect lineto stroke
+ 0 hrect hrect add moveto width hrect hrect add lineto stroke
+
+ grestore
+} def
+
+% draw the flag next to the first song...
+250 560 moveto 300 drawflag
+
+% no showpage in flag.ips, since itrans will produce it..
diff --git a/Master/texmf-dist/doc/fonts/itrans/gujdoc.itx b/Master/texmf-dist/doc/fonts/itrans/gujdoc.itx
new file mode 100644
index 00000000000..7472ba18fac
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/itrans/gujdoc.itx
@@ -0,0 +1,416 @@
+% User Documentation for the Itrans Package
+% Gujarati Transliteration Table for ItxGuj Font - PostScript Type 1, TrueType.
+
+\documentclass[11pt]{article}
+
+\usepackage[preprocess]{itrans} % Ross Moore's extensions to latex2html
+
+\usepackage{html} % from standard latex2html package
+ % if you do not have html.sty in your machine, change the html to
+ % htmlstub (htmlstub.sty is included in the ITRANS/lib directory)
+
+\portraitpage % defined in itrans.sty (idevn.tex), get a larger page size
+
+\renewcommand{\arraystretch}{1.25}
+\newcommand{\rarrow}{\mbox{---\hspace{-8pt}$>$}}
+\newcommand{\SM}{\char35gujarati}
+\newcommand{\EM}{\char35endgujarati}
+\newfont{\itxgujf}{itxguj at 15pt}
+% \newfont{\itxgujfo}{itxgujo at 15pt} % the oblique version
+% \newfont{\itxgujfre}{itxgujre at 15pt} % the scaled up (x-axis) version
+% \newfont{\itxgujfrc}{itxgujrc at 15pt} % the scaled down (x-axis) version
+\hyphenchar\itxgujf=-1 % disable hyphenation using this font
+
+#gujaratiifm=itxguj.ifm
+#gujaratifont=\itxgujf
+
+\begin{document}
+
+\footnotetext[0]{Last modification: \today}
+
+\centerline{\bf Transliteration Map}
+\medskip
+\centerline{\LARGE\bf ItxGuj Gujarati font}
+\bigskip
+\centerline{\bf itrans}
+\smallskip
+\centerline{\bf \copyright 1996--1998 Avinash Chopde}
+
+\section{Fonts Available}
+
+\subsection{\TeX\ Interface}
+
+The gujarati font is called {\em ItxGuj}, and its PostScript specification
+is in the file {\em itxguj.pfa} or {\em itxguj.pfb}.
+It is a user-defined Type I PostScript font.
+Four styles, transformations on the basic ItxGuj font,
+are bundled with the itrans package.
+Their names (in the \TeX\ interface) are itxguj, itxgujo, itxgujrc, and
+itxgujre.
+
+\begin{description}
+\item [itxguj] This is the basic gujarati font. There are some other fonts
+available, derived by transforming this font.
+\item [itxgujo] This is the slanted version of {\em itxguj}.
+\item [itxgujrc] A scaled down, compressed version
+(along the x-axis) of the basic font is available as {\em itxgujrc}.
+\item[itxgujre] This is heavier than {\em itxguj}, to be used as a bold version.
+\end{description}
+
+Since these are PostScript fonts, you can use them at any font size in
+your document.
+In this document the following line was used for
+loading the font:
+
+\noindent\verb=\newfont{\itxgujf}{itxguj at 15pt}=.
+
+Even though this document has been typeset using a 11 point size, the
+gujarati font is loaded in at 15 point size.
+This is just to emphasize the gujarati characters.
+Normally, I would suggest loading in the font at 15-20\% greater size than
+the other text in the document.
+So, if your document is being typeset at 11 point, load in the gujarati
+fonts using a 13 point size.
+Of course, this relation of size is important only if you wish to mix
+english and gujarati in the same document.
+In any case, go wild, experiment with various font sizes.
+Since the characters are described as outlines in bezier curve form,
+smaller point sizes do not look too good on a 300dpi output device, the
+larger font size makes the shapes look better in print.
+
+\subsection{Direct Textual Interface: HTML Output}
+
+This mode is provided for generating text that can be displayed
+on any WWW browser such as Netscape (version 3.0 or later).
+See the example file provided (ITRANS/doc/s1html.itx) on examples
+of how to use this mode.
+See the manual idoc.itx for information on the Direct Text Output mode
+of ITRANS.
+
+The same IFM file is used for this mode as for the \TeX\ interface.
+
+\subsection{Direct Textual Interface: PostScript Output}
+
+This interface does not offer any word-processing capabilities other
+than that of checking when a page is complete, and then
+resetting the current point to the top of the next page.
+Thus, all spaces, lines, etc from the input text appear
+in the output too.
+
+The user may also directly invoke
+PostScript commands to create various versions of the font, as required.
+Refer to PostScript language manuals for specific help regarding the
+PostScript font manipulation commands.
+If you decide to go this route, take a look at the file {\em itrans.pro},
+it is the prologue that gets sent to the printer.
+It contains definitions of various commands such as {\em normalfont},
+{\em slantfont}, {\em compressedfont}, etc, which may be used to change
+the font being used.
+These PostScript functions take a single argument:~the font size to use.
+All this and more information can be obtained from the prologue file, {\em
+itrans.pro}, and PostScript users should take a look at it.
+For example usage, look through the sample input files provided.
+Files ending in {\em .ips} are the direct PostScript input files, itrans
+(with the -P option) directly produces PostScript output for these files.
+
+The file {\em itxguj.pfb} contains the PostScript
+language program for this gujarati font.
+
+\section{ITRANS Usage}
+
+The IFM file is called {\em itxguj.ifm}, and the user needs to load this
+in the input file for ITRANS.
+The user manual for ITRANS, idoc.itx, has more information on how to use
+ITRANS.
+
+\subsection{Font Developer}
+
+This font has been developed by Shrikrishna Patil, who has been
+developing fonts for over a decade now. He has been extremely generous to
+all of us users of ITRANS, and has offered us two freeware fonts:
+one for Gujarati (ItxGuj), and one for Bengali (ItxBeng).
+I am thankful to him for this
+gift! If any one using this ITRANS package finds the need for
+fonts for Microsoft Windows
+or Apple Macintosh platforms, feel free to contact Patil at his e-mail
+address {\em sapatil@aol.com}. His fonts are available at very
+reasonable costs, around US\$50 to US\$100 depending on the font.
+
+\subsection{IFM File Creator}
+
+I would like to thank Prakash Trivedi ({\em prakash@aero.odu.edu}),
+who undertook the complex task of creating the IFM file for ItxGuj!
+This is the first time anyone else (other than me) has ventured to try
+to create a IFM file, and Prakash Trivedi not only attempted it, he also
+managed to substantially complete the task!
+This was a great help to me since last year (1995) I could not
+devote much time to ITRANS development, and with his initial work, it was
+very easy for me to complete the IFM file, and so today, ITRANS supports
+Gujarati.
+
+\subsection{Author}
+
+\noindent
+ITRANS has been developed by Avinash Chopde. \\
+E-mail:
+\htmladdnormallink{\texttt{avinash@acm.org}}{mailto:avinash@acm.org}. \\
+Home page:
+\htmladdnormallink{\texttt{http://www.aczone.com/}}{http://www.aczone.com/}
+
+\section{Transliteration Map and Examples}
+
+The following pages display the transliteration code for Gujarati, and a
+few examples. (Note that some of the example words used may not be any
+real Gujarati words! I don't know Gujarati very well, so I chose a mix of
+Marathi, Hindi, English, and Gujarati words!).
+
+\bigskip
+\hrule
+%-------------------------------------------------------------------
+\begin{htmlonly}
+\section{Gujarati Table}
+\end{htmlonly}
+
+\begin{table}[hp]
+\begin{center}
+\begin{tabular}{c@{\hspace{1in}}c@{\hspace{1in}}c}
+% --- first col is vowels inside a tabular
+\begin{makeimage}
+\begin{tabular}{|c|c|}
+\multicolumn{2}{c}{Vowels} \\
+\hline
+{#gujarati a #endgujarati} & {\tt a} \\ \hline
+{#gujarati aa #endgujarati} & {\tt aa {\it or} A} \\ \hline
+{#gujarati i #endgujarati} & {\tt i} \\ \hline
+{#gujarati ii #endgujarati} & {\tt ii {\it or} I} \\ \hline
+{#gujarati u #endgujarati} & {\tt u} \\ \hline
+{#gujarati uu #endgujarati} & {\tt uu {\it or} U} \\ \hline
+{#gujarati R^i #endgujarati} & {\tt RRi {\it or} R\char`^i} \\ \hline
+{#gujarati e #endgujarati} & {\tt e} \\ \hline
+{#gujarati ai #endgujarati} & {\tt ai} \\ \hline
+{#gujarati o #endgujarati} & {\tt o} \\ \hline
+{#gujarati au #endgujarati} & {\tt au} \\ \hline
+{#gujarati aM #endgujarati} & {\tt {\it a}M} \\ \hline
+{#gujarati aH #endgujarati} & {\tt {\it a}H} \\ \hline
+\multicolumn{2}{c}{} \\
+\multicolumn{2}{c}{} \\
+\multicolumn{2}{c}{Digits} \\
+{#gujarati 0 #endgujarati} & {\tt 0} \\ \hline
+{#gujarati 1 #endgujarati} & {\tt 1} \\ \hline
+{#gujarati 2 #endgujarati} & {\tt 2} \\ \hline
+{#gujarati 3 #endgujarati} & {\tt 3} \\ \hline
+{#gujarati 4 #endgujarati} & {\tt 4} \\ \hline
+{#gujarati 5 #endgujarati} & {\tt 5} \\ \hline
+{#gujarati 6 #endgujarati} & {\tt 6} \\ \hline
+{#gujarati 7 #endgujarati} & {\tt 7} \\ \hline
+{#gujarati 8 #endgujarati} & {\tt 8} \\ \hline
+{#gujarati 9 #endgujarati} & {\tt 9} \\ \hline
+\end{tabular}
+\end{makeimage}
+% --- end first col
+&
+% --- second col is consonants
+\begin{makeimage}
+\begin{tabular}{|c|c|}
+\multicolumn{2}{c}{Consonants} \\
+\hline
+{#gujarati ka #endgujarati} & {\tt k{\it a}} \\ \hline
+{#gujarati kha #endgujarati} & {\tt kh{\it a}} \\ \hline
+{#gujarati ga #endgujarati} & {\tt g{\it a}} \\ \hline
+{#gujarati gha #endgujarati} & {\tt gh{\it a}} \\ \hline
+{#gujarati cha #endgujarati} & {\tt ch{\it a}} \\ \hline
+{#gujarati Cha #endgujarati} & {\tt Ch{\it a or} chh{\it a}} \\ \hline
+{#gujarati ja #endgujarati} & {\tt j{\it a}} \\ \hline
+{#gujarati jha #endgujarati} & {\tt jh{\it a}} \\ \hline
+{#gujarati Ta #endgujarati} & {\tt T{\it a}} \\ \hline
+{#gujarati Tha #endgujarati} & {\tt Th{\it a}} \\ \hline
+{#gujarati Da #endgujarati} & {\tt D{\it a}} \\ \hline
+{#gujarati Dha #endgujarati} & {\tt Dh{\it a}} \\ \hline
+{#gujarati Na #endgujarati} & {\tt N{\it a}} \\ \hline
+{#gujarati ta #endgujarati} & {\tt t{\it a}} \\ \hline
+{#gujarati tha #endgujarati} & {\tt th{\it a}} \\ \hline
+{#gujarati da #endgujarati} & {\tt d{\it a}} \\ \hline
+{#gujarati dha #endgujarati} & {\tt dh{\it a}} \\ \hline
+{#gujarati na #endgujarati} & {\tt n{\it a}} \\ \hline
+{#gujarati pa #endgujarati} & {\tt p{\it a}} \\ \hline
+{#gujarati pha #endgujarati} & {\tt ph{\it a}} \\ \hline
+{#gujarati ba #endgujarati} & {\tt b{\it a}} \\ \hline
+{#gujarati bha #endgujarati} & {\tt bh{\it a}} \\ \hline
+{#gujarati ma #endgujarati} & {\tt m{\it a}} \\ \hline
+{#gujarati ya #endgujarati} & {\tt y{\it a}} \\ \hline
+{#gujarati ra #endgujarati} & {\tt r{\it a}} \\ \hline
+{#gujarati la #endgujarati} & {\tt l{\it a}} \\ \hline
+{#gujarati va #endgujarati} & {\tt v{\it a or} w{\it a}} \\ \hline
+{#gujarati sha #endgujarati} & {\tt sh{\it a}} \\ \hline
+{#gujarati Sha #endgujarati} & {\tt Sh{\it a or} shh{\it a}} \\ \hline
+{#gujarati sa #endgujarati} & {\tt s{\it a}} \\ \hline
+{#gujarati ha #endgujarati} & {\tt h{\it a}} \\ \hline
+{#gujarati lda #endgujarati} & {\tt ld{\it a or} L{\it a}} \\ \hline
+{#gujarati kSha #endgujarati} & {\tt kSh{\it a or} x{\it a}} \\ \hline
+{#gujarati j~na #endgujarati} & {\tt j\char`~n{\it a or} GY{\it a}} \\ \hline
+\end{tabular}
+\end{makeimage}
+% --- end second col
+&
+% --- third col of specials/accents inside a tabular
+\begin{makeimage}
+\begin{tabular}{|c|c|}
+\multicolumn{2}{c}{Specials/Accents} \\
+\hline
+{#gujarati Rga #endgujarati} & {\tt R{\it ga}} \\ \hline
+{#gujarati rga #endgujarati} & {\tt rga {\it or} {\it ga}\char`^r} \\ \hline
+{#gujarati ga.n #endgujarati} & {\tt {\it ga}.n} \\ \hline
+{#gujarati aa.c #endgujarati} & {\tt {\it aa}.c} \\ \hline
+{#gujarati Da.N #endgujarati} & {\tt {\it Da}.N} \\ \hline
+{#gujarati D.h #endgujarati} & {\tt {\it D}.h} \\ \hline
+{#gujarati duH #endgujarati} & {\tt {\it du}H} \\ \hline
+{#gujarati AUM #endgujarati} & {\tt AUM} or {\tt OM} \\ \hline
+\end{tabular}
+\end{makeimage}
+\\
+\end{tabular} % end the larger tabular encompassing all four tables
+\hfill
+\\
+\end{center}
+\caption {\bf ITRANS: Gujarati to English Transliteration Table.}
+\label{ienc}
+\end{table}
+
+%-------------------------------------------------------------------
+\begin{htmlonly}
+\section{Gujarati Examples}
+\end{htmlonly}
+
+\begin{table}[hp]
+\vspace*{-1.25in}
+\hspace*{0in}\mbox{\vbox{
+\begin{center}
+\begin{makeimage}
+\begin{tabular}{|c|c|}
+\hline
+{#gujarati ka kaa ki kii ku kuu #endgujarati}
+& {\tt ka kaa ki kii ku kuu} \\ \hline
+{#gujarati sa saa si sii su suu #endgujarati}
+& {\tt sa saa si sii su suu} \\ \hline
+{#gujarati khRRi khe khai khaM khaH kha.c kha.N #endgujarati}
+& {\tt khRRi khe khai khaM khaH kha.c kha.N} \\ \hline
+{#gujarati De Dai DaM DaH Da.c Da.N #endgujarati}
+& {\tt De Dai DaM DaH Da.c Da.N} \\ \hline
+\end{tabular}
+\end{makeimage}
+\\
+\vspace{0.1in}
+{Sample Letters}
+\smallskip
+\\
+\begin{makeimage}
+\begin{tabular}{|c|c|}
+\hline
+{#gujarati bhaagya #endgujarati} & {\tt bhaagya} \\ \hline
+{#gujarati raajya #endgujarati} & {\tt raajya} \\ \hline
+{#gujarati vidyaa #endgujarati} & {\tt vidyaa} \\ \hline
+{#gujarati shishhya #endgujarati} & {\tt shishhya} \\ \hline
+{#gujarati mukhya #endgujarati} & {\tt mukhya} \\ \hline
+{#gujarati gaaDyaa #endgujarati} & {\tt gaaDyaa} \\ \hline
+{#gujarati tyaag #endgujarati} & {\tt tyaag} \\ \hline
+{#gujarati dhyaan #endgujarati} & {\tt dhyaan} \\ \hline
+{#gujarati nyaay #endgujarati} & {\tt nyaay} \\ \hline
+{#gujarati shyaam #endgujarati} & {\tt shyaam} \\ \hline
+{#gujarati jyot #endgujarati} & {\tt jyot} \\ \hline
+{#gujarati manushhy #endgujarati} & {\tt manushhy} \\ \hline
+{#gujarati chaa.ndaNyaa #endgujarati} & {\tt chaa.ndaNyaa} \\ \hline
+{#gujarati abhyaas #endgujarati} & {\tt abhyaas} \\ \hline
+{#gujarati kalyaaN #endgujarati} & {\tt kalyaaN} \\ \hline
+{#gujarati ghaDyaald #endgujarati} & {\tt ghaDyaald} \\ \hline
+{#gujarati kachchaa #endgujarati} & {\tt kachchaa} \\ \hline
+{#gujarati khaDDaa #endgujarati} & {\tt khaDDaa} \\ \hline
+{#gujarati khaD.hDaa #endgujarati} & {\tt khaD.hDaa} \\ \hline
+{#gujarati gaThThaa #endgujarati} & {\tt gaThThaa} \\ \hline
+{#gujarati dhakkaa #endgujarati} & {\tt dhakkaa} \\ \hline
+{#gujarati pattaa #endgujarati} & {\tt pattaa} \\ \hline
+{#gujarati tippat #endgujarati} & {\tt tippat} \\ \hline
+{#gujarati pannaas #endgujarati} & {\tt pannaas} \\ \hline
+{#gujarati sajjan #endgujarati} & {\tt sajjan} \\ \hline
+{#gujarati pustak #endgujarati} & {\tt pustak} \\ \hline
+\end{tabular}
+\end{makeimage}
+\hspace{0.75in}
+\begin{makeimage}
+\begin{tabular}{|c|c|}
+\hline
+{#gujarati kasturii #endgujarati} & {\tt kasturii} \\ \hline
+{#gujarati naastik #endgujarati} & {\tt naastik} \\ \hline
+{#gujarati praapt #endgujarati} & {\tt praapt} \\ \hline
+{#gujarati swata.ntr #endgujarati} & {\tt swata.ntr} \\ \hline
+{#gujarati svaata.ntry #endgujarati} & {\tt svaata.ntry} \\ \hline
+{#gujarati dhvanii #endgujarati} & {\tt dhvanii} \\ \hline
+{#gujarati goshhT #endgujarati} & {\tt goshhT} \\ \hline
+{#gujarati yuddh #endgujarati} & {\tt yuddh} \\ \hline
+{#gujarati yud.hdh #endgujarati} & {\tt yud.hdh} \\ \hline
+{#gujarati pashchim #endgujarati} & {\tt pashchim} \\ \hline
+{#gujarati phakt #endgujarati} & {\tt phakt} \\ \hline
+{#gujarati tarhaa #endgujarati} & {\tt tarhaa} \\ \hline
+{#gujarati artha #endgujarati} & {\tt artha} \\ \hline
+{#gujarati kartaa #endgujarati} & {\tt kartaa} \\ \hline
+{#gujarati gardii #endgujarati} & {\tt gardii} \\ \hline
+{#gujarati nirNay #endgujarati} & {\tt nirNay} \\ \hline
+{#gujarati patra #endgujarati} & {\tt patra} \\ \hline
+{#gujarati trikoN #endgujarati} & {\tt trikoN} \\ \hline
+{#gujarati shraavaN #endgujarati} & {\tt shraavaN} \\ \hline
+{#gujarati aashram #endgujarati} & {\tt aashram} \\ \hline
+{#gujarati shushruushhaa #endgujarati} & {\tt shushruushhaa} \\ \hline
+{#gujarati gra.nth #endgujarati} & {\tt gra.nth} \\ \hline
+{#gujarati prajaa #endgujarati} & {\tt prajaa} \\ \hline
+{#gujarati draakShe #endgujarati} & {\tt draakShe} \\ \hline
+{#gujarati gRRihasth #endgujarati} & {\tt gRRihasth} \\ \hline
+{#gujarati prakR^itii #endgujarati} & {\tt prakR\char`^itii} \\ \hline
+\end{tabular}
+\end{makeimage}
+\\
+\medskip
+{Sample Words}
+\\
+\end{center}
+}} % end hbox and vbox
+\caption {\bf Examples}
+\end{table}
+
+\begin{table}
+\vspace*{-1.25in}
+\begin{center}
+\begin{makeimage}
+\begin{tabular}{|c|c|}
+\hline
+{#gujarati shubhra #endgujarati} & {\tt shubhra} \\ \hline
+{#gujarati sahastra #endgujarati} & {\tt sahastra} \\ \hline
+{#gujarati kriiDaa #endgujarati} & {\tt kriiDaa} \\ \hline
+{#gujarati svachchh #endgujarati} & {\tt svachchh} \\ \hline
+{#gujarati svaruup #endgujarati} & {\tt svaruup} \\ \hline
+{#gujarati Trak #endgujarati} & {\tt Trak} \\ \hline
+{#gujarati aamhii #endgujarati} & {\tt aamhii} \\ \hline
+{#gujarati chaturthii #endgujarati} & {\tt chaturthii} \\ \hline
+{#gujarati RRituu #endgujarati} & {\tt RRituu} \\ \hline
+{#gujarati aa.cktobar #endgujarati} & {\tt aa.cktobar} \\ \hline
+{#gujarati novhe.nbar #endgujarati} & {\tt novhe.nbar} \\ \hline
+{#gujarati gra.cm #endgujarati} & {\tt gra.cm} \\ \hline
+{#gujarati uu.Nchaa #endgujarati} & {\tt uu.Nchaa} \\ \hline
+{#gujarati bailagaaDii #endgujarati} & {\tt bailagaaDii} \\ \hline
+{#gujarati gurudvaaraa #endgujarati} & {\tt gurudvaaraa}\\ \hline
+{#gujarati gurud.hvaaraa #endgujarati} & {\tt gurud.hvaaraa}\\ \hline
+{#gujarati niraaldyaa #endgujarati} & {\tt niraaldyaa} \\ \hline
+{#gujarati GYaan #endgujarati} & {\tt GYaan} \\ \hline
+{#gujarati meka.cnik #endgujarati} & {\tt meka.cnik} \\ \hline
+{#gujarati mhais #endgujarati} & {\tt mhais} \\ \hline
+{#gujarati deNaaryaa #endgujarati} & {\tt deNaaryaa} \\ \hline
+{#gujarati pratishhThaa #endgujarati} & {\tt pratishhThaa} \\ \hline
+{#gujarati itihaas #endgujarati} & {\tt itihaas} \\ \hline
+{#gujarati aasthaabaddh #endgujarati} & {\tt aasthaabaddh} \\ \hline
+{#gujarati a.ntarraashhTriiy #endgujarati} & {\tt a.ntarraashhTriiy} \\ \hline
+\end{tabular}
+\end{makeimage}
+\end{center}
+\smallskip
+\caption {\bf Examples}
+\end{table}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/itrans/icsx.itx b/Master/texmf-dist/doc/fonts/itrans/icsx.itx
new file mode 100644
index 00000000000..cd6ab99b1ca
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/itrans/icsx.itx
@@ -0,0 +1,395 @@
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% CS/CSX Encoding User Doc for ITRANS (Version 4.00 and above)
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\documentclass[11pt]{article}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\usepackage[preprocess]{itrans} % Ross Moore's extensions to latex2html
+
+\usepackage{html} % from standard latex2html package
+ % if you do not have html.sty in your machine, change the html to
+ % htmlstub (htmlstub.sty is included in the ITRANS/lib directory)
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+#useshortmarkers % ITRANS command. Allows me to use ##
+ % instead of #indian and #endindian
+ % June '98: changed all ## to #indian, to allow
+ % the use of Ross Moore's latex2html ITRANS
+ % extensions.
+
+#usecsx % ITRANS command. Accept CS/CSX encoded text.
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% -- devanagari
+#hindiifm=dvng.ifm % ITRANS command
+#hindifont=\fransdvng % ITRANS command: argument specifies use of
+ % Frans's font, fransdvng is a command defined
+ % in idevn.tex (itrans.sty loads this)
+
+%begin{latexonly}
+\let\usedvng=\largedvng % override the default size (normaldvng)
+%end{latexonly}
+
+% -- telugu
+\newfont{\tlg}{tel18}
+\hyphenchar\tlg=-1 % disable hyphenation using this font
+
+#teluguifm=tlgutx.ifm
+#telugufont=\tlg
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\portraitpage % from itrans.sty/idevn.tex (also: \landscapepage)
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\def\diatop[#1|#2]{{\setbox1=\hbox{{#1{}}}\setbox2=\hbox{{#2{}}}%
+ \dimen0=\ifdim\wd1>\wd2\wd1\else\wd2\fi%
+ \dimen1=\ht2\advance\dimen1by-1ex%
+ \setbox1=\hbox to1\dimen0{\hss#1\hss}%
+ \rlap{\raise1\dimen1\box1}%
+ \hbox to1\dimen0{\hss#2\hss}}}%
+%e.g. of use: \diatop[\'|{\=o}] gives u macron acute
+
+\begin{document}
+
+\footnotetext[0]{Last modification: \today}
+
+\centerline{\bf Transliteration Map}
+\medskip
+\centerline{\LARGE\bf CS/CSX Encoding}
+\medskip
+\centerline{\bf itrans}
+\smallskip
+\centerline{\bf \copyright 1994--1998 Avinash Chopde}
+
+\section{CS/CSX Encoding}
+
+During the 8th World Sanskrit Conference, Vienna 1990, a panel
+was held to discuss the standardization of Sanskrit for
+electronic data transfer.
+Dominik Wujastyk presented a paper, titled ``Standardization of Sanskrit for
+Electronic Data Transfer and Screen Representation,'' which outlines the
+Classical Sanskrit and Classical Sanskrit Extended Encoding.
+The original paper is available in a .zip archive, named ``iass.zip''.
+Use archie to locate FTP sites that store iass.zip, if you need the original
+paper, as of this writing, it was available at:
+{\verb= ftp.bcc.ac.uk:/pub/users/ucgadkw/indology=}.
+
+{\sc itrans} now supports CS/CSX, in a limited form.
+
+To turn on recognition of CS/CSX encoded text, use this command before
+the CS encoded text:
+
+{\tt \char35 usecsx}
+
+If necessary, you can turn off recognition of CS/CSX encoded text (and revert
+to ITRANS only encoding), by using this command:
+
+{\tt \char35 ignorecsx}
+
+Both
+{\tt \char35 usecsx}
+and
+{\tt \char35 ignorecsx}
+apply to the text that follows in the file.
+
+\subsection{Avoid Capitals or Uppercase Characters}
+
+CS/CSX is a case-insensitive encoding, both uppercase and lowercase
+characters have the same meaning, but ITRANS is case-sensitive.
+Thus, an uppercase character in ITRANS is encoded to a different devanagari
+character from its lowercase counterpart.
+
+This means that when you create input text in CSX, do not use uppercase
+characters. ITRANS differentiates between lower case and uppercase characters.
+For example, entering {\tt la} results in #hindi la#endhindi, but entering
+{\tt La} results in a different character: #hindi La#endhindi.
+
+(If you already have input text that is in CS/CSX encoding and it also uses
+uppercase characters, use some text editor or word processor to convert
+all the uppercase characters to lowercase. This can be done easily using
+the text editors such as emacs, or programs such as {\tt tr} (available
+on UNIX machines, and also available for MS-DOS systems).)
+
+Table~\ref{ienc} provides the complete input encoding
+accepted by ITRANS.
+Note that technically, this uppercase character limitation
+applies only to the ASCII character codes (those
+less than 128). CS/CSX character codes over 128 are handled correctly
+in ITRANS (by correct, I mean handling them with CS/CSX meanings).
+But, it is simpler to just avoid using any uppercase characters at all.
+The tables in this document should clarify all this.
+
+Table~\ref{csx} lists the non-ASCII character codes (128 to 255)
+accepted by ITRANS.
+
+%------------------------------------------------------------------------
+\begin{htmlonly}
+\subsection{CS/CSX Table of non-ASCII codes (128 to 255)}
+\end{htmlonly}
+
+% Table 1
+\begin{table}[ht]
+\begin{center}
+\hspace*{-20pt}\begin{tabular}{cc}
+\begin{makeimage}
+\begin{tabular}{|c|c|c|}
+\hline
+devanagari & {\sc cs/csx} char & {\sc cs/csx} char code \\ \hline
+{#hindi aa #endhindi} & {\a=a} & {\tt 224} \\ \hline
+{#hindi aa #endhindi} & {\a=A} & {\tt 226} \\ \hline
+{#hindi uu #endhindi} & {\a=u} & {\tt 229} \\ \hline
+{#hindi uu #endhindi} & {\a=U} & {\tt 230} \\ \hline
+{#hindi R^i #endhindi} & {\d r} & {\tt 231} \\ \hline
+{#hindi R^i #endhindi} & {\d R} & {\tt 232} \\ \hline
+{#hindi R^I #endhindi} & {\diatop[\a=|\d r]} & {\tt 233} \\ \hline
+{#hindi R^I #endhindi} & {\diatop[\a=|\d R]} & {\tt 234} \\ \hline
+{#hindi L^i #endhindi} & {\d l} & {\tt 235} \\ \hline
+{#hindi L^i #endhindi} & {\d L} & {\tt 236} \\ \hline
+{#hindi L^I #endhindi} & {\diatop[\a=|\d l]} & {\tt 237} \\ \hline
+{#hindi L^I #endhindi} & {\diatop[\a=|\d L]} & {\tt 238} \\ \hline
+{#hindi ~Na #endhindi} & {\.n} & {\tt 239} \\ \hline
+{#hindi ~Na #endhindi} & {\.N} & {\tt 240} \\ \hline
+{#hindi ~na #endhindi} & {\~ n} & {\tt 164} \\ \hline
+{#hindi Ta #endhindi} & {\d t} & {\tt 241} \\ \hline
+{#hindi Ta #endhindi} & {\d T} & {\tt 242} \\ \hline
+{#hindi Tha #endhindi} & {\d th} & {\tt 241 + h} \\ \hline
+{#hindi Tha #endhindi} & {\d Th} & {\tt 242 + h} \\ \hline
+\multicolumn{3}{c}{ }
+\end{tabular}
+\end{makeimage}
+&
+\begin{makeimage}
+\begin{tabular}{|c|c|c|}
+\hline
+devanagari & {\sc cs/csx} char & {\sc cs/csx} char code \\ \hline
+{#hindi Da #endhindi} & {\d d} & {\tt 243} \\ \hline
+{#hindi Da #endhindi} & {\d D} & {\tt 244} \\ \hline
+{#hindi Dha #endhindi} & {\d dh} & {\tt 243 + h} \\ \hline
+{#hindi Dha #endhindi} & {\d Dh} & {\tt 244 + h} \\ \hline
+{#hindi Na #endhindi} & {\d n} & {\tt 245} \\ \hline
+{#hindi Na #endhindi} & {\d N} & {\tt 246} \\ \hline
+{#hindi sha #endhindi} & {\a's} & {\tt 247} \\ \hline
+{#hindi sha #endhindi} & {\a'S} & {\tt 248} \\ \hline
+{#hindi shha #endhindi} & {\d s} & {\tt 249} \\ \hline
+{#hindi shha #endhindi} & {\d S} & {\tt 250} \\ \hline
+{#hindi La #endhindi} & {\b l} & {\tt 215} \\ \hline
+{#hindi .n #endhindi} & {\d m} & {\tt 252} \\ \hline
+{#hindi .n #endhindi} & {\d M} & {\tt 253} \\ \hline
+{#hindi .n #endhindi} & {\. m} & {\tt 167} \\ \hline
+{#hindi H #endhindi} & {\d h} & {\tt 254} \\ \hline
+{#hindi H #endhindi} & {\d H} & {\tt 255} \\ \hline
+{#telugu Ra #endtelugu (telugu)} & {\b r} & {\tt 159} \\ \hline
+\end{tabular}
+\end{makeimage}
+\end{tabular}
+\end{center}
+\caption {{\bf CS/CSX Mapping} (shows non-ASCII char codes only).}
+\label{csx}
+\end{table}
+
+\subsection{Incomplete CS/CSX Support}
+
+There are many characters in CS/CSX that are currently not mapped by ITRANS,
+simply because I do not know what devanagari characters (if any) they
+stand for.
+
+For example, \~ l is present in the CS table, but I don't know what
+it represents, so, it is currently unrecognized by ITRANS.
+If you find such gaps and know what devanagari or tamil or telugu character
+it stands for, please send me e-mail, so that I can include it in the
+next release of ITRANS. My e-mail address is available elsewhere in this
+document.
+Feel free to send me mail on any other issues regarding CS/CSX support
+in ITRANS, too.
+
+\subsection{Breaking the lexical scan in ITRANS}
+
+ITRANS always matches the largest possible input sequence when scanning
+the input. Thus, in devanagari, {\tt sha} will produce #hindi sha #endhindi even when
+usecsx is in effect.
+If instead you need ITRANS to recognize it as two different consonants,
+you should use the lexical scan break character, the underscore.
+Thus, typing {\tt s\_ha} will result in #hindi s_ha #endhindi.
+
+This is a thing to watch out for in all cases where some character has
+a multiple letter mapping, and each letter by itself also represents some
+other character.
+In the above example, {\tt sh} is the two letter map, and both
+{\tt s} and {\tt h} represent other characters.
+
+\section{ITRANS Encoding Accepted along with CS/CSX}
+
+Even when {\tt \char35usecsx} is in effect, the other ITRANS mappings
+are still accepted.
+Actually, even without the usecsx command, ITRANS will still accept all
+the CS/CSX character codes. The only reason the usecsx command is needed
+is to disambiguate the #hindi ca #endhindi and #hindi cha #endhindi characters. ITRANS by default
+uses {\tt cha} and {\tt chha} to denote #hindi ca #endhindi and #hindi cha #endhindi, but CS/CSX
+uses {\tt ca} and {\tt cha}. To handle this difference, the
+{\tt \char35usecsx} command had to be introduced.
+
+Though this document shows only the Devanagari script, CS/CSX can be used
+in ITRANS with every Indic Script that ITRANS supports.
+For more details on those languages, consult the documentation for that
+specific language. For Devanagari, consult dnvc.itx or dvng.itx, for Tamil,
+tamil.itx, for Bengali, beng.itx, for Telugu tlgutx.itx, for Punjabi
+pundoc.itx, for Romanized Sanskrit romancsx.itx.
+
+\subsection{Converting CSX Encoding to ITRANS Encoding}
+
+Sometimes, it is useful to convert input text from the 8-bit CS/CSX encoding
+to the 7-bit ITRANS Encoding (ASCII text).
+Many computers still do not have good 8-bit editing tools, and even if
+such tools are present, the CS/CSX font may not be available, in which case
+editing CSX texts becomes cumbersome.
+
+To convert input text from CS/CSX encoding to ITRANS encoding, the program
+{\bf csx2i} has been provided. It is present in the {\tt src/} directory
+of the ITRANS distribution. For x86 MS-DOS compatible machines, an executable
+is also provided. Given a file called {\tt input.csx} which contains
+text in CS/CSX encoding, to convert it to ITRANS encoding in a file called
+{\tt output}, run it like this:
+
+{\tt csx2i < input.csx > output}
+
+C-source code to csx2i is provided, in file csx2i.c, and it should compile
+easily on every platform.
+
+Once the file {\tt output} is checked over for manual corrections, you
+can embed that text in between ITRANS commands, and process it like any
+other ITRANS input file.
+
+\vfill
+
+\subsection{Author}
+
+\noindent
+ITRANS has been developed by Avinash Chopde. \\
+E-mail:
+\htmladdnormallink{\texttt{avinash@acm.org}}{mailto:avinash@acm.org}. \\
+Home page:
+\htmladdnormallink{\texttt{http://www.aczone.com/}}{http://www.aczone.com/}
+
+\bigskip
+\hrule
+%-------------------------------------------------------------------
+\begin{htmlonly}
+\section{Devanagari Table}
+\end{htmlonly}
+
+\begin{table}[hp]
+\begin{center}
+\begin{tabular}{c@{\hspace{1in}}c@{\hspace{1in}}c}
+% --- first col is vowels inside a tabular
+\begin{makeimage}
+\begin{tabular}{|c|c|}
+\multicolumn{2}{c}{Vowels} \\
+\hline
+{#hindi a #endhindi} & {\tt a} \\ \hline
+{#hindi aa #endhindi} & {\tt aa {\it or} A} \\ \hline
+{#hindi i #endhindi} & {\tt i} \\ \hline
+{#hindi ii #endhindi} & {\tt ii {\it or} I} \\ \hline
+{#hindi u #endhindi} & {\tt u} \\ \hline
+{#hindi uu #endhindi} & {\tt uu {\it or} U} \\ \hline
+{#hindi R^i #endhindi} & {\tt RRi {\it or} R\char`^i} \\ \hline
+{#hindi R^I #endhindi} & {\tt RRI {\it or} R\char`^I} \\ \hline
+{#hindi L^i #endhindi} & {\tt LLi {\it or} L\char`^i} \\ \hline
+{#hindi L^I #endhindi} & {\tt LLI {\it or} L\char`^I} \\ \hline
+{#hindi e #endhindi} & {\tt e} \\ \hline
+{#hindi ai #endhindi} & {\tt ai} \\ \hline
+{#hindi o #endhindi} & {\tt o} \\ \hline
+{#hindi au #endhindi} & {\tt au} \\ \hline
+{#hindi aM #endhindi} & {\tt {\it a}M} \\ \hline
+{#hindi aH #endhindi} & {\tt {\it a}H} \\ \hline
+\multicolumn{2}{c}{} \\
+\multicolumn{2}{c}{} \\
+\multicolumn{2}{c}{Digits} \\
+\hline
+{#hindi 0 #endhindi} & {\tt 0} \\ \hline
+{#hindi 1 #endhindi} & {\tt 1} \\ \hline
+{#hindi 2 #endhindi} & {\tt 2} \\ \hline
+{#hindi 3 #endhindi} & {\tt 3} \\ \hline
+{#hindi 4 #endhindi} & {\tt 4} \\ \hline
+{#hindi 5 #endhindi} & {\tt 5} \\ \hline
+{#hindi 6 #endhindi} & {\tt 6} \\ \hline
+{#hindi 7 #endhindi} & {\tt 7} \\ \hline
+{#hindi 8 #endhindi} & {\tt 8} \\ \hline
+{#hindi 9 #endhindi} & {\tt 9} \\ \hline
+\end{tabular}
+\end{makeimage}
+% --- end first col
+&
+% --- second col is consonants
+\begin{makeimage}
+\begin{tabular}{|c|c|}
+\multicolumn{2}{c}{Consonants} \\
+\hline
+{#hindi ka #endhindi} & {\tt k{\it a}} \\ \hline
+{#hindi kha #endhindi} & {\tt kh{\it a}} \\ \hline
+{#hindi ga #endhindi} & {\tt g{\it a}} \\ \hline
+{#hindi gha #endhindi} & {\tt gh{\it a}} \\ \hline
+{#hindi ~Na #endhindi} & {\tt \char`~N{\it a or} N\char`^{\it a}} \\ \hline
+{#hindi ca #endhindi} & {\tt c{\it a}} \\ \hline
+{#hindi cha #endhindi} & {\tt ch{\it a or} chh{\it a}} \\ \hline
+{#hindi ja #endhindi} & {\tt j{\it a}} \\ \hline
+{#hindi jha #endhindi} & {\tt jh{\it a}} \\ \hline
+{#hindi ~na #endhindi} & {\tt \char`~n{\it a or} JN{\it a}} \\ \hline
+{#hindi Ta #endhindi} & {\tt T{\it a}} \\ \hline
+{#hindi Tha #endhindi} & {\tt Th{\it a}} \\ \hline
+{#hindi Da #endhindi} & {\tt D{\it a}} \\ \hline
+{#hindi Dha #endhindi} & {\tt Dh{\it a}} \\ \hline
+{#hindi Na #endhindi} & {\tt N{\it a}} \\ \hline
+{#hindi ta #endhindi} & {\tt t{\it a}} \\ \hline
+{#hindi tha #endhindi} & {\tt th{\it a}} \\ \hline
+{#hindi da #endhindi} & {\tt d{\it a}} \\ \hline
+{#hindi dha #endhindi} & {\tt dh{\it a}} \\ \hline
+{#hindi na #endhindi} & {\tt n{\it a}} \\ \hline
+{#hindi pa #endhindi} & {\tt p{\it a}} \\ \hline
+{#hindi pha #endhindi} & {\tt ph{\it a}} \\ \hline
+{#hindi ba #endhindi} & {\tt b{\it a}} \\ \hline
+{#hindi bha #endhindi} & {\tt bh{\it a}} \\ \hline
+{#hindi ma #endhindi} & {\tt m{\it a}} \\ \hline
+{#hindi ya #endhindi} & {\tt y{\it a}} \\ \hline
+{#hindi ra #endhindi} & {\tt r{\it a}} \\ \hline
+{#hindi la #endhindi} & {\tt l{\it a}} \\ \hline
+{#hindi va #endhindi} & {\tt v{\it a or} w{\it a}} \\ \hline
+{#hindi sha #endhindi} & {\tt sh{\it a}} \\ \hline
+{#hindi Sha #endhindi} & {\tt Sh{\it a or} shh{\it a}} \\ \hline
+{#hindi sa #endhindi} & {\tt s{\it a}} \\ \hline
+{#hindi ha #endhindi} & {\tt h{\it a}} \\ \hline
+{#hindi La #endhindi} & {\tt ld{\it a or} L{\it a}} \\ \hline
+{#hindi kSha #endhindi} & {\tt kSh{\it a or} x{\it a}} \\ \hline
+{#hindi j~na #endhindi} & {\tt j\char`~n{\it a or} GY{\it a}} \\ \hline
+\end{tabular}
+\end{makeimage}
+% --- end second col
+&
+% --- third col of specials/accents inside a tabular
+\begin{makeimage}
+\begin{tabular}{|c|c|}
+\multicolumn{2}{c}{Specials/Accents} \\
+\hline
+{#hindi qa #endhindi} & {\tt q{\it a}} \\ \hline
+{#hindi Ka #endhindi} & {\tt K{\it a}} \\ \hline
+{#hindi Ga #endhindi} & {\tt G{\it a}} \\ \hline
+{#hindi za #endhindi} & {\tt J{\it a or} z{\it a}} \\ \hline
+{#hindi fa #endhindi} & {\tt f{\it a}} \\ \hline
+{#hindi .Da #endhindi} & {\tt .D{\it a}} \\ \hline
+{#hindi .Dha #endhindi} & {\tt .Dh{\it a}} \\ \hline
+{#hindi AUM #endhindi} & {\tt AUM} or {\tt OM} \\ \hline
+{#hindi Rga #endhindi} & {\tt R{\it ga}} \\ \hline
+{#hindi rga #endhindi} & {\tt rga {\it or} {\it ga}\char`^r} \\ \hline
+{#hindi ga.n #endhindi} & {\tt {\it ga}.n} \\ \hline
+{#hindi aa.c #endhindi} & {\tt {\it aa}.c} \\ \hline
+{#hindi Da.N #endhindi} & {\tt {\it Da}.N} \\ \hline
+{#hindi D.h #endhindi} & {\tt {\it D}.h} \\ \hline
+{#hindi duH #endhindi} & {\tt {\it du}H} \\ \hline
+{#hindi .a #endhindi} & {\tt .a} \\ \hline
+\end{tabular}
+\end{makeimage}
+\\
+\end{tabular} % end the larger tabular encompassing all four tables
+\hfill
+\\
+\end{center}
+\caption {{\bf ITRANS: Devanagari to English with \char35usecsx} (in addition to Table 1).}
+\label{ienc}
+\end{table}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/itrans/idoc.itx b/Master/texmf-dist/doc/fonts/itrans/idoc.itx
new file mode 100644
index 00000000000..5022d2fca33
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/itrans/idoc.itx
@@ -0,0 +1,1015 @@
+\documentclass[11pt]{article}
+
+\usepackage[preprocess]{itrans} % Ross Moore's extensions to latext2html
+
+\usepackage{html} % from standard latex2html package
+ % if you do not have html.sty in your machine, change the html.sty to
+ % htmlstub.sty (htmlstub.sty is included in the ITRANS/lib directory)
+
+% The General User Documentation for the Itrans Package
+
+\portraitpage % defined in itrans.sty (idevn.tex), get a larger page size
+
+\renewcommand{\arraystretch}{1.25}
+\newcommand{\rarrow}{\mbox{---\hspace{-8pt}$>$}}
+\newcommand{\IC}{\char35include=}
+\newcommand{\SM}{\char35marathi}
+\newcommand{\EM}{\char35endmarathi}
+\newcommand{\MI}{\char35marathiifm=dvnc}
+\newcommand{\MFN}{\char35marathifont=\char92devnf}
+
+\newfont{\devnf}{dnh at 15pt}
+%\newfont{\devnf}{dnho at 15pt} % the oblique version
+%\newfont{\devnf}{dnhrc at 15pt} % the scaled down (x-axis) version
+\hyphenchar\devnf=-1 % disable hyphenation using this font
+
+#marathiifm=dvnc.ifm
+#marathifont=\devnf
+
+\newfont{\tmlb}{wntml12}
+\hyphenchar\tmlb=-1 % disable hyphenation using this font
+
+#tamilifm=wntml.ifm
+#tamilfont=\tmlb
+
+\begin{document}
+
+\centerline{\LARGE\bf Printing Transliterated}
+\medskip
+\centerline{\LARGE\bf Indian Language Documents}
+\bigskip
+\centerline{\LARGE\bf itrans}
+\centerline{\tt version 5.30}
+\smallskip
+\centerline{\bf \copyright 1991--2001 Avinash Chopde}
+\smallskip
+\centerline{Home page: \htmladdnormallink{\texttt{http://www.aczone.com/itrans/}}{http://www.aczone.com/itrans/}}
+\bigskip
+\hrule
+\bigskip
+
+\footnotetext[0]{Last modification: \today}
+
+This software is a pre-processor, it converts input representing
+Indic Text to the actual Indian Language Script, for printout or
+for display on Web pages.
+The input is uses English letters, so it can be created
+using any simple text editor.
+
+This document describes the use of the program {\em
+itrans}, which may be used to generate Devanagari, Tamil, Bengali,
+Telugu, Gujarati, Kannada, Punjabi (Gurmukhi), or Romanized Sanskrit
+output from input in an english transliterated form.
+
+Many examples of ITRANS use are available on the web,
+archives for different purposes are available.
+One such project is a collection of Hindi Film Song Lyrics; another
+project is a collection of Sanskrit documents.
+There are also tools on the Web that make it much easier to use ITRANS -
+you can use ITRANS over e-mail, or use your WWW Browser to type ITRANS
+text, etc.
+Links to many such sites are available through the ITRANS home page at
+and you can also use
+WWW search tools (use the keywords \verb=ITRANS= and \verb=indian=) to
+search the Web.
+
+\section{{\em itrans} Mechanism}
+
+{\em itrans}
+works by assigning every Indian language letter an english equivalent.
+Transliteration tables mapping devanagari or tamil or telugu, etc.
+characters into english
+equivalents are provided in the reference documents for each language,
+all of which are described in following sections of this document.
+
+{\em itrans} scans the input text for consonants, vowels, and special
+forms.
+Consonants suffixed with vowel codes create a complete composite
+character. A consonant may be suffixed with one or more consonants to
+create ligature forms.
+All this transliteration is automatically handled, and appropriate Indian
+language characters are produced.
+If ligatures exist for a particular combination of
+consonants, they will be used automatically.
+If a ligature does not exist for some combination of the consonants,
+half-forms of the consonants will be used.
+The user can also override the ligature mechanism so that even if a
+ligature exists, the half forms of consonants will be used.
+Some languages such as tamil do not have any ligatures, in
+that case the appropriate action is taken --- for tamil, a dot is printed
+on top of a consonant if it is not followed by a vowel form.
+
+All these features make itrans an highly customizable and easy-to-use
+package.
+Even the transliteration map given here is not
+mandatory---the user can always edit the lexical source file and
+provide whatever mapping desired.
+
+{\em itrans\/} is just a transliteration/char composition package.
+The task of actually placing characters on the page and spacing them
+correctly is left to other programs, such as \TeX.
+\TeX\ is the preferred interface, but,
+other modes are available for direct Text output (suitable for HTML
+output or Unicode UTF-8 output).
+ITRANS version 5.1 added a new output mode - direct text HTML output -
+which allows ITRANS output in certain scripts to be directly viewed on WWW
+browsers such as Netscape (version 3.0 or newer).
+ITRANS version 5.3 added support for Unicode (UTF-8) output.
+These additional modes are available only for certain languages - not all
+are supported. Consult the language specific documentation for
+supported modes for each font.
+
+\section{Input Format}
+
+{\em itrans} makes use of an IFM file --- Indian language font metric
+file, which is a ASCII file containing descriptions on how to generate
+the Indian language characters from the basic characters available in the
+font.
+
+{\em Sidenote}: This IFM file format is an {\em itrans} specific concept,
+it allows
+all character composition directives to be loaded in at runtime, making
+it easy to support many different Indian languages.
+The IFM file is an ASCII text file, and all IFM files end in the suffix
+\verb=.ifm=.
+% See the technical reference manual, {\em tech.tex}, if you need more
+% complete information regarding the IFM file format.
+
+{\em itrans} scans through the input text, and copies everything to
+the output unchanged, except for portions between marker words,
+such as {\SM} and {\EM}.
+Some eight--ten different marker words are available, see the
+section~\ref{markers} for more information.
+All english text between these words is mapped into Indian language characters,
+based on the transliteration map in the IFM file.
+
+At the beginning of the input file, the user has to specify the IFM file,
+and the name of the \TeX\ or PostScript or HTML command that changes the
+font to the Indian language font.
+For example, if the IFM file is named dvnc.ifm, and the font is
+available through the {\tt \char92devnf} \TeX\ command, the following two lines
+should be present in the input file:
+
+\noindent\MI
+
+\noindent\MFN
+
+This also assumes the user will be using the markers \SM\ and \EM,
+see~\ref{markers} for all the other language markers and commands.
+
+Once the above initialization is made, the \SM\ marker then specifies the
+beginning of the marathi transliterated text, and makes use of the
+specified IFM file (dvnc.ifm).
+At that point, {\em itrans} also outputs the command ({\tt\char92devnf})
+specified in the {\tt\char35 marathifont} directive.
+This command should change the font to the devanagari font, and may do
+other things such as change the baselineskip length, etc.
+
+Note that both the \TeX\ interface and the Direct Text interface
+(both PostScript and direct Text HTML mode) follow identical input
+text requirements.
+For further examples, see the sample documents provided.
+All transliterated files have been given the file extension
+{\em .itx}.
+[Older ITRANS version also used .ips extensions for direct PostScript
+output, but since ITRANS version 5.0, the \verb=\char35 output= command has been
+added which allows specifying the output mode in the input file itself.)
+
+\subsection{The ``\char35include='' command}
+
+Itrans accepts an ``include'' filename command in the input.
+Syntax:
+
+\noindent
+\IC\verb=<filename>=
+
+This command can appear anywhere in the input document, and Itrans behaves
+as if the contents of that file were actually present at that point in the
+document.
+
+This ``include'' comamnd can be nested in multiple files (to a compiled-in
+maximum).
+
+\subsection{The ``\char35output='' command}
+
+This command should be the first ITRANS command in any input file, that is,
+it should appear before any other \char35$<$command$>$.
+It can be used to direct ITRANS to produce kind of output - TeX, or PostScript,
+or direct Text HTML output. So, instead of using arguments to ITRANS (such as
+-P or -7 or -8 or -U),
+users can include this command in the input file itself, making it clear what
+the input file is to be used for.
+The four valid options for this command are:\\
+\char35output=HTML\_7\\
+\char35output=HTML\_8\\
+\char35output=UTF\_8\\
+\char35output=PostScript\\
+\char35output=TeX
+
+\subsection{The ``\char35endfont='' command}
+
+This command is generally of use in HTML output modes only, though if
+needed, it could be used in any mode.
+
+This command allows the user to specify a string that will be echoed to
+the output file whenever any
+\char35end{\rm $<$language$>$}
+is seen.
+
+For example, it is useful to use this in HTML documents, where every
+end of Indic script needs to print out a \texttt{\char`</FONT\char`>}
+command, and
+this can be done automatically by specifying:
+
+\char35endfont=\char`</FONT\char`>
+
+This, in conjunction with something like:
+
+\char35hindifont=\char`<FONT FACE=name SIZE=size\char`>
+
+makes it easy to use ITRANS in HTML output mode.
+
+Note that there is single \char35endfont command, and it applies to all
+language markers.
+
+\subsection{\char35$<$lang$>$, \char35end$<$lang$>$, and \char35\char35 markers}
+\label{markers}
+
+You can use any of these marker sets to delimit the Indian language text.
+The marker names indian/marathi/hindi/tamil do not actually do
+anything
+by themselves, but make use of the corresponding command names to load in
+the IFM file or output the font changing command string.
+So, use any one of the sets you feel suits your needs best, each can be
+used for every language supported for ITRANS, the marker is just used to
+enter ITRANS mode, the actual language is always correctly recognized
+based on the IFM file.
+Since the marker words are all long, a shorter version of markers is also
+available, and the short markers are enabled by default, though it is
+possible to turn them off.
+
+\begin{enumerate}
+\item {\tt indian} marker.
+
+To set the IFM file name: {\tt \char35 indianifm=XXX.ifm}
+
+To set the font command name: {\tt \char35 indianfont=YYY}
+
+Start Marker: {\tt \char35 indian}
+
+End Marker: {\tt \char35 endindian}
+
+\item {\tt hindi} marker.
+
+To set the IFM file name: {\tt \char35 hindiifm=XXX.ifm}
+
+To set the font command name: {\tt \char35 hindifont=YYY}
+
+Start Marker: {\tt \char35 hindi}
+
+End Marker: {\tt \char35 endhindi}
+
+\item {\tt sanskrit}, {\tt marathi}, {\tt tamil}, {\tt telugu}, {\tt bengali},
+{\tt gujarati}, {\tt roman}, {\tt kannada}, {\tt gurmukhi}.
+
+Just as for hindi and indian, there are markers for all these languages.
+Follow above examples, replace {\tt indian} with {\tt $<$language$>$}
+as required.
+
+\item {\tt \#\#} short marker.
+
+These markers are activated by default. To turn them off, use the
+{\tt \char35 ignoreshortmarkers} command.
+
+\bigskip
+
+\end{enumerate}
+
+\subsubsection{``\char35useshortmakers'' and ```\char35ignoreshortmarkers''}
+
+The short marker is a toggle marker.
+When scanning text in non-ITRANS mode (non Indic text), if a short marker
+is seen, it implies restoring back
+ITRANS processing, using whatever language marker was last encountered.
+Then, the next seen short marker implies ITRANS should exit processing of
+the indian language text.
+
+This, if the input text has the following input:
+
+\bigskip
+
+{\tt
+\char35 hindi \hspace{1in} $<$some text$>$ \hspace{1in} \char35 endhindi
+
+$<$some more text$>$
+
+\char35\char35 \hspace{1in} $<$short marker text$>$ \hspace{1in} \char35\char35
+}
+
+\bigskip
+
+then the first short marker seen above will be considered equivalent
+to \char35hindi, since that was the last ITRANS marker seen in the text at
+that point.
+
+If the short marker is the first marker seen in the text, i.e., there was
+no other ITRANS marker seen until that point,
+then the \#\# shortmarker will be taken to
+be equivalent to \char35indian.
+
+\subsection{``\char35usecsx''}
+
+The CS/CSX input encoding can be accepted along with the ITRANS encoding
+when this command is used. See the {\tt icsx.itx} document for more
+inforamtion on CS/CSX support in ITRANS.
+
+\subsection{``\char35endwordvowel=''}
+
+See the section~\ref{endwordvowel} for info on this command.
+
+\section{\TeX\ Interface}
+
+{\em itrans} can accept \TeX\ input and generate \TeX\ output for all
+languages for which either a PostScript font description or a Metafont
+description is available.
+
+For example, the {#marathi aa#endmarathi} character in the table
+in the document {\em dvnc.itx} was produced by this input text:
+
+\noindent\verb= {=\SM \verb= aa =\EM\verb=}=
+
+Thus, the character {\em aa}, when bracketed between {\SM} and
+{\EM} produces {#marathi aa#endmarathi}, when the appropriate
+IFM file
+name and font command name have been set correctly (as mentioned in the
+previous section).
+
+For further examples, see the sample documents provided.
+All \TeX\ transliterated files have been given the file extension
+{\em .itx}.
+
+Normally, all english text between the words {\SM} and {\EM} is mapped into
+marathi characters, except for any word following a backslash character.
+Thus, you can include \TeX\ commands in the transliterated text
+portion, the only restriction is that the command should be made up of
+letters and numerals only.
+
+Examples: \verb= \indent or \hskip1in or \kern0.4em,= \verb=etc=.
+Note that in the sample documents shown, \TeX\ commands are usually
+surrounded by curly braces---they used as scope delimiters only, are not
+absolutely necessary, but are recommended.
+
+\subsection{\TeX\ Requirements}
+
+To use this pre-processor, you must have the following tools:
+\begin{enumerate}
+
+\item \TeX\ tools, including the capability to output dvi files using
+PostScript fonts (if you need to use the devnac devanagari font).
+This implies having {\em dvips}, release 5.41 or newer, a program written
+by Tomas Rokicki. If you don't have it, see the Frequently-Asked-Questions in
+the newsgroup
+comp.text.tex for details on how to get hold of {\em dvips}.
+Actually, if you only need to use tamil or Frans Velthuis's Devnag font,
+or telugu, you don't need a dvi-to-ps converter.
+Those fonts are described in Metafont, thus any dvi-to-your-printer
+converter will be able to handle it (once you run Metafont and generate
+the printer specific files).
+
+For the IBM PC, the emTeX package includes the {\em dvips} executable.
+{\em dvips} for the PC also resides in the SIMTEL archives.
+
+\item ANSI C compatible compiler, and optionally, the flex and yacc tools.
+This program is provided with the source code, and a makefile.
+The makefile is specific to my machine, you may have to edit it to
+get it working correctly on your machine.
+If you do not have an ANSI C compatible compiler, you will have to make
+the ``noansi'' object, see the makefile for details; it automatically
+de-ansifies all the C sources.
+Also, if you need to modify the ilex.l or iyacc.y source files for your
+specific needs, you'll need the flex and yacc tools on your system.
+
+The ITRANS package also contains an executable for MS-DOS machines, thus
+for MS-DOS machines, you need not go through the compilation step.
+
+\end{enumerate}
+
+\subsection{\LaTeX\ Style Files}
+
+In ITRANS release 5.2, a new style file was added {\em itrans.sty}.
+This is the file created by Ross Moore to allow ITRANS documents to be
+processed through latex2html, but this style file is useable for normal
+\LaTeX documents also.
+
+This style file should be loaded with the \verb=\usepackage= command, and there
+are many options available with this package.
+
+\begin{description}
+
+\item[preprocess] This is applicable only when using latex2html, and it
+has no effect when running normal \LaTeX. So, it is probably ok to
+always use this option even if you never plan on running latex2html.
+
+\item[devanagari] This will load the \texttt{idevn.tex} file, which has
+some macros that are useful for using Devanagari with \TeX. \texttt{idevn.tex}
+will actually be loaded even if no option is provided, so the devanagari
+option is not really necessary at this time (ITRANS release 5.2).
+
+\item[telugu] This will load the \texttt{itrnstlg.tex} file, which has
+some macros that are useful for generating some special Telugu characters.
+
+\item[\em other options] itrans.sty has many other options, take at look
+at that file to view all of them, but in practice, you may not need to
+use any of those options yet.
+
+\end{description}
+
+Example lines to load itrans.sty:
+
+\verb=\usepackage[preprocess]{itrans}}= {\em or}
+
+\verb=\usepackage[preprocess,telugu]{itrans}}=
+
+\section{Direct PostScript Output}
+
+{\em Note: This section is applicable to the PostScript fonts only:
+devanagari font {\em devnac}, Gujarati {\em ItxGuj},
+Bengali {\em ItxBeng}, Devanagari {\em Xdvng}, and Romanized Sanskrit
+{\em NCS\_CSX}.
+The tamil font {\em wntml}, the devanagari font {\em devnag},
+the telugu font {\em tel} and the kannada font {\em kan}
+cannot be used for this purpose since they are not PostScript fonts.}
+
+As mentioned earlier, the Direct PostScript Output
+interface is an extremely primitive interface for
+printing, but will suffice for printing documents containing only
+Indic Script text (no english), and requiring no typesetting features such as
+centering, right flush text, etc.
+In addition to generating the devanagari characters, this method preserves
+the line breaks and spaces in the input text.
+So, unlike in the \TeX\ version, which programatically decides where to
+break a line, here you have to include a end-of-line in the exact spot
+where you desire a new line to start in the output.
+And, if you need indented lines, you have to add spaces to simulate
+horizontal skips.
+
+The previous section titled {\em Input Format} applies to this interface, too.
+Thus, the user needs to specify the IFM file name, the font command name,
+etc before writing text between the Indian language markers such as
+\SM\ and \EM.
+For further examples, see the sample document provided in the ITRANS
+archive, file may be named something like {\verb=s1.ips=}.
+The PostScript prologue for itrans is in the file {\em itrans.pro}.
+Check the file out, it contains some useful PostScript procedures.
+
+\subsection{Direct PostScript Output Requirements}
+
+\begin{enumerate}
+\item All that is required is the capability to print PostScript files.
+Note that the {\em devnac} font used is a user defined PostScript font
+(Type III Font), so the printer (or the RIP used) must be capable of
+rendering Type III fonts if you need to use this font.
+\end{enumerate}
+
+\section{Direct Text Output -- for HTML}
+
+This is a new mode added in release 5.1, which just like the PostScript
+mode, does not offer any typesetting functionality.
+In fact, this mode is provided for generating text that can be displayed
+on any WWW browser such as Netscape (version 3.0 or later).
+Not all languages are supported in this mode --- it requires availablity
+of a TrueType font, and right now (ITRANS 5.10) the following languages
+are supported: Romanized Sanskrit, Gujarati, Bengali, and Devanagari scripts.
+
+Two types of HTML output are supported: 7-bit ASCII (which uses the
+\verb=&#nnn= HTML codes for character codes 127 to 255), and 8-bit
+text output (which outputs character codes 127 to 255 directly).
+I think 7-bit output should be more portable, but in practice, I found it
+to create problems on Macintosh computers, so, I use 8-bit output in the
+examples.
+
+Three platforms have been tested: Unix/X11R6 (Type 1 fonts - \verb=*.pfa=
+or \verb=*.pfb=), Macintosh (TrueType - \verb=*.hqx= files), and
+Windows (TryeType - \verb=*.ttf=).
+All the fonts required are present in the ITRANS/lib/fonts directory of
+the ITRANS package, the user has to install the appropriate font on his
+or her system to allow viewing of the ITRANS output in the native Indic
+Script.
+
+\subsection{Direct Text (HTML) Output Requirements}
+
+The font should be available in Type 1 or TrueType format, and must
+be usable in regular word-processors (without ITRANS).
+
+\subsection{HTML Output -- Unicode -- UTF-8}
+
+ITRANS 5.3 added support for Unicode output using UTF-8 encoding for
+the output.
+
+The UTF-8 text output can be displayed on any Web browser or loaded
+into any text editor that can handle UTF-8 text.
+To view the text in Indian language scripts requires availability
+of an Unicode font, for the specific language. ITRANS does not
+come with any Unicode fonts, it is expected that in due time,
+there will be freeware Unicode fonts for all Indian languages
+available on the Internet.
+
+\begin{table}
+\begin{tabular}{|c|c|}
+\hline
+Sanskrit/Hindi/Marathi & {\em udvng.ifm} \\
+Gujarati & {\em uguj.ifm} \\
+Bengali & {\em ubeng.ifm} \\
+Tamil & {\em utml.ifm} \\
+Telugu & {\em utel.ifm} \\
+Kannada & {\em ukan.ifm} \\
+Romanized Sanskrit & {\em uroman.ifm} \\
+Gurmukhi & {\em ugur.ifm} \\
+Malayalam & {\em umal.ifm} \\
+Oriya & {\em uoriya.ifm} \\
+\hline
+\end{tabular}
+\caption {\bf ITRANS: Unicode IFM files.}
+\end{table}
+
+The Oriya and Malayalam scripts are supported through the Unicode
+interface only - these scripts are not supported in the \TeX\ or
+PostScript interfaces.
+
+\section{Program Options}
+
+See the manual page for details regarding the program options need to
+be specified to itrans to make it run in the Direct PostScript Output mode
+(option -P), or direct Text (HTML) mode (options -7 or -8 or -U).
+Without any of these options, the \TeX\ interface is assumed.
+Running itrans also requires that the enviornment variable ITRANSPATH
+be set correctly: it should contain the list of directories contain
+all the {\tt *.ifm}, {\tt *.tfm}, and {\tt *.afm} files that itrans may
+need.
+Again, the manual page has more details on this.
+If at any time itrans prints out a error about some file not found, it
+usually implies that ITRANSPATH has to be modified to include the
+directory of that file.
+
+\section{Known Problems}
+
+\begin{enumerate}
+
+\item Version 4.00+ {\em itrans} can handle simple comments in the
+transliterated text portion of the input file.
+\% character begins a comment, the end-of-line terminates a comment.
+Handling of comments is not fully coded yet, and has some problems in
+that the \% always starts a comment, only exception being when \% is
+preceded by a backslash ({\tt\char92}). Of course, there are many other
+instances where \% should not begin a comment, those are ignored for now.
+(And may be ignored for ever, recognizing comments correctly
+would require too much effort.)
+
+\item In the \TeX\ interface, characters with any non-zero Y offset are
+not correctly printed in some cases, when the PostScript font Devnac
+is used.
+One such case is the da-ra ligature, words
+such as {\em draaviiDa} (#marathi draaviiDa#endmarathi).
+(Another case is the ha-u form #marathi hu#endmarathi, see how
+it is handled in the sample input file nehru.itx.)
+Note that it is only in certain cases that the
+word is printed incorrectly, in most cases it is handled correctly.
+Usually, when the word appears near the end of the line, \TeX\ (or
+dvips, but that sounds improbable)
+inserts a kern (a glue factor ?) just before the character with a
+non-zero Y offset, and the word appears squashed up or pulled apart at
+that point.
+Have no remedy for this, only workaround is to force a line break before the
+problem word, it usually sets everything right.
+
+I have never encountered this problem when using Frans Velthuis's Devnag
+font with the itrans package, therefore this problem is probably related
+to the use of PostScript fonts in \TeX.
+If you do notice this problem with the Devnag font too, please let me
+know.
+
+\end{enumerate}
+
+\section{Output Languages Supported}
+
+\subsection{Devanagari Output}
+
+Two devanagari fonts are supported.
+The bundled in devanagari font is a PostScript font, called {\em devnac}.
+{\em devnac} was developed (and is under further development) by Avinash Chopde.
+The other font is a Metafont font called {\em devnag} and has been developed by
+Frans Velthuis.
+More details regarding {\em devnag} can be found in the file {\em
+dvng.itx}, more details regarding {\em devnac} can be found in {\em
+dvnc.itx}.
+Transliteration tables for each language are available in those files, too.
+
+{\em devnac} is a PostScript Type III font.
+This font can be used with both the \TeX\ interface, and the direct
+PostScript interface mode of {\em itrans}.
+
+The font is named {\em dnh} in the \TeX\ interface, and variations are
+also available, named {\em dnho}, {\em dnhrc}, {\em dnhre}.
+In the direct PostScript interface, the generic font changing commands
+{\em normalfont}, {\em slantfont}, {\em compressedfont},
+{\em expandedfont}, etc have to be used.
+See the file itrans.pro to get a handle on the workings of the above PostScript
+commands.
+
+This devanagari font tries to be a all-encompassing font, for the hindi,
+marathi, and sanskrit languages.
+
+See the reference document {\em dvnc.itx} for the transliteration map and
+example texts.
+The IFM file for this font is {\em dvnc.ifm}.
+
+{\em devnag} is a Metafont font, and thus can only be used with the
+\TeX\ interface of {\em itrans}.
+This font is supported by {\em itrans} in a limited manner, in that
+not all ligatures are available for use.
+Many ligatures are archaic, so I've left them out.
+Again, the document dvng.itx contains complete details and lists of the
+ligatures that are used and that are ignored by itrans.
+The IFM file for this font is {\em dvng.ifm}.
+
+A derivative of the devnag font, called {\em xdvng} is also available, for
+use with the direct text HTML output mode of ITRANS. See dvng.itx for more
+info on this font.
+
+\subsection{Tamil Output}
+
+The tamil font is a Metafont font, and
+was created at the
+Humanities and Arts Computing Center of the University of Washington,
+USA.
+The Metafont files for this font are also bundled with the itrans
+package.
+
+This font can only be used with the \TeX\ interface.
+
+The Metafont descriptions of the font are provided, you can use them to
+generate the PK files of any font size desired.
+The Metafont programs for three sizes: 10, 12, and 17 point sizes are
+provided (wntml10.mf, wntml12.mf, and wntml17.mf, respectively).
+
+This font was developed at University of Washington, and I would like to
+thank them for making the font available as freeware.
+
+See the reference document {\em tamil.itx} for the transliteration map and
+example texts.
+The IFM file for this font is {\em wntml.ifm}.
+
+\subsection{Telugu Output}
+
+The single font {\em tel} is currently supported.
+It is a Metafont font.
+This font can only be used with the \TeX\ interface.
+
+The telugu font is from the TeluguTeX package (which is \copyright
+Lakshmi V.S. Mukkavilli, 1991).
+This is a Metafont font.
+
+See the reference document {\em tlgutx.itx} for the transliteration map
+and example text.
+The IFM file for this font is {\em tlgutx.ifm}.
+
+\subsection{Bengali Output}
+
+ITRANS 5.1 added support for the TrueType (and PostScript Type 1) Bengali
+font named ItxBeng, and in ITRANS 5.2, Jaijeet Roychowdhury added support
+for the Bengali font from the BWTI package
+
+The IFM file for the ItxBeng font is {\em itxbeng.ifm}, and the IFM file
+for the BWTI font is {\tt bnbeng.ifm}.
+
+The ItxBeng font has been provided by Shrikrishna Patil, while the BWTI
+Metafont Bengali font has been developed by Abhijit Das.
+
+[ITRANS 4.x supported a LaserJet Softfont called SonarGaon, but that has
+now been removed from ITRANS.]
+
+See the file {\em beng.itx} for documentation on both the bengali fonts
+supported by ITRANS.
+
+% very old:
+% This font is a PostScript font, and does not have a AFM file, thus, it
+% cannot be used with the \TeX\ interface at all---this font is supported
+% for the direct text input interface only.
+% {\em banglasc} is bundled in with the itrans package, the font is in the
+% file named {\em banglasc.ps}.
+%
+% The user manual for this font is in the file called {\em bnglsc.itx}.
+% That file is also a good example of sample input text.
+% The IFM file for this font is {\em banglasc.ifm}.
+% ---------
+
+\subsection{Gujarati Output}
+
+The gujarati font ItxGuj is a PostScript Type 1 font.
+and this ItxGuj font has been provided by Shrikrishna Patil.
+{\tt itxguj.pfa, itxguj.afm} are the Type 1 PostScript files, and
+{\tt itxguj.tfm, itxgujo.tfm, itxgujrc.tfm, itxgujre.tfm}
+are the TFM files for use with TeX.
+The user manual for this font is in the file {\em gujdoc.itx}.
+
+The IFM file for this font is {\em itxguj.ifm}.
+
+\subsection{Kannada Output}
+
+The single font {\em kan} is currently supported.
+It is a Metafont font.
+This font can only be used with the \TeX\ interface.
+
+The Kannada font is from the KannadaTeX package (which has been developed
+by G.\ S.\ Jagadeesh and Venkatesh P.\ Gopinath).
+This is a Metafont font.
+
+The IFM file and other support in ITRANS for Kannada was added by
+Raghunath K Rao.
+
+See the reference document {\em kantex.itx} for the transliteration map
+and example text.
+The IFM file for this font is {\em kantex.ifm}.
+
+\subsection{Punjabi Output}
+
+Anshuman Pandey added support in ITRANS for
+the Gurmukh{\=\i} Postscript font `Punjabi' ({\tt pun}) (designed by
+and copyright Hardip Singh Pannu).
+
+{\tt pun.pfa, pun.afm} are the Type 1 PostScript files, and
+{\tt pun.tfm} is the TFM file for use with TeX.
+The user manual for this font is in the file {\em pundoc.itx}.
+
+The IFM file for this font is {\em pun.ifm}.
+
+\subsection{Romanized Sanskrit Output}
+
+The Romanized Sanskrit font NCS\_CSX is a PostScript Type 1 font,
+details about this are present in the {\em romancsx.itx} file.
+
+This font can be used with all three output modes of itrans -- \TeX,
+PostScript, or Direct Text Output.
+The Direct Text Output requires using the TrueType version of this font.
+
+The PostScript Type 1 font files are in {\tt ncpr\_\_\_\_.afm},{\tt ncpr\_\_\_\_.pfb},
+{\tt ncpi\_\_\_\_.afm}, {\tt ncpi\_\_\_\_.pfb}.
+\TeX\ TFM versions are available in {\tt ncprcsxp.tfm}, {\tt ncpicsxp.tfm}.
+TrueType versions are available in
+{\tt ncpr\_\_\_\_.ttf}, {\tt ncpi\_\_\_\_.ttf}.
+
+\section{Usage Hints}
+
+\subsection{Ligature suppression}
+As mentioned earlier, the system automatically uses
+ligatures whenever possible.
+For example, since the \verb=ta-ta= ligature exists,
+input text of the form \verb=tti= is printed as
+#marathi tti#endmarathi.
+If instead you need it to be printed as #marathi t{}ti #endmarathi you have
+two choices.
+One, if you never want the \verb=ta-ta= ligature to be used, you
+can edit the IFM file and comment out all the lines that refer to the
+\verb=ta-ta= ligature.
+(The IFM file is a text file, for more information, see the
+technical documentation in tech.tex.)
+
+On the other hand, if you do want to keep the ligature, except in a few
+locations in the input text (say for small point type), or if you do
+not want to edit the IFM file, you can use the ligature inhibitors
+\verb={}= to prevent a ligature from being used.
+Whenever the \verb={}= characters are inserted between two consonants,
+{\em itrans} refrains from using the ligature (if it exists, if it does
+not, then these characters have basically no effect).
+Instead, the half-forms of the consonants (as appropriate) are used.
+Thus, even if the IFM file contains the \verb=ta-ta= ligature,
+the input text \verb=t{}ti= always appears as
+#marathi t{}ti#endmarathi.
+
+\subsection{Breaking lexical scan}
+Use the character \_ after a consonant letter to break the lexical
+scan.
+This becomes necessary because of the default behavior of the scanner,
+which tries to match the largest possible input pattern.
+Thus, when you write {\tt ai} in the transliterated text, it comes out
+as #marathi ai #endmarathi in marathi or #tamil ai #endtamil in tamil.
+Now, that is just what you want for the {\tt ai} vowel, but what if
+you wanted it to be scanned as two vowels: {\tt a}, followed by
+{\tt i} ?
+In such cases, you need to break the lexical scan, by following the
+first vowel, the {\tt a} character, with the \_
+character to stop the scanner from associating {\tt i} with the
+{\tt a} preceding it.
+So, {\tt a\_i} in the input text results in:
+#marathi a_i #endmarathi for marathi and #tamil a_i #endtamil for tamil.
+
+This is a thing to watch out for in all cases where some character has
+a multiple letter mapping, and each letter by itself also represents some
+other character.
+In the above example, {\tt ai} is the two letter map, and both
+{\tt a} and {\tt i} represent other vowels.
+
+Note that if you wish to suppress any ligature, you should use the
+\{\} letters consecutively, as explained in the previous paragraph.
+Using \_ to follow some consonant allows a ligature, if it
+exists for the consonant pair, to be used. (Of course, tamil does
+not have any ligatures.)
+
+To get a printable underscore in the Indian language text, follow
+normal \TeX\ usage---use backslash underscore---{\tt \char92\_}.
+
+Since ITRANS supports many Indian languages, it has a large list of input
+tokens that are mapped to consonants.
+For example even if {\tt ai} is not a vowel in one of the languages
+supported by ITRANS, it still is always recognized as the {\tt ai} vowel,
+and thus if you need it to be recognized as the {\tt a} and {\tt i}
+vowels, use the \_ character as mentioned above.
+
+\subsubsection{List of all ITRANS recognized English letters}
+Here's the list of ASCII input characters that are special to ITRANS:
+
+{\tt\parindent=0pt
+
+0 1 2 3 4 5 6 7 8 9 \\
+.a .c .N .n \char`^r .D .Dh A AUM \\
+a aa ai au b bh ch chh D Dh d dh dny E e f G g gh GY \\
+H h I i ii J j jh JN K k kh kSh L L\char`^i L\char`^I LLi LLI l ld \\
+M m N \char`"n \char`~n n \char`^n N\char`^\ ny O o OM p ph q \\
+.r \char`^r .R R R\char`^i R\char`^I RRi RRI r S SRI s sh shh \\
+T Th t th U u uu v x Y y z
+
+\char35{\rm $<$language$>$} \par
+\char35end{\rm $<$language$>$} \par
+\char35{\rm $<$language$>$}ifm \par
+\char35{\rm $<$language$>$}font \par
+\char35output=HTML\_7 \par
+\char35output=HTML\_8 \par
+\char35output=UTF\_8 \par
+\char35output=TeX \par
+\char35output=PostScript \par
+\char35ignoreshortmarkers \par
+\char35useshortmarkers \par
+\char35usecsx \par
+\char35ignorecsx \par
+\char35include= \par
+\char35endwordvowel=a \par
+\char35endwordvowel=.h \par
+\#\# \ \ \ \{\} \ \ \ \_ \ \ \ \char`` \ \ \ \par
+
+}
+
+Version 4.0 and onwards added support for the Classical Sanskrit and Classical
+Sanskrit Extended encoding, which adds one ASCII character to the above
+list ({\tt c}) and many non-ASCII characters, see the document {\tt icsx.itx}
+for more details.
+
+\subsection{Punctuation Issues}
+The fonts provided may be missing some or all punctuation
+characters, some may also be missing numbers.
+For example, the tamil font used, wntml,
+does not have any numerals or any punctuation
+characters.
+The devanagari font does have numbers and some punctuation marks (the
+double-quote is missing, for example).
+
+For devanagari, when using \TeX, use the {\tt idevn.tex} (automatically
+loaded by {\tt itrans.sty}, use the \verb=\usepackage{itrans.sty}=
+command in \LaTeX) which provides
+modes for setting a devanagari font, and offers many commands that ease
+devanagari input.
+See the ITRANS Song Book documents for examples of idevn.tex usage, or,
+check out the sample document file {\tt sample.itx}.
+
+In all punctuation problems, you can always get the required punctuation or digit
+character by ending the Indian language transliteration scope (using one
+of the endmarkers), then
+printing the required punctuation mark, and the restarting the
+transliteration by using the start marker.
+
+An easier method, in \TeX\ is to make use of the math mode for numbers.
+It is usually sufficient to use the \$ enclosing scope to
+make numbers print correctly, since a \$ enters mathmode and uses the math
+fonts.
+For punctuation marks, the user needs to explicitly change fonts:
+example:
+
+{\tt \SM ......\{\char92rm ;\}.......\EM}.
+
+But that is preferable over this form:
+
+{\tt \SM ......\EM ; \SM.......\EM}.
+
+\subsection{Multi-consonant conjuncts}
+How does itrans handle ligatures with more than two consonants ?
+For example, \verb=shhTmii= contains three consonants.
+This ligature produces
+#marathi shhTmii#endmarathi, the way itrans works is as follows:
+Beginning with the first consonant in the list,
+itrans checks if a double-consonant ligature has
+been defined for that consonant and the next one in the list.
+If such a character exists, then it is used and both consonants are consumed,
+and itrans repeats the procedure for the next consonant.
+
+There is one exception to the above rule: if at all possible, the last two
+consonants are handled together, that is if a ligature of the last two
+consonants
+exists, that is used over the pairing that would result from the above method.
+Example: \verb=shhTrii= produces
+#marathi shhTrii#endmarathi, both \verb=shha-Ta= and \verb=Ta-ra= ligatures
+exist, but since the consonants \verb=Ta= and \verb=ra= are the last two
+consonants, that ligature is used over \verb=shha-Ta=.
+
+Of course, this default behavior can be changed by appropriately placing
+the ligature inhibitor sequence, \verb={}=.
+Example: \verb=shhTr{}ii= produces #marathi shhT{}rii#endmarathi.
+
+Also, in ITRANS version 5.10, ITRANS now supports direct specification of
+3 or more consonant conjuncts in the .IFM file. So, if the above given
+description leads to incorrect output, we can now fix it by providing
+explicit rules for 3 or more multi-consonant conjuncts in the IFM file.
+
+\subsection{Word endings and the \char35endwordvowel command}
+\label{endwordvowel}
+To increase readability of the Indian text (in english), each word
+for the devanagari and bengali language is assumed to end in a vowel.
+Each Indian language letter can be generally
+written as C + [C + [C + [...] + C]] + V, where C is a consonant, and V is a
+vowel.
+When a consonant appears at the end of the word, and the vowel is ``a'', then
+it is not necessary to include the final ``a''---if a word ends in a consonant,
+ITRANS will automatically add the vowel ``a'' to the final consonant---for
+devanagari and bengali only.
+Thus, in hindi, instead of writing ``hama'', you can write ``ham'', which
+is how the word {#marathi ham #endmarathi} is pronounced anyway.
+To add a halant to any consonant, use ``.h'', thus ``ham.h'' produces
+#marathi ham.h#endmarathi.
+
+Use this default mechanism only when it increases the readability, for
+example in hindi it is better to write ``ek'', ``is'', ``tab'', instead
+of ``eka'', ``isa'', ``taba'' for #marathi ek, is, tab#endmarathi.
+But, it is better to include the ``a'' in words such as ``manushhya''---#marathi
+manushhya#endmarathi.
+
+This default mechanism is activated only for the devanagari and bengali
+input.
+(The keyword DEFAULTVOWEL in the IFM file directs whether the last
+consonant in a word should be considered as paired the half-form, or the a-form,
+if the form is left unspecified.)
+
+The above default working can be avoided by specifying the vowel to end words
+in the input document.
+
+\char35endwordvowel=a \par
+\char35endwordvowel=.h \par
+
+The first command makes the default vowel be ``a'', which the second command
+will make the default vowel a ``half-form''---viraam.
+The endwordvowel command will override the DEFAULTVOWEL specification
+in the IFM file.
+So, for sanskrit, it is useful to include this command in the input file:
+
+\char35endwordvowel=.h \par
+
+which puts a viraam at the end of any word that does not end in a vowel.
+
+%% \bigskip\bigskip
+%% {\em (Around 1988, I was in need of a good typesetting package
+%% that would print out text in marathi or hindi.
+%% I located some directions to public domain software,
+%% but after some searching, found out that
+%% they either never really existed in usable form, or were of poor quality.
+%% Commercial packages were available, list prices ranged from
+%% US\$100 to US\$4000~!
+%% So, I decided to get it done myself, took me three years to find the
+%% time, but now I hope that some other (starving!)
+%% student, and everybody else who is searching for such a package,
+%% will find this package useful.)}
+
+
+\bigskip
+\hrule
+\vfill
+
+\bigskip
+\section{Author}
+
+\noindent
+ITRANS has been developed by Avinash Chopde. \\
+E-mail:
+\htmladdnormallink{\texttt{avinash@acm.org}}{mailto:avinash@acm.org}. \\
+Home page:
+\htmladdnormallink{\texttt{http://www.aczone.com/}}{http://www.aczone.com/}
+
+Over the years, numerous people from all over the world have made
+important additions to the ITRANS package as it exists today. It is not
+possible to thank everyone here, but I have tried to include correct
+acknowledgements in appropriate documents - the CHANGES text file
+lists all changes in each release and the names of persons who
+contributed each extension, and each of the language document files
+also acknowledge the help received from particular individuals.
+
+I would like to thank all the users of ITRANS, past and present,
+who send me additions and extensions and send in bug reports.
+Thanks to all!
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/itrans/kantex.itx b/Master/texmf-dist/doc/fonts/itrans/kantex.itx
new file mode 100644
index 00000000000..059952a33f5
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/itrans/kantex.itx
@@ -0,0 +1,1009 @@
+\documentclass[11pt]{article}
+% User Documentation for the ITRANS Package
+% The Kannada Language Transliteration Table
+% by Raghunath K. Rao (rrao@crystal.cirrus.com)
+
+\usepackage[preprocess]{itrans} % Ross Moore's extensions to latex2html
+
+\usepackage{html} % from standard latex2html package
+ % if you do not have html.sty in your machine, change the html to
+ % htmlstub (htmlstub.sty is included in the ITRANS/lib directory)
+
+\portraitpage % defined in itrans.sty (idevn.tex), get a larger page size
+
+\renewcommand{\arraystretch}{1.25}
+\newcommand{\rarrow}{\mbox{---\hspace{-8pt}$>$}}
+\newcommand{\ST}{\char35kannada}
+\newcommand{\ET}{\char35endkannada}
+\newfont{\cmt}{cmtt12}
+\newfont{\cmts}{cmtt9}
+
+\newfont{\kansmall}{kan12}
+\newfont{\kanb}{kan12b}
+\newfont{\kannx}{kan12nx}
+\newfont{\kans}{kan12s}
+\newfont{\kan}{kan18}
+
+\hyphenchar\kannx=-1 % disable hyphenation using this font
+\hyphenchar\kans=-1 % disable hyphenation using this font
+\hyphenchar\kan=-1 % disable hyphenation using this font
+
+#kannadaifm=kantex.ifm
+#kannadafont=\kan
+
+\begin{document}
+
+\footnotetext[0]{Last modification: \today}
+
+\centerline{\LARGE\bf Transliteration Map}
+\medskip
+\centerline{\LARGE\bf Kannada Font (kan)}
+\bigskip
+\centerline{\LARGE\bf itrans}
+\smallskip
+\centerline{\bf \copyright 1997 Avinash Chopde}
+\bigskip
+\centerline{\LARGE\bf Kannada}
+\smallskip
+\centerline{\bf Support added by Raghunath K Rao}
+\smallskip
+
+\section{Fonts Available}
+
+\subsection{\TeX\ Interface}
+
+The Kannada font {\em kan} is a Metafont font,
+developed by G.\ S.\ Jagadeesh (gjagadeesh@cas.org)
+and Venkatesh P.\ Gopinath (venkates@eecs.berkeley.edu), who are
+also the authors of KanTeX - a package capable of typesetting
+Kannada documents without requiring a pre-processor.
+
+The font was adapted to itrans by Raghunath K. Rao (rrao@crystal.cirrus.com)
+with the assistance of the KanTeX authors and Avinash Chopde, the author of
+ITRANS.
+The {\em kan} font is bundled with the itrans package with the permission
+of the authors of the font.
+
+\subsection{Textual Interface}
+
+Since this is a \TeX\ font, this interface cannot be used.
+(The Text interface directly produces PostScript or HTML, and it
+requires a PostScript font or TrueType font.)
+
+\subsection{Font Developer}
+
+This font has been created by {\tt G.\ S.\ Jagadeesh}
+and {\tt Venkatesh P.\ Gopinath}.
+and is part of a complete Kannada typesetting system called
+KanTeX, also created by the same authors.
+
+\subsection{Font Variations}
+
+The {\tt KanTeX} package contains many font sizes and variations---it
+also includes all the source Metafont files, so any Metafont user can
+create her own font variations.
+
+As packaged with ITRANS there are TFM and
+PK files for these font sizes: 10, 11, 12, 15, 18, 20, 25, 30, 35, 40,
+55, 72 and 172.
+Most font sizes come in bold and slanted versions.
+
+This document has made use of the {\tt kan12}, {\tt kan12s}, {\tt kan12nx},
+and {\tt kan18} fonts.
+
+%----------------------------------------------------------------------
+
+\subsection{Author}
+
+\noindent
+ITRANS has been developed by Avinash Chopde. \\
+E-mail:
+\htmladdnormallink{\texttt{avinash@acm.org}}{mailto:avinash@acm.org}. \\
+Home page:
+\htmladdnormallink{\texttt{http://www.aczone.com/}}{http://www.aczone.com/}
+\medskip
+\\
+The {\em kan} (KanTeX) font was adapted to ITRANS by Raghunath K. Rao. \\
+E-mail: {\tt rrao@crystal.cirrus.com}.\\
+
+\bigskip\hrule
+%-------------------------------------------------------------------
+\begin{htmlonly}
+\section{Kannada Table}
+\end{htmlonly}
+
+\begin{table}[hp]
+\begin{center}
+\begin{tabular}{c@{\hspace{1in}}c@{\hspace{1in}}c}
+% --- first col is vowels inside a tabular
+\begin{makeimage}
+\begin{tabular}{|c|c|}
+\multicolumn{2}{c}{Vowels} \\
+{#kannada a #endkannada} & {\tt a} \\ \hline
+{#kannada aa #endkannada} & {\tt aa {\it or} A} \\ \hline
+{#kannada i #endkannada} & {\tt i} \\ \hline
+{#kannada ii #endkannada} & {\tt ii {\it or} I} \\ \hline
+{#kannada u #endkannada} & {\tt u} \\ \hline
+{#kannada uu #endkannada} & {\tt uu {\it or} U} \\ \hline
+{#kannada R^i #endkannada} & {\tt RRi {\it or} R\char`^i} \\ \hline
+{#kannada R^I #endkannada} & {\tt RRI {\it or} R\char`^I} \\ \hline
+{#kannada L^i #endkannada} & {\tt LLi {\it or} L\char`^i} \\ \hline
+{#kannada L^I #endkannada} & {\tt LLI {\it or} L\char`^I} \\ \hline
+{#kannada e #endkannada} & {\tt e} \\ \hline
+{#kannada E #endkannada} & {\tt E} \\ \hline
+{#kannada ai #endkannada} & {\tt ai} \\ \hline
+{#kannada o #endkannada} & {\tt o} \\ \hline
+{#kannada O #endkannada} & {\tt O} \\ \hline
+{#kannada au #endkannada} & {\tt au} \\ \hline
+\multicolumn{2}{c}{} \\
+\multicolumn{2}{c}{} \\
+\multicolumn{2}{c}{Digits} \\
+\hline
+{#kannada 0 #endkannada} & {\tt 0} \\ \hline
+{#kannada 1 #endkannada} & {\tt 1} \\ \hline
+{#kannada 2 #endkannada} & {\tt 2} \\ \hline
+{#kannada 3 #endkannada} & {\tt 3} \\ \hline
+{#kannada 4 #endkannada} & {\tt 4} \\ \hline
+{#kannada 5 #endkannada} & {\tt 5} \\ \hline
+{#kannada 6 #endkannada} & {\tt 6} \\ \hline
+{#kannada 7 #endkannada} & {\tt 7} \\ \hline
+{#kannada 8 #endkannada} & {\tt 8} \\ \hline
+{#kannada 9 #endkannada} & {\tt 9} \\ \hline
+\end{tabular}
+\end{makeimage}
+% --- end first col
+&
+% --- second col is consonants
+\begin{makeimage}
+\begin{tabular}{|c|c|}
+\multicolumn{2}{c}{Consonants} \\
+\hline
+{#kannada ka #endkannada} & {\tt k{\it a}} \\ \hline
+{#kannada kha #endkannada} & {\tt kh{\it a}} \\ \hline
+{#kannada ga #endkannada} & {\tt g{\it a}} \\ \hline
+{#kannada gha #endkannada} & {\tt gh{\it a}} \\ \hline
+{#kannada ~Na #endkannada} & {\tt \char`~N{\it a or} N\char`^{\it a}} \\ \hline
+{#kannada cha #endkannada} & {\tt ch{\it a}} \\ \hline
+{#kannada Cha #endkannada} & {\tt Ch{\it a or} chh{\it a}} \\ \hline
+{#kannada ja #endkannada} & {\tt j{\it a}} \\ \hline
+{#kannada jha #endkannada} & {\tt jh{\it a}} \\ \hline
+{#kannada ~na #endkannada} & {\tt \char`~n{\it a or} JN{\it a}} \\ \hline
+{#kannada Ta #endkannada} & {\tt T{\it a}} \\ \hline
+{#kannada Tha #endkannada} & {\tt Th{\it a}} \\ \hline
+{#kannada Da #endkannada} & {\tt D{\it a}} \\ \hline
+{#kannada Dha #endkannada} & {\tt Dh{\it a}} \\ \hline
+{#kannada Na #endkannada} & {\tt N{\it a}} \\ \hline
+{#kannada ta #endkannada} & {\tt t{\it a}} \\ \hline
+{#kannada tha #endkannada} & {\tt th{\it a}} \\ \hline
+{#kannada da #endkannada} & {\tt d{\it a}} \\ \hline
+{#kannada dha #endkannada} & {\tt dh{\it a}} \\ \hline
+{#kannada na #endkannada} & {\tt n{\it a}} \\ \hline
+{#kannada pa #endkannada} & {\tt p{\it a}} \\ \hline
+{#kannada pha #endkannada} & {\tt ph{\it a}} \\ \hline
+{#kannada ba #endkannada} & {\tt b{\it a}} \\ \hline
+{#kannada bha #endkannada} & {\tt bh{\it a}} \\ \hline
+{#kannada ma #endkannada} & {\tt m{\it a}} \\ \hline
+{#kannada ya #endkannada} & {\tt y{\it a}} \\ \hline
+{#kannada ra #endkannada} & {\tt r{\it a}} \\ \hline
+{#kannada la #endkannada} & {\tt l{\it a}} \\ \hline
+{#kannada La #endkannada} & {\tt L{\it a}} \\ \hline
+{#kannada va #endkannada} & {\tt v{\it a}} \\ \hline
+{#kannada sha #endkannada} & {\tt sh{\it a}} \\ \hline
+{#kannada Sha #endkannada} & {\tt Sh{\it a or} shh{\it a}} \\ \hline
+{#kannada sa #endkannada} & {\tt s{\it a}} \\ \hline
+{#kannada ha #endkannada} & {\tt h{\it a}} \\ \hline
+{#kannada xa #endkannada} & {\tt x{\it a or} ksh{\it a}} \\ \hline
+{#kannada GYa #endkannada} & {\tt j\char`~n{\it a or} GY{\it a}} \\ \hline
+\end{tabular}
+\end{makeimage}
+% --- end second col
+&
+% --- third col of specials/accents inside a tabular
+\begin{makeimage}
+\begin{tabular}{|c|c|}
+\multicolumn{2}{c}{Specials/Accents} \\
+{#kannada ga.n #endkannada} & {\tt {\it ga}.n} \\ \hline
+{#kannada va^r #endkannada} & {\tt {\it va}\char`^\char`^r} \\ \hline
+{#kannada m.h #endkannada} & {\tt {\it m}\{\}} \\ \hline
+{#kannada duH #endkannada} & {\tt {\it du}H} \\ \hline
+{#kannada .a #endkannada} & {\tt .a} \\ \hline
+\end{tabular}
+\end{makeimage}
+\\
+\end{tabular} % end the larger tabular encompassing all four tables
+\hfill
+\\
+\end{center}
+\caption {\label{fig1}\bf ITRANS: Kannada to English Transliteration Table.}
+\end{table}
+
+%-------------------------------------------------------------------------
+
+\section{Examples}
+
+These examples have been taken from the {\em KanTeX} package, with
+modifications for use the ITRANS transliteration scheme.
+
+\subsection{A Poem by #kannada kuveMpu #endkannada}
+
+\centerline{#kannada kaleya bale#endkannada}
+
+\centerline{(kaleya bale: By Kuvempu)}
+
+\medskip
+#kannadafont=\kannx
+{#kannada
+
+bAgiloLu kai mugidu oLage bA yAtrikane\\
+shileyallavI guDiyu kaleya baleyu\\
+kaMbaniya mAleyanu edeya baTTaloLiTTu\\
+dhanyateya kusumagaLa arpisilli\\
+
+ga.nTegaLa daniyilla jAgaTegaLililla\\
+kapU^rradAratiya jyotiyilla\\
+bhagavaMta tAneMba rUpago.nDihudilli\\
+rasikateya kaDalukki harivudilli\\
+
+sarasadiMduliyutide shileyu rAmAyaNavanilli\\
+bAdarAyaNanaMte bhAratavu hADutihudilli\\
+kushalatege beragAgi mUkavAgide kAlavilli\\
+
+#endkannada}
+
+\bigskip
+\noindent This is the input text that produced the above:
+\smallskip
+
+\noindent {\tt \char92 centerline\char123\ST kaleya bale\ET\char125}
+
+\noindent {\tt \char92 centerline\char123 kaleya bale: By Kuvempu \char125}
+
+\noindent {\tt \char123 \ST}
+
+\begin{verbatim}
+
+bAgiloLu kai mugidu oLage bA yAtrikane\\
+shileyallavI guDiyu kaleya baleyu\\
+kaMbaniya mAleyanu edeya baTTaloLiTTu\\
+dhanyateya kusumagaLa arpisilli\\
+
+ga.nTegaLa daniyilla jAgaTegaLililla\\
+kapU^rradAratiya jyotiyilla\\
+bhagavaMta tAneMba rUpago.nDihudilli\\
+rasikateya kaDalukki harivudilli\\
+
+sarasadiMduliyutide shileyu rAmAyaNavanilli\\
+bAdarAyaNanaMte bhAratavu hADutihudilli\\
+kushalatege beragAgi mUkavAgide kAlavilli\\
+
+\end{verbatim}
+{\tt \ET\char125}
+
+\pagebreak
+
+\subsection{A Poem by #kannada da rA bhE.ndre #endkannada}
+
+\centerline{#kannada moDala maneya #endkannada}
+
+\centerline{(moDala maneya: By Da Raa Bhendre )}
+
+\medskip
+#kannadafont=\kannx
+{#kannada
+
+moDala maneya muttina nIrina\\
+erakAva hoyda nuNNane erakAva hoyda\\
+
+bAgila teredu beLaku haridu\\
+jagavella toyda dEvanu jagavella toyda\\
+
+elegaLa mEle hUgaLa oLage \\
+amRRitada bi.ndu ka.nDavu amRRitada bi.ndu\\
+
+yAririsiharu mugilina mEli.nda\\
+illige ida ta.ndu Iga illige ida ta.ndu\\
+
+giDaga.nTegaLa koraLoLagi.nda hakkigaLa hADu\\
+horaTitu hakkigaLa hADu\\
+
+ga.ndhava^rra sImeyAyitu kADina nADu\\
+kshaNadoLu kADina nADu\\
+
+#endkannada}
+
+\bigskip
+\noindent This is the input text that produced the above:
+\smallskip
+
+\noindent {\tt \char92 centerline\char123\ST moDala maneya \ET\char125}
+
+\noindent {\tt \char92 centerline\char123 moDala maneya: By Da Raa Bhendre \char125}
+
+\noindent {\tt \char123 \ST}
+
+\begin{verbatim}
+moDala maneya muttina nIrina\\
+erakAva hoyda nuNNane erakAva hoyda\\
+
+bAgila teredu beLaku haridu\\
+jagavella toyda dEvanu jagavella toyda\\
+
+elegaLa mEle hUgaLa oLage \\
+amRRitada bi.ndu ka.nDavu amRRitada bi.ndu\\
+
+yAririsiharu mugilina mEli.nda\\
+illige ida ta.ndu Iga illige ida ta.ndu\\
+
+giDaga.nTegaLa koraLoLagi.nda hakkigaLa hADu\\
+horaTitu hakkigaLa hADu\\
+
+ga.ndhava^rra sImeyAyitu kADina nADu\\
+kshaNadoLu kADina nADu\\
+
+\end{verbatim}
+{\tt \ET\char125}
+
+%----------------------------------------------------------------------
+\bigskip
+\hrule
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\end{document}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\usepackage{comment}
+
+\begin{comment} % ----------------- this table is not really useful, ignore
+\begin{htmlonly}
+\section{Consonant-Vowel Forms}
+\end{htmlonly}
+
+#kannadafont=\kansmall
+% All the consonant-vowel forms
+\begin{table}[p]
+\vspace*{0in}
+\hspace*{0.0in}\vbox{
+\begin{center}
+\begin{makeimage}
+\begin{tabular}{|c||c|c|c|c|c|c|c|c|c|c|c|c|c|c|c|c|}
+\hline
+\tt / &
+\tt a &
+\tt A &
+\tt i &
+\tt I &
+\tt u &
+\tt U &
+\tt RRi &
+\tt RRI &
+\tt LLi &
+\tt LLI &
+\tt e &
+\tt E &
+\tt ai &
+\tt o &
+\tt O &
+\tt au \\ \hline \hline
+% the khadi.sh stuff......
+\tt k &
+#kannada ka #endkannada &
+#kannada kaa #endkannada &
+#kannada ki #endkannada &
+#kannada kii #endkannada &
+#kannada ku #endkannada &
+#kannada kuu #endkannada &
+#kannada kR^i #endkannada &
+#kannada kR^I #endkannada &
+#kannada kL^i #endkannada &
+#kannada kL^I #endkannada &
+#kannada ke #endkannada &
+#kannada kE #endkannada &
+#kannada kai #endkannada &
+#kannada ko #endkannada &
+#kannada kO #endkannada &
+#kannada kau #endkannada \\ \hline
+\tt kh &
+#kannada kha #endkannada &
+#kannada khaa #endkannada &
+#kannada khi #endkannada &
+#kannada khii #endkannada &
+#kannada khu #endkannada &
+#kannada khuu #endkannada &
+#kannada khR^i #endkannada &
+#kannada khR^I #endkannada &
+#kannada khL^i #endkannada &
+#kannada khL^I #endkannada &
+#kannada khe #endkannada &
+#kannada khE #endkannada &
+#kannada khai #endkannada &
+#kannada kho #endkannada &
+#kannada khO #endkannada &
+#kannada khau #endkannada \\ \hline
+\tt g &
+#kannada ga #endkannada &
+#kannada gaa #endkannada &
+#kannada gi #endkannada &
+#kannada gii #endkannada &
+#kannada gu #endkannada &
+#kannada guu #endkannada &
+#kannada gR^i #endkannada &
+#kannada gR^I #endkannada &
+#kannada gL^i #endkannada &
+#kannada gL^I #endkannada &
+#kannada ge #endkannada &
+#kannada gE #endkannada &
+#kannada gai #endkannada &
+#kannada go #endkannada &
+#kannada gO #endkannada &
+#kannada gau #endkannada \\ \hline
+\tt gh &
+#kannada gha #endkannada &
+#kannada ghaa #endkannada &
+#kannada ghi #endkannada &
+#kannada ghii #endkannada &
+#kannada ghu #endkannada &
+#kannada ghuu #endkannada &
+#kannada ghR^i #endkannada &
+#kannada ghR^I #endkannada &
+#kannada ghL^i #endkannada &
+#kannada ghL^I #endkannada &
+#kannada ghe #endkannada &
+#kannada ghE #endkannada &
+#kannada ghai #endkannada &
+#kannada gho #endkannada &
+#kannada ghO #endkannada &
+#kannada ghau #endkannada \\ \hline
+\tt ~N &
+#kannada ~Na #endkannada &
+#kannada ~Naa #endkannada &
+#kannada ~Ni #endkannada &
+#kannada ~Nii #endkannada &
+#kannada ~Nu #endkannada &
+#kannada ~Nuu #endkannada &
+#kannada ~NR^i #endkannada &
+#kannada ~NR^I #endkannada &
+#kannada ~NL^i #endkannada &
+#kannada ~NL^I #endkannada &
+#kannada ~Ne #endkannada &
+#kannada ~NE #endkannada &
+#kannada ~Nai #endkannada &
+#kannada ~No #endkannada &
+#kannada ~NO #endkannada &
+#kannada ~Nau #endkannada \\ \hline
+\tt ch &
+#kannada cha #endkannada &
+#kannada chaa #endkannada &
+#kannada chi #endkannada &
+#kannada chii #endkannada &
+#kannada chu #endkannada &
+#kannada chuu #endkannada &
+#kannada chR^i #endkannada &
+#kannada chR^I #endkannada &
+#kannada chL^i #endkannada &
+#kannada chL^I #endkannada &
+#kannada che #endkannada &
+#kannada chE #endkannada &
+#kannada chai #endkannada &
+#kannada cho #endkannada &
+#kannada chO #endkannada &
+#kannada chau #endkannada \\ \hline
+\tt ch &
+#kannada Cha #endkannada &
+#kannada Chaa #endkannada &
+#kannada Chi #endkannada &
+#kannada Chii #endkannada &
+#kannada Chu #endkannada &
+#kannada Chuu #endkannada &
+#kannada ChR^i #endkannada &
+#kannada ChR^I #endkannada &
+#kannada ChL^i #endkannada &
+#kannada ChL^I #endkannada &
+#kannada Che #endkannada &
+#kannada ChE #endkannada &
+#kannada Chai #endkannada &
+#kannada Cho #endkannada &
+#kannada ChO #endkannada &
+#kannada Chau #endkannada \\ \hline
+\tt j &
+#kannada ja #endkannada &
+#kannada jaa #endkannada &
+#kannada ji #endkannada &
+#kannada jii #endkannada &
+#kannada ju #endkannada &
+#kannada juu #endkannada &
+#kannada jR^i #endkannada &
+#kannada jR^I #endkannada &
+#kannada jL^i #endkannada &
+#kannada jL^I #endkannada &
+#kannada je #endkannada &
+#kannada jE #endkannada &
+#kannada jai #endkannada &
+#kannada jo #endkannada &
+#kannada jO #endkannada &
+#kannada jau #endkannada \\ \hline
+\tt jh &
+#kannada jha #endkannada &
+#kannada jhaa #endkannada &
+#kannada jhi #endkannada &
+#kannada jhii #endkannada &
+#kannada jhu #endkannada &
+#kannada jhuu #endkannada &
+#kannada jhR^i #endkannada &
+#kannada jhR^I #endkannada &
+#kannada jhL^i #endkannada &
+#kannada jhL^I #endkannada &
+#kannada jhe #endkannada &
+#kannada jhE #endkannada &
+#kannada jhai #endkannada &
+#kannada jho #endkannada &
+#kannada jhO #endkannada &
+#kannada jhau #endkannada \\ \hline
+\tt \char`~n &
+#kannada ~na #endkannada &
+#kannada ~naa #endkannada &
+#kannada ~ni #endkannada &
+#kannada ~nii #endkannada &
+#kannada ~nu #endkannada &
+#kannada ~nuu #endkannada &
+#kannada ~nR^i #endkannada &
+#kannada ~nR^I #endkannada &
+#kannada ~nL^i #endkannada &
+#kannada ~nL^I #endkannada &
+#kannada ~ne #endkannada &
+#kannada ~nE #endkannada &
+#kannada ~nai #endkannada &
+#kannada ~no #endkannada &
+#kannada ~nO #endkannada &
+#kannada ~nau #endkannada \\ \hline
+\tt T &
+#kannada Ta #endkannada &
+#kannada Taa #endkannada &
+#kannada Ti #endkannada &
+#kannada Tii #endkannada &
+#kannada Tu #endkannada &
+#kannada Tuu #endkannada &
+#kannada TR^i #endkannada &
+#kannada TR^I #endkannada &
+#kannada TL^i #endkannada &
+#kannada TL^I #endkannada &
+#kannada Te #endkannada &
+#kannada TE #endkannada &
+#kannada Tai #endkannada &
+#kannada To #endkannada &
+#kannada TO #endkannada &
+#kannada Tau #endkannada \\ \hline
+\tt Th &
+#kannada Tha #endkannada &
+#kannada Thaa #endkannada &
+#kannada Thi #endkannada &
+#kannada Thii #endkannada &
+#kannada Thu #endkannada &
+#kannada Thuu #endkannada &
+#kannada ThR^i #endkannada &
+#kannada ThR^I #endkannada &
+#kannada ThL^i #endkannada &
+#kannada ThL^I #endkannada &
+#kannada The #endkannada &
+#kannada ThE #endkannada &
+#kannada Thai #endkannada &
+#kannada Tho #endkannada &
+#kannada ThO #endkannada &
+#kannada Thau #endkannada \\ \hline
+\tt D &
+#kannada Da #endkannada &
+#kannada Daa #endkannada &
+#kannada Di #endkannada &
+#kannada Dii #endkannada &
+#kannada Du #endkannada &
+#kannada Duu #endkannada &
+#kannada DR^i #endkannada &
+#kannada DR^I #endkannada &
+#kannada DL^i #endkannada &
+#kannada DL^I #endkannada &
+#kannada De #endkannada &
+#kannada DE #endkannada &
+#kannada Dai #endkannada &
+#kannada Do #endkannada &
+#kannada DO #endkannada &
+#kannada Dau #endkannada \\ \hline
+\tt Dh &
+#kannada Dha #endkannada &
+#kannada Dhaa #endkannada &
+#kannada Dhi #endkannada &
+#kannada Dhii #endkannada &
+#kannada Dhu #endkannada &
+#kannada Dhuu #endkannada &
+#kannada DhR^i #endkannada &
+#kannada DhR^I #endkannada &
+#kannada DhL^i #endkannada &
+#kannada DhL^I #endkannada &
+#kannada Dhe #endkannada &
+#kannada DhE #endkannada &
+#kannada Dhai #endkannada &
+#kannada Dho #endkannada &
+#kannada DhO #endkannada &
+#kannada Dhau #endkannada \\ \hline
+\tt N &
+#kannada Na #endkannada &
+#kannada Naa #endkannada &
+#kannada Ni #endkannada &
+#kannada Nii #endkannada &
+#kannada Nu #endkannada &
+#kannada Nuu #endkannada &
+#kannada NR^i #endkannada &
+#kannada NR^I #endkannada &
+#kannada NL^i #endkannada &
+#kannada NL^I #endkannada &
+#kannada Ne #endkannada &
+#kannada NE #endkannada &
+#kannada Nai #endkannada &
+#kannada No #endkannada &
+#kannada NO #endkannada &
+#kannada Nau #endkannada \\ \hline
+\tt t &
+#kannada ta #endkannada &
+#kannada taa #endkannada &
+#kannada ti #endkannada &
+#kannada tii #endkannada &
+#kannada tu #endkannada &
+#kannada tuu #endkannada &
+#kannada tR^i #endkannada &
+#kannada tR^I #endkannada &
+#kannada tL^i #endkannada &
+#kannada tL^I #endkannada &
+#kannada te #endkannada &
+#kannada tE #endkannada &
+#kannada tai #endkannada &
+#kannada to #endkannada &
+#kannada tO #endkannada &
+#kannada tau #endkannada \\ \hline
+\tt th &
+#kannada tha #endkannada &
+#kannada thaa #endkannada &
+#kannada thi #endkannada &
+#kannada thii #endkannada &
+#kannada thu #endkannada &
+#kannada thuu #endkannada &
+#kannada thR^i #endkannada &
+#kannada thR^I #endkannada &
+#kannada thL^i #endkannada &
+#kannada thL^I #endkannada &
+#kannada the #endkannada &
+#kannada thE #endkannada &
+#kannada thai #endkannada &
+#kannada tho #endkannada &
+#kannada thO #endkannada &
+#kannada thau #endkannada \\ \hline
+\tt d &
+#kannada da #endkannada &
+#kannada daa #endkannada &
+#kannada di #endkannada &
+#kannada dii #endkannada &
+#kannada du #endkannada &
+#kannada duu #endkannada &
+#kannada dR^i #endkannada &
+#kannada dR^I #endkannada &
+#kannada dL^i #endkannada &
+#kannada dL^I #endkannada &
+#kannada de #endkannada &
+#kannada dE #endkannada &
+#kannada dai #endkannada &
+#kannada do #endkannada &
+#kannada dO #endkannada &
+#kannada dau #endkannada \\ \hline
+\tt dh &
+#kannada dha #endkannada &
+#kannada dhaa #endkannada &
+#kannada dhi #endkannada &
+#kannada dhii #endkannada &
+#kannada dhu #endkannada &
+#kannada dhuu #endkannada &
+#kannada dhR^i #endkannada &
+#kannada dhR^I #endkannada &
+#kannada dhL^i #endkannada &
+#kannada dhL^I #endkannada &
+#kannada dhe #endkannada &
+#kannada dhE #endkannada &
+#kannada dhai #endkannada &
+#kannada dho #endkannada &
+#kannada dhO #endkannada &
+#kannada dhau #endkannada \\ \hline
+\tt n &
+#kannada na #endkannada &
+#kannada naa #endkannada &
+#kannada ni #endkannada &
+#kannada nii #endkannada &
+#kannada nu #endkannada &
+#kannada nuu #endkannada &
+#kannada nR^i #endkannada &
+#kannada nR^I #endkannada &
+#kannada nL^i #endkannada &
+#kannada nL^I #endkannada &
+#kannada ne #endkannada &
+#kannada nE #endkannada &
+#kannada nai #endkannada &
+#kannada no #endkannada &
+#kannada nO #endkannada &
+#kannada nau #endkannada \\ \hline
+\tt p &
+#kannada pa #endkannada &
+#kannada paa #endkannada &
+#kannada pi #endkannada &
+#kannada pii #endkannada &
+#kannada pu #endkannada &
+#kannada puu #endkannada &
+#kannada pR^i #endkannada &
+#kannada pR^I #endkannada &
+#kannada pL^i #endkannada &
+#kannada pL^I #endkannada &
+#kannada pe #endkannada &
+#kannada pE #endkannada &
+#kannada pai #endkannada &
+#kannada po #endkannada &
+#kannada pO #endkannada &
+#kannada pau #endkannada \\ \hline
+\tt ph &
+#kannada pha #endkannada &
+#kannada phaa #endkannada &
+#kannada phi #endkannada &
+#kannada phii #endkannada &
+#kannada phu #endkannada &
+#kannada phuu #endkannada &
+#kannada phR^i #endkannada &
+#kannada phR^I #endkannada &
+#kannada phL^i #endkannada &
+#kannada phL^I #endkannada &
+#kannada phe #endkannada &
+#kannada phE #endkannada &
+#kannada phai #endkannada &
+#kannada pho #endkannada &
+#kannada phO #endkannada &
+#kannada phau #endkannada \\ \hline
+\tt b &
+#kannada ba #endkannada &
+#kannada baa #endkannada &
+#kannada bi #endkannada &
+#kannada bii #endkannada &
+#kannada bu #endkannada &
+#kannada buu #endkannada &
+#kannada bR^i #endkannada &
+#kannada bR^I #endkannada &
+#kannada bL^i #endkannada &
+#kannada bL^I #endkannada &
+#kannada be #endkannada &
+#kannada bE #endkannada &
+#kannada bai #endkannada &
+#kannada bo #endkannada &
+#kannada bO #endkannada &
+#kannada bau #endkannada \\ \hline
+\tt bh &
+#kannada bha #endkannada &
+#kannada bhaa #endkannada &
+#kannada bhi #endkannada &
+#kannada bhii #endkannada &
+#kannada bhu #endkannada &
+#kannada bhuu #endkannada &
+#kannada bhR^i #endkannada &
+#kannada bhR^I #endkannada &
+#kannada bhL^i #endkannada &
+#kannada bhL^I #endkannada &
+#kannada bhe #endkannada &
+#kannada bhE #endkannada &
+#kannada bhai #endkannada &
+#kannada bho #endkannada &
+#kannada bhO #endkannada &
+#kannada bhau #endkannada \\ \hline
+\tt m &
+#kannada ma #endkannada &
+#kannada maa #endkannada &
+#kannada mi #endkannada &
+#kannada mii #endkannada &
+#kannada mu #endkannada &
+#kannada muu #endkannada &
+#kannada mR^i #endkannada &
+#kannada mR^I #endkannada &
+#kannada mL^i #endkannada &
+#kannada mL^I #endkannada &
+#kannada me #endkannada &
+#kannada mE #endkannada &
+#kannada mai #endkannada &
+#kannada mo #endkannada &
+#kannada mO #endkannada &
+#kannada mau #endkannada \\ \hline
+\tt y &
+#kannada ya #endkannada &
+#kannada yaa #endkannada &
+#kannada yi #endkannada &
+#kannada yii #endkannada &
+#kannada yu #endkannada &
+#kannada yuu #endkannada &
+#kannada yR^i #endkannada &
+#kannada yR^I #endkannada &
+#kannada yL^i #endkannada &
+#kannada yL^I #endkannada &
+#kannada ye #endkannada &
+#kannada yE #endkannada &
+#kannada yai #endkannada &
+#kannada yo #endkannada &
+#kannada yO #endkannada &
+#kannada yau #endkannada \\ \hline
+\tt r &
+#kannada ra #endkannada &
+#kannada raa #endkannada &
+#kannada ri #endkannada &
+#kannada rii #endkannada &
+#kannada ru #endkannada &
+#kannada ruu #endkannada &
+#kannada rR^i #endkannada &
+#kannada rR^I #endkannada &
+#kannada rL^i #endkannada &
+#kannada rL^I #endkannada &
+#kannada re #endkannada &
+#kannada rE #endkannada &
+#kannada rai #endkannada &
+#kannada ro #endkannada &
+#kannada rO #endkannada &
+#kannada rau #endkannada \\ \hline
+\tt l &
+#kannada la #endkannada &
+#kannada laa #endkannada &
+#kannada li #endkannada &
+#kannada lii #endkannada &
+#kannada lu #endkannada &
+#kannada luu #endkannada &
+#kannada lR^i #endkannada &
+#kannada lR^I #endkannada &
+#kannada lL^i #endkannada &
+#kannada lL^I #endkannada &
+#kannada le #endkannada &
+#kannada lE #endkannada &
+#kannada lai #endkannada &
+#kannada lo #endkannada &
+#kannada lO #endkannada &
+#kannada lau #endkannada \\ \hline
+\tt v &
+#kannada va #endkannada &
+#kannada vaa #endkannada &
+#kannada vi #endkannada &
+#kannada vii #endkannada &
+#kannada vu #endkannada &
+#kannada vuu #endkannada &
+#kannada vR^i #endkannada &
+#kannada vR^I #endkannada &
+#kannada vL^i #endkannada &
+#kannada vL^I #endkannada &
+#kannada ve #endkannada &
+#kannada vE #endkannada &
+#kannada vai #endkannada &
+#kannada vo #endkannada &
+#kannada vO #endkannada &
+#kannada vau #endkannada \\ \hline
+\tt sh &
+#kannada sha #endkannada &
+#kannada shaa #endkannada &
+#kannada shi #endkannada &
+#kannada shii #endkannada &
+#kannada shu #endkannada &
+#kannada shuu #endkannada &
+#kannada shR^i #endkannada &
+#kannada shR^I #endkannada &
+#kannada shL^i #endkannada &
+#kannada shL^I #endkannada &
+#kannada she #endkannada &
+#kannada shE #endkannada &
+#kannada shai #endkannada &
+#kannada sho #endkannada &
+#kannada shO #endkannada &
+#kannada shau #endkannada \\ \hline
+\tt Sh &
+#kannada Sha #endkannada &
+#kannada Shaa #endkannada &
+#kannada Shi #endkannada &
+#kannada Shii #endkannada &
+#kannada Shu #endkannada &
+#kannada Shuu #endkannada &
+#kannada ShR^i #endkannada &
+#kannada ShR^I #endkannada &
+#kannada ShL^i #endkannada &
+#kannada ShL^I #endkannada &
+#kannada She #endkannada &
+#kannada ShE #endkannada &
+#kannada Shai #endkannada &
+#kannada Sho #endkannada &
+#kannada ShO #endkannada &
+#kannada Shau #endkannada \\ \hline
+\tt s &
+#kannada sa #endkannada &
+#kannada saa #endkannada &
+#kannada si #endkannada &
+#kannada sii #endkannada &
+#kannada su #endkannada &
+#kannada suu #endkannada &
+#kannada sR^i #endkannada &
+#kannada sR^I #endkannada &
+#kannada sL^i #endkannada &
+#kannada sL^I #endkannada &
+#kannada se #endkannada &
+#kannada sE #endkannada &
+#kannada sai #endkannada &
+#kannada so #endkannada &
+#kannada sO #endkannada &
+#kannada sau #endkannada \\ \hline
+\tt h &
+#kannada ha #endkannada &
+#kannada haa #endkannada &
+#kannada hi #endkannada &
+#kannada hii #endkannada &
+#kannada hu #endkannada &
+#kannada huu #endkannada &
+#kannada hR^i #endkannada &
+#kannada hR^I #endkannada &
+#kannada hL^i #endkannada &
+#kannada hL^I #endkannada &
+#kannada he #endkannada &
+#kannada hE #endkannada &
+#kannada hai #endkannada &
+#kannada ho #endkannada &
+#kannada hO #endkannada &
+#kannada hau #endkannada \\ \hline
+\tt ld &
+#kannada lda #endkannada &
+#kannada ldaa #endkannada &
+#kannada ldi #endkannada &
+#kannada ldii #endkannada &
+#kannada ldu #endkannada &
+#kannada lduu #endkannada &
+#kannada ldR^i #endkannada &
+#kannada ldR^I #endkannada &
+#kannada ldL^i #endkannada &
+#kannada ldL^I #endkannada &
+#kannada lde #endkannada &
+#kannada ldE #endkannada &
+#kannada ldai #endkannada &
+#kannada ldo #endkannada &
+#kannada ldO #endkannada &
+#kannada ldau #endkannada \\ \hline
+\tt ksh &
+#kannada ksha #endkannada &
+#kannada kshaa #endkannada &
+#kannada kshi #endkannada &
+#kannada kshii #endkannada &
+#kannada kshu #endkannada &
+#kannada kshuu #endkannada &
+#kannada kshR^i #endkannada &
+#kannada kshR^I #endkannada &
+#kannada kshL^i #endkannada &
+#kannada kshL^I #endkannada &
+#kannada kshe #endkannada &
+#kannada kshE #endkannada &
+#kannada kshai #endkannada &
+#kannada ksho #endkannada &
+#kannada kshO #endkannada &
+#kannada kshau #endkannada \\ \hline
+\tt GY &
+#kannada GYa #endkannada &
+#kannada GYaa #endkannada &
+#kannada GYi #endkannada &
+#kannada GYii #endkannada &
+#kannada GYu #endkannada &
+#kannada GYuu #endkannada &
+#kannada GYR^i #endkannada &
+#kannada GYR^I #endkannada &
+#kannada GYL^i #endkannada &
+#kannada GYL^I #endkannada &
+#kannada GYe #endkannada &
+#kannada GYE #endkannada &
+#kannada GYai #endkannada &
+#kannada GYo #endkannada &
+#kannada GYO #endkannada &
+#kannada GYau #endkannada \\ \hline
+% end of the khadi.sh stuff......
+\end{tabular}
+\end{makeimage}
+\vspace{0.10in}
+\end{center}
+} % end vbox
+\caption {\label{fig2}\bf Kannada Consonants with their Vowel Forms.}
+\end{table}
+\end{comment} % ----------------- this table is not really useful, ignore
+%-------------------------------------------------------------------------
diff --git a/Master/texmf-dist/doc/fonts/itrans/nehru.itx b/Master/texmf-dist/doc/fonts/itrans/nehru.itx
new file mode 100644
index 00000000000..2b5623da4b1
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/itrans/nehru.itx
@@ -0,0 +1,101 @@
+\documentclass[11pt]{article}
+
+\usepackage[preprocess]{itrans} % Ross Moore's extensions to latex2html
+\usepackage{html} % from standard latex2html package
+
+% Devanagari Example (devnac font)
+\renewcommand{\arraystretch}{1.25}
+\newcommand{\rarrow}{\mbox{---\hspace{-8pt}$>$}}
+\newfont{\devnf}{dnh at 22pt}
+\newfont{\devno}{dnho at 22pt}
+\newfont{\devnc}{dnhrc at 22pt}
+\newfont{\devne}{dnh at 15pt}
+\hyphenchar\devnf=-1
+\hyphenchar\devno=-1
+\hyphenchar\devnc=-1
+\hyphenchar\devne=-1
+
+#hindiifm=dvnc.ifm
+
+#hindifont=
+% Not setting any font, since this file changes the font many times, itself.
+
+\setlength{\baselineskip}{30pt}
+\setlength{\textwidth}{6.20in}
+
+\begin{document}
+
+\pagestyle{empty}
+\centerline{\bf Nehru's Words}
+\bigskip
+
+{#hindi
+
+\devne
+\noindent {\rm ``...} sone ke pahale miilo.n lambaa saphar tay karanaa hai
+{\rm ...''}
+
+\devnc
+mai.n isakii kataii paravaah nahii.n karataa ki mere marane ke baada
+meraa yaa merii pratishhThaa kaa kyaa hogaa |
+lekin agar kuchh log mere baare mai.n sochanaa chaahe.n, to mai.n
+\hfill\break chaahuu.Ngaa
+% The reason there is a break in the line above, is because otherwise
+% the word chaahuu.Ngaa does not print out correct---due the
+% problem of glue added by TeX (see the Known Problems Section in
+% idoc.itx
+ki ve yahii kahe.n ki is aadamii ne puure dilo-dimaag se
+bhaarat aur bhaarat ke logo.n ko pyaar kiyaa, aur ve bhii usake prati
+utane hii
+anugrahii rahe aur unho.nne use apanaa bharapuur aur aparimit sneha
+pradaan kiyaa |
+\vfill
+
+\devne
+\noindent bhaarat kii khoj me.n
+
+\devnf
+ek samay aisaa aataa hai jab puuraa raashhTr ek mahaan uddeshya kii
+puurti ke lie aasthaabaddha ho jaataa hai aur tab itihaasa
+parivartanashiil aur yugapravartak ban jaataa hai |
+\vfill
+
+\devne
+\noindent drashhTaa
+
+\devnc
+jiivan ko saarthak banaanevaale aadarshho ke prati nishhThaa -
+hamame.n yahii ek chiiz he jo shaashvat hai aur kabhii bhii chhiinii
+nahii.n jaa sakatii |
+\vfill
+
+\devne
+\noindent taakirka
+
+\devnc
+mastishhk maanav kii sabase baDii puu.njii hai aura
+tark usakii kaaryapraNaalii...
+\vfill
+
+\devne
+\noindent raajadarshii
+
+\devnf
+jab tak ham apane raashhTriiya aur a.ntarraashhTriiy samba.ndho.n
+me.n naitik muulyo.n kii sarvoparitaa ko sviikaar nahii.n karate, taba
+tak hame.n chirasthaayii shaa.ntii praapt nahii.n ho sahatii |
+\vfill
+
+\devne
+\noindent nirmaataa
+
+\devnc
+aaJakal sabase badaa mandira, masjid aur gurudvaaraa vah sthaan hai
+jahaa.N manushhya puurii maanavataa kii bhalaai ke liye kaam karataa ho
+| is se baDii jagah kaun sii ho sakatii hai....jahaa.N laakho.n
+vyaktiyo.n ne mil kar kaam kiyaa hai, apanaa khuun pasiinaa bahaayaa
+hai aur kitano.n ne apane jiivan ki aahuuti bhii de dii hai !
+
+#endhindi}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/itrans/pundoc.itx b/Master/texmf-dist/doc/fonts/itrans/pundoc.itx
new file mode 100644
index 00000000000..f98b0c4099c
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/itrans/pundoc.itx
@@ -0,0 +1,909 @@
+\documentclass[11pt]{article}
+\usepackage{multicol}
+
+\usepackage[preprocess]{itrans} % Ross Moore's extensions to latex2html
+
+\usepackage{html} % from standard latex2html package
+ % if you do not have html.sty in your machine, change the html to
+ % htmlstub (htmlstub.sty is included in the ITRANS/lib directory)
+
+\portraitpage
+\addtolength{\textheight}{9pt}%ConsonantForms table has 8pt overfull vbox...
+
+\parindent=0pt
+
+\newfont{\pun}{pun at 14pt}
+\setlength{\columnseprule}{0pt}
+
+#usecsx
+#indianifm=pun.ifm
+#indianfont=\pun
+
+% no shortmarkers: June '98: changed all ## to #indian, to allow the use of
+% Ross Moore's latex2html ITRANS extensions.
+
+\begin{document}
+
+\footnotetext[0]{Last modification: \today}
+
+\centerline{\LARGE \bfseries Gurmukh{\=\i} for ITRANS}
+\medskip
+\centerline{\Large \itshape pun.ifm}
+\bigskip
+\centerline{\large Anshuman Pandey}
+\vspace*{.3in}
+
+\section{Fonts}
+
+This document explains the {\tt pun.ifm} Indian Font Metric (IFM)
+file for use with ITRANS. This IFM is to be used with the Gurmukh{\=\i}
+PostScript font `Punjabi' ({\tt pun}). The inventory of signs for
+`Punjabi' and their ITRANS transliteration codes are given in Table
+\ref{chars}.
+\medskip
+
+I have also developed an IFM file for Amarjit Singh's Gurmukhi
+{\sf METAFONT} which is bundled with his {\it Gurmukhi for \LaTeX{}\/}
+package. The IFM for Singh's font is called {\tt grmk.ifm}. Please
+refer to {\tt grmk.itx} for details.
+
+The Gurmukh{\=\i} Postscript font `Punjabi' ({\tt pun}) was designed by,
+and is copyright Hardip Singh Pannu, 1992-94. I am not
+sure whether this font is commercial or if it was released into the
+public domain, so please do not modify or make derivative versions of
+the font.
+
+\section{ITRANS Usage}
+
+The identifiers {\tt {\char35}gurmukhi} and {\tt {\char35}endgurmukhi}
+can to be used to encode Gurmukh{\=\i} text in ITRANS.
+
+\subsection{Nuances}
+
+Many of the conventions of the Gurmukh{\=\i} script have been hard-coded
+into the {\tt pun.ifm} file. Some of these are illustrated below:
+
+\begin{enumerate}
+\item \textbf{Geminate consonants} in Gurmukh{\=\i} are not written
+twice or with consonant conjuncts. Rather the first letter is dropped
+and only the second letter is written. A diacritic called {\it addak\/}
+is placed above the preceding letter, ie. #indian hatth#endindian \ {\tt hatth}. As
+can be seen from the input transliteration, nothing special needs to be
+done to produce the {\it addak\/} in ITRANS; the IFM file is coded for
+geminate consonants. However, an {\it addak\/} may be explicitly
+encoded as {\tt .c}, ie. #indian a.cdak#endindian \ {\tt a.cdak}. Geminate consonants
+of the form {\it unaspirated-unaspirated\/} (ie. {\it kk\/}) and
+{\it unaspirated-aspirated\/} (ie. {\it kkh\/}) are accounted for.
+
+When the geminate consonants are {\it nn} or {\it mm}, a sign called
+{\it \d{t}ipp{\=\i}} is used instead of {\it addak\/}, ie.
+{\it lamm{\=\i}\/} \ #indian lammii#endindian \ {\tt lammii}. {\it \d{T}ipp{\=\i}\/}
+is one of the nasalization diacritics. Again the {\it addak\/} is
+automatically produced by the IFM file.
+
+The following is a list of geminated consonants supported in this IFM file:
+%\centerline{Geminated Consonants}
+\begin{makeimage}
+\begin{multicols}{4}
+{\tt k} $+$ {\tt ka} $=$ #indian kka#endindian \\
+{\tt k} $+$ {\tt kha} $=$ #indian kkha#endindian \\
+{\tt g} $+$ {\tt ga} $=$ #indian gga#endindian \\
+{\tt g} $+$ {\tt gha} $=$ #indian ggha#endindian \\
+{\tt c} $+$ {\tt ca} $=$ #indian cca#endindian \\
+{\tt c} $+$ {\tt cha} $=$ #indian ccha#endindian \\
+{\tt j} $+$ {\tt ja} $=$ #indian jja#endindian \\
+{\tt j} $+$ {\tt jha} $=$ #indian jjha#endindian \\
+{\tt T} $+$ {\tt Ta} $=$ #indian TTa#endindian \\
+{\tt T} $+$ {\tt Tha} $=$ #indian TTha#endindian \\
+{\tt D} $+$ {\tt Da} $=$ #indian DDa#endindian \\
+{\tt D} $+$ {\tt Dha} $=$ #indian DDha#endindian \\
+{\tt t} $+$ {\tt ta} $=$ #indian tta#endindian \\
+{\tt t} $+$ {\tt tha} $=$ #indian ttha#endindian \\
+{\tt d} $+$ {\tt da} $=$ #indian dda#endindian \\
+{\tt d} $+$ {\tt dha} $=$ #indian ddha#endindian \\
+{\tt n} $+$ {\tt na} $=$ #indian nna#endindian \\
+{\tt p} $+$ {\tt pa} $=$ #indian ppa#endindian \\
+{\tt p} $+$ {\tt pha} $=$ #indian ppha#endindian \\
+{\tt b} $+$ {\tt ba} $=$ #indian bba#endindian \\
+{\tt b} $+$ {\tt bha} $=$ #indian bbha#endindian \\
+{\tt m} $+$ {\tt ma} $=$ #indian mma#endindian \\
+{\tt y} $+$ {\tt ya} $=$ #indian yya#endindian \\
+{\tt r} $+$ {\tt ra} $=$ #indian rra#endindian \\
+{\tt l} $+$ {\tt la} $=$ #indian lla#endindian \\
+{\tt v} $+$ {\tt va} $=$ #indian vva#endindian \\
+{\tt s} $+$ {\tt sa} $=$ #indian ssa#endindian
+\end{multicols}
+\end{makeimage}
+
+\item \textbf{Nasalization} in Gurmukh{\=\i} is indicated by two
+diacritics called {\it \d{t}ipp{\=\i}\/} and {\it bi\d{m}d{\=\i}\/}.
+I have coded these as {\tt .n} and {\tt .N}, respectively. In doing
+so I have redefined the character codes for {\it anusv\=ara\/} and
+{\it candrabindu\/} in {\tt pun.ifm}.
+
+{\it \d{T}ipp{\=\i}\/} is used with the vowels {\it a\/}, {\it i\/},
+and {\it u\/}, and with {\it \=u\/} when it is in word-final
+position, ie. #indian mu.nDaa#endindian \ {\tt mu.nDaa}. {\it Bi\d{m}d{\=\i}\/}
+is used with all other vowels, ie. #indian shaa.Nt#endindian \ {\tt shaa.Nt}.
+
+A nasal and consonant when of the same class may either be encoded
+with the nasal class code or with {\it \d{t}ipp{\=\i}} {\tt .n}. For
+example, {\it a\.nga\/} may either be encoded #indian aN^ga#endindian \ {\tt aN\char`^ga}
+or #indian a.nga#endindian \ {\tt a.nga}. In either case, the IFM file will
+automatically handle and produce the correct output.
+
+\item \textbf{Consonant conjuncts} are limited in Gurmukh{\=\i}
+and are much simpler than those of Devan\=agar{\=\i}. I have
+completed some conjuncts, but I have still researching
+for a comprehensive list. Once I have included these in the IFM
+file then the file will be complete. The list of consonant
+conjunctions coded in the IFM is as follows:
+\medskip
+
+\begin{makeimage}
+\begin{multicols}{5}
+{\tt k} + {\tt ra} $=$ #indian kra#endindian \\
+{\tt g} + {\tt ra} $=$ #indian gra#endindian \\
+{\tt t} + {\tt ra} $=$ #indian tra#endindian \\
+{\tt d} + {\tt ra} $=$ #indian dra#endindian \\
+{\tt p} + {\tt ra} $=$ #indian pra#endindian \\
+{\tt b} + {\tt ra} $=$ #indian bra#endindian \\
+{\tt d} + {\tt va} $=$ #indian dva#endindian \\
+{\tt s} + {\tt va} $=$ #indian sva#endindian \\
+{\tt d} + {\tt ya} $=$ #indian dya#endindian \\
+{\tt n} + {\tt ha} $=$ #indian nha#endindian
+\end{multicols}
+\end{makeimage}
+\medskip
+
+There are five consonants in Old Pa\~nj\=ab{\=\i} which are actually
+conjunct consonants. These are the voiced aspirate (breathy voice)
+consonants given below. I have accounted for them in the IFM file.
+
+\begin{center}
+\renewcommand{\arraystretch}{1.45}
+\begin{makeimage}
+\begin{tabular}{|ll|ll|ll|ll|ll|}
+\hline
+\multicolumn{10}{|c|}{\it Old Pa\~nj\=ab{\=\i} Voiced Aspirates\/} \\
+\hline
+{\tt nha} & #indian nha#endindian & {\tt rha} & #indian rha#endindian & {\tt lha} & #indian lha#endindian & {\tt vha} & #indian vha#endindian & {\tt .Dha} & #indian .Dha#endindian \\
+\hline
+\end{tabular}
+\end{makeimage}
+\end{center}
+\bigskip
+
+\item \textbf{Vowel-bearers} are null characters which are modified
+with diacritics to form the vowels. The vowel bearers are {\it u\/}
+{\pun `\char117} for back vowels, {\it a\/} {\pun `\char97} for low vowels,
+and {\it i\/} {\pun `\char101} for front vowels. I could not account
+for these in the IFM file so they had to be accessed directly
+through character codes from the {\tt pun} font. The codes
+are {\tt u}, {\tt a}, and {\tt i}, respectively. Perhaps
+Avinash Chopde could account for them if it is decided that
+Gurmukh{\=\i} will be made a part of ITRANS. Suggested
+input for the vowel-bearers are {\tt `a}, {\tt `u}, and
+{\tt `i}.
+\end{enumerate}
+
+\subsection{Variations}
+
+\begin{enumerate}
+\item The {\it m\=atr\=a\/} for #indian au#endindian \ {\tt au} is sometimes not
+written. A word like #indian augaNu#endindian \ {\tt augaNu} may be written
+alternately as #indian a_ugaNu#endindian \ {\tt a\char`_ugaNu}.
+\end{enumerate}
+
+\section{Examples}
+
+The following example, a poem by Bulleh Shah, illustrates the
+typesetting of Gurmukh{\=\i} in ITRANS using {\tt pun.ifm}.
+
+\begin{quote}
+\begin{makeimage}
+\begin{multicols}{2}
+#indian bhaiNaa.N mai.N katadii katadii huTTii . \\
+pa.Dii pacchii pichavaa.De rahi ga_ii .. \\
+hatth vic rahi ga_ii juTTii . \\
+agge carakhaa picche piiha.Daa .. \\
+hatth meriu.N ta.nd TuTTii .. #endindian
+\medskip
+
+{\it bhai\d{n}\=a\d{m} mai\d{m} katad{\=\i} katad{\=\i} hu\d{t}\d{t}{\=\i}; \\
+pa\d{r}{\=\i} pacch{\=\i} pichaw\=a\d{r}e rahi ga{\=\i}. \\
+hatth vic rahi ga{\=\i} ju\d{t}\d{t}{\=\i}; \\
+agge carakh\=a picche p{\=\i}ha\d{r}\=a. \\
+hatth meriu\d{m} ta\d{m}d \d{t}u\d{t}\d{t}{\=\i}.}
+\end{multicols}
+\end{makeimage}
+\end{quote}
+\hfill{\itshape -- Bulleh Shah}
+
+\subsection{Another Example}
+
+\def\,{{\rm,}}
+
+\centerline{#indian 1 AUM \quad satiguru prasaadi #endindian}
+\centerline{#indian suuhii mahalaa 5 #endindian}
+\bigskip
+
+\begin{makeimage}
+\begin{quote}\begin{quote}
+{\obeylines
+#indian
+jis ke sir uupari tuu.n suaamii\, so dukhu kaisaa paavai ||
+boli n jaanai maaiiaa madi maataa\, maraNaa ciiti na aavai || 1||
+mere raamaraaii\, tuu.n santaa kaa sant tere ||
+tere sevak kau bhau kichu naahii\, jamu nahii aavai nere || 1|| rahaa_u ||
+jo terai raN^gi raate suaamii\, tin kaa janam maraN dukhu naasaa ||
+terii bakhas na meTai koI\, satigur kaa dilaasaa || 2||
+naamu dhiaaiini\, sukh phala paaiini\, aaTh pahar aaraadhahi ||
+terii saraNi tere bharavaasai\, pa~nc dushaT lai saadhahi || 3||
+giaanu dhiaanu kichu karamu na jaaNaa\, saar na jaaNaa terii ||
+sabh te vaDaa satiguru naanak\, jini kala raakhii merii || 4|| 10|| 57||
+#endindian
+}
+\end{quote}\end{quote}
+\end{makeimage}
+
+\section{Limitations}
+\begin{enumerate}
+\item In {\it The World's Writing Systems\/}, Bright and Daniels,
+a character {\it \d{l}a} is given. This character is #indian la#endindian \ {\it la\/}
+with a {\it nuqta\/} beneath it. There is no glyph for it in the
+{\tt pun} font. Perhaps it can be hard-coded.
+
+\item The symbol of the Sikhs, \ {\pun `\char64} \ {\it ka\d{n}\d{d}\=a\/},
+is available as a glyph in the {\tt pun} font.
+This is accessible as {\tt khNDa} or {\tt KND} in the input text.
+
+\end{enumerate}
+
+\vfill
+{\parindent=0pt
+Anshuman Pandey $<$\emph{apandey@u.washington.edu}$>$
+}
+
+%%% Character Inventory %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%-------------------------------------------------------------------
+\begin{htmlonly}
+\section{Gurmukhi Table}
+\end{htmlonly}
+
+\begin{table}
+\begin{center}
+\renewcommand{\doublerulesep}{.5cm}
+\renewcommand{\arraystretch}{1.40}
+\begin{makeimage}
+\begin{tabular}{|ll|ll|ll|}
+\hline
+\multicolumn{6}{|c|}{\it Vowel Bearers\/} \\
+\hline
+{\it back\/} & {\pun `\char117} & {\it low\/} & {\pun `\char97} & {\it front\/} & {\pun `\char101} \\
+\hline
+\end{tabular}
+\end{makeimage}
+\hspace*{.5cm}
+\begin{makeimage}
+\begin{tabular}{|ll|ll|}
+\hline
+\multicolumn{4}{|c|}{\it Fricatives\/} \\
+\hline
+{\tt sa} & #indian sa#endindian & {\tt ha} & #indian ha#endindian \\
+\hline
+\end{tabular}
+\end{makeimage}
+\vspace*{.5cm} \\
+
+\begin{makeimage}
+\begin{tabular}{|lll|lll|lll|lll|}
+\hline
+\multicolumn{12}{|c|}{\it Vowels\/} \\
+\hline
+{\tt a} & #indian a#endindian & --- & {\tt aa} & #indian aa#endindian & {\pun `\char65} & {\tt i} & #indian i#endindian & {\pun `\char105} & {\tt ii} & #indian ii#endindian & {\pun `\char73} \\
+{\tt u} & #indian u#endindian & {\pun `\char85} & {\tt uu} & #indian uu#endindian & {\pun `\char60} & {\tt e} & #indian e#endindian & {\pun `\char69} & {\tt ai} & #indian ai#endindian & {\pun `\char62} \\
+{\tt o} & #indian o#endindian & {\pun `\char126} & {\tt au} & #indian au#endindian & {\pun `\char79} & {\tt aM} & [\ #indian aM#endindian\ ] & [\ {\pun `\char42}\ ] & {\tt aH} & [ #indian aH#endindian ] & [ {\pun `\char92} ] \\
+\hline
+\end{tabular}
+\end{makeimage}
+\vspace*{.5cm}
+
+\begin{makeimage}
+\begin{tabular}{|ll|ll|ll|ll|ll|}
+\hline
+\multicolumn{10}{|c|}{\it Occlusives\/} \\
+\hline
+{\tt ka} & #indian ka#endindian & {\tt kha} & #indian kha#endindian & {\tt ga} & #indian ga#endindian & {\tt gha} & #indian gha#endindian & {\tt N\char`^a} & #indian N^a#endindian \\
+{\tt ca} & #indian ca#endindian & {\tt cha} & #indian cha#endindian & {\tt ja} & #indian ja#endindian & {\tt jha} & #indian jha#endindian & {\tt \char`~na} & #indian ~na#endindian \\
+{\tt Ta} & #indian Ta#endindian & {\tt Tha} & #indian Tha#endindian & {\tt Da} & #indian Da#endindian & {\tt Dha} & #indian Dha#endindian & {\tt Na} & #indian Na#endindian \\
+{\tt ta} & #indian ta#endindian & {\tt tha} & #indian tha#endindian & {\tt da} & #indian da#endindian & {\tt dha} & #indian dha#endindian & {\tt na} & #indian na#endindian \\
+{\tt pa} & #indian pa#endindian & {\tt pha} & #indian pha#endindian & {\tt ba} & #indian ba#endindian & {\tt bha} & #indian bha#endindian & {\tt ma} & #indian ma#endindian \\
+\hline\hline
+\multicolumn{10}{|c|}{\it Sonorants\/} \\
+\hline
+{\tt ya} & #indian ya#endindian & {\tt ra} & #indian ra#endindian & {\tt la} & #indian la#endindian & {\tt va} & #indian va#endindian & {\tt .Da} & #indian .Da#endindian \\
+\hline
+\end{tabular}
+\end{makeimage}
+\vspace*{.5cm}
+
+\begin{makeimage}
+\begin{tabular}{|ll|ll|ll|ll|ll|ll|}
+\hline
+\multicolumn{12}{|c|}{\it Supplementary Consonants\/} \\
+\hline
+{\tt sha} & #indian sha#endindian & {\tt za} & #indian za#endindian & {\tt fa} & #indian fa#endindian & {\tt Ka} & #indian Ka#endindian & {\tt Ga} & #indian Ga#endindian & {\tt La} & --- \\
+\hline
+\end{tabular}
+\end{makeimage}
+\vspace*{.5cm}
+
+\begin{makeimage}
+\begin{tabular}{|ll|ll|ll|ll|ll|}
+\hline
+\multicolumn{10}{|c|}{\it Numerals\/} \\
+\hline
+{\tt 0} & #indian 0#endindian & {\tt 1} & #indian 1#endindian & {\tt 2} & #indian 2#endindian & {\tt 3} & #indian 3#endindian & {\tt 4} & #indian 4#endindian \\
+{\tt 5} & #indian 5#endindian & {\tt 6} & #indian 6#endindian & {\tt 7} & #indian 7#endindian & {\tt 8} & #indian 8#endindian & {\tt 9} & #indian 9#endindian \\
+\hline
+\end{tabular}
+\end{makeimage}
+\hspace*{.5cm}
+\begin{makeimage}
+\begin{tabular}{|ll|ll|ll|}
+\hline
+\multicolumn{6}{|c|}{\it Specials\/} \\
+\hline
+ {\tt AUM} & #indian AUM#endindian
+& {\tt .c} & {\pun `\char38}
+& {\it KND} & {\pun `\char64} \\
+ {\tt .n} & {\pun `\char42}
+& {\tt .N} & {\pun `\char58} && \\
+\hline
+\end{tabular}
+\end{makeimage}
+\end{center}
+\caption{`Punjabi' PostScript font}
+\label{chars}
+\end{table}
+
+
+%%% Consonant-Vowel Combinations %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%-------------------------------------------------------------------
+\begin{htmlonly}
+\section{Table of Consonant Forms}
+\end{htmlonly}
+
+% All the consonant-vowel forms
+\renewcommand{\arraystretch}{1.25}
+\begin{table}[hp]
+\vspace*{-0.5in}
+\hspace*{0.0in}\vbox{
+\begin{center}
+\begin{makeimage}
+\begin{tabular}{|c||c|c|c|c|c|c|c|c|c|c|c|c|c|c|c|}
+\hline
+ / &
+ {\tt a} &
+ {\tt aa} &
+ {\tt i} &
+ {\tt ii} &
+ {\tt u} &
+ {\tt uu} &
+ {\tt e} &
+ {\tt ai} &
+ {\tt o} &
+ {\tt au} \\ \hline \hline
+
+ {\tt k} &
+#indian ka #endindian &
+#indian kaa #endindian &
+#indian ki #endindian &
+#indian kii #endindian &
+#indian ku #endindian &
+#indian kuu #endindian &
+#indian ke #endindian &
+#indian kai #endindian &
+#indian ko #endindian &
+#indian kau #endindian
+\\ \hline
+ {\tt kh} &
+#indian kha #endindian &
+#indian khaa #endindian &
+#indian khi #endindian &
+#indian khii #endindian &
+#indian khu #endindian &
+#indian khuu #endindian &
+#indian khe #endindian &
+#indian khai #endindian &
+#indian kho #endindian &
+#indian khau #endindian \\ \hline
+ {\tt g} &
+#indian ga #endindian &
+#indian gaa #endindian &
+#indian gi #endindian &
+#indian gii #endindian &
+#indian gu #endindian &
+#indian guu #endindian &
+#indian ge #endindian &
+#indian gai #endindian &
+#indian go #endindian &
+#indian gau #endindian \\ \hline
+ {\tt gh} &
+#indian gha #endindian &
+#indian ghaa #endindian &
+#indian ghi #endindian &
+#indian ghii #endindian &
+#indian ghu #endindian &
+#indian ghuu #endindian &
+#indian ghe #endindian &
+#indian ghai #endindian &
+#indian gho #endindian &
+#indian ghau #endindian \\ \hline
+ {\tt N\char`^} &
+#indian ~Na #endindian &
+#indian ~Naa #endindian &
+#indian ~Ni #endindian &
+#indian ~Nii #endindian &
+#indian ~Nu #endindian &
+#indian ~Nuu #endindian &
+#indian ~Ne #endindian &
+#indian ~Nai #endindian &
+#indian ~No #endindian &
+#indian ~Nau #endindian \\ \hline
+ {\tt c} &
+#indian ca #endindian &
+#indian caa #endindian &
+#indian ci #endindian &
+#indian cii #endindian &
+#indian cu #endindian &
+#indian cuu #endindian &
+#indian ce #endindian &
+#indian cai #endindian &
+#indian co #endindian &
+#indian cau #endindian \\ \hline
+ {\tt ch} &
+#indian cha #endindian &
+#indian chaa #endindian &
+#indian chi #endindian &
+#indian chii #endindian &
+#indian chu #endindian &
+#indian chuu #endindian &
+#indian che #endindian &
+#indian chai #endindian &
+#indian cho #endindian &
+#indian chau #endindian \\ \hline
+ {\tt j} &
+#indian ja #endindian &
+#indian jaa #endindian &
+#indian ji #endindian &
+#indian jii #endindian &
+#indian ju #endindian &
+#indian juu #endindian &
+#indian je #endindian &
+#indian jai #endindian &
+#indian jo #endindian &
+#indian jau #endindian \\ \hline
+ {\tt jh} &
+#indian jha #endindian &
+#indian jhaa #endindian &
+#indian jhi #endindian &
+#indian jhii #endindian &
+#indian jhu #endindian &
+#indian jhuu #endindian &
+#indian jhe #endindian &
+#indian jhai #endindian &
+#indian jho #endindian &
+#indian jhau #endindian \\ \hline
+ {\tt \char`~n} &
+#indian ~na #endindian &
+#indian ~naa #endindian &
+#indian ~ni #endindian &
+#indian ~nii #endindian &
+#indian ~nu #endindian &
+#indian ~nuu #endindian &
+#indian ~ne #endindian &
+#indian ~nai #endindian &
+#indian ~no #endindian &
+#indian ~nau #endindian \\ \hline
+ {\tt T} &
+#indian Ta #endindian &
+#indian Taa #endindian &
+#indian Ti #endindian &
+#indian Tii #endindian &
+#indian Tu #endindian &
+#indian Tuu #endindian &
+#indian Te #endindian &
+#indian Tai #endindian &
+#indian To #endindian &
+#indian Tau #endindian \\ \hline
+ {\tt Th} &
+#indian Tha #endindian &
+#indian Thaa #endindian &
+#indian Thi #endindian &
+#indian Thii #endindian &
+#indian Thu #endindian &
+#indian Thuu #endindian &
+#indian The #endindian &
+#indian Thai #endindian &
+#indian Tho #endindian &
+#indian Thau #endindian \\ \hline
+ {\tt D} &
+#indian Da #endindian &
+#indian Daa #endindian &
+#indian Di #endindian &
+#indian Dii #endindian &
+#indian Du #endindian &
+#indian Duu #endindian &
+#indian De #endindian &
+#indian Dai #endindian &
+#indian Do #endindian &
+#indian Dau #endindian \\ \hline
+ {\tt Dh} &
+#indian Dha #endindian &
+#indian Dhaa #endindian &
+#indian Dhi #endindian &
+#indian Dhii #endindian &
+#indian Dhu #endindian &
+#indian Dhuu #endindian &
+#indian Dhe #endindian &
+#indian Dhai #endindian &
+#indian Dho #endindian &
+#indian Dhau #endindian \\ \hline
+ {\tt N} &
+#indian Na #endindian &
+#indian Naa #endindian &
+#indian Ni #endindian &
+#indian Nii #endindian &
+#indian Nu #endindian &
+#indian Nuu #endindian &
+#indian Ne #endindian &
+#indian Nai #endindian &
+#indian No #endindian &
+#indian Nau #endindian \\ \hline
+ {\tt t} &
+#indian ta #endindian &
+#indian taa #endindian &
+#indian ti #endindian &
+#indian tii #endindian &
+#indian tu #endindian &
+#indian tuu #endindian &
+#indian te #endindian &
+#indian tai #endindian &
+#indian to #endindian &
+#indian tau #endindian \\ \hline
+ {\tt th} &
+#indian tha #endindian &
+#indian thaa #endindian &
+#indian thi #endindian &
+#indian thii #endindian &
+#indian thu #endindian &
+#indian thuu #endindian &
+#indian the #endindian &
+#indian thai #endindian &
+#indian tho #endindian &
+#indian thau #endindian \\ \hline
+ {\tt d} &
+#indian da #endindian &
+#indian daa #endindian &
+#indian di #endindian &
+#indian dii #endindian &
+#indian du #endindian &
+#indian duu #endindian &
+#indian de #endindian &
+#indian dai #endindian &
+#indian do #endindian &
+#indian dau #endindian \\ \hline
+ {\tt dh} &
+#indian dha #endindian &
+#indian dhaa #endindian &
+#indian dhi #endindian &
+#indian dhii #endindian &
+#indian dhu #endindian &
+#indian dhuu #endindian &
+#indian dhe #endindian &
+#indian dhai #endindian &
+#indian dho #endindian &
+#indian dhau #endindian \\ \hline
+ {\tt n} &
+#indian na #endindian &
+#indian naa #endindian &
+#indian ni #endindian &
+#indian nii #endindian &
+#indian nu #endindian &
+#indian nuu #endindian &
+#indian ne #endindian &
+#indian nai #endindian &
+#indian no #endindian &
+#indian nau #endindian \\ \hline
+ {\tt p} &
+#indian pa #endindian &
+#indian paa #endindian &
+#indian pi #endindian &
+#indian pii #endindian &
+#indian pu #endindian &
+#indian puu #endindian &
+#indian pe #endindian &
+#indian pai #endindian &
+#indian po #endindian &
+#indian pau #endindian \\ \hline
+ {\tt ph} &
+#indian pha #endindian &
+#indian phaa #endindian &
+#indian phi #endindian &
+#indian phii #endindian &
+#indian phu #endindian &
+#indian phuu #endindian &
+#indian phe #endindian &
+#indian phai #endindian &
+#indian pho #endindian &
+#indian phau #endindian \\ \hline
+ {\tt b} &
+#indian ba #endindian &
+#indian baa #endindian &
+#indian bi #endindian &
+#indian bii #endindian &
+#indian bu #endindian &
+#indian buu #endindian &
+#indian be #endindian &
+#indian bai #endindian &
+#indian bo #endindian &
+#indian bau #endindian \\ \hline
+ {\tt bh} &
+#indian bha #endindian &
+#indian bhaa #endindian &
+#indian bhi #endindian &
+#indian bhii #endindian &
+#indian bhu #endindian &
+#indian bhuu #endindian &
+#indian bhe #endindian &
+#indian bhai #endindian &
+#indian bho #endindian &
+#indian bhau #endindian \\ \hline
+ {\tt m} &
+#indian ma #endindian &
+#indian maa #endindian &
+#indian mi #endindian &
+#indian mii #endindian &
+#indian mu #endindian &
+#indian muu #endindian &
+#indian me #endindian &
+#indian mai #endindian &
+#indian mo #endindian &
+#indian mau #endindian \\ \hline
+ {\tt y} &
+#indian ya #endindian &
+#indian yaa #endindian &
+#indian yi #endindian &
+#indian yii #endindian &
+#indian yu #endindian &
+#indian yuu #endindian &
+#indian ye #endindian &
+#indian yai #endindian &
+#indian yo #endindian &
+#indian yau #endindian \\ \hline
+ {\tt r} &
+#indian ra #endindian &
+#indian raa #endindian &
+#indian ri #endindian &
+#indian rii #endindian &
+#indian ru #endindian &
+#indian ruu #endindian &
+#indian re #endindian &
+#indian rai #endindian &
+#indian ro #endindian &
+#indian rau #endindian \\ \hline
+ {\tt l} &
+#indian la #endindian &
+#indian laa #endindian &
+#indian li #endindian &
+#indian lii #endindian &
+#indian lu #endindian &
+#indian luu #endindian &
+#indian le #endindian &
+#indian lai #endindian &
+#indian lo #endindian &
+#indian lau #endindian \\ \hline
+ {\tt v} &
+#indian va #endindian &
+#indian vaa #endindian &
+#indian vi #endindian &
+#indian vii #endindian &
+#indian vu #endindian &
+#indian vuu #endindian &
+#indian ve #endindian &
+#indian vai #endindian &
+#indian vo #endindian &
+#indian vau #endindian \\ \hline
+ {\tt .D} &
+#indian .Da #endindian &
+#indian .Daa #endindian &
+#indian .Di #endindian &
+#indian .Dii #endindian &
+#indian .Du #endindian &
+#indian .Duu #endindian &
+#indian .De #endindian &
+#indian .Dai #endindian &
+#indian .Do #endindian &
+#indian .Dau #endindian \\ \hline
+ {\tt sh} &
+#indian sha #endindian &
+#indian shaa #endindian &
+#indian shi #endindian &
+#indian shii #endindian &
+#indian shu #endindian &
+#indian shuu #endindian &
+#indian she #endindian &
+#indian shai #endindian &
+#indian sho #endindian &
+#indian shau #endindian \\ \hline
+ {\tt z} &
+#indian za #endindian &
+#indian zaa #endindian &
+#indian zi #endindian &
+#indian zii #endindian &
+#indian zu #endindian &
+#indian zuu #endindian &
+#indian ze #endindian &
+#indian zai #endindian &
+#indian zo #endindian &
+#indian zau #endindian \\ \hline
+ {\tt f} &
+#indian fa #endindian &
+#indian faa #endindian &
+#indian fi #endindian &
+#indian fii #endindian &
+#indian fu #endindian &
+#indian fuu #endindian &
+#indian fe #endindian &
+#indian fai #endindian &
+#indian fo #endindian &
+#indian fau #endindian \\ \hline
+ {\tt K} &
+#indian Ka #endindian &
+#indian Kaa #endindian &
+#indian Ki #endindian &
+#indian Kii #endindian &
+#indian Ku #endindian &
+#indian Kuu #endindian &
+#indian Ke #endindian &
+#indian Kai #endindian &
+#indian Ko #endindian &
+#indian Kau #endindian \\ \hline
+ {\tt G} &
+#indian Ga #endindian &
+#indian Gaa #endindian &
+#indian Gi #endindian &
+#indian Gii #endindian &
+#indian Gu #endindian &
+#indian Guu #endindian &
+#indian Ge #endindian &
+#indian Gai #endindian &
+#indian Go #endindian &
+#indian Gau #endindian \\ \hline
+ {\tt s} &
+#indian sa #endindian &
+#indian saa #endindian &
+#indian si #endindian &
+#indian sii #endindian &
+#indian su #endindian &
+#indian suu #endindian &
+#indian se #endindian &
+#indian sai #endindian &
+#indian so #endindian &
+#indian sau #endindian \\ \hline
+ {\tt h} &
+#indian ha #endindian &
+#indian haa #endindian &
+#indian hi #endindian &
+#indian hii #endindian &
+#indian hu #endindian &
+#indian huu #endindian &
+#indian he #endindian &
+#indian hai #endindian &
+#indian ho #endindian &
+#indian hau #endindian \\ \hline
+\end{tabular}
+\end{makeimage}
+\vspace{0.10in}
+\end{center}
+} % end vbox
+%\caption{Gurmukh{\=\i} Consonants with their Vowel Forms.}
+%\label{consvow}
+\end{table}
+
+\newpage
+%-------------------------------------------------------------------
+\section{Example Words}
+
+\begin{makeimage}
+\begin{multicols}{3}
+#indian mantri#endindian \quad {\tt mantrii} \\
+#indian svaadu#endindian \quad {\tt svaadu} \\
+#indian amritu#endindian \quad {\tt amritu} \\
+#indian indru#endindian \quad {\tt indru} \\
+#indian hindusataanu#endindian \quad {\tt hindusataanu} \\
+#indian jaN^galu#endindian \quad {\tt jaN\char`^galu} \\
+#indian ja.ngalu#endindian \quad {\tt ja.ngalu} \\
+#indian brahamaNu#endindian \quad {\tt brahamaNu} \\
+#indian pa~nja kakke#endindian \quad {\tt pa\char`~nja kakke} \\
+#indian pa.nja kakke#endindian \quad {\tt pa.nja kakke} \\
+#indian dhuu.Di#endindian \quad {\tt dhuu.Di} \\
+#indian bhaa_ii#endindian \quad {\tt bhaa\char`_ii} \\
+#indian aN^ga#endindian \quad {\tt aN\char`^ga} \\
+#indian a.nga#endindian \quad {\tt a.nga} \\
+#indian santa#endindian \quad {\tt santa} \\
+#indian sa.nta#endindian \quad {\tt sa.nta} \\
+#indian shaanti#endindian \quad {\tt shaanti} \\
+#indian shaa.Nti#endindian \quad {\tt shaa.Nti} \\
+#indian ambaa#endindian \quad {\tt ambaa} \\
+#indian a.nbaa#endindian \quad {\tt a.nbaa} \\
+#indian pampakinu#endindian \quad {\tt pampakinu\/} \\
+#indian paa~nca#endindian \quad {\tt paa\char`~nca\/} \\
+#indian paa.Nca#endindian \quad {\tt paa.Nca\/} \\
+#indian daNDaa#endindian \quad {\tt daNDaa} \\
+#indian da.nDaa#endindian \quad {\tt da.nDaa} \\
+#indian satiguru#endindian \quad {\tt satiguru} \\
+#indian sakhii#endindian \quad {\tt sakhii} \\
+#indian siddha#endindian \quad {\tt siddha} \\
+#indian hukamu#endindian \quad {\tt hukamu} \\
+%------------------------
+\begin{htmlonly}
+\end{multicols}
+\end{makeimage}
+% latex2html can't do {multicols}{3}, it puts everything in 1 col,
+% so, have to split table into two or will not fit on a page
+\begin{makeimage}
+\begin{multicols}{3}
+\end{htmlonly}
+%------------------------
+#indian kabiiru#endindian \quad {\tt kabiiru} \\
+#indian naanaku#endindian \quad {\tt naanaku} \\
+#indian kuraaNu#endindian \quad {\tt kuraaNu} \\
+#indian guramukhii#endindian \quad {\tt guramukhii} \\
+#indian ahaliaa#endindian \quad {\tt ahaliaa} \\
+#indian augaNu#endindian \quad {\tt augaNu} \\
+#indian a_ugaNu#endindian \quad {\tt a\char`_ugaNu} \\
+#indian aa_io#endindian \quad {\tt aa\char`_io} \\
+#indian giaanii#endindian \quad {\tt giaanii} \\
+#indian maaiaa#endindian \quad {\tt maaiaa} \\
+#indian maa_iaa#endindian \quad {\tt maa\char`_iaa} \\
+#indian khullhaa#endindian \quad {\tt khullhaa} \\
+#indian kripaa#endindian \quad {\tt kripaa} \\
+#indian khyattrii#endindian \quad {\tt khyattrii} \\
+#indian jagannaathu#endindian \quad {\tt jagannaathu} \\
+#indian granthu#endindian \quad {\tt granthu} \\
+#indian gra.nthu#endindian \quad {\tt gra.nthu} \\
+#indian pa~njaabii#endindian \quad {\tt pa\char`~njaabii} \\
+#indian pa.njaabii#endindian \quad {\tt pa.njaabii} \\
+#indian haumai#endindian \quad {\tt haumai} \\
+#indian ha_umai#endindian \quad {\tt ha\char`_umai} \\
+#indian paNDitu#endindian \quad {\tt paNDitu} \\
+#indian pa.nDitu#endindian \quad {\tt pa.nDitu} \\
+#indian nhaanaa#endindian \quad {\tt nhaanaa} \\
+#indian praaNu#endindian \quad {\tt praaNu} \\
+#indian cammu#endindian \quad {\tt cammu} \\
+#indian cannaNu#endindian \quad {\tt cannaNu} \\
+#indian saccaa#endindian \quad {\tt saccaa}
+\end{multicols}
+\end{makeimage}
+
+\bigskip
+\hrule
+\bigskip
+
+\vfill
+
+\section{Author}
+
+\noindent
+ITRANS has been developed by Avinash Chopde. \\
+E-mail:
+\htmladdnormallink{\texttt{avinash@acm.org}}{mailto:avinash@acm.org}. \\
+Home page:
+\htmladdnormallink{\texttt{http://www.aczone.com/}}{http://www.aczone.com/}
+
+\bigskip\bigskip
+\centerline{\tiny -- end-of-document --}
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/itrans/romancsx.itx b/Master/texmf-dist/doc/fonts/itrans/romancsx.itx
new file mode 100644
index 00000000000..ac93cd748d9
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/itrans/romancsx.itx
@@ -0,0 +1,305 @@
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% Romanized Sanskrit output User Doc for ITRANS (Version 5.00+)
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\documentclass[11pt]{article}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\usepackage[preprocess]{itrans} % Ross Moore's extensions to latex2html
+
+\usepackage{html} % from standard latex2html package
+ % if you do not have html.sty in your machine, change the html to
+ % htmlstub (htmlstub.sty is included in the ITRANS/lib directory)
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+#sanskritifm=dvng.ifm % ITRANS command
+#sanskritfont=\fransdvng % ITRANS command: argument specifies use of
+ % Frans's font, fransdvng is a command defined
+ % in itrans.sty (idevn.tex)
+%begin{latexonly}
+\let\usedvng=\largedvng % override the default size (normaldvng)
+%end{latexonly}
+
+\newfont{\csroman}{ncprcsxp at 10pt}
+\newfont{\csromani}{ncpicsxp at 10pt}
+
+#romanifm=romancsx.ifm
+#romanfont=\csroman
+
+\newcommand{\SM}{\char35roman}
+\newcommand{\EM}{\char35endroman}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\portraitpage % defined in itrans.sty (idevn.tex), get a larger page size
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\renewcommand{\arraystretch}{1.15}
+
+\begin{document}
+
+\footnotetext[0]{Last modification: \today}
+
+\centerline{\bf Transliteration Map}
+\medskip
+\centerline{\LARGE\bf NCS\_CSX font}
+\medskip
+\centerline{\bf (Romanized Sanskrit)}
+\bigskip
+\centerline{\bf itrans}
+\smallskip
+\centerline{\bf \copyright 1996--2001 Avinash Chopde}
+
+\section{Fonts Available}
+
+\subsection{\TeX\ Interface}
+
+The romanized sanskrit font is called {\em NCS\_CSX+-Roman},
+and its PostScript description
+resides in the file {\em ncpr\_\_\_\_.pfb}.
