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authorKarl Berry <karl@freefriends.org>2014-06-24 22:45:23 +0000
committerKarl Berry <karl@freefriends.org>2014-06-24 22:45:23 +0000
commit2e8463fb97c80b807373174666eba9edf6a74294 (patch)
tree71fcad18b0a2add6bf6a0f6c9551ccaf2a34843d /Master/texmf-dist/doc/generic/bagpipe
parentd7f2c31f3e59af86d03126b39cc226654128040c (diff)
bagpipe (29may14)
git-svn-id: svn://tug.org/texlive/trunk@34393 c570f23f-e606-0410-a88d-b1316a301751
Diffstat (limited to 'Master/texmf-dist/doc/generic/bagpipe')
-rw-r--r--Master/texmf-dist/doc/generic/bagpipe/BlackDonald.pdfbin0 -> 26762 bytes
-rw-r--r--Master/texmf-dist/doc/generic/bagpipe/BlackDonald.tex434
-rw-r--r--Master/texmf-dist/doc/generic/bagpipe/Bonnets.pdfbin0 -> 23105 bytes
-rw-r--r--Master/texmf-dist/doc/generic/bagpipe/Bonnets.tex110
-rw-r--r--Master/texmf-dist/doc/generic/bagpipe/Green.pdfbin0 -> 18026 bytes
-rw-r--r--Master/texmf-dist/doc/generic/bagpipe/Green.tex61
-rw-r--r--Master/texmf-dist/doc/generic/bagpipe/GreenTwo.pdfbin0 -> 23155 bytes
-rw-r--r--Master/texmf-dist/doc/generic/bagpipe/GreenTwo.tex85
-rw-r--r--Master/texmf-dist/doc/generic/bagpipe/README47
-rw-r--r--Master/texmf-dist/doc/generic/bagpipe/Washer.pdfbin0 -> 23728 bytes
-rw-r--r--Master/texmf-dist/doc/generic/bagpipe/Washer.tex135
-rw-r--r--Master/texmf-dist/doc/generic/bagpipe/bagdoc.pdfbin0 -> 50353 bytes
-rw-r--r--Master/texmf-dist/doc/generic/bagpipe/bagdoc.tex563
-rw-r--r--Master/texmf-dist/doc/generic/bagpipe/quickref.pdfbin0 -> 54872 bytes
-rw-r--r--Master/texmf-dist/doc/generic/bagpipe/quickref.tex227
15 files changed, 1662 insertions, 0 deletions
diff --git a/Master/texmf-dist/doc/generic/bagpipe/BlackDonald.pdf b/Master/texmf-dist/doc/generic/bagpipe/BlackDonald.pdf
new file mode 100644
index 00000000000..99e8df7c3a6
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/bagpipe/BlackDonald.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/bagpipe/BlackDonald.tex b/Master/texmf-dist/doc/generic/bagpipe/BlackDonald.tex
new file mode 100644
index 00000000000..99ab1aa97e4
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/bagpipe/BlackDonald.tex
@@ -0,0 +1,434 @@
+%&bagpipe
+\input bagpipe
+%
+% Converted from bmw or bww format by bww2tex version 2.00
+%
+\def\freqbarno{9999}
+\maxlinesinpage=12
+%
+\ifx\medleyflag\relax\else
+ \nopagenumbers\pageno=1\medtall\medwidewidth\fi
+\newpitch\newgrace\noautoglue
+%
+\musicsize 16\relax
+%Bagpipe Reader:1.0
+%
+%TuneTempo,55%
+\line{\hss \moyen Black Donald's March\hss }
+%
+\line{\rm I. GROUND\hss }
+%
+\generalmeter{\meterC}
+%\generalsignature{2}
+\debutmorceau
+\setelemq{1.2}%
+\setdoublebar\xbarre
+\notes\grg\qlp e\etn
+\pince f\cc\etn
+\grg\qlc\etn
+\echoN\qla\enotes\xbarre
+\notes\grg\qlp e\etn
+\pince f\cc\etn
+\grg\qlb\etn
+\echoN\qla\enotes\xbarre
+\notes\grg\qlp e\etn
+\pince f\cc\etn
+\grg\qlc\etn
+\pince h\qlf\enotes\xbarre
+\notes\grg\qlp e\etn
+\pince f\cc\etn
+\grg\qlc\etn
+\echoN\qla\enotes\xbarre
+\notes\grg\qlp e\etn
+\pince f\cc\etn
+\grg\qlb\etn
+\pince h\qlf\enotes\xbarre
+\notes\grg\qlp e\etn
+\pince f\cc\etn
+\grg\qlb\etn
+\echoN\qla\Uptext{\it fine}\enotes\setdoublebar\suspmorceau
+%
+%\generalsignature{2}
+\reprmorceau
+\setdoublebar\xbarre
+\notes\grg\qlp e\etn
+\pince f\cc\etn
+\grg\qlc\etn
+\pince h\qlf\enotes\xbarre
+\notes\grg\qlp e\etn
+\pince f\cc\etn
+\grg\qlc\etn
+\echoN\qla\enotes\xbarre
+\notes\grg\qlp e\etn
+\pince f\cc\etn
+\grg\qlb\etn
+\echoN\qla\enotes\xbarre
+\notes\grg\qlp e\etn
+\pince f\cc\etn
+\grg\qlc\etn
+\echoN\qla\enotes\xbarre
+\notes\grg\qlp e\etn
+\pince f\cc\etn
+\grg\qlb\etn
+\pince h\qlf\enotes\xbarre
+\notes\grg\qlp e\etn
+\pince f\cc\etn
+\grg\qlb\etn
+\echoN\qla\enotes\setdoublebar\suspmorceau
+%
+%\generalsignature{2}
+\reprmorceau
+\setdoublebar\xbarre
+\notes\grg\qlp e\etn
+\pince f\cc\etn
+\grg\qlc\etn
+\pince h\qlf\enotes\xbarre
+\notes\grg\qlp e\etn
+\pince f\cc\etn
+\grg\qlc\etn
+\pince f\qle\enotes\xbarre
+\notes\grg\qlp e\etn
+\pince f\cc\etn
+\grg\qlb\etn
+\pince h\qlf\enotes\xbarre
+\notes\grg\qlp e\etn
+\pince f\cc\etn
+\grg\qlb\etn
+\echoN\qla\enotes\setdoublebar\suspmorceau
+%
+\line{\rm II. THUMB VAR.\hss }
+%
+%\generalsignature{2}
+\reprmorceau
+\setdoublebar\xbarre
+\notes\grg\qlp e\etn
+\pince f\cc\etn
+\grg\qlc\etn
+\echoN\qla\enotes\xbarre
+\notes\grg\qlp e\etn
+\pince f\cc\etn
+\grg\qlb\etn
+\echoN\qla\enotes\xbarre
+\notes\grg\qlp e\etn
+\pince f\cc\etn
+\grg\qlc\etn
+\uptext{\it tr}\qlh\enotes\xbarre
+\notes\qlp e\etn
+\pince f\cc\etn
+\grg\qlc\etn
+\echoN\qla\enotes\xbarre
+\notes\grg\qlp e\etn
+\pince f\cc\etn
+\grg\qlb\etn
+\uptext{\it tr}\qlh\enotes\xbarre
+\notes\qlp e\etn
+\pince f\cc\etn
+\grg\qlb\etn
+\echoN\qla\enotes\setdoublebar\suspmorceau
+%
+%\generalsignature{2}
+\reprmorceau
+\setdoublebar\xbarre
+\notes\grg\qlp e\etn
+\pince f\cc\etn
+\grg\qlc\etn
+\uptext{\it tr}\qlh\enotes\xbarre
+\notes\qlp e\etn
+\pince f\cc\etn
+\grg\qlc\etn
+\echoN\qla\enotes\xbarre
+\notes\grg\qlp e\etn
+\pince f\cc\etn
+\grg\qlb\etn
+\echoN\qla\enotes\xbarre
+\notes\grg\qlp e\etn
+\pince f\cc\etn
+\grg\qlc\etn
+\echoN\qla\enotes\xbarre
+\notes\grg\qlp e\etn
+\pince f\cc\etn
+\grg\qlb\etn
+\uptext{\it tr}\qlh\enotes\xbarre
+\notes\qlp e\etn
+\pince f\cc\etn
+\grg\qlb\etn
+\echoN\qla\enotes\setdoublebar\suspmorceau
+%
+%\generalsignature{2}
+\reprmorceau
+\setdoublebar\xbarre
+\notes\grg\qlp e\etn
+\pince f\cc\etn
+\grg\qlc\etn
+\uptext{\it tr}\qlh\enotes\xbarre
+\notes\qlp e\etn
+\pince f\cc\etn
+\grg\qlc\etn
+\pince f\qle\enotes\xbarre
+\notes\grg\qlp e\etn
+\pince f\cc\etn
+\grg\qlb\etn
+\uptext{\it tr}\qlh\enotes\xbarre
+\notes\qlp e\etn
+\pince f\cc\etn
+\grg\qlb\etn
+\echoN\qla\enotes\setdoublebar\suspmorceau
+%
+\line{\rm III. VAR. 2\hss }
+%
+\generalmeter{\meterfrac{2}{4}}
+%\generalsignature{2}
+\reprmorceau
+\setdoublebar\xbarre
+\notes\grg\bcc bb3{\be\uptext{\it tr}}\bh\etn
+\bcc bb3{\bc\echoN}\ba\backput{\pointdorgue a}\enotes\xbarre
+\notes\grg\bcc bb3{\be\uptext{\it tr}}\bh\etn
+\bcc bb3{\bb\echoN}\ba\backput{\pointdorgue a}\enotes\xbarre
+\notes\grg\bcc bb3{\be\uptext{\it tr}}\bh\etn
+\bcc bb3{\bc\uptext{\it tr}}\bh\enotes\xbarre
+\notes\bcc bb3{\bf\uptext{\it tr}}\bh\etn
+\bcc bb3{\bc\echoN}\ba\backput{\pointdorgue a}\enotes\xbarre
+\notes\grg\bcc bb3{\be\uptext{\it tr}}\bh\etn
+\bcc bb3{\bc\uptext{\it tr}}\bh\enotes\xbarre
+\notes\bcc bb3{\bf\uptext{\it tr}}\bh\etn
+\bcc bb3{\bb\echoN}\ba\backput{\pointdorgue a}\enotes\setdoublebar\suspmorceau
+%
+%\generalsignature{2}
+\reprmorceau
+\setdoublebar\xbarre
+\notes\grg\bcc bb3{\be\uptext{\it tr}}\bh\etn
+\bcc bb3{\bc\uptext{\it tr}}\bh\enotes\xbarre
+\notes\bcc bb3{\bf\uptext{\it tr}}\bh\etn
+\bcc bb3{\bc\echoN}\ba\backput{\pointdorgue a}\enotes\xbarre
+\notes\grg\bcc bb3{\be\uptext{\it tr}}\bh\etn
+\bcc bb3{\bb\echoN}\ba\backput{\pointdorgue a}\enotes\xbarre
+\notes\grg\bcc bb3{\be\uptext{\it tr}}\bh\etn
+\bcc bb3{\bc\echoN}\ba\backput{\pointdorgue a}\enotes\xbarre
+\notes\grg\bcc bb3{\be\uptext{\it tr}}\bh\etn
+\bcc bb3{\bc\uptext{\it tr}}\bh\enotes\xbarre
+\notes\bcc bb3{\bf\uptext{\it tr}}\bh\etn
+\bcc bb3{\bb\echoN}\ba\backput{\pointdorgue a}\enotes\setdoublebar\suspmorceau
+%
+%\generalsignature{2}
+\reprmorceau
+\setdoublebar\xbarre
+\notes\grg\bcc bb3{\be\uptext{\it tr}}\bh\etn
+\bcc bb3{\bc\uptext{\it tr}}\bh\enotes\xbarre
+\notes\bcc bb3{\bf\uptext{\it tr}}\bh\etn
+\bcc bb3{\bc\uptext{\it tr}}\bh\enotes\xbarre
+\notes\bcc bb3{\be\uptext{\it tr}}\bh\etn
+\bcc bb3{\bc\uptext{\it tr}}\bh\enotes\xbarre
+\notes\bcc bb3{\bf\uptext{\it tr}}\bh\etn
+\bcc bb3{\bb\echoN}\ba\backput{\pointdorgue a}\enotes\setdoublebar\suspmorceau
+%
+\line{\rm IV. LEUMLUATH SINGLING [S] V. DOUBLING [D]\hss }
+%
+%\generalsignature{2}
+\reprmorceau
+\notes\segno h\enotes\setdoublebar\xbarre
+\notes\qle\backput{\Downtext{L}}\etn
+\Uptext{$\vert$S}\grg\bcc bb3{\bc\backput{\pointdorgue c}\echoN}\ba\backput{\pointdorgue a}\rlap{\fsk\Uptext{$\vert$}}\etn
+\Uptext{$\vert$D}\qlc\backput{\Downtext{L}}\rlap{\fsk\Uptext{$\vert$}}\enotes\xbarre
+\notes\qle\backput{\Downtext{L}}\etn
+\Uptext{$\vert$S}\grg\bcc bb3{\bb\backput{\pointdorgue c}\echoN}\ba\backput{\pointdorgue a}\rlap{\fsk\Uptext{$\vert$}}\etn
+\Uptext{$\vert$D}\qlb\backput{\Downtext{L}}\rlap{\fsk\Uptext{$\vert$}}\enotes\xbarre
+\notes\qle\backput{\Downtext{L}}\etn
+\qlc\backput{\Downtext{L}}\enotes\xbarre
+\notes\qlf\backput{\Downtext{L}}\etn
+\Uptext{$\vert$S}\grg\bcc bb3{\bc\backput{\pointdorgue c}\echoN}\ba\backput{\pointdorgue a}\rlap{\fsk\Uptext{$\vert$}}\etn
+\Uptext{$\vert$D}\qlc\backput{\Downtext{L}}\rlap{\fsk\Uptext{$\vert$}}\enotes\xbarre
+\notes\qle\backput{\Downtext{L}}\etn
+\qlc\backput{\Downtext{L}}\enotes\xbarre
+\notes\qlf\backput{\Downtext{L}}\etn
