teubner update (8mar08)

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-\documentclass[12pt]{article}
-\usepackage{mflogo}
-\usepackage[greek,english]{babel}
-\usepackage[or,10pt]{teubner}
-\usepackage{mflogo}
-\usepackage{afterpage}
-\usepackage[T1]{fontenc}
-\title{\texttt{teubner.sty}
-\thanks{This paper documents \texttt{teubner.sty} version 2.2c of  2006/01/14.}\\
-An extension of the \textsf{greek} option\\ of the \textsf{\slshape
-babel} package}
-\author{Claudio Beccari\thanks{Dipartimento di Elettronica del Politecnico di Torino}}
-\date{2006/01/16}
-\def\comando#1{\texttt{\expandafter\string\noexpand#1}}
-\def\ARG#1{\texttt{\char123}$\langle$\textit{#1}$\rangle$\texttt{\char125}}
-\def\Arg#1{$\langle$\textit{#1}$\rangle$}
-\def\brArg#1{\texttt{\char123#1\char125}}
-\def\opt#1{\texttt{[}$\langle$\textit{#1}$\rangle$\texttt{]}}
-\def\g#1 {\textDidot{#1}}
-\def\l#1 {\textLipsias{#1}}
-\renewcommand*{\textfraction}{0}
-\renewcommand*{\topfraction}{1.}
-\renewcommand*{\bottomfraction}{.5}
-\def\acro#1{\expandafter\textsc\expandafter{\MakeLowercase{#1}}}
-\begin{document}
-
-\maketitle
-
-\section{Introduction}
-\begin{sloppypar}
-This package \texttt{teubner.sty} is an extension of the \textsf{greek} option
-of the \textsf{\slshape babel} package intended to typeset classical Greek with
-a philological approach. This version 2.1 cannot yet typeset the critical
-apparatus as the philologists are used to, but may be this work will continue
-and include also that facility.
-\end{sloppypar}
-
-This project is being carried on with the help of Mr. Paolo Ciacchi,
-who got a``master'' degree at the University of Trieste, when he was
-writing his ``master thesis'' where he had to deal with ancient Greek
-philology.
-
-This package is supposed to work with my CB fonts available on the
-Comprehensive \TeX\ Archive Network (\textsc{ctan}); one of the actions of this
-package consists in replacing the default ``italic'' Greek shape with the one
-called ``Lispiakos'' in Greece; this name derives from the high quality of the
-fonts used in the printers' shops in the city of Lipsia in the past 100 years
-or so; one of the printer shops that continues printing books for philologists
-(since 1849) is the B.G.~Teubner Verlags\-gesell\-schaft, that publishes the
-collection called ``Bibliotheca Scriptorum Graecorum et Latinorum
-Teubneriana''. The name given to this extension package is in homage to that
-printing company and to its high quality tradition in printing Greek texts.
-
-The reader is supposed to know how to install a package with all its components
-in his/her \TeX\ installation; here we do not spend a word on this topic, since
-the various implementations of the \TeX\ systems are so idiosyncratic that the
-explanations good for one implementation are not good for another; the various
-operating systems also do not help in such matters. Since I  have access only
-to a Windows~2k computer with \textsc{MiKTeX} and a Debian Linux one with the
-\TeX-Live implementation of \texttt{teTeX}, I realize that the explanations
-would be so different that they would result too confusing. Let's not speak of
-other operating systems and \TeX\ distributions\dots\ Nevertheless do not
-forget to read carefully the accompanying file \texttt{teubner.txt}.
-
-\subsection{The package option \texttt{10pt}}
-Another warning: while I was upgrading this documentation in the summer
-of 2004, the \TeX-Live Team was studying how to reduce the amount of
-material to distribute on the \TeX-Live disk, since the contributions
-were growing at such a rapid rate that it was necessary to chose what
-to include and what to leave outside, although always downloadable form
-the \acro{ctan} archives. One of the candidates to reduction was the
-collection of my CB Greek fonts; it is true that the whole collection
-of files, that includes the \MF\ source and driver files, the metric
-\texttt{tfm} files, and the PostScript \texttt{pfb} files, exceeds 2000
-files, and the volume exceeds 100\,MB. One of the proposals was to
-distribute a reduced zipped set called \texttt{cbsmall.zip} on the
-\TeX-Live disk while retaining three other collections
-\texttt{cbtiny.zip}, \texttt{cbmedium.zip} and \texttt{cbhuge.zip} so
-that the user can proportionate the amount of downloaded fonts to
-his/her real needs.
-
-Eventually, when I received my copy of the 2005 \TeX-live disks, I
-found out that the collection of the \texttt{pfb} files was reduced to
-the 10\,pt size and there was no mention about the various sized
-distributions to be left in the \acro{ctan} archives.
-
-In this circumstance I found out that the whole collection of the font
-\texttt{pfb} files had been completely removed and substituted with a
-new set of fonts in the only size of 10\,pt. The operation was carried
-on by Apostolos Syropoulos, the president of the Hellenic \TeX\ Users
-Group, who remade the transformation of the \MF\ sources into Type~1
-PostScript fonts by adding a suitable encoding vector compatible with
-the \acro{unicode} standard. He also decided that modern digital
-typography uses one sized font collection and the different typeset
-sizes are obtained by simple scaling of the vector fonts.
-
-For using \texttt{teubner.sty} you need the full set of Lipsian fonts,
-so you should download it from \acro{ctan} should it be missing from
-your customized-size set of Greek fonts. Therefore I asked the
-\acro{ctan} maintainer to re-establish the full collection, although
-clearly separated from the new one and collected into a new subfolder
-marked as ``old''.
-
-The prospective users of this package may still download the
-\texttt{pfb} files they want. In any case I added an option to the
-\texttt{teubner} extension, so as to be able to load all the needed
-Greek fonts at one size, namely 10\,pt, and to scale them automatically
-for the various parts of their document.
-
-This option is invoked as usual, i.e.
-\begin{verbatim}
-\usepackage[10pt]{teubner}
-\end{verbatim}
-but you must perhaps find out the right sequence of package loading,
-since the effectiveness of the option may depend on other packages. I
-find that the best position is to invoke it right after invoking
-\texttt{babel} with the option \texttt{greek}.
-
-
-\section{The Greek CB fonts}
-This short documentation will start with briefly recalling some
-peculiarities of the CB fonts and their mapping to the Latin keyboard;
-afterwards it will list the new commands and their syntax.
