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authorKarl Berry <karl@freefriends.org>2011-04-23 00:18:07 +0000
committerKarl Berry <karl@freefriends.org>2011-04-23 00:18:07 +0000
commitc683d44533590963bbbcd407ce57cc98b4b42504 (patch)
tree9594c66eea50ab05b429e7de8e6740a0cbb30047 /Master/texmf-dist/doc/generic/musixtex
parentcd62c624e149e4c29e0e7aa29c016ae8b45cf086 (diff)
musixtex (22apr11)
git-svn-id: svn://tug.org/texlive/trunk@22163 c570f23f-e606-0410-a88d-b1316a301751
Diffstat (limited to 'Master/texmf-dist/doc/generic/musixtex')
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/addons/curly.tex2
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/adagio.tex5
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/aveverum.tex2
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/chanson.tex10
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/fantaisi.tex2
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/fantcmol.tex12
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/fstsaens.tex174
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/marcello.tex2
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/marcon1.tex10
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/marcon2.tex10
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/marcon3.tex8
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/recit.tex3
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/musixdoc.tex2
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/notationMistakes/sottieng.tex10
14 files changed, 40 insertions, 212 deletions
diff --git a/Master/texmf-dist/doc/generic/musixtex/addons/curly.tex b/Master/texmf-dist/doc/generic/musixtex/addons/curly.tex
index 476486a9a8d..622b5c6d3cd 100644
--- a/Master/texmf-dist/doc/generic/musixtex/addons/curly.tex
+++ b/Master/texmf-dist/doc/generic/musixtex/addons/curly.tex
@@ -1,7 +1,7 @@
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
% This is curly.tex, MusiXTex code for multiple left curly brackets %
% %
-% submitted by Mthimkhulu Molekwa <MMolekwa@rrs.co.za> %
+% submitted by Mthimkhulu Molekwa <eMKay.sa@gmail.com> %
% to the mutex list on 19 May 1999 %
% %
% %
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/adagio.tex b/Master/texmf-dist/doc/generic/musixtex/examples/adagio.tex
index 7fb253826fa..1d63294cf2c 100644
--- a/Master/texmf-dist/doc/generic/musixtex/examples/adagio.tex
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/adagio.tex
@@ -8,8 +8,8 @@
\headtitle{I. Adagio}
\csname titremorceautoc\endcsname
\shortauthor{D. Taupin}
-\fullauthor{Daniel TAUPIN\\organiste … Gif-sur-Yvette}
-\othermention{Compos‚ en 1989}
+\fullauthor{Daniel TAUPIN\\organiste \`{a} Gif-sur-Yvette}
+\othermention{Compos\'{e} en 1989}
%
%
@@ -443,3 +443,4 @@ terminaison sur la note suivante.}\relax
\rightline{\it \aujourdhui}
\vfil
\eject
+\bye
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/aveverum.tex b/Master/texmf-dist/doc/generic/musixtex/examples/aveverum.tex
index f2a22bd51b6..c5e732595ee 100644
--- a/Master/texmf-dist/doc/generic/musixtex/examples/aveverum.tex
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/aveverum.tex
@@ -15,7 +15,7 @@
\def\nbinstruments{1}
\def\instrumenti{Orgue}
\def\instrumentii{Basse}
-\def\instrumentiii{T‚nor}
+\def\instrumentiii{T\'{e}nor}
\def\instrumentiv{\vbox{\hsize\parindent\centerline{Soprano}\centerline{Alto}}}
