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+This package contains the following files:

+

+    • `dramatist.readme': this file.

+    • `dramatist.dtx': the package source file.

+    • `dramatist.ins': the installation driver file.

+

+In order to get file `dramatist.sty' you have to run tex on

+`dramatist.ins' (you'll get also the example files).

+

+In order to get documentation you have to run latex on

+`dramatist.dtx'.

+

+Then move `dramatist.sty' in a directory where TeX looks for style

+files and move documentation files in the directory you like.

+N.B.: if you have a file `docstrip.cfg' in your system you only

+need to create directories <basedir>/tex/latex/dramatist and

+<basedir>/doc/latex/dramatist - TeX will automatically move the

+files in these directories.

+

+This package is released under the GNU General Public License. The

+related documentation is released under the terms of the FDPL Free

+Documentation Public Licence. For further details concerning these

+licenses see the documentation.

+

+

+                    +-------------+

+                    |  DRAMATIST  |

+                    +-------------+

+

+                      - Overview -

+

+The present package provides support for drama both in verse and

+in prose. The following facilities are given: two environments for

+typesetting dialogues in prose or in verse; new document divisions

+corresponding to acts and scenes; macros that control the

+appearance of characters and stage directions; and automatical

+generation of a `Dramatis Personae' list.

+

+                     - Changelog -

+

+v1.0 First public release.

+

+v1.1 Added support for line numbering.

+

+     Added a \speaker command for characters not included in

+     the `Dramatis Personae' list.

+

+     Changes made to the `drama*' environment.

+

+     \act \scene and \DramPer made more compliant to the standard

+     document division commands.

+

+v1.2 Added support for `poemscol' package.

+

+     Introduced an `uppercase' series of sectioning commands.

+

+     First argument in \Character made optional (this causes

+     incompatibility with previous versions).

+

+     Added environment (`CharacterGroup') for characters groups in

+     the `Dramatis Personae' list.

+

+     Added various hooks for user customization.

+

+                 - Bugs Report -

+

+Please report any bugs you find, sending an e-mail to this

+address: mlgdominici@interfree.it. While I don't guarantee you an

+immediate answer, I'll try to solve any problem and I'll be glad

+to receive suggestions. I hope you'll enjoy this poor result of my

+efforts.

+

+Massimiliano Dominici.

