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author | Karl Berry <karl@freefriends.org> | 2011-03-08 17:33:41 +0000 |
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committer | Karl Berry <karl@freefriends.org> | 2011-03-08 17:33:41 +0000 |
commit | e28f50b324dbf45f3f112ab2e3c0aed8d61b2d9f (patch) | |
tree | f26ccdad895bc541e7c553c6a0af2df0e2eef3ba /Master/texmf-dist/doc | |
parent | fb769976952944b4e9bfb668cdce9c401ff1e01a (diff) |
rm mff, noinfo license
git-svn-id: svn://tug.org/texlive/trunk@21647 c570f23f-e606-0410-a88d-b1316a301751
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diff --git a/Master/texmf-dist/doc/latex/mff/mffdoc.pdf b/Master/texmf-dist/doc/latex/mff/mffdoc.pdf Binary files differdeleted file mode 100644 index 6313a1a4816..00000000000 --- a/Master/texmf-dist/doc/latex/mff/mffdoc.pdf +++ /dev/null diff --git a/Master/texmf-dist/doc/latex/mff/mffdoc.tex b/Master/texmf-dist/doc/latex/mff/mffdoc.tex deleted file mode 100644 index 1f88354d18a..00000000000 --- a/Master/texmf-dist/doc/latex/mff/mffdoc.tex +++ /dev/null @@ -1,1455 +0,0 @@ -\documentstyle{article} -\title{{\sc mff.sty}: Computer Modern Typefaces\\ -as the Multiple Master Fonts\\[0.5\baselineskip] -\Large Version 1.21} - -\author{ -\begin{minipage}{0.4\textwidth} -\begin{center} A.S.Berdnikov\\{\tt berd{\sl @}ianin.spb.su} \end{center} -\end{minipage} -\hfill -\begin{minipage}{0.4\textwidth} -\begin{center} S.B.Turtia\\{\tt turtia{\sl @}ianin.spb.su} \end{center} -\end{minipage} -} - -\date{} - -\def\PiC{P\kern-.12em\lower.5ex\hbox{I}\kern-.075emC\spacefactor1000 } -\font\manual=logo10 at 12pt -\def\MF{{\manual META}\-{\manual FONT}\spacefactor1000 } -\def\AW{Addison\kern.1em-\penalty 0pt \hskip 0pt Wesley} -\def\CandT{{\sl Computers \& Typesetting}} -\def\TUB{{\sl TUGboat\/}} - -\font\cmcmss=cmss12 scaled 1000 -\font\cmcmbx=cmbx12 scaled 1000 -\font\cmcmtt=cmtt12 scaled 1000 -\font\cmcmsl=cmsl12 scaled 1000 -\font\cmfunny=cmff10 scaled 1200 -\font\cmquote=cmssq8 scaled 1200 -\font\cmdunh=cmdunh10 scaled 1200 -\font\cmcmr=cmr12 scaled 1000 - -\font\cmq=cmssq8 scaled 800 -\font\cmd=cmdunh10 scaled 800 -\font\csl=cmsl10 scaled 800 - -\newcommand{\bs}{\char92} % char \ - -\makeatletter -\def\hackersmile{\@ifnextchar[{\@hackersmile}{\@hackersmile[10]}} -\def\@hackersmile[#1]{\hbox{% - \unitlength=1pt\relax - \unitlength=#1\unitlength - \divide\unitlength by 10\relax - \thicklines - \raise -3\unitlength \hbox{% - \begin{picture}(12,12)(-6,-6) - \put(0,0){\circle{10}} - \put(-2,1.75){\circle*{1}} - \put(2,1.75){\circle*{1}} - \thicklines - \put(-2.75,3){\line(1,0){1.5}} - \put(2.75,3){\line(-1,0){1.5}} - \put(0,-1){\line(0,1){3}} - \put(-2.5,-2.5){\line(1,0){5}} - \put(-2.5,-2.5){\line(0,1){1}} - \put(2.5,-2.5){\line(0,1){1}} - \end{picture}% -}}} -\makeatother - -\begin{document} - -\maketitle - -\begin{flushright} -\begin{minipage}{0.55\textwidth} -\small -We would like to express our warmest thanks -to Dr.\ A.Compagner from the Delft University of Technology -who spent a lot of his time and efforts -trying to transform two naive students from Russia -into serious scientists. -\end{minipage} -\end{flushright} - -\bigskip - -\begin{abstract} -The style file {\sc mff.sty} simulates the effect of -{\sl Multiple Master Fonts} created by Adobe using -the Computer Modern typefaces as a template. -It enables to vary continuously in a wide range -the shape of \TeX{} fonts and create the unique font -which suites the User's demands. -Although originally {\sc mff.sty} was created for internal -purposes to investigate the possibilities hidden inside -the \MF{} source code for Computer Modern typefaces, -it might be useful for professional applications too. -The style file works correctly with -\LaTeX{} 2$_{\hbox{\normalsize$\varepsilon$}}$ -as well as with \LaTeX{} $2.09$. -\end{abstract} - -\section{Introduction} - -The {\sl Multiple Master Font} format for PostScript -fonts was suggested some time ago -by the well-known company {\sl Adobe Inc}. -It enables to vary continuously the -font characteristics (say, {\em weight} (``boldness'') -from light to black, {\em width} from condensed to expanded, -etc.) and create the unique font which suites -the particular User's demands. -Like many other ``new inventions'' -in computer assisted typography, the roots of this -idea can be found inside \TeX{}\footnote{For example, -{\sl Microsoft Word} 6.0 was announced as the {\em first} -program which enables to mark some place in the text by -a special marker and then to refer to its position -in a form: ``see page \dots'' \hackersmile.} --- namely, in \MF{} -as the language for font description, and in Computer -Modern font family created by D.Knuth in 1977--1985. - -The \MF{} source code was created, and the {\sl Computer Modern} -font parameters were selected using the advises of such -professional font designers as Hermann Zapf, -Matthew Carter, Charles Bigelow and others -(see \cite{CM} for the {\em full} list of contributors). -The \MF{} code for {\sl Computer Modern} typefaces -has the following essential features: -\begin{itemize} -\item -the parameter files are separated from the main source code -so that the font parameters can be variated easily; -\item -the role of the font parameters, the details of the \MF{} source code, -etc., are documented in \cite{CM} in deep details; -\item -the font variations (provided that the fonts and all -changed {\tt .mf} files have the names \underline{\bf different} -from that for the original CM fonts) -are encouraged by the author. -\end{itemize} -The {\sl Computer Modern} fonts are parametrized using -sixty two \hbox{(!!!)} parameters most of which are independent. -It can be seen easily that such big amount of free parameters -exceeds the flexibility of {\em any} multiple master font -which is created up to now or even {\em will be} created -by somebody in future. - -The continuous parametrization of the canonical Computer Modern -typefaces created by John Sauter and Karl Berry -({\sc sauter} fonts \cite{SAUTER}), and, on a different basis, -by J\"org Knappen and Norbert Schwarz for -{\sl European Computer Modern} typefaces \cite{DC}, -enables to vary continuously the font size in a wide range -without loosing the high quality of the output. -As a result it is easy to manipulate with -{\sl Computer Modern} typefaces like the Adobe multiple master fonts, -and to produce an enomorous amount of {\bf freeware} -fonts of professional quality. - -The style file {\sc mff.sty} described here performs this work. -It follows the ideas implimented in the package MF\PiC{}\footnote{% -Like MF\PiC, the first pass of \LaTeX{} -creates the {\tt .mf} file, -then the {\tt .mf} file is processed by \MF, -and at the second pass of \LaTeX{} the new -font is used to make the output.} -and enables to specify the new fonts inside \LaTeX{} document -without dealing with the details of \MF{} programming and -manual specification of each of 62 parameters used in -{\sl Computer Modern} source files. -The User can variate the font shape continuously between -CMR, CMBX, CMSL, CMSS, CMTT and CMFF font families, -specify the {\em weight}, {\em width}, {\em height} -and {\em contrast} of the output font independently, -and in addition he/she can play the character -characteristics so that the output does not -look like the canonical {\sl Computer Modern} -typefaces at all. - -\section{Main Command: define a font\label{GENER}} - -The generation of the {\tt .mf} header file and the activation -of the new font is performed by the command -{\tt\bs{}MFFgener} which has the format: -\begin{itemize} -\item[] \tt \bs{}MFFgener[{\em fntscaled}]\{{\em{\tt\bs}fntcmd}\}\{{\em filename}\}\{{\em fntsize}\} -\end{itemize} -The command {\em{\tt\bs}fntcmd} will switch inside the document -to the desired font like it is done by the \LaTeX{} commands -\verb?\bf?, \verb?\sl?, \verb?\sf?, etc.\footnote{The difference is that -the size of this font is not influenced by the commands like -{\tt\bs{}large} or {\tt\bs{}small} --- it is fixed and is -determined totally by the parameters {\em fntscaled} and {\em fntsize}.} -The file {\em filename{\tt.mf}} will contain the \MF{} source -code of the new font\footnote{To minimize the attempts to create the -fonts with the names already used in Computer Modern family, etc., -the prefix {\em xx} is added before the file name automatically. -See section~\ref{MORE} for more details.