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author | Karl Berry <karl@freefriends.org> | 2006-09-19 17:47:52 +0000 |
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committer | Karl Berry <karl@freefriends.org> | 2006-09-19 17:47:52 +0000 |
commit | 7ff47a3410f5c3adb8256dcf3eb0f5df223f8a54 (patch) | |
tree | 8ae5f69be6225abe637220548d5a4c68b6cc96fd /Master/texmf-dist/doc/latex/screenplay/example.tex | |
parent | ff0751c47677d74e738b6009c1401b5b9a88d937 (diff) |
screenplay update (19sep06)
git-svn-id: svn://tug.org/texlive/trunk@2161 c570f23f-e606-0410-a88d-b1316a301751
Diffstat (limited to 'Master/texmf-dist/doc/latex/screenplay/example.tex')
-rw-r--r-- | Master/texmf-dist/doc/latex/screenplay/example.tex | 243 |
1 files changed, 243 insertions, 0 deletions
diff --git a/Master/texmf-dist/doc/latex/screenplay/example.tex b/Master/texmf-dist/doc/latex/screenplay/example.tex new file mode 100644 index 00000000000..2fa0120aa78 --- /dev/null +++ b/Master/texmf-dist/doc/latex/screenplay/example.tex @@ -0,0 +1,243 @@ +% $Header: /home/johnny/html/Sacrifice/LaTeX/RCS/example.tex,v 1.70 2006/09/17 07:45:50 johnny Exp $ +% + +\documentclass{screenplay} +% http://dvc.org.uk/sacrific.txt/screenplay.cls +% make sure you have the latest versions so they match +% and the page-breaking is right +% this example.tex was built for screenplay.cls v 1.417 + +\begin{document} + +% cover page, this command has to go first ... +% +% choose one of \titleauthor, \titleextra, \nicholl ... + +% copyright year is [optional] +% (apparently putting your copyright on things upsets studio moguls) +\titleauthor[2006] +{Example .tex} +{John Pate}{% +Your address\\ +here if you're\\ +going postal\\ +UK\\ +\\ ++44~(0)131~999~9999\\ +johnny@dvc.org.uk% +} +% +% ... or use ... +% \titleextra{% +% \copyright 2006 John Pate\\ +% ALL RIGHTS RESERVED +% } +% {Example .tex} +% {John Pate}{% +% Your address\\ +% here if you're\\ +% going postal\\ \\ +% +44~(0)131~999~9999\\ +% http://dvc.org.uk\\% +% johnny@dvc.org.uk% +% } +% +% or for the Nicholl Fellowships ... +% \nicholl{Example .tex} +% + +% end cover page + +% +% TeX allows quite a lot of leeway in whitespace, so I've messed this +% up a bit. I find keeping the format structured helps me a lot tho. +% Note: but don't have blank lines *inside* the body of text in +% a dialogue environment. +% I use vi (Elvis) with macros to make a lot of typing disappear. +% +% +% Anyhoo, on with the show ... + +% for some reason this always happens at the start ... +\fadein + +\intslug[illumination]{example sample -- screenplay.cls} + + +\begin{dialogue}{Bob} +That means that someone +sabotaged the unit and killed the +President! Was it one of us? +\end{dialogue} +\begin{dialogue}{Brown} +Who else is mad but us, Condi~-- +and Bliar? +\end{dialogue} + +Bob buries his head in his hands. +\intercut + +\intslug{Atlantis -- somewhere ANyway} + +John and Mark are at adjacent consoles. Fred is with them. Tom +is at another console slightly further away. + +\begin{dialogue}{John} +The planetoid seems to have a thin crust +covering a nickel-iron core. Could have +been an Earth-like planet at one time. +\end{dialogue} + +\begin{dialogue}{Mark} +We're coming up on the radio source now. +\end{dialogue} + +\begin{dialogue}{John} +Are we? +\end{dialogue} + +\begin{dialogue}{Mark} +Yes. +\end{dialogue} + +Brown walks in and goes to a console. + +He has a PARROT on his shoulder. + +\begin{dialogue}{Fred} +Switch the visual to main screen so we +can get a good look.