diff --git a/Master/texmf-dist/doc/latex/dramatist/dramatist.pdf b/Master/texmf-dist/doc/latex/dramatist/dramatist.pdf
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diff --git a/Master/texmf-dist/doc/latex/dramatist/marlowe-poemscol.tex b/Master/texmf-dist/doc/latex/dramatist/marlowe-poemscol.tex
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+%%
+%% This is file `marlowe-poemscol.tex',
+%% generated with the docstrip utility.
+%%
+%% The original source files were:
+%%
+%% dramatist.dtx  (with options: `pmarlowe')
+%% 
+%% IMPORTANT NOTICE:
+%% 
+%% For the copyright see the source file.
+%% 
+%% Any modified versions of this file must be renamed
+%% with new filenames distinct from marlowe-poemscol.tex.
+%% 
+%% For distribution of the original source see the terms
+%% for copying and modification in the file dramatist.dtx.
+%% 
+%% This generated file may be distributed as long as the
+%% original source files, as listed above, are part of the
+%% same distribution. (The sources need not necessarily be
+%% in the same archive or directory.)
+%% dramatist.dtx
+%% Copyright (C) 2003-2004 Massimiliano Dominici
+%% \CharacterTable%%  {Upper-case    \A\B\C\D\E\F\G\H\I\J\K\L\M\N\O\P\Q\R\S\T\U\V\W\X\Y\Z
+%%   Lower-case    \a\b\c\d\e\f\g\h\i\j\k\l\m\n\o\p\q\r\s\t\u\v\w\x\y\z
+%%   Digits        \0\1\2\3\4\5\6\7\8\9
+%%   Exclamation   \!     Double quote  \"     Hash (number) \#
+%%   Dollar        \$     Percent       \%     Ampersand     \&
+%%   Acute accent  \'     Left paren    \(     Right paren   \)
+%%   Asterisk      \*     Plus          \+     Comma         \,
+%%   Minus         \-     Point         \.     Solidus       \/
+%%   Colon         \:     Semicolon     \;     Less than     \<
+%%   Equals        \=     Greater than  \>     Question mark \?
+%%   Commercial at \@     Left bracket  \[     Backslash     \\
+%%   Right bracket \]     Circumflex    \^     Underscore    \_
+%%   Grave accent  \`     Left brace    \{     Vertical bar  \|
+%%   Right brace   \}     Tilde         \~}
+%%
+%%\section{The GNU General Public License}
+%% This file shows some basic features of package `dramatist', when
+%% typesetting a drama in verse. Here we use package `poemscol' as a
+%% support for text in verse; if you usually use package `verse'
+%% instead, you may give a look to file `marlowe-verse.tex'.
+%%
+%% The source for this example is taken from Marlowe's `Jew of
+%% Malta'. I took leave to insert division in scenes, which is not
+%% present in the original edition, in order to show more features.
+
+\documentclass{book}
+\usepackage{fancyhdr,newmarn,geometry}
+\usepackage{keyval,ifthen,newcropmark}
+\usepackage{poemscol}
+
+%% Load package `dramatist' after `poemscol'
+\usepackage{dramatist}
+
+%% comment out one of the following lines (and comment out the
+%% previous one) if you want line numbering per act or per scene.
+%%\usepackage[lnpa]{dramatist}
+%%\usepackage[lnps]{dramatist}
+
+%% We may change some parameters in the look of acts and scenes:
+%%\renewcommand{\actnamefont}{\bfseries\Large}
+%%\renewcommand{\theact}{\Roman{act}}
+%%\renewcommand{\scenenamefont}{\bfseries\large}
+%%\renewcommand{\thescene}{\Roman{scene}}
+
+%% We may change some parameters in the look of characters:
+%%\renewcommand{\castfont}{\bfseries}
+%%\renewcommand{\speaksfont}{\itshape}
+%%\renewcommand{\speaksdel}{:}
+
+%% We may change some parameters in the look of stage directions:
+%%\StageDirConf{\begin{center}\begin{minipage}{.4\textwidth}\bfseries}{\end{minipage}\end{center}}
+
+%% Comment out the following lines if you want to insert a vertical
+%% space between speeches.
+%%\makeatletter
+%%\renewcommand{\speakstab}{\if@stagedir\global\@stagedirfalse\else\bigskip\fi\hspace{\speaksskip}}
+%%\makeatother
+
+%% Maybe you want acts and scenes print their marks in the headings.
+%% The following lines should work.
+%%\renewcommand{\drampermark}[1]{\volumeheader{#1}}
+%%\renewcommand{\actmark}[1]{\leftheader{#1}}
+%%\renewcommand{\scenemark}[1]{\volumeheader{#1}}
+%%\fancyhf{}
+%%\fancyhead[CO]{\scshape \volumeheadervalue}
+%%\fancyhead[CE]{\scshape \leftheadervalue}
+%%\fancyfoot[CE]{\thepage}
+%%\fancyfoot[CO]{\thepage}
+
+\author{Christopher Marlowe}
+\title{The Jew of Malta}
+\date{}
+
+\begin{document}
+\begin{titlepage}
+\maketitle
+\end{titlepage}
+
+\tableofcontents
+
+%% We define some characters appearing in the play.
+\Character[FERNEZE, governor of Malta.]{Ferneze}{fer}
+\Character[LODOWICK, his son.]{Lodowick}{lod}
+\Character[SELIM CALYMATH, son to the Grand Seignior.]{Calymath}{cal}
+\Character[MARTIN DEL BOSCO, vice-admiral of Spain.]{Martin Del Bosco}{mar}
+\Character[MATHIAS, a gentleman.]{Mathias}{mat}
+%% group of characters.
+\begin{CharacterGroup}{friars.}
+\GCharacter{JACOMO,}{Jacomo}{jac}
+\GCharacter{BARNARDINE,}{Barnardine}{barn}
+\end{CharacterGroup}
+\Character[BARABAS, a wealthy Jew.]{Barabas}{bar}
+\Character[ITHAMORE, a slave.]{Ithamore}{ith}
+\Character[PILIA-BORZA, a bully, attendant to BELLAMIRA.]{Pilia-Borza}{pb}
+%% the following three collective characters appear in the play as
+%% single instances, so we don't need define commands and entries
+%% for them.
+\Character[Two Merchants.]{}{}
+\Character[Three Jews.]{}{}
+\Character[Knights, Bassoes, Officers, Guard, Slaves, Messenger, and Carpenters]{}{}
+\Character[KATHARINE, mother to MATHIAS.]{Katharine}{kat}
+\Character[ABIGAIL, daughter to BARABAS.]{Abigail}{abi}
+\Character[BELLAMIRA, a courtezan.]{Bellamira}{bel}
+\Character[ABBESS.]{Abbess}{abb}
+\Character[NUN.]{Nun}{nun}
+%% This character doesn't appear in the dramatist personae list.
+\Character{Machiavel}{mac}
+
+%% We call the dramatis personae list.
+\DramPer
+
+%% The Prologue: we use \Act, but prevent it from printing \actname
+%% and \theact.
+\setcounter{secnumdepth}{-1}
+\renewcommand{\printacttitle}[1]{\centering\acttitlefont #1}
+%% This is needed only with customized headings.
+%%\renewcommand{\actname}{}
+%%\renewcommand{\theact}{}
+\Act{Prologue}
+
+\StageDir{Enter \mac.}
+
+\begin{drama*}
+\macspeaks
+Albeit the world think Machiavel is dead,\verseline
+Yet was his soul but flown beyond the Alps;\verseline
+And, now the Guise is dead, is come from France,\verseline
+To view this land, and frolic with his friends.\verseline
+To some perhaps my name is odious;\verseline
