diff options
| author | Karl Berry <karl@freefriends.org> | 2012-05-13 23:29:48 +0000 |
|---|---|---|
| committer | Karl Berry <karl@freefriends.org> | 2012-05-13 23:29:48 +0000 |
| commit | 11b3c97585e0452103301352db8c4a79a317b11d (patch) | |
| tree | 87371fa2183d1d06a502a500822c6f642b804746 /Master/texmf-dist/doc/generic | |
| parent | 5e5a3249f60d40777380ce9a574ba915d1c0a25e (diff) | |
ctan:support/m-tx/m-tx.texmf.zip
git-svn-id: svn://tug.org/texlive/trunk@26336 c570f23f-e606-0410-a88d-b1316a301751
Diffstat (limited to 'Master/texmf-dist/doc/generic')
142 files changed, 85908 insertions, 0 deletions
diff --git a/Master/texmf-dist/doc/generic/pmx/examples/barsant.pmx b/Master/texmf-dist/doc/generic/pmx/examples/barsant.pmx new file mode 100644 index 00000000000..f10fd67b064 --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/examples/barsant.pmx @@ -0,0 +1,68 @@ +%----------------% +% +% barsant.pmx Revised 29 June 2002 +% +%----------------% +% +% nv,noinst,mtrnuml,mtrdenl,mtrnump,mtrdenp,xmtrnum0,isig, + 2 2 4 4 0 6 0 0 +% +% npages,nsyst,musicsize,fracindent + 1 7 20 0.07 +Basso +Recorder +bt +./ +Abep +Iiharet60 +Tc +Francesco Barsanti (1690-1772) +%% +AeI1.1 +%2S9 +% Bar 1-4 +h +Adagio +c43 r8 f 65 f 42 e 6 r c | [ b 6 c ] d 7 b 65 c4 r8 c 65 t | + \global\figdrop5\Figu{-1}{\fsmsh}\Figu{0}{4}\Figu{4}{2}\ + c t bf4 65 x1842 a8 65 t a t #42 g 6 r g 65 t | + g t #42 f4 \global\figdrop8\ 65 x1842 \Figu06\ e8 d 54 dd1+ 3 c3 b8 6 g 7 / +g85 Gf ed1 d3 [ c3 a8+ gd1x5n s+1 f e d c s+1 ] Gc b8 s c s r e | + [ d35 s c d s e op ] e s d e s f op [ f s e f s g ] g f e f + Gf ed1 d3 c8 r ad1+ g3 | + [ fs15 dd+ ] [ c3 \nbbbbl2\ bf1x3 s+2 a g ] s+2 Gfn [ e1 cd+ ] [ b3 + \nbbbbl2\ a1x3 g f ] Ge ds8 ot e r ed1 dn3 | + [ cs15 ad+ ] [ g3 \nbbbbl2\ f1x3 s+2 e d s+2 ] + Gcn b1 c8 g1+ g3 s f e f s f8 op r1 f ed d3 / +% Bar 5-6 +[ c84 f- 7 ] g 4 g- 3 c ed1 f3 gd1 f3 ed1 d3 | cs4 5 r8 c 65 d4 r8 fd1 e3 / +[ e65 g c e s e1 s ] d6 c b a g f e d dd8 ot c1 c4 r8 ed1 f3 | + g85 gx3 s+1 fs g s+1 bf8 [ a3 s g fn e s ] [ f1 s d cs s d op ] + d s e f s gs op / +% Bar 7-8 +ds43 5 r8 d 65 e # ed1 fs3 gs8 e 7 | a4 r8 a 6 g4 7 r8 g 6 / +a85 ax3n+0+.7 s+2 gs a s+2 c8 bd1 ot a3 g1 Gfs ed8 r1 b+ bd ot a6 s b s | + c86x3 s+2 b a s+2 ax3 s+2 g f s+2 fx3 s+1 e f s+1 c+ + bx3 s+2 a g s+2 gx3 s+2 f e s+2 ex3nf+0+.7 s+2 ds e s+2 b+ / +% Bar 9-10 +f43 7 r8 d 65 e4 gs- 65 | a r r gs+ 65 / +a85x3 s+2 g f s+2 fx3 s+2 e d s+2 dx3nf+0+.7 s+2 cs d s+2 a+ + gs1 b d8 r1 d cd b3 s+0-.3 | + [ c1 s a s bf s gs s ] a s fs s gn s e s + [ fn s ds s e s cs s ] dn s f s e d s / +% Bar 11-12 +[ a83 d- 7 ] e 4 e- #3 a ad1+ b3 c8 gs 65 | a4 # cs- 65 d8 dd1 e3 f8 d / +c15 s+2 gs+ a s+1 d- Gc bd8 ot a1 a4 r8 ed1+ d3 | + cs1 e g bf [ a3 cs e1 s ] e6 s d s cn bf a g f e s + Ge fd1 e3 d8 ot r8 dd1 cn3 / +% Bar 13-14 +g43 b- 65 [-1+1 c8 cd1 d3 ] ef8 b 6 | c4 -3 bf n42 af 6 an #6 / +b14 d f a [ g3 b d1 t ] [+1 d6 t c b a g f e d ] + Gd ed1 ot d3 c8 r1 d dd ot c6 s d s | + ef1 c cd ot b6 s c s en1 c cd ot b6 s c s + f1 c cd ot b6 s c s fs1 c cd ot b6 s c s / +% Bar 15-end +b82 6 gd1 a3 b8 g 7 c4 -3 r | r2 r8 f e s 6 d s 6 | [-1 c f 7 g 4 g- 3 ] c2 / +g45 r1 af gd f3 ef1 bn+ s c s an s [ bf s g s af s fs s ] | + g s e s f s d s [ ef s c s df s bn s ] c8 s a op g op f+ s | + [ e s a- dd ot c1 ] c2 / diff --git a/Master/texmf-dist/doc/generic/pmx/examples/dyntest.pmx b/Master/texmf-dist/doc/generic/pmx/examples/dyntest.pmx new file mode 100644 index 00000000000..a06a033d6a6 --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/examples/dyntest.pmx @@ -0,0 +1,122 @@ +1 1 4 4 4 4 0 1 +2 21 20 .05 + +t +./ +\\nobarnumbers\ +Ap +Tt +Default Positions of Dynamic Marks +Tc +Dr. Don +g44 Dp g- Dp g+ zb Dp b- zg Dp / +g45 Dp g-l Dp g+ zb Dp b-l zg Dp / +g44 Df g- Df g+ zb Df b- zg Df / +g45 Df g-l Df g+ zb Df b-l zg Df / +L2 +g84 Dp g- Dp g+ zb Dp b- zg Dp g85 Dp g-l Dp g+ zb Dp b-l zg Dp / +g84 Df g- Df g+ zb Df b- zg Df g85 Df g-l Df g+ zb Df b-l zg Df / +L3 +[u g83 Dp a Dp b Dp c Dp d Dp e Dp f Dp g Dp ] // +g05 / + g83 Dp a Dp b Dp c Dp d Dp e Dp f Dp g Dp // +g05 / +[l+1+1 g84 Dp a Dp b Dp c Dp d Dp e Dp f Dp g Dp ] // +g05 / +L4 +g43 Dp g Dppp g Dmp g Dmf | g Dfp g Dsfz g Df g Dfff / +b44 Dp b Dppp b Dmp b Dmf | b Dfp b Dsfz b Df b Dfff / +% +L5 +g44 D< g- D< g+ zb D< b- zg D< / +g45 D< g-l D< g+ zb D< b-l zg D< / +g44 D> g- D> g+ zb D> b- zg D> / +g45 D> g-l D> g+ zb D> b-l zg D> / +L6 +g84 D< g- D< g+ zb D< b- zg D< g85 D< g-l D< g+ zb D< b-l zg D< / +g84 D> g- D> g+ zb D> b- zg D> g85 D> g-l D> g+ zb D> b-l zg D> / +L7 +[u g83 D< a D< b D< c D< d D< e D< f D< g D< ] // +g05 / + g83 D< a D< b D< c D< d D< e D< f D< g D< // +g05 / +% +g84 D< a D< b D< c D< d D< e D< f D< g D< / +[l g84 D< a D< b D< c D< d D< e D< f D< g D< ] / +% +[u g83 D< a+ D< b- D< c+ D< d- D< e+ D< f- D< g+ D< ] // +g05 / +[u g84 D< a- D< b+ D< c- D< d+ D< e- D< f+ D< g- D< ] // +g05 / +L10 +g04 D> | + g4 D> Dpppp D> + g D> Dppp D> + g D> Dpp D> + g D> Dp D> + g4 D> Dffff D> + g D> Dfff D> + g D> Dff D> + g D> Df D> +g0 D> / +L11 +g04 D> | + g4 D> Dpppp D> + g D> Dppp D> + g D> Dpp D> + g D> Dp D> | +g04 D> / +L12 +g04 D> | + g4 D> Dffff D> + g D> Dfff D> + g D> Dff D> + g D> Df D> | +g0 D> / +L13 +g04 D> | + g4 D> Dmp D> + g D> Dmf D> + g D> Dfp D> + g D> Dsfz D> | +g0 D> / +L14 +g04 D> | + g4 D> Dmp D> + g D> Dmf D> + g D> Dfp D> + g D> Dsfz D> | + g4 D> Dmp D> + g D> Dmf D> + g D> Dfp D> + g D> Dsfz D> | +g0 D> / +L15 +g44 D< g g D< D> g | + g D> D< g g D< D> g | + g2 D> D< g | + g g | + g D< g / +% +L16 +[l g83 Dpppp D< a D< Dppp D< b D< Dpp D< c D< Dp D< ] +[l d D< Dffff D> e D> Dppp D> f D> Dpp D> g D> Dp D> ] | +a0 D> Dsfz / +[l g84 Dpppp D< f D< Dppp D< e D< Dpp D< d D< Dp D< ] +[l c D< Dffff D> b D> Dppp D> a D> Dpp D> g D> Dp D> ] | +f0 D> Dsfz / +% +L18 +g43 Dpppp D< a D< Dppp D< b D< Dpp D< c D< Dp D< | + d D< Dffff D> e D> Dppp D> f D> Dpp D> g D> Dp D> | +a0 D> Dsfz / +g44 Dpppp D< f D< Dppp D< e D< Dpp D< d D< Dp D< | + c D< Dffff D> b D> Dppp D> a D> Dpp D> g D> Dp D> | +f0 D> Dsfz / +% +g43 Dpppp a Dppp b Dpp c Dp | + d Dffff e Dppp f Dpp g Dp | +a0 Dsfz / +g44 Dpppp f Dppp e Dpp d Dp | + c Dffff b Dppp a Dpp g Dp | +f0 Dsfz / diff --git a/Master/texmf-dist/doc/generic/pmx/examples/most.pmx b/Master/texmf-dist/doc/generic/pmx/examples/most.pmx new file mode 100644 index 00000000000..81101f82115 --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/examples/most.pmx @@ -0,0 +1,83 @@ +%----------- +% +% most.pmx +% +% revised 19 February 2001 +% +%----------- + 1 1 4 4 4 4 .000 -3 + 1 10 20 .05000 + +t +./ +\\font\ref=cmtt10\def\zt#1#2{\zcharnote{#1}{\ref#2}}\def\bs{$\backslash$}\ +Tc +Dr. Don +Tt12 +Most of the PMX commands +Aa1br +\zt{18}{\kern-30pt Aa1br csd84}\zt{28}{Tc}\zt{25}{Dr. Don}\ + csd84 \zt{18}{a+1la}\ a+1la +\zt{18}{g4r}\ g4r +\zt{18}{g}\zt{28}{\kern-10pt Tt12}\zt{25}{\kern-10pt Most...}\zql2\ g +\zt{18}{g4x5n}\ g4x5n \zt{18}{f}\ f \zt{18}{es}\ es +\zt{18}{d+}\ d+ \zt{18}{c //}\ c // +\zt{12}{r4}\ r4 \zt{12}{a44}\ a44 \zt{12}{ae}\ ae \zt{12}{r /}\ r+4 / +% Bar 2 +\zt{11}{\kern-20pt c-2 zen zfr za rd8b}\ c-2 zen zfr za rd8b +\zt{11}{r1+4}\ r1+4 \zt{11}{G3sg a b c4}\ G3sg a b c4 / +\zt{11}{rm2}\ rm2 | \zt{11}{Gxf- g2}\ Gxf- g2 \zt{11}{Glm0sf g2}\ Glm0sf g2 +| \zt{10}{rp}\ rp / +\zt{14}{c84 ot}\ c84 ot \zt{14}{c om}\ c om \zt{14}{c ox}\ c ox +\zt{14}{c o+}\ c o+ \zt{14}{c oTt.5}\ c oTt.5 \zt{14}{c oT}\ c oT +\zt{16}{c4 og15}\ c4 og15 / +\zt{13}{c45 sd}\ c45 sd \zt{13}{c s-7}\ c s-7 \zt{13}{c4 t s}\ c4 t s +\zt{13}{c8 s s}\ c8 s s \zt{13}{c s t}\ c s t / +\zt{12}{Cb c03 53 x1264}\ Cb c03 53 x1264 / +% Bar 10 +\zt{10}{[l c1 c8 c1 ]}\ [l c1 c8 c1 ] +\zt{10}{[l+0+0+1 c8 c1 c]}\ [l+0+0+1 c8 c1 c ] +\zt{14}{[ c c ][ c c ]}\ [ c c ][ c c ] +\zt{14}{[-5+5 c c c c ]}\ [-5+5 c c c c ] / +% Bar 11 +%L6 +h +Hello +\zt{18}{\kern20pt h}\zt{14}{\kern20pt Hello}\zt{10}{\kern20pt L6 c04}\ +L6 c04 / +l +How are you? +\zt{18}{\kern20pt l}\zt{14}{\kern20pt How are you?}\zt{10}{\kern20pt c04 }\ +c04 / +\zt{14}{m3434 cd2}\ m3434 cd24 | \zt{14}{Ca cd}\ Ca cd / +% Bar 15 +L7 Rl \zt{16}{L7 Rl cd24}\ cd24 / +V1 \zt{16}{V1 cd24}\ cd24 / +Rlr Vb2 \zt{16}{Rlr Vb2 cd24}\ cd24 / +Vx \zt{16}{Vx cd24}\ cd24 / +% Bar 19 +L8 Cb \zt{13}{L8 Cb c43 d e}\ c43 d e / +B \zt{13}{B c43 d e}\ c43 d e / +% Bar 21 +L9 +P68l mo400 \zt{14}{P68l mo400 c4}\ c4 / +% Bar 22 +m2400 K+0+4 +\zt{14}{\kern16pt c43 zbe za zge zf e //}\zt{18}{\kern16pt m2400 K+0+4}\ +c43 zbe za zge zf \zt{10}{\kern.7\noteskip L10 Ct}\ e // +\zt{10}{\kern16pt e43 zfr zg zar zb c /}\ +e43 zfr zg zar zb c / +% Bar 23-26 +L10 Ct +\zt{24}{[l+13-8 a13 X.9 a++ s g3 a f1 s+1 ]}\ + [l+13-8 a13 X.9 a++ s g3 a f1 s+1 ] + \zt{20}{[u-13+8 a X-.7 a-- s b3 a g1 s ]}\ + [u-13+8 a X-.7 a-- s b3 a g1 s ] +\zt{16}{[l+13-1 a X.9 a++ g3 a X-.7 a1-- ]}\ + [l+13-1 a X.9 a++ g3 a X-.7 a1-- ] + \zt{12}{[u-12+7 a++ X-.7 a-- b3 a c1 ]}\ + [u-12+7 a++ X-.7 a-- b3 a c1 ] +\zt{-12}{\kern-40pt [u-12+1 a++ X-.7 a-- b3 a X.9 a1++ ]}\ + [u-12+1 a++ X-.7 a-- b3 a X.9 a1++ ] + \zt{-16}{\kern-90pt [u-12+7 a X-.7 a-- b3 a c1 ] /}\ + [u-12+7 a X-.7 a-- b3 a c1 ] / diff --git a/Master/texmf-dist/doc/generic/pmx/examples/mwalmnd.pmx b/Master/texmf-dist/doc/generic/pmx/examples/mwalmnd.pmx new file mode 100644 index 00000000000..5185ac523c5 --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/examples/mwalmnd.pmx @@ -0,0 +1,130 @@ +% +% Modified 15 Feb 2004 to use Postscript tlurs +% + 2 1 1 8 0 6 0 1 + 1 6 20 .05 + +bt +./ +It78MR1 +% +% The following meter change is only needed due to bug in midi-macro +% recorder which doesn't get the right time tignature for the 1/8 bar. +% +m1/8/0/0 +Abe +Apl +%h +%Allemand +Tc +Matthias Weckmann (1624-1676) +Tt-6 +Allmand +% +% Bar 0 +% +r8 / +e84 / +% +% p55 Bar 1-2 +% +\\\advance\barno-1\ +m4400 +r ad42 t a2 t | a0 // +r4 a43 t a8 t e f4 | e0 / +r4-10 r8-8 b83 c4 rb | r1 d e d c4 t c8 t c d c t // +e24 t ed4 t d8 rb4 r8 gs ad8 a1 t a t b8 a1 t / +% +% Bar 3-5 +% +e22 e | c+4 b a2 | fn+2 e // +e23 ed4 d8 | r1+8 gs1 a8 td ad t g1 a4 t ad8 t gn1 | r4+8 d+2 c4 t / +c84 t c b a t a t a b4 | rb0 | rb // +%\zcharnote{16}{\bigfont\kern-96pt Matthias Weckmann (1624-1676)}\ +a84 t a t a1 t gs8 f1 t f8 t f zds g4 ze | +r8 e t e1 t e d8 td d1 t e fn b- c d e8 | r+0 a b a td a t g a g / +% +% Bar 6-8 +% +d23 t dd4 t c8 | b0 | r8 ad4 rb4 fn+ // +c44 t bd2 | r4+4 bd2 | r4 a t a8 t g a4 / +fn84 rbd4 r8-6 ed4 | r8-6 dd4 rb2 | rb0 // +r8 b84 c d gs-4 a t | a t t ad8 t a1 gsd8 a1 b3 a b a b a gs1 | + ad4 e1 e fn8 e ed ot d1 / +% +% Bar 9a +% +m7800 +rb2 ed43 // + r8+0 [ e83 td gs t1d b t2d ] gd4 t+0-.2 t1 zbd t2 zed / +e24 t ed4 t / +% +% Bar 9b +% +IM IMP1 IMR2 +m1/8/0/0/ +\\\advance\barno-1\ +Rlr +r8+0 / +e84 // +gs84 / +% +% p55v Bar 10-12 +% +m4400 +e03 t | e t | rb4 a- b2 // +b23 c t | c4 t [-1-1 d8 c ] [-1-1 bd a1 ] [-1+1 gs8 a ] | + e4 om a t a1 t a g8 f a / +e24 r8-6 [+1 f1 e ] ds4 t | d t rb2 r1-8 [+3 b c8 ] | b4 ze c rb2 // +gsd44 g1 g ad4 a1 a t | a8 t a gs1 e a f b8 ds- ed8 f1 | + gd8 g1 fd8 e1 ds8 d1 e ed8 ot ds1 / +% +% Bar 13-15 +% +r8+0 e13 gs [ f a ] g b cd4 b8 | a2 rb2 | r8-6 dd42 t d2 t // +rb0 | rb2 r8+0 c83 b a | d4 dd2 / +rb0 | c85 rbd4 e-d e8 | fn2 rb2 // +e24 r8+0 e1 gs [ f a ] g b | rb8 b-1 d [ c e ] d f gs4 a t | + a8 t a b a d1 f-n e c+ b d- c a+ / +\\\def\raisebarno{4.5\internote}\def\shiftbarno{1.5\internote}\ +% +% Bar 16-18 +% +IM +V1 +e22 e+ t | e t d | e e- // +r8 e43 f8 gs2 t | + gd4 t a8 \zhu6\loffset{.15}{\raise8\internote\qp\bsk}\ rb4 r8+8 d8 | + dd8 r1+8 c4 e-2 / +b43 e r8+0 [ d+8 e1 d c8 ] | bd4 a8 r1+0 b b c d c b a | + rb4 r1 ed8 t e4 t rb4 // +gs44 ze a zc rb2 | r8+6 d [-2+1 e1 d c8 ] rb2 | + gs1 f e d r8 a+ t a t a gs1 a3 b ad1 ot gs3 / +% +% Bar 19 +% +m7800 +r8 ad42 t ad t // +r4 [ c83 e td ] ed4 t za / +a24 ad4 om / +% +% Bar 20-22 +% +IMP2 +m4400 +Vb2 Rr +e22 e+ t | e0 t | e2 e- // +r8 e43 f8 gsd4 a8 | b4 c8 d e2 t | ed8 t r1+8 c4 e-2 / +b43 e r8+0 [ d+8 e1 d c8 ] | bd4 a8 gs1 rbd8 d+1 c b a | + rb4 r1 ed8 t e4 t rb4 // +gs44 ze a zc rb2 | r8+6 d [-2+1 e1 d c8 ] b1a [ b b c ] rb4 | + gs1 f e d r8 a+ t a t a gs1 a3 b ad1 ot gs3 / +% +% Bar 23 +% +m7800 +r8 ad42 t ad t // +r4 [ c83 e td ] ed4 t za / +a24 ad4 om / + + diff --git a/Master/texmf-dist/doc/generic/pmx/file600.eps b/Master/texmf-dist/doc/generic/pmx/file600.eps new file mode 100644 index 00000000000..e3c31f2634c --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/file600.eps @@ -0,0 +1,2327 @@ +%!PS-Adobe-3.0 EPSF-3.0 +%%Creator: GIMP PostScript file plugin V 1.17 by Peter Kirchgessner +%%Title: file600.eps +%%CreationDate: Sun Feb 21 23:11:13 2010 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+JcC<$JcC<$JcC<$JcC<$JcC<$JcC<$JcC<$JcDhOqZ)3IJcC<$JcC<$JcFp5J,~> +JcC<$JcC<$JcC<$JcC<$JcC<$JcC<$JcC<$JcDhOqZ)3IJcC<$JcC<$JcFp5J,~> +JcC<$JcC<$JcC<$JcC<$JcC<$JcC<$JcC<$JcDhOqZ)3IJcC<$JcC<$JcFp5J,~> +%%EndData +showpage +%%Trailer +end +%%EOF diff --git a/Master/texmf-dist/doc/generic/pmx/pmx.1 b/Master/texmf-dist/doc/generic/pmx/pmx.1 new file mode 100644 index 00000000000..5d699c826b3 --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/pmx.1 @@ -0,0 +1,101 @@ +.\" This manpage is licensed under the GNU Public License +.TH pmx 1 2011-11-28 "pmx script, version 0.2" "" + +.SH NAME +pmx \- This script processes pmx files and then deletes intermediate files + +.SH SYNOPSIS +[ texlua ] +.B pmx[.lua] +{ +.IR option +| +.IR jobname +[ .pmx ] +} ... +.TP +The default effect is to process each file using +.TP 12 +.BR pmxab (1) +(pre-processing pass) +.TP +.BR etex (1) +(first pass) +.TP +.BR musixflx (1) +(second pass) +.TP +.BR etex (1) +(third pass) +.TP +.BR dvips (1) +(dvi to Postscript) +.TP +.BR ps2pdf (1) +(Postscript to Portable Document Format) +.TP +followed by removal of intermediate files. + +.SH OPTIONS +.TP 8 +.B -v +output program name and version number, and quit +.TP +.B -h +output usage summary and quit +.TP +.B -l +changes the TeX processor to +.BR latex (1) +or +.BR pdflatex (1) +.TP +.B -p +changes the TeX processor to +.BR pdfetex (1) +or +.BR pdflatex (1) +(and doesn't run +.BR dvips (1) +and +.BR ps2pdf (1) +or +.BR dvipdfm (1) +) +.TP +.B -d +changes the dvi processor to +.BR dvipdfm (1) +.TP +.B -s +stops processing at the dvi file +.TP +.B -t +stops processing at the tex (and midi) files +.TP +.B -i +retain intermediate files +.TP +.B -f +default processing +.TP 0 +Options affect processing of all succeeding PMX files unless changed by another option. + +.SH SEE ALSO +.BR pmxab (1) +.BR scor2prt (1) +.BR etex (1), +.BR latex (1), +.BR pdfetex (1), +.BR pdflatex (1), +.BR musixflx (1), +.BR dvipdfm (1), +.BR dvips (1), +.BR ps2pdf (1). +.br +pmx260.pdf +.br +pmxccn.pdf + +.SH AUTHOR +This manual page was written by Bob Tennent <rdt@cs.queensu.ca>. diff --git a/Master/texmf-dist/doc/generic/pmx/pmx.pdf b/Master/texmf-dist/doc/generic/pmx/pmx.pdf Binary files differnew file mode 100644 index 00000000000..8e25dd30c83 --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/pmx.pdf diff --git a/Master/texmf-dist/doc/generic/pmx/pmx260.pdf b/Master/texmf-dist/doc/generic/pmx/pmx260.pdf Binary files differnew file mode 100644 index 00000000000..732af94c3a8 --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/pmx260.pdf diff --git a/Master/texmf-dist/doc/generic/pmx/pmx260.tex b/Master/texmf-dist/doc/generic/pmx/pmx260.tex new file mode 100644 index 00000000000..193257243b9 --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/pmx260.tex @@ -0,0 +1,2230 @@ +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +% +% pmx260.tex 21 Feb 2010 +% +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +% +% To do for next version +% +% Describe IT, MIDI transposition +% +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +%\documentstyle[11pt]{article} +\documentclass[11pt]{article} +% +\let\reft\ref +% \usepackage[ten]{vrsion} +% \usepackage[T1]{fontenc} +% \usepackage[cp437]{inputenc} +% \usepackage[english]{babel} +% \usepackage{amsmath,index} +% \usepackage[dvips]{graphicx} +% \usepackage[dvips]{hyperref} + \usepackage[dvips,colorlinks=true,linkcolor=blue]{hyperref} + \usepackage[dvips]{graphicx} +% +\def\MusiXTeX{MusiX\TeX} +\def\bs{{\tt\char'134}} +%\newcommand\PMXX{{\bfx PMX}} +\newcommand\PMXX{\textbf{PMX}} +\newcommand\PMX{\PMXX~} +\newcommand\IMA{\href{http://Icking-Music-Archive.org}{\underline{Icking Music Archive}}} +%\newcommand{\dotPMX}{\textbf .pmx} +% Use \bfx for program names only. Use \bf for single embedded letters +\font\bfx=cmb10 scaled\magstephalf +\font\bfi=cmbxti10 scaled\magstephalf +\font\specfig=cmrj +%\setcounter{secnumdepth}1 +\setcounter{secnumdepth}3 +\setcounter{tocdepth}3 +\def\Bslash{\tt\char'134} +\def\|{{\tt\char'174}} +\def\LBR{{\tt\char'173}} +\def\RBR{{\tt\char'175}} +\textheight= 9.5in \voffset-.8in% +\textwidth= 6.5in \hoffset-1.0in +\def\newfrom{2.49} % changed every now and then +\def\NEW#1{\ifdim#1 pt<\newfrom pt\else% +\marginpar{\fbox{#1}}\fi} + +\hoffset-54pt + +\let\rulet\rule\def\rule#1#2{\if#1<#2\rulet{.05in}{#2}\else\relet{#1}{.05in}\fi} + +\begin{document} + +\raggedright +\parindent24pt + +\title{ + \Huge\bf + PMX~--~a Preprocessor for \MusiXTeX{}\\ + \null\vskip-15pt + \Large\sl + Version 2.6~--~July 2010\\ + \author{\Large\rm Don \sc Simons\\ + \large\sl + Dr. Don's PC and Harpsichord Emporium\\ + \normalsize\sl + Redondo Beach, California, USA.\\ +% To make the bitmapped eps: (1) TeX file with cmtt scaled 2500, +% (2) dvips -> gsview -> pdf. +% (3) gwin32 -sDEVICE=pnggray -sOutputFile=file.png -r100 -dEPSCrop -dbatch -q +% -dNOPAUSE -dTextAlphaBits=4 file.eps -c quit +% (4) file.png -> GIMP (crop out blank space) -> save as .eps. + \includegraphics[scale=0.4]{file600.eps}}} +\date{} + +\maketitle + +\section*{Preface} +Compared to prior releases, version 2.60 of PMX has been expanded +to take advantage of the increased capacity of \MusiXTeX~T.115. To directly +process +\TeX~files created by \PMX2.60, a decision was made to require both +\MusiXTeX~T.115 and e-\TeX. Free versions of both are readily available on the internet, +and together they can process any earlier \PMX source file. + +\setcounter{page}1 +\tableofcontents +%\setcounter{secnumdepth}1 +\pagestyle{headings} + +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +\def\boxitsep{10pt} +\let\hrt\hrule\def\hrule{\hrt height2pt} +\let\vrt\vrule\def\vrule{\vrt width2pt} +\def\boxit#1{\vbox{\hrule\hbox{\vrule\kern\boxitsep\vbox{% +\kern\boxitsep\hbox{#1}\kern\boxitsep}\kern\boxitsep\vrule}\hrule}} +\font\ded=cmssdc10 scaled \magstep3 +\bigskip +\setbox4=\vbox{ + \hsize3in\noindent\strut + \centerline{\ded Dedication} +\vskip 3pt +The \MusiXTeX~community was stunned by the sudden death of Werner Icking on +\break February 8, 2001. He had been a benevolent patriarch, touching many +of us not only +with his technical savvy and gentle guidance, but also his genuine kindness +and generosity. His spirit runs deep through all of \PMX. His encouragement +fueled its development from the very beginning up to its current state. Most +of the enhancements have been his proposals, including one he made on what +turned out to be his last day. Werner, my friend, I dedicate this work to +you and your memory. +} +\vfill +$$\boxit{\box4}$$ +\let\hrule\hrt\let\vrule\vrt +\vfill +\eject + +\section{Introduction} +%\setcounter{secnumdepth}1 + + \PMX is a preprocessor for \MusiXTeX{}. To use it to its full +benefit you should have installed \MusiXTeX~Version 2.15 \NEW{2.6} or higher, and +any available version of \TeX~that includes e-\TeX. The goal of \PMX is to +facilitate the efficient typesetting of scores and parts +that have an almost professional appearance. It can do {\it all} the work +involved in setting up {\tt \bs notes-\bs enotes} groupings, +selecting groups of +notes to be beamed, defining beam heights and slopes, spreading the +entire piece evenly over specified numbers of systems and pages, and inserting +extra spaces where needed to make room for accidentals, flags, dots, +and new clefs. The input language for \PMX is much simpler than +\MusiXTeX. You can enter note values and rests from 64ths to double +whole notes ({\it breves}), ornaments, slurs, and limited text strings. Every +voice in every bar must have exactly the correct number of beats in +the current meter, but you may change the meter at the beginning of any +measure, with or without printing the new time signature. Before making a +\TeX{} file, \PMX checks these timings and other aspects of the input. +\PMX has special features for dealing with baroque chamber music, including +the ability +to notate figured bass below the bottom staff in each system. If \PMX hasn't +yet learned to do something you want to do, you can usually work around the +problem by inserting literal \TeX\ strings in the \PMX input file. + + You can automatically create parts from a score using {\bfx scor2prt}. +This auxiliary program generates a set of {\tt .pmx} input files, one for +each part, from a single {\tt .pmx} file for the score. +You can control the appearance of the +parts with special commands in the main file, thereby making it +possible to include within a single input file all the information +that defines the score and the individual parts. + +The native language of \PMX is FORTRAN and its home port is DOS. The basic +distribution contains the FORTRAN sources, and binaries that will run in a DOS +\NEW{2.0} window on a PC with WINDOWS95 or higher. Availability of +ready-made distributions for other operating systems depends on volunteer +efforts; they will be posted as submitted to the software section +of the +\href{http://icking-music-archive.org/software/indexmt6.html} +{\underline{Werner Icking Archive}}. + +\subsection{Conventions for This Manual} + + Hey, this is boring stuff, but if you take a minute to understand +the typographic conventions and a little jargon, +it may avoid some confusion down the road. + + The typewriter typeface always indicates verbatim text as it would +be input to a computer. This includes file names, \MusiXTeX{} tokens, and +\PMX commands, e.g., {\tt barsant.pmx, \bs internote, c44}. + + Bold is used for program names (e.g., {\bfx pmxab}), or when applied +to a single letter, to relate a \PMX command to its meaning (e.g., ``{\tt e} +signifies a l{\bf e}ft shift''). + + When\NEW{2.5}~viewing the PDF version of this document on a computer +screen, clickable internal hyperlinks are colored blue, and clickable external +links are underlined and colored cyan. + + Italics may mean several different things depending on the context: +simple emphasis, or the first appearance of {\it jargon} +(buzz-words that need to be explicitly defined), or finally +to represent input variables for which some verbatim text would need to be +substituted. In the latter case the variable will be surrounded by +square brackets, e.g., [{\it basename}], but the brackets are not to be +included with the substituted text. + + Speaking of jargon, there are several special words that have very +specific meanings here: A {\it staff} is one set of 5 lines (plural +{\it staves}), a {\it system} is a group of staves, and {\it voice} refers to +one of the one or two +simultaneous allowable sequences of notes in a staff. Note that this +is a change \NEW{2.5}from versions prior to 2.5, where {\it voice} was used +interchangeably with staff. + +A \PMX {\it command} is a string of characters with no spaces between them. +The first character determines the type of command. Any other characters +are parameters that may be either required or optional. Sometimes we loosely +use the word {\it command} to refer just to the initial character. + +\subsection{Setup} + + This section describes the setup for the DOS version or for those +compiling the FORTRAN source. + + After decompressing the distribution file {\tt pmx260.zip}, +you should have these +files: \NEW{2.6} {\tt pmx260.for}, {\tt scor2prt.for}, two +DOS executables {\tt pmxab.exe} and {\tt scor2prt.exe}, several sample +{\tt .pmx} files, +{\tt pmx.tex}, {\tt ref260.tex} (\TeX\ source for a command summary), +{\tt pmx260.tex }(\TeX\ source for this file), +PDF images of the latter two files. and {\tt pmx24-26.html} showing +changes from version 2.40 to 2.60. +If necessary, compile the FORTRAN programs. +I have tried to keep the source code as generic as possible, but minor +modifications may be needed for FORTRAN-to-C translation and/or other +compilers. + + Once you have assembled a full set of files, put the executables +somewhere in the path or in your working directory, {\tt pmx.tex} into the +texinput directory, and the sample {\tt .pmx} files in your working +directory (the one from which you will run \PMXX). + +\subsection{Basic Operation, by Example} + +Edit the 15th line of {\tt barsant.pmx} to contain the path to the +directory where you want \PMX to write the {\tt .tex} file. For example, +if you want this to be the same as the working directory, type {\tt .\bs}~for DOS, +or {\tt ./} for UNIX. + +Execute \PMX by typing {\tt pmxab barsant} . \NEW{2.0} Alternatively, you may +just type {\tt pmxab <return>} and you will be prompted +for a jobname. {\bfx pmxab} will always generate two files in the working +directory: {\tt barsant.pml} +is a log file, and {\tt pmxaerr.dat} contains a single integer, 0 if +the run was successful, otherwise the line number in the {\tt .pmx} file of the +fatal error (useful for batch processing). Also, on successful completion, +{\tt barsant.tex} will be placed in the path specified in the setup. + +Now you are right where you would be after +entering, debugging, and rough-editing the {\tt .tex} file manually. To see +the results, process {\tt barsant.tex} just as you would for any \MusiXTeX{} +file, running all three passes, and view the {\tt .dvi} file. To make +separate parts, run {\bfx scor2prt} by typing {\tt scor2prt barsant} .\NEW{2.0} +The program will create a new {\tt .pmx} file for each instrument, in this +case {\tt barsant1.pmx} and {\tt barsant2.pmx}. +You may then process these +files like you did the original one to create separate parts. + +\section{Elements of PMX} +\def\l@subsection{\@dottedtocline{2}{5em}{20em}}%original 2 3.8 3.2 +%\setcounter{secnumdepth}2 + +\subsection{Setup Data in the Input File} \label{setupdata} + + To see how the input file is put together, we'll look at +{\tt barsant.pmx}. For reference, here are are the first few lines: +\begin{verbatim} +%----------------% +% +% barsant.pmx Revised 29 June 2002 +% +%----------------% +% +% nv,noinst,mtrnuml,mtrdenl,mtrnmp,mtrdnp,xmtrnum0,isig, + 2 2 4 4 0 6 0 0 +% +% npages,nsyst,musicsize,fracindent + 1 7 20 0.07 +Basso +Recorder +bt +./ +\end{verbatim} +The lines +with {\tt \%} in column 1 are comments. +Some special handling of comment lines will be +discussed in the section on creating parts from a score in +section~\ref{scor2prt}. + +The rest of the lines in this example are the {\it setup data}. +Starting in the first non-comment line above, + +{\tt nv} (integer$\leq$24) \NEW{2.6} is the total number of +sta{\bf v}es per system. Each staff may contain either one or two voices, +but the total number of voices at any one time may not exceed 24. + +{\tt noinst} (integer$\leq${\tt nv}) is number of {\it instruments}. Each +instrument has a unique name (see below), and any instrument +with more than one staff will have its staves joined with a curly bracket. +Usually there is only one staff per instrument and {\tt noinst=nv}. There +are two ways to assign more than one staff to one or more instruments. +If only the first (lowest) instrument has more than one staff, such as in +a score for piano and a solo instrument, simply make +{\tt noinst$<$nv} and any difference will show up in instrument 1, the bottom +one in each system. +\NEW{1.4} For a +more general distribution of staves among instruments, +put a minus sign in front of {\tt noinst}, +and follow {\tt noinst} with the number of staves in each instrument in +succession, separated by spaces. These numbers must add up to {\tt nv} or your +computer will explode. For a typical example of keyboard music, see +{\tt mwalmnd.pmx}, in which {\tt nv=2} and {\tt noinst=1}, producing two +staves per system with a curly bracket at the left. + +The number of instruments can be changed as well after the start of the +score, but only to a number less than the original one. See +section~\ref{movbrk} to learn how to start with a smaller +number of instruments and later increase it. + +{\tt mtrnuml} is the {\it logical} numerator of the meter, or the number of +beats per measure; {\tt mtrdenl} the denominator. Please note the special +considerations in the paragraph after the next. If {\tt mtrnuml} is +divisible by 2 or 3, beam grouping will be automatic; otherwise you will +have to force all beams using {\tt [}$\dots${\tt ]} as described in +section~\ref{beams}. + +{\tt mtrnmp} and {\tt mtrdnp} are the {\it printed} numerator and denominator. +These determine the appearance of the meter in the printed output but +have no effect on the internal timing analysis. If {\tt mtrnmp$>$0} then it +and {\tt mtrdnp} are printed literally as the numerator and denominator +of the time signature. Please note the special considerations in the following +paragraph. If +{\tt mtrnmp$<$0}, then the numerator is abs({\tt mtrnmp}) and the +entire time signature will be printed with a vertical slash through +it. If {\tt mtrnmp}=0, then {\tt mtrdnp} determines the printed meter +as follows: + +\medskip + +\begin{tabular}{ll} +\tt 0 & No meter is printed ({\it blind} meter change)\\ +\tt 1, 2, 3, or 4 & A single digit, between the 2nd and 4th lines\\ +\tt 5 & Cut time (alla breve)\\ +\tt 6 & Common time\\ +\tt 7 & Numeral 3 with a vertical slash\\ +\end{tabular} + +\medskip + +There are special considerations for n/16 and n/1 time signatures (where the +latter "1" normally means a whole note). To get +n/1 time, use {\tt 0} (zero) for {\tt mtrdenl} and {\tt 1} for {\tt mtrdnp}. To +remember this rule, recall that the printed denominator is taken literally, +while the logical denominator can always be represented +by the same single digit used for the corresponding time value when entering +ordinary notes (see section~\ref{notes}). So +for n/16 time, use {\tt 1} for {\tt mtrdenl} and {\tt 16} for {\tt mtrdnp}. + +If the first bar is a partial bar containing a pickup, {\tt xmtrnum0} is +the number of beats in it; otherwise set it to 0. It need not be an +integer. The first bar is the {\it only} bar that can have a different +number of beats than the current value of {\tt mtrnuml} (Later we'll see how +to change the meter). + +{\tt isig} is the key signature, positive integer for sharps, negative for +flats. + +If {\tt npages}$>$0, it is the number of pages and {\tt nsyst} is the total +number of systems in the entire piece. \PMX will spread the entire +piece horizontally over this number of systems, and vertically over +{\tt npages} pages. For proper vertical spacing there should be from +about 9 to 16 staves per page. If you specify too many staves for the number +pages, one or more staves may spill over onto an extra sheet. If this +happens it will only become obvious when you preview the {\tt .dvi} file. +One solution is to use the global option {\tt Ae} +(see section~\ref{AeDirective}); another is to increase {\tt npages} or +decrease {\tt nsyst}. + +If {\tt npages} is set to 0, then {\tt nsyst} is interpreted as the average +number of measures per system. This is useful while building up a +file a little at a time. \PMX will calculate how many systems to use, and +spread them over an appropriate number of pages. + +{\tt musicsize} is 16, 20, 24, or 29, the height of a staff in points, with +20 considered the default\NEW{2.6}. + +{\tt fracindent} is the indentation of the first system from the left +margin, expressed as a decimal fraction of the total line width. + +Next come the names of the {\tt noinst} instruments as you want them to +appear within the indentation in the first system, one per line, +starting with the {\it bottom} instrument. If you've set {\tt fracindent}=0 +and don't +want instrument names to appear, you must still leave {\tt noinst} +blank lines here. Next comes a single string of {\tt nv} +letters or numbers for the clefs, again starting with the bottom staff: +\label{ClefCodes} +{\tt b,~r,~n,~a,~m,~s,~t,~f} or digits 0-7 respectively for {\bf b}ass, +ba{\bf r}itone, te{\bf n}or, {\bf a}lto, {\bf m}ezzo-soprano, {\bf s}oprano, +{\bf t}reble, or \NEW{2.2} {\bf F}rench violin clef. +The last line of setup data contains the path to the directory +where you want the {\tt tex} file to go when \PMX creates it. The one +in {\tt barsant.pmx}~, +{\tt ./}~, represents the current directory in UNIX and some versions of DOS. +The path must terminate with {\tt /} or {\tt \bs}~. + +\subsection{Structure of the Body of the Input File} \label{structure} + + The rest of the {\tt .pmx} file is the {\it body} of the input. +The basic unit of input from here on is called an {\it input block} or +just {\it block}, each one representing an integral number of bars. If there +is a pickup bar defined by {\tt xmtrnum0} $>$ 0, +it must be included in the first block {\it together with at least one full bar}. +If you wish to put a pickup in a separate block, for example at the start +of a new movement, set the initial logical +meter to fit the pickup bar, then after the pickup bar do a blind meter change +as described in section~\ref{MeterChange}). + +There will usually be +4 to 8 bars in a block. 15 is the most allowed. It is good practice +to separate the blocks with comment lines that state which bars are +represented, as I've done in {\tt barsant.pmx}. +It is also advisable, although not required, to separate the bars with +the command {\tt |}. Its main functions +are to provide visual separation in the input file, and to help isolate input +errors: if you put one anywhere except +at a bar-end, {\bfx pmxab} will stop and show you where it detected the +timing error. Otherwise, with several minor exceptions, +{\tt |} has no effect. + +At the start of each block there may be a few special commands +(described starting in section~\ref{pmxcmds}). +Next come the input data for the selected number +of bars of the first (lowest in the system) voice in the first staff, followed by +either {\tt /} to move to the next staff, or {\tt //} to move to the next voice +on the same staff. Each new voice must start on a new line +in the input file, i.e., there should be no further data on the same input line +after {\tt /} or {\tt // }. + Continue entering other voices, each with +{\it exactly} the same number of bars as the first, +terminated by {\tt /} or {\tt //}, until + the last (topmost in the system) ends with a {\tt /} and the block is +finished. Within +a block every voice must have the same number of bars, but every block +needn't have the same number of bars as other blocks. The number of +voices in a staff can only be 1 or 2, and cannot change within a block, but +may vary from block to block. + + The data for each voice in each staff are a sequence of commands +containing one or more adjacent characters. Commands are separated from each +other by spaces. The line-terminating commands {\tt /} and {\tt //} should also +naturally be preceded by a space. + +\subsubsection{Notes} \label{notes} + + Commands for notes always start with a lower-case letter and, as +with all commands, end at +the first space. The first letter is the note name ({\tt a-g}). The +rest of the characters can be in any order with only a few +restrictions. The first digit defines the {\it basic time value} of the +note: {\tt 9, 0, 2, 4, 8, 1, 3} or {\tt 6} respectively for double-whole, +whole, half, quarter, +eighth, sixteenth, thirty-second, and sixty-fourth notes. The second +digit sets the octave (for reference, octave 4 runs from middle C to +the B above). Certain letters may appear after the initial one: {\tt d} +for {\bf d}ot; {\tt dd} for \NEW{1.4} double dot; +{\tt f, n,} or {\tt s} for {\bf f}lat, {\bf n}atural, +or {\bf s}harp (repeat the letter +immediately for a double); {\tt u} or {\tt l}, which force the stem +direction of any un-beamed note; {\tt e} or {\tt r} to shift the notehead +l{\bf e}ft +or {\bf r}ight by its own width; and {\tt a} (for {\bf a}lone) which inhibits +beaming for this note (or, if the first note of an xtuplet, for the +entire xtuplet). \NEW{2.4}A single accidental may be followed by {\tt c} to +make it {\bf c}autionary, i.e., surround it with parentheses. +Alternatively, it may also be followed by {\tt i} to +suppress typesetting \NEW{2.3} but still have +the M{\bf I}DI processor honor the accidental. Other characters allowed in note +commands are {\tt +}, {\tt -}, {\tt .}(period), {\tt ,}(comma), {\tt x}, and +several special characters following {\tt x}, all to be described below. +Between the first letter and the end or {\tt x} if present, +non-digits can be in any order with respect to each other and to the digits, +with minor exceptions involving shifting dots and accidentals. + +To move +a dot from its default location, simply follow the {\tt d} +with one or two decimal numbers, each predeced by +{\tt +} or {\tt -}. +The first is the +vertical shift in \bs{\tt internote}s, the second, the horizontal shift in +notehead widths. + +\label{AccidentalPosition} +Accidentals \NEW{1.4} can be shifted too. One way is to enter +{\tt +} or {\tt -} right after the accidental character, +then an integer +for the vertical shift, then another {\tt +} or {\tt -} followed by the +horizontal shift in notehead widths. If you use this method, you {\it must} +enter both numbers. Or, to just shift horizontally, use +{\tt <} or {\tt >} followed by the shift in notehead widths. When shifting +a sharp to avoid another sharp, a left shift of 0.85 is usually best. When +shifting a flat to avoid a flat above it, a left shift of 0.3 is suggested. +In chords where all the notes are in the same \NEW{2.4}voice, +\PMX will automatically shift accidentals if required. This will be disabled +for the current chord +if any user-defined accidental shifts are entered, unless {\tt A} is entered +along with the shift, e.g., {\tt zcsA<.5} . In that case the user-defined +shift will be added to the PMX-computed one. +\NEW{2.4} Another option that affects accidental positioning in +chords is {\tt Ao}, +entered in the main note command of a chord. It will force the accidentals +in that chord will be posted in the order +they come in the source file (starting with the main note), each one as far +to the right as it will go without crashing into a notehead, stem, or +another accidental. + + + Dots and accidentals always have to be entered when and if a note +calls for them. i.e., they are never carried over from previous notes. +On the other hand, the octave only needs to be entered if the note is +more than a fourth away from the most recent note in the same voice. +This feature lets you go for long stretches in a voice before needing +to enter the octave. An alternate way to jump more than a fourth but +less than a twelfth is to type {\tt +} or {\tt -}. In other words, these +mean to put the note an octave higher or lower than it +otherwise would have gone. Two {\tt +}'s will raise the pitch two octaves +above what it otherwise would have been, and so forth. +The basic time +value is also carried over from the past if it is not re-entered, +except for the first note or rest in each voice in an input block, +for which it {\it must} be entered. +Therefore, when the melody jumps more than a 4th, using {\tt +} or {\tt -} is +often more convenient than using a digit. This is because in order to +use the digit, you must first enter the basic time value whether it +changes or not. + + For example {\tt c44 d e f g a b c c0-} is an ascending quarter-note +scale starting on middle C, followed by an octave jump down to a +whole note middle C. + + Explicit octave \NEW{2.1} numbers can be combined with one or +more {\tt +} or {\tt -} . In earlier versions, {\tt +} or {\tt -} was +ignored if an octave number was specified. This is a slight backward +incompatibility; \PMX prints a warning when it happens. + +Stem length \NEW{2.4} can be shortened by {\it x} \bs{\tt internote} with +the option {\tt S}{\it x}~. {\it x} is restricted to the range (.5,4.0). +The shortening can be made ``sticky'' by following the number {\it x} with +{\tt :} . Stickiness is terminated by {\tt S:} . + +The first note command in each voice in a block must +contain at a minimum the note name or {\tt r} for a rest (see below), +and a basic time value. For notes, it is good practice and can simplify +editing +if in addition an explicit octave is set here. However if it is not, +\PMX will make some assumptions. At \NEW{2.4} the start of the first +input block the pitch will be set as if the prior note were middle C. +In later blocks \PMX will use the +obvious inheritance rules from the end of the prior block. +However, if the number of voices in a staff +has changed from the prior block, it is safest to reset the octave at the +start of a new block. Duration is never inherited and must be set at the +start of each input block. + + Dots can be a little tricky, because even though they affect the +actual time value, they don't affect the basic time value, and it is only the +latter that is ``sticky". Therefore, if a note is dotted, you always have to +enter a {\tt d} (or a period, see next paragraph) somewhere within the +command, after +the note name, even if the actual time value and octave are the same +as the prior note. But the {\it basic} time value need not be re-entered if +it hasn't changed (unless the note is more than a fourth from the +prior note {\it and} you have for some strange reason elected to indicate the +octave with a number rather than {\tt +} or {\tt -} ). So for example, +consecutive dotted half notes, each within a fourth of the previous +one, could be most cleanly entered as {\tt cd24 ed gd ed}, whereas {\tt cd24 e} +would represent a dotted half note followed by a plain half note +(since the basic time value--as defined by the first digit--was a half +note all along). + + There are two special shortcut rhythmic notations. For normal dotted +rhythms (3:1 ratio), if you +include a period ({\tt .}) in the note command, it will +(a) assign a dot to the note just entered, (b) terminate that note, +(c) prepare to +receive the next note name {\it without any space}, and (d)~automatically +assign a time value to the second note equal to one-third of the first one. +No time value may be entered for the second note, but octave and accidental +data may. Ornaments and slurs (see below) following this command will apply +to the second member. If you need to follow the main note +with some modifying +\NEW{2.3} +command, you can still use the shortcut ({\tt .}) after that command and a +space. +The main advantage of this shortcut comes if you want to +follow one dotted pair with another of the same rhythm; then you +needn't enter any explicit time value for {\it either} member of the second pair. +This is possible because after using the shortcut, +the basic (inheritable) duration is set to that of the +{\it first} note in the pair, without the dot. + + For paired notes with 2:1 rhythmic ratios, the character {\tt ,}~(comma) +behaves similarly to the {\tt .}~(period) for 3:1 rhythms. + + Xtuplets can have from 2 to 24 notes or\NEW{1.4} rests. Normally they +all have the same duration, but there are several options---described +below---to change this. The command for the first note of an xtuplet begins +exactly like a +note or rest command, with the name of the first note in the xtuplet, or +{\tt r} if it starts with a {\bf r}est (see next subsection), and an optional +time value. +However, the actual time value (including a dot if present and a basic +duration that may have been inherited from the prior note) now represents the +{\it total} duration of the xtuplet. Next (with no space, as usual) comes +{\tt x} followed by a one- or two-digit integer for the number of notes in +the xtuplet. The only options allowed immediately following the number are +{\tt d} and {\tt n} . \NEW{2.4}{\tt d} signifies that the {\it first} note +of the xtuplet should have a dot and the second, and extra flag. +{\tt n} controls the printing of the {\bf n}umber and bracket. +If {\tt n} is followed by a blank, then no number will be +printed. On the other hand, +an \NEW{2.3}{\it unsigned} integer here is taken as a substitute number to +be printed instead of the natural one. +If one or two {\it signed} decimal numbers follow {\tt n} +(each starting with {\tt +} or {\tt -}), the first +is a vertical shift in {\tt \bs internote}s, and the second, a horizontal shift +in notehead widths. Another suboption to {\tt n} is {\tt f}, +to {\bf f}lip the number vertically from its default position. A \NEW{2.5}final +suboption to {\tt n} is {\tt s} followed by a signed integer. It applies only +to non-beamed xtuplets, for which it tweaks the slope of the bracket above or +below the xtuplet. For non-beamed xtuplets, you can further change the +appearance of the bracket and number as explain in section~\ref{ATDirective}. + +The second through last notes of the xtuplet are each then +represented by a separate command containing a subset of the characters +permitted for ordinary notes or rests: note name or {\tt r} (the only required +character), accidental, and octave change character ({\tt +} or {\tt -}). +\NEW{1.4} The octave may be given explicitly instead, and any integer will be +interpreted as such, as no time values or dots are permitted. + +The last note of an xtuplet may not be a\NEW{1.4} rest. + +To double\NEW{2.3} the duration of any note in an xtuplet, add the +character {\tt D} to the command for that note. This will decrease the expected +number of notes in the xtuplet by one. To add a dot to the doubled note +(as Bach sometimes did), use {\tt F} instead of {\tt D}. +\NEW{2.4}To add a dot to one +note and an extra flag to the next, include {\tt d} in the note command, +{\it after} the {\tt x} if it's the first note of the xtuplet as noted above. + +As an example, an ascending quarter-note triplet scale would be +notated\hfil\break {\tt~c44x3~d~e~f4x3~g~a~b4x3~c~d~\dots} + +\subsubsection{Rests} + + The command for a rest starts with {\tt r}. +Then for a normal rest, in either order come a digit for the basic time value +(using same codes as for notes, optional if unchanged from previous value), +a {\tt d} if the rest is dotted, and a second {\tt d} if double dotted. +\NEW{2.0} The basic time value of a rest +affects future notes and rests the same as if it had come from a note, +i.e., it applies until another value is entered with a subsequent note +or rest in the same voice. The command {\tt rp} represents a +full-bar rest notated with a {\bfi p}{\it ause} character (whole rest) +regardless of +the time signature; in this case no other duration information is +needed or allowed. {\tt rb}, followed if necessary by a duration +specifier, denotes a {\bfi b}{\it lank} rest, one that occupies space and time +but is invisible. This is most often used when there are +two voices in a staff and one drops out for some of the duration +of the current input block. (See {\tt mwalmnd.pmx} for examples). +\NEW{1.4} The +option {\tt o} (for {\bf o}ff-center) suppresses centering a full bar rest. If +you don't exercise this option, then +{\it all} full-bar rests will be horizontally centered between bar +lines, including pauses ({\tt rp}) as well as normal rests that fill the bar. +\label{MultibarRest}{\tt rm} followed immediately by an integer will generate a +{\bfi m}{\it ulti-bar} +rest, a special combination of characters between two bar lines with an integer +above representing two or more bars of rest. +This command will generally only be used in separate parts +after having been automatically generated by {\bfx scor2prt}. However, it +\NEW{2.4}may be used in a multi-line score, provided it is entered for the same +number of bars in every staff. + + The default vertical position of a rest depends on whether there +are one or two voices in the staff. +For one voice it is just the \MusiXTeX{} default +(approximately centered on the middle line). On the other hand, in +the lower voice in +a two-voice staff, the rest is lowered {\tt 4\bs internote}, while +in the upper voice it is raised {\tt 2\bs internote}. The \PMX default can be +manually overridden by appending {\tt +}~or~{\tt -} and an integer +representing the offset from the {\it middle} line of the staff +(not from the \PMX default if there are two voices in the staff!). +So for example, in a single staff +in 3/4 meter, two voices, each with a half note followed by its own +quarter rest would be either +\begin{verbatim} +c24 r4 // +c25 r4 / +\end{verbatim} +or equivalently +\begin{verbatim} +c24 r4-4 // +c25 r4+2 / +\end{verbatim} +while +\begin{verbatim} +c24 r4+0 // +c25 r4b / +\end{verbatim} +would produce two notes followed by a single, vertically centered rest. + +\subsubsection{Chords} + + Chordal notes, which always share a stem and the same time value as the +prior note, are symbolized with {\tt z} followed by a note name and +optionally an accidental, {\tt +} or {\tt -} as octave indicator, and {\tt e} +or {\tt r} for a l{\bf e}ft or {\bf r}ight shift by one notehead width. +No basic time value is allowed. If the main note +is dotted, then the chordal note will appear with a dot regardless of whether +a {\tt d} is entered. The only time a {\tt d} is required in a chordal note +command is if the dot's position is to be adjusted; in this case the +{\tt d} is required, followed by one or two decimal numbers, each preceded by +{\tt +} or {\tt -}. The first is the vertical shift in \bs{\tt internote}s; +the second, the horizontal shift in notehead widths. +Any number of chordal notes can follow a +single main note. The stem direction of a chord is controlled by the main +note, but may be manually overridden with {\tt u} or {\tt l} in the main note +command. + + When chordal notes are beamed together, the default height and angle of +the beam will be determined by the main note on each stem (the one without +{\tt z}). If a beam joining chordal notes looks bad, you can usually +fix it either by changing which note acts as the main one, +or by fine-tuning the beam parameters as described +in section~\ref{beams}. + +\PMX uses a complex algorithm to automatically position accidentals in chords. +If you are unhappy with the result, you can manually tweak the horizontal +positions as described in section~\ref{AccidentalPosition}. + +\subsubsection{Grace notes}\label{graces} + + A grace note command starts with a {\tt G}. It is entered in its natural +order, normally before the main note, but sometimes after. After {\tt G} and +before the note name, comes any +combination of the following options: a single digit representing the number of +notes in the grace (default is 1), {\tt m} and a digit for +{\bfi m}{\it ultiplicity} +(number of flags or beams, default is 1, 0 is allowed), +{\tt s} for {\bf s}lur (joining all notes of the +grace to the main note; no other {\bf s} is needed on the main note), +{\tt x} for a slash (only for single graces), +{\tt l} or {\tt u} to force the direction of the stem(s), +{\tt X} followed by a decimal number {\it x} to insert a gap of {\it x} +notehead widths between a normal grace and its main note\NEW{2.6}, +{\tt A} (for +{\bf A}fter) or {\tt W} (for {\bf W}ay-after) to associate +the grace note with the {\it prior} note. Next comes the only +required character, the +first note name. No time value can be entered, but if needed, the +octave or an accidental can be given as in a normal note. Second and +later notes must follow immediately in sequence, set apart by spaces, likewise +without any time value, and without any intervening commands. + + Normal or after-graces will be placed {\it immediately} before or after +the main note; way-after's, as far to right as possible before the next note +or bar line. If either type of after-grace is slurred, the slur will start +on the main note and end on the last one in the grace. + + +\subsubsection{Ornaments} + + Commands for ornaments are entered {\it after} their associated +note command. The ornaments now available are shake ({\tt ot}), {\bf m}ordent +({\tt om}), ``x"- or ``+"-shaped ornament symbols ({\tt ox, o+}), pizzicato +({\tt ou}), strong {\bf p}izzicato ({\tt op}), left parenthesis before +\NEW{1.4} +notehead ({\tt o(}), right parenthesis after notehead ({\tt o)}), +upper {\bf f}ermata ({\tt of}), {\bf d}own {\bf f}ermata ({\tt ofd}), +staccato ({\tt o.}), tenuto ({\tt o\_}), se{\bf g}no +({\tt og}), arbitrary-length wavy-line {\bf t}rill with {\it tr} ({\tt oT}), +arbitrary-length wavy-line +trill without {\it tr} ({\tt oTt}), sforzando ({\tt o>}), +duncecap ({\tt o}\hbox to 6pt{\tt\^~}), \NEW{2.4}{\bf c}aesura ({\tt oc}), and +{\bf b}reath ({\tt ob}). +All except the parentheses, staccato, +tenuto, and down fermata will normally +appear above the staff; the parentheses appear at the level of the note +head, and staccato and tenuto just above or below depending on the +stem direction. The only difference between staccato and +pizzicato is the vertical positioning of the dot. + +The trill and segno command may have additional optional +characters. Either trill command may include a decimal number +to specify the length of the printed symbol in current \bs{\tt noteskip}s; the +default is 1. Thus {\tt oT0} represents {\it tr} with no wavy line. +A segno can only appear in the first (lowest) staff. It +may be immediately followed by a positive or negative +integer, which indicates a number of points that it will be offset +horizontally; and it will appear above every system. + + Once the ornament type has been specified, most of them can be raised +or lowered from their default position by appending +a signed integer to the command, representing the vertical offset +in \bs{\tt internote}s. \NEW{2.4}Caesura and breath may have in addition a signed +number giving horizontal shift from default in notehead widths. These two +ornaments also differ from the others in their default horizontal position, +which is 0.5\bs{\tt noteskip} past the note. + + An ornament can be automatically repeated on a series of consecutive notes, +provided the notes are all in the same voice and the same input block. +To activate this feature, terminate +the first ornament command with~{\tt:}~. Then every note in that voice will +have the same ornament until a note is followed by the repeat terminator +{\tt o:} . + +\subsubsection{Editorial accidentals} + + To place a small sharp, flat, natural, or question mark above the staff, +after the affected note enter {\tt oe} followed by {\tt s, f, n} or {\tt ?}. +\NEW{2.2} You may also put a question mark right after the accidental. + +\subsubsection{Slurs} \label{slurs} + + By default \PMX will use \MusiXTeX's built-in font-based slurs. +But through user intervention it is possible to use either one of +\NEW{2.4}two different types of postscript slurs. {\it Type K} slurs, +developed by Stanislav Kneifl, are directly supported by \PMX and will +be the focus of any future \PMX enhancements. +They are activated and several global +defaults set with options to the {\tt A} command as described in +section~\ref{ApDirective}. If these are used, so will an alternate +set of hairpins (see section~\ref{dynamics}). +The other postscript slur option is Hiroaki Morimoto's {\it Type M} slurs. +These +are not directly supported by \PMXX, but are supposed to be fully +compatible with the default font-based slurs. To use them, one would +use the in-line \TeX~command \bs\bs{\tt input musixpss}\bs~, and be sure +{\it not} to enter {\tt Ap} . From \PMXX's standpoint they are no different +from font-based slurs. + +There are some advanced options available only +with Type K postscript slurs, and a few obsolete ones only with font-based. +At this point the main +difference in functionality between the two is that with postscript, \PMX +provides support for +true ties, which are shaped and positioned slightly differently from +slurs. Future enhancements +will probably only work with Type K postscript slurs. Some users do still +prefer +font-based, possibly because Type K postscript slurs are not visible in some +DVI viewers. +New users should experiment with the various types of slurs and decide for +themselves. + + The normal commands for slurs are {\tt (} placed with a space +before a note, and {\tt )} placed after. The command {\tt s} is equivalent to +{\it both} of them (!), except that it always follows the affected note. +With font-based slurs, {\tt t} is equivalent to {\tt s} but +with several minor differences to be explained later. With postscript slurs, +{\tt t} signals to use a true tie. +The commands {\tt s} and {\tt t} are {\it toggles}, turning +a slur or tie off if it's already on and starting one otherwise. + +A \NEW{2.5} slur or tie may end on a rest, but not start on one. The default +ending height in this case will be the same as the starting height, and it +may be tweaked as described below. + + The first character is optionally followed by +a single-character ID code ({\tt 0-9} or {\tt A-Z} , then by other +options described below. ID codes are only needed if two or more slurs are +open at the same time within one voice, such as when several chord +notes are tied. Using ID codes in such cases tells \PMX which open slur to +close. ID codes cannot be used with font-based {\tt t} slurs. + +The rules for finding the default direction and position of the a slur +are complex; many factors enter into defining visually pleasing values. But +there's no need for gory details here; the result will usually satisfy, and if +not, all can easily be tweaked. Default direction can be +overridden with {\tt u} ({\bf u}pper), {\tt l} ({\bf l}ower), +or equivalently {\tt d} ({\bf d}own). +Starting or ending position can be shifted from its default by +entering one or two explicitly signed numbers. The first, which must be +an integer, represents the vertical shift in \bs{\tt internote}s; the second, +which may be decimal, the horizontal offset in notehead widths. + +The shape of the slur may be altered as well\NEW{2.1}. This paragraph +deals with font-based slurs, for which the shapes may be less +than fully satisfying due to fundamental limitations of \MusiXTeX. +At the slur termination only, one or three +more parameters may follow the two just described. The first, a signed, +nonzero +integer, is a vertical adjustment to the mid-height of the slur in +\bs{\tt internote}s. The next two, integers between 1 and 7 following a +``{\tt :}", are alterations to the starting and ending slopes. +These numbers are +passed directly as arguments of the \MusiXTeX{} macros \bs{\tt midslur} +(if only +one is given) or \bs{\tt curve} (if there are three). + +For \NEW{2.4}Type-K slurs, +the shape may be changed locally by including {\tt f} in either the +slur's starting or ending command to flatten it a bit, or {\tt h}, +{\tt H}, or {\tt HH} to +increase its curvature and raise or lower its middle by increasing degrees. +The default \NEW{2.5}curvature can be altered from normal +with new suboptions +to {\tt Ap} as described in section~\ref{ApDirective}. Local +curvature tweaks will take precedence over the global default. A special +option {\tt n} to the slur command can be used to locally restore the normal +curvature if the default curvature has been globally changed. + +Another option peculiar to Type-K slurs and ties is to locally +override the global +setting for automatic height adjustment (to avoid tangencies with staff +lines). The global defaults may be changed with the {\tt A} command as +described in section~\ref{ApDirective}. To +override the global setting for the current slur or tie only, use +the option {\tt p} in the command that starts the slur or tie, +followed by {\tt +} or {\tt -} (to turn adjustment +on or off), followed by {\tt s} or {\tt t} (for slur or tie). + +A dotted \NEW{1.41} slur is activated by including the option {\tt b} (for +{\bf b}roken) in the command that starts the slur. + +Slurs involving grace notes are specified within the command for the grace +(see section~\ref{graces}). + +For font-based slurs, the unique aspect of {\tt t} slurs is that if one +starts or ends on the same +note as an {\tt s} slur, the former will be moved away from the notehead to +avoid a collision. {\it This only works if neither slur has an ID code.} +This feature is only retained for backward compatibility. + +The available options should cover most circumstances, but if not, +the \TeX\ macros \bs{\tt isu} etc, defined in {\tt pmx.tex}, can be entered +as in-line \TeX\ commands (see section~\ref{LitTeX}). +These commands have three arguments: +slur number, vertical position (pitch, or offset from bottom staff line in +\bs{\tt internote}s), and horizontal offset in +notehead widths. When using these commands, you must choose an explicit +slur number. Use one large enough to avoid +conflicts with \PMXX 's automatic slurs, which are numbered from \NEW{2.4} +0 upward. +Also, remember that non-spacing in-line \TeX\ commands such as this one must +come {\it before} the note they apply to, in contrast with the \PMX +slur toggles which may come after. + +\subsubsection{Ties} + +With font-based slurs, in \PMX the only difference between ties and slurs +is the default positioning. +Ordinary slur ends are centered horizontally above or below the notehead, +while tie ends are shifted inboard and closer to the midheight of the +notehead. To specify a font-based tie in \PMXX, use a slur command and +include the option {\tt t} +in it, somewhere after the initial {\tt ( , ) , s } or {\tt t} . + +\NEW{2.4} With postscript slurs, ties---indicated with {\tt t} or +{\tt st}---will have similar differences +in endpoint positions, +but in addition will have a different shape (somewhat flatter) and will +always end at the same height they start. There is also an option to the +{\tt A} command that affects ties across line breaks +(see section~\ref{ApDirective}). By default the +second part of such ties will be drawn as a complete tie symbol. However, +if you want them to be a {\it half tie}---a special shape that is horizontal +at its left end---use the command {\tt Ap+h} at the start of the file. + +In addition to the notation options just mentioned, ties may also be +indicated with the character {\tt\{} before the starting note and {\tt\}} after +the ending note\NEW{2.6}. + +\subsubsection{Line-breaking Type K slurs and ties} \NEW{2.5} \label{lbslurs} + +No special action is required if a slur or tie happens to cross a line break. +However, some special, manual adjustments are available for Type K postscript +slurs in these cases. The global option {\tt Apl} by itself adjusts several +parameters as described in section~\ref{ApDirective}. Further, if {\tt Apl} +has been issued, +then case-by-case adjustments for line-breaking Type K slurs and ties are +available as suboptions to the +slur commands. To tweak the horizontal and vertical positions of the end of +the first segment, enter the suboption {\tt s} in the command that starts +the line-breaking slur or tie, followed by two signed numbers representing +respectively the vertical shift +in \bs{\tt internote}s and the the horizontal shift in notehead widths. To +tweak the position of the start of the second segment, follow the above by +another {\tt s} and two more signed numbers. The usual curvature options +{\tt h}, {\tt H}, {\tt HH}, and {\tt f}, if included in +the starting command for a line-breaking slur, will apply only to the first +segment, and if in the closing command, to the second segment. If the tweaked +slur or tie does not happen to come at a linebreak, +the special position tweaks (after {\tt s} ) will all be ignored, and the +curvature tweaks on the closing note will take precedence as they normally +would. + +\subsubsection{Dynamics} \label{dynamics} + +\NEW{2.3} +After the affected note, enter {\tt D} followed by one of the +following {\tt pppp, ppp, pp, p, ffff, fff, ff, f, mf, mp, fp, sfz, +"[{\it any text}]", >,} +or {\tt <} . The last two are diminuendo and crescendo, and they are toggles, +i.e., the first one of each starts the symbol and the next one ends it. +The one surrounded by double quotes is an arbitrary text string. +With any dynamic mark, you can also +enter position shifts, vertical as a signed integer representing +the number of {\tt \bs internote}s, then horizontal as a signed number representing +number of notehead widths. There can only be one of the letter-groups on each +note, but there may also be {\tt D<} and/or {\tt D>} on the same note. These must be +entered as separate {\tt D...} commands, and must come in the right order, e.g., + +\medskip +[{\it some notes}] {\tt D<} [{\it more notes}] {\tt D< Dffff D>} +[{\it more notes}] {\tt D>} +\medskip + +Hairpins must be contained completely within the same input block. + +There are numerous context-sensistive automagic adjustments to the positions +of all the dynamic symbols. If you don't like the result you can adjust the +position as just described. + +Due to \MusiXTeX's limitations, +there are some restrictions on hairpins when using font-based slurs. +They cannot be longer than 68mm, they cannot wrap over a system break, and they +must be horizontal. Finally, +only certain specific lengths are available so some horizontal position +tweaking may be needed, especially when letter-groups and +hairpins are combined. +These restrictions are all removed when using postscript slurs. + +\subsubsection{Beams} \label{beams} + + For the most part, \PMX automatically takes care of the details of +defining beams: selecting which notes are beamed together, and setting +the angle, direction, height, and {\it multiplicity} (the number of bars +along the top or bottom). However, one may define a {\it forced} +beam---which overrides \PMXX 's selection of which notes are beamed +together---by +surrounding the included notes with {\tt [} and {\tt ]}, being certain to +separate these commands and their options from the included note commands with +spaces. One may also wish to edit certain features of a beam even when +\PMXX 's grouping decision +would otherwise be acceptable; here again the beamed notes must be set +apart with {\tt [} and {\tt ]}. + +The {\tt [} may optionally be followed +immediately by several options. + +{\tt u} or {\tt l} will override +\PMXX 's selection of the direction of the beam, while {\tt f} will +{\bf f}lip it from whatever \PMX decided. + +{\tt j} {\bf j}oins the beam +grouping to a prior one started in another system (see below). + +One, two, or three consecutive integers, each preceded with {\tt +} +or {\tt -} , will affect the beam's appearance. The first integer is +an adjustment to the starting level (in \bs{\tt internote}s) and may range +from -30 to 30; the second is a slope adjustment with the same +permissible range; the third is an alternate adjustment to the +starting level (in beam thicknesses) and may only range from 1 to 3, +always acting to increase the stem length. The latter may be used to +align consecutive horizontal beams which have internal multiplicity +changes. For example, in 2/4 time, {\tt c84~c1~c~c~c~c8} would cause two +beams but the +first one would be lower than the second; {\tt [+0+0+1~c84~c1~c~]~c~c~c8} +would align the tops of the beams with each other. Due to the +complexity of \PMXX 's beam analysis procedures, these editing commands +may sometimes produce unexpected results, and some iteration may be +required to get exactly what you want. For example, +{\tt [+0+0+3~cd8~c3~c6~c~]~c~c~c3~cd8} +will not produce two aligned beams as desired, because +when \PMX analyzes the first beam, it automatically raises the starting +level a bit for another reason, namely, to avoid too short a stem on +the 64th notes at the end of that beam. In this case, +the user could counteract \PMXX 's internal adjustment by using +{\tt [-1+0+3~cd8~c3~c6~c~]~c~c~c3~cd8}. + +The character {\tt m} followed by a digit 1-4 forces the {\bf m}ultiplicity +of the +beam, the number of stem-joining bars. + +The option {\tt h} forces the beam to be {\bf h}orizontal. + + By default, xtuplets are set apart with their own beam. To beam +an xtuplet together with other non-xtuplets, just include it with the +other notes in a forced beam. + + Rests may also be included within forced beams, provided they are +shorter than quarter rests, and of course that they come {\it between} the first +and last notes under the beam. + +It's \NEW{2.5} now easy to define a repeating forced beam pattern. +If the option {\tt :}~(colon) is included in the starting command {\tt [}~for +a forced beam, then henceforth beams of the same duration will be forced in +that voice, until stopped. They will be stopped at either the next regular +forced beam, or the end of the input block for that voice, whichever comes +first. + + Some users may wish to define beamed groupings with subgroups +joined by a single beam. The command {\tt ][}, standing alone between two +note commands in a forced beam, causes the multiplicity to decrease to +unity and immediately increase to its natural value for the next note. +For example, {\tt [~c14~c~c~c~][~c~c~c~c~]} will generate two doubly-beamed +groups connected by a single beam. + +Related \NEW{2.3} to this is a {\it single-slope beam group}, which is the +same as described +in the previous paragraph except that the beam disappears between segments. +Segments should be separated by {\tt ]-[} standing alone between two notes +inside the forced beam. + + If there are large jumps in pitch between notes in a beam within +a single staff, as a matter of taste you may wish +to start the beam for example as an upper one and end it as a +lower. \PMX will never do this automatically, but you can accomplish +it by forcing the beam with appropriately modified up/down-ness, starting level, +and slope. If you use this technique, there are two details to note: (1)~if +there are any intermediate multiplicity changes, they will only be handled +properly if the initially specified up-down-ness is consistent with the +vertical position +of the intermediate notes involved, and (2)~for proper appearance in crowded +scores you may wish +to insert hardspace or shifts as described in +section~\ref{hardspace}. Some examples are included in {\tt most.pmx}. + + Beams cannot normally jump staves. But if that is desired, start +the beam normally in one staff, and terminate the part of the beam in that +staff with {\tt ...~]j} . Then resume the beam in the new, adjacent staff with +{\tt [j~...} . For staff-jumping beams, it's OK to have just a single note +inside one or both of the members. Some adjustment of the beam height and +slope may be required. Sometimes the ending section's up-downness must be +overridden; you will know this is so if the ending is shifted horizontally +from its proper position. Each voice must still have the right number +of beats, so you will probably need to fill time with blank rests after the +first member of the beam and before the second. +In \NEW{2.1} version 2.1 we have removed certain restrictions on the +multiplicity and jump direction for staff-jumping beams. However, there can +still only be one staff-jumping beam open at a time. + +\subsubsection{Clefs} + + A clef change is signaled by {\tt C} followed by a single lower-case +letter using the code specified in +section~\ref{ClefCodes}. Numbers may also be used as +defined in the \MusiXTeX{} documentation. If clefs come out at the wrong +vertical position, refer to the note in {\tt pmx.tex}. + +\subsubsection{Arpeggios} + +To set an arpeggio (a vertical wavy line), simply place the command {\tt ?} +after the commands for both the first and last note. To shift the symbol to +the left by {\it x} notehead widths, use the option {\tt -}[{\it x}]\NEW{2.6} . + +\subsection{Commands That Affect All Voices} \label{pmxcmds} + + Most commands that affect all the voices can only appear in the first +(lowest) voice in the first (lowest) staff. Most such commands will +automatically be +transferred from score to parts when separate parts are generated by +{\bfx scor2prt} (see section~\ref{scor2prt}). + +\subsubsection{Repeats, double bars, forced single bars} + + Repeat signs, double bars, and other bar-ending options are signaled +by {\tt R} followed by +{\tt l, r, lr, d, D, dl, b} or {\tt z} for +{\bf l}eft repeat, {\bf r}ight repeat, {\bf l}eft-{\bf r}ight repeat, +thin-thin {\bf d}ouble +bar, thin-thick {\bf D}ouble bar, thin-thin {\bf d}ouble bar followed by +{\bf l}eft repeat, single {\bf b}ar, or blank (invisible) barline\NEW{2.4}. +Some of these have peculiarities. +{\tt Rb} forces a single bar before a movement break (see section~\ref{movbrk}), +where otherwise by default there is a double bar. That can be useful for +example if you +change the number of instruments (via an option in the movement-break command) +in the middle of a movement. {\tt Rz} will cause a blank barline at the end +of the current system, not necessarily the current bar. It can be used +together with blind meter changes if you want to split a bar across a +system break. +If {\tt Rlr} falls at a system break, \PMX will automatically split it in +two. The command {\tt Rdl} will likewise be split at a system break, but if +not at a system break, the {\tt d} will be ignored. + +These commands must be in the +first voice. It is best only to place them before the first note in an +input block or if necessary after the last one; otherwise {\bfx scor2prt} +may behave erratically. +Using two separate {\tt R} commands in succession will cause +unpredictable results. + + +\subsubsection{Voltas (first and second endings)} + + Beginnings and ends of first and second endings are signaled by +{\tt V} (for {\bfi v}{\it olta}). +If it's the {\it end} of the volta, enter {\tt b} (for +{\bfi b}{\it ox}) or {\tt x} for {\it no bo}{\bfi x}. +If it's the {\it start} of a volta, you can +optionally enter any text at all that doesn't include a space and doesn't +start with {\tt b} or {\tt x} (most +commonly {\tt 1} or {\tt 2}). A period will automatically be +appended to the text. If one volta ends and another starts right +away, only a single {\tt V} is needed. Voltas must only be entered in the +first voice. If separate parts are to be created from a score using +{\bfx scor2prt}, then only a single volta may appear in any given input +block, and it must be at the beginning of the block. + +\subsubsection{Meter changes}\label{MeterChange} + + Meter can only be changed at the beginning of an input block. +A {\bfi m}{\it eter change} command starts with the letter {\tt m}. +There are two different ways to complete the command. + +{\bfx Method 1.} Enter 4 numbers +with no intervening spaces. The four numbers are {\tt mtrnuml}, +{\tt mtrdenl}, {\tt mtrnmp}, {\tt mtrdnp} as defined in section~\ref{setupdata}, +with the following exceptions for this method only: +You must use {\tt o} to represent +the number 1; if you enter the digit {\tt 1} then \PMX will interpret that +digit and the next as a 2-digit integer, between 10 and 19 inclusive. +19 is the largest number that can be entered with this method. Note that +{\tt mtrdenl=0} still represents a whole note. + +{\bfx Method 2.} \NEW{1.4} Enter the four numbers verbatim in the order just +listed, but separate them with slashes ({\it /}). + +\subsubsection{Transposition and key changes} + + To transpose an entire score, at the beginning of the first block +enter {\tt K} (for {\bfi K}{\it ey}) followed by two explicitly signed digits. +The +first is the distance to transpose (in \bs{\tt internote}s); the second is the +new key signature. +When transposing, you should always use relative +accidentals, activated by the separate command {\tt Ar} at the start of the first +input block (see section~\ref{ArDirective}). For +example, to transpose a piece in C major to E major you would enter +{\tt Ar K+2+4} at the beginning of the first block. + +To \NEW{2.4}transpose by a half step to a key with the same +letter name, use {\tt K-0+[{\it n}]}~. +(Using {\tt -0} instead of {\tt +0} eliminates confusion with a simple key +change, see the next paragraph.) + + A key change can be signalled at any time in the first voice, and will +affect all staves. Use the command {\tt K} with {\tt +0} as the first +argument and the new key signature as the second. + +\subsubsection{Text} + + The commands {\tt h} or {\tt l}, when placed in the first +column of an input line and followed by a blank or, for {\tt h} only, by +a signed integer, +stand for {\bfi h}{\it eader} and {\bfi l}{\it ower text}. They will put a +text string +above or below the {\it top} staff in the {\it first} bar of the block where +they are entered. The text string must be on a line of its own, +immediately following the command. The integer is a vertical shift in +\bs{\tt internote}s. + + A {\it title block} with up to three elements can be defined at the +beginning of the first input block. {\tt Tt} signals that the text +{\it on the following line} is to be set as a {\bf t}itle for the whole piece, +and it will be centered. {\tt Tc} similarly indicates a {\bf c}omposer's name, +to be set below the title and right justified. {\tt Ti} likewise stands for +an {\bf i}nstrument name, which will be set above the title, left-justified. +The text for any of these commands can be split over two or more lines +by including \bs\bs~at the location of the line break. + +{\tt Ti} will automatically be invoked by {\bfx scor2prt} when it generates +parts from a score. + +Extra vertical space can be added between the title +block and the top system by appending to {\tt Tt} a one- or two-digit +number representing the space in \bs{\tt internote}s. This only works if +{\tt Tt} is the {\it final} title block element entered. + +The {\tt D} command can be used to enter arbitrary text as described in +section~\ref{dynamics}. + +\subsubsection{Page numbering, centered header text} + + If you want pages to be numbered at the top left or right, place +the command {\tt P} anywhere within the \PMX code that represents the first +page to be numbered (usually the first or second). +{\tt P} can be followed optionally by the starting +page number and/or by {\tt l} or {\tt r}, the latter overriding the default +locations of odds on the right and evens on the left. \NEW{2.0} +There is also a special option {\tt c} for {\bf c}entered header text. +It must be the {\it last} +option in the {\tt P} command. It will define text to be printed at the top of +every page {\it after the first}. If a blank follows {\tt c}, the default +header text will +be the instrument name entered with the command {\tt Ti} . If any non-blank +character except {\tt "} follows {\tt c}, the header text will start with that +character and end at the next blank. If {\tt "} follows {\tt c}, the +header text will be everything between that and the next {\tt "} (this +permits headers containing spaces). The {\tt P} command and its options +will be ignored when making parts from a score (since page numbering +will usually be different in the score than in the parts), but page +numbering (and centered headers) for parts can be still be initiated +independently, for example with {\tt \%!P2} or {\tt \%1P2r} (see +section~\ref{scor2prt}). + +\subsubsection{Overriding certain defaults, or getting the most from \PMXX} + +Understanding this section is important if you want to get the most out +of \PMXX. In many +cases the switches described here represent subtle but significant +improvements that have come along since \PMX was initially developed. Rather +than changing the defaults, they are treated as optional in order not to +upset the layout of older scores. For example, virtually every new score I +create begins with at least {\tt Abple}. + +As you may have guessed, it is the command {\tt A} that can be used to +override a grab-bag of default settings. The available options affect sizes +and interpretation of accidentals, +dot positions, space before the first note of every bar, space between staves, +slur package selection, vertical positioning of Type K postscript +slurs, line-breaking Type-K slurs, curvature of Type-K slurs, +naming of parts, vertical positioning of rests in 2-voice staves\NEW{2.6}, +brackets for non-beamed xtuplets, and inputting so-called +{\it normal include} files. + +{\tt b} makes all accidentals +{\bf b}ig, {\tt s} makes them all {\bf s}mall. By default, big ones are used +unless unaltered spacing doesn't provide enough space. Thus the default +behavior may cause a mixture of big and small accidentals, and in fact is not +recommended. + +\label{ArDirective} +If transposing, then the {\bf r}elative accidental convention should be used, +indicated by {\tt r}. The default is the normal, absolute convention. + +If there are staves with two voices, {\tt d} causes dots in the +lower one to appear on or {\it below} center, in contrast with the default. + +Use {\tt a} followed by a +decimal number to override the default setting for \bs{\tt afterruleskip}, +the space before the first note in a bar. The default in \PMX is +{\tt 1}\bs{\tt elemskip}, 20 percent smaller than \MusiXTeX{}'s. + +If \PMXX's vertical spacing between staves within a system is not pleasing, use {\tt I} or +{\tt i} , followed by a decimal number, to apply a scale factor to +\bs{\tt interstaff} . {\tt I} +affects all pages, {\tt i} only the current one. Shrinking the space between +staves within each system will cause the space between systems to increase, and +conversely. These options have no effect if there is only one staff per system. + +\label{AeDirective}\MusiXTeX~normally draws a virtual box around each system +and inserts equal vertical space between boxes. \NEW{2.3} +When objects protrude above the top staff in a system or +below the bottom one, this can lead to unequal spacing between the top staff +line in one system and the next. If you prefer that the vertical spacing +between the staves of consecutive systems be constant for the whole page, +use the {\tt e} option of the {\tt A} command. One side benefit of {\tt Ae} +is that it will prevent systems from spilling over onto extra pages, +regardless of how many systems are put on the page. When using this option, +you may occasionally want to force more vertical space between certain systems. +There is a \TeX~macro +{\tt \bs spread} that can be inserted anywhere in the system before the +desired wider gap. It has one argument, the desired extra space in +{\tt\bs internote}s. + +Another \NEW{2.4}\ command affecting vertical spacing is the {\tt v} +option of the {\tt A} command (for +{\bf v}shrink or {\bf v}ertical shrinkage). \PMX normally spreads staves +vertically over a full page, unless the white space becomes excessive, +in which case it groups all staves near the top of the page. Entering +{\tt Av} will suppress this grouping near the top, and ensure that +systems will always be spread vertically regardless of how much white +space is left. It is a toggle; the second time it is issued, the +behavior reverts to the default. + +In \PMX it's not yet possible to specify a smaller font for selected staves. +But it can be done with the \TeX~command +{\tt \bs setsize}{\it n}{\tt \bs smallvalue} (using in-line \TeX, see +\NEW{2.3} +section~\ref{LitTeX}). If you do this, then you ought to +use the {\tt S} option to the {\tt A} command. It is followed by exactly +{\tt nv} +characters which are either {\tt -} or {\tt 0} depending on whether the +corresponding staff is normal or small. This alerts \PMX to modify some +horizontal spacing decisions to account for the smaller font size. + +The \label{ApDirective}\NEW{2.4} command {\tt Ap} activates Type K +{\bf p}ostscript slurs. To use this +you must have {\tt musixps.tex} somewhere that \TeX~can find it, and +{\tt psslurs.pro} somewhere that {\bfx dvips} can find it. These files are +available from the +\href{http://Icking-Music-Archive.org}{\underline{Icking Music Archive}}. +Several suboptions affecting Type K +postscript slurs are described in the remainder of this subsection. First, +by default these slurs and ties will not have their vertical positioning tweaked +to avoid tangencies with staff lines. To activate this type of adjustment, +use one of the suboptions {\tt +s} or {\tt +t} for +slurs or ties respectively. +(For example, {\tt Ap+s}). Be +warned that this may alter the endpoint positions from what one would normally +expect. To deactivate the adjustment, use the same command but with {\tt -} . +A third suboption of {\tt Ap} affects line-breaking slurs. Normally a full tie +is drawn at the start of the second line. +However, the suboption {\tt Ap+h} causes the use of +{\it{\bfi h}alfties} for the second part, which are flattened at their +left-hand end, and require the +special font {\tt mxsk} provided with the Type K postscript slur distribution. +It may be cancelled with {\tt Ap-h} . + +The \NEW{2.5} suboption {\tt l} (e.g. {\tt Apl}~) activates some other tweaks +and tweaking capabilities for line-breaking Type K slurs and ties. It +automatically tweaks the +horizontal positions of the end point of the first segment and the start of the +second, uses a normal tie character for both segments of a tie, and enables +further tweaking of the horizontal and vertical positions of internal endpoints +on a case-by-case basis, using options in the initial slur or tie command (see +section~\ref{lbslurs}). + +Another pair of \NEW{2.5}suboptions to {\tt Ap} affects the default curvature of +Type-K postscript slurs. {\tt Ap+c} and {\tt Ap-c} will respectively increase or +decrease the default curvature of all slurs to the next level in the sequence +{\tt f, n, h, H, HH} . (Here {\tt n} stands for {\bf n}ormal.) Several levels +may be traversed by repeating the suboption, e.g., {\tt Ap+c+c} increases the +default curvature by two levels. If you try to +go outside the allowable range, a warning will be issued, the curvature will be +set to +{\tt f} or {\tt HH} , and processing will continue. See section~\ref{slurs} for +further details. + +If \NEW{2.5} your score contains Type K slurs and if you use a program such as +{\bf dviselec} to extract single pages +from a {\tt .dvi} file, you should use the suboption {\tt h} (e.g. +{\tt Aph}~) . This will cause the header file {\tt psslurs.pro} to be written +into the postscript file at the top of of every page. + +The\NEW{2.6} option {\tt AK} activates special rules for vertical positioning of rests in +two-voice staves. By way of background, without this option, rests in two-voice +staves have default positions based on a simple rule that is not +context-sensitive: those in the lower voice (the one before {\tt//}) are +4\bs{\tt internote}s below their single-voice default positions, and those in +the upper line are 2\bs{\tt internote}s above the single-voice default. In contrast, the +option {\tt AK} invokes a set of context-sensitive rules to set the default +position. The baseline rule is to align the rest in a horizontal line with the +next following note in the same bar. If there is no following note in the bar, +then it is aligned with the next prior note. If there are simulataneous rests +in both voices, the old rule is applied. When the {\tt AK} option is in force, +it only affects places where there are two voices in a staff. It may be toggled +on and off at the beginning of any input block, using just {\tt AK}. When the +option is in effect, any user-defined tweaks on the height of a rest will +supersede the option for that particular rest, i.e., the tweak will be applied +relative to the single-voice default position. When {\tt AK} is in effect, the +option {\tt L} in a rest command will cause the vertical position of that rest +to be based on the {\it preceding} note, rather than the following one as is +the default. + +The \label{ANDirective}\NEW{2.5}option {\tt N} to the {\tt A} command allows +you to specify +arbitrary names for the instrument of any or all part files generated by +{\bf scor2prt}. Follow it with the part number and the the new name in double +quotes. + +Non-beamed \label{ATDirective}\NEW{2.5}xtuplets will normally be printed with +a bracket above or below, and +a number above or below that. If you would like this number instead to be +positioned within a gap in the bracket itself, enter {\tt AT} .You must have +{\tt tuplet.tex} available to your \TeX~processor. The file can be found in +the Icking Archive. + +\PMX commands \NEW{2.5}in an external file can be included at the start of any input +block by designating the file as a {\it normal include} file, using the +command {\tt AR}[{\it filename}] . See section~\ref{ARDirective} for details. + +\subsubsection{Extra hardspace, horizontal shifts} \label{hardspace} + + Despite the author's best intentions to relieve you of the chore +of adjusting {\it any} horizontal spacing by hand, there may be some occasions +where you +will want to do it. A command starting with {\tt X} initiates one of two +types of horizontal adjustment: A {\it shift} moves one or more +characters but does not affect any other spacing anywhere; a +{\it hardspace} inserts a fixed amount of space at a particular time and +affects the horizontal positions of everything in all staves in the system. +If the command includes {\tt S}, it is a {\bfi s}{\it ingle} shift and affects +only the next note or rest. If it includes a {\tt :} it either starts or +terminates a {\it group} shift. +All {\tt X} commands except group shift terminations +must include a decimal number for the size of the offset in notehead widths. +If the number is immediately followed by +{\tt p}, then the number represents points, otherwise, notehead widths. +If there is no such number but there is a {\tt :} the command +signals a group shift termination. +Group-shift commands must occur in +start/terminate pairs, and group shifts cannot extend across a bar line. + +An {\tt X} command containing neither {\tt S} nor {\tt :} is +automatically a hardspace. + +Because horizontal spacing in parts will usually differ from that in the +score, by default the hardspace command will {\it not} be copied into parts +by {\bfx scor2prt}; however the shift commands will be copied. +These behaviors can be overridden using the methods to be described in +section~\ref{scor2prt}, Alternatively, \NEW{1.42} to help keep \PMX score +files neat +and readable, the character {\tt B} can be used within the {\tt X} command +to signify that it applies to {\bf b}oth score and part, or {\tt P} for +{\bf p}art only. + +\subsubsection{Minimum spacing between notes in crowded systems} + + \PMX does some special, complex analysis to adjust horizontal spacing +in crowded systems. By default, the minimum space between consecutive +noteheads is 0.3 notehead widths. If you want to change 0.3 to some +other fraction, enter {\tt W. }(decimal point is required) followed by +{\tt 1}-{\tt 9} to represent the number +of tenths of a notehead width to be used as the minimum spacing. + +\subsubsection{Page size} + + The default page size is 740 by 524 pt (10.3 by 7.3 in). To change +the height or width, use the special commands {\tt h}[{\it n}][{\it u}] or +{\tt w}[{\it n}][{\it u}] at +the beginning of the first input block. Here {\it n} is a decimal number +for the new dimension and {\it u} defines the units; {\tt i} for inches, {\tt m} for +millimeters, and {\tt p} or nothing for points. This command can be used +together with {\tt \%\%} or {\tt \%!} +(see section~\ref{scor2prt}) to give the parts made by +{\bfx scor2prt} different page sizes than the parent score. + +\subsubsection{Line, page, and movement breaks} \label{movbrk} + + It is possible to force line, page, or movement breaks anywhere. +For a line break, just enter {\tt L}[{\it n}] at +the start of an input block (in the first voice only), and the {\it n}-th +system will start there. To start page {\it m} at line {\it n}, enter +{\tt L}[{\it n}]{\tt P}[{\it m}]. You can't force a page break without +first forcing a line break. + + To force a movement break, you must first force a line break as above, +then enter {\tt M}. If a page break also occurs here, the {\tt P} must precede +the {\tt M}. Options following {\tt M} are {\tt +}[{\it integer}] to insert +vertical space in \bs{\tt internote}s before the break, +{\tt i}[{\it decimal number}] to reset the first-line indentation as a fraction +of the line width, and {\tt c}\NEW{1.41} to {\bf c}ontinue bar numbering rather +than resetting the bar number to 0. \NEW{1.4}Also, to change the {\bf n}umber +of instruments, +enter {\tt n}[{\it integer}], then the number of each instrument in their new +order, then a clef-designating character for each staff of each instrument. +(An instrument's number is simply its position in the original sequence.) +There can never be more than the original number of instruments. In this +instance, \NEW{2.5}two-digit instrument numbers must be preceded with +{\tt :} (colon). If you want to start with some number of instruments and +later increase it, you'll need to insert +a dummy page at the beginning with the full set of instruments, then start the +second page with a movement break and decrease the number there. + +Another\NEW{1.4} option after {\tt M} is {\tt r+} or {\tt r-}, which either +forces or +suppresses {\bf r}eprinting the instrument names. The default is to print +them if the number of instruments changes, but otherwise not. + + Immediately after a movement break, any desired meter changes, +key changes, or text can be entered in the normal way. + +\subsubsection{Fractional bars} + + Often if a piece starts with a pickup, the last bar may not be +complete. In such cases, it is usually possible to +place the last bar in an input block by itself, headed by a {\it blind} meter +change. +For example, if the meter had been 4/4 and there was a quarter note +pickup, leaving 3 beats in the last bar, the last bar might be coded +{\tt m3400 cd24 /}. + +\subsubsection{Stem direction of bass notes} + + By default \PMX makes stems go up for middle-line D's in bass +clef, but down for notes on the middle line of all other clefs. If +you want middle-line bass-clef notes also to have downward stems by default, +enter a {\tt B} near the beginning of the file. + +\subsection{Putting {\TeX} Commands into the {\PMX}File } \label{LitTeX} + + There are five ways to enter \TeX ~commands into the {\tt .pmx} file. +Four of +them are {\it in-line}, where the commands are entered directly; the fifth +is by way of an external file. + + The four categories of in-line \TeX~strings +differ mainly in where they will appear in the {\tt .tex} file. +(A \TeX\ {\it string} consists of a starting character, a sequence of +\TeX~commands, and a terminal character). +In the {\tt .pmx} file, +only type 4 \TeX~strings may wrap over line breaks. All in-line \TeX\ must +adhere to the 128-character limit per line, but each line can have more than +one \TeX\ command. +Type 1 begins with a single \bs\ and will appear in the {\tt .tex} file +right before the \TeX +~command for the next note or rest in the {\tt .pmx} file. Starting with +version 2.1, \NEW{2.1} multiple +type 1 strings associated with the same note or rest are allowed, although +the total length may not exceed 128 characters (so there is generally no +reason not to combine all \TeX\ commands for a single note into a single +type 1 string). + +A type 2 string begins with \bs\bs\ +and will appear at the top of the {\tt .tex} file, right before +\bs{\tt startmuflex}, regardless of where it appears in the {\tt .pmx} file. +A type 3 string starts with \bs\bs\bs\ and will appear right before the +{\tt\bs xbar} +or {\tt \bs alaligne} at the beginning of the current input block, before the +first barline of the block. While individual type 2 and 3 strings may not wrap +over line breaks in the {\tt .pmx} file, strings of like type on consecutive +lines will appear together in the {\tt .tex} file. +Types 1, 2, and 3 strings must end with \bs\ (backslash-space). +This means that they may not contain +the \TeX\ macro \bs\ (backslash-space). Finally, each type 2 or 3 string +should be isolated on a line of its own, and should be started in column 1. + +Type four permits multiple +lines of arbitrary text to be entered at the top of the {\tt .pmx} file; +they will be transferred literally to the top of the {\tt .tex} file. Type +four is initiated with {\tt ---} alone as the top line of the {\tt .pmx} +file. Then follows any text on any number of lines, until the next line +starting with {\tt ---} terminates the block to be transferred. + +The only other distinction among the types of in-line \TeX\ strings arises when +{\bfx scor2prt} is used to make separate parts +(see section~\ref{scor2prt}): +types 2-4 will be copied into all parts, while type 1 only goes into its +original part. + +If you should want to enter a type-1 (note-based) string longer than +128 characters, you could use a series of type-2 or -3 strings to define +a \TeX\ macro containing the desired commands. + + \PMX provides one further option for entering an unlimited set of +\TeX ~commands +just before \bs{\tt startmuflex}, and before any Type 2 in-line \TeX ~strings. +Simply put the commands into a text file named [{\it basename}]{\tt .mod} +in the texinput directory. It will then automatically be +entered with an \bs{\tt input} command. This feature is retained mainly for +backward compatibility; it has been essentially replaced by the various options +for in-line \TeX ~strings. + +\subsection{Figured Bass} + + Figure commands are entered {\it after} their associated note commands. +They only work in the first (lowest) voice, and in any one other voice\NEW{2.6}. +Enter the characters as +they would appear from top to bottom, and as you might pronounce them, +e.g., {\tt 64} or {\tt 73}. Flats here are {\tt -} (minus), sharps are +{\tt \#}, and +naturals {\tt n}, {\it before} the number (if there is a number) (notice +the characters are different here than in notes). +So for example {\it sharp third} is {\tt \#3}, just a sharp is {\tt \#}, {\it six (over) +flat five} is {\tt 6-5}, and {\it sharp six (over) 4} is {\tt \#64}. +In addition to the symbols just described, the following special symbols +are available: {\specfig 2}, {\specfig 4}, {\specfig 5}, {\specfig 6}, {\specfig 9} . +\NEW{2.6}To use them, you must have the font +\href{http://www.icking-music-archive.org/software/musixtex/add-ons/figbas.zip}{\underline{\tt cmrj}} +in your \TeX~system, and then just put an {\tt s} after the number. + +The program +positions all the figures for each system below the lowest staff of that +system, with their tops aligned, and just low enough to clear the +lowest beam, notehead, or stem that could interfere. If you want a figure to +align horizontally in the second tier, insert the placeholder figure +{\tt\_} (underscore) before the one you want lowered. This is equivalent to +lowering the figure stack by 4 \bs{\tt internote}s. +\NEW{2.6}If you want to {\it raise} the entire stack by an integral number of +\bs{\tt internote}s, append {\tt +} and the number. This can be combined with +the placeholder figure {\tt\_} to provide full control over the vertical +position of the stack. + + Sometimes you may need to enter a figure when there's no bass +note sounding. To do this, just after the most recent bass note enter +{\tt x}, followed by a two single digits (the first is a repeat count; the +second a time value, i.e., {\tt 2,4,8,1,} or {\tt 3}), immediately followed by a figure symbol +as defined in the previous paragraph. This will +offset the figure from the associated note by the specified time +value. For example, if the lowest voice contained {\tt c03 x3465}, there +would be a whole-note c, and 3 quarter notes later a figure 65 below +the staff. + + There is also a {\it continuation} command, a zero followed immediately +by another \NEW{2.4} +unsigned number. This produces a horizontal line under the bass note, starting +just to the left and extending to the right by the given number of +\bs{\tt noteskip}s. The height and length of the line are set by the current +note's level and \bs{\tt noteskip} respectively. These \NEW{2.4} can be mixed in with +other figures to produce vertical stacks. If another figure follows in the +same command, use {\tt:} as a separator. +If \bs{\tt noteskip} changes or a note drops +below the starting level before the line ends, it is possible to trick +\PMX by entering separate {\tt 0}[{\it n}] commands under each consecutive note; \PMX +will automagically join them together at the same height +(thanks to Werner Icking for this idea). + + If there are figured bass commands in a {\tt .pmx} file but +you want them to be ignored, then enter the command {\tt F} at the +beginning of the body of the file. This feature would most often be +used in the form {\tt \%1F} +(see section~\ref{scor2prt}), which makes a +separate bass part with no figures. + + Figured bass commands will not be altered in any way under +transposition. There is no universal set of interpretations of figured bass +symbols, so no automatic transposition is possible. + +\subsection{Macros} + + A \PMX macro is a single command that stands literally for any +any string of characters that may occur in the input file (sorry, no +variables). It may be useful if you need to repeat the same string later. +There is no practical length limit. + +To +{\bfi r}{\it ecord} a macro, type {\tt MR}{\it n} where {\it n} is between +1 and 20. +Everything you then type will be processed normally as well as stored, +until you enter the command {\tt M}. The next time you need to enter the same +string, just type {\tt MP}{\it n} to {\bf p}lay back the macro. + +To just {\bf s}{\it ave} a macro without having \PMX process it as you +enter it, start it with {\tt MS}{\it n}. + +Macros can be redefined at will. \PMX will print a warning whenever this +occurs. + +If you use macros and want to make separate parts, some care is necessary. +{\bfx Scor2prt} will only transfer {\tt MR} macros into the part where they +originated, but will transfer {\tt MS} macros into all parts. + +\subsection{Include Files}\NEW{2.5}\label{ARDirective} +{\it Include} files are separate text files + containing arbitrary (but contextually appropriate) sequences of + valid \PMX commands. By using the techniques described in this section, + the commands in an include file can be inserted at any desired + place in the virtual \PMX file that the code processes. + They will always be syntax-checked. + +There are two types of include files, {\it global} and + {\it normal}. There can only be one global include file and it must be named + {\tt pmx.mod}. If activated, its contents will always be inserted right after + the setup data. + To activate it, two conditions must be met: (1) an environment variable + {\tt PMXMODDIR} must be defined to contain a valid path, ending with {\tt /} or + \bs~; (2) a file named {\tt pmx.mod} must be present in the directory so defined. + If {\tt PMXMODDIR} is not set, or if it is defined but there is no file + {\tt pmx.mod}, then processing will proceed as usual. + + Normal include files + can have any name and do not require any environment variable to be set. + They are activated by the PMX command {\tt AR[{\it filename}]} , placed in the + .pmx file + at the location where the included lines are to go. It will generally + only make sense to place this command at the beginning of an input block. + \PMX will first check + for the file as pointed to by [{\it filename}], which may contain a complete + or partial pathname preceding the actual file name. If [{\it filename}] is not + found, then \PMX will look for {\tt \%PMXMODDIR[{\it filename}]}, i.e., it will check + the directory defined by {\tt PMXMODDIR} if {\tt PMXMODDIR} has been set. However, + it is not necessary to define {\tt PMXMODDIR} to use a + normal include file. There may be any number of normal include files. The same + file may be used multiple times. Include files cannot contain references to + other include files via the {\tt AR} command; if you try to do that + your computer will + explode. The following information regarding all activated include + files will be printed both to the screen and to the .pml file: notice of + opening or closing, echo of the contents, error messages pertaining to syntax + errors in the included \PMX commands, and an error message if \PMX cannot find + a referenced normal include file. In the latter two cases \PMX will stop. + +\subsection{Batch Processing} + +Due \NEW{2.0} to the number of different programs that must be run in sequence +to produce a printed sheet of music with the \MusiXTeX{} system, most users +prefer to use a batch file to control the process. Since batch commands are +platform-dependent we will not provide examples here, but will mention +several \PMX features that can facilitate batch processing. + +First, whenever {\bfx pmxab} terminates due to a syntax +error, the exit code is set to 1. There are various ways of detecting this +with batch commands, then acting accordingly. +\NEW{1.4} Second, {\bfx pmxab} always writes a file +{\tt pmxaerr.dat} containing a single number: 0 if it exited normally, +otherwise the line number in the {\tt .pmx} file where the syntax +error was. With advanced batch programming techniques, this file can be +opened and read, and if there was an input error, a text editor can be +opened and the input point placed on the line with the error. + +There have been several requests to allow \PMX to keep running even +after it detects an input error. +This has not been done because in most cases, any error messages after +the first one would be meaningless, or worse, uncorrected errors could +cause crashes. In any event, all the output from {\bfx pmxab} will be +stored in the log file [{\it jobname}]{\tt.pml}. + +\subsection{Lyrics} + + \PMX has no special provisions for lyrics. One way to include them +is by using the macro package {\tt musixlyr.tex} developed +by Rainer Dunker. It introduces lyrics into \TeX\ more easily than with +\MusiXTeX's own facilities. The macros could be +entered as in-line \TeX\ directly into the {\tt .pmx} file, but most would +prefer the convenient interface to {\tt musixlyr} via the +program {\bfx M-Tx} developed by Dirk Laurie. It is a pre-preprocessor which +produces a {\tt .pmx} file containing the proper in-line \TeX\ commands. +Its input language is similar (but not identical) to \PMX and includes most +\PMX functionality as a subset. Both {\bfx M-Tx} and {\tt musixlyr.tex} are +available from the \IMA{}. + +%\setcounter{secnumdepth}1 +\section{Making Parts from a Score} \label{scor2prt} + + Separate parts can be made by running {\bfx scor2prt} and entering the +basename when prompted. The program will create {\tt noinst} separate +{\tt .pmx} files, one for each instrument. By default the files will be named +[{\it basename}][{\it n}]{\tt .pmx}, where [{\it n}] +is the sequential position of the instrument. If desired, part file names can +be customized with {\tt AN} as described in section~\ref{ANDirective}. + + In this section we describe how to control the layout of the +parts separately from that of the score, but by using commands +that are placed in the {\tt .pmx} file for the score. This eliminates the +need for ever editing the {\tt .pmx} files for the parts separately. You +can make all corrections in the file for the score, and then re-run +scor2prt. + + Normally all lines starting with {\tt \%} in the parent {\tt .pmx} are +transferred into all the parts. However, if a line has {\tt \%\%} in +columns 1-2, both it {\it and the following line} will be ignored when +making parts. If the ignored line contains only {\tt h}~, {\tt l}~, + {\tt Tc}~, {\tt Ti}~, or {\tt Tc} to start, +then one additional line will be ignored. + + Conversely, if a line begins with {\tt \%!