diff options
author | Karl Berry <karl@freefriends.org> | 2011-04-23 00:18:07 +0000 |
---|---|---|
committer | Karl Berry <karl@freefriends.org> | 2011-04-23 00:18:07 +0000 |
commit | c683d44533590963bbbcd407ce57cc98b4b42504 (patch) | |
tree | 9594c66eea50ab05b429e7de8e6740a0cbb30047 /Master/texmf-dist/doc/generic/musixtex | |
parent | cd62c624e149e4c29e0e7aa29c016ae8b45cf086 (diff) |
musixtex (22apr11)
git-svn-id: svn://tug.org/texlive/trunk@22163 c570f23f-e606-0410-a88d-b1316a301751
Diffstat (limited to 'Master/texmf-dist/doc/generic/musixtex')
14 files changed, 40 insertions, 212 deletions
diff --git a/Master/texmf-dist/doc/generic/musixtex/addons/curly.tex b/Master/texmf-dist/doc/generic/musixtex/addons/curly.tex index 476486a9a8d..622b5c6d3cd 100644 --- a/Master/texmf-dist/doc/generic/musixtex/addons/curly.tex +++ b/Master/texmf-dist/doc/generic/musixtex/addons/curly.tex @@ -1,7 +1,7 @@ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % This is curly.tex, MusiXTex code for multiple left curly brackets % % % -% submitted by Mthimkhulu Molekwa <MMolekwa@rrs.co.za> % +% submitted by Mthimkhulu Molekwa <eMKay.sa@gmail.com> % % to the mutex list on 19 May 1999 % % % % % diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/adagio.tex b/Master/texmf-dist/doc/generic/musixtex/examples/adagio.tex index 7fb253826fa..1d63294cf2c 100644 --- a/Master/texmf-dist/doc/generic/musixtex/examples/adagio.tex +++ b/Master/texmf-dist/doc/generic/musixtex/examples/adagio.tex @@ -8,8 +8,8 @@ \headtitle{I. Adagio} \csname titremorceautoc\endcsname \shortauthor{D. Taupin} -\fullauthor{Daniel TAUPIN\\organiste … Gif-sur-Yvette} -\othermention{Compos‚ en 1989} +\fullauthor{Daniel TAUPIN\\organiste \`{a} Gif-sur-Yvette} +\othermention{Compos\'{e} en 1989} % % @@ -443,3 +443,4 @@ terminaison sur la note suivante.}\relax \rightline{\it \aujourdhui} \vfil \eject +\bye diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/aveverum.tex b/Master/texmf-dist/doc/generic/musixtex/examples/aveverum.tex index f2a22bd51b6..c5e732595ee 100644 --- a/Master/texmf-dist/doc/generic/musixtex/examples/aveverum.tex +++ b/Master/texmf-dist/doc/generic/musixtex/examples/aveverum.tex @@ -15,7 +15,7 @@ \def\nbinstruments{1} \def\instrumenti{Orgue} \def\instrumentii{Basse} -\def\instrumentiii{T‚nor} +\def\instrumentiii{T\'{e}nor} \def\instrumentiv{\vbox{\hsize\parindent\centerline{Soprano}\centerline{Alto}}} \nbporteesi=2\relax \generalmeter{\allabreve} diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/chanson.tex b/Master/texmf-dist/doc/generic/musixtex/examples/chanson.tex index 6b5fd30052b..1047b9f948b 100644 --- a/Master/texmf-dist/doc/generic/musixtex/examples/chanson.tex +++ b/Master/texmf-dist/doc/generic/musixtex/examples/chanson.tex @@ -9,8 +9,8 @@ \fulltitle{XII. Chanson innocente} \csname titremorceautoc\endcsname \shortauthor{D. Taupin} -\fullauthor{Daniel TAUPIN\\organiste … Gif-sur-Yvette} -\othermention{Compos‚ en 1996-1999} +\fullauthor{Daniel TAUPIN\\organiste \`{a} Gif-sur-Yvette} +\othermention{Compos\'{e} en 1996-1999} % % @@ -18,8 +18,8 @@ \parindent 18mm \instrumentnumber{3} -\setname1{Fl–te 16, 8'} -\setname2{Fl–te 8'} +\setname1{Fl\^{u}te 16, 8'} +\setname2{Fl\^{u}te 