}. -The value {\em fntsize} specifies the design size -of the new font (it defines the size of a new font and -is used by {\sc mff.sty} to calculate the font parameters -as the functions of this reference value --- -see sections \ref{MIXTURE} and \ref{CORRECT} for more details). -The optional parameter {\em fntscaled} specifies -the additional scaling of this font in \LaTeX{} document. -Examples: -\begin{itemize} -\item[]\verb?\MFFgener{\zfnt}{zmz30}{30pt}?\\ - \verb?\MFFgener[scaled 2000]{\zfnt}{zmz15}{15pt}?\\ - \verb?\MFFgener[at 30pt]{\zfnt}{zmz20}{20pt}? -\end{itemize} - -The {\tt .mf} file created by {\sc mff.sty} -contains only the list of 62 font -parameters which determine the character shapes. -It also contains the command that loads the -driver file ({\tt roman.mf}, {\tt csc.mf}, etc.), -and the driver file assemblers all the necessary \MF{} source code. -It is assumed that the driver files for the fonts described -in section~\ref{CLASS} together with all necessary -{\tt .mf} files are already installed on your computer. - -When the file {\em filename{\tt.mf}} is created, -it is necessary to process it by \MF{} to get the metric -file {\em filename{\tt.tfm}} and the bitmap file -{\em filename{\tt.pk}}. The second pass of \LaTeX{} will use the metric -information to format the document properly, and the {\sl DVI}-drivers -will use the bitmap data to make the output. -The proper configuration of \TeX-compiler and {\sl DVI}-drivers -so that they can find these files is the User's task -(please consult your local \TeX-expert how to configure -it\footnote{Some advises how to configure the programs -if you use {\sl MS DOS}/{\sf em\TeX} are in section~\ref{CONFIG}.}). - -If \LaTeX{} can find the file {\em filename}{\tt .tfm}, it assigns -the font {\em filename} to the command {\em{\tt\bs}fntcmd} which -can be used later in the document to switch to the desired font. -If \LaTeX{} cannot find the {\tt .tfm} file, the warning message -\begin{itemize} -\item[] {\tt No file {\em filename}.tfm -- dummy font will be used} -\end{itemize} -is displayed which means that the text typed by this new font -will disappear from the {\sl DVI}-file ({\tt dummy} font is the -artificial font which contains no characters). - -The file {\em filename{\tt.mf}} which contains the \MF{} data -necessary to make the font is created after {\em each} pass -of \LaTeX{} and the warning message -\begin{itemize} -\item[] {\tt Do not forget to process {\em filename}.mf - and reprocess this file} -\end{itemize} -is displayed even if the new {\tt .mf} file is identical to the previous -one. It is the User's responcibility to guarantee that the {\sc mff.sty} -commands are the same as during the previous pass of \LaTeX{} and that -the {\tt .tfm} and {\tt .pk} files are produced from the correct version -of {\tt .mf} file. - -\section{Mixture of independent fonts\label{MIXTURE}} - -The {\sl Computer Modern} font sequences -\begin{itemize} -\item[]\begin{flushleft} -{\cmcmr roman},\quad {\cmcmbx bold},\quad -{\cmcmsl slanted},\quad {\cmcmss sans serif},\quad -{\cmcmtt typewriter},\quad {\cmfunny funny},\quad -{\cmdunh dunhill},\quad {\cmquote quotation}\end{flushleft} -\end{itemize} -share just the same \MF{} source code but with different values for -font parameters. Since each font exists at different sizes, it is -possible to construct for each sequence and for each parameter -a continuous approximation which is the function of the font size. -Such approximations, for example, enable to generate fonts with the -font sizes different from that created by D.E.Knuth. - -At least two {\em ready-to-use} font approximations are available from -CTAN. One is the {\sc sauter} font package created by -John Sauter and Karl Berry \cite{SAUTER}, and the other is realized -in {\sc dc} and {\sc tc} fonts created by J\"org Knappen and Norbert -Schwarz \cite{DC}. Special {\sc mff.sty} comands control -the approximation scheme: -\begin{itemize} -\item[] {\tt \bs{}MFFsauter} --- {\sc sauter}-type approximation - is used;\\ - {\tt \bs{}MFFdcfonts} --- {\sc DC font} approximation - is used; -\end{itemize} -where the default mode is {\tt\bs{}MFFsauter}. - -The continuous approximation for CMR parameters enables to create -the \MF{} header file for CMR font with an arbitrary font size. -Similar approximations and, as a result, the font headers with -an arbitrary font size, can be constructed for CMBX, CMTT, CMSS, etc. -The main hypothesis used below is the following: -if some font headers result to correct fonts when processed by \MF{}, -the font header contructed from the {\em weighted sum} of the font -parameters extracted from these font headers gives -the correct font also\footnote{The internal relations between -font parameters described in \cite{CM} are conserved for the weighted -sum of font parameters.}. -Although it is not necessarily true, the experiments -with {\sl Computer Modern} typefaces show that if the header files -corresponding to different {\sl Computer Modern} fonts -{\em with the same font size} are selected, this assumption is fulfilled -with great probability. - -The fonts CMR, CMBX, CMTT, CMSS, etc., have quite different -character styles although they use just the same \MF{} driver file -{\tt roman.mf}. -The CMTT fonts have nearly rectangular serifs, -nearly no contrast between thin and thick lines, -and different ratio width/height as compared with CMR. -The CMSS fonts has no serifs at all, they also -have no contrast, the thickness of their lines is greater -than that for CMTT. -Other fonts have their own specific -features, but inspite of this fact they can be ``added'' -together --- at least mathematically as the 62-dimensional -vectors of font parameters. -The resulting font is no longer CMR, CMBX, CMTT, etc., -but something intermediate with a unique shape. - -Taking into account the {\sf New Font Selection Scheme} used by -\LaTeX~2$_{\hbox{\normalsize$\varepsilon$}}$, -it is preferable to decompose -the CMBX font sequence into {\em two} sequences --- one -for ``boldness'' ({\em weight}) and one for ``extension'' -({\em width}) characteristics. -The {\sc mff.sty} uses the special fonts -$\overline{\hbox{CMB}}$\footnote{It is not the same as -{\tt cmb10} created by D.E.Knuth --- the font parameters -are different.} (bold as CMBX and wide as -CMR) and $\overline{\hbox{CMX}}$ (wide as CMBX and bold as CMR) -which are derived from CMBX. - -The mixture of fonts is performed by the command -\begin{itemize} -\item[] {\tt \bs{}MFFmixture\{$\alpha_1$\}\{$\alpha_2$\}% - \{$\alpha_3$\}\{$\alpha_4$\}\{$\alpha_5$\}\{$\alpha_6$\}} -\end{itemize} -where $\alpha_1$, $\alpha_2$, $\alpha_3$, $\alpha_4$, -$\alpha_5$, $\alpha_6$ specify -the weight factors: -$\alpha_1$ corresponds to $\overline{\hbox{CMB}}$, -$\alpha_2$ corresponds to $\overline{\hbox{CMX}}$, -$\alpha_3$ corresponds to CMSS (sans serif fonts), -$\alpha_4$ corresponds to CMTT (typewriter fonts), -$\alpha_5$ corresponds to CMFIB (``Fibonacci'' fonts), -$\alpha_6$ corresponds to CMFF (funny fonts)\footnote{% -The fonts {\csl slanted}, {\cmq quotation} and {\cmd dunhill} - -are not included in this list because they can be produced -from CMR easily using the scaling commands described -in section~\ref{CORRECT}.}. - -If some parameter has the value $p_{cmr}$ for CMR font, -the value $p_{cmb}$ for $\overline{\hbox{CMB}}$ font -(with the same font size!), the value $p_{sf}$ for CMSS font, etc., -the {\em mixture} value $p_*$ for this parameter is calculated as -\begin{eqnarray} -p_* &=& \alpha_0 p_{cmr} - + \alpha_1 \left(p_{cmb}-p_{cmr}\right) - + \alpha_2 \left(p_{cmx}-p_{cmr}\right) - + \alpha_3 \left(p_{sf}-p_{cmr}\right) -\cr &&\quad\quad - + \alpha_4 \left(p_{tt}-p_{cmr}\right) - + \alpha_5 \left(p_{fib}-p_{cmr}\right) - + \alpha_6 \left(p_{funny}-p_{cmr}\right) -\label{Eq1} -\end{eqnarray} -The value $\alpha_0$ is set to 1.0 by the command {\tt \bs{}MFFmixture}, -but the User can assign an arbitrary value to it using the -commands {\tt\bs{}setMFF[$\alpha_0$]\{cmr\}} and -{\tt\bs{}mixMFF[$\alpha_0$]\{cmr\}} which are decribed below. - -This procedure enables, for example, to make the font ``less bold'' -than CMR or ``more bold'' and ``more extended'' than CMBX -using the weight factors which are less than 0 or greater than 1, -and to create the ``mutant'' combinations of nearly incompatible -font families\footnote{Caution: playing this game -it is very easy to get the {\tt .mf} file which cannot -be passed through \MF{} without errors if you do not -understand clearly what are you doing.