+But such as love me, guard me from their tongues,\verseline
+And let them know that I am Machiavel,\verseline
+And weigh not men, and therefore not men's words.\verseline
+Admir'd I am of those that hate me most:\verseline
+Though some speak openly against my books,\verseline
+Yet will they read me, and thereby attain\verseline
+To Peter's chair; and, when they cast me off,\verseline
+Are poison'd by my climbing followers.\verseline
+I count religion but a childish toy,\verseline
+And hold there is no sin but ignorance.\verseline
+Birds of the air will tell of murders past!\verseline
+I am asham'd to hear such fooleries.\verseline
+Many will talk of title to a crown:\verseline
+What right had Caesar to the empery?\verseline
+Might first made kings, and laws were then most sure\verseline
+When, like the Draco's, they were writ in blood.\verseline
+Hence comes it that a strong-built citadel\verseline
+Commands much more than letters can import:\verseline
+Which maxim had Phalaris observ'd,\verseline
+H'ad never bellow'd, in a brazen bull,\verseline
+Of great ones' envy:  o' the poor petty wights\verseline
+Let me be envied and not pitied.\verseline
+But whither am I bound?  I come not, I,\verseline
+To read a lecture here in Britain,\verseline
+But to present the tragedy of a Jew,\verseline
+Who smiles to see how full his bags are cramm'd;\verseline
+Which money was not got without my means.\verseline
+I crave but this,--grace him as he deserves,\verseline
+And let him not be entertain'd the worse\verseline
+Because he favours me.\verseline
+\direct{Exit.}
+\end{drama*}
+
+%% Now we restore the default settings.
+\setcounter{act}{0}
+\setcounter{secnumdepth}{0}
+\renewcommand{\printacttitle}[1]{\acttitlefont #1}
+%% This is needed only with customized headings.
+%%\renewcommand{\actname}{Act}
+%%\renewcommand{\theact}{\roman{act}}
+%%\renewcommand{\theact}{\Roman{act}}
+
+%% Without a title, the command to be used is \act. We add a
+%% footnote, just to show a feature.
+\act[\footnote{This is the first act.}]
+
+\scene
+%% Scene are not marked in the original edition. I have introduced
+%% them (somehow arbitrarily, I suppose) to give a complete review
+%% of the available features.
+
+\StageDir{\bar discovered in his counting-house, with heaps
+of gold before him.}
+
+\begin{drama*}
+\barspeaks So that of thus much that return was made;\verseline
+And of the third part of the Persian ships\verseline
+There was the venture summ'd and satisfied.\verseline
+As for those Samnites, and the men of Uz,\verseline
+That bought my Spanish oils and wines of Greece,\verseline
+Here have I purs'd their paltry silverlings.\verseline
+Fie, what a trouble 'tis to count this trash!\verseline
+Well fare the Arabians, who so richly pay\verseline
+The things they traffic for with wedge of gold,\verseline
+Whereof a man may easily in a day\verseline
+Tell that which may maintain him all his life.\verseline
+The needy groom, that never finger'd groat,\verseline
+Would make a miracle of thus much coin;\verseline
+But he whose steel-barr'd coffers are cramm'd full,\verseline
+And all his life-time hath been tired,\verseline
+Wearying his fingers' ends with telling it,\verseline
+Would in his age be loath to labour so,\verseline
+And for a pound to sweat himself to death.\verseline
+Give me the merchants of the Indian mines,\verseline
+That trade in metal of the purest mould;\verseline
+The wealthy Moor, that in the eastern rocks\verseline
+Without control can pick his riches up,\verseline
+And in his house heap pearl like pebble-stones,\verseline
+Receive them free, and sell them by the weight;\verseline
+Bags of fiery opals, sapphires, amethysts,\verseline
+Jacinths, hard topaz, grass-green emeralds,\verseline
+Beauteous rubies, sparkling diamonds,\verseline
+And seld-seen costly stones of so great price,\verseline
+As one of them, indifferently rated,\verseline
+And of a carat of this quantity,\verseline
+May serve, in peril of calamity,\verseline
+To ransom great kings from captivity.\verseline
+This is the ware wherein consists my wealth;\verseline
+And thus methinks should men of judgment frame\verseline
+Their means of traffic from the vulgar trade,\verseline
+And, as their wealth increaseth, so inclose\verseline
+Infinite riches in a little room.\verseline
+But now how stands the wind?\verseline
+Into what corner peers my halcyon's bill?\verseline
+Ha! to the east? yes.  See how stand the vanes--\verseline
+East and by south:  why, then, I hope my ships\verseline
+I sent for Egypt and the bordering isles\verseline
+Are gotten up by Nilus' winding banks;\verseline
+Mine argosy from Alexandria,\verseline
+Loaden with spice and silks, now under sail,\verseline
+Are smoothly gliding down by Candy-shore\verseline
+To Malta, through our Mediterranean sea.--\verseline
+But who comes here?\verseline
+%% We need another character
+\Character{Merchant}{mer}
+\direct{Enter a \mer.}
+How now!\verseline
+
+\merspeaks Barabas, thy ships are safe,\verseline
+Riding in Malta-road; and all the merchants\verseline
+With other merchandise are safe arriv'd,\verseline
+And have sent me to know whether yourself\verseline
+Will come and custom them.\verseline
+
+\barspeaks The ships are safe thou say'st, and richly fraught?\verseline
+
+\merspeaks They are.\verseline
+
+\barspeaks Why, then, go bid them come ashore,\verseline
+And bring with them their bills of entry:\verseline
+I hope our credit in the custom-house\verseline
+Will serve as well as I were present there.\verseline
+Go send 'em threescore camels, thirty mules,\verseline
+And twenty waggons, to bring up the ware.\verseline
+But art thou master in a ship of mine,\verseline
+And is thy credit not enough for that?\verseline
+\end{drama*}
+
+\begin{center}
+[\dots]
+\end{center}
+
+\scene
+%%Other characters.
+
+\Character{knights}{knights}
+\Character{officers}{officers}
+\Character{bassoes}{bassoes}
+\Character{First Basso}{fb}
+
+%% An alternative formulation for \StageDir.
+\begin{stagedir}
+Enter \fer, governor of Malta, \knights, and \officers;
+met by \cal, and \bassoes of the Turk.
+\end{stagedir}
+
+\begin{drama*}
+\ferspeaks Now, bassoes, what demand you at our hands?\verseline
+
+\fbspeaks Know, knights of Malta, that we came from Rhodes,\verseline
+From Cyprus, Candy, and those other isles\verseline