-
-The CB fonts come in  all shapes, sizes and series as the extended
-European fonts that conform with the T1 encoding introduced after the
-Cork Conference of the \TeX\ Users Group Society in 1991\footnote{If
-the \TeX-Live Team takes the decisions outlined in the previous section
-the smaller sets will have the fonts scaled up or down from a subset of
-the whole collection.}. The CB fonts conform to the encoding that is
-still being called LGR, since up to now there is no established
-encoding name for the Greek alphabet among the \TeX\ users, not yet, at
-least.
-
-The regular shape has capital letters with serifs that are in the
-same style as the roman capital ones, while the lower case letters
-derive from the design by Didot and are very common in all texts.
-This shape comes also in boldface, together with the two
-corresponding oblique (or slanted) versions. The CB fonts contain
-also the upright and slanted, medium and boldface small caps
-alphabets.
-
-The ``italic'' shape was designed in order to imitate the Olga font designed so
-as to have a contrasting style compared with the slanted Didot shape, in order
-to play  the same role as the italic letters play with the latin roman
-alphabets. The Olga alphabets come in medium and boldface series, and in
-oblique and upright shapes.
-
-The CB fonts are completed with the sans serif fonts, the
-monospaced typewriter fonts and the fonts for slides, besides an
-outline family that shows the regular shapes and series just with
-their contours.
-
-The ``cbleipzig'' fonts imitate the beautiful shapes used in
-Lipsia; they come in medium bold and extra-bold series, without
-an upright version, and they are meant to replace the
-corresponding Olga shapes (the bold series is good for mixing
-with PostScript fonts, whose medium series is slightly blacker
-than the corresponding CM and EC fonts usually used with \LaTeX).
-
-\section{Font installation}
-In order to use the Greek CB fonts and the extensions provided with
-this package, you need to install them. You can freely download those
-fonts from \textsc{ctan}\footnote{At the time of writing the
-\textsc{ctan} archives are undergoing a deep revision for what concerns
-the CB font collection; there used to be a huge compressed file that
-included all the \texttt{tfm} metric files, all the \MF\ files and all
-the PostScript \texttt{pfb} files, inclusive of the
-\texttt{cbgreek.map} file needed to instruct \textsf{dvips} and
-\textsf{pdflatex} for using the scalable PostScript fonts. Now there
-should be a new set of PostScript fonts with their \texttt{tfm} files
-and \MF\ sources, besides a compatible \texttt{.map} file for
-\textsf{dvips} and \textsf{pdflatex}.}, where you can find also the
-collection of driver files for generating them with \MF, but since you
-are unlikely going to use all families, series, shapes and sizes, and
-since the cbleipzig and metrics fonts are lacking the driver files, I
-suggest you to follow the instructions given in the file
-\texttt{cbgreek.txt}; in facts the CB fonts need only an interface
-between \MF\ and the \texttt{.tfm} and \texttt{.pk} files, in order to
-overcome the \MF\ limitation that the output files must have the same
-name of the input file (not considering the filename extension);
-therefore all the driver files contain the same instruction:
-\begin{quote}
-\ttfamily input cbgreek;
-\end{quote}
-and differ only in the name; the latter is made up of four
-letters and four digits; the four letters identify the Greek
-fonts by family, series and shape, while the four digits identify
-the size in points, multiplied by 100 and left padded with a zero
-in order to complete the four digits.
-
-The cbleipzig fonts have their shape identified with the letter \texttt{l},
-therefore for a 9\,pt font you need a file named \texttt{grml0900.mf}
-containing the above mentioned single instruction; for the metric symbol fonts
-at 12\,pt you need a file named \texttt{gmtr1200.mf} containing the above
-mentioned single instruction. So, should the cbleipzig and the metric symbol
-\MF\ driver files be missing, you don't have too much work to do to create
-them.
-
-\section{Inputting Greek text with a Latin keyboard}
-
-\begin{table}[bt]\def\g #1 {\textDidot{#1}}\tabcolsep4pt
-\centering
-\begin{tabular}{*{25}c}
-\g a & \g b &\g g &\g d &\g e &\g z &\g h &\g j &\g i &\g k &\g l &\g m &\g n &\g x &\g o &\g p &\g r &\g c &\g sv &\g t &\g u &\g f &\g q &\g y &\g w \\
-   a &    b &   g &   d &   e &   z &   h &   j &   i &   k &   l &   m &   n &   x &   o &   p &   r &   c &   s  &   t &   u &   f &   q &   y &   w
-\end{tabular}
-\caption{Keyboard correspondence between Latin and Greek
-letters}\label{t:corrispondenza}
-\end{table}
-
-In order to input Greek text with a Latin keyboard some simple and
-mostly obvious key substitutions are performed according to the
-correspondence shown in table~\ref{t:corrispondenza}.
-
-Notice that there is the possibility of inputting \texttt{c} in
-order to get the final sigma \textDidot{c}, but the CB fonts are
-conceived with the non-Greek typist in mind, so that it is even
-possible to input \texttt{s} at the end of words, because the
-whole software is smart enough to detect the word boundary and to
-use the correct shape of the letter sigma within or at the word
-end. This mechanism is so ``sticky'' that it becomes difficult to
-type an isolated initial or middle sigma; to this purpose the CB
-fonts contain an invisible character, \texttt{v}, that may be
-used for several purposes, one of which is to hide the word
-boundary after a sigma; therefore if you type \texttt{sv}, you get
-\textDidot{sv} without any effort.
-
-The invisible character \texttt{v} may be used also as a support
-for (apparently) isolated accents, especially when macros have to
-be used; if you type \verb"\={v}" you get
-\,\textDidot{\=v}\enspace, while if you omit the invisible
-\texttt{v} you get \,\textDidot{\={}}\enspace.
-
-Accent, spirits and dieresis are input \emph{before} each letter
-(prefix notation) without using any particular control sequence;
-the correspondence between the Latin symbols and the Greek
-diacritical marks is shown in table~\ref{t:accenti}; all ``upper''
-diacritical marks must be prefixed (in any order), while the iota
-subscript must be postfixed. Therefore if you input \verb">'a|", you
-get \textDidot{>'a|}.