\nbporteesi=2\relax
\generalmeter{\allabreve}
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/chanson.tex b/Master/texmf-dist/doc/generic/musixtex/examples/chanson.tex
index 6b5fd30052b..1047b9f948b 100644
--- a/Master/texmf-dist/doc/generic/musixtex/examples/chanson.tex
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/chanson.tex
@@ -9,8 +9,8 @@
\fulltitle{XII. Chanson innocente}
\csname titremorceautoc\endcsname
\shortauthor{D. Taupin}
-\fullauthor{Daniel TAUPIN\\organiste … Gif-sur-Yvette}
-\othermention{Compos‚ en 1996-1999}
+\fullauthor{Daniel TAUPIN\\organiste \`{a} Gif-sur-Yvette}
+\othermention{Compos\'{e} en 1996-1999}
%
%
@@ -18,8 +18,8 @@
\parindent 18mm
\instrumentnumber{3}
-\setname1{Fl–te 16, 8'}
-\setname2{Fl–te 8'}
+\setname1{Fl\^{u}te 16, 8'}
+\setname2{Fl\^{u}te 8'}
\setname3{Sesquialtera}
\generalmeter{\meterfrac68}
@@ -40,7 +40,7 @@
\def\triopl#1#2#3{\Ibl0{#1}{#3}4\qbp0{#1}\sk\sk\tbbl0\qb0{#2}\tqb0{#3}\sk}
\def\triopu#1#2#3{\Ibu0{#1}{#3}4\qhp0{#1}\sk\sk\tbbu0\qh0{#2}\tqh0{#3}\sk}
\noautolines
-\setname1{P‚dale}\setname2{Fl–te}\setname3{Sesquialtera}
+\setname1{P\'{e}dale}\setname2{Fl\^{u}te}\setname3{Sesquialtera}
\generalsignature{1}
\setclef1{\bass}\setclef2{\treble}\setclef3{\treble}
\def\tripler{\noteskip=3\noteskip}
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/fantaisi.tex b/Master/texmf-dist/doc/generic/musixtex/examples/fantaisi.tex
index 5068f32e649..3d84d2b1814 100644
--- a/Master/texmf-dist/doc/generic/musixtex/examples/fantaisi.tex
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/fantaisi.tex
@@ -1235,4 +1235,4 @@ poco pi\`u vivo}\zqp a\qup d\enotes
\staffbotmarg=0pt
\rightline{\sl\aujourdhui}\vfil\eject
-\endinput
+\end
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/fantcmol.tex b/Master/texmf-dist/doc/generic/musixtex/examples/fantcmol.tex
index 0a1d3956e32..fae4884314f 100644
--- a/Master/texmf-dist/doc/generic/musixtex/examples/fantcmol.tex
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/fantcmol.tex
@@ -211,17 +211,17 @@
% mesure 26
\barre\notes\hu K&\itenu1d\zh{ad}\hl f|\sqqbb klmn\enotes
\temps\notes&|\sqqbb omlk|\enotes
-\temps\notes\qu I&\tten1\itenu1d\zq{bd}\ql g|\sqqbb popn|\enotes
+\temps\notes\qu I&\tten1\itenu1d\zq{bd}\ql g|\sqqbb popn\enotes
%\check
% mesure 27
-\barre\notes\hu K&\tten1\zh{ad}\hl f|\sqqbb opon|\enotes
+\barre\notes\hu K&\tten1\zh{ad}\hl f|\sqqbb opon\enotes
\temps\notes&|\sqqbb monm|\enotes
-\temps\notes\qu G&\zq{be}\ql g|\sqqbb nmlk|\enotes
+\temps\notes\qu G&\zq{be}\ql g|\sqqbb nmlk\enotes
%\check
% mesure 28
-\barre\notes\hup H&\zhp a\zhlp c\hu e|\sqqbb jklm|\enotes
-\temps\notes&|\sqqbb nlon|\enotes
-\temps\notes&\qu g|\sqqbb {_m}lkj|\enotes
+\barre\notes\hup H&\zhp a\zhlp c\hu e|\sqqbb jklm\enotes
+\temps\notes&|\sqqbb nlon\enotes
+\temps\notes&\qu g|\sqqbb {_m}lkj\enotes
%\check
% mesure 29
\barre\notes\hu K&\sqqbb KL{_M}N|\itenu1k\zh {_fh}\hu k\enotes
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/fstsaens.tex b/Master/texmf-dist/doc/generic/musixtex/examples/fstsaens.tex
deleted file mode 100644
index 4d612535bad..00000000000
--- a/Master/texmf-dist/doc/generic/musixtex/examples/fstsaens.tex
+++ /dev/null
@@ -1,174 +0,0 @@
-
-\ifx\mxversion\undefined
- \input musixtex
- \input musixcpt
- \input musixsty
-\fi
-
-\ifx\pdfoutput\undefined
-\immediate\write16{Standard TeX/LaTeX}
-\else
-\immediate\write16{--------------------}