+\Uptext{$\vert$S}\grg\bcc bb3{\bb\backput{\pointdorgue c}\echoN}\ba\backput{\pointdorgue a}\rlap{\fsk\Uptext{$\vert$}}\etn
+\Uptext{$\vert$D}\qlb\backput{\Downtext{L}}\rlap{\fsk\Uptext{$\vert$}}\enotes\setdoublebar\suspmorceau
+%
+%\generalsignature{2}
+\reprmorceau
+\setdoublebar\xbarre
+\notes\qle\backput{\Downtext{L}}\etn
+\qlc\backput{\Downtext{L}}\enotes\xbarre
+\notes\qlf\backput{\Downtext{L}}\etn
+\Uptext{$\vert$S}\grg\bcc bb3{\bc\backput{\pointdorgue c}\echoN}\ba\backput{\pointdorgue a}\rlap{\fsk\Uptext{$\vert$}}\etn
+\Uptext{$\vert$D}\qlc\backput{\Downtext{L}}\rlap{\fsk\Uptext{$\vert$}}\enotes\xbarre
+\notes\qle\backput{\Downtext{L}}\etn
+\Uptext{$\vert$S}\grg\bcc bb3{\bb\backput{\pointdorgue c}\echoN}\ba\backput{\pointdorgue a}\rlap{\fsk\Uptext{$\vert$}}\etn
+\Uptext{$\vert$D}\qlb\backput{\Downtext{L}}\rlap{\fsk\Uptext{$\vert$}}\enotes\xbarre
+\notes\qle\backput{\Downtext{L}}\etn
+\Uptext{$\vert$S}\grg\bcc bb3{\bc\backput{\pointdorgue c}\echoN}\ba\backput{\pointdorgue a}\rlap{\fsk\Uptext{$\vert$}}\etn
+\Uptext{$\vert$D}\qlc\backput{\Downtext{L}}\rlap{\fsk\Uptext{$\vert$}}\enotes\xbarre
+\notes\qle\backput{\Downtext{L}}\etn
+\qlc\backput{\Downtext{L}}\enotes\xbarre
+\notes\qlf\backput{\Downtext{L}}\etn
+\Uptext{$\vert$S}\grg\bcc bb3{\bb\backput{\pointdorgue c}\echoN}\ba\backput{\pointdorgue a}\rlap{\fsk\Uptext{$\vert$}}\etn
+\Uptext{$\vert$D}\qlb\backput{\Downtext{L}}\rlap{\fsk\Uptext{$\vert$}}\enotes\setdoublebar\suspmorceau
+%
+%\generalsignature{2}
+\reprmorceau
+\setdoublebar\xbarre
+\notes\qle\backput{\Downtext{L}}\etn
+\qlc\backput{\Downtext{L}}\enotes\xbarre
+\notes\qlf\backput{\Downtext{L}}\etn
+\qlc\backput{\Downtext{L}}\enotes\xbarre
+\notes\qle\backput{\Downtext{L}}\etn
+\qlc\backput{\Downtext{L}}\enotes\xbarre
+\notes\qlf\backput{\Downtext{L}}\etn
+\Uptext{$\vert$S}\grg\bcc bb3{\bb\backput{\pointdorgue c}\echoN}\ba\backput{\pointdorgue a}\rlap{\fsk\Uptext{$\vert$}}\etn
+\Uptext{$\vert$D}\qlb\backput{\Downtext{L}}\rlap{\fsk\Uptext{$\vert$}}\enotes\notes\downtext{\it D.S.}\enotes\setdoublebar\suspmorceau
+%
+\line{\rm VI. TAORLUATH SINGLING [S] VII. DOUBLING [D]\hss }
+%
+%\generalsignature{2}
+\reprmorceau
+\notes\segno h\enotes\setdoublebar\xbarre
+\notes\qle\backput{\Downtext{T}}\etn
+\Uptext{$\vert$S}\grg\bcc bb3{\bc\backput{\pointdorgue c}\echoN}\ba\backput{\pointdorgue a}\rlap{\fsk\Uptext{$\vert$}}\etn
+\Uptext{$\vert$D}\qlc\backput{\Downtext{T}}\rlap{\fsk\Uptext{$\vert$}}\enotes\xbarre
+\notes\qle\backput{\Downtext{T}}\etn
+\Uptext{$\vert$S}\grg\bcc bb3{\bb\backput{\pointdorgue c}\echoN}\ba\backput{\pointdorgue a}\rlap{\fsk\Uptext{$\vert$}}\etn
+\Uptext{$\vert$D}\qlb\backput{\Downtext{T}}\rlap{\fsk\Uptext{$\vert$}}\enotes\xbarre
+\notes\qle\backput{\Downtext{T}}\etn
+\qlc\backput{\Downtext{T}}\enotes\xbarre
+\notes\qlf\backput{\Downtext{T}}\etn
+\Uptext{$\vert$S}\grg\bcc bb3{\bc\backput{\pointdorgue c}\echoN}\ba\backput{\pointdorgue a}\rlap{\fsk\Uptext{$\vert$}}\etn
+\Uptext{$\vert$D}\qlc\backput{\Downtext{T}}\rlap{\fsk\Uptext{$\vert$}}\enotes\xbarre
+\notes\qle\backput{\Downtext{T}}\etn
+\qlc\backput{\Downtext{T}}\enotes\xbarre
+\notes\qlf\backput{\Downtext{T}}\etn
+\Uptext{$\vert$S}\grg\bcc bb3{\bb\backput{\pointdorgue c}\echoN}\ba\backput{\pointdorgue a}\rlap{\fsk\Uptext{$\vert$}}\etn
+\Uptext{$\vert$D}\qlb\backput{\Downtext{T}}\rlap{\fsk\Uptext{$\vert$}}\enotes\setdoublebar\suspmorceau
+%
+%\generalsignature{2}
+\reprmorceau
+\setdoublebar\xbarre
+\notes\qle\backput{\Downtext{T}}\etn
+\qlc\backput{\Downtext{T}}\enotes\xbarre
+\notes\qlf\backput{\Downtext{T}}\etn
+\Uptext{$\vert$S}\grg\bcc bb3{\bc\backput{\pointdorgue c}\echoN}\ba\backput{\pointdorgue a}\rlap{\fsk\Uptext{$\vert$}}\etn
+\Uptext{$\vert$D}\qlc\backput{\Downtext{T}}\rlap{\fsk\Uptext{$\vert$}}\enotes\xbarre
+\notes\qle\backput{\Downtext{T}}\etn
+\Uptext{$\vert$S}\grg\bcc bb3{\bb\backput{\pointdorgue c}\echoN}\ba\backput{\pointdorgue a}\rlap{\fsk\Uptext{$\vert$}}\etn
+\Uptext{$\vert$D}\qlb\backput{\Downtext{T}}\rlap{\fsk\Uptext{$\vert$}}\enotes\xbarre
+\notes\qle\backput{\Downtext{T}}\etn
+\Uptext{$\vert$S}\grg\bcc bb3{\bc\backput{\pointdorgue c}\echoN}\ba\backput{\pointdorgue a}\rlap{\fsk\Uptext{$\vert$}}\etn
+\Uptext{$\vert$D}\qlc\backput{\Downtext{T}}\rlap{\fsk\Uptext{$\vert$}}\enotes\xbarre
+\notes\qle\backput{\Downtext{T}}\etn
+\qlc\backput{\Downtext{T}}\enotes\xbarre
+\notes\qlf\backput{\Downtext{T}}\etn
+\Uptext{$\vert$S}\grg\bcc bb3{\bb\backput{\pointdorgue c}\echoN}\ba\backput{\pointdorgue a}\rlap{\fsk\Uptext{$\vert$}}\etn
+\Uptext{$\vert$D}\qlb\backput{\Downtext{T}}\rlap{\fsk\Uptext{$\vert$}}\enotes\setdoublebar\suspmorceau
+%
+%\generalsignature{2}
+\reprmorceau
+\setdoublebar\xbarre
+\notes\qle\backput{\Downtext{T}}\etn
+\qlc\backput{\Downtext{T}}\enotes\xbarre
+\notes\qlf\backput{\Downtext{T}}\etn
+\qlc\backput{\Downtext{T}}\enotes\xbarre
+\notes\qle\backput{\Downtext{T}}\etn
+\qlc\backput{\Downtext{T}}\enotes\xbarre
+\notes\qlf\backput{\Downtext{T}}\etn
+\Uptext{$\vert$S}\grg\bcc bb3{\bb\backput{\pointdorgue c}\echoN}\ba\backput{\pointdorgue a}\rlap{\fsk\Uptext{$\vert$}}\etn
+\Uptext{$\vert$D}\qlb\backput{\Downtext{T}}\rlap{\fsk\Uptext{$\vert$}}\enotes\notes\downtext{\it D.S.}\enotes\setdoublebar\suspmorceau
+%
+\line{\rm VIII. CRUNLUATH SINGLING [S] IX. DOUBLING [D]\hss }
+%
+%\generalsignature{2}
+\reprmorceau
+\notes\segno h\enotes\setdoublebar\xbarre
+\notes\qle\backput{\Downtext{C}}\etn
+\Uptext{$\vert$S}\grg\bcc bb3{\bc\backput{\pointdorgue c}\echoN}\ba\backput{\pointdorgue a}\rlap{\fsk\Uptext{$\vert$}}\etn
+\Uptext{$\vert$D}\qlc\backput{\Downtext{C}}\rlap{\fsk\Uptext{$\vert$}}\enotes\xbarre
+\notes\qle\backput{\Downtext{C}}\etn
+\Uptext{$\vert$S}\grg\bcc bb3{\bb\backput{\pointdorgue c}\echoN}\ba\backput{\pointdorgue a}\rlap{\fsk\Uptext{$\vert$}}\etn
+\Uptext{$\vert$D}\qlb\backput{\Downtext{C}}\rlap{\fsk\Uptext{$\vert$}}\enotes\xbarre
+\notes\qle\backput{\Downtext{C}}\etn
+\qlc\backput{\Downtext{C}}\enotes\xbarre
+\notes\qlf\backput{\Downtext{C}}\etn
+\Uptext{$\vert$S}\grg\bcc bb3{\bc\backput{\pointdorgue c}\echoN}\ba\backput{\pointdorgue a}\rlap{\fsk\Uptext{$\vert$}}\etn
+\Uptext{$\vert$D}\qlc\backput{\Downtext{C}}\rlap{\fsk\Uptext{$\vert$}}\enotes\xbarre
+\notes\qle\backput{\Downtext{C}}\etn
+\qlc\backput{\Downtext{C}}\enotes\xbarre
+\notes\qlf\backput{\Downtext{C}}\etn
+\Uptext{$\vert$S}\grg\bcc bb3{\bb\backput{\pointdorgue c}\echoN}\ba\backput{\pointdorgue a}\rlap{\fsk\Uptext{$\vert$}}\etn
+\Uptext{$\vert$D}\qlb\backput{\Downtext{C}}\rlap{\fsk\Uptext{$\vert$}}\enotes\setdoublebar\suspmorceau
+%
+%\generalsignature{2}
+\reprmorceau
+\setdoublebar\xbarre
+\notes\qle\backput{\Downtext{C}}\etn
+\qlc\backput{\Downtext{C}}\enotes\xbarre
+\notes\qlf\backput{\Downtext{C}}\etn
+\Uptext{$\vert$S}\grg\bcc bb3{\bc\backput{\pointdorgue c}\echoN}\ba\backput{\pointdorgue a}\rlap{\fsk\Uptext{$\vert$}}\etn
+\Uptext{$\vert$D}\qlc\backput{\Downtext{C}}\rlap{\fsk\Uptext{$\vert$}}\enotes\xbarre
+\notes\qle\backput{\Downtext{C}}\etn
+\Uptext{$\vert$S}\grg\bcc bb3{\bb\backput{\pointdorgue c}\echoN}\ba\backput{\pointdorgue a}\rlap{\fsk\Uptext{$\vert$}}\etn
+\Uptext{$\vert$D}\qlb\backput{\Downtext{C}}\rlap{\fsk\Uptext{$\vert$}}\enotes\xbarre
+\notes\qle\backput{\Downtext{C}}\etn
+\Uptext{$\vert$S}\grg\bcc bb3{\bc\backput{\pointdorgue c}\echoN}\ba\backput{\pointdorgue a}\rlap{\fsk\Uptext{$\vert$}}\etn
+\Uptext{$\vert$D}\qlc\backput{\Downtext{C}}\rlap{\fsk\Uptext{$\vert$}}\enotes\xbarre
+\notes\qle\backput{\Downtext{C}}\etn
+\qlc\backput{\Downtext{C}}\enotes\xbarre
+\notes\qlf\backput{\Downtext{C}}\etn
+\Uptext{$\vert$S}\grg\bcc bb3{\bb\backput{\pointdorgue c}\echoN}\ba\backput{\pointdorgue a}\rlap{\fsk\Uptext{$\vert$}}\etn
+\Uptext{$\vert$D}\qlb\backput{\Downtext{C}}\rlap{\fsk\Uptext{$\vert$}}\enotes\setdoublebar\suspmorceau
+%
+%\generalsignature{2}
+\reprmorceau
+\setdoublebar\xbarre
+\notes\qle\backput{\Downtext{C}}\etn
+\qlc\backput{\Downtext{C}}\enotes\xbarre
+\notes\qlf\backput{\Downtext{C}}\etn
+\qlc\backput{\Downtext{C}}\enotes\xbarre
+\notes\qle\backput{\Downtext{C}}\etn
+\qlc\backput{\Downtext{C}}\enotes\xbarre
+\notes\qlf\backput{\Downtext{C}}\etn
+\Uptext{$\vert$S}\grg\bcc bb3{\bb\backput{\pointdorgue c}\echoN}\ba\backput{\pointdorgue a}\rlap{\fsk\Uptext{$\vert$}}\etn
+\Uptext{$\vert$D}\qlb\backput{\Downtext{C}}\rlap{\fsk\Uptext{$\vert$}}\enotes\notes\downtext{\it D.S.}\enotes\setdoublebar\suspmorceau
+%
+\line{\rm X. CRUNLUATH A MACH\hss }
+%
+%\generalsignature{2}
+\reprmorceau
+\setdoublebar\xbarre
+\notes\qle\backput{\Downtext{C}}\etn
+\backput{\Downtext{C'}}\qlc\enotes\xbarre
+\notes\qle\backput{\Downtext{C}}\etn
+\backput{\Downtext{C'}}\qlb\enotes\xbarre
+\notes\qle\backput{\Downtext{C}}\etn
+\backput{\Downtext{C'}}\qlc\enotes\xbarre
+\notes\qlf\backput{\Downtext{C}}\etn
+\backput{\Downtext{C'}}\qlc\enotes\xbarre