}. - -The command - {\tt \bs{}MFFmixture\{$\alpha_{1}$\}\{$\alpha_{2}$\}% - \{$\alpha_{3}$\}\{$\alpha_{4}$\}\{$\alpha_{5}$\}% - \{$\alpha_{6}$\}} -is equivalent to the following sequence of commands: -\begin{itemize} -\item[]{\tt \bs{}clearMFF\ \ \ \ \ \ - \% synonim for \bs{}MFFmixture\{0\}\{0\}\{0\}\{0\}\{0\}\{0\}}\\ - {\tt \bs{}mixMFF[$\alpha_{1}$]\{bold\}} \\ - {\tt \bs{}mixMFF[$\alpha_{2}$]\{x\}} \\ - {\tt \bs{}mixMFF[$\alpha_{3}$]\{sf\}} \\ - {\tt \bs{}mixMFF[$\alpha_{4}$]\{tt\}} \\ - {\tt \bs{}mixMFF[$\alpha_{5}$]\{fib\}} \\ - {\tt \bs{}mixMFF[$\alpha_{6}$]\{funny\}} -\end{itemize} -These commands are better recognized due to their mnemonic form, -they can be specified in an arbitrary order, the commands with -zero $\alpha$'s can be skipped since the zero weight factors are -already assigned by {\tt\bs{}clearMFF}. -If several commands with the same font name are encountered, -the last specification is active. The default value for the -optional parameter $\alpha$ is {\tt 1.0}. - -The mixture between CMR and a {\em single} font can be -specified by a single mnemonic command selected from -\begin{center}\begin{tabular}{l@{\qquad}l@{\qquad}l} -{\tt \bs{}setMFF[$\alpha_{1}$]\{bold\}} & -{\tt \bs{}setMFF[$\alpha_{3}$]\{sf\}} & -{\tt \bs{}setMFF[$\alpha_{5}$]\{fib\}} \\ -{\tt \bs{}setMFF[$\alpha_{2}$]\{x\}} & -{\tt \bs{}setMFF[$\alpha_{4}$]\{tt\}} & -{\tt \bs{}setMFF[$\alpha_{6}$]\{funny\}} -\end{tabular}\end{center} -which is equivalent to {\tt \bs{}MFFmixture} where only -one weight factor has non-zero value. If the optional parameter $\alpha$ -is skipped, the default value {\tt 1.0} is used. It means that -the ``pure'' font family can be specified by the commands -\begin{center}\begin{tabular}{l@{\qquad}l@{\qquad}l} -{\tt \bs{}setMFF\{bold\}} & -{\tt \bs{}setMFF\{sf\}} & -{\tt \bs{}setMFF\{fib\}} \\ -{\tt \bs{}setMFF\{x\}} & -{\tt \bs{}setMFF\{tt\}} & -{\tt \bs{}setMFF\{funny\}} -\end{tabular}\end{center} - -Although \LaTeX{} 2$_{\hbox{\normalsize$\varepsilon$}}$/NFSS -considers the {\em weight} and the {\em width} as two -independent font characteristics, the movement in the direction -``bold + extended'' (i.e., to CMBX font family) usually gives -more pleasant results. -To perform this operation it is necessary to assign the equal weights -to $\alpha_{cmb}$ and $\alpha_{cmx}$ which can be done -by the mnemonic commands -\begin{itemize} -\item[]{\tt \bs{}mixMFF[$\alpha_{bx}$]\{bx\}} - \qquad and \qquad - {\tt \bs{}setMFF[$\alpha_{bx}$]\{bx\}} -\end{itemize} -The commands -\begin{itemize} -\item[]{\tt \bs{}mixMFF[$\alpha_{cmr}$]\{cmr\}} - \qquad and \qquad - {\tt \bs{}setMFF[$\alpha_{cmr}$]\{cmr\}} -\end{itemize} -play a special role: they enable to assign the value -$\alpha_0=\alpha_{cmr}$ in the equation~(\ref{Eq1}) -(usually $\alpha_0$ is set to 1.0 by the command -{\tt\bs{}MFFmixture} --- for the evident reasons). - -%\section*{Some notes about the font sequences -% with continuously variated font size} -% -%Suppose that there is a continuous approximation -%for {\sl Computer Modern Roman} (CMR) which enables -%to calculate the \MF{} font parameters for an {\em arbitrtary} -%design size even with weak \TeX{} arithmetical capabilities. -%The desired font size is specified as the input parameter, -%all the internal calculations of the font parameters are performed -%by \TeX{}, and at the output there is the \MF{} {\em ready-to-run} -%font header file for a new font. When this new font header file -%is processed by \MF{}, it can be used in \TeX{} documents like -%other generic \TeX{} fonts. -% -%It is interesting to compare the possibilities of this simplest -%form of pa\-ra\-me\-tri\-za\-ti\-on -%of CMR-fonts and the {\sc PostScript} vector fonts. -%The nearly-proportional changing of the font dimensions -%with respect to magnification parameter is the analog of the -%linear scaling of the {\sc PostScript} fonts. -%The non-linear relationship of the inter-character spacing from -%the font size imitates the {\em tracking} mechanism implemented -%in {\sc PostScript} fonts (which is not taken into account in most -%cases by text processors). The fact that the ratio height/width is a -%non-constant (and non-linear) function of the font size is a -%serious advantage of these pseudo-CMR fonts in comparison with -%the linearly scaled {\sc Postscript} fonts since it enables to make -%the font proportions more suitable for a human eye -%(it is well known that for good eye recognision small letters -%are to be more expanded and have greater inter-character spacing). -% -%There are at least {\em two} ready-to-use font approximations -%available from CTAN. The first one is the \MF{} {\sc sauter} -%font package created by John Sauter and Karl Berry. It uses -%the continuous functions composed from constant, linear and quadratic -%pieces which are constructed so that for {\em canonical} font sizes they -%produce nearly just the same {\tt *.mf} files as the ones used -%by the original {\sl Computer Modern} typefaces. Although the latest -%version of {\sc sauter} is dated 1992, and in 1995 the parameters -%of {\sl Computer Modern} fonts were again slightly changed, -%it seems still to be the reliable source of the fonts with -%intermediate design sizes. -% -%The other approximation is realized in {\sc dc} and {\sc tc} -%fonts by by J\"org Knappen and Norbert Schwarz \cite{DC}. -%It is based on cubic splines --- Lagrange cubic splines or -%canonical cubic splines --- using the parameters of -%{\sl Computer Modern} typefaces as the base points. -%Although generally piecewise-cubic functions produce -%good quality approximations, it is not so with the data extracted -%from {\sl Computer Modern} \MF{} files. The plots of its parameters -%with respect to the design size are ``noisy'' functions with some -%abrupt jumps since these parameters were selected -%manually to optimize the font shape, not the mathematical plots. -%As a result the cubic smooth approximations obey parasilic local -%minima and maxima and do not work far outside the range of -%design sizes used as the base data points. The {\sc dc} and {\sc tc} -%fonts with intermediate font sizes are visually good even with -%this ``mathematical'' defects but it was more advantageous -%to impliment piecewise-linear approximation instead of -%piesewise-cubic one. -% -%The first version of {\sc mff.sty} was based on piecewise-linear and -%piecewise-cubic (Lagrange splines) functions using {\sl Computer Modern} -%typefaces as the reference data. To eliminate the parasitic local -%minima and maxima some data points were slightly changed, and new -%data points were added to guarantee a good behavour of the approximating -%expressions outside the range {\tt 5pt} -- {\tt 17.28pt}. The current -%version of {\sc mff.sty} is based on {\sc sauter}-type approximation -%with some modifications (especially for {\tt cmff} and {\tt cmfib} fonts) -%and on the piecewise-linear approximations based on {\sc dc} data. -%The variated {\sl Computer Modern} data used in the previous versions -%became obsolete and is discarded now since it is not a good idea -%to modify voluntary the original {\sc Computer Modern} parameters. - -\section{Modifications of font parameters\label{CORRECT}} - -You can use the weighted mixture of font ingredients using the commands -{\tt\bs{}setMFF}, {\tt\bs{}mixMFF} and {\tt\bs{}MFFmixture} described -above, but you can also vary ``by hand'' the font parameters -which control the essential details of the character shape. -%The commands described in this section enable to do: -%\begin{itemize} -%\item scale the {\em width} of the character; -%\item scale the {\em height} of the character; -%\item scale the length of ascenders and descenders; -%\item scale the height of digits and the middle line for -% mathematical symbols; -%\item scale the thickness of {\em thin strokes} -% and {\em thick strokes}; -%\item correct the {\em contrast} of the character; -%\item specify the tilt ratio $(\Delta x/\Delta y)$ -% for {\sl slanted} fonts; -%\item scale (or set to some value) some specific parameters -% which are responcible for fine character tuning; -%\item specify the logical flags which control the ligatures, -% character serifs, etc. -%\end{itemize} - -\subsection{Variations of the height\label{HEIGHT}} - -The following commands enable to vary the height of the