+That lie betwixt the Mediterranean seas.\verseline
+
+\ferspeaks What's Cyprus, Candy, and those other isles\verseline
+To us or Malta? what at our hands demand ye?\verseline
+
+\calspeaks The ten years' tribute that remains unpaid.\verseline
+
+\ferspeaks Alas, my lord, the sum is over-great!\verseline
+I hope your highness will consider us.\verseline
+
+\calspeaks I wish, grave governor, 'twere in my power\verseline
+To favour you; but 'tis my father's cause,\verseline
+Wherein I may not, nay, I dare not dally.\verseline
+\end{drama*}
+
+\begin{center}
+[\dots]
+\end{center}
+
+\act
+
+\scene
+
+\StageDir{Enter \bar with a light.}
+
+\begin{drama*}
+\barspeaks Thus, like the sad-presaging raven, that tolls\verseline
+The sick man's passport in her hollow beak,\verseline
+And in the shadow of the silent night\verseline
+Doth shake contagion from her sable wings,\verseline
+Vex'd and tormented runs poor Barabas\verseline
+With fatal curses towards these Christians.\verseline
+The incertain pleasures of swift-footed time\verseline
+Have ta'en their flight, and left me in despair;\verseline
+And of my former riches rests no more\verseline
+But bare remembrance; like a soldier's scar,\verseline
+That has no further comfort for his maim.--\verseline
+O Thou, that with a fiery pillar ledd'st\verseline
+The sons of Israel through the dismal shades,\verseline
+Light Abraham's offspring; and direct the hand\verseline
+Of Abigail this night! or let the day\verseline
+Turn to eternal darkness after this!--\verseline
+No sleep can fasten on my watchful eyes,\verseline
+Nor quiet enter my distemper'd thoughts,\verseline
+Till I have answer of my Abigail.\verseline
+\end{drama*}
+
+\StageDir{Enter \abi above.}
+
+\begin{drama*}
+\abispeaks Now have I happily espied a time\verseline
+To search the plank my father did appoint;\verseline
+And here, behold, unseen, where I have found\verseline
+The gold, the pearls, and jewels, which he hid.\verseline
+
+\barspeaks Now I remember those old women's words,\verseline
+Who in my wealth would tell me winter's tales,\verseline
+And speak of spirits and ghosts that glide by night\verseline
+About the place where treasure hath been hid:\verseline
+And now methinks that I am one of those;\verseline
+For, whilst I live, here lives my soul's sole hope,\verseline
+And, when I die, here shall my spirit walk.\verseline
+\end{drama*}
+
+\begin{center}
+[\dots]
+\end{center}
+
+\end{document}
+
+\endinput
+%%
+%% End of file `marlowe-poemscol.tex'.
diff --git a/Master/texmf-dist/doc/latex/dramatist/marlowe-verse.tex b/Master/texmf-dist/doc/latex/dramatist/marlowe-verse.tex
new file mode 100644
index 00000000000..32747b53455
--- /dev/null
+++ b/Master/texmf-dist/doc/latex/dramatist/marlowe-verse.tex
@@ -0,0 +1,387 @@
+%%
+%% This is file `marlowe-verse.tex',
+%% generated with the docstrip utility.
+%%
+%% The original source files were:
+%%
+%% dramatist.dtx  (with options: `vmarlowe')
+%% 
+%% IMPORTANT NOTICE:
+%% 
+%% For the copyright see the source file.
+%% 
+%% Any modified versions of this file must be renamed
+%% with new filenames distinct from marlowe-verse.tex.
+%% 
+%% For distribution of the original source see the terms
+%% for copying and modification in the file dramatist.dtx.
+%% 
+%% This generated file may be distributed as long as the
+%% original source files, as listed above, are part of the
+%% same distribution. (The sources need not necessarily be
+%% in the same archive or directory.)
+%% dramatist.dtx
+%% Copyright (C) 2003-2004 Massimiliano Dominici
+%% \CharacterTable%%  {Upper-case    \A\B\C\D\E\F\G\H\I\J\K\L\M\N\O\P\Q\R\S\T\U\V\W\X\Y\Z
+%%   Lower-case    \a\b\c\d\e\f\g\h\i\j\k\l\m\n\o\p\q\r\s\t\u\v\w\x\y\z
+%%   Digits        \0\1\2\3\4\5\6\7\8\9
+%%   Exclamation   \!     Double quote  \"     Hash (number) \#
+%%   Dollar        \$     Percent       \%     Ampersand     \&
+%%   Acute accent  \'     Left paren    \(     Right paren   \)
+%%   Asterisk      \*     Plus          \+     Comma         \,
+%%   Minus         \-     Point         \.     Solidus       \/
+%%   Colon         \:     Semicolon     \;     Less than     \<
+%%   Equals        \=     Greater than  \>     Question mark \?
+%%   Commercial at \@     Left bracket  \[     Backslash     \\
+%%   Right bracket \]     Circumflex    \^     Underscore    \_
+%%   Grave accent  \`     Left brace    \{     Vertical bar  \|
+%%   Right brace   \}     Tilde         \~}
+%%
+%%\section{The GNU General Public License}
+%% This file shows some basic features of package `dramatist', when
+%% typesetting a drama in verse. Here we use package `verse' as a
+%% support for text in verse; if you usually use package `poemscol'
+%% instead, you may give a look to file `marlowe-poemscol.tex'.
+%%
+%% The source for this example is taken from Marlowe's `Jew of
+%% Malta'. I took leave to insert division in scenes, which is not
+%% present in the original edition, in order to show more features.
+
+\documentclass{book}
+\usepackage{verse}
+%% Warning: in this document I have used `\\!' (end of stanzas) to
+%% mark the end of a speech, so that a space would be inserted
+%% between speeches. This works only with the verse package or the
+%% memoir class. Otherwise you must insert such a space by hand or
+%% try to redefine \speakstab: e.g.
+%% \renewcommand{\speakstab}{\bigskip\hspace{\speaksskip}}.
+
+%% Load package `dramatist' after `verse'
+\usepackage{dramatist}
+
+%% comment out one of the following lines (and comment out the
+%% previous one) if you want line numbering per act or per scene.
+%%\usepackage[lnpa]{dramatist}
+%%\usepackage[lnps]{dramatist}
+
+\pagestyle{plain}
+%% Maybe you want acts and scenes print their marks in the headings.
+%% The following lines should work.
+%%\makeatletter
+%%\def\ps@myheadings{%%
+%%    \renewcommand\drampermark[1]{\markboth{##1}{}}
+%%    \renewcommand\actmark[1]{\markboth{##1}{}}
+%%    \renewcommand\scenemark[1]{\markright{##1}}
+%%    \def\@oddfoot{\hfil\thepage\hfil}
+%%    \def\@evenfoot{\hfil\thepage\hfil}
+%%    \def\@evenhead{\hfil\scshape\leftmark\hfil}%%
+%%    \def\@oddhead{\hfil\scshape\rightmark\hfil}%%
+%%}
+%%\makeatother
+%%\pagestyle{myheadings}
+
+%% We may change some parameters in the look of acts and scenes:
+%%\renewcommand{\actnamefont}{\bfseries\Large}