} then it will be ignored as +usual in creating the parent {\tt .tex} file, but after stripping the first +2 characters the rest will be put in the {\tt .pmx} file for {\it all} the +parts. + +To enter a line into the score file that is only to be transferred to one part, +begin the line with \NEW{2.6} {\tt\%}{\it h}, where {\it h} is an {\it extended +hexadecimal digit} representing the part number from 1 to 24 +({\tt1,2,...,9,a,b,c,...,n,o}). The first +two characters will then be stripped and the rest transferred to the desired part. +For example, to force a line break to system 15 and a page +break to page 2 in part 11 only, enter {\tt \%bL15P2}. The use of the extended hex +digits {\tt a-o} creates a potential incompatibility with prior versions. +To minimize this, the +character after ``{\tt\%}" will {\it only} be interpreted as a part number if +it represents a number less than or equal to {\tt noinst}; otherwise the entire +line will be treated as an ordinary comment and transferred to all parts as +a comment. + + Although only permitted in the first voice in the score, the +following commands with all their options will automatically be copied +into all parts (unless the preceding line has {\tt \%\%}): + {\tt m, V, R, A, h, w, K}. Literal \TeX\ strings of types 2-4 will also be +copied into all parts, while type 1 will only go into its original part. + +User-defined hardspaces ({\tt X} without {\tt :}) are handled specially. By +default they are not copied into parts. There are two ways to circumvent this. +One way to insert hardspace {\it x} into part +{\it n} is to place in the score, on a line of its own, the command +{\tt\%}[{\it n}]{\tt X}[{\it x}] . The \NEW{1.42} other way is with options +in the {\tt X} command in the score: {\tt B} causes the hardspace to be +used in {\bf b}oth score and parts; {\tt P} puts it into the {\bf p}art but not +the score. + +Lateral shifts ({\tt X}[$\dots$]{\tt :}) will be handled normally, +staying with their original voice. + + By default the total number of systems in each part will be the +same as in the score. If you want to override this, there is a command +{\tt S}[{\it n}] (where {\it n} is the desired number of systems), which +can only appear at +the beginning of the first input block. This can be used after {\tt \%!} +to affect all the parts, or after {\tt \%}[{\it h}] to affect just part {\it h}. + {\bfx Scor2prt} will also +compute how many pages it thinks each part should have, and enter that +in the startup data for that part. If you wish to override that, then +in the {\tt .pmx} file for the score, insert for example {\tt \%3S14P2} to +force the third part to have 14 systems and 2 pages (you cannot override the +number of pages without first overriding the number of systems). + + A \NEW{2.0} musicsize of 20 is the default in all parts. This may be +overridden with the option {\tt m} in the command {\tt S}; e.g., +{\tt \%2S15m16} . + + As already noted, a {\tt P} command for page numbering in the parent +file is ignored when making parts. To initiate page numbering in the +parts, use for example {\tt \%!P} anywhere within the \PMX code representing +the first page of the parts (from \TeX 's standpoint the command must occur +between the beginning and end of the page on which the numbering is to begin). +It \NEW{2.0} will often be useful in this case to use the option {\tt c} , +which by default causes the instrument name to be centered in small type at +the top of every page after the first. + +Note the distinctions among the various usages of {\tt P}: as an option with +{\tt S}, it sets the total number of pages in a part; as an option with +{\tt L}, it forces a page break; and as a command on its own, it controls page +numbering and centered headings. + +MIDI \NEW{2.2} commands, i.e., those starting with {\tt I}, will never be +copied into parts, unless they are in a special comment line as just described. + + One function of {\bfx scor2prt} is to condense consecutive bars of rest +into a single group of special printed characters with a number above it. +The command {\tt rm} defines such a {\bf m}ulti-bar {\bf r}est as described +in section~\ref{MultibarRest}. +{\bfx Scor2prt} will automatically insert {\tt rm} commands into the +{\tt .pmx} files +for the parts where appropriate. However, for this feature to work, +the {\it first} full-bar rest in the sequence {\it must} have its duration +explicitly defined in the parent {\tt .pmx} file, either with a digit or +with {\tt p}. I.e., the feature will not work if the first rest in the +sequence inherits its duration from the previous note. + +Using the special \PMX commands listed in this section, +augmented where needed with literal \TeX ~commands, it is possible to store +{\it all} the information for both the score and the parts in a single +{\tt .pmx} file. This greatly simplifies the editing process, since +both the score and the part can be corrected at once, and parts need not be +re-edited each time they are regenerated from the score. + +\section{Making MIDI Files}\NEW{2.2} + +\PMX has an elementary capability to create MIDI files. It is intended mainly +to aid in editing scores, so it does not have advanced facilities one would +want for making musically satisfying sound files. + +As \NEW{2.6} of version 2.6, \PMX can only generate MIDI files for scores with +15 or fewer voices. + +Entering the command {\tt I} before any notes have been entered +will cause a MIDI file [{\it jobname}]{\tt.mid} to be +generated in the current directory. Options may follow, without spaces. They +are defined in the following paragraphs. Multiple +options can be combined in one {\tt I} command. +{\tt I} commands can appear later in the file as well, but only at the start +of an input block. Sometimes the order of the +options matters, determining for example whether or not a user-defined pause +is included inside a macro block. + +{\tt t}{\it x} sets the tempo to {\it x} quarter notes per minute. +Default is 96. You can change tempos as often as you like, but only at the +start of an input block (as with all MIDI commands). + +{\tt i}{\it i1i2...in} assigns MIDI instruments {\it i1,i2,...,in} to the +respective \PMX instruments. The default is harpsichord, of course. If +you use this option, you must specify {\it all} instruments. +Each {\it in} is either +a 2-letter abbreviation or an integer between 1 and 255. Acceptable +abbreviations are listed below. Numbers and pairs of letters may be mixed, +but consecutive pairs of numbers must be separated by {\tt :} (colon) . +This option can only be exercised once per file. +Also, the number of instruments cannot change during a piece. + +{\tt v}{\it i1}:{\it i2}:{\it...}:{\it in} assigns MIDI \NEW{2.3} velocities +to each instrument. The colons are required. Values may range from 1 to 127. +The default is 127. + +{\tt b}{\it i1}:{\it i2}:{\it...}:{\it in} assigns MIDI \NEW{2.3} balances to +each instrument. The colons are required. Values may range from 1 to 128. +The default value is 64, which represents the center. Smaller numbers favor +the left stereo channel; larger ones the right. + +{\tt M} initiates a macro operation. This is used for repeats, da capo's, etc. +Macros must have ID numbers between 1 and 20. Operations are start record +macro {\it i}: {\tt MR}{\it i} ; end recording: {\tt M} ; and playback (insert) +macro {\it i}: {\tt MP}{\it i} . Only one macro can be active at a time, +recording or playing but not both. If you try nesting or overlapping macros, +your computer will become psychotic. + +{\tt p}{\it x} inserts a pause of {\it x} quarter notes. Decimals are +allowed, but will be rounded to the nearest sixteenth note. + +{\tt g}{\it i} sets the MIDI gap to {\it i} MIDI clock tics. This is a silence +inserted at the end of every note, while decreasing the sounding duration +by the same amount. The default is 10, which is 2/3 of a 64th note. + +{\tt T} allows transposing any instrument by an integral number of octaves. +It must be followed by exactly {\tt noinst} signed integers, each of which +is an exact multiple of 12. + + The module does not recognize graces, ornaments, repeats, voltas, or +segnos. The only ties that are recognized are those using {\tt s} or {\tt (} +alone, with no explicit ID number. Key signatures, +time signatures (meter) and instrument names will be written into the MIDI file, +the latter as track names. This will have no effect whatsoever on audible +output but will affect on-screen appearance of some MIDI file players +and editors. Location of the \PMX key-change and meter-change commands +relative to MIDI macro delimiters in the source will affect (in the obvious +way) how these data are passed to such programs. + +The MIDI file generator does not yet support changing the number of +instruments in midstream. Doing so will cause unpredictable results. + + The instruments are a subset of ``The General MIDI Instrument +Specification." Of course how they sound depends on your hardware and software. +Instruments not listed below can still be used but must be specified by number. +The numbers listed here are from the 1-128 range; when passed to the MIDI file +they are reduced by one. + +%\def\toc#1#2{\hbox to 3.1in{{#2}\leaderfill{#1}}} +\def\tentry#1#2#3{\hbox to 2in{ +\hbox to .24in{\tt #1\hfill}\hbox to 1.7in{#2 (#3)\hfill}\hss}} + +\null +\hbox to 6.5in{\vbox to 1.7in{ +\tentry{pi}{Acoustic Grand Piano}{1} +\tentry{rh}{Rhodes Piano}{5} +\tentry{ha}{Harpsichord}{7} +\tentry{ct}{Clavinet}{8} +\tentry{ma}{Marimba}{13} +\tentry{or}{Church Organ}{20} +\tentry{gu}{Acoustic Nylon Guitar}{25} +\tentry{ab}{Acoustic Bass}{33} +\tentry{vl}{Violin}{41} +}\hss\vbox to 1.7in{ +\tentry{va}{Viola}{42} +\tentry{vc}{Cello}{43} +\tentry{cb}{Contrabass}{44} +\tentry{vo}{Synth Voice}{55} +\tentry{tr}{Trumpet}{57} +\tentry{tb}{Trombone}{58} +\tentry{tu}{Tuba}{59} +\tentry{fr}{French Horn}{61} +\tentry{so}{Soprano Sax}{65} +}\hss\vbox to 1.7in{ +\tentry{al}{Alto Sax}{66} +\tentry{te}{Tenor Sax}{67} +\tentry{bs}{Baritone Sax}{68} +\tentry{ob}{Oboe}{69} +\tentry{ba}{Bassoon}{71} +\tentry{cl}{Clarinet}{72} +\tentry{fl}{Flute}{74} +\tentry{re}{Recorder}{75} +}} + +\section{Limits} + +For simplicity in writing the program, \PMX has numerous variables with +fixed dimensions. In most cases there are no checks against these limits +(hey, I've got more important things to program), so +occasionally there may be hangups due to exceeding a dimension. +Any of these can potentially be increased by making a request via the +mailing list. However, before making such a +request, try working around the problem by +breaking the input into smaller blocks. + +\subsection{Limits on quantities that a user can control} + +(The user can control the {\it number} of these items, but cannot control +the {\it limit on the maximum number} of them.) + +%\ \ \ \ \ 128 characters per input line. +128 characters per input line. + +24 \NEW{2.6} staves. + +2 voices per staff. + +24 \NEW{2.6} voices per system. + +125 systems. + +600 bars. + +40 forced line breaks. + +10 forced page breaks. + +18 key changes. + +20 pages. + +600 \NEW{2.6} notes per input block. + +15 bars per input block. + +101 slurs per input block. + +74 figures (figured bass) per input block. + +37 grace note groups per input block. + +74 notes in grace note groups per input block. + +52 literal \TeX\ strings per input block. + +6 voltas per input block. + +24 \NEW{2.6} trills per input block. + +62 chordal notes (non-spacing) per input block. + +8 beams per voice per bar. + +40 \NEW{2.5}forced beams per voice per input block. + +10 clef changes per voice per input block. + +24 notes per beam. + +24 notes per xtuplet. + +41 text-dynamic strings per input block.\NEW{2.5} + + +\subsection{Limits not under immediate user control} + +% Need all the spaces because this damn format insists on left-justifying +% first line of *first* paragraph in a section.. +% +\ \ \ \ \ \kern-1pt2000 \bs{\tt notes} groups. + +20 \bs{\tt notes} groups per bar. + +20 inserted standard anti-collision spaces (not xtuplet or end-of-bar) per bar. + +20 inserted anti-collision spaces within xtuplets per bar. + +19 inserted anti-collision end-of-bar hardspaces per system. + +83 inserted anti-collision end-of-bar hardspaces. + +400 inserted standard anti-collision spaces per system. + +100 inserted anti-collision spaces within xtuplets per system. + +1000 inserted standard anti-collision spaces. + +200 inserted anti-collision spaces within xtuplets. + +24576 \NEW{2.2} bytes of MIDI output data per voice. + +\section{Closing Notes} + +\subsection{About the Example Files} + +{\tt most.pmx} contains examples of most of the \PMX commands, and a few +programming tricks, including examples in the last line of beam groups whose +notes vary widely in pitch. The printed +output displays the \PMX commands near to the resulting typeset characters. +It is more +useful to look at the printed output rather than the source file, since the +file is littered with in-line \TeX ~needed to output the text strings +representing the \PMX commands. +{\bfx WARNING:} Do not try to play this music; it could be hazardous. + +{\tt barsant.pmx} contains the first movement of a recorder sonata by the +Italian Francesco Barsanti (1690-1772). It demonstrates many of \PMXX 's +strong points in a ``battlefield'' situation: figured +bass, complex beaming patterns, xtuplets, and +automatically adjusted horizontal and vertical spacing in crowded scores. +In fact, +this single-page score is at the limit of vertical crowding. To get the +final result, it uses the +option {\tt Ae} for equal space betweem systems, and the space between systems +was increased ({\tt AI1.1}) from the default. This is a +good score to try making parts with {\bfx scor2prt}. A special command +{\tt \%2S9} is used to increase the number of systems in the recorder part. + +{\tt mwalmnd.pmx} is an Allemand for harpsichord by the German +Matthias Weckmann +(1616-1674). It uses many techniques peculiar to keyboard scores, most notably +two voices per staff. + +\subsection{A Benign Bug} + + When \TeX 'ing the output of \PMX you will usually get an {\tt Underfull +\bs vbox} message at the end of each page. This is due to my using +\bs{\tt eject} at the end of every page, which automatically spaces the +systems vertically without having to fiddle with \bs{\tt staffbotmarg}. As far +as I know, the +warning is benign, and may be ignored. + +\subsection{Where to Get {\PMX}} \label{where} + +The main home of \PMX on the internet is the software section of the +\IMA, specifically at +\href{http://icking-music-archive.org/software/indexmt6.html#pmx} +{\underline{\tt http://icking-music-archive.org/software/indexmt6.html\#pmx}} . +The \PMX distributions on this server are mirrored on the CTAN sites, +for example \href{http://www.ctan.org}{\underline{\tt http://www.ctan.org}}. +These sites also contain all the \TeX{} and \MusiXTeX{} files as well. + +\PMX is coded in FORTRAN and developed in a DOS/Windows environment. The basic +distribution will contain the FORTRAN source and DOS/Windows binary +(i.e., it runs in a DOS window, but some flavor of Windows must be +present). Users of other OS's have several options. They may compile the +original source if they have access to a compiler, or they may check the +archive for other distributions. The most recent +available versions for Linux, Unix, and Mac will be posted in the archive, but +as of this writing they are all out of date. New versions will be +posted when and if volunteers provide them. + +Most of the supporting software mentioned here---except \TeX{} itself---is +available +from the \IMA. This includes \MusiXTeX, Dirk Laurie's +lyrics pre-preprocessor {\bfx M-Tx}, and packages for both type K and type M +postscript slurs. + +\subsection{Acknowledgments} + + To Daniel Taupin, Ross Mitchell, and Andreas Egler for creating +\MusiXTeX{}; to Olivier Clary for suggesting a crucial modification in +the note-entry scheme; +to my colleague John DiPol (a non-musician!) for the idea of using binary masks +to define beam groupings; +to Joel Hunsberger for unraveling some deep \MusiXTeX~tangles; +to Dirk Laurie +for making \PMX accessible to vocal music by creating {\bfx M-Tx}; +to Stanislav Kneifl and Hiroaki Morimoto for developing the postscript +slur packages; to +Christian Mondrup, Andre Van Ryckeghem, Christof Biebricher, Joerg Anders, +Olivier Vogel, and other denizens of the TeX-music mailing list +for first-class bug-finding and support in responding to queries about +\PMX on the mailing list; and to Luigi Cataldi, Olivier Vogel, Christof +Biebricher, and Cornelius Noack for producing translated and enhanced +\PMX tutorials. +Finally, I want to mention again the invaluable contributions by +Werner Icking: his exhaustive beta testing, +uncanny bug-finding, continuing encouragement, and promotion +of \PMX right up until his sudden and premature departure from this +earthly realm. + +\end{document} diff --git a/Master/texmf-dist/doc/generic/pmx/pmxab.1 b/Master/texmf-dist/doc/generic/pmx/pmxab.1 new file mode 100644 index 00000000000..eddb52d8bd3 --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/pmxab.1 @@ -0,0 +1,24 @@ +.TH pmxab 1 "12 July 2011" "Version 2.6.03" "PMX Manual Page" +.SH NAME +pmxab \- a MusiXTeX preprocessor +.SH SYNOPSIS +.B pmxab +.RI basename [.pmx] + +.SH DESCRIPTION +pmxab is a preprocessor for MusiXTeX. +It's usually invoked by its frontend pmx(1). +To use it to its full benefit you should have installed MusiXTeX Version 1.15 +or higher, and TeX itself. +The goal of PMX is to faciliate the efficient typesetting of scores and parts +that have an almost professional appearance. To learn more about typesetting +with PMX, please read the PMX Manual. + +When invoked directly, pmxab produces tex output utilizing the MusiXTeX +macro set. +.SH SEE ALSO +pmx(1), scor2prt(1), musixtex(1) +.SH AUTHORS +PMX was written by Don Simons <dsimons@roadrunner.com>. +This manual page was written by Roland Stigge <stigge@antcom.de> for the Debian +project and revised by Bob Tennent <rdt@cs.queensu.ca>. diff --git a/Master/texmf-dist/doc/generic/pmx/pmxab.pdf b/Master/texmf-dist/doc/generic/pmx/pmxab.pdf Binary files differnew file mode 100644 index 00000000000..a015970497a --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/pmxab.pdf diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/README b/Master/texmf-dist/doc/generic/pmx/pmxccn/README new file mode 100644 index 00000000000..c00826b3135 --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/pmxccn/README @@ -0,0 +1,20 @@ +pmxccn is a tutorial for PMX in LaTeX; it describes and +explains PMX up to version 2.603 included. + +The zipped package includes the main program and 2 subfolders: + +\eps : containing music examples referrred to by + the main program, +\addresses : names of persons cited in the program + (in graphical form to avoid abuse). + +Unzip pmxccn.zip in whatever folder you want (preserving +the folder structure), and run + latex pmxccn.tex + +LEGAL NOTICE: This software is subject to the usual + GNU/LLPL licence conditions. + + +Thu 2011 Jul 14 /16:25 /ccn . + diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/addresses/addresses.txt b/Master/texmf-dist/doc/generic/pmx/pmxccn/addresses/addresses.txt new file mode 100644 index 00000000000..6860b5ee1d3 --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/pmxccn/addresses/addresses.txt @@ -0,0 +1,9 @@ + dlaurie@na-net.ornl.gov, ++ CQX05646@nifty.com, ++ Jean-Pierre.COULON@obs-nice.fr, RICHTIG: COULON@obs-nice.fr ++ oliviervogel@freesurf.ch, ++ rainer.dunker@web.de, ++ stanislav@kneifl.net, +- omaupunto@tin.it + + diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/addresses/call_addr.txt b/Master/texmf-dist/doc/generic/pmx/pmxccn/addresses/call_addr.txt new file mode 100644 index 00000000000..1a7cf5220c3 --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/pmxccn/addresses/call_addr.txt @@ -0,0 +1,84 @@ +From MAILER-DAEMON@itp.uni-bremen.de Wed Nov 28 17:07:17 2007 +Date: Wed, 28 Nov 2007 17:07:09 +0100 (CET) +From: Mail Delivery System <MAILER-DAEMON@itp.uni-bremen.de> +To: noack@itp.uni-bremen.de +Subject: Undelivered Mail Returned to Sender + +This is the mail system at host mail1.itp.uni-bremen.de. + +I'm sorry to have to inform you that your message could not +be delivered to one or more recipients. It's attached below. + +For further assistance, please send mail to postmaster. + +If you do so, please include this problem report. You can +delete your own text from the attached returned message. + + The mail system + +<omaupunto@tin.it>: host smtp.tin.it[62.211.72.32] said: 550 RCPT + TO:<omaupunto@tin.it> User unknown (in reply to RCPT TO command) + + [ Part 2: "Delivery report" ] + +Reporting-MTA: dns; mail1.itp.uni-bremen.de +X-Postfix-Queue-ID: 33A89C0002 +X-Postfix-Sender: rfc822; noack@itp.uni-bremen.de +Arrival-Date: Wed, 28 Nov 2007 17:06:52 +0100 (CET) + +Final-Recipient: rfc822; omaupunto@tin.it +Original-Recipient: rfc822;omaupunto@tin.it +Action: failed +Status: 5.0.0 +Remote-MTA: dns; smtp.tin.it +Diagnostic-Code: smtp; 550 RCPT TO:<omaupunto@tin.it> User unknown + + + [ Part 3: "Undelivered Message" ] + +Date: Wed, 28 Nov 2007 17:12:48 +0100 +From: Cornelius C. Noack <noack@itp.uni-bremen.de> +To: dlaurie@na-net.ornl.gov, CQX05646@nifty.ne.jp, Jean-Pierre.COULON@obs-nice.fr, oliviervogel@freesurf.ch, rainer.dunker@web.de, standa@hiero.cz, omaupunto@tin.it +Subject: address verification for PMX tutorial update + +Hello dear friends of PMX, + +as you know, I wrote a PMX tutorial over 5 years ago -- +it was badly in need of an update. + +I now have just finished editing an updated version. +Before I upload that new updated version to WIMA, I want to +verify that all Email addresses given there are also up +to date. + +As you may have noticed, all your addresses in the old +version are in a graphic format, to increase the difficulties +for automatic crawlers misusing them. This will, of course, +remain so in the new version. So you need not be excessively +wary of misuse. + +If you send me a reply to this mail from the address under +which you want to be cited in the new PMX tutorial, you +dont need to include any text. + +If, however, you want your Email address to be expunged from +the tutorial (even though it will be in graphic form only), +please be kind enough to request that expressly (I hope you +wont). + +Thanks for your good -- and hopefully continuing -- +work for PMX ! + +ccn. +-- +................................................................. + + Prof.Dr. Cornelius C. Noack Phones: + Inst. f. Theor. Physik FB 1 office : +49 (421) 218-2427 + Universit"at Bremen secretary: -2422 + Otto-Hahn-Allee Fax : -4869 + D - 28334 Bremen home : +49 (421) 34 22 36 + Fax: 346 7872 + E-mail: noack at itp.uni-bremen.de or ccnoack at mailaps.org + WWW-page: www.itp.uni-bremen.de/~noack +................................................................. diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/addresses/cmondrup.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/addresses/cmondrup.eps new file mode 100644 index 00000000000..43657d3efaf --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/pmxccn/addresses/cmondrup.eps @@ -0,0 +1,54 @@ +%% LaTeX2e file `addresses/cmondrup.eps' +%% generated by the `filecontents' environment +%% from source `pmxccn' on 2011/07/14. +%% +%!PS-Adobe-2.0 EPSF-2.0 +%%BoundingBox: 0 0 287 17 +% created by bmeps 1.54 +/pstr + 287 string +def +/inputf + currentfile + /ASCII85Decode filter + /RunLengthDecode filter +def +gsave +0 25 translate +287 25 scale +287 25 8 [287 0 0 -25 0 0] +{ inputf pstr readstring pop } +image +K)^H&K)^H&K)^H&K)^H&K)^H&K)^H&K)^H&K)^H&K)^H&^&S$2qu6Zs!;$3k!!)fo +!<<,<rrE*"d/O+H!;HKo!!%iT"TSQ&rr<&srrE*"oD\gk!;QQp!!'t;!<<,HrrE*" +p\t6o!/^^V!!)ut!<<,errE*"LAq8S!42\,!!*&t!<)rr!;ulp!<)rq!!rW)!<3$! 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+rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! 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N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! 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+%%DocumentFonts: CMR10 TeXMUSIX16-Regular CMBX10 CMBXTI10 CMBX12 +%%EndComments +%DVIPSWebPage: (www.radicaleye.com) +%DVIPSCommandLine: C:\MIKTEX\TEXMF\MIKTEX\BIN\DVIPS.EXE haydn.dvi +%DVIPSParameters: dpi=600, compressed +%DVIPSSource: TeX output 2004.01.21:1357 +%%BeginProcSet: texc.pro +%! +/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S +N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 +mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 +0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ +landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize +mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ +matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round +exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ +statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] +N/FBB[0 0 0 0]N/nn 0 N/IE 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin +/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array +/BitMaps X/BuildChar{CharBuilder}N/Encoding IE N end A{/foo setfont}2 +array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N +df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A +definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get +}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} +B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr +1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 +1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx +0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx +sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ +rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp +gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B +/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ +/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ +A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy +get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} +ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp +fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 +{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add +chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ +1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} +forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn +/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put +}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ +bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A +mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ +SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ +userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X +1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 +index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N +/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X +/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) +(NeXT)(LaserWriter 16/600)]{A length product length le{A length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! 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All Rights Reserved) readonly def +/FullName (CMBXTI10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Bold) readonly def +/ItalicAngle -14.04 def +/isFixedPitch false def +end readonly def +/FontName /CMBXTI10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 102 /f put +readonly def +/FontBBox{-29 -250 1274 754}readonly def +/UniqueID 5000771 def +currentdict end +currentfile eexec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cleartomark +%%EndFont +%%BeginFont: CMBX10 +%!PS-AdobeFont-1.1: CMBX10 1.00B +%%CreationDate: 1992 Feb 19 19:54:06 +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMBX10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Bold) readonly def +/ItalicAngle 0 def +/isFixedPitch false def +end readonly def +/FontName /CMBX10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 44 /comma put +dup 46 /period put +dup 50 /two put +dup 54 /six put +dup 55 /seven put +dup 70 /F put +dup 72 /H put +dup 74 /J put +dup 78 /N put +dup 81 /Q put +dup 83 /S put +dup 97 /a put +dup 100 /d put +dup 101 /e put +dup 103 /g put +dup 105 /i put +dup 110 /n put +dup 111 /o put +dup 112 /p put +dup 114 /r put +dup 116 /t put +dup 117 /u put +dup 121 /y put +readonly def +/FontBBox{-301 -250 1164 946}readonly def +/UniqueID 5000768 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA052A014267B7904EB3C0D3BD0B83D891 +016CA6CA4B712ADEB258FAAB9A130EE605E61F77FC1B738ABC7C51CD46EF8171 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/S0alt (100.0pt) GDAR N /S0dir +-1 N /S0dash 0 N /S0adj 0 N end + 1936 872 a 1950 845 4 108 v 1912 +845 a Fe(\007)1970 862 y(4)p 2000 863 60 4 v 2048 861 +4 125 v -1 x(\007)p 2145 845 4 108 v 2107 845 a(\007)2225 +828 y + slur@Dict begin (2.0pt) GD S0hgt (0.0pt) GD 1.6 (2.0pt) GD M S0dir +M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 1 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 2225 828 a 2225 828 a + end + 2225 828 a 1950 745 295 16 +v 2243 828 4 92 v -20 w Fe(\007)2326 855 y + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (-3.20001pt) GD N /S0brk +S0hgt (2.0pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (100.0pt) GDAR N /S0dir +-1 N /S0dash 0 N /S0adj 0 N end + 2326 855 a +2341 828 4 108 v 2303 828 a Fe(\007)2342 720 y(\310)2373 +724 y(\310)p 2438 845 4 115 v 2400 845 a(\007)2517 862 +y + slur@Dict begin (2.0pt) GD S0hgt (-4.0pt) GD 1.6 (2.0pt) GD M S0dir +M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 1 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 2517 862 a 2517 862 a + end + 2517 862 a 2487 863 60 4 v 2535 +861 4 158 v 2497 861 a Fe(\007)1936 540 y + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (-5.20001pt) GD N /S0brk +S0hgt (2.0pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (140.0pt) GDAR N /S0dir +-1 N /S0dash 0 N /S0adj 0 N end + 1936 540 a +1950 513 4 108 v 1912 513 a Fe(\007)1970 530 y(4)p 2000 +531 60 4 v 2048 529 4 125 v -1 x(\007)p 2145 513 4 108 +v 2107 513 a(\007)2225 496 y + slur@Dict begin (2.0pt) GD S0hgt (0.0pt) GD 1.6 (2.0pt) GD M S0dir +M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 1 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 2225 496 a 2225 496 a + end + 2225 +496 a 1950 413 295 16 v 2243 496 4 92 v -20 w Fe(\007)2326 +489 y + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (0.79999pt) GD N /S0brk +S0hgt (2.0pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (140.0pt) GDAR N /S0dir +-1 N /S0dash 0 N /S0adj 0 N end + 2326 489 a 2341 463 4 92 v 2303 463 a Fe(\007)p +2438 480 4 113 v 2400 480 a(\007)2517 496 y + slur@Dict begin (2.0pt) GD S0hgt (0.0pt) GD 1.6 (2.0pt) GD M S0dir +M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 1 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 2517 496 +a 2517 496 a + end + 2517 496 a 2536 496 4 135 v -19 w Fe(\007)2555 +1210 y(4)p 2585 1195 60 4 v 2633 1210 4 117 v 2634 1202 +a(\()2595 1210 y(\007)2618 805 y + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (2.79999pt) GD N /S0brk +S0hgt (2.0pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (100.0pt) GDAR N /S0dir +-1 N /S0dash 0 N /S0adj 0 N end + 2618 805 a 2633 779 +4 95 v 2595 779 a Fe(\007)2684 795 y + slur@Dict begin (2.0pt) GD S0hgt (4.0pt) GD 1.6 (2.0pt) GD M S0dir +M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 1 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 2684 795 a 2684 +795 a + end + 2684 795 a 2634 709 a Fe(\224)2638 708 y(\224)2536 +704 y(\225)2571 697 y(\225)p 2702 795 4 125 v 2664 795 +a(\007)2341 372 y(\204)2369 370 y(\204)p 2633 447 4 90 +v 2595 447 a(\007)p 2737 1494 4 1131 v 2812 1486 a + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (0.79999pt) GD N /S0brk +S0hgt (2.0pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (20.0pt) GDAR N /S0dir +-1 N /S0dash 0 N /S0adj 0 N end + 2812 +1486 a 2827 1459 4 117 v 2789 1459 a Fe(\010)2812 1220 +y + slur@Dict begin CP /S1y1 ED /S1x1 ED /S1hgt (-7.20001pt) GD N /S1brk +S1hgt (2.0pt) GD 1 -1 M M A N /S1lift 0 N /S1alt (60.0pt) GDAR N /S1dir +-1 N /S1dash 0 N /S1adj 0 N end + 2812 1220 a 2779 1195 60 4 v 2827 1193 4 125 v 2789 +1193 a Fe(\007)p 2964 1177 4 108 v 2926 1177 a(\007)p +3102 1161 4 92 v 3064 1161 a(\007)3221 1194 y + slur@Dict begin (2.0pt) GD S1hgt (-4.0pt) GD 1.6 (2.0pt) GD M S1dir +M A S1x1 S1y1 CP (3.20001pt) GDAR S1dir M SB 1 S1dir M 0.17 40 S1dash +S1adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 3221 1194 +a 3221 1194 a + end + 3221 1194 a 2827 1077 415 16 v 3191 1195 +60 4 v 3239 1193 4 125 v 3201 1193 a Fe(\007)2812 838 +y + slur@Dict begin CP /S1y1 ED /S1x1 ED /S1hgt (-1.20001pt) GD N /S1brk +S1hgt (2.0pt) GD 1 -1 M M A N /S1lift 0 N /S1alt (100.0pt) GDAR N /S1dir +-1 N /S1dash 0 N /S1adj 0 N end + 2812 838 a 2827 812 4 133 v 2789 812 a Fe(\007)p 2896 +795 4 117 v 2858 795 a(\007)p 2964 812 4 133 v 2926 812 +a(\007)3015 828 y + slur@Dict begin (2.0pt) GD S1hgt (0.0pt) GD 1.6 (2.0pt) GD M S1dir +M A S1x1 S1y1 CP (3.20001pt) GDAR S1dir M SB 1 S1dir M 0.17 40 S1dash +S1adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 3015 828 a 3015 828 a + end + 3015 828 a 2827 +712 208 16 v 2827 687 V 3033 828 4 150 v -20 w Fe(\007)3064 +845 y(\031)p 3102 845 4 108 v(\007)137 b(\031)p 3103 +745 140 16 v 3239 845 4 108 v(\007)2789 397 y(\007)p +2827 513 4 220 v 116 x(\007)3087 440 y + slur@Dict begin CP /S1y1 ED /S1x1 ED /S1hgt (6.79999pt) GD N /S1brk +S1hgt (2.0pt) GD 1 -1 M M A N /S1lift 0 N /S1alt (140.0pt) GDAR N /S1dir +-1 N /S1dash 0 N /S1adj 0 N end + 3087 440 a 3024 +413 a Fe(6)p 3102 413 4 117 v(\007)p 3171 430 4 126 v +3133 430 a(\007)p 3239 447 4 136 v 3201 447 a(\007)3310 +463 y + slur@Dict begin (2.0pt) GD S1hgt (4.0pt) GD 1.6 (2.0pt) GD M S1dir +M A S1x1 S1y1 CP (3.20001pt) GDAR S1dir M SB 1 S1dir M 0.17 40 S1dash +S1adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 3310 463 a 3310 463 a + end + 3310 463 a -60 w Fe(4)3102 +322 y(\311)3197 331 y(\311)3102 297 y(\311)3197 307 y(\311)p +3328 463 4 144 v 3290 463 a(\007)3379 1493 y + slur@Dict begin (2.0pt) GD S0hgt (0.0pt) GD 1.6 (2.0pt) GD M S0dir +M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 1 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 3379 1493 +a 3379 1493 a + end + 3379 1493 a 3359 1476 a Fe(\031)p 3397 +1476 4 117 v(\007)3497 1493 y(>)3359 1177 y(\031)p 3397 +1177 V(\007)3497 1161 y(>)3319 862 y(4)p 3349 863 60 +4 v 3397 861 4 117 v -1 x(\007)3497 828 y(>)3359 447 +y(\031)p 3397 447 V(\007)3497 496 y(>)p 3635 1494 4 1131 +v 3638 1659 a + slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end + 3638 1659 a eop end +%%Trailer + +userdict /end-hook known{end-hook}if +%%EOF diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/JChrBach.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/JChrBach.eps new file mode 100644 index 00000000000..023d172a7b9 --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/JChrBach.eps @@ -0,0 +1,807 @@ +%% LaTeX2e file `eps/JChrBach.eps' +%% generated by the `filecontents' environment +%% from source `pmxccn' on 2011/07/14. +%% +%!PS-Adobe-3.0 EPSF-3.0 +%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software +%%Title: JChrBach.dvi +%%CreationDate: Fri Oct 10 15:07:30 2003 +%%Pages: 1 +%%PageOrder: Ascend +%%BoundingBox: 23 735 552 769 +%%DocumentFonts: CMR10 TeXMUSIX16-Regular CMBXTI10 +%%EndComments +%DVIPSWebPage: (www.radicaleye.com) +%DVIPSCommandLine: C:\MIKTEX\TEXMF\MIKTEX\BIN\DVIPS.EXE JChrBach.dvi +%DVIPSParameters: dpi=600, compressed +%DVIPSSource: TeX output 2003.10.10:1507 +%%BeginProcSet: texc.pro +%! +/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S +N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 +mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 +0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ +landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize +mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ +matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round +exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ +statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] +N/FBB[0 0 0 0]N/nn 0 N/IE 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin +/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array +/BitMaps X/BuildChar{CharBuilder}N/Encoding IE N end A{/foo setfont}2 +array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N +df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A +definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get +}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} +B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr +1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 +1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx +0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx +sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ +rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp +gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B +/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ +/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ +A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy +get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} +ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp +fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 +{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add +chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ +1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} +forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn +/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put +}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ +bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A +mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ +SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ +userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X +1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 +index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N +/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X +/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) +(NeXT)(LaserWriter 16/600)]{A length product length le{A length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! 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M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: texps.pro +%! +TeXDict begin/rf{findfont dup length 1 add dict begin{1 index/FID ne 2 +index/UniqueID ne and{def}{pop pop}ifelse}forall[1 index 0 6 -1 roll +exec 0 exch 5 -1 roll VResolution Resolution div mul neg 0 0]/Metrics +exch def dict begin Encoding{exch dup type/integertype ne{pop pop 1 sub +dup 0 le{pop}{[}ifelse}{FontMatrix 0 get div Metrics 0 get div def} +ifelse}forall Metrics/Metrics currentdict end def[2 index currentdict +end definefont 3 -1 roll makefont/setfont cvx]cvx def}def/ObliqueSlant{ +dup sin S cos div neg}B/SlantFont{4 index mul add}def/ExtendFont{3 -1 +roll mul exch}def/ReEncodeFont{CharStrings rcheck{/Encoding false def +dup[exch{dup CharStrings exch known not{pop/.notdef/Encoding true def} +if}forall Encoding{]exch pop}{cleartomark}ifelse}if/Encoding exch def} +def end + +%%EndProcSet +%%BeginFont: CMR10 +%!PS-AdobeFont-1.1: CMR10 1.00B +%%CreationDate: 1992 Feb 19 19:54:52 +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMR10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle 0 def +/isFixedPitch false def +end readonly def +/FontName /CMR10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 63 /question put +readonly def +/FontBBox{-251 -250 1009 969}readonly def +/UniqueID 5000793 def +currentdict end +currentfile eexec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cleartomark +%%EndFont +%%BeginFont: CMTT10 +%!PS-AdobeFont-1.1: CMTT10 1.00B +%%CreationDate: 1992 Apr 26 10:42:42 +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMTT10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle 0 def +/isFixedPitch true def +end readonly def +/FontName /CMTT10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 63 /question put +dup 98 /b put +dup 99 /c put +dup 101 /e put +dup 102 /f put +dup 105 /i put +dup 110 /n put +dup 111 /o put +readonly def +/FontBBox{-4 -235 731 800}readonly def +/UniqueID 5000832 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA052A014267B7904EB3C0D3BD0B83D891 +016CA6CA4B712ADEB258FAAB9A130EE605E61F77FC1B738ABC7C51CD46EF8171 +9098D5FEE67660E69A7AB91B58F29A4D79E57022F783EB0FBBB6D4F4EC35014F +D2DECBA99459A4C59DF0C6EBA150284454E707DC2100C15B76B4C19B84363758 +469A6C558785B226332152109871A9883487DD7710949204DDCF837E6A8708B8 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMTI10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle -14.04 def +/isFixedPitch false def +end readonly def +/FontName /CMTI10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 50 /two put +dup 51 /three put +dup 52 /four put +dup 53 /five put +readonly def +/FontBBox{-163 -250 1146 969}readonly def +/UniqueID 5000828 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA0529731C99A784CCBE85B4993B2EEBDE +3B12D472B7CF54651EF21185116A69AB1096ED4BAD2F646635E019B6417CC77B +532F85D811C70D1429A19A5307EF63EB5C5E02C89FC6C20F6D9D89E7D91FE470 +B72BEFDA23F5DF76BE05AF4CE93137A219ED8A04A9D7D6FDF37E6B7FCDE0D90B +986423E5960A5D9FBB4C956556E8DF90CBFAEC476FA36FD9A5C8175C9AF513FE +D919C2DDD26BDC0D99398B9F4D03D5993DFC0930297866E1CD0A319B6B1FD958 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Fb(bfi)2876 295 y(oef)2928 +-70 y Fe(Z)p 2916 146 V 2917 29 a(\007)p 3130 129 V 3131 +13 a(\007)p 3344 98 4 135 v 3344 -70 a Fc(5)3428 -20 +y Fe(P)3423 79 y(\011)p 3850 98 V 3867 98 V eop end +%%Trailer + +userdict /end-hook known{end-hook}if +%%EOF diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/MIDIbaroque.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/MIDIbaroque.eps new file mode 100644 index 00000000000..41e3b46b9dc --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/MIDIbaroque.eps @@ -0,0 +1,809 @@ +%!PS-Adobe-3.0 EPSF-3.0 +%%Creator: dvips(k) 5.96 Copyright 2007 Radical Eye Software +%%Title: midibaroque.dvi +%%CreationDate: Wed Nov 14 21:20:39 2007 +%%Pages: 1 +%%PageOrder: Ascend +%%BoundingBox: 73 746 483 786 +%%DocumentFonts: TeXMUSIX16-Regular CMTT10 CMTI10 +%%DocumentPaperSizes: a4 +%%EndComments +%DVIPSWebPage: (www.radicaleye.com) +%DVIPSCommandLine: C:\.user\Programme\MikTeX_2.6\miktex\bin\dvips.exe +%+ midibaroque.dvi +%DVIPSParameters: 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eq{pop 127}{A 2 idiv S 128 and or}ifelse} +ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp +fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 +{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add +chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ +1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} +forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn +/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put +}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ +bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A +mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ +SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ +userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X +1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 +index cvrs cvn put}for 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+%%BeginProcSet: psslurs.pro 0 0 +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro 0 0 +%! 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/TeXMUSIX16-Regular +rf end +%%EndProlog +%%BeginSetup +%%Feature: *Resolution 600dpi +TeXDict begin +%%PaperSize: A4 + end +%%EndSetup +%%Page: 1 1 +TeXDict begin 1 0 bop 10 -35 3396 4 v 10 -2 V 10 31 V +10 64 V 10 98 V 10 63 a Fc(G)119 -37 y(4)178 195 y Fb(d)p +198 112 4 117 v 199 -4 a Fc(\007)278 195 y Fb(f)p 298 +79 V 299 -37 a Fc(\007)p 398 98 4 135 v 399 -70 a Fa(2)417 +195 y Fb(d)p 437 112 4 117 v 438 -4 a Fc(\007)518 195 +y Fb(fn)498 -37 y Fc(6)p 537 79 V(\007)p 638 98 4 135 +v 638 -70 a Fa(3)656 195 y Fb(d)p 676 112 4 117 v 677 +-4 a Fc(\007)757 195 y Fb(f)p 777 79 V 778 -37 a Fc(\007)p +877 98 4 135 v 878 -70 a Fa(4)896 195 y Fb(d)p 916 112 +4 117 v 917 -4 a Fc(\007)996 195 y Fb(fn)976 -37 y Fc(6)p +1016 79 V 1 w(\007)p 1116 98 4 135 v 1117 -70 a Fa(5)1135 +195 y Fb(f)p 1155 79 4 117 v 1156 -37 a Fc(\007)1235 +195 y Fb(a)p 1245 -69 60 4 v 1255 46 4 117 v 1256 -70 +a Fc(\007)p 1355 98 4 135 v 100 w Fa(6)1374 195 y Fb(d)p +1394 112 4 117 v 1395 -4 a Fc(\007)1474 195 y Fb(fn)1454 +-37 y Fc(6)p 1494 79 V 1 w(\007)p 1674 98 4 135 v 1693 +195 a Fb(f)p 1713 79 4 117 v 1714 -37 a Fc(\007)1870 +195 y Fb(a)p 1880 -69 60 4 v 1890 46 4 117 v 1891 -70 +a Fc(\007)p 1990 98 4 135 v 2009 195 a Fb(d)p 2029 112 +4 117 v 2030 -4 a Fc(\007)2109 195 y Fb(fn)2089 -37 y +Fc(6)p 2129 79 V 1 w(\007)p 2309 98 4 135 v 2339 195 +a Fb(fs)2319 -37 y Fc(4)p 2358 79 4 117 v(\007)2554 195 +y Fb(a)p 2564 -69 60 4 v 2574 46 4 117 v 2575 -70 a Fc(\007)p +2674 98 4 135 v 2693 195 a Fb(d)p 2713 112 4 117 v 2714 +-4 a Fc(\007)2793 195 y Fb(fn)2773 -37 y Fc(6)p 2813 +79 V 1 w(\007)p 2993 98 4 135 v 3012 195 a Fb(fsi)p 3032 +79 4 117 v 3033 -37 a Fc(\007)3265 195 y Fb(a)p 3275 +-69 60 4 v 3285 46 4 117 v 3286 -70 a Fc(\007)p 3385 +98 4 135 v 3402 98 V 3405 262 a + slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end + 3405 262 a eop end +%%Trailer + +userdict /end-hook known{end-hook}if +%%EOF diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/agon.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/agon.eps new file mode 100644 index 00000000000..164f166e798 --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/agon.eps @@ -0,0 +1,1397 @@ +%% LaTeX2e file `eps/agon.eps' +%% generated by the `filecontents' environment +%% from source `pmxccn' on 2011/07/14. +%% +%!PS-Adobe-3.0 EPSF-3.0 +%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software +%%Title: agon.dvi +%%CreationDate: Wed Jan 21 13:49:58 2004 +%%Pages: 1 +%%PageOrder: Ascend +%%BoundingBox: 23 423 552 782 +%%DocumentFonts: TeXMUSIXSPX-Regular TeXMUSIX20-Regular CMR10 +%%+ TeXMUSIX16-Regular CMBX12 CMBX10 CMBXTI10 CMTI8 +%%EndComments +%DVIPSWebPage: (www.radicaleye.com) +%DVIPSCommandLine: C:\MIKTEX\TEXMF\MIKTEX\BIN\DVIPS.EXE agon.dvi +%DVIPSParameters: dpi=600, compressed +%DVIPSSource: TeX output 2004.01.21:1349 +%%BeginProcSet: texc.pro +%! +/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S +N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 +mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 +0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ +landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize +mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ +matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round +exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ +statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] +N/FBB[0 0 0 0]N/nn 0 N/IE 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin +/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array +/BitMaps X/BuildChar{CharBuilder}N/Encoding IE N end A{/foo setfont}2 +array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N +df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A +definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get +}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} +B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr +1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 +1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx +0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx +sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ +rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp +gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B +/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ +/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ +A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy +get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} +ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp +fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 +{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add +chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ +1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} +forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn +/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put +}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ +bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A +mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ +SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ +userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X +1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 +index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N +/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X +/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) +(NeXT)(LaserWriter 16/600)]{A length product length le{A length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.0) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMBX12) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Bold) readonly def +/ItalicAngle 0 def +/isFixedPitch false def +end readonly def +/FontName /CMBX12 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 52 /four put +dup 56 /eight put +readonly def +/FontBBox{-53 -251 1139 750}readonly def +/UniqueID 5000769 def +currentdict end +currentfile eexec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cleartomark +%%EndFont +%%BeginFont: TeXMUSIX16-Regular +%!PS-AdobeFont-1.0: TeXMUSIX16-Regular 001.000 +%%CreationDate: 01-07-25 at 04.07 +%%VMusage: 1024 36138 +% Generated by Fontographer 4.1.4 +% converted using TeXtrace 0.45 and modified by T. 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+/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ +/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ +A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy +get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} +ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp +fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 +{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add +chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ +1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} +forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn +/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put +}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ +bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A +mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ +SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ +userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X +1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 +index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N +/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X +/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) +(NeXT)(LaserWriter 16/600)]{A length product length le{A length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! +TeXDict begin/rf{findfont dup length 1 add dict begin{1 index/FID ne 2 +index/UniqueID ne and{def}{pop pop}ifelse}forall[1 index 0 6 -1 roll +exec 0 exch 5 -1 roll VResolution Resolution div mul neg 0 0]/Metrics +exch def dict begin Encoding{exch dup type/integertype ne{pop pop 1 sub +dup 0 le{pop}{[}ifelse}{FontMatrix 0 get div Metrics 0 get div def} +ifelse}forall Metrics/Metrics currentdict end def[2 index currentdict +end definefont 3 -1 roll makefont/setfont cvx]cvx def}def/ObliqueSlant{ +dup sin S cos div neg}B/SlantFont{4 index mul add}def/ExtendFont{3 -1 +roll mul exch}def/ReEncodeFont{CharStrings rcheck{/Encoding false def +dup[exch{dup CharStrings exch known not{pop/.notdef/Encoding true def} +if}forall Encoding{]exch pop}{cleartomark}ifelse}if/Encoding exch def} +def end + +%%EndProcSet +%%BeginProcSet: special.pro +%! +TeXDict begin/SDict 200 dict N SDict begin/@SpecialDefaults{/hs 612 N +/vs 792 N/ho 0 N/vo 0 N/hsc 1 N/vsc 1 N/ang 0 N/CLIP 0 N/rwiSeen false N +/rhiSeen false N/letter{}N/note{}N/a4{}N/legal{}N}B/@scaleunit 100 N +/@hscale{@scaleunit div/hsc X}B/@vscale{@scaleunit div/vsc X}B/@hsize{ +/hs X/CLIP 1 N}B/@vsize{/vs X/CLIP 1 N}B/@clip{/CLIP 2 N}B/@hoffset{/ho +X}B/@voffset{/vo X}B/@angle{/ang X}B/@rwi{10 div/rwi X/rwiSeen true N}B +/@rhi{10 div/rhi X/rhiSeen true N}B/@llx{/llx X}B/@lly{/lly X}B/@urx{ +/urx X}B/@ury{/ury X}B/magscale true def end/@MacSetUp{userdict/md known +{userdict/md get type/dicttype eq{userdict begin md length 10 add md +maxlength ge{/md md dup length 20 add dict copy def}if end md begin +/letter{}N/note{}N/legal{}N/od{txpose 1 0 mtx defaultmatrix dtransform S +atan/pa X newpath clippath mark{transform{itransform moveto}}{transform{ +itransform lineto}}{6 -2 roll transform 6 -2 roll transform 6 -2 roll +transform{itransform 6 2 roll itransform 6 2 roll itransform 6 2 roll +curveto}}{{closepath}}pathforall newpath counttomark array astore/gc xdf +pop ct 39 0 put 10 fz 0 fs 2 F/|______Courier fnt invertflag{PaintBlack} +if}N/txpose{pxs pys scale ppr aload pop por{noflips{pop S neg S TR pop 1 +-1 scale}if xflip yflip and{pop S neg S TR 180 rotate 1 -1 scale ppr 3 +get ppr 1 get neg sub neg ppr 2 get ppr 0 get neg sub neg TR}if xflip +yflip not and{pop S neg S TR pop 180 rotate ppr 3 get ppr 1 get neg sub +neg 0 TR}if yflip xflip not and{ppr 1 get neg ppr 0 get neg TR}if}{ +noflips{TR pop pop 270 rotate 1 -1 scale}if xflip yflip and{TR pop pop +90 rotate 1 -1 scale ppr 3 get ppr 1 get neg sub neg ppr 2 get ppr 0 get +neg sub neg TR}if xflip yflip not and{TR pop pop 90 rotate ppr 3 get ppr +1 get neg sub neg 0 TR}if yflip xflip not and{TR pop pop 270 rotate ppr +2 get ppr 0 get neg sub neg 0 S TR}if}ifelse scaleby96{ppr aload pop 4 +-1 roll add 2 div 3 1 roll add 2 div 2 copy TR .96 dup scale neg S neg S +TR}if}N/cp{pop pop showpage pm restore}N end}if}if}N/normalscale{ +Resolution 72 div VResolution 72 div neg scale magscale{DVImag dup scale +}if 0 setgray}N/psfts{S 65781.76 div N}N/startTexFig{/psf$SavedState +save N userdict maxlength dict begin/magscale true def normalscale +currentpoint TR/psf$ury psfts/psf$urx psfts/psf$lly psfts/psf$llx psfts +/psf$y psfts/psf$x psfts currentpoint/psf$cy X/psf$cx X/psf$sx psf$x +psf$urx psf$llx sub div N/psf$sy psf$y psf$ury psf$lly sub div N psf$sx +psf$sy scale psf$cx psf$sx div psf$llx sub psf$cy psf$sy div psf$ury sub +TR/showpage{}N/erasepage{}N/copypage{}N/p 3 def @MacSetUp}N/doclip{ +psf$llx psf$lly psf$urx psf$ury currentpoint 6 2 roll newpath 4 copy 4 2 +roll moveto 6 -1 roll S lineto S lineto S lineto closepath clip newpath +moveto}N/endTexFig{end psf$SavedState restore}N/@beginspecial{SDict +begin/SpecialSave save N gsave normalscale currentpoint TR +@SpecialDefaults count/ocount X/dcount countdictstack N}N/@setspecial{ +CLIP 1 eq{newpath 0 0 moveto hs 0 rlineto 0 vs rlineto hs neg 0 rlineto +closepath clip}if ho vo TR hsc vsc scale ang rotate rwiSeen{rwi urx llx +sub div rhiSeen{rhi ury lly sub div}{dup}ifelse scale llx neg lly neg TR +}{rhiSeen{rhi ury lly sub div dup scale llx neg lly neg TR}if}ifelse +CLIP 2 eq{newpath llx lly moveto urx lly lineto urx ury lineto llx ury +lineto closepath clip}if/showpage{}N/erasepage{}N/copypage{}N newpath}N +/@endspecial{count ocount sub{pop}repeat countdictstack dcount sub{end} +repeat grestore SpecialSave restore end}N/@defspecial{SDict begin}N +/@fedspecial{end}B/li{lineto}B/rl{rlineto}B/rc{rcurveto}B/np{/SaveX +currentpoint/SaveY X N 1 setlinecap newpath}N/st{stroke SaveX SaveY +moveto}N/fil{fill SaveX SaveY moveto}N/ellipse{/endangle X/startangle X +/yrad X/xrad X/savematrix matrix currentmatrix N TR xrad yrad scale 0 0 +1 startangle endangle arc savematrix setmatrix}N end + +%%EndProcSet +%%BeginFont: CMTT10 +%!PS-AdobeFont-1.1: CMTT10 1.00B +%%CreationDate: 1992 Apr 26 10:42:42 +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMTT10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle 0 def +/isFixedPitch true def +end readonly def +/FontName /CMTT10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 68 /D put +dup 82 /R put +dup 98 /b put +dup 100 /d put +dup 108 /l put +dup 114 /r put +dup 122 /z put +readonly def +/FontBBox{-4 -235 731 800}readonly def +/UniqueID 5000832 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA052A014267B7904EB3C0D3BD0B83D891 +016CA6CA4B712ADEB258FAAB9A130EE605E61F77FC1B738ABC7C51CD46EF8171 +9098D5FEE67660E69A7AB91B58F29A4D79E57022F783EB0FBBB6D4F4EC35014F +D2DECBA99459A4C59DF0C6EBA150284454E707DC2100C15B76B4C19B84363758 +469A6C558785B226332152109871A9883487DD7710949204DDCF837E6A8708B8 +2BDBF16FBC7512FAA308A093FE5F00F963068B8232429ED8B7CF6A3D879A2D19 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0 N/Ry 0 N/v{/Ry X +/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) +(NeXT)(LaserWriter 16/600)]{A length product length le{A length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! +TeXDict begin/rf{findfont dup length 1 add dict begin{1 index/FID ne 2 +index/UniqueID ne and{def}{pop pop}ifelse}forall[1 index 0 6 -1 roll +exec 0 exch 5 -1 roll VResolution Resolution div mul neg 0 0]/Metrics +exch def dict begin Encoding{exch dup type/integertype ne{pop pop 1 sub +dup 0 le{pop}{[}ifelse}{FontMatrix 0 get div Metrics 0 get div def} +ifelse}forall Metrics/Metrics currentdict end def[2 index currentdict +end definefont 3 -1 roll makefont/setfont cvx]cvx def}def/ObliqueSlant{ +dup sin S cos div neg}B/SlantFont{4 index mul add}def/ExtendFont{3 -1 +roll mul exch}def/ReEncodeFont{CharStrings rcheck{/Encoding false def +dup[exch{dup CharStrings exch known not{pop/.notdef/Encoding true def} +if}forall Encoding{]exch pop}{cleartomark}ifelse}if/Encoding exch def} +def end + +%%EndProcSet +%%BeginProcSet: special.pro +%! +TeXDict begin/SDict 200 dict N SDict begin/@SpecialDefaults{/hs 612 N +/vs 792 N/ho 0 N/vo 0 N/hsc 1 N/vsc 1 N/ang 0 N/CLIP 0 N/rwiSeen false N +/rhiSeen false N/letter{}N/note{}N/a4{}N/legal{}N}B/@scaleunit 100 N +/@hscale{@scaleunit div/hsc X}B/@vscale{@scaleunit div/vsc X}B/@hsize{ +/hs X/CLIP 1 N}B/@vsize{/vs X/CLIP 1 N}B/@clip{/CLIP 2 N}B/@hoffset{/ho +X}B/@voffset{/vo X}B/@angle{/ang X}B/@rwi{10 div/rwi X/rwiSeen true N}B +/@rhi{10 div/rhi X/rhiSeen true N}B/@llx{/llx X}B/@lly{/lly X}B/@urx{ +/urx X}B/@ury{/ury X}B/magscale true def end/@MacSetUp{userdict/md known +{userdict/md get type/dicttype eq{userdict begin md length 10 add md +maxlength ge{/md md dup length 20 add dict copy def}if end md begin +/letter{}N/note{}N/legal{}N/od{txpose 1 0 mtx defaultmatrix dtransform S +atan/pa X newpath clippath mark{transform{itransform moveto}}{transform{ +itransform lineto}}{6 -2 roll transform 6 -2 roll transform 6 -2 roll +transform{itransform 6 2 roll itransform 6 2 roll itransform 6 2 roll +curveto}}{{closepath}}pathforall newpath counttomark array astore/gc xdf +pop ct 39 0 put 10 fz 0 fs 2 F/|______Courier fnt invertflag{PaintBlack} +if}N/txpose{pxs pys scale ppr aload pop por{noflips{pop S neg S TR pop 1 +-1 scale}if xflip yflip and{pop S neg S TR 180 rotate 1 -1 scale ppr 3 +get ppr 1 get neg sub neg ppr 2 get ppr 0 get neg sub neg TR}if xflip +yflip not and{pop S neg S TR pop 180 rotate ppr 3 get ppr 1 get neg sub +neg 0 TR}if yflip xflip not and{ppr 1 get neg ppr 0 get neg TR}if}{ +noflips{TR pop pop 270 rotate 1 -1 scale}if xflip yflip and{TR pop pop +90 rotate 1 -1 scale ppr 3 get ppr 1 get neg sub neg ppr 2 get ppr 0 get +neg sub neg TR}if xflip yflip not and{TR pop pop 90 rotate ppr 3 get ppr +1 get neg sub neg 0 TR}if yflip xflip not and{TR pop pop 270 rotate ppr +2 get ppr 0 get neg sub neg 0 S TR}if}ifelse scaleby96{ppr aload pop 4 +-1 roll add 2 div 3 1 roll add 2 div 2 copy TR .96 dup scale neg S neg S +TR}if}N/cp{pop pop showpage pm restore}N end}if}if}N/normalscale{ +Resolution 72 div VResolution 72 div neg scale magscale{DVImag dup scale +}if 0 setgray}N/psfts{S 65781.76 div N}N/startTexFig{/psf$SavedState +save N userdict maxlength dict begin/magscale true def normalscale +currentpoint TR/psf$ury psfts/psf$urx psfts/psf$lly psfts/psf$llx psfts +/psf$y psfts/psf$x psfts currentpoint/psf$cy X/psf$cx X/psf$sx psf$x +psf$urx psf$llx sub div N/psf$sy psf$y psf$ury psf$lly sub div N psf$sx +psf$sy scale psf$cx psf$sx div psf$llx sub psf$cy psf$sy div psf$ury sub +TR/showpage{}N/erasepage{}N/copypage{}N/p 3 def @MacSetUp}N/doclip{ +psf$llx psf$lly psf$urx psf$ury currentpoint 6 2 roll newpath 4 copy 4 2 +roll moveto 6 -1 roll S lineto S lineto S lineto closepath clip newpath +moveto}N/endTexFig{end psf$SavedState restore}N/@beginspecial{SDict +begin/SpecialSave save N gsave normalscale currentpoint TR +@SpecialDefaults count/ocount X/dcount countdictstack N}N/@setspecial{ +CLIP 1 eq{newpath 0 0 moveto hs 0 rlineto 0 vs rlineto hs neg 0 rlineto +closepath clip}if ho vo TR hsc vsc scale ang rotate rwiSeen{rwi urx llx +sub div rhiSeen{rhi ury lly sub div}{dup}ifelse scale llx neg lly neg TR +}{rhiSeen{rhi ury lly sub div dup scale llx neg lly neg TR}if}ifelse +CLIP 2 eq{newpath llx lly moveto urx lly lineto urx ury lineto llx ury +lineto closepath clip}if/showpage{}N/erasepage{}N/copypage{}N newpath}N +/@endspecial{count ocount sub{pop}repeat countdictstack dcount sub{end} +repeat grestore SpecialSave restore end}N/@defspecial{SDict begin}N +/@fedspecial{end}B/li{lineto}B/rl{rlineto}B/rc{rcurveto}B/np{/SaveX +currentpoint/SaveY X N 1 setlinecap newpath}N/st{stroke SaveX SaveY +moveto}N/fil{fill SaveX SaveY moveto}N/ellipse{/endangle X/startangle X +/yrad X/xrad X/savematrix matrix currentmatrix N TR xrad yrad scale 0 0 +1 startangle endangle arc savematrix setmatrix}N end + +%%EndProcSet +%%BeginFont: CMBX12 +%!PS-AdobeFont-1.1: CMBX12 1.0 +%%CreationDate: 1991 Aug 20 16:34:54 +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.0) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.0) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMTI8) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle -14.04 def +/isFixedPitch false def +end readonly def +/FontName /CMTI8 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 51 /three put +readonly def +/FontBBox{-35 -250 1190 750}readonly def +/UniqueID 5000826 def +currentdict end +currentfile eexec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cleartomark +%%EndFont +%%BeginFont: CMTI10 +%!PS-AdobeFont-1.1: CMTI10 1.00B +%%CreationDate: 1992 Feb 19 19:56:16 +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMTI10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle -14.04 def +/isFixedPitch false def +end readonly def +/FontName /CMTI10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 97 /a put +dup 98 /b put +dup 99 /c put +dup 100 /d put +dup 101 /e put +dup 102 /f put +readonly def +/FontBBox{-163 -250 1146 969}readonly def +/UniqueID 5000828 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA0529731C99A784CCBE85B4993B2EEBDE +3B12D472B7CF54651EF21185116A69AB1096ED4BAD2F646635E019B6417CC77B +532F85D811C70D1429A19A5307EF63EB5C5E02C89FC6C20F6D9D89E7D91FE470 +B72BEFDA23F5DF76BE05AF4CE93137A219ED8A04A9D7D6FDF37E6B7FCDE0D90B +986423E5960A5D9FBB4C956556E8DF90CBFAEC476FA36FD9A5C8175C9AF513FE +D919C2DDD26BDC0D99398B9F4D03D5993DFC0930297866E1CD0A319B6B1FD958 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`pmxccn' on 2011/07/14. +%% +%!PS-Adobe-3.0 EPSF-3.0 +%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software +%%Title: beethoven0.dvi +%%CreationDate: Wed Feb 18 00:00:51 2004 +%%Pages: 1 +%%PageOrder: Ascend +%%BoundingBox: 28 698 510 798 +%%DocumentFonts: TeXMUSIXSPX-Regular CMR10 TeXMUSIX16-Regular CMBX12 +%%EndComments +%DVIPSWebPage: (www.radicaleye.com) +%DVIPSCommandLine: C:\MIKTEX\TEXMF\MIKTEX\BIN\DVIPS.EXE beethoven0.dvi +%DVIPSParameters: dpi=600, compressed +%DVIPSSource: TeX output 2004.02.18:0000 +%%BeginProcSet: texc.pro +%! +/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S +N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 +mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 +0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ +landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize +mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ +matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round +exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ +statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] +N/FBB[0 0 0 0]N/nn 0 N/IE 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin +/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array +/BitMaps X/BuildChar{CharBuilder}N/Encoding IE N end A{/foo setfont}2 +array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N +df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A +definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get +}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} +B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr +1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 +1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx +0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx 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div put +}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ +bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A +mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ +SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ +userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X +1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 +index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N +/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X +/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) +(NeXT)(LaserWriter 16/600)]{A length product length le{A length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! 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00000000000..f09d990c231 --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/beethoven1.eps @@ -0,0 +1,993 @@ +%% LaTeX2e file `eps/beethoven1.eps' +%% generated by the `filecontents' environment +%% from source `pmxccn' on 2011/07/14. +%% +%!PS-Adobe-3.0 EPSF-3.0 +%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software +%%Title: beethoven1.dvi +%%CreationDate: Wed Feb 18 00:01:35 2004 +%%Pages: 1 +%%PageOrder: Ascend +%%BoundingBox: 28 698 510 792 +%%DocumentFonts: TeXMUSIXSPX-Regular CMR10 TeXMUSIX16-Regular CMBX12 +%%+ CMMI7 +%%EndComments +%DVIPSWebPage: (www.radicaleye.com) +%DVIPSCommandLine: C:\MIKTEX\TEXMF\MIKTEX\BIN\DVIPS.EXE beethoven1.dvi +%DVIPSParameters: dpi=600, compressed +%DVIPSSource: TeX output 2004.02.18:0001 +%%BeginProcSet: texc.pro +%! +/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S +N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 +mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 +0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ +landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize +mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ +matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round +exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ +statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] +N/FBB[0 0 0 0]N/nn 0 N/IE 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin +/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array +/BitMaps X/BuildChar{CharBuilder}N/Encoding IE N end A{/foo setfont}2 +array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N +df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A +definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get +}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} +B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr +1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 +1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx +0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx +sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ +rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp +gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B +/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ +/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ +A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy +get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} +ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp +fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 +{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add +chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ +1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} +forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn +/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put +}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ +bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A +mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ +SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ +userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X +1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 +index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N +/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X +/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) +(NeXT)(LaserWriter 16/600)]{A length product length le{A length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. 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+landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize +mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ +matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round +exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ +statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] +N/FBB[0 0 0 0]N/nn 0 N/IE 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin +/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array +/BitMaps X/BuildChar{CharBuilder}N/Encoding IE N end A{/foo setfont}2 +array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N +df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A +definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get +}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} +B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr +1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 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2 chg nd}{pop nd}]A{bind pop} +forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn +/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put +}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ +bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A +mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ +SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ +userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X +1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 +index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N +/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X +/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) +(NeXT)(LaserWriter 16/600)]{A length product length le{A length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! +TeXDict begin/rf{findfont dup length 1 add dict begin{1 index/FID ne 2 +index/UniqueID ne and{def}{pop pop}ifelse}forall[1 index 0 6 -1 roll +exec 0 exch 5 -1 roll VResolution Resolution div mul neg 0 0]/Metrics +exch def dict begin Encoding{exch dup type/integertype ne{pop pop 1 sub +dup 0 le{pop}{[}ifelse}{FontMatrix 0 get div Metrics 0 get div def} +ifelse}forall Metrics/Metrics currentdict end def[2 index currentdict +end definefont 3 -1 roll makefont/setfont cvx]cvx def}def/ObliqueSlant{ +dup sin S cos div neg}B/SlantFont{4 index mul add}def/ExtendFont{3 -1 +roll mul exch}def/ReEncodeFont{CharStrings rcheck{/Encoding false def +dup[exch{dup CharStrings exch known not{pop/.notdef/Encoding true def} +if}forall Encoding{]exch pop}{cleartomark}ifelse}if/Encoding exch def} +def end + +%%EndProcSet +%%BeginProcSet: special.pro +%! +TeXDict begin/SDict 200 dict N SDict begin/@SpecialDefaults{/hs 612 N +/vs 792 N/ho 0 N/vo 0 N/hsc 1 N/vsc 1 N/ang 0 N/CLIP 0 N/rwiSeen false N +/rhiSeen false N/letter{}N/note{}N/a4{}N/legal{}N}B/@scaleunit 100 N +/@hscale{@scaleunit div/hsc X}B/@vscale{@scaleunit div/vsc X}B/@hsize{ +/hs X/CLIP 1 N}B/@vsize{/vs X/CLIP 1 N}B/@clip{/CLIP 2 N}B/@hoffset{/ho +X}B/@voffset{/vo X}B/@angle{/ang X}B/@rwi{10 div/rwi X/rwiSeen true N}B +/@rhi{10 div/rhi X/rhiSeen true N}B/@llx{/llx X}B/@lly{/lly X}B/@urx{ +/urx X}B/@ury{/ury X}B/magscale true def end/@MacSetUp{userdict/md known +{userdict/md get type/dicttype eq{userdict begin md length 10 add md +maxlength ge{/md md dup length 20 add dict copy def}if end md begin +/letter{}N/note{}N/legal{}N/od{txpose 1 0 mtx defaultmatrix dtransform S +atan/pa X newpath clippath mark{transform{itransform moveto}}{transform{ +itransform lineto}}{6 -2 roll transform 6 -2 roll transform 6 -2 roll +transform{itransform 6 2 roll itransform 6 2 roll itransform 6 2 roll +curveto}}{{closepath}}pathforall newpath counttomark array astore/gc xdf +pop ct 39 0 put 10 fz 0 fs 2 F/|______Courier fnt invertflag{PaintBlack} +if}N/txpose{pxs pys scale ppr aload pop por{noflips{pop S neg S TR pop 1 +-1 scale}if xflip yflip and{pop S neg S TR 180 rotate 1 -1 scale ppr 3 +get ppr 1 get neg sub neg ppr 2 get ppr 0 get neg sub neg TR}if xflip +yflip not and{pop S neg S TR pop 180 rotate ppr 3 get ppr 1 get neg sub +neg 0 TR}if yflip xflip not and{ppr 1 get neg ppr 0 get neg TR}if}{ +noflips{TR pop pop 270 rotate 1 -1 scale}if xflip yflip and{TR pop pop +90 rotate 1 -1 scale ppr 3 get ppr 1 get neg sub neg ppr 2 get ppr 0 get +neg sub neg TR}if xflip yflip not and{TR pop pop 90 rotate ppr 3 get ppr +1 get neg sub neg 0 TR}if yflip xflip not and{TR pop pop 270 rotate ppr +2 get ppr 0 get neg sub neg 0 S TR}if}ifelse scaleby96{ppr aload pop 4 +-1 roll add 2 div 3 1 roll add 2 div 2 copy TR .96 dup scale neg S neg S +TR}if}N/cp{pop pop showpage pm restore}N end}if}if}N/normalscale{ +Resolution 72 div VResolution 72 div neg scale magscale{DVImag dup scale +}if 0 setgray}N/psfts{S 65781.76 div N}N/startTexFig{/psf$SavedState +save N userdict maxlength dict begin/magscale true def normalscale +currentpoint TR/psf$ury psfts/psf$urx psfts/psf$lly psfts/psf$llx psfts +/psf$y psfts/psf$x psfts currentpoint/psf$cy X/psf$cx X/psf$sx psf$x +psf$urx psf$llx sub div N/psf$sy psf$y psf$ury psf$lly sub div N psf$sx +psf$sy scale psf$cx psf$sx div psf$llx sub psf$cy psf$sy div psf$ury sub +TR/showpage{}N/erasepage{}N/copypage{}N/p 3 def @MacSetUp}N/doclip{ +psf$llx psf$lly psf$urx psf$ury currentpoint 6 2 roll newpath 4 copy 4 2 +roll moveto 6 -1 roll S lineto S lineto S lineto closepath clip newpath +moveto}N/endTexFig{end psf$SavedState restore}N/@beginspecial{SDict +begin/SpecialSave save N gsave normalscale currentpoint TR +@SpecialDefaults count/ocount X/dcount countdictstack N}N/@setspecial{ +CLIP 1 eq{newpath 0 0 moveto hs 0 rlineto 0 vs rlineto hs neg 0 rlineto +closepath clip}if ho vo TR hsc vsc scale ang rotate rwiSeen{rwi urx llx +sub div rhiSeen{rhi ury lly sub div}{dup}ifelse scale llx neg lly neg TR +}{rhiSeen{rhi ury lly sub div dup scale llx neg lly neg TR}if}ifelse +CLIP 2 eq{newpath llx lly moveto urx lly lineto urx ury lineto llx ury +lineto closepath clip}if/showpage{}N/erasepage{}N/copypage{}N newpath}N +/@endspecial{count ocount sub{pop}repeat countdictstack dcount sub{end} +repeat grestore SpecialSave restore end}N/@defspecial{SDict begin}N +/@fedspecial{end}B/li{lineto}B/rl{rlineto}B/rc{rcurveto}B/np{/SaveX +currentpoint/SaveY X N 1 setlinecap newpath}N/st{stroke SaveX SaveY +moveto}N/fil{fill SaveX SaveY moveto}N/ellipse{/endangle X/startangle X +/yrad X/xrad X/savematrix matrix currentmatrix N TR xrad yrad scale 0 0 +1 startangle endangle arc savematrix setmatrix}N end + +%%EndProcSet +%%BeginFont: CMBX12 +%!PS-AdobeFont-1.1: CMBX12 1.0 +%%CreationDate: 1991 Aug 20 16:34:54 +% Copyright (C) 1997 American Mathematical Society. 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restore}B/G{{id gp get/gp +gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B +/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ +/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ +A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy +get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} +ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp +fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 +{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add +chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ +1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} +forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn +/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put +}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ +bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A +mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ +SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ +userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X +1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 +index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N +/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X +/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) +(NeXT)(LaserWriter 16/600)]{A length product length le{A length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: texps.pro +%! +TeXDict begin/rf{findfont dup length 1 add dict begin{1 index/FID ne 2 +index/UniqueID ne and{def}{pop pop}ifelse}forall[1 index 0 6 -1 roll +exec 0 exch 5 -1 roll VResolution Resolution div mul neg 0 0]/Metrics +exch def dict begin Encoding{exch dup type/integertype ne{pop pop 1 sub +dup 0 le{pop}{[}ifelse}{FontMatrix 0 get div Metrics 0 get div def} +ifelse}forall Metrics/Metrics currentdict end def[2 index currentdict +end definefont 3 -1 roll makefont/setfont cvx]cvx def}def/ObliqueSlant{ +dup sin S cos div neg}B/SlantFont{4 index mul add}def/ExtendFont{3 -1 +roll mul exch}def/ReEncodeFont{CharStrings rcheck{/Encoding false def +dup[exch{dup CharStrings exch known not{pop/.notdef/Encoding true def} +if}forall Encoding{]exch pop}{cleartomark}ifelse}if/Encoding exch def} +def end + +%%EndProcSet +%%BeginFont: CMR10 +%!PS-AdobeFont-1.1: CMR10 1.00B +%%CreationDate: 1992 Feb 19 19:54:52 +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMR10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle 0 def +/isFixedPitch false def +end readonly def +/FontName /CMR10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 45 /hyphen put +dup 68 /D put +dup 76 /L put +dup 97 /a put +dup 99 /c put +dup 101 /e put +dup 102 /f put +dup 105 /i put +dup 108 /l put +dup 111 /o put +dup 115 /s put +dup 116 /t put +dup 117 /u put +readonly def +/FontBBox{-251 -250 1009 969}readonly def +/UniqueID 5000793 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA052A014267B7904EB3C0D3BD0B83D891 +016CA6CA4B712ADEB258FAAB9A130EE605E61F77FC1B738ABC7C51CD46EF8171 +9098D5FEE67660E69A7AB91B58F29A4D79E57022F783EB0FBBB6D4F4EC35014F +D2DECBA99459A4C59DF0C6EBA150284454E707DC2100C15B76B4C19B84363758 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.0) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. 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y(\000)2087 1156 +y Fa(fa)p 2143 947 V 2096 947 a Fc(\007\000)2087 741 +y Fa(fa)p 2143 615 V 2096 615 a Fc(\007\000)2087 326 +y Fa(fa)p 2143 137 V 2096 137 a Fc(\007)2096 117 y(\000)2193 +1572 y Fa(-)g(ctus)p 2308 1476 4 135 v 2309 1476 a Fc(-)2309 +1341 y(\007)2193 1156 y Fa(-)g(ctus)p 2357 947 V 2358 +947 a Fc(\()-48 b(\007)2193 741 y Fa(-)38 b(ctus)p 2357 +615 V 2358 615 a Fc(\()-48 b(\007)2193 326 y Fa(-)38 +b(ctus)p 2357 137 V 2358 137 a Fc(\()-48 b(\007)2432 +1572 y Fa(est)p 2432 1486 4 146 v 2433 1341 a Fc(\007)2606 +1424 y(>)2432 1156 y Fa(est)p 2480 947 V 2433 947 a Fc(\007)2606 +1009 y(>)2432 741 y Fa(est)p 2480 615 V 2433 615 a Fc(\007)2606 +594 y(>)2432 326 y Fa(est)p 2480 158 V 2433 158 a Fc(\007)2606 +179 y(>)p 2781 1426 4 168 v 2781 1011 V 2781 596 V 2781 +181 V 2838 1572 a Fa(lo)p 2846 1486 4 146 v 2847 1341 +a Fc(\010)2847 1320 y(\000)2838 1156 y Fa(lo)p 2894 947 +V 2847 947 a Fc(\010\000)2796 573 y(4)2838 741 y Fa(lo)p +2894 573 V 2847 573 a Fc(\010\000)2838 326 y Fa(lo)p +2846 199 V 2847 54 a Fc(\010)2847 34 y(\000)2995 1572 +y Fa(-)92 b(cus)p 3148 1486 V 3149 1341 a Fc(\007)2995 +1156 y Fa(-)g(cus)p 3148 1030 V 3149 885 a Fc(\007)2995 +741 y Fa(-)g(cus)p 3196 573 V 3149 573 a Fc(\007)2995 +326 y Fa(-)g(cus)p 3148 220 V 3149 75 a Fc(\007)p 3323 +1426 4 168 v 3323 1011 V 3323 596 V 3323 181 V 3401 1572 +a Fa(i)p 3436 1424 4 146 v 3389 1424 a Fc(\010)3401 1156 +y Fa(i)p 3388 1030 V 3389 885 a Fc(\010)3338 573 y(4)3401 +741 y Fa(i)p 3436 573 V 3389 573 a Fc(\010)3401 326 y +Fa(i)p 3388 220 V 3389 75 a Fc(\010)3502 1572 y Fa(-)78 +b(ste)p 3682 1424 V 3635 1424 a Fc(\007)3813 1572 y Fa(a)p +3809 1424 V 3810 1279 a Fc(\007)3502 1156 y Fa(-)g(ste)p +3634 1030 V 3635 885 a Fc(\007)3809 1009 y(>)3502 741 +y Fa(-)g(ste)p 3682 552 V 3635 552 a Fc(\007)3809 594 +y(>)3502 326 y Fa(-)g(ste)p 3634 241 V 3635 96 a Fc(\007)3809 +179 y(>)p 3983 1426 4 168 v 3983 1011 V 3983 596 V 3983 +181 V eop end +%%Trailer + +userdict /end-hook known{end-hook}if +%%EOF diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/caccini1.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/caccini1.eps new file mode 100644 index 00000000000..d9192f6b4a9 --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/caccini1.eps @@ -0,0 +1,2030 @@ +%% LaTeX2e file `eps/caccini1.eps' +%% generated by the `filecontents' environment +%% from source `pmxccn' on 2011/07/14. +%% +%!PS-Adobe-2.0 EPSF-2.0 +%%BoundingBox: 21 93 556 793 +% EPSF created by ps2eps 1.39 +%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software +%%Title: imp.dvi +%%CreationDate: Fri Sep 13 09:08:44 2002 +%%PageOrder: Ascend +%%DocumentFonts: TeXMUSIXSPX-Regular CMTI10 TeXMUSIX20-Regular +%%+ TeXMUSIX16-Regular CMB10 CMR12 CMR10 CMMI10 CMR9 +%%DocumentPaperSizes: a4 +%%EndComments +%%BeginProlog +save +countdictstack +mark +newpath +/showpage {} def +/setpagedevice {pop} def%%EndProlog +%%Page 1 1 +%DVIPSWebPage: (www.radicaleye.com) +%DVIPSCommandLine: C:\TEXMF\MIKTEX\BIN\DVIPS.EXE -Ptype1 imp +%DVIPSParameters: dpi=2540, compressed +%DVIPSSource: TeX output 2002.09.13:0818 +%! +/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S +N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 +mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 +0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ +landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize +mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ +matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round +exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ +statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] +N/FBB[0 0 0 0]N/nn 0 N/IEn 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin +/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array +/BitMaps X/BuildChar{CharBuilder}N/Encoding IEn N end A{/foo setfont}2 +array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N +df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A +definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get +}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} +B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr +1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 +1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx +0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx +sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ +rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp +gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B +/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ +/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ +A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy +get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} +ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp +fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 +{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add +chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ +1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} +forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn +/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put +}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ +bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A +mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ +SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ +userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X +1000 div/DVImag X/IEn 256 array N 2 string 0 1 255{IEn S A 360 add 36 4 +index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N +/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/V{}B/RV/v{ +/Ry X/Rx X V}B statusdict begin/product where{pop false[(Display)(NeXT) +(LaserWriter 16/600)]{A length product length le{A length product exch 0 +exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false}ifelse +end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot}imagemask +grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{BDot} +imagemask grestore}}ifelse B/QV{gsave newpath transform round exch round +exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 rlineto +fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B/M{S p +delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M}B/g{0 M} +B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p -3 w}B/n{ +p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{0 S +rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. +/slur@Dict 200 dict def +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if +% align the slur to the staff lines + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + aa 0 gt { /shift shift neg def } if + ifadjust 0 eq { + /shift 0 def + } if +% and finally draw it... + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + grestore + % now some \slurtext code... + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def +% differenced line +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def +% sloped line +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def +% free line (init & terminate) +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def +end +%! +TeXDict begin/rf{findfont dup length 1 add dict begin{1 index/FID ne 2 +index/UniqueID ne and{def}{pop pop}ifelse}forall[1 index 0 6 -1 roll +exec 0 exch 5 -1 roll VResolution Resolution div mul neg 0 0]/Metrics +exch def dict begin Encoding{exch dup type/integertype ne{pop pop 1 sub +dup 0 le{pop}{[}ifelse}{FontMatrix 0 get div Metrics 0 get div def} +ifelse}forall Metrics/Metrics currentdict end def[2 index currentdict +end definefont 3 -1 roll makefont/setfont cvx]cvx def}def/ObliqueSlant{ +dup sin S cos div neg}B/SlantFont{4 index mul add}def/ExtendFont{3 -1 +roll mul exch}def/ReEncodeFont{CharStrings rcheck{/Encoding false def +dup[exch{dup CharStrings exch known not{pop/.notdef/Encoding true def} +if}forall Encoding{]exch pop}{cleartomark}ifelse}if/Encoding exch def} +def end +%! +TeXDict begin/SDict 200 dict N SDict begin/@SpecialDefaults{/hs 612 N +/vs 792 N/ho 0 N/vo 0 N/hsc 1 N/vsc 1 N/ang 0 N/CLIP 0 N/rwiSeen false N +/rhiSeen false N/letter{}N/note{}N/a4{}N/legal{}N}B/@scaleunit 100 N +/@hscale{@scaleunit div/hsc X}B/@vscale{@scaleunit div/vsc X}B/@hsize{ +/hs X/CLIP 1 N}B/@vsize{/vs X/CLIP 1 N}B/@clip{/CLIP 2 N}B/@hoffset{/ho +X}B/@voffset{/vo X}B/@angle{/ang X}B/@rwi{10 div/rwi X/rwiSeen true N}B +/@rhi{10 div/rhi X/rhiSeen true N}B/@llx{/llx X}B/@lly{/lly X}B/@urx{ +/urx X}B/@ury{/ury X}B/magscale true def end/@MacSetUp{userdict/md known +{userdict/md get type/dicttype eq{userdict begin md length 10 add md +maxlength ge{/md md dup length 20 add dict copy def}if end md begin +/letter{}N/note{}N/legal{}N/od{txpose 1 0 mtx defaultmatrix dtransform S +atan/pa X newpath clippath mark{transform{itransform moveto}}{transform{ +itransform lineto}}{6 -2 roll transform 6 -2 roll transform 6 -2 roll +transform{itransform 6 2 roll itransform 6 2 roll itransform 6 2 roll +curveto}}{{closepath}}pathforall newpath counttomark array astore/gc xdf +pop ct 39 0 put 10 fz 0 fs 2 F/|______Courier fnt invertflag{PaintBlack} +if}N/txpose{pxs pys scale ppr aload pop por{noflips{pop S neg S TR pop 1 +-1 scale}if xflip yflip and{pop S neg S TR 180 rotate 1 -1 scale ppr 3 +get ppr 1 get neg sub neg ppr 2 get ppr 0 get neg sub neg TR}if xflip +yflip not and{pop S neg S TR pop 180 rotate ppr 3 get ppr 1 get neg sub +neg 0 TR}if yflip xflip not and{ppr 1 get neg ppr 0 get neg TR}if}{ +noflips{TR pop pop 270 rotate 1 -1 scale}if xflip yflip and{TR pop pop +90 rotate 1 -1 scale ppr 3 get ppr 1 get neg sub neg ppr 2 get ppr 0 get +neg sub neg TR}if xflip yflip not and{TR pop pop 90 rotate ppr 3 get ppr +1 get neg sub neg 0 TR}if yflip xflip not and{TR pop pop 270 rotate ppr +2 get ppr 0 get neg sub neg 0 S TR}if}ifelse scaleby96{ppr aload pop 4 +-1 roll add 2 div 3 1 roll add 2 div 2 copy TR .96 dup scale neg S neg S +TR}if}N/cp{pop pop showpage pm restore}N end}if}if}N/normalscale{ +Resolution 72 div VResolution 72 div neg scale magscale{DVImag dup scale +}if 0 setgray}N/psfts{S 65781.76 div N}N/startTexFig{/psf$SavedState +save N userdict maxlength dict begin/magscale true def normalscale +currentpoint TR/psf$ury psfts/psf$urx psfts/psf$lly psfts/psf$llx psfts +/psf$y psfts/psf$x psfts currentpoint/psf$cy X/psf$cx X/psf$sx psf$x +psf$urx psf$llx sub div N/psf$sy psf$y psf$ury psf$lly sub div N psf$sx +psf$sy scale psf$cx psf$sx div psf$llx sub psf$cy psf$sy div psf$ury sub +TR/showpage{}N/erasepage{}N/copypage{}N/p 3 def @MacSetUp}N/doclip{ +psf$llx psf$lly psf$urx psf$ury currentpoint 6 2 roll newpath 4 copy 4 2 +roll moveto 6 -1 roll S lineto S lineto S lineto closepath clip newpath +moveto}N/endTexFig{end psf$SavedState restore}N/@beginspecial{SDict +begin/SpecialSave save N gsave normalscale currentpoint TR +@SpecialDefaults count/ocount X/dcount countdictstack N}N/@setspecial{ +CLIP 1 eq{newpath 0 0 moveto hs 0 rlineto 0 vs rlineto hs neg 0 rlineto +closepath clip}if ho vo TR hsc vsc scale ang rotate rwiSeen{rwi urx llx +sub div rhiSeen{rhi ury lly sub div}{dup}ifelse scale llx neg lly neg TR +}{rhiSeen{rhi ury lly sub div dup scale llx neg lly neg TR}if}ifelse +CLIP 2 eq{newpath llx lly moveto urx lly lineto urx ury lineto llx ury +lineto closepath clip}if/showpage{}N/erasepage{}N/copypage{}N newpath}N +/@endspecial{count ocount sub{pop}repeat countdictstack dcount sub{end} +repeat grestore SpecialSave restore end}N/@defspecial{SDict begin}N +/@fedspecial{end}B/li{lineto}B/rl{rlineto}B/rc{rcurveto}B/np{/SaveX +currentpoint/SaveY X N 1 setlinecap newpath}N/st{stroke SaveX SaveY +moveto}N/fil{fill SaveX SaveY moveto}N/ellipse{/endangle X/startangle X +/yrad X/xrad X/savematrix matrix currentmatrix N TR xrad yrad scale 0 0 +1 startangle endangle arc savematrix setmatrix}N end +%!PS-AdobeFont-1.1: CMR9 1.0 +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.0) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMR9) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle 0 def +/isFixedPitch false def +end readonly def +/FontName /CMR9 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 48 /zero put +dup 49 /one put +readonly def +/FontBBox{-39 -250 1036 750}readonly def +/UniqueID 5000792 def +currentdict end +currentfile eexec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cleartomark +%!PS-AdobeFont-1.1: CMMI10 1.100 +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.100) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMMI10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle -14.04 def +/isFixedPitch false def +end readonly def +/FontName /CMMI10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 48 /zerooldstyle put +dup 49 /oneoldstyle put +dup 50 /twooldstyle put +dup 51 /threeoldstyle put +dup 52 /fouroldstyle put +dup 53 /fiveoldstyle put +dup 54 /sixoldstyle put +dup 55 /sevenoldstyle put +dup 56 /eightoldstyle put +dup 93 /sharp put +dup 94 /slurbelow put +readonly def +/FontBBox{-32 -250 1048 750}readonly def +/UniqueID 5087385 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA0529731C99A784CCBE85B4993B2EEBDE +3B12D472B7CF54651EF21185116A69AB1096ED4BAD2F646635E019B6417CC77B +532F85D811C70D1429A19A5307EF63EB5C5E02C89FC6C20F6D9D89E7D91FE470 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMR10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle 0 def +/isFixedPitch false def +end readonly def +/FontName /CMR10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 18 /grave put +dup 19 /acute put +dup 39 /quoteright put +dup 40 /parenleft put +dup 41 /parenright put +dup 44 /comma put +dup 45 /hyphen put +dup 46 /period put +dup 48 /zero put +dup 49 /one put +dup 53 /five put +dup 54 /six put +dup 55 /seven put +dup 56 /eight put +dup 58 /colon put +dup 65 /A put +dup 80 /P put +dup 81 /Q put +dup 84 /T put +dup 97 /a put +dup 98 /b put +dup 99 /c put +dup 100 /d put +dup 101 /e put +dup 102 /f put +dup 103 /g put +dup 104 /h put +dup 105 /i put +dup 108 /l put +dup 109 /m put +dup 110 /n put +dup 111 /o put +dup 112 /p put +dup 113 /q put +dup 114 /r put +dup 115 /s put +dup 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.0) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMR12) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle 0 def +/isFixedPitch false def +end readonly def +/FontName /CMR12 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 67 /C put +dup 71 /G put +dup 97 /a put +dup 99 /c put +dup 105 /i put +dup 108 /l put +dup 110 /n put +dup 111 /o put +dup 117 /u put +readonly def +/FontBBox{-34 -251 988 750}readonly def +/UniqueID 5000794 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA052A014267B7904EB3C0D3BD0B83D891 +016CA6CA4B712ADEB258FAAB9A130EE605E61F77FC1B738ABC7C51CD46EF8171 +9098D5FEE67660E69A7AB91B58F29A4D79E57022F783EB0FBBB6D4F4EC35014F +D2DECBA99459A4C59DF0C6EBA150284454E707DC2100C15B76B4C19B84363758 +469A6C558785B226332152109871A9883487DD7710949204DDCF837E6A8708B8 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.0) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMB10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Bold) readonly def +/ItalicAngle 0 def +/isFixedPitch false def +end readonly def +/FontName /CMB10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 39 /quoteright put +dup 65 /A put +dup 97 /a put +dup 101 /e put +dup 105 /i put +dup 108 /l put +dup 109 /m put +dup 110 /n put +dup 111 /o put +dup 112 /p put +dup 114 /r put +readonly def +/FontBBox{-62 -250 1011 750}readonly def +/UniqueID 5000761 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA052A014267B7904EB3C0D3BD0B83D891 +016CA6CA4B712ADEB258FAAB9A130EE605E61F77FC1B738ABC7C51CD46EF8171 +9098D5FEE67660E69A7AB91B58F29A4D79E57022F783EB0FBBB6D4F4EC35014F +D2DECBA99459A4C59DF0C6EBA150284454E707DC2100C15B76B4C19B84363758 +469A6C558785B226332152109871A9883487DD7710949204DDCF837E6A8708B8 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMTI10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle -14.04 def +/isFixedPitch false def +end readonly def +/FontName /CMTI10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 67 /C put +dup 83 /S put +dup 97 /a put +dup 105 /i put +dup 110 /n put +dup 111 /o put +dup 112 /p put +dup 114 /r put +dup 116 /t put +dup 117 /u put +readonly def +/FontBBox{-163 -250 1146 969}readonly def +/UniqueID 5000828 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA0529731C99A784CCBE85B4993B2EEBDE +3B12D472B7CF54651EF21185116A69AB1096ED4BAD2F646635E019B6417CC77B +532F85D811C70D1429A19A5307EF63EB5C5E02C89FC6C20F6D9D89E7D91FE470 +B72BEFDA23F5DF76BE05AF4CE93137A219ED8A04A9D7D6FDF37E6B7FCDE0D90B +986423E5960A5D9FBB4C956556E8DF90CBFAEC476FA36FD9A5C8175C9AF513FE 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GD 1.6 (2.5pt) GD M S1dir +M A S1x1 S1y1 CP (4.00002pt) GDAR S1dir M SB 0.7 S1dir M 0.17 40 S1dash +S1adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 4112 7887 a 4112 7887 a + end + 4112 7887 a 3067 7226 +1152 85 v 4211 7887 15 703 v -104 w Fg(\007)4692 12227 +y(\\)4850 12315 y Fc(6)4923 11436 y + slur@Dict begin (2.5pt) GD S0hgt (10.0pt) GD 1.6 (2.5pt) GD M S0dir +M A S0x1 S0y1 CP (4.00002pt) GDAR S0dir M SB 0.7 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 4923 11436 a 4923 +11436 a + end + 4923 11436 a 4818 12050 15 615 v -104 w Fg(\007)4649 +10241 y Ff(6)p 4776 10178 254 15 v 1 w(\007)p 4777 10178 +V 4778 10319 V 4821 10715 15 474 v 4822 10382 a(\007)p +5022 7799 15 616 v 4819 7799 a Fg(\007)5513 8115 y + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (-1.50002pt) GD N /S0brk +S0hgt (2.5pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (106.0pt) GDAR N /S0dir +-1 N /S0dash 0 N /S0adj 1 N end + 5513 +8115 a 5023 7358 580 85 v 5594 7974 15 791 v 5391 7974 +a Fg(\007)6068 7974 y + slur@Dict begin (2.5pt) GD S0hgt (2.5pt) GD 1.6 (2.5pt) GD M S0dir +M A S0x1 S0y1 CP (4.00002pt) GDAR S0dir M SB 0.7 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 6068 7974 a 6068 7974 a + end + 6068 7974 +a 5022 7226 1152 85 v 6166 7974 15 791 v -105 w Fg(\007)p +6773 11788 15 703 v 6773 11085 15 1617 v 6773 8062 15 +703 v 7397 11524 15 615 v 7194 11524 a(\010)p 7151 10178 +254 15 v 7152 10319 V 7195 10382 a Ff(\010)p 7153 10178 +V 7196 10715 15 545 v 7197 10171 a(\010)p 7355 10030 +15 492 v 7194 10030 a(\010)-141 8774 y Fc(-)1183 b(-)f(-)g(-)h(-)f(-) +591 b(na.)p 7397 7887 15 615 v 7194 7887 a Fg(\010)p +9020 11524 V 8817 11524 a(\010)p 8774 10178 254 15 v +-1353 x Ff(\010)p 8817 10531 15 501 v 8818 10030 a(\010)p +8978 9890 15 492 v 8817 9890 a(\010)8816 8062 y Fg(>)9938 +8774 y Fc(A)p 10168 7887 15 572 v 10169 7887 a Fg(\()-204 +b(\007)10331 8774 y Fc(-)130 b(mor)p 10979 7887 V 10980 +7887 a Fg(\()-204 b(\007)p 11587 11788 15 703 v 11587 +11085 15 1617 v 11587 8062 15 703 v 12038 12227 a(Z)p +12210 11788 15 615 v 12007 11788 a(\010)p 14506 11788 +V 2296 w(\010)p 11838 10328 15 439 v 11839 9890 a Ff(\010)p +14260 10178 254 15 v 14303 10241 a(\010)p 14303 10574 +15 474 v 14304 10101 a(\010)-2298 b(\007)p 12168 10101 +15 843 v 12007 9749 a(\007)p 13112 10178 254 15 v 13155 +10171 a(\007)p 13317 10171 15 843 v 13156 9820 a(\007)p +14464 9890 15 492 v 14303 9890 a(\010)11878 8774 y Fc(dol)p +12006 8325 15 615 v 12007 7711 a Fg(\010)12752 8774 y +Fc(-)811 b(-)406 b(ce,)p 14506 7887 V 14303 7887 a Fg(\007)15468 +8774 y Fc(a)p 15654 8150 15 572 v 15655 8150 a Fg(\()-204 +b(\007)15796 8774 y Fc(-)151 b(mor)p 16466 8150 V 16467 +8150 a Fg(\()-204 b(\007)p 17073 11788 15 703 v 17073 +11085 15 1617 v 17073 8062 15 703 v 17087 11788 a + slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end + 17087 +11788 a -1540 16876 18628 15 v -1540 17052 V -1540 17228 +V -1540 17403 V -1540 17579 V -1540 15259 V -1540 15400 +V -1540 15541 V -1540 15681 V -1540 15822 V -1540 13151 +V -1540 13326 V -1540 13502 V -1540 13678 V -1540 13853 +V -1540 17579 15 4436 v -1628 12836 a Fb(7)-1540 16430 +y Fi(\240)-1540 17045 y Fg(I)-1487 15674 y Ff(G)-1540 +13671 y Fg(G)-960 17396 y(2)-957 15533 y Ff(2)-960 13495 +y Fg(2)-344 18011 y(Z)p -376 17835 15 615 v -375 17220 +a(\010)p -544 16271 15 386 v -543 15885 a Ff(\010)p -418 +15962 254 15 v -417 16103 V -374 16096 a(\010)-374 16026 +y(\000)p -212 16096 15 843 v -373 15744 a(\010\000)-436 +14558 y Fc(ca)p -172 13759 15 615 v -375 13759 a Fg(\007)205 +14558 y Fc(-)310 b(ro,)927 14719 y Fb(^)1160 14558 y +Fc(a)p 836 13759 15 703 v 633 13759 a Fg(\007)p 1337 +13846 15 791 v 1134 13846 a(\007)p 1839 13759 15 703 +v 1636 13759 a(\007)p 836 13230 1513 85 v 836 13098 V +2341 13671 15 616 v 2138 13671 a(\007)p 2843 17484 15 +615 v 2640 17484 a(\007)p 2597 15962 254 15 v 2640 16315 +15 360 v 2641 15955 a Ff(\010)1830 14558 y Fc(-)495 b(mor)p +2843 13583 15 615 v 2640 13583 a Fg(\007)p 3851 17308 +V 3648 17308 a(\007)3647 15815 y Ff(\007)p 3605 15962 +254 15 v 3606 16103 V 3811 16166 15 843 v 3650 16166 +a(\007)3647 14558 y Fc(fe)p 3851 13846 15 703 v 3648 +13846 a Fg(\007)p 4353 13934 15 791 v 4150 13934 a(\007)p +4854 13846 15 703 v 4651 13846 a(\007)p 3851 13318 1513 +85 v 3851 13186 V 5356 13759 15 616 v 5153 13759 a(\007)p +5654 17572 15 703 v 5654 16869 15 1617 v 5654 13846 15 +703 v 6024 18099 a Fa(11)6147 17713 y + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (-4.00002pt) GD N /S0brk +S0hgt (2.5pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (0.0pt) GDAR N /S0dir +-1 N /S0dash 0 N /S0adj 1 N end + 6147 17713 a 6228 +17572 15 615 v 6025 17572 a Fg(\010)7448 18099 y Fa(10)7554 +17572 y + slur@Dict begin (2.5pt) GD S0hgt (0.0pt) GD 1.6 (2.5pt) GD M S0dir +M A S0x1 S0y1 CP (4.00002pt) GDAR S0dir M SB 0.7 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 7554 17572 a 7554 17572 a + end + 7554 17572 a 7652 17572 +15 615 v -105 w Fg(\010)p 5814 15962 254 15 v 5857 16315 +15 360 v 5858 15955 a Ff(\010)7280 16026 y(6)p 7406 15962 +254 15 v 7449 16359 15 334 v 1 w(\010)p 5982 15962 296 +15 v 5983 16103 V 6026 16166 a(\011)6026 15885 y(\011)4382 +14558 y Fc(-)944 b(-)472 b(li)6024 13671 y Fg(\011)p +8872 17572 15 703 v 8872 16869 15 1617 v 8872 13846 15 +703 v 9242 17308 a(\011)p 9200 15962 296 15 v 9201 16103 +V 9244 16166 a Ff(\011)p 9202 15962 V 9245 15955 a(\011)9242 +15815 y(\011)6898 14558 y Fc(-)1340 b(-)671 b(ce.)9242 +13671 y Fg(\011)p 11257 17572 15 703 v 11257 16869 15 +1617 v 11257 13846 15 703 v 11831 17308 15 615 v 11628 +17308 a(\010)11627 15815 y Ff(\010)p 11585 15962 254 +15 v 11628 16315 15 501 v 11629 15955 a(\010)p 11789 +15674 15 492 v 11628 15674 a(\010)11483 14558 y Fc(T)-29 +b(al)p 11627 14021 15 615 v 11628 13407 a Fg(\007)12491 +14558 y Fc(c)-10 b(he)p 12838 13671 15 572 v 12839 13671 +a Fg(\()-204 b(\007)13169 14558 y Fc(non)p 13550 13671 +V 13551 13671 a Fg(\()g(\007)14090 18011 y(Z)p 14262 +17572 15 615 v 14059 17572 a(\010)p 14016 15962 254 15 +v -1547 x Ff(\010)p 14059 16359 15 474 v 14060 15885 +a(\010)p 14220 15674 15 492 v 14059 15674 a(\010)13914 +14558 y Fc(sp)10 b(e)p 14058 14109 15 615 v 14059 13495 +a Fg(\007)14681 14558 y Fc(-)268 b(ro)p 15066 14198 15 +616 v 15067 13583 a Fg(\007)p 15568 14198 15 703 v 15569 +13495 a(\007)p 16069 14198 15 791 v 16070 13407 a(\007)p +15450 14558 1333 15 v 15066 14108 1520 85 v 15066 14240 +V 16571 14198 15 703 v 16572 13495 a(\007)p 17073 17572 +V 17073 16869 15 1617 v 17073 13846 15 703 v 17087 17572 +a + slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end + 17087 17572 a -1540 22572 18628 15 v -1540 22748 V +-1540 22924 V -1540 23100 V -1540 23275 V -1540 20956 +V -1540 21096 V -1540 21237 V -1540 21377 V -1540 21518 +V -1540 18847 V -1540 19023 V -1540 19198 V -1540 19374 +V -1540 19550 V -1540 23275 15 4436 v -1716 18532 a Fb(11)-1540 +22126 y Fi(\240)-1540 22741 y Fg(I)-1487 21370 y Ff(G)-1540 +19367 y Fg(G)-960 23093 y(2)-957 21230 y Ff(2)-960 19191 +y Fg(2)-381 23708 y(Z)p -413 23531 15 615 v -412 22917 +a(\010)-413 21581 y Ff(\010)p -455 21659 254 15 v -454 +21799 V -411 22125 15 545 v -410 21792 a(\010)p -251 +21441 15 492 v -412 21441 a(\010\000)-551 20255 y Fc(pi)10 +b(\022)-185 b(u)p -209 19279 15 615 v -412 19279 a Fg(\007\000)620 +20255 y Fc(n)-10 b(\023)-166 b(e)p 894 19631 15 572 v +895 19631 a Fg(\()-204 b(\007)p 1532 23093 15 615 v 1329 +23093 a(\007)p 1286 21659 254 15 v -1371 x Ff(\010)p +1329 22055 15 474 v 1330 21581 a(\010)1189 20255 y Fc(pi)10 +b(\022)-185 b(u)p 1532 19455 15 615 v 1329 19455 a Fg(\007)2262 +23708 y(Z)p 2434 23268 V 2231 23268 a(\007)p 2392 21370 +15 492 v -1898 x Ff(\007)2230 20255 y Fc(mi)p 2434 19543 +15 791 v 2231 19543 a Fg(\007)p 2884 19455 15 703 v 2681 +19455 a(\007)p 3333 19367 15 616 v 3130 19367 a(\007)p +2692 20255 1099 15 v 2434 18926 1356 85 v 2434 18794 +V 3783 19455 15 703 v 3580 19455 a(\007)p 4029 23268 +V 4029 22565 15 1617 v 4029 19543 15 703 v 4362 23795 +a Fa(11)4653 23233 y + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (0.99998pt) GD N /S0brk +S0hgt (2.5pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (0.0pt) GDAR N /S0dir +-1 N /S0dash 0 N /S0adj 1 N end + 4653 23233 a 4565 23180 15 615 v +4362 23180 a Fg(\010)p 4319 21659 254 15 v 4320 21799 +V 4363 22125 15 334 v 4364 21792 a Ff(\010)4364 21862 +y(\000)4362 21511 y(\011)p 4692 21581 15 492 v 4531 21581 +a(\010)4369 20255 y Fc(li)4362 19543 y Fg(\011)5637 23795 +y Fb(])p Fa(10)5574 23093 y + slur@Dict begin (2.5pt) GD S0hgt (5.0pt) GD 1.6 (2.5pt) GD M S0dir +M A S0x1 S0y1 CP (4.00002pt) GDAR S0dir M SB 0.7 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 5574 23093 a 5574 23093 a + end +5574 23093 a 5929 23233 a + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (0.99998pt) GD N /S0brk +S0hgt (2.5pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (0.0pt) GDAR N /S0dir +-1 N /S0dash 0 N /S0adj 1 N end + 5929 23233 a 5841 23180 15 +615 v 5638 23180 a Fg(\007)6571 23795 y Fc(7)6476 23093 +y + slur@Dict begin (2.5pt) GD S0hgt (5.0pt) GD 1.6 (2.5pt) GD M S0dir +M A S0x1 S0y1 CP (4.00002pt) GDAR S0dir M SB 0.7 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 6476 23093 a 6476 23093 a + end + 6476 23093 a 6743 23180 15 +615 v 6540 23180 a Fg(\007)p 6497 21659 254 15 v 6498 +21799 V 6541 22196 15 334 v 6542 21862 a Ff(\007)5468 +21652 y(4)p 5595 21659 254 15 v 5800 21652 15 492 v 2 +w(\010)p 7442 23268 15 703 v 7442 22565 15 1617 v 7442 +19543 15 703 v 7806 23708 a Fg(\\)p 7775 23531 15 615 +v 7776 22917 a(\010)7775 21581 y Ff(\010)7606 21933 y(4)p +7732 21659 254 15 v 7733 21799 V 7734 21940 V 7777 22266 +15 685 v 3 w(\010)p 7936 21581 15 492 v 7775 21581 a(\010)5024 +20255 y Fc(-)920 b(-)g(-)460 b(ce.)p 7978 19631 15 615 +v 7775 19631 a Fg(\010)p 9050 23531 V 9051 22917 a(\010)p +9008 21659 254 15 v 9009 21799 V 9052 21792 a Ff(\010)p +9052 22125 15 545 v 9053 21581 a(\010)8881 21441 y(4)p +9212 21441 15 492 v 1 w(\010)9050 19543 y Fg(>)9741 19455 +y(4)9786 20255 y Fc(P)-10 b(as)p 10156 19455 15 572 v +10157 19455 a Fg(\()-204 b(\007)10375 20255 y Fc(-)46 +b(so)p 10794 19455 V 10795 19455 a Fg(\()-204 b(\007)p +11228 23268 15 703 v 11228 22565 15 1617 v 11228 19543 +15 703 v 11764 23268 15 615 v 11561 23268 a(\010)11561 +21581 y Ff(\010)p 11518 21659 254 15 v 11561 22055 15 +474 v 11562 21722 a(\010)p 11722 21370 15 492 v 11561 +21370 a(\007)11344 20255 y Fc(nem)p 11764 19367 15 615 +v 11561 19367 a Fg(\007)p 13942 23005 V 13739 23005 a(\010)p +13696 21659 254 15 v 13697 21799 V 13740 21862 a Ff(\010)p +13698 21659 V 13741 22196 15 545 v 13742 21652 a(\010)12294 +21441 y(6)p 12625 21441 15 492 v 1 w(\007)p 13900 21511 +V 13739 21511 a(\010)12078 20255 y Fc(-)90 b(bi)12461 +20415 y Fb(^)12695 20255 y Fc(e)p 12667 19631 15 572 +v 12668 19631 a Fg(\()-204 b(\007)12957 20255 y Fc(pro)p +13304 19631 V 13305 19631 a Fg(\()g(\007)13543 20255 +y Fc(-)78 b(cel)p 13942 19543 V 13739 19543 a Fg(\007)p +14580 19455 15 484 v 14377 19455 a(\007)p 14581 19146 +457 85 v 13943 19014 1095 85 v 15029 19543 15 572 v 14826 +19543 a(\007)p 15479 19455 15 616 v 15276 19455 a(\007)p +15928 19543 15 703 v 15725 19543 a(\007)p 16378 19631 +15 791 v 16175 19631 a(\007)p 15479 19014 1356 85 v 15479 +18882 V 16828 19543 15 703 v 16625 19543 a(\007)p 17073 +23268 V 17073 22565 15 1617 v 17073 19543 15 703 v 14824 +20255 a Fc(-)1353 b(-)17087 23268 y + slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end + 17087 23268 a eop +end +userdict /end-hook known{end-hook}if +%%Trailer +cleartomark +countdictstack +exch sub { end } repeat +restore +%%EOF diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/caccini2.