vertical -elements of the characters: -\begin{description} -\item[\quad{\tt \bs{}MFFscaleHeight\{{\em factor}\}}] --- scale proportionally - the height and the depth of the characters; -\item[\quad{\tt \bs{}MFFscaleAsc\{{\em factor}\}}] --- scale - the height of the capital characters, brackets, digits, etc., - and the ascenders of the characters like `b', `h'; -\item[\quad{\tt \bs{}MFFscaleDesc\{{\em factor}\}}] --- scale - the depth of comma and the descenders of the characters - like `Q', `y'; -\item[\quad{\tt \bs{}MFFscaleMath\{{\em factor}\}}] --- scale - the height of digits and the height of - the horizontal bar (the middle line) for mathematical symbols - like $=$, $+$, $-$. -\end{description} -If several height factors are specified, their effect is combined. -The curious font {\tt cmdunh10} can be reproduced {\em exactly} -by proper specification of all these factors. - -Example: -\begin{eqnarray*} -&&\hbox{\tt \bs{}MFFscaleAsc\{1.5\}}\\ -&&\hbox{\tt \bs{}MFFscaleDesc\{1.2\}} -\end{eqnarray*} - -\subsection{Variations of the width\label{WIDTH}} - -The {\em width} of CMR font can be variated by mixturing -with the $\overline{\hbox{CMX}}$ font. It increases the character width -and also performs some fine tuning of other font parameters. -Due to this reason the mixturing with -$\overline{\hbox{CMX}}$ can be advantageous to variate -the width of characters if you deal with CMR family. -From the other side, for CMTT fonts or CMSS fonts the -mixturing with $\overline{\hbox{CMX}}$ results also -to some variation of the character shapes which can be -an undesirable effect. - -The User can specify the explicit width multiplication -which means that the font parameters which define the width -of the characters are multiplied by some factor: -\begin{itemize} -\item[]{\tt \bs{}MFFscaleWidth\{{\em factor}\}} -\end{itemize} -After this command the font parameters -\begin{itemize} -\item[]\begin{flushleft} -{\tt u\#}, {\tt serif\_fit\#}, {\tt cap\_serif\_fit\#}, -{\tt jut\#}, {\tt cap\_jut\#} -\end{flushleft}\end{itemize} -are scaled proportionally to {\em factor}. -The values $\hbox{\em factor}>1.0$ correspond to expansion, -the values $0<\hbox{\em factor}<1.0$ --- to compression of the -characters. The command {\tt \bs{}MFFscaleWidth\{1.0\}} -restores the default width. - -\subsection{Variations of the weight\label{WEIGHT}} - -The {\em weight}, i.e., the ``boldness'' of the characters can be -controlled by muxturing with $\overline{\hbox{CMB}}$. -Similarly to {\em width} correction described in the previous section, -for such fonts as CMTT or CMSS it is accompanied -by some undesirable changes in the character shapes. - -The following commands control explicitly -the {\em weight} and the {\em contrast} of the characters: -\begin{description} -\item[\quad{\tt \bs{}MFFscaleBoldLines\{{\em coef}$_1$\}}] ---- scale the thickness of {\em thick} strokes by {\em coef}$_1$; -\item[\quad{\tt \bs{}MFFscaleThinLines\{{\em coef}$_2$\}}] ---- scale the thickness of {\em thin} strokes by {\em coef}$_2$. -\end{description} -The coefficient {\em coef}$_1$ scales the values of the font parameters -\begin{itemize} -\item[]\begin{flushleft} -{\tt stem\#}, {\tt curve\#}, {\tt ess\#}, {\tt flare\#}, {\tt dot\_size\#}, -{\tt cap\_stem\#}, {\tt cap\_curve\#}, {\tt cap\_ess\#}, -{\tt bar\#}, {\tt slab\#}, {\tt cap\_bar\#}, {\tt cap\_band\#}, -{\tt thin\_join\#}. -\end{flushleft}\end{itemize} -The coefficient {\em coef}$_2$ scales the values of font parameters -\begin{itemize} -\item[]\begin{flushleft} -{\tt hair\#}, {\tt vair\#}, {\tt cap\_hair\#}, -{\tt rule\_thickness\#}, {\tt notch\_cut\#}, {\tt cap\_notch\_cut\#}. -\end{flushleft}\end{itemize} - -Multiplication by {\em coef}$_1$ and {\em coef}$_2$ increases -the font contrast in $\hbox{\em coef}_1/\hbox{\em coef}_2$ times. -The contrast can be specified explicitly using the commands -\begin{itemize} -\item[]{\tt \bs{}MFFcontrast[{\em type}]}\qquad or \qquad - {\tt \bs{}MFFcontrast\{{\em value}\}} -\end{itemize} -which defines the parameter {\em value} equal to the ratio -of the thickness of {\em thin strokes} to the thickness of -{\em thick strokes}. The commands work as: -\begin{eqnarray*} -&&\hbox{{\tt\bs{}MFFcontrast[s]} --- no correction of the contrast;}\\ -&&\hbox{{\tt\bs{}MFFcontrast[n]} --- no contrast at all ({\em value}=1);}\\ -&&\hbox{{\tt\bs{}MFFcontrast[d]} --- 50\% contrast ({\em value}=0.5);}\\ -&&\hbox{{\tt\bs{}MFFcontrast\{{\em value}\}} - --- the {\em value} is specified explitly.} -\end{eqnarray*} -If the correction of the contrast is active -(no command {\tt\bs{}MFFcontrast[s]}), -all thick element of lowercase characters are equal to {\tt stem\#}, -all thick element of uppercase characters are equal to {\tt cap\_stem\#}, -all thin elements have the thickness of {\tt stem\#} or {\tt cap\_stem\#} -multiplied by {\em value}, the values {\tt stem\#} and {\tt cap\_stem\#} -are multiplied by $\hbox{\em coef}_1$, -the value $\hbox{\em coef}_2$ is ignored. - -\subsection{Miscellaneous variations\label{MISC}} - -The following scaling factors can help to perform fine tuning -of the characters (see \cite{CM} for more details): -\begin{description} -\item[\quad{\tt \bs{}MFFscaleJoinLines\{{\em factor}\}}] ---- variable {\tt thin\_join\#} is multiplied by {\em factor} - (this variable is responcible - for fine connection between thin and thick lines in `h', `m', `n'); -\item[\quad{\tt \bs{}MFFscaleNotchCut\{{\em factor}\}}] --- - variables {\tt notch\_cut\#} and {\tt cap\_notch\_cut\#} are - multiplied by {\em factor} (these variables - are responcible for sharp corners in letters `A', `V', `w'); -\item[\quad{\tt \bs{}MFFscaleDotSize\{{\em factor}\}}] --- - variables {\tt dot\_size\#} and {\tt flare\#} are multiplied - by {\em factor} (these variables - are responcible for dots in `i', `:' and bulbs in `a', `c'); -\item[\quad{\tt \bs{}MFFscaleSerifDish\{{\em factor}\}}] --- - variable {\tt dish\#} is multiplied by {\em factor} (this - variable defines the curved shape of the serif platform). -\end{description} - -Since these parameters perform fine tuning of the character shape, -it can be desirable to assign the specific value to some of them -instead of scaling the default value. -This operation requires the ``expert level macros'' -described in section~\ref{EXPERT}. -For example, to assign a very big number to the variables -{\tt notch\_cut\#} and {\tt cap\_notch\_cut\#} -which control the sharpness of the corners in letters `A', `V', `w', -etc.\footnote{This operation is necessary to produce high-quality -outlined characters using {\em font tricks} commands described -in section~\ref{TRICKS} (see \cite{Outline} for more -details).}, the following commands can be used: -\begin{itemize} -\item[] - {\tt\bs{}MFFcatcode}\\ - {\tt \bs{}def\bs{}MFF@assign@notch\_cut\{\bs{}@tempdimb=16383pt\}}\\ - {\tt \bs{}def\bs{}MFF@assign@cap\_notch\_cut\{\bs{}@tempdimb=16383pt\}}\\ - {\tt\bs{}noMFFcatcode} -\end{itemize} -To return the rule of calculation for these parameters -to the default state, the commands -\begin{itemize} -\item[] - {\tt\bs{}MFFcatcode}\\ - {\tt \bs{}def\bs{}MFF@assign@notch\_cut\{\}}\\ - {\tt \bs{}def\bs{}MFF@assign@cap\_notch\_cut\{\}}\\ - {\tt\bs{}noMFFcatcode} -\end{itemize} -should be used. - -\subsection{Slanted characters\label{SLANT}} - -The inclination of the characters is defined by the -variable {\tt slant\#} which is specified explicitly -by the commands: -\begin{itemize} -\item[]{\tt \bs{}MFFslant\{{\em parm}\}} --- set {\em slant} as a fraction; -\item[]{\tt \bs{}MFFslantD\{{\em parm}\}} --- set {\em slant} as an angle - specified in degrees. -\end{itemize} -For example, {\em slant} typical for CMSL is specified -as {\tt \bs{}MFFslant\{1/6\}}, and {\em slant} typical for -CMSSI is specified as {\tt \bs{}MFFslantD\{12\}} which is -just the same as {\tt \bs{}MFFslant\{sind(12)/cosd(12)\}}. -The arguments of the commands {\tt\bs{}MFFslant} and {\tt\bs{}MFFslantD} -are interpreted as the text strings directly transferred to -{\tt .mf} files, not as the numerical values. - - -\subsection{Logical flags\label{FLAGS}} - -The logical switches usually specified at the end of {\tt *.mf} -file can be controlled by the following commands -({\sl char}={\tt n} means {\em false}, {\sl char}={\tt y} means {\em true}): -\begin{description} -\item[\quad{\tt \bs{}MFFflagSquareDots\{{\sl char}\}}] --- set logical variable - {\tt square\_dots} (should dots be