-\immediate\write16{Running PDF[la]TeX}
-\immediate\write16{--------------------}
-\fi
-
-\fullauthor{Daniel TAUPIN -- Camille Saint-Saens\\Compos\'e en juin 2002}
-\shortauthor{D. Taupin -- St-Saens -- \aujourdhui}
-\shorttitle{Fantaisie concertante}
-\title{Fantaisie concertante}
-\subtitle{pour orgue \`a 2 claviers sur
-les th\`emes du final du 4\fup{e} concerto pour piano de St-Saens}
-
-
-\maketitle
-\def\ShortVersion{\relax}
-
-\parindent 18mm
-\tracingstats=2\relax
-%
-% formes fr\'equentes
-%
-%au moins deux croches basses et hautes
-\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}%
-\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}%
-%au moins deux croches basses et hautes
-\def\Dqb#1#2{\Ibl0{#1}{#2}1{\advance\transpose 7\zq{#1}}\qb0{#1}{\advance\transpose 7\zq{#2}}\tqb0{#2}}%
-\def\Dqh#1#2{\Ibu0{#1}{#2}1{\advance\transpose -7\zq{#1}}\qh0{#1}{\advance\transpose -7\zq{#2}}\tqh0{#2}}%
-%au moins trois croches basses et hautes
-\def\tql#1#2#3{\Ibl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}}%
-\def\tqu#1#2#3{\Ibu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}}%
-%au moins deux doubles croches basses et hautes
-\def\dqbb#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}}%
-\def\dqhh#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}}%
-%au moins trois doubles croches basses et hautes
-\def\tqbb#1#2#3{\Ibbl0{#1}{#3}2\qb0{#1#2}\tqb0{#3}}%
-\def\Tqbb#1#2#3{\ibbl0{#2}0\qb0{#1#2}\tqb0{#3}}%
-\def\sTqbb#1#2#3{{\smallnotesize\Tqbb{#1}{#2}{#3}}}%
-%au moins quatre croches basses et hautes
-\def\qqb#1#2#3#4{\Ibl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}%
-\def\Qqb#1#2#3#4{\Ibl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}%
-\def\qqB#1#2#3#4{\Ibl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}%
-\def\qqh#1#2#3#4{\Ibu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}%
-\def\Qqh#1#2#3#4{\Ibu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}%
-\def\qqH#1#2#3#4{\Ibu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}%
-%au moins quatre doubles croches basses et hautes
-\def\qqbb#1#2#3#4{\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}%
-\def\sqqbb#1#2#3#4{{\smallnotesize\qqbb{#1}{#2}{#3}{#4}}}%
-\def\Qqbb#1#2#3#4{\Ibbl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}%
-\def\sQqbb#1#2#3#4{{\smallnotesize\Qqbb{#1}{#2}{#3}{#4}}}%
-\def\qqBB#1#2#3#4{\Ibbl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}%
-\def\sqqBB#1#2#3#4{{\smallnotesize\qqBB{#1}{#2}{#3}{#4}}}%
-\def\qqhh#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}%
-\def\qqhhlow#1#2#3#4{{\advance\transpose -2\Ibbu0{#1}{#4}3}\qh0{#1#2#3}\tqh0{#4}}%
-\def\Qqhh#1#2#3#4{\Ibbu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}%
-\def\qqHH#1#2#3#4{\Ibbu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}%
-\def\sqqHH#1#2#3#4{{\smallnotesize\qqHH{#1}{#2}{#3}{#4}}}%
-%
-\def\PlusH{\multnoteskip{1.5}}
-\def\Double{\multnoteskip{2}}
-\def\Triple{\multnoteskip{3}}
-\def\Quadr{\multnoteskip{4}}
-%
-\instrumentnumber 3\relax
-\setstaffs11\relax
-\setstaffs22\relax
-\setstaffs31\relax
-\setclef1{6000}
-\setclef2{6000}
-\setclef3{0000}
-
-%
-\signaturegenerale{-3}\relax % ut mineur
-\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}%
-\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
-\def\deuxtemps{\generalmeter{\meterfrac{2}{4}}}%