8'} \setname3{Sesquialtera} \generalmeter{\meterfrac68} @@ -40,7 +40,7 @@ \def\triopl#1#2#3{\Ibl0{#1}{#3}4\qbp0{#1}\sk\sk\tbbl0\qb0{#2}\tqb0{#3}\sk} \def\triopu#1#2#3{\Ibu0{#1}{#3}4\qhp0{#1}\sk\sk\tbbu0\qh0{#2}\tqh0{#3}\sk} \noautolines -\setname1{P‚dale}\setname2{Fl–te}\setname3{Sesquialtera} +\setname1{P\'{e}dale}\setname2{Fl\^{u}te}\setname3{Sesquialtera} \generalsignature{1} \setclef1{\bass}\setclef2{\treble}\setclef3{\treble} \def\tripler{\noteskip=3\noteskip} diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/fantaisi.tex b/Master/texmf-dist/doc/generic/musixtex/examples/fantaisi.tex index 5068f32e649..3d84d2b1814 100644 --- a/Master/texmf-dist/doc/generic/musixtex/examples/fantaisi.tex +++ b/Master/texmf-dist/doc/generic/musixtex/examples/fantaisi.tex @@ -1235,4 +1235,4 @@ poco pi\`u vivo}\zqp a\qup d\enotes \staffbotmarg=0pt \rightline{\sl\aujourdhui}\vfil\eject -\endinput +\end diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/fantcmol.tex b/Master/texmf-dist/doc/generic/musixtex/examples/fantcmol.tex index 0a1d3956e32..fae4884314f 100644 --- a/Master/texmf-dist/doc/generic/musixtex/examples/fantcmol.tex +++ b/Master/texmf-dist/doc/generic/musixtex/examples/fantcmol.tex @@ -211,17 +211,17 @@ % mesure 26 \barre\notes\hu K&\itenu1d\zh{ad}\hl f|\sqqbb klmn\enotes \temps\notes&|\sqqbb omlk|\enotes -\temps\notes\qu I&\tten1\itenu1d\zq{bd}\ql g|\sqqbb popn|\enotes +\temps\notes\qu I&\tten1\itenu1d\zq{bd}\ql g|\sqqbb popn\enotes %\check % mesure 27 -\barre\notes\hu K&\tten1\zh{ad}\hl f|\sqqbb opon|\enotes +\barre\notes\hu K&\tten1\zh{ad}\hl f|\sqqbb opon\enotes \temps\notes&|\sqqbb monm|\enotes -\temps\notes\qu G&\zq{be}\ql g|\sqqbb nmlk|\enotes +\temps\notes\qu G&\zq{be}\ql g|\sqqbb nmlk\enotes %\check % mesure 28 -\barre\notes\hup H&\zhp a\zhlp c\hu e|\sqqbb jklm|\enotes -\temps\notes&|\sqqbb nlon|\enotes -\temps\notes&\qu g|\sqqbb {_m}lkj|\enotes +\barre\notes\hup H&\zhp a\zhlp c\hu e|\sqqbb jklm\enotes +\temps\notes&|\sqqbb nlon\enotes +\temps\notes&\qu g|\sqqbb {_m}lkj\enotes %\check % mesure 29 \barre\notes\hu K&\sqqbb KL{_M}N|\itenu1k\zh {_fh}\hu k\enotes diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/fstsaens.tex b/Master/texmf-dist/doc/generic/musixtex/examples/fstsaens.tex deleted file mode 100644 index 4d612535bad..00000000000 --- a/Master/texmf-dist/doc/generic/musixtex/examples/fstsaens.tex +++ /dev/null @@ -1,174 +0,0 @@ - -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi - -\ifx\pdfoutput\undefined -\immediate\write16{Standard TeX/LaTeX} -\else -\immediate\write16{--------------------} -\immediate\write16{Running PDF[la]TeX} -\immediate\write16{--------------------} -\fi - -\fullauthor{Daniel TAUPIN -- Camille Saint-Saens\\Compos\'e en juin 2002} -\shortauthor{D. Taupin -- St-Saens -- \aujourdhui} -\shorttitle{Fantaisie concertante} -\title{Fantaisie concertante} -\subtitle{pour orgue \`a 2 claviers sur -les th\`emes du final du 4\fup{e} concerto pour piano de St-Saens} - - -\maketitle -\def\ShortVersion{\relax} - -\parindent 18mm -\tracingstats=2\relax -% -% formes fr\'equentes -% -%au moins deux croches basses et hautes -\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% -\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% -%au