-
-\begin{table}[bt]\def\g #1 {\textDidot{#1}}
-\centering
-\begin{tabular}{l*{7}c}
-Greek   &\g >   & \g < &\g "v   &\g ' &\g ` &\g \~v     &\g |  \\
-Latin   &$>$    &  $<$ &  "     &   ' &   ` &   \~{}    & $|$
-\end{tabular}
-\caption{Correspondence between the Latin keyboard symbols and
-Greek diacritical marks}\label{t:accenti}
-\end{table}
-
-Macrons and breves are just single glyphs and do not appear in combination with
-any letter, due to the limitation of 256 glyphs per font; but they may be input
-by means of the standard \LaTeX\ commands \verb|\=| and \verb|\u| respectively
-in order to use them as accents. Together with the macros for inserting such
-symbols, a complete set is available for inserting any combination of
-diacritical marks over or under any letter, not only vowels: see
-table~\ref{t:accentmacros}. Of course the results may not be comparable with
-the ones one can obtain with the regular ligature mechanism; the advantage of
-the accent macros is twofold: (a) it is connected only to the possibility of
-inserting macrons and breves and/or to set the various combinations over or
-under any letter, even if it is a consonant; (b) for all accent vowel
-combinations that have a specific glyph in the font, the actual accented symbol
-is used so that kernings and ligatures are maintained; as shown elsewhere there
-is a noticeable difference between \textLipsias{a>ut'os} and
-\textLipsias{a\s{u}t\'os}. In this example the first word is typed in as
-\verb+a>ut'os+, while the second may be typed as \verb+a\s{u}t\'os+, or
-\verb*+a\us t\oa s+, or even in mixed form \verb*+a\us t'os+ thanks to the fact
-that there is no kerning between `tau' and `omicron with or without acute'
-
-
-
-
-\begin{table}[tb]\makebox[\textwidth]{%
-\begin{tabular}{cl|cl}
-Example     & \multicolumn1c{Syntax}            & Example    & \multicolumn1c{Syntax}        \\
-\hline
-\g à      & \comando\`\ARG{letter}           & \g\ut{aw}   & \comando\ut\ARG{letters}  \\
-\g \'a      & \comando\'\ARG{letter}           & \g\Ab{a}    & \comando\Ab\ARG{letter}  \\
-\g \~a      & \comando\~\ARG{letter}\ap{1}     & \g\Gb{a}    & \comando\Gb\ARG{letter}  \\
-\g \"i      & \comando\"\ARG{letter}           & \g\Arb{a}   & \comando\Arb\ARG{letter} \\
-\g \u{a}    & \comando\u\ARG{letter}           & \g\Grb{a}   & \comando\Grb\ARG{letter} \\
-\g \U{ai}   & \comando\U\ARG{diphthong}        & \g\Asb{a}   & \comando\Asb\ARG{letter} \\
-\g \=a      & \comando\=\ARG{letter}           & \g\Gsb{a}   & \comando\Gsb\ARG{letter} \\
-\g \r{a}    & \comando\r\ARG{letter}           & \g\Am{a}    & \comando\Am\ARG{letter}  \\
-\g \s{a}    & \comando\s\ARG{letter}           & \g\Gm{a}    & \comando\Gm\ARG{letter}  \\
-\g\Ad{i}    & \comando\Ad\ARG{letter}          & \g\Cm{a}    & \comando\Cm\ARG{letter}  \\
-\g\Gd{i}    & \comando\Gd\ARG{letter}          & \g\Arm{a}   & \comando\Arm\ARG{letter} \\
-\g\Cd{i}    & \comando\Cd\ARG{letter}          & \g\Grm{a}   & \comando\Grm\ARG{letter} \\
-\g\Ar{a}    & \comando\Ar\ARG{letter}          & \g\Crm{a}   & \comando\Crm\ARG{letter} \\
-\g\Gr{a}    & \comando\Gr\ARG{letter}          & \g\Asm{a}   & \comando\Asm\ARG{letter} \\
-\g\Cr{a}    & \comando\Cr\ARG{letter}          & \g\Gsm{a}   & \comando\Gsm\ARG{letter} \\
-\g\As{a}    & \comando\As\ARG{letter}          & \g\Csm{a}   & \comando\Csm\ARG{letter} \\
-\g\Gs{a}    & \comando\Gs\ARG{letter}          & \g\Sm{a}    & \comando\Sm\ARG{letter}  \\
-\g\Cs{a}    & \comando\Cs\ARG{letter}          & \g\Rm{a}    & \comando\Rm\ARG{letter}  \\
-\g\c{i}     & \comando\c\ARG{letter}           & \g\iS{a}    & \comando\iS\ARG{letter}  \\
-\semiv{u}   & \comando\semiv\ARG{letter}\ap{2} & \g\d{p}     & \comando\d\ARG{letter}   \\
-\ring{a}    & \comando\ring\ARG{letter}\ap{2}  & \g\bd{i}    & \comando\bd\ARG{letter}  \\
-\hline
-\end{tabular}}
-\caption{Accent macros}\label{t:accentmacros}
-\vskip\baselineskip
-REMARKS\\[3pt]\footnotesize
-\ap{1}\quad The circumflex accent may be obtained with \comando\~\ only if
-attribute \textsf{polutoniko} was specified for the
-Greek language with \textsf{\slshape babel} v.3.7.\\
-\ap{2}\quad Most commands may be used also with latin letters.
-\end{table}
-
-\section{Ligatures}
-It should be clear from the previous section that the ligature mechanism is the
-one that offers the best results with most accented vowels; in any case it
-speeds up the keying in of the text to be typeset; nevertheless there are
-situations where you might be unsatisfied.
-
-Fore example compare \l a>ut'on \ with \textLipsias{a\us t\oa n}.
-The small spacing difference between tau and the accented omicron
-is hardly noticeable, but the spacing difference between alpha
-and the marked upsilon is remarkable. Where does that difference
-come from? It comes from the fact that the smooth spirit marker
-inhibits kerning between the previous alpha and the resulting
-ligature from the spirit marker and the upsilon. In other words,
-by inputting \verb"a>ut'on", as it is suggested in the previous
-section, the spirit marker and the acute accent inhibit the
-kerning mechanism with the previous letter. In most instances the
-lack of such kerning is hardly noticeable, but in others it
-strikes your attention.
-
-For this reason a set of macros has been defined such that it is
-possible to input the accented characters directly, without
-resorting to the ligature mechanism. Such macros have a common
-structure; they are formed with the letters that make up the
-complex glyph in a certain order, precisely every macro is made
-up as such:
-\begin{quote}\obeylines
-the first character, obviously, is the backslash character \texttt{\char92};
-the next character is the name of the vowel, one of  a, e, h, i, o, u, w;
-the next optional character is the code for dieresis, smooth or rough spirit, with one of the letters d, s, r;
-the next character is the code for the circumflex, acute, or grave accent with one of the letters c, a, or g;
-the last optional character indicates iota subscript with the presence of an i.
-\end{quote}
-
-That means that, for instance, \comando\asai\ stands for \textDidot{\asai}. For
-your convenience such macros are collected in table~\ref{t:compoundvowels}.