-\def\Quatretemps{\generalmeter{\meterfrac{4}{2}}}%
-\def\Troistemps{\generalmeter{\meterfrac{3}{2}}}%
-\def\Deuxtemps{\generalmeter{\meterfrac{2}{2}}}%
-\def\GO{{\bf I}}
-\def\REC{{\bf III}}
-\def\POS{{\bf II}}
-\def\GO{{\bf GO}}
-\def\REC{{\bf R\'ec.}}
-\def\POS{{\bf Pos.}}
-\def\Go{(\GO)}
-\def\Rec{(\REC)}
-\def\Pos{(\POS)}
-%\check
-\setname1{\vbox{\hbox{P\'ed. 16' }\hbox{8, 4, mix.}\hbox{sans acc.}}}%
-\setname2{M. gauche}%
-\setname3{M. droite}%
-%\check
-
-\hbox to \hsize{\rm I (G.O.): Plein jeu, fonds 16' {\sl ad libitum.}\hss \rm
-\ifx\pdfoutput\undefined Reg. dom~: 5-1, AA, sans tirasses, sans anches\fi
-}
-
-
-\hbox to \hsize{\rm II (Pos.) et III (R\'ecit): fonds 8', mixtures\hss}%
-
-\hbox to \hsize{\rm Claviers accoupl\'es \hss
- \ifx\pdfoutput\undefined\rm Reg. Gif~: 1, 2, 4, 5/ 9---14, 16, 18---20, 22---25, 28/\fi
-}%
-
-\hbox to \hsize{\rm P\'ed.: fonds 16, 6, 4, mixtures [anches 8, 4
-annul\'ees]\hss
- \ifx\pdfoutput\undefined\rm 32, 33, 35---39,
-41/ 46, 47, 48, 54\fi
-}%
-\smallskip
-
-%
-\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}%
-\def\doubler{\multiply\noteskip by 2\relax}%
-\staffbotmarg=10pt
-\setstaffs11\relax
-\setstaffs21\relax
-\setstaffs31\relax
-\setclef1{6000}
-\setclef2{6000}
-\setclef3{0000}
-\setname2{M. gauche}%
-\setname3{M. droite}%
-\generalsignature{0}
-\troistemps
- %\check
- % mesure-2 111
- \def\thefirstlinegoal{7}%
-\debutmorceau
-\systemnumbers\relax
-\let\writebarnoOrg\writebarno
-\def\writebarno{\vbox to 0pt{\vss\hbox{\writebarnoOrg}}}%
-\def\freqbarno{9999}%
- \NOtes&\zcharnote C{\kern -0.5em\GO}\zmidtwotext{\f}\relax
- &\zcharnote n{\kern -0.5em\POS}\relax
- \Uptext{\raise 10\Internote\hbox{\kern -16mm\moyen Allegro maestoso
- \bf(\metron{\qu}{90})}}\enotes
-\nspace
-\nspace
-\notes\Double\itenl1G\hup G\relax
- &\sk\pause\relax
- &\itenu2t\hlp t\enotes
- \input cstsaen2.tex
-%\def\freqbarno{4}%
-%\barre
- \znotes\zcharnote A{\null}\relax
- &\zcharnote C{\kern -0.5em\POS}\zmidtwotext{\f}\relax
- &\zcharnote n{\kern -0.5em\GO}\enotes
-\input cstsaen3.tex
- % \mulooseness -1\relax
-\finmorceau
-
-
-
-
-
-\rightline{\sk\sk\sk\aujourdhui}\vfil\eject
-
-
-
-\bye
-
-\endinput
-
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/marcello.tex b/Master/texmf-dist/doc/generic/musixtex/examples/marcello.tex
index 4506fc8d1f6..45dfe704dd0 100644
--- a/Master/texmf-dist/doc/generic/musixtex/examples/marcello.tex
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/marcello.tex
@@ -316,4 +316,4 @@ n{\Trille{2\noteskip}}\na i\qlp i\sk\sk\cl j\enotes
\rightline{\sl\aujourdhui}\eject
-
+\bye
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/marcon1.tex b/Master/texmf-dist/doc/generic/musixtex/examples/marcon1.tex
index ba0073d59eb..47102c7ec74 100644
--- a/Master/texmf-dist/doc/generic/musixtex/examples/marcon1.tex
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/marcon1.tex
@@ -7,8 +7,8 @@
%
\title{Concerto pour hautbois --- allegro}
\fulltitle{Concerto pour hautbois --- allegro}
-\othermention{Transcription pour hautbois, fl–te et orgue\\{\bf
- \ifFlute Partition fl–te\fi
+\othermention{Transcription pour hautbois, fl\^{u}te et orgue\\{\bf
+ \ifFlute Partition fl\^{u}te\fi
\ifOboe Partition hautbois\fi
\ifOrgue Partition orgue\fi}
}
@@ -42,7 +42,7 @@
\nbporteesii=1\relax%
\nbporteesiii=1\relax%
\def\instrumenti{Orgue}%
- \def\instrumentii{Fl–te}%
+ \def\instrumentii{Fl\^{u}te}%