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/caccini2.eps new file mode 100644 index 00000000000..a036462b807 --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/caccini2.eps @@ -0,0 +1,2098 @@ +%% LaTeX2e file `eps/caccini2.eps' +%% generated by the `filecontents' environment +%% from source `pmxccn' on 2011/07/14. +%% +%!PS-Adobe-2.0 EPSF-2.0 +%%BoundingBox: 21 94 556 785 +% EPSF created by ps2eps 1.39 +%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software +%%Title: imp.dvi +%%CreationDate: Fri Sep 13 09:08:44 2002 +%%PageOrder: Ascend +%%DocumentFonts: TeXMUSIXSPX-Regular CMTI10 TeXMUSIX20-Regular +%%+ TeXMUSIX16-Regular CMB10 CMR12 CMR10 CMMI10 CMR9 +%%DocumentPaperSizes: a4 +%%EndComments +%%BeginProlog +save +countdictstack +mark +newpath +/showpage {} def +/setpagedevice {pop} def%%EndProlog +%%Page 1 1 +%DVIPSWebPage: (www.radicaleye.com) +%DVIPSCommandLine: C:\TEXMF\MIKTEX\BIN\DVIPS.EXE -Ptype1 imp +%DVIPSParameters: dpi=2540, compressed +%DVIPSSource: TeX output 2002.09.13:0818 +%! +/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S +N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 +mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 +0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ +landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize +mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ +matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round +exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ +statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] +N/FBB[0 0 0 0]N/nn 0 N/IEn 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin +/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array +/BitMaps X/BuildChar{CharBuilder}N/Encoding IEn N end A{/foo setfont}2 +array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N +df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A +definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get +}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} +B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr +1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 +1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx +0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx +sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ +rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp +gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B +/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ +/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ +A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy +get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} +ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp +fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 +{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add +chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ +1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} +forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn +/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put +}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ +bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A +mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ +SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ +userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X +1000 div/DVImag X/IEn 256 array N 2 string 0 1 255{IEn S A 360 add 36 4 +index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N +/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/V{}B/RV/v{ +/Ry X/Rx X V}B statusdict begin/product where{pop false[(Display)(NeXT) +(LaserWriter 16/600)]{A length product length le{A length product exch 0 +exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false}ifelse +end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot}imagemask +grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{BDot} +imagemask grestore}}ifelse B/QV{gsave newpath transform round exch round +exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 rlineto +fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B/M{S p +delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M}B/g{0 M} +B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p -3 w}B/n{ +p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{0 S +rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. +/slur@Dict 200 dict def +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if +% align the slur to the staff lines + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + aa 0 gt { /shift shift neg def } if + ifadjust 0 eq { + /shift 0 def + } if +% and finally draw it... + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + grestore + % now some \slurtext code... + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def +% differenced line +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def +% sloped line +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def +% free line (init & terminate) +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def +end +%! +TeXDict begin/rf{findfont dup length 1 add dict begin{1 index/FID ne 2 +index/UniqueID ne and{def}{pop pop}ifelse}forall[1 index 0 6 -1 roll +exec 0 exch 5 -1 roll VResolution Resolution div mul neg 0 0]/Metrics +exch def dict begin Encoding{exch dup type/integertype ne{pop pop 1 sub +dup 0 le{pop}{[}ifelse}{FontMatrix 0 get div Metrics 0 get div def} +ifelse}forall Metrics/Metrics currentdict end def[2 index currentdict +end definefont 3 -1 roll makefont/setfont cvx]cvx def}def/ObliqueSlant{ +dup sin S cos div neg}B/SlantFont{4 index mul add}def/ExtendFont{3 -1 +roll mul exch}def/ReEncodeFont{CharStrings rcheck{/Encoding false def +dup[exch{dup CharStrings exch known not{pop/.notdef/Encoding true def} +if}forall Encoding{]exch pop}{cleartomark}ifelse}if/Encoding exch def} +def end +%! +TeXDict begin/SDict 200 dict N SDict begin/@SpecialDefaults{/hs 612 N +/vs 792 N/ho 0 N/vo 0 N/hsc 1 N/vsc 1 N/ang 0 N/CLIP 0 N/rwiSeen false N +/rhiSeen false N/letter{}N/note{}N/a4{}N/legal{}N}B/@scaleunit 100 N +/@hscale{@scaleunit div/hsc X}B/@vscale{@scaleunit div/vsc X}B/@hsize{ +/hs X/CLIP 1 N}B/@vsize{/vs X/CLIP 1 N}B/@clip{/CLIP 2 N}B/@hoffset{/ho +X}B/@voffset{/vo X}B/@angle{/ang X}B/@rwi{10 div/rwi X/rwiSeen true N}B +/@rhi{10 div/rhi X/rhiSeen true N}B/@llx{/llx X}B/@lly{/lly X}B/@urx{ +/urx X}B/@ury{/ury X}B/magscale true def end/@MacSetUp{userdict/md known +{userdict/md get type/dicttype eq{userdict begin md length 10 add md +maxlength ge{/md md dup length 20 add dict copy def}if end md begin +/letter{}N/note{}N/legal{}N/od{txpose 1 0 mtx defaultmatrix dtransform S +atan/pa X newpath clippath mark{transform{itransform moveto}}{transform{ +itransform lineto}}{6 -2 roll transform 6 -2 roll transform 6 -2 roll +transform{itransform 6 2 roll itransform 6 2 roll itransform 6 2 roll +curveto}}{{closepath}}pathforall newpath counttomark array astore/gc xdf +pop ct 39 0 put 10 fz 0 fs 2 F/|______Courier fnt invertflag{PaintBlack} +if}N/txpose{pxs pys scale ppr aload pop por{noflips{pop S neg S TR pop 1 +-1 scale}if xflip yflip and{pop S neg S TR 180 rotate 1 -1 scale ppr 3 +get ppr 1 get neg sub neg ppr 2 get ppr 0 get neg sub neg TR}if xflip +yflip not and{pop S neg S TR pop 180 rotate ppr 3 get ppr 1 get neg sub +neg 0 TR}if yflip xflip not and{ppr 1 get neg ppr 0 get neg TR}if}{ +noflips{TR pop pop 270 rotate 1 -1 scale}if xflip yflip and{TR pop pop +90 rotate 1 -1 scale ppr 3 get ppr 1 get neg sub neg ppr 2 get ppr 0 get +neg sub neg TR}if xflip yflip not and{TR pop pop 90 rotate ppr 3 get ppr +1 get neg sub neg 0 TR}if yflip xflip not and{TR pop pop 270 rotate ppr +2 get ppr 0 get neg sub neg 0 S TR}if}ifelse scaleby96{ppr aload pop 4 +-1 roll add 2 div 3 1 roll add 2 div 2 copy TR .96 dup scale neg S neg S +TR}if}N/cp{pop pop showpage pm restore}N end}if}if}N/normalscale{ +Resolution 72 div VResolution 72 div neg scale magscale{DVImag dup scale +}if 0 setgray}N/psfts{S 65781.76 div N}N/startTexFig{/psf$SavedState +save N userdict maxlength dict begin/magscale true def normalscale +currentpoint TR/psf$ury psfts/psf$urx psfts/psf$lly psfts/psf$llx psfts +/psf$y psfts/psf$x psfts currentpoint/psf$cy X/psf$cx X/psf$sx psf$x +psf$urx psf$llx sub div N/psf$sy psf$y psf$ury psf$lly sub div N psf$sx +psf$sy scale psf$cx psf$sx div psf$llx sub psf$cy psf$sy div psf$ury sub +TR/showpage{}N/erasepage{}N/copypage{}N/p 3 def @MacSetUp}N/doclip{ +psf$llx psf$lly psf$urx psf$ury currentpoint 6 2 roll newpath 4 copy 4 2 +roll moveto 6 -1 roll S lineto S lineto S lineto closepath clip newpath +moveto}N/endTexFig{end psf$SavedState restore}N/@beginspecial{SDict +begin/SpecialSave save N gsave normalscale currentpoint TR +@SpecialDefaults count/ocount X/dcount countdictstack N}N/@setspecial{ +CLIP 1 eq{newpath 0 0 moveto hs 0 rlineto 0 vs rlineto hs neg 0 rlineto +closepath clip}if ho vo TR hsc vsc scale ang rotate rwiSeen{rwi urx llx +sub div rhiSeen{rhi ury lly sub div}{dup}ifelse scale llx neg lly neg TR +}{rhiSeen{rhi ury lly sub div dup scale llx neg lly neg TR}if}ifelse +CLIP 2 eq{newpath llx lly moveto urx lly lineto urx ury lineto llx ury +lineto closepath clip}if/showpage{}N/erasepage{}N/copypage{}N newpath}N +/@endspecial{count ocount sub{pop}repeat countdictstack dcount sub{end} +repeat grestore SpecialSave restore end}N/@defspecial{SDict begin}N +/@fedspecial{end}B/li{lineto}B/rl{rlineto}B/rc{rcurveto}B/np{/SaveX +currentpoint/SaveY X N 1 setlinecap newpath}N/st{stroke SaveX SaveY +moveto}N/fil{fill SaveX SaveY moveto}N/ellipse{/endangle X/startangle X +/yrad X/xrad X/savematrix matrix currentmatrix N TR xrad yrad scale 0 0 +1 startangle endangle arc savematrix setmatrix}N end +%!PS-AdobeFont-1.1: CMR9 1.0 +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.0) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMR9) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle 0 def +/isFixedPitch false def +end readonly def +/FontName /CMR9 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 48 /zero put +dup 49 /one put +readonly def +/FontBBox{-39 -250 1036 750}readonly def +/UniqueID 5000792 def +currentdict end +currentfile eexec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cleartomark +%!PS-AdobeFont-1.1: CMMI10 1.100 +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.100) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMMI10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle -14.04 def +/isFixedPitch false def +end readonly def +/FontName /CMMI10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 48 /zerooldstyle put +dup 49 /oneoldstyle put +dup 50 /twooldstyle put +dup 51 /threeoldstyle put +dup 52 /fouroldstyle put +dup 53 /fiveoldstyle put +dup 54 /sixoldstyle put +dup 55 /sevenoldstyle put +dup 56 /eightoldstyle put +dup 93 /sharp put +dup 94 /slurbelow put +readonly def +/FontBBox{-32 -250 1048 750}readonly def +/UniqueID 5087385 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA0529731C99A784CCBE85B4993B2EEBDE +3B12D472B7CF54651EF21185116A69AB1096ED4BAD2F646635E019B6417CC77B +532F85D811C70D1429A19A5307EF63EB5C5E02C89FC6C20F6D9D89E7D91FE470 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMR10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle 0 def +/isFixedPitch false def +end readonly def +/FontName /CMR10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 18 /grave put +dup 19 /acute put +dup 39 /quoteright put +dup 40 /parenleft put +dup 41 /parenright put +dup 44 /comma put +dup 45 /hyphen put +dup 46 /period put +dup 48 /zero put +dup 49 /one put +dup 53 /five put +dup 54 /six put +dup 55 /seven put +dup 56 /eight put +dup 58 /colon put +dup 65 /A put +dup 80 /P put +dup 81 /Q put +dup 84 /T put +dup 97 /a put +dup 98 /b put +dup 99 /c put +dup 100 /d put +dup 101 /e put +dup 102 /f put +dup 103 /g put +dup 104 /h put +dup 105 /i put +dup 108 /l put +dup 109 /m put +dup 110 /n put +dup 111 /o put +dup 112 /p put +dup 113 /q put +dup 114 /r put +dup 115 /s put +dup 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.0) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.0) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMB10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Bold) readonly def +/ItalicAngle 0 def +/isFixedPitch false def +end readonly def +/FontName /CMB10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 39 /quoteright put +dup 65 /A put +dup 97 /a put +dup 101 /e put +dup 105 /i put +dup 108 /l put +dup 109 /m put +dup 110 /n put +dup 111 /o put +dup 112 /p put +dup 114 /r put +readonly def +/FontBBox{-62 -250 1011 750}readonly def +/UniqueID 5000761 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA052A014267B7904EB3C0D3BD0B83D891 +016CA6CA4B712ADEB258FAAB9A130EE605E61F77FC1B738ABC7C51CD46EF8171 +9098D5FEE67660E69A7AB91B58F29A4D79E57022F783EB0FBBB6D4F4EC35014F +D2DECBA99459A4C59DF0C6EBA150284454E707DC2100C15B76B4C19B84363758 +469A6C558785B226332152109871A9883487DD7710949204DDCF837E6A8708B8 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1376 4658 V 1377 4043 a(\010)p 1333 2785 +254 15 v 1334 2926 V -1124 x Ff(\010)p 1377 3252 15 545 +v 1378 2708 a(\010)1207 2567 y(4)p 1537 2567 15 492 v(\010)1376 +669 y Fg(>)2357 582 y(4)2419 1381 y Fc(pas)p 2772 582 +15 572 v 2773 582 a Fg(\()-204 b(\007)3037 1381 y Fc(-)108 +b(so'l)p 3615 582 V 3616 582 a Fg(\()-204 b(\007)p 4254 +4395 15 703 v 4254 3692 15 1617 v 4254 669 15 703 v 4893 +4395 15 615 v 4690 4395 a(\010)4690 2708 y Ff(\010)p +4647 2785 254 15 v 4690 3182 15 474 v 4691 2848 a(\010)p +4851 2497 15 492 v 4690 2497 a(\007)4541 1381 y Fc(ciel)p +4893 494 15 615 v 4690 494 a Fg(\007)p 7772 4131 V 7569 +4131 a(\010)p 7526 2785 254 15 v 7527 2926 V 7570 2989 +a Ff(\010)p 7528 2785 V 7571 3322 15 545 v 7572 2778 +a(\010)5714 2567 y(6)p 6044 2567 15 492 v(\007)p 7730 +2638 V 7569 2638 a(\010)5910 1381 y Fc(e)p 6086 757 15 +572 v 6087 757 a Fg(\()g(\007)6704 1381 y Fc(le)p 6929 +757 V 6930 757 a Fg(\()g(\007)7568 1381 y Fc(stel)p 7772 +669 15 659 v 7569 669 a Fg(\007)p 8615 582 15 572 v 8412 +582 a(\007)p 9458 582 V 843 w(\007\000)p 10279 184 218 +85 v 7772 53 2726 85 v 10490 669 15 659 v 10287 669 a(\007)p +10881 4395 15 703 v 10881 3692 15 1617 v 10881 669 15 +703 v 11316 4482 15 615 v 11317 3868 a(\010)p 11274 2785 +254 15 v -1090 x Ff(\010)p 11275 2785 V 11276 2926 V +11319 3252 15 474 v 11320 2919 a(\010)p 11478 2567 15 +492 v 11317 2567 a(\010)8564 1381 y Fc(-)932 b(-)h(-)466 +b(le,)p 11520 582 15 615 v 11317 582 a Fg(\007)12390 +1381 y Fc(del)p 12713 582 15 572 v 12714 582 a Fg(\()-204 +b(\007)13223 1381 y Fc(pia)p 13556 494 V 13557 494 a +Fg(\()g(\007)p 14195 4482 15 615 v 14196 3868 a(\007)p +14153 2785 254 15 v 14154 2926 V 14197 2919 a Ff(\010)p +14155 2785 V 14198 3252 15 474 v 14199 2778 a(\010)p +14356 2567 15 492 v 14195 2567 a(\010)13825 1381 y Fc(-)133 +b(cer)p 14399 406 15 615 v 14196 406 a Fg(\010)p 15388 +4527 15 572 v 15389 3956 a(\007)15389 4527 y(\303)15682 +4542 y(\303)p 16230 4569 15 526 v 16231 4043 a(\007)p +17073 4395 15 703 v 17073 3692 15 1617 v 17073 669 15 +703 v 17087 4395 a + slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end + 17087 4395 a -1540 9892 18628 15 v +-1540 10068 V -1540 10244 V -1540 10419 V -1540 10595 +V -1540 8276 V -1540 8416 V -1540 8557 V -1540 8697 V +-1540 8838 V -1540 6167 V -1540 6343 V -1540 6518 V -1540 +6694 V -1540 6870 V -1540 10595 15 4436 v -1716 5852 +a Fb(18)-1540 9446 y Fi(\240)-1540 10061 y Fg(I)-1487 +8690 y Ff(G)-1540 6687 y Fg(G)-960 10412 y(2)-957 8550 +y Ff(2)-960 6511 y Fg(2)-275 10465 y + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (3.49998pt) GD N /S0brk +S0hgt (2.5pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (0.0pt) GDAR N /S0dir +-1 N /S0dash 0 N /S0adj 1 N end + -275 10465 a -195 +10325 15 615 v -398 10325 a Fg(\007)p -441 8978 254 15 +v -1354 x Ff(\010)p -440 8978 V -439 9119 V -396 9516 +15 545 v -395 9182 a(\010)p -237 8831 15 492 v -398 8831 +a(\007)-561 7574 y Fc(que)p -398 6994 15 572 v -397 6994 +a Fg(-)-397 6423 y(\007\000)888 11115 y Fa(11)993 10325 +y + slur@Dict begin (2.5pt) GD S0hgt (7.5pt) GD 1.6 (2.5pt) GD M S0dir +M A S0x1 S0y1 CP (4.00002pt) GDAR S0dir M SB 0.7 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 993 10325 a 993 10325 a + end + 993 10325 a 1092 10325 15 615 +v -104 w Fg(\007)1121 8648 y + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (5.20001pt) GD N /S0brk +S0hgt (2.0pt) GD 1 1 M M A N /S0lift 0 N /S0alt (50.0pt) GDAR N /S0dir +1 N /S0dash 0 N /S0adj 1 N end + 1121 8648 a 1049 8761 15 +492 v 888 8761 a Ff(\007)10 7574 y Fc(-)34 b(st')-10 +b(\022)-166 b(e'l)p 418 6994 15 572 v 419 6994 a Fg(.)419 +6423 y(\007)991 7574 y Fc(re)p 1092 6511 15 616 v 889 +6511 a Fg(\007)p 1561 6599 15 656 v 1358 6599 a(\007)p +2031 6687 15 697 v 1828 6687 a(\007)1092 6028 y(\312)1384 +6057 y(\312)1092 5896 y(\312)1384 5925 y(\312)p 2501 +6775 15 738 v 2298 6775 a(\007)2767 11115 y Fa(11)p 2971 +10325 15 615 v 2768 10325 a Fg(\007)3710 11115 y Fa(10)p +3914 10325 V 3711 10325 a Fg(\007)p 2725 8978 254 15 +v 2726 9119 V 2769 9182 a Ff(\010)p 2727 8978 V 2770 +9516 15 545 v 2771 8971 a(\010)2851 8761 y + slur@Dict begin (2.0pt) GD S0hgt (2.0pt) GD 1.6 (2.0pt) GD M S0dir +M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 0.7 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 2851 8761 +a 2851 8761 a + end + 2851 8761 a 2929 8761 15 492 v -83 w Ff(\007)p +3872 8831 V 3711 8831 a(\007)p 2971 6687 15 615 v 2768 +6687 a Fg(\010)p 4653 10588 15 703 v 4653 9885 15 1617 +v 4653 6863 15 703 v 5000 10676 a(\011)p 4958 8978 296 +15 v 5001 8971 a Ff(\011)p 4959 8978 V 4960 9119 V 5003 +9112 a(\011)5000 8761 y(\011)1809 7574 y Fc(-)1050 b(-)f(-)524 +b(gno.)5000 6775 y Fg(\011)p 6886 10588 15 703 v 6886 +9885 15 1617 v 6886 6863 15 703 v 7233 10675 15 615 v +7234 10061 a(\007)p 8176 10763 V 8177 10149 a(\007)9242 +10096 y + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (14.00002pt) GD N /S0brk +S0hgt (2.5pt) GD 1 1 M M A N /S0lift 0 N /S0alt (0.0pt) GDAR N /S0dir +1 N /S0dash 0 N /S0adj 1 N end + 9242 10096 a 9119 10851 15 615 v 9120 10237 a +Fg(\007)p 7191 8978 254 15 v 7192 9119 V 7235 9445 15 +334 v 7236 9112 a Ff(\007)p 8134 8978 254 15 v 8135 9119 +V 8178 9516 15 334 v 8179 9182 a(\007)9218 9365 y + slur@Dict begin CP /S1y1 ED /S1x1 ED /S1hgt (-15.20001pt) GD N /S1brk +S1hgt (2.0pt) GD 1 -1 M M A N /S1lift 0 N /S1alt (50.0pt) GDAR N /S1dir +-1 N /S1dash 0 N /S1adj 1 N end + 9218 +9365 a 9077 8978 254 15 v 9078 9119 V 9079 9260 V 9122 +9586 15 334 v 9123 9253 a Ff(\007)p 7395 8761 15 492 +v 7234 8761 a(\007)8410 8859 y + slur@Dict begin CP /S2y1 ED /S2x1 ED /S2hgt (-0.79999pt) GD N /S2brk +S2hgt (2.0pt) GD 1 1 M M A N /S2lift 0 N /S2alt (50.0pt) GDAR N /S2dir +1 N /S2dash 0 N /S2adj 1 N end + 8410 8859 a 8134 8978 +254 15 v 8339 8971 15 492 v 8178 8971 a Ff(\007)9204 +8971 y + slur@Dict begin (2.0pt) GD S2hgt (-4.0pt) GD 1.6 (2.0pt) GD M S2dir +M A S2x1 S2y1 CP (3.20001pt) GDAR S2dir M SB 0.7 S2dir M 0.17 40 S2dash +S2adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 9204 8971 a 9204 8971 a + end + 9204 8971 a 9077 8978 +254 15 v 9282 8971 15 492 v -83 w Ff(\007)7060 7574 y +Fc(Ah,)p 7437 6599 15 615 v 7234 6599 a Fg(\010\000)10168 +10237 y + slur@Dict begin (2.5pt) GD S0hgt (10.0pt) GD 1.6 (2.5pt) GD M S0dir +M A S0x1 S0y1 CP (4.00002pt) GDAR S0dir M SB 0.7 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 10168 10237 a 10168 10237 a + end + 10168 10237 a 10062 +10851 15 615 v -105 w Fg(\007)10011 9253 y + slur@Dict begin (2.0pt) GD S1hgt (-12.0pt) GD 1.6 (2.0pt) GD M S1dir +M A S1x1 S1y1 CP (3.20001pt) GDAR S1dir M SB 0.7 S1dir M 0.17 40 S1dash +S1adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 10011 9253 +a 10011 9253 a + end + 10011 9253 a 10020 8978 254 15 v 10021 +9119 V 10022 9260 V 10065 9586 15 334 v 55 w Ff(\007)9893 +9042 y(6)p 10020 8978 254 15 v 10225 9041 15 493 v 10064 +9041 a(\007)9884 7574 y Fc(mia)p 10266 6687 15 572 v +10267 6687 a Fg(\()-204 b(\007)10624 7574 y Fc(for)p +10932 6775 V 10933 6775 a Fg(\()g(\007)p 11395 10588 +15 703 v 11395 9885 15 1617 v 11395 6863 15 703 v 11865 +10465 a + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (3.49998pt) GD N /S0brk +S0hgt (2.5pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (0.0pt) GDAR N /S0dir +-1 N /S0dash 0 N /S0adj 1 N end + 11865 10465 a 11946 10325 15 615 v 11743 10325 +a Fg(\010)14513 10325 y + slur@Dict begin (2.5pt) GD S0hgt (7.5pt) GD 1.6 (2.5pt) GD M S0dir +M A S0x1 S0y1 CP (4.00002pt) GDAR S0dir M SB 0.7 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 14513 10325 a 14513 10325 a + end + 14513 +10325 a 14612 10325 15 572 v -104 w Fg(\007)p 15278 10325 +15 538 v 666 w(\007)p 15944 10412 15 593 v 15741 10412 +a(\007)14612 9753 y(\304)15494 9798 y(\304)p 16611 10500 +15 647 v 16408 10500 a(\007)p 11700 8978 254 15 v 11701 +9119 V 11702 9260 V 11745 9323 a Ff(\010)p 11703 8978 +V 11704 9119 V 11747 9656 15 474 v 11748 9182 a(\010)p +11700 8978 254 15 v 11905 8971 15 492 v 11744 8971 a(\010)14408 +8831 y(?)p 15236 8831 15 387 v 667 w(\007)p 15902 8901 +15 424 v 15741 8901 a(\007)15236 8444 y(\304)15452 8455 +y(\304)p 16365 8978 254 15 v 16570 8971 15 461 v 16409 +8971 a(\007)11304 7574 y Fc(-)261 b(tu)p 11946 6863 15 +572 v 11947 6863 a Fg(\()-204 b(\007)12112 7574 y Fc(-)99 +b(na)p 12612 6951 V 12613 6951 a Fg(\()-204 b(\007)12897 +7574 y Fc(non)p 13279 6863 V 13280 6863 a Fg(\()g(\007)13699 +7574 y Fc(se)p 13945 6775 V 13946 6775 a Fg(\()g(\007)14230 +7574 y Fc(l'ab)p 14612 6687 15 615 v 14409 6687 a Fg(\010)p +17073 10588 15 703 v 17073 9885 15 1617 v 17073 6863 +15 703 v 15310 7574 a Fc(-)1029 b(-)17087 10588 y + slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end + 17087 +10588 a -1540 16275 18628 15 v -1540 16451 V -1540 16626 +V -1540 16802 V -1540 16978 V -1540 14658 V -1540 14799 +V -1540 14939 V -1540 15080 V -1540 15220 V -1540 12549 +V -1540 12725 V -1540 12901 V -1540 13077 V -1540 13252 +V -1540 16978 15 4436 v -1716 12235 a Fb(22)-1540 15828 +y Fi(\240)-1540 16444 y Fg(I)-1487 15073 y Ff(G)-1540 +13069 y Fg(G)-960 16795 y(2)-957 14932 y Ff(2)-960 12894 +y Fg(2)-339 17498 y Fb(])p Fa(10)-216 17111 y + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (-4.00002pt) GD N /S0brk +S0hgt (2.5pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (0.0pt) GDAR N /S0dir +-1 N /S0dash 0 N /S0adj 1 N end + -216 17111 +a -135 16971 15 615 v -338 16971 a Fg(\007)771 17498 +y Fa(11)877 16971 y + slur@Dict begin (2.5pt) GD S0hgt (0.0pt) GD 1.6 (2.5pt) GD M S0dir +M A S0x1 S0y1 CP (4.00002pt) GDAR S0dir M SB 0.7 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 877 16971 a 877 16971 a + end + 877 16971 +a 975 16971 15 615 v -105 w Fg(\007)1882 17498 y Fa(11)2005 +17111 y + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (-4.00002pt) GD N /S0brk +S0hgt (2.5pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (0.0pt) GDAR N /S0dir +-1 N /S0dash 0 N /S0adj 1 N end + 2005 17111 a 2085 16971 15 615 v 1882 16971 a +Fg(\007)2992 17498 y Fb(])p Fa(10)3097 16971 y + slur@Dict begin (2.5pt) GD S0hgt (0.0pt) GD 1.6 (2.5pt) GD M S0dir +M A S0x1 S0y1 CP (4.00002pt) GDAR S0dir M SB 0.7 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 3097 16971 +a 3097 16971 a + end + 3097 16971 a 3196 16971 15 615 v -104 +w Fg(\007)-339 15284 y Ff(\011)p -381 15361 296 15 v +-380 15502 V -337 15565 a(\011)-508 15424 y(6)p -213 +15361 254 15 v -8 15424 15 493 v 170 w(\007)1005 15242 +y + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (-0.79999pt) GD N /S0brk +S0hgt (2.0pt) GD 1 1 M M A N /S0lift 0 N /S0alt (50.0pt) GDAR N /S0dir +1 N /S0dash 0 N /S0adj 1 N end + 1005 15242 a 729 15361 254 15 v 934 15354 15 492 v +773 15354 a Ff(\007)1966 15354 y + slur@Dict begin (2.0pt) GD S0hgt (-4.0pt) GD 1.6 (2.0pt) GD M S0dir +M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 0.7 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 1966 15354 a 1966 15354 +a + end + 1966 15354 a 1839 15361 254 15 v 2044 15354 15 492 +v -83 w Ff(\007)p 2950 15361 254 15 v 3155 15424 15 493 +v 2994 15424 a(\007)-468 13957 y Fc(bia)p -135 13069 +15 615 v -338 13069 a Fg(\007)789 13957 y Fc(a)p 975 +13333 V 772 13333 a Fg(\007)1742 13957 y Fc(sde)p 2085 +13333 V 1882 13333 a Fg(\010)p 4102 16971 15 703 v 4102 +16268 15 1617 v 4102 13245 15 703 v 4509 16707 a(\011)p +4467 15361 296 15 v 4468 15502 V 4511 15565 a Ff(\011)p +4469 15361 V 4512 15354 a(\011)4509 15213 y(\011)2688 +13957 y Fc(-)914 b(-)456 b(gno.)p 4456 13428 370 15 v +4510 13421 a Fg(\011)p 6730 16971 15 703 v 6730 16268 +15 1617 v 6730 13245 15 703 v 7340 16707 15 615 v 7137 +16707 a(\010)p 7094 15361 254 15 v -1353 x Ff(\010)p +7095 15361 V 7096 15502 V 7139 15898 15 545 v 7140 15565 +a(\010)p 7298 15213 15 492 v 7137 15213 a(\010)6929 13957 +y Fc(Que)p 7340 13069 15 615 v 7137 13069 a Fg(\007)7137 +12982 y(\000)7881 13957 y Fc(-)327 b(sto,)p 8698 13245 +15 572 v 8699 13245 a Fg(\()-204 b(\007)p 9482 16883 +15 615 v 9279 16883 a(\007)p 9236 15361 254 15 v 9237 +15502 V 9280 15495 a Ff(\010)p 9238 15361 V 9281 15828 +15 474 v 9282 15354 a(\010)p 9440 15213 15 492 v 9279 +15213 a(\007)9115 13957 y Fc(que)p 9482 12982 15 615 +v 9279 12982 a Fg(\007)p 10593 17059 V 10390 17059 a(\007)p +10551 15143 15 492 v -1916 x Ff(\007)9902 13957 y Fc(-)250 +b(sto)p 10593 13069 15 572 v 10594 13069 a Fg(\()-204 +b(\007)10918 13957 y Fc(m'ac)p 11377 13157 V 11378 13157 +a Fg(\()g(\007)p 11958 16971 15 703 v 11958 16268 15 +1617 v 11958 13245 15 703 v 12569 16707 15 615 v 12366 +16707 a(\010)p 12323 15361 254 15 v -1353 x Ff(\010)p +12324 15361 V 12325 15502 V 12368 15898 15 545 v 12369 +15565 a(\010)p 12526 15213 15 492 v 12365 15213 a(\010)11914 +13957 y Fc(-)273 b(co)p 12569 13069 15 615 v 12366 13069 +a Fg(\010)p 14138 17059 V 13935 17059 a(\010)p 13892 +15361 254 15 v 13893 15502 V 13936 15495 a Ff(\010)p +13894 15361 V 13937 15828 15 474 v 13938 15354 a(\010)p +14096 15143 15 492 v 13935 15143 a(\010)13177 13957 y +Fc(-)540 b(ra:)p 14138 13157 15 572 v 14139 13157 a Fg(\()-204 +b(\007)14468 13957 y Fc(c)-10 b(h'al)p 14923 13157 V +14924 13157 a Fg(\()-204 b(\007)15243 13957 y Fc(-)63 +b(tri)p 15708 13157 V 15709 13157 a Fg(\()-204 b(\007)16228 +13957 y Fc(ca)p 16492 13245 V 16493 13245 a Fg(\()g(\007)p +17073 16971 15 703 v 17073 16268 15 1617 v 17073 13245 +15 703 v 16765 13957 a Fc(-)17087 16971 y + slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end + 17087 16971 +a -1540 22801 18628 15 v -1540 22977 V -1540 23152 V +-1540 23328 V -1540 23504 V -1540 21184 V -1540 21325 +V -1540 21465 V -1540 21606 V -1540 21746 V -1540 19075 +V -1540 19251 V -1540 19427 V -1540 19603 V -1540 19778 +V -1540 23504 15 4436 v -1716 18761 a Fb(26)-1540 22355 +y Fi(\240)-1540 22970 y Fg(I)-1487 21599 y Ff(G)-1540 +19596 y Fg(G)-960 23321 y(2)-957 21458 y Ff(2)-960 19420 +y Fg(2)p -177 23321 15 615 v -380 23321 a(\007)-381 21810 +y Ff(\010)p -423 21887 254 15 v -380 22284 15 474 v -379 +21950 a(\010)p -219 21669 15 492 v -380 21669 a(\010)-588 +20483 y Fc(deo,)p -177 19859 15 615 v -380 19859 a Fg(\010)p +816 23321 15 572 v 613 23321 a(\007)817 22750 y(\303)963 +22757 y(\303)p 1518 23409 15 624 v 1315 23409 a(\007)2048 +23760 y(Z)p 2220 23497 15 615 v 2017 23497 a(\010)p 1974 +21887 254 15 v -1547 x Ff(\010)p 2017 22284 15 474 v +2018 21810 a(\010)p 2178 21599 15 492 v 2017 21599 a(\010)2016 +19771 y Fg(?)2467 20483 y Fc(c)-10 b(h'al)p 2718 19991 +15 572 v 2719 19991 a Fg(-)2719 19420 y(\007)3201 20483 +y Fc(-)21 b(tri)p 3420 19991 V 3421 19991 a Fg(-)3421 +19420 y(\007)4061 20483 y Fc(ca)p 4325 19508 V 4326 19508 +a Fg(\()-204 b(\007)p 4823 23497 15 703 v 4823 22794 +15 1617 v 4823 19771 15 703 v 5392 23233 15 615 v 5189 +23233 a(\010)5188 21739 y Ff(\010)p 5146 21887 254 15 +v 5189 22240 15 501 v 5190 21880 a(\010)p 5350 21599 +15 492 v 5189 21599 a(\007)p 6753 21669 V 6592 21669 +a(\007)4653 20483 y Fc(-)260 b(deo)p 5392 19596 15 572 +v 5393 19596 a Fg(\()-204 b(\007)5761 20483 y Fc(dal)p +6094 19771 V 6095 19771 a Fg(\()g(\007)6512 20483 y Fc(pa)p +6796 19771 V 6797 19771 a Fg(\()g(\007)7004 20483 y Fc(-)121 +b(ra)p 7497 19683 V 7498 19683 a Fg(\()-204 b(\007)p +8199 23233 15 615 v 7996 23233 a(\007)p 7953 21887 254 +15 v 7954 22028 V 7997 22091 a Ff(\010)p 7955 21887 V +7998 22424 15 545 v 7999 21880 a(\010)p 8157 21739 15 +492 v 7996 21739 a(\007)7696 20483 y Fc(-)141 b(di)p +8199 19596 15 615 v 7996 19596 a Fg(\007)8988 23848 y +Fa(11)p 9192 23233 V 8989 23233 a Fg(\007)9222 21557 +y + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (5.20001pt) GD N /S0brk +S0hgt (2.0pt) GD 1 1 M M A N /S0lift 0 N /S0alt (50.0pt) GDAR N /S0dir +1 N /S0dash 0 N /S0adj 1 N end + 9222 21557 a 9150 21669 15 492 v 8989 21669 a Ff(\007)8559 +20483 y Fc(-)312 b(so)9186 20644 y Fb(^)9420 20483 y +Fc(an)p 9192 19683 15 791 v 8989 19683 a Fg(\007)p 9687 +19596 15 753 v 9484 19596 a(\007)p 10182 19508 15 714 +v 9979 19508 a(\007)9192 19024 y(\212)9560 18988 y(\212)9192 +18893 y(\212)9560 18856 y(\212)p 10677 19420 15 676 v +10474 19420 a(\007)p 10968 23497 15 703 v 10968 22794 +15 1617 v 10968 19771 15 703 v 11332 23848 a Fa(11)11624 +23286 y + slur@Dict begin CP /S1y1 ED /S1x1 ED /S1hgt (5.99998pt) GD N /S1brk +S1hgt (2.5pt) GD 1 -1 M M A N /S1lift 0 N /S1alt (0.0pt) GDAR N /S1dir +-1 N /S1dash 0 N /S1adj 1 N end + 11624 23286 a 11536 23233 15 615 v 11333 23233 +a Fg(\010)p 11290 21887 254 15 v -1353 x Ff(\010)p 11291 +21887 V 11292 22028 V 11335 22424 15 545 v 11336 22091 +a(\010)11417 21669 y + slur@Dict begin (2.0pt) GD S0hgt (2.0pt) GD 1.6 (2.0pt) GD M S0dir +M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 0.7 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 11417 21669 a 11417 21669 a + end + 11417 +21669 a 11494 21669 15 492 v -84 w Ff(\010)10473 20483 +y Fc(-)682 b(co)11332 19596 y Fg(\011)12736 23848 y Fa(10)12673 +23145 y + slur@Dict begin (2.5pt) GD S1hgt (10.0pt) GD 1.6 (2.5pt) GD M S1dir +M A S1x1 S1y1 CP (4.00002pt) GDAR S1dir M SB 0.7 S1dir M 0.17 40 S1dash +S1adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 12673 23145 a 12673 23145 a + end + 12673 23145 a 13028 +23286 a + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (5.99998pt) GD N /S0brk +S0hgt (2.5pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (0.0pt) GDAR N /S0dir +-1 N /S0dash 0 N /S0adj 1 N end + 13028 23286 a 12940 23233 15 615 v 12737 23233 +a Fg(\007)13761 23848 y Fc(7)13666 23145 y + slur@Dict begin (2.5pt) GD S0hgt (10.0pt) GD 1.6 (2.5pt) GD M S0dir +M A S0x1 S0y1 CP (4.00002pt) GDAR S0dir M SB 0.7 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 13666 23145 +a 13666 23145 a + end + 13666 23145 a 13933 23233 15 615 v 13730 +23233 a Fg(\007)p 12694 21887 254 15 v 12695 22028 V +12738 22091 a Ff(\010)p 12738 22424 15 685 v 12739 21739 +a(\010)p 12863 21887 254 15 v 13068 21880 15 492 v 12907 +21880 a(\007)p 13687 21887 254 15 v 13892 21950 15 493 +v 13731 21950 a(\007)p 14722 23497 15 703 v 14722 22794 +15 1617 v 14722 19771 15 703 v 15087 23585 a Fg(\011)p +15045 21887 296 15 v 15046 22028 V 15089 22021 a Ff(\011)15087 +21669 y(\011)12109 20483 y Fc(-)1011 b(-)g(-)505 b(ra.)15087 +19683 y Fg(\011)p 17073 23497 15 703 v 17073 22794 15 +1617 v 17073 19771 15 703 v 17087 23497 a + slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end + 17087 23497 +a eop end +userdict /end-hook known{end-hook}if +%%Trailer +cleartomark +countdictstack +exch sub { end } repeat +restore +%%EOF diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/caccini3.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/caccini3.eps new file mode 100644 index 00000000000..cd112da32f5 --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/caccini3.eps @@ -0,0 +1,2057 @@ +%% LaTeX2e file `eps/caccini3.eps' +%% generated by the `filecontents' environment +%% from source `pmxccn' on 2011/07/14. +%% +%!PS-Adobe-2.0 EPSF-2.0 +%%BoundingBox: 21 94 556 785 +% EPSF created by ps2eps 1.39 +%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software +%%Title: imp.dvi +%%CreationDate: Fri Sep 13 09:08:44 2002 +%%PageOrder: Ascend +%%DocumentFonts: TeXMUSIXSPX-Regular CMTI10 TeXMUSIX20-Regular +%%+ TeXMUSIX16-Regular CMB10 CMR12 CMR10 CMMI10 CMR9 +%%DocumentPaperSizes: a4 +%%EndComments +%%BeginProlog +save +countdictstack +mark +newpath +/showpage {} def +/setpagedevice {pop} def%%EndProlog +%%Page 1 1 +%DVIPSWebPage: (www.radicaleye.com) +%DVIPSCommandLine: C:\TEXMF\MIKTEX\BIN\DVIPS.EXE -Ptype1 imp +%DVIPSParameters: dpi=2540, compressed +%DVIPSSource: TeX output 2002.09.13:0818 +%! +/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S +N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 +mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 +0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ +landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize +mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ +matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round +exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ +statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] +N/FBB[0 0 0 0]N/nn 0 N/IEn 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin +/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array +/BitMaps X/BuildChar{CharBuilder}N/Encoding IEn N end A{/foo setfont}2 +array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N +df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A +definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get +}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} +B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr +1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 +1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx +0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx +sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ +rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp +gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B +/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ +/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ +A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy +get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} +ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp +fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 +{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add +chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ +1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} +forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn +/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put +}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ +bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A +mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ +SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ +userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X +1000 div/DVImag X/IEn 256 array N 2 string 0 1 255{IEn S A 360 add 36 4 +index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N +/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/V{}B/RV/v{ +/Ry X/Rx X V}B statusdict begin/product where{pop false[(Display)(NeXT) +(LaserWriter 16/600)]{A length product length le{A length product exch 0 +exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false}ifelse +end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot}imagemask +grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{BDot} +imagemask grestore}}ifelse B/QV{gsave newpath transform round exch round +exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 rlineto +fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B/M{S p +delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M}B/g{0 M} +B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p -3 w}B/n{ +p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{0 S +rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. +/slur@Dict 200 dict def +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if +% align the slur to the staff lines + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + aa 0 gt { /shift shift neg def } if + ifadjust 0 eq { + /shift 0 def + } if +% and finally draw it... + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + grestore + % now some \slurtext code... + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def +% differenced line +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def +% sloped line +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def +% free line (init & terminate) +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def +end +%! +TeXDict begin/rf{findfont dup length 1 add dict begin{1 index/FID ne 2 +index/UniqueID ne and{def}{pop pop}ifelse}forall[1 index 0 6 -1 roll +exec 0 exch 5 -1 roll VResolution Resolution div mul neg 0 0]/Metrics +exch def dict begin Encoding{exch dup type/integertype ne{pop pop 1 sub +dup 0 le{pop}{[}ifelse}{FontMatrix 0 get div Metrics 0 get div def} +ifelse}forall Metrics/Metrics currentdict end def[2 index currentdict +end definefont 3 -1 roll makefont/setfont cvx]cvx def}def/ObliqueSlant{ +dup sin S cos div neg}B/SlantFont{4 index mul add}def/ExtendFont{3 -1 +roll mul exch}def/ReEncodeFont{CharStrings rcheck{/Encoding false def +dup[exch{dup CharStrings exch known not{pop/.notdef/Encoding true def} +if}forall Encoding{]exch pop}{cleartomark}ifelse}if/Encoding exch def} +def end +%! +TeXDict begin/SDict 200 dict N SDict begin/@SpecialDefaults{/hs 612 N +/vs 792 N/ho 0 N/vo 0 N/hsc 1 N/vsc 1 N/ang 0 N/CLIP 0 N/rwiSeen false N +/rhiSeen false N/letter{}N/note{}N/a4{}N/legal{}N}B/@scaleunit 100 N +/@hscale{@scaleunit div/hsc X}B/@vscale{@scaleunit div/vsc X}B/@hsize{ +/hs X/CLIP 1 N}B/@vsize{/vs X/CLIP 1 N}B/@clip{/CLIP 2 N}B/@hoffset{/ho +X}B/@voffset{/vo X}B/@angle{/ang X}B/@rwi{10 div/rwi X/rwiSeen true N}B +/@rhi{10 div/rhi X/rhiSeen true N}B/@llx{/llx X}B/@lly{/lly X}B/@urx{ +/urx X}B/@ury{/ury X}B/magscale true def end/@MacSetUp{userdict/md known +{userdict/md get type/dicttype eq{userdict begin md length 10 add md +maxlength ge{/md md dup length 20 add dict copy def}if end md begin +/letter{}N/note{}N/legal{}N/od{txpose 1 0 mtx defaultmatrix dtransform S +atan/pa X newpath clippath mark{transform{itransform moveto}}{transform{ +itransform lineto}}{6 -2 roll transform 6 -2 roll transform 6 -2 roll +transform{itransform 6 2 roll itransform 6 2 roll itransform 6 2 roll +curveto}}{{closepath}}pathforall newpath counttomark array astore/gc xdf +pop ct 39 0 put 10 fz 0 fs 2 F/|______Courier fnt invertflag{PaintBlack} +if}N/txpose{pxs pys scale ppr aload pop por{noflips{pop S neg S TR pop 1 +-1 scale}if xflip yflip and{pop S neg S TR 180 rotate 1 -1 scale ppr 3 +get ppr 1 get neg sub neg ppr 2 get ppr 0 get neg sub neg TR}if xflip +yflip not and{pop S neg S TR pop 180 rotate ppr 3 get ppr 1 get neg sub +neg 0 TR}if yflip xflip not and{ppr 1 get neg ppr 0 get neg TR}if}{ +noflips{TR pop pop 270 rotate 1 -1 scale}if xflip yflip and{TR pop pop +90 rotate 1 -1 scale ppr 3 get ppr 1 get neg sub neg ppr 2 get ppr 0 get +neg sub neg TR}if xflip yflip not and{TR pop pop 90 rotate ppr 3 get ppr +1 get neg sub neg 0 TR}if yflip xflip not and{TR pop pop 270 rotate ppr +2 get ppr 0 get neg sub neg 0 S TR}if}ifelse scaleby96{ppr aload pop 4 +-1 roll add 2 div 3 1 roll add 2 div 2 copy TR .96 dup scale neg S neg S +TR}if}N/cp{pop pop showpage pm restore}N end}if}if}N/normalscale{ +Resolution 72 div VResolution 72 div neg scale magscale{DVImag dup scale +}if 0 setgray}N/psfts{S 65781.76 div N}N/startTexFig{/psf$SavedState +save N userdict maxlength dict begin/magscale true def normalscale +currentpoint TR/psf$ury psfts/psf$urx psfts/psf$lly psfts/psf$llx psfts +/psf$y psfts/psf$x psfts currentpoint/psf$cy X/psf$cx X/psf$sx psf$x +psf$urx psf$llx sub div N/psf$sy psf$y psf$ury psf$lly sub div N psf$sx +psf$sy scale psf$cx psf$sx div psf$llx sub psf$cy psf$sy div psf$ury sub +TR/showpage{}N/erasepage{}N/copypage{}N/p 3 def @MacSetUp}N/doclip{ +psf$llx psf$lly psf$urx psf$ury currentpoint 6 2 roll newpath 4 copy 4 2 +roll moveto 6 -1 roll S lineto S lineto S lineto closepath clip newpath +moveto}N/endTexFig{end psf$SavedState restore}N/@beginspecial{SDict +begin/SpecialSave save N gsave normalscale currentpoint TR +@SpecialDefaults count/ocount X/dcount countdictstack N}N/@setspecial{ +CLIP 1 eq{newpath 0 0 moveto hs 0 rlineto 0 vs rlineto hs neg 0 rlineto +closepath clip}if ho vo TR hsc vsc scale ang rotate rwiSeen{rwi urx llx +sub div rhiSeen{rhi ury lly sub div}{dup}ifelse scale llx neg lly neg TR +}{rhiSeen{rhi ury lly sub div dup scale llx neg lly neg TR}if}ifelse +CLIP 2 eq{newpath llx lly moveto urx lly lineto urx ury lineto llx ury +lineto closepath clip}if/showpage{}N/erasepage{}N/copypage{}N newpath}N +/@endspecial{count ocount sub{pop}repeat countdictstack dcount sub{end} +repeat grestore SpecialSave restore end}N/@defspecial{SDict begin}N +/@fedspecial{end}B/li{lineto}B/rl{rlineto}B/rc{rcurveto}B/np{/SaveX +currentpoint/SaveY X N 1 setlinecap newpath}N/st{stroke SaveX SaveY +moveto}N/fil{fill SaveX SaveY moveto}N/ellipse{/endangle X/startangle X +/yrad X/xrad X/savematrix matrix currentmatrix N TR xrad yrad scale 0 0 +1 startangle endangle arc savematrix setmatrix}N end +%!PS-AdobeFont-1.1: CMR9 1.0 +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.0) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMR9) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle 0 def +/isFixedPitch false def +end readonly def +/FontName /CMR9 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 48 /zero put +dup 49 /one put +readonly def +/FontBBox{-39 -250 1036 750}readonly def +/UniqueID 5000792 def +currentdict end +currentfile eexec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cleartomark +%!PS-AdobeFont-1.1: CMMI10 1.100 +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.100) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMMI10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle -14.04 def +/isFixedPitch false def +end readonly def +/FontName /CMMI10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 48 /zerooldstyle put +dup 49 /oneoldstyle put +dup 50 /twooldstyle put +dup 51 /threeoldstyle put +dup 52 /fouroldstyle put +dup 53 /fiveoldstyle put +dup 54 /sixoldstyle put +dup 55 /sevenoldstyle put +dup 56 /eightoldstyle put +dup 93 /sharp put +dup 94 /slurbelow put +readonly def +/FontBBox{-32 -250 1048 750}readonly def +/UniqueID 5087385 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA0529731C99A784CCBE85B4993B2EEBDE +3B12D472B7CF54651EF21185116A69AB1096ED4BAD2F646635E019B6417CC77B +532F85D811C70D1429A19A5307EF63EB5C5E02C89FC6C20F6D9D89E7D91FE470 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMR10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle 0 def +/isFixedPitch false def +end readonly def +/FontName /CMR10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 18 /grave put +dup 19 /acute put +dup 39 /quoteright put +dup 40 /parenleft put +dup 41 /parenright put +dup 44 /comma put +dup 45 /hyphen put +dup 46 /period put +dup 48 /zero put +dup 49 /one put +dup 53 /five put +dup 54 /six put +dup 55 /seven put +dup 56 /eight put +dup 58 /colon put +dup 65 /A put +dup 80 /P put +dup 81 /Q put +dup 84 /T put +dup 97 /a put +dup 98 /b put +dup 99 /c put +dup 100 /d put +dup 101 /e put +dup 102 /f put +dup 103 /g put +dup 104 /h put +dup 105 /i put +dup 108 /l put +dup 109 /m put +dup 110 /n put +dup 111 /o put +dup 112 /p put +dup 113 /q put +dup 114 /r put +dup 115 /s put +dup 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.0) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMR12) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle 0 def +/isFixedPitch false def +end readonly def +/FontName /CMR12 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 67 /C put +dup 71 /G put +dup 97 /a put +dup 99 /c put +dup 105 /i put +dup 108 /l put +dup 110 /n put +dup 111 /o put +dup 117 /u put +readonly def +/FontBBox{-34 -251 988 750}readonly def +/UniqueID 5000794 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA052A014267B7904EB3C0D3BD0B83D891 +016CA6CA4B712ADEB258FAAB9A130EE605E61F77FC1B738ABC7C51CD46EF8171 +9098D5FEE67660E69A7AB91B58F29A4D79E57022F783EB0FBBB6D4F4EC35014F +D2DECBA99459A4C59DF0C6EBA150284454E707DC2100C15B76B4C19B84363758 +469A6C558785B226332152109871A9883487DD7710949204DDCF837E6A8708B8 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.0) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMB10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Bold) readonly def +/ItalicAngle 0 def +/isFixedPitch false def +end readonly def +/FontName /CMB10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 39 /quoteright put +dup 65 /A put +dup 97 /a put +dup 101 /e put +dup 105 /i put +dup 108 /l put +dup 109 /m put +dup 110 /n put +dup 111 /o put +dup 112 /p put +dup 114 /r put +readonly def +/FontBBox{-62 -250 1011 750}readonly def +/UniqueID 5000761 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA052A014267B7904EB3C0D3BD0B83D891 +016CA6CA4B712ADEB258FAAB9A130EE605E61F77FC1B738ABC7C51CD46EF8171 +9098D5FEE67660E69A7AB91B58F29A4D79E57022F783EB0FBBB6D4F4EC35014F +D2DECBA99459A4C59DF0C6EBA150284454E707DC2100C15B76B4C19B84363758 +469A6C558785B226332152109871A9883487DD7710949204DDCF837E6A8708B8 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMTI10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle -14.04 def +/isFixedPitch false def +end readonly def +/FontName /CMTI10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 67 /C put +dup 83 /S put +dup 97 /a put +dup 105 /i put +dup 110 /n put +dup 111 /o put +dup 112 /p put +dup 114 /r put +dup 116 /t put +dup 117 /u put +readonly def +/FontBBox{-163 -250 1146 969}readonly def +/UniqueID 5000828 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA0529731C99A784CCBE85B4993B2EEBDE +3B12D472B7CF54651EF21185116A69AB1096ED4BAD2F646635E019B6417CC77B +532F85D811C70D1429A19A5307EF63EB5C5E02C89FC6C20F6D9D89E7D91FE470 +B72BEFDA23F5DF76BE05AF4CE93137A219ED8A04A9D7D6FDF37E6B7FCDE0D90B +986423E5960A5D9FBB4C956556E8DF90CBFAEC476FA36FD9A5C8175C9AF513FE 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b(bia)p +11500 494 15 572 v 11501 494 a Fg(\()-204 b(\007)11297 +406 y(\000)12767 4922 y Fa(11)12873 4395 y + slur@Dict begin (2.5pt) GD S0hgt (0.0pt) GD 1.6 (2.5pt) GD M S0dir +M A S0x1 S0y1 CP (4.00002pt) GDAR S0dir M SB 0.7 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 12873 4395 +a 12873 4395 a + end + 12873 4395 a 12971 4395 15 615 v -105 +w Fg(\007)13001 2666 y + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (-0.79999pt) GD N /S0brk +S0hgt (2.0pt) GD 1 1 M M A N /S0lift 0 N /S0alt (50.0pt) GDAR N /S0dir +1 N /S0dash 0 N /S0adj 1 N end + 13001 2666 a 12725 2785 254 15 +v 12930 2778 15 492 v 12769 2778 a Ff(\007)12230 1381 +y Fc(a)p 12434 494 15 572 v 12435 494 a Fg(\))g(\007)p +12971 582 15 616 v 12768 582 a(\007)p 13508 669 15 650 +v 13305 669 a(\007)p 14046 757 15 684 v 13843 757 a(\007)p +12476 1381 2115 15 v 12971 98 a(\312)13467 148 y(\312)12971 +-33 y(\312)13467 16 y(\312)p 14326 852 317 15 v 14583 +845 15 718 v 14380 845 a(\007)14916 4922 y Fa(11)15039 +4535 y + slur@Dict begin CP /S1y1 ED /S1x1 ED /S1hgt (-4.00002pt) GD N /S1brk +S1hgt (2.5pt) GD 1 -1 M M A N /S1lift 0 N /S1alt (0.0pt) GDAR N /S1dir +-1 N /S1dash 0 N /S1adj 1 N end + 15039 4535 a 15120 4395 15 615 v 14917 4395 a +Fg(\007)15995 4922 y Fb(])p Fa(10)16100 4395 y + slur@Dict begin (2.5pt) GD S1hgt (0.0pt) GD 1.6 (2.5pt) GD M S1dir +M A S1x1 S1y1 CP (4.00002pt) GDAR S1dir M SB 0.7 S1dir M 0.17 40 S1dash +S1adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 16100 +4395 a 16100 4395 a + end + 16100 4395 a 16199 4395 15 615 v +-104 w Fg(\007)15001 2778 y + slur@Dict begin (2.0pt) GD S0hgt (-4.0pt) GD 1.6 (2.0pt) GD M S0dir +M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 0.7 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 15001 2778 a 15001 2778 a + end +15001 2778 a 14874 2785 254 15 v 15079 2778 15 492 v +-83 w Ff(\007)p 15953 2785 254 15 v 16158 2848 15 493 +v 15997 2848 a(\007)14777 1381 y Fc(sde)p 15120 757 15 +615 v 14917 757 a Fg(\010)p 17073 4395 15 703 v 17073 +3692 15 1617 v 17073 669 15 703 v 15663 1381 a Fc(-)794 +b(-)17087 4395 y + slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end + 17087 4395 a -1540 10242 18628 15 v +-1540 10418 V -1540 10593 V -1540 10769 V -1540 10945 +V -1540 8625 V -1540 8766 V -1540 8906 V -1540 9047 V +-1540 9188 V -1540 6517 V -1540 6692 V -1540 6868 V -1540 +7044 V -1540 7219 V -1540 10945 15 4436 v -1716 6202 +a Fb(33)-1540 9796 y Fi(\240)-1540 10411 y Fg(I)-1487 +9040 y Ff(G)-1540 7037 y Fg(G)-960 10762 y(2)-957 8899 +y Ff(2)-960 6861 y Fg(2)-367 10674 y(\011)p -410 9328 +296 15 v -409 9469 V -366 9532 a Ff(\011)p -408 9328 +V -365 9321 a(\011)-367 9181 y(\011)-584 7924 y Fc(gno.)p +-420 7395 370 15 v -366 7388 a Fg(\011)p 1694 10938 15 +703 v 1694 10235 15 1617 v 1694 7212 15 703 v 2276 10674 +15 615 v 2073 10674 a(\010)p 2030 9328 254 15 v -1353 +x Ff(\010)p 2031 9328 V 2032 9469 V 2075 9865 15 545 +v 2076 9532 a(\010)p 2233 9181 15 492 v 2072 9181 a(\010)1865 +7924 y Fc(Que)p 2276 7037 15 615 v 2073 7037 a Fg(\007)2073 +6949 y(\000)2768 7924 y Fc(-)278 b(sto,)p 3536 7212 15 +572 v 3537 7212 a Fg(\()-204 b(\007)p 4264 10850 15 615 +v 4061 10850 a(\007)p 4018 9328 254 15 v 4019 9469 V +4062 9462 a Ff(\010)p 4020 9328 V 4063 9795 15 474 v +4064 9321 a(\010)p 4222 9181 15 492 v 4061 9181 a(\007)3897 +7924 y Fc(que)p 4264 6949 15 615 v 4061 6949 a Fg(\007)p +5294 11026 V 5091 11026 a(\007)p 5252 9110 15 492 v -1916 +x Ff(\007)4644 7924 y Fc(-)209 b(sto)p 5294 7037 15 572 +v 5295 7037 a Fg(\()-204 b(\007)5563 7924 y Fc(m'ac)p +6023 7125 V 6024 7125 a Fg(\()g(\007)p 6547 10938 15 +703 v 6547 10235 15 1617 v 6547 7212 15 703 v 7129 10674 +15 615 v 6926 10674 a(\010)p 6883 9328 254 15 v -1353 +x Ff(\010)p 6884 9328 V 6885 9469 V 6928 9865 15 545 +v 6929 9532 a(\010)p 7087 9181 15 492 v 6926 9181 a(\010)6516 +7924 y Fc(-)232 b(co)p 7129 7037 15 615 v 6926 7037 a +Fg(\010)p 8586 11026 V 8383 11026 a(\010)p 8340 9328 +254 15 v 8341 9469 V 8384 9462 a Ff(\010)p 8342 9328 +V 8385 9795 15 474 v 8386 9321 a(\010)p 8543 9110 15 +492 v 8382 9110 a(\010)7681 7924 y Fc(-)484 b(ra:)p 8586 +7125 15 572 v 8587 7125 a Fg(\()-204 b(\007)8859 7924 +y Fc(c)-10 b(h'al)p 9314 7125 V 9315 7125 a Fg(\()-204 +b(\007)9606 7924 y Fc(-)35 b(tri)p 10042 7125 V 10043 +7125 a Fg(\()-204 b(\007)10506 7924 y Fc(ca)p 10770 7212 +V 10771 7212 a Fg(\()g(\007)p 11295 10938 15 703 v 11295 +10235 15 1617 v 11295 7212 15 703 v 11877 10762 15 615 +v 11674 10762 a(\007)11673 9251 y Ff(\010)p 11631 9328 +254 15 v 11674 9725 15 474 v 11675 9391 a(\010)p 11835 +9110 15 492 v 11674 9110 a(\010)11094 7924 y Fc(-)255 +b(deo,)p 11877 7300 15 615 v 11674 7300 a Fg(\010)p 12907 +10762 15 572 v 12704 10762 a(\007)12908 10191 y(\303)13080 +10200 y(\303)p 13636 10850 15 623 v 13433 10850 a(\007)14192 +11202 y(Z)p 14364 10938 15 615 v 14161 10938 a(\010)p +14118 9328 254 15 v -1547 x Ff(\010)p 14161 9725 15 474 +v 14162 9251 a(\010)p 14322 9040 15 492 v 14161 9040 +a(\010)14160 7212 y Fg(?)14638 7924 y Fc(c)-10 b(h'al)p +14888 7432 15 572 v 14889 7432 a Fg(-)14889 6861 y(\007)15385 +7924 y Fc(-)34 b(tri)p 15617 7432 V 15618 7432 a Fg(-)15618 +6861 y(\007)16285 7924 y Fc(ca)p 16549 6949 V 16550 6949 +a Fg(\()-204 b(\007)p 17073 10938 15 703 v 17073 10235 +15 1617 v 17073 7212 15 703 v 16793 7924 a Fc(-)17087 +10938 y + slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end + 17087 10938 a -1540 16521 18628 15 v -1540 16697 +V -1540 16873 V -1540 17049 V -1540 17224 V -1540 14905 +V -1540 15045 V -1540 15186 V -1540 15326 V -1540 15467 +V -1540 12796 V -1540 12972 V -1540 13147 V -1540 13323 +V -1540 13499 V -1540 17224 15 4436 v -1716 12481 a Fb(37)-1540 +16075 y Fi(\240)-1540 16690 y Fg(I)-1487 15319 y Ff(G)-1540 +13316 y Fg(G)-960 17042 y(2)-957 15179 y Ff(2)-960 13140 +y Fg(2)p -178 16954 15 615 v -381 16954 a(\007)-382 15460 +y Ff(\010)p -425 15608 254 15 v -382 15960 15 501 v -381 +15601 a(\010)p -221 15319 15 492 v -382 15319 a(\010)-541 +14204 y Fc(deo)p -178 13316 15 615 v -381 13316 a Fg(\010)p +810 16954 15 572 v 607 16954 a(\007)811 16383 y(\303)953 +16390 y(\303)p 1509 17042 15 625 v 1306 17042 a(\007)2035 +17569 y Fc(6)p 2207 17129 15 615 v 2004 17129 a Fg(\007)p +3605 17217 V 3402 17217 a(\007)2004 15390 y Ff(\007)p +1961 15608 254 15 v 2004 15960 15 571 v 2005 15601 a(\007)3401 +15319 y(\007)p 3401 15916 15 597 v 3402 15530 a(\007)p +2165 15249 15 492 v 2004 15249 a(\007)p 3562 15179 V +3401 15179 a(\007)2004 13492 y Fg(?)2573 14204 y Fc(dal)p +2702 13624 15 572 v 2703 13624 a Fg(-)2703 13053 y(\007)3321 +14204 y Fc(pa)p 3401 13624 V 3402 13624 a Fg(-)3402 13053 +y(\007)3811 14204 y Fc(-)120 b(ra)p 4099 13712 V 4100 +13712 a Fg(-)4100 13140 y(\007)p 4798 17217 15 703 v +4798 16514 15 1617 v 4798 13492 15 703 v 5365 17305 15 +615 v 5162 17305 a(\010)7170 17569 y Fc(6)p 7342 17129 +V 7139 17129 a Fg(\007)p 8331 17042 V 8128 17042 a(\007)p +5161 15802 15 413 v 5162 15390 a Ff(\010)p 7096 15608 +254 15 v 7139 15960 15 360 v 7140 15601 a(\010)p 5323 +15249 15 492 v 5162 15249 a(\010)p 7300 15249 V 1977 +w(\010)4682 14204 y Fc(-)321 b(di)p 5365 13228 15 615 +v 5162 13228 a Fg(\007)5575 14204 y Fc(-)162 b(so)6052 +14364 y Fb(^)6286 14204 y Fc(an)p 6150 13755 V 6151 13140 +a Fg(\007)7262 12912 y + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (16.50002pt) GD N /S0brk +S0hgt (2.5pt) GD 1 1 M M A N /S0lift 0 N /S0alt (106.0pt) GDAR N /S0dir +1 N /S0dash 0 N /S0adj 1 N end + 7262 12912 a 6839 14204 a Fc(-)183 +b(co)p 7139 13667 15 615 v 7140 13053 a Fg(\010)p 9116 +17217 15 703 v 9116 16514 15 1617 v 9116 13492 15 703 +v 9479 16954 a(\011)9479 15460 y Ff(\011)p 9437 15608 +296 15 v 9480 15601 a(\011)9479 15319 y(\011)9585 13053 +y + slur@Dict begin (2.5pt) GD S0hgt (12.5pt) GD 1.6 (2.5pt) GD M S0dir +M A S0x1 S0y1 CP (4.00002pt) GDAR S0dir M SB 0.7 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 9585 13053 a 9585 13053 a + end + 9585 13053 a 9479 13624 15 +572 v -105 w Fg(\007)p 10178 13693 15 554 v 10179 13140 +a(\007)10179 13562 y(\310)10403 13584 y(\310)9479 13624 +y(\312)9561 13631 y(\312)p 10670 13742 15 515 v 10671 +13228 a(\007)p 11367 13316 15 616 v 11164 13316 a(\007)p +11859 13404 15 654 v 11656 13404 a(\007)p 12352 13492 +15 693 v 12149 13492 a(\007)11367 12833 y(\312)11728 +12869 y(\312)11367 12701 y(\312)11728 12737 y(\312)p +12844 13580 15 731 v 12641 13580 a(\007)p 13337 13492 +15 616 v 13134 13492 a(\007)p 13829 13580 15 703 v 13626 +13580 a(\007)p 14065 13675 317 15 v 14322 13668 15 791 +v 14119 13668 a(\007)p 13337 13051 1485 85 v 13337 12919 +V 14814 13580 15 703 v 14611 13580 a(\007)p 15307 13492 +15 791 v 15104 13492 a(\007)p 15800 13404 15 753 v 15597 +13404 a(\007)p 16292 13316 15 714 v 16089 13316 a(\007)15307 +12833 y(\212)15668 12797 y(\212)15307 12701 y(\212)15668 +12665 y(\212)p 16785 13228 15 675 v 16582 13228 a(\007)p +17073 17217 15 703 v 17073 16514 15 1617 v 17073 13492 +15 703 v 8099 14204 a Fc(-)1257 b(-)g(-)f(-)h(-)g(-)g(-)17087 +17217 y + slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end + 17087 17217 a -1540 22801 18628 15 v -1540 22977 +V -1540 23152 V -1540 23328 V -1540 23504 V -1540 21184 +V -1540 21325 V -1540 21465 V -1540 21606 V -1540 21746 +V -1540 19075 V -1540 19251 V -1540 19427 V -1540 19603 +V -1540 19778 V -1540 23504 15 4436 v -1716 18761 a Fb(40)-1540 +22355 y Fi(\240)-1540 22970 y Fg(I)-1487 21599 y Ff(G)-1540 +19596 y Fg(G)-960 23321 y(2)-957 21458 y Ff(2)-960 19420 +y Fg(2)-301 23233 y(\011)p -343 21887 296 15 v -342 22028 +V -299 22091 a Ff(\011)p -341 21887 V -298 21880 a(\011)-301 +21739 y(\011)p -97 19596 15 528 v -300 19596 a Fg(\007)p +254 19954 317 15 v 511 19947 15 849 v 308 19947 a(\007)p +1119 19859 15 730 v 916 19859 a(\007)-97 19200 y(\304)610 +19235 y(\304)-97 19068 y(\304)610 19104 y(\304)p 1726 +19771 15 612 v 1523 19771 a(\007)p 2334 19683 15 791 +v 2131 19683 a(\007)p 2942 19596 15 764 v 2739 19596 +a(\007)p 3549 19508 15 737 v 3346 19508 a(\007)2334 19024 +y(\212)3040 18954 y(\212)2334 18893 y(\212)3040 18822 +y(\212)p 4157 19420 15 710 v 3954 19420 a(\007)p 4765 +19332 15 616 v 4562 19332 a(\007)p 5372 19420 15 643 +v 5169 19420 a(\007)p 5980 19508 15 670 v 5777 19508 +a(\007)4765 18849 y(\312)5471 18919 y(\312)4765 18717 +y(\312)5471 18787 y(\312)p 6588 19596 15 697 v 6385 19596 +a(\007)p 7195 19508 15 616 v 6992 19508 a(\007)p 7803 +19596 15 703 v 7600 19596 a(\007)p 8411 19508 15 616 +v 8208 19508 a(\007)p 7195 19067 1831 85 v 7195 18935 +V 9019 19683 15 791 v 8816 19683 a(\007)p 9422 23497 +15 703 v 9422 22794 15 1617 v 9422 19771 15 703 v 9867 +23848 a Fa(11)10159 23286 y + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (5.99998pt) GD N /S0brk +S0hgt (2.5pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (0.0pt) GDAR N /S0dir +-1 N /S0dash 0 N /S0adj 1 N end + 10159 23286 a 10071 23233 +15 615 v 9868 23233 a Fg(\010)p 9825 21887 296 15 v 9826 +22028 V 9869 22091 a Ff(\011)p 9658 21887 254 15 v 9701 +22240 15 360 v 9702 21880 a(\010)9867 21810 y(\000)p +10029 21669 15 492 v 9868 21669 a(\010)9867 19596 y Fg(\011)11591 +23848 y Fa(10)11528 23145 y + slur@Dict begin (2.5pt) GD S0hgt (10.0pt) GD 1.6 (2.5pt) GD M S0dir +M A S0x1 S0y1 CP (4.00002pt) GDAR S0dir M SB 0.7 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 11528 23145 a 11528 23145 +a + end + 11528 23145 a 11883 23286 a + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (5.99998pt) GD N /S0brk +S0hgt (2.5pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (0.0pt) GDAR N /S0dir +-1 N /S0dash 0 N /S0adj 1 N end + 11883 23286 a 11795 23233 +15 615 v 11592 23233 a Fg(\007)12843 23848 y Fc(7)12748 +23145 y + slur@Dict begin (2.5pt) GD S0hgt (10.0pt) GD 1.6 (2.5pt) GD M S0dir +M A S0x1 S0y1 CP (4.00002pt) GDAR S0dir M SB 0.7 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 12748 23145 a 12748 23145 a + end + 12748 23145 a 13015 +23233 15 615 v 12812 23233 a Fg(\007)p 12769 21887 254 +15 v 12812 22284 15 334 v 12813 21950 a Ff(\007)p 11753 +21739 15 492 v 11592 21739 a(\010)p 14031 23497 15 703 +v 14031 22794 15 1617 v 14031 19771 15 703 v 14476 23585 +a Fg(\011)p 14434 21887 296 15 v 14435 22028 V 14478 +22021 a Ff(\011)14476 21669 y(\011)-104 20483 y Fc(-)g(-)f(-)h(-)f(-)g +(-)h(-)f(-)h(-)f(-)g(-)629 b(ra.)14476 19683 y Fg(\011)p +16915 23497 15 703 v 16915 22794 15 1617 v 16915 19771 +15 703 v 16982 23497 106 703 v 16982 22794 106 1617 v +16982 19771 106 703 v 17087 23497 a + slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end + 17087 23497 a eop +end +userdict /end-hook known{end-hook}if +%%Trailer +cleartomark +countdictstack +exch sub { end } repeat +restore +%%EOF diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/chords.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/chords.eps new file mode 100644 index 00000000000..05abb30922f --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/chords.eps @@ -0,0 +1,710 @@ +%% LaTeX2e file `eps/chords.eps' +%% generated by the `filecontents' environment +%% from source `pmxccn' on 2011/07/14. +%% +%!PS-Adobe-3.0 EPSF-3.0 +%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software +%%Title: chords.dvi +%%CreationDate: Sun Sep 28 15:39:31 2003 +%%Pages: 1 +%%PageOrder: Ascend +%%BoundingBox: 20 706 453 793 +%%DocumentFonts: TeXMUSIXSPX-Regular TeXMUSIX16-Regular +%%EndComments +%DVIPSWebPage: (www.radicaleye.com) +%DVIPSCommandLine: C:\MIKTEX\TEXMF\MIKTEX\BIN\DVIPS.EXE chords.dvi +%DVIPSParameters: dpi=600, compressed +%DVIPSSource: TeX output 2003.09.28:1539 +%%BeginProcSet: texc.pro +%! +/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S +N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 +mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 +0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ +landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize +mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ +matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round +exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ +statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] +N/FBB[0 0 0 0]N/nn 0 N/IE 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin +/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array +/BitMaps X/BuildChar{CharBuilder}N/Encoding IE N end A{/foo setfont}2 +array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N +df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A +definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get +}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} +B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr +1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 +1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx +0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx +sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ +rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp +gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B +/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ +/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ +A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy +get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} +ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp +fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 +{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add +chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ +1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} +forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn +/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put +}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ +bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A +mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ +SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ +userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X +1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 +index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N +/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X +/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) +(NeXT)(LaserWriter 16/600)]{A length product length le{A length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! 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This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! 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y + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (5.20001pt) GD N /S0brk +S0hgt (2.0pt) GD 1 1 M M A N /S0lift 0 N /S0alt (20.0pt) GDAR N /S0dir +1 N /S0dash 0 N /S0adj 0 N end + 71 385 a 48 511 4 100 v +49 411 a Fa(\007)p 197 496 4 118 v 198 378 a(\007)p 347 +481 4 137 v 348 345 a(\007)48 486 y(\212)235 467 y(\212)48 +511 y(\212)235 492 y(\212)p 496 466 4 172 v 497 295 a(\007)p +646 445 4 100 v 647 345 a(\007)p 795 430 4 135 v 796 +295 a(\007)p 935 264 60 4 v 945 415 4 153 v 946 262 a(\007)1114 +229 y + slur@Dict begin (2.0pt) GD S0hgt (24.0pt) GD 1.6 (2.0pt) GD M S0dir +M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 1.6 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 1114 229 a 1114 229 a + end + 1114 229 a 646 420 a Fa(\212)833 +401 y(\212)646 445 y(\212)833 426 y(\212)p 1084 264 60 +4 v 1084 230 V 1094 400 4 172 v 1095 229 a(\007)71 -97 +y + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (23.20001pt) GD N /S0brk +S0hgt (2.0pt) GD 1 1 M M A N /S0lift 0 N /S0alt (60.0pt) GDAR N /S0dir +1 N /S0dash 0 N /S0adj 0 N end + 71 -97 a 38 -69 60 4 v 48 46 4 117 v 49 -70 a Fa(\010)1150 +395 y(H)1267 438 y + slur@Dict begin CP /S1y1 ED /S1x1 ED /S1hgt (-1.20001pt) GD N /S1brk +S1hgt (2.0pt) GD 1 -1 M M A N /S1lift 0 N /S1alt (20.0pt) GDAR N /S1dir +-1 N /S1dash 0 N /S1adj 0 N end + 1267 438 a 1282 411 4 150 v 1244 411 +a Fa(\007)p 1431 395 4 133 v 1393 395 a(\007)p 1580 378 +4 117 v 1542 378 a(\007)p 1282 295 451 16 v 1282 270 +V 1730 411 4 150 v 1692 411 a(\007)p 1879 395 V 1841 +395 a(\007)p 2029 378 4 133 v 1991 378 a(\007)p 2178 +362 4 117 v 2140 362 a(\007)2310 395 y + slur@Dict begin (2.0pt) GD S1hgt (4.0pt) GD 1.6 (2.0pt) GD M S1dir +M A S1x1 S1y1 CP (3.20001pt) GDAR S1dir M SB 1 S1dir M 0.17 40 S1dash +S1adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 2310 395 a 2310 +395 a + end + 2310 395 a 1879 278 451 16 v 1879 253 V 2328 395 +4 150 v -20 w Fa(\007)p 1243 79 4 117 v 1244 -37 a(\007)1861 +-4 y + slur@Dict begin (2.0pt) GD S0hgt (12.0pt) GD 1.6 (2.0pt) GD M S0dir +M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 1.6 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 1861 -4 a 1861 -4 a + end + 1861 -4 a 1841 112 4 117 v -19 +w Fa(\007)p 2439 430 4 467 v 2456 430 V 2459 594 a + slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end + 2459 +594 a eop end +%%Trailer + +userdict /end-hook known{end-hook}if +%%EOF diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/clefchg2.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/clefchg2.eps new file mode 100644 index 00000000000..28915a32d4e --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/clefchg2.eps @@ -0,0 +1,719 @@ +%% LaTeX2e file `eps/clefchg2.eps' +%% generated by the `filecontents' environment +%% from source `pmxccn' on 2011/07/14. +%% +%!PS-Adobe-3.0 EPSF-3.0 +%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software +%%Title: clefchg2.dvi +%%CreationDate: Wed Jan 21 13:52:44 2004 +%%Pages: 1 +%%PageOrder: Ascend +%%BoundingBox: 36 751 453 783 +%%DocumentFonts: CMR10 TeXMUSIX16-Regular +%%EndComments +%DVIPSWebPage: (www.radicaleye.com) +%DVIPSCommandLine: C:\MIKTEX\TEXMF\MIKTEX\BIN\DVIPS.EXE clefchg2.dvi +%DVIPSParameters: dpi=600, compressed +%DVIPSSource: TeX output 2004.01.21:1352 +%%BeginProcSet: texc.pro +%! +/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S +N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 +mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 +0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ +landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize +mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ +matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round +exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ +statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] +N/FBB[0 0 0 0]N/nn 0 N/IE 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin +/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array +/BitMaps X/BuildChar{CharBuilder}N/Encoding IE N end A{/foo setfont}2 +array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N +df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A +definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get +}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} +B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr +1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 +1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx +0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx +sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ +rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp +gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B +/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ +/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ +A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy +get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} +ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp +fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 +{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add +chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ +1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} +forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn +/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put +}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ +bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A +mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ +SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ +userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X +1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 +index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N +/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X +/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) +(NeXT)(LaserWriter 16/600)]{A length product length le{A length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMR10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle 0 def +/isFixedPitch false def +end readonly def +/FontName /CMR10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 50 /two put +dup 86 /V put +dup 99 /c put +dup 101 /e put +dup 105 /i put +dup 108 /l put +dup 110 /n put +dup 111 /o put +readonly def +/FontBBox{-251 -250 1009 969}readonly def +/UniqueID 5000793 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA052A014267B7904EB3C0D3BD0B83D891 +016CA6CA4B712ADEB258FAAB9A130EE605E61F77FC1B738ABC7C51CD46EF8171 +9098D5FEE67660E69A7AB91B58F29A4D79E57022F783EB0FBBB6D4F4EC35014F +D2DECBA99459A4C59DF0C6EBA150284454E707DC2100C15B76B4C19B84363758 +469A6C558785B226332152109871A9883487DD7710949204DDCF837E6A8708B8 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cleartomark +%%EndFont +TeXDict begin 39158280 55380996 1000 600 600 (clefchg2.dvi) +@start /Fa 172[66 8[93 106 93 21[40 39[0 0 0 0 7[{}9 +132.835 /TeXMUSIX16-Regular rf /Fb 144[42 46 1[23 2[23 +3[37 1[37 12[62 35[42 50[{}8 83.022 /CMR10 rf end +%%EndProlog +%%BeginSetup +%%Feature: *Resolution 600dpi +TeXDict begin +%%PaperSize: A4 + end +%%EndSetup +%%Page: 1 1 +TeXDict begin 1 0 bop 342 -35 2823 4 v 342 -2 V 342 31 +V 342 64 V 342 98 V -291 58 a Fb(2)27 b(Violoncelli)342 +-4 y Fa(I)451 63 y(2)485 13 y(2)518 79 y(2)561 29 y(S)p +786 46 4 117 v 748 46 a(\007)748 112 y(\011)940 63 y(H)p +1071 46 V -17 x(\007)p 1356 13 4 110 v 1318 13 a(\007)p +1641 46 4 117 v 1603 46 a(\007)1795 -4 y(J)p 1888 98 +4 135 v 1992 156 4 110 v 1993 46 a(\010)2184 63 y(H)p +2315 96 4 117 v 33 x(\007)p 2600 46 V 2562 46 a(\007)p +2885 96 V 2847 96 a(\007)2562 129 y(\012)p 3131 98 4 +135 v 3145 98 20 135 v 3165 262 a + slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end + 3165 262 a eop end +%%Trailer + +userdict /end-hook known{end-hook}if +%%EOF diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/clefnot.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/clefnot.eps new file mode 100644 index 00000000000..22977d579e0 --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/clefnot.eps @@ -0,0 +1,764 @@ +%% LaTeX2e file `eps/clefnot.eps' +%% generated by the `filecontents' environment +%% from source `pmxccn' on 2011/07/14. +%% +%!PS-Adobe-3.0 EPSF-3.0 +%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software +%%Title: clefnot.dvi +%%CreationDate: Wed Jan 21 13:53:18 2004 +%%Pages: 1 +%%PageOrder: Ascend +%%BoundingBox: 28 740 483 782 +%%DocumentFonts: TeXMUSIX16-Regular CMTT10 +%%EndComments +%DVIPSWebPage: (www.radicaleye.com) +%DVIPSCommandLine: C:\MIKTEX\TEXMF\MIKTEX\BIN\DVIPS.EXE clefnot.dvi +%DVIPSParameters: dpi=600, compressed +%DVIPSSource: TeX output 2004.01.21:1353 +%%BeginProcSet: texc.pro +%! +/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S +N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 +mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 +0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ +landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize +mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ +matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round +exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ +statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] +N/FBB[0 0 0 0]N/nn 0 N/IE 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin +/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array +/BitMaps X/BuildChar{CharBuilder}N/Encoding IE N end A{/foo setfont}2 +array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N +df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A +definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get +}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} +B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr +1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 +1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx +0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx +sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ +rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp +gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B +/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ +/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ +A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy +get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} +ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp +fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 +{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add +chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ +1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} +forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn +/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put +}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ +bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A +mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ +SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ +userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X +1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 +index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N +/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X +/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) +(NeXT)(LaserWriter 16/600)]{A length product length le{A length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! +TeXDict begin/rf{findfont dup length 1 add dict begin{1 index/FID ne 2 +index/UniqueID ne and{def}{pop pop}ifelse}forall[1 index 0 6 -1 roll +exec 0 exch 5 -1 roll VResolution Resolution div mul neg 0 0]/Metrics +exch def dict begin Encoding{exch dup type/integertype ne{pop pop 1 sub +dup 0 le{pop}{[}ifelse}{FontMatrix 0 get div Metrics 0 get div def} +ifelse}forall Metrics/Metrics currentdict end def[2 index currentdict +end definefont 3 -1 roll makefont/setfont cvx]cvx def}def/ObliqueSlant{ +dup sin S cos div neg}B/SlantFont{4 index mul add}def/ExtendFont{3 -1 +roll mul exch}def/ReEncodeFont{CharStrings rcheck{/Encoding false def +dup[exch{dup CharStrings exch known not{pop/.notdef/Encoding true def} +if}forall Encoding{]exch pop}{cleartomark}ifelse}if/Encoding exch def} +def end + +%%EndProcSet +%%BeginProcSet: special.pro +%! +TeXDict begin/SDict 200 dict N SDict begin/@SpecialDefaults{/hs 612 N +/vs 792 N/ho 0 N/vo 0 N/hsc 1 N/vsc 1 N/ang 0 N/CLIP 0 N/rwiSeen false N +/rhiSeen false N/letter{}N/note{}N/a4{}N/legal{}N}B/@scaleunit 100 N +/@hscale{@scaleunit div/hsc X}B/@vscale{@scaleunit div/vsc X}B/@hsize{ +/hs X/CLIP 1 N}B/@vsize{/vs X/CLIP 1 N}B/@clip{/CLIP 2 N}B/@hoffset{/ho +X}B/@voffset{/vo X}B/@angle{/ang X}B/@rwi{10 div/rwi X/rwiSeen true N}B +/@rhi{10 div/rhi X/rhiSeen true N}B/@llx{/llx X}B/@lly{/lly X}B/@urx{ +/urx X}B/@ury{/ury X}B/magscale true def end/@MacSetUp{userdict/md known +{userdict/md get type/dicttype eq{userdict begin md length 10 add md +maxlength ge{/md md dup length 20 add dict copy def}if end md begin +/letter{}N/note{}N/legal{}N/od{txpose 1 0 mtx defaultmatrix dtransform S +atan/pa X newpath clippath mark{transform{itransform moveto}}{transform{ +itransform lineto}}{6 -2 roll transform 6 -2 roll transform 6 -2 roll +transform{itransform 6 2 roll itransform 6 2 roll itransform 6 2 roll +curveto}}{{closepath}}pathforall newpath counttomark array astore/gc xdf +pop ct 39 0 put 10 fz 0 fs 2 F/|______Courier fnt invertflag{PaintBlack} +if}N/txpose{pxs pys scale ppr aload pop por{noflips{pop S neg S TR pop 1 +-1 scale}if xflip yflip and{pop S neg S TR 180 rotate 1 -1 scale ppr 3 +get ppr 1 get neg sub neg ppr 2 get ppr 0 get neg sub neg TR}if xflip +yflip not and{pop S neg S TR pop 180 rotate ppr 3 get ppr 1 get neg sub +neg 0 TR}if yflip xflip not and{ppr 1 get neg ppr 0 get neg TR}if}{ +noflips{TR pop pop 270 rotate 1 -1 scale}if xflip yflip and{TR pop pop +90 rotate 1 -1 scale ppr 3 get ppr 1 get neg sub neg ppr 2 get ppr 0 get +neg sub neg TR}if xflip yflip not and{TR pop pop 90 rotate ppr 3 get ppr +1 get neg sub neg 0 TR}if yflip xflip not and{TR pop pop 270 rotate ppr +2 get ppr 0 get neg sub neg 0 S TR}if}ifelse scaleby96{ppr aload pop 4 +-1 roll add 2 div 3 1 roll add 2 div 2 copy TR .96 dup scale neg S neg S +TR}if}N/cp{pop pop showpage pm restore}N end}if}if}N/normalscale{ +Resolution 72 div VResolution 72 div neg scale magscale{DVImag dup scale +}if 0 setgray}N/psfts{S 65781.76 div N}N/startTexFig{/psf$SavedState +save N userdict maxlength dict begin/magscale true def normalscale +currentpoint TR/psf$ury psfts/psf$urx psfts/psf$lly psfts/psf$llx psfts +/psf$y psfts/psf$x psfts currentpoint/psf$cy X/psf$cx X/psf$sx psf$x +psf$urx psf$llx sub div N/psf$sy psf$y psf$ury psf$lly sub div N psf$sx +psf$sy scale psf$cx psf$sx div psf$llx sub psf$cy psf$sy div psf$ury sub +TR/showpage{}N/erasepage{}N/copypage{}N/p 3 def @MacSetUp}N/doclip{ +psf$llx psf$lly psf$urx psf$ury currentpoint 6 2 roll newpath 4 copy 4 2 +roll moveto 6 -1 roll S lineto S lineto S lineto closepath clip newpath +moveto}N/endTexFig{end psf$SavedState restore}N/@beginspecial{SDict +begin/SpecialSave save N gsave normalscale currentpoint TR +@SpecialDefaults count/ocount X/dcount countdictstack N}N/@setspecial{ +CLIP 1 eq{newpath 0 0 moveto hs 0 rlineto 0 vs rlineto hs neg 0 rlineto +closepath clip}if ho vo TR hsc vsc scale ang rotate rwiSeen{rwi urx llx +sub div rhiSeen{rhi ury lly sub div}{dup}ifelse scale llx neg lly neg TR +}{rhiSeen{rhi ury lly sub div dup scale llx neg lly neg TR}if}ifelse +CLIP 2 eq{newpath llx lly moveto urx lly lineto urx ury lineto llx ury +lineto closepath clip}if/showpage{}N/erasepage{}N/copypage{}N newpath}N +/@endspecial{count ocount sub{pop}repeat countdictstack dcount sub{end} +repeat grestore SpecialSave restore end}N/@defspecial{SDict begin}N +/@fedspecial{end}B/li{lineto}B/rl{rlineto}B/rc{rcurveto}B/np{/SaveX +currentpoint/SaveY X N 1 setlinecap newpath}N/st{stroke SaveX SaveY +moveto}N/fil{fill SaveX SaveY moveto}N/ellipse{/endangle X/startangle X +/yrad X/xrad X/savematrix matrix currentmatrix N TR xrad yrad scale 0 0 +1 startangle endangle arc savematrix setmatrix}N end + +%%EndProcSet +%%BeginFont: CMTT10 +%!PS-AdobeFont-1.1: CMTT10 1.00B +%%CreationDate: 1992 Apr 26 10:42:42 +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMTT10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle 0 def +/isFixedPitch true def +end readonly def +/FontName /CMTT10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 44 /comma put +dup 48 /zero put +dup 49 /one put +dup 50 /two put +dup 51 /three put +dup 52 /four put +dup 53 /five put +dup 54 /six put +dup 55 /seven put +dup 97 /a put +dup 98 /b put +dup 102 /f put +dup 109 /m put +dup 110 /n put +dup 114 /r put +dup 115 /s put +dup 116 /t put +readonly def +/FontBBox{-4 -235 731 800}readonly def +/UniqueID 5000832 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA052A014267B7904EB3C0D3BD0B83D891 +016CA6CA4B712ADEB258FAAB9A130EE605E61F77FC1B738ABC7C51CD46EF8171 +9098D5FEE67660E69A7AB91B58F29A4D79E57022F783EB0FBBB6D4F4EC35014F 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generated by the `filecontents' environment +%% from source `pmxccn' on 2011/07/14. +%% +%!PS-Adobe-3.0 EPSF-3.0 +%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software +%%Title: cslurs1k.dvi +%%CreationDate: Wed Jan 21 13:53:52 2004 +%%Pages: 1 +%%PageOrder: Ascend +%%BoundingBox: 28 736 312 783 +%%DocumentFonts: TeXMUSIX16-Regular CMR10 +%%EndComments +%DVIPSWebPage: (www.radicaleye.com) +%DVIPSCommandLine: C:\MIKTEX\TEXMF\MIKTEX\BIN\DVIPS.EXE cslurs1k.dvi +%DVIPSParameters: dpi=600, compressed +%DVIPSSource: TeX output 2004.01.21:1353 +%%BeginProcSet: texc.pro +%! +/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S +N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 +mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 +0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ +landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize +mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 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true[1 0 0 -1 -.1 Cx +sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ +rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp +gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B +/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ +/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ +A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy +get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} +ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp +fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 +{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add +chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ +1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} +forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn +/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put +}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ +bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A +mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ +SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ +userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X +1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 +index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N +/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X +/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) +(NeXT)(LaserWriter 16/600)]{A length product length le{A length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! +TeXDict begin/rf{findfont dup length 1 add dict begin{1 index/FID ne 2 +index/UniqueID ne and{def}{pop pop}ifelse}forall[1 index 0 6 -1 roll +exec 0 exch 5 -1 roll VResolution Resolution div mul neg 0 0]/Metrics +exch def dict begin Encoding{exch dup type/integertype ne{pop pop 1 sub +dup 0 le{pop}{[}ifelse}{FontMatrix 0 get div Metrics 0 get div def} +ifelse}forall Metrics/Metrics currentdict end def[2 index currentdict +end definefont 3 -1 roll makefont/setfont cvx]cvx def}def/ObliqueSlant{ +dup sin S cos div neg}B/SlantFont{4 index mul add}def/ExtendFont{3 -1 +roll mul exch}def/ReEncodeFont{CharStrings rcheck{/Encoding false def +dup[exch{dup CharStrings exch known not{pop/.notdef/Encoding true def} +if}forall Encoding{]exch pop}{cleartomark}ifelse}if/Encoding exch def} +def end + +%%EndProcSet +%%BeginProcSet: special.pro +%! +TeXDict begin/SDict 200 dict N SDict begin/@SpecialDefaults{/hs 612 N +/vs 792 N/ho 0 N/vo 0 N/hsc 1 N/vsc 1 N/ang 0 N/CLIP 0 N/rwiSeen false N +/rhiSeen false N/letter{}N/note{}N/a4{}N/legal{}N}B/@scaleunit 100 N +/@hscale{@scaleunit div/hsc X}B/@vscale{@scaleunit div/vsc X}B/@hsize{ +/hs X/CLIP 1 N}B/@vsize{/vs X/CLIP 1 N}B/@clip{/CLIP 2 N}B/@hoffset{/ho +X}B/@voffset{/vo X}B/@angle{/ang X}B/@rwi{10 div/rwi X/rwiSeen true N}B +/@rhi{10 div/rhi X/rhiSeen true N}B/@llx{/llx X}B/@lly{/lly X}B/@urx{ +/urx X}B/@ury{/ury X}B/magscale true def end/@MacSetUp{userdict/md known +{userdict/md get type/dicttype eq{userdict begin md length 10 add md +maxlength ge{/md md dup length 20 add dict copy def}if end md begin +/letter{}N/note{}N/legal{}N/od{txpose 1 0 mtx defaultmatrix dtransform S +atan/pa X newpath clippath mark{transform{itransform moveto}}{transform{ +itransform lineto}}{6 -2 roll transform 6 -2 roll transform 6 -2 roll +transform{itransform 6 2 roll itransform 6 2 roll itransform 6 2 roll +curveto}}{{closepath}}pathforall newpath counttomark array astore/gc xdf +pop ct 39 0 put 10 fz 0 fs 2 F/|______Courier fnt invertflag{PaintBlack} +if}N/txpose{pxs pys scale ppr aload pop por{noflips{pop S neg S TR pop 1 +-1 scale}if xflip yflip and{pop S neg S TR 180 rotate 1 -1 scale ppr 3 +get ppr 1 get neg sub neg ppr 2 get ppr 0 get neg sub neg TR}if xflip +yflip not and{pop S neg S TR pop 180 rotate ppr 3 get ppr 1 get neg sub +neg 0 TR}if yflip xflip not and{ppr 1 get neg ppr 0 get neg TR}if}{ +noflips{TR pop pop 270 rotate 1 -1 scale}if xflip yflip and{TR pop pop +90 rotate 1 -1 scale ppr 3 get ppr 1 get neg sub neg ppr 2 get ppr 0 get +neg sub neg TR}if xflip yflip not and{TR pop pop 90 rotate ppr 3 get ppr +1 get neg sub neg 0 TR}if yflip xflip not and{TR pop pop 270 rotate ppr +2 get ppr 0 get neg sub neg 0 S TR}if}ifelse scaleby96{ppr aload pop 4 +-1 roll add 2 div 3 1 roll add 2 div 2 copy TR .96 dup scale neg S neg S +TR}if}N/cp{pop pop showpage pm restore}N end}if}if}N/normalscale{ +Resolution 72 div VResolution 72 div neg scale magscale{DVImag dup scale +}if 0 setgray}N/psfts{S 65781.76 div N}N/startTexFig{/psf$SavedState +save N userdict maxlength dict begin/magscale true def normalscale +currentpoint TR/psf$ury psfts/psf$urx psfts/psf$lly psfts/psf$llx psfts +/psf$y psfts/psf$x psfts currentpoint/psf$cy X/psf$cx X/psf$sx psf$x +psf$urx psf$llx sub div N/psf$sy psf$y psf$ury psf$lly sub div N psf$sx +psf$sy scale psf$cx psf$sx div psf$llx sub psf$cy psf$sy div psf$ury sub +TR/showpage{}N/erasepage{}N/copypage{}N/p 3 def @MacSetUp}N/doclip{ +psf$llx psf$lly psf$urx psf$ury currentpoint 6 2 roll newpath 4 copy 4 2 +roll moveto 6 -1 roll S lineto S lineto S lineto closepath clip newpath +moveto}N/endTexFig{end psf$SavedState restore}N/@beginspecial{SDict +begin/SpecialSave save N gsave normalscale currentpoint TR +@SpecialDefaults count/ocount X/dcount countdictstack N}N/@setspecial{ +CLIP 1 eq{newpath 0 0 moveto hs 0 rlineto 0 vs rlineto hs neg 0 rlineto +closepath clip}if ho vo TR hsc vsc scale ang rotate rwiSeen{rwi urx llx +sub div rhiSeen{rhi ury lly sub div}{dup}ifelse scale llx neg lly neg TR +}{rhiSeen{rhi ury lly sub div dup scale llx neg lly neg TR}if}ifelse +CLIP 2 eq{newpath llx lly moveto urx lly lineto urx ury lineto llx ury +lineto closepath clip}if/showpage{}N/erasepage{}N/copypage{}N newpath}N +/@endspecial{count ocount sub{pop}repeat countdictstack dcount sub{end} +repeat grestore SpecialSave restore end}N/@defspecial{SDict begin}N +/@fedspecial{end}B/li{lineto}B/rl{rlineto}B/rc{rcurveto}B/np{/SaveX +currentpoint/SaveY X N 1 setlinecap newpath}N/st{stroke SaveX SaveY +moveto}N/fil{fill SaveX SaveY moveto}N/ellipse{/endangle X/startangle X +/yrad X/xrad X/savematrix matrix currentmatrix N TR xrad yrad scale 0 0 +1 startangle endangle arc savematrix setmatrix}N end + +%%EndProcSet +%%BeginFont: CMR10 +%!PS-AdobeFont-1.1: CMR10 1.00B +%%CreationDate: 1992 Feb 19 19:54:52 +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMR10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle 0 def +/isFixedPitch false def +end readonly def +/FontName /CMR10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 75 /K put +dup 84 /T put +dup 101 /e put +dup 108 /l put +dup 112 /p put +dup 114 /r put +dup 115 /s put +dup 117 /u put +dup 121 /y put +readonly def +/FontBBox{-251 -250 1009 969}readonly def +/UniqueID 5000793 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA052A014267B7904EB3C0D3BD0B83D891 +016CA6CA4B712ADEB258FAAB9A130EE605E61F77FC1B738ABC7C51CD46EF8171 +9098D5FEE67660E69A7AB91B58F29A4D79E57022F783EB0FBBB6D4F4EC35014F +D2DECBA99459A4C59DF0C6EBA150284454E707DC2100C15B76B4C19B84363758 +469A6C558785B226332152109871A9883487DD7710949204DDCF837E6A8708B8 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All Rights Reserved) readonly def +/FullName (CMR10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle 0 def +/isFixedPitch false def +end readonly def +/FontName /CMR10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 45 /hyphen put +dup 97 /a put +dup 98 /b put +dup 100 /d put +dup 101 /e put +dup 102 /f put +dup 108 /l put +dup 110 /n put +dup 111 /o put +dup 114 /r put +dup 115 /s put +dup 116 /t put +dup 117 /u put +readonly def +/FontBBox{-251 -250 1009 969}readonly def +/UniqueID 5000793 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA052A014267B7904EB3C0D3BD0B83D891 +016CA6CA4B712ADEB258FAAB9A130EE605E61F77FC1B738ABC7C51CD46EF8171 +9098D5FEE67660E69A7AB91B58F29A4D79E57022F783EB0FBBB6D4F4EC35014F +D2DECBA99459A4C59DF0C6EBA150284454E707DC2100C15B76B4C19B84363758 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+%!PS-Adobe-3.0 EPSF-3.0 +%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software +%%Title: cslurs2k.dvi +%%CreationDate: Wed Jan 21 13:55:16 2004 +%%Pages: 1 +%%PageOrder: Ascend +%%BoundingBox: 28 718 312 801 +%%DocumentFonts: TeXMUSIX16-Regular CMR10 +%%EndComments +%DVIPSWebPage: (www.radicaleye.com) +%DVIPSCommandLine: C:\MIKTEX\TEXMF\MIKTEX\BIN\DVIPS.EXE cslurs2k.dvi +%DVIPSParameters: dpi=600, compressed +%DVIPSSource: TeX output 2004.01.21:1355 +%%BeginProcSet: texc.pro +%! +/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S +N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 +mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 +0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ +landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize +mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ +matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round 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Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! +TeXDict begin/rf{findfont dup length 1 add dict begin{1 index/FID ne 2 +index/UniqueID ne and{def}{pop pop}ifelse}forall[1 index 0 6 -1 roll +exec 0 exch 5 -1 roll VResolution Resolution div mul neg 0 0]/Metrics +exch def dict begin Encoding{exch dup type/integertype ne{pop pop 1 sub +dup 0 le{pop}{[}ifelse}{FontMatrix 0 get div Metrics 0 get div def} +ifelse}forall Metrics/Metrics currentdict end def[2 index currentdict +end definefont 3 -1 roll makefont/setfont cvx]cvx def}def/ObliqueSlant{ +dup sin S cos div neg}B/SlantFont{4 index mul add}def/ExtendFont{3 -1 +roll mul exch}def/ReEncodeFont{CharStrings rcheck{/Encoding false def +dup[exch{dup CharStrings exch known not{pop/.notdef/Encoding true def} +if}forall Encoding{]exch pop}{cleartomark}ifelse}if/Encoding exch def} +def end + +%%EndProcSet +%%BeginProcSet: special.pro +%! +TeXDict begin/SDict 200 dict N SDict begin/@SpecialDefaults{/hs 612 N +/vs 792 N/ho 0 N/vo 0 N/hsc 1 N/vsc 1 N/ang 0 N/CLIP 0 N/rwiSeen false N +/rhiSeen false N/letter{}N/note{}N/a4{}N/legal{}N}B/@scaleunit 100 N +/@hscale{@scaleunit div/hsc X}B/@vscale{@scaleunit div/vsc X}B/@hsize{ +/hs X/CLIP 1 N}B/@vsize{/vs X/CLIP 1 N}B/@clip{/CLIP 2 N}B/@hoffset{/ho +X}B/@voffset{/vo X}B/@angle{/ang X}B/@rwi{10 div/rwi X/rwiSeen true N}B +/@rhi{10 div/rhi X/rhiSeen true N}B/@llx{/llx X}B/@lly{/lly X}B/@urx{ +/urx X}B/@ury{/ury X}B/magscale true def end/@MacSetUp{userdict/md known +{userdict/md get type/dicttype eq{userdict begin md length 10 add md +maxlength ge{/md md dup length 20 add dict copy def}if end md begin +/letter{}N/note{}N/legal{}N/od{txpose 1 0 mtx defaultmatrix dtransform S +atan/pa X newpath clippath mark{transform{itransform moveto}}{transform{ +itransform lineto}}{6 -2 roll transform 6 -2 roll transform 6 -2 roll +transform{itransform 6 2 roll itransform 6 2 roll itransform 6 2 roll +curveto}}{{closepath}}pathforall newpath counttomark array astore/gc xdf +pop ct 39 0 put 10 fz 0 fs 2 F/|______Courier fnt invertflag{PaintBlack} +if}N/txpose{pxs pys scale ppr aload pop por{noflips{pop S neg S TR pop 1 +-1 scale}if xflip yflip and{pop S neg S TR 180 rotate 1 -1 scale ppr 3 +get ppr 1 get neg sub neg ppr 2 get ppr 0 get neg sub neg TR}if xflip +yflip not and{pop S neg S TR pop 180 rotate ppr 3 get ppr 1 get neg sub +neg 0 TR}if yflip xflip not and{ppr 1 get neg ppr 0 get neg TR}if}{ +noflips{TR pop pop 270 rotate 1 -1 scale}if xflip yflip and{TR pop pop +90 rotate 1 -1 scale ppr 3 get ppr 1 get neg sub neg ppr 2 get ppr 0 get +neg sub neg TR}if xflip yflip not and{TR pop pop 90 rotate ppr 3 get ppr +1 get neg sub neg 0 TR}if yflip xflip not and{TR pop pop 270 rotate ppr +2 get ppr 0 get neg sub neg 0 S TR}if}ifelse scaleby96{ppr aload pop 4 +-1 roll add 2 div 3 1 roll add 2 div 2 copy TR .96 dup scale neg S neg S +TR}if}N/cp{pop pop showpage pm restore}N end}if}if}N/normalscale{ +Resolution 72 div VResolution 72 div neg scale magscale{DVImag dup scale +}if 0 setgray}N/psfts{S 65781.76 div N}N/startTexFig{/psf$SavedState +save N userdict maxlength dict begin/magscale true def normalscale +currentpoint TR/psf$ury psfts/psf$urx psfts/psf$lly psfts/psf$llx psfts +/psf$y psfts/psf$x psfts currentpoint/psf$cy X/psf$cx X/psf$sx psf$x +psf$urx psf$llx sub div N/psf$sy psf$y psf$ury psf$lly sub div N psf$sx +psf$sy scale psf$cx psf$sx div psf$llx sub psf$cy psf$sy div psf$ury sub +TR/showpage{}N/erasepage{}N/copypage{}N/p 3 def @MacSetUp}N/doclip{ +psf$llx psf$lly psf$urx psf$ury currentpoint 6 2 roll newpath 4 copy 4 2 +roll moveto 6 -1 roll S lineto S lineto S lineto closepath clip newpath +moveto}N/endTexFig{end psf$SavedState restore}N/@beginspecial{SDict +begin/SpecialSave save N gsave normalscale currentpoint TR +@SpecialDefaults count/ocount X/dcount countdictstack N}N/@setspecial{ +CLIP 1 eq{newpath 0 0 moveto hs 0 rlineto 0 vs rlineto hs neg 0 rlineto +closepath clip}if ho vo TR hsc vsc scale ang rotate rwiSeen{rwi urx llx +sub div rhiSeen{rhi ury lly sub div}{dup}ifelse scale llx neg lly neg TR +}{rhiSeen{rhi ury lly sub div dup scale llx neg lly neg TR}if}ifelse +CLIP 2 eq{newpath llx lly moveto urx lly lineto urx ury lineto llx ury +lineto closepath clip}if/showpage{}N/erasepage{}N/copypage{}N newpath}N +/@endspecial{count ocount sub{pop}repeat countdictstack dcount sub{end} +repeat grestore SpecialSave restore end}N/@defspecial{SDict begin}N +/@fedspecial{end}B/li{lineto}B/rl{rlineto}B/rc{rcurveto}B/np{/SaveX +currentpoint/SaveY X N 1 setlinecap newpath}N/st{stroke SaveX SaveY +moveto}N/fil{fill SaveX SaveY moveto}N/ellipse{/endangle X/startangle X +/yrad X/xrad X/savematrix matrix currentmatrix N TR xrad yrad scale 0 0 +1 startangle endangle arc savematrix setmatrix}N end + +%%EndProcSet +%%BeginFont: CMR10 +%!PS-AdobeFont-1.1: CMR10 1.00B +%%CreationDate: 1992 Feb 19 19:54:52 +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMR10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle 0 def +/isFixedPitch false def +end readonly def +/FontName /CMR10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 75 /K put +dup 84 /T put +dup 101 /e put +dup 108 /l put +dup 112 /p put +dup 114 /r put +dup 115 /s put +dup 117 /u put +dup 121 /y put +readonly def +/FontBBox{-251 -250 1009 969}readonly def +/UniqueID 5000793 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA052A014267B7904EB3C0D3BD0B83D891 +016CA6CA4B712ADEB258FAAB9A130EE605E61F77FC1B738ABC7C51CD46EF8171 +9098D5FEE67660E69A7AB91B58F29A4D79E57022F783EB0FBBB6D4F4EC35014F +D2DECBA99459A4C59DF0C6EBA150284454E707DC2100C15B76B4C19B84363758 +469A6C558785B226332152109871A9883487DD7710949204DDCF837E6A8708B8 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Uchiyama) readonly def +/em 1000 def +/ascent 169 def +/descent 831 def +end readonly def +/FontName /TeXXSLHU16-Regular def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 1 /acute put +dup 140 /Ncaron put +dup 143 /Racute put +readonly def +/PaintType 0 def +/FontType 1 def +/StrokeWidth 0 def +/FontMatrix[0.001 0 0 0.001 0 0]readonly def +%/UniqueID 0 def +/FontBBox{-12 -2000 6002 42}readonly def +currentdict end +currentfile eexec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cleartomark{restore}if +%%EndFont +%%BeginFont: CMR10 +%!PS-AdobeFont-1.1: CMR10 1.00B +%%CreationDate: 1992 Feb 19 19:54:52 +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMR10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle 0 def +/isFixedPitch false def +end readonly def +/FontName /CMR10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 45 /hyphen put +dup 97 /a put +dup 98 /b put +dup 100 /d put +dup 101 /e put +dup 102 /f put +dup 108 /l put +dup 110 /n put +dup 111 /o put +dup 114 /r put +dup 115 /s put +dup 116 /t put +dup 117 /u put +readonly def +/FontBBox{-251 -250 1009 969}readonly def +/UniqueID 5000793 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA052A014267B7904EB3C0D3BD0B83D891 +016CA6CA4B712ADEB258FAAB9A130EE605E61F77FC1B738ABC7C51CD46EF8171 +9098D5FEE67660E69A7AB91B58F29A4D79E57022F783EB0FBBB6D4F4EC35014F +D2DECBA99459A4C59DF0C6EBA150284454E707DC2100C15B76B4C19B84363758 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This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! 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This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. 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M SB 1 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 2591 +13 a 2591 13 a + end + 2591 13 a 2571 29 a Fc(\030)2531 46 y(2)p +2571 154 4 108 v 2572 154 a(-)2572 46 y(\007)p 2726 79 +4 117 v 2688 79 a(\007)p 2922 778 4 799 v 2984 777 a(\031)p +3022 777 4 108 v 39 w(\()-39 b(\007)117 b(?)2984 428 +y(\031)p 3022 428 V 39 w(\()-39 b(\007)3101 445 y(?)2984 +29 y(\030)p 2984 137 V 2985 137 a(-)2985 29 y(\007)3101 +112 y(?)p 3218 778 4 799 v 3280 660 a(\036)p 3319 777 +4 117 v 3281 777 a(\010)3280 328 y(\036)p 3319 428 V +3281 428 a(\010)3280 212 y + slur@Dict begin CP /C3y1 ED /C3x1 ED /C3alt (88.0pt) GD N /C3dir 0 +N end + 3280 212 a -216 x Fc(\036)p +3280 146 4 117 v 3281 29 a(\010)3515 777 y(>)3515 445 +y(>)3515 112 y(?)3632 96 y(\031)p 3670 96 4 108 v 39 +w(\()g(\007)p 3787 727 4 117 v 3749 727 a(\010)3749 411 +y(\010)3709 445 y(2)p 3787 445 4 150 v(\010)3749 212 +y + slur@Dict begin C3x1 C3y1 CP 4 C3dir R DC end + 3749 212 a -216 x Fc(\036)p 3749 162 4 117 v 3750 46 +a(\010)p 3983 778 4 799 v 3987 943 a + slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end + 3987 943 a eop end +%%Trailer + +userdict /end-hook known{end-hook}if +%%EOF diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/dottedslur.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/dottedslur.eps new file mode 100644 index 00000000000..b3d32775f33 --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/dottedslur.eps @@ -0,0 +1,596 @@ +%% LaTeX2e file `eps/dottedslur.eps' +%% generated by the `filecontents' environment +%% from source `pmxccn' on 2011/07/14. +%% +%!PS-Adobe-3.0 EPSF-3.0 +%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software +%%Title: slurs.dvi +%%CreationDate: Sun Sep 28 16:03:13 2003 +%%Pages: 1 +%%PageOrder: Ascend +%%BoundingBox: 28 751 312 783 +%%DocumentFonts: TeXMUSIX16-Regular +%%EndComments +%DVIPSWebPage: (www.radicaleye.com) +%DVIPSCommandLine: C:\MIKTEX\TEXMF\MIKTEX\BIN\DVIPS.EXE slurs.dvi +%DVIPSParameters: dpi=600, compressed +%DVIPSSource: TeX output 2003.09.28:1603 +%%BeginProcSet: texc.pro +%! +/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S +N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 +mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 +0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ +landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize +mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ +matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round +exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ +statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] +N/FBB[0 0 0 0]N/nn 0 N/IE 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin +/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array +/BitMaps X/BuildChar{CharBuilder}N/Encoding IE N end A{/foo setfont}2 +array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N +df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A +definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get +}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} +B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr +1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 +1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx +0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx +sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ +rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp +gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B +/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ +/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ +A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy +get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} +ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp +fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 +{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add +chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ +1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} +forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn +/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put +}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ +bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A +mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ +SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ +userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X +1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 +index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N +/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X +/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) +(NeXT)(LaserWriter 16/600)]{A length product length le{A length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.100) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMMI10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle -14.04 def +/isFixedPitch false def +end readonly def +/FontName /CMMI10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 49 /oneoldstyle put +dup 50 /twooldstyle put +dup 51 /threeoldstyle put +dup 53 /fiveoldstyle put +dup 55 /sevenoldstyle put +dup 57 /nineoldstyle put +readonly def +/FontBBox{-32 -250 1048 750}readonly def +/UniqueID 5087385 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA0529731C99A784CCBE85B4993B2EEBDE +3B12D472B7CF54651EF21185116A69AB1096ED4BAD2F646635E019B6417CC77B +532F85D811C70D1429A19A5307EF63EB5C5E02C89FC6C20F6D9D89E7D91FE470 +B72BEFDA23F5DF76BE05AF4CE93137A219ED8A04A9D7D6FDF37E6B7FCDE0D90B +986423E5960A5D9FBB4C956556E8DF90CBFAEC476FA36FD9A5C8175C9AF513FE 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.0) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMR12) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle 0 def +/isFixedPitch false def +end readonly def +/FontName /CMR12 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 40 /parenleft put +dup 41 /parenright put +dup 48 /zero put +dup 49 /one put +dup 52 /four put +dup 55 /seven put +dup 63 /question put +dup 68 /D put +dup 71 /G put +dup 97 /a put +dup 101 /e put +dup 102 /f put +dup 105 /i put +dup 108 /l put +dup 109 /m put +dup 117 /u put +dup 121 /y put +dup 123 /endash put +readonly def +/FontBBox{-34 -251 988 750}readonly def +/UniqueID 5000794 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA052A014267B7904EB3C0D3BD0B83D891 +016CA6CA4B712ADEB258FAAB9A130EE605E61F77FC1B738ABC7C51CD46EF8171 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.0) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMCSC10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle 0 def +/isFixedPitch false def +end readonly def +/FontName /CMCSC10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 75 /K put +dup 101 /e put +dup 105 /i put +dup 114 /r put +dup 121 /y put +readonly def +/FontBBox{14 -250 1077 750}readonly def +/UniqueID 5000772 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA0529731C99A784CCBE85B4993B2EEBDE +3B12D472B7CF54651EF21185116A69AB1096ED4BAD2F646635E019B6417CC77B +532F85D811C70D1429A19A5307EF63EB5C5E02C89FC6C20F6D9D89E7D91FE470 +B72BEFDA23F5DF76BE05AF4CE93137A219ED8A04A9D7D6FDF37E6B7FCDE0D90B +986423E5960A5D9FBB4C956556E8DF90CBFAEC476FA36FD9A5C8175C9AF513FE +D919C2DDD26BDC0D99398B9F4D03D5993DFC0930297866E1CD0A30EB76029337 +900ECFB1390CA5C0C3A04528044F266BA17BE487C79B94FAC6D6484684C5BFEA +87BCCC77D40AD11552035E95E3007126418ED49B68468B38A14E88E68A267B98 +076F1C9769A5AFBC285E5B158EAC9F926F1D6C0B8F1D57D9C31D25AE27123518 +9D2CD92E5689E0213089BD268DA5E47525CB8EABAA4B78A15AEA34705889AB3A +FFB8953B5B3482E52BFA0940630ADF8C0AC2177D907324299EE980E850F203CD +B627962F43D5A678C44243CDE97853BDC6AB45FD5C09AD274DAF89929F583CC9 +CCC24BDFC68B92111055ABA5F26D2DC67C70906F71C2957701D65AE746A60C30 +40E6CB24B97FCDAD0487AE38A201FBF0E41BABD2181981A71940F1E707F91E5D +C8CA50CB16D8702D188E56D014D92F76CE0B52ABDB9110E32438D2BBF3E6A40B +7B005F10BB437812CAC6ED2996F7606DC962C4FDE207FF322782C343DF44CEC5 +FF06A55C630C20E9AE1B0D1C5673753C43BA0767D65D1B451CC6380D8BB3C4DC +81E8FD8AA79BE993218686F29D3CD925566DD587F541A0DA1B1CC3BCEA2E6C7D +5E1016F6917A871F1BBAD96AF9E867735017119A381FCF33EB2D3E1E7093FD90 +CDB0CED4818CFD9E201A03430CEC713620BE0D3254158931FB657C6AD4B2482A +0E7D070D7497892E9E942DF58E88CAF0C8221BF36BF7C435BF2C683A4A2EF4CB +E85820A8AD3486155A40143011BA9D76297F46DEF69ECA4596D6E4CAABF84091 +22A96A4BC78A8DD072FEB759A68A44BE1164638B6D952147EE3C628F9A022060 +1D1941E73310943FA782532ABB1116532AD67AEFE0758C051241E301C7E13A98 +6447EB0180BF6799814BEA4DC0F727D0A40B7BC3B1269CDE174453D6A3C4479C +146001CF717DE25AC1BE5AEA5F2F1C17719251C429D3AED19EFF84F4CB497AF7 +033D6A0D389335132709ABFB81D507222ED4423EFAB4CDD5EF0C2FE23ABCD815 +FDE71D11426DB3A3720C3D1336875C4A06085648E2E1B29BC87C1275AE0EFFEE +2A756846EF15EDBE619ED40D6EB11ECF3D574DCBD8C99E0FCDB9EC7AD24B0598 +22E118AECC67A32136517264D613A4731E715F8031A28422365A9FDF0FB8AC85 +72E0AA2D50C77E8A4B923FA8F4010A8415E188D2ABD3277031C2AD0F0F13E8B5 +39EE500AA1F968CF224D48E29CD9D216BA2737A8038E099FA42F4FCD20705CF1 +CC326E5371BFDF8CD2100FC054C47FBFA106659AC2CF99259D466672843988C0 +E008E0BCAA0E7856D54096018474903862DB64883D42C95318EA7608233390E5 +48D3B03DDD2BC8CF7CC8BFEC6023CE659DD1AE2E862F2D594A64D2FB6D3BD45E +AEFC2EB24080042103D0AA334CE97CA5EA98E903B940742B5EE140779761D75F +88E032FC86BCA74DBF2E21915933AF9041FC49FC755E0E548B1C286C1B27E1F6 +4944332749C53D5B77A3805A34CB37A3B486F9DE080E7C70D1B1D9445627CABF +9383B24AC27C5B054CF6BD8184D0841814DE47454208F6A6EB5A0E64B9534F41 +9C71A2717BB68C0FBAE4189659FC42C53B388BDAAE77389713376C9B5E5169F6 +4221FAC50D261F43EE1F7E35BD2848041F03BF6FEF3C8C3C15A93103F2A927E3 +BA6320172A48C2BABAB04270EAE2684C856254B43573EC77D23D0246BA1233F7 +18C95A662A3378C7800FD8EADD0D4DEAC04A22152C96D3A53D682FC12F497E13 +1173A74A95DCA1DC3151D99417F1C3055EBFCCDEC92C42583BBEBCF02F5A4E33 +E0F2BEB9E949984057A2DB23C94F8A3715A5DE4EB96DE167242EA052ABBF2D90 +570CD570F974F6B82759D3DEBAE4EF88CD28E405B4E2CC177AB646DF1D8C3E90 +4C20E5BAA78671892DFAB8006188719D407B9E1B6D29BEB5B7FC7BB665ED37BE +11CAA2B818943D664FE83B7645483285F0AB5CF5B628211EE0FF64F06B4B24F4 +739C5F5D8835B6825CF0A8854EDA46BD76B756DF7E98DE688856619F0AEB8410 +C51C1371F8A26E85483229E101C895F9B6F82A271BBC4269190136832A0F2C78 +3C68E1FF14B7AB4E587B9514E0B065CC905DF6CC043B766ED784C6EE35DC0547 +4F874A6FE19BC81E0775FDBF63BE50EC2805289A88EC63A3C1BE8A01490F5C43 +2B148DF45EB3B31F4008DA08DA4BF4F30024AEBD34AD21FBD7C4C96318A05A89 +4111A5C64CDEE6EDF0E9802800322DEC39D0B20E730CA301553FD7DC7A635294 +40A67040C629238F88B15266DD60FED9273B6FB95A491CB4D9B76CE9F7DC0A1A +67C0572929AE82DB4B4AEB9805A6681F4301F1DAB56224A55B6EE5DD1E9382A6 +29075F732B6E659AFC84605027F874ACA4F82B0EF5D903DF528197BB4373B4C3 +CF758F45BBD80B +0000000000000000000000000000000000000000000000000000000000000000 +0000000000000000000000000000000000000000000000000000000000000000 +0000000000000000000000000000000000000000000000000000000000000000 +0000000000000000000000000000000000000000000000000000000000000000 +0000000000000000000000000000000000000000000000000000000000000000 +0000000000000000000000000000000000000000000000000000000000000000 +0000000000000000000000000000000000000000000000000000000000000000 +0000000000000000000000000000000000000000000000000000000000000000 +cleartomark +%!PS-AdobeFont-1.1: CMBX12 1.0 +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.0) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMBX12) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Bold) readonly def +/ItalicAngle 0 def +/isFixedPitch false def +end readonly def +/FontName /CMBX12 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 51 /three put +dup 52 /four put +dup 67 /C put +dup 75 /K put +dup 101 /e put +dup 104 /h put +dup 105 /i put +dup 114 /r put +dup 115 /s put +dup 116 /t put +dup 121 /y put +readonly def +/FontBBox{-53 -251 1139 750}readonly def +/UniqueID 5000769 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA052A014267B7904EB3C0D3BD0B83D891 +016CA6CA4B712ADEB258FAAB9A130EE605E61F77FC1B738ABC7C51CD46EF8171 +9098D5FEE67660E69A7AB91B58F29A4D79E57022F783EB0FBBB6D4F4EC35014F +D2DECBA99459A4C59DF0C6EBA150284454E707DC2100C15B76B4C19B84363758 +469A6C558785B226332152109871A9883487DD7710949204DDCF837E6A8708B8 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+%!PS-Adobe-3.0 EPSF-3.0 +%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software +%%Title: grace.dvi +%%CreationDate: Sun Sep 28 15:50:01 2003 +%%Pages: 1 +%%PageOrder: Ascend +%%BoundingBox: 28 742 453 792 +%%DocumentFonts: TeXMUSIX16-Regular TeXMUSIX11-Regular +%%EndComments +%DVIPSWebPage: (www.radicaleye.com) +%DVIPSCommandLine: C:\MIKTEX\TEXMF\MIKTEX\BIN\DVIPS.EXE grace.dvi +%DVIPSParameters: dpi=600, compressed +%DVIPSSource: TeX output 2003.09.28:1550 +%%BeginProcSet: texc.pro +%! +/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S +N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 +mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 +0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ +landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize +mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ +matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round +exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ +statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] +N/FBB[0 0 0 0]N/nn 0 N/IE 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin +/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array +/BitMaps X/BuildChar{CharBuilder}N/Encoding IE N end A{/foo setfont}2 +array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N +df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A +definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get +}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} +B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr +1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 +1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx +0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx +sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 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D}B/bop{userdict/bop-hook known{ +bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A +mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ +SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ +userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X +1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 +index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N +/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X +/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) +(NeXT)(LaserWriter 16/600)]{A length product length le{A length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! 