square?); -\item[\quad{\tt \bs{}MFFflagHefty\{{\sl char}\}}] --- set logical variable - {\tt hefty} (should we try hard not to be overweight?); -\item[\quad{\tt \bs{}MFFflagSerifs\{{\sl char}\}}] --- set logical variable - {\tt serifs} (should bulbs and se\-rifs be attached?); -\item[\quad{\tt \bs{}MFFflagMonospace\{{\sl char}\}}] --- set logical variable - {\tt monospace} (are all characters of the same width?); -\item[\quad{\tt \bs{}MFFflagVariantG\{{\sl char}\}}] --- set logical variable - {\tt variant\_g} (should an italic-style g be used?); -\item[\quad{\tt \bs{}MFFflagLowAsterisk\{{\sl char}\}}] --- set logical variable - {\tt low\_asterisk} (should the asterisk be centered at the axis?); -\item[\quad{\tt \bs{}MFFflagMathSpacing\{{\sl char}\}}] --- set logical variable - {\tt math\_fitting} (should math-mode spacing be used?). -\end{description} -The level of ligature and kerning data is specified by the command: -\begin{description} -\item[\quad{\tt \bs{}MFFflagLigs\{{\em type}\}}] where {\em type} is - {\tt 0}, {\tt 1}, {\tt 2}, {\tt s} or {\tt n} --- set ligature level: - {\tt 0}, {\tt 1}, {\tt 2} correspond to the value of the variable {\tt ligs}, - {\tt n} is equivalent to {\tt 0}, {\tt s} set ligature level like - in CMR fonts (it is {\tt 1} if font design size is less than {\tt 6pt}, - and {\tt 2} otherwise). -\end{description} - -\subsection{Expert level macros\label{EXPERT}} - -It is possible to change manually each font variable -if the default value calculated by {\sc mff.sty} is -not satisfactory. To perform such operation it is necessary -to specify the macro with the name -\begin{itemize} -\item[] {\tt \bs{}MFF@assign@{\em varname}} -\end{itemize} -which redefine the value of the register \verb?\@tempdimb?. -On input the register \verb?\@tempdimb? -is equal to automatically calculated value for that parameter, -and the register \verb?\@tempdima? is equal to the font design size. -On output the register \verb?\@tempdimb? should contain -the new value for the font parameter. -When the macro {\tt\bs{}MFF@assign@{\em varname}} is executed, -the correction procedure described in section~\ref{CORR} -is performed. - -For example, the following macro -\begin{itemize} -\item[] {\tt \bs{}def\bs{}MFF@assign@x\_height\{\bs{}@tempdimb=3\bs{}@tempdimb\}} -\end{itemize} -scales by 3 the font variable {\tt x\_height\#}, and the macro -\begin{itemize} -\item[] {\tt \bs{}def\bs{}MFF@assign@crisp\{\bs{}@tempdimb=0pt\}} -\end{itemize} -assigns zero value to the font variable {\tt crisp\#}. -To delete this user-specified transformation it is -necessary to use the explicit dummy definition -\begin{itemize} -\item[] {\tt \bs{}def\bs{}MFF@assign@x\_height\{\}}\\ - {\tt \bs{}def\bs{}MFF@assign@crisp\{\}} -\end{itemize} - -The characters `{\tt \_}' and `{\tt @}' should have the status -{\em letters} to type such macro definition. The command -{\tt\bs{}MFFcatcode} assigns the status {\em letters} to -`{\tt \_}' and `{\tt @}', and the command {\tt\bs{}noMFFcatcode} -returns the previous status for these characters. -These commands work correctly even inside {\tt .sty} files where -the character `{\tt @}' have the status {\em letter} before \LaTeX{} -starts to process the style file, and should conserve this status -when \LaTeX{} finishes to process the style file. -Since the command {\tt\bs{}noMFFcatcode} returns {\em the previous} -status to `{\tt \_}' and `{\tt @}' (that is, the catcode which -they have during the last command {\tt\bs{}MFFcatcode}), two subsequent -commands {\tt\bs{}MFFcatcode} without intermediate{\tt\bs{}noMFFcatcode} -produce an error: the status of `{\tt \_}' and `{\tt @}' will be -{\em letters} even after the command {\tt\bs{}noMFFcatcode}. -To assign the status {\em other characters} to `{\tt \_}' and `{\tt @}' -unconditionally, the command {\tt\bs{}otherMFFcatcode} can be used. - -\bigskip - -The only operation that should be performed inside -{\tt\bs{}MFF@assign@{\em varname}} is the re-definition of -{\tt\bs{}@tempdimb}. No {\tt\bs{}@tempdima} nor other -internal variables can be changed although the contents of -{\tt\bs{}@tempdima} and the initial value of {\tt\bs{}@tempdimb} -can be used to calculate the output value. The exception are -the dimensional registers -{\tt\bs{}MFF@dimenA}, {\tt\bs{}MFF@dimenB}, -{\tt\bs{}MFF@dimenC}, {\tt\bs{}MFF@dimenD} -which can be used for intermediate calculations. -Also, it is necessary to take into account that: -\begin{itemize} -\item the value of all dimensional {\tt .mf} variables except - \begin{itemize}\item[] - {\tt notch\_cut\#}, {\tt cap\_notch\_cut\#}, - {\tt rule\_thickness\#} - \end{itemize} - is divided by 36 when printed to the header file; -\item the values of the variables - \begin{itemize}\item[] - {\tt notch\_cut\#}, {\tt cap\_notch\_cut\#}, - {\tt rule\_thickness\#} - \end{itemize} - are divided by 100 when printed to the header file; -\item the values of non-dimensional variables - \begin{itemize} - \item[]\begin{flushleft} - {\tt fudge}, {\tt math\_spread}, - {\tt superness}, {\tt superpull}, - {\tt beak\_darkness} - \end{flushleft}\end{itemize} - are printed to the header file `as it is' but it is to be - specified in {\tt pt} --- say, to assign - the value 0.5 to the variable {\tt fudge}, - the command - \begin{itemize} - \item[] {\tt \bs{}def\bs{}MFF@assign@fudge\{\bs{}@tempdimb=0.5pt\}} - \end{itemize} - should be used; -\item the value of the font parameter {\tt slant} is - set directly by the commands {\tt \bs{}MFFslant} - and {\tt \bs{}MFFslantD} and cannot be specified - using the command {\tt\bs{}MFF@assign@slant}; -\item the value of {\tt font\_size} is defined by the parameter - {\em fntsize} of the command {\tt\bs{}MFFgener} - (see section~\ref{GENER}) and cannot be changed - after it. -\end{itemize} - - -\section{Automatic control of font parameters\label{CORR}} - -The \MF{} programs which describe the {\sl Computer Modern} typefaces -assume that the following mutial relations between font parameters -are fulfilled (see \cite{CM} for more details): -\begin{itemize} -\item $0.5\cdot${\tt x\_height} $\le$ {\tt bar\_height} - $\le 0.55\cdot${\tt x\_height} -\item $\displaystyle\begin{array}[t]{rcl} - \hbox{\tt asc\_height} &\ge& 1.2\cdot\hbox{\tt x\_height}\\ - \hbox{\tt curve} &\ge& \hbox{\tt stem}\\ - \hbox{\tt cap\_stem} &\ge& \hbox{\tt stem}\\ - \hbox{\tt cap\_curve} &\ge& \hbox{\tt curve} - \end{array}$ -\item -each of the variables -\begin{itemize} -\item[] \begin{flushleft} - {\tt thin\_join}, {\tt hair}, {\tt vair}, {\tt stem}, {\tt curve}, - {\tt ess}, {\tt flare}, {\tt dot\_size}, {\tt bar}, {\tt slab}, - {\tt cap\_hair}, {\tt cap\_stem}, {\tt cap\_curve}, - {\tt cap\_ess}, {\tt cap\_bar}, {\tt cap\_band} - \end{flushleft} -\end{itemize} -are no less than {\tt crisp}, {\tt tiny} and {\tt fine}; -\item -the variables {\tt stem\_corr} and {\tt vair\_corr} -are no greater than -$\frac{1}{5}$ {\tt cap\_hair}, -$\frac{1}{6}$ {\tt stem}, -$\frac{1}{4}$ {\tt fudge}$\times${\tt stem} -and $\frac{1}{12}$ {\tt curve}; -\item -the variable {\tt vair\_corr} is no greater than -$\frac{1}{4}\hbox{\tt slab}$; -\item -the variable {\tt stem\_corr} is no greater than -$\frac{1}{16}\hbox{\tt fudge}\times\hbox{\tt hair}$. -\end{itemize} - -Although even the canonical header files sometimes -violate these conditions, -it is more safe if the font parameters calculated by {\sc mff.sty} -satisfy these relations (especially if the {\sl Computer Modern} -driver files {\tt roman.mf}, {\tt textit.mf}, {\tt csc.mf} are used). -From the other side, several interesting effects can be achieved only -when these relations are violated (provided that the {\tt .mf} file -is still processed by \MF{} without errors). -The automatical correction is switched {\em on} and {\em off} -by the commands: -\begin{description} -\item[\quad{\tt\bs{}MFFcheck}] --- the conditions described above -are checked and the variable values are corrected if necessary; -\item[\quad{\tt\bs{}MFFnocheck}] --- the automatical checking -and correction of the font parameters is switched off although -the condition that some critical parameters -are not negative, is still checked and corrected, if necessary. -\end{description} - -\section{Font classes\label{CLASS}} - -The NFSS/\LaTeX$2_{\varepsilon}$ classifies \TeX{} font -families in a way which is different from the logical structure -of {\tt .mf} files for {\sl Computer Modern} typefaces. -That is, the {\em italic} and {\sc