arsclassica (15mar17)

git-svn-id: svn://tug.org/texlive/trunk@43509 c570f23f-e606-0410-a88d-b1316a301751

2 files changed, 8 insertions, 8 deletions

diff --git a/Master/texmf-dist/doc/latex/arsclassica/Chapters/Code.tex b/Master/texmf-dist/doc/latex/arsclassica/Chapters/Code.tex
index 9e59b78c8f9..422a38bad80 100644
--- a/Master/texmf-dist/doc/latex/arsclassica/Chapters/Code.tex
+++ b/Master/texmf-dist/doc/latex/arsclassica/Chapters/Code.tex
@@ -17,7 +17,7 @@
 Package announcement and request for necessary packages.
 \begin{lstlisting}[firstnumber=1]
 \NeedsTeXFormat{LaTeX2e}
-\ProvidesPackage{arsclassica}[2017/01/05 (LP)]
+\ProvidesPackage{arsclassica}[2017/02/01]
 \RequirePackage{classicthesis}
 \RequirePackage{caption}
 \end{lstlisting}
diff --git a/Master/texmf-dist/doc/latex/arsclassica/Chapters/Fundamentals.tex b/Master/texmf-dist/doc/latex/arsclassica/Chapters/Fundamentals.tex
index 51feeb5f76d..ff289b97860 100644
--- a/Master/texmf-dist/doc/latex/arsclassica/Chapters/Fundamentals.tex
+++ b/Master/texmf-dist/doc/latex/arsclassica/Chapters/Fundamentals.tex
@@ -12,7 +12,7 @@ This chapter introduces the (truly simple) basic notions of \arsclassica{} and p
 
 \section{Introduction}
 
-The \arsclassica{} package changes some features of the \classicthesis{} style, designed by Andr\'e Miede. It allows to reproduce the layout of the \LaTeX{} guide \emph{The Art of Writing with \LaTeX}~\parencite{pantieri:art} and of this document.
+The \arsclassica{} package changes some features of the \classicthesis{} style, designed by Andr\'e Miede. It allows to reproduce the layout of the \LaTeX{} guide \emph{The Art of Writing with \LaTeX}~\parencite{pantieri:arte} and of this document.
 
 \section{Use}
 
@@ -31,7 +31,7 @@ It works with the \clsname{KOMA-Script} classes (\clsname{scrreprt}, \clsname{sc
 
 For example, this document has been produced with the following code:
 \begin{code}
-\documentclass[10pt,a4paper,twoside,openright,titlepage,
+\documentclass[a4paper,twoside,openright,titlepage,
                headinclude,footinclude,BCOR5mm,
                numbers=noenddot,cleardoublepage=empty,
                tablecaptionabove]{scrreprt}
@@ -75,8 +75,8 @@ The style achieved with \arsclassica{} is \emph{not} therefore configurable or c
 To write a document according to the \arsclassica{} style, you have to follow some very simple rules.
 \begin{itemize}
 \item Don't change \emph{for any reason} the \arsclassica{} settings (fonts, text body size, colors, \dots).
-\item The sectioning unit titles (chapters, section, subsections, \dots) have to be \emph{one} line long, possibly in \emph{plain text} (no symbols, formulas or code fragments). If you have titles longer than one line, try and rephrase them: you can almost always do it.
-\item In the table of contents and in the list of tables and figures, captions have to be \emph{one} line long, possibly in plain text. Use the optional argument of sectioning commands and of \cmdname{caption}, if necessary.
+\item The sectioning unit titles (chapters, section, subsections, \dots) have to be \emph{one line long}, possibly in \emph{plain text} (no symbols, formulas or code fragments). If you have titles longer than one line, try and rephrase them: you can almost always do it.
+\item In the table of contents and in the list of tables and figures, captions have to be \emph{one line long}, possibly in \emph{plain text}. Use the optional argument of sectioning commands and of \cmdname{caption}, if necessary.
 \item Don't use \optname{tocaligned} and \optname{dottedtoc} options of \classicthesis: the default table of contents does the job very well (see the documentation of \classicthesis{} for a nice discussion of this point).
 \item Don't use vertical or double rules in your tables (see the documentation of \pkgname{booktabs}).
 \item Use footnotes and margin notes very sparingly.
@@ -149,12 +149,12 @@ Suspendisse vel felis. Ut lorem lorem, interdum eu, tincidunt sit amet, laoreet
 
 \subsection*{Some formulas}
 
-Una formula ``in linea'' � incorporata nel testo: $\lim_{n \to \infty}\sum_{k=1}^n \frac{1}{k^2} = \frac{\pi^2}{6}$, per esempio. Come si pu� osservare, \LaTeX{} fa \emph{il possibile} per comprimerla e modificare meno che pu� l'interlinea nel capoverso che la contiene.
-Una formula in display � un'espressione che \LaTeX{} compone su linee a s�, separate dal contesto con adeguati spazi bianchi per ``metterla in mostra'' e farla risaltare sulla pagina.
+Una formula in linea viene incorporata nel testo: $\lim_{n \to \infty}\sum_{k=1}^n \frac{1}{k^2} = \frac{\pi^2}{6}$, per esempio. Come si osserva, \LaTeX{} fa \emph{il possibile} per comprimerla e modificare il meno possibile l'interlinea nel capoverso che la contiene.
+Una formula in display viene invece composta da \LaTeX{} su linee a parte, separate dal contesto con adeguati spazi bianchi per metterla in mostra e farla risaltare sulla pagina.
 \begin{equation}
 \lim_{n \to \infty}\sum_{k=1}^n \frac{1}{k^2}= \frac{\pi^2}{6}
 \end{equation}
-Come si pu� osservare, ora la formula � centrata, non compressa, e tutti i suoi elementi occupano il giusto spazio con un risultato finale di grande respiro.
+Come si osserva, ora la formula risulta centrata, non compressa, e tutti i suoi elementi occupano il giusto spazio con un risultato finale di grande respiro.
 
 Integer tempus convallis augue. Etiam facilisis. Nunc elementum fermentum wisi. Aenean placerat. Ut imperdiet, enim sed gravida sollicitudin, felis odio placerat quam, ac pulvinar elit purus eget enim.