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authorKarl Berry <karl@freefriends.org>2009-05-23 00:14:50 +0000
committerKarl Berry <karl@freefriends.org>2009-05-23 00:14:50 +0000
commitac7c62d7555a6cebca926dc51ebc39cb235982db (patch)
tree8411809d969764b8f25e7ad5082c08f3577aee00 /Master/texmf-dist/doc/fonts
parentaf6a89d1cc9fae03dc3a8dc7b19e324266bf0596 (diff)
use doc subdirs
git-svn-id: svn://tug.org/texlive/trunk@13408 c570f23f-e606-0410-a88d-b1316a301751
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-rw-r--r--Master/texmf-dist/doc/fonts/fontname/Introduction.html57
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diff --git a/Master/texmf-dist/doc/fonts/fontinst/base/README b/Master/texmf-dist/doc/fonts/fontinst/base/README
new file mode 100644
index 00000000000..9e5f39cde19
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontinst/base/README
@@ -0,0 +1,116 @@
+README for fontinst
+
+* What is it?
+
+Fontinst is a program that helps with installing fonts
+for (La)TeX. Since it is written entirely in TeX macros,
+it is completely portable.
+
+More precisely, fontinst helps mainly with the number
+crunching and shoveling parts of font installation. This
+means in practice that it creates a number of files which
+give the TeX metrics (and related information) for a font
+family that (La)TeX needs to do any typesetting in these
+fonts. Fontinst furthermore makes it easy to create fonts
+containing glyphs from more than one base font, taking
+advantage of e.g. "expert" font sets.
+
+Fontinst cannot examine files to see if they contain any
+useful information or work with binary file formats; those
+tasks must normally be done manually or with the help of
+some other tool, such as the pltotf and vptovf programs.
+Nor can fontinst automatically search for files, but if
+they are named according to the fontname scheme (Berry)
+then fontinst sometimes succeeds very well in guessing
+what the interesting files are called.
+
+
+* Documentation
+
+The doc directory contains pure documentation; in
+particular the doc/manual directory should be of
+interest, as it contains the fontinst manual. For all
+questions about how one uses fontinst, see this manual.
+
+Sadly, the manual has been neglected for some time, and
+although it was recently revised, much remains to do.
+In particular, several commands still lack description and
+explanations (although at least the manual now lists
+all the syntaxes). Some alternative sources of information
+that you may find useful are:
+
+ * Philipp Lehman's "The Font Installation Guide"
+ Available on CTAN, at info/Type1fonts/fontinstallationguide/
+
+ * intro98.tex - parts of the 1998 fontinst v1.8 manual
+ that were split off during the recent revision.
+
+ * The fontinst mailing list and its archives
+ (See below for relevant addresses.)
+
+ * The fontinst Literate Programming sources (see
+ source/fisource.dvi). If a command isn't documented
+ anywhere else, there is probably a discussion of it
+ in the sources. They're thoroughly indexed.
+
+The examples directory contains some examples (with
+comments) of using fontinst to install a font family.
+
+
+* Installation
+
+To use fontinst, you only need to make sure the inputs
+directory and its subdirectories are on TeX's input path.
+Usually you do this by moving it to a suitable location.
+In a TDS texmf tree, the inputs directory is usually
+made the ${TEXMF}/tex/fontinst directory.
+
+You will probably also want to move the file fontdoc.sty
+in the latex directory to some location where TeX will
+find it. Many of the .mtx and .etx files in the inputs
+hierarchy are simultaneously fontinst input files and
+LaTeX documents; the fontdoc package is needed to typeset
+them as the latter. In a TDS texmf tree, the normal place
+for fontdoc.sty is in the tex/latex/misc directory.
+
+Also recall that some TeX implementations maintain a
+database over files that have been installed. If you've
+placed fontinst in a suitable place but TeX complains it
+cannot find the file fontinst.sty then the problem may
+be that you need to update this database of files. That
+is however nothing that is particular for fontinst.
+
+
+* Latin and other scripts
+
+The fontinst distribution includes the necessary encoding
+definition (.etx) files for the latin script as used in
+European languages, but there is nothing in fontinst as
+a program that restricts it to these languages. In the T2
+bundle (CTAN:macros/latex/contrib/t2) there are
+corresponding fontinst files for the cyrillic scripts
+(and in the future it might become part of the main
+fontinst distribution).
+
+
+* The test directory
+
+This is mainly of interest for advanced fontinst users.
+It collects some files that were written to test the new
+features in various versions of fontinst.
+
+
+* Mailing list
+
+Questions and bug reports should be sent to the fontinst
+mailing list
+
+ fontinst@tug.org
+
+General information about the mailing list is at:
+
+ http://tug.org/mailman/listinfo/fontinst
+
+
+16 December 2004,
+Lars Hellstr\"om
diff --git a/Master/texmf-dist/doc/fonts/fontinst/base/encspecs/encspecs.tex b/Master/texmf-dist/doc/fonts/fontinst/base/encspecs/encspecs.tex
new file mode 100644
index 00000000000..88911506970
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontinst/base/encspecs/encspecs.tex
@@ -0,0 +1,1334 @@
+\documentclass[a4paper]{article}
+
+\usepackage{array}
+
+\makeatletter
+\@ifundefined{l@nohyphenation}{\newlanguage\l@nohyphenation}{}
+\DeclareRobustCommand\meta[1]{%
+ \ensuremath{\langle}%
+ \sbox{\z@}{%
+ \setlanguage\l@nohyphenation
+ \normalfont\itshape #1\/%
+ \setlanguage\language
+ }%
+ \unhbox\z@
+ \ensuremath{\rangle}%
+}
+\makeatother
+\DeclareRobustCommand\marg[1]{%
+ \texttt{\char`\{}\meta{#1}\texttt{\char`\}}%
+}
+\DeclareRobustCommand\cs[1]{\texttt{\char`\\#1}}
+
+\makeatletter
+\DeclareTextFontCommand\textsmaller{%
+ \fontsize{\scaledsize{\f@size}}{\f@baselineskip}\selectfont
+}
+\newcommand\scaledsize[1]{%
+ \ifdim #1\p@>6\p@
+ \ifdim #1\p@>7\p@
+ \ifdim #1\p@>8\p@
+ \ifdim #1\p@>9\p@
+ \ifdim #1\p@>10\p@
+ \ifdim #1\p@>11\p@
+ \ifdim #1\p@>12\p@
+ \ifdim #1\p@>14\p@ 14%
+ \else 12\fi
+ \else 11\fi
+ \else 10\fi
+ \else 9\fi
+ \else 8\fi
+ \else 7\fi
+ \else 6\fi
+ \else 5\fi
+}
+\makeatother
+\DeclareRobustCommand\ETX{\textsmaller{ETX}}
+\DeclareRobustCommand\PDF{\textsmaller{PDF}}
+
+% From tugboat.cls
+\def\thinskip{\hskip 0.16667em\relax}
+\def\endash{--}
+\def\emdash{\endash-}
+\makeatletter
+\def\d@sh#1#2{\unskip#1\thinskip#2\thinskip\ignorespaces}
+\def\dash{\d@sh\nobreak\endash}
+\def\Dash{\d@sh\nobreak\emdash}
+\def\ldash{\d@sh\empty{\hbox{\endash}\nobreak}}
+\def\rdash{\d@sh\nobreak\endash}
+\def\Ldash{\d@sh\empty{\hbox{\emdash}\nobreak}}
+\def\Rdash{\d@sh\nobreak\emdash}
+\makeatother
+
+\usepackage{shortvrb}
+\MakeShortVerb{\|}
+\DeclareRobustCommand\cs[1]{\texttt{\char`\\#1}}
+
+\newcommand{\TeXOmega}{Omega}
+\DeclareRobustCommand\eTeX{\ensuremath{\varepsilon}-\kern-.125em\TeX}
+\DeclareRobustCommand\package[1]{\textsf{#1}}
+
+\providecommand*{\href}[2]{#2}
+\newcommand*{\ctanref}[2]{\href{ftp://ftp.ctan.org/#1}{#2}}
+
+\title{Writing \ETX\ format font encoding specifications}
+\author{Lars Hellstr\"om}
+\date{2003/07/09}
+
+\begin{document}
+\maketitle
+
+\begin{abstract}
+ This paper explains how one writes formal specifications of font
+ encodings for \LaTeX\ and suggests a ratification procedure for such
+ specifications.
+\end{abstract}
+
+
+\tableofcontents
+
+\vspace{0mm plus 35mm}
+\pagebreak[2]
+
+
+\section{Introduction}
+
+This is a kind of FAQ on some initial questions, and my personal
+answers to those.
+
+\paragraph*{Why should one specify font encodings?}
+Because without a specification, font
+designers\footnote{Maybe not a good term, since it is really about
+making fonts available to \TeX. Some of these people actually
+design glyphs, but most of them merely working with the metrics.}
+cannot tell whether their fonts will work in general, they can
+only test that they work in the cases they know about. Font design
+is subject to a surprising amount of obscure technicalities and it
+is very hard to consider (or even find documentation that
+mentions) them all.
+
+\paragraph*{Why should one make formal specifications?}
+Because the informal specifications that we have today
+are incomplete and hard to use. E.g.\ the \LaTeX\
+\meta{enc}\texttt{enc.def} files only say something about the
+characters that are accessed via commands, and even for those you
+really have to do reverse engineering to figure out what the
+encoding contains. To figure out what the remaining characters
+should do you have to compile what the various user manuals claim
+to work and then work backwards from that, but I don't think the
+general problem of which character tokens are allowed in input is
+thoroughly treated anywhere. On top of that, \LaTeX\ itself
+contributes some character tokens when the document is being
+typeset.\footnote{This is basically the ``a \texttt{T}$*$ encoding
+must contain the characters \ldots'' problem that was the reason
+that the \texttt{T2} encoding had to be split up.}
+
+On the other side of things there are the files which tell e.g.
+\textsf{fontinst} or \textsf{AFMtoTFM} what the target font
+encoding is. These are basically recipes which are known (?\@) to
+produce valid results, and they do usually provide more
+information about the encoding than the sources listed above, but
+they don't give much information about where the recipe can be
+modified.
+
+\paragraph*{Why use the \ETX\ format?}
+To begin with it is an established format; many of those
+who are making fonts already use it, even if for a slightly
+different purpose. Another major reason is that an \ETX\ file is both
+a \LaTeX\ document and a processable data file; this is the same kind
+of bilinguality that has made the \texttt{.dtx} format so useful.
+Finally the \ETX\ format makes it easy to create experimental font
+installations when a new encoding is being designed; \textsf{fontinst}
+can directly read the file, but the file can also be automatically
+converted to a PostScript encoding vector if that approach seems more
+convenient.
+
+On the other hand, there are some features (such as the prominent
+role of the glyph names) of the \ETX\ format that would
+probably had been done differently in a file format that was built
+from scratch, but then you would also lose several of the advantages
+listed above.
+
+
+\section{Points to keep in mind}
+
+\subsection{Characters, glyphs, and slots}
+
+One fundamental difference one must understand is that between
+characters and glyphs. A \emph{character} is a semantic entity---it
+carries some meaning, even if you usually have to combine several
+characters to make up even one word---whereas a \emph{glyph} simply
+is a piece of graphics. In printed text, glyphs are used to represent
+characters and the first step of reading is to determine which
+character(s) a given glyph is representing.\footnote{Some \PDF\ viewers
+also try to accomplish this, but in general they need extra
+information to do it right. The generic solution provided is to embed
+a \emph{ToUnicode CMap}\Ldash which is precisely a map from slots to
+characters\Rdash in the \PDF\ font object.}
+
+In the output, \TeX\ neither deals with characters nor glyphs, really
+(although many of its messages speak of characters), but with
+\emph{slots}, which essentially are numbered positions in a font. To
+\TeX, a slot is simply something which can have certain metric
+properties (width, height, depth, etc.\@) but to the driver which
+actually does the printing the slot also specifies a glyph. The same
+slot in two different fonts can correspond to two quite different
+characters.
+
+For completeness it should also be mentioned that the \emph{input} of
+\TeX\ is a stream of semantic entities and thus \TeX\ is dealing with
+characters on that side, but the input is not the subject of this
+paper.
+
+
+\subsection{Ligatures}
+
+In typography, a \emph{ligature} is a glyph which has been formed by
+joining glyphs that represent two or more characters; this joining can
+involve quite a lot of deformation of the original shapes. Examples
+of ligatures are the `fi' ligature (from `f' and `i'), the `\AE'
+ligature (from `A' and `E'), and the `\textit{\&}' character (from `E'
+and `t'), the latter two of which has evolved to become characters of
+their own. For those ligatures (such as `fi') that have not evolved to
+characters, \TeX\ has a mechanism for forming the ligature out of the
+characters it is composed from, under the guidance of ligature\slash
+kerning programs found in the font.
+
+More technically, what happens is really that if the |\char| (or
+equivalent) for one slot is immediately followed by the |\char| (or
+equivalent) for another (or the same) slot and there is a ligaturing
+instruction in the \texttt{\small LIGKERN} table of the current font
+which applies to this slot pair then this ligaturing instruction is
+executed. This usually replaces the two slots in the pair with a
+single new slot specified by the ligaturing instruction (it could
+also keep one or both of the original slots, but that is less common).
+\TeX\ has no idea about whether these replacements change the meaning
+of anything, but \TeX\ assumes that it doesn't, and it is up to the
+font designer to ensure that this is the case.
+
+Apart from forming ligatures in text, the ligaturing mechanism of
+\TeX\ is traditionally also employed for another task which is much
+more problematic. Ligatures are also used to produce certain
+characters which are not part of visible ASCII---the most common are
+the endash (typed as |--|) and the emdash (typed as |---|). This is a
+problem because it violates \TeX's assumption that the meaning is
+unchanged; the classical problem with this appears in the \texttt{OT2}
+encoding, where the Unicode character \texttt{U+0446}
+(\textsc{cyrillic small letter tse}) could be typed as |ts|, whilst
+the |t| and |s| by themselves produced Unicode characters
+\texttt{U+0442} (\textsc{cyrillic small letter te}) and \texttt{U+0441}
+(\textsc{cyrillic small letter es}) respectively. \TeX's hyphenation
+mechanism can however decompose ligatures, so it sometimes happened
+that the \textsc{tse} was hyphenated as \textsc{te}-\textsc{es},
+which is quite different from what was intended. Since this is such
+an obvious disadvantage, the use of ligatures for forming non-English
+letters quickly disappeared after 8-bit input encodings became
+available. The practice still remains in use for punctuation, however,
+and the font designer must be aware of this. For many font encodings
+there is a set of ligatures which must be present and replace two or
+more characters by a single, different character. These ligatures are
+called \emph{mandatory ligatures} in this paper.
+
+The use of mandatory ligatures in new font encodings is strongly
+discouraged, for a number of reasons. The main problem is that they
+create unhealthy dependencies between input and output encoding,
+whereas these should ideally be totally independent. Using ligatures
+in this way complicates the internal representation of text, and it
+also makes it much harder to typeset text where those ligatures are not
+wanted (such as verbatim text). Furthermore it creates problems with
+kerning, since the ``ligature'' has not yet been formed when a kern
+to the left of it is inserted. Finally, a much better solution (when
+it is available) is to use an \TeXOmega\ translation process
+(see~\cite[Sec.~8--11]{Omega-doc}), since that \emph{is} independent
+of the font, different translations can be combined, and they can
+easily handle even ``abbreviations'' much more complicated than those
+ligatures can deal with.
+
+
+\subsection{Output stages}
+
+On its way out of \LaTeX\ towards the printed text, a character passes
+through a number of stages. The following five seem to cover what is
+relevant for the present discussion:
+\begin{enumerate}
+ \item \emph{\LaTeX\ Internal Character Representation} (LICR);
+ see~\cite{LaTeXCompanion}, Section~7.11 for a full description.
+ At this point the character is a character token (e.g.~|a|),
+ a text command (e.g.~|\ss|), or a combination (e.g.~|\H{o}|).
+ \item \emph{Horizontal material;} this is what the character is
+ en route from \TeX's mouth to its stomach. For most characters
+ this is equivalent to a single |\char| command (e.g.\ |a| is
+ equivalent to |\char|\,|97|), but some require more than one, some
+ are combined using the |\accent| and |\char| commands, some
+ involve rules and\slash or kerns, and some are built using boxes
+ that arbitrarily combine the above elements.
+ \item \emph{DVI commands;} this is the DVI file commands that
+ produce the printed representation of the character.
+ \item \emph{Printed text;} this is the graphical representation of
+ the character, e.g. as ink on paper or as a pattern on a computer
+ screen. Here the text consists of glyphs.
+ \item \emph{Interpreted text;} this is essentially printed text
+ modulo equivalence of interpretation, hence the text doesn't really
+ reach this stage until someone reads it. Here the text consists of
+ characters.
+\end{enumerate}
+
+In theory there is a universal mapping from LICR to interpreted text,
+but various technical restrictions make it impossible to simultaneously
+support the entire mapping. A \LaTeX\ encoding selects a restriction
+of this mapping to a limited set which will be ``well supported''
+(meaning kerning and such between characters in the set works), whereas
+elements outside this set at best can be supported through temporary
+encoding changes. The encoding also specifies a decomposition of the
+mapping into one part which maps LICR to horizontal material and one
+part which maps horizontal material to interpreted text. The first
+part is realized by the text command definitions usually found in the
+\meta{enc}\texttt{enc.def} file for the encoding. The second part is
+the font encoding, the specification of which is the topic of this
+paper. It is also worth noticing that an actual font is a mapping of
+horizontal material to printed text.
+
+An alternative decomposition of the mapping from LICR to interpreted
+text would be at the DVI command level, but even though this
+decomposition is realized in most \TeX\ implementations, it has very
+little relevance for the discussion of encodings. The main reason for
+this is that it depends not only on the encoding of a font, but
+also on its metrics. Furthermore it is worth noticing that in e.g.\
+pdf\TeX\ there need not be a DVI command level.
+
+
+\subsection{Hyphenation}
+
+There are strong connections between font encoding and hyphenation because
+\TeX's hyphenation mechanism operates on horizontal material; more
+precisely the hyphenation mechanism only works on pieces of horizontal
+material that are equivalent to sequences of |\char| commands. This
+implies that hyphenation patterns, as selected via the |\language|
+parameter, are not only for a specific language, they are also for a
+specific font encoding.
+
+The hyphenation mechanism uses the |\lccode| values to distinguish
+between three types of slots: lower case letters (|\lccode|\(\,n =
+n\)), upper case letters (|\lccode|\(\,n \notin \{0,n\}\)), and
+non-letters (|\lccode|\(\,n = 0\)); only the first two types can be
+part of a hyphenatable word and only lower case letters are needed
+in the hyphenation patters. This does however place severe
+restrictions on how letters can be placed in a text font because
+\TeX\ uses the same |\lccode| values for all text in a paragraph and
+therefore these values cannot be changed whenever the encoding changes.
+In \LaTeX\ the |\lccode| table is not allowed to change at all and
+consequently all text font encodings must work using the standard set
+of |\lccode| values.
+
+In \eTeX\ each set of hyphenation patterns has its own set of
+|\lccode| values for hyphenation, so the problem isn't as severe
+there. The hyphenation mechanism of \TeXOmega\ should become
+completely independent of the font encoding, although the last time I
+checked it was still operating on material encoded according to
+a font encoding.
+
+
+\subsection{Production and specification \ETX\ files}
+
+Finally, it is worth pointing out the difference between an \ETX\ file
+created for the specification of a font encoding and one created for
+being used in actually producing fonts with this encoding. They are
+usually not the same. Specification \ETX s certainly may be of direct
+use in the production of fonts---especially experimental fonts
+produced as part of the work on a new encoding---but they are usually
+not ideal for the purpose. In particular there is often a need to
+switch between alternative names for a glyph to accommodate what is
+actually in the fonts, but such trickeries are undesirable
+complications in a specification. On the other hand a production
+\ETX\ file has little need for verbose comments, whereas they are rather
+an advantage in a specification \ETX\ file.
+
+Therefore one shouldn't be surprised if there are two \ETX\ files for a
+specific encoding: one which is a specification version and one which
+is a production version. If both might need to be in the same
+directory then one should, as a rule of thumb, include a
+`\texttt{spec}' in the name of the specification version.
+
+
+\section{Font encoding specifications}
+
+\subsection{Basic principles}
+
+Most features of the font encoding are categorized as either
+\emph{mandatory} or \emph{ordinary}. The mandatory features are what
+macros may rely on, whereas the ordinary simply are something which
+fonts with this encoding normally provide. Font designers may choose
+to provide other features than the ordinary, but are recommended to
+provide the ordinary features to the extent that the available
+resources permit.
+
+Many internal references in the specification are in the form of
+\emph{glyph names} and the choice of these is a slightly tricky
+matter. From the point of formal specification, the choices can be
+completely arbitrary, but from the point of practical usefulness they
+most likely are not. One of the main advantages of the \ETX\ format
+for specifications is that such specifications can also be used to
+make experimental implementations, but this requires that the glyph
+names in the specification are the same as those used in the fonts
+from which the experimental implementation should be built. Yet
+another aspect is that the glyph names are best chosen to be the ones
+one can expect to find in actual fonts, as that will make things
+easier for other people that want to make non-experimental
+implementations later. For this last purpose, a good reference is
+Adobe's technical note on Unicode and glyph names~\cite{unicodesign}.
+For most common glyphs, \cite{unicodesign} ends up recommending that
+one should follow the Adobe glyph list~\cite{AGL}, which however has
+the peculiar trait of recommending names on the form
+\texttt{afii}\textit{ddddd} (rather than the Unicode-based alternative
+\texttt{uni}\textit{xxxx}) for most non-latin glyphs. This is somewhat
+put in perspective by~\cite{ATN5013}.
+
+
+\subsection{Slot assignments}
+
+The purpose of the slot assignments is to specify for each slot which
+character or characters it is mapped to. That one slot is mapped to
+many characters is an unfortunate, but not very uncommon, reality in
+many encodings, as limitations in font size have often encouraged
+identifications of two characters which are almost the same. It should
+be avoided in new encodings.
+
+Slot assignmets are done using the |\nextslot| command and a
+|\setslot| \dots\ |\endsetslot| construction as follows:
+\begin{quote}
+ |\nextslot|\marg{slot number}\\*
+ |\setslot|\marg{glyph name}\\*
+ \mbox{\quad}\meta{slot commands}\\*
+ |\endsetslot|
+\end{quote}
+A typical example of this is
+\begin{quote}\begin{verbatim}
+\nextslot{65}
+\setslot{A}
+ \Unicode{0041}{LATIN CAPITAL LETTER A}
+\endsetslot
+\end{verbatim}\end{quote}
+which gets typeset as
+\begin{quote}
+ \textbf{Slot 65 `\texttt{A}'}\\*
+ Unicode character \texttt{U+0041}, \textsc{latin capital letter a}.
+\end{quote}
+
+The |\nextslot| command does not typeset anything; it simply stores
+the slot number in a counter, for later use by |\setslot|. The
+|\endsetslot| command increments this counter by one. Hence the
+|\nextslot| command is unnecessary between |\setslot|s for consecutive
+slots. Besides |\nextslot|, there is also a command |\skipslots| which
+increments the slot number counter by a specified amount. The
+argument of both |\nextslot| and |\skipslots| can be arbitrary
+\package{fontinst} integer expressions (see~\cite{fontinst-man}). All
+\TeX\ \meta{number}s that survive full expansion are valid
+\package{fontinst} integer expressions, but for example |`\~| isn't,
+as |\~| is a macro which will break before the expression is typeset.
+These cases can however be fixed by preceding the \TeX\ \meta{number}
+by |\number|, as |\number`\~| survives full expansion by expanding to
+|126|.
+
+The main duty of the \meta{slot commands} is to specify the target
+character (or characters) for this slot. The simplest way of doing
+this is to use the |\Unicode| command, which has the syntax
+\begin{quote}
+ |\Unicode|\marg{code point}\marg{name}
+\end{quote}
+The \meta{code point} is the number of the character (in hexadecimal
+notation, usually a four-digit number) and the \meta{name} is the name.
+Case is insignificant in these arguments. If a slot corresponds to a
+string of characters rather than to a single character, then one uses
+the |\charseq| command, which has the syntax
+\begin{quote}
+ |\charseq|\marg{\cs{Unicode} commands}
+\end{quote}
+e.g.
+\begin{quote}\begin{verbatim}
+\nextslot{30}
+\setslot{ffi}
+ \charseq{
+ \Unicode{0066}{LATIN SMALL LETTER F}
+ \Unicode{0066}{LATIN SMALL LETTER F}
+ \Unicode{0069}{LATIN SMALL LETTER I}
+ }
+\endsetslot
+\end{verbatim}\end{quote}
+Several |\Unicode| commands not in the argument of a |\charseq|
+instead mean that each of the listed characters is a valid
+interpretation of the slot.
+
+If a character cannot be specified in terms of Unicode code points then
+the specification should simply be a description in text which
+identifies the character. Such descriptions are written using the
+|\comment| command
+\begin{quote}
+ |\comment|\marg{text}
+\end{quote}
+It is worth noticing that the \meta{text} is technically only an
+argument of |\comment| when the program processing the \ETX\ file is
+ignoring |\comment| commands. This means |\verb| and similar
+catcode-changing commands \emph{can} be used in the \meta{text}. The
+|\par| command is on the other hand not allowed in the \meta{text}.
+
+The |\comment| command should also be used for any further piece of
+explanation of or commentary to the character used for the slot, if the
+exposition seems to need it. There can be any number of |\comment|
+commands in the \meta{slot commands}.
+
+
+\subsection{Ligatures}
+
+There are three classes of ligatures in the font encoding
+specifications: mandatory, ordinary, and odd. Mandatory ligatures must
+be present in any font which complies with the encoding, whereas
+ordinary and odd ligatures need not be. No clear distinction can be
+made between ordinary and odd ligatures, but a non-mandatory ligature
+should be categorized as ordinary if it makes sense for the majority
+of users, and as odd otherwise. Hence the `fi' ligature is
+categorized as ordinary in the \texttt{T1} encoding (although it
+makes no sense in Turkish), whereas the `ij' ligature is odd.
+
+In the \ETX\ format, a ligature is specified using one of the slot
+commands
+\begin{quote}
+ |\Ligature|\marg{ligtype}\marg{right}\marg{new}\\
+ |\ligature|\marg{ligtype}\marg{right}\marg{new}\\
+ |\oddligature|\marg{note}\marg{ligtype}\marg{right}\marg{new}
+\end{quote}
+|\Ligature| is used for mandatory ligatures, |\ligature| is used for
+ordinary ligatures, and |\oddligature| is used for odd ligatures. The
+\meta{right} and \meta{new} arguments are names of the glyphs being
+assigned to the slots involved in this ligature. The \meta{right}
+specifies the right part in the slot pair being affected by the
+ligature, whereas the left part is the one of the |\setslot| \dots\
+|\endsetslot| construction in which the ligaturing command is placed.
+The \meta{new} specifies a new slot which will be inserted by the
+ligaturing instruction. The \meta{ligtype} is the actual ligaturing
+instruction that will be used; it must be |LIG|, |/LIG|, |/LIG>|,
+|LIG/|, |LIG/>|, |/LIG/|, |/LIG/>|, or |/LIG/>>|. The slashes specify
+retention of the left or right original character; the |>| signs
+specify passing over that many slots in the result without further
+ligature processing. \meta{note}, finally, is a piece of text which
+explains when the odd ligature may be appropriate. It is typeset as a
+footnote.
+
+As an example of ligatures we find the following in the specification
+of the \texttt{T1} encoding:
+\begin{quote}
+ |\nextslot{33}|\\
+ |\setslot{exclam}|\\
+ | \Unicode{0021}{EXCLAMATION MARK}|\\
+ | \Ligature{LIG}{quoteleft}{exclamdown}|\\
+ |\endsetslot|
+\end{quote}
+It is typeset as
+\begin{quote}
+ \textbf{Slot 33 `\texttt{exclam}'}\\*
+ Unicode character \texttt{U+0021}, \textsc{exclamation mark}.\\*
+ \textbf{Mandatory ligature}
+ \texttt{exclam}${}*{}$\texttt{quoteleft}${}\rightarrow
+ {}$\texttt{exclamdown}
+\end{quote}
+With other \meta{ligtype}s there may be more names listed on the
+right hand side and possibly a `$\lfloor$' symbol showing the
+position at which ligature processing will start afterwards.
+
+
+\subsection{Math font specialities}
+
+There are numerous technicalities which are special to math fonts, but
+only a few of them are exhibited in \ETX\ files.\footnote{For an
+overview of the subject, see for example Vieth~\cite{Vieth2001}.} Most
+of these have to do with the \TeX\ mechanisms that find sufficiently
+large characters for commands like |\left|, |\sqrt|, and |\widetilde|.
+
+The first mechanism for this is that a character in a font can sort of
+say ``If I'm too small, then then try character \dots\ instead''. This
+is expressed in an \ETX\ file using the |\nextlarger| command, which
+has the syntax
+\begin{quote}
+ |\nextlarger|\marg{glyph name}
+\end{quote}
+The second mechanism constructs a sufficiently large character from
+smaller pieces; this is known as a `varchar' or `extensible character'.
+This is expressed in an \ETX\ file using an ``extensible recipe'', the
+syntax for which is
+\begin{quote}
+ |\varchar| \meta{varchar commands} |\endvarchar|
+\end{quote}
+where each \meta{varchar command} is one of
+\begin{quote}
+ |\varrep|\marg{glyph name}\\
+ |\vartop|\marg{glyph name}\\
+ |\varmid|\marg{glyph name}\\
+ |\varbot|\marg{glyph name}
+\end{quote}
+There can be at most one of each and their order is irrelevant. The
+most important is the |\varrep| command, as that is the part which is
+repeated until the character is sufficiently large. The |\vartop|,
+|\varmid|, and |\varbot| commands are used to specify some other part
+which should be put at the top, middle, and bottom of the extensible
+character respectively. Not all extensible recipes use all of these,
+however.
+
+As an example, here is how a very large left brace is constructed:
+\begin{center}
+ \begin{tabular}{>{%
+ \fontencoding{OMX}\fontfamily{cmex}\selectfont
+ $\vcenter\bgroup\hbox\bgroup
+ }l<{\egroup\egroup$} l}
+ \char"38& For |\vartop{bracelefttp}|\\
+ \char"3E& For |\varrep{braceex}|\\
+ \char"3C& For |\varmid{braceleftmid}|\\
+ \char"3E& Again for |\varrep{braceex}|\\
+ \char"3A& For |\varbot{braceleftbt}|
+ \end{tabular}
+\end{center}
+
+Both |\nextlarger| and |\varchar| commands are like |\ligature| in
+that they describe ordinary features for the encoding; they appear in
+a specification \ETX\ file mainly to explain the purpose of some
+ordinary character. There is no such thing as a mandatory |\nextlarger|
+or |\varchar|, but varchars are occationally used to a similar effect.
+In these cases, the character generated by the extensible recipe is
+something quite different from what a |\char| for that slot would
+produce. Thus for the slot to produce the expected result it must be
+referenced using a |\delimiter| or |\radical| primitive, since those
+are the only ones which make use of the extensible recipe. The effect
+is that the slot has a \emph{semimandatory} assignment; the result of
+|\char| is unspecified (as for a slot with an ordinary assignment), but
+the result for a large delimiter or radical is not (as for a slot with
+a mandatory assignment).
+
+Thus some math fonts have an extra section ``Semimandatory characters''
+between the mandatory and ordinary character sections. In that section
+for the \texttt{OMX} encoding we find for example
+\begin{quote}\begin{verbatim}
+\nextslot{60}
+\setslot{braceleftmid}
+ \Unicode{2016}{DOUBLE VERTICAL LINE}
+ \comment{This is the large size of the |\Arrowvert|
+ delimiter, a glyphic variation on |\Vert|.
+ The \texttt{braceleftmid} glyph ordinarily
+ placed in this slot must not be too tall,
+ or else the extensible recipe actually producing
+ the character might sometimes not be used.}
+ \varchar
+ \varrep{arrowvertex}
+ \endvarchar
+\endsetslot
+\end{verbatim}\end{quote}
+which is typeset as
+\begin{quote}
+ \textbf{Slot 60 `\texttt{braceleftmid}'}\\*
+ Unicode character \texttt{U+2016}, \textsc{double vertical line}.\\
+ This is the large size of the |\Arrowvert|
+ delimiter, a glyphic variation on |\Vert|.
+ The \texttt{braceleftmid} glyph ordinarily
+ placed in this slot must not be too tall,
+ or else the extensible recipe actually producing
+ the character might sometimes not be used.\\
+ \textbf{Extensible glyph:}\\*
+ \textbf{Repeated} \texttt{arrowvertex}
+\end{quote}
+
+
+
+
+\subsection{Fontdimens}
+
+Each \TeX\ font contains a list of fontdimens, numbered from $1$ and
+up, which are accessible via the |\fontdimen| \TeX\ primitive. Quite a
+few are also used implicitly by \TeX\ and therefore cannot be left out
+even if they are totally irrelevant, but as one can always include
+some extra fontdimens in a font---the only bounds on how many
+fontdimens there may be are the general bound on the size of a TFM
+file and the amount of font memory \TeX\ has available---this is
+usually not a problem.
+
+The reason fontdimens are part of font encoding specifications is
+that the meaning of e.g.\ |\fontdimen|\,|8| varies between different
+fonts depending on their encoding; thus the encoding specification
+must define the quantity stored in each |\fontdimen| parameter. This
+is done using the |\setfontdimen| command, which has the syntax
+\begin{quote}
+ |\setfontdimen|\marg{number}\marg{name}
+\end{quote}
+The \meta{number} is the fontdimen number (as a sequence of decimal
+digits where the first digit isn't zero) and the \meta{name} is a
+symbolic name for the quantity.
+
+The standard list of symbolic names for fontdimen quantities appears
+below; the listed quantities should always be described using the names
+in this list. Encoding specifications that employ other quantities as
+fontdimens should include definitions of these quantities. Those
+quantities that are defined as ``Formula parameter \dots'' have to
+do with how mathematical formulae are rendered and are usually much
+too complicated to explain here. For exact definitions of these
+parameters, the reader is referred to Appendix~G of \textit{The
+\TeX book}~\cite{TeXbook}.
+\begin{list}{}{%
+ \setlength\labelwidth{0pt}%
+ \setlength\itemindent{-\leftmargin}%
+ \def\makelabel#1{\hspace{\labelsep}\normalfont\itshape #1}%
+ \setlength\itemsep{0.5\itemsep}%
+ \setlength\parsep{0.5\parsep}%
+}
+\item[acccapheight]
+ The height of accented full capitals.
+\item[ascender]
+ The height of lower case letters with ascenders.
+\item[axisheight] Formula parameter $\sigma_{22}$.
+\item[baselineskip]
+ The font designer's recommendation for natural length of the
+ \TeX\ parameter |\baselineskip|.
+\item[bigopspacing1] Formula parameter $\xi_{9}$.
+\item[bigopspacing2] Formula parameter $\xi_{10}$.
+\item[bigopspacing3] Formula parameter $\xi_{11}$.
+\item[bigopspacing4] Formula parameter $\xi_{12}$.
+\item[bigopspacing5] Formula parameter $\xi_{13}$.
+\item[capheight]
+ The height of full capitals.
+\item[defaultrulethickness] Formula parameter $\xi_{8}$.
+\item[delim1] Formula parameter $\sigma_{20}$.
+\item[delim2] Formula parameter $\sigma_{21}$.
+\item[denom1] Formula parameter $\sigma_{11}$.
+\item[denom2] Formula parameter $\sigma_{12}$.
+\item[descender]
+ The depth of lower case letters with descenders.
+\item[digitwidth]
+ The median width of the digits in the font.
+\item[extraspace]
+ The natural width of extra interword glue at the end of a sentence.
+ \TeX\ implicitly uses this parameter if |\spacefactor| is $2000$ or
+ more and |\xspaceskip| is zero.
+\item[interword]
+ The natural width of interword glue (spaces). \TeX\ implicitly uses
+ this parameter unless |\spaceskip| is nonzero.
+\item[italicslant]
+ The slant per point of the font. Unlike all other fontdimens, it is
+ not proportional to the font size.
+\item[maxdepth]
+ The maximal depth over all slots in the font.
+\item[maxheight]
+ The maximal height over all slots in the font.
+\item[num1] Formula parameter $\sigma_{8}$.
+\item[num2] Formula parameter $\sigma_{9}$.
+\item[num3] Formula parameter $\sigma_{10}$.
+\item[quad]
+ The quad width of the font, normally approximately equal to the
+ font size and\slash or the width of an `M'. Also implicitly available
+ as the length unit |em| and used for determining the size of the
+ length unit |mu|.
+\item[shrinkword]
+ The (finite) shrink component of interword glue (spaces). \TeX\
+ implicitly uses this parameter unless |\spaceskip| is nonzero.
+\item[stretchword]
+ The (finite) stretch component of interword glue (spaces). \TeX\
+ implicitly uses this parameter unless |\spaceskip| is nonzero.
+\item[sub1] Formula parameter $\sigma_{16}$.
+\item[sub2] Formula parameter $\sigma_{17}$.
+\item[subdrop] Formula parameter $\sigma_{19}$.
+\item[sup1] Formula parameter $\sigma_{13}$.
+\item[sup2] Formula parameter $\sigma_{14}$.
+\item[sup3] Formula parameter $\sigma_{15}$.
+\item[supdrop] Formula parameter $\sigma_{18}$.
+\item[verticalstem]
+ The dominant width of vertical stems. This quantity is meant to be used
+ as a measure of how ``dark'' the font is.
+\item[xheight]
+ The x-height (height of lower case letters without ascenders). Also
+ implicitly available as the length unit |ex|.
+\end{list}
+
+
+\subsection{The codingscheme}
+
+The final encoding-dependent piece of information in a \TeX\ font is
+the codingscheme, which is essentially a string declaring what
+encoding the font has. This information is currently only used by
+programs that convert the information in a \TeX\ font to some other
+format and these use it to identify the glyphs in the font. Therefore
+this string should be chosen so that the contents of the slots in the
+font can be positively identified. Observe that the encoding
+specification by itself does not provide enough information for this,
+since there are usually a couple of slots that do not contain
+mandatory characters. On the other hand, it is not a problem in this
+context if the font leaves some of the slots (even mandatory ones)
+empty as that is anyway easily detected. The only problem is with
+fonts where the slots are assigned to other characters than the ones
+specified in the encoding.
+
+For that reason, it is appropriate to assign two codingscheme strings
+to each encoding. The main codingscheme is for fonts were all slots
+(mandatory and ordinary alike) have been assigned according to the
+specification or have been left empty. The variant codingscheme is for
+fonts where some ordinary slots have been assigned other characters
+than the ones listed in the specification, but where the mandatory
+slots are still assigned according to the specification or are left
+empty. The font encoding specification should give the main
+codingscheme name, whereas the variant codingscheme name could be
+formed by adding \verb*| VARIANT| to the main codingscheme name.
+
+Technically the codingscheme is specified by setting the
+\texttt{codingscheme} string variable. This has the syntax
+\begin{quote}
+ |\setstr{codingscheme}|\marg{codingscheme name}
+\end{quote}
+e.g.
+\begin{quote}
+ |\setstr{codingscheme}{EXTENDED TEX FONT ENCODING - LATIN}|
+\end{quote}
+which is typeset as
+\begin{quote}
+ \textbf{Default} s(\texttt{codingscheme}) =
+ \verb*|EXTENDED TEX FONT ENCODING - LATIN|
+\end{quote}
+A codingscheme name may be at most 40 characters long and may not
+contain parentheses. If the entire \verb*| VARIANT| cannot be suffixed
+to a main name because the result becomes to long (as in the above
+example) then use the first 40 characters of the result.
+
+
+\subsection{Overall document structure}
+\label{Ssec:Structure}
+
+The overall structure of a font encoding specification should be
+roughly the following
+\begin{quote}
+ |\relax|\\
+ |\documentclass[twocolumn]{article}|\\
+ |\usepackage[specification]{fontdoc}|\\
+ \meta{preamble}\\
+ |\begin{document}|\\
+ \meta{title}\\
+ \meta{manifest}\\
+ |\encoding|\\
+ \meta{body}\\
+ |\endencoding|\\
+ \meta{discussion}\\
+ \meta{change history}\\
+ \meta{bibliography}\\
+ |\end{document}|
+\end{quote}
+The commands described in the preceding subsections must all go in
+the \meta{body} part of the document, as that is the only part of the
+file which actually gets processed as a data file. The part before
+|\encoding| is skipped and the part after |\endencoding| is never
+even input, so whatever appears there is only part of the \LaTeX\
+document. For the purposes of processing as a data file, the
+important markers in the file are the |\relax|, the |\endcoding|, and
+the |\endencoding| commands.
+
+The \meta{title} is the usual |\maketitle| (and the like) stuff. The
+person or persons who appear as author(s) are elsewhere in this paper
+described as the \emph{encoding proposers}. The \meta{title} should
+also give the date when the specification was last changed.
+
+The \meta{manifest} is an important, although usually pretty short,
+part of the specification. It is a piece of text which explains the
+purpose of the encoding (in particular what it can be used for) and
+the basic ideas (if any) which have been used in its construction. It
+is often best marked up as an abstract.
+
+The \meta{discussion} is the place for any longer comments on the
+encoding, such as analyses of different implementations, comparisons
+with other encodings, etc. This is also the place to explain any more
+general structures in the encoding, such as the arrow kit in the
+proposed \texttt{MS2} encoding~\cite{ClasenVieth}. In cases where the
+specification is mainly a formulation of what is already an
+established standard the \meta{discussion} is often rather short as
+the relevant discussion has already been published elsewhere, but
+it is anyway a service to the reader to include this information.
+References to the original documents should always be given.
+
+It might be convenient to include an FAQ section at the end of the
+discussion. This is particularly suited for explaining things where
+one has to look for a while and consult the references to find the
+relevant information.
+
+The \meta{change history} documents how the specification has changed
+over time. It is preferably detailed, as each detail in an encoding
+is important, but one should not be surprised if it is anyway rather
+short due to that there haven't been that many changes.
+
+The \meta{bibliography} is an important part of the specification. It
+should at the very least include all the sources which have been used
+in compiling the encoding specification, regardless of whether they
+are printed, available on the net, merely ``personal communication'',
+or something else. It is also a service to the reader to include in
+the bibliography some more general references for related matters.
+
+The \meta{preamble} is just a normal \LaTeX\ preamble and there are no
+restrictions on defining new commands in it, although use of such
+commands in the \meta{body} part is subject to the same restrictions
+as use of any general \LaTeX\ command. The preamble should however
+\emph{not} load any packages not part of the required suite of
+\LaTeX\ packages, as that may prevent users who do not have these
+packages from typesetting the specification. Likewise, the
+specification should \emph{not} require that some special font is
+available. Glyph examples for characters are usually better
+referenced via Unicode character charts than via special fonts.
+
+An exception to this rule about packages is that the specification
+must load the \package{fontdoc} package, as shown in the outline
+above, since that defines the |\setslot| etc.\ commands that should
+appear in the \meta{body}. This should not be a problem, as the
+\package{fontdoc} package can preferably be kept in the same directory
+as the collection of encoding specifications (see below). The
+\texttt{specification} option should be passed to the package to let it know
+that the file being processed is an encoding specification---otherwise
+|\Ligature| and |\ligature| will get the same formatting, for one. It
+is not necessary to use the \package{article} document class, and
+neither must it be passed the \texttt{twocolumn} option, but it is
+customary to do so. In principle any other document class within
+required \LaTeX\ will do just as well.
+
+If you absolutely think that using some non-required package
+significantly improves the specification, then try writing the code so
+that is loads the package only if it is available and provide some
+kind of fallback definition for sites where it is not. E.g.\ the
+\package{url} package could be loaded as
+\begin{verbatim}
+\IfFileExists{url.sty}{\usepackage{url}}{}
+\providecommand\url{\verb}
+\end{verbatim}
+The |\url| command defined by this is not equivalent to the command
+defined by the \package{url} package, but it can serve fairly well
+(with a couple of extra overfull lines as only ill effect) if its
+use is somewhat restricted.
+
+Finally, a technical restriction on the \meta{preamble}, \meta{title},
+and \meta{manifest} is that they must not contain any mismatched
+|\if|s (of any type) or |\fi|s, as \TeX\ conditionals will be used for
+skipping those parts of the file when it is processed as a data file.
+If the definition of some macro includes mismatched |\if|s or |\fi|s
+(this will probably occur only rarely) then include some extra code
+so that they do match.
+
+
+% All technical parts of the encoding specification (slot assignments,
+% fontdimens, etc.\@) have to be in the \meta{encoding commands} part.
+% The other parts are suitably used for longer commentry, such as the
+% mainfest (see below), revision history, and bibliography.
+%
+% When the file is being typeset as a \LaTeX\ document there is nothing
+% special going on. The |\encoding| and |\endencoding| commands may set
+% some internal variables, but otherwise they do very little. When the
+% file is being read by \package{fontinst}, things are quite different.
+% Everything between the initial |\relax| and |\encoding| is skipped,
+% and the file is not read further than to the |\endencoding|. Hence
+% the \meta{preamble}, \meta{\LaTeX\ text 1}, and \meta{\LaTeX\ text 2}
+% can contain pretty much anything (with a few exceptions) which is
+% legal in a \LaTeX\ document.
+
+
+\subsection{Encoding specification body syntax}
+
+The \meta{body} part of an encoding specification must comply to a
+much stricter syntax than the rest of the file. The \meta{body} is
+a sequence of \meta{encoding command}s, each of which should be one
+of the following:
+\begin{quote}
+ |\setslot|\marg{glyph name} \meta{slots commands} |\endsetslot|\\
+ |\nextslot|\marg{number}\\
+ |\skipslots|\marg{number}\\
+ |\setfontdimen|\marg{number}\marg{name}\\
+ |\setstr{codingscheme}|\marg{codingscheme name}\\
+ |\needsfontinstversion|\marg{version number}
+\end{quote}
+The |\needsfontinstversion| command is usually placed immediately
+after the |\encoding| command. The \meta{version number} must be at
+least |1.918| for many of the features described in this file to be
+available, and at least |1.928| if the |\charseq| command is used.
+
+The \meta{slot commands} are likewise a sequence of \meta{slot
+command}s, each of which should be one of the following:
+\begin{quote}
+ |\Unicode|\marg{code point}\marg{name}\\
+ |\charseq|\marg{\cs{Unicode} commands}\\
+ |\comment|\marg{text}\\
+ |\Ligature|\marg{ligtype}\marg{right}\marg{new}\\
+ |\ligature|\marg{ligtype}\marg{right}\marg{new}\\
+ |\oddligature|\marg{note}\marg{ligtype}\marg{right}\marg{new}\\
+ |\nextlarger|\marg{glyph name}\\
+ |\varchar| \meta{varchar commands} |\endvarchar|
+\end{quote}
+where \meta{varchar commands} similarly is a sequence of \meta{varchar
+command}s, each of which should be one of the following:
+\begin{quote}
+ |\varrep|\marg{glyph name}\\
+ |\vartop|\marg{glyph name}\\
+ |\varmid|\marg{glyph name}\\
+ |\varbot|\marg{glyph name}
+\end{quote}
+Finally, one can include any number of \meta{comment command}s between
+any two encoding, slot, or varchar commands. The comment commands are
+\begin{quote}
+ |\begincomment| \meta{\LaTeX\ text} |\endcomment|\\
+ |\label|\marg{reference label}
+\end{quote}
+The \meta{\LaTeX\ text} can be pretty much any \LaTeX\ code that can
+appear in conditional text. (|\begincomment| is either |\iffalse| or
+|\iftrue| depending on whether the encoding specification is
+processed as a data file or typeset as a \LaTeX\ document respectively.
+|\endcomment| is always |\fi|.) The |\label| command is just
+the normal \LaTeX\ |\label| command; when it is used in a \meta{slot
+commands} it references that particular slot (by number and glyph
+name).
+
+The full syntax of the \ETX\ format can be found in the
+\package{fontinst} manual~\cite{fontinst-man}, but font encoding
+specifications only need a subset of that.
+
+
+\subsection{Additional \package{fontdoc} features}
+
+There is an ``in comment paragraph'' form |\textunicode| of the
+|\Unicode| command. Both commands have the same syntax, but
+|\textunicode| is only allowed in ``comment'' contexts. A typical use
+of |\textunicode| is
+\begin{quote}
+ |\comment{An |\dots\\
+ \quad\dots| this is \textunicode{2012}{FIGURE DASH}; in |\dots\\
+ |}|
+\end{quote}
+which is typeset as
+\begin{quote}
+ An \dots\ this is \texttt{U+2012} (\textsc{figure dash}); in \dots
+\end{quote}
+
+The \package{fontdoc} package inputs a configuration file
+\texttt{fontdoc.cfg} if that exists. This can be used to pass
+additional options to the package. The only currently available
+options that this could be of interest for are the \texttt{hypertex}
+and \texttt{pdftex} options, which hyperlinks each \texttt{U+}\dots\
+generated by |\Unicode| or |\textunicode| (using Hyper\TeX\ or
+pdf\TeX\ conventions\footnote{One could just as well do the same
+thing using some other convention if a suitable definition of
+\cs{FD@codepoint} is included in \texttt{fontdoc.cfg}. See the
+\package{fontinst} sources~\cite{fontinst-pre} for more details.}
+respectively) to a corresponding glyph image on the Unicode consortium
+website. To use this feature one should put the line
+\begin{quote}
+ |\ExecuteOptions{hypertex}|
+\end{quote}
+or
+\begin{quote}
+ |\ExecuteOptions{pdftex}|
+\end{quote}
+in the \texttt{fontdoc.cfg} file. \emph{Please} do not include this
+option in the |\usepackage|\nolinebreak[1]|{fontdoc}| of an encoding
+specification file as that can be a severe annoyance for people whose
+\TeX\ program or DVI viewers do not support the necessary extensions.
+% Hyper\TeX\ |\special|s.
+
+
+\section{Font encoding ratification}
+
+This section describes a suggested ratification process for font
+encoding specifications. As there are fewer technical matters that
+impose restrictions on what it may look like, it is probably more
+subjective than the other parts of this paper.
+
+\medskip
+
+A specification in the process of being ratified can be in one of
+three different stages: \emph{draft}, \emph{beta}, or \emph{final}.
+Initially the specification is in the draft stage, during which it
+will be scrutinized and can be subject to major changes. A
+specification which is in the beta stage has got a formal approval
+but the encoding in question may still be subject to some minor
+changes if weighty arguments present themselves. Once the
+specification has reached the final stage, the encoding may not
+change at all.
+
+
+\subsection{Getting to the draft stage}
+
+The process of taking an encoding to the draft stage can be
+summarized in the following steps. Being in the draft stage doesn't
+really say anything about whether the encoding is in any way correct
+or useful, except in that some people (the encoding proposers)
+believe it is and are willing to spend some time on ratifying it.
+
+\paragraph{Write an encoding specification} The first step is to
+write a specification for the font encoding in question. This
+document must not only technically describe the encoding but also
+explain what the encoding is for and why it was created. See
+Subsection~\ref{Ssec:Structure} for details on how the document is
+preferably organised.
+
+\paragraph{Request an encoding name} The second step is to write to
+the \LaTeX3 project and request a \LaTeX\ encoding name for the
+encoding. This mail should be in the form of a \LaTeX\ bug report, it
+must be sent to
+\begin{quote}
+ \href{mailto:latex-bugs@latex-project.org}%
+ {\texttt{latex-bugs@latex-project.org}},
+\end{quote}
+and it must include the encoding specification file. Suggestions for
+an encoding name are appreciated, but not necessarily accepted.
+The purpose of this mail is \emph{not} to get an approval of the
+encoding, but only to have a reasonable name assigned to it.
+
+\paragraph{Upload the specification to CTAN} The third step is make
+the encoding specification publicly available by uploading it to
+CTAN. Encoding specifications are collected in the
+\begin{quote}
+ \ctanref{info/encodings}{\texttt{info/encodings}}
+\end{quote}
+directory (which should also contain the most recent version of this
+paper). The name of the uploaded file should be
+\meta{encoding name}\texttt{draft.etx}. The reason for this naming is
+that it must be clear that the specification has not yet been ratified.
+
+\paragraph{Announce the encoding} When the upload has been confirmed,
+it is time to announce the encoding by posting a message about it to
+the relevant forums. Most important is the \texttt{tex-fonts} mailing
+list, since that is where new encodings should be debated. Messages
+should also be posted to the \texttt{comp.text.tex} newsgroup and any
+forums related to the intended use of the encoding: an encoding for
+Sanskrit should be announced on Indian \TeX\ users forums, an
+encoding for printing chess positions should be announced on some
+chess-with-\TeX\ user forum, etc.; in the extent that such forums exist.
+
+The full address of the \texttt{tex-fonts} mailing list is
+\begin{quote}
+ \texttt{tex-fonts@math.utah.edu}
+\end{quote}
+This list rejects postings from non-members, so you need to subscribe
+to it before you can post your announcement. This is done by sending
+a `subscribe me' mail to
+\begin{quote}
+ \href{mailto:tex-fonts-request@math.utah.edu}
+ {\texttt{tex-fonts-request@math.utah.edu}}
+\end{quote}
+The list archives can be found at
+\begin{quote}
+ \href{http://www.math.utah.edu/mailman/listinfo/tex-fonts}
+ {\textsc{http:}/\slash \texttt{www.math.utah.edu}\slash
+ \texttt{mailman}\slash \texttt{listinfo}\slash
+ \texttt{tex-fonts}}
+\end{quote}
+A tip is to read through the messages from a couple of months
+before you write up your announcement, as that should help you get
+acquainted with the normal style on the list. Please do not send
+messages encoded in markup languages (notably, \textsmaller{HTML},
+\textsmaller{XML}, and word processor formats) to the list.
+
+\paragraph{Experimental encodings} There is a point in going through
+the above procedure even for experimental encodings, i.e., encodings
+whose names start with an \texttt{E}. Of course there is no idea in
+ratifying a specification of an experimental encoding, as it is very
+likely to frequently change, but having a proper name assigned to the
+encoding and uploading its specification to CTAN makes it much simpler
+for other people to learn about and make references to the encoding.
+
+
+\subsection{From draft to beta stage}
+
+The main difference between a draft and beta stage specification
+respectively is that beta stage specifications have been scrutinized
+by other people and found to be free of errors. The practical
+implementation of this is that a debate is held (in the normal
+anarchical manner of mailing list debates) on the \texttt{tex-fonts}
+mailing list. In particular the following aspects of the
+specification should be checked:
+\begin{enumerate}
+ \item \emph{Is the encoding technically correct?}
+ There are many factors which affect what \TeX\ does and it is
+ easy to overlook some. (The \cs{lccode}s seem to be particularly
+ troublesome, in this respect.) Sometimes fonts simply cannot work
+ as an encoding specifies they should and it is important that
+ such defects in the encoding are discovered on an early stage.
+ \item \emph{Are there any errors in the specification?}
+ A font encoding specification is largely a table and typos are
+ easy to make. Proof-reading may be boring, but it is very, very
+ important.
+ \item \emph{Is the specification sufficiently precise?}
+ Are there any omissions, ambiguities, inaccuracies, or completely
+ irrelevant material in the specification? There shouldn't be.
+\end{enumerate}
+During the debate, the encoding proposers should hear what other
+people have to say about the encoding draft, revise it accordingly
+when some flaw is pointed out, and upload the revised version. This
+cycle may well have to be repeated several times before everyone's
+content. It is worth pointing out that in practice the debate should
+turn out to be more of a collective authoring of the specification
+than a defense of its validity. There is no point in going into it
+expecting the worst.
+
+Unfortunately, it might happen that there never is a complete agreement
+on an encoding specification---depending on what side on takes, either
+the encoding proposers refuse to correct obvious flaws in it, or someone
+on the list insists that there is a flaw although there is obviously
+not---but hopefully that will never happen. If it anyway does happen
+then the person objecting should send a mail whose subject contains the
+phrase "formal protest against XXX encoding" (with XXX replaced by
+whatever the encoding is called) to the list. Then it will be up to
+the powers that be to decide on the fate of the encoding (see below).
+
+\paragraph{Summarize the debate} When the debate on the encoding is
+over---e.g.\ a month after anyone last posted anything new on the
+subject---then the encoding proposers should summarize the debate on
+the encoding specification draft and post this summary as a follow-up
+on the original mail to \texttt{latex-bugs}. This summary should list
+the changes that have been made to the encoding, what suggestions there
+were for changes which have not been included, and whether there were
+any formal protests against the encoding. The summary should also explain
+what the proposers want to have be done with the encoding. In the
+usual case this is having it advanced to beta stage, but the proposers
+might alternatively at this point have reached the conclusion that the
+encoding wasn't such a good idea to start with and therefore withdraw
+it, possibly to come again later with a different proposal.
+
+In response to this summary, the \LaTeX-project people may do one of
+three things:
+\begin{itemize}
+ \item
+ If the proposers wants the encoding specification advanced and
+ there are no formal protests against this, then the encoding
+ should be advanced to the beta stage. The \LaTeX-project
+ people do this by adding the encoding to the list of approved
+ (beta or final stage) encodings that they [presumably] maintain.
+ \item
+ If the proposers want to withdraw the encoding specification
+ then the name assigned to it should once again be made available
+ for use for other encodings.
+ \item
+ If the proposers want the encoding specification advanced but
+ there is some formal protest against this, then the entire matter
+ should be handed over to some suitable authority, as a suggestion
+ some technical TUG committee, for resolution.
+\end{itemize}
+
+
+\paragraph{Update the specification on CTAN} When the specification
+has reached the beta stage, its file on CTAN should be updated to say
+so. In particular the file name should be changed from \meta{encoding
+name}\texttt{draft.etx} to \meta{encoding name}\texttt{spec.etx}.
+
+
+\paragraph{Modifying beta stage encodings} If a beta stage encoding is
+modified then the revised specification should go through the above
+procedure of ratification again before it can replace the previous
+\meta{encoding name}\texttt{spec.etx} file on CTAN. The revised
+version should thus initially be uploaded as \meta{encoding
+name}\texttt{draft.etx}, reannounced, and redebated. It can however
+be expected that such debates will not be as extensive as the
+original debates.
+
+
+\subsection{From beta stage to final stage}
+
+The requirements for going from beta stage to final stage are more
+about showing that the encoding has reached a certain maturity than
+about demonstrating any technical merits of it. The main difference in
+usefulness between a beta stage encoding and a final stage encoding is
+that the latter can be considered safe for archival purposes, whereas
+one should have certain reservations against such use of beta stage
+encodings.
+
+It seems reasonable that the following conditions should have to be
+fulfilled before a beta stage encoding can be made a final stage
+encoding:
+\begin{itemize}
+ \item At least one year must have passed since the last change was
+ made to the specification.
+ \item At least two people other than the proposer must have
+ succeeded in implemented the encoding in a font.
+\end{itemize}
+It is quite possible that some condition should be added or some of
+the above conditions reformulated.
+
+
+% References updated 2004/08/07.
+\begin{thebibliography}{???}
+\bibitem{ATN5013}
+ Adobe Systems Incorporated:
+ \textit{Adobe Standard Cyrillic Font Specification},
+ Adobe Technical Note \#5013, 1998;
+ \href{http://partners.adobe.com/asn/developer/pdfs/tn/%
+ 5013.Cyrillic_Font_Spec.pdf}{\textsc{http}:/\slash
+ \texttt{partners.adobe.com}\slash \texttt{asn}\slash
+ \texttt{developer}\slash \texttt{pdfs}\slash \texttt{tn}\slash
+ \texttt{5013.Cyrillic\_Font\_Spec.pdf}}.
+\bibitem{AGL}
+ Adobe Systems Incorporated: \textit{Adobe Glyph List},
+ text file, 1998,
+ \href{http://partners.adobe.com/asn/developer/type/glyphlist.txt}
+ {\textsc{http}:/\slash \texttt{partners.adobe.com}\slash
+ \texttt{asn}\slash \texttt{developer}\slash \texttt{type}\slash
+ \texttt{glyphlist.txt}}.
+\bibitem{unicodesign}
+ Adobe Systems Incorporated:
+ \textit{Adobe Solutions Network: Unicode and Glyph Names},
+ web page, 1998,
+ \href{http://partners.adobe.com/asn/developer/type/unicodegn.html}
+ {\textsc{http}:/\slash \texttt{partners.adobe.com}\slash
+ \texttt{asn}\slash \texttt{developer}\slash \texttt{type}\slash
+ \texttt{unicodegn.html}}.
+\bibitem{ClasenVieth}
+ Matthias Clasen and Ulrik Vieth:
+ \textit{Towards a new Math Font Encoding for (La)TeX},
+ March 1998, presented at EuroTeX'98;
+ \href{http://tug.org/twg/mfg/papers/current/mfg-euro-all.ps.gz}
+ {\textsc{http}:/\slash \texttt{tug.org}\slash \texttt{twg}\slash
+ \texttt{mfg}\slash \texttt{papers}\slash \texttt{current}\slash
+ \texttt{mfg-euro-all.ps.gz}}.
+\bibitem{fontinst-man}
+ Alan Jeffrey, Rowland McDonnell, Ulrik Vieth, and Lars Hellstr\"om:
+ \textit{\package{fontinst}---font installation software for \TeX}
+ (manual), 2004,
+ \ctanref{fonts/utilities/fontinst/doc/fontinst.tex}{%
+ \textsc{ctan}:\discretionary{}{}{\thinspace}%
+ \texttt{fonts}\slash \texttt{utilities}\slash
+ \texttt{fontinst}\slash \texttt{doc}\slash \texttt{fontinst.tex}}.
+% \bibitem{fontinst}
+% Alan Jeffrey, Sebastian Rahtz, and Ulrik Vieth:
+% \textit{The \package{fontinst} utility}, documented source code,
+% v\,1.801,
+% \ctanref{fonts/utilities/fontinst/source}{%
+% \textsc{ctan}:\discretionary{}{}{\thinspace}%
+% \texttt{fonts}\slash \texttt{utilities}\slash
+% \texttt{fontinst}\slash \texttt{source}/}.
+\bibitem{fontinst-pre}
+ Alan Jeffrey, Sebastian Rahtz, Ulrik Vieth, and Lars Hellstr\"om:
+ \textit{The \package{fontinst} utility}, documented source code,
+ v\,1.9xx,
+ \ctanref{fonts/utilities/fontinst/source}{%
+ \textsc{ctan}:\discretionary{}{}{\thinspace}%
+ \texttt{fonts}\slash \texttt{utilities}\slash
+ \texttt{fontinst}\slash \texttt{source}/}.
+\bibitem{TeXbook}
+ Donald E.\ Knuth, Duane Bibby (illustrations): \textit{The \TeX book},
+ Ad\-di\-son--Wes\-ley, 1991;
+ volume A of \textit{Computers and typesetting}.
+\bibitem{LaTeXCompanion}
+ Frank Mittelbach and Michel Goossens, with Johannes Braams,
+ David Carlisle, and Chris Rowley:
+ \textit{The \LaTeX\ Companion} (second edition),
+ Ad\-di\-son--Wes\-ley, 2004; ISBN~0-201-36299-6.
+\bibitem{Omega-doc}
+ John Plaice and Yannis Haralambous:
+ \textit{Draft documentation for the Omega system},
+ version~1.12, 1999;
+ \href{http://omega.cse.unsw.edu.au:8080/doc-1.12.ps}{%
+ \textsc{http:}/\slash \texttt{omega.cse.unsw.edu.au:8080}\slash
+ \texttt{doc-1.12.ps}}.
+% \textsc{ctan}:\discretionary{}{}{\thinspace}%
+% \texttt{systems}\slash \texttt{omega}\slash
+% \texttt{omega-doc-1.8.tar.gz}.
+\bibitem{Vieth2001}
+ Ulrik Vieth:
+ \textit{Math typesetting in \TeX: The~good, the~bad, the~ugly},
+ to appear in the proceedings of Euro\TeX\ 2001;
+ \href{http://www.ntg.nl/eurotex/vieth.pdf}{%
+ \textsc{http}:/\slash \texttt{www.ntg.nl}\slash
+ \texttt{eurotex}\slash \texttt{vieth.pdf}}.
+\end{thebibliography}
+
+
+\end{document} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/fontinst/base/encspecs/omxdraft.etx b/Master/texmf-dist/doc/fonts/fontinst/base/encspecs/omxdraft.etx
new file mode 100644
index 00000000000..efccabde857
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontinst/base/encspecs/omxdraft.etx
@@ -0,0 +1,985 @@
+\documentclass[twocolumn]{article}
+\usepackage[specification]{fontdoc}[2001/06/01]
+
+% \usepackage[T1]{fontenc}
+\DeclareTextCommandDefault{\textvisiblespace}{%
+ \mbox{\kern.06em\vrule height.3ex}%
+ \vbox{\hrule width.3em}%
+ \hbox{\vrule height.3ex\kern.06em}}
+
+\DeclareRobustCommand\cs[1]{\texttt{\char`\\#1}}
+
+\showbranches
+
+\begin{document}
+
+\title{\texttt{OMX} encoding draft specification}
+\author{Lars Hellstr\"om}
+\date{2001/10/20}
+\maketitle
+
+\begin{abstract}
+ The \TeX\ math extensions (\texttt{OMX}) encoding is a container for
+ most of the ``growing'' characters in the standard math set-up, but
+ that is pretty much the extent of it. Some of the characters occur
+ in ``normal size'' in other encodings; in these cases it is usually
+ a single math command that usually make use of characters in both
+ encodings.
+\end{abstract}
+
+
+\encoding
+
+\begincomment
+\section{Mandatory characters}
+
+\subsection{Delimiters}
+\endcomment
+
+\nextslot{0}
+\setslot{parenleftbig}
+ \Unicode{0028}{LEFT PARENTHESIS}
+ \nextlarger{parenleftBig}
+\endsetslot
+
+\setslot{parenrightbig}
+ \Unicode{0029}{RIGHT PARENTHESIS}
+ \nextlarger{parenrightBig}
+\endsetslot
+
+\setslot{bracketleftbig}
+ \Unicode{005B}{LEFT SQUARE BRACKET}
+ \nextlarger{bracketleftBig}
+\endsetslot
+
+\setslot{bracketrightbig}
+ \Unicode{005D}{RIGHT SQUARE BRACKET}
+ \nextlarger{bracketrightBig}
+\endsetslot
+
+\setslot{floorleftbig}
+ \Unicode{230A}{LEFT FLOOR}
+ \nextlarger{floorleftBig}
+\endsetslot
+
+\setslot{floorrightbig}
+ \Unicode{230B}{RIGHT FLOOR}
+ \nextlarger{floorrightBig}
+\endsetslot
+
+\setslot{ceilingleftbig}
+ \Unicode{2308}{LEFT CEILING}
+ \nextlarger{ceilingleftBig}
+\endsetslot
+
+\setslot{ceilingrightbig}
+ \Unicode{2309}{RIGHT CEILING}
+ \nextlarger{ceilingrightBig}
+\endsetslot
+
+\setslot{braceleftbig}
+ \Unicode{007B}{LEFT CURLY BRACKET}
+ \nextlarger{braceleftBig}
+\endsetslot
+
+\setslot{bracerightbig}
+ \Unicode{007D}{RIGHT CURLY BRACKET}
+ \nextlarger{bracerightBig}
+\endsetslot
+
+\setslot{angleleftbig}
+ \Unicode{2329}{LEFT-POINTING ANGLE BRACKET}
+ \nextlarger{angleleftBig}
+\endsetslot
+
+\setslot{anglerightbig}
+ \Unicode{232A}{RIGHT-POINTING ANGLE BRACKET}
+ \nextlarger{anglerightBig}
+\endsetslot
+
+\setslot{barex}
+ \Unicode{007C}{VERTICAL LINE}
+ \comment{This is used by the \cs{vert} command. When not accessed
+ as a delimiter, this character may be much shorter than one
+ would expect.}
+ \varchar
+ \varrep{barex}
+ \endvarchar
+\endsetslot
+
+\setslot{bardblex}
+ \Unicode{2016}{DOUBLE VERTICAL LINE}
+ \comment{This is used by the \cs{Vert} command. When not accessed
+ as a delimiter, this character may be much shorter than one
+ would expect.}
+ \varchar
+ \varrep{bardblex}
+ \endvarchar
+\endsetslot
+
+\setslot{slashbig}
+ \Unicode{2215}{DIVISION SLASH}
+ \comment{Although this character is normally accessed via \TeX's
+ growing delimiter mechanism, it is not used as such in formulae,
+ but as a large division slash. Since the use is unambigously for
+ division and the like, it would be inaccurate to identify this
+ character with \textunicode{002F}{SOLIDUS}.}
+ \nextlarger{slashBig}
+\endsetslot
+
+\setslot{backslashbig}
+ \Unicode{005C}{REVERSE SOLIDUS}
+ \comment{This is \TeX's \cs{backslash} (use for ``double coset''),
+ not \cs{setminus}, and hence it is not
+ \textunicode{2216}{SET MINUS}.}
+ \nextlarger{backslashBig}
+\endsetslot
+
+\nextslot{62}
+\setslot{braceex}
+ \Unicode{007C}{VERTICAL LINE}
+ \comment{This is used by the \cs{bracevert} command.}
+ \label{braceex}
+ \varchar
+ \varrep{braceex}
+ \endvarchar
+ \comment{This slot contains the repeatable part of a extensible
+ brace delimiter. In the standard set-up, the extensible recipes of
+ slots~\ref{bracelefttp}, \ref{bracerighttp}, \ref{braceleftbt},
+ \ref{bracerightbt}, \ref{parenleftbt}, and \ref{parenrightbt} all
+ make use of this slot.}
+\endsetslot
+
+\nextslot{"42}
+\setslot{parenleftex}
+ \Unicode{007C}{VERTICAL LINE}
+ \comment{As astonishing as it may seem, there is no command which
+ accesses this slot. The glyph is similar to that in
+ slot~\ref{braceex}, but shifted to the left.}
+ \varchar
+ \varrep{parenleftex}
+ \endvarchar
+\endsetslot
+
+\setslot{parenrightex}
+ \Unicode{007C}{VERTICAL LINE}
+ \comment{As astonishing as it may seem, there is no command which
+ accesses this slot. The glyph is similar to that in
+ slot~\ref{braceex}, but shifted to the right.}
+ \varchar
+ \varrep{parenrightex}
+ \endvarchar
+\endsetslot
+
+\nextslot{"7A}
+\setslot{bracehtipdownleft}
+ \comment{This is \cs{braceld}, a tip (pointing left, bending down)
+ used to build over- and underbraces.}
+\endsetslot
+
+\setslot{bracehtipdownright}
+ \comment{This is \cs{bracerd}, a tip (pointing right, bending down)
+ used to build over- and underbraces.}
+\endsetslot
+
+\setslot{bracehtipupleft}
+ \comment{This is \cs{bracelu}, a tip (pointing left, bending up)
+ used to build over- and underbraces.}
+\endsetslot
+
+\setslot{bracehtipupright}
+ \comment{This is \cs{braceru}, a tip (pointing right, bending up)
+ used to build over- and underbraces.}
+\endsetslot
+
+
+
+\begincomment
+\subsection{Text style operators}
+
+With the exception of the integrals, all the following characters
+should be \textsc{n-ary \dots}, but some cases there are no such
+variants defined in Unicode.
+\endcomment
+
+\nextslot{"46}
+\setslot{unionsqtext}
+ \Unicode{2294}{SQUARE CUP}
+ \nextlarger{unionsqdisplay}
+\endsetslot
+
+\skipslots{1}
+\setslot{contintegraltext}
+ \Unicode{222E}{CONTOUR INTEGRAL}
+ \nextlarger{contintegraldisplay}
+\endsetslot
+
+\skipslots{1}
+\setslot{circledottext}
+ \Unicode{2299}{CIRCLED DOT OPERATOR}
+ \nextlarger{circledotdisplay}
+\endsetslot
+
+\skipslots{1}
+\setslot{circleplustext}
+ \Unicode{2295}{CIRCLED PLUS}
+ \nextlarger{circleplusdisplay}
+\endsetslot
+
+\skipslots{1}
+\setslot{circlemultiplytext}
+ \Unicode{2297}{CIRCLED TIMES}
+ \nextlarger{circlemultiplydisplay}
+\endsetslot
+
+\skipslots{1}
+\setslot{summationtext}
+ \Unicode{2211}{N-ARY SUMMATION}
+ \nextlarger{summationdisplay}
+\endsetslot
+
+\setslot{producttext}
+ \Unicode{220F}{N-ARY PRODUCT}
+ \nextlarger{productdisplay}
+\endsetslot
+
+\setslot{integraltext}
+ \Unicode{222B}{INTEGRAL}
+ \nextlarger{integraldisplay}
+\endsetslot
+
+\setslot{uniontext}
+ \Unicode{22C3}{N-ARY UNION}
+ \nextlarger{uniondisplay}
+\endsetslot
+
+\setslot{intersectiontext}
+ \Unicode{22C2}{N-ARY INTERSECTION}
+ \nextlarger{intersectiondisplay}
+\endsetslot
+
+\setslot{unionmultitext}
+ \Unicode{228E}{MULTISET UNION}
+ \nextlarger{unionmultidisplay}
+\endsetslot
+
+\setslot{logicalandtext}
+ \Unicode{22C0}{N-ARY LOGICAL AND}
+ \nextlarger{logicalanddisplay}
+\endsetslot
+
+\setslot{logicalortext}
+ \Unicode{22C1}{N-ARY LOGICAL OR}
+ \nextlarger{logicalordisplay}
+\endsetslot
+
+\skipslots{8}
+\setslot{coproducttext}
+ \Unicode{2210}{N-ARY COPRODUCT}
+ \nextlarger{coproductdisplay}
+\endsetslot
+
+
+
+\begincomment
+\subsection{Accents, arrows, and the radical}
+\endcomment
+
+\nextslot{"62}
+\setslot{hatwide}
+ \Unicode{0302}{COMBINING CIRCUMFLEX ACCENT}
+ \nextlarger{hatwider}
+\endsetslot
+
+\skipslots{2}
+
+\setslot{tildewide}
+ \Unicode{0303}{COMBINING TILDE}
+ \nextlarger{tildewider}
+\endsetslot
+
+\nextslot{"70}
+\setslot{radicalbig}
+ \Unicode{221A}{SQUARE ROOT}
+ \nextlarger{radicalBig}
+\endsetslot
+
+\nextslot{"78}
+\setslot{arrowtp}
+ \Unicode{2191}{UPWARDS ARROW}
+ \varchar
+ \vartop{arrowtp}
+ \varrep{arrowvertex}
+ \endvarchar
+\endsetslot
+
+\setslot{arrowbt}
+ \Unicode{2193}{DOWNWARDS ARROW}
+ \varchar
+ \varrep{arrowvertex}
+ \varbot{arrowbt}
+ \endvarchar
+\endsetslot
+
+\nextslot{"7E}
+\setslot{arrowdbltp}
+ \Unicode{21D1}{UPWARDS DOUBLE ARROW}
+ \varchar
+ \vartop{arrowdbltp}
+ \varrep{arrowdblvertex}
+ \endvarchar
+\endsetslot
+
+\setslot{arrowdblbt}
+ \Unicode{21D3}{DOWNWARDS DOUBLE ARROW}
+ \varchar
+ \varrep{arrowdblvertex}
+ \varbot{arrowdblbt}
+ \endvarchar
+\endsetslot
+
+
+
+
+
+
+\begincomment
+\section{Semimandatory characters}
+\endcomment
+
+\nextslot{"3A}
+\setslot{braceleftbt}
+ \comment{This is the \cs{lgroup} delimiter, which looks like a
+ \textunicode{007B}{LEFT CURLY BRACKET} with flat middle section.
+ There does not seem to be such a character in Unicode, but a
+ close approximation would be a narrowed
+ \textunicode{3014}{LEFT TORTOISE SHELL BRACKET}.}
+ \label{braceleftbt}
+ \varchar
+ \vartop{bracelefttp}
+ \varrep{braceex}
+ \varbot{braceleftbt}
+ \endvarchar
+ \comment{The slot contains the curved bottom of a
+ \textunicode{007B}{LEFT CURLY BRACKET}.}
+\endsetslot
+
+\setslot{bracerightbt}
+ \comment{This is the \cs{rgroup} delimiter, which looks like a
+ \textunicode{007D}{RIGHT CURLY BRACKET} with flat middle section.
+ There does not seem to be such a character in Unicode, but a
+ close approximation would be a narrowed
+ \textunicode{3015}{RIGHT TORTOISE SHELL BRACKET}.}
+ \label{bracerightbt}
+ \varchar
+ \vartop{bracerighttp}
+ \varrep{braceex}
+ \varbot{bracerightbt}
+ \endvarchar
+ \comment{The slot contains the curved bottom of a
+ \textunicode{007D}{RIGHT CURLY BRACKET}.}
+\endsetslot
+
+\setslot{braceleftmid}
+ \Unicode{007C}{VERTICAL LINE}
+ \comment{This is used by the \cs{arrowvert} command.}
+ \varchar
+ \varrep{arrowvertex}
+ \endvarchar
+ \comment{The slot contains the middle part of a
+ \textunicode{007B}{LEFT CURLY BRACKET}.}
+\endsetslot
+
+\setslot{bracerightmid}
+ \Unicode{2016}{DOUBLE VERTICAL LINE}
+ \comment{This is used by the \cs{Arrowvert} command.}
+ \varchar
+ \varrep{arrowdblvertex}
+ \endvarchar
+ \comment{The slot contains the middle part of a
+ \textunicode{007D}{RIGHT CURLY BRACKET}.}
+\endsetslot
+
+\skipslots{1}
+
+\setslot{arrowvertex}
+ \Unicode{2195}{UP DOWN ARROW}
+ \varchar
+ \vartop{arrowtp}
+ \varrep{arrowvertex}
+ \varbot{arrowbt}
+ \endvarchar
+ \comment{This slot contains the repeatable middle part of a vertical
+ arrow.}
+\endsetslot
+
+\setslot{parenleftbt}
+ \label{parenleftbt}
+ \comment{This is the \cs{lmoustache} delimiter, whose top half is
+ like \cs{lgroup} and whose bottom half is like \cs{rgroup}.}
+ \varchar
+ \vartop{bracelefttp}
+ \varrep{braceex}
+ \varbot{bracerightbt}
+ \endvarchar
+ \comment{This slot contains the curved bottom of a
+ \textunicode{0028}{LEFT PARENTHESIS}.}
+\endsetslot
+
+\setslot{parenrightbt}
+ \label{parenrightbt}
+ \comment{This is the \cs{rmoustache} delimiter, whose top half is
+ like \cs{rgroup} and whose bottom half is like \cs{lgroup}.}
+ \varchar
+ \vartop{bracerighttp}
+ \varrep{braceex}
+ \varbot{braceleftbt}
+ \endvarchar
+ \comment{This slot contains the curved bottom of a
+ \textunicode{0029}{RIGHT PARENTHESIS}.}
+\endsetslot
+
+\nextslot{"77}
+\setslot{arrowdblvertex}
+ \Unicode{21D5}{UP DOWN DOUBLE ARROW}
+ \varchar
+ \vartop{arrowdbltp}
+ \varbot{arrowdblbt}
+ \varrep{arrowdblvertex}
+ \endvarchar
+ \comment{This slot contains the repeatable middle part of a vertical
+ double arrow.}
+\endsetslot
+
+
+
+
+
+\begincomment
+\section{Ordinary characters}
+\endcomment
+
+
+\begincomment
+\subsection{\texttt{Big} size delimiters}
+\endcomment
+
+\nextslot{16}
+\setslot{parenleftBig}
+ \Unicode{0028}{LEFT PARENTHESIS}
+ \nextlarger{parenleftbigg}
+\endsetslot
+
+\setslot{parenrightBig}
+ \Unicode{0029}{RIGHT PARENTHESIS}
+ \nextlarger{parenrightbigg}
+\endsetslot
+
+\nextslot{46}
+\setslot{slashBig}
+ \Unicode{2215}{DIVISION SLASH}
+ \nextlarger{slashbigg}
+\endsetslot
+
+\setslot{backslashBig}
+ \Unicode{005C}{REVERSE SOLIDUS}
+ \nextlarger{backslashbigg}
+\endsetslot
+
+\nextslot{"44}
+\setslot{angleleftBig}
+ \Unicode{2329}{LEFT-POINTING ANGLE BRACKET}
+ \nextlarger{angleleftbigg}
+\endsetslot
+
+\setslot{anglerightBig}
+ \Unicode{232A}{RIGHT-POINTING ANGLE BRACKET}
+ \nextlarger{anglerightbigg}
+\endsetslot
+
+\nextslot{"68}
+\setslot{bracketleftBig}
+ \Unicode{005B}{LEFT SQUARE BRACKET}
+ \nextlarger{bracketleftbigg}
+\endsetslot
+
+\setslot{bracketrightBig}
+ \Unicode{005D}{RIGHT SQUARE BRACKET}
+ \nextlarger{bracketrightbigg}
+\endsetslot
+
+\setslot{floorleftBig}
+ \Unicode{230A}{LEFT FLOOR}
+ \nextlarger{floorleftbigg}
+\endsetslot
+
+\setslot{floorrightBig}
+ \Unicode{230B}{RIGHT FLOOR}
+ \nextlarger{floorrightbigg}
+\endsetslot
+
+\setslot{ceilingleftBig}
+ \Unicode{2308}{LEFT CEILING}
+ \nextlarger{ceilingleftbigg}
+\endsetslot
+
+\setslot{ceilingrightBig}
+ \Unicode{2309}{RIGHT CEILING}
+ \nextlarger{ceilingrightbigg}
+\endsetslot
+
+\setslot{braceleftBig}
+ \Unicode{007B}{LEFT CURLY BRACKET}
+ \nextlarger{braceleftbigg}
+\endsetslot
+
+\setslot{bracerightBig}
+ \Unicode{007D}{RIGHT CURLY BRACKET}
+ \nextlarger{bracerightbigg}
+\endsetslot
+
+
+
+
+
+\begincomment
+\subsection{\texttt{bigg} size delimiters}
+\endcomment
+
+\nextslot{18}
+\setslot{parenleftbigg}
+ \Unicode{0028}{LEFT PARENTHESIS}
+ \nextlarger{parenleftBigg}
+\endsetslot
+
+\setslot{parenrightbigg}
+ \Unicode{0029}{RIGHT PARENTHESIS}
+ \nextlarger{parenrightBigg}
+\endsetslot
+
+\setslot{bracketleftbigg}
+ \Unicode{005B}{LEFT SQUARE BRACKET}
+ \nextlarger{bracketleftBigg}
+\endsetslot
+
+\setslot{bracketrightbigg}
+ \Unicode{005D}{RIGHT SQUARE BRACKET}
+ \nextlarger{bracketrightBigg}
+\endsetslot
+
+\setslot{floorleftbigg}
+ \Unicode{230A}{LEFT FLOOR}
+ \nextlarger{floorleftBigg}
+\endsetslot
+
+\setslot{floorrightbigg}
+ \Unicode{230B}{RIGHT FLOOR}
+ \nextlarger{floorrightBigg}
+\endsetslot
+
+\setslot{ceilingleftbigg}
+ \Unicode{2308}{LEFT CEILING}
+ \nextlarger{ceilingleftBigg}
+\endsetslot
+
+\setslot{ceilingrightbigg}
+ \Unicode{2309}{RIGHT CEILING}
+ \nextlarger{ceilingrightBigg}
+\endsetslot
+
+\setslot{braceleftbigg}
+ \Unicode{007B}{LEFT CURLY BRACKET}
+ \nextlarger{braceleftBigg}
+\endsetslot
+
+\setslot{bracerightbigg}
+ \Unicode{007D}{RIGHT CURLY BRACKET}
+ \nextlarger{bracerightBigg}
+\endsetslot
+
+\setslot{angleleftbigg}
+ \Unicode{2329}{LEFT-POINTING ANGLE BRACKET}
+ \nextlarger{angleleftBigg}
+\endsetslot
+
+\setslot{anglerightbigg}
+ \Unicode{232A}{RIGHT-POINTING ANGLE BRACKET}
+ \nextlarger{anglerightBigg}
+\endsetslot
+
+\setslot{slashbigg}
+ \Unicode{2215}{DIVISION SLASH}
+ \nextlarger{slashBigg}
+\endsetslot
+
+\setslot{backslashbigg}
+ \Unicode{005C}{REVERSE SOLIDUS}
+ \nextlarger{backslashBigg}
+\endsetslot
+
+
+
+\begincomment
+\subsection{\texttt{Bigg} size delimiters}
+\endcomment
+
+\nextslot{32}
+\setslot{parenleftBigg}
+ \Unicode{0028}{LEFT PARENTHESIS}
+ \nextlarger{parenlefttp}
+\endsetslot
+
+\setslot{parenrightBigg}
+ \Unicode{0029}{RIGHT PARENTHESIS}
+ \nextlarger{parenrighttp}
+\endsetslot
+
+\setslot{bracketleftBigg}
+ \Unicode{005B}{LEFT SQUARE BRACKET}
+ \nextlarger{bracketlefttp}
+\endsetslot
+
+\setslot{bracketrightBigg}
+ \Unicode{005D}{RIGHT SQUARE BRACKET}
+ \nextlarger{bracketrighttp}
+\endsetslot
+
+\setslot{floorleftBigg}
+ \Unicode{230A}{LEFT FLOOR}
+ \nextlarger{bracketleftbt}
+\endsetslot
+
+\setslot{floorrightBigg}
+ \Unicode{230B}{RIGHT FLOOR}
+ \nextlarger{bracketrightbt}
+\endsetslot
+
+\setslot{ceilingleftBigg}
+ \Unicode{2308}{LEFT CEILING}
+ \nextlarger{bracketleftex}
+\endsetslot
+
+\setslot{ceilingrightBigg}
+ \Unicode{2309}{RIGHT CEILING}
+ \nextlarger{bracketrightex}
+\endsetslot
+
+\setslot{braceleftBigg}
+ \Unicode{007B}{LEFT CURLY BRACKET}
+ \nextlarger{bracelefttp}
+\endsetslot
+
+\setslot{bracerightBigg}
+ \Unicode{007D}{RIGHT CURLY BRACKET}
+ \nextlarger{bracerighttp}
+\endsetslot
+
+\setslot{angleleftBigg}
+ \Unicode{2329}{LEFT-POINTING ANGLE BRACKET}
+\endsetslot
+
+\setslot{anglerightBigg}
+ \Unicode{232A}{RIGHT-POINTING ANGLE BRACKET}
+\endsetslot
+
+\setslot{slashBigg}
+ \Unicode{2215}{DIVISION SLASH}
+\endsetslot
+
+\setslot{backslashBigg}
+ \Unicode{005C}{REVERSE SOLIDUS}
+\endsetslot
+
+
+
+\begincomment
+\subsection{Extensible delimiters}
+\endcomment
+
+\nextslot{48}
+\setslot{parenlefttp}
+ \comment{This slot contains the curved top of a
+ \textunicode{0028}{LEFT PARENTHESIS}.}
+ \varchar
+ \vartop{parenlefttp}
+ \varrep{parenleftex}
+ \varbot{parenleftbt}
+ \endvarchar
+\endsetslot
+
+\setslot{parenrighttp}
+ \comment{This slot contains the curved top of a
+ \textunicode{0029}{RIGHT PARENTHESIS}.}
+ \varchar
+ \vartop{parenrighttp}
+ \varrep{parenrightex}
+ \varbot{parenrightbt}
+ \endvarchar
+\endsetslot
+
+\setslot{bracketlefttp}
+ \comment{This slot contains the corner top of a
+ \textunicode{005B}{LEFT SQUARE BRACKET}.}
+ \varchar
+ \vartop{bracketlefttp}
+ \varrep{bracketleftex}
+ \varbot{bracketleftbt}
+ \endvarchar
+\endsetslot
+
+\setslot{bracketrighttp}
+ \comment{This slot contains the corner top of a
+ \textunicode{005D}{RIGHT SQUARE BRACKET}.}
+ \varchar
+ \vartop{bracketrighttp}
+ \varrep{bracketrightex}
+ \varbot{bracketrightbt}
+ \endvarchar
+\endsetslot
+
+\setslot{bracketleftbt}
+ \comment{This slot contains the corner bottom of a
+ \textunicode{005B}{LEFT SQUARE BRACKET}, but it serves as the
+ final slot in the chain of larger sizes of
+ \textunicode{230A}{LEFT FLOOR}.}
+ \varchar
+ \varrep{bracketleftex}
+ \varbot{bracketleftbt}
+ \endvarchar
+\endsetslot
+
+\setslot{bracketrightbt}
+ \comment{This slot contains the corner bottom of a
+ \textunicode{005D}{RIGHT SQUARE BRACKET}, but it serves as the
+ final slot in the chain of larger sizes of
+ \textunicode{230B}{RIGHT FLOOR}.}
+ \varchar
+ \varrep{bracketrightex}
+ \varbot{bracketrightbt}
+ \endvarchar
+\endsetslot
+
+\setslot{bracketleftex}
+ \comment{This slot contains the repeatable middle part of a
+ \textunicode{005B}{LEFT SQUARE BRACKET}, but it serves as the
+ final slot in the chain of larger sizes of
+ \textunicode{2308}{LEFT CEILING}.}
+ \varchar
+ \vartop{bracketlefttp}
+ \varrep{bracketleftex}
+ \endvarchar
+\endsetslot
+
+\setslot{bracketrightex}
+ \comment{This slot contains the repeatable middle part of a
+ \textunicode{005D}{RIGHT SQUARE BRACKET}, but it serves as the
+ final slot in the chain of larger sizes of
+ \textunicode{2309}{RIGHT CEILING}.}
+ \varchar
+ \vartop{bracketrighttp}
+ \varrep{bracketrightex}
+ \endvarchar
+\endsetslot
+
+\setslot{bracelefttp}
+ \comment{This slot contains the curved top of a
+ \textunicode{007B}{LEFT CURLY BRACKET}.}
+ \label{bracelefttp}
+ \varchar
+ \vartop{bracelefttp}
+ \varrep{braceex}
+ \varmid{braceleftmid}
+ \varbot{braceleftbt}
+ \endvarchar
+\endsetslot
+
+\setslot{bracerighttp}
+ \comment{This slot contains the curved top of a
+ \textunicode{007D}{RIGHT CURLY BRACKET}.}
+ \label{bracerighttp}
+ \varchar
+ \vartop{bracerighttp}
+ \varrep{braceex}
+ \varmid{bracerightmid}
+ \varbot{bracerightbt}
+ \endvarchar
+\endsetslot
+
+
+
+
+
+\begincomment
+\subsection{Display style operators}
+\endcomment
+
+\nextslot{"47}
+\setslot{unionsqdisplay}
+ \Unicode{2294}{SQUARE CUP}
+\endsetslot
+
+\skipslots{1}
+\setslot{contintegraldisplay}
+ \Unicode{222E}{CONTOUR INTEGRAL}
+\endsetslot
+
+\skipslots{1}
+\setslot{circledotdisplay}
+ \Unicode{2299}{CIRCLED DOT OPERATOR}
+\endsetslot
+
+\skipslots{1}
+\setslot{circleplusdisplay}
+ \Unicode{2295}{CIRCLED PLUS}
+\endsetslot
+
+\skipslots{1}
+\setslot{circlemultiplydisplay}
+ \Unicode{2297}{CIRCLED TIMES}
+\endsetslot
+
+\skipslots{8}
+\setslot{summationdisplay}
+ \Unicode{2211}{N-ARY SUMMATION}
+\endsetslot
+
+\setslot{productdisplay}
+ \Unicode{220F}{N-ARY PRODUCT}
+\endsetslot
+
+\setslot{integraldisplay}
+ \Unicode{222B}{INTEGRAL}
+\endsetslot
+
+\setslot{uniondisplay}
+ \Unicode{22C3}{N-ARY UNION}
+\endsetslot
+
+\setslot{intersectiondisplay}
+ \Unicode{22C2}{N-ARY INTERSECTION}
+\endsetslot
+
+\setslot{unionmultidisplay}
+ \Unicode{228E}{MULTISET UNION}
+\endsetslot
+
+\setslot{logicalanddisplay}
+ \Unicode{22C0}{N-ARY LOGICAL AND}
+\endsetslot
+
+\setslot{logicalordisplay}
+ \Unicode{22C1}{N-ARY LOGICAL OR}
+\endsetslot
+
+\skipslots{1}
+\setslot{coproductdisplay}
+ \Unicode{2210}{N-ARY COPRODUCT}
+\endsetslot
+
+
+
+\begincomment
+\subsection{Accents}
+\endcomment
+
+\nextslot{"63}
+\setslot{hatwider}
+ \Unicode{0302}{COMBINING CIRCUMFLEX ACCENT}
+ \nextlarger{hatwiderr}
+\endsetslot
+
+\setslot{hatwiderr}
+ \Unicode{0302}{COMBINING CIRCUMFLEX ACCENT}
+\endsetslot
+
+\skipslots{1}
+
+\setslot{tildewider}
+ \Unicode{0303}{COMBINING TILDE}
+ \nextlarger{tildewiderr}
+\endsetslot
+
+\setslot{tildewiderr}
+ \Unicode{0303}{COMBINING TILDE}
+\endsetslot
+
+
+\begincomment
+\subsection{Radicals}
+\endcomment
+
+\nextslot{"71}
+\setslot{radicalBig}
+ \Unicode{221A}{SQUARE ROOT}
+ \nextlarger{radicalbigg}
+\endsetslot
+
+\setslot{radicalbigg}
+ \Unicode{221A}{SQUARE ROOT}
+ \nextlarger{radicalBigg}
+\endsetslot
+
+\setslot{radicalBigg}
+ \Unicode{221A}{SQUARE ROOT}
+ \nextlarger{radicalbt}
+\endsetslot
+
+\setslot{radicalbt}
+ \Unicode{221A}{SQUARE ROOT}
+ \varchar
+ \varbot{radicalbt}
+ \vartop{radicaltp}
+ \varrep{radicalvertex}
+ \endvarchar
+\endsetslot
+
+\setslot{radicalvertex}
+ \comment{This is the repeatable, vertically middle part of an
+ extensible \textunicode{221A}{SQUARE ROOT}.}
+\endsetslot
+
+\setslot{radicaltp}
+ \comment{This is the top corner part of an extensible
+ \textunicode{221A}{SQUARE ROOT}.}
+\endsetslot
+
+
+
+
+
+\begincomment
+\section{Fontdimens and codingscheme}
+
+\texttt{OMX} fonts have the necessary fontdimens to serve as a math
+group 3 font.
+\endcomment
+
+\setfontdimen{1}{italicslant} % italic slant
+\setfontdimen{2}{interword} % interword space
+\setfontdimen{3}{stretchword} % interword stretch
+\setfontdimen{4}{shrinkword} % interword shrink
+\setfontdimen{5}{xheight} % x-height
+\setfontdimen{6}{quad} % quad
+\setfontdimen{7}{extraspace} % extra space after .
+
+\setfontdimen{8}{defaultrulethickness} % default rule thickness
+\setfontdimen{9}{bigopspacing1} % bigopspacing 1
+\setfontdimen{10}{bigopspacing2} % bigopspacing 2
+\setfontdimen{11}{bigopspacing3} % bigopspacing 3
+\setfontdimen{12}{bigopspacing4} % bigopspacing 4
+\setfontdimen{13}{bigopspacing5} % bigopspacing 5
+
+\setstr{codingscheme}{TEX MATH EXTENSION}
+
+
+
+
+
+\endencoding
+
+
+\section{Discussion}
+
+
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/fontinst/base/encspecs/ot1draft.etx b/Master/texmf-dist/doc/fonts/fontinst/base/encspecs/ot1draft.etx
new file mode 100644
index 00000000000..6f07bbd6f4a
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontinst/base/encspecs/ot1draft.etx
@@ -0,0 +1,1027 @@
+\relax
+\documentclass[twocolumn]{article}
+\usepackage[specification]{fontdoc}[2004/11/28]
+
+\DeclareRobustCommand\cs[1]{\texttt{\char`\\#1}}
+
+\showbranches
+
+\begin{document}
+
+\title{\texttt{OT1} encoding draft specification}
+\author{Lars Hellstr\"om}
+\date{2004/12/16}
+\maketitle
+
+\begin{abstract}
+ The \texttt{OT1} encoding is an attempt to describe the encoding of
+ the text fonts in Donald~E.~Knuth's \emph{Computer Modern} family
+ of fonts~\cite{ComputerModern}. This is an impossibile goal, since
+ these fonts present no less than five different encodings, but they
+ are nontheless largely treated by \LaTeX\ as having identical
+ encodings. Due to the ambiguities this creates, and in view of that
+ the \texttt{T1} encoding supersedes \texttt{OT1} as text font
+ encoding, there is little point in using the text commands for
+ distiguishing mandatory features of \texttt{OT1} from the ordinary.
+
+ \texttt{OT1} is however also used as a math font encoding (to go
+ with \texttt{OML}, \texttt{OMS}, and \texttt{OMX}), and that use is
+ today the by far most important since there is no obvious alternative
+ to the standard math font set-up. Therefore this specification
+ considers a feature of the encoding to be mandatory if it is
+ (i)~necessary for the standard math set-up or (ii)~is a text feature
+ which works for all encoding variants.
+\end{abstract}
+
+\encoding
+\needsfontinstversion{1.928}
+
+
+
+\begincomment
+\section{Encoding variants}
+
+This document aims to record all the encoding variations that are
+present within the set of fonts classified by \LaTeX\ as having the
+\texttt{OT1} encoding. It turns out that they can all be described
+using only two parameters. One of these might be called
+`\textit{ligaturing}' as one factor it affects is how many ligatures
+there will be in the font. The other parameter is best called
+`\textit{italicizing}' as it is different between italic and
+non-italic fonts. Most of the Computer Modern fonts have
+\(\mathit{ligaturing} = 2\) and \(\mathit{italicizing} = 0\).
+
+\endcomment
+\setint{ligaturing}{2}
+\setint{italicizing}{0}
+
+
+\begincomment
+
+
+\section{Mandatory characters}
+
+\subsection{Latin letters}
+\endcomment
+
+\nextslot{16}
+\setslot{dotlessi}
+ \Unicode{0131}{LATIN SMALL LETTER DOTLESS I}
+ \comment{A dotless i `\i', used to produce accented letters such as
+ `\=\i'. It is not used for math.}
+\endsetslot
+
+\setslot{dotlessj}
+ \Unicode{F6BE}{LATIN SMALL LETTER DOTLESS J}
+ \comment{A dotless j `\j', used to produce accented letters such as
+ `\=\j'. It is not used for math. The Unicode standard does not
+ define this character, but Adobe has assigned code point
+ \texttt{U+F6BE} (which is in the private use subarea assigned by
+ Adobe) to it.}
+\endsetslot
+
+\nextslot{25}
+\setslot{germandbls}
+ \Unicode{00DF}{LATIN SMALL LETTER SHARP S}
+ \comment{This slot is not used in math.}
+\endsetslot
+
+\setslot{ae}
+ \Unicode{00E6}{LATIN SMALL LETTER AE}
+ \comment{This slot is not used in math.}
+\endsetslot
+
+\setslot{oe}
+ \Unicode{0153}{LATIN SMALL LIGATURE OE}
+ \comment{This is a single letter, and should not be faked with `oe'.
+ It is not used in math.}
+\endsetslot
+
+\setslot{oslash}
+ \Unicode{00F8}{LATIN SMALL LETTER O WITH STROKE}
+ \comment{This slot is not used in math.}
+\endsetslot
+
+\setslot{AE}
+ \Unicode{00C6}{LATIN CAPITAL LETTER AE}
+ \comment{This slot is not used in math.}
+\endsetslot
+
+\setslot{OE}
+ \Unicode{0152}{LATIN CAPITAL LIGATURE OE}
+ \comment{This is a single letter, and should not be faked with
+ `OE'. It is not used in math.}
+\endsetslot
+
+\setslot{Oslash}
+ \Unicode{00D8}{LATIN CAPITAL LETTER O WITH STROKE}
+ \comment{This slot is not used in math.}
+\endsetslot
+
+
+\nextslot{65}
+\setslot{A}
+ \Unicode{0041}{LATIN CAPITAL LETTER A}
+ \label{A}
+\endsetslot
+
+\setslot{B}
+ \Unicode{0042}{LATIN CAPITAL LETTER B}
+\endsetslot
+
+\setslot{C}
+ \Unicode{0043}{LATIN CAPITAL LETTER C}
+\endsetslot
+
+\setslot{D}
+ \Unicode{0044}{LATIN CAPITAL LETTER D}
+\endsetslot
+
+\setslot{E}
+ \Unicode{0045}{LATIN CAPITAL LETTER E}
+\endsetslot
+
+\setslot{F}
+ \Unicode{0046}{LATIN CAPITAL LETTER F}
+\endsetslot
+
+\setslot{G}
+ \Unicode{0047}{LATIN CAPITAL LETTER G}
+\endsetslot
+
+\setslot{H}
+ \Unicode{0048}{LATIN CAPITAL LETTER H}
+\endsetslot
+
+\setslot{I}
+ \Unicode{0049}{LATIN CAPITAL LETTER I}
+\endsetslot
+
+\setslot{J}
+ \Unicode{004A}{LATIN CAPITAL LETTER J}
+\endsetslot
+
+\setslot{K}
+ \Unicode{004B}{LATIN CAPITAL LETTER K}
+\endsetslot
+
+\setslot{L}
+ \Unicode{004C}{LATIN CAPITAL LETTER L}
+\endsetslot
+
+\setslot{M}
+ \Unicode{004D}{LATIN CAPITAL LETTER M}
+\endsetslot
+
+\setslot{N}
+ \Unicode{004E}{LATIN CAPITAL LETTER N}
+\endsetslot
+
+\setslot{O}
+ \Unicode{004F}{LATIN CAPITAL LETTER O}
+\endsetslot
+
+\setslot{P}
+ \Unicode{0050}{LATIN CAPITAL LETTER P}
+\endsetslot
+
+\setslot{Q}
+ \Unicode{0051}{LATIN CAPITAL LETTER Q}
+\endsetslot
+
+\setslot{R}
+ \Unicode{0052}{LATIN CAPITAL LETTER R}
+\endsetslot
+
+\setslot{S}
+ \Unicode{0053}{LATIN CAPITAL LETTER S}
+\endsetslot
+
+\setslot{T}
+ \Unicode{0054}{LATIN CAPITAL LETTER T}
+\endsetslot
+
+\setslot{U}
+ \Unicode{0055}{LATIN CAPITAL LETTER U}
+\endsetslot
+
+\setslot{V}
+ \Unicode{0056}{LATIN CAPITAL LETTER V}
+\endsetslot
+
+\setslot{W}
+ \Unicode{0057}{LATIN CAPITAL LETTER W}
+\endsetslot
+
+\setslot{X}
+ \Unicode{0058}{LATIN CAPITAL LETTER X}
+\endsetslot
+
+\setslot{Y}
+ \Unicode{0059}{LATIN CAPITAL LETTER Y}
+ \label{Y}
+\endsetslot
+
+\setslot{Z}
+ \Unicode{005A}{LATIN CAPITAL LETTER Z}
+\endsetslot
+
+
+\nextslot{97}
+\setslot{a}
+ \Unicode{0061}{LATIN SMALL LETTER A}
+\endsetslot
+
+\setslot{b}
+ \Unicode{0062}{LATIN SMALL LETTER B}
+\endsetslot
+
+\setslot{c}
+ \Unicode{0063}{LATIN SMALL LETTER C}
+\endsetslot
+
+\setslot{d}
+ \Unicode{0064}{LATIN SMALL LETTER D}
+\endsetslot
+
+\setslot{e}
+ \Unicode{0065}{LATIN SMALL LETTER E}
+\endsetslot
+
+\setslot{f}
+ \Unicode{0066}{LATIN SMALL LETTER F}
+ \ifnumber{\int{ligaturing}}={2}\then
+ \ligature{LIG}{f}{ff}
+ \ligature{LIG}{i}{fi}
+ \ligature{LIG}{l}{fl}
+ \Fi
+\endsetslot
+
+\setslot{g}
+ \Unicode{0067}{LATIN SMALL LETTER G}
+\endsetslot
+
+\setslot{h}
+ \Unicode{0068}{LATIN SMALL LETTER H}
+\endsetslot
+
+\setslot{i}
+ \Unicode{0069}{LATIN SMALL LETTER I}
+\endsetslot
+
+\setslot{j}
+ \Unicode{006A}{LATIN SMALL LETTER J}
+\endsetslot
+
+\setslot{k}
+ \Unicode{006B}{LATIN SMALL LETTER K}
+\endsetslot
+
+\setslot{l}
+ \Unicode{006C}{LATIN SMALL LETTER L}
+\endsetslot
+
+\setslot{m}
+ \Unicode{006D}{LATIN SMALL LETTER M}
+\endsetslot
+
+\setslot{n}
+ \Unicode{006E}{LATIN SMALL LETTER N}
+\endsetslot
+
+\setslot{o}
+ \Unicode{006F}{LATIN SMALL LETTER O}
+\endsetslot
+
+\setslot{p}
+ \Unicode{0070}{LATIN SMALL LETTER P}
+\endsetslot
+
+\setslot{q}
+ \Unicode{0071}{LATIN SMALL LETTER Q}
+\endsetslot
+
+\setslot{r}
+ \Unicode{0072}{LATIN SMALL LETTER R}
+\endsetslot
+
+\setslot{s}
+ \Unicode{0073}{LATIN SMALL LETTER S}
+\endsetslot
+
+\setslot{t}
+ \Unicode{0074}{LATIN SMALL LETTER T}
+\endsetslot
+
+\setslot{u}
+ \Unicode{0075}{LATIN SMALL LETTER U}
+\endsetslot
+
+\setslot{v}
+ \Unicode{0076}{LATIN SMALL LETTER V}
+\endsetslot
+
+\setslot{w}
+ \Unicode{0077}{LATIN SMALL LETTER W}
+\endsetslot
+
+\setslot{x}
+ \Unicode{0078}{LATIN SMALL LETTER X}
+\endsetslot
+
+\setslot{y}
+ \Unicode{0079}{LATIN SMALL LETTER Y}
+\endsetslot
+
+\setslot{z}
+ \Unicode{007A}{LATIN SMALL LETTER Z}
+\endsetslot
+
+
+\begincomment
+\subsection{Greek letters}
+\endcomment
+
+\nextslot{0}
+\setslot{Gamma}
+ \Unicode{0393}{GREEK CAPITAL LETTER GAMMA}
+\endsetslot
+
+\setslot{Delta}
+ \Unicode{0394}{GREEK CAPITAL LETTER DELTA}
+\endsetslot
+
+\setslot{Theta}
+ \Unicode{0398}{GREEK CAPITAL LETTER THETA}
+\endsetslot
+
+\setslot{Lambda}
+ \Unicode{039B}{GREEK CAPITAL LETTER LAMBDA}
+ % Unicode's preferred name for this character seems to be
+ % GREEK CAPITAL LETTER LAMDA, i.e., without the `B'. Why?
+ % GREEK CAPITAL LETTER LAMBDA is listed as an alternative name.
+\endsetslot
+
+\setslot{Xi}
+ \Unicode{039E}{GREEK CAPITAL LETTER XI}
+\endsetslot
+
+\setslot{Pi}
+ \Unicode{03A0}{GREEK CAPITAL LETTER PI}
+\endsetslot
+
+\setslot{Sigma}
+ \Unicode{03A3}{GREEK CAPITAL LETTER SIGMA}
+\endsetslot
+
+\setslot{Upsilon1}
+ \Unicode{03D2}{GREEK UPSILON WITH HOOK SYMBOL}
+ \comment{This is primarily a math character and it is should
+ be visually distinct from the character in slot~\ref{Y}. This is
+ not generally the case for the normal Upsilon
+ \textunicode{03A5}{GREEK CAPITAL LETTER UPSILON}, which is by
+ the way what usually has the glyph name \texttt{Upsilon}.
+ An argument for the latter is however that all the purely
+ mathematical Upsilons that exist in the Unicode standard are
+ described as variants of the non-hook character.}
+\endsetslot
+
+\setslot{Phi}
+ \Unicode{03A6}{GREEK CAPITAL LETTER PHI}
+\endsetslot
+
+\setslot{Psi}
+ \Unicode{03A8}{GREEK CAPITAL LETTER PSI}
+\endsetslot
+
+\setslot{Omega}
+ \Unicode{03A9}{GREEK CAPITAL LETTER OMEGA}
+\endsetslot
+
+
+\begincomment
+\subsection{Digits}
+\endcomment
+
+\nextslot{48}
+\setslot{zero}
+ \Unicode{0030}{DIGIT ZERO}
+\endsetslot
+
+\setslot{one}
+ \Unicode{0031}{DIGIT ONE}
+\endsetslot
+
+\setslot{two}
+ \Unicode{0032}{DIGIT TWO}
+\endsetslot
+
+\setslot{three}
+ \Unicode{0033}{DIGIT THREE}
+\endsetslot
+
+\setslot{four}
+ \Unicode{0034}{DIGIT FOUR}
+\endsetslot
+
+\setslot{five}
+ \Unicode{0035}{DIGIT FIVE}
+\endsetslot
+
+\setslot{six}
+ \Unicode{0036}{DIGIT SIX}
+\endsetslot
+
+\setslot{seven}
+ \Unicode{0037}{DIGIT SEVEN}
+\endsetslot
+
+\setslot{eight}
+ \Unicode{0038}{DIGIT EIGHT}
+\endsetslot
+
+\setslot{nine}
+ \Unicode{0039}{DIGIT NINE}
+\endsetslot
+
+
+\begincomment
+\subsection{Accents}
+\endcomment
+
+\nextslot{18}
+\setslot{grave}
+ \Unicode{0300}{COMBINING GRAVE ACCENT}
+\endsetslot
+
+\setslot{acute}
+ \Unicode{0301}{COMBINING ACUTE ACCENT}
+\endsetslot
+
+\setslot{caron}
+ \Unicode{030C}{COMBINING CARON}
+ \comment{The caron or h\'a\v cek accent `\v{}'.}
+\endsetslot
+
+\setslot{breve}
+ \Unicode{0306}{COMBINING BREVE}
+\endsetslot
+
+\setslot{macron}
+ \Unicode{0304}{COMBINING MACRON}
+\endsetslot
+
+\setslot{ring}
+ \Unicode{030A}{COMBINING RING ABOVE}
+ \comment{The text definition of `\verb|\r{A}|' assumes that this
+ glyph has the same width as that in slot~\ref{A}.}
+\endsetslot
+
+\setslot{cedilla}
+ \Unicode{0327}{COMBINING CEDILLA}
+ \comment{This slot is not required for math, but is used by
+ the \cs{c} \LaTeX\ command.}
+\endsetslot
+
+
+\nextslot{94}
+\setslot{circumflex}
+ \Unicode{0302}{COMBINING CIRCUMFLEX ACCENT}
+ \Unicode{005E}{CIRCUMFLEX ACCENT}
+\endsetslot
+
+\ifnumber{\int{ligaturing}}>{0}\then
+
+\setslot{dotaccent}
+ \Unicode{0307}{COMBINING DOT ABOVE}
+ \label{dotaccent}
+\endsetslot
+
+\begincomment
+\par\medskip
+Note that the \(\mathit{ligaturing} = 0\) assignment to
+slot~\ref{underscore} is ordinary, not mandatory.
+\endcomment
+
+\Fi
+
+
+\nextslot{126}
+\setslot{tilde}
+ \Unicode{0303}{COMBINING TILDE}
+ \Unicode{007E}{TILDE}
+\endsetslot
+
+\setslot{dieresis}
+ \Unicode{0308}{COMBINING DIAERESIS}
+\endsetslot
+
+
+\begincomment
+\subsection{Symbols}
+\endcomment
+
+\nextslot{33}
+\setslot{exclam}
+ \Unicode{0021}{EXCLAMATION MARK}
+ \Ligature{LIG}{quoteleft}{exclamdown}
+\endsetslot
+
+\skipslots{1}
+
+\setslot{numbersign}
+ \Unicode{0023}{NUMBER SIGN}
+ \comment{This slot is not used for math.}
+\endsetslot
+
+\ifnumber{\int{italicizing}}={0}\then
+
+\setslot{dollar}
+ \Unicode{0024}{DOLLAR SIGN}
+\endsetslot
+
+\Else
+
+\setslot{sterling}
+ \Unicode{00A3}{POUND SIGN}
+\endsetslot
+
+\Fi
+
+\setslot{percent}
+ \Unicode{0025}{PERCENT SIGN}
+ \comment{This slot is not used for math.}
+\endsetslot
+
+\setslot{ampersand}
+ \Unicode{0026}{AMPERSAND}
+ \comment{This slot is not used for math.}
+\endsetslot
+
+\setslot{quoteright}
+ \Unicode{2019}{RIGHT SINGLE QUOTATION MARK}
+ \comment{This slot is not used for math.}
+ \ifnumber{\int{ligaturing}}>{0}\then
+ \Ligature{LIG}{quoteright}{quotedblright}
+ \Fi
+\endsetslot
+
+\setslot{parenleft}
+ \Unicode{0028}{LEFT PARENTHESIS}
+\endsetslot
+
+\setslot{parenright}
+ \Unicode{0029}{RIGHT PARENTHESIS}
+\endsetslot
+
+\setslot{asterisk}
+ \Unicode{002A}{ASTERISK}
+ \comment{This slot is not used for math.}
+\endsetslot
+
+\setslot{plus}
+ \Unicode{002B}{PLUS SIGN}
+\endsetslot
+
+\setslot{comma}
+ \Unicode{002C}{COMMA}
+ \comment{This slot is not used for math.}
+\endsetslot
+
+\setslot{hyphen}
+ \Unicode{002D}{HYPHEN-MINUS}
+ \comment{This slot is not used for math.}
+ \ifnumber{\int{ligaturing}}>{0}\then
+ \Ligature{LIG}{hyphen}{endash}
+ \Fi
+\endsetslot
+
+\setslot{period}
+ \Unicode{002E}{FULL STOP}
+ \comment{This slot is not used for math.}
+\endsetslot
+
+\setslot{slash}
+ \Unicode{002F}{SOLIDUS}
+\endsetslot
+
+\nextslot{58}
+\setslot{colon}
+ \Unicode{003A}{COLON}
+\endsetslot
+
+\setslot{semicolon}
+ \Unicode{003B}{SEMICOLON}
+\endsetslot
+
+\skipslots{1}
+
+\setslot{equal}
+ \Unicode{003D}{EQUALS SIGN}
+\endsetslot
+
+\skipslots{1}
+
+\setslot{question}
+ \Unicode{003F}{QUESTION MARK}
+ \Ligature{LIG}{quoteleft}{questiondown}
+\endsetslot
+
+\setslot{at}
+ \Unicode{0040}{COMMERCIAL AT}
+ \comment{This slot is not used for math.}
+\endsetslot
+
+\nextslot{91}
+\setslot{bracketleft}
+ \Unicode{005B}{LEFT SQUARE BRACKET}
+\endsetslot
+
+\skipslots{1}
+
+\setslot{bracketright}
+ \Unicode{005D}{RIGHT SQUARE BRACKET}
+\endsetslot
+
+\nextslot{96}
+\setslot{quoteleft}
+ \Unicode{2018}{LEFT SINGLE QUOTATION MARK}
+ \comment{This slot is not used for math.}
+ \ifnumber{\int{ligaturing}}>{0}\then
+ \Ligature{LIG}{quoteleft}{quotedblleft}
+ \Fi
+\endsetslot
+
+
+
+\begincomment
+\section{Ordinary characters}
+
+\subsection{Letters}
+\endcomment
+
+\ifnumber{\int{ligaturing}}={2}\then
+
+\nextslot{11}
+\setslot{ff}
+ \charseq{
+ \Unicode{0066}{LATIN SMALL LETTER F}
+ \Unicode{0066}{LATIN SMALL LETTER F}
+ }
+ \comment{This glyph should be two characters wide in a monowidth
+ font.}
+ \ligature{LIG}{i}{ffi}
+ \ligature{LIG}{l}{ffl}
+\endsetslot
+
+\setslot{fi}
+ \charseq{
+ \Unicode{0066}{LATIN SMALL LETTER F}
+ \Unicode{0069}{LATIN SMALL LETTER I}
+ }
+ \comment{This glyph should be two characters wide in a monowidth
+ font.}
+\endsetslot
+
+\setslot{fl}
+ \charseq{
+ \Unicode{0066}{LATIN SMALL LETTER F}
+ \Unicode{006C}{LATIN SMALL LETTER L}
+ }
+ \comment{This glyph should be two characters wide in a monowidth
+ font.}
+\endsetslot
+
+\setslot{ffi}
+ \charseq{
+ \Unicode{0066}{LATIN SMALL LETTER F}
+ \Unicode{0066}{LATIN SMALL LETTER F}
+ \Unicode{0069}{LATIN SMALL LETTER I}
+ }
+ \comment{This glyph should be three characters wide in a monowidth
+ font.}
+\endsetslot
+
+\setslot{ffl}
+ \charseq{
+ \Unicode{0066}{LATIN SMALL LETTER F}
+ \Unicode{0066}{LATIN SMALL LETTER F}
+ \Unicode{006C}{LATIN SMALL LETTER L}
+ }
+ \comment{This glyph should be three characters wide in a monowidth
+ font.}
+\endsetslot
+
+\Fi
+
+\nextslot{"8A}
+\setslot{Lslash}
+ \Unicode{0141}{LATIN CAPITAL LETTER L WITH STROKE}
+ \comment{The letter `\L'.}
+\endsetslot
+
+\nextslot{"AA}
+\setslot{lslash}
+ \Unicode{0142}{LATIN SMALL LETTER L WITH STROKE}
+ \comment{The letter `\l'.}
+\endsetslot
+
+
+\begincomment
+\subsection{Accents}
+\endcomment
+
+\ifnumber{\int{ligaturing}}>{0}\then
+
+\nextslot{125}
+\setslot{hungarumlaut}
+ \Unicode{030B}{COMBINING DOUBLE ACUTE ACCENT}
+ \comment{The long Hungarian umlaut `\H{}'.}
+\endsetslot
+
+\Fi
+
+\begincomment
+\subsection{Symbols}
+\endcomment
+
+\ifnumber{\int{ligaturing}}<{2}\then
+
+\nextslot{11}
+\setslot{arrowup}
+ \Unicode{2191}{UPWARDS ARROW}
+\endsetslot
+
+\setslot{arrowdown}
+ \Unicode{2193}{DOWNWARDS ARROW}
+\endsetslot
+
+\setslot{quotesingle}
+ \Unicode{0027}{APOSTROPHE}
+\endsetslot
+
+\setslot{exclamdown}
+ \Unicode{00A1}{INVERTED EXCLAMATION MARK}
+\endsetslot
+
+\setslot{questiondown}
+ \Unicode{00BF}{INVERTED QUESTION MARK}
+\endsetslot
+
+\Fi
+
+\nextslot{32}
+\ifnumber{\int{ligaturing}}>{0}\then
+
+\setslot{lslashslash}
+ \comment{When this character is followed by
+ \textunicode{004C}{LATIN CAPITAL LETTER L} then the combined
+ result is \textunicode{0141}{LATIN CAPITAL LETTER L WITH STROKE};
+ this is used by the \cs{L} command. When this character is
+ followed by \textunicode{006C}{LATIN SMALL LETTER L} then the
+ combined result is \textunicode{0142}{LATIN SMALL LETTER L WITH
+ STROKE}; this is used by the \cs{l} command. There are no further
+ semantics for this character.}
+ \ligature{LIG}{L}{Lslash}
+ \ligature{LIG}{l}{lslash}
+ \comment{These ligatures, and the characters they point to, were
+ added by Alan Jeffrey early in \textsf{fontinst} development in
+ order to allow the character in this slot to exhibit the correct
+ behaviour even in fonts where there is no corresponding glyph.}
+\endsetslot
+
+\Else
+
+\setslot{visiblespace}
+ \Unicode{2423}{OPEN BOX}
+ \comment{A visible space glyph `\textvisiblespace'.}
+\endsetslot
+
+\Fi
+
+
+\nextslot{34}
+\ifnumber{\int{ligaturing}}>{0}\then
+
+\setslot{quotedblright}
+ \Unicode{201D}{RIGHT DOUBLE QUOTATION MARK}
+\endsetslot
+
+\Else
+
+\setslot{quotedbl}
+ \Unicode{0022}{QUOTATION MARK}
+\endsetslot
+
+\Fi
+
+\nextslot{60}
+\ifnumber{\int{ligaturing}}={2}\then
+
+\setslot{exclamdown}
+ \Unicode{00A1}{INVERTED EXCLAMATION MARK}
+\endsetslot
+
+\skipslots{1}
+
+\setslot{questiondown}
+ \Unicode{00BF}{INVERTED QUESTION MARK}
+\endsetslot
+
+\Else
+
+\setslot{less}
+ \Unicode{003C}{LESS-THAN SIGN}
+\endsetslot
+
+\skipslots{1}
+
+\setslot{greater}
+ \Unicode{003E}{GREATER-THAN SIGN}
+\endsetslot
+
+\Fi
+
+\nextslot{92}
+\ifnumber{\int{ligaturing}}>{0}\then
+
+\setslot{quotedblleft}
+ \Unicode{201C}{LEFT DOUBLE QUOTATION MARK}
+\endsetslot
+
+\Else
+
+\setslot{backslash}
+ \Unicode{005C}{REVERSE SOLIDUS}
+\endsetslot
+
+\nextslot{95}
+\setslot{underscore}
+ \Unicode{005F}{LOW LINE}
+ \label{underscore}
+\endsetslot
+
+\begincomment
+\par\medskip
+Note that the \(\mathit{ligaturing} > 0\) assignment to
+slot~\ref{dotaccent} is mandatory, not ordinary.