small caps} -are at the same family {\cmcmr roman} together with -{\cmcmbx bold} and {\cmcmsl slanted} fonts, although they are produced -by different driver files. Similarly, {\cmcmr roman}, -{\cmcmtt typewriter}, {\cmcmss sans serif}, {\cmdunh dunhill}, -{\cmquote quotation} and {\cmfunny funny} fonts are considered -as different font families -although they are produced by the same driver file {\tt roman.mf} -(but with different font parameters). - -As soon as we deal with {\sc mff.sty} there is no sharp boundary -between {\cmcmr roman}, {\cmcmbx bold}, {\cmcmsl slanted}, -{\cmcmtt typewriter}, {\cmcmss sans serif}, {\cmfunny funny} and -{\cmdunh dunhill} fonts --- each font is smoothly -converted to another one, while {\em italic} and {\sc small caps} -fonts are quite different --- they use different driver files. -The macros {\sc mff.sty} assign different {\em classes} to these fonts -to distinguish such difference from {\em font families} -used in NFSS. The following font classes can be specified now: -\begin{description} -\item[\quad CMR] --- Computer Modern Roman; -\item[\quad CMTI] --- Computer Modern Text Italic; -\item[\quad CMCSC] --- Computer Modern Small Caps; -\item[\quad DCR] --- European Computer Modern Roman; -\item[\quad DCTI] --- European Computer Modern Text Italic; -\item[\quad DCCSC] --- European Computer Modern Small Caps; -\item[\quad CMRZ] --- {\sl CMZ} Computer Modern Roman/Cyrillic - created by Nana Glonti and Alexander Samarin; -\item[\quad CMRIZ] --- {\sl CMZ} Computer Modern Text Italic/Cyrillic; -\item[\quad CMCCSC] --- {\sl CMZ} Computer Modern Small Caps/Cyrillic; -\item[\quad LHR] --- {\sl LH} Computer Modern Roman/Cyrillic - created by Olga Lapko and Alexey Khodulev; -\item[\quad LHTI] --- {\sl LH} Computer Modern Text Italic/Cyrillic; -\item[\quad LHCSC] --- {\sl LH} Computer Modern Small Caps/Cyrillic. -\item[\quad LLR] --- {\sl LL} Computer Modern Roman/Cyrillic - created by Olga Lapko and Alexey Khodulev - (cyrillic part only); -\item[\quad LLTI] --- {\sl LL} Computer Modern Text Italic/Cyrillic; -\item[\quad LLCSC] --- {\sl LL} Computer Modern Small Caps/Cyrillic. -\end{description} -The font class is specified by the command -\begin{itemize} -\item[]{\tt \bs{}MFFclass\{{\em class}\}} -\end{itemize} -For example the command {\tt \bs{}MFFclass\{CMR\}} -activates {\sl Computer Modern Roman} fonts -(that is, the font header file will use the driver file -{\tt roman.mf}). - -The set of font classes -can be extended easily as soon as there is a font based -on the same set of parameters as {\sl Computer Modern} fonts. -The only thing to do is to specify the macro which writes the -{\tt font\_identifier} value and the operator {\tt generate} -with corresponding name of the driver file (see {\sc mff.sty} -for the examples). - -\section{Special Effects\label{TRICKS}} - -To make more fun some special effects described in \cite{ABC,Outline} -can be included in your font. If you specify some {\em font trick} -declaration, the special portion of \MF{} code is inserted in the -header file which modifies the characters generated by -original \MF{} subroutines. -The {\em font trick} declarations can specify -\begin{itemize} -\item pattern for the main body of the character; -\item pattern for the rectangular box (background) of the character; -\item pattern for the character shadow (if present); -\item pattern for the underlining of the character (if present) - [this feature will be realized in future versions]; -\item additional transformations (reflections, rotations, etc.) - of the characters. -\end{itemize} -The command {\tt \bs{}MFFtrick} which specifies these attributes -has the format: -\begin{itemize} -\item[] {\tt \bs{}MFFtrick\{{\em char-style}\}\{{\em box-style}\}% - \{{\em shadow-style}\}\{{\em underline}\}\{{\em transform}\}} -\end{itemize} -where the parameter {\em underline} is reserved for future -improvements and means nothing in the current version. -The following letters can be used to specify the -{\em char-style}, {\em box-style} and {\em shadow-style}: -\begin{eqnarray*} -&&\hbox{{\tt z} --- no such element or solid white pattern;}\\ -&&\hbox{{\tt b} --- solid black pattern;}\\ -&&\hbox{{\tt h} --- horizontal stripes;}\\ -&&\hbox{{\tt v} --- vertical stripes;}\\ -&&\hbox{{\tt r} --- slanted stripes {\tt /};}\\ -&&\hbox{{\tt l} --- slanted stripes {\tt \bs};}\\ -&&\hbox{{\tt g} --- rectangular grid (`{\tt h}'$+$`{\tt v}');}\\ -&&\hbox{{\tt s} --- slanted grid (`{\tt r}'$+$`{\tt l}');}\\ -&&\hbox{{\tt d} --- dotted grid.} -\end{eqnarray*} -The capital letters {\tt Z}, {\tt B}, {\tt H}, {\tt V}, {\tt R}, -{\tt L}, {\tt G}, {\tt S}, {\tt D} -mean that the outline of the element contour -is added to the filling pattern. -The specifications {\tt b} and {\tt B} -are equivalent since the outlined contour is undistinguishable -over the solid black pattern. -For example, the outlined main character -with a white body, white box background and -outlined shadow filled with dotted grid is specified by the command -{\tt \bs{}MFFtrick\{Z\}\{z\}\{D\}\{\}}. - -The parameter {\em transform} specifies the transformation -of the character\footnote{Several transformations can be used ---- in this case the individual letters are separated by commas -like in {\tt\{rr,sx,ro\}}.}: -\begin{eqnarray*} -&&\hbox{{\tt rr} --- rotation $-90^{\circ}$;}\\ -&&\hbox{{\tt rl} --- rotation $+90^{\circ}$;}\\ -&&\hbox{{\tt ro} --- rotation $180^{\circ}$;}\\ -&&\hbox{{\tt sx} --- symmetry $x \longrightarrow -x$;}\\ -&&\hbox{{\tt sy} --- symmetry $y \longrightarrow -y$;}\\ -&&\hbox{{\tt sz} --- symmetry $(x,y) \longrightarrow (y,x)$,}\\ -&&\hbox{{\tt st} --- symmetry $(x,y) \longrightarrow (-y,-x)$.} -\end{eqnarray*} -The font trick effects specified by the command {\tt\bs{}MFFtrick} -are used immediately by the subsequent commands {\tt\bs{}MFFgener}. -The following commands switch {\em on} and {\em of} -the font trick effects provided that the font trick -parameters are already established: -\begin{itemize} -\item[] {\tt \bs{}MFFfonttricks} --- activates - the font trick declarations; -\item[] {\tt \bs{}MFFnotricks} --- deactivates - the font trick declarations. -\end{itemize} -The following commands can be used to specify the individual -font trick elements (these declarations are used by the subsequent -commands {\tt\bs{}MFFgener} only after the explicit -command {\tt\bs{}MFFfonttricks} or if they are specified after the -command {\tt\bs{}MFFtrick}): -\begin{description} -\item[\quad{\tt\bs{}trickMFFchar\{{\em char-style}\}}] --- the pattern style - for filling of the body of the character (``{\tt z}'' means white body); -\item[\quad{\tt\bs{}trickMFFbox\{{\em box-style}\}}] --- the pattern style - for filling of the background box (``{\tt z}'' means empty background); -\item[\quad{\tt\bs{}trickMFFshadow\{{\em shadow-style}\}}] --- the pattern style - for filling of the character shadow (``{\tt z}'' means no shadow); -\item[\quad{\tt\bs{}trickMFFtransform\{{\em transform}\}}] - --- the additional transformation of the character. -\end{description} -Some typical font trick effects can be specified using the -command -\begin{itemize} -\item[] {\tt\bs{}MFFstdtrick\{{\em trick-name}\}} -\end{itemize} -where the following {\em trick-name} identifiers can be used: -\begin{description} -\item[\quad{\tt standard}] --- no font tricks -(={\tt\bs{}MFFtrick\{b\}\{z\}\{z\}\{\}}); -\item[\quad{\tt reversed}] --- {\em reversed} characters: -white letters over black rectangle; -\item[\quad{\tt dotted}] --- characters with a body filled with dots; -\item[\quad{\tt striped}] --- characters with a body filled with -rectangular grid; -\item[\quad{\tt stripedH}] --- characters with a body filled with -horizontal stripes; -\item[\quad{\tt stripedV}] --- characters with a body filled with -vertical stripes; -\item[\quad{\tt slanted}] --- characters with a body filled with -slanted rectangular grid; -\item[\quad{\tt slantedL}] --- characters with a body filled with -slanted stripes ``{\tt\bs}''; -\item[\quad{\tt slantedR}] --- characters with a body filled with -slanted stripes ``{\tt/}''; -\item[\quad{\tt outlined}] --- outlined white characters; -\item[\quad{\tt shadowed}] --- outlined white characters -with solid shadows; -\item[\quad{\tt sHadowed}] --- outlined white characters -with outlined white shadows; -\item[\quad{\tt shadowonly}] --- -only the solid shadow of the character is still present. -\end{description} -The