+\notes\qle\backput{\Downtext{C}}\etn
+\backput{\Downtext{C'}}\qlc\enotes\xbarre
+\notes\qlf\backput{\Downtext{C}}\etn
+\backput{\Downtext{C'}}\qlb\enotes\setdoublebar\suspmorceau
+%
+%\generalsignature{2}
+\reprmorceau
+\setdoublebar\xbarre
+\notes\qle\backput{\Downtext{C}}\etn
+\backput{\Downtext{C'}}\qlc\enotes\xbarre
+\notes\qlf\backput{\Downtext{C}}\etn
+\backput{\Downtext{C'}}\qlc\enotes\xbarre
+\notes\qle\backput{\Downtext{C}}\etn
+\backput{\Downtext{C'}}\qlb\enotes\xbarre
+\notes\qle\backput{\Downtext{C}}\etn
+\backput{\Downtext{C'}}\qlc\enotes\xbarre
+\notes\qle\backput{\Downtext{C}}\etn
+\backput{\Downtext{C'}}\qlc\enotes\xbarre
+\notes\qlf\backput{\Downtext{C}}\etn
+\backput{\Downtext{C'}}\qlb\enotes\setdoublebar\suspmorceau
+%
+%\generalsignature{2}
+\reprmorceau
+\setdoublebar\xbarre
+\notes\qle\backput{\Downtext{C}}\etn
+\backput{\Downtext{C'}}\qlc\enotes\xbarre
+\notes\qlf\backput{\Downtext{C}}\etn
+\backput{\Downtext{C'}}\qlc\enotes\xbarre
+\notes\qle\backput{\Downtext{C}}\etn
+\backput{\Downtext{C'}}\qlc\enotes\xbarre
+\notes\qlf\backput{\Downtext{C}}\etn
+\backput{\Downtext{C'}}\qlb\enotes\notes\Downtext{\ \ \it D.C. al fine}\enotes\setdoublebar\finmorceau\byemedley
+\bye
diff --git a/Master/texmf-dist/doc/generic/bagpipe/Bonnets.pdf b/Master/texmf-dist/doc/generic/bagpipe/Bonnets.pdf
new file mode 100644
index 00000000000..41d0445e6a3
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/bagpipe/Bonnets.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/bagpipe/Bonnets.tex b/Master/texmf-dist/doc/generic/bagpipe/Bonnets.tex
new file mode 100644
index 00000000000..28017450714
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/bagpipe/Bonnets.tex
@@ -0,0 +1,110 @@
+%%&bagpipe
+\input bagpipe
+%
+% Bonnetsx.tex
+%
+\sectionedpagenumbers
+\count1=4\pageno=5\normalwidth\multipart{1}
+%
+%\landscape
+\font\twelvebf=cmbx12
+%
+\def\tcsc#1#2#3{\bcsc#1#3{2}{\qbp0#1\psk}{\qb0#2}{\qb0#3}}
+\def\tcgsc#1#2#3#4{\bcsc#1#4{3}{\qbp0#1#2\psk}{\qb0#3}{\qb0#4}}
+\def\tcsgc#1#2#3#4{\bcsc#1#4{3}{\qbp0#1\psk}{\qb0#2#3}{\qb0#4}}
+%
+% for line 1
+\def\barone{\notes\grg\qla\taor\ca\etn\dblc\qlc\psk\ce\enotes\xbarre}
+\def\bartwo{\notes\psk\qlh\grip\ch\etn\grg\qlh\psk\ce\enotes\xbarre}
+\def\barthree{\notes\dblg\tcsc ghg\etn\bscc ff3\bf\bhp\bf\enotes\xbarre}
+\def\barfour{\notes
+\dble\tcsgc ec\gre a\etn\dblb\qlb\psk\cc\enotes\alaligne}
+%
+% for line 2
+\def\barfive{\barone}
+\def\barsix{\bartwo}
+\def\barseven{\notes\dblf\tcsc fed\etn\grg\qlc\grip\ce\psk\enotes\xbarre}
+\def\bareight{\notes\grg\bscc ec3\bf\bhp\bc\etn\dblb\qlb\grN\ca\enotes}
+%
+% for line 3
+\def\barnine{\notes\grg\tcgsc a\grd ce\etn\dble\tcsgc ec\grN a\enotes\xbarre}
+\def\barten{\notes\dblf\tcsc fed\etn\dblc\tcsgc cb\grN a\enotes\xbarre}
+\def\bareleven{\notes\grg\tcgsc a\grd ce\etn\grg\tcsc fgh\enotes\xbarre}
+\def\bartwelve{\notes\psk\tcsc abc\etn\dblb\qlb\grN\ca\enotes\alaligne}
+%
+% for line 4
+\def\barthirteen{\barnine}
+\def\barfourteen{\barten}
+\def\barfifteen{\notes\psk\tcsc hgf\etn\dble\tcsc ece\enotes\xbarre}
+\def\barsixteen{\bareight}
+%
+% for line 5
+\def\barseventeen{\notes\thrwd\qlp d\shkd\qlp d\enotes\xbarre}
+\def\bareighteen{\notes\shkd\tcgsc d\grg fe\etn\grg\tcsgc db\grN a\enotes\xbarre}
+\def\barnineteen{\notes
+ \grg\bcsc bb3\bd{\bb\grN}\bbp\etn\dblb\qlb\dblg\cg\enotes\xbarre}
+\def\bartwenty{\notes\psk\qlh\grip\ch\etn\hdblf\tcsc fef\enotes\alaligne}
+%
+% for line 6
+\def\bartwentyone{\barseventeen}
+\def\bartwentytwo{\bareighteen}
+\def\bartwentythree{\notes\dbld\tcsc dcb\etn\grg\tcsc abc\enotes\xbarre}
+\def\bartwentyfour{\notes\thrwd\tcsc def\etn\dble\qle\psk\cd\enotes}
+%
+% for line 7
+\def\bartwentyfive{\notes\shkd\tcsc dfh\etn\grg\tcsgc hf\grg d\enotes\xbarre}
+\def\bartwentysix{\notes\psk\tcsc hgf\etn\dblf\tcsc fef\enotes\xbarre}
+\def\bartwentyseven{\notes\thrwd\tcsc def\etn\grg\tcsc fgh\enotes\xbarre}
+\def\bartwentyeight{\bartwentyfour}
+%
+% for line 8
+\def\bartwentynine{\bartwentyfive}
+\def\barthirty{\notes\psk\tcsc hgf\etn\dblf\tcsc fed\enotes\xbarre}
+\def\barthirtyone{\bartwentythree}
+\def\barthirtytwo{\bartwentyfour}
+%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%
+\line{\moyen Blue Bonnets Over the Border\hss
+\rm March\hss revised \today\hss}
+\bigskip
+%
+\generalmeter{\meterfrac 68}%
+%
+\debutmorceau
+%
+\autolines{16}{4}{13}%
+% line 1
+\leftrepeatsymbol
+\barone\bartwo\barthree\barfour
+% line 2
+\autolines{11}{4}{13}%
+\barfive\barsix\barseven\bareight\setrightrepeat\suspmorceau
+% line 3
+\line{\twelvebf Part 2\hss}%
+\autolines{13}{4}{12}%
+\reprmorceau
+\leftrepeatsymbol\barnine\barten\bareleven\bartwelve
+% line 4
+\barthirteen\barfourteen\barfifteen\barsixteen\setrightrepeat\suspmorceau
+% line 5
+\line{\twelvebf Part 3\hss}%
+\reprmorceau
+\maxlinesinpage=12%
+\autolines{11}{4}{13}%
+\leftrepeatsymbol\barseventeen\bareighteen\barnineteen\bartwenty
+% line 6
+\bartwentyone\bartwentytwo\bartwentythree\bartwentyfour
+ \setrightrepeat\suspmorceau
+% line 7
+\line{\twelvebf Part 4\hss}%
+\reprmorceau
+\autolines{12}{4}{13}%
+\leftrepeatsymbol
+\bartwentyfive\bartwentysix\bartwentyseven\bartwentyeight\alaligne
+% line 8
+\autolines{11}{4}{13}%
+\bartwentynine\barthirty\barthirtyone\barthirtytwo\setrightrepeat\suspmorceau
+%
+\byemedley
+\bye
diff --git a/Master/texmf-dist/doc/generic/bagpipe/Green.pdf b/Master/texmf-dist/doc/generic/bagpipe/Green.pdf
new file mode 100644
index 00000000000..d75d980c856
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/bagpipe/Green.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/bagpipe/Green.tex b/Master/texmf-dist/doc/generic/bagpipe/Green.tex
new file mode 100644
index 00000000000..d0b11b49ca1
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/bagpipe/Green.tex
@@ -0,0 +1,61 @@
+%&bagpipe
+\input bagpipe
+%\let\usemusixtex\relax
+%
+% Green.tex
+%% WUSPBA massed band setting
+%
+\newpitch\newgrace\noautoglue
+\ifx\medleyflag\relax\else\nopagenumbers\fi
+%
+%\landscape
+%
+% for line 1
+\def\barone{\notes\grg\pcps ab\etn\grip\qlc\etn\dblc\pcgc c\gre a\enotes\xbarre}
+\def\bartwo{\notes\grg\pcgc c\thrwd d\etn\dble\qle\etn\gra\pcc ef\enotes\xbarre}
+\def\barthree{\notes\dblc\pcc cf\etn\dble\pcps ec\etn\grg\qlb\enotes\xbarre}
+\def\barfour{\notes\grip\pcc bf\etn\dble\pcps ec\etn\grN\qla\enotes\alaligne}
+%
+% for line 2
+\def\barfive{\barone}
+\def\barsix{\bartwo}
+\def\barseven{\barthree}
+\def\bareight{\notes\grip\pcgc b\grN a\etn\dblc\pcps cb\etn\grN\qla\enotes}
+%
+% for line 3
+\def\barnine{\notes\dblc\pcc ce\etn\dblh\qlh\etn\grg\qlh\enotes\xbarre}
+\def\barten{\notes\grf\pcc gf\etn\dblf\pcc fe\etn\gra\qle\enotes\xbarre}
+\def\bareleven{\notes\grg\pcps ef\etn\dble\pcc ed\etn\shkd\qld\enotes\xbarre}
+\def\bartwelve{\notes\grg\pcps de\etn\dbld\pcc dc\etn\grip\qlc\enotes\alaligne}
+%
+% for line 4
+\def\barthirteen{\barnine}
+\def\barfourteen{\barten}
+\def\barfifteen{\notes\grg\pcps ef\etn\dble\qle\etn\gra\pcps ed\enotes\xbarre}
+\def\barsixteen{\notes\grg\pcgc c\thrwd d\etn\dble\qle\etn\gra\qle\enotes}
+%
+\line{\moyen The Green Hills of Tyrol\hss
+\rm March\hss revised \today\hss PM J Macleod}
+\bigskip
+%
+\generalmeter{\meterfrac 34}%
+%
+\debutmorceau
+%
+\autolines{13}{4}{48}%
+%line 1
+\leftrepeatsymbol
+\barone\bartwo\barthree\barfour
+% line 2
+\barfive\barsix\barseven\bareight\setrightrepeat\suspmorceau
+% line 3
+\reprmorceau
+\autolines{12}{4}{48}%
+\leftrepeatsymbol
+\barnine\barten\bareleven\bartwelve
+% line 4
+\autolines{12}{4}{48}%
+\barthirteen\barfourteen\barfifteen\barsixteen\setrightrepeat\suspmorceau
+%
+\byemedley
+\bye
diff --git a/Master/texmf-dist/doc/generic/bagpipe/GreenTwo.pdf b/Master/texmf-dist/doc/generic/bagpipe/GreenTwo.pdf
new file mode 100644
index 00000000000..dfa3af0c4d6
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/bagpipe/GreenTwo.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/bagpipe/GreenTwo.tex b/Master/texmf-dist/doc/generic/bagpipe/GreenTwo.tex
new file mode 100644
index 00000000000..d1b035c3bb6
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/bagpipe/GreenTwo.tex
@@ -0,0 +1,85 @@
+%&bagpipe
+\input bagpipe
+%
+% GreenTwo.tex
+%% WUSPBA massed band setting two part version
+%
+\multipart{2}%
+%
+\newpitch
+\ifx\medleyflag\relax\else\nopagenumbers\fi
+%
+%\landscape
+%
+%
+\line{\moyen The Green Hills of Tyrol\hss
+\rm March\hss revised \today\hss PM J Macleod}%
+\bigskip
+%
+\generalmeter{\meterfrac 34}%
+%
+\debutmorceau
+%
+% for line 1
+\def\barone{\notes\grg\pcps ab|\grg\pcps ab\etn
+ \grip\qlc|\grip\qlc\etn
+ \dblc\pcgc c\gre a|\dblc\pcgc c\gre a\enotes\xbarre}\relax
+\def\bartwo{\notes\grg\pcgc c\thrwd d|\grg\pcgc c\thrwd d\etn
+ \grg\qlc|\dble\qle\etn
+ \grip\pcc cd|\gra\pcc ef\enotes\xbarre}\relax