+\endcomment
+
+\Fi
+
+
+\nextslot{123}
+\ifnumber{\int{ligaturing}}>{0}\then
+
+\setslot{endash}
+ \Unicode{2013}{EN DASH}
+ \Ligature{LIG}{hyphen}{emdash}
+\endsetslot
+
+\setslot{emdash}
+ \Unicode{2014}{EM DASH}
+ \comment{In a monowidth font this character is preferably given the
+ width of two normal characters.}
+\endsetslot
+
+\Else
+
+\setslot{braceleft}
+ \Unicode{007B}{LEFT CURLY BRACKET}
+\endsetslot
+
+\setslot{bar}
+ \Unicode{007C}{VERTICAL LINE}
+\endsetslot
+
+\setslot{braceright}
+ \Unicode{007D}{RIGHT CURLY BRACKET}
+\endsetslot
+
+\Fi
+
+
+\begincomment
+\section{Fontdimens}
+\endcomment
+
+\setfontdimen{1}{italicslant} % italic slant
+\setfontdimen{2}{interword} % interword space
+\setfontdimen{3}{stretchword} % interword stretch
+\setfontdimen{4}{shrinkword} % interword shrink
+\setfontdimen{5}{xheight} % x-height
+\setfontdimen{6}{quad} % quad
+\setfontdimen{7}{extraspace} % extra space after .
+
+
+\begincomment
+\section{Coding scheme}
+\endcomment
+
+\ifnumber{\int{ligaturing}}={2}\then
+
+\setstr{codingscheme}{TEX TEXT}
+
+\Else\ifnumber{\int{ligaturing}}={1}\then
+
+\setstr{codingscheme}{TEX TEXT WITHOUT F-LIGATURES}
+
+\Else
+
+\setstr{codingscheme}{TEX TYPEWRITER TEXT}
+
+\Fi\Fi
+
+
+\endencoding
+
+
+\section{Discussion}
+
+
+\subsection{\texttt{OT1} as math font encoding}
+
+As source for the math requirements on the \texttt{OT1} encoding
+was used the standard \LaTeX\ math set-up~\cite{fontdef}. Those
+definitions that make use of \texttt{OT1} fonts either use the
+\texttt{operators} symbol font\slash font family~0 or have math
+class~7 (\cs{mathalpha}).
+
+There are two slots used for math that have different assignments
+in different encoding variants. Slot 36 (\texttt{dollar}\slash
+\texttt{sterling}) depends on the $\mathit{italicizing}$, and is used
+by the commands \cs{mathdollar} (called by \verb|\$|) and
+\cs{mathsterling} (called by \cs{pounds}). This works because these
+commands explicitly take the character from a font with the correct
+$\mathit{italicizing}$.
+
+Slot~95 (\texttt{dotaccent}\slash \texttt{underline}) depends on the
+$\mathit{ligaturing}$ and is used by the \cs{dot} command. This
+command does \emph{not} work for fonts with \(\mathit{ligaturing}=0\),
+and hence e.g.\ the formula \verb|$\mathtt{\dot{x}}$| does not produce
+a typewriter dotted `x', but rather an `x' and underscore printed on
+top of each other. This is thus an error, but due to that it is
+unlikely that the error will be missed by the author who encounters
+it, the error is probably harmless.
+
+
+\subsection{\texttt{OT1} as text font encoding}
+
+The sources used to determine the text requirements on the
+\texttt{OT1} encoding were~\cite{ltoutenc}.
+
+It turns out that there are LICR commands which rely on non-mandatory
+features of the font. It is mostly for the \(\mathit{ligaturing} = 0\)
+fonts that commands produce incorrect results. The following commands
+work with all \texttt{OT1} fonts which have \(\mathit{ligaturing} > 0\)
+but fail with the others: \cs{L}, \cs{l}, \cs{.}, \cs{H},
+\cs{textemdash}, \cs{textendash}, and \cs{textquotedblleft}.
+In addition, the command \cs{textquotedblright} produces a
+reasonable, but not exactly correct, result.
+
+Traditionally the \cs{textexclamdown} and \cs{textquestiondown} have
+only worked for fonts which have \(\mathit{ligaturing} = 2\), but
+that can be fixed; see~\cite{latex/3368}.
+
+
+\section{Changes}
+
+The changes made to this specification since the original 2001/09/09
+version are as follows.
+
+2004/12/16: Changed the f-ligatures to character sequences, which
+makes more sense for \texttt{CMap}s. Incremented needed versions
+accordingly. /LH
+
+
+\begin{thebibliography}{9}
+\bibitem{ltoutenc}
+ Johannes Braams, David Carlisle, Alan Jeffrey, Frank Mittelbach,
+ Chris Rowley, and Rainer Sch\"opf:
+ \textit{ltoutenc.dtx}, v\,1.91 (2000);
+ the file \texttt{ltoutenc.dtx} in the \LaTeX\ base distribution.
+\bibitem{latex/3368}
+ Lars Hellstr\"om:
+ \textit{\texttt{OT1} def.\ of \cs{textexclamdown} and
+ \cs{textquestiondown}}, \LaTeX\ bugs database entry
+ \textbf{latex/3368}, 2001.
+% ; \textsc{http:}/\slash \texttt{www.latex-project.org}\slash
+% \texttt{cgi-bin}\slash \texttt{ltxbugs2html\discretionary{?}{}{?}%
+% pr=latex/3368}.
+\bibitem{ComputerModern}
+ Donald E. Knuth:
+ \textit{Computer Modern Typefaces},
+ volume E of \textit{Computers \& Typesetting},
+ Ad\-di\-son--Wes\-ley, 1986, xvi+588\,pp.;
+ ISBN~0-201-13446-2.
+\bibitem{fontdef}
+ Frank Mittelbach and Rainer Sch\"opf:
+ \textit{The \texttt{fontdef.dtx} file}, v\,2.2x (1999);
+ the file \texttt{fontdef.dtx} in the \LaTeX\ base distribution.
+\end{thebibliography}
+
+
+\end{document}
+
+
+
diff --git a/Master/texmf-dist/doc/fonts/fontinst/base/encspecs/t1draft.etx b/Master/texmf-dist/doc/fonts/fontinst/base/encspecs/t1draft.etx
new file mode 100644
index 00000000000..d82c9e53ed0
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontinst/base/encspecs/t1draft.etx
@@ -0,0 +1,1484 @@
+\relax
+\documentclass[twocolumn]{article}
+\usepackage[specification]{fontdoc}[2004/11/28]
+\usepackage{shortvrb}
+
+\MakeShortVerb{\|}
+
+\begin{document}
+\title{\texttt{T1} encoding draft specification}
+\author{Lars Hellstr\"om}
+\date{2002/07/05}
+\maketitle
+
+\begin{abstract}
+ The \texttt{T1} encoding covers most\footnote{But not quite all.}
+ letters in the latin script that are used in European languages.
+ Code points 32--126 coincide with ASCII\footnote{As defined in
+ Appendix C of \emph{The \TeX book}~\cite{TeXbook}, not as defined
+ by the ANSI.} and code points 192--255 are mainly the same as in
+ the latin-1 encoding~\cite{ISO8859-1,latin-page}, but there are
+ exceptions.
+\end{abstract}
+
+\encoding
+
+\needsfontinstversion{1.928}
+
+\begincomment
+\section{Mandatory characters}
+\endcomment
+
+\begincomment
+\subsection{Letters}
+More than two thirds of the characters in the encoding are letters.
+This is a deliberate choice: \TeX's hyphenation algorithm requires
+that all characters in a word are taken from the same font, hence it
+is advantageous\footnote{Probably less so than what was thought when
+the encoding was designed, but still advantageous.} to keep as many
+letters as possible in the same font. Taking symbols from other fonts
+is less of a disadvantage.
+
+\subsubsection{``Unaccented'' letters in slots 0--127}
+\endcomment
+
+\nextslot{25}
+\setslot{dotlessi}
+ \Unicode{0131}{LATIN SMALL LETTER DOTLESS I}
+ \comment{A dotless i `\i', used to produce accented letters such as
+ `\=\i'.}
+\endsetslot
+
+\setslot{dotlessj}
+ \Unicode{F6BE}{LATIN SMALL LETTER DOTLESS J}
+ \comment{A dotless j `\j', used to produce accented letters such as
+ `\=\j'. The Unicode standard does not define this character, but
+ Adobe has assigned code point \texttt{U+F6BE} (which lies
+ in the private use subarea assigned by Adobe) to it.}
+\endsetslot
+
+
+\nextslot{65}
+\setslot{A}
+ \Unicode{0041}{LATIN CAPITAL LETTER A}
+\endsetslot
+
+\setslot{B}
+ \Unicode{0042}{LATIN CAPITAL LETTER B}
+\endsetslot
+
+\setslot{C}
+ \Unicode{0043}{LATIN CAPITAL LETTER C}
+\endsetslot
+
+\setslot{D}
+ \Unicode{0044}{LATIN CAPITAL LETTER D}
+\endsetslot
+
+\setslot{E}
+ \Unicode{0045}{LATIN CAPITAL LETTER E}
+\endsetslot
+
+\setslot{F}
+ \Unicode{0046}{LATIN CAPITAL LETTER F}
+\endsetslot
+
+\setslot{G}
+ \Unicode{0047}{LATIN CAPITAL LETTER G}
+\endsetslot
+
+\setslot{H}
+ \Unicode{0048}{LATIN CAPITAL LETTER H}
+\endsetslot
+
+\setslot{I}
+ \Unicode{0049}{LATIN CAPITAL LETTER I}
+ \oddligature{This ligature only occurs in Dutch typography.}
+ {LIG}{J}{IJ}
+ \oddligature{This ligature only occurs in Dutch typography.}
+ {LIG}{j}{IJ}
+\endsetslot
+
+\setslot{J}
+ \Unicode{004A}{LATIN CAPITAL LETTER J}
+\endsetslot
+
+\setslot{K}
+ \Unicode{004B}{LATIN CAPITAL LETTER K}
+\endsetslot
+
+\setslot{L}
+ \Unicode{004C}{LATIN CAPITAL LETTER L}
+\endsetslot
+
+\setslot{M}
+ \Unicode{004D}{LATIN CAPITAL LETTER M}
+\endsetslot
+
+\setslot{N}
+ \Unicode{004E}{LATIN CAPITAL LETTER N}
+\endsetslot
+
+\setslot{O}
+ \Unicode{004F}{LATIN CAPITAL LETTER O}
+\endsetslot
+
+\setslot{P}
+ \Unicode{0050}{LATIN CAPITAL LETTER P}
+\endsetslot
+
+\setslot{Q}
+ \Unicode{0051}{LATIN CAPITAL LETTER Q}
+\endsetslot
+
+\setslot{R}
+ \Unicode{0052}{LATIN CAPITAL LETTER R}
+\endsetslot
+
+\setslot{S}
+ \Unicode{0053}{LATIN CAPITAL LETTER S}
+\endsetslot
+
+\setslot{T}
+ \Unicode{0054}{LATIN CAPITAL LETTER T}
+\endsetslot
+
+\setslot{U}
+ \Unicode{0055}{LATIN CAPITAL LETTER U}
+\endsetslot
+
+\setslot{V}
+ \Unicode{0056}{LATIN CAPITAL LETTER V}
+\endsetslot
+
+\setslot{W}
+ \Unicode{0057}{LATIN CAPITAL LETTER W}
+\endsetslot
+
+\setslot{X}
+ \Unicode{0058}{LATIN CAPITAL LETTER X}
+\endsetslot
+
+\setslot{Y}
+ \Unicode{0059}{LATIN CAPITAL LETTER Y}
+\endsetslot
+
+\setslot{Z}
+ \Unicode{005A}{LATIN CAPITAL LETTER Z}
+\endsetslot
+
+
+\nextslot{97}
+\setslot{a}
+ \Unicode{0061}{LATIN SMALL LETTER A}
+\endsetslot
+
+\setslot{b}
+ \Unicode{0062}{LATIN SMALL LETTER B}
+\endsetslot
+
+\setslot{c}
+ \Unicode{0063}{LATIN SMALL LETTER C}
+\endsetslot
+
+\setslot{d}
+ \Unicode{0064}{LATIN SMALL LETTER D}
+\endsetslot
+
+\setslot{e}
+ \Unicode{0065}{LATIN SMALL LETTER E}
+\endsetslot
+
+\setslot{f}
+ \Unicode{0066}{LATIN SMALL LETTER F}
+ \ligature{LIG}{f}{ff}
+ \ligature{LIG}{i}{fi}
+ \ligature{LIG}{l}{fl}
+\endsetslot
+
+\setslot{g}
+ \Unicode{0067}{LATIN SMALL LETTER G}
+\endsetslot
+
+\setslot{h}
+ \Unicode{0068}{LATIN SMALL LETTER H}
+\endsetslot
+
+\setslot{i}
+ \Unicode{0069}{LATIN SMALL LETTER I}
+ \oddligature{This ligature only occurs in Dutch typography.}
+ {LIG}{j}{ij}
+\endsetslot
+
+\setslot{j}
+ \Unicode{006A}{LATIN SMALL LETTER J}
+\endsetslot
+
+\setslot{k}
+ \Unicode{006B}{LATIN SMALL LETTER K}
+\endsetslot
+
+\setslot{l}
+ \Unicode{006C}{LATIN SMALL LETTER L}
+\endsetslot
+
+\setslot{m}
+ \Unicode{006D}{LATIN SMALL LETTER M}
+\endsetslot
+
+\setslot{n}
+ \Unicode{006E}{LATIN SMALL LETTER N}
+\endsetslot
+
+\setslot{o}
+ \Unicode{006F}{LATIN SMALL LETTER O}
+\endsetslot
+
+\setslot{p}
+ \Unicode{0070}{LATIN SMALL LETTER P}
+\endsetslot
+
+\setslot{q}
+ \Unicode{0071}{LATIN SMALL LETTER Q}
+\endsetslot
+
+\setslot{r}
+ \Unicode{0072}{LATIN SMALL LETTER R}
+\endsetslot
+
+\setslot{s}
+ \Unicode{0073}{LATIN SMALL LETTER S}
+\endsetslot
+
+\setslot{t}
+ \Unicode{0074}{LATIN SMALL LETTER T}
+\endsetslot
+
+\setslot{u}
+ \Unicode{0075}{LATIN SMALL LETTER U}
+\endsetslot
+
+\setslot{v}
+ \Unicode{0076}{LATIN SMALL LETTER V}
+\endsetslot
+
+\setslot{w}
+ \Unicode{0077}{LATIN SMALL LETTER W}
+\endsetslot
+
+\setslot{x}
+ \Unicode{0078}{LATIN SMALL LETTER X}
+\endsetslot
+
+\setslot{y}
+ \Unicode{0079}{LATIN SMALL LETTER Y}
+\endsetslot
+
+\setslot{z}
+ \Unicode{007A}{LATIN SMALL LETTER Z}
+\endsetslot
+
+
+\begincomment
+\subsubsection{Mainly East-European accented letters
+ in slots 128--191}
+\endcomment
+
+\nextslot{128}
+\setslot{Abreve}
+ \Unicode{0102}{LATIN CAPITAL LETTER A WITH BREVE}
+\endsetslot
+
+\setslot{Aogonek}
+ \Unicode{0104}{LATIN CAPITAL LETTER A WITH OGONEK}
+\endsetslot
+
+\setslot{Cacute}
+ \Unicode{0106}{LATIN CAPITAL LETTER C WITH ACUTE}
+\endsetslot
+
+\setslot{Ccaron}
+ \Unicode{010C}{LATIN CAPITAL LETTER C WITH CARON}
+\endsetslot
+
+\setslot{Dcaron}
+ \Unicode{010E}{LATIN CAPITAL LETTER D WITH CARON}
+\endsetslot
+
+\setslot{Ecaron}
+ \Unicode{011A}{LATIN CAPITAL LETTER E WITH CARON}
+\endsetslot
+
+\setslot{Eogonek}
+ \Unicode{0118}{LATIN CAPITAL LETTER E WITH OGONEK}
+\endsetslot
+
+\setslot{Gbreve}
+ \Unicode{011E}{LATIN CAPITAL LETTER G WITH BREVE}
+\endsetslot
+
+\setslot{Lacute}
+ \Unicode{0139}{LATIN CAPITAL LETTER L WITH ACUTE}
+\endsetslot
+
+\setslot{Lcaron}
+ \Unicode{013D}{LATIN CAPITAL LETTER L WITH CARON}
+ \comment{The normal glyph for this character consists of a capital
+ L and a right single quote, but the underlying accent is a caron.
+ The glyph name \texttt{Lquoteright} is not uncommon, but
+ \cite{AGL} uses \texttt{Lcaron}.}
+\endsetslot
+
+\setslot{Lslash}
+ \Unicode{0141}{LATIN CAPITAL LETTER L WITH STROKE}
+ \comment{The letter `\L'.}
+\endsetslot
+
+\setslot{Nacute}
+ \Unicode{0143}{LATIN CAPITAL LETTER N WITH ACUTE}
+\endsetslot
+
+\setslot{Ncaron}
+ \Unicode{0147}{LATIN CAPITAL LETTER N WITH CARON}
+\endsetslot
+
+\setslot{Eng}
+ \Unicode{014A}{LATIN CAPITAL LETTER ENG}
+\endsetslot
+
+\setslot{Ohungarumlaut}
+ \Unicode{0150}{LATIN CAPITAL LETTER O WITH DOUBLE ACUTE}
+ \comment{The letter `\H{O}'.}
+\endsetslot
+
+\setslot{Racute}
+ \Unicode{0154}{LATIN CAPITAL LETTER R WITH ACUTE}
+\endsetslot
+
+\setslot{Rcaron}
+ \Unicode{0158}{LATIN CAPITAL LETTER R WITH CARON}
+\endsetslot
+
+\setslot{Sacute}
+ \Unicode{015A}{LATIN CAPITAL LETTER S WITH ACUTE}
+\endsetslot
+
+\setslot{Scaron}
+ \Unicode{0160}{LATIN CAPITAL LETTER S WITH CARON}
+\endsetslot
+
+\setslot{Scedilla}
+ \Unicode{015E}{LATIN CAPITAL LETTER S WITH CEDILLA}
+ \comment{In Romanian, character \textunicode{0218}{latin
+ capital letter s with comma below} is preferred, but that
+ wasn't known when this encoding was designed.}
+\endsetslot
+
+\setslot{Tcaron}
+ \Unicode{0164}{LATIN CAPITAL LETTER T WITH CARON}
+\endsetslot
+
+\setslot{Tcommaaccent}
+ \Unicode{021A}{LATIN CAPITAL LETTER T WITH COMMA BELOW}
+\endsetslot
+
+\setslot{Uhungarumlaut}
+ \Unicode{0170}{LATIN CAPITAL LETTER U WITH DOUBLE ACUTE}
+ \comment{The letter `\H{U}'.}
+\endsetslot
+
+\setslot{Uring}
+ \Unicode{016E}{LATIN CAPITAL LETTER U WITH RING ABOVE}
+\endsetslot
+
+\setslot{Ydieresis}
+ \Unicode{0178}{LATIN CAPITAL LETTER Y WITH DIAERESIS}
+\endsetslot
+
+\setslot{Zacute}
+ \Unicode{0179}{LATIN CAPITAL LETTER Z WITH ACUTE}
+\endsetslot
+
+\setslot{Zcaron}
+ \Unicode{017D}{LATIN CAPITAL LETTER Z WITH CARON}
+\endsetslot
+
+\setslot{Zdotaccent}
+ \Unicode{017B}{LATIN CAPITAL LETTER Z WITH DOT ABOVE}
+\endsetslot
+
+\skipslots{1}
+\setslot{Idotaccent}
+ \Unicode{0130}{LATIN CAPITAL LETTER I WITH DOT ABOVE}
+ \comment{This character's |\lccode| value points to slot 105
+ (\texttt{i}), as does that of slot 73 (\texttt{I}).}
+\endsetslot
+
+\setslot{dcroat}
+ \Unicode{0111}{LATIN SMALL LETTER D WITH STROKE}
+\endsetslot
+
+
+\nextslot{160}
+\setslot{abreve}
+ \Unicode{0103}{LATIN SMALL LETTER A WITH BREVE}
+\endsetslot
+
+\setslot{aogonek}
+ \Unicode{0105}{LATIN SMALL LETTER A WITH OGONEK}
+\endsetslot
+
+\setslot{cacute}
+ \Unicode{0107}{LATIN SMALL LETTER C WITH ACUTE}
+\endsetslot
+
+\setslot{ccaron}
+ \Unicode{010D}{LATIN SMALL LETTER C WITH CARON}
+\endsetslot
+
+\setslot{dcaron}
+ \Unicode{010F}{LATIN SMALL LETTER D WITH CARON}
+ \comment{The normal glyph for this character consists of a
+ lower case d and a right single quote, but the underlying
+ accent is a caron.}
+\endsetslot
+
+\setslot{ecaron}
+ \Unicode{011B}{LATIN SMALL LETTER E WITH CARON}
+\endsetslot
+
+\setslot{eogonek}
+ \Unicode{0119}{LATIN SMALL LETTER E WITH OGONEK}
+\endsetslot
+
+\setslot{gbreve}
+ \Unicode{011F}{LATIN SMALL LETTER G WITH BREVE}
+\endsetslot
+
+\setslot{lacute}
+ \Unicode{013A}{LATIN SMALL LETTER L WITH ACUTE}
+\endsetslot
+
+\setslot{lcaron}
+ \Unicode{013E}{LATIN SMALL LETTER L WITH CARON}
+ \comment{The normal glyph for this character consists of a
+ lower case l and a right single quote, but the underlying
+ accent is a caron. The glyph name \texttt{lquoteright} is
+ not uncommon, but \cite{AGL} uses \texttt{lcaron}.}
+\endsetslot
+
+\setslot{lslash}
+ \Unicode{0142}{LATIN SMALL LETTER L WITH STROKE}
+\endsetslot
+
+\setslot{nacute}
+ \Unicode{0144}{LATIN SMALL LETTER N WITH ACUTE}
+\endsetslot
+
+\setslot{ncaron}
+ \Unicode{0148}{LATIN SMALL LETTER N WITH CARON}
+\endsetslot
+
+\setslot{eng}
+ \Unicode{014B}{LATIN SMALL LETTER ENG}
+\endsetslot
+
+\setslot{ohungarumlaut}
+ \Unicode{0151}{LATIN SMALL LETTER O WITH DOUBLE ACUTE}
+ \comment{The letter `\H{o}'.}
+\endsetslot
+
+\setslot{racute}
+ \Unicode{0155}{LATIN SMALL LETTER R WITH ACUTE}
+\endsetslot
+
+\setslot{rcaron}
+ \Unicode{0159}{LATIN SMALL LETTER R WITH CARON}
+\endsetslot
+
+\setslot{sacute}
+ \Unicode{015B}{LATIN SMALL LETTER S WITH ACUTE}
+\endsetslot
+
+\setslot{scaron}
+ \Unicode{0161}{LATIN SMALL LETTER S WITH CARON}
+\endsetslot
+
+\setslot{scedilla}
+ \Unicode{015F}{LATIN SMALL LETTER S WITH CEDILLA}
+ \comment{In Romanian, character \textunicode{0219}{latin
+ small letter s with comma below} is preferred, but that
+ wasn't known when this encoding was designed.}
+\endsetslot
+
+\setslot{tcaron}
+ \Unicode{0165}{LATIN SMALL LETTER T WITH CARON}
+ \comment{The normal glyph for this character consists of a
+ lower case t and a right single quote, but the underlying
+ accent is a caron.}
+\endsetslot
+
+\setslot{tcommaaccent}
+ \Unicode{021B}{LATIN SMALL LETTER T WITH COMMA BELOW}
+\endsetslot
+
+\setslot{uhungarumlaut}
+ \Unicode{0171}{LATIN SMALL LETTER U WITH DOUBLE ACUTE}
+\endsetslot
+
+\setslot{uring}
+ \Unicode{016F}{LATIN SMALL LETTER U WITH RING ABOVE}
+\endsetslot
+
+\setslot{ydieresis}
+ \Unicode{00FF}{LATIN SMALL LETTER Y WITH DIAERESIS}
+\endsetslot
+
+\setslot{zacute}
+ \Unicode{017A}{LATIN SMALL LETTER Z WITH ACUTE}
+\endsetslot
+
+\setslot{zcaron}
+ \Unicode{017E}{LATIN SMALL LETTER Z WITH CARON}
+\endsetslot
+
+\setslot{zdotaccent}
+ \Unicode{017C}{LATIN SMALL LETTER Z WITH DOT ABOVE}
+\endsetslot
+
+
+\begincomment
+\subsubsection{Mainly West-European accented letters in slots 192--255}
+\endcomment
+
+\nextslot{192}
+\setslot{Agrave}
+ \Unicode{00C0}{LATIN CAPITAL LETTER A WITH GRAVE}
+\endsetslot
+
+\setslot{Aacute}
+ \Unicode{00C1}{LATIN CAPITAL LETTER A WITH ACUTE}
+\endsetslot
+
+\setslot{Acircumflex}
+ \Unicode{00C2}{LATIN CAPITAL LETTER A WITH CIRCUMFLEX}
+\endsetslot
+
+\setslot{Atilde}
+ \Unicode{00C3}{LATIN CAPITAL LETTER A WITH TILDE}
+\endsetslot
+
+\setslot{Adieresis}
+ \Unicode{00C4}{LATIN CAPITAL LETTER A WITH DIAERESIS}
+\endsetslot
+
+\setslot{Aring}
+ \Unicode{00C5}{LATIN CAPITAL LETTER A WITH RING ABOVE}
+\endsetslot
+
+\setslot{AE}
+ \Unicode{00C6}{LATIN CAPITAL LETTER AE}
+\endsetslot
+
+\setslot{Ccedilla}
+ \Unicode{00C7}{LATIN CAPITAL LETTER C WITH CEDILLA}
+\endsetslot
+
+\setslot{Egrave}
+ \Unicode{00C8}{LATIN CAPITAL LETTER E WITH GRAVE}
+\endsetslot
+
+\setslot{Eacute}
+ \Unicode{00C9}{LATIN CAPITAL LETTER E WITH ACUTE}
+\endsetslot
+
+\setslot{Ecircumflex}
+ \Unicode{00CA}{LATIN CAPITAL LETTER E WITH CIRCUMFLEX}
+\endsetslot
+
+\setslot{Edieresis}
+ \Unicode{00CB}{LATIN CAPITAL LETTER E WITH DIAERESIS}
+\endsetslot
+
+\setslot{Igrave}
+ \Unicode{00CC}{LATIN CAPITAL LETTER I WITH GRAVE}
+\endsetslot
+
+\setslot{Iacute}
+ \Unicode{00CD}{LATIN CAPITAL LETTER I WITH ACUTE}
+\endsetslot
+
+\setslot{Icircumflex}
+ \Unicode{00CE}{LATIN CAPITAL LETTER I WITH CIRCUMFLEX}
+\endsetslot
+
+\setslot{Idieresis}
+ \Unicode{00CF}{LATIN CAPITAL LETTER I WITH DIAERESIS}
+\endsetslot
+
+\setslot{Eth}
+ \Unicode{00D0}{LATIN CAPITAL LETTER ETH}
+ \Unicode{0110}{LATIN CAPITAL LETTER D WITH STROKE}
+ \comment{This slot is being used to represent two different
+ letters whose capital forms are identical. The |\lccode| value
+ points to slot \ref{eth}.}
+\endsetslot
+
+\setslot{Ntilde}
+ \Unicode{00D1}{LATIN CAPITAL LETTER N WITH TILDE}
+\endsetslot
+
+\setslot{Ograve}
+ \Unicode{00D2}{LATIN CAPITAL LETTER O WITH GRAVE}
+\endsetslot
+
+\setslot{Oacute}
+ \Unicode{00D3}{LATIN CAPITAL LETTER O WITH ACUTE}
+\endsetslot
+
+\setslot{Ocircumflex}
+ \Unicode{00D4}{LATIN CAPITAL LETTER O WITH CIRCUMFLEX}
+\endsetslot
+
+\setslot{Otilde}
+ \Unicode{00D5}{LATIN CAPITAL LETTER O WITH TILDE}
+\endsetslot
+
+\setslot{Odieresis}
+ \Unicode{00D6}{LATIN CAPITAL LETTER O WITH DIAERESIS}
+\endsetslot
+
+\setslot{OE}
+ \Unicode{0152}{LATIN CAPITAL LIGATURE OE}
+ \comment{This is a single letter, and should not be faked with `OE'.}
+\endsetslot
+
+\setslot{Oslash}
+ \Unicode{00D8}{LATIN CAPITAL LETTER O WITH STROKE}
+\endsetslot
+
+\setslot{Ugrave}
+ \Unicode{00D9}{LATIN CAPITAL LETTER U WITH GRAVE}
+\endsetslot
+
+\setslot{Uacute}
+ \Unicode{00DA}{LATIN CAPITAL LETTER U WITH ACUTE}
+\endsetslot
+
+\setslot{Ucircumflex}
+ \Unicode{00DB}{LATIN CAPITAL LETTER U WITH CIRCUMFLEX}
+\endsetslot
+
+\setslot{Udieresis}
+ \Unicode{00DC}{LATIN CAPITAL LETTER U WITH DIAERESIS}
+\endsetslot
+
+\setslot{Yacute}
+ \Unicode{00DD}{LATIN CAPITAL LETTER Y WITH ACUTE}
+\endsetslot
+
+\setslot{Thorn}
+ \Unicode{00DE}{LATIN CAPITAL LETTER THORN}
+\endsetslot
+
+\setslot{SS}
+ \comment{This is an ``uppercased'' sharp s (`\ss') which always
+ looks exactly like two S's next to each other. In a monowidth
+ font it should be two letters wide. There are other characters
+ which could have made better use of this slot; the only function
+ of this slot which could not have been handled using macros is
+ that |\SS| and |SS| can have different hyphenation.}
+ \label{SS}
+ \charseq{
+ \Unicode{0053}{LATIN CAPITAL LETTER S}
+ \Unicode{0053}{LATIN CAPITAL LETTER S}
+ }
+\endsetslot
+
+\setslot{agrave}
+ \Unicode{00E0}{LATIN SMALL LETTER A WITH GRAVE}
+\endsetslot
+
+\setslot{aacute}
+ \Unicode{00E1}{LATIN SMALL LETTER A WITH ACUTE}
+\endsetslot
+
+\setslot{acircumflex}
+ \Unicode{00E2}{LATIN SMALL LETTER A WITH CIRCUMFLEX}
+\endsetslot
+
+\setslot{atilde}
+ \Unicode{00E3}{LATIN SMALL LETTER A WITH TILDE}
+\endsetslot
+
+\setslot{adieresis}
+ \Unicode{00E4}{LATIN SMALL LETTER A WITH DIAERESIS}
+\endsetslot
+
+\setslot{aring}
+ \Unicode{00E5}{LATIN SMALL LETTER A WITH RING ABOVE}
+\endsetslot
+
+\setslot{ae}
+ \Unicode{00E6}{LATIN SMALL LETTER AE}
+\endsetslot
+
+\setslot{ccedilla}
+ \Unicode{00E7}{LATIN SMALL LETTER C WITH CEDILLA}
+\endsetslot
+
+\setslot{egrave}
+ \Unicode{00E8}{LATIN SMALL LETTER E WITH GRAVE}
+\endsetslot
+
+\setslot{eacute}
+ \Unicode{00E9}{LATIN SMALL LETTER E WITH ACUTE}
+\endsetslot
+
+\setslot{ecircumflex}
+ \Unicode{00EA}{LATIN SMALL LETTER E WITH CIRCUMFLEX}
+\endsetslot
+
+\setslot{edieresis}
+ \Unicode{00EB}{LATIN SMALL LETTER E WITH DIAERESIS}
+\endsetslot
+
+\setslot{igrave}
+ \Unicode{00EC}{LATIN SMALL LETTER I WITH GRAVE}
+\endsetslot
+
+\setslot{iacute}
+ \Unicode{00ED}{LATIN SMALL LETTER I WITH ACUTE}
+\endsetslot
+
+\setslot{icircumflex}
+ \Unicode{00EE}{LATIN SMALL LETTER I WITH CIRCUMFLEX}
+\endsetslot
+
+\setslot{idieresis}
+ \Unicode{00EF}{LATIN SMALL LETTER I WITH DIAERESIS}
+\endsetslot
+
+\setslot{eth}
+ \Unicode{00F0}{LATIN SMALL LETTER ETH}
+ \label{eth}
+\endsetslot
+
+\setslot{ntilde}
+ \Unicode{00F1}{LATIN SMALL LETTER N WITH TILDE}
+\endsetslot
+
+\setslot{ograve}
+ \Unicode{00F2}{LATIN SMALL LETTER O WITH GRAVE}
+\endsetslot
+
+\setslot{oacute}
+ \Unicode{00F3}{LATIN SMALL LETTER O WITH ACUTE}
+\endsetslot
+
+\setslot{ocircumflex}
+ \Unicode{00F4}{LATIN SMALL LETTER O WITH CIRCUMFLEX}
+\endsetslot
+
+\setslot{otilde}
+ \Unicode{00F5}{LATIN SMALL LETTER O WITH TILDE}
+\endsetslot
+
+\setslot{odieresis}
+ \Unicode{00F6}{LATIN SMALL LETTER O WITH DIAERESIS}
+\endsetslot
+
+\setslot{oe}
+ \Unicode{0153}{LATIN SMALL LIGATURE OE}
+ \comment{This is a single letter, and should not be faked with `oe'.}
+\endsetslot
+
+\setslot{oslash}
+ \Unicode{00F8}{LATIN SMALL LETTER O WITH STROKE}
+\endsetslot
+
+\setslot{ugrave}
+ \Unicode{00F9}{LATIN SMALL LETTER U WITH GRAVE}
+\endsetslot
+
+\setslot{uacute}
+ \Unicode{00FA}{LATIN SMALL LETTER U WITH ACUTE}
+\endsetslot
+
+\setslot{ucircumflex}
+ \Unicode{00FB}{LATIN SMALL LETTER U WITH CIRCUMFLEX}
+\endsetslot
+
+\setslot{udieresis}
+ \Unicode{00FC}{LATIN SMALL LETTER U WITH DIAERESIS}
+\endsetslot
+
+\setslot{yacute}
+ \Unicode{00FD}{LATIN SMALL LETTER Y WITH ACUTE}
+\endsetslot
+
+\setslot{thorn}
+ \Unicode{00FE}{LATIN SMALL LETTER THORN}
+\endsetslot
+
+\setslot{germandbls}
+ \Unicode{00DF}{LATIN SMALL LETTER SHARP S}
+\endsetslot
+
+
+\begincomment
+\subsection{Accents}
+The Unicode equivalents of the accents are taken to be the combining
+forms of the accents found in code point \texttt{U+0300} and upwards.
+The reasons for this are (i) that they are primarily used with the
+|\accent| primitive, i.e., as combining characters, (ii) that some
+of them (e.g. \texttt{tilde}) have non-combining counterparts
+elsewhere in the encoding, and (iii) that they are not primarily
+phonetic marks.
+\endcomment
+
+\nextslot{0}
+\setslot{grave}
+ \Unicode{0300}{COMBINING GRAVE ACCENT}
+\endsetslot
+
+\setslot{acute}
+ \Unicode{0301}{COMBINING ACUTE ACCENT}
+\endsetslot
+
+\setslot{circumflex}
+ \Unicode{0302}{COMBINING CIRCUMFLEX ACCENT}
+\endsetslot
+
+\setslot{tilde}
+ \Unicode{0303}{COMBINING TILDE}
+\endsetslot
+
+\setslot{dieresis}
+ \Unicode{0308}{COMBINING DIAERESIS}
+\endsetslot
+
+\setslot{hungarumlaut}
+ \Unicode{030B}{COMBINING DOUBLE ACUTE ACCENT}
+ \comment{The long Hungarian umlaut `\H{}'.}
+\endsetslot
+
+\setslot{ring}
+ \Unicode{030A}{COMBINING RING ABOVE}
+\endsetslot
+
+\setslot{caron}
+ \Unicode{030C}{COMBINING CARON}
+ \comment{The caron or h\'a\v cek accent `\v{}'.}
+\endsetslot
+
+\setslot{breve}
+ \Unicode{0306}{COMBINING BREVE}
+\endsetslot
+
+\setslot{macron}
+ \Unicode{0304}{COMBINING MACRON}
+\endsetslot
+
+\setslot{dotaccent}
+ \Unicode{0307}{COMBINING DOT ABOVE}
+\endsetslot
+
+\setslot{cedilla}
+ \Unicode{0327}{COMBINING CEDILLA}
+\endsetslot
+
+\setslot{ogonek}
+ \Unicode{0328}{COMBINING OGONEK}
+\endsetslot
+
+
+\begincomment
+\subsection{Digits}
+\endcomment
+
+\nextslot{48}
+\setslot{zero}
+ \Unicode{0030}{DIGIT ZERO}
+\endsetslot
+
+\setslot{one}
+ \Unicode{0031}{DIGIT ONE}
+\endsetslot
+
+\setslot{two}
+ \Unicode{0032}{DIGIT TWO}
+\endsetslot
+
+\setslot{three}
+ \Unicode{0033}{DIGIT THREE}
+\endsetslot
+
+\setslot{four}
+ \Unicode{0034}{DIGIT FOUR}
+\endsetslot
+
+\setslot{five}
+ \Unicode{0035}{DIGIT FIVE}
+\endsetslot
+
+\setslot{six}
+ \Unicode{0036}{DIGIT SIX}
+\endsetslot
+
+\setslot{seven}
+ \Unicode{0037}{DIGIT SEVEN}
+\endsetslot
+
+\setslot{eight}
+ \Unicode{0038}{DIGIT EIGHT}
+\endsetslot
+
+\setslot{nine}
+ \Unicode{0039}{DIGIT NINE}
+\endsetslot
+
+
+\begincomment
+\subsection{Symbols and punctuation}
+\endcomment
+
+\nextslot{13}
+\setslot{quotesinglbase}
+ \Unicode{201A}{SINGLE LOW-9 QUOTATION MARK}
+\endsetslot
+
+\setslot{guilsinglleft}
+ \Unicode{2039}{SINGLE LEFT-POINTING ANGLE QUOTATION MARK}
+ \comment{In French typography this is an opening quotation mark,
+ but in German typography it is a closing quotation mark. The
+ character should kern well in both cases.}
+\endsetslot
+
+\setslot{guilsinglright}
+ \Unicode{203A}{SINGLE RIGHT-POINTING ANGLE QUOTATION MARK}
+ \comment{In French typography this is a closing quotation mark,
+ but in German typography it is an opening quotation mark. The
+ character should kern well in both cases.}
+\endsetslot
+
+\setslot{quotedblleft}
+ \Unicode{201C}{LEFT DOUBLE QUOTATION MARK}
+\endsetslot
+
+\setslot{quotedblright}
+ \Unicode{201D}{RIGHT DOUBLE QUOTATION MARK}
+ \comment{In English typography this quotation mark is always
+ closing, but in Swedish typography it is also an opening
+ quotation mark. The character should kern well in both cases.}
+\endsetslot
+
+\setslot{quotedblbase}
+ \Unicode{201E}{DOUBLE LOW-9 QUOTATION MARK}
+\endsetslot
+
+\setslot{guillemotleft}
+ \Unicode{00AB}{LEFT-POINTING DOUBLE ANGLE QUOTATION MARK}
+ \comment{In French typography this is an opening quotation mark,
+ but in German typography it is a closing quotation mark. The
+ character should kern well in both cases. The glyph name is
+ misspelt (it should be \texttt{guillemetleft}), but this
+ incorrect name is \emph{de facto} the glyph name used.}
+\endsetslot
+
+\setslot{guillemotright}
+ \Unicode{00BB}{RIGHT-POINTING DOUBLE ANGLE QUOTATION MARK}
+ \comment{In French typography this is a closing quotation mark,
+ but in German typography it is an opening quotation mark. The
+ character should kern well in both cases. The glyph name is
+ misspelt (it should be \texttt{guillemetright}), but this
+ incorrect name is \emph{de facto} the glyph name used.}
+\endsetslot
+
+\setslot{endash}
+ \Unicode{2013}{EN DASH}
+ \label{endash}
+ \Ligature{LIG}{hyphen}{emdash}
+\endsetslot
+
+\setslot{emdash}
+ \Unicode{2014}{EM DASH}
+ \comment{In a monowidth font this character is preferably given the
+ width of two normal characters.}
+\endsetslot
+
+\nextslot{32}
+\setslot{visiblespace}
+ \Unicode{2423}{OPEN BOX}
+ \comment{A visible space glyph `\textvisiblespace'.}
+\endsetslot
+
+\setslot{exclam}
+ \Unicode{0021}{EXCLAMATION MARK}
+ \Ligature{LIG}{quoteleft}{exclamdown}
+\endsetslot
+
+\setslot{quotedbl}
+ \Unicode{0022}{QUOTATION MARK}
+ \comment{The `neutral' double quotation mark, included for use in
+ monowidth fonts, or for setting computer programs.}
+\endsetslot
+
+\setslot{numbersign}
+ \Unicode{0023}{NUMBER SIGN}
+\endsetslot
+
+\setslot{dollar}
+ \Unicode{0024}{DOLLAR SIGN}
+\endsetslot
+
+\setslot{percent}
+ \Unicode{0025}{PERCENT SIGN}
+\endsetslot
+
+\setslot{ampersand}
+ \Unicode{0026}{AMPERSAND}
+\endsetslot
+
+\setslot{quoteright}
+ \Unicode{2019}{RIGHT SINGLE QUOTATION MARK}
+ \Ligature{LIG}{quoteright}{quotedblright}
+\endsetslot
+
+\setslot{parenleft}
+ \Unicode{0028}{LEFT PARENTHESIS}
+\endsetslot
+
+\setslot{parenright}
+ \Unicode{0029}{RIGHT PARENTHESIS}
+\endsetslot
+
+\setslot{asterisk}
+ \Unicode{002A}{ASTERISK}
+\endsetslot
+
+\setslot{plus}
+ \Unicode{002B}{PLUS SIGN}
+\endsetslot
+
+\setslot{comma}
+ \Unicode{002C}{COMMA}
+ \Ligature{LIG}{comma}{quotedblbase}
+\endsetslot
+
+\setslot{hyphen}
+ \Unicode{002D}{HYPHEN-MINUS}
+ \Ligature{LIG}{hyphen}{endash}
+ \Ligature{LIG}{hyphenchar}{hyphenchar}
+ \comment{See also slot \ref{hyphenchar}.}
+ \label{hyphen}
+\endsetslot
+
+\setslot{period}
+ \Unicode{002E}{FULL STOP}
+\endsetslot
+
+\setslot{slash}
+ \Unicode{002F}{SOLIDUS}
+\endsetslot
+
+\skipslots{10}
+\setslot{colon}
+ \Unicode{003A}{COLON}
+\endsetslot
+
+\setslot{semicolon}
+ \Unicode{003B}{SEMICOLON}
+\endsetslot
+
+\setslot{less}
+ \Unicode{003C}{LESS-THAN SIGN}
+ \Ligature{LIG}{less}{guillemotleft}
+\endsetslot
+
+\setslot{equal}
+ \Unicode{003D}{EQUALS SIGN}
+\endsetslot
+
+\setslot{greater}
+ \Unicode{003E}{GREATER-THAN SIGN}
+ \Ligature{LIG}{greater}{guillemotright}
+\endsetslot
+
+\setslot{question}
+ \Unicode{003F}{QUESTION MARK}
+ \Ligature{LIG}{quoteleft}{questiondown}
+\endsetslot
+
+\setslot{at}
+ \Unicode{0040}{COMMERCIAL AT}
+\endsetslot
+
+\nextslot{91}
+\setslot{bracketleft}
+ \Unicode{005B}{LEFT SQUARE BRACKET}
+\endsetslot
+
+\setslot{backslash}
+ \Unicode{005C}{REVERSE SOLIDUS}
+\endsetslot
+
+\setslot{bracketright}
+ \Unicode{005D}{RIGHT SQUARE BRACKET}
+\endsetslot
+
+\setslot{asciicircum}
+ \Unicode{005E}{CIRCUMFLEX ACCENT}
+ \comment{The ASCII upward-pointing arrow head `\textasciicircum'.
+ This is included for compatibility with typewriter fonts used
+ for computer listings.}
+\endsetslot
+
+\setslot{underscore}
+ \Unicode{005F}{LOW LINE}
+ \comment{The ASCII underline character `\textunderscore', usually
+ set on the baseline. This is included for compatibility with
+ typewriter fonts used for computer listings.}
+\endsetslot
+
+\setslot{quoteleft}
+ \Unicode{2018}{LEFT SINGLE QUOTATION MARK}
+ \Ligature{LIG}{quoteleft}{quotedblleft}
+\endsetslot
+
+\nextslot{123}
+\setslot{braceleft}
+ \Unicode{007B}{LEFT CURLY BRACKET}
+\endsetslot
+
+\setslot{bar}
+ \Unicode{007C}{VERTICAL LINE}
+ \comment{The ASCII vertical bar `\textbar'.
+ This is included for compatibility with typewriter fonts used
+ for computer listings.}
+\endsetslot
+
+\setslot{braceright}
+ \Unicode{007D}{RIGHT CURLY BRACKET}
+\endsetslot
+
+\setslot{asciitilde}
+ \Unicode{007E}{TILDE}
+ \comment{The ASCII tilde `\textasciitilde'.
+ This is included for compatibility with typewriter fonts used
+ for computer listings.}
+\endsetslot
+
+\nextslot{159}
+\setslot{section}
+ \Unicode{00A7}{SECTION SIGN}
+\endsetslot
+
+\nextslot{189}
+\setslot{exclamdown}
+ \Unicode{00A1}{INVERTED EXCLAMATION MARK}
+\endsetslot
+
+\setslot{questiondown}
+ \Unicode{00BF}{INVERTED QUESTION MARK}
+\endsetslot
+
+\setslot{sterling}
+ \Unicode{00A3}{POUND SIGN}
+\endsetslot
+
+
+
+\begincomment
+\subsection{Miscellanea}
+\endcomment
+
+\nextslot{23}
+\setslot{compwordmark}
+ \Unicode{200C}{ZERO WIDTH NON-JOINER}
+ \comment{An invisible glyph, with zero width and depth, but the
+ height of lower case letters without ascenders.
+ It is used to stop ligaturing in words like `shelf{}ful'.
+ It is possible that this character should be considered a
+ letter (and that hyphenation patterns should be designed to
+ include it), but since its |\lccode| is 0, \TeX's hyphenation
+ mechanism considers it to be a nonletter which ends the
+ hyphenatable part of a word.}
+\endsetslot
+
+\setslot{perthousandzero}
+ \comment{A glyph which is placed after `\%' to produce a
+ `per-thousand', or twice to produce `per-ten-thousand'.
+ Your guess is as good as mine as to what this glyph should look
+ like in a monowidth font. Since most fonts don't include this
+ glyph anyway, its use is discouraged.}
+\endsetslot
+
+\nextslot{127}
+\setslot{hyphenchar}
+ \label{hyphenchar}
+ \comment{This character is provided as a discretionary hyphen
+ symbol and may only appear at the end of a line, since it is often
+ hanging out of the character box, but apart from that it is almost
+ always the same as the \texttt{hyphen} character. Since \LaTeX\
+ sets the |\hyphenchar| of \texttt{T1} fonts to slot \ref{hyphen}
+ rather than this slot, this feature is usually not used.}
+\endsetslot
+
+
+
+\begincomment
+\section{Usual characters}
+The following characters are only accessed through ligatures and can
+therefore be replaced by others or completely left out if the
+ligature programs are modified accordingly.
+\endcomment
+
+
+\nextslot{27}
+\setslot{ff}
+ \charseq{
+ \Unicode{0066}{LATIN SMALL LETTER F}
+ \Unicode{0066}{LATIN SMALL LETTER F}
+ }
+ \comment{This glyph should be two characters wide in a monowidth
+ font.}
+ \ligature{LIG}{i}{ffi}
+ \ligature{LIG}{l}{ffl}
+\endsetslot
+
+\setslot{fi}
+ \charseq{
+ \Unicode{0066}{LATIN SMALL LETTER F}
+ \Unicode{0069}{LATIN SMALL LETTER I}
+ }
+ \comment{This glyph should be two characters wide in a monowidth
+ font.}
+\endsetslot
+
+\setslot{fl}
+ \charseq{
+ \Unicode{0066}{LATIN SMALL LETTER F}
+ \Unicode{006C}{LATIN SMALL LETTER L}
+ }
+ \comment{This glyph should be two characters wide in a monowidth
+ font.}
+\endsetslot
+
+\setslot{ffi}
+ \charseq{
+ \Unicode{0066}{LATIN SMALL LETTER F}
+ \Unicode{0066}{LATIN SMALL LETTER F}
+ \Unicode{0069}{LATIN SMALL LETTER I}
+ }
+ \comment{This glyph should be three characters wide in a monowidth
+ font.}
+\endsetslot
+
+\setslot{ffl}
+ \charseq{
+ \Unicode{0066}{LATIN SMALL LETTER F}
+ \Unicode{0066}{LATIN SMALL LETTER F}
+ \Unicode{006C}{LATIN SMALL LETTER L}
+ }
+ \comment{This glyph should be three characters wide in a monowidth
+ font.}
+\endsetslot
+
+\nextslot{156}
+\setslot{IJ}
+ \Unicode{0132}{LATIN CAPITAL LIGATURE IJ}
+ \comment{This is a single letter, and in a monowidth font should
+ ideally be one letter wide.}
+\endsetslot
+
+\nextslot{188}
+\setslot{ij}
+ \Unicode{0133}{LATIN SMALL LIGATURE IJ}
+ \comment{This is a single letter, and in a monowidth font should
+ ideally be one letter wide.}
+\endsetslot
+
+
+\begincomment
+\section{Fontdimens}
+\endcomment
+
+\setfontdimen{1}{italicslant} % italic slant
+\setfontdimen{2}{interword} % interword space
+\setfontdimen{3}{stretchword} % interword stretch
+\setfontdimen{4}{shrinkword} % interword shrink
+\setfontdimen{5}{xheight} % x-height
+\setfontdimen{6}{quad} % quad
+\setfontdimen{7}{extraspace} % extra space after .
+\setfontdimen{8}{capheight} % cap height
+\setfontdimen{9}{ascender} % ascender
+\setfontdimen{10}{acccapheight} % accented cap height
+\setfontdimen{11}{descender} % descender's depth
+\setfontdimen{12}{maxheight} % max height
+\setfontdimen{13}{maxdepth} % max depth
+\setfontdimen{14}{digitwidth} % digit width
+\setfontdimen{15}{verticalstem} % dominant width of verical stems
+\setfontdimen{16}{baselineskip} % baselineskip
+
+
+\begincomment
+\section{Coding scheme}
+\endcomment
+
+\setstr{codingscheme}{EXTENDED TEX FONT ENCODING - LATIN}
+
+
+\endencoding
+
+
+\section{Discussion}
+
+As the \texttt{T1} encoding is an established standard, the discussion
+of it has already been published elsewhere. [Unfortunately, I do not
+know where as it all happened long before I started using \TeX. This
+part of the document definitely needs to be improved. To begin with, I
+would like to know if the TUGboat articles whose bibliography entries
+appear in Figure~\ref{Bib-entries} are relevant for the matter.
+\begin{figure*}
+\small
+\begin{verbatim}
+@Article{Beebe:TB11-2-171,
+ author = "Nelson Beebe",
+ title = "{Character set encoding}",
+ journal = j-TUGboat,
+ volume = "11",
+ number = "2",
+ pages = "171--175",
+ month = jun,
+ year = "1990",
+ ISSN = "0896-3207",
+ bibdate = "Fri Jun 4 18:08:09 MDT 1999",
+ bibsource = "ftp://ftp.math.utah.edu/pub/tex/bib/tugboat.bib;
+ http://www.math.utah.edu/pub/tex/bib/index-table-t.html#tugboat",
+ acknowledgement = ack-bnb # " and " # ack-nhfb,
+}
+@Article{Bien:TB11-2-175,
+ author = "Janusz S. Bie{\'n}",
+ title = "{On standards for computer modern font extensions}",
+ journal = j-TUGboat,
+ volume = "11",
+ number = "2",
+ pages = "175--183",
+ month = jun,
+ year = "1990",
+ ISSN = "0896-3207",
+ bibdate = "Fri Jun 4 18:08:09 MDT 1999",
+ bibsource = "ftp://ftp.math.utah.edu/pub/tex/bib/tugboat.bib;
+ http://www.math.utah.edu/pub/tex/bib/index-table-t.html#tugboat",
+ acknowledgement = ack-bnb # " and " # ack-nhfb,
+}
+@Article{Ferguson:TB11-4-514,
+ author = "Michael Ferguson",
+ title = "{Report on multilingual activities}",
+ journal = j-TUGboat,
+ volume = "11",
+ number = "4",
+ pages = "514--516",
+ month = nov,
+ year = "1990",
+ ISSN = "0896-3207",
+ bibdate = "Fri Jun 4 18:08:09 MDT 1999",
+ bibsource = "ftp://ftp.math.utah.edu/pub/tex/bib/tugboat.bib;
+ http://www.math.utah.edu/pub/tex/bib/index-table-t.html#tugboat",
+ acknowledgement = ack-bnb # " and " # ack-nhfb,
+}
+\end{verbatim}
+\normalsize
+
+\caption{Entries in \texttt{tugboat.bib} which may describe papers
+that contain (at least part of) the discussion regarding the
+\texttt{T1} encoding}
+\label{Bib-entries}
+\end{figure*}
+Actually reading them would be nice too, as would of course getting
+the references for whatever other papers there might be that
+constituted the discussion of the \texttt{T1} encoding. The file
+\texttt{cork.enc} in the \textit{Fontname} standard makes a cryptic
+reference to ``TTN 1(4), December 1992'', whatever that might be.]
+
+I can however answer questions on the more immediate matter of how the
+interpretation of the established standard that this file expresses was
+constructed. It is mainly the result of a comparison between the
+file \texttt{t1.etx}~\cite{t1.etx}, the Unicode
+standard~\cite{Unicode}, and the Adobe glyph list~\cite{AGL}.
+
+(Some concerns have been expressed about the fact that the glyph name
+listed for slot~0 is `\texttt{grave}', although that glyph name in
+\cite{AGL} corresponds to \textunicode{0060}{GRAVE ACCENT}, whereas
+\textunicode{0300}{COMBINING GRAVE ACCENT} is listed as corresponding
+to `\texttt{gravecomb}'. This is however formally irrelevant, since
+the glyph names are formally only internal labels in the encoding
+specification. `\texttt{gravecomb}' would furthermore be a more
+impractical label, since most font contains a `\texttt{grave}' glyph
+that is used as a combining accent but no `\texttt{gravecomb}'
+glyph.)
+
+
+\section{Changes}
+
+The changes made to this specification since the original 2001/06/19
+version are as follows.
+
+2001/09/01: Corrected some typos (reported by Vladimir Volovich). /LH
+
+2001/09/16: Added \cite{latin-page} to the bibliography. /LH
+
+2001/09/21: Removed comment on \textunicode{2012}{FIGURE DASH} from
+slot~\ref{endash}. \cite[Sec.~6.1]{Unicode} makes quite clear that
+it's not to be used for ranges. /LH
+
+2002/07/05: Added the Ferguson:TB11-4-514 and ``TTN~1(4)'' references
+to the discussion section. Also added remark on \texttt{grave} versus
+\texttt{gravecomb}. /LH
+
+2004/11/28: Changed the f-ligatures to character sequences, which
+makes more sense for \texttt{CMap}s. Added equivalent for
+slot~\ref{SS}. /LH
+
+
+\begin{thebibliography}{9}
+\bibitem{AGL}
+ Adobe Systems Incorporated: \textit{Adobe Glyph List}, 1998;
+ \textsc{http}:/\slash \texttt{partners.adobe.com}\slash
+ \texttt{asn}\slash \texttt{developer}\slash \texttt{type}\slash
+ \texttt{glyphlist.txt}
+\bibitem{latin-page}
+ Roman Czyborra: \textit{The ISO 8859 Alphabet Soup}, web page at
+ \textsc{http:}/\slash \texttt{czyborra.com}\slash
+ \texttt{charsets}\slash \texttt{iso8859.html}, 1998.
+\bibitem{ISO8859-1}
+ International Organization for Standardization:
+ \textit{ISO/IEC standard 8859-1} (Information technology --
+ 8-bit single-byte coded graphic character sets --
+ Part 1: Latin alphabet No. 1).
+ See also~\cite{latin-page}.
+\bibitem{t1.etx}
+ Alan Jeffrey, Sebastian Rahtz, and Ulrik Vieth:
+ \textit{The \TeX\ extended text encoding vector},
+ version~1.801, 1998,
+ \textsc{ctan}:\discretionary{}{}{\thinspace}\texttt{fonts}\slash
+ \texttt{utilities}\slash \texttt{fontinst}\slash
+ \texttt{inputs}\slash \texttt{etx}\slash \texttt{t1.etx}.
+\bibitem{TeXbook}
+ Donald E.\ Knuth, Duane Bibby (illustrations):
+ \textit{The \TeX book}, Ad\-di\-son--Wes\-ley, 1986;
+ ISBN~0-201-13447-0.
+\bibitem{Unicode}
+ The Unicode Consortium (editor), \emph{et al.}:
+ \textit{The Unicode Standard, Version 3.0},
+ Addison Wesley Longman Publisher, 2000; ISBN~0-201-61633-5.
+ Most of the information in this book is also available online at
+ the Unicode consortium website, at \textsc{http}:/\slash
+ \texttt{www.unicode.org}\slash \texttt{unicode}\slash
+ \texttt{uni2book}\slash \texttt{u2.html}.
+\end{thebibliography}
+
+
+
+\end{document} \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/fontinst/base/examples/basicex.tex b/Master/texmf-dist/doc/fonts/fontinst/base/examples/basicex.tex
new file mode 100644
index 00000000000..fe7f6f69935
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontinst/base/examples/basicex.tex
@@ -0,0 +1,431 @@
+% basicex.tex
+%
+% This file contains some basic examples of commands for
+% installing the AGaramond family of fonts with fontinst v1.9.
+% It is pretty similar to what the \latinfamily command
+% does for these fonts, but the details are not identical.
+%
+% In case you want to run this file yourself, the metrics for
+% the AGaramond font family can be downloaded from
+%
+% ftp://ftp.adobe.com/pub/adobe/type/win/all/afmfiles/051-100/100/
+% and
+% ftp://ftp.adobe.com/pub/adobe/type/win/all/afmfiles/101-150/101/
+%
+% The AFM files found in these directories should then be renamed
+% as indicated in the Fontname adobe.map file. Also note that
+% the line endings are Windows-style (CRLF), so you probably need
+% to download as binary and do some conversion before you can use
+% these files comfortably.
+
+\input fontinst.sty
+
+% This tells fontinst to collect information about font
+% transformations in the file basicex.recs. That file is
+% then used by basicex2.tex.
+\recordtransforms{basicex.recs}
+
+% These commands perform transformations on the metrics of
+% some of the fonts, thereby creating new metrics files for
+% the transformed fonts.
+\transformfont{padr8r}{\reencodefont{8r}{\fromafm{padr8a}}}
+\transformfont{padrc8r}{\reencodefont{8r}{\fromafm{padrc8a}}}
+\transformfont{padri8r}{\reencodefont{8r}{\fromafm{padri8a}}}
+\transformfont{padro8r}{\slantfont{250}{\frommtx{padr8r}}}
+\transformfont{padro8x}{\slantfont{250}{\fromafm{padr8x}}}
+
+% The first three lines of each group reencode fonts
+% so that TeX can access all glyphs in them.
+\transformfont{pads8r}{\reencodefont{8r}{\fromafm{pads8a}}}
+\transformfont{padsc8r}{\reencodefont{8r}{\fromafm{padsc8a}}}
+\transformfont{padsi8r}{\reencodefont{8r}{\fromafm{padsi8a}}}
+% The last two lines artifically create slanted variants
+% of fonts by skewing them. 250 is the natural slant of
+% the italics in this family.
+\transformfont{padso8r}{\slantfont{250}{\frommtx{pads8r}}}
+\transformfont{padso8x}{\slantfont{250}{\fromafm{pads8x}}}
+
+\transformfont{padb8r}{\reencodefont{8r}{\fromafm{padb8a}}}
+% There is no padbc8a, hence nothing to make a padbc8r from.
+\transformfont{padbi8r}{\reencodefont{8r}{\fromafm{padbi8a}}}
+\transformfont{padbo8r}{\slantfont{250}{\frommtx{padb8r}}}
+\transformfont{padbo8x}{\slantfont{250}{\fromafm{padb8x}}}
+% The DVI driver must be told to make the same transformations
+% to the actual fonts when a document using them is to be viewed
+% or printed. The information collected in basicex.recs can
+% help with this. The job of basicex2.tex is to translate this
+% information to a format understood by DVI drivers.
+
+
+% The \transformfont commands above generate metric files in MTX
+% format (for use by the \installfont commands below) and PL
+% format (for transformation to TFMs that are needed by the DVI
+% driver when interpreting VFs based on these fonts). These PL
+% files are minimal and not suitable for direct use in typesetting
+% since there is no kerning information, ligaturing instructions,
+% or fontdimens, but they are perfectly adequate to serve as
+% base fonts for VFs.
+%
+% The next bunch of commands generate a new set of PL files for
+% these fonts (overwriting the previous), and these new files
+% do contain kerning information, ligaturing instructions, and
+% fontdimens. (As a side-effect, these files are also larger than
+% the previous ones.) Since 8r-encoded fonts are not in practice
+% used for typesetting (not much, anyway), it is perfectly
+% possible to skip this step.
+\installfonts
+ \installrawfont {padr8r}{padr8r,8r}{8r} {8r}{pad}{m}{n}{}
+ \installrawfont {padrc8r}{padrc8r,8r}{8r} {8r}{pad}{m}{sc}{}
+ \installrawfont {padri8r}{padri8r,8r}{8r} {8r}{pad}{m}{it}{}
+ \installrawfont {padro8r}{padro8r,8r}{8r} {8r}{pad}{m}{sl}{}
+
+ \installrawfont {pads8r}{pads8r,8r}{8r} {8r}{pad}{sb}{n}{}
+ \installrawfont {padsc8r}{padsc8r,8r}{8r} {8r}{pad}{sb}{sc}{}
+ \installrawfont {padsi8r}{padsi8r,8r}{8r} {8r}{pad}{sb}{it}{}
+ \installrawfont {padso8r}{padso8r,8r}{8r} {8r}{pad}{sb}{sl}{}
+
+ \installrawfont {padb8r}{padb8r,8r}{8r} {8r}{pad}{b}{n}{}
+ \installrawfont {padbi8r}{padbi8r,8r}{8r} {8r}{pad}{b}{it}{}
+ \installrawfont {padbo8r}{padbo8r,8r}{8r} {8r}{pad}{b}{sl}{}
+\endinstallfonts
+
+
+% In the above commands, the commands have been lined up to
+% visually separate those arguments that have to do with how
+% a font is declared to LaTeX (rightmost) from those arguments
+% that specify how the font is made and what it should be called.
+
+
+% The following commands make a very basic installation of "pad"
+% families in the OT1, T1, and TS1 encodings; there is not attempt
+% to make use of the -Exp (expert) or -SC (smallcaps) fonts in
+% the AGaramond family. (One reason for making this distinction
+% is that Adobe sell these other fonts separately, so some people
+% may have the basic set used below and nothing more. Another
+% reason is that for many typefaces, there are no expert or -SC
+% fonts at all. Adapting an example using such fonts to a typeface
+% which do not have them is much too confusing for a beginner.)
+\installfonts
+ \installfamily{OT1}{pad}{}
+ \installfamily{T1}{pad}{}
+ \installfamily{TS1}{pad}{}
+
+ \installfont {padr8t}{padr8r,newlatin}{t1} {T1}{pad}{m}{n}{}
+ \installfont {padr7t}{padr8r,newlatin}{ot1} {OT1}{pad}{m}{n}{}
+ \installfont {padrc8t}{padr8r,newlatin}{t1c} {T1}{pad}{m}{sc}{}
+ \installfont {padrc7t}{padr8r,newlatin}{ot1c} {OT1}{pad}{m}{sc}{}
+ \installfont {padr8i}{padr8r,textcomp}{ts1} {TS1}{pad}{m}{n}{}
+ % There is no difference between the n and the sc shapes
+ % of TS1 encoded fonts, hence the same TeX font can be
+ % used for both. LaTeX does however need the declarations
+ % to be explicit, hence this \installfontas command.
+ \installfontas{padr8i} {TS1}{pad}{m}{sc}{}
+ % The "option nosc" below is a speed optimization.
+ % newlatin.mtx normally makes sure that a smallcaps
+ % alphabet is defined (faking it if necessary),
+ % regardless of whether that alphabet is at all
+ % going to be used. By passing it the "nosc" option,
+ % one can tell newlatin.mtx to completely skip those
+ % commands that have to do with smallcaps.
+ \installfont {padri8t}{padri8r,newlatin option nosc}{t1} {T1}{pad}{m}{it}{}
+ \installfont {padri7t}{padri8r,newlatin option nosc}{ot1} {OT1}{pad}{m}{it}{}
+ \installfont {padri8i}{padri8r,textcomp}{ts1} {TS1}{pad}{m}{it}{}
+ \installfont {padro8t}{padro8r,newlatin option nosc}{t1} {T1}{pad}{m}{sl}{}
+ \installfont {padro7t}{padro8r,newlatin option nosc}{ot1} {OT1}{pad}{m}{sl}{}
+ \installfont {padro8i}{padro8r,textcomp}{ts1} {TS1}{pad}{m}{sl}{}
+
+ % The reason newlatin is not passed the nosc option when
+ % making the "n" shape fonts here is another (more tricky)
+ % speed optimization. If the metric argument of two
+ % subsequent \installfont commands are identical then the
+ % respective glyph bases will be identical too, and in these
+ % cases fontinst saves work by not rebuilding the glyph base
+ % at the second command, but instead using the cached
+ % definitions from the first.
+ \installfont {pads8t}{pads8r,newlatin}{t1} {T1}{pad}{sb}{n}{}
+ \installfont {pads7t}{pads8r,newlatin}{ot1} {OT1}{pad}{sb}{n}{}
+ \installfont {padsc8t}{pads8r,newlatin}{t1c} {T1}{pad}{sb}{sc}{}
+ \installfont {padsc7t}{pads8r,newlatin}{ot1c} {OT1}{pad}{sb}{sc}{}
+ % Thus the last four commands cause four fonts to be
+ % generated, but the pads8r.mtx and newlatin.mtx files
+ % are only read once.
+ \installfont {pads8i}{pads8r,textcomp}{ts1} {TS1}{pad}{sb}{n}{}
+ \installfontas{pads8i} {TS1}{pad}{sb}{sc}{}
+ \installfont {padsi8t}{padsi8r,newlatin option nosc}{t1} {T1}{pad}{sb}{it}{}
+ \installfont {padsi7t}{padsi8r,newlatin option nosc}{ot1} {OT1}{pad}{sb}{it}{}
+ \installfont {padsi8i}{padsi8r,textcomp}{ts1} {TS1}{pad}{sb}{it}{}
+ \installfont {padso8t}{padso8r,newlatin option nosc}{t1} {T1}{pad}{sb}{sl}{}
+ \installfont {padso7t}{padso8r,newlatin option nosc}{ot1} {OT1}{pad}{sb}{sl}{}
+ \installfont {padso8i}{padso8r,textcomp}{ts1} {TS1}{pad}{sb}{sl}{}
+
+ \installfont {padb8t}{padb8r,newlatin}{t1} {T1}{pad}{b}{n}{}
+ \installfont {padb7t}{padb8r,newlatin}{ot1} {OT1}{pad}{b}{n}{}
+ \installfont {padbc8t}{padb8r,newlatin}{t1c} {T1}{pad}{b}{sc}{}
+ \installfont {padbc7t}{padb8r,newlatin}{ot1c} {OT1}{pad}{b}{sc}{}
+ \installfont {padb8i}{padb8r,textcomp}{ts1} {TS1}{pad}{b}{n}{}
+ \installfontas{padb8i} {TS1}{pad}{b}{sc}{}
+ \installfont {padbi8t}{padbi8r,newlatin option nosc}{t1} {T1}{pad}{b}{it}{}
+ \installfont {padbi7t}{padbi8r,newlatin option nosc}{ot1} {OT1}{pad}{b}{it}{}
+ \installfont {padbi8i}{padbi8r,textcomp}{ts1} {TS1}{pad}{b}{it}{}
+ \installfont {padbo8t}{padbo8r,newlatin option nosc}{t1} {T1}{pad}{b}{sl}{}
+ \installfont {padbo7t}{padbo8r,newlatin option nosc}{ot1} {OT1}{pad}{b}{sl}{}
+ \installfont {padbo8i}{padbo8r,textcomp}{ts1} {TS1}{pad}{b}{sl}{}
+\endinstallfonts
+
+
+% The set of commands above will "fake" an sc shape for the typeface
+% by making dual use of the capitals in the n shape (Regular): both
+% as normal (for the upper case in the sc shape) and shrunk to 80% of
+% their normal size (for the lower case in the sc shape). This works
+% (anyone who looks at it will understand what was intended), but it
+% does not look good, and therefore it is always better to make use
+% of proper smallcaps when it is available.
+%
+% The next set of commands is another take at creating the "pad"
+% families, this time making use of the proper smallcaps in padrc8r
+% and padsc8r. The files created by this set of commands will
+% completely overwrite the files created by the previous set of
+% commands; in practice one would only include one set of commands,
+% but both are provided here for comparison.
+\installfonts
+ \installfamily{OT1}{pad}{}
+ \installfamily{T1}{pad}{}
+ \installfamily{TS1}{pad}{}
+
+ % Since the glyph bases used for the n and sc shapes in this
+ % case are different, there is no point in doing the smallcaps
+ % processing when making the n shape fonts.
+ \installfont {padr8t}{padr8r,newlatin option nosc}{t1} {T1}{pad}{m}{n}{}
+ \installfont {padr7t}{padr8r,newlatin option nosc}{ot1} {OT1}{pad}{m}{n}{}
+ % There is actually no point in doing that processing for
+ % the sc shape fonts either! This is because the glyph names
+ % used in padrc8r are the same as those used in padr8r (and
+ % padri8r), and thus the smallcaps glyphs will already have
+ % been delt with by the code for lower case glyphs. Another
+ % consequence is that the same ETX files as are used for
+ % the other shapes should be used for the sc shape.
+ \installfont {padrc8t}{padrc8r,newlatin option nosc}{t1} {T1}{pad}{m}{sc}{}
+ \installfont {padrc7t}{padrc8r,newlatin option nosc}{ot1} {OT1}{pad}{m}{sc}{}
+ \installfont {padr8i}{padr8r,textcomp}{ts1} {TS1}{pad}{m}{n}{}
+ \installfontas{padr8i} {TS1}{pad}{m}{sc}{}
+ \installfont {padri8t}{padri8r,newlatin option nosc}{t1} {T1}{pad}{m}{it}{}
+ \installfont {padri7t}{padri8r,newlatin option nosc}{ot1} {OT1}{pad}{m}{it}{}
+ \installfont {padri8i}{padri8r,textcomp}{ts1} {TS1}{pad}{m}{it}{}
+ \installfont {padro8t}{padro8r,newlatin option nosc}{t1} {T1}{pad}{m}{sl}{}
+ \installfont {padro7t}{padro8r,newlatin option nosc}{ot1} {OT1}{pad}{m}{sl}{}
+ \installfont {padro8i}{padro8r,textcomp}{ts1} {TS1}{pad}{m}{sl}{}
+
+ \installfont {pads8t}{pads8r,newlatin option nosc}{t1} {T1}{pad}{sb}{n}{}
+ \installfont {pads7t}{pads8r,newlatin option nosc}{ot1} {OT1}{pad}{sb}{n}{}
+ \installfont {padsc8t}{padsc8r,newlatin option nosc}{t1} {T1}{pad}{sb}{sc}{}
+ \installfont {padsc7t}{padsc8r,newlatin option nosc}{ot1} {OT1}{pad}{sb}{sc}{}
+ \installfont {pads8i}{pads8r,textcomp}{ts1} {TS1}{pad}{sb}{n}{}
+ \installfontas{pads8i} {TS1}{pad}{sb}{sc}{}
+ \installfont {padsi8t}{padsi8r,newlatin option nosc}{t1} {T1}{pad}{sb}{it}{}
+ \installfont {padsi7t}{padsi8r,newlatin option nosc}{ot1} {OT1}{pad}{sb}{it}{}
+ \installfont {padsi8i}{padsi8r,textcomp}{ts1} {TS1}{pad}{sb}{it}{}
+ \installfont {padso8t}{padso8r,newlatin option nosc}{t1} {T1}{pad}{sb}{sl}{}
+ \installfont {padso7t}{padso8r,newlatin option nosc}{ot1} {OT1}{pad}{sb}{sl}{}
+ \installfont {padso8i}{padso8r,textcomp}{ts1} {TS1}{pad}{sb}{sl}{}
+
+ % There is however no padbc8r font; hence the sc shape of
+ % the b series must still be faked, just as above.
+ \installfont {padb8t}{padb8r,newlatin}{t1} {T1}{pad}{b}{n}{}
+ \installfont {padb7t}{padb8r,newlatin}{ot1} {OT1}{pad}{b}{n}{}
+ \installfont {padbc8t}{padb8r,newlatin}{t1c} {T1}{pad}{b}{sc}{}
+ \installfont {padbc7t}{padb8r,newlatin}{ot1c} {OT1}{pad}{b}{sc}{}
+ \installfont {padb8i}{padb8r,textcomp}{ts1} {TS1}{pad}{b}{n}{}
+ \installfontas{padb8i} {TS1}{pad}{b}{sc}{}
+ \installfont {padbi8t}{padbi8r,newlatin option nosc}{t1} {T1}{pad}{b}{it}{}
+ \installfont {padbi7t}{padbi8r,newlatin option nosc}{ot1} {OT1}{pad}{b}{it}{}
+ \installfont {padbi8i}{padbi8r,textcomp}{ts1} {TS1}{pad}{b}{it}{}
+ \installfont {padbo8t}{padbo8r,newlatin option nosc}{t1} {T1}{pad}{b}{sl}{}
+ \installfont {padbo7t}{padbo8r,newlatin option nosc}{ot1} {OT1}{pad}{b}{sl}{}
+ \installfont {padbo8i}{padbo8r,textcomp}{ts1} {TS1}{pad}{b}{sl}{}
+\endinstallfonts
+
+
+% The "pad" family installed above is however still far from perfect.
+% The `ff', `ffi', and `ffl' ligatures are fakes, since those aren't
+% available in the fonts used. There are however such glyphs in the
+% expert (8x) companions of the fonts used above, and hence the
+% results will be better if these resources can be combined.
+%
+% One of the great advantages with TeX, virtual fonts, and fontinst
+% is the ease with which one can combine glyphs from (what the foundry
+% has packaged as) several different fonts into a single font;
+% if \installfont is given the metrics of two fonts, and some glyph
+% is available in one font but not the other, then fontinst will
+% automatically take it from the font where it was available.
+% Hence one can fill in (at least some of) the blanks of one font
+% by also listing a second font in the metrics argument of
+% \installfont. It will do the right thing automatically.
+\installfonts
+ \installfamily{OT1}{padx}{}
+ \installfamily{T1}{padx}{}
+ \installfamily{TS1}{padx}{}
+ % The "padx" family name used here is mainly motivated by
+ % tradition. It has been considered useful to simultaneously
+ % on a single system have both a family of virtual fonts which
+ % do not make use of the expert set of base fonts, and a family
+ % of virtual fonts which do make use of the expert set of base
+ % fonts. For this to work, the different fonts must have
+ % different names. In the Fontname scheme, this is accomplished
+ % by including an "x" variant letter in the names to signify that
+ % the font is "expertized". In LaTeX there is no proper standard
+ % for this, but the custom is to similarly append an "x" to the
+ % basic three letter family name, thus yielding "padx" instead
+ % of "pad".
+
+ % The Fontname scheme is in this case further complicated by
+ % a desire to avoid names of more than eight characters
+ % (a limit which is important in many old file systems).
+ % Therefore many of the two-character variants starting with
+ % 9 is a combination of an encoding variant with one or two
+ % other variants (most commonly the "x" variant). The commands
+ % below utilize these abbreviations (but there is no software
+ % involved which would require them to).
+ \installfont {padr9e}{padr8r,padr8x,newlatin}{t1} {T1}{padx}{m}{n}{}
+ \installfont {padr9t}{padr8r,padr8x,newlatin}{ot1} {OT1}{padx}{m}{n}{}
+ % Besides the extra ligatures, the upright 8x fonts also contain
+ % a proper smallcaps alphabet. This makes it possible to make do
+ % without the -c8r fonts. The commands below will make a font
+ % using the upper case from padr8r and (as lower case) the
+ % small caps from padr8x.
+ \installfont {padrc9e}{padr8r,padr8x,newlatin}{t1c} {T1}{padx}{m}{sc}{}
+ \installfont {padrc9t}{padr8r,padr8x,newlatin}{ot1c} {OT1}{padx}{m}{sc}{}
+ \installfont {padr9i}{padr8r,padr8x,textcomp}{ts1} {TS1}{padx}{m}{n}{}
+ \installfontas{padr9i} {TS1}{padx}{m}{sc}{}
+ \installfont {padri9e}{padri8r,padri8x,newlatin option nosc}{t1} {T1}{padx}{m}{it}{}
+ \installfont {padri9t}{padri8r,padri8x,newlatin option nosc}{ot1} {OT1}{padx}{m}{it}{}
+ \installfont {padri9i}{padri8r,padri8x,textcomp}{ts1} {TS1}{padx}{m}{it}{}
+ \installfont {padro9e}{padro8r,padro8x,newlatin option nosc}{t1} {T1}{padx}{m}{sl}{}
+ \installfont {padro9t}{padro8r,padro8x,newlatin option nosc}{ot1} {OT1}{padx}{m}{sl}{}
+ \installfont {padro9i}{padro8r,padro8x,textcomp}{ts1} {TS1}{padx}{m}{sl}{}
+
+ \installfont {pads9e}{pads8r,pads8x,newlatin}{t1} {T1}{padx}{sb}{n}{}
+ \installfont {pads9t}{pads8r,pads8x,newlatin}{ot1} {OT1}{padx}{sb}{n}{}
+ \installfont {padsc9e}{pads8r,pads8x,newlatin}{t1c} {T1}{padx}{sb}{sc}{}
+ \installfont {padsc9t}{pads8r,pads8x,newlatin}{ot1c} {OT1}{padx}{sb}{sc}{}
+ \installfont {pads9i}{pads8r,pads8x,textcomp}{ts1} {TS1}{padx}{sb}{n}{}
+ \installfontas{pads9i} {TS1}{padx}{sb}{sc}{}
+ \installfont {padsi9e}{padsi8r,padsi8x,newlatin option nosc}{t1} {T1}{padx}{sb}{it}{}
+ \installfont {padsi9t}{padsi8r,padsi8x,newlatin option nosc}{ot1} {OT1}{padx}{sb}{it}{}
+ \installfont {padsi9i}{padsi8r,padsi8x,textcomp}{ts1} {TS1}{padx}{sb}{it}{}
+ \installfont {padso9e}{padso8r,padso8x,newlatin option nosc}{t1} {T1}{padx}{sb}{sl}{}
+ \installfont {padso9t}{padso8r,padso8x,newlatin option nosc}{ot1} {OT1}{padx}{sb}{sl}{}
+ \installfont {padso9i}{padso8r,padso8x,textcomp}{ts1} {TS1}{padx}{sb}{sl}{}
+
+ \installfont {padb9e}{padb8r,padb8x,newlatin}{t1} {T1}{padx}{b}{n}{}
+ \installfont {padb9t}{padb8r,padb8x,newlatin}{ot1} {OT1}{padx}{b}{n}{}
+ % The padb8x font does not contain a smallcaps alphabet --
+ % hence in this case the newlatin.mtx file reverts to faking
+ % such an alphabet by shrinking the upper case. The commands
+ % can however be the same as above!
+ \installfont {padbc9e}{padb8r,padb8x,newlatin}{t1c} {T1}{padx}{b}{sc}{}
+ \installfont {padbc9t}{padb8r,padb8x,newlatin}{ot1c} {OT1}{padx}{b}{sc}{}
+ \installfont {padb9i}{padb8r,padb8x,textcomp}{ts1} {TS1}{padx}{b}{n}{}
+ \installfontas{padb9i} {TS1}{padx}{b}{sc}{}
+ \installfont {padbi9e}{padbi8r,padbi8x,newlatin option nosc}{t1} {T1}{padx}{b}{it}{}
+ \installfont {padbi9t}{padbi8r,padbi8x,newlatin option nosc}{ot1} {OT1}{padx}{b}{it}{}
+ \installfont {padbi9i}{padbi8r,padbi8x,textcomp}{ts1} {TS1}{padx}{b}{it}{}
+ \installfont {padbo9e}{padbo8r,padbo8x,newlatin option nosc}{t1} {T1}{padx}{b}{sl}{}
+ \installfont {padbo9t}{padbo8r,padbo8x,newlatin option nosc}{ot1} {OT1}{padx}{b}{sl}{}
+ \installfont {padbo9i}{padbo8r,padbo8x,textcomp}{ts1} {TS1}{padx}{b}{sl}{}
+\endinstallfonts
+
+
+% Finally we get to my personal favourite -- the families with hanging
+% (a.k.a. oldstyle) figures. From a historical point of view, this is
+% really the most correct appearence of these fonts, because in the 16th
+% century (when Claude Garamond designed the metal types after which the
+% AGaramond fonts where modelled) there was no such thing as lining
+% figures; all figures were hanging.
+%
+% The 8x fonts all contain a suitable set of hanging figures. This makes
+% it very straightforward to make use of these instead of the lining
+% digits of the base fonts. One simply has to make use of ETX files
+% which selects these glyphs hanging figure glyphs instead of the
+% lining figure glyphs.
+\installfonts
+ \installfamily{OT1}{padj}{}
+ \installfamily{T1}{padj}{}
+ \installfamily{TS1}{padj}{}
+ % Another custom: a "j" (the Fontname hanging figure variant letter)
+ % is appended to the LaTeX family name to distinguish between
+ % lining and hanging figure families.
+
+ \installfont {padr9d}{padr8r,padr8x,newlatin}{t1j} {T1}{padj}{m}{n}{}
+ \installfont {padr9o}{padr8r,padr8x,newlatin}{ot1j} {OT1}{padj}{m}{n}{}
+ \installfont {padrc9d}{padr8r,padr8x,newlatin}{t1cj} {T1}{padj}{m}{sc}{}
+ \installfont {padrc9o}{padr8r,padr8x,newlatin}{ot1cj} {OT1}{padj}{m}{sc}{}
+ \installfont {padr9i}{padr8r,padr8x,textcomp}{ts1} {TS1}{padj}{m}{n}{}
+ \installfontas{padr9i} {TS1}{padj}{m}{sc}{}
+ \installfont {padri9d}{padri8r,padri8x,newlatin option nosc}{t1j} {T1}{padj}{m}{it}{}
+ \installfont {padri9o}{padri8r,padri8x,newlatin option nosc}{ot1j} {OT1}{padj}{m}{it}{}
+ \installfont {padri9i}{padri8r,padri8x,textcomp}{ts1} {TS1}{padj}{m}{it}{}
+ \installfont {padro9d}{padro8r,padro8x,newlatin option nosc}{t1j} {T1}{padj}{m}{sl}{}
+ \installfont {padro9o}{padro8r,padro8x,newlatin option nosc}{ot1j} {OT1}{padj}{m}{sl}{}
+ \installfont {padro9i}{padro8r,padro8x,textcomp}{ts1} {TS1}{padj}{m}{sl}{}
+
+ \installfont {pads9d}{pads8r,pads8x,newlatin}{t1j} {T1}{padj}{sb}{n}{}
+ \installfont {pads9o}{pads8r,pads8x,newlatin}{ot1j} {OT1}{padj}{sb}{n}{}
+ \installfont {padsc9d}{pads8r,pads8x,newlatin}{t1cj} {T1}{padj}{sb}{sc}{}
+ \installfont {padsc9o}{pads8r,pads8x,newlatin}{ot1cj} {OT1}{padj}{sb}{sc}{}
+ \installfont {pads9i}{pads8r,pads8x,textcomp}{ts1} {TS1}{padj}{sb}{n}{}
+ \installfontas{pads9i} {TS1}{padj}{sb}{sc}{}
+ \installfont {padsi9d}{padsi8r,padsi8x,newlatin option nosc}{t1j} {T1}{padj}{sb}{it}{}
+ \installfont {padsi9o}{padsi8r,padsi8x,newlatin option nosc}{ot1j} {OT1}{padj}{sb}{it}{}
+ \installfont {padsi9i}{padsi8r,padsi8x,textcomp}{ts1} {TS1}{padj}{sb}{it}{}
+ \installfont {padso9d}{padso8r,padso8x,newlatin option nosc}{t1j} {T1}{padj}{sb}{sl}{}
+ \installfont {padso9o}{padso8r,padso8x,newlatin option nosc}{ot1j} {OT1}{padj}{sb}{sl}{}
+ \installfont {padso9i}{padso8r,padso8x,textcomp}{ts1} {TS1}{padj}{sb}{sl}{}
+
+ \installfont {padb9d}{padb8r,padb8x,newlatin}{t1j} {T1}{padj}{b}{n}{}
+ \installfont {padb9o}{padb8r,padb8x,newlatin}{ot1j} {OT1}{padj}{b}{n}{}
+ \installfont {padbc9d}{padb8r,padb8x,newlatin}{t1cj} {T1}{padj}{b}{sc}{}
+ \installfont {padbc9o}{padb8r,padb8x,newlatin}{ot1cj} {OT1}{padj}{b}{sc}{}
+ \installfont {padb9i}{padb8r,padb8x,textcomp}{ts1} {TS1}{padj}{b}{n}{}
+ \installfontas{padb9i} {TS1}{padj}{b}{sc}{}
+ \installfont {padbi9d}{padbi8r,padbi8x,newlatin option nosc}{t1j} {T1}{padj}{b}{it}{}
+ \installfont {padbi9o}{padbi8r,padbi8x,newlatin option nosc}{ot1j} {OT1}{padj}{b}{it}{}
+ \installfont {padbi9i}{padbi8r,padbi8x,textcomp}{ts1} {TS1}{padj}{b}{it}{}
+ \installfont {padbo9d}{padbo8r,padbo8x,newlatin option nosc}{t1j} {T1}{padj}{b}{sl}{}
+ \installfont {padbo9o}{padbo8r,padbo8x,newlatin option nosc}{ot1j} {OT1}{padj}{b}{sl}{}
+ \installfont {padbo9i}{padbo8r,padbo8x,textcomp}{ts1} {TS1}{padj}{b}{sl}{}
+\endinstallfonts
+
+% This closes the file opened by \recordtransforms above.
+\endrecordtransforms
+
+\bye
+
+% The installations made by the above commands are certainly not
+% optimal. Some things which can be improved are:
+%
+% - Although the padrc9e, padrc9t, padsc9e, padsc9t, padrc9d,
+% padrc9o, padsc9d, and padsc9o fonts contain proper smallcaps
+% glyphs, there are no kerns between the smallcaps and
+% the upper case in these fonts, because there were no such
+% kerns in any of the fonts they are based on. There are
+% however such kerning pairs in padrc8r and padsc8r, and it is
+% quite easy to extract this information using the \reglyphfont
+% command with the settings in the csckrn2x.tex file.
+%
+% - The padrc8t, padrc7t, padsc8t, and padsc7t fonts that are
+% based on padrc8r and padsc8r respectively have hanging figures,
+% whereas the other fonts in the same family have lining figures.
+% This is only because that is how the foundry packaged the
+% glyphs into fonts, and the careful font installer might want
+% to straighten out this situation. One way to do that is
+% to make use of the unsetnum.mtx file, another is to make
+% use of the `suffix' mechanism (new in v1.923).
+%
+% - One glyph which is missing from all the fonts made above is
+% the Euro glyph (and that is kind of awkward these days, although
+% as of v1.926 textcomp.mtx fakes this using a C and two rules).
+% One way to supply a Euro glyph is to provide yet another font
+% (besides the -8r's and -8x's) as base font, if that extra
+% font contains the missing Euro glyph. The same trick can be used
+% to get greek capitals for the OT1-encoded fonts.
+
diff --git a/Master/texmf-dist/doc/fonts/fontinst/base/examples/basicex2.tex b/Master/texmf-dist/doc/fonts/fontinst/base/examples/basicex2.tex
new file mode 100644
index 00000000000..74fe2a4df5a
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontinst/base/examples/basicex2.tex
@@ -0,0 +1,50 @@
+%
+% basicex2.tex
+%
+% fontinst command file for writing map file fragments for
+% the raw fonts used by the fonts made in basicex.tex.
+%
+
+\input finstmsc.sty
+
+% At this point, you might want to change some settings
+% to make the map file fragments written better adjusted
+% to your particular system. Some common examples are:
+%
+% \resetstr{PSfontsuffix}{.pfb}
+%
+% which is useful if the actual fonts are in PFB format.
+%
+% \AssumeLWFN
+%
+% This is useful if the font files are named according to
+% the old Mac OS Classic convention for PostScript fonts
+% (names like AGarBolIta).
+
+\adddriver{dvips}{dvips.map}
+% This causes a .map file for dvips to be written.
+% It is probably better to choose a name that has to
+% do with the fonts than to use `dvips.map'.
+% In some systems, there is a program updmap which combines
+% several small .map files such as this one into a large
+% psfonts.map file.
+\adddriver{dvipdfm}{dvipdfm.map}
+% Similar file for dvipdfm.
+\adddriver{pltotf}{pltotf-script.sh}
+% A shell script that runs pltotf on those .pl files
+% which you need to turn into .tfm files.
+\adddriver{debug}{mapdump.txt}
+% This file contains the available data in a human-readable
+% format. This is useful if your dvi driver uses some other
+% kind of map file.
+
+\input basicex.recs
+% This is where all the work is done.
+
+\donedrivers
+% This closes the files and does some cleanup.
+
+\bye
+
+
+
diff --git a/Master/texmf-dist/doc/fonts/fontinst/base/manual/fontinst.dvi b/Master/texmf-dist/doc/fonts/fontinst/base/manual/fontinst.dvi
new file mode 100644
index 00000000000..ae8133acad4
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontinst/base/manual/fontinst.dvi
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/fontinst/base/manual/fontinst.pdf b/Master/texmf-dist/doc/fonts/fontinst/base/manual/fontinst.pdf
new file mode 100644
index 00000000000..20c50851cdd
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontinst/base/manual/fontinst.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/fontinst/base/manual/fontinst.tex b/Master/texmf-dist/doc/fonts/fontinst/base/manual/fontinst.tex
new file mode 100644
index 00000000000..19f5f012231
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontinst/base/manual/fontinst.tex
@@ -0,0 +1,4160 @@
+%%% ====================================================================
+%%% @LaTeX-file{
+%%% author = "Alan Jeffrey and Rowland McDonnell and
+%%% Ulrik Vieth and Lars Hellstr{\"o}m",
+%%% version = "1.928",
+%%% date = "2004-12-16",
+%%% time = "12:18:32 +01:00",
+%%% filename = "fontinst.tex",
+%%% email = "fontinst@tug.org",
+%%% checksum = "",
+%%% codetable = "ISO/ASCII",
+%%% keywords = "fontinst, TeX, PostScript, documentation",
+%%% supported = "yes",
+%%% abstract = "This is the documentation for the fontinst
+%%% font installation package.",
+%%% package = "fontinst",
+%%% dependencies = "ltxguide.cls, url.sty, xspace.sty"
+%%% }
+%%% ====================================================================
+
+% Copyright 1993, 1994, 1995, 1996 Alan Jeffrey
+
+% Modified by Rowland McDonnell June 1998
+% Modified and revised by Ulrik Vieth June 1998
+% Modified by Lars Hellstr\"om July 2004
+
+
+\documentclass[a4paper]{ltxguide}
+\usepackage[OT1]{fontenc}
+\usepackage{url,xspace}
+\usepackage{graphicx}
+
+\IfFileExists{palatino.flag}{
+ \renewcommand\rmdefault{ppl}
+}
+%\renewcommand\rmdefault{padx}
+%\renewcommand\rmdefault{pmnx}
+
+% \MakeShortVerb{\|}
+
+
+% Title page and running heads.
+
+\makeatletter
+\newcommand{\subtitle}[1]{\renewcommand{\@subtitle}{#1}}
+\newcommand{\version}[1]{\renewcommand{\@version}{#1}}
+\newcommand{\illustration}[1]{\renewcommand{\@illustration}{#1}}
+
+\newcommand{\@subtitle}{}
+\newcommand{\@version}{???}
+\newcommand{\@illustration}{cover.eps}
+
+% \pagestyle{myheadings}
+% \AtBeginDocument{\markright{\small\itshape
+% \@author\hfill\@title: \@subtitle\quad}}
+
+
+\renewcommand{\maketitle}{{%
+ \thispagestyle{empty}%
+ \normalfont\centering
+ \null
+ {\fontsize{100}{100}\textit{\@title}}%
+ \par\bigskip
+ {\Large\textbf{\@subtitle}}%
+ \vfill
+ \includegraphics[width=\textwidth]{\@illustration}%
+ \vfill
+ {\Large\textbf{%
+ \def\and{\egroup\qquad\hbox\bgroup}
+ \leavevmode \hbox{\@author}\\[\smallskipamount]
+ \@title~v\@version
+ \quad\textperiodcentered\quad \@date}}%
+ \clearpage
+}}
+\makeatother
+
+
+% Set lists tighter (assuming non-zero \parskip).
+
+\makeatletter
+\renewcommand{\@listI}{%
+ \leftmargin\leftmargini
+ \parsep\medskipamount
+ \itemsep\z@ % + parsep
+ \topsep\z@ % + parskip
+ \partopsep\z@
+}
+\newenvironment{isyntax}{%
+ \let\\\@centercr
+ \list{}{%
+ \itemsep \z@
+ \itemindent -1.5em%
+ \listparindent \itemindent
+ \advance \leftmargin 1.5em%
+ }%
+ \advance \rightskip \z@\@plus0.7\linewidth \relax
+ \linepenalty=100\relax
+ \item\relax
+}{\endlist}
+\makeatother
+
+\newenvironment{smalldes}{%
+ \list{}{%
+ \setlength\labelwidth{0pt}%
+ \setlength\itemindent{-\leftmargin}%
+ \setlength\listparindent{1em}%
+ \setlength\parsep{0pt}%
+ \setlength\itemsep{0pt plus 1pt}%
+ \setlength\topsep{\itemsep}%
+ \let\makelabel\descriptionlabel
+ }%
+}{\endlist}
+
+\newenvironment{hackernote}{%
+ \list{}{
+ \setlength{\leftmargin}{0pt}%
+ \setlength\labelwidth{0pt}%
+ \setlength{\listparindent}{1.4em}%
+ \setlength{\parsep}{0pt plus 1pt}%
+ \setlength{\itemsep}{\medskipamount}%
+ }\item[]%
+ \small
+ \textit{Note for hackers.}\hspace{0.5em}%
+}{\endlist}
+
+% % I don't use the <...> feature for verbatim,
+% % so I undo that ltxguide feature.
+% \makeatletter
+% \renewcommand{\verbatim@font}{%
+% \normalfont \ttfamily
+% % \catcode`\<=\active
+% % \catcode`\>=\active
+% }
+% \makeatother
+
+
+% ltxguide.cls decl environment, but with equal space above and
+% below.
+\DeleteShortVerb{\|}
+\makeatletter
+\newenvironment{decl*}[1][]{%
+ \par
+ \small\addvspace{2.3ex}%
+ \vskip -\parskip
+ \ifx\relax#1\relax
+ \def\@decl@date{}%
+ \else
+ \def\@decl@date{\NEWfeature{#1}}%
+ \fi
+ \noindent\hspace{-\leftmargini}%
+ \begin{tabular}{|l|}%
+ \hline\ignorespaces
+}{%
+ \\\hline
+ \end{tabular}%
+ \nobreak\@decl@date\par\nobreak
+ \vspace{2.3ex}\vskip -\parskip
+}
+\makeatother
+\MakeShortVerb{\|}
+
+
+% Set spacing around captions.
+
+\setlength{\abovecaptionskip}{\medskipamount}
+\setlength{\belowcaptionskip}{\medskipamount}
+
+% Markup for logos, file types, programs, etc.
+
+\newcommand*{\meta}{\m}
+\newcommand*{\marg}{\arg}
+\newcommand*{\parg}[1]{\texttt{(}\m{#1}\texttt{)}}
+
+\newcommand*{\cs}[1]{\texttt{\char`\\ #1}\xspace}
+
+\newcommand*{\OzTeX}{O\kern-.03em z\kern-.15em\TeX}
+\newcommand*{\OzMF}{O\kern-.03em zMF}
+\newcommand*{\OzTools}{O\kern-.03em z\kern-.15em Tools}
+
+\newcommand{\PS}{Post\-Script\xspace}
+\newcommand{\TT}{True\-Type\xspace}
+
+\newcommand*{\setfilename}[1]{\texttt{#1}}
+\newcommand*{\setdotfilename}[1]{\setfilename{.#1}}
+\newcommand*{\setpackagename}[1]{\textsf{#1}}
+
+\newcommand{\dvips} {\setpackagename{dvips}\xspace}
+\newcommand{\Dvips} {\setpackagename{Dvips}\xspace}
+\newcommand{\fontinst}{\setpackagename{font\-inst}\xspace}
+\newcommand{\Fontinst}{\setpackagename{Font\-inst}\xspace}
+\newcommand{\fontdoc}{\setpackagename{font\-doc}\xspace}
+\newcommand{\Fontdoc}{\setpackagename{Font\-doc}\xspace}
+
+% \show\fontname
+\newcommand{\fontnamekb}{fontname\xspace}
+\newcommand{\Fontnamekb}{Fontname\xspace}
+
+\newcommand{\mf} {\setfilename{mf}\xspace}
+\newcommand{\Mf} {\setfilename{Mf}\xspace}
+\newcommand{\vf} {\setfilename{vf}\xspace}
+\newcommand{\Vf} {\setfilename{Vf}\xspace}
+\newcommand{\pl} {\setfilename{pl}\xspace}
+\newcommand{\Pl} {\setfilename{Pl}\xspace}
+\newcommand{\fd} {\setfilename{fd}\xspace}
+\newcommand{\Fd} {\setfilename{Fd}\xspace}
+\newcommand{\pk} {\setfilename{pk}\xspace}
+\newcommand{\Pk} {\setfilename{Pk}\xspace}
+\newcommand{\afm}{\setfilename{afm}\xspace}
+\newcommand{\Afm}{\setfilename{Afm}\xspace}
+\newcommand{\vpl}{\setfilename{vpl}\xspace}
+\newcommand{\Vpl}{\setfilename{Vpl}\xspace}
+\newcommand{\tfm}{\setfilename{tfm}\xspace}
+\newcommand{\Tfm}{\setfilename{Tfm}\xspace}
+\newcommand{\mtx}{\setfilename{mtx}\xspace}
+\newcommand{\Mtx}{\setfilename{Mtx}\xspace}
+\newcommand{\etx}{\setfilename{etx}\xspace}
+\newcommand{\Etx}{\setfilename{Etx}\xspace}
+\newcommand{\pfa}{\setfilename{pfa}\xspace}
+\newcommand{\Pfa}{\setfilename{Pfa}\xspace}
+\newcommand{\pfb}{\setfilename{pfb}\xspace}
+\newcommand{\Pfb}{\setfilename{Pfb}\xspace}
+\newcommand{\dvi}{\setfilename{dvi}\xspace}
+\newcommand{\Dvi}{\setfilename{Dvi}\xspace}
+\newcommand{\pdf}{\setfilename{pdf}\xspace}
+\newcommand{\Pdf}{\setfilename{Pdf}\xspace}
+\newcommand{\ttf}{\setfilename{ttf}\xspace}
+\newcommand{\Ttf}{\setfilename{Ttf}\xspace}
+
+\newcommand{\vftovp}{\setpackagename{vftovp}\xspace}
+\newcommand{\vptovf}{\setpackagename{vptovf}\xspace}
+\newcommand{\pltotf}{\setpackagename{pltotf}\xspace}
+\newcommand{\tftopl}{\setpackagename{tftopl}\xspace}
+
+\newcommand{\BibTeX}{Bib\TeX}
+
+
+% % Stolen from Dr Knuth
+% \makeatletter % borrow the private macros of PLAIN (with care)
+% \def\oct#1{\hbox{\rm\'{}\kern-.2em\it#1\/\kern.05em}} % octal constant
+% \def\hex#1{\hbox{\rm\H{}\tt#1}} % hexadecimal constant
+% % macros for font tables
+% \def\oddline#1{\cr
+% \noalign{\nointerlineskip}
+% \multispan{19}\hrulefill&
+% \setbox0=\hbox{\lower 2.3pt\hbox{\hex{#1x}}}\smash{\box0}\cr
+% \noalign{\nointerlineskip}}
+% \def\evenline{\cr\noalign{\hrule}}
+% \def\chartstrut{\lower4.5pt\vbox to14pt{}}
+% \def\beginchart#1{$$\global\count@=0 #1
+% \halign to\hsize\bgroup
+% \chartstrut##\tabskip0pt plus10pt&
+% &\hfil##\hfil&\vrule##\cr
+% \lower6.5pt\null
+% &&&\oct0&&\oct1&&\oct2&&\oct3&&\oct4&&\oct5&&\oct6&&\oct7&\evenline}
+% \def\endchart{\raise11.5pt\null&&&\hex 8&&\hex 9&&\hex A&&\hex B&
+% &\hex C&&\hex D&&\hex E&&\hex F&\cr\egroup$$}
+% \def\*{\global\advance\count@ by1 }
+% \def\:{\setbox0=\hbox{\char\count@}%
+% \ifdim\ht0>7.5pt\reposition
+% \else\ifdim\dp0>2.5pt\reposition\fi\fi
+% \box0\global\advance\count@ by1 }
+% \def\reposition{\setbox0=\hbox{$\vcenter{\kern2pt\box0\kern2pt}$}}
+% \def\smallchart{%
+% %\global\advance\count@ by16
+% &\oct{00x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline0
+% &\oct{01x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+% &\oct{02x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline1
+% &\oct{03x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+% &\oct{04x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline2
+% &\oct{05x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+% &\oct{06x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline3
+% &\oct{07x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+% &\oct{10x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline4
+% &\oct{11x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+% &\oct{12x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline5
+% &\oct{13x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+% &\oct{14x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline6
+% &\oct{15x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+% &\oct{16x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline7
+% &\oct{17x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline}
+%
+% \def\bigchart{%
+% %\global\advance\count@ by16
+% &\oct{00x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline0
+% &\oct{01x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+% &\oct{02x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline1
+% &\oct{03x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+% &\oct{04x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline2
+% &\oct{05x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+% &\oct{06x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline3
+% &\oct{07x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+% &\oct{10x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline4
+% &\oct{11x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+% &\oct{12x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline5
+% &\oct{13x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+% &\oct{14x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline6
+% &\oct{15x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+% &\oct{16x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline7
+% &\oct{17x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+% &\oct{20x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline8
+% &\oct{21x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+% &\oct{22x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline9
+% &\oct{23x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+% &\oct{24x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline{A}
+% &\oct{25x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+% &\oct{26x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline{B}
+% &\oct{27x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+% &\oct{30x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline{C}
+% &\oct{31x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+% &\oct{32x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline{D}
+% &\oct{33x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+% &\oct{34x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline{E}
+% &\oct{35x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+% &\oct{36x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline{F}
+% &\oct{37x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline}
+%
+% % \font\xrm = cmr10 at 10pt % change this line to test font
+% % \beginchart\xrm \normalchart \endchart
+%
+% \newcommand{\smallfontchart}[1]{%
+% \font\xrm = #1 \beginchart\xrm \smallchart \endchart}
+% \newcommand{\bigfontchart}[1]{%
+% \font\xrm = #1 \beginchart\xrm \bigchart \endchart}
+%
+% % \smallfontchart{cmr10 at 10pt}
+% % \bigfontchart{ecrm1000 at 10pt}
+% \makeatother
+% % End stolen from Dr Knuth
+
+
+
+\title{fontinst}
+\subtitle{Font installation software for \TeX}
+\author{Alan Jeffrey\and Rowland McDonnell\and Lars Hellstr\"om}
+\illustration{roadmap.eps}
+\version{1.9}
+\date{December 2004}
+
+\begin{document}
+
+\maketitle
+
+\begin{itshape}
+ This manual is currently being rewritten, and may therefore be a
+ bit disorganised. For authoritative information on command syntaxes
+ and the like, see the Literate Programming sources for
+ \fontinst. The main file there is \textsl{\texttt{fisource.tex}}.
+\end{itshape}
+
+\bigskip
+
+\begin{footnotesize}
+ This manual describes the \texttt{fontinst} software for converting
+ fonts from Adobe Font Metric format to forms readable by \TeX. This
+ manual should be distributed with the \texttt{fontinst} software,
+ which is available by anonymous FTP from
+ \url{ftp://ftp.tex.ac.uk/tex-archive/fonts/utilities/fontinst}, and
+ on the various CD-ROMs containing material from the CTAN archives.
+ Please do not contact the author directly for copies.
+
+ If you would like to report a bug with \texttt{fontinst}, please
+ mail \url{fontinst@tug.org}. The mail will be sent to the
+ \texttt{fontinst} mailing list. If you would like to be on the
+ \texttt{fontinst} mailing list, see
+ \url{http://tug.org/mailman/listinfo/fontinst}.
+\end{footnotesize}
+
+\tableofcontents
+
+% \vfill
+
+\clearpage
+
+
+% \section{Introduction}
+%
+% Digital fonts, as they may be bought from a foundry or other supplier,
+% are usually not directly usable with \LaTeX. An obvious problem can be
+% that the font information is not available in a format that \LaTeX\
+% understands. A more subtle problem is that the fonts are often
+% organised in a way that is unsuitable for automatic typesetting.
+% % \Fontinst was written to overcome these problems.
+%
+% % The main thing \fontinst does is creating virtual fonts (\vf's).
+%
+%
+% % The \fontinst package is a set of \TeX\ macros written to create
+% % virtual fonts for use with \TeX.
+
+
+\section{Defining terms}
+
+This is rather a large and perhaps tedious section. You might be
+tempted to skip it so you can get to some more direct information on
+how to use \fontinst. That's fine if you understand everything about
+how \TeX\ handles fonts. If not, I suggest you at least skim though
+this section.
+
+\subsection{What's a font?}
+
+Once upon a time, this question was easily answered: a font is a
+set of type in one size, style, etc. There used to be no
+ambiguity, because a font was a collection of chunks of type metal
+kept in a drawer, one drawer for each font.
+
+These days, with digital typesetting, things are more complicated.
+What a font `is' isn't easy to pin down. A typical use of a \PS
+font with \LaTeX\ might use these elements:
+\begin{itemize}
+\item Type 1 printer font file
+\item Bitmap screen font file
+\item Adobe font metric file (\afm file)
+\item \TeX\ font metric file (\tfm file)
+\item Virtual font file (\vf file)
+\item font definition file (\fd file)
+\end{itemize}
+Looked at from a particular point of view, each of these files
+`is' the font. So what's going on?
+
+
+\subsubsection{Type 1 printer font files}
+
+These files contain the information needed by your printer to draw
+the shapes of all the characters in a font. They're typically
+files with a \pfa or \pfb extension; on Macs they're usually in
+files of type `LWFN' which usually have icons that look like a
+laser printer. The information in all these files is basically
+the same: the only difference is in its representation. \pfa
+stands for `printer font ASCII', while \pfb stands for `printer
+font binary'. That is, \pfa files contain plain text information,
+while \pfb files contain the same information encoded as
+machine-readable binary data.
+
+If you have Adobe Type Manager (ATM) installed on your computer,
+ATM will use these files to draw an accurate representation of the
+letters on the screen of your computer when you are previewing a
+\TeX\ document.
+
+Printer font files are not used directly by \TeX\ at all -- \TeX\
+just prepares a \dvi file that refers to the fonts by name and the
+characters by number: \TeX\ knows nothing about the shapes
+involved. The DVI driver uses the printer font files when you ask
+it to print the \dvi file. This means that you can produce a \dvi
+file which uses, say, Palatino, even if you do not have the
+Type~1 printer font file for this font on your computer. You will
+need to find a computer that does have Palatino before you can
+print it or preview it, though.
+
+Pdf\TeX\ is different from \TeX\ in this respect; since pdf\TeX\
+integrates most of the functionality of a DVI driver, it may be unable
+to generate working \pdf output if the some Type~1 printer font file
+is not available.
+
+
+\subsubsection{Bitmap screen font files}
+
+These files contain a low-resolution bitmap for drawing a
+representation of the font on the screen of your computer if ATM
+is not installed. In the \TeX\ world, these files are only used
+for screen previews by the DVI driver. They are kept in font
+suitcase files on Macintoshes.
+%\marginnote{And where on other computers?}
+
+
+\subsubsection{Adobe font metric files (\afm files)}
+
+These files are text files which contain information about the
+size of each character in a font, kerning and ligature
+information, and so on. They can't be used by \TeX\ directly, but
+the information they contain is essential if you want to use a
+font with \TeX. \Fontinst can create from an \afm file the
+necessary \tfm and \vf files so you can use a font with \TeX.
+Once you have created all the files you need to use a font with
+\TeX, you can remove the corresponding \afm files from your
+computer unless you have other software that needs them.
+
+The job of turning an \afm file into a set of \tfm and \vf files
+is one of the main uses for \fontinst. Most of this document is
+concerned with this process, so don't worry if it seems a bit
+vague at the moment.
+
+
+\subsubsection{\TeX\ font metric files (\tfm files)}
+
+These are binary data files in a format designed for use by \TeX\
+which contain (more-or-less) the same information as \afm files:
+the size of each character in a font (font metric data), kerning,
+and ligature information.
+
+When you select a font in \TeX, you are telling \TeX\ to typeset
+using a particular \tfm file; from \TeX's point of view, a \tfm
+file (and nothing else) \emph{is} a font. \TeX\ itself doesn't
+see printer font files, screen bitmaps, \pk files, \vf files, or
+anything else to do with fonts: only \tfm files.
+
+\TeX\ uses these \tfm files to decide where to put characters when
+typesetting. From \TeX's point of view, \tfm files are fonts,
+even though they contain no information about the shape of
+letters, and are not used by anything except \TeX\ -- once you
+have produced a \dvi file, you don't need the \tfm files to print
+it out. (This is a slight lie: \dvips can read \tfm files
+corresponding to \PS and \TT fonts so it can modify the metrics
+slightly to improve the letterspacing at your chosen output
+resolution. This is an optional minor tweak and not an essential
+part of the output process.)
+
+
+\subsubsection{Property list files (\pl files)}
+
+\pl files are human-readable text files which contain all the font
+metric, kerning, ligature, and other information needed to create
+a \tfm file. You can convert between the two file formats using
+\tftopl and \pltotf.
+
+
+\subsubsection{Virtual font files (\vf files)}
+
+These are binary data files in a format designed for use by \TeX\
+\dvi drivers. They're main purpose in life is to let you use
+fonts in different encodings to the standard \TeX\ encodings.
+These files are used by \dvi driver software only.
+
+They are used only by \dvi drivers to work out what it should
+\emph{really} print when you ask for a particular character.
+Technically they are like subroutine libraries for \dvi drivers,
+with one subroutine for each character in the virtual font: when
+the \dvi driver sees a \dvi command to set a character from a virtual
+font, it will execute a sequence of \dvi commands (the ``mapcommands
+property'' of this character) that it reads in the \vf file. You need
+not worry about the details of this, as \fontinst deals with them for
+you. Creating and using virtual fonts is what this document is about,
+so don't worry if this doesn't make sense yet. (After all, how much
+do you need to know about the inner workings of \dvi files to typeset
+and print \TeX\ documents?)
+
+Each \vf file has a \tfm file with the same name. To use a
+virtual font, you select the \tfm file as the font to use in your
+document. When the \dvi driver comes across this \tfm file in the
+\dvi file, it looks up the \vf file and uses that to decide what
+to do.
+
+
+\subsubsection{Virtual property list files (\vpl files)}
+
+\vpl files are human-readable text files which contain all the
+font metric, kerning, mapping, and other information needed to
+create a \vf and \tfm pair.
+
+\vptovf will create a \vf/\tfm pair from a \vpl file. \vftovp
+will create a \vpl from a \vf/\tfm pair. \vftovp also needs to be
+able to read all the \tfm files that are referred to by a \vf to
+recreate the \vpl\ -- it looks at the checksums to verify that
+everything's okay.
+
+
+\subsubsection{Font definition files (\fd files)}
+
+These are files containing commands to tell \LaTeX\ which \tfm
+files to associate with a request for a font using \LaTeX's font
+selection commands.
+
+For example, here is a small and edited part of the \fd file
+supplied with \setpackagename{PSNFSS} to allow you to use the
+Adobe Times font in T1 encoding:
+
+\begin{verbatim}
+ \ProvidesFile{t1ptm.fd}
+ [1997/02/11 Fontinst v1.6 font definitions for T1/ptm.]
+
+ \DeclareFontFamily{T1}{ptm}{}
+
+ \DeclareFontShape{T1}{ptm}{m}{n} {<<->> ptmr8t}{}
+ \DeclareFontShape{T1}{ptm}{m}{it}{<<->> ptmri8t}{}
+ ...
+ \DeclareFontShape{T1}{ptm}{b}{n} {<<->> ptmb8t}{}
+ \DeclareFontShape{T1}{ptm}{b}{it}{<<->> ptmbi8t}{}
+ ...
+\end{verbatim}
+What this means is: when you use \LaTeX\ to select the font family
+|ptm| in T1 encoding in the medium series (|m|) and normal shape
+(|n|), \TeX\ uses the font \texttt{ptmr8t.tfm}. Similarly, if you
+select bold italic, \TeX\ uses \texttt{ptmbi8t.tfm}.
+
+\LaTeX\ works out which \fd file to load based on the current
+encoding and font family selected. If you've selected T1 encoded
+|ptm| like this:
+\begin{verbatim}
+ \fontencoding{T1}\fontfamily{ptm}\selectfont
+\end{verbatim}
+\LaTeX\ loads the file \url{t1ptm.fd} (if it doesn't exist, you're
+in trouble). As you can see above, this file contains information
+so that \LaTeX\ knows which \tfm file to use. So if you ask for,
+say, |T1/ptm/b/it| (T1 encoded Times-Roman, bold series, italic
+shape), you get the font \texttt{ptmbi8t}.
+
+You can find more about \fd files and \LaTeX's font selection commands
+at CTAN:
+\url{ftp://ftp.tex.ac.uk/tex-archive/macros/latex/base/fntguide.tex}
+and \url{ftp://ftp.tex.ac.uk/tex-archive/info/simple-nfss.tex} are
+both useful.
+
+
+\subsection{What does \fontinst do?}
+
+\fontinst creates \vpl and \pl files from \afm or \pl files to map
+any glyph or combination of glyphs in the original font files to
+any slot in the output font file. There, isn't that better? Off
+you go now\ldots
+
+If you're still confused, I'll explain a few things.
+\begin{description}
+\item[Glyph]
+ A glyph is an image, often associated with one or several characters.
+ Some examples of glyphs are:
+ `A', `\textsf{A}', `$\mathcal{A}$', `B', `F',
+ `{\usefont{OT1}{cmr}{m}{n}f}',
+ `{\usefont{OT1}{cmr}{m}{n}fi}', `\~{}'.
+ Fonts are collections of glyphs. \Fontinst refers to glyphs by name.
+\item[Slot]
+ This is jargon for `a numbered position in a font'. (What is
+ important is the number, and that this number refers to a position
+ in a font, but which font is usually irrelevant.)
+\item[Character]
+ The modern definition is that a character is the smallest component
+ of written language that has semantic value. Speaking of a
+ character, one refers to the abstract meaning and/or shape, rather
+ than a specific shape.
+
+ Since fonts have often contained a unique glyph for each character
+ and each usable glyph has been assigned a particular slot,
+ it is not uncommon (in particular in older terminology) to see the
+ three mixed up, usually so that one says `character' where one of
+ the other two would have been more correct. The \TeX-related font
+ file formats is no exception, as you may see examples of elsewhere
+ in this document.
+\item[Encoding]
+ There are really two different encoding concepts that one encounters
+ when using \fontinst. The differences are not great, and an
+ encoding of one kind often corresponds to an encoding of the other
+ kind, but it is not merely a matter of translation.
+
+ A \emph{\LaTeX\ encoding} is a mapping from characters (or more
+ formally \LaTeX\ Internal Character Representations) to slots.
+ In the \texttt{OT1} encoding, `\o' (or more technically `|\o|') maps
+ to slot~28, whereas in the \texttt{T1} encoding it maps to slot~248.
+ This kind of encoding affects what \TeX\ is doing; \dvi drivers are
+ not involved.