-Such set may introduce incompatibilities with other packages or even with the
-primitive \TeX\ commands. Of course one can always resort to the accent--vowel
-combination as exemplified at the end of the previous section; the above
-example \textDidot{\asai} may be obtained also with
-\verb+\As{a}|+.\footnote{Postfixed markings do not pose any problem with
-kernings and ligatures; this is why the postfixed ligature for the iota
-subscript may still be used also when the accent--vowel combinations are used.}
-
-\begin{table}[tb]\let\c\comando\let\l\textLipsias
-\makebox[\textwidth]{%
-\begin{tabular}{lclclclclclc}
-\cå  &\lå &\c\ag  &\l\ag  &\c\ac  &\l\ac  &\c\ai  &\l\ai  &\c\ar  &\l\ar  &\c\as  &\l\as  \\
-\c\asa  &\l\asa &\c\asg &\l\asg &\c\asc &\l\asc &\c\asi &\l\asi &\c\aai &\l\aai \\
-\c\ara  &\l\ara &\c\arg &\l\arg &\c\arc &\l\arc &\c\ari &\l\ari &\c\agi &\l\agi &\c\aci &\l\aci \\
-\c\arai &\l\arai&\c\argi&\l\argi&\c\arci&\l\arci&\c\asai&\l\asai&\c\asgi&\l\asgi&\c\asci&\l\asci\\
-\hline
-\c\ha   &\l\ha  &\c\hg  &\l\hg  &\c\hc  &\l\hc  &\c\hi  &\l\hi  &\c\hr  &\l\hr  &\c\hs  &\l\hs  \\
-\c\hsa  &\l\hsa &\c\hsg &\l\hsg &\c\hsc &\l\hsc &\c\hsi &\l\hsi &\c\hai &\l\hai \\
-\c\hra  &\l\hra &\c\hrg &\l\hrg &\c\hrc &\l\hrc &\c\hri &\l\hri &\c\hgi &\l\hgi &\c\hci &\l\hci \\
-\c\hrai &\l\hrai&\c\hrgi&\l\hrgi&\c\hrci&\l\hrci&\c\hsai&\l\hsai&\c\hsgi&\l\hsgi&\c\hsci&\l\hsci\\
-\hline
-\c\wa   &\l\wa  &\c\wg  &\l\wg  &\c\wc  &\l\wc  &\c\wi  &\l\wi  &\c\wr  &\l\wr  &\c\ws  &\l\ws  \\
-\c\wsa  &\l\wsa &\c\wsg &\l\wsg &\c\wsc &\l\wsc &\c\wsi &\l\wsi &\c\wai &\l\wai \\
-\c\wra  &\l\wra &\c\wrg &\l\wrg &\c\wrc &\l\wrc &\c\wri &\l\wri &\c\wgi &\l\wgi &\c\wci &\l\wci \\
-\c\wrai &\l\wrai&\c\wrgi&\l\wrgi&\c\wrci&\l\wrci&\c\wsai&\l\wsai&\c\wsgi&\l\wsgi&\c\wsci&\l\wsci\\
-\hline
-\c\ia   &\l\ia  &\c\ig  &\l\ig  &\c\ic  &\l\ic  &\c\ir  &\l\ir  &\c\is  &\l\is  \\
-\c\isa  &\l\isa &\c\isg &\l\isg &\c\isc &\l\isc &\c\ida &\l\ida &\c\idg &\l\idg \\
-\c\ira  &\l\ira &\c\irg &\l\irg &\c\irc &\l\irc &\c\idc &\l\idc &\c\id  &\l\id  \\
-\hline
-\c\ua   &\l\ua  &\c\ug  &\l\ug  &\c\uc  &\l\uc  &\c\ur  &\l\ur  &\c\us  &\l\us  \\
-\c\usa  &\l\usa &\c\usg &\l\usg &\c\usc &\l\usc &\c\uda &\l\uda &\c\udg &\l\udg \\
-\c\ura  &\l\ura &\c\urg &\l\urg &\c\urc &\l\urc &\c\udc &\l\udc &\c\ud  &\l\ud \\
-\hline
-\c\ea   &\l\ea  &\c\eg  &\l\eg  &\c\er  &\l\er  &\c\es  &\l\es  \\
-\c\esa  &\l\esa &\c\esg &\l\esg &\c\era &\l\era &\c\erg &\l\erg \\
-\hline
-\c\oa   &\l\oa  &\c\og  &\l\og  &\c\oR\ap{1}&\l\oR  &\c\os  &\l\os  \\
-\c\osa  &\l\osa &\c\osg &\l\osg &\c\ora &\l\ora &\c\org &\l\org \\
-\hline
-\end{tabular}%
-}
-\caption{Accented vowel macros}\label{t:compoundvowels}
-\bigskip
-REMARKS\\[3pt]\footnotesize
-\ap{1}\quad As mentioned in the body of this text the  command
-{\let\or\relax\comando\or} may produce incompatibilities with the
-primitive command with the same name.
-\end{table}
-
-What I suggest is to typeset your paper with the regular accent
-vowel ligatures and to substitute them  in the final revision with
-the accented vowel macros only in those instances where the lack
-of kerning is disturbing.
-
-\section{Other Greek symbols}
-Other Greek symbols may be obtained with ligatures or explicit
-commands; table~\ref{t:gsymbols} contains such ligatures and
-symbols; notice that some of these are specific additions
-introduced with this extension package.
-
-\begin{table}[tb]\let\c\comando\let\l\textDidot
-\makebox[\textwidth]{%
-\begin{tabular}{lclclc}
-\c{''}      &\l{''}     &\c{((}     &\l{((}     &\c{))}     &\l{))} \\
-\c\GEodq    &\l\GEodq   &\c\GEcdq   &\l\GEcdq   &\c:        &\l:    \\
-\c\GEoq     &\l\GEoq    &\c\GEcq    &\l\GEcq    &\c?        &\l?    \\
-\c\ENodq    &\l\ENodq   &\c\ENcdq   &\l\ENcdq   &\c;        &\l;    \\
-\c\stigma   &\l\stigma  &\c\varstigma&\l\varstigma&\c\Stigma&\l\Stigma\\
-\c\coppa    &\l\coppa   &\c\koppa &\l\koppa     &\c\Coppa   &\l\Coppa\\
-\c\sampi    &\l\sampi   &\c\Sampi   &\l\Sampi   &\c\permill &\l\permill\\
-\c\digamma  &\l\digamma &\c\Digamma &\l\Digamma &\c\euro    &\l\euro\\
-\c\f        &\l\f       &\c\F       &\l\F       &\c\shwa    &\l\shwa\\
-\end{tabular}%
-}
-\caption{Greek symbols}\label{t:gsymbols}
-\end{table}
-
-I draw your attention on the necessity of using the ligature
-\comando{''} for producing the simple apostrophe, which, by the
-way, in Greek typography  must always be followed by a space. The
-single tick mark \comando'\ produces an acute accent, not an
-apostrophe, this is why it is necessary to use the double tick
-mark ligature.