+%%\renewcommand{\theact}{\Roman{act}}
+%%\renewcommand{\scenenamefont}{\bfseries\large}
+%%\renewcommand{\thescene}{\Roman{scene}}
+
+%% We may change some parameters in the look of characters:
+%%\renewcommand{\castfont}{\bfseries}
+%%\renewcommand{\speaksfont}{\itshape}
+%%\renewcommand{\speaksdel}{:}
+
+%% We may change some parameters in the look of stage directions:
+%%\StageDirConf{\begin{center}\begin{minipage}{.4\textwidth}\bfseries}{\end{minipage}\end{center}}
+
+%% This is from verse package (or memoir class), for line numbering.
+\poemlines{5}
+
+\author{Christopher Marlowe}
+\title{The Jew of Malta}
+\date{}
+
+\begin{document}
+\begin{titlepage}
+\maketitle
+\end{titlepage}
+
+\tableofcontents
+
+%% We define some characters appearing in the play.
+\Character[FERNEZE, governor of Malta.]{Ferneze}{fer}
+\Character[LODOWICK, his son.]{Lodowick}{lod}
+\Character[SELIM CALYMATH, son to the Grand Seignior.]{Calymath}{cal}
+\Character[MARTIN DEL BOSCO, vice-admiral of Spain.]{Martin Del Bosco}{mar}
+\Character[MATHIAS, a gentleman.]{Mathias}{mat}
+%% group of characters.
+\begin{CharacterGroup}{friars.}
+\GCharacter{JACOMO,}{Jacomo}{jac}
+\GCharacter{BARNARDINE,}{Barnardine}{barn}
+\end{CharacterGroup}
+\Character[BARABAS, a wealthy Jew.]{Barabas}{bar}
+\Character[ITHAMORE, a slave.]{Ithamore}{ith}
+\Character[PILIA-BORZA, a bully, attendant to BELLAMIRA.]{Pilia-Borza}{pb}
+%% the following three collective characters appear in the play as
+%% single instances, so we don't need define commands and entries
+%% for them.
+\Character[Two Merchants.]{}{}
+\Character[Three Jews.]{}{}
+\Character[Knights, Bassoes, Officers, Guard, Slaves, Messenger, and Carpenters]{}{}
+\Character[KATHARINE, mother to MATHIAS.]{Katharine}{kat}
+\Character[ABIGAIL, daughter to BARABAS.]{Abigail}{abi}
+\Character[BELLAMIRA, a courtezan.]{Bellamira}{bel}
+\Character[ABBESS.]{Abbess}{abb}
+\Character[NUN.]{Nun}{nun}
+%% This character doesn't appear in the dramatist personae list.
+\Character{Machiavel}{mac}
+
+%% We call the dramatis personae list.
+\DramPer
+
+%% The Prologue: we use \Act, but prevent it from printing \actname
+%% and \theact.
+\setcounter{secnumdepth}{-1}
+\renewcommand{\printacttitle}[1]{\centering\acttitlefont #1}
+%% This is needed only with myheadings.
+%%\renewcommand{\actname}{}
+%%\renewcommand{\theact}{}
+
+\Act{Prologue}
+
+\StageDir{Enter \mac.}
+
+\begin{drama*}
+\macspeaks
+Albeit the world think Machiavel is dead,\\
+Yet was his soul but flown beyond the Alps;\\
+And, now the Guise is dead, is come from France,\\
+To view this land, and frolic with his friends.\\
+To some perhaps my name is odious;\\
+But such as love me, guard me from their tongues,\\
+And let them know that I am Machiavel,\\
+And weigh not men, and therefore not men's words.\\
+Admir'd I am of those that hate me most:\\
+Though some speak openly against my books,\\
+Yet will they read me, and thereby attain\\
+To Peter's chair; and, when they cast me off,\\
+Are poison'd by my climbing followers.\\
+I count religion but a childish toy,\\
+And hold there is no sin but ignorance.\\
+Birds of the air will tell of murders past!\\
+I am asham'd to hear such fooleries.\\
+Many will talk of title to a crown:\\
+What right had Caesar to the empery?\\
+Might first made kings, and laws were then most sure\\
+When, like the Draco's, they were writ in blood.\\
+Hence comes it that a strong-built citadel\\
+Commands much more than letters can import:\\
+Which maxim had Phalaris observ'd,\\
+H'ad never bellow'd, in a brazen bull,\\
+Of great ones' envy:  o' the poor petty wights\\
+Let me be envied and not pitied.\\
+But whither am I bound?  I come not, I,\\
+To read a lecture here in Britain,\\
+But to present the tragedy of a Jew,\\
+Who smiles to see how full his bags are cramm'd;\\
+Which money was not got without my means.\\
+I crave but this,--grace him as he deserves,\\
+And let him not be entertain'd the worse\\
+Because he favours me.\\
+\direct*{Exit.}
+%% The starred version of \direct can be used only at the end of a
+%% speech, when the verse package or the memoir class has been
+%% loaded.
+\end{drama*}
+
+%% Now we restore the default settings.
+\setcounter{act}{0}
+\setcounter{secnumdepth}{0}
+\renewcommand{\printacttitle}[1]{\acttitlefont #1}
+%% This is needed only with myheadings.
+%%\renewcommand{\actname}{Act}
+%%\renewcommand{\theact}{\roman{act}}
+%%\renewcommand{\theact}{\Roman{act}}
+
+%% Without a title, the command to be used is \act. We add a
+%% footnote, just to show a feature.
+\act[\footnote{This is the first act.}]
+
+\scene
+%% Scene are not marked in the original edition. I have introduced
+%% them (somehow arbitrarily, I suppose) to give a complete review
+%% of the available features.
+
+\StageDir{\bar discovered in his counting-house, with heaps
+of gold before him.}
+
+\begin{drama*}
+\barspeaks So that of thus much that return was made;\\
+And of the third part of the Persian ships\\
+There was the venture summ'd and satisfied.\\
+As for those Samnites, and the men of Uz,\\
+That bought my Spanish oils and wines of Greece,\\
+Here have I purs'd their paltry silverlings.\\
+Fie, what a trouble 'tis to count this trash!\\
+Well fare the Arabians, who so richly pay\\
+The things they traffic for with wedge of gold,\\
+Whereof a man may easily in a day\\
+Tell that which may maintain him all his life.\\
+The needy groom, that never finger'd groat,\\
+Would make a miracle of thus much coin;\\
+But he whose steel-barr'd coffers are cramm'd full,\\
+And all his life-time hath been tired,\\
+Wearying his fingers' ends with telling it,\\
+Would in his age be loath to labour so,\\
+And for a pound to sweat himself to death.\\
+Give me the merchants of the Indian mines,\\
+That trade in metal of the purest mould;\\
+The wealthy Moor, that in the eastern rocks\\
+Without control can pick his riches up,\\
+And in his house heap pearl like pebble-stones,\\
+Receive them free, and sell them by the weight;\\
+Bags of fiery opals, sapphires, amethysts,\\
+Jacinths, hard topaz, grass-green emeralds,\\
+Beauteous rubies, sparkling diamonds,\\
+And seld-seen costly stones of so great price,\\
+As one of them, indifferently rated,\\
+And of a carat of this quantity,\\
+May serve, in peril of calamity,\\
+To ransom great kings from captivity.\\