+
+ A \emph{font encoding} (or \emph{encoding vector}) is a mapping from
+ slots to glyph names. This is the kind of encoding that \fontinst
+ primarily deals with, and also the kind of encoding that \dvi
+ drivers make use of. \texttt{ot1.etx} associates slot~28 with
+ `\texttt{oslash}', whereas \texttt{t1.etx} and \texttt{EC.enc} (one
+ of several to \texttt{T1} corresponding encoding vectors that come
+ with \dvips) associates slot~28 with `\texttt{fi}'.
+
+ \LaTeX\ encodings occur in \fontinst only as names and only in
+ relation to \fd files. It is unlikely that you will need to create
+ one of your own. The mappings defined by font encodings are on the
+ other hand of great importance and \etx files are used to direct
+ the generation of virtual fonts. Advanced \fontinst users may well
+ find that they need to create new font encodings to achieve their
+ goals.
+\end{description}
+
+% You're probably familiar with ASCII
+% encoding, which has the letter `A' in slot~65, `B' in slot~66,
+% and so on. That's it, really. \TeX\ uses several different
+% encodings. The most common ones are OT1 (the original \TeX\
+% 7~bit encoding) and T1 (the newer \TeX\ 8~bit encoding).
+% % -- much more on this later.
+
+The thing is that the average \PS font comes in Adobe standard
+encoding, which, for example, has the glyph dotless~i `\i' in
+slot~245. But \TeX\ \texttt{T1} encoding expects the glyph o~dieresis
+`{\"o}' in that slot, and wants dotless~i in slot~25. So if you
+tried to use a raw \PS font with \TeX, any time you tried to get
+a `{\"o}', you'd get a `\i'; and every time you tried to get a `\i',
+you'd get a blank, because Adobe standard encoding says that
+slot~25 is empty. The process of dealing with this problem is
+called `re-encoding', and is what \fontinst helps with.
+
+This might not make much sense yet; the best thing to do is relax.
+There's a lot of things that need to be dealt with when you're
+setting up \LaTeX\ to use a new font, so you can expect to be a
+bit confused until you've done it a few times.
+
+
+\subsection{What do you do with \fontinst?}
+
+If you're using \fontinst, the usual steps you need to take to use
+an ordinary \PS text font with \LaTeX\ are these:
+
+\begin{enumerate}
+\item Give the \afm files an appropriate name.
+\item Use \fontinst to produce an |8r| encoded \pl files from
+ these \afm files.
+\item Use \fontinst to create T1 and OT1 encoded \pl and \vpl
+ files from the |8r| encoded \pl files (this procedure will also
+ create suitable \fd files).
+\item Use \pltotf to turn each \pl file into a \tfm file.
+\item Use \vptovf to turn each \vpl file into a pair of \vf and
+ \tfm files.
+\item Move the \tfm, \vf, and \fd files into the appropriate
+ directories so \LaTeX\ can see them.
+\item Tell your DVI driver about the new font (edit \dvips's
+ \texttt{psfonts.map} file, or \OzTeX's \texttt{Default}
+ configuration file.
+\item Perhaps write a package file to make selecting the new font
+ a little easier.
+\item Test it.
+\end{enumerate}
+
+
+\section{Fontmaking commands}
+
+There are three main types of files that you may write to control what
+\fontinst does: \emph{command files} (usually with suffix
+\setdotfilename{tex}), \emph{encoding definition files} (suffix
+\setdotfilename{etx}), and \emph{metric files} (suffix
+\setdotfilename{mtx}). Command files directly tell \fontinst to do
+things, whereas the purpose of an encoding or metric file is more to
+store data, but all three file types are technically sequences of
+\TeX\ commands that \fontinst execute when reading the file. Normal
+\TeX\ syntax rules apply in all three file types, although a few
+commands may behave in unfamiliar ways.
+
+Within the command file category, it is possible to discern certain
+subcategories. Most command files are written for one particular
+task, but some are common pieces that have been factored out from
+larger command files and are merely meant to be |\input| where
+appropriate. (\setfilename{csc2x.tex} in the \fontinst distribution is
+an example of this latter kind.) One may also distinguish between
+command files that are made for use with \setfilename{fontinst.sty}
+command definitions and command files that are made for use with
+\setfilename{finstmsc.sty} command definitions. This section documents
+the commands that are particular to the former category, whereas the
+next section documents commands that are particular to the latter.
+
+
+\subsection{Install commands}
+
+The core fontmaking takes place within a block of ``install
+commands''. (This name is a bit unfortunate since nothing is actually
+installed; rather some files that need to be installed are generated.)
+Such blocks have the structure
+\begin{quote}
+ |\installfonts|\\
+ \m{install commands}\\
+ |\endinstallfonts|
+\end{quote}
+The \m{install commands} describe the fonts, glyphs and encodings used
+to build fonts, whereas the purpose of the delimiting |\installfonts|
+and |\endinstallfonts| are rather to organise the writing of \fd files.
+\begin{decl*}
+ |\installfonts|\\
+ |\endinstallfonts|
+\end{decl*}
+At |\installfonts|, \fontinst's internal list of \fd files to generate
+are cleared. At |\endinstallfonts|, \fd files are written for those
+combinations of encoding and font family that appeared in the
+\meta{install commands}.
+
+\begin{hackernote}
+ |\installfonts|, |\endinstallfonts|, and the individual
+ install commands between them also cooperate in a rather complicated
+ grouping scheme to cache glyphbases. This may interfere with
+ non-\fontinst commands in the \meta{install commands}. If for
+ example an assignment to some |\tracing|\dots\ parameter here does
+ not seem to have any effect, try making the assignment |\global|.
+\end{hackernote}
+
+The most important \meta{install command} is
+\begin{decl*}
+ |\installfont|\arg{font-name}\arg{metrics-list}\arg{etx-list}\\
+ \hspace*{1.5em}\arg{encoding}\arg{family}\arg{series}%
+ \arg{shape}\arg{size}
+\end{decl*}
+This produces a \TeX\ virtual font called \m{font-name}. The
+\meta{metrics-list} and the \meta{etx-list} determine this font,
+whereas the other arguments specify how the \fd file will declare it
+for \LaTeX. The \m{encoding}, \m{family}, \m{series}, and \m{shape}
+are precisely the NFSS parameters. The \m{size} is either a shorthand
+declared by \verb|\declaresize| (see below), or is an \fd size
+specification.
+
+Like most \fontinst lists, the elements in the \meta{metrics-list} and
+\meta{etx-list} are separated by commas (so-called comma-separated
+lists). In their simplest form, the elements of these lists are file
+names (minus suffixes): \mtx files in the \meta{metrics-list} and
+\etx files in the \meta{etx-list}. First the \mtx files are processed
+to build up a glyphbase, i.e., store definitions of glyphs and their
+metric properties in memory, and then the \etx files are processed
+(several times) to select a set of glyphs and write the corresponding
+information to a \vpl file.
+
+For example, to install the \texttt{T1}-encoded Times Roman font
+(using \texttt{t1.etx} and \texttt{latin.mtx}), you say:
+\begin{verbatim}
+ \installfont{ptmr8t}{ptmr8r,latin}{t1}
+ {T1}{ptm}{m}{n}{}
+\end{verbatim}
+To install a \texttt{OT1}-encoded Times Roman font, with a scaled
+version of Symbol for the Greek letters, you say:
+\begin{verbatim}
+ \installfont{zptmrsy}{ptmr8r,psyr scaled 1100,latin}{ot1}
+ {OT1}{ptm}{m}{n}{}
+\end{verbatim}
+
+As the second example indicates, there is more to the list items than
+just file names. In the case of an metrics list item, the syntax
+permits the two forms
+\begin{decl*}
+ \meta{filename}\meta{optional modifiers}\\
+ |\metrics| \meta{metric commands}
+\end{decl*}
+\NEWfeature{v1.923}
+where an \meta{optional modifier} is one of
+\begin{decl*}
+ \verb*| scaled |\meta{rawscale factor}\\
+ \verb*| suffix |\meta{glyph name suffix}\\
+ \verb*| encoding |\meta{etx}\\
+ \verb*| option |\meta{string}
+\end{decl*}
+A list item may contain several such modifiers, but most commonly it
+does not contain any. The
+\meta{metric commands} are explicit metric commands, as described in
+Section~\ref{Sec:Metric}; this latter feature is meant for minor
+adjustments that you don't want to bother creating a separate \mtx
+file for.
+
+The \meta{filename} above primarily refers to a file
+\meta{filename}\texttt{.mtx}, but that need not always exist before
+executing the above command. If there exists a \pl, \afm, or \vpl file
+with the right name then that is first converted to a corresponding
+\mtx file. However, a special case occurs if there is an |encoding|
+modifier: this forces conversion of a \pl or \vpl file even if an
+\mtx file exists, and also forces using the specified \etx file when
+assigning glyph names to the slots of that file. Normally the choice
+of \etx file for such conversions to \mtx is based on
+|\declareencoding| declarations.
+
+The |scaled| modifier sets the \texttt{rawscale} variable for the
+processing of that file. This has the effect of scaling all raw
+glyphs from that file to \meta{rawscale factor} per milles of their
+previous size. The |suffix| modified causes the \meta{glyph name
+suffix} to be implicitly appended to all glyphs defined by this file.
+The |option| modifier adds the \meta{string} to the list of ``options''
+for this file. The |\ifoption| command can be used in the file to test
+whether a particular string has been supplied as an option.
+
+\begin{hackernote}
+ In general, \fontinst commands process comma-separated list arguments
+ by first splitting at commas and then fully expanding each item, but
+ this \meta{metrics-list} argument is an exception. This is first
+ fully expanded (|\edef|) and then split into items. The difference
+ is that a macro used in this \meta{metrics-list} argument can expand
+ to several list items, whereas a macro used in an ordinary
+ comma-separated list argument can only expand to (part of) a single
+ list item.
+
+ The |\metrics| list items do however constitute an exception within
+ this exception. These list items are in their entirety protected
+ from the initial full expansion, so you don't have to worry about
+ peculiar fragility errors there.
+\end{hackernote}
+
+The elements in the \meta{etx-list} have fewer variants, but there is
+still a general syntax
+\begin{decl*}
+ \meta{filename}\meta{optional modifiers}
+\end{decl*}
+The \meta{optional modifier}s permitted are:
+\begin{decl*}
+ \verb*| mtxasetx|\\
+ \verb*| option |\meta{string}
+\end{decl*}
+The \texttt{option} one is as for metric files. \texttt{mtxasetx} is
+probably only relevant for use with |\installrawfont| (see below).
+
+
+\begin{decl}[v1.912]
+ |\installfontas|\arg{font-name}\\%
+ \hspace*{1.5em}\arg{encoding}\arg{family}\arg{series}%
+ \arg{shape}\arg{size}
+\end{decl}
+This install command adds an \fd entry for the \meta{font-name}, but
+it doesn't actually generate that font. Usually that font was
+generated by a previous |\installfont|, and this is used to create
+additional entries for the font.
+
+
+\begin{decl}
+ |\installrawfont|\arg{font-name}\arg{metrics-list}\arg{etx-list}\\
+ \hspace*{1.5em}\arg{encoding}\arg{family}\arg{series}%
+ \arg{shape}\arg{size}
+\end{decl}
+This is similar to |\installfont| except that it produces
+a \TeX\ raw font as \pl file rather than a virtual font. Often a \pl
+font with the specified name will already exist when this command is
+called, and that will then be overwritten. These two \pl files will
+typically be somewhat different.
+The normal reason for using this command is that one wishes to
+``refine'' the metrics of a font that was generated by transformation
+commands.
+
+For example, to install an \texttt{8r}-encoded Times Roman raw font
+(using \texttt{8r.etx} and \texttt{8r.mtx}), you say:
+\begin{verbatim}
+ \installrawfont{ptmr8r}{ptmr8r,8r}{8r}
+ {8r}{ptm}{m}{n}{}
+\end{verbatim}
+
+The effect of a
+\begin{decl*}[v1.923]
+ \meta{filename}\verb*| mtxasetx|
+\end{decl*}
+in the \meta{etx-list} is not that \meta{filename}\texttt{.etx} is
+read, but that \meta{filename}\texttt{.mtx} is read. The
+interpretation of the commands in this file is however not the
+customary, and almost the only thing paid attention to is the
+correspondence between glyph names and slot numbers that is provided
+by the |\setrawglyph| and |\setscaledrawglyph| commands; this
+correspondence is treated as if it was given by |\setslot| \dots\
+|\endsetslot| commands in an \etx file. This is however only
+guaranteed to work with transformable metric files.
+
+The purpose of this feature is to simplify installation of fonts with
+very special encodings, such as ``Dingbat'' or ``Pi'' fonts. Instead
+of creating an \etx file, which would probably only be useful with
+that particular font, one can make use of the fact that the
+interesting information is anyway available in the \mtx file. To
+install Zapf Dingbats in their default encoding, one can thus say
+\begin{verbatim}
+ \installrawfont{pzdr}{pzdr}{pzdr mtxasetx}
+ {U}{pzd}{m}{n}{}
+\end{verbatim}
+
+Unlike the case with |\installfont|, which actually creates a real
+(although virtual) font, |\installrawfont| can only create the
+metrics for a font. The \dvi driver will require some other kind of
+implementation of this font, usually an entry in some map file (e.g.
+\texttt{psfonts.map}, in the case of \dvips) that links the \TeX\ font
+name to e.g.\ a \PS\ font name and file. (Many \dvi drivers are
+configured in such a way that they, without such a map file entry,
+will call Metafont with the font name and thereby raise a sequence of
+error messages about a \setdotfilename{mf} that doesn't exist. These
+results are often rather confusing.)
+
+
+
+\begin{decl}
+ |\installfamily|\arg{encoding}\arg{family}\arg{fd-commands}
+\end{decl}
+This tells \fontinst to write an \fd file for the given combination
+of encoding and family, and clears the internal list of entries to
+put in that file. |\installfamily| commands usually come first in each
+block of \meta{install commands}.
+
+For example, to produces a \LaTeX\ family with the \texttt{T1}-encoded
+Times family, you say:
+\begin{verbatim}
+ \installfamily{T1}{ptm}{}
+\end{verbatim}
+The \m{fd-commands} are executed every time a font in that family is
+loaded, for example to stop the Courier font from being hyphenated you
+say:
+\begin{verbatim}
+ \installfamily{T1}{pcr}{\hyphenchar\font=-1}
+\end{verbatim}
+In more recent versions of \fontinst, the |\installfamily| command is
+only necessary if you want the \m{fd-commands} argument to be
+nonempty, but it doesn't hurt to make it explicit.
+
+\begin{hackernote}
+ The \m{fd-commands} argument is tokenized with the current catcodes
+ and written to file without expansion. In particular this means
+ that spaces will be inserted after all control sequences whose
+ names consists of letters, which can be unexpected if you intend to
+ make use of control sequences whose names contain |@| characters.
+\end{hackernote}
+
+
+
+
+\subsection{Transformation commands}
+
+
+\begin{decl}
+ |\transformfont|\arg{font-name}\arg{transformed font}
+\end{decl}
+This makes a raw transformed font, for example expanded, slanted,
+condensed or re-encoded. \emph{It is the responsibility of the device
+ driver to implement this transform.} Each \verb|\transformfont|
+command writes out an \mtx file and a raw \pl file for \m{font-name}.
+
+The following commands are valid \m{transformed font}s:
+\begin{decl*}
+ |\fromafm|\arg{afm}\\
+ |\fromany|\arg{whatever}\\
+ |\frompl|\arg{pl}\\
+ |\fromplgivenetx|\marg{pl}\marg{etx}\\
+ |\frommtx|\arg{mtx}
+\end{decl*}
+This reads the metrics of a font which is about to be transformed from
+an external file. |\fromafm|, |\frompl|, and |\fromplgivenetx| write out
+an \mtx file corresponding to the \afm or \pl file. In addition,
+|\formafm| also writes out a raw \pl file, containing just the glyph
+metrics but no kerning information. |\fromplgivenetx| permits
+specifying which encoding file to use when associating glyph names to
+slots, whereas |\frompl| tries to guess this from the
+\texttt{CODINGSCHEME} property of the \pl file. |\fromany| looks for
+a file in any of the formats (in the order \mtx, \pl, \afm) and
+behaves as the first |\from|\dots\ for which it found a file.
+
+A \m{transformed font} may also be one of the following:
+\begin{decl*}
+ |\scalefont|\arg{integer expression}\arg{transformed font}\\
+ |\xscalefont|\arg{integer expression}\arg{transformed font}\\
+ |\yscalefont|\arg{integer expression}\arg{transformed font}\\
+ |\slantfont|\arg{integer expression}\arg{transformed font}
+\end{decl*}
+This applies a geometric transformation to the font metrics of
+\m{transformed font}. The scale factor or slant factor are given in
+1000 units to the design size. Typical examples are 167 for slanted
+fonts or 850 for condensed fonts.
+
+The final case of a \m{transformed font} is:
+\begin{decl*}
+ |\reencodefont|\arg{etx}\arg{transformed font}
+\end{decl*}
+This rearranges the encoding vector of \m{transformed font} to match
+the encoding given by the \etx file.
+
+
+For example, to create an oblique, |8r|-encoded version of Adobe Times
+called \texttt{ptmro8r} you say:
+\begin{verbatim}
+ \transformfont{ptmro8r}{
+ \reencodefont{8r}{
+ \slantfont{167}{\fromafm{ptmr8a}}
+ }
+ }
+\end{verbatim}
+This will create \texttt{ptmr8a.mtx}, \texttt{ptmr8a.pl},
+\texttt{ptmro8r.mtx} and \texttt{ptmro8r.pl}, which can then be used
+as raw fonts in \verb|\installfont| commands. The equivalent
+transformation can also be achieved in two steps:
+\begin{verbatim}
+ \transformfont{ptmr8r}{\reencodefont{8r}{\fromafm{ptmr8a}}}
+ \transformfont{ptmro8r}{\slantfont{167}{\frommtx{ptmr8r}}}
+\end{verbatim}
+This will create \texttt{ptmr8a.mtx}, \texttt{ptmr8a.pl},
+\texttt{ptmr8r.mtx}, \texttt{ptmr8r.pl}, \texttt{ptmro8r.mtx} and
+\texttt{ptmro8r.pl}.
+
+You will have to inform your device driver about the transformed font,
+using the syntax appropriate for that driver. For example, in \dvips
+you add a line to \texttt{psfonts.map}:
+\begin{verbatim}
+ ptmro8r Times-Roman ".167 SlantFont TeXBase1Encoding ReEncodeFont" <<8r.enc
+\end{verbatim}
+See Section~\ref{Sec:Mapmaking} and
+Subsection~\ref{Ssec:MapFragments} for details on how to generate
+such lines automatically.
+
+
+\subsection{Reglyphing commands}
+
+``Reglyphing'' is an \mtx file transformation that changes glyph
+names but leaves the slot numbers and metrics as they were;
+optionally it may drop some of the metric commands. See
+Subsection~\ref{Ssec:Des:Reglyph} for an introduction to this.
+
+\begin{decl}
+ |\reglyphfonts|\\
+ |\endreglyphfonts|
+\end{decl}
+
+\begin{decl}
+ |\reglyphfont|\marg{destination font}\marg{source font}
+\end{decl}
+
+\begin{decl}
+ |\renameglyph|\marg{to}\marg{from}\\
+ |\renameglyphweighted|\marg{to}\marg{from}\marg{weight}\\
+ |\killglyph|\marg{glyph}\\
+ |\killglyphweighted|\marg{glyph}\marg{weight}
+\end{decl}
+
+\begin{decl}
+ |\offmtxcommand|\marg{command}\\
+ |\onmtxcommand|\marg{command}
+\end{decl}
+
+
+
+
+\subsection{Miscellaneous settings}
+
+\begin{decl}
+ |\substitutesilent|\arg{to}\arg{from}\\
+ |\substitutenoisy|\arg{to}\arg{from}
+\end{decl}
+This declares a \LaTeX\ font substitution, that the series or shape
+\m{to} should be substituted if necessary by the series or shape
+\m{from}. \verb|\substitutesilent| means that when the font
+substitution is made, no warning will given.
+
+\verb|\substitutenoisy| is the same as \verb|\substitutesilent|, but
+gives a warning when the substitution is made by \LaTeX.
+
+For example, to say that the series |bx| can be replaced by the
+series |b|, you say:
+\begin{verbatim}
+ \substitutesilent{bx}{b}
+\end{verbatim}
+To say that the shape |ui| can be replaced by the shape |i|, you say:
+\begin{verbatim}
+ \substitutenoisy{ui}{it}
+\end{verbatim}
+
+The following weight substitutions are standard:
+\begin{verbatim}
+ \substitutesilent{bx}{b}
+ \substitutesilent{b}{bx}
+ \substitutesilent{b}{sb}
+ \substitutesilent{b}{db}
+ \substitutesilent{m}{mb}
+ \substitutesilent{m}{l}
+\end{verbatim}
+The following shape substitutions are standard:
+\begin{verbatim}
+ \substitutenoisy{ui}{it}
+ \substitutesilent{it}{sl}
+ \substitutesilent{sl}{it}
+\end{verbatim}
+
+The |\installfontas| command should be considered as an
+alternative to using font substitution, as it gives much finer
+control over what \fd entries will be made.
+
+
+\begin{decl}
+ |\declaresize|\arg{size}\arg{fd-size-range}
+\end{decl}
+This declares a new size, and gives the \fd size specifications for
+it. For example, \url{fontinst.sty} declares the following sizes:
+\begin{verbatim}
+ \declaresize{}{<<->>}
+ \declaresize{5}{<<5>>}
+ \declaresize{6}{<<6>>}
+ \declaresize{7}{<<7>>}
+ \declaresize{8}{<<8>>}
+ \declaresize{9}{<<9>>}
+ \declaresize{10}{<<10>>}
+ \declaresize{11}{<<10.95>>}
+ \declaresize{12}{<<12>>}
+ \declaresize{14}{<<14.4>>}
+ \declaresize{17}{<<17.28>>}
+ \declaresize{20}{<<20.74>>}
+ \declaresize{25}{<<24.88>>}
+\end{verbatim}
+
+\begin{decl}
+ |\declareencoding|\arg{string}\arg{etx}
+\end{decl}
+This declares which \etx file corresponds to which \texttt{codingscheme}
+string. For example, \url{fontinst.sty} declares the following
+encoding strings:
+\begin{verbatim}
+ \declareencoding{TEX TEXT}{ot1}
+ \declareencoding{TEX TEXT WITHOUT F-LIGATURES}{ot1}
+ \declareencoding{TEX TYPEWRITER TEXT}{ot1tt}
+ \declareencoding{TEX MATH ITALIC}{oml}
+ \declareencoding{TEX MATH SYMBOLS}{oms}
+ \declareencoding{TEX MATH EXTENSION}{omx}
+ \declareencoding{EXTENDED TEX FONT ENCODING - LATIN}{t1}
+ \declareencoding{TEX TEXT COMPANION SYMBOLS 1---TS1}{ts1}
+ \declareencoding{TEXBASE1ENCODING}{8r}
+ \declareencoding{TEX TYPEWRITER AND WINDOWS ANSI}{8y}
+\end{verbatim}
+
+
+
+
+
+\subsection{Other}
+
+The following commands also belong to this section, but there is
+currently no description of them here.
+
+
+|\afmtomtx|\marg{afmfile}\marg{mtxfile}
+
+|\endrecordtransforms|
+
+|\etxtopl|\marg{encoding list}\marg{plfile}
+
+|\etxtovpl|\marg{encoding list}\marg{vplfile}
+
+|\fakenarrow|\marg{width factor}
+
+|\generalpltomtx|\marg{plfile}\marg{mtxfile}\marg{plsuffix}\marg{opt-enc}
+
+|\latinfamily|\marg{family}\marg{commands}
+
+|\mtxtomtx|\marg{source MTX}\marg{destination MTX}
+
+|\mtxtopl|\marg{mtxfile}\marg{plfile}
+
+|\NOFILES|
+
+|\recordtransforms|\marg{filename}
+
+
+
+
+\section{Mapmaking commands}
+\label{Sec:Mapmaking}
+
+The commands described in this section are for use with command files
+that input \texttt{finstmsc.sty}.
+
+
+\subsection{Mapfile command reference}
+
+For an introduction to making map file entries, see
+Subsection~\ref{Ssec:MapFragments}.
+
+\begin{decl}
+ |\adddriver|\marg{driver name}\marg{fragment file name}
+\end{decl}
+This opens the file \meta{fragment file name} for writing mapfile
+entries to. The \meta{driver name} selects the format of these
+entries.
+
+\begin{decl}
+ |\makemapentry|\marg{\TeX\ font name}
+\end{decl}
+This causes a mapfile entry for the specified font to be written to
+all files currently open for receiving mapfile entries. These
+commands are usually automatically generated by \fontinst.
+
+\begin{decl}
+ |\donedrivers|
+\end{decl}
+This closes all files open for receiving mapfile entries.
+
+
+\subsection{Drivers}
+
+The \meta{driver name}s that may be used with |\adddriver| are:
+
+\begin{decl}
+ |dvips|
+\end{decl}
+The \dvips driver. The mapfiles generated are useful also with pdf\TeX.
+
+\begin{decl}
+ |dvipdfm|
+\end{decl}
+The \setpackagename{dvipdfm} \dvi-to-\pdf driver. Not much tested,
+but appears to work.
+
+\begin{decl}[v1.915]
+ |pltotf|
+\end{decl}
+Not really a \dvi driver. The file that is generated is a shell
+script of \texttt{pltotf} commands for converting precisely those \pl
+files which are needed to \tfm files (\fontinst generally generates
+also a bunch of \pl files that in the end turn out to be
+unnecessary). The \texttt{TFMfileprefix} variable can be used to
+specify a path to the directory where these files should be placed.
+
+\begin{decl}
+ |debug|
+\end{decl}
+Not a \dvi driver either, but for each base font a report on the
+information that was available. Useful if you need to write the
+driver file yourself.
+
+
+\subsection{Configuration commands}
+
+The following commands configure the generation of mapfile entries,
+mostly with respect to how various pieces of information are deduced
+from other pieces.
+
+\begin{decl}
+ |\AssumeAMSBSYY|\\
+ |\AssumeBaKoMa|\\
+ |\AssumeLWFN|\\
+ |\AssumeMetafont|
+\end{decl}
+
+\begin{decl}
+ |\declarepsencoding|\marg{etx}\marg{postscript name}\marg{action}
+\end{decl}
+
+\begin{decl}
+ |\specifypsfont|\marg{PS font name}\marg{actions}
+\end{decl}
+
+
+An \meta{action} is one of
+\begin{decl*}[v1.928]
+ |\download|\marg{file}\\
+ |\fulldownload|\marg{file}
+\end{decl*}
+where \meta{file} is a file to download (`download' typically means
+``include in the generated \PS output or equivalent''). The difference
+between |\download| and |\fulldownload| have to do with how partial
+downloading (subsetting) of fonts should be handled. |\download| means
+use the driver's defaults (often settable via command line options)
+for this. |\fulldownload| means don't subset: always include the full
+font, if \fontinst knows how to express this in a map file entry for
+this particular driver.
+
+Additional actions could be added in the future, if there is a need
+for them.
+
+
+\begin{decl}
+ |\storemapdata|\marg{\TeX\ font name}\marg{source}\marg{transforms}
+\end{decl}
+This records information about how the font named \meta{\TeX\ font
+name} was generated. Such commands are usually found in the file of
+recorded transforms. If a font is encountered for which no
+information has been stored, then the corresponding \mtx file will be
+sourced, looking for a |\storemapdata| command there.
+
+A \meta{source} is one of
+\begin{decl*}
+ |\fromafm|\marg{AFM name}\marg{PS name}\\
+ |\frompl|\marg{PL name}\\
+ |\frommtx|\marg{MTX name}\\
+ |\fromvpl|
+\end{decl*}
+Note that several of them have a different syntax and meaning than
+they do in fontmaking command files.
+
+A \meta{transform} is one of
+\begin{decl*}
+ |\reencodefont|\marg{etx}\\
+ |\reglyphfont|\\
+ |\transformfont|\marg{x-scale}\marg{slant-scale}
+\end{decl*}
+Note that all of these have a different meaning than they do in
+fontmaking command files.
+
+\begin{decl}
+ |\debugvalue|\arg{name}
+\end{decl}
+This adds a value to the list of those that are reported by the
+\texttt{debug} driver. Example:
+\begin{verbatim}
+ \debugvalue{PS_font_file}
+\end{verbatim}
+
+
+
+\subsection{Basic conversion commands}
+
+Some of the basic ``convert an $X$ file to a $Y$ file'' commands in
+\fontinst are not useful as part of a fontmaking run, and are
+available only in \texttt{finstmsc.sty} to conserve some memory.
+
+\begin{decl}
+ |\enctoetx|\marg{encfile}\marg{etxfile}
+\end{decl}
+This reads the file \meta{encfile}\texttt{.enc} which should be
+simple \PS code defining a \PS encoding vector and generates a
+corresponding rudimentary \fontinst encoding file
+\meta{etxfile}\texttt{.etx}. It's a basic ``import encoding to
+\fontinst'' command.
+
+\begin{decl}[v1.911]
+ |\etxtoenc|\marg{etxfiles}\marg{encfile}
+\end{decl}
+This does the opposite of |\enctoetx|; the information in the \etx
+files that is converted is the correspondence between slots and glyph
+names.
+\NEWfeature{v1.927}
+The \meta{etxfiles} argument is a comma-separated list of encoding
+files which are superimposed to generate the \PS encoding. The first
+|\setslot| for a particular slot is the one which decides which glyph
+will be placed there.
+
+\begin{decl}[v1.928]
+ |\etxtocmap|\marg{etxfile}\marg{cmapfile}
+\end{decl}
+This reads an \etx file and generates a corresponding ToUnicode CMap
+file; the information that is converted is the map from slot numbers
+to |\Unicode| code points.
+
+
+
+
+\section{General commands}
+
+
+
+This section describes commands and mechanisms that are the same in
+all file types. Commands that are particular for one type of file are
+described in subsequent sections.
+
+
+\subsection{Variables}
+
+Many (but not all) of the activities \fontinst perform can be
+understood as either ``setting variables'' or ``formatting and writing
+to file data stored in some variable''. The accessing of variables is
+an important aspect of how \fontinst works.
+
+Variables come in different types and variables of different types
+live in different namespaces; |\int{foo}|, |\str{foo}|, and
+|\dim{foo}| refer to three different variables which are all named
+|foo|. Variables are either set or not set. Unless the contrary is
+stated explicitly, variables default to not being set. It is an error
+to access the value of a variable that has not been set. \Fontinst
+variable assignments are as a rule local, i.e., will be undone when
+the enclosing \TeX\ group is ended. Most command file commands that
+cause files to be read will begin a group before reading the file(s)
+and end the group at some point after having read them.
+
+Taking string variables as an example, there are three commands for
+changing a string variable:
+\begin{decl*}
+ |\setstr|\arg{name}\arg{string expression}\\
+ |\resetstr|\arg{name}\arg{string expression}\\
+ |\unsetstr|\arg{name}
+\end{decl*}
+The |\resetstr| command unconditionally sets the string variable
+\meta{name} to the full expansion of the \meta{string expression}.
+The |\unsetstr| command unconditionally renders the string variable
+\meta{name} unset. If the the string variable \meta{name} is
+currently unset then the |\setstr| command will set it to the full
+expansion of the \meta{string expression}, but if it already is set
+then |\setstr| does nothing.
+
+This pattern with three commands, one |\set|\dots\ which only sets
+unset variables, one |\reset|\dots\ which sets variables regardless of
+whether they have been set or not, and one |\unset|\dots\ which unsets
+variables is recurring in \fontinst. Variables are most commonly set
+using some |\set|\dots\ command; this has the effect that the first
+command to try to set a variable is the one which actually sets it.
+
+If |\set|\dots\ is the command for setting the value of a variable,
+the command for getting that value has the same name without the
+|set| part, e.g., |\setint|--|\int|, |\setkern|--|\kern|, etc. There
+are typically also conditionals for testing whether variables are
+set, and these take the form |\ifis|\dots\arg{name}|\then|.
+
+
+The following commands for changing the value of a variable can be
+used anywhere:
+
+\begin{decl}
+ |\setdim|\arg{dim}\arg{dimension}\\
+ |\setint|\arg{int}\arg{integer expression}\\
+ |\setstr|\arg{str}\arg{string expression}
+\end{decl}
+If the dimension variable \m{dim} is currently undefined, it is
+defined to be the current value of \m{dimension}.
+
+If the integer variable \m{int} is currently undefined, it is
+defined to be the current value of \m{integer expression}.
+
+If the string variable \m{str} is currently undefined, it is
+defined to be the current value of \m{string expression}.
+
+\begin{decl}
+ |\setcommand|\arg{command}\meta{parameter text}\arg{replacement text}
+\end{decl}
+If the command \m{command} is currently undefined, it is defined to
+grab parameters as specified by the \meta{parameter text} and then
+expand to the \m{replacement text}. This uses the same syntax for
+parameters as the \TeX\ \verb|\def| command.
+\begin{center}
+ \begin{tabular}{r l}
+ No. parameters& \meta{parameter text}\\
+ 0& (empty)\\
+ 1& |#1|\\
+ 2& |#1#2|\\
+ 3& |#1#2#3|\\
+ \multicolumn{2}{c}{and so on.}
+ \end{tabular}
+\end{center}
+Some examples:
+\begin{verbatim}
+ \setcommand\lc#1#2{#2}
+ \setcommand\lc#1#2{#1small}
+\end{verbatim}
+With the first definition, |\lc{A}{a}| expands to |a|, but with the
+second it expands to |Asmall|.
+
+\begin{decl}
+ |\resetdim|\arg{dim}\arg{dimension}\\
+ |\resetint|\arg{int}\arg{integer expression}\\
+ |\resetstr|\arg{str}\arg{string expression}
+\end{decl}
+The dimension variable \m{dim} is defined to be the current value
+of \m{dimension}.
+
+The integer variable \m{int} is defined to be the current value of
+\m{integer expression}.
+
+The string variable \m{str} is defined to be the current value of
+the \m{string expression}. (|\resetstr| mostly boils down to a \TeX\
+|\edef| command.)
+
+\begin{decl}
+ |\resetcommand|\arg{command}\meta{parameter text}\arg{replacement text}
+\end{decl}
+The command \m{command} is defined to grab parameters as specified by
+the \meta{parameter text} and then expand to the \m{replacement text}.
+This is a synonym for the \TeX\ \verb|\def| command.
+
+\begin{decl}
+ |\unsetdim|\arg{dim}\\
+ |\unsetint|\arg{int}\\
+ |\unsetstr|\arg{str}\\
+ |\unsetcommand|\arg{command}
+\end{decl}
+Makes \m{dim}, \m{int}, \m{str}, or \m{command} an undefined
+dimension, integer, string or command.
+
+\begin{decl}[v1.900]
+ |\offcommand|\marg{command}\\
+ |\oncommand|\marg{command}
+\end{decl}
+|\offcommand| turns off a command, i.e., it redefines it to do
+nothing (while still taking the same number of arguments).
+|\oncommand| turns a command back on, i.e., it restores the
+definition the command had before a previous |\offcommand|. Using
+|\offcommand| on a command that is already off or |\oncommand| on a
+command that is not off has no effect.
+
+
+\subsection{Argument types}
+
+There are roughly six types of arguments that \fontinst
+commands can take. These are
+\begin{itemize}
+ \item integer expressions,
+ \item string expressions,
+ \item comma-separated lists of string expressions,
+ \item dimensions,
+ \item commands (i.e., \TeX\ control sequences), and
+ \item other (pretty much ``none of the above'').
+\end{itemize}
+Integer expressions are explained in Subsection~\ref{Sec:integer}
+below.
+
+The most common form of a string expression is simply a sequence of
+character tokens, but any balanced text which expands to such a
+sequence of tokens is legal. Several of the standard \etx files use
+macros in string expressions to make glyph names to some extent
+configurable. Besides such custom macros, the following \fontinst
+commands may be used to access variable values inside a string
+expression
+\begin{decl*}
+ |\strint|\arg{int}\\
+ |\str|\arg{str}\\
+ |\dim|\arg{dim}
+\end{decl*}
+Incidentally, these \m{int}, \m{str}, and \m{dim} are themselves
+string expressions (for the names of integer, string, and dimen
+respectively variables).
+
+Dimensions are simply \TeX\ \meta{dimen}s; their use is rather
+limited. \Fontinst does not provide for any sort of ``dimen
+expressions''. Most actual lengths are expressed as integer
+expressions, in \afm units ($1/1000$ of the font size).
+
+Common to integer expressions, string expressions, and
+dimensions is that these argument types get expanded during
+evaluation (in the case of string expressions, this expansion
+\emph{is} the evaluation), which means one can use macros in
+arguments of these types. Command arguments do not get
+expanded---they are mainly used with commands that modify the
+definitions of other commands.
+
+Comma-separated lists of string expressions are first split at commas
+(without prior expansion) and each element is then treated as a
+string expression (i.e., \emph{gets expanded}). (As remarked elsewhere,
+the \meta{metrics-list} argument of |\installfont| is not properly a
+comma-separated list of string expressions, even though it may look
+like one.)
+As for the ``other'' arguments one cannot give any rules: they
+might get expanded, but it could also happen that they won't.
+
+
+
+\subsection{Integer expressions}
+\label{Sec:integer}
+
+The \emph{integer expressions} provide a user-friendly syntax for
+\TeX\ arithmetic. They are used to manipulate any integers,
+including glyph dimensions, which are given in \afm units, that is
+1000 to the design size. \TeX\ \pl fonts have their dimensions
+converted to \afm units automatically.
+
+The \emph{integer expressions} are:
+
+\begin{decl}
+ \m{number}
+\end{decl}
+Returns the value of a \TeX\ \m{number} (as explained in
+\emph{The \TeX book}). Typical examples of this kind of integer
+expression are |0|, |1000|, |538|, |-20|, etc.
+
+\begin{decl}
+ |\int|\arg{int}
+\end{decl}
+Returns the value of the integer variable \m{int}.
+
+\begin{decl}
+ |\width|\arg{glyph}\\
+ |\height|\arg{glyph}\\
+ |\depth|\arg{glyph}\\
+ |\italic|\arg{glyph}
+\end{decl}
+Returns the width, height, depth, or italic correction of the glyph
+variable \m{glyph}.
+
+\begin{decl}
+ |\kerning|\arg{left}\arg{right}
+\end{decl}
+Returns the kerning between the \m{left} and \m{right} glyphs. Unlike
+other types of variable accesses, where it is an error to access
+something that has not been explicitly set, this command returns |0|
+if no kern has been set between the two glyphs.
+
+\begin{decl}
+ |\neg|\arg{integer expression}\\
+ |\add|\arg{integer expression}\arg{integer expression}\\
+ |\sub|\arg{integer expression}\arg{integer expression}\\
+ |\max|\arg{integer expression}\arg{integer expression}\\
+ |\min|\arg{integer expression}\arg{integer expression}\\
+ |\mul|\arg{integer expression}\arg{integer expression}\\
+ |\div|\arg{integer expression}\arg{integer expression}\\
+ |\scale|\arg{integer expression}\arg{integer expression}\\
+ |\half|\arg{integer expression}\\
+ |\otherhalf|\arg{integer expression}
+\end{decl}
+|\neg| returns the negation of the \m{integer expression}.
+
+|\ad| returns the sum of the two \m{integer expression}s.
+
+|\sub| returns the first \m{integer expression} minus the second.
+
+|\max| returns the maximum of the two \m{integer expression}s.
+
+|\min| returns the minimum of the two \m{integer expression}s.
+
+|\mul| returns the product of the two \m{integer expression}s.
+
+|\div| returns the first \m{integer expression} divided by the second.
+
+|\scale| returns the first \m{integer expression} times the second,
+divided by 1000. |\scale| does better rounding than the corresponding
+combination of |\mul| and |\div|.
+
+|\half| returns half the \m{integer expression}. It does better
+rounding than |\scale|\arg{integer expression}|{500}| or
+|\div|\arg{integer expression}|{2}|.
+
+|\otherhalf| returns the ``other half'' of the \m{integer
+expression}, i.e., the sum of |\half| something and |\otherhalf| the
+same thing is that thing back.
+
+
+\subsection{Conditionals and loops}
+
+\Fontinst has a rather extensive family of conditionals (|\if|s), and
+as of late also some convenient loop commands. The most common forms
+of a \fontinst conditional are
+\begin{decl*}
+ |\if|\dots \meta{argument(s)}|\then| \meta{then branch} |\Fi|\\
+ |\if|\dots \meta{argument(s)}|\then| \meta{then branch} |\Else|
+ \meta{else branch} |\Fi|
+\end{decl*}
+i.e., \fontinst uses Plain\TeX\ style conditionals rather than \LaTeX\
+style conditionals. Every |\if|\dots\ command can be thought of as
+testing some condition. If the condition is true then the \meta{then
+branch} will be executed, but not the \meta{else branch} (if there is
+one). If the condition is false then the \meta{then branch} will nor be
+executed, but if there is an \meta{else branch} then that will be
+executed. Conditionals may be nested (i.e., occur in the then or else
+branch).
+
+\begin{hackernote}
+ The |\then| is not just syntactic sugar, but a functional part of
+ those conditionals which take arguments. Its purpose is to look
+ like an |\if| to \TeX\ when the conditional occurs in a skipped
+ branch of another conditional.
+\end{hackernote}
+
+The most common conditionals are those which test if a variable is set.
+\begin{decl*}
+ |\ifisint|\arg{int}|\then|\\
+ |\ifisdim|\arg{dim}|\then|\\
+ |\ifisstr|\arg{str}|\then|\\
+ |\ifiscommand|\arg{command}|\then|
+\end{decl*}
+These cause the following \meta{then branch} to be executed if the
+specified variable is set, and the \meta{else branch} to be executed
+if the variable is not set. The \meta{int}, \meta{dim}, and
+\meta{str} are string expressions for the names of an integer,
+dimension, and string respectively variable. The \meta{command} is
+the actual control sequence (command variable) that should be tested.
+
+\begin{decl}
+ |\ifisglyph|\arg{glyph}|\then|
+\end{decl}
+This similarly tests if a glyph (also a variable of a kind) is set in
+the current glyph base. The glyph name \meta{glyph} is a string
+expression.
+
+\begin{decl}[v1.917]
+ |\ifareglyphs|\marg{glyph list}|\then|
+\end{decl}
+This command tests whether all the glyphs in the \meta{glyph list}
+(a comma-separated list of string expressions) are set in the current
+glyph base. If one of the glyphs is not set then condition is false.
+
+\begin{decl}[v1.900]
+ |\ifnumber|\marg{integer expression}\meta{rel}%
+ \marg{integer expression}|\then|
+\end{decl}
+The \meta{rel} is one of \texttt{<}, \texttt{=}, and \texttt{>}.
+This command evaluates the two \meta{integer expression}s and
+then tests whether the specified relation holds between their values.
+
+\begin{decl}[v1.900]
+ |\ifiskern|\marg{glyph1}\marg{glyph2}|\then|
+\end{decl}
+This tests whether a kern has been set with \meta{glyph1} on the left
+and \meta{glyph2} on the right (both arguments are string
+expressions). This is almost the negation of
+\begin{verbatim}
+ \ifnumber{\kerning{<glyph1>}{<glyph2>}}={0}\then
+\end{verbatim}
+but |\ifiskern| can distinguish the case that an zero kern has been
+set (true) from the case that no such kern has been set (false),
+which |\kerning| can not. It is however unlikely that this
+distinction would ever be of use in a practical situation.
+
+\begin{decl}[v1.924]
+ |\ifoption|\marg{string}|\then|
+\end{decl}
+Test whether \meta{string} (a string expression) is among the current
+list of options. This list is by default empty, elements are added
+using |option| modifiers (cf.~the description of |\installfont|), and
+the list is cleared for each new file for which one can specify
+options.
+
+\begin{decl}[v1.909]
+ |\Else|
+ |\Fi|
+\end{decl}
+For \fontinst, these two control sequences are precisely the same as
+the \TeX\ primitives |\else| and |\fi|, but things are a bit more
+complicated in \fontdoc. The mechanism in \fontdoc\ that allows it to
+present both branches of the conditional in the typeset output
+requires that |\Else| and |\Fi| generate typeset output. See also the
+|\showbranches| \fontdoc command.
+
+\begin{hackernote}
+ Before |\Else| and |\Fi| were introduced, the \TeX\ primitives
+ |\else| and |\fi| were used instead for \fontinst conditionals.
+ Back then, \fontdoc defined all conditionals to expand to |\iftrue|.
+
+ It used to be the case that all conditionals would be fully
+ expandable (which in particular would have made it possible to use
+ them in string expressions), but that is no longer the case.
+\end{hackernote}
+
+
+
+\begin{decl}[v1.901]
+ |\for|\parg{name}\marg{start}\marg{stop}\marg{step}
+ \meta{body} |\endfor|\parg{name}
+\end{decl}
+will cause the \meta{body} code to be repeated some number of times.
+How many depends on the values of \meta{start}, \meta{stop}, and
+\meta{step}, which are integer expressions.
+
+As a precaution, the \meta{body} is not allowed to contain any
+empty lines (|\par| tokens). If you want to have the visual
+separation (for sakes of legibility or otherwise), put a |%|
+somewhere on the line---that makes it nonempty.
+
+\meta{name} is used as the name of an integer variable. This
+variable gets reset to the value of \meta{start} before the first
+repetition of \meta{body code}. After each repetition but the last,
+it is incremented by \meta{step}. \meta{body} gets repeated if
+the value of \meta{name} has not gotten past that of \meta{stop}. To
+get past means to be bigger if \meta{step} is positive and to be
+smaller if \meta{step} is negative. In the case that \meta{step} is
+zero, the entire construction above will be equivalent to
+\begin{quote}
+ |\resetint|\marg{name}\marg{start}\\
+ \meta{body}
+\end{quote}
+
+|\for| \textellipsis\ |\endfor| constructions can be nested.
+\meta{name} is used by |\for| to identify its matching |\endfor|, so
+they need to be identical in |\for| and |\endfor|. \textbf{Note} that
+the delimiters around the \meta{name} are parentheses, not braces.
+
+
+\begin{decl}[v1.901]
+ |\foreach|\parg{name}\marg{csep-list}
+ \meta{body} |\endfor|\parg{name}
+\end{decl}
+will cause the \meta{body} code to be repeated one time for each item
+in the \meta{csep-list}. \meta{csep-list} is a comma-separated list
+of string expressions.
+
+As a precaution, the \meta{body} is not allowed to contain any
+empty lines (|\par| tokens). If you want to have the visual
+separation (for sakes of legibility or otherwise), put a |%|
+somewhere on the line---that makes it nonempty.
+
+\meta{name} is used as the name of a string variable. Before each
+repetition of the \meta{body code}, this variable will get reset to
+the next item in the \meta{csep-list}.
+
+|\foreach|\textellipsis\ |\endfor| constructions can be nested.
+\meta{name} is used by |\foreach| to identify its matching |\endfor|,
+so they need to be identical in |\foreach| and |\endfor|.
+\textbf{Note} that the delimiters around the \meta{name} are
+parentheses, not braces.
+
+
+
+\subsection{Other general commands}
+
+\begin{decl}
+ |\needsfontinstversion|\arg{version}
+\end{decl}
+This issues a warning if the current version of the \fontinst
+package is less than \m{version}.
+
+\begin{decl}
+ |\needsTeXextension|\marg{extension tests}\marg{who}\\
+ |\eTeX|\marg{version number}\\
+ |\pdfTeX|\marg{version number}\marg{revision}
+\end{decl}
+
+\begin{decl}[v1.915]
+ |\fontinstcc|\\
+ |\normalcc|
+\end{decl}
+|\fontinstcc| switches to the catcodes used in e.g.\@
+\texttt{fontinst.sty}: |_| and |@| are letters, space and newline are
+ignored, and |~| is a space. |\normalcc| switches back to normal
+catcodes.
+
+\begin{decl}[v1.900]
+ |\begincomment| \meta{text} |\endcomment|
+\end{decl}
+This hides the \meta{text} from \fontinst processing, but allows it
+to show up when the file is typeset with \fontdoc.
+
+\begin{decl}[v1.906]
+ |\fontinsterror|\marg{subsystem}\marg{error}\marg{help}\\
+ |\fontinstwarning|\marg{subsystem}\marg{warning}\\
+ |\fontinstwarningnoline|\marg{subsystem}\marg{warning}\\
+ |\fontinstinfo|\marg{subsystem}\marg{info}
+\end{decl}
+
+\begin{decl}[v1.906]
+ |\messagebreak|
+\end{decl}
+
+
+Finally, there are two Plain\TeX\ commands which should be mentioned:
+\begin{decl*}
+ |\input| \meta{file name}\\
+ |\bye|
+\end{decl*}
+
+
+
+
+
+\section{Encoding files}
+
+An \emph{encoding file} (or \texttt{.etx} file) is a \TeX\ document
+with the structure:
+\begin{quote}
+ |\relax|\\
+ \meta{ignored material}\\
+ |\encoding|\\
+ \meta{encoding commands}\\
+ |\endencoding|\\
+ \meta{ignored material}
+\end{quote}
+This describes the encoding of a font, using the \m{encoding commands}.
+
+Since the encoding file ignores any material between \verb|\relax| and
+\verb|\encoding|, an \emph{encoding file} can also be a \LaTeX\
+document. The structure is then
+\begin{quote}
+ |\relax|\\
+ |\documentclass{article} %| Or some other class\\
+ |\usepackage{fontdoc}|\\
+ \meta{\LaTeX\ preamble}\\
+ |\begin{document}|\\
+ \meta{\LaTeX\ text}\\
+ |\encoding|\\
+ \m{encoding commands}\\
+ |\endencoding|\\
+ \meta{\LaTeX\ text}\\
+ |\end{document}|
+\end{quote}
+
+
+See also the descriptions in \emph{Writing ETX format font encoding
+specifications} (\texttt{encspecs.tex}).
+
+
+\subsection{Encoding commands}
+
+The \m{encoding commands} are:
+
+\begin{decl}
+ |\nextslot|\arg{integer expression}
+\end{decl}
+Sets the number of the next slot. If there is no \verb|\nextslot|
+command, the number is the successor of the previous slot.
+
+\begin{decl}[v1.8]
+ |\skipslots|\arg{integer expressions}
+\end{decl}
+Advances the number of the next slot.
+
+\begin{decl}
+ |\setslot|\arg{glyph} \m{slot commands} |\endsetslot|
+\end{decl}
+Assigns \m{glyph} to the current slot. The \m{slot commands} can be
+used to specify additional behaviour for the slot, and typically also
+contains comments about the glyph.
+
+\begin{decl}[v1.9]
+ |\setleftboundary|\marg{glyph} \m{slot commands}
+ |\endsetleftboundary|
+\end{decl}
+Makes the beginning of a word (left boundary) behave like the right
+side of \m{glyph} with respect to kerning. |\ligature| commands in
+the \meta{slot commands} create beginning of word ligatures.
+
+\begin{decl}[v1.9]
+ |\setrightboundary|\marg{glyph}
+\end{decl}
+Makes the end of a word (right boundary) behave like the left
+side of \m{glyph} with respect to kerning and ligatures. The current
+slot position is left empty.
+
+\begin{decl}
+ |\inputetx|\arg{file}
+\end{decl}
+Inputs the \m{encoding commands} of \m{file}\texttt{.etx}.
+
+\begin{decl}[v1.917]
+ |\setfontdimen|\marg{fontdimen no.}\marg{integer variable}
+\end{decl}
+Sets up a correspondence between a font dimension and an integer
+variable. When generating a font, the font dimension value is taken
+from the integer variable. When converting a font from \pl or \vpl
+format, the fontdimen value will be recorded as a |\setint| command
+for the variable.
+
+\begin{decl}[v1.924]
+ |\ifdirect|
+\end{decl}
+Encoding files set up a correspondence between slot numbers and glyph
+names, which can be used in two different ways. In the \emph{direct}
+mode, encoding files map slot numbers to glyph names. In the
+\emph{inverse} mode, glyph names are mapped to slot numbers. The
+inverse mapping can in general be one-to-many, and when precisely one
+target slot is needed \fontinst chooses that arbitrarily. The |\ifdirect|
+conditional can be used to disambiguate the inverse mapping, by
+conditionalising all undesired |\setslot|s on that the file is being
+interpreted in the direct mode.
+
+Currently the only case in which encoding files are being read in
+the inverse mode is when reencoding fonts.
+
+\begin{decl}[v1.8]
+ |\setslotcomment|\marg{text}\\
+ |\resetslotcomment|\marg{text}\\
+ |\unsetslotcomment|
+\end{decl}
+These commands can be used to specify an automatic |\comment| text
+for all slots. They are ignored by \fontinst, but interpreted by
+\fontdoc.
+
+\begin{decl}[v1.8]
+ |\useexamplefont|\marg{font}
+\end{decl}
+This command is ignored by \fontinst. In \fontdoc it sets the font
+that is used by the |\slotexample| command. The \meta{font} argument
+has the same syntax for a font as the \TeX\ primitive |\font|.
+
+
+
+
+\subsection{Slot commands}
+
+The \m{slot commands} are:
+
+\begin{decl}
+ |\comment|\arg{text}
+\end{decl}
+A comment, which is ignored by \fontinst, but typeset as a separate
+paragraph by \fontdoc.
+
+\begin{decl}[v1.917]
+ |\label|\arg{text}
+\end{decl}
+A reference label, which records the slot number and glyph name.
+Ignored by \fontinst.
+
+\begin{decl}
+ |\ligature|\arg{ligtype}\arg{glyph}\arg{glyph}
+\end{decl}
+|\ligature| declares a ligature of type \m{ligtype} from the current
+glyph followed by the first glyph to the second glyph. The \m{ligtype}s
+are as in \vpl files (see the \texttt{vptovf} Web source for more
+details). For example:
+\begin{verbatim}
+ \setslot{ff}
+ \ligature{LIG}{i}{ffi}
+ \ligature{LIG}{l}{ffl}
+ \comment{The `ff' ligature.}
+ \endsetslot
+\end{verbatim}
+\begin{decl*}[v1.918]
+ |\Ligature|\arg{ligtype}\arg{glyph}\arg{glyph}\\
+ |\oddligature|\marg{note}\arg{ligtype}\arg{glyph}\arg{glyph}
+\end{decl*}
+The |\Ligature| command is by default a synonym of |\ligature| (but
+\fontdoc may typeset them differently). The |\oddligature| command is
+by default ignored by \fontinst. See \setfilename{encspecs.tex} for
+an explanation of the semantic differences.
+
+\begin{decl}
+ |\makerightboundary|\arg{glyph}
+\end{decl}
+This makes the current slot the end of word (right boundary) marker
+with respect to ligatures and kerning, i.e., \TeX\ will kern and
+ligature as if there was an invisible occurrence of this character
+after the last character of every word. All kerns and ligatures with
+\meta{glyph} as the right part will apply for this slot.
+
+It is preferable to use |\setrightboundary| to control end of word
+behaviour if you have an empty slot to spare.
+
+\begin{decl}
+ |\Unicode|\marg{code point}\marg{name}\\
+ |\charseq|\marg{\cs{Unicode} commands}
+\end{decl}
+These commands declare a Unicode character or character sequence as
+possible interpretations of what is in this slot. They are ignored
+when making fonts, but \fontdoc give them a prominent role in
+encoding specifications and to |\etxtocmap| they are the primary
+properties of the slot.
+
+\begin{decl}[Obsolete?!]
+ |\usedas|\arg{type}\arg{control sequence}
+\end{decl}
+This command declares a \TeX\ control sequence for this slot, with
+the \emph{type} taken from:
+\begin{verbatim}
+ char accent mathord
+ mathbin mathrel mathopen
+ mathclose mathpunct mathvariable
+ mathaccent mathdelim
+\end{verbatim}
+There is currently no code in \fontinst which makes any use of this
+command.
+
+\begin{decl}
+ |\nextlarger|\arg{glyph}
+\end{decl}
+Sets a \textsc{nextlarger} entry from the current slot to the
+\m{glyph}.
+
+\begin{decl}
+ |\varchar|
+ \m{varchar commands}
+ |\endvarchar|
+\end{decl}
+Sets a \textsc{varchar} entry for the current slot, using the
+\m{varchar commands}. The \m{varchar commands} are:
+\begin{decl}
+ |\vartop|\arg{glyph}\\
+ |\varmid|\arg{glyph}\\
+ |\varbot|\arg{glyph}\\
+ |\varrep|\arg{glyph}
+\end{decl}
+Sets the top, middle, bottom, or repeated \m{glyph} of the
+\textsc{varchar}.
+
+
+\subsection{Other}
+
+The following commands belong to this section, but there is currently
+no description of them here.
+
+|\ifisinslot|\marg{glyph}\marg{slot}|\then|
+
+
+
+
+\section{Metric files}
+\label{Sec:Metric}
+
+
+A \emph{metric file} (or \mtx file) is a \TeX\ document with the
+structure:
+\begin{quote}
+ |\relax|\\
+ \emph{ignored material}\\
+ |\metrics|\\
+ \m{metric commands}\\
+ |\endmetrics|\\
+ \emph{ignored material}
+\end{quote}
+This describes the glyphs in a font, using the \m{metric commands}.
+Like encoding files, metric files can simultaneously be \LaTeX\
+documents.
+
+Metric files are usually either \emph{hand-crafted} or
+\emph{transformable}. The transformable metric files typically encode
+the metrics of one particular font and are automatically generated.
+Hand-crafted metric files (such as \setfilename{latin.mtx}) typically
+do not contain much explicit metric data, instead the code there makes
+use of metrics previously specified by other files to construct new
+glyphs or adjust metrics to meet special conditions. Whereas
+transformable metric files tend to be mere lists of metric data, the
+hand-crafted metric files are more like programs.
+
+
+\subsection{Metric commands}
+
+The \m{metric commands} are as follows. All glyph name arguments are
+string expressions.
+
+\begin{decl}
+ |\setglyph|\arg{name} \m{glyph commands} |\endsetglyph|
+\end{decl}
+If the glyph called \m{name} is undefined, it is built using the
+\m{glyph commands} given below, for example:
+\begin{verbatim}
+ \setglyph{IJ}
+ \glyph{I}{1000}
+ \glyph{J}{1000}
+ \endsetglyph
+ \setglyph{Asmall}
+ \glyph{A}{850}
+ \endsetglyph
+\end{verbatim}
+The \meta{glyph commands} are not executed if the glyph has already
+been set.
+
+\begin{decl}
+ |\resetglyph|\arg{name}
+ \m{glyph commands}
+ |\endresetglyph|
+\end{decl}
+Gives the definition of the glyph called \m{name} using the
+\m{glyph commands}.
+
+\begin{decl}
+ |\unsetglyph|\arg{name}
+\end{decl}
+Makes the glyph called \m{name} undefined.
+
+\begin{decl}
+ |\setrawglyph|\arg{name}\arg{font}\arg{dimen}\arg{slot}\\
+ \hspace*{1.5em}\arg{width}\arg{height}\arg{depth}\arg{italic
+ correction}\\
+ |\setscaledrawglyph|%
+ \arg{name}\arg{font}\arg{dimen}\arg{scale}\arg{slot}\\
+ \hspace*{1.5em}\arg{width}\arg{height}\arg{depth}\arg{italic
+ correction}
+\end{decl}
+This sets a glyph called \m{name} from the \m{font}, which has the
+given design size, slot, width, height, depth and italic correction.
+The \meta{scale} is a scaling factor which has been applied to the
+font to give it the specified metrics. These commands will usually be
+generated automatically from an \afm or \pl file.
+
+If the integer variable \texttt{rawscale} is set, another scaling by
+that amount will be applied to the glyph.
+
+\begin{decl}
+ |\setnotglyph|\arg{name}\arg{font}\arg{dimen}\arg{slot}\\
+ \hspace*{1.5em}\arg{width}\arg{height}\arg{depth}\arg{italic
+ correction}\\
+ |\setscalednotglyph|%
+ \arg{name}\arg{font}\arg{dimen}\arg{scale}\arg{slot}\\
+ \hspace*{1.5em}\arg{width}\arg{height}\arg{depth}\arg{italic
+ correction}
+\end{decl}
+These sets a glyph called \m{name}\texttt{-not}, which is present in
+the \m{font}, but is not in the default encoding. They take the same
+arguments as |\setrawglyph| and |\setscaledrawglyph| respectively,
+although the slot will normally be $-1$. This command will usually
+be generated automatically from an \afm file.
+
+Reencoding a font can turn |\setrawglyph| commands into
+|\setnotglyph| commands and vice versa.
+
+\begin{decl}
+ |\inputmtx|\arg{file}
+\end{decl}
+Inputs the \m{metric commands} of \m{file}\texttt{.mtx}.
+
+\begin{decl}[v1.9]
+ |\usemtxpackage|\marg{package~list}\\
+ |\ProvidesMtxPackage|\marg{package~name}
+\end{decl}
+
+
+\subsection{Glyph commands}
+
+The \m{glyph commands} add material to the glyph currently being
+constructed in a |\setglyph| \dots\ |\endsetglyph| or
+|\resetglyph| \dots\ |\endresetglyph|. They are:
+
+\begin{decl}
+ |\glyph|\arg{glyph}\arg{integer expression}
+\end{decl}
+Sets the named glyph \m{glyph} at the given scale, with 1000 as the
+natural size. This:
+\begin{itemize}
+ \item
+ Advances the current glyph width.
+ \item
+ Sets the current glyph height to be at least the height of the
+ named glyph, adjusted for the current vertical offset.
+ \item
+ Sets the current glyph depth to be at least the depth of the
+ named glyph, adjusted for the current vertical offset.
+ \item
+ Sets the current glyph italic correction to be the same as the
+ set glyph.
+\end{itemize}
+The named glyph must have already been defined, otherwise an error
+will occur. For example:
+\begin{verbatim}
+ \setglyph{fi}
+ \glyph{f}{1000}
+ \glyph{i}{1000}
+ \endsetglyph
+\end{verbatim}
+
+\begin{decl}
+ |\glyphrule|\arg{integer expression}\arg{integer expression}
+\end{decl}
+Sets a rule of the given width and height, for example:
+\begin{verbatim}
+ \setglyph{underline}
+ \glyphrule{333}{40}
+ \endsetglyph
+\end{verbatim}
+
+\begin{decl}
+ |\glyphspecial|\arg{string expression}
+\end{decl}
+Sets a driver-dependent \verb|\special|, for example:
+\begin{verbatim}
+ \setglyph{crest}
+ \glyphspecial{Filename: crest.eps}
+ \endsetglyph
+\end{verbatim}
+
+\begin{decl}
+ |\glyphwarning|\arg{string expression}
+\end{decl}
+Sets a warning \verb|\special|, and produces a warning message each
+time the glyph is used, for example:
+\begin{verbatim}
+ \setglyph{missingglyph}
+ \glyphrule{500}{500}
+ \glyphwarning{Missing glyph `missingglyph'}
+ \endsetglyph
+\end{verbatim}
+
+\begin{decl}
+ |\movert|\arg{integer expression}
+\end{decl}
+Moves right by the given amount, and advances the current glyph width,
+for example:
+\begin{verbatim}
+ \setglyph{Asmall}
+ \movert{50}
+ \glyph{A}{700}
+ \movert{50}
+ \endsetglyph
+\end{verbatim}
+
+\begin{decl}
+ |\moveup|\arg{integer expression}
+\end{decl}
+Moves up by the given amount, and advances the current vertical
+offset. Each glyph should always end at vertical offset zero, for
+example:
+\begin{verbatim}
+ \setglyph{onehalf}
+ \moveup{500}
+ \glyph{one}{700}
+ \moveup{-500}
+ \glyph{slash}{1000}
+ \moveup{-200}
+ \glyph{two}{700}
+ \moveup{200}
+ \endsetglyph
+\end{verbatim}
+
+\begin{decl}
+ |\push| \m{glyph commands} |\pop|
+\end{decl}
+Performs the \m{glyph commands}, but at the |\pop| the current
+position and glyph width are restored to what they were at the |\push|,
+for example:
+\begin{verbatim}
+ \setglyph{aacute}
+ \push
+ \movert{\half{\sub{\width{a}}{\width{acute}}}}
+ \glyph{acute}{1000}
+ \pop
+ \glyph{a}{1000}
+ \endsetglyph
+\end{verbatim}
+
+\begin{decl}
+ |\glyphpcc|\arg{glyph}\arg{integer expression}\arg{integer expression}
+\end{decl}
+This is generated from \texttt{PCC} instructions in an \afm file, and
+is syntactic sugar for:
+\begin{quote}
+ \small
+ |\push|\\
+ |\movert|\arg{first integer expression}\\
+ |\moveup|\arg{second integer expression}\\
+ |\glyph|\arg{glyph}|{1000}|\\
+ |\pop|
+\end{quote}
+
+\begin{decl}
+ |\resetwidth|\arg{integer expression}\\
+ |\resetheight|\arg{integer expression}\\
+ |\resetdepth|\arg{integer expression}\\
+ |\resetitalic|\arg{integer expression}
+\end{decl}
+Sets the width, height, depth, or italic correction of the current
+glyph.
+
+\begin{decl}
+ |\samesize|\arg{glyph}
+\end{decl}
+Sets the dimensions of the current glyph to be the same as \m{glyph}.
+
+Inside the definition of \m{glyph}, you can use expressions such as
+|\width|\arg{glyph}, which will refer to the glyph defined so far.
+For example, a display summation sign can be defined to be a text
+summation $\sum$ scaled 120\% with 0.5\,pt extra height and depth
+using:
+\begin{verbatim}
+ \setglyph{summationdisplay}
+ \glyph{summationtext}{1200}
+ \resetheight{\add{\height{summationdisplay}}{50}}
+ \resetdepth{\add{\depth{summationdisplay}}{50}}
+ \endsetglyph
+\end{verbatim}
+Within a |\resetglyph|, these expressions will refer to the previous
+definition of the glyph. For example, you can add sidebearings to the
+letter `A' with:
+\begin{verbatim}
+ \resetglyph{A}
+ \movert{25}
+ \glyph{A}{1000}
+ \movert{25}
+ \endresetglyph
+\end{verbatim}
+
+
+\subsection{Kerning commands}
+
+The kerning commands may be used anywhere in a metrics file.
+
+\begin{decl}
+ |\setkern|\arg{glyph}\arg{glyph}\arg{integer expression}
+\end{decl}
+This sets a kern between the two glyphs, scaled by the current
+value of \texttt{rawscale}, unless such a kern already has been set.
+
+\begin{decl}[v1.9]
+ |\resetkern|\arg{glyph}\arg{glyph}\arg{integer expression}
+\end{decl}
+|\resetkern| unconditionally sets a kern between the two glyphs,
+scaled by the current value of \texttt{rawscale}.
+
+\begin{decl}
+ |\setleftkerning|\arg{glyph}\arg{glyph}\arg{integer expression}\\
+ |\setrightkerning|\arg{glyph}\arg{glyph}\arg{integer expression}
+\end{decl}
+Sets the amount by which the first glyph should mimic how the second
+glyph kerns on the left or right, for example:
+\begin{verbatim}
+ \setleftkerning{Asmall}{A}{850}
+ \setrightkerning{Asmall}{A}{850}
+ \setleftkerning{IJ}{I}{1000}
+ \setrightkerning{IJ}{J}{1000}
+\end{verbatim}
+The commands work by copying kerning pairs containing the first glyph.
+As the names indicates, these commands do not override kerning pairs
+previously set.
+
+\begin{decl}[v1.8]
+ |\setleftrightkerning|\arg{glyph}\arg{glyph}\arg{integer expression}
+\end{decl}
+Sets the amount by which the first glyph should mimic how the second
+glyph kerns on both sides, for example:
+\begin{verbatim}
+ \setleftrightkerning{Asmall}{A}{850}
+\end{verbatim}
+This command is equivalent to doing first a |\setleftkerning| and
+then a |\setrightkerning|.
+
+\begin{decl}[v1.906]
+ |\noleftkerning|\arg{glyph}\\
+ |\norightkerning|\arg{glyph}\\
+ |\noleftrightkerning|\arg{glyph}
+\end{decl}
+Removes all kerning on the specified side(s) of the \meta{glyph}.
+
+\begin{decl}[v1.9]
+ |\unsetkerns|\marg{left~glyph~list}\marg{right~glyph~list}
+\end{decl}
+Removes all kerns with one glyph in the \meta{left glyph list} on the
+left and one glyph in the \meta{right glyph list} on the right.
+
+
+
+\subsection{Other}
+
+\begin{decl}[v1.915]
+ |\aliased|\marg{font's name}\marg{alias name}
+\end{decl}
+This command is meant to be used in glyph name arguments of commands
+one may find in metric files. It was added to support combining
+mapfile entry generation with a custom form of reglyphing that has
+been developed for the \texttt{T2} bundle (Cyrillic font support).
+This does however not necessarily mean that the \texttt{T2} bundle
+has been updated to take advantage of this feature.
+
+The basic problem is that cyrillic fonts display a much greater
+variation in how the glyphs are named than latin fonts do.%
+\footnote{The Adobe guidelines have not been as prevailing here as
+in the latin range, but this isn't entirely surprising when they
+give suggestions such as using the name \texttt{afii10018} for
+\texttt{U+0411} (\textsc{cyrillic capital letter be}), even though
+there is a good reason: AFII is a glyph registry.}
+This complicates writing files similar to \setfilename{latin.mtx}, so
+the author of the \texttt{T2} bundle took the route to regularize the
+glyph names at the \afm to \mtx conversion step. Since \TeX\ does not
+know anything about glyph names, this makes no difference for the
+virtual fonts that are built.
+The glyph names do however make a difference for base fonts that are
+reencoded, since \PS encoding vectors list explicit glyph names that
+have to be the same as in the font. \Fontinst's choice of encoding
+vector for a mapfile entry is based on which \etx file was used in the
+reencoding, and hence the glyph names used when reencoding must match
+those actually used in the font, or problems will follow.
+
+The |\aliased| command can be used to preserve the information
+necessary for such reencodings. If a glyph name is specified as for
+example
+\begin{verbatim}
+ \aliased{afii10018}{CYRB}
+\end{verbatim}
+then \fontinst will behave as if the glyph name is \texttt{CYRB}
+(i.e., the \meta{alias name}) for all purposes \emph{except}
+reencoding, where instead \fontinst behaves as if the glyph name is
+the \meta{font's name} \texttt{afii10018}. This makes it possible to
+use \etx files when reencoding which can be correctly translated to
+the right encoding vectors.
+
+
+
+\section{\textsf{fontdoc} commands}
+
+The following commands are defined by \fontdoc but are unknown to
+\fontinst.
+
+
+\subsection{Comment commands}
+
+\begin{decl}
+ |\plaindiv|\\
+ |\plainint|\\
+ |\plainmax|\\
+ |\plainmin|\\
+ |\plainneg|
+\end{decl}
+These are the \LaTeX\ definitions of |\div|, |\int|, |\max|, |\min|,
+and |\neg| respectively. They are provided under these names because
+\fontinst uses the normal names for integer expression constructions.
+
+\begin{decl}[v1.8]
+ |\slotexample|
+\end{decl}
+This typesets the character in the current slot from the example font
+(cf.~|\useexamplefont|).
+
+\begin{decl}[v1.916]
+ |\macroparameter|\marg{digit}
+\end{decl}
+This can be used in integer and string expressions. It typesets as
+\textit{\#n}, where `\textit{n}' is the \meta{digit}.
+
+\begin{decl}[v1.918]
+ |\textunicode|\marg{code point}\marg{name}
+\end{decl}
+This generates a reference to a particular Unicode character, for use
+within a |\comment| or similar.
+
+
+\subsection{Style control commands}
+
+\begin{decl}[v1.909]
+ |\showbranches|
+\end{decl}
+The is the main switch that turns on displaying both branches of
+\fontinst conditionals. If you use this command in an encoding or
+metrics file, you \textbf{must} use |\Else| and |\Fi| to delimit the
+conditionals in that file. If you do not use this command in an
+encoding or metrics file, then the conditionals will not generate any
+typeset material and neither will their \meta{else branch}es.
+
+
+
+
+\section{\fontinst variables}
+
+The following is a list of the \fontinst variables that are
+accessible for the user through the |\set|\textellipsis,
+|\reset|\textellipsis, |\unset|\textellipsis, etc.\ commands. You may
+of course set or use other variables in the MTX and ETX files you
+write yourself, as does for example the standard MTX file
+\texttt{latin.mtx}, but all variables that \fontinst commands
+implicitly use or set are listed below.
+
+\begin{list}{}{%
+ \setlength\labelwidth{0pt}%
+ \setlength\itemindent{-\leftmargin}%
+ \setlength\parsep{0pt}
+ \def\makelabel#1{\hspace\labelsep \normalfont\ttfamily #1}%
+}
+ \item[acccapheight] (integer denoting length)
+ \begin{smalldes}
+ \item[Description] The height of accented full capitals.
+ \item[Set by] MTX files.
+ \item[Used by] Some ETX and MTX files.
+ \end{smalldes}
+ \item[address] (string)
+ \begin{smalldes}
+ \item[Description] Snailmail address put in \BibTeX-style file
+ header of automatically generated ENC files. No
+ \texttt{address} field is written unless the \texttt{address}
+ string is set. Quotes are not automatically inserted around
+ the \texttt{address} string.
+ \item[Set by] ETX files.
+ \item[Used by] The ETX-to-ENC converter.
+ \end{smalldes}
+ \item[afm-name] (string)
+ \begin{smalldes}
+ \item[Description] Name of source font. Internal variable.
+ \item[Set by] |\from|\dots\ commands.
+ \item[Used by] The |\transform|\-|font|, |\install|\-|font|,
+ |\install|\-|raw|\-|font|, and |\reglyph|\-|font| commands.
+ \end{smalldes}
+ \item[ascender] (integer denoting length)
+ \begin{smalldes}
+ \item[Description] The ascender height of the font.
+ \item[Set by] MTX files. The AFM-to-MTX converter usually writes
+ |\setint| commands for this integer.
+ \item[Used by] Some MTX and ETX files.
+ \end{smalldes}
+ \item[author] (string)
+ \begin{smalldes}
+ \item[Description] Author name(s) put in \BibTeX-style file
+ header of automatically generated ENC files. See the macro
+ |\ref_to_sourcefile| for more details.
+ \item[Set by] ETX files.
+ \item[Used by] The ETX-to-ENC converter. When not set, the
+ value \texttt{"See file }\meta{etx name}\texttt{"} is used
+ instead.
+ \end{smalldes}
+ \item[\cs{autoinstallfamily}] (command)
+ \begin{smalldes}
+ \item[Description] Command called by the font installation
+ commands, as
+ \begin{quote}
+ |\autoinstallfamily|\marg{encoding}\marg{family}
+ \end{quote}
+ when they are asked to install a font with a combination of
+ \meta{encoding} and \meta{family} that has not been seen
+ before (there was no explicit |\installfamily|).
+ \item[Set by] Explicit commands. Defaults to calling
+ |\installfamily|.
+ \item[Used by] Font installation commands.
+ \end{smalldes}
+ \item[axisheight] (integer denoting length)
+ \begin{smalldes}
+ \item[Description] Math formula parameter $\sigma\sb{22}$.
+ \item[Set by] MTX files.
+ \item[Used by] Some ETX and MTX files.
+ \end{smalldes}
+ \item[baselineskip] (integer denoting length)
+ \begin{smalldes}
+ \item[Description]
+ The font designer's recommendation for natural length of the
+ \TeX\ parameter |\baselineskip|.
+ \item[Set by] MTX files.
+ \item[Used by] Some ETX and MTX files.
+ \end{smalldes}
+ \item[bigopspacing1] (integer denoting length)
+ \begin{smalldes}
+ \item[Description] Math formula parameter $\xi\sb{9}$.
+ \item[Set by] MTX files.
+ \item[Used by] Some ETX and MTX files.
+ \end{smalldes}
+ \item[bigopspacing2] (integer denoting length)
+ \begin{smalldes}
+ \item[Description] Math formula parameter $\xi\sb{10}$.
+ \item[Set by] MTX files.
+ \item[Used by] Some ETX and MTX files.
+ \end{smalldes}
+ \item[bigopspacing3] (integer denoting length)
+ \begin{smalldes}
+ \item[Description] Math formula parameter $\xi\sb{11}$.
+ \item[Set by] MTX files.
+ \item[Used by] Some ETX and MTX files.
+ \end{smalldes}
+ \item[bigopspacing4] (integer denoting length)
+ \begin{smalldes}
+ \item[Description] Math formula parameter $\xi\sb{12}$.
+ \item[Set by] MTX files.
+ \item[Used by] Some ETX and MTX files.
+ \end{smalldes}
+ \item[bigopspacing5] (integer denoting length)
+ \begin{smalldes}
+ \item[Description] Math formula parameter $\xi\sb{13}$.
+ \item[Set by] MTX files.
+ \item[Used by] Some ETX and MTX files.
+ \end{smalldes}
+ \item[capheight] (integer denoting length)
+ \begin{smalldes}
+ \item[Description] The height of the font's full capitals.
+ \item[Set by] MTX files. The AFM-to-MTX converter usually writes
+ |\setint| commands for this variable.
+ \item[Used by] Some MTX and ETX files.
+ \end{smalldes}
+ \item[cmapname] (string)
+ \begin{smalldes}
+ \item[Description] The name given to the CMap generated from
+ an ETX file.
+ \item[Set by] ETX files.
+ \item[Used by] The ETX-to-CMap converter. When not set, the
+ value |fontinst-|\nolinebreak[1]\meta{cmap file name} is
+ used instead.
+ \end{smalldes}
+ \item[codingscheme] (string)
+ \begin{smalldes}
+ \item[Description] The codingscheme name.
+ \item[Set by] ETX files.
+ \item[Used by] The (V)PL writer. When not set, the
+ value \texttt{UNKNOWN} is used instead.
+ \end{smalldes}
+ \item[defaultrulethickness] (integer denoting length)
+ \begin{smalldes}
+ \item[Description] Math formula parameter $\xi\sb{8}$.
+ \item[Set by] MTX files.
+ \item[Used by] Some ETX and MTX files.
+ \end{smalldes}
+ \item[delim1] (integer denoting length)
+ \begin{smalldes}
+ \item[Description] Math formula parameter $\sigma\sb{20}$.
+ \item[Set by] MTX files.
+ \item[Used by] Some ETX and MTX files.
+ \end{smalldes}
+ \item[delim2] (integer denoting length)
+ \begin{smalldes}
+ \item[Description] Math formula parameter $\sigma\sb{21}$.
+ \item[Set by] MTX files.
+ \item[Used by] Some ETX and MTX files.
+ \end{smalldes}
+ \item[denom1] (integer denoting length)
+ \begin{smalldes}
+ \item[Description] Math formula parameter $\sigma\sb{11}$.
+ \item[Set by] MTX files.
+ \item[Used by] Some ETX and MTX files.
+ \end{smalldes}
+ \item[denom2] (integer denoting length)
+ \begin{smalldes}
+ \item[Description] Math formula parameter $\sigma\sb{12}$.
+ \item[Set by] MTX files.
+ \item[Used by] Some ETX and MTX files.
+ \end{smalldes}
+ \item[descender] (integer denoting length)
+ \begin{smalldes}
+ \item[Description] The depth of lower case letters with descenders.
+ \item[Set by] MTX files.
+ \item[Used by] Some ETX and MTX files.
+ \end{smalldes}
+ \item[descender\_neg] (integer denoting length)
+ \begin{smalldes}
+ \item[Description] The vertical position of the descender line
+ of the font, i.e., the negative of the font's descender depth.
+ \item[Set by] MTX files. The AFM-to-MTX converter usually writes
+ |\setint| commands for this variable.
+ \item[Used by] Some MTX and ETX files.
+ \end{smalldes}
+ \item[designsize] (dimension)
+ \begin{smalldes}
+ \item[Description] The design size of the font.
+ \item[Set by] MTX files. The (V)PL-to-MTX converter usually writes
+ |\setdim| commands for this variable.
+ \item[Used by] The (V)PL writer. The design size defaults to
+ $10\,\mathrm{pt}$ if this variable is not set.
+ \item[Note] The value of this variable has no effect on how
+ the font is declared to \LaTeX.
+ \end{smalldes}
+ \item[designunits] (dimension denoting a real number)
+ \begin{smalldes}
+ \item[Description] The design size of a font expressed in the
+ design unit used in a (V)PL file.
+ \item[Set by] MTX files. The (V)PL-to-MTX converter usually writes
+ |\setdim| commands for this variable.
+ \item[Used by] Nothing. If this variable is set, but to any
+ value other than $1\,\mathrm{pt}$, then some metrics are most
+ likely wrong.
+ \end{smalldes}
+ \item[digitwidth] (integer denoting length)
+ \begin{smalldes}
+ \item[Description] The median width of the digits in the font.
+ \item[Set by] MTX files.
+ \item[Used by] Some ETX and MTX files.
+ \end{smalldes}
+ \item[email] (string)
+ \begin{smalldes}
+ \item[Description] Email address put in \BibTeX-style file
+ header of automatically generated ENC files. See the macro
+ |\ref_to_sourcefile| for more details.
+ \item[Set by] ETX files.
+ \item[Used by] The ETX-to-ENC converter. When not set, the
+ value \texttt{"See file }\meta{etx name}\texttt{"} is used
+ instead.
+ \end{smalldes}
+ \item[encodingname] (string)
+ \begin{smalldes}
+ \item[Description] The name by which the encoding in question is
+ made known to a Postscript interpreter.
+ \item[Set by] ETX files.
+ \item[Used by] The ETX-to-ENC converter. When not set, the
+ value |fontinst-|\nolinebreak[1]|autoenc-|\nolinebreak[1]%
+ \meta{etx name} is used instead.
+ \end{smalldes}
+ \item[etx-name] (string)
+ \begin{smalldes}
+ \item[Description] Name of ETX file. Internal variable in
+ |\transform|\-|font|.
+ \item[Set by] The |\reencodefont| command.
+ \item[Used by] The |\mtxtomtx| command.
+ \end{smalldes}
+ \item[extraspace] (integer denoting length)
+ \begin{smalldes}
+ \item[Description]
+ The natural width of extra interword glue at the end of a
+ sentence.
+ \item[Set by] MTX files.
+ \item[Used by] Some ETX and MTX files.
+ \end{smalldes}
+ \item[fontdimen($n$)] (integer)
+ \begin{smalldes}
+ \item[Description] Family of semi-internal variables that store
+ the values to use for font dimension $n$. It is preferred
+ that the newer |\set|\-|font|\-|dimen| interface is used for
+ setting these values.
+ \item[Set by] ETX files.
+ \item[Used by] The (V)PL writer.
+ \end{smalldes}
+ \item[\cs{iftokeep}] (macro)
+ \begin{smalldes}
+ \item[Description] |\iftokeep|\,\#1\,|\then|, where \#1 will
+ be a \meta{number}, behaves like a switch and decides whether
+ a glyph is kept or not while reglyphing.
+ \item[Set by] Explicit commands. Defaults to
+ $$
+ \mbox{\cs{iftokeep}\,\#1\,\cs{then}} \mapsto
+ \mbox{\cs{ifnum}\,\texttt{-1<}\#1}
+ $$
+ \item[Used by] The |\reglyphfont| command.
+ \end{smalldes}
+ \item[interword] (integer denoting length)
+ \begin{smalldes}
+ \item[Description] The natural width of interword glue (spaces).
+ \item[Set by] MTX files.
+ \item[Used by] Some ETX and MTX files.
+ \end{smalldes}
+ \item[italicslant] (integer denoting factor)
+ \begin{smalldes}
+ \item[Description] The italic slant of a font.
+ \item[Set by] MTX files generated from AFM or (V)PL files. MTX
+ files generated by |\transformfont|. Locally in the AFM-to-MTX
+ converter for possible use in |\uprightitalcorr| or
+ |\slanteditalcorr|.
+ \item[Used by] MTX files (\texttt{latin.mtx} and the like). ETX
+ files (for determining \texttt{fontdimen(1)}).
+ \end{smalldes}
+ \item[killweight] (integer)
+ \begin{smalldes}
+ \item[Description] Weight for glyphs that are killed.
+ \item[Set by] Explicit commands. Defaults to $-10$ if not set.
+ \item[Used by] The |\kill|\-|glyph| command; indirectly
+ the |\reglyphfont| command.
+ \end{smalldes}
+ \item[letterspacing] (integer denoting length)
+ \begin{smalldes}
+ \item[Description] Extra width added to all glyphs of a font.
+ \item[Set by] ETX or MTX files.
+ \item[Used by] The (V)PL writer. Defaults to $0$ if not set.
+ \end{smalldes}
+ \item[maxdepth] (integer denoting length)
+ \begin{smalldes}
+ \item[Description] The maximal depth over all slots in the font.
+ \item[Set by] MTX files.
+ \item[Used by] Some ETX and MTX files.
+ \end{smalldes}
+ \item[maxdepth\_neg] (integer denoting length)
+ \begin{smalldes}
+ \item[Description] The negative of the maximal depth of a glyph in
+ the font.
+ \item[Set by] MTX files. The AFM-to-MTX converter usually writes
+ |\setint| commands for this variable.
+ \item[Used by] Some ETX and MTX files.
+ \end{smalldes}
+ \item[maxheight] (integer denoting length)
+ \begin{smalldes}
+ \item[Description] The maximal height of a glyph in the font.
+ \item[Set by] MTX files. The AFM-to-MTX converter usually writes
+ |\setint| commands for this variable.
+ \item[Used by] Some ETX and MTX files.
+ \end{smalldes}
+ \item[minimumkern] (integer denoting length)
+ \begin{smalldes}
+ \item[Description] Kerns whose size in absolute value is less
+ than or equal to this variable are ignored.
+ \item[Set by] Command files or MTX files.
+ \item[Used by] The AFM-to-MTX converter and the (V)PL file
+ generator. When not set, the value $0$ is used instead.
+ \end{smalldes}
+ \item[monowidth] (flag integer)
+ \begin{smalldes}
+ \item[Description] Set if this font is monowidth, unset otherwise.
+ \item[Set by] MTX files. The AFM-to-MTX converter writes a
+ |\setint| command for this variable if the AFM specifies
+ \texttt{IsFixedPitch true}.
+ \item[Used by] Some MTX files (\texttt{latin.mtx} and the like),
+ ETX files.
+ \end{smalldes}
+ \item[num1] (integer denoting length)
+ \begin{smalldes}
+ \item[Description] Math formula parameter $\sigma\sb{8}$.
+ \item[Set by] MTX files.
+ \item[Used by] Some ETX and MTX files.
+ \end{smalldes}
+ \item[num2] (integer denoting length)
+ \begin{smalldes}
+ \item[Description] Math formula parameter $\sigma\sb{9}$.
+ \item[Set by] MTX files.
+ \item[Used by] Some ETX and MTX files.
+ \end{smalldes}
+ \item[num3] (integer denoting length)
+ \begin{smalldes}
+ \item[Description] Math formula parameter $\sigma\sb{10}$.
+ \item[Set by] MTX files.
+ \item[Used by] Some ETX and MTX files.
+ \end{smalldes}
+ \item[quad] (integer denoting length)
+ \begin{smalldes}
+ \item[Description]
+ The quad width of the font, normally approximately equal to
+ the font size and\slash or the width of an `M'.
+ \item[Set by] MTX files.
+ \item[Used by] Some ETX and MTX files.
+ \end{smalldes}
+ \item[PSfontsuffix] (string)
+ \begin{smalldes}
+ \item[Description] Suffix added to font names to form name of
+ file to download to include font.
+ \item[Set by] Explicit commands in mapmaking command
+ files. Defaults to `\texttt{.pfa}'.
+ \item[Used by] The map file fragments writer.
+ \end{smalldes}
+ \item[rawscale] (integer denoting factor)
+ \begin{smalldes}
+ \item[Description] Scaling factor applied to raw glyphs.
+ \item[Set by] The |\installfont| command (\texttt{scaled}
+ clauses in argument \#2). Unset for metric files listed
+ without a \texttt{scaled} clause.
+ \item[Used by] The |\set|\-|raw|\-|glyph|,
+ |\set|\-|not|\-|glyph|, |\set|\-|scaled|\-|raw|\-|glyph|,
+ |\set|\-|scaled|\-|not|\-|glyph|, |\set|\-|kern|, and
+ |\reset|\-|kern| commands.
+ \end{smalldes}
+ \item[renameweight] (integer)
+ \begin{smalldes}
+ \item[Description] Weight for glyphs that are renamed.
+ \item[Set by] Explicit commands. Defaults to $1$ if not set.
+ \item[Used by] The |\rename|\-|glyph| command; indirectly
+ the |\reglyphfont| command.
+ \end{smalldes}
+ \item[requireglyphs] (flag integer)
+ \begin{smalldes}
+ \item[Description] Set if warnings are to be generated for
+ glyphs listed in ETX files but not present in the glyph
+ base.
+ \item[Set by] Explicit commands. By default not set.
+ \item[Used by] The (V)PL file generator.
+ \end{smalldes}
+ \item[rightboundary] (string)
+ \begin{smalldes}
+ \item[Description] The name of a glyph with the property that
+ kerns on the left may be intended as right word boundary kerns.
+ \item[Set by] MTX files. The (V)PL-to-MTX converter can write
+ |\setstr| commands for this variable.
+ \item[Used by] Some MTX files.
+ \end{smalldes}
+ \item[shrinkword] (integer denoting length)
+ \begin{smalldes}
+ \item[Description]
+ The (finite) shrink component of interword glue.
+ \item[Set by] MTX files.
+ \item[Used by] Some ETX and MTX files.
+ \end{smalldes}
+ \item[slant-scale] (integer denoting factor)
+ \begin{smalldes}
+ \item[Description] Factor to slant by.
+ Internal variable in |\transform|\-|font|.
+ \item[Set by] The |\slant|\-|font|, |\xscale|\-|font|, and
+ |\scale|\-|font| commands.
+ \item[Used by] The |\mtxtomtx| command.
+ \end{smalldes}
+ \item[\cs{SlantAmount}] (macro expanding to an integer expression)
+ \begin{smalldes}
+ \item[Description] Slant factor used for faking oblique shape.
+ \item[Set by] Explicit commands. Defaults to \texttt{167}.
+ \item[Used by] The |\latinfamily| command.
+ \end{smalldes}
+ \item[\cs{slanteditalcorr}]
+ (macro expanding to an integer expression)
+ \begin{smalldes}
+ \item[Description] The integer expression used to calculate a
+ guess for the italic correction of glyphs in a font with
+ positive slant. It has the syntax
+ \begin{quote}
+ \cs{slanteditalcorr}\marg{width}\marg{left}\marg{right}%
+ \marg{bottom}\marg{top}
+ \end{quote}
+ where \meta{width} is the glyph's advance width, and the
+ remaining arguments are coordinates of sides of the glyph's
+ bounding box. The \texttt{italicslant} integer provides the
+ italic slant of the font.
+ \item[Set by] Explicit commands in \textsf{fontinst} command
+ files. Defaults to
+ $$
+ \max\{0, \mathit{right}-\mathit{width}\}.
+ $$
+ \item[Used by] The AFM-to-MTX converter.
+ \end{smalldes}
+ \item[stretchword] (integer denoting length)
+ \begin{smalldes}
+ \item[Description]
+ The (finite) stretch component of interword glue.
+ \item[Set by] MTX files.
+ \item[Used by] Some ETX and MTX files.
+ \end{smalldes}
+ \item[sub1] (integer denoting length)
+ \begin{smalldes}
+ \item[Description] Math formula parameter $\sigma\sb{16}$.
+ \item[Set by] MTX files.
+ \item[Used by] Some ETX and MTX files.
+ \end{smalldes}
+ \item[sub2] (integer denoting length)
+ \begin{smalldes}
+ \item[Description] Math formula parameter $\sigma\sb{17}$.
+ \item[Set by] MTX files.
+ \item[Used by] Some ETX and MTX files.
+ \end{smalldes}
+ \item[subdrop] (integer denoting length)
+ \begin{smalldes}
+ \item[Description] Math formula parameter $\sigma\sb{19}$.
+ \item[Set by] MTX files.
+ \item[Used by] Some ETX and MTX files.
+ \end{smalldes}
+ \item[sup1] (integer denoting length)
+ \begin{smalldes}
+ \item[Description] Math formula parameter $\sigma\sb{13}$.
+ \item[Set by] MTX files.
+ \item[Used by] Some ETX and MTX files.
+ \end{smalldes}
+ \item[sup2] (integer denoting length)
+ \begin{smalldes}
+ \item[Description] Math formula parameter $\sigma\sb{14}$.
+ \item[Set by] MTX files.
+ \item[Used by] Some ETX and MTX files.
+ \end{smalldes}
+ \item[sup3] (integer denoting length)
+ \begin{smalldes}
+ \item[Description] Math formula parameter $\sigma\sb{15}$.
+ \item[Set by] MTX files.
+ \item[Used by] Some ETX and MTX files.
+ \end{smalldes}
+ \item[supdrop] (integer denoting length)
+ \begin{smalldes}
+ \item[Description] Math formula parameter $\sigma\sb{18}$.
+ \item[Set by] MTX files.
+ \item[Used by] Some ETX and MTX files.
+ \end{smalldes}
+ \item[TFMfileprefix] (string)
+ \begin{smalldes}
+ \item[Description] Prefix (typically a path) added to names of
+ TFM files.
+ \item[Set by] Explicit commands in mapmaking command
+ files. By default not set, which is equivalent to being empty.
+ \item[Used by] The \textsf{PLtoTF} ``map file fragments writer''.
+ \end{smalldes}
+ \item[underlinethickness] (integer denoting length)
+ \begin{smalldes}
+ \item[Description] The recommended thickness of an underlining
+ rule.
+ \item[Set by] MTX files. The AFM-to-MTX converter usually writes
+ |\setint| commands for this variable.
+ \item[Used by] Some MTX files (\texttt{latin.mtx} and the like).
+ \end{smalldes}
+ \item[\cs{uprightitalcorr}]
+ (macro expanding to an integer expression)
+ \begin{smalldes}
+ \item[Description] The integer expression used to calculate a
+ guess for the italic correction of glyphs in a font with
+ non-positive slant. It has the syntax
+ \begin{quote}
+ \cs{uprightitalcorr}\marg{width}\marg{left}\marg{right}%
+ \marg{bottom}\marg{top}
+ \end{quote}
+ where \meta{width} is the glyph's advance width, and the
+ remaining arguments are coordinates of sides of the glyph's
+ bounding box. The \texttt{italicslant} integer provides the
+ italic slant of the font.
+ \item[Set by] Explicit commands in \textsf{fontinst} command
+ files. Defaults to $0$.
+ \item[Used by] The AFM-to-MTX converter.
+ \end{smalldes}
+ \item[version] (string)
+ \begin{smalldes}
+ \item[Description] Version number put in \BibTeX-style file
+ header of automatically generated ENC files. See the macro
+ |\ref_to_sourcefile| for more details.
+ \item[Set by] ETX files.
+ \item[Used by] The ETX-to-ENC converter. When not set, the
+ value \texttt{"See file }\meta{etx name}\texttt{"} is used
+ instead.
+ \end{smalldes}
+ \item[verticalstem] (integer denoting length)
+ \begin{smalldes}
+ \item[Description] The dominant width of vertical stems
+ (usually the width of stems of lower case letters).
+ \item[Set by] MTX files. The AFM-to-MTX converter writes
+ |\setint| commands for this variable if the AFM file specifies
+ \texttt{StdVW}.
+ \item[Used by] Currently nothing.
+ \end{smalldes}
+ \item[\texttt{warningspecials}] (switch)
+ \begin{smalldes}
+ \item[Description] Controls whether |\glyphwarning| commands
+ will generate VPL \texttt{SPECIAL}s. Defaults to `true'.
+ \item[Set by] Explicit commands (|\warningspecialstrue| and
+ |\warningspecialsfalse|).
+ \item[Used by] The (V)PL file generator.
+ \end{smalldes}
+ \item[x-scale] (integer denoting factor)
+ \begin{smalldes}
+ \item[Description] Horizontal scaling factor.
+ Internal variable in |\transform|\-|font|.
+ \item[Set by] The |\xscale|\-|font| and |\scale|\-|font| commands.
+ \item[Used by] The |\mtxtomtx| command.
+ \end{smalldes}
+ \item[xheight] (integer denoting length)
+ \begin{smalldes}
+ \item[Description] The x-height of the font.
+ \item[Set by] MTX files. The AFM-to-MTX and (V)PL-to-MTX
+ converters usually write |\setint| commands for this variable.
+ \item[Used by] MTX files, and ETX files (for determining
+ \texttt{fontdimen(5)}).
+ \end{smalldes}
+ \item[y-scale] (integer denoting factor)
+ \begin{smalldes}
+ \item[Description] Vertical scaling factor.
+ Internal variable in |\transform|\-|font|.
+ \item[Set by] The |\yscale|\-|font| and |\scale|\-|font| commands.
+ \item[Used by] The |\mtxtomtx| command.
+ \end{smalldes}
+ \item[\meta{\rmfamily glyph}-spacing] (integer denoting length)
+ \begin{smalldes}
+ \item[Description] Glyph-specific override for
+ \texttt{letterspacing}; extra width added to the glyph
+ \meta{glyph} as part of the process of writing a VPL
+ file.
+ \item[Set by] ETX or MTX files.
+ \item[Used by] The (V)PL writer. Defaults to $0$ if not set.
+ \end{smalldes}
+\end{list}
+Besides these, the |\latinfamily| command provides a whole range of
+parameters (|\latin_weights|, |\latin_widths|, |\latin_shapes|, etc.)
+that are often used somewhat like variables. That subject
+does however deserve to be treated separately.
+
+
+
+\section{Customisation}
+
+The \fontinst package reads a file \texttt{fontinst.rc} if it
+exists. This can contain your own customisations. The catcodes that
+are in force when this file is read are the same as those selected by
+|\fontinstcc|.
+
+Similarly \texttt{finstmsc.sty} reads \texttt{finstmsc.rc} and the
+\fontdoc package reads \texttt{fontdoc.cfg}.
+
+You can create a \texttt{fontinst} format by running ini\TeX{} on
+\texttt{fontinst.sty} then saying \verb|\dump|.
+
+
+\section{Notes on features new with v\,1.9}
+
+The following notes are copied from \texttt{fisource.tex}; they were
+written to explain new \fontinst features to old \fontinst users.
+
+
+\subsection{Metric packages}
+
+\Fontinst has traditionally come with a collection of MTX
+files that complement the MTX files generated from base font metrics,
+in that they build glyphs that may be missing from the base fonts or
+in some other way needs to be improved. The most well-known of these
+is the \texttt{latin.mtx} file; other examples include
+\texttt{textcomp.mtx}, \texttt{mathit.mtx}, and \texttt{latinsc.mtx}.
+A problem with these is however that they cannot produce optimal
+results for all fonts simply because there are irregular differences
+in how fonts are set up by the foundries. Most glyphs come out all right,
+but there are usually a few for which the parameters used are more or
+less wrong. Therefore most high quality font installations are made
+with modified versions of these files, where the parameters have been
+tuned to the specific font design.
+
+Modifying in particular \texttt{latin.mtx} is however not an entirely
+easy task, because this is a rather large file (with plenty of
+archaic pieces of code in curious places). Doing it once is no big
+problem, but if one has to do it several times (maybe because some
+errors are discovered in the original \texttt{latin.mtx}) then it is
+probably no fun anymore. Furthermore, if one has two or three
+modified copies of this file because one has made high quality
+installations of that many different fonts then even a trivial bugfix
+might start to feel like entirely too much work.
+
+If one has to make modifications then it is usually easier to deal
+with several small files (many of which can be used unchanged) than
+one big file. Thus it would be better if these big files were split up
+into several smaller ones.
+The main problem with splitting up something like \texttt{latin.mtx}
+is that there are some commands which are defined at the top and
+which are then used in almost all sections of the file. One must make
+certain that these commands are always loaded, which makes the metric
+files somewhat harder to use (especially if the one who tries to use
+them is not the one who wrote them).
+
+One strategy is to include all definitions needed for a metric file in
+it. This has the slight disadvantage that the commands will have to be
+defined several times. What is worse however, is that the command
+definitions will appear in several files, so if one finds a bug in one
+of them, one cannot simply correct this bug in one place. As the number
+of files can soon become quite large, correcting such bugs can become
+a boring procedure indeed.
+
+Another strategy is to put all the command definitions in one file
+and then explicitly include it in the \meta{file-list} argument of
+|\installfont|. This eliminates the repeated bug fixing problem, but
+requires the user to do something that the computer can actually do
+just as well.
+
+A third strategy is to put the command definitions in one or several
+files and then in each metric file the user explicitly mentions load
+the command definitions needed for that particular file. Metric
+packages uses an improved version of this strategy, since they also
+make it possible for \fontinst to remember which packages (i.e., sets
+of command definitions) that have already been loaded, so that they
+are not unnecessarily loaded again. The \texttt{newlatin.mtx} file is
+an alternative to \texttt{latin.mtx} that implements this strategy.
+Most of the actual code is located in the following metric packages:
+\begin{center}
+\begin{tabular}{l p{0.7\linewidth}}
+ \texttt{ltcmds.mtx}& Defines some common commands used by the other
+ files.\\
+ \texttt{llbuild.mtx}& Builds the latin lower case alphabet
+ (unaccented letters are `unfakable', the rest are constructed if
+ not present in the base fonts).\\
+ \texttt{lubuild.mtx}& Builds the latin upper case alphabet.\\
+ \texttt{lsbuild.mtx}& Builds accented letters in the latin
+ smallcaps alphabet, but only if there are unaccented letters to
+ build them from in the base fonts.\\
+ \texttt{lsfake.mtx}& Fakes a latin smallcaps alphabet by shrinking
+ the upper case alphabet, but only if the glyph had not already
+ been manufactured.\\
+ \texttt{lsmisc.mtx}& Make some miscellaneous smallcaps glyphs
+ (mostly ``smallcaps f-ligatures'').\\
+ \texttt{ltpunct.mtx}& Makes digits, punctuation marks, and other
+ symbols (mostly by marking as ``unfakable'').
+\end{tabular}
+\end{center}
+\noindent All of these are easy to use as components of equivalents
+of a modified \texttt{latin.mtx} files, and all dependencies of one
+package upon another are handled via explicit |\usemtxpackage|
+commands.
+
+% For information on the syntax etcetera of commands related to metric
+% packages, see Section~\ref{Sec:Metric files}.
+
+
+\subsection{Word boundary ligatures and kerns}
+
+One of the new features added in \TeX~3 was that of ligatures and
+kerns with word boundaries. \Fontinst has had an interface
+for making such ligatures and kerns, but it has been completely
+redesigned in v\,1.9 and the old interface (setting the integer
+|boundarychar|) is no longer recognized by \fontinst. Files
+which use the old interface can still be processed with
+\texttt{cfntinst.sty}, though.
+
+Before considering the new commands, it is suitable to make a
+distinction between proper glyphs and pseudoglyphs. A proper glyph has
+been set using one of the commands |\setrawglyph|, |\setglyph|, and
+|\resetglyph|. A pseudoglyph is any name used in the context of a
+glyph name which does not denote a proper glyph. If a pseudoglyph
+|g-not| was set using the |\setnotglyph| command, then
+|\ifisglyph{g-not}\then| will evaluate to true, but something can be
+a pseudoglyph even if an |\ifisglyph| test evaluates to false. The
+interesting point about pseudoglyphs when considering word boundaries
+however, is that a pseudoglyph can have ligatures and kerns.
+
+Kerns and ligatures at the left word boundary (beginning of word) are
+specified using the commands |\setleftboundary| and
+|\endsetleftboundary|, which are syntactically identical to
+|\setslot| and |\endsetslot| respectively. One important difference is
+however that the argument to |\setslot| must be a proper glyph, while
+the argument to |\setleftboundary| may be any glyph, hence any
+pseudoglyph will do just fine.
+
+|\ligature| commands between |\setleftboundary| and
+|\endsetleftboundary| will generate beginning of word ligatures. Kerns
+on the right of the glyph specified in |\setleftboundary| will become
+beginning of word kerns.
+
+Kerns and ligatures at the right word boundary (end of word) are
+trickier, due to the asymmetrical nature of the ligkern table in a PL
+file. What a font can do is to specify that the right word boundary,
+for purposes of kerning and ligatures, should be interpreted as
+character $n$. By including a kern or ligature with character $n$ on
+the right, that kern or ligature will be used at the end of a word,
+but it will also be used each time the next character is character
+$n$. Because of this, one usually wants the slot $n$, which the right
+word boundary is interpreted as being, to be empty whenever the
+encoding allows this.
+
+The command
+\begin{quote}
+ |\setrightboundary|\marg{glyph}
+\end{quote}
+will mark the current slot as used to denote the right word boundary,
+and leave the slot empty, increasing the current slot number by one
+just like a |\setslot| \textellipsis\ |\endsetslot| block does. Kerns on
+the left of \meta{glyph} will be end of word kerns and |\ligature|
+commands with \meta{glyph} as the second argument will be for the end
+of a word.
+
+The command
+\begin{quote}
+ |\makerightboundary|\marg{glyph}
+\end{quote}
+is similar to |\setrightboundary|, but it is a slot command which may
+only be used between a |\setslot| and the matching |\endsetslot|. Like
+|\setrightboundary|, it marks the current slot as used to denote the
+right word boundary, but the glyph specified in the enclosing |\setslot|
+will be written to that slot. Ligatures for the glyph specified by the
+|\setslot| and ligatures for the glyph specified by the
+|\makerightboundary| will both be for this single slot. Kerns on the
+right of the |\setslot| glyph and the |\makerightboundary| glyph will
+similarly both be for this single slot. The idea is that the |\setslot|
+glyph should be used when making a kern or ligature for that glyph,
+while the |\makerightboundary| glyph should be used when making a kern
+or ligature for the end of a word. \Fontinst will warn you if
+these two uses of the slot directly contradict each other.
+
+
+\subsection{Changing the names of glyphs}
+\label{Ssec:Des:Reglyph}
+
+Sometimes, primarily when making a virtual font from more than one raw
+font and two of the raw fonts contain different glyphs with the same
+name, it becomes necessary to change the names of some glyphs to make
+some sense out of it. The main source of this kind of trouble is the
+``caps and small caps'' (SC) and ``oldstyle figures'' (OsF) fonts
+within many commercial font families. The typical problem is that what
+is typographically different glyphs---such as the lowercase `a'
+(\texttt{a}, for \fontinst) and the smallcaps `\textsc{a}'
+(\texttt{Asmall}, for \fontinst)---are given the same name by
+the foundry.
+
+One way to get round this is to say for example
+\begin{quote}
+ |\setglyph{Asmall} \glyph{a}{1000} \endsetglyph|\\
+ |\setleftrightkerning{Asmall}{a}{1000}|\\
+ |\unsetglyph{a}|\\
+ |\noleftrightkerning{a}|
+\end{quote}
+and continuing like that for all the duplicate glyph names. This is
+however a rather prolix method and if the number of glyphs is large
+then it is usually simpler to use the |\reglyphfont| command.
+
+To reglyph one or several fonts, one writes
+\begin{quote}
+ |\reglyphfonts|\\
+ \vadjust{}\quad \meta{reglyphing commands}\\
+ |\endreglyphfonts|
+\end{quote}
+There are two types of reglyphing commands: the |\reglyphfont|
+command, and the commands that modify what |\reglyphfont| will do to
+the fonts it operates on. The syntax of |\reglyphfont| is
+\begin{quote}
+ |\reglyphfont|\marg{destination font}\marg{source font}
+\end{quote}
+The \meta{source font} font here is the name (suffix not included, of
+course) of the font metric file one wants to change the glyph names in.
+This font metric file can be in any of the formats MTX, PL, AFM, and
+VPL, and it will be converted to MTX format if it isn't already in
+that format (this happens just as for files listed in the second
+argument of |\installfont|). \meta{destination font} (which must be
+different from \meta{source font}) will be taken as the name for a
+new \texttt{.mtx} file that will be generated. The destination font
+can differ from the source font only in two ways: the names of some
+glyphs in the source font might be changed, and some of the commands
+from the source font might not have been copied to the destination
+font. To what extent the fonts are different is determined by what
+modifying commands have been executed; when no modifying commands
+have been executed, the source and destination font are equal.
+
+The modifying reglyphing commands are
+\begin{quote}
+ |\renameglyph|\marg{to}\marg{from}\\
+ |\renameglyphweighted|\marg{to}\marg{from}\marg{weight}\\
+ |\killglyph|\marg{glyph}\\
+ |\killglyphweighted|\marg{glyph}\marg{weight}\\
+ |\offmtxcommand|\marg{command}\\
+ |\onmtxcommand|\marg{command}
+\end{quote}
+|\renameglyph| simply declares that occurrences of the glyph name
+\meta{from} should be replaced by the glyph name \meta{to}. To each
+glyph name is also assigned a \emph{weight}, which is used by a
+mechanism which conditions copying of commands from the source font to
+the destination font by the set of glyphs that command mentions. The
+details of this mechanism are however somewhat tricky, so those
+interested in the full generality should read the comments in the
+source of \fontinst. Here it needs only be noted that if one applies
+|\killglyph| to a glyph name, then (under most circumstances) commands
+that refer to that glyph name will not be copied to the destination
+font.
+
+|\offmtxcommand| and |\onmtxcommand| also control whether commands are
+copied to the destination font, but they look at the actual command
+rather than the glyphs it refers to. For example, after the command
+\begin{quote}
+ |\offmtxcommand{\setkern}|
+\end{quote}
+no |\setkern| commands will be copied. By using |\offmtxcommand|, it
+is possible to achieve effects similar to those of the files
+\texttt{kernoff.mtx} and \texttt{glyphoff.mtx}---the difference is
+that with |\offmtxcommand|, it happens at an earlier stage of the font
+generation. As expected, |\onmtxcommand| undoes the effect of
+|\offmtxcommand|.
+
+A special rule pertains to the |\set|\-|raw|\-|glyph|,
+|\set|\-|not|\-|glyph|, |\set|\-|scaled|\-|raw|\-|glyph|, and
+|\set|\-|scaled|\-|not|\-|glyph| commands, since |\transformfont|
+doesn't care what something was in the source font when it generates
+the transformed font. To turn these commands off while reglyphing,
+you use |\offmtx|\-|command| on |\set|\-|scaled|\-|raw|\-|glyph|.
+
+The effects of modifying reglyphing commands are delimited by
+|\reglyphfonts| and |\endreglyphfonts|, which starts and ends a group
+respectively.
+
+As we expect the most common reglyphing operation will be to go from SC
+glyph names to expert glyph names, there is a file \texttt{csc2x.tex}
+in the \fontinst distribution which contains the modifying
+reglyphing commands needed for setting up that conversion. Thus you
+can write for example
+\begin{quote}
+ |\reglyphfonts|\\
+ | \input csc2x|\\
+ | \reglyphfont{padrcx8r}{padrc8r}|\\
+ | \reglyphfont{padscx8r}{padsc8r}|\\
+ |\endreglyphfonts|
+\end{quote}
+to alter the glyph names in the SC fonts in the Adobe Garamond
+(\texttt{pad}) family.
+Note that the names of the destination fonts here really are rather
+arbitrary, since they will only exist as \texttt{.mtx} files, and
+thus only need to work within your local file system. In particular,
+all the |\setrawglyph| commands in the destination font files still
+refer to the source font, so it is that font which the drivers need
+to know about.
+
+
+\subsection{Making map file fragments}
+\label{Ssec:MapFragments}
+
+A \emph{map file fragment} is the lines\footnote{Not in general an
+entire map file, hence the word \emph{fragment}.} of a map file that
+the corresponding driver would need for handling some set of fonts.
+When told to, \fontinst can (in a fairly automatic way) create
+the map file fragment which is needed for the set of raw fonts
+\fontinst has (i) installed directly (using |\installrawfont|)
+or (ii) used as a base font for some installed virtual font (generated
+by |\installfont|). \Fontinst does not support the map file
+syntaxes of every existing driver, but the system is designed to be
+extendable and contributions that extend its capabilities are welcome.
+Nor can \fontinst examine your \TeX\ system and
+determine every piece of information needed to make the correct map
+file fragments, but you can tell it roughly how your installation
+looks, it can make guesses which work most of the time, and you can
+specify most things explicitly if the guesses turn out to be wrong.
+Should the available options for configuring the process turn out to
+be inadequate for your needs, then please write to the
+\fontinst mailing list about this---there is probably a way
+to improve the system so that your needs can be met.
+
+Now what does one have to do to use this map file fragment writer,
+then? First you need to tell \fontinst to record the
+information the map file fragment writer needs. You do this by giving
+the command
+\begin{quote}
+ |\recordtransforms{whatever.tex}|
+\end{quote}
+at the beginning of the run. Here \texttt{whatever.tex} is the name of
+a file that will be created, so you can use some other name if you
+like. After that you do all the calls to |\transform|\-|font|,
+|\install|\-|font|, |\install|\-|raw|\-|font|, |\latin|\-|family|,
+etc.\ you need to make the fonts you want. When you're done, you give
+the command
+\begin{quote}
+ |\endrecordtransforms|
+\end{quote}
+and end the run (say |\bye|). The file \texttt{whatever.tex} will now
+contain the information about which fonts were used and what needs to
+be done with them.
+
+The second step is to actually run the map file fragment writer.
+Observe that it is located in the file \texttt{finstmsc.sty}, not
+\texttt{fontinst.sty}! The commands you need to give it can be so few
+that you can type them in at \TeX's \texttt{*} prompt, but if you are
+writing a command file then it should typically have the following
+structure (comments not necessary, of course):
+\begin{quote}
+ \begin{tabular}{ll}
+ |\input finstmsc.sty|& |%| Input command definitions\\
+ \meta{general settings} & |%| See below\\
+ |\adddriver|\marg{driver name}\marg{output file}&
+ |%| Open output file\\
+ |\input whatever.tex|& |%| Writes to output file(s)\\
+ |\donedrivers|& |%| Close output file(s), tidy up\\
+ |\bye|& |%| Quit
+ \end{tabular}
+\end{quote}
+The |\adddriver| command gives the order ``write map file entries for
+the \meta{driver name} DVI driver to the file \meta{output file}.'' The
+plan is that it should be possible to use the name of just about any
+major driver (\texttt{dvips}, \texttt{xdvi},\footnote{Or
+does that use the same map file as \texttt{dvips}? I heard somewhere
+that it did. /LH} \texttt{pdftex},\footnote{pdf\TeX\ can read
+the map files generated for \texttt{dvips}, but a separate driver is
+desirable because the formats are not completely identical.}
+\texttt{OzTeX}, etc.) here and get suitable map file entries for that
+driver as output, but for the moment only the \texttt{dvips} and
+\texttt{dvipdfm}\footnote{Whose support I made very much to illustrate
+that you \emph{don't} have to be a big and ancient driver like
+\texttt{dvips} to have supporting code put into \fontinst.
+(The fact that I just happened to have printed out the documentation and
+that is was easy to read also helped, of course.) Note, however, that
+there won't be any support for a driver unless someone sits down and
+writes the code for it! Don't assume I will. /LH} drivers are supported.
+
+You may also use \texttt{debug} or \texttt{pltotf} for \meta{driver name}.
+The \texttt{debug} ``DVI driver'' file simply contains all the available
+information about each font (hence it should come handy for debugging
+code writing entries for real drivers) in a format that should be easy
+to interpret for a human. It could be the right choice if you're going
+to write the map file manually, as the combined effects of several
+font transformations are not always easy to compute manually. The
+file generated for the \texttt{pltotf} ``driver'' is actually a shell
+script consisting of a sequence of \pltotf commands. These commands
+perform the \pl to \tfm conversion for precisely those fonts that are
+actually needed (\fontinst usually generates \pl files also for a
+number of fonts at intermediate stages of transformation, and many of
+these need not be converted to \tfm files). The \texttt{TFMfileprefix}
+string can be used to add a directory path to the \tfm file names,
+perhaps saving the step of moving them to their proper location later.
+
+The file \texttt{whatever.tex} in the above example contains the
+commands (|\makemapentry| commands) that actually cause entries to be
+written to the output file. It also contains a number of |\storemapdata|
+commands---these describe how some given font was made. If some
+metric file you have used contains |\setrawglyph| commands that were
+not automatically generated by \fontinst, then there might
+not be a |\storemapdata| for the font they refer to in
+\texttt{whatever.tex}, so you will have to include such a command
+yourself somewhere. This can for example be done in the \meta{general
+settings} part of the above example file.
+
+Another class of things that will typically appear in the
+\meta{general settings} part above is commands that will inform the
+routines actually writing output about your \TeX\ system, about the set
+of fonts you are using on this run, or about something else that might
+be useful. Some such commands are of a general nature and affect what
+assumptions \fontinst will make in certain conditions when no
+specific information is available. For the moment there commands are:
+\begin{description}
+ \item[\cs{AssumeMetafont}] Assume all fonts with PL metrics are
+ bitmaps generated by Metafont, and therefore make no entries for
+ them.
+ \item[\cs{AssumeAMSBSYY}] Assume all fonts with PL metrics have their
+ \TeX\ names in all upper case as postscript names---just like the
+ Computer Modern fonts in the AMS\slash Blue~Sky\slash Y\&Y
+ distribution.
+ \item[\cs{AssumeBaKoMa}] Assume all fonts with PL metrics have their
+ \TeX\ names in all lower case as postscript names---just like the
+ Computer Modern fonts in the BaKoMa distribution.
+\end{description}
+Otherwise the default action of the routine for finding out the
+postscript name of a font simply is to observe that it hasn't got a clue
+about what the right value is when the metrics were taken from a PL
+file, and therefore it writes `\texttt{??????}' for the postscript name.
+\begin{description}
+ \item[\cs{AssumeLWFN}] Assume postscript fonts for which nothing
+ else has been specified are stored in files which are named
+ according to the \mbox{MacOS} scheme for
+ \texttt{LWFN}s.%\footnote{LaserWriter FoNt}
+\end{description}
+Otherwise the default action is to use the name of the AFM or PL from
+which the metrics were originally taken, and add the file suffix stored
+in the string \texttt{PSfontsuffix}. The default value of this string
+is \texttt{.pfa}, but it can be changed using |\resetstr|.
+
+If neither the default nor the LWFN scheme produce correct results
+then you may use the more specific |\specifypsfont| command, which
+describes exactly which file (or files, if any) a given font is stored
+in. The syntax of this command is
+\begin{quote}
+ |\specifypsfont|\marg{PS font name}\marg{actions}
+\end{quote}
+where the \meta{actions} is a sequence of ``action commands''.
+Currently the only such command is
+\begin{quote}
+ |\download|\marg{file}
+\end{quote}
+which instructs the map file writer to include in any entry using
+that PS font and ``instruction'' that the specified file should be
+downloaded. Some examples are
+\begin{verbatim}
+ \specifypsfont{Times-Roman}{}
+ \specifypsfont{Shareware-Cyrillic-Regular}{\download{fcyr.gsf}}
+ \specifypsfont{zmnl8ac6}{%
+ \download{MinionMM.pfb}\download{zmnl8ac6.pro}%
+ }
+\end{verbatim}
+Many \dvi drivers (for example \dvips) have more than one style of
+font downloading (e.g., partial and full downloading). This interface
+could be extended to control also such finer details (for example by
+adding a |\fulldownload| command to force full download of a font),
+but requests for this has so far been scarce.
+
+Finally, there is the |\declarepsencoding| command which is used to
+link ETX files to postscript encodings. If no postscript encoding has
+been linked to a given ETX file then \fontinst will
+automatically create a postscript encoding (\texttt{.enc}) file for
+that encoding, and use this file for all reencoding commands.
