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author | Karl Berry <karl@freefriends.org> | 2011-12-23 00:39:07 +0000 |
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committer | Karl Berry <karl@freefriends.org> | 2011-12-23 00:39:07 +0000 |
commit | f1f526bab825b8ba866d9751f50373df25072817 (patch) | |
tree | 2215f342b6a8340f064d8a8e04a3739a44b7e91b /Master/texmf-dist/doc/latex/biblatex-fiwi | |
parent | 6bd298d90e4f361f0db8a51c1e6bde230a74d7cc (diff) |
biblatex-fiwi 1.1d (22dec11)
git-svn-id: svn://tug.org/texlive/trunk@24913 c570f23f-e606-0410-a88d-b1316a301751
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-rw-r--r-- | Master/texmf-dist/doc/latex/biblatex-fiwi/biblatex-fiwi.tex | 14 | ||||
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11 files changed, 384 insertions, 121 deletions
diff --git a/Master/texmf-dist/doc/latex/biblatex-fiwi/README b/Master/texmf-dist/doc/latex/biblatex-fiwi/README index ee6c64fd86b..7d6aedc0252 100644 --- a/Master/texmf-dist/doc/latex/biblatex-fiwi/README +++ b/Master/texmf-dist/doc/latex/biblatex-fiwi/README @@ -1,4 +1,4 @@ -biblatex-fiwi 2011/12/06 v1.1c +biblatex-fiwi 2011/12/21 v1.1d Copyright (c) 2011 Simon Spiegel <simon(at)simifilm.ch> ************************************************************ @@ -69,6 +69,13 @@ This work consists of the following files: * fiwi-yearbeginning.bbx * fiwi.cbx * fiwi2.cbx - * biblatex-fiwi.pdf % German documentation - * biblatex-fiwi.tex % German documentation - * examples.bib % bib for documentation
\ No newline at end of file + * biblatex-fiwi.pdf % German documentation + * biblatex-fiwi.tex % German documentation + * example-biblatex-fiwi.tex % examples + * example-biblatex-fiwi-options.tex % examples + * example-biblatex-fiwi-options.pdf % examples + * example-biblatex-fiwi.pdf % examples + * example-biblatex-fiwi2.tex % examples + * example-biblatex-fiwi2-options.pdf % examples + * example-biblatex-fiwi2.pdfn % examples + * examples.bib % bib for documentation and example
\ No newline at end of file diff --git a/Master/texmf-dist/doc/latex/biblatex-fiwi/biblatex-fiwi.pdf b/Master/texmf-dist/doc/latex/biblatex-fiwi/biblatex-fiwi.pdf Binary files differindex 72c1e6c502e..df4f12bf311 100644 --- a/Master/texmf-dist/doc/latex/biblatex-fiwi/biblatex-fiwi.pdf +++ b/Master/texmf-dist/doc/latex/biblatex-fiwi/biblatex-fiwi.pdf diff --git a/Master/texmf-dist/doc/latex/biblatex-fiwi/biblatex-fiwi.tex b/Master/texmf-dist/doc/latex/biblatex-fiwi/biblatex-fiwi.tex index 463e0a7ecb6..d76734c38a7 100644 --- a/Master/texmf-dist/doc/latex/biblatex-fiwi/biblatex-fiwi.tex +++ b/Master/texmf-dist/doc/latex/biblatex-fiwi/biblatex-fiwi.tex @@ -30,7 +30,7 @@ url={http://www.ctan.org/tex-archive/macros/latex/contrib/csquotes/}, author={Simon Spiegel}, email={simon@simifilm.ch}, - revision={1.1c}, + revision={1.1d}, date={\rcstoday}} \hypersetup{% @@ -584,7 +584,7 @@ labelyear=false} \section{Beispiele}\label{beisp} Die folgenden Beispiele sollen einen Einblick geben, was mit \sty{biblatex-fiwi} alles möglich ist. -Für die Beispiele wurden folgende Optionen zusätzlich zu den Standardeinstellungen aktiviert: \kvopt{publisher}{true}, \kvopt{series}{true} und \kvopt{partofcited}{true}. +Für die Beispiele wurden folgende Optionen zusätzlich zu den Standardeinstellungen aktiviert: \kvopt{publisher}{true}, \kvopt{series}{true} und \kvopt{partofcited}{true}. Weitere Beispiele mit anderen Einstellungen finden sich in den separaten PDF"=Dateien. \begin{ltxexample} @collection{clute.j:1999, @@ -777,10 +777,14 @@ Für die Beispiele wurden folgende Optionen zusätzlich zu den Standardeinstellun \fullcite{Ndalianis.A:2009b} \section{Versionsgeschichte} -%\cite{todorov} -% -%\cite{Suvin.D:2007a,Suvin.D:2007b} + \begin{changelog} +\begin{release}{1.1d}{2011-12-13} +\item