-
-The Milesian numerals should not worry anybody, because they are seldom used as
-isolated symbols; the \textsf{greek} or \textsf{polutonikogreek} option or the
-\textsf{polutoniko} attribute of the Greek language with the \textsf{\slshape
-babel} package offer the commands \comando\greeknumeral\ and
-\comando\Greeknumeral, that convert common arabic positive numbers in the
-Milesian counterparts within a Greek section of your document; the
-corresponding commands followed by an asterisk change the digamma glyph with
-the stigma one\footnote{The stigma version is the standard one with the
-\textsf{\slshape babel} language support for Greek; with this package we
-adopted the digamma as the ``regular'' sign with the value of~6, and attributed
-stigma to the ``variant'' representation of Milesian numbers.}:
-\begin{quote}\obeylines
-if you type \verb"\greeknumeral{1996}" you get \textLipsias{\greeknumeral{1996}}
-if you type \verb"\Greeknumeral{1996}" you get \textLipsias{\Greeknumeral{1996}}
-if you type \verb"\greeknumeral*{1996}" you get \textLipsias{\greeknumeral*{1996}}
-if you type \verb"\Greeknumeral*{1996}" you get \textLipsias{\Greeknumeral*{1996}}
-\end{quote}
-
-\section{New commands}
-This extension package introduces many new commands for
-typesetting Greek in a philological way. Most of such commands are
-collected in table~\ref{t:extcomandi}.
-
-A short remark on the command \comando\ap: this useful command inserts
-\emph{anything} as a superscript of anything else; it works both in text mode
-and in math mode\footnote{Numerical superscripts or apices do not require math
-mode; numerical footnote labels are automatically inserted by \LaTeX's
-\comando\footnote\ command; non numerical footnote labels are easily inserted
-with \LaTeX's \comando\footnotemark\ and \comando\footnotetext\ commands with
-their optional arguments.}. In particular while typesetting a philological text
-in different languages and with different alphabets, \comando\ap\ typesets the
-superscript with the current language and alphabet; if any change is required
-the \comando\ap's argument can contain any language or alphabet specific
-declaration. You can typeset things such as
-\textLipsias{Baq\'ulides\,\ap{\textlatin{a}}} by switching language and
-alphabet as required; the specific declarations and the commands contained in
-table~\ref{t:extcomandi} come handy also in these cases.
-
-%\afterpage{\clearpage}
-
-\begin{table}[p]\let\c\comando\let\l\textLipsias\let\g\textDidot
-\makebox[\textwidth]{\footnotesize
-\begin{tabular}{cl|cl}
-Example                 & Syntax                        &Example                & Syntax                        \\[3pt]
-\l{Baq\'ulides}         & (declaration)                 &abcde                  & (declaration)                 \\
-\l{Baq\'ulides}         & \c\textLipsias\ARG{text}      &\l{\lesp{abg}}         &\c\lesp\ARG{text}              \\
-\g{Baq\'ulides}         &\c\textDidot\ARG{text}         &\LitNil                &\c\LitNil                      \\
-text                    & \c\textlatin\ARG{text}        &\cap{g}                &\c\cap\ARG{letter}             \\
-\l{\frapar{Baq\'ulides}}& \c\frapar\ARG{text}           &\Coronis               &\c\Coronis                     \\
-(                       & \c\lpar                       &\lmqi                  &\c\lmqi                        \\
-)                       &\c\rpar                        &\rmqi                  &\c\rmqi                        \\
-\qmark                  &\c\qmark                       &\l{\mqi{abg}}          &\c\mqi\ARG{text}               \\
-\l{\Dots[3]}            &\c\Dots\opt{number}            &\lmqs                  &\c\lmqs                        \\
-\l{\DOTS[3]}            &\c\DOTS\opt{number}            &\rmqs                  &\c\rmqs                        \\
-\l{\Dashes[3]}          &\c\Dashes\opt{number}          &\l{\mqs{abg}}          &\c\mqs\ARG{text}               \\
-\l{\DASHES[3]}          &\c\DASHES\opt{number}          &\l{\zeugma{abg}}       &\c\zeugma\ARG{text}            \\
-\ap{foo}                &\c\ap\ARG{text}                &\l{\siniz{abg}}        &\c\siniz\ARG{text}             \\
-\sinafia                &\c\sinafia                     &\paragr                &\c\paragr                      \\
-\l{\:}                  &\c\:                           &\dparagr               &\c\dparagr                     \\
-\l\;                    &\c\;                           &\FinisCarmen           &\c\FinisCarmen                 \\
-\l\?                    &\c\?                           &\crux                  &\c\crux                        \\
-\l\mutpers              &\c\antilabe                    &\l{\apici{abg}}        &\c\apici\ARG{text}             \\
-\|                      &\c\|                           &\apex                  &\c\apex                        \\
-\dBar                   &\c\dBar                        &\responsio             &\c\responsio                   \\
-\tBar                   &\c\tBar                        &\Int                   &\c\Int                         \\
-\lbrk                   &\c\lbrk                        &\l{\star a}            &\c\star                        \\
-\rbrk                   &\c\rbrk                        &\l{\dstar a}           &\c\dstar                       \\
-\l{\ladd{abg}}          &\c\ladd\ARG{text}              &\l{\tstar a}           &\c\tstar                       \\
-\l{\lladd{abg}}         &\c\lladd\ARG{text}             &\l{\|\|\quad\|\,\|}    &\c\,                           \\
-\l{\Ladd{abg}}          &\c\Ladd\ARG{text}              &\l{\|\|\quad\|\!\|}    &\c\!                           \\
-\l{\LLadd{abg}}         &\c\LLadd\ARG{text}             &\OSN{0123456789}       &\c\OSN\ARG{digits}             \\
-\l{\nexus{abg}}         &\c\nexus\ARG{text}             &\l{\nesso{abg}}        &\c\nesso\ARG{text}             \\
-\Utie{AB}               &\c\Utie\ARG{2 letters}         &\l{a\h b}              &\c\h                           \\
-\l{a\yod b}             &\c\yod                         &\l{a\shwa b}           &\c\shwa                        \\
-\l{a\q b}               &\c\q                           &\l{A\F B}              &\c\F                           \\
-\l{a\f b}               &\c\f                           &\semiv{i}              &\c\semiv\ARG{letter}           \\
-\hv                    &\c\skewstack\ARG{base}\ARG{apex}&\md{e}                 &\c\md\ARG{letter}              \\
-\Ud{e}                  &\c\Ud\ARG{letter}              &\mO{e}                 &\c\mO\ARG{letter}              \\
-\UO{e}                  &\c\UO\ARG{letter}              &\Open{e}               &\c\Open\ARG{letter}            \\
-\nasal{e}               &\c\nasal\ARG{letter}           &\cut{d}                &\c\cut\ARG{b\|d\|g}            \\
-\dracma                 &\c\dracma                      &\denarius              &\c\denarius                    \\
-\stater                 &\c\stater                      &\etos                  &\c\etos                        \\
-\hemiobelion            &\c\hemiobelion                 &\tetartemorion         &\c\tetartemorion               \\
-\splus                  &\c\splus                       &\stimes                &\c\stimes                      \\
-\kclick                 &\c\kclick                      &                       &                               \\
-\end{tabular}%
-}
-\caption{Extended commands}\label{t:extcomandi}
-\end{table}
-
-\section{Metrics}
-Philological writings often require the description of metrics;
-for this purpose a new font has been developed that contains most
-of the frequent metric signs; the corresponding macros have been
-defined so as to set the metric glyphs as if they were text; but,
-most important, a new definition command has been introduced so
-as to enable to declare new control sequences to represent
-complete metric feet or even complete verse metrics.