+The \texttt{8r} encoding is predeclared, and it doesn't
+matter if an encoding is undeclared if you never use it to reencode
+fonts, but there is potentially a problem with not having declared
+encodings you have installed and use for reencoding, as you may then
+find yourself having two files with identical names that define
+encodings that do not have the same name (as far as postscript is
+concerned).
+
+
+
+\subsection{Tuning accent positions---an application of loops}
+
+The accent placements made by \texttt{latin.mtx} certainly aren't
+perfect for all fonts, and the only way to find out where they should
+be put is through trying in text the accented letters you get for a
+couple of values for the position parameter and deciding which one
+works best. Since to try one parameter value you need to (i) edit it
+into an MTX file, (ii) run \fontinst, (iii) run
+\vptovf, (iv) run \TeX\ on some test text, and (v) print that
+text, trying one parameter value can take annoyingly much time.
+Repeating the same procedure ten times to test ten values is not
+something one does without being bored (unless one scripts it, of
+course), but it is possible to try ten parameter values in a single
+virtual font, and without doing very much typing.
+
+Say you're not too happy with how \texttt{latin.mtx} positions the
+accent in the \texttt{ohungarumlaut} glyph:
+\begin{quote}
+ |\setglyph{ohungarumlaut}|\\
+ | \topaccent{o}{hungarumlaut}{500}|\\
+ |\endsetglyph|
+\end{quote}
+The |500| is the horizontal position (in thousandths of the width of
+the \texttt{o}) that the centre of \texttt{hungarumlaut} in the glyph
+constructed will have, so that is the position parameter value that
+you want to change. Create an MTX file containing the code
+\begin{quote}
+ |\for(pos){250}{750}{50}|\\
+ | \setglyph{ohungarumlaut\strint{pos}}|\\
+ | \topaccent{o}{hungarumlaut}{\int{pos}}|\\
+ | \endsetglyph|\\
+ | \setleftrightkerning{ohungarumlaut\strint{pos}}|\\
+ | {ohungarumlaut}{1000}|\\
+ |\endfor(pos)|
+\end{quote}
+This will set eleven glyphs \texttt{ohungarumlaut250},
+\texttt{ohungarumlaut300}, \texttt{ohungarumlaut350}, \textellipsis\,,
+\texttt{ohungarumlaut750}, each being an Hungarianly umlauted `o'
+(i.e., an `\H{o}') but all having that umlaut in slightly different
+positions. In order to put them in a font, you also need to make an
+encoding that contains them. Therefore create an ETX file which
+contains the code
+\begin{quote}
+ |\relax\encoding|\\
+ |\nextslot{"C0}|\\
+ |\for(pos){250}{750}{50}|\\
+ | \setslot{ohungarumlaut\strint{pos}}|\\
+ | \endsetslot|\\
+ |\endfor(pos)|\\
+ |\endencoding|
+\end{quote}
+The command for installing this experiment font would be something like
+\begin{quote}
+ |\installfont|\marg{some name}|{|\meta{the normal list of metrics}%
+ |,|\penalty0\meta{the new MTX}|}|\penalty0
+ |{ot1,|\meta{the new ETX}|}|\penalty0|{OT1}|\textellipsis
+\end{quote}
+The reason for including \texttt{ot1} in the third argument above is
+that you'll need letters other than `\H{o}' against which you can
+compare the experimental glyphs. It would not have been possible to
+use \texttt{t1} instead of \texttt{ot1} (even though that has more
+Hungarian letters) since that would set all slots in the font and
+leave none for these experimental \texttt{ohungarumlaut}s.
+
+It is even possible to use a loop for making the test text. The
+\LaTeX\ macros
+\begin{verbatim}
+\newcount\slotcount
+\newcommand\testtext[3]{%
+ \slotcount=#1\relax
+ \begin{description}%
+ \loop\item[\the\slotcount]#3%
+ \ifnum #2>>\slotcount \advance \slotcount 1 \repeat
+ \end{description}%
+}
+\DeclareTextCompositeCommand{\H}{OT1}{o}{\char\slotcount}
+\end{verbatim}
+will let you write
+\begin{quote}
+ |\testtext|\marg{first}\marg{last}\marg{text}
+\end{quote}
+to get the text \meta{text} typeset once for each slot from
+\meta{first} to \meta{last} inclusive, with |\H{o}| ranging through the
+glyphs in this interval. Thus in this case
+|\testtext|\penalty\hyphenpenalty|{"C0}|\penalty\hyphenpenalty|{"CA}|%
+\penalty\hyphenpenalty|{Erd\H{o}s}| would be a trivial test.
+
+
+\subsection{Font installation commands}
+\label{Ssec:FontInstCmds}
+
+The |\installfont|, |\installrawfont|, and |\installfontas| commands
+have the respective syntaxes
+\begin{isyntax}
+ |\installfont|\marg{font-name}\marg{metrics}\marg{etx-list}\penalty0
+ \marg{encoding}\marg{family}\marg{series}\marg{shape}\marg{size}\\
+ |\installrawfont|\marg{font-name}\marg{metrics}\marg{etx-list}%
+ \penalty0
+ \marg{encoding}\marg{family}\marg{series}\marg{shape}\marg{size}\\
+ |\installfontas|\marg{font-name}\penalty0\marg{encoding}%
+ \marg{family}\marg{series}\marg{shape}\marg{size}
+\end{isyntax}
+The \meta{font-name} argument and the last five arguments are common
+to all these commands. The first argument is the name of a \TeX\ font
+to install. The last five arguments are the NFSS attributes under which
+that font will be declared to \LaTeX---encoding, family, series, shape,
+and size. It is worth observing that encoding names are usually in
+upper case, whereas the family, series, and shape are usually in lower
+case. The size argument is either a shorthand (declared using
+|\declaresize|) for a particular font
+size (or range of font sizes), or an explicit list of font sizes or
+ranges of sizes, which is copied directly to the font declaration.
+The most common case is to let the size argument be empty, as that is
+declared as a shorthand for ``any size''.
+
+The |\installfontas| command does not itself create the font, it just
+makes a note that the specified font declaration should be written to
+the proper FD file at |\end|\-|install|\-|fonts|. The
+|\install|\-|font| and |\install|\-|raw|\-|font| commands do however
+produce the font, in the sense that they write a VPL and PL
+respectively file for the font. It depends solely on the \meta{metrics}
+and \meta{etx-list} arguments what this font will contain. Many
+features of these arguments are new with \fontinst v\,1.9;
+therefore the complete syntaxes are described below.
+
+Both arguments are comma-separated lists of basically file names (not
+including an extension). The files listed in the \meta{metrics} are
+font metric files which together build up a \emph{glyph base}
+(definitions of glyphs and metrics related to one or several glyphs),
+whereas the files listed in the \meta{etx-list} are encoding definition
+files that select a subset of the glyph base for turning into a
+\TeX\ font. The font metrics can be in either of the four formats
+MTX, PL, AFM, and VPL, which are considered in that order. If the
+metrics are not originally in MTX format then they will be converted
+to this format (a new file will be created) before they are used.
+The encoding definitions must be in ETX format. The files actually
+read will have a suffix \texttt{.mtx}, \texttt{.pl}, \texttt{.afm},
+\texttt{.vpl}, or \texttt{.etx} appended to the name given, depending
+on which format is expected.
+
+Within each element of the comma-separated list, the actual file name
+is followed by zero or more \emph{modifier clause}s. A \meta{modifier
+clause} consists of a \emph{keyword} followed by some number (usually
+one) of \emph{arguments}, separated by spaces. The whole thing looks
+a lot like the \meta{rule specifications} of e.g.\ the |\vrule|
+command, but here the spaces are mandatory. The currently defined
+\meta{modifier clause}s are
+\begin{description}
+ \item[\mdseries\textvisiblespace\texttt{option}\textvisiblespace
+ \meta{string}]
+ Available for metric and encoding files. This adds \meta{string}
+ to the list of options for this file, which may affect what code
+ the file executes. The file can then test, using the |\ifoption|
+ command, whether a specific string is one of the options it was
+ given.
+ \item[\mdseries\textvisiblespace\texttt{scaled}\textvisiblespace
+ \meta{factor}]
+ Available for metric files. Causes the \texttt{rawscale} integer
+ variable to be set to the \meta{factor} (an integer expression)
+ while the file is being read. This scales glyphs and kerns that
+ are added to the glyph base by the \meta{factor}.
+ \item[\mdseries\textvisiblespace\texttt{suffix}\textvisiblespace
+ \meta{suffix}]
+ Available for metric files. Causes \meta{suffix} to be appended
+ to every glyph name appearing in a glyph or kern that file adds
+ to the glyph base. Thus ``\texttt{suffix /2}'' effectively
+ changes a
+ \begin{quote}
+ |\setrawglyph{a}|\dots
+ \end{quote}
+ to a
+ \begin{quote}
+ |\setrawglyph{a/2}|\dots
+ \end{quote}
+ \item[\mdseries\textvisiblespace\texttt{encoding}\textvisiblespace
+ \meta{etx-name}]
+ Available for metric files, and forces \fontinst to
+ only consider the PL and VPL formats for this font.
+ As these file formats do not contain glyph names, an ETX file
+ is used to assign glyph names to the slots in the font.
+ This ETX file is usually selected according to the
+ \texttt{CODINGSCHEME} property of the PL or VPL (using the
+ correspondences set up via the |\declare|\-|encoding| command),
+ but that information is not always as one would want it (there
+ are even fonts for which it is quite wrong). An \texttt{encoding}
+ clause bypasses this automatic mechanism, so that the file
+ \meta{etx-name}\texttt{.etx} is used instead.
+
+% % The following is no longer true as of v1.926:
+% \textbf{Note:} The first time that a file in PL or VPL format is
+% used in a \meta{metrics} argument, a corresponding MTX file is
+% generated. This means that if the same file reference is used
+% another time then the reference will be to the MTX file, not to
+% the original PL or VPL, and thus \texttt{encoding} clauses on
+% subsequent uses will have no effect. Each font only has one
+% encoding, so it usually makes no sense to switch the ETX file
+% used to interpret a font, but since MTX files are not
+% automatically deleted between runs there is a risk that this
+% takes away the intended effect of an \texttt{encoding} clause.
+
+ \item[\mdseries\textvisiblespace\texttt{mtxasetx}]
+ This is available for files in the \meta{etx-list}. The actual
+ function of a
+ \begin{quote}
+ \meta{file-name} \texttt{mtxasetx}
+ \end{quote}
+ item in the \meta{etx-list} is that the file
+ \meta{file-name}\texttt{.mtx} is inputted (\emph{not}
+ \meta{file-name}\texttt{.etx}) and that the correspondence
+ between glyph names and slot numbers set up in
+ |\set|\-|raw|\-|glyph| or |\set|\-|scaled|\-|raw|\-|glyph|
+ commands in this file is treated as if it had been set up by
+ |\setslot| commands in an ETX file. Provided the MTX file is
+ transformable, the glyph base will be unaffected.
+
+ The purpose of this feature is to simplify quick and dirty
+ installations of odd fonts for which no suitable ETX file is
+ available. This can be useful in early stages of the design of
+ a new font, but is inferior to installation using proper ETX
+ files since one for example cannot specify any ligatures in
+ MTX files.
+\end{description}
+Furthermore there is a special exception for the \meta{metrics}: if
+the first token in one of the list items is the control sequence
+|\metrics|, then the rest of that item is interpreted as explicit
+metric commands to execute.
+
+If the \meta{metrics} of two subsequent |\install|\-|font|
+or |\install|\-|raw|\-|font| commands are identical then the glyph
+bases will be identical as well. This creates an opportunity for
+optimization, which \fontinst makes use of by caching glyph
+bases from one installation command to the next so that the glyph
+base does not have to be rebuilt in these cases. A side-effect of
+this caching is that local assignments made between two font
+installation commands are cleared out with the glyph base, but
+|\setint| and similar \fontinst commands make global
+assignments when used in such positions.
+
+Some examples might be in order. The first is an adaptation of an
+installation command from \texttt{mfnt-0.59} %~\cite{mfnt}
+by Matthias Clasen and Ulrik Vieth: the installation command for the
+8-bit math font \texttt{xma1000} (which can be thought of as being
+to \texttt{cmmi10} sort of as \texttt{ecrm1000} is to \texttt{cmr10}).
+The first three \texttt{encoding} clauses are more fine-tuning---without
+them, a few glyphs would get incorrect names---but the last two are
+quite essential, as the \texttt{msam10} and \texttt{msbm10} fonts
+incorrectly claim to have the coding scheme \texttt{TEX MATH
+SYMBOLS}.
+\begin{verbatim}
+ \installfont{xma1000}{%
+ yma1000 encoding mcin,%
+ cmr10 encoding ot1upright,%
+ cmmi10,%
+ cmsy10 encoding omscal,%
+ msam10 encoding msam,%
+ msbm10 encoding msbm,%
+ mccmhax,mccmkern,mcmissing,%
+ cmsy10-base,cmsy10-extra%
+ }{mc}{MC}{cm}{m}{n}{<<10->>}
+\end{verbatim}
+Also note the explicit \LaTeX\ size specification for the range
+``10\,pt and up''.
+
+The second example makes use of a \texttt{suffix} clause to combine
+the letters from one font with the digits from another.
+\begin{verbatim}
+ \installfont{msbrj8t}{msbr8r,msbrc8r suffix /2,latin}{digit2,t1}
+ {T1}{msbj}{m}{n}{}
+\end{verbatim}
+In this case, the glyph base contains the glyphs of Monotype Sabon
+(SabonMT)---under names such as \texttt{A} for `A', \texttt{a} for
+`a', and \texttt{one} for a lining digit one---as well as the
+glyphs of Monotype Sabon Small Caps and Oldstyle Figures
+(SabonMT-SCOSF)---under names such as \texttt{A/2} for `A',
+\texttt{a/2} for `\textsc{a}', and \texttt{one/2} for a hanging
+digit one. The \texttt{digit2.etx} file simply makes the definition
+\begin{verbatim}
+ \setcommand\digit#1{#1/2}
+\end{verbatim}
+which causes \texttt{t1.etx} to put \texttt{zero/2} in slot 48 (digit
+zero), \texttt{one/2} in slot 49 etc., instead of as it normally
+would \texttt{zero} in slot 48, \texttt{one} in slot 49 and so on.
+The net effect is that the digits in the generated \texttt{msbrj8t}
+is from \texttt{msbrc8r} (SabonMT-SCOSF) but everything else is from
+\texttt{msbr8r} (SabonMT).
+
+The third example makes use of an \texttt{mtxasetx} clause to install
+(with its default encoding) a font for which creating an appropriate
+ETX file seems not worth the trouble.
+\begin{verbatim}
+ \installrawfont{psyr}{psyr,\metrics
+ \setint{xheight}{\height{alpha}}
+ }{txtfdmns,psyr mtxasetx}{U}{psy}{m}{n}{}
+\end{verbatim}
+The effect of the second \texttt{psyr} is that \texttt{psyr.mtx} is
+read (in case there was no \texttt{psyr.mtx} then it is created from
+(hopefully) \texttt{psyr.afm}) and the information in it will form
+the glyph base. Because of the |\metrics| control sequence, the rest
+of that item will be interpreted as explicit metric commands
+modifying the glyph base, and thus the |\setint| command can provide
+a value for the \texttt{xheight} variable (there doesn't seem to be
+such a value in the AFM). Once the glyph base is completed, the
+|\install|\-|raw|\-|font| starts writing the file \texttt{psyr.pl}
+(that's for the first \texttt{psyr}). The encoding of that font will,
+because of the \texttt{psyr mtxasetx}, be the same as that used in
+\texttt{psyr.mtx}. Finally, the \texttt{txtfdmns} is for
+\texttt{txtfdmns.etx}, an ETX file which sets fontdimens 1--16 as for
+a \texttt{T1} encoded font but does not set any slots. Since
+\texttt{psyr.mtx} reinterpreted as an ETX file sets slots but no
+fontdimens, these complement each other nicely.
+
+
+
+\subsection{Bounding boxes}
+
+Han The Thanh has created an implementation of bounding box support
+for \fontinst, and it is a modified form of that support
+is distributed with \fontinst as the file \texttt{bbox.sty}. To load
+this, begin your command file with
+\begin{verbatim}
+ \input fontinst.sty
+ \input bbox.sty
+\end{verbatim}
+The reason for not making it default is that keeping track of bounding
+boxes increases some of \fontinst's memory requirements quite a lot.
+
+One important
+characteristic of this implementation is that the dimensions of the
+bounding box are not bundled into the same data structure (the
+|\g-|\meta{glyph} macros) as the glyph's width, height, depth, and
+italic correction are, but stored in a separate data structure (the
+|\gb-|\meta{glyph} macros). A glyph doesn't need to have its bounding
+box set, it is simply a piece of information that \fontinst
+will store if you tell it to and which you can later retrieve.
+
+The bounding box will be stored as coordinates of the sides in the
+normal AFM coordinate system. The commands for retrieving these
+coordinates are
+\begin{center}
+ \begin{tabular}{ll}
+ \textbf{Command}& \textbf{Side}\\
+ |\bbtop|\marg{glyph}& top ($y$-coordinate)\\
+ |\bbbottom|\marg{glyph}& bottom ($y$-coordinate)\\
+ |\bbleft|\marg{glyph}& left ($x$-coordinate)\\
+ |\bbright|\marg{glyph}& right ($x$-coordinate)
+ \end{tabular}
+\end{center}
+In Thanh's implementation the command names were |\ury|, |\lly|,
+|\llx|, and |\urx| respectively instead, but I think the former are
+easier to remember. If no bounding box has been set for a glyph then
+the above commands will instead report the corresponding coordinate of
+the glyph's \TeX\ box (i.e.\ |\height|\marg{glyph},
+|\neg{\depth|\marg{glyph}|}|, |0|, and |\width|\marg{glyph}
+respectively).
+
+The command for setting the bounding box of a glyph is
+\begin{quote}
+ |\setglyphbb|\marg{glyph}\marg{left}\marg{bottom}\marg{right}%
+ \marg{top}
+\end{quote}
+
+
+
+\section{Miscellaneous notes}
+
+\subsection{On verbatim, typewriter, and monowidth fonts}
+
+The verbatim, typewriter, and monowidth concepts are common sources
+of confusion for those who use \fontinst to install fonts
+with \LaTeX; in particular
+there are many misconceptions about the relation between them. The
+official view (of which not much has actually been brought forward)
+is that these concepts are really about three quite different things.
+
+A font is a \emph{monowidth} (monospaced, fixed-pitch) font if all
+glyphs in it have exactly the same width. Some font formats make
+special provisions for such fonts; the most notable example is the
+AFM format, where a single \texttt{CharWidth} keyword specifies the
+width for all glyphs in the font. \Fontinst responds to this
+by including the command
+\begin{quote}
+ |\setint{monowidth}{1}|
+\end{quote}
+in the MTX file generated from an AFM, but that is everything that is
+hard-wired into the program. That a font is monowidth is however
+something that one should take note of when installing it for \TeX,
+as it means many of the glyphs in it have such a strange appearance
+that they are (pretty much) useless. The \texttt{endash} is for
+example usually only half as long as the \texttt{hyphen} and the
+letters in ligature glyphs are only half as wide as normal letters.
+Many of the ETX and MTX files that come with \fontinst
+contain special commands to avoid making use of such degenerate
+glyphs.
+
+That a font is a \emph{typewriter} font really only means that it has
+a typewriterish look about it. The two most familiar typewriter fonts
+are probably Computer Modern Typewriter (\texttt{cmtt}) and Courier.
+Both of these fonts are monowidth, but there is no absolute rule about
+this. One of the standard \TeX\ fonts is for example Computer Modern
+Variable-width Typewriter (\texttt{cmvtt}), which is not a monowidth
+font, as Figure~\ref{Fig:TTvsVTT} shows.
+\begin{figure}
+ \begin{tabular}{ll}
+ \texttt{cmtt}:& \fontfamily{cmtt}\selectfont
+ The quick brown fox jumps over the lazy dog.\\
+ \texttt{cmvtt}:& \fontfamily{cmvtt}\selectfont
+ The quick brown fox jumps over the lazy dog.
+ \end{tabular}
+ \caption{Two typewriter fonts}
+ \label{Fig:TTvsVTT}
+\end{figure}
+
+The verbatim concept has very little to do with fonts at all; in
+\LaTeX\ it is considered to be a property of the environment
+(\texttt{verbatim}, \texttt{macrocode}, etc.) rather than a property
+of the font. The connection there is with fonts is that the encoding
+of the font must contain visible ASCII (as defined in Appendix~C
+of \emph{The \TeX book}%~\cite{TeXbook}
+) as a subset for the text to
+be rendered correctly. The \texttt{cmtt} family is the only one amongst
+the original Computer Modern fonts which meets this criterion and
+that is the primary grounds for the idea that these three concepts
+should be connected. Today that reason is at best a very weak one, as
+all \texttt{T1}-encoded fonts also meet the criterion of containing
+visible ASCII as a subset.
+
+A circumstance which has probably added to the confusion is that
+\texttt{OT1} is usually claimed to be an encoding. In reality the
+Computer Modern fonts that are declared in \LaTeX\ as being
+\texttt{OT1} display as many as five different encodings, as shown in
+Table~\ref{Tab:OT1-fonts}.
+\begin{table}
+ \begin{tabular}{lccc}
+ & \texttt{TEX TEXT}&
+ \begin{tabular}[b]{c}\texttt{TEX TEXT WITHOUT}\\
+ \texttt{F-LIGATURES}\end{tabular}&
+ \texttt{TEX TYPEWRITER TEXT}\\
+ \noalign{\medskip}
+ non-italic&
+ \begin{tabular}{l}
+ \texttt{cmb10}\\
+ \texttt{cmbx5}--\texttt{12}\\
+ \texttt{cmbxsl10}\\
+ \texttt{cmdunh10}\\
+ \texttt{cmff10}\\
+ \texttt{cmfib8}\\
+ \texttt{cmr6}--\texttt{17}\\
+ \texttt{cmsl8}--\texttt{12}\\
+ \texttt{cmss8}--\texttt{17}\\
+ \texttt{cmssbx10}\\
+ \texttt{cmssdc10}\\
+ \texttt{cmssi8}--\texttt{17}\\
+ \texttt{cmssq8}\\
+ \texttt{cmssqi8}\\
+ \texttt{cmvtt10}
+ \end{tabular}&
+ \begin{tabular}{l}
+ \texttt{cmcsc8}--\texttt{10}\\
+ \texttt{cmr5}
+ \end{tabular}&
+ \begin{tabular}{l}
+ \texttt{cmsltt10}\\
+ \texttt{cmtcsc10}\\
+ \texttt{cmtt8}--\texttt{12}
+ \end{tabular}\\
+ \noalign{\medskip}
+ italic&
+ \begin{tabular}{l}
+ \texttt{cmbxti10}\\
+ \texttt{cmfi10}\\
+ \texttt{cmti7}--\texttt{12}\\
+ \texttt{cmu10}
+ \end{tabular}&&
+ \begin{tabular}{l}
+ \texttt{cmitt10}
+ \end{tabular}
+ \end{tabular}
+ \caption{``\texttt{OT1}-encoded'' Computer Modern fonts, collected
+ according to the actual font encoding}
+ \label{Tab:OT1-fonts}
+\end{table}
+Since most monowidth fonts are only used for setting verbatim text,
+there is some code in \texttt{ot1.etx} which automatically chooses a
+\texttt{TEX TYPEWRITER TEXT} encoding for the font when the
+\texttt{monowidth} integer is set. The only reason for this is the
+guess that this is what the user wanted.
+
+
+
+\section*{Acknowledgements}
+
+I'd like to thank all of the \fontinst $\alpha$-testers, especially
+Karl Berry, Damian Cugley, Steve Grahthwohl, Yannis Haralambous, Alan
+Hoenig, Rob Hutchings, Constantin Kahn, Peter Busk Laursen, Ciar{\'a}n {\'O}
+Duibh{\'\i}n, Hilmar Schlegel, Paul Thompson, Norman Walsh and John Wells,
+who made excellent bug-catchers!
+
+Thanks to Barry Smith, Frank Mittelbach, and especially Sebastian
+Rahtz for many useful email discussions on how virtual fonts should
+interact with \LaTeXe.
+
+Thanks to Karl Berry and Damain Cugley for detailed comments on this
+documentation.
+
+Thanks to David Carlisle for the use of his \texttt{trig} macros for
+calculating trigonometry.
+
+
+% \section*{Warranty and distribution}
+%
+% There is no warranty for the \fontinst package, to the extent
+% permitted by applicable law. Except when otherwise stated in writing,
+% the author provides the program `as is' without warranty of any kind,
+% either expressed or implied, including, but not limited to, the
+% implied warranties of merchantability and fitness for a particular
+% purpose. The entire risk as to the quality and performance of the
+% program is with you. Should the package prove defective, you assume
+% the cost of all necessary servicing, repair or correction.
+%
+% In no event unless required by applicable law or agreed to in writing
+% will the author be liable to you for damages, including any general,
+% special, incidental or consequential damages arising out of the use or
+% inability to use the program (including but not limited to loss of
+% data or data being rendered inaccurate or losses sustained by you or
+% third parties or a failure of the program to operate with any other
+% programs), even if such holder or other party has been advised of the
+% possibility of such damages.
+%
+% Redistribution of unchanged files is allowed provided that all files
+% listed in the \texttt{MANIFEST} file are distributed.
+%
+% If you receive only some of these files from someone, or if you
+% receieve altered files, then complain!
+
+\end{document}
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+%%% ====================================================================
+%%% @LaTeX-file{
+%%% author = "Alan Jeffrey and Rowland McDonnell and
+%%% Ulrik Vieth and Lars Hellstr{\"o}m",
+%%% version = "1.927",
+%%% date = "28 July 2004",
+%%% time = "23:20:27 CEST",
+%%% filename = "intro98.tex",
+%%% email = "fontinst@tug.org",
+%%% checksum = "",
+%%% codetable = "ISO/ASCII",
+%%% keywords = "fontinst, TeX, PostScript, documentation",
+%%% supported = "yes",
+%%% abstract = "This is documentation for the fontinst
+%%% font installation package.",
+%%% package = "fontinst",
+%%% dependencies = "ltxguide.cls, url.sty, xspace.sty"
+%%% }
+%%% ====================================================================
+
+% Copyright 1993, 1994, 1995, 1996 Alan Jeffrey
+
+% Modified by Rowland McDonnell June 1998
+% Modified and revised by Ulrik Vieth June 1998
+
+\documentclass[a4paper]{ltxguide}
+\usepackage[OT1]{fontenc}
+\usepackage{url,xspace}
+\usepackage{graphicx}
+%\renewcommand\rmdefault{ppl}
+%\renewcommand\rmdefault{padx}
+%\renewcommand\rmdefault{pmnx}
+
+
+% Title page and running heads.
+
+\makeatletter
+\newcommand{\subtitle}[1]{\renewcommand{\@subtitle}{#1}}
+\newcommand{\version}[1]{\renewcommand{\@version}{#1}}
+\newcommand{\illustration}[1]{\renewcommand{\@illustration}{#1}}
+
+\newcommand{\@subtitle}{}
+\newcommand{\@version}{???}
+\newcommand{\@illustration}{cover.eps}
+
+\pagestyle{myheadings}
+\AtBeginDocument{\markright{\small\itshape
+ \@author\hfill\@title: \@subtitle\quad}}
+
+
+\renewcommand{\maketitle}{{%
+ \thispagestyle{empty}%
+ \normalfont\centering
+ \null
+ {\fontsize{100}{100}\textit{\@title}}%
+ \par\bigskip
+ {\Large\textbf{\@subtitle}}%
+ \vfill
+ \includegraphics[width=\textwidth]{\@illustration}%
+ \vfill
+ {\Large\textbf{%
+ \@author\\[\smallskipamount] \@title~v\@version
+ \quad\textperiodcentered\quad \@date}}%
+ \clearpage
+}}
+\makeatother
+
+
+% Set lists tighter (assuming non-zero \parskip).
+
+\makeatletter
+\renewcommand{\@listI}{%
+ \leftmargin\leftmargini
+ \parsep\medskipamount
+ \itemsep\z@ % + parsep
+ \topsep\z@ % + parskip
+ \partopsep\z@
+}
+\makeatother
+
+% Set spacing around captions.
+
+\setlength{\abovecaptionskip}{\medskipamount}
+\setlength{\belowcaptionskip}{\medskipamount}
+
+% Markup for logos, file types, programs, etc.
+
+\newcommand*{\cs}[1]{\texttt{\char`\\ #1}\xspace}
+
+\newcommand*{\OzTeX}{O\kern-.03em z\kern-.15em\TeX}
+\newcommand*{\OzMF}{O\kern-.03em zMF}
+\newcommand*{\OzTools}{O\kern-.03em z\kern-.15em Tools}
+
+\newcommand{\PS}{Post\-Script\xspace}
+\newcommand{\TT}{True\-Type\xspace}
+
+\newcommand*{\setfilename}[1]{\texttt{#1}}
+\newcommand*{\setdotfilename}[1]{\setfilename{.#1}}
+\newcommand*{\setpackagename}[1]{\textsc{#1}}
+
+\newcommand{\dvips} {\setpackagename{dvips}\xspace}
+\newcommand{\Dvips} {\setpackagename{Dvips}\xspace}
+\newcommand{\fontinst}{\setpackagename{font\-inst}\xspace}
+\newcommand{\Fontinst}{\setpackagename{Font\-inst}\xspace}
+
+% \show\fontname
+\newcommand{\fontnamekb}{fontname\xspace}
+\newcommand{\Fontnamekb}{Fontname\xspace}
+
+\newcommand{\mf} {\setfilename{mf}\xspace}
+\newcommand{\Mf} {\setfilename{Mf}\xspace}
+\newcommand{\vf} {\setfilename{vf}\xspace}
+\newcommand{\Vf} {\setfilename{Vf}\xspace}
+\newcommand{\pl} {\setfilename{pl}\xspace}
+\newcommand{\Pl} {\setfilename{Pl}\xspace}
+\newcommand{\fd} {\setfilename{fd}\xspace}
+\newcommand{\Fd} {\setfilename{Fd}\xspace}
+\newcommand{\pk} {\setfilename{pk}\xspace}
+\newcommand{\Pk} {\setfilename{Pk}\xspace}
+\newcommand{\afm}{\setfilename{afm}\xspace}
+\newcommand{\Afm}{\setfilename{Afm}\xspace}
+\newcommand{\vpl}{\setfilename{vpl}\xspace}
+\newcommand{\Vpl}{\setfilename{Vpl}\xspace}
+\newcommand{\tfm}{\setfilename{tfm}\xspace}
+\newcommand{\Tfm}{\setfilename{Tfm}\xspace}
+\newcommand{\mtx}{\setfilename{mtx}\xspace}
+\newcommand{\Mtx}{\setfilename{Mtx}\xspace}
+\newcommand{\etx}{\setfilename{etx}\xspace}
+\newcommand{\Etx}{\setfilename{Etx}\xspace}
+\newcommand{\pfa}{\setfilename{pfa}\xspace}
+\newcommand{\Pfa}{\setfilename{Pfa}\xspace}
+\newcommand{\pfb}{\setfilename{pfb}\xspace}
+\newcommand{\Pfb}{\setfilename{Pfb}\xspace}
+\newcommand{\dvi}{\setfilename{dvi}\xspace}
+\newcommand{\Dvi}{\setfilename{Dvi}\xspace}
+\newcommand{\ttf}{\setfilename{ttf}\xspace}
+\newcommand{\Ttf}{\setfilename{Ttf}\xspace}
+
+\newcommand{\vftovp}{\setpackagename{vftovp}\xspace}
+\newcommand{\vptovf}{\setpackagename{vptovf}\xspace}
+\newcommand{\pltotf}{\setpackagename{pltotf}\xspace}
+\newcommand{\tftopl}{\setpackagename{tftopl}\xspace}
+
+
+% Stolen from Dr Knuth
+\makeatletter % borrow the private macros of PLAIN (with care)
+\def\oct#1{\hbox{\rm\'{}\kern-.2em\it#1\/\kern.05em}} % octal constant
+\def\hex#1{\hbox{\rm\H{}\tt#1}} % hexadecimal constant
+% macros for font tables
+\def\oddline#1{\cr
+ \noalign{\nointerlineskip}
+ \multispan{19}\hrulefill&
+ \setbox0=\hbox{\lower 2.3pt\hbox{\hex{#1x}}}\smash{\box0}\cr
+ \noalign{\nointerlineskip}}
+\def\evenline{\cr\noalign{\hrule}}
+\def\chartstrut{\lower4.5pt\vbox to14pt{}}
+\def\beginchart#1{$$\global\count@=0 #1
+ \halign to\hsize\bgroup
+ \chartstrut##\tabskip0pt plus10pt&
+ &\hfil##\hfil&\vrule##\cr
+ \lower6.5pt\null
+ &&&\oct0&&\oct1&&\oct2&&\oct3&&\oct4&&\oct5&&\oct6&&\oct7&\evenline}
+\def\endchart{\raise11.5pt\null&&&\hex 8&&\hex 9&&\hex A&&\hex B&
+ &\hex C&&\hex D&&\hex E&&\hex F&\cr\egroup$$}
+\def\*{\global\advance\count@ by1 }
+\def\:{\setbox0=\hbox{\char\count@}%
+ \ifdim\ht0>7.5pt\reposition
+ \else\ifdim\dp0>2.5pt\reposition\fi\fi
+ \box0\global\advance\count@ by1 }
+\def\reposition{\setbox0=\hbox{$\vcenter{\kern2pt\box0\kern2pt}$}}
+\def\smallchart{%
+%\global\advance\count@ by16
+ &\oct{00x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline0
+ &\oct{01x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{02x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline1
+ &\oct{03x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{04x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline2
+ &\oct{05x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{06x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline3
+ &\oct{07x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{10x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline4
+ &\oct{11x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{12x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline5
+ &\oct{13x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{14x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline6
+ &\oct{15x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{16x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline7
+ &\oct{17x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline}
+
+\def\bigchart{%
+%\global\advance\count@ by16
+ &\oct{00x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline0
+ &\oct{01x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{02x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline1
+ &\oct{03x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{04x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline2
+ &\oct{05x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{06x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline3
+ &\oct{07x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{10x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline4
+ &\oct{11x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{12x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline5
+ &\oct{13x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{14x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline6
+ &\oct{15x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{16x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline7
+ &\oct{17x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{20x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline8
+ &\oct{21x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{22x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline9
+ &\oct{23x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{24x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline{A}
+ &\oct{25x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{26x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline{B}
+ &\oct{27x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{30x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline{C}
+ &\oct{31x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{32x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline{D}
+ &\oct{33x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{34x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline{E}
+ &\oct{35x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{36x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline{F}
+ &\oct{37x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline}
+
+% \font\xrm = cmr10 at 10pt % change this line to test font
+% \beginchart\xrm \normalchart \endchart
+
+\newcommand{\smallfontchart}[1]{%
+ \font\xrm = #1 \beginchart\xrm \smallchart \endchart}
+\newcommand{\bigfontchart}[1]{%
+ \font\xrm = #1 \beginchart\xrm \bigchart \endchart}
+
+% \smallfontchart{cmr10 at 10pt}
+% \bigfontchart{ecrm1000 at 10pt}
+\makeatother
+% End stolen from Dr Knuth
+
+
+
+\title{fontinst}
+\subtitle{Font installation software for \TeX}
+\author{Alan Jeffrey and Rowland McDonnell}
+\illustration{roadmap.eps}
+\version{1.8}
+\date{30 June 1998}
+
+\begin{document}
+
+\maketitle
+
+
+\begin{small}
+ This is the tutorial part of the 1998 \fontinst manual, chiefly
+ written by Rowland McDonnell and conveying his then-view on related
+ subjects. Although most of it is still correct,
+ the passing of time has rendered it somewhat antiquated, and the
+ average current (2004) user new to \fontinst would probably find
+ Philipp Lehman's \emph{The Font Installation Guide}
+ (\url{http://www.ctan.org/tex-archive/info/Type1fonts/fontinstallationguide/})
+ more relevant.
+\end{small}
+
+\tableofcontents
+
+
+\clearpage
+
+\section{Introduction}
+
+The \fontinst package is a set of \TeX\ macros written to create
+virtual fonts for use with \TeX. Its main use is creating the
+files needed so you can use PostScript Type 1 fonts with \LaTeX.
+
+\Fontinst needs information about the fonts it works with. This
+information needs to be supplied in an Adobe Font Metric (\afm) or
+\TeX\ Property List (\pl) file. \pl files can be created from
+\tfm files using \tftopl, a program normally included with a \TeX\
+system.
+
+The job that \fontinst does is complicated, but it can be used for
+many tasks by people who are not \TeX\ font wizards. Having said
+that, you do need to understand at least the basics of \LaTeXe's
+font selection mechanism, which is documented in
+\texttt{fntguide.tex}, part of the standard \LaTeX\ distribution.
+\url{ftp://ftp.tex.ac.uk/tex-archive/macros/latex/base/fntguide.tex}
+will fetch a copy if you don't have one to hand.
+
+To get the most benefit out of \fontinst, it's important to
+understand and use Karl Berry's `\Fontnamekb' naming scheme. The
+definitive version of this is available from your nearest CTAN
+server. The following URL will fetch all the files needed
+compressed into a single ZIP archive:
+\url{ftp://ftp.tex.ac.uk/tex-archive/info/fontname.zip}. I
+suggest that you print out the \Fontnamekb documentation and have
+it handy when you're learning about \fontinst.
+
+The \fontinst package:
+\begin{itemize}
+\item Is written in \TeX, for maximum portability (at the cost of
+ speed).
+\item Supports the OT1 (Computer Modern) and T1 (Cork) encodings.
+\item Allows fonts to be generated with arbitrary `fake'
+ characters; for example the `ij' character can be faked if
+ necessary by putting an `i' next to a `j'.
+\item Allows caps and small caps fonts with letter spacing and
+ kerning.
+\item Allows kerning to be shared between characters, for example
+ `ij' can be kerned on the left as if it were an `i' and on the
+ right as if it were a `j'. This is useful, since many
+ PostScript fonts only include kerning information for characters
+ without diacriticals.
+\item Allows the generation of math fonts with \verb|nextlarger|,
+ \verb|varchar|, and arbitrary font dimensions.
+\item Allows more than one PostScript font to contribute to a
+ \TeX\ font, for example the `ffi' ligatures for a font can be
+ taken from the Expert encoding, if you have it.
+\item Can automatically generate a \fd file for use with \LaTeXe.
+\item Can be customized by the user to deal with arbitrary font
+ encodings.
+\end{itemize}
+Fontinst has been a stable piece of software since mid-1994. All
+further updates will be upwardly compatible with the interface
+described in this document.
+
+\subsection{What does \fontinst do?}
+
+\Fontinst is a tool written in \TeX\ that can create the various
+extra files needed so you can use \PS fonts with \LaTeX\ and \TeX.
+It can read in \afm files, and produces the necessary \vpl, \pl,
+and \fd files to use the fonts (the human-readable \vpl and \pl
+files produced by \fontinst are turned into the machine-readable
+\vf and \tfm forms by \vptovf and \pltotf). It does not help you
+configure your DVI driver.
+
+There also exists a \texttt{perl} front-end to \fontinst, intended
+specifically for use with a Unix \TeX\ system, which takes care of
+routine tasks such as running \vptovf and \pltotf on the generated
+files after \fontinst has finished it's job. It also generates a
+font map file for use with \dvips.
+
+\Fontinst's main job is creating \vf files (virtual fonts). Not
+all \TeX\ systems can use them. As far as I know, all current
+(1998) free and shareware \TeX\ systems can; virtual fonts have
+been in widespread use with \TeX\ since 1990. If you have a TeX
+system that can't use virtual fonts, \fontinst is most likely
+useless to you.
+
+There are some nice things about having a tool written in \TeX\ to
+do this: it's completely portable and you can modify its behaviour
+using \TeX\ commands. The only real problem is that it's
+relatively slow: you can expect a typical \fontinst run to take
+something like 10--20 minutes on, say, a 40~MHz 80486SX PC or a
+25~MHz 68LC040 Macintosh.
+
+\Fontinst can do its work on any font for which you have a
+corresponding \afm or \tfm metric file, so it's not limited to
+working with \PS fonts; I have used it to produce the files I
+needed to use \TT fonts with \LaTeX. Whether or not you can do
+this depends on whether or not you have suitable metric files and
+whether or not your \TeX\ system can use \TT fonts. In
+particular, the pdf\TeX\ program supports \TT fonts and includes a
+utility \texttt{ttf2afm} to generate \afm files from \ttf fonts.
+
+Some people have used \fontinst to produce `special effects' with
+normal \TeX\ fonts. One example is the \setpackagename{eco} set
+of fonts (available from CTAN:
+\url{ftp://ftp.tex.ac.uk/tex-archive/fonts/eco/}). These fonts
+are the same as the standard EC (European Modern) fonts, but with
+normal numerals replaced with old style numerals --
+\oldstylenums{12345} rather than 12345 -- everywhere except in
+maths mode.
+
+\subsection{Installation}
+
+To install \fontinst, put the contents of the \url{inputs/tex},
+\url{inputs/etx}, \url{inputs/mtx} and \url{examples} directories
+into a directory read by \TeX, for example
+\url{TEXMF/tex/generic/fontinst}.
+
+When you use \fontinst, you need to make sure that the \afm and
+\pl files it will work on are in a directory searched by \TeX.
+
+If you are using \texttt{web2c} \TeX\ on a Unix system with the
+\TeX\ directory structure (TDS), you might put all the \afm files
+in subdirectories of \url{TEXMF/fonts/afm/*}. And then say:
+\begin{verbatim}
+ setenv TEXINPUTS $TEXMF/fonts/afm//::
+\end{verbatim}%$
+Note that \pl files are not normally kept in \TeX\ installations, so
+if you want to use MF fonts with \fontinst you have to generate the
+corresponding \pl files from \tfm files and put them in your working
+directory before running \fontinst.
+
+You could adopt a similar strategy with other \TeX\ systems:
+create directories for the required files and then change the
+relevant parameter (\url{input_folders} in the default
+configuration file with \OzTeX, for example).
+
+The approach I use is this: I write a file containing commands for
+\fontinst to process, and put the \afm and \pl files needed in the
+same directory as that file. When \fontinst has finished working,
+I delete the \afm and \pl files because they are not needed and
+waste space on my hard disc drive. Some application programs on
+some computers need \afm files, so it's not always a good idea to
+remove them completely.
+
+\subsection{Why do we need \fontinst?}
+
+\TeX\ refers to characters by number when it's typesetting. When
+you use a command like \verb|\i|, \TeX\ puts a number (16 if
+you're using OT1, 25 if you're using T1) into the \dvi file. If
+you're using a font designed for use with \TeX, this number will
+correspond to the character `\i'. Assuming OT1 encoding for the
+moment, when you come to print out your \dvi file, the DVI driver
+will see the number 16 in the \dvi file, and select the character
+that sits in position 16 of the corresponding printer font file (a
+\pk file in the case of normal \TeX\ fonts). Unless something has
+gone wrong, that will result in the character `\i' being placed on
+the page.
+
+It's useful to think of these numbers and the actual characters
+corresponding to each number as sets called `encodings'. A
+particular set of characters are assigned particular numbers. An
+example of an encoding is shown in table~\ref{OT1table}.
+
+\TeX\ began life using 7-bit fonts. This means the original \TeX\
+fonts used the numbers 0--127 to represent characters:
+128~characters per font. \TeX\ can now use 8-bit fonts:
+256~numbers from 0--255, but even so, most typesetting with \TeX\
+still uses the original 7-bit encoding, now called `OT1' (Old
+\TeX~1 encoding). This has a correspondance between numbers and
+characters shown in table~\ref{OT1table}. The numbers used in
+that table are hexadecimal and octal because it makes for a neat
+table and anyway I stole the code to generate it from Donald Knuth
+and that's how he did it.
+
+\begin{table}[!t]
+\smallfontchart{cmr10 at 10pt}
+\caption{The OT1 font encoding}\label{OT1table}
+\end{table}
+
+Returning to the example above, if you've a number 16 in your \dvi
+file (expecting `\i', a dotless~i), but rather than printing
+with an OT1 encoded font, you print using a non re-encoded \PS
+font in Adobe standard encoding, you'll get a blank, because the
+Adobe standard encoding has nothing in that character position.
+
+There are several ways round this problem; I'll consider two cases
+here. If you are using \LaTeX\ you can tell it about a new
+encoding and re-define the commands that produce characters like
+`\i' that live in different positions in different encodings, or
+you can use a tool to re-encode the font so that it has the
+expected characters in the appropriate positions.
+
+Re-encoding is the approach \fontinst uses: it can produce files
+to map the characters in the new font to one of \TeX's existing
+encodings; this works with formats other than \LaTeX.
+
+The first approach is used to define the standard encodings that
+\LaTeX\ uses. See, for example, the file \texttt{ot1enc.def} that
+comes with the current \LaTeX\ distribution, which defines the a
+few commands that refer to characters which aren't in the
+positions \TeX\ would otherwise assume. This works only with
+modern versions of \LaTeX.
+
+The second approach is used to allow you to use fonts in other
+encodings with any dialect of \TeX. It has the some advantages
+over the first method: it works with any \TeX\ format; and it
+improves portability, because you can typeset a document using a
+standard \TeX\ encoding, sure that the same document will print
+correctly on a different kind of computer using a font with a
+different encoding. For example, you might say:
+\begin{verbatim}
+ \usepackage{times}
+\end{verbatim}
+in the preamble of your document. On my computer, that means my
+DVI driver will use a Macintosh encoded \TT version of Times. On
+your computer, it might mean the dvi driver will use a Unicode
+encoded \PS version of Times-Roman. The results will be identical
+in either case, without needing to modify the document.
+
+\subsection{How do you use \fontinst?}
+
+\Fontinst works on \afm files named (more-or-less) according to
+Karl Berry's font naming scheme (see
+\url{ftp://ftp.tex.ac.uk/tex-archive/info/fontname} at CTAN).
+Let's say you want to use the Adobe Times fonts. You can get the
+metric files for this font from CTAN:
+\begin{center}
+\begin{small}
+\begin{tabular}{ll}
+ \emph{Location of file at CTAN} & \emph{Rename to} \\
+ \url{fonts/psfonts/adobeafm/base35/tib_____.afm} &
+ \texttt{ptmb8a.afm} \\
+ \url{fonts/psfonts/adobeafm/base35/tibi____.afm} &
+ \texttt{ptmbi8a.afm} \\
+ \url{fonts/psfonts/adobeafm/base35/tii_____.afm} &
+ \texttt{ptmri8a.afm} \\
+ \url{fonts/psfonts/adobeafm/base35/tir_____.afm} &
+ \texttt{ptmr8a.afm}
+\end{tabular}
+\end{small}
+\end{center}
+The new name is the name you should give the \tfm files so that
+\fontinst understands what each file contains. The initial `|p|'
+means `Adobe'; `|tm|' means `Times'; `|b|' bold, `|r|' roman,
+`|i|' italic; and `|8a|' means `Adobe standard encoding'.
+
+The simplest use of \fontinst is to put the four \afm files in the
+same directory as \texttt{fontinst.sty} and run \TeX\ on
+\texttt{fontinst.sty}. At the \verb|*| prompt type:
+\begin{verbatim}
+ *\latinfamily{ptm}{} \bye
+\end{verbatim}
+
+Some time later (about 17 minutes on my rather old computer),
+\fontinst will have finished, having created:
+\begin{itemize}
+\item Two \pl files for each \afm file
+\item One \vpl file for each \TeX\ font
+\item One \fd file for each family
+\end{itemize}
+The \pl files come in pairs: for example, \texttt{ptmb8a.pl} and
+\texttt{ptmb8r.pl}. The |8a| version has the same encoding as the
+original font; the |8r| version is re-encoded to |TeXBase1| (|8r|)
+encoding, and is the font that is the base on which the T1 and OT1
+encoded versions are based on. The raw |8a| (Adobe standard)
+encoded font is not normally used.
+
+These can be converted to \TeX\ fonts using \pltotf or \vptovf.
+If you have \OzTeX, launch \OzMF, select \pltotf (or \vptovf) from
+the Tools menu, and say `Do all files'.
+
+If you use the \texttt{bash} shell on a Unix system, you can
+process all files using these one-liners at the \verb|$| prompt:
+\begin{verbatim}
+ $ for f in in *.pl; do pltotf $f; done
+ $ for f in in *.vpl; do vptovf $f; done
+\end{verbatim}%$
+(This assumes that \pltotf and \vptovf can deduce the file names
+of the corresponding \tfm and \vf files automatically.)
+
+You should then:
+\begin{itemize}
+\item Move the \tfm files to your \TeX\ fonts directory\\
+ (e.g.~\url{TEXMFLOCAL/fonts/tfm/*}).
+\item Move the \vf files to your virtual fonts directory\\
+ (e.g.~\url{TEXMFLOCAL/fonts/vf/*}).
+\item Move the \fd files to your \TeX\ inputs directory\\
+ (e.g.~\url{TEXMFLOCAL/tex/latex/psfonts/*}).
+\end{itemize}
+If your \TeX\ installation is organized using the \TeX\ directory
+structure (TDS), it is customary to subdivide the \tfm and \vf
+files into subdirectories by supplier and typeface name.
+
+The \pl, \vpl, and \mtx files are debris that can now be deleted.
+\mtx files are font metric files \fontinst creates for its own use
+from \afm and \pl files. They're just more convenient for \TeX\
+to read than other forms -- think of them as \fontinst readable
+\afm and \pl files.
+
+By now, you have all the files in place to produce a \dvi file
+using the new fonts. You can make Adobe Times the default roman
+font in your document by putting this in your preamble:
+\begin{verbatim}
+ \renewcommand{\rmdefault}{ptm}
+\end{verbatim}
+
+\TeX\ will now happily produce a perfectly good \dvi file
+including the new font, which your DVI driver will choke on
+because you've not yet told it about the new fonts. Exactly how
+you do this depends on the dvi driver, but they all need the same
+information: the name of a \TeX\ font; the printer font name it
+corresponds to; some information to handle an re-encoding needed;
+and (in the case of a \PS driver) perhaps an instruction to
+download the font to the printer. You don't need to download the
+Times font to a \PS printer, because Times is built in to every
+\PS printer.
+
+If you use \dvips, these lines added to your \texttt{psfonts.map}
+file will do the job:
+\begin{verbatim}
+ ptmr8r Times-Roman "TeXBase1Encoding ReEncodeFont" <<8r.enc
+ ptmri8r Times-Italic "TeXBase1Encoding ReEncodeFont" <<8r.enc
+ ptmb8r Times-Bold "TeXBase1Encoding ReEncodeFont" <<8r.enc
+ ptmbi8r Times-BoldItalic "TeXBase1Encoding ReEncodeFont" <<8r.enc
+ ptmro8r Times-Roman "0.167 SlantFont TeXBase1Encoding ReEncodeFont" <<8r.enc
+ ptmbo8r Times-Bold "0.167 SlantFont TeXBase1Encoding ReEncodeFont" <<8r.enc
+\end{verbatim}
+And now you can print a \dvi file containing the new fonts. If
+you really do want to use the `raw' |8a| encoded fonts for some
+reason, you need to add these lines to your \texttt{psfonts.map}
+file:
+\begin{verbatim}
+ ptmr8a Times-Roman
+ ptmri8a Times-Italic
+ ptmb8a Times-Bold
+ ptmbi8a Times-BoldItalic
+ ptmro8a Times-Roman "0.167 SlantFont"
+ ptmbo8a Times-Bold "0.167 SlantFont"
+\end{verbatim}
+
+Assuming that you're using the \fd file that \fontinst has
+produced, and that you've asked for the Adobe Times family (|ptm|)
+in medium series (|m|) and upright shape (|n| for normal) using
+the NFSS font selection commands:
+\begin{verbatim}
+ \renewcommand{\rmdefault}{ptm}
+ \rmfamily \mdseries \upshape
+\end{verbatim}
+Assuming further that you are using the \fd file \texttt{t1ptm.fd}
+produced by \fontinst, the \TeX\ font (\tfm file) \texttt{ptmr8t.tfm}
+will be selected by the above commands, as you can see from the
+relevant line in \texttt{t1ptm.fd}:
+\begin{verbatim}
+ \DeclareFontShape{T1}{ptm}{m}{n}{<<->> ptmr8t}{}
+\end{verbatim}
+
+This is what happens:
+\begin{itemize}
+\item \TeX\ typesets your document using the font metric file
+ \texttt{ptmr8t.tfm}; this is the font that is put in the \dvi
+ file.
+\item \Dvips looks at the \dvi file, and sees a reference to the
+ font \texttt{ptmr8t}.
+\item \Dvips searches for a \vf file corresponding to
+ \texttt{ptmr8t}; when it finds \texttt{ptmr8t.vf}, it knows it
+ has a virtual font on its hands.
+ %\footnote{This is a slight lie--why?}
+\item \Dvips follows the instructions in the \vf file, which map
+ characters in \texttt{ptmr8t.tfm} to characters in the font
+ \texttt{ptmr8r.tfm}. That is, when it sees a number~25 in the
+ \dvi file (dotless~i -- `\i' -- in T1 encoding), it replaces it
+ with a number~17, which is a dotless~i in |8r| encoding.
+\item Then \dvips looks up the name of each number according to
+ the scheme given in the file \texttt{8r.enc}, and replaces each
+ number with the name of the character, in this case, number~17
+ is listed as `dotlessi'.
+\item And finally, \dvips tells the printer to print the named
+ character.
+\end{itemize}
+
+Not all DVI drivers can manage re-encoding as well as \dvips can.
+For example, \OzTeX's built-in non-\PS \dvi driver can only work
+with numbers, so if I'm using a \PS font, I can't print characters
+(such as Eth) that don't have a number in Macintosh text encoding
+unless I use \dvips and print on a \PS printer. \Dvips works with
+character names, so it's not subject to this restriction. In the
+example above, \OzTeX\ would replace the number~17 for `dotlessi'
+in |8r| encoding with a number~245 for `dotlessi' in Macintosh
+text encoding.
+
+The details of the \LaTeXe{} font selection scheme are described
+in \emph{\LaTeXe{} font selection} (distributed with \LaTeXe\ as
+the file \texttt{fntguide.tex}) and \emph{The \LaTeX\ Companion}
+(Goossens, Mittelbach and Samarin, Addison-Wesley).
+%You might also find useful the file \url{info/simple-nfss.tex}
+%available at your nearest comprehensive \TeX\ archive network
+%(CTAN) FTP server.
+
+The files you need to use Times, Helvetica, Courier, and the rest
+of the `standard' \PS fonts are distributed as part of the
+\setpackagename{PSNFSS} bundle available from CTAN, so there's no
+need to create new files to use these fonts.
+
+A more involved example of \fontinst use can be seen in the file
+\texttt{fontptcm.tex} which creates the files you need to use a
+combination of Times, Symbol, Zapf Chancery and Computer Modern as
+\TeX\ math fonts.
+
+
+\section{Installing your own font family}
+
+The \fontinst package has a command \verb|\latinfamily| meant to
+do most of the work to install a `normal' set (family) of roman
+text fonts from Adobe. Assuming you have a set of \afm files to
+match the fonts you wish to use, the first step is to rename the
+\afm files according to the \Fontnamekb naming scheme.
+
+A `normal' set of text fonts usually includes the basic upright
+roman version, bold, italic, and bold italic. Sometimes there
+will also be small caps versions, perhaps some `expert' fonts, and
+maybe some other weights such as light, medium, semi bold, black
+or ultra bold.
+
+The most important point to note is this: no matter what sort of
+computer you're using and no matter what font encoding it uses
+normally, \afm files for text fonts are almost always in |8a|
+encoding (Adobe standard encoding), so the \afm files when renamed
+normally end in |8a|.
+
+A typical set of four \afm files re-named for use with \fontinst
+is this:
+\begin{verbatim}
+ ptmr8r.afm Times-Roman
+ ptmri8r.afm Times-Italic
+ ptmb8r.afm Times-Bold
+ ptmbi8r.afm Times-BoldItalic
+\end{verbatim}
+Not all \afm files use |8a| encoding. If you open an \afm file
+using a text editor, you'll see a line looking like this somewhere
+near the top:
+\begin{verbatim}
+ EncodingScheme AdobeStandardEncoding
+\end{verbatim}
+and if you see exactly that, the \afm file should end with |8a|.
+If you see something like this:
+\begin{verbatim}
+ EncodingScheme FontSpecific
+\end{verbatim}
+have a look at the name of the font in the \afm file. If you see
+something like this:
+\begin{verbatim}
+ FontName AGaramondExp-Regular
+ FullName Adobe Garamond Regular Expert
+\end{verbatim}
+you have an `expert' encoded font on your hands, and the \afm file
+should end with |8x| to indicate this to \fontinst. An |8x|
+encoded font contains extra glyphs like old style numerals, small
+capital letters, more ligatures, and so on.
+
+%% UV: taken out -- repeated below
+%%
+%If you have an expert font, you can tell \fontinst to use it when
+%it's processing a \verb|\latinfamily| command by putting an `|x|'
+%on the end of the family name:
+%\begin{verbatim}
+% \latinfamily{padx}{}
+%\end{verbatim}
+%If you want to tell \fontinst to use expert fonts to install fonts
+%with old style numerals, you can do so by putting an `|j|' on the
+%end of the family name:
+%\begin{verbatim}
+% \latinfamily{padj}{}
+%\end{verbatim}
+
+The |\latinfamily| command is used like this:
+\begin{decl}
+ |\latinfamily|\arg{family}\arg{commands}
+\end{decl}
+This installs a Latin family of fonts.
+
+For example, to install Adobe Times, you say:
+\begin{verbatim}
+ \latinfamily{ptm}{}
+\end{verbatim}
+The \textit{commands} issued by \LaTeX\ each time a font from that
+family is loaded. This is most often used with typewriter fonts,
+to switch off hyphenation. For example, Adobe Courier can be
+installed with:
+\begin{verbatim}
+ \latinfamily{pcr}{\hyphenchar\font=-1}
+\end{verbatim}
+Once the installation is over (which may take some time) the fonts
+can be used in \LaTeX\ by selecting an appropriate
+\verb|\fontfamily|, for example Adobe Times can be selected with:
+\begin{verbatim}
+ \fontfamily{ptm}\selectfont
+\end{verbatim}
+If the fourth letter of the family name is `|x|' then \fontinst
+will use expert fonts in creating the fonts. If the fourth letter
+is `|j|' (or for backward compatibility `|9|') then \fontinst will
+use expert fonts to create fonts with old style digits.
+
+For example, to install Adobe Garamond using expert fonts, you say:
+\begin{verbatim}
+ \latinfamily{padx}{}
+\end{verbatim}
+To install Adobe Garamond using expert fonts with oldstyle digits,
+you say:
+\begin{verbatim}
+ \latinfamily{padj}{}
+\end{verbatim}
+
+When you have expert fonts, and you've told \fontinst to use
+them, it will carry on as normal, but the resulting font family
+will have the name `|padx|' or `|padj|', and it will use expert
+glyphs whenever possible, so you'll have a real (rather than
+faked) small caps font, real (rather than faked) `ffl' ligatures,
+and so on.
+
+Before using these commands, you will need to make sure that you
+have the Adobe Font Metric (\afm) files for the fonts, and that
+they have appropriate names. The \fontinst package uses the
+\LaTeX\ convention for naming fonts, and uses a \emph{font family}
+name which consists of:
+\begin{itemize}
+\item a \emph{supplier} (or foundry), such as `|p|' for Adobe.
+\item a \emph{typeface}, such as `|ad|' for Adobe Garamond.
+\item up to two \emph{variants}, such as `|j|' or `|x|' for `old
+ style digits' or `expert'.
+\end{itemize}
+So the family name `|padj|' indicates Adobe Garamond with old
+style digits. Note that the variants `|j|' or `|x|' are
+interpreted by \fontinst itself and do not appear in external font
+names, whereas other variants are passed through as part of the
+font names. (This is needed for families which have a sans serif
+or typewriter variant.)
+
+The \emph{supplier} must be one letter, and the \emph{typeface}
+must be two (this is an attempt to fit all filenames into MS-DOS
+format). Each variant is one letter. The full list of foundries,
+typefaces, shapes and variants is given in Karl Berry's
+`\emph{Filenames for fonts}' (available by anonymous FTP from
+\url{ftp://ftp.tex.ac.uk/tex-archive/info/fontname}), but the more
+common ones are given in
+Tables~\ref{Tab:foundry}--\ref{Tab:typeface}.
+
+\begin{table}[!t]
+\begin{minipage}{0.5\textwidth}
+ \small
+ \begin{tabular}{ll}
+ |b| & Bitstream \\
+ |f| & `free' (public domain) \\
+ |h| & Bigelow \& Holmes \\
+ |i| & ITC \\
+ |l| & Linotype \\
+ |m| & Monotype \\
+ |p| & Adobe (|p| for \PS) \\
+ |r| & `raw' (obsolete) \\
+ |u| & URW \\
+ |z| & bizarre
+ \end{tabular}
+ \caption{A partial list of foundries}
+ \label{Tab:foundry}
+ \begin{tabular}{ll}
+ |a| & alternate \\
+ |d| & display, titling \\
+ |f| & fraktur, handtooled \\
+ |j| & oldstyle digits \\
+ |n| & informal, casual \\
+ |p| & ornaments \\
+ |s| & sans serif \\
+ |t| & typewriter \\
+ |w| & script, handwriting, swash \\
+ |x| & expert \\
+ \end{tabular}
+ \caption{A partial list of variants}
+ \label{Tab:variant}
+ \begin{tabular}{ll}
+ |c| & small caps \\
+ |i| & italic \\
+ |o| & oblique (i.e.,~slanted) \\
+ |u| & unslanted italic \\
+ \end{tabular}
+ \caption{A partial list of shapes}
+ \label{Tab:shape}
+\end{minipage}
+\begin{minipage}{0.5\textwidth}
+ \small
+ \begin{tabular}{ll}
+ |ac| & Adobe Caslon \\
+ |ad| & Adobe Garamond \\
+ |ag| & Avantgarde \\
+ |bb| & Bembo \\
+ |bd| & Bodoni \\
+ |bk| & Bookman \\
+ |bv| & Baskerville \\
+ |ca| & Caslon \\
+ |ch| & Charter \\
+ |cr| & Courier \\
+ |fr| & Frutiger \\
+ |fu| & Futura \\
+ |gl| & Galliard \\
+ |gm| & Garamond \\
+ |gs| & Gill Sans \\
+ |hv| & Helvetica \\
+ |mn| & Minion \\
+ |lc| & Lucida \\
+ |lh| & Lucida Bright \\
+ |ls| & Lucida Sans \\
+ |nb| & New Baskerville \\
+ |nc| & New Century Schoolbook \\
+ |op| & Optima \\
+ |pl| & Palatino \\
+ |sy| & Symbol \\
+ |tm| & Times \\
+ |ut| & Utopia \\
+ |zc| & Zapf Chancery \\
+ |zd| & Zapf Dingbats \\
+ \end{tabular}
+ \caption{A partial list of faces}
+ \label{Tab:typeface}
+\end{minipage}
+\end{table}
+
+The \fontinst package uses Karl Berry's naming scheme for \afm
+files. The full naming scheme is rather more flexible than the
+subset used by \fontinst, which uses filenames consisting of:
+\begin{itemize}
+\item a \emph{supplier}, such as `|p|' for Adobe.
+\item a \emph{typeface}, such as `|hv|' for Helvetica.
+\item a \emph{weight}, such as `|r|' for regular.
+\item up to two \emph{shapes} or \emph{variants}, such as `|o|'
+ for oblique.
+\item an \emph{encoding}, such as `|7t|' for Knuth's 7-bit \TeX{}
+ encoding.
+\item an optional \emph{width}, such as `|n|' for narrow.
+\item a \emph{file extension}, such as `\texttt{.tfm}'
+ for \TeX{} Font Metric.
+\end{itemize}
+So the filename name `\texttt{phvro7tn.tfm}' indicates Adobe
+Helvetica regular oblique narrow, in the 7-bit \TeX{} encoding.
+
+The full list of shapes, encodings and weights is given in Karl
+Berry's `\emph{Filenames for fonts}', but the more common ones are
+given in Tables~\ref{Tab:shape}--\ref{Tab:weight}.
+
+\begin{table}
+\begin{minipage}{0.5\textwidth}
+ \small
+ \begin{tabular}{ll}
+ |b| & bold \\
+ |c| & black \\
+ |d| & demibold \\
+ |h| & heavy \\
+ |k| & book \\
+ |l| & light \\
+ |m| & medium \\
+ |r| & regular \\
+ |s| & semibold \\
+ |u| & ultra bold \\
+ |x| & extra bold \\
+ \end{tabular}
+ \caption{A partial list of weights}
+ \label{Tab:weight}
+ \begin{tabular}{ll}
+ |c| & condensed \\
+ |n| & narrow \\
+ |w| & wide \\
+ |x| & extended \\
+ \end{tabular}
+ \caption{A partial list of widths}
+ \label{Tab:width}
+\end{minipage}
+\begin{minipage}{0.5\textwidth}
+ \small
+ \begin{tabular}{ll}
+ |8a| & Adobe Standard \\
+ |8x| & Adobe Expert \\
+ |8r| & \TeX{} 8-bit `raw' (\texttt{TeXBase1}) \\
+ |8y| & \TeX{} 8-bit `raw' (\texttt{TeXnANSI}) \\
+ |7t| & \TeX{} 7-bit text (\texttt{OT1}) \\
+ |7m| & \TeX{} 7-bit math italic (\texttt{OML}) \\
+ |7y| & \TeX{} 7-bit math symbol (\texttt{OMS}) \\
+ |7v| & \TeX{} 7-bit math extension (\texttt{OMX}) \\
+ |8t| & \TeX{} 8-bit text (\texttt{T1}) \\
+ |8c| & \TeX{} 8-bit text symbols (\texttt{TS1}) \\
+ |9t| & \TeX{} 7-bit text with expert glyphs \\
+ |9o| & \TeX{} 7-bit text with expert glyphs \\
+ & and old-style digits \\
+ |9e| & \TeX{} 8-bit text with expert glyphs \\
+ |9d| & \TeX{} 8-bit text with expert glyphs \\
+ & and old-style digits \\
+ |9c| & \TeX{} 8-bit symbols with expert glyphs \\
+ & and old-style digits \\
+ \end{tabular}
+ \caption{A partial list of encodings}
+\end{minipage}
+\end{table}
+
+For example, to install Adobe Garamond including the expert fonts, you
+would need to rename the \afm files:
+\begin{center}
+\begin{small}
+\begin{tabular}{lll}
+ \emph{Adobe name} & \emph{ATM name} & \emph{Fontinst name} \\
+ |AGaramond-Bold.afm| & |gdb_____.afm| & |padb8a.afm| \\
+ |AGaramond-BoldItalic.afm| & |gdbi____.afm| & |padbi8a.afm| \\
+ |AGaramond-Italic.afm| & |gdi_____.afm| & |padri8a.afm| \\
+ |AGaramond-Regular.afm| & |gdrg____.afm| & |padr8a.afm| \\
+ |AGaramond-Semibold.afm| & |gdsb____.afm| & |pads8a.afm| \\
+ |AGaramond-SemiboldItalic.afm| & |gdsbi___.afm| & |padsi8a.afm| \\
+ |AGaramondExp-Bold.afm| & |geb_____.afm| & |padb8x.afm| \\
+ |AGaramondExp-BoldItalic.afm| & |gebi____.afm| & |padbi8x.afm| \\
+ |AGaramondExp-Italic.afm| & |gei_____.afm| & |padri8x.afm| \\
+ |AGaramondExp-Regular.afm| & |gerg____.afm| & |padr8x.afm| \\
+ |AGaramondExp-Semibold.afm| & |gesb____.afm| & |pads8x.afm| \\
+ |AGaramondExp-SemiboldItalic.afm| & |gesbi___.afm| & |padsi8x.afm| \\
+ |AGaramond-RegularSC.afm| & |gdsc____.afm| & |padrc8a.afm| \\
+ |AGaramond-SemiboldSC.afm| & |gdsbs___.afm| & |padsc8a.afm| \\
+\end{tabular}
+\end{small}
+\end{center}
+You can then run \TeX{} on the following document to install the
+Adobe Garamond family:
+\begin{verbatim}
+ \input fontinst.sty
+ \latinfamily{padx}{}
+ \latinfamily{padj}{}
+ \bye
+\end{verbatim}
+Not all font families can be installed using the \verb|\latinfamily|
+command, nor does it always produce optimal results. The main
+interfaces to \fontinst are at a slightly lower level, where all font
+names appear explicitly in command arguments, and at that level it is
+possible to fine tune the font generation. The \verb|\latinfamily|
+command is mainly a clever collection of macros which expand to a
+mostly fixed\footnote{Commands that would refer to files which are
+not present are skipped, and in some cases there is a ``Plan B''
+when ``Plan A'' would have made use of such a nonexistent file, but
+that is about it.} sequence of lower level \fontinst commands.
+
+\begin{bfseries}
+ Descriptions of the sub-\verb|\latinfamily| commands can be found
+ in the main \fontinst manual.
+\end{bfseries}
+
+
+
+\section{More on the \cs{latinfamily} command}
+
+The \verb|\latinfamily| command is essentially a short-cut to save you
+preparing a huge file with many different \fontinst commands in it.
+
+It takes \afm or \mtx files as the source of font metric data to work
+with. Usually, you have a set of \afm files. They must be named
+according to a subset of the \Fontnamekb naming scheme. To illustrate
+the process, here is an edited part of the console log from a use of
+\verb|\latinfamily|:
+\begin{verbatim}
+ \latinfamily{pad}{}
+\end{verbatim}
+This log does not show \fontinst `in action'; it's just to illustrate
+which fonts are looked for when you use the \verb|\latinfamily|
+command.
+\begin{verbatim}
+ INFO>> to make LaTeX font shape <<pad,m,n,>> seek padr8r.mtx
+ INFO>> to make LaTeX font shape <<pad,m,sc,>> seek padrc8r.mtx
+ INFO>> to make LaTeX font shape <<pad,m,sl,>> seek padro8r.mtx
+ INFO>> to make LaTeX font shape <<pad,m,it,>> seek padri8r.mtx
+ INFO>> to make LaTeX font shape <<pad,m,n,c>> seek padr8rn.mtx
+ INFO>> to make LaTeX font shape <<pad,m,sc,c>> seek padrc8rn.mtx
+ INFO>> to make LaTeX font shape <<pad,m,sl,c>> seek padro8rn.mtx
+ INFO>> to make LaTeX font shape <<pad,m,it,c>> seek padri8rn.mtx
+\end{verbatim}
+
+The important point to notice is that \fontinst needs an |8r| encoded
+\mtx file for each font when you are using the \verb|latinfamily|
+command. If it can't find an |8r| encoded \mtx file, it'll look for
+for an |8a| encoded \afm file. It will automatically turn the file it
+finds into an |8r| encoded \mtx file. So when \fontinst says
+`\verb|seek padr8r.mtx|', it is in fact looking for
+\texttt{padr8r.mtx} and \texttt{padr8a.afm}. Whatever it finds, it
+will end up with \verb|padr8r.mtx| to work on.
+
+The first line of the log shows that \fontinst is trying to create a
+\vpl file for |pad/m/n|. That is, font family |pad| (Adobe Garamond),
+font series |m| (normal `book' or `regular' weight), and font shape
+|n| (normal upright).
+
+If it finds what it's looking for, it will create the files:
+\begin{verbatim}
+ padr7t.vpl
+ padr8t.vpl
+ padr8c.vpl
+\end{verbatim}
+And add these lines to the given \fd files:
+\begin{verbatim}
+ OT1pad.fd: \DeclareFontShape{OT1}{pad}{m}{n}{<<->> padr7t}{}
+ T1pad.fd: \DeclareFontShape{T1} {pad}{m}{n}{<<->> padr8t}{}
+ TS1pad.fd: \DeclareFontShape{TS1}{pad}{m}{n}{<<->> padr8c}{}
+\end{verbatim}
+This means you will have three new fonts to use in \LaTeX: the OT1, T1
+and TS1 encoded versions of |pad/m/n|. You'll be able to select (say)
+|T1/pad/m/n| by saying:
+\begin{verbatim}
+ \fontencoding{T1}\fontfamily{pad}\fontseries{m}\fontshape{n}\selectfont
+\end{verbatim}
+This is the clumsiest way of selecting that particular font, but I've
+done it to illustrate exactly what's happening.
+
+The next line:
+\begin{verbatim}
+ INFO>> to make LaTeX font shape <<pad,m,sc,>> seek padrc8r.mtx
+\end{verbatim}
+shows that \fontinst is trying to install a small caps font. If you
+have a real small caps metric file named \texttt{padrc8r.mtx} (don't
+forget it'll look for an |8a| encoded \afm file), \fontinst will go
+ahead and create the \vpl file and \fd file entry as expected.
+
+But you don't normally have a real small caps font, so \fontinst will
+quite happily produce a fake small caps font. To do this, it looks
+for a suitable metric file by dropping the `|c|':
+\begin{quote}
+ `Hmm\ldots\ I can't find \texttt{padrc8r}, so I'll look for
+ \texttt{padr8r}.'
+\end{quote}
+And you will eventually have:
+\begin{verbatim}
+ padrc7t.vpl
+ padrc8t.vpl
+\end{verbatim}
+And add these lines to the given \fd files:
+\begin{verbatim}
+ OT1pad.fd: \DeclareFontShape{OT1}{pad}{m}{sc}{<<->> padrc7t}{}
+ T1pad.fd: \DeclareFontShape{T1} {pad}{m}{sc}{<<->> padrc8t}{}
+\end{verbatim}
+(Note that it won't install a TS1-encoded small caps font because
+TS1 is a text symbol font, which would look the same in the upright
+and small caps shape.)
+
+The next log line shows \fontinst trying to create a \vpl for the
+oblique version of Adobe Garamond:
+\begin{verbatim}
+ INFO>> to make LaTeX font shape <<pad,m,sl,>> seek padro8r.mtx
+\end{verbatim}
+It's quite usual for an oblique version to be unavailable, but
+\fontinst has a way round this: it can fake an oblique font from the
+corresponding `straight' version:
+\begin{quote}
+ `Oh dear: I can't find \texttt{padro8r}, so I'll look for
+ \texttt{padr8r} and use clever maths to fake a slanted version.'
+\end{quote}
+This is not as straightforward as the small caps case. \Fontinst
+only works out what the metrics ought to be if the entire font is
+slanted to the right. It's up to the DVI driver to actually print a
+slanted font. \Dvips can do this.
+
+You will eventually have:
+\begin{verbatim}
+ padro7t.vpl
+ padro8t.vpl
+ padro8c.vpl
+\end{verbatim}
+And these lines added to the given \fd files:
+\begin{verbatim}
+ OT1pad.fd: \DeclareFontShape{OT1}{pad}{m}{sl}{<<->> padro7t}{}
+ T1pad.fd: \DeclareFontShape{T1} {pad}{m}{sl}{<<->> padro8t}{}
+ TS1pad.fd: \DeclareFontShape{TS1}{pad}{m}{sl}{<<->> padro8c}{}
+\end{verbatim}
+
+The next line is straightforward:
+\begin{verbatim}
+ INFO>> to make LaTeX font shape <<pad,m,it,>> seek padri8r.mtx
+\end{verbatim}
+If \fontinst can't find a suitable metrics file (\texttt{padri8r.mtx}
+or \texttt{padri8a.afm}), it carries on without doing anything. If it
+does find a suitable metrics file, it churns away until you will
+eventually have:
+\begin{verbatim}
+ padri7t.vpl
+ padri8t.vpl
+ padri8c.vpl
+\end{verbatim}
+And these lines added to the given \fd files:
+\begin{verbatim}
+ OT1pad.fd: \DeclareFontShape{OT1}{pad}{m}{it}{<<->> padri7t}{}
+ T1pad.fd: \DeclareFontShape{T1} {pad}{m}{it}{<<->> padri8t}{}
+ TS1pad.fd: \DeclareFontShape{TS1}{pad}{m}{it}{<<->> padri8c}{}
+\end{verbatim}
+
+The next line is a bit different. \Fontinst is now trying to create a
+\vpl file for a \emph{condensed} font:
+\begin{verbatim}
+ INFO>> to make LaTeX font shape <<pad,m,n,c>> seek padr8rn.mtx
+\end{verbatim}
+If it finds a suitable metric file (Adobe Garamond, medium weight,
+normal upright shape, condensed), it will eventually produce:
+\begin{verbatim}
+ padr7tn.vpl
+ padr8tn.vpl
+ padr8cn.vpl
+\end{verbatim}
+And these lines added to the given \fd files:
+\begin{verbatim}
+ OT1pad.fd: \DeclareFontShape{OT1}{pad}{mc}{n}{<<->> padr7tn}{}
+ T1pad.fd: \DeclareFontShape{T1} {pad}{mc}{n}{<<->> padr8tn}{}
+ TS1pad.fd: \DeclareFontShape{TS1}{pad}{mc}{n}{<<->> padr8cn}{}
+\end{verbatim}
+There is no standard \LaTeX\ command like \verb|\bfseries| to select
+the medium condensed (|mc|) series created here. If you want to use
+this font, you must do something like:
+\begin{verbatim}
+ \fontfamily{pad}\fontseries{mc}\selectfont
+\end{verbatim}
+If it doesn't find a suitable metric file for a narrow series,
+\fontinst will just skip over and continue, unless you specifically
+tell it to fake a narrow series.
+
+And so the process continues: \fontinst attempts to create \vpl files
+for condensed versions of all the font shapes met so far, and then
+goes on to:
+\begin{verbatim}
+ INFO>> to make LaTeX font shape <<pad,b,n,>> seek padb8r.mtx
+\end{verbatim}
+And again, if it finds a suitable metric file (\texttt{padb8r.mtx} or
+\texttt{padb8a.afm}), it'll potter off and create the files:
+\begin{verbatim}
+ padb7t.vpl
+ padb8t.vpl
+ padb8c.vpl
+\end{verbatim}
+And these lines added to the given \fd files:
+\begin{verbatim}
+ OT1pad.fd: \DeclareFontShape{OT1}{pad}{b}{n}{<<->> padb7t}{}
+ T1pad.fd: \DeclareFontShape{T1} {pad}{b}{n}{<<->> padb8t}{}
+ TS1pad.fd: \DeclareFontShape{TS1}{pad}{b}{n}{<<->> padb8c}{}
+\end{verbatim}
+With this step done, fontinst will try to create \vpl files for the
+small caps, slanted, and italic versions of |pad/b|; and then it'll
+try to create condensed versions of all those:
+\begin{verbatim}
+ INFO>> to make LaTeX font shape <<pad,b,n,>> seek padb8r.mtx
+ INFO>> to make LaTeX font shape <<pad,b,sc,>> seek padbc8r.mtx
+ INFO>> to make LaTeX font shape <<pad,b,sl,>> seek padbo8r.mtx
+ INFO>> to make LaTeX font shape <<pad,b,it,>> seek padbi8r.mtx
+ INFO>> to make LaTeX font shape <<pad,b,n,c>> seek padb8rn.mtx
+ INFO>> to make LaTeX font shape <<pad,b,sc,c>> seek padbc8rn.mtx
+ INFO>> to make LaTeX font shape <<pad,b,sl,c>> seek padbo8rn.mtx
+ INFO>> to make LaTeX font shape <<pad,b,it,c>> seek padbi8rn.mtx
+\end{verbatim}
+If it manages to find the files it needs to create the \vpl files to
+use all those fonts with \LaTeX, you'll end up with the following
+lines in the T1 \fd file (I've ignored the OT1 \fd file to save some
+space):
+\begin{verbatim}
+ \DeclareFontShape{T1} {pad}{b} {n} {<<->> padb8t}{}
+ \DeclareFontShape{T1} {pad}{b} {sc}{<<->> padbc8t}{}
+ \DeclareFontShape{T1} {pad}{b} {sl}{<<->> padbo8t}{}
+ \DeclareFontShape{T1} {pad}{b} {it}{<<->> padbi8t}{}
+ \DeclareFontShape{T1} {pad}{bc}{n} {<<->> padb8tn}{}
+ \DeclareFontShape{T1} {pad}{bc}{sc}{<<->> padbc8tn}{}
+ \DeclareFontShape{T1} {pad}{bc}{sl}{<<->> padbo8tn}{}
+ \DeclareFontShape{T1} {pad}{bc}{it}{<<->> pckbi8tn}{}
+\end{verbatim}
+To translate into English: Adobe Garamond bold in `normal', small
+caps, slanted, and italic versions, as well as condensed versions of
+all four.
+
+Again, because there's no convenient way of selecting the condensed
+versions with existing \LaTeX\ commands, you need to say something
+like:
+\begin{verbatim}
+ \fontfamily{pad}\fontseries{bc}\selectfont
+\end{verbatim}
+to use the bold condensed (|bc|) versions of this font; you can of
+course use \verb|\itshape|, \verb|\scshape|, \verb|\slshape|, and
+\verb|upshape| to switch between the italic, small caps, slanted, and
+`normal' versions of Adobe Garamond bold condensed once you've got
+|pad/bc| selected.
+
+So far, you've seen \verb|\latinfamily| look at two different weights
+and two different widths. For each weight, \verb|\latinfamily| will
+try and install eight different fonts as you can see above. It will
+try and install the same eight different fonts for each of the
+following different weights:
+\begin{center}
+\begin{tabular}{lll}
+ \emph{\LaTeX} & \emph{Fontname} & \emph{description} \\
+ |ul| & |a| & ultra light \\
+ |el| & |i| & extra light \\
+ |l| & |l| & light \\
+ |m| & |k|, |r| & book, regular \\
+ |mb| & |m| & medium \\
+ |db| & |d| & demi bold \\
+ |sb| & |s| & semi bold \\
+ |b| & |b| & bold \\
+ |eb| & |c|, |h|, |x| & black, heavy, extra bold \\
+ |ub| & |u| & ultra bold
+\end{tabular}
+\end{center}
+The \LaTeX\ column contains the label that will be used in the
+\verb|\DeclareFontShape| command to specify the font series. The
+\Fontnamekb column contains the width specifier used to name the font
+metric file that \fontinst will look for in that case.
+
+In other words, at some stage \fontinst will look for:
+\begin{verbatim}
+ INFO>> to make LaTeX font shape <<pad,sb,n,>> seek pads8r.mtx
+\end{verbatim}
+and if it finds a suitable metric file (\texttt{pads8r.mtx} or
+\texttt{pads8a.afm}), it will create:
+\begin{verbatim}
+ pads7t.vpl
+ pads8t.vpl
+ pads8c.vpl
+\end{verbatim}
+and \fd file entries like this:
+\begin{verbatim}
+ OT1pad.fd: \DeclareFontShape{OT1}{pad}{sb}{n}{<<->> pads7t}{}
+ T1pad.fd: \DeclareFontShape{T1} {pad}{sb}{n}{<<->> pads8t}{}
+ TS1pad.fd: \DeclareFontShape{TS1}{pad}{sb}{n}{<<->> pads8c}{}
+\end{verbatim}
+and since |sb| is not a normal \LaTeX\ font series, you'll need to use
+something like:
+\begin{verbatim}
+ \fontfamily{pad}\fontseries{sb}\selectfont
+\end{verbatim}
+to use this font.
+
+% For example, \verb|\latinfamily{ptm}{}| is
+% syntactic sugar for:
+% \begin{verbatim}
+% \transformfont{ptmr8r}{\reencodefont{8r}{\fromafm{ptmr8a}}}
+% \transformfont{ptmri8r}{\reencodefont{8r}{\fromafm{ptmri8a}}}
+% \transformfont{ptmb8r}{\reencodefont{8r}{\fromafm{ptmb8a}}}
+% \transformfont{ptmbi8r}{\reencodefont{8r}{\fromafm{ptmbi8a}}}
+% \transformfont{ptmro8r}{\slantfont{167}{\frommtx{ptmr8r}}}
+% \transformfont{ptmbo8r}{\slantfont{167}{\frommtx{ptmb8r}}}
+% \installfonts
+% \installfamily{T1}{ptm}{}
+% \installfamily{OT1}{ptm}{}
+% \installfont{ptmr8t}{ptmr8r,latin}{T1}{T1}{ptm}{m}{n}{}
+% \installfont{ptmr7t}{ptmr8r,latin}{OT1}{OT1}{ptm}{m}{n}{}
+% \installfont{ptmrc8t}{ptmr8r,latin}{T1c}{T1}{ptm}{m}{sc}{}
+% \installfont{ptmrc7t}{ptmr8r,latin}{OT1c}{OT1}{ptm}{m}{sc}{}
+% \installfont{ptmri8t}{ptmri8r,latin}{T1}{T1}{ptm}{m}{it}{}
+% \installfont{ptmri7t}{ptmri8r,latin}{OT1i}{OT1}{ptm}{m}{it}{}
+% \installfont{ptmro8t}{ptmro8r,latin}{T1}{T1}{ptm}{m}{sl}{}
+% \installfont{ptmro7t}{ptmro8r,latin}{OT1}{OT1}{ptm}{m}{sl}{}
+% \installfont{ptmb8t}{ptmb8r,latin}{T1}{T1}{ptm}{b}{n}{}
+% \installfont{ptmb7t}{ptmb8r,latin}{OT1}{OT1}{ptm}{b}{n}{}
+% \installfont{ptmbc8t}{ptmb8r,latin}{T1c}{T1}{ptm}{b}{sc}{}
+% \installfont{ptmbc7t}{ptmb8r,latin}{OT1c}{OT1}{ptm}{b}{sc}{}
+% \installfont{ptmbi8t}{ptmbi8r,latin}{T1}{T1}{ptm}{b}{it}{}
+% \installfont{ptmbi7t}{ptmbi8r,latin}{OT1i}{OT1}{ptm}{b}{it}{}
+% \installfont{ptmbo8t}{ptmbo8r,latin}{T1}{T1}{ptm}{b}{sl}{}
+% \installfont{ptmbo7t}{ptmbo8r,latin}{OT1}{OT1}{ptm}{b}{sl}{}
+% \endinstallfonts
+% \end{verbatim}
+
+
+The \texttt{basicex.tex} file in the \texttt{examples} directory of
+the main \fontinst distribution is an annotated command file which
+does roughly the same things as the \verb|\latinfamily| command for
+the \texttt{pad} family of fonts.
+
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/fontinst/base/manual/roadmap.eps b/Master/texmf-dist/doc/fonts/fontinst/base/manual/roadmap.eps
new file mode 100644
index 00000000000..8ca14df79de
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+/col29 {1.000 0.750 0.750 srgb} bind def
+/col30 {1.000 0.880 0.880 srgb} bind def
+/col31 {1.000 0.840 0.000 srgb} bind def
+
+end
+save
+-112.0 334.0 translate
+1 -1 scale
+
+/clp {closepath} bind def
+/ef {eofill} bind def
+/gr {grestore} bind def
+/gs {gsave} bind def
+/l {lineto} bind def
+/m {moveto} bind def
+/n {newpath} bind def
+/s {stroke} bind def
+/slc {setlinecap} bind def
+/slj {setlinejoin} bind def
+/slw {setlinewidth} bind def
+/srgb {setrgbcolor} bind def
+/rot {rotate} bind def
+/sc {scale} bind def
+/tr {translate} bind def
+/tnt {dup dup currentrgbcolor
+ 4 -2 roll dup 1 exch sub 3 -1 roll mul add
+ 4 -2 roll dup 1 exch sub 3 -1 roll mul add
+ 4 -2 roll dup 1 exch sub 3 -1 roll mul add srgb}
+ bind def
+/shd {dup dup currentrgbcolor 4 -2 roll mul 4 -2 roll mul
+ 4 -2 roll mul srgb} bind def
+ /DrawEllipse {
+ /endangle exch def
+ /startangle exch def
+ /yrad exch def
+ /xrad exch def
+ /y exch def
+ /x exch def
+ /savematrix mtrx currentmatrix def
+ x y tr xrad yrad sc 0 0 1 startangle endangle arc
+ closepath
+ savematrix setmatrix
+ } def
+
+/$F2psBegin {$F2psDict begin /$F2psEnteredState save def} def
+/$F2psEnd {$F2psEnteredState restore end} def
+%%EndProlog
+
+$F2psBegin
+10 setmiterlimit
+ 0.06000 0.06000 sc
+7.500 slw
+% Arc
+n 4813.51 1452.05 m 4800.00 1575.00 l 4754.06 1460.15 l gs col-1 s gr
+n 4284.38 1645.31 520.40 -91.03 -7.77 arc
+gs col-1 s gr
+
+% Arc
+n 3045.94 1460.15 m 3000.00 1575.00 l 2986.49 1452.05 l gs col-1 s gr
+n 3515.62 1645.31 520.40 -88.97 -172.23 arcn
+gs col-1 s gr
+
+% Arc
+n 2771.84 3251.35 m 2775.00 3375.00 l 2714.02 3267.38 l gs col-1 s gr
+n 2279.17 3512.50 514.55 -84.89 -15.50 arc
+gs col-1 s gr
+
+% Arc
+n 3285.98 3267.38 m 3225.00 3375.00 l 3228.16 3251.35 l gs col-1 s gr
+n 3720.83 3512.50 514.55 -95.11 -164.50 arcn
+gs col-1 s gr
+
+% Arc
+n 4247.24 2906.08 m 4125.00 2925.00 l 4223.95 2850.78 l gs col-1 s gr
+n 3525.00 1500.00 1546.16 39.09 67.17 arc
+gs col-1 s gr
+
+% Arc
+n 3403.37 4702.50 m 3525.00 4725.00 l 3407.09 4762.39 l gs col-1 s gr
+n 3493.27 4214.42 511.56 164.63 86.44 arcn
+gs col-1 s gr
+
+% Arc
+n 4394.64 4681.42 m 4275.00 4650.00 l 4395.35 4621.42 l gs col-1 s gr
+n 4291.72 3239.01 1411.09 -3.62 90.68 arc
+gs col-1 s gr
+
+% Arc
+n 4398.18 4811.29 m 4275.00 4800.00 l 4389.00 4752.00 l gs col-1 s gr
+n 3787.50 1650.00 3187.50 28.07 81.20 arc
+gs col-1 s gr
+
+% Arc
+n 4306.30 4511.76 m 4200.00 4575.00 l 4264.03 4469.17 l gs col-1 s gr
+n 2769.64 3133.93 2030.42 0.45 45.21 arc
+gs col-1 s gr
+
+% Ellipse
+n 3900 2962 225 187 0 360 DrawEllipse gs col-1 s gr
+
+% Ellipse
+n 3900 562 225 187 0 360 DrawEllipse gs col-1 s gr
+
+% Ellipse
+n 3900 1762 225 187 0 360 DrawEllipse gs col-1 s gr
+
+% Ellipse
+n 3000 1762 225 187 0 360 DrawEllipse gs col-1 s gr
+
+% Ellipse
+n 4800 1762 225 187 0 360 DrawEllipse gs col-1 s gr
+
+% Ellipse
+n 4800 2962 225 187 0 360 DrawEllipse gs col-1 s gr
+
+% Ellipse
+n 5700 2962 225 187 0 360 DrawEllipse gs col-1 s gr
+
+% Ellipse
+n 6600 2962 225 187 0 360 DrawEllipse gs col-1 s gr
+
+% Ellipse
+n 2100 2962 225 187 0 360 DrawEllipse gs col-1 s gr
+
+% Ellipse
+n 3000 4162 225 187 0 360 DrawEllipse gs col-1 s gr
+
+% Ellipse
+n 3900 5362 225 187 0 360 DrawEllipse gs col-1 s gr
+
+% Polyline
+n 3525 975 m 4275 975 l 4275 1275 l 3525 1275 l clp gs col-1 s gr
+% Polyline
+n 3525 2175 m 4275 2175 l 4275 2475 l 3525 2475 l clp gs col-1 s gr
+% Polyline
+n 4425 2175 m 5175 2175 l 5175 2475 l 4425 2475 l clp gs col-1 s gr
+% Polyline
+n 2625 3375 m 3375 3375 l 3375 3675 l 2625 3675 l clp gs col-1 s gr
+% Polyline
+n 3525 4575 m 4275 4575 l 4275 4875 l 3525 4875 l clp gs col-1 s gr
+% Polyline
+n 3900 750 m 3900 975 l gs col-1 s gr
+n 3930.00 855.00 m 3900.00 975.00 l 3870.00 855.00 l gs col-1 s gr
+% Polyline
+n 3900 1275 m 3900 1575 l gs col-1 s gr
+n 3930.00 1455.00 m 3900.00 1575.00 l 3870.00 1455.00 l gs col-1 s gr
+% Polyline
+n 3900 1950 m 3900 2175 l gs col-1 s gr
+n 3930.00 2055.00 m 3900.00 2175.00 l 3870.00 2055.00 l gs col-1 s gr
+% Polyline
+n 3900 2475 m 3900 2775 l gs col-1 s gr
+n 3930.00 2655.00 m 3900.00 2775.00 l 3870.00 2655.00 l gs col-1 s gr
+% Polyline
+n 4800 1950 m 4800 2175 l gs col-1 s gr
+n 4830.00 2055.00 m 4800.00 2175.00 l 4770.00 2055.00 l gs col-1 s gr
+% Polyline
+n 4800 2475 m 4800 2775 l gs col-1 s gr
+n 4830.00 2655.00 m 4800.00 2775.00 l 4770.00 2655.00 l gs col-1 s gr
+% Polyline
+n 3000 1950 m 3000 3375 l gs col-1 s gr
+n 3030.00 3255.00 m 3000.00 3375.00 l 2970.00 3255.00 l gs col-1 s gr
+% Polyline
+n 3000 3675 m 3000 3975 l gs col-1 s gr
+n 3030.00 3855.00 m 3000.00 3975.00 l 2970.00 3855.00 l gs col-1 s gr
+% Polyline
+n 3900 3150 m 3900 4575 l gs col-1 s gr
+n 3930.00 4455.00 m 3900.00 4575.00 l 3870.00 4455.00 l gs col-1 s gr
+% Polyline
+n 3900 4875 m 3900 5175 l gs col-1 s gr
+n 3930.00 5055.00 m 3900.00 5175.00 l 3870.00 5055.00 l gs col-1 s gr
+/Helvetica findfont 180.00 scalefont setfont
+3900 3000 m
+gs 1 -1 sc (tfm) dup stringwidth pop 2 div neg 0 rmoveto col-1 show gr
+/Helvetica findfont 180.00 scalefont setfont
+3900 600 m
+gs 1 -1 sc (afm) dup stringwidth pop 2 div neg 0 rmoveto col-1 show gr
+/Helvetica findfont 180.00 scalefont setfont
+3900 1800 m
+gs 1 -1 sc (pl) dup stringwidth pop 2 div neg 0 rmoveto col-1 show gr
+/Helvetica findfont 180.00 scalefont setfont
+4800 1800 m
+gs 1 -1 sc (vpl) dup stringwidth pop 2 div neg 0 rmoveto col-1 show gr
+/Helvetica findfont 180.00 scalefont setfont
+3000 1800 m
+gs 1 -1 sc (fd) dup stringwidth pop 2 div neg 0 rmoveto col-1 show gr
+/Helvetica findfont 180.00 scalefont setfont
+4800 3000 m
+gs 1 -1 sc (vf) dup stringwidth pop 2 div neg 0 rmoveto col-1 show gr
+/Helvetica findfont 180.00 scalefont setfont
+5700 3000 m
+gs 1 -1 sc (pfa) dup stringwidth pop 2 div neg 0 rmoveto col-1 show gr
+/Helvetica findfont 180.00 scalefont setfont
+6600 3000 m
+gs 1 -1 sc (pfb) dup stringwidth pop 2 div neg 0 rmoveto col-1 show gr
+/Helvetica findfont 180.00 scalefont setfont
+2100 3000 m
+gs 1 -1 sc (tex) dup stringwidth pop 2 div neg 0 rmoveto col-1 show gr
+/Helvetica findfont 180.00 scalefont setfont
+3000 4200 m
+gs 1 -1 sc (dvi) dup stringwidth pop 2 div neg 0 rmoveto col-1 show gr
+/Helvetica findfont 180.00 scalefont setfont
+3900 5400 m
+gs 1 -1 sc (ps) dup stringwidth pop 2 div neg 0 rmoveto col-1 show gr
+/Palatino-Italic findfont 180.00 scalefont setfont
+3900 1175 m
+gs 1 -1 sc (fontinst) dup stringwidth pop 2 div neg 0 rmoveto col-1 show gr
+/Palatino-Italic findfont 180.00 scalefont setfont
+3900 2375 m
+gs 1 -1 sc (pltotf) dup stringwidth pop 2 div neg 0 rmoveto col-1 show gr
+/Palatino-Italic findfont 180.00 scalefont setfont
+4800 2375 m
+gs 1 -1 sc (vptovf) dup stringwidth pop 2 div neg 0 rmoveto col-1 show gr
+/Palatino-Italic findfont 180.00 scalefont setfont
+3000 3575 m
+gs 1 -1 sc (latex) dup stringwidth pop 2 div neg 0 rmoveto col-1 show gr
+/Palatino-Italic findfont 180.00 scalefont setfont
+3900 4775 m
+gs 1 -1 sc (dvips) dup stringwidth pop 2 div neg 0 rmoveto col-1 show gr
+$F2psEnd
+restore
diff --git a/Master/texmf-dist/doc/fonts/fontinst/base/talks/et99-font-tables.pdf b/Master/texmf-dist/doc/fonts/fontinst/base/talks/et99-font-tables.pdf
new file mode 100644
index 00000000000..8d6c2b593c7
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontinst/base/talks/et99-font-tables.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/fontinst/base/talks/et99-font-tutorial.pdf b/Master/texmf-dist/doc/fonts/fontinst/base/talks/et99-font-tutorial.pdf
new file mode 100644
index 00000000000..4ae8a1eeb75
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontinst/base/talks/et99-font-tutorial.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/fontinst/base/test/comparemetrics.sty b/Master/texmf-dist/doc/fonts/fontinst/base/test/comparemetrics.sty
new file mode 100644
index 00000000000..7864da89731
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontinst/base/test/comparemetrics.sty
@@ -0,0 +1,941 @@
+% We start by making some default catcode assignments, in case we are
+% using ini\TeX{}.
+% \begin{macrocode}
+%<*pkg>
+\catcode`\{=1
+\catcode`\}=2
+\catcode`\#=6
+\catcode`\^=7
+%</pkg>
+% \end{macrocode}
+%
+% \package{fontinst} uses some unusual, but convenient, settings of
+% |\catcode|. |@| and |_| are made letters, |~| is made a space, and
+% space and newline are ignored. Before setting those however, we save
+% the current values of the catcodes, so that they can be restored at
+% the end of \texttt{fontinst.sty}.
+%
+% \begin{macrocode}
+%<*pkg>
+\edef\spacecatcode{\the\catcode`\ }
+\edef\nlcatcode{\the\catcode`\^^M}
+\edef\atcatcode{\the\catcode`\@}
+\edef\underscorecatcode{\the\catcode`\_}
+\edef\tildecatcode{\the\catcode`\~}
+% \end{macrocode}
+%
+% \begin{macrocode}
+\catcode`\ =9
+\catcode`\^^M=9
+\catcode`\@=11
+\catcode`\_=11
+\catcode`\~=10
+%</pkg>
+% \end{macrocode}
+%
+
+
+\newlinechar=`\^^J
+
+% \begin{macro}{\a_read}
+% \begin{macro}{\b_read}
+% \begin{macro}{\a_filelineno}
+% \begin{macro}{\b_filelineno}
+% These control sequences are used for keeping track of the ``physical''
+% side of the two input files. |\a_read| and |\b_read| are the stream
+% numbers. |\a_filelineno| and |\b_filelineno| are the respective
+% line numbers of the lines most recently read from these files.
+% \begin{macrocode}
+\newread\a_read
+\newread\b_read
+\newcount\a_filelineno
+\newcount\b_filelineno
+% \end{macrocode}
+% \end{macro}\end{macro}\end{macro}\end{macro}
+%
+% \begin{macro}{\a_lineno}
+% \begin{macro}{\b_lineno}
+% \begin{macro}{\a_bufbase}
+% \begin{macro}{\b_bufbase}
+% \begin{macro}{\a_bufmid}
+% \begin{macro}{\b_bufmid}
+% \begin{macro}{\a_buftop}
+% \begin{macro}{\b_buftop}
+% These count registers are used for managing the buffert of lines
+% that are read from the input files when a match between lines is
+% being looked for. This buffert consists of lines which are saved in
+% the macros
+% \begin{quote}
+% |\|\meta{letter}|_saved-|\meta{ofs}
+% \end{quote}
+% where \meta{letter} is |a| or |b| and \meta{ofs} is an integer,
+% being the index into the buffert. |\a_bufbase| and |\b_bufbase|
+% contain the \meta{ofs} of the first line currently in the buffert,
+% whereas |\a_buftop| and |\b_buftop| contain the \meta{ofs} of the
+% last such line. |\a_bufmid| and |\b_bufmid| hold the buffert
+% positions of the lines which are currently considered the next by
+% |\get_next_line|. If \(\mathtt{buftop}<\mathtt{bufmid}\) then the
+% buffert is empty. |\a_lineno| and |\b_lineno| are the respective
+% line numbers of the |\a_bufbase| and |\b_bufbase| lines.
+%
+% All these registers should be set globally.
+% \begin{macrocode}
+\newcount\a_lineno \newcount\b_lineno
+\newcount\a_bufbase \newcount\b_bufbase
+\newcount\a_bufmid \newcount\b_bufmid
+\newcount\a_buftop \newcount\b_buftop
+% \end{macrocode}
+% \end{macro}\end{macro}\end{macro}\end{macro}\end{macro}\end{macro}
+% \end{macro}\end{macro}
+
+
+% \begin{macro}{\get_next_line}
+% The |\get_next_line| macro is called as
+% \begin{quote}
+% |\get_next_line|\marg{letter}
+% \end{quote}
+% where \meta{letter} is |a| or |b|. This sets the
+% |\|\meta{letter}|_line| macro to the next line of that file and
+% updates the value of |\|\meta{letter}|_lineno|.
+%
+% The ``next line'' is normally read from input stream
+% |\|\meta{letter}|_read|, but if a line mismatch recently occured
+% then it might happen that the next line has already been read from
+% the file, and in that case it is taken from one of the
+% |\|\meta{letter}|_saved-|\meta{ofs} macros.
+% \begin{macrocode}
+\def\get_next_line#1{
+ \ifnum \csname#1_buftop\endcsname<\csname#1_bufmid\endcsname
+ \ifeof \csname#1_read\endcsname
+ \x_cs\let{#1_line}\end_of_file_line
+ \else
+ \read\csname#1_read\endcsname t\x_cs{o}{#1_line}
+ \global\advance \csname#1_filelineno\endcsname \@ne
+ \fi
+ \else
+ \expandafter\let \csname#1_line\expandafter\endcsname
+ \csname#1_saved-\the\csname#1_bufmid\endcsname\endcsname
+ \fi
+}
+% \end{macrocode}
+% \end{macro}
+
+% \begin{macro}{\end_of_file_line}
+% This macro expands to the text \verb*|(ENDOFFILE) | with the
+% catcodes it would have if read from an input file. It is used as an
+% end-of-file marker.
+% \begin{macrocode}
+\begingroup
+ \catcode`\(=13
+ \catcode`\)=13
+ \gdef\end_of_file_line{(ENDOFFILE)~}
+\endgroup
+% \end{macrocode}
+% \end{macro}
+
+% \begin{macro}{\the_line}
+% The |\the_line| macro is called as
+% \begin{quote}
+% |\the_line|\marg{letter}\marg{ofs}
+% \end{quote}
+% where \meta{letter} is |a| or |b|, and \meta{ofs} is a \TeX\ number.
+% It expands to the control sequence |\|\meta{letter}|_saved-|^^A
+% \meta{ofs}.
+% \begin{macrocode}
+\def\the_line#1#2{\csname#1_saved-\number#2\endcsname}
+% \end{macrocode}
+% \end{macro}
+
+% \begin{macro}{\initialise_search}
+% The |\initialise_search| macro sets everything up for a search for
+% a match between lines.
+%
+% \begin{macrocode}
+\def\initialise_search{
+ \global\a_bufbase=\a_bufmid
+ \global\b_bufbase=\b_bufmid
+ \add_to_buffert{a}
+ \add_to_buffert{b}
+ \global\advance \a_bufmid \@ne
+ \global\advance \b_bufmid \@ne
+}
+% \end{macrocode}
+% \end{macro}
+
+% \begin{macro}{\add_to_buffert}
+% The |\add_to_buffert| macro is called as
+% \begin{quote}
+% |\add_to_buffert|\marg{letter}
+% \end{quote}
+% It adds the line returned by |\get_next_line| to the corresponding
+% buffert (if it wasn't already there) and updates the counters for
+% that buffert. After this, the line following the line being put into
+% the buffert will be the line that |\get_next_line| returns.
+% \begin{macrocode}
+\def\add_to_buffert#1{
+ \ifnum \csname#1_buftop\endcsname<\csname#1_bufmid\endcsname
+ \expandafter\let
+ \csname#1_saved-\the\csname#1_bufmid\endcsname
+ \expandafter\endcsname
+ \csname#1_line\endcsname
+ \global\advance \csname#1_buftop\endcsname \@ne
+ \fi
+}
+% \end{macrocode}
+% \end{macro}
+
+
+
+\newcount\first_integer
+\newcount\second_integer
+
+% \begin{macro}{\match_lines}
+% The |\match_lines| macro tests if two lines can be considered the
+% same (up to metrics changes, which need not be small). It is called as
+% \begin{quote}
+% |\match_lines|\marg{line a}\marg{line b}
+% \end{quote}
+% \meta{line a} and \meta{line b} may be any amount of text which
+% eventually expands to the lines in question. |\match_lines| returns
+% its answer by setting the |_a_| switch to |false| (if the lines
+% match) or |true| (if the lines don't match).
+%
+% |\match_lines| also causes the |\first_dimen| and |\second_dimen|
+% registers, as well as the |_histogram_dimen_| switch to be updated,
+% so it can be immediately followed by a test of the metrics.
+% \begin{macrocode}
+\def\match_lines#1#2{
+ \first_integer=\z@
+ \second_integer=\z@
+ \first_dimen=\z@
+ \second_dimen=\z@
+ \x_cs\let{string-+}\empty_command
+ \x_cs\let{string--}\empty_command
+% \end{macrocode}
+% \begin{macrocode}
+ \def\sign{+}
+ #1\line_stop
+ \def\sign{-}
+ #2\line_stop
+% \end{macrocode}
+% \begin{macrocode}
+ \_a_false
+ \expandafter\ifx \csname cmd-+ \expandafter\endcsname
+ \csname cmd--\endcsname
+ \else \_a_true \fi
+ \ifnum \first_integer=\z@ \else \_a_true \fi
+ \ifnum \second_integer=\z@ \else \_a_true \fi
+ \expandafter\ifx \csname string-+ \expandafter\endcsname
+ \csname string--\endcsname
+ \else \_a_true \fi
+}
+% \end{macrocode}
+% \end{macro}
+
+% \begin{macro}{\try_matching}
+% \begin{macro}{\a_bufP}
+% \begin{macro}{\b_bufP}
+% The |\try_matching| descends through the buffert until the |_a_|
+% switch gets |false| or it has tried the bottommost lines in the
+% buffert. Since |\body| is already defined by the |\loop| in
+% |\process_lines|, |\try_matching| uses an explicit end recursion to
+% make the loop.
+% \begin{macrocode}
+\newcount\a_bufP
+\newcount\b_bufP
+\def\try_matching{
+ \global\advance \a_bufP \m@ne
+ \global\advance \b_bufP \m@ne
+% % Begin debug
+% \wlog{a_bufbase:~\the\a_bufbase\space\space\space
+% b_bufbase:~\the\b_bufbase}
+% \wlog{a_bufmid:~\the\a_bufmid\space\space\space
+% b_bufmid:~\the\b_bufmid}
+% \wlog{a_buftop:~\the\a_buftop\space\space\space
+% b_buftop:~\the\b_buftop}
+% \wlog{a_bufP:~\the\a_bufP\space\space\space
+% b_bufP:~\the\b_bufP}
+% \begingroup
+% \def\do_left_paren{(}\def\do_right_paren{)}
+% \wlog{a_line:~\a_line}
+% \wlog{b_buf_line:~\the_line{b}{\b_bufP}}
+% \wlog{b_line:~\b_line}
+% \wlog{a_buf_line:~\the_line{a}{\a_bufP}^^J}
+% \endgroup
+% % End debug
+ \match_lines{\a_line}{\the_line{b}{\b_bufP}}
+ \if_a_
+ \match_lines{\the_line{a}{\a_bufP}}{\b_line}
+ \if_a_ \else
+ \global\a_bufmid=\a_bufP
+ \fi
+ \else
+ \global\b_bufmid=\b_bufP
+ \fi
+ \ifnum \a_bufP>\a_bufbase \if_a_
+ \expandafter\expandafter\expandafter\try_matching
+ \fi \fi
+}
+% \end{macrocode}
+% \end{macro}
+
+% \begin{macro}{\report_mismatch}
+% The |\report_mismatch| macro does precisely what it says. It also increases
+% the \texttt{bufbase} and \texttt{lineno} registers to point at the
+% matching lines.
+% \begin{macrocode}
+\def\report_mismatch{
+ \begingroup
+ \def\do_left_paren{(}
+ \def\do_right_paren{)}
+ \wlog{Mismatch~in~first~file~(at~\the\a_lineno):}
+ \loop
+ \wlog{\the_line{a}{\a_bufbase}}
+ \ifnum \a_bufbase<\a_bufmid
+ \global\advance \a_bufbase \@ne
+ \global\advance \a_lineno \@ne
+ \repeat
+ \wlog{Match~found~at~line~\the\a_lineno.}
+ \wlog{Mismatch~in~second~file~(at~\the\b_lineno):}
+ \loop
+ \wlog{\the_line{b}{\b_bufbase}}
+ \ifnum \b_bufbase<\b_bufmid
+ \global\advance \b_bufbase \@ne
+ \global\advance \b_lineno \@ne
+ \repeat
+ \wlog{Match~found~at~line~\the\b_lineno.}
+ \endgroup
+ \glyphified_location
+ \ifnum 4>\compared_status
+ \global\chardef\compared_status=4
+ \fi
+}
+% \end{macrocode}
+% \end{macro}
+
+\def\glyphified_location{
+ \ifx \encoding_name\empty_command
+ \ifnum \m@ne<\last_character
+ \wlog{This~is~related~to~slot~\the\last_character.^^J}
+ \else
+ \wlog{This~is~in~the~header.^^J}
+ \fi
+ \else
+ \if_undefined{name-\encoding_name-\the\last_character}\then
+ \ifnum \last_character=\m@ne
+ \wlog{This~is~in~the~header.^^J}
+ \else
+ \wlog{This~is~related~to~slot~\the\last_character\space
+ (unencoded).^^J}
+ \fi
+ \else
+ \wlog{This~is~related~to~the~glyph~
+ \csname name-\encoding_name-\the\last_character\endcsname
+ .^^J}
+ \fi
+ \fi
+}
+% \begin{macro}{\compared_status}
+% |\compared_status| is a \meta{chardef token} which stores the
+% current status of the comparision, according to the following table
+% \begin{enumerate}
+% \item[0] The property lists are equal---there may be checksum
+% differences, but nothing else.
+% \item[1] The property lists are almost equal---there are
+% differences in the metrics, but these are within the |\tolerance|
+% level.
+% \item[2] The property lists are essentially equal---there are
+% differences in the metrics, but these are within the |\tolerance|
+% level, with the exception of some \texttt{CHARHT},
+% \texttt{CHARDP}, and \texttt{CHARIC} values.
+% \item[3] The property lists have metric differences---there are
+% metric differences not with category 2.
+% \item[4] The property lists are not completely matched.
+% \end{enumerate}
+% \end{macro}
+
+% \begin{macro}{\step_linenos}
+% The |\step_linenos| macro increments the |_lineno| line numbers. If
+% the current line was fetched from the buffert, then it also
+% increments the |_bufmid| and |_bufbase| registers, and checks
+% whether the buffert ended (in which case it is normalized to its
+% starting position, to conserve hash table space).
+% \begin{macrocode}
+\def\step_linenos{
+ \global\advance \a_lineno \@ne
+ \ifnum \a_bufmid=\a_buftop
+ \global\a_bufbase=\z@
+ \global\a_bufmid=\z@
+ \global\a_buftop=\m@ne
+ \else\ifnum \a_bufmid<\a_buftop
+ \global\advance \a_bufmid \@ne
+ \global\advance \a_bufbase \@ne
+ \fi\fi
+ \global\advance \b_lineno \@ne
+ \ifnum \b_bufmid=\b_buftop
+ \global\b_bufbase=\z@
+ \global\b_bufmid=\z@
+ \global\b_buftop=\m@ne
+ \else\ifnum \b_bufmid<\b_buftop
+ \global\advance \b_bufmid \@ne
+ \global\advance \b_bufbase \@ne
+ \fi\fi
+}
+% \end{macrocode}
+% \end{macro}
+
+
+\newdimen\first_dimen
+\newdimen\second_dimen
+\newcount\ht_hist_i
+\newcount\ht_hist_ii
+\newcount\ht_hist_iii
+\newcount\ht_hist_iv
+\newcount\dp_hist_i
+\newcount\dp_hist_ii
+\newcount\dp_hist_iii
+\newcount\dp_hist_iv
+\newcount\ic_hist_i
+\newcount\ic_hist_ii
+\newcount\ic_hist_iii
+\newcount\ic_hist_iv
+
+% \begin{macro}{\clear_histograms}
+% This macro clears all the histograms.
+% \begin{macrocode}
+\def\clear_histograms{
+ \global\ht_hist_i=\z@
+ \global\ht_hist_ii=\z@
+ \global\ht_hist_iii=\z@
+ \global\ht_hist_iv=\z@
+ \global\dp_hist_i=\z@
+ \global\dp_hist_ii=\z@
+ \global\dp_hist_iii=\z@
+ \global\dp_hist_iv=\z@
+ \global\ic_hist_i=\z@
+ \global\ic_hist_ii=\z@
+ \global\ic_hist_iii=\z@
+ \global\ic_hist_iv=\z@
+}
+% \enc{macrocode}
+% \end{macro}
+
+% \begin{macro}{\present_histograms}
+% This macro writes the histogram data to the log file.
+% \begin{macrocode}
+\def\present_histograms{
+ \wlog{\string\tolerance*~\space CHARHT~\space CHARDP~\space CHARIC}
+ \wlog{~\space\space 1--~\space\space 10\hist_to_eight{ht}{i}
+ \hist_to_eight{dp}{i}\hist_to_eight{ic}{i}}
+ \wlog{~\space 10--~\space 100\hist_to_eight{ht}{ii}
+ \hist_to_eight{dp}{ii}\hist_to_eight{ic}{ii}}
+ \wlog{~100--~1000\hist_to_eight{ht}{iii}\hist_to_eight{dp}{iii}
+ \hist_to_eight{ic}{iii}}
+ \wlog{1000--10000\hist_to_eight{ht}{iv}\hist_to_eight{dp}{iv}
+ \hist_to_eight{ic}{iv}}
+}
+\def\hist_to_eight#1#2{\x_cs\hist_to_eight_i{#1_hist_#2}}
+\def\hist_to_eight_i#1{
+ \ifnum #1<\@M
+ \four_spaces
+ \ifnum #1<\one_hundred
+ \space\space
+ \ifnum 10>#1 ~\fi
+ \else \ifnum #1<\one_thousand \space\fi \fi
+ \else
+ \ifnum 1000000>#1
+ \space\space
+ \ifnum 100000>#1 ~\fi
+ \else \ifnum 1000000>#1 ~\fi \fi
+ \fi
+ \the#1
+}
+% \end{macrocode}
+% \end{macro}
+
+
+% \begin{macro}{\metric_statistics}
+% \begin{macro}{\metric_origin}
+% The |\metric_statistics| macro takes care of comparing the metrics
+% by inspecting the values of |\first_dimen| and |\second_dimen|. It
+% has four classes of differences, which are represented by
+% |\compared_status| values 0--3: no difference, tolerable (almost no)
+% difference, histogrammed (essentially no) difference, and
+% non-tolerable difference. If a non-tolerable difference is found,
+% then the current lines are written to the log file. Histogrammed
+% differences causes the corresponding
+% |\|\meta{type}|_hist_|\meta{group} register to be incremented, and
+% tolerable differences only affect the value of |\compared_status|.
+%
+% The |\metric_origin| macro contains the \meta{type} of the metric
+% data. It is usually empty, but PL properties with metrics that have
+% histograms set it so that the correct histogram is updated.
+%
+% \begin{macrocode}
+\def\metric_statistics{
+ \_a_false
+ %
+ \ifdim \first_dimen<\z@ \first_dimen=-\first_dimen \fi
+ \ifdim \first_dimen=\z@
+ \else\ifdim \first_dimen<\tolerance
+ \ifnum 1>\compared_status
+ \global\chardef\compared_status=1
+ \fi
+ \else\ifx \metric_origin\empty_command
+ \_a_true
+ \else
+ \a_count=\@ne
+ \def\a_macro{10}
+ \loop\ifdim \a_macro\tolerance<\first_dimen
+ \edef\a_macro{\a_macro 0}
+ \advance \a_count \@ne
+ \repeat
+ \if_undefined{\metric_origin _hist_ \romannumeral\a_count}\then
+ \_a_true
+ \else
+ \global\advance \csname \metric_origin _hist_
+ \romannumeral\a_count \endcsname \@ne
+ \ifnum 2>\compared_status
+ \global\chardef\compared_status=2
+ \fi
+ \fi
+ \fi\fi\fi
+ %
+ \ifdim \second_dimen<\z@ \second_dimen=-\second_dimen \fi
+ \ifdim \second_dimen=\z@
+ \else\ifdim \second_dimen<\tolerance
+ \ifnum 1>\compared_status
+ \global\chardef\compared_status=1
+ \fi
+ \else\ifx \metric_origin\empty_command
+ \_a_true
+ \else
+ \a_count=\@ne
+ \def\a_macro{10}
+ \loop\ifdim \a_macro\tolerance<\second_dimen
+ \edef\a_macro{\a_macro 0}
+ \advance \a_count \@ne
+ \repeat
+ \if_undefined{\metric_origin _hist_ \romannumeral\a_count}\then
+ \_a_true
+ \else
+ \global\advance \csname \metric_origin _hist_
+ \romannumeral\a_count \endcsname \@ne
+ \ifnum 2>\compared_status
+ \global\chardef\compared_status=2
+ \fi
+ \fi
+ \fi\fi\fi
+ %
+ \if_a_
+ \ifnum 3>\compared_status
+ \global\chardef\compared_status=3
+ \fi
+ \begingroup
+ \def\do_left_paren{(}
+ \def\do_right_paren{)}
+ \wlog{Metric~differences~at~lines~\the\a_lineno\space
+ and~\the\b_lineno\space respectively:}
+ \wlog{\a_line}
+ \wlog{\b_line}
+ \endgroup
+ \glyphified_location
+ \fi
+}
+% \end{macrocode}
+% \end{macro}\end{macro}
+
+
+
+
+\newif\if_b_
+
+% \begin{macro}{\process_lines}
+% The |\process_lines| macro is the cheif executive in the comparision.