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CP (3.20001pt) GDAR S0dir M SB 1 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 709 -103 a 709 -103 a + end + 709 -103 a 711 -69 60 4 +v 711 -102 V 721 29 4 133 v 13 w Fb(\007)p 965 98 4 135 +v 1029 46 4 70 v 1030 46 a Fa(\()g(\007)p 1093 63 4 117 +v 1055 63 a Fb(\007)1225 195 y Fa(4)p 1244 131 39 4 v +1245 164 V 1246 197 V 1277 195 4 70 v 27 w(\()g(\007)p +1294 131 60 4 v 1294 164 V 1342 179 4 150 v 1304 179 +a Fb(\007)p 1536 131 60 4 v 1584 129 4 117 v 1546 129 +a(\007)1630 139 y + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (-5.20001pt) GD N /S0brk +S0hgt (2.0pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (20.0pt) GDAR N /S0dir +-1 N /S0dash 0 N /S0adj 0 N end + 1630 139 a 1638 112 4 151 v 1615 112 +a Fa(\007)p 1678 96 4 145 v 1655 96 a(\007)p 1718 79 +4 138 v 1695 79 a(\007)p 1758 63 4 131 v 1735 63 a(\007)p +1798 46 4 125 v 1775 46 a(\007)p 1837 29 4 118 v 1814 +29 a(\007)p 1877 13 4 111 v 1854 13 a(\007)p 1917 -4 +4 105 v 1894 -4 a(\007)p 1957 -20 4 98 v 1934 -20 a(\007)p +1997 -37 4 91 v 1974 -37 a(\007)p 2037 -54 4 85 v 2014 +-54 a(\007)p 2047 -69 39 4 v 2078 -71 4 78 v 2055 -71 +a(\007)1638 -6 y(\234)1852 -61 y(\234)1638 -22 y(\234)1852 +-77 y(\234)1638 -38 y(\234)1852 -92 y(\234)p 2088 -69 +39 4 v 2119 -87 4 72 v 2096 -87 a(\007)2124 -103 y + slur@Dict begin (2.0pt) GD S0hgt (24.0pt) GD 1.6 (2.0pt) GD M S0dir +M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 1 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 2124 +-103 a 2124 -103 a + end + 2124 -103 a 2126 -69 60 4 v 2126 -102 +V 2136 29 4 133 v 13 w Fb(\007)p 2378 98 4 135 v 2491 +-14 a + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (13.20001pt) GD N /S0brk +S0hgt (2.0pt) GD 1 1 M M A N /S0lift 0 N /S0alt (20.0pt) GDAR N /S0dir +1 N /S0dash 0 N /S0adj 0 N end + 2491 -14 a 2468 129 4 117 v 2469 13 a Fb(\010)p +2695 99 4 70 v 2696 29 a Fa(\007)p 2735 99 4 53 v 2736 +46 a(\007)p 2696 104 84 11 v 2795 29 a + slur@Dict begin (2.0pt) GD S0hgt (8.0pt) GD 1.6 (2.0pt) GD M S0dir +M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 1 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 2795 29 a 2795 +29 a + end + 2795 29 a 2775 99 4 70 v -19 w Fa(\007)2815 -20 +y Fb(P)p 2815 129 4 117 v 2816 13 a(\010)p 3161 98 4 +135 v 3165 262 a + slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end + 3165 262 a eop end +%%Trailer + +userdict /end-hook known{end-hook}if +%%EOF diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/haydn.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/haydn.eps new file mode 100644 index 00000000000..d498e501f10 --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/haydn.eps @@ -0,0 +1,1378 @@ +%% LaTeX2e file `eps/haydn.eps' +%% generated by the `filecontents' environment +%% from source `pmxccn' on 2011/07/14. +%% +%!PS-Adobe-3.0 EPSF-3.0 +%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software +%%Title: haydn.dvi +%%CreationDate: Wed Jan 21 13:57:12 2004 +%%Pages: 1 +%%PageOrder: Ascend +%%BoundingBox: 16 570 510 792 +%%DocumentFonts: CMR10 TeXMUSIX16-Regular CMBX10 CMBXTI10 CMBX12 +%%EndComments +%DVIPSWebPage: (www.radicaleye.com) +%DVIPSCommandLine: C:\MIKTEX\TEXMF\MIKTEX\BIN\DVIPS.EXE haydn.dvi +%DVIPSParameters: dpi=600, compressed +%DVIPSSource: TeX output 2004.01.21:1357 +%%BeginProcSet: texc.pro +%! +/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S +N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 +mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 +0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ +landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize +mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ +matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round +exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ +statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] +N/FBB[0 0 0 0]N/nn 0 N/IE 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin +/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array +/BitMaps X/BuildChar{CharBuilder}N/Encoding IE N end A{/foo setfont}2 +array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N +df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A +definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get +}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} +B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr +1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 +1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx +0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx +sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ +rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp +gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B +/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ +/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ +A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy +get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} +ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp +fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 +{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add +chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ +1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} +forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn +/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put +}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ +bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A +mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ +SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ +userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X +1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 +index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N +/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X +/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) +(NeXT)(LaserWriter 16/600)]{A length product length le{A length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! 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All Rights Reserved) readonly def +/FullName (CMBXTI10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Bold) readonly def +/ItalicAngle -14.04 def +/isFixedPitch false def +end readonly def +/FontName /CMBXTI10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 102 /f put +readonly def +/FontBBox{-29 -250 1274 754}readonly def +/UniqueID 5000771 def +currentdict end +currentfile eexec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cleartomark +%%EndFont +%%BeginFont: CMBX10 +%!PS-AdobeFont-1.1: CMBX10 1.00B +%%CreationDate: 1992 Feb 19 19:54:06 +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMBX10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Bold) readonly def +/ItalicAngle 0 def +/isFixedPitch false def +end readonly def +/FontName /CMBX10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 44 /comma put +dup 46 /period put +dup 50 /two put +dup 54 /six put +dup 55 /seven put +dup 70 /F put +dup 72 /H put +dup 74 /J put +dup 78 /N put +dup 81 /Q put +dup 83 /S put +dup 97 /a put +dup 100 /d put +dup 101 /e put +dup 103 /g put +dup 105 /i put +dup 110 /n put +dup 111 /o put +dup 112 /p put +dup 114 /r put +dup 116 /t put +dup 117 /u put +dup 121 /y put +readonly def +/FontBBox{-301 -250 1164 946}readonly def +/UniqueID 5000768 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA052A014267B7904EB3C0D3BD0B83D891 +016CA6CA4B712ADEB258FAAB9A130EE605E61F77FC1B738ABC7C51CD46EF8171 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/S0alt (100.0pt) GDAR N /S0dir +-1 N /S0dash 0 N /S0adj 0 N end + 1936 872 a 1950 845 4 108 v 1912 +845 a Fe(\007)1970 862 y(4)p 2000 863 60 4 v 2048 861 +4 125 v -1 x(\007)p 2145 845 4 108 v 2107 845 a(\007)2225 +828 y + slur@Dict begin (2.0pt) GD S0hgt (0.0pt) GD 1.6 (2.0pt) GD M S0dir +M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 1 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 2225 828 a 2225 828 a + end + 2225 828 a 1950 745 295 16 +v 2243 828 4 92 v -20 w Fe(\007)2326 855 y + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (-3.20001pt) GD N /S0brk +S0hgt (2.0pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (100.0pt) GDAR N /S0dir +-1 N /S0dash 0 N /S0adj 0 N end + 2326 855 a +2341 828 4 108 v 2303 828 a Fe(\007)2342 720 y(\310)2373 +724 y(\310)p 2438 845 4 115 v 2400 845 a(\007)2517 862 +y + slur@Dict begin (2.0pt) GD S0hgt (-4.0pt) GD 1.6 (2.0pt) GD M S0dir +M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 1 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 2517 862 a 2517 862 a + end + 2517 862 a 2487 863 60 4 v 2535 +861 4 158 v 2497 861 a Fe(\007)1936 540 y + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (-5.20001pt) GD N /S0brk +S0hgt (2.0pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (140.0pt) GDAR N /S0dir +-1 N /S0dash 0 N /S0adj 0 N end + 1936 540 a +1950 513 4 108 v 1912 513 a Fe(\007)1970 530 y(4)p 2000 +531 60 4 v 2048 529 4 125 v -1 x(\007)p 2145 513 4 108 +v 2107 513 a(\007)2225 496 y + slur@Dict begin (2.0pt) GD S0hgt (0.0pt) GD 1.6 (2.0pt) GD M S0dir +M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 1 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 2225 496 a 2225 496 a + end + 2225 +496 a 1950 413 295 16 v 2243 496 4 92 v -20 w Fe(\007)2326 +489 y + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (0.79999pt) GD N /S0brk +S0hgt (2.0pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (140.0pt) GDAR N /S0dir +-1 N /S0dash 0 N /S0adj 0 N end + 2326 489 a 2341 463 4 92 v 2303 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This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! 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--git a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/jumpslur.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/jumpslur.eps new file mode 100644 index 00000000000..14b3e5a62c7 --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/jumpslur.eps @@ -0,0 +1,948 @@ +%% LaTeX2e file `eps/jumpslur.eps' +%% generated by the `filecontents' environment +%% from source `pmxccn' on 2011/07/14. +%% +%!PS-Adobe-3.0 EPSF-3.0 +%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software +%%Title: jumpslur.dvi +%%CreationDate: Wed Jan 21 13:58:18 2004 +%%Pages: 1 +%%PageOrder: Ascend +%%BoundingBox: 28 698 510 782 +%%DocumentFonts: TeXMUSIXSPX-Regular CMR10 TeXMUSIX16-Regular CMTI10 +%%EndComments +%DVIPSWebPage: (www.radicaleye.com) +%DVIPSCommandLine: C:\MIKTEX\TEXMF\MIKTEX\BIN\DVIPS.EXE jumpslur.dvi +%DVIPSParameters: dpi=600, compressed +%DVIPSSource: TeX output 2004.01.21:1358 +%%BeginProcSet: texc.pro +%! +/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S +N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 +mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 +0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ +landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize +mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ +matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round +exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ +statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] +N/FBB[0 0 0 0]N/nn 0 N/IE 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin +/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array +/BitMaps X/BuildChar{CharBuilder}N/Encoding IE N end A{/foo setfont}2 +array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N +df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A +definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get +}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} +B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr +1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 +1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx +0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx +sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ +rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp +gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B +/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ +/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ +A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy +get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} +ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp +fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 +{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add +chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ +1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} +forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn +/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put +}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ +bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A +mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ +SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ +userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X +1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 +index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N +/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X +/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) +(NeXT)(LaserWriter 16/600)]{A length product length le{A length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! +TeXDict begin/rf{findfont dup length 1 add dict begin{1 index/FID ne 2 +index/UniqueID ne and{def}{pop pop}ifelse}forall[1 index 0 6 -1 roll +exec 0 exch 5 -1 roll VResolution Resolution div mul neg 0 0]/Metrics +exch def dict begin Encoding{exch dup type/integertype ne{pop pop 1 sub +dup 0 le{pop}{[}ifelse}{FontMatrix 0 get div Metrics 0 get div def} +ifelse}forall Metrics/Metrics currentdict end def[2 index currentdict +end definefont 3 -1 roll makefont/setfont cvx]cvx def}def/ObliqueSlant{ +dup sin S cos div neg}B/SlantFont{4 index mul add}def/ExtendFont{3 -1 +roll mul exch}def/ReEncodeFont{CharStrings rcheck{/Encoding false def +dup[exch{dup CharStrings exch known not{pop/.notdef/Encoding true def} +if}forall Encoding{]exch pop}{cleartomark}ifelse}if/Encoding exch def} +def end + +%%EndProcSet +%%BeginProcSet: special.pro +%! +TeXDict begin/SDict 200 dict N SDict begin/@SpecialDefaults{/hs 612 N +/vs 792 N/ho 0 N/vo 0 N/hsc 1 N/vsc 1 N/ang 0 N/CLIP 0 N/rwiSeen false N +/rhiSeen false N/letter{}N/note{}N/a4{}N/legal{}N}B/@scaleunit 100 N +/@hscale{@scaleunit div/hsc X}B/@vscale{@scaleunit div/vsc X}B/@hsize{ +/hs X/CLIP 1 N}B/@vsize{/vs X/CLIP 1 N}B/@clip{/CLIP 2 N}B/@hoffset{/ho +X}B/@voffset{/vo X}B/@angle{/ang X}B/@rwi{10 div/rwi X/rwiSeen true N}B +/@rhi{10 div/rhi X/rhiSeen true N}B/@llx{/llx X}B/@lly{/lly X}B/@urx{ +/urx X}B/@ury{/ury X}B/magscale true def end/@MacSetUp{userdict/md known +{userdict/md get type/dicttype eq{userdict begin md length 10 add md +maxlength ge{/md md dup length 20 add dict copy def}if end md begin +/letter{}N/note{}N/legal{}N/od{txpose 1 0 mtx defaultmatrix dtransform S +atan/pa X newpath clippath mark{transform{itransform moveto}}{transform{ +itransform lineto}}{6 -2 roll transform 6 -2 roll transform 6 -2 roll +transform{itransform 6 2 roll itransform 6 2 roll itransform 6 2 roll +curveto}}{{closepath}}pathforall newpath counttomark array astore/gc xdf +pop ct 39 0 put 10 fz 0 fs 2 F/|______Courier fnt invertflag{PaintBlack} +if}N/txpose{pxs pys scale ppr aload pop por{noflips{pop S neg S TR pop 1 +-1 scale}if xflip yflip and{pop S neg S TR 180 rotate 1 -1 scale ppr 3 +get ppr 1 get neg sub neg ppr 2 get ppr 0 get neg sub neg TR}if xflip +yflip not and{pop S neg S TR pop 180 rotate ppr 3 get ppr 1 get neg sub +neg 0 TR}if yflip xflip not and{ppr 1 get neg ppr 0 get neg TR}if}{ +noflips{TR pop pop 270 rotate 1 -1 scale}if xflip yflip and{TR pop pop +90 rotate 1 -1 scale ppr 3 get ppr 1 get neg sub neg ppr 2 get ppr 0 get +neg sub neg TR}if xflip yflip not and{TR pop pop 90 rotate ppr 3 get ppr +1 get neg sub neg 0 TR}if yflip xflip not and{TR pop pop 270 rotate ppr +2 get ppr 0 get neg sub neg 0 S TR}if}ifelse scaleby96{ppr aload pop 4 +-1 roll add 2 div 3 1 roll add 2 div 2 copy TR .96 dup scale neg S neg S +TR}if}N/cp{pop pop showpage pm restore}N end}if}if}N/normalscale{ +Resolution 72 div VResolution 72 div neg scale magscale{DVImag dup scale +}if 0 setgray}N/psfts{S 65781.76 div N}N/startTexFig{/psf$SavedState +save N userdict maxlength dict begin/magscale true def normalscale +currentpoint TR/psf$ury psfts/psf$urx psfts/psf$lly psfts/psf$llx psfts +/psf$y psfts/psf$x psfts currentpoint/psf$cy X/psf$cx X/psf$sx psf$x +psf$urx psf$llx sub div N/psf$sy psf$y psf$ury psf$lly sub div N psf$sx +psf$sy scale psf$cx psf$sx div psf$llx sub psf$cy psf$sy div psf$ury sub +TR/showpage{}N/erasepage{}N/copypage{}N/p 3 def @MacSetUp}N/doclip{ +psf$llx psf$lly psf$urx psf$ury currentpoint 6 2 roll newpath 4 copy 4 2 +roll moveto 6 -1 roll S lineto S lineto S lineto closepath clip newpath +moveto}N/endTexFig{end psf$SavedState restore}N/@beginspecial{SDict +begin/SpecialSave save N gsave normalscale currentpoint TR +@SpecialDefaults count/ocount X/dcount countdictstack N}N/@setspecial{ +CLIP 1 eq{newpath 0 0 moveto hs 0 rlineto 0 vs rlineto hs neg 0 rlineto +closepath clip}if ho vo TR hsc vsc scale ang rotate rwiSeen{rwi urx llx +sub div rhiSeen{rhi ury lly sub div}{dup}ifelse scale llx neg lly neg TR +}{rhiSeen{rhi ury lly sub div dup scale llx neg lly neg TR}if}ifelse +CLIP 2 eq{newpath llx lly moveto urx lly lineto urx ury lineto llx ury +lineto closepath clip}if/showpage{}N/erasepage{}N/copypage{}N newpath}N +/@endspecial{count ocount sub{pop}repeat countdictstack dcount sub{end} +repeat grestore SpecialSave restore end}N/@defspecial{SDict begin}N +/@fedspecial{end}B/li{lineto}B/rl{rlineto}B/rc{rcurveto}B/np{/SaveX +currentpoint/SaveY X N 1 setlinecap newpath}N/st{stroke SaveX SaveY +moveto}N/fil{fill SaveX SaveY moveto}N/ellipse{/endangle X/startangle X +/yrad X/xrad X/savematrix matrix currentmatrix N TR xrad yrad scale 0 0 +1 startangle endangle arc savematrix setmatrix}N end + +%%EndProcSet +%%BeginFont: CMTI10 +%!PS-AdobeFont-1.1: CMTI10 1.00B +%%CreationDate: 1992 Feb 19 19:56:16 +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. 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328 y Fb(I)-40 63 y(G)254 106 y + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (-1.20001pt) GD N /S0brk +S0hgt (2.0pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (60.0pt) GDAR N /S0dir +-1 N /S0dash 0 N /S0adj 0 N end + 254 +106 a 269 79 4 117 v 231 79 a Fb(\007)p 481 96 4 123 +v 443 96 a(\007)656 577 y Fa(what)30 b(you)g(want)p 694 +112 4 129 v 656 112 a Fb(\007)p 859 131 60 4 v 907 129 +4 135 v 869 129 a(\007)p 1120 279 4 273 v 1082 279 a(\007)p +1332 295 4 279 v 1294 295 a(\007)p 1545 312 4 285 v 1507 +312 a(\007)269 -12 y(\305)800 15 y(\305)1228 36 y(\305)269 +-37 y(\305)800 -10 y(\305)1228 11 y(\305)p 1758 328 4 +291 v 1720 328 a(\007)1740 328 y + slur@Dict begin (2.0pt) GD S0hgt (-28.0pt) GD 1.6 (2.0pt) GD M S0dir +M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 1 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 1740 328 a 1740 328 +a + end + 1740 328 a 1956 89 a + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (0.79999pt) GD N /S0brk +S0hgt (2.0pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (60.0pt) GDAR N /S0dir +-1 N /S0dash 0 N /S0adj 0 N end + 1956 89 a 1971 63 4 117 v 1933 +63 a Fb(\007)p 2183 79 4 123 v 2145 79 a(\007)2358 561 +y Fa(what)g(you)g(don)-8 b('t)30 b(want)p 2396 96 4 129 +v 2358 96 a Fb(\007)p 2609 112 4 135 v 2571 112 a(\007)p +2774 264 60 4 v 2822 262 4 273 v 2784 262 a(\007)p 3034 +279 4 279 v 2996 279 a(\007)p 3247 295 4 285 v 3209 295 +a(\007)1971 -29 y(\305)2502 -2 y(\305)2930 19 y(\305)1971 +-54 y(\305)2502 -27 y(\305)2930 -6 y(\305)p 3460 312 +4 291 v 3422 312 a(\007)2803 312 y + slur@Dict begin (2.0pt) GD S0hgt (-26.0pt) GD 1.6 (2.0pt) GD M S0dir +M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 1 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 2803 312 a 2803 312 +a + end + 2803 312 a 3635 430 4 467 v 3638 594 a + slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end + 3638 594 a eop +end +%%Trailer + +userdict /end-hook known{end-hook}if +%%EOF diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/keychg.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/keychg.eps new file mode 100644 index 00000000000..e69df1c2735 --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/keychg.eps @@ -0,0 +1,715 @@ +%% LaTeX2e file `eps/keychg.eps' +%% generated by the `filecontents' environment +%% from source `pmxccn' on 2011/07/14. +%% +%!PS-Adobe-3.0 EPSF-3.0 +%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software +%%Title: keychg.dvi +%%CreationDate: Wed Jan 21 13:58:49 2004 +%%Pages: 1 +%%PageOrder: Ascend +%%BoundingBox: 28 681 510 784 +%%DocumentFonts: TeXMUSIX16-Regular CMTT10 +%%EndComments +%DVIPSWebPage: (www.radicaleye.com) +%DVIPSCommandLine: C:\MIKTEX\TEXMF\MIKTEX\BIN\DVIPS.EXE keychg.dvi +%DVIPSParameters: dpi=600, compressed +%DVIPSSource: TeX output 2004.01.21:1358 +%%BeginProcSet: texc.pro +%! +/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S +N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 +mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 +0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ +landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize +mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ +matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round +exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ +statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] +N/FBB[0 0 0 0]N/nn 0 N/IE 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin +/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array +/BitMaps X/BuildChar{CharBuilder}N/Encoding IE N end A{/foo setfont}2 +array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N +df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A +definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get +}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} +B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr +1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 +1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx +0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx +sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ +rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp +gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B +/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ +/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ +A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy +get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} +ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp +fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 +{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add +chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ +1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} +forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn +/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put +}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ +bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A +mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ +SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ +userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X +1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 +index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N +/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X +/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) +(NeXT)(LaserWriter 16/600)]{A length product length le{A length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! 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A4 + end +%%EndSetup +%%Page: 1 1 +TeXDict begin 1 0 bop -364 -35 4002 4 v -364 -2 V -364 +31 V -364 64 V -364 98 V -364 63 a Fb(G)-244 29 y(S)p +-62 131 60 4 v -14 129 4 125 v -52 129 a(\007)p 198 112 +4 119 v 160 112 a(\007)p 410 96 4 113 v 372 96 a(\007)-14 +5 y(\205)92 -1 y(\205)p 621 79 4 107 v 583 79 a(\007)p +833 63 4 125 v 795 63 a(\007)p 1045 46 4 119 v 1007 46 +a(\007)p 1257 29 4 113 v 1219 29 a(\007)833 -62 y(\205)939 +-67 y(\205)p 1468 13 4 107 v 1430 13 a(\007)p 1642 98 +4 135 v 1655 -37 a(4)1688 13 y(4)1665 212 y Fa(K+0+2)p +1823 112 4 125 v 1785 112 a Fb(\007)p 2034 96 4 119 v +1996 96 a(\007)p 2246 79 4 113 v 2208 79 a(\007)1823 +-12 y(\205)1928 -17 y(\205)p 2458 63 4 107 v 2420 63 +a(\007)p 2632 137 4 92 v 2633 46 a(\007)p 2843 126 4 +98 v 2844 29 a(\007)p 3055 115 4 104 v 3056 13 a(\007)2632 +137 y(\205)2739 132 y(\205)p 3267 104 4 110 v 3268 -4 +a(\007)p 3478 98 4 135 v 3482 98 V 3495 -37 a(4)3528 +13 y(4)3562 -54 y(4)3595 -4 y(4)3638 262 y + slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end + 3638 262 a +-364 504 4002 4 v -364 538 V -364 571 V -364 604 V -364 +637 V -364 602 a Fb(G)-254 503 y(4)-221 552 y(4)-188 +486 y(4)-155 536 y(4)-246 735 y Fa(K+0+4)p -8 636 4 125 +v -46 636 a Fb(\007)p 121 619 4 115 v 83 619 a(\007)p +250 602 4 105 v 212 602 a(\007)-8 511 y(\204)116 505 +y(\204)p 380 586 4 95 v 342 586 a(\007)p 471 660 4 92 +v 472 569 a(\007)p 601 654 4 102 v 602 552 a(\007)p 730 +648 4 112 v 731 536 a(\007)471 661 y(\204)597 655 y(\204)p +859 642 4 122 v 860 519 a(\007)p 989 637 4 135 v 1095 +619 4 125 v 1057 619 a(\007)p 1225 602 4 115 v 1187 602 +a(\007)p 1354 586 4 105 v 1316 586 a(\007)1565 719 y +Fa(K+0-4)1095 494 y Fb(\204)1219 488 y(\204)p 1484 569 +4 95 v 1446 569 a(\007)1585 503 y(6)1618 552 y(6)1651 +486 y(6)1684 536 y(6)1718 569 y(2)1751 519 y(2)1784 586 +y(2)1817 536 y(2)p 1893 644 4 92 v 1894 552 a(\007)1982 +536 y(6)p 2022 638 4 102 v 1 w(\007)2112 519 y(6)p 2152 +632 4 112 v 1 w(\007)1893 645 y(\204)2019 639 y(\204)p +2281 626 4 122 v 2282 503 a(\007)p 2411 637 4 135 v 2424 +586 a(6)2457 536 y(6)2490 569 y(2)2523 519 y(2)2440 719 +y Fa(K+0-2)p 2637 602 4 125 v 2599 602 a Fb(\007)p 2767 +586 4 115 v 2729 586 a(\007)p 2896 569 4 105 v 2858 569 +a(\007)2637 478 y(\204)2761 472 y(\204)p 3026 552 4 95 +v 2988 552 a(\007)p 3117 627 4 92 v 3118 536 a(\007)3206 +519 y(6)p 3246 621 4 102 v 1 w(\007)3336 503 y(4)p 3376 +615 4 112 v 1 w(\007)3117 628 y(\204)3243 622 y(\204)p +3505 609 4 122 v 3506 486 a(\007)p 3635 637 4 135 v 3638 +802 a + slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end + 3638 802 a eop end +%%Trailer + +userdict /end-hook known{end-hook}if +%%EOF diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/kslurs1.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/kslurs1.eps new file mode 100644 index 00000000000..51ca3beb4e4 --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/kslurs1.eps @@ -0,0 +1,707 @@ +%% LaTeX2e file `eps/kslurs1.eps' +%% generated by the `filecontents' environment +%% from source `pmxccn' on 2011/07/14. +%% +%!PS-Adobe-3.0 EPSF-3.0 +%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software +%%Title: kslurs1.dvi +%%CreationDate: Wed Jan 21 13:59:24 2004 +%%Pages: 1 +%%PageOrder: Ascend +%%BoundingBox: 28 735 312 782 +%%DocumentFonts: TeXMUSIX16-Regular CMTT10 +%%EndComments +%DVIPSWebPage: (www.radicaleye.com) +%DVIPSCommandLine: C:\MIKTEX\TEXMF\MIKTEX\BIN\DVIPS.EXE kslurs1.dvi +%DVIPSParameters: dpi=600, compressed +%DVIPSSource: TeX output 2004.01.21:1359 +%%BeginProcSet: texc.pro +%! +/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S +N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 +mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 +0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ +landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize +mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ +matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round +exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ +statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] +N/FBB[0 0 0 0]N/nn 0 N/IE 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin +/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array +/BitMaps X/BuildChar{CharBuilder}N/Encoding IE N end A{/foo setfont}2 +array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N +df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A +definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get +}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} +B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr +1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 +1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx +0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx +sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ +rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp +gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B +/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ +/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ +A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy +get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} +ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp +fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 +{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add +chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ +1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} +forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn +/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put +}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ +bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A +mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ +SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ +userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X +1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 +index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N +/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X +/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) +(NeXT)(LaserWriter 16/600)]{A length product length le{A length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! 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+0000000000000000000000000000000000000000000000000000000000000000 +cleartomark{restore}if +%%EndFont +TeXDict begin 39158280 55380996 1000 600 600 (kslurs1.dvi) +@start /Fa 151[44 1[44 29[44 30[44 44 40[{}5 83.022 /CMTT10 +rf /Fb 184[106 63[0 7[{}2 132.835 /TeXMUSIX16-Regular +rf end +%%EndProlog +%%BeginSetup +%%Feature: *Resolution 600dpi +TeXDict begin +%%PaperSize: A4 + end +%%EndSetup +%%Page: 1 1 +TeXDict begin 1 0 bop -364 -35 2350 4 v -364 -2 V -364 +31 V -364 64 V -364 98 V -364 63 a Fb(G)-155 122 y + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (-3.20001pt) GD N /S0brk +S0hgt (2.0pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (20.0pt) GDAR N /S0dir +-1 N /S0dash 0 N /S0adj 0 N end + -155 +122 a -178 279 a Fa(\()131 b(\))p -140 96 4 117 v -178 +96 a Fb(\007)30 63 y + slur@Dict begin (2.0pt) GD S0hgt (4.0pt) GD 1.6 (2.0pt) GD M S0dir +M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 1 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 30 63 a 30 63 a + end + 30 63 a 49 63 4 +117 v -19 w Fb(\007)p 198 98 4 135 v 291 122 a + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (-3.20001pt) GD N /S0brk +S0hgt (2.0pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (20.0pt) GDAR N /S0dir +-1 N /S0dash 0 N /S0adj 0 N end + 291 122 +a 268 279 a Fa(\(f)43 b(\))p 306 96 4 117 v 268 96 a +Fb(\007)476 63 y + slur@Dict begin (2.0pt) GD S0hgt (4.0pt) GD 1.6 (2.0pt) GD M S0dir +M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 0.7 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 476 63 a 476 63 a + end + 476 63 a 495 63 4 +117 v -19 w Fb(\007)p 644 98 4 135 v 737 122 a + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (-3.20001pt) GD N /S0brk +S0hgt (2.0pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (20.0pt) GDAR N /S0dir +-1 N /S0dash 0 N /S0adj 0 N end + 737 122 +a 714 279 a Fa(\(h)g(\))p 752 96 4 117 v 714 96 a Fb(\007)922 +63 y + slur@Dict begin (2.0pt) GD S0hgt (4.0pt) GD 1.6 (2.0pt) GD M S0dir +M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 1.6 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 922 63 a 922 63 a + end + 922 63 a 941 63 4 117 v -19 w +Fb(\007)p 1090 98 4 135 v 1183 122 a + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (-3.20001pt) GD N /S0brk +S0hgt (2.0pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (20.0pt) GDAR N /S0dir +-1 N /S0dash 0 N /S0adj 0 N end + 1183 122 a 1160 +279 a Fa(\(hh)g(\))p 1198 96 4 117 v 1160 96 a Fb(\007)1368 +63 y + slur@Dict begin (2.0pt) GD S0hgt (4.0pt) GD 1.6 (2.0pt) GD M S0dir +M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 1.6 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 1368 63 a 1368 63 a + end + 1368 63 a 1387 63 4 117 v -19 +w Fb(\007)p 1536 98 4 135 v 1629 122 a + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (-3.20001pt) GD N /S0brk +S0hgt (2.0pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (20.0pt) GDAR N /S0dir +-1 N /S0dash 0 N /S0adj 0 N end + 1629 122 a 1606 +279 a Fa(\(HH)g(\))p 1644 96 4 117 v 1606 96 a Fb(\007)1814 +63 y + slur@Dict begin (2.0pt) GD S0hgt (4.0pt) GD 1.6 (2.0pt) GD M S0dir +M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 2.8 S0dir M 0.13 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 1814 63 a 1814 63 a + end + 1814 63 a 1833 63 4 117 v -19 +w Fb(\007)p 1982 98 4 135 v 1986 262 a + slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end + 1986 262 a eop +end +%%Trailer + +userdict /end-hook known{end-hook}if +%%EOF diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/kslurs2.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/kslurs2.eps new file mode 100644 index 00000000000..6a6b22473ed --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/kslurs2.eps @@ -0,0 +1,727 @@ +%% LaTeX2e file `eps/kslurs2.eps' +%% generated by the `filecontents' environment +%% from source `pmxccn' on 2011/07/14. +%% +%!PS-Adobe-3.0 EPSF-3.0 +%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software +%%Title: kslurs2.dvi +%%CreationDate: Wed Jan 21 13:59:47 2004 +%%Pages: 1 +%%PageOrder: Ascend +%%BoundingBox: 28 734 312 782 +%%DocumentFonts: TeXMUSIX16-Regular CMTT10 +%%EndComments +%DVIPSWebPage: (www.radicaleye.com) +%DVIPSCommandLine: C:\MIKTEX\TEXMF\MIKTEX\BIN\DVIPS.EXE kslurs2.dvi +%DVIPSParameters: dpi=600, compressed +%DVIPSSource: TeX output 2004.01.21:1359 +%%BeginProcSet: texc.pro +%! +/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S +N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 +mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 +0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ +landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize +mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ +matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round +exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ +statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] +N/FBB[0 0 0 0]N/nn 0 N/IE 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin +/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array +/BitMaps X/BuildChar{CharBuilder}N/Encoding IE N end A{/foo setfont}2 +array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N +df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A +definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get +}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} +B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr +1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 +1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx +0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx +sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ +rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp +gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B +/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ +/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ +A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy +get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} +ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp +fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 +{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add +chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ +1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} +forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn +/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put +}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ +bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A +mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ +SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ +userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X +1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 +index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N +/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X +/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) +(NeXT)(LaserWriter 16/600)]{A length product length le{A length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! 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+0000000000000000000000000000000000000000000000000000000000000000 +0000000000000000000000000000000000000000000000000000000000000000 +0000000000000000000000000000000000000000000000000000000000000000 +0000000000000000000000000000000000000000000000000000000000000000 +cleartomark{restore}if +%%EndFont +TeXDict begin 39158280 55380996 1000 600 600 (kslurs2.dvi) +@start /Fa 140[44 10[44 1[44 29[44 72[{}4 83.022 /CMTT10 +rf /Fb 184[106 62[0 0 7[{}3 132.835 /TeXMUSIX16-Regular +rf end +%%EndProlog +%%BeginSetup +%%Feature: *Resolution 600dpi +TeXDict begin +%%PaperSize: A4 + end +%%EndSetup +%%Page: 1 1 +TeXDict begin 1 0 bop -364 -35 2350 4 v -364 -2 V -364 +31 V -364 64 V -364 98 V -364 63 a Fb(G)-159 89 y + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (0.79999pt) GD N /S0brk +S0hgt (2.0pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (20.0pt) GDAR N /S0dir +-1 N /S0dash 0 N /S0adj 0 N end + -159 +89 a -182 295 a Fa(s)p -144 63 4 117 v -182 63 a Fb(\007)p +-6 98 4 135 v 80 63 a + slur@Dict begin (2.0pt) GD S0hgt (4.0pt) GD 1.6 (2.0pt) GD M S0dir +M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 1 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 80 63 a 80 63 a + end + 80 63 a 60 295 +a Fa(s)p 98 63 4 117 v 60 63 a Fb(\007)260 89 y + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (0.79999pt) GD N /S0brk +S0hgt (2.0pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (20.0pt) GDAR N /S0dir +-1 N /S0dash 0 N /S0adj 0 N end + 260 89 +a 236 295 a Fa(sf)p 275 63 4 117 v 237 63 a Fb(\007)p +413 98 4 135 v 498 63 a + slur@Dict begin (2.0pt) GD S0hgt (4.0pt) GD 1.6 (2.0pt) GD M S0dir +M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 0.7 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 498 63 a 498 63 a + end + 498 63 a 478 +295 a Fa(s)p 517 63 4 117 v 479 63 a Fb(\007)678 89 y + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (0.79999pt) GD N /S0brk +S0hgt (2.0pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (20.0pt) GDAR N /S0dir +-1 N /S0dash 0 N /S0adj 0 N end + +678 89 a 655 295 a Fa(sh)p 693 63 4 117 v 655 63 a Fb(\007)p +831 98 4 135 v 917 63 a + slur@Dict begin (2.0pt) GD S0hgt (4.0pt) GD 1.6 (2.0pt) GD M S0dir +M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 1.6 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 917 63 a 917 63 a + end + 917 63 a 897 +295 a Fa(s)p 935 63 4 117 v 897 63 a Fb(\007)1096 89 +y + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (0.79999pt) GD N /S0brk +S0hgt (2.0pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (20.0pt) GDAR N /S0dir +-1 N /S0dash 0 N /S0adj 0 N end + 1096 89 a 1073 295 a Fa(shh)p 1111 63 4 117 v 1073 +63 a Fb(\007)p 1249 98 4 135 v 1335 63 a + slur@Dict begin (2.0pt) GD S0hgt (4.0pt) GD 1.6 (2.0pt) GD M S0dir +M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 1.6 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 1335 63 a 1335 +63 a + end + 1335 63 a 1315 295 a Fa(s)p 1353 63 4 117 v 1315 +63 a Fb(\007)1514 89 y + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (0.79999pt) GD N /S0brk +S0hgt (2.0pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (20.0pt) GDAR N /S0dir +-1 N /S0dash 0 N /S0adj 0 N end + 1514 89 a 1491 295 a Fa(sHH)p +1529 63 4 117 v 1491 63 a Fb(\007)p 1668 98 4 135 v 1753 +63 a + slur@Dict begin (2.0pt) GD S0hgt (4.0pt) GD 1.6 (2.0pt) GD M S0dir +M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 2.8 S0dir M 0.13 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 1753 63 a 1753 63 a + end + 1753 63 a 1771 63 4 117 v -20 +w Fb(\010)p 1982 98 4 135 v 1986 262 a + slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end + 1986 262 a eop +end +%%Trailer + +userdict /end-hook known{end-hook}if +%%EOF diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/kslurtweaks.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/kslurtweaks.eps new file mode 100644 index 00000000000..cbe2741c41f --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/kslurtweaks.eps @@ -0,0 +1,747 @@ +%% LaTeX2e file `eps/kslurtweaks.eps' +%% generated by the `filecontents' environment +%% from source `pmxccn' on 2011/07/14. +%% +%!PS-Adobe-3.0 EPSF-3.0 +%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software +%%Title: kslurtweaks.dvi +%%CreationDate: Wed Jan 21 14:00:21 2004 +%%Pages: 1 +%%PageOrder: Ascend +%%BoundingBox: 28 736 440 782 +%%DocumentFonts: TeXMUSIX16-Regular CMTT10 +%%EndComments +%DVIPSWebPage: (www.radicaleye.com) +%DVIPSCommandLine: C:\MIKTEX\TEXMF\MIKTEX\BIN\DVIPS.EXE kslurtweaks.dvi +%DVIPSParameters: dpi=600, compressed +%DVIPSSource: TeX output 2004.01.21:1400 +%%BeginProcSet: texc.pro +%! +/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S +N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 +mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 +0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ +landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize +mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ +matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round +exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ +statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] +N/FBB[0 0 0 0]N/nn 0 N/IE 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin +/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array +/BitMaps X/BuildChar{CharBuilder}N/Encoding IE N end A{/foo setfont}2 +array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N +df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A +definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get +}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} +B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr +1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 +1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx +0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx +sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ +rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp +gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B +/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ +/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ +A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy +get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} +ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp +fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 +{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add +chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ +1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} +forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn +/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put +}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ +bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A +mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ +SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ +userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X +1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 +index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N +/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X +/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) +(NeXT)(LaserWriter 16/600)]{A length product length le{A length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! 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w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! 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LaTeX2e file `eps/meter.eps' +%% generated by the `filecontents' environment +%% from source `pmxccn' on 2011/07/14. +%% +%!PS-Adobe-3.0 EPSF-3.0 +%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software +%%Title: meter.dvi +%%CreationDate: Wed Jan 21 14:00:52 2004 +%%Pages: 1 +%%PageOrder: Ascend +%%BoundingBox: 28 745 510 782 +%%DocumentFonts: TeXMUSIX16-Regular CMTI10 CMBX12 +%%EndComments +%DVIPSWebPage: (www.radicaleye.com) +%DVIPSCommandLine: C:\MIKTEX\TEXMF\MIKTEX\BIN\DVIPS.EXE meter.dvi +%DVIPSParameters: dpi=600, compressed +%DVIPSSource: TeX output 2004.01.21:1400 +%%BeginProcSet: texc.pro +%! +/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S +N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 +mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 +0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ +landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize +mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ +matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round +exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ +statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] +N/FBB[0 0 0 0]N/nn 0 N/IE 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin +/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array +/BitMaps X/BuildChar{CharBuilder}N/Encoding IE N end A{/foo setfont}2 +array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N +df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A +definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get +}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} +B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr +1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 +1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx +0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx +sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ +rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp +gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B +/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ +/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ +A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy +get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} +ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp +fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 +{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add +chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ +1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} +forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn +/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put +}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ +bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A +mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ +SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ +userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X +1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 +index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N +/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X +/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) +(NeXT)(LaserWriter 16/600)]{A length product length le{A length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.0) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. 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lt{/QV}{/RV}ifelse load def pop pop}N/eop{ +SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ +userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X +1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 +index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N +/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X +/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) +(NeXT)(LaserWriter 16/600)]{A length product length le{A length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro 0 0 +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro 0 0 +%! 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length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: texps.pro +%! +TeXDict begin/rf{findfont dup length 1 add dict begin{1 index/FID ne 2 +index/UniqueID ne and{def}{pop pop}ifelse}forall[1 index 0 6 -1 roll +exec 0 exch 5 -1 roll VResolution Resolution div mul neg 0 0]/Metrics +exch def dict begin Encoding{exch dup type/integertype ne{pop pop 1 sub +dup 0 le{pop}{[}ifelse}{FontMatrix 0 get div Metrics 0 get div def} +ifelse}forall Metrics/Metrics currentdict end def[2 index currentdict +end definefont 3 -1 roll makefont/setfont cvx]cvx def}def/ObliqueSlant{ +dup sin S cos div neg}B/SlantFont{4 index mul add}def/ExtendFont{3 -1 +roll mul exch}def/ReEncodeFont{CharStrings rcheck{/Encoding false def +dup[exch{dup CharStrings exch known not{pop/.notdef/Encoding true def} +if}forall Encoding{]exch pop}{cleartomark}ifelse}if/Encoding exch def} +def end + +%%EndProcSet +%%BeginFont: CMBX12 +%!PS-AdobeFont-1.1: CMBX12 1.0 +%%CreationDate: 1991 Aug 20 16:34:54 +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.0) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMBX12) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Bold) readonly def +/ItalicAngle 0 def +/isFixedPitch false def +end readonly def +/FontName /CMBX12 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 52 /four put +readonly def +/FontBBox{-53 -251 1139 750}readonly def +/UniqueID 5000769 def +currentdict end +currentfile eexec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cleartomark +%%EndFont +%%BeginFont: TeXMUSIX16-Regular +%!PS-AdobeFont-1.0: TeXMUSIX16-Regular 001.000 +%%CreationDate: 01-07-25 at 04.07 +%%VMusage: 1024 36138 +% Generated by Fontographer 4.1.4 +% converted using TeXtrace 0.45 and modified by T. 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMR10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle 0 def +/isFixedPitch false def +end readonly def +/FontName /CMR10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 80 /P put +dup 97 /a put +dup 105 /i put +dup 110 /n put +dup 111 /o put +readonly def +/FontBBox{-251 -250 1009 969}readonly def +/UniqueID 5000793 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA052A014267B7904EB3C0D3BD0B83D891 +016CA6CA4B712ADEB258FAAB9A130EE605E61F77FC1B738ABC7C51CD46EF8171 +9098D5FEE67660E69A7AB91B58F29A4D79E57022F783EB0FBBB6D4F4EC35014F +D2DECBA99459A4C59DF0C6EBA150284454E707DC2100C15B76B4C19B84363758 +469A6C558785B226332152109871A9883487DD7710949204DDCF837E6A8708B8 +2BDBF16FBC7512FAA308A093FE5CF7158F1163BC1F3352E22A1452E73FECA8A4 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+%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! 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(13.20001pt) GD N /S0brk +S0hgt (2.0pt) GD 1 1 M M A N /S0lift 0 N /S0alt (380.7998pt) GDAR N +/S0dir 1 N /S0dash 0 N /S0adj 0 N end + 834 1528 +a 811 1554 a Ff(\011)562 976 y Fa(Adagio)794 1308 y Fb(p)871 +1292 y Fj(W)g(w)834 1099 y + slur@Dict begin CP /S1y1 ED /S1x1 ED /S1hgt (17.20001pt) GD N /S1brk +S1hgt (2.0pt) GD 1 1 M M A N /S1lift 0 N /S1alt (428.39978pt) GDAR +N /S1dir 1 N /S1dash 0 N /S1adj 0 N end + 834 1099 a 811 1126 a Ff(\011)p +1177 4801 4 3692 v 940 4699 a(=)940 4304 y(=)940 3909 +y(=)940 3514 y(=)940 3118 y(=)940 2723 y(=)940 2328 y(=)940 +1933 y(=)1234 1571 y + slur@Dict begin (2.0pt) GD S0hgt (8.0pt) GD 1.6 (2.0pt) GD M S0dir +M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 0.7 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 1234 1571 a 1234 1571 a + end + 1234 1571 +a -60 w Ff(6)p 1214 1687 4 117 v 1 w(\007)1285 1637 y(>)1234 +1142 y + slur@Dict begin (2.0pt) GD S1hgt (12.0pt) GD 1.6 (2.0pt) GD M S1dir +M A S1x1 S1y1 CP (3.20001pt) GDAR S1dir M SB 0.7 S1dir M 0.17 40 S1dash +S1adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 1234 1142 a 1234 1142 a + end + 1234 1142 a 1214 1258 +4 117 v -19 w Ff(\007)1285 1242 y(>)1355 1571 y(<)1355 +1176 y(<)p 1450 4801 4 3692 v 1315 4699 a(=)1315 4304 +y(=)1315 3909 y(=)1315 3514 y(=)1315 3118 y(=)1315 2723 +y(=)1315 2328 y(=)1315 1933 y(=)1459 3284 y Fb(p)1535 +3268 y Fj(W)g(w)1475 3118 y Ff(\011)1459 2889 y Fb(p)1535 +2873 y Fj(W)g(w)1475 2723 y Ff(\011)1459 2527 y Fb(p)1535 +2511 y Fj(W)g(w)1475 2361 y Ff(\011)p 1882 4801 V 1667 +4699 a(=)1667 4304 y(=)1667 3909 y(=)1667 3514 y(=)1667 +1933 y(=)1667 1538 y(=)1667 1142 y(=)p 1907 3251 4 117 +v 1908 3135 a(\007)1978 3218 y(>)p 1907 2856 V 1908 2740 +a(\007)1978 2823 y(>)p 1946 2428 V 1908 2428 a(\007)70 +b(>)2048 3152 y(<)2048 2756 y(<)2048 2361 y(<)p 2143 +4801 4 3692 v 2014 4699 a(=)2014 4304 y(=)2014 3909 y(=)2014 +3514 y(=)2014 1933 y(=)2014 1538 y(=)2014 1142 y(=)2152 +3284 y Fb(p)2228 3268 y Fj(W)240 b(w)2169 3069 y Ff(\011)2152 +2889 y Fb(p)2228 2873 y Fj(W)g(w)2169 2740 y Ff(\011)2152 +2527 y Fb(p)2228 2511 y Fj(W)g(w)2169 2394 y Ff(\011)2152 +2099 y Fb(p)2228 2082 y Fj(W)g(w)2212 1928 y + slur@Dict begin /S1alt (333.19983pt) GDAR N CP /T0y1 ED /T0x1 ED /T0hgt +(12.6pt) GD N /T0dir 1 N /T0dash 0 N /T0adj 0 N end + 2212 1928 +a 2169 1949 a Ff(\011)2152 1704 y Fb(p)2228 1687 y Fj(W)g(w)2192 +1494 y + slur@Dict begin CP /S1y1 ED /S1x1 ED /S1hgt (17.20001pt) GD N /S1brk +S1hgt (2.0pt) GD 1 1 M M A N /S1lift 0 N /S1alt (380.7998pt) GDAR N +/S1dir 1 N /S1dash 0 N /S1adj 0 N end + 2192 1494 a 2169 1521 a Ff(\011)2152 1308 y Fb(p)2228 +1292 y Fj(W)g(w)2192 1066 y + slur@Dict begin CP /S2y1 ED /S2x1 ED /S2hgt (21.20001pt) GD N /S2brk +S2hgt (2.0pt) GD 1 1 M M A N /S2lift 0 N /S2alt (428.39978pt) GDAR +N /S2dir 1 N /S2dash 0 N /S2adj 0 N end + 2192 1066 a 2169 1093 a Ff(\011)p +2575 4801 4 3692 v 2361 4699 a(=)2361 4304 y(=)2361 3909 +y(=)2361 3514 y(=)p 2601 3234 4 117 v 2602 3118 a(\007)2671 +3218 y(>)p 2601 2839 V 2602 2723 a(\007)2671 2823 y(>)p +2639 2444 V 2601 2444 a(\007)2671 2428 y(>)2606 2032 +y + slur@Dict begin (2.0pt) GD T0hgt DP T0x1 T0y1 CP P T0y1 0.7 T0dir +M 0.14 30 T0dash T0adj 40 DS end + 2606 2032 a 2601 2065 4 117 v 2602 1949 a Ff(\007)2671 +2032 y(>)2621 1538 y + slur@Dict begin (2.0pt) GD S1hgt (12.0pt) GD 1.6 (2.0pt) GD M S1dir +M A S1x1 S1y1 CP (3.20001pt) GDAR S1dir M SB 0.7 S1dir M 0.17 40 S1dash +S1adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 2621 1538 a 2621 1538 a + end + 2621 1538 +a 2601 1654 4 117 v -19 w Ff(\007)2671 1637 y(>)2621 +1109 y + slur@Dict begin (2.0pt) GD S2hgt (16.0pt) GD 1.6 (2.0pt) GD M S2dir +M A S2x1 S2y1 CP (3.20001pt) GDAR S2dir M SB 0.7 S2dir M 0.17 40 S2dash +S2adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 2621 1109 a 2621 1109 a + end + 2621 1109 a 2601 1225 +4 117 v -19 w Ff(\007)2671 1242 y(>)2741 3152 y(<)2741 +2756 y(<)2741 2361 y(<)2741 1966 y(<)2741 1571 y(<)2741 +1176 y(<)p 2836 4801 4 3692 v 2707 4699 a(=)2707 4304 +y(=)2707 3909 y(=)2707 3514 y(=)2845 3284 y Fb(p)2922 +3268 y Fj(W)f(w)2862 3135 y Ff(\011)2845 2889 y Fb(p)2922 +2873 y Fj(W)g(w)2862 2740 y Ff(\011)2845 2527 y Fb(p)2922 +2511 y Fj(W)g(w)2862 2428 y Ff(\011)2845 2099 y Fb(p)2922 +2082 y Fj(W)g(w)2905 2004 y + slur@Dict begin /S-1alt (333.19983pt) GDAR N CP /T0y1 ED /T0x1 ED +/T0hgt (3.4pt) GD N /T0dir -1 N /T0dash 0 N /T0adj 0 N end + 2905 2004 a 2862 1983 a Ff(\011)2845 +1704 y Fb(p)2922 1687 y Fj(W)g(w)2885 1528 y + slur@Dict begin CP /S1y1 ED /S1x1 ED /S1hgt (13.20001pt) GD N /S1brk +S1hgt (2.0pt) GD 1 1 M M A N /S1lift 0 N /S1alt (380.7998pt) GDAR N +/S1dir 1 N /S1dash 0 N /S1adj 0 N end + 2885 1528 +a 2862 1554 a Ff(\011)2845 1308 y Fb(p)2922 1292 y Fj(W)g(w)2885 +1099 y + slur@Dict begin CP /S2y1 ED /S2x1 ED /S2hgt (17.20001pt) GD N /S2brk +S2hgt (2.0pt) GD 1 1 M M A N /S2lift 0 N /S2alt (428.39978pt) GDAR +N /S2dir 1 N /S2dash 0 N /S2adj 0 N end + 2885 1099 a 2862 1126 a Ff(\011)p 3268 4801 4 +3692 v 3054 4699 a(=)3054 4304 y(=)3054 3909 y(=)3054 +3514 y(=)3305 3613 y(?)3381 3590 y + slur@Dict begin CP /S3y1 ED /S3x1 ED /S3hgt (2.79999pt) GD N /S3brk +S3hgt (2.0pt) GD 1 -1 M M A N /S3lift 0 N /S3alt (142.79993pt) GDAR +N /S3dir -1 N /S3dash 0 N /S3adj 0 N end + 3381 3590 a 3341 3680 +a Fb(p)p 3396 3563 4 108 v 3358 3563 a Ff(\007)p 3448 +3580 4 120 v 3410 3580 a(\007)3460 3597 y(4)3396 3455 +y(\311)3407 3456 y(\311)p 3537 3597 4 127 v 3499 3597 +a(\007)p 3590 3580 4 75 v 3552 3580 a(\007)p 3642 3630 +4 120 v 3604 3630 a(\007)p 3695 3613 4 98 v 3657 3613 +a(\007)3752 3696 y + slur@Dict begin (2.0pt) GD S3hgt (-10.0pt) GD 1.6 (2.0pt) GD M S3dir +M A S3x1 S3y1 CP (3.20001pt) GDAR S3dir M SB 1 S3dir M 0.17 40 S3dash +S3adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 3752 3696 a 3752 3696 a + end + 3752 3696 +a 3693 3663 a Ff(6)3591 3505 y(\311)3640 3510 y(\311)p +3728 3648 49 4 v 3771 3663 4 140 v 3733 3663 a(\007)p +3305 3234 4 117 v 3306 3118 a(\007)3410 3218 y(>)3552 +3152 y(<)p 3343 2823 V 3305 2823 a(\007)105 b(>)3552 +2756 y(<)p 3301 2462 49 4 v 3344 2477 4 117 v 3306 2477 +a(\007)3410 2428 y(>)3552 2361 y(<)3310 2032 y + slur@Dict begin (2.0pt) GD T0hgt DP T0x1 T0y1 CP P T0y1 0.7 T0dir +M 0.14 30 T0dash T0adj 40 DS end + 3310 2032 +a 3343 1983 4 117 v 3305 1983 a Ff(\007)3410 2032 y(>)3552 +1966 y(<)3325 1571 y + slur@Dict begin (2.0pt) GD S1hgt (8.0pt) GD 1.6 (2.0pt) GD M S1dir +M A S1x1 S1y1 CP (3.20001pt) GDAR S1dir M SB 0.7 S1dir M 0.17 40 S1dash +S1adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 3325 1571 a 3325 1571 a + end + 3325 1571 +a -60 w Ff(6)p 3305 1687 4 117 v 1 w(\007)3410 1637 y(>)3552 +1571 y(<)3325 1142 y + slur@Dict begin (2.0pt) GD S2hgt (12.0pt) GD 1.6 (2.0pt) GD M S2dir +M A S2x1 S2y1 CP (3.20001pt) GDAR S2dir M SB 0.7 S2dir M 0.17 40 S2dash +S2adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 3325 1142 a 3325 1142 a + end + 3325 1142 +a 3305 1258 4 117 v -19 w Ff(\007)3410 1242 y(>)3552 +1176 y(<)p 3784 4801 4 3692 v 3528 4699 a(=)3528 4304 +y(=)3528 3909 y(=)3794 4865 y Fb(p)3810 4749 y Ff(\011)3794 +4470 y Fb(p)3810 4337 y Ff(\011)3794 4091 y Fb(p)3810 +4008 y Ff(\011)3825 3487 y + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (15.20001pt) GD N /S0brk +S0hgt (2.0pt) GD 1 1 M M A N /S0lift 0 N /S0alt (142.79993pt) GDAR +N /S0dir 1 N /S0dash 0 N /S0adj 0 N end + 3825 3487 a 3806 3648 49 4 +v 3849 3646 4 142 v 3811 3646 a Ff(\007)p 3901 3613 4 +114 v 3863 3613 a(\007)p 3953 3563 4 69 v 3915 3563 a(\007)3849 +3505 y(\211)3875 3503 y(\211)p 4005 3580 4 91 v 3967 +3580 a(\007)4012 3597 y(4)p 4051 3671 4 75 v(\007)4095 +3563 y(6)p 4135 3658 4 96 v 1 w(\007)p 4187 3650 4 121 +v 4188 3530 a(\007)4291 3447 y + slur@Dict begin (2.0pt) GD S0hgt (20.0pt) GD 1.6 (2.0pt) GD M S0dir +M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 0.7 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 4291 3447 a 4291 3447 +a + end + 4291 3447 a 4231 3480 a Ff(4)4051 3671 y(\217)4142 +3657 y(\217)p 4271 3637 4 158 v 4272 3480 a(\007)3794 +1704 y Fb(p)3870 1687 y Fj(W)239 b(w)3853 1499 y + slur@Dict begin /S1alt (380.7998pt) GDAR N CP /T0y1 ED /T0x1 ED /T0hgt +(16.6pt) GD N /T0dir 1 N /T0dash 0 N /T0adj 0 N end + 3853 +1499 a 3794 1704 a Fb(p)3810 1521 y Ff(\011)3794 1308 +y Fb(p)3870 1292 y Fj(W)g(w)3853 1137 y + slur@Dict begin /S1alt (428.39978pt) GDAR N CP /T1y1 ED /T1x1 ED /T1hgt +(12.6pt) GD N /T1dir 1 N /T1dash 0 N /T1adj 0 N end + 3853 1137 a 3794 +1308 a Fb(p)3810 1159 y Ff(\011)p 4324 4801 4 3692 v +4340 4801 V 4056 3118 a(=)4056 2723 y(=)4056 2328 y(=)4056 +1933 y(=)4327 4799 y + slur@Dict begin (2.0pt) GD T0hgt DP T0x1 T0y1 DP CP P S 0.7 T0dir +M 0.14 30 T0dash 40 T0adj DS end + 4327 4799 a 4327 4799 a + slur@Dict begin (2.0pt) GD T1hgt DP T1x1 T1y1 DP CP P S 0.7 T1dir +M 0.14 30 T1dash 40 T1adj DS end + 4327 4799 +a 4344 4799 a + slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 15 N end + 4344 4799 a eop end +%%Trailer + +userdict /end-hook known{end-hook}if +%%EOF diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/notepara.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/notepara.eps new file mode 100644 index 00000000000..27b10b451ae --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/notepara.eps @@ -0,0 +1,557 @@ +%% LaTeX2e file `eps/notepara.eps' +%% generated by the `filecontents' environment +%% from source `pmxccn' on 2011/07/14. +%% +%!PS-Adobe-3.0 EPSF-3.0 +%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software +%%Title: notepara.dvi +%%CreationDate: Wed Jan 21 14:01:16 2004 +%%Pages: 1 +%%PageOrder: Ascend +%%BoundingBox: 28 686 510 795 +%%DocumentFonts: TeXMUSIX16-Regular CMTT10 CMBX8 +%%EndComments +%DVIPSWebPage: (www.radicaleye.com) +%DVIPSCommandLine: C:\MIKTEX\TEXMF\MIKTEX\BIN\DVIPS.EXE notepara.dvi +%DVIPSParameters: dpi=600, compressed +%DVIPSSource: TeX output 2004.01.21:1401 +%%BeginProcSet: texc.pro +%! +/TeXDict 300 dict def 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N/v{/Ry X +/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) +(NeXT)(LaserWriter 16/600)]{A length product length le{A length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: texps.pro +%! +TeXDict begin/rf{findfont dup length 1 add dict begin{1 index/FID ne 2 +index/UniqueID ne and{def}{pop pop}ifelse}forall[1 index 0 6 -1 roll +exec 0 exch 5 -1 roll VResolution Resolution div mul neg 0 0]/Metrics +exch def dict begin Encoding{exch dup type/integertype ne{pop pop 1 sub +dup 0 le{pop}{[}ifelse}{FontMatrix 0 get div Metrics 0 get div def} +ifelse}forall Metrics/Metrics currentdict end def[2 index currentdict +end definefont 3 -1 roll makefont/setfont cvx]cvx def}def/ObliqueSlant{ +dup sin S cos div neg}B/SlantFont{4 index mul add}def/ExtendFont{3 -1 +roll mul exch}def/ReEncodeFont{CharStrings rcheck{/Encoding false def +dup[exch{dup CharStrings exch known not{pop/.notdef/Encoding true def} +if}forall Encoding{]exch pop}{cleartomark}ifelse}if/Encoding exch def} +def end + +%%EndProcSet +%%BeginFont: CMBX8 +%!PS-AdobeFont-1.1: CMBX8 1.0 +%%CreationDate: 1991 Aug 20 16:36:07 +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.0) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMBX8) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Bold) readonly def +/ItalicAngle 0 def +/isFixedPitch false def +end readonly def +/FontName /CMBX8 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 52 /four put +readonly def +/FontBBox{-59 -250 1235 750}readonly def +/UniqueID 5000766 def +currentdict end +currentfile eexec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cleartomark +%%EndFont +%%BeginFont: CMTT10 +%!PS-AdobeFont-1.1: CMTT10 1.00B +%%CreationDate: 1992 Apr 26 10:42:42 +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMTT10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle 0 def +/isFixedPitch true def +end readonly def +/FontName /CMTT10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 49 /one put +dup 50 /two put +dup 52 /four put +dup 56 /eight put +dup 97 /a put +dup 99 /c put +dup 100 /d put +dup 101 /e put +dup 102 /f put +dup 105 /i put +dup 108 /l put +dup 110 /n put +dup 114 /r put +dup 115 /s put +dup 117 /u put +readonly def +/FontBBox{-4 -235 731 800}readonly def +/UniqueID 5000832 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA052A014267B7904EB3C0D3BD0B83D891 +016CA6CA4B712ADEB258FAAB9A130EE605E61F77FC1B738ABC7C51CD46EF8171 +9098D5FEE67660E69A7AB91B58F29A4D79E57022F783EB0FBBB6D4F4EC35014F +D2DECBA99459A4C59DF0C6EBA150284454E707DC2100C15B76B4C19B84363758 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A{/foo setfont}2 +array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N +df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A +definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get +}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} +B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr +1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 +1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx +0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx +sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ +rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp +gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B +/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ +/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ +A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy +get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} +ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp +fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 +{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add +chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ +1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} +forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn +/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put +}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ +bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A +mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ +SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ +userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X +1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 +index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N +/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X +/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) +(NeXT)(LaserWriter 16/600)]{A length product length le{A length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: texps.pro +%! +TeXDict begin/rf{findfont dup length 1 add dict begin{1 index/FID ne 2 +index/UniqueID ne and{def}{pop pop}ifelse}forall[1 index 0 6 -1 roll +exec 0 exch 5 -1 roll VResolution Resolution div mul neg 0 0]/Metrics +exch def dict begin Encoding{exch dup type/integertype ne{pop pop 1 sub +dup 0 le{pop}{[}ifelse}{FontMatrix 0 get div Metrics 0 get div def} +ifelse}forall Metrics/Metrics currentdict end def[2 index currentdict +end definefont 3 -1 roll makefont/setfont cvx]cvx def}def/ObliqueSlant{ +dup sin S cos div neg}B/SlantFont{4 index mul add}def/ExtendFont{3 -1 +roll mul exch}def/ReEncodeFont{CharStrings rcheck{/Encoding false def +dup[exch{dup CharStrings exch known not{pop/.notdef/Encoding true def} +if}forall Encoding{]exch pop}{cleartomark}ifelse}if/Encoding exch def} +def end + +%%EndProcSet +%%BeginFont: CMBX12 +%!PS-AdobeFont-1.1: CMBX12 1.0 +%%CreationDate: 1991 Aug 20 16:34:54 +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.0) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMBX12) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Bold) readonly def +/ItalicAngle 0 def +/isFixedPitch false def +end readonly def +/FontName /CMBX12 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 51 /three put +dup 56 /eight put +readonly def +/FontBBox{-53 -251 1139 750}readonly def +/UniqueID 5000769 def +currentdict end +currentfile eexec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cleartomark +%%EndFont +%%BeginFont: CMTT10 +%!PS-AdobeFont-1.1: CMTT10 1.00B +%%CreationDate: 1992 Apr 26 10:42:42 +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMTT10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle 0 def +/isFixedPitch true def +end readonly def +/FontName /CMTT10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 43 /plus put +dup 44 /comma put +dup 45 /hyphen put +dup 46 /period put +dup 49 /one put +dup 50 /two put +dup 52 /four put +dup 56 /eight put +dup 98 /b put +dup 99 /c put +dup 100 /d put +dup 101 /e put +readonly def +/FontBBox{-4 -235 731 800}readonly def +/UniqueID 5000832 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA052A014267B7904EB3C0D3BD0B83D891 +016CA6CA4B712ADEB258FAAB9A130EE605E61F77FC1B738ABC7C51CD46EF8171 +9098D5FEE67660E69A7AB91B58F29A4D79E57022F783EB0FBBB6D4F4EC35014F +D2DECBA99459A4C59DF0C6EBA150284454E707DC2100C15B76B4C19B84363758 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMTT10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle 0 def +/isFixedPitch true def +end readonly def +/FontName /CMTT10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 43 /plus put +dup 45 /hyphen put +dup 46 /period put +dup 48 /zero put +dup 49 /one put +dup 50 /two put +dup 51 /three put +dup 52 /four put +dup 53 /five put +dup 56 /eight put +dup 57 /nine put +dup 60 /less put +dup 62 /greater put +dup 98 /b put +dup 99 /c put +dup 100 /d put +dup 101 /e put +dup 102 /f put +dup 110 /n put +dup 115 /s put +readonly def +/FontBBox{-4 -235 731 800}readonly def +/UniqueID 5000832 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA052A014267B7904EB3C0D3BD0B83D891 +016CA6CA4B712ADEB258FAAB9A130EE605E61F77FC1B738ABC7C51CD46EF8171 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+0000000000000000000000000000000000000000000000000000000000000000 +cleartomark{restore}if +%%EndFont +TeXDict begin 39158280 55380996 1000 600 600 (noteparc.dvi) +@start /Fa 140[44 4[44 7[44 44 44 44 44 35[44 1[44 2[44 +44 2[44 44 44 44 44 44 1[44 44 1[44 43[{}20 83.022 /CMTT10 +rf /Fb 172[66 11[106 16[40 40 40 1[40 41[0 0 7[{}8 132.835 +/TeXMUSIX16-Regular rf end +%%EndProlog +%%BeginSetup +%%Feature: *Resolution 600dpi +TeXDict begin +%%PaperSize: A4 + end +%%EndSetup +%%Page: 1 1 +TeXDict begin 1 0 bop -364 -35 3770 4 v -364 -2 V -364 +31 V -364 64 V -364 98 V -364 63 a Fb(G)-244 29 y(S)-192 +212 y Fa(c4+s+1+0)-92 -4 y Fb(4)p -52 129 4 117 v -51 +13 a(\007)187 295 y Fa(cf-1-1)167 29 y Fb(2)p 247 129 +V 248 13 a(\007)446 212 y Fa(cn-2+0)506 46 y Fb(6)p 546 +129 V 547 13 a(\007)785 295 y Fa(css+0-2)725 13 y Fb(5)p +845 129 V 81 w(\007)p 1143 98 4 135 v 1113 212 a Fa(c4s<.85)1179 +13 y Fb(4)p 1252 129 4 117 v 34 w(\007)1492 295 y Fa(cs>.2)1519 +13 y Fb(4)p 1551 129 V -7 w(\007)1711 212 y Fa(cf<.3)1798 +13 y Fb(2)p 1850 129 V 13 w(\007)2089 295 y Fa(cf>.2)2117 +13 y Fb(2)p 2149 129 V -7 w(\007)p 2448 98 4 135 v 2537 +229 a Fa(c2s<.9)2481 13 y Fb(4)p 2557 129 4 117 v 37 +w(\010)2960 245 y Fa(bf<.4)2924 29 y Fb(2)p 2980 146 +V 17 w(\010)2557 -137 y Fa(e2s)2517 -20 y Fb(4)p 2595 +-20 4 98 v(\010)2980 -137 y Fa(df)2940 -4 y Fb(2)p 3018 +-4 4 104 v(\010)p 3402 98 4 135 v eop end +%%Trailer + +userdict /end-hook known{end-hook}if +%%EOF diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/ornament.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/ornament.eps new file mode 100644 index 00000000000..8e3e28ffd4f --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/ornament.eps @@ -0,0 +1,1502 @@ +%% LaTeX2e file `eps/ornament.eps' +%% generated by the `filecontents' environment +%% from source `pmxccn' on 2011/07/14. +%% +%!PS-Adobe-3.0 EPSF-3.0 +%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software +%%Title: ornament.dvi +%%CreationDate: Wed Jan 21 14:02:42 2004 +%%Pages: 1 +%%PageOrder: Ascend +%%BoundingBox: 28 602 510 795 +%%DocumentFonts: TeXMUSIX16-Regular CMTT10 CMSY10 CMBX10 CMBX12 CMTI10 +%%+ TeXMUSIX11-Regular CMR10 TeXMUSIX13-Regular +%%EndComments +%DVIPSWebPage: (www.radicaleye.com) +%DVIPSCommandLine: C:\MIKTEX\TEXMF\MIKTEX\BIN\DVIPS.EXE ornament.dvi +%DVIPSParameters: dpi=600, compressed +%DVIPSSource: TeX output 2004.01.21:1402 +%%BeginProcSet: texc.pro +%! +/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S +N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 +mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 +0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ +landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize +mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ +matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round +exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ +statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] +N/FBB[0 0 0 0]N/nn 0 N/IE 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin +/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array +/BitMaps X/BuildChar{CharBuilder}N/Encoding IE N end A{/foo setfont}2 +array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N +df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A +definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get +}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} +B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr +1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 +1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx +0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx +sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ +rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp +gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B +/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ +/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ +A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy +get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} +ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp +fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 +{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add +chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ +1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} +forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn +/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put +}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ +bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A +mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ +SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ +userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X +1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 +index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N +/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X +/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) +(NeXT)(LaserWriter 16/600)]{A length product length le{A length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! +TeXDict begin/rf{findfont dup length 1 add dict begin{1 index/FID ne 2 +index/UniqueID ne and{def}{pop pop}ifelse}forall[1 index 0 6 -1 roll +exec 0 exch 5 -1 roll VResolution Resolution div mul neg 0 0]/Metrics +exch def dict begin Encoding{exch dup type/integertype ne{pop pop 1 sub +dup 0 le{pop}{[}ifelse}{FontMatrix 0 get div Metrics 0 get div def} +ifelse}forall Metrics/Metrics currentdict end def[2 index currentdict +end definefont 3 -1 roll makefont/setfont cvx]cvx def}def/ObliqueSlant{ +dup sin S cos div neg}B/SlantFont{4 index mul add}def/ExtendFont{3 -1 +roll mul exch}def/ReEncodeFont{CharStrings rcheck{/Encoding false def +dup[exch{dup CharStrings exch known not{pop/.notdef/Encoding true def} +if}forall Encoding{]exch pop}{cleartomark}ifelse}if/Encoding exch def} +def end + +%%EndProcSet +%%BeginProcSet: special.pro +%! +TeXDict begin/SDict 200 dict N SDict begin/@SpecialDefaults{/hs 612 N +/vs 792 N/ho 0 N/vo 0 N/hsc 1 N/vsc 1 N/ang 0 N/CLIP 0 N/rwiSeen false N +/rhiSeen false N/letter{}N/note{}N/a4{}N/legal{}N}B/@scaleunit 100 N +/@hscale{@scaleunit div/hsc X}B/@vscale{@scaleunit div/vsc X}B/@hsize{ +/hs X/CLIP 1 N}B/@vsize{/vs X/CLIP 1 N}B/@clip{/CLIP 2 N}B/@hoffset{/ho +X}B/@voffset{/vo X}B/@angle{/ang X}B/@rwi{10 div/rwi X/rwiSeen true N}B +/@rhi{10 div/rhi X/rhiSeen true N}B/@llx{/llx X}B/@lly{/lly X}B/@urx{ +/urx X}B/@ury{/ury X}B/magscale true def end/@MacSetUp{userdict/md known +{userdict/md get type/dicttype eq{userdict begin md length 10 add md +maxlength ge{/md md dup length 20 add dict copy def}if end md begin +/letter{}N/note{}N/legal{}N/od{txpose 1 0 mtx defaultmatrix dtransform S +atan/pa X newpath clippath mark{transform{itransform moveto}}{transform{ +itransform lineto}}{6 -2 roll transform 6 -2 roll transform 6 -2 roll +transform{itransform 6 2 roll itransform 6 2 roll itransform 6 2 roll +curveto}}{{closepath}}pathforall newpath counttomark array astore/gc xdf +pop ct 39 0 put 10 fz 0 fs 2 F/|______Courier fnt invertflag{PaintBlack} +if}N/txpose{pxs pys scale ppr aload pop por{noflips{pop S neg S TR pop 1 +-1 scale}if xflip yflip and{pop S neg S TR 180 rotate 1 -1 scale ppr 3 +get ppr 1 get neg sub neg ppr 2 get ppr 0 get neg sub neg TR}if xflip +yflip not and{pop S neg S TR pop 180 rotate ppr 3 get ppr 1 get neg sub +neg 0 TR}if yflip xflip not and{ppr 1 get neg ppr 0 get neg TR}if}{ +noflips{TR pop pop 270 rotate 1 -1 scale}if xflip yflip and{TR pop pop +90 rotate 1 -1 scale ppr 3 get ppr 1 get neg sub neg ppr 2 get ppr 0 get +neg sub neg TR}if xflip yflip not and{TR pop pop 90 rotate ppr 3 get ppr +1 get neg sub neg 0 TR}if yflip xflip not and{TR pop pop 270 rotate ppr +2 get ppr 0 get neg sub neg 0 S TR}if}ifelse scaleby96{ppr aload pop 4 +-1 roll add 2 div 3 1 roll add 2 div 2 copy TR .96 dup scale neg S neg S +TR}if}N/cp{pop pop showpage pm restore}N end}if}if}N/normalscale{ +Resolution 72 div VResolution 72 div neg scale magscale{DVImag dup scale +}if 0 setgray}N/psfts{S 65781.76 div N}N/startTexFig{/psf$SavedState +save N userdict maxlength dict begin/magscale true def normalscale +currentpoint TR/psf$ury psfts/psf$urx psfts/psf$lly psfts/psf$llx psfts +/psf$y psfts/psf$x psfts currentpoint/psf$cy X/psf$cx X/psf$sx psf$x +psf$urx psf$llx sub div N/psf$sy psf$y psf$ury psf$lly sub div N psf$sx +psf$sy scale psf$cx psf$sx div psf$llx sub psf$cy psf$sy div psf$ury sub +TR/showpage{}N/erasepage{}N/copypage{}N/p 3 def @MacSetUp}N/doclip{ +psf$llx psf$lly psf$urx psf$ury currentpoint 6 2 roll newpath 4 copy 4 2 +roll moveto 6 -1 roll S lineto S lineto S lineto closepath clip newpath +moveto}N/endTexFig{end psf$SavedState restore}N/@beginspecial{SDict +begin/SpecialSave save N gsave normalscale currentpoint TR +@SpecialDefaults count/ocount X/dcount countdictstack N}N/@setspecial{ +CLIP 1 eq{newpath 0 0 moveto hs 0 rlineto 0 vs rlineto hs neg 0 rlineto +closepath clip}if ho vo TR hsc vsc scale ang rotate rwiSeen{rwi urx llx +sub div rhiSeen{rhi ury lly sub div}{dup}ifelse scale llx neg lly neg TR +}{rhiSeen{rhi ury lly sub div dup scale llx neg lly neg TR}if}ifelse +CLIP 2 eq{newpath llx lly moveto urx lly lineto urx ury lineto llx ury +lineto closepath clip}if/showpage{}N/erasepage{}N/copypage{}N newpath}N +/@endspecial{count ocount sub{pop}repeat countdictstack dcount sub{end} +repeat grestore SpecialSave restore end}N/@defspecial{SDict begin}N +/@fedspecial{end}B/li{lineto}B/rl{rlineto}B/rc{rcurveto}B/np{/SaveX +currentpoint/SaveY X N 1 setlinecap newpath}N/st{stroke SaveX SaveY +moveto}N/fil{fill SaveX SaveY moveto}N/ellipse{/endangle X/startangle X +/yrad X/xrad X/savematrix matrix currentmatrix N TR xrad yrad scale 0 0 +1 startangle endangle arc savematrix setmatrix}N end + +%%EndProcSet +%%BeginFont: TeXMUSIX13-Regular +%!PS-AdobeFont-1.0: TeXMUSIX13-Regular 001.000 +%%CreationDate: 01-08-17 at 19.17 +%%VMusage: 1024 36748 +% Generated by Fontographer 4.1.4 +% converted using TeXtrace 0.45 and modified by T. 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMTI10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle -14.04 def +/isFixedPitch false def +end readonly def +/FontName /CMTI10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 114 /r put +dup 116 /t put +readonly def +/FontBBox{-163 -250 1146 969}readonly def +/UniqueID 5000828 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA0529731C99A784CCBE85B4993B2EEBDE +3B12D472B7CF54651EF21185116A69AB1096ED4BAD2F646635E019B6417CC77B +532F85D811C70D1429A19A5307EF63EB5C5E02C89FC6C20F6D9D89E7D91FE470 +B72BEFDA23F5DF76BE05AF4CE93137A219ED8A04A9D7D6FDF37E6B7FCDE0D90B +986423E5960A5D9FBB4C956556E8DF90CBFAEC476FA36FD9A5C8175C9AF513FE +D919C2DDD26BDC0D99398B9F4D03D5993DFC0930297866E1CD0A319B6B1FD958 +9E3948FFB0B4E70F212EC976D65099D84E0D37A7A771C3101D6AD26A0513378F +21EC3643079EECE0C9AB54B4772E5DCA82D0D4ACC7F42FB493AA04A3BF4A1BD6 +06ECE186315DBE9CFDCB1A0303E8D3E83027CD3AFA8F0BD466A8E8CA0E7164CF +55B332FAD43482748DD4A1CB3F40CB1F5E67192B8216A0D8FE30F9F05BF016F5 +B5CC130A4B0796EE065495422FBA55BEE9BFD99D04464D987AC4D237C208FA86 +0B112E55CE7B3782A34BC22E3DE31755D9AFF19E490C8E43B85E17ECE87FA8B9 +1485831624D24F37C39BF9972D74E6EC4784727AC00B9C4A3AD3DA1C22BD6961 +7E0ADAF55422F22ACA5E4DCD4DF9FCD187A566B7FB661D0530454D0DD6C6C50A +7A3875C6CBF8EC7769F32A1F3F7FC1C072BADEC97794D4E90E0035282A170402 +356E5A9CD9ABD80AC4342A5283E458A7269252F4541CBB6452B39ED54D336D0B +19928E9CD1AB26AD83EB209E2EC75011A2643813053B5DBB0246097C4821B5F2 +C92554E9140BE35B2DBFCD98809A8EC9FC910FDE9E0D86457C70ACB056EBF90F +244DC0A5BBD455E15D6E3180311D52CF50B0BF7D0A7F64F3A1821E0AEDBC2E7B +AEB549FE1D51088C153799C6E089B5D5D65E1C4E2D2B430CDF1FFA23CCB25D95 +592943209E846E55B4CB54F6658CBA3C0B29796D69D0435D5431ABECF3448C15 +98CA2F36F3659E29AEB79355EC2ADF835CF0886C21B766B9DEBC3950B5B3B496 +2E06D980A8C60305B273232D4604F12632FB4F1B2F9703952C823C098543AED1 +CFB4ECF259A11985F0C944A57B5AFD853374FCF12305601200C2A393E2FC77FD +F78C2BEAF545FB34D38EED3579B16A9724302E591A3997C60552511C02B69726 +6FB1FC45E4D494372887DEFAFB1671DB490472686C3D7335F91F0CBABB19416B +834CA65E59C51BCF0B1EA832833AC7867A412EEEF98C56370869BEC4213B4224 +697A9BD8D207994D1A67D4B5567B9BF7022D97F696654C257ECB331A20E22DA3 +031DD2B5E1279B1CEA257E6CC4FD149FDB9793B5A5ABAC33BE2886199308C794 +C660D52A1D574A5952A34478F1959A1F3906E9A8861ACC8C89C9E68A18CF0159 +135DBDD1C223DBBDFEE880DE6F3A2BD4AB98B39AE9AA6CED045437B8203A499E +96228E1DF45138D07915097DEB8F74636474DD431A8931713A20DE865441E558 +354F8CD26C6EBBFC64AFB4AA3F6FA146C8CBF498DFE7A13D8EF4F008D2AD956D +C40E7814D669E20CB9E4C955FD3791FDF1E5EDCF6FEEA76B815DEBF03B20C50C +21B2AEC25C0D9EC87473219434AEDD93E55B7134F8FA07E6CDC9C1ADC9903BAC +89444860966D5E1909DFE94C7327A04D31A3A7F179B722C6E0C3B4EBC5EE77F4 +1768D2D94C716B56C4DCCC6A19E24D79128FB9DAD4C6DE933C0D6BE57795828B +17E18B298D4735F6FF6E32F4C1C615D148D53CBAD0E4CF18ADC51DD2D6F93B8D +AA2338F84F7BB848EA19CD9DAE23B1A6E2397C2EE2ECD0C156E550058A08 +0000000000000000000000000000000000000000000000000000000000000000 +0000000000000000000000000000000000000000000000000000000000000000 +0000000000000000000000000000000000000000000000000000000000000000 +0000000000000000000000000000000000000000000000000000000000000000 +0000000000000000000000000000000000000000000000000000000000000000 +0000000000000000000000000000000000000000000000000000000000000000 +0000000000000000000000000000000000000000000000000000000000000000 +0000000000000000000000000000000000000000000000000000000000000000 +cleartomark +%%EndFont +%%BeginFont: CMBX12 +%!PS-AdobeFont-1.1: CMBX12 1.0 +%%CreationDate: 1991 Aug 20 16:34:54 +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.0) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMBX12) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Bold) readonly def +/ItalicAngle 0 def +/isFixedPitch false def +end readonly def +/FontName /CMBX12 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 50 /two put +dup 51 /three put +dup 52 /four put +readonly def +/FontBBox{-53 -251 1139 750}readonly def +/UniqueID 5000769 def +currentdict end +currentfile eexec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cleartomark +%%EndFont +%%BeginFont: CMBX10 +%!PS-AdobeFont-1.1: CMBX10 1.00B +%%CreationDate: 1992 Feb 19 19:54:06 +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMBX10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Bold) readonly def +/ItalicAngle 0 def +/isFixedPitch false def +end readonly def +/FontName /CMBX10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 39 /quoteright put +readonly def +/FontBBox{-301 -250 1164 946}readonly def +/UniqueID 5000768 def +currentdict end +currentfile eexec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cleartomark +%%EndFont +%%BeginFont: CMSY10 +%!PS-AdobeFont-1.1: CMSY10 1.0 +%%CreationDate: 1991 Aug 15 07:20:57 +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.0) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMSY10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle -14.035 def +/isFixedPitch false def +end readonly def +/FontName /CMSY10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 2 /multiply put +readonly def +/FontBBox{-29 -960 1116 775}readonly def +/UniqueID 5000820 def +currentdict end +currentfile eexec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cleartomark +%%EndFont +%%BeginFont: CMTT10 +%!PS-AdobeFont-1.1: CMTT10 1.00B +%%CreationDate: 1992 Apr 26 10:42:42 +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMTT10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle 0 def +/isFixedPitch true def +end readonly def +/FontName /CMTT10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 43 /plus put +dup 44 /comma put +dup 46 /period put +dup 48 /zero put +dup 49 /one put +dup 58 /colon put +dup 62 /greater put +dup 63 /question put +dup 84 /T put +dup 94 /asciicircum put +dup 98 /b put +dup 99 /c put +dup 100 /d put +dup 101 /e put +dup 102 /f put +dup 103 /g put +dup 109 /m put +dup 110 /n put +dup 111 /o put +dup 112 /p put +dup 115 /s put +dup 116 /t put +dup 117 /u put +dup 120 /x put +readonly def +/FontBBox{-4 -235 731 800}readonly def +/UniqueID 5000832 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA052A014267B7904EB3C0D3BD0B83D891 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begin +/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array +/BitMaps X/BuildChar{CharBuilder}N/Encoding IE N end A{/foo setfont}2 +array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N +df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A +definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get +}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} +B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr +1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 +1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx +0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx +sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ +rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp +gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B +/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ +/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ +A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy +get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} +ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp +fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 +{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add +chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ +1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} +forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn +/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put +}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ +bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A +mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ +SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ +userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X +1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 +index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N +/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X +/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) +(NeXT)(LaserWriter 16/600)]{A length product length le{A length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! +TeXDict begin/rf{findfont dup length 1 add dict begin{1 index/FID ne 2 +index/UniqueID ne and{def}{pop pop}ifelse}forall[1 index 0 6 -1 roll +exec 0 exch 5 -1 roll VResolution Resolution div mul neg 0 0]/Metrics +exch def dict begin Encoding{exch dup type/integertype ne{pop pop 1 sub +dup 0 le{pop}{[}ifelse}{FontMatrix 0 get div Metrics 0 get div def} +ifelse}forall Metrics/Metrics currentdict end def[2 index currentdict +end definefont 3 -1 roll makefont/setfont cvx]cvx def}def/ObliqueSlant{ +dup sin S cos div neg}B/SlantFont{4 index mul add}def/ExtendFont{3 -1 +roll mul exch}def/ReEncodeFont{CharStrings rcheck{/Encoding false def +dup[exch{dup CharStrings exch known not{pop/.notdef/Encoding true def} +if}forall Encoding{]exch pop}{cleartomark}ifelse}if/Encoding exch def} +def end + +%%EndProcSet +%%BeginProcSet: special.pro +%! +TeXDict begin/SDict 200 dict N SDict begin/@SpecialDefaults{/hs 612 N +/vs 792 N/ho 0 N/vo 0 N/hsc 1 N/vsc 1 N/ang 0 N/CLIP 0 N/rwiSeen false N +/rhiSeen false N/letter{}N/note{}N/a4{}N/legal{}N}B/@scaleunit 100 N +/@hscale{@scaleunit div/hsc X}B/@vscale{@scaleunit div/vsc X}B/@hsize{ +/hs X/CLIP 1 N}B/@vsize{/vs X/CLIP 1 N}B/@clip{/CLIP 2 N}B/@hoffset{/ho +X}B/@voffset{/vo X}B/@angle{/ang X}B/@rwi{10 div/rwi X/rwiSeen true N}B +/@rhi{10 div/rhi X/rhiSeen true N}B/@llx{/llx X}B/@lly{/lly X}B/@urx{ +/urx X}B/@ury{/ury X}B/magscale true def end/@MacSetUp{userdict/md known +{userdict/md get type/dicttype eq{userdict begin md length 10 add md +maxlength ge{/md md dup length 20 add dict copy def}if end md begin +/letter{}N/note{}N/legal{}N/od{txpose 1 0 mtx defaultmatrix dtransform S +atan/pa X newpath clippath mark{transform{itransform moveto}}{transform{ +itransform lineto}}{6 -2 roll transform 6 -2 roll transform 6 -2 roll +transform{itransform 6 2 roll itransform 6 2 roll itransform 6 2 roll +curveto}}{{closepath}}pathforall newpath counttomark array astore/gc xdf +pop ct 39 0 put 10 fz 0 fs 2 F/|______Courier fnt invertflag{PaintBlack} +if}N/txpose{pxs pys scale ppr aload pop por{noflips{pop S neg S TR pop 1 +-1 scale}if xflip yflip and{pop S neg S TR 180 rotate 1 -1 scale ppr 3 +get ppr 1 get neg sub neg ppr 2 get ppr 0 get neg sub neg TR}if xflip +yflip not and{pop S neg S TR pop 180 rotate ppr 3 get ppr 1 get neg sub +neg 0 TR}if yflip xflip not and{ppr 1 get neg ppr 0 get neg TR}if}{ +noflips{TR pop pop 270 rotate 1 -1 scale}if xflip yflip and{TR pop pop +90 rotate 1 -1 scale ppr 3 get ppr 1 get neg sub neg ppr 2 get ppr 0 get +neg sub neg TR}if xflip yflip not and{TR pop pop 90 rotate ppr 3 get ppr +1 get neg sub neg 0 TR}if yflip xflip not and{TR pop pop 270 rotate ppr +2 get ppr 0 get neg sub neg 0 S TR}if}ifelse scaleby96{ppr aload pop 4 +-1 roll add 2 div 3 1 roll add 2 div 2 copy TR .96 dup scale neg S neg S +TR}if}N/cp{pop pop showpage pm restore}N end}if}if}N/normalscale{ +Resolution 72 div VResolution 72 div neg scale magscale{DVImag dup scale +}if 0 setgray}N/psfts{S 65781.76 div N}N/startTexFig{/psf$SavedState +save N userdict maxlength dict begin/magscale true def normalscale +currentpoint TR/psf$ury psfts/psf$urx psfts/psf$lly psfts/psf$llx psfts +/psf$y psfts/psf$x psfts currentpoint/psf$cy X/psf$cx X/psf$sx psf$x +psf$urx psf$llx sub div N/psf$sy psf$y psf$ury psf$lly sub div N psf$sx +psf$sy scale psf$cx psf$sx div psf$llx sub psf$cy psf$sy div psf$ury sub +TR/showpage{}N/erasepage{}N/copypage{}N/p 3 def @MacSetUp}N/doclip{ +psf$llx psf$lly psf$urx psf$ury currentpoint 6 2 roll newpath 4 copy 4 2 +roll moveto 6 -1 roll S lineto S lineto S lineto closepath clip newpath +moveto}N/endTexFig{end psf$SavedState restore}N/@beginspecial{SDict +begin/SpecialSave save N gsave normalscale currentpoint TR +@SpecialDefaults count/ocount X/dcount countdictstack N}N/@setspecial{ +CLIP 1 eq{newpath 0 0 moveto hs 0 rlineto 0 vs rlineto hs neg 0 rlineto +closepath clip}if ho vo TR hsc vsc scale ang rotate rwiSeen{rwi urx llx +sub div rhiSeen{rhi ury lly sub div}{dup}ifelse scale llx neg lly neg TR +}{rhiSeen{rhi ury lly sub div dup scale llx neg lly neg TR}if}ifelse +CLIP 2 eq{newpath llx lly moveto urx lly lineto urx ury lineto llx ury +lineto closepath clip}if/showpage{}N/erasepage{}N/copypage{}N newpath}N +/@endspecial{count ocount sub{pop}repeat countdictstack dcount sub{end} +repeat grestore SpecialSave restore end}N/@defspecial{SDict begin}N +/@fedspecial{end}B/li{lineto}B/rl{rlineto}B/rc{rcurveto}B/np{/SaveX +currentpoint/SaveY X N 1 setlinecap newpath}N/st{stroke SaveX SaveY +moveto}N/fil{fill SaveX SaveY moveto}N/ellipse{/endangle X/startangle X +/yrad X/xrad X/savematrix matrix currentmatrix N TR xrad yrad scale 0 0 +1 startangle endangle arc savematrix setmatrix}N end + +%%EndProcSet +%%BeginFont: CMBXTI10 +%!PS-AdobeFont-1.1: CMBXTI10 1.0 +%%CreationDate: 1991 Aug 18 17:46:30 +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.0) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. 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b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/pickups.eps @@ -0,0 +1,804 @@ +%% LaTeX2e file `eps/pickups.eps' +%% generated by the `filecontents' environment +%% from source `pmxccn' on 2011/07/14. +%% +%!PS-Adobe-3.0 EPSF-3.0 +%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software +%%Title: pickups.dvi +%%CreationDate: Wed Jan 21 14:03:34 2004 +%%Pages: 1 +%%PageOrder: Ascend +%%BoundingBox: 28 685 483 782 +%%DocumentFonts: TeXMUSIX16-Regular CMBX12 CMTT10 +%%EndComments +%DVIPSWebPage: (www.radicaleye.com) +%DVIPSCommandLine: C:\MIKTEX\TEXMF\MIKTEX\BIN\DVIPS.EXE pickups.dvi +%DVIPSParameters: dpi=600, compressed +%DVIPSSource: TeX output 2004.01.21:1403 +%%BeginProcSet: texc.pro +%! +/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S +N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 +mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 +0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ +landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize +mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ +matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round +exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ +statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] +N/FBB[0 0 0 0]N/nn 0 N/IE 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin +/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array +/BitMaps X/BuildChar{CharBuilder}N/Encoding IE N end A{/foo setfont}2 +array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N +df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A +definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get +}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} +B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr +1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 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2 chg nd}{pop nd}]A{bind pop} +forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn +/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put +}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ +bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A +mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ +SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ +userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X +1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 +index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N +/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X +/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) +(NeXT)(LaserWriter 16/600)]{A length product length le{A length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! 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get sub}B/Cy{Cd A length 2 sub get 127 sub} +B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr +1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 +1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx +0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx +sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ +rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp +gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B +/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ +/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ +A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy +get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} +ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp +fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 +{2 copy 255 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+(NeXT)(LaserWriter 16/600)]{A length product length le{A length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! +TeXDict begin/rf{findfont dup length 1 add dict begin{1 index/FID ne 2 +index/UniqueID ne and{def}{pop pop}ifelse}forall[1 index 0 6 -1 roll +exec 0 exch 5 -1 roll VResolution Resolution div mul neg 0 0]/Metrics +exch def dict begin Encoding{exch dup type/integertype ne{pop pop 1 sub +dup 0 le{pop}{[}ifelse}{FontMatrix 0 get div Metrics 0 get div def} +ifelse}forall Metrics/Metrics currentdict end def[2 index currentdict +end definefont 3 -1 roll makefont/setfont cvx]cvx def}def/ObliqueSlant{ +dup sin S cos div neg}B/SlantFont{4 index mul add}def/ExtendFont{3 -1 +roll mul exch}def/ReEncodeFont{CharStrings rcheck{/Encoding false def +dup[exch{dup CharStrings exch known not{pop/.notdef/Encoding true def} +if}forall Encoding{]exch pop}{cleartomark}ifelse}if/Encoding exch def} +def end + +%%EndProcSet +%%BeginProcSet: special.pro +%! +TeXDict begin/SDict 200 dict N SDict begin/@SpecialDefaults{/hs 612 N +/vs 792 N/ho 0 N/vo 0 N/hsc 1 N/vsc 1 N/ang 0 N/CLIP 0 N/rwiSeen false N +/rhiSeen false N/letter{}N/note{}N/a4{}N/legal{}N}B/@scaleunit 100 N +/@hscale{@scaleunit div/hsc X}B/@vscale{@scaleunit div/vsc X}B/@hsize{ +/hs X/CLIP 1 N}B/@vsize{/vs X/CLIP 1 N}B/@clip{/CLIP 2 N}B/@hoffset{/ho +X}B/@voffset{/vo X}B/@angle{/ang X}B/@rwi{10 div/rwi X/rwiSeen true N}B +/@rhi{10 div/rhi X/rhiSeen true N}B/@llx{/llx X}B/@lly{/lly X}B/@urx{ +/urx X}B/@ury{/ury X}B/magscale true def end/@MacSetUp{userdict/md known +{userdict/md get type/dicttype eq{userdict begin md length 10 add md +maxlength ge{/md md dup length 20 add dict copy def}if end md begin +/letter{}N/note{}N/legal{}N/od{txpose 1 0 mtx defaultmatrix dtransform S +atan/pa X newpath clippath mark{transform{itransform moveto}}{transform{ +itransform lineto}}{6 -2 roll transform 6 -2 roll transform 6 -2 roll +transform{itransform 6 2 roll itransform 6 2 roll itransform 6 2 roll +curveto}}{{closepath}}pathforall newpath counttomark array astore/gc xdf +pop ct 39 0 put 10 fz 0 fs 2 F/|______Courier fnt invertflag{PaintBlack} +if}N/txpose{pxs pys scale ppr aload pop por{noflips{pop S neg S TR pop 1 +-1 scale}if xflip yflip and{pop S neg S TR 180 rotate 1 -1 scale ppr 3 +get ppr 1 get neg sub neg ppr 2 get ppr 0 get neg sub neg TR}if xflip +yflip not and{pop S neg S TR pop 180 rotate ppr 3 get ppr 1 get neg sub +neg 0 TR}if yflip xflip not and{ppr 1 get neg ppr 0 get neg TR}if}{ +noflips{TR pop pop 270 rotate 1 -1 scale}if xflip yflip and{TR pop pop +90 rotate 1 -1 scale ppr 3 get ppr 1 get neg sub neg ppr 2 get ppr 0 get +neg sub neg TR}if xflip yflip not and{TR pop pop 90 rotate ppr 3 get ppr +1 get neg sub neg 0 TR}if yflip xflip not and{TR pop pop 270 rotate ppr +2 get ppr 0 get neg sub neg 0 S TR}if}ifelse scaleby96{ppr aload pop 4 +-1 roll add 2 div 3 1 roll add 2 div 2 copy TR .96 dup scale neg S neg S +TR}if}N/cp{pop pop showpage pm restore}N end}if}if}N/normalscale{ +Resolution 72 div VResolution 72 div neg scale magscale{DVImag dup scale +}if 0 setgray}N/psfts{S 65781.76 div N}N/startTexFig{/psf$SavedState +save N userdict maxlength dict begin/magscale true def normalscale +currentpoint TR/psf$ury psfts/psf$urx psfts/psf$lly psfts/psf$llx psfts +/psf$y psfts/psf$x psfts currentpoint/psf$cy X/psf$cx X/psf$sx psf$x +psf$urx psf$llx sub div N/psf$sy psf$y psf$ury psf$lly sub div N psf$sx +psf$sy scale psf$cx psf$sx div psf$llx sub psf$cy psf$sy div psf$ury sub +TR/showpage{}N/erasepage{}N/copypage{}N/p 3 def @MacSetUp}N/doclip{ +psf$llx psf$lly psf$urx psf$ury currentpoint 6 2 roll newpath 4 copy 4 2 +roll moveto 6 -1 roll S lineto S lineto S lineto closepath clip newpath +moveto}N/endTexFig{end psf$SavedState restore}N/@beginspecial{SDict +begin/SpecialSave save N gsave normalscale currentpoint TR +@SpecialDefaults count/ocount X/dcount countdictstack N}N/@setspecial{ +CLIP 1 eq{newpath 0 0 moveto hs 0 rlineto 0 vs rlineto hs neg 0 rlineto +closepath clip}if ho vo TR hsc vsc scale ang rotate rwiSeen{rwi urx llx +sub div rhiSeen{rhi ury lly sub div}{dup}ifelse scale llx neg lly neg TR +}{rhiSeen{rhi ury lly sub div dup scale llx neg lly neg TR}if}ifelse +CLIP 2 eq{newpath llx lly moveto urx lly lineto urx ury lineto llx ury +lineto closepath clip}if/showpage{}N/erasepage{}N/copypage{}N newpath}N +/@endspecial{count ocount sub{pop}repeat countdictstack dcount sub{end} +repeat grestore SpecialSave restore end}N/@defspecial{SDict begin}N +/@fedspecial{end}B/li{lineto}B/rl{rlineto}B/rc{rcurveto}B/np{/SaveX +currentpoint/SaveY X N 1 setlinecap newpath}N/st{stroke SaveX SaveY +moveto}N/fil{fill SaveX SaveY moveto}N/ellipse{/endangle X/startangle X +/yrad X/xrad X/savematrix matrix currentmatrix N TR xrad yrad scale 0 0 +1 startangle endangle arc savematrix setmatrix}N end + +%%EndProcSet +%%BeginFont: CMTT10 +%!PS-AdobeFont-1.1: CMTT10 1.00B +%%CreationDate: 1992 Apr 26 10:42:42 +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMTT10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle 0 def +/isFixedPitch true def +end readonly def +/FontName /CMTT10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 49 /one put +dup 50 /two put +dup 51 /three put +dup 52 /four put +dup 53 /five put +dup 54 /six put +dup 99 /c put +readonly def +/FontBBox{-4 -235 731 800}readonly def +/UniqueID 5000832 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA052A014267B7904EB3C0D3BD0B83D891 +016CA6CA4B712ADEB258FAAB9A130EE605E61F77FC1B738ABC7C51CD46EF8171 +9098D5FEE67660E69A7AB91B58F29A4D79E57022F783EB0FBBB6D4F4EC35014F +D2DECBA99459A4C59DF0C6EBA150284454E707DC2100C15B76B4C19B84363758 +469A6C558785B226332152109871A9883487DD7710949204DDCF837E6A8708B8 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X/BuildChar{CharBuilder}N/Encoding IE N end A{/foo setfont}2 +array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N +df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A +definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get +}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} +B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr +1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 +1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx +0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx +sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ +rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp +gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B +/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ +/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ +A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy +get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} +ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp +fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 +{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add +chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ +1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} +forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn +/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put +}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ +bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A +mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ +SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ +userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X +1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 +index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N +/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X +/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) +(NeXT)(LaserWriter 16/600)]{A length product length le{A length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! +TeXDict begin/rf{findfont dup length 1 add dict begin{1 index/FID ne 2 +index/UniqueID ne and{def}{pop pop}ifelse}forall[1 index 0 6 -1 roll +exec 0 exch 5 -1 roll VResolution Resolution div mul neg 0 0]/Metrics +exch def dict begin Encoding{exch dup type/integertype ne{pop pop 1 sub +dup 0 le{pop}{[}ifelse}{FontMatrix 0 get div Metrics 0 get div def} +ifelse}forall Metrics/Metrics currentdict end def[2 index currentdict +end definefont 3 -1 roll makefont/setfont cvx]cvx def}def/ObliqueSlant{ +dup sin S cos div neg}B/SlantFont{4 index mul add}def/ExtendFont{3 -1 +roll mul exch}def/ReEncodeFont{CharStrings rcheck{/Encoding false def +dup[exch{dup CharStrings exch known not{pop/.notdef/Encoding true def} +if}forall Encoding{]exch pop}{cleartomark}ifelse}if/Encoding exch def} +def end + +%%EndProcSet +%%BeginProcSet: special.pro +%! +TeXDict begin/SDict 200 dict N SDict begin/@SpecialDefaults{/hs 612 N +/vs 792 N/ho 0 N/vo 0 N/hsc 1 N/vsc 1 N/ang 0 N/CLIP 0 N/rwiSeen false N +/rhiSeen false N/letter{}N/note{}N/a4{}N/legal{}N}B/@scaleunit 100 N +/@hscale{@scaleunit div/hsc X}B/@vscale{@scaleunit div/vsc X}B/@hsize{ +/hs X/CLIP 1 N}B/@vsize{/vs X/CLIP 1 N}B/@clip{/CLIP 2 N}B/@hoffset{/ho +X}B/@voffset{/vo X}B/@angle{/ang X}B/@rwi{10 div/rwi X/rwiSeen true N}B +/@rhi{10 div/rhi X/rhiSeen true N}B/@llx{/llx X}B/@lly{/lly X}B/@urx{ +/urx X}B/@ury{/ury X}B/magscale true def end/@MacSetUp{userdict/md known +{userdict/md get type/dicttype eq{userdict begin md length 10 add md +maxlength ge{/md md dup length 20 add dict copy def}if end md begin +/letter{}N/note{}N/legal{}N/od{txpose 1 0 mtx defaultmatrix dtransform S +atan/pa X newpath clippath mark{transform{itransform moveto}}{transform{ +itransform lineto}}{6 -2 roll transform 6 -2 roll transform 6 -2 roll +transform{itransform 6 2 roll itransform 6 2 roll itransform 6 2 roll +curveto}}{{closepath}}pathforall newpath counttomark array astore/gc xdf +pop ct 39 0 put 10 fz 0 fs 2 F/|______Courier fnt invertflag{PaintBlack} +if}N/txpose{pxs pys scale ppr aload pop por{noflips{pop S neg S TR pop 1 +-1 scale}if xflip yflip and{pop S neg S TR 180 rotate 1 -1 scale ppr 3 +get ppr 1 get neg sub neg ppr 2 get ppr 0 get neg sub neg TR}if xflip +yflip not and{pop S neg S TR pop 180 rotate ppr 3 get ppr 1 get neg sub +neg 0 TR}if yflip xflip not and{ppr 1 get neg ppr 0 get neg TR}if}{ +noflips{TR pop pop 270 rotate 1 -1 scale}if xflip yflip and{TR pop pop +90 rotate 1 -1 scale ppr 3 get ppr 1 get neg sub neg ppr 2 get ppr 0 get +neg sub neg TR}if xflip yflip not and{TR pop pop 90 rotate ppr 3 get ppr +1 get neg sub neg 0 TR}if yflip xflip not and{TR pop pop 270 rotate ppr +2 get ppr 0 get neg sub neg 0 S TR}if}ifelse scaleby96{ppr aload pop 4 +-1 roll add 2 div 3 1 roll add 2 div 2 copy TR .96 dup scale neg S neg S +TR}if}N/cp{pop pop showpage pm restore}N end}if}if}N/normalscale{ +Resolution 72 div VResolution 72 div neg scale magscale{DVImag dup scale +}if 0 setgray}N/psfts{S 65781.76 div N}N/startTexFig{/psf$SavedState +save N userdict maxlength dict begin/magscale true def normalscale +currentpoint TR/psf$ury psfts/psf$urx psfts/psf$lly psfts/psf$llx psfts +/psf$y psfts/psf$x psfts currentpoint/psf$cy X/psf$cx X/psf$sx psf$x +psf$urx psf$llx sub div N/psf$sy psf$y psf$ury psf$lly sub div N psf$sx +psf$sy scale psf$cx psf$sx div psf$llx sub psf$cy psf$sy div psf$ury sub +TR/showpage{}N/erasepage{}N/copypage{}N/p 3 def @MacSetUp}N/doclip{ +psf$llx psf$lly psf$urx psf$ury currentpoint 6 2 roll newpath 4 copy 4 2 +roll moveto 6 -1 roll S lineto S lineto S lineto closepath clip newpath +moveto}N/endTexFig{end psf$SavedState restore}N/@beginspecial{SDict +begin/SpecialSave save N gsave normalscale currentpoint TR +@SpecialDefaults count/ocount X/dcount countdictstack N}N/@setspecial{ +CLIP 1 eq{newpath 0 0 moveto hs 0 rlineto 0 vs rlineto hs neg 0 rlineto +closepath clip}if ho vo TR hsc vsc scale ang rotate rwiSeen{rwi urx llx +sub div rhiSeen{rhi ury lly sub div}{dup}ifelse scale llx neg lly neg TR +}{rhiSeen{rhi ury lly sub div dup scale llx neg lly neg TR}if}ifelse +CLIP 2 eq{newpath llx lly moveto urx lly lineto urx ury lineto llx ury +lineto closepath clip}if/showpage{}N/erasepage{}N/copypage{}N newpath}N +/@endspecial{count ocount sub{pop}repeat countdictstack dcount sub{end} +repeat grestore SpecialSave restore end}N/@defspecial{SDict begin}N +/@fedspecial{end}B/li{lineto}B/rl{rlineto}B/rc{rcurveto}B/np{/SaveX +currentpoint/SaveY X N 1 setlinecap newpath}N/st{stroke SaveX SaveY +moveto}N/fil{fill SaveX SaveY moveto}N/ellipse{/endangle X/startangle X +/yrad X/xrad X/savematrix matrix currentmatrix N TR xrad yrad scale 0 0 +1 startangle endangle arc savematrix setmatrix}N end + +%%EndProcSet +%%BeginFont: CMBX8 +%!PS-AdobeFont-1.1: CMBX8 1.0 +%%CreationDate: 1991 Aug 20 16:36:07 +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.0) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. 