moins deux croches basses et hautes -\def\Dqb#1#2{\Ibl0{#1}{#2}1{\advance\transpose 7\zq{#1}}\qb0{#1}{\advance\transpose 7\zq{#2}}\tqb0{#2}}% -\def\Dqh#1#2{\Ibu0{#1}{#2}1{\advance\transpose -7\zq{#1}}\qh0{#1}{\advance\transpose -7\zq{#2}}\tqh0{#2}}% -%au moins trois croches basses et hautes -\def\tql#1#2#3{\Ibl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}}% -\def\tqu#1#2#3{\Ibu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}}% -%au moins deux doubles croches basses et hautes -\def\dqbb#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% -\def\dqhh#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% -%au moins trois doubles croches basses et hautes -\def\tqbb#1#2#3{\Ibbl0{#1}{#3}2\qb0{#1#2}\tqb0{#3}}% -\def\Tqbb#1#2#3{\ibbl0{#2}0\qb0{#1#2}\tqb0{#3}}% -\def\sTqbb#1#2#3{{\smallnotesize\Tqbb{#1}{#2}{#3}}}% -%au moins quatre croches basses et hautes -\def\qqb#1#2#3#4{\Ibl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% -\def\Qqb#1#2#3#4{\Ibl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}% -\def\qqB#1#2#3#4{\Ibl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}% -\def\qqh#1#2#3#4{\Ibu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% -\def\Qqh#1#2#3#4{\Ibu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% -\def\qqH#1#2#3#4{\Ibu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}% -%au moins quatre doubles croches basses et hautes -\def\qqbb#1#2#3#4{\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% -\def\sqqbb#1#2#3#4{{\smallnotesize\qqbb{#1}{#2}{#3}{#4}}}% -\def\Qqbb#1#2#3#4{\Ibbl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}% -\def\sQqbb#1#2#3#4{{\smallnotesize\Qqbb{#1}{#2}{#3}{#4}}}% -\def\qqBB#1#2#3#4{\Ibbl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}% -\def\sqqBB#1#2#3#4{{\smallnotesize\qqBB{#1}{#2}{#3}{#4}}}% -\def\qqhh#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% -\def\qqhhlow#1#2#3#4{{\advance\transpose -2\Ibbu0{#1}{#4}3}\qh0{#1#2#3}\tqh0{#4}}% -\def\Qqhh#1#2#3#4{\Ibbu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% -\def\qqHH#1#2#3#4{\Ibbu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}% -\def\sqqHH#1#2#3#4{{\smallnotesize\qqHH{#1}{#2}{#3}{#4}}}% -% -\def\PlusH{\multnoteskip{1.5}} -\def\Double{\multnoteskip{2}} -\def\Triple{\multnoteskip{3}} -\def\Quadr{\multnoteskip{4}} -% -\instrumentnumber 3\relax -\setstaffs11\relax -\setstaffs22\relax -\setstaffs31\relax -\setclef1{6000} -\setclef2{6000} -\setclef3{0000} - -% -\signaturegenerale{-3}\relax % ut mineur -\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% -\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% -\def\deuxtemps{\generalmeter{\meterfrac{2}{4}}}% -\def\Quatretemps{\generalmeter{\meterfrac{4}{2}}}% -\def\Troistemps{\generalmeter{\meterfrac{3}{2}}}% -\def\Deuxtemps{\generalmeter{\meterfrac{2}{2}}}% -\def\GO{{\bf I}} -\def\REC{{\bf III}} -\def\POS{{\bf II}} -\def\GO{{\bf GO}} -\def\REC{{\bf R\'ec.}} -\def\POS{{\bf Pos.}} -\def\Go{(\GO)} -\def\Rec{(\REC)} -\def\Pos{(\POS)} -%\check -\setname1{\vbox{\hbox{P\'ed. 16' }\hbox{8, 4, mix.}\hbox{sans acc.}}}% -\setname2{M. gauche}% -\setname3{M. droite}% -%\check - -\hbox to \hsize{\rm I (G.O.): Plein jeu, fonds 16' {\sl ad libitum.