+\def\barthree{\notes\grg\pcc cd|\dblc\pcc cf\etn
+ \dblc\pcps ca|\dble\pcps ec\etn
+ \grg\qlN|\grg\qlb\enotes\xbarre}\relax
+\def\barfour{\notes\grd\pcc Nd|\grip\pcc bf\etn
+ \dblc\pcps ca|\dble\pcps ec\etn
+ \grg\qla|\grN\qla\enotes\alaligne}\relax
+%
+% for line 2
+\def\barfive{\barone}\relax
+\def\barsix{\bartwo}\relax
+\def\barseven{\barthree}\relax
+\def\bareight{\notes\grd\pcc Na|\grip\pcgc b\grN a\etn
+ \dblc\pcc cN|\dblc\pcps cb\etn
+ \grg\qla|\grN\qla\enotes}\relax
+%
+% for line 3
+\def\barnine{\notes\grg\pcgc a\grd c|\dblc\pcc ce\etn
+ \grg\qlf|\dblh\qlh\etn
+ \gre\qlf|\grg\qlh\enotes\xbarre}\relax
+\def\barten{\notes\dble\pcc ed|\grf\pcc gf\etn
+ \dbld\pcc dc|\dblf\pcc fe\etn
+ \grip\qlc|\gra\qle\enotes\xbarre}\relax
+\def\bareleven{\notes\grg\pcps cd|\grg\pcps ef\etn
+ \dblc\pcgc c\gre b|\dble\pcc ed\etn
+ \grip\qlb|\shkd\qld\enotes\xbarre}\relax
+\def\bartwelve{\notes\grg\pcps bc|\grg\pcps de\etn
+ \dblb\pcgc b\gre a|\dbld\pcc dc\etn
+ \wbirl\qla|\grip\qlc\enotes\alaligne}\relax
+%
+% for line 4
+\def\barthirteen{\barnine}\relax
+\def\barfourteen{\barten}\relax
+\def\barfifteen{\notes\grg\pcps cd|\grg\pcps ef\etn
+ \grg\qlc|\dble\qle\etn
+ \grip\pcps cb|\gra\pcps ed\enotes\xbarre}\relax
+\def\barsixteen{\notes\grg\pcc ab|\grg\pcgc c\thrwd d\etn
+ \dblc\qlc|\dble\qle\etn
+ \grip\qlc|\gra\qle\enotes}\relax
+%
+\autolines{13}{4}{48}%
+%line 1
+\leftrepeatsymbol
+\barone\bartwo\barthree\barfour
+% line 2
+\barfive\barsix\barseven\bareight\setrightrepeat\suspmorceau
+% line 3
+\reprmorceau
+\autolines{12}{4}{48}%
+\leftrepeatsymbol
+\barnine\barten\bareleven\bartwelve
+% line 4
+\autolines{12}{4}{48}%
+\barthirteen\barfourteen\barfifteen\barsixteen\setrightrepeat\suspmorceau
+%
+\byemedley
+\bye
diff --git a/Master/texmf-dist/doc/generic/bagpipe/README b/Master/texmf-dist/doc/generic/bagpipe/README
new file mode 100644
index 00000000000..ee2c9b167d7
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/bagpipe/README
@@ -0,0 +1,47 @@
+
+Bagpipe.tex is a macro-package for use on top of MusicTeX or
+MusixTeX, which are macro-packages for use with TeX or LaTeX. TeX
+is a language designed for typesetting technical documents,
+and is available for most platforms. Musi[c|x]TeX
+were written by Daniel Taupin, who is now deceased. They are
+available via anonymous ftp at CTAN sites and the Werner Icking
+Music Archive (WIMA). See WIMA for installation instructions.
+
+Version 3.02 of bagpipe.tex works with MusicTeX version 5.20 and
+MusixTeX version T.89. Since it redefines a few Musi(c|x)TeX
+macros, it may not work with later versions without modification.
+It definitely does not work with versions of MusicTeX earlier than
+4.7.
+
+MusixTeX differs from MusicTeX in that it relies on a three pass
+system to adjust the spacing instead of glue (stretchable space).
+MusixTeX is also the version under active development and has
+many features which MusicTeX does not. Most of these are
+irrelevant for bagpipe music.
+
+In this distribution:
+
+bagpipe.tex : the macro package.
+bagpipe.txt : same as above with a common extension
+bagpipe.ini : for generating a bagpipe format
+bagpipex.ini : for generating a bagpipex format
+bagdoc.tex : user's guide.
+
+quickref.tex : a reference 'card'.
+
+Green.tex }
+GreenTwo.tex } : sample tunes
+Bonnets.tex } : (note that in bagpipe music, two sharps are
+Washer.tex } : understood and the key signature is usually omitted as
+BlackDonald.tex } : in these samples)
+
+Notes: *.tex, *.ini, and *.mf are ascii.
+You may have to modify some settings to get your browser to
+download these files. The sample tunes and quickref in this
+distribution are set up to use MusixTeX.
+
+License is granted to distribute and use this product according
+to the LaTeX Project Public License (lppl1.3). This project is
+maintained by Walt Innes (walt (at) slac.stanford.edu).
+
+
diff --git a/Master/texmf-dist/doc/generic/bagpipe/Washer.pdf b/Master/texmf-dist/doc/generic/bagpipe/Washer.pdf
new file mode 100644
index 00000000000..e3f816ec5fe
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/bagpipe/Washer.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/bagpipe/Washer.tex b/Master/texmf-dist/doc/generic/bagpipe/Washer.tex
new file mode 100644
index 00000000000..3976585456f
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/bagpipe/Washer.tex
@@ -0,0 +1,135 @@
+%&bagpipe
+\input bagpipe
+%
+% Washer.tex
+%
+\newgrace\newpitch\noautoglue
+%
+\ifx\medleyflag\relax\else\normalwidth\nopagenumbers\fi
+%
+% for line 1
+\def\barone{\notes
+ \hdblf\bcsc dd3\bfp{\bd\grN}\bd\etn\grg\bcsc ac3\bap{\bd\grN}\bd\enotes\xbarre}
+\def\bartwo{\notes
+ \grg\bcsc ee3\bfp\bd\bf\etn\bcsc hf3\bhp\bg\bf\enotes\xbarre}
+\def\barthree{\notes
+ \grh\bcsc ee3\bgp{\be\gra}\be\etn\grg\bcsc cd3\bcp{\be\gra}\be\enotes\xbarre}
+\def\barfour{\notes
+ \grg\bcsc ae3{\bap\grd}\bc\be\etn\grh\bcsc ge3\bgp\bf\be\enotes\alaligne}
+%
+% for line 2
+\def\barfive{\barone}
+\def\barsix{\bartwo}
+\def\barseven{\notes
+ \grh\bcsc ff3\bgp\bf\bg\etn\grh\bscc eg3\be\bhp\bg\enotes\xbarre}
+\def\bareight{\notes
+ \grh\bcsc dd3\bfp{\bd\grN}\bd\etn\shkd\qld\etn\enotes}
+%
+% for line 3
+\def\barnine{\notes
+ \hdblf\bcsc dd3\bfp{\bd\grN}\bd\etn\bcsc dd3\bhp{\bd\grN}\bd\enotes\xbarre}
+\def\barten{\notes
+ \grg\bcsc dd3\bfp{\bd\grN}\bd\etn\bcsc hf3\bhp\bg\bf\enotes\xbarre}
+\def\bareleven{\barthree}
+\def\bartwelve{\notes
+ \grh\bcsc ee3\bgp{\be\gra}\be\etn\grg\bscc fg3\bf\bhp\bg\enotes\alaligne}
+%
+% for line 4
+\def\barthirteen{\barnine}
+\def\barfourteen{\barten}
+\def\barfifteen{\barseven}
+\def\barsixteen{\bareight}
+%
+% for line 5
+\def\barseventeen{\notes
+ \sk\bscc ff3\bf\bhp\bf\etn\dbld\bcsc cc3\bdp\bc\bd\enotes\xbarre}
+\def\bareighteen{\notes
+ \grg\bcsc a e3\bap\bd\bf\etn\bcsc hf3\bhp{\bg\grh}\bf\enotes\xbarre}
+\def\barnineteen{\notes
+ \sk\bcsc ff3{\bgp\grh}\bf\bg\etn\hdble\bcsc dd3\bep\bc\be\enotes\xbarre}
+\def\bartwenty{\barfour}
+%
+% for line 6
+\def\bartwentyone{\barseventeen}
+\def\bartwentytwo{\bareighteen}
+\def\bartwentythree{\barseven}
+\def\bartwentyfour{\bareight}
+%
+% for line 7
+\def\bartwentyfive{\notes
+ \grg\qlf\grip\cf\etn\bcsc hf3\bhp\bg\bf\enotes\xbarre}
+\def\bartwentysix{\bareighteen}
+\def\bartwentyseven{\notes
+ \grg\qle\grip\ce\etn\grh\bcsc ge3\bgp\bf\be\enotes\xbarre}
+\def\bartwentyeight{\barfour}
+%
+% for line 8
+\def\bartwentynine{\bartwentyfive}
+\def\barthirty{\bareighteen}
+\def\barthirtyone{\barseven}
+\def\barthirtytwo{\bareight}
+%
+% for line 9
+\def\barthirtythree{\bartwentyfive}
+\def\barthirtyfour{\bartwentysix}
+\def\barthirtyfive{\bartwentyseven}
+\def\barthirtysix{\bartwentyeight}
+%
+% for line 10
+\def\barthirtyseven{\notes
+ \grg\bscc ff3\bf\bhp\bf\etn\dbld\bcsc cc3\bdp\bc\bd\enotes\xbarre}
+\def\barthirtyeight{\bareighteen}
+\def\barthirtynine{\barseven}
+\def\barforty{\bareight}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%
+\line{\moyen The Irish Washerwoman\hss
+\rm Jig\hss revised \today\hss}
+\bigskip
+%
+\generalmeter{\meterfrac 68}%
+%
+\debutmorceau
+%
+\autolines{13}{4}{13}%
+% line 1
+\leftrepeatsymbol
+\pickup{\ch}%
+\barone\bartwo\barthree\barfour
+% line 2
+\autolines{11}{4}{13}%
+\barfive\barsix\barseven\bareight\setrightrepeat\suspmorceau
+% line 3
+\line{\twelvebf Part 2\hss}
+\autolines{12}{4}{13}%
+\repreppickup{\ch}%
+\barnine\barten\bareleven\bartwelve
+% line 4
+\barthirteen\barfourteen\barfifteen\barsixteen\setrightrepeat\suspmorceau
+% line 5
+\line{\twelvebf Part 3\hss}
+\autolines{12}{4}{13}%
+\repreppickup{\ch}%
+\barseventeen\bareighteen\barnineteen\bartwenty
+% line 6
+\autolines{11}{4}{13}%
+\bartwentyone\bartwentytwo\bartwentythree\bartwentyfour
+\setrightrepeat\suspmorceau
+% line 7
+\line{\twelvebf Part 4\hss}
+\autolines{12}{4}{13}%
+\reppickup{\ce}%
+\bartwentyfive\bartwentysix\bartwentyseven\bartwentyeight
+% line 8
+\autolines{11}{4}{13}%
+\bartwentynine\barthirty\barthirtyone\barthirtytwo\suspmorceau
+% line 9
+\reppickup{\ce}%
+\barthirtythree\barthirtyfour\barthirtyfive\barthirtysix
+% line 10
+\barthirtyseven\barthirtyeight\barthirtynine\barforty
+\finmorceau
+%
+\byemedley
+\bye
diff --git a/Master/texmf-dist/doc/generic/bagpipe/bagdoc.pdf b/Master/texmf-dist/doc/generic/bagpipe/bagdoc.pdf
new file mode 100644
index 00000000000..48ee7c676f4
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/bagpipe/bagdoc.pdf
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diff --git a/Master/texmf-dist/doc/generic/bagpipe/bagdoc.tex b/Master/texmf-dist/doc/generic/bagpipe/bagdoc.tex
new file mode 100644
index 00000000000..cd7a50e0bb2
--- /dev/null
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@@ -0,0 +1,563 @@
+%&plain
+%% This is a short write-up for bagpipe.tex
+%% Process this file with TeX using the plain format.