parameters of the {\em font trick} effects are controlled -by the commands: -\begin{itemize} - -\item outline contour parameters: -\begin{description} -\item[\quad{\tt \bs{}stepMFFoutline\{{\em value}\}}] --- -the thickness of the outline contour. -\end{description} - -\item shadow parameters: -\begin{description} -\item[\quad{\tt \bs{}stepMFFshadow\{{\em value}\}}] --- -the step of the shadow shift; -\item[\quad{\tt \bs{}cornerMFFshadow\{{\em char}\}}] --- -the corner of the shadow: -\begin{itemize} -\item[]{\tt A} --- right/down corner;\\ - {\tt B} --- right/upper corner;\\ - {\tt C} --- left/upper corner;\\ - {\tt D} --- left/down corner. -\end{itemize} -\end{description} - -\item the parameters for the patterns which are used - for the main body of the character: -\begin{description} -\item[\quad{\tt \bs{}stepMFFcharpattern\{{\em value}\}}] --- -the step between lines and dots; -\item[\quad{\tt \bs{}penMFFcharpattern\{{\em value}\}}] --- -the thickness of lines and dots. -\end{description} - -\item the parameters for the patterns which are used - for the background of the character: -\begin{description} -\item[\quad{\tt \bs{}stepMFFboxpattern\{{\em value}\}}] --- -the step between lines and dots; -\item[\quad{\tt \bs{}penMFFboxpattern\{{\em value}\}}] --- -the thickness of lines and dots. -\end{description} - -\item the parameters for the patterns which are used - for the character shadow: -\begin{description} -\item[\quad{\tt \bs{}stepMFFshadowpattern\{{\em value}\}}] --- -the step between lines and dots; -\item[\quad{\tt \bs{}penMFFshadowpattern\{{\em value}\}}] --- -the thickness of lines and dots. -\end{description} -\end{itemize} -The values of the thickness/step size for the -striped, slanted and dotted patterns -are specified using the non-dimensional {\em value} -which is the factor applied to the (dimensional) -font parameter {\tt hair\#}. For example, -the command {\tt\bs{}stepMFFboxpattern\{0.5\}} -specifies that the step size between horizontal, -vertical or slanted lines used to -construct the pattern for the background -is equal to $0.5\times${\tt hair\#}. - -\section{Default state} - -The default values for {\em all} parameters used by {\sc mff.sty} -are assigned by the command {\tt \bs{}MFFdefault} which -is defined as -\begin{itemize} -\item[]\small -\begin{verbatim} -\def\MFFdefault{ -% - \MFFcontrast[s] - \MFFscaleBoldLines{1} \MFFscaleThinLines{1} - \MFFscaleWidth{1} \MFFscaleHeight{1} - \MFFscaleAscend{1} \MFFscaleDescend{1} \MFFscaleMath{1} - \MFFscaleJoinLines{1} \MFFscaleNotchCut{1} - \MFFscaleDotSize{1} \MFFscaleSerifDish{1} -% - \MFFslant{0} - \MFFflagLigs{s} \MFFflagMonospace{n} - \MFFflagSquareDots{n} \MFFflagHefty{n} - \MFFflagSerifs{y} \MFFflagVariantG{n} - \MFFflagLowAsterisk{n} \MFFflagMathSpacing{n} -% - \stepMFFoutline{0.075} - \stepMFFshadow{0.5} - \cornerMFFshadow{A} - \stepMFFbackpattern{0.375} \penMFFbackpattern{0.075} - \stepMFFcharpattern{0.375} \penMFFcharpattern{0.075} - \stepMFFshadowpattern{0.375} \penMFFshadowpattern{0.075} -% - \MFFstdtrick{standard} - \MFFnotricks -% - \MFFsauter - \MFFclass{CMR} - \MFFmixture{0}{0}{0}{0}{0}{0}{0} - \MFFnocheck -} -\end{verbatim} -\end{itemize} -It can be called at any moment to initialize -from the very beginning the {\sc mff.sty} parameters. - - -\section{Configuration of {\sf em\TeX} programs\label{CONFIG}} - -The way you should setup \TeX\ and \MF\ to work with {\sc mff.sty} -correctly depends on your local system. -The most difficult (and system-dependent) aspect is how to teach -\MF{} to generate the {\tt *.pk}-files according to -your printer specification, and how to teach \TeX\ and -{\sl DVI}-drivers to find \MF's output files. -For {\sl MS DOS} and {\sl OS/2} and for {\sf em\TeX} -package this problem can be solved using the utility {\sl MFJob} -as it is described below. - -The configuration used here assumes that the {\tt .mf} files -and {\tt .tfm} files are placed at the working directory, and -the {\tt .pk} files are placed in its subdirectories with the names -corresponding to font resolution. The {\tt .mf} files created -by {\sc mff.sty} are placed at the current directory automatically. -The {\tt .tfm} and {\tt .pk} files are placed at the proper directories -by the utility {\sl MFJob} if it uses the following script file: -\begin{verbatim} -% -% file mff.mfj / script for MFPiC and MFF.STY -% -input [modes]; -def s=[s0]; -{ -base=plain; -fonts=f; mags=s; m; -output=pk[.\@Rrdpi\@f] tfm[@f] log[@f]; -} -\end{verbatim} -The script file named {\tt mff.mfj} should be placed at the directory -{\tt\bs{}EMTEX\bs{}MFJOB\bs}. -To process the {\tt .mf} file by \MF{} and to generate the output font -for the desired printer with desired magnification it is necessary -to use the command -\begin{itemize} -\item[]\tt mfjob /a mff.mfj m=$<${\em printer-mode}$>$ - s=$<${\em magn}$>$ - f=$<${\em fontname}$>$ -\end{itemize} -(option {\tt /a} forces the program to generate the output font even if -it was already generated). The program {\sl MFJob} put {\tt .tfm} -and {.log} files at the current directory, and {\tt .pk} file at -the subdirectory with the name which mirrors the font resolution. -Example: -\begin{itemize} -\item[]\tt mfjob /a mff.mfj m=lj s=1 f=zcmr10 -\end{itemize} - -To teach {\sf em\TeX} to look for {\tt .tfm} files at the current -directory as well as at the system directories, it is necessary -to specify the DOS environment variable {\tt TEXTFM} as -\begin{itemize} -\item[]\tt SET TEXTFM=\%EMTEXDIR\%\bs{}TFM!;.\bs -\end{itemize} -instead of its default value {\tt \%EMTEXDIR\%\bs{}TFM!} -(it is assumed that {\tt EMTEXDIR} -is specified already like {\tt SET EMTEXDIR=C:\bs{}EMTEX}). - -To teach {\sl DVI}-drivers to look for {\tt .pk} -files at the subdirectories of the current directory, -it is necessary to edit the printer configuration files -placed by {\sf em\TeX} at {\tt\bs{}EMTEX\bs{}DATA\bs}. -Suppose you use the {\sl HP Laser Jet} printer (the modifications -of the configuration files for other printers are performed similarly). -The original {\sl Laser Jet} configuration file {\tt lj.cnf} -looks like -\begin{verbatim} -% lj.cnf (300x300 DPI using LJ fonts) -+dvi-file={,$DVIDRVINPUT:}@i -+font-libraries=$DVIDRVFONTS:lj_{base,more} -+font-files=$DVIDRVFONTS:pixel.lj\@Rrdpi\@f{.pk,.pxl} -+graph-files={,$DVIDRVGRAPH:}{@Rrdpi\,}@PBf{@Ef,.msp,.pcx,.bmp} -+resolution=300 -+font-resolution=300 -+font-scaling=1 -+metafont-mode=laserjet -+max-drift=2 -\end{verbatim} -The new configuration file (with the file name {\em different} -from {\tt lj.cnf}) should contain the parameter {\tt +font-files} -in a form -\begin{verbatim} -.... -+font-files={$DVIDRVFONTS:pixel.lj\,}@Rrdpi\@f{.pk,.pxl} -.... -\end{verbatim} -Now it is necessary to substitute the references on this -configuration file in the batch files {\tt v.bat}, {\tt vs.bat} -and {\tt prtlj.bat} from {\tt\bs{}EMTEX\bs{}BIN\bs{}}, -and you are ready to work with {\sc mff.sty}. -Just the same re-configuration of {\sf em\TeX} will enable -to work correctly with the {\sl MF\PiC} macro package. - -\section{History} -\begin{itemize} -\item Ver. 0.?? --- the first attempt which helped - to learn more about \TeX{} commands and - the internal structure of - {\sl Computer Modern} fonts. -\item Ver. 1.0 --- the arithmetical macros finally works. - The ``empirical'' approximation scheme based - on linear splines and ``corrected-by-hand'' - CM parameters is implemented. - The fonts generated by command - {\tt\bs{}MFFmixture} (at that moment it was called - {\tt\bs{}MFFcompose}) are tested experimentally. -\item Ver. 1.1 --- {\sc sauter} approximation scheme is used instead - of the ``empirical'' approximation scheme. - Commands for the logical flags are added. - Font classes other than CMR are included. - Generation of {\sc small caps} and - {\it italic} fonts is added. - As a result new commands are added, - some commands are renamed. -\item Ver. 1.2 --- the font tricks described in \cite{ABC} and \cite{Outline} - are added. - Font classes corresponding to the {\sc DC fonts} - driver files are included. -\item Ver. 1.21a --- the approximation based on {\sc DC fonts} data is added. - Information printed at the header of {\tt .mf} file - becomes more detailed now. - The {\sc mff.sty} commands are revised - and the names of many commands are changed. - This version was distributed during the {\sl TUG-96} - Conference. -\item Ver. 1.21b --- the section ``{\em Last minute corrections}'' - is added to this manual. The obligatory prefix - {\em xx} is added now in front of the file name - containing the font header. The list of parameters - for {\tt\bs{}MFFtrick} is changed so that in future - the {\em underlining} effect can be added. - This version is put on CTAN. -\end{itemize} - -\section{Last minute corrections\label{MORE}} - -The following data is the result of discussioins -held during the {\sl TUG-96} Conference. -Some corrections suggested by the participants -are implemented just now, most of them will be -implemented in future versions: -\begin{itemize} -\item {\em Add special (and obligatory) prefix in front of - the file name so, that the fonts created - by {\sc mff.sty} cannot be confused with the fonts - created by the professional font designers.