+% Its normal mode of operation is to retrive the next two lines from
+% the input files, match them, and update the metric differences
+% statistics. If the lines do not match, however, it starts building a
+% buffert of lines in which it searches for two matching lines. When
+% these two lines are found the mismatching portions of the files are
+% written to the log file, and the metric difference statistics are
+% updated for the two lines that matched.
+%
+% \begin{macrocode}
+\def\process_lines{
+ \get_next_line{a}
+ \get_next_line{b}
+ \match_lines{\a_line}{\b_line}
+ \if_a_
+% \end{macrocode}
+% Now the process of trying to find a match begins. At each step of
+% the search for a match, it tries all possible matches with the
+% lines read so far that haven't been tried at an earlier step.
+% \begin{macrocode}
+% \tracingmacros=\@ne\tracingcommands=\tw@ % DEBUG
+ \initialise_search
+ \loop
+ \get_next_line{a}
+ \get_next_line{b}
+ \add_to_buffert{a}
+ \add_to_buffert{b}
+ \match_lines{\a_line}{\b_line}
+ \if_a_
+ \global\a_bufP=\a_bufmid
+ \global\b_bufP=\b_bufmid
+ \try_matching
+ \fi
+ \if_a_
+ \global\advance \a_bufmid \@ne
+ \global\advance \b_bufmid \@ne
+ \ifnum \a_bufmid>\sixt@@n
+ \errmessage{Big~buffert.~\the\a_lineno[\the\a_filelineno]:
+ \the\b_lineno[\the\b_filelineno]}
+ \fi % DEBUG
+ \repeat
+ \report_mismatch
+% \tracingcommands=\z@\tracingmacros=\z@ % DEBUG
+% \end{macrocode}
+% \begin{macrocode}
+ \fi
+ \metric_statistics
+ \step_linenos
+ \par % DEBUG
+ \if \ifx \a_line\end_of_file_line
+ \ifx \b_line\end_of_file_line 1\else 0\fi\else 0\fi 0
+ % then
+ \expandafter\process_lines
+ \fi
+}
+% \end{macrocode}
+% \end{macro}
+
+\def\loadencoding#1{{
+ \def\do_slot{\x_cs\xdef{name-#1-\the\slot_number}{\slot_name}}
+ \inputetx{#1}
+}}
+
+% \begin{macro}{\comparePLs}
+% The |\comparePLs| command compares two property lists files. It is
+% geared against verifying that two different such files are as good
+% as equal, and it might take a very long time before it gives up on
+% trying to find any resemblance between them. It is furthermore only
+% meant to be used on (V)PL files generated by \package{TFtoPL} or
+% \package{VFtoVP}, because it assumes the property lists follow a
+% stricter syntax than \package{PLtoTF} and \package{VPtoVF} requires
+% them to. Finally it needs to be said that the comparision is rather
+% stupid in many respects, as it is completely line-oriented and
+% takes no notice of what kind of property list it is reading. This
+% may in some cases cause it to find ``matches'' between lines which
+% for syntactical reasons alone cannot match.
+%
+% |\comparePLs| is called as
+% \begin{quote}
+% |\comparePLs|\marg{first PL}\marg{second PL}\marg{encoding}
+% \end{quote}
+% where \meta{first PL} and \meta{second PL} are the complete names
+% (including extensions) of the files to compare. \meta{encoding} is
+% the name of the encoding to use when translating slots to glyph
+% names; leave it empty if you don't want to specify one. (One could
+% use the \texttt{CODINGSCHEME} property to determine the encoding in
+% that case, but this is not currently done). The slot to glyph
+% translation is only done to make it easier to locate the position of
+% some mismatch; it has not effect on the actual comparision.
+% \begin{macrocode}
+\newcount\last_character
+\def\comparePLs#1#2#3{{
+ \def\encoding_name{#3}
+ \last_character=\m@ne
+ \openin\a_read=#1\x_relax
+ \openin\b_read=#2\x_relax
+ \immediate\write\sixt@@n{#1~and^^J #2}
+ \pl_catcodes
+ \let\do_left_paren=\do_property
+ \let\do_right_paren=\empty_command
+ \global\chardef\compared_status=\z@
+ \clear_histograms
+ \global\a_filelineno=\@ne
+ \global\b_filelineno=\@ne
+ \global\a_lineno=\@ne
+ \global\b_lineno=\@ne
+ \global\a_bufbase=\z@
+ \global\b_bufbase=\z@
+ \global\a_bufmid=\z@
+ \global\b_bufmid=\z@
+ \global\a_buftop=\m@ne
+ \global\b_buftop=\m@ne
+ \process_lines
+ \closein\a_read
+ \closein\b_read
+ \ifcase \compared_status
+ \immediate\write\sixt@@n{are~equal.^^J}
+ \or
+ \immediate\write\sixt@@n{are~almost~equal.^^J}
+ \or
+ \immediate\write\sixt@@n{are~essentially~equal.}
+ \or
+ \immediate\write\sixt@@n{have~non-tolerated~metric~differences.}
+ \or
+ \immediate\write\sixt@@n{do~not~completely~match.}
+ \else
+ \immediate\write\sixt@@n{could~not~be~matched!}
+ \fi
+ \ifnum 1<\compared_status
+ \immediate\write\sixt@@n{See~log~file~for~specification.}
+ \present_histograms
+ \immediate\write\sixt@@n{}
+ \fi
+}}
+% \end{macrocode}
+% \end{macro}
+
+
+\begingroup
+ \catcode`\(=13 \catcode`\)=13
+ \gdef\pl_catcodes{
+ \catcode`\(=13 \def({\do_left_paren}
+ \catcode`\)=13 \def){\do_right_paren}
+ }
+\endgroup
+
+\def\do_property#1~{
+ \x_cs\edef{cmd-\sign}{#1}
+ \let\metric_origin=\empty_command
+ \x_cs\ifx{pl-#1}\x_relax
+ \expandafter\ignore_parens
+ \else
+ \csname pl-#1 \expandafter\endcsname
+ \fi
+}
+\def\pl_def_s#1(#2){\x_cs\def{pl-#1}#2~}
+\begingroup
+ \catcode`\!=13\lccode`\!=`\)
+\lowercase{\endgroup
+ \def\pl_def_p#1(#2){\x_cs\def{pl-#1}#2!}
+}
+\def\pl_let#1#2{
+ \expandafter\let
+ \csname pl-#1 \expandafter\endcsname \csname pl-#2 \endcsname
+}
+
+
+
+\newdimen\tolerance \tolerance=110sp
+
+% The following is for gobbling to the next unmatched right parenthesis.
+% The |\catcode| trick used by the PL-to-MTX converter's
+% |\ignore_parens| cannot be used since the characters are already
+% tokenized, but one can do something similar with an |\edef| since one
+% does not have to worry about the PL files containing material which
+% expands in an undesirable way.
+%
+% The |\line_stop| is so that linebreaks in the parenthesis being
+% gobbled will not cause total havok (although the parenthesis won't be
+% gobbled completely). It inserts end-of-group tokens until the |\edef|
+% is terminated, and then the |\afterassignment| token will close the
+% group and restore the normal definition.
+
+\def\ignore_parens{
+ \begingroup
+ \def\do_left_paren{{\iffalse}\fi}
+ \def\do_right_paren{\iffalse{\fi}}
+ \def\line_stop{\do_right_paren\line_stop}
+ \afterassignment\endgroup
+ \edef\a_macro{\iffalse}\fi
+}
+\def\line_stop{\x_relax}
+% \end{macrocode}
+%
+\begingroup
+ \catcode`\(=1
+ \catcode`\)=2
+ \gdef\pl_string{
+ \begingroup
+ \def\do_left_paren{(\iffalse)\fi}
+ \def\do_right_paren{\iffalse(\fi)}
+ \def\line_stop{\iffalse{\fi}\line_stop}
+ \afterassignment\pl_string_i
+ \edef\a_macro{\iffalse}\fi
+ }
+\endgroup
+\def\pl_string_i{
+ \expandafter\endgroup \expandafter\def
+ \csname string-\sign \expandafter\endcsname
+ \expandafter{\a_macro}
+}
+
+\def\pl_real#1{\sign#1\hundred_pt}
+\newdimen\hundred_pt \hundred_pt=100pt
+
+% Convert a PL int to a \TeX{} int, assuming it's prefixed
+% by |C|, |D|, |O|, or |H|.
+%
+% \begin{macrocode}
+\def\pl_int#1#2{
+ \sign \ifx#1C `#2
+ \else\ifx#1D #2
+ \else\ifx#1O '#2
+ \else\ifx#1H "#2
+ \else -1\errmessage{Unknown~PL~number~prefix~`#1'}
+ \fi\fi\fi\fi
+}
+% \end{macrocode}
+
+
+% \begin{macrocode}
+\pl_def_p{NEXTLARGER}(#1~#2){\advance \first_integer \pl_int{#1}{#2}}
+\pl_let{BOUNDARYCHAR}{NEXTLARGER}
+% \end{macrocode}
+%
+%
+% \begin{macrocode}
+\x_cs\let{pl-VTITLE}=\pl_string
+\pl_let{FONTNAME}{VTITLE}
+\pl_let{FONTAREA}{VTITLE}
+% \pl_let{CHECKSUM}{VTITLE}
+% % Not really a string, but unsigned numbers can become too large for TeX.
+% \pl_let{FONTCHECKSUM}{CHECKSUM}
+% Commented out since checksums vary too much.
+\pl_def_p{FONTAT}(R~#1){\advance \first_dimen \pl_real{#1}}
+\pl_let{FONTDSIZE}{FONTAT}
+\pl_let{SELECTFONT}{NEXTLARGER}
+\pl_let{SETCHAR}{NEXTLARGER}
+\pl_def_p{SETRULE}(R~#1~R~#2){
+ \advance \first_dimen \pl_real{#1}
+ \advance \second_dimen \pl_real{#2}
+}
+\x_cs\let{pl-POP}\empty_command
+\pl_let{PUSH}{POP}
+\pl_let{MOVERIGHT}{FONTAT}
+\pl_let{MOVELEFT}{FONTAT}
+\pl_let{MOVEUP}{FONTAT}
+\pl_let{MOVEDOWN}{FONTAT}
+\pl_let{SPECIAL}{VTITLE}
+\pl_let{SPECIALHEX}{VTITLE}
+% \end{macrocode}
+%
+%
+
+\pl_let{CODINGSCHEME}{VTITLE}
+\pl_let{DESIGNSIZE}{FONTAT}
+
+\def\pl_parameter#1#2#3{
+ \advance \first_integer \pl_int{#1}{#2}
+ \advance \first_dimen \pl_real{#3}
+}
+
+\pl_def_p{PARAMETER}(#1~#2~R~#3){\pl_parameter{#1}{#2}{#3}}
+
+\pl_def_p{SLANT}(R~#1){\pl_parameter{D}{1}{#1}}
+\pl_def_p{SPACE}(R~#1){\pl_parameter{D}{2}{#1}}
+\pl_def_p{STRETCH}(R~#1){\pl_parameter{D}{3}{#1}}
+\pl_def_p{SHRINK}(R~#1){\pl_parameter{D}{4}{#1}}
+\pl_def_p{XHEIGHT}(R~#1){\pl_parameter{D}{5}{#1}}
+\pl_def_p{QUAD}(R~#1){\pl_parameter{D}{6}{#1}}
+\pl_def_p{EXTRASPACE}(R~#1){\pl_parameter{D}{7}{#1}}
+
+\pl_def_p{NUM1}(R~#1){\pl_parameter{D}{8}{#1}}
+\pl_def_p{NUM2}(R~#1){\pl_parameter{D}{9}{#1}}
+\pl_def_p{NUM3}(R~#1){\pl_parameter{D}{10}{#1}}
+\pl_def_p{DENOM1}(R~#1){\pl_parameter{D}{11}{#1}}
+\pl_def_p{DENOM2}(R~#1){\pl_parameter{D}{12}{#1}}
+\pl_def_p{SUP1}(R~#1){\pl_parameter{D}{13}{#1}}
+\pl_def_p{SUP2}(R~#1){\pl_parameter{D}{14}{#1}}
+\pl_def_p{SUP3}(R~#1){\pl_parameter{D}{15}{#1}}
+\pl_def_p{SUB1}(R~#1){\pl_parameter{D}{16}{#1}}
+\pl_def_p{SUB2}(R~#1){\pl_parameter{D}{17}{#1}}
+\pl_def_p{SUPDROP}(R~#1){\pl_parameter{D}{18}{#1}}
+\pl_def_p{SUBDROP}(R~#1){\pl_parameter{D}{19}{#1}}
+\pl_def_p{DELIM1}(R~#1){\pl_parameter{D}{20}{#1}}
+\pl_def_p{DELIM2}(R~#1){\pl_parameter{D}{21}{#1}}
+\pl_def_p{AXISHEIGHT}(R~#1){\pl_parameter{D}{22}{#1}}
+
+\pl_let{DEFAULTRULETHICKNESS}{NUM1}
+\pl_let{BIGOPSPACING1}{NUM2}
+\pl_let{BIGOPSPACING2}{NUM3}
+\pl_let{BIGOPSPACING3}{DENOM1}
+\pl_let{BIGOPSPACING4}{DENOM2}
+\pl_let{BIGOPSPACING5}{SUP1}
+
+\def\boundarychar_name{BOUNDARYCHAR}
+\pl_def_s{LABEL}(#1){
+ \def\a_macro{#1}
+ \ifx \a_macro\boundarychar_name
+ \x_cs\let{string-\sign}\a_macro
+ \else
+ \def\a_macro{\csname pl-LABEL(i\endcsname #1~}
+ \expandafter\a_macro
+ \fi
+}
+\pl_def_p{LABEL(i}(#1~#2){
+ \last_character=\first_integer
+ \advance \first_integer \pl_int{#1}{#2}
+}
+\pl_def_p{LIG}(#1~#2~#3~#4){
+ \advance \first_integer \pl_int{#1}{#2}
+ \advance \second_integer \pl_int{#3}{#4}
+}
+\pl_let{/LIG}{LIG}
+\pl_let{/LIG>}{LIG}
+\pl_let{LIG/}{LIG}
+\pl_let{LIG/>}{LIG}
+\pl_let{/LIG/}{LIG}
+\pl_let{/LIG/>}{LIG}
+\pl_let{/LIG/>>}{LIG}
+
+\pl_let{HEADER}{LIG}
+
+% \def\pl_lig#1~#2~#3~#4~#5~{
+% \x_cs\def{string-\sign}{#1}
+% \def\LIG#1~{
+% \if\ifx #1C 0
+% \else\ifx #1D 0
+% \else\ifx #1H 0
+% \else\ifx #1O 0 \else 1\fi\fi\fi\fi 0
+% % then
+% \expandafter\both_of_two
+% \else
+% \expandafter\first_of_two
+% \fi{\pl_lig LIG}{~}#1~
+% }
+% \def\/{\pl_lig/}
+
+\pl_let{KRN}{PARAMETER}
+\pl_let{SKIP}{NEXTLARGER}
+
+\pl_def_s{CHARACTER}(#1~#2){
+ \last_character=\first_integer
+ \advance \first_integer \pl_int{#1}{#2}
+}
+\pl_let{CHARWD}{FONTAT}
+\pl_def_p{CHARHT}(R~#1){
+ \def\metric_origin{ht}
+ \advance \first_dimen \pl_real{#1}
+}
+\pl_def_p{CHARDP}(R~#1){
+ \def\metric_origin{dp}
+ \advance \first_dimen \pl_real{#1}
+}
+\pl_def_p{CHARIC}(R~#1){
+ \def\metric_origin{ic}
+ \advance \first_dimen \pl_real{#1}
+}
+
+\pl_let{TOP}{NEXTLARGER}
+\pl_let{MID}{NEXTLARGER}
+\pl_let{BOT}{NEXTLARGER}
+\pl_let{REP}{NEXTLARGER}
+
+\pl_let{FONTDIMEN}{POP}
+\pl_let{LIGTABLE}{POP}
+\pl_let{VARCHAR}{POP}
+\pl_def_s{MAPFONT}(#1~#2){\advance \first_integer \pl_int{#1}{#2}}
+\pl_let{MAP}{POP}
+
+
+% \begin{macrocode}
+\catcode`\@=\atcatcode
+\catcode`\^^M=\nlcatcode
+\catcode`\ =\spacecatcode
+\catcode`\~=\tildecatcode
+\catcode`\_=\underscorecatcode
+% \end{macrocode}
diff --git a/Master/texmf-dist/doc/fonts/fontinst/base/test/comparepls.tex b/Master/texmf-dist/doc/fonts/fontinst/base/test/comparepls.tex
new file mode 100644
index 00000000000..a735a34ed79
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontinst/base/test/comparepls.tex
@@ -0,0 +1,73 @@
+\input fontinst.sty
+\input comparemetrics.sty
+
+% % \tracingmacros=1\tracingcommands=2
+% \comparePLs{cmr5.pl}{cmr5.pl}
+%
+% \bye
+
+\tracingstats=1
+
+\def\oldf{::efficiency:saved:v1.912:}
+\def\newf{::efficiency:saved:v1.913:}
+
+\loadencoding{t1}
+\loadencoding{ot1}
+\loadencoding{ts1}
+\loadencoding{8r}
+
+\comparePLs{\oldf padb7t.vpl}{\newf padb7t.vpl}{ot1} %OK 11sp
+\comparePLs{\oldf padb8c.vpl}{\newf padb8c.vpl}{ts1} %OK 11sp
+\comparePLs{\oldf padb8t.vpl}{\newf padb8t.vpl}{t1} %OK 11sp
+\comparePLs{\oldf padbc7t.vpl}{\newf padbc7t.vpl}{ot1} %OK 11sp
+\comparePLs{\oldf padbc8t.vpl}{\newf padbc8t.vpl}{t1}
+\comparePLs{\oldf padbi7t.vpl}{\newf padbi7t.vpl}{ot1}
+\comparePLs{\oldf padbi8c.vpl}{\newf padbi8c.vpl}{ts1}
+\comparePLs{\oldf padbi8t.vpl}{\newf padbi8t.vpl}{t1}
+\comparePLs{\oldf padbo7t.vpl}{\newf padbo7t.vpl}{ot1} %OK 11sp
+\comparePLs{\oldf padbo8c.vpl}{\newf padbo8c.vpl}{ts1} %OK 11sp
+\comparePLs{\oldf padbo8t.vpl}{\newf padbo8t.vpl}{t1}
+\comparePLs{\oldf padr7t.vpl}{\newf padr7t.vpl}{ot1} %OK 11sp
+\comparePLs{\oldf padr8c.vpl}{\newf padr8c.vpl}{ts1} %OK 11sp
+\comparePLs{\oldf padr8t.vpl}{\newf padr8t.vpl}{t1} %OK 11sp
+\comparePLs{\oldf padrc7t.vpl}{\newf padrc7t.vpl}{ot1} %OK 11sp
+\comparePLs{\oldf padrc8t.vpl}{\newf padrc8t.vpl}{t1} %OK 11sp
+\comparePLs{\oldf padri7t.vpl}{\newf padri7t.vpl}{ot1}
+\comparePLs{\oldf padri8c.vpl}{\newf padri8c.vpl}{ts1} %OK 11sp
+\comparePLs{\oldf padri8t.vpl}{\newf padri8t.vpl}{t1}
+\comparePLs{\oldf padro7t.vpl}{\newf padro7t.vpl}{ot1} %OK 11sp
+\comparePLs{\oldf padro8c.vpl}{\newf padro8c.vpl}{ts1} %OK 11sp
+\comparePLs{\oldf padro8t.vpl}{\newf padro8t.vpl}{t1}
+\comparePLs{\oldf pads7t.vpl}{\newf pads7t.vpl}{ot1}
+\comparePLs{\oldf pads8c.vpl}{\newf pads8c.vpl}{ts1}
+\comparePLs{\oldf pads8t.vpl}{\newf pads8t.vpl}{t1}
+\comparePLs{\oldf padsc7t.vpl}{\newf padsc7t.vpl}{ot1}
+\comparePLs{\oldf padsc8t.vpl}{\newf padsc8t.vpl}{t1} %OK 11sp
+\comparePLs{\oldf padsi7t.vpl}{\newf padsi7t.vpl}{ot1}
+\comparePLs{\oldf padsi8c.vpl}{\newf padsi8c.vpl}{ts1} %OK 11sp
+\comparePLs{\oldf padsi8t.vpl}{\newf padsi8t.vpl}{t1}
+\comparePLs{\oldf padso7t.vpl}{\newf padso7t.vpl}{ot1}
+\comparePLs{\oldf padso8c.vpl}{\newf padso8c.vpl}{ts1}
+\comparePLs{\oldf padso8t.vpl}{\newf padso8t.vpl}{t1}
+
+\comparePLs{\oldf padb8a.pl}{\newf padb8a.pl}{}
+\comparePLs{\oldf padb8r.pl}{\newf padb8r.pl}{8r}
+\comparePLs{\oldf padbi8a.pl}{\newf padbi8a.pl}{}
+\comparePLs{\oldf padbi8r.pl}{\newf padbi8r.pl}{8r}
+\comparePLs{\oldf padbo8r.pl}{\newf padbo8r.pl}{8r}
+\comparePLs{\oldf padr8a.pl}{\newf padr8a.pl}{}
+\comparePLs{\oldf padr8r.pl}{\newf padr8r.pl}{8r}
+\comparePLs{\oldf padrc8a.pl}{\newf padrc8a.pl}{}
+\comparePLs{\oldf padrc8r.pl}{\newf padrc8r.pl}{8r}
+\comparePLs{\oldf padri8a.pl}{\newf padri8a.pl}{}
+\comparePLs{\oldf padri8r.pl}{\newf padri8r.pl}{8r}
+\comparePLs{\oldf padro8r.pl}{\newf padro8r.pl}{8r}
+\comparePLs{\oldf pads8a.pl}{\newf pads8a.pl}{}
+\comparePLs{\oldf pads8r.pl}{\newf pads8r.pl}{8r}
+\comparePLs{\oldf padsc8a.pl}{\newf padsc8a.pl}{}
+\comparePLs{\oldf padsc8r.pl}{\newf padsc8r.pl}{8r}
+\comparePLs{\oldf padsi8a.pl}{\newf padsi8a.pl}{}
+\comparePLs{\oldf padsi8r.pl}{\newf padsi8r.pl}{8r}
+\comparePLs{\oldf padso8r.pl}{\newf padso8r.pl}{8r}
+
+\bye \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/fontinst/base/test/scaledtest.tex b/Master/texmf-dist/doc/fonts/fontinst/base/test/scaledtest.tex
new file mode 100644
index 00000000000..f5e9dd03a2d
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontinst/base/test/scaledtest.tex
@@ -0,0 +1,8 @@
+%&Plain
+\input fontinst.sty
+
+\installfonts
+ \installfont{foo}{scaledtest scaled 300}{ot1}{OT1}{zzz}{m}{n}{}
+\endinstallfonts
+
+\bye \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/fontinst/base/test/speedtest1.tex b/Master/texmf-dist/doc/fonts/fontinst/base/test/speedtest1.tex
new file mode 100644
index 00000000000..a92823e7210
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontinst/base/test/speedtest1.tex
@@ -0,0 +1,62 @@
+\input fontinst.sty
+
+\edef\spacecatcode{\the\catcode`\ }
+\edef\nlcatcode{\the\catcode`\^^M}
+\edef\atcatcode{\the\catcode`\@}
+\edef\underscorecatcode{\the\catcode`\_}
+\edef\tildecatcode{\the\catcode`\~}
+\catcode`\ =9
+\catcode`\^^M=9
+\catcode`\@=11
+\catcode`\_=11
+\catcode`\~=10
+
+\def\Mtxtopl#1#2{{
+ \open_out{#2.pl}
+ \top_of_pl_hook
+ \out_line{(COMMENT~raw~font~#2~created~by~fontinst~
+ v\fontinstversion)}
+ \out_line{}
+ \out_line{(COMMENT~Filename:~#2.pl)}
+ \out_line{(COMMENT~Created~by:~tex~\jobname)}
+ \out_line{(COMMENT~Created~using:~\string\mtxtopl{#1}{#2})}
+ \out_line{}
+ \out_line{(COMMENT~This~file~can~be~turned~into~a~ligless~TeX~font~
+ with)}
+ \out_line{(COMMENT~pltotfm~#2.pl~#2.tfm)}
+ \out_line{}
+ \out_line{(COMMENT~THIS~FILE~CAN~THEN~BE~DELETED.)}
+ \out_line{}
+ \out_line{(DESIGNSIZE~R~10.0)}
+ \out_line{}
+ \let\setglyph=\iffalse
+ \let\endsetglyph=\fi
+ \let\setkern=\gobble_three
+ \let\setrawglyph=\Pl_raw_glyph
+ \inputmtx{#1}
+ \out_line{}
+ \out_line{(COMMENT~END~OF~FILE~#2.pl)}
+ \close_out{Raw~font}
+}}
+\def\Pl_raw_glyph#1#2#3#4#5#6#7#8{
+ \a_count=#4
+ \out_line{(CHARACTER~\vpl_int\a_count\space(COMMENT~#1)}
+ \out_lline{(CHARWD~R~\make_factor{#5})}
+ \out_lline{(CHARHT~R~\make_factor{#6})}
+ \out_lline{(CHARDP~R~\make_factor{#7})}
+ \out_lline{(CHARIC~R~\make_factor{#8})}
+ \out_lline{)}
+}
+
+
+\catcode`\@=\atcatcode
+\catcode`\^^M=\nlcatcode
+\catcode`\ =\spacecatcode
+\catcode`\~=\tildecatcode
+\catcode`\_=\underscorecatcode
+
+\batchmode
+\for(n){1}{500}{1}\Mtxtopl{cmr5}{cmr5.new}\endfor(n)
+
+\bye
+
diff --git a/Master/texmf-dist/doc/fonts/fontinst/base/test/testfont.tex b/Master/texmf-dist/doc/fonts/fontinst/base/test/testfont.tex
new file mode 100644
index 00000000000..544642aae45
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontinst/base/test/testfont.tex
@@ -0,0 +1,208 @@
+% A testbed for font evaluation (see The METAFONTbook, Appendix H)
+
+\tracinglostchars=0
+\tolerance=1000
+\raggedbottom
+\nopagenumbers
+\parindent=0pt
+\newlinechar=`@
+\hyphenpenalty=200
+\doublehyphendemerits=30000
+\hyphenation{prom-i-nent}
+
+\newcount\m \newcount\n \newcount\p \newdimen\dim
+\chardef\other=12
+
+\def\today{\ifcase\month\or
+ January\or February\or March\or April\or May\or June\or
+ July\or August\or September\or October\or November\or December\fi
+ \space\number\day, \number\year}
+\def\hours{\n=\time \divide\n 60
+ \m=-\n \multiply\m 60 \advance\m \time
+ \twodigits\n\twodigits\m}
+\def\twodigits#1{\ifnum #1<10 0\fi \number#1}
+
+\def\init{\message{@Name of the font to test = }
+ \read-1 to\fontname \startfont
+ \message{Now type a test command (\string\help\space for help):}}
+\def\startfont{\font\testfont=\fontname \spaceskip=0pt
+ \leftline{\sevenrm Test of \fontname\unskip\ on \today\ at \hours}
+ \medskip
+ \testfont \setbaselineskip
+ \ifdim\fontdimen6\testfont<10pt \rightskip=0pt plus 20pt
+ \else\rightskip=0pt plus 2em \fi
+ \spaceskip=\fontdimen2\testfont % space between words (\raggedright)
+ \xspaceskip=\fontdimen2\testfont \advance\xspaceskip by\fontdimen7\testfont}
+
+{\catcode`\|=0 \catcode`\\=\other
+|gdef|help{|message{%
+\init switches to another font;@%
+\end or \bye finishes the run;@%
+\table prints the font layout in tabular format;@%
+\text prints a sample text, assuming TeX text font conventions;@%
+\sample combines \table and \text;@%
+\mixture mixes a background character with a series of others;@%
+\alternation interleaves a background character with a series;@%
+\alphabet prints all lowercase letters within a given background;@%
+\ALPHABET prints all uppercase letters within a given background;@%
+\series prints a series of letters within a given background;@%
+\lowers prints a comprehensive test of lowercase;@%
+\uppers prints a comprehensive test of uppercase;@%
+\digits prints a comprehensive test of numerals;@%
+\math prints a comprehensive test of TeX math italic;@%
+\names prints a text that mixes upper and lower case;@%
+\punct prints a punctuation test;@%
+\bigtest combines many of the above routines;@%
+\help repeats this message;@%
+and you can use ordinary TeX commands (e.g., to \input a file).}}}
+
+\def\setbaselineskip{\setbox0=\hbox{\n=0
+\loop\char\n \ifnum \n<255 \advance\n 1 \repeat}
+\baselineskip=6pt \advance\baselineskip\ht0 \advance\baselineskip\dp0 }
+
+\def\setchar#1{{\escapechar-1\message{\string#1 character = }%
+ \def\do##1{\catcode`##1=\other}\dospecials
+ \read-1 to\next
+ \expandafter\finsetchar\next\next#1}}
+\def\finsetchar#1#2\next#3{\global\chardef#3=`#1
+ \ifnum #3=`\# \global\chardef#3=#2 \fi}
+\def\promptthree{\setchar\background
+ \setchar\starting \setchar\ending}
+
+\def\mixture{\promptthree \domix\mixpattern}
+\def\alternation{\promptthree \domix\altpattern}
+\def\mixpattern{\0\1\0\0\1\1\0\0\0\1\1\1\0\1}
+\def\altpattern{\0\1\0\1\0\1\0\1\0\1\0\1\0\1\0\1\0}
+\def\domix#1{\par\chardef\0=\background \n=\starting
+ \loop \chardef\1=\n #1\endgraf
+ \ifnum \n<\ending \advance\n 1 \repeat}
+
+\def\!{\discretionary{\background}{\background}{\background}}
+\def\series{\promptthree \!\doseries\starting\ending\par}
+\def\doseries#1#2{\n=#1\loop\char\n\!\ifnum\n<#2\advance\n 1 \repeat}
+\def\complower{\!\doseries{`a}{`z}\doseries{'31}{'34}\par}
+\def\compupper{\!\doseries{`A}{`Z}\doseries{'35}{'37}\par}
+\def\compdigs{\!\doseries{`0}{`9}\par}
+\def\alphabet{\setchar\background\complower}
+\def\ALPHABET{\setchar\background\compupper}
+
+\def\lowers{\docomprehensive\complower{`a}{`z}{'31}{'34}}
+\def\uppers{\docomprehensive\compupper{`A}{`Z}{'35}{'37}}
+\def\digits{\docomprehensive\compdigs{`0}{`4}{`5}{`9}}
+\def\docomprehensive#1#2#3#4#5{\par\chardef\background=#2
+ \loop{#1} \ifnum\background<#3\m=\background\advance\m 1
+ \chardef\background=\m \repeat \chardef\background=#4
+ \loop{#1} \ifnum\background<#5\m=\background\advance\m 1
+ \chardef\background=\m \repeat}
+
+\def\names{ {\AA}ngel\aa\ Beatrice Claire
+ Diana \'Erica Fran\c{c}oise Ginette H\'el\`ene Iris
+ Jackie K\=aren {\L}au\.ra Mar{\'\i}a N\H{a}ta{\l}{\u\i}e {\O}ctave
+ Pauline Qu\^eneau Roxanne Sabine T\~a{\'\j}a Ur\v{s}ula
+ Vivian Wendy Xanthippe Yv{\o}nne Z\"azilie\par}
+\def\punct{\par\dopunct{min}\dopunct{pig}\dopunct{hid}
+ \dopunct{HIE}\dopunct{TIP}\dopunct{fluff}
+ \$1,234.56 + 7/8 = 9\% @ \#0\par}
+\def\dopunct#1{#1,\ #1:\ #1;\ `#1'\ ?`#1?\ !`#1!\ (#1)\ [#1]\ #1*\ #1.\par}
+
+\def\bigtest{\sample
+ hamburgefonstiv HAMBURGEFONSTIV\par
+ \names \punct \lowers \uppers \digits}
+
+\def\math{\textfont1=\testfont \skewchar\testfont=\skewtrial
+ \mathchardef\Gamma="100 \mathchardef\Delta="101
+ \mathchardef\Theta="102 \mathchardef\Lambda="103 \mathchardef\Xi="104
+ \mathchardef\Pi="105 \mathchardef\Sigma="106 \mathchardef\Upsilon="107
+ \mathchardef\Phi="108 \mathchardef\Psi="109 \mathchardef\Omega="10A
+ \def\ii{i} \def\jj{j}
+ \def\\##1{|##1|+}\mathtrial
+ \def\\##1{##1_2+}\mathtrial
+ \def\\##1{##1^2+}\mathtrial
+ \def\\##1{##1/2+}\mathtrial
+ \def\\##1{2/##1+}\mathtrial
+ \def\\##1{##1,{}+}\mathtrial
+ \def\\##1{d##1+}\mathtrial
+ \let\ii=\imath \let\jj=\jmath \def\\##1{\hat##1+}\mathtrial}
+\newcount\skewtrial \skewtrial='177
+\def\mathtrial{$\\A \\B \\C \\D \\E \\F \\G \\H \\I \\J \\K \\L \\M \\N \\O
+ \\P \\Q \\R \\S \\T \\U \\V \\W \\X \\Y \\Z \\a \\b \\c \\d \\e \\f \\g
+ \\h \\\ii \\\jj \\k \\l \\m \\n \\o \\p \\q \\r \\s \\t \\u \\v \\w \\x \\y
+ \\z \\\alpha \\\beta \\\gamma \\\delta \\\epsilon \\\zeta \\\eta \\\theta
+ \\\iota \\\kappa \\\lambda \\\mu \\\nu \\\xi \\\pi \\\rho \\\sigma \\\tau
+ \\\upsilon \\\phi \\\chi \\\psi \\\omega \\\vartheta \\\varpi \\\varphi
+ \\\Gamma \\\Delta \\\Theta \\\Lambda \\\Xi \\\Pi \\\Sigma \\\Upsilon
+ \\\Phi \\\Psi \\\Omega \\\partial \\\ell \\\wp$\par}
+\def\mathsy{\begingroup\skewtrial='060 % for math symbol font tests
+ \def\mathtrial{$\\A \\B \\C \\D \\E \\F \\G \\H \\I \\J \\K \\L
+ \\M \\N \\O \\P \\Q \\R \\S \\T \\U \\V \\W \\X \\Y \\Z$\par}
+ \math\endgroup}
+
+\def\oct#1{\hbox{\rm\'{}\kern-.2em\it#1\/\kern.05em}} % octal constant
+\def\hex#1{\hbox{\rm\H{}\tt#1}} % hexadecimal constant
+\def\setdigs#1"#2{\gdef\h{#2}% \h=hex prefix; \0\1=corresponding octal
+ \m=\n \divide\m by 64 \xdef\0{\the\m}%
+ \multiply\m by-64 \advance\m by\n \divide\m by 8 \xdef\1{\the\m}}
+\def\testrow{\setbox0=\hbox{\penalty 1\def\\{\char"\h}%
+ \\0\\1\\2\\3\\4\\5\\6\\7\\8\\9\\A\\B\\C\\D\\E\\F%
+ \global\p=\lastpenalty}} % \p=1 if none of the characters exist
+\def\oddline{\cr
+ \noalign{\nointerlineskip}
+ \multispan{19}\hrulefill&
+ \setbox0=\hbox{\lower 2.3pt\hbox{\hex{\h x}}}\smash{\box0}\cr
+ \noalign{\nointerlineskip}}
+\newif\ifskipping
+\def\evenline{\loop\skippingfalse
+ \ifnum\n<256 \m=\n \divide\m 16 \chardef\next=\m
+ \expandafter\setdigs\meaning\next \testrow
+ \ifnum\p=1 \skippingtrue \fi\fi
+ \ifskipping \global\advance\n 16 \repeat
+ \ifnum\n=256 \let\next=\endchart\else\let\next=\morechart\fi
+ \next}
+\def\morechart{\cr\noalign{\hrule\penalty5000}
+ \chartline \oddline \m=\1 \advance\m 1 \xdef\1{\the\m}
+ \chartline \evenline}
+\def\chartline{&\oct{\0\1x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&}
+\def\chartstrut{\lower4.5pt\vbox to14pt{}}
+\def\table{$$\global\n=0
+ \halign to\hsize\bgroup
+ \chartstrut##\tabskip0pt plus10pt&
+ &\hfil##\hfil&\vrule##\cr
+ \lower6.5pt\null
+ &&&\oct0&&\oct1&&\oct2&&\oct3&&\oct4&&\oct5&&\oct6&&\oct7&\evenline}
+\def\endchart{\cr\noalign{\hrule}
+ \raise11.5pt\null&&&\hex 8&&\hex 9&&\hex A&&\hex B&
+ &\hex C&&\hex D&&\hex E&&\hex F&\cr\egroup$$\par}
+\def\:{\setbox0=\hbox{\char\n}%
+ \ifdim\ht0>7.5pt\reposition
+ \else\ifdim\dp0>2.5pt\reposition\fi\fi
+ \box0\global\advance\n 1 }
+\def\reposition{\setbox0=\vbox{\kern2pt\box0}\dim=\dp0
+ \advance\dim 2pt \dp0=\dim}
+\def\centerlargechars{
+ \def\reposition{\setbox0=\hbox{$\vcenter{\kern2pt\box0\kern2pt}$}}}
+
+\def\text{{\advance\baselineskip-4pt
+\setbox0=\hbox{abcdefghijklmnopqrstuvwxyz}
+\ifdim\hsize>2\wd0 \ifdim 15pc>2\wd0 \hsize=15pc \else \hsize=2\wd0 \fi\fi
+On November 14, 1885, Senator \& Mrs.~Leland Stanford called
+together at their San Francisco mansion the 24~prominent men who had
+been chosen as the first trustees of The Leland Stanford Junior University.
+They handed to the board the Founding Grant of the University, which they
+had executed three days before. This document---with various amendments,
+legislative acts, and court decrees---remains as the University's charter.
+In bold, sweeping language it stipulates that the objectives of the University
+are ``to qualify students for personal success and direct usefulness in life;
+and to promote the publick welfare by exercising an influence in behalf of
+humanity and civilization, teaching the blessings of liberty regulated by
+law, and inculcating love and reverence for the great principles of
+government as derived from the inalienable rights of man to life, liberty,
+and the pursuit of happiness.'' \moretext
+(!`THE DAZED BROWN FOX QUICKLY GAVE 12345--67890 JUMPS!)\par}}
+\def\moretext{?`But aren't Kafka's Schlo{\ss} and {\AE}sop's {\OE}uvres
+often na{\"\i}ve vis-\`a-vis the d{\ae}monic ph{\oe}nix's official r\^ole
+in fluffy souffl\'es? }
+\def\omitaccents{\let\moretext=\relax}
+
+\def\sample{\table\text}
+
+\ifx\noinit!\else\init\fi
diff --git a/Master/texmf-dist/doc/fonts/fontinst/base/test/testsc.tex b/Master/texmf-dist/doc/fonts/fontinst/base/test/testsc.tex
new file mode 100644
index 00000000000..c54452d45e1
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontinst/base/test/testsc.tex
@@ -0,0 +1,41 @@
+\input fontinst.sty
+
+\transformfont{padr8r} {\reencodefont{8r}{\fromafm{padr8a}}}
+\transformfont{padrc8r}{\reencodefont{8r}{\fromafm{padrc8a}}}
+\transformfont{pads8r} {\reencodefont{8r}{\fromafm{pads8a}}}
+\transformfont{padsc8r}{\reencodefont{8r}{\fromafm{padsc8a}}}
+\fromafm{padr8x}
+\fromafm{pads8x}
+
+\installfonts
+
+\installfamily{T1}{pad} {}
+\installfamily{T1}{padx}{}
+\installfamily{T1}{padj}{}
+
+\installfont{padrc8t}{padrc8r,latin}
+ {T1}{T1}{pad}{m}{sc}{}
+\installfont{padrc9e}
+ {kernoff,padr8r,padr8x,kernon,glyphoff,padrc8r,glyphon,
+ resetsc,latinsc}
+ {T1c}{T1}{padx}{m}{sc}{}
+\installfont{padrc9d}
+ {kernoff,padr8r,padr8x,kernon,glyphoff,padrc8r,glyphon,
+ resetosf,resetsc,latinsc}
+ {T1cj}{T1}{padj}{m}{sc}{}
+
+\installfont{padsc8t}{padsc8r,latin}
+ {T1}{T1}{pad}{m}{sc}{}
+\installfont{padsc9e}
+ {kernoff,pads8r,pads8x,kernon,glyphoff,padsc8r,glyphon,
+ resetsc,latinsc}
+ {T1c}{T1}{padx}{sb}{sc}{}
+\installfont{padsc9d}
+ {kernoff,pads8r,pads8x,kernon,glyphoff,padrc8r,glyphon,
+ resetosf,resetsc,latinsc}
+ {T1cj}{T1}{padj}{sb}{sc}{}
+
+\endinstallfonts
+\bye
+
+
diff --git a/Master/texmf-dist/doc/fonts/fontinst/base/test/v1901test.mtx b/Master/texmf-dist/doc/fonts/fontinst/base/test/v1901test.mtx
new file mode 100644
index 00000000000..624a39bf81d
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontinst/base/test/v1901test.mtx
@@ -0,0 +1,22 @@
+\relax
+
+% This is a test MTX file for the new implementation of
+% the \transformfont stuff.
+
+\metrics
+
+\setint{italicslant}{0}
+\setint{italicslant}{100}
+\setint{xheight}{400}
+
+\setrawglyph{a}{v1901test}{10.95pt}{10} {500}{400}{0}{40}
+\setrawglyph{g}{v1901test}{10.95pt}{10} {500}{400}{-300}{40}
+
+\setkern{a}{g}{100}
+
+\setglyph{ag}
+ \glyphpcc{a}{0}{500}
+ \glyphpcc{g}{500}{0}
+\endsetglyph
+
+\endmetrics \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/fontinst/base/test/v1901test.tex b/Master/texmf-dist/doc/fonts/fontinst/base/test/v1901test.tex
new file mode 100644
index 00000000000..81a6218f679
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontinst/base/test/v1901test.tex
@@ -0,0 +1,214 @@
+% Test of fontinst v1.901.
+% Started 1999/03/13.
+\input fontinst.sty
+
+% Part one---test of pooled file allocation.
+\catcode`\_=11
+\catcode`\@=11
+
+\def\show_out_filenames{%
+ \immediate\write16{\string\count17=\the\count17}%
+ \for(i){-1}{16}{1}%
+ \immediate\write16{Stream \strint{i}:
+ \x_cs\meaning{out_filename-\strint{i}}%
+ }%
+ \endfor(i)%
+}
+
+% %1 Standard usage
+% \show_out_filenames
+% \open_pout\tF{\jobname.out}
+% \show_out_filenames
+% \pout_line\tF{Hello world!}
+% \close_pout\tF{Test output}
+% \show_out_filenames
+% % Seems to work fine.
+
+% %2 Allocating LOTS of files.
+% \newcount\j_count
+% \newcount\k_count
+% \j_count=0
+% \k_count=1
+% \for(o){1}{48}{1}
+% \x_cs\open_pout{F-\strint{o}}{\jobname.\strint{o}}%
+% \ifodd \int{o} \else
+% \x_cs\pout_line{F-\the\k_count}{%
+% open=\strint{o} close=\the\j_count\space write=\the\k_count
+% }%
+% \multiply \k_count \thr@@
+% \advance \k_count \@ne
+% \d_count=\k_count
+% \divide \d_count \int{o}%
+% \multiply \d_count \int{o}%
+% \advance \k_count -\d_count
+% \advance \k_count \@ne
+% \advance \j_count \@ne
+% \x_cs\close_pout{F-\the\j_count}{Test data}%
+% \fi
+% \d_count=\int{o}%
+% \divide \d_count 8%
+% \multiply \d_count 8%
+% \advance \d_count -\int{o}%
+% \ifnum 0=\d_count \show_out_filenames \fi
+% \endfor(o)
+% % Seems to work fine as well.
+
+
+%% Part two---test of reimplemented \transformfont stuff
+%% Part two B---test of \recordtransforms stuff
+
+\recordtransforms{mapfrags.tex}
+\transformfont{v1901test1}{
+ \xscalefont{2000}{\reencodefont{t1c}{\frommtx{v1901test}}}
+}
+\transformfont{v1901test2}{
+ \yscalefont{500}{\xscalefont{2000}{\frommtx{v1901test}}}
+}
+\transformfont{v1901test3}{
+ \reencodefont{t1}{\slantfont{100}{\frommtx{v1901test}}}
+}
+\endrecordtransforms
+
+
+\bye
+
+%% Part three---test of reglyphing
+
+\reglyphfonts
+ \resetcommand\iftokeep#1\then{\ifnum 0<#1}
+ % This means that an AFM command will survive the conversion only if
+ % it refers to at least one renamed glyph and not refer to any killed
+ % glyph.
+
+% \offmtxcommand\setrawglyph
+% \offmtxcommand\setglyph
+% % This reglyphing file is inteded for extracting information from the
+% % AFM file of a Caps, Small caps, and Oldstyle figures fonts--with the
+% % intention to build a corresponding virtual font with glyphs that are
+% % present in the Regular and Expert Regular variants instead. Hence
+% % there is no need for \setrawglyph or \setglyph commands (the
+% % dimensions of the characters are known from the Reg. and Exp.Reg.
+% % AFM's), but the \setkern commands are most interesting (since 8x
+% % fonts don't contain any upper case letters, and hence has no kerning
+% % pairs between these and the small caps either).
+
+
+ \renameglyph{dollaroldstyle}{dollar}
+ \renameglyph{ampersandsmall}{ampersand}
+
+ \renameglyph{zerooldstyle}{zero}
+ \renameglyph{oneoldstyle}{one}
+ \renameglyph{twooldstyle}{two}
+ \renameglyph{threeoldstyle}{three}
+ \renameglyph{fouroldstyle}{four}
+ \renameglyph{fiveoldstyle}{five}
+ \renameglyph{sixoldstyle}{six}
+ \renameglyph{sevenoldstyle}{seven}
+ \renameglyph{eigtholdstyle}{eight}
+ \renameglyph{nineoldstyle}{nine}
+
+ \renameglyph{Asmall}{a}
+ \renameglyph{Bsmall}{b}
+ \renameglyph{Csmall}{c}
+ \renameglyph{Dsmall}{d}
+ \renameglyph{Esmall}{e}
+ \renameglyph{Fsmall}{f}
+ \renameglyph{Gsmall}{g}
+ \renameglyph{Hsmall}{h}
+ \renameglyph{Ismall}{i}
+ \renameglyph{Jsmall}{j}
+ \renameglyph{Ksmall}{k}
+ \renameglyph{Lsmall}{l}
+ \renameglyph{Msmall}{m}
+ \renameglyph{Nsmall}{n}
+ \renameglyph{Osmall}{o}
+ \renameglyph{Psmall}{p}
+ \renameglyph{Qsmall}{q}
+ \renameglyph{Rsmall}{r}
+ \renameglyph{Ssmall}{s}
+ \renameglyph{Tsmall}{t}
+ \renameglyph{Usmall}{u}
+ \renameglyph{Vsmall}{v}
+ \renameglyph{Wsmall}{w}
+ \renameglyph{Xsmall}{x}
+ \renameglyph{Ysmall}{y}
+ \renameglyph{Zsmall}{z}
+
+ \renameglyph{centoldstyle}{cent}
+
+ % \renameglyph{FIsmall}{fi}
+ % \renameglyph{FLsmall}{fl}
+ % These two aren't really necessary, since the ligature `fi' looks
+ % exactly as the letters `f'`i' next to each others.
+ \killglyph{fi}
+ \killglyph{fl}
+
+ \renameglyph{Gravesmall}{grave}
+ \renameglyph{Acutesmall}{acute}
+ \renameglyph{Circumflexsmall}{circumflex}
+ \renameglyph{Tildesmall}{tilde}
+ \renameglyph{Macronsmall}{macron}
+ \renameglyph{Brevesmall}{breve}
+ \renameglyph{Dotaccentsmall}{dotaccent}
+ \renameglyph{Dieresissmall}{dieresis}
+ \renameglyph{Ringsmall}{ring}
+ \renameglyph{Cedillasmall}{cedilla}
+ \renameglyph{Ogoneksmall}{ogonek}
+ \renameglyph{Caronsmall}{caron}
+
+ \renameglyph{AEsmall}{ae}
+ \renameglyph{dotlessIsmall}{dotlessi}
+ \renameglyph{Lslashsmall}{lslash}
+ \renameglyph{Oslashsmall}{oslash}
+ \renameglyph{OEsmall}{oe}
+ % \renameglyph{SSsmall}{germandbls}
+ % This isn't really needed in the AGaramond font family, since `SSsmall'
+ % looks exactly like `Ssmall'`Ssmall'
+ \killglyph{germandbls}
+
+ \renameglyph{Oacutesmall}{oacute}
+ \renameglyph{Odieresissmall}{odieresis}
+ \renameglyph{Ucircumflexsmall}{ucircumflex}
+
+ \renameglyph{Uacutesmall}{uacute}
+ \renameglyph{Eacutesmall}{eacute}
+ \renameglyph{Iacutesmall}{iacute}
+ \renameglyph{Icircumflexsmall}{icircumflex}
+
+ \renameglyph{Thornsmall}{thorn}
+ \renameglyph{Yacutesmall}{yacute}
+
+ \renameglyph{Ocircumflexsmall}{ocircumflex}
+ \renameglyph{Otildesmall}{otilde}
+ \renameglyph{Ntildesmall}{ntilde}
+ \renameglyph{Ydieresissmall}{ydieresis}
+ \renameglyph{Ethsmall}{eth}
+ \renameglyph{Acircumflexsmall}{acircumflex}
+ \renameglyph{Aringsmall}{aring}
+ \renameglyph{Ccedillasmall}{ccedilla}
+
+ \renameglyph{Ugravesmall}{ugrave}
+ \renameglyph{Zcaronsmall}{zcaron}
+ \renameglyph{Idieresissmall}{idieresis}
+ \renameglyph{Agravesmall}{agrave}
+
+ \renameglyph{Ogravesmall}{ograve}
+
+ \renameglyph{Udieresissmall}{udieresis}
+ \renameglyph{Edieresissmall}{edieresis}
+ \renameglyph{Aacutesmall}{aacute}
+ \renameglyph{Igravesmall}{igrave}
+ \renameglyph{Idieresissmall}{idieresis}
+ \renameglyph{Adieresissmall}{adieresis}
+
+ \renameglyph{Scaronsmall}{scaron}
+ \renameglyph{Egravesmall}{egrave}
+ \renameglyph{Atildesmall}{atilde}
+ \renameglyph{Ecircumflexsmall}{ecircumflex}
+
+ \reglyphfont{K-padrc}{gdsc}
+ \reglyphfont{K-padsc}{padsc8a}
+\endreglyphfonts
+
+
+\bye \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/fontinst/base/test/v1902test.tex b/Master/texmf-dist/doc/fonts/fontinst/base/test/v1902test.tex
new file mode 100644
index 00000000000..7274fb76597
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontinst/base/test/v1902test.tex
@@ -0,0 +1,11 @@
+\input fontinst.sty
+
+\generalpltomtx{cmr5}{cmr5;1}{pl}{OT1}
+\generalpltomtx{padr9d}{padr9d;1}{vpl}{}
+\generalpltomtx{padr9d}{padr9d;2}{vpl}{OT1}
+
+\transformfont{cmr5;2}{\fromplgivenetx{cmr5}{OT1}}
+\transformfont{padr9d;3}{\fromvpl{padr9d}}
+\transformfont{padr9d;4}{\fromvplgivenetx{padr9d}{OT1}}
+
+\bye \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/fontinst/base/test/v1905test.tex b/Master/texmf-dist/doc/fonts/fontinst/base/test/v1905test.tex
new file mode 100644
index 00000000000..47117acc5fb
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontinst/base/test/v1905test.tex
@@ -0,0 +1,22 @@
+\input fontinst.sty
+\catcode`\_=11\catcode`\ =9\catcode`\^^M=9
+\catcode`\~=10\catcode`\@=11
+
+\fontinst_error{Hungarian}{
+ I~will~not~buy~this~record,\message_break
+ it~is~scratched
+}\error_help_a
+
+\fontinst_warning{Hungarian}{Your~hovercraft~is~full~of~eels}
+
+\fontinst_info{Hungarian}{That~will~be~six~pence,~please}
+
+\fontinst_warning_no_line{Hungarian}{
+ Do~you~want~to~come~home~to~my~place\message_break
+ and~pantsy~pantsy?
+}
+
+
+
+
+\bye \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/fontinst/base/test/v1906test.mtx b/Master/texmf-dist/doc/fonts/fontinst/base/test/v1906test.mtx
new file mode 100644
index 00000000000..94306a07b32
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontinst/base/test/v1906test.mtx
@@ -0,0 +1,64 @@
+\relax
+% v1906test.mtx
+%
+% A test of the nokerning commands and the \glyphbboxright IE.
+
+
+\metrics
+
+\for(i){0}{20}{1}
+ \setglyph{c\strint{i}}
+ \glyphrule{20}{\mul{\add{\int{i}}{1}}{20}}
+ \movert{\mul{20}{\int{i}}}
+ \endsetglyph
+\endfor(i)
+
+
+\setglyph{d}
+ \for(i){5}{10}{1}
+ \glyphpcc{c\strint{i}}{\int{i}}{\int{i}}
+ \endfor(i)
+ \resetint{j}{\glyphbboxright}
+ \immediate\write16{\string\glyphbboxright=\strint{j}}
+ \glyph{c20}{1000}
+ \resetint{j}{\glyphbboxright}
+ \immediate\write16{\string\glyphbboxright=\strint{j}}
+\endsetglyph
+
+
+\for(i){0}{20}{1}
+ \for(j){0}{20}{1}
+ \setkern{c\strint{i}}{c\strint{j}}{\mul{\int{i}}{\int{j}}}
+ \endfor(j)
+\endfor(i)
+
+\noleftkerning{c1,c3,c5,c7,c9,c11,c13,c15,c17,c19}
+\immediate\write16{\expandafter\meaning\csname a_macro\endcsname}
+\norightkerning{c1,c3,c5,c7,c9}
+
+% \resetint{i}{0}
+% \loop
+% \setkern{c\strint{i}}{c\strint{i}}{-50}
+% \resetint{j}{\sub{20}{\int{i}}}
+% \resetkern{c\strint{i}}{c\strint{j}}{-100}
+% \ifnum 20>\int{i}
+% \resetint{i}{\add{\int{i}}{1}}
+% \repeat
+
+
+% \resetint{i}{0}
+% \loop
+% \ifiskern{c3}{c\strint{i}}\then
+% \resetint{T}{\kerning{c3}{c\strint{i}}}
+% \message{c3:c\strint{i} has kern \strint{T} units^^J}
+% \else
+% \message{c3:c\strint{i} no kern^^J}
+% \fi
+% \ifnum 20>\int{i}
+% \resetint{i}{\add{\int{i}}{1}}
+% \repeat
+
+
+
+\endmetrics
+
diff --git a/Master/texmf-dist/doc/fonts/fontinst/base/test/v1906test.tex b/Master/texmf-dist/doc/fonts/fontinst/base/test/v1906test.tex
new file mode 100644
index 00000000000..92ed6281198
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontinst/base/test/v1906test.tex
@@ -0,0 +1,12 @@
+%&Plain
+% Test of fontinst v1.906.
+% Begun 1999/08/01.
+\input fontinst.sty
+
+\installfonts
+ \installfamily{U}{ztest1}{}
+ \installfont{v1906test}{v1906test}{v1906test}{U}{ztest1}{m}{n}{}
+\endinstallfonts
+
+\bye
+
diff --git a/Master/texmf-dist/doc/fonts/fontinst/base/test/v1913test.tex b/Master/texmf-dist/doc/fonts/fontinst/base/test/v1913test.tex
new file mode 100644
index 00000000000..b9382cdf898
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontinst/base/test/v1913test.tex
@@ -0,0 +1,21 @@
+\input fontinst.sty
+
+\recordtransforms{v1913test.recs}
+
+\transformfont{padr8r}{\reencodefont{8r}{\fromafm{padr8a}}}
+\transformfont{padr8r-ys}{\yscalefont{\div{397000}{663}}{\frommtx{padr8r}}}
+\reglyphfonts
+ \renameglyph{oneoldstyle}{one}
+ \reglyphfont{padr8r-ys2}{padr8r-ys}
+\endreglyphfonts
+
+\installfonts
+ \installfamily{T1}{pad}{}
+ \installfamily{8r}{pad}{}
+ \installfont{padr9d}{padr8r,padr8r-ys2,padr8x,latin}{t1j}{T1}{pad}{m}{n}{}
+ \installrawfont{padr8r2}{padr8r-ys}{8r}{8r}{pad}{m}{n}{}
+\endinstallfonts
+
+\endrecordtransforms
+
+\bye \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/fontinst/base/test/v1914test.tex b/Master/texmf-dist/doc/fonts/fontinst/base/test/v1914test.tex
new file mode 100644
index 00000000000..73b271b986c
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontinst/base/test/v1914test.tex
@@ -0,0 +1,50 @@
+\input fontinst.sty
+
+%1
+\recordtransforms{v1914test.recs}
+
+\transformfont{padr8r}{\reencodefont{8r}{\fromafm{padr8a}}}
+\for(x){0}{2}{1}
+ \for(y){0}{2}{1}
+ \transformfont{p-ad-rr--8r--\strint{x}=\strint{y}}{
+ \xscalefont{\add{\mul{\int{x}}{300}}{700}}{
+ \yscalefont{\add{\mul{\int{y}}{300}}{700}}{
+ \frommtx{padr8r}}}}
+ \endfor(y)
+\endfor(x)
+
+\installfonts
+ \installfamily{T1}{padxy}{}
+ \installfamily{8r}{padxy}{}
+ \for(x){0}{2}{1}
+ \for(y){0}{2}{1}
+ \installfont{p-ad-rr--8t--\strint{x}=\strint{y}}
+ {p-ad-rr--8r--\strint{x}=\strint{y},latin}
+ {t1}{T1}{padxy}{m\strint{x}\strint{y}}{n}{}
+ \installrawfont{p-ad-rr--8r--\strint{x}=\strint{y}}
+ {p-ad-rr--8r--\strint{x}=\strint{y},8r}
+ {8r}{8r}{padxy}{m\strint{x}\strint{y}}{n}{}
+ \endfor(y)
+ \endfor(x)
+\endinstallfonts
+
+\endrecordtransforms
+
+% % \tracingmacros=1\tracingcommands=2
+% %2
+% \installfonts
+% \installrawfont{cmr5}{cmr5,\metrics
+% \resetint{xheight}{\mul{\int{xheight}}{2}},kernoff}{ot1}{OT1}
+% {cmr}{m}{n}{5}
+% \installfont{padr18t}{padr8r scaled 856,%
+% \metrics \message{%
+% \ifisint{rawscale}\then\strint{rawscale}\else None\fi
+% }%
+% \expandafter\show \csname g-A\endcsname
+% ,latin,%
+% \metrics \message{%
+% \ifisint{rawscale}\then\strint{rawscale}\else None\fi
+% }}{t1}{T1}{pad}{m}{ns}{}
+% \endinstallfonts
+
+\bye \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/fontinst/base/test/v1914testmap.tex b/Master/texmf-dist/doc/fonts/fontinst/base/test/v1914testmap.tex
new file mode 100644
index 00000000000..9b1921bbc8d
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontinst/base/test/v1914testmap.tex
@@ -0,0 +1,17 @@
+\input finstmsc.sty
+
+\resetstr{PSfontsuffix}{.pfb}
+\adddriver{dvipdfm}{v1914test.dvipdfm}
+\adddriver{pltotf}{v1914test.sh} % v1.915 feature, actually
+\input v1914test.recs
+\donedrivers
+
+\AssumeLWFN
+\adddriver{dvips}{v1914test.map}
+\adddriver{debug}{v1914test.debug}
+\debugvalue{PS_font_file}
+\input v1914test.recs
+\donedrivers
+
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/fontinst/base/test/v1914testshow.tex b/Master/texmf-dist/doc/fonts/fontinst/base/test/v1914testshow.tex
new file mode 100644
index 00000000000..bd7a957b0a8
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontinst/base/test/v1914testshow.tex
@@ -0,0 +1,22 @@
+\documentclass{article}
+
+
+\newcommand\fontxy[2]{%
+ \usefont{T1}{padxy}{m#1#2}{n}%
+ Flygande b\"ackasiner s\"oka hwila p\r{a} mjuka tuvor%
+}
+
+
+\begin{document}
+
+$$
+ \hss
+ \begin{tabular}{lll}
+ \fontxy00& \fontxy10& \fontxy20\\
+ \fontxy01& \fontxy11& \fontxy21\\
+ \fontxy02& \fontxy12& \fontxy22
+ \end{tabular}
+ \hss
+$$
+\end{document}
+
diff --git a/Master/texmf-dist/doc/fonts/fontinst/base/test/v1915test.tex b/Master/texmf-dist/doc/fonts/fontinst/base/test/v1915test.tex
new file mode 100644
index 00000000000..b60946a402b
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontinst/base/test/v1915test.tex
@@ -0,0 +1,25 @@
+\input fontinst.sty
+
+% %1: Catcodes
+% \def\do#1{Catcode of `\string#1 = \the\catcode`#1 ^^J}
+% \def\showcatcodes{\message{\do{\ }\do{\^^M}\do{\@}\do{\_}\do{\~}}}
+%
+% \showcatcodes
+% \show\fontinstcc
+% \fontinstcc
+% \showcatcodes
+% \show\normalcc
+% \normalcc
+% \showcatcodes
+
+%2: Aliased glyphs
+\input Knuth:fontinst:New.fontinst:cyrfinst:etc:fnstcorr.tex
+\transformfont{padsc8r}{\reencodefont{8r}{\fromafm{padsc8a}}}
+\def\renameglyph#1#2{\galias{#1}{#2}}
+\input csc2x.tex
+\transformfont{padscx8r}{\reencodefont{8r}{\fromafm{padsc8a}}}
+% När glyfnamnen har tagits bort från de omkodade PL-filerna så är
+% de i allt väsentligt lika. Sålunda tycks det fungera!
+
+
+\bye \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/fontinst/base/test/v1915testmap.tex b/Master/texmf-dist/doc/fonts/fontinst/base/test/v1915testmap.tex
new file mode 100644
index 00000000000..7e83526cd40
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontinst/base/test/v1915testmap.tex
@@ -0,0 +1,9 @@
+\input finstmsc.sty
+\adddriver{pltotf}{v1915test.sh}
+\input v1914test.recs
+\donedrivers
+\setstr{TFMfileprefix}{:a:b:c:}
+\adddriver{pltotf}{v1915test.sh2}
+\input v1913test.recs
+\donedrivers
+\bye
diff --git a/Master/texmf-dist/doc/fonts/fontinst/base/test/v1916test.mtx b/Master/texmf-dist/doc/fonts/fontinst/base/test/v1916test.mtx
new file mode 100644
index 00000000000..1829c79d02d
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontinst/base/test/v1916test.mtx
@@ -0,0 +1,23 @@
+\relax
+
+\documentclass[twocolumn]{article}
+\usepackage{fontdoc}
+
+\errorcontextlines=999
+
+\begin{document}
+
+\metrics
+
+\foreach(glyph){a,b,c,d,tilde,\strint{a},db\str{a}ef,AB\str{glyph}CD}
+ \resetglyph{\str{glyph}}
+ \glyph{\str{glyph}}{1000}
+ \resetitalic{0}
+ \endresetglyph
+\endfor(glyph)
+
+
+\endmetrics
+
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/fontinst/base/test/v1916test.tex b/Master/texmf-dist/doc/fonts/fontinst/base/test/v1916test.tex
new file mode 100644
index 00000000000..56f26a51b0f
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontinst/base/test/v1916test.tex
@@ -0,0 +1,14 @@
+% v1916test.tex
+
+\input fontinst.sty
+
+% \half and \otherhalf
+\fontinstcc
+\for(i){-5}{5}{1}
+ \eval_expr_to\b_count{\half{\int{i}}}
+ \eval_expr{\otherhalf{\int{i}}}
+ \immediate\write16{\strint{i}:~\the\b_count \space+~ \the\result}
+\endfor(i)
+\normalcc
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/fontinst/base/test/v1916test2.tex b/Master/texmf-dist/doc/fonts/fontinst/base/test/v1916test2.tex
new file mode 100644
index 00000000000..8cc954f2615
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontinst/base/test/v1916test2.tex
@@ -0,0 +1,27 @@
+%&Plain
+\input fontinst.sty
+
+% %1 \ifareglyphs
+%
+% \setrawglyph{f}{xfont}{10pt}{102}{375}{750}{375}{50}
+% \setrawglyph{g}{xfont}{10pt}{102}{375}{750}{375}{50}
+% \setrawglyph{h}{xfont}{10pt}{102}{375}{750}{375}{50}
+%
+% \ifareglyphs{}\then True \else False \fi
+% \ifareglyphs{a}\then True \else False \fi
+% \ifareglyphs{f}\then True \else False \fi
+% \ifareglyphs{f,a}\then True \else False \fi
+% \ifareglyphs{a,f}\then True \else False \fi
+% \ifareglyphs{f,g}\then True \else False \fi
+% \ifareglyphs{f,g,a}\then True \else False \fi
+
+%2 \setfontdimen
+\generalpltomtx{ecrm1000}{ecrm1000}{pl}{t1draft}
+\generalpltomtx{ecss1000}{ecss1000}{pl}{t1draft}
+\transformfont{ecdh-shrunk}{%
+ \yscalefont{500}{\fromplgivenetx{ecdh1000}{t1draft}}%
+}
+
+\bye
+
+
diff --git a/Master/texmf-dist/doc/fonts/fontinst/base/test/v1923test.tex b/Master/texmf-dist/doc/fonts/fontinst/base/test/v1923test.tex
new file mode 100644
index 00000000000..ede00d90444
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontinst/base/test/v1923test.tex
@@ -0,0 +1,47 @@
+%&Plain
+
+\input fontinst.sty
+
+% %1
+% \transformfont{padr8r}{\reencodefont{8r}{\fromafm{padr8a}}}
+% \transformfont{padri8r}{\reencodefont{8r}{\fromafm{padri8a}}}
+%
+% \installfonts
+% \installfamily{T1}{pad2}{}
+% \installfont{zpad2i8t}{padri8r scaled 1009,%
+% padr8r scaled 999 suffix -upright scaled 1009,\metrics
+% % \expandafter\show \csname r-T-upright\endcsname
+% \unsetglyph{parenleft}
+% \setglyph{parenleft}
+% \glyph{parenleft-upright}{1000}
+% \endsetglyph
+% \resetglyph{parenright}
+% \glyph{parenright-upright}{1000}
+% \endresetglyph,latin}{t1}{T1}{pad2}{m}{it}{}
+% \endinstallfonts
+
+% %2
+%
+% \installfonts
+% \installfamily{U}{fad}{}
+% \installfont{fadrr}{fadrr}{textfdim,fadrr mtxasetx}{U}{fad}{m}{n}{}
+% \endinstallfonts
+
+% %3
+% \transformfont{pagk8r}{\reencodefont{8r}{\fromafm{pagk8a}}}
+% \installfonts
+% \installfont{pagk8t}{pagk8r,newlatin}{t1}{T1}{pag}{m}{n}{}
+% \endinstallfonts
+
+%4
+\installfonts
+ \installfont{test}{rsfs10 encoding rsfs,cmsy10}{oms}{OMS}{xxx}{m}{n}{}
+\endinstallfonts
+% %4b
+% \installfonts
+% \installfont{test}{cmsy10,rsfs10 encoding rsfs}{oms}{OMS}{xxx}{m}{n}{}
+% \endinstallfonts
+
+
+\bye
+
diff --git a/Master/texmf-dist/doc/fonts/fontinst/base/test/v1927test.tex b/Master/texmf-dist/doc/fonts/fontinst/base/test/v1927test.tex
new file mode 100644
index 00000000000..b21f16bf60e
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontinst/base/test/v1927test.tex
@@ -0,0 +1,18 @@
+%&Plain
+
+\input finstmsc.sty
+
+% %1
+% \etxtoenc{ot1}{temp}
+
+%2
+\storemapdata{a}{\fromafm{a}{XX}}{}
+\storemapdata{a}{\fromafm{a}{XX}}{}
+\storemapdata{a}{\fromafm{a}{XY}}{}
+\storemapdata{a}{\fromafm{a}{XX}}{}
+\storemapdata{a}{\fromafm{a}{XX}}{\reencodefont{8r}}
+
+
+
+\bye
+
diff --git a/Master/texmf-dist/doc/fonts/fontinst/base/test/v1928test.tex b/Master/texmf-dist/doc/fonts/fontinst/base/test/v1928test.tex
new file mode 100644
index 00000000000..8242cc3438c
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontinst/base/test/v1928test.tex
@@ -0,0 +1,13 @@
+%&Plain
+
+\input finstmsc.sty
+
+%1
+\etxtocmap{t1draft}{temp}
+\etxtocmap{ot1draft}{ot1}
+\etxtocmap{omsdraft}{oms}
+
+
+
+\bye
+
diff --git a/Master/texmf-dist/doc/fonts/fontinst/base/test/v1928test2.tex b/Master/texmf-dist/doc/fonts/fontinst/base/test/v1928test2.tex
new file mode 100644
index 00000000000..c9b099e643c
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontinst/base/test/v1928test2.tex
@@ -0,0 +1,32 @@
+\documentclass{article}
+
+
+
+
+\def\FontWithCMap#1#2#3{%
+ \font#1=#2\relax
+ \immediate\pdfobj stream file {#3}%
+ \pdffontattr#1{/ToUnicode \the\pdflastobj\space 0 R}%
+}
+\def\AddCMapToFont#1#2{%
+ \immediate\pdfobj stream file {#2}%
+ \pdffontattr#1{/ToUnicode \the\pdflastobj\space 0 R}%
+}
+
+
+\begin{document}
+
+
+\FontWithCMap\test{cmr12}{ot1.cmap}
+\test abcdef ghijkl mnopqr stuvwx yz fi fl ffi ffl
+
+
+\begin{math}
+ a
+ \AddCMapToFont{\textfont2}{oms.cmap}
+ \mathcal{A} - \mathcal{B} + \mathcal{C} * \mathcal{D} \cdot
+ \mathcal{E} \bullet \mathcal{F} \spadesuit
+\end{math}
+
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/fontname/8a.html b/Master/texmf-dist/doc/fonts/fontname/8a.html
new file mode 100644
index 00000000000..c85083d7e12
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/8a.html
@@ -0,0 +1,304 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="8a">8a</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="8r.html#8r">8r</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Encodings.html#Encodings">Encodings</a>
+<hr><br>
+</div>
+
+<h3 class="section"><code>8a.enc</code>: Adobe standard encoding</h3>
+
+<pre class="example">
+
+ % @psencodingfile{
+ % author = "Adobe",
+ % version = "1.0",
+ % date = "22 June 1996",
+ % filename = "8a.enc",
+ % email = "kb@mail.tug.org",
+ % address = "135 Center Hill Rd. // Plymouth, MA 02360",
+ % codetable = "ISO/ASCII",
+ % checksum = "269 317 2399",
+ % docstring = "Adobe StandardEncoding as an afm2tfm/dvips .enc file."
+ % }
+ /StandardEncoding [
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /space
+ /exclam
+ /quotedbl
+ /numbersign
+ /dollar
+ /percent
+ /ampersand
+ /quoteright
+ /parenleft
+ /parenright
+ /asterisk
+ /plus
+ /comma
+ /hyphen
+ /period
+ /slash
+ /zero
+ /one
+ /two
+ /three
+ /four
+ /five
+ /six
+ /seven
+ /eight
+ /nine
+ /colon
+ /semicolon
+ /less
+ /equal
+ /greater
+ /question
+ /at
+ /A
+ /B
+ /C
+ /D
+ /E
+ /F
+ /G
+ /H
+ /I
+ /J
+ /K
+ /L
+ /M
+ /N
+ /O
+ /P
+ /Q
+ /R
+ /S
+ /T
+ /U
+ /V
+ /W
+ /X
+ /Y
+ /Z
+ /bracketleft
+ /backslash
+ /bracketright
+ /asciicircum
+ /underscore
+ /quoteleft
+ /a
+ /b
+ /c
+ /d
+ /e
+ /f
+ /g
+ /h
+ /i
+ /j
+ /k
+ /l
+ /m
+ /n
+ /o
+ /p
+ /q
+ /r
+ /s
+ /t
+ /u
+ /v
+ /w
+ /x
+ /y
+ /z
+ /braceleft
+ /bar
+ /braceright
+ /asciitilde
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /exclamdown
+ /cent
+ /sterling
+ /fraction
+ /yen
+ /florin
+ /section
+ /currency
+ /quotesingle
+ /quotedblleft
+ /guillemotleft
+ /guilsinglleft
+ /guilsinglright
+ /fi
+ /fl
+ /.notdef
+ /endash
+ /dagger
+ /daggerdbl
+ /periodcentered
+ /.notdef
+ /paragraph
+ /bullet
+ /quotesinglbase
+ /quotedblbase
+ /quotedblright
+ /guillemotright
+ /ellipsis
+ /perthousand
+ /.notdef
+ /questiondown
+ /.notdef
+ /grave
+ /acute
+ /circumflex
+ /tilde
+ /macron
+ /breve
+ /dotaccent
+ /dieresis
+ /.notdef
+ /ring
+ /cedilla
+ /.notdef
+ /hungarumlaut
+ /ogonek
+ /caron
+ /emdash
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /AE
+ /.notdef
+ /ordfeminine
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /Lslash
+ /Oslash
+ /OE
+ /ordmasculine
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /ae
+ /.notdef
+ /.notdef
+ /.notdef
+ /dotlessi
+ /.notdef
+ /.notdef
+ /lslash
+ /oslash
+ /oe
+ /germandbls
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ ] def
+ </pre>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fonts/fontname/8r.html b/Master/texmf-dist/doc/fonts/fontname/8r.html
new file mode 100644
index 00000000000..7f165c7a1a5
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/8r.html
@@ -0,0 +1,177 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="8r">8r</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="cork.html#cork">cork</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="8a.html#8a">8a</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Encodings.html#Encodings">Encodings</a>
+<hr><br>
+</div>
+
+<h3 class="section"><code>8r.enc</code>: TeX base encoding</h3>
+
+<pre class="example">
+
+ % @psencodingfile{
+ % author = "S. Rahtz, P. MacKay, Alan Jeffrey, B. Horn, K. Berry,
+ % W. Schmidt, P. Lehman",
+ % version = "20021105.19",
+ % date = "5 November 2002",
+ % filename = "8r.enc",
+ % email = "tex-fonts@tug.org",
+ % docstring = "This is the encoding vector for Type1 and TrueType
+ % fonts to be used with TeX. This file is also included
+ % in the PSNFSS bundle."
+ % }
+ %
+ % The idea is to have all the characters normally included in Type 1 fonts
+ % available for typesetting. This is effectively the characters in Adobe
+ % Standard encoding, ISO Latin 1, Windows ANSI including the euro symbol,
+ % MacRoman, and some extra characters from Lucida.
+ %
+ % Character code assignments were made as follows:
+ %
+ % (1) the Windows ANSI characters are almost all in their Windows ANSI
+ % positions, because some Windows users cannot easily reencode the
+ % fonts, and it makes no difference on other systems. The only Windows
+ % ANSI characters not available are those that make no sense for
+ % typesetting -- rubout (127 decimal), nobreakspace (160), softhyphen
+ % (173). quotesingle and grave are moved just because it's such an
+ % irritation not having them in TeX positions.
+ %
+ % (2) Remaining characters are assigned arbitrarily to the lower part
+ % of the range, avoiding 0, 10 and 13 in case we meet dumb software.
+ %
+ % (3) Y&amp;Y Lucida Bright includes some extra text characters; in the
+ % hopes that other PostScript fonts, perhaps created for public
+ % consumption, will include them, they are included starting at 0x12.
+ % These are /dotlessj /ff /ffi /ffl.
+ %
+ % (4) hyphen appears twice for compatibility with both ASCII and Windows.
+ %
+ % (5) /Euro was assigned to 128, as in Windows ANSI.
+ %
+ % (6) Missing characters from MacRoman encoding incorporated in October
+ % 2002 as follows:
+ %
+ % PostScript MacRoman TeXBase1
+ % -------------- -------------- --------------
+ % /notequal 173 0x16
+ % /infinity 176 0x17
+ % /lessequal 178 0x18
+ % /greaterequal 179 0x19
+ % /partialdiff 182 0x1A
+ % /summation 183 0x1B
+ % /product 184 0x1C
+ % /pi 185 0x1D
+ % /integral 186 0x81
+ % /Omega 189 0x8D
+ % /radical 195 0x8E
+ % /approxequal 197 0x8F
+ % /Delta 198 0x9D
+ % /lozenge 215 0x9E
+ %
+ /TeXBase1Encoding [
+ % 0x00
+ /.notdef /dotaccent /fi /fl
+ /fraction /hungarumlaut /Lslash /lslash
+ /ogonek /ring /.notdef /breve
+ /minus /.notdef /Zcaron /zcaron
+ % 0x10
+ /caron /dotlessi /dotlessj /ff
+ /ffi /ffl /notequal /infinity
+ /lessequal /greaterequal /partialdiff /summation
+ /product /pi /grave /quotesingle
+ % 0x20
+ /space /exclam /quotedbl /numbersign
+ /dollar /percent /ampersand /quoteright
+ /parenleft /parenright /asterisk /plus
+ /comma /hyphen /period /slash
+ % 0x30
+ /zero /one /two /three
+ /four /five /six /seven
+ /eight /nine /colon /semicolon
+ /less /equal /greater /question
+ % 0x40
+ /at /A /B /C
+ /D /E /F /G
+ /H /I /J /K
+ /L /M /N /O
+ % 0x50
+ /P /Q /R /S
+ /T /U /V /W
+ /X /Y /Z /bracketleft
+ /backslash /bracketright /asciicircum /underscore
+ % 0x60
+ /quoteleft /a /b /c
+ /d /e /f /g
+ /h /i /j /k
+ /l /m /n /o
+ % 0x70
+ /p /q /r /s
+ /t /u /v /w
+ /x /y /z /braceleft
+ /bar /braceright /asciitilde /.notdef
+ % 0x80
+ /Euro /integral /quotesinglbase /florin
+ /quotedblbase /ellipsis /dagger /daggerdbl
+ /circumflex /perthousand /Scaron /guilsinglleft
+ /OE /Omega /radical /approxequal
+ % 0x90
+ /.notdef /.notdef /.notdef /quotedblleft
+ /quotedblright /bullet /endash /emdash
+ /tilde /trademark /scaron /guilsinglright
+ /oe /Delta /lozenge /Ydieresis
+ % 0xA0
+ /.notdef /exclamdown /cent /sterling
+ /currency /yen /brokenbar /section
+ /dieresis /copyright /ordfeminine /guillemotleft
+ /logicalnot /hyphen /registered /macron
+ % 0xD0
+ /degree /plusminus /twosuperior /threesuperior
+ /acute /mu /paragraph /periodcentered
+ /cedilla /onesuperior /ordmasculine /guillemotright
+ /onequarter /onehalf /threequarters /questiondown
+ % 0xC0
+ /Agrave /Aacute /Acircumflex /Atilde
+ /Adieresis /Aring /AE /Ccedilla
+ /Egrave /Eacute /Ecircumflex /Edieresis
+ /Igrave /Iacute /Icircumflex /Idieresis
+ % 0xD0
+ /Eth /Ntilde /Ograve /Oacute
+ /Ocircumflex /Otilde /Odieresis /multiply
+ /Oslash /Ugrave /Uacute /Ucircumflex
+ /Udieresis /Yacute /Thorn /germandbls
+ % 0xE0
+ /agrave /aacute /acircumflex /atilde
+ /adieresis /aring /ae /ccedilla
+ /egrave /eacute /ecircumflex /edieresis
+ /igrave /iacute /icircumflex /idieresis
+ % 0xF0
+ /eth /ntilde /ograve /oacute
+ /ocircumflex /otilde /odieresis /divide
+ /oslash /ugrave /uacute /ucircumflex
+ /udieresis /yacute /thorn /ydieresis
+ ] def
+ </pre>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fonts/fontname/Adobe-fonts.html b/Master/texmf-dist/doc/fonts/fontname/Adobe-fonts.html
new file mode 100644
index 00000000000..ee705d3a678
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/Adobe-fonts.html
@@ -0,0 +1,2749 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="Adobe%20fonts">Adobe fonts</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="Apple-fonts.html#Apple%20fonts">Apple fonts</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="Standard-PostScript-fonts.html#Standard%20PostScript%20fonts">Standard PostScript fonts</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Font-name-lists.html#Font%20name%20lists">Font name lists</a>
+<hr><br>
+</div>
+
+<h3 class="section">Adobe fonts</h3>
+
+<p>The <code>adobe.map</code> file has abbreviations for Adobe fonts.
+
+<pre class="example">
+
+ pcrb8a Courier-Bold A 0.1 cob_____
+ pcrbo8a Courier-BoldOblique A 0.1 cobo____
+ pcrr8a Courier A 0.1 com_____
+ pcrro8a Courier-Oblique A 0.1 coo_____
+ phvr8a Helvetica A 0.2 hv______
+ phvb8a Helvetica-Bold A 0.2 hvb_____
+ phvbo8a Helvetica-BoldOblique A 0.2 hvbo____
+ phvro8a Helvetica-Oblique A 0.2 hvo_____
+ psyr Symbol A 0.3 sy______
+ ptmb8a Times-Bold A 0.4 tib_____
+ ptmbi8a Times-BoldItalic A 0.4 tibi____
+ ptmri8a Times-Italic A 0.4 tii_____
+ ptmr8a Times-Roman A 0.4 tir_____
+ phvr8an Helvetica-Narrow A 0.5 hvn_____
+ phvb8an Helvetica-Narrow-Bold A 0.5 hvnb____
+ phvbo8an Helvetica-Narrow-BoldOblique A 0.5 hvnbo___
+ phvro8an Helvetica-Narrow-Oblique A 0.5 hvno____
+ pplb8a Palatino-Bold A 001 pob_____
+ pplbi8a Palatino-BoldItalic A 001 pobi____
+ pplri8a Palatino-Italic A 001 poi_____
+ pplr8a Palatino-Roman A 001 por_____
+ pbkd8a Bookman-Demi A 002 bkd_____
+ pbkdi8a Bookman-DemiItalic A 002 bkdi____
+ pbkl8a Bookman-Light A 002 bkl_____
+ pbkli8a Bookman-LightItalic A 002 bkli____
+ pzcmi8a ZapfChancery-MediumItalic A 003 zcmi____
+ pzdr ZapfDingbats A 003 zd______
+ pagd8a AvantGarde-Demi A 004 agd_____
+ pagdo8a AvantGarde-DemiOblique A 004 agdo____
+ pagk8a AvantGarde-Book A 004 agw_____
+ pagko8a AvantGarde-BookOblique A 004 agwo____
+ pncb8a NewCenturySchlbk-Bold A 005 ncb_____
+ pncbi8a NewCenturySchlbk-BoldItalic A 005 ncbi____
+ pncri8a NewCenturySchlbk-Italic A 005 nci_____
+ pncr8a NewCenturySchlbk-Roman A 005 ncr_____
+ popr8a Optima A 006 op______
+ popb8a Optima-Bold A 006 opb_____
+ popbi8a Optima-BoldItalic A 006 opbi____
+ popbo8a Optima-BoldOblique A 006 opbo____
+ popri8a Optima-Italic A 006 opi_____
+ popro8a Optima-Oblique A 006 opo_____
+ psvd8a Souvenir-Demi A 007 sud_____
+ psvdi8a Souvenir-DemiItalic A 007 sudi____
+ psvl8a Souvenir-Light A 007 sul_____
+ psvli8a Souvenir-LightItalic A 007 suli____
+ plbd8a LubalinGraph-Demi A 008 lud_____
+ plbdo8a LubalinGraph-DemiOblique A 008 ludo____
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+ p_____ NuevaMM-It A 378 twi_____
+ p_____ NuevaMM A 378 twr_____
+ pctbif8a Cheltenham-HandtooledBdIt A 379 chiin___
+ pctbf8a Cheltenham-HandtooledBold A 379 chin____
+ pgmbif8a Garamond-HandtooledBoldItalic A 379 gaiin___
+ pgmbf8a Garamond-HandtooledBold A 379 gain____
+ pcnbif8a Century-HandtooledBoldItalic A 379 iciin___
+ pcnbf8a Century-HandtooledBold A 379 icin____
+ pgmMM8a ITCGaramondMM A 380 gc______
+ pgmMMi8a ITCGaramondMM-It A 380 gci_____
+ p_____ Cerigo-Bold A 381 qcb_____
+ p_____ Cerigo-BoldItalic A 381 qcbi____
+ p_____ Cerigo-Medium A 381 qcm_____
+ p_____ Cerigo-MediumItalic A 381 qcmi____
+ p_____ Cerigo-Book A 381 qcw_____
+ p_____ Cerigo-BookItalic A 381 qcwi____
+ phab8a Hadriano-Bold A 382 hab_____
+ phax8a Hadriano-ExtraBold A 382 haeb____
+ phax8ac Hadriano-ExtraBoldCondensed A 382 haebc___
+ phal8a Hadriano-Light A 382 hal_____
+ prcb8a Romic-Bold A 383 rob_____
+ prcx8a Romic-ExtraBold A 383 roeb____
+ prcl8a Romic-Light A 383 rol_____
+ prcli8a Romic-LightItalic A 383 roli____
+ prcm8a Romic-Medium A 383 rom_____
+ p_____ Copal-Decorated A 384 _ddc____
+ p_____ Copal-Outline A 384 _dou____
+ p_____ Copal-Solid A 384 _dsd____
+ pxpMM7a ExPontoMM-Alternate A 385 jvalt___
+ pxpMM7ab ExPontoMM-Beginning A 385 jvbeg___
+ pxpMM7ae ExPontoMM-Ending A 385 jvend___
+ pxpMM8a ExPontoMM A 385 jvrg____
+ pxpMMj8a ExPontoMM-OsF A 385 jvros___
+ pysb8a GoudySans-Bold A 386 hgb_____
+ pysbi8a GoudySans-BoldItalic A 386 hgbi____
+ pysk8a GoudySans-Book A 386 hgbk____
+ pyski8a GoudySans-BookItalic A 386 hgbki___
+ pysc8a GoudySans-Black A 386 hgbl____
+ pysci8a GoudySans-BlackItalic A 386 hgbli___
+ pysm8a GoudySans-Medium A 386 hgm_____
+ pysmi8a GoudySans-MediumItalic A 386 hgmi____
+ p_____ Delphin-I A 387 df1_____
+ p_____ Delphin-IA A 387 df1a____
+ p_____ Delphin-II A 387 df2_____
+ p_____ Delphin-IIA A 387 df2a____
+ pc7b8a Kompakt A 387 kq______
+ p_____ KochAntiqua A 387 kv______
+ pnlb8a Neuland A 387 nq______
+ p_____ Caliban A 388 ni______
+ paxrw8a Alexa A 388 xa______
+ pbzrw8a Balzano A 388 zn______
+ p_____ JimboMM A 389 jprg____
+ pb7b8ac Bernhard-BoldCondensed A 390 dhbc____
+ pnw1r8a NeueHammerUnziale-One A 390 nw1_____
+ pnw1r7a NeueHammerUnziale-OneAlt A 390 nw1al___
+ pnw2r8a NeueHammerUnziale-Two A 390 nw2_____
+ pnw2r7a NeueHammerUnziale-TwoAlt A 390 nw2al___
+ pclrl8a Cloister-OpenFace A 390 oein____
+ poir8a Ondine A 390 og______
+ pghr7a Galahad-Alternate A 391 g_alt___
+ pghr8a Galahad-Regular A 391 g_rg____
+ pghrj8a Galahad-OsF A 391 g_ros___
+ popc8a Optima-Black A 392 opbl____
+ popci8a Optima-BlackItalic A 392 opbli___
+ popd8a Optima-DemiBold A 392 opd_____
+ popdi8a Optima-DemiBoldItalic A 392 opdi____
+ popx8a Optima-ExtraBlack A 392 opf_____
+ popm8a Optima-Medium A 392 opm_____
+ popmi8a Optima-MediumItalic A 392 opmi____
+ popxi8a Optima-ExtraBlackItalic A 392 opxfi___
+ p_____ Aja A 393 ja______
+ p_____ PopplExquisit-Medium A 393 xqm_____
+ p_____ PopplExquisit-Regular A 393 xqrg____
+ ppi033 NationalCodes-Africa A 394 ncaf____
+ ppi034 NationalCodes-America A 394 ncam____
+ ppi035 NationalCodes-AsiaPlus A 394 ncas____
+ ppi036 NationalCodes-Europe A 394 nceu____
+ ppi037 NationalCodes-Universal A 394 ncun____
+ p_____ ElGreco A 395 eq______
+ pakm8a Arkona-Medium A 395 xnm_____
+ pakr8a Arkona-Regular A 395 xnrg____
+ pfgd8ap FranklinGothic-DemiCmpr A 396 frdcp___
+ pfgdi8ap FranklinGothic-DemiCmprItal A 396 frdpi___
+ pfgd8aq FranklinGothic-DemiXCmpr A 396 frdx____
+ pfgk8ap FranklinGothic-BookCmpr A 396 frwcp___
+ pfgki8ap FranklinGothic-BookCmprItal A 396 frwpi___
+ pfgk8aq FranklinGothic-BookXCmpr A 396 frwx____
+ pfgd8ac FranklinGothic-DemiCnd A 397 frdc____
+ pfgdi8ac FranklinGothic-DemiCndItal A 397 frdci___
+ pfgm8ac FranklinGothic-MedCnd A 397 frmc____
+ pfgmi8ac FranklinGothic-MedCndItal A 397 frmci___
+ pfgk8ac FranklinGothic-BookCnd A 397 frwc____
+ pfgki8ac FranklinGothic-BookCndItal A 397 frwci___
+ p_____ Sassafras-Italic A 398 xfi_____
+ p_____ Sassafras-LxItalic A 398 xflgi___
+ p_____ Sassafras-Lx A 398 xflgr___
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+ p_____ Sassafras-SxItalic A 398 xfshi___
+ p_____ Sassafras-Sx A 398 xfshr___
+ pkxrd8a Kigali-Block A 399 kxblk___
+ pkxrw8a Kigali-ZigZag A 399 kxdc____
+ pkxri8a Kigali-Italic A 399 kxi_____
+ pkxli8a Kigali-LxItalic A 399 kxlgi___
+ pkxl8a Kigali-Lx A 399 kxlgr___
+ pkxr8a Kigali-Roman A 399 kxr_____
+ pkxsi8a Kigali-SxItalic A 399 kxshi___
+ pkxs8a Kigali-Sx A 399 kxshr___
+ pajMMi8a AJensonMM-It A 400 jei_____
+ pajMM8a AJensonMM A 400 jer_____
+ pajMM7a AJensonMM-Alt A 401 jealt___
+ pajMM8x AJensonMM-Ep A 401 jeexp___
+ pajMMi7a AJensonMM-ItAlt A 401 jeial___
+ pajMMic8a AJensonMM-ItSC A 401 jeisc___
+ pajMMi8x AJensonMM-ItEp A 401 jeixp___
+ pajMMc8a AJensonMM-SC A 401 jersc___
+ pajMMiw8a AJensonMM-Sw A 401 jeswc___
+ mbmb8a BulmerMT-Bold A 402 ybb_____
+ mbmbi8a BulmerMT-BoldItalic A 402 ybbi____
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+ mbmrid8a BulmerMT-ItalicDisplay A 402 ybdsi___
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+ mbmr8a BulmerMT-Regular A 402 ybrg____
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+ mbmb7a BulmerMT-BoldAlt A 403 ybab____
+ mbmbi7a BulmerMT-BoldItalicAlt A 403 ybabi___
+ mbmr7a BulmerMT-RegularAlt A 403 ybarg___
+ mbms7a BulmerMT-SemiBoldAlt A 403 ybasb___
+ mbmsi7a BulmerMT-SemiBoldItalicAlt A 403 ybasi___
+ mbmbd7a BulmerMT-BoldDisplayAlt A 403 ybbda___
+ mbmbid7a BulmerMT-BoldItalDisplayAlt A 403 ybbid___
+ mbmbi8x BulmerMT-BoldItalicExpert A 403 ybbix___
+ mbmb8x BulmerMT-BoldExpert A 403 ybbxp___
+ mbmri7a BulmerMT-ItalicAlt A 403 ybial___
+ mbmrid7a BulmerMT-ItalicDisplayAlt A 403 ybida___
+ mbmri8x BulmerMT-ItalicExpert A 403 ybixp___
+ mbmrd7a BulmerMT-RegularDisplayAlt A 403 ybrda___
+ mbmr8x BulmerMT-RegularExpert A 403 ybrgx___
+ mbmrc8a BulmerMT-RegularSC A 403 ybrsc___
+ mbmsc8a BulmerMT-SemiBoldSC A 403 ybsbs___
+ mbms8x BulmerMT-SemiBoldExpert A 403 ybsbx___
+ mbmsi8x BulmerMT-SemiBoldItalExpert A 403 ybsix___
+ pizr8a Isabella A 404 iz______
+ prrr8a Raphael A 404 rr______
+ pxcr8a Eccentric A 404 xc______
+ p_____ OceanSansMM-It A 405 ohi_____
+ p_____ OceanSansMM A 405 ohr_____
+ plcrt8a LucidaTypewriter A 406 tl______
+ plcbt8a LucidaTypewriter-Bold A 406 tlb_____
+ plcbot8a LucidaTypewriter-BoldObl A 406 tlbo____
+ plcrot8a LucidaTypewriter-Obl A 406 tlo_____
+ plsrt8a LucidaSansTypewriter A 407 ty______
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+ plsbot8a LucidaSansTypewriter-BdObl A 407 tybo____
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+ p_____ BriemScriptMM-Ep A 408 iiexp___
+ p_____ BriemScriptMM A 408 iirc____
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+ pkpMM8a KeplMM A 409 k_______
+ pkpMMi8a KeplMM-It A 409 k_i_____
+ pkpMM8x KeplMM-Ep A 410 k_exp___
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+ pkpMMi8x KeplMM-ItEp A 410 k_ixp___
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+ pkpMMc8a KeplMM-SC A 410 k_rsc___
+ pkpMMiw8a KeplMM-Sw A 410 k_sw____
+ pmjr8a Mojo A 411 fbrg____
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+ p_____ CongaBravaMM-St A 415 vbst____
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+ p_____ CronosMM-It A 416 xoi_____
+ p_____ CronosMM-Ep A 417 xoexp___
+ p_____ CronosMM-ItSC A 417 xoisc___
+ p_____ CronosMM-ItEp A 417 xoixp___
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+ p_____ CronosMM-SC A 417 xorsc___
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+ pdkb8a Diskus-Bold A 418 d_b_____
+ pdkr8a Diskus A 418 d_rg____
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+ potr8a Coronet A 418 n_rg____
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+ p_____ ChaparralMM A 419 xtr_____
+ p_____ ChaparralMM-Ep A 420 xtexp___
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+ p_____ ChaparralMM-Or A 420 xtor____
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+ pnxr8a Nyx A 426 nxrg____
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+ p_____ KinesisMM A 428 kj______
+ p_____ KinesisMM-It A 428 kji_____
+ p_____ KinesisMM-Ep A 429 kjexp___
+ p_____ KinesisMM-ItSC A 429 kjisc___
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+ p_____ Coriander A 432 uc______
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+ p_____ SpringLP-Light A 433 tdl_____
+ pwhb8a WendyLP-Bold A 434 whb_____
+ pwhl8a WendyLP-Light A 434 whl_____
+ pwhm8a WendyLP-Medium A 434 whm_____
+ p_____ BickhamScriptMM-AltI A 435 b_a1____
+ p_____ BickhamScriptMM-AltII A 435 b_a2____
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+ p_____ BickhamScriptMM-End A 435 b_en____
+ p_____ BickhamScriptMM-Lig A 435 b_lig___
+ p_____ BickhamScriptMM-Or A 435 b_or____
+ p_____ BickhamScriptMM A 435 b_rg____
+ p_____ BickhamScriptMM-SwCaps A 435 b_swc___
+ pojr8a OldClaudeLP A 436 oj______
+ pojrj8a OldClaudeLP-OsF A 436 ojosf___
+ pojrc8a OldClaudeLP-SC A 436 ojsc____
+ p_____ FlorensLP A 437 fn______
+ p_____ FlorensLP-Alternates A 437 fnalt___
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+ p_____ Khaki-One A 439 hk1_____
+ p_____ Khaki-Two A 439 hk2_____
+ p_____ Pompeia-InlineItalic A 440 vpiit___
+ p_____ Pompeia-Inline A 440 vpin____
+ p_____ Flood A 441 fyrg____
+ pwtMM7a WatersTitlingMM-Alt A 442 jwalt___
+ pwtMM7al WatersTitlingMM-Lig A 442 jwlig___
+ pwtMM8a WatersTitlingMM A 442 jwr_____
+ pwtMMd8a WatersTitlingMM-TallCaps A 442 jwtlc___
+ p_____ CelestiaAntiqua-Regular A 443 zs______
+ p_____ CelestiaAntiqua-Bold A 443 zsb_____
+ p_____ CelestiaAntiqua-BoldLig A 443 zsbdl___
+ p_____ CelestiaAntiqua-Italic A 443 zsi_____
+ p_____ CelestiaAntiqua-ItalicLig A 443 zsitl___
+ p_____ CelestiaAntiqua-Ligatures A 443 zslig___
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+ pmysi8ac Myriad-CnSemiboldItalic A 444 wmsi____
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+ myhxij8a StrayhornMT-ExtraBoldItaOsF A 453 yheis___
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+ p_____ Postino-Italic A 454 xzi_____
+ p_____ Postino A 454 xzr_____
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+ p_____ ReliqMM A 455 qer_____
+ p_____ Critter A 456 wc______
+ p_____ Cutout A 457 wu______
+ p_____ Studz A 458 wp______
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+ mf1rc8a FournierMT-RegularSC A 467 xysc____
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+ mf1rd8a FournierMT-TallCaps A 467 xyttl___
+ p_____ CTMercurius-Black A 468 uibl____
+ p_____ CTMercurius-BlackItalic A 468 uibli___
+ p_____ CTMercurius-Light A 468 uil_____
+ p_____ CTMercurius-LightItalic A 468 uili____
+ p_____ CTMercurius-Medium A 468 uim_____
+ p_____ CTMercurius-MediumItalic A 468 uimi____
+ p_____ Fusaka-Regular A 469 fv______
+ p_____ Fusaka-Alternates A 469 fvalt___
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+ p_____ MagnesiumMVB-Grime A 470 uhdc1___
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+ m_____ GillFloriatedCapsMT A 471 fwcap___
+ p_____ Origami-Bold A 472 xrb_____
+ p_____ Origami-BoldItalic A 472 xrbi____
+ p_____ Origami-Italic A 472 xri_____
+ p_____ Origami-Medium A 472 xrm_____
+ p_____ Origami-MediumItalic A 472 xrmi____
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+ p_____ Origami-Semibold A 472 xrsb____
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+ p_____ GreymantleMVB A 473 qg______
+ p_____ GreymantleMVB-Alternates A 473 qgalt___
+ p_____ GreymantleMVB-Ornaments A 473 qgor____
+ p_____ VerveMM-A A 474 vvaaa___
+ p_____ VerveMM A 474 vvr_____
+ p_____ VolutaScript A 475 vs______
+ p_____ VolutaScript-Alternates A 475 vsalt___
+ p_____ VolutaScript-Swash A 475 vssw____
+ pcwr8a Cottonwood A 476 c_______
+ piwr8a Ironwood A 477 i_______
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+ pmrr8a Madrone A 483 mq______
+ pp0r8a Poplar A 484 pp______
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+ p_____ Pepperwood-Fill A 486 uwfi____
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+ p_____ Rosewood-Fill A 487 uxfi____
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+ p_____ Zebrawood-Fill A 488 uyfi____
+ p_____ Zebrawood-Regular A 488 uyrg____
+ ppi026 WoodtypeOrnaments-One A 489 woor____
+ ppi027 WoodtypeOrnaments-Two A 489 woor2___
+ pg1r8a Gothic-Thirteen A 490 gtt_____
+ ptph8ac Tempo-HeavyCondensed A 491 tehc____
+ ptphi8ac Tempo-HeavyCondensedItalic A 491 tehci___
+ ppsr8a Parisian A 492 pn______
+ pumr8a Umbra A 493 um______
+ mg4ri8a GoudyModernMT-Italic A 494 ygi_____
+ mg4r8a GoudyModernMT A 494 ygrg____
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+ ms1r8a ScotchRomanMT A 495 ysrg____
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+ mm8bl8a MonotypeOldStyleMT-BoldOut A 498 mbbou___
+ mfer8a ForteMT A 499 fz______
+ mklr8a KlangMT A 500 kn______
+ mmebw8a MercuriusMT-BoldScript A 501 uzbs____
+ p_____ Smaragd A 502 smar____
+ p_____ Smaragd-Alternate A 502 smara___
+ p_____ Ariadne-Roman A 503 aria____
+ pdiri8a Diotima-Italic A 503 dti_____
+ pdirij8a Diotima-ItalicOsF A 503 dtiof___
+ pdir8a Diotima-Roman A 503 dtr_____
+ pdirj8a Diotima-RomanOsF A 503 dtros___
+ pdirc8a Diotima-RomanSC A 503 dtrsc___
+ p_____ Legault A 504 ul______
+ p_____ Legault-Alternates A 504 ula_____
+ p_____ Legault-BoldAlternates A 504 ulab____
+ p_____ Legault-Bold A 504 ulb_____
+ p_____ BlueIsland A 505 ihrg____
+ pbdp8ap Bodoni-PosterCompressed A 900 bdpsc___
+ pbax8a Barmeno-ExtraBold A 900 bfeb____
+ pb0r8a Blackoak A 900 bo______
+ zpcp33bc Copperplate-ThirtyThreeBC A 900 cp33c___
+ prtr Carta A 900 cr______
+ pdcr8a DomCasual A 900 dc______
+ mtlr8a CastellarMT A 900 el______
+ mp2r8a PepitaMT A 900 epscr___
+ pgsr8ac GillSans-Condensed A 900 gnc_____
+ pgsu8a GillSans-UltraBold A 900 gnub____
+ mgtrd8a GoudyTextMT-LombardicCapitals A 900 gxlom___
+ piwr8a Ironwood A 900 i_______
+ mbfrw8a BiffoMT A 900 ifscr___
+ pimx8a Imago-ExtraBold A 900 ioeb____
+ mjori8a JoannaMT-Italic A 900 joi_____
+ mjor8a JoannaMT A 900 jor_____
+ p_____ Colossalis-Bold A 900 kob_____
+ plgr8a LetterGothic A 900 lg______
+ plor8a Lithos-Regular A 900 lorg____
+ pmqr8a Mesquite A 900 m_______
+ pmnrp Minion-Ornaments A 900 moor____
+ pnurw8a NuptialScript A 900 nu______
+ pper8a PrestigeElite A 900 pe______
+ pqsr8a Bellevue A 900 qsrg____
+ p_____ AGOldFace-Outline A 900 qwou____
+ mrur8ac RunicMT-Condensed A 900 ric_____
+ prwx8a Rockwell-ExtraBold A 900 rkeb____
+ pslr8a Stencil A 900 st______
+ pwwr8a Willow A 900 wi______
+ ppi027 WoodtypeOrnaments-Two A 900 woor2___
+ pbir8a Birch A 901 bi______
+ putrd8a Utopia-Headline A 901 uthd____
+ p_____ Critter A 901 wc______
+ pg2r8a Giddyup-Regular A 901 wg______
+ pg2r Giddyup-Thangs A 901 wgtha___
+ pmyrd8a Myriad-Headline A 901 wmhd____
+ pmyrl8a Myriad-Sketch A 901 wmske___
+ pmyrn8a Myriad-Tilt A 901 wmtil___
+ p_____ Studz A 901 wp______
+ p_____ Quake A 901 wq______
+ p_____ Rad A 901 wr______
+ p_____ Toolbox A 901 wt______
+ p_____ Cutout A 901 wu______
+ p_____ Mythos A 901 wy______
+ pagd8a AvantGarde-Demi A 902 agd_____
+ pagdo8a AvantGarde-DemiOblique A 902 agdo____
+ pagk8a AvantGarde-Book A 902 agw_____
+ pagko8a AvantGarde-BookOblique A 902 agwo____
+ pamr8a Americana A 902 am______
+ pamx8a Americana-ExtraBold A 902 ameb____
+ pacri8a ACaslon-Italic A 902 awi_____
+ pacr8a ACaslon-Regular A 902 awrg____
+ pacs8a ACaslon-Semibold A 902 awsb____
+ pacsi8a ACaslon-SemiboldItalic A 902 awsbi___
+ pbab8a Barmeno-Bold A 902 bfb_____
+ pbax8a Barmeno-ExtraBold A 902 bfeb____
+ pbam8a Barmeno-Medium A 902 bfm_____
+ pbar8a Barmeno-Regular A 902 bfrg____
+ pbkd8a Bookman-Demi A 902 bkd_____
+ pbkdi8a Bookman-DemiItalic A 902 bkdi____
+ pbkl8a Bookman-Light A 902 bkl_____
+ pbkli8a Bookman-LightItalic A 902 bkli____
+ pb0r8a Blackoak A 902 bo______
+ pcrb8a Courier-Bold A 902 cob_____
+ pcrbo8a Courier-BoldOblique A 902 cobo____
+ pcrr8a Courier A 902 com_____
+ pcrro8a Courier-Oblique A 902 coo_____
+ prtr Carta A 902 cr______
+ pfari8a Formata-Italic A 902 fmi_____
+ pfam8a Formata-Medium A 902 fmm_____
+ pfami8a Formata-MediumItalic A 902 fmmi____
+ pfar8a Formata-Regular A 902 fmrg____
+ padb8a AGaramond-Bold A 902 gdb_____
+ padbi8a AGaramond-BoldItalic A 902 gdbi____
+ padri8a AGaramond-Italic A 902 gdi_____
+ padr8a AGaramond-Regular A 902 gdrg____
+ phvr8a Helvetica A 902 hv______
+ phvb8a Helvetica-Bold A 902 hvb_____
+ phvbo8a Helvetica-BoldOblique A 902 hvbo____
+ phvr8an Helvetica-Narrow A 902 hvn_____
+ phvb8an Helvetica-Narrow-Bold A 902 hvnb____
+ phvbo8an Helvetica-Narrow-BoldOblique A 902 hvnbo___
+ phvro8an Helvetica-Narrow-Oblique A 902 hvno____
+ phvro8a Helvetica-Oblique A 902 hvo_____
+ pkur8a Kaufmann A 902 kf______
+ ploc8a Lithos-Black A 902 lobl____
+ plor8a Lithos-Regular A 902 lorg____
+ pncb8a NewCenturySchlbk-Bold A 902 ncb_____
+ pncbi8a NewCenturySchlbk-BoldItalic A 902 ncbi____
+ pncri8a NewCenturySchlbk-Italic A 902 nci_____
+ pncr8a NewCenturySchlbk-Roman A 902 ncr_____
+ ppar8a ParkAvenue A 902 pa______
+ ppsr8a Parisian A 902 pn______
+ pplb8a Palatino-Bold A 902 pob_____
+ pplbi8a Palatino-BoldItalic A 902 pobi____
+ pplri8a Palatino-Italic A 902 poi_____
+ pplr8a Palatino-Roman A 902 por_____
+ p_____ Poetica-SuppOrnaments A 902 pvor____
+ psyr Symbol A 902 sy______
+ ptmb8a Times-Bold A 902 tib_____
+ ptmbi8a Times-BoldItalic A 902 tibi____
+ ptmri8a Times-Italic A 902 tii_____
+ ptmr8a Times-Roman A 902 tir_____
+ ptjb8a Trajan-Bold A 902 tjb_____
+ ptkb8a Tekton-Bold A 902 tkb_____
+ ptkr8a Tekton A 902 tkrg____
+ ppi027 WoodtypeOrnaments-Two A 902 woor2___
+ pzcmi8a ZapfChancery-MediumItalic A 902 zcmi____
+ pzdr ZapfDingbats A 902 zd______
+ mp1rw8a PalaceScriptMT A 903 _p______
+ pdjk8a Delta-Book A 903 djw_____
+ pdjki8a Delta-BookItalic A 903 djwi____
+ lenb8a EngraversLH-BoldFace A 903 ew______
+ pfarl8a Formata-Outline A 903 fmou____
+ pgsxd8a GillSans-ExtraBoldDisplay A 903 gnxbd___
+ mbfrw8a BiffoMT A 903 ifscr___
+ p_____ MonaLisa-Solid A 903 iysd____
+ pjpr8a Juniper A 903 j_______
+ p_____ LoType-Medium A 903 ljm_____
+ p_____ LoType-MediumItalic A 903 ljmi____
+ p_____ BerlinerGrotesk-Light A 903 otl_____
+ prwb8ac Rockwell-BoldCondensed A 903 rkbc____
+ prwr8ac Rockwell-Condensed A 903 rkc_____
+ p_____ AGBook-Stencil A 903 tast____
+ ms2bw8a ScriptMT-Bold A 903 tbscr___
+ p_____ Cutout A 903 wu______
+ ms1ri8a ScotchRomanMT-Italic A 903 ysi_____
+ ms1r8a ScotchRomanMT A 903 ysrg____
+ mm7r8a MaturaMT A 903 zz______
+ mr2l8a CantoriaMT-Light A 904 eol_____
+ p_____ Beesknees A 904 ikh_____
+ p_____ LoType-Medium A 904 ljm_____
+ pm1rw8a MonolineScriptMT A 904 on______
+ p_____ Ozwald A 904 ozh_____
+ mknr8a KinoMT A 904 qi______
+ pb7r8a BernhardModern-Bold A 904 rdb_____
+ puyr8a UniversityRoman A 904 ur______
+ pbdp8ap Bodoni-PosterCompressed A 905 bdpsc___
+ pctl8ac Cheltenham-LightCond A 905 chlc____
+ pazl8ac AkzidenzGroteskBE-LightCn A 905 gflc____
+ pgsb8aq GillSans-BoldExtraCondensed A 905 gnbxc___
+ p_____ GaramondBE-Condensed A 905 gwc_____
+ p_____ LoType-MediumCondensed A 905 ljmc____
+ mrur8ac RunicMT-Condensed A 905 ric_____
+ prwr8ac Rockwell-Condensed A 905 rkc_____
+ p_____ Mezz-Regular A 906 vurg____
+ p_____ Mezz-Black A 906 vuz_____
+ p_____ CaflischScript-Bold A 906 vwb_____
+ p_____ CaflischScript-Regular A 906 vwrg____
+ p_____ Nueva-BoldExtendedItalic A 906 vxbei___
+ p_____ Nueva-BoldExtended A 906 vxbv____
+ p_____ Nueva-Italic A 906 vxi_____
+ p_____ Nueva-Roman A 906 vxr_____
+ pmyb8a Myriad-Bold A 906 wmb_____
+ pmybi8a Myriad-BoldItalic A 906 wmbi____
+ pmyri8a Myriad-Italic A 906 wmi_____
+ pmyr8a Myriad-Roman A 906 wmr_____
+ pmnb8ac Minion-BoldCondensed A 907 mobc____
+ pmnbi8ac Minion-BoldCondensedItalic A 907 mobci___
+ pmnr8ac Minion-Condensed A 907 moc_____
+ pmnri8ac Minion-CondensedItalic A 907 moci____
+ pvvx8ax Viva-BoldExtraExtended A 907 vabxe___
+ pvvl8ac Viva-LightCondensed A 907 valc____
+ pvvr8a Viva-Regular A 907 varg____
+ p_____ Sanvito-Light A 907 vyl_____
+ p_____ Sanvito-Roman A 907 vyr_____
+ p_____ Penumbra-SemiboldFlare A 907 vzsfl___
+ p_____ Penumbra-SemiboldSans A 907 vzssa___
+ p_____ Penumbra-SemiboldSerif A 907 vzsse___
+ ppc___ Poetica-ChanceryI A 908 pvch1___
+ ppc___ Poetica-SuppLigatures A 908 pvlg____
+ ppc___ Poetica-SuppOrnaments A 908 pvor____
+ ppc___ Poetica-SuppSwashCapsI A 908 pvsw1___
+ p_____ CaflischScript-Bold A 908 vwb_____
+ p_____ CaflischScript-Regular A 908 vwrg____
+ p_____ Sanvito-BoldDisplay A 908 vydb____
+ p_____ Sanvito-Roman A 908 vyr_____
+ p_____ Sanvito-Semibold A 908 vysb____
+ pxpr8a ExPonto-Regular A 908 xprg____
+ padri8a AGaramond-Italic A 912 gdi_____
+ padr8a AGaramond-Regular A 912 gdrg____
+ pads8a AGaramond-Semibold A 912 gdsb____
+ padrc8a AGaramond-RegularSC A 912 gdsc____
+ padrd8a AGaramond-Titling A 912 gdttl___
+ pacri8a ACaslon-Italic A 913 awi_____
+ pacrp ACaslon-Ornaments A 913 awor____
+ pacr8a ACaslon-Regular A 913 awrg____
+ pacs8a ACaslon-Semibold A 913 awsb____
+ pacrc8a ACaslon-RegularSC A 913 awsc____
+ pajrd8a AJenson-RegularDisplay A 914 jsds____
+ pajri8a AJenson-Italic A 914 jsi_____
+ pajr8a AJenson-Regular A 914 jsrc____
+ pajs8a AJenson-Semibold A 914 jssb____
+ pajrc8a AJenson-RegularSC A 914 jssc____
+ p_____ Jimbo-Bold A 915 jpb_____
+ pajsd8a AJenson-SemiboldDisplay A 915 jssp____
+ pkpbd8ax Kepler-BoldExtendedDisplay A 915 k_bed___
+ pkpsd8ac Kepler-SemiboldCondensedDisplay A 915 k_scd___
+ p_____ Mezz-Bold A 915 vub_____
+ p_____ Penumbra-BoldSerif A 915 vzbsr___
+ p_____ Cronos-Display A 915 xodr____
+ pxpr8a ExPonto-Regular A 915 xprg____
+ p_____ Chaparral-Display A 915 xtdr____
+ zpeurs EuroSans-Regular A 916 _1______
+ zpeubs EuroSans-Bold A 916 _1b_____
+ zpeubis EuroSans-BoldItalic A 916 _1bi____
+ zpeuris EuroSans-Italic A 916 _1i_____
+ zpeurt EuroMono-Regular A 916 _2______
+ zpeubt EuroMono-Bold A 916 _2b_____
+ zpeubit EuroMono-BoldItalic A 916 _2bi____
+ zpeurit EuroMono-Italic A 916 _2i_____
+ zpeur EuroSerif-Regular A 916 _3______
+ zpeub EuroSerif-Bold A 916 _3b_____
+ zpeubi EuroSerif-BoldItalic A 916 _3bi____
+ zpeuri EuroSerif-Italic A 916 _3i_____
+ pmsrw8a Mistral A 917 ms______
+ ppc___ Poetica-ChanceryII A 917 pvch2___
+ ppc___ Poetica-SuppSwashCapsII A 917 pvsw2___
+ pprl8a PopplResidenz-Light A 917 pzl_____
+ pprr8a PopplResidenz-Regular A 917 pzrg____
+ psrrw8a SnellRoundhand-Script A 917 sn______
+ mmebw8a MercuriusMT-BoldScript A 917 uzbs____
+ pwhm8a WendyLP-Medium A 917 whm_____
+ pbzrw8a Balzano A 917 zn______
+ ppi028 ScienceTypeCustomPi-No1T ??? ________
+ ppi029 ScienceTypeCustomPi-No2T ??? ________
+ ppi030 ScienceTypeCustomPi-No3T ??? ________
+ ppi031 ScienceTypeCustomPi-No4T ??? ________
+ ppi032 ScienceTypeCustomPi-No5T ??? ________
+ </pre>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fonts/fontname/Apple-fonts.html b/Master/texmf-dist/doc/fonts/fontname/Apple-fonts.html
new file mode 100644
index 00000000000..bb2de0bbafb
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/Apple-fonts.html
@@ -0,0 +1,44 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="Apple%20fonts">Apple fonts</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="Bitstream-fonts.html#Bitstream%20fonts">Bitstream fonts</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="Adobe-fonts.html#Adobe%20fonts">Adobe fonts</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Font-name-lists.html#Font%20name%20lists">Font name lists</a>
+<hr><br>
+</div>
+
+<h3 class="section">Apple fonts</h3>
+
+<p>The <code>apple.map</code> file has abbreviations for Apple fonts.
+
+<pre class="example">
+
+ eecr8r AppleChancery
+ eger8r Geneva
+ ehtr8r HoeflerText
+ emcr8r Monaco
+ epi001 Zeal
+ eskr8r Skia
+ </pre>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fonts/fontname/Bitstream-fonts.html b/Master/texmf-dist/doc/fonts/fontname/Bitstream-fonts.html
new file mode 100644
index 00000000000..1e41a4bd842
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/Bitstream-fonts.html
@@ -0,0 +1,884 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="Bitstream%20fonts">Bitstream fonts</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="DTC-fonts.html#DTC%20fonts">DTC fonts</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="Apple-fonts.html#Apple%20fonts">Apple fonts</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Font-name-lists.html#Font%20name%20lists">Font name lists</a>
+<hr><br>
+</div>
+
+<h3 class="section">Bitstream fonts</h3>
+
+<p>The <code>bitstrea.map</code> file has abbreviations for Bitstream fonts.