+This is the ware wherein consists my wealth;\\
+And thus methinks should men of judgment frame\\
+Their means of traffic from the vulgar trade,\\
+And, as their wealth increaseth, so inclose\\
+Infinite riches in a little room.\\
+But now how stands the wind?\\
+Into what corner peers my halcyon's bill?\\
+Ha! to the east? yes.  See how stand the vanes--\\
+East and by south:  why, then, I hope my ships\\
+I sent for Egypt and the bordering isles\\
+Are gotten up by Nilus' winding banks;\\
+Mine argosy from Alexandria,\\
+Loaden with spice and silks, now under sail,\\
+Are smoothly gliding down by Candy-shore\\
+To Malta, through our Mediterranean sea.--\\
+But who comes here?\\
+%% We need another character
+\Character{Merchant}{mer}
+\direct{Enter a \mer.}
+How now!\\!
+
+\merspeaks Barabas, thy ships are safe,\\
+Riding in Malta-road; and all the merchants\\
+With other merchandise are safe arriv'd,\\
+And have sent me to know whether yourself\\
+Will come and custom them.\\!
+
+\barspeaks The ships are safe thou say'st, and richly fraught?\\!
+
+\merspeaks They are.\\!
+
+\barspeaks Why, then, go bid them come ashore,\\
+And bring with them their bills of entry:\\
+I hope our credit in the custom-house\\
+Will serve as well as I were present there.\\
+Go send 'em threescore camels, thirty mules,\\
+And twenty waggons, to bring up the ware.\\
+But art thou master in a ship of mine,\\
+And is thy credit not enough for that?\\!
+\end{drama*}
+
+\begin{center}
+[\dots]
+\end{center}
+
+\scene
+%%Other characters.
+
+\Character{knights}{knights}
+\Character{officers}{officers}
+\Character{bassoes}{bassoes}
+\Character{First Basso}{fb}
+
+%% An alternative formulation for \StageDir.
+\begin{stagedir}
+Enter \fer, governor of Malta, \knights, and \officers;
+met by \cal, and \bassoes of the Turk.
+\end{stagedir}
+
+\begin{drama*}
+\ferspeaks Now, bassoes, what demand you at our hands?\\!
+
+\fbspeaks Know, knights of Malta, that we came from Rhodes,\\
+From Cyprus, Candy, and those other isles\\
+That lie betwixt the Mediterranean seas.\\!
+
+\ferspeaks What's Cyprus, Candy, and those other isles\\
+To us or Malta? what at our hands demand ye?\\!
+
+\calspeaks The ten years' tribute that remains unpaid.\\!
+
+\ferspeaks Alas, my lord, the sum is over-great!\\
+I hope your highness will consider us.\\!
+
+\calspeaks I wish, grave governor, 'twere in my power\\
+To favour you; but 'tis my father's cause,\\
+Wherein I may not, nay, I dare not dally.\\!
+\end{drama*}
+
+\begin{center}
+[\dots]
+\end{center}
+
+\act
+
+\scene
+
+\StageDir{Enter \bar with a light.}
+
+\begin{drama*}
+\barspeaks Thus, like the sad-presaging raven, that tolls\\
+The sick man's passport in her hollow beak,\\
+And in the shadow of the silent night\\
+Doth shake contagion from her sable wings,\\
+Vex'd and tormented runs poor Barabas\\
+With fatal curses towards these Christians.\\
+The incertain pleasures of swift-footed time\\
+Have ta'en their flight, and left me in despair;\\
+And of my former riches rests no more\\
+But bare remembrance; like a soldier's scar,\\
+That has no further comfort for his maim.--\\
+O Thou, that with a fiery pillar ledd'st\\
+The sons of Israel through the dismal shades,\\
+Light Abraham's offspring; and direct the hand\\
+Of Abigail this night! or let the day\\
+Turn to eternal darkness after this!--\\
+No sleep can fasten on my watchful eyes,\\
+Nor quiet enter my distemper'd thoughts,\\
+Till I have answer of my Abigail.\\!
+\end{drama*}
+
+\StageDir{Enter \abi above.}
+
+\begin{drama*}
+\abispeaks Now have I happily espied a time\\
+To search the plank my father did appoint;\\
+And here, behold, unseen, where I have found\\
+The gold, the pearls, and jewels, which he hid.\\!
+
+\barspeaks Now I remember those old women's words,\\
+Who in my wealth would tell me winter's tales,\\
+And speak of spirits and ghosts that glide by night\\
+About the place where treasure hath been hid:\\
+And now methinks that I am one of those;\\
+For, whilst I live, here lives my soul's sole hope,\\
+And, when I die, here shall my spirit walk.\\!
+\end{drama*}
+
+\begin{center}
+[\dots]
+\end{center}
+
+\end{document}
+
+\endinput
+%%
+%% End of file `marlowe-verse.tex'.
diff --git a/Master/texmf-dist/doc/latex/dramatist/schiller.tex b/Master/texmf-dist/doc/latex/dramatist/schiller.tex
new file mode 100644
index 00000000000..80c5765506b
--- /dev/null
+++ b/Master/texmf-dist/doc/latex/dramatist/schiller.tex
@@ -0,0 +1,338 @@
+%%
+%% This is file `schiller.tex',
+%% generated with the docstrip utility.
+%%
+%% The original source files were:
+%%
+%% dramatist.dtx  (with options: `schiller')
+%% 
+%% IMPORTANT NOTICE:
+%% 
+%% For the copyright see the source file.
+%% 
+%% Any modified versions of this file must be renamed
+%% with new filenames distinct from schiller.tex.
+%% 
+%% For distribution of the original source see the terms
+%% for copying and modification in the file dramatist.dtx.
+%% 
+%% This generated file may be distributed as long as the
+%% original source files, as listed above, are part of the
+%% same distribution. (The sources need not necessarily be
+%% in the same archive or directory.)
+%% dramatist.dtx
+%% Copyright (C) 2003-2004 Massimiliano Dominici
+%% \CharacterTable%%  {Upper-case    \A\B\C\D\E\F\G\H\I\J\K\L\M\N\O\P\Q\R\S\T\U\V\W\X\Y\Z
+%%   Lower-case    \a\b\c\d\e\f\g\h\i\j\k\l\m\n\o\p\q\r\s\t\u\v\w\x\y\z
+%%   Digits        \0\1\2\3\4\5\6\7\8\9
+%%   Exclamation   \!     Double quote  \"     Hash (number) \#
+%%   Dollar        \$     Percent       \%     Ampersand     \&
+%%   Acute accent  \'     Left paren    \(     Right paren   \)
+%%   Asterisk      \*     Plus          \+     Comma         \,
+%%   Minus         \-     Point         \.     Solidus       \/
+%%   Colon         \:     Semicolon     \;     Less than     \<
+%%   Equals        \=     Greater than  \>     Question mark \?
+%%   Commercial at \@     Left bracket  \[     Backslash     \\
+%%   Right bracket \]     Circumflex    \^     Underscore    \_
+%%   Grave accent  \`     Left brace    \{     Vertical bar  \|
+%%   Right brace   \}     Tilde         \~}
+%%
+%%\section{The GNU General Public License}
+%% This file shows some basic features of package `dramatist', when
+%% typesetting a drama in prose. See the commented line for more
+%% informations.