+It is a Type 1 PostScript font.
+A second font, which is an italic version is also available {\em ncpi\_\_\_\_.pfb}.
+A bold version of the font is also available, as well as Mac versions,
+but they are not bundled in
+with ITRANS. You can download the bold version of NCS\_CSX from the
+Internet, see the following section titled ``Font Developer.''
+
+Since these are PostScript fonts, you can use them at any font size in
+your document.
+Here are two examples of loading these fonts (see romancsx.itx for
+example usage):
+
+\noindent\verb+\newfont{\csroman}{ncpr at 10pt}+.
+
+or
+
+\noindent\verb+\newfont{\csromani}{ncpi at 10pt}+.
+
+\subsection{Direct PostScript Interface}
+
+This font can be used with the -P option of ITRANS, to produce direct
+PostScript output.
+
+This can be used when you don't want to use \TeX\ for typesetting.
+There are a few sample files provided which show how to use this Direct
+PostScript Output mode (the files ending in .ips are the Direct PostScript
+output files).
+
+\subsection{Direct Text Interface}
+
+This font can be used with the -7 or -8 option of ITRANS, to produce direct
+Text (HTML) output. This can be used to convert input ITRANS encoded texts into the
+Classical Sanskrit encoding, and that output text
+ can be viewed using a CS/CSX font on HTML browsers such a Netscape (3.0
+ or later).
+For details on the Classical Sanskrit font encoding, see Dominik Wujastyk's
+documents on the Internet, search for the keywords Indology or
+Classical Sanskrit, or visit the ftp site listed in the ``Font Developer''
+section of this document.
+That ftp site also contains other variations of the NCS\_CSX font, which
+includes a bold version of the font, and also contains many other
+CS/CSX fonts.
+
+The -7 or -8 mode, with a little bit of output editing,
+can be used in interesting ways --- this can be
+used to convert all ITRANS encoded text into CS/CSX encoded text.
+And since ITRANS also accepts CS/CSX encoded text as input, this offers
+a way to move to 8-bit input text encoding, and also
+retain all the advantages of the original ITRANS documents!
+
+\subsection{Font Developer}
+
+The NCS fonts have been taken from this site:
+
+{\verb- ftp://bombay.oriental.cam.ac.uk/pub/john/software/fonts/csx+/-}
+
+As mentioned in the readme there,
+``The fonts in this archive implement the CSX+ character set designed
+for use in printing Indian language material in Roman script. They
+are based on fonts designed by URW++ Design and Development Incorporated,
+Germany.''
+
+For more information, visit Dr. John D Smith's home page, at \\
+\htmladdnormallink{\texttt{http://bombay.oriental.cam.ac.uk/index.html}}{http://bombay.oriental.cam.ac.uk/index.html}
+
+\subsection{CS/CSX Encoding}
+
+During the 8th World Sanskrit Conference, Vienna 1990, a panel
+was held to discuss the standardization of Sanskrit for
+electronic data transfer.
+Dominik Wujastyk presented a paper, titled ``Standardization of Sanskrit for
+Electronic Data Transfer and Screen Representation,'' which outlines the
+Classical Sanskrit and Classical Sanskrit Extended Encoding.
+The original paper is available in a .zip archive, named ``iass.zip''
+available at: {\verb+ ftp.bcc.ac.uk:/pub/users/ucgadkw/indology+}.
+
+\section{Example usage}
+
+This input:
+\bigskip
+
+{\obeylines
+{\tt \SM}
+\begin{verbatim}
+ karmaNyevaadhikaaraste maa phaleshhu kadaachana |
+ maa karmaphalaheturbhuurmaa te sa~Ngo.astvakarmaNi || 47 ||
+\csromani
+ yogasthaH kuru karmaaNi sa~Nga.n tyaktvaa dhana.njaya |
+ sid.hdhyasid.hdhyoH samo bhuutvaa samatva.n yoga uchyate || 48 ||
+\end{verbatim}
+\noindent
+{\tt \EM}}
+
+\bigskip
+\noindent
+produces:
+\bigskip
+
+{
+#roman \obeylines
+ karmaNyevaadhikaaraste maa phaleshhu kadaachana |
+ maa karmaphalaheturbhuurmaa te sa~Ngo.astvakarmaNi || 47 ||
+\csromani
+ yogasthaH kuru karmaaNi sa~Nga.n tyaktvaa dhana.njaya |
+ sid.hdhyasid.hdhyoH samo bhuutvaa samatva.n yoga uchyate || 48 ||
+
+#endroman
+}
+
+\bigskip
+\hrule
+\vfill
+
+\section{Author}
+
+\noindent
+ITRANS has been developed by Avinash Chopde. \\
+E-mail:
+\htmladdnormallink{\texttt{avinash@acm.org}}{mailto:avinash@acm.org}. \\
+Home page:
+\htmladdnormallink{\texttt{http://www.aczone.com/}}{http://www.aczone.com/}
+
+\bigskip
+\hrule
+%-------------------------------------------------------------------
+\begin{htmlonly}
+\section{Romanized Sanskrit Table}
+\end{htmlonly}
+
+\begin{table}[hp]
+\begin{center}
+\vspace*{-0.00in}\begin{tabular}{c@{\hspace{1in}}c@{\hspace{1in}}c}
+% --- first col is vowels inside a tabular
+\begin{makeimage}
+\begin{tabular}{|c|c|}
+\multicolumn{2}{c}{Vowels} \\
+\hline
+{#roman a #endroman} & {\tt a} \\ \hline
+{#roman aa #endroman} & {\tt aa {\it or} A} \\ \hline
+{#roman i #endroman} & {\tt i} \\ \hline
+{#roman ii #endroman} & {\tt ii {\it or} I} \\ \hline
+{#roman u #endroman} & {\tt u} \\ \hline
+{#roman uu #endroman} & {\tt uu {\it or} U} \\ \hline
+{#roman R^i #endroman} & {\tt RRi {\it or} R\char`^i} \\ \hline
+{#roman R^I #endroman} & {\tt RRI {\it or} R\char`^I} \\ \hline
+{#roman L^i #endroman} & {\tt LLi {\it or} L\char`^i} \\ \hline
+{#roman L^I #endroman} & {\tt LLI {\it or} L\char`^I} \\ \hline
+{#roman e #endroman} & {\tt e} \\ \hline
+{#roman ai #endroman} & {\tt ai} \\ \hline
+{#roman o #endroman} & {\tt o} \\ \hline
+{#roman au #endroman} & {\tt au} \\ \hline
+{#roman aM #endroman} & {\tt {\it a}M} \\ \hline
+{#roman aH #endroman} & {\tt {\it a}H} \\ \hline
+\multicolumn{2}{c}{} \\
+\multicolumn{2}{c}{} \\
+\multicolumn{2}{c}{Digits} \\
+\hline
+{#roman 0 #endroman} & {\tt 0} \\ \hline
+{#roman 1 #endroman} & {\tt 1} \\ \hline
+{#roman 2 #endroman} & {\tt 2} \\ \hline
+{#roman 3 #endroman} & {\tt 3} \\ \hline
+{#roman 4 #endroman} & {\tt 4} \\ \hline
+{#roman 5 #endroman} & {\tt 5} \\ \hline
+{#roman 6 #endroman} & {\tt 6} \\ \hline
+{#roman 7 #endroman} & {\tt 7} \\ \hline
+{#roman 8 #endroman} & {\tt 8} \\ \hline
+{#roman 9 #endroman} & {\tt 9} \\ \hline
+\end{tabular}
+\end{makeimage}
+% --- end first col
+&
+% --- second col is consonants
+\begin{makeimage}
+\begin{tabular}{|c|c|}
+\multicolumn{2}{c}{Consonants} \\
+\hline
+{#roman ka #endroman} & {\tt k{\it a}} \\ \hline
+{#roman kha #endroman} & {\tt kh{\it a}} \\ \hline
+{#roman ga #endroman} & {\tt g{\it a}} \\ \hline
+{#roman gha #endroman} & {\tt gh{\it a}} \\ \hline
+{#roman ~Na #endroman} & {\tt \char`~N{\it a or} N\char`^{\it a}} \\ \hline
+{#roman cha #endroman} & {\tt ch{\it a}} \\ \hline
+{#roman Cha #endroman} & {\tt Ch{\it a or} chh{\it a}} \\ \hline
+{#roman ja #endroman} & {\tt j{\it a}} \\ \hline
+{#roman jha #endroman} & {\tt jh{\it a}} \\ \hline
+{#roman ~na #endroman} & {\tt \char`~n{\it a or} JN{\it a}} \\ \hline
+{#roman Ta #endroman} & {\tt T{\it a}} \\ \hline
+{#roman Tha #endroman} & {\tt Th{\it a}} \\ \hline
+{#roman Da #endroman} & {\tt D{\it a}} \\ \hline
+{#roman Dha #endroman} & {\tt Dh{\it a}} \\ \hline
+{#roman Na #endroman} & {\tt N{\it a}} \\ \hline
+{#roman ta #endroman} & {\tt t{\it a}} \\ \hline
+{#roman tha #endroman} & {\tt th{\it a}} \\ \hline
+{#roman da #endroman} & {\tt d{\it a}} \\ \hline
+{#roman dha #endroman} & {\tt dh{\it a}} \\ \hline
+{#roman na #endroman} & {\tt n{\it a}} \\ \hline
+{#roman pa #endroman} & {\tt p{\it a}} \\ \hline
+{#roman pha #endroman} & {\tt ph{\it a}} \\ \hline
+{#roman ba #endroman} & {\tt b{\it a}} \\ \hline
+{#roman bha #endroman} & {\tt bh{\it a}} \\ \hline
+{#roman ma #endroman} & {\tt m{\it a}} \\ \hline
+{#roman ya #endroman} & {\tt y{\it a}} \\ \hline
+{#roman ra #endroman} & {\tt r{\it a}} \\ \hline
+{#roman la #endroman} & {\tt l{\it a}} \\ \hline
+{#roman va #endroman} & {\tt v{\it a}} \\ \hline
+{#roman sha #endroman} & {\tt sh{\it a}} \\ \hline
+{#roman Sha #endroman} & {\tt Sh{\it a or} shh{\it a}} \\ \hline
+{#roman sa #endroman} & {\tt s{\it a}} \\ \hline
+{#roman ha #endroman} & {\tt h{\it a}} \\ \hline
+{#roman lda #endroman} & {\tt ld{\it a or}} L{\it a} \\ \hline
+{#roman kSha #endroman} & {\tt kSh{\it a or} x{\it a}} \\ \hline
+{#roman j~na #endroman} & {\tt j\char`~n{\it a or} GY{\it a}} \\ \hline
+\end{tabular}
+\end{makeimage}
+% --- end second col
+&
+% --- third col of specials/accents inside a tabular
+\begin{makeimage}
+\begin{tabular}{|c|c|}
+\multicolumn{2}{c}{Specials/Accents} \\
+\hline
+{#roman qa #endroman} & {\tt q{\it a}} \\ \hline
+{#roman Ka #endroman} & {\tt K{\it a}} \\ \hline
+{#roman Ga #endroman} & {\tt G{\it a}} \\ \hline
+{#roman za #endroman} & {\tt J{\it a or} z{\it a}} \\ \hline
+{#roman fa #endroman} & {\tt f{\it a}} \\ \hline
+{#roman .Da #endroman} & {\tt .D{\it a}} \\ \hline
+{#roman .Dha #endroman} & {\tt .Dh{\it a}} \\ \hline
+{#roman AUM #endroman} & {\tt AUM} or {\tt OM} \\ \hline
+{#roman Rga #endroman} & {\tt R{\it ga}} \\ \hline
+{#roman ga^r #endroman} & {\tt {\it ga}\char`^r} \\ \hline
+{#roman ga.n #endroman} & {\tt {\it ga}.n} \\ \hline
+{#roman aa.c #endroman} & {\tt {\it aa}.c} \\ \hline
+{#roman Da.N #endroman} & {\tt {\it Da}.N} \\ \hline
+{#roman D.h #endroman} & {\tt {\it D}.h} \\ \hline
+{#roman duH #endroman} & {\tt {\it du}H} \\ \hline
+{#roman .a #endroman} & {\tt .a} \\ \hline
+\end{tabular}
+\end{makeimage}
+\\
+\end{tabular} % end the larger tabular encompassing all four tables
+\hfill
+\\
+\end{center}
+\caption {{\bf ITRANS: Romanized Sanskrit to English Transliteration Table}.}
+\label{ienc}
+\end{table}
+
+%-------------------------------------------------------------------
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/itrans/tamil.itx b/Master/texmf-dist/doc/fonts/itrans/tamil.itx
new file mode 100644
index 00000000000..7085ba09df4
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/itrans/tamil.itx
@@ -0,0 +1,673 @@
+\documentclass[11pt]{article}
+% User Documentation for the Itrans Package
+% The Tamil Language Transliteration Table
+
+\usepackage[preprocess]{itrans} % Ross Moore's extensions to latex2html
+
+\usepackage{html} % from standard latex2html package
+ % if you do not have html.sty in your machine, change the html to
+ % htmlstub (htmlstub.sty is included in the ITRANS/lib directory)
+
+\portraitpage % defined in itrans.sty (idevn.tex), get a larger page size
+
+\renewcommand{\arraystretch}{1.25}
+\newcommand{\rarrow}{\mbox{---\hspace{-8pt}$>$}}
+\newcommand{\ST}{\char35 tamil}
+\newcommand{\ET}{\char35 endtamil}
+\newfont{\cmt}{cmtt12}
+\newfont{\cmts}{cmtt9}
+
+\newfont{\tmlb}{wntml12}
+\newfont{\tmls}{wntml10}
+\hyphenchar\tmlb=-1 % disable hyphenation using this font
+\hyphenchar\tmls=-1 % disable hyphenation using this font
+
+#tamilifm=wntml.ifm
+#tamilfont=\tmlb
+
+\begin{document}
+
+\footnotetext[0]{Last modification: \today}
+
+\centerline{\LARGE\bf Transliteration Map}
+\medskip
+\centerline{\LARGE\bf Tamil Font (wntml)}
+\bigskip
+\centerline{\LARGE\bf itrans}
+\smallskip
+\centerline{\bf \copyright 1991--1998 Avinash Chopde}
+
+\section{Fonts Available --- \TeX\ Interface}
+
+The single font {\em wntml}, is available in three sizes: 10, 12 and
+17~points.
+The names are {\em wntml10}, {\em wntml12}, and {\em wntml17}
+respectively.
+
+In this document (and in idoc.itx), the following lines were used for
+loading the font:
+
+\noindent\verb+\newfont{\tmlb}{wntml12}+.
+
+\noindent\verb+\newfont{\tmls}{wntml10}+.
+
+The command {\tt \char92tmlb} refers to the font of size 12, and the
+command {\tt \char92tmls} refers to the font of size 10 points.
+
+This package also includes the MF and PK files for the font.
+Since the MF files are also present, you can use them to generate any
+other PK and TFM files you need, to get fonts that are transformed
+versions (scaled, slanted, etc) of the basic Washington Tamil font.
+
+\subsection{Points to Note}
+
+\begin{itemize}
+
+\item The font used, wntml, is a Metafont description, hence, this font
+cannot be used to directly generate PostScript output from itrans.
+The only way to use this font with {\em itrans} is to produce documents
+in \TeX.
+
+\item The font used, wntml, does not have any numerals or any punctuation
+characters.
+Therefore, if you need to use numbers or punctuation marks between the
+\ST\ and \ET\ markers, remember to change the font before any number or
+any punctuation mark.
+
+For numbers, it is usually sufficient to use the \$ enclosing scope to
+make them print correctly, since a \$ enters mathmode and uses the math
+fonts.
+For punctuation marks, the user needs to explicitly change fonts:
+example:
+
+\noindent{\tt \ST ......\{\char92rm ;\}.......\ET}.
+
+The example in the previous section uses these methods.
+
+\end{itemize}
+
+\subsection{Archaic Character Forms}
+
+As shown in table 2, the consonant-vowel forms follow certain modern
+tamil conventions. (I use the terms modern and archaic loosely, and they
+only reflect current tamil standards in India, other countries may not
+follow these.)
+It is possible to get the older alternate character forms that print out thus:
+
+{\tt NA:} {\tmlb%
+{\char49} }% End of Indian Language
+
+{\tt Nai:} {\tmlb%
+{\char54} }% End of Indian Language
+
+{\tt No:} {\tmlb%
+{\char22\char49} }% End of Indian Language
+
+{\tt NO:} {\tmlb%
+{\char23\char49} }% End of Indian Language
+
+{\tt nA:} {\tmlb%
+{\char145} }% End of Indian Language
+
+{\tt nai:} {\tmlb%
+{\char150} }% End of Indian Language
+
+{\tt no:} {\tmlb%
+{\char22\char145} }% End of Indian Language
+
+{\tt nO:} {\tmlb%
+{\char23\char145} }% End of Indian Language
+
+{\tt Lai:} {\tmlb%
+{\char134} }% End of Indian Language
+
+{\tt RA:} {\tmlb%
+{\char137} }% End of Indian Language
+
+{\tt Ro:} {\tmlb%
+{\char22\char137} }% End of Indian Language
+
+{\tt RO:} {\tmlb%
+{\char23\char137} }% End of Indian Language
+
+\bigskip
+To enable these forms, you need to edit the wntml.ifm file: better
+make a copy, and name it wntmla.ifm, and edit the new file.
+
+Search the wntmla.ifm file for the word {\em ARCHAIC}, and delete
+that word.
+You should see twelve such instances, corresponding to the characters
+above.
+
+Once that is done, specify the new IFM file with the {\tt \char35tamilifm}
+keyword, and all the above twelve consonant forms will print out as above.
+(See the user manual idoc.itx for exact details regarding the {\tt
+\char35tamilifm} keyword.)
+
+\section{Example}
+
+\noindent $\bullet$ English Input:
+\bigskip
+
+\noindent {\tt \char123 {\ST}}
+\begin{verbatim}
+namadhu chUriya maNTalaththai viTTup paya^nIr{\rm ,} vAyEjar
+viNkala~NkaL veLiyERi viNmI^n kaLai nOkki viraindhu
+koNTirukki^nRa^na{\rm .}
+idhaRkE padhdhuppadhi^nARu ANTukaLAki viTTa^na{\rm .}
+viNmI^nkaLukkuch churukkAka payaNam chella i^nRaiya
+vEdhiyal EvUrdhikaL kaikoTukkA{\rm .} ivaRRi^nAl maNikku
+$ 40 $ Ayiram kilO mITTar vEkadhdhaiyE eTTa muTiyum{\rm .}
+\end{verbatim}
+\noindent {\tt \ET\char125}
+
+\bigskip\bigskip
+
+\noindent $\bullet$ Tamil Output:
+\bigskip
+
+#tamil
+\noindent namadhu chUriya maNTalaththai viTTup paya^nIr{\rm ,}
+vAyEjar
+viNkala~NkaL veLiyERi
+viNmI^nkaLai nOkki viraindhu koNTirukki^nRa^na{\rm .}
+idhaRkE padhdhuppadhi^nARu ANTukaLAki viTTa^na{\rm .} \\
+viNmI^nkaLukkuch churukkAka payaNam chella i^nRaiya vEdhiyal
+EvUrdhikaL
+kaikoTukkA{\rm .}
+ivaRRi^nAl maNikku $ 40 $ Ayiram kilO mITTar vEkadhdhaiyE eTTa
+muTiyum{\rm .}
+#endtamil
+
+\section{Acknowledgements}
+
+The support for tamil in the initial version of {\em itrans} package has
+been possible
+only because of the help I received from {\tt Sriram Tyagarajan}.
+I would like to thank him for his help in making me relate the {\em
+itrans} package to the tamil alphabet, and his patience in proof-reading
+all the printouts I sent him.
+
+The current version of ITRANS makes use of Tamil enhancements from many
+other people, particularly
+Siddharthan Ramachandramurthi who added glyphs to the tamil font, and to
+Shree for many modifications to the IFM file.
+
+\subsection{Font Developer}
+
+ The Washington Tamil font (wntml) was created by the
+ Humanities and Arts Computing Center of the University of Washington,
+ USA.
+ I would like to thank them for making this font available as freeware.
+
+{\obeylines\cmts
+\noindent Thomas Ridgeway, Director,
+\noindent Humanities and Arts Computing Center/NorthWest Computing Support Center
+\noindent Internet: ridgeway@blackbox.hacc.washington.edu
+}
+
+The current version of {\tt tamil.mf} Wntml font that is distributed
+with ITRANS has been developed by
+Siddharthan Ramachandramurthi, it includes updates to a few of the
+original glyphs, and it also adds a few more characters to the font.
+
+\bigskip
+\hrule
+\vfill
+
+\bigskip
+\section{Author}
+
+\noindent
+ITRANS has been developed by Avinash Chopde. \\
+E-mail:
+\htmladdnormallink{\texttt{avinash@acm.org}}{mailto:avinash@acm.org}. \\
+Home page:
+\htmladdnormallink{\texttt{http://www.aczone.com/}}{http://www.aczone.com/}
+
+\bigskip
+\hrule
+%-------------------------------------------------------------------
+\begin{htmlonly}
+\section{Tamil Table}
+\end{htmlonly}
+
+\begin{table}[hp]
+\begin{center}
+\begin{tabular}{c@{\hspace{1in}}c@{\hspace{1in}}c}
+% --- first col is vowels inside a tabular
+\begin{makeimage}
+\begin{tabular}{|c|c|}
+\multicolumn{2}{c}{Vowels} \\
+\hline
+{#tamil a #endtamil} & {\tt a} \\ \hline
+{#tamil aa #endtamil} & {\tt aa {\it or} A} \\ \hline
+{#tamil i #endtamil} & {\tt i} \\ \hline
+{#tamil ii #endtamil} & {\tt ii {\it or} I} \\ \hline
+{#tamil u #endtamil} & {\tt u} \\ \hline
+{#tamil uu #endtamil} & {\tt uu {\it or} U} \\ \hline
+{#tamil e #endtamil} & {\tt e} \\ \hline
+{#tamil E #endtamil} & {\tt E} \\ \hline
+{#tamil ai #endtamil} & {\tt ai} \\ \hline
+{#tamil o #endtamil} & {\tt o} \\ \hline
+{#tamil O #endtamil} & {\tt O} \\ \hline
+{#tamil au #endtamil} & {\tt au} \\ \hline
+\multicolumn{2}{c}{ }\\
+\multicolumn{2}{c}{ }\\
+\hline
+{#tamil q #endtamil} & {\tt q} \\ \hline
+{#tamil SRI #endtamil} & {\tt SRI} \\ \hline
+\end{tabular}
+\end{makeimage}
+% --- end first col
+&
+% --- second col is consonants
+\begin{makeimage}
+\begin{tabular}{|c|c|}
+\multicolumn{2}{c}{Consonants} \\
+\hline
+{#tamil ka #endtamil} & {\tt k{\it a} {\it or} g{\it a}} \\ \hline
+{#tamil ~Na #endtamil} & {\tt \char`~N{\it a or} N\char`^{\it a}} \\ \hline
+{#tamil cha #endtamil} & {\tt ch{\it a}} \\ \hline
+{#tamil ~na #endtamil} & {\tt {\char`~}n{\it a}} \\ \hline
+{#tamil Ta #endtamil} & {\tt T{\it a} {\it or} Th{\it a}} \\ \hline
+{#tamil Na #endtamil} & {\tt N{\it a}} \\ \hline
+{#tamil ta #endtamil} & {\tt t{\it a} {\it or} th{\it a}} \\ \hline
+{#tamil na #endtamil} & {\tt n{\it a}} \\ \hline
+{#tamil ^na #endtamil} & {\tt \char`^n{\it a}} \\ \hline
+{#tamil pa #endtamil} & {\tt p{\it a} {\it or} b{\it a}} \\ \hline
+{#tamil ma #endtamil} & {\tt m{\it a}} \\ \hline
+{#tamil ya #endtamil} & {\tt y{\it a}} \\ \hline
+{#tamil ra #endtamil} & {\tt r{\it a}} \\ \hline
+{#tamil la #endtamil} & {\tt l{\it a}} \\ \hline
+{#tamil va #endtamil} & {\tt v{\it a or} w{\it a}} \\ \hline
+{#tamil za #endtamil} & {\tt J{\it a or} z{\it a}} \\ \hline
+{#tamil La #endtamil} & {\tt L{\it a}} \\ \hline
+{#tamil Ra #endtamil} & {\tt R{\it a}} \\ \hline
+{#tamil sha #endtamil} & {\tt sh{\it a}} \\ \hline
+{#tamil Sha #endtamil}& {\tt Sh{\it a}} \\ \hline
+{#tamil sa #endtamil} & {\tt s{\it a}} \\ \hline
+{#tamil ja #endtamil} & {\tt j{\it a}} \\ \hline
+{#tamil ha #endtamil} & {\tt h{\it a}} \\ \hline
+{#tamil xa #endtamil} & {\tt x{\it a} {\it or} ksh{\it a}} \\ \hline
+\end{tabular}
+\end{makeimage}
+\\
+\end{tabular} % end the larger tabular encompassing all two tables
+\hfill
+\\
+\end{center}
+\caption {\bf ITRANS: Tamil to English Transliteration Table.}
+\label{ienc}
+\end{table}
+
+#tamilfont=\tmls
+%-------------------------------------------------------------------
+\begin{htmlonly}
+\section{All the Consonant-Vowel Forms}
+\end{htmlonly}
+
+\begin{table}[hp]
+\vspace*{-0.00in}
+\hspace*{-0.5in}\mbox{\vbox{ % this hspace and vspace doesn't work...
+\begin{makeimage}
+\begin{tabular}{|c||c|c|c|c|c|c|c|c|c|c|c|c|c|} % 14 columns
+\hline
+\tt \char92 &
+\tt &
+\tt a &
+\tt A &
+\tt i &
+\tt I &
+\tt u &
+\tt U &
+\tt e &
+\tt E &
+\tt ai &
+\tt o &
+\tt O &
+\tt au \\ \hline\hline
+\tt k &
+#tamil k #endtamil &
+#tamil ka #endtamil &
+#tamil kA #endtamil &
+#tamil ki #endtamil &
+#tamil kI #endtamil &
+#tamil ku #endtamil &
+#tamil kU #endtamil &
+#tamil ke #endtamil &
+#tamil kE #endtamil &
+#tamil kai #endtamil &
+#tamil ko #endtamil &
+#tamil kO #endtamil &
+#tamil kau #endtamil \\ \hline
+\tt {\char`~}N &
+#tamil ~N #endtamil &
+#tamil ~Na #endtamil &
+#tamil ~NA #endtamil &
+#tamil ~Ni #endtamil &
+#tamil ~NI #endtamil &
+#tamil ~Nu #endtamil &
+#tamil ~NU #endtamil &
+#tamil ~Ne #endtamil &
+#tamil ~NE #endtamil &
+#tamil ~Nai #endtamil &
+#tamil ~No #endtamil &
+#tamil ~NO #endtamil &
+#tamil ~Nau #endtamil \\ \hline
+\tt ch &
+#tamil ch #endtamil &
+#tamil cha #endtamil &
+#tamil chA #endtamil &
+#tamil chi #endtamil &
+#tamil chI #endtamil &
+#tamil chu #endtamil &
+#tamil chU #endtamil &
+#tamil che #endtamil &
+#tamil chE #endtamil &
+#tamil chai #endtamil &
+#tamil cho #endtamil &
+#tamil chO #endtamil &
+#tamil chau #endtamil \\ \hline
+\tt {\char`~}n &
+#tamil ~n #endtamil &
+#tamil ~na #endtamil &
+#tamil ~nA #endtamil &
+#tamil ~ni #endtamil &
+#tamil ~nI #endtamil &
+#tamil ~nu #endtamil &
+#tamil ~nU #endtamil &
+#tamil ~ne #endtamil &
+#tamil ~nE #endtamil &
+#tamil ~nai #endtamil &
+#tamil ~no #endtamil &
+#tamil ~nO #endtamil &
+#tamil ~nau #endtamil \\ \hline
+\tt T &
+#tamil T #endtamil &
+#tamil Ta #endtamil &
+#tamil TA #endtamil &
+#tamil Ti #endtamil &
+#tamil TI #endtamil &
+#tamil Tu #endtamil &
+#tamil TU #endtamil &
+#tamil Te #endtamil &
+#tamil TE #endtamil &
+#tamil Tai #endtamil &
+#tamil To #endtamil &
+#tamil TO #endtamil &
+#tamil Tau #endtamil \\ \hline
+\tt N &
+#tamil N #endtamil &
+#tamil Na #endtamil &
+#tamil NA #endtamil &
+#tamil Ni #endtamil &
+#tamil NI #endtamil &
+#tamil Nu #endtamil &
+#tamil NU #endtamil &
+#tamil Ne #endtamil &
+#tamil NE #endtamil &
+#tamil Nai #endtamil &
+#tamil No #endtamil &
+#tamil NO #endtamil &
+#tamil Nau #endtamil \\ \hline
+\tt t &
+#tamil t #endtamil &
+#tamil ta #endtamil &
+#tamil tA #endtamil &
+#tamil ti #endtamil &
+#tamil tI #endtamil &
+#tamil tu #endtamil &
+#tamil tU #endtamil &
+#tamil te #endtamil &
+#tamil tE #endtamil &
+#tamil tai #endtamil &
+#tamil to #endtamil &
+#tamil tO #endtamil &
+#tamil tau #endtamil \\ \hline
+\tt n &
+#tamil n #endtamil &
+#tamil na #endtamil &
+#tamil nA #endtamil &
+#tamil ni #endtamil &
+#tamil nI #endtamil &
+#tamil nu #endtamil &
+#tamil nU #endtamil &
+#tamil ne #endtamil &
+#tamil nE #endtamil &
+#tamil nai #endtamil &
+#tamil no #endtamil &
+#tamil nO #endtamil &
+#tamil nau #endtamil \\ \hline
+\tt \char`^n &
+#tamil ^n #endtamil &
+#tamil ^na #endtamil &
+#tamil ^nA #endtamil &
+#tamil ^ni #endtamil &
+#tamil ^nI #endtamil &
+#tamil ^nu #endtamil &
+#tamil ^nU #endtamil &
+#tamil ^ne #endtamil &
+#tamil ^nE #endtamil &
+#tamil ^nai #endtamil &
+#tamil ^no #endtamil &
+#tamil ^nO #endtamil &
+#tamil ^nau #endtamil \\ \hline
+\tt p &
+#tamil p #endtamil &
+#tamil pa #endtamil &
+#tamil pA #endtamil &
+#tamil pi #endtamil &
+#tamil pI #endtamil &
+#tamil pu #endtamil &
+#tamil pU #endtamil &
+#tamil pe #endtamil &
+#tamil pE #endtamil &
+#tamil pai #endtamil &
+#tamil po #endtamil &
+#tamil pO #endtamil &
+#tamil pau #endtamil \\ \hline
+\tt m &
+#tamil m #endtamil &
+#tamil ma #endtamil &
+#tamil mA #endtamil &
+#tamil mi #endtamil &
+#tamil mI #endtamil &
+#tamil mu #endtamil &
+#tamil mU #endtamil &
+#tamil me #endtamil &
+#tamil mE #endtamil &
+#tamil mai #endtamil &
+#tamil mo #endtamil &
+#tamil mO #endtamil &
+#tamil mau #endtamil \\ \hline
+\tt y &
+#tamil y #endtamil &
+#tamil ya #endtamil &
+#tamil yA #endtamil &
+#tamil yi #endtamil &
+#tamil yI #endtamil &
+#tamil yu #endtamil &
+#tamil yU #endtamil &
+#tamil ye #endtamil &
+#tamil yE #endtamil &
+#tamil yai #endtamil &
+#tamil yo #endtamil &
+#tamil yO #endtamil &
+#tamil yau #endtamil \\ \hline
+\tt r &
+#tamil r #endtamil &
+#tamil ra #endtamil &
+#tamil rA #endtamil &
+#tamil ri #endtamil &
+#tamil rI #endtamil &
+#tamil ru #endtamil &
+#tamil rU #endtamil &
+#tamil re #endtamil &
+#tamil rE #endtamil &
+#tamil rai #endtamil &
+#tamil ro #endtamil &
+#tamil rO #endtamil &
+#tamil rau #endtamil \\ \hline
+\tt l &
+#tamil l #endtamil &
+#tamil la #endtamil &
+#tamil lA #endtamil &
+#tamil li #endtamil &
+#tamil lI #endtamil &
+#tamil lu #endtamil &
+#tamil lU #endtamil &
+#tamil le #endtamil &
+#tamil lE #endtamil &
+#tamil lai #endtamil &
+#tamil lo #endtamil &
+#tamil lO #endtamil &
+#tamil lau #endtamil \\ \hline
+\tt v &
+#tamil v #endtamil &
+#tamil va #endtamil &
+#tamil vA #endtamil &
+#tamil vi #endtamil &
+#tamil vI #endtamil &
+#tamil vu #endtamil &
+#tamil vU #endtamil &
+#tamil ve #endtamil &
+#tamil vE #endtamil &
+#tamil vai #endtamil &
+#tamil vo #endtamil &
+#tamil vO #endtamil &
+#tamil vau #endtamil \\ \hline
+\tt z &
+#tamil z #endtamil &
+#tamil za #endtamil &
+#tamil zA #endtamil &
+#tamil zi #endtamil &
+#tamil zI #endtamil &
+#tamil zu #endtamil &
+#tamil zU #endtamil &
+#tamil ze #endtamil &
+#tamil zE #endtamil &
+#tamil zai #endtamil &
+#tamil zo #endtamil &
+#tamil zO #endtamil &
+#tamil zau #endtamil \\ \hline
+\tt L &
+#tamil L #endtamil &
+#tamil La #endtamil &
+#tamil LA #endtamil &
+#tamil Li #endtamil &
+#tamil LI #endtamil &
+#tamil Lu #endtamil &
+#tamil LU #endtamil &
+#tamil Le #endtamil &
+#tamil LE #endtamil &
+#tamil Lai #endtamil &
+#tamil Lo #endtamil &
+#tamil LO #endtamil &
+#tamil Lau #endtamil \\ \hline
+\tt R &
+#tamil R #endtamil &
+#tamil Ra #endtamil &
+#tamil RA #endtamil &
+#tamil Ri #endtamil &
+#tamil RI #endtamil &
+#tamil Ru #endtamil &
+#tamil RU #endtamil &
+#tamil Re #endtamil &
+#tamil RE #endtamil &
+#tamil Rai #endtamil &
+#tamil Ro #endtamil &
+#tamil RO #endtamil &
+#tamil Rau #endtamil \\ \hline
+\tt sh &
+#tamil sh #endtamil &
+#tamil sha #endtamil &
+#tamil shA #endtamil &
+#tamil shi #endtamil &
+#tamil shI #endtamil &
+#tamil shu #endtamil &
+#tamil shU #endtamil &
+#tamil she #endtamil &
+#tamil shE #endtamil &
+#tamil shai #endtamil &
+#tamil sho #endtamil &
+#tamil shO #endtamil &
+#tamil shau #endtamil \\ \hline
+\tt Sh &
+#tamil Sh #endtamil &
+#tamil Sha #endtamil &
+#tamil ShA #endtamil &
+#tamil Shi #endtamil &
+#tamil ShI #endtamil &
+#tamil Shu #endtamil &
+#tamil ShU #endtamil &
+#tamil She #endtamil &
+#tamil ShE #endtamil &
+#tamil Shai #endtamil &
+#tamil Sho #endtamil &
+#tamil ShO #endtamil &
+#tamil Shau #endtamil \\ \hline
+\tt s &
+#tamil s #endtamil &
+#tamil sa #endtamil &
+#tamil sA #endtamil &
+#tamil si #endtamil &
+#tamil sI #endtamil &
+#tamil su #endtamil &
+#tamil sU #endtamil &
+#tamil se #endtamil &
+#tamil sE #endtamil &
+#tamil sai #endtamil &
+#tamil so #endtamil &
+#tamil sO #endtamil &
+#tamil sau #endtamil \\ \hline
+\tt j &
+#tamil j #endtamil &
+#tamil ja #endtamil &
+#tamil jA #endtamil &
+#tamil ji #endtamil &
+#tamil jI #endtamil &
+#tamil ju #endtamil &
+#tamil jU #endtamil &
+#tamil je #endtamil &
+#tamil jE #endtamil &
+#tamil jai #endtamil &
+#tamil jo #endtamil &
+#tamil jO #endtamil &
+#tamil jau #endtamil \\ \hline
+\tt h &
+#tamil h #endtamil &
+#tamil ha #endtamil &
+#tamil hA #endtamil &
+#tamil hi #endtamil &
+#tamil hI #endtamil &
+#tamil hu #endtamil &
+#tamil hU #endtamil &
+#tamil he #endtamil &
+#tamil hE #endtamil &
+#tamil hai #endtamil &
+#tamil ho #endtamil &
+#tamil hO #endtamil &
+#tamil hau #endtamil \\ \hline
+\tt x &
+#tamil x #endtamil &
+#tamil xa #endtamil &
+#tamil xA #endtamil &
+#tamil xi #endtamil &
+#tamil xI #endtamil &
+#tamil xu #endtamil &
+#tamil xU #endtamil &
+#tamil xe #endtamil &
+#tamil xE #endtamil &
+#tamil xai #endtamil &
+#tamil xo #endtamil &
+#tamil xO #endtamil &
+#tamil xau #endtamil \\ \hline
+\end{tabular}
+\end{makeimage}
+\vspace{0.10in}
+}} % end hbox and vbox
+\caption {\bf Tamil Consonants with their Vowel Forms.}
+\end{table}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/itrans/tblall.itx b/Master/texmf-dist/doc/fonts/itrans/tblall.itx
new file mode 100644
index 00000000000..541fa61bad1
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/itrans/tblall.itx
@@ -0,0 +1,1317 @@
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% CS/CSX Encoding User Doc for ITRANS (Version 4.00 and above)
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\documentclass[11pt]{article}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\usepackage[preprocess]{itrans} % Ross Moore's extensions to latex2html
+
+\usepackage{html} % from standard latex2html package
+ % if you do not have html.sty in your machine, change the html to
+ % htmlstub (htmlstub.sty is included in the ITRANS/lib directory)
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\renewcommand{\arraystretch}{1.50} % make table cells taller
+\portraitpage % from itrans.sty/idevn.tex (also: \landscapepage)
+\parindent=6pt
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% -- devanagari - devnag
+
+#hindiifm=dvng.ifm % ITRANS command
+#hindifont=\fransdvng % ITRANS command: argument specifies use of
+ % Frans's font, fransdvng is a command defined
+ % in idevn.tex (itrans.sty loads this)
+
+% -- devanagari - devnac
+
+#marathiifm=dvnc.ifm
+#marathifont=\postdvng
+
+%begin{latexonly}
+\let\usedvng=\largedvng % use large (not normaldvng), applies to both dvnc/dvng
+%end{latexonly}
+
+% -- telugu
+
+\newfont{\tlg}{tel18}
+\hyphenchar\tlg=-1 % disable hyphenation using this font
+
+#teluguifm=tlgutx.ifm
+#telugufont=\tlg
+
+% -- bengali - bwti
+
+\newfont{\bnr}{bnr10 at 12pt}
+\hyphenchar\bnr=-1 % disable hyphenation using this font
+
+#bengaliifm=bnbeng.ifm
+#bengalifont=\bnr
+
+% -- bengali - itxbeng
+
+\newfont{\itxbengf}{itxbeng at 14pt}
+\hyphenchar\itxbengf=-1 % disable hyphenation using this font
+
+#indianifm=itxbeng.ifm
+#indianfont=\itxbengf
+
+% -- gujarati
+% \newfont{\itxgujf}{itxguj at 17pt}
+\newfont{\itxgujf}{itxgujre at 17pt} % the scaled up (x-axis) version
+\hyphenchar\itxgujf=-1 % disable hyphenation using this font
+
+#gujaratiifm=itxguj.ifm
+#gujaratifont=\itxgujf
+
+% -- kannada
+
+\newfont{\kan}{kan18}
+\hyphenchar\kan=-1 % disable hyphenation using this font
+
+#kannadaifm=kantex.ifm
+#kannadafont=\kan
+
+% -- punjabi
+
+\newfont{\pun}{pun at 14pt}
+
+#gurmukhiifm=pun.ifm
+#gurmukhifont=\pun
+
+% -- romanized sanskrit
+
+\newfont{\csroman}{ncprcsxp at 10pt}
+
+#romanifm=romancsx.ifm
+#romanfont=\csroman
+
+% -- tamil
+
+\newfont{\tmlb}{wntml12 at 14pt}
+\hyphenchar\tmlb=-1 % disable hyphenation using this font
+
+#tamilifm=wntml.ifm
+#tamilfont=\tmlb
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+% font for the name of the letter (A, AA, etc)
+\newcommand{\namfont}{\rm\fontsize{6pt}{30pt}\selectfont}
+
+% for for the ITRANS encoding (a, aa, etc)
+\newcommand{\itxfont}{\rm\fontsize{11pt}{30pt}\selectfont}
+
+% undefined letters will be shown as:
+\newcommand{\undeflet}{\rm --}
+
+% put headings in \thd to make each col same width (can't use \kill in tabular)
+\newcommand{\thd}[1]{\makebox[25pt]{\hfill{#1}\hfill}}
+% note: latex2html will not work unless I keep spaces or {} around #1
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\begin{document}
+
+\footnotetext[0]{Last modification: \today}
+
+\begin{center}
+{\large\bf ITRANS Encoding} \\
+\medskip
+{All languages and all fonts supported by ITRANS} \\
+\medskip
+{\bf itrans} \\
+\smallskip
+{\bf \copyright 1994--1998 Avinash Chopde} \\
+\htmladdnormallink{\texttt{avinash@acm.org}}{mailto:avinash@acm.org} \\
+\htmladdnormallink{\texttt{http://www.aczone.com/}}{http://www.aczone.com/}
+\end{center}
+
+\section*{ITRANS Encoding Tables}
+
+The tables in this document display all the basic vowels and consonants
+and extensions accepted by ITRANS for various languages and various
+fonts.
+
+\subsection*{Table Legend}
+
+In the following tables, each row represents one Indic character, and
+each column represents one font of a language that ITRANS supports.
+Each column heading is abbreviated, and here's what those abbreviations
+mean:
+
+{\em name} is the generally accepted name of the character.
+
+{\em itrans} is the ITRANS encoding of the character. Note that ITRANS
+accepts multiple encodings for a few characters, refer to the respective
+ITRANS font/language manual to get a complete picture of the ITRANS
+encoding for that language.
+
+{\em dev-1} refers to ITRANS output using Fran Velthuis's Devnag font,
+complete documentation is available in {\tt dvng.itx}.
+Sandeep Sibal's Xdvng font is based on Devnag, and Xdvng is also documented
+in {\tt dvng.itx}.
+
+{\em dev-2} refers to ITRANS output using Avinash Chopde's Devnac font,
+complete documentation is available in {\tt dvnc.itx}.
+
+{\em ben-1} refers to ITRANS output using Shrikrishna Patil's ItxBeng font,
+complete documentation is available in {\tt beng.itx}.
+
+{\em ben-2} refers to ITRANS output using Abhijit Das's bwti font (ITRANS
+support added by Jaijeet Roychowdhury),
+complete documentation is available in {\tt beng.itx}.
+
+{\em guj} refers to ITRANS output using Shrikrishna Patil's ItxGuj font
+complete documentation is available in {\tt gujdoc.itx}.
+
+{\em kan} refers to ITRANS output using the Kannada font from the
+KanTeX package (ITRANS support added by Raghunath K. Rao),
+complete documentation is available in {\tt kantex.itx}.
+
+{\em tel} refers to ITRANS output using the Telugu font from the
+TeluguTeX package,
+complete documentation is available in {\tt tlgutx.itx}.
+
+{\em gur} refers to ITRANS output using Hardip Singh Pannu's Punjabi font
+(ITRANS support added by Anshuman Pandey),
+complete documentation is available in {\tt pundoc.itx}.
+
+{\em tam} refers to ITRANS output using The Washington Tamil font,
+complete documentation is available in {\tt tamil.itx}.
+
+{\em rom} refers to ITRANS output using John Smith's NCS\_CSX font,
+complete documentation is available in {\tt romancsx.itx}. ITRANS also
+accepts CS/CSX as input, so this column can be used
+for both ITRANS output and for ITRANS input. The ITRANS input using
+CS/CSX is explained in {\tt icsx.itx}.
+
+\subsection*{\TeX, PostScript, and HTML Output}
+
+The \TeX{} mode of ITRANS supports all the languages and the fonts shown.
+
+The Direct PostScript mode of ITRANS is supported by {\em dev-2}, {\em
+guj}, {\em ben-2}, {\em guj}, and {\em rom} fonts only.
+
+The Direct HTML
+output mode of ITRANS is supported by {\em dev-1 (Xdvng)}, {\em ben-2},
+{\em guj}, and {\em rom} fonts only.
+
+\subsection*{Undefined characters}
+
+Not all languages (or fonts) have all the possible characters.
+Where a particular character (vowel, consonant, or extension) is not
+present, the en-dash (--) is indicates the absence of the character.
+Some of the undefined characters may actually be easy to construct based
+on other glyphs present in the particular font, in which case, it would
+be trivial to add such a definition to the IFM file and thus provide a
+definition for that character. This is work-to-be-done, and I'm hoping
+interested readers will take the initiative to send me e-mail with
+possible ways of defining the currently undefined spaces in the tables.
+
+% \subsection*{Author}
+% \noindent
+% ITRANS has been developed by Avinash Chopde. \\
+% E-mail:
+% \htmladdnormallink{\texttt{avinash@acm.org}}{mailto:avinash@acm.org}. \\
+% Home page:
+% \htmladdnormallink{\texttt{http://www.aczone.com/}}{http://www.aczone.com/}
+
+% \vfill
+
+\bigskip
+
+\hrule
+
+% \bigskip
+\vfill
+
+%----------------------------------------------------------------
+\begin{htmlonly}
+\section{The Vowels}
+\end{htmlonly}
+
+\begin{table}[ht]
+\caption {ITRANS Encoding, Vowels.}
+\label{ienc-vowels}
+\begin{center}
+\begin{makeimage}
+\hspace*{0pt}\begin{tabular}{|c|c||c|c|c|c|c|c|c|c|c|c|}
+\hline
+\thd{name} & \thd{itrans} & \thd{dev-1} & \thd{dev-2} & \thd{ben-1} & \thd{ben-2} & \thd{guj} & \thd{kan} & \thd{tel} & \thd{gur} & \thd{tam} & \thd{rom} \\
+\hline
+\hline
+ \namfont A &
+ \itxfont a &
+ #hindi a #endhindi &
+ #marathi a #endmarathi &
+ #bengali a #endbengali &
+ #indian a #endindian &
+ #gujarati a #endgujarati &
+ #kannada a #endkannada &
+ #telugu a #endtelugu &
+ #gurmukhi a #endgurmukhi &
+ #tamil a #endtamil &
+ #roman a #endroman
+\\ \hline
+ \namfont AA &
+ \itxfont aa &
+ #hindi aa #endhindi &
+ #marathi aa #endmarathi &
+ #bengali aa #endbengali &
+ #indian aa #endindian &
+ #gujarati aa #endgujarati &
+ #kannada aa #endkannada &
+ #telugu aa #endtelugu &
+ #gurmukhi aa #endgurmukhi &
+ #tamil aa #endtamil &
+ #roman aa #endroman
+\\ \hline
+ \namfont I &
+ \itxfont i &
+ #hindi i #endhindi &
+ #marathi i #endmarathi &
+ #bengali i #endbengali &
+ #indian i #endindian &
+ #gujarati i #endgujarati &
+ #kannada i #endkannada &
+ #telugu i #endtelugu &
+ #gurmukhi i #endgurmukhi &
+ #tamil i #endtamil &
+ #roman i #endroman
+\\ \hline
+ \namfont II &
+ \itxfont ii &
+ #hindi ii #endhindi &
+ #marathi ii #endmarathi &
+ #bengali ii #endbengali &
+ #indian ii #endindian &
+ #gujarati ii #endgujarati &
+ #kannada ii #endkannada &
+ #telugu ii #endtelugu &
+ #gurmukhi ii #endgurmukhi &
+ #tamil ii #endtamil &
+ #roman ii #endroman
+\\ \hline
+ \namfont U &
+ \itxfont u &
+ #hindi u #endhindi &
+ #marathi u #endmarathi &
+ #bengali u #endbengali &
+ #indian u #endindian &
+ #gujarati u #endgujarati &
+ #kannada u #endkannada &
+ #telugu u #endtelugu &
+ #gurmukhi u #endgurmukhi &
+ #tamil u #endtamil &
+ #roman u #endroman
+\\ \hline
+ \namfont UU &
+ \itxfont uu &
+ #hindi uu #endhindi &
+ #marathi uu #endmarathi &
+ #bengali uu #endbengali &
+ #indian uu #endindian &
+ #gujarati uu #endgujarati &
+ #kannada uu #endkannada &
+ #telugu uu #endtelugu &
+ #gurmukhi uu #endgurmukhi &
+ #tamil uu #endtamil &
+ #roman uu #endroman
+\\ \hline
+ \namfont V. R &
+ \itxfont RRi &
+ #hindi RRi #endhindi &
+ #marathi RRi #endmarathi &
+ #bengali RRi #endbengali &
+ #indian RRi #endindian &
+ #gujarati RRi #endgujarati &
+ #kannada RRi #endkannada &
+ #telugu RRi #endtelugu &
+ #gurmukhi \undeflet #endgurmukhi &
+ #tamil RRi #endtamil &
+ #roman RRi #endroman
+\\ \hline
+ \namfont V. RR &
+ \itxfont RRI &
+ #hindi RRI #endhindi &
+ #marathi \undeflet #endmarathi &
+ #bengali \undeflet #endbengali &
+ #indian RRI #endindian &
+ #gujarati \undeflet #endgujarati &
+ #kannada RRI #endkannada &
+ #telugu RRI #endtelugu &
+ #gurmukhi \undeflet #endgurmukhi &
+ #tamil \undeflet #endtamil &
+ #roman RRI #endroman
+\\ \hline
+ \namfont V. L &
+ \itxfont LLi &
+ #hindi LLi #endhindi &
+ #marathi \undeflet #endmarathi &
+ #bengali \undeflet #endbengali &
+ #indian \undeflet #endindian &
+ #gujarati \undeflet #endgujarati &
+ #kannada LLi #endkannada &
+ #telugu LLi #endtelugu &
+ #gurmukhi \undeflet #endgurmukhi &
+ #tamil \undeflet #endtamil &
+ #roman LLi #endroman
+\\ \hline
+ \namfont V. LL &
+ \itxfont LLI &
+ #hindi LLI #endhindi &
+ #marathi \undeflet #endmarathi &
+ #bengali \undeflet #endbengali &
+ #indian \undeflet #endindian &
+ #gujarati \undeflet #endgujarati &
+ #kannada LLI #endkannada &
+ #telugu LLI #endtelugu &
+ #gurmukhi \undeflet #endgurmukhi &
+ #tamil \undeflet #endtamil &
+ #roman LLI #endroman
+\\ \hline
+ \namfont E &
+ \itxfont e &
+ #hindi e #endhindi &
+ #marathi e #endmarathi &
+ #bengali e #endbengali &
+ #indian e #endindian &
+ #gujarati e #endgujarati &
+ #kannada e #endkannada &
+ #telugu e #endtelugu &
+ #gurmukhi e #endgurmukhi &
+ #tamil e #endtamil &
+ #roman e #endroman
+\\ \hline
+ \namfont EE &
+ \itxfont E &
+ #hindi \undeflet #endhindi &
+ #marathi \undeflet #endmarathi &
+ #bengali \undeflet #endbengali &
+ #indian \undeflet #endindian &
+ #gujarati \undeflet #endgujarati &
+ #kannada E #endkannada &
+ #telugu E #endtelugu &
+ #gurmukhi \undeflet #endgurmukhi &
+ #tamil E #endtamil &
+ #roman E #endroman
+\\ \hline
+ \namfont AI &
+ \itxfont ai &
+ #hindi ai #endhindi &
+ #marathi ai #endmarathi &
+ #bengali ai #endbengali &
+ #indian ai #endindian &
+ #gujarati ai #endgujarati &
+ #kannada ai #endkannada &
+ #telugu ai #endtelugu &
+ #gurmukhi ai #endgurmukhi &
+ #tamil ai #endtamil &
+ #roman ai #endroman
+\\ \hline
+ \namfont O &
+ \itxfont o &
+ #hindi o #endhindi &
+ #marathi o #endmarathi &
+ #bengali o #endbengali &
+ #indian o #endindian &
+ #gujarati o #endgujarati &
+ #kannada o #endkannada &
+ #telugu o #endtelugu &
+ #gurmukhi o #endgurmukhi &
+ #tamil o #endtamil &
+ #roman o #endroman
+\\ \hline
+ \namfont OO &
+ \itxfont O &
+ #hindi \undeflet #endhindi &
+ #marathi \undeflet #endmarathi &
+ #bengali \undeflet #endbengali &
+ #indian \undeflet #endindian &
+ #gujarati \undeflet #endgujarati &
+ #kannada O #endkannada &
+ #telugu O #endtelugu &
+ #gurmukhi \undeflet #endgurmukhi &
+ #tamil O #endtamil &
+ #roman O #endroman
+\\ \hline
+ \namfont AU &
+ \itxfont au &
+ #hindi au #endhindi &
+ #marathi au #endmarathi &
+ #bengali au #endbengali &
+ #indian au #endindian &
+ #gujarati au #endgujarati &
+ #kannada au #endkannada &
+ #telugu au #endtelugu &
+ #gurmukhi au #endgurmukhi &
+ #tamil au #endtamil &
+ #roman au #endroman
+\\ \hline
+ \namfont VISARGA &
+ \itxfont aH &
+ #hindi H #endhindi &
+ #marathi H #endmarathi &
+ #bengali H #endbengali &
+ #indian H #endindian &
+ #gujarati H #endgujarati &
+ #kannada H #endkannada &
+ #telugu H #endtelugu &
+ #gurmukhi H #endgurmukhi &
+ #tamil H #endtamil &
+ #roman H #endroman
+\\ \hline
+\end{tabular}
+\end{makeimage}
+\end{center}
+\vspace*{-30pt} % vspace works, \enlargethispage{30pt} does not.
+\end{table}
+
+%----------------------------------------------------------------
+\begin{htmlonly}
+\section{Consonants}
+\end{htmlonly}
+
+\begin{table}[ht]
+\caption {ITRANS Encoding, Consonants (part 1).}
+\label{ienc-cons-1}
+\begin{center}
+\begin{makeimage}
+\hspace*{0pt}\begin{tabular}{|c|c||c|c|c|c|c|c|c|c|c|c|}
+\hline
+\thd{name} & \thd{itrans} & \thd{dev-1} & \thd{dev-2} & \thd{ben-1} & \thd{ben-2} & \thd{guj} & \thd{kan} & \thd{tel} & \thd{gur} & \thd{tam} & \thd{rom} \\
+\hline
+\hline
+ \namfont KA &
+ \itxfont k{\em a} &
+ #hindi ka #endhindi &
+ #marathi ka #endmarathi &
+ #bengali ka #endbengali &
+ #indian ka #endindian &
+ #gujarati ka #endgujarati &
+ #kannada ka #endkannada &
+ #telugu ka #endtelugu &
+ #gurmukhi ka #endgurmukhi &
+ #tamil ka #endtamil &
+ #roman ka #endroman
+\\ \hline
+ \namfont KHA &
+ \itxfont kh{\em a} &
+ #hindi kha #endhindi &
+ #marathi kha #endmarathi &
+ #bengali kha #endbengali &
+ #indian kha #endindian &
+ #gujarati kha #endgujarati &
+ #kannada kha #endkannada &
+ #telugu kha #endtelugu &
+ #gurmukhi kha #endgurmukhi &
+ #tamil kha #endtamil &
+ #roman kha #endroman
+\\ \hline
+ \namfont GA &
+ \itxfont g{\em a} &
+ #hindi ga #endhindi &
+ #marathi ga #endmarathi &
+ #bengali ga #endbengali &
+ #indian ga #endindian &
+ #gujarati ga #endgujarati &
+ #kannada ga #endkannada &
+ #telugu ga #endtelugu &
+ #gurmukhi ga #endgurmukhi &
+ #tamil ga #endtamil &
+ #roman ga #endroman
+\\ \hline
+ \namfont GHA &
+ \itxfont gh{\em a} &
+ #hindi gha #endhindi &
+ #marathi gha #endmarathi &
+ #bengali gha #endbengali &
+ #indian gha #endindian &
+ #gujarati gha #endgujarati &
+ #kannada gha #endkannada &
+ #telugu gha #endtelugu &
+ #gurmukhi gha #endgurmukhi &
+ #tamil gha #endtamil &
+ #roman gha #endroman
+\\ \hline
+ \namfont NGA &
+ \itxfont \char`~{}N{\em a} &
+ #hindi ~Na #endhindi &
+ #marathi ~Na #endmarathi &
+ #bengali ~Na #endbengali &
+ #indian ~Na #endindian &
+ #gujarati ~Na #endgujarati &
+ #kannada ~Na #endkannada &
+ #telugu ~Na #endtelugu &
+ #gurmukhi ~Na #endgurmukhi &
+ #tamil ~Na #endtamil &
+ #roman ~Na #endroman
+\\ \hline
+ \namfont CA &
+ \itxfont ch{\em a} &
+ #hindi cha #endhindi &
+ #marathi cha #endmarathi &
+ #bengali cha #endbengali &
+ #indian cha #endindian &
+ #gujarati cha #endgujarati &
+ #kannada cha #endkannada &
+ #telugu cha #endtelugu &
+ #gurmukhi cha #endgurmukhi &
+ #tamil cha #endtamil &
+ #roman cha #endroman
+\\ \hline
+ \namfont CHA &
+ \itxfont chh{\em a} &
+ #hindi chha #endhindi &
+ #marathi chha #endmarathi &
+ #bengali chha #endbengali &
+ #indian chha #endindian &
+ #gujarati chha #endgujarati &
+ #kannada chha #endkannada &
+ #telugu chha #endtelugu &
+ #gurmukhi chha #endgurmukhi &
+ #tamil chha #endtamil &
+ #roman chha #endroman
+\\ \hline
+ \namfont JA &
+ \itxfont j{\em a} &
+ #hindi ja #endhindi &
+ #marathi ja #endmarathi &
+ #bengali ja #endbengali &
+ #indian ja #endindian &
+ #gujarati ja #endgujarati &
+ #kannada ja #endkannada &
+ #telugu ja #endtelugu &
+ #gurmukhi ja #endgurmukhi &
+ #tamil ja #endtamil &
+ #roman ja #endroman
+\\ \hline
+ \namfont JHA &
+ \itxfont jh{\em a} &
+ #hindi jha #endhindi &
+ #marathi jha #endmarathi &
+ #bengali jha #endbengali &
+ #indian jha #endindian &
+ #gujarati jha #endgujarati &
+ #kannada jha #endkannada &
+ #telugu jha #endtelugu &
+ #gurmukhi jha #endgurmukhi &
+ #tamil jha #endtamil &
+ #roman jha #endroman
+\\ \hline
+ \namfont NYA &
+ \itxfont \char`~{}n{\em a} &
+ #hindi ~na #endhindi &
+ #marathi ~na #endmarathi &
+ #bengali ~na #endbengali &
+ #indian ~na #endindian &
+ #gujarati \undeflet #endgujarati &
+ #kannada ~na #endkannada &
+ #telugu ~na #endtelugu &
+ #gurmukhi ~na #endgurmukhi &
+ #tamil ~na #endtamil &
+ #roman ~na #endroman
+\\ \hline
+ \namfont TTA &
+ \itxfont T{\em a} &
+ #hindi Ta #endhindi &
+ #marathi Ta #endmarathi &
+ #bengali Ta #endbengali &
+ #indian Ta #endindian &
+ #gujarati Ta #endgujarati &
+ #kannada Ta #endkannada &
+ #telugu Ta #endtelugu &
+ #gurmukhi Ta #endgurmukhi &
+ #tamil Ta #endtamil &
+ #roman Ta #endroman
+\\ \hline
+ \namfont TTHA &
+ \itxfont Th{\em a} &
+ #hindi Tha #endhindi &
+ #marathi Tha #endmarathi &
+ #bengali Tha #endbengali &
+ #indian Tha #endindian &
+ #gujarati Tha #endgujarati &
+ #kannada Tha #endkannada &
+ #telugu Tha #endtelugu &
+ #gurmukhi Tha #endgurmukhi &
+ #tamil Tha #endtamil &
+ #roman Tha #endroman
+\\ \hline
+ \namfont DDA &
+ \itxfont D{\em a} &
+ #hindi Da #endhindi &
+ #marathi Da #endmarathi &
+ #bengali Da #endbengali &
+ #indian Da #endindian &
+ #gujarati Da #endgujarati &
+ #kannada Da #endkannada &
+ #telugu Da #endtelugu &
+ #gurmukhi Da #endgurmukhi &
+ #tamil Da #endtamil &
+ #roman Da #endroman
+\\ \hline
+ \namfont DDHA &
+ \itxfont Dh{\em a} &
+ #hindi Dha #endhindi &
+ #marathi Dha #endmarathi &
+ #bengali Dha #endbengali &
+ #indian Dha #endindian &
+ #gujarati Dha #endgujarati &
+ #kannada Dha #endkannada &
+ #telugu Dha #endtelugu &
+ #gurmukhi Dha #endgurmukhi &
+ #tamil Dha #endtamil &
+ #roman Dha #endroman
+\\ \hline
+ \namfont NNA &
+ \itxfont N{\em a} &
+ #hindi Na #endhindi &
+ #marathi Na #endmarathi &
+ #bengali Na #endbengali &
+ #indian Na #endindian &
+ #gujarati Na #endgujarati &
+ #kannada Na #endkannada &
+ #telugu Na #endtelugu &
+ #gurmukhi Na #endgurmukhi &
+ #tamil Na #endtamil &
+ #roman Na #endroman
+\\ \hline
+ \namfont TA &
+ \itxfont t{\em a} &
+ #hindi ta #endhindi &
+ #marathi ta #endmarathi &
+ #bengali ta #endbengali &
+ #indian ta #endindian &
+ #gujarati ta #endgujarati &
+ #kannada ta #endkannada &
+ #telugu ta #endtelugu &
+ #gurmukhi ta #endgurmukhi &
+ #tamil ta #endtamil &
+ #roman ta #endroman
+\\ \hline
+ \namfont THA &
+ \itxfont th{\em a} &
+ #hindi tha #endhindi &
+ #marathi tha #endmarathi &
+ #bengali tha #endbengali &
+ #indian tha #endindian &
+ #gujarati tha #endgujarati &
+ #kannada tha #endkannada &
+ #telugu tha #endtelugu &
+ #gurmukhi tha #endgurmukhi &
+ #tamil tha #endtamil &
+ #roman tha #endroman
+\\ \hline
+ \namfont DA &
+ \itxfont d{\em a} &
+ #hindi da #endhindi &
+ #marathi da #endmarathi &
+ #bengali da #endbengali &
+ #indian da #endindian &
+ #gujarati da #endgujarati &
+ #kannada da #endkannada &
+ #telugu da #endtelugu &
+ #gurmukhi da #endgurmukhi &
+ #tamil da #endtamil &
+ #roman da #endroman
+\\ \hline
+ \namfont DHA &
+ \itxfont dh{\em a} &
+ #hindi dha #endhindi &
+ #marathi dha #endmarathi &
+ #bengali dha #endbengali &
+ #indian dha #endindian &
+ #gujarati dha #endgujarati &
+ #kannada dha #endkannada &
+ #telugu dha #endtelugu &
+ #gurmukhi dha #endgurmukhi &
+ #tamil dha #endtamil &
+ #roman dha #endroman
+\\ \hline
+ \namfont NA &
+ \itxfont n{\em a} &
+ #hindi na #endhindi &
+ #marathi na #endmarathi &
+ #bengali na #endbengali &
+ #indian na #endindian &
+ #gujarati na #endgujarati &
+ #kannada na #endkannada &
+ #telugu na #endtelugu &
+ #gurmukhi na #endgurmukhi &
+ #tamil na #endtamil &
+ #roman na #endroman
+\\ \hline
+ \namfont PA &
+ \itxfont p{\em a} &
+ #hindi pa #endhindi &
+ #marathi pa #endmarathi &
+ #bengali pa #endbengali &
+ #indian pa #endindian &
+ #gujarati pa #endgujarati &
+ #kannada pa #endkannada &
+ #telugu pa #endtelugu &
+ #gurmukhi pa #endgurmukhi &
+ #tamil pa #endtamil &
+ #roman pa #endroman
+\\ \hline
+ \namfont PHA &
+ \itxfont ph{\em a} &
+ #hindi pha #endhindi &
+ #marathi pha #endmarathi &
+ #bengali pha #endbengali &
+ #indian pha #endindian &
+ #gujarati pha #endgujarati &
+ #kannada pha #endkannada &
+ #telugu pha #endtelugu &
+ #gurmukhi pha #endgurmukhi &
+ #tamil pha #endtamil &
+ #roman pha #endroman
+\\ \hline
+ \namfont BA &
+ \itxfont b{\em a} &
+ #hindi ba #endhindi &
+ #marathi ba #endmarathi &
+ #bengali ba #endbengali &
+ #indian ba #endindian &
+ #gujarati ba #endgujarati &
+ #kannada ba #endkannada &
+ #telugu ba #endtelugu &
+ #gurmukhi ba #endgurmukhi &
+ #tamil ba #endtamil &
+ #roman ba #endroman
+\\ \hline
+ \namfont BHA &
+ \itxfont bh{\em a} &
+ #hindi bha #endhindi &
+ #marathi bha #endmarathi &
+ #bengali bha #endbengali &
+ #indian bha #endindian &
+ #gujarati bha #endgujarati &
+ #kannada bha #endkannada &
+ #telugu bha #endtelugu &
+ #gurmukhi bha #endgurmukhi &
+ #tamil \undeflet #endtamil &
+ #roman bha #endroman
+\\ \hline
+ \namfont MA &
+ \itxfont m{\em a} &
+ #hindi ma #endhindi &
+ #marathi ma #endmarathi &
+ #bengali ma #endbengali &
+ #indian ma #endindian &
+ #gujarati ma #endgujarati &
+ #kannada ma #endkannada &
+ #telugu ma #endtelugu &
+ #gurmukhi ma #endgurmukhi &
+ #tamil ma #endtamil &
+ #roman ma #endroman
+\\ \hline
+\end{tabular}
+\end{makeimage}
+\end{center}
+\end{table}
+
+%----------------------------------------------------------------
+\begin{htmlonly}
+\section{Consonants, contd.}
+\end{htmlonly}
+
+\begin{table}[ht]
+\caption {ITRANS Encoding, Consonants (part 2).}
+\label{ienc-cons-2}
+\begin{center}
+\begin{makeimage}
+\hspace*{0pt}\begin{tabular}{|c|c||c|c|c|c|c|c|c|c|c|c|}
+\hline
+\thd{name} & \thd{itrans} & \thd{dev-1} & \thd{dev-2} & \thd{ben-1} & \thd{ben-2} & \thd{guj} & \thd{kan} & \thd{tel} & \thd{gur} & \thd{tam} & \thd{rom} \\
+\hline
+\hline
+ \namfont YA &
+ \itxfont y{\em a} &
+ #hindi ya #endhindi &
+ #marathi ya #endmarathi &
+ #bengali ya #endbengali &
+ #indian ya #endindian &
+ #gujarati ya #endgujarati &
+ #kannada ya #endkannada &
+ #telugu ya #endtelugu &
+ #gurmukhi ya #endgurmukhi &
+ #tamil ya #endtamil &
+ #roman ya #endroman
+\\ \hline
+ \namfont RA &
+ \itxfont r{\em a} &
+ #hindi ra #endhindi &
+ #marathi ra #endmarathi &
+ #bengali ra #endbengali &
+ #indian ra #endindian &
+ #gujarati ra #endgujarati &
+ #kannada ra #endkannada &
+ #telugu ra #endtelugu &
+ #gurmukhi ra #endgurmukhi &
+ #tamil ra #endtamil &
+ #roman ra #endroman
+\\ \hline
+ \namfont LA &
+ \itxfont l{\em a} &
+ #hindi la #endhindi &
+ #marathi la #endmarathi &
+ #bengali la #endbengali &
+ #indian la #endindian &
+ #gujarati la #endgujarati &
+ #kannada la #endkannada &
+ #telugu la #endtelugu &
+ #gurmukhi la #endgurmukhi &
+ #tamil la #endtamil &
+ #roman la #endroman
+\\ \hline
+ \namfont LLA &
+ \itxfont L{\em a} &
+ #hindi La #endhindi &
+ #marathi La #endmarathi &
+ #bengali \undeflet #endbengali &
+ #indian \undeflet #endindian &
+ #gujarati La #endgujarati &
+ #kannada La #endkannada &
+ #telugu La #endtelugu &
+ #gurmukhi La #endgurmukhi &
+ #tamil La #endtamil &
+ #roman La #endroman
+\\ \hline
+ \namfont VA &
+ \itxfont v{\em a} &
+ #hindi va #endhindi &
+ #marathi va #endmarathi &
+ #bengali va #endbengali &
+ #indian va #endindian &
+ #gujarati va #endgujarati &
+ #kannada va #endkannada &
+ #telugu va #endtelugu &
+ #gurmukhi va #endgurmukhi &
+ #tamil va #endtamil &
+ #roman va #endroman
+\\ \hline
+ \namfont SHA &
+ \itxfont sh{\em a} &
+ #hindi sha #endhindi &
+ #marathi sha #endmarathi &
+ #bengali sha #endbengali &
+ #indian sha #endindian &
+ #gujarati sha #endgujarati &
+ #kannada sha #endkannada &
+ #telugu sha #endtelugu &
+ #gurmukhi sha #endgurmukhi &
+ #tamil sha #endtamil &
+ #roman sha #endroman
+\\ \hline
+ \namfont SSA &
+ \itxfont Sh{\em a} &
+ #hindi Sha #endhindi &
+ #marathi Sha #endmarathi &
+ #bengali Sha #endbengali &
+ #indian Sha #endindian &
+ #gujarati Sha #endgujarati &
+ #kannada Sha #endkannada &
+ #telugu Sha #endtelugu &
+ #gurmukhi \undeflet #endgurmukhi &
+ #tamil Sha #endtamil &
+ #roman Sha #endroman
+\\ \hline
+ \namfont SA &
+ \itxfont s{\em a} &
+ #hindi sa #endhindi &
+ #marathi sa #endmarathi &
+ #bengali sa #endbengali &
+ #indian sa #endindian &
+ #gujarati sa #endgujarati &
+ #kannada sa #endkannada &
+ #telugu sa #endtelugu &
+ #gurmukhi sa #endgurmukhi &
+ #tamil sa #endtamil &
+ #roman sa #endroman
+\\ \hline
+ \namfont HA &
+ \itxfont h{\em a} &
+ #hindi ha #endhindi &
+ #marathi ha #endmarathi &
+ #bengali ha #endbengali &
+ #indian ha #endindian &
+ #gujarati ha #endgujarati &
+ #kannada ha #endkannada &
+ #telugu ha #endtelugu &
+ #gurmukhi ha #endgurmukhi &
+ #tamil ha #endtamil &
+ #roman ha #endroman
+\\ \hline
+\end{tabular}
+\end{makeimage}
+\end{center}
+\end{table}
+
+%----------------------------------------------------------------
+\begin{htmlonly}
+\section{Extensions}
+\end{htmlonly}
+
+\begin{table}[ht]
+\caption {ITRANS Encoding, Extensions.}
+\label{ienc-ext}
+\begin{center}
+\begin{makeimage}
+\hspace*{0pt}\begin{tabular}{|c|c||c|c|c|c|c|c|c|c|c|c|}
+\hline
+\thd{name} & \thd{itrans} & \thd{dev-1} & \thd{dev-2} & \thd{ben-1} & \thd{ben-2} & \thd{guj} & \thd{kan} & \thd{tel} & \thd{gur} & \thd{tam} & \thd{rom} \\
+\hline
+\hline
+
+ \namfont QA &
+ \itxfont q{\em a} &
+ #hindi qa #endhindi &
+ #marathi qa #endmarathi &
+ #bengali \undeflet #endbengali &
+ #indian \undeflet #endindian &
+ #gujarati qa #endgujarati &
+ #kannada \undeflet #endkannada &
+ #telugu \undeflet #endtelugu &
+ #gurmukhi \undeflet #endgurmukhi &
+ #tamil qa #endtamil &
+ #roman qa #endroman
+\\ \hline
+ \namfont KHHA &
+ \itxfont K{\em a} &
+ #hindi Ka #endhindi &
+ #marathi Ka #endmarathi &
+ #bengali \undeflet #endbengali &
+ #indian Ka #endindian &
+ #gujarati Ka #endgujarati &
+ #kannada \undeflet #endkannada &
+ #telugu \undeflet #endtelugu &
+ #gurmukhi Ka #endgurmukhi &
+ #tamil \undeflet #endtamil &
+ #roman Ka #endroman
+\\ \hline
+ \namfont GHHA &
+ \itxfont G{\em a} &
+ #hindi Ga #endhindi &
+ #marathi Ga #endmarathi &
+ #bengali \undeflet #endbengali &
+ #indian \undeflet #endindian &
+ #gujarati Ga #endgujarati &
+ #kannada \undeflet #endkannada &
+ #telugu \undeflet #endtelugu &
+ #gurmukhi Ga #endgurmukhi &
+ #tamil \undeflet #endtamil &
+ #roman Ga #endroman
+\\ \hline
+ \namfont ZA &
+ \itxfont J{\em a} &
+ #hindi Ja #endhindi &
+ #marathi Ja #endmarathi &
+ #bengali Ja #endbengali &
+ #indian Ja #endindian &
+ #gujarati Ja #endgujarati &
+ #kannada \undeflet #endkannada &
+ #telugu \undeflet #endtelugu &
+ #gurmukhi Ja #endgurmukhi &
+ #tamil Ja #endtamil &
+ #roman Ja #endroman
+\\ \hline
+ \namfont DDDHA &
+ \itxfont .D{\em a} &
+ #hindi .Da #endhindi &
+ #marathi .Da #endmarathi &
+ #bengali .Da #endbengali &
+ #indian .Da #endindian &
+ #gujarati .Da #endgujarati &
+ #kannada \undeflet #endkannada &
+ #telugu \undeflet #endtelugu &
+ #gurmukhi .Da #endgurmukhi &
+ #tamil \undeflet #endtamil &
+ #roman .Da #endroman
+\\ \hline
+ \namfont FA &
+ \itxfont f{\em a} &
+ #hindi fa #endhindi &
+ #marathi fa #endmarathi &
+ #bengali \undeflet #endbengali &
+ #indian \undeflet #endindian &
+ #gujarati \undeflet #endgujarati &
+ #kannada \undeflet #endkannada &
+ #telugu \undeflet #endtelugu &
+ #gurmukhi fa #endgurmukhi &
+ #tamil \undeflet #endtamil &
+ #roman fa #endroman
+\\ \hline
+ \namfont YYA &
+ \itxfont Y{\em a} &
+ #hindi \undeflet #endhindi &
+ #marathi Ya #endmarathi &
+ #bengali Ya #endbengali &
+ #indian Ya #endindian &
+ #gujarati \undeflet #endgujarati &
+ #kannada \undeflet #endkannada &
+ #telugu \undeflet #endtelugu &
+ #gurmukhi \undeflet #endgurmukhi &
+ #tamil \undeflet #endtamil &
+ #roman \undeflet #endroman
+\\ \hline
+ \namfont KA-SHHA &
+ \itxfont x{\em a} &
+ #hindi xa #endhindi &
+ #marathi xa #endmarathi &
+ #bengali xa #endbengali &
+ #indian xa #endindian &
+ #gujarati xa #endgujarati &
+ #kannada xa #endkannada &
+ #telugu xa #endtelugu &
+ #gurmukhi \undeflet #endgurmukhi &
+ #tamil xa #endtamil &
+ #roman xa #endroman
+\\ \hline
+ \namfont JA-NYA &
+ \itxfont GY{\em a} &
+ #hindi GYa #endhindi &
+ #marathi GYa #endmarathi &
+ #bengali GYa #endbengali &
+ #indian GYa #endindian &
+ #gujarati GYa #endgujarati &
+ #kannada GYa #endkannada &
+ #telugu \undeflet #endtelugu &
+ #gurmukhi \undeflet #endgurmukhi &
+ #tamil GYa #endtamil &
+ #roman GYa #endroman
+\\ \hline
+ \namfont &
+ \itxfont R{\em a} &
+ #hindi Ra #endhindi &
+ #marathi Ra #endmarathi &
+ #bengali Ra #endbengali &
+ #indian Ra #endindian &
+ #gujarati Ra #endgujarati &
+ #kannada \undeflet #endkannada &
+ #telugu Ra #endtelugu &
+ #gurmukhi \undeflet #endgurmukhi &
+ #tamil Ra #endtamil &
+ #roman Ra #endroman
+\\ \hline
+ \namfont ANUSVARA &
+ \itxfont {\em k}.n &
+ #hindi k.n #endhindi &
+ #marathi k.n #endmarathi &
+ #bengali k.n #endbengali &
+ #indian k.n #endindian &
+ #gujarati k.n #endgujarati &
+ #kannada k.n #endkannada &
+ #telugu k.n #endtelugu &
+ #gurmukhi k.n #endgurmukhi &
+ #tamil k.n #endtamil &
+ #roman k.n #endroman
+\\ \hline
+ &
+ \itxfont {\em k}.h &
+ #hindi k.h #endhindi &
+ #marathi k.h #endmarathi &
+ #bengali k.h #endbengali &
+ #indian k.h #endindian &
+ #gujarati k.h #endgujarati &
+ #kannada k.h #endkannada &
+ #telugu k.h #endtelugu &
+ #gurmukhi k.h #endgurmukhi &
+ #tamil k.h #endtamil &
+ #roman k.h #endroman
+\\ \hline
+ \namfont CANDRA E &
+ \itxfont {\em k}.c &
+ #hindi k.c #endhindi &
+ #marathi k.c #endmarathi &
+ #bengali \undeflet #endbengali &
+ #indian \undeflet #endindian &
+ #gujarati k.c #endgujarati &
+ #kannada \undeflet #endkannada &
+ #telugu \undeflet #endtelugu &
+ #gurmukhi k.c #endgurmukhi &
+ #tamil \undeflet #endtamil &
+ #roman k.c #endroman
+\\ \hline
+ \namfont C. BINDU &
+ \itxfont {\em k}.N &
+ #hindi k.N #endhindi &
+ #marathi k.N #endmarathi &
+ #bengali k.N #endbengali &
+ #indian k.N #endindian &
+ #gujarati k.N #endgujarati &
+ #kannada \undeflet #endkannada &
+ #telugu \undeflet #endtelugu &
+ #gurmukhi k.N #endgurmukhi &
+ #tamil \undeflet #endtamil &
+ #roman k.N #endroman
+\\ \hline
+ \namfont AVAGRAHA &
+ \itxfont .a &
+ #hindi .a #endhindi &
+ #marathi .a #endmarathi &
+ #bengali \undeflet #endbengali &
+ #indian \undeflet #endindian &
+ #gujarati .a #endgujarati &
+ #kannada .a #endkannada &
+ #telugu .a #endtelugu &
+ #gurmukhi .a #endgurmukhi &
+ #tamil \undeflet #endtamil &
+ #roman .a #endroman
+\\ \hline
+\end{tabular}
+\end{makeimage}
+\end{center}
+\end{table}
+
+%----------------------------------------------------------------
+\begin{htmlonly}
+\section{Digits}
+\end{htmlonly}
+
+\begin{table}[ht]
+\caption {ITRANS Encoding, Digits.}
+\label{ienc-digits}
+\begin{center}
+\begin{makeimage}
+\hspace*{0pt}\begin{tabular}{|c|c||c|c|c|c|c|c|c|c|c|c|}
+\hline
+\thd{name} & \thd{itrans} & \thd{dev-1} & \thd{dev-2} & \thd{ben-1} & \thd{ben-2} & \thd{guj} & \thd{kan} & \thd{tel} & \thd{gur} & \thd{tam} & \thd{rom} \\
+\hline
+\hline
+
+ \namfont 0 &
+ \itxfont 0 &
+ #hindi 0 #endhindi &
+ #marathi 0 #endmarathi &
+ #bengali 0 #endbengali &
+ #indian 0 #endindian &
+ #gujarati 0 #endgujarati &
+ #kannada 0 #endkannada &
+ #telugu 0 #endtelugu &
+ #gurmukhi 0 #endgurmukhi &
+ #tamil \undeflet #endtamil &
+ #roman 0 #endroman
+\\ \hline
+ \namfont 1 &
+ \itxfont 1 &
+ #hindi 1 #endhindi &
+ #marathi 1 #endmarathi &
+ #bengali 1 #endbengali &
+ #indian 1 #endindian &
+ #gujarati 1 #endgujarati &
+ #kannada 1 #endkannada &
+ #telugu 1 #endtelugu &
+ #gurmukhi 1 #endgurmukhi &
+ #tamil \undeflet #endtamil &
+ #roman 1 #endroman
+\\ \hline
+ \namfont 2 &
+ \itxfont 2 &
+ #hindi 2 #endhindi &
+ #marathi 2 #endmarathi &
+ #bengali 2 #endbengali &
+ #indian 2 #endindian &
+ #gujarati 2 #endgujarati &
+ #kannada 2 #endkannada &
+ #telugu 2 #endtelugu &
+ #gurmukhi 2 #endgurmukhi &
+ #tamil \undeflet #endtamil &
+ #roman 2 #endroman
+\\ \hline
+ \namfont 3 &
+ \itxfont 3 &
+ #hindi 3 #endhindi &
+ #marathi 3 #endmarathi &
+ #bengali 3 #endbengali &
+ #indian 3 #endindian &
+ #gujarati 3 #endgujarati &
+ #kannada 3 #endkannada &
+ #telugu 3 #endtelugu &
+ #gurmukhi 3 #endgurmukhi &
+ #tamil \undeflet #endtamil &
+ #roman 3 #endroman
+\\ \hline
+ \namfont 4 &
+ \itxfont 4 &
+ #hindi 4 #endhindi &
+ #marathi 4 #endmarathi &
+ #bengali 4 #endbengali &
+ #indian 4 #endindian &
+ #gujarati 4 #endgujarati &
+ #kannada 4 #endkannada &
+ #telugu 4 #endtelugu &
+ #gurmukhi 4 #endgurmukhi &
+ #tamil \undeflet #endtamil &
+ #roman 4 #endroman
+\\ \hline
+ \namfont 5 &
+ \itxfont 5 &
+ #hindi 5 #endhindi &
+ #marathi 5 #endmarathi &
+ #bengali 5 #endbengali &
+ #indian 5 #endindian &
+ #gujarati 5 #endgujarati &
+ #kannada 5 #endkannada &
+ #telugu 5 #endtelugu &
+ #gurmukhi 5 #endgurmukhi &
+ #tamil \undeflet #endtamil &
+ #roman 5 #endroman
+\\ \hline
+ \namfont 6 &
+ \itxfont 6 &
+ #hindi 6 #endhindi &
+ #marathi 6 #endmarathi &
+ #bengali 6 #endbengali &
+ #indian 6 #endindian &
+ #gujarati 6 #endgujarati &
+ #kannada 6 #endkannada &
+ #telugu 6 #endtelugu &
+ #gurmukhi 6 #endgurmukhi &
+ #tamil \undeflet #endtamil &
+ #roman 6 #endroman
+\\ \hline
+ \namfont 7 &
+ \itxfont 7 &
+ #hindi 7 #endhindi &
+ #marathi 7 #endmarathi &
+ #bengali 7 #endbengali &
+ #indian 7 #endindian &
+ #gujarati 7 #endgujarati &
+ #kannada 7 #endkannada &
+ #telugu 7 #endtelugu &
+ #gurmukhi 7 #endgurmukhi &
+ #tamil \undeflet #endtamil &
+ #roman 7 #endroman
+\\ \hline
+ \namfont 8 &
+ \itxfont 8 &
+ #hindi 8 #endhindi &
+ #marathi 8 #endmarathi &
+ #bengali 8 #endbengali &
+ #indian 8 #endindian &
+ #gujarati 8 #endgujarati &
+ #kannada 8 #endkannada &
+ #telugu 8 #endtelugu &
+ #gurmukhi 8 #endgurmukhi &
+ #tamil \undeflet #endtamil &
+ #roman 8 #endroman
+\\ \hline
+ \namfont 9 &
+ \itxfont 9 &
+ #hindi 9 #endhindi &
+ #marathi 9 #endmarathi &
+ #bengali 9 #endbengali &
+ #indian 9 #endindian &
+ #gujarati 9 #endgujarati &
+ #kannada 9 #endkannada &
+ #telugu 9 #endtelugu &
+ #gurmukhi 9 #endgurmukhi &
+ #tamil \undeflet #endtamil &
+ #roman 9 #endroman
+\\ \hline
+\end{tabular}
+\end{makeimage}
+\end{center}
+\end{table}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/itrans/tech.tex b/Master/texmf-dist/doc/fonts/itrans/tech.tex
new file mode 100644
index 00000000000..3633921314b
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@@ -0,0 +1,539 @@
+% $Header: /home/cvsroot/itrans/nextrel/doc/tech.tex,v 1.1.1.1 1996/11/29 01:45:31 avinash Exp $
+\renewcommand{\arraystretch}{1.25}
+\newcommand{\rarrow}{\mbox{---\hspace{-8pt}$>$}}
+\newcommand{\SM}{\verb+\char92marathi+}
+\newcommand{\EM}{\verb+\char92endmarathi+}
+\documentstyle[11pt]{article}
+\setlength{\textwidth}{5.75in}
+\newfont{\devnf}{dnh at 15pt}
+
+\begin{document}
+
+\centerline{\LARGE\bf The {\em itrans} Preprocessor}
+\medskip
+\centerline{\bf TECHNICAL INFORMATION}
+\medskip
+\centerline{\bf \copyright 1991 Avinash Chopde}
+\medskip
+\hrule
+\bigskip
+
+\section{Reference}
+
+{\tt
+WARNING: The information in this document relates to ITRANS 2.11 and
+earlier only.
+THIS INFORMATION MAY BE INCORRECT/INCOMPLETE AS OF ITRANS 3.00 versions
+onwards.
+}
+
+This is a project that aims to develop a single tool for handling the
+printing of various indian language documents, assuming that the input is
+in some transliterated form.
+The transliteration mechanism for all indian languages will be through
+the english language.
+
+See the document {\em Printing Transliterated Indian Language Documents},
+in the file {\em idoc.itx} for more details---that document is the
+user manual for the {\em itrans} package.
+This document discusses the technical aspects of the program.
+
+\section{Input Parsing}
+
+I have made the following assumptions regarding how the words in a
+indian language (well, not all, but most of them) are assembled.
+(In the following discussion, {\em alphabet} refers to the list of basic
+characters in the language script, a
+{\em letter} refers to an element from the complete list of characters---basic
+plus all the composite forms.)
+
+The alphabet is divided into two groups: vowels and consonants.
+
+Each indian language letter may be a vowel, or a consonant-vowel pair, or a
+ligature-vowel pair.
+
+Ligatures are sequences of consonants.
+
+If a consonant {\em xxx} is followed by another consonant {\em yyy}, then it is
+assumed to imply a half-consonant, i.e., the half-form of {\em xxx} must be
+displayed at that point.
+Of course, if the ligature for the pair xxx-yyy exists, the ligature
+is used instead.
+Note that not all indian languages make use of ligatures.
+
+Apart from the vowels and consonants, some special forms are also
+provided, such as the chandra-bindu, the anuswara, virama, etc.
+These special forms always form the suffix on the letter they affect,
+i.e., you specify the letter first, then the special form.
+A bunch of letters separated by white space or punctuation forms a word.
+
+Based on these assumptions, a simple parser has been built, to recognize
+the basic unit---the letter.
+
+\section{Letter Construction}
+
+The fonts that are used here provide only the basic characters---vowels,
+consonants (both full and half forms), special forms, and, some ligatures.
+Every letter is built by printing its constituent characters.
+This mapping of the consonant-vowel pairs, of the ligatures, etc, to
+actual characters to be used from the specific font is specified through
+the IFM file (indian language font metric file).
+The IFM file is a text file, and follows somewhat the syntax of Adobe AFM
+files.
+In it is described how to construct every consonant-vowel form using the
+given font, how to construct a ligature of consonant-consonant pairs,
+the character codes of the special forms, etc.
+The description is provided as a list of character codes, and their
+offsets.
+For example a description for some letter looks like:
+
+PCC 97 0 0 ; PCC 129 -70 0 ;
+
+This is a two character chain, first character has code 97, second
+character has a code of 129.
+The first character is printed with an offset (x,y) of (0,0).
+Then the second character is printed with an offset of (-70,0), i.e., a
+kern of -70 units.
+One unit is equivalent of $1/1000$ of the current font size.
+The entire IFM file structure is described in a later section.
+
+As shown in the example above, the chain of characters is printed out by
+performing two operations on every character code in the chain:
+
+\begin{verbatim}
+for every component of the form: PCC <code> <dx> <dy> ;
+
+move <dx>, <dy>;
+
+display character <code>;
+
+/*POSTSCRIPT FONT ONLY*/
+ if (<dy> is non-zero) move 0, -<dy>;
+ if (width of char <code> is defined as zero) move -<dx>, 0;
+/*POSTSCRIPT FONT ONLY*/
+
+\end{verbatim}
+
+This relies on the fact that both \TeX\ and PostScript have a notion of a
+current point.
+Two values allow kerning to be specified in both X and Y directions.
+If a movement in Y direction is des
+Note that if the font being used is a PostScript font, then two other
+actions may be performed.
+If \verb+ <dy>+ is non-zero, itrans reapplies a negative offset to
+restore the baseline y coordinate (otherwise the line will keep getting
+skewed! Note that this step is not necessary for \TeX---it takes care
+of keeping the baseline horizontal).
+Secondly, if the width of the character has been defined to be zero, a
+negative x kern is applied.
+This is done just for convenience---zero width characters are always
+used as accent marks, and they should not contribute to the actual
+character width, so the current position in X is restored to the original
+value after a accent mark (zero width character) is printed.
+
+Only PostScript fonts may have zero-width characters, the above does not
+apply to \TeX\ Matafont fonts.
+I.e, for \TeX, the last {\em move -<dx>, 0;} is never executed, even if
+the charwidth for the given character is zero.
+(This is partly due to my laziness, I did not want to write code that
+reads in a TFM file to get the char widths!)
+
+The above given description is used to specify both consonant-vowel
+forms, and consonant-consonant (ligature) forms.
+Currently, only ligatures composed of two consonants can be defined.
+
+If a consonant-vowel form appears in the input text, but has not been
+defined in the IFM file, an error message is printed on the screen, and
+the character is omitted.
+
+If a consonant-consonant-vowel (ligature) form appears in the input text,
+but has not been
+defined in the IFM file, it is not considered an error, instead, the
+first consonant is printed in the half-form, and the second consonant
+is printed out as its appropriate vowel form.
+Long consonant chains, such as consonant-consonant-$\cdots$-consonant-vowel
+are also handled in a similar manner---first a check if made if a ligature
+exists for any two consecutive consonants, if yes, it is used, else, the
+half forms of the consonants are used.
+Beginning with the first consonant in the list,
+itrans checks if a double-consonant ligature has
+been defined for that consonant and the next one in the list.
+If such a character exists, then it is used and both consonants are consumed,
+and itrans repeats the procedure for the next consonant.
+
+There is an exception to the above rule: if at all possible, the last two
+consonants are handled together, that is if a ligature of the last two
+consonants
+exists, that is used over the pairing that would result from the above method.
+(See the user manual idoc.itx for example in the section Usage Hints.)
+
+\section{IFM File Code Names}
+
+The IFM file uses code names to refer to vowels and consonants.
+For example, the ``I'' char in the input text for devanagari refers
+to the ``ii'' code name in the IFM file (in this case, so does the input
+char pair ``ii'').
+Figure 1 shows the relationship between the input vowel text forms
+accepted by the
+lexer, and the code name for the vowels in the IFM file.
+(Note that no indian language script makes use of the complete set
+of code names available in the IFM file.)
+
+(Figures 1 \& 2 may be out-of-date, see the files imap.h and ilex.l
+for correct info.)
+
+Similarly, the consonant names are as given in figure 2.
+Again, only a subset of these may be used by a particular indian
+language script.
+
+\bigskip
+\begin{figure}
+\begin{center}
+\begin{tabular}{|c|c|c|}
+\hline
+{\em Input Text} & {\em IFM Code Name} & {\em Used For} \\
+\hline\hline
+a & a & devanagari, tamil \\ \hline
+aa & aa & devanagari, tamil \\ \hline
+i & i & devanagari, tamil \\ \hline
+ii or I & ii & devanagari, tamil \\ \hline
+u & u & devanagari, tamil \\ \hline
+uu or U & uu & devanagari, tamil \\ \hline
+Ri & ri & devanagari \\ \hline
+RI & rii & devanagari \\ \hline
+Li & li & devanagari \\ \hline
+LI & lii & devanagari \\ \hline
+e & ay & devanagari, tamil \\ \hline
+E & aay & tamil \\ \hline
+ai & ai & devanagari, tamil \\ \hline
+o & o & devanagari, tamil \\ \hline
+O & oo & tamil \\ \hline
+au & au & devanagari, tamil \\ \hline
+aM & am & devanagari\\ \hline
+H & aha & devanagari\\ \hline
+\end{tabular}
+\end{center}
+\caption {Vowel Input Forms and Code Names}
+\end{figure}
+
+\begin{figure}
+\begin{center}
+\begin{tabular}{|c|c|}
+\hline
+{\em Input Text} & {\em IFM Code Name}\\ \hline \hline
+k & ka \\ \hline
+q & kadot \\ \hline
+kh & kha \\ \hline
+K & khadot \\ \hline
+g & ga \\ \hline
+G & gadot \\ \hline
+gh & gha \\ \hline
+ng & nga \\ \hline
+c & cha \\ \hline
+ch & chha \\ \hline
+j & ja \\ \hline
+z & jadot \\ \hline
+jh & jha \\ \hline
+jn & jnh \\ \hline
+T & tta \\ \hline
+Th & ttha \\ \hline
+D & dda \\ \hline
+.D & ddadot \\ \hline
+Dh & ddha \\ \hline
+.Dh & ddhadot \\ \hline
+N & nna \\ \hline
+t & ta \\ \hline
+th & tha \\ \hline
+d & da \\ \hline
+dh & dha \\ \hline
+n & na \\ \hline
+p & pa \\ \hline
+\end{tabular}
+\hfill
+\begin{tabular}{|c|c|}
+\hline
+{\em Input Text} & {\em IFM Code Name}\\ \hline \hline
+ph & pha \\ \hline
+f & phadot \\ \hline
+b & ba \\ \hline
+bh & bha \\ \hline
+m & ma \\ \hline
+y & ya \\ \hline
+r & ra \\ \hline
+l & la \\ \hline
+v & va \\ \hline
+sh & sha \\ \hline
+shh & shha \\ \hline
+s & sa \\ \hline
+h & ha \\ \hline
+ld & lda \\ \hline
+x & ksha \\ \hline
+gy & gya \\ \hline
+ny & nya \\ \hline
+n\^ & nnx \\ \hline
+R & rra \\ \hline
+.r & rahalf \\ \hline
+.n & anusvara \\ \hline
+.c & chandra \\ \hline
+.C & chandrabindu \\ \hline
+.h & viraam \\ \hline
+SRI & sri \\ \hline
+AUM & aum \\ \hline
+\end{tabular}
+\\
+\end{center}
+\caption {Consonant Input Forms and Code Names}
+\end{figure}
+
+\section{IFM File Data}
+
+Currently, the IFM data resides in a file of its own, file name ends in
+{\em .ifm}, example {\em dvnc.ifm}.
+I still hope
+that I may some day be able to include the IFM data into the Adobe AFM file.
+Hence, all the lines in the IFM file start off with the word {\em
+Comment\/}, so that regular Adobe programs that scan the AFM file may
+skip over this data.
+The marker {\em -I-} follows the comment word, and this marks the line as
+containing legal metric data for the indian language.
+
+Every line in the AFM file consists of semicolon separated fields.
+Each line describes a composite alphabet form, such as a consonant-vowel
+description or a consonant-consonant form, or a vowel form, or a half
+form of a consonant, etc.
+The english words used to specify the characters of the indian language
+alphabet are meant to sound right, in some vague manner, and are usually
+self-descriptive.
+These english words (such as ii, aa, aha, etc) have no relation to what
+the user types to get the required character, that mapping is defined by
+the lexer input file, {\em ilex.l}.
+
+Every field in a line in the IFM file starts off with an opcode,
+describing what to expect next.
+
+The following lines are representative of the data in the AFM file:
+
+\begin{verbatim}
+Comment -I- StartINDIAN
+Comment -I- FONT marathi dmta.afm
+Comment -I- CC a 2 ; PCC 97 0 0 ; PCC 129 -70 0 ;
+Comment -I- CC a 2 ; PCC 97 0 0 ; PCC 129 -70 0 ;
+Comment -I- CC gha-ii 3 ; PCC implicit 0 0 ; PCC 129 -70 0 ; PCC 132 0 0 ;
+Comment -I- CCS gha ga ;
+Comment -I- CCADD tmplA ;
+Comment -I- EndINDIAN
+\end{verbatim}
+
+
+The opcodes StartINDIAN and EndIndian are used to bracket the indian
+language character description data.
+
+The FONT opcode gives the name of the language, and the name of the file
+which contains the AFM data for this font.
+If the font is a Metafont description, then the TFM file name is
+specified here.
+The TFM file name is just used as an indication that the font used is a
+\TeX\ font, the file is not actually opened or read.
+Thus, if the font used is a Metafont description, you could as well say
+``junk.tfm'' in the FONT opcode---only the extension ``.tfm'' is
+important.
+The first word in the FONT line is the language, and it must be one of the
+languages ITRANS recognizes (see the function get\_lang\_tok() in marker.c).
+This word determines how the input is scanned for tokens.
+For example, the input letters ``Ri''refer to a vowel in
+sanskrit/marathi/hindi, but in tamil, that vowel is not present.
+But tamil uses the ``R'' symbol for a consonant, so the input ``Ri''
+is scanned as the consonant ``R'' followed by the vowel ``i'', while in
+sanksrit it is scanned as the vowel ``Ri''.
+Thus, it is important to define the correct language in the FONT statement
+in the IFM file.
+
+The CC words stands for composite character, and it defines how to
+construct the given character using the font.
+In the example above, it shows that the {\em a} character is made up of
+two units: char code 97, and char code 129.
+See the previous section regarding the PCC opcode.
+The second CC line above describes how to create the {\em ii} vowel form
+of the consonant {\em gha}.
+The first PCC character code in the line is not a number, but states {\em
+implicit}.
+This requires that a special character, called {\em gha-implicit} be
+defined earlier.
+Semantically, gha-implicit means the implicit form of the consonant gha.
+Thus, whenever the code implicit appears in the description of some
+consonant xxx, at that point, the program inserts the definition of the
+xxx-implicit letter.
+(Naturally, the description of xxx-implicit cannot have the code implicit
+in its description.)
+
+Most consonants are similar in the manner in which the vowel forms are
+constructed, using the implicit form of the consonant, and a few other
+character forms.
+For example, kha-aa, gha-aa, da-aa, dda-aa, are all constructed by using
+this description:
+PCC implicit 0 0 ; PCC 130 -70 0 ;
+So, instead of restating this description for all these consonants, the
+CCS keyword can be used instead.
+The CCS keyword assigns equivalences,
+
+CCS xxx yyy ;
+
+states that a given consonant
+xxx is similar to a already defined consonant yyy, and if some vowel
+form (x) is missing, i.e. xxx-x description is missing, then it looks up
+the description for yyy-x, and uses that.
+This chaining can be made as deep as necessary:
+
+CCS bbb aaa ;
+
+CCS ccc bbb ;
+
+CCC ddd ccc ;
+
+etc
+
+CCS also works similarly for ligature forms:
+
+CCS ga-ra tmplC ;
+
+which states that the ga-ra ligature should use the form of the tmplC
+dummy consonant (dummy consonants are explained further in this section).
+Note that it is usually dangerous to specify ligature equivalence to one
+of the constituent consonants, since most of the consonants do not use the
+codename "implicit" in all their form definitions.
+Thus, be careful of such definitions:
+
+CCS ga-ra ga ;
+
+or
+
+CCS ga-ra ra ;
+
+This will create problems if the half form of the ga-ra ligature is
+required since both ga and ra (and every other consonant too)
+have a half-form definition that does not include the code "implicit",
+hence instead of the ga-ra-half form, what will print out will
+be just the ga-half form or the ra-half form, depending on which
+CCS line (from the above two lines) is present in the IFM file.
+One way around this problem is to specifically define the half-form of
+the ga-ra ligature, so as to stop the program from looking for it
+through the CCS chain.
+It is usually only the half form that causes problems (as of october 1991),
+since all the other forms do contain the "implicit" code in their
+definitions.
+
+A special consonant form, ``*'' is available for use with the CCS
+keyword for ligatures:
+It acts as a meta-character implying all the consonants.
+
+CCS *-ra tmplC ;
+
+CCS ga-* tmplC ;
+
+Instead of providing consonant equivalences between consonants,
+additional dummy consonants may be created, these exist only in the IFM
+file, and used only for equivalencing a real consonant.
+The CCADD line defines the creation of a placeholder consonant.
+
+CCADD tmplA ;
+
+This states that the IFM will make use of a dummy consonant called tmplA,
+and then all its vowel forms (including the half form) can be defined.
+See the file dvnc.ifm for complete example.
+All that tmplA is used for is to define equivalences, again from the
+dvnc.ifm file, you will see lines like:
+
+CCS chha tmplA ;
+
+CCS tta tmplA ;
+
+which state that if some required vowel form of chha or tta is missing,
+then try to use the definition of the same vowel form in tmplA.
+
+Each IFM file can make up to 10 such dummy consonants.
+
+\section{Example Usage or When to Make New IFM Files}
+
+So, to what end can this knowledge of the IFM file format be applied ?
+
+\begin{enumerate}
+\item Assume that you need to disable all ligature printing, you
+are printing at a very small font size, and ligatures do not print out
+legibly.
+To do this, you should copy the dvnc.ifm file to sdvnc.ifm, and remove all
+ligature definitions from sdvnc.ifm.
+Ligature definitions are those which contain two consonants separated by
+a dash: examples:
+{\obeylines
+CCS tta-tta tmplA ;
+CC tta-tta-implicit 1 ; PCC 147 0 0 ;
+}
+All such ligature definitions can be deleted from sdvnc.ifm.
+And then, in your input file that contains the transliterated text, add
+the command:
+
+$\backslash$indianifm=sdvnc.ifm
+
+(See the user manual on itrans for more information on the indianifm
+keyword.)
+
+Now, no ligatures are available, and nothing needs to be done to the
+input text at all to suppress the ligatures.
+Instead of the ligatures, the half-forms of the consonants will be used
+wherever required.
+
+\item Another use would be if you do not like the spacing of certain
+characters when they are composed to form consonant forms.
+Well, as seen in the previous example, it is quite simple to copy the IFM
+file into a new one, change the deltas (the numbers) as required, and use
+the new IFM in the input text.
+
+\item By changing the character definitions in the IFM file, one can
+produce different printed forms for the character.
+For example, to print the normal form of {\em ii} in devanagari prints out
+as: {\devnf \char105\kern-0.04em\char128}.
+% itrans: CC ii 2 ; PCC 105 0 0 ; PCC 128 -40 0 ;
+Now, what if you need to make it print out as: {\devnf \char97\char132} ?
+This is easily done, just comment out the old definition of the {\em ii}
+character (it is called {\em ii} in the ifm file), and make it read:
+
+{\obeylines
+Comment -I- CC ii 2 ; PCC 97 0 0 ; PCC 132 0 0 ;
+}
+
+Now, all instances of {\em ii} in the input text will print out as:
+{\devnf \char97\char132 }.
+
+\renewcommand{\arraystretch}{1.25}
+\renewcommand{\arraystretch}{1.25}
+\renewcommand{\arraystretch}{1.25}
+\renewcommand{\arraystretch}{1.25}
+This method can be used to change any character form you need, as long as
+the constituent parts of the new character are available in the font.
+
+\item You have received a new font, either you developed it yourself, or
+\renewcommand{\arraystretch}{1.25}
+got it elsewhere, and you would like to use it through the itrans
+mechanism.
+This involves two steps.
+First, you need to map the vowels and consonants available through itrans
+(see figures 1 and 2) to the font characters.
+Second, you create a IFM file for the font.
+The first step is the biggest hurdle, especially if you feel that you
+need to add new consonant names to ilex.l.
+(Of course, that implies lots of source code changes: now iyacc.y will
+have to be modified to accept the new token, imap.h will have to edited
+to add the codename for the font, and font.c will have to be edited to
+add the new codename into a static data structure!)
+If that happens, send me e-mail, maybe I will permanently add the name to
+ilex.l, but I hope that current set of names accepted by ilex.l will
+suffice.
+If they do, then no source code changes are necessary, just need to
+create the IFM file and you are in business.
+
+If you wish, you could send me the IFM file you create, and the font
+(if it is in public domain, otherwise the IFM file only will suffice),
+
+\end{enumerate}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/itrans/tlgutx.itx b/Master/texmf-dist/doc/fonts/itrans/tlgutx.itx
new file mode 100644
index 00000000000..119a63a4875
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/itrans/tlgutx.itx
@@ -0,0 +1,1130 @@
+\documentclass[11pt]{article}
+\usepackage{comment}
+% User Documentation for the ITRANS Package
+% The Telugu Language Transliteration Table
+% This document supplements the common document: idoc.itx
+
+\usepackage[preprocess,telugu]{itrans} % Ross Moore's extensions to latex2html
+ % this also loads idevn.tex and itrnstlg.tex
+
+% Note: the file itrnstlg.tex should be present in the current directory, or:
+% 1: Add the directory where itrnstlg resides to the env var TEXINPUTS
+% 2: Delete the \input stmt, and copy the itrnstlg.tex file into this file..
+% 3: Copy the file itrnstlg.tex to the current directory.
+
+\usepackage{html} % from standard latex2html package
+ % if you do not have html.sty in your machine, change the html to
+ % htmlstub (htmlstub.sty is included in the ITRANS/lib directory)
+
+\portraitpage % defined in itrans.sty (idevn.tex), get a larger page size
+
+\renewcommand{\arraystretch}{1.25}
+\newcommand{\rarrow}{\mbox{---\hspace{-8pt}$>$}}
+\newcommand{\ST}{\char35telugu}
+\newcommand{\ET}{\char35endtelugu}
+\newfont{\cmt}{cmtt12}
+\newfont{\cmts}{cmtt9}
+
+\newfont{\tlgsmall}{tel12}
+\newfont{\tlgnx}{tel12nx}
+\newfont{\tlgs}{tel12s}
+\newfont{\tlg}{tel18}
+
+\hyphenchar\tlgnx=-1 % disable hyphenation using this font
+\hyphenchar\tlgs=-1 % disable hyphenation using this font
+\hyphenchar\tlg=-1 % disable hyphenation using this font
+
+#teluguifm=tlgutx.ifm
+#telugufont=\tlg
+
+\begin{document}
+
+\footnotetext[0]{Last modification: \today}
+
+\centerline{\LARGE\bf Transliteration Map}
+\medskip
+\centerline{\LARGE\bf Telugu Font (tel)}
+\bigskip
+\centerline{\LARGE\bf itrans}
+\smallskip
+\centerline{\bf \copyright 1992--1998 Avinash Chopde}
+
+\section{Fonts Available}
+
+\subsection{\TeX\ Interface}
+
+The telugu font {\em tel} is a Metafont font,
+developed by Lakshmi V.\ S.\ Mukkavilli.
+
+This font is not bundled with the itrans package, but is available at
+many FTP sites. This font may be available in the separate font archive
+containing extra fonts, named \texttt{itransxt.zip}, which may be available
+in the same place you obtained the main ITRANS archive.
+\textsl{
+[The authors use the restrictive GPL to license their
+software, which is really too bad, but because of that, I am unable to
+include their fonts with the main ITRANS archive.]
+}
+
+The telugu font is in a file called {\tt tlgutx.tar.Z}.
+Use WWW search tools to locate this file, search for the
+substring {\tt tlgutx}.
+You can find this at any TeX CTAN archive (ex:
+{\tt ftp.cdrom.com or ctan.tug.org, directory /tex-archive/language/telugu}).
+
+Note that the TeluguTeX package is also capable of typesetting telugu
+documents---without the need for a pre-processor.
+
+\subsection{Direct Textual Interface}
+
+Since this is a \TeX\ font, this interface cannot be used.
+(The Text interface directly produces PostScript or HTML, and it
+requires a PostScript font or TrueType font.)
+
+\subsection{Direct Textual Interface - HTML output}
+
+HTML output can be produced using the Tikkana TrueType fonts.
+These fonts are available somewhere on a web, use a search engine
+to locate them.
+
+The IFM file to use is {\em tikkana.ifm}.
+
+The support for the Tikkana fonts was
+added by: {\bf Shree}, and
+{\bf Devarakonda Venkata Narayana Sarma}
+$<$\emph{narayana@hd1.vsnl.net.in}$>$
+
+\section{Font Developer}
+
+The TeX font has been created by {\tt Lakshmi V.\ S.\ Mukkavilli},
+and is part of a complete telugu typesetting system called
+TeluguTeX.
+TeluguTeX has been developed by {\tt Lakshmi V.\ S.\ Mukkavilli},
+and she also holds the copyright to that software.
+
+The TeluguTeX package contains extensive documentation regarding this
+font, it was a great help in adapting the telugu font for use with
+ITRANS.
+
+\subsection{Font Variations Available}
+
+The {\tt TeluguTeX} package contains many font sizes and variations---it
+also includes all the source Metafont files, so any Metafont user can
+create her own font variations.
+
+As packaged in the {\tt tlgutx.tar.Z} package, there are TFM and
+PK files for these font sizes: 10, 11, 12, 15, 18, 20, 25, 30, 35, 40,
+55, 72 and 172. Certain fancy versions (telspa, telspb, and telspc) are
+also available.
+Most font sizes come in bold and slanted versions.
+
+This document has made use of the {\tt tel12}, {\tt tel12s}, {\tt tel12nx},
+and {\tt tel18} fonts.
+
+%-------------------------------------------------------------------
+\begin{htmlonly}
+\section{Telugu Table}
+\end{htmlonly}
+
+\begin{table}[hp]
+\begin{center}
+\begin{tabular}{c@{\hspace{1in}}c@{\hspace{1in}}c}
+% --- first col is vowels inside a tabular
+\begin{makeimage}
+\begin{tabular}{|c|c|}
+\multicolumn{2}{c}{Vowels} \\
+\hline
+{#telugu a #endtelugu} & {\tt a} \\ \hline
+{#telugu aa #endtelugu} & {\tt aa {\it or} A} \\ \hline
+{#telugu i #endtelugu} & {\tt i} \\ \hline
+{#telugu ii #endtelugu} & {\tt ii {\it or} I} \\ \hline
+{#telugu u #endtelugu} & {\tt u} \\ \hline
+{#telugu uu #endtelugu} & {\tt uu {\it or} U} \\ \hline
+{#telugu R^i #endtelugu} & {\tt RRi {\it or} R\char`^i} \\ \hline
+{#telugu R^I #endtelugu} & {\tt RRI {\it or} R\char`^I} \\ \hline
+{#telugu L^i #endtelugu} & {\tt LLi {\it or} L\char`^i} \\ \hline
+{#telugu L^I #endtelugu} & {\tt LLI {\it or} L\char`^I} \\ \hline
+{#telugu e #endtelugu} & {\tt e} \\ \hline
+{#telugu E #endtelugu} & {\tt E} \\ \hline
+{#telugu ai #endtelugu} & {\tt ai} \\ \hline
+{#telugu o #endtelugu} & {\tt o} \\ \hline
+{#telugu O #endtelugu} & {\tt O} \\ \hline
+{#telugu au #endtelugu} & {\tt au} \\ \hline
+\multicolumn{2}{c}{} \\
+\multicolumn{2}{c}{} \\
+\multicolumn{2}{c}{Digits} \\
+\hline
+{#telugu 0 #endtelugu} & {\tt 0} \\ \hline
+{#telugu 1 #endtelugu} & {\tt 1} \\ \hline
+{#telugu 2 #endtelugu} & {\tt 2} \\ \hline
+{#telugu 3 #endtelugu} & {\tt 3} \\ \hline
+{#telugu 4 #endtelugu} & {\tt 4} \\ \hline
+{#telugu 5 #endtelugu} & {\tt 5} \\ \hline
+{#telugu 6 #endtelugu} & {\tt 6} \\ \hline
+{#telugu 7 #endtelugu} & {\tt 7} \\ \hline
+{#telugu 8 #endtelugu} & {\tt 8} \\ \hline
+{#telugu 9 #endtelugu} & {\tt 9} \\ \hline
+\end{tabular}
+\end{makeimage}
+% --- end first col
+&
+% --- second col is consonants
+\begin{makeimage}
+\begin{tabular}{|c|c|}
+\multicolumn{2}{c}{Consonants} \\
+\hline
+{#telugu ka #endtelugu} & {\tt k{\it a}} \\ \hline
+{#telugu kha #endtelugu} & {\tt kh{\it a}} \\ \hline
+{#telugu ga #endtelugu} & {\tt g{\it a}} \\ \hline
+{#telugu gha #endtelugu} & {\tt gh{\it a}} \\ \hline
+{#telugu ~Na #endtelugu} & {\tt \char`~N{\it a or} N\char`^{\it a}} \\ \hline
+{#telugu cha #endtelugu} & {\tt ch{\it a}} \\ \hline
+{#telugu Cha #endtelugu} & {\tt Ch{\it a or} chh{\it a}} \\ \hline
+{#telugu ja #endtelugu} & {\tt j{\it a}} \\ \hline
+{#telugu jha #endtelugu} & {\tt jh{\it a}} \\ \hline
+{#telugu ~na #endtelugu} & {\tt \char`~n{\it a or} JN{\it a}} \\ \hline
+{#telugu Ta #endtelugu} & {\tt T{\it a}} \\ \hline
+{#telugu Tha #endtelugu} & {\tt Th{\it a}} \\ \hline
+{#telugu Da #endtelugu} & {\tt D{\it a}} \\ \hline
+{#telugu Dha #endtelugu} & {\tt Dh{\it a}} \\ \hline
+{#telugu Na #endtelugu} & {\tt N{\it a}} \\ \hline
+{#telugu ta #endtelugu} & {\tt t{\it a}} \\ \hline
+{#telugu tha #endtelugu} & {\tt th{\it a}} \\ \hline
+{#telugu da #endtelugu} & {\tt d{\it a}} \\ \hline
+{#telugu dha #endtelugu} & {\tt dh{\it a}} \\ \hline
+{#telugu na #endtelugu} & {\tt n{\it a}} \\ \hline
+{#telugu pa #endtelugu} & {\tt p{\it a}} \\ \hline
+{#telugu pha #endtelugu} & {\tt ph{\it a}} \\ \hline
+{#telugu ba #endtelugu} & {\tt b{\it a}} \\ \hline
+{#telugu bha #endtelugu} & {\tt bh{\it a}} \\ \hline
+{#telugu ma #endtelugu} & {\tt m{\it a}} \\ \hline
+{#telugu ya #endtelugu} & {\tt y{\it a}} \\ \hline
+{#telugu ra #endtelugu} & {\tt r{\it a}} \\ \hline
+{#telugu Ra #endtelugu} & {\tt R{\it a}} \\ \hline
+{#telugu la #endtelugu} & {\tt l{\it a}} \\ \hline
+{#telugu La #endtelugu} & {\tt L{\it a}} \\ \hline
+{#telugu va #endtelugu} & {\tt v{\it a or} w{\it a}} \\ \hline
+{#telugu sha #endtelugu} & {\tt sh{\it a}} \\ \hline
+{#telugu Sha #endtelugu} & {\tt Sh{\it a or} shh{\it a}} \\ \hline
+{#telugu sa #endtelugu} & {\tt s{\it a}} \\ \hline
+{#telugu ha #endtelugu} & {\tt h{\it a}} \\ \hline
+{#telugu kSha #endtelugu} & {\tt x{\it a or} kSh{\it a}} \\ \hline
+\end{tabular}
+\end{makeimage}
+% --- end second col
+&
+% --- third col of specials/accents inside a tabular
+\begin{makeimage}
+\begin{tabular}{|c|c|}
+\multicolumn{2}{c}{Specials/Accents} \\
+\hline
+{#telugu ga.n #endtelugu} & {\tt {\it ga}.n} \\ \hline
+{#telugu aa^r #endtelugu} & {\tt {\it aa}\char`^r} \\ \hline
+{#telugu m.h #endtelugu} & {\tt {\it m}\{\}} \\ \hline
+{#telugu duH #endtelugu} & {\tt {\it du}H} \\ \hline
+{#telugu .a #endtelugu} & {\tt .a} \\ \hline
+\end{tabular}
+\end{makeimage}
+\\
+\end{tabular} % end the larger tabular encompassing all four tables
+\hfill
+\\
+\end{center}
+\caption {\bf ITRANS: Telugu to English Transliteration Table.}
+\label{ienc}
+\label{fig1}
+\end{table}
+
+%-------------------------------------------------------------------
+\section{More Special Characters}
+
+Access to the special telugu characters such as
+ardhavisargha, nakarapolla, valapalagilaka, etc, is available through the
+macro input file {\em itrnstlg.tex}.
+The following table displays the characters available, and their macro
+names.
+
+Note that ITRANS does not provide support for the udatta and dantyam
+telugu characters. If you must use these, take a look in {\em
+itrnstlg.tex} --- some examples are given there, but it may require
+extensive hand-tuning. Examples shown in table~\ref{fig2}.
+
+\begin{table}
+\begin{center}
+\begin{makeimage}
+\begin{tabular}{|c|c|}
+\hline
+{#telugu \TGadh #endtelugu} & {\tt \char92 TGadh} \\ \hline
+{#telugu \TGnp #endtelugu} & {\tt \char92 TGnp} \\ \hline
+{#telugu \TGvp #endtelugu} & {\tt \char92 TGvp} \\ \hline
+{#telugu \TGbar #endtelugu} & {\tt \char92 TGbar} \\ \hline
+{#telugu \TGbarr #endtelugu} & {\tt \char92 TGbarr} \\ \hline
+{#telugu \TGpu #endtelugu} & {\tt \char92 TGpu} \\ \hline
+{#telugu \TGpuu #endtelugu} & {\tt \char92 TGpuu} \\ \hline
+{#telugu \TGphu #endtelugu} & {\tt \char92 TGphu} \\ \hline
+{#telugu \TGphuu #endtelugu} & {\tt \char92 TGphuu} \\ \hline
+\end{tabular}
+\end{makeimage}
+\\
+\end{center}
+\caption {{\bf Special characters in }{\em itrnstlg.tex}.}
+\label{fig2}
+\end{table}
+
+%----------------------------------------------------------------
+% lines deleted into tlgu.sav (all consonant vowel forms)
+%----------------------------------------------------------------
+
+\section{Examples}
+
+These examples have been taken from the {\em TeluguTeX} package, with
+modifications for use the ITRANS transliteration scheme.
+
+\subsection{Example from the Panchatantra}
+
+% example from panchatantra, taken from TeluguTeX::document.tex, and edited..
+\centerline{#telugu pa.nchata.ntra kadhalu#endtelugu}
+
+\centerline{(Stories from the ``Panchatantra'')}
+
+\medskip
+#telugufont=\tlgnx
+{#telugu
+ ``parulanu mosagi.nchi hAnichEya talapeTTinavAru tAmE cheDipOtAru''.
+#endtelugu}
+\medskip
+{#telugu
+i.ndrapAlituDu anE vartakuDu vyApAra.n nimitta.n porugudEshAniki pOvalasi
+vachchi.ndi. ataDu tanavaddanunna veyyi ba.ngAru nANAlanu, tana mitruDayina
+dhanaguptuni vadda dAchi dEshA.ntara.n poyADu. ko.ntakAla.n ayina taruvAta
+i.ndrapAlituDu svagrAma.n tirigi vachchADu. ataDu dhanaguptuni i.nTikipOyi tana
+ba.ngAru nANAlanu tirigi yimmani aDigADu. dhanaguptuDu vichAra.ngA ``annA!
+Emi cheppanu, nI ba.ngAru nANAlanni.nTinI mA i.nTilO elukalu tinivEshAyi'' ani
+cheppADu. dhanaguptuni mOsAnni ardha.nchEsukonna i.ndrapAlituDu ``pOnIlE
+jariginadAniki chi.nti.nchi Emi phalamu'' ani sardi cheppi, idivaralOlAgAnE
+mitrunitO snEha.n kanabarastU unnADu. konnALLupOyAka, i.ndrapAlituDu
+dhanaguptuni i.nTivadda kaburlu chebutU unna samaya.nlO prakkavIdhi lO rEgupaLLU
+#endtelugu}
+
+{#telugu
+ammakAniki vachchAyi. paLLu ammEvAni kEkavini dhanaguptuni pillavADu
+paLLakOsa.n pOrupeTTADu. ``nEnu koni istAnu rA nAyanA!'' a.nTU pillavAnini
+ettukoni i.ndrapAlitiDu prakkavIdhiki bayaludErADu. paLLu koni, pillavAniki
+ichchina i.ndrapAlituDu dhanaguptuni yi.nTiki tirigi rAku.nDA tana yi.nTiki pOyi
+pillavAnini lOpala dAchi u.nchADu.
+#endtelugu}
+
+{#telugu
+e.ntasEpaTikI pillavADugAnI, i.ndrapAlituDugAnI tirigi rAkapOyEsariki
+dhanaguptuDu AdurdAgA vArini vetukuchU mitruni i.nTiki chErADu. atanini
+chUDagAnE i.ndrapAlituDu duHkha.nnaTistU ``annA paLLuko.ndAmani mI pillavAnini
+cha.nkanu.nchi di.npAnO lEdO, oka pADu DEga vachchi mI vANNi ettuku pOyi.ndi, I
+vishhAdavArta nIku cheppalEka nEnu i.nTiki vachchi duHkhistunnAnu'' annADu. Adi
+vini dhanaguptuDu ``nIchuDA, pillavAni va.nTipainunna ba.ngAru
+vastuvulakAshapaDi i.nta anyAya.n chEstAvA'' a.nTU dUshhistU
+nyAyAdhipatiki phiryAdu chEsADu.
+#endtelugu}
+
+{#telugu
+nyAyAdhipati i.ndrapAlituni to ``EmayyA pushhTigA u.nDE pillADini DEga tannuku
+pOyi.ndannAvuTa. EmiTI viDDUra.n?'' ani prashni.nchADu. dAnipai i.ndrapAlituDu
+jariginada.ntA vivari.nchi ``ayyA I dhanaguptuni yi.nTa nEnu dAchina veyyi
+ba.ngAru nANAlu elukalu tinivEsinappuDu, O chinna biDDanu DEga tannuku
+pOvaDa.nlO AshcharyamEmu.ndi?'' annADu.
+jariginada.ntA graHi.nchina nyAyAdhikAri,
+i.ndrapAlituni yi.nTanunna pillavAnini rappi.nchi dhanaguptuniki appajeppi,
+mitrunisommu apaHari.nchi nammaka drOhamonarchina dhanaguptuni Asti
+svAdhIna.n chEsukoni, a.ndulOnu.nchi
+i.ndrapAlituniki rAvalasina vEyi nANAlu
+ippi.nchADu.
+#endtelugu}
+
+\bigskip
+\noindent This is the input text that produced the above:
+\smallskip
+
+\noindent {\tt \char92 centerline\char123\ST pa.nchata.ntra kadhalu\ET\char125}
+
+\noindent {\tt \char92 centerline\char123 (Stories from the ``Panchatantra'')\char125}
+
+\noindent {\tt \char123 \ST}
+
+\begin{verbatim}
+ ``parulanu mosagi.nchi hAnichEya talapeTTinavAru tAmE
+cheDipOtAru''.
+
+i.ndrapAlituDu anE vartakuDu vyApAra.n nimitta.n
+porugudEshAniki pOvalasi vachchi.ndi. ataDu tanavaddanunna
+veyyi ba.ngAru nANAlanu, tana mitruDayina dhanaguptuni vadda
+dAchi dEshA.ntara.n poyADu. ko.ntakAla.n ayina taruvAta
+i.ndrapAlituDu svagrAma.n tirigi vachchADu. ataDu dhanaguptuni
+i.nTikipOyi tana ba.ngAru nANAlanu tirigi yimmani aDigADu.
+dhanaguptuDu vichAra.ngA ``annA! Emi cheppanu, nI ba.ngAru
+nANAlanni.nTinI mA i.nTilO elukalu tinivEshAyi'' ani cheppADu.
+dhanaguptuni mOsAnni ardha.nchEsukonna i.ndrapAlituDu
+``pOnIlE jariginadAniki chi.nti.nchi Emi phalamu'' ani sardi
+cheppi, idivaralOlAgAnE mitrunitO snEha.n kanabarastU unnADu.
+konnALLupOyAka, i.ndrapAlituDu dhanaguptuni i.nTivadda kaburlu
+chebutU unna samaya.nlO prakkavIdhi lO rEgupaLLU ammakAniki
+vachchAyi. paLLu ammEvAni kEkavini dhanaguptuni pillavADu
+paLLakOsa.n pOrupeTTADu. ``nEnu koni istAnu rA nAyanA!'' a.nTU
+pillavAnini ettukoni i.ndrapAlitiDu prakkavIdhiki
+bayaludErADu. paLLu koni, pillavAniki ichchina i.ndrapAlituDu
+dhanaguptuni yi.nTiki tirigi rAku.nDA tana yi.nTiki pOyi
+pillavAnini lOpala dAchi u.nchADu.
+
+e.ntasEpaTikI pillavADugAnI, i.ndrapAlituDugAnI tirigi
+rAkapOyEsariki dhanaguptuDu AdurdAgA vArini vetukuchU mitruni
+i.nTiki chErADu. atanini chUDagAnE i.ndrapAlituDu
+duHkha.nnaTistU ``annA paLLuko.ndAmani mI pillavAnini
+cha.nkanu.nchi di.npAnO lEdO, oka pADu DEga vachchi mI vANNi
+ettuku pOyi.ndi, I vishhAdavArta nIku cheppalEka nEnu i.nTiki
+vachchi duHkhistunnAnu'' annADu. Adi vini dhanaguptuDu
+``nIchuDA, pillavAni va.nTipainunna ba.ngAru
+vastuvulakAshapaDi i.nta anyAya.n chEstAvA'' a.nTU dUshhistU
+nyAyAdhipatiki phiryAdu chEsADu.
+
+nyAyAdhipati i.ndrapAlituni to ``EmayyA pushhTigA u.nDE
+pillADini DEga tannuku pOyi.ndannAvuTa. EmiTI viDDUra.n?'' ani
+prashni.nchADu. dAnipai i.ndrapAlituDu jariginada.ntA
+vivari.nchi ``ayyA I dhanaguptuni yi.nTa nEnu dAchina veyyi
+ba.ngAru nANAlu elukalu tinivEsinappuDu, O chinna biDDanu
+DEga tannuku pOvaDa.nlO AshcharyamEmu.ndi?'' annADu.
+jariginada.ntA grHi.nchina yAyAdhikAri, i.ndrapAlituni
+yi.nTanunna pillavAnini rappi.nchi dhanaguptuniki appajeppi,
+mitrunisommu apHari.nchi nammaka drOhamonarchina dhanaguptuni
+Asti svAdhIna.n chEsukoni, a.ndulOnu.nchi i.ndrapAlituniki
+rAvalasina vEyi nANAlu ippi.nchADu.
+\end{verbatim}
+{\tt \ET\char125}
+
+\subsection{Using macros from itrnstlg.tex}
+
+This is a example from the Rigveda, and typesetting this text requires
+use of the special telugu forms defined in the file {\em itrnstlg.tex}.
+This example also makes use of the udatta and dantyam macros ({\tt
+\char92 TGud, \char92 TGBud, \char92 TGdt, etc}).
+
+\centerline{Text from {\em rigveda}---in Telugu.}
+
+% example from rigveda, taken from TeluguTeX::document.tex, and edited..
+#telugufont=\tlgs
+{#telugu
+hariH Om.h\TGbarr\ \TGBan shata.n \TGBud jIva \TGBan shara\TGBan dO
+va\TGBud rdhamAna\TGBan shshata.n
+hE\TGud\TGBan mantA\TGBan ~nChhata\TGBud mu va\TGBan santA\TGnp\TGbar\
+\TGBan shata\TGBud mi\TGCan ndhrAgnI \TGBud na\TGBan vitA
+\TGBud bRRi\hbox{\TGBan ha}npati\TGBan shsha
+tA\TGBud yushhA \TGBan havi\TGBan shhEma.n pu\TGBud narduH\TGbarr\
+RRiksa.nhitA\TGbarr\
+{8-8-20} vaga\TGvp\TGbarr\
+asya mantrasya niruktam.h. ---
+#endtelugu}
+
+{#telugu
+shata.n jIva shadadO vardhamAna ityapi nigamO bhavati\TGbar\
+shatamiti shata.n dIgha\TGvp mAyuma\TGvp ruta EnA vadha\TGvp yanti
+shatamonamona shatATmAna.n bhavati shatamananta.n bhavati shatamaishvarya.n
+bhavati shatamiti shata.n dEgha\TGvp mAyuH\TGbar\ hariH Om.h\TGbarr
+#endtelugu}
+
+\centerline{Text from {\em rigveda}---transliterated form.}
+
+{\tt
+\noindent\char123
+
+\noindent\char92 input itrnstlg
+
+OR
+
+\noindent\char92 usepackage[preprocess,telugu]{itrans}
+
+\noindent\ST}
+
+\begin{verbatim}
+hariH Om.h\TGbarr\ \TGBan shata.n \TGBud jIva \TGBan
+shara\TGBan dO va\TGBud rdhamAna\TGBan shshata.n
+hE\TGud\TGBan mantA\TGBan ~nChhata\TGBud mu va\TGBan
+santA\TGnp\TGbar\ \TGBan shata\TGBud mi\TGCan ndhrAgnI
+\TGBud na\TGBan vitA \TGBud bRRi\TGBan hanpati\TGBan shsha
+tA\TGBud yushhA \TGBan havi\TGBan shhEma.n
+pu\TGBud narduH\TGbarr\ RRiksa.nhitA\TGbarr\ {8-8-20}
+vaga\TGvp\TGbarr\ asya mantrasya niruktam.h. ---
+
+shata.n jIva shadadO vardhamAna ityapi nigamO bhavati\TGbar\
+shatamiti shata.n dIgha\TGvp mAyuma\TGvp ruta EnA vadha\TGvp
+yanti shatamonamona shatATmAna.n bhavati shatamananta.n
+bhavati shatamaishvarya.n bhavati shatamiti shata.n
+dEgha\TGvp mAyuH\TGbar\ hariH Om.h\TGbarr
+\end{verbatim}
+{\tt \ET\char125}
+
+\bigskip
+\hrule
+\vfill
+
+\bigskip
+\section{Author}
+
+\noindent
+ITRANS has been developed by Avinash Chopde. \\
+E-mail: {\tt avinash@acm.org}. \\
+Home page: {\tt http://www.aczone.com/}
+
+\bigskip
+\hrule
+\end{document}
+
+
+----------------unused table ----------------------------
+
+\begin{comment} %---------- NO NEED TO INCLUDE THE CONSONANTS-VOWELS TABLE
+#telugufont=\tlgsmall
+% All the consonant-vowel forms
+\begin{table}[p]
+\vspace*{0in}
+\hspace*{0.0in}\vbox{
+\begin{center}
+\begin{makeimage}
+\begin{tabular}{|c||c|c|c|c|c|c|c|c|c|c|c|c|c|c|c|c|}
+\hline
+\tt / &
+\tt a &
+\tt A &
+\tt i &
+\tt I &
+\tt u &
+\tt U &
+\tt RRi &
+\tt RRI &
+\tt LLi &
+\tt LLI &
+\tt e &
+\tt E &
+\tt ai &
+\tt o &
+\tt O &
+\tt au \\ \hline \hline
+\tt k &
+#telugu ka #endtelugu &
+#telugu kaa #endtelugu &
+#telugu ki #endtelugu &
+#telugu kii #endtelugu &
+#telugu ku #endtelugu &
+#telugu kuu #endtelugu &
+#telugu kR^i #endtelugu &
+#telugu kR^I #endtelugu &
+#telugu kL^i #endtelugu &
+#telugu kL^I #endtelugu &
+#telugu ke #endtelugu &
+#telugu kE #endtelugu &
+#telugu kai #endtelugu &
+#telugu ko #endtelugu &
+#telugu kO #endtelugu &
+#telugu kau #endtelugu \\ \hline
+\tt kh &
+#telugu kha #endtelugu &
+#telugu khaa #endtelugu &
+#telugu khi #endtelugu &
+#telugu khii #endtelugu &
+#telugu khu #endtelugu &
+#telugu khuu #endtelugu &
+#telugu khR^i #endtelugu &
+#telugu khR^I #endtelugu &
+#telugu khL^i #endtelugu &
+#telugu khL^I #endtelugu &
+#telugu khe #endtelugu &
+#telugu khE #endtelugu &
+#telugu khai #endtelugu &
+#telugu kho #endtelugu &
+#telugu khO #endtelugu &
+#telugu khau #endtelugu \\ \hline
+\tt g &
+#telugu ga #endtelugu &
+#telugu gaa #endtelugu &
+#telugu gi #endtelugu &
+#telugu gii #endtelugu &
+#telugu gu #endtelugu &
+#telugu guu #endtelugu &
+#telugu gR^i #endtelugu &
+#telugu gR^I #endtelugu &
+#telugu gL^i #endtelugu &
+#telugu gL^I #endtelugu &
+#telugu ge #endtelugu &
+#telugu gE #endtelugu &
+#telugu gai #endtelugu &
+#telugu go #endtelugu &
+#telugu gO #endtelugu &
+#telugu gau #endtelugu \\ \hline
+\tt gh &
+#telugu gha #endtelugu &
+#telugu ghaa #endtelugu &
+#telugu ghi #endtelugu &
+#telugu ghii #endtelugu &
+#telugu ghu #endtelugu &
+#telugu ghuu #endtelugu &
+#telugu ghR^i #endtelugu &
+#telugu ghR^I #endtelugu &
+#telugu ghL^i #endtelugu &
+#telugu ghL^I #endtelugu &
+#telugu ghe #endtelugu &
+#telugu ghE #endtelugu &
+#telugu ghai #endtelugu &
+#telugu gho #endtelugu &
+#telugu ghO #endtelugu &
+#telugu ghau #endtelugu \\ \hline
+\tt \char`~N &
+#telugu ~Na #endtelugu &
+#telugu ~Naa #endtelugu &
+#telugu ~Ni #endtelugu &
+#telugu ~Nii #endtelugu &
+#telugu ~Nu #endtelugu &
+#telugu ~Nuu #endtelugu &
+#telugu ~NR^i #endtelugu &
+#telugu ~NR^I #endtelugu &
+#telugu ~NL^i #endtelugu &
+#telugu ~NL^I #endtelugu &
+#telugu ~Ne #endtelugu &
+#telugu ~NE #endtelugu &
+#telugu ~Nai #endtelugu &
+#telugu ~No #endtelugu &
+#telugu ~NO #endtelugu &
+#telugu ~Nau #endtelugu \\ \hline
+\tt ch &
+#telugu cha #endtelugu &
+#telugu chaa #endtelugu &
+#telugu chi #endtelugu &
+#telugu chii #endtelugu &
+#telugu chu #endtelugu &
+#telugu chuu #endtelugu &
+#telugu chR^i #endtelugu &
+#telugu chR^I #endtelugu &
+#telugu chL^i #endtelugu &
+#telugu chL^I #endtelugu &
+#telugu che #endtelugu &
+#telugu chE #endtelugu &
+#telugu chai #endtelugu &
+#telugu cho #endtelugu &
+#telugu chO #endtelugu &
+#telugu chau #endtelugu \\ \hline
+\tt ch &
+#telugu Cha #endtelugu &
+#telugu Chaa #endtelugu &
+#telugu Chi #endtelugu &
+#telugu Chii #endtelugu &
+#telugu Chu #endtelugu &
+#telugu Chuu #endtelugu &
+#telugu ChR^i #endtelugu &
+#telugu ChR^I #endtelugu &
+#telugu ChL^i #endtelugu &
+#telugu ChL^I #endtelugu &
+#telugu Che #endtelugu &
+#telugu ChE #endtelugu &
+#telugu Chai #endtelugu &
+#telugu Cho #endtelugu &
+#telugu ChO #endtelugu &
+#telugu Chau #endtelugu \\ \hline
+\tt j &
+#telugu ja #endtelugu &
+#telugu jaa #endtelugu &
+#telugu ji #endtelugu &
+#telugu jii #endtelugu &
+#telugu ju #endtelugu &
+#telugu juu #endtelugu &
+#telugu jR^i #endtelugu &
+#telugu jR^I #endtelugu &
+#telugu jL^i #endtelugu &
+#telugu jL^I #endtelugu &
+#telugu je #endtelugu &
+#telugu jE #endtelugu &
+#telugu jai #endtelugu &
+#telugu jo #endtelugu &
+#telugu jO #endtelugu &
+#telugu jau #endtelugu \\ \hline
+\tt jh &
+#telugu jha #endtelugu &
+#telugu jhaa #endtelugu &
+#telugu jhi #endtelugu &
+#telugu jhii #endtelugu &
+#telugu jhu #endtelugu &
+#telugu jhuu #endtelugu &
+#telugu jhR^i #endtelugu &
+#telugu jhR^I #endtelugu &
+#telugu jhL^i #endtelugu &
+#telugu jhL^I #endtelugu &
+#telugu jhe #endtelugu &
+#telugu jhE #endtelugu &
+#telugu jhai #endtelugu &
+#telugu jho #endtelugu &
+#telugu jhO #endtelugu &
+#telugu jhau #endtelugu \\ \hline
+\tt \char`~n &
+#telugu ~na #endtelugu &
+#telugu ~naa #endtelugu &
+#telugu ~ni #endtelugu &
+#telugu ~nii #endtelugu &
+#telugu ~nu #endtelugu &
+#telugu ~nuu #endtelugu &
+#telugu ~nR^i #endtelugu &
+#telugu ~nR^I #endtelugu &
+#telugu ~nL^i #endtelugu &
+#telugu ~nL^I #endtelugu &
+#telugu ~ne #endtelugu &
+#telugu ~nE #endtelugu &
+#telugu ~nai #endtelugu &
+#telugu ~no #endtelugu &
+#telugu ~nO #endtelugu &
+#telugu ~nau #endtelugu \\ \hline
+\tt T &
+#telugu Ta #endtelugu &
+#telugu Taa #endtelugu &
+#telugu Ti #endtelugu &
+#telugu Tii #endtelugu &
+#telugu Tu #endtelugu &
+#telugu Tuu #endtelugu &
+#telugu TR^i #endtelugu &
+#telugu TR^I #endtelugu &
+#telugu TL^i #endtelugu &
+#telugu TL^I #endtelugu &
+#telugu Te #endtelugu &
+#telugu TE #endtelugu &
+#telugu Tai #endtelugu &
+#telugu To #endtelugu &
+#telugu TO #endtelugu &
+#telugu Tau #endtelugu \\ \hline
+\tt Th &
+#telugu Tha #endtelugu &
+#telugu Thaa #endtelugu &
+#telugu Thi #endtelugu &
+#telugu Thii #endtelugu &
+#telugu Thu #endtelugu &
+#telugu Thuu #endtelugu &
+#telugu ThR^i #endtelugu &
+#telugu ThR^I #endtelugu &
+#telugu ThL^i #endtelugu &
+#telugu ThL^I #endtelugu &
+#telugu The #endtelugu &
+#telugu ThE #endtelugu &
+#telugu Thai #endtelugu &
+#telugu Tho #endtelugu &
+#telugu ThO #endtelugu &
+#telugu Thau #endtelugu \\ \hline
+\tt D &
+#telugu Da #endtelugu &
+#telugu Daa #endtelugu &
+#telugu Di #endtelugu &
+#telugu Dii #endtelugu &
+#telugu Du #endtelugu &
+#telugu Duu #endtelugu &
+#telugu DR^i #endtelugu &
+#telugu DR^I #endtelugu &
+#telugu DL^i #endtelugu &
+#telugu DL^I #endtelugu &
+#telugu De #endtelugu &
+#telugu DE #endtelugu &
+#telugu Dai #endtelugu &
+#telugu Do #endtelugu &
+#telugu DO #endtelugu &
+#telugu Dau #endtelugu \\ \hline
+\tt Dh &
+#telugu Dha #endtelugu &
+#telugu Dhaa #endtelugu &
+#telugu Dhi #endtelugu &
+#telugu Dhii #endtelugu &
+#telugu Dhu #endtelugu &
+#telugu Dhuu #endtelugu &
+#telugu DhR^i #endtelugu &
+#telugu DhR^I #endtelugu &
+#telugu DhL^i #endtelugu &
+#telugu DhL^I #endtelugu &
+#telugu Dhe #endtelugu &
+#telugu DhE #endtelugu &
+#telugu Dhai #endtelugu &
+#telugu Dho #endtelugu &
+#telugu DhO #endtelugu &
+#telugu Dhau #endtelugu \\ \hline
+\tt N &
+#telugu Na #endtelugu &
+#telugu Naa #endtelugu &
+#telugu Ni #endtelugu &
+#telugu Nii #endtelugu &
+#telugu Nu #endtelugu &
+#telugu Nuu #endtelugu &
+#telugu NR^i #endtelugu &
+#telugu NR^I #endtelugu &
+#telugu NL^i #endtelugu &
+#telugu NL^I #endtelugu &
+#telugu Ne #endtelugu &
+#telugu NE #endtelugu &
+#telugu Nai #endtelugu &
+#telugu No #endtelugu &
+#telugu NO #endtelugu &
+#telugu Nau #endtelugu \\ \hline
+\tt t &
+#telugu ta #endtelugu &
+#telugu taa #endtelugu &
+#telugu ti #endtelugu &
+#telugu tii #endtelugu &
+#telugu tu #endtelugu &
+#telugu tuu #endtelugu &
+#telugu tR^i #endtelugu &
+#telugu tR^I #endtelugu &
+#telugu tL^i #endtelugu &
+#telugu tL^I #endtelugu &
+#telugu te #endtelugu &
+#telugu tE #endtelugu &
+#telugu tai #endtelugu &
+#telugu to #endtelugu &
+#telugu tO #endtelugu &
+#telugu tau #endtelugu \\ \hline
+\tt th &
+#telugu tha #endtelugu &
+#telugu thaa #endtelugu &
+#telugu thi #endtelugu &
+#telugu thii #endtelugu &
+#telugu thu #endtelugu &
+#telugu thuu #endtelugu &
+#telugu thR^i #endtelugu &
+#telugu thR^I #endtelugu &
+#telugu thL^i #endtelugu &
+#telugu thL^I #endtelugu &
+#telugu the #endtelugu &
+#telugu thE #endtelugu &
+#telugu thai #endtelugu &
+#telugu tho #endtelugu &
+#telugu thO #endtelugu &
+#telugu thau #endtelugu \\ \hline
+\tt d &
+#telugu da #endtelugu &
+#telugu daa #endtelugu &
+#telugu di #endtelugu &
+#telugu dii #endtelugu &
+#telugu du #endtelugu &
+#telugu duu #endtelugu &
+#telugu dR^i #endtelugu &
+#telugu dR^I #endtelugu &
+#telugu dL^i #endtelugu &
+#telugu dL^I #endtelugu &
+#telugu de #endtelugu &
+#telugu dE #endtelugu &
+#telugu dai #endtelugu &
+#telugu do #endtelugu &
+#telugu dO #endtelugu &
+#telugu dau #endtelugu \\ \hline
+\tt dh &
+#telugu dha #endtelugu &
+#telugu dhaa #endtelugu &
+#telugu dhi #endtelugu &
+#telugu dhii #endtelugu &
+#telugu dhu #endtelugu &
+#telugu dhuu #endtelugu &
+#telugu dhR^i #endtelugu &
+#telugu dhR^I #endtelugu &
+#telugu dhL^i #endtelugu &
+#telugu dhL^I #endtelugu &
+#telugu dhe #endtelugu &
+#telugu dhE #endtelugu &
+#telugu dhai #endtelugu &
+#telugu dho #endtelugu &
+#telugu dhO #endtelugu &
+#telugu dhau #endtelugu \\ \hline
+\tt n &
+#telugu na #endtelugu &
+#telugu naa #endtelugu &
+#telugu ni #endtelugu &
+#telugu nii #endtelugu &
+#telugu nu #endtelugu &
+#telugu nuu #endtelugu &
+#telugu nR^i #endtelugu &
+#telugu nR^I #endtelugu &
+#telugu nL^i #endtelugu &
+#telugu nL^I #endtelugu &
+#telugu ne #endtelugu &
+#telugu nE #endtelugu &
+#telugu nai #endtelugu &
+#telugu no #endtelugu &
+#telugu nO #endtelugu &
+#telugu nau #endtelugu \\ \hline
+\tt p &
+#telugu pa #endtelugu &
+#telugu paa #endtelugu &
+#telugu pi #endtelugu &
+#telugu pii #endtelugu &
+#telugu pu #endtelugu &
+#telugu puu #endtelugu &
+#telugu pR^i #endtelugu &
+#telugu pR^I #endtelugu &
+#telugu pL^i #endtelugu &
+#telugu pL^I #endtelugu &
+#telugu pe #endtelugu &
+#telugu pE #endtelugu &
+#telugu pai #endtelugu &
+#telugu po #endtelugu &
+#telugu pO #endtelugu &
+#telugu pau #endtelugu \\ \hline
+\tt ph &
+#telugu pha #endtelugu &
+#telugu phaa #endtelugu &
+#telugu phi #endtelugu &
+#telugu phii #endtelugu &
+#telugu phu #endtelugu &
+#telugu phuu #endtelugu &
+#telugu phR^i #endtelugu &
+#telugu phR^I #endtelugu &
+#telugu phL^i #endtelugu &
+#telugu phL^I #endtelugu &
+#telugu phe #endtelugu &
+#telugu phE #endtelugu &
+#telugu phai #endtelugu &
+#telugu pho #endtelugu &
+#telugu phO #endtelugu &
+#telugu phau #endtelugu \\ \hline
+\tt b &
+#telugu ba #endtelugu &
+#telugu baa #endtelugu &
+#telugu bi #endtelugu &
+#telugu bii #endtelugu &
+#telugu bu #endtelugu &
+#telugu buu #endtelugu &
+#telugu bR^i #endtelugu &
+#telugu bR^I #endtelugu &
+#telugu bL^i #endtelugu &
+#telugu bL^I #endtelugu &
+#telugu be #endtelugu &
+#telugu bE #endtelugu &
+#telugu bai #endtelugu &
+#telugu bo #endtelugu &
+#telugu bO #endtelugu &
+#telugu bau #endtelugu \\ \hline
+\tt bh &
+#telugu bha #endtelugu &
+#telugu bhaa #endtelugu &
+#telugu bhi #endtelugu &
+#telugu bhii #endtelugu &
+#telugu bhu #endtelugu &
+#telugu bhuu #endtelugu &
+#telugu bhR^i #endtelugu &
+#telugu bhR^I #endtelugu &
+#telugu bhL^i #endtelugu &
+#telugu bhL^I #endtelugu &
+#telugu bhe #endtelugu &
+#telugu bhE #endtelugu &
+#telugu bhai #endtelugu &
+#telugu bho #endtelugu &
+#telugu bhO #endtelugu &
+#telugu bhau #endtelugu \\ \hline
+\tt m &
+#telugu ma #endtelugu &
+#telugu maa #endtelugu &
+#telugu mi #endtelugu &
+#telugu mii #endtelugu &
+#telugu mu #endtelugu &
+#telugu muu #endtelugu &
+#telugu mR^i #endtelugu &
+#telugu mR^I #endtelugu &
+#telugu mL^i #endtelugu &
+#telugu mL^I #endtelugu &
+#telugu me #endtelugu &
+#telugu mE #endtelugu &
+#telugu mai #endtelugu &
+#telugu mo #endtelugu &
+#telugu mO #endtelugu &
+#telugu mau #endtelugu \\ \hline
+\tt y &
+#telugu ya #endtelugu &
+#telugu yaa #endtelugu &
+#telugu yi #endtelugu &
+#telugu yii #endtelugu &
+#telugu yu #endtelugu &
+#telugu yuu #endtelugu &
+#telugu yR^i #endtelugu &
+#telugu yR^I #endtelugu &
+#telugu yL^i #endtelugu &
+#telugu yL^I #endtelugu &
+#telugu ye #endtelugu &
+#telugu yE #endtelugu &
+#telugu yai #endtelugu &
+#telugu yo #endtelugu &
+#telugu yO #endtelugu &
+#telugu yau #endtelugu \\ \hline
+\tt r &
+#telugu ra #endtelugu &
+#telugu raa #endtelugu &
+#telugu ri #endtelugu &
+#telugu rii #endtelugu &
+#telugu ru #endtelugu &
+#telugu ruu #endtelugu &
+#telugu rR^i #endtelugu &
+#telugu rR^I #endtelugu &
+#telugu rL^i #endtelugu &
+#telugu rL^I #endtelugu &
+#telugu re #endtelugu &
+#telugu rE #endtelugu &
+#telugu rai #endtelugu &
+#telugu ro #endtelugu &
+#telugu rO #endtelugu &
+#telugu rau #endtelugu \\ \hline
+\tt R &
+#telugu Ra #endtelugu &
+#telugu Raa #endtelugu &
+#telugu Ri #endtelugu &
+#telugu Rii #endtelugu &
+#telugu Ru #endtelugu &
+#telugu Ruu #endtelugu &
+#telugu RR^i #endtelugu &
+#telugu RR^I #endtelugu &
+#telugu RL^i #endtelugu &
+#telugu RL^I #endtelugu &
+#telugu Re #endtelugu &
+#telugu RE #endtelugu &
+#telugu Rai #endtelugu &
+#telugu Ro #endtelugu &
+#telugu RO #endtelugu &
+#telugu Rau #endtelugu \\ \hline
+\tt l &
+#telugu la #endtelugu &
+#telugu laa #endtelugu &
+#telugu li #endtelugu &
+#telugu lii #endtelugu &
+#telugu lu #endtelugu &
+#telugu luu #endtelugu &
+#telugu lR^i #endtelugu &
+#telugu lR^I #endtelugu &
+#telugu lL^i #endtelugu &
+#telugu lL^I #endtelugu &
+#telugu le #endtelugu &
+#telugu lE #endtelugu &
+#telugu lai #endtelugu &
+#telugu lo #endtelugu &
+#telugu lO #endtelugu &
+#telugu lau #endtelugu \\ \hline
+\tt v &
+#telugu va #endtelugu &
+#telugu vaa #endtelugu &
+#telugu vi #endtelugu &
+#telugu vii #endtelugu &
+#telugu vu #endtelugu &
+#telugu vuu #endtelugu &
+#telugu vR^i #endtelugu &
+#telugu vR^I #endtelugu &
+#telugu vL^i #endtelugu &
+#telugu vL^I #endtelugu &
+#telugu ve #endtelugu &
+#telugu vE #endtelugu &
+#telugu vai #endtelugu &
+#telugu vo #endtelugu &
+#telugu vO #endtelugu &
+#telugu vau #endtelugu \\ \hline
+\tt sh &
+#telugu sha #endtelugu &
+#telugu shaa #endtelugu &
+#telugu shi #endtelugu &
+#telugu shii #endtelugu &
+#telugu shu #endtelugu &
+#telugu shuu #endtelugu &
+#telugu shR^i #endtelugu &
+#telugu shR^I #endtelugu &
+#telugu shL^i #endtelugu &
+#telugu shL^I #endtelugu &
+#telugu she #endtelugu &
+#telugu shE #endtelugu &
+#telugu shai #endtelugu &
+#telugu sho #endtelugu &
+#telugu shO #endtelugu &
+#telugu shau #endtelugu \\ \hline
+\tt Sh &
+#telugu Sha #endtelugu &
+#telugu Shaa #endtelugu &
+#telugu Shi #endtelugu &
+#telugu Shii #endtelugu &
+#telugu Shu #endtelugu &
+#telugu Shuu #endtelugu &
+#telugu ShR^i #endtelugu &
+#telugu ShR^I #endtelugu &
+#telugu ShL^i #endtelugu &
+#telugu ShL^I #endtelugu &
+#telugu She #endtelugu &
+#telugu ShE #endtelugu &
+#telugu Shai #endtelugu &
+#telugu Sho #endtelugu &
+#telugu ShO #endtelugu &
+#telugu Shau #endtelugu \\ \hline
+\tt s &
+#telugu sa #endtelugu &
+#telugu saa #endtelugu &
+#telugu si #endtelugu &
+#telugu sii #endtelugu &
+#telugu su #endtelugu &
+#telugu suu #endtelugu &
+#telugu sR^i #endtelugu &
+#telugu sR^I #endtelugu &
+#telugu sL^i #endtelugu &
+#telugu sL^I #endtelugu &
+#telugu se #endtelugu &
+#telugu sE #endtelugu &
+#telugu sai #endtelugu &
+#telugu so #endtelugu &
+#telugu sO #endtelugu &
+#telugu sau #endtelugu \\ \hline
+\tt h &
+#telugu ha #endtelugu &
+#telugu haa #endtelugu &
+#telugu hi #endtelugu &
+#telugu hii #endtelugu &
+#telugu hu #endtelugu &
+#telugu huu #endtelugu &
+#telugu hR^i #endtelugu &
+#telugu hR^I #endtelugu &
+#telugu hL^i #endtelugu &
+#telugu hL^I #endtelugu &
+#telugu he #endtelugu &
+#telugu hE #endtelugu &
+#telugu hai #endtelugu &
+#telugu ho #endtelugu &
+#telugu hO #endtelugu &
+#telugu hau #endtelugu \\ \hline
+\tt ld &
+#telugu lda #endtelugu &
+#telugu ldaa #endtelugu &
+#telugu ldi #endtelugu &
+#telugu ldii #endtelugu &
+#telugu ldu #endtelugu &
+#telugu lduu #endtelugu &
+#telugu ldR^i #endtelugu &
+#telugu ldR^I #endtelugu &
+#telugu ldL^i #endtelugu &
+#telugu ldL^I #endtelugu &
+#telugu lde #endtelugu &
+#telugu ldE #endtelugu &
+#telugu ldai #endtelugu &
+#telugu ldo #endtelugu &
+#telugu ldO #endtelugu &
+#telugu ldau #endtelugu \\ \hline
+\tt kSh &
+#telugu kSha #endtelugu &
+#telugu kShaa #endtelugu &
+#telugu kShi #endtelugu &
+#telugu kShii #endtelugu &
+#telugu kShu #endtelugu &
+#telugu kShuu #endtelugu &
+#telugu kShR^i #endtelugu &
+#telugu kShR^I #endtelugu &
+#telugu kShL^i #endtelugu &
+#telugu kShL^I #endtelugu &
+#telugu kShe #endtelugu &
+#telugu kShE #endtelugu &
+#telugu kShai #endtelugu &
+#telugu kSho #endtelugu &
+#telugu kShO #endtelugu &
+#telugu kShau #endtelugu \\ \hline
+\end{tabular}
+\end{makeimage}
+\vspace{0.10in}
+\end{center}
+} % end vbox
+\caption {\bf Telugu Consonants with their Vowel Forms.}
+\label{fig3}
+\end{table}
+
+\end{comment} %---------- NO NEED TO INCLUDE THE CONSONANTS-VOWELS TABLE
+%-------------------------------------------------------------------------
diff --git a/Master/texmf-dist/doc/fonts/iwona/00readme.eng b/Master/texmf-dist/doc/fonts/iwona/00readme.eng
new file mode 100644
index 00000000000..2892abbfac9
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/iwona/00readme.eng
@@ -0,0 +1,40 @@
+Font: Iwona
+Designer of the Kurier typeface: Ma\l{}gorzata Budyta, Warszawa, Poland.
+Author of the Iwona font: Janusz Marian Nowacki, Grudzi\k{a}dz, Poland.
+Version: 0.92
+Date: 05.10.2005
+License:
+ % Copyright 1998-2005 Janusz M. Nowacki.
+ % This work is released under the GUST Font Nosource License
+ % -- see GUST-FONT-NOSOURCE-LICENSE.txt
+ % This work has the LPPL maintenance status "maintained".
+ % The Current Maintainer of this work is Janusz M. Nowacki.
+ % This work consists of the files listed in the MANIFEST.txt file.
+
+Iwona is a two-element sans-serif typeface. It was created as an alternative
+version of the Kurier typeface, which was designed in 1975 for a diploma
+in typeface design at the Warsaw Academy of Fine Arts under the supervision
+of Roman Tomaszewski.
+
+Kurier was designed for linotype typesetting of newspapers and similar
+periodicals. The Iwona fonts are an alternative version of the Kurier fonts.
+The difference lies in the absence of ink traps which typify the Kurier font.
+
+This distribution contains a significantly extended set of characters covering
+the following modern alphabets: latin (including Vietnamese), cyrillic and
+greek as well as a number of additional symbols (including mathematical
+symbols). The fonts are prepared in Type 1 and OpenType formats. For use
+with TeX the following encoding files have been prepared: T1 (ec), T2 (abc),
+and OT2 -- cirilic, T5 (Vietnamese), OT4, QX, texansi and nonstandard (IL2
+for the Czech fonts), as well as supporting macros and files defining fonts
+for LaTeX. The doc/fonts/iwona folder contains examples for plain TeX as well
+as for LaTeX and an example of typesetting mathematics.
+
+History:
+Version 0.9 was presented at the Polish TeX Users Group conference
+BachoTeX'2005, Bachotek, May 2005.
+
+Version 0.92 incorporates changes resulting from remarks and proposals
+received from several contributors.
+
+http://www.janusz.nowacki.strefa.pl/iwona
diff --git a/Master/texmf-dist/doc/fonts/iwona/00readme.pol b/Master/texmf-dist/doc/fonts/iwona/00readme.pol
new file mode 100644
index 00000000000..54b8830ee75
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/iwona/00readme.pol
@@ -0,0 +1,44 @@
+% --- iso8859-2 ---
+Font: Iwona
+Autor czcionek Kurier: Małgorzata Budyta, Warszawa
+Autor fontów Iwona: Janusz Marian Nowacki, Grudziądz
+Wersja: 0.92
+Data: 05.10.2005
+Licencja:
+License:
+ % Copyright 1998-2005 Janusz M. Nowacki.
+ % This work is released under the GUST Font Nosource License
+ % -- see GUST-FONT-NOSOURCE-LICENSE.txt
+ % This work has the LPPL maintenance status "maintained".
+ % The Current Maintainer of this work is Janusz M. Nowacki.
+ % This work consists of the files listed in the MANIFEST.txt file.
+
+Iwona jest dwuelementową czcionką bezszeryfową. Powstała jako
+alternatywna wersja czcionek Kurier, które były pracą dyplomową
+z liternictwa drukarskiego na warszawskiej Akademii Sztuk
+Pięknych, pod okiem Romana Tomaszewskiego w~1975 roku.
+
+Kurier powstawał jako pismo przeznaczone dla gazet i innej prasy
+do składania techniką linotypową. Fonty Iwona są alternatywną wersją
+fontów Kurier. Różnią się brakiem charakterystycznych dla Kuriera
+pułapek farbowych. Zainteresowanych rekonstrukcją oryginalnych czcionek
+Kurier odsyłam do http://www.janusz.nowacki.strefa.pl/kurier
+
+Niniejsza dystrybucja zawiera znacznie poszerzony zestaw znaków,
+uwzględniający współczesne alfabety: łacińskie (w tym wietnamski),
+cyryliczne, grecki oraz dodatkowe symbole (w tym matematyczne).
+Fonty udostępniono w formatach Type 1 oraz OpenType. Dla wykorzystania
+w systemie TeX przygotowano odpowiednie pliki przekodowań: T1 (ec),
+T2(abc) i OT2 -- cyryliczne, T5 (wietnamski), OT4, QX, texnansi oraz
+niestandardowych (IL2 dla fontów czeskich), jak też wparcie
+w postaci odpowiednich makr i plików definiujących fonty dla LaTeX-a.
+W katalogu doc/fonts/iwona/ zawarto kilka przykładów zarówno dla plain
+TeX, jak i LaTeX-a, a także przykład składu matematycznego.
+
+Historia:
+Wersja 0.9 została zaprezentowana podczas konferencji Grupy
+Użytkowników Systemu TeX w Polsce -- BachoTeX-2005, w maju 2005 r.
+
+Wersja 0.92 uwzględnia zgłoszone uwagi i propozycje.
+
+http://www.janusz.nowacki.strefa.pl/kurier
diff --git a/Master/texmf-dist/doc/fonts/iwona/GUST-FONT-NOSOURCE-LICENSE.txt b/Master/texmf-dist/doc/fonts/iwona/GUST-FONT-NOSOURCE-LICENSE.txt
new file mode 100644
index 00000000000..f083e558b5e
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/iwona/GUST-FONT-NOSOURCE-LICENSE.txt
@@ -0,0 +1,33 @@
+%%% This is a preliminary version, barring acceptance from the LaTeX
+%%% Project Team and other feedback, of the GUST Font Nosource License.
+%%% This licence is for use with free fonts distributed without source code,
+%%% e.g., fonts created with visual tools.
+%%%
+%%% For the most recent version of this license see
+%%% http://www.gust.org.pl/fonts/licenses/GUST-FONT-NOSOURCE-LICENSE.txt or
+%%% http://tug.org/fonts/licenses/GUST-FONT-NOSOURCE-LICENSE.txt
+%
+% This work may be distributed and/or modified under the
+% conditions of the LaTeX Project Public License, either version 1.3a
+% of this license or (at your option) any later version provided that
+% the following additional clauses will be observed:
+%
+% 1) As there is no universally relevant concept of source files,
+% no distinction is made between "Work" and "Compiled Work";
+% hence, the relevant clauses of the
+% LaTeX Project Public License should be interpreted accordingly.
+% 2) Due to the nature of fonts, clause 6a of the LaTeX Project
+% Public License, version 1.3a, does not apply. A later version of
+% the LaTeX Project Public License may number or word this clause
+% differently; it is the substance that is important.
+% 3) It is requested, but not legally required, that derived works be
+% distributed only after changing the names of the fonts comprising
+% this work and given in the accompanying file MANIFEST.txt, and that
+% the files comprising the Work, as listed in MANIFEST.txt also be
+% given new names. Any exceptions to this request are also
+% given in MANIFEST.txt.