} - - Corrected. Now all the fonts created by {\sc mff.sty} are - started with {\em xx}. This feature is added to lock the - attempts to create user-defined fonts under the names of - the Computer Modern, etc., fonts. The prefix {\em xx} - used by default is defined as - \begin{itemize} - \item[] \tt\bs{}def\bs{}MFFprefix\{xx\} - \end{itemize} - and can be redefined by the User, if necessary. - -\item {\em Include {\sl Concrete Fonts} into the set of fonts - used in the arithmetical mixture of Computer Modern - families.} - - It is not done, and with great probability it will not be done - at all. The most essential effects associated with - {\em Concrete Font Family} can be produced in {\sc mff.sty} - using the scaling of the thickness for - the thin strokes (see section~\ref{WEIGHT}). - -\item {\em Extend {\sc mff.sty} to generate the mathematical fonts as well.} - - This is a very interesting and important suggestion, - but it requires a lot of time since it is also necessary - to describe all these fonts as the mathematical ones - inside \TeX. Will be done somedays in future. - -\item {\em Extend {\sc mff.sty} to work with {\sl Pandora Font Family} - as well.} - - Interesting and promising. It may be done if there - is enough time to look for for {\sl Pandora Font Family} - in more details. - -\item {\em Generate the partial fonts, i.e., generate the font where - some (or nearly all) characters from the original MetaFont source - are excluded.} - - Interesting and not too difficult using the re-definition - of the procedure {\tt beginchar} by the commands - inside the font header created by {\sc mff.sty}. - Some problems may arize due to {\sl Metafont} - memory problems. Will be done in future. - -\item {\em Include some more {\sl font trick} effect, namely the - underlining of the characters so that the underlining stroke - has some gaps near the descender of the character.} - - Interesting and not too difficult. Corresponding feature - is reserved now in the list of {\tt\bs{}MFFtrick} parameters - (see section~\ref{TRICKS}). - Will be realized in the nearest future. - -\end{itemize} - - -\section*{Acknowledgements} - -This research was partially supported by a grant -from the Dutch Organization for Scientific Research -(NWO grant No 07-30-007). - - -\begin{thebibliography}{00} -\bibitem{CM} Donald E.\ Knuth. Computer Modern Typefaces -(\CandT{} series). \AW, 1986. -\bibitem{SAUTER} John Sauter. {\em Building Computer Modern fonts}. -\TUB, {\bf 7} (1986), pp. 151--152. -\bibitem{DC} J\"org Knappen. {\em The release 1.2 of the Cork -encoded DC fonts and the text companion symbol fonts}. - Proceedings of the 9th Euro\TeX{} Conference, Arnhem, 1995. -\bibitem{LL} A.Khodulev, I.Mahovaya. -{\em On \TeX{} experience in MIR Publishers}. - Proceedings of the 7th Euro\TeX{} Conference, Prague, 1992. -\bibitem{LH} O.Lapko. - {\em MAKEFONT as a part of CurTUG--Em\TeX{} package}. - Proceedings of the 8th Euro\TeX{} Conference, Gda\'nsk, 1994. -\bibitem{ABC} Georgia K.M. Tobin. - {\em The ABS's of Special Effects}. - TUGBoat {\bf 9} (1988) No 1 pp. 15--18. -\bibitem{Outline} Doug Henderson. - {\em Outline Fonts with Metafont}. - TUGBoat {\bf 10} (1989) No 1 pp. 36--38. -\end{thebibliography} - - -\end{document} diff --git a/Master/texmf-dist/doc/latex/mff/table.tex b/Master/texmf-dist/doc/latex/mff/table.tex deleted file mode 100644 index f320bc2d3fa..00000000000 --- a/Master/texmf-dist/doc/latex/mff/table.tex +++ /dev/null @@ -1,113 +0,0 @@ -\def\mmp{{${}^{\vrule height 12pt}_{\vrule height 12pt}$}} -\def\mmpi{{${}^{\vrule height 20pt}_{\vrule height 8pt}$}} -\def\mp{}%\hphantom{\hbox{\vrule width 3pt}}} -\def\mpi{\hphantom{\hbox{\vrule width 24pt}}} -\def\np#1{\vphantom{\mmp}{\footnotesize\tt #1}} -\def\npi#1{\vphantom{\mmpi}{\footnotesize\em #1}} - - -\def\cp#1#2{&{#2\hfill\char#1\hfill}} -\def\pc#1#2{&{#2\fill\char#1\hfill}} -\def\cph#1#2#3{\np{"#2#1x} - \cp{"#10}{#3}\cp{"#11}{#3}\cp{"#12}{#3}\cp{"#13}{#3} - \cp{"#14}{#3}\cp{"#15}{#3}\cp{"#16}{#3}\cp{"#17}{#3} - \cp{"#18}{#3}\cp{"#19}{#3}\cp{"#1A}{#3}\cp{"#1B}{#3} - \cp{"#1C}{#3}\cp{"#1D}{#3}\cp{"#1E}{#3}\cp{"#1F}{#3}\\ - } -\def\cpo#1#2#3{\npi{'#2#1x} - \pc{'#10}{#3}\pc{'#11}{#3}\pc{'#12}{#3}\pc{'#13}{#3} - \pc{'#14}{#3}\pc{'#15}{#3}\pc{'#16}{#3}\pc{'#17}{#3}\\ - } - -\def\Table#1{% -\centerline{\Large Font \fontname#1}% -\bigskip\hrule\bigskip -\TableH{}{#1}% -%\TableO{}{#1}% -} - -\def\TableH#1#2{% -\centerline{\begin{tabular}{||c||c|c|c|c|c|c|c|c|c|c|c|c|c|c|c|c||} -\hline - &\mp & \mp &\mp &\mp & \mp & \mp & \mp & \mp & \mp & \mp & \mp & \mp & \mp & \mp & \mp & \mp \\ - & \np{x0} & \np{x1} & \np{x2} & \np{x3} & \np{x4} & \np{x5} & \np{x6} & \np{x7} & \np{x8} & \np{x9} & \np{xA} & \np{xB} & \np{xC} & \np{xD} & \np{xE} & \np{xF} \\ -\hline\hline -\cph{0}{#1}{#2}\hline -\cph{1}{#1}{#2}\hline -\cph{2}{#1}{#2}\hline -\cph{3}{#1}{#2}\hline -\cph{4}{#1}{#2}\hline -\cph{5}{#1}{#2}\hline -\cph{6}{#1}{#2}\hline -\cph{7}{#1}{#2}\hline\hline -\cph{8}{#1}{#2}\hline -\cph{9}{#1}{#2}\hline -\cph{A}{#1}{#2}\hline -\cph{B}{#1}{#2}\hline -\cph{C}{#1}{#2}\hline -\cph{D}{#1}{#2}\hline -\cph{E}{#1}{#2}\hline -\cph{F}{#1}{#2} -\hline\hline - & \np{x0} & \np{x1} & \np{x2} & \np{x3} & \np{x4} & \np{x5} & \np{x6} & \np{x7} & \np{x8} & \np{x9} & \np{xA} & \np{xB} & \np{xC} & \np{xD} & \np{xE} & \np{xF} \\ - &\mp & \mp &\mp &\mp & \mp & \mp & \mp & \mp & \mp & \mp & \mp & \mp & \mp & \mp & \mp & \mp \\ -\hline -\end{tabular}} -} - -\def\TableO#1#2{% -\centerline{\em\begin{tabular}{||c||c|c|c|c|c|c|c|c||} -\hline - &\mpi & \mpi &\mpi &\mpi & \mpi & \mpi & \mpi & \mpi \\ - & \npi{x0}& \npi{x1}& \npi{x2}& \npi{x3}& \npi{x4}& \npi{x5}& \npi{x6}& \npi{x7}\\ -\hline\hline -\cpo{00}{#1}{#2}\hline -\cpo{01}{#1}{#2}\hline\hline -\cpo{02}{#1}{#2}\hline -\cpo{03}{#1}{#2}\hline\hline -\cpo{04}{#1}{#2}\hline -\cpo{05}{#1}{#2}\hline\hline -\cpo{06}{#1}{#2}\hline -\cpo{07}{#1}{#2}\hline\hline -\cpo{10}{#1}{#2}\hline -\cpo{11}{#1}{#2}\hline\hline -\cpo{12}{#1}{#2}\hline -\cpo{13}{#1}{#2}\hline\hline -\cpo{14}{#1}{#2}\hline -\cpo{15}{#1}{#2}\hline\hline -\cpo{16}{#1}{#2}\hline -\cpo{17}{#1}{#2} -\hline\hline - & \npi{x0}& \npi{x1}& \npi{x2}& \npi{x3}& \npi{x4}& \npi{x5}& \npi{x6}& \npi{x7}\\ - &\mpi & \mpi &\mpi &\mpi & \mpi & \mpi & \mpi & \mpi \\ -\hline -\end{tabular}} - -\centerline{\em\begin{tabular}{||c||c|c|c|c|c|c|c|c||} -\hline - &\mpi & \mpi &\mpi &\mpi & \mpi & \mpi & \mpi & \mpi \\ - & \npi{x0}& \npi{x1}& \npi{x2}& \npi{x3}& \npi{x4}& \npi{x5}& \npi{x6}& \npi{x7}\\ -\hline\hline -\cpo{20}{#1}{#2}\hline -\cpo{21}{#1}{#2}\hline\hline -\cpo{22}{#1}{#2}\hline -\cpo{23}{#1}{#2}\hline\hline -\cpo{24}{#1}{#2}\hline -\cpo{25}{#1}{#2}\hline\hline -\cpo{26}{#1}{#2}\hline -\cpo{27}{#1}{#2}\hline\hline -\cpo{30}{#1}{#2}\hline -\cpo{31}{#1}{#2}\hline\hline -\cpo{32}{#1}{#2}\hline -\cpo{33}{#1}{#2}\hline\hline -\cpo{34}{#1}{#2}\hline -\cpo{35}{#1}{#2}\hline\hline -\cpo{36}{#1}{#2}\hline -\cpo{37}{#1} -\hline\hline - & \npi{x0}& \npi{x1}& \npi{x2}& \npi{x3}& \npi{x4}& \npi{x5}& \npi{x6}& \npi{x7}\\ - &\mpi & \mpi &\mpi &\mpi & \mpi & \mpi & \mpi & \mpi \\ -\hline -\end{tabular}} -} - diff --git a/Master/texmf-dist/doc/latex/mff/test.tex b/Master/texmf-dist/doc/latex/mff/test.tex deleted file mode 100644 index 6da475f596a..00000000000 --- a/Master/texmf-dist/doc/latex/mff/test.tex +++ /dev/null @@ -1,19 +0,0 @@ - -\documentstyle[mff]{article} -\begin{document} - -\MFFmixture{4}{2}{0.15}{0}{0}{0} -\MFFscaleAsc{1.5} -\MFFscaleDesc{1.5} -\MFFclass{CMR} -\MFFtrick{Z}{z}{Z}{z}{} -\stepMFFshadow{0.075} -\MFFgener[scaled 1000]{\zfnt}{z15}{15pt} - -\input{table} - -\Table{\zfnt} - - -\end{document} - |