Separate Beispiele mit unterschiedlichen Einstellungen hinzugefügt +\item Viel Detail"=Aufräumarbeiten, zahlreiche kleine Unregelmäßigkeiten korrigiert +\item Zukünftige Versionen sollten dank eines neuen Testverfahrens seltener neue Fehler einführen +\end{release} + \begin{release}{1.1c}{2011-12-06} \item Die Option \opt{partofcited hinzugeführt} \see{sub:kurz} \item Das Format des Beispiels für \file{biber.conf} angepasst \see{sub:sort} diff --git a/Master/texmf-dist/doc/latex/biblatex-fiwi/example-biblatex-fiwi-options.pdf b/Master/texmf-dist/doc/latex/biblatex-fiwi/example-biblatex-fiwi-options.pdf Binary files differnew file mode 100644 index 00000000000..8ff57191969 --- /dev/null +++ b/Master/texmf-dist/doc/latex/biblatex-fiwi/example-biblatex-fiwi-options.pdf diff --git a/Master/texmf-dist/doc/latex/biblatex-fiwi/example-biblatex-fiwi-options.tex b/Master/texmf-dist/doc/latex/biblatex-fiwi/example-biblatex-fiwi-options.tex new file mode 100644 index 00000000000..b090ca41f70 --- /dev/null +++ b/Master/texmf-dist/doc/latex/biblatex-fiwi/example-biblatex-fiwi-options.tex @@ -0,0 +1,32 @@ +\documentclass[a4paper]{scrartcl} +\usepackage[utf8]{inputenc} +\usepackage[ngerman]{babel} +\usepackage[OT2,T1]{fontenc} +\usepackage{mathpazo} +\usepackage{graphicx} +\usepackage{btxdockit} +\usepackage[german=guillemets]{csquotes} +\usepackage[citestyle=fiwi,bibstyle=fiwi,series=true,publisher=true,germ=true,origyearwithyear=true,origyearsuperscript=true,dashed=true,partofcited=true]{biblatex} +\ExecuteBibliographyOptions{backend=biber} +\ExecuteBibliographyOptions{bibencoding=utf8} +\ExecuteBibliographyOptions{sorting=title} + +\bibliography{examples} +\fullcitefilm + + + +\begin{document} +\title{biblatex-fiwi}\subtitle{Beispiele für die Optionen}\date{}\maketitle +\noindent Dieses Dokument zeigt die Darstellungsweise des \sty{biblatex}"=Stils \sty{fiwi} mit folgenden aktivierten Optionen: \opt{series,publisher,germ,origyearwithyear,origyearsuperscript,} \opt{dashed} und \opt{partofcited} \\ \\ + +\noindent Zuerst zitieren wir ein paar Filme: \citefilm{Haller.D:1965}, \citefilm{Liebeneiner.W:1952}, \citefilm{Bradley.D:1960} und \citefilm{Menzies.W:1953} + +Dann einen Haufen Texte: \textcite{sklovskij.v:1969a} \textcite{Spiegel.S:2010c}, \textcite{Muller.A:2010a}, \textcite{Wells.H:1908}, \textcite{Spiegel.S:2007b}, \textcite{Lukian.1981}, \textcite{Kepler.J:1993}, \textcite{Coleridge:1983a}, \textcite{vonMatt.P:2002}, \textcite{Keitz.U:2004a}, \textcite{Wells.HG:1980}, \textcite{Ackerman.Strickland:1981}, \textcite{Ball.A:2003a}, \textcite{Anderson.P:1971a}, \textcite{Gaudreault.A:1993}, \textcite{Poe.E:1982c}, \textcite{Poe.E:1999a}, \textcite{Parrinder.P:1980}, \textcite{Wells.H:1980*2}, \textcite{James.H:2004a}, \textcite{James.H:2007a}, \textcite{Hedeler.W:2005a}, \textcite{Ballhausen.T:2009a}, \textcite{Zymner.R:2003a}, \textcite{Zymner.R:2011a}, \textcite{Nelmes.J:2011b}, \textcite{Kirchner.A:2008a} und \textcite{Kuhn.A:1990*2}. + +\defbibheading{film}{\addsec{Filmographie}} + +\printbibliography[nottype=movie] +\printbibliography[type=movie,heading=film] + +\end{document}