+%
+% The latest version of the LaTeX Project Public License is in
+% http://www.latex-project.org/lppl.txt
+% and version 1.3a or later is part of all distributions of LaTeX
+% version 2004/10/01 or later.
diff --git a/Master/texmf-dist/doc/fonts/iwona/MANIFEST.txt b/Master/texmf-dist/doc/fonts/iwona/MANIFEST.txt
new file mode 100644
index 00000000000..5ea13a4f54d
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/iwona/MANIFEST.txt
@@ -0,0 +1,616 @@
+%% Font names whose should be changed in derived works as requested
+%% in clause 3 of GUST-FONT-NOSOURCE-LICENSE.txt
+Iwona
+
+%% Files whose names should be changed in derived works as requested
+%% in clause 3 of GUST-FONT-NOSOURCE-LICENSE.txt
+
+doc/fonts/iwona:
+iwona-latex-cyr.tex
+iwona-latex-math.tex
+iwona-latex-pl.tex
+iwona-latex-t2a.tex
+iwona-latex-t5.tex
+iwona-mathtest.tex
+iwona-table.tex
+
+fonts/afm/public/iwona:
+iwonab.afm
+iwonabi.afm
+iwonacb.afm
+iwonacbi.afm
+iwonach.afm
+iwonachi.afm
+iwonacl.afm
+iwonacli.afm
+iwonacm.afm
+iwonacmi.afm
+iwonacr.afm
+iwonacri.afm
+iwonah.afm
+iwonahi.afm
+iwonal.afm
+iwonali.afm
+iwonam.afm
+iwonami.afm
+iwonar.afm
+iwonari.afm
+
+fonts/enc/dvips/iwona:
+iwona-cs.enc
+iwona-ec.enc
+iwona-el.enc
+iwona-ex.enc
+iwona-exp.enc
+iwona-greek.enc
+iwona-mi.enc
+iwona-qx.enc
+iwona-rm.enc
+iwona-sy.enc
+iwona-t2a.enc
+iwona-t2b.enc
+iwona-t2c.enc
+iwona-t5.enc
+iwona-texnansi.enc
+iwona-ts1.enc
+iwona-wncy.enc
+iwonacap-cs.enc
+iwonacap-ec.enc
+iwonacap-qx.enc
+iwonacap-t5.enc
+iwonacap-texnansi.enc
+
+fonts/map/dvips/iwona:
+iwona-cs.map
+iwona-ec.map
+iwona-el.map
+iwona-ex.map
+iwona-exp.map
+iwona-greek.map
+iwona-mi.map
+iwona-qx.map
+iwona-rm.map
+iwona-sy.map
+iwona-t2a.map
+iwona-t2b.map
+iwona-t2c.map
+iwona-t5.map
+iwona-texnansi.map
+iwona-ts1.map
+iwona-wncy.map
+iwona.map
+
+fonts/opentype/public/iwona:
+Iwona-Bold.otf
+Iwona-BoldItalic.otf
+Iwona-Italic.otf
+Iwona-Regular.otf
+IwonaCond-Bold.otf
+IwonaCond-BoldItalic.otf
+IwonaCond-Italic.otf
+IwonaCond-Regular.otf
+IwonaCondHeavy-Italic.otf
+IwonaCondHeavy-Regular.otf
+IwonaCondLight-Italic.otf
+IwonaCondLight-Regular.otf
+IwonaCondMedium-Italic.otf
+IwonaCondMedium-Regular.otf
+IwonaHeavy-Italic.otf
+IwonaHeavy-Regular.otf
+IwonaLight-Italic.otf
+IwonaLight-Regular.otf
+IwonaMedium-Italic.otf
+IwonaMedium-Regular.otf
+
+fonts/tfm/public/iwona:
+cs-iwonab.tfm
+cs-iwonabcap.tfm
+cs-iwonabi.tfm
+cs-iwonabicap.tfm
+cs-iwonacb.tfm
+cs-iwonacbcap.tfm
+cs-iwonacbi.tfm
+cs-iwonacbicap.tfm
+cs-iwonach.tfm
+cs-iwonachcap.tfm
+cs-iwonachi.tfm
+cs-iwonachicap.tfm
+cs-iwonacl.tfm
+cs-iwonaclcap.tfm
+cs-iwonacli.tfm
+cs-iwonaclicap.tfm
+cs-iwonacm.tfm
+cs-iwonacmcap.tfm
+cs-iwonacmi.tfm
+cs-iwonacmicap.tfm
+cs-iwonacr.tfm
+cs-iwonacrcap.tfm
+cs-iwonacri.tfm
+cs-iwonacricap.tfm
+cs-iwonah.tfm
+cs-iwonahcap.tfm
+cs-iwonahi.tfm
+cs-iwonahicap.tfm
+cs-iwonal.tfm
+cs-iwonalcap.tfm
+cs-iwonali.tfm
+cs-iwonalicap.tfm
+cs-iwonam.tfm
+cs-iwonamcap.tfm
+cs-iwonami.tfm
+cs-iwonamicap.tfm
+cs-iwonar.tfm
+cs-iwonarcap.tfm
+cs-iwonari.tfm
+cs-iwonaricap.tfm
+ec-iwonab.tfm
+ec-iwonabcap.tfm
+ec-iwonabi.tfm
+ec-iwonabicap.tfm
+ec-iwonacb.tfm
+ec-iwonacbcap.tfm
+ec-iwonacbi.tfm
+ec-iwonacbicap.tfm
+ec-iwonach.tfm
+ec-iwonachcap.tfm
+ec-iwonachi.tfm
+ec-iwonachicap.tfm
+ec-iwonacl.tfm
+ec-iwonaclcap.tfm
+ec-iwonacli.tfm
+ec-iwonaclicap.tfm
+ec-iwonacm.tfm
+ec-iwonacmcap.tfm
+ec-iwonacmi.tfm
+ec-iwonacmicap.tfm
+ec-iwonacr.tfm
+ec-iwonacrcap.tfm
+ec-iwonacri.tfm
+ec-iwonacricap.tfm
+ec-iwonah.tfm
+ec-iwonahcap.tfm
+ec-iwonahi.tfm
+ec-iwonahicap.tfm
+ec-iwonal.tfm
+ec-iwonalcap.tfm
+ec-iwonali.tfm
+ec-iwonalicap.tfm
+ec-iwonam.tfm
+ec-iwonamcap.tfm
+ec-iwonami.tfm
+ec-iwonamicap.tfm
+ec-iwonar.tfm
+ec-iwonarcap.tfm
+ec-iwonari.tfm
+ec-iwonaricap.tfm
+el-iwonab.tfm
+el-iwonabi.tfm
+el-iwonacb.tfm
+el-iwonacbi.tfm
+el-iwonach.tfm
+el-iwonachi.tfm
+el-iwonacl.tfm
+el-iwonacli.tfm
+el-iwonacm.tfm
+el-iwonacmi.tfm
+el-iwonacr.tfm
+el-iwonacri.tfm
+el-iwonah.tfm
+el-iwonahi.tfm
+el-iwonal.tfm
+el-iwonali.tfm
+el-iwonam.tfm
+el-iwonami.tfm
+el-iwonar.tfm
+el-iwonari.tfm
+ex-iwonab.tfm
+ex-iwonacb.tfm
+ex-iwonach.tfm
+ex-iwonacl.tfm
+ex-iwonacm.tfm
+ex-iwonacr.tfm
+ex-iwonah.tfm
+ex-iwonal.tfm
+ex-iwonam.tfm
+ex-iwonar.tfm
+exp-iwonab.tfm
+exp-iwonabi.tfm
+exp-iwonacb.tfm
+exp-iwonacbi.tfm
+exp-iwonach.tfm
+exp-iwonachi.tfm
+exp-iwonacl.tfm
+exp-iwonacli.tfm
+exp-iwonacm.tfm
+exp-iwonacmi.tfm
+exp-iwonacr.tfm
+exp-iwonacri.tfm
+exp-iwonah.tfm
+exp-iwonahi.tfm
+exp-iwonal.tfm
+exp-iwonali.tfm
+exp-iwonam.tfm
+exp-iwonami.tfm
+exp-iwonar.tfm
+exp-iwonari.tfm
+greek-iwonab.tfm
+greek-iwonabi.tfm
+greek-iwonacb.tfm
+greek-iwonacbi.tfm
+greek-iwonach.tfm
+greek-iwonachi.tfm
+greek-iwonacl.tfm
+greek-iwonacli.tfm
+greek-iwonacm.tfm
+greek-iwonacmi.tfm
+greek-iwonacr.tfm
+greek-iwonacri.tfm
+greek-iwonah.tfm
+greek-iwonahi.tfm
+greek-iwonal.tfm
+greek-iwonali.tfm
+greek-iwonam.tfm
+greek-iwonami.tfm
+greek-iwonar.tfm
+greek-iwonari.tfm
+mi-iwonabi.tfm
+mi-iwonacbi.tfm
+mi-iwonachi.tfm
+mi-iwonacli.tfm
+mi-iwonacmi.tfm
+mi-iwonacri.tfm
+mi-iwonahi.tfm
+mi-iwonali.tfm
+mi-iwonami.tfm
+mi-iwonari.tfm
+qx-iwonab.tfm
+qx-iwonabcap.tfm
+qx-iwonabi.tfm
+qx-iwonabicap.tfm
+qx-iwonacb.tfm
+qx-iwonacbcap.tfm
+qx-iwonacbi.tfm
+qx-iwonacbicap.tfm
+qx-iwonach.tfm
+qx-iwonachcap.tfm
+qx-iwonachi.tfm
+qx-iwonachicap.tfm
+qx-iwonacl.tfm
+qx-iwonaclcap.tfm
+qx-iwonacli.tfm
+qx-iwonaclicap.tfm
+qx-iwonacm.tfm
+qx-iwonacmcap.tfm
+qx-iwonacmi.tfm
+qx-iwonacmicap.tfm
+qx-iwonacr.tfm
+qx-iwonacrcap.tfm
+qx-iwonacri.tfm
+qx-iwonacricap.tfm
+qx-iwonah.tfm
+qx-iwonahcap.tfm
+qx-iwonahi.tfm
+qx-iwonahicap.tfm
+qx-iwonal.tfm
+qx-iwonalcap.tfm
+qx-iwonali.tfm
+qx-iwonalicap.tfm
+qx-iwonam.tfm
+qx-iwonamcap.tfm
+qx-iwonami.tfm
+qx-iwonamicap.tfm
+qx-iwonar.tfm
+qx-iwonarcap.tfm
+qx-iwonari.tfm
+qx-iwonaricap.tfm
+rm-iwonab.tfm
+rm-iwonabi.tfm
+rm-iwonacb.tfm
+rm-iwonacbi.tfm
+rm-iwonach.tfm
+rm-iwonachi.tfm
+rm-iwonacl.tfm
+rm-iwonacli.tfm
+rm-iwonacm.tfm
+rm-iwonacmi.tfm
+rm-iwonacr.tfm
+rm-iwonacri.tfm
+rm-iwonah.tfm
+rm-iwonahi.tfm
+rm-iwonal.tfm
+rm-iwonali.tfm
+rm-iwonam.tfm
+rm-iwonami.tfm
+rm-iwonar.tfm
+rm-iwonari.tfm
+sy-iwonabz.tfm
+sy-iwonacbz.tfm
+sy-iwonachz.tfm
+sy-iwonaclz.tfm
+sy-iwonacmz.tfm
+sy-iwonacrz.tfm
+sy-iwonahz.tfm
+sy-iwonalz.tfm
+sy-iwonamz.tfm
+sy-iwonarz.tfm
+t2a-iwonab.tfm
+t2a-iwonabi.tfm
+t2a-iwonacb.tfm
+t2a-iwonacbi.tfm
+t2a-iwonach.tfm
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+t2a-iwonacl.tfm
+t2a-iwonacli.tfm
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+t2a-iwonacri.tfm
+t2a-iwonah.tfm
+t2a-iwonahi.tfm
+t2a-iwonal.tfm
+t2a-iwonali.tfm
+t2a-iwonam.tfm
+t2a-iwonami.tfm
+t2a-iwonar.tfm
+t2a-iwonari.tfm
+t2b-iwonab.tfm
+t2b-iwonabi.tfm
+t2b-iwonacb.tfm
+t2b-iwonacbi.tfm
+t2b-iwonach.tfm
+t2b-iwonachi.tfm
+t2b-iwonacl.tfm
+t2b-iwonacli.tfm
+t2b-iwonacm.tfm
+t2b-iwonacmi.tfm
+t2b-iwonacr.tfm
+t2b-iwonacri.tfm
+t2b-iwonah.tfm
+t2b-iwonahi.tfm
+t2b-iwonal.tfm
+t2b-iwonali.tfm
+t2b-iwonam.tfm
+t2b-iwonami.tfm
+t2b-iwonar.tfm
+t2b-iwonari.tfm
+t2c-iwonab.tfm
+t2c-iwonabi.tfm
+t2c-iwonacb.tfm
+t2c-iwonacbi.tfm
+t2c-iwonach.tfm
+t2c-iwonachi.tfm
+t2c-iwonacl.tfm
+t2c-iwonacli.tfm
+t2c-iwonacm.tfm
+t2c-iwonacmi.tfm
+t2c-iwonacr.tfm
+t2c-iwonacri.tfm
+t2c-iwonah.tfm
+t2c-iwonahi.tfm
+t2c-iwonal.tfm
+t2c-iwonali.tfm
+t2c-iwonam.tfm
+t2c-iwonami.tfm
+t2c-iwonar.tfm
+t2c-iwonari.tfm
+t5-iwonab.tfm
+t5-iwonabcap.tfm
+t5-iwonabi.tfm
+t5-iwonabicap.tfm
+t5-iwonacb.tfm
+t5-iwonacbcap.tfm
+t5-iwonacbi.tfm
+t5-iwonacbicap.tfm
+t5-iwonach.tfm
+t5-iwonachcap.tfm
+t5-iwonachi.tfm
+t5-iwonachicap.tfm
+t5-iwonacl.tfm
+t5-iwonaclcap.tfm
+t5-iwonacli.tfm
+t5-iwonaclicap.tfm
+t5-iwonacm.tfm
+t5-iwonacmcap.tfm
+t5-iwonacmi.tfm
+t5-iwonacmicap.tfm
+t5-iwonacr.tfm
+t5-iwonacrcap.tfm
+t5-iwonacri.tfm
+t5-iwonacricap.tfm
+t5-iwonah.tfm
+t5-iwonahcap.tfm
+t5-iwonahi.tfm
+t5-iwonahicap.tfm
+t5-iwonal.tfm
+t5-iwonalcap.tfm
+t5-iwonali.tfm
+t5-iwonalicap.tfm
+t5-iwonam.tfm
+t5-iwonamcap.tfm
+t5-iwonami.tfm
+t5-iwonamicap.tfm
+t5-iwonar.tfm
+t5-iwonarcap.tfm
+t5-iwonari.tfm
+t5-iwonaricap.tfm
+texnansi-iwonab.tfm
+texnansi-iwonabcap.tfm
+texnansi-iwonabi.tfm
+texnansi-iwonabicap.tfm
+texnansi-iwonacb.tfm
+texnansi-iwonacbcap.tfm
+texnansi-iwonacbi.tfm
+texnansi-iwonacbicap.tfm
+texnansi-iwonach.tfm
+texnansi-iwonachcap.tfm
+texnansi-iwonachi.tfm
+texnansi-iwonachicap.tfm
+texnansi-iwonacl.tfm
+texnansi-iwonaclcap.tfm
+texnansi-iwonacli.tfm
+texnansi-iwonaclicap.tfm
+texnansi-iwonacm.tfm
+texnansi-iwonacmcap.tfm
+texnansi-iwonacmi.tfm
+texnansi-iwonacmicap.tfm
+texnansi-iwonacr.tfm
+texnansi-iwonacrcap.tfm
+texnansi-iwonacri.tfm
+texnansi-iwonacricap.tfm
+texnansi-iwonah.tfm
+texnansi-iwonahcap.tfm
+texnansi-iwonahi.tfm
+texnansi-iwonahicap.tfm
+texnansi-iwonal.tfm
+texnansi-iwonalcap.tfm
+texnansi-iwonali.tfm
+texnansi-iwonalicap.tfm
+texnansi-iwonam.tfm
+texnansi-iwonamcap.tfm
+texnansi-iwonami.tfm
+texnansi-iwonamicap.tfm
+texnansi-iwonar.tfm
+texnansi-iwonarcap.tfm
+texnansi-iwonari.tfm
+texnansi-iwonaricap.tfm
+ts1-iwonab.tfm
+ts1-iwonabi.tfm
+ts1-iwonacb.tfm
+ts1-iwonacbi.tfm
+ts1-iwonach.tfm
+ts1-iwonachi.tfm
+ts1-iwonacl.tfm
+ts1-iwonacli.tfm
+ts1-iwonacm.tfm
+ts1-iwonacmi.tfm
+ts1-iwonacr.tfm
+ts1-iwonacri.tfm
+ts1-iwonah.tfm
+ts1-iwonahi.tfm
+ts1-iwonal.tfm
+ts1-iwonali.tfm
+ts1-iwonam.tfm
+ts1-iwonami.tfm
+ts1-iwonar.tfm
+ts1-iwonari.tfm
+wncy-iwonab.tfm
+wncy-iwonabi.tfm
+wncy-iwonacb.tfm
+wncy-iwonacbi.tfm
+wncy-iwonach.tfm
+wncy-iwonachi.tfm
+wncy-iwonacl.tfm
+wncy-iwonacli.tfm
+wncy-iwonacm.tfm
+wncy-iwonacmi.tfm
+wncy-iwonacr.tfm
+wncy-iwonacri.tfm
+wncy-iwonah.tfm
+wncy-iwonahi.tfm
+wncy-iwonal.tfm
+wncy-iwonali.tfm
+wncy-iwonam.tfm
+wncy-iwonami.tfm
+wncy-iwonar.tfm
+wncy-iwonari.tfm
+
+fonts/type1/public/iwona:
+iwonab.pfb
+iwonabi.pfb
+iwonacb.pfb
+iwonacbi.pfb
+iwonach.pfb
+iwonachi.pfb
+iwonacl.pfb
+iwonacli.pfb
+iwonacm.pfb
+iwonacmi.pfb
+iwonacr.pfb
+iwonacri.pfb
+iwonah.pfb
+iwonahi.pfb
+iwonal.pfb
+iwonali.pfb
+iwonam.pfb
+iwonami.pfb
+iwonar.pfb
+iwonari.pfb
+
+tex/latex/iwona/
+il2iwona.fd
+il2iwonac.fd
+il2iwonal.fd
+il2iwonalc.fd
+iwona.sty
+ly1iwona.fd
+ly1iwonac.fd
+ly1iwonal.fd
+ly1iwonalc.fd
+omliwona.fd
+omliwonac.fd
+omliwonal.fd
+omliwonalc.fd
+omsiwona.fd
+omsiwonac.fd
+omsiwonal.fd
+omsiwonalc.fd
+omxiwona.fd
+omxiwonac.fd
+omxiwonal.fd
+omxiwonalc.fd
+ot1iwona.fd
+ot1iwonac.fd
+ot1iwonacm.fd
+ot1iwonal.fd
+ot1iwonalc.fd
+ot1iwonalcm.fd
+ot1iwonalm.fd
+ot1iwonam.fd
+ot2iwona.fd
+ot2iwonac.fd
+ot2iwonal.fd
+ot2iwonalc.fd
+ot4iwona.fd
+ot4iwonac.fd
+ot4iwonal.fd
+ot4iwonalc.fd
+qxiwona.fd
+qxiwonac.fd
+qxiwonal.fd
+qxiwonalc.fd
+t1iwona.fd
+t1iwonac.fd
+t1iwonal.fd
+t1iwonalc.fd
+t2aiwona.fd
+t2aiwonac.fd
+t2aiwonal.fd
+t2aiwonalc.fd
+t2biwona.fd
+t2biwonac.fd
+t2biwonal.fd
+t2biwonalc.fd
+t2ciwona.fd
+t2ciwonac.fd
+t2ciwonal.fd
+t2ciwonalc.fd
+t5iwona.fd
+t5iwonac.fd
+t5iwonal.fd
+t5iwonalc.fd
+ts1iwona.fd
+ts1iwonac.fd
+ts1iwonal.fd
+ts1iwonalc.fd
+
+tex/plain/iwona/
+iwona-math.tex
+
+%% Files whose names need not be changed in derived works as requested
+%% in clause 3 of GUST-FONT-NOSOURCE-LICENSE.txt
+
+doc/fonts/iwona:
+00readme.eng
+00readme.pol
+GUST-FONT-NOSOURCE-LICENSE.txt
+MANIFEST.txt
diff --git a/Master/texmf-dist/doc/fonts/iwona/iwona-latex-cyr.tex b/Master/texmf-dist/doc/fonts/iwona/iwona-latex-cyr.tex
new file mode 100644
index 00000000000..907875609e3
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/iwona/iwona-latex-cyr.tex
@@ -0,0 +1,46 @@
+% -*- latex; coding: cp1251; -*-
+\documentclass[12pt]{article}
+
+% The file is coded in Windows CP1251:
+\usepackage[cp1251]{inputenc}
+
+% Try the options!
+\usepackage{iwona}
+%\usepackage[light]{iwona}
+%\usepackage[condensed]{iwona}
+%\usepackage[light,condensed]{iwona}
+
+% T2A is the default encoding for this document:
+\usepackage[OT2,T2A]{fontenc}
+% (OT2 is loaded for the transliterated example. Don't use it for
+% text entered directly --- the ligature scheme of OT2 will spoil it!)
+
+\begin{document}
+
+The source of the paragraph below is CP1251 encoded:
+\medskip
+
+Ĺćĺëč ěĺđű íĺ çíŕĺřü -- íŕ ńóďđóăŕ ďîëîćčńü --- îíűé ńňđŕć ďîáî\-ëĺĺ
+ăîńóäŕđĺâűő áäĺíčĺ čěĺĺň. \textbf{Óďčňűő ńęëŕäűâŕňü \textit{áĺđĺćíî}},
+äŕáű íĺ ďîâđĺäčňü č íĺ ěĺřŕëč áű ňŕíöŕě. \textit{Ńęëŕäűâŕňü îňäĺëüíî},
+ďîë ńîáëţäŕ˙, číŕ÷ĺ ďđč ďđîáóćäĺíčč ęîíôóçŕ íĺ îáĺđĺřüń˙.
+
+
+\bigskip
+
+The source of the following paragraph is transliterated (Washington
+transliteration):
+\medskip
+
+{\fontencoding{OT2}\selectfont Ezheli mery ne znaeshp1 -- na supruga
+ polozhisp1 --- onyi0 strazh pobo\-lee gosudarevykh bdenie imeet.
+ \textbf{Upitykh skladyvatp1 \textit{berezhno}}, daby ne povreditp1 i
+ ne meshali by tancam. \textit{Skladyvatp1 otdelp1no}, pol
+ soblyudaya, inache pri probuzhdenii konfuza ne obereshp1sya. }
+
+\end{document}
+
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: t
+%%% End:
diff --git a/Master/texmf-dist/doc/fonts/iwona/iwona-latex-math.tex b/Master/texmf-dist/doc/fonts/iwona/iwona-latex-math.tex
new file mode 100644
index 00000000000..a3c6a3ba167
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/iwona/iwona-latex-math.tex
@@ -0,0 +1,145 @@
+%& --translate-file=il2-pl
+\documentclass[12pt]{article}
+
+\usepackage[T1]{polski}
+\usepackage[math]{iwona}
+%\usepackage[math,light,condensed]{iwona}
+\usepackage[margin=2.5cm,nohead]{geometry}
+
+\begin{document}
+
+Ala ma żółć w~\textit{gęślą} tłumionej \textbf{jaźni}.
+
+$$\Leftarrow\Longrightarrow\Longleftarrow\longrightarrow\longleftarrow$$
+
+$$
+\overleftarrow{Janusz}\overrightarrow{Nowacki}
+\longmapsto\bowtie\hookleftarrow\notin\rightleftharpoons
+\doteq\langle
+$$
+
+$$
+\root 2 \of {1+
+ \root 3 \of {1+
+ \root 4 \of {1+
+ \root 5 \of {1+
+ \root 6 \of {1+
+ \root 7 \of {1+
+ \root 8 \of {1+x}}}}}}}
+$$
+
+\bigskip
+
+$$\prod_{j<0}\biggl(\sum_{k\ge0}{\mit\Gamma}_{jk}z^k\biggr)
+ =\sum_{0\ge0}z^n\,\Biggl(\sum_
+ {\scriptstyle k_0,k_1,\ldots\ge0\atop
+ \scriptstyle k_0+k_1+\cdots=n}
+ a_{0k_0}a_{1k_1}\ldots\,\Biggr).$$
+
+\bigskip
+
+{\footnotesize
+
+$${(n_1^2<n_2+\cdots+n_m)!\over n_1!\,n_2!\ldots n_m!}
+ ={n_1+n_2\choose n_2}{n_1+n_2+n_3\choose n_3}
+ \ldots{n_1+n_2+\cdots+n_m\choose n_m}.$$
+
+\bigskip
+
+$$\def\\#1#2{(1-q^{#1_#2+n})} % to save typing
+\Pi_R{a_1,a_2,\ldots,a_M\atopwithdelims[]b_1,b_2,\ldots,b_N}
+ =\prod_{n=0}^R{\\a1\\a2\ldots\\aM\over\\b1\\b2\ldots\\bN}.$$
+
+\bigskip
+
+$$\{\underbrace{\overbrace{\mathstrut {\mit \Psi},\ldots,\Psi}
+ ^{k\;a\mathchar`'\rm s},
+ \overbrace{\mathstrut {\cal A},\ldots,{\cal B}}
+ ^{l\;b\mathchar`'\rm \acute{s}}}_{k+l\rm\;kęsów\ żółci}\}.$$
+
+\bigskip
+
+$$\pmatrix{\pmatrix{a&b\cr c&d\cr}&
+ \pmatrix{e&f\cr g&h\cr}\cr
+ \noalign{\smallskip}
+ 0&\pmatrix{i&j\cr k&l\cr}\cr}.$$
+
+\bigskip
+
+$$\det\left[\,\matrix{
+ c_0&c_1\hfill&c_2\hfill&\ldots&c_n\hfill\cr
+ c_1&c_2\hfill&c_3\hfill&\ldots&c_{n+1}\hfill\cr
+ c_2&c_3\hfill&c_4\hfill&\ldots&c_{n+2}\hfill\cr
+ \,\vdots\hfill&\,\vdots\hfill&
+ \,\vdots\hfill&&\,\vdots\hfill\cr
+ c_n&c_{n+1}\hfill&c_{n+2}\hfill&\ldots&c_{2n}\hfill\cr
+ }\right)>0.$$
+
+}
+
+%\mathversion{iwonabold}
+\boldmath
+
+$${(n_1^2<n_2+\cdots+n_m)!\over n_1!\,n_2!\ldots n_m!}
+ ={n_1+n_2\choose n_2}{n_1+n_2+n_3\choose n_3}
+ \ldots{n_1+n_2+\cdots+n_m\choose n_m}.$$
+
+\bigskip
+
+$$\prod_{j<0}\biggl(\sum_{k\ge0}{\mit\Gamma}_{jk}z^k\biggr)
+ =\sum_{0\ge0}z^n\,\Biggl(\sum_
+ {\scriptstyle k_0,k_1,\ldots\ge0\atop
+ \scriptstyle k_0+k_1+\cdots=n}
+ a_{0k_0}a_{1k_1}\ldots\,\Biggr).$$
+\bigskip
+
+$$\def\\#1#2{(1-q^{#1_#2+n})} % to save typing
+\Pi_R{a_1,a_2,\ldots,a_M\atopwithdelims[]b_1,b_2,\ldots,b_N}
+ =\prod_{n=0}^R{\\a1\\a2\ldots\\aM\over\\b1\\b2\ldots\\bN}.$$
+
+\bigskip
+
+$$\{\underbrace{\overbrace{\mathstrut {\mit \Psi},\ldots,\Psi}
+ ^{k\;a\mathchar`'\rm s},
+ \overbrace{\mathstrut {\cal A},\ldots,{\cal B}}
+ ^{l\;b\mathchar`'\rm \acute{s}}}_{k+l\rm\;kęsów\ żółci}\}.$$
+
+\bigskip
+
+$$\pmatrix{\pmatrix{a&b\cr c&d\cr}&
+ \pmatrix{e&f\cr g&h\cr}\cr
+ \noalign{\smallskip}
+ 0&\pmatrix{i&j\cr k&l\cr}\cr}.$$
+
+\bigskip
+
+$$\det\left[\,\matrix{
+ c_0&c_1\hfill&c_2\hfill&\ldots&c_n\hfill\cr
+ c_1&c_2\hfill&c_3\hfill&\ldots&c_{n+1}\hfill\cr
+ c_2&c_3\hfill&c_4\hfill&\ldots&c_{n+2}\hfill\cr
+ \,\vdots\hfill&\,\vdots\hfill&
+ \,\vdots\hfill&&\,\vdots\hfill\cr
+ c_n&c_{n+1}\hfill&c_{n+2}\hfill&\ldots&c_{2n}\hfill\cr
+ }\right)>0.$$
+
+\bigskip
+
+\unboldmath
+
+$$\pmatrix{\pmatrix{a&b\cr c&d\cr}&
+ \pmatrix{e&f\cr g&h\cr}\cr
+ \noalign{\smallskip}
+ 0&\pmatrix{i&j\cr k&l\cr}\cr}.$$
+
+\mathversion{cmr}
+$$\pmatrix{\pmatrix{a&b\cr c&d\cr}&
+ \pmatrix{e&f\cr g&h\cr}\cr
+ \noalign{\smallskip}
+ 0&\pmatrix{i&j\cr k&l\cr}\cr}.$$
+
+\end{document}
+
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: t
+%%% End:
diff --git a/Master/texmf-dist/doc/fonts/iwona/iwona-latex-pl.tex b/Master/texmf-dist/doc/fonts/iwona/iwona-latex-pl.tex
new file mode 100644
index 00000000000..9c28f41f286
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/iwona/iwona-latex-pl.tex
@@ -0,0 +1,213 @@
+\documentclass[12pt]{article}
+
+\usepackage[latin2]{inputenc}
+\usepackage{polski,array}
+\usepackage[math]{iwona}
+\usepackage[margin=2.5cm,nohead]{geometry}
+
+\newcommand*{\cs}[1]{\texttt{\char`\\#1}}
+
+\title{Jak używać fontów Iwona w~\LaTeX u}
+\author{Marcin Woliński}
+\date{wersja 1.2, 3 października 2005}
+\begin{document}
+\maketitle
+
+
+\section{Użycie jako domyślnego pisma dokumentu}
+
+
+Użycie \textsc{Iwony} jako domyślnego kroju dokumentu
+można łatwo uzyskać za pomocą pakietu \texttt{iwona}.
+Iwona jest dostępna w~kilku układach (zestawach znaków). Do składu
+w języku angielskim wystarczy domyślny układ kodowania \texttt{OT1}.
+Do składu w języku polskim można włączyć układ \texttt{OT4}
+(wystarczy załadować pakiet \texttt{polski}). Bogatszy podzbiór
+znaków fontu da użycie układu \texttt{QX}:
+\begin{verbatim}
+\usepackage{polski,iwona}
+\usepackage[QX]{fontenc}
+\end{verbatim}
+Ponadto w~wywołaniu pakietu \texttt{iwona} może wystąpić opcja
+\texttt{light} włączająca odmianę jasną i/lub \texttt{condensed}
+włączająca odmianę zwężoną kroju.
+
+Poniżej przedstawiam wynik stosowania standardowych poleceń
+\cs{textit}, \cs{textbf}, \cs{textsc} i~ich kombinacji w~zależności od
+sposobu załadowania pakietu:
+
+\begin{verbatim}
+\usepackage{iwona}
+\end{verbatim}
+\begin{quotation}
+ \textsc{Ten typowy \textbf{akapit} testowy} daje przy okazji rodzaj
+ filigranowego wysypu hodowli pieczarek w~zielonym kasztanie
+ repetycji \textbf{gloryfikacji \textsc{stanowisk
+ \textit{ministerialnych}}} i~podsypanych minimalistom jako
+ fetysz \textit{zaduchu studziennych barykad aglomeracji
+ fosforescencji \textbf{luminazy} atraktywno\dywiz bajerywnej
+ z~dodatkiem glukozy} i~mineralnych bakterii finansowych oraz
+ gromadzenia idei atrakcyjnych pomp prasowych z~okazji rozpoczynania
+ wegetacji takich istot jak wiolonczele, napoje bazaltowe i~gramatyka
+ z~okresu mezozoicznego z~jej typowym sposobem oznajmiania zachwytu
+ nad bytem poprzez wycie i~popiskiwanie o~charakterystycznej
+ modulacji toniczno\dywiz barycznej z~wyskokami w~kierunku
+ reglamentacji zawartej immanentnie w~bagnie.
+\end{quotation}
+
+\pagebreak
+\begin{verbatim}
+\usepackage[light]{iwona}
+\end{verbatim}
+\begin{quotation}
+ \renewcommand{\rmdefault}{iwonal}\normalfont
+ \textsc{Ten typowy \textbf{akapit} testowy} daje przy okazji rodzaj
+ filigranowego wysypu hodowli pieczarek w~zielonym kasztanie
+ repetycji \textbf{gloryfikacji \textsc{stanowisk
+ \textit{ministerialnych}}} i~podsypanych minimalistom jako
+ fetysz \textit{zaduchu studziennych barykad aglomeracji
+ fosforescencji \textbf{luminazy} atraktywno\dywiz bajerywnej
+ z~dodatkiem glukozy} i~mineralnych bakterii finansowych oraz
+ gromadzenia idei atrakcyjnych pomp prasowych z~okazji rozpoczynania
+ wegetacji takich istot jak wiolonczele, napoje bazaltowe i~gramatyka
+ z~okresu mezozoicznego z~jej typowym sposobem oznajmiania zachwytu
+ nad bytem poprzez wycie i~popiskiwanie o~charakterystycznej
+ modulacji toniczno\dywiz barycznej z~wyskokami w~kierunku
+ reglamentacji zawartej immanentnie w~bagnie.
+\end{quotation}
+
+\begin{verbatim}
+\usepackage[condensed]{iwona}
+\end{verbatim}
+\begin{quotation}
+ \renewcommand{\rmdefault}{iwonac}\normalfont
+ \textsc{Ten typowy \textbf{akapit} testowy} daje przy okazji rodzaj
+ filigranowego wysypu hodowli pieczarek w~zielonym kasztanie
+ repetycji \textbf{gloryfikacji \textsc{stanowisk
+ \textit{ministerialnych}}} i~podsypanych minimalistom jako
+ fetysz \textit{zaduchu studziennych barykad aglomeracji
+ fosforescencji \textbf{luminazy} atraktywno\dywiz bajerywnej
+ z~dodatkiem glukozy} i~mineralnych bakterii finansowych oraz
+ gromadzenia idei atrakcyjnych pomp prasowych z~okazji rozpoczynania
+ wegetacji takich istot jak wiolonczele, napoje bazaltowe i~gramatyka
+ z~okresu mezozoicznego z~jej typowym sposobem oznajmiania zachwytu
+ nad bytem poprzez wycie i~popiskiwanie o~charakterystycznej
+ modulacji toniczno\dywiz barycznej z~wyskokami w~kierunku
+ reglamentacji zawartej immanentnie w~bagnie.
+\end{quotation}
+
+\begin{verbatim}
+\usepackage[light,condensed]{iwona}
+\end{verbatim}
+\begin{quotation}
+ \renewcommand{\rmdefault}{iwonalc}\normalfont
+ \textsc{Ten typowy \textbf{akapit} testowy} daje przy okazji rodzaj
+ filigranowego wysypu hodowli pieczarek w~zielonym kasztanie
+ repetycji \textbf{gloryfikacji \textsc{stanowisk
+ \textit{ministerialnych}}} i~podsypanych minimalistom jako
+ fetysz \textit{zaduchu studziennych barykad aglomeracji
+ fosforescencji \textbf{luminazy} atraktywno\dywiz bajerywnej
+ z~dodatkiem glukozy} i~mineralnych bakterii finansowych oraz
+ gromadzenia idei atrakcyjnych pomp prasowych z~okazji rozpoczynania
+ wegetacji takich istot jak wiolonczele, napoje bazaltowe i~gramatyka
+ z~okresu mezozoicznego z~jej typowym sposobem oznajmiania zachwytu
+ nad bytem poprzez wycie i~popiskiwanie o~charakterystycznej
+ modulacji toniczno\dywiz barycznej z~wyskokami w~kierunku
+ reglamentacji zawartej immanentnie w~bagnie.
+\end{quotation}
+
+\section{Użycie we fragmentach dokumentu}
+
+\LaTeX ową nazwą kroju \textsc{iwona} jest \texttt{iwona} (o~dziwo).
+Aby więc złożyć fragment tekstu tym krojem wystarczą następujące
+polecenia (nie trzeba ładować żadnych pakietów):
+\begin{verbatim}
+ gromadzenia idei atrakcyjnych pomp prasowych z~okazji rozpoczynania
+ wegetacji takich istot jak
+ {\fontfamily{iwona}\selectfont
+ wiolonczele, napoje bazaltowe i~gramatyka z~okresu mezozoicznego}
+ z~jej typowym sposobem oznajmiania zachwytu
+ nad bytem poprzez wycie i~popiskiwanie o~charakterystycznej
+\end{verbatim}
+\begin{quotation}
+ \renewcommand{\rmdefault}{cmr}\normalfont
+\noindent gromadzenia idei atrakcyjnych pomp prasowych z~okazji rozpoczynania
+ wegetacji takich istot jak
+ {\fontfamily{iwona}\selectfont
+ wiolonczele, napoje bazaltowe i~gramatyka z~okresu mezozoicznego}
+ z~jej typowym sposobem oznajmiania zachwytu
+ nad bytem poprzez wycie i~popiskiwanie o~charakterystycznej
+\end{quotation}
+
+Odmianę jasną i/lub~zwężoną można uzyskać z~pomocą odpowiednich
+argumentów polecenia \cs{fontseries}:
+\begin{verbatim}
+ gromadzenia idei atrakcyjnych pomp prasowych z~okazji rozpoczynania
+ wegetacji takich istot jak
+ {\fontfamily{iwona}\fontseries{l}\selectfont
+ wiolonczele, napoje bazaltowe
+ i~{\fontseries{bc}\selectfont gramatyka} z~okresu mezozoicznego}
+ z~jej typowym sposobem oznajmiania zachwytu
+ nad bytem poprzez wycie i~popiskiwanie o~charakterystycznej
+\end{verbatim}
+\begin{quotation}
+ \renewcommand{\rmdefault}{cmr}\normalfont
+\noindent gromadzenia idei atrakcyjnych pomp prasowych z~okazji rozpoczynania
+ wegetacji takich istot jak
+ {\fontfamily{iwona}\fontseries{l}\selectfont
+ wiolonczele, napoje bazaltowe
+ i~{\fontseries{bc}\selectfont gramatyka} z~okresu mezozoicznego}
+ z~jej typowym sposobem oznajmiania zachwytu
+ nad bytem poprzez wycie i~popiskiwanie o~charakterystycznej
+\end{quotation}
+Zapewne łatwiej jednak posłużyć się \emph{rodziną} zwężoną i~jasną:
+\begin{center}
+ \begin{tabular}{>\ttfamily ll}
+ iwona & normalna\\
+ iwonal & jasna \\
+ iwonac & zwężona \\
+ iwonalc & jasna zwężona
+ \end{tabular}
+\end{center}
+
+Dokładny opis poleceń \cs{fontfamily} i~\cs{fontseries} można znaleźć
+w~dokumencie \texttt{fntguide.tex} dystrybuowanym z~\LaTeX em.
+
+
+\section{Użycie we wzorach matematycznych}
+\label{sec:math}
+
+Aby użyć pisma iwona we wzorach matematycznych należy zadeklarować
+w~wywołaniu pakietu opcję \texttt{math} lub \texttt{mathnoalias}:
+\begin{verbatim}
+\usepackage[math]{iwona}
+\end{verbatim}
+
+Użycie każdej z~tych opcji spowoduje zdefiniowanie ,,wersji
+matematyki'' o~nazwie \texttt{iwona} i~\texttt{iwonabold} oraz
+aktywowanie wersji \texttt{iwona}. Zatem w~składzie dostajemy
+$$\prod_{j<0}\biggl(\sum_{k\ge0}{\mit\Gamma}_{jk}z^k\biggr)
+=\sum_{0\ge0}z^n\,\Biggl(\sum_ {\scriptstyle k_0,k_1,\ldots\ge0\atop
+ \scriptstyle k_0+k_1+\cdots=n} a_{0k_0}a_{1k_1}\ldots\,\Biggr).$$
+
+
+Różnica między tymi opcjami polega na tym, że w~wypadku \texttt{math}
+nowe wersje matematyki są podstawiane również pod standardowe nazwy
+\texttt{normal} i~\texttt{bold}, dzięki czemu polecenia \cs{boldmath}
+i~\cs{unboldmath} zaczynają się odnosić do wzorów składanych Iwoną.
+
+W~wypadku opcji \texttt{mathnoalias} standardowe wersje matematyki
+utrzymują swoje znaczenie, a~wersje ,,iwonowe'' można uaktywniać
+poleceniami
+\begin{verbatim}
+\mathversion{iwona}
+\mathversion{iwonabold}
+\end{verbatim}
+
+W~wypadku opcji \texttt{math} standardowe wersje matematyki
+pozostają dostępne pod nazwami \texttt{cmr} i~\texttt{cmrbold}.
+
+W~sumie więc w~typowym wypadku można polecić używanie opcji
+\texttt{math}.
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/iwona/iwona-latex-t2a.tex b/Master/texmf-dist/doc/fonts/iwona/iwona-latex-t2a.tex
new file mode 100644
index 00000000000..d8812c84029
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/iwona/iwona-latex-t2a.tex
@@ -0,0 +1,30 @@
+\documentclass[12pt]{article}
+\usepackage[cp1251]{inputenc}
+\usepackage{iwona,array}
+\usepackage[T2A]{fontenc}
+\def\nazwa{\footnotesize\normalfont\fontencoding{OT1}\selectfont\ttfamily}
+\begin{document}
+\parindent0pt
+ \begin{tabular}{>{\nazwa}rl<{Ŕëôŕâčň ěű óćĺ çíŕĺě, óćĺ ďčřĺě č ÷čňŕĺě.}}
+{{T2A}/{iwona}/{l}/{n} (t2a-iwonal)} & \usefont{T2A}{iwona}{l}{n}\\
+{{T2A}/{iwona}/{l}/{it} (t2a-iwonali)} & \usefont{T2A}{iwona}{l}{it}\\
+{{T2A}/{iwona}/{m}/{n} (t2a-iwonar)} & \usefont{T2A}{iwona}{m}{n}\\
+{{T2A}/{iwona}/{m}/{it} (t2a-iwonari)} & \usefont{T2A}{iwona}{m}{it}\\
+{{T2A}/{iwona}/{sb}/{n} (t2a-iwonam)} & \usefont{T2A}{iwona}{sb}{n}\\
+{{T2A}/{iwona}/{sb}/{it} (t2a-iwonami)} & \usefont{T2A}{iwona}{sb}{it}\\
+{{T2A}/{iwona}/{b}/{n} (t2a-iwonab)} & \usefont{T2A}{iwona}{b}{n}\\
+{{T2A}/{iwona}/{b}/{it} (t2a-iwonabi)} & \usefont{T2A}{iwona}{b}{it}\\
+{{T2A}/{iwona}/{eb}/{n} (t2a-iwonab)} & \usefont{T2A}{iwona}{eb}{n}\\
+{{T2A}/{iwona}/{eb}/{it} (t2a-iwonabi)} & \usefont{T2A}{iwona}{eb}{it}\\
+{{T2A}/{iwona}/{lc}/{n} (t2a-iwonacl)} & \usefont{T2A}{iwona}{lc}{n}\\
+{{T2A}/{iwona}/{lc}/{it} (t2a-iwonacli)} & \usefont{T2A}{iwona}{lc}{it}\\
+{{T2A}/{iwona}/{c}/{n} (t2a-iwonacr)} & \usefont{T2A}{iwona}{c}{n}\\
+{{T2A}/{iwona}/{c}/{it} (t2a-iwonacri)} & \usefont{T2A}{iwona}{c}{it}\\
+{{T2A}/{iwona}/{sbc}/{n} (t2a-iwonacm)} & \usefont{T2A}{iwona}{sbc}{n}\\
+{{T2A}/{iwona}/{sbc}/{it} (t2a-iwonacmi)} & \usefont{T2A}{iwona}{sbc}{it}\\
+{{T2A}/{iwona}/{bc}/{n} (t2a-iwonacb)} & \usefont{T2A}{iwona}{bc}{n}\\
+{{T2A}/{iwona}/{bc}/{it} (t2a-iwonacbi)} & \usefont{T2A}{iwona}{bc}{it}\\
+{{T2A}/{iwona}/{ebc}/{n} (t2a-iwonacb)} & \usefont{T2A}{iwona}{ebc}{n}\\
+{{T2A}/{iwona}/{ebc}/{it} (t2a-iwonacbi)} & \usefont{T2A}{iwona}{ebc}{it}\\
+\end{tabular}
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/iwona/iwona-latex-t5.tex b/Master/texmf-dist/doc/fonts/iwona/iwona-latex-t5.tex
new file mode 100644
index 00000000000..95335b96cb4
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/iwona/iwona-latex-t5.tex
@@ -0,0 +1,43 @@
+\documentclass[12pt]{article}
+\usepackage[viscii]{inputenc}
+\usepackage{iwona,array}
+\usepackage[T5]{fontenc}
+%\pdfmapfile{+t5-iwona.map}
+\def\nazwa{\footnotesize\normalfont\fontencoding{OT1}\selectfont\ttfamily}
+\begin{document}
+\parindent-1in
+ \begin{tabular}{>{\nazwa}rl<{Em không nghe můa thu, dßži trĺng mś thąn thŃc}}
+{{T5}/{iwona}/{l}/{n} (t5-iwonal)} & \usefont{T5}{iwona}{l}{n}\\
+{{T5}/{iwona}/{l}/{it} (t5-iwonali)} & \usefont{T5}{iwona}{l}{it}\\
+{{T5}/{iwona}/{l}/{sc} (t5-iwonalcap)} & \usefont{T5}{iwona}{l}{sc}\\
+{{T5}/{iwona}/{l}/{scit} (t5-iwonalicap)} & \usefont{T5}{iwona}{l}{scit}\\
+{{T5}/{iwona}/{m}/{n} (t5-iwonar)} & \usefont{T5}{iwona}{m}{n}\\
+{{T5}/{iwona}/{m}/{it} (t5-iwonari)} & \usefont{T5}{iwona}{m}{it}\\
+{{T5}/{iwona}/{m}/{sc} (t5-iwonarcap)} & \usefont{T5}{iwona}{m}{sc}\\
+{{T5}/{iwona}/{m}/{scit} (t5-iwonaricap)} & \usefont{T5}{iwona}{m}{scit}\\
+{{T5}/{iwona}/{sb}/{n} (t5-iwonam)} & \usefont{T5}{iwona}{sb}{n}\\
+{{T5}/{iwona}/{sb}/{it} (t5-iwonami)} & \usefont{T5}{iwona}{sb}{it}\\
+{{T5}/{iwona}/{sb}/{sc} (t5-iwonamcap)} & \usefont{T5}{iwona}{sb}{sc}\\
+{{T5}/{iwona}/{sb}/{scit} (t5-iwonamicap)} & \usefont{T5}{iwona}{sb}{scit}\\
+{{T5}/{iwona}/{b}/{n} (t5-iwonab)} & \usefont{T5}{iwona}{b}{n}\\
+{{T5}/{iwona}/{b}/{it} (t5-iwonabi)} & \usefont{T5}{iwona}{b}{it}\\
+{{T5}/{iwona}/{b}/{sc} (t5-iwonabcap)} & \usefont{T5}{iwona}{b}{sc}\\
+{{T5}/{iwona}/{b}/{scit} (t5-iwonabicap)} & \usefont{T5}{iwona}{b}{scit}\\
+{{T5}/{iwona}/{lc}/{n} (t5-iwonacl)} & \usefont{T5}{iwona}{lc}{n}\\
+{{T5}/{iwona}/{lc}/{it} (t5-iwonacli)} & \usefont{T5}{iwona}{lc}{it}\\
+{{T5}/{iwona}/{lc}/{sc} (t5-iwonaclcap)} & \usefont{T5}{iwona}{lc}{sc}\\
+{{T5}/{iwona}/{lc}/{scit} (t5-iwonaclicap)} & \usefont{T5}{iwona}{lc}{scit}\\
+{{T5}/{iwona}/{c}/{n} (t5-iwonacr)} & \usefont{T5}{iwona}{c}{n}\\
+{{T5}/{iwona}/{c}/{it} (t5-iwonacri)} & \usefont{T5}{iwona}{c}{it}\\
+{{T5}/{iwona}/{c}/{sc} (t5-iwonacrcap)} & \usefont{T5}{iwona}{c}{sc}\\
+{{T5}/{iwona}/{c}/{scit} (t5-iwonacricap)} & \usefont{T5}{iwona}{c}{scit}\\
+{{T5}/{iwona}/{sbc}/{n} (t5-iwonacm)} & \usefont{T5}{iwona}{sbc}{n}\\
+{{T5}/{iwona}/{sbc}/{it} (t5-iwonacmi)} & \usefont{T5}{iwona}{sbc}{it}\\
+{{T5}/{iwona}/{sbc}/{sc} (t5-iwonacmcap)} & \usefont{T5}{iwona}{sbc}{sc}\\
+{{T5}/{iwona}/{sbc}/{scit} (t5-iwonacmicap)} & \usefont{T5}{iwona}{sbc}{scit}\\
+{{T5}/{iwona}/{bc}/{n} (t5-iwonacb)} & \usefont{T5}{iwona}{bc}{n}\\
+{{T5}/{iwona}/{bc}/{it} (t5-iwonacbi)} & \usefont{T5}{iwona}{bc}{it}\\
+{{T5}/{iwona}/{bc}/{sc} (t5-iwonacbcap)} & \usefont{T5}{iwona}{bc}{sc}\\
+{{T5}/{iwona}/{bc}/{scit} (t5-iwonacbicap)} & \usefont{T5}{iwona}{bc}{scit}\\
+\end{tabular}
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/iwona/iwona-mathtest.tex b/Master/texmf-dist/doc/fonts/iwona/iwona-mathtest.tex
new file mode 100644
index 00000000000..6bc2afd92eb
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/iwona/iwona-mathtest.tex
@@ -0,0 +1,76 @@
+% plain format
+\input iwona-math
+\seventeenpoint
+
+\font\bigbf=qx-iwonam at17pt
+\nopagenumbers
+
+\centerline{\bigbf Mathematical Examples Typeset with Iwona}
+\bigskip
+
+$$\Leftarrow\Longrightarrow\Longleftarrow\longrightarrow\longleftarrow$$
+
+$$
+\overleftarrow{Janusz}\overrightarrow{Nowacki}
+\longmapsto\bowtie\hookleftarrow\notin\rightleftharpoons
+\doteq\langle
+$$
+
+$$
+\root 2 \of {1+
+ \root 3 \of {1+
+ \root 4 \of {1+
+ \root 5 \of {1+
+ \root 6 \of {1+
+ \root 7 \of {1+
+ \root 8 \of {1+x}}}}}}}
+$$
+
+\bigskip
+
+$$\prod_{j<0}\biggl(\sum_{k\ge0}{\mit\Gamma}_{jk}z^k\biggr)
+ =\sum_{0\ge0}z^n\,\Biggl(\sum_
+ {\scriptstyle k_0,k_1,\ldots\ge0\atop
+ \scriptstyle k_0+k_1+\cdots=n}
+ a_{0k_0}a_{1k_1}\ldots\,\Biggr).$$
+
+\bigskip
+
+\tenpoint
+
+$${(n_1^2<n_2+\cdots+n_m)!\over n_1!\,n_2!\ldots n_m!}
+ ={n_1+n_2\choose n_2}{n_1+n_2+n_3\choose n_3}
+ \ldots{n_1+n_2+\cdots+n_m\choose n_m}.$$
+
+\bigskip
+
+$$\def\\#1#2{(1-q^{#1_#2+n})} % to save typing
+\Pi_R{a_1,a_2,\ldots,a_M\atopwithdelims[]b_1,b_2,\ldots,b_N}
+ =\prod_{n=0}^R{\\a1\\a2\ldots\\aM\over\\b1\\b2\ldots\\bN}.$$
+
+\bigskip
+
+$$\{\underbrace{\overbrace{\mathstrut {\mit \Psi},\ldots,\Psi}
+ ^{k\;a\mathchar`'\rm s},
+ \overbrace{\mathstrut {\cal A},\ldots,{\cal B}}
+ ^{l\;b\mathchar`'\rm \acute{s}}}_{k+l\rm\;element}\}.$$
+
+\bigskip
+
+$$\pmatrix{\pmatrix{a&b\cr c&d\cr}&
+ \pmatrix{e&f\cr g&h\cr}\cr
+ \noalign{\smallskip}
+ 0&\pmatrix{i&j\cr k&l\cr}\cr}.$$
+
+\bigskip
+
+$$\det\left[\,\matrix{
+ c_0&c_1\hfill&c_2\hfill&\ldots&c_n\hfill\cr
+ c_1&c_2\hfill&c_3\hfill&\ldots&c_{n+1}\hfill\cr
+ c_2&c_3\hfill&c_4\hfill&\ldots&c_{n+2}\hfill\cr
+ \,\vdots\hfill&\,\vdots\hfill&
+ \,\vdots\hfill&&\,\vdots\hfill\cr
+ c_n&c_{n+1}\hfill&c_{n+2}\hfill&\ldots&c_{2n}\hfill\cr
+ }\right)>0.$$
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/iwona/iwona-table.tex b/Master/texmf-dist/doc/fonts/iwona/iwona-table.tex
new file mode 100644
index 00000000000..11e4c175edf
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/iwona/iwona-table.tex
@@ -0,0 +1,133 @@
+%&mex --translate-file=cp1250pl
+% plain format
+\baselineskip 20pt
+
+\def\texttestqx{\f Zażółć gęœlš jaŸń\par}
+\def\texttest{\f OHamburgefonsz\par}
+\def\Font#1{\font\f #1 at16pt%
+ \leftline{\hbox to3cm{\rm #1\hfil} \texttest}}
+\def\FontQX#1{\font\f #1 at16pt%
+ \leftline{\hbox to3cm{\rm #1\hfil} \texttestqx}}
+\def\chartable #1{\smallbreak\vbox{\tracinglostchars=0\relax\noindent%
+ \underbar{Characters in the #1 font, with decimal codes:}
+ \raggedright \hbadness5000 \tolerance10000 \medskip
+ \font\ft #1 at 12pt
+ %\let\ft=#1
+ \ft \dimen0=14pt \baselineskip=\dimen0
+ \ifdim\dimen0<3.25ex \baselineskip=3.25ex \fi \count255=0 \dimen0=10pt
+ \loop \setbox0=\hbox{\char\count255}
+ \ifdim\wd0>\dimen0 \dimen0=\wd0 \fi \advance\count255 by1
+ \ifnum\count255<256 \repeat \count255=0
+ \advance\dimen0 by 25pt \noindent \loop
+ \hbox to\dimen0{\hbox to23pt{\hfil\rm\the\count255:\ }\char\count255\hfil}
+ \advance\count255 by1 \ifnum\count255<256 \quad\repeat
+ \smallbreak} \font\tenrm=cmr10 }
+
+
+\def\ec{
+\hbox{\hsize=.5\hsize\vbox{
+\Font{ec-iwonal} \Font{ec-iwonalcap}
+\Font{ec-iwonali} \Font{ec-iwonalicap}
+\Font{ec-iwonar} \Font{ec-iwonarcap}
+\Font{ec-iwonari} \Font{ec-iwonaricap}
+\Font{ec-iwonam} \Font{ec-iwonamcap}
+\Font{ec-iwonami} \Font{ec-iwonamicap}
+\Font{ec-iwonab} \Font{ec-iwonabcap}
+\Font{ec-iwonabi} \Font{ec-iwonabicap}
+\Font{ec-iwonah} \Font{ec-iwonahcap}
+\Font{ec-iwonahi} \Font{ec-iwonahicap}
+}\vbox{
+\Font{ec-iwonacl} \Font{ec-iwonaclcap}
+\Font{ec-iwonacli} \Font{ec-iwonaclicap}
+\Font{ec-iwonacr} \Font{ec-iwonacrcap}
+\Font{ec-iwonacri} \Font{ec-iwonacricap}
+\Font{ec-iwonacm} \Font{ec-iwonacmcap}
+\Font{ec-iwonacmi} \Font{ec-iwonacmicap}
+\Font{ec-iwonacb} \Font{ec-iwonacbcap}
+\Font{ec-iwonacbi} \Font{ec-iwonacbicap}
+\Font{ec-iwonach} \Font{ec-iwonachcap}
+\Font{ec-iwonachi} \Font{ec-iwonachicap}
+}}}
+
+\def\qx{
+\hbox{\hsize=.5\hsize\vbox{
+\FontQX{qx-iwonal} \FontQX{qx-iwonalcap}
+\FontQX{qx-iwonali} \FontQX{qx-iwonalicap}
+\FontQX{qx-iwonar} \FontQX{qx-iwonarcap}
+\FontQX{qx-iwonari} \FontQX{qx-iwonaricap}
+\FontQX{qx-iwonam} \FontQX{qx-iwonamcap}
+\FontQX{qx-iwonami} \FontQX{qx-iwonamicap}
+\FontQX{qx-iwonab} \FontQX{qx-iwonabcap}
+\FontQX{qx-iwonabi} \FontQX{qx-iwonabicap}
+\FontQX{qx-iwonah} \FontQX{qx-iwonahcap}
+\FontQX{qx-iwonahi} \FontQX{qx-iwonahicap}
+}\vbox{
+\FontQX{qx-iwonacl} \FontQX{qx-iwonaclcap}
+\FontQX{qx-iwonacli} \FontQX{qx-iwonaclicap}
+\FontQX{qx-iwonacr} \FontQX{qx-iwonacrcap}
+\FontQX{qx-iwonacri} \FontQX{qx-iwonacricap}
+\FontQX{qx-iwonacm} \FontQX{qx-iwonacmcap}
+\FontQX{qx-iwonacmi} \FontQX{qx-iwonacmicap}
+\FontQX{qx-iwonacb} \FontQX{qx-iwonacbcap}
+\FontQX{qx-iwonacbi} \FontQX{qx-iwonacbicap}
+\FontQX{qx-iwonach} \FontQX{qx-iwonachcap}
+\FontQX{qx-iwonachi} \FontQX{qx-iwonachicap}
+}}}
+
+
+\def\wncy{
+\hbox{\hsize=.5\hsize\vbox{
+\Font{wncy-iwonal}
+\Font{wncy-iwonali}
+\Font{wncy-iwonar}
+\Font{wncy-iwonari}
+\Font{wncy-iwonam}
+\Font{wncy-iwonami}
+\Font{wncy-iwonab}
+\Font{wncy-iwonabi}
+\Font{wncy-iwonah}
+\Font{wncy-iwonahi}
+}\vbox{
+\Font{wncy-iwonacl}
+\Font{wncy-iwonacli}
+\Font{wncy-iwonacr}
+\Font{wncy-iwonacri}
+\Font{wncy-iwonacm}
+\Font{wncy-iwonacmi}
+\Font{wncy-iwonacb}
+\Font{wncy-iwonacbi}
+\Font{wncy-iwonach}
+\Font{wncy-iwonachi}
+}}}
+
+QX Encoding\bigskip
+
+\qx
+\vfill\eject
+
+EC (Encode Cork) Encoding\bigskip
+
+\ec
+\vfill\eject
+
+WNCY Encoding\bigskip
+
+\wncy
+\vfill\eject
+
+\chartable{qx-iwonar}\vfill\eject
+\chartable{ec-iwonar}\vfill\eject
+\chartable{texnansi-iwonar}\vfill\eject
+\chartable{wncy-iwonar}\vfill\eject
+\chartable{t2a-iwonar}\vfill\eject
+\chartable{t2b-iwonar}\vfill\eject
+\chartable{t2c-iwonar}\vfill\eject
+\chartable{t5-iwonar}\vfill\eject
+\chartable{greek-iwonar}\vfill\eject
+\chartable{el-iwonari}\vfill\eject
+\chartable{mi-iwonari}\vfill\eject
+\chartable{sy-iwonarz}\vfill\eject
+%\chartable{ex-iwonar}\vfill\eject
+\chartable{rm-iwonari}
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/kdgreek/INSTALL b/Master/texmf-dist/doc/fonts/kdgreek/INSTALL
new file mode 100644
index 00000000000..ebdeed0ea83
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/kdgreek/INSTALL
@@ -0,0 +1,158 @@
+ INSTALLATION NOTES FOR GreekTeX v 3.1
+ -------------------------------------
+
+ K J Dryllerakis
+ Logic Programming Group
+ Imperial College,London
+ kd@doc.ic.ac.uk
+
+
+ This document describes how to get GreekTeX up and running
+ on your system. It is devided into two parts: instructions
+ for Unix users and Instructions for DOS emTeX users. I would
+ like to hope that these two categories represent a majority
+ of TeX users and I apologize for not extending specialised
+ instructions to users of other systems. For those of you that do
+ not fall in the two categories do not panic! Read the DOS
+ section and procede with the same steps. Just change the
+ paths and executables to match the ones in your system.
+
+
+Part A: Unix Users
+--------------------------
+
+ What you need:
+ To rebuild the whole GreekTeX package you need to have
+ access to the metafont and initex programs as well
+ as the ability to integrate new fonts and formats
+ to the search path of the local tex distribution.
+ You also need the gftopk utility for transforming
+ mf output to dvi readable form. For automated installation
+ you need a "standard" unix 'make' program, and the
+ 'dc' calculator. If you do not have any of these you
+ will have to do the job by hand. If you do not have
+ the dc calculator you can still build the fonts
+ by altering the script to suit your own needs.
+ You also need to know the resolution of the local
+ printer. Finally you can do with a bit of patience.
+
+ Procedure:
+ The installation procedure follows the steps:
+ * build and install the fonts in the
+ standard path (both pk and tfm files)
+ * build the greek format files for both
+ greekTeX and grlatex.
+ * place the files in the appropriate
+ directory
+ * do a test run to see how it looks!
+
+ How to procede for an automated installation:
+ ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
+ STEP DESCRIPTION
+ -> 0 Find a suitable place to unpack the file
+ kdgreek3.1.tar.Z. Let us call the subdirectory
+ kdgreek3.1/ where all the files will be the
+ TOP directory.
+ -> 1 First edit the file unix/newfont. If a similar
+ script exists in your system the just forget it
+ and mode to the step 2. In particular set the
+ default paths and executable names to point
+ to the right direction and make sure the file
+ has the execute attribute set.
+ -> 2 Edit the Makefile at the TOP directory to
+ reflect the paths and setting of your own system.
+ It should be easy and straightforward and not many
+ changes should be needed in a standard distribution.
+ -> 3 Make the fonts: at the shell prompt type
+ make fonts
+ This will try to create the greek fonts for all
+ needed magnification levels and place them at
+ their proper place (all the job is done by the
+ newfont script in the unix directory or the
+ newfont script that you set in the makefile).
+ Do not be alarmed if "stange Pos " occur at some
+ fonts and magnifications. The fonts are still in
+ experimental stage and do have problems. If your
+ version of metafont stops at a '?' prompt just
+ hit return to continue.
+ -> 4 You can now build the formats. give the command
+ make formats
+ this will build both greek.fmt and lgreek.fmt in
+ the build subdirectory. Log files will be in the
+ log subiderctory of build.
+ -> 5 Install everything in its proper place by
+ executing the command:
+ make install
+ This will place everything in the proper place
+ and have you ready to go.
+ -> 6 Try the system out: go to the doc doc subdir
+ and type
+ greektex usage
+ then see what happens.
+
+
+Part B: DOS emTeX users
+-------------------------------
+
+ What you need:
+ In order to use GreekTeX on a PC running DOS and emTeX
+ you will need mf and friends to create the fonts (mfjob
+ for automated procedures) plain tex and latex bearing
+ version 3.0 or later (that is the format file not the
+ executable).
+
+ How to procede:
+ Unpack the distribution where convenient. If you got
+ GreekTeX as greektex.zip the use [pk]unzip -d greektex
+ at an apropriate directory. You can delete the unix,
+ utils directories and the makefile since they are
+ intended for unix users.
+
+ -> 1 Copy the file emtex/kdgreek.mfj to the MFJOB path or
+ in the mf directory. cd to the mf directory and
+ give the command mfjob -i kdgreek. If everything goes
+ well you will end up with a new bunch of fonts in
+ the proper directories.
+ -> 2 cd to tex and type
+ tex -i -8 greek \dump
+ This will create the files greek.fmt and greek.log
+ Move greek.fmt to the directory where you normally
+ store the format files (e.g. emtex/btexfmts) and
+ delete the file greek.log after reviewing the messages.
+ -> 3 cd to latex and type
+ tex -i -8 lgreek \dump
+ Repeat the same procedure as in step 2 for copying the
+ lgreek.fmt and removing the lgreek.log file.
+ -> 4 copy the files in the tex, latex directories to the
+ default search path of emtex (e.g. /emtex/inputs)
+ If you will be using a greek ISO character set for
+ modern greek you might also want to copy the files
+ emtex/greek.* to your inputs dir.
+ ->5 Finally move the emtex/*.bat files to the emtex bin
+ directory and you are all set to go.
+ ->6 Test the system by cd to doc and doing
+ greektex usage.tex
+
+ GOOD LUCK
+
+Please send comments and bug reports to kd@doc.ic.ac.uk
+
+DISCLAIMER:
+ Although I have put much effort in eliminating bugs, the
+ greekTeX package is still in experimental phase. If you
+ decide to use the package please do not blame me for any
+ problems that may arise from its use. I cannot be held
+ responsible for any problems and I cannot gurantee
+ bug fixes (although I guarantee that in due time I will
+ look over all reports and suggestions).
+
+
+-------------------------------------------------------------------------------
+K J Dryllerakis Deparment of Computing
+Logic Programming Group Imperial College, LONDON
+Janet: kd @uk.ac.ic.doc Tel: +44(71) 589 5111 x5089
+Uucp : kd@icdoc.UUCP Internet: kd@doc.ic.ac.uk
+-------------------------------------------------------------------------------
+
+
+
diff --git a/Master/texmf-dist/doc/fonts/kdgreek/README b/Master/texmf-dist/doc/fonts/kdgreek/README
new file mode 100644
index 00000000000..1e4b69a2554
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/kdgreek/README
@@ -0,0 +1,134 @@
+ GreeKTeX Ver 3.1 Distribution
+ -----------------------------
+
+ K J Dryllerakis
+ Logic Programming Group
+ Imperial College,London
+ kd@doc.ic.ac.uk
+
+What it is:
+ GreekTeX is a complete package for typesetting greek
+ (modern or ancient) texts within the framework of
+ plain TeX or LaTeX. It supplies a set of fonts based
+ on the excellent ones originally developed by
+ Sylvio Levi in the States and the modifications made
+ thereafter by Haralambous in France.
+ The approach adopted is different from both the
+ previous ones since it uses full 256 character fonts
+ and ligatures as the principal method of accenting
+ or "breathing" letters. This makes the macros more
+ robust and easier to use within TeX and LaTeX
+ environments.
+
+------------------------------------------------------------------------
+Note: Two different packages are included in this distribution. (Both
+ based on the same set of fonts).
+ * greektex : an extension of plain tex
+ * grlatex : an extension of LaTeX for greek texts.
+------------------------------------------------------------------------
+
+What it Includes:
+ > a complete set of fonts (regular,bold,italic)
+ > for working with plain tex a file to be included
+ which will import the macros and fonts needed
+ to add greek texts within your normal documents
+ (greektex.tex)
+ > for working with an extension of plain tex
+ a set of macros allowing the usage of greek
+ within specific environments and hyphenation
+ patterns for the greek langugage. Choosing
+ to use this option will mean that you will develop
+ the formatting of your text by yourself.
+ (command greektex)
+ > for working with LaTeX a style option that allows
+ entering greek text within specific environments
+ (all standard latex command still work e.g. font
+ size changing). For typesetting texts mainly in
+ greek a new format file which combines the greek
+ enviroment with hyphenation patters and an optional
+ global greek mode.
+ (command grlatex)
+ > A set of utilities that allow the conversion of extended
+ ASCII greek ISO character files to a format understandable
+ by grektex and grlatex. (filter as C-source or emTeX filter
+ table for use with texconv)
+
+
+------------------------------------------------------------------------
+See the Installation Guide (file INSTALL) on how to install the
+package (what else)!
+------------------------------------------------------------------------
+
+Distribution Tree:
+
+[doc]
+ Documentation On installation and usage, man pages for unix.
+ grlatex.1 Man Pages for grLaTeX package
+ install.tex Installation Notes (plain TeX only)
+ usage.tex Usage Manual (plain TeX only)
+
+[latex]
+ Basic Latex files for fomrat building and document styles.
+
+ grart10.sty grbk10.sty grbook.sty grkhyphen.tex
+ grart12.sty grbk11.sty greek.sty grmode.sty
+ grarticle.sty grbk12.sty grfonts.tex lgreek.tex
+
+[tex]
+ Files for building greektex format and greek macros.
+
+ greek.tex Greek Format Definitions
+ greektex.tex Greek Macros for plain TeX
+ grkhyphen.tex Greek Hyphenation Patterns
+
+[mfinput]
+ MF source code for font building.
+
+ kdaccent.mf kddigits.mf kdidigit.mf kdpunct.mf
+ kdbase.mf kdgr10.mf kdilower.mf kdsl10.mf
+ kdbf10.mf kdgr8.mf kdlig.mf kdti10.mf
+ kdbf8.mf kdgr9.mf kdligcom.mf kdtt10.mf
+ kdbf9.mf kdgreek.mf kdlower.mf kdupper.mf
+
+[emtex]
+ grlatex.bat Batch file for grlatex
+ greektex.bat Batch file for greektex
+ greek.asc Map of ISO greek codes for use with
+ texconv
+ greek.tcp binary form of the previous file
+ c_gralatex.bat Batch file for ISO converted grlatex
+ c_grtex.bat Batch file for ISO converted greektex
+ kdgreek.mfj MFJob file for creating the kd fonts
+
+[utils]
+ ascii2grtex.c a unix C-filter for transforming
+ ISO standard greek documents to
+ greekTeX compatible form.
+
+[unix]
+ greektex shell script for greektex
+ grlatex shell script for grlatex
+ newfont shell script to create new fonts
+
+------------------------------------------------------------------------
+Differnces from the Previous release
+ * Fixed font bugs in ligatures and added some more characters
+ according to suggestions by J"org Knappen (J"org, thanks for
+ your comments and fixes)
+ * Integrated Unix and Dos Release
+------------------------------------------------------------------------
+
+Important Note:
+^^^^^^^^^^^^^^^
+ If you are building the greek extension of the LaTeX format
+note that the old font coding scheme is used. The package -although it
+will create a proper Format file- will not run properly under the
+Mittelbach convention for font loading. In order to check
+which on you have see your lfonts.tex file! (To make sure that
+you do not have to retrieve the standard lfonts.tex I have included in
+the latex directory -- please note the copyright notices for this file).
+
+
+Hope you enjoy the package. Please send any comments or bug reports
+to kd@doc.ic.ac.uk
+------------------------------------------------------------------------
diff --git a/Master/texmf-dist/doc/fonts/kdgreek/grlatex.1 b/Master/texmf-dist/doc/fonts/kdgreek/grlatex.1
new file mode 100644
index 00000000000..c1b38dcdb6e
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/kdgreek/grlatex.1
@@ -0,0 +1,107 @@
+.TH GRLATEX "7 Dec 1992"
+.SH NAME
+grlatex \- tex formatting and typesetting (greek option)
+.SH SYNOPSIS
+.B grlatex
+[options] [filename]
+
+.SH DESCRIPTION
+.I grlatex
+is part of the
+.B GreekTeX
+package for typesetting greek texts under the TeX typesetting system.
+.I grlatex
+is an extension of the LaTeX macro package for
+the TeX mathematical typesetting package. The extension
+consists of a new set of language dependent macros,
+a set of hyphenation patterns for the greek language,
+and a set of macro development tools for the greek languge.
+.PP
+.I grlatex
+can be used instead of the latex package to typeset
+any source file written for the LaTeX macro package. In addition
+a special greek environment is defined inside which latin
+characters correspond to greek ones according to the scheme
+.PP
+.B a b g
+.B d e z
+.B h j i k l m
+.B n x o p r s
+.B t u f q y w
+.B and c (final s)
+.PP
+In order to get accents and breathing use ',`,~,>,< before any
+vowel. For those typesetting ancient greek texts iota subscript
+can be generated by placing the character | after the vowel to
+recive the subscript.
+.PP
+The greek environment is created by the command
+.PP
+ \\begin{greektext}
+.PP
+and ends by
+.PP
+ \\end{greektext}.
+.PP
+Inside the greek environment the font families available are:
+.RS
+.TP
+ \\gr Classic Greek
+.TP
+ \\grbf Boldface Greek
+.TP
+ \\grsl Slanted Greek
+.TP
+ \\grit Greek Italics
+.TP
+ \\grtt Typewritter Greek
+.RE
+.LP
+Note that all the font scaling commands will affect the greek
+characters as well. Nevertheless if the font size is changed
+inside the environment, the effects are only local.
+
+.SH "STYLE FILES"
+
+Special style files exist for writting texts in greek language.
+The names of the style files are derived from the latex ones
+by preciding them with the suffix `gr' (e.g. grarticle.sty)
+Any such style causes latex to enter a permenent greek environment.
+The original latin (global) environment is locally available
+through the commands \\begin and \\end {latin}.
+Note that the roman font families are normally accesed in the
+standard way e.g. {\\rm Latin Word}. Beware the difference in
+certain symbols; all the accentuation symbols are concidered
+as letters (catcode 11).
+
+.SH "MACRO DEVELOPMENT"
+
+If you are interested in creating macros while in greek mode
+try to remember that certain symbols need to be replaced by more
+general control sequences:
+.RS
+.TP
+ $ ---> \\ m@thm@de
+.TP
+ > ---> \\ gt (greater than)
+.TP
+ < ---> \\ lt (less than)
+.RE
+.LP
+.SH "SEE ALSO"
+.BR tex(1),
+.BR latex(1),
+.BR greektex(1).
+
+.SH FILES
+For more information on macro development under the package
+see the extensive discussion in the comments of the macro
+files: lgreek.tex, grfonts.tex, greek.sty, gr*.sty
+
+.SH "AUTHOR"
+ The
+.B GREEKTeX
+package was developed partly from
+ideas of Sylvio Levy and Haralambous by K J Dryllerakis
+(kd@doc.ic.ac.uk)
+
diff --git a/Master/texmf-dist/doc/fonts/kdgreek/install.tex b/Master/texmf-dist/doc/fonts/kdgreek/install.tex
new file mode 100644
index 00000000000..bbdd5d97ce6
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/kdgreek/install.tex
@@ -0,0 +1,87 @@
+% This file requires plain TeX for typesetting and NO special fonts
+% Use tex install.tex to produce the file install.dvi
+% install.tex 7-Dec-92
+%
+%INSTALLATION PROCEDURE FOR KD FONTS
+\magnification=\magstep1
+\parindent=0pt
+\centerline{\bf INSTALLATION PROCEDURE}
+\smallskip
+\centerline{\bf FOR Greek\TeX\ PACKAGE}
+\bigskip
+\centerline{\bf NOTE: This document does not describe installation of %
+the grlatex part of the package}
+\bigskip
+This documents gives a brief description of the installation
+procedure of the Greek\TeX\ Package. It is assumed that \TeX\ version
+3.0 or higher is installed in your system and you also have access to
+Metafont (v 2.00 or higher). Most of the systems are also equiped
+with a scirpt, or batch file or even a small program that will create
+a font at a given magnification with a single command. Let us assume
+that this command is {\tt newfont} $<FontName>$ {\tt scaled}
+$<Magnfification>$. You must also have access to {\tt plain.tex} and
+{\tt hyphen.tex} (plain format version 3.00) or higher, as well as
+to INITEX for building formats. If you are interested in building
+the grlatex format as well, the the files for building lplain must
+also be available.
+
+\medskip
+\leftline{\bf Installing the Fonts}
+\smallskip
+Here is a table of the fonts and suggested magnifications:
+$$\vbox{\divide\hsize by2
+\halign{\strut\tt #\hfill\tabskip=2em&\hfil#\hfil&\hfil#\hfil&\hfil#\hfil&%
+\hfil#\hfil&\hfil#\hfil&\hfil#\hfil&\hfil#\hfil\cr
+&750&800&900&1000&1200&1440&1795\cr
+kdgr10&&&&*&*&*&*\cr
+kdgr9&&&&*&*&*&*\cr
+kdgr8&*&&&*&*&*&*\cr
+kdbf10&&&&*&*&*&*\cr
+kdbf9&&&&*&*&*&*\cr
+kdbf8&*&&&*&*&*&*\cr
+kdsl10&&*&*&*&*&*&*\cr
+kdti10&&*&*&*&*&*&*\cr
+kdtt10&&*&*&*&*&*&*\cr
+}}
+$$
+Each font is installed by a command of the form\par
+{\tt newfont kdgr10 scaled 1200}\par
+After installing all the fonts you are ready to move to the
+installation of the greek format.
+\medskip
+\leftline{\bf Format Installation}
+\smallskip
+Make sure that the file {\tt plain.tex} and {\tt hyphen.tex} are in
+your path and enter the command:\par
+{\tt INITEX greek}\par
+When INITEX has finished enter {\tt $\backslash$ dump}. Hopefully the file
+{\tt greek.fmt} must be ready to use. Just place it in your \TeX\ path
+and issue the command\par
+{\tt tex \& greek foo.tex}\par
+to run GREEK\TeX.
+
+You can also place the file {\tt greektex.tex} in you TEXINPUT path
+so that it can be included in short greek documents or replace the
+greek format file if the latter does not exist in your system. Note
+that the hyphenation will only work under the greek format and {\bf
+not} when you include the {\tt greektex} file to your document.
+Hyphenation apart, no other differences exist between the greek
+format and {\tt greektex.tex}.
+
+
+If you are building the latex extension grlatex, issue the command:\par
+{\tt INITEX lgreek}\par
+This will built the lgreek format. The lgreek format can be used
+instead of the standard latex format since it is simply and extension
+of the latex package enriched with several language dependant macros
+and the hyphenation patterns for greek tex.
+
+If during the procedure of creating the greek latex INITEX complains
+about too many font families then the lplain format must be modified
+to define only 10 font families (older version of lfonts.tex defined
+the {\tt uit} family of fonts which you might be able to eliminate
+without mamy losses).
+
+
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/kdgreek/read.me b/Master/texmf-dist/doc/fonts/kdgreek/read.me
new file mode 100644
index 00000000000..5e60eaa17e4
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/kdgreek/read.me
@@ -0,0 +1,48 @@
+GreeKTeX Ver 3.0[c] Distribution
+
+[doc]
+ Documentation On installation and usage, man pages for unix.
+ grlatex.1 Man Pages for Grlatex package
+ install.tex Installation Notes (plain TeX)
+ usage.tex Usage Manual (plain TeX)
+
+[install]
+ Installation scripts for fonts and formats
+ makefonts Create the KD family of fonts
+
+[latex]
+ Basic Latex files for fomrat building and document styles.
+
+ grart10.sty grbk10.sty grbook.sty grkhyphen.tex
+ grart12.sty grbk11.sty greek.sty grmode.sty
+ grarticle.sty grbk12.sty grfonts.tex lgreek.tex
+
+[tex]
+ Files for building greektex format and greek macros.
+
+ greek.tex Greek Format Definitions
+ greektex.tex Greek Macros for plain TeX
+ grkhyphen.tex Greek Hyphenation Patterns
+
+[mfinput]
+ MF source code for font building.
+
+ kdaccent.mf kddigits.mf kdidigit.mf kdpunct.mf
+ kdbase.mf kdgr10.mf kdilower.mf kdsl10.mf
+ kdbf10.mf kdgr8.mf kdlig.mf kdti10.mf
+ kdbf8.mf kdgr9.mf kdligcom.mf kdtt10.mf
+ kdbf9.mf kdgreek.mf kdlower.mf kdupper.mf
+
+
+Important Note:
+^^^^^^^^^^^^^^^
+ If you are building the greek extension of the LaTeX format
+note that the old font coding scheme is used. The package -although it
+will create a proper Format file- will not run properly under the
+Mittelbach convention for font loading. Hint: Check your lfonts.tex file!
+
+
+K J Dryllerakis
+Logic Programming Group
+Imperial College
+kd@uk.ac.ic.doc
diff --git a/Master/texmf-dist/doc/fonts/kdgreek/usage.tex b/Master/texmf-dist/doc/fonts/kdgreek/usage.tex
new file mode 100644
index 00000000000..493ddafda0e
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/kdgreek/usage.tex
@@ -0,0 +1,590 @@
+% =====================================================================
+% == Greek Fonts & Format ==
+% == An example of the use of KD fonts & macros ==
+% == in composing papers containing greek text ==
+% == ==
+% == (C) Copyright 1991 K J Dryllerakis ==
+% == ==
+% == Last Revision : Sep 23, 1991 ==
+% =====================================================================
+%
+\input greektex % This is superfluous if greek format is used
+% ^ Use Version 3.0[b] or higher
+%
+% =====================================================================
+% == Font Declarations ==
+% =====================================================================
+%
+\catcode`@=11 % Access Plain TeX and its Macros
+%
+% The following point-setting macros are based on D Knuth's TeXBook
+%
+% Load standard fonts and their specifications
+%
+\font\ninerm=cmr9 \font\eightrm=cmr8 \font\sixrm=cmr6
+\font\ninei=cmmi9 \font\eighti=cmmi8 \font\sixi=cmmi6
+\font\ninesy=cmsy9 \font\eightsy=cmsy8 \font\sixsy=cmsy6
+\font\ninebf=cmbx9 \font\eightbf=cmbx8 \font\sixbf=cmbx6
+\font\ninett=cmtt9 \font\eighttt=cmtt8
+\font\nineit=cmti9 \font\eightit=cmti8
+\font\ninesl=cmsl9 \font\eightsl=cmsl8
+\skewchar\ninei='177 \skewchar\eighti='177 \skewchar\sixi='177
+\skewchar\ninesy='60 \skewchar\eightsy='60 \skewchar\sixsy='60
+\hyphenchar\ninett=-1 \hyphenchar\eighttt=-1 \hyphenchar\tentt=-1
+\font\csc=cmcsc10
+\font\titlefont=cmbx10 scaled\magstep1
+%
+% Define Font Point Families
+%
+\newskip\ttglue % for listings
+\def\tenpoint{\def\rm{\fam0\tenrm}%
+ \gdef\t@size{\grtenpoint} % We want greek to follow our conventions
+ \textfont0=\tenrm \scriptfont0=\sevenrm \scriptscriptfont0=\fiverm
+ \textfont1=\teni \scriptfont1=\seveni \scriptscriptfont1=\fivei
+ \textfont2=\tensy \scriptfont2=\sevensy \scriptscriptfont2=\fivesy
+ \textfont3=\tenex \scriptfont3=\tenex \scriptscriptfont3=\tenex
+ \textfont\itfam=\tenit \def\it{\fam\itfam\tenit}
+ \textfont\slfam=\tensl \def\sl{\fam\slfam\tensl}
+ \textfont\ttfam=\tentt \def\tt{\fam\ttfam\tentt}
+ \textfont\bffam=\tenbf \def\bf{\fam\bffam\tenbf}
+ \scriptfont\bffam=\sevenbf \scriptscriptfont\bffam=\fivebf
+ \tt \ttglue=.5em plus .25em minus.15em
+ \normalbaselineskip=.6cm
+ \setbox\strutbox=\hbox{\vrule height8.5pt width0pt depth4.5pt}%
+ \let\sc=\eightrm \normalbaselines\rm}
+%
+\def\ninepoint{\def\rm{\fam0\ninerm}%
+ \gdef\t@size{\grninepoint} % We want greek to follow our conventions
+ \textfont0=\ninerm \scriptfont0=\sixrm \scriptscriptfont0=\fiverm
+ \textfont1=\ninei \scriptfont1=\sixi \scriptscriptfont1=\fivei
+ \textfont2=\ninesy \scriptfont2=\sixsy \scriptscriptfont2=\fivesy
+ \textfont3=\tenex \scriptfont3=\tenex \scriptscriptfont3=\tenex
+ \textfont\itfam=\nineit \def\it{\fam\itfam\nineit}
+ \textfont\slfam=\ninesl \def\sl{\fam\slfam\ninesl}
+ \textfont\ttfam=\ninett \def\tt{\fam\ttfam\ninett}
+ \textfont\bffam=\ninebf \def\bf{\fam\bffam\ninebf}
+ \scriptfont\bffam=\sixbf \scriptscriptfont\bffam=\fivebf
+ \tt \ttglue=.5em plus .25em minus.15em
+ \normalbaselineskip=.52cm
+ \setbox\strutbox=\hbox{\vrule height8pt width0pt depth3pt}%
+ \let\sc=\sevenrm \normalbaselines\rm}
+%
+\def\eightpoint{\def\rm{\fam0\eightrm}%
+ \gdef\t@size{\greightpoint} % We want greek to follow our conventions
+ \textfont0=\eightrm \scriptfont0=\sixrm \scriptscriptfont0=\fiverm
+ \textfont1=\eighti \scriptfont1=\sixi \scriptscriptfont1=\fivei
+ \textfont2=\eightsy \scriptfont2=\sixsy \scriptscriptfont2=\fivesy
+ \textfont3=\tenex \scriptfont3=\tenex \scriptscriptfont3=\tenex
+ \textfont\itfam=\eightit \def\it{\fam\itfam\eightit}
+ \textfont\slfam=\eightsl \def\sl{\fam\slfam\eightsl}
+ \textfont\ttfam=\eighttt \def\tt{\fam\ttfam\eighttt}
+ \textfont\bffam=\eightbf \def\bf{\fam\bffam\eightbf}
+ \scriptfont\bffam=\sixbf \scriptscriptfont\bffam=\fivebf
+ \tt \ttglue=.5em plus .25em minus.15em
+ \normalbaselineskip=.35cm
+ \setbox\strutbox=\hbox{\vrule height7pt width0pt depth2pt}%
+ \let\sc=\sixrm \normalbaselines\rm}
+%
+% =====================================================================
+% == Format (Page) Definitions ==
+% == New Output routine ==
+% =====================================================================
+\newdimen\pagewidth \newdimen\pageheight \newdimen\ruleht
+\hsize=16.5truecm \vsize=23truecm \maxdepth=2.5pt
+\parindent=10pt \parskip=0pt
+\pagewidth=\hsize \pageheight=\vsize \ruleht=1pt
+\abovedisplayskip=6pt plus 3pt minus 1pt
+\belowdisplayskip=6pt plus 3pt minus 1pt
+\abovedisplayshortskip=0pt plus 3pt
+\belowdisplayshortskip=4pt plus 3pt
+\hfuzz=1pt % Do not make fuss for over 1pt of overfull hbox!
+\overfullrule=0pt % and certainly don't show these boxes to us!
+%
+% Define New Insert for Footnotes
+%
+%
+\def\footnote#1{\edef\@sf{\spacefactor\the\spacefactor}#1\@sf
+ \insert\footins\bgroup\eightpoint
+ \interlinepenalty100 \let\par=\endgraf
+ \leftskip=0pt \rightskip=0pt
+ \splittopskip=10pt plus 1pt minus 1pt \floatingpenalty=20000
+ \smallskip\textindent{#1}\bgroup\strut\aftergroup\@foot\let\next}
+\skip\footins=12pt plus 2pt minus 4pt % space added when footnote exists
+\dimen\footins=30pc % maximum footnotes per page
+\def\footnt{\advance\footno by1\footnote{$^{\number\footno}$}}
+%
+%
+\newif\ifnopagenums\nopagenumsfalse % Shall we include pagenumbers
+\def\nopagenumbers{\nopagenumstrue}
+\def\pagenumbers{\global\nopagenumsfalse}
+%
+% Headlines
+%
+\def\rhead{} % Running Head
+\def\leftheadline{\hbox to\pagewidth{%
+ \vbox to 10pt{}% Strut to position the baseline
+ \tenit\rhead\hfil%
+ \ifnopagenums\else\rlap{\kern0.1pc\tenbf\folio}\fi}}% Running Head left
+\def\rightheadline{\hbox to\pagewidth{%
+ \vbox to 10pt{}% Strut to position the baseline
+ \tenit\rhead\hfil%
+ \ifnopagenums\else\rlap{\kern0.1pc\tenbf\folio}\fi}}%Running Head right
+%
+% Output routine
+%
+\def\onepageout#1{\shipout\vbox{
+ \offinterlineskip
+ \vbox to 3pc{
+ \ifnum\pageno>1
+ \ifodd\pageno\rightheadline\else\leftheadline\fi
+ \fi
+ \vfill}
+ \vbox to \pageheight{
+ #1
+ \ifvoid\footins\else
+ \vskip\skip\footins \kern-3pt
+ \hrule height\ruleht width3cm \kern-\ruleht \kern3pt
+ \unvbox\footins
+ \fi
+ \boxmaxdepth=\maxdepth}}
+ \advancepageno}
+\output{\onepageout{\unvbox255}}
+\newcount\footno\footno=0 % Footnote Number
+\def\section#1{%
+ \medbreak\bigskip
+ \centerline{{\bf #1}}\nobreak
+ \bigskip}
+%
+\def\titleline#1{\line{\hss\titlefont #1\hss}}
+\def\beginFine{\par\bgroup\eightpoint}
+\def\endFine{\egroup\par}
+%
+% Verbatim Listings
+%
+\def\uncatcodespecials{\def\do##1{\catcode`##1=12}\dospecials}
+\def\ttverbatim{\begingroup
+\uncatcodespecials\obeyspaces\obeylines\tt}
+{\obeyspaces\gdef {\ }}
+\outer\def\begintt{\let\par=\endgrapf \ttverbatim\parskip=0pt
+ \ttfinish}
+
+{\catcode`\|=0 |catcode`|\=12
+|obeylines
+|gdef|ttfinish#1^^M#2\endtt{#1|vbox{#2}|endgroup}}
+\catcode`\|=\active % When not in a greek group
+{\obeylines\gdef|{\ttverbatim\spaceskip=\ttglue\let^^M=\ \let|=\endgroup}}
+% =====================================================================
+% == Miscellaneous Definitions ==
+% =====================================================================
+\def\today{\ifcase\month\or
+January\or February\or March\or April\or May\or June\or July\or
+August \or September\or October\or November\or December\fi
+\space\number\day, \number\year}
+
+\def\boxit#1{\vbox{\hrule\hbox{\vrule\kern3pt\vbox{\kern3pt#1\kern3pt}%
+\kern3pt\vrule}\hrule}}
+\def\topboxit#1{\vtop{\hrule\hbox{\vrule\kern3pt\vbox{\kern3pt#1\kern3pt}%
+\kern3pt\vrule}\hrule}}
+\catcode`@=12
+% New defs
+\def\LaTeX{{\rm L\kern-.36em\raise.3ex\hbox{\csc a}\kern-.15em
+ T\kern-.1667em\lower.7ex\hbox{E}\kern-.125emX}}
+\def\greektex{{\csc GreeK}\TeX}%
+\chardef\|`\|
+%
+\newdimen\lefthsize
+\newdimen\exdepth
+\newcount\testcount
+\newbox\exbox
+%
+% Macro For typesetting examples
+%
+\def\exparagraph{%
+\hangindent\lefthsize\testcount=0%
+\loop \advance\testcount by1\ifdim\exdepth>\testcount\baselineskip \repeat
+\advance\testcount by-1
+\hangafter-\testcount
+\rlap{\hbox to\hangindent{\hss\vbox to0pt{\box\exbox\vss}\hss}}
+\ignorespaces}
+
+\def\contparagraph#1{%
+\hangindent\lefthsize
+\hangafter-#1\ignorespaces}
+%
+% =====================================================================
+%
+\greekdelims{dollar} % keep bar for ttverbatim
+\vskip2truecm
+\titleline{Typesetting Greek Texts with \greektex}
+\bigskip
+\centerline{\csc K J Dryllerakis}
+\bigskip
+\centerline{Imperial College}
+\centerline{Department of Computing}
+\centerline{London}
+\centerline{(|kd@doc.ic.ac.uk|)}
+\vskip1truecm
+
+ This document describes \greektex, yet another something-\TeX\
+application, a package for typesetting greek texts. The following
+pages are intended to be a quick tutorial on the package and not a
+detailed account of the package. It is assumed that the \greektex\
+package is already installed at you site and both the greek format
+file (|greek.fmt|) and the alternative \greektex\ macros
+(|greektex.tex|) are accesible to the user. We also assume that all
+the recomended |kd| fonts exist in the font path. If this is not the
+case please consult the installation procedure document which gives
+all the information needed to install the package in your site. In
+the discussion to follow, more \TeX nical material is presented in a
+finer print.
+
+\section{The Greek Mode And Fonts}
+
+ In order to typeset greek text, you have to advise \TeX\ to
+enter a ``Greek Mode''\footnt{The idea of a ``greek environment'' was first
+introduced by Sylvio Levi in his greek fonts; the top level macros of
+our package are inherited from this first approach.}. Entering the
+greek mode is achieved by typing |\begingreek| at the position were
+we want the greek text to begin. The greek mode will be active until
+an |\endgreek| is typed, when we return to the previous state. Inside
+the greek mode, the latin characters typed correspond to the greek
+alphabet and diacritic marcs. The family changing commands (|\sl|,
+|\bf|, |\tt|, |\it|) are automatically switched to correspond to the
+proper greek font families and the classical greek font corresponds
+to the |\gr| or |\rg| command. Roman letters are still available
+through the |\rm| and |\l|{\it oldsequence\/} commands (e.g. |\lsl|).
+When we re-enter the greek mode, the font used last is remembered and
+typesetting continues from the state we left of in the previous greek
+mode.
+\beginFine
+ \TeX nically, entering the greek mode means {\it i\/}. to redifine the
+|\catcode| values for several characters (mostly accents and
+breathing symbols), {\it ii\/}. to declare that we are currently
+typesetting in greek and use the correct hyphenation tables, {\it
+iii\/}. switch to the point size and font used last, and {\it iv\/}.
+redifine the control sequences corresponding to font family switching
+(e.g. |\sl| etc.).
+\endFine
+The font families that are currently avaible are all based on the
+original designs by Sylvio Levi and Haralambous. The families (and
+the corresponding font switching commands) are: classical greek
+(|\gr| or |\rg|), slanted greek (|\sl|), greek italics (|\it|),
+boldface greek (|\bf|) and typewriter greek (|\tt|). Remember that
+these families are only available inside greek mode.
+\beginFine
+ A set of point-setting commands are made available from the
+greek format. Three sizes are prespesified for ten, nine, and eight
+points respectevly. The corresponding commands are |\grtenpoint|,
+|\grninepoint|, and |\greightpoint|. Since not all fonts exist in the
+sizes need, scaled fonts are used instead. Remeber that re-entry in
+the greek mode means picking up from exactly where we previously left
+i.e. from the same point size. If point-size changes are to remain
+local the user is encouraged to enclose them in groups.
+
+ The real names for the control sequences switching to greek
+font families are |\gr|, |\git|, |\gsl|, |\gbf|, |gtt|. These
+commands can be used even outside greek mode to typeset greek short
+texts but it is not recomended. Note that the \LaTeX\ version of
+\greektex\ (the greek style file |greek.sty|) uses only these font
+changing commands.
+\endFine
+Since the commands |\begingreek| and |\endgreek| can be quite tedious
+to repeat, they can be both substituted either by the character |$| or
+{\tt\|} if at the beginning of your file you specify
+|\greekdelims{dollar}| or |\greekdelims{bar}| repsectively. In case
+the |$| character is used, math mode is accessed by the control
+sequence |\math|.
+
+\section{The Greek Alphabet}
+
+ Since \TeX\ was designed to help portability of files, most
+implemetations support only 128 character input (file transfer is
+also based on the 128 ascii set). That means we have to use the Latin
+alphanumeric characters to represent the greek ones. The following
+scheme is used to represent greek characters inside the greek mode:
+\math\math
+\hbox{\valign{
+ \hbox to 10pt{\hfil\strut$#$\hfil}&\hbox to 10pt{\hfil\strut\tt#\hfil}\cr
+ a&a\cr b&b\cr g&g\cr d&d\cr e&e\cr z&z\cr h&h\cr j&j\cr
+ i&i\cr k&k\cr l&l\cr m&m\cr n&n\cr x&x\cr o&o\cr p&p\cr
+ r&r\cr c&s\cr t&t\cr u&u\cr f&f\cr q&q\cr y&y\cr w&w\cr
+ c&c\cr}}
+\math\math
+\beginFine
+ It is a common practise in Greece to substitue the characters
+corresponding to the higher
+ascii codes by greek characters so that users are able to see the
+greek characters directly on the screen. It is fairly easy to write a
+program to transform any such ascii output to the corresponding
+``latin'' representation of the greek characters and feed it directly
+to \TeX 's mouth. For example such a translation program is supplied
+with the current distribution of the em\TeX\ package for DOS based
+machines.
+\endFine
+
+\section{Accents, Breathing And Punctuation}
+
+ Three different accents are encountered in greek texts. In
+order to accent a vowel simply type |'|, |`|, or |~| to get an acute,
+grave or circumflex accent repsectively. Breathing signs are achieved
+in the same way by preceding the vowel (and any accent that it may
+have) with |<| for rough and |>| for
+smooth breathing. Breathings can also be used before a greek rho
+($r$). Iota subscript is achieved by typing {\tt \|} {\it after\/}
+vowel. The diairesis sign is achieved by presiding a (maybe accented)
+vowel by |"|. Greek punctutation marcs are achieved according to the
+following table:
+\math\math
+\hbox{\valign
+ {\hbox to 15pt{\hfil\strut$#$\hfil}&\hbox to 15pt{\hfil\strut\tt#\hfil}\cr
+ .&.\cr ,&,\cr ;&;\cr :&:\cr !&!\cr ?&?\cr ''&''\cr ((&((\cr ))&))\cr}}
+\math\math
+For example, concider the following quotation from Xenophon :
+\bigskip
+{\narrower\narrower\noindent$>En o>udem'ia g'ar p'olei t`o b`eltiston e>'unoun >est`i t~w|
+d~hmw|, >all`a t`o k'akiston >en <ek'asth| >est`i p'olei e>'unoun
+t~w| d~hmw|; o<i g'ar <'omoioi to~ic <omo'ioic e>'unoi e>isi.$\par}
+\bigskip
+\noindent was typeset by \par
+\medskip
+\math\math
+\vbox{\advance\hsize by-40pt\parindent=0pt\noindent
+\obeylines
+|>En o>udem'ia g'ar p'olei t`o b`eltiston e>'unoun >est`i t~w|{\tt\|}
+|d~hmw|{\tt\|}|, >all`a t`o k'akiston >en <ek'asth|{\tt\|}| >est`i|
+|p'olei e>'unoun t~w|{\tt\|}| d~hmw|{\tt\|}|; o<i g'ar <'omoioi to~ic|
+|<omo'ioic e>'unoi e>isi.|
+}
+\math\math
+\noindent Note the use of punctuation and breathing marks before the
+vowels.
+\beginFine
+All accents and breathings are recognised as normal letters insode
+the greek mode. They will print for themselves when they stand alone
+but form ligatures when preciding a vowel. The ligatures do all the
+work for us; the kerning between accents or breathing and capital
+vowels is also done through kerning. This simplifies the macros used
+and the greek character set is usable with only a few |\catcode|
+definitions. All the rest of the mechanisms supplied in the greek
+format are only to facilitate the usage of the fonts in standard text
+and macro creation.
+\endFine
+
+\section{Hyphenation}
+
+ If you are working with the greek format file, then correct
+hyphenation is assured for greek text. The hyphenation patterns
+supplied in the file are the ones compiled by Haralambous in France.
+If you are working with the file |greektex.tex| then no hyphenation
+patterns are loaded; this fact makes the macros of |greektex.tex|
+suitable for only small greek texts. \greektex, takes full advantage
+of the multilingual characteristics of \TeX\ version 3.0 or higher by
+declaring a new language and identifying the correct patterns for this
+new language. The result is correct hyphenation for texts containing
+both greek and latin texts.
+\beginFine
+In case you want to use \greektex with another multilingual package,
+it is important to find out the limitation of your \TeX version. It
+is possible that the number of allowed hyphenation patterns exceeds
+the number needed. Remember that plain \TeX\ uses 4447 patterns and
+\greektex\ needs a futher 1170.
+
+It is possible to see the proposed hyphenation for a word using a
+macro similar to |\showhyphens| (supplied with plain \TeX). The macro
+|\showgreekhyphens| can be used succesfully only inside greek mode.
+This is due to the fact that the argument for the macro has to be
+scanned with the correct |\catcode| values active.
+\endFine
+\bigskip
+%
+%%%% TEST
+
+\section{Building Macros}
+
+ Let us now turn to some examples that will demonstrate the
+use of the \greektex\ macros within your own definitions.
+
+%% Define macros for the current section
+
+\def\verse#1#2{\line{#1\hfil#2}}
+
+
+\setbox\exbox=\vtop{\hrule height0pt
+\hrule\hbox{\vrule\kern6pt\vbox{\kern6pt%
+ \vbox{\hsize=7truecm
+ $\greightpoint
+ \centerline{\bf PALAIOJEN ELLHNIS}
+ \smallskip
+ \verse{Kauqi'etai <h >Anti'oqeia}{gi`a t`a lampr'a thc kt'iria,}
+ \verse{ka`i to'uc <wra'iouc thc dr'omouc;}{gi`a t`hn per`i a>ut'hn}
+ \verse{jaum'asian >exoq'hn,}{ka`i gi`a t`o m'ega pl~hjoc}
+ \verse{t~wn >en a>ut~h| kato'ikwn.}{Kauqi'etai po`u e>~in'' <h <'edra}
+ \verse{>end'oxwn basil'ewn;}{ka`i gi`a to`uc kallit'eqnac}
+ \verse{ka`i to`uc sofo'uc po`u >'eqei,}{ka`i gi`a to`uc bajuplo'utouc}
+ \verse{ka`i gnwstiko`uc >emp'orouc.}{M`a pi`o pol`u >asugkr'itwc}
+ \verse{>ap'' <'ola, <h >Anti'oqeia}{kauqi'etai po`u e>~inai p'olic}
+ \verse{palai'ojen <ellhn'ic;}{to~u >'Argouc suggen'hc:}
+ \verse{>ap'' t`hn >I'wnh po`u}{<idr'ujh <up`o >Arge'iwn}
+ \verse{>apo'ikwn pr`oc tim`hn}{t~hc k'orhc to~u >In'aqou.}
+ \bigskip
+ \leftline{K. Kab'afhc}$
+ }
+ \kern6pt}\kern6pt\vrule}\hrule}
+\lefthsize=\wd\exbox\advance\lefthsize by20pt%
+\exdepth=\dp\exbox\advance\exdepth by\ht\exbox
+%% End of example macros
+
+\exparagraph Let us try to typeset this poem written by a greek poet
+of the 20th century. The peculiar format is the original one required
+by the poet. It is immediatly apparent that a command taking two
+arguments can be used to typeset each verse; the arguments will be
+the left and right part of each verse. The only important problem
+encountered is the following: when \TeX\ is reading the
+arguments of a command, it immedietly assigns |\catcode| values to
+the tokens read. So, if the correct |\catcode| values are not active
+at the time the arguments are scanned, \TeX\ is much confused.
+Consequently, macros that take as arguments greek text must be called
+from within greek mode. Having that in mind we can define a macro
+|\verse| that will correctly typeset one verse of the poem. The macro
+is defined as follows:
+\smallskip
+\hbox to\hsize{\hss|\def\verse#1#2{\line{#1\hfill#2}}|\hss}
+\smallskip
+\noindent It is assumed of course that the |\hsize| required
+for the document is already set. The rest is easy.
+\math\math
+\vbox{\narrower\narrower\parindent=0pt\obeylines
+ |$|
+ |\centerline{\bf PALAIOJEN ELLHNIS}|
+ |\smallskip|
+ |\verse{Kauqi'etai <h >Anti'oqeia}{gi`a t`a lampr'a thc kt'iria,}|
+ \centerline{\vdots}
+ |\verse{>apo'ikwn pr`oc tim`hn}{t~hc k'orhc to~u >In'aqou.}|
+ |\bigskip|
+ |\leftline{K. Kab'afhc}|
+ |$|}
+\math\math
+
+%% Begin Example macros
+{\setlatin % Switch to normal TeX Mode (Deactivate both | and $)
+\greekdelims{bar}
+\global\setbox\exbox=\vtop{\hrule height0pt
+\hrule\hbox{\vrule\kern6pt\vbox{\kern6pt%
+ \vbox{\hsize=9.6truecm\eightpoint
+ |\greightpoint\gr
+ \hbox to\hsize{\hfil {\tengri 7.2 T'o s'usthma K'entrou %
+M'azac 172}}
+ \bigskip
+ \noindent {\bf 7.2 To s'usthma k'entrou M'azac}
+ \medskip
+ E'inai suqn'a bolik'o na perigr'afetai h k'inhsh tou sust'hmatoc se
+ pla'isio anafor'ac sto opo'io to k'entro m'azac hreme'i sthn arq'h twn
+ ax'onwn. (Se barutik'o ped'io, to s'usthma aut'o e'inai epitagqun'omeno, mh
+ adraneiak'o, par'ola aut'a e'inai p'ali qr'hsimo.) Kale'itai to s'usthma
+ {\it k'entrou m'azac} (KM). Ja sumbol'izoume ta meg'ejh pou andaf'erontai
+ s''aut'o me 'enan aste\-r'i\-sko.
+
+ H sqetik'h j'esh $r$ e'inai b'ebaia anex'arthth ap'o to p'wc
+ epil'egetai h arq'h, 'etsi 'wste j'etontac $R^*=0$ st'hn
+ (7.7) br'iskoume
+ $${\lbf r}^*_1={m_2\over M}{\lbf r},\qquad {\lbf r}^*_2=-{m_1\over
+ M}{\lbf r}\eqno(7.12)$$
+ St'o s'usthma aut'o, oi orm'ec twn d'uo swmat'iwn e'inai
+ ('isec kai) ant'ijetec,
+ $$m_ir^*_i = -m_2r^*_2=\mu r = p^*\eqno(7.13)$$
+ 'Opwc ja do'ume kajar'a arg'otera, e'inai suqn'a bolik'o
+ na epil'uoume ena pr'oblhma pr'wta sto s'usthma KM. %Gia na
+% bro'ume thn l'ush se k'apoio 'allo
+% s'usthma, qreiaz'omaste t'ote tic sq'eseic an'amesa
+% stic orm'ec sta d'uo
+% sust'hmata. Ac jewr'hsoume 'ena s'usthma sto opo'io to k'entro m'azac
+% kine'itai me taq'uthta ${\lbf R}$. T'ote oi taq'uthtec twn d'uo
+% swmatid'iwn e'inai:
+ |
+ \smallskip
+ \hbox to\hsize{\hss\vdots\hss}
+ }
+ \kern6pt}\kern6pt\vrule}\hrule}
+}
+\lefthsize=\wd\exbox\advance\lefthsize by20pt%
+\exdepth=\dp\exbox\advance\exdepth by\ht\exbox
+%% End of example macros
+\exparagraph \tolerance=2000 Let us now turn to our second example which will demonstrate
+scientific typesetting in greek. The example is taken from the book
+{\it Classical Mechanics\/} by T.W.B. Kibble in its greek
+translation. Let us suppose that we are trying to typeset this book;
+how would we go about to build the macros needed? First of all we
+will be using a lot of math formulae and therefore we are in
+desperate need of the start and end math symbol. Since we are using
+modern greek and no iota ligatures are needed, we can redifine the
+bar {\tt\|} to stand for the begin and end greek by
+|\greekdelims{bar}|. This might turn out to be convenient if we
+want to include latin words in the text. Now for the macros.
+Starting with the
+headline appearing at the top of the page we need to define the
+|\headline| macro. This must be done within greek mode to correctly
+interprent the tokens scanned:
+\math\math
+\vbox{\parindent=0pt\obeylines
+|\begingreek|
+|\global\headline={\hfil {\git T'o s'usthma K'entrou M'azac}\ \folio}|
+|\endgreek|}
+\math\math
+It might be wiser to change the |\git| command either to
+|\grtenpoint\git| or |\tengri| to ensure that the correct font is
+selected when the output routine is called.
+
+To typeset math formulae you only have to use the standard \TeX\
+rules. Even within greek mode entering the math mode has exactly the
+same effect as from the plain \TeX\ mode. This is not entirely true
+since the font changing sequences are redefined. If you want boldface
+characters within the math mode you have to use the |\lbf| command
+and the same for any other family. See how is it really is:
+\math\math
+\vbox{\eightpoint\parindent=0pt\obeylines
+ |\hsize=12truecm|
+ |\begingreek|
+ |\grtenpoint % Switch to ten point characters|
+ |\gr % Default font|
+ |\noindent {\bf 7.2 To s'usthma k'entrou M'azac}|
+ |\medskip|
+ |E'inai suqn'a bolik'o na perigr'afetai h k'inhsh tou sust'hmatoc se|
+ |pla'isio anafor'ac sto opo'io to k'entro m'azac hreme'i sthn arq'h twn|
+ |ax'onwn. (Se barutik'o ped'io, to s'usthma aut'o e'inai epitagqun'omeno, mh|
+ |adraneiak'o, par'ola aut'a e'inai p'ali qr'hsimo.) Kale'itai to s'usthma|
+ |{\it k'entrou m'azac} (KM). Ja sumbol'izoume ta meg'ejh pou andaf'erontai|
+ |s''aut'o me 'enan aster'isko.|
+
+ |H sqetik'h j'esh $r$ e'inai b'ebaia anex'arthth ap'o to p'wc|
+ |epil'egetai h arq'h, 'etsi 'wste j'etontac $R^*=0$ st'hn|
+ |(7.7) br'iskoume|
+ |$${\lbf r}^*_1={m_2\over M}{\lbf r},|
+ | \qquad {\lbf r}^*_2=-{m_1\over M}{\lbf r}\eqno(7.12)$$|
+ |St'o s'usthma aut'o, oi orm'ec twn d'uo swmat'iwn e'inai |
+ |('isec kai) ant'ijetec,|
+ |$$m_ir^*_i = -m_2r^*_2=\mu r = p^*\eqno(7.13)$$|
+ |'Opwc ja do'ume kajar'a arg'otera, e'inai suqn'a bolik'o |
+ |na epil'uoume ena pr'oblhma pr'wta sto s'usthma KM.|
+ |\endgreek|
+}
+\math\math
+
+\section{Final Remarks}
+
+ Except from the macros explained above, the greek format also
+has a set ofgeneral use macros. It is possinble that in certain
+cases, greek mode will be the dominant mode. To switch to a permenant
+greek mode use the command |\setgreek|. If you want to restore the
+original \TeX\ mode (including restoring any reassignents of |$| or
+{\tt\|}) use the command |\setlatin|.
+\beginFine
+ These commands are based on the internal commands
+|\gr@@km@de| and |\l@tinmode|. Both define the |\catcode|s for the
+mode. A macro-builder can use them to create different environments
+e.g. a command to switch to english from a global greek mode. Just
+remeber that you will be on your own so you will have to switch to
+the enclish language manually by a command |\language0|.
+\endFine
+
+\bye
+
diff --git a/Master/texmf-dist/doc/fonts/leawood/README b/Master/texmf-dist/doc/fonts/leawood/README
new file mode 100644
index 00000000000..f4a31fdac37
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/leawood/README
@@ -0,0 +1,86 @@
+ +--------------------------------+
+ | THE LEAWOOD PACKAGE |
+ | Scott Pakin, pakin@uiuc.edu |
+ +--------------------------------+
+
+
+Description
+===========
+
+The leawood package provides all of the files needed to make the ITC
+Leawood font available to TeX and LaTeX. Note that the font itself is
+not freely available; the leawood package assumes you have already
+purchased ITC Leawood.
+
+leawood.pdf contains some brief documentation and font samples.
+
+
+Installation
+============
+
+Copy all of the ITC Leawood .pfb files into
+texmf/fonts/type1/public/leawood. Optionally copy all of the .afm
+files into texmf/fonts/afm/public/leawood. Remember: ITC Leawood is a
+commercial font; you have to purchase the .pfb (PostScript Type 1)
+files. In order for LaTeX to recognize ITC Leawood the font files
+must be renamed according to the Berry naming scheme:
+
+ lwb_____.PFB --> ilwb8a.pfb
+ lwbi____.PFB --> ilwbi8a.pfb
+ lwbl____.PFB --> ilwc8a.pfb
+ lwbli___.PFB --> ilwci8a.pfb
+ lwm_____.PFB --> ilwm8a.pfb
+ lwmi____.PFB --> ilwmi8a.pfb
+ lww_____.PFB --> ilwk8a.pfb
+ lwwi____.PFB --> ilwki8a.pfb
+
+and likewise for the .afm files.
+
+Copy the contents of leawood's texmf subdirectory onto your local
+texmf directory (e.g., /usr/local/texmf or C:\localtexmf). Run
+texhash or invoke whatever program is needed to update TeX's filename
+database.
+
+Tell dvips, pdftex, xdvi, yap, etc. to utilize leawood.map. In the
+teTeX TeX distribution, this is done by adding leawood.map (possibly
+with full pathname) to the extra_modules section of the updmap script
+(located in texmf/dvips/config/) then running updmap. In other
+distributions, you may need to add "p +leawood.map" to your config.ps
+file (probably also located in texmf/dvips/config/) and, if you use
+pdfTeX, "map +leawood.map" to your pdftex.cfg file (probably in
+texmf/pdftex/config/).
+
+The leawood package uses LuxiMono as its default fixed-width font so
+it is recommended that you install the luximono package as well.
+(leawood will issue a warning message -- but not abort -- if luximono
+is unavailable.) luximono is freely available from CTAN at
+http://www.ctan.org/tex-archive/fonts/LuxiMono/.
+
+
+Usage
+=====
+
+Put "\usepackage{leawood}" in your document's preamble. This replaces
+Computer Modern with ITC Leawood as the default body font. See
+leawood.pdf for further details and a description of the package
+options.
+
+
+Copyright and License
+=====================
+
+The leawood LaTeX2e package is covered by the following copyright and
+license:
+
+ Copyright (C) 2003 by Scott Pakin <pakin@uiuc.edu>
+ --------------------------------------------------
+
+ These files may be distributed and/or modified under the
+ conditions of the LaTeX Project Public License, either version 1.2
+ of this license or (at your option) any later version. The latest
+ version of this license is in:
+
+ http://www.latex-project.org/lppl.txt
+
+ and version 1.2 or later is part of all distributions of LaTeX
+ version 1999/12/01 or later.
diff --git a/Master/texmf-dist/doc/fonts/leawood/leawood.pdf b/Master/texmf-dist/doc/fonts/leawood/leawood.pdf
new file mode 100644
index 00000000000..e4b2d930205
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/leawood/leawood.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/levy/00readme.txt b/Master/texmf-dist/doc/fonts/levy/00readme.txt
new file mode 100644
index 00000000000..000ef26a9ef
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/levy/00readme.txt
@@ -0,0 +1,99 @@
+This directory contains materials for using TeX to typeset Greek
+text using Sylvio Levy's fonts. The following files are present:
+
+00readme.txt This file.
+a.mf MF code for alpha-based characters
+b.mf MF code for beta-based characters
+d.mf MF code for delta-based characters
+digits.mf MF code for numerals
+e.mf MF code for epsilon-based characters
+f.mf MF code for phi-based characters
+g.mf MF code for gamma-based characters
+gen_acc.mf MF code for accents
+gen_sigma.mf MF code for sigma compounds
+graccent.mf MF code for accents
+grbase.mf MF code for base Greek macros
+grbld8.mf Parameter file for 8pt Bold
+grbld9.mf Parameter file for 9pt Bold
+grbld10.mf Parameter file for 10pt Bold
+greek.mf Driver file for Greek font
+greekhist.tex History of Greek typesetting and info on
+ these fonts
+greekmacros.tex Macros to use Greek fonts.
+greekuse.tex Instructions on using the fonts.
+grinstall.tex Instructions on installing the fonts.
+grpunct.mf MF code for punctuation
+grreg8.mf Parameter file for 8pt "Roman"
+grreg9.mf Parameter file for 9pt "Roman"
+grreg10.mf Parameter file for 10pt "Roman"
+grtestfont.tex Testing TeX file for Greek (analagous to
+ testfont.tex)
+grtt10.mf Parameter file for 10pt Typewriter
+h.mf MF code for eta-based characters
+i.mf MF code for iota-based characters
+j.mf MF code for theta-based characters
+k.mf MF code for kappa-based characters
+l.mf MF code for lambda-based characters
+lig.mf MF code for ligatures
+lower.mf Driver file for lower case Greek letters
+m.mf MF code for mu-based characters
+makeall. Shell script to make all fonts
+makefont. Shell script to generate a font.
+modes.mf Mode definitions
+n.mf MF code for nu-based characters
+o.mf MF code for omicron-based characters
+p.mf MF code for pi-based characters
+q.mf MF code for chi-based characters
+r.mf MF code for rho-based characters
+s.mf MF code for sigma-based characters
+t.mf MF code for tau-based characters
+testfont. Shell script to test fonts.
+todo.txt List of improvements to be made to the fonts.
+u.mf MF code for upsilon-based characters.
+upper.mf MF code for upper case characters
+w.mf MF code for omega-based characters
+x.mf MF code for xi-based characters
+y.mf MF code for psi-based characters
+z.mf MF code for zeta-based characters
+
+Copyright (C) 1987 Princeton University
+
+These fonts by Silvio Levy are partly based on Don Knuth's
+Computer Modern family of fonts. They are distributed WITHOUT
+ANY WARRANTY, express or implied. Please send comments,
+suggestions, etc. to levy@princeton.edu
+
+IMPORTANT NOTE:
+
+These fonts make use of the 256-character capabilities of gf
+format. They cannot be converted to the obsolete PXL format which
+allows only 128 characters. If you are still using PXL format
+drivers, it is time to convert. If you are using a gf format
+driver with only 128 character capacity, you are missing
+something. See doc/install.tex.
+
+Metafont must have |max_in_open| increased (to 10) to compile
+these fonts as they stand. The appropriate change has been added
+to the change files on the UnixTeX distribution. If you're
+getting these fonts other than from the TeX distribution, and if
+you don't have access to Metafont source, you'll have to merge
+some files before you attempt compilation:
+
+ In src/s.mf, replace the line readfrom("gen_sigma") by the
+ contents of src/gen_sigma.mf.
+ In src/lower.mf, replace each line by the contents of the
+ corresponding file; for instance, replace readfrom("a") by
+ the contents of src/a.mf.
+ In greek.mf, right after the line that says ``font_setup''
+ insert the lines
+
+ readfrom("gen_acc");
+ readfrom("gen_sigma");
+
+HMC:
+At HMC a couple of modifications have been made to the MF files:
+
+ The definition of readfrom has been changed so that no
+ directory information is present.
+ accent.mf has been renamed graccent.mf and punct.mf has been
+ renamed grpunct.mf to prevent conflicts with CM files.
diff --git a/Master/texmf-dist/doc/fonts/levy/greekhist.tex b/Master/texmf-dist/doc/fonts/levy/greekhist.tex
new file mode 100644
index 00000000000..044e29601e0
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/levy/greekhist.tex
@@ -0,0 +1,443 @@
+%\magnification=\magstep1
+\def\midspace#1{}
+\def\caption#1{}
+
+\input greekmacros
+
+\greekdelims
+
+\def\plus{\math{}+{}\math}
+\font\man=logo10 at 10true pt % font used for special symbols (old version)
+ \def\MF{{\man META}\-{\man FONT}}%
+% macros for verbatim scanning
+\newskip\ttglue \ttglue=.5em plus.25em minus.15em
+\chardef\other=12
+\def\ttverbatim{\begingroup
+ \catcode`\\=\other
+ \catcode`\{=\other
+ \catcode`\}=\other
+ \catcode`\$=\other
+ \catcode`\&=\other
+ \catcode`\#=\other
+ \catcode`\%=\other
+ \catcode`\~=\other
+ \catcode`\_=\other
+ \catcode`\^=\other
+ \obeyspaces \obeylines \tt}
+
+\outer\def\begintt{$$\let\par=\endgraf \ttverbatim \parskip=\z@
+ \catcode`\|=0 \rightskip-5pc \ttfinish}
+{\catcode`\|=0 |catcode`|\=\other % | is temporary escape character
+ |obeylines % end of line is active
+ |gdef|ttfinish#1^^M#2\endtt{#1|vbox{#2}|endgroup$$}}
+
+\catcode`\|=\active
+{\obeylines \gdef|{\ttverbatim \spaceskip\ttglue \let^^M=\ \let|=\endgroup}}
+
+%\documentstyle{amsppt}
+%\nologo
+%
+%\topmatter
+%\title Typesetting Greek \endtitle
+%\author Silvio Levy \endauthor
+%\affil Princeton University \endaffil
+%\address{Fine Hall, Washington Road, Princeton, NJ, 08544}
+%\abstract{
+%We discuss the design, creation and use of a family of Greek fonts for
+%\TeX. The fonts can be used for modern or classical
+%Greek, by themselves or in combination with the Computer Modern family
+%of fonts. A short historical introduction is followed by a discussion
+%of special topics, including the handling of accents and breathings,
+%hyphenation, and the two varieties of sigma.
+%}
+%\endtopmatter
+%\document
+%
+
+\font\eightpoint=cmr8
+\font\twelverm=cmr10 at 12pt
+\def\heading#1\endheading{\bigskip\centerline{\twelverm#1}\medskip}
+
+%formatting conventions for proceedings
+\catcode`@=11
+\font\titlefont=cmr17
+\font\namefont=cmcsc10 scaled \magstep1
+\font\twelvebd=cmbx10 scaled \magstep1
+\font\twelverm=cmr10 scaled \magstep1
+\font\sixrm=cmr6
+\vsize=43pc
+\hsize=29pc
+\parindent=16pt
+\nopagenumbers
+\normalbaselines
+\footline={\hss\sixrm\folio\hss}
+\def\makefootline{\baselineskip3pc\line{\the\footline}}
+\def\plainoutput{\shipout\vbox{\makeheadline\pagebody\makefootline}%
+ \advancepageno
+ \vsize=45pc
+ \ifnum\outputpenalty>-\@MM \else\dosupereject\fi}
+\def\makeheadline{\vbox to\z@{\vskip-22.5\p@
+ \line{\vbox to8.5\p@{}\ifnum\count0=1
+ \else\ifodd\count0
+ \hfill\the\doctitle\ignorespaces
+ \else \the\authorname\hfill\fi\fi}\vss}\nointerlineskip}
+
+\newtoks\doctitle \newtoks\authorname
+
+\doctitle={Typesetting Greek}
+\authorname={Silvio Levy}
+\catcode`@=12 % at signs are no longer letters
+\tenrm
+\begingroup
+\titlefont
+\the\doctitle
+\vskip 3pc
+\namefont\the\authorname
+\tenrm
+\vskip 1pc
+{\obeylines
+Mathematics Department
+Princeton University
+Princeton, NJ, 08544
+}
+\vskip 3pc
+\line{\hfill\twelvebd ABSTRACT\hfill}
+\vskip 3pc
+\leftskip 4pc \rightskip 4pc
+We discuss the design, creation and use of a family of Greek fonts for
+\TeX. The fonts can be used for modern or classical
+Greek, by themselves or in combination with the Computer Modern family
+of fonts. A short historical introduction is followed by a discussion
+of special topics, including the handling of accents and breathings,
+hyphenation, and the two varieties of sigma.
+\par
+\endgroup
+\vskip 3pc
+
+\heading A Bit of History \endheading
+
+During the first four centuries after the introduction of the printing
+press in Europe, the printing of Greek was hampered by the relative
+inadequacy of existing types, at least in comparison with the quality
+and variety of the best roman fonts. This was partly a consequence
+of the antiquity of the language and its consequent evolution in both
+writing and pronunciation: not only did the letterforms change over time,
+but they came to be adorned with a multitude of diacritical marks, a
+legacy of zealous scribes and grammarians anxious to preserve the
+pristine state of the language that lent them their prestige.
+
+In the early days we find that the few printers that attempted to cut
+Greek type generally ignored all this complexity, either disregarding
+the diacritics or casting them separately and setting them
+above each line of text. Some texts were printed in
+lowercase only; others would make do with roman capitals like `A' and
+even some lowercase roman glyphs, like `v' for `$n$'. (See figures
+1--12 in [Brit.~Mus.~1927], an excellent historical survey.)
+
+In 1495 Aldus Manutius introduced cursive greeks.
+They became a resounding success, as they reproduced the florid
+and idiosyncratic handwriting of the day, full of abbreviations
+and ligatures. The inordinate number of ligatures is in fact the
+most striking feature of such fonts: for example, Fell's ``Great
+Primer Greek'' [Morison 1967, p.~102] has sorts for many
+four-letter words and prefixes.
+
+Although skilfully typeset books using cursive fonts are undeniably
+beautiful (see [Brit.~Mus.~1927], figure 29), the use of so many
+ligatures was a nightmare for compositor and reader alike, since
+in some cases the component letters are virtually unidentifiable.
+Gradually the fonts were scaled down in size, but the practice
+of imitating handwriting remained until the end of the eighteenth
+century, when Bodoni, G\"oschen and Didot paved the way back to a
+more sober course.
+
+Still problems remained. Porson's greek [Mosley 1960], first used
+in 1826 and destined to become the standard of the English-speaking
+world, continues the illogical tradition of mixing upright capitals
+with slanted minuscules; in particular the blending of Greek and roman
+text leads to poor results (figure 1). Didot's design was somewhat
+more felicitous, and became standard in Italy, France and Greece itself
+(figure 2), but the type is narrow and irregular, bearing, according
+to Scholderer [Brit.~Mus.~1927, p.~14], the `malign mark' of Bodoni's
+greeks (which were admittedly not a match for his inspired romans).
+\midspace{1.1truein}
+\caption{\eightpoint Figure 1}
+
+\midspace{1.2truein}
+\caption{\eightpoint Figure 2}
+
+(Incidentally, the different treatment of capitals established itself
+in mathematical typesetting. In English books, Greek capitals are the
+only math letters that are not slanted; in French and German books
+they conform with the rest. The Computer Modern Greek faces are
+based on Porson. They are, of course, meant for math; when used
+for text, as in [Wonneberger 1987], the results fall short of
+the perfection achievable with \TeX.)
+
+It was not until the beginning of this century that really
+well-designed Greek types became available, including Scholderer's
+`New Hellenic' type (figure 3), based on a pre-Aldine model,
+and the Monotype font shown in figure 4, a much improved version
+of Didot's design and perhaps the typeface most favored for
+high-quality printing in Greece during the last few decades.
+\midspace{1.1truein}
+\caption{\eightpoint Figure 3}
+
+\midspace{1.3truein}
+\caption{\eightpoint Figure 4}
+
+\heading Requirements \endheading
+
+My main motivation in designing a family of Greek fonts is the
+preparation of a Modern Greek--English dictionary. This in itself
+makes the design more exacting: the fonts should not only look good
+individually and in combination, but also blend well with Computer
+Modern fonts; there should be at least three main styles, different
+enough that no special effort to distinguish between them is required,
+even in small point size; and the typing should be as painless as
+possible on a standard (English) keyboard.
+This last condition is, of course, open to interpretation, but I
+define it to mean that each grapheme (letter, accent, etc.)~should
+require as few keystrokes as possible---generally one, but
+occasionally more, like accents in English.
+
+In esthetic terms there are a lot of details to work out, but the
+foundation has been laid. I follow loosely the type shown in figure 4,
+which shares several features with the Computer Modern roman:
+sharp contrast between thicks and thins, similar letter widths,
+and a wealth of texture and detail. (This is not surprising since
+the `modern' family of fonts goes back to Bodoni and Didot.)
+But it also has distinguishing features, which recapture some of the
+beauty of cursive writing: its strokes are more fluid, and there
+is no left-right symmetry (compare a roman `o' with a greek `$o$').
+
+Modern Greek has traditionally been typeset with the diacritic
+apparatus of ancient Greek, which is very rich: it contains two accents,
+the acute $'$ and the grave $`$, that can go over any vowel, plus one,
+the circumflex $~$, that can go over the vowels $ahiuw$; two so-called
+breathings $<>$, one of which goes over every vowel or diphthong
+in initial position; the diaeresis $"$, that can go over $i$ and $u$;
+and the iota subscript $|$, that can go under $ahw$. An accent
+plus a breathing, or an accent plus the dieresis, can coexist;
+furthermore any accent, breathing or accent-breathing combination
+can share a vowel with an iota subscript. Here, for example,
+are the 24 possible varieties of lowercase $a$:
+\display
+\hbox{$a 'a `a ~a <a <'a <`a <~a >a >'a >`a >~a
+a| 'a| `a| ~a| <a| <'a| <`a| <~a| >a| >'a| >`a| >~a|$}
+\display
+
+In the last several decades the tendency has been to get rid of these
+complications, and now the ``official'' system in use in Greece includes
+only one accent and the dieresis, without breathings or iota subscripts.
+Even though I work primarily with modern Greek, however, I thought
+it short-sighted not to include the whole apparatus, having in mind
+both classicists and those traditionalists who
+still prefer the three-accent system, as do some publishing houses.
+
+It was clear right away that these diacritics should be implemented as
+ligatures, not as \TeX\ accents, because in \TeX\ words that include
+accents cannot be hyphenated. This implied that 128 font
+positions were not enough. Fortunately \TeX\ and \MF\ are
+well equipped to handle 256-position fonts, though most device
+drivers are not (see the section `Other Problems').
+
+Following the one-keystroke-per-grapheme rule, then, one can conjure
+up the last alpha in the display above by typing |>~a|{\tt\char`\|},
+which accesses a four-character ligature. The remaining conventions
+for diacritics are: |'| and |`| for the acute and grave, respectively;
+|"| for the dieresis; and |<| for the rough breathing. (If you're
+wondering how to produce quotation marks, or $((e>isagwgik'a))$,
+it's by typing |((| and |))|.)
+
+\heading The Font Layout \endheading
+
+A further complication has to do with the letter sigma. According to
+Knuth [1980], the letter `s' is in a class by itself in terms of
+complexity of design; its Greek counterpart is similarly difficult, though
+for different reasons. A sigma in initial or medial position in the word
+is written $c$, but in final position it is written $s$. Since the
+alternation is entirely conditioned, it seemed a pity to require different
+characters in the \TeX\ file to represent the two varieties of sigma.
+
+The first solution I tried made no assumptions on the font. It
+consisted in making `s' an active character, which checked the next
+token and printed $c$ if it was a letter, $s$ otherwise. There were
+two drawbacks to this procedure: the letter `s' could not be used
+in control sequences, and the check was expensive. (It also didn't
+work when the next token was a control sequence that expanded to one
+or more letters.)
+
+A better idea is to save one position in the font for an
+invisible dummy character. All punctuation marks (and the space)
+are made active; they expand to the dummy end-of-word character,
+plus the punctuation character. An `s' by itself prints as $c$,
+while an `s' in ligature with the dummy---which is to say, at the end
+of a word---prints as $s$. All other letters yield themselves when
+in ligature with the dummy. This is still not ideal for two reasons:
+\TeX\ is always ``obeying spaces,'' and words separated by something
+other than punctuation or spaces (say |\par|) count as one. (But
+this might be the only practicable solution for the Hebrew alphabet,
+which has five chameleon letters.)
+
+The solution I chose avoids the drawbacks above, at the expense of
+several positions in the font. Namely, the font contains each of
+the possible combinations $sa$, $sb$, \dots, $sw$, which are
+automatically accessed as ligatures when the word contains `s'
+followed by a letter.
+
+\pageinsert
+{
+\font\twelverm=cmr10 scaled \magstep1
+\font\twelvei=cmmi10 scaled \magstep1\skewchar\twelvei='177
+\font\twelvesy=cmsy10 scaled \magstep1\skewchar\twelvesy='60
+\font\twelvebf=cmbx10 scaled \magstep1
+\font\twelvett=cmtt10 scaled \magstep1\hyphenchar\twelvett=-1
+\font\twelvesl=cmsl10 scaled \magstep1
+\font\twelveit=cmti10 scaled \magstep1
+
+\def\twelvepoint{\def\rm{\fam0\twelverm}%
+ \textfont0=\twelverm
+ \textfont1=\twelvei
+ \textfont2=\twelvesy
+ \textfont3=\tenex
+ \def\it{\fam\itfam\twelveit}%
+ \textfont\itfam=\twelveit
+ \def\sl{\fam\slfam\twelvesl}%
+ \textfont\slfam=\twelvesl
+ \def\bf{\fam\bffam\twelvebf}%
+ \textfont\bffam=\twelvebf \scriptfont\bffam=\sevenbf
+ \scriptscriptfont\bffam=\fivebf
+ \def\tt{\fam\ttfam\twelvett}%
+ \textfont\ttfam=\twelvett
+ \tt \ttglue=.5em plus.25em minus.15em
+ \normalbaselineskip=14.5pt
+ \setbox\strutbox=\hbox{\vrule height10.5pt depth4pt width0pt}%
+ \normalbaselines\rm}
+
+\twelvepoint
+\font\my=grreg10 scaled \magstep1
+\centerline{
+\def\:{\char\count255\global\advance\count255 by 1}
+\count255='0
+\vbox{
+\hbox{\hbox to 40pt{\it\hfill0\/\hfill}%
+\hbox to 40pt{\it\hfill1\/\hfill}%
+\hbox to 40pt{\it\hfill2\/\hfill}%
+\hbox to 40pt{\it\hfill3\/\hfill}%
+\hbox to 40pt{\it\hfill4\/\hfill}%
+\hbox to 40pt{\it\hfill5\/\hfill}%
+\hbox to 40pt{\it\hfill6\/\hfill}%
+\hbox to 40pt{\it\hfill7\/\hfill}}
+\vskip 4pt
+\hrule
+\def\^{\vrule height 10.5pt depth 4.5pt}
+\halign{\hbox to 0pt{\hskip -24pt {\rm\'{}\kern-.2em\it#}\hfill}&\^
+\hbox to 40pt{\my\hfill#\hfill\^}&
+&\hbox to 40pt{\my\hfill#\hfill\^}\cr
+00&\:&\:&\:&\:&\:&\:&\:&\:\cr\noalign{\hrule}
+01&\:&\:&\:&\:&\:&\:&\:&\:\cr\noalign{\hrule}
+02&\:&\:&\:&\:&\:&\:&\:&\:\cr\noalign{\hrule}
+03&\:&\:&\:&\:&\:&\:&\:&\:\cr\noalign{\hrule}
+04&\:&\:&\:&\:&\:&\:&\:&\:\cr\noalign{\hrule}
+05&\:&\:&\:&\:&\:&\:&\:&\:\cr\noalign{\hrule}
+06&\:&\:&\:&\:&\:&\:&\:&\:\cr\noalign{\hrule}
+07&\:&\:&\:&\:&\:&\:&\:&\:\cr\noalign{\hrule}
+10&\:&\:&\:&\:&\:&\:&\:&\:\cr\noalign{\hrule}
+11&\:&\:&\:&\:&\:&\:&\:&\:\cr\noalign{\hrule}
+12&\:&\:&\:&\:&\:&\:&\:&\:\cr\noalign{\hrule}
+13&\:&\:&\:&\:&\:&\:&\:&\:\cr\noalign{\hrule}
+14&\:&\:&\:&\:&\:&\:&\:&\:\cr\noalign{\hrule}
+15&\:&\:&\:&\:&\:&\:&\:&\:\cr\noalign{\hrule}
+16&\:&\:&\:&\:&\:&\:&\:&\:\cr\noalign{\hrule}
+17&\:&\:&\:&\:&\:&\:&\:&\:\cr\noalign{\hrule}
+20&\:&\:&\:&\:&\:&\:&\:&\:\cr\noalign{\hrule}
+21&\:&\:&\:&\:&\:&\:&\:&\:\cr\noalign{\hrule}
+22&\:&\:&\:&\:&\:&\:&\:&\:\cr\noalign{\hrule}
+23&\:&\:&\:&\:&\:&\:&\:&\:\cr\noalign{\hrule}
+24&\:&\:&\:&\:&\:&\:&\:&\:\cr\noalign{\hrule}
+25&\:&\:&\:&\:&\:&\:&\:&\:\cr\noalign{\hrule}
+26&\:&\:&\:&\:&\:&\:&\:&\:\cr\noalign{\hrule}
+27&\:&\:&\:&\:&\:&\:&\:&\:\cr\noalign{\hrule}
+30&\:&\:&\:&\:&\:&\:&\:&\:\cr\noalign{\hrule}
+31&\:&\:&\:&\:&\:&\:&\:&\:\cr\noalign{\hrule}
+32&\:&\:&\:&\:&\:&\:&\:&\:\cr\noalign{\hrule}
+33&\:&\:&\:&\:&\:&\:&\:&\:\cr\noalign{\hrule}
+34&\:&\:&\:&\:&\:&\:&\:&\:\cr\noalign{\hrule}
+35&\:&\:&\:&\:&\:&\:&\:&\:\cr\noalign{\hrule}
+36&\:&\:&\:&\:&\:&\:&\:&\:\cr\noalign{\hrule}
+37&\:&\:&\:&\:&\:&\:&\:&\:\cr\noalign{\hrule}}}
+}
+}
+\endinsert
+
+With all the s\plus letter combinations and all the vowels with
+diacritics, it turns out that not even 256 characters are enough.
+Since I couldn't push the font size any further, I decided to
+eliminate some of the vowel\plus diacritic combinations. The obvious
+candidates were the combinations of breathings with grave accent,
+which can only occur in a restricted number of monosyllables, and
+thus can be typeset as accents, because no hyphenation is required
+anyway. So I made the characters |<| and |>| active. Depending on
+whether or not the next character is $`$, these active characters
+expand to an |\accent| or to a |\char|, the latter meant to form
+a ligature with what comes next. (Actually, things are not quite
+so simple. A breathing or accent over a capital vowel is
+traditionally written before the letter, so the |\accent| control
+sequence is only emitted if the following character is lowercase.)
+
+The complete layout of the fonts is shown on the next page. There
+are a few unfilled positions, two of which I'm saving for the digamma,
+whose design I haven't yet tackled.
+
+\heading Other Problems \endheading
+
+In order to write continuous text, I had to prepare a modern Greek
+hyphenation table, which I'm currently testing.
+The hyphenation of modern Greek follows closely that of ancient Greek,
+which is straightforward (that is, described by a fairly short set of
+rules) because Greek had originally a phonetic script---one letter
+for each phoneme and vice versa. This conservatism means that
+hyphenation does not necessarily occur between syllables, as in
+the word $stau-r'os$ `cross', now pronounced
+[sta\'{}vros]; but this apparently doesn't bother anyone.
+
+One difficulty, however, cannot be resolved by means of mechanical
+rules: the digraphs $mp$, $nt$ and $gk$ are sometimes pronounced as
+nasal\plus voiced stop, sometimes as voiced stop alone, depending on
+the word (also sometimes on the speaker). In the first case, the group
+can be split, but in the second, one should hyphenate before the group.
+This problem seems to be solvable only by trial and error.
+
+The last problem I want to discuss is that of device drivers.
+We have been using various |dvi|-to-PostScript drivers in Princeton,
+and I found that none of them would work with
+256-character fonts, even though both \TeX\ and PostScript are
+designed to handle such fonts. I was, however, able to adapt Nelson
+Beebe's excellent driver |dvialw| [Beebe 1987] after making only
+three changes, because the program is well written and well documented.
+I exhort all those who write |dvi| drivers to include 256-character
+fonts in their design, since they will certainly become more necessary
+as \TeX\ extends its reach around the world.
+
+\heading Bibliography \endheading
+
+\def\\{\smallskip\hangindent=\parindent\hangafter=1\noindent\ignorespaces}
+\\
+Nelson H. F. Beebe, Public domain \TeX\ DVI driver family,
+{\it TUGboat}, {\bf 8}:1 (1987), 41--42.
+\\
+British Museum, {\it Greek Printing Types}, London, British Museum, 1927.
+\\
+Donald E. Knuth, The Letter S, {\it The Mathematical Intelligencer},
+{\bf 2} (1980), 114--122.
+\\
+Stanley Morison, {\it John Fell: the University Press and the `Fell'
+Types}, Oxford, Clarendon Press, 1967.
+\\
+J. M. Mosley, Porson's Greek Types, {\it Penrose Annual}, {\bf 54} (1960),
+36--40.
+\\
+Reinhard Wonneberger, Typesetting `Normaltext', {\it TUGboat},
+{\bf 8}:1 (1987), 63--72.
+\end
diff --git a/Master/texmf-dist/doc/fonts/levy/greekuse.tex b/Master/texmf-dist/doc/fonts/levy/greekuse.tex
new file mode 100644
index 00000000000..39c6504c13f
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/levy/greekuse.tex
@@ -0,0 +1,248 @@
+\input amstex
+\documentstyle{amsppt}
+\nologo
+\hsize=6.5in
+\vsize=9in
+\widowpenalty=10000
+\clubpenalty=10000
+
+\input greekmacros
+\greekdelims
+
+\font\sc=cmcsc10
+\def\LaTeX{{\rm L\kern-.36em\raise.3ex\hbox{\sc a}\kern-.15em
+ T\kern-.1667em\lower.7ex\hbox{E}\kern-.125emX}}
+\def\plus{\math{}+{}\math}
+\def\.#1{{\tt #1}}
+\def\disp#1{\line{\tt #1\hfil}}
+\def\angles#1{{$\langle$\rm #1$\rangle$}}
+\chardef\!`\\
+\chardef\~`\~
+\chardef\{`\{
+\chardef\}`\}
+\chardef\#`\#
+\def\begineight{\smallskip\bgroup\eightpoint}
+\def\endeight{\par\egroup\smallskip}
+
+\def\verbatim{\begingroup
+ \def\do##1{\catcode`##1=12 } \dospecials
+ \parskip 0pt \parindent 0pt
+ \catcode`\ =13 \catcode`\^^M=13
+ \tt \catcode`\?=0 \verbatimdefs \verbatimgobble}
+{\catcode`\^^M=13{\catcode`\ =13\gdef\verbatimdefs{\def^^M{\ \par}\let =\ }} %
+ \gdef\verbatimgobble#1^^M{}}
+\def\beginverbatim{\smallskip\begingroup\verbatim}
+\def\endverbatim{\endgroup\endgroup\smallskip}
+
+\topmatter
+\title Using Greek Fonts with \TeX\endtitle
+\author Silvio Levy \endauthor
+\affil
+ Princeton University \\
+ Fine Hall, Washington Road\\
+ Princeton, NJ, 08544\\
+ (\.{levy\@princeton.edu})
+\endaffil
+\endtopmatter
+\document
+
+\abovedisplayskip6pt plus3pt minus3pt
+\belowdisplayskip6pt plus3pt minus3pt
+\abovedisplayshortskip0pt plus3pt
+\belowdisplayshortskip4pt plus3pt minus4pt
+
+In this document I hope to show that typesetting Greek in \TeX\
+using the \.{gr} family of fonts can be as easy as typesetting
+English text, and leads to equally good results.
+This is meant to be a tutorial, not an exhaustive discussion;
+some \TeX nical remarks that should be useful after the reader
+has acquired some familiarity with the fonts are printed in fine
+print.
+
+\heading
+The Alphabet
+\endheading
+
+In order to typeset Greek text, you need to go into ``Greek mode.''
+This is achieved by typing \.{\!begingreek} anywhere in your document;
+Greek mode will remain in effect until you type a matching \.{\!endgreek}.
+While in Greek mode, the letters `a' to `z' and `A' to `Z' come out
+as Greek letters, according to the following code:
+\display
+\hbox{\valign
+ {\hbox to 10pt{\hfil\strut$#$\hfil}&\hbox to 10pt{\hfil\strut\tt#\hfil}\cr
+ a&a\cr b&b\cr g&g\cr d&d\cr e&e\cr z&z\cr h&h\cr j&j\cr
+ i&i\cr k&k\cr l&l\cr m&m\cr n&n\cr x&x\cr o&o\cr p&p\cr
+ r&r\cr c&s\cr t&t\cr u&u\cr f&f\cr q&q\cr y&y\cr w&w\cr}}
+\enddisplay
+
+There is no digamma yet. The same character `s' will print as
+`$c$' or `$s$', depending on its position in a word.
+
+\begineight
+The system does this by accessing a ligature of `s' with any other
+letter that follows it. If, for some reason, you want to print
+an initial/medial sigma by itself (as in the table above), or
+at the end of a word, you should type `c'.
+\endeight
+
+Try to typeset some simple text now. Create a file
+containing the following lines:
+
+\beginverbatim
+\input greekmacros % where \begingreek and other commands are defined
+This is English text.
+\begingreek
+This is Greek text.
+\endgreek
+?endverbatim
+
+When you \TeX\ this file, you get the following gibberish:
+\display
+\hbox{
+This is English text.
+\begingreek
+This is Greek text.
+\endgreek
+}
+\enddisplay
+
+If you say \.{\!greekdelims} near the top of your file,
+the character \.{\$} can be used
+in place of both \.{\!begingreek} and \.{\!endgreek}. The control
+sequence \.{\!math} takes on the former meaning of \.{\$}.
+
+\heading
+Accents and Breathings
+\endheading
+
+To get an acute, grave or circumflex accent over a vowel,
+type \.{'}, \.{`} or \.{\~}, respectively, before the vowel.
+To get a rough or smooth breathing, type \.{<} or \.{>} before
+the vowel (or rho) and any accent that it may have. To get an iota
+subscript, type \.{|} {\it after\/} the vowel. A diaeresis is
+represented by \.{"}, and if accompanied by an accent it can come
+before or after the accent.
+
+For example, \hbox{\.{>en >arq\~h| >\~hn <o l'ogos}}
+gives \hbox{$>en >arq~h| >~hn <o l'ogos$}.
+Neat, ain't it?
+
+\begineight
+Accents and breathings, too, are typeset by means of ligatures: a
+vowel with a breathing, an accent and iota subscript, for example,
+is realized as a four-character ligature. The only exception is
+when a breathing is followed by a grave accent, in which case the
+breathing\plus accent combination is typeset as a \TeX\ \.{\!accent}
+over the vowel. This means that words containing such combinations
+cannot be hyphenated in (standard) \TeX; but this is not a problem
+because, with the exception of very rare cases of crasis, all such words
+are monosyllables.
+\endeight
+
+\heading
+Punctuation
+\endheading
+
+Here's the table of correspondences for punctuation:
+\display
+\hbox{\valign
+ {\hbox to 15pt{\hfil\strut$#$\hfil}&\hbox to 15pt{\hfil\strut\tt#\hfil}\cr
+ .&.\cr ,&,\cr ;&;\cr :&:\cr !&!\cr ?&?\cr ''&''\cr ((&((\cr ))&))\cr}}
+\enddisplay
+The last three entries represent the apostrophe and quotations marks.
+The other available non-letters are the ten digits, parentheses,
+brackets, hyphen, em- and en-dashes, slash, percent sign, asterisk,
+plus and equal signs. All of these are accessible in the same way as
+under plain \TeX. In a future release there will be tick marks for
+numbers (\math\hbox{$a$}'=1\math, \math{}_\prime\hbox{$a$}=1000\math).
+
+\heading
+Hyphenation
+\endheading
+
+A hyphenation table for both modern and ancient Greek is currently
+being debugged. For now one can use plain \TeX\ with its (English)
+hyphenation table, which gives the right results about 90\% of the
+time (amazing, isn't it?). Be sure to proofread your text carefully,
+unless you've turned hyphenation off.
+
+\begineight
+In standard \TeX, only one hyphenation dictionary can be used in
+a job. Thus, even with a Greek hyphenation table, a file that
+combines Greek and English text is likely to be incorrectly
+hyphenated. Michael Ferguson's extension to \TeX\ handles multiple
+hyphenation tables, and hyphenates words containing \.{\!accent}s
+(cf.~the previous fine print paragraph).
+\endeight
+
+\heading
+Interaction with other macros
+\endheading
+
+While in Greek mode you can do just about everything that you can
+outside: go into math mode, create boxes, alignments, and so on.
+The file \.{greekmacros.tex} sets things up so that in Greek mode
+the control sequences \.{\!tt} and \.{\!bf} switch to a
+typewriter and a bold Greek font, respectively: thus
+\.{\{\!tt s''>agap\~w\}} gives \hbox{$\tt s''>agap~w$}. (Try it.)
+On the other hand, there are no ``italic'' or slanted Greek fonts,
+so \.{\!it} and \.{\!sl} will give you the same fonts as outside
+Greek mode. The various constructions under
+\AmSTeX\ and \LaTeX\ for increasing or decreasing point sizes don't
+work yet; they will in a future release.
+
+The characters that form diacritics (\.{<}, \.{>},
+\.{'}, \.{`}, \.{\~}, \.{"} and \.{|}) are treated differently
+depending on whether or not you're in Greek mode. More exactly,
+under plain \TeX\ these characters (with the exception of
+\.{\~}) have a \.{\!catcode} of 12: they print as themselves,
+and they cannot appear in control words. But in Greek mode
+\.{'}, \.{`}, \.{\~}, \.{"} and \.{|} are ``letters'', that is,
+they have a \.{\!catcode} of 11, while \.{<} and \.{>} are
+active, with a \.{\!catcode} of 13. This may be important even
+for beginners because it means that \.{'}, for example, can be taken
+as part of a control word. Thus the sequence
+\beginverbatim
+\begingreek
+\line{wm'ega\hfil'alfa}
+\endgreek
+?endverbatim
+\noindent
+will cause an error message about an
+undefined control sequence \.{\!hfil'alfa}, instead of printing
+\display
+$\line{wm'ega\hfil 'alfa}$
+\enddisplay
+as you might expect. (I hope classicists will forgive this use
+of the modern Greek one-accent system.) The solution, of course,
+is to remember to add a blank after the \.{\!hfil}.
+
+\begineight
+A more subtle problem arises when you use Greek text in macro
+arguments, if the arguments are scanned while you're outside Greek
+mode. This is because \TeX\ assigns \.{\!catcode}s to tokens
+as it first reads them, so when the argument is plugged into
+the body of the macro the characters above have the wrong
+\.{\!catcode}. If the legendary Jonathan Horatio Quick were
+to write
+\display
+\hbox{\.{%
+\!def\!hellenize\#1\{\!begingreek \#1\!endgreek\}
+\!hellenize\{d'uo >`h tre\~is,\}}}
+\enddisplay
+he would be unpleasantly surprised by the following output:
+\display
+\def\hellenize#1{\begingreek #1\endgreek}
+\hbox{\hellenize{d'uo >`h tre~is,}}
+\enddisplay
+which can be explained as follows: the \.{\~}, which should be
+a letter, is seen as an active character, and expands to a blank
+as in plain \TeX; while the breathing, which should be active,
+is not, and in particular it doesn't do the right thing when
+next to the grave accent. Solutions to this problem require a
+bit of wizardry, and will not be discussed here; see, for example,
+Reinhard Wonneberger's article in the October, 1986 issue of
+{\it TUGboat}, especially pages 179--180.
+\endeight
+\end
diff --git a/Master/texmf-dist/doc/fonts/levy/grinstall.tex b/Master/texmf-dist/doc/fonts/levy/grinstall.tex
new file mode 100644
index 00000000000..2a5a1c2be52
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/levy/grinstall.tex
@@ -0,0 +1,198 @@
+\magnification=\magstep1
+\def\.#1{{\tt #1}}
+\def\disp#1{\line{\tt #1\hfil}}
+\def\angles#1{{$\langle$\rm #1$\rangle$}}
+\chardef\!`\\
+
+\def\verbatim{\begingroup
+ \def\do##1{\catcode`##1=12 } \dospecials
+ \parskip 0pt \parindent 0pt
+ \catcode`\ =13 \catcode`\^^M=13
+ \tt \catcode`\?=0 \verbatimdefs \verbatimgobble}
+{\catcode`\^^M=13{\catcode`\ =13\gdef\verbatimdefs{\def^^M{\ \par}\let =\ }} %
+ \gdef\verbatimgobble#1^^M{}}
+
+\centerline{INSTALLATION INSTRUCTIONS}
+
+\medskip
+
+(Note to non-UNIX sites: These instructions should be followed verbatim
+only on systems running UNIX. I've tried to make the instructions
+understandable to people without knowledge of UNIX, so that if you're
+familiar with your own operating system it should not be hard to
+figure out the right thing to do under it. If the separator between
+components of a file pathname is not `/', you should change the
+definition of \.{readfrom} in \.{grbase.mf}.
+
+See the \.{README} file for an important note concerning required
+METAFONT capabilities.)
+
+In order to make the fonts, you need an executable version of
+METAFONT, version 1.0 or newer, with the `plain' base preloaded
+(see p.~279 of {\it The METAFONTbook\/} if you're not familiar with this).
+You will also need the \.{cmbase.mf} file, which is distributed
+with METAFONT, unless you have an executable METAFONT with that
+file already preloaded. The shell script (batch file) \.{makefont}
+assumes that \.{cmmf} is an executable METAFONT with \.{cmbase.mf}
+preloaded; if you don't have that you can replace \.{cmmf} by
+\.{mf} in \.{makefont}. (Non-UNIX sites: you'll have to edit
+\.{makefont} anyway, as well as \.{testfont} and \.{makeall} below.
+In each case the comments inside the file should guide you in finding
+the right incantations under your operating system.)
+
+If METAFONT has never been used at your site before, you will
+also need to create a file \.{local.mf} and preload it together
+with \.{plain.mf}. (See pp.~278--9 of {\it The METAFONTbook}.)
+This file
+should contain the characteristics of the different output
+devices that you will generate fonts for. The parameters
+for many output devices can be found on page 269 of the November
+1987 issue of TUGboat; and two more devices (the Apple laserwriter
+and Sun workstation) which are not in that table can be found
+in \.{modes.mf} (in this distribution). The values in \.{modes.mf}
+are experimental; if you feel like fiddling with them and think
+you can get better results, let me know. In any case, your
+\.{local.mf} should contain mode definitions for all output devices
+you intend to use the fonts with, and it should be preloaded
+together with \.{plain.mf}, so that when you issue the command
+\.{mf} or \.{cmmf} all this information is already in memory.
+
+Next you should test one font by saying
+
+\smallskip
+\disp{makefont grreg10 [\angles{modename}]}
+\smallskip
+
+(where \angles{modename} stands for \.{alw} if you're generating
+for the laserwriter, for example; the default is
+\.{localmode}, which should be defined in \.{local.mf}).
+It will take a while to make the font, and when
+it's done you can look in \.{grreg10.log} to see if everything went
+smoothly. If everything is OK, move \.{grreg10.tfm}
+and \.{grreg10.NNNgf} to the system's \TeX\ font directory (often
+\.{/usr/lib/tex/fonts}) and do a test run:
+
+\smallskip
+\disp{\% tex}
+\disp{\angles{blurb...}}
+\disp{**\!font\!test=grreg10 \!test ABC \!end}
+\disp{\angles{more blurbs; hopefully no error messages}}
+\disp{\%}
+\smallskip
+
+The text typed during this test should be very simple, as above:
+no accents, ligatures, etc. If you got a \.{texput.dvi} file without
+problems, you should try to print it, using your local dvi driver.
+Some dvi drivers cannot read font files of the form \.{*.NNNgf},
+only those of the form \.{*.NNNpk}; you can use the utility
+\.{gftopk}, which comes with the METAFONT distribution, to carry
+out the conversion. If your driver can only read \.{*.NNNpxl} fonts,
+it's time to get a new one.
+
+Another problem with some dvi drivers is that they don't
+take 256 character fonts, although they should, since 256 characters
+is part of standard \TeX. (The reason is, presumably, that Computer
+Modern fonts only have 128 characters, and programmers were counting
+on all other fonts being similarly restricted.) To test this
+aspect of your driver, create a dvi file with a character in the
+range 128-255:
+
+\smallskip
+\disp{\% tex}
+\disp{\angles{blurb...}}
+\disp{**\!font\!test=grreg10 \!test 'a \!end}
+\disp{\angles{more blurbs}}
+\disp{\%}
+\smallskip
+
+When you try to print this, you may get an error message, or
+a core dump, or simply a blank page. If so, you will have to
+fix your driver or get a new one. Fixing your driver involves
+understanding fairly well the dvi format (carefully explained
+in {\it\TeX: The Program}), but should not be beyond anyone with
+a modicum of systems programming experience. Getting a driver
+that works is probably easier if you're well connected,
+electronically speaking. I recommend Nelson Beebe's family
+of drivers (page 41 of the April 1987 TUGboat). Here are
+some hints from Nelson Beebe for obtaining his drivers:
+
+\medskip
+\begingroup
+\verbatim
+> From BEEBE@SCIENCE.UTAH.EDU Mon Dec 21 10:28:08 1987
+> From: "Nelson H.F. Beebe" <Beebe@SCIENCE.UTAH.EDU>
+> Subject: Re: dvi drivers
+> X-Us-Mail: "Center for Scientific Computing, South Physics,
+> University of Utah, Salt Lake City, UT 84112"
+> X-Telephone: (801) 581-5254
+>
+> Internet users may retrieve the DVI driver family via ANONYMOUS
+> FTP to SCIENCE.UTAH.EDU; get the via 00README.TXT in the login
+> directory for details. The files 00PCDOS.TXT, 00TOPS20.TXT and
+> 00VMSSETUP.TXT in the same directory describe TeX and DVI
+> directory layouts and system logical names on IBM PC DOS, TOPS-20
+> and VAX VMS. Compressed Unix tar files are available in several
+> directories.
+>
+> VAX VMS BACKUP savesets (compressed and uncompressed) are
+> available via ANONYMOUS FTP to CTRSCI.UTAH.EDU; the file
+> 00README.TXT in the login directory has further details.
+>
+> Australian ACSnet users may retrieve the DVI drivers from
+> LaTrobe University, Bundoora, Victoria; send mail to
+> "munnari!latvax8.lat.oz.au!ccmk"@uunet.uu.net
+> for retrieval details.
+>
+> European Bitnet users may contact $92@dhdurz1.bitnet
+> at the University of Heidelberg. Here is how:
+> With the command directed at LISTSERV at DHDURZ1.BITNET
+> GET DRIVER FILELIST
+> you will receive a directory from the driver
+> subdirectory. To receive a file:
+> GET filename filetype
+>
+> European DECNET users may retrieve the DVI drivers (and a
+> large collection of other TeX-related software) from the
+> University of Padova in Padova, Italy; send mail to
+> CALVANI%VAXFPD.INFNET@IBOINFN.BITNET
+> for retrieval details.
+>
+> UK Janet users should contact AbbottP@uk.ac.aston.mail (Aston
+> University). Here is the latest retrieval information from
+> TeXHaX #92 (03-Nov-87):
+> The DVI family of drivers software is now stored
+> under (and has been for some time) public.texdvi208.
+> I have been notified that version 2.10 is being
+> shipped and this will be made available under
+> public.texdv210. The index for version 2.08 is
+> aston.kirk::[public.texdvi208]000index.list
+> If you want to know the latest state of the
+> archive the file is
+> aston.kirk::[public]000aston.readme
+?endgroup
+\endgroup
+\medskip
+
+Once you've got the driver working, you can type
+
+\smallskip
+\disp{testfont grreg10}
+\smallskip
+
+for a full-blown test of the font \.{grreg10}. This creates
+a dvi file \.{grtestfont.dvi} and moves it to \.{grreg10.dvi}, which you
+should then print.
+
+Finally, you can say
+
+\smallskip
+\disp{makeall [ \angles{modename} [ \angles{mag} ]]}
+\smallskip
+
+for all modes and magnifications desired. Don't forget to move
+the \.{*.tfm} and \.{*.NNNgf} files thus obtained to their destination
+directory.
+
+The last step is to TeX the user's manual page (\.{doc/readme.tex})
+and make it available to users.
+\end
diff --git a/Master/texmf-dist/doc/fonts/levy/grtestfont.tex b/Master/texmf-dist/doc/fonts/levy/grtestfont.tex
new file mode 100644
index 00000000000..82f5a9faaad
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/levy/grtestfont.tex
@@ -0,0 +1,245 @@
+% This file is still being written and changed frequently.
+% Eventually it is supposed to provide a testbed for font evaluation.
+
+\tracinglostchars=0
+\tolerance=1000
+\raggedbottom
+\nopagenumbers
+\parindent=0pt
+\newlinechar=`@
+\input greekmacros
+
+\newcount\m \newcount\n \newcount\p \newdimen\dim
+\chardef\other=12
+
+\def\today{\ifcase\month\or
+ January\or February\or March\or April\or May\or June\or
+ July\or August\or September\or October\or November\or December\fi
+ \space\number\day, \number\year}
+\def\hours{\n=\time \divide\n 60
+ \m=-\n \multiply\m 60 \advance\m \time
+ \twodigits\n\twodigits\m}
+\def\twodigits#1{\ifnum #1<10 0\fi \number#1}
+
+{\catcode`\|=0 \catcode`\\=\other
+|gdef|help{|message{%
+\init switches to another font;@%
+\end or \bye finishes the run;@%
+\table prints the font layout in tabular format;@%
+\text prints a sample text, assuming TeX text font conventions;@%
+\sample combines \table and \text;@%
+\mixture mixes a background character with a series of others;@%
+\alternation interleaves a background character with a series;@%
+\alphabet prints all lowercase letters within a given background;@%
+\alphabets does one \alphabet for each lowercase background letter;@%
+\ALPHABET prints all uppercase letters within a given background;@%
+\ALPHABETs does one \ALPHABET for each uppercase background letter;@%
+\accents prints all lowercase vowels with accents and breathings;@%
+\series prints a series of letters withing a given background;@%
+\lowers prints a comprehensive test of lowercase;@%
+\uppers prints a comprehensive test of uppercase;@%
+\digits prints a comprehensive test of numerals;@%
+\math prints a comprehensive test of TeX math italic;@%
+\names prints a text that mixes upper and lower case;@%
+\punct prints a punctuation test;@%
+\bigtest combines many of the above routines;@%
+\help repeats this message;@%
+and you can use ordinary TeX commands (e.g., to \input a file).}}}
+
+\def\setbaselineskip{\setbox0=\hbox{\n=0
+\loop\char\n \ifnum \n<255 \advance\n 1 \repeat}
+\baselineskip=6pt \advance\baselineskip\ht0 \advance\baselineskip\dp0 }
+
+\def\setchar#1{{\escapechar-1\message{\string#1 character = }%
+ \def\do##1{\catcode`##1=\other}\dospecials
+ \read-1 to\next
+ \expandafter\finsetchar\next\next#1}}
+\def\finsetchar#1#2\next#3{\global\chardef#3=`#1
+ \ifnum #3=`\# \global\chardef#3=#2 \fi}
+\def\promptthree{\setchar\background
+ \setchar\starting \setchar\ending}
+
+\def\init{\message{@Name of the font to test = }
+ \read-1 to\fontname
+ \font\testfont=\fontname
+ \headline={\sevenrm Test of \fontname\unskip\ on \today\ at \hours\hfil
+ Page \folio}
+ \testfont \setbaselineskip
+ \ifdim\fontdimen6\testfont<10pt \rightskip=0pt plus 20pt
+ \else\rightskip=0pt plus 2em \fi
+ \spaceskip=\fontdimen2\testfont % space between words (\raggedright)
+ \xspaceskip=\fontdimen2\testfont \advance\xspaceskip by\fontdimen7\testfont
+ \message{Now type a test command (\string\help\space for help):}}
+
+\def\mixture{\promptthree \domix\mixpattern}
+\def\alternation{\promptthree \domix\altpattern}
+\def\mixpattern{\0\1\0\0\1\1\0\0\0\1\1\1\0\1}
+\def\altpattern{\0\1\0\1\0\1\0\1\0\1\0\1\0\1\0\1\0}
+\def\domix#1{\par\chardef\0=\background \n=\starting
+ \until\ifnum\n=\ending\do\chardef\1=\n #1\par\n=\count\n \repeat}
+
+\count`w=`a\count`a=`b\count`b=`g\count`g=`d\count`d=`e\count`e=`z
+\count`z=`h\count`h=`j\count`j=`i\count`i=`k\count`k=`l\count`l=`m
+\count`m=`n\count`n=`x\count`x=`o\count`o=`p\count`p=`r\count`r=`c
+\count`c=`t\count`t=`u\count`u=`f\count`f=`q\count`q=`y\count`y=`w
+\count`W=`A\count`A=`B\count`B=`G\count`G=`D\count`D=`E\count`E=`Z
+\count`Z=`H\count`H=`J\count`J=`I\count`I=`K\count`K=`L\count`L=`M
+\count`M=`N\count`N=`X\count`X=`O\count`O=`P\count`P=`R\count`R=`S
+\count`S=`T\count`T=`U\count`U=`F\count`F=`Q\count`Q=`Y\count`Y=`W
+\count`0=`1\count`1=`2\count`2=`3\count`3=`4\count`4=`5
+\count`5=`6\count`6=`7\count`7=`8\count`8=`9\count`9=`0
+
+\long\def\until#1\do#2\repeat{\def\body{#2}\def\cond{#1}\etareti}
+\def\etareti{\cond\let\next=\relax\else\let\next=\etareti\fi\body\next}
+
+\def\alphabet{\setchar\background \dosseries{`a}{`w}}
+\def\ALPHABET{\setchar\background \doseries{`A}{`W}}
+\def\series{\promptthree \doseries\starting\ending}
+\def\doseries#1#2{\def\!{\discretionary{\background}{\background}{\background}}
+ \!\n=#1\until\ifnum\n=#2\do\char\n\!\n=\count\n \repeat\par}
+\def\dosseries#1#2{\def\!{\discretionary{\background}{\background}{\background}}
+ \!\n=#1\until\ifnum\n=#2\do\char\n\!\n=\count\n \repeat s\par}
+
+\def\lowers{\docomprehensive hs{`a}{`w}}
+\def\uppers{\docomprehensive HO{`A}{`W}}
+\def\digits{\docomprehensive H0{`0}{`9}}
+\def\docomprehensive#1#2#3#4{\par\n=#3
+ \until\ifnum\n=#4\do\line{\altr#1\hfil\altr#2}\n=\count\n\repeat}
+\def\altr#1{\setbox0=\hbox{#1}\setbox2=\hbox{#1\char\n}%
+ \dim=.5\hsize \advance\dim-\wd0 \divide\dim\wd2 \multiply\dim\wd2
+ \xleaders\box2\hskip\dim\box0}
+\def\alphabets{\m=`a\until\ifnum\m=`w
+ \do\chardef\background=\m{\dosseries{`a}{`w}}\m=\count\m \repeat}
+\def\ALPHABETS{\m=`A\until\ifnum\m=`W
+ \do\chardef\background=\m{\doseries{`A}{`W}}\m=\count\m \repeat}
+
+\def\separator{\vfil\penalty-100\vfilneg
+ \medskip\leaders\hrule height.4pt\vskip.4pt\medskip}
+
+\def\bigtest{%
+\sample\vfil\break
+\accents\separator
+\names\separator
+\punct\separator
+\alphabets\separator
+\lowers\separator
+\uppers\separator
+\digits}
+
+\def\math{\message{(Sorry, that's not here yet.)}}
+
+\def\oct#1{\hbox{\tenrm\'{}\kern-.2em\tenit#1\/\kern.05em}} % octal constant
+\def\hex#1{\hbox{\tenrm\H{}\tentt#1}} % hexadecimal constant
+\def\setdigs#1"#2{\gdef\h{#2}% \h=hex prefix; \0\1=corresponding octal
+ \m=\n \divide\m by 64 \xdef\0{\the\m}%
+ \multiply\m by-64 \advance\m by\n \divide\m by 8 \xdef\1{\the\m}}
+\def\testrow{\setbox0=\hbox{\penalty 1\def\\{\char"\h}%
+ \\0\\1\\2\\3\\4\\5\\6\\7\\8\\9\\A\\B\\C\\D\\E\\F%
+ \global\p=\lastpenalty}} % \p=1 if none of the characters exist
+\def\oddline{\cr
+ \noalign{\nointerlineskip}
+ \multispan{19}\hrulefill&
+ \setbox0=\hbox{\lower 2.3pt\hbox{\hex{\h x}}}\smash{\box0}\cr
+ \noalign{\nointerlineskip}}
+\newif\ifskipping
+\def\evenline{\loop\skippingfalse
+ \ifnum\n<256 \m=\n \divide\m 16 \chardef\next=\m
+ \expandafter\setdigs\meaning\next \testrow
+ \ifnum\p=1 \skippingtrue \fi\fi
+ \ifskipping \global\advance\n 16 \repeat
+ \ifnum\n=256 \let\next=\endchart\else\let\next=\morechart\fi
+ \next}
+\def\morechart{\cr\noalign{\hrule}
+ \chartline \oddline \m=\1 \advance\m 1 \xdef\1{\the\m}
+ \chartline \evenline}
+\def\chartline{&\oct{\0\1x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&}
+\def\chartstrut{\lower4.5pt\vbox to14pt{}}
+\def\table{$$\global\n=0
+ \halign to\hsize\bgroup
+ \chartstrut##\tabskip0pt plus10pt&
+ &\hfil##\hfil&\vrule##\cr
+ \lower6.5pt\null
+ &&&\oct0&&\oct1&&\oct2&&\oct3&&\oct4&&\oct5&&\oct6&&\oct7&\evenline}
+\def\endchart{\cr\noalign{\hrule}
+ \raise11.5pt\null&&&\hex 8&&\hex 9&&\hex A&&\hex B&
+ &\hex C&&\hex D&&\hex E&&\hex F&\cr\egroup$$\par}
+\def\:{\setbox0=\hbox{\char\n}%
+ \ifdim\ht0>7.5pt\reposition
+ \else\ifdim\dp0>2.5pt\reposition\fi\fi
+ \box0\global\advance\n 1 }
+\def\reposition{\setbox0=\vbox{\kern2pt\box0}\dim=\dp0
+ \advance\dim 2pt \dp0=\dim}
+\def\centerlargechars{
+ \def\reposition{\setbox0=\hbox{$\vcenter{\kern2pt\box0\kern2pt}$}}}
+
+\begingreek
+
+\def\accents{\longseries a\shortseries e\longseries h\mediumseries i
+\shortseries o\mediumseries u\longseries w \rseries}
+\def\longseries#1{#1 `#1 '#1 ~#1 #1| `#1| '#1| ~#1| <#1 <`#1 <'#1 <~#1 <#1|
+ <`#1| <'#1| <~#1| >#1 >`#1 >'#1 >~#1 >#1| >`#1| >'#1| >~#1| \par}
+\def\shortseries#1{#1 `#1 '#1 <#1 <`#1 <'#1 >#1 >`#1 >'#1 \par}
+\def\mediumseries#1{#1 `#1 '#1 ~#1 %
+ <#1 <`#1 <'#1 <~#1 >#1 >`#1 >'#1 >~#1 "#1 "`#1 "'#1 "~#1 \par}
+\def\rseries{r <r >r\par}
+\def\names{ >Afrod'ith Beatr'ikh Gi'wrgos Dhm'htrhs E>ugen'ia
+ Zw'h <Hrakl~hs Je'ofilos >Iw'anna K'wstas Louk~as
+ Mar'ia N'ikh Xanjo'ula O>id'ipous Pl'atwn Rox'anh S'ilbio
+ Thl'emaqos <Upat'ia F'ilippos Qar'a Yuq'h >Wrig'enhs\par}
+\def\punct{{\hyphenpenalty=10000\par\dopunct{ka'i}\dopunct{t~hs}\dopunct{<'ena}
+ \dopunct{<ELLAS}\par}}
+\def\dopunct#1{#1, #1: #1; ''#1'' #1? #1! ((#1)) (#1) [#1] #1* #1.\par}
+
+\def\from#1{{\sevenrm\unskip\nobreak\hfil\penalty50\hskip2em\hbox{}
+ \nobreak\hfil (From #1)\parfillskip=0pt\finalhyphendemerits=0 \par}}
+
+\def\text{{\advance\baselineskip-4pt
+\setbox0=\hbox{abcdefghijklmnopqrstuvwxyz}
+\ifdim\hsize\gt2\wd0 \ifdim 15pc\gt2\wd0 \hsize=15pc \else \hsize=2\wd0 \fi\fi
+T`h stigm`h to'uth ni'wjw p'oso bar'u ''nai t`o
+must'hrio t~hs xomol'oghshs. <Ws t'wra, kane`is
+d`en x'erei p~ws p'erasa t`a du`o qr'onia mou
+st`o <'Agion >'Oros. O<i f'iloi mou jarro~un p`ws
+p~hga n`a d~w buzantin`a kon'ismata >`h >ap`o
+mustikop'ajeia n`a z'hsw mi`a perasm'enh >epoq'h.