-
-The metric glyph names are collected in table~\ref{t:metrics},
-while the declaration command is described hereafter.
-
-The syntax for that definition command is similar to that of
-{\comando\newcommand};
-\[
-\hbox{\comando\newmetrics\ARG{name}\ARG{definition}}
-\]
-where \Arg{name} is a control sequence name made up of letters
-(as usual with \LaTeX) with the exception that it may start with
-one of the digits 2, or 3, or 4. Of course the \Arg{definition}
-must reflect the replication by 2, or 3, or 4; moreover if the
-\Arg{name} starts with a digit, when it is used by the typesetter,
-\emph{it must be followed by a space}. Some examples follow:
-\begin{quote}\let\c\comando\obeylines%
-\c\newmetrics\brArg{\c\iam}\brArg{\c\barbrevis\c\longa\c\brevis\c\longa}
-\c\newmetrics\brArg{\c{\2iam}}\brArg{\c\iam\c\iam}
-\c\newmetrics\brArg{\c{\4MACRO}}\brArg{\c\longa\c\longa\c\longa\c\longa}
-\end{quote}
-The above definitions produce the following results (notice the space
-before the colon):
-\begin{quote}\let\c\comando\obeylines%
-\c\iam: \iam
-\c{\2iam} : \iam\iam
-\c{\4MACRO} : \4MACRO \
-\end{quote}
-The definitions may contain also some symbols collected in
-table~\ref{t:extcomandi}, such as \dBar, for example, and other
-symbols from the other tables.
-
-
-\begin{table}[tb]\let\c\comando
-\makebox[\textwidth]{%
-\begin{tabular}{llll}
-Command         & Metric symbol     & Command       & Metric symbol     \\[3pt]
-\c\longa        & \longa            &\c\brevis      & \brevis           \\
-\c\bbrevis      & \bbrevis          &\c\barbrevis   & \barbrevis        \\
-\c\ubarbrevis   & \ubarbrevis       &\c\ubarbbrevis & \ubarbbrevis      \\
-\c\ubarsbrevis  & \ubarsbrevis      &\c\coronainv   & \coronainv        \\
-\c\corona       & \corona           & \c\ElemInd    & \ElemInd          \\
-\c\catal        & \catal            &\c\ipercatal   & \ipercatal        \\
-\c\anceps       & \anceps           &\c\banceps     & \banceps          \\
-\c\ancepsdbrevis& \ancepsdbrevis    &\c\hiatus\ap{1}& \hiatus           \\
-\c\iam\ap{2}    & \iam              &\c\chor        & \chor             \\
-\c\enopl        & \enopl            &\c{\4MACRO}    & \4MACRO \         \\
-\c\aeolchorsor  & \aeolchorsor      &\c\hexam       & \hexam            \\
-\c{\2tr}        & \2tr \            &\c\pentam      & \pentam           \\
-\c\ubrevislonga & \ubrevislonga     &\c\aeolicbii   & \aeolicbii        \\
-\c\aeolicbiii   & \aeolicbiii       &\c\aeolicbiv   & \aeolicbiv\ap{3}  \\
-\end{tabular}%
-}
-\caption{Metric symbols}\label{t:metrics}
-\bigskip
-REMARKS\\[3pt]\footnotesize
-\ap{1}\quad A similar command \c\Hiatus\ produces the same
-visible result as \c\hiatus, except for the fact that it does not
-occupy horizontal space; it is useful in the definitions of full
-verse metrics where a hiatus needs to be inserted between two
-consecutive metric symbols; for example: \longa\Hiatus\longa.\\
-\ap{2}\quad This extension package predefines some examples
-of metric feet and complete verses.\\
-\ap{3}\quad Sometimes it might be convenient to use a shortcut
-for inserting the Aeolic bases
-by inputting \texttt{\char123\comando\metricsfont\ I\char125} or
-\texttt{\char123\comando\metricsfont\ II\char125} or
-\texttt{\char123\comando\metricsfont\ III\char125} in order to get
-\aeolicbii\ or \aeolicbiii\ or \aeolicbiv.
-\end{table}
-
-Another important metric command is the following:
-\[
-\hbox{\comando\metricstack\ARG{base}\ARG{superscript}}
-\]
-which is meant for superimposing some superscript (generally a
-number) over some metric symbol, which may be a single symbol or a
-metric foot; since the superscript gets printed in math mode, the
-superscript hiatus \hiatus\ may be obtained with \comando\Hiatus\
-when it falls between two metric symbols, but must be well
-described as a math roman element when it is superscripted over
-something else; similarly any other superscript which is not a
-math symbol must be suitably set as a math roman object. In any
-case this command makes it easy to get something such
-as~\metricstack{\longa\brevis\brevis}{48}.
-
-The environment for setting metric sequences grouped with braces
-is described in the next section, since it is generally used within
-the composition of verses.