+% Computer modern fonts are used. Change the following three lines
+% if other fonts must be substituted.
+\font\twelverm=cmr12 scaled\magstephalf
+\font\twelvebf=cmbx12 scaled\magstephalf
+\font\fourteenrm=cmbx12 scaled\magstep1
+%
+\def\bsl#1{{\twelvebf$\backslash$#1}}
+\twelverm
+\baselineskip=16pt
+%
+{\fourteenrm\centerline{Using bagpipe.tex}}
+\bigskip
+\leftline{\twelvebf 1. Introduction}%
+
+\bigskip
+
+Bagpipe.tex is a macro-package for use on top of MusicTeX, or
+MusixTeX, which are
+macro-packages for use with TeX or LaTeX. TeX is a language
+designed for typesetting technical documents. It is public domain and
+is available for most platforms. Musi(c$|$x)TeX were written and are maintained
+by Daniel Taupin. They are available via anonymous ftp at
+the CTAN sites and the Werner Icking Music Archive (WIMA).
+WIMA is also a good place to find installation instructions.
+Bagpipe.tex itself is available via WWW from
+http://www.stanford.edu/\~ wrinnes/bagpipe.tex/.
+Musi(c$|$x)TeX files are usually found in MSDOS$|$Windows format, and bagpipe.tex
+files in UNIX format. If you transfer them in binary mode
+(as you would for a compressed TAR or zip file), you may have
+to do some conversion to get the carriage returns and line feeds
+correct. TeX itself is not too fussy about such things, but a
+platform which doesn't see a line break in the files may cause TeX
+to choke (this happens on MACs if you don't convert the sources).
+
+This write-up is for version 3.02. Version 3.02 of bagpipe.tex
+works with version 5.20 of MusicTeX and version T.89 of MusixTeX.
+Since it redefines a few Musi(c$|$x)TeX macros, it may not work
+with later versions without modification. It will not work with
+versions of MusicTeX before 4.7. Musi(c$|$x) TeX are designed to
+set complex multi-part scores. As a result, as delivered,
+typesetting bagpipe music is needlessly tedious. So, as suggested
+by Taupin in his write-up, I have written macros for commonly
+recurring complex codings. The result is that very few
+Musi(c$|$x)TeX macros appear directly in a score set with
+bagpipe.tex. Nevertheless, one should read Taupin's documentation
+to get an understanding of Musi(c$|$x)TeX's mode of operation and
+to find those macros which {\twelvebf are} used. I will not
+describe any Musi(c$|$x)TeX macros except when they interact with
+bagpipe.tex macros.
+
+MusixTeX differs from MusicTeX in that it relies on a three pass
+system to adjust the spacing instead of glue (stretchable space).
+MusixTeX is also the version under active development and has
+many features which MusicTeX does not. Most of these are
+irrelevant for bagpipe music. As of version 3.02, MusixTeX is the
+default. To revert to MusicTeX, comment out the line:\hfil\break
+\bsl{let}\bsl{usemusixtex}\bsl{relax}\%\ this sets the flag to use MusixTeX instead of MusicTeX,\hfil\break
+which is located near the beginning of the bagpipe.tex file.
+
+
+Permission is granted to use bagpipe.tex according to the
+LaTeX Project Public License, LPPL version 1.3, which may be found
+at\hfil\break http://www.ctan.org/license/lppl1.3 .
+
+\bigskip
+\leftline{\twelvebf 2. Basic definitions, melody notes.}%
+
+\bigskip
+
+The (usually) single part and limited range of bagpipe music allows for simplification.
+There are two schemes for indicating pitch. The default is the
+new scheme in which
+pitch values are designated by one of N, a, b, c, d, e, f, g, h.
+
+In the following
+I will represent one of these by x. To specify a pitch one types
+x or \bsl{x}.
+In forming macro names G may be used in place of N and A may be
+used in place of h. These last alternates may also be used for
+pitches providing a leading \bsl\ is used.
+An alternative scheme may invoked by \bsl{oldpitch}. In this
+alternate scheme the pitch values are designated by one of
+g, a, b, c, d, e, f, G, or A. A a leading \bsl\ is required.
+The new scheme may be
+restored at any time with a \bsl{newpitch}. In the examples in the
+rest of this note I will use the new scheme as do the sample
+tunes.
+
+To specify an isolated (not connected to a beam) melody note
+type \bsl{whx} for a whole note, \bsl{hx} for a half note,
+\bsl{qlx} for a quarter note,
+\bsl{cx} for an eighth note, \bsl{sx} for a sixteenth note, \bsl{tx} for a thirty-second
+note, and \bsl{sfx} for sixty-fourth note. Dotted melody notes are specified
+\bsl{hp x}, \bsl{qlp x}, \bsl{cp x}, \bsl{sp x}, \bsl{tp x}, \bsl{sfp}.
+Similarly, \bsl{hpp x}, \bsl{qlpp x}, and \bsl{cpp x}
+are used for double dotted notes.
+Beamed notes are specified as arguments of beam macros which will be described below.
+The arguments are \bsl{bx} for a plain note, \bsl{bxp}
+for a dotted note, and \bsl{bxpp} for a double dotted note.
+The time value is controlled by the beam macro.
+
+
+\bigskip
+\leftline{\twelvebf 3. Embellishments.}%
+
+\bigskip
+
+The big breakthrough in MusicTeX was to make possible arbitrary grace
+note sequences. I have coded macros for all the common and many not so
+common bagpipe grace notes and embellishments.
+These macros specify only the grace notes proper and not the
+following melody notes. Simple grace notes and strikes
+are entered as \bsl{grx}.
+Doublings are \bsl{dblx}, half doublings \bsl{hdblx}, thumb doublings
+\bsl{tdblx}, and slurred doublings \bsl{sdblx}.
+The throw on D is \bsl{thrwd}
+and on f is \bsl{thrwf}, the
+grip is \bsl{grip}, and the grip from d is \bsl{dgrip}.
+The \bsl{thrwf} is the same as the dare \bsl{dare}.
+There is also a grip-throw on D (with an extra low G), \bsl{gripthrwd}.
+The half throw on d is \bsl{hthrwd} and the throw on d from low G
+is \bsl{Nthrwd}. The grip from low G is \bsl{Ngrip}.
+The note sequences specified by these grips are often called
+by other names in particular contexts such as throws or leumluaths.
+I have not defined many such synonyms.
+When coding, look at what grace notes are
+actually there, not at the surrounding melody notes.
+The taorluath is \bsl{taor},
+the taorluath from g is \bsl{gtaor}, and from d \bsl{dtaor}.
+The half taorluath from low A is \bsl{ahtaor}.
+The birl is \bsl{birl},
+the strong birl \bsl{sbirl}, the weak birl \bsl{wbirl}, and the thumb birl
+\bsl{tbirl}.
+The slurs take x values a to f only.
+They are the slur \bsl{slurx}, half slur \bsl{hslurx}, and the
+thumb slur \bsl{tslurx}.
+In all of the slurs, ``slap'' may be used in place of ``slur''.
+Similarly shakes are \bsl{shkx} for x from a to g.
+There are also half shakes \bsl{hskx} and thumb shakes \bsl{tshkx}.
+Note that for a, b, c, and e
+shakes and slurs are the same.
+I have not defined such a synonym.
+There are slurred doublings \bsl{sdblx}, slurred half doublings
+\bsl{shdblx}, and slurred thumb doublings \bsl{stdblx}. There are the
+shaken doubling and thumb doubling on d \bsl{shkdbld}, \bsl{shtdbld}.
+
+Some less commonly used embellishments are the double grace notes
+\bsl{ydgrx} where y goes from d to t (t instead h), the double
+strikes \bsl{dstrx}, strong double strikes \bsl{gdstrx}, thumb
+double strikes \bsl{tdbstrx}, and the half double strikes
+\bsl{hdbstrx}. There is also the special case of the light
+half doulbe strike on D \bsl{lhdbstrd}. In exactly the same
+pattern as the double strikes there are triple strikes
+\bsl{tstrx}, etc. For x=b,c,d,e there are the pele's, sometimes
+called hornpipe shakes \bsl{pelx}, \bsl{tpelx}, \bsl{hpelx},
+\bsl{lpeld}, \bsl{ltpeld}, and \bsl{lhpeld}. For d and e these
+are the same as the slurred doublings. For x values of a through d there are
+catches \bsl{catchx}, strong catches \bsl{scatchx}, and
+thumb catches \bsl{tcatchx}.
+
+Note that some named movements such as tachums are
+not represented here because they consist of a combination of grace and
+melody notes. They need to be broken down for type setting.
+
+
+Piobaireachd embellishments include
+the crunluaths \bsl{crun}, \bsl{crunf}, \bsl{ahcrun}, \bsl{dcrun},
+\bsl{Nhcrun},
+ crunluath an machs \bsl{crunmb},
+\bsl{crunmc}, \bsl{crunmd}.
+The crunluath breabachs are \bsl{crunbr}, \bsl{dcrunbr},
+\bsl{ahcrunbr}.
+ \bsl{chelalho}, and the darodos \bsl{darodo} and \bsl{Ndarodo}.