+%%
+%% The source for this example is taken from Schiller's `The
+%% Robbers'.
+
+\documentclass{book}
+\usepackage{dramatist}
+
+\pagestyle{plain}
+%% Maybe you want acts and scenes print their marks in the headings.
+%% The following lines should work.
+%%\makeatletter
+%%\def\ps@myheadings{%%
+%%    \renewcommand\drampermark[1]{\markboth{##1}{}}
+%%    \renewcommand\actmark[1]{\markboth{##1}{}}
+%%    \renewcommand\scenemark[1]{\markright{##1}}
+%%    \def\@oddfoot{\hfil\thepage\hfil}
+%%    \def\@evenfoot{\hfil\thepage\hfil}
+%%    \def\@evenhead{\hfil\scshape\leftmark\hfil}%%
+%%    \def\@oddhead{\hfil\scshape\rightmark\hfil}%%
+%%}
+%%\makeatother
+%%\pagestyle{myheadings}
+
+%% We may change some parameters in the look of acts and scenes:
+%%\renewcommand{\actnamefont}{\bfseries\Large}
+%%\renewcommand{\theact}{\Roman{act}}
+%%\renewcommand{\scenenamefont}{\bfseries\large}
+%%\renewcommand{\thescene}{\Roman{scene}}
+
+%% We may change some parameters in the look of characters:
+%%\renewcommand{\castfont}{\bfseries}
+%%\renewcommand{\speaksfont}{\itshape}
+%%\renewcommand{\speaksdel}{.\\}
+%%\renewcommand{\namefont}{\bfseries}
+
+%% We may change some parameters in the look of stage directions:
+%%\StageDirConf{\begin{center}\begin{minipage}{.7\textwidth}\bfseries\centering}{\end{minipage}\end{center}}
+%%\renewcommand{\dirdelimiter}[1]{[#1]}
+
+%% If you want the name of character printed centered above the
+%% dialogue, you should comment out the following lines.
+%%\Dlabelsep=0pt
+%%\renewcommand{\speakslabel}[1]{%%
+%%    \hbox to\textwidth{\hfill\speaksfont{#1}\hfill}}
+
+\author{Friederich Schiller}
+\title{The Robbers}
+\date{}
+
+\begin{document}
+\begin{titlepage}
+\maketitle
+\end{titlepage}
+
+\tableofcontents
+
+%% We define some characters appearing in the play.
+\Character[MAXIMILIAN, COUNT VON MOOR.]{Old Moor}{moor}
+%% group of characters.
+\begin{CharacterGroup}{his Sons.}
+\GCharacter{CHARLES,}{Charles Von Moor}{cha}
+\GCharacter{FRANCIS,}{Francis}{fran}
+\end{CharacterGroup}
+\Character[AMELIA VON EDELREICH, his Niece.]{Amelia}{amelia}
+%% group of characters.
+\begin{CharacterGroup}{Libertines, afterwards Banditti}
+\GCharacter{SPIEGELBERG,}{Spiegelberg}{spie}
+\GCharacter{SCHWEITZER,}{Schweitzer}{schwei}
+\GCharacter{GRIMM,}{Grimm}{grim}
+\GCharacter{RAZMANN,}{Razmann}{raz}
+\GCharacter{SCHUFTERLE,}{Schufterle}{schuf}
+\GCharacter{ROLLER,}{Roller}{rol}
+\GCharacter{KOSINSKY,}{Kosinsky}{kos}
+\GCharacter{SCHWARTZ,}{Schwartz}{schwa}
+\end{CharacterGroup}
+\Character[HERMANN, the natural son of a Nobleman.]{Hermann}{her}
+\Character[DANIEL, an old Servant of Count von Moor.]{Daniel}{dan}
+\Character[PASTOR MOSER.]{Pastor Moser}{pm}
+\Character[FATHER DOMINIC, a Monk.]{Father Dominic}{fd}
+%% the following collective character appears in the play as single
+%% instances, so we don't need define commands and entries for it.
+\Character[BAND OF ROBBERS, SERVANTS, ETC.]{}{}
+
+%% We call the dramatis personae list.
+\DramPer
+
+\act
+
+%% Schiller puts some general informations about location in the
+%% scene heading. So, we must use uppercase version of `\scene'. On
+%% the other hand we don't want this information to appear in
+%% headers and table of contents; hence the empty optional argument.
+\Scene[]{. -- Franconia}
+
+\StageDir{Apartment in the Castle of COUNT MOOR.\\\fran, \moor}
+
+\begin{drama}
+\franspeaks But are you really well, father? You look so pale.
+
+\moorspeaks Quite well, my son -- what have you to tell me?
+
+\franspeaks The post is arrived -- a letter from our correspondent at
+Leipsic.
+
+\moorspeaks \direct{eagerly} Any tidings of my son Charles?
+
+\franspeaks Hem! Hem! -- Why, yes. But I fear -- I know not -- whether I dare
+ -- your health. -- Are you really quite well, father?
+
+\moorspeaks As a fish in water. Does he write of my son? What means this
+anxiety about my health? You have asked me that question twice.
+
+\franspeaks If you are unwell -- or are the least apprehensive of being so --
+permit me to defer -- I will speak to you at a fitter season. -- \direct{Half
+aside.} These are no tidings for a feeble frame.
+
+\moorspeaks Gracious Heavens? what am I doomed to hear?
+
+\franspeaks First let me retire and shed a tear of compassion for my lost
+brother. Would that my lips might be forever sealed -- for he is your
+son! Would that I could throw an eternal veil over his shame -- for he is
+my brother! But to obey you is my first, though painful, duty -- forgive
+me, therefore.
+
+\moorspeaks Oh, Charles! Charles! Didst thou but know what thorns thou
+plantest in thy father's bosom! That one gladdening report of thee would
+add ten years to my life! yes, bring back my youth! whilst now, alas,
+each fresh intelligence but hurries me a step nearer to the grave!
+
+\franspeaks Is it so, old man, then farewell! for even this very day we
+might all have to tear our hair over your coffin.
+
+\moorspeaks Stay! There remains but one short step more -- let him have his
+will! \direct{He sits down.} The sins of the father shall be visited unto the
+third and fourth generation -- let him fulfil the decree.
+
+\franspeaks \direct{takes the letter out of his pocket}. You know our
+correspondent! See! I would give a finger of my right hand might I
+pronounce him a liar -- a base and slanderous liar! Compose yourself!
+Forgive me if I do not let you read the letter yourself. You cannot,
+must not, yet know all.
+
+\moorspeaks All, all, my son. You will but spare me crutches.
+
+\franspeaks \direct{reads} ``Leipsic, May 1. Were I not bound by an inviolable
+promise to conceal nothing from you, not even the smallest particular,
+that I am able to collect, respecting your brother's career, never, my
+dearest friend, should my guiltless pen become an instrument of torture
+to you. I can gather from a hundred of your letters how tidings such as
+these must pierce your fraternal heart. It seems to me as though I saw
+thee, for the sake of this worthless, this detestable'' -- \direct{\moor covers
+his face}. Oh! my father, I am only reading you the mildest passages --
+``this detestable man, shedding a thousand tears.'' Alas! mine flowed -- ay,
+gushed in torrents over these pitying cheeks. ``I already picture to
+myself your aged pious father, pale as death.'' Good Heavens! and so you