+
+<pre class="example">
+
+ bhvl8a Swiss721BT-Light BT 0001 swz721l
+ bhvli8a Swiss721BT-LightItalic BT 0002 swz721li
+ bhvr8a Swiss721BT-Roman BT 0003 swz721n
+ bhvri8a Swiss721BT-Italic BT 0004 swz721i
+ bhvb8a Swiss721BT-Bold BT 0005 swz721b
+ bhvbi8a Swiss721BT-BoldItalic BT 0006 swz721bi
+ bhvc8a Swiss721BT-Black BT 0007 swz721k
+ bhvci8a Swiss721BT-BlackItalic BT 0008 swz721ki
+ bhvr8ac Swiss721BT-RomanCondensed BT 0009 swz721c
+ bhvb8ac Swiss721BT-BoldCondensed BT 0010 swz721bc
+ btmr8a Dutch801BT-Roman BT 0011 dut801n
+ btmri8a Dutch801BT-Italic BT 0012 dut801i
+ btmb8a Dutch801BT-Bold BT 0013 dut801b
+ btmbi8a Dutch801BT-BoldItalic BT 0014 dut801bi
+ bopr8a ZapfHumanist601BT-Roman BT 0015 zhum601n
+ bopri8a ZapfHumanist601BT-Italic BT 0016 zhum601i
+ bopb8a ZapfHumanist601BT-Bold BT 0017 zhum601b
+ bopbi8a ZapfHumanist601BT-BoldItalic BT 0018 zhu601bi
+ bsvl8a SouvenirITCbyBT-Light BT 0019 souvnrl
+ bsvli8a SouvenirITCbyBT-LightItalic BT 0020 souvnrli
+ bsvd8a SouvenirITCbyBT-Demi BT 0021 souvnrd
+ bsvdi8a SouvenirITCbyBT-DemiItalic BT 0022 souvnrdi
+ bplr8a ZapfCalligraphic801BT-Roman BT 0023 zcal801n
+ bplri8a ZapfCalligraphic801BT-Italic BT 0024 zcal801i
+ bplb8a ZapfCalligraphic801BT-Bold BT 0025 zcal801b
+ bplbi8a ZapfCalligraphic801BT-BoldItal BT 0026 zca801bi
+ bexr8a News702BT-Roman BT 0027 news702n
+ bexri8a News702BT-Italic BT 0028 news702i
+ bexb8a News702BT-Bold BT 0029 news702b
+ bexbi8a News702BT-BoldItalic BT 0030 new702bi
+ bbdk8a BodoniBT-Book BT 0035 bodonin
+ bbdki8a BodoniBT-BookItalic BT 0036 bodonini
+ bbdb8a BodoniBT-Bold BT 0037 bodonib
+ bbdbi8a BodoniBT-BoldItalic BT 0038 bodonibi
+ bcnr8ax CenturyExpandedBT-Roman BT 0039 centexn
+ bcnri8ax CenturyExpandedBT-Italic BT 0040 centexi
+ bcnb8ax CenturyExpandedBT-Bold BT 0041 centexb
+ bcnbi8ax CenturyExpandedBT-BoldItalic BT 0042 centexbi
+ bg3r8a AmericanGaramondBT-Roman BT 0043 amrgaran
+ bg3ri8a AmericanGaramondBT-Italic BT 0044 amrgarai
+ bg3b8a AmericanGaramondBT-Bold BT 0045 amrgarab
+ bg3bi8a AmericanGaramondBT-BoldItalic BT 0046 amrgarbi
+ bngr8a NewsGothicBT-Roman BT 0047 newsgotn
+ bngri8a NewsGothicBT-Italic BT 0048 newsgot
+ bngb8a NewsGothicBT-Bold BT 0049 newsgotb
+ bngbi8a NewsGothicBT-BoldItalic BT 0050 newgotbi
+ bmlr8a ZapfElliptical711BT-Roman BT 0051 zelp711n
+ bmlri8a ZapfElliptical711BT-Italic BT 0052 zelp711i
+ bmlb8a ZapfElliptical711BT-Bold BT 0053 zelp711b
+ bmlbi8a ZapfElliptical711BT-BoldItalic BT 0054 zel711bi
+ bbdr8a BodoniBT-Roman BT 0055 bodoni
+ bbdri8a BodoniBT-Italic BT 0056 bodonii
+ bhbr8a HoboBT-Regular BT 0057 hobon
+ bonr8a News705BT-RomanB BT 0058 news705n
+ bonri8a News705BT-ItalicB BT 0059 news705i
+ bonb8a News705BT-BoldB BT 0060 news705b
+ b_____ BusoramaITCbyBT-Medium BT 0062 busoramm
+ bglr8a GalliardITCbyBT-Roman BT 0067 galirdn
+ bglri8a GalliardITCbyBT-Italic BT 0068 galirdi
+ bglb8a GalliardITCbyBT-Bold BT 0069 galirdb
+ bglbi8a GalliardITCbyBT-BoldItalic BT 0070 galirdbi
+ bbkl8a BookmanITCbyBT-Light BT 0075 bookmnl
+ bbkli8a BookmanITCbyBT-LightItalic BT 0076 bookmnli
+ bbkd8a BookmanITCbyBT-Demi BT 0079 bookmnd
+ bbkdi8a BookmanITCbyBT-DemiItalic BT 0080 bookmndi
+ bcsr8a CenturySchoolbookBT-Roman BT 0083 censbkn
+ bcsri8a CenturySchoolbookBT-Italic BT 0084 censbki
+ bcsb8a CenturySchoolbookBT-Bold BT 0085 censbkb
+ bcsbi8a CenturySchoolbookBT-BoldItalic BT 0086 censbkbi
+ bkrr8a KorinnaITCbyBT-Regular BT 0087 korinan
+ bkrri8a KorinnaITCbyBT-KursivRegular BT 0088 korinani
+ bkrb8a KorinnaITCbyBT-Bold BT 0089 korinab
+ bkrbi8a KorinnaITCbyBT-KursivBold BT 0090 korinabi
+ bhva8a Swiss721BT-Thin BT 0100 swz721t
+ bhvai8a Swiss721BT-ThinItalic BT 0101 swz721ti
+ bhvh8a Swiss721BT-Heavy BT 0102 swz721h
+ bhvhi8a Swiss721BT-HeavyItalic BT 0103 swz721hi
+ bhvh8aq Swiss911BT-ExtraCompressed BT 0105 swz911xc
+ bhvh8au Swiss911BT-UltraCompressed BT 0106 swz911uc
+ bgor8a GoudyOldStyleBT-Roman BT 0107 goudyosn
+ bgori8a GoudyOldStyleBT-Italic BT 0108 goudyosi
+ bgob8a GoudyOldStyleBT-Bold BT 0109 goudyosb
+ bgobi8a GoudyOldStyleBT-BoldItalic BT 0110 goudosbi
+ bgox8a GoudyOldStyleBT-ExtraBold BT 0111 goudosxb
+ bpnr8a Aldine721BT-Roman BT 0112 ald721n
+ bpnri8a Aldine721BT-Italic BT 0113 ald721i
+ bpnb8a Aldine721BT-Bold BT 0114 ald721b
+ bpnbi8a Aldine721BT-BoldItalic BT 0115 ald721bi
+ bjnr8a KisBT-Roman BT 0116 kisn
+ bjnri8a KisBT-Italic BT 0117 kisi
+ bc5r8a Caslon540BT-Roman BT 0118 casl540n
+ bc5ri8a Caslon540BT-Italic BT 0119 casl540i
+ b_____ GothicNo13BT-Regular BT 0120 gothic13
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+ bo0r8a OldDreadfulNo7BT-Regular BT 7009 ________
+ bzdr ZapfDingbatsITCbyBT-Regular BT 8556 zafdingn
+ b_____ MICR10byBT-Regular BT 8729 micr010n
+ b_____ MICR12byBT-Regular BT 8730 micr012n
+ b_____ MICR13byBT-Regular BT 8731 micr013n
+ bpi003 UniversalMath1BT-Regular BT 9014 ________
+ bpi004 CommercialPiBT-Regular BT 9025 ________
+ bpi002 SymbolProportionalBT-Regular BT 9830 symbpron
+ bpi010 HolidayPiBT-Regular BT 9832 ________
+ bpi001 NewspaperPiBT-Regular BT 9836 ________
+ </pre>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fonts/fontname/ChangeLog b/Master/texmf-dist/doc/fonts/fontname/ChangeLog
new file mode 100644
index 00000000000..56989d91aa6
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/ChangeLog
@@ -0,0 +1,633 @@
+2008-11-04 Karl Berry <karl@tug.org>
+
+ * typeface.map (v*): add some entries for VenturisADF.
+ * supplier.map (y): define for arkandis.
+
+2008-10-30 Karl Berry <karl@tug.org>
+
+ * fontname.texi: 8.3 no longer an issue, update some links.
+
+2008-07-06 Karl Berry <karl@tug.org>
+
+ * ec.enc: ec.enc update per mojca.
+
+2008-04-18 Karl Berry <karl@tug.org>
+
+ * cork.enc: remove since it's unused.
+ * ec.enc: import from TL.
+ * fontname.texi: change accordingly.
+ Vit Zyka mail to tex-live, 16 Apr 2008 12:33:08.
+
+2007-07-16 Karl Berry <karl@tug.org>
+
+ * texfonts.map: omit aliases for PostScript names.
+ See texhax thread about \textordfeminine, 06 Jul 2007 01:10:02.
+
+2006-11-27 Karl Berry <karl@tug.org>
+
+ * fontname.texi: add 6w.
+
+2006-11-01 Karl Berry <karl@tug.org>
+
+ * variant.map (2): proportional digits.
+ Plamen Tanovski tex-fonts mail, 27oct06.
+
+2006-05-11 Karl Berry <karl@tug.org>
+
+ * typeface.map (wp): warnock pro. From John Owens.
+
+2006-02-05 Karl Berry <karl@tug.org>
+
+ * width.map (n): add Semicondensed, for Myriad Pro.
+ (y) = Semiexpanded.
+ From John Owens.
+
+2005-12-23 Karl Berry <karl@tug.org>
+
+ * typeface.map (gn): gentium.
+
+2005-10-25 Karl Berry <karl@tug.org>
+
+ * typeface.map (w9): Wastrel, for Michael Peters,
+ from typotheticals.
+
+2005-07-10 Karl Berry <karl@tug.org>
+
+ * special.map: Add cmbright.
+
+2005-07-03 Karl Berry <karl@tug.org>
+
+ * variant.map: remove 9n duplicate of 8y.
+ * *.map: add public domain statements to files lacking.
+
+2005-06-23 Karl Berry <karl@tug.org>
+
+ * special.map: remove antt* entries per Staszek.
+
+2005-06-22 Karl Berry <karl@tug.org>
+
+ * special.map: add bitmap font for traditional Chinese in Big 5.
+ From Werner Lemberg.
+
+2005-06-12 Karl Berry <karl@tug.org>
+
+ * most.enc: add headers, remove Texinfo @'s, use verbatiminclude.
+ Reported by Patrick Gundlach.
+
+2005-05-28 Karl Berry <karl@tug.org>
+
+ * 8r.enc: copy 8r.enc from ctan:macros/latex/required/psnfss
+ (only doc differences).
+
+2005-05-21 Karl Berry <karl@tug.org>
+
+ * Fixes to bitstrea.map and related entries in typeface.map, from
+ Clemens Ladisch, tex-fonts mail 20 May 2005 11:28:34 +0200.
+
+2005-04-01 Karl Berry <karl@tug.org>
+
+ * fontname.texi (Font legalities): Paul Renner, not Bauer,
+ and cut Lardent since he wasn't a punchcutter. From Steve Peter.
+
+2004-12-17 Karl Berry <karl@tug.org>
+
+ * typeface.map (ev): add MrsEaves, found in MAPS #29.
+
+2004-06-19 Karl Berry <karl@tug.org>
+
+ * fontname.texi (Encodings): mention character tables.
+
+2004-04-18 Karl Berry <karl@gnu.org>
+
+ * adobe.map (StoneSans, StoneSans-Italic): corrected names.
+ (LegacySans*): use lz.
+ * typeface.map (lz): define for LegacySans.
+ From Paul Pichaureau.
+
+2004-04-02 Karl Berry <karl@tug.org>
+
+ * variant.map (9u): Unicode. From report by Adam Lindsay.
+
+2004-04-01 Karl Berry <karl@tug.org>
+
+ * supplier.map (2): elsnerflake.
+ * adobe.map (AvantGarde-ExtraLight): correct to pagj. From ud.
+
+2004-03-31 Karl Berry <karl@tug.org>
+
+ * variant.map: 8e: Adobe CE, from Ulrich Dirr.
+
+2004-01-06 Karl Berry <karl@tug.org>
+
+ * asex.enc: remove erroneous second encoding from file, making it
+ match the dvips version. Found by te.
+
+2003-03-24 Karl Berry <karl@tug.org>
+
+ * adobe.map (ppur8a,zpcp30bc): corrections from Norbert.
+
+2003-03-10 Karl Berry <karl@tug.org>
+
+ * fontname.texi: include texnansi.enc, texnansx.enc, and mention
+ that tex256.enc is another name for `cork'.
+
+2002-11-05 Karl Berry <karl@tug.org>
+
+ * 8r.enc: include MacRoman characters, from Philipp Lehman
+ <lehman@gmx.net>.
+
+2001-06-26 Karl Berry <karl@tug.daimi.au.dk>
+
+ * supplier.map: reassign S to Storm Type (stormtype.com); there
+ are no Sun fonts, really, and even if there were, collisions would
+ be unlikely. From: Petr Olsak <olsak@math.feld.cvut.cz>.
+
+1999-01-03 Karl Berry <karl@tug.org>
+
+ * supplier.map: @& is a mistake, should just be &.
+
+Mon Jan 5 15:33:24 1998 Karl Berry <karl@cs.umb.edu>
+
+ * special.map: Include feta.
+
+Tue Feb 4 13:09:57 1997 Karl Berry <karl@cs.umb.edu>
+
+ * special.map: Include ec/jknappen/ec.
+
+Mon Aug 5 16:47:15 1996 Karl Berry <karl@cs.umb.edu>
+
+ * texfonts.map: No softkey.map any more.
+
+Fri Jul 5 14:35:54 1996 Karl Berry <karl@laurie>
+
+ * Version 2.1.
+
+Thu Jul 4 15:19:14 1996 Karl Berry <karl@laurie>
+
+ * variant.map (9s): Define as SF for SuperFont.
+ (n): Add Schlbk as another meaning.
+ * typeface.map (yg): Define as CenturyGothic.
+ * monotype.map: Add entries for Arial and Times SF's,
+ CenturyGothic fonts, Bembo/GS/Plantin Schoolbook, etc.
+ From: alanje@cogs.susx.ac.uk (Alan Jeffrey).
+
+ * supplier.map (f): Let's generalize this to `small' foundries,
+ instead of copying terms. Suggested by Pierre.
+
+ * variant.map (82): Define as GreekKeys.
+ From: mackay@cs.washington.edu (Pierre MacKay)
+
+ * typeface.map (an): Define as Anna.
+ From: wls@astro.umd.edu (William L. Sebok)
+
+Fri Jun 21 14:43:04 1996 Karl Berry <karl@laurie>
+
+ * variant.map (h): Oops, need shadow after all.
+ * typeface.map, monotype.map: Many new definitions per Alan's list.
+
+Thu Jun 20 16:12:54 1996 Karl Berry <karl@laurie>
+
+ * variant.map (g): Define as SmallText, as this is different than
+ SmallCaps. (Alan actually looked at a font.)
+
+ * monotype.map (LatinMT-Condensed): Use l0, not li.
+ Add the pi fonts as listed by Alan.
+
+ * typeface.map (li): Remove redundant definition of Latin, let's
+ stick with l0.
+ (ou): Columbus.
+ (f1): Fournier.
+
+Sun Jun 16 16:55:09 1996 Karl Berry <karl@laurie>
+
+ * monotype.map (mg2rw): Giddyup.
+ (mpi300): Giddyup-Thangs.
+ (mpi301): Petrucchio.
+ (meb*): BaskervilleBe*.
+ * typeface.map (g2): Giddyup.
+ (eb): BaskervilleBE.
+ From: wls@astro.umd.edu.
+
+ * variant.map (6): Define as Cyrillic extension character.
+ 6[bdikmw]: Define for Cyrillic needs.
+ * supplier.map (t): Define as ParaGraph, a maker of Cyrillic fonts.
+ From: "Andrey F. Slepuhin" <pooh@shade.msu.ru>.
+
+Fri May 17 13:49:23 1996 Karl Berry <karl@cs.umb.edu>
+
+ * typeface.map: Add entries for Boton, Boulevard, PopplLaudatio.
+ * monotype.map: Ditto, for the actual fonts.
+ From: wls@astro.umd.edu.
+
+Tue Apr 23 17:57:14 1996 Karl Berry <karl@cs.umb.edu>
+
+ * ad.enc: New file, from lesenko@mx.ihep.su (Sergey Lesenko), as
+ the default base vector for partial T1 downloading.
+
+Thu Mar 21 10:31:00 1996 Karl Berry <karl@cs.umb.edu>
+
+ * typeface.map (ol): Define to be Colmcille.
+ From: Bernard Treves Brown <MCNBJTB@fs4.in.umist.ac.uk>.
+
+Sun Mar 3 10:48:01 1996 Karl Berry <karl@cs.umb.edu>
+
+ * variant.map (9o, 9d): Define to Cork/TeX text with oldstyle
+ digits and expert.
+ (j): Define this to be `oldstyle digits' in general.
+
+ * typeface.map (pc): Define to be Poetica.
+ (s9): Remove. Scriptoria is a clone.
+ From Thierry.
+
+ * special.map: Changes from Ulrik:
+ a) Knuth's local cm variants (must be listed by name exactly)
+ b) gftodvi utility fonts (black,gray,slant)
+ c) Computer concrete math fonts (concmath)
+ d) A fix for the pandora entry from Thomas Esser that was
+ already in my previous copy of special.map (from teTeX).
+
+ * dtc.map, linotype.map, apple.map: Use the 8r names, as we do
+ with Adobe, Monotype, etc.
+
+ * urw.map: New file.
+ * texfonts.map: Include it.
+ * typeface.map: Add aliases for URW.
+
+Mon Oct 16 15:23:12 1995 Karl Berry <karl@cs.umb.edu>
+
+ * variant.map (7k): Assign this to OT2Cyrillic for Sebastian.
+
+Sat Oct 7 17:10:36 1995 Karl Berry <karl@cs.umb.edu>
+
+ * special.map: Add sauter, fc, tc, and bashkirian.
+ * supplier.map (jknappen): Add this.
+
+Fri Sep 29 11:12:28 1995 Karl Berry <karl@cs.umb.edu>
+
+ * variant.map (8c, 9c): For Jorg's new TS1 fonts.
+
+Fri Sep 22 16:11:26 1995 Karl Berry <karl@cs.umb.edu>
+
+ * adobe.map: 8a should be 7a in most places.
+
+ * *.map: Use 8r for the sake of aliases.
+
+Sat Aug 12 11:43:33 1995 Karl Berry <karl@cs.umb.edu>
+
+ * Version 2.0.
+ * variant.map (8u, 8z): Add these for Sojka.
+ * xl2.enc, xt2.enc: New files.
+
+Thu Aug 3 13:38:41 1995 Karl Berry <karl@cs.umb.edu>
+
+ * supplier.map: k = Softkey.
+ * typeface.map. s9 = Scriptor, g9 = GaramondRetrospective.
+ * softkey.map: New file.
+ * special.map: New cases for MusicTeX, etc.
+ From Thierry.
+
+Fri May 5 11:33:25 1995 Karl Berry <karl@cs.umb.edu>
+
+ * bitstrea.aka: New file from bitti@cs.tut.fi, from
+ mark@sdd.hp.com and pastor@vfl.paramax.com.
+
+ * bitstrea.map: bgyrf, not bgyf.
+
+Sun Apr 30 13:33:07 1995 Karl Berry <karl@cs.umb.edu>
+
+ * monotype.map: Avoid duplicates.
+ * bitstrea.map: Add missing i to btvb for ...Bold-Italic.
+
+ * special.map (stmary): Add this, from da@dcs.ed.ac.uk.
+
+Tue Apr 25 10:16:34 1995 Karl Berry <karl@cs.umb.edu>
+
+ * bitstrea.map: Freeform721 is Auriol, says bitti@cs.tut.fi.
+
+Thu Apr 20 15:19:07 1995 Karl Berry <karl@cs.umb.edu>
+
+ * bitstrea.map: Modern735 is Bodoni Campanile.
+ * typeface.map (bp): Use it.
+
+ * Amasis should be a2, exchange with Alternate Gothic (now a4).
+
+ * typeface.map: Arial gets its own code (a1) after all, since Monotype
+ also distributes Helvetica now. Move Adsans to a9.
+ * monotype.map: Likewise.
+ * fontname.texi: Don't mention Arial as the prototypical alias.
+
+ * variant.map: Use 9e and 9t, per Sebastian's likings.
+
+Sun Apr 16 19:12:58 1995 Karl Berry <karl@cs.umb.edu>
+
+ From Jorg Knappen:
+ * variant.map (81, 82, 85): Remove these ISO encodings, as there's
+ no fonts using them at the moment.
+ (5): Make this an escape for phonetic encodings.
+ (1, 6): Remove these and give `Rotis Semi' a typeface abbreviation.
+
+Sat Apr 15 19:19:27 1995 Karl Berry <karl@cs.umb.edu>
+
+ * fontname.texi: Reorganization and rewrite.
+ (Variants): Define 9c and 9t.
+
+Sun Apr 9 16:29:04 1995 Karl Berry <karl@cs.umb.edu>
+
+ * bitstrea.map: Assign the rest, except for the obvious Bitstream
+ names Freeform 721 and Modern 735, for which I'm waiting
+ to hear what they really are. (I can't find them in any of font
+ catalogs, unfortunately.)
+
+ * monotype.more: The giant file from Nelson with 2000+ fonts.
+ Can't face it now.
+
+Fri Apr 7 16:48:25 1995 Karl Berry <karl@cs.umb.edu>
+
+ * bitstrea.map: Use hr for Swiss721BT-BlackRounded, not hv.
+ Orator*: Include weight codes.
+ * adobe.map: Use ns for TimesNewRomanPS, not nt, for consistency
+ with Monotype.
+
+ * variant.map: Change 3 (fraction) to 7f.
+ * adobe.map, monotype.map: Likewise.
+
+Tue Apr 4 11:44:49 1995 Karl Berry <karl@cs.umb.edu>
+
+ * supplier.map: Add o for Corel, from Andreas Schell.
+
+Mon Apr 3 14:16:58 1995 Karl Berry <karl@cs.umb.edu>
+
+ * Various clarifications from Damian.
+
+Sun Apr 2 14:47:13 1995 Karl Berry <karl@cs.umb.edu>
+
+ * variant.map: Abandon g for now.
+ Mark k and z obsolete.
+
+ * monotype.map: Add pi fonts from Pierre.
+
+ * btstream.map: Rename to bitstream.map, for meaningless
+ compatibility with supplier.map.
+
+ * width.map: Abandon by-hand vs. automatic distinction.
+ * fontname.texi (Widths): Document the reality.''
+
+Tue Mar 28 13:02:00 1995 Karl Berry <karl@cs.umb.edu>
+
+ * typeface.map: cb => Cooper, not CooperBlack.
+ * adobe.map: Corresponding changes.
+
+Mon Mar 27 19:49:47 1995 Karl Berry <karl@cs.umb.edu>
+
+ * typeface.map: Use FontName's instead of pseudo-English, and add
+ different FontName's from other foundries that use the same
+ abbreviation.
+
+ * These fixes from Damian:
+ * Missing weights, variants, and other typos in various places.
+ * Use w for swash in Fairfield and Centaur, not y.
+ * Use m for medium in AmericanTypewriter-Medium*.
+ * OldEnglish is blackletter in EngraversOldEnglish.
+ * Thin mistaken for a width in Glypha, HelveticaNeue, VAGRounded.
+ Also h sometimes used for thin instead of a.
+ * Gothic means sans in ClearfaceGothic, AvantGardeGothic,
+ TypewriterGothic. Have to use s for Clearface, since regular
+ Clearface is a serif font.
+
+ * Change alt fonts from a to 8c,
+ dfr fonts from 2 to 7c,
+ osf fonts from 9 to 7d,
+ expert fonts from x to 8x
+
+ * {monotype,adobe,linotype,dtc}.map: Rename from *.txt.
+
+Sun Mar 26 16:44:06 1995 Karl Berry <karl@cs.umb.edu>
+
+ * @include the *.map files, new text explaining the changes, etc., etc.
+
+Sat Jul 2 17:17:10 1994 Karl Berry (karl@cs.umb.edu)
+
+ * adobe.txt (Frutiger-LightItalic): Correction from klaus@tdr.dk.
+
+Wed Mar 30 15:01:12 1994 Karl Berry (karl@cs.umb.edu)
+
+ * Version 1.6.
+
+Thu Mar 24 08:19:35 1994 Karl Berry (karl@cs.umb.edu)
+
+ * Typefaces: m0 for monospace.
+
+Wed Mar 16 12:02:34 1994 Karl Berry (karl@cs.umb.edu)
+
+ * Variant: 8 for escape, then ISO Latin [125], Windows ANSI, and
+ Mac standard.
+
+Thu Feb 17 11:00:24 1994 Karl Berry (karl@cs.umb.edu)
+
+ * Typeface families: mg for Marigold.
+
+Sun Jun 6 11:28:15 1993 Karl Berry (karl@cs.umb.edu)
+
+ * Typefaces: wi for Wingdings.
+
+ * Aliases: Omega == Optima.
+
+Thu Jun 3 14:53:05 1993 Karl Berry (karl@cs.umb.edu)
+
+ * Makefile (info, dvi): Do here as with others.
+ * Don't need to set @paragraphindent here any more.
+
+Sat May 22 11:23:53 1993 Karl Berry (karl@cs.umb.edu)
+
+ * Version 1.5.
+
+ * Makefile (dist): Run gzip -9.
+
+Thu May 20 11:02:59 1993 Karl Berry (karl@cs.umb.edu)
+
+ * Sources: u for URW, not user.
+ * Typefaces: aq for Antiqua, nm for Nimbus.
+
+Tue May 18 10:59:16 1993 Karl Berry (karl@cs.umb.edu)
+
+ * Typefaces: Change Plantin to pn from pi.
+ * adobe.txt: Likewise.
+
+Tue May 4 10:06:55 1993 Karl Berry (karl@cs.umb.edu)
+
+ * adobe.txt (ppiro, ppirc): Rename from ppn*.
+
+Fri Apr 30 14:16:40 1993 Karl Berry (karl@cs.umb.edu)
+
+ * Various doc fixes from Nelson.
+
+Fri Apr 9 15:42:39 1993 Karl Berry (karl@cs.umb.edu)
+
+ * Version 1.4.
+
+ * fnget.c: Don't bother to include fnget.h.
+ * fnget.h: Don't declare the routine as a prototype unless we are
+ __STDC__.
+
+ * (Variants): `6' for semi serif.
+
+ * (Typefaces): `dl' for Dolores.
+
+Tue Apr 6 16:50:40 1993 Karl Berry (karl@cs.umb.edu)
+
+ * (Typefaces): `eo' for Amerigo, `va' for Activa.
+
+ * (Sources): `d' for DTC, from Pierre.
+ * dtc.txt: New file.
+
+Tue Feb 23 16:47:23 1993 Karl Berry (karl@cs.umb.edu)
+
+ * (Top): Add version number.
+
+ * Version 1.3 (a few days ago, actually).
+
+Sun Feb 7 14:13:49 1993 Karl Berry (karl@cs.umb.edu)
+
+ * (Typefaces): Many new families.
+ (Variants): `5' for phonetic.
+ * monotype.txt, linotype.txt: New families.
+
+Mon Dec 14 17:46:51 1992 Karl Berry (karl@cs.umb.edu)
+
+ * (Sources): `9' for unknown.
+
+Mon Nov 30 17:11:53 1992 Karl Berry (karl@cs.umb.edu)
+
+ * (Sources): `y' for Y&Y.
+
+Thu Oct 29 07:54:52 1992 Karl Berry (karl@cs.umb.edu)
+
+ * (The naming scheme): Rename to `Naming scheme'. Also, had W
+ twice in the schematic.
+
+ * (Weight): Use demibold and semibold, for consistency with the
+ list below.
+
+Mon Oct 26 06:09:08 1992 Karl Berry (karl@cs.umb.edu)
+
+ * (Variant): Make `q' be the Cork encoding.
+
+Tue Aug 18 19:30:14 1992 Karl Berry (karl@hayley)
+
+ * fontname.texi: change to title to `Filenames for TeX fonts'.
+
+Wed Jul 15 14:38:54 1992 Karl Berry (karl@hayley)
+
+ * Version 1.2.
+
+Sat Jul 11 11:51:37 1992 Karl Berry (karl@hayley)
+
+ * adobe.txt: many changes and additions to reflect new Adobe
+ fonts. Why don't they just do the world a favor and go out of
+ business?
+ (Families, Foundries): corresponding changes.
+
+Mon Jun 15 18:03:15 1992 Karl Berry (karl@hayley)
+
+ * Add variant `q' for GNU text complement. I guess.
+
+Thu Jun 4 19:46:54 1992 Karl Berry (karl@hayley)
+
+ * Add family `ti' for TechPhonetic, a freely distributable font of
+ IPA phonetic symbols designed at MIT by Rob Kassel.
+
+Sun May 24 14:57:57 1992 Karl Berry (karl@hayley)
+
+ * Add recommended `dir' line (as a comment).
+
+Wed Apr 29 07:56:32 1992 Karl Berry (karl@hayley)
+
+ * Change ``foundry'' to ``source'', as Damian (implicitly) suggests.
+
+ * (Long names): toss the script.
+
+ * Fix @item syntax, so it runs through Makeinfo.
+
+Sun Apr 26 07:36:48 1992 Karl Berry (karl@hayley)
+
+ * remove @TeX{} from node title, sigh.
+
+Sun Apr 19 10:41:55 1992 Karl Berry (karl@hayley)
+
+ * (Typeface families): `mv' is Malvern.
+
+Mon Apr 6 15:05:44 1992 Karl Berry (karl@hayley)
+
+ * fontname.texi (Variant): `9' means oldstyle figures.
+ * adobe.txt: can now define the various OsF's.
+
+ * fontname.texi: alphabetization etc. updates from jmr.
+
+Tue Mar 31 09:47:37 1992 Karl Berry (karl at hayley)
+
+ * Version 1.1.
+
+ * Update for new Adobe fonts.
+
+Fri Jan 3 12:20:59 1992 Karl Berry (karl at hayley)
+
+ * (Variant): `0' means the Adobe standard encoding now. Ugh.
+
+Thu Oct 24 07:03:18 1991 Karl Berry (karl at hayley)
+
+ * (Typeface families): assign `gg' to Garth Graphic, and `sh' to
+ Shannon.
+
+Sun Aug 18 09:36:06 1991 Karl Berry (karl at hayley)
+
+ * (Foundries): assign `x' to the AMS.
+
+Tue Aug 13 06:48:09 1991 Karl Berry (karl at hayley)
+
+ * Change `Expansion' to `width' throughout.
+
+Sat Jul 20 06:35:27 1991 Karl Berry (karl at hayley)
+
+ * (Local variables): remove this, since now it's standard (as of
+ texinfo 2.07).
+
+Thu Jul 18 07:51:26 1991 Karl Berry (karl at hayley)
+
+ * (Foundries): assign `n' to IBM.
+
+Sun Jul 7 08:50:27 1991 Karl Berry (karl at hayley)
+
+ * (Typeface families): assign `ul' to Universal.
+ * adobe.txt: now we can Universal-GreekwithMathPi, and some of
+ Universal-NewswithCommPi.
+ (from J.L.Braams@pttrnl.nl)
+
+Thu Jun 27 08:49:53 1991 Karl Berry (karl at hayley)
+
+ * (Foundries): point out that the vendor is not necessarily the
+ source (from rivlinj@watson.ibm.com).
+
+Fri Jun 14 13:49:32 1991 Karl Berry (karl at hayley)
+
+ * *.txt: put our filename first, before the fontname. (from
+ rocky@watson.ibm.com)
+
+ * Change %-comments to @c comments, even though they're at the top
+ of the file. (from simon@liasun6.epfl.ch)
+
+Sun Jun 9 08:51:14 1991 Karl Berry (karl at hayley)
+
+ * (Foundries): remove reference to mims-iris, since that font
+ archive is disappearing.
+
+ * These changes from johnm@afsc-bmo.af.mil:
+
+ * (Foundries): remove spurious \strut from `r'.
+
+ * (Univers): explain that there's no foundry letter.
+
+ * (Foundries): correct `p' to `f' for public domain fonts.
+
+Fri Jun 7 17:47:36 1991 Karl Berry (karl at hayley)
+
+ * (Variant): Add `z' as the variant for Cyrillic.
diff --git a/Master/texmf-dist/doc/fonts/fontname/DTC-fonts.html b/Master/texmf-dist/doc/fonts/fontname/DTC-fonts.html
new file mode 100644
index 00000000000..b40de9eced0
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/DTC-fonts.html
@@ -0,0 +1,57 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="DTC%20fonts">DTC fonts</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="ITC-fonts.html#ITC%20fonts">ITC fonts</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="Bitstream-fonts.html#Bitstream%20fonts">Bitstream fonts</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Font-name-lists.html#Font%20name%20lists">Font name lists</a>
+<hr><br>
+</div>
+
+<h3 class="section">DTC fonts</h3>
+
+<p>The <code>dtc.map</code> file has abbreviations for DTC (Digital Typeface
+Corporation) fonts.
+
+<pre class="example">
+
+ dhvc8rc SansBlackCondensed-DTC
+ dhvco8rc SansBlackCondensed-Oblique-DTC
+ dhvm8rx SansExtended-Medium-DTC
+ dhvr8rx SansExtended-Regular-DTC
+ dhvro8rc SansExtended-RegularOblique-DTC
+ dhvx8rc SansExtraBlackCondensed-DTC
+ dhvl8rx SansLightExtended-DTC
+ dhvh8rc SansThinCondensed-DTC
+ dhvho8rc SansThinCondensed-Oblique-DTC
+ dnbb8r NewBaskerville-Bold-DTC
+ dnbbi8r NewBaskerville-BoldItalic-DTC
+ dnbri8r NewBaskerville-RomanItalic-DTC
+ dnbr8r NewBaskerville-Roman-DTC
+ dopr8r Optimum-Roman-DTC
+ dopb8r Optimum-Bold-DTC
+ dopbo8r Optimum-BoldItalic-DTC
+ doro8r Optimum-RomanItalic-DTC
+ dpll8r Palton-Light-DTC
+ </pre>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fonts/fontname/Encodings.html b/Master/texmf-dist/doc/fonts/fontname/Encodings.html
new file mode 100644
index 00000000000..788e3fff36c
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/Encodings.html
@@ -0,0 +1,58 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="Encodings">Encodings</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="Font-legalities.html#Font%20legalities">Font legalities</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="Font-name-lists.html#Font%20name%20lists">Font name lists</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="index.html#Top">Top</a>
+<hr><br>
+</div>
+
+<h2 class="appendix">Encodings</h2>
+
+<p>The following sections define various encodings as PostScript encoding
+vectors. These files can be installed in the Dvips header directory and
+then used in <code>psfonts.map</code> to change font encodings of downloadable
+or builtin fonts (see <a href="../dvips/psfonts.map.html#psfonts.map">psfonts.map</a>).
+
+ <p>You can also specify these <code>.enc</code> files to Afm2tfm when building a
+font (see <a href="../dvips/Changing-font-encodings.html#Changing%20font%20encodings">Changing font encodings</a>).
+
+ <p>For a discussion of TeX font encodings in general, and defining new
+ones for use with <code>fontinst</code> in particular, see
+<a href="http://www.ctan.org/fonts/utilities/fontinst/doc/encspecs">http://www.ctan.org/fonts/utilities/fontinst/doc/encspecs</a>.
+
+<ul class="menu">
+<li><a accesskey="1" href="8a.html#8a">8a</a>: Adobe standard.
+<li><a accesskey="2" href="8r.html#8r">8r</a>: TeX base.
+<li><a accesskey="3" href="cork.html#cork">cork</a>: Cork (aka EC, TeX Latin 1, tex256).
+<li><a accesskey="4" href="dvips.html#dvips">dvips</a>: Dvips.
+<li><a accesskey="5" href="texmext.html#texmext">texmext</a>: TeX math extension.
+<li><a accesskey="6" href="texmsym.html#texmsym">texmsym</a>: TeX math symbol.
+<li><a accesskey="7" href="texmital.html#texmital">texmital</a>: TeX math italic.
+<li><a accesskey="8" href="texnansi.html#texnansi">texnansi</a>: From Y&amp;Y.
+<li><a accesskey="9" href="texnansx.html#texnansx">texnansx</a>: From Y&amp;Y.
+<li><a href="xl2.html#xl2">xl2</a>: OT1 + ISO Latin 2 (extended).
+<li><a href="xt2.html#xt2">xt2</a>: Typewriter version of xl2.
+</ul>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fonts/fontname/Filenames-for-fonts.html b/Master/texmf-dist/doc/fonts/fontname/Filenames-for-fonts.html
new file mode 100644
index 00000000000..7a23728b1e6
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/Filenames-for-fonts.html
@@ -0,0 +1,88 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="Filenames%20for%20fonts">Filenames for fonts</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="Long-names.html#Long%20names">Long names</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="Introduction.html#Introduction">Introduction</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="index.html#Top">Top</a>
+<hr><br>
+</div>
+
+<h2 class="chapter">Filenames for fonts</h2>
+
+<p>We must limit ourselves to eight character names, for compatibility with
+DOS filesystems and the ISO 9660 standard used for CD-ROM distribution.
+Names may consist of only the letters (monocase a-z), numerals (0-9),
+and underscore.
+
+ <p>Here is the basic division of the eight characters (the spaces here are
+merely for readability):
+
+<pre class="example"> <var>S</var> <var>TT</var> <var>W</var> [<var>V<small class="dots">...</small></var>] [<var>N</var>] [<var>E</var>] [<var>DD</var>]
+ </pre>
+
+<p>where
+
+ <dl>
+<dt><var>S</var>
+ <dd>represents the supplier of the font.
+
+ <br><dt><var>TT</var>
+ <dd>represents the typeface name.
+
+ <br><dt><var>W</var>
+ <dd>represents the weight.
+
+ <br><dt><var>V<small class="dots">...</small></var>
+ <dd>represents the variant(s), and is omitted if both it and the width are
+normal. Many fonts have more than one variant.
+
+ <br><dt><var>N</var>
+ <dd>represents the encoding, and is omitted if the encoding is nonstandard.
+Encodings are subsumed in the section on variants (see <a href="Variants.html#Variants">Variants</a>).
+
+ <br><dt><var>E</var>
+ <dd>represents the width ("expansion"), and is omitted if
+it is normal.
+
+ <br><dt><var>DD</var>
+ <dd>represents the design size (in decimal), and is omitted if the font is
+linearly scaled. Mittelbach in <cite>TUGboat</cite> 13(1) proposes using
+hexadecimal or base-36 notation. I don't think the increased range
+makes up for the unreadability of the common sizes (e.g., 10pt
+fonts would have a suffix <code>a</code> (in hex), or <code>j</code> (in base 36)).
+
+ </dl>
+
+ <p>The weight, variants, and width are probably all best taken from the
+original name of the font, instead of trying to relate them to some
+external standard.
+
+<ul class="menu">
+<li><a accesskey="1" href="Suppliers.html#Suppliers">Suppliers</a>:
+<li><a accesskey="2" href="Typefaces.html#Typefaces">Typefaces</a>:
+<li><a accesskey="3" href="Weights.html#Weights">Weights</a>:
+<li><a accesskey="4" href="Variants.html#Variants">Variants</a>:
+<li><a accesskey="5" href="Widths.html#Widths">Widths</a>:
+</ul>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fonts/fontname/Font-legalities.html b/Master/texmf-dist/doc/fonts/fontname/Font-legalities.html
new file mode 100644
index 00000000000..b47b85bb25e
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/Font-legalities.html
@@ -0,0 +1,99 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="Font%20legalities">Font legalities</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="Index.html#Index">Index</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="Encodings.html#Encodings">Encodings</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="index.html#Top">Top</a>
+<hr><br>
+</div>
+
+<h2 class="appendix">Font legalities</h2>
+
+<p>This section owes a great deal to Charles Bigelow (co-designer with Kris
+Holmes of the Lucida typeface family, among others), who has generously
+answered our many queries about fonts and the law around the world with
+remarkable patience and understanding. (But he is naturally not
+responsible for any errors here, much less our opinions.)
+
+ <p>Fonts have always been treated rather strangely under the law, as befits
+their rather strange nature: letterforms are indivisibly both
+<em>useful</em> and <em>artistic</em>. In most countries--in all countries
+until recently--utility has taken precedence; i.e., it has been legal
+to copy fonts without permission or fee.
+
+ <p>In any case, to the best of my knowledge, the situation in those
+countries which have adopted any sort of typeface protection is as
+follows:
+
+ <dl>
+
+ <br><dt>United States
+ <dd>Typeface designs can be patented, but not copyrighted. Only a few
+designs have been patented. (Lucida and Stone are the only ones I know
+of. I don't know what the grounds were for patenting Stone, but Lucida
+had some novel features in its design which make it reasonable to
+patent, given the acceptance of the patent system in the first place.)
+
+ <p>Particular programs which instantiate a font can be copyrighted just as
+any other computer program can. This is arguably wrong, since font
+programs are nothing but a description of the shapes, possibly with some
+simple hints, and there's only one basic way to describe the shapes in
+any given language. Thus, the creativity lies in making the shape
+right, not in making the computer program right, so it would seem that
+to be consistent, the copyright laws should protect the design, not the
+program--the opposite of the current situation.
+
+ <br><dt>Germany
+ <dd>Typeface designs have been copyrightable as original works of art since
+1981. As a result, many (perhaps most) designs have been copyrighted
+there. The law is not retroactive, but German courts have upheld the
+intellectual property rights of designers of earlier fonts as well: In
+one case the heirs of Paul Bauer (designer of Futura) won a suit against
+the Bauer foundry for arbitrarily discontinuing a portion of their
+royalties.
+
+ <br><dt>England
+ <dd>A copyright law passed in 1989 covers typeface designs first published
+in England (or published in Britain within 30 days of its publication
+elsewhere), and it <em>is</em> retroactive. It's unclear how far back the
+law extends, but Times Roman, designed in the late 1920's and 1930's by
+Stanley Morison and cut by Victor Lardent for Monotype is probably
+covered. This does not mean GNU (for example) cannot have a Times
+Roman; it just means we cannot start with an English version, as the law
+does not forbid importing foreign versions of English typefaces.
+
+ <br><dt>France
+ <dd>The Romain du Roi typeface designed by Philippe Grandjean in 1702 for
+the French royal family is protected, and perhaps other such "royal"
+designs. There is no protection for designs in general.
+
+ </dl>
+
+ <p>In 1973 the international Vienna treaty on typeface design protection
+was proposed. France ratified it in 1974 or 1975, and Germany in 1981.
+The English law might constitute ratification, but this has not been
+settled. In any case, since at least four countries have to ratify it
+before it takes effect (and even then it takes effect only in those
+countries which ratify it), it is still of no consequence for now.
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fonts/fontname/Font-name-lists.html b/Master/texmf-dist/doc/fonts/fontname/Font-name-lists.html
new file mode 100644
index 00000000000..4c0bd534663
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/Font-name-lists.html
@@ -0,0 +1,47 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="Font%20name%20lists">Font name lists</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="Encodings.html#Encodings">Encodings</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="Long-names.html#Long%20names">Long names</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="index.html#Top">Top</a>
+<hr><br>
+</div>
+
+<h2 class="appendix">Font name lists</h2>
+
+<p>These sections contain a list of fonts from various suppliers together
+with the corresponding names.
+
+<ul class="menu">
+<li><a accesskey="1" href="Standard-PostScript-fonts.html#Standard%20PostScript%20fonts">Standard PostScript fonts</a>: The standard 35 PostScript fonts.
+<li><a accesskey="2" href="Adobe-fonts.html#Adobe%20fonts">Adobe fonts</a>:
+<li><a accesskey="3" href="Apple-fonts.html#Apple%20fonts">Apple fonts</a>:
+<li><a accesskey="4" href="Bitstream-fonts.html#Bitstream%20fonts">Bitstream fonts</a>:
+<li><a accesskey="5" href="DTC-fonts.html#DTC%20fonts">DTC fonts</a>:
+<li><a accesskey="6" href="ITC-fonts.html#ITC%20fonts">ITC fonts</a>:
+<li><a accesskey="7" href="Linotype-fonts.html#Linotype%20fonts">Linotype fonts</a>:
+<li><a accesskey="8" href="Monotype-fonts.html#Monotype%20fonts">Monotype fonts</a>:
+<li><a accesskey="9" href="URW-fonts.html#URW%20fonts">URW fonts</a>:
+</ul>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fonts/fontname/History.html b/Master/texmf-dist/doc/fonts/fontname/History.html
new file mode 100644
index 00000000000..9d1dc1de3ce
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/History.html
@@ -0,0 +1,62 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="History">History</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="References.html#References">References</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Introduction.html#Introduction">Introduction</a>
+<hr><br>
+</div>
+
+<h3 class="section">History</h3>
+
+<p>The original inspiration for Fontname was Frank Mittelbach and Rainer
+Schoepf's article in <cite>TUGboat</cite> 11(2) (June 1990), which led to my
+article in <cite>TUGboat</cite> 11(4) (November 1990), pages 512-519.
+Mittelbach wrote another article criticizing the scheme below in
+<cite>TUGboat</cite> 13(1) (April 1992), pages 51-53; most of his points are
+well-taken, but I saw no alternative then, and see no alternative now.
+Others of his points are addressed in the appropriate sections below.
+
+ <p>In August 1995, Fontname version 2 was released, concomitantly with a new
+release of the PostScript fonts for use with LaTeX and Dvips. After
+several years of experience, several modifications of the original
+distribution seemed desirable: more precise specification of encodings
+(see <a href="Variants.html#Variants">Variants</a>); machine-readable mapping files (the <code>*.map</code>
+files in the distribution) and standardizing directory names as well as
+font filenames (included in <code>supplier.map</code> and
+<code>typeface.map</code>).
+
+ <p>In Fontname version 1, some encoding variant characters (<code>0</code>,
+<code>2</code>, etc.) have been reassigned to a <code>7</code> or <code>8</code> sequence
+(see <a href="Variants.html#Variants">Variants</a>). Although this is an incompatible change, the
+advantages of (1) consistency in naming encoding variants, and (2)
+having some free variants makes it worthwhile. Also, not so
+coincidentally, new metrics for PostScript fonts in the Cork encoding
+were issued--same encoding, different metrics. So a new name served a
+practical purpose as well.
+
+ <p>Many people have contributed to this work. In particular, I gratefully
+acknowledge Nelson Beebe, Barbara Beeton, Rocky Bernstein, Thierry Bouche,
+Damian Cugley, Berthold K.P. Horn, Alan Jeffrey, Russell Lang, Pierre
+MacKay, Sebastian Rahtz, Jean Rivlin, and Tom Rokicki.
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fonts/fontname/ITC-fonts.html b/Master/texmf-dist/doc/fonts/fontname/ITC-fonts.html
new file mode 100644
index 00000000000..978cfdfba95
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/ITC-fonts.html
@@ -0,0 +1,812 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="ITC%20fonts">ITC fonts</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="Linotype-fonts.html#Linotype%20fonts">Linotype fonts</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="DTC-fonts.html#DTC%20fonts">DTC fonts</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Font-name-lists.html#Font%20name%20lists">Font name lists</a>
+<hr><br>
+</div>
+
+<h3 class="section">ITC fonts</h3>
+
+<p>The <code>itc.map</code> file has abbreviations for ITC (International
+Typeface Corporation) fonts.
+
+<pre class="example">
+
+ i_____ Aachen-Medium ITC 2000
+ i_____ Aachen-Bold ITC 2001
+ i_____ Academy-Engraved ITC 2002
+ i_____ Aftershock ITC 2003
+ i_____ Agincourt ITC 2004
+ i_____ Airstream ITC 2005
+ i_____ Algerian-Condensed ITC 2006
+ i_____ Ambrose ITC 2007
+ i_____ Angryhog ITC 2008
+ i_____ Anna ITC 2009
+ i_____ Aquinas ITC 2010
+ i_____ Aquitaine-Initials ITC 2011
+ i_____ Aristocrat ITC 2012
+ i_____ Arnova ITC 2013
+ i_____ Arriba ITC 2014
+ i_____ Arriba-Arriba ITC 2015
+ i_____ Artiste ITC 2016
+ i_____ Atmosphere ITC 2017
+ i_____ AugusteaOpen ITC 2018
+ i_____ Avenida ITC 2019
+ i_____ BaileyQuad-Bold ITC 2020
+ i_____ Balmoral ITC 2021
+ i_____ Banco-Light ITC 2022
+ i_____ Banco ITC 2023
+ i_____ Bang ITC 2024
+ i_____ Banner ITC 2025
+ i_____ BeckaScript ITC 2026
+ i_____ Beesknees ITC 2027
+ i_____ Belter ITC 2028
+ i_____ Belter-MegaOutline ITC 2029
+ i_____ Belwe-Mono ITC 2030
+ i_____ Belwe-MonoItalic ITC 2031
+ i_____ Bendigo ITC 2032
+ i_____ Bergell ITC 2033
+ i_____ Bertie ITC 2034
+ i_____ Bertram ITC 2035
+ i_____ BibleScriptFlourishes ITC 2036
+ i_____ BickleyScript ITC 2037
+ i_____ Binary-Light ITC 2038
+ i_____ Binary-Bold ITC 2039
+ i_____ Bitmax ITC 2040
+ i_____ BlackTulip ITC 2041
+ i_____ Blackadder ITC 2042
+ i_____ Blackmoor ITC 2043
+ i_____ Blaze ITC 2044
+ i_____ Bluntz ITC 2045
+ i_____ Bodoni-Brush ITC 2046
+ i_____ BodoniSeventyTwo-Book ITC 2047
+ i_____ BodoniSeventyTwo-BookItalic ITC 2048
+ i_____ BodoniSeventyTwo-BookItalicSwash ITC 2049
+ i_____ BodoniSeventyTwo-Bold ITC 2050
+ i_____ BodoniSeventyTwo-BoldItalic ITC 2051
+ i_____ BodoniSeventyTwo-BoldItalicSwash ITC 2052
+ i_____ Boink ITC 2053
+ i_____ Bordeaux-Roman ITC 2054
+ i_____ Bordeaux-Italic ITC 2055
+ i_____ Bordeaux-RomanBold ITC 2056
+ i_____ Bordeaux-Display ITC 2057
+ i_____ Bordeaux-Script ITC 2058
+ i_____ BradleyHand-Regular ITC 2059
+ i_____ BradleyHand-Bold ITC 2060
+ i_____ Braganza-Light ITC 2061
+ i_____ Braganza-Regular ITC 2062
+ i_____ Brighton-Light ITC 2063
+ i_____ Brighton-Medium ITC 2064
+ i_____ Brighton-Bold ITC 2065
+ i_____ Bronx ITC 2066
+ i_____ Buckeroo ITC 2067
+ i_____ Burlington ITC 2068
+ i_____ BuzzerThree ITC 2069
+ i_____ Cabaret ITC 2070
+ i_____ CabargaCursiva ITC 2071
+ i_____ Campaign ITC 2072
+ i_____ CancellarescaScript ITC 2073
+ i_____ Cancione ITC 2074
+ i_____ Caribbean ITC 2075
+ i_____ Carlton ITC 2076
+ i_____ Carumba ITC 2077
+ i_____ Caslon540-ItalicSwashes ITC 2078
+ i_____ CaxtonRoman-Light ITC 2079
+ i_____ CaxtonRoman-LightItalic ITC 2080
+ i_____ CaxtonRoman-Book ITC 2081
+ i_____ CaxtonRoman-Bold ITC 2082
+ i_____ CenturyHandtooled-Bold ITC 2083
+ i_____ CenturyHandtooled-BoldItalic ITC 2084
+ i_____ Challenge-Bold ITC 2085
+ i_____ Challenge-ExtraBold ITC 2086
+ i_____ Champers ITC 2087
+ i_____ CheltenhamHandtooled-Bold ITC 2088
+ i_____ CheltenhamHandtooled-BoldItalic ITC 2089
+ i_____ Cherie ITC 2090
+ i_____ Chiller ITC 2091
+ i_____ Chipper ITC 2092
+ i_____ ChocLightbyITC ITC 2093
+ i_____ Choc ITC 2094
+ i_____ ChromiumOne ITC 2095
+ i_____ Citation ITC 2096
+ i_____ ClaudeSans-Regular ITC 2097
+ i_____ ClaudeSans-Italic ITC 2098
+ i_____ ClaudeSans-BoldItalic ITC 2099
+ i_____ Clover ITC 2100
+ i_____ CommericalScript ITC 2101
+ i_____ Compacta ITC 2102
+ i_____ Compacta-Italic ITC 2103
+ i_____ Compacta-Bold ITC 2104
+ i_____ Coptek ITC 2105
+ i_____ Corinthian-Light ITC 2106
+ i_____ Corinthian-Medium ITC 2107
+ i_____ Corinthian-Bold ITC 2108
+ i_____ Corinthian-BoldCondensed ITC 2109
+ i_____ Crillee-Italic ITC 2110
+ i_____ Crillee-BoldItalic ITC 2111
+ i_____ Crillee-ExtraBoldItalic ITC 2112
+ i_____ Crillee-ItalicInlineShadow ITC 2113
+ i_____ Cult ITC 2114
+ i_____ Cyberkugel ITC 2115
+ i_____ Dancin ITC 2116
+ i_____ Data70 ITC 2117
+ i_____ Demian ITC 2118
+ i_____ DemianBold ITC 2119
+ i_____ DigitalWoodcuts ITC 2120
+ i_____ Digitek ITC 2121
+ i_____ Dinitials ITC 2122
+ i_____ Dolmen ITC 2123
+ i_____ Drycut ITC 2124
+ i_____ DynamoShadow ITC 2125
+ i_____ Eastwood ITC 2126
+ i_____ Edwardian-Medium ITC 2127
+ i_____ EdwardianScript-Regular ITC 2128
+ i_____ EdwardianScript-Bold ITC 2129
+ i_____ Ellipse-Roman ITC 2130
+ i_____ Ellipse-Italic ITC 2131
+ i_____ Ellipse-Bold ITC 2132
+ i_____ Ellipse-BoldItalic ITC 2133
+ i_____ Emphasis ITC 2134
+ i_____ Enviro ITC 2135
+ i_____ Epokha ITC 2136
+ i_____ Equinox ITC 2137
+ i_____ Etruscan ITC 2138
+ i_____ FaithfulFly ITC 2139
+ i_____ Farmhaus ITC 2140
+ i_____ Fashion-Compressed ITC 2141
+ i_____ Fashion-Engraved ITC 2142
+ i_____ FineHand ITC 2143
+ i_____ Flamenco-Inline ITC 2144
+ i_____ Flamme ITC 2145
+ i_____ Flatiron ITC 2146
+ i_____ Flight ITC 2147
+ i_____ Fling ITC 2148
+ i_____ Florinda ITC 2149
+ i_____ Follies ITC 2150
+ i_____ Fontoon ITC 2151
+ i_____ ForestShaded ITC 2152
+ i_____ FrancesUncial ITC 2153
+ i_____ Frankfurter-Medium ITC 2154
+ i_____ Frankfurter ITC 2155
+ i_____ Frankfurter-Highlight ITC 2156
+ i_____ Frankfurter-Inline ITC 2157
+ i_____ Freddo ITC 2158
+ i_____ FreestyleScript ITC 2159
+ i_____ FreestyleScript-Bold ITC 2160
+ i_____ GaramondHandtooled ITC 2161
+ i_____ GaramondHandtooled-Italic ITC 2162
+ i_____ Gigi ITC 2163
+ i_____ Gill-DisplayCompressed ITC 2164
+ i_____ Gill-KayoCondensed ITC 2165
+ i_____ GilliesGothic-ExtraBoldShaded ITC 2166
+ i_____ Glastonbury ITC 2167
+ i_____ GoldenCockerel-InitialsOrnaments ITC 2168
+ i_____ Grapefruit ITC 2169
+ i_____ Gravura ITC 2170
+ i_____ Green ITC 2171
+ i_____ GreytonScript ITC 2172
+ i_____ GrimshawHand ITC 2173
+ i_____ Hadfield ITC 2174
+ i_____ HandDrawn ITC 2175
+ i_____ Harlow ITC 2176
+ i_____ HarlowSolid ITC 2177
+ i_____ Harvey ITC 2178
+ i_____ Hazel ITC 2179
+ i_____ Heliotype ITC 2180
+ i_____ Helvetica-MediumCondensed ITC 2181
+ i_____ Helvetica-BoldCondensed ITC 2182
+ i_____ Highlight ITC 2183
+ i_____ Hollyweird ITC 2184
+ i_____ Hornpype ITC 2185
+ i_____ Ignatius ITC 2186
+ i_____ Impakt ITC 2187
+ i_____ IndyItalic ITC 2188
+ i_____ Informal-Roman ITC 2189
+ i_____ Inscription ITC 2190
+ i_____ Iris ITC 2191
+ i_____ Ironwork ITC 2192
+ i_____ Isis ITC 2193
+ i_____ Jaft ITC 2194
+ i_____ Jambalaya ITC 2195
+ i_____ Jazz ITC 2196
+ i_____ Jellybaby ITC 2197
+ i_____ JohnHandy ITC 2198
+ i_____ Jokerman ITC 2199
+ i_____ Juanita ITC 2200
+ i_____ Juanita-Condensed ITC 2201
+ i_____ Juanita-Deco ITC 2202
+ i_____ Juanita-Lino ITC 2203
+ i_____ Juanita-Xilo ITC 2204
+ i_____ Juanita-XiloCondensed ITC 2205
+ i_____ Juice ITC 2206
+ i_____ Kanban ITC 2207
+ i_____ Katfish ITC 2208
+ i_____ Kendo ITC 2209
+ i_____ Kick ITC 2210
+ i_____ Klee ITC 2211
+ i_____ Klepto ITC 2212
+ i_____ Kokoa ITC 2213
+ i_____ Kristen ITC 2214
+ i_____ Kulukundis ITC 2215
+ i_____ LaBamba ITC 2216
+ i_____ Lambada ITC 2217
+ i_____ Laser ITC 2218
+ i_____ LaserChrome ITC 2219
+ i_____ Latino-Elongated ITC 2220
+ i_____ Laura ITC 2221
+ i_____ LCD ITC 2222
+ i_____ LeGriffe ITC 2223
+ i_____ Lennox-Book ITC 2224
+ i_____ Lennox-Medium ITC 2225
+ i_____ Lennox-Bold ITC 2226
+ i_____ Lexikos ITC 2227
+ i_____ Lightnin' ITC 2228
+ i_____ LimehouseScript ITC 2229
+ i_____ LinoCut ITC 2230
+ i_____ Locarno-Light ITC 2231
+ i_____ Locarno-Italic ITC 2232
+ i_____ RennieMackintosh-Light ITC 2233
+ i_____ RennieMackintosh-Bold ITC 2234
+ i_____ Malibu ITC 2235
+ i_____ Malstock ITC 2236
+ i_____ Marguerita ITC 2237
+ i_____ Mastercard ITC 2238
+ i_____ Matisse ITC 2239
+ i_____ Mekanik-Regular ITC 2240
+ i_____ Mekanik-Italic ITC 2241
+ i_____ Milano ITC 2242
+ i_____ Minska-Light ITC 2243
+ i_____ Minska-Medium ITC 2244
+ i_____ Minska-Bold ITC 2245
+ i_____ Mistral-Light ITC 2246
+ i_____ Mistral ITC 2247
+ i_____ Mithras ITC 2248
+ i_____ MoFunkyFresh ITC 2249
+ i_____ MonaLisa-Recut ITC 2250
+ i_____ MonaLisa-Solid ITC 2251
+ i_____ Montage ITC 2252
+ i_____ MotterCorpus-Bold ITC 2253
+ i_____ MotterCorpus-CondensedBold ITC 2254
+ i_____ Musclehead ITC 2255
+ i_____ Musica ITC 2256
+ i_____ NeoNeo ITC 2257
+ i_____ NoovoLight ITC 2258
+ i_____ NoovoBold ITC 2259
+ i_____ Nora ITC 2260
+ i_____ Oberon ITC 2261
+ i_____ Odessa ITC 2262
+ i_____ OldEnglish ITC 2263
+ i_____ OneStrokeScript ITC 2264
+ i_____ OneStrokeScript-Bold ITC 2265
+ i_____ OneStrokeScript-Shaded ITC 2266
+ i_____ Orange ITC 2267
+ i_____ Orbon-Light ITC 2268
+ i_____ Orbon-Regular ITC 2269
+ i_____ Orbon-Bold ITC 2270
+ i_____ Orbon-Black ITC 2271
+ i_____ Orlando ITC 2272
+ i_____ Outback ITC 2273
+ i_____ OutoftheFridge ITC 2274
+ i_____ Ozwald ITC 2275
+ i_____ Pablo ITC 2276
+ i_____ Papyrus ITC 2277
+ i_____ Party ITC 2278
+ i_____ PendryScript ITC 2279
+ i_____ PetersMiro ITC 2280
+ i_____ Pink ITC 2281
+ i_____ Plaza ITC 2282
+ i_____ PleasureBoldShaded ITC 2283
+ i_____ Pneuma ITC 2284
+ i_____ Prague ITC 2285
+ i_____ Premier-Lightline ITC 2286
+ i_____ Premier-Shaded ITC 2287
+ i_____ Princetown ITC 2288
+ i_____ Pristina ITC 2289
+ i_____ Pritchard ITC 2290
+ i_____ Pritchard-LineOut ITC 2291
+ i_____ Pump-Regular ITC 2292
+ i_____ Pump-DemiBold ITC 2293
+ i_____ Quadrus ITC 2294
+ i_____ Quixley ITC 2295
+ i_____ RageItalic ITC 2296
+ i_____ Ragtime ITC 2297
+ i_____ Rapier ITC 2298
+ i_____ Refracta ITC 2299
+ i_____ RegattaCondensed ITC 2300
+ i_____ RetailScript ITC 2301
+ i_____ Retro-Bold ITC 2302
+ i_____ Retro-BoldCondensed ITC 2303
+ i_____ Riptide ITC 2304
+ i_____ Riva ITC 2305
+ i_____ Robotik ITC 2306
+ i_____ Robotik-Italic ITC 2307
+ i_____ Romic-Light ITC 2308
+ i_____ Romic-LightItalic ITC 2309
+ i_____ Roquette ITC 2310
+ i_____ Ru'ach ITC 2311
+ i_____ RubberStamp ITC 2312
+ i_____ Rundfunk ITC 2313
+ i_____ SantaFe ITC 2314
+ i_____ Savoye ITC 2315
+ i_____ Schizoid ITC 2316
+ i_____ Scratch ITC 2317
+ i_____ Scriba ITC 2318
+ i_____ Scriptease ITC 2319
+ i_____ Scriptek ITC 2320
+ i_____ Scriptek-Italic ITC 2321
+ i_____ Scruff ITC 2322
+ i_____ Serengetti ITC 2323
+ i_____ Shaman ITC 2324
+ i_____ Shatter ITC 2325
+ i_____ Sinaloa ITC 2326
+ i_____ SkidRow ITC 2327
+ i_____ Skylark ITC 2328
+ i_____ Slipstream ITC 2329
+ i_____ Smack ITC 2330
+ i_____ Smudger ITC 2331
+ i_____ Snap ITC 2332
+ i_____ Spirit ITC 2333
+ i_____ Spooky ITC 2334
+ i_____ Spotlight ITC 2335
+ i_____ Squire ITC 2336
+ i_____ Squire-ExtraBold ITC 2337
+ i_____ Static ITC 2338
+ i_____ Stranger ITC 2339
+ i_____ Strobos ITC 2340
+ i_____ StudioScript ITC 2341
+ i_____ Stylus-Regular ITC 2342
+ i_____ Stylus-Bold ITC 2343
+ i_____ Superstar ITC 2344
+ i_____ Surfboard ITC 2345
+ i_____ Synchro ITC 2346
+ i_____ Tag ITC 2347
+ i_____ Tannhauser ITC 2348
+ i_____ Teknik ITC 2349
+ i_____ Telegram ITC 2350
+ i_____ Temble ITC 2351
+ i_____ Tempus-Regular ITC 2352
+ i_____ Tempus-Italic ITC 2353
+ i_____ TempusSans-Regular ITC 2354
+ i_____ TempusSans-Italic ITC 2355
+ i_____ TigerRag ITC 2356
+ i_____ TirantiSolid ITC 2357
+ i_____ Trackpad ITC 2358
+ i_____ TropicaScript ITC 2359
+ i_____ TrueGrit ITC 2360
+ i_____ Twang ITC 2361
+ i_____ Typados ITC 2362
+ i_____ Ulysses ITC 2363
+ i_____ UniversityRoman ITC 2364
+ i_____ UniversityRoman-Italic ITC 2365
+ i_____ UniversityRoman-Bold ITC 2366
+ i_____ VanDijk ITC 2367
+ i_____ VanDijkBold ITC 2368
+ i_____ Varga ITC 2369
+ i_____ Vegas ITC 2370
+ i_____ Verkehr ITC 2371
+ i_____ Vermont ITC 2372
+ i_____ Victorian ITC 2373
+ i_____ Victorian-InlineShaded ITC 2374
+ i_____ ViennaExtended ITC 2375
+ i_____ VinerHand ITC 2376
+ i_____ Vintage ITC 2377
+ i_____ Vinyl-Black ITC 2378
+ i_____ Vinyl-Outline ITC 2379
+ i_____ Vinyl-SawtoothBlack ITC 2380
+ i_____ Vinyl-SawtoothOutline ITC 2381
+ i_____ Vivaldi ITC 2382
+ i_____ WadeSans-Light ITC 2383
+ i_____ Wanted ITC 2384
+ i_____ Waterloo-Bold ITC 2385
+ i_____ Westwood ITC 2386
+ i_____ WildThing ITC 2387
+ i_____ Willow ITC 2388
+ i_____ Wisteria ITC 2389
+ i_____ Xylo ITC 2390
+ i_____ YoungBaroque ITC 2391
+ i_____ Zaragoza ITC 2392
+ i_____ ZemkeHand ITC 2393
+ i_____ Zennor ITC 2394
+ i_____ Ziggy ITC 2395
+ i_____ Zinjaro ITC 2396
+ i_____ MotterSparta ITC 2397
+ i_____ Underscript ITC 2398
+ i_____ Stenberg ITC 2399
+ i_____ Stenberg-Inline ITC 2400
+ i_____ Arid ITC 2401
+ i_____ Tapioca ITC 2402
+ i_____ PiousHenry ITC 2403
+ i_____ Korigan-Light ITC 2404
+ i_____ Korigan-Bold ITC 2405
+ i_____ Abaton ITC 2406
+ i_____ Portago ITC 2407
+ i_____ Blair-Light ITC 2408
+ i_____ Blair-Medium ITC 2409
+ i_____ Blair-Bold ITC 2410
+ i_____ Scarborough ITC 2411
+ i_____ Scarborough-Bold ITC 2412
+ i_____ Gema ITC 2413
+ i_____ Roswell-Three ITC 2414
+ i_____ Roswell-Four ITC 2415
+ i_____ Simran ITC 2416
+ i_____ Tremor ITC 2417
+ i_____ Coconino ITC 2418
+ i_____ Stoclet-Light ITC 2419
+ i_____ Stoclet-Bold ITC 2420
+ i_____ JiggeryPokery ITC 2421
+ i_____ Deelirious ITC 2422
+ i_____ Flora-Medium ITC 2423
+ i_____ Flora-Bold ITC 2424
+ i_____ Manhattan ITC 2425
+ i_____ Attitudes ITC 4000
+ i_____ BackyardBeasties ITC 4001
+ i_____ CalligraphicOrnaments ITC 4002
+ i_____ Celebrations ITC 4003
+ i_____ Commercials ITC 4004
+ i_____ Connectivities ITC 4005
+ i_____ DavesRaves-One ITC 4006
+ i_____ DavesRaves-Two ITC 4007
+ i_____ DavesRaves-Three ITC 4008
+ i_____ Delectables ITC 4009
+ i_____ Diversions ITC 4010
+ i_____ Diversities ITC 4011
+ i_____ Eclectics ITC 4012
+ i_____ Energetics ITC 4013
+ i_____ Expressions ITC 4014
+ i_____ Fontoonies ITC 4015
+ i_____ Gargoonies ITC 4016
+ i_____ HomeImprovement ITC 4017
+ i_____ Incidentals ITC 4018
+ i_____ Industrials ITC 4019
+ i_____ Inspirations ITC 4020
+ i_____ Journeys ITC 4021
+ i_____ MoFunkyFresh-Symbols ITC 4022
+ i_____ Moderns ITC 4023
+ i_____ Naturals ITC 4024
+ i_____ Organics ITC 4025
+ i_____ Organics-Two ITC 4026
+ i_____ Primitives ITC 4027
+ i_____ Radicals ITC 4028
+ i_____ Situations ITC 4029
+ i_____ StainedGlass ITC 4030
+ i_____ TotSpots ITC 4031
+ i_____ Urbans ITC 4032
+ i_____ WellBeings ITC 4033
+ i_____ Wildlife ITC 4034
+ i_____ WildWest ITC 4035
+ i_____ Ancestor ITC 4036
+ i_____ Shadowettes ITC 4037
+ i_____ Beorama ITC 4038
+ i_____ Holistics ITC 4039
+ i_____ ProfessionalConnections ITC 4040
+ i_____ Bodoni-Ornaments ITC 5000
+ i_____ RennieMackintosh-Ornaments ITC 5002
+ i_____ TypeEmbellishments-One ITC 5003
+ i_____ TypeEmbellishments-Two ITC 5004
+ i_____ TypeEmbellishments-Three ITC 5005
+ i_____ JapaneseGarden ITC 5006
+ i_____ SevenTreasures ITC 5007
+ i_____ BodoniSix-Book ITC 6000
+ i_____ BodoniSix-BookItalic ITC 6001
+ i_____ BodoniSix-Bold ITC 6002
+ i_____ BodoniSix-BoldItalic ITC 6003
+ i_____ BodoniTwelve-Book ITC 6004
+ i_____ BodoniTwelve-BookItalic ITC 6005
+ i_____ BodoniTwelve-Bold ITC 6006
+ i_____ BodoniTwelve-BoldItalic ITC 6007
+ i_____ Charlotte-Book ITC 6008
+ i_____ Charlotte-BookItalic ITC 6009
+ i_____ Charlotte-Medium ITC 6010
+ i_____ Charlotte-Bold ITC 6011
+ i_____ Charter-Regular ITC 6012
+ i_____ Charter-RegularItalic ITC 6013
+ i_____ Charter-Bold ITC 6014
+ i_____ Charter-BoldItalic ITC 6015
+ i_____ Charter-Black ITC 6016
+ i_____ Charter-BlackItalic ITC 6017
+ i_____ Elysium-Book ITC 6018
+ i_____ Elysium-BookItalic ITC 6019
+ i_____ Elysium-Medium ITC 6020
+ i_____ Elysium-Bold ITC 6021
+ i_____ Figural-Book ITC 6022
+ i_____ Figural-BookItalic ITC 6023
+ i_____ Figural-Medium ITC 6024
+ i_____ Figural-Bold ITC 6025
+ i_____ FrizQuadrata-Regular ITC 6026
+ i_____ FrizQuadrata-Italic ITC 6027
+ i_____ FrizQuadrata-Bold ITC 6028
+ i_____ FrizQuadrata-BoldItalic ITC 6029
+ i_____ Gilgamesh-Book ITC 6030
+ i_____ Gilgamesh-BookItalic ITC 6031
+ i_____ Gilgamesh-Medium ITC 6032
+ i_____ Gilgamesh-Bold ITC 6033
+ i_____ GoldenCockerel-Roman ITC 6034
+ i_____ GoldenCockerel-Italic ITC 6035
+ i_____ GoldenCockerel-Titling ITC 6036
+ i_____ Humana-Light ITC 6037
+ i_____ Humana-LightItalic ITC 6038
+ i_____ Humana-Medium ITC 6039
+ i_____ Humana-MediumItalic ITC 6040
+ i_____ Humana-Bold ITC 6041
+ i_____ Humana-BoldItalic ITC 6042
+ i_____ HumanaScript-Light ITC 6043
+ i_____ HumanaScript-Medium ITC 6044
+ i_____ HumanaScript-Bold ITC 6045
+ i_____ Kallos-Book ITC 6046
+ i_____ Kallos-BookItalic ITC 6047
+ i_____ Kallos-Medium ITC 6048
+ i_____ Kallos-MediumItalic ITC 6049
+ i_____ Kallos-Bold ITC 6050
+ i_____ Kallos-BoldItalic ITC 6051
+ i_____ LegacySerif-Book ITC 6052
+ i_____ LegacySerif-BookItalic ITC 6053
+ i_____ LegacySerif-Medium ITC 6054
+ i_____ LegacySerif-MediumItalic ITC 6055
+ i_____ LegacySerif-Bold ITC 6056
+ i_____ LegacySerif-BoldItalic ITC 6057
+ i_____ LegacySerif-Ultra ITC 6058
+ i_____ MendozaRoman-Book ITC 6059
+ i_____ MendozaRoman-BookItalic ITC 6060
+ i_____ MendozaRoman-Medium ITC 6061
+ i_____ MendozaRoman-MediumItalic ITC 6062
+ i_____ MendozaRoman-Bold ITC 6063
+ i_____ MendozaRoman-BoldItalic ITC 6064
+ i_____ Obelisk-Light ITC 6065
+ i_____ Obelisk-LightItalic ITC 6066
+ i_____ Obelisk-Medium ITC 6067
+ i_____ Obelisk-Bold ITC 6068
+ i_____ OfficinaSerif-Book ITC 6069
+ i_____ OfficinaSerif-BookItalic ITC 6070
+ i_____ OfficinaSerif-Bold ITC 6071
+ i_____ OfficinaSerif-BoldItalic ITC 6072
+ i_____ StoneInformal-Medium ITC 6073
+ i_____ StoneInformal-MediumItalic ITC 6074
+ i_____ StoneInformal-SemiBold ITC 6075
+ i_____ StoneInformal-SemiBoldItalic ITC 6076
+ i_____ StoneInformal-Bold ITC 6077
+ i_____ StoneInformal-BoldItalic ITC 6078
+ i_____ StoneSerif-Medium ITC 6079
+ i_____ StoneSerif-MediumItalic ITC 6080
+ i_____ StoneSerif-SemiBold ITC 6081
+ i_____ StoneSerif-SemiBoldItalic ITC 6082
+ i_____ StoneSerif-Bold ITC 6083
+ i_____ StoneSerif-BoldItalic ITC 6084
+ i_____ Syndor-Book ITC 6085
+ i_____ Syndor-BookItalic ITC 6086
+ i_____ Syndor-Medium ITC 6087
+ i_____ Syndor-MediumItalic ITC 6088
+ i_____ Syndor-Bold ITC 6089
+ i_____ Syndor-BoldItalic ITC 6090
+ i_____ Tyfa-Book ITC 6091
+ i_____ Tyfa-BookItalic ITC 6092
+ i_____ Tyfa-Medium ITC 6093
+ i_____ Tyfa-MediumItalic ITC 6094
+ i_____ Tyfa-Bold ITC 6095
+ i_____ Tyfa-BoldItalic ITC 6096
+ i_____ OfficinaSerif-Medium ITC 6097
+ i_____ OfficinaSerif-MediumItalic ITC 6098
+ i_____ OfficinaSerif-ExtraBold ITC 6099
+ i_____ OfficinaSerif-ExtraBoldItalic ITC 6100
+ i_____ OfficinaSerif-Black ITC 6101
+ i_____ OfficinaSerif-BlackItalic ITC 6102
+ i_____ SerifGothic-Light ITC 6103
+ i_____ SerifGothic-Regular ITC 6104
+ i_____ SerifGothic-Bold ITC 6105
+ i_____ SerifGothic-ExtraBold ITC 6106
+ i_____ SerifGothic-Heavy ITC 6107
+ i_____ SerifGothic-Black ITC 6108
+ i_____ AmericanTypewriter-Light ITC 6109
+ i_____ AmericanTypewriter-LightItalic ITC 6110
+ i_____ AmericanTypewriter-Medium ITC 6111
+ i_____ AmericanTypewriter-MediumItalic ITC 6112
+ i_____ AmericanTypewriter-Bold ITC 6113
+ i_____ AmericanTypewriter-BoldItalic ITC 6114
+ i_____ AmericanTypewriter-CondLight ITC 6115
+ i_____ AmericanTypewriter-CondMedium ITC 6116
+ i_____ AmericanTypewriter-CondBold ITC 6117
+ i_____ LubalinGraph-ExtraLight ITC 6118
+ i_____ LubalinGraph-ExtraLightOblique ITC 6119
+ i_____ LubalinGraph-Book ITC 6120
+ i_____ LubalinGraph-BookOblique ITC 6121
+ i_____ LubalinGraph-Medium ITC 6122
+ i_____ LubalinGraph-MediumOblique ITC 6123
+ i_____ LubalinGraph-Demi ITC 6124
+ i_____ LubalinGraph-DemiOblique ITC 6125
+ i_____ LubalinGraph-Bold ITC 6126
+ i_____ LubalinGraph-BoldOblique ITC 6127
+ i_____ Benguiat-Book ITC 6128
+ i_____ Benguiat-BookItalic ITC 6129
+ i_____ Benguiat-Medium ITC 6130
+ i_____ Benguiat-MediumItalic ITC 6131
+ i_____ Benguiat-Bold ITC 6132
+ i_____ Benguiat-BoldItalic ITC 6133
+ i_____ Benguiat-CondensedBook ITC 6134
+ i_____ Benguiat-CondensedBookItalic ITC 6135
+ i_____ Benguiat-CondensedMedium ITC 6136
+ i_____ Benguiat-CondensedMediumItalic ITC 6137
+ i_____ Benguiat-CondensedBold ITC 6138
+ i_____ Benguiat-CondensedBoldItalic ITC 6139
+ i_____ Korinna-Regular ITC 6140
+ i_____ Korinna-KursivRegular ITC 6141
+ i_____ Korinna-Bold ITC 6142
+ i_____ Korinna-KursivBold ITC 6143
+ i_____ Korinna-ExtraBold ITC 6144
+ i_____ Korinna-KursivExtraBold ITC 6145
+ i_____ Korinna-Heavy ITC 6146
+ i_____ Korinna-KursivHeavy ITC 6147
+ i_____ Souvenir-Light ITC 6148
+ i_____ Souvenir-LightItalic ITC 6149
+ i_____ Souvenir-Medium ITC 6150
+ i_____ Souvenir-MediumItalic ITC 6151
+ i_____ Souvenir-Demi ITC 6152
+ i_____ Souvenir-DemiItalic ITC 6153
+ i_____ Souvenir-Bold ITC 6154
+ i_____ Souvenir-BoldItalic ITC 6155
+ i_____ Caslon224-Book ITC 6156
+ i_____ Caslon224-BookItalic ITC 6157
+ i_____ Caslon224-Medium ITC 6158
+ i_____ Caslon224-MediumItalic ITC 6159
+ i_____ Caslon224-Bold ITC 6160
+ i_____ Caslon224-BoldItalic ITC 6161
+ i_____ Caslon224-Black ITC 6162
+ i_____ Caslon224-BlackItalic ITC 6163
+ i_____ LubalinGraph-CondBook ITC 6164
+ i_____ LubalinGraph-CondBookOblique ITC 6165
+ i_____ LubalinGraph-CondMedium ITC 6166
+ i_____ LubalinGraph-CondMediumOblique ITC 6167
+ i_____ LubalinGraph-CondDemi ITC 6168
+ i_____ LubalinGraph-CondDemiOblique ITC 6169
+ i_____ LubalinGraph-CondBold ITC 6170
+ i_____ LubalinGraph-CondBoldOblique ITC 6171
+ i_____ Galliard-Regular ITC 6172
+ i_____ Galliard-Italic ITC 6173
+ i_____ Galliard-Bold ITC 6174
+ i_____ Galliard-BoldItalic ITC 6175
+ i_____ Galliard-Black ITC 6176
+ i_____ Galliard-BlackItalic ITC 6177
+ i_____ Galliard-Ultra ITC 6178
+ i_____ Galliard-UltraItalic ITC 6179
+ i_____ Dyadis-Book ITC 6180
+ i_____ Dyadis-BookItalic ITC 6181
+ i_____ Dyadis-Medium ITC 6182
+ i_____ Dyadis-MediumItalic ITC 6183
+ i_____ Dyadis-Bold ITC 6184
+ i_____ Dyadis-BoldItalic ITC 6185
+ i_____ BaileySans-Book ITC 8000
+ i_____ BaileySans-BookItalic ITC 8001
+ i_____ BaileySans-Bold ITC 8002
+ i_____ BaileySans-BoldItalic ITC 8003
+ i_____ Charlotte-SansBook ITC 8004
+ i_____ Charlotte-SansBookItalic ITC 8005
+ i_____ Charlotte-SansMedium ITC 8006
+ i_____ Charlotte-SansBold ITC 8007
+ i_____ Conduit-Light ITC 8008
+ i_____ Conduit-LightItalic ITC 8009
+ i_____ Conduit-Medium ITC 8010
+ i_____ Conduit-MediumItalic ITC 8011
+ i_____ Conduit-Bold ITC 8012
+ i_____ Conduit-BoldItalic ITC 8013
+ i_____ Highlander-Book ITC 8014
+ i_____ Highlander-BookItalic ITC 8015
+ i_____ Highlander-Medium ITC 8016
+ i_____ Highlander-MediumItalic ITC 8017
+ i_____ Highlander-Bold ITC 8018
+ i_____ Highlander-BoldItalic ITC 8019
+ i_____ HumanaSans-Light ITC 8020
+ i_____ HumanaSans-LightItalic ITC 8021
+ i_____ HumanaSans-Medium ITC 8022
+ i_____ HumanaSans-MediumItalic ITC 8023
+ i_____ HumanaSans-Bold ITC 8024
+ i_____ HumanaSans-BoldItalic ITC 8025
+ i_____ LegacySans-Book ITC 8026
+ i_____ LegacySans-BookItalic ITC 8027
+ i_____ LegacySans-Medium ITC 8028
+ i_____ LegacySans-MediumItalic ITC 8029
+ i_____ LegacySans-Bold ITC 8030
+ i_____ LegacySans-BoldItalic ITC 8031
+ i_____ LegacySans-Ultra ITC 8032
+ i_____ Odyssee-Light ITC 8033
+ i_____ Odyssee-LightItalic ITC 8034
+ i_____ Odyssee-Medium ITC 8035
+ i_____ Odyssee-MediumItalic ITC 8036
+ i_____ Odyssee-Bold ITC 8037
+ i_____ Odyssee-BoldItalic ITC 8038
+ i_____ Odyssee-Ultra ITC 8039
+ i_____ OfficinaSans-Book ITC 8040
+ i_____ OfficinaSans-BookItalic ITC 8041
+ i_____ OfficinaSans-Bold ITC 8042
+ i_____ OfficinaSans-BoldItalic ITC 8043
+ i_____ StoneSans-Medium ITC 8044
+ i_____ StoneSans-MediumItalic ITC 8045
+ i_____ StoneSans-SemiBold ITC 8046
+ i_____ StoneSans-SemiBoldItalic ITC 8047
+ i_____ StoneSans-Bold ITC 8048
+ i_____ StoneSans-BoldItalic ITC 8049
+ i_____ Woodland-Light ITC 8050
+ i_____ Woodland-Medium ITC 8051
+ i_____ Woodland-Demi ITC 8052
+ i_____ Woodland-Heavy ITC 8053
+ i_____ OfficinaSans-Medium ITC 8054
+ i_____ OfficinaSans-MediumItalic ITC 8055
+ i_____ OfficinaSans-ExtraBold ITC 8056
+ i_____ OfficinaSans-ExtraBoldItalic ITC 8057
+ i_____ OfficinaSans-Black ITC 8058
+ i_____ AvantGardeGothic-ExtraLight ITC 8059
+ i_____ AvantGardeGothic-ExtraLightObl ITC 8060
+ i_____ AvantGardeGothic-Book ITC 8061
+ i_____ AvantGardeGothic-BookOblique ITC 8062
+ i_____ AvantGardeGothic-Medium ITC 8063
+ i_____ AvantGardeGothic-MediumOblique ITC 8064
+ i_____ AvantGardeGothic-Demi ITC 8065
+ i_____ AvantGardeGothic-DemiOblique ITC 8066
+ i_____ AvantGardeGothic-Bold ITC 8067
+ i_____ AvantGardeGothic-BoldOblique ITC 8068
+ i_____ FranklinGothic-Book ITC 8069
+ i_____ FranklinGothic-BookItalic ITC 8070
+ i_____ FranklinGothic-Medium ITC 8071
+ i_____ FranklinGothic-MediumItalic ITC 8072
+ i_____ FranklinGothic-Demi ITC 8073
+ i_____ FranklinGothic-DemiItalic ITC 8074
+ i_____ FranklinGothic-Heavy ITC 8075
+ i_____ FranklinGothic-HeavyItalic ITC 8076
+ i_____ FranklinGothic-CondBook ITC 8077
+ i_____ FranklinGothic-CondBookItal ITC 8078
+ i_____ FranklinGothic-CondMedium ITC 8079
+ i_____ FranklinGothic-CondMediumItal ITC 8080
+ i_____ FranklinGothic-CondDemi ITC 8081
+ i_____ FranklinGothic-CondDemiItal ITC 8082
+ i_____ FranklinGothic-ComprBook ITC 8083
+ i_____ FranklinGothic-ComprBookItal ITC 8084
+ i_____ FranklinGothic-ComprDemi ITC 8085
+ i_____ FranklinGothic-ComprDemiItal ITC 8086
+ i_____ FranklinGothic-ExtraComprBook ITC 8087
+ i_____ FranklinGothic-ExtraComprDemi ITC 8088
+ i_____ OfficinaSans-BlackItalic ITC 8089
+ i_____ BenguiatGothic-Book ITC 8090
+ i_____ BenguiatGothic-BookItalic ITC 8091
+ i_____ BenguiatGothic-Medium ITC 8092
+ i_____ BenguiatGothic-MediumItalic ITC 8093
+ i_____ BenguiatGothic-Bold ITC 8094
+ i_____ BenguiatGothic-BoldItalic ITC 8095
+ i_____ BenguiatGothic-Heavy ITC 8096
+ i_____ BenguiatGothic-HeavyItalic ITC 8097
+ i_____ ItcEras-Light ITC 8098
+ i_____ ItcEras-Book ITC 8099
+ i_____ ItcEras-Medium ITC 8100
+ i_____ ItcEras-Demi ITC 8101
+ i_____ ItcEras-Bold ITC 8102
+ i_____ ItcEras-Ultra ITC 8103
+ i_____ AvantGardeGothic-CondBook ITC 8104
+ i_____ AvantGardeGothic-CondMedium ITC 8105
+ i_____ AvantGardeGothic-CondDemiBold ITC 8106
+ i_____ AvantGardeGothic-CondBold ITC 8107
+ i_____ ItcKabel-Book ITC 8108
+ i_____ ItcKabel-Medium ITC 8109
+ i_____ ItcKabel-Demi ITC 8110
+ i_____ ItcKabel-Bold ITC 8111
+ i_____ ItcKabel-Ultra ITC 8112
+ </pre>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fonts/fontname/Introduction.html b/Master/texmf-dist/doc/fonts/fontname/Introduction.html
new file mode 100644
index 00000000000..047ed849882
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/Introduction.html
@@ -0,0 +1,57 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="Introduction">Introduction</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="Filenames-for-fonts.html#Filenames%20for%20fonts">Filenames for fonts</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="index.html#Top">Top</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="index.html#Top">Top</a>
+<hr><br>
+</div>
+
+<h2 class="chapter">Introduction</h2>
+
+<p>This is Fontname, a naming scheme for (the base part of) external TeX
+font filenames. This makes at most eight-character names from (almost)
+arbitrarily complex font names, thus helping portability of TeX
+documents. We point out some shortcomings of the scheme, and ways of
+dealing with them.
+
+ <p>Please send additions, corrections, or other comments to
+<a href="mailto:tex-fonts@tug.org">tex-fonts@tug.org</a>. Email
+<a href="mailto:tex-fonts-request@tug.org">tex-fonts-request@tug.org</a> to join the list.
+
+ <p>Besides this document, the Fontname distribution includes various
+encoding files, mapping files, and utilities. See the file
+<code>README</code> for details. You can retrieve the most up-to-date
+version of these lists from <a href="http://tug.org/fontname">http://tug.org/fontname</a>. It is
+also mirrored on all CTAN hosts in the directory
+<code>tex-archive/doc/fontname</code>. For a list of CTAN mirrors, see
+<a href="http://www.ctan.org/tex-archive/CTAN.sites">http://www.ctan.org/tex-archive/CTAN.sites</a>.
+
+ <p>This document is in the public domain and may be used freely.
+
+<ul class="menu">
+<li><a accesskey="1" href="History.html#History">History</a>:
+<li><a accesskey="2" href="References.html#References">References</a>:
+</ul>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fonts/fontname/Linotype-fonts.html b/Master/texmf-dist/doc/fonts/fontname/Linotype-fonts.html
new file mode 100644
index 00000000000..bedcfca9635
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/Linotype-fonts.html
@@ -0,0 +1,4264 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="Linotype%20fonts">Linotype fonts</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="Monotype-fonts.html#Monotype%20fonts">Monotype fonts</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="ITC-fonts.html#ITC%20fonts">ITC fonts</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Font-name-lists.html#Font%20name%20lists">Font name lists</a>
+<hr><br>
+</div>
+
+<h3 class="section">Linotype fonts</h3>
+
+<p>The <code>linotype.map</code> file has abbreviations for Linotype fonts.