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809 1303 a Fd(\010\000)1238 +1469 y Fb(7)p 1268 1320 V 1230 1320 a Fd(\010)1230 1303 +y(\000)p 1652 1388 4 135 v 1741 1386 4 117 v 1742 1270 +a(\010\000)2171 1469 y Fb(6)p 2163 1403 V 2164 1286 a +Fd(\010)2164 1270 y(\000)p 2585 1388 4 135 v 2675 1386 +4 117 v 512 w(\010\000)3104 1469 y Fb(4)p 3096 1369 V +3097 1253 a Fd(\010)3097 1237 y(\000)3387 1453 y(\\)p +3518 1388 4 135 v 3522 1552 a + slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end + 3522 1552 a -364 1900 3886 +4 v -364 1933 V -364 1966 V -364 2000 V -364 2033 V -291 +1730 138 4 v -291 1822 4 93 v -263 1798 a Fa(13)p -157 +1822 V -291 1825 138 4 v -364 1932 a Fd(I)t(4)p -104 +1965 4 117 v -142 1965 a(\010)-142 1948 y(\000)p 193 +2031 V 194 1915 a(\010\000)p 529 2033 4 135 v 500 2147 +1008 5 v 601 2031 4 117 v 408 w(\010\000)p 936 2048 V +937 1932 a(\010)937 1915 y(\000)p 1272 2033 4 135 v 1344 +2064 4 117 v 1345 1948 a(\010\000)1687 2147 y Fb(4)p +1718 1965 V 1680 1965 a Fd(\010)1680 1948 y(\000)1912 +2131 y(\\)p 2015 2033 4 135 v 2077 2066 60 4 v 2077 2099 +V 2125 2097 4 133 v 2087 2097 a(\010)2087 2081 y(\000)2430 +2147 y Fb(6)2430 2214 y(4)p 2413 2066 60 4 v 2461 2081 +4 117 v 2423 2081 a Fd(\010\000)2541 2147 y Fb(5)p 2547 +2214 68 5 v 2655 2197 a Fd(\\)p 2759 2033 4 135 v 2869 +2031 4 117 v 2831 2031 a(\010)2831 2015 y(\000)p 3065 +2147 336 5 v 3204 2048 4 117 v 3166 2048 a(\010\000)p +3502 2033 4 135 v 3518 2033 V 3522 2197 a + slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end + 3522 2197 a +eop end +%%Trailer + +userdict /end-hook known{end-hook}if +%%EOF diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/reloctav.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/reloctav.eps new file mode 100644 index 00000000000..eca6ee6fdbf --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/reloctav.eps @@ -0,0 +1,725 @@ +%% LaTeX2e file `eps/reloctav.eps' +%% generated by the `filecontents' environment +%% from source `pmxccn' on 2011/07/14. +%% +%!PS-Adobe-3.0 EPSF-3.0 +%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software +%%Title: reloctav.dvi +%%CreationDate: Wed Jan 21 14:05:08 2004 +%%Pages: 1 +%%PageOrder: Ascend +%%BoundingBox: 28 733 483 786 +%%DocumentFonts: TeXMUSIX16-Regular CMTT10 +%%EndComments +%DVIPSWebPage: (www.radicaleye.com) +%DVIPSCommandLine: C:\MIKTEX\TEXMF\MIKTEX\BIN\DVIPS.EXE reloctav.dvi +%DVIPSParameters: dpi=600, compressed +%DVIPSSource: TeX output 2004.01.21:1405 +%%BeginProcSet: texc.pro +%! +/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S +N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 +mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 +0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ +landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize +mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ +matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round +exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ +statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] +N/FBB[0 0 0 0]N/nn 0 N/IE 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin +/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array +/BitMaps X/BuildChar{CharBuilder}N/Encoding IE N end A{/foo setfont}2 +array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N +df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A +definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get +}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} +B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr +1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 +1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx +0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx +sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ +rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp +gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B +/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ +/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ +A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy +get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} +ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp +fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 +{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add +chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ +1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} +forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn +/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put +}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ +bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A +mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ +SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ +userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X +1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 +index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N +/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X +/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) +(NeXT)(LaserWriter 16/600)]{A length product length le{A length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. 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y Fa(a)p 1077 46 4 81 v 1039 46 a +Fb(\007)1256 179 y Fa(g)p 1295 63 4 87 v 1257 63 a Fb(\007)1474 +279 y Fa(g-)859 -45 y Fb(\305)983 -39 y(\305)p 1464 131 +60 4 v 1464 164 V 1512 179 4 192 v 1474 179 a(\007)p +1692 98 4 135 v 310 w Fa(c2++)p 1794 -69 60 4 v 1794 +-102 V 1804 29 4 133 v 1805 -103 a Fb(\010)2239 279 y +Fa(g2--)p 2229 131 60 4 v 2229 164 V 2277 179 4 150 v +2239 179 a Fb(\010)p 2674 98 4 135 v 2786 229 a Fa(c0)p +2776 131 70 4 v 2786 129 a Fb(\011)p 3402 98 4 135 v +3405 262 a + slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end + 3405 262 a eop end +%%Trailer + +userdict /end-hook known{end-hook}if +%%EOF diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/rests.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/rests.eps new file mode 100644 index 00000000000..e37e303171f --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/rests.eps @@ -0,0 +1,873 @@ +%% LaTeX2e file `eps/rests.eps' +%% generated by the `filecontents' environment +%% from source `pmxccn' on 2011/07/14. +%% +%!PS-Adobe-3.0 EPSF-3.0 +%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software +%%Title: rests.dvi +%%CreationDate: Wed Jan 21 16:06:19 2004 +%%Pages: 1 +%%PageOrder: Ascend +%%BoundingBox: 28 667 510 782 +%%DocumentFonts: TeXMUSIX16-Regular CMTT10 CMBX12 +%%EndComments +%DVIPSWebPage: (www.radicaleye.com) +%DVIPSCommandLine: C:\MIKTEX\TEXMF\MIKTEX\BIN\DVIPS.EXE rests.dvi +%DVIPSParameters: dpi=600, compressed +%DVIPSSource: TeX output 2004.01.21:1606 +%%BeginProcSet: texc.pro +%! +/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S +N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 +mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 +0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ +landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize +mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ +matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round +exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ +statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] +N/FBB[0 0 0 0]N/nn 0 N/IE 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin +/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array +/BitMaps X/BuildChar{CharBuilder}N/Encoding IE N end A{/foo setfont}2 +array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N +df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A +definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get +}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} +B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr +1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 +1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx +0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx +sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ +rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp +gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B +/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ +/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ +A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy +get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} +ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp +fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 +{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add +chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ +1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} +forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn +/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put +}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ +bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A +mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ +SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ +userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X +1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 +index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N +/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X +/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) +(NeXT)(LaserWriter 16/600)]{A length product length le{A length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.0) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. 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b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/samp-eps.zip diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/slurs1.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/slurs1.eps new file mode 100644 index 00000000000..6f1007568a6 --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/slurs1.eps @@ -0,0 +1,621 @@ +%!PS-Adobe-3.0 EPSF-3.0 +%%Creator: dvips 5.83 Copyright 1998 Radical Eye Software +%%Title: slurs1.dvi +%%CreationDate: Sun Feb 16 23:12:52 2003 +%%Pages: 1 +%%PageOrder: Ascend +%%BoundingBox: 28 732 312 782 +%%DocumentFonts: TeXMUSIX16-Regular +%%EndComments +%DVIPSWebPage: (www.radicaleye.com) +%DVIPSCommandLine: C:\$USER\EMTEX\EMTEX\BIN\dvips.EXE slurs1 +%+ -pj:C:\temp\dv1.mfj +%DVIPSParameters: dpi=300, compressed +%DVIPSSource: TeX output 2003.02.16:2312 +%%BeginProcSet: texc.pro +%! +/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S +N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 +mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 +0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ +landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize +mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ +matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round +exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ +statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] +N/FBB[0 0 0 0]N/nn 0 N/IE 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin +/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array +/BitMaps X/BuildChar{CharBuilder}N/Encoding IE N end A{/foo setfont}2 +array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N +df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A +definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get +}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} 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length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. 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transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! 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768 49 2 68 v 815 45 a + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (0.79999pt) GD N /S0brk +S0hgt (2.0pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (20.0pt) GDAR N /S0dir +-1 N /S0dash 0 N /S0adj 0 N end + 815 +45 a 803 139 a Fa(sHH)g(s)p 822 31 2 59 v 803 31 a Fb(\007)907 +31 y + slur@Dict begin (2.0pt) GD S0hgt (4.0pt) GD 1.6 (2.0pt) GD M S0dir +M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 2.8 S0dir M 0.13 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 907 31 a 907 31 a + end + 907 31 a 916 31 2 59 v -10 w Fb(\007)p +991 49 2 68 v 993 131 a + slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end + 993 131 a eop +%%Trailer +end +userdict /end-hook known{end-hook}if +%%EOF diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/transpose.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/transpose.eps new file mode 100644 index 00000000000..a62b86eb439 --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/transpose.eps @@ -0,0 +1,596 @@ +%% LaTeX2e file `eps/transpose.eps' +%% generated by the `filecontents' environment +%% from source `pmxccn' on 2011/07/14. +%% +%!PS-Adobe-3.0 EPSF-3.0 +%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software +%%Title: transpose.dvi +%%CreationDate: Sun Sep 28 16:14:13 2003 +%%Pages: 1 +%%PageOrder: Ascend +%%BoundingBox: 73 751 483 786 +%%DocumentFonts: TeXMUSIX16-Regular +%%EndComments +%DVIPSWebPage: (www.radicaleye.com) +%DVIPSCommandLine: C:\MIKTEX\TEXMF\MIKTEX\BIN\DVIPS.EXE transpose.dvi +%DVIPSParameters: dpi=600, compressed +%DVIPSSource: TeX output 2003.09.28:1614 +%%BeginProcSet: texc.pro +%! +/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S +N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 +mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 +0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ +landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize +mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ +matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round +exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ +statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] +N/FBB[0 0 0 0]N/nn 0 N/IE 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin +/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array +/BitMaps X/BuildChar{CharBuilder}N/Encoding IE N end A{/foo setfont}2 +array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N +df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A +definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get +}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} +B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr +1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 +1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx +0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx +sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ +rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp +gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B +/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ +/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ +A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy +get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} +ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp +fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 +{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add +chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ +1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} +forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn +/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put +}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ +bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A +mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ +SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ +userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X +1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 +index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N +/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X +/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) +(NeXT)(LaserWriter 16/600)]{A length product length le{A length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! 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3402 98 V 3405 262 a + slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end + 3405 262 +a eop end +%%Trailer + +userdict /end-hook known{end-hook}if +%%EOF diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/transpose1.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/transpose1.eps new file mode 100644 index 00000000000..4eebea36107 --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/transpose1.eps @@ -0,0 +1,592 @@ +%% LaTeX2e file `eps/transpose1.eps' +%% generated by the `filecontents' environment +%% from source `pmxccn' on 2011/07/14. +%% +%!PS-Adobe-3.0 EPSF-3.0 +%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software +%%Title: transpose1.dvi +%%CreationDate: Sun Sep 28 16:03:22 2003 +%%Pages: 1 +%%PageOrder: Ascend +%%BoundingBox: 73 749 483 783 +%%DocumentFonts: TeXMUSIX16-Regular +%%EndComments +%DVIPSWebPage: (www.radicaleye.com) +%DVIPSCommandLine: C:\MIKTEX\TEXMF\MIKTEX\BIN\DVIPS.EXE transpose1.dvi +%DVIPSParameters: dpi=600, compressed 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file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! 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a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/transpose2.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/transpose2.eps new file mode 100644 index 00000000000..a87d4300e23 --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/transpose2.eps @@ -0,0 +1,593 @@ +%% LaTeX2e file `eps/transpose2.eps' +%% generated by the `filecontents' environment +%% from source `pmxccn' on 2011/07/14. +%% +%!PS-Adobe-3.0 EPSF-3.0 +%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software +%%Title: transpose2.dvi +%%CreationDate: Sun Sep 28 16:03:28 2003 +%%Pages: 1 +%%PageOrder: Ascend +%%BoundingBox: 73 751 483 785 +%%DocumentFonts: TeXMUSIX16-Regular +%%EndComments +%DVIPSWebPage: (www.radicaleye.com) +%DVIPSCommandLine: C:\MIKTEX\TEXMF\MIKTEX\BIN\DVIPS.EXE transpose2.dvi +%DVIPSParameters: dpi=600, compressed +%DVIPSSource: TeX output 2003.09.28:1603 +%%BeginProcSet: texc.pro +%! +/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S +N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 +mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 +0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ +landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize +mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ +matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round +exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ +statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] +N/FBB[0 0 0 0]N/nn 0 N/IE 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin +/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array +/BitMaps X/BuildChar{CharBuilder}N/Encoding IE N end A{/foo setfont}2 +array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N +df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A +definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get +}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} +B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr +1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 +1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx +0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx +sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ +rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp +gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B +/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ +/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ +A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy +get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} +ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp +fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 +{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add +chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ +1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} +forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn +/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put +}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ +bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A +mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ +SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ +userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X +1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 +index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N +/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X +/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) +(NeXT)(LaserWriter 16/600)]{A length product length le{A length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! 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+% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 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If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! 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X/Resolution X +1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 +index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N +/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X +/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) +(NeXT)(LaserWriter 16/600)]{A length product length le{A length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! +TeXDict begin/rf{findfont dup length 1 add dict begin{1 index/FID ne 2 +index/UniqueID ne and{def}{pop pop}ifelse}forall[1 index 0 6 -1 roll +exec 0 exch 5 -1 roll VResolution Resolution div mul neg 0 0]/Metrics +exch def dict begin Encoding{exch dup type/integertype ne{pop pop 1 sub +dup 0 le{pop}{[}ifelse}{FontMatrix 0 get div Metrics 0 get div def} +ifelse}forall Metrics/Metrics currentdict end def[2 index currentdict +end definefont 3 -1 roll makefont/setfont cvx]cvx def}def/ObliqueSlant{ +dup sin S cos div neg}B/SlantFont{4 index mul add}def/ExtendFont{3 -1 +roll mul exch}def/ReEncodeFont{CharStrings rcheck{/Encoding false def +dup[exch{dup CharStrings exch known not{pop/.notdef/Encoding true def} +if}forall Encoding{]exch pop}{cleartomark}ifelse}if/Encoding exch def} +def end + +%%EndProcSet +%%BeginProcSet: special.pro +%! +TeXDict begin/SDict 200 dict N SDict begin/@SpecialDefaults{/hs 612 N +/vs 792 N/ho 0 N/vo 0 N/hsc 1 N/vsc 1 N/ang 0 N/CLIP 0 N/rwiSeen false N +/rhiSeen false N/letter{}N/note{}N/a4{}N/legal{}N}B/@scaleunit 100 N +/@hscale{@scaleunit div/hsc X}B/@vscale{@scaleunit div/vsc X}B/@hsize{ +/hs X/CLIP 1 N}B/@vsize{/vs X/CLIP 1 N}B/@clip{/CLIP 2 N}B/@hoffset{/ho +X}B/@voffset{/vo X}B/@angle{/ang X}B/@rwi{10 div/rwi X/rwiSeen true N}B +/@rhi{10 div/rhi X/rhiSeen true N}B/@llx{/llx X}B/@lly{/lly X}B/@urx{ +/urx X}B/@ury{/ury X}B/magscale true def end/@MacSetUp{userdict/md known +{userdict/md get type/dicttype eq{userdict begin md length 10 add md +maxlength ge{/md md dup length 20 add dict copy def}if end md begin +/letter{}N/note{}N/legal{}N/od{txpose 1 0 mtx defaultmatrix dtransform S +atan/pa X newpath clippath mark{transform{itransform moveto}}{transform{ +itransform lineto}}{6 -2 roll transform 6 -2 roll transform 6 -2 roll +transform{itransform 6 2 roll itransform 6 2 roll itransform 6 2 roll +curveto}}{{closepath}}pathforall newpath counttomark array astore/gc xdf +pop ct 39 0 put 10 fz 0 fs 2 F/|______Courier fnt invertflag{PaintBlack} +if}N/txpose{pxs pys scale ppr aload pop por{noflips{pop S neg S TR pop 1 +-1 scale}if xflip yflip and{pop S neg S TR 180 rotate 1 -1 scale ppr 3 +get ppr 1 get neg sub neg ppr 2 get ppr 0 get neg sub neg TR}if xflip +yflip not and{pop S neg S TR pop 180 rotate ppr 3 get ppr 1 get neg sub +neg 0 TR}if yflip xflip not and{ppr 1 get neg ppr 0 get neg TR}if}{ +noflips{TR pop pop 270 rotate 1 -1 scale}if xflip yflip and{TR pop pop +90 rotate 1 -1 scale ppr 3 get ppr 1 get neg sub neg ppr 2 get ppr 0 get +neg sub neg TR}if xflip yflip not and{TR pop pop 90 rotate ppr 3 get ppr +1 get neg sub neg 0 TR}if yflip xflip not and{TR pop pop 270 rotate ppr +2 get ppr 0 get neg sub neg 0 S TR}if}ifelse scaleby96{ppr aload pop 4 +-1 roll add 2 div 3 1 roll add 2 div 2 copy TR .96 dup scale neg S neg S +TR}if}N/cp{pop pop showpage pm restore}N end}if}if}N/normalscale{ +Resolution 72 div VResolution 72 div neg scale magscale{DVImag dup scale +}if 0 setgray}N/psfts{S 65781.76 div N}N/startTexFig{/psf$SavedState +save N userdict maxlength dict begin/magscale true def normalscale +currentpoint TR/psf$ury psfts/psf$urx psfts/psf$lly psfts/psf$llx psfts +/psf$y psfts/psf$x psfts currentpoint/psf$cy X/psf$cx X/psf$sx psf$x +psf$urx psf$llx sub div N/psf$sy psf$y psf$ury psf$lly sub div N psf$sx +psf$sy scale psf$cx psf$sx div psf$llx sub psf$cy psf$sy div psf$ury sub +TR/showpage{}N/erasepage{}N/copypage{}N/p 3 def @MacSetUp}N/doclip{ +psf$llx psf$lly psf$urx psf$ury currentpoint 6 2 roll newpath 4 copy 4 2 +roll moveto 6 -1 roll S lineto S lineto S lineto closepath clip newpath +moveto}N/endTexFig{end psf$SavedState restore}N/@beginspecial{SDict +begin/SpecialSave save N gsave normalscale currentpoint TR +@SpecialDefaults count/ocount X/dcount countdictstack N}N/@setspecial{ +CLIP 1 eq{newpath 0 0 moveto hs 0 rlineto 0 vs rlineto hs neg 0 rlineto +closepath clip}if ho vo TR hsc vsc scale ang rotate rwiSeen{rwi urx llx +sub div rhiSeen{rhi ury lly sub div}{dup}ifelse scale llx neg lly neg TR +}{rhiSeen{rhi ury lly sub div dup scale llx neg lly neg TR}if}ifelse +CLIP 2 eq{newpath llx lly moveto urx lly lineto urx ury lineto llx ury +lineto closepath clip}if/showpage{}N/erasepage{}N/copypage{}N newpath}N +/@endspecial{count ocount sub{pop}repeat countdictstack dcount sub{end} +repeat grestore SpecialSave restore end}N/@defspecial{SDict begin}N +/@fedspecial{end}B/li{lineto}B/rl{rlineto}B/rc{rcurveto}B/np{/SaveX +currentpoint/SaveY X N 1 setlinecap newpath}N/st{stroke SaveX SaveY +moveto}N/fil{fill SaveX SaveY moveto}N/ellipse{/endangle X/startangle X +/yrad X/xrad X/savematrix matrix currentmatrix N TR xrad yrad scale 0 0 +1 startangle endangle arc savematrix setmatrix}N end + +%%EndProcSet +%%BeginFont: TeXMUSIX11-Regular +%!PS-AdobeFont-1.0: TeXMUSIX11-Regular 001.000 +%%CreationDate: 01-07-25 at 04.06 +%%VMusage: 1024 36750 +% Generated by Fontographer 4.1.4 +% converted using TeXtrace 0.45 and modified by T. 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.0) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMTI8) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle -14.04 def +/isFixedPitch false def +end readonly def +/FontName /CMTI8 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 51 /three put +readonly def +/FontBBox{-35 -250 1190 750}readonly def +/UniqueID 5000826 def +currentdict end +currentfile eexec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cleartomark +%%EndFont +%%BeginFont: CMTI10 +%!PS-AdobeFont-1.1: CMTI10 1.00B +%%CreationDate: 1992 Feb 19 19:56:16 +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMTI10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle -14.04 def +/isFixedPitch false def +end readonly def +/FontName /CMTI10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 46 /period put +dup 99 /c put +dup 100 /d put +dup 101 /e put +dup 105 /i put +dup 109 /m put +dup 114 /r put +dup 115 /s put +readonly def +/FontBBox{-163 -250 1146 969}readonly def +/UniqueID 5000828 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA0529731C99A784CCBE85B4993B2EEBDE +3B12D472B7CF54651EF21185116A69AB1096ED4BAD2F646635E019B6417CC77B +532F85D811C70D1429A19A5307EF63EB5C5E02C89FC6C20F6D9D89E7D91FE470 +B72BEFDA23F5DF76BE05AF4CE93137A219ED8A04A9D7D6FDF37E6B7FCDE0D90B +986423E5960A5D9FBB4C956556E8DF90CBFAEC476FA36FD9A5C8175C9AF513FE 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. 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b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/tristans.eps @@ -0,0 +1,1204 @@ +%% LaTeX2e file `eps/tristans.eps' +%% generated by the `filecontents' environment +%% from source `pmxccn' on 2011/07/14. +%% +%!PS-Adobe-3.0 EPSF-3.0 +%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software +%%Title: tristans.dvi +%%CreationDate: Wed Jan 21 14:06:26 2004 +%%Pages: 1 +%%PageOrder: Ascend +%%BoundingBox: 79 733 542 801 +%%DocumentFonts: TeXMUSIX16-Regular CMR10 CMBXTI10 CMTI10 CMTI8 +%%+ TeXMUSIX11-Regular +%%EndComments +%DVIPSWebPage: (www.radicaleye.com) +%DVIPSCommandLine: C:\MIKTEX\TEXMF\MIKTEX\BIN\DVIPS.EXE tristans.dvi +%DVIPSParameters: dpi=600, compressed +%DVIPSSource: TeX output 2004.01.21:1406 +%%BeginProcSet: texc.pro +%! +/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S +N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 +mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 +0 0]concat}if 72 Resolution div 72 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TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! +TeXDict begin/rf{findfont dup length 1 add dict begin{1 index/FID ne 2 +index/UniqueID ne and{def}{pop pop}ifelse}forall[1 index 0 6 -1 roll +exec 0 exch 5 -1 roll VResolution Resolution div mul neg 0 0]/Metrics +exch def dict begin Encoding{exch dup type/integertype ne{pop pop 1 sub +dup 0 le{pop}{[}ifelse}{FontMatrix 0 get div Metrics 0 get div def} +ifelse}forall Metrics/Metrics currentdict end def[2 index currentdict +end definefont 3 -1 roll makefont/setfont cvx]cvx def}def/ObliqueSlant{ +dup sin S cos div neg}B/SlantFont{4 index mul add}def/ExtendFont{3 -1 +roll mul exch}def/ReEncodeFont{CharStrings rcheck{/Encoding false def +dup[exch{dup CharStrings exch known not{pop/.notdef/Encoding true def} +if}forall Encoding{]exch pop}{cleartomark}ifelse}if/Encoding exch def} +def end + +%%EndProcSet +%%BeginProcSet: special.pro +%! +TeXDict begin/SDict 200 dict N SDict begin/@SpecialDefaults{/hs 612 N +/vs 792 N/ho 0 N/vo 0 N/hsc 1 N/vsc 1 N/ang 0 N/CLIP 0 N/rwiSeen false N +/rhiSeen false N/letter{}N/note{}N/a4{}N/legal{}N}B/@scaleunit 100 N +/@hscale{@scaleunit div/hsc X}B/@vscale{@scaleunit div/vsc X}B/@hsize{ +/hs X/CLIP 1 N}B/@vsize{/vs X/CLIP 1 N}B/@clip{/CLIP 2 N}B/@hoffset{/ho +X}B/@voffset{/vo X}B/@angle{/ang X}B/@rwi{10 div/rwi X/rwiSeen true N}B +/@rhi{10 div/rhi X/rhiSeen true N}B/@llx{/llx X}B/@lly{/lly X}B/@urx{ +/urx X}B/@ury{/ury X}B/magscale true def end/@MacSetUp{userdict/md known +{userdict/md get type/dicttype eq{userdict begin md length 10 add md +maxlength ge{/md md dup length 20 add dict copy def}if end md begin +/letter{}N/note{}N/legal{}N/od{txpose 1 0 mtx defaultmatrix dtransform S +atan/pa X newpath clippath mark{transform{itransform moveto}}{transform{ +itransform lineto}}{6 -2 roll transform 6 -2 roll transform 6 -2 roll +transform{itransform 6 2 roll itransform 6 2 roll itransform 6 2 roll +curveto}}{{closepath}}pathforall newpath counttomark array astore/gc xdf +pop ct 39 0 put 10 fz 0 fs 2 F/|______Courier fnt invertflag{PaintBlack} +if}N/txpose{pxs pys scale ppr aload pop por{noflips{pop S neg S TR pop 1 +-1 scale}if xflip yflip and{pop S neg S TR 180 rotate 1 -1 scale ppr 3 +get ppr 1 get neg sub neg ppr 2 get ppr 0 get neg sub neg TR}if xflip +yflip not and{pop S neg S TR pop 180 rotate ppr 3 get ppr 1 get neg sub +neg 0 TR}if yflip xflip not and{ppr 1 get neg ppr 0 get neg TR}if}{ +noflips{TR pop pop 270 rotate 1 -1 scale}if xflip yflip and{TR pop pop +90 rotate 1 -1 scale ppr 3 get ppr 1 get neg sub neg ppr 2 get ppr 0 get +neg sub neg TR}if xflip yflip not and{TR pop pop 90 rotate ppr 3 get ppr +1 get neg sub neg 0 TR}if yflip xflip not and{TR pop pop 270 rotate ppr +2 get ppr 0 get neg sub neg 0 S TR}if}ifelse scaleby96{ppr aload pop 4 +-1 roll add 2 div 3 1 roll add 2 div 2 copy TR .96 dup scale neg S neg S +TR}if}N/cp{pop pop showpage pm restore}N end}if}if}N/normalscale{ +Resolution 72 div VResolution 72 div neg scale magscale{DVImag dup scale +}if 0 setgray}N/psfts{S 65781.76 div N}N/startTexFig{/psf$SavedState +save N userdict maxlength dict begin/magscale true def normalscale +currentpoint TR/psf$ury psfts/psf$urx psfts/psf$lly psfts/psf$llx psfts +/psf$y psfts/psf$x psfts currentpoint/psf$cy X/psf$cx X/psf$sx psf$x +psf$urx psf$llx sub div N/psf$sy psf$y psf$ury psf$lly sub div N psf$sx +psf$sy scale psf$cx psf$sx div psf$llx sub psf$cy psf$sy div psf$ury sub +TR/showpage{}N/erasepage{}N/copypage{}N/p 3 def @MacSetUp}N/doclip{ +psf$llx psf$lly psf$urx psf$ury currentpoint 6 2 roll newpath 4 copy 4 2 +roll moveto 6 -1 roll S lineto S lineto S lineto closepath clip newpath +moveto}N/endTexFig{end psf$SavedState restore}N/@beginspecial{SDict +begin/SpecialSave save N gsave normalscale currentpoint TR +@SpecialDefaults count/ocount X/dcount countdictstack N}N/@setspecial{ +CLIP 1 eq{newpath 0 0 moveto hs 0 rlineto 0 vs rlineto hs neg 0 rlineto +closepath clip}if ho vo TR hsc vsc scale ang rotate rwiSeen{rwi urx llx +sub div rhiSeen{rhi ury lly sub div}{dup}ifelse scale llx neg lly neg TR +}{rhiSeen{rhi ury lly sub div dup scale llx neg lly neg TR}if}ifelse +CLIP 2 eq{newpath llx lly moveto urx lly lineto urx ury lineto llx ury +lineto closepath clip}if/showpage{}N/erasepage{}N/copypage{}N newpath}N +/@endspecial{count ocount sub{pop}repeat countdictstack dcount sub{end} +repeat grestore SpecialSave restore end}N/@defspecial{SDict begin}N +/@fedspecial{end}B/li{lineto}B/rl{rlineto}B/rc{rcurveto}B/np{/SaveX +currentpoint/SaveY X N 1 setlinecap newpath}N/st{stroke SaveX SaveY +moveto}N/fil{fill SaveX SaveY moveto}N/ellipse{/endangle X/startangle X +/yrad X/xrad X/savematrix matrix currentmatrix N TR xrad yrad scale 0 0 +1 startangle endangle arc savematrix setmatrix}N end + +%%EndProcSet +%%BeginFont: TeXMUSIX11-Regular +%!PS-AdobeFont-1.0: TeXMUSIX11-Regular 001.000 +%%CreationDate: 01-07-25 at 04.06 +%%VMusage: 1024 36750 +% Generated by Fontographer 4.1.4 +% converted using TeXtrace 0.45 and modified by T. 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.0) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMTI8) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle -14.04 def +/isFixedPitch false def +end readonly def +/FontName /CMTI8 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 51 /three put +readonly def +/FontBBox{-35 -250 1190 750}readonly def +/UniqueID 5000826 def +currentdict end +currentfile eexec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cleartomark +%%EndFont +%%BeginFont: CMTI10 +%!PS-AdobeFont-1.1: CMTI10 1.00B +%%CreationDate: 1992 Feb 19 19:56:16 +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMTI10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle -14.04 def +/isFixedPitch false def +end readonly def +/FontName /CMTI10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 46 /period put +dup 99 /c put +dup 100 /d put +dup 101 /e put +dup 105 /i put +dup 109 /m put +dup 114 /r put +dup 115 /s put +readonly def +/FontBBox{-163 -250 1146 969}readonly def +/UniqueID 5000828 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA0529731C99A784CCBE85B4993B2EEBDE +3B12D472B7CF54651EF21185116A69AB1096ED4BAD2F646635E019B6417CC77B +532F85D811C70D1429A19A5307EF63EB5C5E02C89FC6C20F6D9D89E7D91FE470 +B72BEFDA23F5DF76BE05AF4CE93137A219ED8A04A9D7D6FDF37E6B7FCDE0D90B +986423E5960A5D9FBB4C956556E8DF90CBFAEC476FA36FD9A5C8175C9AF513FE 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. 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This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro 0 0 +%! 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMTI10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle -14.04 def +/isFixedPitch false def +end readonly def +/FontName /CMTI10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 46 /period put +dup 99 /c put +dup 100 /d put +dup 101 /e put +dup 105 /i put +dup 109 /m put +dup 114 /r put +dup 115 /s put +readonly def +/FontBBox{-163 -250 1146 969}readonly def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA0529731C99A784CCBE85B4993B2EEBDE +3B12D472B7CF54651EF21185116A69AB1096ED4BAD2F646635E019B6417CC77B +532F85D811C70D1429A19A5307EF63EB5C5E02C89FC6C20F6D9D89E7D91FE470 +B72BEFDA23F5DF76BE05AF4CE93137A219ED8A04A9D7D6FDF37E6B7FCDE0D90B +986423E5960A5D9FBB4C956556E8DF90CBFAEC476FA36FD9A5C8175C9AF513FE +D919C2DDD26BDC0D99398B9F4D03D5993DFC0930297866E1CD0A319B6B1FD958 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.0) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMBXTI10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Bold) readonly def +/ItalicAngle -14.04 def +/isFixedPitch false def +end readonly def +/FontName /CMBXTI10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 102 /f put +dup 112 /p put +readonly def +/FontBBox{-29 -250 1274 754}readonly def +currentdict end +currentfile eexec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cleartomark +%%EndFont +%%BeginFont: CMR10 +%!PS-AdobeFont-1.1: CMR10 1.00B +%%CreationDate: 1992 Feb 19 19:54:52 +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMR10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle 0 def +/isFixedPitch false def +end readonly def +/FontName /CMR10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 44 /comma put +dup 79 /O put +dup 97 /a put +dup 98 /b put +dup 99 /c put +dup 100 /d put +dup 101 /e put +dup 103 /g put +dup 105 /i put +dup 108 /l put +dup 110 /n put +dup 111 /o put +dup 115 /s put +dup 116 /t put +readonly def +/FontBBox{-251 -250 1009 969}readonly def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA052A014267B7904EB3C0D3BD0B83D891 +016CA6CA4B712ADEB258FAAB9A130EE605E61F77FC1B738ABC7C51CD46EF8171 +9098D5FEE67660E69A7AB91B58F29A4D79E57022F783EB0FBBB6D4F4EC35014F +D2DECBA99459A4C59DF0C6EBA150284454E707DC2100C15B76B4C19B84363758 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b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/trists.eps @@ -0,0 +1,1198 @@ +%!PS-Adobe-3.0 EPSF-3.0 +%%Creator: dvips(k) 5.96dev Copyright 2007 Radical Eye Software +%%Title: tristan_sound.dvi +%%CreationDate: Wed Jun 29 22:50:24 2011 +%%Pages: 1 +%%PageOrder: Ascend +%%BoundingBox: 79 733 542 800 +%%DocumentFonts: TeXMUSIX16-Regular CMR10 CMBXTI10 CMTI10 CMTI8 +%%+ TeXMUSIX11-Regular +%%DocumentPaperSizes: a4 +%%EndComments +%DVIPSWebPage: (www.radicaleye.com) +%DVIPSCommandLine: C:\Programme\MikTeX_2.7\miktex\bin\dvips.exe +%+ tristan_sound.dvi +%DVIPSParameters: dpi=600, compressed +%DVIPSSource: TeX output 2011.06.29:2250 +%%BeginProcSet: texc.pro 0 0 +%! +/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S +N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 +mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 +0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ +landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize +mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ +matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round +exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ +statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] +N/FBB[0 0 0 0]N/nn 0 N/IE 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin +/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array +/BitMaps X/BuildChar{CharBuilder}N/Encoding IE N end A{/foo setfont}2 +array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N +df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A +definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get +}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} +B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr +1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 +1 roll S A/base get 2 index get 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grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro 0 0 +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro 0 0 +%! 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMTI10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle -14.04 def +/isFixedPitch false def +end readonly def +/FontName /CMTI10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 46 /period put +dup 99 /c put +dup 100 /d put +dup 101 /e put +dup 105 /i put +dup 109 /m put +dup 114 /r put +dup 115 /s put +readonly def +/FontBBox{-163 -250 1146 969}readonly def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA0529731C99A784CCBE85B4993B2EEBDE +3B12D472B7CF54651EF21185116A69AB1096ED4BAD2F646635E019B6417CC77B +532F85D811C70D1429A19A5307EF63EB5C5E02C89FC6C20F6D9D89E7D91FE470 +B72BEFDA23F5DF76BE05AF4CE93137A219ED8A04A9D7D6FDF37E6B7FCDE0D90B +986423E5960A5D9FBB4C956556E8DF90CBFAEC476FA36FD9A5C8175C9AF513FE +D919C2DDD26BDC0D99398B9F4D03D5993DFC0930297866E1CD0A319B6B1FD958 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.0) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMBXTI10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Bold) readonly def +/ItalicAngle -14.04 def +/isFixedPitch false def +end readonly def +/FontName /CMBXTI10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 102 /f put +dup 112 /p put +readonly def +/FontBBox{-29 -250 1274 754}readonly def +currentdict end +currentfile eexec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cleartomark +%%EndFont +%%BeginFont: CMR10 +%!PS-AdobeFont-1.1: CMR10 1.00B +%%CreationDate: 1992 Feb 19 19:54:52 +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMR10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle 0 def +/isFixedPitch false def +end readonly def +/FontName /CMR10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 44 /comma put +dup 79 /O put +dup 97 /a put +dup 98 /b put +dup 99 /c put +dup 100 /d put +dup 101 /e put +dup 103 /g put +dup 105 /i put +dup 108 /l put +dup 110 /n put +dup 111 /o put +dup 115 /s put +dup 116 /t put +readonly def +/FontBBox{-251 -250 1009 969}readonly def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA052A014267B7904EB3C0D3BD0B83D891 +016CA6CA4B712ADEB258FAAB9A130EE605E61F77FC1B738ABC7C51CD46EF8171 +9098D5FEE67660E69A7AB91B58F29A4D79E57022F783EB0FBBB6D4F4EC35014F +D2DECBA99459A4C59DF0C6EBA150284454E707DC2100C15B76B4C19B84363758 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/Fb 204[36 51[{}1 66.4176 /CMTI8 rf /Fc 140[34 35 +4[68 3[25 3[38 42 38 52[25 46[{}8 83.022 /CMTI10 rf /Fd +143[49 9[33 102[{}2 83.022 /CMBXTI10 rf /Fe 139[32 33 +3[42 46 1[23 2[23 1[42 1[37 46 37 46 42 17[65 34[23 44[{}14 +83.022 /CMR10 rf /Ff 54[133 5[133 46[66 76[106 16[40 +3[40 4[0 4[0 14[0 16[0 0 6[0{}12 132.835 /TeXMUSIX16-Regular +rf end +%%EndProlog +%%BeginSetup +%%Feature: *Resolution 600dpi +TeXDict begin +%%PaperSize: A4 + end +%%EndSetup +%%Page: 1 1 +TeXDict begin 1 0 bop 60 39 3811 4 v 60 72 V 60 105 V +60 139 V 60 172 V 60 137 a Ff(G)169 104 y(2)202 54 y(2)236 +120 y(2)269 70 y(2)104 -179 y Fe(Ob)r(o)r(e)28 b(da)f(caccia)f(solo,)h +(on)g(stage)408 127 y + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (5.20001pt) GD N /S0brk +S0hgt (2.0pt) GD 1 1 M M A N /S0lift 0 N /S0alt (20.0pt) GDAR N /S0dir +1 N /S0dash 0 N /S0adj 0 N end + 408 127 a 337 237 a Fd(p)401 253 +y + slur@Dict begin CP /C1y1 ED /C1x1 ED /C1alt (10.0pt) GD N /C1dir 0 +N end + 401 253 a 391 154 4 117 v 353 154 a Ff(\010)561 66 +y + slur@Dict begin /S1alt (20.0pt) GDAR N CP /T1y1 ED /T1x1 ED /T1hgt +(12.6pt) GD N /T1dir 1 N /T1dash 0 N /T1adj 0 N end + 561 66 a 518 203 4 117 v 519 87 a Ff(\010)p 683 172 +4 135 v 733 170 a + slur@Dict begin (2.0pt) GD T1hgt DP T1x1 T1y1 CP P T1y1 0.7 T1dir +M 0.14 30 T1dash T1adj 40 DS end + 733 170 a 688 253 a + slur@Dict begin C1x1 C1y1 CP 4 C1dir R DC end + 688 253 a 701 270 +a Fd(f)p 728 195 4 108 v 729 87 a Ff(\007)729 195 y(\224)748 +191 y(\224)p 810 179 4 125 v 811 54 a(\007)873 270 y +Fc(dim.)p 893 187 4 117 v 894 70 a Ff(\007)894 54 y(\000)p +1074 120 4 108 v 1075 120 a(\()-39 b(\007)1161 49 y + slur@Dict begin /S1alt (20.0pt) GDAR N CP /T1y1 ED /T1x1 ED /T1hgt +(14.6pt) GD N /T1dir 1 N /T1dash 0 N /T1adj 0 N end + 1161 +49 a 1118 270 a + slur@Dict begin CP /C1y1 ED /C1x1 ED /C1alt (8.0pt) GD N /C1dir 2 +N end + 1118 270 a 1118 187 4 117 v 1119 70 a +Ff(\007)p 1235 172 4 135 v 1285 170 a + slur@Dict begin (2.0pt) GD T1hgt DP T1x1 T1y1 CP P T1y1 0.7 T1dir +M 0.14 30 T1dash T1adj 40 DS end + 1285 170 a 1318 +70 4 75 v 1280 70 a Ff(\007)p 1400 137 4 138 v 1362 137 +a(\007)p 1483 87 4 84 v 1445 87 a(\007)1318 -4 y(\303)1435 +2 y(\303)p 1565 154 4 146 v 1527 154 a(\007)p 1610 220 +4 117 v 1611 104 a(\007)1611 87 y(\000)p 1752 195 4 108 +v 1753 195 a(-)1753 87 y(\007)p 1835 172 4 135 v 1880 +270 a + slur@Dict begin C1x1 C1y1 CP 4 C1dir R DC end + 1880 270 a 1880 220 4 117 v 1881 104 a Ff(\010)2064 +120 y + slur@Dict begin (2.0pt) GD S0hgt (6.0pt) GD 1.6 (2.0pt) GD M S0dir +M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 2.2 S0dir M 0.15 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 2064 120 a 2064 120 a + end + 2064 120 a 2083 120 4 117 +v -19 w Ff(\010)p 2210 172 4 135 v 2342 -13 a Fb(3)2238 +237 y Fd(p)2254 154 y Ff(\031)p 2292 137 4 92 v -17 x(\007)2321 +154 y(\031)p 2360 154 4 102 v 1 w(\007)2389 170 y(\031)2293 +46 y(\311)-129 b(\311)p 2427 170 4 112 v 2389 170 a(\007)2436 +303 y Fc(cr)l(esc.)p 2456 220 4 117 v 2457 104 a Ff(\010)p +2659 137 V 2621 137 a(\007)p 2738 172 4 135 v 2892 4 +a Fb(3)2782 170 y Ff(\031)p 2820 170 4 92 v(\007)2874 +187 y(\031)-40 b(6)p 2912 187 4 108 v(\007)91 b(\031)-39 +b(2)p 2821 87 185 16 v 3004 187 4 108 v(\007)p 3071 120 +4 117 v 3033 120 a(\010)p 3236 154 V 3198 154 a(\007)p +3315 172 4 135 v 3447 21 a Fb(3)3343 286 y Fd(f)3359 +187 y Ff(\031)p 3397 187 4 92 v(\007)3426 203 y(\031)p +3417 205 60 4 v 3466 203 4 102 v 2 w(\007)3518 220 y(\031)h(6)3399 +95 y(\311)3427 98 y(\311)p 3508 205 60 4 v 3557 220 4 +109 v 3519 220 a(\007)p 3623 137 4 117 v 3585 137 a(\010)3716 +130 y + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (4.79999pt) GD N /S0brk +S0hgt (2.0pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (20.0pt) GDAR N /S0dir +-1 N /S0dash 0 N /S0adj 0 N end + 3716 130 a 3724 104 4 70 v 3725 104 a Fa(\014)-24 +b(\007)3770 120 y + slur@Dict begin (2.0pt) GD S0hgt (6.0pt) GD 1.6 (2.0pt) GD M S0dir +M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 1 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 3770 120 a 3770 120 a + end + 3770 120 a 3750 +253 a Fc(dim.)p 3788 120 4 117 v 3750 120 a Ff(\007)p +3867 172 4 135 v 3870 336 a + slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end + 3870 336 a eop end +%%Trailer + +userdict /end-hook known{end-hook}if +%%EOF diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/vivaldi1.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/vivaldi1.eps new file mode 100644 index 00000000000..1cd0619c05f --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/vivaldi1.eps @@ -0,0 +1,992 @@ +%!PS-Adobe-3.0 EPSF-3.0 +%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software +%%Title: vivaldi1.dvi +%%CreationDate: Sat Dec 13 15:03:18 2003 +%%Pages: 1 +%%PageOrder: Ascend +%%BoundingBox: 28 657 465 792 +%%DocumentFonts: TeXMUSIX16-Regular CMBX12 CMBX10 +%%EndComments +%DVIPSWebPage: (www.radicaleye.com) +%DVIPSCommandLine: C:\MIKTEX\TEXMF\MIKTEX\BIN\DVIPS.EXE vivaldi1.dvi +%DVIPSParameters: dpi=600, compressed +%DVIPSSource: TeX output 2003.12.13:1503 +%%BeginProcSet: texc.pro +%! +/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S +N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 +mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 +0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ +landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize +mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ +matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round +exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ +statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] +N/FBB[0 0 0 0]N/nn 0 N/IE 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin +/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array +/BitMaps X/BuildChar{CharBuilder}N/Encoding IE N end A{/foo setfont}2 +array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N +df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A +definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get +}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} +B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr +1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 +1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx +0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx +sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ +rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp +gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B +/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ +/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ +A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy +get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} +ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp +fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 +{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add +chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ +1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} +forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn +/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put +}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ +bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A +mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ +SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ +userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X +1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 +index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N +/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X +/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) +(NeXT)(LaserWriter 16/600)]{A length product length le{A length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! +TeXDict begin/rf{findfont dup length 1 add dict begin{1 index/FID ne 2 +index/UniqueID ne and{def}{pop pop}ifelse}forall[1 index 0 6 -1 roll +exec 0 exch 5 -1 roll VResolution Resolution div mul neg 0 0]/Metrics +exch def dict begin Encoding{exch dup type/integertype ne{pop pop 1 sub +dup 0 le{pop}{[}ifelse}{FontMatrix 0 get div Metrics 0 get div def} +ifelse}forall Metrics/Metrics currentdict end def[2 index currentdict +end definefont 3 -1 roll makefont/setfont cvx]cvx def}def/ObliqueSlant{ +dup sin S cos div neg}B/SlantFont{4 index mul add}def/ExtendFont{3 -1 +roll mul exch}def/ReEncodeFont{CharStrings rcheck{/Encoding false def +dup[exch{dup CharStrings exch known not{pop/.notdef/Encoding true def} +if}forall Encoding{]exch pop}{cleartomark}ifelse}if/Encoding exch def} +def end + +%%EndProcSet +%%BeginProcSet: special.pro +%! +TeXDict begin/SDict 200 dict N SDict begin/@SpecialDefaults{/hs 612 N +/vs 792 N/ho 0 N/vo 0 N/hsc 1 N/vsc 1 N/ang 0 N/CLIP 0 N/rwiSeen false N +/rhiSeen false N/letter{}N/note{}N/a4{}N/legal{}N}B/@scaleunit 100 N +/@hscale{@scaleunit div/hsc X}B/@vscale{@scaleunit div/vsc X}B/@hsize{ +/hs X/CLIP 1 N}B/@vsize{/vs X/CLIP 1 N}B/@clip{/CLIP 2 N}B/@hoffset{/ho +X}B/@voffset{/vo X}B/@angle{/ang X}B/@rwi{10 div/rwi X/rwiSeen true N}B +/@rhi{10 div/rhi X/rhiSeen true N}B/@llx{/llx X}B/@lly{/lly X}B/@urx{ +/urx X}B/@ury{/ury X}B/magscale true def end/@MacSetUp{userdict/md known +{userdict/md get type/dicttype eq{userdict begin md length 10 add md +maxlength ge{/md md dup length 20 add dict copy def}if end md begin +/letter{}N/note{}N/legal{}N/od{txpose 1 0 mtx defaultmatrix dtransform S +atan/pa X newpath clippath mark{transform{itransform moveto}}{transform{ +itransform lineto}}{6 -2 roll transform 6 -2 roll transform 6 -2 roll +transform{itransform 6 2 roll itransform 6 2 roll itransform 6 2 roll +curveto}}{{closepath}}pathforall newpath counttomark array astore/gc xdf +pop ct 39 0 put 10 fz 0 fs 2 F/|______Courier fnt invertflag{PaintBlack} +if}N/txpose{pxs pys scale ppr aload pop por{noflips{pop S neg S TR pop 1 +-1 scale}if xflip yflip and{pop S neg S TR 180 rotate 1 -1 scale ppr 3 +get ppr 1 get neg sub neg ppr 2 get ppr 0 get neg sub neg TR}if xflip +yflip not and{pop S neg S TR pop 180 rotate ppr 3 get ppr 1 get neg sub +neg 0 TR}if yflip xflip not and{ppr 1 get neg ppr 0 get neg TR}if}{ +noflips{TR pop pop 270 rotate 1 -1 scale}if xflip yflip and{TR pop pop +90 rotate 1 -1 scale ppr 3 get ppr 1 get neg sub neg ppr 2 get ppr 0 get +neg sub neg TR}if xflip yflip not and{TR pop pop 90 rotate ppr 3 get ppr +1 get neg sub neg 0 TR}if yflip xflip not and{TR pop pop 270 rotate ppr +2 get ppr 0 get neg sub neg 0 S TR}if}ifelse scaleby96{ppr aload pop 4 +-1 roll add 2 div 3 1 roll add 2 div 2 copy TR .96 dup scale neg S neg S +TR}if}N/cp{pop pop showpage pm restore}N end}if}if}N/normalscale{ +Resolution 72 div VResolution 72 div neg scale magscale{DVImag dup scale +}if 0 setgray}N/psfts{S 65781.76 div N}N/startTexFig{/psf$SavedState +save N userdict maxlength dict begin/magscale true def normalscale +currentpoint TR/psf$ury psfts/psf$urx psfts/psf$lly psfts/psf$llx psfts +/psf$y psfts/psf$x psfts currentpoint/psf$cy X/psf$cx X/psf$sx psf$x +psf$urx psf$llx sub div N/psf$sy psf$y psf$ury psf$lly sub div N psf$sx +psf$sy scale psf$cx psf$sx div psf$llx sub psf$cy psf$sy div psf$ury sub +TR/showpage{}N/erasepage{}N/copypage{}N/p 3 def @MacSetUp}N/doclip{ +psf$llx psf$lly psf$urx psf$ury currentpoint 6 2 roll newpath 4 copy 4 2 +roll moveto 6 -1 roll S lineto S lineto S lineto closepath clip newpath +moveto}N/endTexFig{end psf$SavedState restore}N/@beginspecial{SDict +begin/SpecialSave save N gsave normalscale currentpoint TR +@SpecialDefaults count/ocount X/dcount countdictstack N}N/@setspecial{ +CLIP 1 eq{newpath 0 0 moveto hs 0 rlineto 0 vs rlineto hs neg 0 rlineto +closepath clip}if ho vo TR hsc vsc scale ang rotate rwiSeen{rwi urx llx +sub div rhiSeen{rhi ury lly sub div}{dup}ifelse scale llx neg lly neg TR +}{rhiSeen{rhi ury lly sub div dup scale llx neg lly neg TR}if}ifelse +CLIP 2 eq{newpath llx lly moveto urx lly lineto urx ury lineto llx ury +lineto closepath clip}if/showpage{}N/erasepage{}N/copypage{}N newpath}N +/@endspecial{count ocount sub{pop}repeat countdictstack dcount sub{end} +repeat grestore SpecialSave restore end}N/@defspecial{SDict begin}N +/@fedspecial{end}B/li{lineto}B/rl{rlineto}B/rc{rcurveto}B/np{/SaveX +currentpoint/SaveY X N 1 setlinecap newpath}N/st{stroke SaveX SaveY +moveto}N/fil{fill SaveX SaveY moveto}N/ellipse{/endangle X/startangle X +/yrad X/xrad X/savematrix matrix currentmatrix N TR xrad yrad scale 0 0 +1 startangle endangle arc savematrix setmatrix}N end + +%%EndProcSet +%%BeginFont: CMBX12 +%!PS-AdobeFont-1.1: CMBX12 1.0 +%%CreationDate: 1991 Aug 20 16:34:54 +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.0) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMBX12) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Bold) readonly def +/ItalicAngle 0 def +/isFixedPitch false def +end readonly def +/FontName /CMBX12 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 40 /parenleft put +dup 41 /parenright put +dup 51 /three put +dup 76 /L put +dup 97 /a put +dup 99 /c put +dup 100 /d put +dup 101 /e put +dup 103 /g put +dup 105 /i put +dup 110 /n put +dup 111 /o put +dup 114 /r put +dup 116 /t put +dup 117 /u put +readonly def +/FontBBox{-53 -251 1139 750}readonly def +/UniqueID 5000769 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA052A014267B7904EB3C0D3BD0B83D891 +016CA6CA4B712ADEB258FAAB9A130EE605E61F77FC1B738ABC7C51CD46EF8171 +9098D5FEE67660E69A7AB91B58F29A4D79E57022F783EB0FBBB6D4F4EC35014F 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. 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4 index getinterval putinterval A gp add/gp X adv}B/nd{ +/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ +A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy +get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} +ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp +fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 +{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add +chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ +1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} +forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn +/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put +}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ +bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A +mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ +SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ +userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X +1000 div/DVImag X/IEn 256 array N 2 string 0 1 255{IEn S A 360 add 36 4 +index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N +/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/V{}B/RV/v{ +/Ry X/Rx X V}B statusdict begin/product where{pop false[(Display)(NeXT) +(LaserWriter 16/600)]{A length product length le{A length product exch 0 +exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false}ifelse +end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot}imagemask +grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{BDot} +imagemask grestore}}ifelse B/QV{gsave newpath transform round exch round +exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 rlineto +fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B/M{S p +delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M}B/g{0 M} +B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p -3 w}B/n{ +p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{0 S +rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. +/slur@Dict 200 dict def +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if +% align the slur to the staff lines + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + aa 0 gt { /shift shift neg def } if + ifadjust 0 eq { + /shift 0 def + } if +% and finally draw it... + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + grestore + % now some \slurtext code... + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def +% differenced line +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def +% sloped line +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def +% free line (init & terminate) +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def +end +%! +TeXDict begin/rf{findfont dup length 1 add dict begin{1 index/FID ne 2 +index/UniqueID ne and{def}{pop pop}ifelse}forall[1 index 0 6 -1 roll +exec 0 exch 5 -1 roll VResolution Resolution div mul neg 0 0]/Metrics +exch def dict begin Encoding{exch dup type/integertype ne{pop pop 1 sub +dup 0 le{pop}{[}ifelse}{FontMatrix 0 get div Metrics 0 get div def} +ifelse}forall Metrics/Metrics currentdict end def[2 index currentdict +end definefont 3 -1 roll makefont/setfont cvx]cvx def}def/ObliqueSlant{ +dup sin S cos div neg}B/SlantFont{4 index mul add}def/ExtendFont{3 -1 +roll mul exch}def/ReEncodeFont{CharStrings rcheck{/Encoding false def +dup[exch{dup CharStrings exch known not{pop/.notdef/Encoding true def} +if}forall Encoding{]exch pop}{cleartomark}ifelse}if/Encoding exch def} +def end +%! +TeXDict begin/SDict 200 dict N SDict begin/@SpecialDefaults{/hs 612 N +/vs 792 N/ho 0 N/vo 0 N/hsc 1 N/vsc 1 N/ang 0 N/CLIP 0 N/rwiSeen false N +/rhiSeen false N/letter{}N/note{}N/a4{}N/legal{}N}B/@scaleunit 100 N +/@hscale{@scaleunit div/hsc X}B/@vscale{@scaleunit div/vsc X}B/@hsize{ +/hs X/CLIP 1 N}B/@vsize{/vs X/CLIP 1 N}B/@clip{/CLIP 2 N}B/@hoffset{/ho +X}B/@voffset{/vo X}B/@angle{/ang X}B/@rwi{10 div/rwi X/rwiSeen true N}B +/@rhi{10 div/rhi X/rhiSeen true N}B/@llx{/llx X}B/@lly{/lly X}B/@urx{ +/urx X}B/@ury{/ury X}B/magscale true def end/@MacSetUp{userdict/md known +{userdict/md get type/dicttype eq{userdict begin md length 10 add md +maxlength ge{/md md dup length 20 add dict copy def}if end md begin +/letter{}N/note{}N/legal{}N/od{txpose 1 0 mtx defaultmatrix dtransform S +atan/pa X newpath clippath mark{transform{itransform moveto}}{transform{ +itransform lineto}}{6 -2 roll transform 6 -2 roll transform 6 -2 roll +transform{itransform 6 2 roll itransform 6 2 roll itransform 6 2 roll +curveto}}{{closepath}}pathforall newpath counttomark array astore/gc xdf +pop ct 39 0 put 10 fz 0 fs 2 F/|______Courier fnt invertflag{PaintBlack} +if}N/txpose{pxs pys scale ppr aload pop por{noflips{pop S neg S TR pop 1 +-1 scale}if xflip yflip and{pop S neg S TR 180 rotate 1 -1 scale ppr 3 +get ppr 1 get neg sub neg ppr 2 get ppr 0 get neg sub neg TR}if xflip +yflip not and{pop S neg S TR pop 180 rotate ppr 3 get ppr 1 get neg sub +neg 0 TR}if yflip xflip not and{ppr 1 get neg ppr 0 get neg TR}if}{ +noflips{TR pop pop 270 rotate 1 -1 scale}if xflip yflip and{TR pop pop +90 rotate 1 -1 scale ppr 3 get ppr 1 get neg sub neg ppr 2 get ppr 0 get +neg sub neg TR}if xflip yflip not and{TR pop pop 90 rotate ppr 3 get ppr +1 get neg sub neg 0 TR}if yflip xflip not and{TR pop pop 270 rotate ppr +2 get ppr 0 get neg sub neg 0 S TR}if}ifelse scaleby96{ppr aload pop 4 +-1 roll add 2 div 3 1 roll add 2 div 2 copy TR .96 dup scale neg S neg S +TR}if}N/cp{pop pop showpage pm restore}N end}if}if}N/normalscale{ +Resolution 72 div VResolution 72 div neg scale magscale{DVImag dup scale +}if 0 setgray}N/psfts{S 65781.76 div N}N/startTexFig{/psf$SavedState +save N userdict maxlength dict begin/magscale true def normalscale +currentpoint TR/psf$ury psfts/psf$urx psfts/psf$lly psfts/psf$llx psfts +/psf$y psfts/psf$x psfts currentpoint/psf$cy X/psf$cx X/psf$sx psf$x +psf$urx psf$llx sub div N/psf$sy psf$y psf$ury psf$lly sub div N psf$sx +psf$sy scale psf$cx psf$sx div psf$llx sub psf$cy psf$sy div psf$ury sub +TR/showpage{}N/erasepage{}N/copypage{}N/p 3 def @MacSetUp}N/doclip{ +psf$llx psf$lly psf$urx psf$ury currentpoint 6 2 roll newpath 4 copy 4 2 +roll moveto 6 -1 roll S lineto S lineto S lineto closepath clip newpath +moveto}N/endTexFig{end psf$SavedState restore}N/@beginspecial{SDict +begin/SpecialSave save N gsave normalscale currentpoint TR +@SpecialDefaults count/ocount X/dcount countdictstack N}N/@setspecial{ +CLIP 1 eq{newpath 0 0 moveto hs 0 rlineto 0 vs rlineto hs neg 0 rlineto +closepath clip}if ho vo TR hsc vsc scale ang rotate rwiSeen{rwi urx llx +sub div rhiSeen{rhi ury lly sub div}{dup}ifelse scale llx neg lly neg TR +}{rhiSeen{rhi ury lly sub div dup scale llx neg lly neg TR}if}ifelse +CLIP 2 eq{newpath llx lly moveto urx lly lineto urx ury lineto llx ury +lineto closepath clip}if/showpage{}N/erasepage{}N/copypage{}N newpath}N +/@endspecial{count ocount sub{pop}repeat countdictstack dcount sub{end} +repeat grestore SpecialSave restore end}N/@defspecial{SDict begin}N +/@fedspecial{end}B/li{lineto}B/rl{rlineto}B/rc{rcurveto}B/np{/SaveX +currentpoint/SaveY X N 1 setlinecap newpath}N/st{stroke SaveX SaveY +moveto}N/fil{fill SaveX SaveY moveto}N/ellipse{/endangle X/startangle X +/yrad X/xrad X/savematrix matrix currentmatrix N TR xrad yrad scale 0 0 +1 startangle endangle arc savematrix setmatrix}N end +%!PS-AdobeFont-1.1: CMTI10 1.00B +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMTI10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle -14.04 def +/isFixedPitch false def +end readonly def +/FontName /CMTI10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 44 /comma put +dup 46 /period put +dup 65 /A put +dup 66 /B put +dup 67 /C put +dup 68 /D put +dup 70 /F put +dup 72 /H put +dup 73 /I put +dup 74 /J put +dup 77 /M put +dup 80 /P put +dup 81 /Q put +dup 82 /R put +dup 83 /S put +dup 86 /V put +dup 97 /a put +dup 99 /c put +dup 100 /d put +dup 101 /e put +dup 102 /f put +dup 103 /g put +dup 104 /h put +dup 105 /i put +dup 108 /l put +dup 109 /m put +dup 110 /n put +dup 111 /o put +dup 112 /p put +dup 114 /r put +dup 115 /s put +dup 116 /t put +dup 117 /u put +dup 118 /v put +dup 120 /x put +readonly def +/FontBBox{-163 -250 1146 969}readonly def +/UniqueID 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.100) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.0) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMBXTI10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Bold) readonly def +/ItalicAngle -14.04 def +/isFixedPitch false def +end readonly def +/FontName /CMBXTI10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 65 /A put +dup 101 /e put +dup 103 /g put +dup 108 /l put +dup 111 /o put +dup 114 /r put +readonly def +/FontBBox{-29 -250 1274 754}readonly def +/UniqueID 5000771 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA0529731C99A784CCBE85B4993B2EEBDE +3B12D472B7CF54651EF21185116A69AB1096ED4BAD2F646635E019B6417CC77B +532F85D811C70D1429A19A5307EF63EB5C5E02C89FC6C20F6D9D89E7D91FE470 +B72BEFDA23F5DF76BE05AF4CE93137A219ED8A04A9D7D6FDF37E6B7FCDE0D90B +986423E5960A5D9FBB4C956556E8DF90CBFAEC476FA36FD9A5C8175C9AF513FE +D919C2DDD26BDC0D99398B9F4D004B836D34E88C20EEB527CE1124209388A2DF 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.0) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.0) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMR12) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle 0 def +/isFixedPitch false def +end readonly def +/FontName /CMR12 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 40 /parenleft put +dup 41 /parenright put +dup 44 /comma put +dup 49 /one put +dup 50 /two put +dup 52 /four put +dup 54 /six put +dup 55 /seven put +dup 56 /eight put +dup 65 /A put +dup 73 /I put +dup 86 /V put +dup 97 /a put +dup 100 /d put +dup 105 /i put +dup 108 /l put +dup 110 /n put +dup 111 /o put +dup 116 /t put +dup 118 /v put +dup 123 /endash put +readonly def +/FontBBox{-34 -251 988 750}readonly def +/UniqueID 5000794 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA052A014267B7904EB3C0D3BD0B83D891 +016CA6CA4B712ADEB258FAAB9A130EE605E61F77FC1B738ABC7C51CD46EF8171 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.0) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMTI12) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle -14.04 def +/isFixedPitch false def +end readonly def +/FontName /CMTI12 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 74 /J put +dup 84 /T put +dup 97 /a put +dup 100 /d put +dup 104 /h put +dup 105 /i put +dup 109 /m put +dup 110 /n put +dup 112 /p put +dup 114 /r put +dup 115 /s put +dup 116 /t put +dup 117 /u put +readonly def +/FontBBox{-36 -251 1103 750}readonly def +/UniqueID 5000829 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA0529731C99A784CCBE85B4993B2EEBDE +3B12D472B7CF54651EF21185116A69AB1096ED4BAD2F646635E019B6417CC77B +532F85D811C70D1429A19A5307EF63EB5C5E02C89FC6C20F6D9D89E7D91FE470 +B72BEFDA23F5DF76BE05AF4CE93137A219ED8A04A9D7D6FDF37E6B7FCDE0D90B 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMBX10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Bold) readonly def +/ItalicAngle 0 def +/isFixedPitch false def +end readonly def +/FontName /CMBX10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 77 /M put +dup 99 /c put +dup 100 /d put +dup 101 /e put +dup 105 /i put +dup 110 /n put +dup 111 /o put +dup 114 /r put +dup 116 /t put +dup 117 /u put +readonly def +/FontBBox{-301 -250 1164 946}readonly def +/UniqueID 5000768 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA052A014267B7904EB3C0D3BD0B83D891 +016CA6CA4B712ADEB258FAAB9A130EE605E61F77FC1B738ABC7C51CD46EF8171 +9098D5FEE67660E69A7AB91B58F29A4D79E57022F783EB0FBBB6D4F4EC35014F +D2DECBA99459A4C59DF0C6EBA150284454E707DC2100C15B76B4C19B84363758 +469A6C558785B226332152109871A9883487DD7710949204DDCF837E6A8708B8 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.0) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMBX12) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Bold) readonly def +/ItalicAngle 0 def +/isFixedPitch false def +end readonly def +/FontName /CMBX12 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 51 /three put +dup 56 /eight put +readonly def +/FontBBox{-53 -251 1139 750}readonly def +/UniqueID 5000769 def +currentdict end +currentfile eexec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cleartomark +%!PS-AdobeFont-1.1: CMTI8 1.0 +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.0) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMTI8) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle -14.04 def +/isFixedPitch false def +end readonly def +/FontName /CMTI8 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 56 /eight put +readonly def +/FontBBox{-35 -250 1190 750}readonly def +/UniqueID 5000826 def +currentdict end +currentfile eexec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cleartomark +%!PS-AdobeFont-1.0: TeXMUSIX16-Regular 001.000 +% Generated by Fontographer 4.1.4 +% converted using TeXtrace 0.45 and modified by T. 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Fd(su)11402 8649 y(mo)11128 8997 y(pre)p 11269 +7613 V 11270 7613 a Fj(-)11270 7156 y(\007)11508 8301 +y Fd(sci)11835 8649 y(ris)11580 8997 y(ce)p 11671 7543 +V 11672 7543 a Fj(-)11672 7086 y(\007)11877 8301 y Fd(-)d(p)j(e)12181 +8649 y(ac)12049 8997 y(ri)p 12073 7613 V 12074 7613 a +Fj(-)12074 7156 y(\007)11199 6052 y Fd(su)11402 6400 +y(mo)11128 6748 y(pre)p 11269 5645 V 11270 5645 a Fj(-)11270 +5188 y(\007)11508 6052 y Fd(sci)11835 6400 y(ris)11580 +6748 y(ce)p 11671 5575 V 11672 5575 a Fj(-)11672 5118 +y(\007)11877 6052 y Fd(-)d(p)j(e)12181 6400 y(ac)12049 +6748 y(ri)p 12235 5258 V 12236 5258 a Fj(\()-162 b(\007)11199 +3803 y Fd(su)11402 4150 y(mo)11128 4498 y(pre)p 11269 +3255 V 11270 3255 a Fj(-)11270 2798 y(\007)11508 3803 +y Fd(sci)11835 4150 y(ris)11580 4498 y(ce)p 11671 3185 +V 11672 3185 a Fj(-)11672 2728 y(\007)11877 3803 y Fd(-)6 +b(p)j(e)12181 4150 y(ac)12049 4498 y(ri)p 12073 3325 +V 12074 3325 a Fj(-)12074 2868 y(\007)p 12475 9975 15 +570 v 12475 7726 V 12475 5476 V 12475 3227 V 12789 9940 +a + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (0.79999pt) GD N /S0brk +S0hgt (2.0pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (48.0pt) GDAR N /S0dir +-1 N /S0dash 0 N /S0adj 0 N end + 12789 9940 a 12690 10480 a Fd(v)-9 b(o)12535 10828 +y(-)47 b(cen)12424 11176 y(-)158 b(vi)p 12852 9827 15 +492 v 12691 9827 a Fj(\007)12691 9757 y(\000)12789 7044 +y + slur@Dict begin CP /S1y1 ED /S1x1 ED /S1hgt (19.20001pt) GD N /S1brk +S1hgt (2.0pt) GD 1 1 M M A N /S1lift 0 N /S1alt (112.0pt) GDAR N /S1dir +1 N /S1dash 0 N /S1adj 0 N end + 12789 7044 a 12690 8301 a Fd(v)-9 b(o)12535 8649 y(-)47 +b(cen)12424 8997 y(-)158 b(vi)p 12690 7648 15 492 v 12691 +7156 a Fj(\007)12691 7086 y(\000)12690 6052 y Fd(v)-9 +b(o)12535 6400 y(-)47 b(cen)12424 6748 y(-)158 b(vi)p +12690 5645 15 457 v 12691 5188 a Fj(\007)12691 5118 y(\000)p +13540 5645 15 387 v 13541 5258 a(\007)p 13824 5645 15 +457 v 13825 5188 a(\007)p 13542 5573 581 68 v 12690 5679 +1431 68 v 14107 5645 15 528 v 14108 5118 a(\007)12690 +3803 y Fd(v)-9 b(o)12535 4150 y(-)47 b(cen)12424 4498 +y(-)158 b(vi)p 12690 3501 15 563 v 12691 2939 a Fj(\007)p +12974 3473 15 464 v 12975 3009 a(\007)p 13257 3445 15 +506 v 13258 2939 a(\007)p 13540 3417 15 548 v 13541 2868 +a(\007)p 13824 3389 15 590 v 13825 2798 a(\007)12690 +3397 y(\212)12997 3366 y(\212)12690 3501 y(\212)12997 +3470 y(\212)p 14107 3361 15 632 v 14108 2728 a(\007)p +14391 9975 15 570 v 14391 7726 V 14391 5476 V 14391 3227 +V 14690 9827 a + slur@Dict begin (2.0pt) GD S0hgt (4.0pt) GD 1.6 (2.0pt) GD M S0dir +M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 1 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 14690 9827 a 14690 9827 a + end + 14690 9827 a +14767 9827 15 457 v 78 w Fj(\()-162 b(\007)14690 7156 +y + slur@Dict begin (2.0pt) GD S1hgt (16.0pt) GD 1.6 (2.0pt) GD M S1dir +M A S1x1 S1y1 CP (3.20001pt) GDAR S1dir M SB 1 S1dir M 0.17 40 S1dash +S1adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 14690 7156 a 14690 7156 a + end + 14690 7156 a 14606 7648 15 +492 v -83 w Fj(\007)14607 7086 y(\000)p 14606 5610 15 +563 v -2038 x(\007)14607 5504 y(\332)14623 5508 y(\332)14607 +5610 y(\332)14623 5614 y(\332)p 14889 5681 15 493 v 14890 +5188 a(\007)p 14606 3290 15 633 v 14607 2658 a(\007)14607 +3185 y(\362)14623 3192 y(\362)14607 3290 y(\362)14623 +3297 y(\362)p 14889 3418 15 479 v 14890 2939 a(\007)p +15172 10038 15 492 v 15173 9546 a(\007)15172 4696 y Fa(tr)p +15334 5258 V 15173 5258 a Fj(\007)15172 2587 y Fa(tr)p +15172 3360 V 15173 2868 a Fj(\007)p 15741 9975 15 570 +v 15741 7726 V 15741 5476 V 15741 3227 V 13681 10480 +a Fd(-)1333 b(-)666 b(ta)13785 10828 y(-)1251 b(-)626 +b(de)13632 11176 y(-)1359 b(-)680 b(v)-9 b(e)p 16118 +9827 15 492 v 15957 9827 a Fj(\007)15957 9757 y(\000)13681 +8301 y Fd(-)1333 b(-)666 b(ta)13785 8649 y(-)1251 b(-)626 +b(de)13632 8997 y(-)1359 b(-)680 b(v)-9 b(e)p 15956 7648 +V 15957 7156 a Fj(\007)15957 7086 y(\000)13681 6052 y +Fd(-)1333 b(-)666 b(ta)13785 6400 y(-)1251 b(-)626 b(de)13632 +6748 y(-)1359 b(-)680 b(v)-9 b(e)p 15956 5679 V 15957 +5188 a Fj(\007)15957 5118 y(\000)13681 3803 y Fd(-)1333 +b(-)666 b(ta)13785 4150 y(-)1251 b(-)626 b(de)13632 4498 +y(-)1359 b(-)680 b(v)-9 b(e)p 15956 3430 V 15957 2939 +a Fj(\007)15957 2868 y(\000)16652 9687 y(7)16652 7437 +y(7)16652 5188 y(7)16652 2939 y(7)p 16736 9975 15 570 +v 16736 7726 V 16736 5476 V 16736 3227 V 16792 9975 85 +570 v 16792 7726 V 16792 5476 V 16792 3227 V 16876 11655 +a + slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end + 16876 11655 a -1540 18904 18417 15 v -1540 19045 V +-1540 19185 V -1540 19326 V -1540 19466 V -1540 16655 +V -1540 16795 V -1540 16936 V -1540 17076 V -1540 17217 +V -1540 14405 V -1540 14546 V -1540 14687 V -1540 14827 +V -1540 14968 V -1540 12156 V -1540 12297 V -1540 12437 +V -1540 12578 V -1540 12718 V -1540 19466 15 7318 v -1681 +12079 a Fj(\016)p -1681 19530 71 7451 v 7451 x(\017)-1716 +11841 y Fb(13)-1540 19038 y Fj(I)-1540 17069 y(G)-1413 +17561 y Fi(8)-1540 14820 y Fj(G)-1540 12571 y(G)-1076 +19319 y(2)-935 19108 y(2)-1076 16929 y(2)-935 16718 y(2)-1076 +14679 y(2)-935 14469 y(2)-1076 12430 y(2)-935 12219 y(2)p +-509 19466 85 570 v -509 17217 V -509 14968 V -509 12718 +V -383 19466 15 570 v -383 17217 V -383 14968 V -383 +12718 V -284 19178 a(7)-284 16929 y(7)-284 14679 y(7)-284 +12430 y(7)-41 19459 y(?)160 19972 y Fd(Quae)365 20320 +y(F)-27 b(e)333 20667 y(De)p 446 19424 15 457 v 447 19424 +a Fj(-)447 18967 y(\007)1006 19972 y Fd(de)747 20320 +y(-)53 b(ri)832 20667 y(Ho)p 932 19424 V 933 19424 a +Fj(-)933 18967 y(\007)-41 17210 y(?)160 17793 y Fd(Quae)365 +18140 y(F)-27 b(e)333 18488 y(De)p 446 17245 V 447 17245 +a Fj(-)447 16788 y(\007)1006 17793 y Fd(de)747 18140 +y(-)53 b(ri)832 18488 y(Ho)p 932 17245 V 933 17245 a +Fj(-)933 16788 y(\007)-41 14961 y(?)160 15543 y Fd(Quae)365 +15891 y(F)-27 b(e)333 16239 y(De)p 607 14820 V 608 14820 +a Fj(\()-162 b(\007)1006 15543 y Fd(de)747 15891 y(-)53 +b(ri)832 16239 y(Ho)p 1094 14820 V 1095 14820 a Fj(\()-162 +b(\007)-41 12711 y(?)277 12430 y(6)160 13294 y Fd(Quae)365 +13642 y(F)-27 b(e)333 13990 y(De)p 446 12887 V 447 12887 +a Fj(-)447 12430 y(\007)1006 13294 y Fd(de)747 13642 +y(-)53 b(ri)832 13990 y(Ho)p 932 12887 V 933 12887 a +Fj(-)933 12430 y(\007)p 1419 19466 15 570 v 1419 17217 +V 1419 14968 V 1419 12718 V 1544 19972 a Fd(cor)1317 +20320 y(-)191 b(ta)1382 20667 y(-)144 b(lo)p 1838 19248 +15 457 v 1839 19248 a Fj(\()-162 b(\007)1544 17793 y +Fd(cor)1317 18140 y(-)191 b(ta)1382 18488 y(-)144 b(lo)p +1676 17175 V 1677 17175 a Fj(-)1677 16718 y(\007)1544 +15543 y Fd(cor)1317 15891 y(-)191 b(ta)1382 16239 y(-)144 +b(lo)p 1838 14820 V 1839 14820 a Fj(\()-162 b(\007)1676 +13294 y Fd(cor)1347 13642 y(-)221 b(ta)1403 13990 y(-)165 +b(lo)p 1676 12922 15 563 v 1677 12360 a Fj(\007)1868 +12430 y(6)1677 12817 y(\310)1770 12826 y(\310)1677 12922 +y(\310)1770 12931 y(\310)p 2036 12958 15 529 v 2037 12430 +a(\007)2085 19972 y Fd(-)108 b(de)2044 20320 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9853 14968 V 9853 12718 V 10085 19972 a Fd(si)10148 +20320 y(pa)9977 20667 y(sae)p 10110 19424 15 457 v 10111 +19424 a Fj(-)10111 18967 y(\007)10350 19972 y Fd(-)47 +b(n)-9 b(u)10491 20320 y(cis)10412 20667 y(cu)p 10758 +19248 V 10759 19248 a Fj(\()-162 b(\007)11005 19972 y +Fd(de)11032 20320 y(in)10835 20667 y(-)98 b(la)p 11083 +19635 V 11084 19635 a Fj(-)11084 19178 y(\007)10085 17793 +y Fd(si)10148 18140 y(pa)9977 18488 y(sae)p 10110 17245 +V 10111 17245 a Fj(-)10111 16788 y(\007)10428 16718 y(2)10350 +17793 y Fd(-)47 b(n)-9 b(u)10491 18140 y(cis)10412 18488 +y(cu)p 10597 17175 V 10598 17175 a Fj(-)10598 16718 y(\007)11005 +17793 y Fd(de)11032 18140 y(in)10835 18488 y(-)98 b(la)p +11083 17245 V 11084 17245 a Fj(-)11084 16788 y(\007)10085 +15543 y Fd(si)10148 15891 y(pa)9977 16239 y(sae)p 10272 +14820 V 10273 14820 a Fj(\()-162 b(\007)10351 15543 y +Fd(-)46 b(n)-9 b(u)10491 15891 y(cis)10412 16239 y(cu)p +10758 14750 V 10759 14750 a Fj(\()-162 b(\007)10915 14890 +y(4)11005 15543 y Fd(de)11032 15891 y(in)10835 16239 +y(-)98 b(la)p 11245 14890 V 11246 14890 a Fj(\()-162 +b(\007)10085 13294 y Fd(si)10148 13642 y(pa)9977 13990 +y(sae)p 10110 12887 V 10111 12887 a Fj(-)10111 12430 +y(\007)10350 13294 y Fd(-)47 b(n)-9 b(u)10491 13642 y(cis)10412 +13990 y(cu)p 10597 12817 V 10598 12817 a Fj(-)10598 12360 +y(\007)11005 13294 y Fd(de)11032 13642 y(in)10835 13990 +y(-)98 b(la)p 11245 12500 V 11246 12500 a Fj(\()-162 +b(\007)p 11570 19466 15 570 v 11570 17217 V 11570 14968 +V 11570 12718 V 11926 18855 a + slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (17.20001pt) GD N /S0brk +S0hgt (2.0pt) GD 1 1 M M A N /S0lift 0 N /S0alt (48.0pt) GDAR N /S0dir +1 N /S0dash 0 N /S0adj 0 N end + 11926 18855 a 11525 19972 +a Fd(-)194 b(v)-9 b(o)11511 20320 y(-)208 b(ten)11827 +20667 y(vi)p 11827 19459 15 492 v 11828 18967 a Fj(\007\000)11926 +16676 y + slur@Dict begin CP /S1y1 ED /S1x1 ED /S1hgt (15.20001pt) GD N /S1brk +S1hgt (2.0pt) GD 1 1 M M A N /S1lift 0 N /S1alt (112.0pt) GDAR N /S1dir +1 N /S1dash 0 N /S1adj 0 N end + 11926 16676 a 11525 17793 a Fd(-)194 b(v)-9 b(o)11511 +18140 y(-)208 b(ten)11827 18488 y(vi)p 11827 17280 15 +492 v 11828 16788 a Fj(\007)11828 16718 y(\000)11525 +15543 y Fd(-)194 b(v)-9 b(o)11511 15891 y(-)208 b(ten)11827 +16239 y(vi)p 11989 14820 15 457 v 11828 14820 a Fj(\007)11828 +14750 y(\000)12705 14890 y(4)p 13035 14890 15 528 v(\007)p +13378 14820 15 457 v 13217 14820 a(\007)p 13036 14502 +694 68 v 11989 14397 1740 68 v 13722 14750 15 387 v 13561 +14750 a(\007)11525 13294 y Fd(-)194 b(v)-9 b(o)11511 +13642 y(-)208 b(ten)11827 13990 y(vi)p 11989 12571 15 +563 v 11828 12571 a Fj(\007)12020 12641 y(4)p 12349 12641 +15 669 v -1 w(\007)p 12692 12571 15 633 v 12531 12571 +a(\007)p 13035 12500 15 597 v 12874 12500 a(\007)p 13378 +12430 15 561 v 13217 12430 a(\007)11989 12114 y(\212)12604 +12052 y(\212)11989 12008 y(\212)12604 11947 y(\212)p +13722 12360 15 525 v 13561 12360 a(\007)p 13903 19466 +15 570 v 13903 17217 V 13903 14968 V 13903 12718 V 14245 +18967 a + slur@Dict begin (2.0pt) GD S0hgt (14.0pt) GD 1.6 (2.0pt) GD M S0dir +M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 1 S0dir M 0.17 40 S0dash +S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 14245 18967 a 14245 18967 a + end + 14245 18967 a 14160 +19424 15 457 v 14161 19424 a Fj(-)14161 18967 y(\007)14245 +16788 y + slur@Dict begin (2.0pt) GD S1hgt (12.0pt) GD 1.6 (2.0pt) GD M S1dir +M A S1x1 S1y1 CP (3.20001pt) GDAR S1dir M SB 1 S1dir M 0.17 40 S1dash +S1adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def + 14245 16788 a 14245 16788 a + end + 14245 16788 a 14160 +17280 15 492 v -84 w Fj(\007)14161 16718 y(\000)p 14322 +14679 15 563 v -2039 x(\007)14323 14223 y(\324)14392 +14236 y(\324)14323 14117 y(\324)14392 14131 y(\324)p +14665 14820 15 635 v 14504 14820 a(\007)p 14160 12922 +15 633 v 14161 12290 a(\007)14161 12817 y(\354)14237 +12847 y(\354)14161 12922 y(\354)14237 12952 y(\354)p +14503 13059 15 489 v 14504 12571 a(\007)p 14864 19670 +15 492 v 14865 19178 a(\007)14864 14328 y Fa(tr)14695 +14890 y Fj(4)p 15025 14890 V(\007)14864 11938 y Fa(tr)p +15025 12500 V 14864 12500 a Fj(\007)p 15552 19466 15 +570 v 15552 17217 V 15552 14968 V 15552 12718 V 15810 +18967 a(P)12690 19972 y Fd(-)1076 b(-)g(-)538 b(ta.)12793 +20320 y(-)1027 b(-)h(-)514 b(de.)12636 20667 y(-)1094 +b(-)g(-)547 b(v)-9 b(e.)p 15971 19459 15 492 v 15810 +19459 a Fj(\007)15810 19389 y(\000)15810 16718 y(P)12690 +17793 y Fd(-)1076 b(-)g(-)538 b(ta.)12793 18140 y(-)1027 +b(-)h(-)514 b(de.)12636 18488 y(-)1094 b(-)g(-)547 b(v)-9 +b(e.)p 15810 17280 V 15811 16788 a Fj(\007)15811 16718 +y(\000)15810 14398 y(P)12690 15543 y Fd(-)1076 b(-)g(-)538 +b(ta.)12793 15891 y(-)1027 b(-)h(-)514 b(de.)12636 16239 +y(-)1094 b(-)g(-)547 b(v)-9 b(e.)p 15971 14820 V 15810 +14820 a Fj(\007)15810 14750 y(\000)15810 12149 y(P)12690 +13294 y Fd(-)1076 b(-)g(-)538 b(ta.)12793 13642 y(-)1027 +b(-)h(-)514 b(de.)12636 13990 y(-)1094 b(-)g(-)547 b(v)-9 +b(e.)p 15971 12571 V 15810 12571 a Fj(\007)15810 12500 +y(\000)16652 19178 y(7)16652 16929 y(7)16652 14679 y(7)16652 +12430 y(7)p 16736 19466 15 570 v 16736 17217 V 16736 +14968 V 16736 12718 V 16792 19466 85 570 v 16792 17217 +V 16792 14968 V 16792 12718 V 16876 21146 a + slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end + 16876 21146 +a -340 22568 a Fa(Mundi)125 b(R)-18 b(e)g(ctor)125 b(de)g(Caelo)g(mic) +-18 b(anti)250 b(In)125 b(Judita)e(tuae)i(le)-18 b(gi)124 +b(dic)-18 b(ata)1799 b(R)-18 b(e)g(di,)125 b(r)-18 b(e)g(di)125 +b(iam)g(Victrix)h(pugnando)-340 22990 y(A)-9 b(udi)125 +b(pr)-18 b(e)g(c)g(es)124 b(et)i(suscip)-18 b(e)123 b(vota)956 +b(Flammas)126 b(dulcis)e(tui)g(amoris)i(ac)-18 b(c)g(ende)249 +b(In)125 b(cilicio)e(in)j(pr)-18 b(e)g(c)g(e)124 b(rivive)-340 +23412 y(Quae)h(de)g(c)-18 b(or)g(de)125 b(pr)-18 b(o)125 +b(te)g(dimic)-18 b(anti)314 b(F)-27 b(eritatis)124 b(sic)h(hostis)f +(domata)1580 b(De)125 b(Holoferne)f(sic)h(ho)-18 b(die)124 +b(triumphando)-340 23833 y(Sunt)g(pietatis)g(in)h(sinu)f(devota.)727 +b(In)125 b(Bethuliae)e(sp)-18 b(em)126 b(p)-18 b(acis)124 +b(intende.)639 b(Pia)125 b(Juditha)f(p)-18 b(er)125 b(sae)-18 +b(cula)123 b(vive.)p eop end +userdict /end-hook known{end-hook}if +%%Trailer +cleartomark +countdictstack +exch sub { end } repeat +restore +%%EOF diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/volta.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/volta.eps new file mode 100644 index 00000000000..464fd402fe5 --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/volta.eps @@ -0,0 +1,862 @@ +%% LaTeX2e file `eps/volta.eps' +%% generated by the `filecontents' environment +%% from source `pmxccn' on 2011/07/14. +%% +%!PS-Adobe-3.0 EPSF-3.0 +%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software +%%Title: volta.dvi +%%CreationDate: Wed Jan 21 14:07:02 2004 +%%Pages: 1 +%%PageOrder: Ascend +%%BoundingBox: 28 599 496 792 +%%DocumentFonts: TeXMUSIX16-Regular CMR10 CMTT10 +%%EndComments +%DVIPSWebPage: (www.radicaleye.com) +%DVIPSCommandLine: C:\MIKTEX\TEXMF\MIKTEX\BIN\DVIPS.EXE volta.dvi +%DVIPSParameters: dpi=600, compressed +%DVIPSSource: TeX output 2004.01.21:1407 +%%BeginProcSet: texc.pro +%! +/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S +N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 +mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 +0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ +landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize +mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ +matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round +exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ +statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] +N/FBB[0 0 0 0]N/nn 0 N/IE 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin +/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array +/BitMaps X/BuildChar{CharBuilder}N/Encoding IE N end A{/foo setfont}2 +array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N +df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A +definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get +}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} +B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr +1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 +1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx +0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx +sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ +rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp +gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B +/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ +/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ +A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy +get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} +ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp +fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 +{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add +chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ +1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} +forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn +/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put +}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ +bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A +mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ +SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ +userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X +1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 +index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N +/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X +/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) +(NeXT)(LaserWriter 16/600)]{A length product length le{A length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! +TeXDict begin/rf{findfont dup length 1 add dict begin{1 index/FID ne 2 +index/UniqueID ne and{def}{pop pop}ifelse}forall[1 index 0 6 -1 roll +exec 0 exch 5 -1 roll VResolution Resolution div mul neg 0 0]/Metrics +exch def dict begin Encoding{exch dup type/integertype ne{pop pop 1 sub +dup 0 le{pop}{[}ifelse}{FontMatrix 0 get div Metrics 0 get div def} +ifelse}forall Metrics/Metrics currentdict end def[2 index currentdict +end definefont 3 -1 roll makefont/setfont cvx]cvx def}def/ObliqueSlant{ +dup sin S cos div neg}B/SlantFont{4 index mul add}def/ExtendFont{3 -1 +roll mul exch}def/ReEncodeFont{CharStrings rcheck{/Encoding false def +dup[exch{dup CharStrings exch known not{pop/.notdef/Encoding true def} +if}forall Encoding{]exch pop}{cleartomark}ifelse}if/Encoding exch def} +def end + +%%EndProcSet +%%BeginProcSet: special.pro +%! +TeXDict begin/SDict 200 dict N SDict begin/@SpecialDefaults{/hs 612 N +/vs 792 N/ho 0 N/vo 0 N/hsc 1 N/vsc 1 N/ang 0 N/CLIP 0 N/rwiSeen false N +/rhiSeen false N/letter{}N/note{}N/a4{}N/legal{}N}B/@scaleunit 100 N +/@hscale{@scaleunit div/hsc X}B/@vscale{@scaleunit div/vsc X}B/@hsize{ +/hs X/CLIP 1 N}B/@vsize{/vs X/CLIP 1 N}B/@clip{/CLIP 2 N}B/@hoffset{/ho +X}B/@voffset{/vo X}B/@angle{/ang X}B/@rwi{10 div/rwi X/rwiSeen true N}B +/@rhi{10 div/rhi X/rhiSeen true N}B/@llx{/llx X}B/@lly{/lly X}B/@urx{ +/urx X}B/@ury{/ury X}B/magscale true def end/@MacSetUp{userdict/md known +{userdict/md get type/dicttype eq{userdict begin md length 10 add md +maxlength ge{/md md dup length 20 add dict copy def}if end md begin +/letter{}N/note{}N/legal{}N/od{txpose 1 0 mtx defaultmatrix dtransform S +atan/pa X newpath clippath mark{transform{itransform moveto}}{transform{ +itransform lineto}}{6 -2 roll transform 6 -2 roll transform 6 -2 roll +transform{itransform 6 2 roll itransform 6 2 roll itransform 6 2 roll +curveto}}{{closepath}}pathforall newpath counttomark array astore/gc xdf +pop ct 39 0 put 10 fz 0 fs 2 F/|______Courier fnt invertflag{PaintBlack} +if}N/txpose{pxs pys scale ppr aload pop por{noflips{pop S neg S TR pop 1 +-1 scale}if xflip yflip and{pop S neg S TR 180 rotate 1 -1 scale ppr 3 +get ppr 1 get neg sub neg ppr 2 get ppr 0 get neg sub neg TR}if xflip +yflip not and{pop S neg S TR pop 180 rotate ppr 3 get ppr 1 get neg sub +neg 0 TR}if yflip xflip not and{ppr 1 get neg ppr 0 get neg TR}if}{ +noflips{TR pop pop 270 rotate 1 -1 scale}if xflip yflip and{TR pop pop +90 rotate 1 -1 scale ppr 3 get ppr 1 get neg sub neg ppr 2 get ppr 0 get +neg sub neg TR}if xflip yflip not and{TR pop pop 90 rotate ppr 3 get ppr +1 get neg sub neg 0 TR}if yflip xflip not and{TR pop pop 270 rotate ppr +2 get ppr 0 get neg sub neg 0 S TR}if}ifelse scaleby96{ppr aload pop 4 +-1 roll add 2 div 3 1 roll add 2 div 2 copy TR .96 dup scale neg S neg S +TR}if}N/cp{pop pop showpage pm restore}N end}if}if}N/normalscale{ +Resolution 72 div VResolution 72 div neg scale magscale{DVImag dup scale +}if 0 setgray}N/psfts{S 65781.76 div N}N/startTexFig{/psf$SavedState +save N userdict maxlength dict begin/magscale true def normalscale +currentpoint TR/psf$ury psfts/psf$urx psfts/psf$lly psfts/psf$llx psfts +/psf$y psfts/psf$x psfts currentpoint/psf$cy X/psf$cx X/psf$sx psf$x +psf$urx psf$llx sub div N/psf$sy psf$y psf$ury psf$lly sub div N psf$sx +psf$sy scale psf$cx psf$sx div psf$llx sub psf$cy psf$sy div psf$ury sub +TR/showpage{}N/erasepage{}N/copypage{}N/p 3 def @MacSetUp}N/doclip{ +psf$llx psf$lly psf$urx psf$ury currentpoint 6 2 roll newpath 4 copy 4 2 +roll moveto 6 -1 roll S lineto S lineto S lineto closepath clip newpath +moveto}N/endTexFig{end psf$SavedState restore}N/@beginspecial{SDict +begin/SpecialSave save N gsave normalscale currentpoint TR +@SpecialDefaults count/ocount X/dcount countdictstack N}N/@setspecial{ +CLIP 1 eq{newpath 0 0 moveto hs 0 rlineto 0 vs rlineto hs neg 0 rlineto +closepath clip}if ho vo TR hsc vsc scale ang rotate rwiSeen{rwi urx llx +sub div rhiSeen{rhi ury lly sub div}{dup}ifelse scale llx neg lly neg TR +}{rhiSeen{rhi ury lly sub div dup scale llx neg lly neg TR}if}ifelse +CLIP 2 eq{newpath llx lly moveto urx lly lineto urx ury lineto llx ury +lineto closepath clip}if/showpage{}N/erasepage{}N/copypage{}N newpath}N +/@endspecial{count ocount sub{pop}repeat countdictstack dcount sub{end} +repeat grestore SpecialSave restore end}N/@defspecial{SDict begin}N +/@fedspecial{end}B/li{lineto}B/rl{rlineto}B/rc{rcurveto}B/np{/SaveX +currentpoint/SaveY X N 1 setlinecap newpath}N/st{stroke SaveX SaveY +moveto}N/fil{fill SaveX SaveY moveto}N/ellipse{/endangle X/startangle X +/yrad X/xrad X/savematrix matrix currentmatrix N TR xrad yrad scale 0 0 +1 startangle endangle arc savematrix setmatrix}N end + +%%EndProcSet +%%BeginFont: CMTT10 +%!PS-AdobeFont-1.1: CMTT10 1.00B +%%CreationDate: 1992 Apr 26 10:42:42 +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def +/FullName (CMTT10) readonly def +/FamilyName (Computer Modern) readonly def +/Weight (Medium) readonly def +/ItalicAngle 0 def +/isFixedPitch true def +end readonly def +/FontName /CMTT10 def +/PaintType 0 def +/FontType 1 def +/FontMatrix [0.001 0 0 0.001 0 0] readonly def +/Encoding 256 array +0 1 255 {1 index exch /.notdef put} for +dup 46 /period put +dup 49 /one put +dup 50 /two put +dup 86 /V put +dup 97 /a put +dup 98 /b put +dup 108 /l put +dup 111 /o put +dup 116 /t put +dup 118 /v put +dup 120 /x put +readonly def +/FontBBox{-4 -235 731 800}readonly def +/UniqueID 5000832 def +currentdict end +currentfile eexec +D9D66F633B846A97B686A97E45A3D0AA052A014267B7904EB3C0D3BD0B83D891 +016CA6CA4B712ADEB258FAAB9A130EE605E61F77FC1B738ABC7C51CD46EF8171 +9098D5FEE67660E69A7AB91B58F29A4D79E57022F783EB0FBBB6D4F4EC35014F +D2DECBA99459A4C59DF0C6EBA150284454E707DC2100C15B76B4C19B84363758 +469A6C558785B226332152109871A9883487DD7710949204DDCF837E6A8708B8 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X/Resolution X +1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 +index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N +/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X +/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) +(NeXT)(LaserWriter 16/600)]{A length product length le{A length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! +TeXDict begin/rf{findfont dup length 1 add dict begin{1 index/FID ne 2 +index/UniqueID ne and{def}{pop pop}ifelse}forall[1 index 0 6 -1 roll +exec 0 exch 5 -1 roll VResolution Resolution div mul neg 0 0]/Metrics +exch def dict begin Encoding{exch dup type/integertype ne{pop pop 1 sub +dup 0 le{pop}{[}ifelse}{FontMatrix 0 get div Metrics 0 get div def} +ifelse}forall Metrics/Metrics currentdict end def[2 index currentdict +end definefont 3 -1 roll makefont/setfont cvx]cvx def}def/ObliqueSlant{ +dup sin S cos div neg}B/SlantFont{4 index mul add}def/ExtendFont{3 -1 +roll mul exch}def/ReEncodeFont{CharStrings rcheck{/Encoding false def +dup[exch{dup CharStrings exch known not{pop/.notdef/Encoding true def} +if}forall Encoding{]exch pop}{cleartomark}ifelse}if/Encoding exch def} +def end + +%%EndProcSet +%%BeginProcSet: special.pro +%! +TeXDict begin/SDict 200 dict N SDict begin/@SpecialDefaults{/hs 612 N +/vs 792 N/ho 0 N/vo 0 N/hsc 1 N/vsc 1 N/ang 0 N/CLIP 0 N/rwiSeen false N +/rhiSeen false N/letter{}N/note{}N/a4{}N/legal{}N}B/@scaleunit 100 N +/@hscale{@scaleunit div/hsc X}B/@vscale{@scaleunit div/vsc X}B/@hsize{ +/hs X/CLIP 1 N}B/@vsize{/vs X/CLIP 1 N}B/@clip{/CLIP 2 N}B/@hoffset{/ho +X}B/@voffset{/vo X}B/@angle{/ang X}B/@rwi{10 div/rwi X/rwiSeen true N}B +/@rhi{10 div/rhi X/rhiSeen true N}B/@llx{/llx X}B/@lly{/lly X}B/@urx{ +/urx X}B/@ury{/ury X}B/magscale true def end/@MacSetUp{userdict/md known +{userdict/md get type/dicttype eq{userdict begin md length 10 add md +maxlength ge{/md md dup length 20 add dict copy def}if end md begin +/letter{}N/note{}N/legal{}N/od{txpose 1 0 mtx defaultmatrix dtransform S +atan/pa X newpath clippath mark{transform{itransform moveto}}{transform{ +itransform lineto}}{6 -2 roll transform 6 -2 roll transform 6 -2 roll +transform{itransform 6 2 roll itransform 6 2 roll itransform 6 2 roll +curveto}}{{closepath}}pathforall newpath counttomark array astore/gc xdf +pop ct 39 0 put 10 fz 0 fs 2 F/|______Courier fnt invertflag{PaintBlack} +if}N/txpose{pxs pys scale ppr aload pop por{noflips{pop S neg S TR pop 1 +-1 scale}if xflip yflip and{pop S neg S TR 180 rotate 1 -1 scale ppr 3 +get ppr 1 get neg sub neg ppr 2 get ppr 0 get neg sub neg TR}if xflip +yflip not and{pop S neg S TR pop 180 rotate ppr 3 get ppr 1 get neg sub +neg 0 TR}if yflip xflip not and{ppr 1 get neg ppr 0 get neg TR}if}{ +noflips{TR pop pop 270 rotate 1 -1 scale}if xflip yflip and{TR pop pop +90 rotate 1 -1 scale ppr 3 get ppr 1 get neg sub neg ppr 2 get ppr 0 get +neg sub neg TR}if xflip yflip not and{TR pop pop 90 rotate ppr 3 get ppr +1 get neg sub neg 0 TR}if yflip xflip not and{TR pop pop 270 rotate ppr +2 get ppr 0 get neg sub neg 0 S TR}if}ifelse scaleby96{ppr aload pop 4 +-1 roll add 2 div 3 1 roll add 2 div 2 copy TR .96 dup scale neg S neg S +TR}if}N/cp{pop pop showpage pm restore}N end}if}if}N/normalscale{ +Resolution 72 div VResolution 72 div neg scale magscale{DVImag dup scale +}if 0 setgray}N/psfts{S 65781.76 div N}N/startTexFig{/psf$SavedState +save N userdict maxlength dict begin/magscale true def normalscale +currentpoint TR/psf$ury psfts/psf$urx psfts/psf$lly psfts/psf$llx psfts +/psf$y psfts/psf$x psfts currentpoint/psf$cy X/psf$cx X/psf$sx psf$x +psf$urx psf$llx sub div N/psf$sy psf$y psf$ury psf$lly sub div N psf$sx +psf$sy scale psf$cx psf$sx div psf$llx sub psf$cy psf$sy div psf$ury sub +TR/showpage{}N/erasepage{}N/copypage{}N/p 3 def @MacSetUp}N/doclip{ +psf$llx psf$lly psf$urx psf$ury currentpoint 6 2 roll newpath 4 copy 4 2 +roll moveto 6 -1 roll S lineto S lineto S lineto closepath clip newpath +moveto}N/endTexFig{end psf$SavedState restore}N/@beginspecial{SDict +begin/SpecialSave save N gsave normalscale currentpoint TR +@SpecialDefaults count/ocount X/dcount countdictstack N}N/@setspecial{ +CLIP 1 eq{newpath 0 0 moveto hs 0 rlineto 0 vs rlineto hs neg 0 rlineto +closepath clip}if ho vo TR hsc vsc scale ang rotate rwiSeen{rwi urx llx +sub div rhiSeen{rhi ury lly sub div}{dup}ifelse scale llx neg lly neg TR +}{rhiSeen{rhi ury lly sub div dup scale llx neg lly neg TR}if}ifelse +CLIP 2 eq{newpath llx lly moveto urx lly lineto urx ury lineto llx ury +lineto closepath clip}if/showpage{}N/erasepage{}N/copypage{}N newpath}N +/@endspecial{count ocount sub{pop}repeat countdictstack dcount sub{end} +repeat grestore SpecialSave restore end}N/@defspecial{SDict begin}N +/@fedspecial{end}B/li{lineto}B/rl{rlineto}B/rc{rcurveto}B/np{/SaveX +currentpoint/SaveY X N 1 setlinecap newpath}N/st{stroke SaveX SaveY +moveto}N/fil{fill SaveX SaveY moveto}N/ellipse{/endangle X/startangle X +/yrad X/xrad X/savematrix matrix currentmatrix N TR xrad yrad scale 0 0 +1 startangle endangle arc savematrix setmatrix}N end + +%%EndProcSet +%%BeginFont: CMBX12 +%!PS-AdobeFont-1.1: CMBX12 1.0 +%%CreationDate: 1991 Aug 20 16:34:54 +% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.0) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. 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a(\007)p 3823 702 4 108 v 3785 +702 a(\007)3500 611 y(\204)3721 600 y(\204)p 3984 685 +4 99 v 3946 685 a(\007)p 4108 753 4 135 v 4111 918 a + slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end + +4111 918 a eop end +%%Trailer + +userdict /end-hook known{end-hook}if +%%EOF diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/xtupletsSich.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/xtupletsSich.eps new file mode 100644 index 00000000000..96a31e31f77 --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/xtupletsSich.eps @@ -0,0 +1,1148 @@ +%% LaTeX2e file `eps/xtupletsSich.eps' +%% generated by the `filecontents' environment +%% from source `pmxccn' on 2011/07/14. +%% +%!PS-Adobe-3.0 EPSF-3.0 +%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software +%%Title: xtupletsSich.dvi +%%CreationDate: Fri Apr 30 23:03:05 2004 +%%Pages: 1 +%%PageOrder: Ascend +%%BoundingBox: 28 659 567 798 +%%DocumentFonts: TeXMUSIX16-Regular CMTI8 CMTT10 TeXMUSIXSPX-Regular +%%+ CMBX12 +%%EndComments +%DVIPSWebPage: (www.radicaleye.com) +%DVIPSCommandLine: D:\MikTeX\texmf\miktex\bin\dvips.exe xtupletsSich.dvi +%DVIPSParameters: dpi=600, compressed +%DVIPSSource: TeX output 2004.04.30:2303 +%%BeginProcSet: texc.pro +%! +/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S +N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 +mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 +0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ +landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize +mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ +matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round +exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ +statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] +N/FBB[0 0 0 0]N/nn 0 N/IE 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin +/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array +/BitMaps X/BuildChar{CharBuilder}N/Encoding IE N end A{/foo setfont}2 +array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N +df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A +definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get +}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} +B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr +1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 +1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx +0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx +sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ +rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp +gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B +/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ +/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ +A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy +get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} +ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp +fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 +{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add +chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ +1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} +forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn +/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put +}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ +bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A +mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ +SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ +userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X +1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 +index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N +/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X +/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) +(NeXT)(LaserWriter 16/600)]{A length product length le{A length product +exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} +ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} +imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ +BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch +round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 +rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B +/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} +B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p +-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ +0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end + +%%EndProcSet +%%BeginProcSet: psslurs.pro +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.0 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% standa@hiero.cz +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def +% Adjust to Resolution +/AR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + AR /maxe ED + /ifadjust ED + /ifdash ED + AR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) + b 3 AR lt {/b 3 AR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul AR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul AR internote 5 mul AR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 AR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 AR gt { + 3 VS + drawseg + } if + x2 50 AR gt { + -4 VS + drawseg + } if + x2 80 AR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 AR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 AR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 1 AR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 AR add moveto + x1 y1 4 AR add lineto stroke + x1 y1 4 AR sub moveto + x2 y2 11 AR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + GDAR ceiling setlinewidth + GDAR exch GDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + GDAR ceiling setlinewidth + GDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + GDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + + +%%EndProcSet +%%BeginProcSet: texps.pro +%! 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All Rights Reserved. +11 dict begin +/FontInfo 7 dict dup begin +/version (1.00B) readonly def +/Notice (Copyright (C) 1997 American Mathematical Society. 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========================================================= % +% % +% The following instructions presuppose that you have a modern % +% (and up-to-date) LaTeX installation (MikTeX or teTeX, say). % +% % +% Then go through the following steps: % +% % +% 1. in your working directory (that is the one to which you have % +% unzipped pmxccntex.zip, and which now should contain % +% pmxccn.tex and this readme), create 2 subdirectories: % +% % +% a) addresses/ % +% b) eps/ % +% % +% (unfortunately, LaTeX is does not do this on its own) % +% % +% 2. latex the soucce file pmxccn, i.e. run % +% % +% latex pmxccn % +% % +% two times (to get the references and Table of Contents etc. % +% right). % +% % +% The only LaTeX errors you might encounter would be errors % +% regarding missing LaTeX packages. If you are currently % +% connected to the Internet, MikTeX/teTeX should download and % +% install these missing packages on-the-fly % +% % +% 3. run % +% % +% LEGAL NOTICE: This software is subject to the usual GNU/LLPL licence % +% conditions. % +% % +% Fri 2005 Jan 14 /23:35 /ccn % +% % +% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % + +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +% PMX tutorial by ccn / LaTex header file starts here: +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +% ------------------------------------------------------ +% + % This version dated Sun 2011 May 29 /15:34 /ccn +% +% ------------------------------------------------------ + +\documentclass[11pt,twoside]{report} +% \usepackage[ten]{vrsion} + \usepackage[cp437]{inputenc} + \usepackage[english]{babel} + \usepackage{amsmath,index} + \usepackage[dvips]{graphicx} + \usepackage[dvips]{hyperref} + + \newfont{\hv}{phvbo at 14pt} + + \textheight 600pt \textwidth 450pt + \topmargin -10mm \headsep 10mm + \oddsidemargin 4mm \evensidemargin 0mm + \marginparwidth 3em + \fboxrule 2pt % standard in LaTeX article style is 0.4pt + \fboxsep 9pt % standard in LaTeX article style is 3pt + \hfuzz 2pt + + \setcounter{secnumdepth}{3} + \setcounter{tocdepth}{3} + +\renewcommand{\thechapter}{\Alph{chapter}} +\renewcommand{\thesection}{\thechapter~\arabic{section}} + +\newcommand{\MusiXTeX}{MusiX\TeX} +\newcommand{\MiKTeX}{MiK\TeX} +\newcommand{\PMX}{\textbf{PMX}} +\newcommand{\MTX}{\textbf{M-Tx}} +\newcommand{\bs}{\ensuremath\backslash} +\newcommand{\Example}{\noindent {\large \textbf{Example :} } + } +\newcommand{\Examples}{\noindent {\large \textbf{Examples :} } + } +\newcommand{\Note}[1]{\begin{center} \fbox{\begin{minipage}{370pt} + #1 \end{minipage} } \end{center} + } + +% \newcommand{\Note}[1]{\medskip\noindent\fbox{\begin{minipage}{390pt} +% #1 \end{minipage} } +% } + +\newcommand{\versionline}[1]{[\, Version \quad 2.61 + \quad May 2011] + } +% \keepversion + +\makeindex +\newindex{myindex}{idx}{ind}{Index} +\begin{document} + \shortindexingon + + \pagestyle{headings} + \pagenumbering{Roman} + +\begin{titlepage} +\vspace*{4cm} +\begin{center} + {\Huge \textbf{Typesetting music with {\PMX} } \\[3ex] } + by \\[4ex] + {\LARGE Cornelius C.