+are, before you have heard anything.
+
+\moorspeaks Go on! Go on!
+\end{drama}
+
+\begin{center}
+[\dots]
+\end{center}
+
+\Scene[]{. -- A Tavern on the Frontier of Saxony.}
+
+\StageDir{\cha intent on a book; \spie drinking at the table.}
+
+\begin{drama}
+\chaspeaks \direct{lays the book aside}. I am disgusted with this age of
+puny scribblers when I read of great men in my Plutarch.
+
+\spiespeaks \direct{places a glass before him, and drinks.} Josephus is the book
+you should read.
+
+\chaspeaks The glowing spark of Prometheus is burnt out, and now
+they substitute for it the flash of lycopodium, a stage-fire which will
+not so much as light a pipe. The present generation may be compared to
+rats crawling about the club of Hercules.
+
+A French abbe lays it down that Alexander was a poltroon; a phthisicky
+professor, holding at every word a bottle of sal volatile to his nose,
+lectures on strength. Fellows who faint at the veriest trifle criticise
+the tactics of Hannibal; whimpering boys store themselves with phrases
+out of the slaughter at Canna; and blubber over the victories of Scipio,
+because they are obliged to construe them.
+
+\spiespeaks Spouted in true Alexandrian style.
+
+\chaspeaks A brilliant reward for your sweat in the battle-field
+truly to have your existence perpetuated in gymnasiums, and your
+immortality laboriously dragged about in a schoolboy's satchel. A
+precious recompense for your lavished blood to be wrapped round
+gingerbread by some Nuremberg chandler, or, if you have great luck, to
+be screwed upon stilts by a French playwright, and be made to move on
+wires! Ha, ha, ha!
+
+\spiespeaks \direct{drinks.} Read Josephus, I tell you.
+
+\chaspeaks Fie! fie upon this weak, effeminate age, fit for nothing
+but to ponder over the deeds of former times, and torture the heroes of
+antiquity with commentaries, or mangle them in tragedies. The vigor of
+its loins is dried up, and the propagation of the human species has
+become dependent on potations of malt liquor.
+\end{drama}
+
+\begin{center}
+[\dots]
+\end{center}
+
+\act
+
+\Scene[]{. -- {\scshape Francis von Moor} in his chamber -- in meditation.}
+
+\begin{drama}
+\franspeaks It lasts too long -- and the doctor even says is recovering -- an
+old man's life is a very eternity! The course would be free and plain
+before me, but for this troublesome, tough lump of flesh, which, like
+the infernal demon-hound in ghost stories, bars the way to my treasures.
+
+Must, then, my projects bend to the iron yoke of a mechanical system?
+Is my soaring spirit to be chained down to the snail's pace of matter?
+To blow out a wick which is already flickering upon its last drop of
+oil -- 'tis nothing more. And yet I would rather not do it myself, on
+account of what the world would say. I should not wish him to be
+killed, but merely disposed of. I should like to do what your clever
+physician does, only the reverse way -- not stop Nature's course by
+running a bar across her path, but only help her to speed a little
+faster. Are we not able to prolong the conditions of life? Why,
+then, should we not also be able to shorten them? Philosophers and
+physiologists teach us how close is the sympathy between the emotions of
+the mind and the movements of the bodily machine. Convulsive sensations
+are always accompanied by a disturbance of the mechanical vibrations --
+passions injure the vital powers -- an overburdened spirit bursts its
+shell. Well, then -- what if one knew how to smooth this unbeaten path,
+for the easier entrance of death into the citadel of life? -- to work the
+body's destruction through the mind -- ha! an original device! -- who can
+accomplish this? -- a device without a parallel! Think upon it, Moor!
+That were an art worthy of thee for its inventor. Has not poisoning
+been raised almost to the rank of a regular science, and Nature
+compelled, by the force of experiments, to define her limits, so that
+one may now calculate the heart's throbbings for years in advance, and
+say to the beating pulse, ``So far, and no farther''? Why should not one
+try one's skill in this line?
+
+And how, then, must I, too, go to work to dissever that sweet and
+peaceful union of soul and body? What species of sensations should I
+seek to produce? Which would most fiercely assail the condition of
+life? Anger? -- that ravenous wolf is too quickly satiated. Care? that
+worm gnaws far too slowly. Grief? -- that viper creeps too lazily for me.
+Fear? -- hope destroys its power. What! and are these the only
+executioners of man? is the armory of death so soon exhausted? \direct{In deep
+thought.} How now! what! ho! I have it! \direct{Starting up.} Terror! What
+is proof against terror? What powers have religion and reason under
+that giant's icy grasp! And yet -- if he should withstand even this
+assault? If he should! Oh, then, come Anguish to my aid! and thou,
+gnawing Repentance! -- furies of hell, burrowing snakes who regorge your
+food, and feed upon your own excrements; ye that are forever destroying,
+and forever reproducing your poison! And thou, howling Remorse, that
+desolatest thine own habitation, and feedest upon thy mother. And come
+ye, too, gentle Graces, to my aid; even you, sweet smiling Memory,
+goddess of the past -- and thou, with thy overflowing horn of plenty,
+blooming Futurity; show him in your mirror the joys of Paradise, while
+with fleeting foot you elude his eager grasp. Thus will I work my
+battery of death, stroke after stroke, upon his fragile body, until the
+troop of furies close upon him with Despair! Triumph! triumph! -- the
+plan is complete -- difficult and masterly beyond compare -- sure -- safe; for
+then \direct{with a sneer} the dissecting knife can find no trace of wound or
+of corrosive poison.
+
+\direct{Resolutely.} Be it so! \direct{Enter \her.} Ha! \emph{Deus ex machina}!
+Hermann!
+
+\herspeaks At your service, gracious sir!
+
+\franspeaks \direct{shakes him by the hand.} You will not find it that of an
+ungrateful master.
+
+\herspeaks I have proofs of this.
+
+\franspeaks And you shall have more soon -- very soon, Hermann! -- I have
+something to say to thee, Hermann.
+
+\herspeaks I am all attention.
+\end{drama}
+
+\begin{center}
+[\dots]
+\end{center}
+
+\end{document}
+
+\endinput
+%%
+%% End of file `schiller.tex'.