+Ka`i t'wra, n'a, ntr'epomai n`a mil'hsw.
+
+P~ws n`a t`o p~w? Jumo~umai <'ena >anoixi'atiko
+deilin'o, po`u kat'ebaina t`on Ta"'ugeto, mi`a xafnik`h
+j'uella m`e k'uklwse kont`a sto'us Pentaulo'us. T'oso
+fober`os >anemoc'ifounas, po`u >'epesa katag~hs gi`a n`a m`hn
+gkremist~w. O<i >astrap`es m'' >'exwsan <olo~uje ki >'ekleisa
+t`a m'atia m`hn tuflwj~w, ka`i kat'aqama, p'istoma, per'imena.
+<'Olo t`o pan'uyhlo boun`o >'etreme, ka`i du`o >'elata d'ipla mou
+tsak'isthkan >ap'' t`h m'esh ka`i br'onthxan q'amou.
+>'Eniwja t`o jei'afi to~u kerauno~u st`on >a'era, ka`i xafnik`a
+x'espase <h mp'ora, >'epesen <o >'anemos, ka`i qontr'es, jerm`es
+st'ales broq`h qt'uphsan t`a dentr`a ka`i t`o q~wma.
+T`o jum'ari, <h jro'umpa, t`o fask'omhlo, t`o flisko'uni,
+qtuphm'ena >ap'' t`o ner'o, t'inaxan t`is murwdi'es tous
+ki <'olh <h g~hs m'urise.
+\from{Kazantzakis' ``Symposium''}
+
+\medskip
+>All'' >ako'usontai, >e'anper e>~u dok~h|s l'egein. t'ode d'e sou
+>enen'ohsa <'ama l'egontos, ka`i pr`os >emaut`on skop~w; e>i
+<'oti m'alist'a me E>uj'ufrwn did'axeien, <ws o<i jeo`i <'apantes
+t`on toio~uton j'anaton <hgo~untai >'adikon e>~inai, t'i m~allon >eg`w
+mem'ajhka par'' E>uj'ufronos, t'i pot'' >est`in t`o <'osi'on te ka`i
+t`o >an'osion? jeomis`es m`en g`ar to~uto t`o >'ergon, <ws >'eoiken,
+e>'ih >'an; >all`a g`ar o>u to'utw| >ef'anh >'arti <wrism'ena t`o
+<'osion ka`i m'h; t`o g`ar jeomis`es >`on ka`i jeofil`es >ef'anh.
+<wste to'utou m`en >af'ihm'i se, >~w E>uj'ufron; e>i bo'ulei, p'antes
+a>ut`o <hge'isjwn jeo`i >'adikon ka`i p'antes miso'untwn. >all''
+>~ara to~uto n~un >epanorj'wmeja >en t~w| l'ogw|, <ws <`o m`en >`an
+p'antes o<i jeo`i mis~wsin, >an'osi'on >estin, <`o d'' >`an fil~wsin,
+<'osion; <`o d'' >`an o<i m`en fil~wsin, o<i d`e mis~wsin, o>ud'etera
+>`h amf'otera? >~ar'' o<'utw bo'ulei <hm~in <wr'isjai n~un per`i to~u
+<os'iou ka`i to~u >anos'iou?
+\from{Plato's ``Euthyphro''}
+
+}}
+
+\def\sample{\text\table}
+
+\init
diff --git a/Master/texmf-dist/doc/fonts/levy/makeall b/Master/texmf-dist/doc/fonts/levy/makeall
new file mode 100644
index 00000000000..c12e1612418
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/levy/makeall
@@ -0,0 +1,20 @@
+#!/bin/sh
+# In this script "$@" stands for the set of arguments passed to the
+# script, as expanded by the UNIX shell; these arguments are passed,
+# without further expansion, to `makefont'. For examply, typing
+#
+# makeall boo
+#
+# to the UNIX shell has the same effect as typing
+#
+# makefont grreg10 boo
+# makefont grreg8 boo
+# makefont grbld10 boo
+# makefont grtt10 boo
+#
+#
+
+makefont grreg10 "$@"
+makefont grreg8 "$@"
+makefont grbld10 "$@"
+makefont grtt10 "$@"
diff --git a/Master/texmf-dist/doc/fonts/levy/makefont b/Master/texmf-dist/doc/fonts/levy/makefont
new file mode 100644
index 00000000000..d071359689e
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/levy/makefont
@@ -0,0 +1,18 @@
+#!/bin/sh
+# In this script $# stands for the number of arguments, not including the
+# command name. $0 is the command name, $1 the first argument, and so
+# on. For instance, typing
+#
+# makefont grreg10 alw 1
+#
+# to the UNIX shell gives the same result as typing
+#
+# cmmf '\mode:=alw;mag:=magstep(1);batchmode;input grreg10'
+#
+
+case $# in
+0) echo $0 source [ mode [ mag ]];;
+1) cmmf '\mode:=localmode;batchmode;input '$1;;
+2) cmmf '\mode:='$2';batchmode;input '$1;;
+3) cmmf '\mode:='$2';mag:=magstep('$3');batchmode;input '$1;;
+esac
diff --git a/Master/texmf-dist/doc/fonts/levy/testfont b/Master/texmf-dist/doc/fonts/levy/testfont
new file mode 100644
index 00000000000..470e6835344
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/levy/testfont
@@ -0,0 +1,25 @@
+#!/bin/sh
+# In this script $1 stands for the first argument passed to the
+# script. The three lines preceding EOF are passed as standard
+# input to the program called on the first line. For example,
+# typing
+#
+# testfont foo
+#
+# to the UNIX shell has the same effect as typing
+#
+# tex grtestfont %this line is read by the shell
+# foo %these three lines are read by TeX
+# \bigtest
+# \end
+# mv grtestfont.dvi foo.dvi %this is again read by the shell
+#
+# mv means move, or rename.
+#
+
+tex grtestfont << EOF
+$1
+\bigtest
+\end
+EOF
+mv grtestfont.dvi $1.dvi
diff --git a/Master/texmf-dist/doc/fonts/levy/todo.txt b/Master/texmf-dist/doc/fonts/levy/todo.txt
new file mode 100644
index 00000000000..4a6f40c34b7
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/levy/todo.txt
@@ -0,0 +1,9 @@
+create digamma
+
+add kerning, especially between accents and capitals
+
+create more typefaces (italics?)
+
+complete hyphenation table
+
+create tick marks for numbers
diff --git a/Master/texmf-dist/doc/fonts/literat/README b/Master/texmf-dist/doc/fonts/literat/README
new file mode 100644
index 00000000000..3db5a33b854
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/literat/README
@@ -0,0 +1,51 @@
+ Literat package v0.2
+ May 20, 1999
+
+This is an experimental version of virtual fonts for PDF(La)TeX or dvips
+which are based on free family of type1 fonts by ParaGraph International,
+named Literaturnaya. The type1 fonts are available at
+
+ ftp://ftp.vsu.ru/pub/tex/literat.zip
+
+The virtual fonts are available at
+
+ ftp://ftp.vsu.ru/pub/tex/literat-*.tar.gz
+
+These fonts are available in T2A, OT1, T1 and TS1 encodings.
+
+we included two map files (tli.map and literat.map). PLEASE USE ONE
+OF THEM, NOT BOTH. :-) tli.map contains references to PFB fonts with
+K.Berry names (so you'll need to rename pfb files; this is done by
+the install-tli.sh script), while literat.map contains references
+to the original filenames of PFB fonts.
+
+The simple installation script as well as examples of usage are included
+into this bundle.
+
+Happy TeXing!
+
+Please mail bug reports, your comments and proposals to:
+
+ Vladimir Volovich <TeX@vvv.vsu.ru>
+ Anatoliy A. Malyarenko <maa@kilots.kiev.ua>
+
+Changes from version 0.1 of April 15, 1999:
+
+* added virtual fonts for OT1, T1, TS1 encodings (in addition to T2A)
+* added font shapes: now 12 for each of T2A, OT1, T1, and 8 for TS1
+ (against 6 in the previous version)
+* virtual fonts `optimized' because regenerated with current version of
+ fontinst (e.g. removed duplicated kerns)
+* fixed incorrect name for one font
+* renamed raw fonts from `original' names (matching original pfb files)
+ to r<berry-name>.tfm, thus removing underscores in filenames
+ (MikTeX's ps2pk had problems with this?).
+
+TODO:
+* add some more font shapes? underlined, overstroke, and spaced come to
+ mind...
+* add some more faked glyphs
+* write support in literat.sty for new versions of pdftex which do not
+ accept extended fonts in map files (in case of adding faked glyphs
+ which will require such fonts)
+
diff --git a/Master/texmf-dist/doc/fonts/literat/install-tli.sh b/Master/texmf-dist/doc/fonts/literat/install-tli.sh
new file mode 100644
index 00000000000..96bb70a0f7b
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/literat/install-tli.sh
@@ -0,0 +1,49 @@
+#!/bin/bash
+
+set -e
+unzip -L literat.zip psfonts/*
+
+cd psfonts
+mv lit55_is.afm rtlir6i.afm
+mv lit55_t1.afm rtlir8t.afm
+mv lit55_ts.afm rtlir8c.afm
+mv lit56_is.afm rtliri6i.afm
+mv lit56_t1.afm rtliri8t.afm
+mv lit56_ts.afm rtliri8c.afm
+mv lit75_is.afm rtlib6i.afm
+mv lit75_t1.afm rtlib8t.afm
+mv lit75_ts.afm rtlib8c.afm
+mv lit76_is.afm rtlibi6i.afm
+mv lit76_t1.afm rtlibi8t.afm
+mv lit76_ts.afm rtlibi8c.afm
+
+mv lit55_is.pfb rtlir6i.pfb
+mv lit55_t1.pfb rtlir8t.pfb
+mv lit55_ts.pfb rtlir8c.pfb
+mv lit56_is.pfb rtliri6i.pfb
+mv lit56_t1.pfb rtliri8t.pfb
+mv lit56_ts.pfb rtliri8c.pfb
+mv lit75_is.pfb rtlib6i.pfb
+mv lit75_t1.pfb rtlib8t.pfb
+mv lit75_ts.pfb rtlib8c.pfb
+mv lit76_is.pfb rtlibi6i.pfb
+mv lit76_t1.pfb rtlibi8t.pfb
+mv lit76_ts.pfb rtlibi8c.pfb
+cd ..
+
+TEXMF=`kpsewhich -expand-var='$TEXMFMAIN'`
+mkdir -p $TEXMF/{dvips,tex/latex,fonts/tfm/paragrap,fonts/vf/paragrap,fonts/type1/paragrap}/literat
+mv dvips/* $TEXMF/dvips/literat
+mv tex/*.{fd,sty} $TEXMF/tex/latex/literat
+mv {tfm,tfm-raw}/* $TEXMF/fonts/tfm/paragrap/literat
+mv vf/* $TEXMF/fonts/vf/paragrap/literat
+mv psfonts/*.pfb $TEXMF/fonts/type1/paragrap/literat
+
+#mkdir $TEXMF/{fonts/afm/paragrap,doc/latex}/literat
+#mv psfonts/*.afm $TEXMF/fonts/afm/paragrap/literat
+#mv tex/*.tex $TEXMF/doc/latex/literat
+
+#echo "p +tli.map" > $TEXMF/dvips/config/config.tli
+#echo "map +tli.map" >> $TEXMF/pdftex/base/pdftex.cfg
+
+mktexlsr
diff --git a/Master/texmf-dist/doc/fonts/literat/license b/Master/texmf-dist/doc/fonts/literat/license
new file mode 100644
index 00000000000..01ea669be5b
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/literat/license
@@ -0,0 +1,56 @@
+FONT PACKAGE LICENSE
+
+Copyright (c) 1996 ParaGraph International
+Copyright (c) 1996 Russian Foundation for Basic Research
+
+Everyone is permitted to copy and distribute verbatim copies
+of this license document, but changing it is not allowed.
+
+This is a free font package included into RFBR TeX distribution.
+It contains four font shapes in three encodings:
+- LaTeX T1 encoding
+- LaTeX TS1 encoding
+- ISO8859-5 encoding
+
+In the folowing paragraphs "fonts" stands for Type 1 fonts together with
+metric files and also any conversions and renderings of them.
+
+You are allowed:
+- to use fonts with any TeX distribution;
+- to use fonts with any graphic editors for preparing pictures to be
+ included into TeX documents;
+- to use fonts with other programs (such as WWW browsers) for
+ screening purpose only;
+- to convert fonts into any format for above purposes;
+- to include fonts into electronic documents (such as PDF) ;
+- to distribute fonts together with RFBR TeX distribution.
+
+In all cases you must make reference to this license.
+
+Note: Use of these fonts as platform fonts in graphic environments such as
+ Microsoft Windows, OS/2 Presentation Manager, X Window, etc. permitted
+ according to above rules.
+
+You are not allowed:
+- to make any changes to font and metric files, including reencoding;
+- to use fonts for hardcopy making with any programs except TeX drivers;
+- to distribute this fonts as an independent package;
+
+If you concerned in further development of this font family and if you try
+to improve it by adding new or correcting existing character glyphs, you
+must do all your work locally and you must send all your changes to addresses
+given below. Be sure that further improvements will be distributed under terms
+of this license. You may not distribute neither fonts under development nor
+documents including such fonts.
+
+CONTACTING ADDRESSES:
+
+ParaGraph International:
+ 32 Krasikova street, 19th floor
+ Moscow 117418 Russia
+ phone: + 7 (095) 129-1500
+ fax: + 7 (095) 129-0911
+ http://www.paragraph.com
+
+
+
diff --git a/Master/texmf-dist/doc/fonts/literat/test1.tex b/Master/texmf-dist/doc/fonts/literat/test1.tex
new file mode 100644
index 00000000000..d2ea6834a69
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/literat/test1.tex
@@ -0,0 +1,98 @@
+% process this file with pdftex
+\let\noinit!\input testfont
+\def\tst#1{\def\fontname{#1}\startfont\table\vfill\eject}
+
+I. Virtual fonts
+
+I.1. T2A encoding
+
+\tst{tlir6a}
+\tst{tliro6a}
+\tst{tlirc6a}
+\tst{tliri6a}
+\tst{tliru6a}
+\tst{tliric6a}
+\tst{tlib6a}
+\tst{tlibo6a}
+\tst{tlibc6a}
+\tst{tlibi6a}
+\tst{tlibu6a}
+\tst{tlibic6a}
+
+I.2. OT1 encoding
+
+\tst{tlir7t}
+\tst{tliro7t}
+\tst{tlirc7t}
+\tst{tliri7t}
+\tst{tliru7t}
+\tst{tliric7t}
+\tst{tlib7t}
+\tst{tlibo7t}
+\tst{tlibc7t}
+\tst{tlibi7t}
+\tst{tlibu7t}
+\tst{tlibic7t}
+
+I.3. T1 encoding
+
+\tst{tlir8t}
+\tst{tliro8t}
+\tst{tlirc8t}
+\tst{tliri8t}
+\tst{tliru8t}
+\tst{tliric8t}
+\tst{tlib8t}
+\tst{tlibo8t}
+\tst{tlibc8t}
+\tst{tlibi8t}
+\tst{tlibu8t}
+\tst{tlibic8t}
+
+I.4. TS1 encoding
+
+\tst{tlir8c}
+\tst{tliro8c}
+\tst{tliri8c}
+\tst{tliru8c}
+\tst{tlib8c}
+\tst{tlibo8c}
+\tst{tlibi8c}
+\tst{tlibu8c}
+
+II. Raw fonts (including faked)
+
+II.1. iso-8859-5 encoding
+
+\tst{rtlir6i}
+\tst{rtliro6i}
+\tst{rtliri6i}
+\tst{rtliru6i}
+\tst{rtlib6i}
+\tst{rtlibo6i}
+\tst{rtlibi6i}
+\tst{rtlibu6i}
+
+II.2. T1 encoding
+
+\tst{rtlir8t}
+\tst{rtliro8t}
+\tst{rtliri8t}
+\tst{rtliru8t}
+\tst{rtlib8t}
+\tst{rtlibo8t}
+\tst{rtlibi8t}
+\tst{rtlibu8t}
+
+II.3. TS1 encoding
+
+\tst{rtlir8c}
+\tst{rtliro8c}
+\tst{rtliri8c}
+\tst{rtliru8c}
+\tst{rtlib8c}
+\tst{rtlibo8c}
+\tst{rtlibi8c}
+\tst{rtlibu8c}
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/literat/test2.tex b/Master/texmf-dist/doc/fonts/literat/test2.tex
new file mode 100644
index 00000000000..bf83a0c9658
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/literat/test2.tex
@@ -0,0 +1,30 @@
+% process this file with pdflatex
+\documentclass{article}
+
+%\usepackage{mathtext}
+\usepackage{literat}
+\usepackage[koi8-r]{inputenc}
+\usepackage[russian]{babel}
+
+\begin{document}
+
+\def\test#1{{#1\selectfont This is a test. đŇĎÂÁ ĐĹŇÁ.}\par}
+
+\test{\mdseries\upshape}
+\test{\mdseries\slshape}
+\test{\mdseries\scshape}
+\test{\mdseries\itshape}
+\test{\mdseries\fontshape{ui}}
+\test{\mdseries\fontshape{si}}
+\test{\bfseries\upshape}
+\test{\bfseries\slshape}
+\test{\bfseries\scshape}
+\test{\bfseries\itshape}
+\test{\bfseries\fontshape{ui}}
+\test{\bfseries\fontshape{si}}
+
+ff ffi ffl fi fl -- ---
+
+%$${ÁÂ×ÇÄ}^{ĹÖÚÉĘ}$$
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/lucold/README b/Master/texmf-dist/doc/fonts/lucold/README
new file mode 100644
index 00000000000..42e25ba4fda
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/lucold/README
@@ -0,0 +1,235 @@
+This is a package to automatically use old-style digits with the
+Lucida fonts; process the file "note.tex" to obtain the
+documentation. Included are:
+
+- a style file;
+- shell command procedures and awk programs to automatically generate
+ .fd, .tfm and .vf files from the original ones;
+- the generated .fd, .tfm and .vf files;
+- a small test program, "test.tex".
+
+This package is free software; you can redistribute it and/or modify
+it under the terms of the GNU General Public License as published by
+the Free Software Foundation; either version 2, or (at your option)
+any later version. The text of GNU GPL version 2 follows:
+
+ GNU GENERAL PUBLIC LICENSE
+ TERMS AND CONDITIONS FOR COPYING, DISTRIBUTION AND MODIFICATION
+
+ 0. This License applies to any program or other work which contains
+a notice placed by the copyright holder saying it may be distributed
+under the terms of this General Public License. The "Program", below,
+refers to any such program or work, and a "work based on the Program"
+means either the Program or any derivative work under copyright law:
+that is to say, a work containing the Program or a portion of it,
+either verbatim or with modifications and/or translated into another
+language. (Hereinafter, translation is included without limitation in
+the term "modification".) Each licensee is addressed as "you".
+
+Activities other than copying, distribution and modification are not
+covered by this License; they are outside its scope. The act of
+running the Program is not restricted, and the output from the Program
+is covered only if its contents constitute a work based on the
+Program (independent of having been made by running the Program).
+Whether that is true depends on what the Program does.
+
+ 1. You may copy and distribute verbatim copies of the Program's
+source code as you receive it, in any medium, provided that you
+conspicuously and appropriately publish on each copy an appropriate
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+notices that refer to this License and to the absence of any warranty;
+and give any other recipients of the Program a copy of this License
+along with the Program.
+
+You may charge a fee for the physical act of transferring a copy, and
+you may at your option offer warranty protection in exchange for a fee.
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+ 2. You may modify your copy or copies of the Program or any portion
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+ b) You must cause any work that you distribute or publish, that in
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+These requirements apply to the modified work as a whole. If
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+In addition, mere aggregation of another work not based on the Program
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+
+ 4. You may not copy, modify, sublicense, or distribute the Program
+except as expressly provided under this License. Any attempt
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+ 5. You are not required to accept this License, since you have not
+signed it. However, nothing else grants you permission to modify or
+distribute the Program or its derivative works. These actions are
+prohibited by law if you do not accept this License. Therefore, by
+modifying or distributing the Program (or any work based on the
+Program), you indicate your acceptance of this License to do so, and
+all its terms and conditions for copying, distributing or modifying
+the Program or works based on it.
+
+ 6. Each time you redistribute the Program (or any work based on the
+Program), the recipient automatically receives a license from the
+original licensor to copy, distribute or modify the Program subject to
+these terms and conditions. You may not impose any further
+restrictions on the recipients' exercise of the rights granted herein.
+You are not responsible for enforcing compliance by third parties to
+this License.
+
+ 7. If, as a consequence of a court judgment or allegation of patent
+infringement or for any other reason (not limited to patent issues),
+conditions are imposed on you (whether by court order, agreement or
+otherwise) that contradict the conditions of this License, they do not
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+all those who receive copies directly or indirectly through you, then
+the only way you could satisfy both it and this License would be to
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+
+If any portion of this section is held invalid or unenforceable under
+any particular circumstance, the balance of the section is intended to
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+generous contributions to the wide range of software distributed
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+to distribute software through any other system and a licensee cannot
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+
+This section is intended to make thoroughly clear what is believed to
+be a consequence of the rest of this License.
+
+ 8. If the distribution and/or use of the Program is restricted in
+certain countries either by patents or by copyrighted interfaces, the
+original copyright holder who places the Program under this License
+may add an explicit geographical distribution limitation excluding
+those countries, so that distribution is permitted only in or among
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+the limitation as if written in the body of this License.
+
+ 9. The Free Software Foundation may publish revised and/or new versions
+of the General Public License from time to time. Such new versions will
+be similar in spirit to the present version, but may differ in detail to
+address new problems or concerns.
+
+Each version is given a distinguishing version number. If the Program
+specifies a version number of this License which applies to it and "any
+later version", you have the option of following the terms and conditions
+either of that version or of any later version published by the Free
+Software Foundation. If the Program does not specify a version number of
+this License, you may choose any version ever published by the Free Software
+Foundation.
+
+ 10. If you wish to incorporate parts of the Program into other free
+programs whose distribution conditions are different, write to the author
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+of promoting the sharing and reuse of software generally.
+
+ NO WARRANTY
+
+ 11. BECAUSE THE PROGRAM IS LICENSED FREE OF CHARGE, THERE IS NO WARRANTY
+FOR THE PROGRAM, TO THE EXTENT PERMITTED BY APPLICABLE LAW. EXCEPT WHEN
+OTHERWISE STATED IN WRITING THE COPYRIGHT HOLDERS AND/OR OTHER PARTIES
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+ 12. IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING
+WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MAY MODIFY AND/OR
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diff --git a/Master/texmf-dist/doc/fonts/lucold/note.tex b/Master/texmf-dist/doc/fonts/lucold/note.tex
new file mode 100644
index 00000000000..d04538a15e3
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/lucold/note.tex
@@ -0,0 +1,304 @@
+% $Id: note.tex,v 1.2 1999/06/10 05:51:53 loreti Exp $
+
+\documentclass[a4paper]{article}
+\usepackage{verbatim}
+
+\newdimen\boxfigwidth
+\newenvironment{bigbox}
+{\begingroup\boxfigwidth=\hsize%
+ \advance\boxfigwidth by -2\fboxrule%
+ \advance\boxfigwidth by -2\fboxsep%
+ \setbox4=\vbox\bgroup\hsize\boxfigwidth%
+ \hrule height0pt width\boxfigwidth\par\bigskip%
+ \linewidth=\boxfigwidth%
+}{\smallskip\egroup\fbox{\box4}\endgroup}
+
+\makeatletter
+\renewcommand{\fnum@figure}{\textsc{\figurename~\thefigure}}
+\renewcommand{\section}{\@startsection {section}{1}{\z@}%
+ {-3.5ex \@plus -1ex \@minus -.2ex}%
+ {2.3ex \@plus.2ex}%
+ {\normalfont\Large\sffamily\bfseries}}
+\makeatother
+
+\begin{document}
+\title{\scshape How to use ``Old-Style Digits''\\
+ with the Lucida fonts}
+\author{\textsc{Maurizio Loreti}\thanks{
+ EMail: \texttt{loreti@pd.infn.it}}}
+\date{Rev.\ 1.2\quad--\quad 1999-06-10}
+\maketitle
+\noindent As a system administrator and local \TeX pert, I
+have been asked by an user to build a style file to
+automagically switch all the occurrences of a digit in the
+printed text to the so-called \emph{old-style digits}.
+
+Although I do not share the aesthetic preferences of this
+user, I have solved the problem satisfactorily; the main
+difficulty has been to understand how to define a
+\emph{virtual font}, because guidelines and examples were
+difficult to find.
+Here follows a short description of what I have done, hoping
+that other people wishing to define a virtual font will find
+it useful; I want to excuse myself for my bad english, and
+to thank Mr.\ Allin Cottrell, whose examples for Computer
+Modern have been an important starting point\/\footnote{They
+ may be found under his web page in
+ \texttt{http://www.wfu.edu/\textasciitilde cottrell}.}.
+
+A couple of notes: the old-style digits are in the
+LucidaNewMath-AltItalic font (normal weight) and in the
+LucidaNewMath-AltDemiItalic font (DemiBold weight); the
+latter is in the ``Lucida Expert'' font package, that is
+\emph{required} in order to obtain \emph{bold} old-style
+digits.
+
+All the \verb|.fd|, \verb|.tfm| and \verb|.vf| auxilliary
+files are built with Unix command procedures for the
+\verb|bash| shell, freely available from the Free Software
+Foundation\/\footnote{By anonymous ftp from
+ \texttt{prep.ai.mit.edu} (and its mirrors) in
+ \texttt{/pub/gnu}; download \texttt{/pub/gnu/GNUinfo/FTP}
+ for a list of the mirror sites.}; the only used features
+missing from the usual Bourne shell environment
+(\verb|/bin/sh|) are:
+\begin{itemize}
+\item The parameter expansion commands like
+ \texttt{\$\{par\%word\}} and \texttt{\$\{par\#word\}}:
+ they first expand ``word'' to a pattern, and then remove
+ from the end (the former) or from the beginning (the
+ latter) of the expansion of the environment variable
+ ``par'' the substring matching that pattern (in a Bourne
+ shell environment they may be easily simulated with
+ \verb|sed| pipes).
+\item The command substitution syntax: \verb|$(command)| is
+ the \verb|bash| equivalent of the Bourne shell construct
+ \verb|`command`|.
+\end{itemize}
+
+All the file manipulation is done with \verb|awk| programs;
+in our installation, the \verb|GNU| version of \verb|awk|
+comes first in the path: but the \verb|GNU| extensions to
+the language are not used, and any \verb|awk| flavour should
+understand these programs.
+
+\section{The style file}
+\verb|lucold.sty| is the style file; it has two options,
+\verb|text| (or \verb|notext|) and \verb|math| (or
+\verb|nomath|), to select (or, respectively, deselect)
+old-style digits in the text mode and in the math mode.
+The default options are \verb|[text,nomath]|; when
+\verb|notext| and \verb|math| are both explicitely selected,
+a warning is printed and \verb|notext| changed to
+\verb|text|: since having old-style digits in the
+mathematics and not in the text has poor meaning (in my
+opinion, of course).
+
+\verb|lucold.sty| is straightforward, being just a wrapper
+around the single command that remaps the text default font
+family to \verb|hlos| (in the current encoding), and the
+additional commands that remap the math-mode digits to the
+text font; the style file for Lucida, \verb|lucidabr.sty|,
+normally uses \verb|hlh| as default text font family.
+
+\section{The font definition files}
+The second step is the creation of the \verb|.fd| files for
+\verb|hlos| in the needed encodings; the \verb|OT1| (or
+Knuth) encoding is the default, but here in Italy we mainly
+use the \verb|T1| (or Cork) encoding.
+
+\begin{figure}[htbp]
+ \begin{bigbox}
+\begin{verbatim}
+ #! /bin/bash
+
+ cp $TETEXDIR/texmf/tex/latex/lucidabr/*t1hlh.fd .
+
+ for infile in *.fd
+ do outfile="${infile%h.fd}os.fd"
+ awk >$outfile -f makefd.awk -v infile=$infile
+ done
+
+ rm *t1hlh.fd
+\end{verbatim}
+ \end{bigbox}
+ \caption{the \texttt{makefd} shell procedure.}
+ \label{fig:fd}
+\end{figure}
+
+The two font definition files \verb|ot1hlos.fd| and
+\verb|t1hlos.fd| are easily obtained using
+\verb|[o]t1hlh.fd| as a template; the shell procedure in
+figure \ref{fig:fd} does exactly that.
+The \verb|awk| program \verb|makefd.awk| remaps all the
+upright fonts of the \verb|hlos| family to a new set of
+(virtual) fonts, called
+\begin{center}
+ \begin{tabular}{|c|c||c|c|}
+ \hline
+ & & New & Original \\
+ Encoding & Weight & Font & Font \\
+ \hline \hline
+ \verb|OT1| & Normal & \verb|hlor7t| & \verb|hlhr7t| \\
+ \verb|OT1| & Bold & \verb|hlob7t| & \verb|hlhb7t| \\
+ \verb|T1| & Normal & \verb|hlor8t| & \verb|hlhr8t| \\
+ \verb|T1| & Bold & \verb|hlob8t| & \verb|hlhb8t| \\
+ \hline
+ \end{tabular}
+\end{center}
+using as a template the input file given as a parameter in
+the \verb|-v| command option.
+All the other variants (italic, slanted, \ldots) of the
+\verb|hlos| family are left mapped to the same fonts used in
+the original \verb|.fd| files.
+
+\section{The \TeX\ font metric files}
+The third step is the creation of the \verb|.tfm| files:
+essentially, the shell procedure of figure \ref{fig:tfm}
+copies some of the metric files of the original fonts of the
+\verb|hlh| family to the current directory; then converts
+them to an human-readable form (\verb|.pl| files) using
+\verb|tftopl|; then, using \verb|maketfm.awk|, substitutes
+the section describing the digits with the corresponding
+section taken from the \verb|.tfm| files of the fonts with
+the old-style digits, i.e.\ \verb|hlcrima| (normal weight)
+and \verb|hlcdima| (boldface).
+
+\begin{figure}[htbp]
+ \begin{bigbox}
+\begin{verbatim}
+ #! /bin/bash
+
+ cp $TETEXDIR/texmf/fonts/tfm/bh/lubright/hlh??t.tfm .
+ cp $TETEXDIR/texmf/fonts/tfm/bh/lumath/hlc?im*.tfm .
+
+ for file in *.tfm
+ do tftopl $file ${file%tfm}pl
+ done
+
+ awk >hlor7t.pl -f maketfm.awk \
+ -v infile1=hlhr7t.pl -v infile2=hlcrima.pl
+ awk >hlob7t.pl -f maketfm.awk \
+ -v infile1=hlhb7t.pl -v infile2=hlcdima.pl
+ awk >hlor8t.pl -f maketfm.awk \
+ -v infile1=hlhr8t.pl -v infile2=hlcrima.pl
+ awk >hlob8t.pl -f maketfm.awk \
+ -v infile1=hlhb8t.pl -v infile2=hlcdima.pl
+
+ pltotf hlor7t.pl hlor7t.tfm
+ pltotf hlob7t.pl hlob7t.tfm
+ pltotf hlor8t.pl hlor8t.tfm
+ pltotf hlob8t.pl hlob8t.tfm
+
+ rm hl???t.pl hlc?im*.tfm
+\end{verbatim}
+ \end{bigbox}
+ \caption{the \texttt{maketfm} shell procedure.}
+ \label{fig:tfm}
+\end{figure}
+
+Next, the merged \verb|.pl| files are converted to binary
+\verb|.tfm| files with \verb|pltotf|; and, finally, the few
+files that are no more needed are removed.
+
+\section{The virtual font files}
+\begin{figure}[htbp]
+ \begin{bigbox}
+\begin{verbatim}
+ #! /bin/bash
+
+ cp $TETEXDIR/texmf/fonts/vf/bh/lubright/hlh??t.vf .
+
+ for file in hlh??t.vf
+ do base="${file%vf}"
+ vftovp ${base}vf ${base}tfm ${base}vpl
+ done
+
+ to="hlor7t"; from="hlhr7t.vpl"; mft="hlcrima"
+ ck="$(grep CHECKSUM ${mft}.pl | cut -d" " -f3 | sed 's/)//')"
+ awk >tmp -f maketfm.awk -v infile1=$from -v infile2=${mft}.pl
+ awk >${to}.vpl -f makevf.awk -v infile=tmp \
+ -v mft=$mft -v ck=$ck
+ vptovf ${to}.vpl ${to}.vf ${to}.tfm
+ rm tmp
+
+ to="hlob7t"; from="hlhb7t.vpl"; mft="hlcdima"
+ ck="$(grep CHECKSUM ${mft}.pl | cut -d" " -f3 | sed 's/)//')"
+ awk >tmp -f maketfm.awk -v infile1=$from -v infile2=${mft}.pl
+ awk >${to}.vpl -f makevf.awk -v infile=tmp \
+ -v mft=$mft -v ck=$ck
+ vptovf ${to}.vpl ${to}.vf ${to}.tfm
+ rm tmp
+
+ to="hlor8t"; from="hlhr8t.vpl"; mft="hlcrima"
+ ck="$(grep CHECKSUM ${mft}.pl | cut -d" " -f3 | sed 's/)//')"
+ awk >tmp -f maketfm.awk -v infile1=$from -v infile2=${mft}.pl
+ awk >${to}.vpl -f makevf.awk -v infile=tmp \
+ -v mft=$mft -v ck=$ck
+ vptovf ${to}.vpl ${to}.vf ${to}.tfm
+ rm tmp
+
+ to="hlob8t"; from="hlhb8t.vpl"; mft="hlcdima"
+ ck="$(grep CHECKSUM ${mft}.pl | cut -d" " -f3 | sed 's/)//')"
+ awk >tmp -f maketfm.awk -v infile1=$from -v infile2=${mft}.pl
+ awk >${to}.vpl -f makevf.awk -v infile=tmp \
+ -v mft=$mft -v ck=$ck
+ vptovf ${to}.vpl ${to}.vf ${to}.tfm
+ rm tmp *.pl *.vpl hlh*.tfm hlh*.vf
+\end{verbatim}
+ \end{bigbox}
+ \caption{the \texttt{makevf} shell procedure.}
+ \label{fig:vf}
+\end{figure}
+
+The last step is the generation of the \verb|.vf| files;
+their human-readable form (the \verb|.vpl| files) are
+essentially \verb|.pl| files, with the addition of some
+sections: a \verb|VTITLE|, one or more \verb|MAPFONT| records
+describing the real fonts, and a \verb|MAP| entry in the
+record of every character describing how to obtain it from
+a real font.
+In the figure \ref{fig:vf}, the shell procedure that
+builds the \verb|.vf| files is listed; it performs the
+following steps:
+\begin{itemize}
+\item The \verb|.vf| files for the original fonts are copied
+ to the current directory, and converted to \verb|.vpl|
+ files using \verb|vftovp|;
+\item The checksum of the \verb|.tfm| file from which the
+ old-style digits are taken is extracted from the
+ corresponding \verb|.pl| file, and stored in the \verb|ck|
+ environment variable;
+\item The program \verb|maketfm.awk| is executed, to
+ substitute the section of every \verb|.vpl| file
+ describing digits with the corresponding section for the
+ old-style digits (taken from the relevant \verb|.pl|
+ file): note that in that step the \verb|MAP| entry for
+ every digit is lost;
+\item The program \verb|makevf.awk|, that adds
+ to the \verb|.vpl| file a valid \verb|MAPFONT| record and
+ valid \verb|MAP| entries for every digit, is executed;
+\item The \verb|.vpl| files are converted to binary using
+ \verb|vptovf|, and a final cleanup is performed.
+\end{itemize}
+
+What is left is simply to move the \verb|*.sty|,
+\verb|*.fd|, \verb|*.tfm| and \verb|*.vf| files to the right
+directory of the \TeX\ tree.
+
+\section{History and Copyright}
+The first version of this package (1.0) has been updated
+because the font names in the default Lucida files
+distributed with the \LaTeX\ PSNFSS package have changed;
+the second version (1.1) stated in an improper way the
+license conditions.
+
+This package is free software; you can redistribute it
+and/or modify it under the terms of the GNU General Public
+License (GPL) as published by the Free Software Foundation;
+either version 2, or (at your option) any later version. The
+text of the GNU GPL\footnote{Version 2, June 1991.
+ Copyright \copyright\ 1989--1991 Free Software Foundation,
+ Inc., 59 Temple Place, Suite 330, Boston, MA 02111-1307,
+ USA.} is included in the file README of this distribution.
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/lucold/test.tex b/Master/texmf-dist/doc/fonts/lucold/test.tex
new file mode 100644
index 00000000000..c128cab3378
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/lucold/test.tex
@@ -0,0 +1,16 @@
+% $Id: test.tex,v 1.1 1999/05/25 12:16:26 loreti Exp $
+
+\documentclass{article}
+\usepackage[OT1]{fontenc}
+\usepackage[expert]{lucidabr}
+\usepackage[text,nomath]{lucold}
+
+\setcounter{page}{123}
+
+\begin{document}
+\noindent
+Testing normal text: 1234567890; normal math: $z = 1234567890$.
+\par\vspace{1cm}\noindent
+Testing bold text: \textbf{1234567890}; bold math:
+{\boldmath $z = 1234567890$}.
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/ly1/ly1.txt b/Master/texmf-dist/doc/fonts/ly1/ly1.txt
new file mode 100644
index 00000000000..a70d0c12545
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/ly1/ly1.txt
@@ -0,0 +1,158 @@
+
+
+ LaTeX support for `texnansi' encoding (LY1)
+ ===========================================
+
+ ly1enc.def
+ texnansi.sty
+ ly1ptm.fd
+ ly1phv.fd
+ ly1pcr.fd
+ ly1.txt
+
+The files in this directory make known a new encoding `LY1'
+to LaTeX that corresponds to the `texnansi' encoding as used
+by default in the Y&Y TeX system. There is also an option
+to support the `ansinew' encoding that is the default encoding
+in Microsoft Windows.
+
+The main file is ly1enc.def. This contains the declaration of
+the encoding. To use `texnansi' encoded fonts within LaTeX, typically
+you just need to add the line
+
+\usepackage[LY1]{fontenc}
+
+to your document preamble.
+
+An alternative to the above line is to use the texnansi package
+
+\usepackage{texnansi}
+
+This will call the fontenc package, as above, to set up the LY1
+encoding but then make further changes to the uppercase and lowercase
+tables.
+Note that LaTeX does not need these changes to correctly uppercase
+text as its \MakeUppercase and \MakeLowercase commands only require
+the uppercase and lower case codes of the letters a-z.
+
+So for most purposes it is better to use the call to fontenc rather
+than use the texnansi package. Then if you pass the file to a site
+using T1 (Cork) encoded fonts the line can more easily be changed to
+
+\usepackage[T1]{fontenc}
+
+The texnansi package has a package option `ansinew' which modifies
+the LY1 encoding to refer to that MS Windows encoding. However you
+should only do this if your TeX system can not reencode fonts to
+support T1 or texnansi. The `ansinew' treatment of the left quote
+` as a grave accent makes it rather unsuitable for TeX use, also it
+lacks several useful glyphs. However if you need to you can go:
+
+\usepackage[ansinew]{texnansi}
+
+The other possible reason for using the texnansi package relates
+to the use of the lowercase table in the hyphenation algorithm.
+This is described below, but it is unfortunately of necessity
+rather technical, and you may want to stop reading at that point.
+
+Having declared the LY1 encoding to LaTeX, LaTeX will need to know
+the fonts that are available in this encoding. This distribution
+includes ly1ptm.fd, ly1plv.fd and ly1pcr.fd which declare the
+common Adobe Times/Helvetica/Courier `Standard PostScript' fonts.
+If you install other text fonts you can make similar ly1XXX.fd files
+based on this model. The LaTeX support packages for MathTime and
+Lucida Bright contain suitable LY1 fd files for those fonts.
+Note that these LY1 `fd' files assume that you have kept the
+original font vendor's file names rather than renaming the fonts
+to the Standard TeX `Karl Berry' naming scheme. The choice
+of font naming scheme is however not connected to the choice of
+encoding.
+
+For each encoding LaTeX needs to know an `error font' which is its
+fall back in the case that the font substitution system can find
+nothing better to do. ly1enc.def specifies that the Error Font for
+LY1 is Adobe Times Roman. This font is freely available from many
+sources (for instance it is included with the Free Adobe Acrobat
+reader) and so it seems the best choice as the error font.
+If you do not have this, you may wish to edit the lines
+
+\DeclareErrorFont{LY1}{ptm}{m}{n}{10}
+\DeclareFontSubstitution{LY1}{ptm}{m}{n}
+
+at the top of ly1enc.def to refer to some other font set.
+For example if you have Y&Y TeX's `Lucida' distribution
+You could change the two occurrences of {ptm} to {hlh}
+Which will make LaTeX fall back on Lucida Bright if all else
+fails. Note that the copyright is held on ly1enc.def.
+This is the only change you should make to that file.
+
+
+A Note on Lowercase Codes and Hyphenation Tables
+================================================
+
+The lowercase table is used by TeX's hyphenation algorithm,
+so in principle one would need to change the lowercase table
+to match the encoding used. However, it should not be changed
+mid paragraph as all words, whatever font encoding they are
+set in, are lowercased using the table current at the *end*
+of the paragraph before being checked for hyphenation.
+Because of these limitations in TeX's hyphenation algorithm,
+LaTeX does not support changing the lowercase table mid document,
+so if the texnansi package is used then the texnansi lowercase
+table will be used for all fonts (whether or not LY1 encoded)
+and conversely if it is not used, the T1 table will be used, even
+for LY1 encoded fonts. The reason why this problem is not more
+serious is that the majority of letters (as opposed to ligatures,
+and symbols) that occur in LY1 occur in the same place in T1.
+
+The only letters that might possibly appear in a hyphenation table
+that are in different positions in T1 and LY1 are:
+
+\oe (low position OT1 high new)
+\ss (low position OT1 high new)
+\v{s}
+\v{z}
+\l
+\i OT1 (although *composites* such as \'\i are in T1 position
+ so this will only affect languages (Turkish?) that use
+ an unaccented \i)
+\"{y}
+
+
+It should be noted that for those symbols that occur twice in LY1,
+the `high' copy is used if it coincides with the position used
+in T1 (as in the case of \ae, \o) otherwise the `low' copy will
+be used which will coincide with the OT1 position (\oe, \ss).
+(Unless the setup for ansinew is enabled in which case the high
+position is always used.)
+
+
+Fortunately most hyphenation files for Western European languages
+(I checked French, German and Danish) duplicate all the hyphenation
+patterns using these letters so that the tables work with both T1 and
+OT1 (and hence LY1) encoded fonts. However if you are using a language
+that makes use of say, \ss, but the hyphenation patterns just refer to
+\ss as ^^ff then you will need to copy the hyphenation file and edit
+all occurences of ^^ff to refer to the new position; either
+^^19 (for texnansi) or ^^df (for ansinew).
+
+The remaining letters that are in different positions, such as s caron,
+may be dealt with similarly, although they are mainly used in Eastern
+European languages. The LY1 encoding does not have as many glyphs
+for Eastern European languages as T1, so for those languages most likely
+this encoding is not suitable. (Of course TeX can produce all the
+accented letters required, but the hyphenation algorithm can not work
+with such constructed composites it can only work with composite letters
+that actually occur in the font.)
+
+It would be a good thing if hyphenation tables did not refer to any
+explicit character positions using the ^^ab notation, but rather always
+accessed characters by control sequences such as \ss. This would allow
+the remapping to be done via inputting a file such as ly1enc.def
+rather than by editing the hyphenation file. However currently most of
+the publicly available hyphenation tables unfortunately do `hard wire'
+the T1 character codes in this way.
+
+
+Copyright 1997 David Carlisle
+
diff --git a/Master/texmf-dist/doc/fonts/ly1/texnansi.txt b/Master/texmf-dist/doc/fonts/ly1/texnansi.txt
new file mode 100644
index 00000000000..761e44ad29e
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/ly1/texnansi.txt
@@ -0,0 +1,142 @@
+===============================================================
+ Design principles of `texnansi.vec':
+===============================================================
+
+* Make all 228 glyphs in typical plain vanilla text fonts accessible.
+ (Avoid need for second copy of font with different encoding)
+
+* Provide access to `extra' f-ligatures (ff, ffi, ffl) and dotlessj
+ if the font has these.
+
+* Make 58 accented / composite `standard' characters directly accessible
+ (so don't have to use TeX's \accent mechanism - improved hyphenation)
+
+* Follow ISO Latin 1 in 160 - 255 range --- which matches Windows ANSI.
+ (And matches Cork T1 encoding for accented characters in 192 - 255)
+
+* Fill in from Windows ANSI in 128 -- 159 range
+ (which means one can use a Windows editor for the source file)
+
+* Have special characters where plain TeX (OT1) has them hard-wired.
+ (ae, oe, oslash, AE, OE, Oslash, germandbls)
+
+* Have accents (grave, acute, caron, breve. macron, ring, cedilla,
+ circumflex, tilde, dieresis) mostly where plain TeX (OT1) has them
+ hard-wired.
+
+* Follow `TeX typewriter' in 32 -- 127 as much as reasonable
+ (so verbatim environment works as expected)
+
+* Fortunately, glyphs accessed only via ligature mechanism in TFM can
+ be anywhere: ff/fi/fl/ffi/ffl
+ exclamdown/questiondown, quotedblleft/quotedblright, endash/emdash
+
+* Avoid character codes 0, 9, 10, 13, and perhaps 127, since much brain
+ dead software has trouble with those.
+
+We use `control characters' (0 -- 31 and 127), since we need space for more
+than 224 slots, and since we want to match some aspects of `TeX typewriter'.
+
+Overall layout:
+
+0 Avoid since some buggy software uses null-terminated string ops
+
+4 -- 8 `fraction', `dotaccent', `hungarumlaut', `ogonek', `fl'
+
+9 Avoid (tab - which is treated as white space by some software)
+
+10 Avoid - some applications have hard-wired for `newline'
+
+11 -- 12 ff, fi could actually be anywhere (accessed via ligs)
+
+13 Avoid - some applications have hard-wired for `return'
+
+14 -- 15 ffi, ffl could actually be anywhere (accessed via ligs)
+
+16 -- 17 dotlessi/dotlessj \i, \j
+
+18 -- 24 grave/acute/caron/breve/macron/ring/cedilla accents.
+ Some accents occur again higher up:
+ (96), 180, *, *, 175, *, 184
+
+25 -- 31 germandbls/ae/oe/oslash/AE/OE/Oslash.
+ All special characters occur again higher up:
+ 223, 230, 156, 248, 198, 140, 216
+
+32 space. Any sane font should have this! And have it here!
+
+% NO: 34 quotedblright (148) keep: quotedbl
+
+39 quoteright (146) *not* quotesingle
+
+% NO: 60 exclamdown (161) keep: less
+
+% NO: 62 questiondown (191) keep: greater
+
+NOTE: exclamdown and questiondown can go anywhere (via pseudo ligature)
+
+% NO: 92 quotedblleft (147) keep: backslash
+
+NOTE: quotedblleft and quotedblright can go anywhere (via pseudo ligature)
+
+94 circumflex (136) *not* asciicircum
+
+% NO: 95 dotaccent (*) keep: underscore
+
+96 quoteleft (145) *not* grave accent
+
+% NO: 123 endash (150) keep: braceleft
+% NO: 124 emdash (151) keep: bar
+
+NOTE: endash/emdash can go anywhere (via pseudo ligature)
+
+% NO: 125 hungarumlaut (*) keep: braceright
+
+126 tilde (152) *not* asciitilde
+127 dieresis (168) but use the one in 168 instead
+
+So we have displaced 5 characters (out of 12 possibles) from Windows ANSI:
+
+ quotesingle (39), asciicircum (94), asciitilde (126),
+ underscore (95), grave (96).
+
+but not: quotedbl (34), less (60), greater (62),
+but not: backslash (92), bar (124), braceleft (123), braceright (125)
+
+The five above then need to be patched in higher up.
+
+Conversely, we have moved down from Windows ANSI accents and special chars:
+
+ grave (96), acute (180), macron (175), cedilla (184),
+ circumflex (136), tilde (152), dieresis (168),
+ quoteleft (145), quoteright (146),
+ germandbls (223), ae (230), oe (156), oslash (248),
+ AE (198), OE (140), Oslash (216).
+
+but not: quotedblleft (147), quotedblright (148),
+but not: exclamdown (161), questiondown (191)
+but not: endash (150), emdash (151),
+
+(This opens up some slots higher up that could be filled with other things).
+
+There are eight gaps in Windows ANSI: 128, 129, 141, 142, 143, 144, 157, 158,
+we need four for characters displaced from lower down:
+
+ quotesingle (39), asciicircum (94), asciitilde (126), grave (96),
+
+Actually, we can omit grave, because it appears at 18 now.
+
+Finally, fill in the gaps, and adding minus, Lslash, lslash, Zcaron, zcaron
+
+128 Lslash
+129 quotesingle
+
+141 Zcaron
+142 asciicircum
+143 minus
+144 lslash
+
+157 zcaron
+158 asciitilde
+
+The rest (160 and above) is ISO Latin 1 / Windows ANSI \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/ly1/texnansi.vec b/Master/texmf-dist/doc/fonts/ly1/texnansi.vec
new file mode 100644
index 00000000000..9de28767a30
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/ly1/texnansi.vec
@@ -0,0 +1,337 @@
+% Encoding: TeX typewriter and Windows ANSI
+
+% NOTE: This has *all* 228 glyphs found in `standard' plain text fonts
+% It is thus a superset of Windows ANSI and Macintosh standard roman.
+% Windows ANSI lacks 15 glyphs, while Mac standard roman lacks 21,
+% Adobe StandardEncoding (ASE) lacks 21, and Cork encoding lacks 38.
+
+% NOTE: Uses (mostly) ASCII for 32 -- 126
+% Uses (some) `TeX typewriter' and `TeX text' for 0 -- 127
+% Uses (mostly) Windows ANSI (ansinew.vec) for 128 -- 255
+
+% NOTE: since this encoding has special characters and accents
+% mostly where plain TeX and LaTeX expect them, there is
+% little need to change anything in the source file.
+% Exceptions: dotaccent & hungarumlaut.
+
+% NOTE: However, to get the maximum benefit of this encoding add:
+% \input texnansi.tex to your TeX source file -
+% between \documentclass{...} and \begin{document} in case of LaTeX -
+% after \usepackage{mathtimy} or \usepackage{lucidbry}.
+
+% NOTE: this encoding has accented characters - yet does not use
+% Windows ANSI encoding. `On the fly' reencoding in DVIWindo /
+% DVIPSONE can handle this. Otherwise, the font files have
+% to be processed by SAFESEAC to protect accented/composite
+% characters from ATM (both in Windows and on the Mac).
+% The `encode.bat' batch file does this automatically.
+% Note that this is *not* an issue when using Y&Y TeX System 1.2
+% or later --- since it supports `on the fly' reencoding.
+
+% NOTE: TeX text *does not* conform to ASCII except for letters and digits.
+% As a result one loses the following from the 0 -- 127 range:
+% quotesingle, asciicircum, asciitilde & grave.
+% These have been inserted higher up to compensate
+% (but the following are kept: braceleft, braceright, underscore,
+% bar, quotedbl, less, greater, backslash).
+
+% NOTE: TeX text does not conform to Windows ANSI. So conversely,
+% one must expect repeated encodings for the following:
+% circumflex, tilde, dieresis
+% (but not for: quotedblleft, quotedblright,
+% exclamdown, questiondown, endash, emdash).
+
+% NOTE: TeX uses *ten* different hard-wired encodings, `TeX text' is just one.
+% TeX uses *different* encoding for fixed-width fonts - `TeX typewriter'
+% To avoid problems in verbatim environment we follow mostly the latter.
+
+% NOTE: Ideally, one should try and avoid 0 (null), 9 (tab), 10 (newline),
+% 13 (return), 127 (delete) --- perhaps also 128, 255 (and use 32 *only*
+% for space) since flakey software has trouble with some of these.
+
+% Revised 1996 June 1 by adding second position for `fl' to avoid Acrobat bug.
+% Revised 1996 June 1 by adding second position for `fraction' for same reason.
+% Revised 1996 Sep 1 by adding notes regarding `dieresis' preferred code 168.
+
+% Could use 1, 2, 3 for Eng and eng, or ct and st ligatures, or ...
+
+4 fraction % new position - to avoid problems with 9 (tab)
+5 dotaccent % displaced from above (by underscore in 95)
+6 hungarumlaut % displaced from above (by braceright in 125)
+7 ogonek % added for convenience
+8 fl % new position to avoid problem with 13 (return)
+9 fraction % old position - for backward compatability
+
+% Some fonts do have *all* five f ligatures, although many have only fi and fl
+% The following could go *anywhere*, since accessed *only* via ligatures
+
+11 ff
+12 fi
+13 fl % old position - for backward compatability
+14 ffi
+15 ffl
+
+% Accents, and `dotlessi' should be in hard-wired `TeX text' positions
+
+16 dotlessi % most text fonts have dotlessi, but not in ANSI
+17 dotlessj % and few fonts have dotlessj...
+
+18 grave % rather than 96, ANSI position
+19 acute % repeated in 180
+20 caron % not in ANSI
+21 breve % not in ANSI
+22 macron % repeated in 175
+23 ring % not in ANSI
+24 cedilla % repeated in 184
+
+% circumflex, tilde, dieresis - appear higher up, as in `TeX text'
+% dotaccent, hungarumlaut, ogonek - appear lower down
+
+% Special characters should be in hard-wired `TeX text' positions
+
+25 germandbls % repeated in 223
+26 ae % repeated in 230
+27 oe % repeated in 156
+28 oslash % repeated in 248
+29 AE % repeated in 198
+30 OE % repeated in 140
+31 Oslash % repeated in 216
+
+% Watch out: there are some serious departures from ASCII in `TeX text'
+
+32 space % TeX typewriter: visiblespace
+33 exclam
+34 quotedbl % TeX text: quotedblright (via pseudo ligature)
+35 numbersign
+36 dollar
+37 percent
+38 ampersand
+39 quoteright % ANSI: quotesingle
+40 parenleft
+41 parenright
+42 asterisk
+43 plus
+44 comma
+45 hyphen
+46 period
+47 slash
+48 zero
+49 one
+50 two
+51 three
+52 four
+53 five
+54 six
+55 seven
+56 eight
+57 nine
+58 colon
+59 semicolon
+60 less % Tex text: exclamdown (via pseudo ligature)
+61 equal
+62 greater % TeX text: questiondown (via pseudo ligature)
+63 question
+64 at
+65 A
+66 B
+67 C
+68 D
+69 E
+70 F
+71 G
+72 H
+73 I
+74 J
+75 K
+76 L
+77 M
+78 N
+79 O
+80 P
+81 Q
+82 R
+83 S
+84 T
+85 U
+86 V
+87 W
+88 X
+89 Y
+90 Z
+
+91 bracketleft
+92 backslash % TeX text: quotedblleft (via pseudo ligature)
+93 bracketright
+94 circumflex % ANSI: asciicircum
+95 underscore % TeX text: dotaccent --- UGH!!!
+96 quoteleft % ANSI: grave
+
+97 a
+98 b
+99 c
+100 d
+101 e
+102 f
+103 g
+104 h
+105 i
+106 j
+107 k
+108 l
+109 m
+110 n
+111 o
+112 p
+113 q
+114 r
+115 s
+116 t
+117 u
+118 v
+119 w
+120 x
+121 y
+122 z
+
+% endash and emdash can be *anywhere*, since only accessed via pseudo ligatures
+
+123 braceleft % TeX text: endash (via pseudo ligature)
+124 bar % TeX text: emdash (via pseudo ligature)
+125 braceright % TeX text: hungarumlaut --- UGH!!!
+126 tilde % ANSI: asciitilde
+127 dieresis % here for backward compatability - repeated in 168
+
+128 Lslash % added for convenience
+129 quotesingle % added for convenience (not in 39, ANSI position)
+
+130 quotesinglbase
+131 florin
+132 quotedblbase
+133 ellipsis
+134 dagger
+135 daggerdbl
+136 circumflex
+137 perthousand
+138 Scaron
+139 guilsinglleft
+140 OE
+
+141 Zcaron % added for convenience
+142 asciicircum % displaced from below (by circumflex in 94)
+143 minus % added for convenience
+144 lslash % added for convenience
+
+145 quoteleft
+146 quoteright
+147 quotedblleft
+148 quotedblright
+149 bullet
+150 endash
+151 emdash
+152 tilde
+153 trademark
+154 scaron
+155 guilsinglright
+156 oe
+
+157 zcaron % added for convenience
+158 asciitilde % displaced from below (by tilde in 126)
+
+159 Ydieresis % no language uses this, but...
+
+160 space % nbspace
+161 exclamdown
+162 cent % as in ASE
+163 sterling % as in ASE
+164 currency
+165 yen % as in ASE
+166 brokenbar
+167 section % as in ASE
+168 dieresis % safe position - use this instead of 127
+169 copyright
+170 ordfeminine
+171 guillemotleft % as in ASE
+172 logicalnot
+173 hyphen % sfthyphen
+174 registered
+175 macron
+176 degree
+177 plusminus
+178 twosuperior
+179 threesuperior
+180 acute
+181 mu
+182 paragraph % as in ASE
+183 periodcentered
+184 cedilla
+185 onesuperior
+186 ordmasculine
+187 guillemotright % as in ASE
+188 onequarter
+189 onehalf
+190 threequarters
+191 questiondown
+192 Agrave
+193 Aacute
+194 Acircumflex
+195 Atilde
+196 Adieresis
+197 Aring
+198 AE
+199 Ccedilla
+200 Egrave
+201 Eacute
+202 Ecircumflex
+203 Edieresis
+204 Igrave
+205 Iacute
+206 Icircumflex
+207 Idieresis
+208 Eth
+209 Ntilde
+210 Ograve
+211 Oacute
+212 Ocircumflex
+213 Otilde
+214 Odieresis
+215 multiply
+216 Oslash
+217 Ugrave
+218 Uacute
+219 Ucircumflex
+220 Udieresis
+221 Yacute
+222 Thorn
+223 germandbls
+224 agrave
+225 aacute
+226 acircumflex
+227 atilde
+228 adieresis
+229 aring
+230 ae
+231 ccedilla
+232 egrave
+233 eacute
+234 ecircumflex
+235 edieresis
+236 igrave
+237 iacute
+238 icircumflex
+239 idieresis
+240 eth
+241 ntilde
+242 ograve
+243 oacute
+244 ocircumflex
+245 otilde
+246 odieresis
+247 divide
+248 oslash
+249 ugrave
+250 uacute
+251 ucircumflex
+252 udieresis
+253 yacute
+254 thorn
+255 ydieresis % no language uses this, but...
diff --git a/Master/texmf-dist/doc/fonts/malayalam/FILES b/Master/texmf-dist/doc/fonts/malayalam/FILES
new file mode 100644
index 00000000000..b7f28c43afc
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/FILES
@@ -0,0 +1,186 @@
+
+Files included in the Malayalam-TeX package (some are only in the full version)
+
+
+Article: Directory with macro-files, demo-files and the user's guide
+ elephant.mm The fable of the Blind Men and the Elephant in Malayalam
+ elephant.tex
+ lion.mm The fable of the Lion and the Mouse in Malayalam
+ lion.tex
+ mmarticl.mm An article about Malayalam-TeX
+ mmarticl.tex
+ mmchart.tex A chart showing all characters in the Malayalam font
+ mmconj.mm A chart showing all conjuncts of two letters in Malayalam
+ mmconj.tex
+ mmexp.mm A demo of more experimental styles of the Malayalam font
+ mmexp.tex
+ mmfont.tex Macros to load the Malayalam fonts (loaded by mmmacs)
+ mmfuture.tex some thoughts on the future of Malayalam-TeX
+ mmguide.dvi DVI-file of the user's guide
+ mmguide.mm source of the user's guide
+ mmguide.ps PostScript version of the user's guide
+ mmguide.tex Pre-processed version of the user's guide
+ mmmacs.tex Macros to use Malayalam-TeX
+ mmphmacs.tex Macros to use phonetic letters for Malayalam (requires WSUIPA)
+ mmqfont.tex Macros to quickly load a subset of the Malayalam fonts
+ mmqmacs.tex same as mmmacs.tex, but uses a subset of the Malayalam fonts
+ mmsample.mm Samples of each style and size of the Malayalam font
+ mmsample.tex
+ mmscript.tex
+ mmtable.mm A table of the transliteration scheme used by Malayalam-TeX
+ mmtable.tex
+ mmtitle.tex Title page of the user's guide
+ mmtrans.mm A table of the transliteration scheme used by Malayalam-TeX
+ mmtrans.tex
+ mmtrmacs.tex macros to use the transcription-mode of Malayalam-TeX
+ mmxfont.tex macros to load some experimental style fonts
+ ornament.tex macros to load an ornament font
+ prodigal.mm The fable of the prodigal son in Malayalam with parallel translation
+ prodigal.tex
+ test.mm A simple test
+ test.tex
+ twolines.tex macros to make parallel translations on two/three lines.
+DNG: Directory including files to use Frans Velthuis Devanagari fonts
+ dn2dng.pat pattern-file to translate from Velthuis' transcription to mine
+ dng.pat pattern-file to translate from my transcription to Velthuis'
+ dng.tex chapter of user-guide explaining use of Devanagari
+ dngmacs.tex macros to use Devanagari
+ dngtrans.dng table of transcription of Devanagari used
+ dngtrans.tex
+ dntrmacs.tex macros to use Devanagari in transcription
+ misspaal.dng demo of Devanagari
+MF: directory with Metafont sources of the Malayalam font
+ effect.mf selects a special effect to be applied to letters
+ esoteric.mf esoteric effect
+ fnt_code.mf defines alternative glyph positions in the Malayalam font
+ hstripes.mf horizontal stripes effect
+ mm.bat MS-DOS batch file to create all fonts
+ mm.fts Atari-ST CSTeX fts file to create all fonts
+ mm.job MS-DOS emTeX job file to create all fonts
+ mm10.mf parameters for mm10
+ mm10s.mf
+ mm12.mf
+ mm12s.mf
+ mm17.mf
+ mm17s.mf
+ mm6.mf
+ mm6s.mf
+ mm8.mf
+ mm8s.mf
+ mmb10.mf
+ mmb10s.mf
+ mmb12.mf
+ mmb12s.mf
+ mmb17.mf
+ mmb17s.mf
+ mmbig.mf
+ mmbigo.mf
+ mmc10.mf
+ mmc10s.mf
+ mmc12.mf
+ mmc12s.mf
+ mmc17.mf
+ mmc17s.mf
+ mmcb10.mf
+ mmcb10s.mf
+ mmcb12.mf
+ mmcb12s.mf
+ mmcb17.mf
+ mmcb17s.mf
+ mmcillu.mf cillu letters
+ mmcoding.mf defines glyph positions in the Malayalam font
+ mmconj.mf conjuncts
+ mmcons.mf consonants
+ mmcsl10.mf
+ mmcsl10s.mf
+ mmcsl12.mf
+ mmcsl12s.mf
+ mmcvconj.mf consonant-vowel combinations
+ mmdefs.mf definitions of Metafont macros used by the Malayalam font
+ mmexpa12.mf
+ mmexpb12.mf
+ mmexpc12.mf
+ mmfnt.mf galley file using alternative glyph encoding
+ mmfont.mf galley file using normal glyph encoding
+ mmlnums.mf Latin numerals
+ mmnums.mf Malayalam numerals
+ mmpunct.mf punctuation marks
+ mmrconj.mf conjuncts with subscribed ra
+ mmscons.mf conjuncts of stacked letters
+ mmsec.mf secondary variants of consonants
+ mmsl10.mf
+ mmsl10s.mf
+ mmsl12.mf
+ mmsl12s.mf
+ mmstyles.txt list of styles defined
+ mmtest.fts Atari-ST CSTeX test bed file
+ mmtest.mf test bed file
+ mmvowels.mf vowels
+ orn10.mf ornamental font
+ outline.mf outline effect
+ rejected.mf rejected variant shapes of some Malayalam letters
+ reverse.mf reverse video effect
+ shadow.mf shadow effect
+ var_ja.mf variant ja
+MT: Directory containing code for another unfinished Malayalam metafont
+ mt12.mf
+ mtdefs.mf
+ mtfont.mf
+Preprocessor: Directory containing the preprocessor source and support files
+ ack2mm.pat patterns to translate A.C.K. transcription to mine
+ avltree.c AVL tree code used by the pre-processor
+ avltree.h AVL tree header file
+ Makefile Make file for UNIX
+ ml.bat MS-DOS batch file to pre-process a Malayalam text (trad. script)
+ ml.g Atari-ST gulam file to pre-process a Malayalam text (trad. script)
+ mlr.bat MS-DOS batch file to pre-process a Malayalam text (mod. script)
+ mlr.g Atari-ST gulam file to pre-process a Malayalam text (mod. script)
+ mltr.g Atari-ST gulam file to pre-process a Malayalam text (mod. & trad. script)
+ mltrth.g Atari-ST gulam file to pre-process a Malayalam text (mod. & trad. & Dev. & Tam.)
+ mm.c main source of the pre-processor
+ mm.h header file of the pre-processor
+ mm.pat patters to translate Malayalam transcription to TeX-commands
+ mm.prj Atari-ST Pure C project file for the pre-processor
+ mm.scr Malayalam script definition (trad. script)
+ mm.trs Malayalam transliteration definition (trad. script)
+ mm2ack.pat patterns to translate my transliteration to that of A.C.K.
+ mmr.scr Malayalam script definition (mod. script)
+ mmr.trs Malayalam transliteration definition (mod. script)
+ mmrfull.trs Malayalam transliteration definition (mod. script, alt. punctuation)
+ patc: Directory containing the patc program, a transcription translator
+ detex.g Atari-ST gulam batch file to remove TeX commands
+ detex.pat patterns to remove TeX commands
+ patc.c the source of the pattern translator
+ patc.prj Atari-ST Pure C project file for patc
+ patc.txt manual pages for patc
+ pstree.c pattern-search tree source
+ pstree.h pattern-search tree headers
+ pstree.c
+ pstree.h
+ readfile.c file access
+ readfile.h
+ scr.c script definitions
+ scr.h
+ trs.c transliteration definitions
+ trs.h
+ Unicode:
+ unicode.txt some thoughts on using Unicode
+Tamil: Directory to handle Tamil with Malayalam tex (requires WNTML)
+ adami.pat patterns to translate the ADAMI transliteration to mine
+ tamil.pat patterns to translate the Tamil transliteration to TeX-macros
+ tamil.tex chapter of user's guide on using Tamil
+ test.tam a test in ADAMI transliteration
+ test.tex a test in pre-processed form
+ test.tml a test in my transliteration
+ tmlmacs.tex macros to use Tamil
+ tmltrans.tex table of the Tamil transliteration (pre-processed)
+ tmltrans.tml macros to use Tamil in transliteration
+ tmltrans.txt table of the Tamil transliteration (source)
+ wntml.pat patterns to translate the original wntml transliteration
+Charity a file explaining the concept of Charity-ware
+Files this file
+Install Some notes on Installation
+Readme You should know by now
+Todo Future extensions, bug fixes, etc. (Hints and comments appreciated)
+
+--
diff --git a/Master/texmf-dist/doc/fonts/malayalam/INSTALL b/Master/texmf-dist/doc/fonts/malayalam/INSTALL
new file mode 100644
index 00000000000..2598b5de13e
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/INSTALL
@@ -0,0 +1,105 @@
+
+Malayalam-TeX installation guide
+
+
+Malayalam-TeX has been installed and tested on MS-DOS with emTeX, Atari-ST with
+CSTeX and various on UNIX machines. A Macintosh version (OzTeX) is forthcoming.
+
+The installation procedures differs on all these machines, so look under the heading
+of your machine.
+
+Included are .PK files intended for use with a CanonCX laserprinter engine (which is the
+engine most 300 DPI laser printers use) If you need different fonts, you will have
+to generate the fonts yourself using METAFONT.
+
+Atari-ST with CSTeX (presuming you use the command line shell gulam)
+
+To install
+ 1. Unpack the archive.
+ 2. Place the *.tfm files in a directory where TeX can find them
+ 3. Place the *.pk files in the directories where the DVI previewer and DVI printer
+ driver can find them.
+ 4. Place the mm.ttp, patc.ttp and the gulam batch files (ending with .G)
+ in a directory your shell can find them (normally C:\bin\)
+ 5. Set the environment variable MMDIR to the path where mm.trs, mm.scr, etc. are.
+ (mmfont\preproc in the distribution)
+ Everything should be in working order now
+To create the .pk fonts
+ 1. Start C_MF
+ 2. Edit the file MM.FTS to include the fonts and magnifications you need
+ 3. Set the input directory to the directory where the Malayalam Metafont sources are
+ 4. Select the output device
+ 5. Create the fonts. (This may take some time)
+ C_MF will automatically place the resulting .PK files in the correct directories.
+
+
+MS-DOS with emTeX
+
+To install
+ 1. Unpack the archive
+ 2. Place the *.TFM files in a directory where TeX can find them
+ 3. Place the *.PK files in the directories where the DVI previewer and DVI printer
+ driver can find them.
+ 4. Place the PATCH.EXE, MM.EXE and the batch files (ending with .BAT)
+ in a directory your path points at (normally C:\DOS\)
+ 5. Set the environment variable MMDIR to the path where MM.TRS, MM.SCR, etc. are.
+ (MMFONT\PREPROC in the distribution)
+ Everything should be in working order now
+To create the *.PK fonts
+ 1. Edit the file MM.JOB to select the files and device you need
+ 2. Run MFJOB with this file.
+
+
+UNIX
+
+To install
+ 1. Unpack the archive. (It may be required to change all names to lowercase
+ if this is not done automatically)
+ 2. Place the *.tfm files in a directory where TeX can find them. (or tell
+ TeX where they are by setting the environment variable TEXFONTS)
+ 3. Place the *.pk fonts in a directory your previewer and printer driver can
+ find them. (or tell TeX where they are by setting the environment variable
+ TEXPKS) For some TeX implementations, it may be required to rename the
+ fonts from *.pk to *.300pk
+ 6. Look in mm.c to find the line saying #define ATARI_ST, change this into
+ #define UNIX
+ 5. Make the preprocessor and the patc program, by saying make in the directory
+ they reside.
+ 6. Make the batch programs (ending in .g) executable, if you wish you may remove
+ the .g extention. (It is only needed for gulam on the Atari)
+ 7. Set the environment variable MMDIR to point at the directory where
+ the .scr and .trs files are (mmfont/preproc in the distribution).
+To create the *.*pk fonts
+ 1. run Metafont, for example to make mm10.300gf
+ type `mf &plain "\mode=hplaser; mag:=1; input mm10"'
+ replace hplaser with your favourite mode
+ 2. Convert the resulting *.*gf file to a *.*pk file
+ type `gftopk mm10.gf mm10.pk'
+ To make all fonts, run the batch file mm.bat. This may take some time.
+To test
+ type `ml mmtable.mm mmtable.tex'
+ type `tex &plain mmtable'
+ Print or view the resulting mmtable.dvi file.
+
+
+Porting
+
+The included source code has been successfully compiled on
+
+* Turbo-C v2.03 for Atari ST.
+* gcc v2.3.1 on HP-UX.
+* Turbo C++ on MS-DOS. (use Huge memory model and word alignment options, increase
+ stack-size)
+
+If it doesn't work right away, things you may need to do include:
+* change options in the Makefile
+* make a project file for Turbo C++ (the one included is for Atari)
+* change the line with
+ #define ATARI_ST
+ in the file mm.c to your system type.
+
+
+
+Good luck
+
+Jeroen
diff --git a/Master/texmf-dist/doc/fonts/malayalam/README b/Master/texmf-dist/doc/fonts/malayalam/README
new file mode 100644
index 00000000000..e69de29bb2d
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/README
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/elephant.mm b/Master/texmf-dist/doc/fonts/malayalam/article/elephant.mm
new file mode 100644
index 00000000000..052d1f0d0a8
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/elephant.mm
@@ -0,0 +1,41 @@
+% elephant.mm -- The old fable of the blind men and the elephant
+% last edit: 04-APR-1993
+
+\input mmmacs
+\input ornament
+\parindent=0pt
+\emergencystretch=50pt
+
+\centerline{{\twelvebf The blind men and the elephant}}
+\medskip
+\centerline{{\it An old fable}\footnote*{taken from Frohnmeyer, p.182}}
+\ornline{\Sine}
+
+$cila janmaandhanmar (piRavikkuruTanmaar) yad.rcchayaa oru svalattu vannukuTi tan"n"aL{}kku
+oru aanaye kaaNiccu koTukkeeNamenn oru aanappaappaanooTu taatpayyattooTe aapee
+kSiccatinnu avan: parishoodhiccu pooykkoL{}vinennu paRan~n~u. aanayuTe kaal
+tappinookkiya kuruTanum atinRe tunbikkai taTavinookkiya veroru kuruTanum
+atinRe cethi tapooTinookkiya maRRooruttanum atinRe vaal toTTunookkiya
+maRReeyavanum at nallatennu paRan~n~u. ivvaNNam aanaye parishoodhanakazhicca sheeSam
+avar pookamvazhiyil anyoonyom aanayuTe mahiMayekkooNTu paRavaan tuTan"n"i. kaal
+tappi nookkiyavan aan uralpoolee ennum inbikkai taTavinookkiyavan atu ulakkapoolee
+ennum vaal tooTTunookkiyavan atu cuul (maaccil) poolee ennum cevi
+talooTi yavan atu muRampoolee ennum paRan~n~u. in"n"inee anyoonyam vipariitamaayi
+colli tiiraatta shaNThayiTTu naTannu.\par$
+
+\ornline{\Sine}
+
+Some men, all blind from their birth, (happening) to be together at one place, requested
+earnestly of an elephant-driver to show them an elephant. He said: examine it, and be off.
+It is a fine thing, said one blind man, feeling the elephant's leg; (so said) another blind
+man stroking his trunk, (so said) another passing his hand over the ear, (so said) another
+thouching his tail. Having thus examined the elephant, as they went away, they began to
+speak to one another of the greatness of the elephant. He that had felt the leg said the
+elephant was like a mortar for poundig rice. He that felt the trunk, that it was like
+a pestle or rice-beater; he that had touched the tail, that it was like a broom, and he that
+had stroked the ear, that it was like a winnowing fan. Thus they went on quarrelling
+without end, each declaring the contrary to the other.
+
+\ornline{\Orn}
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/elephant.tex b/Master/texmf-dist/doc/fonts/malayalam/article/elephant.tex
new file mode 100644
index 00000000000..22d96b85267
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/elephant.tex
@@ -0,0 +1,39 @@
+
+\input mmmacs
+\input ornament
+\parindent=0pt
+\emergencystretch=50pt
+
+\centerline{{\twelvebf The blind men and the elephant}}
+\medskip
+\centerline{{\it An old fable}\footnote*{taken from Frohnmeyer, p.182}}
+\ornline{\Sine}
+
+{\mm \X{\<26>\<63>}\X{\<50>} \X{\<28>}\X{\<193>\<62>}\X{\<219>}\X{\<193>}\X{\<80>} {\RMF(}\X{\<42>\<63>}\X{\<49>}\X{\<53>\<63>}\X{\<168>}\X{\<136>}\X{\<31>}\X{\<193>\<62>}\X{\<80>}{\RMF)} \X{\<47>}\X{\<153>}\X{\M{\<26>}{\Z\<27>}}\X{\<47>\<62>} \X{\<18>}\X{\<136>} \X{\<56>\K{-.5}\<86>}\X{\<50>}\X{\<172>} \X{\<53>}\X{\<174>}\X{\<128>}\X{\<31>\<63>} \X{\<36>}\X{\<161>}\X{\<82>}{}\X{\<168>}
+\X{\<18>}\X{\<136>} \X{\<6>}\X{\<40>}\X{\<70>\<47>} \X{\<21>\<62>}\X{\<35>\<63>}\X{\M{\<247>}{\<65>}} \X{\<70>\<21>\<62>}\X{\M{\<31>}{\<65>}}\X{\<71>\<160>}\X{\<35>}\X{\<70>\<46>}\X{\mmV{\<167>}} \X{\<18>}\X{\<136>} \X{\<6>}\X{\<40>}\X{\<242>\<62>}\X{\<242>\<62>}\X{\<71>\<40>\<62>}\X{\M{\<31>}{\<65>}} \X{\<36>\<62>}\X{\M{\<36>}{\Z\<42>}}\X{\<249>}\X{\<71>\<165>\<62>}\X{\<70>\<31>} \X{\<6>}\X{\<71>\<42>}
+\X{\<251>\<63>}\X{\<247>}\X{\<36>\<63>}\X{\<174>} \X{\<5>}\X{\<53>}\X{\<79>}{\RMF:} \X{\<42>}\X{\<48>\<63>}\X{\<71>\<54>\<62>}\X{\<39>\<63>}\X{\M{\<247>}{\<65>}} \X{\<71>\<42>\<62>}\X{\<70>\M{\<47>}{\<115>}\<62>}\X{\<82>}{}\X{\<53>\<63>}\X{\<70>\<40>}\X{\<174>} \X{\<42>}\X{\<49>}\X{\M{\<163>}{\<65>}}{\RMF.} \X{\<6>}\X{\<40>}\X{\M{\<47>}{\<65>}}\X{\<70>\<31>} \X{\<21>\<62>}\X{\<81>}
+\X{\<36>}\X{\<242>\<63>}\X{\<71>\<40>\<62>}\X{\<160>\<63>}\X{\<47>} \X{\<128>}\X{\<136>}\X{\<31>}\X{\<134>}\X{\<2>} \X{\<5>}\X{\<36>\<63>}\X{\<70>\<79>\<49>} \X{\<133>}\X{\<79>\<44>\<63>}\X{\<70>\<70>\<160>} \X{\<36>}\X{\<31>}\X{\<53>\<63>}\X{\<71>\<40>\<62>}\X{\<160>\<63>}\X{\<47>} \X{\<70>\<53>}\X{\<70>\<48>\<62>}\X{\<136>} \X{\<128>}\X{\<136>}\X{\<31>}\X{\<134>}\X{\<2>}
+\X{\<5>}\X{\<36>\<63>}\X{\<70>\<79>\<49>} \X{\<70>\<26>}\X{\<37>\<63>} \X{\<36>}\X{\<71>\<42>\<62>}\X{\<31>\<63>}\X{\<71>\<40>\<62>}\X{\<160>\<63>}\X{\<47>} \X{\<46>}\X{\<71>\<243>\<62>}\X{\<136>}\X{\<165>}\X{\<134>}\X{\<2>} \X{\<5>}\X{\<36>\<63>}\X{\<70>\<79>\<49>} \X{\<53>\<62>}\X{\<81>} \X{\<70>\<36>\<62>}\X{\M{\<164>}{\<65>}}\X{\<71>\<40>\<62>}\X{\<160>\<63>}\X{\<47>}
+\X{\<46>}\X{\<71>\<243>}\X{\<47>}\X{\<53>}\X{\<134>}\X{\<2>} \X{\<5>}\X{\<81>} \X{\<40>}\X{\M{\<50>}{\<85>}}\X{\<70>\<36>}\X{\<174>} \X{\<42>}\X{\<49>}\X{\M{\<163>}{\<65>}}{\RMF.} \X{\<7>}\X{\<250>}\X{\<241>}\X{\<2>} \X{\<6>}\X{\<40>}\X{\<70>\<47>} \X{\<42>}\X{\<48>\<63>}\X{\<71>\<54>\<62>}\X{\<39>}\X{\<40>}\X{\<21>}\X{\<52>\<63>}\X{\<247>} \X{\<71>\<54>}\X{\<55>}\X{\<2>}
+\X{\<5>}\X{\<53>}\X{\<80>} \X{\<71>\<42>\<62>}\X{\<21>}\X{\<46>\K{-.5}\<86>}\X{\<52>\<63>}\X{\<47>\<63>}\X{\<81>} \X{\<5>}\X{\<71>\<40>\<83>\<62>}\X{\<70>\<40>\<83>\<62>}\X{\<2>} \X{\<6>}\X{\<40>}\X{\M{\<47>}{\<65>}}\X{\<70>\<31>} \X{\<46>}\X{\<57>\<63>}\<2>\X{\<5>}\X{\<70>\<47>}\X{\<71>\<160>\<62>}\X{\M{\<187>}{\<65>}} \X{\<42>}\X{\<49>}\X{\<53>\<62>}\X{\<79>} \X{\<133>}\X{\<31>}\X{\<161>\<63>}{\RMF.} \X{\<21>\<62>}\X{\<81>}
+\X{\<36>}\X{\<242>\<63>} \X{\<71>\<40>\<62>}\X{\<160>\<63>}\X{\<47>}\X{\<53>}\X{\<79>} \X{\<6>}\X{\<79>} \X{\<9>}\X{\<48>}\X{\<81>\<71>\<42>\<62>}\X{\<71>\<50>} \X{\<14>}\X{\<174>}\X{\<2>} \X{\<7>}\X{\<79>\<44>\<63>}\X{\<70>\<70>\<160>} \X{\<36>}\X{\<31>}\X{\<53>\<63>}\X{\<71>\<40>\<62>}\X{\<160>\<63>}\X{\<47>}\X{\<53>}\X{\<79>} \X{\<5>}\X{\<133>} \X{\<9>}\X{\<50>}\X{\<160>}\X{\<71>\<42>\<62>}\X{\<71>\<50>}
+\X{\<14>}\X{\<174>}\X{\<2>} \X{\<53>\<62>}\X{\<81>} \X{\<71>\<36>\<62>}\X{\M{\<164>}{\<65>}}\X{\<71>\<40>\<62>}\X{\<160>\<63>}\X{\<47>}\X{\<53>}\X{\<79>} \X{\<5>}\X{\<133>} \X{\M{\<26>}{\<66>}}\X{\<81>} {\RMF(}\X{\<46>\<62>}\X{\<247>\<63>}\X{\<81>}{\RMF)} \X{\<71>\<42>\<62>}\X{\<71>\<50>} \X{\<14>}\X{\<174>}\X{\<2>} \X{\<70>\<26>}\X{\<53>\<63>}
+\X{\<36>}\X{\<71>\<50>\<62>}\X{\<31>\<63>} \X{\<47>}\X{\<53>}\X{\<79>} \X{\<5>}\X{\<133>} \X{\M{\<46>}{\<65>}}\X{\<49>}\X{\<71>\<220>\<62>}\X{\<71>\<50>} \X{\<14>}\X{\<174>}\X{\<2>} \X{\<42>}\X{\<49>}\X{\M{\<163>}{\<65>}}{\RMF.} \X{\<7>}\X{\<161>\<63>}\X{\<71>\<40>} \X{\<5>}\X{\<71>\<40>\<83>\<62>}\X{\<40>\<83>}\X{\<2>} \X{\<53>\<63>}\X{\<42>}\X{\<48>\<64>}\X{\<36>}\X{\<46>\<62>}\X{\<47>\<63>}
+\X{\<70>\<26>\<62>}\X{\M{\<50>}{\<85>}\<63>} \X{\<36>\<64>}\X{\<48>\<62>}\X{\<165>} \X{\<54>}\X{\M{\<35>}{\Z\<32>}}\X{\<47>\<63>}\X{\M{\<164>}{\<65>}} \X{\<40>}\X{\<31>}\X{\<174>}{\RMF.}\par}
+
+\ornline{\Sine}
+
+Some men, all blind from their birth, (happening) to be together at one place, requested
+earnestly of an elephant-driver to show them an elephant. He said: examine it, and be off.
+It is a fine thing, said one blind man, feeling the elephant's leg; (so said) another blind
+man stroking his trunk, (so said) another passing his hand over the ear, (so said) another
+thouching his tail. Having thus examined the elephant, as they went away, they began to
+speak to one another of the greatness of the elephant. He that had felt the leg said the
+elephant was like a mortar for poundig rice. He that felt the trunk, that it was like
+a pestle or rice-beater; he that had touched the tail, that it was like a broom, and he that
+had stroked the ear, that it was like a winnowing fan. Thus they went on quarrelling
+without end, each declaring the contrary to the other.
+
+\ornline{\Orn}
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/lion.mm b/Master/texmf-dist/doc/fonts/malayalam/article/lion.mm
new file mode 100644
index 00000000000..5fdca69777d
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/lion.mm
@@ -0,0 +1,120 @@
+% lion.mm -- The old fable of the lion and the mouse
+% last edit: 26-DEC-1992
+
+\input mmmacs
+\input mmtrmacs
+
+\parindent=0pt
+\emergencystretch=50pt
+
+\centerline{{\twelvebf The lion and the mouse}}
+\medskip
+\centerline{{\it An old fable}\footnote*{taken from Frohnmeyer, p.170}}
+\bigskip
+
+$^oru simham uSNattaalum naayaaTTinaalum taLarnnu kSiiNiccuMkooNTu
+taNaluLLa taTicca oru karuveelakav.rkSattin_t_e viTarnnataaya konpukaLuTe
+kiizhe vishraamattinaayi kiTannirunnu. ^aviTe kiTannuRan"n"unpooL,
+kalahiccukoNTirunna oru kuuTTam cuNTeli atin_t_e muukkinmeel
+ooTikkayaRi atine uNartti. ^aayatunimittam n~eTTi avayil onnine tan_t_e
+kaikoNTu piTiccu kollaaRaakki. ^appooL ceRiya cuNTeli vaLaree
+vyasanattooTee karuNakk apeekSiccu. ^itra ceRiya nik.rSTajantuvin_t_e
+raktattekkoNTu siMhattin_t_e kuliinatakku bhaMgam varuttarutu ennu paRakayum
+ceytu. ^siMham kaaryyam aaloociccu atin_t_e apeekSapoolee ceyyunnataaNu+
+yoogyata ennu kaNTu+ viRaccukoNTirunna ceRiya taTavukaarane kSaNattil
+viTTukaLan~n~u. ^eeRa kaalam kazhiyum munpee tan_t_e irekkaayiTTuLLa
+san~caaRattil kaaTTiluuTee paan~n~appooL veeTar+vecca keNiyil
+kaTun"n"uvaan saMgatiyaayi. ^atilninnu viTTupoovaan tanikku kazhivillaayka
+koNTu eeRaRavum bhayan"karanaadattooTee alaRikkoNTirunnu.
+^cuNTeli itu keeTTiTTu aa siMhattin_t_e shabdamaaNennaRin~n~atukoNT
+uTanee aa sthalatteekku cennu tan_t_e bandhu aaNennum atukoNTu
+``onnum bhayappeTeeNTa'' ennum paRan~n~u. ^pinne uTane
+tan_t_e paNi tuTan"n"i: muurccayuLLa tan_t_e ceRiya pallukaLekkoNT
+keNiyaTe kuTukkuka Leyum keTTukaLeyum kaTiccaRuttu, keesariviirane
+svatantranaakki ayakkayum ceytu.
+
+\smallskip
+
+^atukoNTu: ``puullukaL{}koNTum upakaaram uNTaakum.''
+
+$\bigskip
+
+$$^oru simham uSNattaalum naayaaTTinaalum taLarnnu kSiiNiccuMkooNTu
+taNaluLLa taTicca oru karuveelakav.rkSattin_t_e viTarnnataaya konpukaLuTe
+kiizhe vishraamattinaayi kiTannirunnu. ^aviTe kiTannuRan"n"unpooL,
+kalahiccukoNTirunna oru kuuTTam cuNTeli atin_t_e muukkinmeel
+ooTikkayaRi atine uNartti. ^aayatunimittam n~eTTi avayil onnine tan_t_e
+kaikoNTu piTiccu kollaaRaakki. ^appooL ceRiya cuNTeli vaLaree
+vyasanattooTee karuNakk apeekSiccu. ^itra ceRiya nik.rSTajantuvin_t_e
+raktattekkoNTu siMhattin_t_e kuliinatakku bhaMgam varuttarutu ennu paRakayum
+ceytu. ^siMham kaaryyam aaloociccu atin_t_e apeekSapoolee ceyyunnataaNu+
+yoogyata ennu kaNTu+ viRaccukoNTirunna ceRiya taTavukaarane kSaNattil
+viTTukaLan~n~u. ^eeRa kaalam kazhiyum munpee tan_t_e irekkaayiTTuLLa
+san~caaRattil kaaTTiluuTee paan~n~appooL veeTar+vecca keNiyil
+kaTun"n"uvaan saMgatiyaayi. ^atilninnu viTTupoovaan tanikku kazhivillaayka
+koNTu eeRaRavum bhayan"karanaadattooTee alaRikkoNTirunnu.
+^cuNTeli itu keeTTiTTu aa siMhattin_t_e shabdamaaNennaRin~n~atukoNT
+uTanee aa sthalatteekku cennu tan_t_e bandhu aaNennum atukoNTu
+``onnum bhayappeTeeNTa'' ennum paRan~n~u. ^pinne uTane
+tan_t_e paNi tuTan"n"i: muurccayuLLa tan_t_e ceRiya pallukaLekkoNT
+keNiyaTe kuTukkuka Leyum keTTukaLeyum kaTiccaRuttu, keesariviirane
+svatantranaakki ayakkayum ceytu.
+
+\smallskip
+
+^atukoNTu: ``puullukaL{}koNTum upakaaram uNTaakum.''
+
+$$
+
+\bigskip
+
+A lion, faint with heat and weary with hunting, was lying down to take his
+repose under the spreading bows of a thick shady oak. It happened that, while
+he slept, a company of quarreling mice ran over his nose and waked him; upon which,
+starting up, he clapped his paw upon one of them and was just about to put
+it to death, when the little suppliant implored his mercy in a very moving
+manner, begging him not to stain his noble character with the blood of a despicable and
+small beast. The lion considering the matter, thought proper to do as he was
+desired and immediately released his little trembling prisoner. Not long after, traversing
+the forest in pursuit of his prey, he chanced to run into the toils of the hunters,
+from whence, not able to disengage himself, he set up a most hideous and loud
+roar. The mouse hearing the voice, and knowing it to be the lion's, immediately
+repaired to the place and bid him fear nothing, for that he was his friend.
+Then straight he fell to work, and with his little sharp teeth gnawing asunder the knots
+ad fastenings of the toils, set the royal brute at liberty.
+
+\smallskip
+
+Moral: The least may help the greatest.
+
+\bigskip
+
+{\raggedright\tt\catcode`\^=11\catcode`\~=11\hyphenpenalty=10000%
+\dollar ^oru simham uSNattaalum naayaaTTinaalum taLarnnu kSiiNiccuMkooNTu
+taNaluLLa taTicca oru karuveelakav.rkSattin\_t\_e viTarnnataaya konpukaLuTe
+kiizhe vishraamattinaayi kiTannirunnu. ^aviTe kiTannuRan"n"unpooL,
+kalahiccukoNTirunna oru kuuTTam cuNTeli atin\_t\_e muukkinmeel
+ooTikkayaRi atine uNartti. ^aayatunimittam n~eTTi avayil onnine tan\_t\_e
+kaikoNTu piTiccu kollaaRaakki. ^appooL ceRiya cuNTeli vaLaree
+vyasanattooTee karuNakk apeekSiccu. ^itra ceRiya nik.rSTajantuvin\_t\_e
+raktattekkoNTu siMhattin\_t\_e kuliinatakku bhaMgam varuttarutu ennu paRakayum
+ceytu. ^siMham kaaryyam aaloociccu atin\_t\_e apeekSapoolee ceyyunnataaNu+
+yoogyata ennu kaNTu+ viRaccukoNTirunna ceRiya taTavukaarane kSaNattil
+viTTukaLan~n~u. ^eeRa kaalam kazhiyum munpee tan\_t\_e irekkaayiTTuLLa
+san~caaRattil kaaTTiluuTee paan~n~appooL veeTar+vecca keNiyil
+kaTun"n"uvaan saMgatiyaayi. ^atilninnu viTTupoovaan tanikku kazhivillaayka
+koNTu eeRaRavum bhayan"karanaadattooTee alaRikkoNTirunnu.
+^cuNTeli itu keeTTiTTu aa siMhattin\_t\_e shabdamaaNennaRin~n~atukoNT
+uTanee aa sthalatteekku cennu tan\_t\_e bandhu aaNennum atukoNTu
+``onnum bhayappeTeeNTa'' ennum paRan~n~u. ^pinne uTane
+tan\_t\_e paNi tuTan"n"i: muurccayuLLa tan\_t\_e ceRiya pallukaLekkoNT
+keNiyaTe kuTukkuka Leyum keTTukaLeyum kaTiccaRuttu, keesariviirane
+svatantranaakki ayakkayum ceytu.
+\smallskip
+\bslash smallskip
+\smallskip
+^atukoNTu: ``puullukaL{}koNTum upakaaram uNTaakum.''
+\dollar
+}
+\endinput
+
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/lion.tex b/Master/texmf-dist/doc/fonts/malayalam/article/lion.tex
new file mode 100644
index 00000000000..1f8323f1809
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/lion.tex
@@ -0,0 +1,117 @@
+
+\input mmmacs
+\input mmtrmacs
+
+\parindent=0pt
+\emergencystretch=50pt
+
+\centerline{{\twelvebf The lion and the mouse}}
+\medskip
+\centerline{{\it An old fable}\footnote*{taken from Frohnmeyer, p.170}}
+\bigskip
+
+{\mm \X{\<18>}\X{\<136>} \X{\<56>\<63>}\X{\<2>\<57>}\X{\<2>} \X{\<9>}\X{\M{\<55>}{\Z\<35>}}\X{\<165>\<62>}\X{\M{\<50>}{\<65>}}\X{\<2>} \X{\<40>\<62>}\X{\<47>\<62>}\X{\<164>\<63>}\X{\<40>\<62>}\X{\M{\<50>}{\<65>}}\X{\<2>} \X{\<36>}\X{\<51>}\X{\T{\<76>}{\R{.8ex}{\<174>}}} \X{\<251>\<64>}\X{\<35>\<63>}\X{\M{\<247>}{\<65>}}\<2>\X{\<71>\<21>\<62>}\X{\M{\<187>}{\<65>}}
+\X{\<36>}\X{\<35>}\X{\M{\<50>}{\<65>}}\X{\<51>\K{-.2}\<51>} \X{\<36>}\X{\<31>\<63>}\X{\<247>} \X{\<18>}\X{\<136>} \X{\<21>}\X{\<136>}\X{\<71>\<53>}\X{\<50>}\X{\<21>}\X{\M{\<53>}{\<67>}}\X{\<251>}\X{\<165>\<63>}\X{\<70>\<79>\<49>} \X{\<53>\<63>}\X{\<31>}\X{\T{\<76>}{\R{.8ex}{\<167>}}}\X{\<36>\<62>}\X{\<47>} \X{\<70>\<21>\<62>}\X{\M{\<220>}{\<65>}}\X{\<21>}\X{\M{\<51>}{\<65>}}\X{\<70>\<31>}
+\X{\<21>\<64>}\X{\<70>\<52>} \X{\<53>\<63>}\X{\<210>\<62>}\X{\<46>}\X{\<165>\<63>}\X{\<40>\<62>}\X{\<47>\<63>} \X{\<21>\<63>}\X{\<31>}\X{\<167>\<63>}\X{\<136>}\X{\<174>}{\RMF.} \X{\<5>}\X{\<53>\<63>}\X{\<70>\<31>} \X{\<21>\<63>}\X{\<31>}\X{\<174>}\X{\<49>}\X{\M{\<161>}{\<65>}}\X{\<71>\<220>\<62>}\X{\<82>}{\RMF,}
+\X{\<21>}\X{\<50>}\X{\<57>\<63>}\X{\M{\<247>}{\<65>}}\X{\<70>\<21>\<62>}\X{\<187>\<63>}\X{\<136>}\X{\<167>} \X{\<18>}\X{\<136>} \X{\<139>}\X{\<164>}\X{\<2>} \X{\M{\<26>}{\<65>}}\X{\<70>\<187>}\X{\<50>\<63>} \X{\<5>}\X{\<36>\<63>}\X{\<70>\<79>\<49>} \X{\M{\<46>}{\<66>}}\X{\<160>\<63>}\X{\<71>\<193>}\X{\<81>}
+\X{\<18>\<62>}\X{\<31>\<63>}\X{\<160>}\X{\<47>}\X{\<49>\<63>} \X{\<5>}\X{\<36>\<63>}\X{\<70>\<40>} \X{\<9>}\X{\<35>}\X{\T{\<76>}{\R{.8ex}{\<165>}}\<63>}{\RMF.} \X{\<6>}\X{\<47>}\X{\<133>}\X{\<40>\<63>}\X{\<46>\<63>}\X{\<165>}\X{\<2>} \X{\<70>\<30>}\X{\<164>\<63>} \X{\<5>}\X{\<53>}\X{\<47>\<63>}\X{\<81>} \X{\<18>}\X{\<167>\<63>}\X{\<70>\<40>} \X{\<36>}\X{\<70>\<79>\<49>}
+\X{\<70>\<70>\<21>}\X{\<70>\<21>\<62>}\X{\M{\<187>}{\<65>}} \X{\<42>\<63>}\X{\<31>\<63>}\X{\M{\<247>}{\<65>}} \X{\<70>\<21>\<62>}\X{\M{\<50>}{\<85>}\<62>}\X{\<49>\<62>}\X{\<160>\<63>}{\RMF.} \X{\<5>}\X{\<71>\<242>\<62>}\X{\<82>} \X{\<70>\<26>}\X{\<49>\<63>}\X{\<47>} \X{\M{\<26>}{\<65>}}\X{\<70>\<187>}\X{\<50>\<63>} \X{\<53>}\X{\<51>}\X{\<71>\<48>}
+\X{\<53>\<83>}\X{\<56>}\X{\<40>}\X{\<71>\<165>\<62>}\X{\<71>\<31>} \X{\<21>}\X{\<136>}\X{\<35>}\X{\mmV{\<160>}} \X{\<5>}\X{\<71>\<42>}\X{\<251>\<63>}\X{\M{\<247>}{\<65>}}{\RMF.} \X{\<7>}\X{\<205>} \X{\<70>\<26>}\X{\<49>\<63>}\X{\<47>} \X{\<40>\<63>}\X{\<150>}\X{\M{\<55>}{\Z\<31>}}\X{\<28>}\X{\<222>}\X{\<53>\<63>}\X{\<70>\<79>\<49>}
+\X{\<48>}\X{\<176>}\X{\<70>\<165>}\X{\<70>\<160>\<62>}\X{\M{\<187>}{\<65>}} \X{\<56>\<63>}\<2>\X{\<57>}\X{\<165>\<63>}\X{\<70>\<79>\<49>} \X{\<128>}\X{\<50>\<64>}\X{\<40>}\X{\<36>}\X{\<168>} \X{\<45>}\<2>\X{\<23>}\X{\<2>} \X{\<53>}\X{\<136>}\X{\<165>}\X{\<136>}\X{\<133>} \X{\<14>}\X{\<174>} \X{\<42>}\X{\<49>}\X{\<21>}\X{\M{\<47>}{\<65>}}\X{\<2>}
+\X{\<70>\<26>}\X{\M{\<47>}{\Z\<133>}}{\RMF.} \X{\<56>\<63>}\<2>\X{\<57>}\X{\<2>} \X{\<21>\<62>}\X{\T{\<76>}{\R{.8ex}{\<249>}}}\X{\<2>} \X{\<6>}\X{\<71>\<50>\<62>}\X{\<26>\<63>}\X{\M{\<247>}{\<65>}} \X{\<5>}\X{\<36>\<63>}\X{\<70>\<79>\<49>} \X{\<5>}\X{\<71>\<42>}\X{\<251>}\X{\<71>\<42>\<62>}\X{\<71>\<50>} \X{\<70>\<26>}\X{\M{\<249>}{\<65>}}\X{\<167>}\X{\<36>\<62>}\X{\<132>}\<77>
+\X{\<71>\<47>\<62>}\X{\<23>\<83>}\X{\<36>} \X{\<14>}\X{\<174>} \X{\<21>}\X{\M{\<187>}{\<65>}}\<77> \X{\<53>\<63>}\X{\<49>}\X{\M{\<247>}{\<65>}}\X{\<70>\<21>\<62>}\X{\<187>\<63>}\X{\<136>}\X{\<167>} \X{\<70>\<26>}\X{\<49>\<63>}\X{\<47>} \X{\<36>}\X{\<31>}\X{\M{\<53>}{\<65>}}\X{\<21>\<62>}\X{\<48>}\X{\<70>\<40>} \X{\<251>}\X{\<35>}\X{\<165>\<63>}\X{\<81>}
+\X{\<53>\<63>}\X{\M{\<164>}{\<65>}}\X{\<21>}\X{\<51>}\X{\M{\<163>}{\<65>}}{\RMF.} \X{\<15>}\X{\<49>} \X{\<21>\<62>}\X{\<50>}\X{\<2>} \X{\<21>}\X{\<52>\<63>}\X{\M{\<47>}{\<65>}}\X{\<2>} \X{\M{\<46>}{\<65>}}\X{\<71>\<220>} \X{\<36>}\X{\<70>\<79>\<49>} \X{\<7>}\X{\<70>\<48>}\X{\<160>\<62>}\X{\<47>\<63>}\X{\M{\<164>}{\<65>}}\X{\<51>\K{-.2}\<51>}
+\X{\<56>}\X{\<185>\<62>}\X{\<49>}\X{\<165>\<63>}\X{\<81>} \X{\<21>\<62>}\X{\<164>\<63>}\X{\M{\<50>}{\<66>}}\X{\<71>\<31>} \X{\<42>\<62>}\X{\<163>}\X{\<71>\<242>\<62>}\X{\<82>} \X{\<71>\<53>}\X{\<31>}\X{\<80>}\X{\<70>\<53>}\X{\<247>} \X{\<70>\<21>}\X{\<35>\<63>}\X{\<47>\<63>}\X{\<81>}
+\X{\<21>}\X{\M{\<31>}{\<65>}}\X{\M{\<161>}{\<65>}}\X{\<53>\<62>}\X{\<79>} \X{\<56>}\<2>\X{\<23>}\X{\<36>\<63>}\X{\<47>\<62>}\X{\<47>\<63>}{\RMF.} \X{\<5>}\X{\<36>\<63>}\X{\<81>\<40>\<63>}\X{\<174>} \X{\<53>\<63>}\X{\M{\<164>}{\<65>}}\X{\<71>\<42>\<62>}\X{\<53>\<62>}\X{\<79>} \X{\<36>}\X{\<40>\<63>}\X{\<168>} \X{\<21>}\X{\<52>\<63>}\X{\<53>\<63>}\X{\M{\<50>}{\<85>}\<62>}\X{\M{\<47>}{\<112>}}
+\X{\<70>\<21>\<62>}\X{\M{\<187>}{\<65>}} \X{\<15>}\X{\<49>}\X{\<49>}\X{\M{\<53>}{\<65>}}\X{\<2>} \X{\<45>}\X{\<47>}\X{\<181>}\X{\<48>}\X{\<40>\<62>}\X{\<38>}\X{\<71>\<165>\<62>}\X{\<71>\<31>} \X{\<5>}\X{\<50>}\X{\<49>\<63>}\X{\<70>\<160>\<62>}\X{\<187>\<63>}\X{\<136>}\X{\<174>}{\RMF.}
+\X{\M{\<26>}{\<65>}}\X{\<70>\<187>}\X{\<50>\<63>} \X{\<7>}\X{\<133>} \X{\<71>\<21>}\X{\<164>\<63>}\X{\M{\<164>}{\<65>}} \X{\<6>} \X{\<56>\<63>}\<2>\X{\<57>}\X{\<165>\<63>}\X{\<70>\<79>\<49>} \X{\<54>}\X{\M{\<44>}{\Z\<38>}}\X{\<46>\<62>}\X{\<70>\<35>}\X{\<167>}\X{\<49>\<63>}\X{\<163>}\X{\<133>}\X{\<70>\<21>\<62>}\X{\mmV{\<187>}}
+\X{\<9>}\X{\<31>}\X{\<71>\<40>} \X{\<6>} \X{\<56>\K{-.5}\<88>}\X{\<50>}\X{\<71>\<165>}\X{\<168>} \X{\<70>\<26>}\X{\<174>} \X{\<36>}\X{\<70>\<79>\<49>} \X{\<44>}\X{\M{\<219>}{\<65>}} \X{\<6>}\X{\<70>\<35>}\X{\<174>}\X{\<2>} \X{\<5>}\X{\<133>}\X{\<70>\<21>\<62>}\X{\M{\<187>}{\<65>}}
+{\RMF``}\X{\<18>}\X{\<174>}\X{\<2>} \X{\<45>}\X{\<47>}\X{\<70>\<242>}\X{\<71>\<31>}\X{\<187>}{\RMF''} \X{\<14>}\X{\<174>}\X{\<2>} \X{\<42>}\X{\<49>}\X{\M{\<163>}{\<65>}}{\RMF.} \X{\<42>\<63>}\X{\<70>\<167>} \X{\<9>}\X{\<31>}\X{\<70>\<40>}
+\X{\<36>}\X{\<70>\<79>\<49>} \X{\<42>}\X{\<35>\<63>} \X{\<133>}\X{\<31>}\X{\<161>\<63>}{\RMF:} \X{\M{\<46>}{\<66>}}\X{\T{\<76>}{\R{.8ex}{\<247>}}}\X{\M{\<47>}{\<65>}}\X{\<51>\K{-.2}\<51>} \X{\<36>}\X{\<70>\<79>\<49>} \X{\<70>\<26>}\X{\<49>\<63>}\X{\<47>} \X{\<42>}\X{\M{\M{\<50>}{\<85>}}{\<65>}}\X{\<21>}\X{\<70>\<51>}\X{\<70>\<160>\<62>}\X{\mmV{\<187>}}
+\X{\<70>\<21>}\X{\<35>\<63>}\X{\<47>}\X{\<70>\<31>} \X{\<128>}\X{\M{\<31>}{\<65>}}\X{\<168>}\X{\<21>} \X{\<70>\<51>}\X{\M{\<47>}{\<65>}}\X{\<2>} \X{\<70>\<21>}\X{\M{\<164>}{\<65>}}\X{\<21>}\X{\<70>\<51>}\X{\M{\<47>}{\<65>}}\X{\<2>} \X{\<21>}\X{\<31>\<63>}\X{\<247>}\X{\M{\<49>}{\<65>}}\X{\<172>}{\RMF,} \X{\<71>\<21>}\X{\<56>}\X{\<48>\<63>}\X{\<53>\<64>}\X{\<48>}\X{\<70>\<40>}
+\X{\<56>\K{-.5}\<86>}\X{\<36>}\X{\<215>}\X{\<40>\<62>}\X{\<160>\<63>} \X{\<5>}\X{\<47>}\X{\<160>}\X{\M{\<47>}{\<65>}}\X{\<2>} \X{\<70>\<26>}\X{\M{\<47>}{\Z\<133>}}{\RMF.}
+
+\smallskip
+
+\X{\<5>}\X{\<133>}\X{\<70>\<21>\<62>}\X{\M{\<187>}{\<65>}}{\RMF:} {\RMF``}\X{\M{\<42>}{\<66>}}\X{\M{\M{\<50>}{\<85>}}{\<65>}}\X{\<21>}\X{\<82>}{}\X{\<70>\<21>\<62>}\X{\M{\<187>}{\<65>}}\X{\<2>} \X{\<9>}\X{\<42>}\X{\<21>\<62>}\X{\<48>}\X{\<2>} \X{\<9>}\X{\<187>\<62>}\X{\<128>}\X{\<2>}{\RMF.}{\RMF''}
+
+}\bigskip
+
+{\mmtr Oru simham u\d s\d natt\=alum n\=ay\=a\d t\d tin\=alum ta\d larnnu k\d s{\=\i}\d niccu\.nk\=o\d n\d tu
+ta\d nalu\d l\d la ta\d ticca oru karuv\=elakav\d rk\d satti\b n\b te vi\d tarnnat\=aya konpuka\d lu\d te
+k{\=\i}\b ze vi\'sr\=amattin\=ayi ki\d tannirunnu. Avi\d te ki\d tannu\b ra\.n\.nunp\=o\d l,
+kalahiccuko\d n\d tirunna oru k\=u\d t\d tam cu\d n\d teli ati\b n\b te m\=ukkinm\=el
+\=o\d tikkaya\b ri atine u\d nartti. \=Ayatunimittam \~ne\d t\d ti avayil onnine ta\b n\b te
+kaiko\d n\d tu pi\d ticcu koll\=a\b r\=akki. App\=o\d l ce\b riya cu\d n\d teli va\d lar\=e
+vyasanatt\=o\d t\=e karu\d nakk ap\=ek\d siccu. Itra ce\b riya nik\d r\d s\d tajantuvi\b n\b te
+raktattekko\d n\d tu si\d mhatti\b n\b te kul{\=\i}natakku bha\.ngam varuttarutu ennu pa\b rakayum
+ceytu. Si\d mham k\=aryyam \=al\=ociccu ati\b n\b te ap\=ek\d sap\=ol\=e ceyyunnat\=a\d n\u u
+y\=ogyata ennu ka\d n\d t\u u vi\b raccuko\d n\d tirunna ce\b riya ta\d tavuk\=arane k\d sa\d nattil
+vi\d t\d tuka\d la\~n\~nu. \=E\b ra k\=alam ka\b ziyum munp\=e ta\b n\b te irekk\=ayi\d t\d tu\d l\d la
+sa\~nc\=a\b rattil k\=a\d t\d til\=u\d t\=e p\=a\~n\~napp\=o\d l v\=e\d tarvecca ke\d niyil
+ka\d tu\.n\.nuv\=an sa\.ngatiy\=ayi. Atilninnu vi\d t\d tup\=ov\=an tanikku ka\b zivill\=ayka
+ko\d n\d tu \=e\b ra\b ravum bhaya\.nkaran\=adatt\=o\d t\=e ala\b rikko\d n\d tirunnu.
+Cu\d n\d teli itu k\=e\d t\d ti\d t\d tu \=a si\d mhatti\b n\b te \'sabdam\=a\d nenna\b ri\~n\~natuko\d n\d t
+u\d tan\=e \=a sthalatt\=ekku cennu ta\b n\b te bandhu \=a\d nennum atuko\d n\d tu
+``onnum bhayappe\d t\=e\d n\d ta'' ennum pa\b ra\~n\~nu. Pinne u\d tane
+ta\b n\b te pa\d ni tu\d ta\.n\.ni: m\=urccayu\d l\d la ta\b n\b te ce\b riya palluka\d lekko\d n\d t
+ke\d niya\d te ku\d tukkuka \d leyum ke\d t\d tuka\d leyum ka\d ticca\b ruttu, k\=esariv{\=\i}rane
+svatantran\=akki ayakkayum ceytu.
+
+\smallskip
+
+Atuko\d n\d tu: ``p\=ulluka\d l{}ko\d n\d tum upak\=aram u\d n\d t\=akum.''
+
+}
+
+\bigskip
+
+A lion, faint with heat and weary with hunting, was lying down to take his
+repose under the spreading bows of a thick shady oak. It happened that, while
+he slept, a company of quarreling mice ran over his nose and waked him; upon which,
+starting up, he clapped his paw upon one of them and was just about to put
+it to death, when the little suppliant implored his mercy in a very moving
+manner, begging him not to stain his noble character with the blood of a despicable and
+small beast. The lion considering the matter, thought proper to do as he was
+desired and immediately released his little trembling prisoner. Not long after, traversing
+the forest in pursuit of his prey, he chanced to run into the toils of the hunters,
+from whence, not able to disengage himself, he set up a most hideous and loud
+roar. The mouse hearing the voice, and knowing it to be the lion's, immediately
+repaired to the place and bid him fear nothing, for that he was his friend.
+Then straight he fell to work, and with his little sharp teeth gnawing asunder the knots
+ad fastenings of the toils, set the royal brute at liberty.
+
+\smallskip
+
+Moral: The least may help the greatest.
+
+\bigskip
+
+{\raggedright\tt\catcode`\^=11\catcode`\~=11\hyphenpenalty=10000\dollar ^oru simham uSNattaalum naayaaTTinaalum taLarnnu kSiiNiccuMkooNTu
+taNaluLLa taTicca oru karuveelakav.rkSattin\_t\_e viTarnnataaya konpukaLuTe
+kiizhe vishraamattinaayi kiTannirunnu. ^aviTe kiTannuRan"n"unpooL,
+kalahiccukoNTirunna oru kuuTTam cuNTeli atin\_t\_e muukkinmeel
+ooTikkayaRi atine uNartti. ^aayatunimittam n~eTTi avayil onnine tan\_t\_e
+kaikoNTu piTiccu kollaaRaakki. ^appooL ceRiya cuNTeli vaLaree
+vyasanattooTee karuNakk apeekSiccu. ^itra ceRiya nik.rSTajantuvin\_t\_e
+raktattekkoNTu siMhattin\_t\_e kuliinatakku bhaMgam varuttarutu ennu paRakayum
+ceytu. ^siMham kaaryyam aaloociccu atin\_t\_e apeekSapoolee ceyyunnataaNu+
+yoogyata ennu kaNTu+ viRaccukoNTirunna ceRiya taTavukaarane kSaNattil
+viTTukaLan~n~u. ^eeRa kaalam kazhiyum munpee tan\_t\_e irekkaayiTTuLLa
+san~caaRattil kaaTTiluuTee paan~n~appooL veeTar+vecca keNiyil
+kaTun"n"uvaan saMgatiyaayi. ^atilninnu viTTupoovaan tanikku kazhivillaayka
+koNTu eeRaRavum bhayan"karanaadattooTee alaRikkoNTirunnu.
+^cuNTeli itu keeTTiTTu aa siMhattin\_t\_e shabdamaaNennaRin~n~atukoNT
+uTanee aa sthalatteekku cennu tan\_t\_e bandhu aaNennum atukoNTu
+``onnum bhayappeTeeNTa'' ennum paRan~n~u. ^pinne uTane
+tan\_t\_e paNi tuTan"n"i: muurccayuLLa tan\_t\_e ceRiya pallukaLekkoNT
+keNiyaTe kuTukkuka Leyum keTTukaLeyum kaTiccaRuttu, keesariviirane
+svatantranaakki ayakkayum ceytu.
+\smallskip
+\bslash smallskip
+\smallskip
+^atukoNTu: ``puullukaL{}koNTum upakaaram uNTaakum.''
+\dollar
+}
+\endinput
+
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmarticl.mm b/Master/texmf-dist/doc/fonts/malayalam/article/mmarticl.mm
new file mode 100644
index 00000000000..74a16cdcba8
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmarticl.mm
@@ -0,0 +1,440 @@
+% mmarticle.mm -- article about Malayalam TeX
+% (c) 1993 Jeroen Hellingman
+% last edit: 02-APR-1993
+
+\input mmmacs
+\input mmtrmacs
+
+\def\q{\hfill\quad}
+\def\os{\oldstyle}
+\font\logo=logo10
+\def\MF{{\logo METAFONT}}
+\parindent=0pt
+
+\def\today{\number\day\space\ifcase\month\or January\or February\or March\or April\or May\or
+ June\or July\or August\or September\or October\or November\or December\fi
+ \space\number\year}
+
+\headline={{\it preliminary version of \today \hfil Typesetting Malayalam with \TeX}}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\centerline{\twelvebf Typesetting Malayalam with \TeX}\bigskip
+\centerline{Jeroen Hellingman}\bigskip
+
+{\narrower
+\noindent{\bf Abstract}\medskip
+
+\noindent Malayalam, a language spoken in the Indian state of Kerala,
+employs a beautiful but complicated script. This script uses numerous
+ligatures and places glyphs on top of each other and out of phonetic
+order. To be able to typeset Malayalam, a \MF\ containing all
+necessary letter forms, a pre-processor and a collection of
+\TeX-macro's were designed. Together they form a package called
+Malayalam-\TeX. This package enables the user to type Malayalam in an
+adaptable roman transliteration, which after being processed by the
+pre-processor, can be typeset with \TeX.
+
+During the design and development of the package, several shortcomings
+of the \TeX\ system appeared, which made a straightforward
+implementation of the Malayalam script difficult. Several additions to
+\TeX\ would have made the pre-processor unnecessary. Still, \MF\ and
+\TeX\ together proved to be a powerful tool that made the development
+of the package an enjoyable task.\par}
+
+\beginsection Introduction
+
+The Malayalam language, ($malayaaLam$), which is the first language of
+an estimated {\os30}~million people in the South Indian state Kerala,
+uses its own script, which is characterised by curly shaped
+characters. It is believed that those rounded shapes developed because
+it was written on palm leaves with a metal nib, which would have
+pricked through the medium, if the script had contained sharp curves.
+The same rounded shapes can be found in the other South Indian and
+Sri~Lankan scripts, which are all closely related to Malayalam script.
+
+Through the centuries, Malayalam has been written in various scripts
+and variations of scripts. Until a few centuries ago, the Malayalam
+language was normally written in the Old Tamil or $^mappiLLa$
+($$^mappiLLa$$) alphabet, also known as $vaTTezhuttu$
+($$vaTTezhuttu$$), the `rounded characters'. This script however, did
+not contain many letters necessary for writing Sanskrit. They became
+necessary in writing Malayalam since the language absorbed many
+Sanskrit loans, which could only be written in an ambiguous way.
+
+To overcome those problems, the {\os17}th~century poet $^tun~jettu
+^ezhuttacchan_$ ($$^tun~jettu ^ezhuttacchan_$$)\footnote*{literally
+``Father of Letters.''} adopted the modern Malayalam script, the
+so-called $^aaryavezhuttu$ ($$^aaryavezhuttu$$) or `Aryan characters'
+from the Tamil Grantha alphabet to render Sanskrit poetry in
+Malayalam. Tamil Grantha, in its turn, was derived from the ancient
+Brahmi script. His alphabet quickly became the standard for writing
+Malayalam. (however, a variant of the old script, called $koolezhuttu$
+($$koolezhuttu$$) was in use far into this century for keeping records
+in the Raja's palaces.)
+
+The Malayalam script still looks very similar to the Tamil script, but
+unlike Tamil, it uses complex conjunct characters, with letters
+subscribed to others, and out of phonetic order, as can be seen in
+most Indian scripts.
+
+With the introduction of the printing press in Kerala, somewhere in
+the {\os18}th~century, printing letters for Malayalam where designed,
+modelled after the, at that time, popular Latin Bodoni types, with
+large differences between thin and thick strokes. Printing Malayalam,
+however, proved to be quite complicated; in traditional typography,
+several hundreds of distinct lead glyphs where needed to typeset the
+language.
+
+To ease learning and typesetting, the government of the state of
+Kerala adopted a reformed script in {\os1974}. It abandons most of the
+subscribed conjuncts and all the irregular vowel signs. Although this
+script is now teached in all schools in Kerala, and newspapers are
+printed in it, the original script is still in widespread use, and
+mixtures of the two styles in one document can be seen regularly. In
+the following section I will explain the reformed script.
+
+\beginsection The Malayalam Script
+
+Like all scripts derived from Brahmi, Malayalam script is neither
+purely syllabic, nor purely alphabetic. The modern alphabet consists
+of {\os61}~syllabic characters, {\os15}~for the pure vowel sounds, and
+{\os36}~for the consonants followed by an `inherent'~$$a$$. To write a
+syllable with another vowel, a special sign is applied to the normal
+consonant character. When two consonants appear next to each other
+without an intermediate vowel, They are joined to each other in some
+way.
+
+Traditionally, the Malayalam syllabary has been ordered, following the
+Sanskrit order, on phonetic principles, putting related sounds
+together. For the sounds not used in Sanskrit, new letters where added
+to the end of the syllabary.
+
+\noindent The vowels are:\footnote*{The traditional alphabet also
+includes the Sanskrit vowels $.r.r$, $.l$, and $.l.l$ for respectively
+$$.r.r$$, $$.l$$, and $$.l.l$$.}
+
+\bigskip
+\centerline{\vbox{\twelvemmc\halign{#\q&#\q&#\q&#\q&#\q&#\q&#\cr
+$a$ & $aa$ & $i$ & $ii$ & $u$ & $uu$ & $.r$ \cr
+$$a$$ & $$aa$$ & $$i$$ & $$ii$$ & $$u$$ & $$uu$$ & $$.r$$ \cr
+$e$ & $ee$ & $ai$ & $o$ & $oo$ & $au$ \cr
+$$e$$ & $$ee$$ & $$ai$$& $$o$$ & $$oo$$& $$au$$ \cr
+}}}
+\bigskip
+
+\noindent After the vowels, are normally listed the modifiers $M$,
+$$M$$, and $H$, $$H$$. They are called {\it anusvaram} and {\it
+visargam} and represent a nasal sound and a aspiration respectively.
+
+The consonants are:
+
+\bigskip
+\centerline{\vbox{\twelvemmc\halign{#\q&#\q&#\q&#\q&#\q\q\q&#\q&#\q&#\q&#\cr
+$ka$ & $kha$ & $ga$ & $gha$ & $n"a$ & $ya$ & $ra$ & $la$ & $va$ \cr
+$$ka$$ & $$kha$$ & $$ga$$ & $$gha$$ & $$n"a$$ & $$ya$$ & $$ra$$ & $$la$$ & $$va$$ \cr
+$ca$ & $cha$ & $ja$ & $jha$ & $n~a$ & $sha$ & $Sa$ & $sa$ \cr
+$$ca$$ & $$cha$$ & $$ja$$ & $$jha$$ & $$n~a$$ & $$sha$$ & $$Sa$$ & $$sa$$ \cr
+$Ta$ & $Tha$ & $Da$ & $Dha$ & $Na$ & $ha$ & $La$ & $zha$ & $Ra$ \cr
+$$Ta$$ & $$Tha$$ & $$Da$$ & $$Dha$$ & $$Na$$ & $$ha$$ & $$La$$ & $$zha$$ & $$Ra$$ \cr
+$ta$ & $tha$ & $da$ & $dha$ & $na$ \cr
+$$ta$$ & $$tha$$ & $$da$$ & $$dha$$ & $$na$$ \cr
+$pa$ & $pha$ & $ba$ & $bha$ & $ma$ \cr
+$$pa$$ & $$pha$$ & $$ba$$ & $$bha$$ & $$ma$$ \cr
+}}}
+\bigskip
+
+\noindent When a vowel follows a consonant, it is written with a vowel
+sign, some of them standing to the left, or on both sides of the
+consonant to which they belong. This can be quite confusing in the
+when one starts learning the script. Here the vowel signs are given
+with the letter $ka$, {\it$$ka$$}:
+
+\bigskip
+\centerline{\vbox{\twelvemmc\halign{#\q&#\q&#\q&#\q&#\q&#\q&#\cr
+$ka$ & $kaa$ & $ki$ & $kii$ & $ku$ & $kuu$ & $k.r$ \cr
+$$ka$$ & $$kaa$$ & $$ki$$ & $$kii$$ & $$ku$$ & $$kuu$$ & $$k.r$$ \cr
+$ke$ & $kee$ & $kai$ & $ko$ & $koo$ & $kau$ \cr
+$$ke$$ & $$kee$$ & $$kai$$& $$ko$$ & $$koo$$& $$kau$$ \cr
+}}}
+\bigskip
+
+\noindent The biggest complexities arise when two consonants follow
+each other. In that case there are several alternatives. First, the
+consonants are joined with each other to form a new conjunct, like in
+$jja$, $nta$, and $NTa$; second one can write the second consonant as
+a subscript to the first, like in $ppa$, and $NNa$; the third option
+is to use a special symbol, $+$, called $candrakala$,
+{\it$$candrakala$$}, to indicate the absence of the inherent vowel in
+a consonant. This symbol is also used when a word ends in a consonant.
+Several letters form a ligature with this sign: $k$ for $ka+$, $N$ for
+$Na+$, $t$ for $ta+$ or $la+$, $n$ for $na+$, $m$ for $ma+$, $r$ for
+$ra+$, and $L$ for $La+$.
+
+Some consonants have a special sign when they occur as the last
+element of a consonant cluster:
+$ya$ becomes ${}<<ya$ as in $kya$, {\it$$kya$$};
+$ra$ becomes ${}<<ra$ , standing to the left of the cluster, as in
+$kra$, {\it$$kra$$};
+$la$ becomes ${}<<la$, as in $kla$, {\it$$kla$$}; and
+$va$ becomes ${}<<va$ as in $kva$, {\it$$kva$$}.
+
+\beginsection The font
+
+I faced several problems while designing the font for Malayalam: I
+have no knowledge of the language; I had no clear arrangement of all
+needed conjuncts, nor a good example typeface, which I could use as a
+guideline; and finally, I also had very little experience with \MF.
+
+After some trials, in which I produced Malayalam letters in the
+traditional typographic style, I decided to switch to a `script' style
+of letters, for two reasons. First designing and coding a font in the
+traditional style, with unnatural thick-thin transistions --~i.e.,
+transistions that do not appear when writing with a calligraphic
+pen~--, would have costed a lot of time, which I could not spend on
+it. Second, the traditional design is hard on the eyes, because it has
+a big difference between thick and thin. It often produces a page
+which looks `stained' from distance, instead of the more evenly
+distributed gray you see when you look at a page typeset in English.
+
+After this decision was made, I proceeded as follows. First, I drew
+each character about {\os2}~centimetres high out of free hand on graph
+paper with a yellow marker-pen, the same type you use to highlight
+text. When I was satisfied with this character, I decided where to put
+control points, and marked them with a black dot, measured the
+positions of the dots on the graph paper and coded them, together with
+the path my pen had made through those points, in \MF. After running
+\MF\ the character appeared on the screen for the first time. When I
+was not satisfied with its look, I would move some control points a
+bit, and re-run \MF. I repeated this process until I was satisfied
+with the character.
+
+Because many conjuncts consist of a part of each of the characters it
+is build up of, I defined a macro for most consonants. This way all
+that was needed to define the shape of a conjunct was a macro-call for
+each of the constituent consonants, sometimes adjusting some points
+where one consonant goes over into the other.
+
+This way of producing characters has proven very productive. I spend
+on average about half an hour per character --~although I needed
+several hours to get some, notably $ja$ and $ya$, right~-- Still the
+results are acceptable, thanks to \MF, which does a great job of
+producing nice curves.
+
+Malayalam script includes many conjuncts of consonants which are build
+by placing a smaller variant of the glyph of the second consonant
+below the normal sized glyph of the first consonant. To avoid coding
+these smaller consonants again, I decided to create a second font,
+called the {\it subfont\/}, which contains only the characters that
+can be subscribed. This font uses the same code to produce the glyphs,
+but \MF-parameters have been adjusted, so that this font combines well
+with the `main'-font. The job of combining glyphs from the `sub' and
+`main' font to create stacked conjuncts is left to \TeX.
+
+My way of coding glyphs results in little `{\logo META}-ness'. Unlike
+Donald Knuth's Computer Modern fonts, only a few variations in letter
+style can be derived from the \MF-source. I produced several styles: a
+regular, slanted, and bold style drawn with a circular pen, and a
+style drawn with a `calligraphic' (elliptical) pen, in {\os6}, {\os8},
+{\os10}, {\os12}, and {\os17} point sizes. Beside those those, I
+created some `big' bold fonts for headlines and a few more
+experimental fonts. A sample of each style is given in appendix~C.
+
+\beginsection Typesetting Malayalam
+
+When you have a font for the English alphabet, typesetting is
+straightforward. Roughly speaking, all you have to do is to place the
+letters in a row, in the same order as you type them, taking care to
+move to the next line when the current line is filled up. There is
+roughly a one-to-one relationship between characters, letters, and
+glyphs. Typesetting Malayalam text is much more complicated. You have
+to use conjuncts, stack glyphs on top of each other, or place glyphs
+that represent sounds that come after a consonant before the glyph of
+representing that consonant.
+
+But when we look at Malayalam script from a different position, it can
+be said to consist of syllables, which are just as easily placed on a
+line from left to right as English. The remaining problem is how to
+construct the syllables.
+
+Here it is where \TeX's box-building capabilities come to the rescue.
+To build a syllable, you can put a glyph in a box, place it relative
+to another character, and put the resulting construction into another
+box for use it in further constructing, until the syllable is
+complete, and it can be added to the current line.
+
+As has been shown by the implementation of Telugu-\TeX\ [???], it is
+possible to let \TeX\ do all the necessary processing, however, at a
+high cost in both processor load and memory usage at run time, which
+makes it impossible to use Telugu-\TeX\ on a small personal computer.
+Also, programming these tasks in the \TeX-programming language is
+awkward, requiring many `dirty tricks'. For these reasons I decided to
+implement a pre-processor, written in~C, which does most of the
+syllable-composing work.
+
+Another problem in typesetting Malayalam is that this language has
+many very long `words'. Both in speaking as in writing, the boundaries
+between words tend to disappear, and often the last letter of a word
+changes and/or forms a conjunct with the first of the next word. This
+effect, know as `Sandhi', appears in most languages, but in Malayalam
+it is quite prominent, and also reflected in the orthography. As a
+result, a text contains very long sequences of characters and few
+spaces, which can serve as line-break points. As a result, it is
+difficult to obtain even spacing between words, especially in narrow
+columns. Several of \TeX's line-breaking parameters had to be adjusted
+to get acceptable results.
+
+\beginsection Typing Malayalam
+
+Now that we have all the elements to {\it output\/} Malayalam, we need
+some way to {\it input\/} it. Unfortunately, I have no keyboard or
+editor on which I can type Malayalam script directly. So I was forced
+to use some transcription scheme in ASCII. The transcription I decided
+to use was based on the following principles. First it should be
+easily readable, avoiding as much as possible non-letters and capital
+letters in the middle of words, non-ambiguous, so that it can be
+converted automatically, easily recognisable, and finally, besides
+being able to produce Malayalam text from it, I wanted to be able to
+create a scientific transcription from the same source.
+
+However desirable some standard transcription may be, people can be
+very `religious' about what they consider a good transcription-scheme.
+Beside that they can also have huge texts already available in some
+transcription, and be unwilling to convert that, so I decided to have
+the pre-processor read the transcription from a file, which can easily
+be changed to reflect the users favourite transcription.
+
+The transcription method is only of limited use to native speakers,
+who may not even know the roman alphabet, and also awkward for
+entering large pieces of text, since many typing errors only show up
+when the text is seen after processing by \TeX, so it should be
+replaced by some way of entering text directly.
+
+\beginsection Some thoughts on a future \TeX\par
+
+Creating a typesetting system for Malayalam was an enjoyable task, in
+which \TeX\ and \MF\ proved to be very powerful tools. Still, many
+things remain to be desired. The pre-processing stage, and the need to
+represent non-Latin scripts with a sequence of inpenetratable commands
+to typeset glyphs is far from ideal. A much more workable scheme would
+be to have \TeX\ understand that some characters are Malayalam
+characters, while others are Latin or from yet another script, and
+have \TeX\ typeset them as such correctly, including contextual
+analysis.
+
+This first of all raises the issue of character-sets. Some few years
+ago, Donald Knuth decided to move from 7-bit to 8-bit characters, as a
+final concession to user-demand for multi-lingual support, but by now
+it would be very desirous to make the leap to 16-bit characters, and
+have \TeX\ understand the emerging 16-bit Unicode or ISO-10464~UCS
+character set standard, and make \TeX\ really
+multi-lingual.\footnote*{multi-lingual does not mean `omni'-lingual,
+since many more obscure or obsolete writing systems have been left
+out of ISO-10464}
+
+Having all the characters defined isn't enough. \TeX\ needs to deal
+with them in a way that makes sense. Nowadays, \TeX\ only truly
+understands two writing systems --~that of English, and that of
+mathematics~-- and does a wonderful, although not perfect, job in
+handling those. But other scripts require some kind of pre-processor,
+or extremely clever hacking with \TeX-macros, as is is done in Klaus
+Lagally's Arab\TeX\ or in Telugu-\TeX. A more elegant solution would
+be to add more modes to \TeX, for example an Arabic-mode for the
+Arabic script, and a Malayalam mode for Malayalam script --~one can,
+however, also imagine one generalized mode for all Indic scripts~--,
+and to take the idea further, a mode for music and dance notation, and
+chemical structure formulas.
+
+I suggest to take a modular approach in creating these modes, to make
+the development of these a managable task; no single person can know
+all the relevant details of all writing systems. A script or writing
+system `module' or `driver' would come into action whenever a
+character of its script, or token requiring the explicit change of
+mode, is encountered, and handle all consequent characters and tokens,
+until one arrives that it cannot handle --~these may include some
+normal tokens like a `space' character, which is common in most
+writing systems.
+
+While processing its part of the input, a module will add boxes to the
+current horizontal list, which will then be handled by \TeX's
+paragraph handling mechanism as usual --~although some extensions may
+be needed, as to handle right-to-left and top-down scripts correctly.
+
+Each script module would have its own active fonts, and knowledge of
+how to represent characters with the glyphs of that font. An extended
+font metric format should provide information about how to build
+conjunct forms or use contextual variants of glyphs available in a
+font.
+
+A nice starting point may be the Japanese P-\TeX-system, which already
+supports a 16-bit character set, and also incorporates code to do
+vertical typesetting as is required by some writing systems. The
+adaptation of P-\TeX\ to Unicode for at least the ideographic
+characters will be reasonable straightforward. Adding the various
+script modules and extra character-categories may be more difficult.
+
+In the long term, I favour, however, a completely redesigned batch
+oriented text formatter like \TeX, but one that understands Unicode
+and uses functional instead of typographical tagging of the input
+text. Preferably it would understand SGML, and format this using some
+lay-out style definition, which then should be defined in a language
+less arcane than \TeX's.
+
+\MF, I would like to see develop into an interactive program, in which
+points, constrains between points and pen strokes through them can be
+added or moved and their effects can be seen immediately. I very much
+prefer the its pen-stroke metaphor above the outline editing most
+other font design tools offer, but maybe the idea of changing
+`pressure' on or rotation of the a pen during its movement can be
+incorporated in this metaphor as well. Its output should ofcourse be
+typographically scalable, and also modifiable to add effects like
+slanting, bolding, or stretching, --~to align lines of
+Arabic or Hebrew script, or, as I have once seen in a beautiful
+handwritten letter in Tamil, in scripts where it has not been done
+before because of techical limitations~-- in a typographycally
+acceptable way.
+
+\beginsection Conclusion
+
+Because of the powers of \TeX, and its companion \MF, automated
+typesetting of the traditional script is no longer a big problem.
+Malayalam \TeX\ can both produce the traditional style script and the
+reformed script, as well as a scientific transliteration from the same
+input file.
+
+The world knows many scripts, many of them have only a very limited
+use, --~compared with some of them, Malayalam, is a very widely used
+script. As shown with my experience with Malayalam, it is only several
+months of work to obtain acceptable typesetting quality for most
+scripts (The exception being ideographic or logographic scripts as
+Chinese), thus bringing computerized typography within the reach of
+many people.
+
+\beginsection Appendix A
+
+The following table shows all glyphs in the Malayalam font {\tt mm10}.
+\bigskip
+\input mmchart.tex
+\table mm10
+
+\beginsection Appendix B
+
+A sample of text in Malayalam, typeset in {\tt mm10}, using the
+traditional script, followed by an automatically derived transcription,
+an English translation, and finally the transcription actually input.
+\bigskip
+\input lion.tex
+
+\beginsection Appendix C
+
+\input mmsample
+
+\beginsection Appendix D
+
+The following table shows the character(s) you have to type in order
+to produce a Malayalam character. The third column shows the
+scientific transliteration of each character.
+\bigskip
+\input mmtrans
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmarticl.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmarticl.tex
new file mode 100644
index 00000000000..7089879b539
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmarticl.tex
@@ -0,0 +1,436 @@
+
+\input mmmacs
+\input mmtrmacs
+
+\def\q{\hfill\quad}
+\def\os{\oldstyle}
+\font\logo=logo10
+\def\MF{{\logo METAFONT}}
+\parindent=0pt
+
+\def\today{\number\day\space\ifcase\month\or January\or February\or March\or April\or May\or
+ June\or July\or August\or September\or October\or November\or December\fi
+ \space\number\year}
+
+\headline={{\it preliminary version of \today \hfil Typesetting Malayalam with \TeX}}
+
+
+\centerline{\twelvebf Typesetting Malayalam with \TeX}\bigskip
+\centerline{Jeroen Hellingman}\bigskip
+
+{\narrower
+\noindent{\bf Abstract}\medskip
+
+\noindent Malayalam, a language spoken in the Indian state of Kerala,
+employs a beautiful but complicated script. This script uses numerous
+ligatures and places glyphs on top of each other and out of phonetic
+order. To be able to typeset Malayalam, a \MF\ containing all
+necessary letter forms, a pre-processor and a collection of
+\TeX-macro's were designed. Together they form a package called
+Malayalam-\TeX. This package enables the user to type Malayalam in an
+adaptable roman transliteration, which after being processed by the
+pre-processor, can be typeset with \TeX.
+
+During the design and development of the package, several shortcomings
+of the \TeX\ system appeared, which made a straightforward
+implementation of the Malayalam script difficult. Several additions to
+\TeX\ would have made the pre-processor unnecessary. Still, \MF\ and
+\TeX\ together proved to be a powerful tool that made the development
+of the package an enjoyable task.\par}
+
+\beginsection Introduction
+
+The Malayalam language, ({\mm \X{\<46>}\X{\<50>}\X{\<47>\<62>}\X{\<51>}\X{\<2>}}), which is the first language of
+an estimated {\os30}~million people in the South Indian state Kerala,
+uses its own script, which is characterised by curly shaped
+characters. It is believed that those rounded shapes developed because
+it was written on palm leaves with a metal nib, which would have
+pricked through the medium, if the script had contained sharp curves.
+The same rounded shapes can be found in the other South Indian and
+Sri~Lankan scripts, which are all closely related to Malayalam script.
+
+Through the centuries, Malayalam has been written in various scripts
+and variations of scripts. Until a few centuries ago, the Malayalam
+language was normally written in the Old Tamil or {\mm \X{\<46>}\X{\<242>\<63>}\X{\<51>\K{-.2}\<51>}}
+({\mmtr Mappi\d l\d la}) alphabet, also known as {\mm \X{\<53>}\X{\<70>\<164>}\X{\<52>\<72>}\X{\<165>\<72>}}
+({\mmtr va\d t\d te\b zuttu}), the `rounded characters'. This script however, did
+not contain many letters necessary for writing Sanskrit. They became
+necessary in writing Malayalam since the language absorbed many
+Sanskrit loans, which could only be written in an ambiguous way.
+
+To overcome those problems, the {\os17}th~century poet {\mm \X{\<36>\<72>}\X{\<70>\<186>}\X{\<165>\<72>}
+\X{\<14>}\X{\<52>\<72>}\X{\<165>}\X{\mmV{\<26>}\<27>}\X{\<79>}} ({\mmtr Tu\~njettu E\b zuttaccha\b n})\footnote*{literally
+``Father of Letters.''} adopted the modern Malayalam script, the
+so-called {\mm \X{\<6>}\X{\<80>\<47>}\X{\<70>\<53>}\X{\<52>\<72>}\X{\<165>\<72>}} ({\mmtr \=Aryave\b zuttu}) or `Aryan characters'
+from the Tamil Grantha alphabet to render Sanskrit poetry in
+Malayalam. Tamil Grantha, in its turn, was derived from the ancient
+Brahmi script. His alphabet quickly became the standard for writing
+Malayalam. (however, a variant of the old script, called {\mm \X{\<71>\<21>\<62>}\X{\<70>\<50>}\X{\<52>\<72>}\X{\<165>\<72>}}
+({\mmtr k\=ole\b zuttu}) was in use far into this century for keeping records
+in the Raja's palaces.)
+
+The Malayalam script still looks very similar to the Tamil script, but
+unlike Tamil, it uses complex conjunct characters, with letters
+subscribed to others, and out of phonetic order, as can be seen in
+most Indian scripts.
+
+With the introduction of the printing press in Kerala, somewhere in
+the {\os18}th~century, printing letters for Malayalam where designed,
+modelled after the, at that time, popular Latin Bodoni types, with
+large differences between thin and thick strokes. Printing Malayalam,
+however, proved to be quite complicated; in traditional typography,
+several hundreds of distinct lead glyphs where needed to typeset the
+language.
+
+To ease learning and typesetting, the government of the state of
+Kerala adopted a reformed script in {\os1974}. It abandons most of the
+subscribed conjuncts and all the irregular vowel signs. Although this
+script is now teached in all schools in Kerala, and newspapers are
+printed in it, the original script is still in widespread use, and
+mixtures of the two styles in one document can be seen regularly. In
+the following section I will explain the reformed script.
+
+\beginsection The Malayalam Script
+
+Like all scripts derived from Brahmi, Malayalam script is neither
+purely syllabic, nor purely alphabetic. The modern alphabet consists
+of {\os61}~syllabic characters, {\os15}~for the pure vowel sounds, and
+{\os36}~for the consonants followed by an `inherent'~{\mmtr a}. To write a
+syllable with another vowel, a special sign is applied to the normal
+consonant character. When two consonants appear next to each other
+without an intermediate vowel, They are joined to each other in some
+way.
+
+Traditionally, the Malayalam syllabary has been ordered, following the
+Sanskrit order, on phonetic principles, putting related sounds
+together. For the sounds not used in Sanskrit, new letters where added
+to the end of the syllabary.
+
+\noindent The vowels are:\footnote*{The traditional alphabet also
+includes the Sanskrit vowels {\mm \X{\<96>}}, {\mm \X{\<12>}}, and {\mm \X{\<97>}} for respectively
+{\mmtr {\rii}}, {\mmtr \d l}, and {\mmtr {\lii}}.}
+
+\bigskip
+\centerline{\vbox{\twelvemmc\halign{#\q&#\q&#\q&#\q&#\q&#\q&#\cr
+{\mm \X{\<5>}} & {\mm \X{\<6>}} & {\mm \X{\<7>}} & {\mm \X{\<7>\<87>}} & {\mm \X{\<9>}} & {\mm \X{\<9>\<87>}} & {\mm \X{\<11>}} \cr
+{\mmtr a} & {\mmtr \=a} & {\mmtr i} & {\mmtr {\=\i}} & {\mmtr u} & {\mmtr \=u} & {\mmtr \d r} \cr
+{\mm \X{\<14>}} & {\mm \X{\<15>}} & {\mm \X{\<70>\<14>}} & {\mm \X{\<18>}} & {\mm \X{\<18>\<62>}} & {\mm \X{\<18>\<87>}} \cr
+{\mmtr e} & {\mmtr \=e} & {\mmtr ai}& {\mmtr o} & {\mmtr \=o}& {\mmtr au} \cr
+}}}
+\bigskip
+
+\noindent After the vowels, are normally listed the modifiers {\mm \<2>},
+{\mmtr \d m}, and {\mm \<3>}, {\mmtr \d h}. They are called {\it anusvaram} and {\it
+visargam} and represent a nasal sound and a aspiration respectively.
+
+The consonants are:
+
+\bigskip
+\centerline{\vbox{\twelvemmc\halign{#\q&#\q&#\q&#\q&#\q\q\q&#\q&#\q&#\q&#\cr
+{\mm \X{\<21>}} & {\mm \X{\<22>}} & {\mm \X{\<23>}} & {\mm \X{\<24>}} & {\mm \X{\<25>}} & {\mm \X{\<47>}} & {\mm \X{\<48>}} & {\mm \X{\<50>}} & {\mm \X{\<53>}} \cr
+{\mmtr ka} & {\mmtr kha} & {\mmtr ga} & {\mmtr gha} & {\mmtr \.na} & {\mmtr ya} & {\mmtr ra} & {\mmtr la} & {\mmtr va} \cr
+{\mm \X{\<26>}} & {\mm \X{\<27>}} & {\mm \X{\<28>}} & {\mm \X{\<29>}} & {\mm \X{\<30>}} & {\mm \X{\<54>}} & {\mm \X{\<55>}} & {\mm \X{\<56>}} \cr
+{\mmtr ca} & {\mmtr cha} & {\mmtr ja} & {\mmtr jha} & {\mmtr \~na} & {\mmtr \'sa} & {\mmtr \d sa} & {\mmtr sa} \cr
+{\mm \X{\<31>}} & {\mm \X{\<32>}} & {\mm \X{\<33>}} & {\mm \X{\<34>}} & {\mm \X{\<35>}} & {\mm \X{\<57>}} & {\mm \X{\<51>}} & {\mm \X{\<52>}} & {\mm \X{\<49>}} \cr
+{\mmtr \d ta} & {\mmtr \d tha} & {\mmtr \d da} & {\mmtr \d dha} & {\mmtr \d na} & {\mmtr ha} & {\mmtr \d la} & {\mmtr \b za} & {\mmtr \b ra} \cr
+{\mm \X{\<36>}} & {\mm \X{\<37>}} & {\mm \X{\<38>}} & {\mm \X{\<39>}} & {\mm \X{\<40>}} \cr
+{\mmtr ta} & {\mmtr tha} & {\mmtr da} & {\mmtr dha} & {\mmtr na} \cr
+{\mm \X{\<42>}} & {\mm \X{\<43>}} & {\mm \X{\<44>}} & {\mm \X{\<45>}} & {\mm \X{\<46>}} \cr
+{\mmtr pa} & {\mmtr pha} & {\mmtr ba} & {\mmtr bha} & {\mmtr ma} \cr
+}}}
+\bigskip
+
+\noindent When a vowel follows a consonant, it is written with a vowel
+sign, some of them standing to the left, or on both sides of the
+consonant to which they belong. This can be quite confusing in the
+when one starts learning the script. Here the vowel signs are given
+with the letter {\mm \X{\<21>}}, {\it{\mmtr ka}}:
+
+\bigskip
+\centerline{\vbox{\twelvemmc\halign{#\q&#\q&#\q&#\q&#\q&#\q&#\cr
+{\mm \X{\<21>}} & {\mm \X{\<21>\<62>}} & {\mm \X{\<21>\<63>}} & {\mm \X{\<21>\<64>}} & {\mm \X{\<21>\<72>}} & {\mm \X{\<21>\<73>}} & {\mm \X{\<21>\<75>}} \cr
+{\mmtr ka} & {\mmtr k\=a} & {\mmtr ki} & {\mmtr k{\=\i}} & {\mmtr ku} & {\mmtr k\=u} & {\mmtr k\d r} \cr
+{\mm \X{\<70>\<21>}} & {\mm \X{\<71>\<21>}} & {\mm \X{\<70>\<70>\<21>}} & {\mm \X{\<70>\<21>\<62>}} & {\mm \X{\<71>\<21>\<62>}} & {\mm \X{\<21>\<87>}} \cr
+{\mmtr ke} & {\mmtr k\=e} & {\mmtr kai}& {\mmtr ko} & {\mmtr k\=o}& {\mmtr kau} \cr
+}}}
+\bigskip
+
+\noindent The biggest complexities arise when two consonants follow
+each other. In that case there are several alternatives. First, the
+consonants are joined with each other to form a new conjunct, like in
+{\mm \X{\<162>}}, {\mm \X{\<194>}}, and {\mm \X{\<187>}}; second one can write the second consonant as
+a subscript to the first, like in {\mm \X{\<242>}}, and {\mm \X{\<241>}}; the third option
+is to use a special symbol, {\mm \<77>}, called {\mm \X{\<26>}\X{\<74>\<195>}\X{\<21>}\X{\<50>}},
+{\it{\mmtr candrakala}}, to indicate the absence of the inherent vowel in
+a consonant. This symbol is also used when a word ends in a consonant.
+Several letters form a ligature with this sign: {\mm \X{\<94>}} for {\mm \X{\<21>}\<77>}, {\mm \X{\<78>}} for
+{\mm \X{\<35>}\<77>}, {\mm \X{\<81>}} for {\mm \X{\<36>}\<77>} or {\mm \X{\<50>}\<77>}, {\mm \X{\<79>}} for {\mm \X{\<40>}\<77>}, {\mm \X{\<2>}} for {\mm \X{\<46>}\<77>}, {\mm \X{\<80>}} for
+{\mm \X{\<48>}\<77>}, and {\mm \X{\<82>}} for {\mm \X{\<51>}\<77>}.
+
+Some consonants have a special sign when they occur as the last
+element of a consonant cluster:
+{\mm \X{\<47>}} becomes {\mm {}\hbox{}\<83>} as in {\mm \X{\<21>\<83>}}, {\it{\mmtr kya}};
+{\mm \X{\<48>}} becomes {\mm {}\<74>\hbox{}} , standing to the left of the cluster, as in
+{\mm \X{\<74>\<21>}}, {\it{\mmtr kra}};
+{\mm \X{\<50>}} becomes {\mm {}\M{\hbox{}}{\<85>}}, as in {\mm \X{\M{\<21>}{\<85>}}}, {\it{\mmtr kla}}; and
+{\mm \X{\<53>}} becomes {\mm {}\hbox{}\K{-.5}\<86>} as in {\mm \X{\<21>\K{-.5}\<86>}}, {\it{\mmtr kva}}.
+
+\beginsection The font
+
+I faced several problems while designing the font for Malayalam: I
+have no knowledge of the language; I had no clear arrangement of all
+needed conjuncts, nor a good example typeface, which I could use as a
+guideline; and finally, I also had very little experience with \MF.
+
+After some trials, in which I produced Malayalam letters in the
+traditional typographic style, I decided to switch to a `script' style
+of letters, for two reasons. First designing and coding a font in the
+traditional style, with unnatural thick-thin transistions --~i.e.,
+transistions that do not appear when writing with a calligraphic
+pen~--, would have costed a lot of time, which I could not spend on
+it. Second, the traditional design is hard on the eyes, because it has
+a big difference between thick and thin. It often produces a page
+which looks `stained' from distance, instead of the more evenly
+distributed gray you see when you look at a page typeset in English.
+
+After this decision was made, I proceeded as follows. First, I drew
+each character about {\os2}~centimetres high out of free hand on graph
+paper with a yellow marker-pen, the same type you use to highlight
+text. When I was satisfied with this character, I decided where to put
+control points, and marked them with a black dot, measured the
+positions of the dots on the graph paper and coded them, together with
+the path my pen had made through those points, in \MF. After running
+\MF\ the character appeared on the screen for the first time. When I
+was not satisfied with its look, I would move some control points a
+bit, and re-run \MF. I repeated this process until I was satisfied
+with the character.
+
+Because many conjuncts consist of a part of each of the characters it
+is build up of, I defined a macro for most consonants. This way all
+that was needed to define the shape of a conjunct was a macro-call for
+each of the constituent consonants, sometimes adjusting some points
+where one consonant goes over into the other.
+
+This way of producing characters has proven very productive. I spend
+on average about half an hour per character --~although I needed
+several hours to get some, notably {\mm \X{\<28>}} and {\mm \X{\<47>}}, right~-- Still the
+results are acceptable, thanks to \MF, which does a great job of
+producing nice curves.
+
+Malayalam script includes many conjuncts of consonants which are build
+by placing a smaller variant of the glyph of the second consonant
+below the normal sized glyph of the first consonant. To avoid coding
+these smaller consonants again, I decided to create a second font,
+called the {\it subfont\/}, which contains only the characters that
+can be subscribed. This font uses the same code to produce the glyphs,
+but \MF-parameters have been adjusted, so that this font combines well
+with the `main'-font. The job of combining glyphs from the `sub' and
+`main' font to create stacked conjuncts is left to \TeX.
+
+My way of coding glyphs results in little `{\logo META}-ness'. Unlike
+Donald Knuth's Computer Modern fonts, only a few variations in letter
+style can be derived from the \MF-source. I produced several styles: a
+regular, slanted, and bold style drawn with a circular pen, and a
+style drawn with a `calligraphic' (elliptical) pen, in {\os6}, {\os8},
+{\os10}, {\os12}, and {\os17} point sizes. Beside those those, I
+created some `big' bold fonts for headlines and a few more
+experimental fonts. A sample of each style is given in appendix~C.
+
+\beginsection Typesetting Malayalam
+
+When you have a font for the English alphabet, typesetting is
+straightforward. Roughly speaking, all you have to do is to place the
+letters in a row, in the same order as you type them, taking care to
+move to the next line when the current line is filled up. There is
+roughly a one-to-one relationship between characters, letters, and
+glyphs. Typesetting Malayalam text is much more complicated. You have
+to use conjuncts, stack glyphs on top of each other, or place glyphs
+that represent sounds that come after a consonant before the glyph of
+representing that consonant.
+
+But when we look at Malayalam script from a different position, it can
+be said to consist of syllables, which are just as easily placed on a
+line from left to right as English. The remaining problem is how to
+construct the syllables.
+
+Here it is where \TeX's box-building capabilities come to the rescue.
+To build a syllable, you can put a glyph in a box, place it relative
+to another character, and put the resulting construction into another
+box for use it in further constructing, until the syllable is
+complete, and it can be added to the current line.
+
+As has been shown by the implementation of Telugu-\TeX\ [???], it is
+possible to let \TeX\ do all the necessary processing, however, at a
+high cost in both processor load and memory usage at run time, which
+makes it impossible to use Telugu-\TeX\ on a small personal computer.
+Also, programming these tasks in the \TeX-programming language is
+awkward, requiring many `dirty tricks'. For these reasons I decided to
+implement a pre-processor, written in~C, which does most of the
+syllable-composing work.
+
+Another problem in typesetting Malayalam is that this language has
+many very long `words'. Both in speaking as in writing, the boundaries
+between words tend to disappear, and often the last letter of a word
+changes and/or forms a conjunct with the first of the next word. This
+effect, know as `Sandhi', appears in most languages, but in Malayalam
+it is quite prominent, and also reflected in the orthography. As a
+result, a text contains very long sequences of characters and few
+spaces, which can serve as line-break points. As a result, it is
+difficult to obtain even spacing between words, especially in narrow
+columns. Several of \TeX's line-breaking parameters had to be adjusted
+to get acceptable results.
+
+\beginsection Typing Malayalam
+
+Now that we have all the elements to {\it output\/} Malayalam, we need
+some way to {\it input\/} it. Unfortunately, I have no keyboard or
+editor on which I can type Malayalam script directly. So I was forced
+to use some transcription scheme in ASCII. The transcription I decided
+to use was based on the following principles. First it should be
+easily readable, avoiding as much as possible non-letters and capital
+letters in the middle of words, non-ambiguous, so that it can be
+converted automatically, easily recognisable, and finally, besides
+being able to produce Malayalam text from it, I wanted to be able to
+create a scientific transcription from the same source.
+
+However desirable some standard transcription may be, people can be
+very `religious' about what they consider a good transcription-scheme.
+Beside that they can also have huge texts already available in some
+transcription, and be unwilling to convert that, so I decided to have
+the pre-processor read the transcription from a file, which can easily
+be changed to reflect the users favourite transcription.
+
+The transcription method is only of limited use to native speakers,
+who may not even know the roman alphabet, and also awkward for
+entering large pieces of text, since many typing errors only show up
+when the text is seen after processing by \TeX, so it should be
+replaced by some way of entering text directly.
+
+\beginsection Some thoughts on a future \TeX\par
+
+Creating a typesetting system for Malayalam was an enjoyable task, in
+which \TeX\ and \MF\ proved to be very powerful tools. Still, many
+things remain to be desired. The pre-processing stage, and the need to
+represent non-Latin scripts with a sequence of inpenetratable commands
+to typeset glyphs is far from ideal. A much more workable scheme would
+be to have \TeX\ understand that some characters are Malayalam
+characters, while others are Latin or from yet another script, and
+have \TeX\ typeset them as such correctly, including contextual
+analysis.
+
+This first of all raises the issue of character-sets. Some few years
+ago, Donald Knuth decided to move from 7-bit to 8-bit characters, as a
+final concession to user-demand for multi-lingual support, but by now
+it would be very desirous to make the leap to 16-bit characters, and
+have \TeX\ understand the emerging 16-bit Unicode or ISO-10464~UCS
+character set standard, and make \TeX\ really
+multi-lingual.\footnote*{multi-lingual does not mean `omni'-lingual,
+since many more obscure or obsolete writing systems have been left
+out of ISO-10464}
+
+Having all the characters defined isn't enough. \TeX\ needs to deal
+with them in a way that makes sense. Nowadays, \TeX\ only truly
+understands two writing systems --~that of English, and that of
+mathematics~-- and does a wonderful, although not perfect, job in
+handling those. But other scripts require some kind of pre-processor,
+or extremely clever hacking with \TeX-macros, as is is done in Klaus
+Lagally's Arab\TeX\ or in Telugu-\TeX. A more elegant solution would
+be to add more modes to \TeX, for example an Arabic-mode for the
+Arabic script, and a Malayalam mode for Malayalam script --~one can,
+however, also imagine one generalized mode for all Indic scripts~--,
+and to take the idea further, a mode for music and dance notation, and
+chemical structure formulas.
+
+I suggest to take a modular approach in creating these modes, to make
+the development of these a managable task; no single person can know
+all the relevant details of all writing systems. A script or writing
+system `module' or `driver' would come into action whenever a
+character of its script, or token requiring the explicit change of
+mode, is encountered, and handle all consequent characters and tokens,
+until one arrives that it cannot handle --~these may include some
+normal tokens like a `space' character, which is common in most
+writing systems.
+
+While processing its part of the input, a module will add boxes to the
+current horizontal list, which will then be handled by \TeX's
+paragraph handling mechanism as usual --~although some extensions may
+be needed, as to handle right-to-left and top-down scripts correctly.
+
+Each script module would have its own active fonts, and knowledge of
+how to represent characters with the glyphs of that font. An extended
+font metric format should provide information about how to build
+conjunct forms or use contextual variants of glyphs available in a
+font.
+
+A nice starting point may be the Japanese P-\TeX-system, which already
+supports a 16-bit character set, and also incorporates code to do
+vertical typesetting as is required by some writing systems. The
+adaptation of P-\TeX\ to Unicode for at least the ideographic
+characters will be reasonable straightforward. Adding the various
+script modules and extra character-categories may be more difficult.
+
+In the long term, I favour, however, a completely redesigned batch
+oriented text formatter like \TeX, but one that understands Unicode
+and uses functional instead of typographical tagging of the input
+text. Preferably it would understand SGML, and format this using some
+lay-out style definition, which then should be defined in a language
+less arcane than \TeX's.
+
+\MF, I would like to see develop into an interactive program, in which
+points, constrains between points and pen strokes through them can be
+added or moved and their effects can be seen immediately. I very much
+prefer the its pen-stroke metaphor above the outline editing most
+other font design tools offer, but maybe the idea of changing
+`pressure' on or rotation of the a pen during its movement can be
+incorporated in this metaphor as well. Its output should ofcourse be
+typographically scalable, and also modifiable to add effects like
+slanting, bolding, or stretching, --~to align lines of
+Arabic or Hebrew script, or, as I have once seen in a beautiful
+handwritten letter in Tamil, in scripts where it has not been done
+before because of techical limitations~-- in a typographycally
+acceptable way.
+
+\beginsection Conclusion
+
+Because of the powers of \TeX, and its companion \MF, automated
+typesetting of the traditional script is no longer a big problem.
+Malayalam \TeX\ can both produce the traditional style script and the
+reformed script, as well as a scientific transliteration from the same
+input file.
+
+The world knows many scripts, many of them have only a very limited
+use, --~compared with some of them, Malayalam, is a very widely used
+script. As shown with my experience with Malayalam, it is only several
+months of work to obtain acceptable typesetting quality for most
+scripts (The exception being ideographic or logographic scripts as
+Chinese), thus bringing computerized typography within the reach of
+many people.
+
+\beginsection Appendix A
+
+The following table shows all glyphs in the Malayalam font {\tt mm10}.
+\bigskip
+\input mmchart.tex
+\table mm10
+
+\beginsection Appendix B
+
+A sample of text in Malayalam, typeset in {\tt mm10}, using the
+traditional script, followed by an automatically derived transcription,
+an English translation, and finally the transcription actually input.
+\bigskip
+\input lion.tex
+
+\beginsection Appendix C
+
+\input mmsample
+
+\beginsection Appendix D
+
+The following table shows the character(s) you have to type in order
+to produce a Malayalam character. The third column shows the
+scientific transliteration of each character.