+``darodo'' may be replaced by ``bubbly''. The \bsl{crunmd} is the same as
+the edre on d \bsl{edred}. There also the dre \bsl{dre},
+the edre \bsl{edre}, and edre's on b and c \bsl{edrex}.
+Other dre's and dare's are \bsl{gedre}, \bsl{gdare}, \bsl{tedre},
+bsl{tdare}, \bsl{Nedre}, \bsl{aedre}, \bsl{hdre}, \bsl{hedale},
+\bsl{hchechere}, \bsl{hedari}, \bsl{tchechere}.
+
+The piobaireachd throws are \bsl{enbain}, \bsl{otro}, \bsl{odro},
+\bsl{adela}, and similarly with leading g or t for the strong or
+thumb variations.
+There are also \bsl{dbstf} and \bsl{dbsth}.
+ Special piobaireachd throws on D are \bsl{tra}, and
+\bsl{trac}. Themal grace notes are coded \bsl{themx} and echo notes
+\bsl{echox}.
+The cadences are coded \bsl{cadxx} or \bsl{cadxxx}. The retarded
+variations are \bsl{fcadxx} or \bsl{fcadxx}.
+
+If your favorite embellishment is not (?!!) included, note that
+any set notes may turned into grace notes using them as the
+argument of \bsl{ggr}$\{\}$.
+For the standard thirty second note embellishments, you can use the
+\bsl{multigr} and \bsl{smultigr} macros. See the bagpipe.tex
+source for many examples.
+
+Versions 2.00 and later offer a different means of generating grace note spacing.
+This option is invoked by \bsl{newgrace} or \bsl{multipart}. A
+byproduct is that the afterruleskip can be be restored to closer
+to the MusicTeX standard value making typesetting somewhat easier.
+The old (default) scheme may be restored
+with the macro \bsl{oldgrace}.
+Good practice would dictate that you put one or the
+other at the beginning of each piece to prevent problems if you
+later mix sources or the default changes in a future version.
+I recommend the new mechanism.
+
+\bigskip
+\leftline{\twelvebf 4. Beamed note pairs.}
+
+\bigskip
+
+Because of there being only two notes, the location and slopes of beams for
+note pairs may be calculated from the note pitches. This allows for
+comparatively simple entry. Here I describe a group of macros for
+specifying these note pairs. They all have the form \bsl{pd...d} where
+there two to four d's. d represents either a note length (c, s, or t)
+, p indicating that the previous note is dotted,
+or g for a grace note. For each d (except p) the macro requires an appropriate
+argument. Note lengths require a pitch value x and a g requires
+any grace note macro, e.g. \bsl{grx}. An example of use is \bsl{pcps ab} which
+would set a dotted eighth note at pitch a beamed to a sixteenth note
+at pitch b. Another is \bsl{psgcp b}\bsl{grd c} which sets a sixteenth note at pitch
+b followed by a d grace note and then a dotted eighth note at pitch c.
+The b and
+the c are connected by a beam. The complete list of macros can be
+determined by looking into bagpipe.tex. All reasonable combinations are
+defined.
+
+\bigskip
+\leftline{\twelvebf 5. More general beamed note groups.}
+
+\bigskip
+
+Combinatorics being what they are, the above approach becomes impractical
+for more than two notes. Also there are a few cases where more flexibility
+is required even for pairs (e.g. sometimes the auto beam code puts the
+beam on top of the grace note !). For these reasons I have defined
+more general macros. These have the form \bsl{bd...d} where there from two to
+four d's. The d's represent time values (c, s, or t). These control the
+beam structure.
+The first three
+arguments specify the beam: starting pitch, ending pitch, and length
+in note spacings. Often the pitches will be those of the starting and
+ending note but may differ for many reasons as you will soon find out.
+The length is an integer from 1 to 9.
+An additional argument is required for each d. In their simplest
+form these arguments are beamed note specifiers \bsl{bx}, or \bsl{bxp}.
+If there
+is a grace note between two melody notes within the beamed group, it
+is specified by replacing the argument for the first melody note by
+$\{$\bsl{bx}\bsl{g}$\}$ or $\{$\bsl{bxp}\bsl{g}$\}$ where \bsl{g} represents any grace note macro.
+An example which might be found in a jig is
+\bsl{bccc cc3}$\{$\bsl{bc}\bsl{grd}$\}$$\{$\bsl{bc}\bsl{gre}$\}$\bsl{bc}.
+Again the complete list
+of macros can be found in the code. It is intended that all
+possibilities are defined up to 4 'd's. Longer beamed groups can be specified if
+the number beams for successive notes (not including the last) are the same.
+This is done by including multiple \bsl{bx} macros within a pair of braces.
+
+A note for TeX neophytes: macro
+names consist of letters only. Thus they are terminated by spaces, \bsl{}'s,
+braces and numbers.
+If a macro requires arguments the processor will take the following
+``tokens'' until a sufficient number have been found to feed to the
+macro. The braces serve to group macros so that they will be counted
+as one argument.
+
+\bsl{bgrx} was a work around for a bug which has been squashed. It has
+been removed.
+
+\bigskip
+\leftline{\twelvebf 6. Multiple parts}
+\bigskip
+
+Version 2.00 introduces the ability to set multiple parts
+(parts as in the melody plus seconds). The
+standard Musi(c$|$x)TeX instrument and staff definitions will work
+(if you invoke \bsl{noautoglue}, see below), but
+if all your parts are on bagpipe, you can use
+\bsl{multipart}$\{$n$\}$ where n is the number of parts.
+Note that \bsl{multipart$\{$1$\}$} is a simple way of setting
+the options for the newgrace note scheme and no autoglue.
+If you are content to line up only the beginning of the beats,
+you can use all bagpipe.tex macros. Otherwise you are on your
+own for beams. Start a bar with \bsl{notes}, set the first beat
+of the bottom part, enter a $|$ then the corresponding beat of the next part.
+Proceed through all the parts and then terminate with a \bsl{etn}.
+Then enter the music for the bottom part of the next beat and continue on.
+Terminate the last beat of the bar with an \bsl{enotes}.
+A bar in a two part, two beat per bar piece would go like:
+
+\bsl{notes}$\ldots|\ldots$\bsl{etn}$\ldots|\ldots$\bsl{enotes}\bsl{xbarre}
+
+If you do go your own way, you may have pending beams in both parts. In
+this case you must specify different beam numbers for the parts. Some
+of the macros have these beam numbers built in. 0 is used by the beam
+macros and 1 is used by the grace note macros, so avoid using these
+in your own beam number assignments.
+
+$|$'s and \&'s mean different things within the music environment than without.
+Thus the typical pattern of defining bars before \bsl{debutmorceau} will not
+work. This can be corrected two ways. The bar definitions can be
+sandwiched by a\hfil\break
+ \bsl{catcodesmusic} $\ldots$ \bsl{endcatcodesmusic} pair,
+or the defintions can be put immediately after the \bsl{debutmorceau}.
+If you do the latter, be very careful that there is no extraneous white
+space in the defintions. All definitions should be immediately followed
+by a \bsl{relax}.
+
+An \bsl{enotes} (or \bsl{etn}, \bsl{enn}, \bsl{ttn}) terminates a column of
+notes. Thus none of these can used in the interior of an intended note
+column. If you are building columns by the beat, then there can be none
+of these (and no glue) within the beat. This situation may arise when
+taking existing music for which the parts have been set separately and
+merging them into one multipart setting.
+
+
+\bigskip
+\leftline{\twelvebf 7. Miscellaneous macros.}
+\bigskip
+
+Pick-up notes require some special bookkeeping to keep the bar count correct.
+I have provided the following macro \bsl{pickup}$\{$any pick-up notes$\}$. This
+enters the specified notes, decrements the bar counter, and puts in a bar.
+Unfortunately this puts the bar number on the pick-up bar if this is not the
+first bar in the tune.
+Ending the previous line with \bsl{suspmorceau} and
+using \bsl{reppickup} in the place of \bsl{reprmorceau}\bsl{pickup} will
+fix this problem. It decrements the bar counter before the new line is started,
+thus suppressing the bar number on the pickup bar. An additional complication
+arises if the new line begins with a repeat symbol. In this case
+use \bsl{repreppickup} in place of \bsl{reprmorceau}\bsl{leftrepeat}
+\bsl{pickup}. The details of how these macros behave differ in the
+autoglue and noautoglue schemes.
+
+\bsl{psk}, and \bsl{fsk} provide for small horizontal spaces (they stand for
+point skip and flag skip). They are related to the note width for open
+music and to the note spacing for tight music.
+
+\bsl{Downtext} and \bsl{downtext} put text under the staff. These
+can be used for piobaireached shorthand and large scale repeat
+notations such as {\it Da Capo al Segno}.
+
+\bsl{etn} is the same as
+\bsl{enotes}\bsl{temps}\bsl{notes} which
+inserts some ``glue''.
+Glue stretches when there is space left on the line. I often use this
+after quarter notes and on beat boundaries in general. By default,
+beamed groups have one of these built in, so don't put one in explicitly.
+There is also implicit
+glue before a bar line which can double the glue at this point. To compensate
+one can put \bsl{etn} when the beat ends in a beamed group and
+\bsl{ttn} when it does not. \bsl{ttn} is \bsl{etn}\bsl{etn}.
+Best, turn off this feature with \bsl{noautoglue} and then
+use \bsl{etn} consistently between beats. No autoglue also turns
+\bsl{ttn} into \bsl{etn} so one gets about the same effect autoglue
+or no. \bsl{autoglue} turns autoglue back on. Note that autoglue
+is not compatible with multiple parts and \bsl{multipart} turns it off.
+
+\bsl{normalwidth}, \bsl{medwidewidth}, \bsl{widewidth} set up
+margins for various width layouts and odd and even pages.
+\bsl{normalheight}, \bsl{medtall}, and \bsl{tall}
+set vertical size and margins.
+
+\bsl{Afour} and \bsl{USletter} set the paper size. US letter is the
+default. Note that music optimized for one paper size will not look
+as good (or may not fit at all) on the other.
+
+\bsl{today} inserts the date. \bsl{USdate} and \bsl{Eurodate} specify
+the format. The US order (month day, year) is the default.
+
+\bsl{landscape} is implementation dependent. It will probably work if you
+use dvips by Tom Rokicki. \bsl{realwidewidth} is landscape with
+small margins.
+
+\bigskip
+
+\leftline{\twelvebf 8. Miscellaneous usage notes.}
+
+\bigskip
+
+This section will refer often to Musi(c$|$x)TeX macros. You need to have read
+the Musi(c$|$x)TeX documentation to follow the discussion.
+
+bagpipe.tex \bsl{inputs} the following MusicTeX files: muscinft.tex,
+musictex.tex, and musicvbm.tex or the follwing MusixTeX files:,
+musix.tex and musixcpt.tex. It sets Musi(c$|$x)TeX for single instruments
+and single staff. It adds teenynotes to the font definitions.
+
+I usually use \bsl{meterfrac} for the time signature. You may like to use \bsl{meterC}
+(commonly used for strathspeys) or
+\bsl{allabreve} (commonly used for reels).
+
+I prefer to keep complete control of line breaks. Therefore I use
+\bsl{xbarre}, and \bsl{alaligne} instead of \bsl{barre}.
+I recommend using \bsl{autolines} except when the music is tight. In
+this case the bagpipe.tex command \bsl{setelemq}$\{$f$\}$
+will set the elementary
+note spacing to f times the quarter note width. f=1.2 is the smallest
+value that looks decent.
+
+TeX treats any number of consecutive spaces, carriage returns, and line
+feeds as ``white space''. White space which terminates a macro name
+is eaten and has no further effect. Other white space will insert a space
+and some ``glue'' in the document. Because Musi(c$|$x)TeX does not know
+about this space, any pending beams or slurs
+will be messed up. Therefore it is best, within the music,
+to avoid all white space that
+is not needed to terminate a macro name.
+To accomplish this, lines which do not end with a macro name should
+be terminated with a \bsl{relax} command.
+
+Musi(c$|$x)TeX does not like to tie notes that are closer than 2.3
+quarternote-head widths. If the music is tightly set, extra
+space must be inserted between tied notes using \bsl{sk},
+\bsl{fsk}, or \bsl{psk}. A dot on the first tied note counts as
+space. Expanded glue does not.
+If the tied note is the last one in a beamed group, the
+\bsl{psk} should be grouped with that final note by using braces.
+
+Musi(c$|$x)TeX appears to have a roundoff problem when constructing
+sloped beams with more than three notes. As a result there are
+sometimes little bumps and for certain note spacings near
+\bsl{setelemq}$\{$1.7$\}$\ small gaps appear. The problems are
+worst at low resolution such as with a previewer. Work-arounds
+are: avoid the gap producing note spacing, print at as
+high a resolution as is available, don't use excessive
+beam slopes.