\def\instrumentiii{Hautbois}%
\def\staffspacingii{0.64}\def\staffspacingiii{0.64}%
\else
@@ -51,7 +51,7 @@
\global\cleftoksii={{0}{0}{0}{0}}%
\nbporteesi=1\relax%
\nbporteesii=1\relax%
- \def\instrumenti{Fl–te}%
+ \def\instrumenti{Fl\^{u}te}%
\def\instrumentii{Hautbois}%
\ifFlute\def\staffspacingi{1.0}\else\def\staffspacingi{0.64}\fi
\ifOboe\def\staffspacingii{1.0}\else\def\staffspacingii{0.64}\fi%
@@ -159,7 +159,7 @@
\notes\org \doubler\Pause
|\doubler\ibl0K0\qb0{JKL}\tqb0J\qu{=I}\sk\ds\cu G\relax
|\doubler\zq N\zq c\qu e\sk\zql N\Ibu0ce1\qh0c\tqh0e\zq N\qu d\sk\ds\zq d\rq g\cu f\relax
- &\ifFlute\zcharnote N{\sl fl–te}\fi
+ &\ifFlute\zcharnote N{\sl fl\^{u}te}\fi
\ibu0g0\qh0g\sk\nbbu0\qh0g\tqh0f\doubler\qu g\sk\qu g\sk\ds\cu{=i}\relax
&\ifOboe\zcharnote N{\sl hautbois}\fi
\uptext{\p}\cl j\sk\sk\sk\qs\Ibbl0jl2\qb0j\qb0k\tqb0l\Ibl0kg2\qb0 k\sk\tqb0g\ibbl0m0\qb0{nmn}\tqb0k\enotes
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/marcon2.tex b/Master/texmf-dist/doc/generic/musixtex/examples/marcon2.tex
index fb5efe87b62..0632c642a20 100644
--- a/Master/texmf-dist/doc/generic/musixtex/examples/marcon2.tex
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/marcon2.tex
@@ -7,8 +7,8 @@
%
\title{Concerto pour hautbois --- adagio}
\fulltitle{Concerto pour hautbois --- adagio}
-\othermention{Transcription pour hautbois, fl–te et orgue\\{\bf
- \ifFlute Partition fl–te\fi
+\othermention{Transcription pour hautbois, fl\^{u}te et orgue\\{\bf
+ \ifFlute Partition fl\^{u}te\fi
\ifOboe Partition hautbois\fi
\ifOrgue Partition orgue\fi}
}
@@ -40,7 +40,7 @@
\nbporteesii=1\relax%
\nbporteesiii=1\relax%
\def\instrumenti{Orgue}%
- \def\instrumentii{Fl–te}%
+ \def\instrumentii{Fl\^{u}te}%
\def\instrumentiii{Hautbois}%
\def\staffspacingii{0.64}\def\staffspacingiii{0.64}%
\else
@@ -49,7 +49,7 @@
\global\cleftoksii={{0}{0}{0}{0}}%
\nbporteesi=1\relax%
\nbporteesii=1\relax%
- \def\instrumenti{Fl–te}%
+ \def\instrumenti{Fl\^{u}te}%
\def\instrumentii{Hautbois}%
\ifFlute\def\staffspacingi{1.0}\else\def\staffspacingi{0.64}\fi
\ifOboe\def\staffspacingiii{1.0}\else\def\staffspacingii{0.64}\fi%
@@ -122,7 +122,7 @@
\barre\NOTes\org\Pause
|\Pause\relax
|\ibl0j0\qb0j\qb0j\qb0j\qb0j\qb0j\tqb0j\relax
- &\ifFlute\zcharnote N{\sl fl–te}\fi\ibl0k0\qb0k\qb0k\qb0k\qb0k\qb0k\tqb0k\relax
+ &\ifFlute\zcharnote N{\sl fl\^{u}te}\fi\ibl0k0\qb0k\qb0k\qb0k\qb0k\qb0k\tqb0k\relax
&\ifOboe\tinynotesize\ibl0j0\qb0j\qb0j\qb0j\qb0j\qb0j\tqb0j\relax
\else\Pause\fi\enotes
% mesure 3
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/marcon3.tex b/Master/texmf-dist/doc/generic/musixtex/examples/marcon3.tex
index 52b1989bb06..de25e96f87b 100644
--- a/Master/texmf-dist/doc/generic/musixtex/examples/marcon3.tex
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/marcon3.tex
@@ -7,8 +7,8 @@
%
\title{Concerto pour hautbois --- finale}
\fulltitle{Concerto pour hautbois --- finale}
-\othermention{Transcription pour hautbois, fl–te et orgue\\{\bf
- \ifFlute Partition fl–te\fi
+\othermention{Transcription pour hautbois, fl\^{u}te et orgue\\{\bf
+ \ifFlute Partition fl\^{u}te\fi
\ifOboe Partition hautbois\fi
\ifOrgue Partition orgue\fi}
}
@@ -28,7 +28,7 @@
\nbporteesii=1\relax%
\nbporteesiii=1\relax%
\def\instrumenti{Orgue}%
- \def\instrumentii{Fl–te}%
+ \def\instrumentii{Fl\^{u}e}%
\def\instrumentiii{Hautbois}%
\def\staffspacingii{0.64}\def\staffspacingiii{0.64}%
\else