\ Noack} \\[1ex] + \hspace*{1em}\raisebox{-0.75ex}{% + \includegraphics{addresses/noack}} + +\vspace{2cm} + {\Large --- Version 2.61 / May 2011} \\ + {\large ({\PMX} features up to version 2.603 included)} +\end{center} + +\end{titlepage} + +% \newpage +% \vspace*{\fill} +\begin{center} + {\Large Acknowledgement} \\[3ex] + + \begin{minipage}{360pt} + This tutorial owes its very existence to the work by \emph{Luigi + Cataldi}, who a few years ago produced a wonderful manual for + {\PMX} in Italian. Luigi's manual features many examples which + help greatly in understanding some of the arguably arcane {\PMX} + notation. + + \medskip +_{manual!Cataldi's Italian {\PMX} manual} _{Cataldi, Luigi} + Even though the Cataldi manual is, as Don Simons has aptly + remarked, ``written in the language of music'', it nevertheless + seemed useful to have access to it for non-Italian speakers, so + Don asked around for help on a `retranslation'. + + \medskip +_{manual!Don Simons' manual for {\PMX}, Version 2.40} _{Simons, Don} + In fact, that is what the present tutorial started out with: + essentially a retranslation of the {\PMX} part of Luigis manual + back into English, using, where that seemed feasible, Don's + original {\PMX} manual. I had been thinking for some time of + producing some examples (and an index) for the updated ({\PMX} + 2.40) version of that manual, and now, taking Luigis italian + version as a basis, it seemed an easy thing to do. + + \medskip + Of course, as such projects go: soon after the first version had + appeared in 2002, it tended to get out of hand --- Don Simons + actively produced one new beta version of {\PMX} after the + other, and I simply could not keep up with his pace. + + \smallskip + So alas: 5 long years went by before the first update of + the tutorial -- reflecting all {\PMX} changes from Version 2.40 + to Version 2.514 , in one giant step! -- had become possible. + + But, incessantly, as the development of modern {\TeX} and + {\LaTeX} has moved on in an accelerating pace, and so have + {\MusiXTeX} and {\PMX}. This tutorial was also bound to + follow suite. So now the current status of {\PMX} + (\texttt{2.603}) and this tutorial are closely synchronized for + the first time. + + \bigskip + After thanking Luigi, in particular for his kind permission to + use his version of the manual and its examples liberally, it + behooves me to thank Don even more, not only for originating and + continuously maintaining and improving {\PMX}; his suggestions + and continuous assistance in my work on this tutorial throughout + the years were invaluable, as was his conscientious reading and + improving, from the first draft to the present version. Many + friends (too numerous to mention all of them) kept me busy + trying to keep up with their productive suggestions and + clarifications on the + \href{mailto:tex-music@tug.org}{{\TeX}-music users' list} + during the past years. + + \vspace*{\fill} + \begin{flushright} + {\hv In memoriam Daniel Taupin} + \end{flushright} + + \end{minipage} +\end{center} +\vspace*{\fill} + +\newpage\tableofcontents +\listoftables +\listoffigures +\cleardoublepage + +\pagenumbering{arabic} +\setcounter{page}{1} + +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +% PMX tutorial by ccn / chapter A starts here: +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +\chapter{Introduction} \label{sec:introduction} +\pagestyle{headings} + +\section*{How to use this tutorial} +\addcontentsline{toc}{section}{How to use this tutorial} +_{tutorial} + +The purpose and function of this tutorial is, actually, twofold: for the +novice with {\PMX}, it should be a readable guide to finding out what +{\PMX} does (and what it doesn't), how it is sensibly used, and what to +do when you run into difficulties. For the seasoned user, on the other +hand, it should serve as an extended {\PMX} manual, +\begin{enumerate} + \item giving a reasonably accurate account of \emph{all} the + available features in an order which should make it not too + tedious to find an answer to whatever question one might have, + \item indicating some of the more common uses of straight {\MusiXTeX} + commands to do things not available in {\PMX} directly. +\end{enumerate} + +\medskip +As a consequence of this twofold purpose, the two types of readers +should have two very different approaches: +\begin{description} + \item[The novice] should, after reading Section~\ref{sec:TeXetc}, + turn right to Section~\ref{sec:concepts} and \ref{sec:notes}. + After that you should get your fingers dirty as quickly as + possible: keep your first own {\PMX} file \verb#my_opus.pmx# as + simple as possible, and proudly produce your first print, + following the instructions given in Section~\ref{sec:running}. + From thereon follow your interests! + \item[The seasoned user] will usually need the tutorial mainly to find + out the exact usage of some commands he unforgiveably forgot + about, retrieve some rarely used procedure, or find some clever + gimmick that he never was aware of. Those people will first scan + the whole tutorial quickly in a matter of minutes to see what's + there and gloat about what's missing, and later on rely on the + index -- or look into authoritative source, the + \href{http://icking-music-archive.org/software/pmx/pmx260.pdf}{PMX + manual} by Don Simons. +\end{description} + +_{Quick Reference Table} +Of course, once you have gotten acquainted well enough with {\PMX}, all +you'll ever need is Don Simons' ``Quick Reference Table''\,% +\footnote{The Quick Reference Table is found in the software section of + the \textbf{W}erner \textbf{I}cking \textbf{M}usic + \textbf{A}rchive as + \href{http://icking-music-archive.org/software/pmx/ref260.pdf}% + {\texttt{ref260.pdf}}\,. + }. +That summarizes the {\PMX} symbols with all their options and always +reflects the latest version. Errors found in the +Quick Reference Table should be reported to Don Simons directly, whereas +all complaints (outright errors, awkward formulations, missed +subtleties) should be sent solely to the author. + +\bigskip +_{\PMX} +This tutorial refers to {\PMX} 2.603 , as of Dec 11, 2010. For details +on the differences with previous versions consult the ``list of +changes'' of {\PMX} in the software section of the WIMA +(``\textbf{W}erner \textbf{I}cking \textbf{M}usic \textbf{A}rchive''). + +\section{ {\TeX}, {\MusiXTeX}, {\PMX}, {\MTX} } \label{sec:TeXetc} +_{\TeX} _{\MusiXTeX} _{\PMX} _{\MTX} + + +{\MusiXTeX} is undoubtedly one of the best programs for typesetting +musical scores: it produces ready-to-print output in PostScript and PDF +format, it is stable, is continually updated, and is in the public +domain and thus \emph{totally free}. + +Nevertheless its use seems to be limited, with few exceptions, to +musicians coming from the world of science. {\MusiXTeX} does not `look +and feel' very intuitive, and it sometimes requires a familiarity with +terms that may seem elementary to software programmers but are tough +going for straight musicians. Furthermore, it is not WYSIWYG software +(\textbf{W}hat \textbf{Y}ou \textbf{S}ee \textbf{I}s \textbf{W}hat +\textbf{Y}ou \textbf{G}et). This means that while writing the music you +cannot immediately see the score as it will look when printed, because +you do not write the music graphically as you do by hand, but rather in +terms of a list of symbols that represent it. The system is not +interactive; rather, the process of producing a musical score consists +of several steps: \label{p:intoduction} + +\begin{enumerate} + \item One writes the symbols in a special version of the {\TeX} + language to a normal text file, using any text editor (such as + \textbf{Emacs}, \textbf{Edit} or \textbf{Notepad}), + \item this text file is compiled with {\TeX} to produce a + \texttt{.dvi} output file. This \texttt{.dvi} file is machine + readable and usually can be previewed on the screen, + \item another program, e.g.~\texttt{dvips}, produces a PostScript + file from the \texttt{.dvi} file, which again can be previewed + on the screen or sent directly to a suitable printer. +\end{enumerate} + +This symbolic and non-graphical nature of the program may discourage +many people, but it is in many ways an advantage. Being +fully aware of the symbolic character of the typesetting process while +working on your input lets you concentrate much better on the final +typographic output and keeps you from being distracted by the temptation +to play games with interactiveness. + +{\MusiXTeX} is a collection of `macro's that permits producing musical +scores with the help of {\TeX}, the prestigious electronic typesetting +program written by Donald Knuth, which is mainly used in scientific +typesetting. In providing {\TeX}, Knuth not only put it in the public +domain (to be freely distributed), but stipulated that any application +that uses {\TeX} should also be in the public domain and freely +available, without charge or royalty. +_{Knuth, Donald E.} + +_{{\TeX}} +Before {\TeX} can be used, it has to be properly installed on the +computer system at hand. Installing {\TeX} from scratch is not an easy +task; consult Chapter \ref{sec:installation} for the details. + +Even after everything is properly installed and running, coding a +musical score in the {\MusiXTeX} language still remains a tedious +process. Fortunately, there exist two preprocessors, {\PMX} and {\MTX}, +which dramatically simplify the input process; in fact they provide what +must be among the simplest possible systems of electronically encoding +musical scores. + +_{\MusiXTeX} _{\PMX} _{\MTX} +The first two bars of Mozarts \emph{piano sonata KV 545} illuminate the +difference in coding with either {\MusiXTeX}, {\PMX} or {\MTX}. The +codes given below for the three systems of software all produce the +(identical) output, shown in figure~\ref{fig:mozart}: + +\begin{figure}[!htb] + \begin{center} + \raisebox{-0.75ex}{% + \includegraphics[scale=.82]{eps/mozart.eps} + } + \end{center} + \caption{\textbf{W.A.\ Mozart}, \emph{Sonata K545}, bars 1--2} + \label{fig:mozart} +\end{figure} + +\bigskip\bigskip\noindent +_{\MusiXTeX} +{\MusiXTeX} : + +{\small +\begin{verbatim} +\input musixtex +\parindent10mm +\setname1{Piano} +\setstaffs12 +\generalmeter{\meterfrac44} +\nobarnumbers +\startextract +\Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\hl j\en +\Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\ql l\sk\ql n\en +\bar +\Notes\ibu0f0\qb0{dgf}|\qlp i\en +\notes\tbu0\qb0g|\ibbl1j3\qb1j\tbl1\qb1k\en +\Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\hl j\en +\endextract +\end +\end{verbatim} +} + +\bigskip\noindent +_{\PMX} +{\PMX} : + +{\small +\begin{verbatim} +2 1 4 4 4 4 0 0 +1 1 20 0.12 +Piano +tt +./ +% Bars 1-2 +c8 g+ e g c- g+ e g | d g f g c- g+ e g Rb / +c2+ e4 g | bd4- c1 d c2 / +\end{verbatim} +} + + +\bigskip\noindent +_{\MTX} +{\MTX} : + +{\small +\begin{verbatim} +Style: piano +Piano: Voices MD MS; Clefs G G; Continuo +Name: Piano +Meter: 4/4 + +%% w120m +c2+ e4 g | b4d- c1 d c2 | +c8+ g+ e g c- g+ e g | d g f g c- g+ e g | +\end{verbatim} +} + +\bigskip +Not only is the {\MusiXTeX} much longer, it undoubtedly is less +intuitive and more complicated than the other two. + +\bigskip +In the present tutorial we shall describe in detail the usage of {\PMX} +and, in a very cursory way, that of {\MTX}. + +_{\MusiXTeX} _{\PMX} _{\MTX} +In the remaining part of this introduction, we treat questions of +installation of the entire system of {\MusiXTeX} and {\PMX}. The +whole installation procedure may seem a formidable task to non-experts. +But don't despair: your efforts will be rewarded by the best and +simplest system of musical typesetting available. And, to paraphrase a +famous {\TeX} error message: ``If in serious trouble, ask a wizard for +help''. Such wizards are literally at your fingertips; just sign up and +post your problem to the mailing list at ^{WIMA} (the \textbf{W}erner +\textbf{I}cking \textbf{M}usic \textbf{A}rchive): +\raisebox{-0.75ex}{% + \includegraphics[scale=0.6]{addresses/texmusiclist} + }, +and someone is bound to be in the mood to answer. + +\section{Installation} \label{sec:installation} +_{Installation} + +Recently, there has been a number of major improvements in the basic +{\MusiXTeX} software (increasing, e.g., the maximum number of +instruments allowed), and subsequently {\PMX} has also undergone major +improvements. As a consequence, {\PMX} now is really tuned +to \texttt{\MusiXTeX-T115}: with {\PMX}\texttt{(2.603)} you can make +full use of all the new features of {\MusiXTeX-T115}. + +\medskip +The installation instructions given here refer explicitly to installing +{\MusiXTeX} and {\PMX} under Windows XP; they assume that you have +MiKTeX\,% +\footnote{MikTeX is a {\TeX} data-base system for Microsoft Windows + users. + } +installed (version 2.6 or higher). + +For Unix, good instructions can be found in the software section of +WIMA: \\ \quad \href{http://icking-music-archive.org% + /software/musixtex/musixtex-for-unix.html}% + {\texttt{http://icking-music-archive.org% + /software/musixtex/musixtex-for-unix.html}}~. \hspace*{\fill} + + +\pagebreak +\subsection*{Installation of \MusiXTeX\texttt{-T 115} + and {\PMX} \texttt{2.603} } + +\subsubsection*{\MusiXTeX} + +A comprehensive -- and very readable -- installation instruction manual +for {\MusiXTeX}\texttt{-T 115} has recently been given by Andre van +Ryckeghem and Don Simons. To obtain it, download the +\href{http://icking-music-archive.org/software/pmxtricks/mxinsuse.pdf}% + {PDF file} from the WIMA software page. + +If you are not really an expert for installing high-level software under +the Windows XP system, you are probably well advised to simply follow +the instructions in the installation manual more or less by the letter, +using the default choices of folders. + +But in any case, it is wise to first read this manual (it's only 6 +pages) before starting to apply it. + +\medskip +One point, pointed out explicitly in the {\MusiXTeX} installation +manual, is of particular importance: when updating your MiKTeX +installation, files that are not standard parts of the MiKTeX data base +tend to get lost or overwritten. In order to avoid this once and for +all, it is convenient have an extra folder for your `private' files in a +subdirectory of the MiKTeX ROOT directory (usually named +\verb#localmiktex#). Explicitly, if your MiKTeX directory is, e.g., \\ +\verb#C:programs\miktex 2.7# \;, followed by +\verb#...\miktex\...#,\, +you should have an additional directory structure +\texttt{C:}{\bs}\texttt{programs}{\bs}\texttt{miktex 2.7}% + {\bs}\texttt{localmiktex}% + {\bs}\texttt{...}{\bs}\texttt{miktex}{\bs}\texttt{...} \\ +and check that in the MiKTeX `settings -- root' window these folders +are listed as + +\begin{center} +\begin{tabular}{|ll|} \hline +path & Descriptions \\ & \\ +\texttt{C:}{\bs}\texttt{programs}{\bs}\texttt{miktex 2.7} & Install \\ +\texttt{C:}{\bs}\texttt{programs}{\bs}\texttt{miktex 2.7}% + {\bs}\texttt{localmiktex} & \\ \hline +\end{tabular} +\end{center} +Then all files in the \texttt{localmiktex} folder and all its subfolders +will never be updated or purged by MiKTeX . + +\medskip +Another way to installing {\MusiXTeX} -- designed specifically to +produce a TDS compliant structure +\footnote{`TDS' stands for a `TeX Directory Structure', which is a + standard way of organizing all the TeX-related files on a + computer system. + } +of the data base in Windows XP -- has been described by Bob Tennent; all +the info is contained in + \href{http://www.ctan.org/tex-archive/macros/musixtex/musixtex-texmf.zip}% + {musixtex-texmf}, available at \texttt{CTAN}. + +\medskip +At the same link you will also find a README with a terse, but clear +instruction how to proceed. There is just one important item to amend: +in the README it says: "unzip musixtex-texmf.zip at the root of a texmf +tree \dots" ; but, for the reason pointed out above, it is much safer to +unzip it in the \verb#localmiktex# folder of the MiKTeX structure. + +\medskip +In all other respects, these 2 ways to installing {\MusiXTeX} will +produce identical results; so which of the two you want to employ is +just a matter of personal taste. + +\pagebreak\noindent +To test the {\MusiXTeX} installation, download +\href{http://icking-music-archive.org/software/pmxtricks/sample.zip}{sample.zip} +from WIMA to some temporary folder and unzip it, obtaining the 3 files +\verb#sample.tex#~, \verb#sample.pmx#~, and \verb#pmxrun.bat#~. Then run \\ +\hspace*{10ex} +\verb#etex sample.tex# \\ +in a command line. + +\Note{Make sure that when using basic {\TeX} you \emph{always} run + \texttt{etex.exe} (`extended {\TeX}') and \emph{not} + \texttt{tex.exe} !! Although {\MiKTeX} now uses extended {\TeX} by + default, the 2 commands \texttt{tex.exe} and \texttt{etex.exe} + still differ; and {\MusiXTeX} 115, as well as {\PMX} 2.6, will not + run properly under ordinary \texttt{tex.exe} . + } + +\subsubsection*{\PMX} + +\noindent +Compared to {\MusiXTeX}, installing {\PMX} 2.603 is a cinch. All you +need to do is +\begin{enumerate} + \item downkoad + \href{http://icking-music-archive.org/software/pmx/pmx2603.zip}% + {pmx 2.603.zip} and unzip it, + \item copy \verb#pmxab.exe# and \verb#scor2prt.exe# to + \verb#...\localmixtex\miktex\bin# , + \item copy \verb#pmx.tex# to + \verb#...\localmixtex\tex# , + \item run the {\MiKTeX} FNDB + (`\texttt{F}ile \texttt{N}ame \texttt{D}ata \texttt{B}ase') . +\end{enumerate} + +\medskip\noindent +To test the installation, run \\ + \hspace*{10ex} \texttt{runpmx sample.pmx} \\ +in a command line. + + +\section{Authors of the Software} \label{sec:authors} +_{authors} + +\begin{description} + \item[{\MusiXTeX}:] \emph{Daniel Taupin} +_{Taupin, Daniel} + + \href{http://icking-music-archive.org/software/indexmt6.html}% + {\MusiXTeX} evolved from Music{\TeX} by + \emph{Daniel Taupin}, a physicist in the Laboratoire de Phisique + des Solides in Orsay, \emph{Ross Mitchell} (CSIRO Division of + Atmospheric Research, Private Bag No.1, Mordialloc, Victoria + 3195, Australia) and \emph{Andreas Egler} (Ruhr--Uni--Bochum, + Ursulastr. 32, D-44793 Bochum). + + {\MusiXTeX} had been maintained actively and conscientiously by + Daniel Taupin until his untimely death in 2001 --- he died + accidentally while climbing in the Alps. He is remembered with a + \href{http://icking-music-archive.org/Memorial/Taupin% + /Statements.html}{Memorial} on the web page of the Werner Icking + Music Archive. + + After Taupins death, {\MusiXTeX} seemed quite stable and could + thus, for all practical purposes, be considered `frozen' for a + long time. + + However, nothing as lively as {\MusiXTeX} can really remain + \marginpar{redo after release of T 115 !} + literally frozen forever. A number of improvements have + been continuously added by a group of {\MusiXTeX}perts, and, + finally, Hiroaki Morimoto has kindly provided a new version + of {\MusiXTeX} which corrects known bugs. Then a new and + \emph{strongly enhanced version} of the {\MusiXTeX} manual was + prepared by a group led by Don Simons, which has now been + officially released: {\MusiXTeX}-\texttt{T 114} . It is located + at Werner Icking Music Archive (dubbed `WIMA') as + + \href{http://icking-music-archive.org/software/musixtex/% + musixtex-t114.zip}{\texttt{musiXtex-t114.zip}}\,. + + \medskip + Quite recently, Hiroaki Morimoto went even further in enhancing + {\MusiXTeX}: his newest version, {\MusiXTeX} \texttt{T 115} , + now allows up to 24 instruments! While still a beta version as + of this writing, it is likely to be released officially soon, + and the present version of {\PMX}, version {\PMX} \texttt{2.603} + -- and this tutorial -- is already based on {\MusiXTeX} \texttt{T + 115} . + + + \bigskip + Finally, here is a list of the authors of essential parts of + {\PMX} and related software: + + \item[{\PMX}:] + \emph{Don Simons} +_{Simons, Don} _{\PMX!author} + + E-mail: \raisebox{-1.0ex}{% + \includegraphics[scale=0.7]{addresses/dsimons} + } + + \item[{\MTX}:] + \emph{Dirk Laurie} +_{Laurie, Dirk} + + E-mail: \raisebox{-1.0ex}{% + \includegraphics[scale=0.75]{addresses/dlaurie} + } + + \item[Musixlyr and Musixser:] + \emph{Rainer Dunker} +_{Dunker, Rainer} + + E-mail: \raisebox{-1.0ex}{% + \includegraphics[scale=0.72]{addresses/rdunker} + } + + \item[PostScript slur package K:] + \emph{Stanislav Kneifl} +_{Kneifl, Stanislav} + + E-mail: \raisebox{-1.0ex}{% + \includegraphics[scale=0.7]{addresses/skneifl} + } + + \item[PostScript slur package M:] + \emph{Hiroaki Morimoto} +_{Morimoto, Hiroaki} + + E-mail: \raisebox{-1.0ex}{% + \includegraphics[scale=0.7]{addresses/hmorimoto} + } +\end{description} + +\section{The Werner Icking Music Archive} \label{sec:Icking} +_{WIMA} _{Werner Icking Music Archive|see{WIMA}} _{Icking, Werner} + +\textbf{Werner Icking} (June 25, 1943 -- February 8, 2001) was the +founder of the \emph{GMD Music Archive}, which contained downloadable +scores, various {\MusiXTeX} programs, a discussion list, and various +other musical resources in the public domain. His contributions to the +development and promulgation of this software were peerless. His +editions of music (in particular the edition of the complete `Urtext' of +J.S.\ Bach's pieces for violin and violoncello solo) are examples of +sophisticated technique, artistic sensibilty and philological +meticulousness. Everybody, whether expert programmer or complete novice, +would always find valid and unselfish advice from him, which invariably +ended with the motto ``\emph{hope this hilft}''. In time a small, but +regular group of faithfuls gathered around this site, from all over the +world, who never had met Werner in person, but nevertheless came to see +a friend in him, mainly through frequent email exchanges. + +Werner died suddenly on February 8, 2001, while bicycling home from +work, as was his regular habit. That very day he had performed +maintenance work for the site and replied to messages on its discussion +list, of which he had been the main administrator. The community of +users of the archive decided not to disband, but to continue Werner's +work. Starting with the contents of the GMD Archive, a new site was +created, and dedicated to Werner's memory. It's official name is the +\emph{Werner Icking Music Archive}. + +After some difficult times, it is now hosted by \quad + \href{http://www.pait.dk}{\texttt{PALDAM IT}} ; +its URL is \\ +\hspace*{\fill} \href{http://icking-music-archive.org}% + {\texttt{http://icking-music-archive.org}}\,. \hspace*{\fill} \\ +Its chief administrator is Christian Mondrup, +_{Mondrup, Christian} +who more than any other provided reasoned guidance and continuity during +the difficult transition. + +\bigskip +The archive houses four main categories of information: + + \label{p:Icking} +\begin{description} + \item[Archive of sheet music]: Contains hundreds of royalty-free + scores in PDF, many with their source code in {\MusiXTeX}, + {\PMX}, or {\MTX}. It is maintained by \emph{Christian Mondrup}, + who is also the main administrator of the Werner Icking Music + Archive \\ + E-mail: + \raisebox{-1.0ex}{% + \includegraphics[scale=0.72]{addresses/cmondrup} + } . +_{Mondrup, Christian} + \item[{\MusiXTeX} and related software]: Contains {\MusiXTeX} and + related software, as well as user manuals and various add-ons. It + is maintained by \emph{Don Simons} \\ + E-mail: + \raisebox{-1.0ex}{% + \includegraphics[scale=0.72]{addresses/dsimons} + } . +_{Simons, Don} + \item[{\TeX}-music list]: +_{{\TeX}-music users' list} + This discussion list is invaluable to novices, advanced users and + developers. Themes focus on technical problems of typesetting + using {\MusiXTeX} and related software, but often drift into + other musical subjects of historic or esthetic interest. It is + not moderated, but you need to subscribe in order to participate. + For information on how to subscribe, visit~ + \href{http://icking-music-archive.org/mailman/listinfo/tex-music}% + {\texttt{http://icking-music-archive.org/mailman/listinfo/tex-music\/}}~. + Its administrator is \emph{Maurizio Codogno} (E-mail + \raisebox{-1.2ex}{% + \includegraphics[scale=0.80]{addresses/mcodogno} + }$\!\!$). +_{Codogno, Maurizio} + \item [Links to other sources of information regarding music:] There + are links to search facilities about composers/works/editions, a + multi-lingual glossary of musical terms, and some lists of + composers' works. This is maintained by \emph{Jean-Pierre + Coulon}: + + \hspace*{10em} + E-mail: \raisebox{-1.0ex}{\includegraphics[scale=0.72]% + {addresses/jpcoulon} + } +_{Coulon,Jean-Pierre} +\end{description} +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +% PMX tutorial by ccn / chapter B starts here: +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +\chapter{A {\PMX} Tutorial} \label{sec:GuidePMX} +\section*{Conventions for this tutorial} \label{sec:conventions} +\addcontentsline{toc}{section}{Conventions for this tutorial} +_{tutorial!conventions of this tutorial} + +\renewcommand{\thefootnote}{\fnsymbol{footnote}} +\hspace*{\fill}\begin{minipage}[b]{200pt} + ``Hey, this is boring stuff, but if you take a + minute to understand the typographic conventions + and a little jargon, it may avoid some confusion + down the road.''\,% + \footnotemark[2] + \end{minipage} +\footnotetext[2]{Quoted literally from the original introduction to + {\PMX} by its author, Don Simons. } +\renewcommand{\thefootnote}{\arabic{footnote}} + +\paragraph{Typographical conventions:} +\begin{itemize} + \item The \texttt{typewriter} typeface always indicates verbatim text + \emph{exactly as you would input it to the computer}. This + includes file names, {\MusiXTeX} tokens, and {\PMX} commands, + e.g., \verb#barsant.pmx, \internote, c44# . + \item \textbf{bold} typeface is used for two purposes: first, for + program names (e.g.~\textbf{pmxab}), and second, when applied + to a single letter within a normal word, to emphasize the + mnemonics of a {\PMX} command (e.g.~\texttt{lr} signifies a + ``\textbf{l}eft-\textbf{r}ight repeat''). + \item When used in commands, \emph{italics} represent input + variables for which the user would substitute the appropriate + actual value. To make this notation quite clear -- and distinct + from the general use of italics for emphasis -- , the variable + will be surrounded by square brackets in such cases (e.g.\ + \texttt{L[}$n$\texttt{]P[}$m$\texttt{]M} ), but \emph{the + brackets are not to be included with the verbatim text}. +\end{itemize} + +\paragraph{Musical terms:} \text{} \\ +The language of music is Italian, and so the radical solution of +terminological problems would be to use the Italian names throughout. +This would, however, defeat the whole purpose of this tutorial, so some +compromises need to be made, and some terms, which may be used +differently by different people, need to be clearly defined. So in this +tutorial +\begin{itemize} + \item +_{staves} + a \emph{staff} (plural \emph{staves}) means the set of 5 + horizontal lines in which music is usually notated, aptly + called a \emph{pentagramma} in Italian\,% + \footnote{Note that one-line staves, used for percussion + instruments (drums, triangles etc.), are presently + not implemented in {\PMX}. + }. + \item a \emph{system} means a coherent set of staves to be played + simultaneously. + \item +_{voice} + a \emph{voice} means a line of music that is a musical entity + of its own, such as a melody. In polyphonic music, there is + often more than one voice to a staff, e.g.~a 4-voice Bach + choral is often written with the 2 top voices (soprano, alto) + in one staff, the bottom ones (tenor, basso) in the other\,% + \footnote{ {\PMX} allows 1 or 2 voices in one staff. }. +\end{itemize} + +\paragraph{technical terms:} \text{} \\ +\begin{itemize} + \item a \emph{system} means a coherent set of staves to be played + simultaneously. + \item a \emph{block} is the series of PMX commands WITHIN ONE SYSTEM, + formally >ended be a / (slash), which then must be the LAST + CHARACTER on this input line\,% + \footnote{This often precludes even \TeX\ comments (started + with a \%) on the same line, after the slash! + + \PMX\ does not check for compliance with this rule, + but nevertheless it is good practice to adhere to it. + Otherwise you a liable to encounter weird errors + which may be difficult to trace. + }. +\end{itemize} + + +\section{Running {\PMX}} \label{sec:running} +_{\PMX!running {\PMX}} + +As stated in the introduction (cf.~Section~\ref{sec:introduction}), +{\PMX} is a \emph{preprocessor} to {\MusiXTeX}. That means that with +{\PMX} the sequence of steps from the input to the printed paper is one +step longer: +\begin{enumerate} \setcounter{enumi}{-1} + \item The user writes \emph{the symbols of the {\PMX} language} to a + normal text file, using any text editor. The name of this file, + ( say, \verb#my_opus.pmx#) \emph{must have the suffix} + \texttt{pmx}, + \item the file \verb#my_opus.pmx# is run through the {\PMX} processor, + \textbf{pmxab}. +_{\textbf{pmxab}} + This produces the output file \verb#my_opus.tex#, \\[2ex] + \fbox{\begin{minipage}{390pt} + Note that in {\PMX} (like in Unix, but unlike Windows) + spaces within a file name are \emph{not allowed}! If in + the above example, the input file name were \texttt{my + opus.pmx} instead of \texttt{my\underline{\;}opus.pmx}, an + unpredictable error, with confusing error messages, would + occur. + \end{minipage} + } + + \item the file \verb#my_opus.tex# is then processed with {\TeX} to + produce a \texttt{.dvi} output file\,% + \footnote{This step is a bit more complicated than it sounds + because it actually is a 3 pass system: it consists of + (i) running {\TeX}, (ii) running ^{\textbf{musixflx}}, + and (iii) running {\TeX} again (details on the + rationale behind this are described in the {\MusiXTeX} + manual by Daniel Taupin). +_{Taupin, Daniel} + }. + This \texttt{.dvi} file is machine readable and (usually) can be + previewed on the screen, + \item another program, e.g.~\texttt{dvips}, produces a PostScript file + from the \texttt{.dvi} file, which again can be previewed on the + screen, or sent directly to a suitable printer. +\end{enumerate} +Usually this whole process is automated to some degree by the use of a +so-called `script' or `batch' file, or with the help of some more +elaborate system of interconnecting software (most of these tuned to the +needs of the general {\TeX} community). +_{\PMX!running {\PMX}} + +\medskip +There are too many variants of this kind of supporting software -- public +domain or commercial -- to discuss here, and personal preferences or +dispositions are too varied. If you are at a loss on what to use, send a +message to the {\TeX}-music list (cf.~p.\pageref{p:Icking}), and you +can trust that you get all the individual help you need. +_{{\TeX}-music users' list} + +\begin{table}[!htbp] + \begin{center} +\begin{minipage}{380pt} +\small +\begin{verbatim} +:::::::::::::::::::::::: runpmx.bat :::::::::::::::::::::::: +Call C:\Programme\MikTeX_2.7\localmiktex\miktex\bin\pmxab %1.pmx +if errorlevel 1 goto pmxerr +if exist %1.pml del %1.pml +if exist %1.mx2 del %1.mx2 +if exist %1.mx1 del %1.mx1 +if exist pmxaerr.dat del pmxaerr.dat +:: +Call C:\Programme\MikTeX_2.7\miktex\bin\etex.exe %1.tex +if errorlevel 1 goto texerr +:: +Call C:\Programme\MikTeX_2.7\localmiktex\miktex\bin\musixflx.exe %1.mx1 +:: +Call C:\Programme\MikTeX_2.7\miktex\bin\etex.exe %1.tex +if errorlevel 1 goto texerr +if exist %1.log del %1.log +:: +Call C:\Programme\MikTeX_2.7\miktex\bin\dvips.exe %1.dvi +if errorlevel 1 goto dvierr +if exist %1.log del %1.log +:: +Call C:\Programme\GhostScript\Ghostgum\gsview\gsview32.exe %1.ps +:: +goto :end +::::::::::::::::::: +:: error exits : +:: +:pmxerr +echo. +echo PMX has found errors when processing %1.pmx ! +echo. +pause +goto :end +:: +:texerr +echo. +echo TeX has found errors when processing %1.tex ! +echo check %1.log for details. +echo. +pause +goto :end +:: +:dvierr +echo. +echo *** dvips had errors ! *** +echo. +pause + +:: +:end +:::::::::::::::::::: end of runpmx.bat :::::::::::::::::::: +\end{verbatim} +\end{minipage} + \end{center} + \caption{An example of a batch file for running {\PMX}} + \label{tab:runpmx} +\end{table} + +\pagebreak +To illustrate the above process, however, an example for a typical +`batch' file, for a standard \textbf{Windows} system, is given in +Table~\ref{tab:runpmx}. This assumes that you have +installed +\begin{enumerate} + \item a ^{\MiKTeX} system, + \item a {\MusiXTeX} system, + \item a \texttt{dvips} system, +\end{enumerate} +all installed in the standard way, and that you have produced the {\PMX} +input file \verb#my_opus.pmx#, using your favorite ASCII text editor. + +You would then run +\begin{center} + \verb#runpmx my_opus# +\end{center} +on a command line, and would see a Ghostview window opening, from which +you could print your opus (or do with it whatever you like). + +\bigskip +You perhaps will want to write your own batch program\,% +\footnote{The \texttt{runpmx.bat} given in Table \ref{tab:runpmx} is + identical with the \texttt{runpmx.bat} used in the installation + guide (Section \ref{sec:installation}). + + When adapting this to your needs or writing your own batch + file altogether, you should make sure that you use + \texttt{etex.exe} in the 3 calls of {\TeX}. + {\MusiXTeX}-\texttt{T115} and {\PMX} texttt{2.603} both + require e{\TeX} (extended {\TeX})! + }, to suit your personal requirements. Some further remarks on +how \textbf{pmxab} +_{\textbf{pmxab}} operates may prove helpful for that. + +\medskip +First, whenever \textbf{pmxab} +_{\textbf{pmxab}} +terminates due to a syntax error, the exit code is set 1 (0 when there +are no errors). There are various ways of detecting this with batch +commands, and then acting accordingly. + +\medskip +Second, \textbf{pmxab} +_{\textbf{pmxab}} +always writes a file \texttt{pmxaerr.dat} +_{\texttt{pmxaerr.dat}} +containing a single number: 0 if it exited normally, otherwise the line +number in the \texttt{.pmx} file where the syntax error was. With +advanced batch programming techniques, this file can be opened and read, +and if there was an input error, a text editor can be opened and the +input point placed on the line with the error. + +\bigskip +There have been several requests to allow {\PMX} to keep running even +after it detects an input error. This has not been done because in most +cases, any error messages after the first one would be meaningless, or +worse, uncorrected errors could cause crashes. In any event, all the +output from \textbf{pmxab} +_{\textbf{pmxab}} +will be stored in the log file [\emph{filename}]\texttt{.pml}. + +\subsection{Concatenating several files} \label{sec:concatfiles} +_{\PMX!concatenating several files} + +Sometimes one wants to split the work on a score into several smaller +parts, not only when otherwise you would exceed some {\PMX} numerical +limit (cf.~Section~\ref{sec:limits}), but simply for practical reasons. +Logically, one should distinguish two separate cases: +\begin{enumerate} + \item Within \emph{one and the same {\PMX} program}, there might be + parts that recur identically in several regions of the full code, + and one would not want to retype these over and over again (both + for efficiency and for clarity reasons). In such cases, you + would want to have a command similar to the \verb#\input# of + {\TeX}, {\LaTeX} and many other programming languages. + + In {\PMX}, such an `\verb#\input#' command has the form + \verb#AR[#\emph{file name}\verb#]#, where \emph{file name} is + the name of the (ASCII) file you want to include, and + \verb#AR[#\emph{file name}\verb#]# will insert this file + at exactly that point in your {\PMX} program where the + \verb#AR[#\emph{file name}\verb#]# is.\,% + + \begin{quote} + A possible use for this procedure, i.e.\ using the \texttt{AR} + command, could be to save typing when you want to include your + favorite option defaults that in fact you use in almost every + piece of music you write with {\PMX}. + + But a simple ``cut \& paste'' is arguably a quite practical + and more straightforward way of achieving this goal; moreover, + if you want to be fancy about it, {\PMX} has a much more + sophisticated tool to offer for that purpose\,% + \footnote{In fact, there is yet another fancy tool, + i.e.\ including a `global' file with the specific + name \texttt{pmx.mod} , useful for special purposes. + For details on this, refer to the {\PMX} manual. + }, + viz.\ a macro (cf.\ Sec.~\ref{sec:macros}). + \end{quote} + + \item Sometimes may have reason to make several + completely independent {\PMX} files, producing their output + separately. In the end, you would want to concatenate these + pieces again. This can be easily done: + + \medskip + Suppose you have coded the three movements of a piano sonata in + three separate {\PMX} files: \verb#son1.pmx#, \verb#son2.pmx# + and \verb#son3.pmx#. To create one single file from these, + proceed as follows: + \begin{enumerate} + \item Process the three files \verb#.pmx# separately, + obtaining the three files \verb#son1.tex#, + \verb#son2.tex# and \verb#son3.tex# , + \item Create a {\TeX} file \texttt{son.tex} consisting of the + following lines: + \begin{verbatim} + \input musixtex + \startmuflex + \let\startmuflex\empty + \let\endmuflexsav\endmuflex + \let\endmuflex\endinput + \input son1 + \input son2 + \input son3 + \endmuflexsav + \bye + \end{verbatim} + \item Process the file \verb#son.tex# , in the usual three + passes ({\TeX}~$\Longrightarrow$ \texttt{musixflx} + $\Longrightarrow$ {\TeX}). The resulting file + \verb#son.dvi# then contains the full score of the + entire sonata. + \end{enumerate} +\end{enumerate} + +\medskip +Alternatively, you can concatenate the files using {\LaTeX}, or more +specifically, the \textbf{mtxlatex} package. For details on this +see Section~\ref{sec:LaTeX}. +_{\LaTeX} _{\textbf{mtxlatex}|see{\LaTeX}} _{\LaTeX!interface with \PMX} + +\vfill\begin{figure}[!htbp] + \begin{center} + \raisebox{-0.75ex}{% + \includegraphics[scale=.82]{eps/Haydn.eps} + } + \end{center} + \caption{\textbf{F.J.\ Haydn}, + \emph{quartet Op.76, no.2}, bars 1--4 + } + \label{fig:Haydn} +\end{figure} +\label{p:Haydn} + +\begin{table}[!htb] +\begin{minipage}{380pt} +\small +\begin{verbatim} +F.J.\ Haydn, Quartet op.76, no.2, bars 1--4 +PREAMBLE: +nstaves ninstr mtrnuml mtrdenl mtrnump mtrdenp + 4 4 4 4 0 6 +npickup nkeys + 0 -1 +npages nsystems musicsize fracindent + 1 1 16 .08 +Violoncello +Viola +Violin II +Violin I +batt +./ +% BODY: +% HEADER: +Tc +F.J. Haydn +Tt +String Quartet op. 76, No.2 +h +Allegro +Abep +w170m +% begin of music input - +% bar 1 +d82 Df o. d+ o. d o. d o. r d o. d o. d o. / +f83 Df o. f o. f o. f o. r f o. f o. f o. / +r8 a83 Df o. a o. a o. r a o. a o. a o. / +a24 Df d- / + +% bar 2 +r8 d o. d o. d o. r e o. e o. e o. / +r8 g o. g o. g o. r g o. g o. g o. / +r8 b o. b o. b o. r cs o. c o. c o. / +e2 a- / + +% bars 3-4 +f8 s e f cs s d4 a | b2 s a4 s o. r Rb / +a2 t a4 t .cs- | d8 s e f d s e4 o. r / +d8 s cs d e s e s d c s a1+ s g s | f s g f e s d8 o. d o. cs4 r / +d8 s cs d e s g s f e s a | d4- zd+ cn1 s b a gs s a4 o. r / +% end of PMX source file +\end{verbatim} +\end{minipage} + \caption{{\PMX} source for excerpt of F.J.\ Haydn quartet} + \label{tab:Haydn} +\end{table} + +\section{Preliminary Concepts} \label{sec:concepts} + +_{comments} +The {\PMX} code of a musical score consists of two parts, the +\emph{preamble} and the \emph{body}. Lines with a \% in column 1 are +comment lines (as in {\TeX}); they are disregarded by the program\,% +\footnote{Note, however, the additional conventions of + the \textbf{scor2prt} program (see Chapter \ref{sec:scor2prt}, + pp.\ \pageref{p:scor2prt}). + }. + +\medskip +The \emph{preamble} contains the general specifications for a score, +some musical (e.g., number of instruments, meter, key signature), and +some typographical (e.g., number of pages, number of staves per page). + +\medskip +The coding for the music itself is given in the \emph{body}, which in +turn usually has a \emph{header}. As an example, consider the first few +bars of Haydns \emph{quartet Op.76, no.2} . The music shown in +Fig.~\ref{fig:Haydn} is obtained from the {\PMX} source code given in +Table~\pageref{tab:Haydn}. + +\section{Preamble} \label{sec:preamble} +_{preamble} + +The \emph{preamble} consists of one or several lines of numbers, +followed by lines with typographical data relevant for the whole score. +The preamble ends with a line giving the name of the directory to which +_{\textbf{pmxab}} +\textbf{pmxab} is to write its output \texttt{.tex} file. + +\subsection{Numerical input} \label{sec:numinput} + +The first line(s) of the preamble must contain 12 numerical +parameters, separated by one or more spaces (`white space'). In {\PMX}, +as in {\TeX}, a line feed is equivalent to a white space, so the +following 3 forms of the beginning numerical input are all equivalent: + +{\small +\begin{verbatim} +4 4 4 4 0 6 0 -1 +1 1 16 .08 +\end{verbatim} +} + +\vspace*{-1.5ex} +\qquad --- or --- + +\vspace*{-1.5ex} +{\small +\begin{verbatim} +4 4 4 4 0 6 0 -1 1 1 16 .08 +\end{verbatim} +} + +\vspace*{-1.5ex} +\qquad --- or --- + +\vspace*{-1.5ex} +{\small +\begin{verbatim} +4 +4 +4 +4 +0 +6 +0 +-1 +1 +1 +16 +.08 +\end{verbatim} +} + +\medskip\noindent +For the purpose of this tutorial, the 12 s are named\,% +\footnote{Their names are written in typewriter typeface here because in + a way they \emph{are} input and, as some of the examples show, + used as such, albeit only in comment lines. But these names + themselves never occur in {\PMX} commands. (See, however, + the footnote on p.\pageref{p:errormsg}). + }. +\begin{center} + \parbox{6cm}{\texttt{nstaves}, \texttt{ninstr}, \\[1ex] + \texttt{mtrnuml}, \texttt{mtrdenl}, \\ + \texttt{mtrnump}, \texttt{mtrdenp}, \\[1ex] + \texttt{npickup}, \\ + \texttt{nkeys}, \\[1ex] + \texttt{npages}, \texttt{nsystems}, \\ + \texttt{musicsize}, \texttt{fracindent} + } +\end{center} + +Their significance is as follows: + +\begin{itemize} +\item +_{voice!several voices in one staff} _{\texttt{nstaves}} + \texttt{nstaves}, an integer $\leq 24$, is the total number of + staves per system. Each staff may contain either one or two voices + (lines of music). The number of voices in a staff may change as + the piece progresses, but the total number of voices at any one + time cannot exceed 24. So if, e.g., there are 24 staves, there can + only be one voice per staff. + +_{\texttt{ninstr}} + \texttt{ninstr}, an integer $\leq$ + \texttt{nstaves}, is the number of \emph{instruments}. Each + instrument has a unique name (cf.\ p.~\pageref{p:names}), and any + instrument with more than one staff will have its staves joined + with a curly bracket. Often there is only one staff per + instrument, and \texttt{ninstr $=$ nstaves} in that case. There + are two ways to assign more than one staff to one or more + instruments: + + \begin{itemize} + \item if only the first, i.e.\ the \emph{lowest}, instrument has + more than one staff, such as in a score for piano and a + one-staff solo instrument, simply make \texttt{ninstr $<$ + nstaves}, and any difference will show up in instrument 1, + the bottom one in each system, + \item When you need a more general assignment of staves to + instruments, put a minus sign in front of \texttt{ninstr}, + and follow \texttt{ninstr} with the number of staves in each + instrument in succession, in sequence from the bottom one up + (the same order as the instrument names, + cf.~p.\pageref{p:names}), separated by spaces. These numbers + \emph{must} add up to \texttt{nstaves}: in a way, they are + simply a partition of the numerical parameter + \texttt{ninstr} . + \end{itemize} + + \Example + The preamble of the first example (Fig.~\ref{fig:diabolica}) + simply has \texttt{nstaves} $=3$ and \texttt{noinst} + $=2$ : \begin{figure}[!htb] + \begin{center} + \raisebox{-0.75ex}{% + \includegraphics[scale=.82]{eps/diabolica.eps} + } + \end{center} + \caption{\textbf{C.C.\ Noack}, \emph{sonata diabolica, first + movement}, bars 12--17 + } \label{fig:diabolica} + \end{figure} + while the Stravinsky excerpt of Fig.~\ref{fig:agon} was obtained\,% + \footnote{In the \PMX\ text with which Fig.~\ref{fig:agon} was + produced, an additional \MusiXTeX\ command was used to + gather the strings in a group in the usual way. This + ``inline use'' of \TeX\ commands will be explained in + detail in Section~\ref{sec:inlineTeX} . + } + with \texttt{nstaves} $=9$ and \texttt{noinst} replaced by + \[ -7 \; 1 \; 1 \; 1 \; 1 \; 2 \; 2 \; 1 \;\;\; . \] + This tells \PMX\ that there are 7 instruments in all, with 1 staff + each for the four strings, 2 each for the piano and the harp, and + 1 for the trombone. Note that these numbers -- 8 in all in this + case -- count as \emph{one parameter}, i.e.\ the 12 numerical + parameters of the preamble are made up of 19 numbers in this case: + \begin{center} + \begin{tabular}{l@{\quad:\quad}l} +9 & (\texttt{nstaves}) \\ +-7 1 1 1 1 2 2 1 & (\texttt{ninst}) \\ +4 \quad 8 & (\texttt{mtrnuml, mtrdenl} \\ +4 \quad 8 & (\texttt{mtrnump, mtrdenp}) \\ +2 \quad 0 & (\texttt{npickup}, \texttt{nkeys}) \\ +0 \quad 2 \qquad 16 \qquad 0.14 +& (\texttt{npages, nsystems, musicsize, fracindent}) + \end{tabular} + \end{center} +\end{itemize} + +\begin{itemize} +\item _{meter} + The following 4 numbers serve to define the meter of the piece. + The first pair, +_{\texttt{mtrnuml}} + \texttt{mtrnuml} and +_{\texttt{mtrdenl}} + \texttt{mtrdenl}, are the \emph{logical} values which {\PMX} uses + to calculate the length of a bar: \texttt{mtrnuml} is the logical + numerator of the meter, i.e.\ the number of beats per measure, + \texttt{mtrdenl} the denominator. \label{p:meterdefs} + +_{meter!printed} + The second pair, +_{\texttt{mtrnump}} + \texttt{mtrnump} and +_{\texttt{mtrdenp}} + \texttt{mtrdenp}, determines the appearance of + the meter in the printed output, but has no effect on the internal + timing analysis of {\PMX}: + \begin{itemize} + \item if \texttt{mtrnump} $>0$, then it and + \texttt{mtrdenp} are printed literally as the + numerator and denominator of the time signature. For + example, \texttt{4 4 4 4} prints a standard + 4 quarters meter, + \item if \texttt{mtrnump} $<0$, then the numerator actually + used by \PMX\ will still be the positive value of + \texttt{mtrnump}, but the entire time signature will be + printed with a vertical slash through it, + \item if \texttt{mtrnump}=0, then \texttt{mtrdenp} + determines the printed meter as given in + Table~\ref{tab:meter} and shown in Fig.~\ref{fig:meter}. + \end{itemize} + +\medskip +There are special rules for n/16 and n/1 time signatures (where the +latter "1" normally means a semibreve or whole note). To get n/1 time, +\label{p:meterdefs0} +use \texttt{mtrdenl} $=0$ (zero) and \texttt{mtrdenp} $=1$\,% +\footnote{To remember this rule, recall that the printed denominator + is taken literally, while the logical denominator represents + the same time value that is denoted when entering ordinary + notes (see section~\ref{sec:notes} below): there \texttt{0} + stands for a whole note. + The special rule for n/16 time is due to programming + convenience. + }. +For n/16 time, it is \texttt{mtrdenl} $=1$ and \texttt{mtrdenp} +$=16$. So the choice [\texttt{3 0 3 1}] for the 4 meter +parameters, for example, will give a 3/1 time, both in the {\PMX} +internal computations and in the printed output, while a 5/16 time is +indicated by [\texttt{5 1 5 16}]. +\end{itemize} + +\medskip +\begin{figure}[!htbp] + \begin{center} + \raisebox{-0.75ex}{% + \includegraphics[scale=.82]{eps/agon.eps} + } + \end{center} + + \vspace*{-4ex} + \caption{\textbf{I.\ Stravinsky}, \emph{agon, first movement}, + bars 1--2 } \label{fig:agon} +\end{figure} + +\begin{table}[!htb] +\noindent +------------------------------------------------- + \begin{center} +_{\PMX!options!meter options} +_{meter!blind} + \begin{tabular}{|l|l|} + \hline + \texttt{0} & no meter is printed (`blind' meter) \\ + \texttt{1, 2, 3 or 4} & a single digit, between + the 2nd and 4th lines of each staff\\ + \texttt{5} & cut time (alla breve) \\ + \texttt{6} & common time \\ + \texttt{7} & numeral 3 with a vertical slash + \\ \hline + \end{tabular} + \caption{Meter options for \texttt{mtrdenp} $=0$ } + \label{tab:meter} + \end{center} +\end{table} + +\begin{figure}[!htb] + \begin{center} + \raisebox{-0.75ex}{% + \includegraphics[scale=.82]{eps/meter.eps} + } + + \vspace*{-4ex} + \end{center} + \caption{Result of meter options for \texttt{mtrdenp} $=0$ + } \label{fig:meter} +\end{figure} + +\begin{itemize} +\item +_{pickup bar} +The $7^{\text{th}}$ parameter, +_{\texttt{npickup}} +\texttt{npickup}, is the number of beats in a pickup bar if one is +present. If there is no pickup bar, set \texttt{npickup} $=0$. +\texttt{npickup} need not be an integer. Cf.~Fig.~\ref{fig:pickups} for +examples of pickup bars. +_{pickup bar} + +A pickup bar is the \emph{only} bar that can have a different number of +beats than the current value of \texttt{mtrnuml}. It must be followed +with the first regular bar \emph{in the same block}, i.e.\ the pickup +note(s) \emph{must not be followed} by a \texttt{|}, \texttt{/} or +\texttt{//}. +_{pickup bar} + +We shall later describe a {\PMX} command to change the meter, and +explain how to use it for pickups to later sections or movements +(cf.~section~\ref{sec:meterchg}). +\end{itemize} + +\begin{figure}[!htb] + \begin{center} + \raisebox{-0.75ex}{% + \includegraphics[scale=.82]{eps/pickups.eps} + } + \end{center} + \caption[Examples of pickups in 4/4]% + {Examples of pickups in 4/4 (the values of \texttt{npickup} + are given under the staff). + } \label{fig:pickups} + +\end{figure} + +\begin{itemize} +\item +_{key signature} _{signature|see{key signature}} _{\texttt{nkeys}} + \texttt{nkeys} is the key signature, positive integer for sharps, + negative for flats. +\end{itemize} + +\medskip +The last four numerical parameters concern the layout: +\begin{itemize} +\item If +_{\texttt{npages}} + \texttt{npages} $>0$, it is the number of + pages, and +_{\texttt{nsystems}} + \texttt{nsystems} is then the + total number of systems in the entire piece. {\PMX} will spread + the entire piece horizontally over this number of systems, and + vertically over \texttt{npages} pages. For proper vertical spacing + there should be from about 9 to 16 staves per page. If you specify + too many staves for a given number of pages, one or more staves + may spill over onto an extra page, but you will not see this until + you preview the \texttt{.dvi} file. Possible remedies are to + increase \texttt{npages}, decrease \texttt{nsystems}, or use the + \texttt{Ae} command, to be described later (cf.~section + \ref{sec:A}). + + \label{p:preamble} +\item If \texttt{npages} $=0$, \texttt{nsystems} is interpreted as the + average number of bars per system. This is useful while building + up a file a little at a time. {\PMX} will decide how many pages to + use. +\item +_{staves!size} _{\texttt{musicsize}} + \texttt{musicsize} is the height of a staff, + in points. The only values allowed are: 16, 20, 24 or 29 . +\item +_{indenting first system} + Finally, +_{\texttt{fracindent}} + \texttt{fracindent} is the + indentation of the first system from the left margin, expressed as + a decimal fraction of the total line width. + + \smallskip + Note that although logically \texttt{fracindent} could have any + value between $0$ and $1$ , you should never use a value + seriously over $.5$. It is not only esthetically rather + unpleasing, but may cause some unexpected havoc for {\MusiXTeX}. +\end{itemize} + +\begin{table}[!htb] + \begin{center} +_{preamble!numerical parameters} +\begin{tabular}{|l@{ : \quad}r@{\qquad\qquad}l|} +\hline +\texttt{nstaves} & 4 & (4 staves) \\ +\texttt{ninstr} & 4 & (4 instruments) \\ +\texttt{mtrnuml} & 4 & (4 beats \dots \\ +\texttt{mtrdenl} & 4 & \quad \dots of quarters) \\ +\texttt{mtrnump} & 0 & (option for \dots \\ +\texttt{nmtrdenp} & 6 & \quad \dots common time) \\ +\texttt{npickup} & 0 & (no pickup bar) \\ +\texttt{nkeys} & -1 & (key: d minor) \\ +\texttt{npages} & 1 & (1 page) \\ +\texttt{nsystems} & 1 & (1 system) \\ +\texttt{musicsize} & 16 & (16 pt staff) \\ +\texttt{fracindent} & .085 & (indentation of 1st system) \\ \hline +\end{tabular} +\caption{Example of preamble parameters for the F.J.\ Haydn + quartet in Fig.~\ref{fig:Haydn}, p.~\pageref{p:Haydn} + } \label{tab:Haydnparams} +\end{center} +\end{table} + +\medskip \label{p:names} +_{instruments} _{instruments!names} +In the next part of the preamble the names of the \emph{ninstr} +intruments are given, as you want them to appear within the indentation +in the first system, one per line, \emph{starting with the bottom} +instrument. If you don't want instrument names to appear, you must still +leave \texttt{ninstr} blank lines here. + +\label{p:clefs} +_{clefs} _{clefs!exotic} +Next, on a new line, comes a single string of \emph{nstaves} letters or +numbers for the clefs, again starting with the bottom staff. The choices +are\,% +\footnote{There are several more exotic clefs, available only in + straight {\MusiXTeX} (cf.~Section \ref{sec:inlineTeX} on + ``Inline {\TeX}'', and the {\MusiXTeX} manual, Section~2.21). + }: +\verb|b, r, n, a, m, s, t, f| , which stand for +\textbf{b}ass, ba\textbf{r}itone, te\textbf{n}or, \textbf{a}lto, +\textbf{m}ezzosoprano, \textbf{s}oprano, \textbf{t}reble, or +\textbf{f}rench violin clef, respectively. Instead of these mnemonic +abbreviations, you can use the digits 0--7, according to the notation +\texttt{0} (treble), \texttt{1} (soprano), \texttt{2} (mezzosoprano), +\texttt{3} (alto), \texttt{4} (tenor), \texttt{5} (bariton), \texttt{6} +(bass) and \texttt{7} (french violin)\,% +\footnote{This rather unmnemonic notation has been retained in {\PMX} + for compatibility with {\MusiXTeX}. + }. +These two clef codes are summarized in Fig.~\ref{fig:clefnot}. +\begin{figure}[!htb] \begin{center} +_{clefs!symbols} _{clef codes|see{clefs, symbols}} + \raisebox{-0.75ex}{% + \includegraphics[scale=.82]{eps/clefnot.eps} + } + \end{center} + \caption{Notation of the clefs} + \label{fig:clefnot} +\end{figure} + +\bigskip +_{preamble!end of} _{working directory|see{directory}} +_{current directory|see{directory}} _{path name|see{directory}} +The preamble ends with a line that contains the path name of the +^{directory} to which you want the files (the \verb#.tex# file, in +particular) to be written when +_{\textbf{pmxab}} +\textbf{pmxab} processes your source text. Usually you will want that to +be the current directory: in UNIX this is denoted by \verb#./#~, in DOS +(most versions, including Windows) it is \verb#.\#\qquad. In any case, +the path -- and thus the whole preamble -- must terminate with \verb#/# +or \verb#\#~~. + +\addcontentsline{toc}{section}{Body of the Input File} +_{body of Input File} + +\bigskip +The rest of the {\PMX} input file is called the \emph{body}. It usually +begins with a number of global options, each on a line by itself, +called the \emph{header} (which can be empty). +\label{p:header} +_{header} _{\PMX!options!general} + +\medskip +_{input block} _{block|see{input block}} +Following the header, the input of the actual music begins. The basic +unit is called a \emph{block}, each one consisting of from 1 to 15 +complete bars. The input data for all bars in a block are entered for +each staff in turn, starting with the first (i.e.\ the \emph{lowest}) +staff. The sequence of staves (and thus of the instruments) corresponds +to that in the preamble: the first is the bottom one of the system as it +appears in the final score, and the last is the top one. The input for +each staff ends with a \verb#/# (slash). The data for one staff need not +be contained on a single input line, but may spread over as many as +needed, with any number of blank lines and comment lines between them\,% +\footnote{Remember that in {\PMX}, as in {\TeX}, a line feed is + equivalent to a space, and a sequence of many spaces is + equivalent to one space. + }, +but after the end of one staff (i.e.\ after the slash), you \emph{must} +start the coding for the next staff on a new input line. A \emph{block} +ends with the slash of the last staff of the last instrument (the top +staff in the score). +_{input block!ending} + +\medskip +Though you can put up to 15 bars in one block, many users of {\PMX} have +the habit of systematically writing one bar per block only. Sometimes, +however, for reasons of context, {\PMX} \emph{requires} a set of bars to +be in one and the same block (cf.~Section~\ref{sec:dynamics}). If you +do put more that one bar in a block, it is advisable (although not +required) to separate the bars with a \verb#|# (`vertical stroke'). The +main function of this is to provide visual separation in the input file, +and to help isolate input errors: if you put a \verb#|# anywhere except +at a bar end, the {\PMX} processor will stop and show you where it +detected the timing error. Otherwise (with a few minor +exceptions% +\footnote{For such an exception cf.\ the note on p.\pageref{p:repeats}. + }) +\verb#|# has no effect. +_{bar lines!in source} + +It is also good practice to separate the blocks with comment lines that +state which bars are represented, as has been done in the input source +for Fig.~\ref{fig:Haydn} (p.\pageref{p:Haydn}). + +_{pickup bar} +If there is a pickup bar (\verb#npickup# $>0$), it must be in a block +with the first full bar\,% +\footnote{If, for some reason, you do need to put the pickup in a + separate block, set the initial logical meter to fit the + pickup bar, then after the pickup bar do a blind meter change, + as described in section~\ref{sec:meterchg}. + }. + +_{voice!several voices in one staff} +When there are 2 voices in a staff (e.g.~for an organ or other +polyphonic instrument, or in a choir or symphonic score), these are +entered consecutively in the coding for that staff, again starting with +the lower voice, and this voice is ended with a \verb#//# (`double +slash'). Here again, after the double slash, you \emph{must} start the +second voice on a separate input line. The coding for this staff is then +again concluded by a single slash. + +\medskip +The two bars from \emph{Pellas et Melisande} by Debussy in +Fig.~\ref{fig:debussy} are an example. The bottom staff, that for the +trumpet, has only one voice, while the top staff (for the flutes) has 2, +thus giving a total of 3 voices. + +\begin{figure}[!htbp] + \begin{center} + \raisebox{-0.75ex}{% + \includegraphics[scale=.82]{eps/debussy.eps} + } \\[2ex] + ------------------------------------------ +\begin{minipage}{380pt} +\small +\begin{verbatim} +%----------------% +% C. Debussy, Pellas et Melisande, p.149 +%----------------% +% +2 2 +12 8 12 8 +0 6 +1 1 16 .07 +% +Trumpet +Flutes +tt +./ +It60itrfl +h-4 +Lento +Abepl +\\nobarnumbers\ +% +% %%%%%%%%%%%%%%%%%%%%%%%%% Bar 1 %%%%%%%%%%%%%%%%%%%%%%%%% +cd4 D"con sord."+17 sf dd fd dd sf / +r8+0 fr sfu+0+1 e sf+0 t ed4 t r8+0 +br+ sfu+0+1 a sf+0 r+0 gr sfu+0+1 f sf+0 // +rb8 g4+ t gd t rb8 c4 rb8 a4 / + +% %%%%%%%%%%%%%%%%%%%%%%%%% Bar 2 %%%%%%%%%%%%%%%%%%%%%%%%% +cd4 sf dd fd ad sf Rb / +r8+0 fr sfu+0+1 e sf+0 t ed4 t r8+0 br+ sfu+0+1 a sf+0 t ad4 t // +rb8 g4 t gd t rb8 c4 t cd t / + +% %%%%%%%%%%%%%%%%%%%%%%%%% end of file %%%%%%%%%%%%%%%%%%% +\end{verbatim} +\end{minipage} + \end{center} + + + \caption{\textbf{C.\ Debussy}, \emph{Pellas et Melisande} (excerpt) } + \label{fig:debussy} +\end{figure} + +\medskip +_{voice!several voices in one staff} +The number of voices in a staff (1 or 2) is determined solely by whether +the first sequence of symbols for that staff ends with \verb#/# or +\verb#//#. Therefore the number of voices in any given staff can vary +from block to block, but not within a block. In other words, if you need +to change the number of voices in a staff, you must start a new block. + +\medskip +_{\PMX!symbols} +Finally, a general characteristic of {\PMX} coding should be noted: all +data comprises sequences of \emph{symbols}, each one containing one or +more adjacent characters. These symbols -- including the +voice-terminating symbols \verb#/# and \verb#//# -- are \emph{always} +separated from each other by at least one space or line feed. Whenever +there are several characters strung together without spaces, they are +considered \emph{one single} {\PMX} symbol. This concept has already +been illustrated in prior examples. The construction of the symbols will +be explained in much more detail in the remainder of this chapter. + +\section{Commands for the Individual Staves} + \label{sec:body} +_{\PMX!commands for individual staves} + +\subsection{Notes} \label{sec:notes} +_{notes} + +The most important input item is of course a single note. Its two +main features are its \emph{pitch} and its \emph{duration}. + +\emph{The pitch} is primarily -- i.e.\ up to octaviation --indicated by +_{notes!pitch} +the note \emph{name} in \emph{lower case} letters: \texttt{c, d, e, f, +g, a, b} (do, re, mi, fa, sol, la, si). If the note is to have an +accidental, the note name is followed \emph{without a space} by +\texttt{s, f} or \texttt{n} for a \textbf{s}harp, \textbf{f}lat or +\textbf{n}atural; \texttt{ss}/\texttt{ff} for a double sharp/double +flat. + +_{accidentals} _{notes!duration} + +The \emph{basic duration}, i.e.\ the duration exclusive of a possible +dot, is indicated by the first unsigned digit following the note name, +again with no space: \texttt{9, 0, 2, 4, 8, 1, 3, 6} respectively for +double-whole (^{breve}), whole (^{semibreve}), half, quarter, eighth +(quaver), sixteenth (semiquaver), thirty-second, and sixty-fourth notes. +For a consecutive sequence of notes of equal duration, this needs to be +given explicitly only for the first note of the sequence. Subsequent, +consecutive notes with no explicit duration will `\emph{inherit}' their +basic durations from the most recent note with an explicit duration. +_{eighths} _{sixteenths} + +A \emph{dotted/doubly dotted note} is indicated by the letter +\texttt{d}/\texttt{dd} just about anywhere\,% +\footnote{The only restriction on the position of \texttt{d} within the + note symbol occurs if the dot is to be shifted + (cf.~p.\pageref{p:dotshift}). + } +in the note symbol, after the note name, of course. + +It is important to note that, in contrast to the basic duration, a +dot is never inherited by a subsequent note. +_{notes!duration!not inherited for dotted note} _{dotted notes|see{notes}} + +\medskip +The \emph{pitch} of a note is, of course, not determined by the note +name alone; the actual octave needs to be specified as well. For this, +there are three possibilities: +\begin{description} + \item[explicit octaves:] \text{} \\ +_{notes!pitch!explicit octave} + A second unsigned digit\,% + \footnote{In contrast to the letters for accidentals and dots + and other letters to be explained in + Section~\ref{sec:otherparams}, the 2 digits for + duration and pitch, if present, must always be given + in this order. Specifically, if by omitting the + duration digit you use the inherited duration, you + can no longer specify the octave explicitly by an + unsigned digit. + } + indicates the octave to which the note belongs. For reference, + octave 4 runs from middle C to the B above. The lowest note on + an 88-key piano is the A in octave~0, while its highest note is + the C in octave~8 (cf.~also Fig.~\ref{fig:pitch}). + + \begin{figure}[!htb] \begin{center} + \includegraphics[scale=.82]{eps/pitch.eps} + \end{center} + \caption{{\PMX} notation for pitch + (second digit of note symbol)} + \label{fig:pitch} + \end{figure} + + \item[inherited pitch:] \text{} \\ +_{notes!pitch!inherited} + For a note without any explicit octave or relative pitch + indication, the octave is assigned by {\PMX} such that the note + is placed in the octave that makes it nearest to the most + recent note \emph{in the same voice}, i.e. the pitch is + `inherited'. Thus for jumps of less than a fourth up or down, + you only need to enter the note name to fully specify the + pitch. This feature often lets you go for long stretches in a + voice before needing to enter the octave. For jumps of a fifth + or more, you need to specify the octave either explicitly as + described above, or relatively as described below. + + \item[relative pitch:] +_{notes!pitch!relative} + \text{} \label{p:relativepitch} \\ + A \texttt{+} or \texttt{-} (if not part of one of the signed + numerical suboptions to be discussed later) indicates that a + note is to be an octave higher or lower than it would otherwise + be. Two consecutive \texttt{+}'s will raise the pitch two + octaves, and so forth\,% + \footnote{Two consecutive \texttt{+}'s can be abbreviated by + one \texttt{++} . + }. + + As an example of all this, compare Fig.~\ref{fig:reloctav} with the + {\PMX} notations given under the staff\,% + \footnote{The same result would be obtained with the full, absolute + notation \texttt{c84 d84 e84 c85 b84 a84 g84 g83 | c26 g23 + | c04}; but this is obviously much more verbose. + +_{notes!pitch!explicit octave} + Explicit octave numbers can be combined with one or more + \texttt{+} or \texttt{-}, although this is not + recommended. + }. + + \begin{figure}[!htb] + \begin{center} \includegraphics[scale=.82]{eps/reloctav.eps} + \end{center} \caption{Relative Octave Notations} + \label{fig:reloctav} + \end{figure} +\end{description} + +_{notes!pitch!explicit octave} +The first note of each line of music in a block must contain at a +minimum the note name and a basic duration value. It is good +practice and can simplify editing if in addition an explicit octave is +set there. However if it is not, {\PMX} will make some assumptions: at +the start of the first input block the pitch will be set as if there +were a prior note of middle C. In later blocks {\PMX} will use the +obvious inheritance rules from the end of the prior block\,% +\footnote{However, if the number of voices in a staff has changed from + the prior block, it is safest to reset the octave at the start + of a new block. Duration is never inherited across block ends, + and thus must be reset at the start of each input block. +_{notes!duration!not inherited across blocks} _{voice!several voices in one staff} + }. + +\subsection{Dotted Notes} \label{sec:dotnotes} +_{notes!dotted note} + +Inheritance of dotted notes is a little tricky. As was noted above, the +dot itself is never inherited; you always have to use a \texttt{d} in +the note symbol, even if the actual duration and octave are the same as +the prior note. But the \emph{basic} digit of duration need not be +reentered if it hasn't changed\,% +\footnote{There is an exception to this: if you decide to indicate the + octave with an explicit digit (`absolute octave'), you must + then enter the duration explicitly as well. + }. +So for example, consecutive dotted half notes, each within a fourth of +the previous one, could be most cleanly entered as \texttt{cd24 ed gd +ed}, whereas \texttt{cd24 e} would represent a dotted half note followed +by a plain half note, since the basic digit of duration was for a half +note all along. + +\subsection{Stems} \label{sec:stems} +_{stems} _{stems!direction forced} _{stems!length} + +{\PMX} usually determines the correct stem length and direction +(\emph{up} or \emph{down}) of a note automatically. This can, however, +be changed by the user, as needed: +\begin{itemize} +_{stems!options} + \item the stem direction is forced to go \emph{up} with the letter + \texttt{u} (`\textbf{u}p') anywhere after the note name, or + \emph{down} with \texttt{l} (`\textbf{l}ower'), + \item the stem length of non-beamed notes can be shortened by adding + the option \texttt{S}, followed by a decimal number between .5 + and 4.0 , representing the shortening in units of + \texttt{\bs{}internote}\,% + \footnote{1 unit of \texttt{\bs{}internote} is roughly half the + distance between staff lines. + }. + The shortening can be made ``sticky'', i.e.\ applied to all + following notes by adding a colon (\texttt{:}) after the + number. Stickiness is terminated by \texttt{S:} . + +\end{itemize} + +\subsection{Other Note Parameters} \label{sec:otherparams} +_{\PMX!options} _{\PMX!options!notes} +Here are some more options that can be appended to a note symbol (as usual +without spaces): + +\begin{description} + \item[Inhibited beaming (\textbf{a})] \text{} \\ +_{beaming!inhibited} + Joining the note stems with beams is usually done automatically by + {\PMX}\,% + \footnote{For details of this cf.\ Section~\ref{sec:beams}. + }. + Sometimes, however, you may want to inhibit this explicitly for a + single note; this is achieved by the letter \texttt{a} (for + \texttt{a}lone). + \item[Horizontal shift (\textbf{e,r})] \text{} \\ +_{notes!horizontal shift} + Sometimes you want to shift the horizontal position of a note, for + example to avoid overlap with a note in another voice of the same + staff. The letters \texttt{e} and \texttt{r} do that: \texttt{e} + shifts the note to the l\texttt{e}ft by its own width (a `notehead + width'), while \texttt{r} shifts it to the \texttt{r}ight. An + example of this can be seen in Fig.~\ref{fig:debussy}. + \item[Shift of accidentals (\texttt{<} / \texttt{>})] + \text{} \label{p:accidentals} \\ +_{accidentals!position shift} + Accidentals can be shifted too. One way is to enter \texttt{+} or + \texttt{-} immediately after the accidental character, then an + \emph{integer} for the vertical shift in units of + \texttt{\bs{}internote}, then another \texttt{+} or \texttt{-} , + followed by the horizontal shift, given as a decimal fraction of a + notehead width. If you use this method, you \emph{must enter both + numbers}. Alternatively -- if you need only an horizontal shift --, + you can simply use \texttt{<} or \texttt{>}, followed by the shift, + in notehead widths. When shifting a sharp to avoid another sharp, a + left shift of $0.85$ is usually best. When shifting a flat to avoid + a flat above it, a left shift of $0.3$ is suggested. + \label{shifts} + \item[Shift of the dot in dotted notes] \text{} \label{p:dotshift} \\ + The dot in dotted notes can be shifted analogously to the first + method for accidentals, using signed numbers, except that the first + (vertical) shift may be a decimal fraction. + \item[Shorthand for dotted notes] +_{dotted notes!shorthand} _{shorthand!for dotted notes} + \text{} \\ There are two special shorthand notations for dotted + rhythms. For normal dotted rhythms ($3:1$ ratio), if you include a + period (\texttt{.}) in the note symbol, {\PMX} will + \begin{itemize} + \item assign a dot to the note just entered, + \item terminate that note, + \item prepare to receive the next note name \emph{without any + space}, and + \item automatically assign a time value to the second note equal + to one-third of the first one. + \end{itemize} + No time value may be entered for the second note, but octave and + accidental parameters may. Ornaments and slurs + (cf.~Sections~\ref{sec:ornaments} and \ref{sec:psslurs}) following + this symbol will apply to the second member. If you need to follow + the main note with some modifying command, you can still use the + shorthand (\texttt{.}) after that command and a space. The main + advantage of this shorthand comes if you want to follow one dotted + pair with another of the same rhythm; then you needn't enter any + explicit duration value for \emph{either} member of the second + pair. This is because after using the shorthand, the basic + inherited duration value is set to that of the \emph{first} note in + the pair; remember that the basic duration does not include the + dot! + + For paired notes with 2:1 rhythmic ratios, the symbol \texttt{,} + (comma) behaves similarly to the \texttt{.} (period) for 3:1 + rhythms as just described. + + \Note{If you use this shorthand for dotted pairs, either embedded + in a single symbol or to start a separate symbol for the + second member, then you \emph{cannot shift the dot position}. + If you do need to shift the dot, you should not use the + shorthand notation. +_{dotted notes!shorthand} + } +\end{description} +\bigskip +For reference, all the letter-type note parameters are listed in +Table~\ref{tab:noteparameters}. Examples demonstrating the +use of most of them are given in Fig.~\ref{fig:notepars} . + +\begin{table}[!htb] + \begin{center} +_{\PMX!options!notes} _{accidentals} _{accidentals!cautionary} +_{notes!parameters} _{accidentals!MIDI} + \begin{tabular}{|l@{\hbox{\quad}}c@{\quad --- }l|} + \hline + \multicolumn{3}{|l|}{\textbf{Accidentals:}} \\ + & s & \textbf{s}harp \\ + & f & \textbf{f}lat \\ + & n & \textbf{n}atural \\ + & ss & double \textbf{s}harp \\ + & ff & double \textbf{f}lat \\ + & sc, ssc, fc, ffc, nc + & cautionary accidental (accidental in parenthesis) \\ + & si, fi, ni & \parbox[t]{300pt}{M\textbf{i}DI accidental {\\} + [\,does do not appear in the printed score + --- + cf.~Section~\ref{sec:MIDIaccidentals}\,] + } \\[1ex] + \multicolumn{3}{|l|}{\textbf{Dotted Notes:}} \\ + & d & single \textbf{d}ot \\ + & dd & \textbf{d}ouble \textbf{d}ot \\ + & . & shorthand for $3:1$ rythm \\ + & , & shorthand for $2:1$ rythm \\ + \multicolumn{3}{|l|}{\textbf{Stems:}} \\ + & u & force the stem \textbf{u}p \\ + & l & force the stem down (\textbf{l}ower) \\ + \multicolumn{3}{|l|}{\textbf{Shifts of Position:}} \\ + & e & shift the notehead l\textbf{e}ft + by the notehead width \\ + & r & shift the notehead \textbf{r}ight + by the notehead width \\ + & \texttt{<} & left shift of accidental \\ + & \texttt{>} & right shift of accidental \\ + & +, - & general shift of accidental \\ + \multicolumn{3}{|l|}{\textbf{Beam Inhibit:}} \\ + & a & \textbf{a}lone (cf.~Section~\ref{sec:beams}) \\ + \multicolumn{3}{|l|}{\textbf{Xtuplets:}} \\ + & x & (\textbf{x}tuplet) (cf.Section~\ref{sec:xtuplets}) \\ + \hline + \end{tabular} + \end{center} + \caption{Use of Note Parameters as shown in Fig.~\ref{fig:notepars} .} + \label{tab:noteparameters} +\end{table} + +\begin{figure}[!htb] + \begin{center} + + \includegraphics[scale=.82]{eps/notepara.eps} \\[2ex] + \includegraphics[scale=.82]{eps/noteparb.eps} \\ + \small{ (Notations for Dotted Notes) } \\[2ex] + \includegraphics[scale=.82]{eps/noteparc.eps} \\ + \small{ (Position Shifts of Accidentals) } \\[2ex] + \end{center} + \caption{Use of Note Parameters} \label{fig:notepars} +\end{figure} + +\pagebreak +\subsection{Rests} \label{sec:rests} +_{rest} _{pause|see{rest}} + +Rests are denoted by the letter \texttt{r} in place of a note name. +Rests have duration digits just like notes, but obviously no second +digit for giving an octave. As inheritance goes, an \texttt{r} behaves +just like a note: it can inherit its duration from the prior note or +rest, and notes as well as rests can inherit their duration from prior +rests. + +\medskip +Any rest or sequence of rests that occupies a full bar will by default +be horizontally centered in the bar. + +\medskip +There are a few special notations for rests: +\begin{itemize} + \item \texttt{rp} (`\textbf{r}est \textbf{p}ause') denotes a full-bar + rest (whole rest), regardless of what the meter signature for + the bar may be, + \item \texttt{rpo} (`\textbf{r}est \textbf{p}ause + \textbf{o}ff-center'). The option \textbf{o} suppresses the + centering of a pause, + \item +_{rest!blank rest} + \texttt{b} (`\textbf{b}lank') denotes a blank rest, i.e. one + that \emph{does not appear in print}. Logically, it has a + duration that is determined, as usual, either by an explicit + duration specifier or by inheritance. Blank rests are most + commonly used when there are two voices in a staff, + and one drops out for some part of the current input bar\,% + \footnote{Another interesting application is when you have two + homophonic voices in one staff and, for simplicity's + sake you want to write only one rest for both voices + (cf.~the last 2 bars in Fig.~\ref{fig:rests}) . + }, + \item +_{rest!multibar rest} _{\textbf{scor2prt}!multibar rest} + \texttt{rm} (`rest \texttt{m}ulti-bar') followed -- without + space! -- by an integer $n$ generates the multi-bar rest symbol + with the number $n$ above it, signifying a rest for $n$ full + bars\,% + \footnote{This is used in particular when the parts for + individual instruments are generated from a full + score, as is done automatically by \textbf{scor2prt}; + cf.\ Section~\ref{sec:scor2prt}). + }. +\end{itemize} +\noindent +\hspace*{2em}\fbox{\begin{minipage}{390pt} + Note that that there can be \emph{only one instance} of a multibar + rest in a given input block! + \end{minipage} + } + +\medskip\noindent +The default vertical position of a rest depends on whether there are one +or two voices in the staff. For one voice it is just the {\MusiXTeX} +default: approximately centered on the middle line. On the other hand, +in the lower voice in a two-voice staff, the rest is lowered +by \verb#4\internote#, while in the upper line it is raised +by \verb#2\internote#. The default can be manually overridden by appending +\verb#+# or \verb#-# and an integer for the offset (in +\verb#\internotes#) from the \emph{middle} line of the staff. Note that +this means that, if in the case of 2 voices in a staff you want to have +the rest centered on the middle line, you need to code it as \verb#r+0# +--- see the last bar in Fig.~\ref{fig:rests}~. + +\medskip +Some samples of rests are given in Fig.~\ref{fig:rests}. + +\begin{figure}[!htb] + \begin{center} + \includegraphics[scale=.82]{eps/rests.eps} + \end{center} +\caption{Rests} +\label{fig:rests} +\end{figure} + +\pagebreak +\subsection{Xtuplets} \label{sec:xtuplets} +_{xtuplet} + +{\PMX} insists very strictly on checking that the sum of durations of +all notes or rests in a bar add up to the total required by the bar's +meter. Thus, it cannot deal easily with modern extensively\,% +^{polyrhythmic scores}, percussion in particular \label{p:polyrhythms} +\footnote{But such problems occur occasionally even in classical music. + Thus, a real challenge to any {\PMX} expert is to code the + (in)famous third movement of Mozart's Oboe Quartet KV 370, + where suddenly the oboe changes to an alla breve (4/4), while + the strings continue on in a 6/8 meter! + }. +The only polyrhythmic feature built into {\PMX} are the traditional +xtuplets: doublets, triplets etc.\ , together with their usual notation. + +\medskip +Xtuplets (duplets, triplets, etc.) can have from 2 to 24 notes or +rests\,% +\footnote{The default maximum of $24$ can be changed. + Cf.~\ref{sec:limits} . + }. +By default all notes in an xtuplet have the same duration; but some can +be dotted or have twice the basic duration +(cf.\ p.~\pageref{p:xtupletdoubling}). The notation is as follows: +\begin{enumerate} + \item The symbol for the first note of an xtuplet begins exactly like + a note symbol, with the name of the first note in the xtuplet, + or an \texttt{r} if the xtuplet starts with a \textbf{r}est --, + followed, as the case may be, by an accidental, a \texttt{d} or + \texttt{dd}, a \texttt{+},\texttt{-} or explicit octave, and an + optional duration digit. However, this duration, whether given + explicitly or inherited from a previous note or augmented by a + dot, is not the duration of the first note, but represents the + \emph{total} duration of the \emph{whole xtuplet}. + + \item If the xtuplet is to be \emph{unbeamed}, add an + `\texttt{a}' (`alone') right after the first note. + \item Next -- with no space, as usual -- comes \texttt{x} (for + `\textbf{x}tuplet'), followed by a one- or two-digit integer, + for the number of notes in the xtuplet . If the first note is to + be dotted, add the usual \texttt{d}, if it is to have twice the + basic duration, add a \texttt{D} or \texttt{F} (cf.\ + page~\pageref{p:xtupletdoubling} for more detail on this). The + only options allowed after this begin with the letter \texttt{n} + and control the printed appearance of the xtuplet: + \begin{itemize} + \item If \texttt{n} is omitted, the xtuplet is printed in the + standard way, i.e.\ with the xtuplet $3$ printed over (or + under, as the stemming may dictate) for, say, a triplet. + Note also that by default {\PMX} prints a bracket only + if the xtuplet notes are unbeamed; otherwise just the + xtuplet number is printed. + \item If \texttt{n} is followed by an \emph{unsigned} integer, + this integer is taken as the number to be printed + instead of the natural (default) one. + \item If \texttt{n} is followed by the letter \texttt{f} + (\textbf{f}lip), the xtuplet number is \textbf{f}lippped + vertically from its default position. \item The position + of the xtuplet number can be adjusted in the usual way + with one or two \emph{signed decimal numbers} following + \texttt{n}: the first is a vertical shift in units of + \texttt{\bs{}internote}, the (optional) second a + horizontal shift, in notehead widths. + \item If \texttt{n} is given, but followed by a space, thus + ending the first-note symbol, \emph{no number} at all + will be printed. + \item +_{xtuplet!tweaking the bracket slope} + For a \emph{non-beamed xtuplet only} a suboption + \texttt{s} can be added to the \texttt{n} option by + which the slope of the bracket can be adjusted ; i.e.\ + you can use \texttt{ns}[\emph{n}], where \emph{n} is + an \emph{signed} integer (except zero): a positive + integer will lift the end of the bracket upwards, while + a negative one will move it downwards. + + Note that this suboption will operate in a more + elegant way for Sicherman-type xtuplets\,% +_{Sicherman-type xtuplets!see xtuplets} +_{xtuplets!ajusting slope with Sicherman xtuplets} + \footnote{For Sichermann xtuplets cf.\ the next page. + } + only: when the Sichermann option \textbf{AT} is + \emph{not in effect}, the bracket number (the 3 in a + triplet, e.g.) will \emph{not} follow the slope + adjustment and might have to be tweaked separately. + \end{itemize} + \item The second through last notes of the xtuplet are then each + given by a separate note symbol, containing the meaningful + subset of the parameters permitted for notes or rests: + \begin{enumerate} + \item the note name as the first character. This is the only + required character. It can be an \texttt{r} (for a +_{xtuplet!rest in xtuplet} _{rest!in xtuplet} + rest), except that the \emph{last note of an xtuplet + cannot be a rest}\,% + \footnote{Cf.\ however, Sec.\ + \ref{sec:Xtuplets ending with a rest} + }, + \item an accidental, + \item an octave change (\texttt{+} or \texttt{-}). The octave + may also given explicitly; this is the only digit + allowed, + \item a \texttt{d} (\textbf{d}ot). The next note after the + dotted one is automatically shortened to half the + normal value, + \item +_{xtuplet!doubled note} + \label{p:xtupletdoubling} + the character \texttt{D} in the note symbol for any + note in an xtuplet doubles the duration of this note. + As this accounts for two notes of the xtuplet, it will + decrease the expected number of notes in the xtuplet by + one. If used for the first note of an xtuplet, + \texttt{D} goes \emph{before} an optional \texttt{n} + parameter, \item +_{xtuplet!doubled note in Bach notation} + the character \texttt{F} is the same as \texttt{D}, + except that in the printed output the doubled note will + appear dotted (a notation Bach sometimes used). As with + \texttt{D}, an \texttt{F} for the first note goes + \emph{before} an optional \texttt{n} . + \item grace notes are allowed in xtuplets. +_{grace notes!in xtuplet} + \end{enumerate} + No explicit duration is allowed in symbols for the + second through last members of the xtuplet, the + duration having been determined by the first note. +\end{enumerate} + +\medskip +_{xtuplet!inhibited beaming} _{beaming!in xtuplet} +Beaming of xtuplets is done automatically. If it is to be inhibited, add +the \textbf{a}lone option to the first-note symbol +(cf.~Section~\ref{sec:otherparams}). + +\medskip +Fig.~\ref{fig:xtuplets} displays some examples of xtuplets, with the {\PMX} +coding given below the staff: + +\begin{figure}[!htb] + \begin{center} + \includegraphics[scale=.82]% + {eps/xtuplets.eps} \\[2ex] + \end{center} + \caption{Xtuplets} + \label{fig:xtuplets} +\end{figure} + +\bigskip +As was remarked at the end of Section~\ref{sec:preamble}, the +individual symbols of {\PMX} generally consist of one or several +characters strung together without spaces. In that sense, each note of +an xtuplet is considered to be \emph{a separate} {\PMX} symbol; so these +are separated by spaces as usual. + +\bigskip\bigskip +_{xtuplet!non-standard bracket} +\label{p:sicherman} +A special, non-standard bracket can be printed for \emph{non-beamed xtuplets +only} with an addition to {\PMX} designed by Col.\ G.L.\ Sicherman. This +prints the xtuplet number not above or below the bracket, but in line +with it, as shown in Fig.~\ref{fig:xtupletsSich}. To invoke this, simply +add the option \texttt{AT} as a separate {\PMX} symbol anywhere in the +body of the source file: this will switch from standard to Sicherman +brackets \emph{for all xtuplets in the score}. +_{Sicherman, Col.\ G.L.} + +\begin{figure}[!htb] + \begin{center} + \includegraphics[scale=.82]{eps/xtupletsSich.eps} \\[2ex] + \end{center} + \caption{Xtuplets with Sicherman brackets} + \label{fig:xtupletsSich} +\end{figure} + +\medskip +If you want to use this for specific xtuplets only or otherwise +customize your use of the option, you will have to use inline {\TeX} +commands, following instructions given in \verb#tuplet.tex# as comments. + +\Note{To use the Sichermann option, the file + \href{http://icking-music-archive.org/software/musixtex/% + add-ons/tuplet.tex}{\texttt{tuplet.tex} } + (available from the software section of the WIMA) must be + installed in your {\TeX} system! + } + +\subsection{Chords} +\label{sec:chords} + +_{notes!chordal} _{chords} +\emph{Chordal notes} are notes that share a common stem and have the +same duration. They are coded in {\PMX} as follows: +\begin{itemize} + \item +_{chords!main note} + One of the notes in the chord is chosen to be the first note, + the ``main'' note, of the chord. It can be any note in the + chord; usually it is simplest + \footnote{Sometimes, however, careful choice of the main note + can make an important difference. For example, if the + chord is beamed with other notes, the default height + and angle of the beam will be determined by the main + note of each chord. If a beam joining chords looks + bad, you can often fix it by changing which note acts + as the main one [\,of course there are other ways to + fine-tune beam parameters, as will be described in + detail in Section~\ref{sec:beams}\,]. + + So wise use of this freedom of choice is definitely + called for! For further details, consult + Section~\ref{sec:arpeggio} . + } + to start either from the bottom up or the top down. + + The main note is written as usual and as described in + Section~\ref{sec:notes} . + \item All other chordal notes are denoted by separate symbols + starting with \texttt{z} followed by a note name. The note name + can optionally be followed by an accidental and an octave + indicator (\texttt{+} or \texttt{-}), but no absolute octave is + allowed. And no duration value is allowed either, as this is + logically determined by the first note. + + If the main note is dotted, the dot is obviously `inherited' + for all other notes as well, so writing another \texttt{d} + would be redundant. But if you want to shift the dot of a + chordal note, you \emph{must add} a \texttt{d}, followed by the + shift parameters, as described on p.\pageref{shifts}. + \item Normally {\PMX} will automatically set notes in a chord so that + collisions are avoided (in a second, e.g.). If you don't like + the result, you can shift the note by one notehead width to the + \textbf{r}ight with \texttt{r}, or to the l\textbf{e}ft + with \texttt{e} . + \item The position of accidentals will also be adjusted automatically + by {\PMX} so as to avoid collisions. But, as with single notes, + you can shift accidentals of chord notes manually\,% + \footnote{Note that if, in addition, you use a \texttt{+} or + \texttt{-} to denote a relative octave + (cf.~p.\pageref{p:relativepitch}), this sign must + come \emph{after} the shift parameter for the + accidental. + }, + using the parameters described on p.\pageref{p:accidentals}. + + If you manually shift \emph{any}\ accidental in a chord, then + automatic shifting will be disabled for \emph{all}\ the + accidentals in a chord, \emph{unless}\ you preface the shift + parameter with \textbf{A} (e.g.~\texttt{zcsA<.5}), in which + case the manual shift will be \textbf{a}dded to that applied + automatically by {\PMX}. + \item +_{chords!position of accidentals} + \label{p:chordsoption} + Another option that affects accidental positioning in chords is + \texttt{Ao}~, entered in the main note symbol of a chord. It will + force the accidentals in that chord to be posted in the order they + come in the source (starting with the main note), each one as + far to the right as it will go without crashing into a notehead, + stem, or another accidental. +\end{itemize} + +_{chords!stem length and direction} _{stems!direction forced} +The stem length and direction of a chord are controlled by the first +note, but may be manually overridden with \text{u} (\textbf{u}p) or +\texttt{l} (\textbf{l}ower) in the first note symbol. + +\medskip +As decribed above, every chord note has its own note symbol. This means, +as always: no space within a note symbol, but at least one space +between the note symbols of a chord. + +\subsubsection{Arpeggio} \label{sec:arpeggio} +_{chords!arpeggio} _{arpeggio|see{chords}} + +An \textbf{arpeggio} is, of course, simply a special form of a chord, +denoted by a vertical wavy line in front of the chord proper. To write +that in {\PMX}, place the symbol \texttt{?} after the symbols, with a +space as usual, for both the first and last note of the chord. + +When doing that, you should remain aware of the fact that the wavy line +is generally understood as being played from the bottom up: lowest note +first, highest last. + +\medskip +So far, so easy. There are, however, a few special cases to note: +\begin{enumerate} + \item In an arpeggio, the wavy line often turns out to be crowded to + the chord itself; this happens in particular when some of the + chord notes have accidentals. In such cases one would want to + move the arpeggio line away from the chord itself a bit, i.e.\ + to the left. +_{arpeggio!moving arpeggio line to the left} + + This is easily achieved by adding a \texttt{-} and an (unsigned) + decimal number, without spaces, to one of the \texttt{?} + designating the arpeggio --- it doesn't matter which one. + \item Sometimes the composer may want to have the arpeggio played in a + more virtuose way (on string instruments, in particular): the + first 2 -- or even 3! -- of the chord notes simultaneously, as a + double (or triple) stop, then the other chord notes as a true + arpeggio. + + \medskip + This can be done easily in {\PMX}: simply place the first + \texttt{?} not after the starting chord note, but later, after + one of the \verb#z...# notes. + + In this case is is even more important to remember the standard meaning + of the wavy line in musical language that was just + pointed out! So in general, it is best to stick with the order of + the chord notes ``bottom to top'' unless you really know what + you are doing. + \item In piano music, it is quite common that an arpeggio is meant to + go across the chords of both hands. This also is easily +_{arpeggio!across staves} + implemented in {\PMX}\,% + \footnote{To my knowledge, this feature of {\PMX} (available + from Version 2.503 on) has not been explicitly + documented in the official {\PMX} documentation. + I am very grateful to Andr van Ryckeghem for drawing + our attention to this feature in one of his + contibutions to the WIMA ``Tips \& Tricks'' WEB page. + }: + simply place the first \texttt{?} at the start of the left-hand + chord and the second one \emph{at the end of the + right-hand chord} --- as common sense would suggest! +\end{enumerate} + +\bigskip\noindent +To see all this in examples, look at how the chords in +Fig.~\ref{fig:chords} were coded. When comparing this figure with its +code it should become obvious that care is called for when +producing chords with accidentals, and arpeggios in particular: some of +the chords in bars 1 and 2 look ugly, to say the least, and the arpeggio +line in bar 3 as well as the first one in bar 4 seem to be downright +violations of the standards of good typesetting practice. + +\begin{figure}[!htb] + \begin{center} + \includegraphics[scale=.82]{eps/chords.eps} \\[2ex] + ------------------------------------------ +\begin{minipage}{380pt} +\small +\begin{verbatim} +% bars 1-3: +e22f zgn zb zef | +dn2- zbn+ zen | +dn4- zbn<1.5+ zen dn- zbnA<1.5+ zen X4 / +b24 zdf zef zgn | +bn2- ? zen zgs | +bn4- zen<1.5 zgs ? bn- zen<1.5 zgs X4 / + +% bar 4: +f8- ? za zc zf gd4f- zb zdf zgfd+0.5+2 / +cd4- zef zf za ? d8f- zgf zb zdf / + +% bar 5: +c4sAo ? zgs zes zbn ? X2 bn4 zes ? zgs zcs ?-2.9 Rb / +es2-u zgs zcs / +\end{verbatim} +\end{minipage} + \end{center} + \caption{Chords} + \label{fig:chords} +\end{figure} + +\subsection{Grace notes} \label{sec:graces} +_{grace notes} _{notes!grace notes} + +A grace note symbol starts with a \texttt{G}. It is entered in its +natural order, i.e.\ before the main note symbol for a normal grace, +behind the main note symbol for an after-grace . After +\texttt{G} comes any combination of the following options: + +\begin{itemize} + \item A single digit representing the number of notes\,% + \footnote{The \emph{maximum} number of notes in a grace is not + fixed, but depends on circumstances + (cf.~Section~\ref{sec:limits}); but up to 16 is + usually safe. + } + in the grace. The default is 1 . + \item \texttt{m} (for \texttt{m}ultiplicity) and a digit, + representing the number of flags or beams. The default is 1; 0 is + allowed. + \item +_{slurs!in grace notes} _{grace notes!slurs|see{slurs, in grace notes}} + \texttt{s} (for \texttt{s}lur): this joins all notes of the + grace to the main note. No \texttt{s} is needed in the main + note symbol. + \item \texttt{x} for a slash (only for single graces), + \item \texttt{l} or \texttt{u} to force the direction of the stem(s) + as desired. +\end{itemize} +Next comes the only required character, the first grace-note name. No +time value must be entered, but, if needed, an octave (relative or +explicit) or an accidental can be given as in a normal note. Second and +later notes must follow immediately in sequence, set apart by spaces, +likewise without any time value, and without any intervening symbols. + +\medskip +_{grace notes!`after'-grace} +`After'-graces (graces coming \emph{after} a main note) are entered +similarily to normal graces, with the same parameters as above; but in +addtion to the other parameters either an \texttt{A} (for +\textbf{A}fter) or \texttt{W} (for \textbf{W}ay-after) is entered, +before the grace note(s). + +After-grace symbols associate the grace note(s) with the \emph{prior} +main note and are therefore entered \emph{after} the main note symbol. + +\medskip +By default, {\PMX} will place graces or after-graces \emph{immediately} +before or after the main note, way-afters as far to the right as +possible before the next note or bar line. If either type of +after-grace is slurred, the slur will start on the main note and end on +the last one in the grace. + +_{grace notes!added space} +For a grace (\emph{not for an `after'-grace}), you can, if necessary, +add some space between the grace and the main note by inserting an +\texttt{X} followed by a unsigned decimal in the grace symbol\,% +\footnote{It doesn't matter where you insert this shift symbol, as long + as it makes syntactical sense; to state this more simply: the + \texttt{X}[\emph{n}] may \emph{not be inserted before a + number} and \emph{not after the leading note} of the grace. + + \noindent + This added space for a grace is indeed essentially a hard + space, so that +_{spacing!hard space in grace} + its name, + \texttt{X} , is quite appropriate. And, as with almost all + such cases, it is wise to keep in mind that `hard spaces' are + what their name implies: a hard -- or brutal, if you will -- + last resort if nothing else seems to help. Used unwisely, + adding a hard space to a grace is liable to produce rather + ugly results, as is exemplified in Fig.~\ref{fig:grace}. + }. + +\medskip +Examples for grace notes are displayed in Fig.~\ref{fig:grace}. + +\begin{figure}[!htb] + \begin{center} + \includegraphics[scale=.82]{eps/grace.eps} \\[2ex] + ------------------------------------------ +\begin{minipage}{380pt} +\small +\begin{verbatim} +w150m +Abepl +\\nobarnumbers\ +% +% Bar 1 +G3sm2g++ a b c4 f- G2slAe d c GsX1xb+ c / +% Bar 2 +Ga- g4 Gfs- g c G13sm3X3d e f g a b c d e f g a b c / +% Bar 3 +c2- G3slWb a b c2 of Rb / +% +\end{verbatim} +\end{minipage} + \end{center} + \caption{Grace Notes} \label{fig:grace} +\noindent +------------------------------------------------------------------------------------ +\end{figure} + +\subsection{Ornaments} \label{sec:ornaments} +_{ornaments} + +Symbols for ornaments are entered \emph{after} their associated note +symbol, separated, as usual, by a space\,% +\footnote{The ornament, although associated with a specific note, is + considered a separate \PMX\ symbol. + }. + +The ornaments available in \PMX\ are listed in Table~\ref{tab:Ornamenti} +and are illustrated in Fig.~\ref{fig:ornament}. + +\begin{table}[htbp] +_{breath} _{caesura} _{fermata} _{mordent} _{ornaments} _{pizzicato} +_{segno} _{shake} _{staccato} _{trill} _{accidentals!editorial} +_{accidentals!dubious} _{notes!dubious} +\begin{center} +\begin{tabular}{|p{5.0cm}|p{4.0cm\tt}|} + \hline + staccato & o. \\ \hline + tenuto & o\_ \\ \hline + accent & o> \\ \hline + sforzando & o\^\ \\ \hline + pizzicato & ou \\ \hline + spiccato & op \\ \hline + $\times$ & ox \\ \hline + $+$ & o+ \\ \hline + caesura${\,}^\dag$ & oc \\ \hline + breath${\,}^\dag$ & ob \\ \hline + upper fermata & of \\ \hline + lower fermata & ofd \\ \hline + shake & ot \\ \hline + mordent & om \\ \hline + mordent [right parenthesis before notehead] + & o) \\ \hline + appogiatura [left parenthesis before notehead] + & o( \\ \hline + trill${\,}^\dag$ & oT\emph{x} \\ \hline + implicit trill${\,}^\dag$ & oTt\emph{x} \\ \hline + segno${\,}^\dag$ & og\emph{x} \\ \hline +\end{tabular} + + \smallskip + \begin{tabular}{|p{5.0cm}|p{4.0cm\tt}|} + \multicolumn{2}{c}{editorial marks:} \\ \hline + editorial accidentals & oes oef oen \\ \hline + dubious accidental & oes? oef? oen? \\ \hline + dubious note & oe? \\ \hline + \end{tabular} + + \smallskip + \begin{tabular}{p{5.0cm}p{4.0cm\tt}} + ornament repetition${\,}^\dag$ + & : \\ + \end{tabular} + \end{center} + ${}^\dag$ See explanation in main text + \caption{Ornaments} \label{tab:Ornamenti} + \end{table} + +\begin{figure}[!htb] + \begin{center} + \includegraphics[scale=.82]{eps/ornament.eps} + \end{center} + \caption{Ornaments} + \label{fig:ornament} +\end{figure} + +All except the staccato, tenuto, down fermata and parentheses will +appear above the staff; staccato\,% +\footnote{In fact, the only difference between staccato and pizzicato is + the vertical positioning of the dot. + } +and tenuto appear just above or below the note head, depending on the +stem direction, the parentheses at the level of the note head, of +course. + +\medskip +The trill and segno symbol are special in that they may have additional +optional characters. Either trill symbol may include a decimal number to +specify the length of the wavy line indicating the duration of trilling, +in \verb#\noteskip#s . The default is 1 . Thus \texttt{oT0} will be a +\emph{tr} without any wavy line, and \texttt{oTt2} is a wavy line +of 2 \verb#\noteskip#s without any \emph{tr} symbol starting the wavy +line. + +\medskip +A segno may only be entered in the first (lowest) voice. It may be +immediately followed by a positive or negative integer, which indicates +a number of points that it will be offset horizontally; and it will +appear above every staff of the system. + +\bigskip +_{ornaments!repeated} +Once the ornament type has been specified, most ornaments can be raised +or lowered from their default position by appending a signed integer to +the symbol, giving the vertical offset in \verb#\internote#s. Caesura +and breath may in addition have a signed number, giving the horizontal +shift from default in notehead widths. These two ornaments also differ +from the others in their default horizontal position, which is $0.5$ +\verb#noteskip# past the note. + +\medskip +An ornament can be automatically repeated on a series of consecutive +notes, provided the notes are all in the same input block. To activate +this feature, terminate the first ornament symbol with \texttt{:} . Then +every note in that voice will have the same ornament until a +note is followed by the repeat terminator \texttt{o:} . + +\subsection{Beams} \label{sec:beams} +_{beaming} + +_{beaming!forced} _{beaming!inhibited} +For the most part, \PMX\ automatically takes care of the details of +defining beams: selecting which notes are beamed together, and setting +the angle, direction, height, and \emph{multiplicity} (the number of +bars along the top or bottom). However, one may define a \emph{forced} +beam -- which overrides {\PMX}'s selection of which notes are beamed +together -- by surrounding the included notes with \texttt{[} and +\texttt{]}, being certain to separate these beam symbols: \texttt{[} and +\texttt{]} and their options, from the included note symbols with +spaces. Conversely, if {\PMX}'s selection is to beam notes, and you want +to inhibit this for a single note, add the option \texttt{a} to the note +symbol (cf.~Section~\ref{sec:otherparams}). + +\bigskip +One may also wish to edit certain features of a beam even when {\PMX}'s +grouping decision would otherwise be acceptable; this is done by adding +some parameters to \texttt{[} and \texttt{]} : + +_{beaming!parameters} +\medskip +The \texttt{[} can be followed, without space, by one or several of the +following options: + +\begin{itemize} + \item \texttt{u}, \texttt{l} or \texttt{f} will override {\PMX}'s + selection of the direction of the beam: + \begin{itemize} + \item \texttt{u} makes the beam go \emph{above} the noteheads + (\textbf{u}pper beam), + \item \texttt{l} makes the beam go \emph{below} the noteheads + (\textbf{l}ower beam), while + \item \texttt{f} will \textbf{f}lip the beam from whatever + \PMX\ would do automatically; + \end{itemize} + \item \texttt{h} forces the beam to be \textbf{h}orizontal; + \item \texttt{m} followed by a single digit (1, 2, 3 or 4) forces the + \textbf{m}ultiplicity of the beam; + \item\texttt{j} \textbf{j}oins a beam grouping to a prior one started + in another staff (cf.\ p.~\pageref{p:jumpbeam}). +\end{itemize} + +The beam symbol constructed so far can be followed, without space, by +one, two or three consecutive integers, each preceded with \texttt{+} or +\texttt{-} : + +\vspace*{-2ex} + \begin{enumerate} + \item first is an adjustment of the starting height, which + thus determines the stem length of the first beamed + note. It is given in \verb#\internote#s and may range + from -30 to 30, + \item the second is a slope adjustment (again in the range + from -30 to 30), + \item The third is an additional adjustment to the starting + height, given in units of the beam thickness. It may + range from 1 to 3 only. It always acts to + \emph{increases} the stem length. This would only be + used in rare cases, e.g.~to align consecutive + horizontal beams which have internal multiplicity + changes. An example is shown in Fig.~\ref{fig:beams}, bar + \emph{f}. + \end{enumerate} +Note that for technical reasons all three integers must always be given +\emph{with a sign} (even the last one, although it always is positive). +Note also that, since the meaning of these numbers is interpreted by +\PMX\ in their sequence, if you need only the second or only the third +number you \emph{must not omit} the preceding number(s), but rather give +explicit \texttt{0}'s for them. + +\begin{figure}[!htb] + \begin{center} + \includegraphics[scale=.82]{eps/beams.eps} \\[2ex] + ------------------------------------------ +\begin{minipage}{380pt} +\small +\begin{verbatim} +% Bar a: +f1s c f a c fs a c- b g+ b g [l+12-8 b-- g1++ b g ] Rd / +% Bar b: +[l f1s- c f a ] [u c fs a c- ] [f b g+ b g ] [ b-- g1++ b g ] Rd / +% Bar c: +[m4 f1s- c f a ] [m1 c fs a c- ] b g+ b g [h b-- g1++ b g ] Rd / +% Bar d: +[ f1s- c f a ][ c fs a c- ] [ b g+ b g ]-[ b-- g1++ b g ] Rd / +% Bar e: +[ fs-4x3nf c a+ c1 fs a c- ] b g+ b g b-- g1++ b g Rd / +% Bar f: +m3434 +cd84 c3 c6 c [+0+0+3 cd8 c3 c6 c ] [-1+0+3 cd8 c3 c6 c ] Rd / +% +\end{verbatim} +\end{minipage} + \end{center} + + \vspace*{-4ex} + \caption{Beams} + \label{fig:beams} +\end{figure} + +\bigskip +Here are some further possibilities regarding beaming: +\begin{itemize} + \item +_{xtuplet!beamed with other notes} _{beaming!in xtuplet} + By default, xtuplets (cf.~Section~\ref{sec:xtuplets}) are set + apart with their own beam. To beam an xtuplet together with + other non-xtuplets, just include it with the other notes in a + forced beam. + \item +_{beaming!rest within beamed notes} _{rest!in beam} + Rests may also be included within forced beams, provided they + are shorter than quarter rests, and of course that they come + \emph{between} the first and last notes under the beam. + \item +_{beaming!beamed groupings} + Sometimes one may wish to define beamed groupings with subgroups + joined by a single beam. The symbol \texttt{][} , standing alone + between two note symbols inside a forced beam, causes the + multiplicity to decrease to unity and immediately increase to + its natural value for the next note. An example of this, as well + as the beaming together with an xtuplet, can be seen in bar 2 of + the trombone voice of Fig.~\ref{fig:agon}~: the two + doubly-beamed groups connected by a single beam are generated by + \texttt{[ c15 c c ][ c c cx3 c c ]} . + \item +_{beaming!single-slope beam} + Related to this is a + \emph{single-slope beam group}, which is the same as described + in the previous item except that there is no connecting beam + between the beamed subgroups. For this option, the beamed + subgroups are separated by \texttt{]-[} standing alone between + two notes inside the forced beam. + \item +_{beaming!large jumps} _{beaming!up/down beams} + If there are large jumps in pitch between + notes in a beam within a single staff, as a matter of taste you + may wish to start the beam for example as an upper one and end + it as a lower. {\PMX} will never do this automatically, but you + can accomplish it by forcing the beam with appropriately + modified up/down-ness, starting level, and slope. If you use + this technique, there are two details to note: + \begin{enumerate} + \item if there are any intermediate multiplicity changes, + they will only be handled properly if the initially + specified up-down-ness is consistent with the vertical + position of the intermediate notes involved\,% + \footnote{This is due to a fundamental technical + limitation of \MusiXTeX. + }, + \item for proper appearance in crowded scores you may wish to + insert hardspace or shifts as described in + Section~\ref{sec:spacing}. + \end{enumerate} + \pagebreak + \item +_{beaming!staff-jumping} \label{p:jumpbeam} + Beams cannot normally jump staves. But if that is desired, start + the beam normally in one voice, and terminate the part of the + beam in that voice with \texttt{]j} . Then resume the beam in + the other voice on a neighboring staff with \texttt{[j}, ending + that part with the normal \texttt{]} . For staff-jumping beams, + it's OK to have just a single note inside one or both of the + partial beams. Each voice must, however, still have the right + number of beats, so you will probably need to adjust the + durations with blank rests after the first members of the beam + and before the second. + + \smallskip + With staff-jumping beams, some adjustment of the beam height and + slope will usually be required. Also, sometimes the up/down-ness + of the ending section must be overridden; you will know that + this is necessary if on your first try the ending is shifted + horizontally from the desired position. These editing commands + may sometimes produce unexpected results, and some iteration may + be required to get exactly what you want. + + \medskip + An example of a staff-jumping beam is seen in + Fig.