\ No newline at end of file diff --git a/Master/texmf-dist/doc/latex/biblatex-fiwi/example-biblatex-fiwi.pdf b/Master/texmf-dist/doc/latex/biblatex-fiwi/example-biblatex-fiwi.pdf Binary files differnew file mode 100644 index 00000000000..35cce83bf37 --- /dev/null +++ b/Master/texmf-dist/doc/latex/biblatex-fiwi/example-biblatex-fiwi.pdf diff --git a/Master/texmf-dist/doc/latex/biblatex-fiwi/example-biblatex-fiwi.tex b/Master/texmf-dist/doc/latex/biblatex-fiwi/example-biblatex-fiwi.tex new file mode 100644 index 00000000000..1e8f00c6638 --- /dev/null +++ b/Master/texmf-dist/doc/latex/biblatex-fiwi/example-biblatex-fiwi.tex @@ -0,0 +1,32 @@ +\documentclass[a4paper]{scrartcl} +\usepackage[utf8]{inputenc} +\usepackage[ngerman]{babel} +\usepackage[OT2,T1]{fontenc} +\usepackage{mathpazo} +\usepackage{graphicx} +\usepackage{btxdockit} +\usepackage[german=guillemets]{csquotes} +\usepackage[citestyle=fiwi,bibstyle=fiwi]{biblatex} +\ExecuteBibliographyOptions{backend=biber} +\ExecuteBibliographyOptions{bibencoding=utf8} +\ExecuteBibliographyOptions{sorting=title} + +\bibliography{examples} +\fullcitefilm + + + +\begin{document} +\title{biblatex-fiwi}\subtitle{Beispiele für die Grundeinstellung}\date{}\maketitle +\noindent Dieses Dokument zeigt die Darstellungsweise des \sty{biblatex}"=Stils \sty{fiwi} mit den Grundeinstellungen.\\ \\ + +\noindent Zuerst zitieren wir ein paar Filme: \citefilm{Haller.D:1965}, \citefilm{Liebeneiner.W:1952}, \citefilm{Bradley.D:1960} und \citefilm{Menzies.W:1953} + +Dann einen Haufen Texte: \textcite{sklovskij.v:1969a} \textcite{Spiegel.S:2010c}, \textcite{Muller.A:2010a}, \textcite{Wells.H:1908}, \textcite{Spiegel.S:2007b}, \textcite{Lukian.1981}, \textcite{Kepler.J:1993}, \textcite{Coleridge:1983a}, \textcite{vonMatt.P:2002}, \textcite{Keitz.U:2004a}, \textcite{Wells.HG:1980}, \textcite{Ackerman.Strickland:1981}, \textcite{Ball.A:2003a}, \textcite{Anderson.P:1971a}, \textcite{Gaudreault.A:1993}, \textcite{Poe.E:1982c}, \textcite{Poe.E:1999a}, \textcite{Parrinder.P:1980}, \textcite{Wells.H:1980*2}, \textcite{James.H:2004a}, \textcite{James.H:2007a}, \textcite{Hedeler.W:2005a}, \textcite{Ballhausen.T:2009a}, \textcite{Zymner.R:2003a}, \textcite{Zymner.R:2011a}, \textcite{Nelmes.J:2011b}, \textcite{Kirchner.A:2008a} und \textcite{Kuhn.A:1990*2}. + +\defbibheading{film}{\addsec{Filmographie}} + +\printbibliography[nottype=movie] +\printbibliography[type=movie,heading=film] + +\end{document}
\ No newline at end of file diff --git a/Master/texmf-dist/doc/latex/biblatex-fiwi/example-biblatex-fiwi2-options.pdf b/Master/texmf-dist/doc/latex/biblatex-fiwi/example-biblatex-fiwi2-options.pdf Binary files differnew file mode 100644 index 00000000000..99359bdcdd8 --- /dev/null +++ b/Master/texmf-dist/doc/latex/biblatex-fiwi/example-biblatex-fiwi2-options.pdf diff --git a/Master/texmf-dist/doc/latex/biblatex-fiwi/example-biblatex-fiwi2.pdf b/Master/texmf-dist/doc/latex/biblatex-fiwi/example-biblatex-fiwi2.pdf Binary files differnew file mode 100644 index 00000000000..a838a1603cf --- /dev/null +++ b/Master/texmf-dist/doc/latex/biblatex-fiwi/example-biblatex-fiwi2.pdf diff --git a/Master/texmf-dist/doc/latex/biblatex-fiwi/example-biblatex-fiwi2.tex b/Master/texmf-dist/doc/latex/biblatex-fiwi/example-biblatex-fiwi2.tex new file mode 100644 index 00000000000..fd94721de64 --- /dev/null +++ b/Master/texmf-dist/doc/latex/biblatex-fiwi/example-biblatex-fiwi2.tex @@ -0,0 +1,32 @@ +\documentclass[a4paper]{scrartcl} +\usepackage[utf8]{inputenc} +\usepackage[ngerman]{babel} +\usepackage[OT2,T1]{fontenc} +\usepackage{mathpazo} +\usepackage{graphicx} +\usepackage{btxdockit} +\usepackage[german=guillemets]{csquotes} +\usepackage[citestyle=fiwi,bibstyle=fiwi2]{biblatex} +\ExecuteBibliographyOptions{backend=biber} +\ExecuteBibliographyOptions{bibencoding=utf8} +\ExecuteBibliographyOptions{sorting=title} + +\bibliography{examples} +\fullcitefilm + + + +\begin{document} +\title{biblatex-fiwi2}\subtitle{Beispiele für die Grundeinstellung}\date{}\maketitle +\noindent Dieses Dokument zeigt die Darstellungsweise des \sty{biblatex}"=Stils \sty{fiwi2} mit den Grundeinstellungen.