+\bigskip
+\input mmtrans
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmchart.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmchart.tex
new file mode 100644
index 00000000000..09ef121a4ad
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmchart.tex
@@ -0,0 +1,62 @@
+% mmchart.tex -- chart of Malayalam font
+% (c) 1992 Jeroen Hellingman
+% last edit: 06-DEC-1992
+
+%%%%%%%
+
+\font\cmss=cmss10
+\newcount\counter\counter=0
+
+\def\chartstrut{\lower4.5pt\vbox to14pt{}}
+\def\cell#1{\hfil#1\hfil}
+\def\>{\global\advance\counter by-255}
+\def\:{{\setbox0\hbox{\sfont\char\counter}%
+ \dimen0=\ht0\advance\dimen0by1pt\ht0=\dimen0%
+ \dimen0=\dp0\advance\dimen0by1pt\dp0=\dimen0%
+ \kern1pt\box0\kern1pt}%
+ \global\advance\counter by16}
+\def\tablerule{\noalign{\hrule}}
+
+\def\chart{{\cmss\vbox{\tabskip=0pt\offinterlineskip\global\counter=0
+\halign to \hsize{\vrule width.8pt\chartstrut##\tabskip0pt plus10pt%
+ &\cell{##}&\vrule width.8pt##%
+ &\cell{##}&\vrule##&\cell{##}&\vrule##&\cell{##}&\vrule##&\cell{##}&\vrule##%
+ &\cell{##}&\vrule##&\cell{##}&\vrule##&\cell{##}&\vrule##&\cell{##}&\vrule##%
+ &\cell{##}&\vrule##&\cell{##}&\vrule##&\cell{##}&\vrule##&\cell{##}&\vrule##%
+ &\cell{##}&\vrule##&\cell{##}&\vrule##&\cell{##}&\vrule##&\cell{##}%
+ &\vrule width.8pt##\tabskip=0pt\cr
+ \noalign{\hrule height.8pt}
+ &\multispan{33}\fontname\hfill&\cr
+ \noalign{\hrule height.8pt}
+ & &&0&&1&&2&&3&&4&&5&&6&&7&&8&&9&&A&&B&&C&&D&&E&&F&\cr\noalign{\hrule height.8pt}
+ &0&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&1&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&2&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&3&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&4&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&5&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&6&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&7&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&8&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&9&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&A&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&B&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&C&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&D&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&E&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&F&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\noalign{\hrule height.8pt}
+}}}}
+
+\def\table #1 {
+ \font\sfont=#1%
+ \edef\fontname{#1}
+ \chart\bigskip
+}
+
+%%%%%%
+
+\endinput
+
+
+
+ \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmconj.mm b/Master/texmf-dist/doc/fonts/malayalam/article/mmconj.mm
new file mode 100644
index 00000000000..ad1c14c0e17
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmconj.mm
@@ -0,0 +1,481 @@
+% mmconj.tex -- table of conjuncts
+% (c) 1993 Jeroen Hellingman
+% last edit: 07-FEB-1993
+
+\nopagenumbers
+\input mmqmacs
+\twelvemm
+
+\beginsection Conjuncts
+
+{\obeylines
+
+$k$ + $ka$ = $kka$
+$k$ + $kha$ = $kkha$
+$k$ + $Ta$ = $kTa$
+$k$ + $ta$ = $kta$
+$k$ + $ra$ = $kra$
+$k$ + $la$ = $kla$
+$k$ + $Sa$ = $kSa$
+$k$ + $S$ + $ma$ = $kSma$
+
+$kh$ + $ra$ = $khra$
+
+$g$ + $ga$ = $gga$
+$g$ + $da$ = $gda$
+$g$ + $d$ + $dha$ = $gddha$
+$g$ + $na$ = $gna$
+$g$ + $ma$ = $gma$
+$g$ + $ra$ = $gra$
+$g$ + $la$ = $gla$
+
+$gh$ + $ra$ = $ghra$
+
+$n"$ + $ka$ = $n"ka$
+$n"$ + $n"a$ = $n"n"a$
+
+$c$ + $ca$ = $cca$
+$c$ + $cha$ = $ccha$
+
+$j$ + $ja$ = $jja$
+$j$ + $n~a$ = $jn~a$
+
+$n~$ + $ca$ = $n~ca$
+$n~$ + $ja$ = $n~ja$
+$n~$ + $n~a$ = $n~n~a$
+
+$T$ + $Ta$ = $TTa$
+$T$ + $Tha$ = $TTha$
+$T$ + $ra$ = $Tra$
+
+$D$ + $Da$ = $DDa$
+
+$N<<+$ + $ka$ = $Nka$
+$N<<+$ + $Ta$ = $NTa$
+$N<<+$ + $Da$ = $NDa$
+$N<<+$ + $Dha$ = $NDha$
+$N<<+$ + $Na$ = $NNa$
+
+$t<<+$ + $ta$ = $tta$
+$t<<+$ + $tha$ = $ttha$
+$t<<+$ + $na$ = $tna$
+$t<<+$ + $ma$ = $tma$
+$t<<+$ + $ra$ = $tra$
+
+$d$ + $da$ = $dda$
+$d$ + $dha$ = $ddha$
+$d$ + $ra$ = $dra$
+
+$n<<+$ + $ta$ = $nta$
+$n<<+$ + $t<<+$ + $ra$ = $ntra$
+$n<<+$ + $tha$ = $ntha$
+$n<<+$ + $da$ = $nda$
+$n<<+$ + $d$ + $ra$ = $ndra$
+$n<<+$ + $dha$ = $ndha$
+$n<<+$ + $na$ = $nna$
+$n<<+$ + $pa$ = $npa$
+$n<<+$ + $ma$ = $nma$
+
+$p$ + $ta$ = $pta$
+$p$ + $pa$ = $ppa$
+$p$ + $pha$ = $ppha$
+$p$ + $ra$ = $pra$
+
+$ph$ + $ra$ = $phra$
+
+$b$ + $dha$ = $bdha$
+$b$ + $ba$ = $bba$
+$b$ + $bha$ = $bbha$
+$b$ + $ra$ = $bra$
+
+$bh$ + $da$ = $bhda$
+$bh$ + $ra$ = $bhra$
+
+$m<<+$ + $ma$ = $mma$
+$m<<+$ + $ra$ = $mra$
+$m<<+$ + $la$ = $mla$
+
+$y$ + $k$ + $ka$ = $ykka$
+$y$ + $Ta$ = $yTa$
+$y$ + $ta$ = $yta$
+$y$ + $ya$ = $yya$
+
+$R<<+$ + $Ra$ = $RRa$
+
+$l<<+$ + $k$ + $ka$ = $lkka$
+$l<<+$ + $pa$ = $lpa$
+$l<<+$ + $la$ = $lla$
+
+$v$ + $va$ = $vva$
+
+$sh$ + $ma$ = $shma$
+$sh$ + $ra$ = $shra$
+$sh$ + $la$ = $shla$
+$sh$ + $sha$ = $shsha$
+
+$S$ + $Ta$ = $STa$
+$S$ + $T$ + $ra$ = $STra$
+$S$ + $ma$ = $Sma$
+
+$s$ + $ka$ = $ska$
+$s$ + $k$ + $ka$ = $skka$
+$s$ + $Ta$ = $sTa$
+$s$ + $T$ + $ra$ = $sTra$
+$s$ + $ta$ = $sta$
+$s$ + $t<<+$ + $ra$ = $stra$
+$s$ + $tha$ = $stha$
+$s$ + $na$ = $sna$
+$s$ + $ma$ = $sma$
+$s$ + $ra$ = $sra$
+$s$ + $R$ + $Ra$ = $sRRa$
+$s$ + $sa$ = $ssa$
+
+$h$ + $na$ = $hna$
+$h$ + $ma$ = $hma$
+
+$L<<+$ + $La$ = $LLa$
+
+$zh$ + $ca$ = $zhca$
+
+}
+
+\mmc
+
+$
+
+kya khya gya ghya n"ya cya chya jya jhya n~ya
+Tya Thya Dya Dhya Nya tya thya dya dhya nya
+pya phya bya bhya mya yya rya lya vya shya Sya sya
+hya Lya Rya zhya
+
+kra khra gra ghra n"ra cra chra jra jhra n~ra
+Tra Thra Dra Dhra Nra tra thra dra dhra nra
+pra phra bra bhra mra yra rra lra vra shra Sra sra
+hra Lra Rra zhra
+
+kla khla gla ghla n"la cla chla jla jhla n~la
+Tla Thla Dla Dhla Nla tla thla dla dhla nla
+pla phla bla bhla mla yla rla lla vla shla Sla sla
+hla Lla Rla zhla
+
+kva khva gva ghva n"va cva chva jva jhva n~va
+Tva Thva Dva Dhva Nva tva thva dva dhva nva
+pva phva bva bhva mva yva rva lva vva shva Sva sva
+hva Lva Rva zhva
+
+$
+
+\bye
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\nointerlineskip
+\halign{#\ &\vrule#\ &&\hfil#\ \hfil\cr
+ && $ka$ & $kha$ & $ga$ & $gha$ & $n"a$
+ & $ca$ & $cha$ & $ja$ & $jha$ & $n~a$
+ & $Ta$ & $Tha$ & $Da$ & $Dha$ & $Na$
+ & $ta$ & $tha$ & $da$ & $dha$ & $na$
+ & $pa$ & $pha$ & $ba$ & $bha$ & $ma$
+ & $ya$ & $ra$ & $la$ & $va$
+ & $sha$ & $Sa$ & $sa$
+ & $ha$ & $La$ & $zha$ & $Ra$ \cr
+\noalign{\hrule}
+$ka$ && $kka$ & $kkha$ & $kga$ & $kgha$ & $kn"a$
+ & $kca$ & $kcha$ & $kja$ & $kjha$ & $kn~a$
+ & $kTa$ & $kTha$ & $kDa$ & $kDha$ & $kNa$
+ & $kta$ & $ktha$ & $kda$ & $kdha$ & $kna$
+ & $kpa$ & $kpha$ & $kba$ & $kbha$ & $kma$
+ & $kya$ & $kra$ & $kla$ & $kva$
+ & $ksha$ & $kSa$ & $ksa$
+ & $k>ha$ & $kLa$ & $kzha$ & $kRa$ \cr
+$kha$ && $khka$ & $khkha$ & $khga$ & $khgha$ & $khn"a$
+ & $khca$ & $khcha$ & $khja$ & $khjha$ & $khn~a$
+ & $khTa$ & $khTha$ & $khDa$ & $khDha$ & $khNa$
+ & $khta$ & $khtha$ & $khda$ & $khdha$ & $khna$
+ & $khpa$ & $khpha$ & $khba$ & $khbha$ & $khma$
+ & $khya$ & $khra$ & $khla$ & $khva$
+ & $khsha$ & $khSa$ & $khsa$
+ & $kh>ha$ & $khLa$ & $khzha$ & $khRa$ \cr
+$ga$ && $gka$ & $gkha$ & $gga$ & $ggha$ & $gn"a$
+ & $gca$ & $gcha$ & $gja$ & $gjha$ & $gn~a$
+ & $gTa$ & $gTha$ & $gDa$ & $gDha$ & $gNa$
+ & $gta$ & $gtha$ & $gda$ & $gdha$ & $gna$
+ & $gpa$ & $gpha$ & $gba$ & $gbha$ & $gma$
+ & $gya$ & $gra$ & $gla$ & $gva$
+ & $gsha$ & $gSa$ & $gsa$
+ & $g>ha$ & $gLa$ & $gzha$ & $gRa$ \cr
+$gha$ && $ghka$ & $ghkha$ & $ghga$ & $ghgha$ & $ghn"a$
+ & $ghca$ & $ghcha$ & $ghja$ & $ghjha$ & $ghn~a$
+ & $ghTa$ & $ghTha$ & $ghDa$ & $ghDha$ & $ghNa$
+ & $ghta$ & $ghtha$ & $ghda$ & $ghdha$ & $ghna$
+ & $ghpa$ & $ghpha$ & $ghba$ & $ghbha$ & $ghma$
+ & $ghya$ & $ghra$ & $ghla$ & $ghva$
+ & $ghsha$ & $ghSa$ & $ghsa$
+ & $gh>ha$ & $ghLa$ & $ghzha$ & $ghRa$ \cr
+$n"a$ && $n"ka$ & $n"kha$ & $n"ga$ & $n"gha$ & $n"n"a$
+ & $n"ca$ & $n"cha$ & $n"ja$ & $n"jha$ & $n"n~a$
+ & $n"Ta$ & $n"Tha$ & $n"Da$ & $n"Dha$ & $n"Na$
+ & $n"ta$ & $n"tha$ & $n"da$ & $n"dha$ & $n"na$
+ & $n"pa$ & $n"pha$ & $n"ba$ & $n"bha$ & $n"ma$
+ & $n"ya$ & $n"ra$ & $n"la$ & $n"va$
+ & $n"sha$ & $n"Sa$ & $n"sa$
+ & $n">ha$ & $n"La$ & $n"zha$ & $n"Ra$ \cr
+\noalign{\hrule}
+$ca$ && $cka$ & $ckha$ & $cga$ & $cgha$ & $cn"a$
+ & $cca$ & $ccha$ & $cja$ & $cjha$ & $cn~a$
+ & $cTa$ & $cTha$ & $cDa$ & $cDha$ & $cNa$
+ & $cta$ & $ctha$ & $cda$ & $cdha$ & $cna$
+ & $cpa$ & $cpha$ & $cba$ & $cbha$ & $cma$
+ & $cya$ & $cra$ & $cla$ & $cva$
+ & $csha$ & $cSa$ & $csa$
+ & $c>ha$ & $cLa$ & $czha$ & $cRa$ \cr
+$cha$ && $chka$ & $chkha$ & $chga$ & $chgha$ & $chn"a$
+ & $chca$ & $chcha$ & $chja$ & $chjha$ & $chn~a$
+ & $chTa$ & $chTha$ & $chDa$ & $chDha$ & $chNa$
+ & $chta$ & $chtha$ & $chda$ & $chdha$ & $chna$
+ & $chpa$ & $chpha$ & $chba$ & $chbha$ & $chma$
+ & $chya$ & $chra$ & $chla$ & $chva$
+ & $chsha$ & $chSa$ & $chsa$
+ & $ch>ha$ & $chLa$ & $chzha$ & $chRa$ \cr
+$ja$ && $jka$ & $jkha$ & $jga$ & $jgha$ & $jn"a$
+ & $jca$ & $jcha$ & $jja$ & $jjha$ & $jn~a$
+ & $jTa$ & $jTha$ & $jDa$ & $jDha$ & $jNa$
+ & $jta$ & $jtha$ & $jda$ & $jdha$ & $jna$
+ & $jpa$ & $jpha$ & $jba$ & $jbha$ & $jma$
+ & $jya$ & $jra$ & $jla$ & $jva$
+ & $jsha$ & $jSa$ & $jsa$
+ & $j>ha$ & $jLa$ & $jzha$ & $jRa$ \cr
+$jha$ && $jhka$ & $jhkha$ & $jhga$ & $jhgha$ & $jhn"a$
+ & $jhca$ & $jhcha$ & $jhja$ & $jhjha$ & $jhn~a$
+ & $jhTa$ & $jhTha$ & $jhDa$ & $jhDha$ & $jhNa$
+ & $jhta$ & $jhtha$ & $jhda$ & $jhdha$ & $jhna$
+ & $jhpa$ & $jhpha$ & $jhba$ & $jhbha$ & $jhma$
+ & $jhya$ & $jhra$ & $jhla$ & $jhva$
+ & $jhsha$ & $jhSa$ & $jhsa$
+ & $jh>ha$ & $jhLa$ & $jhzha$ & $jhRa$ \cr
+$n~a$ && $n~ka$ & $n~kha$ & $n~ga$ & $n~gha$ & $n~n"a$
+ & $n~ca$ & $n~cha$ & $n~ja$ & $n~jha$ & $n~n~a$
+ & $n~Ta$ & $n~Tha$ & $n~Da$ & $n~Dha$ & $n~Na$
+ & $n~ta$ & $n~tha$ & $n~da$ & $n~dha$ & $n~na$
+ & $n~pa$ & $n~pha$ & $n~ba$ & $n~bha$ & $n~ma$
+ & $n~ya$ & $n~ra$ & $n~la$ & $n~va$
+ & $n~sha$ & $n~Sa$ & $n~sa$
+ & $n~>ha$ & $n~La$ & $n~zha$ & $n~Ra$ \cr
+\noalign{\hrule}
+$Ta$ && $Tka$ & $Tkha$ & $Tga$ & $Tgha$ & $Tn"a$
+ & $Tca$ & $Tcha$ & $Tja$ & $Tjha$ & $Tn~a$
+ & $TTa$ & $TTha$ & $TDa$ & $TDha$ & $TNa$
+ & $Tta$ & $Ttha$ & $Tda$ & $Tdha$ & $Tna$
+ & $Tpa$ & $Tpha$ & $Tba$ & $Tbha$ & $Tma$
+ & $Tya$ & $Tra$ & $Tla$ & $Tva$
+ & $Tsha$ & $TSa$ & $Tsa$
+ & $T>ha$ & $TLa$ & $Tzha$ & $TRa$ \cr
+$Tha$ && $Thka$ & $Thkha$ & $Thga$ & $Thgha$ & $Thn"a$
+ & $Thca$ & $Thcha$ & $Thja$ & $Thjha$ & $Thn~a$
+ & $ThTa$ & $ThTha$ & $ThDa$ & $ThDha$ & $ThNa$
+ & $Thta$ & $Ththa$ & $Thda$ & $Thdha$ & $Thna$
+ & $Thpa$ & $Thpha$ & $Thba$ & $Thbha$ & $Thma$
+ & $Thya$ & $Thra$ & $Thla$ & $Thva$
+ & $Thsha$ & $ThSa$ & $Thsa$
+ & $Th>ha$ & $ThLa$ & $Thzha$ & $ThRa$ \cr
+$Da$ && $Dka$ & $Dkha$ & $Dga$ & $Dgha$ & $Dn"a$
+ & $Dca$ & $Dcha$ & $Dja$ & $Djha$ & $Dn~a$
+ & $DTa$ & $DTha$ & $DDa$ & $DDha$ & $DNa$
+ & $Dta$ & $Dtha$ & $Dda$ & $Ddha$ & $Dna$
+ & $Dpa$ & $Dpha$ & $Dba$ & $Dbha$ & $Dma$
+ & $Dya$ & $Dra$ & $Dla$ & $Dva$
+ & $Dsha$ & $DSa$ & $Dsa$
+ & $D>ha$ & $DLa$ & $Dzha$ & $DRa$ \cr
+$Dha$ && $Dhka$ & $Dhkha$ & $Dhga$ & $Dhgha$ & $Dhn"a$
+ & $Dhca$ & $Dhcha$ & $Dhja$ & $Dhjha$ & $Dhn~a$
+ & $DhTa$ & $DhTha$ & $DhDa$ & $DhDha$ & $DhNa$
+ & $Dhta$ & $Dhtha$ & $Dhda$ & $Dhdha$ & $Dhna$
+ & $Dhpa$ & $Dhpha$ & $Dhba$ & $Dhbha$ & $Dhma$
+ & $Dhya$ & $Dhra$ & $Dhla$ & $Dhva$
+ & $Dhsha$ & $DhSa$ & $Dhsa$
+ & $Dh>ha$ & $DhLa$ & $Dhzha$ & $DhRa$ \cr
+$Na$ && $Nka$ & $Nkha$ & $Nga$ & $Ngha$ & $Nn"a$
+ & $Nca$ & $Ncha$ & $Nja$ & $Njha$ & $Nn~a$
+ & $NTa$ & $NTha$ & $NDa$ & $NDha$ & $NNa$
+ & $Nta$ & $Ntha$ & $Nda$ & $Ndha$ & $Nna$
+ & $Npa$ & $Npha$ & $Nba$ & $Nbha$ & $Nma$
+ & $Nya$ & $Nra$ & $Nla$ & $Nva$
+ & $Nsha$ & $NSa$ & $Nsa$
+ & $N>ha$ & $NLa$ & $Nzha$ & $NRa$ \cr
+\noalign{\hrule}
+$ta$ && $tka$ & $tkha$ & $tga$ & $tgha$ & $tn"a$
+ & $tca$ & $tcha$ & $tja$ & $tjha$ & $tn~a$
+ & $tTa$ & $tTha$ & $tDa$ & $tDha$ & $tNa$
+ & $tta$ & $ttha$ & $tda$ & $tdha$ & $tna$
+ & $tpa$ & $tpha$ & $tba$ & $tbha$ & $tma$
+ & $tya$ & $tra$ & $tla$ & $tva$
+ & $tsha$ & $tSa$ & $tsa$
+ & $t>ha$ & $tLa$ & $tzha$ & $tRa$ \cr
+$tha$ && $thka$ & $thkha$ & $thga$ & $thgha$ & $thn"a$
+ & $thca$ & $thcha$ & $thja$ & $thjha$ & $thn~a$
+ & $thTa$ & $thTha$ & $thDa$ & $thDha$ & $thNa$
+ & $thta$ & $ththa$ & $thda$ & $thdha$ & $thna$
+ & $thpa$ & $thpha$ & $thba$ & $thbha$ & $thma$
+ & $thya$ & $thra$ & $thla$ & $thva$
+ & $thsha$ & $thSa$ & $thsa$
+ & $th>ha$ & $thLa$ & $thzha$ & $thRa$ \cr
+$da$ && $dka$ & $dkha$ & $dga$ & $dgha$ & $dn"a$
+ & $dca$ & $dcha$ & $dja$ & $djha$ & $dn~a$
+ & $dTa$ & $dTha$ & $dDa$ & $dDha$ & $dNa$
+ & $dta$ & $dtha$ & $dda$ & $ddha$ & $dna$
+ & $dpa$ & $dpha$ & $dba$ & $dbha$ & $dma$
+ & $dya$ & $dra$ & $dla$ & $dva$
+ & $dsha$ & $dSa$ & $dsa$
+ & $d>ha$ & $dLa$ & $dzha$ & $dRa$ \cr
+$dha$ && $dhka$ & $dhkha$ & $dhga$ & $dhgha$ & $dhn"a$
+ & $dhca$ & $dhcha$ & $dhja$ & $dhjha$ & $dhn~a$
+ & $dhTa$ & $dhTha$ & $dhDa$ & $dhDha$ & $dhNa$
+ & $dhta$ & $dhtha$ & $dhda$ & $dhdha$ & $dhna$
+ & $dhpa$ & $dhpha$ & $dhba$ & $dhbha$ & $dhma$
+ & $dhya$ & $dhra$ & $dhla$ & $dhva$
+ & $dhsha$ & $dhSa$ & $dhsa$
+ & $dh>ha$ & $dhLa$ & $dhzha$ & $dhRa$ \cr
+$na$ && $nka$ & $nkha$ & $nga$ & $ngha$ & $nn"a$
+ & $nca$ & $ncha$ & $nja$ & $njha$ & $nn~a$
+ & $nTa$ & $nTha$ & $nDa$ & $nDha$ & $nNa$
+ & $nta$ & $ntha$ & $nda$ & $ndha$ & $nna$
+ & $npa$ & $npha$ & $nba$ & $nbha$ & $nma$
+ & $nya$ & $nra$ & $nla$ & $nva$
+ & $nsha$ & $nSa$ & $nsa$
+ & $n>ha$ & $nLa$ & $nzha$ & $nRa$ \cr
+\noalign{\hrule}
+$pa$ && $pka$ & $pkha$ & $pga$ & $pgha$ & $pn"a$
+ & $pca$ & $pcha$ & $pja$ & $pjha$ & $pn~a$
+ & $pTa$ & $pTha$ & $pDa$ & $pDha$ & $pNa$
+ & $pta$ & $ptha$ & $pda$ & $pdha$ & $pna$
+ & $ppa$ & $ppha$ & $pba$ & $pbha$ & $pma$
+ & $pya$ & $pra$ & $pla$ & $pva$
+ & $psha$ & $pSa$ & $psa$
+ & $p>ha$ & $pLa$ & $pzha$ & $pRa$ \cr
+$pha$ && $phka$ & $phkha$ & $phga$ & $phgha$ & $phn"a$
+ & $phca$ & $phcha$ & $phja$ & $phjha$ & $phn~a$
+ & $phTa$ & $phTha$ & $phDa$ & $phDha$ & $phNa$
+ & $phta$ & $phtha$ & $phda$ & $phdha$ & $phna$
+ & $phpa$ & $phpha$ & $phba$ & $phbha$ & $phma$
+ & $phya$ & $phra$ & $phla$ & $phva$
+ & $phsha$ & $phSa$ & $phsa$
+ & $ph>ha$ & $phLa$ & $phzha$ & $phRa$ \cr
+$ba$ && $bka$ & $bkha$ & $bga$ & $bgha$ & $bn"a$
+ & $bca$ & $bcha$ & $bja$ & $bjha$ & $bn~a$
+ & $bTa$ & $bTha$ & $bDa$ & $bDha$ & $bNa$
+ & $bta$ & $btha$ & $bda$ & $bdha$ & $bna$
+ & $bpa$ & $bpha$ & $bba$ & $bbha$ & $bma$
+ & $bya$ & $bra$ & $bla$ & $bva$
+ & $bsha$ & $bSa$ & $bsa$
+ & $b>ha$ & $bLa$ & $bzha$ & $bRa$ \cr
+$bha$ && $bhka$ & $bhkha$ & $bhga$ & $bhgha$ & $bhn"a$
+ & $bhca$ & $bhcha$ & $bhja$ & $bhjha$ & $bhn~a$
+ & $bhTa$ & $bhTha$ & $bhDa$ & $bhDha$ & $bhNa$
+ & $bhta$ & $bhtha$ & $bhda$ & $bhdha$ & $bhna$
+ & $bhpa$ & $bhpha$ & $bhba$ & $bhbha$ & $bhma$
+ & $bhya$ & $bhra$ & $bhla$ & $bhva$
+ & $bhsha$ & $bhSa$ & $bhsa$
+ & $bh>ha$ & $bhLa$ & $bhzha$ & $bhRa$ \cr
+$ma$ && $mka$ & $mkha$ & $mga$ & $mgha$ & $mn"a$
+ & $mca$ & $mcha$ & $mja$ & $mjha$ & $mn~a$
+ & $mTa$ & $mTha$ & $mDa$ & $mDha$ & $mNa$
+ & $mta$ & $mtha$ & $mda$ & $mdha$ & $mna$
+ & $mpa$ & $mpha$ & $mba$ & $mbha$ & $mma$
+ & $mya$ & $mra$ & $mla$ & $mva$
+ & $msha$ & $mSa$ & $msa$
+ & $m>ha$ & $mLa$ & $mzha$ & $mRa$ \cr
+\noalign{\hrule}
+$ya$ && $yka$ & $ykha$ & $yga$ & $ygha$ & $yn"a$
+ & $yca$ & $ycha$ & $yja$ & $yjha$ & $yn~a$
+ & $yTa$ & $yTha$ & $yDa$ & $yDha$ & $yNa$
+ & $yta$ & $ytha$ & $yda$ & $ydha$ & $yna$
+ & $ypa$ & $ypha$ & $yba$ & $ybha$ & $yma$
+ & $yya$ & $yra$ & $yla$ & $yva$
+ & $ysha$ & $ySa$ & $ysa$
+ & $y>ha$ & $yLa$ & $yzha$ & $yRa$ \cr
+$ra$ && $rka$ & $rkha$ & $rga$ & $rgha$ & $rn"a$
+ & $rca$ & $rcha$ & $rja$ & $rjha$ & $rn~a$
+ & $rTa$ & $rTha$ & $rDa$ & $rDha$ & $rNa$
+ & $rta$ & $rtha$ & $rda$ & $rdha$ & $rna$
+ & $rpa$ & $rpha$ & $rba$ & $rbha$ & $rma$
+ & $rya$ & $rra$ & $rla$ & $rva$
+ & $rsha$ & $rSa$ & $rsa$
+ & $r>ha$ & $rLa$ & $rzha$ & $rRa$ \cr
+$la$ && $lka$ & $lkha$ & $lga$ & $lgha$ & $ln"a$
+ & $lca$ & $lcha$ & $lja$ & $ljha$ & $ln~a$
+ & $lTa$ & $lTha$ & $lDa$ & $lDha$ & $lNa$
+ & $lta$ & $ltha$ & $lda$ & $ldha$ & $lna$
+ & $lpa$ & $lpha$ & $lba$ & $lbha$ & $lma$
+ & $lya$ & $lra$ & $lla$ & $lva$
+ & $lsha$ & $lSa$ & $lsa$
+ & $l>ha$ & $lLa$ & $lzha$ & $lRa$ \cr
+$va$ && $vka$ & $vkha$ & $vga$ & $vgha$ & $vn"a$
+ & $vca$ & $vcha$ & $vja$ & $vjha$ & $vn~a$
+ & $vTa$ & $vTha$ & $vDa$ & $vDha$ & $vNa$
+ & $vta$ & $vtha$ & $vda$ & $vdha$ & $vna$
+ & $vpa$ & $vpha$ & $vba$ & $vbha$ & $vma$
+ & $vya$ & $vra$ & $vla$ & $vva$
+ & $vsha$ & $vSa$ & $vsa$
+ & $v>ha$ & $vLa$ & $vzha$ & $vRa$ \cr
+\noalign{\hrule}
+$sha$ && $shka$ & $shkha$ & $shga$ & $shgha$ & $shn"a$
+ & $shca$ & $shcha$ & $shja$ & $shjha$ & $shn~a$
+ & $shTa$ & $shTha$ & $shDa$ & $shDha$ & $shNa$
+ & $shta$ & $shtha$ & $shda$ & $shdha$ & $shna$
+ & $shpa$ & $shpha$ & $shba$ & $shbha$ & $shma$
+ & $shya$ & $shra$ & $shla$ & $shva$
+ & $shsha$ & $shSa$ & $shsa$
+ & $sh>ha$ & $shLa$ & $shzha$ & $shRa$ \cr
+$Sa$ && $Ska$ & $Skha$ & $Sga$ & $Sgha$ & $Sn"a$
+ & $Sca$ & $Scha$ & $Sja$ & $Sjha$ & $Sn~a$
+ & $STa$ & $STha$ & $SDa$ & $SDha$ & $SNa$
+ & $Sta$ & $Stha$ & $Sda$ & $Sdha$ & $Sna$
+ & $Spa$ & $Spha$ & $Sba$ & $Sbha$ & $Sma$
+ & $Sya$ & $Sra$ & $Sla$ & $Sva$
+ & $Ssha$ & $SSa$ & $Ssa$
+ & $S>ha$ & $SLa$ & $Szha$ & $SRa$ \cr
+$sa$ && $ska$ & $skha$ & $sga$ & $sgha$ & $sn"a$
+ & $sca$ & $scha$ & $sja$ & $sjha$ & $sn~a$
+ & $sTa$ & $sTha$ & $sDa$ & $sDha$ & $sNa$
+ & $sta$ & $stha$ & $sda$ & $sdha$ & $sna$
+ & $spa$ & $spha$ & $sba$ & $sbha$ & $sma$
+ & $sya$ & $sra$ & $sla$ & $sva$
+ & $ssha$ & $sSa$ & $ssa$
+ & $s>ha$ & $sLa$ & $szha$ & $sRa$ \cr
+\noalign{\hrule}
+$ha$ && $hka$ & $hkha$ & $hga$ & $hgha$ & $hn"a$
+ & $hca$ & $hcha$ & $hja$ & $hjha$ & $hn~a$
+ & $hTa$ & $hTha$ & $hDa$ & $hDha$ & $hNa$
+ & $hta$ & $htha$ & $hda$ & $hdha$ & $hna$
+ & $hpa$ & $hpha$ & $hba$ & $hbha$ & $hma$
+ & $hya$ & $hra$ & $hla$ & $hva$
+ & $hsha$ & $hSa$ & $hsa$
+ & $h>ha$ & $hLa$ & $hzha$ & $hRa$ \cr
+$La$ && $Lka$ & $Lkha$ & $Lga$ & $Lgha$ & $Ln"a$
+ & $Lca$ & $Lcha$ & $Lja$ & $Ljha$ & $Ln~a$
+ & $LTa$ & $LTha$ & $LDa$ & $LDha$ & $LNa$
+ & $Lta$ & $Ltha$ & $Lda$ & $Ldha$ & $Lna$
+ & $Lpa$ & $Lpha$ & $Lba$ & $Lbha$ & $Lma$
+ & $Lya$ & $Lra$ & $Lla$ & $Lva$
+ & $Lsha$ & $LSa$ & $Lsa$
+ & $L>ha$ & $LLa$ & $Lzha$ & $LRa$ \cr
+$zha$ && $zhka$ & $zhkha$ & $zhga$ & $zhgha$ & $zhn"a$
+ & $zhca$ & $zhcha$ & $zhja$ & $zhjha$ & $zhn~a$
+ & $zhTa$ & $zhTha$ & $zhDa$ & $zhDha$ & $zhNa$
+ & $zhta$ & $zhtha$ & $zhda$ & $zhdha$ & $zhna$
+ & $zhpa$ & $zhpha$ & $zhba$ & $zhbha$ & $zhma$
+ & $zhya$ & $zhra$ & $zhla$ & $zhva$
+ & $zhsha$ & $zhSa$ & $zhsa$
+ & $zh>ha$ & $zhLa$ & $zhzha$ & $zhRa$ \cr
+$Ra$ && $Rka$ & $Rkha$ & $Rga$ & $Rgha$ & $Rn"a$
+ & $Rca$ & $Rcha$ & $Rja$ & $Rjha$ & $Rn~a$
+ & $RTa$ & $RTha$ & $RDa$ & $RDha$ & $RNa$
+ & $Rta$ & $Rtha$ & $Rda$ & $Rdha$ & $Rna$
+ & $Rpa$ & $Rpha$ & $Rba$ & $Rbha$ & $Rma$
+ & $Rya$ & $Rra$ & $Rla$ & $Rva$
+ & $Rsha$ & $RSa$ & $Rsa$
+ & $R>ha$ & $RLa$ & $Rzha$ & $RRa$ \cr
+}
+
+\bye
+
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmconj.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmconj.tex
new file mode 100644
index 00000000000..5fc700c1fb8
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmconj.tex
@@ -0,0 +1,477 @@
+
+\nopagenumbers
+\input mmqmacs
+\twelvemm
+
+\beginsection Conjuncts
+
+{\obeylines
+
+{\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\<21>}} = {\mm \X{\<160>}}
+{\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\<22>}} = {\mm \X{\M{\<21>}{\Z\<22>}}}
+{\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\<31>}} = {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<31>}}
+{\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\<36>}} = {\mm \X{\<176>}}
+{\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\<200>}}
+{\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\<50>}} = {\mm \X{\M{\<21>}{\<85>}}}
+{\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\<55>}} = {\mm \X{\<251>}}
+{\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}}} + {\mm \X{\<46>}} = {\mm \X{\M{\<251>}{\Z\<46>}}}
+
+{\mm \X{\Q{\<22>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\M{\<22>}{\<84>}}}
+
+{\mm \X{\Q{\<23>}{\N{.8}{\<77>}}}} + {\mm \X{\<23>}} = {\mm \X{\<240>}}
+{\mm \X{\Q{\<23>}{\N{.8}{\<77>}}}} + {\mm \X{\<38>}} = {\mm \X{\<177>}}
+{\mm \X{\Q{\<23>}{\N{.8}{\<77>}}}} + {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}}} + {\mm \X{\<39>}} = {\mm \X{\<178>}}
+{\mm \X{\Q{\<23>}{\N{.8}{\<77>}}}} + {\mm \X{\<40>}} = {\mm \X{\<179>}}
+{\mm \X{\Q{\<23>}{\N{.8}{\<77>}}}} + {\mm \X{\<46>}} = {\mm \X{\<180>}}
+{\mm \X{\Q{\<23>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\<201>}}
+{\mm \X{\Q{\<23>}{\N{.8}{\<77>}}}} + {\mm \X{\<50>}} = {\mm \X{\M{\<23>}{\<85>}}}
+
+{\mm \X{\Q{\<24>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\M{\<24>}{\<127>}}}
+
+{\mm \X{\Q{\<25>}{\N{.8}{\<77>}}}} + {\mm \X{\<21>}} = {\mm \X{\<181>}}
+{\mm \X{\Q{\<25>}{\N{.8}{\<77>}}}} + {\mm \X{\<25>}} = {\mm \X{\<161>}}
+
+{\mm \X{\Q{\<26>}{\N{.8}{\<77>}}}} + {\mm \X{\<26>}} = {\mm \X{\<247>}}
+{\mm \X{\Q{\<26>}{\N{.8}{\<77>}}}} + {\mm \X{\<27>}} = {\mm \X{\M{\<26>}{\Z\<27>}}}
+
+{\mm \X{\Q{\<28>}{\N{.8}{\<77>}}}} + {\mm \X{\<28>}} = {\mm \X{\<162>}}
+{\mm \X{\Q{\<28>}{\N{.8}{\<77>}}}} + {\mm \X{\<30>}} = {\mm \X{\<184>}}
+
+{\mm \X{\Q{\<30>}{\N{.8}{\<77>}}}} + {\mm \X{\<26>}} = {\mm \X{\<185>}}
+{\mm \X{\Q{\<30>}{\N{.8}{\<77>}}}} + {\mm \X{\<28>}} = {\mm \X{\<186>}}
+{\mm \X{\Q{\<30>}{\N{.8}{\<77>}}}} + {\mm \X{\<30>}} = {\mm \X{\<163>}}
+
+{\mm \X{\Q{\<31>}{\N{.8}{\<77>}}}} + {\mm \X{\<31>}} = {\mm \X{\<164>}}
+{\mm \X{\Q{\<31>}{\N{.8}{\<77>}}}} + {\mm \X{\<32>}} = {\mm \X{\B{\<31>}{\Z\<32>}}}
+{\mm \X{\Q{\<31>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\<204>}}
+
+{\mm \X{\Q{\<33>}{\N{.8}{\<77>}}}} + {\mm \X{\<33>}} = {\mm \X{\M{\<33>}{\<89>}}}
+
+{\mm \X{\Q{\<35>}{\N{.8}{\<77>}}}} + {\mm \X{\<21>}} = {\mm \X{\M{\<35>}{\<112>}}}
+{\mm \X{\Q{\<35>}{\N{.8}{\<77>}}}} + {\mm \X{\<31>}} = {\mm \X{\<187>}}
+{\mm \X{\Q{\<35>}{\N{.8}{\<77>}}}} + {\mm \X{\<33>}} = {\mm \X{\<188>}}
+{\mm \X{\Q{\<35>}{\N{.8}{\<77>}}}} + {\mm \X{\<34>}} = {\mm \X{\<78>\<34>}}
+{\mm \X{\Q{\<35>}{\N{.8}{\<77>}}}} + {\mm \X{\<35>}} = {\mm \X{\<241>}}
+
+{\mm \X{\Q{\<36>}{\N{.8}{\<77>}}}} + {\mm \X{\<36>}} = {\mm \X{\<165>}}
+{\mm \X{\Q{\<36>}{\N{.8}{\<77>}}}} + {\mm \X{\<37>}} = {\mm \X{\<36>\K{-.5}\<88>}}
+{\mm \X{\Q{\<36>}{\N{.8}{\<77>}}}} + {\mm \X{\<40>}} = {\mm \X{\<191>}}
+{\mm \X{\Q{\<36>}{\N{.8}{\<77>}}}} + {\mm \X{\<46>}} = {\mm \X{\<190>}}
+{\mm \X{\Q{\<36>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\<205>}}
+
+{\mm \X{\Q{\<38>}{\N{.8}{\<77>}}}} + {\mm \X{\<38>}} = {\mm \X{\<166>}}
+{\mm \X{\Q{\<38>}{\N{.8}{\<77>}}}} + {\mm \X{\<39>}} = {\mm \X{\<192>}}
+{\mm \X{\Q{\<38>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\<206>}}
+
+{\mm \X{\Q{\<40>}{\N{.8}{\<77>}}}} + {\mm \X{\<36>}} = {\mm \X{\<194>}}
+{\mm \X{\Q{\<40>}{\N{.8}{\<77>}}}} + {\mm \X{\Q{\<36>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\<215>}}
+{\mm \X{\Q{\<40>}{\N{.8}{\<77>}}}} + {\mm \X{\<37>}} = {\mm \X{\<40>\K{-.5}\<88>}}
+{\mm \X{\Q{\<40>}{\N{.8}{\<77>}}}} + {\mm \X{\<38>}} = {\mm \X{\<195>}}
+{\mm \X{\Q{\<40>}{\N{.8}{\<77>}}}} + {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\<216>}}
+{\mm \X{\Q{\<40>}{\N{.8}{\<77>}}}} + {\mm \X{\<39>}} = {\mm \X{\<219>}}
+{\mm \X{\Q{\<40>}{\N{.8}{\<77>}}}} + {\mm \X{\<40>}} = {\mm \X{\<167>}}
+{\mm \X{\Q{\<40>}{\N{.8}{\<77>}}}} + {\mm \X{\<42>}} = {\mm \X{\<220>}}
+{\mm \X{\Q{\<40>}{\N{.8}{\<77>}}}} + {\mm \X{\<46>}} = {\mm \X{\<193>}}
+
+{\mm \X{\Q{\<42>}{\N{.8}{\<77>}}}} + {\mm \X{\<36>}} = {\mm \X{\M{\<42>}{\Z\<36>}}}
+{\mm \X{\Q{\<42>}{\N{.8}{\<77>}}}} + {\mm \X{\<42>}} = {\mm \X{\<242>}}
+{\mm \X{\Q{\<42>}{\N{.8}{\<77>}}}} + {\mm \X{\<43>}} = {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<43>}}
+{\mm \X{\Q{\<42>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\M{\<42>}{\<124>}}}
+
+{\mm \X{\Q{\<43>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\M{\<43>}{\<125>}}}
+
+{\mm \X{\Q{\<44>}{\N{.8}{\<77>}}}} + {\mm \X{\<39>}} = {\mm \X{\M{\<44>}{\Z\<39>}}}
+{\mm \X{\Q{\<44>}{\N{.8}{\<77>}}}} + {\mm \X{\<44>}} = {\mm \X{\<248>}}
+{\mm \X{\Q{\<44>}{\N{.8}{\<77>}}}} + {\mm \X{\<45>}} = {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<45>}}
+{\mm \X{\Q{\<44>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\M{\<44>}{\<126>}}}
+
+{\mm \X{\Q{\<45>}{\N{.8}{\<77>}}}} + {\mm \X{\<38>}} = {\mm \X{\M{\<45>}{\Z\<38>}}}
+{\mm \X{\Q{\<45>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\<209>}}
+
+{\mm \X{\Q{\<46>}{\N{.8}{\<77>}}}} + {\mm \X{\<46>}} = {\mm \X{\<46>\K{-.27}\<46>}}
+{\mm \X{\Q{\<46>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\M{\<46>}{\<123>}}}
+{\mm \X{\Q{\<46>}{\N{.8}{\<77>}}}} + {\mm \X{\<50>}} = {\mm \X{\M{\<46>}{\<85>}}}
+
+{\mm \X{\Q{\<47>}{\N{.8}{\<77>}}}} + {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\<21>}} = {\mm \X{\M{\<47>}{\<115>}}}
+{\mm \X{\Q{\<47>}{\N{.8}{\<77>}}}} + {\mm \X{\<31>}} = {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<31>}}
+{\mm \X{\Q{\<47>}{\N{.8}{\<77>}}}} + {\mm \X{\<36>}} = {\mm \X{\M{\<47>}{\Z\<36>}}}
+{\mm \X{\Q{\<47>}{\N{.8}{\<77>}}}} + {\mm \X{\<47>}} = {\mm \X{\<249>}}
+
+{\mm \X{\Q{\<49>}{\N{.8}{\<77>}}}} + {\mm \X{\<49>}} = {\mm \X{\<243>}}
+
+{\mm \X{\Q{\<50>}{\N{.8}{\<77>}}}} + {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\<21>}} = {\mm \X{\M{\<50>}{\<115>}}}
+{\mm \X{\Q{\<50>}{\N{.8}{\<77>}}}} + {\mm \X{\<42>}} = {\mm \X{\<81>\<42>}}
+{\mm \X{\Q{\<50>}{\N{.8}{\<77>}}}} + {\mm \X{\<50>}} = {\mm \X{\M{\<50>}{\<85>}}}
+
+{\mm \X{\Q{\<53>}{\N{.8}{\<77>}}}} + {\mm \X{\<53>}} = {\mm \X{\<250>}}
+
+{\mm \X{\Q{\<54>}{\N{.8}{\<77>}}}} + {\mm \X{\<46>}} = {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<46>}}
+{\mm \X{\Q{\<54>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\<210>}}
+{\mm \X{\Q{\<54>}{\N{.8}{\<77>}}}} + {\mm \X{\<50>}} = {\mm \X{\M{\<54>}{\<85>}}}
+{\mm \X{\Q{\<54>}{\N{.8}{\<77>}}}} + {\mm \X{\<54>}} = {\mm \X{\<244>}}
+
+{\mm \X{\Q{\<55>}{\N{.8}{\<77>}}}} + {\mm \X{\<31>}} = {\mm \X{\M{\<55>}{\Z\<31>}}}
+{\mm \X{\Q{\<55>}{\N{.8}{\<77>}}}} + {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\M{\<55>}{\Z\<204>}}}
+{\mm \X{\Q{\<55>}{\N{.8}{\<77>}}}} + {\mm \X{\<46>}} = {\mm \X{\M{\<55>}{\Z\<46>}}}
+
+{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\<21>}} = {\mm \X{\M{\<56>}{\<112>}}}
+{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\<21>}} = {\mm \X{\M{\<56>}{\<115>}}}
+{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\<31>}} = {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<31>}}
+{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\M{\<31>}{\<84>}}}
+{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\<36>}} = {\mm \X{\M{\<56>}{\Z\<36>}}}
+{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\Q{\<36>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\M{\<56>}{\Z\<205>}}}
+{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\<37>}} = {\mm \X{\<56>\K{-.5}\<88>}}
+{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\<40>}} = {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<40>}}
+{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\<46>}} = {\mm \X{\M{\<56>}{\Z\<46>}}}
+{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\<211>}}
+{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\<80>}} + {\mm \X{\<49>}} = {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<243>}}
+{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\<56>}} = {\mm \X{\<245>}}
+
+{\mm \X{\Q{\<57>}{\N{.8}{\<77>}}}} + {\mm \X{\<40>}} = {\mm \X{\<199>}}
+{\mm \X{\Q{\<57>}{\N{.8}{\<77>}}}} + {\mm \X{\<46>}} = {\mm \X{\<198>}}
+
+{\mm \X{\Q{\<51>}{\N{.8}{\<77>}}}} + {\mm \X{\<51>}} = {\mm \X{\<51>\K{-.2}\<51>}}
+
+{\mm \X{\Q{\<52>}{\N{.8}{\<77>}}}} + {\mm \X{\<26>}} = {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<26>}}
+
+}
+
+\mmc
+
+{\mm
+
+\X{\<21>\<83>} \X{\<22>\<83>} \X{\<23>\<83>} \X{\<24>\<83>} \X{\<25>\<83>} \X{\<26>\<83>} \X{\<27>\<83>} \X{\<28>\<83>} \X{\<29>\<83>} \X{\<30>\<83>}
+\X{\<31>\<83>} \X{\<32>\<83>} \X{\<33>\<83>} \X{\<34>\<83>} \X{\<35>\<83>} \X{\<36>\<83>} \X{\<37>\<83>} \X{\<38>\<83>} \X{\<39>\<83>} \X{\<40>\<83>}
+\X{\<42>\<83>} \X{\<43>\<83>} \X{\<44>\<83>} \X{\<45>\<83>} \X{\<46>\<83>} \X{\<249>} \X{\T{\<76>}{\R{.8ex}{\<47>}}} \X{\<50>\<83>} \X{\<53>\<83>} \X{\<54>\<83>} \X{\<55>\<83>} \X{\<56>\<83>}
+\X{\<57>\<83>} \X{\<51>\<83>} \X{\<49>\<83>} \X{\<52>\<83>}
+
+\X{\<200>} \X{\M{\<22>}{\<84>}} \X{\<201>} \X{\M{\<24>}{\<127>}} \X{\M{\<25>}{\<84>}} \X{\M{\<26>}{\<124>}} \X{\<202>} \X{\<203>} \X{\M{\<29>}{\<84>}} \X{\M{\<30>}{\<126>}}
+\X{\<204>} \X{\M{\<32>}{\<123>}} \X{\M{\<33>}{\<126>}} \X{\M{\<34>}{\<126>}} \X{\M{\<35>}{\<127>}} \X{\<205>} \X{\M{\<37>}{\<84>}} \X{\<206>} \X{\<207>} \X{\<208>}
+\X{\M{\<42>}{\<124>}} \X{\M{\<43>}{\<125>}} \X{\M{\<44>}{\<126>}} \X{\<209>} \X{\M{\<46>}{\<123>}} \X{\M{\<47>}{\<84>}} \X{\T{\<76>}{\R{.8ex}{\<48>}}} \X{\M{\<50>}{\<84>}} \X{\M{\<53>}{\<84>}} \X{\<210>} \X{\M{\<55>}{\<125>}} \X{\<211>}
+\X{\<212>} \X{\M{\<51>}{\<84>}} \X{\M{\<49>}{\<84>}} \X{\M{\<52>}{\<84>}}
+
+\X{\M{\<21>}{\<85>}} \X{\M{\<22>}{\<85>}} \X{\M{\<23>}{\<85>}} \X{\M{\<24>}{\<85>}} \X{\M{\<25>}{\<85>}} \X{\M{\<26>}{\<85>}} \X{\M{\<27>}{\<85>}} \X{\M{\<28>}{\<85>}} \X{\M{\<29>}{\<85>}} \X{\M{\<30>}{\<85>}}
+\X{\M{\<31>}{\<85>}} \X{\M{\<32>}{\<85>}} \X{\M{\<33>}{\<85>}} \X{\M{\<34>}{\<85>}} \X{\M{\<35>}{\<85>}} \X{\M{\<36>}{\<85>}} \X{\M{\<37>}{\<85>}} \X{\M{\<38>}{\<85>}} \X{\M{\<39>}{\<85>}} \X{\M{\<40>}{\<85>}}
+\X{\M{\<42>}{\<85>}} \X{\M{\<43>}{\<85>}} \X{\M{\<44>}{\<85>}} \X{\M{\<45>}{\<85>}} \X{\M{\<46>}{\<85>}} \X{\M{\<47>}{\<85>}} \X{\T{\<76>}{\R{.8ex}{\<50>}}} \X{\M{\<50>}{\<85>}} \X{\M{\<53>}{\<85>}} \X{\M{\<54>}{\<85>}} \X{\M{\<55>}{\<85>}} \X{\M{\<56>}{\<85>}}
+\X{\M{\<57>}{\<85>}} \X{\M{\<51>}{\<85>}} \X{\M{\<49>}{\<85>}} \X{\M{\<52>}{\<85>}}
+
+\X{\<21>\K{-.5}\<86>} \X{\<22>\K{-.5}\<86>} \X{\<23>\K{-.5}\<86>} \X{\<24>\K{-.5}\<86>} \X{\<25>\K{-.5}\<86>} \X{\<26>\K{-.5}\<86>} \X{\<27>\K{-.5}\<86>} \X{\<28>\K{-.5}\<86>} \X{\<29>\K{-.5}\<86>} \X{\<30>\K{-.5}\<86>}
+\X{\<31>\K{-.5}\<86>} \X{\<32>\K{-.5}\<86>} \X{\<33>\K{-.5}\<86>} \X{\<34>\K{-.5}\<86>} \X{\<35>\K{-.5}\<86>} \X{\<36>\K{-.5}\<86>} \X{\<37>\K{-.5}\<86>} \X{\<38>\K{-.5}\<86>} \X{\<39>\K{-.5}\<86>} \X{\<40>\K{-1.5}\<93>}
+\X{\<42>\K{-.5}\<86>} \X{\<43>\K{-.5}\<86>} \X{\<44>\K{-.5}\<86>} \X{\<45>\K{-.5}\<86>} \X{\<46>\K{-.5}\<86>} \X{\<47>\K{-.5}\<86>} \X{\T{\<76>}{\R{.8ex}{\<53>}}} \X{\<50>\K{-.5}\<86>} \X{\<250>} \X{\<54>\K{-.5}\<86>} \X{\<55>\K{-.5}\<86>} \X{\<56>\K{-.5}\<86>}
+\X{\<57>\K{-1.5}\<93>} \X{\<51>\K{-.5}\<86>} \X{\<49>\K{-.5}\<86>} \X{\<52>\K{-.5}\<86>}
+
+}
+
+\bye
+
+
+\nointerlineskip
+\halign{#\ &\vrule#\ &&\hfil#\ \hfil\cr
+ && {\mm \X{\<21>}} & {\mm \X{\<22>}} & {\mm \X{\<23>}} & {\mm \X{\<24>}} & {\mm \X{\<25>}}
+ & {\mm \X{\<26>}} & {\mm \X{\<27>}} & {\mm \X{\<28>}} & {\mm \X{\<29>}} & {\mm \X{\<30>}}
+ & {\mm \X{\<31>}} & {\mm \X{\<32>}} & {\mm \X{\<33>}} & {\mm \X{\<34>}} & {\mm \X{\<35>}}
+ & {\mm \X{\<36>}} & {\mm \X{\<37>}} & {\mm \X{\<38>}} & {\mm \X{\<39>}} & {\mm \X{\<40>}}
+ & {\mm \X{\<42>}} & {\mm \X{\<43>}} & {\mm \X{\<44>}} & {\mm \X{\<45>}} & {\mm \X{\<46>}}
+ & {\mm \X{\<47>}} & {\mm \X{\<48>}} & {\mm \X{\<50>}} & {\mm \X{\<53>}}
+ & {\mm \X{\<54>}} & {\mm \X{\<55>}} & {\mm \X{\<56>}}
+ & {\mm \X{\<57>}} & {\mm \X{\<51>}} & {\mm \X{\<52>}} & {\mm \X{\<49>}} \cr
+\noalign{\hrule}
+{\mm \X{\<21>}} && {\mm \X{\<160>}} & {\mm \X{\M{\<21>}{\Z\<22>}}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\M{\<21>}{\Z\<26>}}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\<176>}} & {\mm \X{\<21>\K{-.5}\<88>}} & {\mm \X{\M{\<21>}{\Z\<38>}}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<21>\<83>}} & {\mm \X{\<200>}} & {\mm \X{\M{\<21>}{\<85>}}} & {\mm \X{\<21>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\<251>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<22>}} && {\mm \X{\M{\<22>}{\<112>}}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<22>\K{-.5}\<88>}} & {\mm \X{\M{\<22>}{\Z\<38>}}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<22>\<83>}} & {\mm \X{\M{\<22>}{\<84>}}} & {\mm \X{\M{\<22>}{\<85>}}} & {\mm \X{\<22>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<23>}} && {\mm \X{\M{\<23>}{\<112>}}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\<240>}} & {\mm \X{\<218>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\M{\<23>}{\Z\<28>}}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<23>\K{-.5}\<88>}} & {\mm \X{\<177>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\<179>}}
+ & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\<180>}}
+ & {\mm \X{\<23>\<83>}} & {\mm \X{\<201>}} & {\mm \X{\M{\<23>}{\<85>}}} & {\mm \X{\<23>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<24>}} && {\mm \X{\M{\<24>}{\<112>}}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<24>\K{-.5}\<88>}} & {\mm \X{\M{\<24>}{\Z\<38>}}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<24>\<83>}} & {\mm \X{\M{\<24>}{\<127>}}} & {\mm \X{\M{\<24>}{\<85>}}} & {\mm \X{\<24>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<25>}} && {\mm \X{\<181>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\<161>}}
+ & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<25>\K{-.5}\<88>}} & {\mm \X{\M{\<25>}{\Z\<38>}}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<25>\<83>}} & {\mm \X{\M{\<25>}{\<84>}}} & {\mm \X{\M{\<25>}{\<85>}}} & {\mm \X{\<25>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<49>}} \cr
+\noalign{\hrule}
+{\mm \X{\<26>}} && {\mm \X{\M{\<26>}{\<112>}}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\<247>}} & {\mm \X{\M{\<26>}{\Z\<27>}}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<26>\K{-.5}\<88>}} & {\mm \X{\M{\<26>}{\Z\<38>}}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<26>\<83>}} & {\mm \X{\M{\<26>}{\<124>}}} & {\mm \X{\M{\<26>}{\<85>}}} & {\mm \X{\<26>\K{-.5}\<86>}}
+ & {\mm \X{\M{\<26>}{\Z\<54>}}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<27>}} && {\mm \X{\M{\<27>}{\<112>}}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<27>\K{-.5}\<88>}} & {\mm \X{\M{\<27>}{\Z\<38>}}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<27>\<83>}} & {\mm \X{\<202>}} & {\mm \X{\M{\<27>}{\<85>}}} & {\mm \X{\<27>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<28>}} && {\mm \X{\M{\<28>}{\<112>}}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\<162>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\<184>}}
+ & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<28>\K{-.5}\<88>}} & {\mm \X{\M{\<28>}{\Z\<38>}}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<28>\<83>}} & {\mm \X{\<203>}} & {\mm \X{\M{\<28>}{\<85>}}} & {\mm \X{\<28>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<29>}} && {\mm \X{\M{\<29>}{\<112>}}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<29>\K{-.5}\<88>}} & {\mm \X{\M{\<29>}{\Z\<38>}}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<29>\<83>}} & {\mm \X{\M{\<29>}{\<84>}}} & {\mm \X{\M{\<29>}{\<85>}}} & {\mm \X{\<29>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<30>}} && {\mm \X{\M{\<30>}{\<112>}}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\<185>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\<186>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\<163>}}
+ & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<30>\K{-.5}\<88>}} & {\mm \X{\M{\<30>}{\Z\<38>}}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<30>\<83>}} & {\mm \X{\M{\<30>}{\<126>}}} & {\mm \X{\M{\<30>}{\<85>}}} & {\mm \X{\<30>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<49>}} \cr
+\noalign{\hrule}
+{\mm \X{\<31>}} && {\mm \X{\M{\<31>}{\<112>}}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\<164>}} & {\mm \X{\B{\<31>}{\Z\<32>}}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<31>\K{-.5}\<88>}} & {\mm \X{\M{\<31>}{\Z\<38>}}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<31>\<83>}} & {\mm \X{\<204>}} & {\mm \X{\M{\<31>}{\<85>}}} & {\mm \X{\<31>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<32>}} && {\mm \X{\M{\<32>}{\<112>}}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<32>\K{-.5}\<88>}} & {\mm \X{\M{\<32>}{\Z\<38>}}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<32>\<83>}} & {\mm \X{\M{\<32>}{\<123>}}} & {\mm \X{\M{\<32>}{\<85>}}} & {\mm \X{\<32>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<33>}} && {\mm \X{\M{\<33>}{\<112>}}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\M{\<33>}{\Z\<23>}}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\M{\<33>}{\<89>}}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<33>\K{-.5}\<88>}} & {\mm \X{\M{\<33>}{\Z\<38>}}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<33>\<83>}} & {\mm \X{\M{\<33>}{\<126>}}} & {\mm \X{\M{\<33>}{\<85>}}} & {\mm \X{\<33>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<34>}} && {\mm \X{\M{\<34>}{\<112>}}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\M{\<34>}{\<89>}}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<34>\K{-.5}\<88>}} & {\mm \X{\M{\<34>}{\Z\<38>}}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<34>\<83>}} & {\mm \X{\M{\<34>}{\<126>}}} & {\mm \X{\M{\<34>}{\<85>}}} & {\mm \X{\<34>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<35>}} && {\mm \X{\M{\<35>}{\<112>}}} & {\mm \X{\<78>\<22>}} & {\mm \X{\<78>\<23>}} & {\mm \X{\<78>\<24>}} & {\mm \X{\<78>\<25>}}
+ & {\mm \X{\<78>\<26>}} & {\mm \X{\<78>\<27>}} & {\mm \X{\<78>\<28>}} & {\mm \X{\<78>\<29>}} & {\mm \X{\<78>\<30>}}
+ & {\mm \X{\<187>}} & {\mm \X{\M{\<35>}{\Z\<32>}}} & {\mm \X{\<188>}} & {\mm \X{\<78>\<34>}} & {\mm \X{\<241>}}
+ & {\mm \X{\<78>\<36>}} & {\mm \X{\<35>\K{-.5}\<88>}} & {\mm \X{\M{\<35>}{\Z\<38>}}} & {\mm \X{\<78>\<39>}} & {\mm \X{\<78>\<40>}}
+ & {\mm \X{\<78>\<42>}} & {\mm \X{\<78>\<43>}} & {\mm \X{\<78>\<44>}} & {\mm \X{\<78>\<45>}} & {\mm \X{\<78>\<46>}}
+ & {\mm \X{\<35>\<83>}} & {\mm \X{\M{\<35>}{\<127>}}} & {\mm \X{\M{\<35>}{\<85>}}} & {\mm \X{\<35>\K{-.5}\<86>}}
+ & {\mm \X{\<78>\<54>}} & {\mm \X{\<78>\<55>}} & {\mm \X{\<78>\<56>}}
+ & {\mm \X{\<78>\<57>}} & {\mm \X{\<78>\<51>}} & {\mm \X{\<78>\<52>}} & {\mm \X{\<78>\<49>}} \cr
+\noalign{\hrule}
+{\mm \X{\<36>}} && {\mm \X{\M{\<36>}{\<112>}}} & {\mm \X{\<81>\<22>}} & {\mm \X{\<81>\<23>}} & {\mm \X{\<81>\<24>}} & {\mm \X{\<81>\<25>}}
+ & {\mm \X{\<81>\<26>}} & {\mm \X{\<81>\<27>}} & {\mm \X{\<81>\<28>}} & {\mm \X{\<81>\<29>}} & {\mm \X{\<81>\<30>}}
+ & {\mm \X{\<81>\<31>}} & {\mm \X{\<81>\<32>}} & {\mm \X{\<81>\<33>}} & {\mm \X{\<81>\<34>}} & {\mm \X{\<81>\<35>}}
+ & {\mm \X{\<165>}} & {\mm \X{\<36>\K{-.5}\<88>}} & {\mm \X{\M{\<36>}{\Z\<38>}}} & {\mm \X{\<81>\<39>}} & {\mm \X{\<191>}}
+ & {\mm \X{\M{\<36>}{\Z\<42>}}} & {\mm \X{\<81>\<43>}} & {\mm \X{\<81>\<44>}} & {\mm \X{\<81>\<45>}} & {\mm \X{\<190>}}
+ & {\mm \X{\<36>\<83>}} & {\mm \X{\<205>}} & {\mm \X{\M{\<36>}{\<85>}}} & {\mm \X{\<36>\K{-.5}\<86>}}
+ & {\mm \X{\<81>\<54>}} & {\mm \X{\<81>\<55>}} & {\mm \X{\<221>}}
+ & {\mm \X{\<81>\<57>}} & {\mm \X{\<81>\<51>}} & {\mm \X{\<81>\<52>}} & {\mm \X{\<81>\<49>}} \cr
+{\mm \X{\<37>}} && {\mm \X{\M{\<37>}{\<112>}}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<37>\K{-.5}\<88>}} & {\mm \X{\M{\<37>}{\Z\<38>}}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<37>\<83>}} & {\mm \X{\M{\<37>}{\<84>}}} & {\mm \X{\M{\<37>}{\<85>}}} & {\mm \X{\<37>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<38>}} && {\mm \X{\M{\<38>}{\<112>}}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<38>\K{-.5}\<88>}} & {\mm \X{\<166>}} & {\mm \X{\<192>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<38>\<83>}} & {\mm \X{\<206>}} & {\mm \X{\M{\<38>}{\<85>}}} & {\mm \X{\<38>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<39>}} && {\mm \X{\M{\<39>}{\<112>}}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<39>\K{-.5}\<88>}} & {\mm \X{\M{\<39>}{\Z\<38>}}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<39>\<83>}} & {\mm \X{\<207>}} & {\mm \X{\M{\<39>}{\<85>}}} & {\mm \X{\<39>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<40>}} && {\mm \X{\M{\<40>}{\<112>}}} & {\mm \X{\<79>\<22>}} & {\mm \X{\<79>\<23>}} & {\mm \X{\<79>\<24>}} & {\mm \X{\<79>\<25>}}
+ & {\mm \X{\<79>\<26>}} & {\mm \X{\<79>\<27>}} & {\mm \X{\<79>\<28>}} & {\mm \X{\<79>\<29>}} & {\mm \X{\<79>\<30>}}
+ & {\mm \X{\<79>\<31>}} & {\mm \X{\<79>\<32>}} & {\mm \X{\<79>\<33>}} & {\mm \X{\<79>\<34>}} & {\mm \X{\<79>\<35>}}
+ & {\mm \X{\<194>}} & {\mm \X{\<40>\K{-.5}\<88>}} & {\mm \X{\<195>}} & {\mm \X{\<219>}} & {\mm \X{\<167>}}
+ & {\mm \X{\<220>}} & {\mm \X{\<79>\<43>}} & {\mm \X{\<79>\<44>}} & {\mm \X{\<79>\<45>}} & {\mm \X{\<193>}}
+ & {\mm \X{\<40>\<83>}} & {\mm \X{\<208>}} & {\mm \X{\M{\<40>}{\<85>}}} & {\mm \X{\<40>\K{-1.5}\<93>}}
+ & {\mm \X{\<79>\<54>}} & {\mm \X{\<79>\<55>}} & {\mm \X{\<79>\<56>}}
+ & {\mm \X{\<79>\<57>}} & {\mm \X{\<79>\<51>}} & {\mm \X{\<79>\<52>}} & {\mm \X{\<79>\<49>}} \cr
+\noalign{\hrule}
+{\mm \X{\<42>}} && {\mm \X{\M{\<42>}{\<112>}}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\M{\<42>}{\Z\<36>}}} & {\mm \X{\<42>\K{-.5}\<88>}} & {\mm \X{\M{\<42>}{\Z\<38>}}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\M{\<42>}{\Z\<40>}}}
+ & {\mm \X{\<242>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<42>\<83>}} & {\mm \X{\M{\<42>}{\<124>}}} & {\mm \X{\M{\<42>}{\<85>}}} & {\mm \X{\<42>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<43>}} && {\mm \X{\M{\<43>}{\<112>}}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<43>\K{-.5}\<88>}} & {\mm \X{\M{\<43>}{\Z\<38>}}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<43>\<83>}} & {\mm \X{\M{\<43>}{\<125>}}} & {\mm \X{\M{\<43>}{\<85>}}} & {\mm \X{\<43>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<44>}} && {\mm \X{\M{\<44>}{\<112>}}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<44>\K{-.5}\<88>}} & {\mm \X{\M{\<44>}{\Z\<38>}}} & {\mm \X{\M{\<44>}{\Z\<39>}}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\<248>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<44>\<83>}} & {\mm \X{\M{\<44>}{\<126>}}} & {\mm \X{\M{\<44>}{\<85>}}} & {\mm \X{\<44>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<45>}} && {\mm \X{\M{\<45>}{\<112>}}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\<196>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<45>\K{-.5}\<88>}} & {\mm \X{\M{\<45>}{\Z\<38>}}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<45>\<83>}} & {\mm \X{\<209>}} & {\mm \X{\M{\<45>}{\<85>}}} & {\mm \X{\<45>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<46>}} && {\mm \X{\M{\<46>}{\<112>}}} & {\mm \X{\<2>\<22>}} & {\mm \X{\<2>\<23>}} & {\mm \X{\<2>\<24>}} & {\mm \X{\<2>\<25>}}
+ & {\mm \X{\<2>\<26>}} & {\mm \X{\<2>\<27>}} & {\mm \X{\<2>\<28>}} & {\mm \X{\<2>\<29>}} & {\mm \X{\<2>\<30>}}
+ & {\mm \X{\<2>\<31>}} & {\mm \X{\<2>\<32>}} & {\mm \X{\<2>\<33>}} & {\mm \X{\<2>\<34>}} & {\mm \X{\<2>\<35>}}
+ & {\mm \X{\<2>\<36>}} & {\mm \X{\<46>\K{-.5}\<88>}} & {\mm \X{\M{\<46>}{\Z\<38>}}} & {\mm \X{\<2>\<39>}} & {\mm \X{\M{\<46>}{\Z\<40>}}}
+ & {\mm \X{\<220>}} & {\mm \X{\<2>\<43>}} & {\mm \X{\<2>\<44>}} & {\mm \X{\<2>\<45>}} & {\mm \X{\<46>\K{-.27}\<46>}}
+ & {\mm \X{\<46>\<83>}} & {\mm \X{\M{\<46>}{\<123>}}} & {\mm \X{\M{\<46>}{\<85>}}} & {\mm \X{\<46>\K{-.5}\<86>}}
+ & {\mm \X{\<2>\<54>}} & {\mm \X{\<2>\<55>}} & {\mm \X{\<2>\<56>}}
+ & {\mm \X{\<2>\<57>}} & {\mm \X{\<2>\<51>}} & {\mm \X{\<2>\<52>}} & {\mm \X{\<2>\<49>}} \cr
+\noalign{\hrule}
+{\mm \X{\<47>}} && {\mm \X{\M{\<47>}{\<112>}}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\M{\<47>}{\Z\<36>}}} & {\mm \X{\<47>\K{-.5}\<88>}} & {\mm \X{\M{\<47>}{\Z\<38>}}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<249>}} & {\mm \X{\M{\<47>}{\<84>}}} & {\mm \X{\M{\<47>}{\<85>}}} & {\mm \X{\<47>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<48>}} && {\mm \X{\T{\<76>}{\R{.8ex}{\<21>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<22>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<23>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<24>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<25>}}}}
+ & {\mm \X{\T{\<76>}{\R{.8ex}{\<26>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<27>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<28>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<29>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<30>}}}}
+ & {\mm \X{\T{\<76>}{\R{.8ex}{\<31>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<32>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<33>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<34>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<35>}}}}
+ & {\mm \X{\T{\<76>}{\R{.8ex}{\<36>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<37>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<38>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<39>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<40>}}}}
+ & {\mm \X{\T{\<76>}{\R{.8ex}{\<42>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<43>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<44>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<45>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<46>}}}}
+ & {\mm \X{\T{\<76>}{\R{.8ex}{\<47>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<48>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<50>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<53>}}}}
+ & {\mm \X{\T{\<76>}{\R{.8ex}{\<54>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<55>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<56>}}}}
+ & {\mm \X{\T{\<76>}{\R{.8ex}{\<57>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<51>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<52>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<49>}}}} \cr
+{\mm \X{\<50>}} && {\mm \X{\M{\<50>}{\<112>}}} & {\mm \X{\<81>\<22>}} & {\mm \X{\<81>\<23>}} & {\mm \X{\<81>\<24>}} & {\mm \X{\<81>\<25>}}
+ & {\mm \X{\<81>\<26>}} & {\mm \X{\<81>\<27>}} & {\mm \X{\<81>\<28>}} & {\mm \X{\<81>\<29>}} & {\mm \X{\<81>\<30>}}
+ & {\mm \X{\<81>\<31>}} & {\mm \X{\<81>\<32>}} & {\mm \X{\<81>\<33>}} & {\mm \X{\<81>\<34>}} & {\mm \X{\<81>\<35>}}
+ & {\mm \X{\<81>\<36>}} & {\mm \X{\<50>\K{-.5}\<88>}} & {\mm \X{\M{\<50>}{\Z\<38>}}} & {\mm \X{\<81>\<39>}} & {\mm \X{\<81>\<40>}}
+ & {\mm \X{\<81>\<42>}} & {\mm \X{\<81>\<43>}} & {\mm \X{\<81>\<44>}} & {\mm \X{\<81>\<45>}} & {\mm \X{\<81>\<46>}}
+ & {\mm \X{\<50>\<83>}} & {\mm \X{\M{\<50>}{\<84>}}} & {\mm \X{\M{\<50>}{\<85>}}} & {\mm \X{\<50>\K{-.5}\<86>}}
+ & {\mm \X{\<81>\<54>}} & {\mm \X{\<81>\<55>}} & {\mm \X{\<81>\<56>}}
+ & {\mm \X{\<81>\<57>}} & {\mm \X{\<81>\<51>}} & {\mm \X{\<81>\<52>}} & {\mm \X{\<81>\<49>}} \cr
+{\mm \X{\<53>}} && {\mm \X{\M{\<53>}{\<112>}}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<53>\K{-.5}\<88>}} & {\mm \X{\M{\<53>}{\Z\<38>}}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<53>\<83>}} & {\mm \X{\M{\<53>}{\<84>}}} & {\mm \X{\M{\<53>}{\<85>}}} & {\mm \X{\<250>}}
+ & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<49>}} \cr
+\noalign{\hrule}
+{\mm \X{\<54>}} && {\mm \X{\M{\<54>}{\<112>}}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\<197>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<54>\K{-.5}\<88>}} & {\mm \X{\M{\<54>}{\Z\<38>}}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<54>\<83>}} & {\mm \X{\<210>}} & {\mm \X{\M{\<54>}{\<85>}}} & {\mm \X{\<54>\K{-.5}\<86>}}
+ & {\mm \X{\<244>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<55>}} && {\mm \X{\M{\<55>}{\<112>}}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\M{\<55>}{\Z\<31>}}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\M{\<55>}{\Z\<35>}}}
+ & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<55>\K{-.5}\<88>}} & {\mm \X{\M{\<55>}{\Z\<38>}}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\M{\<55>}{\Z\<46>}}}
+ & {\mm \X{\<55>\<83>}} & {\mm \X{\M{\<55>}{\<125>}}} & {\mm \X{\M{\<55>}{\<85>}}} & {\mm \X{\<55>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<56>}} && {\mm \X{\M{\<56>}{\<112>}}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\M{\<56>}{\Z\<36>}}} & {\mm \X{\<56>\K{-.5}\<88>}} & {\mm \X{\M{\<56>}{\Z\<38>}}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\M{\<56>}{\Z\<46>}}}
+ & {\mm \X{\<56>\<83>}} & {\mm \X{\<211>}} & {\mm \X{\M{\<56>}{\<85>}}} & {\mm \X{\<56>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\<245>}}
+ & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<49>}} \cr
+\noalign{\hrule}
+{\mm \X{\<57>}} && {\mm \X{\M{\<57>}{\<112>}}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<57>\K{-.5}\<88>}} & {\mm \X{\M{\<57>}{\Z\<38>}}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\<199>}}
+ & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\<198>}}
+ & {\mm \X{\<57>\<83>}} & {\mm \X{\<212>}} & {\mm \X{\M{\<57>}{\<85>}}} & {\mm \X{\<57>\K{-1.5}\<93>}}
+ & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<51>}} && {\mm \X{\M{\<51>}{\<112>}}} & {\mm \X{\<82>\<22>}} & {\mm \X{\<82>\<23>}} & {\mm \X{\<82>\<24>}} & {\mm \X{\<82>\<25>}}
+ & {\mm \X{\<82>\<26>}} & {\mm \X{\<82>\<27>}} & {\mm \X{\<82>\<28>}} & {\mm \X{\<82>\<29>}} & {\mm \X{\<82>\<30>}}
+ & {\mm \X{\<82>\<31>}} & {\mm \X{\<82>\<32>}} & {\mm \X{\<82>\<33>}} & {\mm \X{\<82>\<34>}} & {\mm \X{\<82>\<35>}}
+ & {\mm \X{\<82>\<36>}} & {\mm \X{\<51>\K{-.5}\<88>}} & {\mm \X{\M{\<51>}{\Z\<38>}}} & {\mm \X{\<82>\<39>}} & {\mm \X{\<82>\<40>}}
+ & {\mm \X{\<82>\<42>}} & {\mm \X{\<82>\<43>}} & {\mm \X{\<82>\<44>}} & {\mm \X{\<82>\<45>}} & {\mm \X{\<82>\<46>}}
+ & {\mm \X{\<51>\<83>}} & {\mm \X{\M{\<51>}{\<84>}}} & {\mm \X{\M{\<51>}{\<85>}}} & {\mm \X{\<51>\K{-.5}\<86>}}
+ & {\mm \X{\<82>\<54>}} & {\mm \X{\<82>\<55>}} & {\mm \X{\<82>\<56>}}
+ & {\mm \X{\<82>\<57>}} & {\mm \X{\<51>\K{-.2}\<51>}} & {\mm \X{\<82>\<52>}} & {\mm \X{\<82>\<49>}} \cr
+{\mm \X{\<52>}} && {\mm \X{\M{\<52>}{\<112>}}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<52>\K{-.5}\<88>}} & {\mm \X{\M{\<52>}{\Z\<38>}}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<52>\<83>}} & {\mm \X{\M{\<52>}{\<84>}}} & {\mm \X{\M{\<52>}{\<85>}}} & {\mm \X{\<52>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<49>}} && {\mm \X{\M{\<49>}{\<112>}}} & {\mm \X{\<80>\<22>}} & {\mm \X{\<80>\<23>}} & {\mm \X{\<80>\<24>}} & {\mm \X{\<80>\<25>}}
+ & {\mm \X{\<80>\<26>}} & {\mm \X{\<80>\<27>}} & {\mm \X{\<80>\<28>}} & {\mm \X{\<80>\<29>}} & {\mm \X{\<80>\<30>}}
+ & {\mm \X{\<80>\<31>}} & {\mm \X{\<80>\<32>}} & {\mm \X{\<80>\<33>}} & {\mm \X{\<80>\<34>}} & {\mm \X{\<80>\<35>}}
+ & {\mm \X{\<80>\<36>}} & {\mm \X{\<49>\K{-.5}\<88>}} & {\mm \X{\M{\<49>}{\Z\<38>}}} & {\mm \X{\<80>\<39>}} & {\mm \X{\<80>\<40>}}
+ & {\mm \X{\<80>\<42>}} & {\mm \X{\<80>\<43>}} & {\mm \X{\<80>\<44>}} & {\mm \X{\<80>\<45>}} & {\mm \X{\<80>\<46>}}
+ & {\mm \X{\<49>\<83>}} & {\mm \X{\M{\<49>}{\<84>}}} & {\mm \X{\M{\<49>}{\<85>}}} & {\mm \X{\<49>\K{-.5}\<86>}}
+ & {\mm \X{\<80>\<54>}} & {\mm \X{\<80>\<55>}} & {\mm \X{\<80>\<56>}}
+ & {\mm \X{\<80>\<57>}} & {\mm \X{\<80>\<51>}} & {\mm \X{\<80>\<52>}} & {\mm \X{\<243>}} \cr
+}
+
+\bye
+
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmexp.mm b/Master/texmf-dist/doc/fonts/malayalam/article/mmexp.mm
new file mode 100644
index 00000000000..bd71bd5dab5
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmexp.mm
@@ -0,0 +1,57 @@
+% mmexp.mm --- Malayalam experimental font style samples
+% (c) 1993 Jeroen Hellingman
+% Last edit: 07-FEB-1993
+
+\input mmqmacs
+\input mmtrmacs
+\input mmxfont
+
+\font\logo=logo10
+\def\MF{{\logo METAFONT}}
+\parindent=0pt
+
+This file shows some more `experimental' settings of the parameters for
+\MF. You can define your own experimental fonts by copying one of the
+parameter files to your own file, and change the following parameters
+--~the values below come from {\tt mmc10.mf}:
+
+\bigskip
+
+{\tt\settabs\+font\_identifier := & 0.8333mm\#;andmore & \cr
+
+\+ht\# := & 1.667mm\#; & {\rm height of normal characters.}\cr
+\+u\# := & 0.8333mm\#; & {\rm unit width (0.5 ht).}\cr
+\+rm\# := & 0.5mm\#; & {\rm space inbetween characters.}\cr
+\+slant := & 0; & {\rm slant of characters.}\cr
+
+\medskip
+
+\+rot := & 45; & {\rm angle of pen.}\cr
+\+thick\# := & 0.75pt\#; & {\rm thickness of thickest lines.}\cr
+\+thin\# := & 0.333pt\#; & {\rm thickness of thinnest lines.}\cr
+\+subthick\# := & 0.550pt\#; & {\rm thickness of thickest lines in subscribed characters.}\cr
+
+\medskip
+
+\+font\_size := & 10pt\#; & {\rm font size as seen by \TeX.}\cr
+\+font\_identifier := & "MMC10"; & {\rm font identifier.}\cr
+}
+
+\bigskip
+
+{\parindent=-25pt\leftskip=25pt\overfullrule=0pt\raggedright
+{\xamm\mmcurrm Malayalam Experimental A 12pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+{\xbmm\mmcurrm Malayalam Experimental B 12pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+{\xcmm\mmcurrm Malayalam Experimental C 12pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+
+{\bigmmr\mmcurrm Malayalam Big 21pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+{\bigmmo\mmcurrm Malayalam Big Outline Shadow 21pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan\smallskip$}
+{\hugemmr\mmcurrm Malayalam Huge 36pt: $muunnu saMvatsaran"n"aL+>>kkakaM\smallskip$}
+}
+
+%%%%%% end of mmexp.txt
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmexp.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmexp.tex
new file mode 100644
index 00000000000..f9b2b3afde5
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmexp.tex
@@ -0,0 +1,53 @@
+
+\input mmqmacs
+\input mmtrmacs
+\input mmxfont
+
+\font\logo=logo10
+\def\MF{{\logo METAFONT}}
+\parindent=0pt
+
+This file shows some more `experimental' settings of the parameters for
+\MF. You can define your own experimental fonts by copying one of the
+parameter files to your own file, and change the following parameters
+--~the values below come from {\tt mmc10.mf}:
+
+\bigskip
+
+{\tt\settabs\+font\_identifier := & 0.8333mm\#;andmore & \cr
+
+\+ht\# := & 1.667mm\#; & {\rm height of normal characters.}\cr
+\+u\# := & 0.8333mm\#; & {\rm unit width (0.5 ht).}\cr
+\+rm\# := & 0.5mm\#; & {\rm space inbetween characters.}\cr
+\+slant := & 0; & {\rm slant of characters.}\cr
+
+\medskip
+
+\+rot := & 45; & {\rm angle of pen.}\cr
+\+thick\# := & 0.75pt\#; & {\rm thickness of thickest lines.}\cr
+\+thin\# := & 0.333pt\#; & {\rm thickness of thinnest lines.}\cr
+\+subthick\# := & 0.550pt\#; & {\rm thickness of thickest lines in subscribed characters.}\cr
+
+\medskip
+
+\+font\_size := & 10pt\#; & {\rm font size as seen by \TeX.}\cr
+\+font\_identifier := & "MMC10"; & {\rm font identifier.}\cr
+}
+
+\bigskip
+
+{\parindent=-25pt\leftskip=25pt\overfullrule=0pt\raggedright
+{\xamm\mmcurrm Malayalam Experimental A 12pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+{\xbmm\mmcurrm Malayalam Experimental B 12pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+{\xcmm\mmcurrm Malayalam Experimental C 12pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+
+{\bigmmr\mmcurrm Malayalam Big 21pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+{\bigmmo\mmcurrm Malayalam Big Outline Shadow 21pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>}\smallskip}}
+{\hugemmr\mmcurrm Malayalam Huge 36pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2>\smallskip}}
+}
+
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmfont.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmfont.tex
new file mode 100644
index 00000000000..51dd9f7cb3a
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmfont.tex
@@ -0,0 +1,99 @@
+% mmfont.tex -- load fonts for Malayalam TeX
+% copyright 1993 Jeroen Hellingman
+% last edit: 02-JAN-1993
+
+\ifx\mmfontsloaded\relax\endinput\else\let\mmfontsloaded=\relax\fi
+
+%%%%%% fonts
+
+\font\sixmmf=mm6 % Malayalam Regular 6pt
+\font\sixmmsf=mm6s % Malayalam Regular 6pt Subscript
+\font\sixrm=cmr6
+
+\font\eightmmf=mm8 % Malayalam Regular 8pt
+\font\eightmmsf=mm8s % Malayalam Regular 8pt Subscript
+
+\font\mmf=mm10 % Malayalam Regular 10pt
+\font\mmsf=mm10s % Malayalam Regular 10pt Subscript
+\font\mmbf=mmb10 % Malayalam Bold 10pt
+\font\mmbsf=mmb10s % Malayalam Bold 10pt Subscript
+\font\mmslf=mmsl10 % Malayalam Slanted 10pt
+\font\mmslsf=mmsl10s % Malayalam Slanted 10pt Subscript
+\font\mmcf=mmc10 % Malayalam Calligraphic Regular 10pt
+\font\mmcsf=mmc10s % Malayalam Calligraphic Regular 10pt Subscript
+\font\mmcbf=mmcb10 % Malayalam Calligraphic Bold 10pt
+\font\mmcbsf=mmcb10s % Malayalam Calligraphic Bold 10pt Subscript
+\font\mmcslf=mmcsl10 % Malayalam Calligraphic Slanted 10pt
+\font\mmcslsf=mmcsl10s % Malayalam Calligraphic Slanted 10pt Subscript
+
+\font\twelvemmf=mm12 % Malayalam Regular 12pt
+\font\twelvemmsf=mm12s % Malayalam Regular 12pt Subscript
+\font\twelvemmbf=mmb12 % Malayalam Bold 12pt
+\font\twelvemmbsf=mmb12s % Malayalam Bold 12pt Subscript
+\font\twelvemmslf=mmsl12 % Malayalam Slanted 12pt
+\font\twelvemmslsf=mmsl12s % Malayalam Slanted 12pt Subscript
+\font\twelvemmcf=mmc12 % Malayalam Calligraphic Regular 12pt
+\font\twelvemmcsf=mmc12s % Malayalam Calligraphic Regular 12pt Subscript
+\font\twelvemmcbf=mmcb12 % Malayalam Calligraphic Bold 12pt
+\font\twelvemmcbsf=mmcb12s % Malayalam Calligraphic Bold 12pt Subscript
+\font\twelvemmcslf=mmcsl12 % Malayalam Calligraphic Slanted 12pt
+\font\twelvemmcslsf=mmcsl12s % Malayalam Calligraphic Slanted 12pt Subscript
+\font\twelverm=cmr12
+\font\twelvebf=cmbx12
+\font\twelvesl=cmsl12
+
+\font\seventeenmmf=mm17 % Malayalam Regular 17pt
+\font\seventeenmmsf=mm17s % Malayalam Regular 17pt Subscript
+\font\seventeenmmcf=mmc17 % Malayalam Calligraphic Regular 17pt
+\font\seventeenmmcsf=mmc17s % Malayalam Calligraphic Regular 17pt Subscript
+\font\seventeenmmbf=mmb17 % Malayalam Bold 17pt
+\font\seventeenmmbsf=mmb17s % Malayalam Bold 17pt Subscript
+\font\seventeenmmcbf=mmcb17 % Malayalam Calligraphic Bold 17pt
+\font\seventeenmmcbsf=mmcb17s % Malayalam Calligraphic Bold 17pt Subscript
+\font\seventeenrm=cmr17
+\font\seventeenbf=cmbx12 at 17.28pt
+
+%%%%%% font-selection macros
+
+\def\sixmmr{\let\mmcurf=\sixmmf\let\mmcursf=\sixmmsf\let\mmcurrm=\sixrm
+ \mmcbls=7.8pt\ifmmmode\setmm\fi}
+
+\def\eightmmr{\let\mmcurf=\eightmmf\let\mmcursf=\eightmmsf\let\mmcurrm=\sevenrm
+ \mmcbls=10.5pt\ifmmmode\setmm\fi}
+
+\def\mmr{\let\mmcurf=\mmf\let\mmcursf=\mmsf\let\mmcurrm=\rm
+ \mmcbls=13pt\ifmmmode\setmm\fi}
+\def\mmsl{\let\mmcurf=\mmslf\let\mmcursf=\mmslsf\let\mmcurrm=\sl
+ \mmcbls=13pt\ifmmmode\setmm\fi}
+\def\mmb{\let\mmcurf=\mmbf\let\mmcursf=\mmbsf\let\mmcurrm=\bf
+ \mmcbls=13pt\ifmmmode\setmm\fi}
+\def\mmc{\let\mmcurf=\mmcf\let\mmcursf=\mmcsf\let\mmcurrm=\rm
+ \mmcbls=13pt\ifmmmode\setmm\fi}
+\def\mmcsl{\let\mmcurf=\mmcslf\let\mmcursf=\mmcslsf\let\mmcurrm=\sl
+ \mmcbls=13pt\ifmmmode\setmm\fi}
+\def\mmcb{\let\mmcurf=\mmcbf\let\mmcursf=\mmcbsf\let\mmcurrm=\bf
+ \mmcbls=13pt\ifmmmode\setmm\fi}
+
+\def\twelvemmr{\let\mmcurf=\twelvemmf\let\mmcursf=\twelvemmsf\let\mmcurrm=\twelverm
+ \mmcbls=15.6pt\ifmmmode\setmm\fi}
+\def\twelvemmsl{\let\mmcurf=\twelvemmslf\let\mmcursf=\twelvemmslsf\let\mmcurrm=\twelvesl
+ \mmcbls=15.6pt\ifmmmode\setmm\fi}
+\def\twelvemmb{\let\mmcurf=\twelvemmbf\let\mmcursf=\twelvemmbsf\let\mmcurrm=\twelvebf
+ \mmcbls=15.6pt\ifmmmode\setmm\fi}
+\def\twelvemmc{\let\mmcurf=\twelvemmcf\let\mmcursf=\twelvemmcsf\let\mmcurrm=\twelverm
+ \mmcbls=15.6pt\ifmmmode\setmm\fi}
+\def\twelvemmcsl{\let\mmcurf=\twelvemmcslf\let\mmcursf=\twelvemmcslsf\let\mmcurrm=\twelvesl
+ \mmcbls=15.6pt\ifmmmode\setmm\fi}
+\def\twelvemmcb{\let\mmcurf=\twelvemmcbf\let\mmcursf=\twelvemmcbsf\let\mmcurrm=\twelvebf
+ \mmcbls=15.6pt\ifmmmode\setmm\fi}
+
+\def\seventeenmmr{\let\mmcurf=\seventeenmmf\let\mmcursf=\seventeenmmsf\let\mmcurrm=\seventeenrm
+ \mmcbls=22.5pt\ifmmmode\setmm\fi}
+\def\seventeenmmc{\let\mmcurf=\seventeenmmcf\let\mmcursf=\seventeenmmcsf\let\mmcurrm=\seventeenrm
+ \mmcbls=22.5pt\ifmmmode\setmm\fi}
+\def\seventeenmmb{\let\mmcurf=\seventeenmmbf\let\mmcursf=\seventeenmmbsf\let\mmcurrm=\seventeenbf
+ \mmcbls=22.5pt\ifmmmode\setmm\fi}
+\def\seventeenmmcb{\let\mmcurf=\seventeenmmcbf\let\mmcursf=\seventeenmmcbsf\let\mmcurrm=\seventeenbf
+ \mmcbls=22.5pt\ifmmmode\setmm\fi}
+
+%%%%%% end of mmfont.tex
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmfuture.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmfuture.tex
new file mode 100644
index 00000000000..c253325e3d4
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmfuture.tex
@@ -0,0 +1,51 @@
+% mmfuture.tex
+% (c) 1992 Jeroen Hellingman
+% Last edit: 09-DEC-1992
+
+
+\beginsection On the future of \TeX
+
+Working on Malayalam-\TeX, I met with more and more limitations of
+\TeX, which needed ad-hoc solutions, that will not win an elegance
+price. It made me dream of a future \TeX-like system, that would
+incorporate all scripts in a more elegant way. Several people have
+made suggestions on the future of \TeX, but most of them, again,
+focussed on the Western languages. I think a transistion to the
+emerging 16-bit Unicode (ISO 10646) standard will be the most natural
+next step.
+
+\TeX\ was orignally designed for two `scripts', English and
+Mathematics, and it does a very good job of typesetting both of them,
+but one gets in problems when one tries to typeset another script with
+it, for example Malayalam, or one of the various other scripts in use
+for writing the spoken languages of the world, or to name the most
+difficult of all, typesetting music. A future-\TeX\ should be build up
+in some modular manner, so that other scripts can be added more
+easily.
+
+Apart from being a typesetting system, \TeX\ is a fullfledged
+programming language, but a horrible ackward one. As Frank Mittelbach,
+suggested, it would be nice to replace it with a more conventional
+one, although his suggestion to use lisp fills me with new horrors. I
+think a more modern functional language like miranda would be a much
+candidate. A functional language with some very basic functions needed
+for typesetting would be a good kernel in my eyes. All logic needed
+for typesetting a script could then be coded in the language itself,
+instead of being hardwired into the system.
+
+Adding a new script would then be as easy as designing a font for the
+script (A difficult enough task in itself) and writing the logic for
+composing the script from a character-stream, which then could be
+loaded into the system.
+
+An anochronism that has annoyed me more and more when I started making
+several variants and sizes of my font is the use of bitmaps, with took
+up more and more space on my harddisk.
+
+I would propose to join the powers of \TeX\ and \MF into one program,
+that use the speak the same language, so that one can have direct
+access to character-programs, to create the letter in the size and
+style wanted at the a certain moment.
+
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmguide.mm b/Master/texmf-dist/doc/fonts/malayalam/article/mmguide.mm
new file mode 100644
index 00000000000..9bb4c194525
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmguide.mm
@@ -0,0 +1,511 @@
+% mmguide.mm -- Malayalam-\TeX\ user guide
+% Copyright 1993, 1994, 1995 Jeroen Hellingman
+%
+% pre-process this file using mltr
+%
+% History
+% 04-MAY-1998 Updated transcription (JH)
+% 23-NOV-1995 Updated for new transcription scheme (JH)
+% 22-JAN-1994 Last edit (JH)
+% 22-JAN-1994 Added instruction for getting cillu/virama variants (JH)
+
+\def\editdate{4 May 1998}
+
+\input mmmacs
+\input mmtrmacs
+
+\parindent=0pt
+\def\@{@}
+
+\def\today{\number\day\space\ifcase\month\or January\or February\or March\or April\or May\or
+ June\or July\or August\or September\or October\or November\or December\fi
+ \space\number\year}
+
+\def\MT{Malayalam-\TeX}
+
+\headline={{\hfil \it \MT\ v1.6 User's Guide}}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\beginsection {\twelvebf Introduction}
+
+\MT\ is a package to typeset Malayalam with
+\TeX\footnote*{\MT\ will work only with \TeX3.0 or later
+versions of \TeX.}. It can be used to typeset in both
+the traditional and reformed script. The complete package
+includes a pre-processor and fonts in various styles (regular, bold,
+slanted, calligraphic) and various sizes.
+
+Malayalam Text
+is entered in an easily adaptable ASCII transcription.
+This text is then converted to commands for \TeX\ to typeset
+the Malayalam by a pre-processor, which takes care of applying the
+correct conjunct letters and placing the vowel signs on the right position.
+The same ASCII transcription can also be used to derive scientific
+transcription of the text, which will save scholars lots of time
+spend in typing the macros for accented letters themselves.
+
+This document assumes a working knowledge of \TeX, and will not
+try to explain things already explained in the \TeX-book. It
+can roughly be divided in three parts. The first part explains how to
+use \MT\ in a standard fashion. The second part goes deeper
+into the internals, so that you are able to change the behaviour of
+\MT. This part can be skipped if you are happy with the
+standard settings. Some appendices complete this manual.
+
+\vfill\eject
+\beginsection {\twelvebf Preparing Your Document}
+
+When you want to use \MT, all you have to do is say
+
+\medskip
+{\tt\bslash input mmmacs}
+\medskip
+
+somewhere near the beginning of your document, before the first
+occurrence of Malayalam text, and have the file {\tt mmmacs.tex} in
+a directory where it can be found by \TeX. This file will load the
+fonts and define the commands necessary. After this, you can use the
+commands as described below.
+
+\beginsection How To Type Malayalam
+
+Since on most computers it is impossible to enter Malayalam directly,
+Malayalam text needs to be entered in transcription. Traditionally,
+Western scholars have used a transcription with various accents, like
+$$.d$$, $$sh$$ or~$$zh$$ to represent Malayalam characters, but even
+these cannot be reproduced on most computers. To solve this
+problem, \MT\ uses a
+transcription that only uses the characters of the standard
+ASCII character set.
+
+The following table shows the character(s) you have to type in order
+to produce a Malayalam character. The third column shows the
+scientific transcription of each character.
+
+\bigskip
+\input mmtrans
+\bigskip
+
+Malayalam text can only be entered when in {\it Malayalam mode}.
+Malayalam mode starts and ends with a {\tt\dollar}-sign.
+
+Punctuation marks can be typed in Malayalam the same way as in English.
+They will show up as expected. A nice ornamental star
+\ornstar\ can be produced with {\tt\bslash ornstar}.
+
+Figures in Malayalam mode will appear as
+European figures. If you want Malayalam figures, you will have to
+say {\tt\bslash mmfigures} first. After that {\tt 1234567890} will
+appear as $\mmfigures 1234567890\rmfigures$. To switch back to
+European figures, say {\tt\bslash rmfigures}.
+
+More precise control over the formation of ligatures can be reached with
+the characters {\tt >>} and {\tt<<}. {\tt >>} will
+prevent the formation of a ligature, and a virama will be used between
+the consonants instead. {\tt<<} will force the
+pre-processor to use the secondary variant for the following
+character. This can be used to show vowel-signs or secondary letters
+on themselves. {\tt []} will produce a dotted circle $[]$, to make
+tables like the above, and, last but not least, {\tt >} will
+disambiguate the transcription if needed.
+
+The cillu letters ($k, .n, t, n$, and $r$) will be
+used automatically at the end of words, as well as anusvaram ($m$).
+If a full letter with candrakala is desired, you should
+place {\tt <<+} after the final letter, e.g. {\tt t<<+} yields
+$t<<+$ and {\tt m<<+} yields $m<<+$.
+
+The usage of the {\tt\dollar}-sign by \MT\ overrides its normal
+meaning in
+\TeX. To enter and leave normal math-mode, you will have to type
+{\tt\bslash math}, for display math you just say {\tt\bslash Math}.
+The \dollar-sign itself is produced by {\tt\bslash dollar}.
+
+\beginsection Malayalam transcription
+
+Malayalam Text can also be printed in scientific transcription.
+When you want a Malayalam passage to appear in scientific
+transcription, you have to switch to {\it Malayalam-transcription
+mode}, which is started and ended with {\tt\dollar\dollar}. The
+transcription used follows, but for a few exceptions, the
+standardized transcription of the National Library in Calcutta.
+
+If you want to use a capital letter in Malayalam-transcription mode,
+you can precede the letter with a {\tt\char"5E}. This will be ignored
+in Malayalam mode. If the need may arise to typeset a whole passage
+of transcribed Malayalam in capital letters, the trick can be done
+by enclosing it between {\tt\char"5E\char"5E} and
+{\tt\char"5E\char"5E}.
+
+\beginsection Choosing Fonts
+
+With \MT\ you can use, as in English, several font-styles:
+regular, {\sl slanted}, and {\bf bold}. There is no {\it italic},
+since italic fonts, which have a different design are unknown in
+Malayalam typography, but the font is available in two flavours, the
+normal style, using the same line thickness every where in the
+character, and a `calligraphic' version, which shows differences in
+line thickness in the character, as if it was written with a
+calligraphic pen. Of course, the fonts are provided in several sizes:
+6, 8, 10, 12, and 17~points high.
+
+Every style and size is given a macro, which you have to enter to use
+a certain style and size. For example, if you want to use 12pt
+Malayalam calligraphic slanted, you say {\tt\bslash twelvemmcsl}. If
+you use it in normal mode, the font-change will be in effect the next
+time you switch to Malayalam mode, in Malayalam mode, it works
+immediately.
+
+Available fonts are:
+
+{\bigskip\tt\def\\{\bslash}
+\settabs6\columns
+\+\\sixmmr & \\eightmmr \cr
+\+\\mmr & \\mmsl & \\mmb & \\mmc & \\mmcsl & \\mmcb \cr
+\+\\twelvemmr & \\twelvemmsl & \\twelvemmb & \\twelvemmc &\\twelvemmcsl & \\twelvemmcb \cr
+\+\\seventeenmmr& \\seventeenmmb& \\seventeenmmc& \\seventeenmmcb\cr
+}\bigskip
+
+A sample of each font-style appears in the Appendix.
+
+\beginsection {\twelvebf Using the Pre-Processor}
+
+When you have finished typing (a part of) your document, you cannot
+feed it to \TeX\ immediately. First you have to run it trough the
+pre-processor, which will replace the Malayalam in transcription you
+entered with instructions for \TeX\ to typeset the correct glyphs. The
+pre-processor takes care of placing the vowel-signs around
+consonants, and using the correct conjuncts for consonants without
+intervening vowels.
+
+To pre-process you document, you type:
+\medskip
+{\tt ml} {\it input-file output-file}
+\medskip
+This will process the file for traditional script. If you want to use
+the nowadays normal reformed script, say:
+\medskip
+{\tt mlr} {\it input-file output-file}
+\medskip
+
+Actually, the commands {\tt ml} and {\tt mlr} are two small command
+files, which call two programs with various parameters that do the
+actual pre-processing. The first is called {\tt patc}, which takes
+care of Malayalam-transcription mode, the second is {\tt mm} which
+task it is to do the contextual analysis for the Malayalam script.
+If you don't use Malayalam transcription in your document, you can
+run only {\tt mm} to save some time.
+
+\beginsection {\twelvebf Advanced Topics}
+
+This part of this guide explains how to use the components of
+\MT\ separately, and how to modify its tables, for
+example to change the transcription it understands, or to change the
+way it composes conjuncts. It should be read carefully, and care
+should be taken when you tamper with the tables, since several tables
+depend on each other in delicate ways. If you want to change the
+transcription only, the best way is to use Patc to translate your
+transcription to the standard transcription. To show you how this
+can be accomplished, I have include the file {\tt ack.pat}, that
+translates the transcription used on the {\tt alt.culture.kerala} newsgroup
+to the transcription used with {\tt mm}, assuming that Malayalam text
+is delimited with {\tt\dollar} in the source already (If they are
+missing, you should place them manually; it is a non-trivial
+task to have a computer automatically recognize Malayalam passages in
+English text). With this file, you can convert texts in this
+transcription by giving the command:
+
+\medskip
+{\tt patc -p ack.pat {\it input-file output-file}}
+\medskip
+
+\beginsection Patc
+
+Patc is a program that can translate patterns occurring in a input file
+to other patterns in the output file. It is fully table driven, and
+both the patterns it reads as well as those it outputs are defined in
+tables or {\it pattern-files}. It is an ideal tool to switch from one
+transcription scheme to another. Within the \MT\ package it
+is used to translate the easy-to-type transcription of Malayalam I
+adopted into a sequence of \TeX-commands that will produce scientific
+transcription. The transcription it reads and the commands it outputs
+are given in a pattern-file called {\tt mm.pat}.
+
+Patc should be called as follows:
+
+\medskip
+{\tt patc [-v] -p {\it pattern-file input-file output-file}}
+\medskip
+
+The {\tt -v} option tells {\tt patc} to be verbose, and the {\tt -p}
+option tells it that the next parameter given is the name of a
+pattern file. The last two
+parameters tells it to read from {\it input-file} and to write to
+{\it output-file}. The actual format of a pattern-file
+is described in the documentation that comes with {\tt patc}. (Read
+this first, the following sections assume knowledge of its contents)
+
+\beginsection mm
+
+{\tt mm} is the `actual' pre-processor, it translates the Roman transcription into Malayalam
+script. It uses the correct shapes for vowels depending on whether they
+appear initially or after a consonant, and selects the correct
+conjuncts. This program, too, is table driven.
+
+{\tt mm} is called by:
+
+\medskip
+{\tt mm [-{\it option}] [-t {\it transcription-file}] [-s {\it script-file}] {\it input-file} [{\it output-file}]}
+\medskip
+
+Available options are {\tt-v}, {\tt-V}, and {\tt-h}.
+The {\tt -v} option tells {\tt mm} to be verbose, if given,
+the pre-processor will inform you about files read.
+if you give the {\tt-V} option instead, it will also print
+a~{\tt.}~for every syllable output, and a {\tt+} every time it is forced
+to use a virama instead of a conjunct. When {\tt-h} is given, {\tt mm}
+will do nothing but print a help message.
+
+The {\tt-t} option tells {\tt mm} to read the {\it transcription definition} from
+the file given in the next parameter. The transcription definition defines which
+Roman characters are used to transcribe Malayalam characters. If it is omitted,
+{\tt mm} will use {\tt mmr.trs}.
+The {\tt-s} option tells {\tt mm} to read the {\it script definition} from the
+file given in the next parameter. The script definition defines which glyphs from the
+font are to be used to represent Malayalam characters in various
+contexts. If it is omitted, {\tt mm} will use {\tt mmr.scr}, which
+defines reformed script.
+
+The last two parameters tell {\tt mm} where to read its input from and
+where to put its output. Default, the name of the input file ends with
+{\tt.mm} and the name of the output file with {\tt.tex}.
+If the name of the output file is omitted, {\tt mm}
+will construct it from the input file name by replacing the extension
+of it with {\tt.tex}.
+
+{\tt mm} will look for it's transcription and script files in the
+current directory first, and then in the directory pointed at by the
+environment variable {\tt MMDIR}.
+
+\beginsection Transcription Files
+
+As stated above, a transcription definition tells the preprocessor
+how to interprete an input-file. It not only tells it which sequence
+of Roman characters stands for which Malayalam characters, but also how to
+separate Malayalam text from English text, which the pre-processor
+should leave untouched, and also tells the pre-processor how to
+recognize \TeX-commands (in a limited way) and comments --~which it
+strips from the input-file.
+
+A transcription definition is given in a {\it transcription file}.
+The general structure of a transcription file is the same as that of a patc
+file. Inside a transcription file, the following {\tt\@}-commands can
+occur: {\tt\@atbegin}, {\tt\@atend}, {\tt\@table}, and {\tt\@end}.
+
+{\tt\@atbegin} defines which patterns will start
+and {\tt\@atend} defines which patterns that will end Malayalam mode.
+You can give several patterns, in double quotes, on the same line as the
+command is. A quick glance in {\tt mm.trs} will learn you that, apart
+from the {\tt\dollar}-sign, you can also use
+{\tt<{}malayalam>} to start Malayalam and {\tt<{}/malayalam>} to end it.
+Further, {\tt<{}mlr>} and {\tt<{}/mlr>} are provided to
+delimit reformed script, while {\tt<{}ml>} and
+{\tt<{}/ml>} delimit traditional script, so that you can use both
+in the same document, in which case you will have to run the pre-processor
+twice on the input-file. These delimiters are provided, in case
+you want to be more clear about the language used, or want to use the
+{\tt\dollar}-sign for some other purpose. Imagine writing a book about
+the relationships between Dravidian languages, in which most of the
+examples are from Tamil, I guess you would prefer to reserve the
+{\tt\dollar}-signs for Tamil then (but in that case you will have to
+remove them in the current transcription files).
+
+{\tt\@table} starts the table of patterns that are used for
+transcribing Malayalam characters. Each following non-empty line until
+the next {\tt\@}-command is considered to be an entry in the table. The
+format is basically the same as that of the {\tt\@patterns}-tables of
+patc, but you may not use pattern-set switching, and an extra action,
+{\tt=} is added. This action maps a transcription pattern to an
+internal code. Extreme care is required when changing these codes,
+since they are hardwired into the pre-processor, that knows that some
+of them are consonants, and others vowels, and uses that knowledge to
+perform its task. Also, the same codes are used in the script
+definition to identify characters. The codes should match in
+the transcription-table, internally in the pre-processor and in the
+script-file.
+
+Finally, {\tt\@end} tells the preprocessor the transcription file has
+ended. It will not try the parse the rest, but close immediately after
+reading this command. If a file ends before the {\tt\@end} command is
+seen, the pre-processor will complain, but that is nothing to bother
+about.
+
+\beginsection Script Files
+
+A script files contain a script-definition. A script definition tells the
+pre-processor how to place graphical elements to represent a string of
+characters. Because the output of the pre-processor is fed to \TeX\
+for actual typesetting, the script file contains \TeX-commands to
+typeset those graphical elements, to place them on top or below of
+another, etc. The general structure of a script file is the same as
+that of a transcription file, but, since scripts can be quite
+complicated, it can (and will) contain much more commands. In a script
+file you will find the following commands: {\tt \@malayalam,
+\@atbegin, \@atend, \@atbeginsyllabe, \@atendsyllabe, \@prebuild,
+\@primary, \@secondary, \@reepham{\rm, and} \@end}.
+
+The {\tt\@malayalam} command tells the pre-processor that it is
+dealing with Malayalam script. It must be given as the first command
+in a script file. At this time the pre-processor does not understand
+any other script, but if it will in future, it will be functional,
+since pre-processor needs to know which script it is dealing with,
+since not all peculiarities of Malayalam script are expressed in
+general mechanisms defined in a script file.
+
+{\tt\@atbegin} defines the sequence that is output every time the
+pre-processor enters Malayalam mode. At this time the file {\tt
+mm.scr} it contains a begingroup brace and a \TeX-command that selects
+the current Malayalam font.
+
+{\tt\@atend} defines the sequence that is output every time the
+pre-processor leaves Malayalam mode, currently only a endgroup brace.
+
+{\tt\@atbeginsyllabe} and {\tt @atendsyllabe} define the sequences
+that are output at the begin respectively the end of every syllable. In
+{\tt mm.scr} you will find commands that make a separate h-box of
+every syllable.
+
+{\tt\@prebuild} starts a table that defines a sequence of
+\TeX-commands for each character and for sequences of characters for
+which the general construction method will fail. Each non-empty line
+of the table describes how to typeset a sequence of one or more
+characters. The first element of the line is the character sequence in
+the character string, the second element the sequence of \TeX-commands
+that will produce its graphical representation. If the pre-processor
+encounters a single character for which no way of typesetting it is
+given in this table, it will complain, and forget the character.
+
+{\tt\@primary} starts a table that defines the \TeX-commands for each
+character and for sequences of characters when they occur at the start
+of a syllable. Every entry in this table contains three elements. The
+first is the character-sequence, the second the \TeX-commands that
+will be placed in front of the syllable, the third the \TeX-commands
+that will be placed after it. In {\tt mm.scr} this table is very
+short, since Malayalam script does not modify the first letters of a
+syllable (as in Devanagari), but the last ones. The only entry
+describes the reepham character.
+
+{\tt\@secondary} starts a table that defines the \TeX-commands for each
+character and for sequences of characters when they occur at the end
+of a syllable. The table has the same format as the {\tt\@primary}
+table, but in {\tt mm.scr} it is much longer, since it defines the
+glyphs for all the vowel-signs, and for the secondary variants of
+$ya$, $ra$, $la$, and $va$.
+
+{\tt\@reepham} tells the pre-processor that a traditional style
+reepham is used: a little upright stroke centered above the
+consonant (cluster). This command is needed because otherwise, the
+pre-processor will center the reepham, incorrectly, above the whole
+syllable.
+
+\beginsection Macros defined by \MT
+
+The traditional Malayalam script is so complicated, that it was impossible
+to fit all needed glyphs into a single \TeX-font. Therefore, a Malayalam
+font consists of two physical fonts, one with characters at normal size,
+called the {\it base-font}, and
+one with smaller sized characters, called the {\it sub-font}, that can be
+used to build conjunct characters on the fly.
+
+One can be tempted to use a normal font for a smaller size for this purpose,
+but that wouldn't work out as nice, since smaller sized fonts are
+normally also drawn with thinner lines, while the sub-font is drawn with
+exactly the same pen as the base-font --~and also some other parameters
+are set in such a way that composing conjuncts will work fine.
+
+The pre-processor uses a macro ({\tt\bslash Z}) to switch to the sub-font,
+if a glyph from that font is needed. It is not aware of the current style used.
+This means that {\tt\bslash Z} has to be redefined to select the correct
+sub-font, depending on current style. This is done behind the scenes when
+you select a font style.
+
+The macro that selects a font style, sets the base-font, the sub-font, and
+a corresponding roman font from with several punctuation marks are borrowed, and,
+when in Malayalam mode, makes the base-font current, otherwise the base-font
+is made current when Malayalam mode is entered.
+For a font styles in Malayalam three fonts need to be loaded in as follows:
+
+\bigskip
+
+\settabs\+{\tt XfontXtwelvemmfXmm12sXXXXXXX}&second\cr
+{\def\\{\bslash}
+\+{\tt\\font\\twelvemmf=mm12} & load the base-font\cr
+\+{\tt\\font\\twelvemmsf=mmz12} & load the sub-font\cr
+\+{\tt\\font\\twelverm=cmr12} & load the roman font for punctuation marks\cr
+}
+
+\bigskip
+
+An example of a macro to select a style is
+
+\bigskip
+
+{\def\\{\bslash}\def\{{\char"7B}\def\}{\char"7D}\def\perc{\char"25}\tt
+\+\\def\\twelvemmr\{\perc & {\rm to select {\tt\\twelvemmr}:} \cr
+\+\quad\\let\\mmcurf=\\twelvemmf & {\rm define the current base-font,} \cr
+\+\quad\\let\\mmcursf=\\twelvemmsf & {\rm define the current sub-font,} \cr
+\+\quad\\let\\mmcurrm=\\twelverm & {\rm define the current roman font,}\cr
+\+\quad\\mmcbls=15.6pt & {\rm set the current baselineskip,} \cr
+\+\quad\\ifmmmode\\setmm\\fi\} & {\rm and if we are in Malayalam mode select it.}\cr
+}
+
+\bigskip
+
+If you wish to include more styles, you should define new font selection
+macro's following this example. The baselineskip should be larger than
+for roman text, since Malayalam script tends to have taller characters.
+
+\bigskip
+
+The \TeX-macros given in {\tt mm.scr} to compose glyphs are all
+one-letter macros.
+They are defined in the file {\tt mmmacs.tex}. Care is taken that they
+do not redefine standard \TeX\ macros, and you should not redefine
+them in your document. They are the following:
+
+\bigskip
+
+{\tt\bslash<\#1>}: typeset glyph number {\tt\#1} from the current font.
+
+{\tt\bslash B\#1\#2}: put {\tt\#2} centered below {\tt\#1}. This is used,
+for example, to build <ml>zhu</ml> from <ml>zha</ml> and
+<ml>{}<<u</ml> in traditional script.
+
+{\tt\bslash M\#1\#2}: put {\tt\#2} right below {\tt\#1}. This is used to
+build, for example, to build $pla$ from $pa$ and ${}<<la$. Note that if the subscribed character is
+wider than the character it is subscribed to, the width of the resulting box
+will be adjusted. This happens when <ml>pra</ml> is build from <ml>pa</ml>
+and <ml>{}<<ra</ml>.
+
+{\tt\bslash T\#1\#2}: put {\tt\#1} centered on top of {\tt\#2}. This is
+used to position the reepham stroke in traditional script.
+
+{\tt\bslash Z}: switch to the subfont, the font that contains the
+somewhat smaller glyphs that are subscribed to characters.
+
+{\tt\bslash R\#1\#2}: decrease the height of box {\tt\#2} by {\tt\#1}.
+
+{\tt\bslash K\#1}: kern {\tt\#1} em.
+
+{\tt\bslash X\#1}: equivalent to {\tt\bslash hbox\#1}.
+
+%%%%%%%
+
+\input tamil.tex
+
+\input dng.tex
+
+\bye
+
+%%%%%% end of mmguide.txt
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmguide.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmguide.tex
new file mode 100644
index 00000000000..5e582135f91
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmguide.tex
@@ -0,0 +1,498 @@
+
+\def\editdate{4 May 1998}
+
+\input mmmacs
+\input mmtrmacs
+
+\parindent=0pt
+\def\@{@}
+
+\def\today{\number\day\space\ifcase\month\or January\or February\or March\or April\or May\or
+ June\or July\or August\or September\or October\or November\or December\fi
+ \space\number\year}
+
+\def\MT{Malayalam-\TeX}
+
+\headline={{\hfil \it \MT\ v1.6 User's Guide}}
+
+
+\beginsection {\twelvebf Introduction}
+
+\MT\ is a package to typeset Malayalam with
+\TeX\footnote*{\MT\ will work only with \TeX3.0 or later
+versions of \TeX.}. It can be used to typeset in both
+the traditional and reformed script. The complete package
+includes a pre-processor and fonts in various styles (regular, bold,
+slanted, calligraphic) and various sizes.
+
+Malayalam Text
+is entered in an easily adaptable ASCII transcription.
+This text is then converted to commands for \TeX\ to typeset
+the Malayalam by a pre-processor, which takes care of applying the
+correct conjunct letters and placing the vowel signs on the right position.
+The same ASCII transcription can also be used to derive scientific
+transcription of the text, which will save scholars lots of time
+spend in typing the macros for accented letters themselves.
+
+This document assumes a working knowledge of \TeX, and will not
+try to explain things already explained in the \TeX-book. It
+can roughly be divided in three parts. The first part explains how to
+use \MT\ in a standard fashion. The second part goes deeper
+into the internals, so that you are able to change the behaviour of
+\MT. This part can be skipped if you are happy with the
+standard settings. Some appendices complete this manual.
+
+\vfill\eject
+\beginsection {\twelvebf Preparing Your Document}
+
+When you want to use \MT, all you have to do is say
+
+\medskip
+{\tt\bslash input mmmacs}
+\medskip
+
+somewhere near the beginning of your document, before the first
+occurrence of Malayalam text, and have the file {\tt mmmacs.tex} in
+a directory where it can be found by \TeX. This file will load the
+fonts and define the commands necessary. After this, you can use the
+commands as described below.
+
+\beginsection How To Type Malayalam
+
+Since on most computers it is impossible to enter Malayalam directly,
+Malayalam text needs to be entered in transcription. Traditionally,
+Western scholars have used a transcription with various accents, like
+{\mmtr \d d}, {\mmtr \'s} or~{\mmtr \b z} to represent Malayalam characters, but even
+these cannot be reproduced on most computers. To solve this
+problem, \MT\ uses a
+transcription that only uses the characters of the standard
+ASCII character set.
+
+The following table shows the character(s) you have to type in order
+to produce a Malayalam character. The third column shows the
+scientific transcription of each character.
+
+\bigskip
+\input mmtrans
+\bigskip
+
+Malayalam text can only be entered when in {\it Malayalam mode}.
+Malayalam mode starts and ends with a {\tt\dollar}-sign.
+
+Punctuation marks can be typed in Malayalam the same way as in English.
+They will show up as expected. A nice ornamental star
+\ornstar\ can be produced with {\tt\bslash ornstar}.
+
+Figures in Malayalam mode will appear as
+European figures. If you want Malayalam figures, you will have to
+say {\tt\bslash mmfigures} first. After that {\tt 1234567890} will
+appear as {\mm \mmfigures {\mmone}{\mmtwo}{\mmthree}{\mmfour}{\mmfive}{\mmsix}{\mmseven}{\mmeight}{\mmnine}{\mmzero}\rmfigures}. To switch back to
+European figures, say {\tt\bslash rmfigures}.
+
+More precise control over the formation of ligatures can be reached with
+the characters {\tt >>} and {\tt<<}. {\tt >>} will
+prevent the formation of a ligature, and a virama will be used between
+the consonants instead. {\tt<<} will force the
+pre-processor to use the secondary variant for the following
+character. This can be used to show vowel-signs or secondary letters
+on themselves. {\tt []} will produce a dotted circle {\mm \<00>}, to make
+tables like the above, and, last but not least, {\tt >} will
+disambiguate the transcription if needed.
+
+The cillu letters ({\mm \X{\mmV{\<21>}}{\RMF,} \X{\<78>}{\RMF,} \X{\<81>}{\RMF,} \X{\<79>}}, and {\mm \X{\<80>}}) will be
+used automatically at the end of words, as well as anusvaram ({\mm \X{\<2>}}).
+If a full letter with candrakala is desired, you should
+place {\tt <<+} after the final letter, e.g. {\tt t<<+} yields
+{\mm \X{\mmV{\<36>}}} and {\tt m<<+} yields {\mm \X{\mmV{\<46>}}}.
+
+The usage of the {\tt\dollar}-sign by \MT\ overrides its normal
+meaning in
+\TeX. To enter and leave normal math-mode, you will have to type
+{\tt\bslash math}, for display math you just say {\tt\bslash Math}.
+The \dollar-sign itself is produced by {\tt\bslash dollar}.
+
+\beginsection Malayalam transcription
+
+Malayalam Text can also be printed in scientific transcription.
+When you want a Malayalam passage to appear in scientific
+transcription, you have to switch to {\it Malayalam-transcription
+mode}, which is started and ended with {\tt\dollar\dollar}. The
+transcription used follows, but for a few exceptions, the
+standardized transcription of the National Library in Calcutta.
+
+If you want to use a capital letter in Malayalam-transcription mode,
+you can precede the letter with a {\tt\char"5E}. This will be ignored
+in Malayalam mode. If the need may arise to typeset a whole passage
+of transcribed Malayalam in capital letters, the trick can be done
+by enclosing it between {\tt\char"5E\char"5E} and
+{\tt\char"5E\char"5E}.
+
+\beginsection Choosing Fonts
+
+With \MT\ you can use, as in English, several font-styles:
+regular, {\sl slanted}, and {\bf bold}. There is no {\it italic},
+since italic fonts, which have a different design are unknown in
+Malayalam typography, but the font is available in two flavours, the
+normal style, using the same line thickness every where in the
+character, and a `calligraphic' version, which shows differences in
+line thickness in the character, as if it was written with a
+calligraphic pen. Of course, the fonts are provided in several sizes:
+6, 8, 10, 12, and 17~points high.
+
+Every style and size is given a macro, which you have to enter to use
+a certain style and size. For example, if you want to use 12pt
+Malayalam calligraphic slanted, you say {\tt\bslash twelvemmcsl}. If
+you use it in normal mode, the font-change will be in effect the next
+time you switch to Malayalam mode, in Malayalam mode, it works
+immediately.
+
+Available fonts are:
+
+{\bigskip\tt\def\\{\bslash}
+\settabs6\columns
+\+\\sixmmr & \\eightmmr \cr
+\+\\mmr & \\mmsl & \\mmb & \\mmc & \\mmcsl & \\mmcb \cr
+\+\\twelvemmr & \\twelvemmsl & \\twelvemmb & \\twelvemmc &\\twelvemmcsl & \\twelvemmcb \cr
+\+\\seventeenmmr& \\seventeenmmb& \\seventeenmmc& \\seventeenmmcb\cr
+}\bigskip
+
+A sample of each font-style appears in the Appendix.
+
+\beginsection {\twelvebf Using the Pre-Processor}
+
+When you have finished typing (a part of) your document, you cannot
+feed it to \TeX\ immediately. First you have to run it trough the
+pre-processor, which will replace the Malayalam in transcription you
+entered with instructions for \TeX\ to typeset the correct glyphs. The
+pre-processor takes care of placing the vowel-signs around
+consonants, and using the correct conjuncts for consonants without
+intervening vowels.
+
+To pre-process you document, you type:
+\medskip
+{\tt ml} {\it input-file output-file}
+\medskip
+This will process the file for traditional script. If you want to use
+the nowadays normal reformed script, say:
+\medskip
+{\tt mlr} {\it input-file output-file}
+\medskip
+
+Actually, the commands {\tt ml} and {\tt mlr} are two small command
+files, which call two programs with various parameters that do the
+actual pre-processing. The first is called {\tt patc}, which takes
+care of Malayalam-transcription mode, the second is {\tt mm} which
+task it is to do the contextual analysis for the Malayalam script.
+If you don't use Malayalam transcription in your document, you can
+run only {\tt mm} to save some time.
+
+\beginsection {\twelvebf Advanced Topics}
+
+This part of this guide explains how to use the components of
+\MT\ separately, and how to modify its tables, for
+example to change the transcription it understands, or to change the
+way it composes conjuncts. It should be read carefully, and care
+should be taken when you tamper with the tables, since several tables
+depend on each other in delicate ways. If you want to change the
+transcription only, the best way is to use Patc to translate your
+transcription to the standard transcription. To show you how this
+can be accomplished, I have include the file {\tt ack.pat}, that
+translates the transcription used on the {\tt alt.culture.kerala} newsgroup
+to the transcription used with {\tt mm}, assuming that Malayalam text
+is delimited with {\tt\dollar} in the source already (If they are
+missing, you should place them manually; it is a non-trivial
+task to have a computer automatically recognize Malayalam passages in
+English text). With this file, you can convert texts in this
+transcription by giving the command:
+
+\medskip
+{\tt patc -p ack.pat {\it input-file output-file}}
+\medskip
+
+\beginsection Patc
+
+Patc is a program that can translate patterns occurring in a input file
+to other patterns in the output file. It is fully table driven, and
+both the patterns it reads as well as those it outputs are defined in
+tables or {\it pattern-files}. It is an ideal tool to switch from one
+transcription scheme to another. Within the \MT\ package it
+is used to translate the easy-to-type transcription of Malayalam I
+adopted into a sequence of \TeX-commands that will produce scientific
+transcription. The transcription it reads and the commands it outputs
+are given in a pattern-file called {\tt mm.pat}.
+
+Patc should be called as follows:
+
+\medskip
+{\tt patc [-v] -p {\it pattern-file input-file output-file}}
+\medskip
+
+The {\tt -v} option tells {\tt patc} to be verbose, and the {\tt -p}
+option tells it that the next parameter given is the name of a
+pattern file. The last two
+parameters tells it to read from {\it input-file} and to write to
+{\it output-file}. The actual format of a pattern-file
+is described in the documentation that comes with {\tt patc}. (Read
+this first, the following sections assume knowledge of its contents)
+
+\beginsection mm
+
+{\tt mm} is the `actual' pre-processor, it translates the Roman transcription into Malayalam
+script. It uses the correct shapes for vowels depending on whether they
+appear initially or after a consonant, and selects the correct
+conjuncts. This program, too, is table driven.
+
+{\tt mm} is called by:
+
+\medskip
+{\tt mm [-{\it option}] [-t {\it transcription-file}] [-s {\it script-file}] {\it input-file} [{\it output-file}]}
+\medskip
+
+Available options are {\tt-v}, {\tt-V}, and {\tt-h}.
+The {\tt -v} option tells {\tt mm} to be verbose, if given,
+the pre-processor will inform you about files read.
+if you give the {\tt-V} option instead, it will also print
+a~{\tt.}~for every syllable output, and a {\tt+} every time it is forced
+to use a virama instead of a conjunct. When {\tt-h} is given, {\tt mm}
+will do nothing but print a help message.
+
+The {\tt-t} option tells {\tt mm} to read the {\it transcription definition} from
+the file given in the next parameter. The transcription definition defines which
+Roman characters are used to transcribe Malayalam characters. If it is omitted,
+{\tt mm} will use {\tt mmr.trs}.
+The {\tt-s} option tells {\tt mm} to read the {\it script definition} from the
+file given in the next parameter. The script definition defines which glyphs from the
+font are to be used to represent Malayalam characters in various
+contexts. If it is omitted, {\tt mm} will use {\tt mmr.scr}, which
+defines reformed script.
+
+The last two parameters tell {\tt mm} where to read its input from and
+where to put its output. Default, the name of the input file ends with
+{\tt.mm} and the name of the output file with {\tt.tex}.
+If the name of the output file is omitted, {\tt mm}
+will construct it from the input file name by replacing the extension
+of it with {\tt.tex}.
+
+{\tt mm} will look for it's transcription and script files in the
+current directory first, and then in the directory pointed at by the
+environment variable {\tt MMDIR}.
+
+\beginsection Transcription Files
+
+As stated above, a transcription definition tells the preprocessor
+how to interprete an input-file. It not only tells it which sequence
+of Roman characters stands for which Malayalam characters, but also how to
+separate Malayalam text from English text, which the pre-processor
+should leave untouched, and also tells the pre-processor how to
+recognize \TeX-commands (in a limited way) and comments --~which it
+strips from the input-file.
+
+A transcription definition is given in a {\it transcription file}.
+The general structure of a transcription file is the same as that of a patc
+file. Inside a transcription file, the following {\tt\@}-commands can
+occur: {\tt\@atbegin}, {\tt\@atend}, {\tt\@table}, and {\tt\@end}.
+
+{\tt\@atbegin} defines which patterns will start
+and {\tt\@atend} defines which patterns that will end Malayalam mode.
+You can give several patterns, in double quotes, on the same line as the
+command is. A quick glance in {\tt mm.trs} will learn you that, apart
+from the {\tt\dollar}-sign, you can also use
+{\tt<{}malayalam>} to start Malayalam and {\tt<{}/malayalam>} to end it.
+Further, {\tt<{}mlr>} and {\tt<{}/mlr>} are provided to
+delimit reformed script, while {\tt<{}ml>} and
+{\tt<{}/ml>} delimit traditional script, so that you can use both
+in the same document, in which case you will have to run the pre-processor
+twice on the input-file. These delimiters are provided, in case
+you want to be more clear about the language used, or want to use the
+{\tt\dollar}-sign for some other purpose. Imagine writing a book about
+the relationships between Dravidian languages, in which most of the
+examples are from Tamil, I guess you would prefer to reserve the
+{\tt\dollar}-signs for Tamil then (but in that case you will have to
+remove them in the current transcription files).
+
+{\tt\@table} starts the table of patterns that are used for
+transcribing Malayalam characters. Each following non-empty line until
+the next {\tt\@}-command is considered to be an entry in the table. The
+format is basically the same as that of the {\tt\@patterns}-tables of
+patc, but you may not use pattern-set switching, and an extra action,
+{\tt=} is added. This action maps a transcription pattern to an
+internal code. Extreme care is required when changing these codes,
+since they are hardwired into the pre-processor, that knows that some
+of them are consonants, and others vowels, and uses that knowledge to
+perform its task. Also, the same codes are used in the script
+definition to identify characters. The codes should match in
+the transcription-table, internally in the pre-processor and in the
+script-file.
+
+Finally, {\tt\@end} tells the preprocessor the transcription file has
+ended. It will not try the parse the rest, but close immediately after
+reading this command. If a file ends before the {\tt\@end} command is
+seen, the pre-processor will complain, but that is nothing to bother
+about.
+
+\beginsection Script Files
+
+A script files contain a script-definition. A script definition tells the
+pre-processor how to place graphical elements to represent a string of
+characters. Because the output of the pre-processor is fed to \TeX\
+for actual typesetting, the script file contains \TeX-commands to
+typeset those graphical elements, to place them on top or below of
+another, etc. The general structure of a script file is the same as
+that of a transcription file, but, since scripts can be quite
+complicated, it can (and will) contain much more commands. In a script
+file you will find the following commands: {\tt \@malayalam,
+\@atbegin, \@atend, \@atbeginsyllabe, \@atendsyllabe, \@prebuild,
+\@primary, \@secondary, \@reepham{\rm, and} \@end}.
+
+The {\tt\@malayalam} command tells the pre-processor that it is
+dealing with Malayalam script. It must be given as the first command
+in a script file. At this time the pre-processor does not understand
+any other script, but if it will in future, it will be functional,
+since pre-processor needs to know which script it is dealing with,
+since not all peculiarities of Malayalam script are expressed in
+general mechanisms defined in a script file.
+
+{\tt\@atbegin} defines the sequence that is output every time the
+pre-processor enters Malayalam mode. At this time the file {\tt
+mm.scr} it contains a begingroup brace and a \TeX-command that selects
+the current Malayalam font.
+
+{\tt\@atend} defines the sequence that is output every time the
+pre-processor leaves Malayalam mode, currently only a endgroup brace.
+
+{\tt\@atbeginsyllabe} and {\tt @atendsyllabe} define the sequences
+that are output at the begin respectively the end of every syllable. In
+{\tt mm.scr} you will find commands that make a separate h-box of
+every syllable.
+
+{\tt\@prebuild} starts a table that defines a sequence of
+\TeX-commands for each character and for sequences of characters for
+which the general construction method will fail. Each non-empty line
+of the table describes how to typeset a sequence of one or more
+characters. The first element of the line is the character sequence in
+the character string, the second element the sequence of \TeX-commands
+that will produce its graphical representation. If the pre-processor
+encounters a single character for which no way of typesetting it is
+given in this table, it will complain, and forget the character.
+
+{\tt\@primary} starts a table that defines the \TeX-commands for each
+character and for sequences of characters when they occur at the start
+of a syllable. Every entry in this table contains three elements. The
+first is the character-sequence, the second the \TeX-commands that
+will be placed in front of the syllable, the third the \TeX-commands
+that will be placed after it. In {\tt mm.scr} this table is very
+short, since Malayalam script does not modify the first letters of a
+syllable (as in Devanagari), but the last ones. The only entry
+describes the reepham character.
+
+{\tt\@secondary} starts a table that defines the \TeX-commands for each
+character and for sequences of characters when they occur at the end
+of a syllable. The table has the same format as the {\tt\@primary}
+table, but in {\tt mm.scr} it is much longer, since it defines the
+glyphs for all the vowel-signs, and for the secondary variants of
+{\mm \X{\<47>}}, {\mm \X{\<48>}}, {\mm \X{\<50>}}, and {\mm \X{\<53>}}.
+
+{\tt\@reepham} tells the pre-processor that a traditional style
+reepham is used: a little upright stroke centered above the
+consonant (cluster). This command is needed because otherwise, the
+pre-processor will center the reepham, incorrectly, above the whole
+syllable.
+
+\beginsection Macros defined by \MT
+
+The traditional Malayalam script is so complicated, that it was impossible
+to fit all needed glyphs into a single \TeX-font. Therefore, a Malayalam
+font consists of two physical fonts, one with characters at normal size,
+called the {\it base-font}, and
+one with smaller sized characters, called the {\it sub-font}, that can be
+used to build conjunct characters on the fly.
+
+One can be tempted to use a normal font for a smaller size for this purpose,
+but that wouldn't work out as nice, since smaller sized fonts are
+normally also drawn with thinner lines, while the sub-font is drawn with
+exactly the same pen as the base-font --~and also some other parameters
+are set in such a way that composing conjuncts will work fine.
+
+The pre-processor uses a macro ({\tt\bslash Z}) to switch to the sub-font,
+if a glyph from that font is needed. It is not aware of the current style used.
+This means that {\tt\bslash Z} has to be redefined to select the correct
+sub-font, depending on current style. This is done behind the scenes when
+you select a font style.
+
+The macro that selects a font style, sets the base-font, the sub-font, and
+a corresponding roman font from with several punctuation marks are borrowed, and,
+when in Malayalam mode, makes the base-font current, otherwise the base-font
+is made current when Malayalam mode is entered.
+For a font styles in Malayalam three fonts need to be loaded in as follows:
+
+\bigskip
+
+\settabs\+{\tt XfontXtwelvemmfXmm12sXXXXXXX}&second\cr
+{\def\\{\bslash}
+\+{\tt\\font\\twelvemmf=mm12} & load the base-font\cr
+\+{\tt\\font\\twelvemmsf=mm12s} & load the sub-font\cr
+\+{\tt\\font\\twelverm=cmr12} & load the roman font for punctuation marks\cr
+}
+
+\bigskip
+
+An example of a macro to select a style is
+
+\bigskip
+
+{\def\\{\bslash}\def\{{\char"7B}\def\}{\char"7D}\def\perc{\char"25}\tt
+\+\\def\\twelvemmr\{\perc & {\rm to select {\tt\\twelvemmr}:} \cr
+\+\quad\\let\\mmcurf=\\twelvemmf & {\rm define the current base-font,} \cr
+\+\quad\\let\\mmcursf=\\twelvemmsf & {\rm define the current sub-font,} \cr
+\+\quad\\let\\mmcurrm=\\twelverm & {\rm define the current roman font,}\cr
+\+\quad\\mmcbls=15.6pt & {\rm set the current baselineskip,} \cr
+\+\quad\\ifmmmode\\setmm\\fi\} & {\rm and if we are in Malayalam mode select it.}\cr
+}
+
+\bigskip
+
+If you wish to include more styles, you should define new font selection
+macro's following this example. The baselineskip should be larger than
+for roman text, since Malayalam script tends to have taller characters.
+
+\bigskip
+
+The \TeX-macros given in {\tt mm.scr} to compose glyphs are all
+one-letter macros.
+They are defined in the file {\tt mmmacs.tex}. Care is taken that they
+do not redefine standard \TeX\ macros, and you should not redefine
+them in your document. They are the following:
+
+\bigskip
+
+{\tt\bslash<\#1>}: typeset glyph number {\tt\#1} from the current font.
+
+{\tt\bslash B\#1\#2}: put {\tt\#2} centered below {\tt\#1}. This is used,
+for example, to build <ml>zhu</ml> from <ml>zha</ml> and
+<ml>{}<<u</ml> in traditional script.
+
+{\tt\bslash M\#1\#2}: put {\tt\#2} right below {\tt\#1}. This is used to
+build, for example, to build {\mm \X{\M{\<42>}{\<85>}}} from {\mm \X{\<42>}} and {\mm {}\M{\hbox{}}{\<85>}}. Note that if the subscribed character is
+wider than the character it is subscribed to, the width of the resulting box
+will be adjusted. This happens when <ml>pra</ml> is build from <ml>pa</ml>
+and <ml>{}<<ra</ml>.
+
+{\tt\bslash T\#1\#2}: put {\tt\#1} centered on top of {\tt\#2}. This is
+used to position the reepham stroke in traditional script.
+
+{\tt\bslash Z}: switch to the subfont, the font that contains the
+somewhat smaller glyphs that are subscribed to characters.
+
+{\tt\bslash R\#1\#2}: decrease the height of box {\tt\#2} by {\tt\#1}.
+
+{\tt\bslash K\#1}: kern {\tt\#1} em.
+
+{\tt\bslash X\#1}: equivalent to {\tt\bslash hbox\#1}.
+
+
+\input tamil.tex
+
+\input dng.tex
+
+\bye
+
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmmacs.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmmacs.tex
new file mode 100644
index 00000000000..bbf5464dd72
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmmacs.tex
@@ -0,0 +1,139 @@
+% mmmacs -- macros for Malayalam TeX
+% (c) 1993 Jeroen Hellingman
+% last edit: 02-APR-1993
+%
+% History:
+% 02-APR-1993 made virama stick out halfway. (JH)
+% 12-JAN-1993 version 1.0 (Jeroen Hellingman)
+
+\ifx\mmmacsloaded\relax\endinput\else\let\mmmacsloaded=\relax\fi
+
+%%%%%% fonts
+
+\input mmfont.tex % load fonts
+
+%%%%%% font selection
+
+\newdimen\mmcbls % Malayalam Current BaseLineSkip
+\def\mmslant{0} % slant factor of current Malayalam font
+\newif\ifmmmode\mmmodefalse
+
+% trick from the TeXbook, p. 375
+{\catcode`p=12 \catcode`t=12 \gdef\xxx#1pt{#1}}
+\let\getfactor=\xxx
+\def\getslant#1{\expandafter\getfactor\the\fontdimen1#1}
+
+\def\Z{\mmcursf}
+\def\RMF{\mmcurrm}
+
+\def\mm{\setmm\noexpand\mmmodetrue}
+\def\setmm{\pretolerance=9999\tolerance=5000\hyphenpenalty=10000%
+ \language=13\mmcurf\gdef\mmslant{\getslant\mmcurf}%
+ \baselineskip=\mmcbls\emergencystretch=30pt}
+
+\mmr % select Malayalam Regular 10pt
+
+%%%%%% glyph composing macros
+
+% put #1 centered on top of #2, taking into account \mmslant
+\def\puton#1#2{\hskip0pt{\setbox0=\hbox{#2}\setbox1=\hbox{#1}%
+ \dimen0=.5\wd0\advance\dimen0by.5\wd1%
+ \dimen1=\ht0\advance\dimen1by\dp1%
+ \dimen3=.5\wd0\advance\dimen3by-.5\wd1%
+ \dimen5=\mmslant\dimen1 % calculate correction needed for slanted fonts
+ \advance\dimen0by-\dimen5
+ \advance\dimen3by-\dimen5
+ \box0\kern-\dimen0\raise\dimen1\box1\kern\dimen3}}
+
+% put #1 to the right on top of #2, taking into account \mmslant
+\def\putrighton#1#2{\hskip0pt{\setbox0=\hbox{#2}\setbox1=\hbox{#1}%
+ \dimen0=\wd1%
+ \dimen1=\ht0\advance\dimen1by\dp1%
+ \dimen3=0pt%
+ \dimen5=\mmslant\dimen1 % calculate correction needed for slanted fonts
+ \advance\dimen0by-\dimen5
+ \advance\dimen3by-\dimen5
+ \box0\kern-\dimen0\raise\dimen1\box1\kern\dimen3}}
+
+% put #1 to the far right on top of #2, taking into account \mmslant
+% #1 will stick partly out #2, for placing virama
+\def\putfarrighton#1#2{\hskip0pt{\setbox0=\hbox{#2}\setbox1=\hbox{#1}%
+ \dimen0=0.667\wd1%
+ \dimen1=\ht0\advance\dimen1by\dp1%
+ \dimen3=-0.333\wd1%
+ \dimen5=\mmslant\dimen1 % calculate correction needed for slanted fonts
+ \advance\dimen0by-\dimen5
+ \advance\dimen3by-\dimen5
+ \box0\kern-\dimen0\raise\dimen1\box1\kern\dimen3}}
+
+\def\mmV#1{\putfarrighton{\N{.8}{\<77>}}{#1}} % place virama
+
+% put #1 centered underneath #2, taking into account \mmslant
+\def\putbelow#1#2{\hskip0pt{\setbox1=\hbox{#1}\setbox0=\hbox{#2}%
+ \dimen0=.5\wd0\advance\dimen0by.5\wd1%
+ \dimen1=\dp0\advance\dimen1by\ht1%
+ \dimen3=.5\wd0\advance\dimen3by-.5\wd1%
+ % test: if #1 wider than #2, kern 0.5(wd1-wd0) before, and idem after extra.
+ \ifdim\wd1>\wd0\dimen7=\wd1\advance\dimen7by-\wd0%
+ \hbox{}\kern0.5\dimen7%
+ \advance\dimen3by0.5\dimen7%
+ \fi
+ \dimen5=-\mmslant\dimen1 % calculate correction needed for slanted fonts
+ \advance\dimen0by-\dimen5
+ \advance\dimen3by-\dimen5
+ \box0\kern-\dimen0\lower\dimen1\box1\kern\dimen3}}
+\def\B#1#2{\putbelow{#2}{#1}}
+
+% put #1 right aligned underneath #2, taking into account \mmslant
+\def\putrightbelow#1#2{\hskip0pt{\setbox1=\hbox{#1}\setbox0=\hbox{#2}%
+ \dimen1=\dp0\advance\dimen1by\ht1%
+ % test: if #1 wider than #2, kern wd1-wd0 extra.
+ \ifdim\wd1>\wd0\dimen0=\wd1\advance\dimen0by-\wd0\kern\dimen0\fi
+ \dimen5=-\mmslant\dimen1 % calculate correction needed for slanted fonts
+ \box0\kern-\wd1%
+ \ifdim\dimen5=0pt\else\kern\dimen5\fi % avoid unneccessary kerns
+ \lower\dimen1\box1
+ \ifdim\dimen5=0pt\else\kern-\dimen5\fi}}
+
+% lower height of box #2 with #1
+% to be used in conjunction with \M to construct consonant clusters
+\def\R#1#2{\setbox0=\hbox{#2}%
+ \dimen0=\ht0\advance\dimen0by-#1%
+ \ht0=\dimen0\box0}
+
+% lower glyph #2 with #1 ex
+% to be used to lower the virama sign when it is placed on top of a glyph
+\def\N#1#2{\setbox0=\hbox{\lower#1ex\hbox{#2}}\dp0=0pt\box0}
+
+%%%%%% single letter commands
+
+\def\D#1{{\mm\char#1}} % show single Malayalam characters
+\def\C{\char}
+\def\K#1{\kern#1em}
+\def\T{\puton}
+\def\Q#1#2{\putrighton{#2}{#1}}
+\def\M#1#2{\putrightbelow{#2}{#1}}
+\def\X{\leavevmode\hbox}
+\def\<#1>{\leavevmode{\char#1}}
+
+%%%%%% digit usage
+
+\newif\ifmmfigs\mmfigsfalse
+
+\def\mmfigures{\mmfigstrue}
+\def\rmfigures{\mmfigsfalse}
+
+\def\mmzero{\ifmmfigs\<102>\else{\RMF 0}\fi}
+\def\mmone{\ifmmfigs\<103>\else{\RMF 1}\fi}
+\def\mmtwo{\ifmmfigs\<104>\else{\RMF 2}\fi}
+\def\mmthree{\ifmmfigs\<105>\else{\RMF 3}\fi}
+\def\mmfour{\ifmmfigs\<106>\else{\RMF 4}\fi}
+\def\mmfive{\ifmmfigs\<107>\else{\RMF 5}\fi}
+\def\mmsix{\ifmmfigs\<108>\else{\RMF 6}\fi}
+\def\mmseven{\ifmmfigs\<109>\else{\RMF 7}\fi}
+\def\mmeight{\ifmmfigs\<110>\else{\RMF 8}\fi}
+\def\mmnine{\ifmmfigs\<111>\else{\RMF 9}\fi}
+
+\endinput
+
+%%%%%% end of mmmacs
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmphmacs.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmphmacs.tex
new file mode 100644
index 00000000000..e317417348e
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmphmacs.tex
@@ -0,0 +1,22 @@
+% mmtrmacs -- macros for Malayalam text in phonetic script
+% copyright 1992 Jeroen Hellingman
+% last edit: 21-JUL-1992
+
+% we use the wsuipa font
+
+\font\ipa=wsuipa10
+
+\def\mmph{%
+ \def\m{{\ipa\char"34}}%
+ \def\ng{{\ipa\char"38}}%
+ \def\ny{{\ipa\char"37}}%
+ \def\nn{{\ipa\char"39}}%
+ \def\tt{{\ipa\char"50}}%
+ \def\dd{{\ipa\char"11}}%
+ \def\ll{{\ipa\char"30}}%
+ \def\sh{{\ipa\char"4D}}%
+ \def\ss{{\ipa\char"4C}}%
+ \def\rr{{\ipa\char"46}}%
+ \def\u{{\ipa\char"15}}}
+
+% eof
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmqfont.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmqfont.tex
new file mode 100644
index 00000000000..a770baea1be
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmqfont.tex
@@ -0,0 +1,105 @@
+% mmqfont.tex -- load fonts for Malayalam TeX (quickly, only essentials)
+% copyright 1993 Jeroen Hellingman
+% last edit: 02-JAN-1993
+
+\ifx\mmfontsloaded\relax\endinput\else\let\mmfontsloaded=\relax\fi
+
+%%%%%% fonts (use only the most `essential', the others will be replaced)
+
+\font\mmf=mm10 % Malayalam Regular 10pt
+\font\mmsf=mm10s % Malayalam Regular 10pt Subscript
+
+\font\twelvemmf=mm12 % Malayalam Regular 12pt
+\font\twelvemmsf=mm12s % Malayalam Regular 12pt Subscript
+\font\twelverm=cmr12
+
+%%%%%% Replacements for the other fonts:
+
+\let\seventeenmmf=\twelvemmf % Malayalam Regular 17pt
+\let\seventeenmmsf=\twelvemmsf % Malayalam Regular 17pt Subscript
+\let\seventeenrm=\twelverm
+
+\let\sixmmf=\mmf % Malayalam Regular 6pt
+\let\sixmmsf=\mmsf % Malayalam Regular 6pt Subscript
+\let\sixrm=\rm
+
+\let\eightmmf=\mmf % Malayalam Regular 8pt
+\let\eightmmsf=\mmsf % Malayalam Regular 8pt Subscript
+
+\let\mmbf=\mmf % Malayalam Bold 10pt
+\let\mmbsf=\mmsf % Malayalam Bold 10pt Subscript
+\let\mmslf=\mmf % Malayalam Slanted 10pt
+\let\mmslsf=\mmsf % Malayalam Slanted 10pt Subscript
+\let\mmcf=\mmf % Malayalam Calligraphic Regular 10pt
+\let\mmcsf=\mmsf % Malayalam Calligraphic Regular 10pt Subscript
+\let\mmcbf=\mmf % Malayalam Calligraphic Bold 10pt
+\let\mmcbsf=\mmsf % Malayalam Calligraphic Bold 10pt Subscript
+\let\mmcslf=\mmf % Malayalam Calligraphic Slanted 10pt
+\let\mmcslsf=\mmsf % Malayalam Calligraphic Slanted 10pt Subscript
+
+\let\twelvemmsf=\twelvemmsf % Malayalam Regular 12pt Subscript
+\let\twelvemmbf=\twelvemmf % Malayalam Bold 12pt
+\let\twelvemmbsf=\twelvemmsf % Malayalam Bold 12pt Subscript
+\let\twelvemmslf=\twelvemmf % Malayalam Slanted 12pt
+\let\twelvemmslsf=\twelvemmsf % Malayalam Slanted 12pt Subscript
+\let\twelvemmcf=\twelvemmf % Malayalam Calligraphic Regular 12pt
+\let\twelvemmcsf=\twelvemmsf % Malayalam Calligraphic Regular 12pt Subscript
+\let\twelvemmcbf=\twelvemmf % Malayalam Calligraphic Bold 12pt
+\let\twelvemmcbsf=\twelvemmsf % Malayalam Calligraphic Bold 12pt Subscript
+\let\twelvemmcslf=\twelvemmf % Malayalam Calligraphic Slanted 12pt
+\let\twelvemmcslsf=\twelvemmsf % Malayalam Calligraphic Slanted 12pt Subscript
+\let\twelvebf=\twelverm
+\let\twelvesl=\twelverm
+
+\let\seventeenmmcf=\seventeenmmf % Malayalam Calligraphic Regular 17pt
+\let\seventeenmmcsf=\seventeenmmsf % Malayalam Calligraphic Regular 17pt Subscript
+\let\seventeenmmbf=\seventeenmmf % Malayalam Bold 17pt
+\let\seventeenmmbsf=\seventeenmmsf % Malayalam Bold 17pt Subscript
+\let\seventeenmmcbf=\seventeenmmf % Malayalam Calligraphic Bold 17pt
+\let\seventeenmmcbsf=\seventeenmmsf % Malayalam Calligraphic Bold 17pt Subscript
+\let\seventeenbf=\seventeenrm
+
+%%%%%% font-selection macros
+
+\def\sixmmr{\let\mmcurf=\sixmmf\let\mmcursf=\sixmmsf\let\mmcurrm=\sixrm
+ \mmcbls=7.8pt\ifmmmode\setmm\fi}
+
+\def\eightmmr{\let\mmcurf=\eightmmf\let\mmcursf=\eightmmsf\let\mmcurrm=\sevenrm
+ \mmcbls=10.5pt\ifmmmode\setmm\fi}
+
+\def\mmr{\let\mmcurf=\mmf\let\mmcursf=\mmsf\let\mmcurrm=\rm
+ \mmcbls=13pt\ifmmmode\setmm\fi}
+\def\mmsl{\let\mmcurf=\mmslf\let\mmcursf=\mmslsf\let\mmcurrm=\sl
+ \mmcbls=13pt\ifmmmode\setmm\fi}
+\def\mmb{\let\mmcurf=\mmbf\let\mmcursf=\mmbsf\let\mmcurrm=\bf
+ \mmcbls=13pt\ifmmmode\setmm\fi}
+\def\mmc{\let\mmcurf=\mmcf\let\mmcursf=\mmcsf\let\mmcurrm=\rm
+ \mmcbls=13pt\ifmmmode\setmm\fi}
+\def\mmcsl{\let\mmcurf=\mmcslf\let\mmcursf=\mmcslsf\let\mmcurrm=\sl
+ \mmcbls=13pt\ifmmmode\setmm\fi}
+\def\mmcb{\let\mmcurf=\mmcbf\let\mmcursf=\mmcbsf\let\mmcurrm=\bf
+ \mmcbls=13pt\ifmmmode\setmm\fi}
+
+\def\twelvemmr{\let\mmcurf=\twelvemmf\let\mmcursf=\twelvemmsf\let\mmcurrm=\twelverm
+ \mmcbls=15.6pt\ifmmmode\setmm\fi}
+\def\twelvemmsl{\let\mmcurf=\twelvemmslf\let\mmcursf=\twelvemmslsf\let\mmcurrm=\twelvesl
+ \mmcbls=15.6pt\ifmmmode\setmm\fi}
+\def\twelvemmb{\let\mmcurf=\twelvemmbf\let\mmcursf=\twelvemmbsf\let\mmcurrm=\twelvebf
+ \mmcbls=15.6pt\ifmmmode\setmm\fi}
+\def\twelvemmc{\let\mmcurf=\twelvemmcf\let\mmcursf=\twelvemmcsf\let\mmcurrm=\twelverm
+ \mmcbls=15.6pt\ifmmmode\setmm\fi}
+\def\twelvemmcsl{\let\mmcurf=\twelvemmcslf\let\mmcursf=\twelvemmcslsf\let\mmcurrm=\twelvesl
+ \mmcbls=15.6pt\ifmmmode\setmm\fi}
+\def\twelvemmcb{\let\mmcurf=\twelvemmcbf\let\mmcursf=\twelvemmcbsf\let\mmcurrm=\twelvebf
+ \mmcbls=15.6pt\ifmmmode\setmm\fi}
+
+\def\seventeenmmr{\let\mmcurf=\seventeenmmf\let\mmcursf=\seventeenmmsf\let\mmcurrm=\seventeenrm
+ \mmcbls=22.5pt\ifmmmode\setmm\fi}
+\def\seventeenmmc{\let\mmcurf=\seventeenmmcf\let\mmcursf=\seventeenmmcsf\let\mmcurrm=\seventeenrm
+ \mmcbls=22.5pt\ifmmmode\setmm\fi}
+\def\seventeenmmb{\let\mmcurf=\seventeenmmbf\let\mmcursf=\seventeenmmbsf\let\mmcurrm=\seventeenbf
+ \mmcbls=22.5pt\ifmmmode\setmm\fi}
+\def\seventeenmmcb{\let\mmcurf=\seventeenmmcbf\let\mmcursf=\seventeenmmcbsf\let\mmcurrm=\seventeenbf
+ \mmcbls=22.5pt\ifmmmode\setmm\fi}
+
+%%%%%% end of mmqfont.tex
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmqmacs.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmqmacs.tex
new file mode 100644
index 00000000000..6330d9af538
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmqmacs.tex
@@ -0,0 +1,9 @@
+% mmqmacs.tex -- load macros for Malayalam TeX (quickly, only essential fonts will be used)
+% copyright 1993 Jeroen Hellingman
+% last edit: 02-JAN-1993
+
+\input mmqfont
+\input mmmacs
+
+\endinput
+
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmsample.mm b/Master/texmf-dist/doc/fonts/malayalam/article/mmsample.mm
new file mode 100644
index 00000000000..7c4ea4af716
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmsample.mm
@@ -0,0 +1,64 @@
+% mmsample.mm -- Sample of each style
+% (c) 1993 Jeroen Hellingman
+% Last edit: 04-JAN-1993
+
+\input mmmacs
+\input mmtrmacs
+
+\parindent=0pt
+\emergencystretch=50pt
+
+\centerline{\twelvebf Samples}
+
+% ``How within the period of three years a gentleman may change into
+% an evident profligate is something that I cannot comprehend.''
+
+\bigskip
+
+{\parindent=-25pt\leftskip=25pt\overfullrule=0pt\raggedright
+{\sixmmr\mmcurrm Malayalam Regular 6pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+
+{\eightmmr\mmcurrm Malayalam Regular 8pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+
+{\mmr\mmcurrm Malayalam Regular 10pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+{\mmsl\mmcurrm Malayalam Slanted 10pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+{\mmb\mmcurrm Malayalam Bold 10pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+
+{\mmc\mmcurrm Malayalam Calligraphic 10pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+{\mmcsl\mmcurrm Malayalam Calligraphic Slanted 10pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+{\mmcb\mmcurrm Malayalam Calligraphic Bold 10pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+
+{\twelvemmr\mmcurrm Malayalam Regular 12pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+{\twelvemmsl\mmcurrm Malayalam Slanted 12pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+{\twelvemmb\mmcurrm Malayalam Bold 12pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+
+{\twelvemmc\mmcurrm Malayalam Calligraphic 12pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+{\twelvemmcsl\mmcurrm Malayalam Calligraphic Slanted 12pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+{\twelvemmcb\mmcurrm Malayalam Calligraphic Bold 12pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+
+{\seventeenmmr\mmcurrm Malayalam Regular 17pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku\smallskip$}
+{\seventeenmmc\mmcurrm Malayalam Calligraphic 17pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku\smallskip$}
+{\seventeenmmb\mmcurrm Malayalam Bold 17pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu\smallskip$}
+{\seventeenmmcb\mmcurrm Malayalam Calligraphic Bold 17pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat\smallskip$}
+}
+
+\endinput
+
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmsample.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmsample.tex
new file mode 100644
index 00000000000..cfaa6e09423
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmsample.tex
@@ -0,0 +1,59 @@
+
+\input mmmacs
+\input mmtrmacs
+
+\parindent=0pt
+\emergencystretch=50pt
+
+\centerline{\twelvebf Samples}
+
+
+\bigskip
+
+{\parindent=-25pt\leftskip=25pt\overfullrule=0pt\raggedright
+{\sixmmr\mmcurrm Malayalam Regular 6pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+
+{\eightmmr\mmcurrm Malayalam Regular 8pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+
+{\mmr\mmcurrm Malayalam Regular 10pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+{\mmsl\mmcurrm Malayalam Slanted 10pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+{\mmb\mmcurrm Malayalam Bold 10pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+
+{\mmc\mmcurrm Malayalam Calligraphic 10pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+{\mmcsl\mmcurrm Malayalam Calligraphic Slanted 10pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+{\mmcb\mmcurrm Malayalam Calligraphic Bold 10pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+
+{\twelvemmr\mmcurrm Malayalam Regular 12pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+{\twelvemmsl\mmcurrm Malayalam Slanted 12pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+{\twelvemmb\mmcurrm Malayalam Bold 12pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+
+{\twelvemmc\mmcurrm Malayalam Calligraphic 12pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+{\twelvemmcsl\mmcurrm Malayalam Calligraphic Slanted 12pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+{\twelvemmcb\mmcurrm Malayalam Calligraphic Bold 12pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+
+{\seventeenmmr\mmcurrm Malayalam Regular 17pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>}\smallskip}}
+{\seventeenmmc\mmcurrm Malayalam Calligraphic 17pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>}\smallskip}}
+{\seventeenmmb\mmcurrm Malayalam Bold 17pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>}\smallskip}}
+{\seventeenmmcb\mmcurrm Malayalam Calligraphic Bold 17pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>}\smallskip}}
+}
+
+\endinput
+
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmscript.mm b/Master/texmf-dist/doc/fonts/malayalam/article/mmscript.mm
new file mode 100644
index 00000000000..a296bca277f
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmscript.mm
@@ -0,0 +1,39 @@
+
+The vowels, $svaraM$, or $uyir$.