~\ref{fig:jumpbeam}. + + \item +_{beaming!automatic forced beams} \label{p:autoforcedbeam} + If the option : (colon) is appended to the starting symbol + \texttt{[} for a forced beam, then henceforth beams of the same + length will be force-beamed similarly in that line of music + until the end of the input block. Within an input block, the + automatic forced beaming can also be stopped explicitly by + starting a new regular forced beam. + + \begin{quote} But remember that {\PMX} is actually quite good at + beaming notes in the manner a human musician would normally + expect; so it will be necessary to use this facility only in + the special cases when you want (or need) beaming different + from what {\PMX} provides on its own. In such cases, consider + this beaming automatism as a kind of shorthand; as such, it + will be really worth your while only when you want to repeat + the same `non-orthodox' beaming an appreciable number of + times. \end{quote} Regarding automatic forced beaming, you + should also be aware of the following features: + + \begin{enumerate} \item As with regular beams, you can have + notes of different durations beamed together in an + automatic forced beam. The rule in that case is: in th e + beams following the initial one, the next sequence(s) of + notes with the \emph{same total duration time} as that of + the notes beamed together initially will then be beamed + together automatically. As usual, notes given without + duration will `inherit' their durations from the most + recent note with an explicit duration. All this is best + seen in the following example: + \begin{center} + \includegraphics[scale=.82]{eps/autobeam} \qquad , + \end{center} which is coded as follows: + \begin{verbatim} + d85 e b a1 b c1 b a8 + [ d85 e ] b a1 b c1 b a8 + [: d85 e ] b a1 b c1 b a8 + d85 e b a1 b c1 b a8 / + g2d / + \end{verbatim} + + Note how the automatic beaming ends at the end of the + first input block. Leaving out the slash at the end of + the fourth line would create havoc, because a full note + cannot be beamed. But no slash is needed + between the code for the first three bars. + + \item {\PMX} will never produce beams across bar +_{beams!forced across bar lines} + lines. However, a somewhat fortuitous exception of this + general feature of {\PMX} are staff-jumping beams, and a + specific example of this can be seen in + Fig.~\ref{fig:jumpbeam}. This is \emph{not an intended + feature}, and its intentional use is not encouraged. + + \medskip + A fortiori {\PMX} does not allow automatic + \emph{forced-beaming} across bar lines. Any attempt to + try that will always result in a {\PMX} error stop. + Thus, if your automatic forced-beam pattern would cause + a beam to cross a bar line, you have to terminate the + automatic beaming properly before the end of the bar, or + {\PMX} will stop with an error. + \end{enumerate} +\end{itemize} + +\begin{figure}[!htb] +\begin{center} + \includegraphics[scale=.82]{eps/jumpbeam.eps} \\[2ex] + ------------------------------------------ +\begin{minipage}{360pt} +\small +\begin{verbatim} +r4 | [ c8-- e c+ e c+ e- c a+ ]j stl | ald2 st ze ze+ r4 Rb / +c4+ zc+ su | bdf2 zbf- a4+ s za- | [ju c8- a+ c e ] c+ r+0 c4 zc- // +rb4 | er0+ | rb0 / +% +\end{verbatim} +\end{minipage} +\end{center} +\caption{An extraordinary staff-jumping beam} \label{fig:jumpbeam} +\end{figure} + +\bigskip +Some further examples of beaming and their {\PMX} coding are given in +Fig.~\ref{fig:beams}. + +\subsection{Slurs and Ties} \label{sec:psslurs} +_{slurs} _{ties|see{psslurs}} + +\subsubsection*{Pick a package} \label{sec:postscriptpackages} +\addcontentsline{toc}{subsubsection}{Pick a package} +_{dynamic marks!hairpin!length limit} _{hairpins|see{dynamic marks}} + +By default \PMX\ will use \MusiXTeX's built-in, font-based slurs and +hairpins (crescendi and diminuendi, see Section~\ref{sec:dynamics}, +p.~\pageref{p:dynamics} ff). To use these, you don't have to install any +more software. But they do have drawbacks: the fonts used by {MusixTeX} +for font-based slurs come in fixed sizes and shapes and are therefore +often not flexible enough in complicated situations. In contrast, slurs +and hairpins produced with the help of the PostScript language overcome +many of the shortcomings of their font-based counterparts. + +_{slurs!PostScript} _{PostScript!slurs, ties and hairpins} +There are two independent ``third-party'' packages that provide +{\MusiXTeX} and {\PMX} users with PostScript-based slurs, ties, and +hairpins: +\begin{description} + \item[\emph{Type K} --] \label{sec:pss-K} +_{Kneifl, Stanislav} + This package was written by \textbf{Stanislav Kneifl}. It is + directly supported by \PMX\ and will be the focus of any future + \PMX\ enhancements. Detailed instructions for its use are given + in the corresponding paragraph below. + \item[\emph{Type M} --] +_{Morimoto, Hiroaki} + This package, by \textbf{Hiroaki Morimoto}, is somewhat more + flexible when used directly in {\MusiXTeX}, but it requires + the \textbf{Metapost} package to be installed in the {\TeX} + installation. These are not directly supported by {\PMX}, but + are advertised to be fully compatible with {\MusiXTeX}'s + default font-based slurs. From {\PMX}'s standpoint they are not + different from font-based slurs, and the same options and + features that apply to font-based slurs should apply as well to + these. +\end{description} + +Both PostScript slur packages provide excellent slurs, ties and +crescendi. \label{p:usepsslurs} In fact, for simple slurs, you can +hardly discern the differences between the three possibilities, as can +be seen in Fig.~\ref{fig:psslurs1} --- although type M slurs are generally +somewhat flatter, indeed. On the other hand, for steep and long slurs, +the difference is appreciable, as can be seen in the example of +Fig.~\ref{fig:psslurs2}. + +\begin{figure}[!htb] + \begin{center} + \includegraphics[scale=.82]{eps/cslurs1n.eps} + + \includegraphics[scale=.82]{eps/cslurs1k.eps} + + \includegraphics[scale=.82]{eps/cslurs1m.eps} + \end{center} + \caption{Three realizations of simple slurs} + \label{fig:psslurs1} +\end{figure} + +\begin{figure}[!htb] + \begin{center} + \includegraphics[scale=.82]{eps/cslurs2n.eps} + + \includegraphics[scale=.82]{eps/cslurs2k.eps} + + \includegraphics[scale=.82]{eps/cslurs2m.eps} + \end{center} + \caption{Three realizations of exotic slurs} + \label{fig:psslurs2} +\end{figure} + +\bigskip +Here are some additional factors to consider when deciding which type of +slurs and hairpins to use with {\PMX}: +\begin{itemize} + \item True ties, which are shaped differently from slurs, are only + available with Type K\,% + \footnote{In {\MusiXTeX}, font-based + true ties are actually available; but they were never + incorporated in {\PMX}, now being superceded by type K + slurs. + }. In all cases, the starting and ending + positions are different for ties and slurs\,% + \footnote{The ends of an ordinary slur are centered horizontally + above or below the notehead, while tie ends are + shifted inboard and closer to the midheight of the + notehead. + }. + \item Font-based hairpins cannot wrap over a line break, but the + PostScript ones can. + \item Font-based hairpins cannot be longer than 68 mm. + \item With either postscript package, the resulting markings do not + show up on the screen if you view the score with one of the + commonly used DVI viewers such as \textbf{XDVI} or \textbf{YAP}. + To see them, you have to first produce a PostScript file from + the \texttt{dvi} file (using, for example, \textbf{dvips}), which + you can then view on the screen and print on your printer using + \textbf{Ghostview} or some other such program. But if you use + Type 1 PostScript fonts, as was recommended in + Section~\ref{sec:psslurs}, you will have all this software at + hand anyway! +_{PostScript!fonts} +\end{itemize} + +Detailed instructions for installing the Type K or Type M packages are +given in Section~\ref{sec:pss-K} . + +\subsubsection{General slur usage} +_{slurs!general usage} + +This subsection explains commands that apply to all types of slurs, +followed by separate subsections describing operational features +specific to either font-based or Type K slurs, and finally a subsection +on the use of Type M slurs. + +\medskip +Here are the {\PMX} symbols that normally define slurs or ties, except +for slurs to or from graces\,% +\footnote{Recall that the slurring of grace notes is defined + entirely within the the grace symbol, as described in + Section~\ref{sec:graces}. + }: +\begin{itemize} + \item An opening parenthesis, `\texttt{(}', begins a slur, and a + closing parenthesis, `\texttt{)}', ends it; similarly, an + opening brace, `\verb#{#', begins a tie, and a closing brace, + `\verb#}#', ends it. The opening parenthesis/brace is placed + \emph{before} the first note, and the closing parenthesis/brace + \emph{after} the last note of the slur or tie. As always, these + symbols (including options, see below) are separated from notes + and other symbols by spaces. + \footnote{Braces -- and similarly the tie toggles described + subsequently -- , although legal with all types of + slur, are really useful only with Type-K slurs, since + only with these they will produce a true tie. + } + \item Alternatively to parentheses, you can use the letter + \texttt{s} (for \textbf{s}lur) both to begin \emph{and} + end a slur; but these come \emph{after} both the + beginning \emph{and} ending note. This is thus a + \emph{toggle}, turning a slur off if it's on, and + starting a new one otherwise. + + For ties (instead of slurs), use the letter + \texttt{t} (for \textbf{t}ie), also a toggle. + \label{p:tslur} +\end{itemize} + +Note that slurs or ties may end on a rest\,% +\footnote{If you happen to think that this would be musically + meaningless, you are wrong. Just watch a really good pianist + (or conductor, for that matter) ending a piece, say in pp. It + ain't over until the fat lady has really finished singing: + until she is really \emph{completely} \emph{done} with taking + her hands off the keyboard! In other words: she visibly (and + audibly!!) plays the slur over the final rest. + }, +but they may \emph{not start} on one. +_{slur!ending on rest} _{tie!ending on rest} +The default ending height of the +tie (or slur) in that case will be that of the note on which it started +(in other words, it will be horizontal); but you can vary that +explicitly in the usual way. + +\bigskip +Often you need to open a slur or tie while another one is already open +\emph{in the same voice}, e.g., with tied chords, or if a second slur +connects a subgroup of notes within a longer slur. In such cases, {\PMX} +needs to be told which slur is which. For this purpose, the slur opening +character [ \texttt{s}, \texttt{t}, \texttt{(} ] can +optionally be followed by a single-character ID code [ \texttt{0-9}, +\texttt{A-Z} ] to identify that particular slur. To close that slur, +insert the ID code right after the corresponding \emph{closing} +character [ \texttt{s}, \texttt{t}, \texttt{)} ]. If an ID code is +used, it \emph{must} be the second character in the symbol. You cannot +use any ID that is already in use on a slur or tie for a new slur or +tie. See Fig.~\ref{fig:bloch} for an example\,% +\footnote{The example uses Type K slurs. + }. + +\begin{figure}[!htb] +\begin{center} + \includegraphics[scale=.82]{eps/bloch.eps} \\[2ex] + ------------------------------------------ +\begin{minipage}{380pt} +\small +\begin{verbatim} +Ap +% Bar 25: +(A e4x3n g bff cf4x3n b g )A (B e4x3n bf e / +f8+ (C zf+ e- ze+ c4nc- zcnc+ (Dtl b- D< (Et zb+ / +% Bar 26: +g4x3n an g e4x3n b e g4x3n a g )Bh Rb / +b4- )Dt D< zb+ )Et )C dd4- D< (F+1 zd+ o_ e8- D< ze+ )F / +% +\end{verbatim} +\end{minipage} +\end{center} + + \vspace*{-3ex} +\caption{\textbf{E.\ Bloch}, \emph{Waves} (\emph{Poems of the Sea} I), + bars 25,26 + } \label{fig:bloch} +\end{figure} + +\bigskip +Normally, you can leave further details of slur appearance to {\PMX}; +the result will usually satisfy. If not, you can change some features +manually by additional options which go right after the initial character +and any ID code, as usual \emph{without} a space,: + +\begin{itemize} +_{slurs!additional options} + \item The default vertical position above or below the note heads + can be overridden with + \begin{itemize} + \item \texttt{u} (\textbf{u}pper), + \item \texttt{l} (\textbf{l}ower) or, equivalently, + \texttt{d} (\textbf{d}own). + \end{itemize} + \item The starting or ending point can be shifted from its + default by entering one or two explicitly signed numbers: the + first, which must be an integer, gives the vertical shift, in + \verb#\internote#s; the second, which may be decimal, the + horizontal offset, in notehead widths. + \item A dotted slur is obtained by adding the option \texttt{b} (for + \textbf{b}roken) in the symbol that starts the slur + (cf.~Fig.~\ref{fig:dottedslur}). +\end{itemize} +\begin{figure}[!htb] +\begin{center} + \includegraphics[scale=.82]{eps/dottedslur.eps} \\[2ex] +\begin{minipage}{380pt} + \small + \begin{verbatim} + ( g44 c ) (b [ e8 d c b ] ) | (u a4 f ) g2 Rb / + \end{verbatim} +\end{minipage} +\end{center} + + \vspace*{-3ex} + \caption{A dotted slur} \label{fig:dottedslur} +\end{figure} + +\paragraph{Slurs for staff-jumping beams} \text{} \\[-2ex] +_{slurs!with staff-jumping beam} + +Often -- in piano music in particular -- when you have a staff-jumping beam +(cf.~p.\pageref{p:jumpbeam}), you may want to join the two parts by a +slur as well. {\PMX} will, however, get very confused if you try to put +the beginning slur symbol in one staff and the corresponding ending +symbol in a different staff; both slur symbols \emph{must always be in +the same staff}. The solution is to put the ending slur symbol after +the invisible rest; but do so carefully: even though the invisible rests are +indeed invisible, {\PMX} accounts for the horizontal space it would need +for visible rests, and that determines the length of the slur. So if you +want to avoid awkwardly adjusting the length of the slur by hand, you +should subdivide the invisible rest appropriately so that one part of it +will be at the note of the other staff where you want the slur to end. +The vertical position of the slur end will have to be done manually. +Fig.~\ref{fig:jumpslur} shows an example. + +\begin{figure}[!htb] +\begin{center} + \includegraphics[scale=.82]{eps/jumpslur.eps} \\[2ex] +\begin{minipage}{380pt} + \small + \begin{verbatim} +r4b [j b1 a g f ] r4b [j c14 b a g ] | Rb / +( [ f1 e d D"what you want"-22 c ]j r1b r1b r1b r1b )-15 +( [ g14 f e D"what you don't want"-22 d ]j r4b )-15 | / + \end{verbatim} +\end{minipage} +\end{center} + \caption{Placing the slur ending with a staff-jumping beam} + \label{fig:jumpslur} +\end{figure} + +\subsubsection{Invoking and using Type K slurs} \label{sec:pss-typeK} +_{slurs!Type K usage} _{PostScript!slurs, ties and hairpins} + +To activate the Type K package, all you need to do is to add a line in +the header of the {\PMX} source after the preamble, containing the +symbol \texttt{Ap}\,% +\footnote{For further details on the use of \texttt{A} see + Section~\ref{sec:A} . + }. + +\bigskip +For type K slurs, some optional parameters can be used in the slur +symbol to change the shape of the slur: +\begin{itemize} +_{slurs!additional options} + \item an \texttt{f} (for \textbf{f}latter) will flatten the slur a + bit, while + \item \texttt{h, H} or \texttt{HH} (for \textbf{h}igher) will + increase the slur's curvature by increasing degrees, thereby + raising (or lowering) its middle. +\end{itemize} +These parameters can be used in either the starting or the ending slur +symbol. They \emph{do not work with ties}, i.e.\ with symbol \texttt{t}, +and {\PMX} will complain if you try that. Examples are given in +Fig.~\ref{fig:kslurs}. + +\begin{figure}[!htb] + \begin{center} + \includegraphics[scale=.82]{eps/kslurs1.eps} + + \includegraphics[scale=.82]{eps/kslurs2.eps} + \end{center} + \caption{Shape variations in type K slurs} + \label{fig:kslurs} +\end{figure} + +\medskip +The Type K package contains {\TeX} macros that activate or deactivate an +automatic vertical adjustment of slurs or ties to avoid tangencies with +staff lines. In {\PMX} these adjustments are switched off by default, +because they may alter the endpoint positions from what you would +normally expect. However, if you wish to use them, they may be switched +on or off globally at the start of any input block, and locally with +options to individual slur or tie commands. + +To activate these adjustments globally (or deactivate, if previously +activated), at the beginning of any input block enter \texttt{Ap+s} (or +\texttt{Ap-s}) for slurs, and \texttt{Ap+t} or (\texttt{Ap-t}) for ties. +To activate them for one-time use only, simply include \texttt{p+t} or +\texttt{p+s} as an option in the symbol for the affected slur or tie. No +deactivation is then needed. + +You can also sequentially increase (\texttt{Ap+c}) or decrease +(\texttt{Ap-c}) the default curvature of slurs or ties (again at the +beginning of any input block), so that the result is cumulative. But +after the cumulative change has reached ``HH'' or ``ff'', it will remain +there, and nothing more will happen. + +An example is given in Fig.~\ref{fig:kslurtweaks}. The distinctions are +fairly subtle; but some would see the adjusted markings as more pleasing +since on close inspection they clearly avoid tangencies with staff +lines. + +\begin{figure}[!htb] +\begin{center} + \includegraphics[scale=1.0]{eps/kslurtweaks.eps} \\[2ex] +\begin{minipage}{380pt} + \small + \begin{verbatim} + Ap + a44 s bu s | b s c s / + Ap+s + a4 s bu s | b s c s / + % + a4 t a t | b t b t / + Ap+t + a4 t a t | b t b t / + \end{verbatim} +\end{minipage} +\end{center} + \caption{Vertical tweaks of slurs and ties} \label{fig:kslurtweaks} +\end{figure} + +\paragraph{Line-break tie options} \text{} \\ +_{line break!tie options} _{slurs!across line break} +There are two options that only affect ties that span line breaks: +\begin{enumerate} + \item by default a full tie is drawn at the beginning of the second + line in such cases. There is a global option, \texttt{Ap+h}, + which tells {\PMX} to use \emph{half ties} -- which are + flattened at their left-hand ends -- on the second line, but + \emph{only} in cases where the second tie segment is shorter + than 15 pt. This option may be cancelled with \texttt{Ap-h} , + \item the second option -- which should not be used together with the + first one! -- affects \emph{both} the first and second segments + of linebreak slurs and ties. It is the global option + ~\texttt{Apl}. It alters two defaults to give what some might + consider an improved appearance: first, it causes the first + segment to be drawn as a normal tie, whereas by default it has + a different shape than a normal tie; second, it moves the + starting point of the second segment a bit to the left. + + \medskip + The \texttt{Apl} option has been enhanced since {\PMX} + version 2.411; the main new feature is that it now + works for slurs as well as for ties. Other + enhancements are more subtle; read the description of + these in the announcement text for version 2.411, given + here: + \begin{quotation} + ``\texttt{Apl} in the preamble now activates + special treatment of line-break slurs and ties + (before, \texttt{Apl} only affected ties.). + + ``Specifically, it enables tweaking the ending + position of the first segment (seg 1), the + starting position of the second (seg 2), and the + curvature of either, or both. [You must have + musixps.tex available to {\TeX}!] With + \texttt{Apl} every slur/tie at a line break is + automagically broken into two separate ones (no + additional PMX slur start or ending commands are + required). Vertical/horizontal tweaks to the + start of the seg 1 and the end of seg 2 are + handled as before. Vertical/horizontal tweaks + for the end of the seg 1 and start of seg 2 are + entered as options in the otherwise normal + command that starts the slur/tie. The option for + the end of seg 1 starts with "s" (for sever or + split), then the usual one or two signed + numbers, then a second "s" and one or two more + signed numbers for the start of seg 2. + + ``The usual curvature options \texttt{h}, + \texttt{H}, \texttt{HH}, \texttt{f}, if included + in the starting command for a linebreak slur, + will apply to seg~1, and if in the closing + command, to seg~2. Of course, if the slur/tie + does not come at a linebreak, the special + position tweaks (those after the "s" option) + will all be ignored, and the curvature tweaks on + the closing note take precedence (as before).'' + \end{quotation} +\end{enumerate} +\Note{Without either of these options, the second segment sometimes + becomes too short to be clearly visible. + } + +\bigskip +The global options mentioned (and in fact any of the other global +options to be described later) can be combined into a single symbol, +e.g., \texttt{Ap+sl}. + +\subsubsection{Use of Type M Slurs and Ties} \label{p:useMslurs} +_{slurs!Type M usage} _{PostScript!slurs, ties and hairpins} + +In contrast to the type K slurs, type M slurs are not explicitly +supported by {\PMX}; as a consequence, you have to do some things +manually. But it's not difficult: +\begin{itemize} + \item +_{\textbf{musixpss}} + The first step is to insert into the header of your {\PMX} + source file the following line \\ + \text{\hspace*{10em}} \verb#\\input musixpss\relax\# \qquad . + \item +To process a {\PMX} file with type M slurs, three extra steps are +needed to produce a printed musical score. Here is the full sequence of +processing steps, for a file named \verb#my_opus#: + +\begin{center} +\begin{tabular}{r@{\qquad}ll@{\qquad\qquad}l} + & command & & resulting new file(s) \\ \hline + & & & \\ + 0. & text editor & & \verb#my_opus.pmx# \\ + 1. & \verb#pmx# & \verb#my_opus# & \verb#my_opus.tex# \\ + 2a. & \verb#tex# & \verb#my_opus# + & \verb#my_opus.mx1, my_opus.slu# \\ + 2b. & \verb#musixflx# & \verb#my_opus# & \verb#my_opus.mx2# \\ + 2c. & \verb#tex# & \verb#my_opus# & \verb#my_opus.dvi# \\ + $\to$ 3a. + & \verb#musixpss# & \verb#my_opus# & \\ + $\to$ 3b. + & \verb#mpost# & \verb#my_opus# + & \verb#my_opus.mp, my_opus.1, #\dots \\ + $\to$ 3c. + & \verb#tex# & \verb#my_opus# & \verb#my_opus.dvi# \\ + 4a. & \verb#dvips# & \verb#my_opus# & \verb#my_opus.ps# \\ + 4b. & \verb#gsview# & \verb#my_opus# + & \emph{screen view and printed output} \qquad . \\ +\end{tabular} \end{center} +\end{itemize} + +\subsubsection{Special considerations for font-based slurs} +_{slurs!font-based} + +You should study this section if you choose not to use Type K PostScript +slurs. + +\medskip +The slur command \texttt{t} (cf.~p.\pageref{p:tslur}) has been retained +for backward compatibility with earlier {\PMX} versions. As already +mentioned, with font-based slurs it does \emph{not} provide a true tie +at all, and it doesn't alter the positions of the endpoints either; in +fact, it differs from \texttt{s} or \texttt{(} only in the following +ways: +\begin{itemize} + \item ID codes cannot be used with font-based \texttt{t}-slurs. + \item If a \texttt{t}-slur starts or ends on the same note as an + \texttt{s}-slur, the former will be moved away from the + notehead to avoid a collision. This only works if neither + slur has an ID code. +\end{itemize} +The shape of font-based slurs can be changed with options to the +\texttt{s} or \texttt{)} command as follows: +\begin{itemize} + \item at the slur termination only, you must first enter two signed + numbers that define a position shift as described earlier. Enter + a zero for either or both if you don't want the shift, + \item next, enter a signed, nonzero integer which specifies a vertical + adjustment to the mid-height of the slur in \verb#\internote#s, + \item if you want to alter the starting or ending slope, enter a + \texttt{:} (colon), then + \begin{enumerate} + \item a signed integer for the alteration to the starting + slope, then + \item a signed integer for the alteration to the ending + slope. + \end{enumerate} +\end{itemize} +These numbers are passed directly as arguments of the {\MusiXTeX} macros +\verb#\midslur# (if only one is given) or \verb#\curve# (if there are +three). + +\bigskip +If you want to \emph{simulate a tie} with font-based slurs -- {PMX} does +not proved true ties with font-based slurs! -- include the option +\texttt{t} in both the starting and ending command for the slur\,% +\footnote{For reasons of backward compatibility, it is legal + to specify a tie with the symbol \texttt{st} or \texttt{(t} + even when PostScript ties are activated. In that case, these + symbols are fully equivalent to simply using \texttt{t} . + }. +This will draw a slur with altered endpoint positions. + +\subsection{Dynamic Marks} \label{sec:dynamics} +_{dynamic marks} _{D symbol@\texttt{D} symbol} + +{\PMX} has a very simple tool for inserting virtually any dynamic mark +in a score. Its \texttt{D}ynamics symbol is a \texttt{D}, followed one +of 3 types of parameters, optionally followed by position shifts: +\begin{enumerate} + \item \textbf{A standard dynamic mark :} this can be any one of the + following: + \texttt{pppp, ppp, pp, p, mp, mf, f, ff, fff, ffff, sfz, fp}. + \item +_{dynamic marks!hairpin} _{crescendo|see{dynamic marks}} +_{decrescendo|see{dynamic marks}} + \textbf{A crescendo/diminuendo :} \texttt{<} or \texttt{>}. + These crescendo/decrescendo marks -- aptly named ``hairpins''-- + are \emph{toggles}, i.e.\ the first \texttt{D<} starts the + crescendo, and the next \texttt{D<} ends it; similarily for + \texttt{D>}. + \item +_{dynamic marks!textual} + \textbf{Arbitrary text :} \texttt{"\dots\"}, where \, \dots \, + stands for any text string, e.g.~\texttt{D"}molto + espressivo\texttt{"}.The text will be set in italics unless + another \TeX-style font specification is included. +\end{enumerate} + +All dynamics symbols go \emph{after} the note to which they refer (so +e.g.~\texttt{g Dpp} will write a pianissimo g). Hairpin marks +must be contained \emph{completely within the same input block}\,% + \footnote{If need be (e.g.\ for crescendi/decrescendi across bar + lines), you can adjust the position and length of a + crescendo/decrescendo by adding position shifts as + described. + } + +\Note{Since all dynamic marks go \emph{after} a note, a fortiori they + should \emph{never come at the very beginning of an input block}. + This is important to keep in mind because \PMX\ does not + necessarily give an error message, but can produce rather strange + results, often at remote places in your score (what Knuth calls `a + weird error'), so the true source of the error may be hard to + detect. You can usually get a hint that something went wrong if + \PMX\ has produced a backup file of your source --- without any + apparent reason! + } + +\medskip +The default position of any dynamic mark or text entered with the +\texttt{D} symbol is just below the notehead, stem end, or bottom staff +line, whichever of these is lowest. There are numerous context-sensitive +automagic adjustments to the positions of all the dynamics symbols. If +you don't like the result you can add position shifts to the dynamics +symbol: a signed integer for a vertical shift (in \verb#\internote#s), +then -- optionally -- another signed number for a horizontal shift (in +notehead widths). + +\medskip + +There can be a combination of dynamic marks at a single note\,% +\footnote{It doesn't make sense, of course, to have 2 different standard + dynamic marks on the same note, and {\PMX} will complain if + you try that. + }. +Since these are distinct {\PMX} symbols, they must be separated by +spaces and must come in the right order, e.g.\ +\begin{center} +[\emph{some notes}] \texttt{D<} [\emph{more notes}] \texttt{D< Dffff D>} +[\emph{more notes}] \texttt{D>} +\end{center} + +\bigskip +If you aren't using PostScript slurs, there are some restrictions on +hairpins which are due to {\MusiXTeX}'s use of font-based hairpins: they +cannot be longer than 68mm, they cannot wrap over a system break, and +they must be horizontal. Finally, only certain specific lengths are +available, so some horizontal position tweaking may be needed, +especially when standard dynamic marks and hairpins are combined. +These restrictions don't apply when using one of the PostScript slur +packages; PostScript hairpins will then be used without any further + \label{p:dynamics} +intervention\,% +\footnote{For details on invoking PostScript slurs, ties and hairpins + cf.\ Section~\ref{sec:psslurs} ff. + }. +Fig.~\ref{fig:dynamics} (a fragment from the \emph{Pathetique} by +Tschaikowsky) shows some examples\,% +\footnote{Fig.~\ref{fig:dynamics} was obtained using the PostScript slur + package type K. +_{PostScript} + }. + +\begin{figure}[!htb] + \begin{center} + \includegraphics[scale=.82]{eps/pathetique.eps} \\[2ex] + ------------------------------------------ +\begin{minipage}{380pt} +\small +\begin{verbatim} +% Bar 1 +r2 D"Adagio"+16 r4 e8-- Dpp-1 D< s f D< D>-1 s / +% Bar 2 +g4 D>-1 s f2 s D<-1 f8 s D<-1 Dp-1 g s D>-2 / +% Bar 3 +a4 s D>-2 D<-2 g2 s D<-2 g8 s Dmp-1 D<-1 a s / +% Bars 3-4 +b4 D<-1 D>-1 asd2 D>-1 D<-1 / +% Bars 5-6 +b0 st D<-1 Dsfz-1 D>-1 | b8 st D>-1 Dp-1 r r4 r2 Rb / +% +\end{verbatim} +\end{minipage} + \end{center} + \caption{Dynamic marks} \label{fig:dynamics} +\end{figure} + +\subsection{Clef Changes} \label{sec:clefs} +_{clefs!change} _{C symbol@\texttt{C} symbol} + +\begin{figure}[!htb] + \begin{center} + \includegraphics[scale=.82]{eps/clefchg.eps} \\[2ex] + ------------------------------------------ +\begin{minipage}{380pt} +\small +\begin{verbatim} +2 1 4 4 0 6 0 3 +1 1 20 0 + +bt +./ +Ap +w180m +% +a12 sh c e a e a c e sh +Ct f s g a f g a b g s Rd / +a25 sh f4 d sh / +% +\end{verbatim} +\end{minipage} + \end{center} + \caption{A clef change} \label{fig:clefchange} +\end{figure} + +As was noted in Section~\ref{sec:preamble}, the clef for each instrument +is given in the preamble (cf.~p.~\pageref{p:clefs}). A clef change in +mid-stream, however -- frequently occurring in piano music --, is +signaled by a \texttt{C} followed by a single lower-case letter, as +illustrated in Fig.~\ref{fig:clefchange}. + +\bigskip +_{clefs!change with two voices in a staff} +When there are two voices in a staff, the clef change command must be +given in the \emph{first (lower) voice}; if it is entered in the second +voice, {PMX} will \emph{silently disregard} the clef change completely. +The clef change holds for all voices in a staff, of course. + +\medskip +A logical effect is worth mentioning: when, before the clef +change, there is a note the duration of which extends beyond +the point of the clef change, its clef does not change. +Fig.~\ref{fig:clefchgtwo} shows an example of such a situation. +\begin{figure}[!htb] + \begin{center} + \includegraphics[scale=.82]{eps/clefchg2.eps} \\[2ex] + ------------------------------------------ +\begin{minipage}{380pt} +\small +\begin{verbatim} +c43u Ct a44u cu au // +f02 / +Cb rb4 Ct e4u au eu // +c23l r2-6 / +% +\end{verbatim} +\end{minipage} + \end{center} + \caption{A clef change in a staff with 2 voices} + \label{fig:clefchgtwo} +\end{figure} + + +\subsection{Octaviation} \label{sec:octaviation} +_{octaviation} + +When in a voice the pitch of a number of notes extends far beyond the +staff, resulting in an excessive number of ledger lines, readability is +usually improved by using an `octaviation' notation: an +horizontal line above the staff, starting with an ``\emph{8}'' or +``\emph{8va}'', indicates that the notes under this line are to be +played an octave higher than printed, and similarily ``\emph{8 bassa}'' +or ``\emph{8va bassa}'' indicate an octave lower. + +\medskip +In the present version, {\PMX} does not provide a notation for this, so +you will have to take recourse to inline {\TeX} coding. For an example +see Section~\ref{sec:tricks}. + + +\subsection{Figured bass (basso continuo)} \label{sec:bassocontinuo} +_{figured bass} _{basso continuo|see{figured bass}} + +{\PMX} lets you introduce the basso continuo notation (`figured bass') +very simply, as illustrated in the example of Fig.~\ref{fig:poppea}, which +is the basso continuo of an excerpt of the famous aria ``\emph{Pur ti +miro}'' that concludes the Monteverdi opera \emph{L'Incoronazione di +Poppea}. Here are the rules: + +\begin{itemize} + \item Figure symbols are entered -- as plain numbers\,% + \footnote{As of {\PMX} version 2.520, the numbers usually + needed in figured notation, namely 2, 4, 5, 6 and 9, + are available in a different graphic design with + perhaps a more baroque-like look. + + If you want to use these, add an `\texttt{s}' after + the {\PMX} string of every figure which you want to + appear in that form. + + Note that for this to work properly, you must have + the special fonts for these numbers installed. You + will find \texttt{figbas.zip}, which provides these + fonts, in the + \href{http://icking-music-archive.org/software/% + musixtex/add-ons/figbas.zip}{WIMA} software page. + \texttt{figbas.zip} contains 2 files that can be of + help with the installation: \texttt{README} and + \texttt{test.tex} . + } -- + \emph{after} their associated note symbols, with + a space, as usual. As of {\PMX} version 2.517, they are allowed + in two staves, the first (lowest) staff and any other one. + Enter the characters as they would appear from \emph{top to + bottom}, e.g.\ \verb%64% [\,6 over 4\,], or \verb%642% [\,6 + over 4 over 2\,]. + \item Accidentals that modify a number \emph{must} be entered + \emph{before} the number. Note that the characters that + signify accidentals are different here than for notes: flats + are written as `\verb#-#' (minus), sharps as \verb&#& , and + naturals as \verb%n% . For example, \emph{sharp third} is + \verb& (or simply \verb&#&, in the standard shorthand), + \emph{six} (over) \emph{flat five} is \verb%6-5%, and + \emph{sharp six} (over) \emph{4} is \verb@& . + \item For each staff with figures, {\PMX} positions all the figures + within each system below the staff with their tops at the same + level. If you want to change this vertical position default, + you have two possibilities: + \begin{description} + \item[to lower a figure symbol:] prefix the figure symbol + -- \emph{no space!} -- with one or several `\verb#_#' + (underscore). Each underscore will lower the figure symbol + by 4 lengths of \verb#\internote# , + \item[to raise a figure symbol :] \emph{append} the figure + symbol -- \emph{again no space} -- with a `\verb#+#' (plus) + followed by an integral number for the number of + \verb#\internote# lengths by which to raise the figure. + \end{description} + The two options can be combined to provide full control over + the vertical position of the figure symbol. + \item If you want a figure symbol to align horizontally in + the second tier, insert a `\verb&_&' (underscore) as placeholder + for the top tier, before the one you want to go on the second + tier (cf\ the sharp in bar 16 of Fig.~\ref{fig:poppea}). + \item Sometimes you may need to enter a figure when there's no bass + note sounding. To do this, \emph{precede} the figure symbol + with three additional characters, \verb%x%[\emph{n}][\emph{m}]. + Here \emph{n} is a single-digit repeat count, and \emph{m} is a + single-digit duration time value, i.e., \verb#0,2,4,8,1# or + \verb#3# . This will offset the figure from the associated note + by the specified duration value. For example, if the lowest + voice contained \verb%c03 x3465%, there would be a whole-note + c, and 3 quarter notes later a figure 65 below the staff + (cf.~Fig.~\ref{fig:poppea}, bars 2, 4, 6, 8, 10 and 14). + \item +_{figured bass!continuation} + There is also a \emph{continuation} symbol, viz.\ a \verb&0& + (zero) followed immediately by an unsigned number. This + produces a horizontal line under the bass note, starting just + to the left and extending to the right by the given number of + \verb&\noteskip&'s (cf.~Fig.~\ref{fig:poppea}, bars + 9, 11, 16 and 17). The height and length of the line are set by + the current note's level and \bs\texttt{noteskip} + respectively\,% + \footnote{If \bs\texttt{noteskip} changes, or if an unfigured + note drops below the starting level before the line + ends, it is possible to trick {\PMX} by entering + separate \texttt{0}[\emph{n}] symbols under each + consecutive note: {\PMX} will automagically join them + together at the lower height (thanks to Werner Icking + for this idea). + + For an explanation of the special {\PMX} coding in + Bar 16 of Fig.~\ref{fig:poppea} see + Section~\ref{sec:tricks} . + }. + These can be mixed in with other figures to produce vertical + stacks. If another figure follows in the same symbol, use + {\tt:} as a separator. For example, a continuation line over a + 3 would be coded as \texttt{01:3} . +\end{itemize} +\begin{figure}[!htb] + \begin{center} + \includegraphics[scale=.82]{eps/poppea.eps} \\[2ex] + ------------------------------------------ +\begin{minipage}{380pt} +\small +\begin{verbatim} +% bars 1-4 +gd2 fd 6 | ed 5 x126 dd 4 x123 | gd fd 6 | ed 6 dd 4 x123 | / + +% bars 5-8 +gd2 fd 6 | ed 64 x123 dd | gd fd 6 | ed 64 x123 dd | / + +% bars 9-12 +gd2 02 fd | ed 6 dd 7 | gd fd 6 | gd ad 4 x12# | / + +% bars 13-15 +dd- gd | gd 03 fd | ed dd 4 x12# | / + +% batt. 16-17 +cd- dd 64 x145 x12_00.2 x12_# | gd fd 01 Rd / +% +\end{verbatim} +\end{minipage} + \end{center} + \caption{Figured bass in \textbf{C.\ Monteverdi}, + \emph{L'Incoronazione di Poppea}, + aria ``\emph{Pur ti miro}'' + } \label{fig:poppea} +\end{figure} + + +_{F symbol@\texttt{F} symbol} _{\textbf{scor2prt}} +If there are figured bass commands in a {\PMX} file, but you want them +all to be ignored, then enter the symbol \texttt{F} in the header. This +feature is most useful in the form \texttt{\%1F} +(cf.~Sec.~\ref{sec:scor2prt}, which makes a separate bass part with +no figures, e.g.~for a violoncello part. + +\bigskip +Figured bass symbols will not be altered in any way under transposition +by {\PMX} (cf.~Sect. \ref{sec:transpositions}). There is no universal +set of interpretations of figured bass symbols, so no automatic +transposition is possible. +_{transposition!not with figured bass} + +\medskip +_{figured bass!2-digit figures} +{\PMX} does not admit 2-digit basso continuo figures. This is the +notation of some old editions; if you want to use it, you will have to +resort to inline {\TeX} coding (cf.~Section~\ref{sec:inlineTeX}). +There is an example for this in the Caccini aria in the Appendix +(Sec.~\ref{sec:Caccini}). + +\section{Commands That Affect All Voices} \label{sec:pmxcmds} +_{\PMX!commands for all voices} + +Unless indicated otherwise, the commands dealt with in this section +affect all staves in a score. They must be entered only \emph{in the +first (lowest) voice in the first (lowest) staff}. + +\medskip +_{\textbf{scor2prt}} +Such commands will automatically be transferred from score to parts when +separate parts are generated by \textbf{scor2prt} +(cf.~Section~\ref{sec:scor2prt}). + +\subsection{Single bars, Double bars, Repeats etc.} \label{sec:bars} +_{bar lines} _{bar lines!single, double, repeat} _{repeats|see{bars}} +_{R symbol@\texttt{R} symbol} + +In keeping with general typesetting practice, {\PMX} will by default +produce +\begin{itemize} + \item a single bar line at the beginning of each system after the + first, unless there is only one staff per system, + \item a single bar line at the end of each bar except the last one in + a movement or the entire score, + \item the common ending bar line (thin-thick double bar line) as the + last bar line of a movement or the entire score. +\end{itemize} + +_{\textbf{scor2prt}} _{\textbf{scor2prt}!placement of bar symbols} +The user can, however, override these defaults -- except the first one +-- by a bar symbol, viz.\ an \texttt{R} followed by one of the +parameters given in Table~\ref{tab:bars}. If you are going to make parts +from your score (cf.~Section~\ref{sec:scor2prt}), you \emph{must} place +bar symbols either before the first note in an input block or after the +last one; otherwise \textbf{scor2prt} may behave erratically. Using two +bar symbols in succession doesn't make sense and will produce +unpredictable results. +\footnote{If you are using \texttt{|} marks at the end of bars, a repeat + must always go \emph{before} the \texttt{|}, or the next line + must follow in the same input block. In other words: while + \texttt{Rr | /} will not result in an error, it will produce a + thin bar line only. \label{p:repeats} + + \smallskip + There is a simple consequence: avoid using \texttt{|} + altogether, at least in connection with \texttt{R} symbols. + } + + +\begin{table} +\begin{center} +\begin{tabular}{|c|@{\quad}p{250pt}|} + \hline +\texttt{b} & thin (single \texttt{b}ar) line \\ +\texttt{d} & thin-thin \textbf{d}ouble bar line \\ +\texttt{D} & thin-thick \textbf{D}ouble bar line \\ +\texttt{z} & invisible bar \\ \hline +\texttt{l} & \textbf{l}eft repeat \\ +\texttt{r} & \textbf{r}ight repeat \\ +\texttt{lr} & \textbf{l}eft-\textbf{r}ight repeat \\ +\texttt{dl} & thin-thin \textbf{d}ouble bar + followed by \textbf{l}eft repeat \\ \hline +\end{tabular} +\end{center} +\caption{Parameters of the bar symbol \texttt{R}} \label{tab:bars} +\end{table} + +\medskip +Here are further comments on some particular bar symbols: +\begin{itemize} + \item \texttt{Rb} forces a single bar before a movement break, where + the default would be a double bar. This can be useful, for + example if you change the number of instruments, which {\PMX} + will allow only at a movement break, but you don't want it to + \emph{look} like a movement break. + \item \texttt{Rz} will cause an invisible bar line at the end of the + current system. It can be used together with blind meter + changes (cf.~Section~\ref{sec:meterchg}) when you want to split a + bar across a system break. + \item if a left-right repeat (\texttt{Rlr}) comes at a system break, + {\PMX} will automatically split it in two. + \item \texttt{Rdl} is the same as a left repeat + (\texttt{Rl}) except at a system break: there the first system + is ended with two thin lines, and the left repeat sign goes to + the beginning of the next system. + + \medskip + \item Finally, a general remark is in order regarding the \texttt{R} +_{R symbol!placement at begin of block} + symbols that designate repeats, double bars etc.\ + (\texttt{Rl,Rr,Rlr,Rd, RD,Rdl,Rb,Rz}). To avoid conflicts with + \textbf{scor2part}, you should \emph{always} + place any \texttt{R} command before the first note in an + input block. This is always possible except at the very end of + the whole piece. Otherwise, there is always a following input + block where the command can (and should) be placed. +\end{itemize} + +\medskip\noindent +Fig.~\ref{fig:bars} gives some examples. + +\begin{figure}[!htb] + \begin{center} + \includegraphics[scale=.82]{eps/bars.eps} + \end{center} + \caption{Single bars, double bars, repeats} + \label{fig:bars} +\end{figure} + +\Note{On some special occasions, you may want dashed or dotted barlines + instead of the regular ones. For this and similar purposes, there + is a very good and easy-to-use package by Rainer Dunker: + \texttt{musixdbr.tex}, included in the {\MusiXTeX} distribution. +_{Dunker, Rainer} _{bar lines!dotted, dashed} + } + +\subsection{Volta} \label{sec:volta} +_{volte} _{dacapo|see{volte}} _{repeats|see{volte}} _{V +symbol@\texttt{V} symbol} + +The two versions of the ending of a repeated section of music, called +`volte' in musical parlance\,% +\footnote{The term `volta' is, of course, Italian, and `volte' is the + Italian plural of `volta'. + }, +are denoted by a symbol starting with a \texttt{V} (for \textbf{V}olta) +in {\PMX}. {\PMX} needs to know where each volta starts and ends, how +the ends are shaped, and what text is to be included under each volta. A +string parameter to the \texttt{V} is used to convey this information: +\begin{itemize} + \item to signal the \emph{start} of the first volta, add a text + string (usually just a \texttt{1}) that doesn't start with + one of the characters \texttt{b}~, \texttt{x}~, or any literal + spaces\,% + \footnote{Actually you can include a space by using the {\TeX} + space symbol \~\ instead of a blank. + _{\TeX!space symbol} + }. + {\PMX} will print append a period to the text string, + \item to signal the \emph{end} of a volta and the start of the + second volta, use a \texttt{V} with a text string that + \emph{does} start with either the character \texttt{b}~ or + \texttt{x}~. If \texttt{b}~ is present, a volta symbol ending + with a vertical stroke will be printed (\textbf{b}ox), while + \texttt{x}~ will print the ending \emph{without} a vertical + stroke (no bo\textbf{x})\,% + \footnote{Note that the characters \texttt{b}~ or \texttt{x}~ + can appear anywhere in the text string and will + \emph{not appear in print}. + }. + + Often composers will write out only the first ending of a + repeated section of music, and simply continue play, dropping + the first ending after the repeat. With {\PMX}, the notation is + analogous: simply end the first volta, with either \texttt{Vb} + or \texttt{Vx}, without adding a second volta. + + On the other hand, if one volta starts where another one ends, + the symbols ending the first and starting the second volta can + be combined into one, e.g.~\texttt{Vb2}~. +\end{itemize} + +\medskip +Other rules governing volte are: +\begin{itemize} + \item Volte should be placed at the beginnimg of an input block, in + the first (lowest) voice of the first (lowest) staff, before + the first note if it's the start of a volta, or after the last + note if it's the end of a volta. + \item +_{volte!with \textbf{scor2prt}} + If you will be making parts from the score using + \textbf{scor2prt}, then to ensure that the volte are properly + transferred to the parts, you must only include one volta + symbol \texttt{V} in each input block, and it must come at the + beginning of the block. + \item If a score ends while a volta is still open, {\PMX} will close + it with a box. +\end{itemize} + +\bigskip +Examples of volta usage can be seen in Fig.~\ref{fig:volta}. + +\begin{figure}[!htb] + \begin{center} + \includegraphics[scale=.82]{eps/volta.eps} + \end{center} + \caption{Volte} + \label{fig:volta} +\end{figure} + +\subsection{Meter Changes} \label{sec:meterchg} +_{meter!change} _{polyrhythmic scores} + +The meter of a piece can only be changed at the beginning of an input +block, and thus naturally only at the beginning of a new bar, just +before the beginning of the first (lowest) voice of the first (lowest) +staff. As with the initial meter specified in the preamble, any new +meter applies to all instruments and voices\,% +\footnote{As was pointed out before (cf.~p.\pageref{p:polyrhythms}), + this limits the use of {\PMX} for modern polyrhythmic music. + But you can always try to play with tricks \dots + }. + +A \texttt{m}eter change symbol starts with the letter \texttt{m}. There +are two different ways to complete the symbol: +\begin{itemize} + \item enter the 4 meter-defining numbers \texttt{mtrnuml}, + \texttt{mtrdenl}, \texttt{mtrnump}, \texttt{mtrdenp} for the + new meter\,% + \footnote{For the meaning of these numbers + cf.~p.\pageref{p:meterdefs} . + }, + \emph{separated by slashes} \texttt{/} . + \item same as above, but enter the 4 numbers consecutively + \emph{without spaces}. In this case, it is necessary to + distinguish between one single 2-digit number and two + consecutive 1-digit numbers. For this -- and for this case only + -- the following convention is adopted: + + \vspace{-1.5ex}\noindent + \begin{itemize} + \item the number 1 is represented by the letter \texttt{o}, + \item consecutive digits \texttt{10},\dots \texttt{19} stand + for exactly that: the 2-digit numbers 10 through 19. + \end{itemize} + + \vspace{-1.5ex}\noindent + Thus, 19 is the largest number that can be entered with this + method. +\end{itemize} +_{meter!blind change} +Note that \texttt{mtrdenl=0} still represents a whole note +(semibreve), as explained on p.\pageref{p:meterdefs0}, and a `blind' +meter is given by \texttt{mtrnump=mtrdenp=0}, as explained in +Table~\ref{tab:meter}. + +\medskip _{pickup bar} +The most common application of a `blind' meter change occurs when a +piece --- often one starting with a pickup --- has an incomplete final +bar. In such cases place the last bar in an input block by itself, +headed by a `blind' meter change. For example, if the meter had been 4/4 +and there was a quarter note pickup, leaving 3 beats in the last bar, +the last bar might be coded \verb#m3400 cd24 of /#. + +Another useful application is for the pickup bar in the second or later +movements, following a {\PMX} movement break symbol. Since there is +no special provision for pickups in this case like there is at the +beginning of a piece, _{movement breaks} +\begin{enumerate} + \item the pickup bar should be in a block by itself, starting with a + meter change symbol with a logical meter representing the + pickup bar and a printed meter as appropriate, and + \item the next bar should start a new block and begin with a blind + meter change symbol with a logical meter representing the true + meter. +\end{enumerate} + + +\subsection{Key Changes} \label{sec:keychg} +_{key change} _{K symbol@\texttt{K} symbol} + +A key change can be signalled at any time\,%. +\footnote{Only one key change is allowed in each input block. + }. +It must be entered in the first voice, but will affect all voices. Use +the command \texttt{K+0}, followed by the new key signature: positive +integer for sharps, negative for flats (cf.~Section~\ref{sec:numinput}) +. + +\medskip +Some examples are given in Fig.~\ref{fig:keychg}. + +\begin{figure}[!htb] + \begin{center} + \includegraphics[scale=.82]{eps/keychg.eps} + \end{center} + \caption{Some key changes} + \label{fig:keychg} +\end{figure} + +\subsection{Transpositions} \label{sec:transpositions} +_{transposition} _{K symbol@\texttt{K} symbol} + +\begin{figure}[!htb] + \begin{center} + no transposition: \\ + \begin{small} + \verb#d8 e1 f g a bs cs d8 cn1 bn a g f e | d0 Rb /# + \end{small} \\ + \includegraphics[scale=.82]{eps/transpose.eps} \\ + transposition by one tone up: \\ + \begin{small} + \verb#K+1+1 d8 e1 f g a bs cs d8 cn1 bn a g f e | d0 Rb /# + \end{small} \\ + \includegraphics[scale=.82]{eps/transpose1.eps} \\ + transposition by a half tone up: \\ + \begin{small} + \verb#K-0+6 d8 e1 f g a bs cs d8 cn1 bn a g f e | d0 Rb /# + \end{small} \\ + \includegraphics[scale=.82]{eps/transpose2.eps} \\ + transposition by a half tone down: \\ + \begin{small} + \verb#K-1+4 d8 e1 f g a bs cs d8 cn1 bn a g f e | d0 Rb /# + \end{small} \\ + \includegraphics[scale=.82]{eps/transpose3.eps} \\ + \end{center} + \caption{Some transpositions of a d minor scale} + \label{fig:transpose} +\end{figure} + +To transpose an entire score to a different key from the one in which +the data have been entered, use the symbol \texttt{K} (for +\textbf{K}ey), followed by two explicitly signed digits: (1) the +distance to transpose by, in units of \verb#\internote# (i.e.\ the +vertical offset on the staff), and (2) the new key signature. This +symbol must be entered at the beginning of the piece, in the header +(cf.~p.\pageref{p:header}). + +There is one case that requires special handling, viz., when transposing +by a half step, but the vertical position doesn't change, e.g.\ from D +flat to D. In this case the shift parameter (the first parameter of +\texttt{K}) is \emph{always} \texttt{-0} \emph{regardless} of whether +the transposition is up or down a half step\,% +\footnote{This artifact is needed to differentiate a half-note + transposition from a mere key change without + transposition (cf.~Section~\ref{sec:keychg}) . + }; +the direction of the transposition will be determined by the new key +signature, the second parameter. An example is given in +Fig.~\ref{fig:transpose}. + +\medskip +_{accidentals!relative} +When transposing, one should always use relative accidentals, activated +by the symbol \texttt{Ar} in the header (cf.~Section~\ref{sec:A} for a +detailed explanation of this notation). + +Of course, if you have just one transposing instrument, or a choir of +same-type instruments, you can use the transposition mechanism effected +by the \texttt{K}ey symbol to easily obtain both the original score and +its actual sound. For an example of this use of the transposition +mechanism see Fig.~\ref{fig:tristan}. + +\begin{figure}[!htb] + \begin{center} + \includegraphics[scale=.82]{eps/tristano.eps} \\ + Standard notation in the original score \\[3ex] + \includegraphics[scale=.82]{eps/tristans.eps} \\ + Actual sound (transposed with \texttt{K-4-4}) + \end{center} + \caption{\textbf{R.\ Wagner}, \emph{Tristan und Isolde}, + beginning of third act} + \label{fig:tristan} +\end{figure} + +_{wind instruments|see{instruments,transposing}} +\Note{The transposition of an an entire score must not be confused with + the standard notation for `transposing' instruments, such as + clarinets (in B, A etc.), oboe d'amore (which is in A), oboe da + caccia (in F), or horns. {\PMX} does not provide a notation for + this directly if transposing instruments appear together with + non-transposing instruments in the same score, but it is easy to + do it with some inline {\MusiXTeX}\,\footnotemark\ + (for details on this particular problem see the example of + Mozart's \emph{Mauerische Trauermusik} in + Section~\ref{sec:mtrauer}). + } +\footnotetext{_{Vogel, Olivier} I am grateful to Olivier Vogel for + pointing this out to me. + } + +\subsection{Titles, and text above and below a system} + \label{sec:titles} _{titles} +_{text!above/below system} _{T symbol@\texttt{T} symbol} + +A \emph{title block} with up to three elements can be defined in the +header (cf.~p.\pageref{p:header}): +\begin{itemize} +\item \texttt{Ti}: an \textbf{i}nstrument name. It is set \emph{above} + the title, and left-justified, +\item \texttt{Tc}: the \textbf{c}omposer's name. It is set \emph{below} + the title and right-justified, +\item \texttt{Tt}: a \textbf{t}itle for the whole piece. It is centered + on the page. +\end{itemize} + +Each of these commands is to be followed by a text string, \emph{on a +separate line}. This text must be fully contained in one line of {\PMX} +coding; but the text for the \textbf{t}itle can be spread out over +several lines in print by using the standard {\TeX} line break symbol +\verb#\\# . _{\TeX!line break symbol} + +\medskip +Extra vertical space can be added between the whole title block and the +top system by appending to \texttt{Tt} (without space) a one- or +two-digit number representing this space, in units of +\verb#\internote#\,% +\footnote{{\PMX} does this together with the adjustment of other + vertical spaces when fixing the general page layout. In some + rare cases, the result may not be quite what you expect, in + particular when you haven't used the \texttt{Ae} option to + equalize inter-system spacing + (cf.~section~\ref{sec:options}). In such cases you might want + to use inline {\TeX} --- take a look at the example in + Section~\ref{sec:shiftname} for how this can be done. + }. +This works only if \texttt{Tt} is the \emph{final} title block element +entered. Thus, although the 3 parts of a title block can be given in any +order, it is good practice to use the sequence \texttt{Ti} --- +\texttt{Tc} --- \texttt{Tt}. + +_{titles!with \textbf{scor2prt}} _{\textbf{scor2prt}!use of Ti} +\Note{When you want to generate parts from a score with + \textbf{scor2prt} (cf.~Section~\ref{sec:scor2prt}), you should + \emph{omit} \texttt{Ti} with an associated \textbf{i}nstrument + name, because each separate instrument usually has a different + name. Rather, \textbf{scor2prt} will automatically supply the + appropriate instrument names, printing the name of each instrument + at the upper left of the first page of each part; the names used + here are the ones specified in the preamble of the {\PMX} file for + the score\,% + {\footnotemark}. + + If you do have \texttt{Ti} together with an \textbf{i}nstrument + name in the main score, \textbf{scor2prt} will print that name + identically to all the parts --- which is usually not what you + want! + } +\footnotetext{\textbf{scor2prt} does this by inserting into the part + \texttt{.pmx} file a \texttt{Ti} and the appropriate + instrument name as taken from the preamble of the main + score. Knowing this may be useful if you want to + manipulate this process, e.g.~to change the vertical + shifting of a particular instrument name + (cf.~Section~\ref{sec:shiftname} for details). + _{\textbf{scor2prt}!adjusting instrument name} + } + +\bigskip _{h symbol@\texttt{h} symbol} _{l symbol@\texttt{l} symbol} +The symbols \texttt{h} (for \textbf{h}eader)\,% +\footnote{This usage of the \textbf{h} symbol is not to be confused with + that for the page size (see Section~\ref{sec:pagesize})! + Although both can occur together in the header, they are in + fact, different {\PMX} symbols, distinguished by their + differing syntax. + } +and \texttt{l} (for \textbf{l}ower) can be used to introduce text +either above or below a system. These symbols must be placed in the +first column of an input line (not necessarily the beginning of a +block), and followed by a blank or -- for \texttt{h} only -- a signed +integer. In the latter case, this integer is a vertical shift, in units +of \verb#\internote#. + +The text string, which again must lie on a line of its own immediately +following the symbol, will be printed above or below the \emph{top} +staff in the \emph{first} bar of the block where it is entered. +Figs.~\ref{fig:vivaldi1} and \ref{fig:Haydn} show examples. + +\subsection{Page numbering and page headers} \label{sec:pagenumbers} + +\subsubsection{Page numbering} +_{page!numbering} _{P symbol@\texttt{P} symbol} + +By default, {\PMX} does \emph{not} number the pages of a score, even +when it has more than one page. You can, however, switch on page +numbering by using the symbol \texttt{P} (for \textbf{P}age). Placed at +the beginning of an input block anywhere within the {\PMX} body of +input, and followed optionally by a page number and/or by \texttt{l} +(for \textbf{l}eft) or \texttt{r} (for \textbf{r}ight), this will +\begin{enumerate} + \item start page numbering at the current page\,% + \footnote{The `current page' is the page where {\PMX} puts + the music currently processed at the point where it + encounters the symbol \texttt{P}. + } + with the number given as optional argument. Further page + numbers are then incremented automatically starting with this + number. If \texttt{P} has no number argument, the default is + page 1 . Thus, \texttt{P} and \texttt{P1} are equivalent), + \item put the page numbers to the top \textbf{l}eft or \texttt{r}ight + of the first of the pages to be numbered, after which the + number positions will alternate. If no \textbf{l} or \textbf{r} + is given, {\PMX} puts the page numbers on the right on + odd-numbered pages, on the left of even pages. +\end{enumerate} +You can have as many \texttt{P} symbols in a score as you like; but +there is no command to switch off page numbering again once it has been +switched on. + +\subsubsection{page headers} +_{page!headers} + +There is one more option, \texttt{c} (for \textbf{c}entered header), +available with the \texttt{P} symbol. This option defines a text string +to be printed at the top of every page \emph{after the first}. The +notation is as follows: +\begin{itemize} + \item The normal usage is \texttt{Pc"}$[$\emph{text + string}$]$\verb#"#. The text string enclosed in the quotation + marks must be a single line of text. It may contain blanks, but + \emph{no} \verb#\\#). If the string consists of blanks only, + that is what will be printed: a blank page header. + \item If the text string does not contain any blanks, you may omit + the quotation marks, but you must then start the text + immediately after the \texttt{c} \emph{with no space}. + \item If there is a blank after \texttt{Pc}, \emph{no quotation marks, + and no further text}, the text printed as the header will be + the instrument name entered with the symbol \texttt{Ti}, as + described on p.\ref{sec:titles}. +\end{itemize} +\texttt{c} must be the \emph{last} option in the \texttt{P} symbol. + +_{P symbol@\texttt{P} symbol} _{\textbf{scor2prt}} +\Note{The \texttt{P} symbol and all its options will be ignored when + making parts from a score using \textbf{scor2prt}, since page + numbering will usually be different in the score from that in the + parts. Page numbering -- and centered headers -- for parts can, + however, be initiated independently with another mechanism. For + the details on this, refer to Section~\ref{sec:scor2prt}. + } + +\clearpage +\begin{figure}[!htb] + \begin{center} + + \vspace*{20ex} + \includegraphics[scale=.82]{eps/vivaldi1.eps} \\[2ex] + ------------------------------------------ +\begin{minipage}{380pt} +\small +\begin{verbatim} + 1 1 3 4 0 3 0 -1 + 1 1 16 0.0 + +t +./ +% begin header: +Ti11 +Oboe I +Tc +Antonio Vivaldi (1678-1741) +Tt +Concerto in d minor \\ RV535 +w150m +% end header. +% Bar 1-4 +h-2 +~~~Largo + +d45 a44 r4 | g44 f44 r4 | g45 a45 b45 | cs45 d45 r4 / +% Bar 5-7 +fs45 g45 a45 | b45 r4 r4 | cs45 d45 e45 / +% Bar 8 +l +(continued) +f45 r4 r4 Rb / +% +\end{verbatim} +\end{minipage} + \end{center} + \caption{Titles, and text above and below a system} + \label{fig:vivaldi1} +\end{figure} + +\clearpage +\subsection{Layout: line, page, and movement breaks} + \label{sec:breaks} +_{layout} _{layout!manual line/page breaks} +_{\texttt{npages}} _{\texttt{nsystems}} + +The parameters \verb#npages# and \verb#nsystems# of the preamble +(cf.~Section~\ref{sec:preamble}) determine the layout of the score, +either by fixing the total number of pages and systems, or by setting +the average number of bars per system. With no further instructions, +{\PMX} will attempt to distribute all the music evenly over the total +number of systems, and then spread the systems evenly over the specified +number of pages, either specified or determined by default (with +\verb#npages=0#). + +You can change the average `crowdedness' by changing the preamble +parameters. Once this is satisfactory, you can exercise finer, more +local control by forcing, i.e.\ manually inserting, line or page breaks +at exactly the places you want them to be. You may also want movement +breaks, and {\PMX} has a convenient way of doing that, in the process +dealing easily with such `housecleaning' chores as indenting the first +system of the new movement, reprinting the time signature, resetting the +bar number counter, and other details to be discussed below. +_{bar numbering} _{indenting first system} + +\medskip +It is worthwhile, however, to quote Leslie Lamport at this point: +_{Lamport, Leslie} +\begin{quote} + ``Don't worry about line and page breaks until you prepare the + absolutely final version'' \\ + From: Leslie Lamport, {\LaTeX}, \emph{user's Guide and Reference + Manual} . +\end{quote} + +This is especially true for a {\PMX}-generated score. Until the final +edit, you should always use \texttt{npages=0}. Once you specify any +forced line break, you can no longer use \texttt{npages=0}, and you will +have to specify values for \texttt{npages} \emph{and} +\texttt{nsystems}~. And because --- as we'll soon explain --- a movement +break is a sub-option of the linebreak command, you cannot set movement +breaks either until the final edit. + +But unless your score is just a few pages long, you probably will want +to set some line, page, or movement breaks in the end. When you are +ready, always first pick some reasonable values for \texttt{npages} and +\texttt{nsystems}---perhaps the numbers that finally came out when you +used \texttt{npages=0} during the main input process. Then one way to +proceed is to start at the beginning, forcing breaks where desired. The +most common places would be at movement breaks, and at places associated +with volte or repeats. Recompile and view the result after each new +line break is inserted. You may need to adjust the total number of +systems or even pages depending on how crowded is the remainder of the +score, after the last forced line break. + +The other way to proceed is to begin by inserting any obvious page +breaks, especially if you are laying out a booklet with facing pages and +want page turns to come in musically convenient places. + +\bigskip\noindent +Here are the rules for inserting forced line, page, and movement breaks: +\begin{itemize} +\item _{line break} + Line breaks can only come at the start of an input block. To force + a line break at the start of the $n^\text{th}$ system, enter + \texttt{L}$[n]$~. $n$ must obviously be greater than 1 and less + than or equal to the value of \texttt{nsystems} as specified in + the preamble. +\item _{page!breaks} + Page breaks can only come where there is already a line break. To + force a page break at the start of the $m^\text{th}$ page and the + $n^\text{th}$ system, enter \texttt{L[}$n$\texttt{]P}$m$~. $m$ + must obviously be greater than 1 and less than or equal to the + total number of pages. + +\item _{movement breaks} + Movement breaks can only come where there is already a line break. + To force a movement break at the start of the $n^\text{th}$ + system, enter \texttt{L[}\emph{n}\texttt{]M}~. If in addition you + want a page break at that point, use + \texttt{L[}$n$\texttt{]P[}$m$\texttt{]M}~. + + \medskip + The movement break symbol \texttt{M} has several optional + parameters. They can be used in any combination and should follow + with no spaces. + + \begin{itemize} + \item \texttt{M+[}$k$\texttt{]} adds $k$ \verb#\internote# + units of vertical space between movements. \item + \texttt{Mi[}$.x$\texttt{]} resets the first-line + indentation of the new movement to + \texttt{fracindent=}\,$.x$~, where $.x$ is some + decimal number (cf.~Sec. \ref{sec:preamble}). + + \Note{You must write the fracindent number exactly in + the form $.x$ , i.e.\ \emph{without} the leading + $0$~. If, e.g.\ , you write $0.2$ instead of + $.2$~, {\PMX} will complain with an error message, + asking for a decimal number! + } + + \item Beginning a new movement break, the bar number is reset + to zero by default, whereas \\ + \texttt{Mc} \textbf{c}ontinues bar numbering. + \item \texttt{M[}$n$\texttt{]} changes the \textbf{n}umber of + instruments to $n$~. $n$ must not exceed \texttt{ninstr} + as set in the preamble. If $n$ exceeds 9, it must be + \emph{preceded} with \texttt{:} (colon). This should be + followed (without blanks) by a sequence of $n$ instrument + numbers in bottom-up order, again preceded with + \texttt{:} if bigger than 9, then a sequence of clef + symbols, one for each staff of each instrument starting + from the bottom. An instrument's numeral is simply its + position in the original sequence (in the preamble); + these numerals can be permuted as desired, but the + sequence of clef symbols should, of course, match the new + sequence of instruments. + \item \texttt{Mr+}/\texttt{Mr-} \textbf{r}eprints/suppresses + reprinting the instrument names at the beginning of the + new movement. The default is to print them only if the + number of instruments changes. + \end{itemize} +\end{itemize} + +_{instruments!numbers increased/decreased} +It should be emphasized here that the number of instruments in a new +movement can never exceed the original number of instruments, although +it is permissible to increase it after it has been decreased, as long as +it doesn't exceed the original number; in other words, and to give an +example: a sequence {quartet --- solo --- duet, e.g., is possible, +while the reverse sequence is not. There are two ways to circumvent this +restriction: +\begin{enumerate} +\item start the score with a dummy page --- to be discarded + later --- containing the maximum number of instruments. On the + second page, start a new movement with the desired number and + sequence of instruments for the first movement, +\item _{\PMX!concatenating several files} + make separate {\PMX} files and concatenate them afterwards + (cf.~Section~\ref{sec:concatfiles} or \ref{sec:LaTeX} on how to + do this). +\end{enumerate} + +\medskip +Immediately after a movement break, any desired meter changes, key +changes, or text can be entered as already described in +Sections \ref{sec:meterchg}, \ref{sec:keychg} and \ref{sec:titles} +(p.\pageref{sec:meterchg} ff.). + +\bigskip +The effect of movement breaks is illustrated in the +example~\ref{sec:Dufay} in the appendix. + +\subsection{Bar Numbering} \label{sec:barnumbers} +_{bar numbering} _{inline \TeX!bar numbering} + +By default {\PMX} places a bar number above the first bar of the top +staff in every system, and there is no provision in {\PMX} to change +this default. But it is easy to change this by using a straight +{\MusiXTeX} command: +\begin{itemize} + \item if you want no printed bar numbers at all, add a line in the + header containing \\ \verb#\\nobarnumbers\# + \item if you want bar numbers printed over every bar, add a line + containing \\ \verb#\\barnumbers\# +\end{itemize} +in the header or at the beginning of an input block. + +This is an example of a \textbf{type 2} inline {\TeX} command, +cf.~Section~\ref{sec:inlineTeX}. As is explained there in detail, {\PMX} +will place a \textbf{type 2} inline {\TeX} command at the beginning of +the \verb#.tex# file produced, regardless of where in the \verb#.pmx# +file the command appears. This means that you cannot change this type of +bar numbering in mid-stream. + +If you do want to change the bar numbering somewhere in the middle of a +score, use a \textbf{type 3} inline {\TeX} command: if, from the +current point in the score, you want +\begin{itemize} + \item no printed bar numbers, add a line with \\ + \verb#\\\nobarnumbers\# + \item bar numbers printed over every bar, add \\ + \verb#\\\barnumbers\# + \item bar numbers above the first bar of every system (the {\PMX} + default), add \\ \verb#\\\systemnumbers\# +\end{itemize} +at the beginning of the current input block. + +\medskip +_{Bar number count adjustment} +Furthermore, you might want to change the number itself. This occurs most +frequently when you have a pickup bar at the beginning of a repeat; some +-- including some commercial publishers -- do not include this pickup +bar in the number count, wheras {\PMX} does so by default. To adjust +this, use the \textbf{type 3} inline {\TeX} command +\verb#\\\advance\barno-1\relax\# . + +\bigskip +{\MusiXTeX} provides still more elaborate bar numbering schemes, such as +a number over every $n^{\text{th}}$ bar. For details refer to the +{\MusiXTeX} manual. + +\section{Some general options and technical adjustments} + \label{sec:options} _{\PMX!options!general} + _{layout!general options} + +\subsection{Global options} \label{sec:A} +_{\PMX!options!global}_{A symbol@\texttt{A} symbol} + +{\PMX} has many layout parameters with default settings. Some of these +can be changed by the user; for that purpose there are several symbols, +all beginning with \texttt{A}. Many of these are usually included in the +^{header}, but some may be entered at the beginning of any input block. +Table~\ref{tab:A} lists these options alphabetically; the following +subsections, grouped by types of settings, describe them in detail. When +using several of these commands, it is not necessary to enter them all +on separate lines; rather, you can concatenate them, in any order, with +just a single \texttt{A}, e.g.~\texttt{AdI2.3p+hlbr} . + +\begin{table}[!ht] +\begin{center} +_{\PMX!options!global} _{A symbol} _{global options |see{@\texttt{A} symbol}} +\begin{tabular}{|l|l|} +\hline +\texttt{Aa}$[x]$ & sets space before first note in a bar \\ +\texttt{Ab} & makes accidentals \textbf{b}ig \\ +\texttt{Ad} & puts \textbf{d}ots in lower voices + \emph{below} the line \\ +\texttt{Ae} & \textbf{e}qualizes inter-system spacing \\ +\texttt{AI}$[x]$ & changes default \textbf{I}nterstaff spacing + \emph{for the whole score} \\ +\texttt{Ai}$[x]$ & changes default \textbf{i}nterstaff spacing + \emph{for the current page only} \\ +\texttt{AK} & adjusts rest heights in 2-voice staves + depending on context \\ +\texttt{AN}$[i]$``\emph{name}'' + & sets filenames generated by \textbf{scor2prt} + (cf.~Section~\ref{sec:scor2prt}) \\ +\texttt{Ap}[\emph{further suboptions}] + & enables PostScript type K slurs \\ + (cf.~Section~\ref{sec:chords}) \\ +\texttt{Ar} & switches accidentals to + \textbf{r}\emph{elative} \\ +\verb#AR[#\emph{file}\verb#]# + & inserts a text file in the {\PMX} source file + (cf.\ Secion \ref{sec:concatfiles}) \\ +\texttt{AS}[\emph{ns}] + & enables {\PMX} \textbf{S}pacing algorithms + to small-font staves \\ +\texttt{As} & makes accidentals \textbf{s}mall \\ +\texttt{AT} & activates special xtuplet brackets + (cf.~Section~\ref{sec:xtuplets}) \\ +\texttt{Av} & spreads systems \textbf{v}ertically over all + of an unfilled page when `on' \\ +\hline +\end{tabular} +\end{center} + \caption{Symbols beginning with an \texttt{A} (global options)} + \label{tab:A} +\end{table} + +\subsubsection{Accidentals} +By default, big accidentals are used unless regular spacing doesn't +provide enough room. Thus the default behavior may cause a mixture +of big and small accidentals, and in fact is not recommended. Rather, +the user is advised to make his choice: +\begin{itemize} + \item _{accidentals!big} + \texttt{Ab} makes all accidentals \textbf{b}ig; this is + usually preferred, + \item _{accidentals!small} + \texttt{As} makes all accidentals \textbf{s}mall. +\end{itemize} + +\medskip _{accidentals!absolute} +As was mentioned earlier (cf.~Section~\ref{sec:transpositions}), {\PMX} +by default uses the so-called `absolute' notation for inputting +accidentals, i.e.\ the notation explained in +Table~\ref{tab:noteparameters}. +In this notation, there is an obvious one-to-one correspondence between +accented characters in the {\PMX} source file (\texttt{s, f, n, ss, ff}) +and the printed characters. This has a disadvantage, but it only +surfaces if you write the {\PMX} file in one key and later transpose it +using the \texttt{K} option described in +Section~\ref{sec:transpositions}. For example, suppose the original key +is F, with 1 $\flat$ in the signature, and you enter \texttt{bn}. Now if +you transpose to the key of C with \texttt{K-3+0}~, that note will be +printed explicitly as F natural, while it should be F sharp. + +\medskip _{accidentals!relative} _{key signature} +The remedy for such problems is to use another notation, aptly named +`relative' accidental notation, used by some musicians and some +publishers in some countries. In this notation, a sharp, flat, or +natural sign denotes an alteration by a half-tone up, down, or none +\emph{relative to the note which would otherwise be indicated based +on the signature of the piece}. For example, in D~major, with 2 +$\sharp$s in the signature, an F natural would be denoted not as +\texttt{fn} but rather as \texttt{ff}, while in d~minor, with one +$\flat$ in the signature, a B natural would be input not as +\texttt{bn} but rather as \texttt{bs}. Similarly, $\natural$s +accidentals refer to the notes prescribed by the signature; e.g., in +G~Major (1 $\sharp$ in the key) a \texttt{gn} sounds as a \emph{g}, +while \texttt{fn} sounds as an F sharp. + +\medskip _{transposition} +For automatic transpositions to function properly, it is necessary +that the {\PMX} source for the score to be transposed use the +\emph{relative accidental notation}. This is effected by \texttt{Ar} +: +\begin{itemize} + \item \texttt{Ar} directs {\PMX} to interpret accidentals + in \textbf{r}\emph{elative} notation\,% + \footnote{Note that this makes logical sense only if used in + the header, and accordingly there is no way to + `undo' this decision further down in a score. + }. +\end{itemize} + +\subsubsection{Layout details} _{layout} +When the note head of a dotted note is \emph{on} the line (e.g.\ +for a \emph{g} in a violin clef), it is customary to place the +dot slightly \emph{above} the line. In staves with two voices, +there is an alternate custom, viz., to place the dot \emph{above} +the line in the \emph{upper} voice and \emph{below} the line in +the \emph{lower} voice. {\PMX}'s default is the first possiblity; +dots for both voices \emph{above} the line, but it can be +overridden: + +\begin{itemize} +_{layout!dotted note in 2-voice staff} +_{notes!dotted note!dots in 2-voice staff} +_{voice!several voices in one staff} + + \item \texttt{Ad} causes the \textbf{d}ot -- for notes that are + \emph{on} a line -- in the lower voice + of any two-voice staff to be placed \emph{below} the + line. +\end{itemize} + +\noindent +By default {\PMX} inserts a horizontal gap of \verb#1\elemskip# +between a bar line and the first note in the bar. This can be +changed globally: +\begin{itemize} + \item \texttt{Aa}$[x]$ sets the space before the first note in + every bar to to $x$ units of \verb#\elemskip# . +\end{itemize} + +\noindent +In {\PMX} it's not yet possible to specify a smaller font for selected +staves. But it can be done using an inline {\TeX} command (For details, +cf.~Section~\ref{sec:inlineTeX} and Section~\ref{sec:varstaves}). If you +do this, then you ought to use the \texttt{AS} option: + +\begin{itemize} _{staves!varying size} _{\texttt{musicsize}} + \item \texttt{AS}[\emph{ns}] . The additional sequence of + \emph{ns} is mandatory here. It consists of exactly as + many characters \texttt{-} (minus) or \texttt{0} (zero) + as there are staves in the score (\texttt{nstaves}, + cf.~Section~\ref{sec:preamble}): \texttt{0} if the font + size of this staff is normal, \texttt{-} if it is + small\,% + \footnote{The sequence of staves is from bottom to top, as + described in the preamble. Cf.~p.\pageref{p:header}. + }. + This tells {\PMX} to modify some horizontal spacing decisions + to account for the smaller font size. +\end{itemize} + +\subsubsection{Vertical spacing} _{spacing} _{spacing!vertical} +\begin{enumerate} + \item[a)] Spacing of staves within a system: \text{} \\ + If there is more than one staff in a system, {\PMX} computes the + vertical spacing between the staves automatically. However, the + algorithm isn't fully robust, and the result may not be pleasing. + To change the spacing between the staves within a system, you can + apply a scale factor $x$ to the default, either for the entire + score, or for the current page only: + \begin{itemize} + \item \texttt{AI}$[x]$ multiplies the default + \textbf{I}nterstaff spacing, \verb#\interstaff#, by the + decimal number $x$ \emph{for the entire score}. This + option should be placed in the header. + \item \texttt{Ai}$[x]$ multiplies the default + \textbf{i}nterstaff spacing by the + decimal number $x$ \emph{for the current page only}. + This option can be placed at the beginning of any input + block (including the first), and overrides + \texttt{AI}$[x]$ . + \end{itemize} + Note that if there is more than one system on a page, decreasing + the interstaff spacing will increase the space between systems, + and vice-versa. + + \item[b)] Spacing of systems on a page: \text{} \\ + {\MusiXTeX} normally draws a virtual box around each system and + inserts equal vertical space between these boxes. When objects + protrude above the top staff in a system -- such as the note + \texttt{c46} in the violin clef -- or below the bottom one, this + can lead to unequal spacing between the bottom staff line of one + system and the top staff line of the next. You may prefer that + this vertical spacing be constant for the whole page: + \begin{itemize} + \item \texttt{Ae} ensures that the spacing between the bottom + staff line of one system and the top staff line of the + next is constant for any one page\,% + \footnote{It is generally advised to use the \texttt{Ae} + option by default, unless one has a specific + reason not to. When using this option, you may + Nevertheless, in certain cases you may want to + force more vertical space between certain systems. + There is a {\TeX} macro, called + _{\bs\texttt{spread}$[x]$} + \bs\texttt{spread}$[x]$, that can be inserted + anywhere in the system before the desired wider + gap. Its argument $x$ is the desired extra space, + in units of \bs\texttt{internote} + (cf.~Section~\ref{sec:inlineTeX}). + _{layout!\bs\texttt{spread}$[x]$} + _{\MusiXTeX!\bs\texttt{spread}$[x]$} + }. + \end{itemize} + + \item[c)] Sparsely filled pages: \text{} \\ + Sometimes it may happen that a page contains just a few staves + altogether, and then the white space between staves on such a + page becomes excessive. In such cases -- specifically, if + \verb#\interstaff# $>$ \verb#20\internote# -- {\PMX} will, instead + of the equal spacing described above, group all systems near the + top of the page. This can, however, be changed by the user: + \begin{itemize} + \item \texttt{Av} will suppress the grouping near the top, + and ensure that systems will always be spread vertically + regardless of how much white space is left between systems. + \end{itemize} + Note that \texttt{Av} acts as a toggle; the second time it is + issued, the behavior will revert to the default. + \item[d)] Vertical position of rests in 2-voice staves: + \begin{itemize} + \item \texttt{AK} activates special rules for vertical positioning + of rests in two-voice staves. + + This general option is rather subtle; its explanation by Don + Simons follows: + \begin{quote} + ``Without this option, rests in two-voice staves have + default positions based on a simple rule that is not + context-sensitive: those in the lower voice (the one + before //\,) are 4 \verb#\internote# heights below their + single-voice default positions, and those in the upper + voice are 2 \verb#\internote# heights above the + single-voice default. + + ``The \texttt{AK} option invokes a set of context-sensitive + _{rest!alignment in 2-voice staves} + rules to set the default position. The baseline rule is + to align the rest in a horizontal line with the next + following note in the same bar. If there is no following + note in the bar, then the rest is aligned with the last + note before the rest. + + \medskip + ``If there are simultaneous rests in both voices, the old + rule is applied. + + \medskip + ``The \texttt{AK} option is a toggle: it may be used at the + start of any input block to turn these special rules on + (if previously off) or off (if previously on). + + \medskip + ``When the \texttt{AK} option is on, it only affects + places where there are two voices in a staff. + + \medskip + ``Any user-defined tweaks on the height of a rest will + supersede the option for that particular rest, i.e.\ the + tweak will be applied relative to the single-voice + default position.'' + \end{quote} + + Sometimes you may want the rest to be aligned with the + \emph{previous} note (the one \emph{to the left} of the + rest), rather than the following note (the one to the right + of the rest). + + This can be achieved simply by appending an \texttt{L} (for + `\textbf{L}eft') to the rest symbol, i.e.\ by writing + `\texttt{rL}' . + \end{itemize} +\end{enumerate} + +\subsubsection{PostScript type K slurs, ties and hairpins} + \label{sec:usepsslurs} +_{PostScript!slurs, ties and hairpins} + +The use of PostScript slurs, ties and hairpins circumvents most of the +shortcomings of the font-based counterparts. Of the two available +packages, only the type K slurs are explicitly supported by {\PMX}. +There is an option, \texttt{Ap}, to enable the use of this package. + +\begin{itemize} + \item \texttt{Ap} activate Type K PostScript slurs, ties and hairpins. + + \texttt{Ap} may also be entered at the beginning of any input block + to activate certain suboptions controlling shapes and positions of + the slurs and ties that are to be used. The first few of these + options affect vertical positioning. When Type K PostScript slurs + are activated with \texttt{Ap}~, slurs and ties will by default + \emph{not} have their verticAl positions tweaked to avoid + tangencies with staff lines. + + To control this type of adjustment, use one of the following + suboptions to \texttt{Ap}~: +\begin{enumerate} + \item + \begin{itemize} + \item \texttt{+s} activates automatic slur height adjustment, + \item \texttt{+t} activates automatic tie height adjustment, + \item \texttt{-s}/\texttt{-t} deactivate the corresponding + height adjustment. + \end{itemize} + + \item + A second suboption, \texttt{+c}/\texttt{-c}, will increase or + decrease the default curvature of the Type K slurs. The result of + such commands is cumulative, and more than one suboption + \texttt{+c} or \texttt{-c} may be used in a single command. If + the cumulative change goes above \texttt{HH} or below + \texttt{f}, a warning will be issued, the default will be set to + \texttt{HH} or \texttt{f}, and processing will continue. + + Local curvature options in individual slur commands (cf.\ + Sec.~\ref{sec:usepsslurs}) will take precedence over the global + default, but will \emph{not change the default}. + \begin{quote} + A special local option, \texttt{n} (`\textbf{n}ormal'), is of the + `undo' type: it will cause that par\-ti\-cu\-lar slur, no matter + what the global default happens to be, to have the normal + curvature, i.e.\ between \texttt{f} and \texttt{h}. + \end{quote} + \item + A third suboption, \texttt{l}, changes the appearance of slurs + and ties that extend across line breaks: + \begin{itemize} _{slurs!across line break} + \item Every slur/tie at a line break is automagically broken into + two separate ones; no additional {\PMX} slur start or ending + commands are required. Vertical and horizontal tweaks for + the end of the first segment and Start of the second segment + are entered as options in the normal command that starts the + slur/tie: + \begin{enumerate} + \item the option for the end of segment 1 starts with + \texttt{s} (for \textbf{s}ever or \textbf{s}plit), + then the usual one or two signed numbers, then a + second \texttt{s} and one or two more signed numbers + for the start of segment 2, + \item the usual curvature options \texttt{h, H, HH , f}, + if included in the starting command for a line-break + slur, will apply to segment 1, and to segment 2 if + in the closing command. If the slur/tie does not + come at a line break, the special position tweaks + (those after the \texttt{s} option) will all be + ignored, and the curvature tweaks on the closing + note take precedence. + \end{enumerate} +\end{itemize} +\end{enumerate} + + _{global options|see{\PMX!options!global}} + _{general options|see{\PMX!options!general}} + The \texttt{l} option can also be invoked globally + (i.e.\ for the entire score) by specifying \texttt{Apl}, + instead of only \texttt{Ap}, in the header + (recommended). +\end{itemize} + +The third suboption concerns only line-break ties (it does not +affect slurs): +\begin{itemize} + \item \texttt{+h}/\texttt{-h} activates/deactivates the use + of special \textbf{h}alf-ties for the second segment of + line-break ties after the line break. These are + horizontal at their left end, and are only used if the + required segment is shorter than 15 pt. +\end{itemize} +Note that this option is somewhat incompatible with the +\texttt{l} option, and they should not be used simultaneously. + + + +\subsection{Page Size} \label{sec:pagesize} \label{p:pagesize} + _{page!size} _{h symbol@\texttt{h} symbol} + _{W symbol@\texttt{W} symbol} +The default page size\,% +\footnote{This means the \emph{extent of the print} on the page. The + -- empty -- top, bottom, left and right margins depend on the + paper/printer used; they can not be altered within {\PMX}. + } +is 740\,pt $\times$ 524\,pt (10.3\," $\times$ 7.3\,", or 261\,mm +$\times$ 185\,mm). To change the height or width, use the special +symbols \texttt{h}[\emph{n}][\emph{u}] or \texttt{w}[\emph{n}][\emph{u}] +in the header. Here \emph{n} is a decimal number for the new size, and +\emph{u} defines the units: \texttt{i} for inches. \texttt{m} for +millimeters, and \texttt{p} for points. if no unit name \emph{u} is +given, \PMX} uses points as the default. + +This command can be used together with \texttt{\%\%} or \texttt{\%!} +(see Section~\ref{sec:scor2prt}) to give the parts made by +\textbf{scor2prt} different page sizes than the parent score. + +\medskip +\Note{This usage of the \textbf{h} symbol is not to be confused with + that for a line of text above a system (see + Section~\ref{sec:titles})! Although both can occur together in the + header, they are in fact, different {\PMX} symbols, distinguished + by their differing syntax. + } + +\subsection{Stem direction of bass notes} \label{sec:stemdirs} + _{stems!direction of bass notes} _{B symbol@\texttt{B} symbol} +By default {\PMX} makes stems go \emph{up} for middle-line D's in bass +clef, but \emph{down} for notes on the middle line of all other clefs. +If you want middle-line bass-clef notes also to have downward stems by +default, enter the symbol \texttt{B} in the header. + +\subsection{Horizontal Spacing} \label{sec:spacing} + _{spacing!horizontal} + +\subsection*{Minimum Spacing between Notes} + +_{W symbol@\texttt{W} symbol} _{spacing!minimum between notes} +{\PMX} does some special, complex analysis to adjust horizontal spacing +in crowded systems. By default, the minimum space between consecutive +noteheads is 0.3 notehead widths. If you want to change this value to +some other fraction, enter \texttt{W.}$[n]$, where $n$ is a single digit +between \texttt{1} and \texttt{9}, giving the minimum spacing, in tenths +of a notehead width. This adjustment is very rarely used. + +\subsubsection*{Extra Horizontal Shifts and hardspace} + _{spacing!hard space} _{hard space|see{spacing}} + +{\PMX} will usually provide satisfactory horizontal spacing. However, +there may be some occasions where you will want to adjust it manually. A +symbol starting with {\tt X} controls one of two available types of +horizontal adjustment: +\begin{enumerate} + \item a \emph{shift} moves one or more characters in the current voice + but does not affect any other spacing anywhere, + \item a \emph{hardspace}, by contrast, is a fixed amount of space + inserted at a particular time. The horizontal positions of + everything in all staves in the system will be adjusted to + accommodate the added space while maintaining vertical + alignment. +\end{enumerate} +Here are the syntactic possibilities: +\begin{itemize} _{X symbol} + \item \texttt{XS}$[x]$ (for \textbf{S}hift). This command shifts the + the next character; $x$ is a decimal number, giving the amount + of shift, in units of a notehead width. + \item \texttt{X:[}$x$\texttt{]} or \texttt{X[}$x$\texttt{]:} + initiates a ``group shift'', which operates like + \texttt{XS[}$x$\texttt{]}, except that everything from the + insertion point onward in the current voice is shifted until a + termination symbol (``shift end'') is encountered. + \item \texttt{X:} ends a ``group shift''. + \item \texttt{X}$[x]$ (without any \texttt{S} or \texttt{:}) is a + so-called \emph{hard space}. It inserts the specified space, + given in units of notehead widths, at the present point in + \emph{all staves} of the system. If $x$ is negative, space will + be removed. +\end{itemize} + +_{X symbol!with \textbf{scor2prt}} +Because horizontal spacing in parts will usually differ from that in the +score, \textbf{scor2prt} (cf.~Section~\ref{sec:scor2prt}) will by default +copy \emph{only} the shift commands \texttt{XS}$[x]$, \texttt{X:}$[x]$ +and \texttt{X:} into the parts, but \emph{not} the hardspace command +\texttt{X}$[x]$ . + + +\medskip +This behavior can be overridden using the methods described in +section~\ref{sec:scor2prt}. There is, however, an alternative method that +helps to keep {\PMX} score files neat and readable: add the suboption +\texttt{B} or \texttt{P} (without space, as usual) to the \texttt{X} +symbol: +\begin{itemize} + \item \texttt{B} (for \textbf{B}oth): with this option, the spacing + symbol is to be applied to \textbf{b}oth score and part, + \item \texttt{P} (for \textbf{P}art): with this option, the spacing + symbol is to be applied to the \textbf{p}arts only. +\end{itemize} + +\section{Macros} \label{sec:macros} _{\PMX!macros} _{M symbol@\texttt{M} symbol} + +A {\PMX} macro is a single symbol that stands literally for any +any string of characters that may occur in the input file\,% +\footnote{Note to seasoned programmers: {\PMX} macros are not really + macros in the usual sense, but merely string abbreviations; + they \emph{do not allow} for variables. + _{\PMX!macros!no variables} + }. +Macros may be useful to save tedious typing and disk space, and make +{\PMX} source text more readable if you need to repeat the same string +many times in a score. + +\medskip +You may define up to 20 macros in any single {\PMX} input file. There is +no practical limit to the length of the character string that a +macro represents, but of course it must respect the {\PMX} rules on the +length of input lines and what must go on separate lines. + +\medskip +Macros only exist within the {\PMX} input file where they are defined; +you can define a completely new set of macros in another {\PMX} input +file. Conversely, if you want to re-use the macros of file +\texttt{myopus1.pmx} in \texttt{myopus2.pmx}, you need to copy them +explicitly from one file to the other. + +\medskip +There are two distinct ways to define and record a new macro or +redefine an existing one: + +\begin{enumerate} + \item to \textbf{R}\emph{ecord} a \textbf{M}acro: type + \texttt{MR}$[n]$, followed by a space, as usual. $n$, the + ``name'' of the macro, is an integer between 1 and 20. + Everything you type after this will be processed normally, at + that point in the input file, as well as stored, until you end + the macro by entering the symbol \texttt{M}, + \item to \textbf{S}\emph{ave} a \textbf{M}acro: type + \texttt{MS}$[n]$. Everything you type after this will be + recorded (saved) as you enter it, \emph{without processing} + the {\PMX} code. When saving macros, it is usually best to put + them in the header, for readability's sake. +\end{enumerate} + +Whenever you would otherwise need to re-enter the same character string, +you can simply \texttt{P}lay back the macro by typing \texttt{MP}$[n]$~. + +\medskip +Macros can be redefined at will; {\PMX} will issue a warning whenever +this occurs. + +\bigskip _{\textbf{scor2prt}!macros} When you use +macros and want to make separate parts +(cf.~Section~\ref{sec:scor2prt}), some care is necessary: +\textbf{scor2prt} will transfer a \texttt{MR} macro only into the part +where it originated, but will transfer \texttt{MS} macros into all +parts. + +\medskip +So if you want to make macro 1, which you will use in several or all +parts and then use it immediately in the part in which you write it, +dont use simply \verb#MR1#, but rather +\begin {verbatim} + MS1 + MP1 +\end{verbatim} + +\bigskip +Fig.~\ref{fig:macro} contains an example of the use of macros. + +\bigskip +\begin{figure}[!htb] + \begin{center} + \includegraphics[scale=.82]{eps/macro.eps} \\[2ex] +------------------------------------------ + +\begin{minipage}{300pt} +\small +\begin{verbatim} +% macro 2 saved: +MS2 e4 f g2 o_ | M +% Bar 1 (macro 1 recorded and processed): +Rl MR1 c45 d e c | M +% Bar 2 (macro 1 played): +MP1 +% Bar 3 (macro 2 played): +MP2 +% macro 4 saved: +MS4 c4 g c2 o_ M +% Bar 4 (macro 2 played): +MP2 +% Bar 5 (macro 3 recorded and processed): +MR3 g85 a g f e4 c | M +% Bar 6 (macro 3 played): +MP3 +% Bar 7 (macro 4 played): +MP4 | +% Bar 8 (macro 4 played): +MP4 Rr / +% +\end{verbatim} + +\vspace*{2ex} +\end{minipage} + \end{center} + \caption{``\emph{Frre Jacques}'' (usage of macros)} + \label{fig:macro} +\end{figure} + +\section{Inline {\TeX} commands} \label{sec:inlineTeX} + _{inline \TeX} + +It may be worthwhile to reiterate at this point the very different +intentions of the software ingredients which make up the {\PMX} tool. It +is, in fact, a hierarchy: +\begin{enumerate} + \item _{\TeX} _{Knuth, Donald E.} + At the base of it all is {\TeX}. {\TeX} (written by Donald + E.\ Knuth) is a general and extremely powerful tool for + typesetting high-quality documents on a computer that are ready + for printing\,% + \footnote{``Its emphasis is on art and technology, as in the + underlying Greek word.'' (quote from the introduction + of \emph{the {\TeX}book}, the authoritative book on + {\TeX}, by Donald E.\ Knuth. _{Knuth, Donald E.} + }. + But {\TeX} is much more than that: it is a full-grown and + powerful computer programming language with which -- if you are + a {\TeX}pert -- you can do almost anything. + + \medskip + There is, however, a price to pay for this power: while you + don't have to be a professional computer programmer to use + {\TeX}, a pretty good familiarity with the basics of + programming is unavoidable. + \item _{\MusiXTeX} _{Taupin, Daniel} + {\MusiXTeX} (written essentially by Daniel Taupin) is a + `macro' for {\TeX}\,% + \footnote{To be precise, {\MusiXTeX} consists of a very + extensive set of {\TeX} `macros' and music + typesetting fonts. + }. + That alleviates most of the {\TeX} programming tasks for the + special purpose of typesetting music. Thus, while it helps to + have a programming background, such a background is not + absolutely essentially for someone who just wants to write a + few simple music scores. + \item _{\PMX} _{Simons, Don} + {\PMX}, the `preprocessor' for {\MusiXTeX} written by Don + Simons and described in detail in this tutorial, is yet another + level of abstraction on the long way from the musical ideas + that make up a score to getting ink on the paper at certain + points. The whole purpose of {\PMX} is to make typesetting of + music with {\MusiXTeX}/{\TeX} accessible to people with + essentially \emph{no} prowess in computer programming. +\end{enumerate} +As a consequence of this hierarchy, {\PMX} is vastly simpler to use than +{\MusiXTeX}, which in turn is simpler than straight {\TeX}. But the +converse of this is also true: there are elements in {\MusiXTeX} that +are not directly accessible with the {\PMX} language, just as you cannot +unleash the full power of {\TeX} with {\MusiXTeX} alone. +So to allow the user full access to `lower-level' {\MusiXTeX} or {\TeX} -- +while maintaining its higher-level notational simplicity -- {\PMX} +supports the inclusion of {\TeX} commands either directly in the +{\PMX} input file or via an external file. + +\subsection{Including {\TeX} Commands in the \texttt{.pmx} source file} + _{inline \TeX!in \texttt{.pmx} source} +The normal way for a {\PMX} user to insert user-defined {\TeX} code is +to enter it directly in the \texttt{.pmx} input file; this is what is +referred to as ``\,inline {\TeX}\,'' in this tutorial. There are four ways +to do that; these differ mainly in where the {\TeX} code will appear in +the {\PMX} output \texttt{.tex} file. The first 3 of these have \bs\ , +\bs\bs\ or \bs\bs\bs\ (1, 2 or 3 backslashes) as a starting symbol, then +comes a sequence of {\TeX} commands, then another \bs\ (backslash) as a +terminating symbol, followed by the usual space\,% +\footnote{This means that type 1, 2, and 3 {\TeX} strings may \emph{not} + contain the \TeX\ macro `\bs\,\,\,' \,(backslash-space). If + you really need that, replace it by \bs\texttt{relax }. + }. +All three of these must be contained fully in \emph{one line of input}, +limited by default to 128 characters (cf.~Section~\ref{sec:limits}); but +this one line can contain any number of concatenated {\TeX} commands. + +\medskip +The above description needs clarification on a subtle point: the +starting symbols \bs\ , \bs\bs\ or \bs\bs\bs\ \, are \emph{not} really +{\PMX} symbols in the sense used throughout this tutorial, in that there +would be `white space' after them, but the {\TeX} command(s) follow them +\emph{without a blank}. This has to do with the fact that all {\TeX} +commands -- called `control sequences' -- start out with a \bs\ . And +thus the last of the starting backslashes (the only one for type 1, +the second one for type 2, the third one for type 3) counts as the +{\TeX} control character of the following {\TeX} command. For example, +if you wanted to define a new {\TeX} command \verb#\Myspace# as a type 1 +inline command, you would write +\begin{center} \verb#\def\Myspace\hskip{10mm}\ # \end{center} +whereas if it is to be a type 3 inline command, it would read +\begin{center} \verb#\\\def\Myspace\hskip{10mm}\ # \end{center} +in other words: the starting symbol itself also provides the first \bs\ +of the {\TeX} command (control sequence). + +This convention can also be seen clearly in the examples given below. + +\bigskip +Here are the characteristics of the first three types: +\begin{description} _{inline \TeX!Type 1/2/3/4} + \item[Type 1 ( \bs\ \dots \bs\ ) : ] + a Type 1 string usually serves to define or execute a command + that is only needed locally for the current line of music, right + after the place where it is entered in the \texttt{.pmx} file. + {\PMX} inserts it in the resulting \texttt{.tex} file right + before the {\MusiXTeX} command for the next note or rest. + Multiple type 1 strings associated with the same note or rest + are allowed, although the total length may not exceed 128 + characters. So there is generally no reason not to combine all + {\TeX} commands for a single note into a single type 1 string. + + \Note{If an inline {\TeX} string contains a new {\TeX} + definition, this definition is in general \emph{not} + local; depending on circumstances, it can remain valid + throughout the score and for \emph{all instruments} unless + redefined somewhere\,! This is true for all types of + inline {\TeX}, Type 3 in particular. So be careful! + } + \item[Type 2 ( \bs\bs\ \dots \bs\ ) : ] a Type 2 string usually serves + to define or execute a command that is needed throughout the + entire score. It will appear near the top of the \texttt{.tex} + file, right before the \bs\texttt{startmuflex}, regardless of + where it appears in the \texttt{.pmx} file. + \item[Type 3 ( \bs\bs\bs\ \dots \bs\ ) : ] Type 3 strings will appear + in the \texttt{.tex} file right before the \bs\texttt{xbar} or + \bs\texttt{alaligne} of the current input block, i.e.\ before + its first bar line. Thus a Type 3 string is typically used when + you want to redefine a previously defined {\TeX} command, to be + valid from a certain point on, but not before. + \item[Type 4 : ] \label{sec:inlinetypefour} + The fourth way of inserting inline {\TeX} in a \texttt{.pmx} + file is different from the first three in several ways: + \begin{itemize} + \item it is started by the character sequence \verb#---# + (triple dashes), on a line by itself, as the very first + line of the \texttt{.pmx} file, + \item it is terminated by the next appearance of the same + character sequence, \verb#---# (triple dashes), on a + separate line, + \item it can contain any number of lines with {\TeX} code, + although every single of these lines is again + restricted to a total of 128 characters, + \item the lines of {\TeX} code between the opening and + terminating triple dashes will be copied + \emph{literally} to the very top of the \texttt{.tex} + file. + \end{itemize} + So Type 4 can also be (ab)used to copy comment lines + literally from the \texttt{.pmx} file to the \texttt{.tex} file. + This is convenient for documentation purposes. +\end{description} + +\medskip _{inline \TeX!handled by \textbf{scor2prt}} +Another difference of practical importance is the way in which +\textbf{scor2prt} handles these type of inline {\TeX} when making +separate parts (cf.~Section~\ref{sec:scor2prt}): types 2-4 will be +copied into all parts, while type 1 only goes into the part in which it +appears in the original \texttt{.pmx} file. + +\bigskip\bigskip +To understand better the differences between these 4 types on inline +{\TeX}, it may be useful to study the basic structure of the {\TeX} file +\texttt{inlinesample.tex}, given in Table~\ref{tab:inlinesample.tex}, +produced from the {\PMX} input file \texttt{inlinesample.pmx}, given in +Fig.~\ref{fig:inlinesample.pmx}. In doing so, you may want to look at +the box on p.~\pageref{p:inlinesample.txt}. + +\begin{figure}[!ht] + \begin{center} + _{\MusiXTeX!\bs\texttt{PED}} _{\MusiXTeX!\bs\texttt{DEP}} + \includegraphics[scale=.82]{eps/inlinesample.eps} \\[2ex] + ------------------------------------------ + \begin{minipage}{380pt} + \small + \begin{verbatim} +% beginning of inlinesample.pmx +--- +% This sample demonstrates the use of all 4 types of inline TeX +--- +% PREAMBLE: +% +1 1 +1 2 0 0 +0 0 +1 2 16 .0 +% + +t +./ +% BODY: +% HEADER: +w80m +\\nobarnumbers\ +% begin of music input: +g24 | / +\\\systemnumbers\ +\zcharnote{-2}{\PED}\ a D"\DEP"+3+15 | / +\\\barnumbers\ c Rb / +% end of inlinesample.pmx + \end{verbatim} + \end{minipage} \\[2ex] + \end{center} + \caption{A sample for the use of inline {\TeX} } + \label{fig:inlinesample.pmx} +\end{figure} + +\clearpage +\begin{table}[!ht] + \begin{center} + \begin{minipage}{400pt} + \small + \begin{verbatim} + %%%%%%%%%%%%%%%%% + % + % inlinesample.tex + % + %%%%%%%%%%%%%%%% + 6 % This sample demonstrates the use of all 4 types of inline TeX + 7 \input musixtex + 8 \input pmx + 9 \input musixmad + \smallmusicsize% + \nopagenumbers + \tracingstats=2\relax + \hsize=227pt + \vsize740pt + \def\nbinstruments{1} + \setstaffs11 + \setclef10 + \setname1{ } + \generalsignature{ 0}% + \parindent 0pt + \elemskip1pt\afterruleskip1.000pt\beforeruleskip0pt\relax + \stafftopmarg0pt\staffbotmarg5\Interligne\interstaff{10}\relax +23 \nostartrule +24 \readmod{inlinesample} +25 \nobarnumbers% + \startmuflex\startpiece\addspace\afterruleskip% + % BODY: + % begin of music input: + \znotes\zcharnote{16}{\titles{2.0}{}{0}{}{0}{}{0}}\en% + % Bar count 1 +31 \pnotes{4.00}\hu g\en% +32 \systemnumbers% + % Bar count 2 +34 \alaligne +35 \pnotes{4.00}\zcharnote{-2}{\PED}\txtdyn{-2}{15.0}{\normtype\it \DEP}% + \hu{'a}\en% +37 \barnumbers% + % Bar count 3 +39 \xbar + \pnotes{4.00}\hl{'c}\en% + \endpiece + \vfill\eject\endmuflex + \bye + \end{verbatim} + \end{minipage} + \end{center} + \caption{\texttt{inlinesample.tex}, as produced from + \texttt{inlinesample.pmx} + } + \label{tab:inlinesample.tex} +\end{table} + +\clearpage +% _{inline \TeX!in external file} +\begin{table}[!ht] +\begin{center} _{inline \TeX!placement in \texttt{.tex} file} +\fbox{ +\begin{minipage}{350pt} +Here is a short survey of what happens in the file +\texttt{inlinesample.tex} (cf.~Table~\ref{tab:inlinesample.tex}), +produced from \texttt{inlinesample.pmx} +(cf.~Fig.~\ref{fig:inlinesample.pmx}): + +\begin{itemize} + \item first, after the file name comment, which is inserted + automatically by _{\textbf{pmxab}} \textbf{pmxab}, the Type 4 + string (the comment line on the top of the \texttt{.pmx} file) + is inserted [line 6], + \item then the files \texttt{musixtex.tex, pmx.tex} and + \texttt{musicmad.tex} are always read in [lines [7,8,9]. This + means that the \texttt{.tex} that {\PMX} produces has + \emph{access to all the {\TeX} macros} defined in these files, + and therefore you can use all of these in your inline {\TeX} + commands, + \item next, up to and including \bs\texttt{nostartrule} [line 23], + there are a lot of settings, the details of which need not + concern us here, + + \medskip + The following {\TeX} macro [line 24], + \bs\texttt{readmod{sample}} , tells {\TeX} to read in the file + \texttt{inlinesample.mod} (if it exists). The file + \texttt{inlinesample.mod} may contain any valid {\TeX} code of + your choosing (cf.