\\ \\ + +\noindent Zuerst zitieren wir ein paar Filme: \citefilm{Haller.D:1965}, \citefilm{Liebeneiner.W:1952}, \citefilm{Bradley.D:1960} und \citefilm{Menzies.W:1953} + +Dann einen Haufen Texte: \textcite{sklovskij.v:1969a} \textcite{Spiegel.S:2010c}, \textcite{Muller.A:2010a}, \textcite{Wells.H:1908}, \textcite{Spiegel.S:2007b}, \textcite{Lukian.1981}, \textcite{Kepler.J:1993}, \textcite{Coleridge:1983a}, \textcite{vonMatt.P:2002}, \textcite{Keitz.U:2004a}, \textcite{Wells.HG:1980}, \textcite{Ackerman.Strickland:1981}, \textcite{Ball.A:2003a}, \textcite{Anderson.P:1971a}, \textcite{Gaudreault.A:1993}, \textcite{Poe.E:1982c}, \textcite{Poe.E:1999a}, \textcite{Parrinder.P:1980}, \textcite{Wells.H:1980*2}, \textcite{James.H:2004a}, \textcite{James.H:2007a}, \textcite{Hedeler.W:2005a}, \textcite{Ballhausen.T:2009a}, \textcite{Zymner.R:2003a}, \textcite{Zymner.R:2011a}, \textcite{Nelmes.J:2011b}, \textcite{Kirchner.A:2008a} und \textcite{Kuhn.A:1990*2}. + +\defbibheading{film}{\addsec{Filmographie}} + +\printbibliography[nottype=movie] +\printbibliography[type=movie,heading=film] + +\end{document}
\ No newline at end of file diff --git a/Master/texmf-dist/doc/latex/biblatex-fiwi/examples.bib b/Master/texmf-dist/doc/latex/biblatex-fiwi/examples.bib index ed1a69c5fd3..a2259ce5346 100644 --- a/Master/texmf-dist/doc/latex/biblatex-fiwi/examples.bib +++ b/Master/texmf-dist/doc/latex/biblatex-fiwi/examples.bib @@ -1,19 +1,277 @@ %% This BibTeX bibliography file was created using BibDesk. -%% http://bibdesk.sourceforge.net/ +%% http://www.cs.ucsd.edu/~mmccrack/bibdesk.html -%% Created for Simon Spiegel at 2011-09-14 17:00:10 +0200 +%% Created for Simon Spiegel at 2011-12-11 22:04:53 +0100 %% Saved with string encoding Unicode (UTF-8) +@incollection{Kuhn.A:1990*2, + Address = {London and New York}, + Author = {Kuhn, Annette}, + Booktitle = {Alien Zone. Cultural Theory and Contemporary Science Fiction Cinema}, + Editor = {Kuhn, Annette}, + Gender = {sf}, + Pages = {1--12}, + Publisher = {Verso}, + Title = {Introduction. Cultural Theory and Science Fiction Cinema}, + Year = {1990}} + +@book{Kirchner.A:2008a, + Address = {Marburg}, + Editor = {Kirchner, Andreas and Prümm, Karl and Richling, Martin}, + Publisher = {Schüren}, + Subtitle = {Beiträge zur Geschichte und Poetik des Videobildes}, + Title = {Abschied vom Zelluloid?}, + Year = {2008}} + +@book{Nelmes.J:2011b, + Address = {London}, + Editor = {Nelmes, Jill}, + Publisher = {Routledge}, + Title = {Analysing the Screenplay}, + Year = {2011}} + +@book{Zymner.R:2003a, + Address = {Paderborn}, + Author = {Zymner, Rüdiger}, + Isbn = {3-89785-377-9}, + Publisher = {mentis}, + Title = {Gattungstheorie: Probleme und Positionen der Literaturwissenschaft}, + Year = {2003}} + +@book{Zymner.R:2011a, + Address = {Stuttgart}, + Editor = {Zymner, Rüdiger}, + Isbn = {978-3-476-02343-8}, + Publisher = {Metzler}, + Title = {Handbuch Gattungstheorie}, + Year = {2011}} + +@article{Ballhausen.T:2009a, + Author = {Ballhausen, Thomas}, + Doi = {10.1007/978-3-211-87465-3_5}, + Isbn = {978-3-211-87465-3}, + Issuetitle = {Humans in Outer Space -- Interdisciplinary Odysseys}, + Journal = {Studies in Space Policy}, + Pages = {35-43}, + Title = {What’s the story, mother? Some thoughts on Science Fiction Film and Space Travel}, + Volume = {1}, + Year = {2009}} + +@article{Hedeler.W:2005a, + Author = {Hedeler, Wladislaw}, + Editor = {Kirschner, Lutz and Spehr, Christoph}, + Editortype = {compiler}, + Issuetitle = {Sozialismus auf dem Mars}, + Journal = {Berliner Debatte Initial}, + Number = {1}, + Pages = {29-42}, + Title = {Alexander Bogdanows Mars-Romane als kommunistische Utopie}, + Volume = {16}, + Year = {2005}} + +@book{James.H:2007a, + Address = {München}, + Afterword = {Nicol, Karl Ludwig}, + Author = {James, Henry}, + Edition = {4}, + Origdate = {1898}, + Origlanguage = {american}, + Origlocation = {London}, + Origtitle = {The Turn of the Screw}, + Publisher = {dtv}, + Read = {1}, + Title = {Das Durchdrehen der Schraube}, + Translator = {Nicol, Karl Ludwig}, + Year = {2007}} + +@incollection{James.H:2004a, + Address = {Boston}, + Author = {James, Henry}, + Bookauthor = {James, Henry}, + Booksubtitle = {Complete, Authoritative Text with Biographical, Historical, and Cultural Contexts, Critical History, and Essays from Five Contemporary Critical Perspectives}, + Booktitle = {The Turn of the Screw}, + Edition = {2}, + Editor = {Beidler, Peter G.}, + Origdate = {1898}, + Pages = {22--120}, + Publisher = {Bedford Books}, + Read = {1}, + Series = {Case Studies in Contemporary Criticism}, + Title = {The Turn of the Screw}, + Usera = {James.H:2007a}, + Year = {2004}} + +@incollection{Wells.HG:1980, + Address = {Sussex}, + Author = {Wells, H. G.}, + Bookauthor = {Wells, H. G.}, + Booktitle = {H.{\,}G. Wells's Literary Criticism}, + Crossref = {Parrinder.P:1980}, + Origdate = {1938}, + Pages = {248--249}, + Publisher = {Harvester}, + Title = {Fiction about the Future}, + Year = {1980}} + +@book{Parrinder.P:1980, + Address = {Brighton and Sussex}, + Author = {Wells, H. G.}, + Editor = {Philmus, Robert M. and Parrinder, Patrick}, + Title = {H.{\,}G. Wells's Literary Criticism}, + Year = {1980}} + +@incollection{Wells.H:1980*2, + Author = {Wells, H. G.}, + Crossref = {Parrinder.P:1980}, + Origdate = {1933}, + Pages = {240--245}, + Title = {Preface to \emph{The Scientific Romances}}} + +@movie{Menzies.W:1953, + Address = {USA}, + Author = {Menzies, William Cameron}, + Subtitle = {Invasion vom Mars}, + Title = {Invaders from Mars}, + Year = {1953}} + +@movie{Bradley.D:1960, + Address = {USA}, + Author = {Bradley, David}, + Pagetotal = {74}, + Title = {12 to the Moon}, + Year = {1960}} + +@movie{Liebeneiner.W:1952, + Address = {AU}, + Author = {Liebeneiner, Wolfgang}, + Title = {1. April 2000}, + Year = {1952}} + +@movie{Haller.D:1965, + Address = {GB}, + Author = {Haller, Daniel}, + Sorttitle = {Die, Monster, Die!}, + Title = {Die, Monster, Die!}, + Year = {1965}} + +@article{Gaudreault.A:1993, + Address = {Basel and Frankfurt a.\,M.}, + Author = {Gaudreault, André}, + Issuetitle = {Georges Méliès -- Magier der Filmkunst}, + Journal = {KINtop. Jahrbuch zur Erforschung des frühen Films}, + Month = {11}, + Number = {2}, + Origdate = {1984}, + Origlanguage = {english}, + Pages = {31--44}, + Title = {Theatralik, Narrativität und \enquote{Trickästhetik}. Eine Neubewertung der Filme von Georges Méliès}, + Translator = {Kessler, Frank}, + Year = {1993}} + +@incollection{Anderson.P:1971a, + Address = {New York}, + Author = {Anderson, Poul}, + Booktitle = {The Arbor House Treasury of Modern Science Fiction}, + Editor = {Silverberg, Robert and Greenberg, Martin H.}, + Origdate = {1971}, + Pages = {715--754}, + Publisher = {Arbor House}, + Read = {1}, + Title = {The Queen of Air and Darkness}, + Year = {1980}}} + +@collection{Ackerman.Strickland:1981, + Address = {Bloomington}, + Author = {Ackerman, Forrest J. and Strickland, A. W.}, + Title = {A Reference Guide to American Science Fiction Films}, + Volume = {1}, + Year = {1981}} + +@incollection{Keitz.U:2004a, + Address = {Berlin}, + Author = {von Keitz, Ursula}, + Booktitle = {Zeitsprünge: wie Filme Geschichte(n) erzählen}, + Editor = {Rüffert, Christine and Schenk, Irmbert and Tews, Karl-Heinz Schmid Alfred}, + Options = {useprefix=false}, + Pages = {151--161}, + Publisher = {Bertz}, + Title = {Das Zeitverlies: zur Deorientierung filmischer Chronologie in Alain Resnais' \film{L'année dernière à Marienbad}}, + Year = {2004}} + +@article{vonMatt.P:2002, + Author = {von Matt, Peter}, + Date = {2002-07-07}, + Journal = {NZZ am Sonntag}, + Options = {useprefix=false}, + Pages = {68--69}, + Title = {Wie Hoffmanns stolpernde Gestalten Sir Newton überlisten}, + Titleaddon = {Zürcher Abschiedsvorlesung über die Theorie und Tradition der phantastischen Literatur}} + +@book{Coleridge:1983a, + Address = {Routlegde and Kegan Paul}, + Author = {Coleridge, Samuel Taylor}, + Editor = {Engell, James and Bate, W. Jackson}, + Maintitle = {The Collected Works of Samuel Taylor Coleridge}, + Number = {316}, + Origdate = {1817}, + Part = {2}, + Publisher = {Princeton University Press}, + Series = {The Bollinger Series}, + Title = {Biographia Literaria, or Biographical Sketches of My Literary Life and Opinions}, + Volume = {7}, + Year = {1983}} + +@incollection{Lukian.1981, + Address = {Berlin and Weimar}, + Author = {Lukian}, + Bookauthor = {Lukian}, + Edition = {2}, + Editor = {Werner, Jürgen and Greiner-Mai, Herbert}, + Maintitle = {Werke in drei Bänden}, + Origlanguage = {greek}, + Origtitle = {Alêthês Historia}, + Pages = {301--349}, + Series = {Bibliothek der Antike. Griechische Reihe}, + Title = {Wahre Geschichte}, + Translator = {Wieland, Christoph Martin}, + Volume = {2}, + Year = {1981}} + +@book{Wells.H:1908, + Address = {London}, + Author = {Wells, H. G.}, + Origdate = {1905}, + Shorttitle = {A Modern Utopia}, + Title = {Tono-Bungay and A Modern Utopia}, + Year = {1908}} + +@book{Muller.A:2010a, + Address = {Berlin}, + Author = {Müller, André}, + Number = {24}, + Publisher = {Lit}, + Read = {1}, + Series = {Politica et Ars}, + Subtitle = {Positionen des fiktionalen Films zwischen Gattungstraditionen und gesellschaftlichen Zukunftsdiskursen}, + Title = {Film und Utopie}, + Year = {2010}} + +@review{Spiegel.S:2010c, + Author = {Spiegel, Simon}, + Journal = {Zeitschrift für Fantastikforschung}, + Number = {1}, + Pages = {124--126}, + Usera = {Muller.A:2010a}, + Year = {2010}} + @review{Spiegel.S:2009a, Author = {Spiegel, Simon}, Date = {2009-12-17}, - Date-Added = {2011-09-14 16:35:07 +0200}, - Date-Modified = {2011-09-14 16:37:16 +0200}, Journal = {Basler Zeitung}, Pages = {21--23}, Title = {Welcome to Pandora}, @@ -22,22 +280,15 @@ @movie{Cameron.J:2009b, Address = {USA and GB}, Author = {Cameron, James}, - Date-Added = {2011-09-14 16:34:07 +0200}, - Date-Modified = {2011-09-14 16:34:07 +0200}, Pagetotal = {162}, - Read = {Yes}, Subtitle = {Avatar -- Aufbruch nach Pandora}, Title = {Avatar}, - Url = {http://imdb.com/title/tt0499549}, - Year = {2009}, - Bdsk-Url-1 = {http://imdb.com/title/tt0499549}} + Year = {2009}} @movie{Ball.A:2003a, Address = {USA}, Author = {Ball, Alan}, Date = {2003/}, - Date-Added = {2011-09-14 08:09:32 +0200}, - Date-Modified = {2011-09-14 08:11:19 +0200}, Entrysubtype = {serial}, Organization = {HBO}, Title = {True Blood}} @@ -61,21 +312,14 @@ Pages = {128--134}, Usera = {Oeuver.A:2010a}, Volume = {5}, - Year = {2011}, - Bdsk-Url-1 = {http://dx.doi.org/10.3167/proj.2011.050209}} + Year = {2011}} @book{Spiegel.S:2007b, Address = {Marburg}, Author = {Spiegel, Simon}, - Date-Added = {2011-08-24 16:57:12 +0200}, - Date-Modified = {2011-08-24 16:57:12 +0200}, - Isbn = {9783894725167}, - Keywords = {Science Fiction, Film, Verfremdung, Suvin}, Number = {16}, Publisher = {Schüren}, - Read = {Yes}, Series = {Zürcher Filmstudien}, - Standort = {Privat}, Subtitle = {Zu einer Poetik des Science-Fiction-Films}, Title = {Die Konstitution des Wunderbaren}, Year = {2007}} @@ -93,15 +337,9 @@ @movie{Kubrick.S:1975, Address = {GB and USA}, Author = {Kubrick, Stanley}, - Date-Added = {2011-08-23 12:41:52 +0200}, - Date-Modified = {2011-08-23 12:41:52 +0200}, - Read = {Yes}, Title = {Barry Lyndon}, Year = {1975}} -@set{todorov, - entryset = {Todorov.T:1970,Todorov.T:1992}} - @book{Todorov.T:1992, Address = {Frankfurt a.