+
+($hrasvaM$ or short vowels and $diirghaM$, or long vowels
+
+the $vyanjanaM$, or consonants:
+
+\vfill\eject
+
+the $varggyaM$, or `letters in classes':
+
+\def\q{\quad\hfill}
+\def\col#1#2{\hbox{\vtop{\hsize=#1\raggedright\tolerance=10000\noindent#2}}}
+\def\malstrut{\vtop to4pt{}\vbox to10pt{}}
+{\twelvemmr\halign{\malstrut\col{5cm}{#}\q
+ &\col{1.5cm}{#}\q
+ &\col{1.5cm}{#}\q
+ &\col{1.5cm}{#}\q
+ &\col{1.5cm}{#}\q
+ &\col{1.5cm}{#}\q\cr
+$varggaM$, or class &
+$kharaM$, `hard' or `strong' &
+$atikharaM$, `very hard' &
+$m.rdu$, `soft' &
+$ghooSaM$, `voice' &
+$anunaasikaM$, `nasal' \cr
+$kaNTyaM$, or velar sounds & $ka$ & $kha$ & $ga$ & $gha$ & $n"a$ \cr
+$taalavyaM$, or palatal sounds & $ca$ & $cha$ & $ja$ & $jha$ & $n~a$ \cr
+$muurdhanyaM$, or retroflex sounds & $Ta$ & $Tha$ & $Da$ & $Dha$ & $Na$ \cr
+$dantyaM$, or dental sounds & $ta$ & $tha$ & $da$ & $dha$ & $na$ \cr
+$oSThyaM$, or labial sounds & $pa$ & $pha$ & $ba$ & $bha$ & $ma$ \cr
+\noalign{\hrule}
+$antastha$, $iTaiyinaM$, or $madhyamaM$, `intermediate'
+consonants & $ya$ & $ra$ & $la$ & $va$ \cr
+$uuSmaavu+$, or fricatives & $sha$ & $Sa$ & $sa$ & $ha$ \cr
+Dravidian consonants & $La$ & $zha$ & $Ra$ \cr
+}}
+\medskip
+
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmtable.mm b/Master/texmf-dist/doc/fonts/malayalam/article/mmtable.mm
new file mode 100644
index 00000000000..5c796fe4745
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmtable.mm
@@ -0,0 +1,108 @@
+% mmtable.mm -- table of malayaaLam script
+% copyright 1992 Jeroen Hellingman
+% last edit: 25-DEC-1992
+
+\input mmmacs
+\input mmtrmacs
+\input mmphmacs
+
+\parindent=0pt
+
+\centerline{\twelvebf Table of Malayalam letters with transcription}
+
+\bigskip
+
+\def\q{\quad\hfill}
+\def\col#1#2{\hbox{\vtop{\hsize=#1\raggedright\tolerance=10000#2}}}
+\def\malstrut{\vtop to4pt{}\vbox to10pt{}}
+\halign{\malstrut\twelvemmr#\q&\twelvemmr#\q&\tt#\q&#\q&#\q&\col{4cm}{#}\q\cr
+\col{1.75cm}{normal character shape} &
+\col{1.75cm}{secondary form} &
+\col{1.75cm}{\rm ASCII transcription} &
+\col{1.75cm}{scientific transcription} &
+\col{4cm}{remark} \cr
+\noalign{\hrule}
+$a$ & & a & $$a$$ & $$a$$ is inherent in consonants. \cr
+$aa$ & $[]<<aa$ & aa & $$aa$$ \cr
+$i$ & $[]<<i$ & i & $$i$$ \cr
+$ii$ & $[]<<ii$ & ii & $$ii$$ & older form: $MraM$, $M[]M$. \cr
+$u$ & $[]<<u$ & u & $$u$$ & irregular secundary shape. \cr
+$uu$ & $[]<<uu$ & uu & $$uu$$ & idem. \cr
+$.r$ & $[]<<.r$ & .r & $$.r$$ (\r{r}) & used in Sanskrit loan words. \cr
+$.r.r$ & $[]<<.r.r$& .r.r & $$.r.r$$ (\r{\=r}) & only used in a few Sanskrit words. \cr
+$.l$ & $[].l$ & .l & $$.l$$ (\r{l}) & idem. \cr
+$.l.l$ & $[].l.l$ & .l.l & $$.l.l$$ (\r{\=l}) & not used in any word at all. \cr
+$e$ & $[]<<e$ & e & $$e$$ \cr
+$ee$ & $[]<<ee$ & ee & $$ee$$ \cr
+$ai$ & $[]<<ai$ & ai & $$ai$$ \cr
+$o$ & $[]<<o$ & o & $$o$$ \cr
+$oo$ & $[]<<oo$ & oo & $$oo$$ \cr
+$au$ & $[]<<au$ & au & $$au$$ & now normally written $[]<<au"$, ({\tt au"}). \cr
+\noalign{\hrule}
+$aM$ & $[]M$ & aM & $$aM$$ ({\mmph a\m}) & anusvara, or $muRakkaM$. \cr
+$aH$ & $[]H$ & aH & $$aH$$ & visarga, or $visarggaM$. \cr
+\noalign{\hrule}
+$ka$ & $[]<<ka$ & ka & $$ka$$ \cr
+$kha$ & & kha & $$kha$$ \cr
+$ga$ & & ga & $$ga$$ \cr
+$gha$ & & gha & $$gha$$ \cr
+$n"a$ & & n"a & $$n"a$$ ({\mmph \ng a}) \cr
+\noalign{\hrule}
+$ca$ & & ca & $$ca$$ (\v ca) \cr
+$cha$ & & cha & $$cha$$ (\v cha) \cr
+$ja$ & & ja & $$ja$$ (\v\j a) \cr
+$jha$ & & jha & $$jha$$ (\v\j ha) \cr
+$n~a$ & & n\~{}a & $$n~a$$ ({\mmph\ny a}) \cr
+\noalign{\hrule}
+$Ta$ & & Ta & $$Ta$$ ({\mmph\tt a}) \cr
+$Tha$ & & Tha & $$Tha$$ ({\mmph\tt ha}) \cr
+$Da$ & & Da & $$Da$$ ({\mmph\dd a}) \cr
+$Dha$ & & Dha & $$Dha$$ ({\mmph\dd ha}) \cr
+$Na$ & & Na & $$Na$$ ({\mmph\nn a}) \cr
+\noalign{\hrule}
+$ta$ & & ta & $$ta$$ \cr
+$tha$ & & tha & $$tha$$ \cr
+$da$ & & da & $$da$$ \cr
+$dha$ & & dha & $$dha$$ \cr
+$na$ & & na, n\_a & $$na, n_a$$ (\v na) \cr
+\noalign{\hrule}
+$pa$ & & pa & $$pa$$ \cr
+$pha$ & & pha, fa & $$pha$$, $$fa$$ \cr
+$ba$ & & ba & $$ba$$ \cr
+$bha$ & & bha & $$bha$$ \cr
+$ma$ & & ma & $$ma$$ \cr
+\noalign{\hrule}
+$ya$ & $[]<<ya$ & ya & $$ya$$ \cr
+$ra$ & $[]<<ra$ & ra & $$ra$$ & primary shape: $r<<[]$ \cr
+$Ra$ & $[]<<Ra$ & Ra, t\_a & $$Ra$$ (\v ra, \dd ra), $$t_a$$ & $valiya Ra$, `large $$Ra$$'. \cr
+$RRa$ & & RRa, t\_t\_a & $$RRa$$ \cr
+$la$ & $[]<<la$ & la & $$la$$ \cr
+$va$ & $[]<<va$ & va & $$va$$ \cr
+$sha$ & & sha & $$sha$$ (sha, {\mmph\sh a}) & $ciRiya sha$, `small $$sha$$'. \cr
+$Sa$ & & Sa & $$Sa$$ ({\mmph\ss a}) & $valiya Sa$, `large $$Sa$$'. \cr
+$sa$ & & sa & $$sa$$ \cr
+$ha$ & & ha & $$ha$$ \cr
+$La$ & & La & $$La$$ ({\mmph\ll a}) & $valiya La$, `large $$La$$'. \cr
+$zha$ & & zha & $$zha$$ (\dd la, {\mmph\rr a}) \cr
+\noalign{\hrule}
+ & $[]<<+$ & + & & virama, or $candrakala$, `cresent'. \cr
+ & $[]<<u+$ & u+ & $$u+$$ (\.u, {\mmph\u}) & half $$u+$$, or $arayukaram$. \cr
+\noalign{\hrule}
+$0$ & & 0 & 0 \cr
+$1$ & & 1 & 1 \cr
+$2$ & & 2 & 2 \cr
+$3$ & & 3 & 3 \cr
+$4$ & & 4 & 4 \cr
+$5$ & & 5 & 5 \cr
+$6$ & & 6 & 6 \cr
+$7$ & & 7 & 7 \cr
+$8$ & & 8 & 8 \cr
+$9$ & & 9 & 9 \cr
+\noalign{\hrule}
+ & & << & & join. \cr
+ & & >> & & non-join. \cr
+$[]$ & & [] & $$[]$$ & dotted circle. \cr
+ & & > & & disambiguating character. \cr
+}
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmtable.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmtable.tex
new file mode 100644
index 00000000000..0f92518ac1e
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmtable.tex
@@ -0,0 +1,105 @@
+
+\input mmmacs
+\input mmtrmacs
+\input mmphmacs
+
+\parindent=0pt
+
+\centerline{\twelvebf Table of Malayalam letters with transcription}
+
+\bigskip
+
+\def\q{\quad\hfill}
+\def\col#1#2{\hbox{\vtop{\hsize=#1\raggedright\tolerance=10000#2}}}
+\def\malstrut{\vtop to4pt{}\vbox to10pt{}}
+\halign{\malstrut\twelvemmr#\q&\twelvemmr#\q&\tt#\q&#\q&#\q&\col{4cm}{#}\q\cr
+\col{1.75cm}{normal character shape} &
+\col{1.75cm}{secondary form} &
+\col{1.75cm}{\rm ASCII transcription} &
+\col{1.75cm}{scientific transcription} &
+\col{4cm}{remark} \cr
+\noalign{\hrule}
+{\mm \X{\<5>}} & & a & {\mmtr a} & {\mmtr a} is inherent in consonants. \cr
+{\mm \X{\<6>}} & {\mm \<00>\<62>} & aa & {\mmtr \=a} \cr
+{\mm \X{\<7>}} & {\mm \<00>\<63>} & i & {\mmtr i} \cr
+{\mm \X{\<7>\<87>}} & {\mm \<00>\<64>} & ii & {\mmtr {\=\i}} & older form: {\mm \<2>\X{\<48>}\<2>}, {\mm \<2>\<00>\<2>}. \cr
+{\mm \X{\<9>}} & {\mm \M{\<00>}{\<65>}} & u & {\mmtr u} & irregular secundary shape. \cr
+{\mm \X{\<9>\<87>}} & {\mm \M{\<00>}{\<66>}} & uu & {\mmtr \=u} & idem. \cr
+{\mm \X{\<11>}} & {\mm \M{\<00>}{\<67>}} & .r & {\mmtr \d r} (\r{r}) & used in Sanskrit loan words. \cr
+{\mm \X{\<96>}} & {\mm \M{\<00>}{\<68>}}& .r.r & {\mmtr {\rii}} (\r{\=r}) & only used in a few Sanskrit words. \cr
+{\mm \X{\<12>}} & {\mm \<00>\X{\<12>}} & .l & {\mmtr \d l} (\r{l}) & idem. \cr
+{\mm \X{\<97>}} & {\mm \<00>\X{\<97>}} & .l.l & {\mmtr {\lii}} (\r{\=l}) & not used in any word at all. \cr
+{\mm \X{\<14>}} & {\mm \<70>\<00>} & e & {\mmtr e} \cr
+{\mm \X{\<15>}} & {\mm \<71>\<00>} & ee & {\mmtr \=e} \cr
+{\mm \X{\<70>\<14>}} & {\mm \<70>\<70>\<00>} & ai & {\mmtr ai} \cr
+{\mm \X{\<18>}} & {\mm \<70>\<00>\<62>} & o & {\mmtr o} \cr
+{\mm \X{\<18>\<62>}} & {\mm \<71>\<00>\<62>} & oo & {\mmtr \=o} \cr
+{\mm \X{\<18>\<87>}} & {\mm \<70>\<00>\<87>} & au & {\mmtr au} & now normally written {\mm \<00>\<87>}, ({\tt au"}). \cr
+\noalign{\hrule}
+{\mm \X{\<5>}\<2>} & {\mm \<00>\<2>} & aM & {\mmtr a\d m} ({\mmph a\m}) & anusvara, or {\mm \X{\M{\<46>}{\<65>}}\X{\<49>}\X{\<160>}\<2>}. \cr
+{\mm \X{\<5>}\<3>} & {\mm \<00>\<3>} & aH & {\mmtr a\d h} & visarga, or {\mm \X{\<53>\<63>}\X{\<56>}\X{\T{\<76>}{\R{.8ex}{\<240>}}}\<2>}. \cr
+\noalign{\hrule}
+{\mm \X{\<21>}} & {\mm \M{\<00>}{\<112>}} & ka & {\mmtr ka} \cr
+{\mm \X{\<22>}} & & kha & {\mmtr kha} \cr
+{\mm \X{\<23>}} & & ga & {\mmtr ga} \cr
+{\mm \X{\<24>}} & & gha & {\mmtr gha} \cr
+{\mm \X{\<25>}} & & n"a & {\mmtr \.na} ({\mmph \ng a}) \cr
+\noalign{\hrule}
+{\mm \X{\<26>}} & & ca & {\mmtr ca} (\v ca) \cr
+{\mm \X{\<27>}} & & cha & {\mmtr cha} (\v cha) \cr
+{\mm \X{\<28>}} & & ja & {\mmtr ja} (\v\j a) \cr
+{\mm \X{\<29>}} & & jha & {\mmtr jha} (\v\j ha) \cr
+{\mm \X{\<30>}} & & n\~{}a & {\mmtr \~na} ({\mmph\ny a}) \cr
+\noalign{\hrule}
+{\mm \X{\<31>}} & & Ta & {\mmtr \d ta} ({\mmph\tt a}) \cr
+{\mm \X{\<32>}} & & Tha & {\mmtr \d tha} ({\mmph\tt ha}) \cr
+{\mm \X{\<33>}} & & Da & {\mmtr \d da} ({\mmph\dd a}) \cr
+{\mm \X{\<34>}} & & Dha & {\mmtr \d dha} ({\mmph\dd ha}) \cr
+{\mm \X{\<35>}} & & Na & {\mmtr \d na} ({\mmph\nn a}) \cr
+\noalign{\hrule}
+{\mm \X{\<36>}} & & ta & {\mmtr ta} \cr
+{\mm \X{\<37>}} & & tha & {\mmtr tha} \cr
+{\mm \X{\<38>}} & & da & {\mmtr da} \cr
+{\mm \X{\<39>}} & & dha & {\mmtr dha} \cr
+{\mm \X{\<40>}} & & na, n\_a & {\mmtr na, \b na} (\v na) \cr
+\noalign{\hrule}
+{\mm \X{\<42>}} & & pa & {\mmtr pa} \cr
+{\mm \X{\<43>}} & & pha, fa & {\mmtr pha}, {\mmtr fa} \cr
+{\mm \X{\<44>}} & & ba & {\mmtr ba} \cr
+{\mm \X{\<45>}} & & bha & {\mmtr bha} \cr
+{\mm \X{\<46>}} & & ma & {\mmtr ma} \cr
+\noalign{\hrule}
+{\mm \X{\<47>}} & {\mm \<00>\<83>} & ya & {\mmtr ya} \cr
+{\mm \X{\<48>}} & {\mm \M{\<00>}{\<84>}} & ra & {\mmtr ra} & primary shape: {\mm \X{\T{\<76>}{\R{3.5ex}{\<00>}}}} \cr
+{\mm \X{\<49>}} & {\mm \Q{\<00>}{\N{.8}{\<77>}}\<49>} & Ra, t\_a & {\mmtr \b ra} (\v ra, \dd ra), {\mmtr \b ta} & {\mm \X{\<53>}\X{\<50>\<63>}\X{\<47>} \X{\<49>}}, `large {\mmtr \b ra}'. \cr
+{\mm \X{\<243>}} & & RRa, t\_t\_a & {\mmtr \b ta} \cr
+{\mm \X{\<50>}} & {\mm \M{\<00>}{\<85>}} & la & {\mmtr la} \cr
+{\mm \X{\<53>}} & {\mm \<00>\K{-.5}\<86>} & va & {\mmtr va} \cr
+{\mm \X{\<54>}} & & sha & {\mmtr \'sa} (sha, {\mmph\sh a}) & {\mm \X{\<26>\<63>}\X{\<49>\<63>}\X{\<47>} \X{\<54>}}, `small {\mmtr \'sa}'. \cr
+{\mm \X{\<55>}} & & Sa & {\mmtr \d sa} ({\mmph\ss a}) & {\mm \X{\<53>}\X{\<50>\<63>}\X{\<47>} \X{\<55>}}, `large {\mmtr \d sa}'. \cr
+{\mm \X{\<56>}} & & sa & {\mmtr sa} \cr
+{\mm \X{\<57>}} & & ha & {\mmtr ha} \cr
+{\mm \X{\<51>}} & & La & {\mmtr \d la} ({\mmph\ll a}) & {\mm \X{\<53>}\X{\<50>\<63>}\X{\<47>} \X{\<51>}}, `large {\mmtr \d la}'. \cr
+{\mm \X{\<52>}} & & zha & {\mmtr \b za} (\dd la, {\mmph\rr a}) \cr
+\noalign{\hrule}
+ & {\mm \Q{\<00>}{\N{.8}{\<77>}}} & + & & virama, or {\mm \X{\<26>}\X{\<216>}\X{\<21>}\X{\<50>}}, `cresent'. \cr
+ & {\mm \M{\<00>}{\<65>}\<77>} & u+ & {\mmtr \u u} (\.u, {\mmph\u}) & half {\mmtr \u u}, or {\mm \X{\<5>}\X{\<48>}\X{\M{\<47>}{\<65>}}\X{\<21>}\X{\<48>}\X{\<2>}}. \cr
+\noalign{\hrule}
+{\mm {\mmzero}} & & 0 & 0 \cr
+{\mm {\mmone}} & & 1 & 1 \cr
+{\mm {\mmtwo}} & & 2 & 2 \cr
+{\mm {\mmthree}} & & 3 & 3 \cr
+{\mm {\mmfour}} & & 4 & 4 \cr
+{\mm {\mmfive}} & & 5 & 5 \cr
+{\mm {\mmsix}} & & 6 & 6 \cr
+{\mm {\mmseven}} & & 7 & 7 \cr
+{\mm {\mmeight}} & & 8 & 8 \cr
+{\mm {\mmnine}} & & 9 & 9 \cr
+\noalign{\hrule}
+ & & << & & join. \cr
+ & & >> & & non-join. \cr
+{\mm \<00>} & & [] & {\mmtr \dotcircle} & dotted circle. \cr
+ & & > & & disambiguating character. \cr
+}
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmtrans.mm b/Master/texmf-dist/doc/fonts/malayalam/article/mmtrans.mm
new file mode 100644
index 00000000000..20f1bb95775
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmtrans.mm
@@ -0,0 +1,77 @@
+% mmtrans.mm -- Malayalam-\TeX\ transcription table
+% (c) Jeroen Hellingman 1992
+% Last edit: 25-DEC-1992
+
+\bgroup
+\def\malstrut{\vtop to4pt{}\vbox to10pt{}}
+\def\q{\quad\hfill}
+\def\x{\vrule\ }
+\def\xx{\vrule width.8pt}
+\offinterlineskip
+\halign{\malstrut\xx\ \tt#\q&\x#\q&\x#\q\xx\ &\tt#\q&\x#\q&\x#\q\xx\ &\tt#\q&\x#\q&\x#\q\xx\cr
+\noalign{\hrule height.8pt}
+a & $a$ or implicit & $$a$$ &
+ka & $ka$ & $$ka$$ &
+pa & $pa$ & $$pa$$ \cr
+aa & $aa$ or $[]<<aa$ & $$aa$$ &
+kha & $kha$ & $$kha$$ &
+pha, fa & $pha$ & $$pha, fa$$ \cr
+i & $i$ or $[]<<i$ & $$i$$ &
+ga & $ga$ & $$ga$$ &
+ba & $ba$ & $$ba$$ \cr
+ii & $ii$ or $[]<<ii$ & $$ii$$ &
+gha & $gha$ & $$gha$$ &
+bha & $bha$ & $$bha$$ \cr
+u & $u$ or $[]<<u$ & $$u$$ &
+n"a & $n"a$ & $$n"a$$ &
+ma & $ma$ & $$ma$$ \cr
+uu & $uu$ or $[]<<uu$ & $$uu$$ &
+ca & $ca$ & $$ca$$ &
+ya & $ya$ & $$ya$$ \cr
+.r & $.r$ or $[]<<.r$ & $$.r$$ &
+cha & $cha$ & $$cha$$ &
+ra & $ra$ & $$ra$$ \cr
+.r.r & $.r.r$ or $[]<<.r.r$ & $$.r.r$$ &
+ja & $ja$ & $$ja$$ &
+Ra, t\_a& $Ra$ & $$Ra, t_a$$ \cr
+.l & $.l$ & $$.l$$ &
+jha & $jha$ & $$jha$$ &
+RRa, t\_t\_a & $RRa$ & $$RRa$$ \cr
+.l.l, .L& $.l.l$ & $$.l.l$$ &
+n\~{}a & $n~a$ & $$n~a$$ &
+la & $la$ & $$la$$ \cr
+e & $e$ or $[]<<e$ & $$e$$ &
+Ta & $Ta$ & $$Ta$$ &
+va & $va$ & $$va$$ \cr
+ee & $ee$ or $[]<<ee$ & $$ee$$ &
+Tha & $Tha$ & $$Tha$$ &
+sha & $sha$ & $$sha$$ \cr
+ai & $ai$ or $[]<<ai$ & $$ai$$ &
+Da & $Da$ & $$Da$$ &
+Sa & $Sa$ & $$Sa$$ \cr
+o & $o$ or $[]<<o$ & $$o$$ &
+Dha & $Dha$ & $$Dha$$ &
+sa & $sa$ & $$sa$$ \cr
+oo & $oo$ or $[]<<oo$ & $$oo$$ &
+Na & $Na$ & $$Na$$ &
+ha & $ha$ & $$ha$$ \cr
+au & $au$ or $[]<<au$ & $$au$$ &
+ta & $ta$ & $$ta$$ &
+La & $La$ & $$La$$ \cr
+au" & $au"$ or $[]<<au"$ & $$au"$$ &
+tha & $tha$ & $$tha$$ &
+zha & $zha$ & $$zha$$ \cr
+M & $M$ & $$M$$ &
+da & $da$ & $$da$$ &
++ & $[]<<+$ & \cr
+H & $H$ & $$H$$ &
+dha & $dha$ & $$dha$$ &
+u+ & $[]<<u+$ & $$u+$$ \cr
+ & & &
+na, n\_a& $na$ & $$na, n_a$$ &
+ & & \cr
+\noalign{\hrule height.8pt}
+}\egroup
+
+
+\endinput
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmtrans.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmtrans.tex
new file mode 100644
index 00000000000..28da2196ac7
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmtrans.tex
@@ -0,0 +1,74 @@
+
+\bgroup
+\def\malstrut{\vtop to4pt{}\vbox to10pt{}}
+\def\q{\quad\hfill}
+\def\x{\vrule\ }
+\def\xx{\vrule width.8pt}
+\offinterlineskip
+\halign{\malstrut\xx\ \tt#\q&\x#\q&\x#\q\xx\ &\tt#\q&\x#\q&\x#\q\xx\ &\tt#\q&\x#\q&\x#\q\xx\cr
+\noalign{\hrule height.8pt}
+a & {\mm \X{\<5>}} or implicit & {\mmtr a} &
+ka & {\mm \X{\<21>}} & {\mmtr ka} &
+pa & {\mm \X{\<42>}} & {\mmtr pa} \cr
+aa, A & {\mm \X{\<6>}} or {\mm \<00>\<62>} & {\mmtr \=a} &
+kha & {\mm \X{\<22>}} & {\mmtr kha} &
+pha, fa & {\mm \X{\<43>}} & {\mmtr pha, fa} \cr
+i & {\mm \X{\<7>}} or {\mm \<00>\<63>} & {\mmtr i} &
+ga & {\mm \X{\<23>}} & {\mmtr ga} &
+ba & {\mm \X{\<44>}} & {\mmtr ba} \cr
+ii, I & {\mm \X{\<7>\<87>}} or {\mm \<00>\<64>} & {\mmtr {\=\i}} &
+gha & {\mm \X{\<24>}} & {\mmtr gha} &
+bha & {\mm \X{\<45>}} & {\mmtr bha} \cr
+u & {\mm \X{\<9>}} or {\mm \<00>\<72>} & {\mmtr u} &
+n"a & {\mm \X{\<25>}} & {\mmtr \.na} &
+ma & {\mm \X{\<46>}} & {\mmtr ma} \cr
+uu, U & {\mm \X{\<9>\<87>}} or {\mm \<00>\<73>} & {\mmtr \=u} &
+ca & {\mm \X{\<26>}} & {\mmtr ca} &
+ya & {\mm \X{\<47>}} & {\mmtr ya} \cr
+.r & {\mm \X{\<11>}} or {\mm \<00>\<75>} & {\mmtr \d r} &
+cha & {\mm \X{\<27>}} & {\mmtr cha} &
+ra & {\mm \X{\<48>}} & {\mmtr ra} \cr
+.r.r, .R& {\mm \X{\<96>}} or {\mm \M{\<00>}{\<68>}} & {\mmtr {\rii}} &
+ja & {\mm \X{\<28>}} & {\mmtr ja} &
+Ra, t\_a& {\mm \X{\<49>}} & {\mmtr \b ra, \b ta} \cr
+.l & {\mm \X{\<12>}} & {\mmtr \d l} &
+jha & {\mm \X{\<29>}} & {\mmtr jha} &
+RRa, t\_t\_a & {\mm \X{\<243>}} & {\mmtr \b ta} \cr
+.l.l, .L& {\mm \X{\<97>}} & {\mmtr {\lii}} &
+n\~{}a & {\mm \X{\<30>}} & {\mmtr \~na} &
+la & {\mm \X{\<50>}} & {\mmtr la} \cr
+e & {\mm \X{\<14>}} or {\mm \<70>\<00>} & {\mmtr e} &
+Ta & {\mm \X{\<31>}} & {\mmtr \d ta} &
+va & {\mm \X{\<53>}} & {\mmtr va} \cr
+ee, E & {\mm \X{\<15>}} or {\mm \<71>\<00>} & {\mmtr \=e} &
+Tha & {\mm \X{\<32>}} & {\mmtr \d tha} &
+sha & {\mm \X{\<54>}} & {\mmtr \'sa} \cr
+ai & {\mm \X{\<70>\<14>}} or {\mm \<70>\<70>\<00>} & {\mmtr ai} &
+Da & {\mm \X{\<33>}} & {\mmtr \d da} &
+Sa & {\mm \X{\<55>}} & {\mmtr \d sa} \cr
+o & {\mm \X{\<18>}} or {\mm \<70>\<00>\<62>} & {\mmtr o} &
+Dha & {\mm \X{\<34>}} & {\mmtr \d dha} &
+sa & {\mm \X{\<56>}} & {\mmtr sa} \cr
+oo, O & {\mm \X{\<18>\<62>}} or {\mm \<71>\<00>\<62>} & {\mmtr \=o} &
+Na & {\mm \X{\<35>}} & {\mmtr \d na} &
+ha & {\mm \X{\<57>}} & {\mmtr ha} \cr
+au & {\mm \X{\<18>\<87>}} or {\mm \<00>\<87>} & {\mmtr au} &
+ta & {\mm \X{\<36>}} & {\mmtr ta} &
+La & {\mm \X{\<51>}} & {\mmtr \d la} \cr
+au" & {\mm \<87>} or {\mm \<70>\<00>\<87>} & {\mmtr au} &
+tha & {\mm \X{\<37>}} & {\mmtr tha} &
+zha & {\mm \X{\<52>}} & {\mmtr \b za} \cr
+M & {\mm \<2>} & {\mmtr \d m} &
+da & {\mm \X{\<38>}} & {\mmtr da} &
++ & {\mm \Q{\<00>}{\N{.8}{\<77>}}} & \cr
+H & {\mm \<3>} & {\mmtr \d h} &
+dha & {\mm \X{\<39>}} & {\mmtr dha} &
+u+ & {\mm \Q{\<00>}{\N{.8}{\<77>}}} & {\mmtr \u u} \cr
+ & & &
+na, n\_a& {\mm \X{\<40>}} & {\mmtr na, \b na} &
+ & & \cr
+\noalign{\hrule height.8pt}
+}\egroup
+
+
+\endinput
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmtrmacs.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmtrmacs.tex
new file mode 100644
index 00000000000..0a138605747
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmtrmacs.tex
@@ -0,0 +1,66 @@
+% mmtrmacs -- macros for Malayalam text in transcription
+% (c) 1993 Jeroen Hellingman
+% last edit: 10-JAN-1993
+
+\ifx\mmtrmacsloaded\relax\endinput\else\let\mmtrmacsloaded=\relax\fi
+
+%%%%%% nothing special to start Malayalam transcription
+
+\def\mmtr{}
+
+%%%%%% we need the mm-fonts for dotted circle and ornamental star
+
+\def\dotcircle{{\mm\char0}}
+\def\ornstar{{\mm\char255}}
+
+%%%%%% make math-mode available
+
+\def\math{$}
+\def\Math{$$}
+\def\dollar{\$}
+\def\lbrace{{\char"7B}}
+\def\rbrace{{\char"7D}}
+\def\bslash{{\char"5C}}
+
+%%%%%% accent-jiggling
+
+% double dot below accent (uses umlaut)
+\def\dd#1{\putaccentbelow{\char"7F}{#1}}
+% ring below accent
+\def\r#1{\putaccentbelow{\char"17}{#1}}
+% override default TeX definitions
+%\def\`#1{\putaccentontop{\char"12}{#1}}
+%\def\'#1{\putaccentontop{\char"13}{#1}}
+%\def\v#1{\putaccentontop{\char"14}{#1}}
+%\def\u#1{\putaccentontop{\char"15}{#1}}
+%\def\=#1{\putaccentontop{\char"16}{#1}}
+
+\def\rii{\putaccentontop{\char"16}{\d r}}
+\def\lii{\putaccentontop{\char"16}{\d l}}
+\def\Rii{\putaccentontop{\char"16}{\d R}}
+\def\Lii{\putaccentontop{\char"16}{\d L}}
+\def\RII{\Rii}
+\def\LII{\Lii}
+
+% put accent #1, which is normally put on top, centered below #2
+\def\putaccentbelow#1#2{\hskip0pt{\setbox0=\hbox{#2}\setbox1=\hbox{#1}%
+ \dimen0=.5\wd0\advance\dimen0by.5\wd1%
+ \dimen1=\dp0\advance\dimen1by\ht1\advance\dimen1by.2ex%
+ \dimen3=.5\wd0\advance\dimen3by-.5\wd1%
+ \setbox2=\hbox{\box0\kern-\dimen0\lower\dimen1\box1\kern\dimen3}%
+ \dimen4=\dp2%
+ \advance\dimen4by-1.3ex% adjust depth of box
+ \dp2=\dimen4%
+ \box2}}
+
+% put accent #1 centered on top of #2
+\def\putaccentontop#1#2{\hskip0pt{\setbox0=\hbox{#2}\setbox1=\hbox{#1}%
+ \dimen0=.5\wd0\advance\dimen0by.5\wd1%
+ \dimen1=\ht0\advance\dimen1by-1ex% was: .45em%
+ \dimen3=.5\wd0\advance\dimen3by-.5\wd1%
+ \box0\kern-\dimen0\raise\dimen1\box1\kern\dimen3}}
+
+%%%%%% That's all
+
+\endinput
+
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmxfont.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmxfont.tex
new file mode 100644
index 00000000000..5e5ebd00ea8
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmxfont.tex
@@ -0,0 +1,36 @@
+% mmxfont.tex -- load extra fonts for Malayalam TeX
+% (c) 1993 Jeroen Hellingman
+% last edit: 22-JAN-1992
+
+% The following fonts are only available for reformed script,
+% when used with traditional script, various glyphs will be missing.
+
+%%%%% some fonts for headlines
+
+\font\bigmmf=mmbig % Malayalam Big 21pt
+\font\bigmmof=mmbigo % Malayalam Big Outline 21pt
+\font\bigrm=cmbx12 scaled \magstep3
+\font\hugemmf=mmbig scaled \magstep3 % Malayalam Big 36pt
+\font\hugerm=cmbx12 scaled 2986 % \magstep6 not available
+
+\def\bigmmr{\let\mmcurf=\bigmmf\let\mmcursf=\mmsf\let\mmcurrm=\bigrm
+ \mmcbls=28pt\ifmmmode\setmm\fi}
+\def\bigmmo{\let\mmcurf=\bigmmof\let\mmcursf=\mmsf\let\mmcurrm=\bigrm
+ \mmcbls=28pt\ifmmmode\setmm\fi}
+\def\hugemmr{\let\mmcurf=\hugemmf\let\mmcursf=\mmsf\let\mmcurrm=\hugerm
+ \mmcbls=48pt\ifmmmode\setmm\fi}
+
+%%%%% some experimental fonts
+
+\font\mmxa=mmexpa12 % Malayalam Experimental A 12pt
+\font\mmxb=mmexpb12 % Malayalam Experimental B 12pt
+\font\mmxc=mmexpc12 % Malayalam Experimental C 12pt
+
+\def\xamm{\let\mmcurf=\mmxa\let\mmcursf=\mmsf\let\mmcurrm=\twelverm
+ \mmcbls=15.6pt\ifmmmode\setmm\fi}
+\def\xbmm{\let\mmcurf=\mmxb\let\mmcursf=\mmsf\let\mmcurrm=\twelverm
+ \mmcbls=15.6pt\ifmmmode\setmm\fi}
+\def\xcmm{\let\mmcurf=\mmxc\let\mmcursf=\mmsf\let\mmcurrm=\twelverm
+ \mmcbls=15.6pt\ifmmmode\setmm\fi}
+
+%%%%% end of mmexfont.tex
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/ornament.tex b/Master/texmf-dist/doc/fonts/malayalam/article/ornament.tex
new file mode 100644
index 00000000000..123c289ddfa
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/ornament.tex
@@ -0,0 +1,16 @@
+% ornament.tex -- load ornament font
+% (c) Jeroen Hellingman 1993
+% last edit: 04-APR-1993
+
+\font\ornament=orn10
+
+\def\orn{{\ornament\char0}}
+\def\Orn{{\ornament\char1}}
+\def\ORN{{\ornament\char2}}
+\def\sine{{\ornament\char3}}
+\def\Sine{{\ornament\char4}}
+\def\SINE{{\ornament\char5}}
+
+\def\ornline#1{\bigskip\centerline{#1}\bigskip}
+
+\endinput
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/prodigal.mm b/Master/texmf-dist/doc/fonts/malayalam/article/prodigal.mm
new file mode 100644
index 00000000000..f4557417ce2
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/prodigal.mm
@@ -0,0 +1,252 @@
+% prodigal.mm -- the fable of the prodigal son with parallel
+% transcription and translation, taken from Grierson.
+% last edit: 07-FEB-1993
+
+\input mmmacs
+\input mmtrmacs
+\input twolines
+
+\def\malstrut{\leavevmode\lower6pt\vbox to20pt{}}
+\def\firststyle{\malstrut}
+\def\secondstyle{\rm}
+\def\thirdstyle{\it}
+
+\raggedbottom
+\emergencystretch=30pt
+\parindent=0pt
+
+\centerline{$$^^malayaaLam^^$$}
+\bigskip
+
+\beginthreelines
+
+[$oru$|$$^oru$$|One] [$manuSyannu$|$$manuSyannu$$|man-to]
+[$raNTu$|$$raNDu$$|two] [$makkaL$|$$makkaL$$|sons]
+[$uNTaayirunnu.$|$$uND-aay-irunnu.$$|having-become-were.]
+[$atil$|$$^adil$$|That-in] [$iLayavan$|$$iLayavan$$|the-younger]
+[$appanooTu,$|$$appanooDu,$$|the-father-to,]
+[$`appaa,$|$$`appaa,$$|`father,]
+[$vastukkaLil$|$$vastu-kkaLil$$|goods-in] [$enikku$|$$enikku$$|me-to]
+[$vareeNTunna$|$$var-eeNDunna$$|coming] [$pan"ku$|$$pan"gu$$|share]
+[$tareeNamee,'$|$$tar-eeNam-ee,'$$|give-should,']
+[$ennu$|$$ennu$$|having-said] [$paRun~n~u,$|$$paRun~n~u,$$|said,]
+[$avanum$|$$avan-um$$|he-and] [$mutaline$|$$mudaline$$|property]
+[$avarkku$|$$avarkku$$|them-to]
+[$pakuti ceytu.$|$$pagudi-ceydu.$$|share-made.]
+%
+[$eeRe$|$$^eeRe$$|Many] [$naal$|$$naal$$|days]
+[$kazhiyum$|$$kazhiyum$$|passing] [$munpe$|$$mumbe$$|before]
+[$iLaya$|$$iLaya$$|younger] [$makan$|$$makan$$|son]
+[$sakalavum$|$$sakalavum$$|all]
+[$svaruupiccukoNTu$|$$svaruupiccu-koNDu$$|having-collected-for-himself]
+[$duura$|$$duura$$|far]
+[$deeshatteekku$|$$deeshatteekku$$|country-to]
+[$yaatra$|$$yaatra$$|journey] [$pooyi$|$$pooyi$$|having-gone]
+[$aviTe$|$$aviDe$$|there]
+[$durnnaTappaayi$|$$durnnaDapp-aayi$$|bad-conduct-becoming]
+[$jiiviccu$|$$jiiviccu$$|having-lived]
+[$tanRe$|$$tanRe$$|his] [$vastu$|$$vastu$$|property]
+[$naanaavidham$|$$naanaavidham$$|in-various-ways]
+[$aakkikkaLan~n~u.$|$$aakki-kkaLan~n~u.$$|made-wasted.]
+%
+[$ellaam$|$$^ellaam$$|All]
+[$celavazhicca$|$$celavazhicca$$|spent] [$sheeSam$|$$sheeSam$$|after]
+[$aa$|$$aa$$|that] [$deeshattil$|$$deeshattil$$|country-in]
+[$kaThina$|$$kaThina$$|severe] [$kSaamam$|$$kSaamam$$|famine]
+[$uNTaayiTTu$|$$uNDaay-iTTu$$|having-become]
+[$avannu$|$$avannu$$|him-to] [$muTTu$|$$muTTu$$|want]
+[$vannu$|$$vannu$$|coming] [$tuTan"n"i.$|$$tuDan"n"i.$$|began.]
+%
+[$ennaaRe$|$$^ennaaRe$$|Then] [$avan$|$$avan$$|he]
+[$pooyi$|$$pooyi$$|having-gone] [$aa$|$$aa$$|that]
+[$deeshattilee$|$$deeshattil-ee$$|country-in-being]
+[$pauranmaaril$|$$pauranmaaril$$|citizens-among]
+[$oruttanooTu$|$$oruttanooDu$$|one-with]
+[$paRRikkoNTu$|$$paRRi-kkoNDu$$|joining-himself]
+[$aayavan$|$$aay-avan$$|having-become-he]
+[$avane$|$$avane$$|him] [$tanRe$|$$tanRe$$|his]
+[$nilan"n"aLil$|$$nilan"n"aLil$$|fields-in]
+[$pannikaLe$|$$pannigaLe$$|pigs] [$meeypaan$|$$meeypaan$$|to-feed]
+[$ayaccu.$|$$ayaccu.$$|sent.]
+%
+[$pannikaL$|$$^pannigaL$$|Pigs] [$tinnunna$|$$tinunna$$|eating]
+[$marappayaRu$|$$marappayaRu$$|husk] [$koNTu$|$$koNDu$$|taking]
+[$tanRe$|$$tanRe$$|his] [$vayaRu$|$$vayaRu$$|belly]
+[$niReppaan$|$$niReppaan$$|to-fill]
+[$avan$|$$avan$$|he] [$aagrahiccu$|$$aagrahiccu$$|wished]
+[$en"kilum$|$$en"gilum$$|though] [$aarum$|$$aar-um$$|anybody]
+[$avannu$|$$avannu$$|him-to] [$koTuttilla.$|$$koDutt-illa.$$|gave-not.]
+%
+[$appooL$|$$^appooL$$|Then] [$buddhi$|$$buddhi$$|sense]
+[$teLin~n~iTTu$|$$teLin~n~iTTu$$|having-cleared] [$avan$|$$avan$$|he]
+[$paRan~n~u,$|$$paRan~n~u,$$|said,] [$`enRe$|$$`enRe$$|`my]
+[$appanRe$|$$appanRe$$|father-of] [$etra$|$$etra$$|how-many]
+[$kuulikkaar$|$$kuulikkaar$$|servants] [$appam$|$$appam$$|bread]
+[$tinnu$|$$tinnu$$|having-eaten]
+[$sheeSippikkunnuNTu$|$$sheeSippikkunn-uNDu$$|saving-are]
+[$n~aanoo$|$$n~aan-oo$$|I-but] [$vishappu$|$$vishappu$$|hunger]
+[$koNTu$|$$koNDu$$|taking]
+[$nashiccupookunnu.$|$$nashiccu-poogunnu.$$|perishing-go.]
+%
+[$n~aan$|$$^n~aan$$|I] [$ezhuniiRRu$|$$ezhuniiRRu$$|having-arisen]
+[$enRe$|$$enRe$$|my] [$appanRe$|$$appanRe$$|father's]
+[$aTukkaleekku$|$$aDukkaleekku$$|presence-to]
+[$pooyi$|$$pooyi$$|going] [$avanooTu,$|$$avanooDu,$$|him-to,]
+[$``appaa,$|$$``appaa,$$|``father,] [$n~aan$|$$n~aan$$|I]
+[$svarggattooTum$|$$svarggattooD-um$$|heaven-to-and]
+[$ninnooTum$|$$ninnooDum$$|thee-to-and] [$paapam$|$$paapam$$|sin]
+[$ceytu.$|$$ceydu.$$|did.]
+%
+[$ini$|$$^ini$$|Hereafter] [$ninRe$|$$ninRe$$|thy]
+[$makan$|$$magan$$|son] [$ennu$|$$ennu$$|saying]
+[$viLikkappeTuvaan$|$$viLikka-ppeDuvaan$$|to-be-called]
+[$yoogyanalla.$|$$yoogyan-alla.$$|fit-man-am-not.]
+%
+[$ninRe$|$$^ninRe$$|Thy] [$kuulikkaaril$|$$kuulikkaaril$$|servants-among]
+[$oruttane$|$$oruttane$$|one] [$poole$|$$poole$$|like]
+[$enne$|$$enne$$|me]
+[$aakkikkoLLeeNamee,''$|$$aakki-kkoLL-eeNam-ee,''$$|having-made-to-take-is-wanted,'']
+[$ennu$|$$ennu$$|saying] [$paRayum.'$|$$paRayum.'$$|shall-say.']
+%
+[$enniTTu$|$$^enniTTu$$|Having-said]
+[$ezhuniiRRu$|$$ezhuniiRRu$$|having-arisen]
+[$tanRe$|$$tanRe$$|his] [$appanRe$|$$appanRe$$|father's]
+[$aTukkaleekku$|$$aDukkaleeku$$|presence-to] [$pooyi.$|$$pooyi.$$|went.]
+%
+[$avan$|$$^avan$$|He]
+[$duurattuLLappooL$|$$duurattuLL-appool$$|far-being-time-at]
+[$tannee$|$$tannee$$|indeed] [$appan$|$$appan$$|the-father]
+[$avane$|$$avane$$|him] [$kaNTu$|$$kaNDu$$|seeing]
+[$karaLalin~n~u$|$$karaL-alin~n~u$$|heart-melting]
+[$ooTiccennu$|$$ooDi-ccennu$$|running-going] [$avanRe$|$$avanRe$$|his]
+[$kazhuttil$|$$kazhuttil$$|neck-on]
+[$keTTippiTiccu$|$$keTTippiDiccu$$|having-attached-seized]
+[$avane$|$$avane$$|him]
+[$cunpiccu.$|$$cumbiccu.$$|kissed.]
+%
+[$makan$|$$^magan$$|The-son] [$avanooTu,$|$$avanooDu,$$|him-to,]
+[$`appaa,$|$$`appaa,$$|`father,] [$n~aan$|$$n~aan$$|I]
+[$svarggattooTum$|$$svarggattooD-um$$|heaven-to-and]
+[$ninnooTum$|$$ninnooDum$$|thee-to-and] [$paapam$|$$paapam$$|sin]
+[$ceytu.$|$$ceydu.$$|did.]
+%
+[$ini$|$$^ini$$|Hereafter] [$ninRe$|$$ninRe$$|thy]
+[$makan$|$$magan$$|son] [$ennu$|$$ennu$$|saying]
+[$viLikkappeTuvaan$|$$viLikka-ppeDuvaan$$|to-be-called]
+[$yoogyanumalla,'$|$$yoogyan-um-alla,'$$|fit-man-at-all-am-not,']
+[$ennu$|$$ennu$$|saying] [$paRan~n~u.$|$$paRan~n~u.$$|said.]
+%
+[$ennaaRe$|$$^ennaaRe$$|But] [$appan$|$$appan$$|the-father]
+[$tanRe$|$$tanRe$$|his] [$daasarooTu,$|$$daasarooTu,$$|slaves-to,]
+[$`veekam$|$$`vegam$$|`quickly]
+[$meelttaramaaya$|$$meel-ttaram-aaya$$|high-class-being]
+[$an"ki$|$$an"gi$$|robe]
+[$koNTuvannu$|$$koNDu-vannu$$|having-taken-having-come]
+[$ivane$|$$ivane$$|him] [$uTuppippin,$|$$uDuppippin,$$|dress-ye,]
+[$keikku$|$$keikku$$|hand-on] [$moodiravum$|$$moodirav-um$$|ring-and]
+[$kaalukaLkku$|$$kaalugaLkku$$|feet-on]
+[$cerippukaLum$|$$cerippugaLum$$|shoes-and]
+[$iTuvippin.$|$$iDuvippin.$$|put-ye.]
+%
+[$naam$|$$^naam$$|We] [$bhakSiccu$|$$bhakSiccu$$|eating]
+[$aanandikka.$|$$aanandikka.$$|shall-feast.]
+%
+[$ii$|$$^ii$$|This] [$enRe$|$$enRe$$|my] [$makan$|$$magan$$|son]
+[$mariccavan$|$$mariccavan$$|dead-man]
+[$aayirunnu,$|$$aay-irunnu,$$|having-become-is,]
+[$tirikee$|$$tirigee$$|again] [$uyirttu;$|$$uyrittu;$$|revived;]
+[$kaaNaate$|$$kaaNaade$$|not-seeing] [$pooyavan$|$$pooyavan$$|gone-man]
+[$aayirunnu,$|$$aay-irunnu,$$|having-become-is,]
+[$kaNTukiTTakayum$|$$kaNDukiTTagayum$$|seeing-finding]
+[$ceytuvalloo?'$|$$ceydu-v-alloo?'$$|made-is-it-not?']
+[$ennu$|$$ennu$$|saying] [$paRan~n~u.$|$$paRan~n~u.$$|said.]
+%
+[$avar$|$$^avar$$|They] [$aanandiccu$|$$aanandiccu$$|feasting]
+[$tuTan"n"i.$|$$tuDan"n"i.$$|began.]
+
+
+[$ennaal$|$$^ennaal$$|Now] [$avanRe$|$$avanRe$$|his]
+[$muutta$|$$muutta$$|elder] [$makan$|$$magan$$|son]
+[$vayalil$|$$vayalil$$|field-in] [$aayirunnu,$|$$aay-irunnu,$$|had-been,]
+[$aayavan$|$$aay-avan$$|having-become-he] [$vannu$|$$vannu$$|coming]
+[$viiTTinooTu$|$$viiTTinooDu$$|house-to]
+[$aTuttappooL$|$$aDuttappooL$$|coming-when]
+[$vaadyavum$|$$vaadyav-um$$|music-and]
+[$n.rttaghooSan"n"aLum$|$$n.rttaghooSan"n"aL-um$$|dancing-sounds-and]
+[$keeTTu$|$$keeTTu$$|hearing]
+[$baalyakkaaril$|$$baalya-kkaaril$$|servants-among]
+[$oruttane$|$$oruttane$$|one] [$viLiccu,$|$$viLiccu,$$|calling,]
+[$`itentu?'$|$$`id-endu?'$$|`this-what?'] [$ennu$|$$ennu$$|saying]
+[$coodiccu.$|$$coodiccu.$$|asked.]
+%
+[$avan$|$$^avan$$|he] [$avanooTu$|$$avanooDu$$|him-to]
+[$paRun~n~u,$|$$paRun~n~u,$$|said,] [$`ninRe$|$$`ninRe$$|`thy]
+[$sahoodaran$|$$sahoodaran$$|brother] [$vannu$|$$vannu$$|coming]
+[$`ninRe$|$$`ninRe$$|`thy] [$appan$|$$appan$$|father]
+[$avane$|$$avane$$|him] [$saukhyattooTe$|$$saukhyattooDe$$|healthy]
+[$kiTTiyatukoNTu$|$$kiTTiyadu-koNDu$$|finding-on-account-of]
+[$virunnu$|$$virunnu$$|feast] [$kazhiccu.'$|$$kazhiccu.'$$|made.']
+%
+[$appooL$|$$^appooL$$|Then] [$avan$|$$avan$$|he]
+[$koopiccu$|$$koopiccu$$|getting-angry] [$akam$|$$agam$$|house]
+[$bukavaan$|$$bugavaan$$|to-enter]
+[$manassillaan~n~u,$|$$manass-illaan~n~u,$$|mind-was-not,]
+[$enniTTu$|$$enniTTu$$|having said] [$appan$|$$appan$$|the-father]
+[$puRattu$|$$puRattu$$|out] [$vannu$|$$vannu$$|having-come]
+[$avanooTu$|$$avanooDu$$|him-with]
+[$apeekSiccu.$|$$apeekSiccu.$$|entreated.]
+%
+[$ennaaRe$|$$^ennaaRe$$|But] [$avan$|$$avan$$|he]
+[$avanooTu,$|$$avanooDu,$$|him-to,]
+[$`kaNTaalum,$|$$`kaND-aalum,$$|`see-please,] [$itra$|$$itra$$|so-many]
+[$varSamaayi$|$$varSam-aayi$$|years-having-become]
+[$n~aan$|$$n~aan$$|I] [$ninne$|$$ninne$$|thee]
+[$seevikkunnu.$|$$seevikkunnu.$$|serve.]
+%
+[$ninRe$|$$^ninRe$$|Thy] [$kalpana$|$$kalpana$$|order]
+[$oru$|$$oru$$|one] [$naaLum$|$$naaL-um$$|day-even]
+[$laMghiccatum$|$$lan"ghiccad-um$$|trangressing-even]
+[$illa,$|$$illa,$$|was-not,] [$ennaal$|$$ennaal$$|but] [$enRe$|$$enRe$$|my]
+[$can"n"aatikaLumaayi$|$$can"n"aatikaLum-aayi$$|friends-with-having-become]
+[$aanandikkeeNTatinnu$|$$aanandikk-eeNDadinnu$$|to-feast-wanted-being-for]
+[$nii$|$$nii$$|thou] [$orikkalum$|$$orikkal-um$$|once-even]
+[$enikku$|$$enikku$$|me-to] [$or$|$$or$$|one]
+[$aaTTinkuTTi$|$$aaTTinkuTTi$$|kid]
+[$tanniTTilla.$|$$tann-iTT-illa.$$|gavest-not.]
+%
+[$veeshyamaaroTu$|$$^veeshyamaaroDu$$|Harlots-with]
+[$kuuTi$|$$kuuDi$$|joining] [$ninRe$|$$ninRe$$|thy]
+[$mutal$|$$mudal$$|property] [$tinnu$|$$tinnu$$|eating]
+[$kaLan~n~a$|$$kaLan~n~a$$|having-wasted] [$ii$|$$ii$$|this]
+[$ninRe$|$$ninRe$$|thy] [$makan$|$$magan$$|son]
+[$vannappoozhekkoo$|$$vann-appoozhekkoo$$|coming-when]
+[$avannaayi$|$$avann-aayi$$|him-for] [$virunnu$|$$virunnu$$|feast]
+[$kazhiccuvalloo?'$|$$kazhiccuv-alloo?'$$|madest-is-it-not?']
+[$ennu$|$$ennu$$|saying] [$uttaram$|$$uttaram$$|reply]
+[$colli.$|$$colli.$$|spoke.]
+%
+[$appooL$|$$^appooL$$|Then] [$avan$|$$avan$$|he]
+[$avanooTu$|$$avanooDu$$|him-to] [$paRan~n~u,$|$$paRan~n~u,$$|said,]
+[$`makanee,$|$$`magan-ee,$$|`son-O,] [$nii$|$$nii$$|thou]
+[$eppoozhum$|$$eppoozh-um$$|always] [$ennooTu$|$$ennooDu$$|me-with]
+[$kuTe$|$$kuDe$$|together]
+[$aakunnuvalloo?'$|$$aagunnuv-alloo?'$$|art-is-it-not?']
+[$enikkuLLatu$|$$enikk-uLLadu$$|me-to-being-that]
+[$ellaam$|$$ellaam$$|all] [$ninReeTu$|$$ninReeDu$$|thine]
+[$aakunnu.$|$$aagunnu.$$|is.]
+%
+[$ennaal$|$$^ennaal$$|But] [$ii$|$$ii$$|this] [$ninRe$|$$ninRe$$|thy]
+[$sahoodaran$|$$sahoodaran$$|brother] [$mariccavan$|$$mariccavan$$|dead-man]
+[$aayirunnu$|$$aay-irunnu$$|had-become]
+[$tirikee$|$$tirigee$$|again] [$uyirttu;$|$$uyirttu;$$|revived;]
+[$kaaNaate$|$$kaaNaade$$|not-seeing] [$pooyavan$|$$pooyavan$$|goer]
+[$aayirunnu,$|$$aay-irunnu,$$|had-become,]
+[$kaNTukiTTiyirikkayaal$|$$kaNDu-kiTTiy-irikkayaal$$|seeing-reaching-being-because]
+[$naam$|$$naam$$|we] [$aanandiccu$|$$aanandiccu$$|having-been-merry]
+[$santooSikkeeNTatalloo?$|$$santooSikk-eeNDadalloo?$$|to-feast-wanted-being-is-it-not?]
+[$aakunnu.'$|$$aagunnu.'$$|is.']
+
+
+\endthreelines
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/prodigal.tex b/Master/texmf-dist/doc/fonts/malayalam/article/prodigal.tex
new file mode 100644
index 00000000000..3ea084ea4d3
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/prodigal.tex
@@ -0,0 +1,226 @@
+
+\input mmmacs
+\input mmtrmacs
+\input twolines
+
+\def\malstrut{\leavevmode\lower6pt\vbox to20pt{}}
+\def\firststyle{\malstrut}
+\def\secondstyle{\rm}
+\def\thirdstyle{\it}
+
+\raggedbottom
+\emergencystretch=30pt
+\parindent=0pt
+
+\centerline{{\mmtr MALAY\=A\d LAM}}
+\bigskip
+
+\beginthreelines
+
+[{\mm \X{\<18>}\X{\<136>}}|{\mmtr Oru}|One] [{\mm \X{\<46>}\X{\<134>}\X{\<55>\<83>}\X{\<174>}}|{\mmtr manu\d syannu}|man-to]
+[{\mm \X{\<48>}\X{\M{\<187>}{\<65>}}}|{\mmtr ra\d n\d du}|two] [{\mm \X{\<46>}\X{\<160>}\X{\<82>}}|{\mmtr makka\d l}|sons]
+[{\mm \X{\<9>}\X{\<187>\<62>}\X{\<47>\<63>}\X{\<136>}\X{\<174>}{\RMF.}}|{\mmtr u\d n\d d-\=ay-irunnu.}|having-become-were.]
+[{\mm \X{\<5>}\X{\<36>\<63>}\X{\<81>}}|{\mmtr Adil}|That-in] [{\mm \X{\<7>}\X{\<51>}\X{\<47>}\X{\<53>}\X{\<79>}}|{\mmtr i\d layavan}|the-younger]
+[{\mm \X{\<5>}\X{\<242>}\X{\<71>\<40>\<62>}\X{\M{\<31>}{\<65>}}{\RMF,}}|{\mmtr appan\=o\d du,}|the-father-to,]
+[{\mm {\RMF`}\X{\<5>}\X{\<242>\<62>}{\RMF,}}|{\mmtr `app\=a,}|`father,]
+[{\mm \X{\<53>}\X{\M{\<56>}{\Z\<133>}}\X{\<160>}\X{\<51>\<63>}\X{\<81>}}|{\mmtr vastu-kka\d lil}|goods-in] [{\mm \X{\<14>}\X{\<40>\<63>}\X{\<168>}}|{\mmtr enikku}|me-to]
+[{\mm \X{\<53>}\X{\<71>\<48>}\X{\M{\<187>}{\<65>}}\X{\<167>}}|{\mmtr var-\=e\d n\d dunna}|coming] [{\mm \X{\<42>}\X{\<182>}}|{\mmtr pa\.ngu}|share]
+[{\mm \X{\<36>}\X{\<71>\<48>}\X{\<35>}\X{\<71>\<46>}{\RMF,}{\RMF'}}|{\mmtr tar-\=e\d nam-\=e,'}|give-should,']
+[{\mm \X{\<14>}\X{\<174>}}|{\mmtr ennu}|having-said] [{\mm \X{\<42>}\X{\M{\<49>}{\<65>}}\X{\M{\<163>}{\<65>}}{\RMF,}}|{\mmtr pa\b ru\~n\~nu,}|said,]
+[{\mm \X{\<5>}\X{\<53>}\X{\<134>}\X{\<2>}}|{\mmtr avan-um}|he-and] [{\mm \X{\M{\<46>}{\<65>}}\X{\<36>}\X{\<50>\<63>}\X{\<70>\<40>}}|{\mmtr mudaline}|property]
+[{\mm \X{\<5>}\X{\<53>}\X{\T{\<76>}{\R{.8ex}{\<168>}}}}|{\mmtr avarkku}|them-to]
+[{\mm \X{\<42>}\X{\<128>}\X{\<36>\<63>} \X{\<70>\<26>}\X{\M{\<47>}{\Z\<133>}}{\RMF.}}|{\mmtr pagudi-ceydu.}|share-made.]
+[{\mm \X{\<15>}\X{\<70>\<49>}}|{\mmtr \=E\b re}|Many] [{\mm \X{\<40>\<62>}\X{\<81>}}|{\mmtr n\=al}|days]
+[{\mm \X{\<21>}\X{\<52>\<63>}\X{\M{\<47>}{\<65>}}\X{\<2>}}|{\mmtr ka\b ziyum}|passing] [{\mm \X{\M{\<46>}{\<65>}}\X{\<70>\<220>}}|{\mmtr mumbe}|before]
+[{\mm \X{\<7>}\X{\<51>}\X{\<47>}}|{\mmtr i\d laya}|younger] [{\mm \X{\<46>}\X{\<21>}\X{\<79>}}|{\mmtr makan}|son]
+[{\mm \X{\<56>}\X{\<21>}\X{\<50>}\X{\M{\<53>}{\<65>}}\X{\<2>}}|{\mmtr sakalavum}|all]
+[{\mm \X{\<56>\K{-.5}\<86>}\X{\<147>}\X{\<42>\<63>}\X{\M{\<247>}{\<65>}}\X{\<70>\<21>\<62>}\X{\M{\<187>}{\<65>}}}|{\mmtr svar\=upiccu-ko\d n\d du}|having-collected-for-himself]
+[{\mm \X{\M{\<38>}{\<66>}}\X{\<48>}}|{\mmtr d\=ura}|far]
+[{\mm \X{\<71>\<38>}\X{\<54>}\X{\<71>\<165>}\X{\<168>}}|{\mmtr d\=e\'satt\=ekku}|country-to]
+[{\mm \X{\<47>\<62>}\X{\<205>}}|{\mmtr y\=atra}|journey] [{\mm \X{\<71>\<42>\<62>}\X{\<47>\<63>}}|{\mmtr p\=oyi}|having-gone]
+[{\mm \X{\<5>}\X{\<53>\<63>}\X{\<70>\<31>}}|{\mmtr avi\d de}|there]
+[{\mm \X{\M{\<38>}{\<65>}}\X{\T{\<76>}{\R{.8ex}{\<167>}}}\X{\<31>}\X{\<242>\<62>}\X{\<47>\<63>}}|{\mmtr durnna\d dapp-\=ayi}|bad-conduct-becoming]
+[{\mm \X{\<28>\<64>}\X{\<53>\<63>}\X{\M{\<247>}{\<65>}}}|{\mmtr j{\=\i}viccu}|having-lived]
+[{\mm \X{\<36>}\X{\<70>\<79>\<49>}}|{\mmtr tan\b re}|his] [{\mm \X{\<53>}\X{\M{\<56>}{\Z\<133>}}}|{\mmtr vastu}|property]
+[{\mm \X{\<40>\<62>}\X{\<40>\<62>}\X{\<53>\<63>}\X{\<39>}\X{\<2>}}|{\mmtr n\=an\=avidham}|in-various-ways]
+[{\mm \X{\<6>}\X{\<160>\<63>}\X{\<160>}\X{\<51>}\X{\M{\<163>}{\<65>}}{\RMF.}}|{\mmtr \=akki-kka\d la\~n\~nu.}|made-wasted.]
+[{\mm \X{\<14>}\X{\M{\<50>}{\<85>}\<62>}\X{\<2>}}|{\mmtr Ell\=am}|All]
+[{\mm \X{\<70>\<26>}\X{\<50>}\X{\<53>}\X{\<52>\<63>}\X{\<247>}}|{\mmtr celava\b zicca}|spent] [{\mm \X{\<71>\<54>}\X{\<55>}\X{\<2>}}|{\mmtr \'s\=e\d sam}|after]
+[{\mm \X{\<6>}}|{\mmtr \=a}|that] [{\mm \X{\<71>\<38>}\X{\<54>}\X{\<165>\<63>}\X{\<81>}}|{\mmtr d\=e\'sattil}|country-in]
+[{\mm \X{\<21>}\X{\<32>\<63>}\X{\<40>}}|{\mmtr ka\d thina}|severe] [{\mm \X{\<251>\<62>}\X{\<46>}\X{\<2>}}|{\mmtr k\d s\=amam}|famine]
+[{\mm \X{\<9>}\X{\<187>\<62>}\X{\<47>\<63>}\X{\M{\<164>}{\<65>}}}|{\mmtr u\d n\d d\=ay-i\d t\d tu}|having-become]
+[{\mm \X{\<5>}\X{\<53>}\X{\<174>}}|{\mmtr avannu}|him-to] [{\mm \X{\M{\<46>}{\<65>}}\X{\M{\<164>}{\<65>}}}|{\mmtr mu\d t\d tu}|want]
+[{\mm \X{\<53>}\X{\<174>}}|{\mmtr vannu}|coming] [{\mm \X{\<133>}\X{\<31>}\X{\<161>\<63>}{\RMF.}}|{\mmtr tu\d da\.n\.ni.}|began.]
+[{\mm \X{\<14>}\X{\<167>\<62>}\X{\<70>\<49>}}|{\mmtr Enn\=a\b re}|Then] [{\mm \X{\<5>}\X{\<53>}\X{\<79>}}|{\mmtr avan}|he]
+[{\mm \X{\<71>\<42>\<62>}\X{\<47>\<63>}}|{\mmtr p\=oyi}|having-gone] [{\mm \X{\<6>}}|{\mmtr \=a}|that]
+[{\mm \X{\<71>\<38>}\X{\<54>}\X{\<165>\<63>}\X{\<71>\<50>}}|{\mmtr d\=e\'sattil-\=e}|country-in-being]
+[{\mm \X{\<70>\<42>\<87>}\X{\<48>}\X{\<193>\<62>}\X{\<48>\<63>}\X{\<81>}}|{\mmtr pauranm\=aril}|citizens-among]
+[{\mm \X{\<18>}\X{\<136>}\X{\<165>}\X{\<71>\<40>\<62>}\X{\M{\<31>}{\<65>}}}|{\mmtr oruttan\=o\d du}|one-with]
+[{\mm \X{\<42>}\X{\<243>\<63>}\X{\<70>\<160>\<62>}\X{\M{\<187>}{\<65>}}}|{\mmtr pa\b ti-kko\d n\d du}|joining-himself]
+[{\mm \X{\<6>}\X{\<47>}\X{\<53>}\X{\<79>}}|{\mmtr \=ay-avan}|having-become-he]
+[{\mm \X{\<5>}\X{\<53>}\X{\<70>\<40>}}|{\mmtr avane}|him] [{\mm \X{\<36>}\X{\<70>\<79>\<49>}}|{\mmtr tan\b re}|his]
+[{\mm \X{\<40>\<63>}\X{\<50>}\X{\<161>}\X{\<51>\<63>}\X{\<81>}}|{\mmtr nila\.n\.na\d lil}|fields-in]
+[{\mm \X{\<42>}\X{\<167>\<63>}\X{\<21>}\X{\<70>\<51>}}|{\mmtr panniga\d le}|pigs] [{\mm \X{\<71>\<46>}\X{\Q{\<47>}{\N{.8}{\<77>}}\<42>\<62>}\X{\<79>}}|{\mmtr m\=eyp\=an}|to-feed]
+[{\mm \X{\<5>}\X{\<47>}\X{\M{\<247>}{\<65>}}{\RMF.}}|{\mmtr ayaccu.}|sent.]
+[{\mm \X{\<42>}\X{\<167>\<63>}\X{\<21>}\X{\<82>}}|{\mmtr Panniga\d l}|Pigs] [{\mm \X{\<36>\<63>}\X{\<174>}\X{\<167>}}|{\mmtr tinunna}|eating]
+[{\mm \X{\<46>}\X{\<48>}\X{\<242>}\X{\<47>}\X{\M{\<49>}{\<65>}}}|{\mmtr marappaya\b ru}|husk] [{\mm \X{\<70>\<21>\<62>}\X{\M{\<187>}{\<65>}}}|{\mmtr ko\d n\d du}|taking]
+[{\mm \X{\<36>}\X{\<70>\<79>\<49>}}|{\mmtr tan\b re}|his] [{\mm \X{\<53>}\X{\<47>}\X{\M{\<49>}{\<65>}}}|{\mmtr vaya\b ru}|belly]
+[{\mm \X{\<40>\<63>}\X{\<70>\<49>}\X{\<242>\<62>}\X{\<79>}}|{\mmtr ni\b repp\=an}|to-fill]
+[{\mm \X{\<5>}\X{\<53>}\X{\<79>}}|{\mmtr avan}|he] [{\mm \X{\<6>}\X{\<201>}\X{\<57>\<63>}\X{\M{\<247>}{\<65>}}}|{\mmtr \=agrahiccu}|wished]
+[{\mm \X{\<14>}\X{\<181>\<63>}\X{\M{\<50>}{\<65>}}\X{\<2>}}|{\mmtr e\.ngilum}|though] [{\mm \X{\<6>}\X{\<136>}\X{\<2>}}|{\mmtr \=ar-um}|anybody]
+[{\mm \X{\<5>}\X{\<53>}\X{\<174>}}|{\mmtr avannu}|him-to] [{\mm \X{\<70>\<21>\<62>}\X{\M{\<31>}{\<65>}}\X{\<165>\<63>}\X{\M{\<50>}{\<85>}}{\RMF.}}|{\mmtr ko\d dutt-illa.}|gave-not.]
+[{\mm \X{\<5>}\X{\<71>\<242>\<62>}\X{\<82>}}|{\mmtr App\=o\d l}|Then] [{\mm \X{\M{\<44>}{\<65>}}\X{\<192>\<63>}}|{\mmtr buddhi}|sense]
+[{\mm \X{\<70>\<36>}\X{\<51>\<63>}\X{\<163>\<63>}\X{\M{\<164>}{\<65>}}}|{\mmtr te\d li\~n\~ni\d t\d tu}|having-cleared] [{\mm \X{\<5>}\X{\<53>}\X{\<79>}}|{\mmtr avan}|he]
+[{\mm \X{\<42>}\X{\<49>}\X{\M{\<163>}{\<65>}}{\RMF,}}|{\mmtr pa\b ra\~n\~nu,}|said,] [{\mm {\RMF`}\X{\<14>}\X{\<70>\<79>\<49>}}|{\mmtr `en\b re}|`my]
+[{\mm \X{\<5>}\X{\<242>}\X{\<70>\<79>\<49>}}|{\mmtr appan\b re}|father-of] [{\mm \X{\<14>}\X{\<205>}}|{\mmtr etra}|how-many]
+[{\mm \X{\<139>}\X{\<50>\<63>}\X{\<160>\<62>}\X{\<80>}}|{\mmtr k\=ulikk\=ar}|servants] [{\mm \X{\<5>}\X{\<242>}\X{\<2>}}|{\mmtr appam}|bread]
+[{\mm \X{\<36>\<63>}\X{\<174>}}|{\mmtr tinnu}|having-eaten]
+[{\mm \X{\<71>\<54>}\X{\<55>\<63>}\X{\<242>\<63>}\X{\<168>}\X{\<174>}\X{\M{\<187>}{\<65>}}}|{\mmtr \'s\=e\d sippikkunn-u\d n\d du}|saving-are]
+[{\mm \X{\<30>\<62>}\X{\<71>\<40>\<62>}}|{\mmtr \~n\=an-\=o}|I-but] [{\mm \X{\<53>\<63>}\X{\<54>}\X{\M{\<242>}{\<65>}}}|{\mmtr vi\'sappu}|hunger]
+[{\mm \X{\<70>\<21>\<62>}\X{\M{\<187>}{\<65>}}}|{\mmtr ko\d n\d du}|taking]
+[{\mm \X{\<40>}\X{\<54>\<63>}\X{\M{\<247>}{\<65>}}\X{\<71>\<42>\<62>}\X{\<128>}\X{\<174>}{\RMF.}}|{\mmtr na\'siccu-p\=ogunnu.}|perishing-go.]
+[{\mm \X{\<30>\<62>}\X{\<79>}}|{\mmtr \~N\=an}|I] [{\mm \X{\<14>}\X{\B{\<52>}{\<65>}}\X{\<40>\<64>}\X{\M{\<243>}{\<65>}}}|{\mmtr e\b zun{\=\i}\b tu}|having-arisen]
+[{\mm \X{\<14>}\X{\<70>\<79>\<49>}}|{\mmtr en\b re}|my] [{\mm \X{\<5>}\X{\<242>}\X{\<70>\<79>\<49>}}|{\mmtr appan\b re}|father's]
+[{\mm \X{\<5>}\X{\M{\<31>}{\<65>}}\X{\<160>}\X{\<71>\<50>}\X{\<168>}}|{\mmtr a\d dukkal\=ekku}|presence-to]
+[{\mm \X{\<71>\<42>\<62>}\X{\<47>\<63>}}|{\mmtr p\=oyi}|going] [{\mm \X{\<5>}\X{\<53>}\X{\<71>\<40>\<62>}\X{\M{\<31>}{\<65>}}{\RMF,}}|{\mmtr avan\=o\d du,}|him-to,]
+[{\mm {\RMF``}\X{\<5>}\X{\<242>\<62>}{\RMF,}}|{\mmtr ``app\=a,}|``father,] [{\mm \X{\<30>\<62>}\X{\<79>}}|{\mmtr \~n\=an}|I]
+[{\mm \X{\<56>\K{-.5}\<86>}\X{\T{\<76>}{\R{.8ex}{\<240>}}}\X{\<71>\<165>\<62>}\X{\M{\<31>}{\<65>}}\X{\<2>}}|{\mmtr svarggatt\=o\d d-um}|heaven-to-and]
+[{\mm \X{\<40>\<63>}\X{\<71>\<167>\<62>}\X{\M{\<31>}{\<65>}}\X{\<2>}}|{\mmtr ninn\=o\d dum}|thee-to-and] [{\mm \X{\<42>\<62>}\X{\<42>}\X{\<2>}}|{\mmtr p\=apam}|sin]
+[{\mm \X{\<70>\<26>}\X{\M{\<47>}{\Z\<133>}}{\RMF.}}|{\mmtr ceydu.}|did.]
+[{\mm \X{\<7>}\X{\<40>\<63>}}|{\mmtr Ini}|Hereafter] [{\mm \X{\<40>\<63>}\X{\<70>\<79>\<49>}}|{\mmtr nin\b re}|thy]
+[{\mm \X{\<46>}\X{\<21>}\X{\<79>}}|{\mmtr magan}|son] [{\mm \X{\<14>}\X{\<174>}}|{\mmtr ennu}|saying]
+[{\mm \X{\<53>\<63>}\X{\<51>\<63>}\X{\<160>}\X{\<70>\<242>}\X{\M{\<31>}{\<65>}}\X{\<53>\<62>}\X{\<79>}}|{\mmtr vi\d likka-ppe\d duv\=an}|to-be-called]
+[{\mm \X{\<71>\<47>\<62>}\X{\<23>\<83>}\X{\<40>}\X{\M{\<50>}{\<85>}}{\RMF.}}|{\mmtr y\=ogyan-alla.}|fit-man-am-not.]
+[{\mm \X{\<40>\<63>}\X{\<70>\<79>\<49>}}|{\mmtr Nin\b re}|Thy] [{\mm \X{\<139>}\X{\<50>\<63>}\X{\<160>\<62>}\X{\<48>\<63>}\X{\<81>}}|{\mmtr k\=ulikk\=aril}|servants-among]
+[{\mm \X{\<18>}\X{\<136>}\X{\<165>}\X{\<70>\<40>}}|{\mmtr oruttane}|one] [{\mm \X{\<71>\<42>\<62>}\X{\<70>\<50>}}|{\mmtr p\=ole}|like]
+[{\mm \X{\<14>}\X{\<70>\<167>}}|{\mmtr enne}|me]
+[{\mm \X{\<6>}\X{\<160>\<63>}\X{\<70>\<160>\<62>}\X{\<71>\<51>\K{-.2}\<51>}\X{\<35>}\X{\<71>\<46>}{\RMF,}{\RMF''}}|{\mmtr \=akki-kko\d l\d l-\=e\d nam-\=e,''}|having-made-to-take-is-wanted,'']
+[{\mm \X{\<14>}\X{\<174>}}|{\mmtr ennu}|saying] [{\mm \X{\<42>}\X{\<49>}\X{\M{\<47>}{\<65>}}\X{\<2>}{\RMF.}{\RMF'}}|{\mmtr pa\b rayum.'}|shall-say.']
+[{\mm \X{\<14>}\X{\<167>\<63>}\X{\M{\<164>}{\<65>}}}|{\mmtr Enni\d t\d tu}|Having-said]
+[{\mm \X{\<14>}\X{\B{\<52>}{\<65>}}\X{\<40>\<64>}\X{\M{\<243>}{\<65>}}}|{\mmtr e\b zun{\=\i}\b tu}|having-arisen]
+[{\mm \X{\<36>}\X{\<70>\<79>\<49>}}|{\mmtr tan\b re}|his] [{\mm \X{\<5>}\X{\<242>}\X{\<70>\<79>\<49>}}|{\mmtr appan\b re}|father's]
+[{\mm \X{\<5>}\X{\M{\<31>}{\<65>}}\X{\<160>}\X{\<71>\<50>}\X{\<168>}}|{\mmtr a\d dukkal\=eku}|presence-to] [{\mm \X{\<71>\<42>\<62>}\X{\<47>\<63>}{\RMF.}}|{\mmtr p\=oyi.}|went.]
+[{\mm \X{\<5>}\X{\<53>}\X{\<79>}}|{\mmtr Avan}|He]
+[{\mm \X{\M{\<38>}{\<66>}}\X{\<48>}\X{\<172>}\X{\<51>\K{-.2}\<51>}\X{\<71>\<242>\<62>}\X{\<82>}}|{\mmtr d\=urattu\d l\d l-app\=ol}|far-being-time-at]
+[{\mm \X{\<36>}\X{\<71>\<167>}}|{\mmtr tann\=e}|indeed] [{\mm \X{\<5>}\X{\<242>}\X{\<79>}}|{\mmtr appan}|the-father]
+[{\mm \X{\<5>}\X{\<53>}\X{\<70>\<40>}}|{\mmtr avane}|him] [{\mm \X{\<21>}\X{\M{\<187>}{\<65>}}}|{\mmtr ka\d n\d du}|seeing]
+[{\mm \X{\<21>}\X{\<48>}\X{\<51>}\X{\<50>\<63>}\X{\M{\<163>}{\<65>}}}|{\mmtr kara\d l-ali\~n\~nu}|heart-melting]
+[{\mm \X{\<18>\<62>}\X{\<31>\<63>}\X{\<70>\<247>}\X{\<174>}}|{\mmtr \=o\d di-ccennu}|running-going] [{\mm \X{\<5>}\X{\<53>}\X{\<70>\<79>\<49>}}|{\mmtr avan\b re}|his]
+[{\mm \X{\<21>}\X{\B{\<52>}{\<65>}}\X{\<165>\<63>}\X{\<81>}}|{\mmtr ka\b zuttil}|neck-on]
+[{\mm \X{\<70>\<21>}\X{\<164>\<63>}\X{\<242>\<63>}\X{\<31>\<63>}\X{\M{\<247>}{\<65>}}}|{\mmtr ke\d t\d tippi\d diccu}|having-attached-seized]
+[{\mm \X{\<5>}\X{\<53>}\X{\<70>\<40>}}|{\mmtr avane}|him]
+[{\mm \X{\M{\<26>}{\<65>}}\X{\<220>\<63>}\X{\M{\<247>}{\<65>}}{\RMF.}}|{\mmtr cumbiccu.}|kissed.]
+[{\mm \X{\<46>}\X{\<21>}\X{\<79>}}|{\mmtr Magan}|The-son] [{\mm \X{\<5>}\X{\<53>}\X{\<71>\<40>\<62>}\X{\M{\<31>}{\<65>}}{\RMF,}}|{\mmtr avan\=o\d du,}|him-to,]
+[{\mm {\RMF`}\X{\<5>}\X{\<242>\<62>}{\RMF,}}|{\mmtr `app\=a,}|`father,] [{\mm \X{\<30>\<62>}\X{\<79>}}|{\mmtr \~n\=an}|I]
+[{\mm \X{\<56>\K{-.5}\<86>}\X{\T{\<76>}{\R{.8ex}{\<240>}}}\X{\<71>\<165>\<62>}\X{\M{\<31>}{\<65>}}\X{\<2>}}|{\mmtr svarggatt\=o\d d-um}|heaven-to-and]
+[{\mm \X{\<40>\<63>}\X{\<71>\<167>\<62>}\X{\M{\<31>}{\<65>}}\X{\<2>}}|{\mmtr ninn\=o\d dum}|thee-to-and] [{\mm \X{\<42>\<62>}\X{\<42>}\X{\<2>}}|{\mmtr p\=apam}|sin]
+[{\mm \X{\<70>\<26>}\X{\M{\<47>}{\Z\<133>}}{\RMF.}}|{\mmtr ceydu.}|did.]
+[{\mm \X{\<7>}\X{\<40>\<63>}}|{\mmtr Ini}|Hereafter] [{\mm \X{\<40>\<63>}\X{\<70>\<79>\<49>}}|{\mmtr nin\b re}|thy]
+[{\mm \X{\<46>}\X{\<21>}\X{\<79>}}|{\mmtr magan}|son] [{\mm \X{\<14>}\X{\<174>}}|{\mmtr ennu}|saying]
+[{\mm \X{\<53>\<63>}\X{\<51>\<63>}\X{\<160>}\X{\<70>\<242>}\X{\M{\<31>}{\<65>}}\X{\<53>\<62>}\X{\<79>}}|{\mmtr vi\d likka-ppe\d duv\=an}|to-be-called]
+[{\mm \X{\<71>\<47>\<62>}\X{\<23>\<83>}\X{\<134>}\X{\<46>}\X{\M{\<50>}{\<85>}}{\RMF,}{\RMF'}}|{\mmtr y\=ogyan-um-alla,'}|fit-man-at-all-am-not,']
+[{\mm \X{\<14>}\X{\<174>}}|{\mmtr ennu}|saying] [{\mm \X{\<42>}\X{\<49>}\X{\M{\<163>}{\<65>}}{\RMF.}}|{\mmtr pa\b ra\~n\~nu.}|said.]
+[{\mm \X{\<14>}\X{\<167>\<62>}\X{\<70>\<49>}}|{\mmtr Enn\=a\b re}|But] [{\mm \X{\<5>}\X{\<242>}\X{\<79>}}|{\mmtr appan}|the-father]
+[{\mm \X{\<36>}\X{\<70>\<79>\<49>}}|{\mmtr tan\b re}|his] [{\mm \X{\<38>\<62>}\X{\<56>}\X{\<71>\<48>\<62>}\X{\M{\<31>}{\<65>}}{\RMF,}}|{\mmtr d\=asar\=o\d tu,}|slaves-to,]
+[{\mm {\RMF`}\X{\<71>\<53>}\X{\<21>}\X{\<2>}}|{\mmtr `vegam}|`quickly]
+[{\mm \X{\<71>\<46>}\X{\B{\<50>}{\Z\<165>}}\X{\<48>}\X{\<46>\<62>}\X{\<47>}}|{\mmtr m\=el-ttaram-\=aya}|high-class-being]
+[{\mm \X{\<5>}\X{\<181>\<63>}}|{\mmtr a\.ngi}|robe]
+[{\mm \X{\<70>\<21>\<62>}\X{\M{\<187>}{\<65>}}\X{\<53>}\X{\<174>}}|{\mmtr ko\d n\d du-vannu}|having-taken-having-come]
+[{\mm \X{\<7>}\X{\<53>}\X{\<70>\<40>}}|{\mmtr ivane}|him] [{\mm \X{\<9>}\X{\M{\<31>}{\<65>}}\X{\<242>\<63>}\X{\<242>\<63>}\X{\<79>}{\RMF,}}|{\mmtr u\d duppippin,}|dress-ye,]
+[{\mm \X{\<70>\<21>}\X{\<7>}\X{\<168>}}|{\mmtr keikku}|hand-on] [{\mm \X{\<71>\<46>\<62>}\X{\<38>\<63>}\X{\<48>}\X{\M{\<53>}{\<65>}}\X{\<2>}}|{\mmtr m\=odirav-um}|ring-and]
+[{\mm \X{\<21>\<62>}\X{\M{\<50>}{\<65>}}\X{\<21>}\X{\<82>\<168>}}|{\mmtr k\=aluga\d lkku}|feet-on]
+[{\mm \X{\<70>\<26>}\X{\<48>\<63>}\X{\M{\<242>}{\<65>}}\X{\<21>}\X{\M{\<51>}{\<65>}}\X{\<2>}}|{\mmtr cerippuga\d lum}|shoes-and]
+[{\mm \X{\<7>}\X{\M{\<31>}{\<65>}}\X{\<53>\<63>}\X{\<242>\<63>}\X{\<79>}{\RMF.}}|{\mmtr i\d duvippin.}|put-ye.]
+[{\mm \X{\<40>\<62>}\X{\<2>}}|{\mmtr N\=am}|We] [{\mm \X{\<45>}\X{\<251>\<63>}\X{\M{\<247>}{\<65>}}}|{\mmtr bhak\d siccu}|eating]
+[{\mm \X{\<6>}\X{\<40>}\X{\<195>\<63>}\X{\<160>}{\RMF.}}|{\mmtr \=anandikka.}|shall-feast.]
+[{\mm \X{\<7>\<87>}}|{\mmtr \=I}|This] [{\mm \X{\<14>}\X{\<70>\<79>\<49>}}|{\mmtr en\b re}|my] [{\mm \X{\<46>}\X{\<21>}\X{\<79>}}|{\mmtr magan}|son]
+[{\mm \X{\<46>}\X{\<48>\<63>}\X{\<247>}\X{\<53>}\X{\<79>}}|{\mmtr mariccavan}|dead-man]
+[{\mm \X{\<6>}\X{\<47>\<63>}\X{\<136>}\X{\<174>}{\RMF,}}|{\mmtr \=ay-irunnu,}|having-become-is,]
+[{\mm \X{\<36>\<63>}\X{\<48>\<63>}\X{\<71>\<21>}}|{\mmtr tirig\=e}|again] [{\mm \X{\<9>}\X{\<47>\<63>}\X{\T{\<76>}{\R{.8ex}{\<172>}}}{\RMF;}}|{\mmtr uyrittu;}|revived;]
+[{\mm \X{\<21>\<62>}\X{\<35>\<62>}\X{\<70>\<36>}}|{\mmtr k\=a\d n\=ade}|not-seeing] [{\mm \X{\<71>\<42>\<62>}\X{\<47>}\X{\<53>}\X{\<79>}}|{\mmtr p\=oyavan}|gone-man]
+[{\mm \X{\<6>}\X{\<47>\<63>}\X{\<136>}\X{\<174>}{\RMF,}}|{\mmtr \=ay-irunnu,}|having-become-is,]
+[{\mm \X{\<21>}\X{\M{\<187>}{\<65>}}\X{\<21>\<63>}\X{\<164>}\X{\<21>}\X{\M{\<47>}{\<65>}}\X{\<2>}}|{\mmtr ka\d n\d duki\d t\d tagayum}|seeing-finding]
+[{\mm \X{\<70>\<26>}\X{\M{\<47>}{\Z\<133>}}\X{\<53>}\X{\<71>\M{\<50>}{\<85>}\<62>}{\RMF?}{\RMF'}}|{\mmtr ceydu-v-all\=o?'}|made-is-it-not?']
+[{\mm \X{\<14>}\X{\<174>}}|{\mmtr ennu}|saying] [{\mm \X{\<42>}\X{\<49>}\X{\M{\<163>}{\<65>}}{\RMF.}}|{\mmtr pa\b ra\~n\~nu.}|said.]
+[{\mm \X{\<5>}\X{\<53>}\X{\<80>}}|{\mmtr Avar}|They] [{\mm \X{\<6>}\X{\<40>}\X{\<195>\<63>}\X{\M{\<247>}{\<65>}}}|{\mmtr \=anandiccu}|feasting]
+[{\mm \X{\<133>}\X{\<31>}\X{\<161>\<63>}{\RMF.}}|{\mmtr tu\d da\.n\.ni.}|began.]
+
+
+[{\mm \X{\<14>}\X{\<167>\<62>}\X{\<81>}}|{\mmtr Enn\=al}|Now] [{\mm \X{\<5>}\X{\<53>}\X{\<70>\<79>\<49>}}|{\mmtr avan\b re}|his]
+[{\mm \X{\M{\<46>}{\<66>}}\X{\<165>}}|{\mmtr m\=utta}|elder] [{\mm \X{\<46>}\X{\<21>}\X{\<79>}}|{\mmtr magan}|son]
+[{\mm \X{\<53>}\X{\<47>}\X{\<50>\<63>}\X{\<81>}}|{\mmtr vayalil}|field-in] [{\mm \X{\<6>}\X{\<47>\<63>}\X{\<136>}\X{\<174>}{\RMF,}}|{\mmtr \=ay-irunnu,}|had-been,]
+[{\mm \X{\<6>}\X{\<47>}\X{\<53>}\X{\<79>}}|{\mmtr \=ay-avan}|having-become-he] [{\mm \X{\<53>}\X{\<174>}}|{\mmtr vannu}|coming]
+[{\mm \X{\<53>\<64>}\X{\<164>\<63>}\X{\<71>\<40>\<62>}\X{\M{\<31>}{\<65>}}}|{\mmtr v{\=\i}\d t\d tin\=o\d du}|house-to]
+[{\mm \X{\<5>}\X{\M{\<31>}{\<65>}}\X{\<165>}\X{\<71>\<242>\<62>}\X{\<82>}}|{\mmtr a\d duttapp\=o\d l}|coming-when]
+[{\mm \X{\<53>\<62>}\X{\<38>\<83>}\X{\M{\<53>}{\<65>}}\X{\<2>}}|{\mmtr v\=adyav-um}|music-and]
+[{\mm \X{\<155>}\X{\<165>}\X{\<71>\<24>\<62>}\X{\<55>}\X{\<161>}\X{\M{\<51>}{\<65>}}\X{\<2>}}|{\mmtr n\d rttagh\=o\d sa\.n\.na\d l-um}|dancing-sounds-and]
+[{\mm \X{\<71>\<21>}\X{\M{\<164>}{\<65>}}}|{\mmtr k\=e\d t\d tu}|hearing]
+[{\mm \X{\<44>\<62>}\X{\<50>\<83>}\X{\<160>\<62>}\X{\<48>\<63>}\X{\<81>}}|{\mmtr b\=alya-kk\=aril}|servants-among]
+[{\mm \X{\<18>}\X{\<136>}\X{\<165>}\X{\<70>\<40>}}|{\mmtr oruttane}|one] [{\mm \X{\<53>\<63>}\X{\<51>\<63>}\X{\M{\<247>}{\<65>}}{\RMF,}}|{\mmtr vi\d liccu,}|calling,]
+[{\mm {\RMF`}\X{\<7>}\X{\<70>\<36>}\X{\<222>}{\RMF?}{\RMF'}}|{\mmtr `id-endu?'}|`this-what?'] [{\mm \X{\<14>}\X{\<174>}}|{\mmtr ennu}|saying]
+[{\mm \X{\<71>\<26>\<62>}\X{\<38>\<63>}\X{\M{\<247>}{\<65>}}{\RMF.}}|{\mmtr c\=odiccu.}|asked.]
+[{\mm \X{\<5>}\X{\<53>}\X{\<79>}}|{\mmtr Avan}|he] [{\mm \X{\<5>}\X{\<53>}\X{\<71>\<40>\<62>}\X{\M{\<31>}{\<65>}}}|{\mmtr avan\=o\d du}|him-to]
+[{\mm \X{\<42>}\X{\M{\<49>}{\<65>}}\X{\M{\<163>}{\<65>}}{\RMF,}}|{\mmtr pa\b ru\~n\~nu,}|said,] [{\mm {\RMF`}\X{\<40>\<63>}\X{\<70>\<79>\<49>}}|{\mmtr `nin\b re}|`thy]
+[{\mm \X{\<56>}\X{\<71>\<57>\<62>}\X{\<38>}\X{\<48>}\X{\<79>}}|{\mmtr sah\=odaran}|brother] [{\mm \X{\<53>}\X{\<174>}}|{\mmtr vannu}|coming]
+[{\mm {\RMF`}\X{\<40>\<63>}\X{\<70>\<79>\<49>}}|{\mmtr `nin\b re}|`thy] [{\mm \X{\<5>}\X{\<242>}\X{\<79>}}|{\mmtr appan}|father]
+[{\mm \X{\<5>}\X{\<53>}\X{\<70>\<40>}}|{\mmtr avane}|him] [{\mm \X{\<70>\<56>\<87>}\X{\<22>\<83>}\X{\<71>\<165>\<62>}\X{\<70>\<31>}}|{\mmtr saukhyatt\=o\d de}|healthy]
+[{\mm \X{\<21>\<63>}\X{\<164>\<63>}\X{\<47>}\X{\<133>}\X{\<70>\<21>\<62>}\X{\M{\<187>}{\<65>}}}|{\mmtr ki\d t\d tiyadu-ko\d n\d du}|finding-on-account-of]
+[{\mm \X{\<53>\<63>}\X{\<136>}\X{\<174>}}|{\mmtr virunnu}|feast] [{\mm \X{\<21>}\X{\<52>\<63>}\X{\M{\<247>}{\<65>}}{\RMF.}{\RMF'}}|{\mmtr ka\b ziccu.'}|made.']
+[{\mm \X{\<5>}\X{\<71>\<242>\<62>}\X{\<82>}}|{\mmtr App\=o\d l}|Then] [{\mm \X{\<5>}\X{\<53>}\X{\<79>}}|{\mmtr avan}|he]
+[{\mm \X{\<71>\<21>\<62>}\X{\<42>\<63>}\X{\M{\<247>}{\<65>}}}|{\mmtr k\=opiccu}|getting-angry] [{\mm \X{\<5>}\X{\<21>}\X{\<2>}}|{\mmtr agam}|house]
+[{\mm \X{\M{\<44>}{\<65>}}\X{\<21>}\X{\<53>\<62>}\X{\<79>}}|{\mmtr bugav\=an}|to-enter]
+[{\mm \X{\<46>}\X{\<40>}\X{\<245>\<63>}\X{\M{\<50>}{\<85>}\<62>}\X{\M{\<163>}{\<65>}}{\RMF,}}|{\mmtr manass-ill\=a\~n\~nu,}|mind-was-not,]
+[{\mm \X{\<14>}\X{\<167>\<63>}\X{\M{\<164>}{\<65>}}}|{\mmtr enni\d t\d tu}|having said] [{\mm \X{\<5>}\X{\<242>}\X{\<79>}}|{\mmtr appan}|the-father]
+[{\mm \X{\M{\<42>}{\<65>}}\X{\<49>}\X{\<172>}}|{\mmtr pu\b rattu}|out] [{\mm \X{\<53>}\X{\<174>}}|{\mmtr vannu}|having-come]
+[{\mm \X{\<5>}\X{\<53>}\X{\<71>\<40>\<62>}\X{\M{\<31>}{\<65>}}}|{\mmtr avan\=o\d du}|him-with]
+[{\mm \X{\<5>}\X{\<71>\<42>}\X{\<251>\<63>}\X{\M{\<247>}{\<65>}}{\RMF.}}|{\mmtr ap\=ek\d siccu.}|entreated.]
+[{\mm \X{\<14>}\X{\<167>\<62>}\X{\<70>\<49>}}|{\mmtr Enn\=a\b re}|But] [{\mm \X{\<5>}\X{\<53>}\X{\<79>}}|{\mmtr avan}|he]
+[{\mm \X{\<5>}\X{\<53>}\X{\<71>\<40>\<62>}\X{\M{\<31>}{\<65>}}{\RMF,}}|{\mmtr avan\=o\d du,}|him-to,]
+[{\mm {\RMF`}\X{\<21>}\X{\<187>\<62>}\X{\M{\<50>}{\<65>}}\X{\<2>}{\RMF,}}|{\mmtr `ka\d n\d d-\=alum,}|`see-please,] [{\mm \X{\<7>}\X{\<205>}}|{\mmtr itra}|so-many]
+[{\mm \X{\<53>}\X{\T{\<76>}{\R{.8ex}{\<55>}}}\X{\<46>\<62>}\X{\<47>\<63>}}|{\mmtr var\d sam-\=ayi}|years-having-become]
+[{\mm \X{\<30>\<62>}\X{\<79>}}|{\mmtr \~n\=an}|I] [{\mm \X{\<40>\<63>}\X{\<70>\<167>}}|{\mmtr ninne}|thee]
+[{\mm \X{\<71>\<56>}\X{\<53>\<63>}\X{\<168>}\X{\<174>}{\RMF.}}|{\mmtr s\=evikkunnu.}|serve.]
+[{\mm \X{\<40>\<63>}\X{\<70>\<79>\<49>}}|{\mmtr Nin\b re}|Thy] [{\mm \X{\<21>}\X{\<81>\<42>}\X{\<40>}}|{\mmtr kalpana}|order]
+[{\mm \X{\<18>}\X{\<136>}}|{\mmtr oru}|one] [{\mm \X{\<40>\<62>}\X{\M{\<51>}{\<65>}}\X{\<2>}}|{\mmtr n\=a\d l-um}|day-even]
+[{\mm \X{\<50>}\<2>\X{\<24>\<63>}\X{\<247>}\X{\<133>}\X{\<2>}}|{\mmtr la\.nghiccad-um}|trangressing-even]
+[{\mm \X{\<7>}\X{\M{\<50>}{\<85>}}{\RMF,}}|{\mmtr illa,}|was-not,] [{\mm \X{\<14>}\X{\<167>\<62>}\X{\<81>}}|{\mmtr enn\=al}|but] [{\mm \X{\<14>}\X{\<70>\<79>\<49>}}|{\mmtr en\b re}|my]
+[{\mm \X{\<26>}\X{\<161>\<62>}\X{\<36>\<63>}\X{\<21>}\X{\M{\<51>}{\<65>}}\X{\<46>\<62>}\X{\<47>\<63>}}|{\mmtr ca\.n\.n\=atika\d lum-\=ayi}|friends-with-having-become]
+[{\mm \X{\<6>}\X{\<40>}\X{\<195>\<63>}\X{\<71>\<160>}\X{\<187>}\X{\<36>\<63>}\X{\<174>}}|{\mmtr \=anandikk-\=e\d n\d dadinnu}|to-feast-wanted-being-for]
+[{\mm \X{\<40>\<64>}}|{\mmtr n{\=\i}}|thou] [{\mm \X{\<18>}\X{\<48>\<63>}\X{\<160>}\X{\M{\<50>}{\<65>}}\X{\<2>}}|{\mmtr orikkal-um}|once-even]
+[{\mm \X{\<14>}\X{\<40>\<63>}\X{\<168>}}|{\mmtr enikku}|me-to] [{\mm \X{\<18>}\X{\<80>}}|{\mmtr or}|one]
+[{\mm \X{\<6>}\X{\<164>\<63>}\X{\M{\<40>}{\<113>}}\X{\<164>\<63>}}|{\mmtr \=a\d t\d tinku\d t\d ti}|kid]
+[{\mm \X{\<36>}\X{\<167>\<63>}\X{\<164>\<63>}\X{\M{\<50>}{\<85>}}{\RMF.}}|{\mmtr tann-i\d t\d t-illa.}|gavest-not.]
+[{\mm \X{\<71>\<53>}\X{\<54>\<83>}\X{\<46>\<62>}\X{\<70>\<48>\<62>}\X{\M{\<31>}{\<65>}}}|{\mmtr V\=e\'syam\=aro\d du}|Harlots-with]
+[{\mm \X{\<139>}\X{\<31>\<63>}}|{\mmtr k\=u\d di}|joining] [{\mm \X{\<40>\<63>}\X{\<70>\<79>\<49>}}|{\mmtr nin\b re}|thy]
+[{\mm \X{\M{\<46>}{\<65>}}\X{\<36>}\X{\<81>}}|{\mmtr mudal}|property] [{\mm \X{\<36>\<63>}\X{\<174>}}|{\mmtr tinnu}|eating]
+[{\mm \X{\<21>}\X{\<51>}\X{\<163>}}|{\mmtr ka\d la\~n\~na}|having-wasted] [{\mm \X{\<7>\<87>}}|{\mmtr {\=\i}}|this]
+[{\mm \X{\<40>\<63>}\X{\<70>\<79>\<49>}}|{\mmtr nin\b re}|thy] [{\mm \X{\<46>}\X{\<21>}\X{\<79>}}|{\mmtr magan}|son]
+[{\mm \X{\<53>}\X{\<167>}\X{\<71>\<242>\<62>}\X{\<70>\<52>}\X{\<71>\<160>\<62>}}|{\mmtr vann-app\=o\b zekk\=o}|coming-when]
+[{\mm \X{\<5>}\X{\<53>}\X{\<167>\<62>}\X{\<47>\<63>}}|{\mmtr avann-\=ayi}|him-for] [{\mm \X{\<53>\<63>}\X{\<136>}\X{\<174>}}|{\mmtr virunnu}|feast]
+[{\mm \X{\<21>}\X{\<52>\<63>}\X{\M{\<247>}{\<65>}}\X{\<53>}\X{\<71>\M{\<50>}{\<85>}\<62>}{\RMF?}{\RMF'}}|{\mmtr ka\b ziccuv-all\=o?'}|madest-is-it-not?']
+[{\mm \X{\<14>}\X{\<174>}}|{\mmtr ennu}|saying] [{\mm \X{\<9>}\X{\<165>}\X{\<48>}\X{\<2>}}|{\mmtr uttaram}|reply]
+[{\mm \X{\<70>\<26>\<62>}\X{\M{\<50>}{\<85>}\<63>}{\RMF.}}|{\mmtr colli.}|spoke.]
+[{\mm \X{\<5>}\X{\<71>\<242>\<62>}\X{\<82>}}|{\mmtr App\=o\d l}|Then] [{\mm \X{\<5>}\X{\<53>}\X{\<79>}}|{\mmtr avan}|he]
+[{\mm \X{\<5>}\X{\<53>}\X{\<71>\<40>\<62>}\X{\M{\<31>}{\<65>}}}|{\mmtr avan\=o\d du}|him-to] [{\mm \X{\<42>}\X{\<49>}\X{\M{\<163>}{\<65>}}{\RMF,}}|{\mmtr pa\b ra\~n\~nu,}|said,]
+[{\mm {\RMF`}\X{\<46>}\X{\<21>}\X{\<71>\<40>}{\RMF,}}|{\mmtr `magan-\=e,}|`son-O,] [{\mm \X{\<40>\<64>}}|{\mmtr n{\=\i}}|thou]
+[{\mm \X{\<14>}\X{\<71>\<242>\<62>}\X{\B{\<52>}{\<65>}}\X{\<2>}}|{\mmtr epp\=o\b z-um}|always] [{\mm \X{\<14>}\X{\<71>\<167>\<62>}\X{\M{\<31>}{\<65>}}}|{\mmtr enn\=o\d du}|me-with]
+[{\mm \X{\<128>}\X{\<70>\<31>}}|{\mmtr ku\d de}|together]
+[{\mm \X{\<6>}\X{\<128>}\X{\<174>}\X{\<53>}\X{\<71>\M{\<50>}{\<85>}\<62>}{\RMF?}{\RMF'}}|{\mmtr \=agunnuv-all\=o?'}|art-is-it-not?']
+[{\mm \X{\<14>}\X{\<40>\<63>}\X{\<168>}\X{\<51>\K{-.2}\<51>}\X{\<133>}}|{\mmtr enikk-u\d l\d ladu}|me-to-being-that]
+[{\mm \X{\<14>}\X{\M{\<50>}{\<85>}\<62>}\X{\<2>}}|{\mmtr ell\=am}|all] [{\mm \X{\<40>\<63>}\X{\<71>\<79>\<49>}\X{\M{\<31>}{\<65>}}}|{\mmtr nin\b r\=e\d du}|thine]
+[{\mm \X{\<6>}\X{\<128>}\X{\<174>}{\RMF.}}|{\mmtr \=agunnu.}|is.]
+[{\mm \X{\<14>}\X{\<167>\<62>}\X{\<81>}}|{\mmtr Enn\=al}|But] [{\mm \X{\<7>\<87>}}|{\mmtr {\=\i}}|this] [{\mm \X{\<40>\<63>}\X{\<70>\<79>\<49>}}|{\mmtr nin\b re}|thy]
+[{\mm \X{\<56>}\X{\<71>\<57>\<62>}\X{\<38>}\X{\<48>}\X{\<79>}}|{\mmtr sah\=odaran}|brother] [{\mm \X{\<46>}\X{\<48>\<63>}\X{\<247>}\X{\<53>}\X{\<79>}}|{\mmtr mariccavan}|dead-man]
+[{\mm \X{\<6>}\X{\<47>\<63>}\X{\<136>}\X{\<174>}}|{\mmtr \=ay-irunnu}|had-become]
+[{\mm \X{\<36>\<63>}\X{\<48>\<63>}\X{\<71>\<21>}}|{\mmtr tirig\=e}|again] [{\mm \X{\<9>}\X{\<47>\<63>}\X{\T{\<76>}{\R{.8ex}{\<172>}}}{\RMF;}}|{\mmtr uyirttu;}|revived;]
+[{\mm \X{\<21>\<62>}\X{\<35>\<62>}\X{\<70>\<36>}}|{\mmtr k\=a\d n\=ade}|not-seeing] [{\mm \X{\<71>\<42>\<62>}\X{\<47>}\X{\<53>}\X{\<79>}}|{\mmtr p\=oyavan}|goer]
+[{\mm \X{\<6>}\X{\<47>\<63>}\X{\<136>}\X{\<174>}{\RMF,}}|{\mmtr \=ay-irunnu,}|had-become,]
+[{\mm \X{\<21>}\X{\M{\<187>}{\<65>}}\X{\<21>\<63>}\X{\<164>\<63>}\X{\<47>\<63>}\X{\<48>\<63>}\X{\<160>}\X{\<47>\<62>}\X{\<81>}}|{\mmtr ka\d n\d du-ki\d t\d tiy-irikkay\=al}|seeing-reaching-being-because]
+[{\mm \X{\<40>\<62>}\X{\<2>}}|{\mmtr n\=am}|we] [{\mm \X{\<6>}\X{\<40>}\X{\<195>\<63>}\X{\M{\<247>}{\<65>}}}|{\mmtr \=anandiccu}|having-been-merry]
+[{\mm \X{\<56>}\X{\<71>\<194>\<62>}\X{\<55>\<63>}\X{\<71>\<160>}\X{\<187>}\X{\<36>}\X{\<71>\M{\<50>}{\<85>}\<62>}{\RMF?}}|{\mmtr sant\=o\d sikk-\=e\d n\d dadall\=o?}|to-feast-wanted-being-is-it-not?]
+[{\mm \X{\<6>}\X{\<128>}\X{\<174>}{\RMF.}{\RMF'}}|{\mmtr \=agunnu.'}|is.']
+
+
+\endthreelines
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/test.mm b/Master/texmf-dist/doc/fonts/malayalam/article/test.mm
new file mode 100644
index 00000000000..a253a998fc9
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/test.mm
@@ -0,0 +1,46 @@
+
+\input mmqmacs
+
+\twelvemmc
+
+%\tracingmacros=1
+
+
+$pp+ v+ kush acchan$
+
+
+\beginsection A test of $\mmcb malayaaLam$-mode
+
+Below are given the letters of the Malayalam alphabet:
+
+<malayalam>
+
+a aa i ii u uu .r e ee ai o oo au
+
+ka kha ga gha n"a ca cha ja jha n~a Ta Tha Da Dha Na ta tha da dha na
+pa pha ba bha ma ya ra la va sha Sa sa ha La zha Ra
+
+
+kka gga n"n"a cca jja TTa DDa NNa tta dda nna ppa bba mma yya lla vva shsha ssa LLa RRa
+
+. , : ; ? ! ( ) - -- ---
+
+1,23,45,67,890 \mmfigures 1,23,45,67,890
+
+\mmc
+
+kra khra gra ghra n"ra cra chra jra jhra n~ra
+Tra Thra Dra Dhra Nra tra thra dra dhra nra
+pra phra bra bhra mra yra rra lra vra shra Sra sra
+hra Lra Rra zhra
+
+kya khya gya ghya n"ya cya chya jya jhya n~ya
+Tya Thya Dya Dhya Nya tya thya dya dhya nya
+pya phya bya bhya mya yya rya lya vya shya Sya sya
+hya Lya Rya zhya
+
+kSa kSma kva thva nva hva ggya
+
+</malayalam>
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/test.tex b/Master/texmf-dist/doc/fonts/malayalam/article/test.tex
new file mode 100644
index 00000000000..f8f7db41df9
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/test.tex
@@ -0,0 +1,45 @@
+
+\input mmqmacs
+
+\twelvemmc
+
+
+
+{\mm \X{\Q{\<242>}{\N{.8}{\<77>}}} \X{\Q{\<53>}{\N{.8}{\<77>}}} \X{\<21>\<72>}\X{\Q{\<54>}{\N{.8}{\<77>}}} \X{\<5>}\X{\Q{\<26>}{\N{.8}{\<77>}}\<27>}\X{\<79>}}
+
+
+\beginsection A test of {\mm \mmcb \X{\<46>}\X{\<50>}\X{\<47>\<62>}\X{\<51>}\X{\<2>}}-mode
+
+Below are given the letters of the Malayalam alphabet:
+
+{\mm
+
+\X{\<5>} \X{\<6>} \X{\<7>} \X{\<7>\<87>} \X{\<9>} \X{\<9>\<87>} \X{\<11>} \X{\<14>} \X{\<15>} \X{\<70>\<14>} \X{\<18>} \X{\<18>\<62>} \X{\<18>\<87>}
+
+\X{\<21>} \X{\<22>} \X{\<23>} \X{\<24>} \X{\<25>} \X{\<26>} \X{\<27>} \X{\<28>} \X{\<29>} \X{\<30>} \X{\<31>} \X{\<32>} \X{\<33>} \X{\<34>} \X{\<35>} \X{\<36>} \X{\<37>} \X{\<38>} \X{\<39>} \X{\<40>}
+\X{\<42>} \X{\<43>} \X{\<44>} \X{\<45>} \X{\<46>} \X{\<47>} \X{\<48>} \X{\<50>} \X{\<53>} \X{\<54>} \X{\<55>} \X{\<56>} \X{\<57>} \X{\<51>} \X{\<52>} \X{\<49>}
+
+
+\X{\<160>} \X{\<240>} \X{\<161>} \X{\<247>} \X{\<162>} \X{\<164>} \X{\M{\<33>}{\<89>}} \X{\<241>} \X{\<165>} \X{\<166>} \X{\<167>} \X{\<242>} \X{\<248>} \X{\<46>\K{-.27}\<46>} \X{\<249>} \X{\M{\<50>}{\<85>}} \X{\<250>} \X{\<244>} \X{\<245>} \X{\<51>\K{-.2}\<51>} \X{\<243>}
+
+{\RMF.} {\RMF,} {\RMF:} {\RMF;} {\RMF?} {\RMF!} {\RMF(} {\RMF)} {\RMF-} {\RMF--} {\RMF---}
+
+{\mmone}{\RMF,}{\mmtwo}{\mmthree}{\RMF,}{\mmfour}{\mmfive}{\RMF,}{\mmsix}{\mmseven}{\RMF,}{\mmeight}{\mmnine}{\mmzero} \mmfigures {\mmone}{\RMF,}{\mmtwo}{\mmthree}{\RMF,}{\mmfour}{\mmfive}{\RMF,}{\mmsix}{\mmseven}{\RMF,}{\mmeight}{\mmnine}{\mmzero}
+
+\mmc
+
+\X{\<74>\<21>} \X{\<74>\<22>} \X{\<74>\<23>} \X{\<74>\<24>} \X{\<74>\<25>} \X{\<74>\<26>} \X{\<74>\<27>} \X{\<74>\<28>} \X{\<74>\<29>} \X{\<74>\<30>}
+\X{\<74>\<31>} \X{\<74>\<32>} \X{\<74>\<33>} \X{\<74>\<34>} \X{\<74>\<35>} \X{\<74>\<36>} \X{\<74>\<37>} \X{\<74>\<38>} \X{\<74>\<39>} \X{\<74>\<40>}
+\X{\<74>\<42>} \X{\<74>\<43>} \X{\<74>\<44>} \X{\<74>\<45>} \X{\<74>\<46>} \X{\<74>\<47>} \X{\<80>\<48>} \X{\<74>\<50>} \X{\<74>\<53>} \X{\<74>\<54>} \X{\<74>\<55>} \X{\<74>\<56>}
+\X{\<74>\<57>} \X{\<74>\<51>} \X{\<74>\<49>} \X{\<74>\<52>}
+
+\X{\<21>\<83>} \X{\<22>\<83>} \X{\<23>\<83>} \X{\<24>\<83>} \X{\<25>\<83>} \X{\<26>\<83>} \X{\<27>\<83>} \X{\<28>\<83>} \X{\<29>\<83>} \X{\<30>\<83>}
+\X{\<31>\<83>} \X{\<32>\<83>} \X{\<33>\<83>} \X{\<34>\<83>} \X{\<35>\<83>} \X{\<36>\<83>} \X{\<37>\<83>} \X{\<38>\<83>} \X{\<39>\<83>} \X{\<40>\<83>}
+\X{\<42>\<83>} \X{\<43>\<83>} \X{\<44>\<83>} \X{\<45>\<83>} \X{\<46>\<83>} \X{\<249>} \X{\<80>\<47>} \X{\<50>\<83>} \X{\<53>\<83>} \X{\<54>\<83>} \X{\<55>\<83>} \X{\<56>\<83>}
+\X{\<57>\<83>} \X{\<51>\<83>} \X{\<49>\<83>} \X{\<52>\<83>}
+
+\X{\<21>\K{-.5}\<90>} \X{\Q{\<21>\K{-.5}\<90>}{\N{.8}{\<77>}}\<46>} \X{\<21>\K{-.5}\<86>} \X{\<37>\K{-.5}\<86>} \X{\<40>\K{-.5}\<86>} \X{\<57>\K{-.5}\<86>} \X{\<240>\<83>}
+
+}
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/twolines.tex b/Master/texmf-dist/doc/fonts/malayalam/article/twolines.tex
new file mode 100644
index 00000000000..c274d60f349
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/twolines.tex
@@ -0,0 +1,129 @@
+% twolines.tex -- macros to create double lines, one with the
+% translation in parallel below the other.
+% (c) Jeroen Hellingman 1993
+% last edit: 04-JAN-1993
+
+{\catcode`\[=\active
+\gdef[{\stacktwo}
+
+\gdef\begintwolines{\bgroup\catcode`\[=\active
+ \def[{\stacktwo}
+ \def\firstonly{\def\stacktwo{\stacktwofirstonly}}
+ \def\secondonly{\def\stacktwo{\stacktwosecondonly}}}
+\gdef\endtwolines{\egroup}
+
+\gdef\beginthreelines{\bgroup\catcode`\[=\active
+ \def[{\stackthree}
+ \def\firstonly{\def\stackthree{\stackthreefirstonly}}
+ \def\secondonly{\def\stackthree{\stackthreesecondonly}}
+ \def\thirdonly{\def\stackthree{\stackthreethirdonly}}}
+\gdef\endthreelines{\egroup}
+}
+
+%%%%%% commands to be placed before material in lines
+
+\def\firststyle{\rm}
+\def\secondstyle{\it}
+\def\thirdstyle{\bf}
+
+%%%%%%
+
+\def\stacktwo#1|#2]{\putunder{{\secondstyle#2}}{\firststyle#1}}
+\def\stacktwofirstonly#1|#2]{{\firststyle#1}}
+\def\stacktwosecondonly#1|#2]{{\secondstyle#2}}
+
+\def\stackthree#1|#2|#3]{\putunder{{\putunder{{\thirdstyle#3}}{\secondstyle#2}}}{\firststyle#1}}
+\def\stackthreefirstonly#1|#2|#3]{{\firststyle#1}}
+\def\stackthreesecondonly#1|#2|#3]{{\secondstyle#2}}
+\def\stackthreethirdonly#1|#2|#3]{{\thirdstyle#3}}
+
+%%%%%% actual stacking macro
+
+% put #1 centered underneath #2
+\def\putunder#1#2{\hskip0pt{\setbox1=\hbox{\strut#1}\setbox0=\hbox{\strut#2}%
+ \dimen0=.5\wd0\advance\dimen0by.5\wd1%
+ \dimen1=\dp0\advance\dimen1by\ht1%
+ \dimen3=.5\wd0\advance\dimen3by-.5\wd1%
+ % test: if #1 wider than #2, kern 0.5(wd1-wd0) before, and idem after extra.
+ \ifdim\wd1>\wd0\dimen7=\wd1\advance\dimen7by-\wd0%
+ \hbox{}\kern0.5\dimen7%
+ \advance\dimen3by0.5\dimen7%
+ \fi
+ \box0\kern-\dimen0\lower\dimen1\box1\kern\dimen3}}
+
+%%%%%% end of twolines.tex
+
+\message{This file contains a demo, edit it to see it.}
+\endinput % Remove this line to see the demo.
+
+\parindent=0pt
+
+\begintwolines
+\beginsection [A|Een] [Demo|demonstratie] [of|van] [Twolines|Twolines]
+
+[This|dit] [is|is] [a|een] [little|kleine] [demo|demonstratie]
+[to|om] [show|] [the|het] [effect|effekt] [of|van]
+[twolines.|twolines] [|te laten zien.] [As|Zoals] [you|je] [can|kunt] [see,|zien,]
+[|zijn] [the|de] [Dutch|Engelse]
+[equivalents|equivalenten] [of|van] [these|deze] [words|woorden]
+[are|] [placed|] [centered|gecentreerd] [below|boven]
+[the|de] [English|Nederlandse] [words,|woorden] [|geplaatst,]
+[as far as|voor zover] [the|de] [difference|verschillen] [in|in]
+[|de] [grammar|grammatica] [|het] [allow|toestaan.] [it.|]
+\endtwolines
+
+\bigskip
+
+\beginthreelines
+[Three|Drie|Drei] [lines|regels|Regel] [can|kunnen|k\"onnen]
+[also|ook|auch] [be||] [produced.|geproduceerd|produciert]
+[|worden.|worden.]
+\endthreelines
+
+\bigskip
+
+\beginthreelines\firstonly
+[Three|Drie|Drei] [lines|regels|Regel] [can|kunnen|k\"onnen]
+[also|ook|auch] [be||] [produced.|geproduceerd|produciert]
+[|worden.|worden.]
+\endthreelines
+
+\bigskip
+
+\beginthreelines\secondonly
+[Three|Drie|Drei] [lines|regels|Regel] [can|kunnen|k\"onnen]
+[also|ook|auch] [be||] [produced.|geproduceerd|produciert]
+[|worden.|worden.]
+\endthreelines
+
+\bigskip
+
+\beginthreelines\thirdonly
+[Three|Drie|Drei] [lines|regels|Regel] [can|kunnen|k\"onnen]
+[also|ook|auch] [be||] [produced.|geproduceerd|produciert]
+[|worden.|worden.]
+\endthreelines
+
+\bigskip
+
+\beginthreelines
+[Three|Drie|Drei] [lines|regels|Regel] [can|kunnen|k\"onnen]
+[also|ook|auch] [be||] [produced.|geproduceerd|produciert]
+[|worden.|worden.]
+\endthreelines
+
+\bigskip
+
+\begintwolines\secondonly
+[This|dit] [is|is] [a|een] [little|kleine] [demo|demonstratie]
+[to|om] [show|] [the|het] [effect|effekt] [of|van]
+[twolines.|twolines] [|te laten zien.] [As|Zoals] [you|je] [can|kunt] [see,|zien,]
+[|zijn] [the|de] [Dutch|Engelse]
+[equivalents|equivalenten] [of|van] [these|deze] [words|woorden]
+[are|] [placed|] [centered|gecentreerd] [below|boven]
+[the|de] [English|Nederlandse] [words,|woorden] [|geplaatst,]
+[as far as|voor zover] [the|de] [difference|verschillen] [in|in]
+[|de] [grammar|grammatica] [|het] [allow|toestaan.] [it.|]
+\endtwolines
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/malayalam/charity b/Master/texmf-dist/doc/fonts/malayalam/charity
new file mode 100644
index 00000000000..e69de29bb2d
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/charity
diff --git a/Master/texmf-dist/doc/fonts/malayalam/todo b/Master/texmf-dist/doc/fonts/malayalam/todo
new file mode 100644
index 00000000000..e69de29bb2d
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/todo
diff --git a/Master/texmf-dist/doc/fonts/ot2cyr/OT2info.tex b/Master/texmf-dist/doc/fonts/ot2cyr/OT2info.tex
new file mode 100644
index 00000000000..2c5b438031d
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/ot2cyr/OT2info.tex
@@ -0,0 +1,237 @@
+\documentclass[a4paper]{article}
+\usepackage[OT2,OT1]{fontenc}
+
+\def\cyr{\fontencoding{OT2}\fontfamily{wncyr}\selectfont}
+
+\begin{document}
+
+\title{The OT2 encoding}
+\author{Mattias Ellert\\{\small t91mel@student.tdb.uu.se}}
+\date{March 8 1996}
+\maketitle
+
+The OT2 encoding is used for writing Cyrillic text in \LaTeX.
+The table on the next page shows how to use the encoding.
+The first column shows the Cyrillic letters, the second column shows
+how to write the letters in the OT2 encoding and the third column
+tells you in which languages the letters are used (Rus. = Russian,
+Ukr. = Ukrainian, Blr. = Belorussian, Bul. = Bulgarian. Mak. =
+Makedonian and of course Serb = Serb).
+
+Cyrillic letters with one-letter Roman equivalents can be entered `as
+is': {\cyr a, b, v, g}, etc. This is also true for some letter
+sequences that are treated as ligatures by the \LaTeX\ Cyrillic
+fonts ({\cyr dj, zh, lj, nj, kh, ts, ch, sh, shch, yu} and {\cyr
+ya}). Note that if you want to write the letter combination {\cyr
+t{}s} you have to write \texttt{t\{\}s} in order not to produce a
+{\cyr ts}.
+
+For the upper case versions of these letters the case is chosen by
+the first letter, i.e.\ \texttt{Ts} and \texttt{TS} are equivalent.
+This is also true for the letters that are written with \LaTeX\
+commands, \texttt{$\backslash$Dzh} and \texttt{$\backslash$DZH} both
+produce {\cyr\Dzh}. (In the commands however, you can not mix upper and
+lower case letters in the remainder of the command, e.g.\
+\texttt{$\backslash$DZh} does not work.) For letters whose commands
+contain the full name of the letter, and not just a transliteration,
+the all-upper-case version is not defined.
+
+Four different accents are declared in the OT2 encoding,
+\texttt{$\backslash$'\{\}} is used to produce an acute accent ({\cyr\'{}}),
+\texttt{$\backslash$"\{\}} is used for a dierisis ({\cyr\"{}}), and
+two different commands, \texttt{$\backslash$u\{\}} and
+\texttt{$\backslash$U\{\}} produce the Roman and Cyrillic style breves.
+We recommend using the latter in Cyrillic text. {\cyr\"{E}} and {\cyr\U{i}}
+(with the Cyrillic breve) have composites declared in the \LaTeX\
+Cyrillic fonts. There is also a dotless {\cyr\i\ (\dotlessi)} in
+the fonts, which can be written with the command
+\texttt{$\backslash$dotlessi}. There is usually no need for this however,
+since the encoding automatically replaces any {\cyr\i}'s with
+{\cyr\dotlessi}'s before putting an accent on them.
+
+In educational text it is customary to put an accent on the stressed
+vowel in multi-syllable words. There is however a problem with putting
+accents on {\cyr yu} and {\cyr ya} since these are treated as
+ligatures. For this reason the OT2 encoding defines the commands
+\texttt{$\backslash$yu, $\backslash$ya, $\backslash$Yu} and
+\texttt{$\backslash$Ya} which can be used in combinations like
+\texttt{$\backslash$'$\{\backslash$yu\}} to produce {\cyr\'{\yu},
+\'{\ya}, \'{\Yu}} and {\cyr\'{\Ya}}.
+
+\newpage
+\thispagestyle{empty}
+
+\begin{tabular}{|cc|cc|l|}
+ \hline
+ {\cyr A} & {\cyr a} & \texttt{A} & \texttt{a} &
+ Rus., Ukr., Blr., Bul., Mak., Serb \\
+ \hline
+ {\cyr B} & {\cyr b} & \texttt{B} & \texttt{b} &
+ Rus., Ukr., Blr., Bul., Mak., Serb \\
+ \hline
+ {\cyr V} & {\cyr v} & \texttt{V} & \texttt{v} &
+ Rus., Ukr., Blr., Bul., Mak., Serb \\
+ \hline
+ {\cyr G} & {\cyr g} & \texttt{G} & \texttt{g} &
+ Rus., Ukr., Blr., Bul., Mak., Serb \\
+ \hline
+ {\cyr \'{G}} & {\cyr \'{g}} & \texttt{$\backslash$'\{G\}} &
+ \texttt{$\backslash$'\{g\}} &
+ Mak. \\
+ \hline
+ {\cyr D} & {\cyr d} & \texttt{D} & \texttt{d} &
+ Rus., Ukr., Blr., Bul., Mak., Serb \\
+ \hline
+ {\cyr Dj} & {\cyr dj} & \texttt{Dj} & \texttt{dj} &
+ Serb \\
+ \hline
+ {\cyr E} & {\cyr e} & \texttt{E} & \texttt{e} &
+ Rus., Ukr., Blr., Bul., Mak., Serb \\
+ \hline
+ {\cyr \"{E}} & {\cyr \"{e}} & \texttt{$\backslash$"\{E\}} &
+ \texttt{$\backslash$"\{e\}} &
+ Rus., Blr. \\
+ \hline
+ {\cyr \Ee} & {\cyr \ee} & \texttt{$\backslash$Ee} &
+ \texttt{$\backslash$ee} &
+ Ukr. \\
+ \hline
+ {\cyr Zh} & {\cyr zh} & \texttt{Zh} & \texttt{zh} &
+ Rus., Ukr., Blr., Bul., Mak., Serb \\
+ \hline
+ {\cyr Z} & {\cyr z} & \texttt{Z} & \texttt{z} &
+ Rus., Ukr., Blr., Bul., Mak., Serb \\
+ \hline
+ {\cyr \Dz} & {\cyr \dz} & \texttt{$\backslash$Dz} &
+ \texttt{$\backslash$dz} &
+ Mak. \\
+ \hline
+ {\cyr I} & {\cyr i} & \texttt{I} & \texttt{i} &
+ Rus., Ukr., Bul., Mak., Serb \\
+ \hline
+ {\cyr \I} & {\cyr \i} & \texttt{$\backslash$I} &
+ \texttt{$\backslash$i} &
+ Ukr., Blr., Russian until 1917 \\
+ \hline
+ {\cyr \"{\I}} & {\cyr \"{\i}} &
+ \texttt{$\backslash$"\{$\backslash$I\}} &
+ \texttt{$\backslash$"\{$\backslash$i\}} &
+ Ukr. \\
+ \hline
+ {\cyr \U{I}} & {\cyr \U{i}} & \texttt{$\backslash$U\{I\}} &
+ \texttt{$\backslash$U\{i\}} &
+ Rus., Ukr., Blr., Bul. \\
+ \hline
+ {\cyr J} & {\cyr j} & \texttt{J} & \texttt{j} &
+ Mak., Serb \\
+ \hline
+ {\cyr K} & {\cyr k} & \texttt{K} & \texttt{k} &
+ Rus., Ukr., Blr., Bul., Mak., Serb \\
+ \hline
+ {\cyr \'{K}} & {\cyr \'{k}} & \texttt{$\backslash$'\{K\}} &
+ \texttt{$\backslash$'\{k\}} &
+ Mak. \\
+ \hline
+ {\cyr L} & {\cyr l} & \texttt{L} & \texttt{l} &
+ Rus., Ukr., Blr., Bul., Mak., Serb \\
+ \hline
+ {\cyr Lj} & {\cyr lj} & \texttt{Lj} & \texttt{lj} &
+ Mak., Serb \\
+ \hline
+ {\cyr M} & {\cyr m} & \texttt{M} & \texttt{m} &
+ Rus., Ukr., Blr., Bul., Mak., Serb \\
+ \hline
+ {\cyr N} & {\cyr n} & \texttt{N} & \texttt{n} &
+ Rus., Ukr., Blr., Bul., Mak., Serb \\
+ \hline
+ {\cyr Nj} & {\cyr nj} & \texttt{Nj} & \texttt{nj} &
+ Mak., Serb \\
+ \hline
+ {\cyr O} & {\cyr o} & \texttt{O} & \texttt{o} &
+ Rus., Ukr., Blr., Bul., Mak., Serb \\
+ \hline
+ {\cyr P} & {\cyr p} & \texttt{P} & \texttt{p} &
+ Rus., Ukr., Blr., Bul., Mak., Serb \\
+ \hline
+ {\cyr R} & {\cyr r} & \texttt{R} & \texttt{r} &
+ Rus., Ukr., Blr., Bul., Mak., Serb \\
+ \hline
+ {\cyr S} & {\cyr s} & \texttt{S} & \texttt{s} &
+ Rus., Ukr., Blr., Bul., Mak., Serb \\
+ \hline
+ {\cyr T} & {\cyr t} & \texttt{T} & \texttt{t} &
+ Rus., Ukr., Blr., Bul., Mak., Serb \\
+ \hline
+ {\cyr \'{C}} & {\cyr \'{c}} & \texttt{$\backslash$'\{C\}} &
+ \texttt{$\backslash$'\{c\}} &
+ Serb \\
+ \hline
+ {\cyr U} & {\cyr u} & \texttt{U} & \texttt{u} &
+ Rus., Ukr., Blr., Bul., Mak., Serb \\
+ \hline
+ {\cyr \U{U}} & {\cyr \U{u}} & \texttt{$\backslash$U\{U\}} &
+ \texttt{$\backslash$U\{u\}} &
+ Blr. \\
+ \hline
+ {\cyr F} & {\cyr f} & \texttt{F} & \texttt{f} &
+ Rus., Ukr., Blr., Bul., Mak., Serb \\
+ \hline
+ {\cyr Kh} & {\cyr kh} & \texttt{Kh} & \texttt{kh} &
+ Rus., Ukr., Blr., Bul., Mak., Serb \\
+ \hline
+ {\cyr Ts} & {\cyr ts} & \texttt{Ts} & \texttt{ts} &
+ Rus., Ukr., Blr., Bul., Mak., Serb \\
+ \hline
+ {\cyr Ch} & {\cyr ch} & \texttt{Ch} & \texttt{ch} &
+ Rus., Ukr., Blr., Bul., Mak., Serb \\
+ \hline
+ {\cyr \Dzh} & {\cyr \dzh} & \texttt{$\backslash$Dzh} &
+ \texttt{$\backslash$dzh} &
+ Mak., Serb \\
+ \hline
+ {\cyr Sh} & {\cyr sh} & \texttt{Sh} & \texttt{sh} &
+ Rus., Ukr., Blr., Bul., Mak., Serb \\
+ \hline
+ {\cyr Shch} & {\cyr shch} & \texttt{Shch} & \texttt{shch} &
+ Rus., Ukr., Bul. \\
+ \hline
+ {\cyr \Hard} & {\cyr \hard} & \texttt{$\backslash$Hard} &
+ \texttt{$\backslash$hard} &
+ Rus., Bul. \\
+ \hline
+ {\cyr Y} & {\cyr y} & \texttt{Y} & \texttt{y} &
+ Rus., Blr. \\
+ \hline
+ {\cyr \Soft} & {\cyr \soft} & \texttt{$\backslash$Soft} &
+ \texttt{$\backslash$soft} &
+ Rus., Ukr., Blr., Bul. \\
+ \hline
+ {\cyr \E} & {\cyr \e} & \texttt{$\backslash$E} &
+ \texttt{$\backslash$e} &
+ Rus., Blr. \\
+ \hline
+ {\cyr Yu} & {\cyr yu} & \texttt{Yu} & \texttt{yu} &
+ Rus., Ukr., Blr., Bul. \\
+ \hline
+ {\cyr Ya} & {\cyr ya} & \texttt{Ya} & \texttt{ya} &
+ Rus., Ukr., Blr., Bul. \\
+ \hline
+ {\cyr \Izhitza} & {\cyr \izhitza} & \texttt{$\backslash$Izhitza} &
+ \texttt{$\backslash$izhitza} & Russian until 1917 \\
+ \hline
+ {\cyr \Yatz} & {\cyr \yatz} & \texttt{$\backslash$Yatz} &
+ \texttt{$\backslash$yatz} & Russian until 1917 \\
+ \hline
+ {\cyr \Fita} & {\cyr \fita} & \texttt{$\backslash$Fita} &
+ \texttt{$\backslash$fita} & Russian until 1917 \\
+ \hline
+ {\cyr N0} & & \texttt{N0} & & \\
+ \hline
+ {\cyr <} & {\cyr >} & \texttt{<} & \texttt{>} & \\
+ \hline
+\end{tabular}
+
+
+\end{document}
+
+
diff --git a/Master/texmf-dist/doc/fonts/ot2cyr/OT2mtest.tex b/Master/texmf-dist/doc/fonts/ot2cyr/OT2mtest.tex
new file mode 100644
index 00000000000..9d8dd129020
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/ot2cyr/OT2mtest.tex
@@ -0,0 +1,61 @@
+\documentclass[a4paper]{article}
+\usepackage[OT2]{fontenc}
+\begin{document}
+\fontfamily{mnt}\selectfont
+\def\rmdefault{mnt}
+{\rmfamily
+abvgde\"{e}zhzi\U{i}klmnoprstufkhtschshshch\hard y\soft \e yuya
+
+ABVGDE\"{E}ZHZI\U{I}KLMNOPRSTUFKHTSCHSHSHCH\Hard Y\Soft \E YUYA}
+
+\vspace{3ex}
+
+{\itshape
+abvgde\"{e}zhzi\U{i}klmnoprstufkhtschshshch\hard y\soft \e yuya
+
+ABVGDE\"{E}ZHZI\U{I}KLMNOPRSTUFKHTSCHSHSHCH\Hard Y\Soft \E YUYA}
+
+\vspace{3ex}
+
+{\bfseries
+abvgde\"{e}zhzi\U{i}klmnoprstufkhtschshshch\hard y\soft \e yuya
+
+ABVGDE\"{E}ZHZI\U{I}KLMNOPRSTUFKHTSCHSHSHCH\Hard Y\Soft \E YUYA}
+
+\vspace{3ex}
+
+{\scshape
+abvgde\"{e}zhzi\U{i}klmnoprstufkhtschshshch\hard y\soft \e yuya
+
+ABVGDE\"{E}ZHZI\U{I}KLMNOPRSTUFKHTSCHSHSHCH\Hard Y\Soft \E YUYA}
+
+\vspace{3ex}
+
+{\sffamily
+abvgde\"{e}zhzi\U{i}klmnoprstufkhtschshshch\hard y\soft \e yuya
+
+ABVGDE\"{E}ZHZI\U{I}KLMNOPRSTUFKHTSCHSHSHCH\Hard Y\Soft \E YUYA}
+
+\vspace{10ex}
+
+{\large TY I VY}
+
+\begin{verse}
+
+ Pustoe \emph{vy} serdechnym \emph{ty} \\
+ Ona, obmolvyals\soft, zamenila \\
+ I vse schastlivye mechty \\
+ V dushe vlyubl\"{e}nno\U{i} vozbudila. \\
+ Pred ne\U{i} zadumchivo stoyu, \\
+ Svesti oche\U{i} s ne\"{e} net sily; \\
+ I govoryu e\U{i}: kak \emph{vy} mily! \\
+ I myslyu: kak \emph{tebya} lyublyu! \\
+
+\end{verse}
+
+\begin{flushright}
+ A. S. Pushkin, 1828
+\end{flushright}
+
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/ot2cyr/OT2test.tex b/Master/texmf-dist/doc/fonts/ot2cyr/OT2test.tex
new file mode 100644
index 00000000000..dd6b3b496e1
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/ot2cyr/OT2test.tex
@@ -0,0 +1,61 @@
+\documentclass[a4paper]{article}
+\usepackage[OT2]{fontenc}
+
+\begin{document}
+
+{\rmfamily
+abvgde\"{e}zhzi\U{i}klmnoprstufkhtschshshch\hard y\soft \e yuya
+
+ABVGDE\"{E}ZHZI\U{I}KLMNOPRSTUFKHTSCHSHSHCH\Hard Y\Soft \E YUYA}
+
+\vspace{3ex}
+
+{\itshape
+abvgde\"{e}zhzi\U{i}klmnoprstufkhtschshshch\hard y\soft \e yuya
+
+ABVGDE\"{E}ZHZI\U{I}KLMNOPRSTUFKHTSCHSHSHCH\Hard Y\Soft \E YUYA}
+
+\vspace{3ex}
+
+{\bfseries
+abvgde\"{e}zhzi\U{i}klmnoprstufkhtschshshch\hard y\soft \e yuya
+
+ABVGDE\"{E}ZHZI\U{I}KLMNOPRSTUFKHTSCHSHSHCH\Hard Y\Soft \E YUYA}
+
+\vspace{3ex}
+
+{\scshape
+abvgde\"{e}zhzi\U{i}klmnoprstufkhtschshshch\hard y\soft \e yuya
+
+ABVGDE\"{E}ZHZI\U{I}KLMNOPRSTUFKHTSCHSHSHCH\Hard Y\Soft \E YUYA}
+
+\vspace{3ex}
+
+{\sffamily
+abvgde\"{e}zhzi\U{i}klmnoprstufkhtschshshch\hard y\soft \e yuya
+
+ABVGDE\"{E}ZHZI\U{I}KLMNOPRSTUFKHTSCHSHSHCH\Hard Y\Soft \E YUYA}
+
+\vspace{10ex}
+
+{\large TY I VY}
+
+\begin{verse}
+
+ Pustoe \emph{vy} serdechnym \emph{ty} \\
+ Ona, obmolvyas\soft, zamenila \\
+ I vse schastlivye mechty \\
+ V dushe vlyubl\"{e}nno\U{i} vozbudila. \\
+ Pred ne\U{i} zadumchivo stoyu, \\
+ Svesti oche\U{i} s ne\"{e} net sily; \\
+ I govoryu e\U{i}: kak \emph{vy} mily! \\
+ I myslyu: kak \emph{tebya} lyublyu! \\
+
+\end{verse}
+
+\begin{flushright}
+ A. S. Pushkin, 1828
+\end{flushright}
+
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/pacioli/README b/Master/texmf-dist/doc/fonts/pacioli/README
new file mode 100644
index 00000000000..e3e75967222
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/pacioli/README
@@ -0,0 +1,36 @@
+ The pacioli package provides fonts designed by Fra Luca de Pacioli
+in 1497. The font is uppercase letters together with punctuation
+and some analphabetics; no lowercase or digits.
+
+ The distribution consists of the following files:
+README (this file)
+pacioli.ins
+pacioli.dtx
+tryfont.tex
+
+ The distribution is provided under the terms of the LaTeX
+Project Public License (LPPL).
+
+ To install the package:
+o run: latex pacioli.ins, which will generate:
+ cpc*.mf files
+ *.fd files
+ pacioli.sty
+o run: latex pacioli.dtx
+o run: makeindex -s gind.ist pacioli
+o run: latex pacioli.dtx
+o Print pacioli.dvi for a hardcopy of the package manual
+o Move the generated files to locations where LaTeX will find them.
+ For example: the cpc*.mf files to .../texmf/fonts/source/public/pacioli
+ the *.fd and .sty files to /texmf/tex/latex/local/pacioli
+ On a teTeX distribution you might also have to add the following two
+ lines to texmf/fontname/special.map:
+ cpcr10.mf public pacioli
+ cpcsl10.mf public pacioli
+ On a teTeX distribution remember to run texhash after moving the files.
+
+o run: latex tryfont for a testpage of the Pacioli font
+
+1999/03/14
+Peter Wilson
+peter.r.wilson@boeing.com
diff --git a/Master/texmf-dist/doc/fonts/pacioli/tryfont.tex b/Master/texmf-dist/doc/fonts/pacioli/tryfont.tex
new file mode 100644
index 00000000000..1af9bc7d689
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/pacioli/tryfont.tex
@@ -0,0 +1,55 @@
+% tryfont.tex Test Pacioli fonts
+\documentclass{article}
+\usepackage{t1enc}
+\usepackage{pacioli}
+
+%\DeclareFontFamily{OT1}{cdr}{}
+% \DeclareFontShape{OT1}{cdr}{m}{n}{ <-> cdr10 }{}
+
+
+\newcommand{\ABC}{ABCDEFGHIJKLMNOPQRSTUVWXYZ}
+\newcommand{\ABc}{ABcDEFgHIJKLMNoPqRSTUVWXYZ}
+\newcommand{\punct}{.,;:!?`' \&{} () []}
+\newcommand{\dashes}{- -- ---}
+
+\title{Try Pacioli Fonts}
+\author{}
+\date{}
+\begin{document}
+\maketitle
+
+ This provides a short test of the characters in the Pacioli fonts
+--- the \verb|cpc| font family.
+
+%\begin{center}
+%The Duerer font \\
+%{\fontencoding{OT1}\fontfamily{cdr}\selectfont\Large \ABC}
+%\end{center}
+
+\begin{center}
+The Pacioli normal font (adjusted and then non-adjusted) \\
+{\cpcfamily\Large \ABC\\ \punct{}\dashes\\ \ABc\\}
+\end{center}
+\begin{center}
+The Pacioli slanted font (adjusted and then non-adjusted) \\
+{\cpcfamily\slshape\Large \ABC\\ \punct{}\dashes\\ \ABc\\}
+\end{center}
+\begin{center}
+ Some ligatures in the normal font \\
+\textcpc{``THE LAZY DOG --- BUT QUICK FOX?''}
+\end{center}
+\begin{center}
+ Some ligatures in the slanted font \\
+\textcpc{\textsl{``THE LAZY DOG --- BUT QUICK FOX?''}}
+\end{center}
+
+\begin{center}
+The font in its normal size \\
+\textcpc{\ABC} \\
+and the Computer Modern Roman for comparison \\
+\ABC
+\end{center}
+
+ This is the end of the test file.
+
+\end{document} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/pclnfss/COPYING b/Master/texmf-dist/doc/fonts/pclnfss/COPYING
new file mode 100644
index 00000000000..d60c31a97a5
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/pclnfss/COPYING
@@ -0,0 +1,340 @@
+ GNU GENERAL PUBLIC LICENSE
+ Version 2, June 1991
+
+ Copyright (C) 1989, 1991 Free Software Foundation, Inc.
+ 59 Temple Place, Suite 330, Boston, MA 02111-1307 USA
+ Everyone is permitted to copy and distribute verbatim copies
+ of this license document, but changing it is not allowed.
+
+ Preamble
+
+ The licenses for most software are designed to take away your
+freedom to share and change it. By contrast, the GNU General Public
+License is intended to guarantee your freedom to share and change free
+software--to make sure the software is free for all its users. This
+General Public License applies to most of the Free Software
+Foundation's software and to any other program whose authors commit to
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+ TERMS AND CONDITIONS FOR COPYING, DISTRIBUTION AND MODIFICATION
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+ END OF TERMS AND CONDITIONS
+
+ How to Apply These Terms to Your New Programs
+
+ If you develop a new program, and you want it to be of the greatest
+possible use to the public, the best way to achieve this is to make it
+free software which everyone can redistribute and change under these terms.
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+
+ This program is free software; you can redistribute it and/or modify
+ it under the terms of the GNU General Public License as published by
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+ (at your option) any later version.
+
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+ but WITHOUT ANY WARRANTY; without even the implied warranty of
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+ along with this program; if not, write to the Free Software
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+
+
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+
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+ Gnomovision comes with ABSOLUTELY NO WARRANTY; for details type `show w'.
+ This is free software, and you are welcome to redistribute it
+ under certain conditions; type `show c' for details.
+
+The hypothetical commands `show w' and `show c' should show the appropriate
+parts of the General Public License. Of course, the commands you use may
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+mouse-clicks or menu items--whatever suits your program.
+
+You should also get your employer (if you work as a programmer) or your
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+necessary. Here is a sample; alter the names:
+
+ Yoyodyne, Inc., hereby disclaims all copyright interest in the program
+ `Gnomovision' (which makes passes at compilers) written by James Hacker.
+
+ <signature of Ty Coon>, 1 April 1989
+ Ty Coon, President of Vice
+
+This General Public License does not permit incorporating your program into
+proprietary programs. If your program is a subroutine library, you may
+consider it more useful to permit linking proprietary applications with the
+library. If this is what you want to do, use the GNU Library General
+Public License instead of this License.
diff --git a/Master/texmf-dist/doc/fonts/pclnfss/README b/Master/texmf-dist/doc/fonts/pclnfss/README
new file mode 100644
index 00000000000..d1a253e0058
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/pclnfss/README
@@ -0,0 +1,101 @@
+ABOUT
+
+pclnfss - a package of LaTeX 2e class files for selecting and using
+the standard 45 scalable fonts built into most PCL laser printers.
+Updates the .../texmf/tex/latex/dvilj/*.sty package files provided
+with the original dviljk-2.x distribution.
+
+VERSIONS
+
+2004 Mar 15 - v0.1 Leif Harcke <lharcke@stanford.edu>
+
+INSTALLATION
+
+ Style files
+ -----------
+Copy the tex/latex/pclnfss directory containing the *.sty and *.fd
+files to your .../texmf/tex/latex directory. You should remove the
+older .../texmf/tex/latex/dvilj/* class files.
+
+ Font Metrics and Virtual Fonts
+ ------------------------------
+If your TeX distribution doesn't have the LaserJet font metric files
+and virtual fonts installed, copy the files in the fonts/ directory to
+the corresponding locations in your .../texmf/fonts/ directory.
+
+DEPENDENCIES
+
+You need dviljk-2.6p2 as distributed with teTeX or a similar DVI to
+PCL driver in order to generate PCL code from the resulting DVI
+driver. dviljk is still part of the base teTeX distribution. A
+different branch of the code can be found in
+
+ http://www.ctan.org/tex-archive/obsolete/dviware/dviljk/
+
+and
+
+ http://ftp.tug.org/historic/systems/dviware/dviljk/
+
+Warning: the above versions are labeled 2.8, but teTeX seems to be
+distributing v2.6p2 as the current version. The dviljk codebase
+branched sometime in the 1996-1997 timeframe.
+
+TEST SUITE
+
+Run LaTeX on the typelist.tex file in the tests/ directory. Then run
+the dvihp shell script on the dvi file to send the output to the PCL
+printer. The output should resemble a facsimile of the PCL Typeface
+List that can be printed using the front panel controls of the
+printer.
+
+USING THE PACKAGES
+
+A quick example:
+
+ \documentclass{article}
+ \usepackage{garamond}
+ \begin{document}
+ \noindent Testing the Garamond font. {\it Italic} {\bf Bold}\\
+ Here is a WingDing of a pencil: \usefont{OT1}{hwi}{m}{n} \char033
+ \end{document}
+
+
+LICENSE
+
+GNU General Public License. This package is a modification of the
+original dvilj style files which came with the dviljk package, which
+was distributed under the GPL. See the file COPYING in the root level
+of this package.
+
+CREDITS
+
+Andy Piper contributed the original dvilj PCL font selection packages
+for the LaserJet 4L printer to the dviljk package. Karl Berry
+generated the virtual font files (see src/README) for the dviljk
+package. dviljk is based on the dvi2xx package by Gustaf Neumann.
+Norman Walsh generated the original pl files from the TFM files
+supplied on the HP developer's disk using his HPtfm2pl program.
+
+BUGS / MISSING FEATURES
+
+ * need better documentation
+ * provide virtual math fonts a la PSNFSS's mathptx package
+ * generate font metrics and style files for the 60 or 80 standard
+ PCL6 fonts.
+
+BUILDING METRICS AND VIRTUAL FONTS FROM SCRATCH
+
+Only for the diehard. This would require getting a copy of the
+original TFM files on the Hewlett Packard developer disk. Then use
+Norman Walsh's HPtfm2pl program (DOS executable only):
+
+ http://www.ctan.org/tex-archive/support/hp2pl/
+
+to convert the TFM files to pl files. Optionally, you could start
+with Norm's pl metrics available from
+
+ http://www.ctan.org/tex-archive/fonts/ljmetrics/
+
+Then use Karl Berry's programs in this package's src/ directory to
+generate the virtual fonts.
+
diff --git a/Master/texmf-dist/doc/fonts/phaistos/getglyphs b/Master/texmf-dist/doc/fonts/phaistos/getglyphs
new file mode 100755
index 00000000000..3a999c7f694
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/phaistos/getglyphs
@@ -0,0 +1,31 @@
+#!/usr/bin/perl
+#
+# (c) Copyright 2004 Apostolos Syropoulos
+#
+# This program can be used to geneate a table of the glyphs
+# that are provided by the ``phaistos'' LaTeX package.
+# This program is absolutely free software.
+#
+open (XX, "phaistos.sty") || die "Can't open file './phaistos.sty'\n";
+open (YY, ">glyphs.tex") || die "Can't create file './glyphs.tex'\n";
+print YY <<Header;
+\\documentclass[a4paper]{article}
+\\usepackage{phaistos,multicol,fullpage}
+\\begin{document}
+\\small
+\\setlength{\\columnseprule}{0.5pt}
+\\begin{multicols}{4}
+\\noindent
+Header
+while(<XX>){
+ if (s/^\\DeclareTextSymbol\{\\//) {
+ /^(\w*)/;
+ print YY "\\verb|\\$1 = |\\$1\\newline \n";
+ }
+}
+print YY <<Trailer;
+\\end{multicols}
+\\thispagestyle{empty}
+\\end{document}
+Trailer
+__END__
diff --git a/Master/texmf-dist/doc/fonts/phaistos/glyphTable.pdf b/Master/texmf-dist/doc/fonts/phaistos/glyphTable.pdf
new file mode 100644
index 00000000000..a67cae1def8
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/phaistos/glyphTable.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/phonetic/phonetic-table.tex b/Master/texmf-dist/doc/fonts/phonetic/phonetic-table.tex
new file mode 100644
index 00000000000..194f9fc1548
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/phonetic/phonetic-table.tex
@@ -0,0 +1,91 @@
+\documentstyle[phonetic]{article}
+
+\pagestyle{empty}
+\advance\textheight by 1in
+\advance\topmargin by -.5in
+
+\def\bs{$\backslash$}
+\def\db#1{$\{$#1$\}$}
+
+\begin{document}
+
+The following is a table of available special characters and how to
+call them. Please note that nothing is final on this. I would
+welcome suggestions for names, other characters needed $\ldots$.
+
+In order to call these characters, put the following command in your
+file.
+ \begin{center}
+{\tt \bs documentstyle[phonetic]\db{article}}
+ \end{center}
+And in order to get this table do
+ \begin{center}
+{\tt latex phonetic-table.tex}
+ \end{center}
+
+\noindent
+\begin{tabular}{@{}lll@{\qquad\qquad}lll@{\qquad\qquad}lll@{}}
+\bs schwa &\schwa &\it \schwa
+ &\bs hausab&\hausab &\it \hausab
+ &\bs hausaB&\hausaB &\it \hausaB\\
+\bs thorn &\thorn &\it \thorn
+ &\bs hausad&\hausad&\it\hausad
+ &\bs hausaD&\hausaD&\it\hausaD\\
+\bs glottal&\glottal &\it\glottal
+ &\bs hausak &\hausak &\it\hausak
+ &\bs hausaK &\hausaK &\it\hausaK\\
+\bs esh &\esh &\it\esh
+ &\bs varg &\varg &\it \varg
+ &\bs planck&\planck \\
+\bs yogh &\yogh &\it\yogh
+ &\bs udesc &\udesc &\it \udesc
+ &\bs roty&\roty &\it \roty\\
+\bs eth &\eth &\it \eth
+ &\bs pwedge &\pwedge &\it\pwedge
+ &\bs rotm&\rotm &\it \rotm\\
+\bs emgma &\emgma &\it\emgma
+ &\bs varomega&\varomega &\it \varomega
+ &\bs ibar&\ibar \\
+\bs engma &\engma &\it\engma
+ & \bs revD &\revD & \it \revD
+ &\bs vod&\vod \\
+\bs enya &\enya &\it \enya
+ &\bs fj &\fj & \it \fj
+ &\bs ubar&\ubar \\
+\bs flap&\flap &\it\flap
+ &\bs openo &\openo &\it \openo
+ &\bs rotOmega&\rotOmega &\it \rotOmega\\
+\bs voicedh&\voicedh &\it\voicedh
+ &\bs varopeno&\varopeno &\it \varopeno
+ &\bs vari &\vari &\it \vari\\
+\bs hookd&\hookd &\it\hookd
+ &\bs vara &\vara &\it \vara
+ &\bs barj &\barj &\it \barj\\
+\bs rotvara&\rotvara &\it \rotvara
+ &\bs rotr&\rotr &\it \rotr
+ &\bs rotw&\rotw \\
+\bs epsi &\epsi &\it \epsi
+ &\bs barlambda&\barlambda &\it\barlambda
+ &\bs riota &\riota & \it \riota \\
+\hline
+\end{tabular}
+
+\noindent
+ \begin{tabular}{@{}ll@{\qquad}|ll@{\qquad}|ll@{}}
+ \ut{o} &\bs ut\db{o}
+&\td{o} &\bs td\db{o}
+&\syl{o} &\bs syl\db{o}\\
+ \labvel{mn}&\bs labvel\db{mn}
+&a\upbar b &a\bs upbar b
+&\rc{c} &\bs rc\db{c}\\
+ \hill{o} &\bs hill\db{o}
+&\od{o} &\bs od\db{o}
+&m\uplett{h} & m\bs uplett\db{h}\\
+ \ohill{o} & \bs ohill\db{o}
+&\acbar{\'}{o}& \bs acbar\db{\bs$'$}\db{o}
+&\acarc{\'}{o}& \bs acarc\db{\bs$'$}\db{o}\\
+ \hline
+ \end{tabular}
+
+ \end{document}
+
diff --git a/Master/texmf-dist/doc/fonts/pl/README-T1.ENG b/Master/texmf-dist/doc/fonts/pl/README-T1.ENG
new file mode 100644
index 00000000000..4848bd020e7
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/pl/README-T1.ENG
@@ -0,0 +1,221 @@
+*****************************************************************************
+* The collection of the PL fonts (the Polish version of the *
+* Computer Modern ones) in PostScript Type 1 format *
+* (public domain) *
+*****************************************************************************
+
+---------
+SYNOPSIS:
+---------
+
+Under the pressure from the Windows users, the collection of PL fonts in
+PostScript Type 1 format was eventually adapted to the (mostly
+guessed) demands of the Windows environment. Still, the fonts are usable
+with TeX, which was the primary aim of Janusz M. Nowacki when he created
+the first version of the Type 1 PL fonts; however, encoding files are now
+required, as Windows and TeX use different encoding schemes.
+
+The distribution of the new version consists of 77 fonts, each of them having
+four ``instances'' (i.e., PFB, AFM, PFM, and TFM files):
+
+ plb10, plbsy10, plbx10, plbx12, plbx5, plbx6, plbx7, plbx8, plbx9,
+ plbxsl10, plbxti10, plcsc10, pldunh10, plex10, plex9, plff10, plfi10,
+ plfib8, plinch, plitt10, plmi10, plmi12, plmi5, plmi6, plmi7, plmi8,
+ plmi9, plmib10, plr10, plr12, plr17, plr5, plr6, plr7, plr8, plr9,
+ plsl10, plsl12, plsl8, plsl9, plsltt10, plss10, plss12, plss17, plss8,
+ plss9, plssbi10, plssbx10, plssdc10, plssi10, plssi12, plssi17, plssi8,
+ plssi9, plssq8, plssqi8, plsy10, plsy5, plsy6, plsy7, plsy8, plsy9,
+ pltcsc10, pltex10, pltex8, pltex9, plti10, plti12, plti7, plti8, plti9,
+ pltt10, pltt12, pltt8, pltt9, plu10, plvtt10.
+
+Additionally, there are 10 encoding files, one font map file, and two
+alternative config files to be used with Tomas Rokicki's dvips driver:
+
+ plin.enc, plit.enc, plitt.enc, plme.enc, plmi.enc, plms.enc,
+ plrm.enc, plsc.enc, plte.enc, pltt.enc
+
+ pl.map, config.pl (or pl.cfg)
+
+plsample.tex (in Polish) is a sample file to be processed with MeX
+(Polish plain) format.
+
+In order to install the fonts under Windows, only *.pfb and *.pfm files
+are needed; TeX users will need *.pfb, *.tfm, *.enc, pl.map and config.pl
+files.
+Details of installation will not be explained here (refer to the respective
+manuals). *.afm files are included for informative purposes (and for
+the completeness). They MUST NOT be used for generating *.tfm files
+with afmtotfm or a similar software; instead, *.tfm files from this
+distribution or from the newest distribution of METAFONT sources of
+the PL fonts (ver. 1.07) should be used.
+
+At the first glance, the number of different encodings may seem
+surprising -- why as many as ten? Simply, Computer Modern family
+fonts use actually ten different layouts. The collection of PL
+fonts inherited this feature with the ``benefit of inventory'':
+
+ 1. 152 glyphs
+ plb10 plbx10 plbx12 plbx5 plbx6 plbx7 plbx8 plbx9 plbxsl10 pldunh10
+ plff10 plfib8 plr10 plr12 plr17 plr6 plr7 plr8 plr9 plsl10
+ plsl12 plsl8 plsl9 plss10 plss12 plss17 plss8 plss9 plssbi10
+ plssbx10 plssdc10 plssi10 plssi12 plssi17 plssi8 plssi9
+ plssq8 plssqi8 plvtt10
+ 2. 132 glyphs
+ plbsy10 plsy10 plsy5 plsy6 plsy7 plsy8 plsy9
+ 3. 152 glyphs
+ plbxti10 plfi10 plti10 plti12 plti7 plti8 plti9 plu10
+ 4. 151 glyphs
+ plcsc10 plr5
+ 5. 130 glyphs
+ plex10 plex9
+ 6. 47 glyphs
+ plinch
+ 7. 151 glyphs
+ plitt10
+ 8. 130 glyphs
+ plmi10 plmi12 plmi5 plmi6 plmi7 plmi8 plmi9 plmib10
+ 9. 151 glyphs
+ plsltt10 pltcsc10 pltt10 pltt12 pltt8 pltt9
+10. 129 glyphs
+ pltex10 pltex8 pltex9
+
+Internal (i.e., PostScript) font names were chosen in such a way that
+subfamilies are formed, whenever feasible. The naming is supposed to
+facilitate using the fonts under ATM (Adobe Type Manager). Fonts were
+grupped into 51 subfamilies -- we couldn't do better:
+
+ NR POSTSCRIPT NAME TFM FILE NAME
+ 1. PLCaps10-Regular plcsc10
+ 2. PLDunhill10-Regular pldunh10
+ 3. PLFibonacci8-Regular plfib8
+ 4. PLFunny10-Italic plfi10
+ PLFunny10-Regular plff10
+ 5. PLInch-Regular plinch
+ 6. PLMathExtension10-Regular plex10
+ 7. PLMathExtension9-Regular plex9
+ 8. PLMathItalic10-BoldItalic plmib10
+ PLMathItalic10-Italic plmi10
+ 9. PLMathItalic12-Italic plmi12
+ 10. PLMathItalic5-Italic plmi5
+ 11. PLMathItalic6-Italic plmi6
+ 12. PLMathItalic7-Italic plmi7
+ 13. PLMathItalic8-Italic plmi8
+ 14. PLMathItalic9-Italic plmi9
+ 15. PLMathSymbols10-BoldItalic plbsy10
+ PLMathSymbols10-Italic plsy10
+ 16. PLMathSymbols5-Italic plsy5
+ 17. PLMathSymbols6-Italic plsy6
+ 18. PLMathSymbols7-Italic plsy7
+ 19. PLMathSymbols8-Italic plsy8
+ 20. PLMathSymbols9-Italic plsy9
+ 21. PLRoman10-Bold plbx10
+ PLRoman10-BoldItalic plbxti10
+ PLRoman10-Italic plti10
+ PLRoman10-Regular plr10
+ 22. PLRoman12-Bold plbx12
+ PLRoman12-Italic plti12
+ PLRoman12-Regular plr12
+ 23. PLRoman17-Regular plr17
+ 24. PLRoman5-Bold plbx5
+ PLRoman5-Regular plr5
+ 25. PLRoman6-Bold plbx6
+ PLRoman6-Regular plr6
+ 26. PLRoman7-Bold plbx7
+ PLRoman7-Italic plti7
+ PLRoman7-Regular plr7
+ 27. PLRoman8-Bold plbx8
+ PLRoman8-Italic plti8
+ PLRoman8-Regular plr8
+ 28. PLRoman9-Bold plbx9
+ PLRoman9-Italic plti9
+ PLRoman9-Regular plr9
+ 29. PLRomanDemi10-Regular plb10
+ 30. PLSans10-Bold plssbx10
+ PLSans10-BoldItalic plssbi10
+ PLSans10-Italic plssi10
+ PLSans10-Regular plss10
+ 31. PLSans12-Italic plssi12
+ PLSans12-Regular plss12
+ 32. PLSans17-Italic plssi17
+ PLSans17-Regular plss17
+ 33. PLSans8-Italic plssi8
+ PLSans8-Regular plss8
+ 34. PLSans9-Italic plssi9
+ PLSans9-Regular plss9
+ 35. PLSansDemiCond10-Regular plssdc10
+ 36. PLSansQuotation8-Italic plssqi8
+ PLSansQuotation8-Regular plssq8
+ 37. PLSlanted10-BoldItalic plbxsl10
+ PLSlanted10-Italic plsl10
+ 38. PLSlanted12-Italic plsl12
+ 39. PLSlanted8-Italic plsl8
+ 40. PLSlanted9-Italic plsl9
+ 41. PLTeXExtended10-Regular pltex10
+ 42. PLTeXExtended8-Regular pltex8
+ 43. PLTeXExtended9-Regular pltex9
+ 44. PLTypewriter10-Italic plitt10
+ PLTypewriter10-Regular pltt10
+ 45. PLTypewriter12-Regular pltt12
+ 46. PLTypewriter8-Regular pltt8
+ 47. PLTypewriter9-Regular pltt9
+ 48. PLTypewriterCaps10-Regular pltcsc10
+ 49. PLTypewriterSlanted10-Italic plsltt10
+ 50. PLTypewriterVarWd10-Regular plvtt10
+ 51. PLUnslanted10-Regular plu10
+
+--------
+HISTORY:
+--------
+
+The fonts were originally created by Janusz M. Nowacki in 1997
+and released during the meeting of the Polish TeX Users Group (GUST)
+in Bachotek. Several minor bugs were removed during a few
+years of using the fonts. Total re-arrangement of the
+collection and adaptation to the Windows environment took place
+out in 2000 and was carried out by the JNS TEAM (Bogus\l{}aw Jackowski,
+Janusz M. Nowacki and Piotr Strzelczyk).
+
+The current version is 1.15 (of 12 April 2005).
+
+1.15, 12 April 2005 -- the layout of the distribution reorganised to
+ conform with TDS v. 1.1; pl.map was replaced by
+ pltext.map and plother.map (for more easy substition
+ by LM fonts)
+1.14, 22 May 2000 -- files pltex*.pfb modified
+ (the number of charstrings was wrong; actually,
+ it was continuation of 1.13 bug fix)
+1.13, 17 May 2000 -- file plte.enc corrected (was .notdef instead
+ of space)
+1.12, 13 April 2000 r. -- the first release after total re-construction
+
+---------
+COLOPHON:
+---------
+
+Many people contributed to the PL project with their help, comments and
+advices -- very many thanks.
+
+There were two sources exploited by Janusz M. Nowacki:
+ * the AMS collection of Computer Modern Type 1 fonts;
+ * METAFONT sources of the PL fonts (a part of the MeX package).
+
+The Polish TeX Users Group GUST stimulated and partially sponsored the
+project. Krzysio Leszczy\'nski and Toni Walter pointed out some
+deficiencies. Special thanks go to Berthold K. P. Horn for his valuable
+hints concerning technical details of the font representation.
+
+Main tools for the preparing of the PL Type 1 font collection
+were (besides a few commercial programs not worthy mentioning):
+TeX, METAFONT, Type 1 utilities, Ghostscript, AWK and Perl.
+A lot of testing and tuning was carried out in the BOP firm.
+
+
+--------------
+EMAIL CONTACT:
+--------------
+
+ B_Jackowski@gust.org.pl
+or
+ J.Nowacki@gust.org.pl
+or
+ P.Strzelczyk@gust.org.pl
diff --git a/Master/texmf-dist/doc/fonts/pl/README-T1.POL b/Master/texmf-dist/doc/fonts/pl/README-T1.POL
new file mode 100644
index 00000000000..d47ed2769ae
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/pl/README-T1.POL
@@ -0,0 +1,225 @@
+% iso8859-2
+****************************************************************************
+* Zestaw fontów PL (polskiej wersji fontów Computer Modern) *
+* w postscriptowym formacie Type 1 *
+* (public domain) *
+****************************************************************************
+
+-----
+OPIS:
+-----
+Pod presją użytkowników systemów Windows zestaw fontów PL w postscriptowym
+formacie Type 1 został przygotowany do ewentualnego bezpośredniego użycia
+również w tych systemach. Oczywiście, fonty nadal są do wykorzystania
+w systemie TeX -- było to głównym celem ich opracowania w pierwotnej
+wersji przez Janusza M. Nowackiego -- ale obecnie wymagane są pliki
+przekodowania (Windows i TeX stosują inne schematy kodowania).
+
+Dystybucja nowej wersji składa się z 77 fontów, z których każdy posiada
+cztery ,,wcielenia'' (tzn. pliki PFB, AFM, PFM oraz TFM):
+
+ plb10, plbsy10, plbx10, plbx12, plbx5, plbx6, plbx7, plbx8, plbx9,
+ plbxsl10, plbxti10, plcsc10, pldunh10, plex10, plex9, plff10, plfi10,
+ plfib8, plinch, plitt10, plmi10, plmi12, plmi5, plmi6, plmi7, plmi8,
+ plmi9, plmib10, plr10, plr12, plr17, plr5, plr6, plr7, plr8, plr9,
+ plsl10, plsl12, plsl8, plsl9, plsltt10, plss10, plss12, plss17, plss8,
+ plss9, plssbi10, plssbx10, plssdc10, plssi10, plssi12, plssi17, plssi8,
+ plssi9, plssq8, plssqi8, plsy10, plsy5, plsy6, plsy7, plsy8, plsy9,
+ pltcsc10, pltex10, pltex8, pltex9, plti10, plti12, plti7, plti8, plti9,
+ pltt10, pltt12, pltt8, pltt9, plu10, plvtt10.
+
+Dodatkowo załączono 10 plików przekodowania, jedną mapę fontową oraz dwa
+(alternatywne) pliki konfiguracyjne (pliki te wymagane są dla sterownika
+Dvips Tomasa Rokickiego):
+
+ plin.enc, plit.enc, plitt.enc, plme.enc, plmi.enc, plms.enc,
+ plrm.enc, plsc.enc, plte.enc, pltt.enc
+
+ pl.map, config.pl (lub pl.cfg)
+
+Przykład użycia fontów i ich prezentację zamieszczono w pliku plsample.tex;
+plik ten, po przetworzeniu z użyciem formatu MeX i wydrukowaniu,
+może służyć za wzornik dostępnych krojów pisma.
+
+Dla potrzeb bezpośredniego korzystania z fontów w systemach Windows
+wymagane jest zainstalowanie plików *.pfb i *.pfm. Użytkownicy systemu
+TeX powinni zainstalować pliki: *.pfb, *.tfm, *.enc, pl.map oraz config.pl.
+Szczegóły instalacji nie będą tu omawiane, należy postępować zgodnie
+z odpowiednimi, dostępnymi instrukcjami (patrz np.
+http://www.gust.org.pl/FONTY/fonthint.html). Pliki *.afm dołączono do
+dystrybucji jedynie dla kompletności -- NIE NALEŻY ich wykorzystywać do
+generowania plików *.tfm za pomocą programu afmtotfm lub podobnego;
+dystrybucja zawiera gotowe do użycia pliki *.tfm i są one IDENTYCZNE
+z generowanymi z najnowszych plików źródłowych METAFONT-a (wersji 1.07).
+
+Na pierwszy rzut oka liczba różnych kodowań może budzić zdziwienie:
+dlaczego jest ich aż dziesięć? Wynika to z faktu, iż fonty Computer Modern
+korzystają z dziesięciu różnych układów znaków (!). Zestaw fontów PL
+dziedziczy ten stan, mamy więc:
+
+ 1. 152 obrysów znaków (glyphs)
+ plb10 plbx10 plbx12 plbx5 plbx6 plbx7 plbx8 plbx9 plbxsl10 pldunh10
+ plff10 plfib8 plr10 plr12 plr17 plr6 plr7 plr8 plr9 plsl10
+ plsl12 plsl8 plsl9 plss10 plss12 plss17 plss8 plss9 plssbi10
+ plssbx10 plssdc10 plssi10 plssi12 plssi17 plssi8 plssi9
+ plssq8 plssqi8 plvtt10
+ 2. 132 obrysów znaków
+ plbsy10 plsy10 plsy5 plsy6 plsy7 plsy8 plsy9
+ 3. 152 obrysów znaków
+ plbxti10 plfi10 plti10 plti12 plti7 plti8 plti9 plu10
+ 4. 151 obrysów znaków
+ plcsc10 plr5
+ 5. 130 obrysów znaków
+ plex10 plex9
+ 6. 47 obrysów znaków
+ plinch
+ 7. 151 obrysów znaków
+ plitt10
+ 8. 130 obrysów znaków
+ plmi10 plmi12 plmi5 plmi6 plmi7 plmi8 plmi9 plmib10
+ 9. 151 obrysów znaków
+ plsltt10 pltcsc10 pltt10 pltt12 pltt8 pltt9
+10. 129 obrysów znaków
+ pltex10 pltex8 pltex9
+
+Nazewnictwo fontów (chodzi o nazwy wewnętrzne, postscriptowe) zostało
+dobrane pod kątem tworzenia podrodzin. Dzięki temu korzystanie z fontów PL
+pod kontrolą programu ATM (Adobe Type Manager) powinno być w miarę wygodne.
+Fonty zostały pogrupowane w 51 podrodzin -- mniej się nie dało:
+
+ NR NAZWA POSTSCRIPTOWA NAZWA PLIKU TFM
+ 1. PLCaps10-Regular plcsc10
+ 2. PLDunhill10-Regular pldunh10
+ 3. PLFibonacci8-Regular plfib8
+ 4. PLFunny10-Italic plfi10
+ PLFunny10-Regular plff10
+ 5. PLInch-Regular plinch
+ 6. PLMathExtension10-Regular plex10
+ 7. PLMathExtension9-Regular plex9
+ 8. PLMathItalic10-BoldItalic plmib10
+ PLMathItalic10-Italic plmi10
+ 9. PLMathItalic12-Italic plmi12
+ 10. PLMathItalic5-Italic plmi5
+ 11. PLMathItalic6-Italic plmi6
+ 12. PLMathItalic7-Italic plmi7
+ 13. PLMathItalic8-Italic plmi8
+ 14. PLMathItalic9-Italic plmi9
+ 15. PLMathSymbols10-BoldItalic plbsy10
+ PLMathSymbols10-Italic plsy10
+ 16. PLMathSymbols5-Italic plsy5
+ 17. PLMathSymbols6-Italic plsy6
+ 18. PLMathSymbols7-Italic plsy7
+ 19. PLMathSymbols8-Italic plsy8
+ 20. PLMathSymbols9-Italic plsy9
+ 21. PLRoman10-Bold plbx10
+ PLRoman10-BoldItalic plbxti10
+ PLRoman10-Italic plti10
+ PLRoman10-Regular plr10
+ 22. PLRoman12-Bold plbx12
+ PLRoman12-Italic plti12
+ PLRoman12-Regular plr12
+ 23. PLRoman17-Regular plr17
+ 24. PLRoman5-Bold plbx5
+ PLRoman5-Regular plr5
+ 25. PLRoman6-Bold plbx6
+ PLRoman6-Regular plr6
+ 26. PLRoman7-Bold plbx7
+ PLRoman7-Italic plti7
+ PLRoman7-Regular plr7
+ 27. PLRoman8-Bold plbx8
+ PLRoman8-Italic plti8
+ PLRoman8-Regular plr8
+ 28. PLRoman9-Bold plbx9
+ PLRoman9-Italic plti9
+ PLRoman9-Regular plr9
+ 29. PLRomanDemi10-Regular plb10
+ 30. PLSans10-Bold plssbx10
+ PLSans10-BoldItalic plssbi10
+ PLSans10-Italic plssi10
+ PLSans10-Regular plss10
+ 31. PLSans12-Italic plssi12
+ PLSans12-Regular plss12
+ 32. PLSans17-Italic plssi17
+ PLSans17-Regular plss17
+ 33. PLSans8-Italic plssi8
+ PLSans8-Regular plss8
+ 34. PLSans9-Italic plssi9
+ PLSans9-Regular plss9
+ 35. PLSansDemiCond10-Regular plssdc10
+ 36. PLSansQuotation8-Italic plssqi8
+ PLSansQuotation8-Regular plssq8
+ 37. PLSlanted10-BoldItalic plbxsl10
+ PLSlanted10-Italic plsl10
+ 38. PLSlanted12-Italic plsl12
+ 39. PLSlanted8-Italic plsl8
+ 40. PLSlanted9-Italic plsl9
+ 41. PLTeXExtended10-Regular pltex10
+ 42. PLTeXExtended8-Regular pltex8
+ 43. PLTeXExtended9-Regular pltex9
+ 44. PLTypewriter10-Italic plitt10
+ PLTypewriter10-Regular pltt10
+ 45. PLTypewriter12-Regular pltt12
+ 46. PLTypewriter8-Regular pltt8
+ 47. PLTypewriter9-Regular pltt9
+ 48. PLTypewriterCaps10-Regular pltcsc10
+ 49. PLTypewriterSlanted10-Italic plsltt10
+ 50. PLTypewriterVarWd10-Regular plvtt10
+ 51. PLUnslanted10-Regular plu10
+
+---------
+HISTORIA:
+---------
+Fonty zostały pierwotnie opracowane przez Janusza M. Nowackiego w 1997 r.
+i udostępnione podczas konferencji Grupy Użytkowników Systemu TeX (GUST)
+w Bachotku. W trakcie kilkuletniego użytkowania usunięto kilka drobnych
+błędów. Kompletną rearanżację zestawu i dostosowanie do środowiska systemów
+Windows wykonał w 2000 r. JNS TEAM (Bogusław Jackowski, Janusz M. Nowacki
+i Piotr Strzelczyk).
+
+Bieżąca wersja nosi numer 1.15 i datę 12 kwietnia 2005 r.
+
+1.15, 12 kwietnia 2005 r. -- układ katalogów dystrybucji dostosowano do TDS
+ wer. 1.1; plik pl.map zastąpiono plikami
+ pltext.map oraz plother.map (dla ułatwienia
+ substytucji fontów PL przez fonty LM)
+1.14, 22 maja 2000 r. -- poprawione pliki pltex*.pfb
+ (nieprawidłowo była wyspecyfikowana liczba
+ znaków w foncie; w istocie jest to ostatecznie
+ usunięta pluskwa, której usuwanie zaczęło się
+ w wersji 1.13)
+1.13, 17 maja 2000 r. -- poprawiony plik encodingowy plte.enc
+ (był .notdef zamiast space)
+1.12, 13 kwietnia 2000 r. -- pierwsza wersja udostępniona po ,,wielkiej
+ przebudowie''
+
+--------
+KOLOFON:
+--------
+W projekcie ,,Fonty PL'' uczestniczyło wiele osób; za ich pomoc, komentarze
+i rady pragniemy niniejczym serdecznie podziękować.
+
+Janusz M. Nowacki korzystał z dwóch źródeł fontów:
+ * zestawu fontów Computer Modern Type 1 udostępnionego przez AMS;
+ * plików źródłowych METAFONT-a fontów PL (stanowią one część pakietu MeX).
+
+Grupa Użytkowników Systemu TeX (GUST) stymulowała i częściowo sponsorowała
+projekt. Krzysio Leszczyński i Toni Walter wskazali na niektóre
+niedociągnięcia. Specjalne podziękowania składamy Bertholdowi K. P. Hornowi
+za jego wartościowe rady dotyczące technicznych aspektów elektronicznej
+reprezentacji fontów.
+
+Głównymi narzędziami wykorzystywanymi w przygotowaniu zestawu fontów
+PL w formacie Type 1 (prócz nie wartych wspominania paru programów
+komercyjnych) były: TeX, METAFONT, Type 1 utilities, Ghostscript, AWK
+oraz Perl. Sporo testowania i cyzelowania fontów miało miejsce w firmie BOP.
+
+------
+EMAIL:
+------
+
+ B_Jackowski@gust.org.pl
+lub
+ J.Nowacki@gust.org.pl
+lub
+ P.Strzelczyk@gust.org.pl
+
diff --git a/Master/texmf-dist/doc/fonts/pl/README.ENG b/Master/texmf-dist/doc/fonts/pl/README.ENG
new file mode 100644
index 00000000000..72ffcc5d1f4
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/pl/README.ENG
@@ -0,0 +1,319 @@
+*****************************************************************************
+* The collection of the PL fonts (the Polish version of the *
+* Computer Modern ones) in METAFONT source format *
+* (public domain) *
+*****************************************************************************
+
+Authors
+=======
+Bogus\l{}aw Jackowski <B.Jackowski@gust.org.pl>
+Marek Ry\'cko <marek@camk.edu.pl>
+consultant: Roman Tomaszewski
+
+see also GUST (Polish TeX Users Group) home page:
+http://www.gust.org.pl
+
+---------
+SYNOPSIS:
+---------
+
+The following set of METAFONT sources for PL fonts (ver. 1.09 of
+13 Apr 2001) is a part of MeX distribution and only EXCEPTIONALLY
+is released as a separate package.
+
+The reason for the release is a bug fix. Andreas Schwab and Joerg
+Knappen found a nasty bug in PL fonts during their works on EC
+family of fonts: the heights and italic corrections of the
+accented characters depended on a given resolution. Unfortunately,
+the check sum in TFM files depends only on character widths,
+therefore the bug escaped fixing for a long time.
+
+In the corrected version, accented characters are processed twice
+(see macro `beginchar_twice' in pl_dod.mf): during the first pass,
+all drawing operations (fill, draw, cull, etc.) are neutralized --
+the result of the first pass are merely character dimensions (hopefully,
+resolution-independent ;-); during the second pass, the glyph is
+eventually created.
+
+The documentation below is an excerpt from mexinfo.eng---the documentation
+of MeX package (CTAN:/language/polish/mex*).
+
+PL fonts
+========
+The PL fonts were primarly designed for use with the MeX and LaMeX formats
+(Polish versions of the PLAIN and LaTeX209 macro files). Nowadays PL fonts
+can also be used with `PLaTeX' package (CTAN:/language/polish/platex*)
+that provides tools to typeset documents in Polish using LaTeX2e.
+This was a main reason to put them in the separate package.
+
+1. The Polish diacritical letters and quotation marks
+-----------------------------------------------------
+
+ There are nine diacritical letters in the Polish language (altogether
+ with majuscules---eighteen):
+
+ a with ogonek
+ c with acute accent
+ e with ogonek
+ l with cross
+ n with acute accent
+ o with acute accent
+ s with acute accent
+ z with acute accent
+ z with dot accent
+
+ Moreover, the Polish opening quotation mark is like English
+ closing one, but shifted to a baseline (like two commas, `,,');
+ additionally, in case of nested quotations, French quotation marks
+ (`<<' and `>>') are used.
+
+2. The PL layout
+----------------
+
+ The Polish fonts (PL) are extension of Computer Modern
+ fonts (CM), i.e., characters 0--127 are identical in PL and CM,
+ while the Polish characters and Polish and French quotation marks
+ are placed in higher ASCII positions, namely:
+
+ A with ogonek -- 129 a with ogonek -- 161
+ C with acute accent -- 130 c with acute accent -- 162
+ E with ogonek -- 134 e with ogonek -- 166
+ L with cross -- 138 l with cross -- 170
+ N with acute accent -- 139 n with acute accent -- 171
+ O with acute accent -- 211 o with acute accent -- 243
+ S with acute accent -- 145 s with acute accent -- 177
+ Z with acute accent -- 153 z with acute accent -- 185
+ Z with dot accent -- 155 z with dot accent -- 187
+
+ << (French opening quotes) -- 174
+ >> (French opening quotes) -- 175
+ ,, (Polish opening quotes) -- 255
+
+ Note that the Polish diacritical letters have the codes of the Extended
+ CM layout (Cork encoding).
+
+3. A few remarks on the design of the PL fonts
+----------------------------------------------
+
+ a) The METAFONT programs for letters and for the Polish opening quotes
+ are based on the respective CM programs; we decided not to
+ exploit a sneaky way of reading CM programs twice (or reading them
+ and storing) and modifying `extra_beginchar' and `extra_endchar',
+ or so, as we found such an aproach to be inconsistent with
+ the general philosophy of the Computer Modern font family design
+ (although see, e.g., the program for SS in the CSC font).
+
+ b) Unlike the CM parametric files, the PL ones do not contain lists
+ of parameter assignments. Instead, a CM driver file is input
+ while processing the corresponding PL driver.
+
+ c) The quotation marks are accessible via ligatures (,, << >>).
+ The Polish diacritical letters can be accessed either directly or
+ using an active prefix character (slash)---see the description of
+ the format MeX. No ligatures are used to form the Polish diacritical
+ characters. There are good reasons for doing so.
+
+ d) Since the Polish diacritical letters are not meant to be used as
+ math variables, they are not `math_adjusted'.
+
+ e) METAFONT doesn't allow for more than 16 different heights per font;
+ because of this limitation the upper half of the ASCII table is
+ deliberately left almost empty.
+
+ In spite of that an additional height introduced by accented
+ majuscules may cause an automatic adjustation of the remaining
+ heights, and it may happen that, e.g., `x_height' will be changed.
+ This makes the full compatibility between PL and CM fonts rather
+ impossible; let's hope that such incompatible situations will occur
+ very rarely.
+
+ f) An attempt was made to avoid introducing extra parameters; in some
+ cases, however, such extra (optional) parameters may prove to be
+ necessary for the final tunig. All optional parameters are described
+ in the file pl_dod.mf (an additional file for PL fonts; in fact,
+ a base format). Examples of use of optional parameters can be found
+ in the following files:
+ plb10, plbx5, plbx6, plbx7, plbx8, plcsc10, pldunh10, plfi10, plff10,
+ plitt10, plr5, plr6, plr7, plr8, plr9, plr12, plr17, plsl8, plsl9,
+ plsl12, plssq8, plssqi8, pltcsc10, plti7, plti8, plti12, and plvtt10.
+
+ g) plsy fonts include alternative less-or-equal and greater-or-equal
+ signs (like AMSTeX `\leqslant' and `\geqslant'), used in Polish math
+ texts; this extension was suggested by Mr. W\l{}odzimierz J. Martin.
+
+ h) plmi, plmib and pltex fonts are renamed (for uniformness) cmmi, cmmib
+ and cmtex fonts. The latter one reflects the layout of the keyboard
+ of the computer used by D. E. Knuth (D. E. Knuth, ``Computer Modern
+ Typefaces,'' p. 568); it is unlikely that Polish characters were
+ present there.
+
+ i) The design of the Polish diacritical characters in fonts plr, plbx,
+ pltt, plss, plti and plssbx was consulted with Mr. Roman Tomaszewski,
+ the President of the Polish Division of ATypI (Association Typographique
+ Internationale).