+
+<pre class="example">
+
+ l_____ Aachen-Bold 1.0
+ l_____ AachenEF-Medium 1.1
+ l_____ AachenEF-Bold 1.2
+ l_____ AharoniEF-RegularHd 2.0
+ l_____ AharoniEF-MediumHd 2.1
+ l_____ AharoniEF-SemiBoldHd 2.2
+ l_____ AharoniEF-BoldHd 2.3
+ l_____ AharoniEF-ExtraBoldHd 2.4
+ l_____ AharoniEF-OutlineHd 2.5
+ l_____ AharoniEF-ShadowHD 2.6
+ l_____ Aja 3.0
+ l_____ AkzidenzGrotesk-Light 4.0
+ l_____ AkzidenzGrotesk-Roman 4.1
+ l_____ AkzidenzGrotesk-Bold 4.2
+ l_____ AkzidenzGrotesk-Black 4.3
+ l_____ AkzidenzGroteskBE-Light 4.4
+ l_____ AkzidenzGroteskBE-LightOsF 4.5
+ l_____ AkzidenzGroteskBE-Regular 4.6
+ l_____ AkzidenzGroteskBE-Italic 4.7
+ l_____ AkzidenzGroteskBE-Md 4.8
+ l_____ AkzidenzGroteskBE-MdIt 4.9
+ l_____ AkzidenzGroteskBE-Bold 4.10
+ l_____ AkzidenzGroteskBE-BoldIt 4.11
+ l_____ AkzidenzGroteskBE-XBd 4.12
+ l_____ AkzidenzGroteskBE-Super 4.13
+ l_____ AkzidenzGroteskBE-LightCn 4.14
+ l_____ AkzidenzGroteskBE-Cn 4.15
+ l_____ AkzidenzGroteskBE-MdCn 4.16
+ l_____ AkzidenzGroteskBE-MdCnIt 4.17
+ l_____ AkzidenzGroteskBE-BoldCn 4.18
+ l_____ AkzidenzGroteskBE-XBdCn 4.19
+ l_____ AkzidenzGroteskBE-XBdCnIt 4.20
+ l_____ AkzidenzGroteskBE-LightEx 4.21
+ l_____ AkzidenzGroteskBE-Ex 4.22
+ l_____ AkzidenzGroteskBE-MdEx 4.23
+ l_____ AkzidenzGroteskBE-BoldEx 4.24
+ l_____ AkzidenzGroteskBE-BoldExIt 4.25
+ l_____ AGBookRounded-Regular 4.26
+ l_____ AGBookRounded-Medium 4.27
+ l_____ AGBookRounded-Bold 4.28
+ l_____ AGBookRounded-MediumOutline 4.29
+ l_____ AGBookRounded-BoldOutline 4.30
+ l_____ AGBookRounded-BoldCn 4.31
+ l_____ AGBookRounded-BoldCnOutline 4.32
+ l_____ AGBook-Stencil 4.33
+ l_____ AGOldFace-Regular 4.34
+ l_____ AGOldFace-Medium 4.35
+ l_____ AGOldFace-Bold 4.36
+ l_____ AGOldFace-Outline 4.37
+ l_____ AGOldFace-BoldOutline 4.38
+ l_____ AGOldFace-Shaded 4.39
+ l_____ AGSchoolbook-Regular 4.40
+ l_____ AGSchoolbook-RegularA 4.41
+ l_____ AGSchoolbook-Medium 4.42
+ l_____ AGSchoolbook-MediumA 4.43
+ l_____ AlcuinEF-Light 5.0
+ l_____ AlcuinEF-Regular 5.1
+ l_____ AlcuinEF-Bold 5.2
+ l_____ AlcuinEF-ExtraBold 5.3
+ l_____ Aldus-Roman 6.0
+ l_____ Aldus-RomanSC 6.1
+ l_____ Aldus-Italic 6.2
+ l_____ Aldus-ItalicOsF 6.3
+ l_____ AleOrnamentsRotatoLL 7.0
+ l_____ AleOrnamentsSpiratoLL 7.1
+ l_____ AlexieLL 8.0
+ l_____ AlteSchwabacherEF 9.0
+ l_____ AlternateGothicEF-NoOne 10.0
+ l_____ AlternateGothicEF-NoTwo 10.1
+ l_____ AlternateGothicEF-NoThree 10.2
+ l_____ AmericanUncialEF 11.0
+ l_____ Americana 12.0
+ l_____ Americana-Italic 12.1
+ l_____ Americana-Bold 12.2
+ l_____ Americana-ExtraBold 12.3
+ l_____ AmericanaEF-Regular 12.4
+ l_____ AmericanaEF-RegularItalic 12.5
+ l_____ AmericanaEF-Bold 12.6
+ l_____ AmericanaEF-ExtraBold 12.7
+ l_____ AnnlieEF-ExtraBold 14.0
+ l_____ AnnlieEF-ExtraBoldItalic 14.1
+ l_____ AntiqueOlive-Light 15.0
+ l_____ AntiqueOlive-Roman 15.1
+ l_____ AntiqueOlive-Italic 15.2
+ l_____ AntiqueOlive-Bold 15.3
+ l_____ AntiqueOlive-Black 15.4
+ l_____ AntiqueOlive-BoldCond 15.5
+ l_____ AntiqueOlive-Compact 15.6
+ l_____ AntiqueOlive-Nord 15.7
+ l_____ AntiqueOlive-NordItalic 15.8
+ l_____ AntiqueOliveCE-Light 15.9
+ l_____ AntiqueOliveCE-Roman 15.10
+ l_____ AntiqueOliveCE-Italic 15.11
+ l_____ AntiqueOliveCE-Bold 15.12
+ l_____ AntiqueOliveCE-Black 15.13
+ l_____ AntiqueOliveEastA-Light 15.14
+ l_____ AntiqueOliveEastA-Roman 15.15
+ l_____ AntiqueOliveEastA-Italic 15.16
+ l_____ AntiqueOliveEastA-Bold 15.17
+ l_____ AntiqueOliveEastA-Black 15.18
+ l_____ ApolloMT-Roman 16.0
+ l_____ ApolloMT-RomanSC 16.1
+ l_____ ApolloMT-RomanExpert 16.2
+ l_____ ApolloMT-Italic 16.3
+ l_____ ApolloMT-ItalicOsF 16.4
+ l_____ ApolloMT-ItalicExpert 16.5
+ l_____ ApolloMT-SemiBold 16.6
+ l_____ ApolloMT-SemiBoldOsF 16.7
+ l_____ ApolloMT-SemiBoldExpert 16.8
+ l_____ Arcadia 17.0
+ l_____ Arcadia-Alternate 17.1
+ l_____ Ariadne-Roman 18.0
+ l_____ Arioso 19.0
+ l_____ Arkona-Regular 20.0
+ l_____ Arkona-Medium 20.1
+ l_____ ArnoldBoecklin 21.0
+ l_____ AshleyScriptMT 22.0
+ l_____ NewAster 23.0
+ l_____ NewAster-Italic 23.1
+ l_____ NewAster-SemiBold 23.2
+ l_____ NewAster-SemiBoldItalic 23.3
+ l_____ NewAster-Bold 23.4
+ l_____ NewAster-BoldItalic 23.5
+ l_____ NewAster-Black 23.6
+ l_____ NewAster-BlackItalic 23.7
+ l_____ AsterEF-Regular 23.8
+ l_____ AsterEF-RegularItalic 23.9
+ l_____ AsterEF-Medium 23.10
+ l_____ AureliaEF-Light 24.0
+ l_____ AureliaEF-LightItalic 24.1
+ l_____ AureliaEF-Book 24.2
+ l_____ AureliaEF-BookItalic 24.3
+ l_____ AureliaEF-Bold 24.4
+ l_____ Auriol 25.0
+ l_____ Auriol-Italic 25.1
+ l_____ Auriol-Bold 25.2
+ l_____ Auriol-BoldItalic 25.3
+ l_____ Auriol-Black 25.4
+ l_____ Auriol-BlackItalic 25.5
+ l_____ BalderLL 28.0
+ l_____ BalloonEF-ExtraBold 29.0
+ l_____ BalloonEF-DropShadow 29.1
+ l_____ BalmoralEF-Regular 30.0
+ l_____ BalmoralEF-Alternative 30.1
+ l_____ Banco 31.0
+ l_____ BarbedorEF-Regular 32.0
+ l_____ BarbedorEF-RegularItalic 32.1
+ l_____ BarbedorEF-Medium 32.2
+ l_____ BarbedorEF-MediumItalic 32.3
+ l_____ BarbedorEF-Bold 32.4
+ l_____ BarbedorEF-BoldItalic 32.5
+ l_____ BarbedorEF-Black 32.6
+ l_____ BarbedorEF-BlackItalic 32.7
+ l_____ BaskervilleCyr-Upright 33.0
+ l_____ BaskervilleCyr-Inclined 33.1
+ l_____ BaskervilleCyr-Bold 33.2
+ l_____ BaskervilleGreek-Upright 33.3
+ l_____ BaskervilleGreek-Inclined 33.4
+ l_____ BaskervilleGreek-Bold 33.5
+ l_____ BaskervilleGreekP-Upright 33.6
+ l_____ BaskervilleGreekP-Inclined 33.7
+ l_____ BaskervilleGreekP-Bold 33.8
+ l_____ BaskervilleEF-Regular 33.9
+ l_____ BaskervilleEF-RegularItalic 33.10
+ l_____ BaskervilleEF-Medium 33.11
+ l_____ BaskervilleBE-Regular 33.12
+ l_____ BaskervilleBE-Italic 33.13
+ l_____ BaskervilleBE-Medium 33.14
+ l_____ BaskervilleBE-MediumItalic 33.15
+ l_____ BaskervilleBE-Bold 33.16
+ l_____ NewBaskerville-Roman 33.17
+ l_____ NewBaskerville-SC 33.18
+ l_____ NewBaskerville-Italic 33.19
+ l_____ NewBaskerville-ItalicOsF 33.20
+ l_____ NewBaskerville-Bold 33.21
+ l_____ NewBaskerville-BoldSC 33.22
+ l_____ NewBaskerville-BoldItalic 33.23
+ l_____ NewBaskerville-BoldItalicOsF 33.24
+ l_____ NewBaskervilleEF-Roman 33.25
+ l_____ NewBaskervilleEF-Italic 33.26
+ l_____ NewBaskervilleEF-SemiBold 33.27
+ l_____ NewBaskervilleEF-SemiBoldItalic 33.28
+ l_____ NewBaskervilleEF-Bold 33.29
+ l_____ NewBaskervilleEF-BoldItalic 33.30
+ l_____ NewBaskervilleEF-Black 33.31
+ l_____ NewBaskervilleEF-BlackItalic 33.32
+ l_____ BaskervilleBook-Regular 33.33
+ l_____ BaskervilleBook-Italic 33.34
+ l_____ BaskervilleBook-Medium 33.35
+ l_____ BaskervilleBook-MedItalic 33.36
+ l_____ BaskervilleOldFaceEF 33.37
+ l_____ AfroditeKATEF-Filly 34.0
+ l_____ AfroditeKATEF-Ready 34.1
+ l_____ AfroditeKATEF-Funky 34.2
+ l_____ BadblocksEF 34.3
+ l_____ BeatEF-BackBeat 34.4
+ l_____ BeatEF-HardBeat 34.5
+ l_____ BloxxEF 34.6
+ l_____ BornFreeKATEF-Hungry 34.7
+ l_____ BornFreeKATEF-Fed 34.8
+ l_____ BrushableEF 34.9
+ l_____ CandyEF 34.10
+ l_____ ComancheEF 34.11
+ l_____ CrazeEF 34.12
+ l_____ DoublePacEF-Scrambled 34.13
+ l_____ EastsideEF-Regular 34.14
+ l_____ EastsideEF-Double 34.15
+ l_____ FutureWorldEF 34.16
+ l_____ ItKATEF 34.17
+ l_____ JameKATEF-Black 34.18
+ l_____ JameKATEF-White 34.19
+ l_____ KiddingKidEF 34.20
+ l_____ KnockoutEF 34.21
+ l_____ LittleJoeKATEF-Black 34.22
+ l_____ LittleJoeKATEF-White 34.23
+ l_____ MaoMaoEF 34.24
+ l_____ MaydayEF 34.25
+ l_____ MiroEF 34.26
+ l_____ MrsBeasleyEF 34.27
+ l_____ NiniveEF 34.28
+ l_____ RumourEF 34.29
+ l_____ SiouxEF 34.30
+ l_____ StayawhileEF 34.31
+ l_____ SteelPlateEF 34.32
+ l_____ TieriliEF 34.33
+ l_____ TruckEF 34.34
+ l_____ TwinPickEF-Hard 34.35
+ l_____ XabbieEF 34.36
+ l_____ BellGothic-Light 36.0
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+ l_____ KursivschriftLiegend 207.3
+ l_____ KursivschriftRueckLie 207.4
+ l_____ LakeInformal 208.0
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+ l_____ LatienneEF-BoldItalicSwC 209.11
+ l_____ LatinMT-Condensed 210.0
+ l_____ LazybonesEF 211.0
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+ l_____ LetterGothic 213.0
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+ l_____ LibertyEF 214.0
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+ l_____ LightlineGothicEF 216.0
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+ l_____ Linoscript 219.0
+ l_____ Linotext 220.0
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+ l_____ Centennial-Light 222.0
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+ l_____ Centennial-Roman 222.4
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+ l_____ DidotLH-OrnamentsOne 224.10
+ l_____ DidotLH-OrnamentsTwo 224.11
+ lpi___ LGamePi-ChessDraughts 225.0
+ lpi___ LGamePi-DiceDominoes 225.1
+ lpi___ LGamePi-EnglishCards 225.2
+ lpi___ LGamePi-FrenchCards 225.3
+ lpi___ LHolidayPi-One 227.0
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+ lpi___ TextilLH-PiOne 228.0
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+ lpi___ WarningLH-Pi 229.0
+ l_____ LiteraEF-Light 230.0
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+ l_____ Lithos-ExtraLight 231.0
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+ l_____ Mythos 248.0
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+ l_____ NeueHammerUnziale-One 250.0
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+ l_____ NeuzeitSBook 251.0
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+ l_____ OldTypewriterEF-ExBoldObl 265.10
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+ l_____ PalaceScriptMT-Regular 274.0
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+ l_____ PhotinaMT 284.0
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+ l_____ PhyllisEF 285.0
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+ l_____ RomanaEF-Light 297.0
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+ l_____ TitusEF 340.0
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+ lpi___ MathematicalPi-Six 350.5
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+ l_____ University-Roman 352.0
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+ l_____ WalbaumBook-Regular 357.15
+ l_____ WalbaumBook-RegularSC 357.16
+ l_____ WalbaumBook-RegularExpert 357.17
+ l_____ WalbaumBook-Italic 357.18
+ l_____ WalbaumBook-ItalicOsF 357.19
+ l_____ WalbaumBook-ItalicExpert 357.20
+ l_____ WalbaumBook-Medium 357.21
+ l_____ WalbaumBook-MediumSC 357.22
+ l_____ WalbaumBook-MdExpert 357.23
+ l_____ WalbaumBook-MediumItalic 357.24
+ l_____ WalbaumBook-MdItalicOsF 357.25
+ l_____ WalbaumBook-MdItalicExpert 357.26
+ l_____ WalbaumBook-Bold 357.27
+ l_____ WalbaumBook-BoldOsF 357.28
+ l_____ WalbaumBook-BoldExpert 357.29
+ l_____ WalbaumBook-BoldItalic 357.30
+ l_____ WalbaumBook-BoldItalicOsF 357.31
+ l_____ WalbaumBook-BoldItalicExpert 357.32
+ l_____ WalbaumFrakturEF 357.33
+ l_____ WhyNotEF 358.0
+ l_____ WilhelmKlingsporGotisch 359.0
+ l_____ WilhelmKlingsporGotisch-Dfr 359.1
+ l_____ WindsorEF-Light 360.0
+ l_____ WindsorEF-Bold 360.1
+ l_____ WindsorEF-UltraHeavy 360.2
+ l_____ WindsorEF-BoldOutline 360.3
+ l_____ WindsorEF-LightCondensed 360.4
+ l_____ WindsorEF-ExtraBoldCondensed 360.5
+ l_____ WindsorEF-Elongated 360.6
+ ppi___ WoodtypeOrnaments-One 361.0
+ ppi___ WoodtypeOrnaments-Two 361.1
+ l_____ ZipperEF 363.0
+ l_____ BelshawEF 364.0
+ l_____ Belwe-Light 365.0
+ l_____ Belwe-Medium 365.1
+ l_____ Belwe-Bold 365.2
+ l_____ Belwe-Condensed 365.3
+ l_____ BelweEF-Light 365.4
+ l_____ BelweEF-Italic 365.5
+ l_____ BelweEF-Medium 365.6
+ l_____ BelweEF-Bold 365.7
+ l_____ BelweEF-BoldCondensed 365.8
+ l_____ Bembo 366.0
+ l_____ Bembo-SC 366.1
+ l_____ Bembo-Expert 366.2
+ l_____ Bembo-Italic 366.3
+ l_____ Bembo-ItalicOsF 366.4
+ l_____ Bembo-ItalicExpert 366.5
+ l_____ Bembo-Semibold 366.6
+ l_____ Bembo-SemiboldOsF 366.7
+ l_____ Bembo-SemiboldExpert 366.8
+ l_____ Bembo-SemiboldItalic 366.9
+ l_____ Bembo-SemiboldItalicOsF 366.10
+ l_____ Bembo-SemiboldItalicExpert 366.11
+ l_____ Bembo-Bold 366.12
+ l_____ Bembo-BoldOsF 366.13
+ l_____ Bembo-BoldExpert 366.14
+ l_____ Bembo-BoldItalic 366.15
+ l_____ Bembo-BoldItalicOsF 366.16
+ l_____ Bembo-BoldItalicExpert 366.17
+ l_____ Bembo-ExtraBold 366.18
+ l_____ Bembo-ExtraBoldOsF 366.19
+ l_____ Bembo-ExtraBoldExpert 366.20
+ l_____ Bembo-ExtraBoldItalic 366.21
+ l_____ Bembo-ExtraBoldItalicOsF 366.22
+ l_____ Bembo-ExtraBoldItalicExpert 366.23
+ l_____ BerlinerGrotesk-Light 368.0
+ l_____ BerlinerGrotesk-Medium 368.1
+ l_____ LoType-Light 369.0
+ l_____ LoType-Regular 369.1
+ l_____ LoType-Medium 369.2
+ l_____ LoType-MediumItalic 369.3
+ l_____ LoType-Bold 369.4
+ l_____ LoType-MediumCondensed 369.5
+ l_____ BiffoMT 370.0
+ l_____ BigbandTerrazzo 371.1
+ l_____ Birch 372.0
+ l_____ BirdsEF 373.0
+ l_____ BlockBE-Regular 375.0
+ l_____ BlockBE-Italic 375.1
+ l_____ BlockBE-Heavy 375.2
+ l_____ BlockBE-Condensed 375.3
+ l_____ BlockBE-ExtraCn 375.4
+ l_____ BlockBE-ExtraCnItalic 375.5
+ l_____ BoberiaLL-Light 376.0
+ l_____ BoberiaLL-LightItalic 376.1
+ l_____ BoberiaLL-SemiBold 376.2
+ l_____ Bodoni-Book 377.0
+ l_____ Bodoni-BookItalic 377.1
+ l_____ Bodoni 377.2
+ l_____ Bodoni-Italic 377.3
+ l_____ Bodoni-Bold 377.4
+ l_____ Bodoni-BoldItalic 377.5
+ l_____ Bodoni-BoldCondensed 377.6
+ l_____ BodoniEF-Light 377.7
+ l_____ BodoniEF-LightIta 377.8
+ l_____ BodoniEF-Regular 377.9
+ l_____ BodoniEF-RegularIta 377.10
+ l_____ BodoniEF-DemiBold 377.11
+ l_____ BodoniEF-Bold 377.12
+ l_____ BodoniEF-DemiBoldIta 377.13
+ l_____ BodoniEF-BoldIta 377.14
+ l_____ BodoniEF-RegularCn 377.15
+ l_____ BodoniEF-RegularCnIta 377.16
+ l_____ BodoniEF-BoldCn 377.17
+ l_____ BodoniEF-DemiBoldCn 377.18
+ l_____ BodoniEF-BoldCnItalic 377.19
+ l_____ BodoniEF-DemiBoldCnIta 377.20
+ l_____ BodoniEF-Black 377.21
+ l_____ BodoniEF-BlackIta 377.22
+ l_____ BodoniEF-Ultra 377.23
+ l_____ BauerBodoni-Roman 377.24
+ l_____ BauerBodoni-RomanSC 377.25
+ l_____ BauerBodoni-RomanOsF 377.26
+ l_____ BauerBodoni-Italic 377.27
+ l_____ BauerBodoni-ItalicOsF 377.28
+ l_____ BauerBodoni-Bold 377.29
+ l_____ BauerBodoni-BoldOsF 377.30
+ l_____ BauerBodoni-BoldItalic 377.31
+ l_____ BauerBodoni-BoldItalicOsF 377.32
+ l_____ BauerBodoni-Black 377.33
+ l_____ BauerBodoni-BlackItalic 377.34
+ l_____ BauerBodoni-BoldCond 377.35
+ l_____ BauerBodoni-BlackCond 377.36
+ l_____ BauerBodoniCE-Roman 377.37
+ l_____ BauerBodoniCE-Italic 377.38
+ l_____ BauerBodoniCE-Bold 377.39
+ l_____ BauerBodoniCE-BoldItalic 377.40
+ l_____ BauerBodoniCE-Black 377.41
+ l_____ BauerBodoniCE-BlackItalic 377.42
+ l_____ BauerBodoniCE-BoldCondensed 377.43
+ l_____ BauerBodoniCE-BlackCondensed 377.44
+ l_____ BauerBodoniEF-Regular 377.45
+ l_____ BauerBodoniEF-RegularItalic 377.46
+ l_____ BauerBodoniEF-Medium 377.47
+ l_____ BauerBodoniEF-MediumItalic 377.48
+ l_____ BauerBodoniEF-Bold 377.49
+ l_____ BauerBodoniEF-BoldItalic 377.50
+ l_____ BodoniBE-Light 377.51
+ l_____ BodoniBE-LightSC 377.52
+ l_____ BodoniBE-LightExpert 377.53
+ l_____ BodoniBE-LightItalic 377.54
+ l_____ BodoniBE-LightItalicOsF 377.55
+ l_____ BodoniBE-LightItalicExpert 377.56
+ l_____ BodoniBE-Regular 377.57
+ l_____ BodoniBE-RegularSC 377.58
+ l_____ BodoniBE-RegularExp 377.59
+ l_____ BodoniBE-Italic 377.60
+ l_____ BodoniBE-ItalicOsF 377.61
+ l_____ BodoniBE-ItalicExp 377.62
+ l_____ BodoniBE-Medium 377.63
+ l_____ BodoniBE-MediumSC 377.64
+ l_____ BodoniBE-MediumExp 377.65
+ l_____ BodoniBE-MediumItalic 377.66
+ l_____ BodoniBE-MediumItalicOsF 377.67
+ l_____ BodoniBE-MediumItalicExp 377.68
+ l_____ BodoniBE-Bold 377.69
+ l_____ BodoniBE-BoldOsF 377.70
+ l_____ BodoniBE-BoldExp 377.71
+ l_____ BodoniBE-BoldItalic 377.72
+ l_____ BodoniBE-BoldItalicOsF 377.73
+ l_____ BodoniBE-BoldItalicExp 377.74
+ l_____ BodoniBE-Condensed 377.75
+ l_____ BodoniBE-CnItalic 377.76
+ l_____ BodoniBE-MediumCn 377.77
+ l_____ BodoniBE-MediumCnItalic 377.78
+ l_____ BodoniBE-BoldCn 377.79
+ l_____ BodoniBE-BoldCnItalic 377.80
+ l_____ Bodoni-Poster 377.81
+ l_____ Bodoni-PosterItalic 377.82
+ l_____ Bodoni-PosterCompressed 377.83
+ l_____ BodoniSixEF-Book 377.84
+ l_____ BodoniSixEF-BookSC 377.85
+ l_____ BodoniSixEF-BookItalic 377.86
+ l_____ BodoniSixEF-Bold 377.87
+ l_____ BodoniSixEF-BoldItalic 377.88
+ l_____ BodoniTwelveEF-Book 377.89
+ l_____ BodoniTwelveEF-BookSC 377.90
+ l_____ BodoniTwelveEF-BookItalic 377.91
+ l_____ BodoniTwelveEF-Bold 377.92
+ l_____ BodoniTwelveEF-BoldItalic 377.93
+ l_____ BodoniSeventytwoEF-Book 377.94
+ l_____ BodoniSeventytwoEF-BookSC 377.95
+ l_____ BodoniSeventytwoEF-BookIta 377.96
+ l_____ BodoniSeventytwoEF-Bold 377.97
+ l_____ BodoniSeventytwoEF-BoldIta 377.98
+ l_____ BodoniOldFaceBE-Regular 377.99
+ l_____ BodoniOldFaceBE-RegularSC 377.100
+ l_____ BodoniOldFaceBE-RegularExp 377.101
+ l_____ BodoniOldFaceBE-Italic 377.102
+ l_____ BodoniOldFaceBE-ItalicSC 377.103
+ l_____ BodoniOldFaceBE-ItalicExp 377.104
+ l_____ BodoniOldFaceBE-Medium 377.105
+ l_____ BodoniOldFaceBE-MediumSC 377.106
+ l_____ BodoniOldFaceBE-MediumExp 377.107
+ l_____ BodoniOldFaceBE-MediumIt 377.108
+ l_____ BodoniOldFaceBE-MediumItOsF 377.109
+ l_____ BodoniOldFaceBE-MediumItExp 377.110
+ l_____ BodoniOldFaceBE-Bold 377.111
+ l_____ BodoniOldFaceBE-BoldOsF 377.112
+ l_____ BodoniOldFaceBE-BoldExp 377.113
+ l_____ BodoniOldFaceBE-BoldIt 377.114
+ l_____ BodoniOldFaceBE-BoldItOsF 377.115
+ l_____ BodoniOldFaceBE-BoldItExp 377.116
+ l_____ BordeauxEF-Regular 378.0
+ l_____ BordeauxEF-RegularItalic 378.1
+ l_____ BordeauxScriptEF 378.2
+ l_____ Boulevard 380.0
+ l_____ BritannicEF-ExtraLight 382.0
+ l_____ BritannicEF-Light 382.1
+ l_____ BritannicEF-Medium 382.2
+ l_____ BritannicEF-Bold 382.3
+ l_____ BritannicEF-Ultra 382.4
+ l_____ BrodyEF 383.0
+ l_____ BronxEF 384.0
+ l_____ BrushScript 385.0
+ l_____ BrushScriptEF 385.1
+ l_____ BuxomEF 386.0
+ l_____ CabaretEF 387.0
+ l_____ CalvertMT-Light 389.0
+ l_____ CalvertMT-Regular 389.1
+ l_____ CalvertMT-Bold 389.2
+ l_____ CamelliaEF 390.0
+ l_____ Candida-Roman 391.0
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+ l_____ Candida-Bold 391.2
+ l_____ CandidaEF-Regular 391.3
+ l_____ CandidaEF-RegularItalic 391.4
+ l_____ CandidaEF-Medium 391.5
+ l_____ CandidaEF-RegularCondensed 391.6
+ l_____ CandidaEF-MediumCondensed 391.7
+ l_____ CantoriaMT-Light 392.0
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+ l_____ CantoriaMT-Roman 392.2
+ l_____ CantoriaMT-Italic 392.3
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+ l_____ CantoriaMT-SemiBoldItalic 392.5
+ l_____ CantoriaMT-Bold 392.6
+ l_____ CantoriaMT-BoldItalic 392.7
+ l_____ CantoriaMT-ExtraBold 392.8
+ l_____ CantoriaMT-ExtraBoldItalic 392.9
+ l_____ Carolina 393.0
+ l_____ Carolina-Dfr 393.1
+ l_____ Carta 394.0
+ l_____ CartoonScript-Roman 395.0
+ l_____ ACaslon-Regular 396.0
+ l_____ ACaslon-AltRegular 396.1
+ l_____ ACaslon-RegularSC 396.2
+ l_____ ACaslonExp-Regular 396.3
+ l_____ ACaslon-Italic 396.4
+ l_____ ACaslon-AltItalic 396.5
+ l_____ ACaslon-ItalicOsF 396.6
+ l_____ ACaslonExp-Italic 396.7
+ l_____ ACaslon-Semibold 396.8
+ l_____ ACaslon-AltSemibold 396.9
+ l_____ ACaslon-SemiboldSC 396.10
+ l_____ ACaslonExp-Semibold 396.11
+ l_____ ACaslon-SemiboldItalic 396.12
+ l_____ ACaslon-AltSemiboldItalic 396.13
+ l_____ ACaslon-SemiboldItalicOsF 396.14
+ l_____ ACaslonExp-SemiboldItalic 396.15
+ l_____ ACaslon-Bold 396.16
+ l_____ ACaslon-AltBold 396.17
+ l_____ ACaslon-BoldOsF 396.18
+ l_____ ACaslonExp-Bold 396.19
+ l_____ ACaslon-BoldItalic 396.20
+ l_____ ACaslon-AltBoldItalic 396.21
+ l_____ ACaslon-BoldItalicOsF 396.22
+ l_____ ACaslonExp-BoldItalic 396.23
+ l_____ ACaslon-SwashItalic 396.24
+ l_____ ACaslon-SwashSemiboldItalic 396.25
+ l_____ ACaslon-SwashBoldItalic 396.26
+ l_____ ACaslon-Ornaments 396.27
+ l_____ CaslonThree-Roman 396.28
+ l_____ CaslonThree-RomanSC 396.29
+ l_____ CaslonThree-Italic 396.30
+ l_____ CaslonThree-ItalicOsF 396.31
+ l_____ CaslonFiveFourty-Roman 396.32
+ l_____ CaslonFiveFourty-RomanSC 396.33
+ l_____ CaslonFiveFourty-Italic 396.34
+ l_____ CaslonFiveFourty-ItalicOsF 396.35
+ l_____ CaslonOpenFace 396.36
+ l_____ CaslonFiveFourtyEF-Italic 396.37
+ l_____ CaslonBlackEF 396.38
+ l_____ CaslonAntiqueEF 396.39
+ l_____ CaslonGraphiqueEF 396.40
+ l_____ CaslonTwoTwentyFour-Book 396.41
+ l_____ CaslonTwoTwentyFour-BookIt 396.42
+ l_____ CaslonTwoTwentyFour-Medium 396.43
+ l_____ CaslonTwoTwentyFour-MediumIt 396.44
+ l_____ CaslonTwoTwentyFour-Bold 396.45
+ l_____ CaslonTwoTwentyFour-BoldIt 396.46
+ l_____ CaslonTwoTwentyFour-Black 396.47
+ l_____ CaslonTwoTwentyFour-BlackIt 396.48
+ l_____ CaslonTwoTwentyFourEF-Book 396.49
+ l_____ CaslonTwoTwentyFourEF-BookIt 396.50
+ l_____ CaslonTwoTwentyFourEF-Medium 396.51
+ l_____ CaslonTwoTwentyFourEF-MediumIt 396.52
+ l_____ CaslonTwoTwentyFourEF-Bold 396.53
+ l_____ CaslonTwoTwentyFourEF-BoldI 396.54
+ l_____ CaslonTwoTwentyFourEF-Black 396.55
+ l_____ CaslonTwoTwentyFourEF-BlackIt 396.56
+ l_____ CaslonBookBE-Regular 396.57
+ l_____ CaslonBookBE-RegularSC 396.58
+ l_____ CaslonBookBE-RegularExp 396.59
+ l_____ CaslonBookBE-Italic 396.60
+ l_____ CaslonBookBE-ItalicOsF 396.61
+ l_____ CaslonBookBE-ItalicExp 396.62
+ l_____ CaslonBookBE-Medium 396.63
+ l_____ CaslonBookBE-MediumSC 396.64
+ l_____ CaslonBookBE-MediumExp 396.65
+ l_____ CaslonBookBE-Bold 396.66
+ l_____ CaslonBookBE-BoldOsF 396.67
+ l_____ CaslonBookBE-BoldExp 396.68
+ l_____ CastleEF-Light 397.0
+ l_____ CastleEF-Book 397.1
+ l_____ CastleEF-Bold 397.2
+ l_____ CastleEF-Ultra 397.3
+ l_____ Catull-Regular 398.0
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+ l_____ Catull-Medium 398.2
+ l_____ Catull-Bold 398.3
+ l_____ Caxton-Light 399.0
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+ l_____ Caxton-BookItalic 399.2
+ l_____ Caxton-Book 399.3
+ l_____ Caxton-Bold 399.4
+ l_____ Caxton-BoldItalic 399.5
+ l_____ CaxtonEF-Light 399.6
+ l_____ CaxtonEF-LightItalic 399.7
+ l_____ CaxtonEF-Book 399.8
+ l_____ CaxtonEF-BookItalic 399.9
+ l_____ CaxtonEF-Bold 399.10
+ l_____ CaxtonEF-BoldItalic 399.11
+ l_____ CaxtonEF-ExtraBold 399.12
+ l_____ CaxtonEF-ExtraBoldItalic 399.13
+ l_____ CaxtonEF-BoldCondensed 399.14
+ l_____ CaxtonEF-ExtraBoldCondensed 399.15
+ l_____ CentaurMT-Regular 400.0
+ l_____ CentaurMT-RegularSC 400.1
+ l_____ CentaurMT-RegularExpert 400.2
+ l_____ CentaurMT-Italic 400.3
+ l_____ CentaurMT-ItalicA 400.4
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+ l_____ CentaurMT-ItalicOsF 400.6
+ l_____ CentaurMT-ItalicExpert 400.7
+ l_____ CentaurMT-Bold 400.8
+ l_____ CentaurMT-BoldOsF 400.9
+ l_____ CentaurMT-BoldExpert 400.10
+ l_____ CentaurMT-BoldItalic 400.11
+ l_____ CentaurMT-BoldItalicOsF 400.12
+ l_____ CentaurMT-BoldItalicExpert 400.13
+ l_____ CentaurMT-ItalicSwash 400.14
+ l_____ ChallengeEF-Bold 401.0
+ l_____ ChallengeEF-ExtraBold 401.1
+ l_____ Charme 402.0
+ l_____ Cheltenham-Light 403.0
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+ l_____ Cheltenham-Book 403.2
+ l_____ Cheltenham-BookItalic 403.3
+ l_____ Cheltenham-Bold 403.4
+ l_____ Cheltenham-BoldItalic 403.5
+ l_____ Cheltenham-Ultra 403.6
+ l_____ Cheltenham-UltraItalic 403.7
+ l_____ Cheltenham-LightCond 403.8
+ l_____ Cheltenham-LightCondItalic 403.9
+ l_____ Cheltenham-BookCond 403.10
+ l_____ Cheltenham-BookCondItalic 403.11
+ l_____ Cheltenham-BoldCond 403.12
+ l_____ Cheltenham-BoldCondItalic 403.13
+ l_____ Cheltenham-UltraCond 403.14
+ l_____ Cheltenham-UltraCondItalic 403.15
+ l_____ CheltenhamEF-Light 403.16
+ l_____ CheltenhamEF-LightItalic 403.17
+ l_____ CheltenhamEF-Book 403.18
+ l_____ CheltenhamEF-BookItalic 403.19
+ l_____ CheltenhamEF-Bold 403.20
+ l_____ CheltenhamEF-BoldItalic 403.21
+ l_____ CheltenhamEF-Ultra 403.22
+ l_____ CheltenhamEF-UltraItalic 403.23
+ l_____ CheltenhamHandtEF-Bold 403.24
+ l_____ CheltenhamHandtEF-BoldItalic 403.25
+ l_____ CheltenhamEF-LightCond 403.26
+ l_____ CheltenhamEF-LightCondItalic 403.27
+ l_____ CheltenhamEF-BookCond 403.28
+ l_____ CheltenhamEF-BookCondItalic 403.29
+ l_____ CheltenhamEF-BoldCond 403.30
+ l_____ CheltenhamEF-BoldCondItalic 403.31
+ l_____ CheltenhamEF-UltraCond 403.32
+ l_____ CheltenhamEF-UltraCondItalic 403.33
+ l_____ CheltenhamOldStyleEF 403.34
+ l_____ Cheq 404.0
+ l_____ ChiselEF 405.0
+ l_____ DigiGroteskNEF-Light 406.0
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+ l_____ DigiGroteskNEF-SemiBoldCond 406.2
+ l_____ DigiGroteskNEF-BoldCondens 406.3
+ l_____ DigiGroteskSEF-Light 406.4
+ l_____ DigiGroteskSEF-SemiBold 406.5
+ l_____ DomCasual 407.0
+ l_____ DomCasual-Bold 407.1
+ l_____ DomEF-CasualRegular 407.2
+ l_____ DomEF-DiagonalRegular 407.3
+ l_____ DomEF-CasualBold 407.4
+ l_____ DomEF-DiagonalBold 407.5
+ l_____ DorchesterScriptMT 408.0
+ l_____ DynamoEF-Medium 409.0
+ l_____ DynamoEF-Bold 409.1
+ l_____ DynamoEF-BoldShadow 409.2
+ l_____ DynamoEF-BoldCondensed 409.3
+ l_____ EdisonEF-Book 410.0
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+ l_____ EdisonEF-SemiBold 410.2
+ l_____ EdisonEF-SemiBoldItalic 410.3
+ l_____ EdisonEF-BoldCondensed 410.4
+ l_____ EdwardianEF-Light 411.0
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+ l_____ EdwardianEF-Medium 411.2
+ l_____ EdwardianEF-MediumIta 411.3
+ l_____ EdwardianEF-Bold 411.4
+ l_____ EdwardianEF-BoldIta 411.5
+ l_____ EdwardianEF-ExtraBold 411.6
+ l_____ EdwardianEF-ExtraBoldIta 411.7
+ l_____ EgizioEF-Condensed 412.0
+ l_____ EgyptianEF-BoldCondensed 414.0
+ l_____ EgyptianEF-BoldExtended 414.1
+ l_____ EgyptienneEF-MediumCond 415.0
+ l_____ EhrhardtMT-Roman 416.0
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+ l_____ EhrhardtMT-SemiBold 416.2
+ l_____ EhrhardtMt-SemiBoldItalic 416.3
+ l_____ EirinnAsciiLL 417.0
+ l_____ EirinnGaelicLL 417.1
+ l_____ ElGreco 418.0
+ l_____ ElefontEF 419.0
+ l_____ EllingtonMT-Light 420.0
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+ l_____ EllingtonMT-Roman 420.2
+ l_____ EllingtonMT-Italic 420.3
+ l_____ EllingtonMT-Bold 420.4
+ l_____ EllingtonMT-BoldItalic 420.5
+ l_____ EllingtonMT-ExtraBold 420.6
+ l_____ EllingtonMT-ExtraBoldItalic 420.7
+ l_____ EnglishScriptEF-Regular 421.0
+ l_____ EnglishScriptEF-Bold 421.1
+ l_____ EnglishScriptEF-DemiBold 421.2
+ l_____ Erbar-LightCondensed 422.0
+ l_____ Erbar-BoldCondensed 422.1
+ l_____ EscorialEF-Outline 423.0
+ l_____ EscorialEF 423.1
+ l_____ EthnoFontEF 424.0
+ l_____ Eurostile 425.0
+ l_____ Eurostile-Oblique 425.1
+ l_____ Eurostile-Demi 425.2
+ l_____ Eurostile-DemiOblique 425.3
+ l_____ Eurostile-Bold 425.4
+ l_____ Eurostile-BoldOblique 425.5
+ l_____ Eurostile-Condensed 425.6
+ l_____ Eurostile-BoldCondensed 425.7
+ l_____ Eurostile-ExtendedTwo 425.8
+ l_____ Eurostile-BoldExtendedTwo 425.9
+ l_____ EurostileEF-Regular 425.10
+ l_____ EurostileEF-Black 425.11
+ l_____ Excelsior 426.0
+ l_____ Excelsior-Italic 426.1
+ l_____ Excelsior-Bold 426.2
+ l_____ ExcelsiorCE-Roman 426.3
+ l_____ ExcelsiorCE-Italic 426.4
+ l_____ ExcelsiorCE-Bold 426.5
+ l_____ ExcelsiorCyr-Upright 426.6
+ l_____ ExcelsiorCyr-Inclined 426.7
+ l_____ ExcelsiorCyr-Bold 426.8
+ l_____ ExcelsiorEastA-Roman 426.9
+ l_____ ExcelsiorEastA-Italic 426.10
+ l_____ ExcelsiorEastA-Bold 426.11
+ l_____ F2FAlLineato 427.0
+ l_____ F2FCZYKagoTrans 427.1
+ l_____ F2FEntebbe 427.2
+ l_____ F2FHogRoach 427.3
+ l_____ F2FMadZineFear 427.4
+ l_____ F2FMadZineWip 427.5
+ l_____ F2FMekkasoTomanik 427.6
+ l_____ F2FMetamorfosi 427.7
+ l_____ F2FOCRAlexcyzk 427.8
+ l_____ F2FPixmix 427.9
+ l_____ F2FPoisonFlowers 427.10
+ l_____ F2FProvinciali 427.11
+ l_____ F2FSimbolico 427.12
+ l_____ F2FTechLand 427.13
+ l_____ F2FWhaleTreeRnd 427.14
+ l_____ F2FZakGlobe 427.15
+ l_____ Falstaff-Regular 428.0
+ l_____ FetteFraktur 429.0
+ l_____ FetteFraktur-Dfr 429.1
+ l_____ FetteFrakturEF 429.2
+ l_____ FlashEF-Light 430.0
+ l_____ FlashEF-Bold 430.1
+ l_____ Flyer-BlackCondensed 431.0
+ l_____ Flyer-BlackExtraCondensed 431.1
+ l_____ FlyerEF-Bold 431.2
+ l_____ FlyerEF-BoldCondensed 431.3
+ l_____ Folio-Light 432.0
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+ l_____ LinotypeBecket 9501.18
+ l_____ Bernhard-BoldCondensed 9501.19
+ l_____ Birka 9501.20
+ l_____ Birka-SC 9501.21
+ l_____ Birka-SemiBoldItalic 9501.22
+ l_____ Birka-SemiBold 9501.23
+ l_____ Birka-BoldItalic 9501.24
+ l_____ Birka-Italic 9501.25
+ l_____ Birka-Bold 9501.26
+ l_____ LinotypeBlackWhiteHeadline 9501.27
+ l_____ LinotypeBlackWhiteOutline 9501.28
+ l_____ LinotypeBlackWhiteLaserOutline 9501.29
+ l_____ LinotypeBlackWhite 9501.30
+ l_____ LinotypeBlackWhiteLaser 9501.31
+ l_____ BodoniHE-Light 9501.32
+ l_____ BodoniHE-LightItalic 9501.33
+ l_____ BodoniHE-SemiBold 9501.34
+ l_____ BodoniHE-SemiBoldItalic 9501.35
+ l_____ BodoniHE-BookItalic 9501.36
+ l_____ BodoniHE-Book 9501.37
+ l_____ BodoniHE-Bold 9501.38
+ l_____ BodoniHE-ExtraBold 9501.39
+ l_____ BodoniHE-BoldItalic 9501.40
+ l_____ BodoniHE-SemiBoldCondensedItalic 9501.41
+ l_____ BodoniHE-SemiBoldCondensed 9501.42
+ l_____ BodoniHE-BoldCondensedItalic 9501.43
+ l_____ BodoniHE-BoldCondensed 9501.44
+ l_____ BodoniHE-ExtraBoldItalic 9501.45
+ l_____ BodoniClassico 9501.46
+ l_____ BodoniClassico-BoldItalic 9501.47
+ l_____ BodoniClassico-SC 9501.48
+ l_____ BodoniClassico-Bold 9501.49
+ l_____ BodoniClassico-Italic 9501.50
+ l_____ Carniola 9501.52
+ l_____ Carniola-Bold 9501.53
+ l_____ Carniola-SemiBold 9501.54
+ l_____ Carniola-SC 9501.55
+ l_____ Carniola-SemiBoldItalic 9501.56
+ l_____ Carniola-BoldItalic 9501.57
+ l_____ Carniola-Italic 9501.58
+ l_____ CaslonHE-Light 9501.59
+ l_____ CaslonHE-LightItalic 9501.60
+ l_____ CaslonHE-Italic 9501.61
+ l_____ CaslonHE-Roman 9501.62
+ l_____ CaslonClassico 9501.63
+ l_____ CaslonClassico-Bold 9501.64
+ l_____ CaslonClassico-SC 9501.65
+ l_____ CaslonClassico-BoldItalic 9501.66
+ l_____ CaslonClassico-Italic 9501.67
+ l_____ Century-HandtooledBold 9501.68
+ l_____ Century-HandtooledBoldItalic 9501.69
+ l_____ NewCenturySchlbkCyr-Roman 9501.70
+ l_____ NewCenturySchlbkCyr-Bold 9501.71
+ l_____ NewCenturySchlbkCyr-Italic 9501.72
+ l_____ NewCenturySchlbkCyr-BoldItalic 9501.73
+ l_____ Cheltenham-HandtooledBd 9501.74
+ l_____ Cheltenham-HandtooledBdIt 9501.75
+ l_____ CloisterOpenFace 9501.76
+ l_____ Linotype CMC-Seven 9501.77
+ l_____ CooperBlackCE-Regualr 9501.78
+ l_____ CooperBlackCE-Italic 9501.79
+ l_____ CourierCyr 9501.80
+ l_____ CourierCyr-Oblique 9501.81
+ l_____ CourierCyr-BoldOblique 9501.82
+ l_____ CourierCyr-Bold 9501.83
+ l_____ LinotypeDavida 9501.84
+ l_____ Devin 9501.95
+ l_____ Devin-Bold 9501.96
+ l_____ Devin-Italic 9501.97
+ l_____ Devin-SemiBold 9501.98
+ l_____ Devin-SC 9501.99
+ l_____ Devin-SemiBoldItalic 9501.100
+ l_____ Devin-BoldItalic 9501.101
+ l_____ Dialog-Condensed 9501.102
+ l_____ Dialog-SemiBoldSC 9501.103
+ l_____ Dialog-LightSC 9501.104
+ l_____ Dialog-ExtraBoldItalic 9501.105
+ l_____ Dialog-ExtraBold 9501.106
+ l_____ Dialog-SemiBoldItalic 9501.107
+ l_____ Dialog-SemiBold 9501.108
+ l_____ Dialog-LightItalic 9501.109
+ l_____ Dialog-Light 9501.110
+ l_____ Dialog-SC 9501.111
+ l_____ Dialog-BoldItalic 9501.112
+ l_____ Dialog-Bold 9501.113
+ l_____ Dialog-Italic 9501.114
+ l_____ Dialog 9501.115
+ l_____ DialogCond-Bold 9501.116
+ l_____ DialogCond-Italic 9501.117
+ l_____ DialogCond-BoldItalic 9501.118
+ l_____ DialogCond-SemiBoldItalic 9501.119
+ l_____ DialogCond-SemiBold 9501.120
+ l_____ DigiAntiqua-LightCondensed 9501.121
+ l_____ DigiGrotesk-BoldCondensed 9501.122
+ l_____ EmonaCond 9501.124
+ l_____ EmonaCond-Bold 9501.125
+ l_____ EmonaCond-BoldItalic 9501.126
+ l_____ Emona-Bold 9501.127
+ l_____ Emona-SemiBold 9501.128
+ l_____ Emona-SC 9501.129
+ l_____ Emona-SemiBoldItalic 9501.130
+ l_____ Emona-Italic 9501.131
+ l_____ Emona 9501.132
+ l_____ EmonaCond-Italic 9501.133
+ l_____ Emona-BoldItalic 9501.134
+ l_____ EsperantoCond 9501.135
+ l_____ Esperanto 9501.136
+ l_____ Esperanto-Bold 9501.137
+ l_____ Esperanto-SemiBold 9501.138
+ l_____ Esperanto-SC 9501.139
+ l_____ Esperanto-SemiBoldItalic 9501.140
+ l_____ Esperanto-BoldItalic 9501.141
+ l_____ Esperanto-Italic 9501.142
+ l_____ EsperantoCond-SC 9501.143
+ l_____ EsperantoCond-Bold 9501.144
+ l_____ EsperantoCond-Italic 9501.145
+ l_____ EsperantoCond-BoldItalic 9501.146
+ l_____ ExcelsiorInsertio 9501.147
+ l_____ F2FAlRetto 9501.148
+ l_____ F2FBoneR-Book 9501.149
+ l_____ F2FCzykagoSemiSerif 9501.150
+ l_____ F2FLego-Stoned 9501.151
+ l_____ F2FLovegrid 9501.152
+ l_____ F2FMadame-Butterfly 9501.153
+ l_____ F2FMadZine-Dirt 9501.154
+ l_____ F2FMadZine-Script 9501.155
+ l_____ F2FOCR-AlexczykShake 9501.156
+ l_____ OCR-BczykNorm 9501.157
+ l_____ OCR-BczykBold 9501.158
+ l_____ F2FPrototipa-Multipla 9501.159
+ l_____ F2FScreen-Scream 9501.160
+ l_____ F2FShakkarakk 9501.161
+ l_____ F2FShpeetz 9501.162
+ l_____ F2FTagliatelle-Sugo 9501.163
+ l_____ F2FTwins 9501.164
+ l_____ F2FTyrell-Corp 9501.165
+ l_____ Linotype FehrleDisplay 9501.166
+ l_____ Fortuna 9501.167
+ l_____ Fortuna-Bold 9501.168
+ l_____ FranklinGothic-BookCmpr 9501.169
+ l_____ FranklinGothic-DemiCmprItal 9501.170
+ l_____ FranklinGothic-DemiXCmpr 9501.171
+ l_____ FranklinGothic-BookXCmpr 9501.172
+ l_____ FranklinGothic-DemiCndItal 9501.173
+ l_____ FranklinGothic-DemiCnd 9501.174
+ l_____ FranklinGothic-MediumCndItal 9501.175
+ l_____ FranklinGothic-MediumCnd 9501.176
+ l_____ FranklinGothic-BookCndItal 9501.177
+ l_____ FranklinGothic-BookCnd 9501.178
+ l_____ FranklinGothic-DemiCmpr 9501.179
+ l_____ FranklinGothic-BookCmprItal 9501.180
+ l_____ FreestyleScriptCE 9501.181
+ l_____ FrutigerCE-LightItalic 9501.182
+ l_____ FrutigerCE-Roman 9501.183
+ l_____ FrutigerCE-Black 9501.184
+ l_____ FrutigerCE-Italic 9501.185
+ l_____ FrutigerCE-Light 9501.186
+ l_____ FrutigerCE-UltraBlack 9501.187
+ l_____ FrutigerCE-BlackItalic 9501.188
+ l_____ FrutigerCE-BoldItalic 9501.189
+ l_____ FrutigerCE-Bold 9501.190
+ l_____ FuturaCE-Light 9501.191
+ l_____ FuturaCE-Bold 9501.192
+ l_____ FuturaCE-Medium 9501.193
+ l_____ FuturaCE-BoldOblique 9501.194
+ l_____ FuturaCE-LightOblique 9501.195
+ l_____ FuturaCE-ExtraBoldOblique 9501.196
+ l_____ FuturaCE-ExtraBold 9501.197
+ l_____ FuturaCE-HeavyOblique 9501.198
+ l_____ FuturaCE-Heavy 9501.199
+ l_____ FuturaCE-MediumOblique 9501.200
+ l_____ FuturaCE-BookOblique 9501.201
+ l_____ FuturaCE-Book 9501.202
+ l_____ Garamond-HandtooledBold 9501.206
+ l_____ Garamond-HandtooledBoldItalic 9501.207
+ l_____ GaramondClassico 9501.208
+ l_____ GaramondClassico-BoldItalic 9501.209
+ l_____ GaramondClassico-SC 9501.210
+ l_____ GaramondClassico-Italic 9501.211
+ l_____ GaramondClassico-Bold 9501.212
+ l_____ GillSansCE-Light 9501.213
+ l_____ GillSansCE-Roman 9501.214
+ l_____ GillSansCE-Bold 9501.215
+ l_____ GillSansCE-BoldItalic 9501.216
+ l_____ GillSansCE-Italic 9501.217
+ l_____ GillSansCE-LightItalic 9501.218
+ l_____ GoudyModern94 9501.219
+ l_____ GoudyModern94-Italic 9501.220
+ l_____ GoudyModern94-Bold 9501.221
+ l_____ GoudyModern94-BoldItalic 9501.222
+ l_____ GoudyModern94-SC 9501.223
+ l_____ GoudyVillage 9501.224
+ l_____ GoudyVillage-SC 9501.225
+ l_____ GoudyVillage-BoldItalic 9501.226
+ l_____ GoudyVillage-Italic 9501.227
+ l_____ GoudyVillage-Bold 9501.228
+ l_____ GriffoClassico 9501.229
+ l_____ GriffoClassico-Bold 9501.230
+ l_____ GriffoClassico-BoldItalic 9501.231
+ l_____ GriffoClassico-SC 9501.232
+ l_____ GriffoClassico-Italic 9501.233
+ l_____ HelveticaNeueCE-Light 9501.238
+ l_____ HelveticaNeueCE-Black 9501.239
+ l_____ HelveticaNeueCE-UltraLightIt 9501.240
+ l_____ HelveticaNeueCE-BlackItalic 9501.241
+ l_____ HelveticaNeueCE-Medium 9501.242
+ l_____ HelveticaNeueCE-Heavy 9501.243
+ l_____ HelveticaNeueCE-HeavyItalic 9501.244
+ l_____ HelveticaNeueCE-UltraLight 9501.245
+ l_____ HelveticaNeueCE-MediumItalic 9501.246
+ l_____ HelveticaNeueCE-LightItalic 9501.247
+ lpi___ Linotype HieroglyphsPi-One 9501.248
+ lpi___ Linotype HieroglyphsPi-Two 9501.249
+ l_____ Humana 9501.250
+ l_____ Humana-SC 9501.251
+ l_____ Isolde 9501.252
+ l_____ Isolde-Italic 9501.253
+ l_____ Isolde-BoldItalic 9501.254
+ l_____ Isolde-SC 9501.255
+ l_____ Isolde-Bold 9501.256
+ l_____ JensonClassico 9501.257
+ l_____ JensonClassico-Italic 9501.258
+ l_____ JensonClassico-BoldItalic 9501.259
+ l_____ JensonClassico-Bold 9501.260
+ l_____ JensonClassico-SC 9501.261
+ l_____ Jesper 9501.262
+ l_____ Jonatan 9501.263
+ l_____ Kalix 9501.264
+ l_____ Kalix-SC 9501.265
+ l_____ Kalix-Italic 9501.266
+ l_____ Kalix-Bold 9501.267
+ l_____ Kalix-BoldItalic 9501.268
+ l_____ Kalix-SemiBoldItalic 9501.269
+ l_____ Kalix-SemiBold 9501.270
+ l_____ Kasper 9501.271
+ lpi___ MacKeyCaps 9501.272
+ l_____ KisClassico 9501.281
+ l_____ KisClassico-BoldItalic 9501.282
+ l_____ KisClassico-SC 9501.283
+ l_____ KisClassico-Italic 9501.284
+ l_____ KisClassico-Bold 9501.285
+ lpi___ Linobats 9501.288
+ l_____ LucidaTypewriter 9501.289
+ l_____ LucidaSansTypewriter 9501.290
+ l_____ LucidaSansTypewriter-Bd 9501.291
+ l_____ LucidaSansTypewriter-BdObl 9501.292
+ l_____ LucidaTypewriter-BoldObl 9501.293
+ l_____ LucidaTypewriter-Bold 9501.294
+ l_____ LucidaTypewriter-Obl 9501.295
+ l_____ LucidaSansTypewriter-Obl 9501.296
+ l_____ LinotypeLutherscheFraktur 9501.297
+ l_____ LinotypeLutherscheFraktur-Dfr 9501.298
+ l_____ Manuskript 9501.299
+ l_____ Manuskript-BoldItalic 9501.300
+ l_____ Manuskript-SC 9501.301
+ l_____ Manuskript-Bold 9501.302
+ l_____ Manuskript-Italic 9501.303
+ l_____ MarcoPolo 9501.304
+ l_____ MarcoPolo-SC 9501.305
+ l_____ MarcoPolo-Italic 9501.306
+ l_____ Memento 9501.307
+ l_____ Memento-Italic 9501.308
+ l_____ Memento-SemiBold 9501.309
+ l_____ Memento-SemiBoldItalic 9501.310
+ l_____ Memento-BoldItalic 9501.311
+ l_____ Memento-Bold 9501.312
+ l_____ Memento-SC 9501.313
+ l_____ Miramar 9501.314
+ l_____ Miramar-SC 9501.315
+ l_____ Miramar-BoldItalic 9501.316
+ l_____ Miramar-Bold 9501.317
+ l_____ Miramar-Italic 9501.318
+ l_____ Mojo 9501.319
+ l_____ Monti-Roman 9501.320
+ l_____ Monti-SemiBold 9501.321
+ l_____ Napoleon-Light 9501.322
+ l_____ Napoleon-Roman 9501.323
+ l_____ Napoleon-Italic 9501.324
+ l_____ Napoleon-Bold 9501.325
+ l_____ Napoleon-BoldCondensed 9501.326
+ l_____ Napoleon-SemiBold 9501.327
+ l_____ Neuland 9501.328
+ l_____ NormaCompr 9501.329
+ l_____ NormaCompr-Bold 9501.330
+ l_____ NormaCompr-Italic 9501.331
+ l_____ NormaCompr-SC 9501.332
+ l_____ NormaCond-Bold 9501.333
+ l_____ NormaCond 9501.334
+ l_____ Norma-SemiBoldItalic 9501.335
+ l_____ Norma-SemiBold 9501.336
+ l_____ Norma-BoldItalic 9501.337
+ l_____ Norma-Bold 9501.338
+ l_____ Norma-Italic 9501.339
+ l_____ Norma 9501.340
+ l_____ NormaCond-SC 9501.341
+ l_____ NormaCond-Italic 9501.342
+ l_____ Norma-SC 9501.343
+ l_____ NormaCond-BoldItalic 9501.344
+ l_____ NormaCompr-BoldItalic 9501.345
+ l_____ Nyfors 9501.346
+ l_____ OdenseCompr 9501.347
+ l_____ OdenseCompr-Italic 9501.348
+ l_____ OdenseCond-Bold 9501.349
+ l_____ OdenseCond-Italic 9501.350
+ l_____ OdenseCond-BoldItalic 9501.351
+ l_____ Odense-Bold 9501.352
+ l_____ Odense-Italic 9501.353
+ l_____ Odense 9501.354
+ l_____ Odense-SemiBoldSC 9501.355
+ l_____ Odense-ExtraBoldItalic 9501.356
+ l_____ Odense-ExtraBold 9501.357
+ l_____ Odense-SemiBoldItalic 9501.358
+ l_____ Odense-SemiBold 9501.359
+ l_____ Odense-SC 9501.360
+ l_____ Odense-BoldItalic 9501.361
+ l_____ Odense-Neon 9501.362
+ l_____ OdenseCond 9501.363
+ l_____ Omnibus 9501.364
+ l_____ Omnibus-Italic 9501.365
+ l_____ Omnibus-BoldItali 9501.366
+ l_____ Omnibus-SemiBoldItalic 9501.367
+ l_____ Omnibus-SemiBold 9501.368
+ l_____ Omnibus-SC 9501.369
+ l_____ Omnibus-Bold 9501.370
+ l_____ Ondine 9501.371
+ l_____ Optima-Medium 9501.372
+ l_____ Optima-DemiBoldItalic 9501.373
+ l_____ Optima-BlackItalic 9501.374
+ l_____ Optima-ExtraBlackItalic 9501.375
+ l_____ Optima-ExtraBlack 9501.376
+ l_____ Optima-Black 9501.377
+ l_____ Optima-DemiBold 9501.378
+ l_____ Optima-MediumItalic 9501.379
+ l_____ Ouch 9501.380
+ l_____ LinotypePaintIt 9501.381
+ l_____ LinotypePaintIt-Black 9501.382
+ l_____ Pax 9501.383
+ l_____ Pax-SemiBoldItalic 9501.384
+ l_____ Pax-SemiBold 9501.385
+ l_____ PaxCond-SC 9501.386
+ l_____ PaxCond-BoldItalic 9501.387
+ l_____ PaxCond-Bold 9501.388
+ l_____ PaxCond-Italic 9501.389
+ l_____ PaxCond 9501.390
+ l_____ Pax-SC 9501.391
+ l_____ Pax-Italic 9501.392
+ l_____ Pax-BoldItalic 9501.393
+ l_____ Pax-Bold 9501.394
+ l_____ PaxTwo 9501.395
+ l_____ PaxTwo-Italic 9501.396
+ l_____ PaxTwo-Bold 9501.397
+ l_____ PaxTwo-SemiBold 9501.398
+ l_____ PaxTwo-SC 9501.399
+ l_____ PaxTwo-SemiBoldItalic 9501.400
+ l_____ PaxTwo-BoldItalic 9501.401
+ l_____ Persona 9501.402
+ l_____ Pierrot 9501.403
+ l_____ Ragnar 9501.406
+ l_____ Ragnar-SC 9501.407
+ l_____ Ragnar-SemiBoldItalic 9501.408
+ l_____ Ragnar-Bold 9501.409
+ l_____ Ragnar-BoldItalic 9501.410
+ l_____ Ragnar-SemiBold 9501.411
+ l_____ Ragnar-Italic 9501.412
+ l_____ ResPublicaCond 9501.413
+ l_____ ResPublica-Italic 9501.414
+ l_____ ResPublica-BoldItalic 9501.415
+ l_____ ResPublica-SC 9501.416
+ l_____ ResPublica-Bold 9501.417
+ l_____ ResPublica 9501.418
+ l_____ ResPublicaCond-Italic 9501.419
+ l_____ ResPublica-SemiBoldItalic 9501.420
+ l_____ ResPublica-SemiBold 9501.421
+ l_____ RevueCE 9501.422
+ l_____ Rustika 9501.423
+ l_____ Rustika-Bold 9501.424
+ l_____ Rustika-BoldItalic 9501.425
+ l_____ Rustika-Italic 9501.426
+ l_____ Rustika-SC 9501.427
+ l_____ SabonCE-Roman 9501.428
+ l_____ SabonCE-Italic 9501.429
+ l_____ SabonCE-BoldItalic 9501.430
+ l_____ SabonCyr-Bold 9501.431
+ l_____ SabonGreek-Roman 9501.432
+ l_____ SabonGreek-Bold 9501.433
+ l_____ SabonGreek-BoldItalic 9501.434
+ l_____ SabonGreek-Italic 9501.435
+ l_____ SabonCyr-Italic 9501.436
+ l_____ SabonCyr-Roman 9501.437
+ l_____ SabonCE-Bold 9501.438
+ l_____ SabonCyr-BoldItalic 9501.439
+ l_____ Saga 9501.440
+ l_____ Saga-BoldItalic 9501.441
+ l_____ Saga-SemiBold 9501.442
+ l_____ Saga-SemiBoldItalic 9501.443
+ l_____ Saga-SC 9501.444
+ l_____ Saga-Bold 9501.445
+ l_____ Saga-Italic 9501.446
+ l_____ Linotype SallweyScript 9501.447
+ l_____ SanMarcoCyr 9501.448
+ l_____ Saphir 9501.449
+ l_____ Semper 9501.456
+ l_____ Semper-Italic 9501.457
+ l_____ Semper-BoldItalic 9501.458
+ l_____ Semper-SC 9501.459
+ l_____ Semper-Bold 9501.460
+ l_____ Shuriken-Boy 9501.461
+ l_____ LinotypeSpitz-Light 9501.462
+ l_____ LinotypeSpitz-Book 9501.463
+ l_____ LinotypeSpitz-Black 9501.464
+ l_____ LinotypeSpitz-Bold 9501.465
+ l_____ LinotypeSpitz-Medium 9501.466
+ l_____ StencilCyr 9501.467
+ l_____ Tiemann-Light 9501.468
+ l_____ Tiemann-Roman 9501.469
+ l_____ Trajanus-Roman 9501.470
+ l_____ Trajanus-Black 9501.471
+ l_____ Trajanus-BlackItalic 9501.472
+ l_____ Trajanus-BoldItalic 9501.473
+ l_____ Trajanus-Italic 9501.474
+ l_____ Trajanus-Bold 9501.475
+ l_____ Transport 9501.476
+ l_____ Transport-BoldItalic 9501.477
+ l_____ Transport-Light 9501.478
+ l_____ Transport-LightItalic 9501.479
+ l_____ Transport-SC 9501.480
+ l_____ Transport-LightSC 9501.481
+ l_____ Transport-Bold 9501.482
+ l_____ Transport-Italic 9501.483
+ l_____ UniversCyr-Light 9501.484
+ l_____ UniversCyr-LightOblique 9501.485
+ l_____ UniversCyr 9501.486
+ l_____ UniversCyr-Oblique 9501.487
+ l_____ UniversCyr-Bold 9501.488
+ l_____ UniversCyr-BoldOblique 9501.489
+ l_____ UniversCyr-Black 9501.490
+ l_____ UniversCyr-BlackOblique 9501.491
+ l_____ UniversityRomanCE 9501.492
+ l_____ UniversityCyr-Roman 9501.493
+ l_____ Vega 9501.494
+ l_____ Vega-Bold 9501.495
+ l_____ Vega-SemiBold 9501.496
+ l_____ Vega-SC 9501.497
+ l_____ Vega-SemiBoldItalic 9501.498
+ l_____ Vega-BoldItalic 9501.499
+ l_____ Vega-Italic 9501.500
+ l_____ WiesbadenSwingCyr-Roman 9501.501
+ </pre>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fonts/fontname/Long-names.html b/Master/texmf-dist/doc/fonts/fontname/Long-names.html
new file mode 100644
index 00000000000..f333d196296
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/Long-names.html
@@ -0,0 +1,43 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="Long%20names">Long names</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="Font-name-lists.html#Font%20name%20lists">Font name lists</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="Filenames-for-fonts.html#Filenames%20for%20fonts">Filenames for fonts</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="index.html#Top">Top</a>
+<hr><br>
+</div>
+
+<h2 class="chapter">Long names</h2>
+
+<p>Eight characters is not enough to unambiguously represent all fonts. To
+do that, we have to allow ourselves arbitrarily long names. Although we
+certainly cannot use such names for the files themselves, we could still
+use them in TeX documents given a simple mapping file, as discussed
+below.
+
+<ul class="menu">
+<li><a accesskey="1" href="Name-mapping-file.html#Name%20mapping%20file">Name mapping file</a>: Aliases for fonts.
+<li><a accesskey="2" href="Long-naming-scheme.html#Long%20naming%20scheme">Long naming scheme</a>: A way to use more than 8 alphanumerics.
+</ul>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fonts/fontname/Long-naming-scheme.html b/Master/texmf-dist/doc/fonts/fontname/Long-naming-scheme.html
new file mode 100644
index 00000000000..08a230c771a
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/Long-naming-scheme.html
@@ -0,0 +1,72 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="Long%20naming%20scheme">Long naming scheme</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="Name-mapping-file.html#Name%20mapping%20file">Name mapping file</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Long-names.html#Long%20names">Long names</a>
+<hr><br>
+</div>
+
+<h3 class="section">A naming scheme for long names</h3>
+
+<p>Once we allow ourselves long names, we can construct a naming scheme
+to handle arbitrary fonts without much difficulty. Here is one
+proposal, based on the X Window System font naming conventions.
+
+<pre class="example"> <var>supplier</var>-<var>family</var>-<var>weight</var>-<var>variants</var>-<var>width</var>-<var>encoding</var>--<var>size</var>
+ </pre>
+
+ <p><var>supplier</var> is the usual <code>Adobe</code>, <code>Autologic</code>, etc., as
+well as <code>unknown</code> or <code>bizarre</code>--this last meaning the rest of
+the name is nonstandard. If the <var>supplier</var> is missing, i.e., the
+name starts with a <code>-</code>, "public domain" is assumed. For fonts
+made by individuals, the initials of the designer would probably make a
+good <var>supplier</var>.
+
+ <p><var>family</var> is <code>ComputerModern</code> or <code>Times</code> or whatever.
+
+ <p>Everything else is optional. The <code>--</code> before the <var>size</var> lets
+one specify a name with, say, a weight and variants, but then skip the
+<var>width</var> and <var>encoding</var>, but still be able to
+give a size.
+
+ <p><var>weight</var> and <var>width</var> are as described earlier.
+
+ <p>If there is more than one variant, they are separated with some
+character other than <code>-</code>, say <code>=</code>:
+<pre class="example"> B+H-Lucida-Bold-Sans=Typewriter--10
+ </pre>
+
+ <p><var>encoding</var> is what Metafont calls the
+<code>font_coding_scheme</code>--the layout of the characters in the font.
+For example, <code>Cork</code> or <code>ISOLatin1</code> or <code>AdobeAlternate</code>.
+
+ <p>Names are case-sensitive, for consistency with the rest of TeX and
+with PostScript, etc. Spaces cannot be used in the name, to make it
+easier for TeX to parse. Likewise, characters with default category
+codes other than 11 (letter) or 12 (other) should not be used.
+
+ <p>Another possibility is to forget all the above, and simply use the
+vendor's name (perhaps prefixed by the vendor):
+<code>Times-Roman</code>.
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fonts/fontname/Makefile b/Master/texmf-dist/doc/fonts/fontname/Makefile
new file mode 100644
index 00000000000..e398d947952
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/Makefile
@@ -0,0 +1,100 @@
+# Makefile for the fontname document.
+
+# For make install.
+prefix = /usr/local
+infodir = $(prefix)/info
+datadir = $(prefix)/share
+texmf = $(datadir)/texmf
+fontnamedir = $(texmf)/fontname
+psheaderdir = $(texmf)/dvips
+
+INSTALL = install -c
+INSTALL_DATA = $(INSTALL) -m 664
+
+MAKEINFO = /usr/local/gnu/bin/makeinfo
+MAKEINFO_FLAGS = --no-split
+TEXI2DVI = texi2dvi
+TEXI2PDF = texi2dvi --pdf
+TEXI2HTML = $(MAKEINFO) --html
+#TEXI2HTML = texi2html
+#TEXI2HTML_FLAGS = -split_chapter -menu
+
+SHELL = /bin/sh
+
+doc = fontname
+
+default doc all: $(doc).info $(doc)/index.html $(doc).html $(doc).dvi $(doc).pdf
+
+dvi $(doc).dvi: $(doc).texi *.map *.enc
+ $(TEXI2DVI) $(doc).texi
+
+info $(doc).info: $(doc).texi *.map *.enc
+ $(MAKEINFO) $(MAKEINFO_FLAGS) $<
+
+$(doc).html: $(doc).texi *.map *.enc
+ $(TEXI2HTML) --no-split $(doc).texi
+
+$(doc)/index.html: $(doc).texi *.map *.enc
+ $(TEXI2HTML) -o html $(doc).texi
+
+pdf $(doc).pdf: $(doc).texi *.map *.enc
+ $(TEXI2PDF) $(doc).texi
+ for f in $(doc).??; do test -s $$f || rm $$f; done; rm -f $(doc).log
+
+install: info
+ $(SHELL) mkdirchain $(fontnamedir) $(psheaderdir) $(infodir)
+ for m in *.map; do $(INSTALL_DATA) $$m $(fontnamedir)/$$m; done
+ for e in *.enc; do $(INSTALL_DATA) $$e $(psheaderdir)/$$e; done
+ for i in $(doc).info*; do $(INSTALL_DATA) $$i $(infodir)/$$i; done
+
+# Prevent GNU make 3 from overflowing arg limit on system V.
+.NOEXPORT:
+
+distdir = $(fontname)/fontname
+toplevel = $(addprefix ../, \
+ ChangeLog Makefile NEWS README *.enc *.texi *.map *.aka)
+
+dist: $(doc).info check distclean
+ -grep ' ' *.map # check for tabs
+ rm -rf $(distdir)
+ mkdir -p $(distdir)
+ cd $(distdir) && ln -s $(toplevel) .
+ cd $(distdir) && ln -s $(txinfo)/doc/texinfo.tex $(HOME)/bin/mkdirchain .
+# Have to add version number and date before making the Info file.
+ (cd $(distdir) && \
+ add-version $(version) $(doc).texi; \
+ add-date $(doc).texi; \
+ fix-checksum $(doc).texi; \
+ $(MAKE) doc distclean; \
+ ln -s fontname_toc.html index.html; \
+ mv $(doc).texi $(doc)-$(version).texi; \
+ ln -s $(doc)-$(version).texi $(doc).texi)
+ cd $(distdir)/..; basedir=$(notdir $(distdir)); \
+ GZIP=-9 tar chzf $$basedir.tar.gz $$basedir
+# rm -rf $(distdir)
+
+mostlyclean clean:
+ rm -f $(doc).?? *.log #*.dvi
+
+distclean: clean
+ for f in $(doc).??s; do test -s $$f || rm -f $$f; done
+
+extraclean: distclean
+ rm -f *~ \#* patch* *.orig *.rej *.bak *.ckp core a.out
+
+maintainer-clean realclean: distclean
+ rm -f *.info* $(doc).???
+
+old-check:
+ rm -rf testhier
+ mkdir testhier
+ for s in `sed '/^%/d' supplier.map | awk '{print $$2}'`; do \
+ mkdir testhier/$$s; done
+ for t in `sed '/^%/d' typeface.map | awk '{print $$2}'`; do \
+ mkdir testhier/unknown/$$t; done
+ find testhier | doschk
+ rm -rf testhier
+
+check:
+ grep -vh "^@" `ls -1 *.map | egrep -v '(softkey.*|texfonts).map'` | sort | uniq -dw 9
+ -grep ' ' *.map *.texi *.enc
diff --git a/Master/texmf-dist/doc/fonts/fontname/Monotype-fonts.html b/Master/texmf-dist/doc/fonts/fontname/Monotype-fonts.html
new file mode 100644
index 00000000000..fc532920517
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/Monotype-fonts.html
@@ -0,0 +1,1272 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="Monotype%20fonts">Monotype fonts</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="URW-fonts.html#URW%20fonts">URW fonts</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="Linotype-fonts.html#Linotype%20fonts">Linotype fonts</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Font-name-lists.html#Font%20name%20lists">Font name lists</a>
+<hr><br>
+</div>
+
+<h3 class="section">Monotype fonts</h3>
+
+<p>The <code>monotype.map</code> file has abbreviations for Monotype fonts.
+
+<pre class="example">
+
+ mapr8x ApolloMT-Expert MT 1001 ezexp___
+ maprc8a ApolloMT-SC MT 1001 ezi_____
+ mapri8x ApolloMT-ItalicExpert MT 1001 eziof___
+ mapri8a ApolloMT-Italic MT 1001 ezixp___
+ mapr8a ApolloMT MT 1001 ezr_____
+ maprij8a ApolloMT-ItalicOsF MT 1001 ezrsc___
+ maps8a ApolloMT-SemiBold MT 1001 ezsb____
+ mapsj8a ApolloMT-SemiBoldOsF MT 1001 ezsbo___
+ maps8x ApolloMT-SemiBoldExpert MT 1001 ezsbx___
+ mnrrw8a NewBerolinaMT MT 1002 _n______
+ mp1rw8a PalaceScriptMT MT 1002 _p______
+ mp1sw8a PalaceScriptMT-SemiBold MT 1002 _psb____
+ mahrw8a AshleyScriptMT MT 1002 le______
+ mm1rw8a MonolineScriptMT MT 1002 on______
+ mbvr8a BaskervilleMT MT 1003 bas_____
+ mbvb8a BaskervilleMT-Bold MT 1003 basb____
+ mbvbi8a BaskervilleMT-BoldItalic MT 1003 basbi___
+ mbvri8a BaskervilleMT-Italic MT 1003 basi____
+ mbvs8a BaskervilleMT-SemiBold MT 1003 bass____
+ mbvsi8a BaskervilleMT-SemiBoldItalic MT 1003 bassi___
+ mbbr8a Bembo MT 1004 bm______
+ mbbb8a Bembo-Bold MT 1004 bmb_____
+ mbbbi8a Bembo-BoldItalic MT 1004 bmbi____
+ mbbri8a Bembo-Italic MT 1004 bmi_____
+ mbbx8a Bembo-ExtraBold MT 1005 bmeb____
+ mbbxi8a Bembo-ExtraBoldItalic MT 1005 bmebi___
+ mbbs8a Bembo-SemiBold MT 1005 bmsb____
+ mbbsi8a Bembo-SemiBoldItalic MT 1005 bmsbi___
+ mdsrw8a DorchesterScriptMT MT 1006 dsscr___
+ mp2rw8a PepitaMT MT 1006 epscr___
+ mbfrw8a BiffoMT MT 1006 ifscr___
+ mswbw8a SwingMT-Bold MT 1006 swib____
+ ms2bw8a ScriptMT-Bold MT 1006 tbscr___
+ mb1ri8a BladoMT-Italic MT 1007 blai____
+ mpzr8a PoliphilusMT MT 1007 pol_____
+ mvdr8a VanDijckMT MT 1007 van_____
+ mvdri8a VanDijckMT-Italic MT 1007 vani____
+ mbdr8a BodoniMT MT 1008 bod_____
+ mbdb8a BodoniMT-Bold MT 1008 bodb____
+ mbdbi8a BodoniMT-BoldItalic MT 1008 bodbi___
+ mbdri8a BodoniMT-Italic MT 1008 bodi____
+ mbdu8a BodoniMT-UltraBold MT 1009 bodu____
+ mbdui8a BodoniMT-UltraBoldItalic MT 1009 bodui___
+ mbdk8a BodoniMT-Book MT 1009 bodw____
+ mbdki8a BodoniMT-BookItalic MT 1009 bodwi___
+ moxr8a OnyxMT MT 1009 ox______
+ mbdb8ac BodoniMT-CondensedBold MT 1010 bodc____
+ mbdbi8ac BodoniMT-CondensedBoldItalic MT 1010 bodci___
+ mbdc8a BodoniMT-Black MT 1010 bodk____
+ mbdci8a BodoniMT-BlackItalic MT 1010 bodki___
+ mb3r8a BraggadocioMT MT 1011 bra_____
+ mfir8a FigaroMT MT 1011 fig_____
+ mfer8a ForteMT MT 1011 for_____
+ mklr8a KlangMT MT 1011 kla_____
+ mc8b8a CalvertMT-Bold MT 1012 vtb_____
+ mc8l8a CalvertMT-Light MT 1012 vtl_____
+ mc8r8a CalvertMT MT 1012 vtrg____
+ mcnb8a CenturyMT-Bold MT 1013 cenb____
+ mcnbi8a CenturyMT-BoldItalic MT 1013 cenbi___
+ mcnb8ax CenturyMT-Expanded MT 1013 cenx____
+ mcnbi8ax CenturyMT-ExpandedItalic MT 1013 cenxi___
+ mcubi8a CenturyOSMT-BoldItalic MT 1015 cobi____
+ mcur8a CenturyOSMT MT 1015 cos_____
+ mcub8a CenturyOSMT-Bold MT 1015 cosb____
+ mcuri8a CenturyOSMT-Italic MT 1015 cosi____
+ mcdr8a ClarendonMT MT 1016 cld_____
+ meer8a EgyptianMT-Extended MT 1016 egyex___
+ mnnr8a NewClarendonMT MT 1016 ncl_____
+ mnnb8a NewClarendonMT-Bold MT 1016 nclb____
+ mc6r8a ClarionMT MT 1017 cla_____
+ mc6b8a ClarionMT-Bold MT 1017 clab____
+ mc6ri8a ClarionMT-Italic MT 1017 clai____
+ mcfb8a ClearfaceMT-Bold MT 1018 cleb____
+ mcfbs8a ClearfaceGothicMT-Bold MT 1018 clgb____
+ mcfds8a ClearfaceGothicMT-DemiBold MT 1018 clgdb___
+ mcrr8a12 CourierTwelveMT MT 1019 cot_____
+ mtyre8a TypewriterEliteMT MT 1019 tye_____
+ mtyrg8a TypewriterGothicMT MT 1019 tyg_____
+ mtyr8a TypewriterMT MT 1019 typ_____
+ metr8a EhrhardtMT MT 1020 ehr_____
+ metri8a EhrhardtMT-Italic MT 1020 ehri____
+ mets8a EhrhardtMT-SemiBold MT 1020 ehrs____
+ metsi8a EhrhardtMT-SemiBoldItalic MT 1020 ehrsi___
+ menr8a EngraversMT MT 1021 eng_____
+ menb8a EngraversMT-Bold MT 1021 engb____
+ menrf8a EngraversOldEnglishMT MT 1021 engoe___
+ mfsra8a FalstaffMT MT 1022 fprg____
+ mhdr8a HeadlineMT-Bold MT 1022 head____
+ mpdr8ac PlacardMT-Condensed MT 1022 plcc____
+ mpdb8ac PlacardMT-CondensedBold MT 1022 plccb___
+ mgmr8a GaramondMT MT 1023 gar_____
+ mgmb8a GaramondMT-Bold MT 1023 garb____
+ mgmbi8a GaramondMT-BoldItalic MT 1023 garbi___
+ mgmri8a GaramondMT-Italic MT 1023 gari____
+ mgmria8a GaramondMT-AlternativeItalic MT 1023 garit___
+ mgsr8a GillSans MT 1024 gn______
+ mgsb8a GillSans-Bold MT 1024 gnb_____
+ mgsbi8a GillSans-BoldItalic MT 1024 gnbi____
+ mgsri8a GillSans-Italic MT 1024 gni_____
+ mgsl8a GillSans-Light MT 1024 gnl_____
+ mgsli8a GillSans-LightItalic MT 1024 gnli____
+ mgsb8ac GillSans-BoldCondensed MT 1025 gnbc____
+ mgsr8ac GillSans-Condensed MT 1025 gnc_____
+ mgsx8a GillSans-ExtraBold MT 1025 gneb____
+ mgsu8a GillSans-UltraBold MT 1025 gnub____
+ mgsu8ac GillSans-UltraBoldCondensed MT 1025 gnubc___
+ mgrb8a GloucesMT-Bold MT 1026 glb_____
+ mgrb8ac GloucesMT-CondBold MT 1026 glcb____
+ mgrb8ax GloucesMT-ExtendedBold MT 1026 gleb____
+ mgrb8aq GloucesMT-ExtraCondensedBold MT 1026 glecb___
+ mgrr8a GloucesOldStyleMT MT 1026 glos____
+ mg5r8a GoudyCatalogueMT MT 1027 goc_____
+ mg5ri8a GoudyCatalogueMT-Italic MT 1027 goci____
+ mgor8a GoudyOldStyleMT MT 1027 gos_____
+ mgori8a GoudyOldStyleMT-Italic MT 1027 gosi____
+ mgyb8a GoudyMT-Bold MT 1027 goub____
+ mgybi8a GoudyMT-BoldItalic MT 1027 goubi___
+ mg4r8a GoudyModernMT MT 1028 gom_____
+ mg4ri8a GoudyModernMT-Italic MT 1028 gomi____
+ mgyx8a GoudyMT-ExtraBold MT 1028 goueb___
+ mgtr8a GoudyTextMT MT 1028 goutx___
+ mgqr8a GrotesqueMT MT 1029 gq______
+ mgqc8a GrotesqueMT-Black MT 1029 gqb_____
+ mgqb8a GrotesqueMT-Bold MT 1029 gqbl____
+ mgqri8a GrotesqueMT-Italic MT 1029 gqi_____
+ mgql8a GrotesqueMT-Light MT 1029 gql_____
+ mgqli8a GrotesqueMT-LightItalic MT 1029 gqli____
+ mgqc8a GrotesqueMT-Black MT 1030 gqbl____
+ mgqb8ax GrotesqueMT-BoldExtended MT 1030 gqbv____
+ mgqr8ac GrotesqueMT-Condensed MT 1030 gqc_____
+ mgqr8aq GrotesqueMT-ExtraCondensed MT 1030 gqec____
+ mgql8ac GrotesqueMT-LightCondensed MT 1030 gqlc____
+ miir8a ImprintMT MT 1032 im______
+ miib8a ImprintMT-Bold MT 1032 imb_____
+ miibi8a ImprintMT-BoldItalic MT 1032 imbi____
+ miiri8a ImprintMT-Italic MT 1032 imi_____
+ mifr8a InflexMT MT 1033 iqb_____
+ moer8a OldEnglishTextMT MT 1033 mbbou___
+ mosbl8a MonotOldStyleMT-BoldOutline MT 1033 old_____
+ mior8a IonicMT MT 1034 ion_____
+ miob8a IonicMT-Bold MT 1034 ionb____
+ miori8a IonicMT-Italic MT 1034 ioni____
+ misb8a ItalianOldStyleMT-Bold MT 1035 ieb_____
+ misbi8a ItalianOldStyleMT-BoldItalic MT 1035 iebi____
+ misri8a ItalianOldStyleMT-Italic MT 1035 iei_____
+ misr8a ItalianOldStyleMT MT 1035 ierg____
+ mmob8a ModernMT-Bold MT 1036 nmb_____
+ mmobi8a ModernMT-BoldItalic MT 1036 nmbi____
+ mmor8ax ModernMT-Extended MT 1036 nmex____
+ mmori8ax ModernMT-ExtendedItalic MT 1036 nmexi___
+ mnpr8a NewsPlantinMT MT 1038 npl_____
+ mnpb8a NewsPlantinMT-Bold MT 1038 nplb____
+ mnpbi8a NewsPlantinMT-BoldItalic MT 1038 nplbi___
+ mnpri8a NewsPlantinMT-Italic MT 1038 npli____
+ mosr8a OldStyleMT MT 1039 ost_____
+ mosb8a OldStyleMT-Bold MT 1039 ostb____
+ mosbi8a OldStyleMT-BoldItalic MT 1039 ostbi___
+ mosri8a OldStyleMT-Italic MT 1039 osti____
+ mpnr8a Plantin MT 1040 pl______
+ mpnb8a Plantin-Bold MT 1040 plb_____
+ mpnbi8a Plantin-BoldItalic MT 1040 plbi____
+ mpnri8a Plantin-Italic MT 1040 pli_____
+ mpnb8ac Plantin-BoldCondensed MT 1041 plbc____
+ mpnl8a Plantin-Light MT 1041 pll_____
+ mpnli8a Plantin-LightItalic MT 1041 plli____
+ mpns8a Plantin-SemiBold MT 1041 plsb____
+ mpnsi8a Plantin-SemiBoldItalic MT 1041 plsbi___
+ mrwr8a Rockwell MT 1042 rk______
+ mrwb8a Rockwell-Bold MT 1042 rkb_____
+ mrwbi8a Rockwell-BoldItalic MT 1042 rkbi____
+ mrwri8a Rockwell-Italic MT 1042 rki_____
+ mrwl8a Rockwell-Light MT 1042 rkl_____
+ mrwli8a Rockwell-LightItalic MT 1042 rkli____
+ mrwb8ac Rockwell-BoldCondensed MT 1043 rkbc____
+ mrwr8ac Rockwell-Condensed MT 1043 rkc_____
+ mrwx8a Rockwell-ExtraBold MT 1043 rkeb____
+ msbr8a SabonMT MT 1044 sab_____
+ msbri8a SabonMT-Italic MT 1044 sabi____
+ msbs8a SabonMT-SemiBold MT 1044 sabs____
+ msbsi8a SabonMT-SemiBoldItalic MT 1044 sabsi___
+ mntr8a TimesNRMT MT 1046 tim_____
+ mntb8a TimesNRMT-Bold MT 1046 timb____
+ mntbi8a TimesNRMT-BoldItalic MT 1046 timbi___
+ mntri8a TimesNRMT-Italic MT 1046 timi____
+ mntx8a TimesNRMT-ExtraBold MT 1047 timeb___
+ mnts8a TimesNRMT-SemiBold MT 1047 tims____
+ mntsi8a TimesNRMT-SemiBoldItalic MT 1047 timsi___
+ mntb8ac TimesNewRomanMT-BoldCond MT 1048 mtbc____
+ mntr8ac TimesNewRomanMT-Cond MT 1048 mtc_____
+ mntri8ac TimesNewRomanMT-CondItalic MT 1048 mtci____
+ mtwb8a TwCenMT-Bold MT 1049 tcb_____
+ mtwbi8a TwCenMT-BoldItalic MT 1049 tcbi____
+ mtwl8a TwCenMT-Light MT 1049 tcl_____
+ mtwli8a TwCenMT-LightItalic MT 1049 tcli____
+ mtwm8a TwCenMT-Medium MT 1049 tcm_____
+ mtwmi8a TwCenMT-MediumItalic MT 1049 tcmi____
+ mtwb8ac TwCenMT-CondensedBold MT 1050 tccb____
+ mtwm8ac TwCenMT-CondensedMedium MT 1050 tccm____
+ mtws8a TwCenMT-SemiBold MT 1050 tcsb____
+ mtwsm8a TwCenMT-SemiMedium MT 1050 tcsm____
+ mtwx8ac TwCenMT-CondensedExtraBold MT 1051 tcceb___
+ mtwu8ac TwCenMT-CondensedUltraBold MT 1051 tccub___
+ mtwxi8a TwCenMT-ExtraBoldItalic MT 1051 tcebi___
+ mtwu8a TwCenMT-UltraBold MT 1051 tcub____
+ mtwui8a TwCenMT-UltraBoldItalic MT 1051 tcubi___
+ mtwx8a TwCenMT-ExtraBold MT 1051 tweb____
+ mwbr8a WalbaumMT MT 1052 wl______
+ mwbri8a WalbaumMT-Italic MT 1052 wli_____
+ mwbm8a WalbaumMT-Medium MT 1052 wlm_____
+ mwbmi8a WalbaumMT-MediumItalic MT 1052 wlmi____
+ mnsb8a TimesNewRomanPS-Bold MT 1053 mtb_____
+ mnsbi8a TimesNewRomanPS-BoldItalic MT 1053 mtbi____
+ mnsri8a TimesNewRomanPS-Italic MT 1053 mti_____
+ mnsr8a TimesNewRomanPS MT 1053 mtr_____
+ ma1r8a ArialMT MT 1054 ari_____
+ ma1b8a ArialMT-Bold MT 1054 ariab___
+ ma1bi8a ArialMT-BoldItalic MT 1054 aribi___
+ ma1ri8a ArialMT-Italic MT 1054 arii____
+ ma1r8an ArialNarrowMT MT 1055 an______
+ ma1b8an ArialNarrowMT-Bold MT 1055 anb_____
+ ma1ri8an ArialNarrowMT-BoldItalic MT 1055 anbi____
+ ma1bi8an ArialNarrowMT-Italic MT 1055 ani_____
+ mcrr8a CourierPS MT 1058 cr______
+ mcrb8a CourierPS-Bold MT 1058 crb_____
+ mcrbi8a CourierPS-BoldItalic MT 1058 crbi____
+ mcrri8a CourierPS-Italic MT 1058 cri_____
+ msyr SymbolPS MT 1058 syps____
+ mnir8a NimrodMT MT 1061 nim_____
+ mnib8a NimrodMT-Bold MT 1061 nimb____
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+ mpi108 SportsThreeMT MT 1345 sport___
+ mpi302 AquaLifeMT MT 1346 aqua____
+ mpi304 DinosaursMT MT 1346 dino____
+ mpi305 FrontierMT MT 1346 frnt____
+ mpi310 MilestonesOneMT MT 1346 milea___
+ mpi311 MilestonesTwoMT MT 1346 mileb___
+ mpi314 NatureMT MT 1346 nat_____
+ mpi208 OvalFrameMT MT 1346 ovaa____
+ mpi209 OvalFrameNegativeMT MT 1346 ovab____
+ mpi319 PlaytimeMT MT 1346 play____
+ mpi109 SportsFourMT MT 1346 sporfm__
+ mpi321 SouthwestOrnamentsMT MT 1346 sworna__
+ ma1rt8a ArialMonospacedMT MT 1347 arm_____
+ ma1bt8a ArialMonospacedMT-Bold MT 1347 armb____
+ ma1bot8a ArialMonospacedMT-BoldObliq MT 1347 armbo___
+ ma1rot8a ArialMonospacedMT-Oblique MT 1347 armo____
+ mpwr8ac PerrywoodMT-Condensed MT 1348 pwc_____
+ mpwb8ac PerrywoodMT-BoldCondensed MT 1348 pwcb____
+ mpwbi8ac PerrywoodMT-BoldItalicCon MT 1348 pwcbi___
+ mpwri8ac PerrywoodMT-ItalicCondensed MT 1348 pwci____
+ mpwx8ac PerrywoodMT-ExtraBoldCon MT 1349 pwce____
+ mpwxi8ac PerrywoodMT-ExtraBoldItaCon MT 1349 pwcei___
+ mpwl8ac PerrywoodMT-LightCondensed MT 1349 pwcl____
+ mpwli8ac PerrywoodMT-LightItalicCon MT 1349 pwcli___
+ mpws8ac PerrywoodMT-SemiBoldCon MT 1349 pwcs____
+ mpwsi8ac PerrywoodMT-SemiBoldItaCon MT 1349 pwcsi___
+ mpwr8ax PerrywoodMT-Expanded MT 1350 pwe_____
+ mpwb8ax PerrywoodMT-BoldExpanded MT 1350 pweb____
+ mpwbi8ax PerrywoodMT-BoldItalicExp MT 1350 pwebi___
+ mpwri8ax PerrywoodMT-ItalicExpanded MT 1350 pwei____
+ mpwx8ax PerrywoodMT-ExtraBoldExp MT 1351 pwee____
+ mpwxi8ax PerrywoodMT-ExtraBoldItaExp MT 1351 pweei___
+ mpwl8ax PerrywoodMT-LightExpanded MT 1351 pwel____
+ mpwli8ax PerrywoodMT-LightItalicExp MT 1351 pweli___
+ mpws8ax PerrywoodMT-SemiBoldExp MT 1351 pwes____
+ mpwsi8ax PerrywoodMT-SemiBoldItaExp MT 1351 pwesi___
+ mgsr8a GillSansCyrMT MT 1356 gcy_____
+ mgsb8a GillSansCyrMT-Bold MT 1356 gcyb____
+ mgsbi8a GillSansCyrMT-BoldInclined MT 1356 gcybi___
+ mgsri8a GillSansCyrMT-Inclined MT 1356 gcyi____
+ mgsl8a GillSansCyrMT-Light MT 1356 gcyl____
+ mgsli8a GillSansCyrMT-LightIncl MT 1356 gcyli___
+ mhob8a HorleyOldStyleMT-Bold MT 1357 hsb_____
+ mhobi8a HorleyOldStyleMT-BoldItalic MT 1357 hsbi____
+ mhori8a HorleyOldStyleMT-Italic MT 1357 hsi_____
+ mhol8a HorleyOldStyleMT-Light MT 1357 hsl_____
+ mholi8a HorleyOldStyleMT-LightItalic MT 1357 hsli____
+ mhor8a HorleyOldStyleMT MT 1357 hsrg____
+ mhosi8a HorleyOldStyleMT-SbItalic MT 1357 hssb____
+ mhos8a HorleyOldStyleMT-SemiBold MT 1357 hssbi___
+ m_____ GillFloriatedCapsMT MT 1363 gilf____
+ m_____ GillFloriatedCapsMT-Alt MT 1363 gilfa___
+ m_____ MonotypeGallia MT 1364 gall____
+ mbwr8a MonotypeBroadway MT 1365 broa____
+ mbwre8a MonotypeBroadway-Engraved MT 1365 broae___
+ m_____ CurlzMT-Regular MT 1367 crl_____
+ m_____ KidprintMT-Regular MT 1368 kidp____
+ m_____ KidprintMT-Bold MT 1368 kidpb___
+ mgsbij8a GillSans-BoldItalicOsF MT 1369 gnbio___
+ mgsbc8a GillSans-BoldSC MT 1369 gnbsc___
+ mgsrij8a GillSans-ItalicOsF MT 1369 gnio____
+ mgslij8a GillSans-LightItalicOsF MT 1369 gnlio___
+ mgslc8a GillSans-LightSC MT 1369 gnlsc___
+ mgsrc8a GillSans-SC MT 1369 gnsc____
+ mcrb8a CourierLD-Bold MT 1371 cldb____
+ mcrbi8a CourierLD-BoldItalic MT 1371 cldbi___
+ mcrri8a CourierLD-Italic MT 1371 cldi____
+ mcrr8a CourierLD-Regular MT 1371 cldr____
+ mgshij8a GillSans-HeavyItalicOsF MT 1372 gnhio___
+ mgshc8a GillSans-HeavySC MT 1372 gnhsc___
+ mgskij8a GillSans-BookItalicOsF MT 1372 gnwio___
+ mgskc8a GillSans-BookSC MT 1372 gnwsc___
+ m_____ GillFaciaMT-Italic MT 1373 gfai____
+ m_____ GillFaciaMT-ItalicAlt MT 1373 gfaia___
+ m_____ GillFaciaMT-ItalicDisplay MT 1373 gfaid___
+ m_____ GillFaciaMT-Regular MT 1373 gfar____
+ m_____ GillFaciaMT-RegularAlt MT 1373 gfara___
+ m_____ GillFaciaMT-RegularDisplay MT 1373 gfard___
+ m_____ GillFaciaMT-ItDisplayAlt MT 1373 gfida___
+ m_____ GillFaciaMT-RegDisplayAlt MT 1373 gfrda___
+ mngr8a NewsGothicMT MT 1374 nwg_____
+ mngb8a NewsGothicMT-Bold MT 1374 nwgb____
+ mngb8a NewsGothicMT-BoldItalic MT 1374 nwgbi___
+ mngri8a NewsGothicMT-Italic MT 1374 nwgi____
+ m_____ AlbertinaMT-Bold MT 1378 abb_____
+ m_____ AlbertinaMT-BoldItalic MT 1378 abbi____
+ m_____ AlbertinaMT-BoldItalicOsF MT 1378 abbio___
+ m_____ AlbertinaMT-BoldItalicSC MT 1378 abbis___
+ m_____ AlbertinaMT-BoldOsF MT 1378 abbos___
+ m_____ AlbertinaMT-BoldSC MT 1378 abbsc___
+ m_____ AlbertinaMT-Italic MT 1378 abi_____
+ m_____ AlbertinaMT-ItalicOsF MT 1378 abios___
+ m_____ AlbertinaMT-ItalicSC MT 1378 abisc___
+ m_____ AlbertinaMT-Medium MT 1378 abm_____
+ m_____ AlbertinaMT-MediumItalic MT 1378 abmi____
+ m_____ AlbertinaMT-MediumItalicOsF MT 1378 abmio___
+ m_____ AlbertinaMT-MediumItalicSC MT 1378 abmis___
+ m_____ AlbertinaMT-MediumOsF MT 1378 abmos___
+ m_____ AlbertinaMT-MediumSC MT 1378 abmsc___
+ m_____ AlbertinaMT-Regular MT 1378 abr_____
+ m_____ AlbertinaMT-RegularOsF MT 1378 abros___
+ m_____ AlbertinaMT-RegularSC MT 1378 abrsc___
+ mngr__ NewsGothicCE MT 1379 ngu_____
+ mngb__ NewsGothicCE-Bold MT 1379 ngub____
+ mngbi__ NewsGothicCE-BoldItalic MT 1379 ngubi___
+ mngri__ NewsGothicCE-Italic MT 1379 ngui____
+ mngrk NewsGothicGre MT 1380 ngg_____
+ mngbk NewsGothicGre-Bold MT 1380 nggb____
+ mngbik NewsGothicGre-BoldInclined MT 1380 nggbi___
+ mngrik NewsGothicGre-Inclined MT 1380 nggi____
+ mngrz NewsGothicCyr MT 1381 ngc_____
+ mngbz NewsGothicCyr-Bold MT 1381 ngcb____
+ mngbiz NewsGothicCyr-BoldInclined MT 1381 ngcbi___
+ mngriz NewsGothicCyr-Inclined MT 1381 ngci____
+ m_____ BuffaloGalMT MT 1382 bufg____
+ mrwr__ RockwellTur MT 1383 rkt_____
+ mrwb__ RockwellTur-Bold MT 1383 rktb____
+ mrwbi__ RockwellTur-BoldItalic MT 1383 rktbi___
+ mrwri__ RockwellTur-Italic MT 1383 rkti____
+ mrwl__ RockwellTur-Light MT 1383 rktl____
+ mrwli__ RockwellTur-LightItalic MT 1383 rktli___
+ mrwr__ RockwellCE MT 1383 rku_____
+ mrwb__ RockwellCE-Bold MT 1383 rkub____
+ mrwbi__ RockwellCE-BoldItalic MT 1383 rkubi___
+ mrwri__ RockwellCE-Italic MT 1383 rkui____
+ mrwl__ RockwellCE-Light MT 1383 rkul____
+ mrwli__ RockwellCE-LightItalic MT 1383 rkuli___
+ mo4bij8a OceanSansMT-BoldItalicOsF MT 1397 oebio___
+ mo4bic8a OceanSansMT-BoldItalicSC MT 1397 oebis___
+ mo4bj8a OceanSansMT-BoldOsF MT 1397 oebo____
+ mo4bc8a OceanSansMT-BoldSC MT 1397 oebs____
+ mo4kij8a OceanSansMT-BookItalicOsF MT 1397 oekio___
+ mo4kic8a OceanSansMT-BookItalicSC MT 1397 oekis___
+ mo4kj8a OceanSansMT-BookOsF MT 1397 oeko____
+ mo4kc8a OceanSansMT-BookSC MT 1397 oeks____
+ mo4lij8a OceanSansMT-LightItalicOsF MT 1398 oelio___
+ mo4lic8a OceanSansMT-LightItalicSC MT 1398 oelis___
+ mo4lj8a OceanSansMT-LightOsF MT 1398 oelo____
+ mo4lc8a OceanSansMT-LightSC MT 1398 oels____
+ mo4sij8a OceanSansMT-SemiBoldItaOsF MT 1398 oesio___
+ mo4sic8a OceanSansMT-SemiBoldItaSC MT 1398 oesis___
+ mo4sj8a OceanSansMT-SemiBoldOsF MT 1398 oeso____
+ mo4sc8a OceanSansMT-SemiBoldSC MT 1398 oess____
+ mo4xij8a OceanSansMT-ExtraBoldItaOsF MT 1398 oexio___
+ mo4xic8a OceanSansMT-ExtraBoldItaSC MT 1398 oexis___
+ mo4xj8a OceanSansMT-ExtraBoldOsF MT 1398 oexo____
+ mo4xc8a OceanSansMT-ExtraBoldSC MT 1398 oexs____
+ mgmrz GaramondCyrMT-Regular MT 1401 gac_____
+ mgmbz GaramondCyrMT-Bold MT 1401 gacb____
+ mgmriz GaramondCyrMT-Inclined MT 1401 gaci____
+ mgmrk GaramondDualGreekMT-Regular MT 1402 gad_____
+ mgmbk GaramondDualGreekMT-Bold MT 1402 gadb____
+ mgmrik GaramondDualGreekMT-Incl MT 1402 gadi____
+ mgmr__ GaramondCEMT-Regular MT 1403 gae_____
+ mgmb__ GaramondCEMT-Bold MT 1403 gaeb____
+ mgmri__ GaramondCEMT-Italic MT 1403 gaei____
+ mgmr__ GaramondTurMT-Regular MT 1403 gat_____
+ mgmb__ GaramondTurMT-Bold MT 1403 gatb____
+ mgmri__ GaramondTurMT-Italic MT 1403 gati____
+ mngr8ac NewsGothicMT-Condensed MT 1451 ngoc____
+ mngb8ac NewsGothicMT-CondensedBold MT 1451 ngocb___
+ m_____ MahsuriSansMT-Bold MT 1454 msb_____
+ m_____ MahsuriSansMT-BoldItalic MT 1454 msbi____
+ m_____ MahsuriSansMT-BoldItalicOsF MT 1454 msbio___
+ m_____ MahsuriSansMT-BoldOsF MT 1454 msbo____
+ m_____ MahsuriSansMT-Italic MT 1454 msi_____
+ m_____ MahsuriSansMT-ItalicOsF MT 1454 msio____
+ m_____ MahsuriSansMT-Light MT 1454 msl_____
+ m_____ MahsuriSansMT-LightItalic MT 1454 msli____
+ m_____ MahsuriSansMT-LightItalicOsF MT 1454 mslio___
+ m_____ MahsuriSansMT-LightOsF MT 1454 mslo____
+ m_____ MahsuriSansMT-Regular MT 1454 msr_____
+ m_____ MahsuriSansMT-RegularOsF MT 1454 msro____
+ m_____ MahsuriSansMT-ExtraBold MT 1454 msx_____
+ m_____ MahsuriSansMT-ExtraBoldItalic MT 1454 msxi____
+ m_____ MahsuriSansMT-ExtBoldItaOsF MT 1454 msxio___
+ m_____ MahsuriSansMT-ExtraBoldOsF MT 1454 msxo____
+ mu0r8a ColumbusMT MT 1492 cu______
+ mu0b8a ColumbusMTBold MT 1492 cub_____
+ mu0bi8a ColumbusMTBoldItalic MT 1492 cubi____
+ mu0ri8a ColumbusMTItalic MT 1492 cui_____
+ mu0s8a ColumbusMTSemiBold MT 1492 cus_____
+ mu0si8a ColumbusMTSemiBoldItalic MT 1492 cusi____
+ mpi001 ArabesqueOrnamentsOneMT ornaments
+ mpi002 ArabesqueOrnamentsTwoMT ditto
+ mpi003 ArabesqueOrnamentsThreeMT ditto
+ mpi004 RococoOrnamentsOneMT ornaments
+ mpi005 RococoOrnamentsTwoMT ditto
+ mpi006 RococoOrnamentsThreeMT ditto
+ mpi007 ChristmasOrnamentsMT-One ornaments
+ mpi008 ChristmasOrnamentsMT-Two ditto
+ mpi009 ChristmasOrnamentsMT-Three ditto
+ mpi010 ChristmasOrnamentsMT-Four ditto
+ mpi011 ChristmasOrnamentsMT-Five ditto
+ mpi012 ChristmasOrnamentsMT-Six ditto
+ mpi013 ContemporaryOrnMT-One ornaments
+ mpi014 ContemporaryOrnMT-Two ditto
+ mpi015 ContemporaryOrnMT-Three ditto
+ mpi016 ContemporaryOrnMT-Four ditto
+ mpi017 ContemporaryOrnMT-Five ditto
+ mpi101 AlmanacMT zodiac
+ mpi102 BotanicalMT flowers
+ mpi103 DirectionsMT arrows &amp; pointers
+ mpi104 SportsOneMT sports
+ mpi105 SportsTwoMT ditto
+ mpi106 TransportMT signs
+ mpi107 VacationMT signs
+ mpi108 SportsThreeMT sports
+ mpi109 SportsFourMT ditto
+ mpi201 CircleFrameMT circled numerals
+ mpi202 CircleFrameNegMT ditto
+ mpi203 SquareFrameMT squared numerals
+ mpi204 SquareFrameNegMT ditto
+ mpi205 DiamondBodoni bullets &amp; markers
+ mpi206 DiamondPositive ditto
+ mpi207 DiamondNegative ditto
+ mpi208 OvalFrameMT circled numerals
+ mpi209 OvalFrameNegativeMT ditto
+ mpi300 Giddyup-ThangsMT cowboys &amp; indians
+ mpi301 PetrucchioMT ???
+ mpi302 AquaLifeMT fish
+ mpi303 BonApetit food
+ mpi304 DinosaursMT dinosaurs
+ mpi305 FrontierMT cowboys &amp; indians
+ mpi306 Holidays greeting cards
+ mpi307 KeystrokesExtrasMT keyboards
+ mpi308 KeystrokesMT ditto
+ mpi309 Melodies musical instruments
+ mpi310 MilestonesOneMT clip art
+ mpi311 MilestonesTwoMT ditto
+ mpi312 MonkeyBusiness animals
+ mpi313 MonotypeSorts dingbats
+ mpi314 NatureMT animals
+ mpi315 Parties clip art
+ mpi316 BingoMT clip art
+ mpi317 BongoMT clip art
+ mpi318 PieMT food &amp; drinks
+ mpi319 PlaytimeMT toys
+ mpi320 SignsMT signs
+ mpi321 SouthwestOrnamentsMT geometric ornaments
+ mpi322 KeystrokesShadowExtrasMT keyboards
+ mpi323 KeystrokesShadowMT ditto
+ </pre>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fonts/fontname/Name-mapping-file.html b/Master/texmf-dist/doc/fonts/fontname/Name-mapping-file.html
new file mode 100644
index 00000000000..0142a0fc119
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/Name-mapping-file.html
@@ -0,0 +1,57 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="Name%20mapping%20file">Name mapping file</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="Long-naming-scheme.html#Long%20naming%20scheme">Long naming scheme</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Long-names.html#Long%20names">Long names</a>
+<hr><br>
+</div>
+
+<h3 class="section">A fontname mapping file</h3>
+
+<p>At the moment, most implementations of TeX look up a TFM file (as
+part of the <code>\font</code> command), by searching for a file with the name
+given by the user (possibly in any of series of directories). But if we
+also looked TFM names up in <em>another</em> file (or set of files), which
+specifies the actual filename, the fontname given in the TeX source
+file could be almost anything at all, of any length.
+
+ <p>In version 5.851d of Web2c, I implemented this mapping file. Each file
+<code>texfonts.map</code> in a search path is read for abbreviations. The file
+has a straightforward format: each line specifies the filename and the
+TeX name for one font, separated by whitespace. Extra information on
+the line is ignored; then more information could be specified for the
+benefit of DVI-reading programs in the same file. Comments start with
+<code>%</code> and continue to the end of the line.
+
+ <p>Besides allowing long names, this sort of mapping file has other
+benefits. TeX source or DVI files can be more easily transported,
+because the font names in a particular file can be made work on every
+system. Also, when combined with a consistent naming scheme, macros
+could be written to access any of a number of fonts. Right now, each
+font family has to have specialized macros written to deal with it.
+
+ <p>Incidentally, Professor Knuth has approved this as a legitimate
+"system-dependent" extension; a TeX with such a feature can still
+be called "TeX".
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fonts/fontname/References.html b/Master/texmf-dist/doc/fonts/fontname/References.html
new file mode 100644
index 00000000000..19bb42876fa
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/References.html
@@ -0,0 +1,66 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="References">References</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="History.html#History">History</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Introduction.html#Introduction">Introduction</a>
+<hr><br>
+</div>
+
+<h3 class="section">References</h3>
+
+<p>Related files and distributions:
+
+ <ul>
+<li>The TeX Directory Structure (TDS) standard, available at
+(<a href="ftp://tug.org/tex/tds">ftp://tug.org/tex/tds</a> and <code></code><var>CTAN:</var><code>/tds</code>)
+specifies a directory tree for all TeX library files. The directory
+names given in <a href="Suppliers.html#Suppliers">Suppliers</a> and <a href="Typefaces.html#Typefaces">Typefaces</a> are intended to mesh
+with that standard.
+
+ <li>The <code>modes.mf</code> file (<a href="ftp://tug.org/tex/modes.mf">ftp://tug.org/tex/modes.mf</a>)
+contains recommended mode names to use as directory names.
+
+ <li>The PSfonts distribution (<code></code><var>CTAN:</var><code>/fonts/psfonts</code>) contains
+TeX support for many fonts, both commercially available and free.
+
+ <li>The Fontinst distribution (<code></code><var>CTAN:</var><code>/fonts/utilities/psfonts</code>)
+supports quite general creation of virtual fonts, named according to the
+scheme given here.
+
+ <li>The Dvips translator (original at
+<a href="ftp://labrea.stanford.edu/pub/dvips*.tar.gz">ftp://labrea.stanford.edu/pub/dvips*.tar.gz</a> and variation at
+<a href="ftp://tug.org/tex/dvipsk.tar.gz">ftp://tug.org/tex/dvipsk.tar.gz</a>) supports resident and
+downloadable PostScript fonts. Dvips was the first real application of
+Fontname 1. Dvips also includes Afm2tfm, another program that can
+create virtual fonts.
+
+ <li>The Dviljk processor (<a href="ftp://tug.org/tex/dviljk.tar.gz">ftp://tug.org/tex/dviljk.tar.gz</a>)
+contains TeX support for the fonts built into the LaserJet 4.
+
+ <li>`Designing New Typefaces with Metafont', by Richard Southall,
+Stanford Computer Science Department Technical Report STAN-CS-85-1074,
+September 1985, for a comprehensive terminology of font design.
+
+ </ul>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fonts/fontname/Standard-PostScript-fonts.html b/Master/texmf-dist/doc/fonts/fontname/Standard-PostScript-fonts.html
new file mode 100644
index 00000000000..9ccb926452e
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/Standard-PostScript-fonts.html
@@ -0,0 +1,108 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="Standard%20PostScript%20fonts">Standard PostScript fonts</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="Adobe-fonts.html#Adobe%20fonts">Adobe fonts</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Font-name-lists.html#Font%20name%20lists">Font name lists</a>
+<hr><br>
+</div>
+
+<h3 class="section">Standard PostScript fonts</h3>
+
+<p>Abbreviated names for the 35 standard PostScript fonts. An encoding
+variant, such as <code>8a</code> for the Adobe <code>StandardEncoding</code>, is
+omitted.
+
+ <dl>
+<dt><code>pagk</code>
+ <dd> <code>AvantGarde-Book</code>
+<br><dt><code>pagko</code>
+ <dd> <code>AvantGarde-BookOblique</code>
+<br><dt><code>pagd</code>
+ <dd> <code>AvantGarde-Demi</code>
+<br><dt><code>pagdo</code>
+ <dd> <code>AvantGarde-DemiOblique</code>
+<br><dt><code>pbkd</code>
+ <dd> <code>Bookman-Demi</code>
+<br><dt><code>pbkdi</code>
+ <dd> <code>Bookman-DemiItalic</code>
+<br><dt><code>pbkl</code>
+ <dd> <code>Bookman-Light</code>
+<br><dt><code>pbkli</code>
+ <dd> <code>Bookman-LightItalic</code>
+<br><dt><code>pcrb</code>
+ <dd> <code>Courier-Bold</code>
+<br><dt><code>pcrbo</code>
+ <dd> <code>Courier-BoldOblique</code>
+<br><dt><code>pcrr</code>
+ <dd> <code>Courier</code>
+<br><dt><code>pcrro</code>
+ <dd> <code>Courier-Oblique</code>
+<br><dt><code>phvb</code>
+ <dd> <code>Helvetica-Bold</code>
+<br><dt><code>phvbo</code>
+ <dd> <code>Helvetica-BoldOblique</code>
+<br><dt><code>phvbrn</code>
+ <dd> <code>Helvetica-NarrowBold</code>
+<br><dt><code>phvbon</code>
+ <dd> <code>Helvetica-NarrowBoldOblique</code>
+<br><dt><code>phvr</code>
+ <dd> <code>Helvetica</code>
+<br><dt><code>phvro</code>
+ <dd> <code>Helvetica-Oblique</code>
+<br><dt><code>phvrrn</code>
+ <dd> <code>Helvetica-Narrow</code>
+<br><dt><code>phvron</code>
+ <dd> <code>Helvetica-NarrowOblique</code>
+<br><dt><code>pncb</code>
+ <dd> <code>NewCenturySchlbk-Bold</code>
+<br><dt><code>pncbi</code>
+ <dd> <code>NewCenturySchlbk-BoldItalic</code>
+<br><dt><code>pncri</code>
+ <dd> <code>NewCenturySchlbk-Italic</code>
+<br><dt><code>pncr</code>
+ <dd> <code>NewCenturySchlbk-Roman</code>
+<br><dt><code>pplb</code>
+ <dd> <code>Palatino-Bold</code>
+<br><dt><code>pplbi</code>
+ <dd> <code>Palatino-BoldItalic</code>
+<br><dt><code>pplri</code>
+ <dd> <code>Palatino-Italic</code>
+<br><dt><code>pplr</code>
+ <dd> <code>Palatino-Roman</code>
+<br><dt><code>psyr</code>
+ <dd> <code>Symbol</code>
+<br><dt><code>ptmb</code>
+ <dd> <code>Times-Bold</code>
+<br><dt><code>ptmbi</code>
+ <dd> <code>Times-BoldItalic</code>
+<br><dt><code>ptmri</code>
+ <dd> <code>Times-Italic</code>
+<br><dt><code>ptmr</code>
+ <dd> <code>Times-Roman</code>
+<br><dt><code>pzcmi</code>
+ <dd> <code>ZapfChancery-MediumItalic</code>
+<br><dt><code>pzdr</code>
+ <dd> <code>ZapfDingbats</code>
+</dl>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fonts/fontname/Suppliers.html b/Master/texmf-dist/doc/fonts/fontname/Suppliers.html
new file mode 100644
index 00000000000..d1e246911bb
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/Suppliers.html
@@ -0,0 +1,98 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="Suppliers">Suppliers</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="Typefaces.html#Typefaces">Typefaces</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Filenames-for-fonts.html#Filenames%20for%20fonts">Filenames for fonts</a>
+<hr><br>
+</div>
+
+<h3 class="section">Suppliers</h3>
+
+<p>The <dfn>supplier</dfn> is the source of a font, typically a (digital) type
+foundry.
+
+ <p>You should use the supplier letter which matches the supplier you
+obtained the font from, not the original source; for example, Avant
+Garde was designed by Herb Lubalin for ITC, but Adobe also sells it.
+The name of the font that you get from Adobe should start with <code>p</code>.
+This is because font resellers typically make modifications to the
+original design.
+
+ <p>Notes on specific suppliers:
+
+ <dl>
+<dt><code>f</code>
+ <dd>For fonts that are distributed without any specific attribution to the
+creator, by individuals, or by small foundries. (Unfortunately, we
+don't have enough characters to assign one to every font
+supplier in the world.)
+
+ <br><dt><code>r</code>
+ <dd>obsolete; specifies raw fonts, in the old distribution of Dvips. New
+fonts should never use <code>r</code>. (The right thing to do is specify the
+correct encoding, variant, or whatever the font's characteristics
+actually are.)
+
+ <br><dt><code>z</code>
+ <dd>for fonts that just don't fit well into the naming scheme. The <code>z</code>
+should be followed by the real supplier letter.
+</dl>
+
+ <p>Here is the table from the file <code>supplier.map</code>. It is organized
+alphabetically by abbreviation. Each line consists of an abbreviation,
+directory name, and comment.
+
+<pre class="example">
+
+ 0 fontfont FontFont
+ 5 softmake Softmaker
+ 9 unknown
+ a autologi Autologic
+ b bitstrea Bitstream
+ c cg Compugraphic
+ d dtc Digital Typeface Corporation
+ e apple Apple
+ f public small foundries
+ g gnu Free Software Foundation
+ h bh Bigelow &amp; Holmes
+ i itc International Typeface Corporation
+ j microsft Microsoft
+ k softkey SoftKey
+ l linotype Linotype
+ m monotype Monotype
+ n ibm IBM
+ o corel Corel
+ p adobe Adobe (<code>p</code> for PostScript)
+ r - raw (for [obsolete] use with virtual fonts)
+ s sun Storm Type
+ t paragrap ParaGraph
+ u urw URW
+ w wolfram Wolfram
+ z - bizarre (fontname is nonstandard)
+ - autofont Eddie Kohler's <tt>autofont</tt> program
+ - jknappen Joerg Knappen
+ - mnm Hong Feng, free software in China
+ - yandy Y&amp;Y
+ </pre>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fonts/fontname/Typefaces.html b/Master/texmf-dist/doc/fonts/fontname/Typefaces.html
new file mode 100644
index 00000000000..8eb541fec57
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/Typefaces.html
@@ -0,0 +1,694 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="Typefaces">Typefaces</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="Weights.html#Weights">Weights</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="Suppliers.html#Suppliers">Suppliers</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Filenames-for-fonts.html#Filenames%20for%20fonts">Filenames for fonts</a>
+<hr><br>
+</div>
+
+<h3 class="section">Typefaces</h3>
+
+<p>For our purposes, a <dfn>typeface</dfn> is a collection of related fonts.
+
+ <p>We sometimes use the same typeface abbreviation for fonts with different
+supplier names, where we know (usually by inspection) that the fonts
+truly are the same. This helps conserve abbreviations.
+
+ <p>Notes on specific typefaces:
+
+ <dl>
+<dt><code>ad</code>
+ <dd><dt><code>gm</code>
+ <dd>To explain a common confusion: <code>ad</code> is Adobe Garamond (with a
+<code>FontName</code> of <code>AGaramond</code>). This is quite different from the
+<code>Garamond</code> typeface distributed by Adobe, which is actually ITC
+Garamond. (Garamond No. 3 (<code>f3</code>), Simoncini Garamond
+(<code>ig</code>), and Stempel Garamond (<code>eg</code>) are still other
+variations on the Garamond theme.)
+
+ <br><dt><code>lh</code>
+ <dd><dt><code>ls</code>
+ <dd><dt><code>lx</code>
+ <dd><dt><code>r1</code>
+ <dd>These abbreviations for Lucida typeface subfamilies, et al., solve a
+problem with names getting too long, or help conserve variant
+abbreviations. See <a href="Variants.html#Variants">Variants</a>. Ideally, they would not exist.
+
+ <br><dt><code>ns</code>
+ <dd><dt><code>nt</code>
+ <dd><dt><code>tm</code>
+ <dd>Suppliers offer as many variations on the Times New Roman design as they
+do Garamond. Adobe has <code>Times</code>, <code>TimesNewRoman</code>, and
+<code>TimesNewRomanPS</code>. Although this last has been used by other
+foundries (e.g., Monotype) for a Times variation exactly compatible with
+Adobe's <code>Times</code>, Adobe itself also offers it, so we must have
+abbreviations for all three.
+
+ <br><dt><code>pi</code>
+ <dd>For pi fonts. Since names of pi fonts are rather arbitrary, it is
+not useful to try to assign typeface abbreviations to all of
+them. Instead, we use the supplier letter, <code>pi</code>, an
+arbitarily-assigned three-digit number, a weight and (if necessary) a
+variant. For example, <code>mpi001r</code>. Pi font <code>001</code> for one
+supplier has nothing to do with pi font <code>001</code> for another.
+</dl>
+
+ <p>Here is the table, from the file <code>typeface.map</code>. It is organized
+alphabetically by abbreviation. Each line consists of an abbreviation
+and directory name, possibly followed by PostScript <code>FontName</code>s
+and/or a comment in roman. The <code>FontName</code> may be preceded by a
+letter <var>s</var> and a <code>:</code>, as in <code>b:Dutch</code>. In that case, the
+<var>s</var> is a supplier abbreviation, and we've used that abbreviation for
+the given <code>FontName</code> from that supplier.
+
+<pre class="example">
+
+ a1 arial Arial
+ a2 amasis Amasis
+ a3 adlib AdLib
+ a4 altgoth2 AlternateGothicNo2
+ a5 allegro Allegro
+ a6 amelia Amelia
+ a7 amertext AmericanText
+ a8 aurora Aurora
+ a9 adsans Adsans b:Humanist970BT
+ aa aachen Aachen
+ ab aboeckli ArnoldBoecklin
+ ac acaslon ACaslon Adobe Caslon
+ ad agaramon AGaramond Adobe Garamond
+ ae andalemo AndaleMono
+ ag avantgar AvantGarde m:MAvantGardeGothicPS u:URWGothicL
+ ah ashleysc AshleyScript
+ ai abadi Abadi
+ aj ajenson AJenson
+ ak arkona Arkona
+ al albertus Albertus b:Flareserif821BT
+ am amercana Americana b:Americana
+ an anna Anna
+ ao atqolive AntiqueOlive b:Incised901BT
+ ap apollo Apollo
+ aq antiqua Antiqua u:URWAntiqua m:BookAntiqua
+ ar arcadia Arcadia
+ as aldus Aldus
+ at atypewri AmericanTypewriter
+ au auriol Auriol b:Freeform721
+ av avenir Avenir
+ ax alexa Alexa
+ az azdzgrot AkzidenzGrotesk b:Gothic725BT
+ b0 blackoak Blackoak
+ b1 blado Blado
+ b2 binnyos BinnyOldStyle
+ b3 braggado Braggadocio
+ b4 bison Bison b:Brush738BT
+ b5 binghams BinghamScript b:Freehand591BT
+ b6 block Block b:Gothic821
+ b7 bernhard Bernhard BernhardModern
+ b8 blippo Blippo
+ b9 bremen Bremen
+ ba barmeno Barmeno
+ bb bembo Bembo b:Aldine401BT
+ bc banco Banco
+ bd bodoni Bodoni
+ be bell Bell
+ bf biffo Biffo
+ bg benguiat Benguiat
+ bh bauhaus Bauhaus
+ bi birch Birch
+ bj birka Birka
+ bk bookman Bookman m:MBookmanPS u:URWBookmanL
+ bl belwe Belwe
+ bm bulmer Bulmer
+ bn bernard Bernard
+ bo balloon Balloon
+ bp bodocamp BodoniCampanile b:Modern735
+ br berling Berling b:Revival565BT
+ bs bakersig BakerSignet
+ bt boton Boton
+ bu brush BrushScript
+ bv baskervi Baskerville
+ bw broadway Broadway
+ by berkeley Berkeley
+ bz balzano Balzano
+ c0 carolina Carolina
+ c1 calisto Calisto
+ c2 casln224 CaslonTwoTwentyFour
+ c3 caslon3 CaslonThree
+ c4 chicago Chicago
+ c5 casln540 CaslonFiveForty
+ c6 clarion Clarion
+ c7 compacta Compacta
+ c8 calvert Calvert
+ c9 codex Codex b:Calligraphic421BT
+ ca caslon Caslon
+ cb cooper Cooper
+ cc cascade Cascade b:Freehand471BT
+ cd clarendo Clarendon
+ ce centenni Centennial
+ cf clearfac Clearface
+ cg charlema Charlemagne
+ ch charter Charter
+ ci candida Candida
+ ck caslonbe CaslonBookBE
+ cl cloister Cloister
+ cm cm Computer Modern
+ cn century Century
+ co cochin Cochin
+ cp copperpl Copperplate
+ cq cheq Cheq
+ cr courier Courier m:MCourierPS m:CourierTwelveMT u:NumbusMonL
+ cs cntursbk CenturySchoolbook
+ ct cheltenh Cheltenham
+ cu centuros CenturyOldStyle
+ cv clairvx Clairvaux
+ cw cottonwd Cottonwood
+ cx caxton Caxton
+ cy city City b:SquareSlabserif711BT
+ cz choc Choc b:Staccato555BT
+ d0 davida DavidaBold
+ dc domcasl Dom DomCasual DomDiagonal
+ dd ducberry DucDeBerry
+ de dellarob DellaRobbia
+ di diotima Diotima b:Calligraphic810BT
+ dj delta Delta
+ dk diskus Diskus
+ dl dolores Dolores
+ dm delima Delima
+ do didot DidotLH
+ dr doric Doric
+ ds dorchesc DorchesterScript
+ dt dante Dante
+ dy academy Academy
+ e0 embassy Embassy
+ e1 empire Empire
+ e2 metatwo Meta2
+ ea electra Electra b:Transitional521BT
+ eb baskerbe BaskervilleBE
+ ec applecha e:AppleChancery
+ ee egyptian Egyptian EgyptianExtended
+ ef egyptien EgyptienneF
+ eg stgaramo StempelGaramond b:OriginalGaramondBT
+ eh engsft Engschrift
+ ei esprit Esprit
+ ek eckmann Eckmann b:Freeform710
+ el ellingtn Ellington
+ en engraver Engravers
+ eo amerigo Amerigo b:AmerigoBT
+ er eras Eras
+ es eurostil Eurostile b:Square721BT k:Minima
+ et ehrhardt Ehrhardt
+ eu euler Euler
+ ex exclsior Excelsior
+ f0 flemishs FlemishScript
+ f1 fournier Fournier
+ f2 facade Facade
+ f3 festival Festival
+ f4 footligh Footlight
+ f5 french FrenchScript
+ fa formata Formata
+ fe forte Forte
+ ff fairfld Fairfield b:Transitional551BT
+ fg frankgth FranklinGothic
+ fi figaro Figaro
+ fl flora Flora
+ fn fenice Fenice
+ fo folio Folio
+ fq frizquad FrizQuadrata
+ fr frutiger Frutiger b:Humanist777BT
+ fs falstaff Falstaff
+ ft fettefrk FetteFraktur Fraktur
+ fu futura Futura
+ fx felixttl FelixTitling
+ fy flyer Flyer
+ g0 gando Gando
+ g1 gothic13 GothicThirteen
+ g2 giddyup Giddyup
+ g3 garamon3 GaramondThree b:AmericanGaramondBT Garamond No. 3
+ g4 gymodern GoudyModern
+ g5 gycatalg GoudyCatalogue
+ g6 gorilla GorillaITC
+ g9 ugaramon GaramondRetrospective
+ ga gillsana GillSana
+ gb gothicbb GothicBBB
+ ge geneva e:Geneva
+ gg garthgra GarthGraphic
+ gh galahad Galahad
+ gi georgia Georgia
+ gj granjon Granjon b:ElegantGaramondBT
+ gl galliard Galliard
+ gm garamond Garamond
+ go gyoldsty GoudyOldStyle
+ gp glypha Glypha
+ gq grotesq Grotesque u:URWGrotesk
+ gr gloucest Gloucester
+ gs gillsans GillSans m:GillAltOneMT b:Humanist521BT
+ gt goudytxt GoudyText
+ gu guardi Guardi
+ gv giovanni Giovanni
+ gy goudy Goudy
+ gz gazette GazetteLH
+ h0 handelgo HandelGothic
+ ha hadriano Hadriano
+ hb hobo Hobo Tramp
+ hc herculnm Herculanum
+ hd headline Headline
+ hg hiroshig Hiroshige
+ hh highland Highlander
+ hi hvinsera HelveticaInserat b:Swiss921BT
+ hm charme Charme
+ hn hvneue HelveticaNeue
+ ho horleyos HorleyOldStyle
+ hr hvround HelveticaRounded
+ hs hnseati Hanseatic B:Swiss924BT
+ ht hoeflert e:HoeflerText
+ hv helvetic Helvetica u:NimbusSans u:NumbusSanL b:Swiss721BT b:Monospace821BT b:Swiss911BT d:Sans Newton n:SonoranSansSerif
+ hw schadow Schadow
+ hx huxleyvr HuxleyVertical
+ i0 commscr CommercialScript
+ i1 impress Impress
+ i2 impuls Impuls
+ i3 imperial Imperial
+ ia insignia Insignia
+ ib ibycus Ibycus
+ ic impact Impact
+ id isadora Isadora
+ if inflex Inflex
+ ig scgaramo SimonciniGaramond b:ItalianGaramond
+ ii imprint Imprint
+ il caecilia Caecilia
+ im imago Imago
+ in industri Industria
+ io ionic Ionic b:News701BT
+ ip impressm Impressum
+ is italnos ItalianOldStyle
+ it italia Italia
+ iw ironwood Ironwood
+ iy iowanold IowanOldStyle
+ iz isabella Isabella
+ jf jeffersn Jefferson b:Freehand575BT
+ jn janson Janson
+ jo joanna Joanna
+ jp juniper Juniper
+ kb kabel Kabel
+ kg bankgoth BankGothic
+ kl klang Klang
+ kn kino Kino
+ ko bookmano BookmanOldStyle
+ kp kepler Kepler
+ kr korinna Korinna
+ ks kuenstsc KuenstlerScript
+ ku kaufmann Kaufmann
+ kw kolo Kolo
+ kx kigali Kigali
+ l1 liberty Liberty
+ l2 libra Libra
+ l3 lucia Lucia
+ l4 lucian Lucian
+ l5 baltica Baltica
+ l6 literatu Literaturnaya
+ l7 luxiseri LuxiSerif
+ l8 luxisans LuxiSans
+ l9 luximono LuxiMono
+ lb lubaling LubalinGraph
+ lc lucida Lucida
+ le legacy Legacy
+ lf life Life
+ lg lettrgth LetterGothic ISILGothic
+ lh lubright LucidaBright
+ li latin Latin
+ ll linolett LinoLetter
+ ln lino Lino
+ lo lithos Lithos
+ ls lucsans LucidaSans
+ lt lutetia Lutetia
+ lw leawood Leawood
+ lx lucidfax LucidaFax
+ ly lydian Lydian
+ m0 monospac Monospace
+ m1 monolisc MonolineScript
+ m2 metro Metro b:Geometric415BT
+ m3 mirarae Mirarae
+ m4 mrearl MisterEarl
+ m5 murrayhl MurrayHill
+ m6 mittlsft Mittelschrift
+ m7 matura Matura
+ m8 monotyos MonotypeOldStyle
+ ma mandate Mandate b:Freehand521BT
+ mc monaco e:Monaco
+ md meridien Meridien
+ me mercursc MercuriusScript
+ mg marigold Marigold
+ mh machine Machine
+ mi medici Medici
+ mj mojo Mojo
+ ml melior Melior b:ZapfElliptical711BT
+ mn minion Minion
+ mo modern Modern b:Modern20BT
+ mp memphis Memphis b:GeometricSlab703BT
+ mq mesquite Mesquite
+ mr madrone Madrone
+ ms mistral Mistral b:Staccato222BT
+ mt minister Minister
+ mv malvern Malvern
+ mx maximus Maximus
+ my myriad Myriad
+ mz amazone Amazone
+ n0 normande Normande
+ n1 binner Binner not really a family
+ n7 news706 News706
+ na newaster NewAster
+ nb nbaskerv NewBaskerville
+ nc ncntrsbk NewCenturySchlbk u:CenturySchL
+ nd ncaledon NewCaledonia
+ nf nofret Nofret
+ ng newsgth NewsGothic
+ ni nimrod Nimrod
+ nk neograph Neographik
+ nl neuland Neuland b:Informal011BT
+ nm nimbus Nimbus
+ nn nclarend NewClarendon
+ no notredam NotreDame
+ np nsplanti NewsPlantin
+ nr nberolin NewBerolina
+ ns timesnps TimesNewRomanPS
+ nt timesnew TimesNewRoman m:TimesNR n:SonoranSerif
+ nu nuptial Nuptial
+ nv novarese Novarese
+ nw neueunzi NeueHammerUnziale
+ nx nyx Nyx
+ nz neuzeits NeuzeitS b:Geometric706BT
+ o0 oldreadf OldDreadfulNo7
+ o1 oranda Oranda
+ o2 orbitb OrbitB
+ o3 colonna Colonna
+ o4 oceansan OceanSans
+ o5 comic Comic
+ o7 oldsty7 OldStyleSeven
+ o8 officina Officina
+ oa ocra OCR-A
+ ob ocrb OCR-B
+ oc concorde Concorde
+ oe oldengli OldEnglish b:English157
+ of oxford Oxford
+ oi ondine Ondine Mermaid b:FormalScript421BT
+ oj oldclaud OldClaude
+ ol colmcill Colmcille
+ om omnia Omnia
+ on corona Corona
+ op optima Optima d:Optimum b:ZapfHumanist601BT Omega
+ oq ouch Ouch
+ or orator Orator
+ os oldstyle OldStyle
+ ot coronet Coronet b:Ribbon131BT
+ ov octavian Octavian
+ ox onyx Onyx
+ oy olympian Olympian l:OlympicLH
+ oz ozhandcr OzHandicraft
+ p0 poplar Poplar
+ p1 palacesc PalaceScript
+ p2 pepita Pepita
+ p3 palette Palette b:Brush445BT
+ p4 pioneer PioneerITC
+ p5 piranesi Piranesi
+ p6 blueprin Blueprint
+ p7 petersbu Petersburg
+ pa parkave ParkAvenue
+ pb ptbarnum PtBarnum
+ pc poetica PoeticaChancery s:Scriptoria
+ pd placard Placard
+ pe prestige PrestigeElite
+ pf profile Profile Profil b:Decorated035BT
+ pg peignot Peignot b:Exotic350BT
+ ph photina Photina
+ pi pi pi fonts--see text and <code>*.map</code> files
+ pj pompeija Pompeijana
+ pl palatino Palatino d:Palton b:ZapfCalligraphic801BT u:URWPalladioL Palmspring k:Palindrome
+ pm postmed PostMediaeval
+ pn plantin Plantin b:Aldine721BT
+ po ponderos Ponderosa
+ pp perpetua Perpetua b:Lapidary333BT
+ pq postatqa PostAntiqua
+ pr popplres PopplResidenz
+ ps parisian Parisian
+ pt present Present
+ pu popplaud PopplLaudatio
+ pw perrywoo Perrywood
+ px popplpfx PopplPontifex
+ py playbill Playbill
+ pz poliphil Poliphilus
+ qr quorum Quorum
+ qs bellevue Bellevue
+ qt boulevar Boulevard
+ r0 romana Romana
+ r1 rotis RotisSemiSerif
+ r2 cantoria Cantoria
+ r3 rotis RotisSemiSans
+ r4 rotis RotisSansSerif
+ ra raleigh Raleigh
+ rc romic Romic
+ rm carmina Carmina
+ rn rotation Rotation
+ ro rotis RotisSerif
+ rp reporter Reporter
+ rq russelsq RussellSquare
+ rr raphael Raphael
+ rs arrus Arrus
+ rt carta Carta
+ ru runic Runic
+ rv revue Revue
+ rw rockwell Rockwell Slate b:GeometricSlab712BT
+ rc rustican Rusticana
+ ry ryumin Ryumin
+ rz ruzicka RuzickaFreehandLH
+ s0 sanmarco SanMarco
+ s1 scotchro ScotchRoman
+ s2 script Script
+ s3 seagull Seagull
+ s4 shotgun Shotgun ShotgunBlanks
+ s5 snell Snell
+ s6 stuyvesa Stuyvesant
+ s7 sassoon Sassoon
+ s8 stonesan StoneSans
+ sa scala Scala
+ sb sabon Sabon b:ClassicalGaramondBT
+ sc slimbach Slimbach
+ se shelley Shelley
+ sf serifa Serifa
+ sg serifgth SerifGothic
+ sh shannon Shannon
+ si stoneinf StoneInformal
+ sk skia e:Skia
+ sl stencil Stencil
+ sm spectrum Spectrum
+ sn spartan Spartan
+ so sonata Sonata
+ sp serpenti Serpentine
+ sr snellrnd SnellRoundhand
+ ss stschnei StempelSchneidler
+ st stone StoneSerif
+ sv souvenir Souvenir
+ sw swing Swing
+ sx syntax Syntax
+ sy symbol Symbol m:MSymbolPS u:StandardSymL
+ t0 tango Tango
+ t1 thunderb Thunderbird
+ t2 typo TypoUpright
+ tb bebodoni BodoniBE BBodoni Berthold Bodoni
+ te timeseur TimesEuropa
+ tf tiffany Tiffany
+ tg tradegth TradeGothic
+ th tahoma Tahoma
+ ti techphon TechPhonetic
+ tj trajan Trajan
+ tk tekton Tekton
+ tl castella Castellar
+ tm times Times u:NimbusRoman u:NimbusRomNo9L b:Dutch801BT
+ to torino Torino b:Industrial736BT
+ tp tempo Tempo
+ tr trebuche Trebuchet
+ tv trumpmed TrumpMediaeval b:Kuenstler480BT
+ tw twentyc TwentiethCentury
+ ty typewrit Typewriter
+ u0 columbus Columbus
+ ub babodoni BauerBodoni
+ ud studio Studio
+ ug bengugth BenguiatGothic
+ uh cushing Cushing
+ ul universa Universal
+ um umbra Umbra
+ un univers Univers b:ZurichBT
+ ur centaur Centaur b:Venetian301BT
+ ut utopia Utopia
+ uw usherwoo Usherwood
+ uy universi University
+ v0 vineta Vineta
+ va activa Activa
+ vc vectora Vectora
+ vd vandijck VanDijck
+ ve veraseri VeraSerif
+ vg visigoth Visigoth
+ vi victoria Victoria
+ vj veljovic Veljovic
+ vm veramono VeraSansMono
+ vn verdana Verdana
+ vl versaill Versailles
+ vr vagrnd VAGRounded
+ vs verasans VeraSans
+ vv viva Viva
+ w0 weddingt WeddingT
+ w1 wiesbswi WiesbadenSwing
+ wb walbaum Walbaum
+ wc snowcap SnowCap
+ wd weideman Weidemann
+ wg wlklgth WilhelmKlingsporGotisch
+ wh wendy Wendy
+ wi wingding Wingdings
+ wk wilke Wilke
+ wn windsor Windsor
+ wr wittenbe WitternbergerFrakt
+ ws weiss Weiss
+ wt watertit WatersTitling
+ ww willow Willow
+ xc eccentri Eccentric
+ xp exponto ExPonto
+ yg centuryg CenturyGothic
+ yh strayhor Strayhorn
+ ym stymie Stymie
+ ys goudysan GoudySans
+ za zantiqua ZAntiqua
+ zc zapfchan ZapfChancery m:ZapfChanceryPS u:URWChanceryL
+ zd zapfding ZapfDingbats m:ZapfDingbatsPS u:Dingbats
+ zg neuzeitg NeuzeitGrotesk
+ zp ziptydo ZiptyDo
+ zt zeitgeis Zeitgeist
+ __ agbook AGBookStencil
+ __ agbookrn AGBookRounded
+ __ agoldfac AGOldFace
+ __ agschlbk AGSchoolbook
+ __ aja Aja
+ __ albertin AlbertinaMT
+ __ amigo Amigo
+ __ andreas Andreas
+ __ ariadne Ariadne
+ __ banshee Banshee
+ __ beesknee Beesknees
+ __ bellcent BellCentenial
+ __ berlgrot BerlinerGrotesk
+ __ bermuda BermudaLP
+ __ berthold BertholdScript
+ __ bickham BickhamScript
+ __ blueisla BlueIsland
+ __ bodoniof BodoniOldFaceBE
+ __ bossanov BossaNovaMVB
+ __ briemaka BriemAkademi
+ __ briemscr BriemScript
+ __ buffalog BuffaloGalMT
+ __ caflisch CaflischScript
+ __ caliban Caliban
+ __ catull Catull
+ __ celestia CelestiaAntiqua
+ __ cerigo Cerigo
+ __ chaparra Chaparral
+ __ christia Christiana
+ __ colossal Colossalis
+ __ comenius ComeniusAntiqua
+ __ concorde ConcordeNova
+ __ congabra CongaBrava
+ __ copal Copal
+ __ coriande Coriander
+ __ cosmos Cosmos
+ __ cremona Cremona
+ __ critter Critter
+ __ cronos Cronos
+ __ ctmercur CTMercurius
+ __ curlz CurlzMT
+ __ cutout Cutout
+ __ delphin Delphin
+ __ elgreco ElGreco
+ __ else ElseNPL
+ __ emmascri Emmascript
+ __ flood Flood
+ __ florens FlorensLP
+ __ fusaka Fusaka
+ __ gallia MonotypeGallia
+ __ garamobe GaramondBE
+ __ gillfaci GillFaciaMT
+ __ gillflor GillFloriatedCapsMT
+ __ graphite Graphite
+ __ greymant GreymantleMVB
+ __ hardwood HardwoodLP
+ __ immi505 Immi505
+ __ jimbo Jimbo
+ __ khaki Khaki
+ __ kidprint KidprintMT
+ __ kinesis Kinesis
+ __ kochantq KochAntiqua
+ __ legault Legault
+ __ lightlin LightlineGothicMT
+ __ lotype LoType
+ __ magnesiu MagnesiumMVB
+ __ magnolia MagnoliaMVB
+ __ mahsuri MahsuriSansMT
+ __ manito ManitoLP
+ __ mendoza MendozaRoman
+ __ mezz Mezz
+ __ micr MICR
+ __ monalisa MonaLisa
+ __ motterco MotterCorpus
+ __ mythos Mythos
+ __ nueva Nueva
+ __ oceansan OceanSans
+ __ origami Origami
+ __ ozwald Ozwald
+ __ pastonch PastonchiMT
+ __ pelican Pelican
+ __ penumbra Penumbra
+ __ pepperwo Pepperwood
+ __ poetica Poetica
+ __ pompeia Pompeia
+ __ popplexq PopplExquisit
+ __ postino Postino
+ __ quake Quake
+ __ rad Rad
+ __ reliq Reliq
+ __ rosewood Rosewood
+ __ rulngscr RulingScript
+ __ russlobl RusselOblique
+ __ sanvito Sanvito
+ __ sassafra Sassafras
+ __ serlio SerlioLH
+ __ sho Sho
+ __ shuriken Shuriken
+ __ smaragd Smaragd
+ __ spring SpringLP
+ __ spumoni SpumoniLP
+ __ studz Studz
+ __ tiepolo Tiepolo
+ __ toolbox Toolbox
+ __ verve Verve
+ __ volutasc VolutaScript
+ __ zebrawoo Zebrawood
+ __ shouyi Shouyi for mnm
+ </pre>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fonts/fontname/URW-fonts.html b/Master/texmf-dist/doc/fonts/fontname/URW-fonts.html
new file mode 100644
index 00000000000..dbe65042a65
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/URW-fonts.html
@@ -0,0 +1,72 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="URW%20fonts">URW fonts</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="Monotype-fonts.html#Monotype%20fonts">Monotype fonts</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Font-name-lists.html#Font%20name%20lists">Font name lists</a>
+<hr><br>
+</div>
+
+<h3 class="section">URW fonts</h3>
+
+<p>The <code>urw.map</code> file has abbreviations for URW fonts.
+
+<pre class="example">
+
+ uagd8a URWGothicL-Demi a010015l
+ uagdo8a URWGothicL-DemiObli a010035l
+ uagk8a URWGothicL-Book a010013l
+ uagko8a URWGothicL-BookObli a010033l
+ ubkd8a URWBookmanL-DemiBold b018015l
+ ubkdi8a URWBookmanL-DemiBoldItal b018035l
+ ubkl8a URWBookmanL-Ligh b018012l
+ ubkli8a URWBookmanL-LighItal b018032l
+ ucrb8a NimbusMonL-Bold n022004l
+ ucrbo8a NimbusMonL-BoldObli n022024l
+ ucrr8a NimbusMonL-Regu n022003l
+ ucrro8a NimbusMonL-ReguObli n022023l
+ uhvb8a NimbusSanL-Bold n019004l
+ uhvb8ac NimbusSanL-BoldCond n019044l
+ uhvbo8a NimbusSanL-BoldItal n019024l
+ uhvbo8ac NimbusSanL-BoldCondItal n019064l
+ uhvr8a NimbusSanL-Regu n019003l
+ uhvr8ac NimbusSanL-ReguCond n019043l
+ uhvro8a NimbusSanL-ReguItal n019023l
+ uhvro8ac NimbusSanL-ReguCondItal n019063l
+ uncb8a CenturySchL-Bold c059016l
+ uncbi8a CenturySchL-BoldItal c059036l
+ uncr8a CenturySchL-Roma c059013l
+ uncri8a CenturySchL-Ital c059033l
+ uplb8a URWPalladioL-Bold p052004l
+ uplbi8a URWPalladioL-BoldItal p052024l
+ uplr8a URWPalladioL-Roma p052003l
+ uplri8a URWPalladioL-Ital p052023l
+ usyr StandardSymL s050000l
+ utmb8a NimbusRomNo9L-Medi n021004l
+ utmbi8a NimbusRomNo9L-MediItal n021024l
+ utmr8a NimbusRomNo9L-Regu n021003l
+ utmri8a NimbusRomNo9L-ReguItal n021023l
+ uzcmi8a URWChanceryL-MediItal z003034l
+ uzdr Dingbats d050000l
+ </pre>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fonts/fontname/Variants.html b/Master/texmf-dist/doc/fonts/fontname/Variants.html
new file mode 100644
index 00000000000..441e570e2c8
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/Variants.html
@@ -0,0 +1,260 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="Variants">Variants</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="Widths.html#Widths">Widths</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="Weights.html#Weights">Weights</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Filenames-for-fonts.html#Filenames%20for%20fonts">Filenames for fonts</a>
+<hr><br>
+</div>
+
+<h3 class="section">Variants</h3>
+
+<p><dfn>Variants</dfn> include typeface variations (e.g., italic, sans serif),
+and font encodings (e.g., Adobe standard, TeX text).
+
+ <p>A fontname may require multiple variants. To resolve the worst
+ambiguities, we specify that any encoding variant (<code>7</code>, <code>8</code>,
+or <code>9</code>, see below) come last and any other numeral variant come
+first (to avoid confusion with a design size). We recommend but do not
+require that the other variants be given in alphabetical order. (It's
+not required because it's too painful to implement the sorting in
+TeX, and many existing names already have non-alphabetized variants.)
+
+ <p>The letterspacing possibilities introduced by <code>fontinst</code> and
+virtual fonts have not yet become sufficiently widespread to make
+standardization beneficial. Likewise for the many possible ways to
+generate small caps fonts.
+
+ <p>Notes on specific variants, both old and new:
+
+ <dl>
+<dt><code>1</code>
+ <dd><dt><code>4</code>
+ <dd><dt><code>6</code>
+ <dd><dt><code>b</code>
+ <dd>These variants (`semisans', `bright', `semiserif', and `fax') were used
+only for single typefaces, so to conserve variant abbreviations, they
+now have typeface abbreviations instead. Also, for <code>b</code>, to avoid
+too-long names; and for the others, to avoid variant vs. design-size
+ambiguities.
+
+ <br><dt><code>g</code>
+ <dd><dt><code>h</code>
+ <dd>Since these variants were not actually used in any font names, they are
+now obsolete and may be reassigned in the future.
+
+ <br><dt><code>5</code>
+ <dd><dt><code>6</code>
+ <dd><dt><code>7</code>
+ <dd><dt><code>8</code>
+ <dd><dt><code>9</code>
+ <dd>These characters begin a two-character <dfn>encoding variant</dfn>.
+Generally, <code>7</code> is for 7-bit encodings, <code>8</code> is for 8-bit
+encodings, and <code>9</code> is for expertised encodings with or without
+oldstyle digits (see the <code>x</code> item below), but this is not an
+absolute rule. Also, <code>5</code> is presently used for phonetic encodings
+and <code>6</code> for Cyrillic encodings. The <code>9s</code> (<code>SuperFont</code>)
+variant contain all of Adobe, Latin 1, and Expert glyphs, perhaps with
+slightly different metrics than the original fonts.