\,M.}, Author = {Todorov, Tzvetan}, @@ -119,18 +357,14 @@ Author = {Todorov, Tzvetan}, Title = {Introduction à la littérature fantastique}, Year = {1970}} - - + @incollection{Poe.E:1982c, Address = {London and New York}, Author = {Poe, Edgar Allan}, Bookauthor = {Poe, Edgar Allan}, Booktitle = {The Complete Tales and Poems of Edgar Allan Poe}, - Date-Added = {2011-08-23 11:29:16 +0200}, - Date-Modified = {2011-08-24 16:56:19 +0200}, Origdate = {1843}, Pages = {223--230}, - Read = {Yes}, Title = {The Black Cat}, Usera = {Poe.E:1999a}, Year = {1982}} @@ -140,8 +374,6 @@ Author = {Poe, Edgar Allan}, Bookauthor = {Poe, Edgar Allan}, Booktitle = {Der schwarze Kater. Erzählungen}, - Date-Added = {2011-08-23 11:29:16 +0200}, - Date-Modified = {2011-08-24 16:56:31 +0200}, Maintitle = {Gesammelte Werke in 5 Bänden}, Origdate = {1843}, Origlanguage = {american}, @@ -157,8 +389,6 @@ Address = {USA}, Author = {Lidelof, Damon and Cuse, Carlton and Abrams, J. J.}, Date = {2004/2010}, - Date-Added = {2011-08-22 22:23:14 +0200}, - Date-Modified = {2011-08-22 22:24:03 +0200}, Entrysubtype = {serial}, Organization = {ABC}, Title = {Lost}} @@ -166,12 +396,9 @@ @movie{Reardon.J:1994a, Address = {USA}, Author = {Reardon, Jim}, - Date-Added = {2011-08-22 22:21:27 +0200}, - Date-Modified = {2011-08-22 22:21:27 +0200}, Maintitle = {The Simpsons}, Number = {6}, Rating = {5}, - Read = {Yes}, Title = {Treehouse of Horror V}, Volume = {6}, Year = {1994}} @@ -179,9 +406,6 @@ @movie{Kubrick.S:1968, Address = {GB and USA}, Author = {Kubrick, Stanley}, - Date-Added = {2011-08-22 22:09:46 +0200}, - Date-Modified = {2011-08-24 16:56:41 +0200}, - Read = {Yes}, Shorttitle = {2001}, Subtitle = {2001: Odyssee im Weltraum}, Title = {2001: A Space Odyssey}, @@ -190,8 +414,6 @@ @book{Kuhn.T:1976, Address = {Frankfurt a.\,M.}, Author = {Kuhn, Thomas Samuel}, - Date-Added = {2011-08-22 22:07:11 +0200}, - Date-Modified = {2011-09-14 07:51:13 +0200}, Edition = {2., rev. u. um das Postskriptum von 1969 ergänzte Aufl.}, Origdate = {1962}, Origlanguage = {english}, @@ -199,7 +421,6 @@ Origpublisher = {University of Chicago Press}, Origtitle = {The Structure of Scientific Revolutions}, Publisher = {Suhrkamp}, - Read = {Yes}, Title = {Die Struktur wissenschaftlicher Revolutionen}, Translator = {Vetter, Hermann}, Year = {1976}} @@ -207,13 +428,10 @@ @book{Kant.I:2004a, Address = {Frankfurt a.\,M.}, Author = {Kant, Immanuel}, - Date-Added = {2011-08-22 22:05:44 +0200}, - Date-Modified = {2011-08-24 16:55:49 +0200}, Editor = {Weischedel, Wilhelm}, Maintitle = {Werkausgabe}, Origdate = {1790}, Publisher = {Suhrkamp}, - Read = {Yes}, Title = {Kritik der Urteilskraft}, Volume = {10}, Year = {1996}} @@ -222,8 +440,6 @@ Address = {München}, Author = {Šklovskij, Viktor}, Booktitle = {Texte zur allgemeinen Literaturtheorie und zur Theorie der Prosa}, - Date-Added = {2011-08-22 21:52:47 +0200}, - Date-Modified = {2011-08-24 16:56:02 +0200}, Editor = {Striedter, Jurij}, Maintitle = {Texte der Russsischen Formalisten}, Number = {6}, @@ -233,56 +449,17 @@ Origtitle = {Iskusstvo kak priem}, Pages = {3--35}, Publisher = {Wilhelm Fink Verlag}, - Read = {Yes}, Series = {Theorie und Geschichte der Literatur und der der schönen Künste. Texte und Abhandlungen}, Title = {Die Kunst als Verfahren}, Translator = {Fieguth, Rolf}, Volume = {1}, - Year = {1969}, - Annote = {,,Somit kann eine Sache 1) geschaffen sein als prosaische - und wahrgenommen werden als dichterische, 2) geschaffen - sein als dichterische und wahrgenommen werden als - prosaische. Das zeigt, dass das Künstlerische, das, was - sich auf die Poesie einer gegebenen Sache beziehen - lässt, Resultat der Art unseres Wahrnehmens ist; - künstlerisch nun, im engen Sinne, wollen wir Dinge - nenne, die in besonderen Verfahren hergestellt wurden, - deren Zweck darin bestand, dass diese Werke mit - grösstmöglicher Sicherheit als künstlerisch - wahrgenommen würden.