~Section~\ref{sec:external} for details on + this), + \item next [line 25] is the Type 2 string + ``\bs\bs\texttt{nobarnumbers}\bs''. Type 2 strings are + \emph{always} inserted at this point of the \texttt{.tex} file, + \item \bs\texttt{startmuflex} [line 26] -- never mind what exactly it + does -- is the actual beginning of the musical code, + \item several lines down [line 31] there is an item + \bs\texttt{hu g} : this is the half-note $g$ of the first + bar, + \item [line 32] contains the Type 3 string + ``\bs\texttt{systemnumbers}\bs''. This changes the bar + numbering scheme to the {\PMX} default + (cf.~Section~\ref{sec:barnumbers}). {\PMX} inserted this Type + 3 string right before the next \bs\texttt{alaligne} [line 34], + \item [line 35] contains the Type 1 string + ``\bs\texttt{zcharnote{-2}}\bs\texttt{PED}\bs'', which prints + the {\MusiXTeX} pedal\,% + \footnote{The `end of pedal' symbol \bs\texttt{DEP} is coded + here in an alternative (perhaps simpler) way by using + a {\PMX} dynamics textual symbol + (cf.~Section~\ref{sec:dynamics}). + _{dynamic marks!textual} + }, + \item [line 37] contains another Type 3 string + ``\bs\texttt{barnumbers}\bs'', before the code for bar 3 , + inserted right before \bs\texttt{xbar} in line 39 (coding the + bar line). This changes the bar numbering scheme once again. +\end{itemize} +\end{minipage} + } +\end{center} \label{p:inlinesample.txt} +\end{table} + +\bigskip +\subsection{Denoting pitch in inline {\TeX} } +_{inline \TeX!pitch given as a number} +_{pitch!in inline \TeX!} + +When using inline {\TeX}, you should be aware of a subtle aspect, which +can be a hazard: + +\smallskip +In {\MusiXTeX}, you can always refer to a pitch with a number, rather +than a letter, and that number denotes exactly the position on whatever +staff you are using, counting from the bottom line as $0$ . + +When you use this for a pitch, it will not be transposable, nor will it +respect (or indeed affect!) the memory \PMX\ keeps on the pitch: remember +that {\PMX} doesn't interpret any inline {\TeX} . + +You should keep this in mind when designating a pitch within an inline +{\TeX} command. + +\bigskip\noindent +We close this section with two practical examples and a final remark: +\begin{itemize} + \item _{\textbf{musixpss}} + As was stated in Section~\ref{p:useMslurs}, when using Type + M slurs you need to insert the line + \begin{center} + \bs\bs\texttt{input~musixpss{\bs}relax}\bs\ + \end{center} + into the header of the \texttt{.pmx} file. This tells {\PMX} to + read in the file \texttt{musixpss.tex}, which contains the + macros for Type M slurs. + + \medskip + This is the case of a type 2 inline {\TeX} string, and thus + the input command is added to the \texttt{.tex} file right + before \bs\texttt{startmuflex} (which is where it belongs). + \item _{clefs!exotic} _{clefs!octave clefs} _{clefs!symbols} + _{clefs!empty} _{octaviation!of clefs} + Sometimes one needs clefs other than those defined in {\PMX} + (cf.~Section~\ref{sec:numinput}). Some special clef symbols + (among them no clef at all) are defined in {\MusiXTeX} and can + be invoked by the command \bs\texttt{setclefsymbol} (cf.~the + {\MusiXTeX} manual, Sec.~2.21.2). The most common of these are + octave treble and octave bass clefs, in which a small $8$ is + attached to either the top or the bottom of the clef symbol. To + get a higher octave treble key for instrument number $2$, for + example\,% + \footnote{Matters are more complicated for instruments with + more than 1 staff, such as piano or organ, because + the number in the command refers to the number of the + \emph{instrument}, not the staff. Cf.~the + {\MusiXTeX} manual, Sec.~2.27.10 for details. + }, + just add the following type 2 inline {\MusiXTeX} command + \begin{center} + \bs\bs\texttt{setclefsymbol}\{\texttt{2}\} + \qquad \bs\texttt{trebleoct}\bs \qquad. + \end{center} + The other 3 octave clef symbols are \bs\texttt{treblelowoct}, + \bs\texttt{bassoct},\bs\texttt{basslowoct}, for lower octave + treble, higher octave bass and lower octave bass clefs, resp. + +\end{itemize} +More examples can be seen in Section~\ref{sec:tricks} and in some of the +scores of the appendix. + +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +%%%%%%%% Temp %%%%%%%%%%%%%%%%%%%%%%% Fri 2010 Dec 17 /15:6 /ccn +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% + +\subsection{Putting {\TeX} Commands in an external file} + \label{sec:external} _{inline \TeX!in external file} + +_{directory} +{\PMX} provides one further option for entering an unlimited set of +{\TeX} commands, read into the {.tex} file by \verb#\readmod# just +before the \bs\texttt{startmuflex} line. command, and before any Type 2 +inline {\TeX} strings. Simply put the commands into a text file named +[\emph{filename}]\texttt{.mod} in the current directory\,% +\footnote{This feature is retained mainly for backward compatibility + with previous versions of {\PMX}; it has now been essentially + replaced by the 4 options for inline {\TeX} strings described + above. + }. + +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +% PMX tutorial by ccn / chapter C starts here: +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +\chapter{Special Features} \label{sec:specials} + +\section{Making Parts from a Score} + \label{sec:scor2prt} \label{p:scor2prt} _{\textbf{scor2prt}} + +Separate parts can be made from a score with the tool \textbf{scor2prt} +(included in the standard {\PMX} distribution). Suppose you want to +produce the parts to the ``Mauerische Trauermusik'' +(Fig.~\ref{fig:mtrauermus}), and the \texttt{.pmx} file of that score is +called \verb#mtrauermus.pmx#. All you to need to do is to run +\begin{center}\begin{verbatim} + scor2prt mtrauermus +\end{verbatim}\end{center} +from the command line (if you omit the file name, you will be prompted +for one). The program will then create the following \texttt{.pmx} +files, one for each instrument\,% +\footnote{As is explained in Section~\ref{sec:mtrauer}, this particular + {\PMX} source has defined both the oboes and the violins as + one two-staves instrument each, so that there is a total of + only 8 `instruments'. + }: + +\medskip +\hspace*{2.5em} +\begin{minipage}{20em} % + \texttt{mtrauermus1.pmx} \qquad [\,Violoncello\,] \\ + \texttt{mtrauermus2.pmx} \qquad [\,Viola\,] \\ + \texttt{mtrauermus3.pmx} \qquad [\,Violins\,] \\ + \texttt{mtrauermus4.pmx} \qquad [\,French Horn II, in C\,] \\ + \texttt{mtrauermus5.pmx} \qquad [\,French Horn I, in E $\flat$\,] \\ + \texttt{mtrauermus6.pmx} \qquad [\,Basset Horn I, in F\,] \\ + \texttt{mtrauermus7.pmx} \qquad [\,Clarinet in F\,] \\ + \texttt{mtrauermus8.pmx} \qquad [\,Oboes\,] +\end{minipage} + +\medskip +To obtain the parts, you then need to run each of these files through +{\PMX}, in the usual way. + +As can be seen in the example, the parts files will be named +[\emph{yourscorename}][\emph{n}]\texttt{.pmx}, where [\emph{n}] is the +number of the instrument, by default; but the names of the files +created by \textbf{scor2prt} can be changed from within the {\PMX} file +for the whole score, the ``parent file''. For example, to cause the +file for instrument 3 to be named \texttt{mviolins.pmx}, include the +command \texttt{AN3"mviolins"} in the header of the parent file +(cf.~Table~\ref{tab:A}). + +\bigskip +In the remainder of this section we describe how to control the layout +of the parts separately from that of the score by using commands that +are placed in the parent file. This eliminates the need for editing the +\texttt{.pmx} files for the parts separately. You can accomplish all +the editing in the parent file, and then re-run \textbf{scor2prt} as +required. Thus both the score and the parts can be corrected together, +and the parts need not be re-edited each time they are re-generated from +the score. + +\subsection{Usage} +_{\textbf{scor2prt}!usage} _{comments!usage with \textbf{scor2prt}} + +Since comment lines are by definition disregarded by {\TeX} and by the +{\PMX} program itself (\textbf{pmxab}, to be exact), they can, with a +slight extension of their syntax, be used to transfer information +\emph{meant for the parts only}\,% +\footnote{This is quite a useful method, employed in a similar way by + other programs, such as the PostScript language. + _{PostScript} + }. +The following rules are used for this by the \verb#scor2prt# program: +\begin{itemize} + \item If a line has \texttt{\%} in columns 1 and a space in column 2, + it is considered a regular comment and transferred as such to + all parts. + \item If a line has \texttt{\%\%} in columns 1-2, both it \emph{and + the following line} will be ignored when making parts. If the + ignored line (the second line) has \texttt{h}, \texttt{l}, or + \texttt{T} in its first column, then \emph{one additional line} + will be ignored (cf.~\ref{sec:titles} for the rationale behind + this rule). + \item If a line has \texttt{\%!} in columns 1-2, these first 2 + characters will be stripped, and the rest of the line will be + put in the \texttt{.pmx} files for \emph{all} the parts. + \item If a line has \texttt{\%}[\emph{h}] in columns 1-2, where + \emph{h} is the hexadecimal digit representing the instrument + number (\texttt{1, 2,..., 9, a, b, c}), the first two + characters will be stripped and the rest of the line + transferred to the part for instrument \emph{h} \emph{only} . + + \smallskip + A good example for this usage is the page break(s) in a longer + score, where the appropriate page numbers for the parts will be + different from those in the full score. + For example, to force a line break to system 15 and a page + break to page 2 in \emph{part 11 only}, enter + \texttt{\%bL15P2}. + + _{\textbf{scor2prt}!HEX digit usage incompatible with + previous {\PMX} versions} + + \Note{The use of the hexadecimal digits \texttt{a-c} in this + rule creates a potential incompatibility with previous + versions of {\PMX}. To minimize this, the character after + ``{\tt\%}" will \emph{only} be interpreted as a part + number if it represents a number less than or equal + \texttt{noinst}, as given in the parent file; otherwise + the entire line will be treated as an ordinary comment, + and transferred to all parts. + } + + \item In addition to all entries in the header except \texttt{I} + options (cf.\ Sec.~\ref{sec:MIDI}, p.~\pageref{sec:MIDI}), the + following {\PMX} symbols \emph{with all their options} will + automatically be copied to \emph{all parts} (unless the + previous line starts with \texttt{\%\%}, of course): + + \begin{center}\begin{tabular}{l@{\qquad}l} \texttt{R} & (bar + symbol) \\ \texttt{V} & (volta) \\ \texttt{K} & (key + change or transposition) \\ \texttt{A} & (global options) + \\ \end{tabular}\end{center} This is true for + \texttt{R,V,K}, in spite of the fact that they can be + entered in the \emph{first} voice of the score only! + \end{itemize} + +\subsection{The \texttt{S} symbol} \label{sec:Ssymbol} + _{S symbol@\texttt{S} symbol} + +\begin{itemize} + \item \texttt{S}[\emph{n}]: + + By default the total number of systems in each part will be the + same as in the score. If you want to override this, you can do + that with \texttt{S}[\emph{n}], where \emph{n} is + the desired number of systems. \texttt{S}[\emph{n}], if used, + must appear in the header of the parent file. Legally, you + could use \texttt{S}[\emph{n}] to reset the number of systems + for the parent file itself, which you had just defined in the + preamble. That, of course, does not make much sense, but in + the form \\ + \text{\quad}\texttt{\%!S}[\emph{n}] \\ + or \\ + \text{\quad}\texttt{\%}[\emph{k}]\texttt{S}[\emph{n}] \\[1ex] + it does, because then it does \emph{not} affect the full + score, \emph{but all parts}, or part k only, resp. \\ + \texttt{barsant.pmx}, one of the examples given in Section + \ref{sec:donsexamples}, includes a demonstration of this. + \item \texttt{S}[\emph{n}]\texttt{P}[\emph{m}]: + + \textbf{scor2prt} will also compute how many pages it thinks + each part should have, and enter that into the preamble for + that part. If you wish to override that, then insert into the + parent file \texttt{\%3S14P2} for example, which would force + the third part to have 14 systems and 2 pages. You cannot + override the number of pages without first overriding the + number of systems. + + \item \texttt{S}[\emph{n}]\texttt{m}[\emph{k}]: + + A musicsize of 20 is the default in all parts. This may be + overridden with the option \texttt{m} in the symbol \texttt{S}: + e.g., \texttt{\%2S15m16}. Again, you must specify the number of + systems before setting the musicsize. +\end{itemize} + +\Note{Keep in mind the distinction among the various usages of + \texttt{P}: + \begin{itemize} + \item as an option with \texttt{S}, it sets the total number of + pages in a part, + \item as an option with \texttt{L}, it forces a page break, + \item as a {\PMX} command on its own, it controls page + numbering and centered headings. + \end{itemize} _{P symbol@\texttt{P} symbol} + } +\subsection{Other usage rules} + _{\textbf{scor2prt}!usage} +\begin{itemize} + + \item Inline {\TeX} strings of Type 2-4 will be copied to all parts, + while a type 1 inline {\TeX} string will only go into the part + in which it occurs in the parent file. + \item _{spacing!hard space use with \textbf{scor2prt}} + User-defined hardspaces (\texttt{X} without \texttt{:}) are by + default not copied to parts. There are two ways to change this + default: _{X symbol} + \begin{enumerate} + \item use the options of the \texttt{X} command + (cf.~Section~\ref{sec:spacing}): \texttt{B} causes + the hardspace to be used in \textbf{b}oth score and + parts; \texttt{P} puts it into the \textbf{p}arts, but + not the score, + \item to insert \emph{x} notehead widths of hardspace into + part \emph{n}, place the symbol + {\tt\%}[\emph{n}]\texttt{X}[\emph{x}], on a line of + its own, in the parent file. + \end{enumerate} + _{page!numbering!with \textbf{scor2prt}} + _{\textbf{scor2prt}! page numbering} + \item As was already noted (cf.~Section~\ref{sec:pagenumbers}), a + \texttt{P} symbol for page numbering in the parent file is + ignored when making parts. To initiate page numbering in the + parts, use, for example, \texttt{\%!P} , with appropriate + options added, anywhere within the {\PMX} code representing the + first page of the parts\,% + \footnote{From \TeX 's standpoint the command must occur + between the beginning and end of the page on which + the numbering is to begin. + }. + It will often be useful in this case to use the option + \texttt{c} , which by default causes the instrument name to be + centered in small type at the top of every page after the + first. + \item _{MIDI!with \textbf{scor2prt}} \label{p:MIDI} + MIDI commands, i.e., those starting with \texttt{I}, will never + be copied into parts, unless they are in a special comment line + as just described. + \item _{rest!multibar rest} + One function of \textbf{scor2prt} is to condense consecutive + bars of rest into a single group of special printed characters + with a number above it. Thus \textbf{scor2prt} will automatically + insert \texttt{rm} symbols (cf.\ Sec.~\ref{sec:rests}) into the + \texttt{.pmx} files for the parts where appropriate. However, + for this feature to work, the \emph{first} full-bar rest in the + sequence \emph{must} have its duration explicitly defined in + the parent file, either with a digit or with \texttt{p}. In + other words, the feature will not work if the first rest in the + sequence inherits its duration from the previous note. +\end{itemize} + +\bigskip +\Note{In standard {\TeX} the rule for comments is: a \% character + \emph{and all text that follows it on the same line} is treated as + a comment, i.e.\ it is totally ignored by the program. As a + consequence of this rule, many users of {\TeX} have a habit of + adding comments at the end of short lines of text, instead of + writing a whole comment line, starting with a \% in column 1 . + This is fine as far as {\PMX} is concerned; but + _{\textbf{scor2prt}} \textbf{scor2prt} redefines this rule a bit + and in general \emph{will misinterpret comments added in the same + line after} some legal {\PMX} code. _{comments!usage with + \textbf{scor2prt}} + + \medskip + \emph{So when you intend to make parts using} \textbf{scor2prt}, + it is good practice to restrict true comments to lines with \% + \emph{in column} 1, \emph{followed by at least one blank}. + } + +\section{Making MIDI Files} \label{sec:MIDI} +_{MIDI} + +Some users of {\PMX} and {\MusiXTeX} may never have heard of MIDI and +may therefore be a bit bewildered by this section. So here is a quick +introduction: +\begin{quotation} + MIDI stands for ``\textbf{M}usical \textbf{I}nstruments + \textbf{D}igital \textbf{I}nterface''. It is essentially a standard, + consisting of a language and its hardware implementation, designed + to produce digitally coded music with a device like a synthesizer or + a multi-media computer. If your computer is equipped with the + appropriate hardware and software (which is standard on PC's these + days), you can listen to the music encoded in a MIDI file on your + computer just as you can read the text encoded in a text file\,% + \footnote{If you are interested in details on MIDI in general, a good + place to start is the home page of the ``MIDI + Manufacturer's Association'': + \href{http://www.midi.org/about-midi/aboutmidi3.shtml}% + {\texttt{http://www.midi.org/about-midi/aboutmidi3.shtml}% + }~. + }. +\end{quotation} + +\bigskip +This section describes how to produce such MIDI files when writing a +piece of music with {\PMX}. When using this facility, you should be +aware both of the general restrictions of MIDI and the special ones that +{\PMX} imposes: + +\begin{itemize} + \item First of all, you should not expect the MIDI files that {\PMX} + produces to be anything that resembles a performance of the + piece by real, human musicians. While MIDI does make different + shades of sound for the different instruments, the lack of any + kind of expressivity (rhythmic accentuation, dynamics, vibrato, + intonation etc.) does not really do justice to the musical + character of acoustic instruments. + + \medskip + So the MIDI file can be hardly more than an acoustic check on + whether the notes produced are indeed what you had intended. + But for that purpose it can be of great help in coding a score + with {\PMX}, so it is generally advisable to produce the MIDI + files. + \item _{grace notes!not in MIDI} _{ornaments!not in MIDI} + _{repeats!not in MIDI} _{volte!not in MIDI} + _{volte!not in MIDI} _{slurs!in MIDI} + \label{p:midi} + The MIDI module of {\PMX} does not recognize graces, ornaments, + repeats, volte, or segnos. The only ties that are recognized + are those using \texttt{s}, \texttt{t} or \texttt{(} \,; alone, + with no explicit ID number. + \item _{transposition!not with MIDI} _{octaviation!not with MIDI} + Neither can the module reproduce music in which notes sound + differently from what is written in the score. This pertains + boths to transposing wind instruments and octaviation notation + (cf.~Sections \ref{sec:mtrauer}, \ref{sec:clefoctaviation}). + \item the MIDI file generator does not support changing the number of + instruments in midstream. You will not see an error message, + but the results will be unpredictable. +\end{itemize} + +The MIDI file is produced by {\PMX} concurrently with the {\MusiXTeX} +output. To start this, enter the symbol \texttt{I}, together with any +options (as described below), usually in the header of the input file; +but \texttt{I} symbols can appear later in the file as well, but only at +the \emph{start of an input block}. +_{I symbol@\texttt{I} symbol} + +If the name of the {\PMX} source file is, say, \texttt{Mymusic.pmx}, the +MIDI symbol \texttt{I} will cause a file \texttt{Mymusic.mid} to be +written in the directory given in the preamble. If \texttt{I} is used +without any options, {\PMX} will use default values for several of the +parameters; these default values are indicated below. + +\medskip +Usually, however, you will want to specify some options. They follow the +MIDI symbol \texttt{I} immediately, without a space. Sometimes the order +of the options matters, so it is generally advisable to adhere to the +order in which they are given here: + +\begin{enumerate} _{MIDI!parameters} + \item \texttt{t}[\emph{x}] sets the tempo to \emph{x} + quarter notes per minute. Default is 96. You can change the + tempo as often as you like, but only at the start of an input + block (as with all MIDI commands). + \item _{instruments!names!in MIDI} + \texttt{i}[\emph{i1i2...in}] assigns MIDI instrument names + \emph{i1,i2,...,in} to the staves of the respective {\PMX} + instruments. The default is harpsichord, of course. + + If you use this option, you must specify \emph{all} instruments. + Each \emph{i} is either an integer between 1 and 255 or a + 2-letter mnemonic. The instrument mnemonics allowed with {\PMX} + are listed in Table~\ref{tab:MIDIinstr}. Numbers and mnemonics + may be mixed, but consecutive pairs of numbers must be separated + by \texttt{:} (colon)\,% + \footnote{Otherwise the assignment could be ambiguous!}. + Care is needed with multi-staff instruments: there must be one + instrument name \emph{per staff}; so for a sonata for violin and + piano, e.g., the instrument names entry would be + \texttt{ipipivl}, not \texttt{ipivl} ! + \item \texttt{v}[\emph{i1}]:[\emph{i2}]:[...]:\emph{in}] assigns the + relative MIDI volume to each instrument. Each \emph{i} is an + integer between 1 and 127; the colons are required. The volume + parameter \texttt{v} must either be given with exactly as many + parameters as there are instruments, or none at all. The default + (no parameters given) is 127. + \item \texttt{b}[\emph{m1}]:[\emph{m2}]:[...]:\emph{mn}] assigns the + MIDI stereo balances to each instrument. The numbers \emph{m} + may vary between 1 and 128; otherwise their usage is similar to + that for the volume. The default value is 64, which represents + the center; smaller numbers favor the left stereo channel, + larger ones the right. + \item \texttt{p}[\emph{x}] inserts a pause of \emph{x} quarter notes + -- for all instruments! -- at the beginning of the first bar of + the input block in which the MIDI symbol appears. Decimals are + allowed, but will be rounded to the nearest sixteenth note. + \item \texttt{g}[\emph{i}] sets the MIDI gap to \emph{i} MIDI clock + tics: this is a silence inserted at the end of every note, + while decreasing the sounding duration by the same amount. The + default is 10, which corresponds to 2/3 of a 64th note. +\end{enumerate} + +_{MIDI!file players and editors} +Key signatures, time signatures (meter) and instrument names will be +written into the MIDI file, the latter as track names. This will have +no effect whatsoever on audible output, but will affect on-screen +appearance with some MIDI file players and editors. + +\medskip +The instruments given in Table~\ref{tab:MIDIinstr} are a subset of +``The General MIDI Instrument Specification''. Of course how they sound +depends on your hardware and software. Instruments not listed below can +still be used but must be specified by number +(cf.~Table~\ref{tab:MIDIspecif}). + +\newcommand{\T}[1]{\texttt{#1}} +\begin{table}[!htb] _{MIDI!instrument mnemonic names} +\begin{tabular}{ll@{\qquad}ll@{\qquad}ll} +\T{pi} & Acoustic Grand Piano & \T{vl} & Violin & \T{re} & Recorder \\ +\T{rh} & Rhodes Piano & \T{va} & Viola & \T{fl} & Flute \\ +\T{ha} & Harpsichord & \T{vc} & Cello & \T{ob} & Oboe \\ +\T{ct} & Clavinet & \T{cb} & Contrabass & \T{cl} & Clarinet \\ +\T{or} & Church Organ & \T{ab} & Acoustic Bass & \T{ba} & Bassoon \\ +\T{so} & Soprano Sax & \T{tr} & Trumpet & \T{ma} & Marimba \\ +\T{al} & Alto Sax & \T{fr} & French Horn & \T{gu} & Acoustic Nylon Guitar \\ +\T{te} & Tenor Sax & \T{tb} & Trombone & \T{vo} & Synth Voice \\ +\T{bs} & Baritone Sax & \T{tu} & Tuba & & +\end{tabular} + \caption{Mnemonics for instruments acceptable in {\PMX} } + \label{tab:MIDIinstr} +\end{table} + +\subsection{MIDI macros \protect\footnotemark} +\footnotetext{{\PMX} normally does not allow tempo changes in MIDI macros. + As of version 2.511, this restriction no longer holds; but it + is designated as ``experimental''. So if you use it, be + prepared for surprises! Naturally, Don Simons will certainly + be interested to hear of your experiments. + } + +\texttt{IM} initiates a MIDI macro operation. Although the syntax of a +{\PMX} MIDI macro is analogous to that of regular {\PMX} macros +(decribed in Section~\ref{sec:macros}), its function is different: +\begin{enumerate} + \item a MIDI macro cannot be saved (i.e.\ recorded without playing --- + there is no command \texttt{IMS[}\emph{i}\texttt{]}), + \item the code sandwiched between \texttt{IMR[}\emph{i}\texttt{]} + (``start \textbf{r}ecord \textbf{M}IDI macro'') and \texttt{IM} + (``end \textbf{M}IDI macro'') will be recorded as with a regular + macro, but + \item \texttt{IMP[}\emph{i}\texttt{]} (``\textbf{P}layback of + \textbf{M}IDI macro \emph{i}'') will \emph{not insert anything + in the written score}, it will merely replay in the MIDI output + the number of bars defined by the macro. +\end{enumerate} +MIDI macros are needed for repeats or dacapos, as the {\PMX} coding for +these features of a score merely provides the appropriate notation on +paper, nothing else. MIDI Macros must have ID numbers between 1 and 20. +Only one macro may be active at a time, recording or playing, but not +both. Never try nesting or overlapping macros! + +\subsection{MIDI only accidentals} \label{sec:MIDIaccidentals} +_{MIDI!accidentals} _{accidentals!MIDI} + +\begin{table}[!hbp] +\begin{center} _{MIDI!General Instrument Specification} + {\scriptsize + \begin{tabular}{|ll|ll|ll|} + \hline + \bfseries 1-8 & \bfseries PIANO & \bfseries 9-16 & \bfseries CHROMAT. PERC. & + \bfseries 17-24 & \bfseries ORGAN \\ + \hline + 1 & Acoustic Grand Piano & 9 & Celesta & 17 & Drawbar Organ \\ + 2 & Bright Acoustic Piano & 10 & Glockenspiel & 18 & Percussive Organ \\ + 3 & Electric Grand Piano & 11 & Music Box & 19 & Rock Organ \\ + 4 & Honky-tonk Piano & 12 & Vibraphone & 20 & Church Organ \\ + 5 & Electric Piano 1 & 13 & Marimba & 21 & Reed Organ \\ + 6 & Electric Piano 2 & 14 & Xylophone & 22 & Accordian \\ + 7 & Harpsichord & 15 & Tubular Bells & 23 & Harmonica \\ + 8 & Clavinet & 16 & Dulcimer & 24 & Tango Organ \\ + \hline + \bfseries 25-32 & \bfseries GUITAR & \bfseries 33-40 & + \bfseries BASS & \bfseries 41-48 & \bfseries STRINGS \\ + \hline + 25 & Acoustic Guitar (nylon) & 33 & Acoustic Bass & 41 & Violin \\ + 26 & Acoustic Guitar (steel) & 34 & Electric Bass (finger) & 42 & Viola \\ + 27 & Electric Guitar (jazz) & 35 & Electric Bass (pick) & 43 & Cello \\ + 28 & Electric Guitar (clean) & 36 & Fretless Bass & 44 & Contrabass \\ + 29 & Electric Guitar (muted) & 37 & Slap Bass 1 & 45 & Tremelo Strings \\ + 30 & Overdriven Guitar & 38 & Slap Bass 2 & 46 & Pizzicato Strings \\ + 31 & Distortion Guitar & 39 & Synth Bass 1 & 47 & Orchestral Strings \\ + 32 & Guitar Harmonics & 40 & Synth Bass 2 & 48 & Timpani \\ + \hline + \bfseries 49-56 & \bfseries ENSEMBLE & \bfseries 57-64 & + \bfseries BRASS & \bfseries 65-72 & \bfseries REED \\ + \hline + 49 & String Ensemble 1 & 57 & Trumpet & 65 & Soprano Sax \\ + 50 & String Ensemble 2 & 58 & Trombone & 66 & Alto Sax \\ + 51 & Synth Strings 1 & 59 & Tuba & 67 & Tenor Sax \\ + 52 & Synth Strings 2 & 60 & Muted Trumpet & 68 & Baritone Sax \\ + 53 & Choir Aahs & 61 & French Horn & 69 & Oboe \\ + 54 & Voice Oohs & 62 & Brass Section & 70 & English Horn \\ + 55 & Synth Voice & 63 & Synth Brass 1 & 71 & Bassoon \\ + 56 & Orchestra Hit & 64 & Synth Brass 2 & 72 & Clarinet \\ + \hline + \bfseries 73-80 & \bfseries PIPE & \bfseries 81-88 & + \bfseries SYNTH LEAD & \bfseries 89-96 & \bfseries SYNTH PAD \\ + \hline + 73 & Piccolo & 81 & Lead 1 (square) & 89 & Pad 1 (new age) \\ + 74 & Flute & 82 & Lead 2 (sawtooth) & 90 & Pad 2 (warm) \\ + 75 & Recorder & 82 & Lead 3 (calliope) & 91 & Pad 3 (polysynth) \\ + 76 & Pan Flute & 83 & Lead 4 (chiff) & 92 & Pad 4 (choir) \\ + 77 & Blown Bottle & 84 & Lead 5 (charang) & 93 & Pad 5 (bowed) \\ + 78 & Shakuhachi & 85 & Lead 6 (voice) & 94 & Pad 6 (metallic) \\ + 79 & Whistle & 86 & Lead 7 (fifths) & 95 & Pad 7 (halo) \\ + 80 & Ocarina & 87 & Lead 8 (bass+lead) & 96 & Pad 8 (sweep) \\ + \hline + \bfseries 97-104 & \bfseries SYNTH EFFECTS & \bfseries 105-112 & + \bfseries ETHNIC & \bfseries 113-124 & \bfseries PERCUSSIVE \\ + \hline + 97 & FX 1 (rain) & 105 & Sitar & 113 & Tinkle Bell \\ + 98 & FX 2 (soundtrack) & 106 & Banjo & 114 & Agogo \\ + 99 & FX 3 (crystal) & 107 & Shamisen & 115 & Steel Drums \\ + 100 & FX 4 (atmosphere) & 108 & Koto & 116 & Woodblock \\ + 101 & FX 5 (brightness) & 109 & Kalimba & 117 & Taiko Drum \\ + 102 & FX 6 (goblins) & 110 & Bagpipe & 118 & Melodic Drum \\ + 103 & FX 7 (echoes) & 111 & Fiddle & 119 & Synth Drum \\ + 104 & FX 8 (sci-fi) & 112 & Shanai &120 & Reverse Cymbal \\ + \hline + \bfseries 121-128 & \bfseries SOUND EFFECTS & & & & \\ + \hline + 121 & Guitar Fret Noise & & & & \\ + 122 & Breath Noise & & & & \\ + 123 & Seashore & & & & \\ + 124 & Bird Tweet & & & & \\ + 125 & Telephone Ring & & & & \\ + 126 & Helicopter & & & & \\ + 127 & Applause & & & & \\ + 128 & Gunshot & & & & \\ + \hline + \end{tabular} + } + \caption{The General MIDI Instrument Specification} + \label{tab:MIDIspecif} +\end{center} +\end{table} + +In rare cases a special notation for accidentals is needed to guarantee +that the MIDI output corresponds exactly to what is intended in the +score. Cases in point are: +\begin{description} + \item[Repeated notes with accidentals:] the generally accepted rules + of musical orthography, at least for tonal music, say that when + two identical notes with accidentals occur in the same bar (and + in the same voice, of course), only the first one is written with + an explicit accidental; for the following notes the accidentals are + implied (`inherited', in {\PMX} parlance). + + This rule is less clear when there is a bar line between two + successive notes. Some composers -- in particular in the baroque + era, where this notation is almost the default -- will assume the + first note in the new bar to have `inherited' the accidental + along with it, while others would insist on repeating the + accidental, and still others would put a cautionary accidental + over the first note of the new bar. {\PMX} takes the first + position, and MIDI files generated by {\PMX} will reflect this + attitude. + + {\PMX} users with a different attitude could thus find their + intention misrepresented in the MIDI output. + + \item[Editorial/dubious accidentals:] in editing an historical piece, + a conscientious editor will provide information about + dubious points, but she nevertheless, in creating a MIDI file, + might want to assert her own position. +\end{description} +For these and similar applications {\PMX} provides the \emph{MIDI only +accidentals}. These are written and used like normal accidentals, +except with an `\texttt{i}' added . Such accidentals are +effective \emph{only in the MIDI output}; they are disregarded in the +printed score. + +This is particularly useful when you want to override the MIDI +``baroque default'' described above. To understand the ``baroque +default'' clearly, consider the example given in +Fig.\ref{fig:MIDIbaroquedefault} , where the {\PMX} coding is given +directly below the system: + +\begin{figure}[!htb] + \begin{center} + \includegraphics[scale=.82]{eps/MIDIbaroque.eps} + \caption{The ``baroque default'', and overriding it with MIDI + only accidentals} + \label{fig:MIDIbaroquedefault} + \end{center} +\end{figure} +\noindent +Now compare the printed score with the MIDI version -- provided +\href{http://www.itp.uni-bremen.de/~noack/MIDI.mid}{here} for your +convenience --, and you can hear the differences explicitly\,% +\footnote{It is also instructive to note the MIDI implementation of + slurs and ties generated by {\PMX} here (Cf.\ the list of MIDI + restrictions on p.\pageref{p:midi}). + }. + +\medskip +Another example for the use of MIDI only accidentals is given in +Fig.\ref{fig:MIDIaccidentals}: +\begin{figure}[!htb] + \begin{center} + \includegraphics[scale=.82]{eps/MIDI.eps} + \end{center} + \caption{Further use of MIDI only accidentals} + \label{fig:MIDIaccidentals} +\end{figure} +\begin{itemize} + \item MIDI plays the first $C$ in bar 2 as a $C\sharp$. The editorial + $\natural$ over the second $C$, however, suggests that + $C\natural$ was intended (at least from here on), so the MIDI + accidental \texttt{in} is appended to that $C$, + \item the final $F$ (in bar 5) suggested to the editor that we are + moving towards F major here, and thus the $B$ in bar 3 should + actually have been a $B\flat$. By bar 4 the assumption is + confirmed, and so he changes the `dubious' accidental to an + editorial one, and the MIDI only accidental \texttt{fi} is appended + to that $B$. +\end{itemize} + +\section{Lyrics} \label{sec:lyrics} +_{\texttt{musixlyr.tex}} _{\textbf{musixlyr}} +_{lyrics|see{\textbf{musixlyr}}} + +{\PMX} has no special provisions for lyrics. One way to include them is +by using the macro package \texttt{musixlyr.tex} developed by Rainer +Dunker. It introduces lyrics into {\TeX} more easily than with +{\MusiXTeX}'s own facilities. The macros could be entered as inline +{\TeX} directly into the \texttt{.pmx} file, but most would prefer the +convenient interface to \textbf{musixlyr} via the program {\MTX} +developed by Dirk Laurie (cf.~Section~\ref{sec:MTX}). +_{\MTX} _{Laurie, Dirk} _{Dunker, Rainer} + +_{accented letters in lyrics} + +If you have foreign-language lyrics, you may run into the problem of +accented letters. Straight {\TeX} does not provide these directly, as +the modern font encoding schemes used by {\LaTeX} do. +_{Vogel, Olivier} +However, Olivier Vogel has developped a method with which to use these +encoding schemes with {\MTX}/{PMX}/{\MusiXTeX}. For details you should +look at his contribution on this in the +\href{http://icking-music-archive.org/software/pmxtricks/tricks.html}% + {Tricks and Tricks} +section in the WIMA, or contact Olivier directly: \quad +\raisebox{-0.8ex}{\includegraphics[scale=0.6]{addresses/ovogel} } + +\section{{\PMX} and {\LaTeX} } \label{sec:LaTeX} +_{\LaTeX} + +{\LaTeX} (``A Document Preparation System''), although written for a +very different purpose, has a lot in common with +{\PMX}: it is a (huge) set of {\TeX} macros that allows to solve +complicated layout problems without the need to dive into the -- +sometimes arcane -- depths of {\TeX} itself. So {\LaTeX} simplifies the +use of {\TeX} for the non-{\TeX}pert in much the same way that {\PMX} +does for {\MusiXTeX}. + +\medskip +So it would certainly be wonderful to have the best of two worlds: merge +{\LaTeX} and {\PMX}. The problems with that (or merging {\LaTeX} and +{\MusiXTeX}, for that matter) are threefold: +\begin{enumerate} + \item {\PMX} deals with many of the layout aspects of a musical score + on its own (such as width of systems, line breaks, page breaks + etc.), and with techniques that are not really compatible with + those of {\LaTeX}. + \item {\MusiXTeX} / {\PMX} and {\LaTeX} make heavy use of + {\TeX}'s ressources, both in memory and registers, and together + they may strain these ressources beyond their usual limit. + \item both {\MusiXTeX} / {\PMX} and {\LaTeX} use many special + command definitions, often enough incompatible with one another. +\end{enumerate} + +While with modern implementations of ressources are no longer a serious +problem, the incompatibility problems are, and their resolution would be +a major programming task. So there have, to this day, not been any +serious efforts to provide a truly merged version of {\LaTeX} with +{\PMX}. + +\bigskip +There are, however, several methods to use {\LaTeX} and {\PMX} in +(partial) ``coexistence'': +\begin{enumerate} + \item _{\LaTeX!with short musical scores} _{short scores} + The best way to include short scores, of less than one printed + page, in a {\LaTeX} document is to + \begin{enumerate} + \item _{PostScript} + produce the musical score with {\PMX} -- {\MusiXTeX} + -- \textbf{dvips} in the way described in this tutorial. + The end product is a PostScript file, + \item _{encapsulated PostScript file} + _{\texttt{.eps} file|see{encapsulated PostScript file}} + make an \texttt{.eps} (``encapsulated PostScript'')\,% + \footnote{In general, this is possible for + single-page PostScript files only. + } + file from the \texttt{.ps} with one of the standard + tools, e.g.~\textbf{ghostview}, + \item include this \texttt{.eps} file in the {\LaTeX} + document with the {\LaTeX} \bs\texttt{includegraphics} + command, e.g. \\[-1ex] + \hspace*{\fill}\verb#\includegraphics[scale=0.58]{sample.eps}# + \hspace*{\fill} . + \end{enumerate} + This is the method with which the present tutorial was produced. + \item _{\textbf{musixltx}} _{\LaTeX!\textbf{musixltx}} + use the {\LaTeX} package \textbf{musixltx}, together with + {\MusiXTeX}\,% + \footnote{\textbf{musixltx} is part of the standard + distribution of the {\MusiXTeX} package. + }. + The {\MusiXTeX} code is then sandwiched between the start and + end of a specific environment: + \begin{center} \vspace*{-2ex} + \verb#\begin{music}# \dots \verb#\end{music}# . + \end{center}\noindent + For more detail on this method see the {\MusiXTeX} manual by + Daniel Taupin. _{Taupin, Daniel} + + \medskip + But be aware of the fact that the \texttt{.tex} files produced + by {\PMX} contain a number of incompatibilities with {\LaTeX}. + So if you want to use the \textbf{musixltx} package together + with {\PMX}, you may have to comment out a few lines in the + \texttt{.tex} file --- by hand, unfortunately. For that reason, + the \textbf{musixltx} package usually works well with {\PMX} + only in rather simple cases. An example of how to proceed can + be found in the WIMA: \\ + \hspace*{\fill} + \href{http://icking-music-archive.org% + /software/musixtex/add-ons/pmx-l2e.tex}% + {\texttt{http://icking-music-archive.org/% + /software/musixtex/add-ons/pmx-l2e.tex}} + \hspace*{\fill} \\ + \item _{\LaTeX!\textbf{mtxlatex}} _{\LaTeX!e\TeX} + _{\LaTeX!interface with \PMX} _{Laurie, Dirk} _{\MTX} + Dirk Laurie, the author of {\MTX}, has developped a + {\LaTeX} package, \textbf{mtxlatex}. It is is part of the + \href{http://icking-music-archive.org/software/mtx/mtx060.pdf}% + {{\MTX} 0.60b distribution}, available from the WIMA, and can be + considered a successor to the \textbf{musixltx} package + described above. An outstanding feature of this package is that + it interfaces quite well with {\PMX}; so this is usually the + method of choice in cases where you want to include longer + music scores in a long text such as a book. Detailed + instructions on how to use this package are contained in the + {\MTX} manual. + + When + using \textbf{mtxlatex}, be sure to + include the \textbf{mtxlatex} package as the + \emph{first} package in the {\LaTeX} source file. +\end{enumerate} + +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +% PMX tutorial by ccn / chapter D starts here: +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +\chapter{Limitations, error messages, and bugs} +\section{Limitations} \label{sec:limits} +_{limitations} + +For simplicity in writing the program, {\PMX} has numerous variables +with fixed dimensions. In most cases there are no checks against these +limits, so occasionally there may be hangups due to exceeding a +dimension. + +\medskip +The limits of the variables given in Tables~\ref{tab:softlimits} and +\ref{tab:hardlimits} fall in two distinct classes, named ``soft'' and +``hard'' limits to distinguish them: +\begin{enumerate} + \item soft limits can be increased fairly easily: all it takes (sic!) + is to change the dimensions in the FORTRAN source of + _{\texttt{pmxab.exe}} \texttt{pmxab.exe} (the {\PMX} program) + accordingly, and recompile, + \item hard limits, on the other hand, could only be increased with + more or less elaborate reprogramming + \footnote{Often these hard limits are a consequence of + features of {\MusiXTeX} and thus cannot be changed + without changes in {\MusiXTeX}. + + Note, however, that this character count + \emph{includes all empty spaces before the final + character} (such as \texttt{/}) at the end of an + input line. If -- for better readability, e.g.\ -- + you are in the habit of aligning these end-of line + characters, being more stingy on the resulting blanc + characters often helps to stay within the limit. + } + (or at least recompiling the source code), so for all practical + purposes they are unchangeable. + +\end{enumerate} +In both cases, however, it will usually be possible to work within +existing limits by breaking the input into smaller blocks. Consider that +solution before asking Don Simons for changes to the {\PMX} source code, +or attempting such changes yourself! _{Simons, Don} + +\begin{table}[!htb] +\begin{center} +_{limitations!soft limits} +\begin{tabular}{l@{\quad:\quad}r} +characters per input line & 128 \\ +staves & 24 \\ +voices per staff & 2 \\ +voices per system & 24 \\ +systems & 125 \\ +bars & 600 \\ +forced line breaks & 40 \\ +forced page breaks & 10 \\ +key changes & 18 \\ +pages & 20 \\ +notes per input block & 600 \\ +bars per input block & 15 \\ +slurs per input block & 101 \\ +figures (figured bass) per input block & 74 \\ +grace note groups per input block & 37 \\ +notes in grace note groups per input block & 74 \\ +inline {\TeX} strings per input block & 52 \\ +volte per input block & 6 \\ +trills per input block & 24 \\ +chordal notes (non-spacing) per input block & 62 \\ +beams per voice per bar & 8 \\ +forced beams per voice per input block & 40 \\ +clef changes per voice per input block & 10 \\ +notes per beam & 24 \\ +notes per xtuplet & 24 \\[-3ex] +\end{tabular} +\end{center} + \caption{Numerical limits of {\PMX} variables (soft limits)} + \label{tab:softlimits} +\end{table} + +\vfill +\begin{table}[!htbp] + +\noindent +------------------------------------------------- +\begin{center} +_{limitations!hard limits} +\begin{tabular}{l@{\quad:\quad}r} +total number of characters in source file & 65~536 ($2^{16}$) \\ +\bs{\tt notes} groups (total) & 2000 \\ +\bs{\tt notes} groups per bar & 20 \\ +inserted standard anti-collision spaces + (not xtuplet or end-of-bar) per bar & 20 \\ +inserted anti-collision spaces within xtuplets per bar & 20 \\ +inserted anti-collision end-of-bar hardspaces per system & 19 \\ +inserted anti-collision end-of-bar hardspaces (total) & 83 \\ +inserted standard anti-collision spaces per system & 400 \\ +inserted anti-collision spaces within xtuplets per system & 100 \\ +inserted standard anti-collision spaces & 1000 \\ +inserted anti-collision spaces within xtuplets & 200 \\ +bytes of MIDI output data per line of music & 24576 +\\[-3ex] \end{tabular} \end{center} \caption{Numerical limits of {\PMX} +variables (hard limits)} \label{tab:hardlimits} \end{table} + +\section{{\PMX}'s error messages} \label{sec:errormsg} +_{error messages} + +When run on, say, \verb#my_opus.pmx#, {\PMX} will always generate two +files in the working directory, \verb#my_opus.pml# and +_{\texttt{pmxaerr.dat}} \texttt{pmxaerr.dat}. \verb#my_opus.pml# is a +log file, and \verb#pmxaerr.dat# contains a single integer: 0 if the run +was successful, otherwise the line number in the source file +\verb#my_opus.pmx# of the fatal error (useful for batch processing). +Also, on successful completion, \verb#my_opus..tex# will be placed in +the path specified in the preamble. + +\medskip +Usually, when there is an error, {\PMX} will give you a pretty good +explanation\,% +\footnote{Note that sometimes an error message will use a name for a + preamble numerical parameter that differs from that used in + this tutorial --- but it usually is easily recognized. + \label{p:errormsg} + }. +There are some cases, however, in which the error message will be issued +not by {\PMX}, but by the FORTRAN compiler directly, and it may look +very cryptic to you. An infamous example is: +\begin{center} \vspace*{-1ex} \begin{verbatim} + forrtl: severe (24): end-of-file during read, unit 10 +\end{verbatim} \vspace*{-1ex} \end{center} +Such messages are almost always caused by an extra line in your source +file that shouldn't be there, so experiment with deleting lines towards +the end of your file! + +\section{Bugs} +_{bugs} + +As was mentioned before, {\PMX} is continuously maintained and improved +by Don Simons, and there is a very active group of {\PMX} users. Thus +there is no serious bug known (as of Version 2.514) that hasn't been +fixed. _{Simons, Don} + +\medskip +If you think you have discovered a new bug, don't hesitate to send a +message to the TeX-music users' list: + \raisebox{-1.0ex}{% + \includegraphics[scale=0.72]{addresses/texmusiclist} + }$\!\!$% +\footnote{Almost all reported ``bugs'' turn out to be misunderstandings. + So if you state politely that you \emph{think} you may have + found a bug, and ask for help, you will avoid irate replies of + the ``RTFM'' species. + }. +The same is true if you have a problem with {\PMX} that you simply cannot +solve by yourself, even though you suspect that it's \emph{not} a bug: +don't hesitate to ask! + +\subsection{A Benign Bug} \label{sec:bug} +When {\TeX}ing the output of {\PMX} you will usually get an +\texttt{Underfull \bs vbox} message at the end of each page. This is +due to {\PMX} inserting \verb#\eject# at the end of every page, which +automatically spaces the systems vertically without having to fiddle +with \verb#\staffbotmarg#. As far as is known, the warning is benign, +and may be ignored. + +\vfill +\vspace*{\fill} +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +% PMX tutorial by ccn / chapter E starts here: +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +\chapter{Tricks of the Trade} \label{sec:tricks} + +\section{Simple tricks} + +\subsection{Special coding in L'Incoronazione di Poppea} +_{figured bass!continuation} + +Bar 17 in Fig.~\ref{fig:poppea} requires an explanation: the +continuation figure appears under the \verb#5#, but the these two +figures are coded as \verb#x145 x12\_00.2# . Why not \verb#x14500.2# , +giving them both the same horizontal offset? That is because the +continuation figure always starts 0.3 \verb#\noteskip#s to the +\emph{left} of the associated note's position. This works well in most +normal situations. But here \verb#\noteskip# is large,based on the +dotted half, while the desired length is short, so in fact the left +offset of the starting point is even larger than the desired length. +Consequently the entry point of the continuation figure has to be offset +by a half note to make it appear offset by a quarter note. + +\subsection{Text after final system} + _{text!after final system} +Suppose you want to add some text, Or any other {\TeX} material, +after the final system of a score. How can you include that in the +{\PMX} file?\,% +\footnote{This question was posted to the {\TeX}-music list by Herrmann + Hinsch. _{Hinsch, Herrmann} + } + +The answer, given by Christian Mondrup, is instructive: +\begin{enumerate} _{Mondrup, Christian} + \item Write the text to a separate file, say + \verb#Myendnotes.tex# , + \item Insert + \begin{center}\begin{verbatim} + \let\Endpiecesav\Endpiece + \def\Endpiece{\Endpiecesav\input Myendnotes} + \end{verbatim}\end{center} +\end{enumerate} +in the header of the {\PMX} source file, i.e.\ as a Type 4 inline {\TeX} +command (cf.\ Sec.~\ref{sec:inlinetypefour}). You can see that the +redefinition of {\TeX} commands, if done carefully, can be a rather +powerful tool. + +\medskip _{\LaTeX!interface with \PMX} _{\textbf{mtxlatex}} +Another solution to this problem is to use the {\LaTeX}/{\PMX} +interface \textbf{mtxlatex} (cf.~\ref{sec:LaTeX}); this may be +simpler in cases involving more complicated layout. + +\begin{figure}[!htbp] + \begin{center} + \includegraphics[scale=.82]{eps/mtrauermus.eps} \\[2ex] + \end{center} + \caption{\textbf{W.A.\ Mozart}, \emph{Mauerische Trauermusik} KV + 477, bars 1 -- 9 + } + \label{fig:mtrauermus} +\end{figure} + +\begin{table}[!htbp] + \begin{center} +\begin{minipage}{400pt} +\small +\begin{verbatim} +--- +% Mozart, Mauerische Trauermusik KV 477, bars 1 -- 9 +--- +10 -8 1 1 2 1 1 1 1 2 +4 4 5 0 +0 -3 +1 1 16 0.22 +Violoncello +Viola +Violini +Corno II in Do +Corno I in Mi $\flat$ +Corno di Bassetto in Fa +Clarinetto in Fa +Oboi +battttbttt +./ +AbeplI.8 +w190m +h250m +Tc +W.A. Mozart +Tt20 +Mauerische Trauermusik \\ KV 477 +h +Adagio +%% +\\setsign{4}{0}\setsign{5}{0}\setsign{6}{-2}\setsign{7}{-1}\ +% standard musixTeX commands to set the signatures of the transposing winds +% +\\groupbottom{1}{1}\grouptop{1}{3}\ +\\groupbottom{2}{4}\grouptop{2}{6}\ +\\groupbottom{3}{7}\grouptop{3}{8}\ +% standard musixTeX commands to group instruments together +\end{verbatim} +\end{minipage} + \end{center} + \caption{{\PMX} code of the \emph{Mauerische Trauermusik}, , + bars 1 -- 9 + } + \label{tab:mtrauermus} +\end{table} + +\subsection{Transposing wind instruments} \label{sec:mtrauer} +_{transposition} + +Fig.~\ref{fig:mtrauermus} contains the first few bars of Mozart's +``Mauerische Trauermusik KV 477. Two features of this score are +remarkable from the point of view of {\PMX} coding (given in Table +\ref{tab:mtrauermus}): +\begin{enumerate} + \item[a)] _{instruments!transposing} + the Mauerische Trauermusik is a piece for 10 instruments\,% + \footnote{You may have seen (or heard) this piece before with a + total of 13 instruments: 2 more Corni di bassettto and a + Gran Fagotto. These were in fact added to the score + later on by Mozart himself; the score given here + reflects the orchestra of the first performance (on 17 + Nov. 1785). + }, + 4 of which are ``transposing wind instruments'' : a clarinet in + B~$\flat$, a corno di bassetto in F, and two horns in C~. + Consequently the parts for these instruments must be written with + a key signature different from the rest of the orchestra (this is + true also for the 2 horns, even though the piece is in C minor: + horn parts are invariably written \emph{without any signature}). + {\PMX} has no mechanism to do that, so once again you have to + resort to inline {\TeX}, + \item[b)] as is usual with orchestral music, similar instruments are + grouped together by accolades (square brackets). How do you do + that in {\PMX}? +\end{enumerate} + +\bigskip +The example exhibits both features. The header contains the following +Type 2 inline {\TeX} commands: +\begin{enumerate} + \item[a)] _{\MusiXTeX!\bs\texttt{setsign}} + \begin{verbatim} +\\setsign{4}{0}\setsign{5}{0}\setsign{6}{-2}\setsign{7}{-1}\ + \end{verbatim} + \verb#\setsign{n}{m}# sets the ^{key signature} of instrument $n$ + to $m$ sharps (or flats if $m<0$). So this sets the signatures for + the transposing wind instruments. The {\PMX} notation of the notes + is then, of course, as they are written, not as they sound, and it + is the composers's responsibilty, as usual, to get all the + accidentals right. + +\bigskip\bigskip +\Note{As just explained, this use of \bs\texttt{setsign\{n\}\{m\}} is a + purely notational device. A seasoned orchestra conductor, when + seeing the notation (name of instrument, together with the key + signature), \emph{might mentally} `hear' the sound of a clarinet + in B\,$\flat$ a full note lower than what he sees written in the + score; but {\PMX} does \emph{not} know about this when producing a + MIDI file from that score\,\footnotemark. + + _{`transposing' instruments!not in MIDI} + The upshot of this is: when you have transposing instruments coded + with \bs\texttt{setsign\{n\}\{m\}} in {\PMX}, don't produce a MIDI + file; it would be \emph{meaningless}\,\footnotemark. + } \label{p:mtrauer} +\addtocounter{footnote}{-1} +\footnotetext{This is to be clearly distinguished from a difference in + clefs: the note on the middle line of a staff with a + violin clef \emph{is} a \texttt{b}, whereas with a bass + clef it \emph{is} a \texttt{d}, and a MIDI file produced + by {\PMX} will reflect that correctly. + } + +\addtocounter{footnote}{+1} +\footnotetext{_{MIDI!Jazz sequencer} _{Mondrup, Christian} If you insist + on MIDI, their is some extra work to be done to the + \texttt{.tex} output file of {\PMX}. Describing this is + beyond the scope of this tutorial; you may find help with + the freely available ``MIDI Jazz sequencer'' available + from \\[-2ex] + \hspace*{\fill} + \href{http://www.jazzware.com/cgi-bin/Zope.cgi/jazzware}% + {\texttt{http://www.jazzware.com/cgi-bin/Zope.cgi% + /jazzware}}~. + \hspace*{\fill} + } + + \item[b)] _{\MusiXTeX!\bs\texttt{groupbottom}, \bs\texttt{grouptop}} + \begin{verbatim} +\\groupbottom{1}{1}\grouptop{1}{3}\ +\\groupbottom{2}{4}\grouptop{2}{6}\ +\\groupbottom{3}{7}\grouptop{3}{8}\ + \end{verbatim} + + These commands gather together 3 groups of instruments + in the usual way: group 1 is the 4 strings\,% + \footnote{Note that the two violins as well as the two oboes are + coded in this {\PMX} source as one two-stave instrument + each, so that they are accoladed with curly brackets. + Thus, from the {\PMX} point of view, the whole score + logically comprises 8 instruments! + }, + group 2 the 2 horns and the basset horn, group 3 the clarinet and + the 2 oboes. +\end{enumerate} + + +\subsection{Clef octaviation} \label{sec:clefoctaviation} +_{octaviation} + +As was noted in Section~\ref{sec:octaviation}, {\PMX} does not +presently provide a notation for octaviation; but native {\MusiXTeX} +does; cf.~the {\MusiXTeX} manual, Sec.~2.11 for details. + +\medskip +Consider, for example, bar 155 of the $2^\text{nd}$ movement of +Beethovens piana sonata op.\ 111 : + +\begin{center} +\includegraphics[scale=.82]{eps/beethoven0.eps} \\[2ex] + ------------------------------------------ +\begin{minipage}{360pt} +\small +\begin{verbatim} +\\interstaff{13}\ +w170m +Abepl +% +[ e83d ze+ e8- ze+ sl c1- zc+ sl ] c8d-l zc+ | Rb / +[l c15x3n g+ c b1-x3n g+ b c1-x3n g+ c ] +[l gs1x3n b gs+ g1-x3n b e a1-x3n e+ a ] +[l a-1x3n e+ a g1-x3n e+ g a1-x3n e+ a ] | / +% +\end{verbatim} +\end{minipage} +\end{center} +In most editions, you will find the figures in the right hand in the +second and third three beats written in octaviation notation: +\begin{center} +\includegraphics[scale=.82]{eps/beethoven1.eps} \\[2ex] +\end{center} +which is clearly easier to read. This octaviated version was produced by +the following {\PMX} code: +\begin{center} +\begin{minipage}{360pt} +\small +\begin{verbatim} +\\interstaff{13}\ +w170m +Abepl +\\def\octnumber{8$^{va}$}\ +% +[ e83d ze+ e8- ze+ sfu c1- zc+ sfu ] c8d-l zc+ | Rb / +[l c15x3n g+ c b1-x3n g+ b c1-x3n g+ c ] +\Ioctfinup1d\ [l g-s1x3n b gs+ g1-x3n b e a1-x3n e+ a ] +[l a-1x3n e+ a g1-x3n e+ g a1-x3n e+ a ] \toctfin1\ | / +% +\end{verbatim} +\end{minipage} +\end{center} + +The octaviation is started with the Type 1 inline {\TeX} symbol +\verb#\Ioctfinup1d\# and ended with \verb#\toctfin1\# ; the +transposition downward is, of course, generated in the standard {\PMX} +way by writing \verb#g-s1x3n# instead of \verb#gs1x3n# . By default, +{\MusiXTeX} will start the octaviation symbol with a simple \texttt{8}; +this is changed to 8$^{va}$ by the Type 2 inline {\TeX} symbol given in +the preamble. + +\medskip +\Note{When using this octaviation notation in a score, do not try to + produce a MIDI file for that score: it will come out faulty + (cf.~the Note on p.\pageref{p:mtrauer}). + } + +\section{More tricks} +The above examples are actually rather simple cases of the use of inline +{\TeX}, not really ``tricks''~; they have been included here for you to +`warm up' to doing such things yourself. But there are many +further-reaching tricks to overcome shortcomings of {\PMX} --- +some truly ingenious. Here are a few of general interest: + +\subsection{Changing vertical positioning of instrument name} +\label{sec:shiftname} _{\textbf{scor2prt}!use of Ti} +_{\textbf{scor2prt}!adjusting instrument name} + +When making parts from a score with \textbf{scor2prt}, you will +sometimes find the adjustment of the vertical position of the instrument +name not to your liking. In particular, if you have a tempo indicated in +a line of text above the first system (e.g.~``allegro''), you may find +that the instrument name of some (but not all) parts collides with the +tempo indication. How can you fix that? + +\medskip _{\textbf{scor2prt}!usage} _{Van Ryckeghem, Andre} + _{instruments!names} _{comments!usage with \textbf{scor2prt}} +A practical solution of this problem has been given recently by Andre +Van Ryckeghem. It is quite instructive to see in this example how +the mechanism of handing over commands to \textbf{scor2prt} operates: + +Suppose that you are writing a string quartet, and the relevant part of +the preamble and header in the score are: +\begin{small}\begin{verbatim} +... +Violoncello +Viola +Violine II +Violin I +batt +./ +h +Allegro +Abpl +... +\end{verbatim}\end{small} + +After running \textbf{scor2prt}, you find that the allegro command is +positioned the way you want it, but the cello name collides fully, and +the Violino II slightly, with the ``allegro''. Therefore you want to +raise the cello by \texttt{3ex}, the Violin II by \texttt{1.5ex} . To do +so, replace the above part of the preamble and header in the score by +\begin{small}\begin{verbatim} + ... + %% Violoncello + %1 \raise+3ex \hbox{Violoncello} + Viola + %% + Violin II + %3 \raise+1.5ex \hbox{Violin II} + Violin I + batt + ./ + h + Allegro + Abpl + ... +\end{verbatim}\end{small} +All the comment lines are disregarded in compiling the score; but in the +\texttt{.pmx} file for the cello, you will find +\begin{small}\begin{verbatim} + Ti + \raise+3ex \hbox{Violoncello} + b + ./ + h + Allegro + Abpl + ... +\end{verbatim} +and in the part for the second Violin +\begin{verbatim} + Ti + \raise+1.5ex \hbox{Violin II} + t + ./ + h + Allegro + Abpl + ... +\end{verbatim}\end{small} +which does what you want. + +\vspace*{3cm} +\subsection{Xtuplets ending with a rest} + \label{sec:Xtuplets ending with a rest} + _{xtuplets!ending with a rest} + + As was pointed out in Section~\ref{sec:xtuplets}, \PMX\ does not + allow a rest as the last note in an xtuplet. + + \medskip + Can one find a way to circumvent this restriction? A pedestrian, + awkward way around might be this: remembering that \PMX\ is a + preprocessor for MusixTeX, and in a second pass \TeX\ processes the + \PMX\ output, one could simply enter some arbitrary note in place of + the desired rest, run \PMX\ , and then in the resulting \TeX\ file + replace the arbitrary note \emph{manually} by the appropriate + MusixTeX rest symbol \emph{before} running the file through \TeX\ for + the the 2nd pass. + + This semi-solution however, has two major drawbacks: + \begin{enumerate} + \item it takes a certain amount of aquaintance with basic MusixTeX, + so this is not for everyone; + \item more dangerously, this hack goes away if and when you + rerun \PMX\ ! So if you are still in the middle of a + development, you may find yourself redoing the hack over and + over, which could quickly become a real nuisance. + \end{enumerate} + + Luckily, for xtuplets with stand-alone notes there now exists a real + solution: an ingenious, generally usable inline {\TeX} method -- + developped by Don Simons -- solves the problem completely for + unbeamed xtuplets. Here is a simple example with two such triplets: + \begin{center} + \includegraphics[scale=.82]{eps/triplerest.eps} \end{center} + \newpage And this is the \PMX\ source text that creates these staves: + +------------------------------------ +\begin{verbatim} +2 2 +2 4 0 0 +0 0 +0 3 20 0.12 + + +tt +./ +w100m +\\def\qpforqu{\let\qut\qu\def\qu##1{\qp\zcharnote{##1}{~}\let\qu\qut}}\ +\\def\dsforcu{\let\cut\cu\def\cu##1{\ds\zcharnote{##1}{~}\let\cu\cut}}\ + +e4ax3 \dsforcu\ e \dsforcu\ e e4ax3 \qpforqu\ eD / +e4ax3 e e e4ax3 eD / +\end{verbatim} +------------------------------------ + +As you can see, there are two inline commands of type 2, which are +therefore effective throughout the file (from where they are first +entered), then followed by two standard \PMX\ lines; the lower one (the +top staff) of these has the standard triplets, as demonstration, while +the upper one (bottom staff) shows the corresponding triplets with ending +rests. + +The two inline \TeX\ commands produce the type of rest: \verb#\dsforcu# +stands for a quarter rest, and \verb#\qpforqu# for a half rest. Note +that these inline \TeX\ commands not only provide the correct graphics, +but \PMX\ considers them to have the corresponding duration values! So +if you use wrong ones, \PMX\ will complain in the usual way. + +\medskip +Explaining the inline {\TeX} commands in detail would go beyond the +scope of this tutorial. But if you know some of the MusixTeX +terminology, you will recognize that these commands conform to the +MusixTeX names for quarter and half notes etc.\,% +\footnote{This knowledge may be useful if you want to produce more + complicated xtuplets with ending rests than the simple + examples given here. The new MusixTeX-T114 manual may be + helpful in such cases. If that doesn't help: consult a + {MusiXTeX}pert! + } + +The inline commands are then each followed by a dummy note. Usually it +is a good (and safe) habit to use the same note name as the last real +note in the xtuplet; but any {\PMX} note name is valid; variations can +produce surprising, but possibly useful grahical results. So if you feel +up to it, you can play with such variations! + +\subsection{Shorthand notation for consecutive quavers} + _{Van Ryckeghem, Andre} _{shorthand!for quavers} _{eighths} + _{quavers|see{eighths}} + _{shorthand!for quavers|see also tremolo} + Often, in accompanying voices, in particular, there are several + repeated quavers (eighth notes), e.g.~4 quavers to a half note. There + is a commonly used shorthand notation for this that helps + sight-reading enormously: a half-note, with a line through its stem, + indicating the quavers. + + Fig.~\ref{fig:JChrBach} shows the beginning of the cello part of a + Joh.\ Chr.\ Bach quartet. In this example an inline {\MusiXTeX} macro + (devised by Andre Van Ryckeghem) provides this shorthand. + +\begin{figure}[!htb] + \begin{center} +\includegraphics[scale=.82]{eps/JChrBach.eps} \\[2ex] + ------------------------------------------ +\begin{minipage}{380pt} +\small +\begin{verbatim} +%----------------% +% +% JCBach.pmx +% +%----------------% +% +--- +\let\husav\hu\ +\let\hlsav\hl\ +\def\FE{\def\hl##1{\let\hu\husav\let\hl\hlsav% + \relax{\advance\transpose2\loffset{0.5}% + {\ibl0{##1}9}\roffset{0.5}{\tbl0}}\ha{##1}}% + \def\hu##1{\let\hu\husav\let\hl\hlsav% + \relax{\advance\transpose-3\loffset{0.5}% + {\ibu0{##1}9}\roffset{0.5}{\tbu0}}\ha{##1}}% + } +--- +% +1 1 4 4 0 6 1.00 -2 +0 8 16 0.1 +% +Violoncello +b +./ +Abpl +r4 | b83 Dmf b b b \FE\ b2 | \FE\ a2 a8 a b b | +\FE\ e2- e8 e f f | \FE\ b2- Dp \FE\ b2 | +\FE\ b2 \FE\ b2 | \FE\ b2 Df b8 [ b Dp b b ] | +\FE\ b2 \FE\ b2 Rd / +\end{verbatim} +\end{minipage} + \end{center} + \caption{\textbf{J.Chr.\ Bach}, Quartet in B Major + (beginning of cello voice)} + \label{fig:JChrBach} +\end{figure} + + \medskip _{semiquavers|see{sixteenths}} _{sixteenths} + _{shorthand!for semiquavers} + If you want such a shorthand for semiquavers (sixteenth notes), you + need to consult the {\MusiXTeX} manual: you will find that all you + need to do is to replace \bs\texttt{ibl0} and \bs\texttt{ibl0} by + \bs\texttt{ibbl0} and \bs\texttt{ibbl0} , resp. + + +\subsection{Varying the stave sizes} \label{sec:varstaves} +_{figured bass!varying staves sizes} _{\texttt{curly.tex}} +_{staves!varying size} + +In modern editions of works with basso continuo e.g., the implementation +of the bass, as suggested by the editor, is often given in a staff using +a smaller size. {\MusiXTeX} does not support such a possibility. + +\medskip _{Molekwa, Mthimkhulu} +Fortunately, Mthimkhulu Molekwa has written two macros that provide +alternative solutions of this problem that are often sufficient. The +first, \verb#musixbar.tex#, which is included in {\MusiXTeX}, +allows you to easily define a set of staves (the two bottom ones, in the +case of a basso continuo) that have common bar lines joining these +staves \emph{and only these}\,% +\footnote{Normally, {\MusiXTeX} will draw common bar lines for + \emph{all} staves or for \emph{none}. + }. + +\medskip +The second macro, named \verb#curly.tex#\,% +\footnote{\texttt{curly.tex}, if not included in your {\MusiXTeX} + installation, is available in the ``add-ons'' software + section of the WIMA. + }, +provides a brace as an accolade of a set of staves\,% to be grouped +to\-gether\,% +\footnote{{\MusiXTeX} provides only the choir-type square accolades. For + the practical usage of \texttt{curly.tex} see the Caccini + example in the appendix, Fig.~\ref{fig:caccini}. + }. + +\medskip +Suppose we want to set a sonata for violin and basso continuo with +{\PMX}. There will be three staves: at the bottom the basso continuo +proper, then immediately above it, and grouped together with a brace +accolade (in a smaller size), its implementation, and above these the +violin staff. + +To get this, do the following: + +\begin{itemize} + \item indicate in the preamble the number of instruments, + \emph{three} in this case! + \item add a Type 4) {\TeX} inline command at the beginning of + the file, invoking the macros + \verb#musixbar.tex# and \verb#curly.tex#, e.g.\,% +\footnote{The {\MusiXTeX} command + \texttt{$\backslash$sepbarrules$\backslash$} sets the vertical + bar to be discontinous, i.e.\ \emph{not} extend across + different staves. + } + + \vspace*{-2ex} + {\small + \begin{verbatim} + --- + \let\:=\relax\input musixtex\:\sepbarrules\input pmx + \input musixbar\input curly + --- + \end{verbatim} + } + + \vspace*{-5ex} + \item insert the following {\TeX} inline commands in the header of + the {\PMX} input file: + + {\small + \begin{verbatim} + \\\indivbarrules\sepbarrule3\ + \\setsize2\smallvalue\curlybrackets{{1}{2}}\ + \\let\interstaffsav\interstaff\def\interstaff#1{}\interstaffsav{9}\ + \end{verbatim} + } + + + \vspace*{-3ex} + The command \verb#\interstaffsav{9}\# determines the extension + of the brace (and can be adjusted). The command + \verb#\\\indivbarrules\sepbarrule3\# says that the third staff, + that for the violin, has its own discontinuous bar line, not + joined with the other two. + + The second line contains two commands: + \verb#\\setsize2\smallvalue# sets the size of staff 2 to be + smaller, and \verb#\curlybrackets{{1}{2}}\# says which staves + are to be accoladed, i.e.\ joined by the brace. +\end{itemize} +The file \verb#curly.tex# must, of course, be in a directory where +{\PMX} and {\TeX} can find it, viz.\ either in the current directory or +in one in which the other {\MusiXTeX} files are stored. + +\subsection{Stuff in front of the clefs of the first system} + _{inline \TeX!special trick} _{Vogel, Olivier} + _{\textbf{musixlyr}} _{\MusiXTeX!\bs\texttt{setclefsymbol}} +And finally, to show you what is possible, here is a special example of +using inline {\TeX}: it was contributed to the {\MusiXTeX} users' list +by Olivier Vogel. Here is the literal text of his contribution, +with the result shown in Fig.~\ref{fig:bruckner}: + +\medskip +\begin{center}\begin{minipage}{380pt} +Dear all, + +\medskip\noindent +I've got a score of ``\emph{Locus iste}'' by Bruckner, which begins with +the indication of the range of voices. I tried to reproduce the result, +and share with you my solution, since it seems to me to be an +interesting trick. +\begin{small}\begin{verbatim} +--- +\input musixtex +\input musixlyr +\setlyrics{soprano}{% +Lo-cus i-ste a De-o fa-ctus est lo-cus i-ste a De-o % +fa-ctus est, a De-o, De-o fa-ctus est in-ae-sti-ma-bi-le} +\copylyrics{soprano}{alto} +\copylyrics{soprano}{tenor} +\copylyrics{soprano}{basse} +--- +4 4 4 4 0 6 0 0 1 2 20 0.04 + +bttt +./ +B +Abd +h180m +%1-2 +\\staffbotmarg3\Interligne\ +\\setclefsymbol{2}{\treblelowoct}\ +\\groupbottom{1}{1}\grouptop{1}{4}\ +\\sepbarrules\ +\\startmuflex\indent\hskip-\parindent\hbox{\vbox{\hsize=\parindent\ +\\setclefsymbol{1}{\empty}\setclefsymbol{2}{\empty}\ +\\setclefsymbol{3}{\empty}\setclefsymbol{4}{\empty}\ +\\grouptop{1}{0}\nostartrule\generalmeter{}\parindent=0pt\ +\\startpiece\hardspace{2pt}\notes\zq{F}\nq{''C}&\zq{c}\nq{'e}&\ +\\zq{N}\nq{'b}&\zq{b}\nq{'g}\en\zstoppiece}}\ +\\\assignlyrics{1}{basse}\assignlyrics{2}{tenor}\ +\\\assignlyrics{3}{alto}\assignlyrics{4}{soprano}\ +... +\end{verbatim}\end{small} +(The regular {\PMX} encoding of the music follows). +\end{minipage}\end{center} + +\begin{figure}[!htb] + \begin{center} +\includegraphics[scale=.82]{eps/bruckner.eps} \\[2ex] + \end{center} + \caption{\textbf{A.\ Bruckner}, \emph{Locus iste} } + \label{fig:bruckner} +\end{figure} + +\pagebreak + +\vspace*{10ex} +If you encounter a tricky {\PMX} problem that you think is of general +interest, so that it may have been solved by someone else already, +a good place to search is the +\href{http://icking-music-archive.org/software/pmxtricks/tricks.html}% + { {\PMX} `Tips and Tricks'} section of the WIMA. + +\medskip +And if you have found a nice trick yourself, don't hesitate to +share it via the TeX-music users' list. Perhaps it can be included in +`Tips and Tricks' ! + +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +% PMX tutorial by ccn / chapter F starts here: +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +\chapter{An Extension of {\PMX}: {\MTX}} \label{sec:MTX} +_{\MTX} _{Laurie, Dirk} + +Although {\PMX} is already vastly simpler to use than {\MusiXTeX}, +anything can be improved. So Dirk Laurie +_{Laurie, Dirk} +set out to simplify {\PMX} even further, and thus created {\MTX}. + +\medskip +{\MTX} is actually a preprocessor to {\PMX}. Its input is a file with +extension \verb#.mtx# , for example ~\verb#mymadrigal.mtx# , its output +has the extension \verb#.pmx# , \verb#mymadrigal.pmx#. Its input +language is similar, but not identical, to that of {\PMX} and includes +most of the functionality of {\PMX} as a subset. + +\medskip _{\textbf{musixlyr}} +The major purpose of {\MTX} is to facilitate the introduction of lyrics +in a musical score of a song, cantata or opera. {\MTX} does this in +conjunction with the \textbf{musixlyr} package by Rainer Dunker; so if +you want to use {\MTX}, you ought to have \textbf{musixlyr} installed as +well. _{Dunker, Rainer} + +\bigskip _{Laurie, Dirk} +Laurie's Work on {\MTX} had essentially been ended in November 1998 with +the `final' version 0.52. But, as many such projects, {\MTX} continued +to evolve; presently, the `official' version is 0,60, dated March 2005, +and the current patch is 0.60c , dated 22 November 2007 ! + +\bigskip +Since there is a full +\href{http://icking-music-archive.org/software/mtx/mtx060.pdf}% + {manual on {\MTX}} +available in WIMA, these few remarks may suffice here. + +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +% PMX tutorial by ccn / Appendix starts here: +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +% \renewcommand{\thechapter}{} + +\chapter{Appendix: Examples} \label{sec:examples} + +\section{Dons Example Files} \label{sec:donsexamples} + +The `official' distribution files for {\PMX}, +which are available from WIMA +\href{http://icking-music-archive.org/software/pmx/pmx2514.zip}% + {[(pmx2514.zip)]}, +, contain 3 instructive examples (not reproduced here): + +\begin{description} + \item[\texttt{most.pmx}] contains examples of most + of the {\PMX} commands, and a few programming tricks, including + examples in the last line of beam groups whose notes vary + widely in pitch. The printed output displays the {\PMX} + commands near to the resulting typeset characters. It is more + useful to look at the printed output rather than the source + file, since the file is littered with Inline \TeX ~needed to + output the text strings representing the {\PMX} commands. + \textbf{WARNING:} Do not try to play this music; it could be + hazardous. + \item[\texttt{barsant.pmx}] + _{\PMX!options!global} _{S symbol@\texttt{S} symbol} + contains the first movement of a recorder sonata by the Italian + Francesco Barsanti (1690-1772). It demonstrates many of + {\PMX}'s strong points in a `battlefield situation': figured + bass, complex beaming patterns, xtuplets, and automatically + adjusted horizontal and vertical spacing in crowded scores. In + fact, this single-page score is at the limit of vertical + crowding. It uses the global option \texttt{Ae} for equal space + betweem systems. The space between systems was increased (using + the option \texttt{AI1.1}) to give a more pleasing appearance. + This is a good score to try making parts with + \textbf{scor2prt}. The special command \texttt{\%2S9} is used + to increase the number of systems in the recorder part (as + explained in Section \ref{sec:Ssymbol}). + + \item[\texttt{mwalmnd.pmx}] is an Allemand for harpsichord by the + German Matthias Weckmann (1616-1674). It uses many techniques + peculiar to keyboard scores. +\end{description} + + +\section{Full-score examples} \label{sec:fullexamples} + +_{Cataldi, Luigi} +In this appendix you will find the {\PMX} code (by Luigi Cataldi) of +a full piece, together with the actual score which was generated from it +(Section~\ref{sec:Dufay}), as well as two extended {\MTX} examples (also +coded by Luigi Cataldi). + +\medskip +The {\PMX} code for the Dufay Kyrie contains a few inline {\TeX} +commands; this is done intentionally so you again can get a feel of the +usage of inline {\TeX}; to understand them fully, however, you will have +to consult the {\MusiXTeX} documentation.Similarily, you can get an idea +from the Vivaldi and Caccini example what {\MTX} is all about. For a +full understanding, you again need to look at the {\MTX} documentation. + +\subsection{Dufay, \emph{Kyrie} ({\PMX} code) :} + \label{sec:Dufay} \label{p:Dufay} _{\PMX!full-score example} + +\begin{center} \begin{small} +\begin{verbatim} +%----------------% +% +% Dufay, Kyrie +% +%----------------% +% +--- +\font\tit = cmcsc10 scaled \magstep 5 +\font\dat = cmr12 +\def\comp{\rightline{\medtype Guillaume Dufay}} +\def\data{\rightline{\medtype (1400?--1474)}} +--- +2 1 3 4 3 4 0 0 +1 6 20 0 + +bt +./ +Abe +\\def\writebarno{\ifnum\barno>1\lrlap{\oldstyle\the\barno\barnoadd}\fi}%\ +\\def\shiftbarno{0\Interligne}\ +Tt +{\tit Kyrie} +Tc +\vbox{\comp\data} +It92iororb60:68 +% 1-6 +h-4 +Kyrie +dd23 | a23 bf4 | c24 d4 | ad23 | dd24 | a23 d44 // +a23 d4 | c2 d4 | e2 d4 | csd2 | f2 f4 | e2 f4 / +a24 a4 | e2 d4 | g2 f4 | e2 r4 | ad4 g8 a b | cd45 a84 b c85 / + +% 7-9 +c24 bf43 | ad2 | g2 d4 // +e24 d4 | e d8 c4 bf8 | d4 r+7 d / +a84 bf a g g f | ad2 | bf2 a4 / + +% 10-12 +e2 d4 | g4 bf a | gd2 Rd // +g8- f g e f4 | r8+8 [ d+ d cs c bn ] | dd2 / +g2 a4 | g2 fs4 | gd2 / +\end{verbatim} + +\pagebreak +\begin{verbatim} +% 13-18 +L3Mc+4 +h-5 +Christe +dd23 | fd2 | gd2 | d2 d4 | e2 d4 | g2 a4 // +dd24 | c2 f8 e | d4 c bf | ad2 | g2 f4 | r8+7 [ d+ c b c d ] / +ad24 s | ad2 s | r8 [ bf b a b g ] | fsd2 | g2 a4 | d- e f / + +% 19-24 +bf23 a4 | gd2 | d24 c4 | bf43 a g | d f e | dd2 Rd // +g4-r d+ c | d2 r4 | f2 e4 | d c b | a2 gs4 | ad2 / +g24 f4 | g r g | a bf a | g8 f4 e8 g d | f e c d cs b | dd2 / + +% 25-28 +L5Mc+4 +h-5 +Kyrie +d23 g4 | d r8 d e f | g4 f ef | d r+0 r+0 // +d24 ef4 | d2 c4 | bf2 c4 | dd2 / +a24 g4 | f2 g4 | bf a g | fsd2 / + +% 29-32 +g2 a4 | g2 f4 | g2 a4 | d2- d4 // +d2 cs4 | d2 a4 | bf2 c4 | ad2 / +r8 [ g g fs f e ] | g4 f8 g a bf | g4 f e | d r r / + +% 33-36 +g43 f g | a f e | d d+ c | d f e // +bf4 a g | fr a8 g4 f8 | a4 bf8r g4 a8 | d4-r d8+r c4 bf8 / +e84 d4 c8 bf4 | a8 c4 d8 c4 | d8 f4 g8 e4 | f8 d4 a8+ g4 / + +% 37-39 +d2 c4 | dd2 | gd2- // +d2 e4 | fd2 of-2 | dd2 of-2 / +a4 b c | ad2 of | gd2 of / +% +%----------------% +% +% end of Dufay, Kyrie +% +%----------------% +\end{verbatim} +\end{small} \end{center} + +\begin{figure}[!htbp] + \begin{center} +\includegraphics[scale=.73]{eps/dufay.eps} + \end{center} + \caption{\textbf{G.\ Dufay}, \emph{Kyrie} + (generated by {\PMX})} + \label{fig:dufay} +\end{figure} + +\pagebreak +\subsection{Vivaldi, \emph{Mundi Rector} ({\MTX} code) :} +\label{sec:Vivaldi} _{\MTX!full-score examples} + +\vspace*{8ex} +\begin{center} \begin{small} +\begin{verbatim} +%----------------% +% +% Vivaldi, Mundi Rector +% +%----------------% +% +Title: \vbox{\titA\titB} +Composer: \vbox{\comp\data} +Flats: 2 +Meter: 3/8 +Pages: 1 +Systems: 2 +Style: SATB4 +Size: 16 +Space: 6 6 6 12 + +%%\font\rxii = cmr12 +%%\font\tixii = cmti12 +%%\def\titA{\centerline{Mundi rector}} +%%\def\titB{\centerline{\rxii {\tixii Juditha Triumphans}, I, 27}} +%%\def\comp{\rightline{\medtype Antonio Vivaldi}} +%%\def\data{\rightline{\rxii (1678--1741)}} +%%\let\endpiecesav\endpiece\ +%%\def\endpiece{\endpiecesav\input judt}\ +%%\font\rix = cmr9 +%%\rix + +{sopA}={altoA}={tenorA}={basA} +Mun-di Rec-tor de Cae-lo mi-can-ti +Au-di pre-ces, au-di pre-ces, et su-sci-pe vo-ta +Quae de cor-de pro te di-mi-can-ti +Sunt pie-ta-tis in si-nu de-vo-ta. + +{sopB}={altoB}={tenorB}={basB} +In Ju-di-ta tuae le-gi di-ca-ta +Flam-mas dul-cis, flam-mas dul-cis, tui_a-mo-ris-ac-cen-de +Fe-ri-ta-tis sic hos-tis do-ma-ta +In Be-thu-liae spem pa-cis in-ten-de. + +{sopC}={altoC}={tenorC}={basC} +Re-di, re-di iam Vic-trix pu-gnan-do +In ci-li-cio, in ci-li-cio in pre-ce ri-vi-ve +De Ho-lo-fer-ne sic ho-die trium-phan-do +Pia_Ju-di-tha per sae-cu-la vi-ve. +\end{verbatim} + +\newpage +\begin{verbatim} +%%Abp +%%B +%%\def\writebarno{\ifnum\barno>1\lrlap{\oldstyle\the\barno\barnoadd}\fi}% +%%\def\shiftbarno{0\Interligne} +%%It58ibaclobobb60:70 +% 13 +%%h-4 +%%{\ppff ~~~Allegro} +r8 d+ e | e d d | [ c1 b ] c8 a | b g4 +L: {sopA,sopB,sopC} +r8 g g | g g g | fs f f | d d4 +L: {altoA,altoB,altoC} +r8 b c | c b b | a a c | b b4 +L: {tenorA,tenorB,tenorC} +@+13 r8 g g | g g g | a d- d | g g4 +L: {basA,basB,basC} + +%17-20 +r8 b b | [ b1 a ] b4 | r8 c c | [ c1 b ] c8 e +r8 f f | [ g1 f ] g4 | r8 g g | [ a1 g ] a8 c +r8 d d | b b4 | r8 g g | c c e +r8 d d | e e4 | r8 en e | f f f + +%21-24 +d8 e c | (~ [ b1 a b c d e ] | [ f b- ] c4 oT0 )~ | bd4 :|: +b8 c a | (~ [ bd8 a1 b c ] | d b a4 oT0 )~ | bd4 :|: +f8 g f | ( fd4 | fd4 ) | fd4 :|: +b8 e- f | (~ ( bd4- | b8 ) f4+ )~ | bd4- :|: + +%25-28 +%%L2 +r8 bn b | [ c1 bn ] c8 g | d+ d d | [ e1 d ] c4 | +r8 g g | g g g | g g g | g g4 | +r8 d d | e e e | d d d | c c4 | +r8 g+ g | c- c c | bn b b | c e4 | + +%29-31 +c8 b4 | b8 a c | b c a | +a8 g4 | g8 fs a | g a fs | +fs8 d4 | eN8 FS F | D EF D | +D8 D4 | CS8 D D | G C- D | + +%32-34 +(~ [ G1 FS G A B C ] | [ D G- ] A4 OT0 )~ | GD4 OF :| +(~ [ GD8 FS1 G A ] | [ B G ] FS4 OT0 )~ | GD4 OF :| +( DD4 | DD ) | DD OF :| +{~ ( GD4 | G8 ) D4 }~ | GD- OF :| +\END{VERBATIM} + +\NEWPAGE +\BEGIN{VERBATIM} +%%%%%%%%%%%%%%% TEXT WRITTEN TO A SEPARATE FILE +%%%%%%%%%%%%%%% JUDT.TEX +\FONT\BIG = CMCSC10 SCALED \MAGSTEP 5 +\LEFTSKIP = 3 CM +\FONT\LYR = CMTI10 +\LYR + +\DEF\LYROFFS{5MM} + +\VSKIP 10 MM +\HALIGN{\HSKIP 12MM # \HFILL & # \HFILL & # \HFILL & # \HFILL \CR + +MUNDI RECTOR DE CAELO MICANTI +& IN JUDITA TUAE LEGI DICATA +& REDI, REDI IAM VICTRIX PUGNANDO \CR + +AUDI PRECES ET SUSCIPE VOTA +& FLAMMAS DULCIS TUI AMORIS ACCENDE +& IN CILICIO IN PRECE RIVIVE \CR + +QUAE DE CORDE PRO TE DIMICANTI +& FERITATIS SIC HOSTIS DOMATA +& DE HOLOFERNE SIC HODIE TRIUMPHANDO \CR + +SUNT PIETATIS IN SINU DEVOTA. +& IN BETHULIAE SPEM PACIS INTENDE. +& PIA JUDITHA PER SAECULA VIVE. \CR +\END +% +%----------------% +% +% end of Vivaldi, Mundi Rector +% +%----------------% +\end{verbatim} +\end{small} \end{center} +\pagebreak + +\begin{figure}[!htbp] + \begin{center} +\includegraphics[scale=.73]{eps/vivaldi2.eps} + \end{center} + \caption{\textbf{A.\ Vivaldi}, \emph{Mundi Rector} + (generated by {\MTX}/{\PMX})} + \label{fig:vivaldi2} +\end{figure} +\pagebreak + +\subsection{Caccini, \emph{Amor l'ali m'impenna} ({\MTX} code)} +\label{sec:Caccini} _{\MTX!full-score examples} + +\begin{center} \begin{small} +\begin{verbatim} +%----------------% +% +% Caccini, Amor l'ali m'impenna +% +%----------------% +% +Title: {\tit {Amor l'ali m'impenna}} +Composer: \vbox{\compA\compB} +Meter: C +Style: Singer Cont Bass +Singer: Voices Sop; Vocal; Clefs G +Cont: Voices RH1,RH2; Clefs G +Bass: Voices B; Clefs F +Flats: 1 +Systems: 12 +Pages: 3 +Space: 4 1 +Size: 20 +Indent: 0.10 +Name: {\it{Soprano}} ~ {\it{Continuo}} + +%%\input musixbar\input curly +%%\font\data = cmr10 +%%\font\tit = cmb10 scaled \magstep 4 +%%\font\rxii = cmr12 +%\font\mov = cmmib10 scaled \magstep 1 +%%\font\num = cmr9 +%%\def\compA{\rightline{\rxii Giulio Caccini}} +%%\def\compB{\rightline{\data (1550--1618)}} +%%\def\writebarno{\ifnum\barno>1\lrlap{\oldstyle\the\barno\barnoadd}\fi}% +%%\def\shiftbarno{0\Interligne} + +{Aria} +A-mor l'a-li m'im-pen-na. +A-mor dol-ce, a-mor ca-ro,_a-mor fe-li-ce. +Tal che non spe-ro pi{\`u} n{\'e} pi{\`u} mi li-ce. +Pas-so nem-bi_e pro-cel-le, +pas-so'l ciel e le stel-le, +del pia-cer que-st'{\`e}'l re-gno. +Ah, mia for-tu-na non se l'ab-bia a sde-gno. +Que-sto, que-sto m'ac-co-ra: +ch'al-tri ca-deo, +ch'al-tri ca-deo dal pa-ra-di-so_an-co-ra. +Ah, mia for-tu-na non se l'ab-bia a sde-gno. +Que-sto, que-sto m'ac-co-ra: +ch'al-tri ca-deo, +ch'al-tri ca-deo dal pa-ra-di-so_an-co-ra. + +%%w187m +%%h251m +%%Ab +%%B +%%It86ivchaobb58:70:64 +%% \\setsize2\smallvalue\curlybrackets{{1}{2}}\ +%%\\let\interstaffsav\interstaff\def\interstaff#1{}\interstaffsav{9}\ +%%\\\indivbarrules\sepbarrule3\ +% Bar 1 +@+2 f0 +L: {Aria} +f0 +c0 za +f0 + +% Bar 2 +f2 ( f2 +f2 f4 e +a2 zd c zf- +d2 - a2 6 + +% Bar 3 +f4 ) f8 g8 (~ [ a1 b1 c1 b1 ] [ a8 g8 ] +d4.e f.e +b2 zf f zc+ +b2 a2 6 + +% Bar 4 +[ fd8 g1 ] [ f8 g8 ] [ a1 ( g g8 ) ] [ a1 ( f f8 ) ] )~ +d0e +cd2 zf- g4 zbn +d2 7 ( d4 7 d4 #6 ) + +% Bar 5 +g2 r4 g8 g8 +e2 g +c2 zg e+ zc +c2 c2 + +% Bar 6 +b2 g4 d8 d8 +b4 zd- a+ zc- g2+ +g2e+ d zb +g2 - g2 + +% Bar 7 +f4 [ f1 e1 f1 g1 ] a4 [ e1 d1 e1 f1 ] +fd2 za- g4 ze+ +de2 c +d2+ - a4 c4 + +% Bar 8 +g0 +d0 zg- +ce2 bn +\zcharnote{-6}{\num 11}\ ( g2 \zcharnote{-6}{\num 10}\ g ) + +% Bar 9 +g0 +e0+ +c0 zg +c0 + +% Bar 10 +c4 g8 g8 b4 [ a1 b1 c1 b1 ] +g2 g +c2 ze d zb +c2 g2 - + +% Bar 11 +ad4 d8- f4 [ e1 f1 g1 f1 ] +f2.g +a2 zd d zb +d2+ - b4 g4 - + +% Bar 12 +e0 +\zw e\ dr2 cs +a2d-2 g4 +%%%%%% The two following lines must actually be written in one line! +\zcharnote{-6}{\num 11}\ (5t a2 \zcharnote{-6}{\num $\sharp $10}\ +(6t a4 )5t a 7 )6t + +% Bar 13 +d2 r4 fs8 f8 +d2 fs +fs2 zd+ d za +d2 # d2 + +% Bar 14 +g4 d8 d8 (~ [ e8 f1 e1 ] [ f1 e1 d1 e1 ] )~ +g4 fn e2 +b2 zd c zg +g2- c2 + +% Bar 15 +f2 r4 fs8 f8 +f2 fs +a2 zc d za +f2 d2 + +% Bar 16 +g4 d8 d8 [ e8 f8 fd8 e1 ] +g4 fn e2 +b2 zd c zg +g2- c2 + +% Bar 17 +f4 f8 g8 a2 +f2 f +a2 zc c za +f2 f4 e8 d8 + +% Bar 18 +cd8 c1 (~ [ b1 a1 g1 f1 ] g2 )~ +e4 ( f f ) e +g2 zc c zg +%%%%%% The two following lines must actually be written in one line! +( c4 \zcharnote{-6}{\num 11}\ c4 ) +\zcharnote{-6}{\num 11}\ c4 \zcharnote{-6}{\num 10}\ c4 + +% Bar 19 +f0 +f0 +a0 zc +f0- + +% Bar 20 +ad2 g8 f8 +f4 ( c c ) bn +a4 g ( f f ) +f4+ e4 ( d4 d ) + +% Bar 21 +e8 d8 e8 f8 g2 +c2 r8+0 e d c +g2 ze rb +( c2 c8 ) c8 b8 a8 + +% Bar 22 +g4 d4 d2 +bnr4 ( c c ) b +g0 zd+ +%%%%%% The two following lines must actually be written in one line! +\zcharnote{-6}{\num $\sharp $10}\ ( g4 \zcharnote{-6}{\num 11}\ g ) +( \zcharnote{-6}{\num 11}\ g4 \zcharnote{-6}{\num $\sharp $10}\ g ) + +% Bar 23 +c0 +e0 +c0 zg +c0 + +% Bar 24 +gd4+ e8 a4 g8 f8 +e2 e4 f +g2 zc c za +c2 a4 f4 + +% Bar 25 +g2 f8 f8 f8 e8 +e2 f +g2 zc c za +c2+ f2- + +% Bar 26 +d2 r8 b8+ b a +f2 g +b2 zd d zb +b4 b8 a8 g2 - + +% Bar 27 +g8 e8 e8 f8 g4 [ f1 g1 a1 b1 ] +g4 f e ( f +c2 ze c zg +c2 c4 \zcharnote{-4}{\num 11}\ c4 + +% Bar 28 +g0 +f2 ) cr4 b +g2 zc e zg- +%%%%%% The two following lines must actually be written in one line! +\zcharnote{-4}{\num 11}\ (5t c2 +(6t \zcharnote{-4}{\num 10}\ c4 )5t c 7 )6t + +% Bar 29 +f0 +f0+ +a0 +f0- + +% Bar 30 +ad2 g8 f8 +f4 ( c c ) bn +a4 g ( f f ) +f4+ e4 ( d 7 d #6 ) + +% Bar 31 +e8 d8 e8 f8 g2 +c2 r8+0 e d c +g2 ze rb +( c2 c8 ) c8 b8 a8 + +% Bar 32 +gd8 (~ g1 [ f1 e1 d1 c1 ] )~ d2 +bnr4 ( c c ) b +g0 zd+ +%%%%%% The two following lines must actually be written in one line! +\zcharnote{-6}{\num $\sharp $10}\ ( g4 \zcharnote{-6}{\num 11}\ g ) +( \zcharnote{-6}{\num 11}\ g \zcharnote{-6}{\num $\sharp $10}\ g ) + +% Bar 33 +c0 +e0 +c0 zg +c0 + +% Bar 34 +gd4+ e8 a4 g8 f8 +e2 e4 f +g2 zc c za +c2 a4 f4 + +% Bar 35 +g2 f8 f8 f8 e8 +e2 f +g2 zc c za +c2+ f2- + +% Bar 36 +d2 r8 b8+ b a +f2 g +b2 zd d zb +b4 b8 a g2 - + +% Bar 37 +g2 r8 c8 c8 b8 +g2 a4 b +c2 ze c4 zf d zg +c4 c8 b8 a4 6 g4 + +% Bar 38 +a4 b4 ( c2 +a2 a +f2 c +f2 a4 6 b4 + +% Bar 39 +[ c8 ) (~ b1 a1 ] [ g1 f1 e1 d1 ] [ e1 d1 c1 d1 ] [ e1 f1 g1 a1 ] +g0 +c0 ze +c0 + +% Bar 40 +[ g1 c1- d1 e1 ] [ f1 g1 a1 b1 ] [ c1 b1 a g1 ] [ a1 g1 a1 f1 ] +e0 +c0 zg +c0 + +% Bar 41 +g0 )~ +f2 e +\zw N\ ce2d+0+1 b4 +%%%%%% The two following lines must actually be written in one line! +\zcharnote{-4}{\num 11}\ +(1t c2 (2t \zcharnote{-4}{\num 10}\ c4 )1t c 7 )2t + +% Bar 42 +f0 +f0 +a0 +f0- +% +%----------------% +% +% end Caccini, Amor l'ali m'impenna +% +%----------------% +\end{verbatim} +\end{small} \end{center} + +\begin{figure}[!htb] + \begin{center} +\includegraphics[scale=.75]{eps/caccini1.eps} + \end{center} +\end{figure} +\begin{figure}[!htb] + \begin{center} +\includegraphics[scale=.75]{eps/caccini2.eps} + \end{center} +\end{figure} +\begin{figure}[!htbp] + \begin{center} +\includegraphics[scale=.75]{eps/caccini3.eps} + \end{center} + \caption{\textbf{G.\ Caccini}, \emph{Amor l'ali m'impenna} + (generated by {\MTX}/{\PMX})} + \label{fig:caccini} +\end{figure} + +\addcontentsline{toc}{chapter}{Index} + +\renewcommand{\seename}{$\;\Rightarrow\;$} +\printindex + +\end{document} + + +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +% End of PMX tutorial by ccn / Mon 2003 Sep 22 /19:15 /ccn +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%))) + + diff --git a/Master/texmf-dist/doc/generic/pmx/ref260.pdf b/Master/texmf-dist/doc/generic/pmx/ref260.pdf Binary files differnew file mode 100644 index 00000000000..7273f7fc68c --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/ref260.pdf diff --git a/Master/texmf-dist/doc/generic/pmx/ref260.tex b/Master/texmf-dist/doc/generic/pmx/ref260.tex new file mode 100644 index 00000000000..32fa9bdfdce --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/ref260.tex @@ -0,0 +1,456 @@ +%%%%%%%%%%%%%%%%% +%% +%% ref20.tex (latex2e?) +%% +%%%%%%%%%%%%%%%%% +\ifx\documentstyle\undefined +% \documentstyle[11pt,multicol]{article} + \documentstyle[12pt,multicol]{article} +\else +% \documentclass[11pt]{article} + \documentclass[12pt]{article} + \usepackage{multicol} +\fi + +\pagestyle{empty} + +% A4 horizontal 210mm, letter vertical 11in: +\setlength{\textwidth}{21cm}\addtolength{\textwidth}{-2cm} +\setlength{\textheight}{11in}\addtolength{\textheight}{-2cm} +\addtolength{\topmargin}{-3.5cm} +\addtolength{\oddsidemargin}{-3.4cm} +\addtolength{\evensidemargin}{-3.4cm} +\setlength\columnsep{2mm} + +\hoffset22.5pt + +\message{h=\the\textheight, w=\the\textwidth, s=\the\columnsep} + +\begin{document} + +{\footnotesize\small + +\def\bs{{\tt\char'134}} +\def\bsn{\bs} +\def\dhline{\hline\hline} +\def\newcol{ +\hline +\end{tabular} + +\begintab +\hline +} +%\let\blank\ \def\ {\blank\blank} + +\centerline{QUICK REFERENCE TABLE FOR {\bf PMX}, +Version 2.6, +July 2010~~~ +\hfill by Don Simons (dsimons@roadrunner.com)} + +%\begin{multicols}{2} +\null + + This table defines PMX command syntax. Each command starts with a +single character from a non-indented line, followed by characters from +subsequent indented lines, with no internal spaces. When characters +on the same line are separated by commas, only one can be used, unless +otherwise noted. Characters enclosed in brackets {\tt [~]} are optional, +but if one is used and the following line is indented and unbracketed, +then one character must be used from the unbracketed group. Several +characters, chosen from different lines that are indented the same +amount, may be used in sequence. {\it d1, d2} are single digits, so +for example {\it d1}{\tt[}{\it d2}{\tt]} is a one- or two-digit integer. +{\it i} is any non-negative integer. +{\it x} is any non-negative decimal number. + +%\end{multicols} + +\begin{multicols}{2} +\begin{center} +%\def\begintab{\begin{tabular}{|p{3.0cm\tt}|p{5.5cm\hangindent5pt}|}} +\def\begintab{\begin{tabular}{|p{3.0cm\tt}|p{5.5cm\hangindent5pt}|}} +\begintab +\hline +a,b,c,d,e,f,g & Note name.\\ +\ [0,2,4,8,1,\break\rightline{3,6,9]} & If first digit, duration. + Must include if duration not yet set in current input block.\\ +\ [1,2,3,4,5,\break\rightline{6,7]} & If second digit, Octave number. + Must include if octave not yet set in current input block.\\ +\ [d] & Dot.\\ + \ \ [+.- {\it x}] & Vertical shift, \bsn{}internotes.\\ +\ \ \ [+.- {\it x}] & Horiz. shift, notehead widths.\\ +\ \ [d] & Double dot.\\ +\ [f,s,n] & Accidental. Repeat for double.\\ +\ \ [+,- {\it i} +,- {\it x}] & Vertical shift, \bsn{}internotes; + horiz. shift, notehead widths.\\ +\ \ [<,> {\it x}] & Horiz. shift, notehead widths.\\ +\ \ [i] & MIDI-only accidental.\\ +\ \ [c] & Cautionary accidental.\\ +\ [+,-] & Shift octave from default (default is within a 4th).\\ +\ [u,l] & Force stem direction.\\ +\ [a] & Prohibit beaming this note. If first note of xtuplet, prohibit + beaming the xtuplet.\\ +\ [r] & Right offset by one notehead.\\ +\ [e] & Left offset by one notehead.\\ +\ [.] & Dot shortcut: {\tt a8.b} = {\tt ad8 b1} \\ +\ [,] & 2:1 shortcut: {\tt a8,b} = {\tt a8 b1} \\ +\ [D] & In xtuplet note only, double duration. Reduce number of + notes in xtup by 1.\\ +\ [F] & As above, and add dot.\\ +\ [S{\it x}] & Shrink stem length by {\it x} \bs{\tt internote}.\\ +\ \ [:] & Make it sticky.\\ +\ [S:] & Shrink this stem, then turn off stem shrinkage.\\ +\ [Ao] & In main chord note, post accidentals in order entered.\\ +\newcol +~ & Note options, continued\\ +\ [x{\it i}] & An {\it i}-tuplet starts here. + Duration (already set) refers to total for xtuplet. + Next $i-1$ notes or rests are in + xtuplet. They must have no duration number; may have + octave number or {\tt d} for dot.\\ +\ \ [d] & Dot first xtup note, halve next.\\ +\ \ [n] & Fine-tune printed number. \\ +\ \ \ (\it{blank}) & Don't print number. \\ +\ \ \ [f] & Flip vertical location. \\ +\ \ \ [{\it i}] & Replacement printed number. \\ +\ \ \ [+,- {\it i}] & Vertical shift, \bsn{}internotes.\\ +\ \ \ \ [+,- {\it x}] & Horiz. shift, notehead widths.\\ +\ \ \ [s] & Fine tune slope of bracket for non-beamed xtuplet.\\ +\ \ \ \ +,- {\it i} & Slope adjustment.\\ +\dhline +z & Chordal note. No duration allowed.\\ +\ a,b,c,d,e,f,g & Note name.\\ +\ \ [f,s,n] & Flat, sharp, natural. Repeat for double flat or sharp. + Shift options same as on main note.\\ +\ \ \ [A] & (Preceding a shift) Apply shift relative to PMX-computed one.\\ +\ \ [+,-] & Up or down one octave. + may use several in succession.\\ +\ \ [r,e] & Right or left offset by one notehead.\\ +\ \ [d] & Dot. Permitted but not required, unless dot is to + be shifted. \\ +\ \ \ [+,- {\it x}] & Vertical shift, \bsn{}internotes.\\ +\ \ \ \ [+,- {\it x}] & Horiz. shift, notehead widths.\\ +\newcol +r & Rest.\\ +\ [0,2,4,8,1,\break\rightline{3,6,9]} & Duration. + Must include if duration not yet set in current input block.\\ +\ [d] & Dot.\\ +\ [p] & Full-bar rest using 'Pause' symbol (no digit).\\ +\ [m{\it i}] & Multi-bar rest of {\it i} bars.\\ +\ [b] & Blank rest, not printed (this line of music + drops from sight).\\ +\ [o] & Suppress centering full-bar rest.\\ +\ [+,- {\it i}] & Raise/lower rest from middle line, \bsn{}internotes.\\ +\ [L] & With AK, align rest with note to left. \\ +\ [x{\it i}] & Start xtup. After above options. See description for + main note.\\ +\dhline +o & Ornament. Symbol comes after note.\\ +%\ t,m,x,+,u,p,\break\rightline{),-,>,\raise1pt\hbox{\^\ }.} +\ t,m,x,+,u,p,\break\rightline{(,),\_,.,>,\^\ } + & Shake, mordent, ``x", ``+", pizz., strong pizz., ``(" before + notehead, + ``)" after notehead, tenuto, stacc., sfz, duncecap\\ +\ c,b & Caesura, breath.\\ +\ \ [+,- {\it i}] & Vertical shift, \bs{\tt internote}.\\ +\ \ \ [+,- {\it x}] & Horiz. shift, notehead widths.\\ +\ f & Fermata. Default is up.\\ +\ \ [d] & Convert to down fermata. \\ +\ T,Tt & Trill ({\it tr}) with or without wavy line.\\ +\ \ [{\it x}] & Length to end of wavy line, \bsn{}noteskips. + Default is one \bsn{}noteskip. + Use {\tt oT0} for {\it tr} .\\ +\ g & Segno. Voice \#1 only.\\ +\ \ [[-]{\it d1}[{\it d1}]] & Offset of segno symbol in points.\\ +\ e & Editorial accidental. \\ +\ \ s,f,n & Sharp, flat, natural. \\ +\ \ \ [?] & Editorial accidental is dubious. \\ +\ \ ? & Text is dubious. \\ +\ [+,- {\it i}] & (After~setting~ornament~type)\break Raise/lower by + {\it i} \bsn{}internotes from default.\\ +\ [:] & Repeat toggle. Must come last. First instance, after setting + ornament type, gives all later notes same ornament, until + {\tt o:} shuts it off. \\ +\newcol +G & Grace note group.\\ +\ [{\it i}] & Number of notes in group. Not needed if 1. + If {\tt>}1, next $i-1$ notes are in grace.\\ +\ [s] & Slur to/from main note.\\ +\ [m {\it d1}] & Multiplicity (number of flags or beams). Default is 1.\\ +\ [x] & Slash. Single grace only. \\ +\ [l,u] & Forced stem direction.\\ +\ [A,W] & Put grace just after main note, or shifted as far + right as possible.\\ +\ [X{\it x}] & Gap to main note, notehead widths. \\ +\ ({\it first note}) & Must follow the above options, with no space. + Use same symbols as normal note.\\ +\dhline +s,t,) & Slur toggle. Place after note. If {\tt Ap} is on, {\tt t} causes + true tie.\\ +( & Placed before note, same as {\tt s} placed after. \\ +\ [{\it c}] & Optional ID code, {\tt 1-9} or {\tt A-Z} . Must be first + after {\tt s,t,(,)} .\\ +\ [u,d,l] & Force slur direction. Only allowed at slur start.\\ +\ [t] & Position slur end as tie rather than slur. With postscript + slurs, print a true tie.\\ +\ [b] & Dotted slur.\\ +\ [+,- {\it i}] & Raise/lower start/end of slur, \bsn{}internotes.\\ +\ \ [+,- {\it x}] & Horizontal shift start/end of slur, notehead widths. \\ +\ \ \ [+,- {\it i}] & Mid-height alteration, nonzero, only on termination.\\ +\ \ \ \ [:{\it d1d2}] & Alter starting and ending slope, 1-7.\\ +\ [f,n,h,H,HH] & Flatten, normalize, or increase curvature. For font-based slurs, only allowed + on termination. For Type K linebreak slurs, applies to first segment if on start, + second if on end.\\ +\ [s +,- {\it i}] & On start of a line-breaking type K slur or tie, vertical adjustment + of end of first segment.\\ +\ \ +,- {\it x} & Horizontal tweak of end of first segment.\\ +\ \ \ [+,- {\it i}] & Vertical adjustment of start of second segment.\\ +\ \ \ \ +,- {\it x} & Horizontal tweak of start of second segment.\\ +\ [p] & Local change in postscript slur or tie adjustment.\\ +\ \ +,- & Turn on or off automatic adjustment.\\ +\ \ \ s,t & Adjust slur or tie.\\ +\newcol +A & Miscellaneous controls. + Only at start of first block except {\tt i} , {\tt I}\\ +\ [i,I {\it x}] & Factor on \bs{\tt interstaff}\\ +\ [d] & Lower dots in lower voice of 2 on a staff\\ +\ [a{\it x}] & Change afterruleskip to {\it x} \bs{\tt elemskip}s. Default + is 1.\\ +\ [b,s] & Force big or small accidentals.\\ +\ [r] & Relative accidentals. Must be set if transposing.\\ +\ [e] & Equalize inter-system spacing.\\ +\ [S] & Tweak accidental spacing for staves made small with in-line + TeX.\\ +\ \ -,0;...;-,0 & A string of yes-or-no specifiers, one for each staff.\\ +\ [v] & Toggles vshrink (initially on), which collapses pages vertically + when computed \bs{\tt interstaff} exceeds 20.\\ +\ [N] & User-defined part file name.\\ +\ \ {\it i}"{\it name}" & Name to use in part {\it i}.\\ +\ [T] & Use Col. S's broken brackets for non-beamed xtups.\\ +\ [p] & Activate postscript slurs.\\ +\ \ l & Activate special adjustments for line-breaking slurs and ties.\\ +\ \ h & Input Type K postscript header at start of every page, so pages can be + separated e.g. with dviselec.\\ +\ \ [+,-] & Turn on or off global slur or tie adjustments, or halfties.\\ +\ \ \ s,t,h,c & Switch slur, tie, halftie, or ratchet curvature.\\ +\ [R] & Read in normal include file.\\ +\ \ {\it filename} & File name, may include path.\\ +\ [K] & Activate special rules for rest positions in 2-staff keyboard scores.\\ +\dhline +B & Toggles default stem direction for middle line of bass clef. + (intial direction is up).\\ +\dhline +C & Clef change.\\ +\hbox{\ t,s,m,a,n,r,}\hbox{\ b,f or 0-7} & New clef. ({\bf t}reble, {\bf s}oprano, + {\bf m}ezzo-soprano, {\bf a}lto, te{\bf n}or, ba{\bf r}itone, + {\bf b}ass, {\bf F}rench violin).\\ +\dhline +D & Dynamics.\\ +\ p,pp,...,ffff & Pre-defined standard dynamics.\\ +\ "{\it text}" & Any text string.\\ +\ <.> & Hairpin toggles.\\ +\ \ [+,- {\it n }] & Vertical shift from default, \bs{\tt internote}s.\\ +\ \ \ [+,- {\it n }] & Horizontal shift from default, notehead widths.\\ +\newcol +F & Cancels figures in bass line + (use with {\tt \%1} in score file + to make a bass part with no figures).\\ +\dhline +h,w & If followed by number, page height or width. + Only at start of first input block.\\ +\ {\it x} & Page height or width.\\ +\ \ [i,m,p] & Inches, mm, points. Default is points.\\ +\dhline +h & If followed by blank or {\tt [+,-]}, heading. + Next input line will print above top staff.\\ +\ [+,- {\it i}] & Alter height from default, \bs{\tt internote} \\ +\dhline +I & MIDI controls. Only at start of an input block.\\ +\ [t{\it x}] & Set tempo to {\it x} beats per minute.\\ +\ [p{\it x}] & Insert a pause of {\it x} quarter notes.\\ +\ [i{\it i1i2...in}] & Specify {\tt noinst} MIDI instruments. {\it i1,i2...in} + are integers between 1 and 128 or 2-letter abbreviations. + Consecutive integers must be separated with {\tt ":"}.\\ +\ [v{\it i1}:{\it i2}:...{\it in}] & Specify {\tt noinst} velocities + (volumes), 1$\leq${\it i}$\leq$128. \\ +\ [b{\it i1}:{\it i2}:...{\it in}] & Specify {\tt noinst} balances + 1$\leq${\it i}$\leq$128, 64=center. \\ +\ [T] & MIDI-only transposition.\\ +\ \ +,- {\it i1} +,- {\it i2} ... +,- {\it in} & Amounts of transpositions, multiples + of 12 only, {\tt noinst} values.\\ +\ [g{\it i}] & Internote gap in midi tics. Default = 10\\ +\ [MR{\it i}] & Start recording macro {\it i}.\\ +\ [M] & Stop recording.\\ +\ [MP{\it i}] & Playback (insert) macro {\it i}.\\ +\dhline +K & Key signature change and/or transposition.\\ +\ +,- {\it i} & Amount of transposition in \bsn{}internotes. Use {\tt-0} to transpose + by 1/2 step to same-name key.\\ +\ \ +,- {\it i} & New key signature.\\ +\dhline +l & Next input line is a text string + to appear below top staff.\\ +\newcol +L{\it i} & Force a line break at line {\it i}. Voice \#1 only. Start of + block only.\\ +\ [P{\it i}] & Force a page break at page {\it i}.\\ +\ [M] & Movement break. Must follow {\tt P} if present. \\ +\ \ [+{\it i}] & Extra vertical space, \bs{\tt internote}. \\ +\ \ [i{\it x}] & New indent, decimal fraction of line width.\\ +\ \ [c] & Continue bar numbering, do not reset.\\ +\ \ [r +,-] & Force or suppress reprinting instrument names.\\ +\ \ [n{\it i}] & Change to {\it i} instruments.\\ +\ \ \ {\it d1d2...di} & Numbers of instruments. Precede 2-digit numbers with {\tt :}\\ +\ \ \ \ {\it c1c2...ck} & Clef symbols. Enter one for + every staff in new lineup.\\ +\dhline +m & Meter change. Voice \#1 only. Start of input block only.\\ +\ o,{\it d1}[{\it d2}] & True numerator of meter. + Use {\tt o} if full value is exactly 1. + If {\it d1}=1, numerator is 10+{\it d2}.\\ +\ \ {\it d1}[{\it d2}] & True denominator.\\ +\ \ \ o,{\it d1}[{\it d2}] & Printed numerator of meter. Use {\tt o} as above.\\ +\ \ \ \ {\it d1}[{\it d2}] & Printed denominator.\\ +\ {\it d1}[{\it d2}]/ & (Alternate syntax) true numer-ator \\ +\ \ {\it d1}[{\it d2}]/ & true denominator \\ +\ \ \ {\it d1}[{\it d2}]/ & printed numerator \\ +\ \ \ \ {\it d1}[{\it d2}] & printed denominator \\ +\dhline +M & Macro. If alone, ends recording or saving.\\ +\ [R,S,P] & Record (store and execute), save (store but do not execute), + or playback. \\ +\ \ {\it i} & Macro ID number, from 1 to 20. \\ +\dhline +P & Start page numbering in this page. Voice \#1 only. + Start of input block only.\\ +\ [{\it i}] & Starting page number. Default is 1.\\ +\ [r,l] & Margin for starting page number. Default is 'r'.\\ +\ [c] & Centered header on each page. Must be last option in symbol. + Default text is instrument name \\ +\ \ [{\it text}] & Text with no blanks \\ +\ \ ["{\it text}"] & Text with blanks \\ +\newcol +R & Repeat or doublebar. Voice \#1 only. + Doublebars at start of bar only.\\ +\ l,r,lr,d,D,dl & Left repeat, right repeat, l-r rpt, doublebar, doubleBAR, + doublebar-left repeat.\\ +\ z & Blank barline at next system break.\\ +\ b & Single bar (end of movement or piece).\\ +\dhline +S{\it i} & Reset total number of systems to {\it i}. + Only at start of first input block. + Only useful with \bs{\tt \%}{\it j} for automatically + generated parts.\\ +\ [P{\it i}] & Force total number of pages to be {\it i}.\\ +\ [m{\it i}] & Change musicsize to {\it i}.\\ +\dhline +T & Title string. Only at start of first input block.\\ +\ t[{\it d1}[{\it d2}]],i,c & Title of piece (centered), instrument (left + justified), or composer (right justified). Following line + is the text. + {\tt Tt} may be followed by a number (\bsn{}internotes) to add + vertical space below entire title block. + {\tt Tt} must come after {\tt Ti} and {\tt Tc} for this to work.\\ +{\it text}\bs\bs{\it text} & Make a line break in the title string.\\ +\dhline +V & Toggle for Volta. Voice \#1 only. Start of bar only. + For scor2prt, only allowed one per input block, + and it must come at start of block.\\ +\ [{\it text}] & Text for start of volta. May not be ``b" or ``x".\\ +\ b,x & At end of volta, boxed end or horizontal (no box).\\ +\dhline +W & Set new minimum horizontal space between noteheads.\\ +\ . & Decimal point (required).\\ +\ \ {\it d1} & Tenths of notehead width. Default is 3.\\ +\dhline +x & Floating figure (offset to right).\\ +\ {\it d1} & Number of note-length units of offset.\\ +\ \ {\it d2} & Note-length unit. Same code as for note durations.\\ +\ \ \ 2,3,\dots,9,\break\rightline{\#,-,n,0{\it d1}} + & Characters for floating figure, + arranged as in normal figure.\\ +\newcol +X & Shift or insert hardspace. \\ +\ [-]{\it x} & Distance. Default units are notehead widths.\\ +\ \ [{\tt p}] & Units are points.\\ +\ [:] & Begin shift (if number\break also present), end shift + (if no number),\\ +\ [S] & Single-note shift ({\tt S}). \\ +\ [P] & Use only in part, not score. \\ +\ [B] & Use in both score and part. \\ +\dhline +2,3,\dots,9,\#,-,n & Normal figure. + Combine characters as needed. See manual.\\ +0 {\rm (zero)} & Continuation figure.\\ +\ {\it x} & Length in \bsn{}internotes.\\ +\_ {\rm (underscore)} & Placeholder figure, to lower the next one. \\ +\ [+{\it i}] & In any figure, raise by {\it i}~\bs internotes. \\ +\ [s] & (With 2,4,5,6,9) add slash. Must have font cmrj. \\ +\dhline +[ & Start a forced beam.\\ +\ [j] & Continue an existing staff-\break jumping beam.\\ +\ [u,l] & Direction of forced beam.\\ +\ [f] & Flip beam direction.\\ +\ [m {\it d1}] & Forced multiplicity. {\it d1} = 1 - 4. \\ +\ [h] & Force horizontal beam (zero slope).\\ +\ [:] & After this forced beam, continue forced beaming over the + same interval until next explicit forced beam or end of + input block.\\ +\ [+,- {\it i}] & Vertical offset, \bsn{}internotes.\\ +\ \ [+,- {\it i}] & Change slope from default.\\ +\ \ \ [+,- {\it i}] & Distance to raise or lower beam, beam thk's.\\ +\dhline +] & End forced beam.\\ +\ [j] & Keep beam open, prepare to jump to other staff \\ +\dhline +][ & Between two notes in a forced beam, + decrease multiplicity to 1, then immediately increase. + Treated as a single symbol, set off by spaces.\\ +\dhline +]-[ & Between two notes in forced beam, end one segment and + start next of a single-slope beam group\\ +\dhline +( & Placed before a note, equivalent to {\tt s} after note. \\ +) & Equivalent to {\tt s} . \\ +\dhline +\{ & Placed before a note, equivalent to {\tt t} after note. \\ +\} & Equivalent to {\tt t} . \\ +\newcol +? & Arpeggio start/stop. Comes after note. \\ +\ [-{\it x}] & Shift left by {\it x} notehead widths. \\ +\dhline +\bs,\bs\bs,\bs\bs\bs & Start a literal \TeX~string before + next note, before \bsn{}startmuflex, or before + first \bsn{}notes group of current input block.\\ +\ {\it Text}\bs & TeX string and terminator. + May have more than one TeX command, strung end-to-end.\\ +--- (\rm 3 minus's) & Toggle for multiline \TeX\ block. Must start on first + line. All lines until next {\tt ---} will be copied verbatim + to top of \TeX\ file.\\ +\dhline +[|] & Bar line. Only used for checking, except required after + end-of-bar inserted hardspace.\\ +\dhline +/ & Terminate input for a staff in this input block.\\ +\dhline +// & Terminate first line of music on this staff for this input + block, start a second line of music on same staff.\\ +\dhline +\% & Comment line.\\ +\ [{\it h}]{\it text} & Scor2prt will put {\it text} + into the part whose hexadecimal number is {\it h}.\\ +\ [!]{\it text} & {\it text} + will be put in all parts by scor2prt.\\ +\ [\%] & Following line will be ignored by scor2prt.\\ +\dhline +.\break\null\ {\it note command} & Detatched dot-form shortcut.\break Note will have + 1/3 duration of prior note. See note name command.\\ +\dhline +,\break\null\ {\it note command} & Detatched 2:1 shortcut. Note will have + 1/2 duration of prior note. See note name command.\\ +\hline +\end{tabular} +\end{center} +\end{multicols} +} +\end{document} diff --git a/Master/texmf-dist/doc/generic/pmx/scor2prt.1 b/Master/texmf-dist/doc/generic/pmx/scor2prt.1 new file mode 100644 index 00000000000..4e38a161cb0 --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/scor2prt.1 @@ -0,0 +1,18 @@ +.TH scor2prt 1 "5 March 2012" "Version 2.6.17" "scor2prt Manual Page" +.SH NAME +scor2prt \- source-parts separation program for pmx, a MusiXTeX preprocessor +.SH SYNOPSIS +.B scor2prt +.RI basename [.pmx] +.SH DESCRIPTION +scor2prt is part of pmx(1), a preprocessor for MusiXTeX. It can automatically +create parts from a score by generating a set of .pmx files, one for each part, +from a single .pmx file for the score. The appearance of the parts can be +controlled by special commands in the main file. Read the PMX Manual for more +information about that. +.SH SEE ALSO +pmx(1), pmxab(1), musixtex(1), PMX Manual +.SH AUTHORS +PMX was written by Don Simons <dsimons@roadrunner.com>. +This manual page was written by Roland Stigge <stigge@antcom.de> for the Debian +project and revised by Bob Tennent <rdt@cs.queensu.ca>. diff --git a/Master/texmf-dist/doc/generic/pmx/scor2prt.pdf b/Master/texmf-dist/doc/generic/pmx/scor2prt.pdf new file mode 100644 index 00000000000..f64db5fbad3 --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/scor2prt.pdf @@ -0,0 +1,110 @@ +%PDF-1.4 +%쏢 +5 0 obj +<</Length 6 0 R/Filter /FlateDecode>> +stream +x}Tn6}W[% fEAѦX')@r %Y 䙙93 1o\U</`m~:x*Ax;"Mn&L/AhTm?|s DRB;{{t }Q^yIVD"b,V &InW [ XV%8DҸ v70ݮW8~0`V94m߭{Sörf;<Q^EB)4룏o8 Y-_,<j Zx#^>>m)
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