+
+In previous versions bagpipe.tex and by default in this version
+(i.e. unless
+you invoke \bsl{newgrace} or \bsl{multipart}),
+the after bar spacing is quite small to keep the
+distance from the bar to
+the first grace notes from being too large.
+If the bar began with a theme note, this resulted
+in too small a spacing, thus requiring that the
+bar begin with a \bsl{sk} or \bsl{psk} to alleviate this.
+This value is determined by
+\bsl{stdafterruleskip}. The Musi(c$|$x)TeX default is 4\bsl{Internote}.
+The default bagpipe.tex value is \bsl{Internote}.
+\bsl{newgrace} uses a different mechanism to set grace note
+spacing and does not suffer to the same degree.
+The \bsl{newgrace} value of \bsl{stdafterruleskip} is 3\bsl{Internote}.
+A similar problem can still occur between any pair of theme notes which
+do not have an embellishment in between. The solution is similar.
+
+In some tunes, it is difficult to squeeze four bars on a line.
+It may be better to just give up and use more paper.
+If you wish to persist, here are some techniques to save space.
+Set the width to \bsl{widewidth}. Set the \bsl{setelemq} to a number like 1.1.
+Use landscape or \bsl{realwidewidth}. Eliminate beginning of line bars
+unless there is a repeat on other than the
+first part. Use the reppickup macros. Use \bsl{musicsize}$=$16.
+
+Bagpipe.tex can be used by putting a \bsl{input bagpipe} at the
+beginning of your file. MusixTeX is the default. To use MusicTeX,
+the bagipe.tex file must be modified as described above.
+Alternatively, you can generate and use a bagpipe.fmt or a
+bagpipex.fmt file. The file bagpipe.ini may be used as the argument
+of initex to generate bagpipe.fmt (after the above modification to bagpipe.tex)
+and bagpipex.ini used to generate bagpipex.fmt.
+
+\bigskip
+\leftline{\twelvebf 9. MusixTex}
+
+The MusixTeX option is now the default. You may not shift between
+MusixTeX and MusicTeX in the same job.
+Be sure to read the fine MusixTeX manual.
+I give here a brief summary of the
+operation of MusixTeX and how it affects bagpipe.tex.
+On the first pass of MusixTeX over tune.tex, MusixTeX
+(via bagpipe.tex) generates
+a file tune.mx1 which contains the length of each line. The
+program musixflx is invoked to generate tune.mx2, which
+contains spatial scale factors for each line. A second
+pass of MusixTeX uses tune.mx2 (if available) to generate
+the final output. In principle, all the fussing needed to
+get good spacing with MusicTeX is done for you. For this
+to work, MusixTeX needs to know about ALL the space in the
+music. There must be NO extraneous white space. See the
+MusixTeX for descriptions of the likely symptoms and
+cures for extraneous space problems.
+
+This scheme can result in music which looks significantly
+different than with MusicTeX. In MusicTeX, only the glue
+is adjusted to fill out a line. In MusixTeX all spacing
+is adjusted. Glue is forbidden as are hard (not adjusted by
+musixflx) spaces. Putting glue on the beats and keeping the
+music within a beat relatively compact, gives results
+more in accord with usual bagpipe music setting practice than
+does MusixTeX. On the other hand, the MusixTeX scheme permits
+better looking ties because they don't have to stretch.
+
+Another area of different results peculiar to bagpipe music
+is the spacing of complex embellishments. Stretching the spaces
+within an embellishment can look ugly. This was a problem with
+the old grace note scheme that was cured with the new grace
+note scheme in MusicTeX. The fixed space used by the new grace
+scheme is not permitted by MusixTeX. For the old grace note
+scheme I just let them stretch. In the new grace note scheme
+I put the extra space before the embellishment and keep the
+embellishment itself compact. This may cause ugliness if
+the stretch is too large or too small.
+
+The musixtex option in bagpipe.tex \bsl{inputs} musixtex.tex
+and musixcpt.tex. The latter contains macros for compatibility
+with MusicTeX. Most of these are synonyms for macros whose
+names changed (usually to English from French) in MusixTeX.
+For a few such as \bsl{autolines}, the actual function has
+changed due to the fundamental difference between the packages.
+The default MusicTeX version has a number of synonyms for MusixTeX
+macros as an aid to backward compatibility for tunes coded in
+MusixTeX. These cover only a few of the most likely to be
+used macros and of course functions unique to MusixTeX cannot
+be handled by MusicTeX. If you care about other people
+using your settings, I recommend using the MusicTeX versions
+so that code is compatible with older bagpipe.tex versions.
+The synonyms are: \hfil\break
+ \bsl{en}~= \bsl{enotes},\hfil\break
+ \bsl{instrumentnumber}~= \bsl{nbinstruments},\hfil\break
+ \bsl{startpiece}~= \bsl{debutmorceau},\hfil\break
+ \bsl{bar}~= \bsl{barre},\hfil\break
+ \bsl{itie}~= \bsl{iten},\hfil\break
+ \bsl{ttie}~= \bsl{tten},\hfil\break
+ \bsl{contpiece}~= \bsl{reprmorceau},\hfil\break
+ \bsl{stoppiece}~= \bsl{suspmorceau},\hfil\break
+ \bsl{Stoppiece}~= \bsl{finmorceau},\hfil\break
+ \bsl{Endpiece}~= \bsl{finmorceau},\hfil\break
+ \bsl{leftrepeat}~= \bsl{leftrepeatsymbol},\hfil\break
+ \bsl{rightrepeat}~= \bsl{rightrepeatsymbol},\hfil\break
+ \bsl{setstaffs}1\#2~= \bsl{nbporteesi}\#2.
+
+\bigskip
+\leftline{\twelvebf 10. Concluding comments.}
+
+\bigskip
+
+The best way to understand this guide is to preview and study the
+examples. The ``example'' entitled quickref.tex is a sample sheet.
+It is often convenient to define a macro for each bar of music.
+Many definitions will then consist of previous bars, and the
+music proper will be mostly a list of bar macros.
+Using the template files and a good cut and paste type editor
+will save a lot of time.
+I have found that with practice it takes between
+one half and one hour to type-set a complex four part 6/8 march.
+This includes proofing and adjusting.
+A simple two part 3/4 march can be done in less than fifteen minutes.
+Send any comments, suggestions, or bug reports
+to walt@slac.stanford.edu .
+
+\vskip 0.5in
+Good luck and happy piping,
+
+Walt Innes
+
+\bye
diff --git a/Master/texmf-dist/doc/generic/bagpipe/quickref.pdf b/Master/texmf-dist/doc/generic/bagpipe/quickref.pdf
new file mode 100644
index 00000000000..ba199630c09
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/bagpipe/quickref.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/bagpipe/quickref.tex b/Master/texmf-dist/doc/generic/bagpipe/quickref.tex
new file mode 100644
index 00000000000..01f042ab5f5
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/bagpipe/quickref.tex
@@ -0,0 +1,227 @@
+%&plain
+% bagpipe.tex
+\let\usemusixtex\relax%
+\input bagpipe
+\newpitch\newgrace\noautoglue
+%
+\centerline{\moyen bagpipe.tex quick reference}
+\bigskip
+\generalmeter{\meterfrac 44}%
+\setelemq{1.6} \debutmorceau \notes
+ \Uptext{grx; x=N,a,b,c,d,e,f,g,h(new scheme)}
+ \grN\gra\grb\grc\grd\gre\grf\grg\grh\sk\sk\sk
+ \enotes\barre
+\notes\Uptext{echox}\relax
+ \echoN\echoa\echob\echoc\echod\echoe\echof\echog\echoh\sk
+ \enotes\barre
+\notes\Uptext{themx}\relax
+ \themN\thema\themb\themc\themd\theme\themf\themg\themh
+ \enotes\alaligne
+\notes\Uptext{dblx}\dblN\dbla\dblb\dblc\dbld\dble\dblf\dblg\dblh\enotes\barre
+\notes\Uptext{hdblx}\hdblN\hdbla\hdblb\hdblc\hdbld\hdble\hdblf\hdblg\hdblh
+ \enotes\alaligne
+\notes\Uptext{tdblx}\tdblN\tdbla\tdblb\tdblc\tdbld\tdble\tdblf\tdblg
+ \enotes\barre
+\notes\Uptext{sdblx}\sdbla\sdblb\sdblc\sdbld\sdble\sdblf\sdblg\sdblh
+ \enotes\alaligne
+\notes\Uptext{shdblx}\shdbla\shdblb\shdblc\shdbld\shdble\shdblf\shdblg\shdblh
+ \enotes\barre
+\notes\Uptext{shkdbld}\shkdbld\enotes\barre
+\notes\Uptext{shtdbld}\shtdbld\enotes\barre
+\notes\Uptext{thrwd}\thrwd\sk\sk\Uptext{grip}\grip\sk
+ \Uptext{dgrip}\dgrip\sk\Uptext{Ngrip}\Ngrip\sk\sk\enotes\alaligne
+\notes\Uptext{taor}\taor\sk\Uptext{dtaor}\dtaor\sk\Uptext{Ntaor}\Ntaor\sk\sk
+ \Uptext{ahtaor}\ahtaor\sk\sk\enotes\barre
+\notes\Uptext{thrwf}\thrwf\sk\sk\Uptext{gripthrwd}\gripthrwd\sk\sk\sk
+\Uptext{hgripthrwd}\hgripthrwd\sk\sk\sk\sk\enotes\barre
+\notes\Uptext{birl}\birl\Uptext{sbirl}\sbirl\Uptext{wbirl}\wbirl\sk\sk
+ \Uptext{tbirl}\tbirl\enotes\barre
+\notes\Uptext{slurx or
+slapx}\slura\slurb\slurc\slurd\slure\slurf\enotes\alaligne