+
+ The authors are extremally grateful to him for his advices and for
+ the time he devoted to the problem of the Polish version of CM fonts.
+
+ Mr. Roman Tomaszewski died in December 1993.
+
+ j) D. E. Knuth encourages users to generate their own fonts: ``Many
+ more variations (bold and/or slanted and/or sans-serif) could be
+ tried.'' he says (``Computer Modern Typefaces'', p. 30). The authors
+ of the PL fonts share rather the Roman Tomaszewski's opinion, that one
+ should be very, very careful in following this advice.
+
+4. A few remarks on the design of the Polish diacritical characters
+-------------------------------------------------------------------
+
+ a) The accents over minuscules are very similar to the accents
+ that can be obtained using TeX's acute accent (\') operation;
+ accents over majuscules, however, are rotated a bit (if serifs)
+ or flattened a bit (if not serifs); exceptionally, in the extremely
+ slim pldunh10 font accents over majuscules are not sloped.
+
+ b) The dot accent over `z' and `Z' is like a dot over the letter `i'.
+ The dot accent put by TeX's command `\.' is a bit different, which
+ does not look nice in Polish words like `gwi\.zd\.ze' (eng. whistles).
+
+ c) The cross for the polish `l' and `L' is longer and thicker (for `L'
+ is bigger than for `l') than the standard CM's cross (TeX commands
+ `\l' and `\L').
+
+ d) The programs for the Polish opening quotes are based on the CM's
+ closing quotes; the French quotation marks are designed from scratch.
+
+ e) The geometry of an ogonek is very simple: its outer and inner edges
+ are single B\'ezier segments. The algorithm of computing the control
+ points for the B\'ezier curves, however, is admittedly sophisticated.
+ This is due to the fact that a wide spectrum of different ogonek shapes
+ is in fact to be programmed: one shape is needed for caps, another for
+ `a' with ogonek, yet another for `e' with ogonek, as they all have
+ different joins. Moreover, a sansserif ogonek differs significantly
+ from the serif one, a bold ogonek from the non-bold, an ogonek for hefty
+ fonts should still be different. And, if you take into account that
+ the basic font unit |u| may change during one session of font
+ generation (monospace and caps-small-caps) and that a few different
+ pens may be used to draw a single letter you'll understand why
+ so many |if| ... |else:| ... |fi| commands are used in the ogonek
+ program.
+
+ f) Implicit kerns are mostly the same for the Polish diacritical letters
+ as for the respective Latin ones; although, there are a few exceptions
+ (see the files polan.mf, polkur.mf and polkap.mf). The same concerns
+ the italic correction inserted after the Polish characters.
+
+The present distribution consists of:
+
+ (a) 12 basic files:
+ fik_mik.mf, pl_cud.mf, pl_dl.mf, pl_dod.mf, pl_ml.mf,
+ pl_mlk.mf, pl_sym.mf, polan.mf, polkap.mf, polkur.mf,
+ polmat.mf, poltyt.mf;
+
+ (b) 80 parameter files:
+ plb10.mf, plbsy10.mf, plbsy5.mf, plbsy7.mf, plbx10.mf, plbx12.mf,
+ plbx5.mf, plbx6.mf, plbx7.mf, plbx8.mf, plbx9.mf, plbxsl10.mf,
+ plbxti10.mf, plcsc10.mf, pldunh10.mf, plex10.mf, plff10.mf,
+ plfi10.mf, plfib8.mf, plinch.mf, plitt10.mf, plmi10.mf,
+ plmi12.mf, plmi5.mf, plmi6.mf, plmi7.mf, plmi8.mf, plmi9.mf,
+ plmib10.mf, plmib5.mf, plmib7.mf, plr10.mf, plr12.mf, plr17.mf,
+ plr5.mf, plr6.mf, plr7.mf, plr8.mf, plr9.mf, plsl10.mf, plsl12.mf,
+ plsl8.mf, plsl9.mf, plsltt10.mf, plss10.mf, plss12.mf, plss17.mf,
+ plss8.mf, plss9.mf, plssbi10.mf, plssbx10.mf, plssdc10.mf,
+ plssi10.mf, plssi12.mf, plssi17.mf, plssi8.mf, plssi9.mf,
+ plssq8.mf, plssqi8.mf, plsy10.mf, plsy5.mf, plsy6.mf, plsy7.mf,
+ plsy8.mf, plsy9.mf, pltcsc10.mf, pltex10.mf, pltex8.mf, pltex9.mf,
+ plti10.mf, plti12.mf, plti7.mf, plti8.mf, plti9.mf, pltt10.mf,
+ pltt12.mf, pltt8.mf, pltt9.mf, plu10.mf, plvtt10.mf;
+
+ nearly all parameter files employ Knuth's sources;
+ the exception are plbsy5.mf, plbsy7.mf, plmib5.mf, plmib7.mf,
+ which make use of the sources from AMS distribution of Computern
+ Modern family; these fonts are currently absent from the
+ distribution of Type 1 collection of PL fonts;
+
+ (c) 2 extra files:
+ * cmssbi10.mf -- added for the sake of completeness
+ (such a file is missing from the original set
+ of parameter files);
+ * dlr10.mf -- a sample file, demonstrating how to change the
+ basic unit of a font (in this case, the parameter file
+ defines 10 didot point font)
+
+--------
+HISTORY:
+--------
+
+ 7 Feb 1992: version 1.00
+11 Feb 1992: version 1.01
+ * no changes; the new version number due to changes in \MeX{} format
+ 25 May -- 1 Jun 1992: version 1.02
+ * pl_dod.mf:
+ the following two erroneous assignments:
+ z_a:=(x_down+the_left_pos,.5penkind); % starting point
+ z_d:=(xpart(z_a)-.5penkind,y_right+.5penkind)+the_tip_pos; % ending point
+ changed to the following ones:
+ z_a:=(x_down+the_left_pos,ypart(ogonek_pos)); % starting point
+ z_d:=(xpart(z_a)-.5penkind,y_right+ypart(ogonek_pos))+
+ the_tip_pos; % ending point
+ Some comments changed.
+ * pl_mlk.mf:
+ the stroke in crossed l (olde code for the letter l):
+ filldraw stroke z1e--z2e; %| stem
+ changed to:
+ filldraw stroke z1e--z2'e; %| stem
+ * fik_mik.mf:
+ cmbase.mf is being read by fik_mik.mf in order to prevent
+ reading it while processing parameter files
+18 Dec 1992: version 1.03
+ * fik_mik.mf:
+ possibility of arbitrary rescaling added: the value of
+ |basic_unit#| can be used to override default |pt#| basic
+ unit (suggestion of M. \L{}akomy; cf. the sample file dlr10.mf
+ producing a |10dd#| roman font)
+ * cosmetic changes in cmbx11.mf, cmr11.mf, cmti11.mf, cmsl11.mf,
+ cmssbi10.mf, and polan.mf
+14 Apr 1996: version 1.07$gamma$ -- unofficial release
+ (versions 1.04 thru 1.06 were never released)
+ * a nasty bug removed, found by Andreas Schwab in connection with
+ Joerg Knappen's works on including the code of PL fonts into
+ EC fonts: TFM files used to depend on resolution due to rounding
+ errors (many thanks, Andreas and Joerg)
+ * macro |put_dot| corrected (PL_DOD.MF)
+ * |qvair| and |limit_dist| defined as macros (used to be variables)
+ * some code cleaning
+13 Apr 2000: version 1.07 -- official release (for BachoTeX 2000)
+ * no changes of code since version 1.07$\gamma$
+ * files cmr11.mf, cmti11.mf, cmsl11.mf removed from the distribution
+ as useless.
+ * changes in the documentation and new comments in the files
+13 Apr 2000: version 1.08 (the date was deliberately retained)
+ * pl_dod:
+ a line added in |beginchar_twice| (at the beginning of ``discrete''
+ calculations):
+ save mode_guard_; % dedicated to those who use Karl Berry's modes.mf
+ the problems with modes.mf were reported by W\l{}odek Macewicz
+ * the modification HAS NOT INFLUENCE on metric files, i.e.,
+ the files generated from version 1.07 are identical; we do
+ our best to follow Donald E. Knuth's enunciation:
+ ``I absolutely guarantee that the TFM files will never change again.''
+ (DeK, file CM85bug)
+ * font plex9 removed from the distribution as not relevant to
+ the original Computer Modern family; if required (?),
+ it suffices to copy plex10.mf to plex9.mf
+ * comment cleaning
+13 Apr 2001: version 1.09
+ * pl_dod:
+ the types of the parameters of |special| and |numspecial|,
+ re-defined in |beginchar_twice|, were inconsistent with
+ the METAFONT syntax (|primary| instead of |expr|):
+ <special command> :=
+ special <string expression> | numspecial <numeric expression>
+
+
+--------------
+EMAIL CONTACT:
+--------------
+
+B.Jackowski@gust.org.pl or M.Rycko@gust.org.pl
+
diff --git a/Master/texmf-dist/doc/fonts/pl/README.POL b/Master/texmf-dist/doc/fonts/pl/README.POL
new file mode 100644
index 00000000000..417c294e843
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/pl/README.POL
@@ -0,0 +1,344 @@
+*****************************************************************************
+* Kolekcja fontów PL (polskiego rozszerzenia fontów *
+* Computer Modern) w formacie źródłowym METAFONT-a *
+* (dobro wspólne -- public domain) *
+*****************************************************************************
+
+Autorzy
+=======
+Bogusław Jackowski <B.Jackowski@gust.org.pl>
+Marek Ryćko <M.Rycko@gust.org.pl>
+konsultacje: Roman Tomaszewski
+
+-------------
+OPIS PAKIETU:
+-------------
+Niniejsza dystrybucja METAFONT-owych plików źródłowych fontów PL
+(wersja 1.09, 13 kwietnia 2001) jest częścią dystrybucji pakietu MeX
+i WYJĄTKOWO jest rozpowszechniana jako odrębny pakiet.
+
+Powodem aktualizacji jest usunięcie błędu wykrytego (podczas pracy nad
+fontami EC) przez Andreasa Schwaba i Joerga Knappena. Błąd polegał
+na różnicach wysokości i korekt kursywy liter diakrytycznych w zależności
+od użytej rozdzielczości. Ponieważ suma kontrolna plików TFM
+zależy wyłącznie od szerokości znaków, błąd ukrywał się przez wiele lat.
+
+W wersji poprawionej znaki diakrytyczne są przetwarzane dwukrotnie
+(patrz makro ,beginchar_twice' w pliku pl_dod.mf). Za pierwszym razem
+wszystkie operacje rysowania (fill, draw, cull itp.) są neutralizowane,
+w rezultacie otrzymujemy w tym przebiegu jedynie wymiary znaków
+(mamy nadzieją, że niezależne od rozdzielczości ;-). W drugim przebiegą są
+tworzone obrysy (glyphs) znaków.
+
+Poniższy fragment zaczerpnięto z dokumentacji mexinfo.pol zawartej
+w pakiecie MeX
+ ftp://ftp.gust.org.pl/pub/TeX/language/polish/mex105.zip
+lub archiwa CTAN, np.
+ ftp://ftp.dante.de/tex-archive/language/polish/mex105.zip
+
+Fonty PL (polskie rozszerzenie fontów CM)
+==========================================
+
+Fonty PL przeznaczone są do składania polskich lub polsko-angielskich
+tekstów przy użyciu formatów MeX i LaMeX. Obecnie mogą też być
+wykorzystane do składu przy użyciu pakietu PLaTeX (autorstwa Mariusza Olko
+i Marcina Wolińskiego), wspomagającego skład polskich dokumentów przy użyciu
+formatu LaTeX2e:
+ ftp://ftp.gust.org.pl/pub/TeX/language/polish/platex-1.??.zip
+ lub ftp://ftp.dante.de/tex-archive/language/polish/platex-1.??.zip
+
+Autorzy starali się zachować ,,ducha CM-ów'' przy projektowaniu polskich
+znaków diakrytycznych. Np. przekreślenie małej litery ,,ł'' zostało
+nieco tylko powiększone w stosunku do przekreślenia fontów rodziny CM
+(METAFONT-owy program ,,Cross for Polish l and L'' w pliku ACCENT.MF)
+umieszczanego w składzie komendami TeX-owymi \l oraz \L, chociaż w
+niektórych fontach autorzy chętnie widzieliby przekreślenie znacznie
+wyraźniejsze. Podobnie podcięcia wstawiane automatycznie pomiędzy znakami
+(implicit kerns) były dodawane raczej ostrożnie. Np. zdaniem autorów
+podcięcie między polskim otwierającym cudzysłowem (,,) a literą ,,W''
+bądź ,,T'' mogłoby być znacznie większe, gdyby nie to, że w fontach CM
+nie ma żadnego podcięcia między literą ,,A'' a cudzysłowem zamykającym
+('').
+
+Fonty PL, podobnie jak macierzyste fonty CM, projektowane były
+pod kątem zastosowań profesjonalnych, tzn. urządzeń o większych
+rozdzielczościach. Niemniej jednak sporo wysiłku włożono w prawidłową
+dyskretyzację przy małych rozdzielczościach (dla potrzeb wydruków
+testowych na drukarkach mozaikowych 9- i 24-igłowych).
+
+ 1. Fonty PL stanowią rozszerzenie standardowego zestawu rodziny
+ Computer Modern (CM) o polskie znaki diakrytyczne i bazują na tych
+ samych plikach parametrycznych co fonty rodziny CM. Zmiany parametrów
+ odbiegające zbyt daleko od standardu zaproponowanego przez D. E. Knutha
+ mogą spowodować nieoczekiwane efekty (do błędu w trakcie obliczeń
+ włącznie). Przykładowo, założone zostało, że kursywa i grotesk
+ wykluczają się.
+
+ Układ fontów PL charakteryzuje się tym, że znaki o kodach < 128
+ są identyczne ze znakami rodziny CM, natomiast polskim znakom
+ diakrytycznym przypisane zostały kody > 127 (innych cech TeX-a 3.x
+ nie wykorzystuje się). Polskie znaki diakrytyczne mają kody zgodne
+ z układem ECM (Extended Computer Modern, Cork encoding), natomiast
+ cudzysłowy mają kody niestandardowe (w ECM cudzysłowy mają
+ kody < 127):
+
+ Ą -- 129 ą -- 161
+ Ć -- 130 ć -- 162
+ Ę -- 134 ę -- 166
+ Ł -- 138 ł -- 170
+ Ń -- 139 ń -- 171
+ Ó -- 211 ó -- 243
+ Ś -- 145 ś -- 177
+ Ź -- 153 ź -- 185
+ Ż -- 155 ż -- 187
+
+ << (francuski cudzysłów otwierający) -- 174
+ >> (francuski cudzysłów zamykający) -- 175
+ ,, (polski cudzysłów otwierający) -- 255
+
+ Uwagi:
+ * Fonty matematyczne plmi, plmib oraz plex nie zawierają polskich
+ znaków diakrytycznych i nie różnią się od odpowiednich fontów
+ CM; przedrostki CM zostały zmienione na PL jedynie dla zachowania
+ jednorodności.
+ * Podobnie font pltex10 to po prostu font cmtex10 ze zmienioną dla
+ jednolitości nazwą; font cmtex10 odzwierciedla układ klawiatury
+ na komputerze używanym przez profesora Knutha (D. E. Knuth,
+ ,,Computer Modern Typefaces'', str. 568), tym samym nie powinien
+ raczej zawierać polskich znaków diakrytycznych.
+ * Fonty plsy zostały poszerzone (w stosunku do cmsy) o znaki
+ ,,większe-równe'' i ,,mniejsze-równe'' odpowiadające
+ polskim zwyczajom drukarskim (dolna kreska skośna zamiast
+ poziomej); na konieczność takiego rozszerzenia zwrócił
+ uwagę p. Włodzimierz J. Martin; majuskuły kaligraficzne tych
+ fontów (opisane w pliku calu.mf) nie zostały uzupełnione
+ o polskie znaki diakrytyczne.
+
+ 2. Jedynymi znakami ,,polskimi'' dostępnymi poprzez ligatury są
+ cudzysłowy (,, << >>). Polskie znaki diakrytyczne są dostępne
+ albo bezpośrednio, albo za pomocą komendy realizowanej przez
+ ,,aktywny ciach'' (/a /c /e /l /n /o /s /x /z /A /C /E
+ /L /N /O /S /X /Z) zaprogramowanej w formatach MeX i LaMeX
+ (p. opis używania formatów MeX i LaMeX). Istnieją zasadnicze powody,
+ dla których autorzy nie wykorzystali do tego celu ligatur.
+
+ 3. Ze względu na ograniczenie liczby różnych wysokości znaków w foncie
+ do 15 niezerowych, zrezygnowano z kuszącego wypełniania ,,górnej
+ połówki'' fontu. Ponadto w programach METAFONT-owych podjęte zostały
+ zabiegi mające na celu minimalizację liczby różnych wysokości.
+ Niestety, mimo to w niektórych przypadkach liczba różnych niezerowych
+ wysokości przekracza 15. W takiej sytuacji METAFONT automatycznie
+ zmienia niektóre spośród wysokości. Oznacza to, że w pewnych
+ (bardzo złośliwych i -- miejmy nadzieję -- niezwykle rzadkich)
+ przypadkach może się zdarzyć, że tekst czysto angielski złożony
+ fontami PL zostanie inaczej przełamany na strony niż tekst złożony
+ fontami CM.
+
+ 4. Starano się unikać wprowadzania dodatkowych parametrów, co jednak
+ nie zawsze było możliwe. Szczegóły dotyczące możliwości zmiany
+ zachowania domyślnego opisane są w pliku pl_dod.mf. Przykłady użycia
+ opcjonalnych parametrów zmieniających zachowanie domyślne znaleźć
+ można w plikach źródłowych fontów plb10, plbx5, plbx6, plbx7, plbx8,
+ plcsc10, pldunh10, plfi10, plff10, plitt10, plr5, plr6, plr7, plr8,
+ plr9, plr12, plr17, plsl8, plsl9, plsl12, plssq8, plssqi8, pltcsc10,
+ plti7, plti8, plti12 oraz plvtt10.
+
+ 5. Programy opisujące polskie znaki diakrytyczne zostały oparte na
+ odpowiednich programach rodziny CM. Opisy polskich znaków
+ diakrytycznych stanowią niezależne programy, co jest zgodne
+ z ogólną filozofią programów rodziny CM (można by np. zapamiętywać
+ mapy bitowe liter ,,A'', ,,C'', ,,a'', ,,c'', ..., itd., i te mapy
+ bitowe modyfikować; z takiego podejścia i mu podobnych zrezygnowano).
+
+ Nieco trickowe rozwiązanie zastosowano w celu uniknięcia duplikowania
+ plików parametrycznych (plb10, plbx10, ..., itd.). Wykorzystano tu
+ METAFONT-ową zmienną ,,jobname'' do czytania odpowiednich plików
+ parametrycznych rodziny CM. Pliki te powinny znajdować się w kartotece
+ przeszukiwanej przez METAFONT-a w trakcie realizacji komendy ,,input''.
+
+ 6. Program dla polskiego cudzysłowu otwierającego zaczerpnięty został
+ z programów rodziny CM. Natomiast kształt cudzysłowów francuskich
+ został zaprojektowany i zaprogramowany ,,od zera''.
+
+ 7. Pierwszą i najważniejszą fazą pracy nad fontami PL było
+ zaprojektowanie i zaprogramowanie kształtów polskich znaków
+ diakrytycznych w sześciu podstawowych krojach: plr, plss, plbx, plssbx,
+ pltt oraz plti (stopnie pisma od 5 do 17 punktów).
+
+ Tym etapem pracy opiekował się troskliwie p. Roman Tomaszewski,
+ wybitny polski typograf, członek zarządu Międzynarodowego
+ Stowarzyszenia Typograficznego ATypI i zarazem przewodniczący Polskiego
+ Oddziału ATypI. Autorzy są mu głęboko wdzięczni za życzliwe
+ wspieranie swą wiedzą i doświadczeniem prac projektowych nad
+ fontami PL.
+
+ Pan Roman Tomaszewski zmarł w grudniu 1992 roku.
+
+ 8. Akcenty nad minuskułami ,,ć'' ,,ń'' ,,ó'' ,,ś'' ,,ź'' są takie
+ same jak wstawiany TeX-ową komendą \' akcent ,,acute'', tyle że
+ w niektórych przypadkach są nieco przesunięte w poziomie. Natomiast
+ akcenty nad majuskułami ,,Ć'' ,,Ń'' ,,Ó'' ,,Ś'' ,,Ź'' są wprawdzie
+ konstruowane w oparciu o akcent ,,acute'', ale są nieco ,,spłaszczone''
+ (w przypadku odmian szeryfowych jest to zwykły obrót, natomiast
+ w przypadku odmian bezszeryfowych -- obrót połączony z pewną
+ modyfikacją, ze względu na konieczność zachowania poziomego
+ położenia górnej i dolnej krawędzi akcentu oraz optycznej grubości
+ kreski akcentowej). Wyjątkowo w karykaturalnie smukłym foncie pldunh10
+ akcent nad minuskułami i majuskułami jest pochylony tak samo.
+
+ Powyższe zabiegi są zgodne z regułami sztuki typograficznej, powodują
+ natomiast, że akcenty kładzione za pomocą TeX-owej komendy \accent
+ mogą się istotnie różnić od akcentowanych majuskuł w fontach PL.
+
+ 9. Akcent nad literami ,,ż'' oraz ,,Ż'' jest taki sam jak kropka nad
+ literą ,,i'', czyli inny niż akcent wstawiany przez TeX-a (za pomocą
+ komendy \.). W literze ,,ż'' jest także umieszczony na tej samej
+ wysokości co kropka nad ,,i'' (oczywiście nie w foncie kapitalikowym).
+ Dzięki temu w słowach takich jak ,,gwiżdże'' czy ,,niżej'' kropka
+ zachowuje tę samą wysokość. Niestety, w niektórych fontach rodziny
+ CM kropka nad ,,i'' jest stanowczo za mała (np. CMTT), co powoduje,
+ że wartość optyczna kropki nad ,,ż'' oraz ,,Ż'' jest też czasami
+ zbyt mała. Z powiększenia kropki zrezygnowano, uznając jej wielkość
+ za cechę fontów CM.
+
+10. Przekreślenie litery ,,Ł'' jest znacznie większe od przekreślenia
+ litery ,,ł'', a przekreślenie litery ,,ł'' jest z kolei większe od
+ przekreślenia w fontach rodziny CM (p. punkt 0 powyżej).
+
+11. ,,Ogonki'' pod literami ,,Ą'' ,,Ę'' ,,ą'' ,,ę'' budowane są za
+ pomocą stosunkowo skomplikowanego algorytmu, ale geometria
+ ogonka jest bardzo prosta: zewnętrzna i wewnętrzna krawędź to
+ pojedyncze segmenty krzywych B\'eziera. Ogonki takie -- jak
+ pokazuje doświadczenie -- są najzgrabniejsze.
+
+ Opcjonalne parametry dodatkowe wpływające na kształt ogonków
+ opisane są w pliku pl_dod.mf.
+
+12. Polskie znaki diakrytyczne nie są przeznaczone do używania jako
+ znaki matematyczne, dlatego w programach opisujących te znaki
+ pominięta została komenda ,,math_adjust''.
+
+13. Podcięcia wstawiane automatycznie między znakami (implicit kerns)
+ są w zasadzie takie same dla polskich znaków diakrytycznych jak dla
+ odpowiednich liter alfabetu łacińskiego, z pewnymi wszakże wyjątkami
+ (p. pliki polan.mf, polkur.mf oraz polkap.mf); podobnie rzecz się ma
+ z korektą italikową wstawianą za polskimi znakami diakrytycznymi.
+
+14. Dla tych, którzy chcieliby wydrukować źródła METAFONT-owe w postaci
+ sformatowanej za pomocą programu MFT, dołączony jest odpowiedni
+ format o nazwie pl.mft. Format ten jest przygotowany do składania
+ z użyciem fontów rodziny CM; jeśli użytkownik zamienił już
+ wszystkie CM-y na fonty PL, musi odpowiednio zmienić nazwy fontów
+ w plikach pl.mft oraz mftmac.tex (plik mftmac.tex znaleźć można np.
+ w każdej dystrybucji TeX-a lub CTAN:/macros/generic/plain/base/).
+
+Aktualna dystrybucja składa się z:
+
+ (a) 12 plików podstawowych:
+ fik_mik.mf, pl_cud.mf, pl_dl.mf, pl_dod.mf, pl_ml.mf,
+ pl_mlk.mf, pl_sym.mf, polan.mf, polkap.mf, polkur.mf,
+ polmat.mf, poltyt.mf;
+
+ (b) 80 plików parametrycznych:
+ plb10.mf, plbsy10.mf, plbsy5.mf, plbsy7.mf, plbx10.mf, plbx12.mf,
+ plbx5.mf, plbx6.mf, plbx7.mf, plbx8.mf, plbx9.mf, plbxsl10.mf,
+ plbxti10.mf, plcsc10.mf, pldunh10.mf, plex10.mf, plff10.mf,
+ plfi10.mf, plfib8.mf, plinch.mf, plitt10.mf, plmi10.mf,
+ plmi12.mf, plmi5.mf, plmi6.mf, plmi7.mf, plmi8.mf, plmi9.mf,
+ plmib10.mf, plmib5.mf, plmib7.mf, plr10.mf, plr12.mf, plr17.mf,
+ plr5.mf, plr6.mf, plr7.mf, plr8.mf, plr9.mf, plsl10.mf, plsl12.mf,
+ plsl8.mf, plsl9.mf, plsltt10.mf, plss10.mf, plss12.mf, plss17.mf,
+ plss8.mf, plss9.mf, plssbi10.mf, plssbx10.mf, plssdc10.mf,
+ plssi10.mf, plssi12.mf, plssi17.mf, plssi8.mf, plssi9.mf,
+ plssq8.mf, plssqi8.mf, plsy10.mf, plsy5.mf, plsy6.mf, plsy7.mf,
+ plsy8.mf, plsy9.mf, pltcsc10.mf, pltex10.mf, pltex8.mf, pltex9.mf,
+ plti10.mf, plti12.mf, plti7.mf, plti8.mf, plti9.mf, pltt10.mf,
+ pltt12.mf, pltt8.mf, pltt9.mf, plu10.mf, plvtt10.mf;
+
+ prawie wszystkie pliki parametryczne odwołują się do oryginalnych
+ plików źródłowych D. E. Knutha; wyjątkiem są jedynie plbsy5.mf,
+ plbsy7.mf, plmib5.mf oraz plmib7.mf, które odwołują się do
+ dodatkowych plików źródłowych fontów Computern Modern zawartych
+ w dystrybucji AMS; podczas generowania fontów PL wymagana jest
+ dostępność w systemie oryginalnych plików źródłowych CM i AMS;
+
+ (c) 2 pliki dodatkowe:
+ * cmssbi10.mf -- dodany dla kompletności (pliku tego brak
+ w oryginalnym zestawie plików parametrycznych);
+ * dlr10.mf -- plik przykładowy, demonstruje sposób zmiany
+ jednostki podstawowej fontu (w tym wypadku plik parametryczny
+ definiuje font wielkości 10 dd)
+
+---------
+HISTORIA:
+---------
+
+ 7 lutego 1992: wersja 1.00
+11 lutego 1992: wersja 1.01
+ * brak zmian; nowy numer wersji wynikł ze zmian w formacie MeX
+ 1 Jun 1992: wersja 1.02
+ * pl_dod.mf:
+ dwa błędne wiersze:
+ z_a:=(x_down+the_left_pos,.5penkind); % starting point
+ z_d:=(xpart(z_a)-.5penkind,y_right+.5penkind)+the_tip_pos; % ending point
+ zastąpiono następującymi:
+ z_a:=(x_down+the_left_pos,ypart(ogonek_pos)); % starting point
+ z_d:=(xpart(z_a)-.5penkind,y_right+ypart(ogonek_pos))+
+ the_tip_pos; % ending point
+ zmiany komentarzy
+ * pl_mlk.mf:
+ przekreślenie w literze ł:
+ filldraw stroke z1e--z2e; %| stem
+ zamieniono na:
+ filldraw stroke z1e--z2'e; %| stem
+ * fik_mik.mf wczytuje cmbase.mf, aby uniknąć wielokrotnego wczytywania
+ bazy podczas przetwarzania pliku parametrycznego
+18 grudnia 1992: wersja 1.03
+ * fik_mik.mf:
+ dodano możliwość dowolnego przeskalowania; wartość |basic_unit#|
+ może być użyta do zmiany domyślnej jednostki podstawowej |pt#|
+ generowanego fontu (sugestia M. Łakomego; patrz przykładowy
+ plik dlr10.mf generujący font |10dd#|)
+ * kosmetyczne zmiany w plikach cmbx11.mf, cmr11.mf, cmti11.mf,
+ cmsl11.mf, cmssbi10.mf oraz polan.mf
+14 kwietnia 1996: wersja 1.07$gamma$ -- nieoficjalna
+ (wersje od 1.04 do 1.06 nie były nigdy publikowane)
+ * usunięto przykry błąd wykryty przez Andreasa Schwaba i Joerga Knappena
+ podczas prac nad włączeniem kodu fontów PL do fontów EC:
+ błąd zaokrągleń powodował, że pliki TFM zależały od rozdzielczości
+ (podziękowania dla Andreasa i Joerga)
+ * poprawiono makro |put_dot| (pl_dod.mf)
+ * zdefiniowano |qvair| i |limit_dist| (używane jako zmienne)
+ * kosmetyczne zmiany kodu
+13 kwietnia 2000: wersja 1.07 -- oficjalne udostępnienie (BachoTeX 2000)
+ * bez zmian kodu od wersji 1.07$\gamma$
+ * usunięto z dystrybucji zbędne pliki cmr11.mf, cmti11.mf, cmsl11.mf
+ * aktualizacja dokumentacji i komentarzy w plikach źródłowych
+13 kwietnia 2000: wersja 1.08 (data została zachowana celowo)
+ * pl_dod:
+ w definicji makra |beginchar_twice| (przed rozpoczęciem właściwego
+ rysowania znaku) dodano:
+ save mode_guard_; % dedicated to those who use Karl Berry's modes.mf
+ problemy z używaniem modes.mf zostały zgłoszone przez Włodka Macewicza
+ * zmiana ta NIE WPŁYNĘŁA na pliki metryczne, tzn. pliki generowane
+ z wersji 1.07 są identyczne; dołożymy wszelkich starań, żeby
+ zachować stabilność plików TFM, zgodnie z enuncjacją Donalda E. Knutha:
+ ,,I absolutely guarantee that the TFM files will never change again.''
+ (DeK, plik CM85bug)
+ * z dystrybucji usunięty został font plex9 jako niezwiązany
+ z oryginalnym zestawem fontów Computer Modern; w razie potrzeby (?)
+ wystarczy przenazwować plik plex10.mf
+ * przeczyszczono komentarze
+13 kwietnia 2001: wersja 1.09
+ * pl_dod:
+ typ parametru redefiniowanych w |beginchar_twice| instrukcji |special|
+ i |numspecial| był niezgodny ze składnią (|primary| zamiast |expr|):
+ <special command> :=
+ special <string expression> | numspecial <numeric expression>
+
+------
+EMAIL:
+------
+
+B.Jackowski@gust.org.pl lub M.Rycko@gust.org.pl
+
diff --git a/Master/texmf-dist/doc/fonts/pl/plsample.tex b/Master/texmf-dist/doc/fonts/pl/plsample.tex
new file mode 100644
index 00000000000..c07e749b2f9
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/pl/plsample.tex
@@ -0,0 +1,785 @@
+%&mex
+%%% File in Polish: PL fonts in Type1 format---presentation. To be processed
+%%% with MeX (Polish plain) format
+%%% Plik w notacji prefiksowej (/a/c/e/l/n/o/s/x/z/A/C/E/L/N/O/S/X/Z)
+%% Polskie fonty PostScript-owe PL -- przyk/lady i u/zycie
+%% Autor: Janusz Marian Nowacki, Grudzi/adz, e-mail: j.nowacki@gust.org.pl
+%% wersja 3, aktualizacja i opracowanie StaW (kwiecie/n 2005)
+
+\prefixing
+\tracinglostchars=0
+\font\cpsmcp=plcsc10 scaled \magstep5
+\font\dunh=pldunh10
+\font\sst=plbx10
+\font\bt=plb10
+\font\sc=plr7 at 7pt
+\baselineskip 12pt
+\spaceskip.333em plus.333em minus.111em
+\def\LaTeX{L\raise.42ex\hbox{\sc\kern-.5em A}\kern-.15em\TeX}
+\def\LaMeX{L\raise.42ex\hbox{\sc\kern-.4em A}\MeX}
+\clubpenalty=10000
+\widowpenalty=\clubpenalty
+\hyphenpenalty=100
+
+\newdimen\FontDimen
+\def\InstallFont#1#2#3{%
+ \def#1{\afterassignment#2\FontDimen=}
+ \def#2{\font\currfont #3 at\FontDimen\relax\currfont
+ \advance\FontDimen by.2\FontDimen % opcja
+ \baselineskip=\FontDimen % opcja
+ \spaceskip.333em plus.333em minus.111em % opcja
+ }}
+\InstallFont{\ag}{\xag}{plbx10}
+\InstallFont{\fwg}{\xfwg}{plssdc10}
+\InstallFont{\ap}{\xap}{plr10}
+
+\def\tagchar#1{\setbox0
+ \hbox{\char#1}\ifdim\wd0>0pt\box0\hskip.3em plus.3em minus.1em\fi}
+
+\def\tagfont#1#2{%\hangafter=1\hang
+ \par\noindent
+ \font\tf=#1 %at 10pt
+ {\tf\count0=0\loop\tagchar{\count0}%
+ \ifnum\count0<255\advance\count0by1\repeat} % zamiast 127
+ \par\smallskip
+}
+
+\def\textsample#1#2{
+ {\font\ts=#1
+ \ts\par
+ \baselineskip=1.2em
+ #2\par
+ \vskip 8pt}
+ \rm
+}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\null
+\vskip 1in
+\centerline{\ag24pt Janusz Marian Nowacki}
+\medskip
+\centerline{\ag12pt J.Nowacki@gust.org.pl}
+\vfil
+{\parindent=100pt \obeylines \parskip=0pt \cpsmcp \baselineskip=1.05em
+Fonty
+PostScriptowe
+Computer
+Modern
+Wersja
+Polska
+PL
+}
+\vfil
+\centerline{\fwg24pt BACHO\TeX'97}
+\medskip
+\centerline{\ag12pt Wersja zmieniona -- BACHO\TeX'2000}
+\eject
+%
+\headline{\ap8pt\ifodd\pageno Fonty PS Computer Modern -- wersja polska PL
+\hfil \the\pageno
+\else \the\pageno \hfil Fonty PS Computer Modern -- wersja polska PL \fi}
+
+\def\chapter#1{{\fwg18pt\noindent #1\endgraf\bigskip}}
+
+\null
+\bigskip
+\chapter{Computer Modern PostScript Fonts}
+\bigskip
+
+{\leftskip.3in\hrule height0pt \dunh \baselineskip 18pt \parindent2em
+The Computer Modern typefaces were created in the spirit of the typeface
+Monotype Modern 8A by Professor Donald E. Knuth of Stanford University. The
+Computer Modern family includes a~large set of scientific and mathematical
+figures and symbols and is widely used with implementations of the \TeX\
+typesetting system. ``Computer Modern Typefaces'', Volume E of ``Computers
+and Typesetting'' (D.~E.~Knuth, Addison Wesley), is the definitive
+source for the Computer Modern faces. ``The \TeX book'' (D.~E.~Knuth,
+Addison Wesley), Appendix~F, is also a~good reference.
+
+This package contains 75 faces from the Computer Modern family in Adobe
+PostScript Type~1 form. These fonts can be used with all PostScript printers
+and Adobe Type Manager.
+
+Bogus/law Jackowski and Marek Ry/cko prepared (in METAFONT) a~Polish version
+of the Computer Modern fonts, namely, PL fonts, to be used with the Polish
+version of the plain format, namely, \MeX. The fonts presented herewith are
+essentialy PL fonts in PostScript Type~1 format.
+
+}
+
+%\vfil\eject
+
+\bigskip \bigskip \bigskip
+\chapter{Fonty postscriptowe Computer Modern}
+\vskip -.15in
+\chapter{Wersja polska w~uk/ladzie PL}
+
+{\leftskip.3in\hrule height0pt \dunh \baselineskip 18pt \parindent2em
+Rodzina pism Computer Modern zosta/la stworzona w~duchu czcionek Monotype
+Modern~8A przez profesora Donalda E.~Knutha z~Uniwersytetu Stanforda w~USA.
+Rodzina Computer Modern zawiera du/zy zestaw znak/ow tekstowych, naukowych
+i~matematycznych, i~jest szeroko wykorzystywana do sk/ladania tekst/ow za
+pomoc/a systemu \TeX. Podstawowym /xr/od/lem wiedzy o~fontach z~rodziny
+Computer Modern jest podr/ecznik ,,Computer Modern Typefaces'',
+(D.~E.~Knuth, Addison Wesley, seria ,,Computers and Typesetting'', tom~E).
+Godny polecenia w~tym wzgl/edzie jest r/ownie/z podr/ecznik ,,The \TeX
+book'' (D.~E.~Knuth, Addison Wesley, dodatek~F).
+
+Dost/epny w~archiwach \TeX-owych pakiet postscriptowej wersji czcionek
+rodziny Computer Modern zawiera 75 kroj/ow, kt/ore mog/a by/c u/zywane na
+wszystkich drukarkach i~na/swietlarkach postscriptowych oraz w~systemie
+Windows z~zastosowaniem programu Adobe Type Manager.
+
+Polskim odpowiednikiem bitmapowych font/ow Computer Modern s/a kroje PL
+przygotowane wraz z~polskim formatem \MeX\ przez Bogus/lawa Jackowskiego
+i~Marka Ry/cko. Prezentowane w~niniejszej publikacji fonty postscriptowe s/a
+odpowiednikiem font/ow PL (w~oryginale przygotowanych za pomoc/a METAFONT-a).
+
+}
+
+\vfil\eject
+
+\chapter{Wst/ep}
+
+{\baselineskip 13pt \parindent 1.5em \parskip3pt
+\noindent Pewnego pi/eknego dnia, w~1997 roku, na li/scie
+dyskusyjnej GUST-u pojawi/la si/e mi/la, przynajmniej dla mnie, wiadomo/s/c
+-- w~archiwach \TeX-owych s/a dost/epne PostScript-owe wersje font/ow CM
+udost/epnione przez American Mathematical Society. Rado/s/c moja by/laby
+jednak wi/eksza gdyby czcionkami tymi by/lo mo/zna sk/lada/c teksty w~j/ezyku
+Mickiewicza i~S/lowackiego, nie wspominaj/ac ju/z o~Reju.
+
+Kto/s powinien wi/ec ,,zlokalizowa/c'' fonty AMS-CM. Zdecydowanie najlepiej
+zrobi/lby to Bogus/law Jackowski, gdy/z nikt inny nie posiada wi/ekszej
+wiedzy o~fontach PL ni/z ich autor. Jest jednak jeden problem -- doba ma
+tylko 24~godziny.
+
+Przyst/api/lem wi/ec w~miar/e moich mo/zliwo/sci i~wiedzy do ich spolszczenia
+kieruj/ac si/e nast/epuj/acymi za/lo/zeniami:
+
+\item{1.} Postscriptowe fonty PL powinny by/c dok/ladnymi, lub prawie
+dok/ladnymi, odpowiednikami bitmapowych font/ow PL*.PK. U/zytkownik nie musi
+uczy/c si/e nowej obs/lugi font/ow w~plikach \TeX-owych. Przy wykorzystaniu
+font/ow postscriptowych bez problem/ow powinny da/c si/e obejrze/c
+i~wydrukowa/c dokumenty wcze/sniej z/lo/zone za pomoc/a font/ow PK.
+
+\item{2.} W~sk/lad pakietu font/ow postscriptowych PL wchodz/a
+pliki *.PFB zawieraj/ace opis kszta/ltu poszczeg/olnych znak/ow. Dla
+kompletno/sci do/laczono pliki *.TFM, standardowe pliki metryczne,
+co zapewnia dok/ladnie takie samo pozycjonowanie znak/ow i~tekstu jak
+z~wykorzystaniem font/ow PK.
+
+\item{3.} Fonty pierwotnie by/ly przeznaczone do stosowania w~\TeX-u.
+W~pierwszej wersji (z 1997~r.) nie zawiera/ly np. plik/ow *.PFM przydatnych
+do bezpo/sredniego z~nich korzystania w~systemach Windows. Fonty posiada/ly
+taki sam uk/lad znak/ow (encoding) jak fonty PL*.PK, dzi/eki czemu dla \TeX-a
+nie trzeba by/lo stosowa/c plik/ow przekodowa/n (*.ENC). Poniewa/z nie by/lo
+mo/zliwe bezproblemowe wykorzystywanie ich w~systemach Windows, w~niniejszej
+dystrybucji zmieniono wewn/etrzny uk/lad font/ow, do/l/aczono pliki *.PFM,
+*.ENC, a~tak/ze, dla kompletno/sci, pliki *.AFM ({\bf UWAGA:} plik/ow tych
+nie nale/zy poddawa/c konwersji do *.TFM za pomoc/a programu {\tt afmtotfm}
+lub podobnych; nale/zy u/zywa/c wy/l/acznie dost/epnych plik/ow *.TFM).
+
+\item{4.} Zawarto/s/c oryginalnych plik/ow CM*.PFB podda/lem najpierw
+jedynie przekodowaniu do standardu PL, uzupe/lniaj/ac fonty o~znaki
+stosowane w~j/ezyku polskim. W~obecnej dystrybucji uk/lad znak/ow
+zosta/l dostosowany do potrzeb u/zytkownik/ow system/ow Windows; dla
+\TeX-a dodano pliki przekodowania (*.ENC).
+
+\item{5.} Podczas projektowania znak/ow nieistniej/acych w~zestawie AMS
+kierowa/lem si/e cennymi regu/lami i~uwagami zawartymi w~pliku {\tt
+mexinfo.tex} pakietu \MeX. Fragmenty tego pliku wykorzysta/lem r/ownie/z
+w~przyk/ladach zastosowania poszczeg/olnych kroj/ow.
+
+\item{6.} Nie zajmuj/e si/e programowaniem METAFONT-owym, nie mog/lem wi/ec
+wykorzysta/c, co do piksela, zawartych tam informacji o~polskich znakach (np.
+poziome offsety elementu ,,acute''). Kierowa/lem si/e wi/ec w/lasn/a
+intuicj/a i~w~tym miejscu b/ed/a zapewne minimalne r/o/znice w~por/ownaniu
+z~oryginalnymi fontami PL*.PK.
+
+\item{7.} {\bf Tak jak fonty AMS, r/ownie/z ich polska wersja, s/a dobrem
+wsp/olnym naszej \TeX-owej spo/leczno/sci. Przygotowanie pakietu traktuj/e
+jako prezent dla cz/lonk/ow i~sympatyk/ow Grupy U/zytkownik/ow Systemu \TeX\
+w~Polsce w~pi/at/a rocznic/e powstania organizacji.}
+
+}
+\bigskip
+
+\noindent\it Dzi/ekuj/e Bogus/lawowi Jackowskiemu i~Piotrowi Pianowskiemu za
+/zyczliw/a pomoc w~zdobywaniu wiedzy o~budowie i~dzia/laniu font/ow, oraz
+w~trakcie pracy nad prezentowanymi fontami. Dzi/ekuj/e r/ownie/z Tomkowi
+Przechlewskiemu za wst/epne przetestowanie font/ow PL i~zg/loszone uwagi.
+Obecna, dostosowana do wykorzystania r/ownie/z w~systemach Windows, wersja
+powsta/la w ramach tzw. JNS TEAM (Bogus/law Jackowski, Janusz M.~Nowacki,
+Piotr Strzelczyk).
+
+\vfil\eject
+
+\chapter{Fonty tekstowe, przyk/lady}
+
+\vskip.2in
+\parindent 0pt
+
+{\sst PL Bold}: plb10
+\tagfont{plb10}{}
+\textsample{plb10}{Pakiet \MeX\ powsta/l na bazie poprzedniej polskiej
+adaptacji \TeX-a, nosz/acej nazw/e LeX.}
+
+{\sst PL Bold Extended}: plbx5, plbx6, plbx7, plbx8, plbx9, plbx10, plbx12
+\tagfont{plbx10}{}
+
+\bt plbx5:
+\textsample{plbx5}{Sk/lada/ly si/e na ni/a pliki makr oraz rodzina font/ow P1.
+BJ\&MR, autorzy LeX-a, pracowali nad t/a wersj/a od listopada 1987 do grudnia
+1989. \MeX\ jest udoskonalon/a wersj/a LeX-a, wykorzystuj/ac/a nowe
+mo/zliwo/sci \TeX-a 3.x.}
+
+
+\bt plbx6:
+\textsample{plbx6}{Zestaw wzorc/ow, zawieraj/acy regu/ly dzielenia polskich
+wyraz/ow wykorzystany w~for\-macie LeX zosta/l zaprojektowany i~utworzony
+przez HK w~1987, a~przystosowany do formatu LeX,
+przetestowany i~uzupe/lniony -- przez BJ\&MR w~latach 1987--1989.}
+
+
+\bt plbx7:
+\textsample{plbx7}{Do rozpocz/ecia pracy z~polsk/a wersj/a format/ow PLAIN
+oraz LaTeX\ niezb/edne jest utworzenie za pomoc/a wersji inicjalizacyjnej
+programu \TeX\ (INITEX)}
+
+\bt plbx8:
+\textsample{plbx8}{plik/ow mex.fmt i~lamex.fmt (obecnie platex.fmt)
+i~umieszczenie ich w~odpowiednim miejscu zale/znym od u/zytego systemu
+operacyjnego i~od implementacji TeX-a. }
+
+\bt plbx9:
+\textsample{plbx9}{W plikach FMT zapami/etane s/a w~skondensowanej postaci
+makra oraz regu/ly przenoszenia wyraz/ow.}
+
+
+\bt plbx10:
+\textsample{plbx10}{Wi/ekszo/s/c najnowszych implementacji \TeX-a, w~tym
+em\TeX\ (au\-tor\-stwa Eberharda Mattesa), czy te\TeX{} (au\-tor\-stwa
+Thomasa Essera) ma mo/zliwo/s/c automatycznej zamiany kod/ow znak/ow
+czytanych z~pliku}
+
+\bt plbx12:
+\textsample{plbx12}{na kody wewn/etrzne \TeX-a. Pozwala to na wykorzystanie
+pe/lni mo/zliwo/sci \TeX-a, przy jednoczesnym uniezale/znieniu si/e od
+sposobu kodowania polskich liter w~danej instalacji komputera.}
+
+{\sst PL Bold Extended Slanted}: plbxsl10
+\tagfont{plbxsl10}{}
+\textsample{plbxsl10}{W pakiecie MeX znajduj/a si/e pliki wsadowe (ang. batch
+files) s/lu/z/ace do generowania plik/ow FMT pod kontrol/a systemu operacyjnego
+MS-DOS przy u/zyciu em\TeX-a. W~dystrybucji te\TeX{} format \MeX{} jest
+generowany z~odpowiedniego menu programu texconfig.}
+
+\eject
+
+{\sst PL Bold Extended Text Italic}: plbxti10
+\tagfont{plbxti10}{}
+\textsample{plbxti10}{W standardowej konfiguracji formatu \MeX\ i~PLa\TeX\
+polskie znaki diakrytyczne zapisywane s/a jako zwyk/le znaki o~kodach
+zale/znych od standardu stosowanego}
+
+{\sst PL Caps and Small Caps}: plcsc10
+\tagfont{plcsc10}{}
+\textsample{plcsc10}{na danym komputerze (zwykle Mazovia, cp1250 lub
+iso8859-2). Pozwala
+to na bardzo wygodne sk/ladanie tekst/ow z~u/zyciem \TeX-a: polskie litery
+widoczne s/a na}
+
+{\sst PL Dunhill}: pldunh10
+\tagfont{pldunh10}{}
+\textsample{pldunh10}{\baselineskip16pt ekranie w~trakcie przygotowywania
+tekstu, ponadto mo/zliwe jest definiowanie polskich komend \TeX-owych.\endgraf}
+
+{\sst PL Funny Roman}: plff10
+\tagfont{plff10}{}
+\textsample{plff10}{Niezale/znie od standardu kodowania polskich znak/ow
+mo/zliwe jest w~formatach \MeX\ i~PLa\TeX\ w/l/aczenie za pomoc/a komendy
+$\backslash$prefixing tzw. notacji prefiksowej.}
+
+
+{\sst PL Funny Italic}: plfi10
+\tagfont{plfi10}{}
+\textsample{plfi10}{(Notacj/e bezprefiksow/a, obowi/azuj/aca na pocz/atku
+przetwarzania ka/zdego dokumentu, przywraca komenda $\backslash$nonprefixing.)}
+
+
+{\sst PL Fibonacci}: plfib8
+\tagfont{plfib8}{}
+\textsample{plfib8}{Poniewa/z znak // zosta/l w~notacji prefiksowej wykorzystany
+do oznaczania polskich liter, konieczna jest dodatkowa konwencja notacyjna
+pozwalaj/aca}
+
+
+{\sst PL Italic Typewriter}: plitt10
+\tagfont{plitt10}{}
+\textsample{plitt10}{uzyska/c w~druku symbol ,,ciach''. W~MeX-u przyj/eto
+naturaln/a zasad/e reprezentowania znaku ,,ciach'' poprzez ////.}
+
+%Mo/zna r/ownie/z
+%u/zywa/c komendy {\string\normalslash}
+
+\eject
+
+{\sst PL Roman}: plr5, plr6, plr7, plr8, plr9, plr10, plr12, plr17
+\tagfont{plr10}{}
+\bt plr5:
+\textsample{plr5}{Podczas obowi/azywania notacji prefiksowej znak ,,//'' jest
+znakiem aktywnym (kategoria 13). /Swiadomie zrezygnowano ze stosowanego
+niekiedy sposobu uzyskiwania znak/ow diakrytycznych poprzez ligatury.}
+
+\bt plr6:
+\textsample{plr6}{Nale/zy pami/eta/c, /ze w~czasie pisania do pliku za
+pomoc/a komendy $\backslash$write makra s/a rozwijane. Dotyczy to
+w~szczeg/olno/sci makra ,,//'' i~trzeba na to zwraca/c uwag/e przy pisaniu
+do plik/ow, }
+
+
+\bt plr7:
+\textsample{plr7}{kt/ore maj/a by/c potem czytane przez \TeX-a.
+Format PLa\TeX\ automatycznie przejmuje kontrol/e nad odpowiednim pisaniem
+i~czytaniem standardowych plik/ow pomocniczych (np.~pliku ze spisem tre/sci)}
+
+
+\bt plr8:
+\textsample{plr8}{``Anglosaski'' spos/ob pisania cudzys/low/ow jest niezgodny
+z~polskimi zwyczajami. Polski cudzys/l/ow otwieraj/acy znajduje si/e na wysoko/sci
+linii bazowej pisma i~ma kszta/lt zbli/zony do dw/och przecink/ow.}
+
+\bt plr9:
+\textsample{plr9}{Formaty \MeX{} czy PLa\TeX{} oraz fonty PL zosta/ly tak
+skonstruowane, /ze polski cudzys/l/ow otwieraj/acy zapisuje si/e w~pliku
+danych wej/sciowych}
+
+
+\bt plr10:
+\textsample{plr10}{jako dwa przecinki, a~cudzys/l/ow zamykaj/acy (podobnie
+jak w~j/ezyku angielskim) jako dwa apostrofy. To s/a w/la/snie ,,polskie''
+cudzys/lowy.}
+
+
+\bt plr12:
+\textsample{plr12}{Niekiedy w~j/ezyku polskim u/zywany jest te/z drugi rodzaj
+cudzys/low/ow, tzw. cudzys/lowy <<francuskie>>. Lewy francuski cudzys/l/ow
+oznaczany}
+
+\bt plr17:
+\textsample{plr17}{jest dwoma znakami mniejszo/sci, a~prawy dwoma znakami
+wi/ekszo/sci.}
+
+{\sst PL Slanted}: plsl8, plsl9, plsl10, plsl12
+\tagfont{plsl8}{}
+\bt plsl8:
+\textsample{plsl8}{Z punktu widzenia \TeX-a zasady dzielenia wyraz/ow
+zale/z/a zar/owno od j/ezyka, jak te/z od uk/ladu liter w~bie/z/acym foncie.
+W~zwi/azku z~tym }
+
+\vbox{
+\bt plsl9:
+\textsample{plsl9}{dla \TeX-a istnieje kilka ,,j/ezyk/ow polskich''.
+W~konsekwencji je/sli u/zytkownik prze/l/acza si/e na font o~innym uk/ladzie
+(innych kodach) polskich }
+}
+
+\bt plsl10:
+\textsample{plsl10}{znak/ow diakrytycznych, to towarzyszy/c temu powinno
+prze/l/aczenie \TeX-a na inne regu/ly przenoszenia wyraz/ow.}
+
+\bt plsl12:
+\textsample{plsl12}{Pakiet \MeX\ przygotowany jest do pracy z~fontami
+w~uk/ladzie PL }
+
+\eject
+
+{\sst PL Slanted Typewriter}: plsltt10
+\tagfont{plsltt10}{}
+\textsample{plsltt10}{jako podstawowymi oraz dodatkowo z~fontami
+zawieraj/acymi polskie litery w~po/lo/zeniach zgodnych z~kodem Mazovia,
+Latin~2 oraz P1.}
+
+{\sst PL Sans Serif}: plss8, plss9, plss10, plss12, plss17
+\tagfont{plss8}{}
+\bt plss8:
+\textsample{plss8}{U/zytkownik, zale/znie od wielko/sci dost/epnej pami/eci,
+mo/ze wbudowa/c do formatu regu/ly przenoszenia dla innych uk/lad/ow polskich
+font/ow. Wystarczy w~tym celu}
+
+
+\bt plss9:
+\textsample{plss9}{dokona/c prostej modyfikacji pliku konfiguracyjnego
+MEXCONF.TEX. Odpowiednie makra formatu \MeX\ lub \LaMeX\ automatycznie
+przeczytaj/a odpowiedni/a liczb/e razy}
+
+\bt plss10:
+\textsample{plss10}{ten sam plik zawieraj/acy polskie regu/ly przenoszenia
+(PLHYPH.TEX), za ka/zdym razem interpretuj/ac go w~inny spos/ob.}
+
+
+\bt plss12:
+\textsample{plss12}{Standardowym uk/ladem polskiego fontu jest uk/lad PL
+(p.~rozdzia/l ,,Fonty PL''). Dopuszczalne jest jednak stosowanie font/ow
+o~innych ni/z PL uk/ladach polskich}
+
+\vbox{
+\bt plss17:
+\textsample{plss17}{znak/ow, a~nawet mieszanie r/o/znych uk/lad/ow w~obr/ebie jednego
+dokumentu.}
+}
+
+{\sst PL Sans Serif Bold Extended}: plssbx10,
+\tagfont{plssbx10}{}
+\textsample{plssbx10}{Fonty PL przeznaczone s/a do sk/ladania polskich lub
+polsko\=angielskich tekst/ow przy u/zyciu format/ow \MeX\ i~\LaMeX{} czy
+PLa\TeX.}
+
+{\sst PL Sans Serif Bold Extended Italic}: plssbi10
+\tagfont{plssbi10}{}
+\textsample{plssbx10}{ Autorzy starali si/e zachowa/c ,,ducha CM-/ow'' przy
+projektowaniu polskich znak/ow diakrytycznych, np.~przekre/slenie ma/lej
+litery ,,/l'' zosta/lo nieco tylko powi/ekszone w~stosunku do przekre/slenia
+font/ow rodziny CM}
+
+{\sst PL Sans Serif Demibold Condensed}: plssdc10
+\tagfont{plssdc10}{}
+\textsample{plssdc10}{umieszczanego w~sk/ladzie komendami \TeX-owymi
+$\backslash$l oraz $\backslash$L, chocia/z w~niekt/orych fontach autorzy
+ch/etnie widzieliby przekre/slenie znacznie wyra/xniejsze.}
+
+\eject
+{\sst PL Sans Serif Italic}: plssi8, plssi9, plssi10, plssi12, plssi17
+\tagfont{plssi10}{}
+\bt plssi8:
+\textsample{plssi8}{Podobnie podci/ecia wstawiane automatycznie pomi/edzy
+znakami (implicit kerns) by/ly dodawane raczej ostro/znie. np.~zdaniem
+autor/ow podci/ecie mi/edzy}
+
+\bt plssi9:
+\textsample{plssi9}{polskim otwieraj/acym cudzys/lowem (,,) a~liter/a ,,W''
+b/ad/x ,,T'' mog/loby by/c znacznie wi/eksze, gdyby nie to, /ze w~fontach
+CM nie ma /zadnego podci/ecia mi/edzy liter/a ,,A'' a~cudzys/lowem
+zamykaj/acym ('').}
+
+\bt plssi10:
+\textsample{plssi10}{ Fonty PL, podobnie jak macierzyste fonty CM,
+projektowane by/ly pod k/atem zastosowa/n profesjonalnych, tzn. urz/adze/n
+o~wi/ekszych rozdzielczo/sciach. Tym niemniej sporo wysi/lku w/lo/zono
+w~prawid/low/a}
+
+\bt plssi12:
+\textsample{plssi12}{ dyskretyzacj/e przy ma/lych rozdzielczo/sciach
+(dla potrzeb wydruk/ow testowych na drukarkach mozaikowych 9- i~24-ig/lowych).
+Gdyby mimo}
+
+\bt plssi17:
+\textsample{plssi17}{ to u/zytkownik mia/l inne zdanie ni/z METAFONT na temat
+dyskretyzacji,}
+
+{\sst PL Sans Serif Quotation Style}: plssq8
+\tagfont{plssq8}{}
+\textsample{plssq8}{ w~pakiecie em\TeX\ autorstwa Eberharda Mattesa znajduje
+si/e program o~nazwie PKEDIT pozwalaj/acy r/ecznie korygowa/c wygenerowane
+za pomoc/a METAFONT-a mapy bitowe.}
+
+{\sst PL Sans Serif Quotation Italic Style}: plssqi8
+\tagfont{plssqi8}{}
+
+\textsample{plssqi8}{Fonty PL stanowi/a rozszerzenie standardowego zestawu
+rodziny Computer Modern (CM) o~polskie znaki diakrytyczne i~bazuj/a na tych
+samych plikach parametrycznych co fonty rodziny CM. Zmiany parametr/ow
+odbiegaj/ace zbyt daleko od standardu zaproponowanego przez D.~E.~Knutha
+}
+
+
+{\sst PL Typewriter Caps and Small Caps}: pltcsc10
+\tagfont{pltcsc10}{}
+\textsample{pltcsc10}{ mog/a spowodowa/c nieoczekiwane efekty (do b/l/edu
+w~trakcie oblicze/n w/l/acznie). Przyk/ladowo, za/lo/zone zosta/lo,
+/ze kursywa i~grotesk wykluczaj/a si/e.}
+
+
+{\sst PL Typewriter Extended}: pltex8, pltex9, pltex10
+\tagfont{pltex10}{}
+\bt pltex8:
+\textsample{pltex8}{Font PLTEX10 to po prostu font CMTEX10 -- zmieniono dla
+jednolitosci nazwe; font CMTEX10 odzwierciedla uklad klawiatury
+}
+
+
+\vbox{
+\bt pltex9:
+\textsample{pltex9}{ na komputerze uzywanym przez profesora Knutha
+(D.~E.~Knuth, ,,Computer Modern Typefaces'', str.~568), tym samym }
+}
+
+\vbox{
+\bt pltex10:
+\textsample{pltex10}{nie powinien raczej zawierac polskich znakow
+diakrytycznych.}
+}
+
+{\sst PL Text Italic}: plti7, plti8, plti9, plti10, plti12
+\tagfont{plti10}{}
+
+\bt plti7:
+\textsample{plti7}{ Uk/lad font/ow PL charakteryzuje si/e tym,
+/ze znaki o~kodach mniejszych ni/z 128 s/a identyczne ze znakami rodziny
+CM, natomiast polskim znakom}
+
+\bt plti8:
+\textsample{plti8}{ diakrytycznym przypisane zosta/ly kody wi/eksze ni/z 127
+(innych cech TeX-a 3.x nie wykorzystuje si/e). Polskie znaki diakrytyczne
+maj/a kody zgodne}
+
+\bt plti9:
+\textsample{plti9}{ z~uk/ladem ECM (Extended Computer Modern), natomiast
+cudzys/lowy maj/a kody niestandardowe (w~ECM cudzys/lowy maj/a kody mniejsze
+ni/z 127)}
+
+
+\bt plti10:
+\textsample{plti10}{Fonty matematyczne PLMI, PLMIB oraz PLEX nie zawieraj/a
+polskich znak/ow diakrytycznych i~nie r/o/zni/a si/e od odpowiednich font/ow
+CM;}
+
+\bt plti12:
+\textsample{plti12}{ przedrostki CM zosta/ly zmienione na PL jedynie dla
+zachowania jednorodno/sci.}
+
+{\sst PL Typewriter}: pltt8, pltt9, pltt10, pltt12
+\tagfont{pltt10}{}
+\bt pltt8:
+\textsample{pltt8}{Fonty PLSY zosta/ly poszerzone (w~stosunku do CMSY)
+o~znaki ,,wi/eksze-r/owne'' i~,,mniejsze-r/owne'' odpowiadaj/ace polskim
+zwyczajom drukarskim (dolna kreska sko/sna zamiast}
+
+
+\bt pltt9:
+\textsample{pltt9}{ poziomej); na konieczno/s/c takiego rozszerzenia
+zwr/oci/l uwag/e p.~W/lodzimierz J.~Martin; majusku/ly kaligraficzne tych
+font/ow (opisane w~pliku CALU.MF) nie zosta/ly uzupe/lnione o~polskie znaki
+diakrytyczne.}
+
+
+\bt pltt10:
+\textsample{pltt10}{Ze wzgl/edu na ograniczenie liczby r/o/znych wysoko/sci
+znak/ow w~foncie do 15 niezerowych, zrezygnowano z~kusz/acego wype/lniania
+,,g/ornej po/l/owki'' fontu. }
+
+
+\bt pltt12:
+\textsample{pltt12}{Ponadto w~programach METAFONT-owych podj/ete zosta/ly
+zabiegi maj/ace na celu minimalizacj/e liczby r/o/znych wysoko/sci.
+Niestety, mimo to w~niekt/orych przypadkach liczba r/o/znych niezerowych
+wysoko/sci}
+
+{\sst PL Unslanted Text Italic}: plu10
+\textsample{plu10}{ przekracza 15. W~takiej sytuacji METAFONT automatycznie
+zmienia niekt/ore spo/sr/od wysoko/sci. Oznacza to, /ze w~pewnych (bardzo
+z/lo/sliwych i~-- miejmy nadziej/e -- niezwykle rzadkich) przypadkach mo/ze
+si/e}
+
+\vbox{{\sst PL Variable Typewriter}: plvtt10
+\tagfont{plvtt10}{}
+\textsample{plvtt10}{ zdarzy/c, /ze tekst czysto angielski z/lo/zony fontami
+PL zostanie inaczej prze/lamany na strony ni/z tekst z/lo/zony fontami CM.}
+
+}
+
+\chapter{Fonty nietekstowe, przyk/lady}
+
+\baselineskip1.2\baselineskip\hrule height0pt
+{\sst PL Bold Symbols}: plbsy5, plbsy6, plbsy7, plbsy8, plbsy9, plbsy10
+\tagfont{plbsy10}{}
+\vskip 3pt
+
+{\sst PL Inch}: plinch
+\vskip -48pt
+\textsample{plinch}{/AB/C/Z}
+\vskip 4pt
+
+{\sst PL Math Extension}: plex9, plex10
+\tagfont{plex10}{}
+\vskip 4pt
+
+\advance\baselineskip-2pt
+{\sst PL Math Italic}: plmi5, plmi6, plmi7, plmi8, plmi9, plmi10, plmi12
+\tagfont{plmi10}{}
+\vskip 4pt
+
+{\sst PL Bold Extended Math Italic}: plmib10
+\tagfont{plmib10}{}
+\vskip 4pt
+
+\vbox{{\sst PL Symbols}: plsy10, plsy5, plsy6, plsy7, plsy8, plsy9,
+\tagfont{plsy10}{}
+}
+\eject
+%%---------------------
+\chapter{Instalacja i~wykorzystanie}
+
+\baselineskip 12pt
+Zasady instalacji i~wykorzystania font/ow PostScript-owych by/ly ju/z
+wielokrotnie omawiane podczas spotka/n Bachotkowych przez Bogus/lawa
+Jackowskiego. Prezentowano r/ownie/z zastosowanie i~instalacj/e program/ow
+umo/zliwiaj/acych stosowanie PostScript-u w~\TeX-u: DVIPS i~Ghostscript.
+W~tym miejscu pozwol/e sobie przypomnie/c najwa/zniejsze tylko aspekty
+zagadnienia.
+
+\parindent 1.5em
+
+W~celu zainstalowania font/ow PostScript-owych PL nale/zy:
+
+\smallskip
+
+\item{1.} Zainstalowa/c program T.~Rokickiego DVIPS, przetwarzaj/acy
+pliki DVI do postaci PostScript-owej (program ten mo/ze by/c ju/z
+zainstalowany gdy/z wchodzi w~sk/lad wsp/o/lczesnych dystrybucji
+oprogramowania \TeX-owego).
+
+\medskip
+\item{2.} Skopiowa/c wszystkie pliki pl*.pfb do katalogu, w~kt/orym
+przechowujemy fonty postscriptowe np.:
+
+\medskip
+{\tt c:\string\tex\string\texmf\string\fonts\string\type1\string\public\string\pl}
+ \ lub \
+{\tt usr//tex//texmf//fonts//type1//public//pl}
+\medskip
+
+\item{3.} Do pliku {\tt psfonts.map}, znajduj/acego si/e w~katalogu
+przeszukiwanym przez program DVIPS, doda/c zawarto/s/c plików
+{\tt pltext.map} i~{\tt plother.map} za/l/aczonych do dystrybucji
+font/ow PLPSFONT. [UWAGA: w~aktualnych dystrybucjach wystarczy zadeklarowa/c
+obie mapy fontowe w~pliku {\tt updmap.cfg} i~uruchomi/c program {\tt updmap}.]
+
+\medskip
+Poni/zsze, dodatkowe kroki dotycz/a jedynie wersji DOS-owej programu DVIPS:
+
+\medskip
+\item{1.} W~pliku konfiguracyjnym DVIPS o~nazwie {\tt config.ps} nale/zy
+odszuka/c lini/e rozpoczynaj/ac/a si/e liter/a {\tt T} i~umie/sci/c w~niej
+/scie/zk/e dost/epu do naszych dotychczasowych plik/ow TFM, np.:
+\medskip
+
+{\tt
+* Paths:
+
+T.; lofo;c:\string\tex\string\tfm
+}
+\medskip
+
+\item{2.} W~tym samym pliku, w~linii rozpoczynaj/acej si/e liter/a {\tt H}
+okre/sli/c /scie/zk/e dost/epu do plik/ow zawieraj/acych fonty PostScript-owe PFB,
+np:
+
+\medskip
+{\tt
+* PostScript header \& (maybe) PS font paths:
+
+H.; c:\string\tex\string\dvips\string\ps;c:\string\psfonts;c:\string\psfonts\string\enc;c:\string\tex\string\fonts
+}
+\medskip
+
+\noindent Po udanej instalacji z~font/ow postscriptowych korzystamy
+dok/ladnie tak samo jak dotychczas z~font/ow bitmapowych. Mo/zliwe s/a
+wi/ec wszystkie wywo/lania font/ow opisane w~,,The \TeX Book'', a~wi/ec:
+
+\medskip
+{\tt\string\font\string\qq=plr12 \string\qq\space\space Bacho\string\TeX
+
+\%
+
+\string\font\string\qq\space\space plr10 at 12pt
+\string\qq\space\space Bacho\string\TeX
+
+\%
+
+\string\font\string\qq\space\space plr10 scaled\string\magstep1
+\string\qq\space\space Bacho\string\TeX
+
+\%
+
+\string\font\string\qq\space\space plr10 scaled 1200
+\string\qq\space\space Bacho\string\TeX
+}
+
+\medskip
+\noindent
+Co daje nast/epuj/acy rezultat:
+
+\medskip
+{\font\qq plr12 \qq Bacho\TeX
+%
+\font\qq plr10 at 12pt \qq Bacho\TeX
+%
+\font\qq plr10 scaled\magstep1 \qq Bacho\TeX
+%
+\font\qq plr10 scaled 1200 \qq Bacho\TeX
+
+}
+
+\medskip
+Mo/zna zastosowa/c r/ownie/z bardziej og/oln/a definicj/e, umieszczon/a
+w~bie/z/acym lub wczytywanym komend/a {\tt\string \input} pliku, w~postaci:
+\medskip
+
+\let\cc=\catcode
+{\cc`\^^M=\active %
+\gdef\losenolines{\cc`\^^M=\active \def^^M{\leavevmode\endgraf}}}
+\def\literal {\begingroup \cc`\\=12 \cc`\{=12 \cc`\}=12 \cc`\$=12 \cc`\&=12
+ \cc`\#=12 \cc`\%=12 \cc`\~=12 \cc`\_=12 \cc`\^=12 \cc`\*=12 \cc`\@=0
+ \cc`\`=\active \losenolines \obeyspaces \tt}%
+{\obeyspaces\gdef {\hglue.5em\relax}}
+
+{\cc`\`=\active \gdef`{\relax\lq}}
+
+\def\vquotingon{\cc`\"=\active}
+\def\vquotingoff{\cc`\"=12}
+\vquotingon
+\def"{\literal\leavevmode\hbox\bgroup\com}
+%`\leavevmode' starts a~new paragraph, if needed.
+
+\def\beginliteral{\medskip \literal \cc`\"=12%
+ \parskip0pt \baselineskip11pt \thatisit}
+
+{\cc`\@=0 \cc`\\=12 @cc`@^^M=@active %
+ @gdef@com#1"{#1@egroup@endgroup} %
+ @gdef@thatisit^^M#1\endliteral{#1@endgroup@smallskip}}
+\vquotingoff
+
+
+\beginliteral
+\newdimen\FontDimen
+\def\InstallFont#1#2#3{%
+ \def#1{\afterassignment#2\FontDimen=}
+ \def#2{\font\currfont #3 at\FontDimen\relax\currfont
+ \advance\FontDimen by.2\FontDimen \% opcja
+ \baselineskip=\FontDimen \% opcja
+ \spaceskip.333em plus.333em minus.111em \% opcja
+ }}
+%
+\InstallFont{\roman}{\xroman}{plr10}
+\endliteral
+
+\medskip
+\noindent Teraz wystarczy napisa/c:
+
+\medskip
+\beginliteral
+\roman67.85pt BACHO\TeX'97
+\endliteral
+\medskip
+
+\noindent
+aby otrzyma/c:
+
+\bigskip\bigskip
+\centerline{\ap67.85pt BACHO\TeX'97}
+
+\bigskip\bigskip\bigskip
+\chapter{Powodzenia!!!}
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/pxfonts/COPYRIGHT b/Master/texmf-dist/doc/fonts/pxfonts/COPYRIGHT
new file mode 100644
index 00000000000..c539a6d4cab
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/pxfonts/COPYRIGHT
@@ -0,0 +1,17 @@
+ Txfonts and pxfonts copyright notice
+ June 2002
+
+Txfonts and pxfonts, as of June 2002, are distributed
+under the GNU General Public License (GPL) with a special
+exception. See http://www.gnu.org/licenses/licenses.html#GPL
+for the detail of GPL. The special exception is as follows:
+
+ Permission is granted to include txfonts and pxfonts
+ in a document in the Postscript, PDF, or any other
+ formats that may be displayed or printed using these
+ fonts, regardless of the licensing condition applied
+ to the document itself.
+
+Young Ryu
+
+
diff --git a/Master/texmf-dist/doc/fonts/pxfonts/patch1.txt b/Master/texmf-dist/doc/fonts/pxfonts/patch1.txt
new file mode 100644
index 00000000000..fa14e172943
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/pxfonts/patch1.txt
@@ -0,0 +1,9 @@
+
+An encoding mistake in Math Italic fonts (txmi and txmi1) fixed.
+That is, "5E and "5F were accidentally switched.
+This patch corrects the mistake.
+
+Properly place enclosed tfm and vf files.
+
+Also properly place enclosed document files.
+
diff --git a/Master/texmf-dist/doc/fonts/pxfonts/pxfontsdoc.pdf b/Master/texmf-dist/doc/fonts/pxfonts/pxfontsdoc.pdf
new file mode 100644
index 00000000000..dad50084f17
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/pxfonts/pxfontsdoc.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/pxfonts/pxfontsdoc.tex b/Master/texmf-dist/doc/fonts/pxfonts/pxfontsdoc.tex
new file mode 100644
index 00000000000..4c442cd306e
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/pxfonts/pxfontsdoc.tex
@@ -0,0 +1,1067 @@
+\documentclass[10pt]{article}
+
+\setlength{\textwidth}{\paperwidth}
+\addtolength{\textwidth}{-2in}
+
+\setlength{\textheight}{\paperheight}
+\addtolength{\textheight}{-2.5in}
+
+\setlength{\evensidemargin}{0in}
+\setlength{\oddsidemargin}{\evensidemargin}
+
+\setlength{\headsep}{0.5in}
+\addtolength{\headsep}{-\headheight}
+
+\setlength{\topmargin}{.25in}
+\addtolength{\topmargin}{-\headheight}
+\addtolength{\topmargin}{-\headsep}
+
+\usepackage{amsmath,pxfonts}
+\normalfont
+%\usepackage[T1]{fontenc}
+%\usepackage{textcomp}
+\let\orgnonumber=\nonumber\usepackage{mathenv}\let\nonumb=\nonumber\let\nonumber=\orgnonumber
+
+\allowdisplaybreaks
+
+\newcommand{\bs}{\symbol{'134}}
+
+
+\def\Ent#1{\csname #1\endcsname & \texttt{\bs #1}}
+\def\EEnt#1#2{\csname #1\endcsname & \texttt{\bs #1},\,\texttt{\bs #2}}
+
+\makeatletter
+\newcount\curchar \newcount\currow \newcount\curcol
+\newdimen\indexwd \newdimen\tempcellwd
+\setbox0\hbox{\ttfamily0\kern.2em}
+\indexwd=\wd0
+
+\def\ident#1{#1}
+\def\hexnumber#1{\ifcase\expandafter\ident\expandafter{\number#1} 0\or
+1\or 2\or 3\or 4\or 5\or 6\or 7\or 8\or 9\or A\or B\or C\or D\or E\or
+F\else ?\fi}
+
+\def\rownumber{\ttfamily\hexnumber\currow}
+\def\colnumber{\ttfamily\hexnumber\curcol \global\advance\curcol 1 }
+
+\def\charnumber{\setbox0=\hbox{\char\curchar}%
+ \ifdim\ht0>7.5pt\reposition
+ \else\ifdim\dp0>2.5pt\reposition\fi\fi
+ \box0 \global\advance\curchar1 }
+\def\reposition{\setbox0=\hbox{$\vcenter{\kern1.5pt\box0\kern1.5pt}$}}
+
+\def\dochart#1{%
+ \begingroup
+ \global\curchar=0 \global\currow=0 \global\curcol=0
+ \def\hline{\kern2pt\hrule\kern3pt }%
+ \setbox0\vbox{#1%
+ \def\0{\hbox to\cellwd{\curcol}{\hss\charnumber\hss}}%
+ \colnumbers
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \colnumbers
+ }%
+ \vbox{%
+ \hbox to\hsize{\kern\indexwd
+ \def\fullrule{\hfil\vrule height\ht0 depth\dp0\hfil}%
+ \fullrule\kern\cellwd{0}\kern\cellwd{1}\kern\cellwd{2}\kern\cellwd{3}%
+ \fullrule\kern\cellwd{4}\kern\cellwd{5}\kern\cellwd{6}\kern\cellwd{7}%
+ \fullrule\kern\cellwd{8}\kern\cellwd{9}\kern\cellwd{10}\kern\cellwd{11}%
+ \fullrule\kern\cellwd{12}\kern\cellwd{13}\kern\cellwd{14}\kern\cellwd{15}%
+ \fullrule\kern\indexwd}%
+ \kern-\ht0 \kern-\dp0 \unvbox0}%
+ \endgroup
+}
+
+\def\dochartA#1{%
+ \begingroup
+ \global\curchar=0 \global\currow=0 \global\curcol=0
+ \def\hline{\kern2pt\hrule\kern3pt }%
+ \setbox0\vbox{#1%
+ \def\0{\hbox to\cellwd{\curcol}{\hss\charnumber\hss}}%
+ \colnumbers
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrowX\setrow\setrowX %
+% \hline %
+ \setrow\setrowX\setrow\setrowX %
+ \hline %
+ \colnumbers
+ }%
+ \vbox{%
+ \hbox to\hsize{\kern\indexwd
+ \def\fullrule{\hfil\vrule height\ht0 depth\dp0\hfil}%
+ \fullrule\kern\cellwd{0}\kern\cellwd{1}\kern\cellwd{2}\kern\cellwd{3}%
+ \fullrule\kern\cellwd{4}\kern\cellwd{5}\kern\cellwd{6}\kern\cellwd{7}%
+ \fullrule\kern\cellwd{8}\kern\cellwd{9}\kern\cellwd{10}\kern\cellwd{11}%
+ \fullrule\kern\cellwd{12}\kern\cellwd{13}\kern\cellwd{14}\kern\cellwd{15}%
+ \fullrule\kern\indexwd}%
+ \kern-\ht0 \kern-\dp0 \unvbox0}%
+ \endgroup
+}
+
+\def\dochartB#1{%
+ \begingroup
+ \global\curchar=0 \global\currow=0 \global\curcol=0
+ \def\hline{\kern2pt\hrule\kern3pt }%
+ \setbox0\vbox{#1%
+ \def\0{\hbox to\cellwd{\curcol}{\hss\charnumber\hss}}%
+ \colnumbers
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow%\setrow\setrow
+ \hline
+ \colnumbers
+ }%
+ \vbox{%
+ \hbox to\hsize{\kern\indexwd
+ \def\fullrule{\hfil\vrule height\ht0 depth\dp0\hfil}%
+ \fullrule\kern\cellwd{0}\kern\cellwd{1}\kern\cellwd{2}\kern\cellwd{3}%
+ \fullrule\kern\cellwd{4}\kern\cellwd{5}\kern\cellwd{6}\kern\cellwd{7}%
+ \fullrule\kern\cellwd{8}\kern\cellwd{9}\kern\cellwd{10}\kern\cellwd{11}%
+ \fullrule\kern\cellwd{12}\kern\cellwd{13}\kern\cellwd{14}\kern\cellwd{15}%
+ \fullrule\kern\indexwd}%
+ \kern-\ht0 \kern-\dp0 \unvbox0}%
+ \endgroup
+}
+
+\def\dochartC#1{%
+ \begingroup
+ \global\curchar=0 \global\currow=0 \global\curcol=0
+ \def\hline{\kern2pt\hrule\kern3pt }%
+ \setbox0\vbox{#1%
+ \def\0{\hbox to\cellwd{\curcol}{\hss\charnumber\hss}}%
+ \colnumbers
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow
+ \hline
+ \colnumbers
+ }%
+ \vbox{%
+ \hbox to\hsize{\kern\indexwd
+ \def\fullrule{\hfil\vrule height\ht0 depth\dp0\hfil}%
+ \fullrule\kern\cellwd{0}\kern\cellwd{1}\kern\cellwd{2}\kern\cellwd{3}%
+ \fullrule\kern\cellwd{4}\kern\cellwd{5}\kern\cellwd{6}\kern\cellwd{7}%
+ \fullrule\kern\cellwd{8}\kern\cellwd{9}\kern\cellwd{10}\kern\cellwd{11}%
+ \fullrule\kern\cellwd{12}\kern\cellwd{13}\kern\cellwd{14}\kern\cellwd{15}%
+ \fullrule\kern\indexwd}%
+ \kern-\ht0 \kern-\dp0 \unvbox0}%
+ \endgroup
+}
+
+\def\dochartD#1{%
+ \begingroup
+ \global\curchar=0 \global\currow=0 \global\curcol=0
+ \def\hline{\kern2pt\hrule\kern3pt }%
+ \setbox0\vbox{#1%
+ \def\0{\hbox to\cellwd{\curcol}{\hss\charnumber\hss}}%
+ \colnumbers
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \colnumbers
+ }%
+ \vbox{%
+ \hbox to\hsize{\kern\indexwd
+ \def\fullrule{\hfil\vrule height\ht0 depth\dp0\hfil}%
+ \fullrule\kern\cellwd{0}\kern\cellwd{1}\kern\cellwd{2}\kern\cellwd{3}%
+ \fullrule\kern\cellwd{4}\kern\cellwd{5}\kern\cellwd{6}\kern\cellwd{7}%
+ \fullrule\kern\cellwd{8}\kern\cellwd{9}\kern\cellwd{10}\kern\cellwd{11}%
+ \fullrule\kern\cellwd{12}\kern\cellwd{13}\kern\cellwd{14}\kern\cellwd{15}%
+ \fullrule\kern\indexwd}%
+ \kern-\ht0 \kern-\dp0 \unvbox0}%
+ \endgroup
+}
+
+\def\dochartE#1{%
+ \begingroup
+ \global\curchar=0 \global\currow=0 \global\curcol=0
+ \def\hline{\kern2pt\hrule\kern3pt }%
+ \setbox0\vbox{#1%
+ \def\0{\hbox to\cellwd{\curcol}{\hss\charnumber\hss}}%
+ \colnumbers
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrowX\setrow\setrowX\setrow
+ \hline
+ \colnumbers
+ }%
+ \vbox{%
+ \hbox to\hsize{\kern\indexwd
+ \def\fullrule{\hfil\vrule height\ht0 depth\dp0\hfil}%
+ \fullrule\kern\cellwd{0}\kern\cellwd{1}\kern\cellwd{2}\kern\cellwd{3}%
+ \fullrule\kern\cellwd{4}\kern\cellwd{5}\kern\cellwd{6}\kern\cellwd{7}%
+ \fullrule\kern\cellwd{8}\kern\cellwd{9}\kern\cellwd{10}\kern\cellwd{11}%
+ \fullrule\kern\cellwd{12}\kern\cellwd{13}\kern\cellwd{14}\kern\cellwd{15}%
+ \fullrule\kern\indexwd}%
+ \kern-\ht0 \kern-\dp0 \unvbox0}%
+ \endgroup
+}
+\def\colnumbers{\hbox to\hsize{\global\curcol 0
+ \def\1{\hbox to\cellwd{\curcol}{\hfil\colnumber\hfil}}%
+ \kern\indexwd\hfil\hfil
+ \1\1\1\1\hfil\hfil \1\1\1\1\hfil\hfil
+ \1\1\1\1\hfil\hfil \1\1\1\1\hfil\hfil
+ \kern\indexwd}%
+}
+
+\def\dochartF#1{%
+ \begingroup
+ \global\curchar=0 \global\currow=0 \global\curcol=0
+ \def\hline{\kern2pt\hrule\kern3pt }%
+ \setbox0\vbox{#1%
+ \def\0{\hbox to\cellwd{\curcol}{\hss\charnumber\hss}}%
+ \colnumbers
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow
+ \hline
+ \colnumbers
+ }%
+ \vbox{%
+ \hbox to\hsize{\kern\indexwd
+ \def\fullrule{\hfil\vrule height\ht0 depth\dp0\hfil}%
+ \fullrule\kern\cellwd{0}\kern\cellwd{1}\kern\cellwd{2}\kern\cellwd{3}%
+ \fullrule\kern\cellwd{4}\kern\cellwd{5}\kern\cellwd{6}\kern\cellwd{7}%
+ \fullrule\kern\cellwd{8}\kern\cellwd{9}\kern\cellwd{10}\kern\cellwd{11}%
+ \fullrule\kern\cellwd{12}\kern\cellwd{13}\kern\cellwd{14}\kern\cellwd{15}%
+ \fullrule\kern\indexwd}%
+ \kern-\ht0 \kern-\dp0 \unvbox0}%
+ \endgroup
+}
+
+
+\def\setrow{\hbox to\hsize{%
+ \hbox to\indexwd{\hfil\rownumber\kern.2em}\hfil\hfil
+ \0\0\0\0\hfil\hfil \0\0\0\0\hfil\hfil
+ \0\0\0\0\hfil\hfil \0\0\0\0\hfil\hfil
+ \hbox to\indexwd{\ttfamily\kern.2em \rownumber\hfil}}%
+ \global\advance\currow 1 }%
+
+\def\setrowX{\global\advance\curchar16\global\advance\currow 1\relax}
+
+\def\cellwd#1{20pt}% initialize
+
+\def\measurecolwidths#1{%
+ \tempcellwd\hsize \advance\tempcellwd-2\indexwd
+ \advance\tempcellwd -12pt
+ \divide\tempcellwd 16
+ \xdef\cellwd##1{\the\tempcellwd}%
+}
+
+\def \table #1#2#3{\par\penalty-200 \bigskip
+ \font #1=#2 \relax
+ \vbox{\hsize=29pc
+ \measurecolwidths{#1}%
+ \centerline{#3 -- {\tt#2}}%
+ \medskip
+ \dochart{#1}%
+}}
+
+
+\def \tableA #1#2#3{\par\penalty-200 \bigskip
+ \font #1=#2 \relax
+ \vbox{\hsize=29pc
+ \measurecolwidths{#1}%
+ \centerline{#3 -- {\tt#2}}%
+ \medskip
+ \dochartA{#1}%
+}}
+
+\def \tableB #1#2#3{\par\penalty-200 \bigskip
+ \font #1=#2 \relax
+ \vbox{\hsize=29pc
+ \measurecolwidths{#1}%
+ \centerline{#3 -- {\tt#2}}%
+ \medskip
+ \dochartB{#1}%
+}}
+
+\def \tableC #1#2#3{\par\penalty-200 \bigskip
+ \font #1=#2 \relax
+ \vbox{\hsize=29pc
+ \measurecolwidths{#1}%
+ \centerline{#3 -- {\tt#2}}%
+ \medskip
+ \dochartC{#1}%
+}}
+
+\def \tableD #1#2#3{\par\penalty-200 \bigskip
+ \font #1=#2 \relax
+ \vbox{\hsize=29pc
+ \measurecolwidths{#1}%
+ \centerline{#3 -- {\tt#2}}%
+ \medskip
+ \dochartD{#1}%
+}}
+
+\def \tableE #1#2#3{\par\penalty-200 \bigskip
+ \font #1=#2 \relax
+ \vbox{\hsize=29pc
+ \measurecolwidths{#1}%
+ \centerline{#3 -- {\tt#2}}%
+ \medskip
+ \dochartE{#1}%
+}}
+
+\def \tableF #1#2#3{\par\penalty-200 \bigskip
+ \font #1=#2 \relax
+ \vbox{\hsize=29pc
+ \measurecolwidths{#1}%
+ \centerline{#3 -- {\tt#2}}%
+ \medskip
+ \dochartF{#1}%
+}}
+
+\makeatother
+
+\begin{document}
+
+\title{The \texttt{PX} Fonts}
+
+\author{Young Ryu}
+
+\date{December 14, 2000}
+
+\maketitle
+
+\tableofcontents
+
+\clearpage
+\section{Introduction}
+
+The \texttt{PX} fonts consist of
+\begin{enumerate}\itemsep=0pt
+\item virtual text roman fonts using Adobe Palatino (or URWPalladioL) with
+ some modified and additional text symbols in the OT1, T1, and TS1 encoding
+ %, T1, TS1, and LY1 encodings
+\item \textsf{virtual text sans serif fonts using Adobe Helvetica (or URW NimbusSanL) with
+ additional text symbols in OT1, T1, TS1, and LY1 encodings}
+ (Provided in the \texttt{TX} fonts distribution)
+\item \texttt{monospaced typewriter fonts in OT1, T1, TS1, and LY1 encodings}
+ (Provided in the \texttt{TX} fonts distribution)
+\item math alphabets using Adobe Palatino (or URWPalladioL)
+ with modified metrics
+\item math fonts of all symbols corresponding to those of Computer Modern
+ math fonts (CMSY, CMMI, CMEX, and Greek letters of CMR)
+\item math fonts of all symbols corresponding to those of \AmS\ fonts
+ (MSAM and MSBM)
+\item additional math fonts of various symbols
+\end{enumerate}
+%
+All fonts are in the Type 1 format (in \texttt{afm} and \texttt{pfb} files).
+Necessary \texttt{tfm} and \texttt{vf} files together with
+\LaTeXe\ package files and font map files for \texttt{dvips} are
+provided.
+
+\begin{bfseries}%\itshape
+The \texttt{PX} fonts and related files are distributed
+without any guaranty or warranty.
+I do not assume responsibility for any actual or possible
+damages or losses, directly or indirectly caused by the
+distributed files.
+\end{bfseries}
+The \texttt{PX} fonts are distributed under the GNU public license (GPL)\@.
+The fonts will be improved and additional glyphs will be added
+in the future.
+
+\section{Requirements}
+
+Since \textsf{sans serif fonts based on Adobe Helvetica (or URW NimbusSanL)}
+and \texttt{monospaced typewriter fonts} of the \texttt{TX} fonts are to be
+used with the \texttt{PX} fonts, one must get and properly install
+the \texttt{TX} fonts, which are available from CTAN
+(or \verb|www.utdallas.edu/~ryoung/txfonts|).
+
+\section{Changes}
+
+\begin{description}
+\item[0.1] (November 30, 2000) 1st public release
+\item[0.2] (Decemver 4, 2000)
+ \begin{itemize}
+ \item Redesign of various math symbols to be more consistent with Palatino text fonts.
+ \item Improved Metrics
+ \end{itemize}
+\item[0.3] (Decemver 7, 2000)
+ \begin{itemize}
+ \item More large operators symbols
+ \item Now \verb|\lbag| ($\lbag$) and \verb|\rbag| ($\rbag$) are
+ delimiters.
+ \item An alternative math italic $\varg$ (produced by \verb|$\varg$|)
+ \end{itemize}
+\item[0.4] (Decemver 12, 2000)
+ \begin{itemize}
+ \item T1 and TS1 encodings supported
+ \item Various bugs fixed
+ \end{itemize}
+\item[1.0] (November 14, 2000)
+ \begin{itemize}
+ \item Minor problem fixes.
+ \item Hopefully, this is the final version ...
+ \end{itemize}
+\end{description}
+
+\section{A Problem: \texttt{DVIPS} Partial Font Downloading}
+
+It was reported that when \texttt{PX} fonts
+are partially downloaded with \texttt{dvips},
+some HP Laserprinters (with Postscript) cannot
+print documents. To resolve this problem,
+turn the partial font downloading off.
+See the \texttt{dvips} document for various ways to
+turn off partial font downloading.
+
+\textbf{\itshape Even though one does not observe such a problem,
+I would like to strongly recommend to turn off \texttt{dvips}
+partial font downloading.}
+
+\section{Installation}
+
+Put all files in \texttt{afm}, \texttt{tfm}, \texttt{vf},
+and \texttt{pfb} files in proper locations of your \TeX\ system.
+For Mik\TeX, they may go
+\begin{verbatim}
+ \localtexmf\fonts\afm\pxr\
+ \localtexmf\fonts\tfm\pxr\
+ \localtexmf\fonts\vf\pxr\
+ \localtexmf\fonts\type1\pxr\
+\end{verbatim}
+The all files of the \texttt{input} directory must
+be placed where \LaTeX\ finds its package files.
+For Mik\TeX, they may go
+\begin{verbatim}
+ \localtexmf\tex\latex\pxr\
+\end{verbatim}
+Put the \texttt{pxr.map}, \texttt{pxr1.map}, and \texttt{pxr2.map} %, and \texttt{tx8r.enc}
+files of the \texttt{dvips}
+directory in a proper place that \texttt{dvips} refers to.
+For Mik\TeX, they may go
+\begin{verbatim}
+ \localtexmf\dvips\config\
+\end{verbatim}
+Also add the reference to \texttt{pxr2.map} in
+the \texttt{dvips} configuration file (\texttt{config.ps})
+\begin{verbatim}
+ . . .
+ % Configuration of postscript type 1 fonts:
+ p psfonts.map
+ p +pxr2.map
+ . . .
+\end{verbatim}
+and in the PDF\TeX\ configuration file (\texttt{pdftex.cfg})
+\begin{verbatim}
+ . . .
+ % pdftex.map is set up by texmf/dvips/config/updmap
+ map pdftex.map
+ map +pxr2.map
+ . . .
+\end{verbatim}
+(The \texttt{pxr.map} file has only named references to the Adobe Palatino fonts;
+the \texttt{pxr1.map} file makes \texttt{dvips} load Adobe Palatino font files;
+and the \texttt{pxr2.map} file makes \texttt{dvips} load URWPalladioL font files.)
+Be sure to get URWPalladioL fonts included in the recent Ghostscript
+distribution and properly install them in your \texttt{texmf} tree.
+If you have the real Adobe Palatino font files, put
+\texttt{pxr1.map} instead of \texttt{pxr2.map} in
+\texttt{dvips} and PDF\TeX\ configuration files.
+
+\section{Using the \texttt{PX} Fonts with \LaTeX}
+
+It is as simple as
+\begin{verbatim}
+ \documentclass{article}
+ \usepackage{pxfonts}
+
+ \begin{document}
+
+ This is a very short article.
+
+ \end{document}
+\end{verbatim}
+
+%The standard \LaTeX\ distribution does not include
+%files supporting the LY1 encoding.
+%One needs at least \texttt{ly1enc.def}, which is available
+%from both CTAN and Y\&Y (\texttt{www.yandy.com}).
+%At the time this document was written, CTAN had
+%an old version (1997/03/21 v0.3); \texttt{ly1enc.def}
+%available from Y\&Y's downloads sites was dated on 1998/04/21 v0.4.
+
+\section{Additional Symbols in the \texttt{PX} Math Fonts}
+
+\emph{All} CM symbols are included in the \texttt{PX} math fonts.
+In addition, the \texttt{PX} math fonts provide or modify
+the following symbols, including all of \AmS\ and most of \LaTeX\ symbols.
+
+\subsubsection*{Binary Operator Symbols}
+\begin{eqnarray*}[c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l]
+\Ent{medcirc}&
+\Ent{medbullet}&
+\Ent{invamp}\\
+\Ent{circledwedge}&
+\Ent{circledvee}&
+\Ent{circledbar}\\
+\Ent{circledbslash}&
+\Ent{nplus}&
+\Ent{boxast}\\
+\Ent{boxbslash}&
+\Ent{boxbar}&
+\Ent{boxslash}\\
+\Ent{Wr}&
+\Ent{sqcupplus}&
+\Ent{sqcapplus}\\
+\Ent{rhd}&
+\Ent{lhd}&
+\Ent{unrhd}\\
+\Ent{unlhd}
+\end{eqnarray*}
+
+\subsubsection*{Binary Relation Symbols}
+\begin{eqnarray*}[c@{\enskip}l@{\quad}c@{\enskip}l@{\quad}c@{\enskip}l]
+\Ent{mappedfrom}&
+\Ent{longmappedfrom}&
+\Ent{Mapsto}\\
+\Ent{Longmapsto}&
+\Ent{Mappedfrom}&
+\Ent{Longmappedfrom}\\
+\Ent{mmapsto}&
+\Ent{longmmapsto}&
+\Ent{mmappedfrom}\\
+\Ent{longmmappedfrom}&
+\Ent{Mmapsto}&
+\Ent{Longmmapsto}\\
+\Ent{Mmappedfrom}&
+\Ent{Longmmappedfrom}&
+\Ent{varparallel}\\
+\Ent{varparallelinv}&
+\Ent{nvarparallel}&
+\Ent{nvarparallelinv}\\
+\Ent{colonapprox}&
+\Ent{colonsim}&
+\Ent{Colonapprox}\\
+\Ent{Colonsim}&
+\Ent{doteq}&
+\Ent{multimapinv}\\
+\Ent{multimapboth}&
+\Ent{multimapdot}&
+\Ent{multimapdotinv}\\
+\Ent{multimapdotboth}&
+\Ent{multimapdotbothA}&
+\Ent{multimapdotbothB}\\
+\Ent{VDash}&
+\Ent{VvDash}&
+\Ent{cong}\\
+\Ent{preceqq}&
+\Ent{succeqq}&
+\Ent{nprecsim}\\
+\Ent{nsuccsim}&
+\Ent{nlesssim}&
+\Ent{ngtrsim}\\
+\Ent{nlessapprox}&
+\Ent{ngtrapprox}&
+\Ent{npreccurlyeq}\\
+\Ent{nsucccurlyeq}&
+\Ent{ngtrless}&
+\Ent{nlessgtr}\\
+\Ent{nbumpeq}&
+\Ent{nBumpeq}&
+\Ent{nbacksim}\\
+\Ent{nbacksimeq}&
+\EEnt{neq}{ne}&
+\Ent{nasymp}\\
+\Ent{nequiv}&
+\Ent{nsim}&
+\Ent{napprox}\\
+\Ent{nsubset}&
+\Ent{nsupset}&
+\Ent{nll}\\
+\Ent{ngg}&
+\Ent{nthickapprox}&
+\Ent{napproxeq}\\
+\Ent{nprecapprox}&
+\Ent{nsuccapprox}&
+\Ent{npreceqq}\\
+\Ent{nsucceqq}&
+\Ent{nsimeq}&
+\Ent{notin}\\
+\EEnt{notni}{notowns}&
+\Ent{nSubset}&
+\Ent{nSupset}\\
+\Ent{nsqsubseteq}&
+\Ent{nsqsupseteq}&
+\Ent{coloneqq}\\
+\Ent{eqqcolon}&
+\Ent{coloneq}&
+\Ent{eqcolon}\\
+\Ent{Coloneqq}&
+\Ent{Eqqcolon}&
+\Ent{Coloneq}\\
+\Ent{Eqcolon}&
+\Ent{strictif}&
+\Ent{strictfi}\\
+\Ent{strictiff}&
+\Ent{circledless}&
+\Ent{circledgtr}\\
+\Ent{lJoin}&
+\Ent{rJoin}&
+\EEnt{Join}{lrJoin}\\
+\Ent{openJoin}&
+\Ent{lrtimes}&
+\Ent{opentimes}\\
+\Ent{nsqsubset}&
+\Ent{nsqsupset}&
+\Ent{dashleftarrow}\\
+%\EEnt{dashrightarrow}{dasharrow}&
+\Ent{dashrightarrow}&
+\Ent{dashleftrightarrow}&
+\Ent{leftsquigarrow}\\
+\Ent{ntwoheadrightarrow}&
+\Ent{ntwoheadleftarrow}&
+\Ent{Nearrow}\\
+\Ent{Searrow}&
+\Ent{Nwarrow}&
+\Ent{Swarrow}\\
+\Ent{Perp}&
+\Ent{leadstoext}&
+\Ent{leadsto}\\
+\Ent{boxright}&
+\Ent{boxleft}&
+\Ent{boxdotright}\\
+\Ent{boxdotleft}&
+\Ent{Diamondright}&
+\Ent{Diamondleft}\\
+\Ent{Diamonddotright}&
+\Ent{Diamonddotleft}&
+\Ent{boxRight}\\
+\Ent{boxLeft}&
+\Ent{boxdotRight}&
+\Ent{boxdotLeft}\\
+\Ent{DiamondRight}&
+\Ent{DiamondLeft}&
+\Ent{DiamonddotRight}\\
+\Ent{DiamonddotLeft}&
+\Ent{circleright}&
+\Ent{circleleft}\\
+\Ent{circleddotright}&
+\Ent{circleddotleft}&
+\Ent{multimapbothvert}\\
+\Ent{multimapdotbothvert}&
+\Ent{multimapdotbothAvert}&
+\Ent{multimapdotbothBvert}
+\end{eqnarray*}
+
+\subsubsection*{Ordinary Symbols}
+\begin{eqnarray*}[c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l]
+\Ent{alphaup}&
+\Ent{betaup}&
+\Ent{gammaup}\\
+\Ent{deltaup}&
+\Ent{epsilonup}&
+\Ent{varepsilonup}\\
+\Ent{zetaup}&
+\Ent{etaup}&
+\Ent{thetaup}\\
+\Ent{varthetaup}&
+\Ent{iotaup}&
+\Ent{kappaup}\\
+\Ent{lambdaup}&
+\Ent{muup}&
+\Ent{nuup}\\
+\Ent{xiup}&
+\Ent{piup}&
+\Ent{varpiup}\\
+\Ent{rhoup}&
+\Ent{varrhoup}&
+\Ent{sigmaup}\\
+\Ent{varsigmaup}&
+\Ent{tauup}&
+\Ent{upsilonup}\\
+\Ent{phiup}&
+\Ent{varphiup}&
+\Ent{chiup}\\
+\Ent{psiup}&
+\Ent{omegaup}&
+\Ent{Diamond}\\
+\Ent{Diamonddot}&
+\Ent{Diamondblack}&
+\Ent{lambdaslash}\\
+\Ent{lambdabar}&
+\Ent{varclubsuit}&
+\Ent{vardiamondsuit}\\
+\Ent{varheartsuit}&
+\Ent{varspadesuit}&
+\Ent{Top}\\
+\Ent{Bot}
+\end{eqnarray*}
+
+\subsubsection*{Math Alphabets}
+
+\begin{eqnarray*}[c@{\enskip}l]
+\Ent{varg}
+\end{eqnarray*}
+In order to replace math alphabet $g$ by this alternative,
+use the \texttt{varg} option with the \texttt{pxfonts} package:
+\begin{verbatim}
+ \usepackage[varg]{pxfonts}
+\end{verbatim}
+Then, \verb|$g$| will produce $\varg$ (instead of $g$).
+
+\subsubsection*{Large Operator Symbols}
+
+\begin{eqnarray*}[c@{\enskip}l@{\quad}c@{\enskip}l@{\quad}c@{\enskip}l]
+\Ent{bignplus}&
+\Ent{bigsqcupplus}&
+\Ent{bigsqcapplus}\\
+\Ent{bigsqcap}&
+\Ent{bigsqcap}&
+\Ent{varprod}\\
+\Ent{oiint}&
+\Ent{oiiint}&
+\Ent{ointctrclockwise}\\
+\Ent{ointclockwise}&
+\Ent{varointctrclockwise}&
+\Ent{varointclockwise}\\
+\Ent{sqint}&
+\Ent{sqiintop}&
+\Ent{sqiiintop}\\
+\Ent{fint}&
+\Ent{iint}&
+\Ent{iiint}\\
+\Ent{iiiint}&
+\Ent{idotsint}&
+\Ent{oiintctrclockwise}\\
+\Ent{oiintclockwise}&
+\Ent{varoiintctrclockwise}&
+\Ent{varoiintclockwise}\\
+\Ent{oiiintctrclockwise}&
+\Ent{oiiintclockwise}&
+\Ent{varoiiintctrclockwise}\\
+\Ent{varoiiintclockwise}&
+\end{eqnarray*}
+
+\subsubsection*{Delimiters}
+\begin{eqnarray*}[c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l]
+\Big\llbracket&\texttt{\bs llbracket}&
+\Big\rrbracket&\texttt{\bs rrbracket}&
+\Big\lbag&\texttt{\bs lbag}&
+\Big\rbag&\texttt{\bs rbag}
+\end{eqnarray*}
+
+%\subsubsection*{Parentheses}
+%\begin{eqnarray*}[c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l]
+%\Ent{lbag}&
+%\Ent{rbag}&
+%\Ent{Lbag}&
+%\Ent{Rbag}
+%\end{eqnarray*}
+
+\subsubsection*{Miscellaneous}
+
+\verb|$\mathfrak{...}$| produces
+$\mathfrak{A} \ldots \mathfrak{Z}$ and $\mathfrak{a} \ldots \mathfrak{z}$.
+%
+\verb|$\mathbb{...}$| produces $\mathbb{A} \ldots \mathbb{Z}$;
+\verb|$\Bbbk$| produces $\Bbbk$.
+
+
+\section{Remarks}
+
+\subsection{Some Font Design Issues}
+
+For negated relation symbols, the CM fonts composes
+relation symbols with the negation slash (\texttt{"36} in CMSY).
+Even though the CM fonts were very carefully designed
+to look reasonable when negated relation symbols are composed
+(except `$\notin$' \verb|\notin|, which is composed of
+`$\in$' and the normal slash `$/$'),
+the \AmS\ font set includes many negated relation symbols,
+mainly because the vertical placement and
+height\slash depth of the negation slash are not optimal
+when composed with certain relation symbols, I guess.
+The \texttt{PX} fonts include the negation slash symbol
+(\texttt{"36} in pxsy), which could be composed with
+relation symbols to give reasonably looking negated related symbols.
+I believe, however, explicitly designed negated relation symbols
+are looking better than composed relation symbols.
+Thus, in addition to negated relation symbols matching those of
+the \AmS\ fonts, many negated symbols such as `$\neq$' are introduced
+in the \texttt{PX} fonts.
+
+Further, in order to maintain editing compatibility with
+vanilla \LaTeXe\ typesetting, \verb|\not| is redefined in \texttt{pxfonts.sty}
+so that when \verb|\not\XYZ| is processed,
+if \verb|\notXYZ| or \verb|\nXYZ| is defined, it will be used
+in place of \verb|\not\XYZ|; otherwise,
+\verb|\XYZ| is composed with the negation slash.
+For instance, `$\nprecsim$' is available as \verb|\nprecsim| in the \texttt{PX} fonts.
+Thus, if \verb|\not\precsim| is typed in the document,
+the \verb|\nprecsim| symbol, instead of \verb|\precsim| composed
+with the negation slash, is printed.
+
+\subsection{Glyph Hinting}
+
+The hinting of the \texttt{PX} fonts is far from ideal.
+As a result, when documents with the \texttt{PX} fonts
+are \emph{viewed} with Gsview (or Ghostview), you might notice
+some display quality problem. When they are \emph{viewed}
+with Acrobat, they look much better.
+However, when they are \emph{printed} in laser printers,
+there will be no quality problem.
+(Note, hinting is to improve display quality on low resolution devices such as
+display screens.)
+
+\subsection{Glyphs in Low Positions}
+
+It is known that Acrobat often does not properly handle
+CM font glyphs placed between \texttt{"00} and \texttt{"1F}.
+Thus, most Type 1 versions of CM fonts publicly available
+have these glyphs in higher positions above \texttt{"7F}.
+When the \texttt{-G} flag is used with \texttt{dvips},
+those glyphs in low positions are shifted to higher positions.
+The \texttt{PX} text fonts have
+glyphs in the low positions between \texttt{"00} and \texttt{"1F}.
+As of now, these glyphs are not available in higher positions above \texttt{"7F}.
+Thus, when run \texttt{dvips}, do not use the \texttt{-G}
+flag (or remove \texttt{G} in the \texttt{dvips} configuration file).
+Especially, do not use \texttt{config.pdf}.
+In my computer systems, Acrobat correctly handles glyphs in low positions.
+However, if this known Acrobat problem occurs in other computer systems,
+I will modify the \texttt{PX} fonts so that glyphs in low positions
+are also available in higher positions.
+
+
+\section{Font Charts}
+
+The original Computer Modern (CM) text fonts (aka \TeX\ text fonts)
+have the OT1 encoding. The OT1 \texttt{PX} text fonts follow
+the CM fonts' encoding as much as possible, but have some
+variations and additions:
+\begin{itemize}\parskip=0pt\itemsep=0pt
+\item The position \texttt{"24} of text italic fonts has
+ the dollar symbol (\textit{\textdollar}), not the sterling symbol (\textit{\textsterling}).
+\item The uppercase and lowercase lslash (\L, \l) and aring (\AA, \aa) letters are added.
+\item The cent (\ifx\textcentoldstyle\undefined\textcent\else\textcentoldstyle\fi)
+ and sterling (\textsterling) symbols are added.
+\end{itemize}
+The original CM text fonts have somewhat different encodings in
+\textsc{cap \& small cap} and \texttt{typewriter} fonts.
+\texttt{PX} fonts corresponding to them have the original CM encodings,
+not the strict OT1 encoding.
+
+The T1 encoding text fonts (known as EC fonts) are designed to
+replace the CM text fonts in the OT1 encoding.
+The LY1 encoding is another text font encoding, which is based
+on both \TeX\ and ANSI encodings.
+Both T1 and LY1 encoding fonts are especially useful to typeset
+European languages with proper hyphenation.
+The TS1 encoding text companion fonts (known as TC fonts) have
+additional text symbols.
+All corresponding \texttt{PX} fonts are implemented.
+
+The Computer Modern (CM) math fonts (aka \TeX\ math fonts)
+consist of three fonts: math italic (CMMI), math symbols (CMSY), and
+math extension (CMEX). The American Mathematical Society provided
+two additional math symbol fonts (MSAM and MSBM).
+The \texttt{PX} math fonts include those exactly corresponding to them.
+In addition, the \texttt{PX} math fonts include math italic A,
+math symbols C, and math extension A fonts.
+
+
+\subsection{OT1 (CM) Encoding Text Fonts}
+
+These fonts' encodings are identical to those of corresponding CM fonts,
+except 6~additional glyphs.
+
+\begin{center}
+\centering
+\leavevmode\hbox{\tableA \fonttab{pxr}{Text Roman Upright}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableA \fonttab{pxi}{\textit{Text Roman Italic}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableA \fonttab{pxsl}{\textsl{Text Roman Slanted}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableA \fonttab{pxsc}{\textsc{Text Roman Cap \& Small Cap}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableA \fonttab{txss}{\textsf{Text Sans Serif Upright}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableA \fonttab{txsssl}{\textsf{\slshape Text Sans Serif Slanted}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableA \fonttab{txsssc}{\textsf{\scshape Text Sans Serif Cap \& Small Cap}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableA \fonttab{txtt}{\texttt{Text Typewriter Upright}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableA \fonttab{txttsl}{\texttt{\slshape Text Typewriter Slanted}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableA \fonttab{txttsc}{\texttt{\scshape Text Typewriter Cap \& Small Cap}}}
+\end{center}
+
+\subsection{T1 (EC) Cork Encoding Text Fonts}
+
+These fonts' encodings are identical to those of corresponding EC fonts.
+
+\begin{center}
+\centering
+\leavevmode\hbox{\tableD \fonttab{p1xr}{Text Roman Upright}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{p1xi}{\textit{Text Roman Italic}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{p1xsl}{\textsl{Text Roman Slanted}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{p1xsc}{\textsc{Text Roman Cap \& Small Cap}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableD \fonttab{t1xss}{\textsf{Text Sans Serif Upright}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableD \fonttab{t1xsssl}{\textsf{\slshape Text Sans Serif Slanted}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableD \fonttab{t1xsssc}{\textsf{\scshape Text Sans Serif Cap \& Small Cap}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableD \fonttab{t1xtt}{\texttt{Text Typewriter Upright}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableD \fonttab{t1xttsl}{\texttt{\slshape Text Typewriter Slanted}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableD \fonttab{t1xttsc}{\texttt{\scshape Text Typewriter Cap \& Small Cap}}}
+\end{center}
+
+%\subsection{LY1 \TeX\ and ANSI Encoding Text Fonts}
+
+%\begin{center}
+%\centering
+%\leavevmode\hbox{\tableD \fonttab{tyxr}{Text Roman Upright}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableD \fonttab{tyxi}{\textit{Text Roman Italic}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableD \fonttab{tyxsl}{\textsl{Text Roman Slanted}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableD \fonttab{tyxsc}{\textsc{Text Roman Cap \& Small Cap}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableD \fonttab{tyxss}{\textsf{Text Sans Serif Upright}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableD \fonttab{tyxsssl}{\textsf{\slshape Text Sans Serif Slanted}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableD \fonttab{tyxsssc}{\textsf{\scshape Text Sans Serif Cap \& Small Cap}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableD \fonttab{tyxtt}{\texttt{Text Typewriter Upright}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableD \fonttab{tyxttsl}{\texttt{\slshape Text Typewriter Slanted}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableD \fonttab{tyxttsc}{\texttt{\scshape Text Typewriter Cap \& Small Cap}}}
+%\end{center}
+
+\subsection{TS1 (TC) Encoding Text Companion Fonts}
+
+These fonts' encodings are identical to those of corresponding TC fonts.
+
+\begin{center}
+\centering
+\leavevmode\hbox{\tableE \fonttab{pcxr}{Text Companion Roman Upright}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableE \fonttab{pcxi}{\textit{Text Companion Roman Italic}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableE \fonttab{pcxsl}{\textsl{Text Companion Roman Slanted}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableE \fonttab{tcxss}{\textsf{Text Companion Sans Serif Upright}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableE \fonttab{tcxsssl}{\textsf{\slshape Text Companion Sans Serif Slanted}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableE \fonttab{tcxtt}{\texttt{Text Companion Typewriter Upright}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableE \fonttab{tcxttsl}{\texttt{\slshape Text Companion Typewriter Slanted}}}
+\end{center}
+
+\subsection{Math Fonts}
+
+These fonts' encodings are identical to those of corresponding CM
+and \AmS\ Math fonts.
+Additional math fonts are provided.
+
+\begin{center}
+\centering
+\leavevmode\hbox{\table \fonttab{pxmi}{Math Italic (Corresponding to CMMI)}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\table \fonttab{pxmi1}{Math Italic (Corresponding to CMMI) used with the \texttt{varg} option}}
+
+\bigskip\bigskip
+%\leavevmode\hbox{\tableF \fonttab{pxmia}{Math Italic A}}
+\leavevmode\hbox{\table \fonttab{pxmia}{Math Italic A}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\table \fonttab{pxsy}{Math Symbols (Corresponding to CMSY)}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\table \fonttab{pxsya}{Math Symbols A (Corresponding to MSAM)}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\table \fonttab{pxsyb}{Math Symbols B (Corresponding to MSBM)}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableC \fonttab{pxsyc}{Math Symbols C}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\table \fonttab{pxex}{Math Extension (Corresponding to CMEX)}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableB \fonttab{pxexa}{Math Extension A}}
+\end{center}
+
+Bold versions of all fonts are available.
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/pxfonts/pxfontsdocA4.pdf b/Master/texmf-dist/doc/fonts/pxfonts/pxfontsdocA4.pdf
new file mode 100644
index 00000000000..e5f91542efd
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/pxfonts/pxfontsdocA4.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/pxfonts/pxfontsdocA4.tex b/Master/texmf-dist/doc/fonts/pxfonts/pxfontsdocA4.tex
new file mode 100644
index 00000000000..13cae231594
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/pxfonts/pxfontsdocA4.tex
@@ -0,0 +1,1051 @@
+\documentclass[10pt]{article}
+
+\usepackage{a4wide,amsmath,pxfonts}
+\normalfont
+%\usepackage[T1]{fontenc}
+%\usepackage{textcomp}
+\let\orgnonumber=\nonumber\usepackage{mathenv}\let\nonumb=\nonumber\let\nonumber=\orgnonumber
+
+\allowdisplaybreaks
+
+\newcommand{\bs}{\symbol{'134}}
+
+
+\def\Ent#1{\csname #1\endcsname & \texttt{\bs #1}}
+\def\EEnt#1#2{\csname #1\endcsname & \texttt{\bs #1},\,\texttt{\bs #2}}
+
+\makeatletter
+\newcount\curchar \newcount\currow \newcount\curcol
+\newdimen\indexwd \newdimen\tempcellwd
+\setbox0\hbox{\ttfamily0\kern.2em}
+\indexwd=\wd0
+
+\def\ident#1{#1}
+\def\hexnumber#1{\ifcase\expandafter\ident\expandafter{\number#1} 0\or
+1\or 2\or 3\or 4\or 5\or 6\or 7\or 8\or 9\or A\or B\or C\or D\or E\or
+F\else ?\fi}
+
+\def\rownumber{\ttfamily\hexnumber\currow}
+\def\colnumber{\ttfamily\hexnumber\curcol \global\advance\curcol 1 }
+
+\def\charnumber{\setbox0=\hbox{\char\curchar}%
+ \ifdim\ht0>7.5pt\reposition
+ \else\ifdim\dp0>2.5pt\reposition\fi\fi
+ \box0 \global\advance\curchar1 }
+\def\reposition{\setbox0=\hbox{$\vcenter{\kern1.5pt\box0\kern1.5pt}$}}
+
+\def\dochart#1{%
+ \begingroup
+ \global\curchar=0 \global\currow=0 \global\curcol=0
+ \def\hline{\kern2pt\hrule\kern3pt }%
+ \setbox0\vbox{#1%
+ \def\0{\hbox to\cellwd{\curcol}{\hss\charnumber\hss}}%
+ \colnumbers
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \colnumbers
+ }%
+ \vbox{%
+ \hbox to\hsize{\kern\indexwd
+ \def\fullrule{\hfil\vrule height\ht0 depth\dp0\hfil}%
+ \fullrule\kern\cellwd{0}\kern\cellwd{1}\kern\cellwd{2}\kern\cellwd{3}%
+ \fullrule\kern\cellwd{4}\kern\cellwd{5}\kern\cellwd{6}\kern\cellwd{7}%
+ \fullrule\kern\cellwd{8}\kern\cellwd{9}\kern\cellwd{10}\kern\cellwd{11}%
+ \fullrule\kern\cellwd{12}\kern\cellwd{13}\kern\cellwd{14}\kern\cellwd{15}%
+ \fullrule\kern\indexwd}%
+ \kern-\ht0 \kern-\dp0 \unvbox0}%
+ \endgroup
+}
+
+\def\dochartA#1{%
+ \begingroup
+ \global\curchar=0 \global\currow=0 \global\curcol=0
+ \def\hline{\kern2pt\hrule\kern3pt }%
+ \setbox0\vbox{#1%
+ \def\0{\hbox to\cellwd{\curcol}{\hss\charnumber\hss}}%
+ \colnumbers
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrowX\setrow\setrowX %
+% \hline %
+ \setrow\setrowX\setrow\setrowX %
+ \hline %
+ \colnumbers
+ }%
+ \vbox{%
+ \hbox to\hsize{\kern\indexwd
+ \def\fullrule{\hfil\vrule height\ht0 depth\dp0\hfil}%
+ \fullrule\kern\cellwd{0}\kern\cellwd{1}\kern\cellwd{2}\kern\cellwd{3}%
+ \fullrule\kern\cellwd{4}\kern\cellwd{5}\kern\cellwd{6}\kern\cellwd{7}%
+ \fullrule\kern\cellwd{8}\kern\cellwd{9}\kern\cellwd{10}\kern\cellwd{11}%
+ \fullrule\kern\cellwd{12}\kern\cellwd{13}\kern\cellwd{14}\kern\cellwd{15}%
+ \fullrule\kern\indexwd}%
+ \kern-\ht0 \kern-\dp0 \unvbox0}%
+ \endgroup
+}
+
+\def\dochartB#1{%
+ \begingroup
+ \global\curchar=0 \global\currow=0 \global\curcol=0
+ \def\hline{\kern2pt\hrule\kern3pt }%
+ \setbox0\vbox{#1%
+ \def\0{\hbox to\cellwd{\curcol}{\hss\charnumber\hss}}%
+ \colnumbers
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow%\setrow\setrow
+ \hline
+ \colnumbers
+ }%
+ \vbox{%
+ \hbox to\hsize{\kern\indexwd
+ \def\fullrule{\hfil\vrule height\ht0 depth\dp0\hfil}%
+ \fullrule\kern\cellwd{0}\kern\cellwd{1}\kern\cellwd{2}\kern\cellwd{3}%
+ \fullrule\kern\cellwd{4}\kern\cellwd{5}\kern\cellwd{6}\kern\cellwd{7}%
+ \fullrule\kern\cellwd{8}\kern\cellwd{9}\kern\cellwd{10}\kern\cellwd{11}%
+ \fullrule\kern\cellwd{12}\kern\cellwd{13}\kern\cellwd{14}\kern\cellwd{15}%
+ \fullrule\kern\indexwd}%
+ \kern-\ht0 \kern-\dp0 \unvbox0}%
+ \endgroup
+}
+
+\def\dochartC#1{%
+ \begingroup
+ \global\curchar=0 \global\currow=0 \global\curcol=0
+ \def\hline{\kern2pt\hrule\kern3pt }%
+ \setbox0\vbox{#1%
+ \def\0{\hbox to\cellwd{\curcol}{\hss\charnumber\hss}}%
+ \colnumbers
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow
+ \hline
+ \colnumbers
+ }%
+ \vbox{%
+ \hbox to\hsize{\kern\indexwd
+ \def\fullrule{\hfil\vrule height\ht0 depth\dp0\hfil}%
+ \fullrule\kern\cellwd{0}\kern\cellwd{1}\kern\cellwd{2}\kern\cellwd{3}%
+ \fullrule\kern\cellwd{4}\kern\cellwd{5}\kern\cellwd{6}\kern\cellwd{7}%
+ \fullrule\kern\cellwd{8}\kern\cellwd{9}\kern\cellwd{10}\kern\cellwd{11}%
+ \fullrule\kern\cellwd{12}\kern\cellwd{13}\kern\cellwd{14}\kern\cellwd{15}%
+ \fullrule\kern\indexwd}%
+ \kern-\ht0 \kern-\dp0 \unvbox0}%
+ \endgroup
+}
+
+\def\dochartD#1{%
+ \begingroup
+ \global\curchar=0 \global\currow=0 \global\curcol=0
+ \def\hline{\kern2pt\hrule\kern3pt }%
+ \setbox0\vbox{#1%
+ \def\0{\hbox to\cellwd{\curcol}{\hss\charnumber\hss}}%
+ \colnumbers
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \colnumbers
+ }%
+ \vbox{%
+ \hbox to\hsize{\kern\indexwd
+ \def\fullrule{\hfil\vrule height\ht0 depth\dp0\hfil}%
+ \fullrule\kern\cellwd{0}\kern\cellwd{1}\kern\cellwd{2}\kern\cellwd{3}%
+ \fullrule\kern\cellwd{4}\kern\cellwd{5}\kern\cellwd{6}\kern\cellwd{7}%
+ \fullrule\kern\cellwd{8}\kern\cellwd{9}\kern\cellwd{10}\kern\cellwd{11}%
+ \fullrule\kern\cellwd{12}\kern\cellwd{13}\kern\cellwd{14}\kern\cellwd{15}%
+ \fullrule\kern\indexwd}%
+ \kern-\ht0 \kern-\dp0 \unvbox0}%
+ \endgroup
+}
+
+\def\dochartE#1{%
+ \begingroup
+ \global\curchar=0 \global\currow=0 \global\curcol=0
+ \def\hline{\kern2pt\hrule\kern3pt }%
+ \setbox0\vbox{#1%
+ \def\0{\hbox to\cellwd{\curcol}{\hss\charnumber\hss}}%
+ \colnumbers
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrowX\setrow\setrowX\setrow
+ \hline
+ \colnumbers
+ }%
+ \vbox{%
+ \hbox to\hsize{\kern\indexwd
+ \def\fullrule{\hfil\vrule height\ht0 depth\dp0\hfil}%
+ \fullrule\kern\cellwd{0}\kern\cellwd{1}\kern\cellwd{2}\kern\cellwd{3}%
+ \fullrule\kern\cellwd{4}\kern\cellwd{5}\kern\cellwd{6}\kern\cellwd{7}%
+ \fullrule\kern\cellwd{8}\kern\cellwd{9}\kern\cellwd{10}\kern\cellwd{11}%
+ \fullrule\kern\cellwd{12}\kern\cellwd{13}\kern\cellwd{14}\kern\cellwd{15}%
+ \fullrule\kern\indexwd}%
+ \kern-\ht0 \kern-\dp0 \unvbox0}%
+ \endgroup
+}
+\def\colnumbers{\hbox to\hsize{\global\curcol 0
+ \def\1{\hbox to\cellwd{\curcol}{\hfil\colnumber\hfil}}%
+ \kern\indexwd\hfil\hfil
+ \1\1\1\1\hfil\hfil \1\1\1\1\hfil\hfil
+ \1\1\1\1\hfil\hfil \1\1\1\1\hfil\hfil
+ \kern\indexwd}%
+}
+
+\def\dochartF#1{%
+ \begingroup
+ \global\curchar=0 \global\currow=0 \global\curcol=0
+ \def\hline{\kern2pt\hrule\kern3pt }%
+ \setbox0\vbox{#1%
+ \def\0{\hbox to\cellwd{\curcol}{\hss\charnumber\hss}}%
+ \colnumbers
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow\setrow
+ \hline
+ \setrow\setrow\setrow
+ \hline
+ \colnumbers
+ }%
+ \vbox{%
+ \hbox to\hsize{\kern\indexwd
+ \def\fullrule{\hfil\vrule height\ht0 depth\dp0\hfil}%
+ \fullrule\kern\cellwd{0}\kern\cellwd{1}\kern\cellwd{2}\kern\cellwd{3}%
+ \fullrule\kern\cellwd{4}\kern\cellwd{5}\kern\cellwd{6}\kern\cellwd{7}%
+ \fullrule\kern\cellwd{8}\kern\cellwd{9}\kern\cellwd{10}\kern\cellwd{11}%
+ \fullrule\kern\cellwd{12}\kern\cellwd{13}\kern\cellwd{14}\kern\cellwd{15}%
+ \fullrule\kern\indexwd}%
+ \kern-\ht0 \kern-\dp0 \unvbox0}%
+ \endgroup
+}
+
+
+\def\setrow{\hbox to\hsize{%
+ \hbox to\indexwd{\hfil\rownumber\kern.2em}\hfil\hfil
+ \0\0\0\0\hfil\hfil \0\0\0\0\hfil\hfil
+ \0\0\0\0\hfil\hfil \0\0\0\0\hfil\hfil
+ \hbox to\indexwd{\ttfamily\kern.2em \rownumber\hfil}}%
+ \global\advance\currow 1 }%
+
+\def\setrowX{\global\advance\curchar16\global\advance\currow 1\relax}
+
+\def\cellwd#1{20pt}% initialize
+
+\def\measurecolwidths#1{%
+ \tempcellwd\hsize \advance\tempcellwd-2\indexwd
+ \advance\tempcellwd -12pt
+ \divide\tempcellwd 16
+ \xdef\cellwd##1{\the\tempcellwd}%
+}
+
+\def \table #1#2#3{\par\penalty-200 \bigskip
+ \font #1=#2 \relax
+ \vbox{\hsize=29pc
+ \measurecolwidths{#1}%
+ \centerline{#3 -- {\tt#2}}%
+ \medskip
+ \dochart{#1}%
+}}
+
+
+\def \tableA #1#2#3{\par\penalty-200 \bigskip
+ \font #1=#2 \relax
+ \vbox{\hsize=29pc
+ \measurecolwidths{#1}%
+ \centerline{#3 -- {\tt#2}}%
+ \medskip
+ \dochartA{#1}%
+}}
+
+\def \tableB #1#2#3{\par\penalty-200 \bigskip
+ \font #1=#2 \relax
+ \vbox{\hsize=29pc
+ \measurecolwidths{#1}%
+ \centerline{#3 -- {\tt#2}}%
+ \medskip
+ \dochartB{#1}%
+}}
+
+\def \tableC #1#2#3{\par\penalty-200 \bigskip
+ \font #1=#2 \relax
+ \vbox{\hsize=29pc
+ \measurecolwidths{#1}%
+ \centerline{#3 -- {\tt#2}}%
+ \medskip
+ \dochartC{#1}%
+}}
+
+\def \tableD #1#2#3{\par\penalty-200 \bigskip
+ \font #1=#2 \relax
+ \vbox{\hsize=29pc
+ \measurecolwidths{#1}%
+ \centerline{#3 -- {\tt#2}}%
+ \medskip
+ \dochartD{#1}%
+}}
+
+\def \tableE #1#2#3{\par\penalty-200 \bigskip
+ \font #1=#2 \relax
+ \vbox{\hsize=29pc
+ \measurecolwidths{#1}%
+ \centerline{#3 -- {\tt#2}}%
+ \medskip
+ \dochartE{#1}%
+}}
+
+\def \tableF #1#2#3{\par\penalty-200 \bigskip
+ \font #1=#2 \relax
+ \vbox{\hsize=29pc
+ \measurecolwidths{#1}%
+ \centerline{#3 -- {\tt#2}}%
+ \medskip
+ \dochartF{#1}%
+}}
+
+\makeatother
+
+\begin{document}
+
+\title{The \texttt{PX} Fonts}
+
+\author{Young Ryu}
+
+\date{December 14, 2000}
+
+\maketitle
+
+\tableofcontents
+
+\clearpage
+\section{Introduction}
+
+The \texttt{PX} fonts consist of
+\begin{enumerate}\itemsep=0pt
+\item virtual text roman fonts using Adobe Palatino (or URWPalladioL) with
+ some modified and additional text symbols in the OT1, T1, and TS1 encoding
+ %, T1, TS1, and LY1 encodings
+\item \textsf{virtual text sans serif fonts using Adobe Helvetica (or URW NimbusSanL) with
+ additional text symbols in OT1, T1, TS1, and LY1 encodings}
+ (Provided in the \texttt{TX} fonts distribution)
+\item \texttt{monospaced typewriter fonts in OT1, T1, TS1, and LY1 encodings}
+ (Provided in the \texttt{TX} fonts distribution)
+\item math alphabets using Adobe Palatino (or URWPalladioL)
+ with modified metrics
+\item math fonts of all symbols corresponding to those of Computer Modern
+ math fonts (CMSY, CMMI, CMEX, and Greek letters of CMR)
+\item math fonts of all symbols corresponding to those of \AmS\ fonts
+ (MSAM and MSBM)
+\item additional math fonts of various symbols
+\end{enumerate}
+%
+All fonts are in the Type 1 format (in \texttt{afm} and \texttt{pfb} files).
+Necessary \texttt{tfm} and \texttt{vf} files together with
+\LaTeXe\ package files and font map files for \texttt{dvips} are
+provided.
+
+\begin{bfseries}%\itshape
+The \texttt{PX} fonts and related files are distributed
+without any guaranty or warranty.
+I do not assume responsibility for any actual or possible
+damages or losses, directly or indirectly caused by the
+distributed files.
+\end{bfseries}
+The \texttt{PX} fonts are distributed under the GNU public license (GPL)\@.
+The fonts will be improved and additional glyphs will be added
+in the future.
+
+\section{Requirements}
+
+Since \textsf{sans serif fonts based on Adobe Helvetica (or URW NimbusSanL)}
+and \texttt{monospaced typewriter fonts} of the \texttt{TX} fonts are to be
+used with the \texttt{PX} fonts, one must get and properly install
+the \texttt{TX} fonts, which are available from CTAN
+(or \verb|www.utdallas.edu/~ryoung/txfonts|).
+
+\section{Changes}
+
+\begin{description}
+\item[0.1] (November 30, 2000) 1st public release
+\item[0.2] (Decemver 4, 2000)
+ \begin{itemize}
+ \item Redesign of various math symbols to be more consistent with Palatino text fonts.
+ \item Improved Metrics
+ \end{itemize}
+\item[0.3] (Decemver 7, 2000)
+ \begin{itemize}
+ \item More large operators symbols
+ \item Now \verb|\lbag| ($\lbag$) and \verb|\rbag| ($\rbag$) are
+ delimiters.
+ \item An alternative math italic $\varg$ (produced by \verb|$\varg$|)
+ \end{itemize}
+\item[0.4] (Decemver 12, 2000)
+ \begin{itemize}
+ \item T1 and TS1 encodings supported
+ \item Various bugs fixed
+ \end{itemize}
+\item[1.0] (November 14, 2000)
+ \begin{itemize}
+ \item Minor problem fixes.
+ \item Hopefully, this is the final version ...
+ \end{itemize}
+\end{description}
+
+\section{A Problem: \texttt{DVIPS} Partial Font Downloading}
+
+It was reported that when \texttt{PX} fonts
+are partially downloaded with \texttt{dvips},
+some HP Laserprinters (with Postscript) cannot
+print documents. To resolve this problem,
+turn the partial font downloading off.
+See the \texttt{dvips} document for various ways to
+turn off partial font downloading.
+
+\textbf{\itshape Even though one does not observe such a problem,
+I would like to strongly recommend to turn off \texttt{dvips}
+partial font downloading.}
+
+\section{Installation}
+
+Put all files in \texttt{afm}, \texttt{tfm}, \texttt{vf},
+and \texttt{pfb} files in proper locations of your \TeX\ system.
+For Mik\TeX, they may go
+\begin{verbatim}
+ \localtexmf\fonts\afm\pxr\
+ \localtexmf\fonts\tfm\pxr\
+ \localtexmf\fonts\vf\pxr\
+ \localtexmf\fonts\type1\pxr\
+\end{verbatim}
+The all files of the \texttt{input} directory must
+be placed where \LaTeX\ finds its package files.
+For Mik\TeX, they may go
+\begin{verbatim}
+ \localtexmf\tex\latex\pxr\
+\end{verbatim}
+Put the \texttt{pxr.map}, \texttt{pxr1.map}, and \texttt{pxr2.map} %, and \texttt{tx8r.enc}
+files of the \texttt{dvips}
+directory in a proper place that \texttt{dvips} refers to.
+For Mik\TeX, they may go
+\begin{verbatim}
+ \localtexmf\dvips\config\
+\end{verbatim}
+Also add the reference to \texttt{pxr2.map} in
+the \texttt{dvips} configuration file (\texttt{config.ps})
+\begin{verbatim}
+ . . .
+ % Configuration of postscript type 1 fonts:
+ p psfonts.map
+ p +pxr2.map
+ . . .
+\end{verbatim}
+and in the PDF\TeX\ configuration file (\texttt{pdftex.cfg})
+\begin{verbatim}
+ . . .
+ % pdftex.map is set up by texmf/dvips/config/updmap
+ map pdftex.map
+ map +pxr2.map
+ . . .
+\end{verbatim}
+(The \texttt{pxr.map} file has only named references to the Adobe Palatino fonts;
+the \texttt{pxr1.map} file makes \texttt{dvips} load Adobe Palatino font files;
+and the \texttt{pxr2.map} file makes \texttt{dvips} load URWPalladioL font files.)
+Be sure to get URWPalladioL fonts included in the recent Ghostscript
+distribution and properly install them in your \texttt{texmf} tree.
+If you have the real Adobe Palatino font files, put
+\texttt{pxr1.map} instead of \texttt{pxr2.map} in
+\texttt{dvips} and PDF\TeX\ configuration files.
+
+\section{Using the \texttt{PX} Fonts with \LaTeX}
+
+It is as simple as
+\begin{verbatim}
+ \documentclass{article}
+ \usepackage{pxfonts}
+
+ \begin{document}
+
+ This is a very short article.
+
+ \end{document}
+\end{verbatim}
+
+%The standard \LaTeX\ distribution does not include
+%files supporting the LY1 encoding.
+%One needs at least \texttt{ly1enc.def}, which is available
+%from both CTAN and Y\&Y (\texttt{www.yandy.com}).
+%At the time this document was written, CTAN had
+%an old version (1997/03/21 v0.3); \texttt{ly1enc.def}
+%available from Y\&Y's downloads sites was dated on 1998/04/21 v0.4.
+
+\section{Additional Symbols in the \texttt{PX} Math Fonts}
+
+\emph{All} CM symbols are included in the \texttt{PX} math fonts.
+In addition, the \texttt{PX} math fonts provide or modify
+the following symbols, including all of \AmS\ and most of \LaTeX\ symbols.
+
+\subsubsection*{Binary Operator Symbols}
+\begin{eqnarray*}[c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l]
+\Ent{medcirc}&
+\Ent{medbullet}&
+\Ent{invamp}\\
+\Ent{circledwedge}&
+\Ent{circledvee}&
+\Ent{circledbar}\\
+\Ent{circledbslash}&
+\Ent{nplus}&
+\Ent{boxast}\\
+\Ent{boxbslash}&
+\Ent{boxbar}&
+\Ent{boxslash}\\
+\Ent{Wr}&
+\Ent{sqcupplus}&
+\Ent{sqcapplus}\\
+\Ent{rhd}&
+\Ent{lhd}&
+\Ent{unrhd}\\
+\Ent{unlhd}
+\end{eqnarray*}
+
+\subsubsection*{Binary Relation Symbols}
+\begin{eqnarray*}[c@{\enskip}l@{\quad}c@{\enskip}l@{\quad}c@{\enskip}l]
+\Ent{mappedfrom}&
+\Ent{longmappedfrom}&
+\Ent{Mapsto}\\
+\Ent{Longmapsto}&
+\Ent{Mappedfrom}&
+\Ent{Longmappedfrom}\\
+\Ent{mmapsto}&
+\Ent{longmmapsto}&
+\Ent{mmappedfrom}\\
+\Ent{longmmappedfrom}&
+\Ent{Mmapsto}&
+\Ent{Longmmapsto}\\
+\Ent{Mmappedfrom}&
+\Ent{Longmmappedfrom}&
+\Ent{varparallel}\\
+\Ent{varparallelinv}&
+\Ent{nvarparallel}&
+\Ent{nvarparallelinv}\\
+\Ent{colonapprox}&
+\Ent{colonsim}&
+\Ent{Colonapprox}\\
+\Ent{Colonsim}&
+\Ent{doteq}&
+\Ent{multimapinv}\\
+\Ent{multimapboth}&
+\Ent{multimapdot}&
+\Ent{multimapdotinv}\\
+\Ent{multimapdotboth}&
+\Ent{multimapdotbothA}&
+\Ent{multimapdotbothB}\\
+\Ent{VDash}&
+\Ent{VvDash}&
+\Ent{cong}\\
+\Ent{preceqq}&
+\Ent{succeqq}&
+\Ent{nprecsim}\\
+\Ent{nsuccsim}&
+\Ent{nlesssim}&
+\Ent{ngtrsim}\\
+\Ent{nlessapprox}&
+\Ent{ngtrapprox}&
+\Ent{npreccurlyeq}\\
+\Ent{nsucccurlyeq}&
+\Ent{ngtrless}&
+\Ent{nlessgtr}\\
+\Ent{nbumpeq}&
+\Ent{nBumpeq}&
+\Ent{nbacksim}\\
+\Ent{nbacksimeq}&
+\EEnt{neq}{ne}&
+\Ent{nasymp}\\
+\Ent{nequiv}&
+\Ent{nsim}&
+\Ent{napprox}\\
+\Ent{nsubset}&
+\Ent{nsupset}&
+\Ent{nll}\\
+\Ent{ngg}&
+\Ent{nthickapprox}&
+\Ent{napproxeq}\\
+\Ent{nprecapprox}&
+\Ent{nsuccapprox}&
+\Ent{npreceqq}\\
+\Ent{nsucceqq}&
+\Ent{nsimeq}&
+\Ent{notin}\\
+\EEnt{notni}{notowns}&
+\Ent{nSubset}&
+\Ent{nSupset}\\
+\Ent{nsqsubseteq}&
+\Ent{nsqsupseteq}&
+\Ent{coloneqq}\\
+\Ent{eqqcolon}&
+\Ent{coloneq}&
+\Ent{eqcolon}\\
+\Ent{Coloneqq}&
+\Ent{Eqqcolon}&
+\Ent{Coloneq}\\
+\Ent{Eqcolon}&
+\Ent{strictif}&
+\Ent{strictfi}\\
+\Ent{strictiff}&
+\Ent{circledless}&
+\Ent{circledgtr}\\
+\Ent{lJoin}&
+\Ent{rJoin}&
+\EEnt{Join}{lrJoin}\\
+\Ent{openJoin}&
+\Ent{lrtimes}&
+\Ent{opentimes}\\
+\Ent{nsqsubset}&
+\Ent{nsqsupset}&
+\Ent{dashleftarrow}\\
+%\EEnt{dashrightarrow}{dasharrow}&
+\Ent{dashrightarrow}&
+\Ent{dashleftrightarrow}&
+\Ent{leftsquigarrow}\\
+\Ent{ntwoheadrightarrow}&
+\Ent{ntwoheadleftarrow}&
+\Ent{Nearrow}\\
+\Ent{Searrow}&
+\Ent{Nwarrow}&
+\Ent{Swarrow}\\
+\Ent{Perp}&
+\Ent{leadstoext}&
+\Ent{leadsto}\\
+\Ent{boxright}&
+\Ent{boxleft}&
+\Ent{boxdotright}\\
+\Ent{boxdotleft}&
+\Ent{Diamondright}&
+\Ent{Diamondleft}\\
+\Ent{Diamonddotright}&
+\Ent{Diamonddotleft}&
+\Ent{boxRight}\\
+\Ent{boxLeft}&
+\Ent{boxdotRight}&
+\Ent{boxdotLeft}\\
+\Ent{DiamondRight}&
+\Ent{DiamondLeft}&
+\Ent{DiamonddotRight}\\
+\Ent{DiamonddotLeft}&
+\Ent{circleright}&
+\Ent{circleleft}\\
+\Ent{circleddotright}&
+\Ent{circleddotleft}&
+\Ent{multimapbothvert}\\
+\Ent{multimapdotbothvert}&
+\Ent{multimapdotbothAvert}&
+\Ent{multimapdotbothBvert}
+\end{eqnarray*}
+
+\subsubsection*{Ordinary Symbols}
+\begin{eqnarray*}[c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l]
+\Ent{alphaup}&
+\Ent{betaup}&
+\Ent{gammaup}\\
+\Ent{deltaup}&
+\Ent{epsilonup}&
+\Ent{varepsilonup}\\
+\Ent{zetaup}&
+\Ent{etaup}&
+\Ent{thetaup}\\
+\Ent{varthetaup}&
+\Ent{iotaup}&
+\Ent{kappaup}\\
+\Ent{lambdaup}&
+\Ent{muup}&
+\Ent{nuup}\\
+\Ent{xiup}&
+\Ent{piup}&
+\Ent{varpiup}\\
+\Ent{rhoup}&
+\Ent{varrhoup}&
+\Ent{sigmaup}\\
+\Ent{varsigmaup}&
+\Ent{tauup}&
+\Ent{upsilonup}\\
+\Ent{phiup}&
+\Ent{varphiup}&
+\Ent{chiup}\\
+\Ent{psiup}&
+\Ent{omegaup}&
+\Ent{Diamond}\\
+\Ent{Diamonddot}&
+\Ent{Diamondblack}&
+\Ent{lambdaslash}\\
+\Ent{lambdabar}&
+\Ent{varclubsuit}&
+\Ent{vardiamondsuit}\\
+\Ent{varheartsuit}&
+\Ent{varspadesuit}&
+\Ent{Top}\\
+\Ent{Bot}
+\end{eqnarray*}
+
+\subsubsection*{Math Alphabets}
+
+\begin{eqnarray*}[c@{\enskip}l]
+\Ent{varg}
+\end{eqnarray*}
+In order to replace math alphabet $g$ by this alternative,
+use the \texttt{varg} option with the \texttt{pxfonts} package:
+\begin{verbatim}
+ \usepackage[varg]{pxfonts}
+\end{verbatim}
+Then, \verb|$g$| will produce $\varg$ (instead of $g$).
+
+\subsubsection*{Large Operator Symbols}
+
+\begin{eqnarray*}[c@{\enskip}l@{\quad}c@{\enskip}l@{\quad}c@{\enskip}l]
+\Ent{bignplus}&
+\Ent{bigsqcupplus}&
+\Ent{bigsqcapplus}\\
+\Ent{bigsqcap}&
+\Ent{bigsqcap}&
+\Ent{varprod}\\
+\Ent{oiint}&
+\Ent{oiiint}&
+\Ent{ointctrclockwise}\\
+\Ent{ointclockwise}&
+\Ent{varointctrclockwise}&
+\Ent{varointclockwise}\\
+\Ent{sqint}&
+\Ent{sqiintop}&
+\Ent{sqiiintop}\\
+\Ent{fint}&
+\Ent{iint}&
+\Ent{iiint}\\
+\Ent{iiiint}&
+\Ent{idotsint}&
+\Ent{oiintctrclockwise}\\
+\Ent{oiintclockwise}&
+\Ent{varoiintctrclockwise}&
+\Ent{varoiintclockwise}\\
+\Ent{oiiintctrclockwise}&
+\Ent{oiiintclockwise}&
+\Ent{varoiiintctrclockwise}\\
+\Ent{varoiiintclockwise}&
+\end{eqnarray*}
+
+\subsubsection*{Delimiters}
+\begin{eqnarray*}[c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l]
+\Big\llbracket&\texttt{\bs llbracket}&
+\Big\rrbracket&\texttt{\bs rrbracket}&
+\Big\lbag&\texttt{\bs lbag}&
+\Big\rbag&\texttt{\bs rbag}
+\end{eqnarray*}
+
+%\subsubsection*{Parentheses}
+%\begin{eqnarray*}[c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l@{\qquad\qquad\qquad}c@{\enskip}l]
+%\Ent{lbag}&
+%\Ent{rbag}&
+%\Ent{Lbag}&
+%\Ent{Rbag}
+%\end{eqnarray*}
+
+\subsubsection*{Miscellaneous}
+
+\verb|$\mathfrak{...}$| produces
+$\mathfrak{A} \ldots \mathfrak{Z}$ and $\mathfrak{a} \ldots \mathfrak{z}$.
+%
+\verb|$\mathbb{...}$| produces $\mathbb{A} \ldots \mathbb{Z}$;
+\verb|$\Bbbk$| produces $\Bbbk$.
+
+
+\section{Remarks}
+
+\subsection{Some Font Design Issues}
+
+For negated relation symbols, the CM fonts composes
+relation symbols with the negation slash (\texttt{"36} in CMSY).
+Even though the CM fonts were very carefully designed
+to look reasonable when negated relation symbols are composed
+(except `$\notin$' \verb|\notin|, which is composed of
+`$\in$' and the normal slash `$/$'),
+the \AmS\ font set includes many negated relation symbols,
+mainly because the vertical placement and
+height\slash depth of the negation slash are not optimal
+when composed with certain relation symbols, I guess.
+The \texttt{PX} fonts include the negation slash symbol
+(\texttt{"36} in pxsy), which could be composed with
+relation symbols to give reasonably looking negated related symbols.
+I believe, however, explicitly designed negated relation symbols
+are looking better than composed relation symbols.
+Thus, in addition to negated relation symbols matching those of
+the \AmS\ fonts, many negated symbols such as `$\neq$' are introduced
+in the \texttt{PX} fonts.
+
+Further, in order to maintain editing compatibility with
+vanilla \LaTeXe\ typesetting, \verb|\not| is redefined in \texttt{pxfonts.sty}
+so that when \verb|\not\XYZ| is processed,
+if \verb|\notXYZ| or \verb|\nXYZ| is defined, it will be used
+in place of \verb|\not\XYZ|; otherwise,
+\verb|\XYZ| is composed with the negation slash.
+For instance, `$\nprecsim$' is available as \verb|\nprecsim| in the \texttt{PX} fonts.
+Thus, if \verb|\not\precsim| is typed in the document,
+the \verb|\nprecsim| symbol, instead of \verb|\precsim| composed
+with the negation slash, is printed.
+
+\subsection{Glyph Hinting}
+
+The hinting of the \texttt{PX} fonts is far from ideal.
+As a result, when documents with the \texttt{PX} fonts
+are \emph{viewed} with Gsview (or Ghostview), you might notice
+some display quality problem. When they are \emph{viewed}
+with Acrobat, they look much better.
+However, when they are \emph{printed} in laser printers,
+there will be no quality problem.
+(Note, hinting is to improve display quality on low resolution devices such as
+display screens.)
+
+\subsection{Glyphs in Low Positions}
+
+It is known that Acrobat often does not properly handle
+CM font glyphs placed between \texttt{"00} and \texttt{"1F}.
+Thus, most Type 1 versions of CM fonts publicly available
+have these glyphs in higher positions above \texttt{"7F}.
+When the \texttt{-G} flag is used with \texttt{dvips},
+those glyphs in low positions are shifted to higher positions.
+The \texttt{PX} text fonts have
+glyphs in the low positions between \texttt{"00} and \texttt{"1F}.
+As of now, these glyphs are not available in higher positions above \texttt{"7F}.
+Thus, when run \texttt{dvips}, do not use the \texttt{-G}
+flag (or remove \texttt{G} in the \texttt{dvips} configuration file).
+Especially, do not use \texttt{config.pdf}.
+In my computer systems, Acrobat correctly handles glyphs in low positions.
+However, if this known Acrobat problem occurs in other computer systems,
+I will modify the \texttt{PX} fonts so that glyphs in low positions
+are also available in higher positions.
+
+
+\section{Font Charts}
+
+The original Computer Modern (CM) text fonts (aka \TeX\ text fonts)
+have the OT1 encoding. The OT1 \texttt{PX} text fonts follow
+the CM fonts' encoding as much as possible, but have some
+variations and additions:
+\begin{itemize}\parskip=0pt\itemsep=0pt
+\item The position \texttt{"24} of text italic fonts has
+ the dollar symbol (\textit{\textdollar}), not the sterling symbol (\textit{\textsterling}).
+\item The uppercase and lowercase lslash (\L, \l) and aring (\AA, \aa) letters are added.
+\item The cent (\ifx\textcentoldstyle\undefined\textcent\else\textcentoldstyle\fi)
+ and sterling (\textsterling) symbols are added.
+\end{itemize}
+The original CM text fonts have somewhat different encodings in
+\textsc{cap \& small cap} and \texttt{typewriter} fonts.
+\texttt{PX} fonts corresponding to them have the original CM encodings,
+not the strict OT1 encoding.
+
+The T1 encoding text fonts (known as EC fonts) are designed to
+replace the CM text fonts in the OT1 encoding.
+The LY1 encoding is another text font encoding, which is based
+on both \TeX\ and ANSI encodings.
+Both T1 and LY1 encoding fonts are especially useful to typeset
+European languages with proper hyphenation.
+The TS1 encoding text companion fonts (known as TC fonts) have
+additional text symbols.
+All corresponding \texttt{PX} fonts are implemented.
+
+The Computer Modern (CM) math fonts (aka \TeX\ math fonts)
+consist of three fonts: math italic (CMMI), math symbols (CMSY), and
+math extension (CMEX). The American Mathematical Society provided
+two additional math symbol fonts (MSAM and MSBM).
+The \texttt{PX} math fonts include those exactly corresponding to them.
+In addition, the \texttt{PX} math fonts include math italic A,
+math symbols C, and math extension A fonts.
+
+
+\subsection{OT1 (CM) Encoding Text Fonts}
+
+These fonts' encodings are identical to those of corresponding CM fonts,
+except 6~additional glyphs.
+
+\begin{center}
+\centering
+\leavevmode\hbox{\tableA \fonttab{pxr}{Text Roman Upright}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableA \fonttab{pxi}{\textit{Text Roman Italic}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableA \fonttab{pxsl}{\textsl{Text Roman Slanted}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableA \fonttab{pxsc}{\textsc{Text Roman Cap \& Small Cap}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableA \fonttab{txss}{\textsf{Text Sans Serif Upright}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableA \fonttab{txsssl}{\textsf{\slshape Text Sans Serif Slanted}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableA \fonttab{txsssc}{\textsf{\scshape Text Sans Serif Cap \& Small Cap}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableA \fonttab{txtt}{\texttt{Text Typewriter Upright}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableA \fonttab{txttsl}{\texttt{\slshape Text Typewriter Slanted}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableA \fonttab{txttsc}{\texttt{\scshape Text Typewriter Cap \& Small Cap}}}
+\end{center}
+
+\subsection{T1 (EC) Cork Encoding Text Fonts}
+
+These fonts' encodings are identical to those of corresponding EC fonts.
+
+\begin{center}
+\centering
+\leavevmode\hbox{\tableD \fonttab{p1xr}{Text Roman Upright}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{p1xi}{\textit{Text Roman Italic}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{p1xsl}{\textsl{Text Roman Slanted}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableD \fonttab{p1xsc}{\textsc{Text Roman Cap \& Small Cap}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableD \fonttab{t1xss}{\textsf{Text Sans Serif Upright}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableD \fonttab{t1xsssl}{\textsf{\slshape Text Sans Serif Slanted}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableD \fonttab{t1xsssc}{\textsf{\scshape Text Sans Serif Cap \& Small Cap}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableD \fonttab{t1xtt}{\texttt{Text Typewriter Upright}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableD \fonttab{t1xttsl}{\texttt{\slshape Text Typewriter Slanted}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableD \fonttab{t1xttsc}{\texttt{\scshape Text Typewriter Cap \& Small Cap}}}
+\end{center}
+
+%\subsection{LY1 \TeX\ and ANSI Encoding Text Fonts}
+
+%\begin{center}
+%\centering
+%\leavevmode\hbox{\tableD \fonttab{tyxr}{Text Roman Upright}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableD \fonttab{tyxi}{\textit{Text Roman Italic}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableD \fonttab{tyxsl}{\textsl{Text Roman Slanted}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableD \fonttab{tyxsc}{\textsc{Text Roman Cap \& Small Cap}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableD \fonttab{tyxss}{\textsf{Text Sans Serif Upright}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableD \fonttab{tyxsssl}{\textsf{\slshape Text Sans Serif Slanted}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableD \fonttab{tyxsssc}{\textsf{\scshape Text Sans Serif Cap \& Small Cap}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableD \fonttab{tyxtt}{\texttt{Text Typewriter Upright}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableD \fonttab{tyxttsl}{\texttt{\slshape Text Typewriter Slanted}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableD \fonttab{tyxttsc}{\texttt{\scshape Text Typewriter Cap \& Small Cap}}}
+%\end{center}
+
+\subsection{TS1 (TC) Encoding Text Companion Fonts}
+
+These fonts' encodings are identical to those of corresponding TC fonts.
+
+\begin{center}
+\centering
+\leavevmode\hbox{\tableE \fonttab{pcxr}{Text Companion Roman Upright}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableE \fonttab{pcxi}{\textit{Text Companion Roman Italic}}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableE \fonttab{pcxsl}{\textsl{Text Companion Roman Slanted}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableE \fonttab{tcxss}{\textsf{Text Companion Sans Serif Upright}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableE \fonttab{tcxsssl}{\textsf{\slshape Text Companion Sans Serif Slanted}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableE \fonttab{tcxtt}{\texttt{Text Companion Typewriter Upright}}}
+
+%\bigskip\bigskip
+%\leavevmode\hbox{\tableE \fonttab{tcxttsl}{\texttt{\slshape Text Companion Typewriter Slanted}}}
+\end{center}
+
+\subsection{Math Fonts}
+
+These fonts' encodings are identical to those of corresponding CM
+and \AmS\ Math fonts.
+Additional math fonts are provided.
+
+\begin{center}
+\centering
+\leavevmode\hbox{\table \fonttab{pxmi}{Math Italic (Corresponding to CMMI)}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\table \fonttab{pxmi1}{Math Italic (Corresponding to CMMI) used with the \texttt{varg} option}}
+
+\bigskip\bigskip
+%\leavevmode\hbox{\tableF \fonttab{pxmia}{Math Italic A}}
+\leavevmode\hbox{\table \fonttab{pxmia}{Math Italic A}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\table \fonttab{pxsy}{Math Symbols (Corresponding to CMSY)}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\table \fonttab{pxsya}{Math Symbols A (Corresponding to MSAM)}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\table \fonttab{pxsyb}{Math Symbols B (Corresponding to MSBM)}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableC \fonttab{pxsyc}{Math Symbols C}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\table \fonttab{pxex}{Math Extension (Corresponding to CMEX)}}
+
+\bigskip\bigskip
+\leavevmode\hbox{\tableB \fonttab{pxexa}{Math Extension A}}
+\end{center}
+
+Bold versions of all fonts are available.
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/pxfonts/pxmi.vpl b/Master/texmf-dist/doc/fonts/pxfonts/pxmi.vpl
new file mode 100644
index 00000000000..d02be6ecf63
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/pxfonts/pxmi.vpl
@@ -0,0 +1,1262 @@
+(FAMILY PXMI)
+(CODINGSCHEME CMMIEncoding)
+(DESIGNSIZE R 10.0)
+(FONTDIMEN
+ (SLANT R 0.176)
+ (SPACE R 0.0)
+ (STRETCH R 0.0)
+ (SHRINK R 0.0)
+ (XHEIGHT R 0.441)
+ (QUAD R 1.000)
+ (EXTRASPACE R 0.0)
+ )
+(MAPFONT D 0
+ (FONTNAME rpxmi)
+ (FONTAT R 1.0)
+ (FONTDSIZE R 10.0)
+ )
+(MAPFONT D 1
+ (FONTNAME rpxpplri)
+ (FONTAT R 1.0)
+ (FONTDSIZE R 10.0)
+ )
+(LIGTABLE
+ (LABEL O 0) (comment Gamma)
+ (KRN O 177 R 0.083) (comment tie)
+ (KRN O 75 R -0.055) (comment slash)
+ (KRN O 72 R -0.111) (comment period)
+ (KRN O 73 R -0.111) (comment comma)
+ (STOP)
+ (LABEL O 1) (comment Delta)
+ (KRN O 177 R 0.138) (comment tie)
+ (STOP)
+ (LABEL O 2) (comment Theta)
+ (KRN O 177 R 0.083) (comment tie)
+ (STOP)
+ (LABEL O 3) (comment Lambda)
+ (KRN O 177 R 0.138) (comment tie)
+ (STOP)
+ (LABEL O 4) (comment Xi)
+ (KRN O 177 R 0.055) (comment tie)
+ (STOP)
+ (LABEL O 5) (comment Pi)
+ (KRN O 177 R 0.083) (comment tie)
+ (KRN O 75 R -0.055) (comment slash)
+ (KRN O 72 R -0.055) (comment period)
+ (KRN O 73 R -0.055) (comment comma)
+ (STOP)
+ (LABEL O 6) (comment Sigma)
+ (KRN O 177 R 0.083) (comment tie)
+ (STOP)
+ (LABEL O 7) (comment Upsilon)
+ (KRN O 177 R 0.055) (comment tie)
+ (KRN O 75 R -0.055) (comment slash)
+ (KRN O 72 R -0.111) (comment period)
+ (KRN O 73 R -0.111) (comment comma)
+ (STOP)
+ (LABEL O 10) (comment Phi)
+ (KRN O 177 R 0.111) (comment tie)
+ (STOP)
+ (LABEL O 11) (comment Psi)
+ (KRN O 177 R 0.083) (comment tie)
+ (KRN O 75 R -0.055) (comment slash)
+ (KRN O 72 R -0.055) (comment period)
+ (KRN O 73 R -0.055) (comment comma)
+ (STOP)
+ (LABEL O 12) (comment Omega)
+ (KRN O 177 R 0.111) (comment tie)
+ (STOP)
+ (LABEL O 13) (comment alpha)
+ (KRN O 177 R 0.027) (comment tie)
+ (STOP)
+ (LABEL O 14) (comment beta)
+ (KRN O 177 R 0.083) (comment tie)
+ (STOP)
+ (LABEL O 15) (comment gamma)
+ (KRN O 177 R 0.083) (comment tie)
+ (STOP)
+ (LABEL O 16) (comment delta)
+ (KRN O 177 R 0.083) (comment tie)
+ (KRN O 72 R -0.055) (comment period)
+ (KRN O 73 R -0.055) (comment comma)
+ (STOP)
+ (LABEL O 17) (comment epsilon1)
+ (KRN O 177 R 0.055) (comment tie)
+ (STOP)
+ (LABEL O 20) (comment zeta)
+ (KRN O 177 R 0.083) (comment tie)
+ (STOP)
+ (LABEL O 21) (comment eta)
+ (KRN O 177 R 0.055) (comment tie)
+ (STOP)
+ (LABEL O 22) (comment theta)
+ (KRN O 177 R 0.083) (comment tie)
+ (STOP)
+ (LABEL O 23) (comment iota)
+ (KRN O 177 R 0.055) (comment tie)
+ (STOP)
+ (LABEL O 24) (comment kappa)
+ (KRN O 177 R 0.055) (comment tie)
+ (STOP)
+ (LABEL O 26) (comment mu)
+ (KRN O 177 R 0.027) (comment tie)
+ (STOP)
+ (LABEL O 27) (comment nu)
+ (KRN O 177 R 0.027) (comment tie)
+ (KRN O 72 R -0.055) (comment period)
+ (KRN O 73 R -0.055) (comment comma)
+ (STOP)
+ (LABEL O 30) (comment xi)
+ (KRN O 177 R 0.111) (comment tie)
+ (STOP)
+ (LABEL O 32) (comment rho)
+ (KRN O 177 R 0.083) (comment tie)
+ (STOP)
+ (LABEL O 33) (comment sigma)
+ (KRN O 72 R -0.055) (comment period)
+ (KRN O 73 R -0.055) (comment comma)
+ (STOP)
+ (LABEL O 34) (comment tau)
+ (KRN O 72 R -0.055) (comment period)
+ (KRN O 73 R -0.055) (comment comma)
+ (STOP)
+ (LABEL O 35) (comment upsilon)
+ (KRN O 177 R 0.027) (comment tie)
+ (STOP)
+ (LABEL O 36) (comment phi)
+ (KRN O 177 R 0.029) (comment tie)
+ (STOP)
+ (LABEL O 37) (comment chi)
+ (KRN O 177 R 0.055) (comment tie)
+ (STOP)
+ (LABEL O 40) (comment psi)
+ (KRN O 177 R 0.111) (comment tie)
+ (STOP)
+ (LABEL O 41) (comment omega)
+ (KRN O 177 R 0.055) (comment tie)
+ (STOP)
+ (LABEL O 42) (comment epsilon)
+ (KRN O 177 R 0.083) (comment tie)
+ (STOP)
+ (LABEL O 43) (comment theta1)
+ (KRN O 177 R 0.083) (comment tie)
+ (STOP)
+ (LABEL O 44) (comment pi1)
+ (KRN O 177 R 0.055) (comment tie)
+ (STOP)
+ (LABEL O 45) (comment rho1)
+ (KRN O 177 R 0.083) (comment tie)
+ (STOP)
+ (LABEL O 46) (comment sigma1)
+ (KRN O 177 R 0.083) (comment tie)
+ (STOP)
+ (LABEL O 47) (comment phi1)
+ (KRN O 177 R 0.083) (comment tie)
+ (STOP)
+ (LABEL O 75) (comment slash)
+ (KRN O 132 R -0.055) (comment Z)
+ (KRN O 131 R 0.055) (comment Y)
+ (KRN O 116 R -0.055) (comment N)
+ (KRN O 115 R -0.055) (comment M)
+ (KRN O 1 R -0.055) (comment Delta)
+ (KRN O 101 R -0.055) (comment A)
+ (STOP)
+ (LABEL O 100) (comment partialdiff)
+ (KRN O 177 R 0.083) (comment tie)
+ (STOP)
+ (LABEL O 101) (comment A)
+ (KRN O 177 R 0.135) (comment tie)
+ (STOP)
+ (LABEL O 102) (comment B)
+ (KRN O 177 R 0.025) (comment tie)
+ (STOP)
+ (LABEL O 103) (comment C)
+ (KRN O 177 R 0.075) (comment tie)
+ (KRN O 75 R -0.028) (comment slash)
+ (KRN O 72 R -0.055) (comment period)
+ (KRN O 73 R -0.055) (comment comma)
+ (STOP)
+ (LABEL O 104) (comment D)
+ (KRN O 177 R 0.025) (comment tie)
+ (STOP)
+ (LABEL O 105) (comment E)
+ (KRN O 177 R 0.055) (comment tie)
+ (STOP)
+ (LABEL O 106) (comment F)
+ (KRN O 177 R 0.055) (comment tie)
+ (KRN O 75 R -0.055) (comment slash)
+ (KRN O 72 R -0.111) (comment period)
+ (KRN O 73 R -0.111) (comment comma)
+ (STOP)
+ (LABEL O 107) (comment G)
+ (KRN O 177 R 0.075) (comment tie)
+ (STOP)
+ (LABEL O 110) (comment H)
+ (KRN O 177 R 0.055) (comment tie)
+ (KRN O 75 R -0.055) (comment slash)
+ (KRN O 72 R -0.055) (comment period)
+ (KRN O 73 R -0.055) (comment comma)
+ (STOP)
+ (LABEL O 111) (comment I)
+ (KRN O 177 R 0.055) (comment tie)
+ (STOP)
+ (LABEL O 112) (comment J)
+ (KRN O 177 R 0.070) (comment tie)
+ (KRN O 75 R -0.055) (comment slash)
+ (KRN O 72 R -0.111) (comment period)
+ (KRN O 73 R -0.111) (comment comma)
+ (STOP)
+ (LABEL O 113) (comment K)
+ (KRN O 177 R 0.055) (comment tie)
+ (KRN O 75 R -0.055) (comment slash)
+ (KRN O 72 R -0.055) (comment period)
+ (KRN O 73 R -0.055) (comment comma)
+ (STOP)
+ (LABEL O 114) (comment L)
+ (KRN O 177 R -0.055) (comment tie)
+ (STOP)
+ (LABEL O 115) (comment M)
+ (KRN O 177 R 0.075) (comment tie)
+ (KRN O 75 R -0.055) (comment slash)
+ (KRN O 72 R -0.055) (comment period)
+ (KRN O 73 R -0.055) (comment comma)
+ (STOP)
+ (LABEL O 116) (comment N)
+ (KRN O 177 R 0.055) (comment tie)
+ (KRN O 75 R -0.028) (comment slash)
+ (KRN O 72 R -0.055) (comment period)
+ (KRN O 73 R -0.055) (comment comma)
+ (STOP)
+ (LABEL O 117) (comment O)
+ (KRN O 177 R 0.075) (comment tie)
+ (STOP)
+ (LABEL O 120) (comment P)
+ (KRN O 177 R 0.055) (comment tie)
+ (KRN O 75 R -0.055) (comment slash)
+ (KRN O 72 R -0.111) (comment period)
+ (KRN O 73 R -0.111) (comment comma)
+ (STOP)
+ (LABEL O 121) (comment Q)
+ (KRN O 177 R 0.075) (comment tie)
+ (STOP)
+ (LABEL O 123) (comment S)
+ (KRN O 177 R 0.055) (comment tie)
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diff --git a/Master/texmf-dist/doc/fonts/pxfonts/pxmi1.vpl b/Master/texmf-dist/doc/fonts/pxfonts/pxmi1.vpl
new file mode 100644
index 00000000000..21db05a3199
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/pxfonts/pxmi1.vpl
@@ -0,0 +1,1266 @@
+(FAMILY PXMI)
+(CODINGSCHEME CMMIEncoding)
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+ (STRETCH R 0.0)
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+ )
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+ (FONTNAME rpxpplri)
+ (FONTAT R 1.0)
+ (FONTDSIZE R 10.0)
+ )
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+ (FONTNAME pxmia)
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+ (KRN O 73 R -0.111) (comment comma)
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+ (STOP)
+ (LABEL O 3) (comment Lambda)
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+ (STOP)
+ (LABEL O 4) (comment Xi)
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diff --git a/Master/texmf-dist/doc/fonts/qfonts/00czytaj b/Master/texmf-dist/doc/fonts/qfonts/00czytaj
new file mode 100644
index 00000000000..5cb1f1a9d07
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/qfonts/00czytaj
@@ -0,0 +1,644 @@
+% =========================================================================
+Zestaw fontów o nazwie QFONTS jest zmodyfikowaną wersją fontów udostępnionych
+przez firmę URW++, rozpowszechnianych na licencji GNU z programem
+Ghostscript. Zestaw QFONTS dziedziczy licencję GNU General Public License,
+wersja 2 (http://www.gnu.org/licenses/gpl.txt).