@@ -37,7 +37,7 @@
\global\cleftoksii={{0}{0}{0}{0}}%
\nbporteesi=1\relax%
\nbporteesii=1\relax%
- \def\instrumenti{Fl–te}%
+ \def\instrumenti{Fl\^{u}te}%
\def\instrumentii{Hautbois}%
\ifFlute\def\staffspacingi{1.0}\else\def\staffspacingi{0.64}\fi
\ifOboe\def\staffspacingiii{1.0}\else\def\staffspacingii{0.64}\fi%
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/recit.tex b/Master/texmf-dist/doc/generic/musixtex/examples/recit.tex
index 4d178610460..be717f9bc5d 100644
--- a/Master/texmf-dist/doc/generic/musixtex/examples/recit.tex
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/recit.tex
@@ -8,7 +8,7 @@
\csname titremorceautoc\endcsname
\subtitle{\sl (pour orgue)}
\othermention{Compos\'e en 1990}
-\fullauthor{Daniel TAUPIN\\organiste … Gif-sur-Yvette}
+\fullauthor{Daniel TAUPIN\\organiste \`a Gif-sur-Yvette}
\maketitle
\tracingstats=2\relax
@@ -413,3 +413,4 @@
\finmorceau
\medskip\rightline{\it \aujourdhui}
\eject
+\bye
diff --git a/Master/texmf-dist/doc/generic/musixtex/musixdoc.tex b/Master/texmf-dist/doc/generic/musixtex/musixdoc.tex
index 988f87f7046..57279defdf3 100644
--- a/Master/texmf-dist/doc/generic/musixtex/musixdoc.tex
+++ b/Master/texmf-dist/doc/generic/musixtex/musixdoc.tex
@@ -17,7 +17,7 @@
% Boston, MA 02111-1307, USA.
%
%
-% musixdoc.tex : the document
+% musixdoc.tex : the document
%
\documentclass[twoside,11pt,a4paper]{report}
\usepackage{multicol}
diff --git a/Master/texmf-dist/doc/generic/musixtex/notationMistakes/sottieng.tex b/Master/texmf-dist/doc/generic/musixtex/notationMistakes/sottieng.tex
index 7028a807d31..1ce95adb9ac 100644
--- a/Master/texmf-dist/doc/generic/musixtex/notationMistakes/sottieng.tex
+++ b/Master/texmf-dist/doc/generic/musixtex/notationMistakes/sottieng.tex
@@ -381,8 +381,8 @@ Here is an example, with its solution, by two distinguished publishers:
\zendextract
\subsec
-Beam placement should be adapted to the contexte. This placement varies
-depending on this group of notes is isolated or in a series:
+Beam placement should be adapted to the context. This placement varies
+depending on whether this group of notes is isolated or in a series:
\startextract
\NOTes\hu c\hu d\en
@@ -476,7 +476,7 @@ Meanwhile avoid ``acrobatics'' to strictly abide these rules:
\subsec
-At some epochs a single tie was supposed to refer to \textbf{all}
+During some epochs a single tie was supposed to refer to \textbf{all}
notes of a particular chord. Particular cases have become so frequent,
that it is better to note all ties explicitly.
@@ -687,7 +687,7 @@ Accidentals other than well defined ones, get classified in three sets:
Put an editorial accidental when you think the source is wrong.
Note it with a small-size accidental above or below the note.
-If this note is within a chord, place it left to the note.
+If this note is within a chord, place it left of the note.
{\footnotesize \textit{Thorough bass} also uses such small accidentals above
notes. But the misunderstanding is unlikely most of the time.
@@ -1046,7 +1046,7 @@ with the authors of your source.
\subsec
What to do when you think you've done with your edition? Of course,
-you rush on your instrument, and you play the piece with this edition.
+you rush to your instrument, and you play the piece with this edition.
But since you are familiar with the piece, you will very likely
miss quite a few misprints, overwhelmed by your enthusiasm.