+\notes\Uptext{hslurx}\hslura\hslurb\hslurc\hslurd\hslure\hslurf\enotes\barre
+\notes\Uptext{tslurx}\tslura\tslurb\tslurc\tslurd\tslure\tslurf\enotes\barre
+\notes\Uptext{shkx}\shka\shkb\shkc\shkd\shke\shkf\shkg\enotes\barre
+\notes\Uptext{hshkx}\hshka\hshkb\hshkc\hshkd\hshke\hshkf\hshkg\enotes\alaligne
+\notes\Uptext{tshkx}\tshka\tshkb\tshkc\tshkd\tshke\tshkf\enotes\barre
+\notes\Uptext{dstrx}\dstra\dstrb\dstrc\dstrd\dstre\dstrf\dstrg\dstrh
+ \Uptext{ldstrd}\ldstrd\sk\enotes\barre
+\notes\Uptext{gdstrx}\gdstra\gdstrb\gdstrc\gdstrd\gdstre\gdstrf
+ \Uptext{lgdstrd}\lgdstrd\enotes\alaligne
+\notes\Uptext{tdstrx}\tdstra\tdstrb\tdstrc\tdstrd\tdstre\tdstrf
+ \Uptext{ltdstrd}\ltdstrd\enotes\barre
+\notes\Uptext{hdstrx}\hdstra\hdstrb\hdstrc\hdstrd\hdstre\hdstrf\hdstrg\hdstrh
+ \Uptext{lhdstrd}\lhdstrd\enotes\alaligne
+\notes\Uptext{tstrx}\tstra\tstrb\tstrc\tstrd\tstre\tstrf\tstrg\tstrh
+ \Uptext{ltstrd}\ltstrd\enotes\barre
+\notes\Uptext{gtstrx}\gtstra\gtstrb\gtstrc\gtstrd\gtstre\gtstrd\gtstrf
+ \Uptext{lgtstrd}\lgtstrd\enotes\alaligne
+\notes\Uptext{ttstrx}\ttstra\ttstrb\ttstrc\ttstrd\ttstre\ttstrf
+ \Uptext{lttstrd}\lttstrd\enotes\alaligne
+\notes\Uptext{htstrx}\htstra\htstrb\htstrc\htstrd\htstre\htstrf\htstrg\htstrh
+ \Uptext{lhtstrd}\lhtstrd\sk\enotes\barre
+\notes\Uptext{pelx}\pelb\pelc\peld\pele\Uptext{lpeld}\lpeld\enotes\alaligne
+\notes\Uptext{tpelx}\tpelb\tpelc\tpeld\tpele\Uptext{ltpeld}\ltpeld\enotes\barre
+\notes\Uptext{hpelx}\hpelb\hpelc\hpeld\hpele\enotes\barre
+\notes\Uptext{ddgrx}\ddgrN\ddgra\ddgrb\ddgrc\enotes\barre
+\notes\Uptext{edgrx}\edgrN\edgra\edgrb\edgrc\edgrd\enotes\barre
+\notes\Uptext{fdgrx}\fdgrN\fdgra\fdgrb\fdgrc\fdgrd\fdgre\enotes\alaligne
+\notes\Uptext{gdgrx}\gdgrN\gdgra\gdgrb\gdgrc\gdgrd\gdgre\gdgrf\enotes\barre
+\notes\Uptext{tdgrx}\tdgrN\tdgra\tdgrb\tdgrc\tdgrd\tdgre\tdgrf\tdgrg\enotes\barre
+\notes\Uptext{catchx}\catcha\catchb\catchc\catchd\catche\enotes\alaligne
+\notes\Uptext{scatchx}\scatcha\scatchb\scatchc\scatchd\scatche\enotes\barre
+\notes\Uptext{tcatchx}\tcatcha\tcatchb\tcatchc\tcatchd\tcatche\enotes\alaligne
+\notes\Uptext{crun}\crun\Uptext{crunf}\crunf\sk\Uptext{crunmb}\crunmb
+ \Uptext{crunmc}\crunmc\enotes\barre
+\notes\Uptext{crunmd}\crunmd\sk\sk\sk\Uptext{ahcrun}\ahcrun\sk\Uptext{Nhcrun}\Nhcrun\sk
+ \Uptext{dcrunbr}\dcrunbr\sk\Uptext{ahcrunbr}\ahcrunbr\sk\enotes\alaligne
+\notes\Uptext{dre}\dre\Uptext{edre}\edre\sk\Uptext{edrex}\edreb\edrec\edred
+ \Uptext{dare}\dare\enotes\barre
+\notes\Uptext{hedari}\hedari\sk\sk\Uptext{tra}\tra\sk\Uptext{trac}\trac\enotes\alaligne
+\notes\Uptext{gedre}\gedre\sk\Uptext{gdare}\gdare\sk\Uptext{tedre}\tedre\sk
+ \Uptext{tdare}\tdare\sk\Uptext{tchechere}\tchechere\sk\sk\sk\sk\Uptext{hdre}\hdre\sk\enotes\barre
+\notes\Uptext{hedale}\hedale\sk\sk\sk\Uptext{hchechere}\hchechere\sk\sk\sk\sk
+ \Uptext{deda}\deda\sk\enotes\alaligne
+\notes\Uptext{enbain}\enbain\sk\sk\Uptext{otro}\otro\sk\sk\Uptext{odro}\odro\sk\sk
+ \Uptext{adela}\adela\sk\enotes\barre
+\notes\Uptext{genbain}\genbain\sk\sk\Uptext{gotro}\gotro\sk\sk\Uptext{godro}\godro\sk\sk
+ \Uptext{gadela}\gadela\sk\enotes\alaligne
+\notes\Uptext{tenbain}\tenbain\sk\sk\Uptext{totro}\totro\sk\sk\Uptext{todro}\todro\sk\sk
+ \Uptext{tadela}\tadela\sk\enotes\barre
+\notes\Uptext{dbstf}\dbstf\sk\Uptext{dbsth}\dbsth\sk\enotes\barre
+\notes\Uptext{darodo}\darodo\sk\Uptext{Ndarodo}\Ndarodo\sk\sk\sk
+ \Uptext{darodos}\darodos\sk\sk\enotes\barre
+\notes\Uptext{hiharin}\hiharin\sk\sk\Uptext{chelalho}\chelalho\enotes\alaligne
+\notes\Uptext{cadged}\cadged\sk\sk\Uptext{cadhed}\cadhed\sk\sk
+ \Uptext{cadge}\cadge\sk\enotes\barre
+\notes\Uptext{cadhe}\cadhe\sk\sk\Uptext{caded}\caded\sk\sk\enotes\barre
+\notes\Uptext{fcadged}\fcadged\sk\Uptext{fcadhed}\fcadhed\sk
+ \Uptext{fcadge}\fcadge\sk
+ \Uptext{fcadhe}\fcadhe\sk\Uptext{fcaded}\fcaded\sk\Uptext{fcade}\fcade\enotes\alaligne
+%
+\notes\Uptext{pcc}\pcc cd\etn\Uptext{pcgc}\pcgc c\grg d\etn
+ \Uptext{pcs}\pcs cd\etn\Uptext{pcps}\pcps cd\enotes\barre
+\notes\Uptext{pcgs}\pcgs c\gre d\etn
+ \Uptext{pcpgs}\pcpgs c\gre d\etn
+ \Uptext{psc}\psc cd\etn\Uptext{pscp}\pscp cd\enotes\barre
+\notes\Uptext{psgc}\psgc c\gre d\etn
+ \Uptext{psgcp}\psgcp c\gre d\enotes\alaligne
+\notes\Uptext{pss}\pss cd\etn\Uptext{psgs}\psgs c\gre d\etn
+ \Uptext{pst}\pst cd\etn
+ \Uptext{pspt}\pspt cd\enotes\barre
+\notes\Uptext{psgt}\psgt c\gre d\etn
+ \Uptext{pspgt}\pspgt c\gre d\etn
+ \Uptext{pts}\pts cd\etn\Uptext{ptsp}\ptsp cd\enotes\barre
+\notes\Uptext{ptgs}\ptgs c\gre d\etn
+ \Uptext{ptgsp}\ptgsp c\gre d\enotes\alaligne
+\notes\Uptext{bdd; d=c,s,t}\bcc cd2\bc\bd\etn
+ \bss cd2\bc\bd\etn\btt cd2\bc\bd\enotes\barre
+\notes\bcs cd2\bc\bd\etn\bsc cd2\bc\bd\etn
+ \bst cd2\bc\bd\etn\bts cd2\bc\bd
+ \enotes\barre
+\notes\bct cd2\bc\bd\etn\btc cd2\bc\bd\enotes\barre
+\notes\Uptext{bddd; d=c,s,t}\bccc ae2\ba\bb\be\etn
+ \bccc ae3\bap\bbp\be\etn
+ \bccc ac3{\ba\grd}{\bb\gre}\bc\enotes\barre
+%
+\notes\sk\bsss ae2\ba\bb\be\sk\etn
+ \bttt ae2\ba\bb\be\enotes\alaligne
+%
+\notes\sk\bccs ae2\ba\bb\be\etn
+ \bcsc ae2\ba\bb\be\etn
+ \bscc ae2\ba\bb\be\enotes\barre
+\notes\sk\bcss ae2\ba\bb\be\etn
+ \bscs ae2\ba\bb\be\etn
+ \bssc ae2\ba\bb\be\enotes\barre
+%
+\notes\sk\bsst ae2\ba\bb\be\etn\bsts ae2\ba\bb\be\btss
+ae2\ba\bb\be\enotes\barre \notes\sk\bstt ae2\ba\bb\be\etn\btst
+ae2\ba\bb\be\etn\btts ae2\ba\bb\be\enotes\alaligne
+%
+\notes\sk\bcst ae2\ba\bb\be\etn
+ \bsct ae2\ba\bb\be\etn
+ \bcts ae2\ba\bb\be\enotes\barre
+\notes\sk\bstc ae2\ba\bb\be\etn
+ \btsc ae2\ba\bb\be\etn
+ \btcs ae2\ba\bb\be\enotes\barre
+%
+\notes\sk\Uptext{bdddd; d=c,s,t}\bcccc ad3\ba\bb\bc\bd\etn
+ \bssss ad3\ba\bb\bc\bd\enotes\barre
+\notes\sk\btttt ad3\ba\bb\bc\bd\etn
+ \bcccs ad3\ba\bb\bc\bd\enotes\alaligne
+%
+\notes\sk\bccsc ad3\ba\bb\bc\bd\etn
+ \bcscc ad3\ba\bb\bc\bd\enotes\barre
+\notes\sk\bsccc ad3\ba\bb\bc\bd\etn
+ \bccss ad3\ba\bb\bc\bd\enotes\alaligne
+%
+\notes\sk\bcscs ad3\ba\bb\bc\bd\etn
+ \bcssc ad3\ba\bb\bc\bd\enotes\barre
+\notes\sk\bsccs ad3\ba\bb\bc\bd\etn
+ \bscsc ad3\ba\bb\bc\bd\enotes\barre
+\notes\sk\bsscc ad3\ba\bb\bc\bd\etn
+ \bccst ad3\ba\bb\bc\bd\enotes\barre
+%
+\notes\bccts ad3\ba\bb\bc\bd\etn
+ \bcstc ad3\ba\bb\bc\bd\enotes\alaligne
+\notes\bctsc ad3\ba\bb\bc\bd\etn
+ \bstcc ad3\ba\bb\bc\bd\enotes\barre
+\notes\btscc ad3\ba\bb\bc\bd\etn
+ \bcsss ad3\ba\bb\bc\bd\enotes\barre
+%
+\notes\sk\bscss ad3\ba\bb\bc\bd\etn
+ \bsscs ad3\ba\bb\bc\bd\enotes\barre
+\notes\sk\bsssc ad3\ba\bb\bc\bd\etn
+ \bcsst ad3\ba\bb\bc\bd\enotes\alaligne
+%
+\notes\sk\bcsst ad3\ba\bb\bc\bd\etn
+ \bsstc ad3\ba\bb\bc\bd\enotes\barre
+\notes\sk\bcsts ad3\ba\bb\bc\bd\etn
+ \bscst ad3\ba\bb\bc\bd\enotes\barre
+\notes\sk\bscts ad3\ba\bb\bc\bd\etn
+ \bstcs ad3\ba\bb\bc\bd\enotes\barre
+\notes\sk\btscs ad3\ba\bb\bc\bd\etn
+ \bstsc ad3\ba\bb\bc\bd\enotes\alaligne
+\notes\sk\btssc ad3\ba\bb\bc\bd\etn
+ \btcss ad3\ba\bb\bc\bd\enotes\barre
+\notes\sk\bctss ad3\ba\bb\bc\bd\etn%
+ \bssct ad3\ba\bb\bc\bd\enotes\barre
+%
+\notes\sk\bssts ad3\ba\bb\bc\bd\etn
+ \bstss ad3\ba\bb\bc\bd\enotes\barre
+\notes\sk\btsss ad3\ba\bb\bc\bd\etn
+ \bssst ad3\ba\bb\bc\bd\enotes\alaligne
+%
+\notes\sk\bstst ad3\ba\bb\bc\bd\etn
+ \bstts ad3\ba\bb\bc\bd\enotes\barre
+\notes\sk\btsst ad3\ba\bb\bc\bd\etn
+ \btsts ad3\ba\bb\bc\bd\enotes\barre
+\notes\sk\bttss ad3\ba\bb\bc\bd\etn
+ \bsttt ad3\ba\bb\bc\bd\enotes\barre
+%
+\notes\sk\btstt ad3\ba\bb\bc\bd\etn
+ \bttst ad3\ba\bb\bc\bd\enotes\alaligne
+\notes\sk\bttts ad3\ba\bb\bc\bd\enotes\barre
+%
+\notes\sk\Uptext{whx}\whN\wha\whb\whc\whd\whe\whf\whg\whh\enotes\barre
+\notes\sk\Uptext{hx}\hN\ha\hb\hc\hd\he\hf\hg\hh\enotes\barre
+\notes\sk\Uptext{qlx}\qlN\qla\qlb\qlc\qld\qle\qlf\qlg\qlh\enotes\alaligne
+\notes\sk\Uptext{cx}\cN\ca\cb\cc\cd\ce\cf\cg\ch\enotes\barre
+\notes\sk\Uptext{sx}\sN\sa\sb\sc\sd\se\sf\sg\sh\enotes\barre
+\notes\sk\Uptext{tx}\tN\ta\tb\tc\td\te\tf\tg\th\enotes\barre
+\notes\sk\Uptext{sfx}\sfN\sfa\sfb\sfc\sfd\sfe\sff\sfg\sfh\enotes\alaligne
+\notes\sk\Uptext{bx}\bccc Nb2\bN\ba\bb\bccc ce2\bc\bd\be\etn
+ \bccc fh2\bf\bg\bh\enotes\barre
+%
+\notes\sk\Uptext{bxp}\bccc Nb2\bNp\bap\bbp\etn
+ \bccc ce2\bcp\bdp\bep\etn
+ \bccc fh2\bfp\bgp\bhp\enotes\barre
+%
+\notes\sk\Uptext{hp x, qlp x, cp x, sp x, tp x, sfp x}
+ \hp a\sk\qlp b\sk\cp c\psk\sp d\psk\tp e\psk\sfp f\enotes\barre
+%
+\notes\sk\Uptext{hpp x, qlpp x, cpp x}\relax
+ \sk\sk\hpp a\qlpp b\cpp c\enotes
+%
+\finmorceau
+\byemedley
+\bye