-
-\section{Poetry environments}
-In order to set poetry it is always possible to use the
-standard \LaTeX\ \texttt{verse} environment; nevertheless such
-simple environment is not suited for philological purposes, except
-perhaps for very short citations. This extension package contains
-three new environments with various levels of complexity. Due to
-their relative complexity an example will be given for each one
-with both the input code and the corresponding result. All three
-environments require that any language change be declared before
-their opening statement, otherwise the language change lasts only
-to the end of the verse.
-
-\begin{description}
-\item[\texttt{versi}] This environment does not actually set each
-verse on a separate line; it rather resembles an in-line list; it
-resorts to a command \comando\verso\ that inserts a small vertical
-separator with a progressive number over it. Both the environment
-opening and the command \comando\verso\ accept arguments
-according to the following syntax:
-    \begin{quote}\let\c\comando\obeylines
-    \c\begin\brArg{versi}\ARG{label}
-    \Arg{verses}
-    \c\end\brArg{versi}
-    \null\
-    \c\verso\opt{number}
-    \end{quote}
-where \Arg{label} is a short text (let's say not more than 15
-characters) indicating for example the poem title and the stanza
-number; the whole set of verses will be typeset with a left margin
-wide enough to contain \Arg{label}; the optional argument
-\Arg{number} indicates the starting value for the verse
-enumeration; the default value is~1, but if it is specified, it is
-required only with the first occurrence of \comando\verso\ or when
-the enumeration is restarted. In this environment the standard
-\LaTeX\ command \comando{\\} behaves normally as in regular text.
-\begin{verbatim}
-\begin{versi}{Meropis fr. 3}
-\item[\textlatin{Meropis fr. 4}]
->'enj'' <o m`en e\ladd{>isplh} \verso[68] j`un
-Mer'opwn k'ien. <h \ladd{d`e dia} \verso pr`o\\
-a>iqem\hc i sj~htos \ladd{>'elassen.}
-\verso <`o d'' >ex'equt''; o>u
-g`ar \ladd{<omo~iai}\\
-\ladd{>a} \verso j'anatai jnhta~isi bol\ladd{a`i kat`a}
-\verso ga~ian >'asin.\\
-prh\lladd{m}n\ladd{~hs d\dots} \verso thse. m'elas d`e
-perie.\ladd{\dots}\verso
-rw
-\end{versi}
-\end{verbatim}
-
-\Lipsiakostext
-\begin{versi}{Meropis fr. 3}
-\item[\textlatin{Meropis fr. 4}]
->'enj'' <o m`en e\ladd{>isplh} \verso[68] j`un
-Mer'opwn k'ien. <h \ladd{d`e dia} \verso pr`o\\
-a>iqem\hc i sj~htos \ladd{>'elassen.} \verso <`o d'' >ex'equt'';
-o>u
-g`ar \ladd{<omo~iai}\\
-\ladd{>a} \verso j'anatai jnhta~isi bol\ladd{a`i kat`a}
-\verso ga~ian >'asin.\\
-prh\lladd{m}n\ladd{~hs d\dots} \verso thse. m'elas d`e perie.\ladd{\dots}\verso
-rw
-\end{versi}
-\NoLipsiakostext
-
-\item[\texttt{Versi}] This environment is very similar to the
-standard \LaTeX\ environment \texttt{verse}; the difference is
-that \texttt{Versi} automatically enumerates the verses
-(displaying only verse numbers that are multiples of 5) with a
-number in the left margin. The syntax is as follows:
-    \begin{quote}\let\c\comando\obeylines
-    \c\begin\brArg{Versi}\opt{number}
-    \Arg{verses}
-    \c\end\brArg{Versi}
-    \end{quote}
-where \Arg{number} is the starting value of the verse enumeration;
-of course each verse is separated from the next one with the usual
-command \comando{\\}, which has been redefined so that it just
-divides the verses and provides to the possible display of the
-verse number; it accepts the optional information that the
-standard \LaTeX\ command usually accepts, both the asterisk and
-the vertical space amount.
-
-
-\NoLipsiakostext
-
-\begin{verbatim}
-\begin{Versi}[45]
-ta; pr'osje qeir~wn b'ian\\
-\paragr de\ladd{'i}xomen;
-t`a d" >epi'onta da\ladd{'imo}n srine~i.---\\
-t'os" e>'ipen >ar'etaikmos <'hrws;\\
-t{\rbrk}'afon d`e naub'atai\\
-f{\rbrk}wt`os <uper'afanon\\[1ex]
-j{\rbrk}'arsos; <Al'iou te gambr~wi q'olwsen >~htor
-\end{Versi}
-\end{verbatim}
-
-\Lipsiakostext
-\begin{Versi}[45]
-ta; pr'osje qeir~wn b'ian\\
-\paragr de\ladd{'i}xomen;
-t`a d" >epi'onta da\ladd{'imo}n srine~i.---\\
-t'os" e>'ipen >ar'etaikmos <'hrws;\\
-t{\rbrk}'afon d`e naub'atai\\
-f{\rbrk}wt`os <uper'afanon\\[1ex]
-j{\rbrk}'arsos; <Al'iou te gambr~wi q'olwsen >~htor
-\end{Versi}
-\NoLipsiakostext
-
-\item[\texttt{VERSI}] This third poetry environment behaves
-similarly to \texttt{Versi} but it displays a double verse
-enumeration in the left margin. The principal verse enumeration
-is displayed when the value is a multiple of 5; the second
-enumeration, just to the left of the verses, may be turned on and
-off; when the secondary enumeration is on, the verses are flush
-left, while when it is off the verses are suitably indented. The
-turning on and off of the secondary enumeration is achieved by
-means of the commands \comando\SubVerso\ and \comando\NoSubVerso;
-the syntax is as follows:
-    \begin{quote}\let\c\comando\obeylines
-    \c\begin\brArg{VERSI}\opt{outer number}
-    \Arg{verses}
-    \c\end\brArg{VERSI}
-    \null{}
-    \c\SubVerso\opt{inner number}
-    \c\NoSubVerso{}
-    \end{quote}
-where \Arg{outer number} is the starting value of the primary
-verse enumeration, while \Arg{inner number} is the starting value
-of the secondary enumeration. The commands \comando\SubVerso\ and
-\comando\NoSubVerso\ must be input at the very beginning of the
-verse they should be applicable to. The command \comando{\\} behaves
-as in \LaTeX, and accepts the usual optional arguments.
-
-With the environments \texttt{Versi} and \texttt{VERSI} when typesetting in two
-column format, you have the possibility of specifying \comando\BreakVersitrue\
-(and of course \comando\BreakVersifalse) for allowing (or disallowing) line
-breaks of verses; broken verses are continued in the next line with a
-generous indentation so as to recognize them as belonging to the same verse;
-the verse counter is not incremented when breaking verses across lines.