`` 7 ,,Ziel der Kunst ist es, ein - Empfinden des Gegenstandes zu vermitteln, als Sehen und - nicht als Wiedererkennen; das Verfahren der Kunst ist das - Verfahren der ,,Verfremdung`` [ostranenie] der Dinge und - das Verfahren der erschwerten Form, ein Verfahren, das die - Schwierigkeit und Länge der Wahrnehmung steigert, denn - der Wahrnehmungsprozess ist in der Kunst Selbszweck und - muss verlängert werden: die Kunst ist ein Mittel, das - Machen einer Sache zu erleben; das Gemachte hingegen ist in - der Kunst unwichtig.`` 15 Tolstoj: Beschreibungen mit - unüblichen Begriffen, nennt die Dinge nicht beim - gebräuchlichen Namen, 17 ,,Untersuchen wir die - dichterische Sprache sowohl in ihrem Laut- und Wortbestand - als auch in ihrem Charakter der Anordnung der Worte und der - Sinnstrukturen, die aus ihren Worten gefügt sind, so - treffen wir überall auf dasselbe Merkmal des - Künstlerischen: dass es absichtlich für eine vom - Automatismus befreite Wahrnehmung geschaffen ist und dass - das Ziel des Schöpfers das Sehen dieses - Künstlerischen ist, und es ,,künstlich`` so gemacht - ist, dass die Wahrnehmung bei ihm aufgehalten wird und ihre - höchstmögliche Kraft und Dauer erreicht, wobei die - Sache nicht in ihrer Dimension wahrgenommen wird, sondern - gewissermassen in ihrer Kontinuität. Diesen Bedingungen - nun enstpricht die ,,dichterische Sprache``.`` 31}, - Bdsk-File-1 = {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}} + Year = {1969}} @incollection{Kepler.J:1993, Address = {München}, Author = {Kepler, Johannes}, Bookauthor = {Kepler, Johannes}, Booktitle = {Calendaria et prognostica. Astronomica minora. Somnium}, - Date-Added = {2011-08-22 16:21:06 +0200}, - Date-Modified = {2011-08-24 16:56:23 +0200}, Editora = {Bialas, Volker and Grössing, Helmuth}, Editoratype = {redactor}, Maintitle = {Gesammelte Werke}, @@ -297,30 +474,12 @@ Volume = {11}, Year = {1993}} -@incollection{Wells.HG:1980, - Address = {Sussex}, - Author = {Wells, H. G.}, - Bookauthor = {Wells, H. G.}, - Booktitle = {H.{\,}G. Wells's Literary Criticism}, - Date-Added = {2011-08-22 15:55:56 +0200}, - Date-Modified = {2011-08-24 16:56:12 +0200}, - Editor = {Philmus, Robert M. and Parrinder, Patrick}, - Origdate = {1938}, - Pages = {248--249}, - Publisher = {Harvester}, - Read = {Yes}, - Title = {Fiction about the Future}, - Year = {1980}} - @collection{clute.j:1999, Address = {London}, - Date-Added = {2011-08-22 15:46:27 +0200}, - Date-Modified = {2011-08-24 16:55:56 +0200}, Edition = {2}, Editor = {Clute, John and Nicholls, Peter}, Origdate = {1979}, Publisher = {Orbit}, - Read = {Yes}, Title = {The Encyclopedia of Science Fiction}, Year = {1999}} @@ -331,7 +490,6 @@ Journal = {Critical Quarterly}, Number = {1}, Pages = {119--137}, - Standort = {PDF}, Title = {Politics: Inside the Whale, or etsi communismus non daretur: Reflections on How to Live When a Truly Just Society is a Necessity but Nowhere on the Horizon}, Volume = {49}, Year = {2007}} @@ -339,14 +497,12 @@ @article{Suvin.D:2007a, Author = {Suvin, Darko}, Journal = {Extrapolation}, - Keywords = {Science Fiction, Krieg, USA, Starship Troopers}, Number = {1}, Pages = {9-34}, - Standort = {PDF}, Title = {Of Starship Troopers and Refuseniks: War and Militarism in U.S. Science Fiction, Part 2}, Volume = {48}, - Year = {2007}}$ - + Year = {2007}} + @book{Pearson.R:2009a, Address = {London and New York}, Editor = {Pearson, Roberta E.}, |