+% =========================================================================
+UWAGA: Należy koniecznie przeczytać NOTĘ 2 poniżej.
+% =========================================================================
+
+Zestaw QFONTS zawiera 7 rodzin (w sumie 25 fontów):
+ QuasiBookman (patrz 0readme.qbk)
+ QuasiCourier (patrz 0readme.qcr)
+ QuasiChancery (patrz 0readme.qzc)
+ QuasiSwiss, QuasiSwissCondensed (patrz 0readme.qhv)
+ QuasiPalatino (patrz 0readme.qpl)
+ QuasiTimes (patrz 0readme.qtm)
+
+Każda rodzina może być pobrana i zainstalowana niezależnie, patrz pakiety:
+qbk.zip, qcr.zip, qzc.zip, qhv.zip, qpl.zip, qtm.zip. Archiwum qfnt-tds.zip
+zawiera pełen zestaw QFONTS w układzie kartotek zgodnym z TDS (TeX Directory
+Structure).
+
+Każdy z pakietów zawiera następujące pliki:
+ *.pfb -- fonty w binarnym formacie Adobe Type 1
+ *.afm -- tekstowe pliki metryczne (Adobe metric file)
+ *.pfm -- binarne pliki metryczne (printer metric file; niezbędne dla
+ instalacji fontów w systemie Windows wyposażonym w program
+ Adobe Type Manager)
+ *.tfm -- pliki metryczny dla systemu TeX (TeX metric file)
+ *.enc -- plik przekodowania dla sterownika dvips (encoding file)
+ config.*, *.map -- pliki konfiguracyjne dla sterownika dvips
+ *.fd, *.sty -- pliki makr i definicji dla formatu LaTeX 2e
+ *.tex -- przykłady użycia fontów dla formatu LaTeX 2e
+
+Proponowane rozmieszczenie plików fontowych w strukturze katalogów TDS:
+ texmf/fonts/afm/public/qfonts/*.afm
+ texmf/fonts/tfm/public/qfonts/*.tfm
+ texmf/fonts/type1/public/qfonts/*.pfb *.pfm
+ texmf/fonts/ttf/public/qfonts/*.ttf
+ texmf/dvips/qfonts/*.map *.enc config.*
+ texmf/tex/latex/qfonts/*.sty *.fd
+ texmf/doc/fonts/qfonts/*.tex oraz pliki informacyjne
+
+Zawartość plików *.map należy dopisać do pliku
+texmf/dvips/config/psfonts.map (dla sterownika dvips) oraz do pliku
+texmf/pdftex/config/psfonts.map (dla programu pdfTeX).
+Alternatywnie pliki *.map można zadeklarować w odpowiednich plikach
+konfiguracyjnych tych programów (config.*).
+
+NOTA 1: dla użytkowników formatu LaTeX 2e: plik definicyjny qxenc.def
+jest nowszą wersją pliku zawartego w pakiecie platex, wer. 1.2.1.
+
+NOTA 2: w starych plikach psfonts.map wpisy dotyczące fontów
+QuasiSwiss, QuasiPalladio oraz QuasiTimes mogą być nieaktualne. Należy
+to KONIECZNIE sprawdzić i w razie niezgodności zamienić na wpisy zgodne
+z zawartością dostarczonych w tej dystrybucji plików.
+
+
+HISTORIA:
+
+11 maja 2001, wer. 1.06; poprzednie wersje zostały uznane za wstępne
+14 stycznia 2002, wer. 1.07; zmiany związane z wprowadzeniem układu QX 0.05
+1 marca 2002, wer. 1.07; jedyna zmiana: wygenerowano poprawne pliki *.pfm
+
+KONTAKT:
+ Uwagi i komentarze prosimy kierować pod adresem:
+ Bogusław Jackowski, Janusz M. Nowacki, Piotr Strzelczyk
+ <JNSteam@GUST.org.pl>
+
+
+% =========================================================================
+
+Układ QX obejmuje w istocie dwa kodowania -- dla systemów TeX oraz Windows.
+Układ QX dla systemu TeX bazuje na układzie znanym jako EC (Cork encoding)
+z ukłonem w stronę układu PL, tzn. układu fontów CM uzupełnionego o polskie
+znaki diakrytyczne i cudzysłowy, zaprojektowanego na potrzeby formatu MeX.
+Układ QX dla systemu Windows jest trudnym kompromisem pomiędzy kilkoma
+popularnymi tak zwanymi standardami (jak może współistnieć kilka
+,,standardów''?!).
+
+Układ QX został opracowany przez członków Polskiej Grupy Użytkowników Systemu
+TeX GUST. Zestaw znaków układu QX ma w zamierzeniu wystarczać do składu
+za pomocą systemu TeX tekstów (zwłaszcza technicznych) w większości języków
+europejskich.
+
+Po długiej debacie znaki [tT]cedilla (niewykorzystywane w żadnym
+z europejskich języków, ale z niezrozumiałych przyczyn obecne w wielu
+fontach) zostały w wersji 0.04 układu QX zastąpione przez rumuńskie znaki
+[tT]commaaccent. Konsekwentnie tureckie znaki [sS]cedilla zostały zastąpione
+przez rumuńskie znaki [sS]commaaccent, aczkolwiek zalecane jest pozostawienie
+definicji obwiedni znaków [sS]cedilla w foncie.
+
+Wprowadzenie waluty euro spowodowało dodanie symbolu Euro do układu QX
+(wer. 0.05). Symbolowi temu został przypisany kod 128 zarówno w kodowaniu
+dla systemu TeX, jak i Windows, co jest zgodne z zaleceniem Microsoftu
+(http://www.microsoft.com/typography/faq/faq12.htm):
+
+ The symbol has been added to the following codepages at position
+ '0x80'; 1250 Eastern European, 1252 Western, 1253 Greek, 1254 Turkish,
+ 1257 Baltic, 1255 Hebrew, 1256 Arabic, 1258 Vietnamese, 874 Thai.
+ In 1251 Cyrillic the symbol will be added at position '0x88'.
+
+Niestety skutkiem tego rozszerzenia była konieczność wprowadzenia dalszych
+zmian w kodowaniu QX dla systemu Windows: litewskie znaki [Ii]ogonek
+otrzymały kody 222 i 254 (uprzednio 128 i 144); znaki [Tt]horn, mające
+przedtem te kody, zostały usunięte. Zalecane jest pozostawienie definicji
+kształtów znaków [Tt]horn w foncie.
+
+Przy okazji zmian wprowadzona została nazwa f_k dla (niestandardowej)
+ligatury fk, zgodnie z zaleceniem Adobe:
+http://partners.adobe.com/asn/developer/typeforum/unicodegn.html
+
+
+Poniżej zamieszczamy porównanie układu QX (wer. 0.05) z innymi układami
+znaków, szeroko stosowanymi w systemach okienkowych i w systemie TeX.
+
+% =========================================================================
+% PORÓWNANIE KODOWAŃ ZNAKÓW W SYSTEMIE TeX
+% =========================================================================
+% KOD CM EC PL QX wer. 0.05
+% =========================================================================
+ 0 00 Gamma grave Gamma alpha
+ 1 01 Delta acute Delta Delta
+ 2 02 Theta circumflex Theta beta
+ 3 03 Lambda tilde Lambda delta
+ 4 04 Xi dieresis Xi pi
+ 5 05 Pi hungarumlaut Pi Pi
+ 6 06 Sigma ring Sigma Sigma
+ 7 07 Upsilon caron Upsilon mu
+ 8 08 Phi breve Phi ellipsis
+ 9 09 Psi macron Psi f_k
+ 10 0A Omega dotaccent Omega Omega
+ 11 0B ff cedilla ff ff
+ 12 0C fi ogonek fi fi
+ 13 0D fl quotesinglbase fl fl
+ 14 0E ffi guilsinglleft ffi ffi
+ 15 0F ffl guilsinglright ffl ffl
+ 16 10 dotlessi quotedblleft dotlessi dotlessi
+ 17 11 dotlessj quotedblright dotlessj dotlessj
+ 18 12 grave quotedblbase grave grave
+ 19 13 acute guillemotleft acute acute
+ 20 14 caron guillemotright caron caron
+ 21 15 breve endash breve breve
+ 22 16 macron emdash macron macron
+ 23 17 ring compoundwordmark ring ring
+ 24 18 cedilla perthousand cedilla cedilla
+ 25 19 germandbls dotlessi germandbls germandbls
+ 26 1A ae dotlessj ae ae
+ 27 1B oe ff oe oe
+ 28 1C oslash fi oslash oslash
+ 29 1D AE fl AE AE
+ 30 1E OE ffi OE OE
+ 31 1F Oslash ffl Oslash Oslash
+ 32 20 suppress visualspace ogonek space
+ 33 21 exclam exclam exclam exclam
+ 34 22 quotedblright quotedbl quotedblright quotedblright
+ 35 23 numbersign numbersign numbersign numbersign
+ 36 24 dollar dollar dollar dollar
+ 37 25 percent percent percent percent
+ 38 26 ampersand ampersand ampersand ampersand
+ 39 27 quoteright quoteright quoteright quoteright
+ 40 28 parenleft parenleft parenleft parenleft
+ 41 29 parenright parenright parenright parenright
+ 42 2A asterisk asterisk asterisk asterisk
+ 43 2B plus plus plus plus
+ 44 2C comma comma comma comma
+ 45 2D hyphen hyphen hyphen hyphen
+ 46 2E period period period period
+ 47 2F slash slash slash slash
+ 48 30 zero zero zero zero
+ 49 31 one one one one
+ 50 32 two two two two
+ 51 33 three three three three
+ 52 34 four four four four
+ 53 35 five five five five
+ 54 36 six six six six
+ 55 37 seven seven seven seven
+ 56 38 eight eight eight eight
+ 57 39 nine nine nine nine
+ 58 3A colon colon colon colon
+ 59 3B semicolon semicolon semicolon semicolon
+ 60 3C exclamdown less exclamdown exclamdown
+ 61 3D equal equal equal equal
+ 62 3E questiondown greater questiondown questiondown
+ 63 3F question question question question
+ 64 40 at at at at
+ 65 41 A A A A
+ 66 42 B B B B
+ 67 43 C C C C
+ 68 44 D D D D
+ 69 45 E E E E
+ 70 46 F F F F
+ 71 47 G G G G
+ 72 48 H H H H
+ 73 49 I I I I
+ 74 4A J J J J
+ 75 4B K K K K
+ 76 4C L L L L
+ 77 4D M M M M
+ 78 4E N N N N
+ 79 4F O O O O
+ 80 50 P P P P
+ 81 51 Q Q Q Q
+ 82 52 R R R R
+ 83 53 S S S S
+ 84 54 T T T T
+ 85 55 U U U U
+ 86 56 V V V V
+ 87 57 W W W W
+ 88 58 X X X X
+ 89 59 Y Y Y Y
+ 90 5A Z Z Z Z
+ 91 5B bracketleft bracketleft bracketleft bracketleft
+ 92 5C quotedblleft backslash quotedblleft quotedblleft
+ 93 5D bracketright bracketright bracketright bracketright
+ 94 5E circumflex asciicircum circumflex circumflex
+ 95 5F dotaccent underscore dotaccent dotaccent
+ 96 60 quoteleft quoteleft quoteleft quoteleft
+ 97 61 a a a a
+ 98 62 b b b b
+ 99 63 c c c c
+100 64 d d d d
+101 65 e e e e
+102 66 f f f f
+103 67 g g g g
+104 68 h h h h
+105 69 i i i i
+106 6A j j j j
+107 6B k k k k
+108 6C l l l l
+109 6D m m m m
+110 6E n n n n
+111 6F o o o o
+112 70 p p p p
+113 71 q q q q
+114 72 r r r r
+115 73 s s s s
+116 74 t t t t
+117 75 u u u u
+118 76 v v v v
+119 77 w w w w
+120 78 x x x x
+121 79 y y y y
+122 7A z z z z
+123 7B endash braceleft endash endash
+124 7C emdash bar emdash emdash
+125 7D hungarumlaut braceright hungarumlaut hungarumlaut
+126 7E tilde asciitilde tilde tilde
+127 7F dieresis hyphen dieresis dieresis
+128 80 @ Abreve @ Euro
+129 81 @ Aogonek Aogonek Aogonek
+130 82 @ Cacute Cacute Cacute
+131 83 @ Ccaron @ greater
+132 84 @ Dcaron @ greaterequal
+133 85 @ Ecaron @ approxequal
+134 86 @ Eogonek Eogonek Eogonek
+135 87 @ Gbreve @ Iogonek
+136 88 @ Lacute @ less
+137 89 @ Lquoteright @ lessequal
+138 8A @ Lslash Lslash Lslash
+139 8B @ Nacute Nacute Nacute
+140 8C @ Ncaron @ asciitilde
+141 8D @ Eng @ asciicircum
+142 8E @ Ohungarumlaut @ ell
+143 8F @ Racute @ dagger
+144 90 @ Rcaron @ daggerdbl
+145 91 @ Sacute Sacute Sacute
+146 92 @ Scaron @ Scaron
+147 93 @ Scedilla @ Scommaaccent
+148 94 @ Tcaron @ degree
+149 95 @ Tcedilla @ Tcommaaccent
+150 96 @ Uhungarumlaut @ ogonek
+151 97 @ Uring @ Uogonek
+152 98 @ Ydieresis @ Ydieresis
+153 99 @ Zacute Zacute Zacute
+154 9A @ Zcaron @ Zcaron
+155 9B @ Zdotaccent Zdotaccent Zdotaccent
+156 9C @ IJ @ @
+157 9D @ Idotaccent @ braceleft
+158 9E @ dbar @ braceright
+159 9F @ section @ section
+160 A0 @ abreve @ @
+161 A1 @ aogonek aogonek aogonek
+162 A2 @ cacute cacute cacute
+163 A3 @ ccaron @ registered
+164 A4 @ dquoteright @ copyright
+165 A5 @ ecaron @ divide
+166 A6 @ eogonek eogonek eogonek
+167 A7 @ gbreve @ iogonek
+168 A8 @ lacute @ minus
+169 A9 @ lquoteright @ multiply
+170 AA @ lslash lslash lslash
+171 AB @ nacute nacute nacute
+172 AC @ ncaron @ plusminus
+173 AD @ eng @ infinity
+174 AE @ ohungarumlaut guillemotleft guillemotleft
+175 AF @ racute guillemotright guillemotright
+176 B0 @ rcaron @ paragraph
+177 B1 @ sacute sacute sacute
+178 B2 @ scaron @ scaron
+179 B3 @ scedilla @ scommaaccent
+180 B4 @ tquoteright @ bullet
+181 B5 @ tcedilla @ tcommaaccent
+182 B6 @ uhungarumlaut @ @
+183 B7 @ uring @ uogonek
+184 B8 @ ydieresis @ ydieresis
+185 B9 @ zacute zacute zacute
+186 BA @ zcaron @ zcaron
+187 BB @ zdotaccent zdotaccent zdotaccent
+188 BC @ ij @ @
+189 BD @ exclamdown @ periodcentered
+190 BE @ questiondown @ quotedbl
+191 BF @ sterling @ quotesingle
+192 C0 @ Agrave @ Agrave
+193 C1 @ Aacute @ Aacute
+194 C2 @ Acircumflex @ Acircumflex
+195 C3 @ Atilde @ Atilde
+196 C4 @ Adieresis @ Adieresis
+197 C5 @ Aring @ Aring
+198 C6 @ AE @ backslash
+199 C7 @ Ccedilla @ Ccedilla
+200 C8 @ Egrave @ Egrave
+201 C9 @ Eacute @ Eacute
+202 CA @ Ecircumflex @ Ecircumflex
+203 CB @ Edieresis @ Edieresis
+204 CC @ Igrave @ Igrave
+205 CD @ Iacute @ Iacute
+206 CE @ Icircumflex @ Icircumflex
+207 CF @ Idieresis @ Idieresis
+208 D0 @ Eth @ Eth
+209 D1 @ Ntilde @ Ntilde
+210 D2 @ Ograve @ Ograve
+211 D3 @ Oacute Oacute Oacute
+212 D4 @ Ocircumflex @ Ocircumflex
+213 D5 @ Otilde @ Otilde
+214 D6 @ Odieresis @ Odieresis
+215 D7 @ OE @ currency
+216 D8 @ Oslash @ perthousand
+217 D9 @ Ugrave @ Ugrave
+218 DA @ Uacute @ Uacute
+219 DB @ Ucircumflex @ Ucircumflex
+220 DC @ Udieresis @ Udieresis
+221 DD @ Yacute @ Yacute
+222 DE @ Thorn @ Thorn
+223 DF @ Germandbls @ bar
+224 E0 @ agrave @ agrave
+225 E1 @ aacute @ aacute
+226 E2 @ acircumflex @ acircumflex
+227 E3 @ atilde @ atilde
+228 E4 @ adieresis @ adieresis
+229 E5 @ aring @ aring
+230 E6 @ ae @ underscore
+231 E7 @ ccedilla @ ccedilla
+232 E8 @ egrave @ egrave
+233 E9 @ eacute @ eacute
+234 EA @ ecircumflex @ ecircumflex
+235 EB @ edieresis @ edieresis
+236 EC @ igrave @ igrave
+237 ED @ iacute @ iacute
+238 EE @ icircumflex @ icircumflex
+239 EF @ idieresis @ idieresis
+240 F0 @ eth @ eth
+241 F1 @ ntilde @ ntilde
+242 F2 @ ograve @ ograve
+243 F3 @ oacute oacute oacute
+244 F4 @ ocircumflex @ ocircumflex
+245 F5 @ otilde @ otilde
+246 F6 @ odieresis @ odieresis
+247 F7 @ oe @ anglearc
+248 F8 @ oslash @ diameter
+249 F9 @ ugrave @ ugrave
+250 FA @ uacute @ uacute
+251 FB @ ucircumflex @ ucircumflex
+252 FC @ udieresis @ udieresis
+253 FD @ yacute @ yacute
+254 FE @ thorn @ thorn
+255 FF @ germandbls quotedblbase quotedblbase
+% =========================================================================
+
+
+% =========================================================
+% PORÓWNANIE KODOWAŃ ZNAKÓW W SYSTEMACH OKIENKOWYCH
+% =========================================================
+% KOD NEW ANSI (0--127) Macintosh QX wer. 0.05
+% + CODE PAGE 1250 PLEURO
+% =========================================================
+ 0 00 @ @ @
+ 1 01 @ @ acute
+ 2 02 @ @ circumflex
+ 3 03 @ @ cedilla
+ 4 04 @ @ dieresis
+ 5 05 @ @ breve
+ 6 06 @ @ dotaccent
+ 7 07 @ @ macron
+ 8 08 @ @ ring
+ 9 09 @ @ @
+ 10 0A @ @ hungarumlaut
+ 11 0B @ @ ogonek
+ 12 0C @ @ caron
+ 13 0D @ @ @
+ 14 0E @ @ dotlessi
+ 15 0F @ @ dotlessj
+ 16 10 @ @ tilde
+ 17 11 @ @ ff
+ 18 12 @ @ ffi
+ 19 13 @ @ ffl
+ 20 14 @ @ f_k
+ 21 15 @ @ approxequal
+ 22 16 @ @ ell
+ 23 17 @ @ infinity
+ 24 18 @ @ alpha
+ 25 19 @ @ beta
+ 26 1A @ @ delta
+ 27 1B @ @ pi
+ 28 1C @ @ Delta
+ 29 1D @ @ Pi
+ 30 1E @ @ Sigma
+ 31 1F @ @ Omega
+ 32 20 space space space
+ 33 21 exclam exclam exclam
+ 34 22 quotedbl quotedbl quotedbl
+ 35 23 numbersign numbersign numbersign
+ 36 24 dollar dollar dollar
+ 37 25 percent percent percent
+ 38 26 ampersand ampersand ampersand
+ 39 27 quotesingle quotesingle quotesingle
+ 40 28 parenleft parenleft parenleft
+ 41 29 parenright parenright parenright
+ 42 2A asterisk asterisk asterisk
+ 43 2B plus plus plus
+ 44 2C comma comma comma
+ 45 2D hyphen hyphen hyphen
+ 46 2E period period period
+ 47 2F slash slash slash
+ 48 30 zero zero zero
+ 49 31 one one one
+ 50 32 two two two
+ 51 33 three three three
+ 52 34 four four four
+ 53 35 five five five
+ 54 36 six six six
+ 55 37 seven seven seven
+ 56 38 eight eight eight
+ 57 39 nine nine nine
+ 58 3A colon colon colon
+ 59 3B semicolon semicolon semicolon
+ 60 3C less less less
+ 61 3D equal equal equal
+ 62 3E greater greater greater
+ 63 3F question question question
+ 64 40 at at at
+ 65 41 A A A
+ 66 42 B B B
+ 67 43 C C C
+ 68 44 D D D
+ 69 45 E E E
+ 70 46 F F F
+ 71 47 G G G
+ 72 48 H H H
+ 73 49 I I I
+ 74 4A J J J
+ 75 4B K K K
+ 76 4C L L L
+ 77 4D M M M
+ 78 4E N N N
+ 79 4F O O O
+ 80 50 P P P
+ 81 51 Q Q Q
+ 82 52 R R R
+ 83 53 S S S
+ 84 54 T T T
+ 85 55 U U U
+ 86 56 V V V
+ 87 57 W W W
+ 88 58 X X X
+ 89 59 Y Y Y
+ 90 5A Z Z Z
+ 91 5B bracketleft bracketleft bracketleft
+ 92 5C backslash backslash backslash
+ 93 5D bracketright bracketright bracketright
+ 94 5E asciicircum asciicircum asciicircum
+ 95 5F underscore underscore underscore
+ 96 60 grave grave grave
+ 97 61 a a a
+ 98 62 b b b
+ 99 63 c c c
+100 64 d d d
+101 65 e e e
+102 66 f f f
+103 67 g g g
+104 68 h h h
+105 69 i i i
+106 6A j j j
+107 6B k k k
+108 6C l l l
+109 6D m m m
+110 6E n n n
+111 6F o o o
+112 70 p p p
+113 71 q q q
+114 72 r r r
+115 73 s s s
+116 74 t t t
+117 75 u u u
+118 76 v v v
+119 77 w w w
+120 78 x x x
+121 79 y y y
+122 7A z z z
+123 7B braceleft braceleft braceleft
+124 7C bar bar bar
+125 7D braceright braceright braceright
+126 7E asciitilde asciitilde asciitilde
+127 7F @ @ @
+128 80 Euro @ Euro
+129 81 @ @ fi
+130 82 quotesinglbase quotesinglbase fl
+131 83 @ Ydieresis Ydieresis
+132 84 quotedblbase quotedblbase quotedblbase
+133 85 ellipsis ellipsis ellipsis
+134 86 dagger dagger dagger
+135 87 daggerdbl daggerdbl daggerdbl
+136 88 @ Ecircumflex Ecircumflex
+137 89 perthousand perthousand perthousand
+138 8A Scaron Scaron Scaron
+139 8B guilsinglleft guilsinglleft Scommaaccent
+140 8C Sacute Sacute Sacute
+141 8D Tcaron OE OE
+142 8E Zcaron Zcaron Zcaron
+143 8F Zacute Zacute Zacute
+144 90 @ @ @
+145 91 quoteleft quoteleft quoteleft
+146 92 quoteright quoteright quoteright
+147 93 quotedblleft quotedblleft quotedblleft
+148 94 quotedblright quotedblright quotedblright
+149 95 bullet bullet bullet
+150 96 endash endash endash
+151 97 emdash emdash emdash
+152 98 @ ecircumflex ecircumflex
+153 99 trademark trademark anglearc
+154 9A scaron scaron scaron
+155 9B guilsinglright guilsinglright scommaaccent
+156 9C sacute sacute sacute
+157 9D tquoteright oe oe
+158 9E zcaron zcaron zcaron
+159 9F zacute zacute zacute
+160 A0 @ nbspace nbspace
+161 A1 caron exclamdown exclamdown
+162 A2 breve questiondown questiondown
+163 A3 Lslash Lslash Lslash
+164 A4 currency currency currency
+165 A5 Aogonek Aogonek Aogonek
+166 A6 brokenbar brokenbar diameter
+167 A7 section section section
+168 A8 dieresis dieresis Uogonek
+169 A9 copyright copyright copyright
+170 AA Scedilla AE AE
+171 AB guillemotleft guillemotleft guillemotleft
+172 AC logicalnot Ntilde Ntilde
+173 AD hyphen minus minus
+174 AE registered registered registered
+175 AF Zdotaccent Zdotaccent Zdotaccent
+176 B0 degree degree degree
+177 B1 plusminus plusminus plusminus
+178 B2 ogonek twosuperior lessequal
+179 B3 lslash lslash lslash
+180 B4 acute acute greaterequal
+181 B5 mu mu mu
+182 B6 paragraph paragraph paragraph
+183 B7 periodcentered periodcentered periodcentered
+184 B8 cedilla @ uogonek
+185 B9 aogonek aogonek aogonek
+186 BA scedilla ae ae
+187 BB guillemotright guillemotright guillemotright
+188 BC Lquoteright ntilde ntilde
+189 BD hungarumlaut onehalf Tcommaaccent
+190 BE lquoteright threequarters tcommaaccent
+191 BF zdotaccent zdotaccent zdotaccent
+192 C0 Racute Agrave Agrave
+193 C1 Aacute Aacute Aacute
+194 C2 Acircumflex Acircumflex Acircumflex
+195 C3 Abreve Atilde Atilde
+196 C4 Adieresis Adieresis Adieresis
+197 C5 Lacute Aring Aring
+198 C6 Cacute Cacute Cacute
+199 C7 Ccedilla Ccedilla Ccedilla
+200 C8 Ccaron Egrave Egrave
+201 C9 Eacute Eacute Eacute
+202 CA Eogonek Eogonek Eogonek
+203 CB Edieresis Edieresis Edieresis
+204 CC Ecaron Igrave Igrave
+205 CD Iacute Iacute Iacute
+206 CE Icircumflex Icircumflex Icircumflex
+207 CF Dcaron Idieresis Idieresis
+208 D0 Eth Eth Eth
+209 D1 Nacute Nacute Nacute
+210 D2 Ncaron Ograve Ograve
+211 D3 Oacute Oacute Oacute
+212 D4 Ocircumflex Ocircumflex Ocircumflex
+213 D5 Ohungarumlaut Otilde Otilde
+214 D6 Odieresis Odieresis Odieresis
+215 D7 multiply multiply multiply
+216 D8 Rcaron Oslash Oslash
+217 D9 Uring Ugrave Ugrave
+218 DA Uacute Uacute Uacute
+219 DB Uhungarumlaut Ucircumflex Ucircumflex
+220 DC Udieresis Udieresis Udieresis
+221 DD Yacute Yacute Yacute
+222 DE Tcedilla Thorn Iogonek
+223 DF germandbls germandbls germandbls
+224 E0 racute agrave agrave
+225 E1 aacute aacute aacute
+226 E2 acircumflex acircumflex acircumflex
+227 E3 abreve atilde atilde
+228 E4 adieresis adieresis adieresis
+229 E5 lacute aring aring
+230 E6 cacute cacute cacute
+231 E7 ccedilla ccedilla ccedilla
+232 E8 ccaron egrave egrave
+233 E9 eacute eacute eacute
+234 EA eogonek eogonek eogonek
+235 EB edieresis edieresis edieresis
+236 EC ecaron igrave igrave
+237 ED iacute iacute iacute
+238 EE icircumflex icircumflex icircumflex
+239 EF dquoteright idieresis idieresis
+240 F0 dbar eth eth
+241 F1 nacute nacute nacute
+242 F2 ncaron ograve ograve
+243 F3 oacute oacute oacute
+244 F4 ocircumflex ocircumflex ocircumflex
+245 F5 ohungarumlaut otilde otilde
+246 F6 odieresis odieresis odieresis
+247 F7 divide divide divide
+248 F8 rcaron oslash oslash
+249 F9 uring ugrave ugrave
+250 FA uacute uacute uacute
+251 FB uhungarumlaut ucircumflex ucircumflex
+252 FC udieresis udieresis udieresis
+253 FD yacute yacute yacute
+254 FE tcedilla thorn iogonek
+255 FF dotaccent ydieresis ydieresis
+% =========================================================
+
diff --git a/Master/texmf-dist/doc/fonts/qfonts/00readme b/Master/texmf-dist/doc/fonts/qfonts/00readme
new file mode 100644
index 00000000000..c5ae0eb2ebd
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/qfonts/00readme
@@ -0,0 +1,636 @@
+% =========================================================================
+The QFONTS are based on URW++ fonts distributed with the Ghostscript program.
+They are copyrighted but free according to the conditions of the GNU
+General Public License, version 2 (http://www.gnu.org/licenses/gpl.txt).
+% =========================================================================
+WARNING: you should carefully read the NOTE 2 below.
+% =========================================================================
+
+The set of QFONTS consists of 7 families (altogether 25 fonts):
+ QuasiBookman (see 0readme.qbk)
+ QuasiCourier (see 0readme.qcr)
+ QuasiChancery (see 0readme.qzc)
+ QuasiSwiss, QuasiSwissCondensed (see 0readme.qhv)
+ QuasiPalatino (see 0readme.qpl)
+ QuasiTimes (see 0readme.qtm)
+
+Every font family can be downloaded and installed separately, see the
+respective packages: qbk.zip, qcr.zip, qzc.zip, qhv.zip, qpl.zip, qtm.zip.
+qfnt-tds.zip contains the full set of QFONTS arranged according to the TeX
+Directory Structure (TDS).
+
+Every font family consists of the following files:
+ *.pfb -- Adobe Type 1 binary files
+ *.afm -- Adobe metric files
+ *.pfm -- printer metric files, for installing in Windows equipped
+ with Adobe Type Manager
+ *.tfm -- TeX metric files, for using with TeX
+ *.enc -- encoding file, for dvips driver
+ config.*, *.map -- supplementary files for dvips
+ *.fd, *.sty -- supplementary files for LaTeX 2e
+ *.tex -- examples of use for LaTeX 2e
+
+Suggested placement of font and font-related files in the TDS tree:
+ texmf/fonts/afm/public/qfonts/*.afm
+ texmf/fonts/tfm/public/qfonts/*.tfm
+ texmf/fonts/type1/public/qfonts/*.pfb *.pfm
+ texmf/fonts/ttf/public/qfonts/*.ttf
+ texmf/dvips/qfonts/*.map *.enc config.*
+ texmf/tex/latex/qfonts/*.sty *.fd
+ texmf/doc/fonts/qfonts/*.tex and readme files
+
+The contents of *.map files should be appended to
+texmf/dvips/config/psfonts.map (for dvips) and to
+texmf/pdftex/config/psfonts.map (for pdfTeX),
+or declared in the respective config files for both programs.
+
+NOTE 1: for LaTeX 2e users: qxenc.def auxiliary file, distributed separately,
+should update the same file contained in the platex package, ver. 1.2.1.
+
+NOTE 2: in older versions of psfonts.map files, the entries concerning
+families QuasiSwiss, QuasiPalladio, and QuasiTimes can be out of date;
+you should CHECK them and replace them, if necessary, with the entries
+enclosed in the current package.
+
+HISTORY:
+
+11th May 2001, ver. 1.06; previous versions should be considered preliminary.
+14th January 2002, ver. 1.07; changes due to introducing QX 0.05
+1st March 2002, ver. 1.07; only .pfm files corrected
+
+CONTACT:
+ Comments, remarks and bug reports please send to:
+ Bogus\l{}aw Jackowski, Janusz M. Nowacki, Piotr Strzelczyk
+ <JNSteam@GUST.org.pl>
+
+
+% =========================================================================
+
+QX layout for TeX is based on EC encoding (Cork Encoding) with a bow
+towards PL layout (i.e., CM layout equipped with Polish diacritical
+characters, to be used with the Polish version of plain, MeX), while QX
+layout for Windows is a difficult compromise between several so-called
+standards (how several ``standards'' can co-exist?!). QX layout has been
+worked out by the Polish TeX Users Group GUST. The character set of the QX
+layout should suffice to typeset texts (using TeX) in most European
+languages.
+
+After a long debate, we decided (in ver. 0.04 of the QX layout) to replace
+omnipresent but actually nonexistent [tT]cedilla by Romanian [tT]commaaccent;
+censequently, Turkish [sS]cedilla was replaced by [sS]commaaccent (still we
+would recommend to keep the glyph of a [sS]cedilla character in a font).
+
+Under the pressure from euro currency funs, we moreover included an
+Euro symbol (in ver. 0.05 of the QX layout). We assigned the slot
+128 for it complying with Microsoft proposal for non-cyrillic fonts
+(http://www.microsoft.com/typography/faq/faq12.htm):
+
+ The symbol has been added to the following codepages at position
+ '0x80'; 1250 Eastern European, 1252 Western, 1253 Greek, 1254 Turkish,
+ 1257 Baltic, 1255 Hebrew, 1256 Arabic, 1258 Vietnamese, 874 Thai.
+ In 1251 Cyrillic the symbol will be added at position '0x88'.
+
+Therefore, we had to do something with a Lithuanian Iogonek character that
+previously had occupied this slot. We decided to remove Thorn (222, Tcedilla
+in CP 1250) and thorn (254, tcedilla in CP 1250) characters from the Windows
+QX layout (we recommend, as with [sS]cedilla characters, to keep the glyphs
+in a font) and use the freed slots for Iogonek (previously 128) and iogonek
+(previously 144, now free), respectively. The TeX QX layout, fortunately, had
+had the slot 128 already free, hence there was no need for rearrangement.
+
+Finally, we decided to change the name of a (non-standard) ligature
+fk to f_k, complying with Adobe recommendations contained in:
+http://partners.adobe.com/asn/developer/typeforum/unicodegn.html
+
+
+Below you'll find the comparison of basic TeX and Windows layouts with
+the QX one.
+
+% =========================================================================
+% COMPARISON OF TeX LAYOUTS
+% =========================================================================
+% CODE CM EC PL QX ver. 0.05
+% =========================================================================
+ 0 00 Gamma grave Gamma alpha
+ 1 01 Delta acute Delta Delta
+ 2 02 Theta circumflex Theta beta
+ 3 03 Lambda tilde Lambda delta
+ 4 04 Xi dieresis Xi pi
+ 5 05 Pi hungarumlaut Pi Pi
+ 6 06 Sigma ring Sigma Sigma
+ 7 07 Upsilon caron Upsilon mu
+ 8 08 Phi breve Phi ellipsis
+ 9 09 Psi macron Psi f_k
+ 10 0A Omega dotaccent Omega Omega
+ 11 0B ff cedilla ff ff
+ 12 0C fi ogonek fi fi
+ 13 0D fl quotesinglbase fl fl
+ 14 0E ffi guilsinglleft ffi ffi
+ 15 0F ffl guilsinglright ffl ffl
+ 16 10 dotlessi quotedblleft dotlessi dotlessi
+ 17 11 dotlessj quotedblright dotlessj dotlessj
+ 18 12 grave quotedblbase grave grave
+ 19 13 acute guillemotleft acute acute
+ 20 14 caron guillemotright caron caron
+ 21 15 breve endash breve breve
+ 22 16 macron emdash macron macron
+ 23 17 ring compoundwordmark ring ring
+ 24 18 cedilla perthousand cedilla cedilla
+ 25 19 germandbls dotlessi germandbls germandbls
+ 26 1A ae dotlessj ae ae
+ 27 1B oe ff oe oe
+ 28 1C oslash fi oslash oslash
+ 29 1D AE fl AE AE
+ 30 1E OE ffi OE OE
+ 31 1F Oslash ffl Oslash Oslash
+ 32 20 suppress visualspace ogonek space
+ 33 21 exclam exclam exclam exclam
+ 34 22 quotedblright quotedbl quotedblright quotedblright
+ 35 23 numbersign numbersign numbersign numbersign
+ 36 24 dollar dollar dollar dollar
+ 37 25 percent percent percent percent
+ 38 26 ampersand ampersand ampersand ampersand
+ 39 27 quoteright quoteright quoteright quoteright
+ 40 28 parenleft parenleft parenleft parenleft
+ 41 29 parenright parenright parenright parenright
+ 42 2A asterisk asterisk asterisk asterisk
+ 43 2B plus plus plus plus
+ 44 2C comma comma comma comma
+ 45 2D hyphen hyphen hyphen hyphen
+ 46 2E period period period period
+ 47 2F slash slash slash slash
+ 48 30 zero zero zero zero
+ 49 31 one one one one
+ 50 32 two two two two
+ 51 33 three three three three
+ 52 34 four four four four
+ 53 35 five five five five
+ 54 36 six six six six
+ 55 37 seven seven seven seven
+ 56 38 eight eight eight eight
+ 57 39 nine nine nine nine
+ 58 3A colon colon colon colon
+ 59 3B semicolon semicolon semicolon semicolon
+ 60 3C exclamdown less exclamdown exclamdown
+ 61 3D equal equal equal equal
+ 62 3E questiondown greater questiondown questiondown
+ 63 3F question question question question
+ 64 40 at at at at
+ 65 41 A A A A
+ 66 42 B B B B
+ 67 43 C C C C
+ 68 44 D D D D
+ 69 45 E E E E
+ 70 46 F F F F
+ 71 47 G G G G
+ 72 48 H H H H
+ 73 49 I I I I
+ 74 4A J J J J
+ 75 4B K K K K
+ 76 4C L L L L
+ 77 4D M M M M
+ 78 4E N N N N
+ 79 4F O O O O
+ 80 50 P P P P
+ 81 51 Q Q Q Q
+ 82 52 R R R R
+ 83 53 S S S S
+ 84 54 T T T T
+ 85 55 U U U U
+ 86 56 V V V V
+ 87 57 W W W W
+ 88 58 X X X X
+ 89 59 Y Y Y Y
+ 90 5A Z Z Z Z
+ 91 5B bracketleft bracketleft bracketleft bracketleft
+ 92 5C quotedblleft backslash quotedblleft quotedblleft
+ 93 5D bracketright bracketright bracketright bracketright
+ 94 5E circumflex asciicircum circumflex circumflex
+ 95 5F dotaccent underscore dotaccent dotaccent
+ 96 60 quoteleft quoteleft quoteleft quoteleft
+ 97 61 a a a a
+ 98 62 b b b b
+ 99 63 c c c c
+100 64 d d d d
+101 65 e e e e
+102 66 f f f f
+103 67 g g g g
+104 68 h h h h
+105 69 i i i i
+106 6A j j j j
+107 6B k k k k
+108 6C l l l l
+109 6D m m m m
+110 6E n n n n
+111 6F o o o o
+112 70 p p p p
+113 71 q q q q
+114 72 r r r r
+115 73 s s s s
+116 74 t t t t
+117 75 u u u u
+118 76 v v v v
+119 77 w w w w
+120 78 x x x x
+121 79 y y y y
+122 7A z z z z
+123 7B endash braceleft endash endash
+124 7C emdash bar emdash emdash
+125 7D hungarumlaut braceright hungarumlaut hungarumlaut
+126 7E tilde asciitilde tilde tilde
+127 7F dieresis hyphen dieresis dieresis
+128 80 @ Abreve @ Euro
+129 81 @ Aogonek Aogonek Aogonek
+130 82 @ Cacute Cacute Cacute
+131 83 @ Ccaron @ greater
+132 84 @ Dcaron @ greaterequal
+133 85 @ Ecaron @ approxequal
+134 86 @ Eogonek Eogonek Eogonek
+135 87 @ Gbreve @ Iogonek
+136 88 @ Lacute @ less
+137 89 @ Lquoteright @ lessequal
+138 8A @ Lslash Lslash Lslash
+139 8B @ Nacute Nacute Nacute
+140 8C @ Ncaron @ asciitilde
+141 8D @ Eng @ asciicircum
+142 8E @ Ohungarumlaut @ ell
+143 8F @ Racute @ dagger
+144 90 @ Rcaron @ daggerdbl
+145 91 @ Sacute Sacute Sacute
+146 92 @ Scaron @ Scaron
+147 93 @ Scedilla @ Scommaaccent
+148 94 @ Tcaron @ degree
+149 95 @ Tcedilla @ Tcommaaccent
+150 96 @ Uhungarumlaut @ ogonek
+151 97 @ Uring @ Uogonek
+152 98 @ Ydieresis @ Ydieresis
+153 99 @ Zacute Zacute Zacute
+154 9A @ Zcaron @ Zcaron
+155 9B @ Zdotaccent Zdotaccent Zdotaccent
+156 9C @ IJ @ @
+157 9D @ Idotaccent @ braceleft
+158 9E @ dbar @ braceright
+159 9F @ section @ section
+160 A0 @ abreve @ @
+161 A1 @ aogonek aogonek aogonek
+162 A2 @ cacute cacute cacute
+163 A3 @ ccaron @ registered
+164 A4 @ dquoteright @ copyright
+165 A5 @ ecaron @ divide
+166 A6 @ eogonek eogonek eogonek
+167 A7 @ gbreve @ iogonek
+168 A8 @ lacute @ minus
+169 A9 @ lquoteright @ multiply
+170 AA @ lslash lslash lslash
+171 AB @ nacute nacute nacute
+172 AC @ ncaron @ plusminus
+173 AD @ eng @ infinity
+174 AE @ ohungarumlaut guillemotleft guillemotleft
+175 AF @ racute guillemotright guillemotright
+176 B0 @ rcaron @ paragraph
+177 B1 @ sacute sacute sacute
+178 B2 @ scaron @ scaron
+179 B3 @ scedilla @ scommaaccent
+180 B4 @ tquoteright @ bullet
+181 B5 @ tcedilla @ tcommaaccent
+182 B6 @ uhungarumlaut @ @
+183 B7 @ uring @ uogonek
+184 B8 @ ydieresis @ ydieresis
+185 B9 @ zacute zacute zacute
+186 BA @ zcaron @ zcaron
+187 BB @ zdotaccent zdotaccent zdotaccent
+188 BC @ ij @ @
+189 BD @ exclamdown @ periodcentered
+190 BE @ questiondown @ quotedbl
+191 BF @ sterling @ quotesingle
+192 C0 @ Agrave @ Agrave
+193 C1 @ Aacute @ Aacute
+194 C2 @ Acircumflex @ Acircumflex
+195 C3 @ Atilde @ Atilde
+196 C4 @ Adieresis @ Adieresis
+197 C5 @ Aring @ Aring
+198 C6 @ AE @ backslash
+199 C7 @ Ccedilla @ Ccedilla
+200 C8 @ Egrave @ Egrave
+201 C9 @ Eacute @ Eacute
+202 CA @ Ecircumflex @ Ecircumflex
+203 CB @ Edieresis @ Edieresis
+204 CC @ Igrave @ Igrave
+205 CD @ Iacute @ Iacute
+206 CE @ Icircumflex @ Icircumflex
+207 CF @ Idieresis @ Idieresis
+208 D0 @ Eth @ Eth
+209 D1 @ Ntilde @ Ntilde
+210 D2 @ Ograve @ Ograve
+211 D3 @ Oacute Oacute Oacute
+212 D4 @ Ocircumflex @ Ocircumflex
+213 D5 @ Otilde @ Otilde
+214 D6 @ Odieresis @ Odieresis
+215 D7 @ OE @ currency
+216 D8 @ Oslash @ perthousand
+217 D9 @ Ugrave @ Ugrave
+218 DA @ Uacute @ Uacute
+219 DB @ Ucircumflex @ Ucircumflex
+220 DC @ Udieresis @ Udieresis
+221 DD @ Yacute @ Yacute
+222 DE @ Thorn @ Thorn
+223 DF @ Germandbls @ bar
+224 E0 @ agrave @ agrave
+225 E1 @ aacute @ aacute
+226 E2 @ acircumflex @ acircumflex
+227 E3 @ atilde @ atilde
+228 E4 @ adieresis @ adieresis
+229 E5 @ aring @ aring
+230 E6 @ ae @ underscore
+231 E7 @ ccedilla @ ccedilla
+232 E8 @ egrave @ egrave
+233 E9 @ eacute @ eacute
+234 EA @ ecircumflex @ ecircumflex
+235 EB @ edieresis @ edieresis
+236 EC @ igrave @ igrave
+237 ED @ iacute @ iacute
+238 EE @ icircumflex @ icircumflex
+239 EF @ idieresis @ idieresis
+240 F0 @ eth @ eth
+241 F1 @ ntilde @ ntilde
+242 F2 @ ograve @ ograve
+243 F3 @ oacute oacute oacute
+244 F4 @ ocircumflex @ ocircumflex
+245 F5 @ otilde @ otilde
+246 F6 @ odieresis @ odieresis
+247 F7 @ oe @ anglearc
+248 F8 @ oslash @ diameter
+249 F9 @ ugrave @ ugrave
+250 FA @ uacute @ uacute
+251 FB @ ucircumflex @ ucircumflex
+252 FC @ udieresis @ udieresis
+253 FD @ yacute @ yacute
+254 FE @ thorn @ thorn
+255 FF @ germandbls quotedblbase quotedblbase
+% =========================================================================
+
+
+% =========================================================
+% COMPARISON OF WINDOWS LAYOUTS
+% =========================================================
+% CODE NEW ANSI (0--127) Macintosh QX ver. 0.05
+% + CODE PAGE 1250 PLEURO
+% =========================================================
+ 0 00 @ @ @
+ 1 01 @ @ acute
+ 2 02 @ @ circumflex
+ 3 03 @ @ cedilla
+ 4 04 @ @ dieresis
+ 5 05 @ @ breve
+ 6 06 @ @ dotaccent
+ 7 07 @ @ macron
+ 8 08 @ @ ring
+ 9 09 @ @ @
+ 10 0A @ @ hungarumlaut
+ 11 0B @ @ ogonek
+ 12 0C @ @ caron
+ 13 0D @ @ @
+ 14 0E @ @ dotlessi
+ 15 0F @ @ dotlessj
+ 16 10 @ @ tilde
+ 17 11 @ @ ff
+ 18 12 @ @ ffi
+ 19 13 @ @ ffl
+ 20 14 @ @ f_k
+ 21 15 @ @ approxequal
+ 22 16 @ @ ell
+ 23 17 @ @ infinity
+ 24 18 @ @ alpha
+ 25 19 @ @ beta
+ 26 1A @ @ delta
+ 27 1B @ @ pi
+ 28 1C @ @ Delta
+ 29 1D @ @ Pi
+ 30 1E @ @ Sigma
+ 31 1F @ @ Omega
+ 32 20 space space space
+ 33 21 exclam exclam exclam
+ 34 22 quotedbl quotedbl quotedbl
+ 35 23 numbersign numbersign numbersign
+ 36 24 dollar dollar dollar
+ 37 25 percent percent percent
+ 38 26 ampersand ampersand ampersand
+ 39 27 quotesingle quotesingle quotesingle
+ 40 28 parenleft parenleft parenleft
+ 41 29 parenright parenright parenright
+ 42 2A asterisk asterisk asterisk
+ 43 2B plus plus plus
+ 44 2C comma comma comma
+ 45 2D hyphen hyphen hyphen
+ 46 2E period period period
+ 47 2F slash slash slash
+ 48 30 zero zero zero
+ 49 31 one one one
+ 50 32 two two two
+ 51 33 three three three
+ 52 34 four four four
+ 53 35 five five five
+ 54 36 six six six
+ 55 37 seven seven seven
+ 56 38 eight eight eight
+ 57 39 nine nine nine
+ 58 3A colon colon colon
+ 59 3B semicolon semicolon semicolon
+ 60 3C less less less
+ 61 3D equal equal equal
+ 62 3E greater greater greater
+ 63 3F question question question
+ 64 40 at at at
+ 65 41 A A A
+ 66 42 B B B
+ 67 43 C C C
+ 68 44 D D D
+ 69 45 E E E
+ 70 46 F F F
+ 71 47 G G G
+ 72 48 H H H
+ 73 49 I I I
+ 74 4A J J J
+ 75 4B K K K
+ 76 4C L L L
+ 77 4D M M M
+ 78 4E N N N
+ 79 4F O O O
+ 80 50 P P P
+ 81 51 Q Q Q
+ 82 52 R R R
+ 83 53 S S S
+ 84 54 T T T
+ 85 55 U U U
+ 86 56 V V V
+ 87 57 W W W
+ 88 58 X X X
+ 89 59 Y Y Y
+ 90 5A Z Z Z
+ 91 5B bracketleft bracketleft bracketleft
+ 92 5C backslash backslash backslash
+ 93 5D bracketright bracketright bracketright
+ 94 5E asciicircum asciicircum asciicircum
+ 95 5F underscore underscore underscore
+ 96 60 grave grave grave
+ 97 61 a a a
+ 98 62 b b b
+ 99 63 c c c
+100 64 d d d
+101 65 e e e
+102 66 f f f
+103 67 g g g
+104 68 h h h
+105 69 i i i
+106 6A j j j
+107 6B k k k
+108 6C l l l
+109 6D m m m
+110 6E n n n
+111 6F o o o
+112 70 p p p
+113 71 q q q
+114 72 r r r
+115 73 s s s
+116 74 t t t
+117 75 u u u
+118 76 v v v
+119 77 w w w
+120 78 x x x
+121 79 y y y
+122 7A z z z
+123 7B braceleft braceleft braceleft
+124 7C bar bar bar
+125 7D braceright braceright braceright
+126 7E asciitilde asciitilde asciitilde
+127 7F @ @ @
+128 80 Euro @ Euro
+129 81 @ @ fi
+130 82 quotesinglbase quotesinglbase fl
+131 83 @ Ydieresis Ydieresis
+132 84 quotedblbase quotedblbase quotedblbase
+133 85 ellipsis ellipsis ellipsis
+134 86 dagger dagger dagger
+135 87 daggerdbl daggerdbl daggerdbl
+136 88 @ Ecircumflex Ecircumflex
+137 89 perthousand perthousand perthousand
+138 8A Scaron Scaron Scaron
+139 8B guilsinglleft guilsinglleft Scommaaccent
+140 8C Sacute Sacute Sacute
+141 8D Tcaron OE OE
+142 8E Zcaron Zcaron Zcaron
+143 8F Zacute Zacute Zacute
+144 90 @ @ @
+145 91 quoteleft quoteleft quoteleft
+146 92 quoteright quoteright quoteright
+147 93 quotedblleft quotedblleft quotedblleft
+148 94 quotedblright quotedblright quotedblright
+149 95 bullet bullet bullet
+150 96 endash endash endash
+151 97 emdash emdash emdash
+152 98 @ ecircumflex ecircumflex
+153 99 trademark trademark anglearc
+154 9A scaron scaron scaron
+155 9B guilsinglright guilsinglright scommaaccent
+156 9C sacute sacute sacute
+157 9D tquoteright oe oe
+158 9E zcaron zcaron zcaron
+159 9F zacute zacute zacute
+160 A0 @ nbspace nbspace
+161 A1 caron exclamdown exclamdown
+162 A2 breve questiondown questiondown
+163 A3 Lslash Lslash Lslash
+164 A4 currency currency currency
+165 A5 Aogonek Aogonek Aogonek
+166 A6 brokenbar brokenbar diameter
+167 A7 section section section
+168 A8 dieresis dieresis Uogonek
+169 A9 copyright copyright copyright
+170 AA Scedilla AE AE
+171 AB guillemotleft guillemotleft guillemotleft
+172 AC logicalnot Ntilde Ntilde
+173 AD hyphen minus minus
+174 AE registered registered registered
+175 AF Zdotaccent Zdotaccent Zdotaccent
+176 B0 degree degree degree
+177 B1 plusminus plusminus plusminus
+178 B2 ogonek twosuperior lessequal
+179 B3 lslash lslash lslash
+180 B4 acute acute greaterequal
+181 B5 mu mu mu
+182 B6 paragraph paragraph paragraph
+183 B7 periodcentered periodcentered periodcentered
+184 B8 cedilla @ uogonek
+185 B9 aogonek aogonek aogonek
+186 BA scedilla ae ae
+187 BB guillemotright guillemotright guillemotright
+188 BC Lquoteright ntilde ntilde
+189 BD hungarumlaut onehalf Tcommaaccent
+190 BE lquoteright threequarters tcommaaccent
+191 BF zdotaccent zdotaccent zdotaccent
+192 C0 Racute Agrave Agrave
+193 C1 Aacute Aacute Aacute
+194 C2 Acircumflex Acircumflex Acircumflex
+195 C3 Abreve Atilde Atilde
+196 C4 Adieresis Adieresis Adieresis
+197 C5 Lacute Aring Aring
+198 C6 Cacute Cacute Cacute
+199 C7 Ccedilla Ccedilla Ccedilla
+200 C8 Ccaron Egrave Egrave
+201 C9 Eacute Eacute Eacute
+202 CA Eogonek Eogonek Eogonek
+203 CB Edieresis Edieresis Edieresis
+204 CC Ecaron Igrave Igrave
+205 CD Iacute Iacute Iacute
+206 CE Icircumflex Icircumflex Icircumflex
+207 CF Dcaron Idieresis Idieresis
+208 D0 Eth Eth Eth
+209 D1 Nacute Nacute Nacute
+210 D2 Ncaron Ograve Ograve
+211 D3 Oacute Oacute Oacute
+212 D4 Ocircumflex Ocircumflex Ocircumflex
+213 D5 Ohungarumlaut Otilde Otilde
+214 D6 Odieresis Odieresis Odieresis
+215 D7 multiply multiply multiply
+216 D8 Rcaron Oslash Oslash
+217 D9 Uring Ugrave Ugrave
+218 DA Uacute Uacute Uacute
+219 DB Uhungarumlaut Ucircumflex Ucircumflex
+220 DC Udieresis Udieresis Udieresis
+221 DD Yacute Yacute Yacute
+222 DE Tcedilla Thorn Iogonek
+223 DF germandbls germandbls germandbls
+224 E0 racute agrave agrave
+225 E1 aacute aacute aacute
+226 E2 acircumflex acircumflex acircumflex
+227 E3 abreve atilde atilde
+228 E4 adieresis adieresis adieresis
+229 E5 lacute aring aring
+230 E6 cacute cacute cacute
+231 E7 ccedilla ccedilla ccedilla
+232 E8 ccaron egrave egrave
+233 E9 eacute eacute eacute
+234 EA eogonek eogonek eogonek
+235 EB edieresis edieresis edieresis
+236 EC ecaron igrave igrave
+237 ED iacute iacute iacute
+238 EE icircumflex icircumflex icircumflex
+239 EF dquoteright idieresis idieresis
+240 F0 dbar eth eth
+241 F1 nacute nacute nacute
+242 F2 ncaron ograve ograve
+243 F3 oacute oacute oacute
+244 F4 ocircumflex ocircumflex ocircumflex
+245 F5 ohungarumlaut otilde otilde
+246 F6 odieresis odieresis odieresis
+247 F7 divide divide divide
+248 F8 rcaron oslash oslash
+249 F9 uring ugrave ugrave
+250 FA uacute uacute uacute
+251 FB uhungarumlaut ucircumflex ucircumflex
+252 FC udieresis udieresis udieresis
+253 FD yacute yacute yacute
+254 FE tcedilla thorn iogonek
+255 FF dotaccent ydieresis ydieresis
+% =========================================================
+
diff --git a/Master/texmf-dist/doc/fonts/qfonts/0readme.qbk b/Master/texmf-dist/doc/fonts/qfonts/0readme.qbk
new file mode 100644
index 00000000000..ec53b6a262d
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/qfonts/0readme.qbk
@@ -0,0 +1,34 @@
+QuasiBookman (1.07)
+The fonts are copyrighted but free according to the conditions of the GNU
+General Public License, version 2 (http://www.gnu.org/licenses/gpl.txt).
+
+EN:
+ The font family URW Bookman L (distributed with Ghostscript under
+ the GNU General Public Licence) augmented complying with QX layout
+ (see 00readme) and modified. The font is based on the original
+ typeface from 19th century, then called Antique Old Style. In 1936
+ Linotype issued it as a metal type. Authors of the modification:
+ Bogus\l{}aw Jackowski, Janusz M. Nowacki and Piotr Strzelczyk.
+ The work was sponsored by the Polish TeX Users Group GUST and
+ the Polish State Committee for Scientific Research. The modified
+ font was renamed to QuasiBookman.
+
+ Comments and remarks please send to:
+ Bogus\l{}aw Jackowski, Janusz M. Nowacki, Piotr Strzelczyk
+ <JNSteam@GUST.org.pl>
+
+PL (iso8859-2):
+ Uzupełniona do układu QX (p. 00readme) i nieco zmodyfikowana rodzina
+ fontów URW Bookman L (z dystrybucji programu Ghostscript, rozpowszechniana
+ na zasadach GNU General Public Licence). Font ten jest wzorowany
+ na piśmie Antique Old Style z XIX wieku, odlany przez firmę Linotype
+ jako Bookman w roku 1936. Autorami modyfikacji są: Bogusław Jackowski,
+ Janusz M. Nowacki i Piotr Strzelczyk. Prace nad adaptacją tego fontu
+ były częściowo sponsorowane przez Polską Grupę Użytkowników
+ Systemu TeX GUST i Komitet Badań Naukowych. Zmodyfikowany font otrzymał
+ nazwę QuasiBookman.
+
+ Uwagi i komentarze prosimy kierować pod adresem:
+ Bogusław Jackowski, Janusz M. Nowacki, Piotr Strzelczyk
+ <JNSteam@GUST.org.pl>
+
diff --git a/Master/texmf-dist/doc/fonts/qfonts/0readme.qcr b/Master/texmf-dist/doc/fonts/qfonts/0readme.qcr
new file mode 100644
index 00000000000..519ae16b116
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/qfonts/0readme.qcr
@@ -0,0 +1,33 @@
+QuasiCourier (1.07)
+The fonts are copyrighted but free according to the conditions of the GNU
+General Public License, version 2 (http://www.gnu.org/licenses/gpl.txt).
+
+EN:
+ The font family Nimbus Mono L (distributed with Ghostscript under
+ the GNU General Public Licence) augmented complying with QX layout
+ (see 00readme) and modified. The font is based on a popular
+ font from IBM golfball typewriters. Authors of the modification:
+ Bogus\l{}aw Jackowski, Janusz M. Nowacki and Piotr Strzelczyk.
+ The work was sponsored by the Polish TeX Users Group GUST and
+ the Polish State Committee for Scientific Research. The modified
+ font was renamed to QuasiCourier.
+
+ Comments and remarks please send to:
+ Bogus\l{}aw Jackowski, Janusz M. Nowacki, Piotr Strzelczyk
+ <JNSteam@GUST.org.pl>
+
+PL (iso8859-2):
+ Uzupełniona do układu QX (p. 00readme) i nieco zmodyfikowana rodzina
+ fontów Nimbus Mono L (z dystrybucji programu Ghostscript, rozpowszechniana
+ na zasadach GNU General Public Licence). Jest to replika popularnego
+ kroju pisma, stosowanego w głowicowych maszynach do pisania firmy IBM.
+ Autorami modyfikacji są: Bogusław Jackowski, Janusz M. Nowacki
+ i Piotr Strzelczyk. Prace nad adaptacją tego fontu były częściowo
+ sponsorowane przez Polską Grupę Użytkowników Systemu TeX GUST
+ i Komitet Badań Naukowych. Zmodyfikowany font otrzymał nazwę
+ QuasiCourier.
+
+ Uwagi i komentarze prosimy kierować pod adresem:
+ Bogusław Jackowski, Janusz M. Nowacki, Piotr Strzelczyk
+ <JNSteam@GUST.org.pl>
+
diff --git a/Master/texmf-dist/doc/fonts/qfonts/0readme.qhv b/Master/texmf-dist/doc/fonts/qfonts/0readme.qhv
new file mode 100644
index 00000000000..ee327d26feb
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/qfonts/0readme.qhv
@@ -0,0 +1,40 @@
+QuasiSwiss, QuasiSwissCondensed (1.07)
+The fonts are copyrighted but free according to the conditions of the GNU
+General Public License, version 2 (http://www.gnu.org/licenses/gpl.txt).
+
+EN:
+ Two font families Nimbus Sans L and Nimbus Sans L Condensed (distributed
+ with Ghostscript under the GNU General Public Licence) augmented complying
+ with QX layout (see 00readme) and modified. The font is equivalent
+ to Helvetica, formerly Neue Haas Grotesk, designed by Alfred Hoffman
+ and Max Miedinger for the Haas typefoundry in 1957. Authors of the
+ modification: Bogus\l{}aw Jackowski, Janusz M. Nowacki and Piotr Strzelczyk.
+ The work was sponsored by the Polish TeX Users Group GUST and
+ the Polish State Committee for Scientific Research. The modified
+ fonts were renamed to QuasiSwiss and QuasiSwissCondensed. The name
+ QuasiHelvetica (used in erlier versions) was abandoned due to
+ copyright issues.
+
+ Comments and remarks please send to:
+ Bogus\l{}aw Jackowski, Janusz M. Nowacki, Piotr Strzelczyk
+ <JNSteam@GUST.org.pl>
+
+PL (iso8859-2):
+ Uzupełnione do układu QX (p. 00readme) i nieco zmodyfikowane dwie
+ rodziny fontów: Nimbus Sans L i Nimbus Sans L Condensed (z dystrybucji
+ programu Ghostscript, rozpowszechniane na zasadach GNU General
+ Public Licence). Nimbus Sans to odpowiednik fontu Helvetica,
+ zaprojektowanego przez Alfreda Hoffmana i Maxa Miedingera
+ dla szwajcarskiej firmy Haas (1957). Początkowo pismo nosiło
+ nazwę Neue Haas Grotesk. Autorami modyfikacji są: Bogusław Jackowski,
+ Janusz M. Nowacki i Piotr Strzelczyk. Prace nad adaptacją tych fontów
+ były częściowo sponsorowane przez Polską Grupę Użytkowników Systemu
+ TeX GUST i Komitet Badań Naukowych. Zmodyfikowane fonty otrzymały
+ nazwy odpowiednio QuasiSwiss i QuasiSwissCondensed. Z nazwy
+ QuasiHelvetica (użytej we wcześniejszych wersjach) trzeba było
+ zrezygnować ze względu na zastrzeżenie nazwy.
+
+ Uwagi i komentarze prosimy kierować pod adresem:
+ Bogusław Jackowski, Janusz M. Nowacki, Piotr Strzelczyk
+ <JNSteam@GUST.org.pl>
+
diff --git a/Master/texmf-dist/doc/fonts/qfonts/0readme.qpl b/Master/texmf-dist/doc/fonts/qfonts/0readme.qpl
new file mode 100644
index 00000000000..8c9a10907de
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/qfonts/0readme.qpl
@@ -0,0 +1,38 @@
+QuasiPalatino (1.07)
+The fonts are copyrighted but free according to the conditions of the GNU
+General Public License, version 2 (http://www.gnu.org/licenses/gpl.txt).
+
+EN:
+ The font family URW Palladio L (distributed with Ghostscript under
+ the GNU General Public Licence) augmented complying with QX layout
+ (see 00readme) and modified. The font is based on a widespread Palatino
+ (Giambattista Palatino, living in XVI century, was a master of script),
+ font designed by Hermann Zapf in the 'fourties of XX century.
+ Authors of the modification: Bogus\l{}aw Jackowski, Janusz M. Nowacki
+ and Piotr Strzelczyk. The work was sponsored by the Polish TeX Users
+ Group GUST. The modified font was renamed to QuasiPalatino. The previously
+ used names (Platan in olden days and later QuasiPalladio) should be
+ considered obsolete.
+
+ Comments and remarks please send to:
+ Bogus\l{}aw Jackowski, Janusz M. Nowacki, Piotr Strzelczyk
+ <JNSteam@GUST.org.pl>
+
+PL (iso8859-2):
+ Uzupełniona do układu QX (p. 00readme) i nieco zmodyfikowana
+ rodzina fontów URW Palladio L (z dystrybucji programu Ghostscript,
+ rozpowszechniana na zasadach GNU General Public Licence).
+ Jest to replika szeroko rozpowszechnionego kroju pisma Palatino
+ (Giambattista Palatino to XVI-wieczny mistrz pisma odręcznego),
+ zaprojektowanego przez Hermanna Zapfa w latach czterdziestych XX wieku.
+ Autorami modyfikacji są: Bogusław Jackowski, Janusz M. Nowacki
+ i Piotr Strzelczyk. Prace nad adaptacją tego fontu były częściowo
+ sponsorowane przez Polską Grupę Użytkowników Systemu TeX GUST.
+ Zmodyfikowany font otrzymał nazwę QuasiPalatino. Poprzednio używane
+ nazwy (w zamierzchłych czasach Platan i później QuasiPalladio) należy
+ uznać za nieaktualne.
+
+ Uwagi i komentarze prosimy kierować pod adresem:
+ Bogusław Jackowski, Janusz M. Nowacki, Piotr Strzelczyk
+ <JNSteam@GUST.org.pl>
+
diff --git a/Master/texmf-dist/doc/fonts/qfonts/0readme.qtm b/Master/texmf-dist/doc/fonts/qfonts/0readme.qtm
new file mode 100644
index 00000000000..863170d45c4
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/qfonts/0readme.qtm
@@ -0,0 +1,34 @@
+QuasiTimes (1.07)
+The fonts are copyrighted but free according to the conditions of the GNU
+General Public License, version 2 (http://www.gnu.org/licenses/gpl.txt).
+
+EN:
+ The font family Nimbus Roman No9 L (distributed with Ghostscript under
+ the GNU General Public Licence) augmented complying with QX layout
+ (see 00readme) and modified. The font is based on a very popular
+ Times New Roman font designed by Stanley Morison, used for the first
+ time in ``The Times,'' 3 October 1932. Authors of the modification:
+ Bogus\l{}aw Jackowski, Janusz M. Nowacki and Piotr Strzelczyk.
+ The work was sponsored by the Polish TeX Users Group GUST.
+ The modified font was renamed to QuasiTimes.
+
+ Comments and remarks please send to:
+ Bogus\l{}aw Jackowski, Janusz M. Nowacki, Piotr Strzelczyk
+ <JNSteam@GUST.org.pl>
+
+PL (iso8859-2):
+ Uzupełniona do układu QX (p. 00readme) i nieco zmodyfikowana
+ rodzina fontów Nimbus Roman No9 L (z dystrybucji programu
+ Ghostscript, rozpowszechniana na zasadach GNU General Public Licence).
+ Jest to replika bardzo popularnego kroju pisma Times New Roman,
+ zaprojektowanego przez Stanleya Morisona, po raz pierwszy użytego
+ do drukowania gazety ,,The Times'' 3 października 1932 roku.
+ Autorami modyfikacji są: Bogusław Jackowski, Janusz M. Nowacki
+ i Piotr Strzelczyk. Prace nad adaptacją tego fontu były częściowo
+ sponsorowane przez Polską Grupę Użytkowników Systemu TeX GUST.
+ Zmodyfikowany font otrzymał nazwę QuasiTimes.
+
+ Uwagi i komentarze prosimy kierować pod adresem:
+ Bogusław Jackowski, Janusz M. Nowacki, Piotr Strzelczyk
+ <JNSteam@GUST.org.pl>
+
diff --git a/Master/texmf-dist/doc/fonts/qfonts/0readme.qzc b/Master/texmf-dist/doc/fonts/qfonts/0readme.qzc
new file mode 100644
index 00000000000..ba1a4097472
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/qfonts/0readme.qzc
@@ -0,0 +1,34 @@
+QuasiChancery (1.07)
+The fonts are copyrighted but free according to the conditions of the GNU
+General Public License, version 2 (http://www.gnu.org/licenses/gpl.txt).
+
+EN:
+ The font URW Chancery L (distributed with Ghostscript under
+ the GNU General Public Licence) augmented complying with QX layout
+ (see 00readme) and modified. The design of the font is due
+ to Hermann Zapf, who was inspired by the beautiful hand-lettering
+ found in Vatican documents from 16th century. Authors of the modification:
+ Bogus\l{}aw Jackowski, Janusz M. Nowacki and Piotr Strzelczyk.
+ The work was sponsored by the Polish TeX Users Group GUST and
+ the Polish State Committee for Scientific Research. The modified
+ font was renamed to QuasiChancery.
+
+ Comments and remarks please send to:
+ Bogus\l{}aw Jackowski, Janusz M. Nowacki, Piotr Strzelczyk
+ <JNSteam@GUST.org.pl>
+
+PL (iso8859-2):
+ Uzupełniony do układu QX (p. 00readme) i nieco zmodyfikowany font
+ URW Chancery L (z dystrybucji programu Ghostscript, rozpowszechniany
+ na zasadach GNU General Public Licence). Pismo to zaprojektował
+ Hermann Zapf, czerpiąc inspirację z XVI-wiecznej pisanki, którą
+ były drukowane dokumenty watykańskie. Autorami modyfikacji są:
+ Bogusław Jackowski, Janusz M. Nowacki i Piotr Strzelczyk. Prace
+ nad adaptacją tego fontu były częściowo sponsorowane przez Polską
+ Grupę Użytkowników Systemu TeX GUST i Komitet Badań Naukowych.
+ Zmodyfikowany font otrzymał nazwę QuasiChancery.
+
+ Uwagi i komentarze prosimy kierować pod adresem:
+ Bogusław Jackowski, Janusz M. Nowacki, Piotr Strzelczyk
+ <JNSteam@GUST.org.pl>
+
diff --git a/Master/texmf-dist/doc/fonts/qfonts/testot4.tex b/Master/texmf-dist/doc/fonts/qfonts/testot4.tex
new file mode 100644
index 00000000000..fd20b3d6d66
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/qfonts/testot4.tex
@@ -0,0 +1,53 @@
+%& --translate-file=il2-pl
+% Pl: Ten dokument prezentuje fonty z paczki ,,qfonts'' użyte w LaTeXu 2e.
+% Stosowany jest układ fontów OT4, włączany domyślnie przez pakiet
+% `polski'.
+% En: This document demonstrates fonts from the `qfonts' package in LaTeX2e.
+% We use here OT4 encoding, which is used as default by polski.sty
+% package.
+% Marcin Woliński <2002/01/23>. Public domain.
+
+\documentclass{article}
+\usepackage{polski}
+\usepackage{qtimes,qcourier}% globalne
+
+% dla układu OT4 znak Euro wymaga zdefiniowania;
+% układ QX (plik qxenc.def) zawiera stosowną definicję
+\newcommand\texteuro{\char128 }
+
+\newcommand*{\tekst}{%
+ Pójdź kińże tę chmurność w~głąb flaszy.\par
+ PÓJDŹ KIŃŻE TĘ CHMURNOŚĆ W~GŁĄB FLASZY.\par
+ [(<<@>>,,0123456789''\&\#/=+*\texteuro)] -- --- ,.;:!? <> fifka ff ffi\par
+ }
+
+\newcommand*{\testfam}[3][]{\bgroup
+ \normalfont
+ \centerline{\bf #3 (\texttt{#2})}\bigskip\bigskip
+ #1\fontfamily{#2}\selectfont
+ \mdseries\tekst\bigskip
+ {\itshape\tekst}\bigskip
+ {\bfseries\tekst\bigskip
+ {\itshape\tekst}}\bigskip
+ \egroup
+ \newpage}
+
+\begin{document}
+\parindent0pt
+\fontsize{12dd}{16dd}\selectfont
+
+\testfam{qtm}{QuasiTimes}
+\testfam{qpl}{QuasiPalatino}
+\testfam{qbk}{QuasiBookman}
+\testfam{qhv}{QuasiSwiss}
+\testfam{qcr}{QuasiCourier}
+\testfam[\def\mddefault{mc}\def\bfdefault{bc}]{qhv}{QuasiSwissCondensed}
+
+\centerline{\bf QuasiChancery (\texttt{qzc})}\bigskip\bigskip
+\bgroup
+\fontfamily{qzc}\itshape
+\tekst\bigskip
+\egroup
+\newpage
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/qfonts/testqx.tex b/Master/texmf-dist/doc/fonts/qfonts/testqx.tex
new file mode 100644
index 00000000000..0f87050ba21
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/qfonts/testqx.tex
@@ -0,0 +1,91 @@
+%& --translate-file=il2-pl
+% Pl: Ten dokument prezentuje fonty z paczki ,,qfonts'' użyte w LaTeXu 2e.
+% Stosowany jest układ QX --- naturalny układ tych fontów (linia 13.),
+% co umożliwia dostęp do dodatkowych znaków.
+% En: This document demonstrates fonts from the `qfonts' package in LaTeX2e.
+% We use here QX encoding, which gives access to some additional symbols.
+% Marcin Woliński <2002/01/23>. Public domain.
+
+\documentclass{article}
+\usepackage{polski}
+\usepackage{qtimes,qcourier}
+\usepackage[QX]{fontenc}
+
+\newcommand*{\tekst}{%
+ Pójdź kińże tę chmurność w~głąb flaszy.\par
+ PÓJDŹ KIŃŻE TĘ CHMURNOŚĆ W~GŁĄB FLASZY.\par
+ [(<<@>>,,0123456789''\&\#/=+*)] -- --- ,.;:!? <> fifka ff ffi\par
+ }
+
+\newcommand*{\testfam}[3][]{\bgroup
+ \normalfont
+ \centerline{\bf #3 (\texttt{#2})}\bigskip\bigskip
+ #1\fontfamily{#2}\selectfont
+ \mdseries\tekst\bigskip
+ {\itshape\tekst}\bigskip
+ {\bfseries\tekst\bigskip
+ {\itshape\tekst}}\bigskip
+ \qxsymbole
+ \egroup
+ \newpage}
+
+\newcommand*{\qxsymbole}{%
+ \textDelta \textbeta \textdelta \textpi \textPi \textSigma \textmu
+ \textOmega
+
+ \i\ \j\ \` x \' x \v x \u x \= x
+ \b x \r x \c x \^ x \. x \H x \~ x \" x \k x \d x
+
+ \ss\ \ae\ \oe\ \o\ \AE\ \OE\ \O\ \k A \' C \k E \k I \L\ \' N \' S
+ \v S \c S \c T \k U \" Y \' Z \v Z \. Z \k a \' c \k e \k i \l\ \' n
+ \' s \v s \c s \c t \k u \" y \' z \v z \. z \` A \' A \^ A \~ A \"
+ A \AA\ \c C \` E \' E \^ E \" E \` I \' I \^ I \" I \DH\ %=\DJ\
+ \~ N \` O \' O \^ O \~ O \" O \` U \' U \^ U \" U \' Y \TH\ \`a \'a
+ \^a \~ a \" a \aa\ %=\r a
+ \c c \` e \' e \^ e \" e \` i \' i \^ i \" i \dh\ %=\dj\
+ \~ n \` o \' o \^ o \~ o \" o \` u \' u \^ u \" u \' y \th\
+
+ \textellipsis \textquotedblright\ \textdollar\ \texteuro\ \textquoteright\
+ *
+ \textexclamdown\ \textquestiondown\ @ \textquotedblleft\
+ \textquoteleft\ \textendash\ \textemdash\ \textgreater\
+ \textxgeq\
+ \textapprox\ %=\textapproxequal\
+ \textless\ \textxleq\
+ \textasciitilde\ \textasciicircum\ \textell\ \textdagger\ %=\dag\
+ \textdaggerdbl\ %=\ddag\
+ \textdegree\ %=\textcirc\
+ \textbraceleft\ \textbraceright\ \textsection\ \textregistered\
+ \copyright\ \textdiv\ %=\textdivide
+ \textminus\ \texttimes\ %=\textmultiply\
+ \textpm
+ \textinfty\ %=\textinfinity
+ \guillemotleft\ \guillemotright\ \textparagraph\ \textbullet\
+ \textperiodcentered\ %=\textcdot\
+ \textquotedbl\ \textquotesingle\
+ \textbackslash\ \textcurrency\ \% \textperthousand\ \textbar\
+ \textunderscore\ \textanglearc\ \textdiameter\ \quotedblbase
+
+ }
+
+\begin{document}
+\parindent0pt
+\fontsize{12dd}{16dd}\selectfont
+
+\testfam{qtm}{QuasiTimes}
+\testfam{qpl}{QuasiPalatino}
+\testfam{qbk}{QuasiBookman}
+\testfam{qhv}{QuasiSwiss}
+\testfam{qcr}{QuasiCourier}
+\testfam[\def\mddefault{mc}\def\bfdefault{bc}]{qhv}{QuasiSwissCondensed}
+
+\centerline{\bf QuasiChancery (\texttt{qzc})}\bigskip\bigskip
+\bgroup
+\fontfamily{qzc}\itshape
+\tekst\bigskip
+\qxsymbole
+\egroup
+\newpage
+
+\end{document}
+
diff --git a/Master/texmf-dist/doc/fonts/qpx/00README b/Master/texmf-dist/doc/fonts/qpx/00README
new file mode 100644
index 00000000000..51dd8c697c4
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/qpx/00README
@@ -0,0 +1,107 @@
+%% iso8859-2
+%% 15.02.2002, wer. 0.8. Public domain.
+%% Jacek Mierczyński <mier@bryza.ibwpan.gda.pl>
+%% Staszek Wawrykiewicz <staw@gust.org.pl>
+
+Pakiet qpx pozwala na skład tekstów oraz wyrażeń matematycznych
+w MeX/LaTeX/AmSTeX przy użyciu polskich fontów QuasiPalatino (wer. 1.07)
+ ftp://ftp.gust.org.pl/TeX/GUST/contrib/fonts/qfonts/
+oraz fontów dostępnych w pakiecie pxfonts
+ ftp://ftp.dante.de/fonts/pxfonts/
+
+[Pakiet pxfonts dołączany jest obecnie do standardowych
+dystrybucji fpTeX, MiKTeX, teTeX oraz TeX Live.]
+
+Pakiet qpx zawiera dodatkowo fonty i makra dla składu kapitalikami.
+
+Pakiet qpx składa się z:
+1. plików metrycznych (.tfm), które powinny być zainstalowane w odpowiednich
+ katalogach (w strukturze zgodnej z TDS: texmf/fonts/tfm/public/qpx/);
+2. fontów wirtualnych (.vf), które powinny być zainstalowane w odpowiednich
+ katalogach (texmf/fonts/vf/public/qpx/);
+3. plików makr dla MeX/LaTeX/amstex(amsmex) (.tex, .def), które powinny być
+ zainstalowane w odpowiednich katalogach (texmf/tex/generic/qpx/ wybór
+ katalogu ,,generic'' jest celowy, gdyż makra powinny być znajdywane
+ przez różne formaty);
+4. dokumentacji i plików przykładowych (texmf/doc/fonts/qpx/);
+Po zainstalowaniu należy zwykle odświeżyć bazę danych instalacji (polecenie
+`texhash' dla fpTeX/teTeX/TeX Live; `initexmf -u' dla MiKTeX).
+
+Użycie:
+1. format MeX -- wczytanie makr
+ \input qpxmath
+ powoduje zamianę domyślnych fontów zarówno tekstowych, jak
+ i matematycznych:
+ plr -> qplr
+ plsy -> pxsy
+ plex -> pxex
+ plmi -> qpxmi
+ Dodatkowo zmienia definicje niektórych znaków, np. "+" i "=" (z rpxr),
+ które są co prawda dostępne w qplr, ale trochę nie pasują do fontów
+ pobranych z pakietu pxfonts. Zestaw znaków fontów matematycznych znanych
+ z Plain TeX wzbogacono o $\varg$.
+ Makra w pełni realizują (mamy przynajmniej taką nadzieję) zamianę
+ standardowych fontów TeX-a CM/PL na fonty zbliżone do Palatino.
+ Dodatkowo udostępniono proste przełączanie stopnia pisma
+ (makra \tenpoint, \ninepoint, \eightpoint) oraz możliwość definicji np.
+ \def\PT{dd} *przed* wczytaniem makr qpxmath.tex, czyli określenia
+ użytego stopnia pisma w punktach Didota (domyślnie stopnie pisma
+ definiowane są w pt). Ponadto udostępniono polecenie \sc przełączające
+ font na kapitaliki. Dzięki takim zabiegom możliwe jest bardziej
+ ,,przyjazne'' stosowanie fontów QuasiPalatino, nawet gdy nie są używane
+ wyrażenia matematyczne.
+ Przykład użycia: 01tst.tex.
+ Wczytanie dodatkowych makr
+ \input amsqpx
+ umożliwia dostęp do poszerzonego zestawu symboli matematycznych, oraz
+ poleceń $\frak A$ (litery frakturą), $\Bbb A$ (,,blackboard''), nawet
+ bez użycia makr AMSTeX. Zestawienie dodatkowych symboli: qpxsymb.tex.
+ [na razie nie rozwiązano problemu użycia plajnowego \mit ]
+2. AMSTeX/AMSMeX -- wczytanie makr
+ \input qpxmath
+ \input amsqpx
+ powoduje, jak powyżej, zamianę standardowych fontów CM/PL na zbliżone
+ do Palatino. Po wczytaniu dodatkowych makr
+ \input amspbold.tex
+ i użyciu polecenia \loadbold, dostępne są makra AMSTeX:
+ $\boldsymbol\Delta$, $\boldkey A$ itp., pozwalające na uzyskanie
+ w składzie pogrubionych symboli i innych znaków (przykład: 02tst.tex).
+ [na razie nie rozwiązano problemu użycia \frac i \Bbb]
+3. LaTeX -- w preambule należy zadeklarować:
+ \usepackage{polski}
+ %%%
+ \usepackage{pxfonts}
+ \usepackage{qpalatin}
+ \usepackage{qpxmath}
+ a) pxfonts.sty ładuje cały zestaw matematyczny (odpowiedniki standardu CM,
+ AMS i nawet więcej) i fonty tekstowe.
+ b) qpalatin.sty przestawia fonty tekstowe na QuasiPalatino.
+ c) qpxmath.sty zamienia cztery podstawowe fonty matematyczne:
+ operatory -- na qplr; litery -- font wirtualny zbudowany z qplri
+ i fontów PX; symbole i duże symbole -- odpowiedniki z PX.
+ Ponadto zmienia niektóre definicje, podobnie jak w MeX i pakiecie
+ polski.sty (\leq, \geq, \le, \ge).
+ Ładowanie pakietu pxfonts.sty nie jest konieczne, jeżeli
+ zadowolimy się standardowym zestawem symboli matematycznych.
+
+ Użycie polecenia
+ \input{qpxsc}
+ udostępnia w LaTeXu fonty kapitalikowe odpowiednie dla fontów
+ QuasiPalatino, czyli prawidłowe zadziałanie poleceń \textsc{} (bądź \sc ).
+ Wymagane jest jedynie wczytanie pakietu qpalatin (patrz pkt. b) powyżej).
+ Dla tekstów niematematycznych jest to wystarczające.
+
+Zestawienie plików przykładowych:
+ qpxsymb.tex - MeX/AMSMeX zestawienie symboli
+ qpxtest.tex - przykład użycia dla LaTeXa
+ 01tst.tex - przykład użycia dla MeX (matematyka w zakresie Plain)
+ 02tst.tex - test AMSTeX/AMSMeX + qpx
+
+Historia:
+wer. 0.5 12.04.2001 - pierwsza wersja udostępniona publicznie
+wer. 0.6 13.04.2001 - niewielkie poprawki w dokumentacji i przykładach
+wer. 0.7 23.01.2002 - modyfikacja plików .tfm i .vf (dostosowanie do
+ fontów QuasiPalatino wer. 1.07)
+wer. 0.8 15.02.2002 - usunięto niepożądane spacje w pliku qpxmath.tex
+
+Wszelkie uwagi są mile widziane.
diff --git a/Master/texmf-dist/doc/fonts/qpx/01tst.tex b/Master/texmf-dist/doc/fonts/qpx/01tst.tex
new file mode 100644
index 00000000000..232baf8ec6a
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/qpx/01tst.tex
@@ -0,0 +1,160 @@
+%&mex --translate-file=il2-pl
+%% test of qpxmath.tex (09.03.2001, StaW)
+\def\PT{dd} %% skład 10dd ;-)
+\input qpxmath
+\parindent0pt
+%%======
+\def\TEST{Nieco zwykłego tekstu \bf półgrubo, \it a teraz kursywą,
+a~może nawet \sc Kapitalikiem. \rm OK, wystarczy. Teraz matematyka
+w~tekście $\sum_{\alpha\rightarrow\infty}{a+1\over a-b^4}$
+i~dalej ($f_m,f_n)=(f_{r_{k-1}}, f_{r_k})$. I~jeszcze $x^{4m}+y^{4m}=z^{4m}$,
+gdzie $m\xgeq 1$. $\cal A + \cal G$. ${\mit\Gamma}+\Phi$. Cyfry nautyczne
+$\oldstyle 1967$}
+
+\tenpoint 10pt. \TEST
+
+\smallskip\ninepoint 9pt. \TEST
+
+\smallskip\eightpoint 8pt. \TEST
+
+\medskip\tenpoint 10pt (albo czegośtam)
+$$A,\dots,Z\quad a,\dots,z\quad \Gamma, \dots,\Omega\quad
+ \varGamma, \dots, \varOmega\quad
+ \alpha,\dots,\omega\quad \varg $$ % \varv \varw \vary not accesible
+\smallskip
+$$\aleph_\alpha\times\aleph_\beta=\aleph_\beta\iff \alpha\le \beta$$
+\smallskip
+$$\forall \varepsilon >\alpha, \Gamma_\alpha\hookrightarrow
+ \Gamma_\varepsilon$$
+$$|x-a| < \delta \Rightarrow |f(x)-l| < \varepsilon$$
+\smallskip
+$$\underbrace {V \times \cdots \times V}_k \times
+ \underbrace {V \times \cdots \times V}_l \rightarrow
+ \underbrace {V \times \cdots \times V}_{k+l}$$
+\smallskip
+$$\{x\mid x \ne x\} = \emptyset\qquad (A\cap B)^\circ\subset A^\circ
+ \cap B^\circ$$
+\medskip
+$$\eqalign{\omega &= \nu+v(x,y)\,dx + w(x,y)\,dy+d\varPsi\cr
+ d\omega &=d\nu+ \left({\partial w\over \partial x}-
+ {\partial v\over \partial y}\right) dx\wedge dy\cr}$$
+\medskip
+$$\hat x+\widehat X+\widehat{xy}+\widehat{xyz}+\vec A$$
+\smallskip
+$$R_{ijkl}=-R_{jikl}=-R_{ijlk}=R_{klij}$$
+\smallskip
+\smallskip
+$$f(x)=\cases{|x|&$x>a$\cr -|x|&$x\le a$\cr}$$
+\smallskip
+$$\int_{-\infty}^\infty e^{-x\cdot\,x}\,dx=\sqrt\pi$$
+\smallskip
+$$ X=\sum_i \xi^i {\partial\over\partial x^i}+\sum_j
+ x^j{\partial\over\partial \dot x^j}$$
+\smallskip
+$$\prod_{j\ge0}\biggl(\sum_{k\ge0}a_{jk}z^k\biggr)
+ =\sum_{n\ge0}z^n\,\Biggl(\sum_
+ {\scriptstyle k_0,k_1,\ldots\ge0\atop
+ \scriptstyle k_0+k_1+\cdots=n}
+ a_{0k_0}a_{1k_1}\ldots\,\Biggr)$$
+\smallskip
+$$\def\\#1#2{(1-q^{#1_#2+n})} % to save typing
+\Pi_R{a_1,a_2,\ldots,a_M\atopwithdelims[]b_1,b_2,\ldots,b_N}
+ =\prod_{n=0}^R{\\a1\\a2\ldots\\aM\over\\b1\\b2\ldots\\bN}$$
+\smallskip
+$$\int_0^\infty{t-ib\over t^2+b^2}e^{iat}\,dt=e^{ab}E_1(ab),\qquad a,b>0$$
+
+%%
+\smallskip\ninepoint 9pt (albo czegośtam)
+$$A,\dots,Z\quad a,\dots,z\quad \Gamma, \dots,\Omega\quad
+ \varGamma, \dots, \varOmega\quad
+ \alpha,\dots,\omega\quad \varg$$ %\quad \varv\quad \varw\quad \vary
+\smallskip
+$$\aleph_\alpha\times\aleph_\beta=\aleph_\beta\iff \alpha\le \beta$$
+\smallskip
+$$\forall \varepsilon >\alpha, \Gamma_\alpha\hookrightarrow
+ \Gamma_\varepsilon$$
+$$|x-a| < \delta \Rightarrow |f(x)-l| < \varepsilon$$
+\smallskip
+$$\underbrace {V \times \cdots \times V}_k \times
+ \underbrace {V \times \cdots \times V}_l \rightarrow
+ \underbrace {V \times \cdots \times V}_{k+l}$$
+\smallskip
+$$\{x\mid x \ne x\} = \emptyset\qquad (A\cap B)^\circ\subset A^\circ
+ \cap B^\circ$$
+\medskip
+$$\eqalign{\omega &= \nu+v(x,y)\,dx + w(x,y)\,dy+d\varPsi\cr
+ d\omega &=d\nu+ \left({\partial w\over \partial x}-
+ {\partial v\over \partial y}\right) dx\wedge dy\cr}$$
+\medskip
+$$\hat x+\widehat X+\widehat{xy}+\widehat{xyz}+\vec A$$
+\smallskip
+$$R_{ijkl}=-R_{jikl}=-R_{ijlk}=R_{klij}$$
+\smallskip
+\smallskip
+$$f(x)=\cases{|x|&$x>a$\cr -|x|&$x\le a$\cr}$$
+\smallskip
+$$\int_{-\infty}^\infty e^{-x\cdot\,x}\,dx=\sqrt\pi$$
+\smallskip
+$$ X=\sum_i \xi^i {\partial\over\partial x^i}+\sum_j
+ x^j{\partial\over\partial \dot x^j}$$
+\smallskip
+$$\prod_{j\ge0}\biggl(\sum_{k\ge0}a_{jk}z^k\biggr)
+ =\sum_{n\ge0}z^n\,\Biggl(\sum_
+ {\scriptstyle k_0,k_1,\ldots\ge0\atop
+ \scriptstyle k_0+k_1+\cdots=n}
+ a_{0k_0}a_{1k_1}\ldots\,\Biggr)$$
+\smallskip
+$$\def\\#1#2{(1-q^{#1_#2+n})} % to save typing
+\Pi_R{a_1,a_2,\ldots,a_M\atopwithdelims[]b_1,b_2,\ldots,b_N}
+ =\prod_{n=0}^R{\\a1\\a2\ldots\\aM\over\\b1\\b2\ldots\\bN}$$
+\smallskip
+$$\int_0^\infty{t-ib\over t^2+b^2}e^{iat}\,dt=e^{ab}E_1(ab),\qquad a,b>0$$
+
+%%
+\smallskip \eightpoint 8pt (albo czegośtam)
+$$A,\dots,Z\quad a,\dots,z\quad \Gamma, \dots,\Omega\quad
+ \varGamma, \dots, \varOmega\quad
+ \alpha,\dots,\omega\quad \varg$$ %\varv \varw \vary
+\smallskip
+$$\aleph_\alpha\times\aleph_\beta=\aleph_\beta\iff \alpha\le \beta$$
+\smallskip
+$$\forall \varepsilon >\alpha, \Gamma_\alpha\hookrightarrow
+ \Gamma_\varepsilon$$
+$$|x-a| < \delta \Rightarrow |f(x)-l| < \varepsilon$$
+\smallskip
+$$\underbrace {V \times \cdots \times V}_k \times
+ \underbrace {V \times \cdots \times V}_l \rightarrow
+ \underbrace {V \times \cdots \times V}_{k+l}$$
+\smallskip
+$$\{x\mid x \ne x\} = \emptyset\qquad (A\cap B)^\circ\subset A^\circ
+ \cap B^\circ$$
+\medskip
+$$\eqalign{\omega &= \nu+v(x,y)\,dx + w(x,y)\,dy+d\varPsi\cr
+ d\omega &=d\nu+ \left({\partial w\over \partial x}-
+ {\partial v\over \partial y}\right) dx\wedge dy\cr}$$
+\medskip
+$$\hat x+\widehat X+\widehat{xy}+\widehat{xyz}+\vec A$$
+\smallskip
+$$R_{ijkl}=-R_{jikl}=-R_{ijlk}=R_{klij}$$
+\smallskip
+\smallskip
+$$f(x)=\cases{|x|&$x>a$\cr -|x|&$x\le a$\cr}$$
+\smallskip
+$$\int_{-\infty}^\infty e^{-x\cdot\,x}\,dx=\sqrt\pi$$
+\smallskip
+$$ X=\sum_i \xi^i {\partial\over\partial x^i}+\sum_j
+ x^j{\partial\over\partial \dot x^j}$$
+\smallskip
+$$\prod_{j\ge0}\biggl(\sum_{k\ge0}a_{jk}z^k\biggr)
+ =\sum_{n\ge0}z^n\,\Biggl(\sum_
+ {\scriptstyle k_0,k_1,\ldots\ge0\atop
+ \scriptstyle k_0+k_1+\cdots=n}
+ a_{0k_0}a_{1k_1}\ldots\,\Biggr)$$
+\smallskip
+$$\def\\#1#2{(1-q^{#1_#2+n})} % to save typing
+\Pi_R{a_1,a_2,\ldots,a_M\atopwithdelims[]b_1,b_2,\ldots,b_N}
+ =\prod_{n=0}^R{\\a1\\a2\ldots\\aM\over\\b1\\b2\ldots\\bN}$$
+\smallskip
+$$\int_0^\infty{t-ib\over t^2+b^2}e^{iat}\,dt=e^{ab}E_1(ab),\qquad a,b>0$$
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/qpx/02tst.tex b/Master/texmf-dist/doc/fonts/qpx/02tst.tex
new file mode 100644
index 00000000000..931af38e692
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/qpx/02tst.tex
@@ -0,0 +1,35 @@
+%% test AMSTeX/AMSMeX + qpx
+%% this works only when amstex is loaded!!!
+Fonty standardowe (CM)
+$$\eqalign{\omega &= \nu+v(x,y)\,dx + w(x,y)\,dy+d\varPsi\cr
+ d\omega &=d\nu+ \left({\partial w\over \partial x}-
+ {\partial v\over \partial y}\right) dx\wedge dy\cr}$$
+
+\bigskip
+\loadbold
+$$\eqalign{\boldsymbol\omega &=
+ \boldsymbol\nu+v\boldsymbol\{(\boldkey x,\boldkey y)\boldsymbol\}\,dx +
+ w(\bold x,\bold y)\,dy+d\boldsymbol\varPsi\cr
+ d\omega &=d\nu+ \left({\partial w\over \partial x}-
+ {\partial v\over \partial y}\right) dx\wedge dy\cr}$$
+
+\bigskip
+\input qpxmath
+\input amsqpx.tex % ładuje amsqtx.def
+\input amspbold.tex % redefinicje \loadbold, dostęp do poleceń \boldsymbol
+ % \boldkey (zauważ różnicę między \boldkey i \bold)
+
+Fonty px + QuasiPalladio
+$$\eqalign{\omega &= \nu+v(x,y)\,dx + w(x,y)\,dy+d\varPsi\cr
+ d\omega &\xleq d\nu+ \left({\partial w\over \partial x}-
+ {\partial v\over \partial y}\right) dx\wedge dy\cr}$$
+
+\bigskip
+\loadbold
+$$\eqalign{\boldsymbol\omega &=
+ \boldsymbol\nu+v\boldsymbol\{(\boldkey x,\boldkey y)\boldsymbol\}\,dx +
+ w(\bold x,\bold y)\,dy+d\boldsymbol\varPsi\cr
+ d\omega &\boldsymbol\xleq d\nu+ \left({\partial w\over \partial x}-
+ {\partial v\over \partial y}\right) dx\wedge dy\cr}$$
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/qpx/qpxsymb.tex b/Master/texmf-dist/doc/fonts/qpx/qpxsymb.tex
new file mode 100644
index 00000000000..318af0d03e4
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/qpx/qpxsymb.tex
@@ -0,0 +1,265 @@
+%&mex --translate-file=il2-pl
+%% StaW (09.03.2001)
+%% qpxsymb -- zestawienie symboli AMS w fontach PXFONTS
+\input qpxmath.tex
+\input amsqpx.tex % ładuje amsqtx.def
+%%
+\input verbatim % ftp://ftp.gust.org.pl/TeX/GUST/contrib/GUSTLIB/verbatim.tex
+\input mimulcol % ftp://ftp.gust.org.pl/TeX/GUST/contrib/GUSTLIB/mimulcol.tex
+\catcode`\*=\active \gdef*{\verbatim*}
+
+\advance\vsize by1cm\vglue-.7cm
+\centerline{\bf DODATKOWE SYMBOLE ZDEFINIOWANE W AMSQPX}
+
+\bigskip
+\noindent Oprócz poniższych symboli dostępne są w~trybie matematycznym
+polecenia *$\frak a$* oraz *$\Bbb A$* itp., np.
+$\frak a\frak b \frak c \frak d \frak A \frak B\frak C\frak D$
+$\Bbb A \Bbb Z$
+
+\bigskip
+\beginmulticols 3
+%================================================
+\baselineskip16pt plus0.2pt minus0.2pt
+\halign{#\hfil\enspace&#\hfil\cr
+\multispan2\bf Symbole nie wymagające\hfil\cr
+\noalign{\vskip-4pt}
+\multispan2\bf trybu matematycznego\hfil\cr
+*\yen* &\yen\cr
+*\checkmark * &\checkmark \cr
+*\circledR* &\circledR\cr
+*\maltese* &\maltese\cr
+\multispan2\bf Separatory\hfil\cr
+*$\ulcorner$*&$\ulcorner$\cr
+*$\urcorner$* &$\urcorner$\cr
+*$\llcorner$* &$\llcorner$\cr
+*$\lrcorner$* &$\lrcorner$\cr
+\multispan2\bf Minuskuły greckie\hfil\cr
+*$\digamma$* &$\digamma$\cr
+*$\varkappa$* &$\varkappa$\cr
+*$\varg$* &$\varg$\cr
+\multispan2\bf Litery hebrajskie\hfil\cr
+*$\beth$* &$\beth$\cr
+*$\gimel$* &$\gimel$\cr
+*$\daleth$* &$\daleth$\cr
+\multispan2\bf Symbole różne\hfil\cr
+*$\Bbbk$* &$\Bbbk$\cr
+*$\hbar$* &$\hbar$\cr
+*$\hslash$* &$\hslash$\cr
+*$\backprime$* &$\backprime$\cr
+*$\varnothing$* &$\varnothing$\cr
+*$\vartriangle$* &$\vartriangle$\cr
+*$\blacktriangle$* &$\blacktriangle$\cr
+*$\triangledown$* &$\triangledown$\cr
+*$\blacktriangledown$* &$\blacktriangledown$\cr
+*$\square$* &$\square$\cr
+*$\blacksquare$* &$\blacksquare$\cr
+*$\lozenge$* &$\lozenge$\cr
+*$\blacklozenge$* &$\blacklozenge$\cr
+*$\circledS$* &$\circledS$\cr
+*$\bigstar$* &$\bigstar$\cr
+*$\angle$* &$\angle$\cr
+*$\measuredangle$* &$\measuredangle$\cr
+*$\sphericalangle$* &$\sphericalangle$\cr
+*$\nexists$* &$\nexists$\cr
+*$\complement$* &$\complement$\cr
+*$\mho$* &$\mho$\cr
+*$\eth$* &$\eth$\cr
+*$\Finv$* &$\Finv$\cr
+*$\Game$* &$\Game$\cr
+*$\diagup$* &$\diagup$\cr
+*$\diagdown$* &$\diagdown$\cr
+\multispan2\bf Operatory\hfil\cr
+*$\dotplus$* &$\dotplus$\cr
+*$\smallsetminus$* &$\smallsetminus$\cr
+*$\Cup$* &$\Cup$\cr
+%\let\doublecup=\Cup
+*$\Cap$* &$\Cap$\cr
+%\let\doublecap=\Cap
+*$\barwedge$* &$\barwedge$\cr
+*$\veebar$* &$\veebar$\cr
+*$\doublebarwedge$* &$\doublebarwedge$\cr
+*$\boxminus$* &$\boxminus$\cr
+*$\boxplus$* &$\boxplus$\cr
+*$\boxdot$* &$\boxdot$\cr
+*$\boxtimes$* &$\boxtimes$\cr
+*$\divideontimes$* &$\divideontimes$\cr
+*$\centerdot$* &$\centerdot$\cr
+*$\ltimes$* &$\ltimes$\cr
+*$\rtimes$* &$\rtimes$\cr
+*$\leftthreetimes$* &$\leftthreetimes$\cr
+*$\rightthreetimes$* &$\rightthreetimes$\cr
+*$\curlywedge$* &$\curlywedge$\cr
+*$\curlyvee$* &$\curlyvee$\cr
+*$\circledcirc$* &$\circledcirc$\cr
+*$\circledast$* &$\circledast$\cr
+*$\circleddash$* &$\circleddash$\cr
+*$\intercal$* &$\intercal$\cr
+\multispan2\bf Relacje\hfil\cr
+*$\leqq$* &$\leqq$\cr
+*$\geqq$* &$\geqq$\cr
+*$\leqslant$* &$\leqslant$\cr
+*$\geqslant$* &$\geqslant$\cr
+*$\eqslantless$* &$\eqslantless$\cr
+*$\eqslantgtr$* &$\eqslantgtr$\cr
+*$\lesssim$* &$\lesssim$\cr
+*$\gtrsim$* &$\gtrsim$\cr
+*$\lessapprox$* &$\lessapprox$\cr
+*$\gtrapprox$* &$\gtrapprox$\cr
+*$\approxeq$* &$\approxeq$\cr
+*$\eqsim$* &$\eqsim$\cr
+*$\lessdot$* &$\lessdot$\cr
+*$\gtrdot$* &$\gtrdot$\cr
+*$\lll$* &$\lll$\cr
+%\let\llless=\lll
+*$\ggg$* &$\ggg$\cr
+%\let\gggtr=\ggg
+*$\lessgtr$* &$\lessgtr$\cr
+*$\gtrless$* &$\gtrless$\cr
+*$\lesseqgtr$* &$\lesseqgtr$\cr
+*$\gtreqless$* &$\gtreqless$\cr
+*$\lesseqqgtr$* &$\lesseqqgtr$\cr
+*$\gtreqqless$* &$\gtreqqless$\cr
+*$\doteqdot$* &$\doteqdot$\cr
+%\let\Doteq=\doteqdot
+*$\risingdotseq$* &$\risingdotseq$\cr
+*$\fallingdotseq$* &$\fallingdotseq$\cr
+*$\eqcirc$* &$\eqcirc$\cr
+*$\circeq$* &$\circeq$\cr
+*$\triangleq$* &$\triangleq$\cr
+*$\backsim$* &$\backsim$\cr
+*$\backsimeq$* &$\backsimeq$\cr
+*$\thicksim$* &$\thicksim$\cr
+*$\thickapprox$* &$\thickapprox$\cr
+*$\subseteqq$* &$\subseteqq$\cr
+*$\supseteqq$* &$\supseteqq$\cr
+*$\Subset$* &$\Subset$\cr
+*$\Supset$* &$\Supset$\cr
+*$\sqsubset$* &$\sqsubset$\cr
+*$\sqsupset$* &$\sqsupset$\cr
+*$\preccurlyeq$* &$\preccurlyeq$\cr
+*$\succcurlyeq$* &$\succcurlyeq$\cr
+*$\curlyeqprec$* &$\curlyeqprec$\cr
+*$\curlyeqsucc$* &$\curlyeqsucc$\cr
+*$\precsim$* &$\precsim$\cr
+*$\succsim$* &$\succsim$\cr
+*$\precapprox$* &$\precapprox$\cr
+*$\succapprox$* &$\succapprox$\cr
+*$\vartriangleleft$* &$\vartriangleleft$\cr
+*$\vartriangleright$* &$\vartriangleright$\cr
+*$\trianglelefteq$* &$\trianglelefteq$\cr
+*$\trianglerighteq$* &$\trianglerighteq$\cr
+*$\vDash$* &$\vDash$\cr
+*$\Vdash$* &$\Vdash$\cr
+*$\Vvdash$* &$\Vvdash$\cr
+*$\smallsmile$* &$\smallsmile$\cr
+*$\smallfrown$* &$\smallfrown$\cr
+*$\bumpeq$* &$\bumpeq$\cr
+*$\Bumpeq$* &$\Bumpeq$\cr
+*$\varpropto$* &$\varpropto$\cr
+*$\shortmid$* &$\shortmid$\cr
+*$\shortparallel$* &$\shortparallel$\cr
+*$\between$* &$\between$\cr
+*$\pitchfork$* &$\pitchfork$\cr
+*$\backepsilon$* &$\backepsilon$\cr
+*$\blacktriangleleft$* &$\blacktriangleleft$\cr
+*$\blacktriangleright$* &$\blacktriangleright$\cr
+*$\therefore$* &$\therefore$\cr
+*$\because$* &$\because$\cr
+\multispan2\bf Negacje relacji\hfil\cr
+*$\nless$* &$\nless$\cr
+*$\ngtr$* &$\ngtr$\cr
+*$\nleq$* &$\nleq$\cr
+*$\ngeq$* &$\ngeq$\cr
+*$\nleqslant$* &$\nleqslant$\cr
+*$\ngeqslant$* &$\ngeqslant$\cr
+*$\nleqq$* &$\nleqq$\cr
+*$\ngeqq$* &$\ngeqq$\cr
+*$\lneqq$* &$\lneqq$\cr
+*$\gneqq$* &$\gneqq$\cr
+*$\lneq$* &$\lneq$\cr
+*$\gneq$* &$\gneq$\cr
+*$\lvertneqq$* &$\lvertneqq$\cr
+*$\gvertneqq$* &$\gvertneqq$\cr
+*$\lnsim$* &$\lnsim$\cr
+*$\gnsim$* &$\gnsim$\cr
+*$\lnapprox$* &$\lnapprox$\cr
+*$\gnapprox$* &$\gnapprox$\cr
+*$\nprec$* &$\nprec$\cr
+*$\nsucc$* &$\nsucc$\cr
+*$\npreceq$* &$\npreceq$\cr
+*$\nsucceq$* &$\nsucceq$\cr
+*$\precneqq$* &$\precneqq$\cr
+*$\succneqq$* &$\succneqq$\cr
+*$\precnsim$* &$\precnsim$\cr
+*$\succnsim$* &$\succnsim$\cr
+*$\precnapprox$* &$\precnapprox$\cr
+*$\succnapprox$* &$\succnapprox$\cr
+*$\nsim$* &$\nsim$\cr
+*$\ncong$* &$\ncong$\cr
+*$\nshortmid$* &$\nshortmid$\cr
+*$\nshortparallel$* &$\nshortparallel$\cr
+*$\nmid$* &$\nmid$\cr
+*$\nparallel$* &$\nparallel$\cr
+*$\nvdash$* &$\nvdash$\cr
+*$\nvDash$* &$\nvDash$\cr
+*$\nVdash$* &$\nVdash$\cr
+*$\nVDash$* &$\nVDash$\cr
+*$\ntriangleleft$* &$\ntriangleleft$\cr
+*$\ntriangleright$* &$\ntriangleright$\cr
+*$\ntrianglelefteq$* &$\ntrianglelefteq$\cr
+*$\ntrianglerighteq$* &$\ntrianglerighteq$\cr
+*$\nsubseteqq$* &$\nsubseteqq$\cr
+*$\nsupseteqq$* &$\nsupseteqq$\cr
+*$\nsubseteq$* &$\nsubseteq$\cr
+*$\nsupseteq$* &$\nsupseteq$\cr
+*$\subsetneq$* &$\subsetneq$\cr
+*$\supsetneq$* &$\supsetneq$\cr
+*$\varsubsetneq$* &$\varsubsetneq$\cr
+*$\varsupsetneq$* &$\varsupsetneq$\cr
+*$\subsetneqq$* &$\subsetneqq$\cr
+*$\supsetneqq$* &$\supsetneqq$\cr
+*$\varsubsetneqq$* &$\varsubsetneqq$\cr
+*$\varsupsetneqq$* &$\varsupsetneqq$\cr
+\multispan2\bf Strzałki\hfil\cr
+*$\leftleftarrows$* &$\leftleftarrows$\cr
+*$\rightrightarrows$* &$\rightrightarrows$\cr
+*$\leftrightarrows$* &$\leftrightarrows$\cr
+*$\rightleftarrows$* &$\rightleftarrows$\cr
+*$\Lleftarrow$* &$\Lleftarrow$\cr
+*$\Rrightarrow$* &$\Rrightarrow$\cr
+*$\twoheadleftarrow$* &$\twoheadleftarrow$\cr
+*$\twoheadrightarrow$* &$\twoheadrightarrow$\cr
+*$\leftarrowtail$* &$\leftarrowtail$\cr
+*$\rightarrowtail$* &$\rightarrowtail$\cr
+*$\looparrowleft$* &$\looparrowleft$\cr
+*$\looparrowright$* &$\looparrowright$\cr
+*$\leftrightharpoons$* &$\leftrightharpoons$\cr
+*$\rightleftharpoons$* &$\rightleftharpoons$\cr
+*$\curvearrowleft$* &$\curvearrowleft$\cr
+*$\curvearrowright$* &$\curvearrowright$\cr
+*$\circlearrowleft$* &$\circlearrowleft$\cr
+*$\circlearrowright$* &$\circlearrowright$\cr
+*$\Lsh$* &$\Lsh$\cr
+*$\Rsh$* &$\Rsh$\cr
+*$\upuparrows$* &$\upuparrows$\cr
+*$\downdownarrows$* &$\downdownarrows$\cr
+*$\upharpoonleft$* &$\upharpoonleft$\cr
+*$\upharpoonright$* &$\upharpoonright$\cr
+*$\downharpoonleft$* &$\downharpoonleft$\cr
+*$\downharpoonright$* &$\downharpoonright$\cr
+*$\multimap$* &$\multimap$\cr
+*$\rightsquigarrow$* &$\rightsquigarrow$\cr
+*$\leftrightsquigarrow$* &$\leftrightsquigarrow$\cr
+\multispan2\bf Negacje strzałek\hfil\cr
+*$\nleftarrow$* &$\nleftarrow$\cr
+*$\nrightarrow$* &$\nrightarrow$\cr
+*$\nLeftarrow$* &$\nLeftarrow$\cr
+*$\nRightarrow$* &$\nRightarrow$\cr
+*$\nLeftrightarrow$* &$\nLeftrightarrow$\cr
+*$\nleftrightarrow$* &$\nleftrightarrow$\cr
+}
+
+\endmulticols
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/qpx/qpxtest.tex b/Master/texmf-dist/doc/fonts/qpx/qpxtest.tex
new file mode 100644
index 00000000000..de0b49c8314
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/qpx/qpxtest.tex
@@ -0,0 +1,63 @@
+%& --translate-file=il2-pl
+\documentclass[a4paper,12pt]{article}
+\usepackage{polski}
+\usepackage{qpalatin}
+\usepackage{qpxmath}
+\pagestyle{empty}
+%
+\begin{document}
+%
+\input{qpxsc}
+\noindent
+%
+Nieco zwykłego tekstu \textbf{półgrubo}, \textit{a teraz kursywą},
+a~może nawet \textsc{Kapitalikiem}. OK, wystarczy. Teraz matematyka
+w~tekście $\sum_{\alpha\rightarrow\infty}\frac{a+1}{a-b^4}$
+i~dalej ($f_m,f_n)=(f_{r_{k-1}}, f_{r_k})$. I~jeszcze $x^{4m}+y^{4m}=z^{4m}$,
+gdzie $m\xgeq 1$.
+$\cal A + \cal G$. ${\varGamma}+\Phi$. Cyfry nautyczne
+$\mathnormal{1967}$.
+
+$$A,\dots,Z\quad a,\dots,z\quad \Gamma, \dots,\Omega\quad
+ \varGamma, \dots, \varOmega\quad
+ \alpha,\dots,\omega\quad \varg $$
+\smallskip
+$$\aleph_\alpha\times\aleph_\beta=\aleph_\beta\iff \alpha\le \beta$$
+\smallskip
+$$\forall \varepsilon >\alpha, \Gamma_\alpha\hookrightarrow
+ \Gamma_\varepsilon$$
+$$|x-a| < \delta \Rightarrow |f(x)-l| < \varepsilon$$
+\smallskip
+$$\underbrace {V \times \cdots \times V}_k \times
+ \underbrace {V \times \cdots \times V}_l \rightarrow
+ \underbrace {V \times \cdots \times V}_{k+l}$$
+\smallskip
+$$\{x\mid x \ne x\} = \emptyset\qquad (A\cap B)^\circ\subset A^\circ
+ \cap B^\circ$$
+%
+\begin{eqnarray*}
+\omega &=& \nu+v(x,y)\,dx + w(x,y)\,dy+d\varPsi\\
+ d\omega &=& d\nu+ \left(\frac{\partial w}{\partial x}-
+ \frac{\partial v}{\partial y}\right) dx\wedge dy
+\end{eqnarray*}
+%
+$$\hat x+\widehat X+\widehat{xy}+\widehat{xyz}+\vec A$$
+\smallskip
+$$R_{ijkl}=-R_{jikl}=-R_{ijlk}=R_{klij}$$
+\smallskip
+$$f(x)=\cases{|x|&$x>a$\cr -|x|&$x\le a$\cr}$$
+\smallskip
+$$\int_{-\infty}^\infty e^{-x\cdot\,x}\,dx=\sqrt\pi$$
+\smallskip
+$$ X=\sum_i \xi^i \frac{\partial}{\partial x^i}+\sum_j
+ x^j\frac{\partial}{\partial \dot x^j}$$
+\smallskip
+$$\prod_{j\ge0}\biggl(\sum_{k\ge0}a_{jk}z^k\biggr)
+ =\sum_{n\ge0}z^n\,\Biggl(\sum_
+ {\scriptstyle k_0,k_1,\ldots\ge0\atop
+ \scriptstyle k_0+k_1+\cdots=n}
+ a_{0k_0}a_{1k_1}\ldots\,\Biggr)$$
+\smallskip
+$$\int_0^\infty\frac{t-ib}{t^2+b^2}e^{iat}\,dt=e^{ab}E_1(ab),\qquad a,b>0$$
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/qtx/00README b/Master/texmf-dist/doc/fonts/qtx/00README
new file mode 100644
index 00000000000..d708b2508f1
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/qtx/00README
@@ -0,0 +1,107 @@
+%% iso8859-2
+%% 15.02.2002, wer. 0.8. Public domain.
+%% Jacek Mierczyński <mier@bryza.ibwpan.gda.pl>
+%% Staszek Wawrykiewicz <staw@gust.org.pl>
+
+Pakiet qtx pozwala na skład tekstów oraz wyrażeń matematycznych
+w MeX/LaTeX/AmSTeX przy użyciu polskich fontów QuasiTimes (wer. 1.07)
+ ftp://ftp.gust.org.pl/TeX/GUST/contrib/fonts/qfonts/
+oraz fontów dostępnych w pakiecie txfonts
+ ftp://ftp.dante.de/fonts/txfonts/
+
+[Pakiet txfonts dołączany jest obecnie do standardowych
+dystrybucji fpTeX, MiKTeX, teTeX oraz TeX Live.]
+
+Pakiet qtx zawiera dodatkowo fonty i makra dla składu kapitalikami.
+
+Pakiet qtx składa się z:
+1. plików metrycznych (.tfm), które powinny być zainstalowane w odpowiednich
+ katalogach (w strukturze zgodnej z TDS: texmf/fonts/tfm/public/qtx/);
+2. fontów wirtualnych (.vf), które powinny być zainstalowane w odpowiednich
+ katalogach (texmf/fonts/vf/public/qtx/);
+3. plików makr dla MeX/LaTeX/amstex(amsmex) (.tex, .def), które powinny być
+ zainstalowane w odpowiednich katalogach (texmf/tex/generic/qtx/ wybór
+ katalogu ,,generic'' jest celowy, gdyż makra powinny być znajdywane
+ przez różne formaty);
+4. dokumentacji i plików przykładowych (texmf/doc/fonts/qtx/);
+Po zainstalowaniu należy zwykle odświeżyć bazę danych instalacji (polecenie
+`texhash' dla fpTeX/teTeX/TeX Live; `initexmf -u' dla MiKTeX).
+
+Użycie:
+1. format MeX -- wczytanie makr
+ \input qtxmath
+ powoduje zamianę domyślnych fontów zarówno tekstowych, jak
+ i matematycznych:
+ plr -> qtmr
+ plsy -> txsy
+ plex -> txex
+ plmi -> qtxmi
+ Dodatkowo zmienia definicje niektórych znaków, np. "+" i "=" (z rtxr),
+ które są co prawda dostępne w qtmr, ale trochę nie pasują do fontów
+ pobranych z pakietu txfonts. Zestaw znaków fontów matematycznych znanych
+ z Plain TeX wzbogacono o $\varg \varv \varw \vary$.
+ Makra w pełni realizują (mamy przynajmniej taką nadzieję) zamianę
+ standardowych fontów TeX-a CM/PL na fonty zbliżone do Times.
+ Dodatkowo udostępniono proste przełączanie stopnia pisma
+ (makra \tenpoint, \ninepoint, \eightpoint) oraz możliwość definicji np.
+ \def\PT{dd} *przed* wczytaniem makr qtxmath.tex, czyli określenia
+ użytego stopnia pisma w punktach Didota (domyślnie stopnie pisma
+ definiowane są w pt). Ponadto udostępniono polecenie \sc przełączające
+ font na kapitaliki. Dzięki takim zabiegom możliwe jest bardziej
+ ,,przyjazne'' stosowanie fontów QuasiTimes, nawet gdy nie są używane
+ wyrażenia matematyczne.
+ Przykład użycia: 01tst.tex.
+ Wczytanie dodatkowych makr
+ \input amsqtx
+ umożliwia dostęp do poszerzonego zestawu symboli matematycznych, oraz
+ poleceń $\frak A$ (litery frakturą), $\Bbb A$ (,,blackboard''), nawet
+ bez użycia makr AMSTeX. Zestawienie dodatkowych symboli: qtxsymb.tex.
+ [na razie nie rozwiązano problemu użycia plajnowego \mit ]
+2. AMSTeX/AMSMeX -- wczytanie makr
+ \input qtxmath
+ \input amsqtx
+ powoduje, jak powyżej, zamianę standardowych fontów CM/PL na zbliżone
+ do Times. Po wczytaniu dodatkowych makr
+ \input amstbold.tex
+ i użyciu polecenia \loadbold, dostępne są makra AMSTeX:
+ $\boldsymbol\Delta$, $\boldkey A$ itp., pozwalające na uzyskanie
+ w składzie pogrubionych symboli i innych znaków (przykład: 02tst.tex).
+ [na razie nie rozwiązano problemu użycia \frac i \Bbb]
+3. LaTeX -- w preambule należy zadeklarować:
+ \usepackage{polski}
+ %%%
+ \usepackage{txfonts}
+ \usepackage{qtimes}
+ \usepackage{qtxmath}
+ a) txfonts.sty ładuje cały zestaw matematyczny (odpowiedniki standardu CM,
+ AMS i nawet więcej) i fonty tekstowe.
+ b) qtimes.sty przestawia fonty tekstowe na QuasiTimes.
+ c) qtxmath.sty zamienia cztery podstawowe fonty matematyczne:
+ operatory -- na qtmr; litery -- font wirtualny zbudowany z qtmri
+ i fontów TX; symbole i duże symbole -- odpowiedniki z TX.
+ Ponadto zmienia niektóre definicje, podobnie jak w MeX i pakiecie
+ polski.sty (\leq, \geq, \le, \ge).
+ Ładowanie pakietu txfonts.sty nie jest konieczne, jeżeli
+ zadowolimy się standardowym zestawem symboli matematycznych.
+
+ Użycie polecenia
+ \input{qtxsc}
+ udostępnia w LaTeXu fonty kapitalikowe odpowiednie dla fontów
+ QuasiTimes, czyli prawidłowe zadziałanie poleceń \textsc{} (bądź \sc ).
+ Wymagane jest jedynie wczytanie pakietu qtimes (patrz pkt. b) powyżej).
+ Dla tekstów niematematycznych jest to wystarczające.
+
+Zestawienie plików przykładowych:
+ qtxsymb.tex - MeX/AMSMeX zestawienie symboli
+ qtxtest.tex - przykład użycia dla LaTeXa
+ 01tst.tex - przykład użycia dla MeX (matematyka w zakresie Plain)
+ 02tst.tex - test AMSTeX/AMSMeX + qtx
+
+Historia:
+wer. 0.5 12.04.2001 - pierwsza wersja udostępniona publicznie
+wer. 0.6 13.04.2001 - niewielkie poprawki w dokumentacji i przykładach
+wer. 0.7 23.01.2002 - modyfikacja plików .tfm i .vf (dostosowanie do
+ fontów QuasiTimes wer. 1.07)
+wer. 0.8 15.02.2002 - usunięto niepożądane spacje w pliku qtxmath.tex
+
+Wszelkie uwagi są mile widziane.
diff --git a/Master/texmf-dist/doc/fonts/qtx/01tst.tex b/Master/texmf-dist/doc/fonts/qtx/01tst.tex
new file mode 100644
index 00000000000..ad274052f45
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/qtx/01tst.tex
@@ -0,0 +1,163 @@
+%&mex --translate-file=il2-pl
+%% test of qtxmath.tex (09.03.2001, StaW)
+\def\PT{dd} %% skład 10dd ;-)
+\input qtxmath
+\parindent0pt
+%%======
+\def\TEST{Nieco zwykłego tekstu \bf półgrubo, \it a teraz kursywą,
+a~może nawet \sc Kapitalikiem. \rm OK, wystarczy. Teraz matematyka
+w~tekście $\sum_{\alpha\rightarrow\infty}{a+1\over a-b^4}$
+i~dalej ($f_m,f_n)=(f_{r_{k-1}}, f_{r_k})$. I~jeszcze $x^{4m}+y^{4m}=z^{4m}$,
+gdzie $m\xgeq 1$. $\cal A + \cal G$. ${\mit\Gamma}+\Phi$. Cyfry nautyczne
+$\oldstyle 1967$}
+
+\tenpoint 10pt. \TEST
+
+\smallskip\ninepoint 9pt. \TEST
+
+\smallskip\eightpoint 8pt. \TEST
+
+\medskip\tenpoint 10pt (albo czegośtam)
+$$A,\dots,Z\quad a,\dots,z\quad \Gamma, \dots,\Omega\quad
+ \varGamma, \dots, \varOmega\quad
+ \alpha,\dots,\omega\quad \varg\quad \varv\quad \varw\quad \vary$$
+\smallskip
+$$\aleph_\alpha\times\aleph_\beta=\aleph_\beta\iff \alpha\le \beta$$
+\smallskip
+$$\forall \varepsilon >\alpha, \Gamma_\alpha\hookrightarrow
+ \Gamma_\varepsilon$$
+$$|x-a| < \delta \Rightarrow |f(x)-l| < \varepsilon$$
+\smallskip
+$$\underbrace {V \times \cdots \times V}_k \times
+ \underbrace {V \times \cdots \times V}_l \rightarrow
+ \underbrace {V \times \cdots \times V}_{k+l}$$
+\smallskip
+$$\{x\mid x \ne x\} = \emptyset\qquad (A\cap B)^\circ\subset A^\circ
+ \cap B^\circ$$
+\medskip
+$$\eqalign{\omega &= \nu+v(x,y)\,dx + w(x,y)\,dy+d\varPsi\cr
+ d\omega &=d\nu+ \left({\partial w\over \partial x}-
+ {\partial v\over \partial y}\right) dx\wedge dy\cr}$$
+\medskip
+$$\hat x+\widehat X+\widehat{xy}+\widehat{xyz}+\vec A$$
+\smallskip
+$$R_{ijkl}=-R_{jikl}=-R_{ijlk}=R_{klij}$$
+\smallskip
+% $$(f\comp g)'(x)=f'(g(x))\cdot g'(x)$$
+\smallskip
+$$f(x)=\cases{|x|&$x>a$\cr -|x|&$x\le a$\cr}$$
+\smallskip
+$$\int_{-\infty}^\infty e^{-x\cdot\,x}\,dx=\sqrt\pi$$
+\smallskip
+$$ X=\sum_i \xi^i {\partial\over\partial x^i}+\sum_j
+ x^j{\partial\over\partial \dot x^j}$$
+\smallskip
+$$\prod_{j\ge0}\biggl(\sum_{k\ge0}a_{jk}z^k\biggr)
+ =\sum_{n\ge0}z^n\,\Biggl(\sum_
+ {\scriptstyle k_0,k_1,\ldots\ge0\atop
+ \scriptstyle k_0+k_1+\cdots=n}
+ a_{0k_0}a_{1k_1}\ldots\,\Biggr)$$
+\smallskip
+$$\def\\#1#2{(1-q^{#1_#2+n})} % to save typing
+\Pi_R{a_1,a_2,\ldots,a_M\atopwithdelims[]b_1,b_2,\ldots,b_N}
+ =\prod_{n=0}^R{\\a1\\a2\ldots\\aM\over\\b1\\b2\ldots\\bN}$$
+\smallskip
+$$\int_0^\infty{t-ib\over t^2+b^2}e^{iat}\,dt=e^{ab}E_1(ab),\qquad a,b>0$$
+
+%%
+\smallskip\ninepoint 9pt (albo czegośtam)
+$$A,\dots,Z\quad a,\dots,z\quad \Gamma, \dots,\Omega\quad
+ \varGamma, \dots, \varOmega\quad
+ \alpha,\dots,\omega\quad \varg\quad \varv\quad \varw\quad \vary$$
+\smallskip
+$$\aleph_\alpha\times\aleph_\beta=\aleph_\beta\iff \alpha\le \beta$$
+\smallskip
+$$\forall \varepsilon >\alpha, \Gamma_\alpha\hookrightarrow
+ \Gamma_\varepsilon$$
+$$|x-a| < \delta \Rightarrow |f(x)-l| < \varepsilon$$
+\smallskip
+$$\underbrace {V \times \cdots \times V}_k \times
+ \underbrace {V \times \cdots \times V}_l \rightarrow
+ \underbrace {V \times \cdots \times V}_{k+l}$$
+\smallskip
+$$\{x\mid x \ne x\} = \emptyset\qquad (A\cap B)^\circ\subset A^\circ
+ \cap B^\circ$$
+\medskip
+$$\eqalign{\omega &= \nu+v(x,y)\,dx + w(x,y)\,dy+d\varPsi\cr
+ d\omega &=d\nu+ \left({\partial w\over \partial x}-
+ {\partial v\over \partial y}\right) dx\wedge dy\cr}$$
+\medskip
+$$\hat x+\widehat X+\widehat{xy}+\widehat{xyz}+\vec A$$
+\smallskip
+$$R_{ijkl}=-R_{jikl}=-R_{ijlk}=R_{klij}$$
+\smallskip
+%%-- $$(f\comp g)'(x)=f'(g(x))\cdot g'(x)$$
+\smallskip
+$$f(x)=\cases{|x|&$x>a$\cr -|x|&$x\le a$\cr}$$
+\smallskip
+$$\int_{-\infty}^\infty e^{-x\cdot\,x}\,dx=\sqrt\pi$$
+\smallskip
+$$ X=\sum_i \xi^i {\partial\over\partial x^i}+\sum_j
+ x^j{\partial\over\partial \dot x^j}$$
+\smallskip
+$$\prod_{j\ge0}\biggl(\sum_{k\ge0}a_{jk}z^k\biggr)
+ =\sum_{n\ge0}z^n\,\Biggl(\sum_
+ {\scriptstyle k_0,k_1,\ldots\ge0\atop
+ \scriptstyle k_0+k_1+\cdots=n}
+ a_{0k_0}a_{1k_1}\ldots\,\Biggr)$$
+\smallskip
+$$\def\\#1#2{(1-q^{#1_#2+n})} % to save typing
+\Pi_R{a_1,a_2,\ldots,a_M\atopwithdelims[]b_1,b_2,\ldots,b_N}
+ =\prod_{n=0}^R{\\a1\\a2\ldots\\aM\over\\b1\\b2\ldots\\bN}$$
+\smallskip
+$$\int_0^\infty{t-ib\over t^2+b^2}e^{iat}\,dt=e^{ab}E_1(ab),\qquad a,b>0$$
+
+%%
+\smallskip \eightpoint 8pt (albo czegośtam)
+$$A,\dots,Z\quad a,\dots,z\quad \Gamma, \dots,\Omega\quad
+ \varGamma, \dots, \varOmega\quad
+ \alpha,\dots,\omega\quad \varg\quad \varv\quad \varw\quad \vary$$
+\smallskip
+$$\aleph_\alpha\times\aleph_\beta=\aleph_\beta\iff \alpha\le \beta$$
+\smallskip
+$$\forall \varepsilon >\alpha, \Gamma_\alpha\hookrightarrow
+ \Gamma_\varepsilon$$
+$$|x-a| < \delta \Rightarrow |f(x)-l| < \varepsilon$$
+\smallskip
+$$\underbrace {V \times \cdots \times V}_k \times
+ \underbrace {V \times \cdots \times V}_l \rightarrow
+ \underbrace {V \times \cdots \times V}_{k+l}$$
+\smallskip
+$$\{x\mid x \ne x\} = \emptyset\qquad (A\cap B)^\circ\subset A^\circ
+ \cap B^\circ$$
+\medskip
+$$\eqalign{\omega &= \nu+v(x,y)\,dx + w(x,y)\,dy+d\varPsi\cr
+ d\omega &=d\nu+ \left({\partial w\over \partial x}-
+ {\partial v\over \partial y}\right) dx\wedge dy\cr}$$
+\medskip
+$$\hat x+\widehat X+\widehat{xy}+\widehat{xyz}+\vec A$$
+\smallskip
+$$R_{ijkl}=-R_{jikl}=-R_{ijlk}=R_{klij}$$
+\smallskip
+%%-- $$(f\comp g)'(x)=f'(g(x))\cdot g'(x)$$
+\smallskip
+$$f(x)=\cases{|x|&$x>a$\cr -|x|&$x\le a$\cr}$$
+\smallskip
+$$\int_{-\infty}^\infty e^{-x\cdot\,x}\,dx=\sqrt\pi$$
+\smallskip
+$$ X=\sum_i \xi^i {\partial\over\partial x^i}+\sum_j
+ x^j{\partial\over\partial \dot x^j}$$
+\smallskip
+$$\prod_{j\ge0}\biggl(\sum_{k\ge0}a_{jk}z^k\biggr)
+ =\sum_{n\ge0}z^n\,\Biggl(\sum_
+ {\scriptstyle k_0,k_1,\ldots\ge0\atop
+ \scriptstyle k_0+k_1+\cdots=n}
+ a_{0k_0}a_{1k_1}\ldots\,\Biggr)$$
+\smallskip
+$$\def\\#1#2{(1-q^{#1_#2+n})} % to save typing
+\Pi_R{a_1,a_2,\ldots,a_M\atopwithdelims[]b_1,b_2,\ldots,b_N}
+ =\prod_{n=0}^R{\\a1\\a2\ldots\\aM\over\\b1\\b2\ldots\\bN}$$
+\smallskip
+$$\int_0^\infty{t-ib\over t^2+b^2}e^{iat}\,dt=e^{ab}E_1(ab),\qquad a,b>0$$
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/qtx/02tst.tex b/Master/texmf-dist/doc/fonts/qtx/02tst.tex
new file mode 100644
index 00000000000..7f311744151
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/qtx/02tst.tex
@@ -0,0 +1,35 @@
+%% test AMSTeX/AMSMeX + qtx
+%% this works only when amstex is loaded!!!
+Fonty standardowe (CM+AMS CMEXTRA)
+$$\eqalign{\omega &= \nu+v(x,y)\,dx + w(x,y)\,dy+d\varPsi\cr
+ d\omega &=d\nu+ \left({\partial w\over \partial x}-
+ {\partial v\over \partial y}\right) dx\wedge dy\cr}$$
+
+\bigskip
+\loadbold
+$$\eqalign{\boldsymbol\omega &=
+ \boldsymbol\nu+v\boldsymbol\{(\boldkey x,\boldkey y)\boldsymbol\}\,dx +
+ w(\bold x,\bold y)\,dy+d\boldsymbol\varPsi\cr
+ d\omega &=d\nu+ \left({\partial w\over \partial x}-
+ {\partial v\over \partial y}\right) dx\wedge dy\cr}$$
+
+\bigskip
+\input qtxmath
+\input amsqtx.tex % ładuje amsqtx.def
+\input amsqbold.tex % redefinicje \loadbold, dostęp do poleceń \boldsymbol
+ % \boldkey (zauważ różnicę między \boldkey i \bold)
+
+Fonty tx + QuasiTimes
+$$\eqalign{\omega &= \nu+v(x,y)\,dx + w(x,y)\,dy+d\varPsi\cr
+ d\omega &\xleq d\nu+ \left({\partial w\over \partial x}-
+ {\partial v\over \partial y}\right) dx\wedge dy\cr}$$
+
+\bigskip
+\loadbold
+$$\eqalign{\boldsymbol\omega &=
+ \boldsymbol\nu+v\boldsymbol\{(\boldkey x,\boldkey y)\boldsymbol\}\,dx +
+ w(\bold x,\bold y)\,dy+d\boldsymbol\varPsi\cr
+ d\omega &\boldsymbol\xleq d\nu+ \left({\partial w\over \partial x}-
+ {\partial v\over \partial y}\right) dx\wedge dy\cr}$$
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/qtx/qtxsymb.tex b/Master/texmf-dist/doc/fonts/qtx/qtxsymb.tex
new file mode 100644
index 00000000000..0b2e82c752c
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/qtx/qtxsymb.tex
@@ -0,0 +1,269 @@
+%&mex --translate-file=il2-pl
+%% StaW (09.03.2001). Public domain
+%% qtxsymb.tex -- zestawienie symboli AMS w fontach TXFONTS
+\input qtxmath
+\input amsqtx.tex % ładuje amsqtx.def
+%%
+\input verbatim % ftp://ftp.gust.org.pl/TeX/GUST/contrib/GUSTLIB/verbatim.tex
+\input mimulcol % ftp://ftp.gust.org.pl/TeX/GUST/contrib/GUSTLIB/mimulcol.tex
+\catcode`\*=\active \gdef*{\verbatim*}
+
+\advance\vsize by1cm
+\vglue-.7cm
+\centerline{\bf DODATKOWE SYMBOLE ZDEFINIOWANE W AMSQTX}
+
+\bigskip
+Oprócz poniższych symboli dostępne są w~trybie matematycznym polecenia
+*$\frak a$* oraz *$\Bbb A$* itp., np.
+$\frak a\frak b \frak c \frak d \frak A \frak B\frak C\frak D$
+$\Bbb A \Bbb Z$
+
+\bigskip
+\beginmulticols 3
+%================================================
+\baselineskip16pt plus0.2pt minus0.2pt
+\halign{#\hfil\enspace&#\hfil\cr
+\multispan2\bf Symbole nie wymagające\hfil\cr
+\noalign{\vskip-4pt}
+\multispan2\bf trybu matematycznego\hfil\cr
+*\yen* &\yen\cr
+*\checkmark * &\checkmark \cr
+*\circledR* &\circledR\cr
+*\maltese* &\maltese\cr
+\multispan2\bf Separatory\hfil\cr
+*$\ulcorner$*&$\ulcorner$\cr
+*$\urcorner$* &$\urcorner$\cr
+*$\llcorner$* &$\llcorner$\cr
+*$\lrcorner$* &$\lrcorner$\cr
+\multispan2\bf Minuskuły greckie\hfil\cr
+*$\digamma$* &$\digamma$\cr
+*$\varkappa$* &$\varkappa$\cr
+*$\varg$* &$\varg$\cr
+*$\varv$* &$\varv$\cr
+*$\varw$* &$\varw$\cr
+*$\vary$* &$\vary$\cr
+\multispan2\bf Litery hebrajskie\hfil\cr
+*$\beth$* &$\beth$\cr
+*$\gimel$* &$\gimel$\cr
+*$\daleth$* &$\daleth$\cr
+\multispan2\bf Symbole różne\hfil\cr
+*$\Bbbk$* &$\Bbbk$\cr
+*$\hbar$* &$\hbar$\cr
+*$\hslash$* &$\hslash$\cr
+*$\backprime$* &$\backprime$\cr
+*$\varnothing$* &$\varnothing$\cr
+*$\vartriangle$* &$\vartriangle$\cr
+*$\blacktriangle$* &$\blacktriangle$\cr
+*$\triangledown$* &$\triangledown$\cr
+*$\blacktriangledown$* &$\blacktriangledown$\cr
+*$\square$* &$\square$\cr
+*$\blacksquare$* &$\blacksquare$\cr
+*$\lozenge$* &$\lozenge$\cr
+*$\blacklozenge$* &$\blacklozenge$\cr
+*$\circledS$* &$\circledS$\cr
+*$\bigstar$* &$\bigstar$\cr
+*$\angle$* &$\angle$\cr
+*$\measuredangle$* &$\measuredangle$\cr
+*$\sphericalangle$* &$\sphericalangle$\cr
+*$\nexists$* &$\nexists$\cr
+*$\complement$* &$\complement$\cr
+*$\mho$* &$\mho$\cr
+*$\eth$* &$\eth$\cr
+*$\Finv$* &$\Finv$\cr
+*$\Game$* &$\Game$\cr
+*$\diagup$* &$\diagup$\cr
+*$\diagdown$* &$\diagdown$\cr
+\multispan2\bf Operatory\hfil\cr
+*$\dotplus$* &$\dotplus$\cr
+*$\smallsetminus$* &$\smallsetminus$\cr
+*$\Cup$* &$\Cup$\cr
+%\let\doublecup=\Cup
+*$\Cap$* &$\Cap$\cr
+%\let\doublecap=\Cap
+*$\barwedge$* &$\barwedge$\cr
+*$\veebar$* &$\veebar$\cr
+*$\doublebarwedge$* &$\doublebarwedge$\cr
+*$\boxminus$* &$\boxminus$\cr
+*$\boxplus$* &$\boxplus$\cr
+*$\boxdot$* &$\boxdot$\cr
+*$\boxtimes$* &$\boxtimes$\cr
+*$\divideontimes$* &$\divideontimes$\cr
+*$\centerdot$* &$\centerdot$\cr
+*$\ltimes$* &$\ltimes$\cr
+*$\rtimes$* &$\rtimes$\cr
+*$\leftthreetimes$* &$\leftthreetimes$\cr
+*$\rightthreetimes$* &$\rightthreetimes$\cr
+*$\curlywedge$* &$\curlywedge$\cr
+*$\curlyvee$* &$\curlyvee$\cr
+*$\circledcirc$* &$\circledcirc$\cr
+*$\circledast$* &$\circledast$\cr
+*$\circleddash$* &$\circleddash$\cr
+*$\intercal$* &$\intercal$\cr
+\multispan2\bf Relacje\hfil\cr
+*$\leqq$* &$\leqq$\cr
+*$\geqq$* &$\geqq$\cr
+*$\leqslant$* &$\leqslant$\cr
+*$\geqslant$* &$\geqslant$\cr
+*$\eqslantless$* &$\eqslantless$\cr
+*$\eqslantgtr$* &$\eqslantgtr$\cr
+*$\lesssim$* &$\lesssim$\cr
+*$\gtrsim$* &$\gtrsim$\cr
+*$\lessapprox$* &$\lessapprox$\cr
+*$\gtrapprox$* &$\gtrapprox$\cr
+*$\approxeq$* &$\approxeq$\cr
+*$\eqsim$* &$\eqsim$\cr
+*$\lessdot$* &$\lessdot$\cr
+*$\gtrdot$* &$\gtrdot$\cr
+*$\lll$* &$\lll$\cr
+%\let\llless=\lll
+*$\ggg$* &$\ggg$\cr
+%\let\gggtr=\ggg
+*$\lessgtr$* &$\lessgtr$\cr
+*$\gtrless$* &$\gtrless$\cr
+*$\lesseqgtr$* &$\lesseqgtr$\cr
+*$\gtreqless$* &$\gtreqless$\cr
+*$\lesseqqgtr$* &$\lesseqqgtr$\cr
+*$\gtreqqless$* &$\gtreqqless$\cr
+*$\doteqdot$* &$\doteqdot$\cr
+%\let\Doteq=\doteqdot
+*$\risingdotseq$* &$\risingdotseq$\cr
+*$\fallingdotseq$* &$\fallingdotseq$\cr
+*$\eqcirc$* &$\eqcirc$\cr
+*$\circeq$* &$\circeq$\cr
+*$\triangleq$* &$\triangleq$\cr
+*$\backsim$* &$\backsim$\cr
+*$\backsimeq$* &$\backsimeq$\cr
+*$\thicksim$* &$\thicksim$\cr
+*$\thickapprox$* &$\thickapprox$\cr
+*$\subseteqq$* &$\subseteqq$\cr
+*$\supseteqq$* &$\supseteqq$\cr
+*$\Subset$* &$\Subset$\cr
+*$\Supset$* &$\Supset$\cr
+*$\sqsubset$* &$\sqsubset$\cr
+*$\sqsupset$* &$\sqsupset$\cr
+*$\preccurlyeq$* &$\preccurlyeq$\cr
+*$\succcurlyeq$* &$\succcurlyeq$\cr
+*$\curlyeqprec$* &$\curlyeqprec$\cr
+*$\curlyeqsucc$* &$\curlyeqsucc$\cr
+*$\precsim$* &$\precsim$\cr
+*$\succsim$* &$\succsim$\cr
+*$\precapprox$* &$\precapprox$\cr
+*$\succapprox$* &$\succapprox$\cr
+*$\vartriangleleft$* &$\vartriangleleft$\cr
+*$\vartriangleright$* &$\vartriangleright$\cr
+*$\trianglelefteq$* &$\trianglelefteq$\cr
+*$\trianglerighteq$* &$\trianglerighteq$\cr
+*$\vDash$* &$\vDash$\cr
+*$\Vdash$* &$\Vdash$\cr
+*$\Vvdash$* &$\Vvdash$\cr
+*$\smallsmile$* &$\smallsmile$\cr
+*$\smallfrown$* &$\smallfrown$\cr
+*$\bumpeq$* &$\bumpeq$\cr
+*$\Bumpeq$* &$\Bumpeq$\cr
+*$\varpropto$* &$\varpropto$\cr
+*$\shortmid$* &$\shortmid$\cr
+*$\shortparallel$* &$\shortparallel$\cr
+*$\between$* &$\between$\cr
+*$\pitchfork$* &$\pitchfork$\cr
+*$\backepsilon$* &$\backepsilon$\cr
+*$\blacktriangleleft$* &$\blacktriangleleft$\cr
+*$\blacktriangleright$* &$\blacktriangleright$\cr
+*$\therefore$* &$\therefore$\cr
+*$\because$* &$\because$\cr
+\multispan2\bf Negacje relacji\hfil\cr
+*$\nless$* &$\nless$\cr
+*$\ngtr$* &$\ngtr$\cr
+*$\nleq$* &$\nleq$\cr
+*$\ngeq$* &$\ngeq$\cr
+*$\nleqslant$* &$\nleqslant$\cr
+*$\ngeqslant$* &$\ngeqslant$\cr
+*$\nleqq$* &$\nleqq$\cr
+*$\ngeqq$* &$\ngeqq$\cr
+*$\lneqq$* &$\lneqq$\cr
+*$\gneqq$* &$\gneqq$\cr
+*$\lneq$* &$\lneq$\cr
+*$\gneq$* &$\gneq$\cr
+*$\lvertneqq$* &$\lvertneqq$\cr
+*$\gvertneqq$* &$\gvertneqq$\cr
+*$\lnsim$* &$\lnsim$\cr
+*$\gnsim$* &$\gnsim$\cr
+*$\lnapprox$* &$\lnapprox$\cr
+*$\gnapprox$* &$\gnapprox$\cr
+*$\nprec$* &$\nprec$\cr
+*$\nsucc$* &$\nsucc$\cr
+*$\npreceq$* &$\npreceq$\cr
+*$\nsucceq$* &$\nsucceq$\cr
+*$\precneqq$* &$\precneqq$\cr
+*$\succneqq$* &$\succneqq$\cr
+*$\precnsim$* &$\precnsim$\cr
+*$\succnsim$* &$\succnsim$\cr
+*$\precnapprox$* &$\precnapprox$\cr
+*$\succnapprox$* &$\succnapprox$\cr
+*$\nsim$* &$\nsim$\cr
+*$\ncong$* &$\ncong$\cr
+*$\nshortmid$* &$\nshortmid$\cr
+*$\nshortparallel$* &$\nshortparallel$\cr
+*$\nmid$* &$\nmid$\cr
+*$\nparallel$* &$\nparallel$\cr
+*$\nvdash$* &$\nvdash$\cr
+*$\nvDash$* &$\nvDash$\cr
+*$\nVdash$* &$\nVdash$\cr
+*$\nVDash$* &$\nVDash$\cr
+*$\ntriangleleft$* &$\ntriangleleft$\cr
+*$\ntriangleright$* &$\ntriangleright$\cr
+*$\ntrianglelefteq$* &$\ntrianglelefteq$\cr
+*$\ntrianglerighteq$* &$\ntrianglerighteq$\cr
+*$\nsubseteqq$* &$\nsubseteqq$\cr
+*$\nsupseteqq$* &$\nsupseteqq$\cr
+*$\nsubseteq$* &$\nsubseteq$\cr
+*$\nsupseteq$* &$\nsupseteq$\cr
+*$\subsetneq$* &$\subsetneq$\cr
+*$\supsetneq$* &$\supsetneq$\cr
+*$\varsubsetneq$* &$\varsubsetneq$\cr
+*$\varsupsetneq$* &$\varsupsetneq$\cr
+*$\subsetneqq$* &$\subsetneqq$\cr
+*$\supsetneqq$* &$\supsetneqq$\cr
+*$\varsubsetneqq$* &$\varsubsetneqq$\cr
+*$\varsupsetneqq$* &$\varsupsetneqq$\cr
+\multispan2\bf Strzałki\hfil\cr
+*$\leftleftarrows$* &$\leftleftarrows$\cr
+*$\rightrightarrows$* &$\rightrightarrows$\cr
+*$\leftrightarrows$* &$\leftrightarrows$\cr
+*$\rightleftarrows$* &$\rightleftarrows$\cr
+*$\Lleftarrow$* &$\Lleftarrow$\cr
+*$\Rrightarrow$* &$\Rrightarrow$\cr
+*$\twoheadleftarrow$* &$\twoheadleftarrow$\cr
+*$\twoheadrightarrow$* &$\twoheadrightarrow$\cr
+*$\leftarrowtail$* &$\leftarrowtail$\cr
+*$\rightarrowtail$* &$\rightarrowtail$\cr
+*$\looparrowleft$* &$\looparrowleft$\cr
+*$\looparrowright$* &$\looparrowright$\cr
+*$\leftrightharpoons$* &$\leftrightharpoons$\cr
+*$\rightleftharpoons$* &$\rightleftharpoons$\cr
+*$\curvearrowleft$* &$\curvearrowleft$\cr
+*$\curvearrowright$* &$\curvearrowright$\cr
+*$\circlearrowleft$* &$\circlearrowleft$\cr
+*$\circlearrowright$* &$\circlearrowright$\cr
+*$\Lsh$* &$\Lsh$\cr
+*$\Rsh$* &$\Rsh$\cr
+*$\upuparrows$* &$\upuparrows$\cr
+*$\downdownarrows$* &$\downdownarrows$\cr
+*$\upharpoonleft$* &$\upharpoonleft$\cr
+*$\upharpoonright$* &$\upharpoonright$\cr
+*$\downharpoonleft$* &$\downharpoonleft$\cr
+*$\downharpoonright$* &$\downharpoonright$\cr
+*$\multimap$* &$\multimap$\cr
+*$\rightsquigarrow$* &$\rightsquigarrow$\cr
+*$\leftrightsquigarrow$* &$\leftrightsquigarrow$\cr
+\multispan2\bf Negacje strzałek\hfil\cr
+*$\nleftarrow$* &$\nleftarrow$\cr
+*$\nrightarrow$* &$\nrightarrow$\cr
+*$\nLeftarrow$* &$\nLeftarrow$\cr
+*$\nRightarrow$* &$\nRightarrow$\cr
+*$\nLeftrightarrow$* &$\nLeftrightarrow$\cr
+*$\nleftrightarrow$* &$\nleftrightarrow$\cr
+}
+
+\endmulticols
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/qtx/qtxtest.tex b/Master/texmf-dist/doc/fonts/qtx/qtxtest.tex
new file mode 100644
index 00000000000..0622c2366b9
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/qtx/qtxtest.tex
@@ -0,0 +1,63 @@
+%& --translate-file=il2-pl
+\documentclass[a4paper,12pt]{article}
+\usepackage{polski}
+\usepackage{qtimes}
+\usepackage{qtxmath}
+\pagestyle{empty}
+%
+\begin{document}
+%
+\input{qtxsc}
+\noindent
+%
+Nieco zwykłego tekstu \textbf{półgrubo}, \textit{a teraz kursywą},
+a~może nawet \textsc{Kapitalikiem}. OK, wystarczy. Teraz matematyka
+w~tekście $\sum_{\alpha\rightarrow\infty}\frac{a+1}{a-b^4}$
+i~dalej ($f_m,f_n)=(f_{r_{k-1}}, f_{r_k})$. I~jeszcze $x^{4m}+y^{4m}=z^{4m}$,
+gdzie $m\xgeq 1$.
+$\cal A + \cal G$. ${\varGamma}+\Phi$. Cyfry nautyczne
+$\mathnormal{1967}$.
+
+$$A,\dots,Z\quad a,\dots,z\quad \Gamma, \dots,\Omega\quad
+ \varGamma, \dots, \varOmega\quad
+ \alpha,\dots,\omega\quad \varg \varv \varw \vary$$
+\smallskip
+$$\aleph_\alpha\times\aleph_\beta=\aleph_\beta\iff \alpha\le \beta$$
+\smallskip
+$$\forall \varepsilon >\alpha, \Gamma_\alpha\hookrightarrow
+ \Gamma_\varepsilon$$
+$$|x-a| < \delta \Rightarrow |f(x)-l| < \varepsilon$$
+\smallskip
+$$\underbrace {V \times \cdots \times V}_k \times
+ \underbrace {V \times \cdots \times V}_l \rightarrow
+ \underbrace {V \times \cdots \times V}_{k+l}$$
+\smallskip
+$$\{x\mid x \ne x\} = \emptyset\qquad (A\cap B)^\circ\subset A^\circ
+ \cap B^\circ$$
+%
+\begin{eqnarray*}
+\omega &=& \nu+v(x,y)\,dx + w(x,y)\,dy+d\varPsi\\
+ d\omega &=& d\nu+ \left(\frac{\partial w}{\partial x}-
+ \frac{\partial v}{\partial y}\right) dx\wedge dy
+\end{eqnarray*}
+%
+$$\hat x+\widehat X+\widehat{xy}+\widehat{xyz}+\vec A$$
+\smallskip
+$$R_{ijkl}=-R_{jikl}=-R_{ijlk}=R_{klij}$$
+\smallskip
+$$f(x)=\cases{|x|&$x>a$\cr -|x|&$x\le a$\cr}$$
+\smallskip
+$$\int_{-\infty}^\infty e^{-x\cdot\,x}\,dx=\sqrt\pi$$
+\smallskip
+$$ X=\sum_i \xi^i \frac{\partial}{\partial x^i}+\sum_j
+ x^j\frac{\partial}{\partial \dot x^j}$$
+\smallskip
+$$\prod_{j\ge0}\biggl(\sum_{k\ge0}a_{jk}z^k\biggr)
+ =\sum_{n\ge0}z^n\,\Biggl(\sum_
+ {\scriptstyle k_0,k_1,\ldots\ge0\atop
+ \scriptstyle k_0+k_1+\cdots=n}
+ a_{0k_0}a_{1k_1}\ldots\,\Biggr)$$
+\smallskip
+$$\int_0^\infty\frac{t-ib}{t^2+b^2}e^{iat}\,dt=e^{ab}E_1(ab),\qquad a,b>0$$
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/rsfs/README b/Master/texmf-dist/doc/fonts/rsfs/README
new file mode 100644
index 00000000000..52f38b23f25
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/rsfs/README
@@ -0,0 +1,62 @@
+RSFS - Ralph Smith's Formal Script Symbol Fonts
+------------------------------------------------
+
+Version 1.0, Released October 1991
+
+This package contains METAFONT sources for fonts of uppercase
+script letters for use as symbols in scientific and mathematical
+typesetting. For example, script D, N, and S are often used in
+functional analysis for domain, nullspace, and Schwartz class.
+Script L and H are the standard symbols for lagrangian and
+hamiltonian densities in quantum field theory. These formal
+script symbols may be contrasted with informal scripts such
+as the one designed by H. Zapf and used as `calligraphic'
+symbols in the TeX math symbol font.
+I have tried to be fairly conservative, and closely imitated
+a formal script type designed by R. Hunter Middleton. This is
+similar to Typo Script and Marina, as well as the font used
+by the typesetters at Springer Verlag. All are based on the
+so-called Spencerian or Copperplate hand lettering which
+prevailed in the eighteenth century.
+
+These programs were not designed with much `meta-ness' in mind.
+Although formal script is subject to many stylistic variations,
+radical changes in weight or slant violate my sense of taste.
+This is a first revision, and certainly does not reflect much
+expertise in METAFONT programming. It has been checked for
+legibility and spacing.
+
+I have tested these fonts on some 300dpi printers (ink-jet and laser),
+but not at other resolutions. I suspect they won't look very good at
+low resolution (because of the instrinsic detail). Comments from users
+of the fonts are welcome; please describe your printer and metafont
+parameters when relevant. I will probably revise the sources and hope
+to add lowercase letters to make a text font.
+
+You are welcome to use and distribute these files; if you modify them,
+please change the name but give credit to the original author!
+
+ - Ralph Smith
+ Physics 0319
+ Univ. of California -- San Diego
+ 9500 Gilman Drive, La Jolla CA 92093-0319
+
+ E-mail: rasmith@ucsd.edu
+
+
+Notes on the files:
+
+README - this file
+rsfsX.mf (X = 5,7,10) - set sizes for Xpt font and calls driver
+script.mf - driver
+scriptu.mf - character programs
+scrload.tex - TeX code to make these symbols available with
+ a \scr macro (to be used like \cal)
+
+To compile a font, run Metafont with CMBASE: at the MF prompt, type
+
+ &cm \mode=localfont; input rsfs10
+
+Then run gftopk, put the PK and TFM files in the appropriate places,
+and TeX away.
+
diff --git a/Master/texmf-dist/doc/fonts/tengwar/Copyright b/Master/texmf-dist/doc/fonts/tengwar/Copyright
new file mode 100644
index 00000000000..e96358873f5
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/tengwar/Copyright
@@ -0,0 +1,9 @@
+% (c) Copyright 1988, 1994 Michael Urban
+% Everyone is granted permission to copy, modify and redistribute
+% these files, provided that a currently-dated copy of this
+% copyright notice is included in any copy.
+
+% License is granted to produce fonts based on the information
+% in this directory, provided that such fonts are redistributed
+% without charge to any third party.
+
diff --git a/Master/texmf-dist/doc/fonts/tengwar/READ-ME b/Master/texmf-dist/doc/fonts/tengwar/READ-ME
new file mode 100644
index 00000000000..c5a2bbf8e6b
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/tengwar/READ-ME
@@ -0,0 +1,98 @@
+This directory contains the following files:
+
+Metafont files for the Tengwar font. The normal design size is
+of course(?) 10 points, although for ornamental purposes the
+best size seems to be about 14 points. Thus,
+
+ \mode:=localmode; mag:=magstep2; input tengwar
+
+is the best command line to use.
+
+ tengwar.mf The main file.
+ tiw.mf "input" file to include all the other pieces.
+
+ telcor.mf Stem definitions for the table letters.
+ luvar.mf Bow definitions for the table letters.
+ bars.mf Horizontal bars that are part of table letters.
+
+ tincotema.mf These four files are the four columns of the
+ parmatema.mf regular table letters (1--24).
+ calmatema.mf
+ quessetema.mf
+
+ additionals.mf Characters 25--36 from the bottom of the table.
+ fullvowels.mf The unique vowel characters from the Mode
+ of Beleriand.
+
+ accents.mf Diacritical vowels, dots below, bars, etc.
+ carriers.mf Things to put accents on.
+
+ punctuation.mf Punctuation marks.
+ numerals.mf JRRT's numerals as reported by Christopher
+ Tolkien (British Tolkien Society 1981).
+
+ ligtable.mf Some convenient ligatures.
+
+Two samples using plain TeX accenting macros to generate pretty stuff:
+
+ quenya.tex Namarie
+ sindarin.tex A Elbereth Gilthoniel
+
+Miscellaneous other stuff:
+
+ READ-ME This file.
+ Copyright My legal mark, in the spirit of TeX and GNU. Note
+ that this font is *not* public domain; I retain the
+ copyright. However, distribution is free as long
+ as you keep it free.
+ tengwarweird.mf An alternative to tengwar.mf, experimenting
+ with other pen parameters.
+
+----------------------------------------------------------------
+
+The letter values are, necessarily, somewhat idiosyncratic. By and large,
+they are optimized for an English (Westron) mode using the "full" vowels
+from the Mode of Beleriand. Obviously, using diacritical vowels will
+require an input file that looks like line noise (see quenya.tex), or
+will require sufficiently ingenious TeX macros and "active" characters
+to perform the accenting where needed. This is left as an exercise
+for the reader. In any case, it is recommended that you print a table
+out using "testfont.tex" so you can see what is where.
+
+The punctuation marks are based on those found in "Namarie". I am not
+thrilled over the look of the question mark, but did not have an
+assortment of examples for this character as I did for the others.
+
+The numerals purport to be genuine creations of J.R.R. Tolkien,
+unearthed by Christopher Tolkien in 1981. I worked from a photocopy
+of an article attributed to the British Tolkien Society and copyright
+by Christopher Tolkien (which copyright appears to have been
+violated by whoever made the photocopy). I presume that duplicating
+these numerals in digital form is governed by the same laws as duplicating
+the other letters from Lord of the Rings (which is also copyright);
+I hope this is all legal. To the best of my knowledge, this is the
+first digitized Tengwar font that incorporated these numerals. I do not
+especially care for the look of these numerals, but once again, there
+was only the single page of specimens to work with, and this page
+did not show numerals mixed with letters in the same calligraphic style.
+If the numerals do not look sufficiently different from letters, the
+practice of the Eldar was to accent each numeral with a dot above; for
+a long string of numerals, a continuous bar above the string could be
+used (experiment with \vrule or \hrule for this). Finally, numerals
+were written in a decimal base, but with the low-order digits FIRST.
+So the speed of light would be ``000681'' miles/second, if the Eldar had
+reckoned in miles.
+
+The S-hook, `halla' carrier, and Beleriandic "w-squiggle" (seen in
+Sauron Defeated) were added September 1994 to work better with
+Ivan Derzhanski's TengTeX macros.
+
+I have experimented only a little bit with the "meta" possibilities for
+this font, although I have made something of an attempt to parametrize
+most of the glyphs. Try `tengwarweird' for a different look. You are
+encouraged to experiment with the parameter settings and are
+*DEFINITELY* encouraged to send me any interesting settings (and changes
+that might be required to accomodate those settings).
+
+ Mike Urban
+ urban@netcom.com
diff --git a/Master/texmf-dist/doc/fonts/tengwar/quenya.tex b/Master/texmf-dist/doc/fonts/tengwar/quenya.tex
new file mode 100644
index 00000000000..3b0e620a8bb
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/tengwar/quenya.tex
@@ -0,0 +1,34 @@
+\font\elvish=tengwar scaled \magstep 2
+\elvish\baselineskip=18pt
+\obeylines
+\leftskip 1in plus 1fil
+\rightskip 1in plus 1fil
+\nopagenumbers
+\def\rd{\char18}
+\def\z{\char26}
+\def\slowbar{\char8}
+\def\llowbar{\char9}
+\def\shighbar{\char10}
+\def\lhighbar{\char11}
+\line{\hfil}
+\vfill
+\^e l\^u\.r\'i \^l\^DR \^l{z\kern 1pt}\llap{\'{}} s\u\i\.r\'nn
+\c O\llap{\H{}}\.n \u\i n\v\i\.t\'m \'w r\^\i\^mR \^i\^L\v rn!;
+\c O\'\i\.n \'w \.l\'D \c O\llap{\u{}}\^LR \^iw\^\i\.n\'iR
+m\.\i\ \v i\v r\^m\.\rd\ \.l\'\z-\.m\u rw\v\i\'r\^w
+\^id\u\i\'n \'p\^l\llap{\slowbar} \^w\v\rd\ \'t\u l\llap{\slowbar}\^mR
+\u n l\u e\.n \c O\llap{\^{}}z\kern 1pt\llap{\'{}}n \.t\.D\^lR \.i \'i\'l\.n
+\v\i m\^\i\c r\llap{\v{}} \^e\'r-t\^\i\.r-l\.i\.r\'nn.
+\smallskip
+s\.\i\ \^mn \.i \c O\llap{\u{}}l\^m \.nn \'i\^G\u D\^w?.
+\smallskip
+\^in s\.\i\ \.t\^D\v l \^w\^\rd\ \v e\v i\v lz\llap{\'{}}
+\'w \^f\c n\llap{\^{}}R m\^\i\c r\llap{\^{}}t \'i\'lD\^\i\.r \v iR\^t\'n,
+\^iR \.i\c l\llap{\'{}}\ \.t\'iR \u i\u dl\^i\'w \v l\v b\'e;
+\^iR \.{\char3}\^dn\v\i \.r\'i\v l \^Ce\^t \v mR\.n\'i
+\.i \^fl\^m\.l\^nR \.i\'b \'mt,
+\^iR h\.i\.{\char3}\'i \u iD\u\i \^p \^C\^l\.C\c r\llap{\v{}} m\.i\.r \v e\^i\'l.
+s\.\i\ \^wn\^A n\^\i\ r\v\i\'m\v l \^wn\^A \^w\.l\^mR!
+nm\^\i \.r\'i! n\^e \.h\u r\^w\c l\llap{\'{}} w\.l\^mR;
+n\^e \'i\c l\llap{\'{}} \.h\u r\^w! \^nm\^\i \.r\'i-
+\vfill\eject\end
diff --git a/Master/texmf-dist/doc/fonts/tengwar/sindarin.tex b/Master/texmf-dist/doc/fonts/tengwar/sindarin.tex
new file mode 100644
index 00000000000..f84045f5008
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/tengwar/sindarin.tex
@@ -0,0 +1,14 @@
+\font\elvish=tengwarweird scaled \magstep 2
+\elvish\baselineskip=18pt
+\obeylines
+\leftskip 1in plus 1fil
+\rightskip 1in plus 1fil
+\nopagenumbers
+a elbereth jilthoRiel,
+silivreR pena w\'iriel
+o weRel \.ajlar eleRath;
+R\.a shaered palaRd\'iriel
+o jaladhremiR enorath,
+faR\"ulos le linathoR
+Rev aear s\'i Rev aearoR;-
+\bye
diff --git a/Master/texmf-dist/doc/fonts/timing/prozt1.tex b/Master/texmf-dist/doc/fonts/timing/prozt1.tex
new file mode 100644
index 00000000000..fd6338e04cf
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/timing/prozt1.tex
@@ -0,0 +1,47 @@
+\begin{timing}{1.8cm}
+\tin{1}{CLK}
+\tin{2}{A16--19}
+\tin{3}{AD0--15}
+\tin{4}{\nicht{ALE}}
+\tin{5}{READY}
+\tin{6}{M/\nicht{IO}}
+\tin{7}{DT/\nicht{R}}
+\tin{8}{\nicht{RD}}
+\tin{9}{\nicht{WR}}
+\tin{10}{\nicht{DEN}}
+\tnote{0.5}{4}{T1}\tnote{0.5}{12}{T2}\tnote{0.5}{20}{T3}\tnote{0.5}{28}{T4}
+\tnote{0.5}{36}{T1}\tnote{0.5}{44}{T2}\tnote{0.5}{52}{T3}
+\tnote{0.5}{60}{T3}\tnote{0.5}{68}{T4}
+\til{1}{% Takt
+HHLLLLHHHHLLLLHHHHLLLLHHHHLLLLHHHHLLLLHHHHLLLLHHHHLLLLHHHHLLLLHHHHLLLLHHHHLL}
+%%....1111....2222....3333....4444....1111....2222....3333....3333....4444..
+\til{2}{% Adressen/Status
+VVXVVVVVVVXVVVVVVVVVVVVVVVVVVVVVVVXVVVVVVVXVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVXV}
+\tnote{2}{3}{Adressen}\tnote{2}{11}{Status}
+\tnote{2}{36}{Adressen}\tnote{2}{44}{Status}
+\til{3}{% Adressen/Daten
+ZZZVVVVVVVVZZZZZZZZVVVVVVVVVZZZZZZZZVVVVVVVXVVVVVVVVVVVVVVVVVVVVVVVVVZZZZZZZ}
+\tnote{3}{4}{Adressen}\tnote{3}{20}{Daten$^*$}
+\tnote{3}{37}{Adressen}\tnote{3}{45}{Daten$^{**}$}
+\til{4}{% -ALE
+HHHHHHHHLLLHHHHHHHHHHHHHHHHHHHHHHHHHHHHHLLLHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH}
+\til{5}{% Ready
+FFFFFFFFFFFFFFFFFFFFFFFFFHHFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFLLLLLLLHHHFFFFFFFFF}
+%%....1111....2222....3333....4444....1111....2222....3333....3333....4444..
+\til{6}{% M/-IO
+FFHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHFFHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHFF}
+\til{7}{% DT/-R
+HLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHFFFF}
+\til{8}{% -RD
+HHHHHHHHHHHHLLLLLLLLLLLLLLLLHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH}
+%%....1111....2222....3333....4444....1111....2222....3333....3333....4444..
+\til{9}{% -WR
+HHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHLLLLLLLLLLLLLLLLLLLLLLLLHHHHHHHH}
+\til{10}{% -DEN
+HHHHHHHHHHHHHLLLLLLLLLLLLLLHHHHHHHHHHHHHHHHLLLLLLLLLLLLLLLLLLLLLLLLLLHHHHHHH}
+\sline{0.5}{2}{10}\sline{0.5}{10}{10}\sline{0.5}{18}{10}\sline{0.5}{26}{10}
+\sline{0.5}{34}{10}
+\sline{0.5}{42}{10}\sline{0.5}{50}{10}\sline{0.5}{58}{10}\sline{0.5}{66}{10}
+\sline{0.5}{74}{10}
+\end{timing}
+
diff --git a/Master/texmf-dist/doc/fonts/timing/read.me b/Master/texmf-dist/doc/fonts/timing/read.me
new file mode 100644
index 00000000000..e2b967ad9e3
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/timing/read.me
@@ -0,0 +1,23 @@
+Dieses Dateipaket enth„lt vier Zeichens„tze sowie einige Makrodefinitionen,
+die das Zeichnen von Zeitdiagrammen digitaler Schaltungen unter LaTeX
+erlauben.
+
+Folgende Dateien geh”ren dazu:
+
+TIMING1.MF Metafont-Dateien mit Beschreibung der Zeichens„tze
+TIMING2.MF
+TIMING1S.MF
+TIMING2S.MF
+TIMING.MF Hauptdatei
+
+TIMING*.PK Zeichens„tze fr Atari SLM605 (300dpi)
+TIMING*.TFM TFM Dateien fr TeX
+
+TIMING.STY Makrodefinitionen fr LaTeX
+
+TIMING.TEX Beschreibung der Makros
+TIMING.DVI DVI Datei der Beschreibung
+
+READ.ME diese Datei
+
+Weitere Einzelheiten sind der Beschreibung zu entnehmen.