\end{dialogue} + +They look up at the main screen. + +\begin{dialogue}[to John and Mark]{Fred} +Lock on to that. Give me a Scanalysis. +\dialbreak[to Tom]{Fred} +Establish planetary orbit, stationary +above this thing. +\end{dialogue} + +\begin{dialogue}{Mark} +It seems to be solid with a high +metallic content and be the source of +the radio energy. +\end{dialogue} + +\begin{dialogue}{John} +The gravity map shows there's some kind +of cavern directly beneath it. +\end{dialogue} + +\begin{dialogue}{Fred} +Get me the fullest details you can. +Survey that cavern and see what you can +make of it. Looks like this is what we +came all the way to see. +\end{dialogue} + +\begin{dialogue}{Brown} +You'd better prep the Galileo for a +planet-fall. Looks like we've got some +digging to do. Unless Bliar objects +that is. +\end{dialogue} + +\begin{dialogue}{Fred}I didn't come all this way to see the +first signs of alien life then turn +around and ignore it.\paren{beat} I wonder how this +will fit into Bliar's theology.\end{dialogue} + +\begin{dialogue}{Brown} +Perhaps when you've done some digging +we'll have some answers.\end{dialogue} + +\begin{dialogue}{Parrot} +Or maybe more questions. +\end{dialogue} + + + +\begin{dialogue}{Brown} +Who said that? +\end{dialogue} + +\begin{dialogue}[to radio]{Fred} +Now hear this. Shuttle to be prepared +for launch. +\end{dialogue} +\pagebreak% + +\intslug{Atlantis -- SHIP'S HOLD} + +The Hold is large, has various piles of crates and +equipment +stored in it. Near the door is a large coffin-shaped packing +crate standing on its end. + + +\intextslug[day]{in or out} +Apparently some people do this. + +\extintslug[night]{out or in} +Or even this. + +\extslug[day or nite]{NO WARRANTY -- EXPRESS OR IMPLIED} + +\pov I made the slugline DAY/NIGHT optional 'cause in space no-one can +tell the time. You probably will need to specify. + +\nb Don't put in pagebreaks by hand until you're really, really +finished editing! + +It isn't the done thing to hyphenate for formatting purposes. + +Use the source, Luke. + + +\intslug[illumination]{title over environment or centred title} + +\begin{titleover}There's a titleover environment for dialogue-like layout if you're +doing the "Star Wars" thing.\end{titleover} + +\ldots or a centred title over\ldots + +\centretitle{http://dvc.org.uk/sacrific.txt/} + +\extslug[All Hail Discordia!]{where to find us} +http://dvc.org.uk/sacrific.txt/example.tex\\ +http://dvc.org.uk/sacrific.txt/screenplay.cls + +\extslug[illumination]{for definitive info on layout} + +http://www.oscars.org/nicholl/format.html + +% and this always happens at the end ... +\fadeout + +\theend + +\end{document} + +% $Id: example.tex,v 1.70 2006/09/17 07:45:50 johnny Exp $ +% +=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+= +% +% Copyright (C) 2006 John Pate <johnny@dvc.org.uk> +% +% This text is free software; you can redistribute it and/or modify it +% under the terms of the GNU General Public License as published by the +% Free Software Foundation; either version 2 of the License, or (at your +% option) any later version. +% +% This text is distributed in the hope that it will be useful, but +% WITHOUT ANY WARRANTY; without even the implied warranty of MERCHANTABILITY +% or FITNESS FOR A PARTICULAR PURPOSE. See the GNU General Public License +% for more details. +% +% You should have received a copy of the GNU General Public License along +% with this text; if not, write to the Free Software Foundation, Inc., +% 51 Franklin St, Fifth Floor, Boston, MA 02110-1301 USA +% +% GPL v2 text also available as: +% http://dvc.org.uk/gplv2.txt +% +% +=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+= |