}\hss \rm -\ifx\pdfoutput\undefined Reg. dom~: 5-1, AA, sans tirasses, sans anches\fi -} - - -\hbox to \hsize{\rm II (Pos.) et III (R\'ecit): fonds 8', mixtures\hss}% - -\hbox to \hsize{\rm Claviers accoupl\'es \hss - \ifx\pdfoutput\undefined\rm Reg. Gif~: 1, 2, 4, 5/ 9---14, 16, 18---20, 22---25, 28/\fi -}% - -\hbox to \hsize{\rm P\'ed.: fonds 16, 6, 4, mixtures [anches 8, 4 -annul\'ees]\hss - \ifx\pdfoutput\undefined\rm 32, 33, 35---39, -41/ 46, 47, 48, 54\fi -}% -\smallskip - -% -\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% -\def\doubler{\multiply\noteskip by 2\relax}% -\staffbotmarg=10pt -\setstaffs11\relax -\setstaffs21\relax -\setstaffs31\relax -\setclef1{6000} -\setclef2{6000} -\setclef3{0000} -\setname2{M. gauche}% -\setname3{M. droite}% -\generalsignature{0} -\troistemps - %\check - % mesure-2 111 - \def\thefirstlinegoal{7}% -\debutmorceau -\systemnumbers\relax -\let\writebarnoOrg\writebarno -\def\writebarno{\vbox to 0pt{\vss\hbox{\writebarnoOrg}}}% -\def\freqbarno{9999}% - \NOtes&\zcharnote C{\kern -0.5em\GO}\zmidtwotext{\f}\relax - &\zcharnote n{\kern -0.5em\POS}\relax - \Uptext{\raise 10\Internote\hbox{\kern -16mm\moyen Allegro maestoso - \bf(\metron{\qu}{90})}}\enotes -\nspace -\nspace -\notes\Double\itenl1G\hup G\relax - &\sk\pause\relax - &\itenu2t\hlp t\enotes - \input cstsaen2.tex -%\def\freqbarno{4}% -%\barre - \znotes\zcharnote A{\null}\relax - &\zcharnote C{\kern -0.5em\POS}\zmidtwotext{\f}\relax - &\zcharnote n{\kern -0.5em\GO}\enotes -\input cstsaen3.tex - % \mulooseness -1\relax -\finmorceau - - - - - -\rightline{\sk\sk\sk\aujourdhui}\vfil\eject - - - -\bye - -\endinput - diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/marcello.tex b/Master/texmf-dist/doc/generic/musixtex/examples/marcello.tex index 4506fc8d1f6..45dfe704dd0 100644 --- a/Master/texmf-dist/doc/generic/musixtex/examples/marcello.tex +++ b/Master/texmf-dist/doc/generic/musixtex/examples/marcello.tex @@ -316,4 +316,4 @@ n{\Trille{2\noteskip}}\na i\qlp i\sk\sk\cl j\enotes \rightline{\sl\aujourdhui}\eject - +\bye diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/marcon1.tex b/Master/texmf-dist/doc/generic/musixtex/examples/marcon1.tex index ba0073d59eb..47102c7ec74 100644 --- a/Master/texmf-dist/doc/generic/musixtex/examples/marcon1.tex +++ b/Master/texmf-dist/doc/generic/musixtex/examples/marcon1.tex @@ -7,8 +7,8 @@ % \title{Concerto pour hautbois --- allegro} \fulltitle{Concerto pour hautbois --- allegro} -\othermention{Transcription pour hautbois, fl–te et orgue\\{\bf - \ifFlute Partition fl–te\fi +\othermention{Transcription pour hautbois, fl\^{u}te et orgue\\{\bf + \ifFlute Partition fl\^{u}te\fi \ifOboe Partition hautbois\fi \ifOrgue Partition orgue\fi} } @@ -42,7 +42,7 @@ \nbporteesii=1\relax% \nbporteesiii=1\relax% \def\instrumenti{Orgue}% - \def\instrumentii{Fl–te}% + \def\instrumentii{Fl\^{u}te}% \def\instrumentiii{Hautbois}% \def\staffspacingii{0.64}\def\staffspacingiii{0.64}% \else @@ -51,7 +51,7 @@ \global\cleftoksii={{0}{0}{0}{0}}% \nbporteesi=1\relax% \nbporteesii=1\relax% - \def\instrumenti{Fl–te}% + \def\instrumenti{Fl\^{u}te}% \def\instrumentii{Hautbois}% \ifFlute\def\staffspacingi{1.0}\else\def\staffspacingi{0.64}\fi \ifOboe\def\staffspacingii{1.0}\else\def\staffspacingii{0.64}\fi% @@ -159,7 +159,7 @@ \notes\org \doubler\Pause |\doubler\ibl0K0\qb0{JKL}\tqb0J\qu{=I}\sk\ds\cu G\relax |\doubler\zq N\zq c\qu e\sk\zql N\Ibu0ce1\qh0c\tqh0e\zq N\qu d\sk\ds\zq d\rq g\cu f\relax - &\ifFlute\zcharnote N{\sl fl–te}\fi + &\ifFlute\zcharnote N{\sl fl\^{u}te}\fi \ibu0g0\qh0g\sk\nbbu0\qh0g\tqh0f\doubler\qu g\sk\qu g\sk\ds\cu{=i}\relax &\ifOboe\zcharnote N{\sl hautbois}\fi \uptext{\p}\cl j\sk\sk\sk\qs\Ibbl0jl2\qb0j\qb0k\tqb0l\Ibl0kg2\qb0 k\sk\tqb0g\ibbl0m0\qb0{nmn}\tqb0k\enotes diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/marcon2.tex b/Master/texmf-dist/doc/generic/musixtex/examples/marcon2.tex index fb5efe87b62..0632c642a20 100644 --- a/Master/texmf-dist/doc/generic/musixtex/examples/marcon2.tex +++ b/Master/texmf-dist/doc/generic/musixtex/examples/marcon2.tex @@ -7,8 +7,8 @@ % \title{Concerto pour hautbois --- adagio} \fulltitle{Concerto pour hautbois --- adagio} -\othermention{Transcription pour hautbois, fl–te et orgue\\{\bf - \ifFlute Partition fl–te\fi +\othermention{Transcription pour hautbois, fl\^{u}te et orgue\\{\bf + \ifFlute Partition fl\^{u}te\fi \ifOboe Partition hautbois\fi \ifOrgue Partition orgue\fi} } @@ -40,7 +40,7 @@ \nbporteesii=1\relax% \nbporteesiii=1\relax% \def\instrumenti{Orgue}% - \def\instrumentii{Fl–te}% + \def\instrumentii{Fl\^{u}te}% \def\instrumentiii{Hautbois}% \def\staffspacingii{0.64}\def\staffspacingiii{0.64}% \else @@ -49,7 +49,7 @@ \global\cleftoksii={{0}{0}{0}{0}}% \nbporteesi=1\relax% \nbporteesii=1\relax% - \def\instrumenti{Fl–te}% + \def\instrumenti{Fl\^{u}te}% \def\instrumentii{Hautbois}% \ifFlute\def\staffspacingi{1.0}\else\def\staffspacingi{0.64}\fi \ifOboe\def\staffspacingiii{1.0}\else\def\staffspacingii{0.64}\fi% @@ -122,7 +122,7 @@ \barre\NOTes\org\Pause |\Pause\relax |\ibl0j0\qb0j\qb0j\qb0j\qb0j\qb0j\tqb0j\relax - &\ifFlute\zcharnote N{\sl fl–te}\fi\ibl0k0\qb0k\qb0k\qb0k\qb0k\qb0k\tqb0k\relax + &\ifFlute\zcharnote N{\sl fl\^{u}te}\fi\ibl0k0\qb0k\qb0k\qb0k\qb0k\qb0k\tqb0k\relax &\ifOboe\tinynotesize\ibl0j0\qb0j\qb0j\qb0j\qb0j\qb0j\tqb0j\relax \else\Pause\fi\enotes % mesure 3 diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/marcon3.tex b/Master/texmf-dist/doc/generic/musixtex/examples/marcon3.tex index 52b1989bb06..de25e96f87b 100644 --- a/Master/texmf-dist/doc/generic/musixtex/examples/marcon3.tex +++ b/Master/texmf-dist/doc/generic/musixtex/examples/marcon3.tex @@ -7,8 +7,8 @@ % \title{Concerto pour hautbois --- finale} \fulltitle{Concerto pour hautbois --- finale} -\othermention{Transcription pour hautbois, fl–te et orgue\\{\bf - \ifFlute Partition fl–te\fi +\othermention{Transcription pour hautbois, fl\^{u}te et orgue\\{\bf + \ifFlute Partition fl\^{u}te\fi \ifOboe Partition hautbois\fi \ifOrgue Partition orgue\fi} } @@ -28,7 +28,7 @@ \nbporteesii=1\relax% \nbporteesiii=1\relax% \def\instrumenti{Orgue}% - \def\instrumentii{Fl–te}% + \def\instrumentii{Fl\^{u}e}% \def\instrumentiii{Hautbois}% \def\staffspacingii{0.64}\def\staffspacingiii{0.64}% \else @@ -37,7 +37,7 @@ \global\cleftoksii={{0}{0}{0}{0}}% \nbporteesi=1\relax% \nbporteesii=1\relax% - \def\instrumenti{Fl–te}% + \def\instrumenti{Fl\^{u}te}% \def\instrumentii{Hautbois}% \ifFlute\def\staffspacingi{1.0}\else\def\staffspacingi{0.64}\fi \ifOboe\def\staffspacingiii{1.0}\else\def\staffspacingii{0.64}\fi% diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/recit.tex b/Master/texmf-dist/doc/generic/musixtex/examples/recit.tex index 4d178610460..be717f9bc5d 100644 --- a/Master/texmf-dist/doc/generic/musixtex/examples/recit.tex +++ b/Master/texmf-dist/doc/generic/musixtex/examples/recit.tex @@ -8,7 +8,7 @@ \csname titremorceautoc\endcsname \subtitle{\sl (pour orgue)} \othermention{Compos\'e en 1990} -\fullauthor{Daniel TAUPIN\\organiste … Gif-sur-Yvette} +\fullauthor{Daniel TAUPIN\\organiste \`a Gif-sur-Yvette} \maketitle \tracingstats=2\relax @@ -413,3 +413,4 @@ \finmorceau \medskip\rightline{\it \aujourdhui} \eject +\bye diff --git a/Master/texmf-dist/doc/generic/musixtex/musixdoc.tex b/Master/texmf-dist/doc/generic/musixtex/musixdoc.tex index 988f87f7046..57279defdf3 100644 --- a/Master/texmf-dist/doc/generic/musixtex/musixdoc.tex +++ b/Master/texmf-dist/doc/generic/musixtex/musixdoc.tex @@ -17,7 +17,7 @@ % Boston, MA 02111-1307, USA. % % -% musixdoc.tex : the document +% musixdoc.tex : the document % \documentclass[twoside,11pt,a4paper]{report} \usepackage{multicol} diff --git a/Master/texmf-dist/doc/generic/musixtex/notationMistakes/sottieng.tex b/Master/texmf-dist/doc/generic/musixtex/notationMistakes/sottieng.tex index 7028a807d31..1ce95adb9ac 100644 --- a/Master/texmf-dist/doc/generic/musixtex/notationMistakes/sottieng.tex +++ b/Master/texmf-dist/doc/generic/musixtex/notationMistakes/sottieng.tex @@ -381,8 +381,8 @@ Here is an example, with its solution, by two distinguished publishers: \zendextract \subsec -Beam placement should be adapted to the contexte. This placement varies -depending on this group of notes is isolated or in a series: +Beam placement should be adapted to the context. This placement varies +depending on whether this group of notes is isolated or in a series: \startextract \NOTes\hu c\hu d\en @@ -476,7 +476,7 @@ Meanwhile avoid ``acrobatics'' to strictly abide these rules: \subsec -At some epochs a single tie was supposed to refer to \textbf{all} +During some epochs a single tie was supposed to refer to \textbf{all} notes of a particular chord. Particular cases have become so frequent, that it is better to note all ties explicitly. @@ -687,7 +687,7 @@ Accidentals other than well defined ones, get classified in three sets: Put an editorial accidental when you think the source is wrong. Note it with a small-size accidental above or below the note. -If this note is within a chord, place it left to the note. +If this note is within a chord, place it left of the note. {\footnotesize \textit{Thorough bass} also uses such small accidentals above notes. But the misunderstanding is unlikely most of the time. @@ -1046,7 +1046,7 @@ with the authors of your source. \subsec What to do when you think you've done with your edition? Of course, -you rush on your instrument, and you play the piece with this edition. +you rush to your instrument, and you play the piece with this edition. But since you are familiar with the piece, you will very likely miss quite a few misprints, overwhelmed by your enthusiasm. |