-
-\NoLipsiakostext
-
-\begin{verbatim}
-\begin{VERSI}[40]
-k'elomai pol\ua stonon\\
-\SubVerso[18]
->er'uken <'ub\apex rin; o>u g`ar >`an j'eloi-\\
-\NoSubVerso
-m'' >'ambroton >erann`on >Ao\lbrk ~us\\
-\SubVerso
->ide~in f'aos, >epe'i tin'' >h"ij\siniz{'e\lbrk w}n\\
-s`u dam'aseias >a'ekon-\\
-\NoSubVerso
-ta; pr'osje qeir~wn b'ian\\
-\SubVerso
-\paragr de\ladd{'i}xomen;
-t`a d'' >epi'onta da\ladd{'imw}n krine~i.\GEcdq\\
-\SubVerso[1]
-t'os'' e>~ipen >ar'etaiqmos <'hrws;\\
-t\rbrk 'afon d`e na\ua batai\\
-f\rbrk wt`os <uper'afanon\\
-j\rbrk 'arsos;\Dots[4]
-\end{VERSI}
-\end{verbatim}
-
-\Lipsiakostext
-\begin{VERSI}[40]
-k'elomai pol\ua stonon\\
-\SubVerso[18]
->er'uken <'ub\apex rin; o>u g`ar >`an j'eloi-\\
-\NoSubVerso
-m'' >'ambroton >erann`on >Ao\lbrk ~us\\
-\SubVerso
->ide~in f'aos, >epe'i tin'' >h"ij\siniz{'e\lbrk w}n\\
-s`u dam'aseias >a'ekon-\\
-\NoSubVerso
-ta; pr'osje qeir~wn b'ian\\
-\SubVerso
-\coronis de\ladd{'i}xomen; t`a d'' >epi'onta da\ladd{'imw}n krine~i.\GEcdq\\
-\SubVerso[1]
-t'os'' e>~ipen >ar'etaiqmos <'hrws;\\
-t\rbrk 'afon d`e na\ua batai\\
-f\rbrk wt`os <uper'afanon\\
-j\rbrk 'arsos;\Dots[4]
-\end{VERSI}
-\NoLipsiakostext
-\item[\texttt{bracedmetrics}] This is an environment different
-from the preceding ones, although it always deals with verses.
-Its purpose is to set the verse metric lines grouped with a right
-brace, so  as to show the variants of a certain metric scheme.
-
-\begin{sloppypar}
-In order to align the metric variants and in order to place the
-right brace in the proper place it is necessary to fix  specific
-lengths in terms of a unit that is compatible with the metric
-symbols; therefore the syntax of such spacing command and of the
-environment itself is the following
-    \begin{quote}\let\c\comando\obeylines
-    \c\begin\brArg{bracedmetrics}\ARG{length}
-    \Arg{metric lines}
-    \c\end\brArg{bracedmetrics}
-    \null
-    \c\verseskip\ARG{number}
-    \end{quote}
-where \Arg{number} specifies the number of metric symbols the
-\comando\verseskip\ should be equivalent to. Approximately the
-\comando\verseskip\ will be as long as a sequence of \Arg{number}
-long syllables; the \Arg{length} specified as the width of the
-environment should equal the longest metric line contained in the
-block, and should be specified by means of the
-\comando\verseskip\ command with its argument; but since the
-metric symbols are not all of the same length, it is wise to
-count the symbols of the longest metric line and to add a couple
-of units; after producing the first draft it is possible to review
-the number specified as the argument of \comando\verseskip. Of
-course the same \comando\verseskip\ command may be used to align
-the various fragments of metric lines within the environment.
-Examine the following example of input code:
-\begin{verbatim}
-\begin{verse}
-    \brevis\svert\longa\brevis\brevis\longa
-        \brevis\brevis\longa\svert\longa\\
-    \begin{bracedmetrics}{\verseskip{13}}
-        \Hfill \brevis\svert\longa\brevis\longa
-            \svert\longa\\
-        \longa\brevis\brevis\longa\brevis\brevis
-            \zeugma{\longa\svert\longa}\\
-        \Hfill\longa\brevis\longa\svert\longa
-            \verseskip{2}\\
-        \Hfill\longa\brevis\longa\dBar
-    \end{bracedmetrics}\\
-    \begin{bracedmetrics}{\longa\brevis\brevis\longa
-        \brevis\brevis\longa\svert\longa}
-        \longa\brevis\brevis\longa\brevis\brevis
-            \longa\svert\longa\\
-        \longa\brevis\brevis\longa\brevis\brevis\longa
-    \end{bracedmetrics}\\
-\verseskip{7}\brevis\brevis\longa\svert\ubarbrevis\tBar
-\end{verse}%
-\end{verbatim}
-which produces:
-\begin{verse}
-    \brevis\svert\longa\brevis\brevis\longa
-        \brevis\brevis\longa\svert\longa\\
-    \begin{bracedmetrics}{\verseskip{13}}
-        \Hfill \brevis\svert\longa\brevis\longa\svert\longa\\
-        \longa\brevis\brevis\longa\brevis\brevis
-            \zeugma{\longa\svert\longa}\\
-        \Hfill\longa\brevis\longa\svert\longa\verseskip{2}\\
-        \Hfill\longa\brevis\longa\dBar
-    \end{bracedmetrics}\\
-    \begin{bracedmetrics}{\longa\brevis\brevis\longa
-        \brevis\brevis\longa\svert\longa}
-        \longa\brevis\brevis\longa\brevis\brevis\longa\svert\longa\\
-        \longa\brevis\brevis\longa\brevis\brevis\longa
-    \end{bracedmetrics}\\
-\verseskip{7}\brevis\brevis\longa\svert\ubarbrevis\tBar
-\end{verse}%
-\end{sloppypar}
-
-\end{description}
-
-\section*{Acknowledgements}
-I warmly thank Paolo Ciacchi for his patience in driving me along the path of
-philological typography, which was totally unknown to me. He patiently chose
-examples from the best printed books, scanned them and sent them to me by
-e-mail; he patiently pointed out the flaws of my programming and suggested
-ameliorations. Recently this young man discussed his master thesis, and I am
-sure that his deep love for ancient classics will drive him to a position where
-he will have all the satisfactions he deserves.
-
-%And up to date \texttt{teubner.sty} is not finished yet!
-% \begin{flushright}
-% Turin, 2006/01/16
-% \end{flushright}
-\end{document}