+
+ <p>For a font to be named with a certain encoding variant, it's not
+necessary that all the characters appear in precisely the same positions
+as in the encoding definition. It's enough that the usual TeX macros
+work. In practice, this means that it's ok for a font to be labelled
+<code>7t</code> if the only difference from Computer Modern is that the
+ligatures and the <code>lslash</code> and <code>Lslash</code> characters are
+different, since it's impossible to access or change the ligature table
+from TeX. Standard PostScript fonts don't have an <code>lslash</code>
+character the way Computer Modern does, but they do have the
+<code>Lslash</code> and <code>lslash</code> characters themselves, so the usual
+TeX <code>\lslash</code> and <code>\Lslash</code> macros can be made to work via
+ligatures. See the file <code>T1.etx</code> file in the <code>fontinst</code>
+distribution for details.
+
+ <p>If a name does not contain a specific encoding variant, its encoding is
+unspecified. For example, some of the fonts distributed with Dvips(k)
+have names like <code>ptmr</code> for <code>Times-Roman</code>; they use the Dvips
+encoding (see <a href="dvips.html#dvips">dvips</a>), which is close to (but not the same
+as) the TeX text encoding (as in Computer Modern Roman). Similarly,
+the TFM files distributed with Dvilj(k) for the builtin LaserJet 4 fonts
+have names like <code>cunm</code>, since these fonts, while compatible with
+TeX text, contain many additional characters.
+
+ <br><dt><code>9</code>
+ <dd>These items are needed only because <code>x</code> (and possibly <code>j</code>)
+followed by a two-character regular variant makes some names too long.
+That is, <code>9t</code> is equivalent in meaning to <code>x7t</code>, and <code>9d</code>
+is equivalent to <code>jx7t</code>. (This may not be true for all
+<code>9</code><var>x</var><code></code> encodings, though.)
+
+ <br><dt><code>k</code>
+ <dd><dt><code>z</code>
+ <dd>These variants (indicating Greek and Cyrillic fonts, respectively) are
+obsolete; future fonts in different scripts should be assigned an
+appropriate encoding abbreviation. These are not currently
+standardized, due to ignorance of the appropriate encodings. Please
+send suggestions for abbreviations to the address in <a href="Introduction.html#Introduction">Introduction</a>.
+
+ <br><dt><code>m</code>
+ <dd><dt><code>v</code>
+ <dd><dt><code>y</code>
+ <dd>These math-related variants remain for the sake of typeface-specific
+math encodings, e.g., Lucida. Fonts that use the Computer Modern math
+encodings should use <code>7m</code> (see <a href="texmital.html#texmital">texmital</a>), <code>7v</code>
+(see <a href="texmext.html#texmext">texmext</a>), and <code>7y</code> (see <a href="texmsym.html#texmsym">texmsym</a>).
+
+ <br><dt><code>n</code>
+ <dd>This is used for several different (but very rare) variants: only the
+Stone typeface has an "informal" variant, and only a few Monotype
+fonts have a "schoolbook" variant, with different `a', `g', and `y'
+shapes.
+
+ <br><dt><code>r</code>
+ <dd>Included only if no other variants, including encodings, apply, and
+either the width (see <a href="Widths.html#Widths">Widths</a>) is not <code>r</code> or a design size is
+present. I.e., <code>r</code> is only used as a placeholder. When the normal
+version of the typeface is sans serif (e.g., Helvetica), <code>r</code> should
+be used when necessary, not <code>s</code>. Use <code>s</code> only when the
+typeface family has both serif and sans serif variants.
+
+ <br><dt><code>s</code>
+ <dd><dt><code>t</code>
+ <dd>Mittelbach in <cite>TUGboat</cite> 13(1) suggests that these variants (for
+`sans' and `typewriter') should be identified as part of the typeface
+name, because there are few typeface families with these variants. I
+feel that since they are logically variants, it's best to name them that
+way. But <code>LucidaSans</code> (see <a href="Typefaces.html#Typefaces">Typefaces</a>) and a few others are
+exceptions, to avoid too-long names.
+
+ <br><dt><code>x</code>
+ <dd><dt><code>8x</code>
+ <dd><dt><code>9?</code>
+ <dd><code>8x</code> indicates a font in the <code>Expert</code> encoding itself.
+<code>x</code> indicates an <dfn>expertised</dfn> font, i.e., a composite (virtual)
+font that includes characters from an <code>8x</code> font. And in fact an
+<code>x</code><var>ee</var><code></code> sequence is replaced by <code>9</code><var>e</var><code></code>, to save
+characters.
+</dl>
+
+ <p>Fontname 1 assignments are shown in brackets in the following table,
+from the file <code>variant.map</code>. It is organized alphabetically by
+abbreviation. Each line consists of an abbreviation and either any
+parts of a PostScript <code>FontName</code> which use that abbreviation or the
+PostScript <code>Encoding</code> name.
+
+<pre class="example">
+
+ 0 inferior
+ 1 superior
+ obsolete [2=&gt;7c] Fraktur encoding
+ obsolete [3=&gt;7f] Fraction
+ obsolete [4 fax; now typeface <code>lx</code>, Lucida Fax]
+ 5 escape for (presently) phonetic encodings
+ 6 escape for Cyrillic encodings [was <code>SemiSerif</code>]
+ 7 escape for (mostly) 7-bit encodings
+ 8 escape for (mostly) 8-bit encodings
+ 9 escape for (presently) expert encodings [was oldstyle digits]
+ a Alt Arrows Alternative [was alternate encoding]
+ obsolete [b bright; now typeface lh, Lucida Bright]
+ c SmallCaps
+ d Display Titling Caption Headline TallCaps SwashCaps LombardicCaps Festive
+ e Engraved Copperplate Elite
+ f Fraktur Gothic OldEnglish Handtooled (`gothic' can also be sans)
+ g SmallText designed for small sizes [was grooved, as in the IBM logo]
+ h Shadow
+ i Italic Kursiv Ital text italic
+ j old-style digits [was invisible]
+ k Greek obsolete
+ l Outline OpenFace Blanks
+ m math italic
+ n Informal Fashion Schlbk for Stone
+ o Oblique Obl slanted
+ p Ornaments
+ obsolete [q=&gt;8t Cork (TeX extended) encoding]
+ r roman or sans; often omitted, see text
+ s Gothic sans serif
+ t Monospace fixed-width typewriter
+ u unslanted italic
+ v MathExtension
+ w Script Handwritten Swash Calligraphy Cursive Tango
+ x built with Adobe expert encoding [was expert-encoded]
+ y MathSymbol
+ z Cyrillic font-dependent Cyrillic
+ 5a PhoneticAlternate
+ 5i PhoneticIPA
+ 5s sil-IPA
+ 5t TeX-IPA Fukui Rei, LaTeX T3
+ 5w TeXAfricanLatin wsuipa fonts, LaTeX OT3
+ 5z user
+ 6a T2A
+ 6b Cyrillic part of ISO 8859-5, seven bits
+ 6c T2C
+ 6d Cyrillic CP866 encoding
+ 6i ISO 8859-5
+ 6k Cyrillic KOI8-R encoding
+ 6m Cyrillic Macintosh encoding
+ 6s Storm extra encoding
+ 6t T2B
+ 6w Cyrillic CP1251 encoding
+ 6x X2
+ 6y LCY
+ 6z user
+ 7a A alternate characters only
+ 7c Dfr Fraktur
+ 7d OsF OSF oldstyle digit encoding
+ 7f Fraction
+ 7k OT2Cyrillic
+ 7m TeXMathItalicEncoding see <a href="texmital.html#texmital">texmital</a>
+ 7t TeX text encoding (as in Computer Modern Roman)
+ 7v TeXMathExtensionEncoding see <a href="texmext.html#texmext">texmext</a>
+ 7y TeXMathSymbolEncoding see <a href="texmsym.html#texmsym">texmsym</a>
+ 7z user
+ 82 GreekKeys
+ 83 Ibycus1
+ 84 Ibycus2
+ 8a StandardEncoding Adobe standard encoding, see <a href="8a.html#8a">8a</a>
+ 8c TeXTextCompanion LaTeX TS1
+ 8f TeXAfricanLatin LaTeX T4
+ 8i TS0 Intersection of TS1/Adobe Standard
+ 8m Macintosh standard encoding
+ 8n LM1 Textures
+ 8r TeXBase1Encoding see <a href="8r.html#8r">8r</a>
+ 8t CorkEncoding see <a href="cork.html#cork">cork</a>
+ 8u XT2Encoding cmtt + Latin 2, see <code>xl2.enc</code>
+ 8v TeXVietnamese to be defined
+ 8w Windows 3.1 ANSI encoding
+ 8x Expert expert encoding
+ 8y LY1 TeX 'n ANSI
+ 8z XL2Encoding cmr + Latin 2, see <code>xl2.enc</code>
+ 9c expert + Text companion
+ 9d expert + oldstyle digits + Cork
+ 9e expert + Cork
+ 9i TS0X Intersection of TS1/Standard/Expert
+ 9o expert + oldstyle digits + TeX text
+ 9s SF SuperFont
+ 9t expert + TeX text
+ 9z user
+ - songti for mnm
+ </pre>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fonts/fontname/Weights.html b/Master/texmf-dist/doc/fonts/fontname/Weights.html
new file mode 100644
index 00000000000..ac676b890ab
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/Weights.html
@@ -0,0 +1,64 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="Weights">Weights</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="Variants.html#Variants">Variants</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="Typefaces.html#Typefaces">Typefaces</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Filenames-for-fonts.html#Filenames%20for%20fonts">Filenames for fonts</a>
+<hr><br>
+</div>
+
+<h3 class="section">Weights</h3>
+
+<p>The <dfn>weight</dfn> of a font specifies its boldness. Arranged from
+lightest to heaviest (more or less):
+
+<pre class="display"> hairline, extra light, light
+ book, regular, medium
+ demibold, semibold, bold, extra bold, heavy
+ black, ultra, poster
+ </pre>
+
+ <p>Here is the table, from the file <code>weight.map</code>. It is organized
+alphabetically by abbreviation. Each line consists of an abbreviation
+and any parts of a PostScript <code>FontName</code> which use that
+abbreviation.
+
+<pre class="example">
+
+ a Thin Hairline
+ b Bold
+ c Black
+ d Demi
+ h Heavy Heavyface
+ j ExtraLight
+ k Book
+ l Light
+ m Medium
+ p Poster
+ r Regular Roman
+ s Semibold
+ u Ultra UltraBlack
+ x ExtraBold ExtraBlack
+ </pre>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fonts/fontname/Widths.html b/Master/texmf-dist/doc/fonts/fontname/Widths.html
new file mode 100644
index 00000000000..373fb64c40a
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/Widths.html
@@ -0,0 +1,69 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="Widths">Widths</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="Variants.html#Variants">Variants</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Filenames-for-fonts.html#Filenames%20for%20fonts">Filenames for fonts</a>
+<hr><br>
+</div>
+
+<h3 class="section">Widths</h3>
+
+<p>The <dfn>width</dfn> of a font specifies the compression or expansion of the
+font. Arranged from narrowest to widest (more or less):
+
+<pre class="display"> ultra compressed, extra condensed, compressed, condensed, narrow
+ regular
+ extended, expanded, wide
+ </pre>
+
+ <p>Expansion or compression of fonts is sometimes done automatically (as by
+the PostScript <code>scale</code> operator), and sometimes done by humans. In
+the latter case, the human will also presumably choose a font name which
+includes `Extended' or `Expanded' or `Condensed' or `Narrow' or whatever
+according to their own preferences; the abbreviation can follow along.
+When creating a new synthetically expanded or compressed font for use
+with TeX, e.g., with Afm2tfm or <code>fontinst</code>, use <code>n</code> and
+<code>e</code>.
+
+ <p>Here is the table, from the file <code>width.map</code>. It is organized
+alphabetically by abbreviation. Each line consists of an abbreviation
+and any parts of a PostScript <code>FontName</code> which use that
+abbreviation.
+
+<pre class="example">
+
+ c Condensed Cond
+ e Expanded
+ n Narrow
+ o UltraCondensed
+ p Compressed Compact
+ q ExtraCompressed ExtraCondensed
+ r Normal Medium Regular (usually omitted)
+ t Thin
+ u UltraCompressed
+ v ExtraExpanded more than <tt>Expanded</tt>, less than <tt>Wide</tt>
+ w Wide
+ x Extended Elongated
+ </pre>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fonts/fontname/bitstrea.aka b/Master/texmf-dist/doc/fonts/fontname/bitstrea.aka
new file mode 100644
index 00000000000..7afd85f6d01
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/bitstrea.aka
@@ -0,0 +1,475 @@
+From: mark@sdd.hp.com (Mark Overton)
+Newsgroups: comp.fonts
+Subject: Bitstream AKA list, x-ref'ed + reformatted
+Date: 10 Apr 1995 19:33:53 GMT
+
+Hi,
+
+I've taken Jon Pastor's Bitstream AKA list, and added a cross-reference to
+find a Bitstream name based on a common name. And I reformatted it to be
+more human-readable. I had to throw out a bunch of ancillary information
+to get everything to fit in 80 character-wide lines.
+
+This file consists of four sections:
+
+ - Bitstream => Common name list
+ - Common => Bitstream name list
+ - Jon's original comma-separated list
+ - Jon's original tab-separated list
+
+Jon Pastor wrote in his original AKA list:
+
+Well, here's the latest version, incorporating all of the information supplied
+by a cast of half-dozens, including Mike Macrone, Rory Jaffe, John C Haugeland,
+and P.Doherty. Mike contributed most of the designers and dates; I added a few
+on this go-round. P.Doherty added a few fonts from other CDs that Bitstream
+has licensed; since these are part of the full Bitstream library, which I hope
+someday soon to be able to cross-ref, I'm leaving them in. This includes
+Italian Garamond, which is not on the 500 CD.
+
+- Mark
+
+------------------------------------------------------------------------------
+Mark Overton, Hewlett-Packard (San Diego Division), mark@sdd.hp.com
+------------------------------------------------------------------------------
+
+
+Bitstream Name Common Name
+
+Aldine 401 Bembo
+Aldine 721 Plantin
+Blackletter 686 London Text
+Brush 445 Palette
+Brush 738 Bison
+Calligraphic 421 Codex
+Calligraphic 810 Diotima
+Century 725 Madison
+Century 731 Textype
+Century 751 Primer
+Decorated 035 Profil
+Dutch 766 Imprint
+Dutch 801 Times Roman
+Dutch 809 Concorde
+Dutch 811 Olympian
+Dutch 823 Aster
+Egyptian 505 VGC Egyptian 505
+English 157 Englische Screibschrift
+Exotic 350 Peignot
+Flareserif 821 Albertus
+Formal 436 Oscar
+Formal Script 421 Mermaid
+Formal Script 421 Ondine
+Freeform 710 Eckmann
+Freeform 721 Auriol
+Freehand 471 Cascade
+Freehand 521 Mandate
+Freehand 575 Jefferson
+Freehand 591 Bingham Script
+Garamond American Garamond No. 3
+Garamond Classic Sabon
+Garamond Elegant Granjon
+Garamond Italian Simoncini Garamond
+Garamond Original Stempel Garamond
+Geometric 212 Spartan
+Geometric 231 Cable
+Geometric 415 Metro
+Geometric 706 Neuzeit Grotesk
+Geometric 885 Bloc
+Geometric Slabserif 703 Memphis
+Geometric Slabserif 712 Rockwell
+Geometric Slabserif 712 Slate
+Gothic 720 Grotesque 126,215,216
+Gothic 725 Akzidenz Grotesk
+Gothic 821 Block
+Humanist 521 Gill Sans
+Humanist 521 Hammersmith
+Humanist 531 Syntax
+Humanist 777 Frutiger
+Humanist 970 Adsans
+Humanist Slabserif 712 Egyptienne
+Incised 901 Antique Olive
+Incised 901 Provence
+Industrial 736 Torino
+Informal 011 Neuland
+Kis Janson
+Kuenstler 480 Activa
+Kuenstler 480 Trump Medieval
+Lapidary 333 Perpetua
+Latin 725 Meridien
+Modern 735 Bodoni Campanile
+Modern 880 Linotype Modern
+Monospace 821 Helvetica Monospaced
+News 701 Ionic No. 5
+News 702 Excelsior
+News 705 Corona
+News 706 Aurora
+Raleigh Cartier
+Revival 565 Berling
+Ribbon 131 Coronet
+Square 721 Eurostile
+Square Slabserif 711 City
+Staccato 222 Mistral
+Staccato 555 Choc
+Swiss 721 Helvetica
+Swiss 911 Helvetica Compressed
+Swiss 921 Helvetica Inserat
+Swiss 924 Hanseatic
+Transitional 511 Caledonia
+Transitional 521 Electra
+Transitional 551 Fairfield
+Typo Upright Linoscript
+Venetian 301 Centaur
+Wedding Text Linotext
+Zapf Calligraphic Palatino
+Zapf Elliptical 711 Melior
+Zapf Humanist 601 Optima
+Zurich Univers
+
+
+=============================================================================
+
+
+Common Name Bitstream Name
+
+Activa Kuenstler 480
+Adsans Humanist 970
+Akzidenz Grotesk Gothic 725
+Albertus Flareserif 821
+Antique Olive Incised 901
+Aster Dutch 823
+Auriol Freeform 721
+Aurora News 706
+Bembo Aldine 401
+Berling Revival 565
+Bingham Script Freehand 591
+Bison Brush 738
+Bloc Geometric 885
+Block Gothic 821
+Bodoni Campanile Modern 735
+Cable Geometric 231
+Caledonia Transitional 511
+Cartier Raleigh
+Cascade Freehand 471
+Centaur Venetian 301
+Choc Staccato 555
+City Square Slabserif 711
+Codex Calligraphic 421
+Concorde Dutch 809
+Corona News 705
+Coronet Ribbon 131
+Diotima Calligraphic 810
+Eckmann Freeform 710
+Egyptienne Humanist Slabserif 712
+Electra Transitional 521
+Englische Screibschrift English 157
+Eurostile Square 721
+Excelsior News 702
+Fairfield Transitional 551
+Frutiger Humanist 777
+Garamond No. 3 Garamond American
+Gill Sans Humanist 521
+Granjon Garamond Elegant
+Grotesque 126,215,216 Gothic 720
+Hammersmith Humanist 521
+Hanseatic Swiss 924
+Helvetica Swiss 721
+Helvetica Compressed Swiss 911
+Helvetica Inserat Swiss 921
+Helvetica Monospaced Monospace 821
+Imprint Dutch 766
+Ionic No. 5 News 701
+Janson Kis
+Jefferson Freehand 575
+Linoscript Typo Upright
+Linotext Wedding Text
+Linotype Modern Modern 880
+London Text Blackletter 686
+Madison Century 725
+Mandate Freehand 521
+Melior Zapf Elliptical 711
+Memphis Geometric Slabserif 703
+Meridien Latin 725
+Mermaid Formal Script 421
+Metro Geometric 415
+Mistral Staccato 222
+Neuland Informal 011
+Neuzeit Grotesk Geometric 706
+Olympian Dutch 811
+Ondine Formal Script 421
+Optima Zapf Humanist 601
+Oscar Formal 436
+Palatino Zapf Calligraphic
+Palette Brush 445
+Peignot Exotic 350
+Perpetua Lapidary 333
+Plantin Aldine 721
+Primer Century 751
+Profil Decorated 035
+Provence Incised 901
+Rockwell Geometric Slabserif 712
+Sabon Garamond Classic
+Simoncini Garamond Garamond Italian
+Slate Geometric Slabserif 712
+Spartan Geometric 212
+Stempel Garamond Garamond Original
+Syntax Humanist 531
+Textype Century 731
+Times Roman Dutch 801
+Torino Industrial 736
+Trump Medieval Kuenstler 480
+Univers Zurich
+VGC Egyptian 505 Egyptian 505
+
+
+============================================================================
+
+
+From: pastor@vfl.paramax.com (Jon Pastor)
+Subject: Bitstream AKA list; the story continues...
+
+
+I have reverted the entries for the various Garamonds to the "Garamond,
+Variant" form, because I do this list mostly for my own convenience and that's
+the way I like it; if you prefer the other way, re-sort it. Nyah, nyah. ;-)
+
+Anyway, here it is in CSV and tab-sep form; I have been persuaded that
+UUENCODED Excel spreadsheets are a colossally dumb thing to distribute, and
+that formatted output looks nice but is pretty useless for loading into your
+own spreadsheet program.
+
+P.S. I've sent these to Norm Walsh, who will hopefully put them somewhere on
+his server (or in his web). It would be nice to think that they don't have to
+be posted every fifteen or twenty minutes, and that people with net/web access
+could be pointed toward the IFA...
+
+******************************** CSV ********************************
+
+Bitstream Name,Common Name,Designer(s),Date(s),Orig.Vend.,Remarks/Attributions,,,,,,,
+,(all),(M.Macrone/J.Pastor),(M.Macrone),(J.Pastor),,,,,,,,
+Aldine 401,Bembo,F. Griffo/A. Tagliente,1929,4,,,,,,,,
+Aldine 721,Plantin,,,4,,,,,,,,
+Blackletter 686,London Text ,,,2,"from P.Doherty, not on 500 CD",,,,,,,
+Brush 445,Palette,M. Wilke,1953,5,,,,,,,,
+Brush 738,Bison,,,?,,,,,,,,
+Calligraphic 421,Codex,G. Trump,1954,2,,,,,,,,
+Calligraphic 810,Diotima,G. Zapf von Hesse,1952-53,2,,,,,,,,
+Century 725,Madison ,,,?,"from P.Doherty, not on 500 CD",,,,,,,
+Century 731,Textype ,,,2,"from P.Doherty, not on 500 CD",,,,,,,
+Century 751,Primer ,,,2,"from P.Doherty, not on 500 CD",,,,,,,
+Decorated 035,Profil,E. & M. Lenz,1946,12,,,,,,,,
+Dutch 766,Imprint ,,,4,"from P.Doherty, not on 500 CD",,,,,,,
+Dutch 801,Times Roman,S. Morrison/V. Lardent,1931-35,"2,4",,,,,,,,
+Dutch 809,Concorde ,,,5,"from P.Doherty, not on 500 CD",,,,,,,
+Dutch 811,Olympian,M. Carter,after 1969,2,"from P.Doherty, not on 500 CD",,,,,,,
+Dutch 823,Aster,,,7,"from P.Doherty, not on 500 CD",,,,,,,
+Egyptian 505,VGC Egyptian 505,A. Grtler,1966,18,"from M. Macrone, not identified in BT catalog ",,,,,,,
+English 157,Englische Screibschrift,,,5,,,,,,,,
+Exotic 350,Peignot,A. M. Cassandre,1937,2,,,,,,,,
+Flareserif 821,Albertus,B. Wolpe,1938,4,,,,,,,,
+Formal 436,Oscar ,,,16,"from P.Doherty, not on 500 CD",,,,,,,
+Formal Script 421,Mermaid,A. Frutiger,1954,1,(Debergny et Peignot),,,,,,,
+Formal Script 421,Ondine,A. Frutiger,1954,2,(Debergny et Peignot),,,,,,,
+Freeform 710,Eckmann,O. Eckmann,1900,2,,,,,,,,
+Freeform 721,Auriol,G. Auriol,1901-04,2,,,,,,,,
+Freehand 471,Cascade,M. Carter,1966,2,,,,,,,,
+Freehand 521,Mandate,,,10,,,,,,,,
+Freehand 575,Jefferson,,,?,,,,,,,,
+Freehand 591,Bingham Script,,,?,,,,,,,,
+"Garamond, American",Garamond No. 3,,1925-30,2,,,,,,,,
+"Garamond, Classic",Sabon,J. Tschichold,1960-5,2,
+"Garamond, Elegant",Granjon,G. H. Jones (dir.),ca.1925,2,
+"Garamond, Italian",Simoncini Garamond,,,7,
+"Garamond, Original",Stempel Garamond,,,2,
+Geometric 212,Spartan,,early 1930s,2,"[Futura copy] from P.Doherty, not on 500 CD"
+Geometric 231,Cable,R. Koch,1927,2,
+Geometric 415,Metro,W. A. Dwiggins,1930-32,2,
+Geometric 706,Neuzeit Grotesk,W. Pischner,1928,2,
+Geometric 885,Bloc ,,,18,"from P.Doherty, not on 500 CD"
+Geometric Slabserif 703,Memphis,R. Wolf/C. H. Griffith,1929-38,2,
+Geometric Slabserif 712,Rockwell,F. H. Pierpont,1934,4,
+Geometric Slabserif 712,Slate,,,1,
+Gothic 720,"Grotesque 126,215,216",,,4,"from P.Doherty, not on 500 CD"
+Gothic 725,Akzidenz Grotesk,,,5,
+Gothic 821,Block,,,5,
+Humanist 521,Gill Sans,E. Gill,1928-32,4,
+Humanist 521,Hammersmith,,,1,
+Humanist 531,Syntax ,,,2,"from P.Doherty, not on 500 CD"
+Humanist 777,Frutiger,A. Frutiger,,2,
+Humanist 970,Adsans,W. Tracy,1959,2,
+Humanist Slabserif 712,Egyptienne ,,,2,"from P.Doherty, not on 500 CD"
+Incised 901,Antique Olive,R. Excoffon,1962-68,15,
+Incised 901,Provence,,,1,
+Industrial 736,Torino,A. Butti,1908,16,
+Informal 011,Neuland,R. Koch,1923,2,
+Kis,Janson ,,1937,"2,4","from P.Doherty, not on 500 CD"
+Kuenstler 480,Activa,G. Trump,1958,1,
+Kuenstler 480,Trump Medieval,,,2,
+Lapidary 333,Perpetua,E. Gill,1928-35,4,
+Latin 725,Meridien ,,,2,"from P.Doherty, not on 500 CD"
+Modern 735,Bodoni Campanile,,1936,10,
+Modern 880,Linotype Modern ,,,2,"from P.Doherty, not on 500 CD"
+Monospace 821,Helvetica Monospaced,,,?,
+News 701,Ionic No. 5,C. H. GRiffith,1924,2,
+News 702,Excelsior ,,1931,2,"from P.Doherty, not on 500 CD"
+News 705,Corona ,,1941,2,"from P.Doherty, not on 500 CD"
+News 706,Aurora ,,,2,"from P.Doherty, not on 500 CD"
+Raleigh,Cartier,,,14,attributed to M.Macrone by R.Jaffe
+Revival 565,Berling,K. E. Forsberg,1951-58,?,
+Ribbon 131,Coronet,R. H. Middleton,1937,10,
+Square 721,Eurostile,A. Novarese,1962,2,
+Square Slabserif 711,City,G. Trump,1930,5,
+Staccato 222,Mistral,R. Excoffon,1953,15,
+Staccato 555,Choc,R. Excoffon,1954,15,
+Swiss 721,Helvetica,M. Miedinger,ca.1957,2,
+Swiss 911,Helvetica Compressed,H. J. Hunziker/M. Carter,1974,?,
+Swiss 921,Helvetica Inserat,,,?,
+Swiss 924,Hanseatic,,,2,
+Transitional 511,Caledonia ,W. A. Dwiggins,1941,2,"from P.Doherty, not on 500 CD"
+Transitional 521,Electra,W. A. Dwiggins,1935-44,2,
+Transitional 551,Fairfield,A. Kaczun,1991,2,
+Typo Upright,Linoscript,,,6,"from J.Haugeland, not identified in BT catalog"
+Venetian 301,Centaur,B. Rogers/F. Warde,1928-30,4,
+Wedding Text,Linotext,,,6,"from J.Haugeland, not identified in BT catalog"
+Zapf Calligraphic,Palatino,H. Zapf,1948,2,
+Zapf Elliptical 711,Melior,H. Zapf,1952,2,
+Zapf Humanist 601,Optima,H. Zapf,1958-68,2,
+Zurich,Univers,A. Frutiger,1957,2,
+
+Vendor,Key,,,,
+1,"Bitstream, Inc.",,,,
+2,Linotype AG and/or its subsidiaries,,,,
+3,International Typeface Corporation,,,,
+4,Monotype Corporation plc,,,,
+5,H. Berthold AG,
+6,Kingsley-ATF Type Corporation,
+7,Officine Simoncini s.p.a.,
+8,Fundicion Tipografica Neufville SA,
+9,FotoStar International,
+10,Ludlow Industries (UK) Ltd.,
+11,Johannes Wagner,
+12,Tetterode Nederland (Lettergieterij Amsterdam),
+13,Stephenson Blake & Co. Ltd.,
+14,Ingrama S.A.,
+15,Fonderie Olive,
+16,Societea Nebiolo,
+17,Esselte Pendaflex Corporation [Letraset?],
+18,Visual Graphics Corporation,
+
+
+
+******************************** TAB ********************************
+
+Bitstream Name Common Name Designer(s) Date(s) Orig.Vend. Remarks/Attributions
+ (all) (M.Macrone/J.Pastor) (M.Macrone) (J.Pastor)
+Aldine 401 Bembo F. Griffo/A. Tagliente 1929 4
+Aldine 721 Plantin 4
+Blackletter 686 London Text 2 "from P.Doherty, not on 500 CD"
+Brush 445 Palette M. Wilke 1953 5
+Brush 738 Bison ?
+Calligraphic 421 Codex G. Trump 1954 2
+Calligraphic 810 Diotima G. Zapf von Hesse 1952-53 2
+Century 725 Madison ? "from P.Doherty, not on 500 CD"
+Century 731 Textype 2 "from P.Doherty, not on 500 CD"
+Century 751 Primer 2 "from P.Doherty, not on 500 CD"
+Decorated 035 Profil E. & M. Lenz 1946 12
+Dutch 766 Imprint 4 "from P.Doherty, not on 500 CD"
+Dutch 801 Times Roman S. Morrison/V. Lardent 1931-35 "2,4"
+Dutch 809 Concorde 5 "from P.Doherty, not on 500 CD"
+Dutch 811 Olympian M. Carter after 1969 2 "from P.Doherty, not on 500 CD"
+Dutch 823 Aster 7 "from P.Doherty, not on 500 CD"
+Egyptian 505 VGC Egyptian 505 A. Grtler 1966 18 "from M. Macrone, not identified in BT catalog "
+English 157 Englische Screibschrift 5
+Exotic 350 Peignot A. M. Cassandre 1937 2
+Flareserif 821 Albertus B. Wolpe 1938 4
+Formal 436 Oscar 16 "from P.Doherty, not on 500 CD"
+Formal Script 421 Mermaid A. Frutiger 1954 1 (Debergny et Peignot)
+Formal Script 421 Ondine A. Frutiger 1954 2 (Debergny et Peignot)
+Freeform 710 Eckmann O. Eckmann 1900 2
+Freeform 721 Auriol G. Auriol 1901-04 2
+Freehand 471 Cascade M. Carter 1966 2
+Freehand 521 Mandate 10
+Freehand 575 Jefferson ?
+Freehand 591 Bingham Script ?
+"Garamond, American" Garamond No. 3 1925-30 2
+"Garamond, Classic" Sabon J. Tschichold 1960-5 2
+"Garamond, Elegant" Granjon G. H. Jones (dir.) ca.1925 2
+"Garamond, Italian" Simoncini Garamond 7
+"Garamond, Original" Stempel Garamond 2
+Geometric 212 Spartan early 1930s 2 "[Futura copy] from P.Doherty, not on 500 CD"
+Geometric 231 Cable R. Koch 1927 2
+Geometric 415 Metro W. A. Dwiggins 1930-32 2
+Geometric 706 Neuzeit Grotesk W. Pischner 1928 2
+Geometric 885 Bloc 18 "from P.Doherty, not on 500 CD"
+Geometric Slabserif 703 Memphis R. Wolf/C. H. Griffith 1929-38 2
+Geometric Slabserif 712 Rockwell F. H. Pierpont 1934 4
+Geometric Slabserif 712 Slate 1
+Gothic 720 "Grotesque 126,215,216" 4 "from P.Doherty, not on 500 CD"
+Gothic 725 Akzidenz Grotesk 5
+Gothic 821 Block 5
+Humanist 521 Gill Sans E. Gill 1928-32 4
+Humanist 521 Hammersmith 1
+Humanist 531 Syntax 2 "from P.Doherty, not on 500 CD"
+Humanist 777 Frutiger A. Frutiger 2
+Humanist 970 Adsans W. Tracy 1959 2
+Humanist Slabserif 712 Egyptienne 2 "from P.Doherty, not on 500 CD"
+Incised 901 Antique Olive R. Excoffon 1962-68 15
+Incised 901 Provence 1
+Industrial 736 Torino A. Butti 1908 16
+Informal 011 Neuland R. Koch 1923 2
+Kis Janson 1937 "2,4" "from P.Doherty, not on 500 CD"
+Kuenstler 480 Activa G. Trump 1958 1
+Kuenstler 480 Trump Medieval 2
+Lapidary 333 Perpetua E. Gill 1928-35 4
+Latin 725 Meridien 2 "from P.Doherty, not on 500 CD"
+Modern 735 Bodoni Campanile 1936 10
+Modern 880 Linotype Modern 2 "from P.Doherty, not on 500 CD"
+Monospace 821 Helvetica Monospaced ?
+News 701 Ionic No. 5 C. H. GRiffith 1924 2
+News 702 Excelsior 1931 2 "from P.Doherty, not on 500 CD"
+News 705 Corona 1941 2 "from P.Doherty, not on 500 CD"
+News 706 Aurora 2 "from P.Doherty, not on 500 CD"
+Raleigh Cartier 14 attributed to M.Macrone by R.Jaffe
+Revival 565 Berling K. E. Forsberg 1951-58 ?
+Ribbon 131 Coronet R. H. Middleton 1937 10
+Square 721 Eurostile A. Novarese 1962 2
+Square Slabserif 711 City G. Trump 1930 5
+Staccato 222 Mistral R. Excoffon 1953 15
+Staccato 555 Choc R. Excoffon 1954 15
+Swiss 721 Helvetica M. Miedinger ca.1957 2
+Swiss 911 Helvetica Compressed H. J. Hunziker/M. Carter 1974 ?
+Swiss 921 Helvetica Inserat ?
+Swiss 924 Hanseatic 2
+Transitional 511 Caledonia W. A. Dwiggins 1941 2 "from P.Doherty, not on 500 CD"
+Transitional 521 Electra W. A. Dwiggins 1935-44 2
+Transitional 551 Fairfield A. Kaczun 1991 2
+Typo Upright Linoscript 6 "from J.Haugeland, not identified in BT catalog"
+Venetian 301 Centaur B. Rogers/F. Warde 1928-30 4
+Wedding Text Linotext 6 "from J.Haugeland, not identified in BT catalog"
+Zapf Calligraphic Palatino H. Zapf 1948 2
+Zapf Elliptical 711 Melior H. Zapf 1952 2
+Zapf Humanist 601 Optima H. Zapf 1958-68 2
+Zurich Univers A. Frutiger 1957 2
+
+Vendor Key
+1 "Bitstream, Inc."
+2 Linotype AG and/or its subsidiaries
+3 International Typeface Corporation
+4 Monotype Corporation plc
+5 H. Berthold AG
+6 Kingsley-ATF Type Corporation
+7 Officine Simoncini s.p.a.
+8 Fundicion Tipografica Neufville SA
+9 FotoStar International
+10 Ludlow Industries (UK) Ltd.
+11 Johannes Wagner
+12 Tetterode Nederland (Lettergieterij Amsterdam)
+13 Stephenson Blake & Co. Ltd.
+14 Ingrama S.A.
+15 Fonderie Olive
+16 Societea Nebiolo
+17 Esselte Pendaflex Corporation [Letraset?]
+18 Visual Graphics Corporation
+
+-----------------------------------------------------------------------
+Jon A. Pastor pastor@vfl.paramax.com
+
diff --git a/Master/texmf-dist/doc/fonts/fontname/cork.html b/Master/texmf-dist/doc/fonts/fontname/cork.html
new file mode 100644
index 00000000000..3ec0ed2c42a
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/cork.html
@@ -0,0 +1,121 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="cork">cork</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="dvips.html#dvips">dvips</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="8r.html#8r">8r</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Encodings.html#Encodings">Encodings</a>
+<hr><br>
+</div>
+
+<h3 class="section"><code>cork.enc</code>: Cork encoding</h3>
+
+<pre class="example">
+
+ % This is the Cork encoding, aka TeX Latin 1, aka tex256, as
+ % described in TTN 1(4), December 1992, and TUGboat 11(4), November
+ % 1990, page 514. EC is the name of the Computer Modern-based fonts in
+ % this encoding. NFSS and Fontinst know it by `T1'.
+ %
+ % These are the ligs and kerns in addition to those found in the
+ % AFM file. (The only ligs in the Times-Roman.afm file are the
+ % fi and fl ligatures.)
+ %
+ % LIGKERN space l =: lslash ; space L =: Lslash ;
+ % LIGKERN question quoteleft =: questiondown ; exclam quoteleft =: exclamdown ;
+ % LIGKERN hyphen hyphen =: endash ; endash hyphen =: emdash ;
+ % LIGKERN quoteleft quoteleft =: quotedblleft ;
+ % LIGKERN quoteright quoteright =: quotedblright ;
+ %
+ % We remove kerns to and from spaces (TeX doesn't have a
+ % space) and also remove any kerns from the numbers (although
+ % the only kern pair that mentions a number in Times-Roman.afm
+ % is one one.)
+ %
+ % LIGKERN space {} * ; * {} space ; zero {} * ; * {} zero ;
+ % LIGKERN one {} * ; * {} one ; two {} * ; * {} two ;
+ % LIGKERN three {} * ; * {} three ; four {} * ; * {} four ;
+ % LIGKERN five {} * ; * {} five ; six {} * ; * {} six ;
+ % LIGKERN seven {} * ; * {} seven ; eight {} * ; * {} eight ;
+ % LIGKERN nine {} * ; * {} nine ;
+ % LIGKERN comma comma =: quotedblbase ; less less =: guillemotleft ;
+ % LIGKERN greater greater =: guillemotright ;
+ %
+ /CorkEncoding [ % now 256 chars follow
+ % 0x00
+ /grave /acute /circumflex /tilde /dieresis /hungarumlaut /ring /caron
+ /breve /macron /dotaccent /cedilla
+ /ogonek /quotesinglbase /guilsinglleft /guilsinglright
+ % 0x10
+ /quotedblleft /quotedblright /quotedblbase /guillemotleft
+ /guillemotright /endash /emdash /compwordmark
+ /perthousandzero /dotlessi /dotlessj /ff /fi /fl /ffi /ffl
+ % 0x20
+ /visualspace /exclam /quotedbl /numbersign
+ /dollar /percent /ampersand /quoteright
+ /parenleft /parenright /asterisk /plus /comma /hyphen /period /slash
+ % 0x30
+ /zero /one /two /three /four /five /six /seven
+ /eight /nine /colon /semicolon /less /equal /greater /question
+ % 0x40
+ /at /A /B /C /D /E /F /G /H /I /J /K /L /M /N /O
+ % 0x50
+ /P /Q /R /S /T /U /V /W
+ /X /Y /Z /bracketleft /backslash /bracketright /asciicircum /underscore
+ % 0x60
+ /quoteleft /a /b /c /d /e /f /g /h /i /j /k /l /m /n /o
+ % 0x70
+ /p /q /r /s /t /u /v /w
+ /x /y /z /braceleft /bar /braceright /asciitilde /hyphen
+ % 0x80
+ /Abreve /Aogonek /Cacute /Ccaron /Dcaron /Ecaron /Eogonek /Gbreve
+ /Lacute /Lcaron /Lslash /Nacute /Ncaron /Ng /Ohungarumlaut /Racute
+ % 0x90
+ /Rcaron /Sacute /Scaron /Scedilla
+ /Tcaron /Tcedilla /Uhungarumlaut /Uring
+ /Ydieresis /Zacute /Zcaron /Zdotaccent /IJ /Idotaccent /dbar /section
+ % 0xA0
+ /abreve /aogonek /cacute /ccaron /dcaron /ecaron /eogonek /gbreve
+ /lacute /lcaron /lslash /nacute /ncaron /ng /ohungarumlaut /racute
+ % 0xB0
+ /rcaron /sacute /scaron /scedilla
+ /tquoteright /tcedilla /uhungarumlaut /uring
+ /ydieresis /zacute /zcaron /zdotaccent
+ /ij /exclamdown /questiondown /sterling
+ % 0xC0
+ /Agrave /Aacute /Acircumflex /Atilde /Adieresis /Aring /AE /Ccedilla
+ /Egrave /Eacute /Ecircumflex /Edieresis
+ /Igrave /Iacute /Icircumflex /Idieresis
+ % 0xD0
+ /Eth /Ntilde /Ograve /Oacute /Ocircumflex /Otilde /Odieresis /OE
+ /Oslash /Ugrave /Uacute /Ucircumflex /Udieresis /Yacute /Thorn /Germandbls
+ % 0xE0
+ /agrave /aacute /acircumflex /atilde /adieresis /aring /ae /ccedilla
+ /egrave /eacute /ecircumflex /edieresis
+ /igrave /iacute /icircumflex /idieresis
+ % 0xF0
+ /eth /ntilde /ograve /oacute /ocircumflex /otilde /odieresis /oe
+ /oslash /ugrave /uacute /ucircumflex /udieresis /yacute /thorn /germandbls
+ ] def
+ </pre>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fonts/fontname/dvips.html b/Master/texmf-dist/doc/fonts/fontname/dvips.html
new file mode 100644
index 00000000000..4eca43cdcf9
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/dvips.html
@@ -0,0 +1,111 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="dvips">dvips</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="texmext.html#texmext">texmext</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="cork.html#cork">cork</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Encodings.html#Encodings">Encodings</a>
+<hr><br>
+</div>
+
+<h3 class="section"><code>dvips.enc</code>: Dvips encoding</h3>
+
+<pre class="example">
+
+ % @psencodingfile{
+ % author = "T. Rokicki, K. Berry",
+ % version = "2.0",
+ % date = "22 June 1996",
+ % filename = "dvips.enc",
+ % email = "kb@mail.tug.org",
+ % address = "135 Center Hill Rd. // Plymouth, MA 02360",
+ % codetable = "ISO/ASCII",
+ % checksum = "75 515 3715",
+ % docstring = "An encoding for PostScript fonts to be used with TeX."
+ % }
+ %
+ % This is almost the default encoding produced by the afm2tfm program
+ % that comes with the dvips distribution, when it is applied to a
+ % StandardEncoding PostScript font. The positions of the accented
+ % characters (which afm2tfm assigned more or less randomly in the
+ % previous set of fonts) have been held fixed.
+ %
+ % It is almost upward-compatible with TeX text. (The primary exceptions
+ % are dotaccent and hungarumlaut.) Some of the ligatures are also in
+ % different positions, but this is not important, since ligature
+ % positions are defined in the TFM file, not by macros.
+ %
+ % The character positions were assigned in this order:
+ % 1) non-composite characters in the afm2tfm encoding (except dotlessj
+ % was included in its plain TeX position);
+ % 2) available characters in the Cork (EC) encoding;
+ % 3) remaining composite characters in the base encoding (starting at
+ % position 130 decimal). We don't include all the other base
+ % characters because that changes the height/depth/width tables in
+ % the TFM files (because more characters mean more distinct values).
+ %
+ % We leave the initial positions open for the Greek letters in Times-Roman.
+ %
+ /DvipsEncoding [
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef
+ /.notdef /quotesingle /exclamdown /questiondown
+ /dotlessi /dotlessj /grave /acute /caron /breve /macron /ring
+ /cedilla /germandbls /ae /oe /oslash /AE /OE /Oslash
+ /space /exclam /quotedbl /numbersign /dollar /percent /ampersand /quoteright
+ /parenleft /parenright /asterisk /plus /comma /hyphen /period /slash
+ /zero /one /two /three /four /five /six /seven
+ /eight /nine /colon /semicolon /less /equal /greater /question
+ /at /A /B /C /D /E /F /G
+ /H /I /J /K /L /M /N /O
+ /P /Q /R /S /T /U /V /W
+ /X /Y /Z /bracketleft /backslash /bracketright /circumflex /underscore
+ /quoteleft /a /b /c /d /e /f /g
+ /h /i /j /k /l /m /n /o
+ /p /q /r /s /t /u /v /w
+ /x /y /z /braceleft /bar /braceright /tilde /dieresis
+ /asciicircum /asciitilde /Ccedilla /Iacute
+ /Icircumflex /atilde /edieresis /egrave
+ /scaron /zcaron /Eth /ff /ffi /ffl /.notdef /.notdef
+ /.notdef /.notdef /Scaron /.notdef /.notdef /.notdef /.notdef /.notdef
+ /Ydieresis /.notdef /Zcaron /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /cent /sterling /fraction /yen /florin /section
+ /currency /copyright /quotedblleft /guillemotleft
+ /guilsinglleft /guilsinglright /fi /fl
+ /degree /endash /dagger /daggerdbl /periodcentered /.notdef /paragraph /bullet
+ /quotesinglbase /quotedblbase /quotedblright /guillemotright
+ /ellipsis /perthousand /.notdef /.notdef
+ /Agrave /Aacute /Acircumflex /Atilde /Adieresis /Aring /.notdef /dotaccent
+ /Egrave /Eacute /Ecircumflex /Edieresis
+ /Igrave /hungarumlaut /ogonek /Idieresis
+ /emdash /Ntilde /Ograve /Oacute /Ocircumflex /Otilde /Odieresis /.notdef
+ /.notdef /Ugrave /Uacute /Ucircumflex /Udieresis /Yacute /Thorn /.notdef
+ /agrave /aacute /acircumflex /ordfeminine
+ /adieresis /aring /.notdef /ccedilla
+ /Lslash /eacute /ecircumflex /ordmasculine
+ /igrave /iacute /icircumflex /idieresis
+ /.notdef /ntilde /ograve /oacute /ocircumflex /otilde /odieresis /.notdef
+ /lslash /ugrave /uacute /ucircumflex /udieresis /yacute /thorn /ydieresis
+ ] def
+ </pre>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fonts/fontname/fontname.aux b/Master/texmf-dist/doc/fonts/fontname/fontname.aux
new file mode 100644
index 00000000000..43d26defb80
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/fontname.aux
@@ -0,0 +1,108 @@
+@xrdef{Introduction-title}{Introduction}
+@xrdef{Introduction-snt}{Chapter@tie 1}
+@xrdef{History-title}{History}
+@xrdef{History-snt}{Section@tie 1.1}
+@xrdef{References-title}{References}
+@xrdef{References-snt}{Section@tie 1.2}
+@xrdef{Introduction-pg}{1}
+@xrdef{History-pg}{1}
+@xrdef{References-pg}{1}
+@xrdef{Filenames for fonts-title}{Filenames for fonts}
+@xrdef{Filenames for fonts-snt}{Chapter@tie 2}
+@xrdef{Suppliers-title}{Suppliers}
+@xrdef{Suppliers-snt}{Section@tie 2.1}
+@xrdef{Filenames for fonts-pg}{3}
+@xrdef{Suppliers-pg}{3}
+@xrdef{Typefaces-title}{Typefaces}
+@xrdef{Typefaces-snt}{Section@tie 2.2}
+@xrdef{Typefaces-pg}{4}
+@xrdef{Weights-title}{Weights}
+@xrdef{Weights-snt}{Section@tie 2.3}
+@xrdef{Variants-title}{Variants}
+@xrdef{Variants-snt}{Section@tie 2.4}
+@xrdef{Weights-pg}{18}
+@xrdef{Variants-pg}{19}
+@xrdef{Widths-title}{Widths}
+@xrdef{Widths-snt}{Section@tie 2.5}
+@xrdef{Widths-pg}{23}
+@xrdef{Long names-title}{Long names}
+@xrdef{Long names-snt}{Chapter@tie 3}
+@xrdef{Name mapping file-title}{A fontname mapping file}
+@xrdef{Name mapping file-snt}{Section@tie 3.1}
+@xrdef{Long naming scheme-title}{A naming scheme for long names}
+@xrdef{Long naming scheme-snt}{Section@tie 3.2}
+@xrdef{Long names-pg}{24}
+@xrdef{Name mapping file-pg}{24}
+@xrdef{Long naming scheme-pg}{24}
+@xrdef{Font name lists-title}{Font name lists}
+@xrdef{Font name lists-snt}{Appendix@tie @char65{}}
+@xrdef{Standard PostScript fonts-title}{Standard PostScript fonts}
+@xrdef{Standard PostScript fonts-snt}{Section@tie @char65.1}
+@xrdef{Font name lists-pg}{26}
+@xrdef{Standard PostScript fonts-pg}{26}
+@xrdef{Adobe fonts-title}{Adobe fonts}
+@xrdef{Adobe fonts-snt}{Section@tie @char65.2}
+@xrdef{Adobe fonts-pg}{27}
+@xrdef{Apple fonts-title}{Apple fonts}
+@xrdef{Apple fonts-snt}{Section@tie @char65.3}
+@xrdef{Bitstream fonts-title}{Bitstream fonts}
+@xrdef{Bitstream fonts-snt}{Section@tie @char65.4}
+@xrdef{Apple fonts-pg}{85}
+@xrdef{Bitstream fonts-pg}{85}
+@xrdef{DTC fonts-title}{DTC fonts}
+@xrdef{DTC fonts-snt}{Section@tie @char65.5}
+@xrdef{ITC fonts-title}{ITC fonts}
+@xrdef{ITC fonts-snt}{Section@tie @char65.6}
+@xrdef{DTC fonts-pg}{103}
+@xrdef{ITC fonts-pg}{103}
+@xrdef{Linotype fonts-title}{Linotype fonts}
+@xrdef{Linotype fonts-snt}{Section@tie @char65.7}
+@xrdef{Linotype fonts-pg}{120}
+@xrdef{Monotype fonts-title}{Monotype fonts}
+@xrdef{Monotype fonts-snt}{Section@tie @char65.8}
+@xrdef{Monotype fonts-pg}{210}
+@xrdef{URW fonts-title}{URW fonts}
+@xrdef{URW fonts-snt}{Section@tie @char65.9}
+@xrdef{URW fonts-pg}{237}
+@xrdef{Encodings-title}{Encodings}
+@xrdef{Encodings-snt}{Appendix@tie @char66{}}
+@xrdef{8a-title}{@samp {8a.enc}: Adobe standard encoding}
+@xrdef{8a-snt}{Section@tie @char66.1}
+@xrdef{Encodings-pg}{238}
+@xrdef{8a-pg}{238}
+@xrdef{8r-title}{@samp {8r.enc}: @TeX {} base encoding}
+@xrdef{8r-snt}{Section@tie @char66.2}
+@xrdef{8r-pg}{243}
+@xrdef{cork-title}{@samp {cork.enc}: Cork encoding}
+@xrdef{cork-snt}{Section@tie @char66.3}
+@xrdef{cork-pg}{247}
+@xrdef{dvips-title}{@samp {dvips.enc}: Dvips encoding}
+@xrdef{dvips-snt}{Section@tie @char66.4}
+@xrdef{dvips-pg}{249}
+@xrdef{texmext-title}{@samp {texmext.enc}: @TeX {} math extension encoding}
+@xrdef{texmext-snt}{Section@tie @char66.5}
+@xrdef{texmext-pg}{250}
+@xrdef{texmsym-title}{@samp {texmsym.enc}: @TeX {} math symbol encoding}
+@xrdef{texmsym-snt}{Section@tie @char66.6}
+@xrdef{texmsym-pg}{254}
+@xrdef{texmital-title}{@samp {texmital.enc}: @TeX {} math italic encoding}
+@xrdef{texmital-snt}{Section@tie @char66.7}
+@xrdef{texmital-pg}{258}
+@xrdef{texnansi-title}{@samp {texnansi.enc}}
+@xrdef{texnansi-snt}{Section@tie @char66.8}
+@xrdef{texnansi-pg}{262}
+@xrdef{texnansx-title}{@samp {texnansx.enc}}
+@xrdef{texnansx-snt}{Section@tie @char66.9}
+@xrdef{texnansx-pg}{269}
+@xrdef{xl2-title}{@samp {xl2.enc}: OT1 + ISO Latin 2 extended}
+@xrdef{xl2-snt}{Section@tie @char66.10}
+@xrdef{xl2-pg}{276}
+@xrdef{xt2-title}{@samp {xt2.enc}: typewriter OT1 + ISO Latin 2 extended}
+@xrdef{xt2-snt}{Section@tie @char66.11}
+@xrdef{xt2-pg}{283}
+@xrdef{Font legalities-title}{Font legalities}
+@xrdef{Font legalities-snt}{Appendix@tie @char67{}}
+@xrdef{Font legalities-pg}{290}
+@xrdef{Index-title}{Index}
+@xrdef{Index-snt}{}
+@xrdef{Index-pg}{292}
diff --git a/Master/texmf-dist/doc/fonts/fontname/fontname.cp b/Master/texmf-dist/doc/fonts/fontname/fontname.cp
new file mode 100644
index 00000000000..3796f3fdf32
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/fontname.cp
@@ -0,0 +1,192 @@
+\entry{introduction}{1}{introduction}
+\entry{bugs, reporting}{1}{bugs, reporting}
+\entry{reporting bugs}{1}{reporting bugs}
+\entry{tex-fonts@tug.org}{1}{\code {tex-fonts@tug.org}}
+\entry{distribution}{1}{distribution}
+\entry{encoding files}{1}{encoding files}
+\entry{mapping files}{1}{mapping files}
+\entry{utilities}{1}{utilities}
+\entry{ftp.cs.umb.edu}{1}{\code {ftp.cs.umb.edu}}
+\entry{ftp.tug.org}{1}{\code {ftp.tug.org}}
+\entry{history}{1}{history}
+\entry{Mittelbach, Frank}{1}{Mittelbach, Frank}
+\entry{Schoepf, Rainer}{1}{Schoepf, Rainer}
+\entry{Fontname version 2}{1}{Fontname version 2}
+\entry{contributors}{1}{contributors}
+\entry{Beebe, Nelson}{1}{Beebe, Nelson}
+\entry{Beeton, Barbara}{1}{Beeton, Barbara}
+\entry{Bernstein, Rocky}{1}{Bernstein, Rocky}
+\entry{Bouche, Thierry}{1}{Bouche, Thierry}
+\entry{Cugley, Damian}{1}{Cugley, Damian}
+\entry{Horn, Berthol}{1}{Horn, Berthol}
+\entry{Jeffrey, Alan}{1}{Jeffrey, Alan}
+\entry{Lang, Russell}{1}{Lang, Russell}
+\entry{MacKay, Pierre}{1}{MacKay, Pierre}
+\entry{Rahtz, Sebastian}{1}{Rahtz, Sebastian}
+\entry{Rivlin, Jean}{1}{Rivlin, Jean}
+\entry{Rokicki, Tom}{1}{Rokicki, Tom}
+\entry{references}{1}{references}
+\entry{related files}{1}{related files}
+\entry{TeX{} Directory Structure standard}{1}{\TeX {} Directory Structure standard}
+\entry{TDS standard}{1}{TDS standard}
+\entry{modes.mf}{2}{\code {modes.mf}}
+\entry{PSfonts distribution}{2}{PSfonts distribution}
+\entry{Fontinst distribution}{2}{Fontinst distribution}
+\entry{Dvips translator}{2}{Dvips translator}
+\entry{Dviljk translator}{2}{Dviljk translator}
+\entry{terminology}{2}{terminology}
+\entry{Southall, Richard}{2}{Southall, Richard}
+\entry{limitations}{3}{limitations}
+\entry{eight-character limitation}{3}{eight-character limitation}
+\entry{DOS filesystems}{3}{DOS filesystems}
+\entry{ISO 9660}{3}{ISO 9660}
+\entry{CD-ROM distribution}{3}{CD-ROM distribution}
+\entry{filenames, basics}{3}{filenames, basics}
+\entry{design size specification}{3}{design size specification}
+\entry{hexadecimal design size}{3}{hexadecimal design size}
+\entry{font scaling}{3}{font scaling}
+\entry{Mittelbach, Frank}{3}{Mittelbach, Frank}
+\entry{suppliers}{3}{suppliers}
+\entry{foundries}{3}{foundries}
+\entry{type foundries}{3}{type foundries}
+\entry{Avant Garde}{3}{Avant Garde}
+\entry{Lubalin, Herb}{3}{Lubalin, Herb}
+\entry{individual font designers}{3}{individual font designers}
+\entry{small foundries}{3}{small foundries}
+\entry{attribution of fonts, missing}{3}{attribution of fonts, missing}
+\entry{unattributed fonts}{3}{unattributed fonts}
+\entry{raw fonts}{3}{raw fonts}
+\entry{bizarre font names}{3}{bizarre font names}
+\entry{nonstandard names, escape for}{3}{nonstandard names, escape for}
+\entry{escape for nonstandard names}{3}{escape for nonstandard names}
+\entry{supplier.map}{4}{\code {supplier.map}}
+\entry{typefaces}{4}{typefaces}
+\entry{Garamond, versions of}{4}{Garamond, versions of}
+\entry{pi fonts}{5}{pi fonts}
+\entry{typeface.map}{5}{\code {typeface.map}}
+\entry{FontName}{5}{\code {FontName}}
+\entry{weight}{18}{weight}
+\entry{weight.map}{18}{\code {weight.map}}
+\entry{variants}{19}{variants}
+\entry{multiple variants}{19}{multiple variants}
+\entry{letterspacing}{19}{letterspacing}
+\entry{small caps fonts}{19}{small caps fonts}
+\entry{semisans variant}{19}{semisans variant}
+\entry{semiserif variant}{19}{semiserif variant}
+\entry{fax variant}{19}{fax variant}
+\entry{bright variant}{19}{bright variant}
+\entry{phonetic encodings}{19}{phonetic encodings}
+\entry{Cyrillic encodings}{19}{Cyrillic encodings}
+\entry{7-bit encodings}{19}{7-bit encodings}
+\entry{8-bit encodings}{19}{8-bit encodings}
+\entry{expertised encodings}{19}{expertised encodings}
+\entry{SuperFont}{19}{\code {SuperFont}}
+\entry{9s variant}{19}{\code {9s \r {variant}}}
+\entry{ligatures and encodings}{19}{ligatures and encodings}
+\entry{Lslash}{19}{\code {Lslash}}
+\entry{lslash}{19}{\code {lslash}}
+\entry{T1.etx}{19}{\code {T1.etx}}
+\entry{encodings, unspecified}{19}{encodings, unspecified}
+\entry{Afm2tfm encoding}{19}{Afm2tfm encoding}
+\entry{LaserJet 4 fonts}{19}{LaserJet 4 fonts}
+\entry{scripts}{20}{scripts}
+\entry{Greek fonts}{20}{Greek fonts}
+\entry{Cyrillic fonts}{20}{Cyrillic fonts}
+\entry{math variants}{20}{math variants}
+\entry{informal variant}{20}{informal variant}
+\entry{schoolbook variant}{20}{schoolbook variant}
+\entry{Stone Informal}{20}{Stone Informal}
+\entry{typewriter variant}{20}{typewriter variant}
+\entry{sans variant}{20}{sans variant}
+\entry{Mittelbach, Frank}{20}{Mittelbach, Frank}
+\entry{expert encoding}{20}{expert encoding}
+\entry{expertised font}{20}{expertised font}
+\entry{variant.map}{21}{\code {variant.map}}
+\entry{widths}{23}{widths}
+\entry{compression}{23}{compression}
+\entry{expansion}{23}{expansion}
+\entry{automatic expansion}{23}{automatic expansion}
+\entry{character scaling, automatic}{23}{character scaling, automatic}
+\entry{width.map}{23}{\code {width.map}}
+\entry{long names}{24}{long names}
+\entry{fontname mapping file}{24}{fontname mapping file}
+\entry{mapping file}{24}{mapping file}
+\entry{texfonts.map}{24}{\code {texfonts.map}}
+\entry{Knuth, Donald E.}{24}{Knuth, Donald E.}
+\entry{long naming scheme}{24}{long naming scheme}
+\entry{X Window System font names}{24}{X Window System font names}
+\entry{font_coding_scheme}{25}{\code {font_coding_scheme}}
+\entry{category codes}{25}{category codes}
+\entry{35 standard PostScript fonts}{26}{35 standard PostScript fonts}
+\entry{standard PostScript fonts}{26}{standard PostScript fonts}
+\entry{PostScript fonts, standard}{26}{PostScript fonts, standard}
+\entry{adobe.map}{27}{\code {adobe.map}}
+\entry{apple.map}{85}{\code {apple.map}}
+\entry{bitstrea.map}{85}{\code {bitstrea.map}}
+\entry{dtc.map}{103}{\code {dtc.map}}
+\entry{itc.map}{103}{\code {itc.map}}
+\entry{linotype.map}{120}{\code {linotype.map}}
+\entry{monotype.map}{210}{\code {monotype.map}}
+\entry{urw.map}{237}{\code {urw.map}}
+\entry{PostScript encoding vectors}{238}{PostScript encoding vectors}
+\entry{encoding vectors}{238}{encoding vectors}
+\entry{8a.enc}{238}{\code {8a.enc}}
+\entry{Adobe standard encoding}{238}{Adobe standard encoding}
+\entry{encodings, Adobe standard}{238}{encodings, Adobe standard}
+\entry{8r.enc}{244}{\code {8r.enc}}
+\entry{TeX{} base encoding}{244}{\TeX {} base encoding}
+\entry{base encoding, for TeX{}}{244}{base encoding, for \TeX {}}
+\entry{encodings, TeX{} base}{244}{encodings, \TeX {} base}
+\entry{Windows ANSI}{244}{Windows ANSI}
+\entry{Lucida Bright}{244}{Lucida Bright}
+\entry{cork.enc}{247}{\code {cork.enc}}
+\entry{Cork encoding}{247}{Cork encoding}
+\entry{EC encoding}{247}{EC encoding}
+\entry{TeX{} Latin 1 encoding}{247}{\TeX {} Latin 1 encoding}
+\entry{encodings, Cork}{247}{encodings, Cork}
+\entry{encodings, EC}{247}{encodings, EC}
+\entry{encodings, TeX{} Latin 1}{247}{encodings, \TeX {} Latin 1}
+\entry{dvips.enc}{249}{\code {dvips.enc}}
+\entry{Dvips encoding}{249}{Dvips encoding}
+\entry{encoding, Dvips}{249}{encoding, Dvips}
+\entry{texmext.enc}{250}{\code {texmext.enc}}
+\entry{TeX{} math extension encoding}{250}{\TeX {} math extension encoding}
+\entry{math extension, TeX{} encoding}{250}{math extension, \TeX {} encoding}
+\entry{extension, TeX{} math encoding}{250}{extension, \TeX {} math encoding}
+\entry{encodings, TeX{} math symbol}{250}{encodings, \TeX {} math symbol}
+\entry{texmsym.enc}{254}{\code {texmsym.enc}}
+\entry{TeX{} math symbol encoding}{254}{\TeX {} math symbol encoding}
+\entry{math symbol, TeX{} encoding}{254}{math symbol, \TeX {} encoding}
+\entry{symbol, TeX{} math encoding}{254}{symbol, \TeX {} math encoding}
+\entry{encodings, TeX{} math symbol}{254}{encodings, \TeX {} math symbol}
+\entry{texmital.enc}{258}{\code {texmital.enc}}
+\entry{TeX{} math italic encoding}{258}{\TeX {} math italic encoding}
+\entry{math italic, TeX{} encoding}{258}{math italic, \TeX {} encoding}
+\entry{italic, TeX{} math encoding}{258}{italic, \TeX {} math encoding}
+\entry{encodings, TeX{} math italic}{258}{encodings, \TeX {} math italic}
+\entry{xl2.enc}{276}{\code {xl2.enc}}
+\entry{ISO Latin 2 extended, TeX{} encoding}{276}{ISO Latin 2 extended, \TeX {} encoding}
+\entry{xt2.enc}{283}{\code {xt2.enc}}
+\entry{ISO Latin 2 extended and typewriter, TeX{} encoding}{283}{ISO Latin 2 extended and typewriter, \TeX {} encoding}
+\entry{legalisms}{290}{legalisms}
+\entry{typeface design protection}{290}{typeface design protection}
+\entry{copyright on fonts}{290}{copyright on fonts}
+\entry{font copyrighting}{290}{font copyrighting}
+\entry{patenting of fonts}{290}{patenting of fonts}
+\entry{Bigelow, Charles}{290}{Bigelow, Charles}
+\entry{Holmes, Kris}{290}{Holmes, Kris}
+\entry{United States, font design protection law}{290}{United States, font design protection law}
+\entry{Lucida, protection of}{290}{Lucida, protection of}
+\entry{Stone, protection of}{290}{Stone, protection of}
+\entry{Germany, font design protection law}{290}{Germany, font design protection law}
+\entry{Bauer, Paul}{290}{Bauer, Paul}
+\entry{Futura}{290}{Futura}
+\entry{England, font design protection law}{290}{England, font design protection law}
+\entry{Times Roman, protection of}{290}{Times Roman, protection of}
+\entry{Morison, Stanley}{290}{Morison, Stanley}
+\entry{Lardent, Victor}{290}{Lardent, Victor}
+\entry{Monotype}{290}{Monotype}
+\entry{France, font design protection law}{290}{France, font design protection law}
+\entry{romain du roi}{290}{romain du roi}
+\entry{Grandjean, Philippe}{290}{Grandjean, Philippe}
+\entry{Vienna treaty}{290}{Vienna treaty}
diff --git a/Master/texmf-dist/doc/fonts/fontname/fontname.html b/Master/texmf-dist/doc/fonts/fontname/fontname.html
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+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.13">
+<link title="Top" rel="top" href="#Top">
+<link href="http://www.gnu.org/software/texinfo/" rel="generator-home" title="Texinfo Homepage">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+ span.sc { font-variant:small-caps }
+ span.roman { font-family:serif; font-weight:normal; }
+ span.sansserif { font-family:sans-serif; font-weight:normal; }
+--></style>
+</head>
+<body>
+<h1 class="settitle">Filenames for TeX fonts</h1>
+<div class="contents">
+<h2>Table of Contents</h2>
+<ul>
+<li><a name="toc_Top" href="#Top">Filenames for TeX fonts</a>
+<li><a name="toc_Introduction" href="#Introduction">1 Introduction</a>
+<ul>
+<li><a href="#History">1.1 History</a>
+<li><a href="#References">1.2 References</a>
+</li></ul>
+<li><a name="toc_Filenames-for-fonts" href="#Filenames-for-fonts">2 Filenames for fonts</a>
+<ul>
+<li><a href="#Suppliers">2.1 Suppliers</a>
+<li><a href="#Typefaces">2.2 Typefaces</a>
+<li><a href="#Weights">2.3 Weights</a>
+<li><a href="#Variants">2.4 Variants</a>
+<li><a href="#Widths">2.5 Widths</a>
+</li></ul>
+<li><a name="toc_Long-names" href="#Long-names">3 Long names</a>
+<ul>
+<li><a href="#Name-mapping-file">3.1 A fontname mapping file</a>
+<li><a href="#Long-naming-scheme">3.2 A naming scheme for long names</a>
+</li></ul>
+<li><a name="toc_Font-name-lists" href="#Font-name-lists">Appendix A Font name lists</a>
+<ul>
+<li><a href="#Standard-PostScript-fonts">A.1 Standard PostScript fonts</a>
+<li><a href="#Adobe-fonts">A.2 Adobe fonts</a>
+<li><a href="#Apple-fonts">A.3 Apple fonts</a>
+<li><a href="#Bitstream-fonts">A.4 Bitstream fonts</a>
+<li><a href="#DTC-fonts">A.5 DTC fonts</a>
+<li><a href="#ITC-fonts">A.6 ITC fonts</a>
+<li><a href="#Linotype-fonts">A.7 Linotype fonts</a>
+<li><a href="#Monotype-fonts">A.8 Monotype fonts</a>
+<li><a href="#URW-fonts">A.9 URW fonts</a>
+</li></ul>
+<li><a name="toc_Encodings" href="#Encodings">Appendix B Encodings</a>
+<ul>
+<li><a href="#6w">B.1 &lsquo;<samp><span class="samp">6w.enc</span></samp>&rsquo;: Cyrillic CP-1251</a>
+<li><a href="#8a">B.2 &lsquo;<samp><span class="samp">8a.enc</span></samp>&rsquo;: Adobe standard encoding</a>
+<li><a href="#8r">B.3 &lsquo;<samp><span class="samp">8r.enc</span></samp>&rsquo;: TeX base encoding</a>
+<li><a href="#dvips">B.4 &lsquo;<samp><span class="samp">dvips.enc</span></samp>&rsquo;: Dvips encoding</a>
+<li><a href="#ec">B.5 &lsquo;<samp><span class="samp">ec.enc</span></samp>&rsquo;: Cork encoding</a>
+<li><a href="#groff">B.6 &lsquo;<samp><span class="samp">groff.enc</span></samp>&rsquo;: groff encoding</a>
+<li><a href="#t5">B.7 &lsquo;<samp><span class="samp">t5.enc</span></samp>&rsquo;: T5 encoding</a>
+<li><a href="#qx">B.8 &lsquo;<samp><span class="samp">qx.enc</span></samp>&rsquo;</a>
+<li><a href="#texmext">B.9 &lsquo;<samp><span class="samp">texmext.enc</span></samp>&rsquo;: TeX math extension encoding</a>
+<li><a href="#texmsym">B.10 &lsquo;<samp><span class="samp">texmsym.enc</span></samp>&rsquo;: TeX math symbol encoding</a>
+<li><a href="#texmital">B.11 &lsquo;<samp><span class="samp">texmital.enc</span></samp>&rsquo;: TeX math italic encoding</a>
+<li><a href="#texnansi">B.12 &lsquo;<samp><span class="samp">texnansi.enc</span></samp>&rsquo;</a>
+<li><a href="#texnansx">B.13 &lsquo;<samp><span class="samp">texnansx.enc</span></samp>&rsquo;</a>
+<li><a href="#xl2">B.14 &lsquo;<samp><span class="samp">xl2.enc</span></samp>&rsquo;: OT1 + ISO Latin 2 extended</a>
+<li><a href="#xt2">B.15 &lsquo;<samp><span class="samp">xt2.enc</span></samp>&rsquo;: typewriter OT1 + ISO Latin 2 extended</a>
+</li></ul>
+<li><a name="toc_Font-legalities" href="#Font-legalities">Appendix C Font legalities</a>
+<li><a name="toc_General-index" href="#General-index">General index</a>
+</li></ul>
+</div>
+
+
+
+<div class="node">
+<a name="Top"></a>
+<p><hr>
+Next:&nbsp;<a rel="next" accesskey="n" href="#Introduction">Introduction</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#dir">(dir)</a>
+
+</div>
+
+<h2 class="unnumbered">Filenames for TeX fonts</h2>
+
+<p>This is Fontname, a naming scheme for (the base part of) external TeX
+font filenames. Last update 30 October 2008.
+
+<ul class="menu">
+<li><a accesskey="1" href="#Introduction">Introduction</a>: Rationale and basic information about fonts.
+<li><a accesskey="2" href="#Filenames-for-fonts">Filenames for fonts</a>: The construction of font names.
+<li><a accesskey="3" href="#Long-names">Long names</a>: A specification for long filenames.
+<li><a accesskey="4" href="#Font-name-lists">Font name lists</a>: Real fontnames for many existing fonts.
+<li><a accesskey="5" href="#Encodings">Encodings</a>: Specifications for various encodings.
+<li><a accesskey="6" href="#Font-legalities">Font legalities</a>: Legal issues vary from country to country.
+<li><a accesskey="7" href="#General-index">General index</a>: Index.
+
+</li></ul>
+<p>--- The Detailed Node Listing ---
+
+<p>Introduction
+
+</p>
+<ul class="menu">
+<li><a accesskey="8" href="#History">History</a>
+<li><a accesskey="9" href="#References">References</a>
+
+</li></ul>
+<p>Filenames for fonts
+
+</p>
+<ul class="menu">
+<li><a href="#Suppliers">Suppliers</a>
+<li><a href="#Typefaces">Typefaces</a>
+<li><a href="#Weights">Weights</a>
+<li><a href="#Variants">Variants</a>
+<li><a href="#Widths">Widths</a>
+
+</li></ul>
+<p>Long names
+
+</p>
+<ul class="menu">
+<li><a href="#Name-mapping-file">Name mapping file</a>: Aliases for fonts.
+<li><a href="#Long-naming-scheme">Long naming scheme</a>: A way to use more than 8 alphanumerics.
+
+</li></ul>
+<p>Font name lists
+
+</p>
+<ul class="menu">
+<li><a href="#Standard-PostScript-fonts">Standard PostScript fonts</a>: The standard 35 PostScript fonts.
+<li><a href="#Adobe-fonts">Adobe fonts</a>
+<li><a href="#Apple-fonts">Apple fonts</a>
+<li><a href="#Bitstream-fonts">Bitstream fonts</a>
+<li><a href="#DTC-fonts">DTC fonts</a>
+<li><a href="#ITC-fonts">ITC fonts</a>
+<li><a href="#Linotype-fonts">Linotype fonts</a>
+<li><a href="#Monotype-fonts">Monotype fonts</a>
+<li><a href="#URW-fonts">URW fonts</a>
+
+</li></ul>
+<p>Encodings
+
+</p>
+<ul class="menu">
+<li><a href="#g_t8a">8a</a>: Adobe standard.
+<li><a href="#g_t8r">8r</a>: TeX base.
+<li><a href="#dvips">dvips</a>: Dvips.
+<li><a href="#ec">ec</a>: EC (aka Cork, TeX Latin 1, tex256).
+<li><a href="#qx">qx</a>: QX, from GUST.
+<li><a href="#t5">t5</a>: Vietnamese, from vntex.
+<li><a href="#texmext">texmext</a>: TeX math extension.
+<li><a href="#texmsym">texmsym</a>: TeX math symbol.
+<li><a href="#texmital">texmital</a>: TeX math italic.
+<li><a href="#texnansi">texnansi</a>: From Y&amp;Y.
+<li><a href="#texnansx">texnansx</a>: From Y&amp;Y.
+<li><a href="#xl2">xl2</a>: OT1 + ISO Latin 2 (extended).
+<li><a href="#xt2">xt2</a>: Typewriter version of xl2.
+
+ </ul>
+
+<div class="node">
+<a name="Introduction"></a>
+<p><hr>
+Next:&nbsp;<a rel="next" accesskey="n" href="#Filenames-for-fonts">Filenames for fonts</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#Top">Top</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Top">Top</a>
+
+</div>
+
+<h2 class="chapter">1 Introduction</h2>
+
+<p><a name="index-introduction-1"></a>
+This is Fontname, a naming scheme for (the base part of) external TeX
+font filenames. This makes at most eight-character names from (almost)
+arbitrarily complex font names, thus helping portability of TeX
+documents. We point out some shortcomings of the scheme, and ways of
+dealing with them.
+
+ <p><a name="index-bugs_002c-reporting-2"></a><a name="index-reporting-bugs-3"></a><a name="index-tex_002dfonts_0040_0040tug_002eorg-4"></a>Please send additions, corrections, or other comments to
+<a href="mailto:tex-fonts@tug.org">tex-fonts@tug.org</a>. Email
+<a href="mailto:tex-fonts-request@tug.org">tex-fonts-request@tug.org</a> to join the list.
+
+ <p><a name="index-distribution-5"></a><a name="index-encoding-files-6"></a><a name="index-mapping-files-7"></a><a name="index-utilities-8"></a>Besides this document, the Fontname distribution includes various
+encoding files, mapping files, and utilities. See the file
+<samp><span class="file">README</span></samp> for details. You can retrieve the most up-to-date
+version of these lists from <a href="http://tug.org/fontname">http://tug.org/fontname</a>. It is
+also mirrored on all CTAN hosts in the directory
+<samp><span class="file">tex-archive/doc/fontname</span></samp>. For a list of CTAN mirrors, see
+<a href="http://www.ctan.org/tex-archive/CTAN.sites">http://www.ctan.org/tex-archive/CTAN.sites</a>.
+
+ <p>This document is in the public domain and may be used freely.
+
+<ul class="menu">
+<li><a accesskey="1" href="#History">History</a>
+<li><a accesskey="2" href="#References">References</a>
+</ul>
+
+<div class="node">
+<a name="History"></a>
+<p><hr>
+Next:&nbsp;<a rel="next" accesskey="n" href="#References">References</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Introduction">Introduction</a>
+
+</div>
+
+<h3 class="section">1.1 History</h3>
+
+<p><a name="index-history-9"></a>
+<a name="index-Mittelbach_002c-Frank-10"></a><a name="index-Schoepf_002c-Rainer-11"></a>The original inspiration for Fontname was Frank Mittelbach and Rainer
+Schoepf's article in <cite>TUGboat</cite> 11(2) (June 1990), which led to my
+article in <cite>TUGboat</cite> 11(4) (November 1990), pages 512&ndash;519.
+Mittelbach wrote another article criticizing the scheme below in
+<cite>TUGboat</cite> 13(1) (April 1992), pages 51&ndash;53; most of his points are
+well-taken, but I saw no alternative then, and see no alternative now.
+Others of his points are addressed in the appropriate sections below.
+
+ <p><a name="index-Fontname-version-2-12"></a>In August 1995, Fontname version 2 was released, concomitantly with a new
+release of the PostScript fonts for use with LaTeX and Dvips. After
+several years of experience, several modifications of the original
+distribution seemed desirable: more precise specification of encodings
+(see <a href="#Variants">Variants</a>); machine-readable mapping files (the <samp><span class="file">*.map</span></samp>
+files in the distribution) and standardizing directory names as well as
+font filenames (included in <samp><span class="file">supplier.map</span></samp> and
+<samp><span class="file">typeface.map</span></samp>).
+
+ <p>In Fontname version 1, some encoding variant characters (&lsquo;<samp><span class="samp">0</span></samp>&rsquo;,
+&lsquo;<samp><span class="samp">2</span></samp>&rsquo;, etc.) have been reassigned to a &lsquo;<samp><span class="samp">7</span></samp>&rsquo; or &lsquo;<samp><span class="samp">8</span></samp>&rsquo; sequence
+(see <a href="#Variants">Variants</a>). Although this is an incompatible change, the
+advantages of (1) consistency in naming encoding variants, and (2)
+having some free variants makes it worthwhile. Also, not so
+coincidentally, new metrics for PostScript fonts in the Cork encoding
+were issued&mdash;same encoding, different metrics. So a new name served a
+practical purpose as well.
+
+ <p><a name="index-contributors-13"></a><a name="index-Beebe_002c-Nelson-14"></a><a name="index-Beeton_002c-Barbara-15"></a><a name="index-Bernstein_002c-Rocky-16"></a><a name="index-Bouche_002c-Thierry-17"></a><a name="index-Cugley_002c-Damian-18"></a><a name="index-Horn_002c-Berthol-19"></a><a name="index-Jeffrey_002c-Alan-20"></a><a name="index-Lang_002c-Russell-21"></a><a name="index-MacKay_002c-Pierre-22"></a><a name="index-Rahtz_002c-Sebastian-23"></a><a name="index-Rivlin_002c-Jean-24"></a><a name="index-Rokicki_002c-Tom-25"></a>Many people have contributed to this work. In particular, I gratefully
+acknowledge Nelson Beebe, Barbara Beeton, Rocky Bernstein, Thierry Bouche,
+Damian Cugley, Berthold K.P. Horn, Alan Jeffrey, Russell Lang, Pierre
+MacKay, Sebastian Rahtz, Jean Rivlin, and Tom Rokicki.
+
+<div class="node">
+<a name="References"></a>
+<p><hr>
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#History">History</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Introduction">Introduction</a>
+
+</div>
+
+<h3 class="section">1.2 References</h3>
+
+<p><a name="index-references-26"></a><a name="index-related-files-27"></a>
+Related files and distributions:
+
+ <ul>
+<li><a name="index-g_t_0040TeX_007b_007d-Directory-Structure-standard-28"></a><a name="index-TDS-standard-29"></a>The TeX Directory Structure (TDS) standard, available at
+(<a href="http://tug.org/tds">http://tug.org/tds</a> and <samp><var>CTAN:</var><span class="file">/tds</span></samp>) specifies a
+directory tree for all TeX library files. The directory names
+given in <a href="#Suppliers">Suppliers</a> and <a href="#Typefaces">Typefaces</a> are intended to mesh with
+that standard.
+
+ <li><a name="index-modes_002emf-30"></a>The <samp><span class="file">modes.mf</span></samp> file (<a href="ftp://tug.org/tex/modes.mf">ftp://tug.org/tex/modes.mf</a>)
+contains recommended mode names to use as directory names.
+
+ <li><a name="index-Fontinst-distribution-31"></a>The Fontinst distribution (<a href="http://tug.org/applications/fontinst">http://tug.org/applications/fontinst</a>
+supports quite general creation of virtual fonts, named according to the
+scheme given here.
+
+ <li><a name="index-Dvips-translator-32"></a>The Dvips translator (<a href="http://tug.org/dvips">http://tug.org/dvips</a>) supports resident
+and downloadable PostScript fonts. Dvips was the first place where
+Fontname became widely known. Dvips also includes Afm2tfm, another
+program that can create virtual fonts.
+
+ <li><a name="index-Dviljk-translator-33"></a>The Dviljk processor (included in TeX Live) contains TeX support
+for the fonts built into the LaserJet&nbsp;4.
+
+ <li><a name="index-terminology-34"></a><a name="index-Southall_002c-Richard-35"></a>`Designing New Typefaces with Metafont', by Richard Southall,
+Stanford Computer Science Department Technical Report STAN-CS-85-1074,
+September 1985, for a comprehensive terminology of font design.
+
+ </ul>
+
+<div class="node">
+<a name="Filenames-for-fonts"></a>
+<p><hr>
+Next:&nbsp;<a rel="next" accesskey="n" href="#Long-names">Long names</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#Introduction">Introduction</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Top">Top</a>
+
+</div>
+
+<h2 class="chapter">2 Filenames for fonts</h2>
+
+<p>In this scheme, names may consist of only the letters (monocase a-z),
+numerals (0-9), and underscore. Having two names which differ only in
+case is undesirable, since it results in clashes on common Windows
+filesystems.
+
+ <p><a name="index-filenames_002c-basics-36"></a>Here is the basic scheme (the spaces here are merely for readability):
+
+<pre class="example"> <var>S</var> <var>TT</var> <var>W</var> [<var>V<small class="dots">...</small></var>] [<var>N</var>] [<var>E</var>] [<var>DD</var>]
+</pre>
+ <p class="noindent">where
+
+ <dl>
+<dt><var>S</var><dd>represents the supplier of the font.
+
+ <br><dt><var>TT</var><dd>represents the typeface name.
+
+ <br><dt><var>W</var><dd>represents the weight.
+
+ <br><dt><var>V<small class="dots">...</small></var><dd>represents the variant(s), and is omitted if both it and the width are
+normal. Many fonts have more than one variant.
+
+ <br><dt><var>N</var><dd>represents the encoding, and is omitted if the encoding is nonstandard.
+Encodings are subsumed in the section on variants (see <a href="#Variants">Variants</a>).
+
+ <br><dt><var>E</var><dd>represents the width (&ldquo;expansion&rdquo;), and is omitted if
+it is normal.
+
+ <br><dt><var>DD</var><dd><a name="index-design-size-specification-37"></a><a name="index-hexadecimal-design-size-38"></a><a name="index-font-scaling-39"></a><a name="index-Mittelbach_002c-Frank-40"></a>represents the design size (in decimal), and is omitted if the font is
+linearly scaled. Mittelbach in <cite>TUGboat</cite> 13(1) proposes using
+hexadecimal or base-36 notation. In my opinion, the increased range
+does not make up for the unreadability of the common sizes (e.g.,
+10<span class="dmn">pt</span> fonts would have a suffix &lsquo;<samp><span class="samp">a</span></samp>&rsquo; (in hex), or &lsquo;<samp><span class="samp">j</span></samp>&rsquo;
+(in base 36)).
+
+ </dl>
+
+ <p>We used to try to limit font names to eight characters. This was
+never completely possible, and since DOS filesystems have become rare,
+it's no longer an issue.
+
+ <p>The weight, variants, and width are probably all best taken from the
+original name of the font, instead of trying to relate them to some
+external standard.
+
+<ul class="menu">
+<li><a accesskey="1" href="#Suppliers">Suppliers</a>
+<li><a accesskey="2" href="#Typefaces">Typefaces</a>
+<li><a accesskey="3" href="#Weights">Weights</a>
+<li><a accesskey="4" href="#Variants">Variants</a>
+<li><a accesskey="5" href="#Widths">Widths</a>
+</ul>
+
+<div class="node">
+<a name="Suppliers"></a>
+<p><hr>
+Next:&nbsp;<a rel="next" accesskey="n" href="#Typefaces">Typefaces</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Filenames-for-fonts">Filenames for fonts</a>
+
+</div>
+
+<h3 class="section">2.1 Suppliers</h3>
+
+<p><a name="index-suppliers-41"></a><a name="index-foundries-42"></a><a name="index-type-foundries-43"></a>
+The <dfn>supplier</dfn> is the source of a font, typically a (digital) type
+foundry.
+
+ <p><a name="index-Avant-Garde-44"></a><a name="index-Lubalin_002c-Herb-45"></a>You should use the supplier letter which matches the supplier you
+obtained the font from, not the original source; for example, Avant
+Garde was designed by Herb Lubalin for ITC, but Adobe also sells it.
+The name of the font that you get from Adobe should start with &lsquo;<samp><span class="samp">p</span></samp>&rsquo;.
+This is because font resellers typically make modifications to the
+original design.
+
+ <p>Notes on specific suppliers:
+
+ <dl>
+<dt>&lsquo;<samp><span class="samp">f</span></samp>&rsquo;<dd><a name="index-individual-font-designers-46"></a><a name="index-small-foundries-47"></a><a name="index-attribution-of-fonts_002c-missing-48"></a><a name="index-unattributed-fonts-49"></a>For fonts that are distributed without any specific attribution to the
+creator, by individuals, or by small foundries. (Unfortunately, we
+don't have enough characters to assign one to every font
+supplier in the world.)
+
+ <br><dt>&lsquo;<samp><span class="samp">r</span></samp>&rsquo;<dd><a name="index-raw-fonts-50"></a>obsolete; specifies raw fonts, in the old distribution of Dvips. New
+fonts should never use &lsquo;<samp><span class="samp">r</span></samp>&rsquo;. (The right thing to do is specify the
+correct encoding, variant, or whatever the font's characteristics
+actually are.)
+
+ <br><dt>&lsquo;<samp><span class="samp">z</span></samp>&rsquo;<dd><a name="index-bizarre-font-names-51"></a><a name="index-nonstandard-names_002c-escape-for-52"></a><a name="index-escape-for-nonstandard-names-53"></a>for fonts that just don't fit well into the naming scheme. The &lsquo;<samp><span class="samp">z</span></samp>&rsquo;
+should be followed by the real supplier letter.
+</dl>
+
+ <p><a name="index-supplier_002emap-54"></a>Here is the table from the file <samp><span class="file">supplier.map</span></samp>. It is organized
+alphabetically by abbreviation. Each line consists of an abbreviation,
+directory name, and comment.
+
+<pre class="example"> <!-- @mapfile{ -->
+ <!-- license = "public domain", -->
+ <!-- email = "tex-fonts@tug.org", -->
+ <!-- date = "2jun06", -->
+ <!-- url = "http://tug.org/fontname/supplier.map", -->
+ <!-- supported = "yes", -->
+ <!-- docstring = "Typeface supplier (foundry) abbreviations and -->
+ <!-- directory names for TeX fonts." -->
+ <!-- } -->
+ 0 fontfont <span class="roman">FontFont</span>
+ 2 elsnerflake <span class="roman">Elsner &amp; Flake</span>
+ 5 softmake <span class="roman">Softmaker</span>
+ 9 unknown
+ a autologi <span class="roman">Autologic</span>
+ b bitstrea <span class="roman">Bitstream</span>
+ c cg <span class="roman">Compugraphic</span>
+ d dtc <span class="roman">Digital Typeface Corporation</span>
+ e apple <span class="roman">Apple</span>
+ f public <span class="roman">small foundries</span>
+ g gnu <span class="roman">Free Software Foundation</span>
+ h bh <span class="roman">Bigelow &amp; Holmes</span>
+ i itc <span class="roman">International Typeface Corporation</span>
+ j microsft <span class="roman">Microsoft</span>
+ k softkey <span class="roman">SoftKey</span>
+ l linotype <span class="roman">Linotype</span>
+ m monotype <span class="roman">Monotype</span>
+ n ibm <span class="roman">IBM</span>
+ o corel <span class="roman">Corel</span>
+ p adobe <span class="roman">Adobe (&lsquo;</span><samp><span class="samp">p</span></samp><span class="roman">&rsquo; for PostScript)</span>
+ q texgyre <span class="roman">TeX Gyre fonts from GUST Typefoundry</span>
+ r - <span class="roman">raw (for [obsolete] use with virtual fonts)</span>
+ s sun <span class="roman">Storm Type</span>
+ t paragrap <span class="roman">ParaGraph</span>
+ u urw <span class="roman">URW</span>
+ v sil <span class="roman">SIL</span>
+ w wolfram <span class="roman">Wolfram</span>
+ z - <span class="roman">bizarre (fontname is nonstandard)</span>
+ - autofont <span class="roman">Eddie Kohler's </span><tt>autofont</tt><span class="roman"> program</span>
+ - jknappen <span class="roman">Joerg Knappen</span>
+ - mnm <span class="roman">Hong Feng, free software in China</span>
+ - yandy <span class="roman">Y&amp;Y</span>
+</pre>
+ <div class="node">
+<a name="Typefaces"></a>
+<p><hr>
+Next:&nbsp;<a rel="next" accesskey="n" href="#Weights">Weights</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#Suppliers">Suppliers</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Filenames-for-fonts">Filenames for fonts</a>
+
+</div>
+
+<h3 class="section">2.2 Typefaces</h3>
+
+<p><a name="index-typefaces-55"></a>
+For our purposes, a <dfn>typeface</dfn> is a collection of related fonts.
+
+ <p>We sometimes use the same typeface abbreviation for fonts with different
+supplier names, where we know (usually by inspection) that the fonts
+truly are the same. This helps conserve abbreviations.
+
+ <p>Notes on specific typefaces:
+
+ <dl>
+<dt>&lsquo;<samp><span class="samp">ad</span></samp>&rsquo;<dt>&lsquo;<samp><span class="samp">gm</span></samp>&rsquo;<dd><a name="index-Garamond_002c-versions-of-56"></a>To explain a common confusion: &lsquo;<samp><span class="samp">ad</span></samp>&rsquo; is Adobe Garamond (with a
+&lsquo;<samp><span class="samp">FontName</span></samp>&rsquo; of &lsquo;<samp><span class="samp">AGaramond</span></samp>&rsquo;). This is quite different from the
+&lsquo;<samp><span class="samp">Garamond</span></samp>&rsquo; typeface distributed by Adobe, which is actually ITC
+Garamond. (Garamond No. 3 (&lsquo;<samp><span class="samp">f3</span></samp>&rsquo;), Simoncini Garamond
+(&lsquo;<samp><span class="samp">ig</span></samp>&rsquo;), and Stempel Garamond (&lsquo;<samp><span class="samp">eg</span></samp>&rsquo;) are still other
+variations on the Garamond theme.)
+
+ <br><dt>&lsquo;<samp><span class="samp">lh</span></samp>&rsquo;<dt>&lsquo;<samp><span class="samp">ls</span></samp>&rsquo;<dt>&lsquo;<samp><span class="samp">lx</span></samp>&rsquo;<dt>&lsquo;<samp><span class="samp">r1</span></samp>&rsquo;<dd>These abbreviations for Lucida typeface subfamilies, et al., solve a
+problem with names getting too long, or help conserve variant
+abbreviations. See <a href="#Variants">Variants</a>. Ideally, they would not exist.
+
+ <br><dt>&lsquo;<samp><span class="samp">ns</span></samp>&rsquo;<dt>&lsquo;<samp><span class="samp">nt</span></samp>&rsquo;<dt>&lsquo;<samp><span class="samp">tm</span></samp>&rsquo;<dd>Suppliers offer as many variations on the Times New Roman design as they
+do Garamond. Adobe has &lsquo;<samp><span class="samp">Times</span></samp>&rsquo;, &lsquo;<samp><span class="samp">TimesNewRoman</span></samp>&rsquo;, and
+&lsquo;<samp><span class="samp">TimesNewRomanPS</span></samp>&rsquo;. Although this last has been used by other
+foundries (e.g., Monotype) for a Times variation exactly compatible with
+Adobe's &lsquo;<samp><span class="samp">Times</span></samp>&rsquo;, Adobe itself also offers it, so we must have
+abbreviations for all three.
+
+ <br><dt>&lsquo;<samp><span class="samp">pi</span></samp>&rsquo;<dd><a name="index-pi-fonts-57"></a>For pi fonts. Since names of pi fonts are rather arbitrary, it is
+not useful to try to assign typeface abbreviations to all of
+them. Instead, we use the supplier letter, &lsquo;<samp><span class="samp">pi</span></samp>&rsquo;, an
+arbitarily-assigned three-digit number, a weight and (if necessary) a
+variant. For example, &lsquo;<samp><span class="samp">mpi001r</span></samp>&rsquo;. Pi font &lsquo;<samp><span class="samp">001</span></samp>&rsquo; for one
+supplier has nothing to do with pi font &lsquo;<samp><span class="samp">001</span></samp>&rsquo; for another.
+</dl>
+
+ <p><a name="index-typeface_002emap-58"></a><a name="index-FontName-59"></a>Here is the table, from the file <samp><span class="file">typeface.map</span></samp>. It is organized
+alphabetically by abbreviation. Each line consists of an abbreviation
+and directory name, possibly followed by PostScript &lsquo;<samp><span class="samp">FontName</span></samp>&rsquo;s
+and/or a comment in roman. The &lsquo;<samp><span class="samp">FontName</span></samp>&rsquo; may be preceded by a
+letter <var>s</var> and a &lsquo;<samp><span class="samp">:</span></samp>&rsquo;, as in &lsquo;<samp><span class="samp">b:Dutch</span></samp>&rsquo;. In that case, the
+<var>s</var> is a supplier abbreviation, and we've used that abbreviation for
+the given &lsquo;<samp><span class="samp">FontName</span></samp>&rsquo; from that supplier.
+
+<pre class="verbatim">@c @mapfile{
+@c email = "tex-fonts@tug.org",
+@c date = "21feb08",
+@c url = "http://tug.org/fontname/typeface.map",
+@c supported = "yes",
+@c docstring = "Typeface abbreviations for the TeX Fontname scheme.",
+@c license = "public domain",
+@c }
+@c
+@c
+a0 arnopro ArnoPro
+a1 arial Arial
+a2 amasis Amasis
+a3 adlib AdLib
+a4 altgoth2 AlternateGothicNo2
+a5 allegro Allegro
+a6 amelia Amelia
+a7 amertext AmericanText
+a8 aurora Aurora
+a9 adsans Adsans b:Humanist970BT
+aa aachen Aachen
+ab aboeckli ArnoldBoecklin
+ac acaslon ACaslon @r{Adobe Caslon}
+ad agaramon AGaramond @r{Adobe Garamond}
+ae andalemo AndaleMono
+ag avantgar AvantGarde m:MAvantGardeGothicPS u:URWGothicL
+ah ashleysc AshleyScript
+ai abadi Abadi
+aj ajenson AJenson
+ak arkona Arkona
+al albertus Albertus b:Flareserif821BT
+am amercana Americana b:Americana
+an anna Anna
+ao atqolive AntiqueOlive b:Incised901BT
+ap apollo Apollo
+aq antiqua Antiqua u:URWAntiqua m:BookAntiqua
+ar arcadia Arcadia
+as aldus Aldus
+at atypewri AmericanTypewriter
+au auriol Auriol b:Freeform721
+av avenir Avenir
+ax alexa Alexa
+az azdzgrot AkzidenzGrotesk b:Gothic725BT
+b0 blackoak Blackoak
+b1 blado Blado
+b2 binnyos BinnyOldStyle
+b3 braggado Braggadocio
+b4 bison Bison b:Brush738BT
+b5 binghams BinghamScript b:Freehand591BT
+b6 block Block b:Gothic821
+b7 bernhard Bernhard BernhardModern
+b8 blippo Blippo
+b9 bremen Bremen
+ba barmeno Barmeno
+bb bembo Bembo b:Aldine401BT
+bc banco Banco
+bd bodoni Bodoni u:URWBodoni
+be bell Bell
+bf biffo Biffo
+bg benguiat Benguiat
+bh bauhaus Bauhaus
+bi birch Birch
+bj birka Birka
+bk bookman Bookman m:MBookmanPS u:URWBookmanL
+bl belwe Belwe
+bm bulmer Bulmer
+bn bernard Bernard
+bo balloon Balloon
+bp bodocamp BodoniCampanile b:Modern735
+br berling Berling b:Revival565BT
+bs bakersig BakerSignet
+bt boton Boton
+bu brush BrushScript
+bv baskervi Baskerville u:URWBasker
+bw broadway Broadway
+by berkeley Berkeley
+bz balzano Balzano
+c0 carolina Carolina
+c1 calisto Calisto
+c2 casln224 CaslonTwoTwentyFour
+c3 caslon3 CaslonThree
+c4 chicago Chicago
+c5 casln540 CaslonFiveForty
+c6 clarion Clarion
+c7 compacta Compacta
+c8 calvert Calvert
+c9 codex Codex b:Calligraphic421BT
+ca caslon Caslon
+cb cooper Cooper
+cc cascade Cascade b:Freehand471BT
+cd clarendo Clarendon u:URWClarendon
+ce centenni Centennial
+cf clearfac Clearface
+cg charlema Charlemagne
+ch charter Charter
+ci candida Candida
+cj charis SILCharis TeXChariot
+ck caslonbe CaslonBookBE
+cl cloister Cloister
+cm cm @r{Computer Modern}
+cn century Century
+co cochin Cochin
+cp copperpl Copperplate
+cq cheq Cheq
+cr courier Courier m:MCourierPS m:CourierTwelveMT u:NimbusMonL
+cs cntursbk CenturySchoolbook
+ct cheltenh Cheltenham
+cu centuros CenturyOldStyle
+cv clairvx Clairvaux
+cw cottonwd Cottonwood
+cx caxton Caxton
+cy city City b:SquareSlabserif711BT
+cz choc Choc b:Staccato555BT
+d0 davida DavidaBold
+dc domcasl Dom DomCasual DomDiagonal
+dd ducberry DucDeBerry
+de dellarob DellaRobbia
+dg dogma Dogma
+di diotima Diotima b:Calligraphic810BT
+dj delta Delta
+dk diskus Diskus
+dl dolores Dolores
+dm delima Delima
+do didot DidotLH
+dr doric Doric
+ds dorchesc DorchesterScript
+dt dante Dante
+dy academy Academy
+e0 embassy Embassy
+e1 empire Empire
+e2 metatwo Meta2
+ea electra Electra b:Transitional521BT
+eb baskerbe BaskervilleBE
+ec applecha e:AppleChancery
+ee egyptian Egyptian EgyptianExtended
+ef egyptien EgyptienneF u:URWEgyptienne
+eg stgaramo StempelGaramond b:OriginalGaramondBT
+eh engsft Engschrift
+ei esprit Esprit
+ek eckmann Eckmann b:Freeform710
+el ellingtn Ellington
+en engraver Engravers
+eo amerigo Amerigo b:AmerigoBT
+er eras Eras
+es eurostil Eurostile b:Square721BT k:Minima
+et ehrhardt Ehrhardt
+eu euler Euler
+ev mrseaves MrsEaves
+ex exclsior Excelsior
+f0 flemishs FlemishScript
+f1 fournier Fournier
+f2 facade Facade
+f3 festival Festival
+f4 footligh Footlight
+f5 french FrenchScript
+f9 frutigernext FrutgerNext
+fa formata Formata
+fc freestyl FreeStyleScript
+fe forte Forte
+ff fairfld Fairfield b:Transitional551BT
+fg frankgth FranklinGothic
+fi figaro Figaro
+fl flora Flora
+fn fenice Fenice
+fo folio Folio
+fq frizquad FrizQuadrata
+fr frutiger Frutiger b:Humanist777BT
+fs falstaff Falstaff
+ft fettefrk FetteFraktur Fraktur
+fu futura Futura
+fv futurans FuturaNoStarchPress
+fx felixttl FelixTitling
+fy flyer Flyer
+g0 gando Gando
+g1 gothic13 GothicThirteen
+g2 giddyup Giddyup
+g3 garamon3 GaramondThree b:AmericanGaramondBT @r{Garamond No.@: 3}
+g4 gymodern GoudyModern
+g5 gycatalg GoudyCatalogue
+g6 gorilla GorillaITC
+g9 ugaramon GaramondRetrospective
+ga gillsana GillSana
+gb gothicbb GothicBBB
+gd garuda Garuda
+ge geneva e:Geneva
+gg garthgra GarthGraphic
+gh galahad Galahad
+gi georgia Georgia
+gj granjon Granjon b:ElegantGaramondBT
+gl galliard Galliard
+gm garamond Garamond u:URWGaramond
+gn gentium Gentium
+go gyoldsty GoudyOldStyle
+gp glypha Glypha
+gq grotesq Grotesque u:URWGrotesk
+gr gloucest Gloucester
+gs gillsans GillSans m:GillAltOneMT b:Humanist521BT
+gt goudytxt GoudyText
+gu guardi Guardi
+gv giovanni Giovanni
+gy goudy Goudy
+gz gazette GazetteLH
+h0 handelgo HandelGothic
+ha hadriano Hadriano
+hb hobo Hobo Tramp
+hc herculnm Herculanum
+hd headline Headline
+hg hiroshig Hiroshige
+hh highland Highlander
+hi hvinsera HelveticaInserat b:Swiss921BT
+hm charme Charme
+hn hvneue HelveticaNeue
+ho horleyos HorleyOldStyle
+hr hvround HelveticaRounded
+hs hnseati Hanseatic B:Swiss924BT
+ht hoeflert e:HoeflerText
+hv helvetic Helvetica u:NimbusSans u:NimbusSanL b:Swiss721BT b:Monospace821BT b:Swiss911BT d:Sans Newton n:SonoranSansSerif
+hw schadow Schadow
+hx huxleyvr HuxleyVertical
+i0 commscr CommercialScript
+i1 impress Impress
+i2 impuls Impuls
+i3 imperial Imperial u:URWImperial
+i4 inconsol Inconsolata
+ia insignia Insignia
+ib ibycus Ibycus
+ic impact Impact
+id isadora Isadora
+if inflex Inflex
+ig scgaramo SimonciniGaramond b:ItalianGaramond
+ii imprint Imprint
+il caecilia Caecilia
+im imago Imago
+in industri Industria
+io ionic Ionic b:News701BT
+ip impressm Impressum
+is italnos ItalianOldStyle
+it italia Italia
+iw ironwood Ironwood
+iy iowanold IowanOldStyle
+iz isabella Isabella
+jf jeffersn Jefferson b:Freehand575BT
+jn janson Janson
+jo joanna Joanna
+jp juniper Juniper
+k0 calibri Calibri
+k1 cambria Cambria
+k2 candara Candara
+k3 consolas Consolas
+k4 constant Constantia
+k5 corbel Corbel
+kb kabel Kabel
+kg bankgoth BankGothic
+kl klang Klang
+kn kino Kino
+ko bookmano BookmanOldStyle
+kp kepler Kepler
+kr korinna Korinna
+ks kuenstsc KuenstlerScript
+ku kaufmann Kaufmann
+kw kolo Kolo
+kx kigali Kigali
+l0 lineart LinearT u:URWLinear
+l1 liberty Liberty
+l2 libra Libra
+l3 lucia Lucia
+l4 lucian Lucian
+l5 baltica Baltica
+l6 literatu Literaturnaya
+l7 luxiseri LuxiSerif
+l8 luxisans LuxiSans
+l9 luximono LuxiMono
+lb lubaling LubalinGraph
+lc lucida Lucida
+le legacy Legacy
+lf life Life
+lg lettrgth LetterGothic ISILGothic
+lh lubright LucidaBright
+li latin Latin
+ll linolett LinoLetter
+lm lmodern LatinModern
+ln lino Lino
+lo lithos Lithos
+ls lucsans LucidaSans
+lt lutetia Lutetia
+lw leawood Leawood
+lx lucidfax LucidaFax
+ly lydian Lydian
+lz legacysans LegacySans
+m0 monospac Monospace
+m1 monolisc MonolineScript
+m2 metro Metro b:Geometric415BT
+m3 mirarae Mirarae
+m4 mrearl MisterEarl
+m5 murrayhl MurrayHill
+m6 mittlsft Mittelschrift
+m7 matura Matura
+m8 monotyos MonotypeOldStyle
+ma mandate Mandate b:Freehand521BT
+mc monaco e:Monaco
+md meridien Meridien
+me mercursc MercuriusScript
+mg marigold Marigold
+mh machine Machine
+mi medici Medici
+mj mojo Mojo
+ml melior Melior b:ZapfElliptical711BT
+mn minion Minion
+mo modern Modern b:Modern20BT
+mp memphis Memphis b:GeometricSlab703BT
+mq mesquite Mesquite
+mr madrone Madrone
+ms mistral Mistral b:Staccato222BT
+mt minister Minister
+mv malvern Malvern
+mx maximus Maximus
+my myriad Myriad
+mz amazone Amazone
+n0 normande Normande
+n1 binner Binner @r{not really a family}
+n7 news706 News706
+na newaster NewAster
+nb nbaskerv NewBaskerville
+nc ncntrsbk NewCenturySchlbk u:CenturySchL
+nd ncaledon NewCaledonia
+nf nofret Nofret
+ng newsgth NewsGothic
+ni nimrod Nimrod
+nk neograph Neographik
+nl neuland Neuland b:Informal011BT
+nm nimbus Nimbus
+nn nclarend NewClarendon
+no notredam NotreDame
+np nsplanti NewsPlantin
+nr nberolin NewBerolina
+ns timesnps TimesNewRomanPS
+nt timesnew TimesNewRoman m:TimesNR n:SonoranSerif
+nu nuptial Nuptial
+nv novarese Novarese
+nw neueunzi NeueHammerUnziale
+nx nyx Nyx
+ny nyala Nyala
+nz neuzeits NeuzeitS
+o0 oldreadf OldDreadfulNo7
+o1 oranda Oranda
+o2 orbitb OrbitB
+o3 colonna Colonna
+o4 oceansan OceanSans
+o5 comic Comic
+o6 colombine Colombine l:ColombineLT
+o7 oldsty7 OldStyleSeven
+o8 officina Officina
+oa ocra OCR-A
+ob ocrb OCR-B
+oc concorde Concorde
+oe oldengli OldEnglish
+of oxford Oxford
+oi ondine Ondine Mermaid b:FormalScript421BT
+oj oldclaud OldClaude
+ol colmcill Colmcille
+om omnia Omnia
+on corona Corona
+op optima Optima d:Optimum b:ZapfHumanist601BT Omega u:Classico
+oq ouch Ouch
+or orator Orator
+os oldstyle OldStyle
+ot coronet Coronet b:Ribbon131BT
+ov octavian Octavian
+ox onyx Onyx
+oy olympian Olympian l:OlympicLH
+oz ozhandcr OzHandicraft
+p0 poplar Poplar
+p1 palacesc PalaceScript
+p2 pepita Pepita
+p3 palette Palette b:Brush445BT
+p4 pioneer PioneerITC
+p5 piranesi Piranesi
+p6 blueprin Blueprint
+p7 petersbu Petersburg
+pa parkave ParkAvenue
+pb ptbarnum PtBarnum
+pc poetica PoeticaChancery s:Scriptoria
+pd placard Placard
+pe prestige PrestigeElite
+pf profile Profile Profil b:Decorated035BT
+pg peignot Peignot b:Exotic350BT
+ph photina Photina
+pi pi @r{pi fonts---see text and @file{*.map} files}
+pj pompeija Pompeijana
+pl palatino Palatino d:Palton b:ZapfCalligraphic801BT u:URWPalladioL Palmspring k:Palindrome
+pm postmed PostMediaeval
+pn plantin Plantin b:Aldine721BT
+po ponderos Ponderosa
+pp perpetua Perpetua b:Lapidary333BT
+pq postatqa PostAntiqua
+pr popplres PopplResidenz
+ps parisian Parisian
+pt present Present
+pu popplaud PopplLaudatio
+pw perrywoo Perrywood
+px popplpfx PopplPontifex
+py playbill Playbill
+pz poliphil Poliphilus
+qr quorum Quorum
+qs bellevue Bellevue
+qt boulevar Boulevard
+r0 romana Romana
+r1 rotis RotisSemiSerif
+r2 cantoria Cantoria
+r3 rotis RotisSemiSans
+r4 rotis RotisSansSerif
+ra raleigh Raleigh
+rc romic Romic
+re requiem Requiem
+rm carmina Carmina
+rn rotation Rotation
+ro rotis RotisSerif
+rp reporter Reporter
+rq russelsq RussellSquare
+rr raphael Raphael
+rs arrus Arrus
+rt carta Carta
+ru runic Runic
+rv revue Revue
+rw rockwell Rockwell Slate b:GeometricSlab712BT
+rc rustican Rusticana
+ry ryumin Ryumin
+rz ruzicka RuzickaFreehandLH
+s0 sanmarco SanMarco
+s1 scotchro ScotchRoman
+s2 script Script
+s3 seagull Seagull
+s4 shotgun Shotgun ShotgunBlanks
+s5 snell Snell
+s6 stuyvesa Stuyvesant
+s7 sassoon Sassoon
+s8 stonesan StoneSans
+s9 segoescr SegoeScript
+sa scala Scala
+sb sabon Sabon b:ClassicalGaramondBT
+sc slimbach Slimbach
+se shelley Shelley
+sf serifa Serifa
+sg serifgth SerifGothic
+sh shannon Shannon
+si stoneinf StoneInformal
+sk skia e:Skia
+sl stencil Stencil
+sm spectrum Spectrum
+sn spartan Spartan
+so sonata Sonata
+sp serpenti Serpentine
+sr snellrnd SnellRoundhand
+ss stschnei StempelSchneidler
+st stone StoneSerif
+sv souvenir Souvenir
+sw swing Swing
+sx syntax Syntax
+sy symbol Symbol m:MSymbolPS u:StandardSymL
+t0 tango Tango
+t1 thunderb Thunderbird
+t2 typo TypoUpright
+tb bebodoni BodoniBE BBodoni @r{Berthold Bodoni}
+te timeseur TimesEuropa
+tf tiffany Tiffany
+tg tradegth TradeGothic
+th tahoma Tahoma
+ti techphon TechPhonetic
+tj trajan Trajan
+tk tekton Tekton
+tl castella Castellar
+tm times Times u:NimbusRoman u:NimbusRomNo9L b:Dutch801BT
+tn norasi Norasi
+to torino Torino b:Industrial736BT
+tp tempo Tempo
+tr trebuche Trebuchet
+ts thesansm TheSansMono
+tu doulos SILDoulos TeXToulouse
+tv trumpmed TrumpMediaeval b:Kuenstler480BT
+tw twentyc TwentiethCentury
+ty typewrit Typewriter u:URWTypewriter
+u0 columbus Columbus
+ub babodoni BauerBodoni
+ud studio Studio
+ug bengugth BenguiatGothic
+uh cushing Cushing
+ul universa Universal
+um umbra Umbra
+un univers Univers b:ZurichBT
+ur centaur Centaur b:Venetian301BT
+ut utopia Utopia
+uw usherwoo Usherwood
+uy universi University
+v0 vineta Vineta
+va activa Activa
+vc vectora Vectora
+vd vandijck VanDijck
+ve veraseri VeraSerif
+vg visigoth Visigoth
+vi victoria Victoria
+vj veljovic Veljovic
+vm veramono VeraSansMono
+vn verdana Verdana
+vl versaill Versailles
+vr vagrnd VAGRounded
+vs verasans VeraSans
+vv viva Viva
+w0 weddingt WeddingT
+w1 wiesbswi WiesbadenSwing
+w9 wastrel Wastrel
+wb walbaum Walbaum
+wc snowcap SnowCap
+wd weideman Weidemann
+wg wlklgth WilhelmKlingsporGotisch
+wh wendy Wendy
+wi wingding Wingdings
+wk wilke Wilke
+wn windsor Windsor
+wp warnockp WarnockPro
+wr wittenbe WitternbergerFrakt
+ws weiss Weiss
+wt watertit WatersTitling
+ww willow Willow
+xc eccentri Eccentric
+xl linuxlib LinuxLibertine
+xp exponto ExPonto
+yg centuryg CenturyGothic
+yh strayhor Strayhorn
+ym stymie Stymie
+ys goudysan GoudySans
+za zantiqua ZAntiqua l:ZapfRenaisSH l:ZapfRenaisSB l:ZapfRenSwaSH
+zc zapfchan ZapfChancery m:ZapfChanceryPS u:URWChanceryL
+zd zapfding ZapfDingbats m:ZapfDingbatsPS u:Dingbats
+zf zapfino Zapinfo l:LinotypeZapfino-{One,Two,Three,Four,Ligature,Ornaments}
+zg neuzeitg NeuzeitGrotesk b:Geometric706BT
+zp ziptydo ZiptyDo
+zt zeitgeis Zeitgeist
+__ agbook AGBookStencil
+__ agbookrn AGBookRounded
+__ agoldfac AGOldFace
+__ agschlbk AGSchoolbook
+__ aja Aja
+__ albertin AlbertinaMT
+__ amigo Amigo
+__ andreas Andreas
+__ ariadne Ariadne
+__ banshee Banshee
+__ beesknee Beesknees
+__ bellcent BellCentenial
+__ berlgrot BerlinerGrotesk
+__ bermuda BermudaLP
+__ berthold BertholdScript
+__ bickham BickhamScript
+__ blueisla BlueIsland
+__ bodoniof BodoniOldFaceBE
+__ bossanov BossaNovaMVB
+__ briemaka BriemAkademi
+__ briemscr BriemScript
+__ buffalog BuffaloGalMT
+__ caflisch CaflischScript
+__ caliban Caliban
+__ catull Catull
+__ celestia CelestiaAntiqua
+__ cerigo Cerigo
+__ chaparra Chaparral
+__ christia Christiana
+__ colossal Colossalis
+__ comenius ComeniusAntiqua
+__ concorde ConcordeNova
+__ congabra CongaBrava
+__ copal Copal
+__ coriande Coriander
+__ cosmos Cosmos
+__ cremona Cremona
+__ critter Critter
+__ cronos Cronos
+__ ctmercur CTMercurius
+__ curlz CurlzMT
+__ cutout Cutout
+__ delphin Delphin
+__ elgreco ElGreco
+__ else ElseNPL
+__ emmascri Emmascript
+__ flood Flood
+__ florens FlorensLP
+__ fusaka Fusaka
+__ gallia MonotypeGallia
+__ garamobe GaramondBE
+__ gillfaci GillFaciaMT
+__ gillflor GillFloriatedCapsMT
+__ graphite Graphite
+__ greymant GreymantleMVB
+__ hardwood HardwoodLP
+__ immi505 Immi505
+__ jimbo Jimbo
+__ khaki Khaki
+__ kidprint KidprintMT
+__ kinesis Kinesis
+__ kochantq KochAntiqua
+__ legault Legault
+__ lightlin LightlineGothicMT
+__ lotype LoType
+__ magnesiu MagnesiumMVB
+__ magnolia MagnoliaMVB
+__ mahsuri MahsuriSansMT
+__ manito ManitoLP
+__ mendoza MendozaRoman
+__ mezz Mezz
+__ micr MICR
+__ monalisa MonaLisa
+__ motterco MotterCorpus
+__ mythos Mythos
+__ nueva Nueva
+__ oceansan OceanSans
+__ origami Origami
+__ ozwald Ozwald
+__ pastonch PastonchiMT
+__ pelican Pelican
+__ penumbra Penumbra
+__ pepperwo Pepperwood
+__ poetica Poetica
+__ pompeia Pompeia
+__ popplexq PopplExquisit
+__ postino Postino
+__ quake Quake
+__ rad Rad
+__ reliq Reliq
+__ rosewood Rosewood
+__ rulngscr RulingScript
+__ russlobl RusselOblique
+__ sanvito Sanvito
+__ sassafra Sassafras
+__ serlio SerlioLH
+__ sho Sho
+__ shuriken Shuriken
+__ smaragd Smaragd
+__ spring SpringLP
+__ spumoni SpumoniLP
+__ studz Studz
+__ tiepolo Tiepolo
+__ toolbox Toolbox
+__ verve Verve
+__ volutasc VolutaScript
+__ zebrawoo Zebrawood
+__ shouyi Shouyi @r{for mnm}
+</pre>
+<div class="node">
+<a name="Weights"></a>
+<p><hr>
+Next:&nbsp;<a rel="next" accesskey="n" href="#Variants">Variants</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#Typefaces">Typefaces</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Filenames-for-fonts">Filenames for fonts</a>
+
+</div>
+
+<h3 class="section">2.3 Weights</h3>
+
+<p><a name="index-weight-60"></a>
+The <dfn>weight</dfn> of a font specifies its boldness. Arranged from
+lightest to heaviest (more or less):
+
+<pre class="display"> hairline, extra light, light
+ book, regular, medium
+ demibold, semibold, bold, extra bold, heavy
+ black, ultra, poster
+</pre>
+ <p><a name="index-weight_002emap-61"></a>Here is the table, from the file <samp><span class="file">weight.map</span></samp>. It is organized
+alphabetically by abbreviation. Each line consists of an abbreviation
+and any parts of a PostScript &lsquo;<samp><span class="samp">FontName</span></samp>&rsquo; which use that
+abbreviation.
+
+<pre class="example"> <!-- @mapfile{ -->
+ <!-- license = "public domain", -->
+ <!-- email = "tex-fonts@tug.org", -->
+ <!-- version = "2.2", -->
+ <!-- date = "1 July 1998", -->
+ <!-- url = "http://tug.org/fontname/weight.map", -->
+ <!-- supported = "yes", -->
+ <!-- docstring = "Weight abbreviations for TeX font names." -->
+ <!-- } -->
+ a Thin Hairline
+ b Bold
+ c Black
+ d Demi
+ h Heavy Heavyface
+ j ExtraLight
+ k Book
+ l Light
+ m Medium
+ p Poster
+ r Regular Roman
+ s Semibold
+ u Ultra UltraBlack
+ x ExtraBold ExtraBlack
+</pre>
+ <div class="node">
+<a name="Variants"></a>
+<p><hr>
+Next:&nbsp;<a rel="next" accesskey="n" href="#Widths">Widths</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#Weights">Weights</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Filenames-for-fonts">Filenames for fonts</a>
+
+</div>
+
+<h3 class="section">2.4 Variants</h3>
+
+<p><a name="index-variants-62"></a>
+<dfn>Variants</dfn> include typeface variations (e.g., italic, sans serif),
+and font encodings (e.g., Adobe standard, TeX text).
+
+ <p><a name="index-multiple-variants-63"></a>A fontname may require multiple variants. To resolve the worst
+ambiguities, we specify that any encoding variant (&lsquo;<samp><span class="samp">7</span></samp>&rsquo;, &lsquo;<samp><span class="samp">8</span></samp>&rsquo;,
+or &lsquo;<samp><span class="samp">9</span></samp>&rsquo;, see below) come last and any other numeral variant come
+first (to avoid confusion with a design size). We recommend but do not
+require that the other variants be given in alphabetical order. (It's
+not required because it's too painful to implement the sorting in
+TeX, and many existing names already have non-alphabetized variants.)
+
+ <p><a name="index-letterspacing-64"></a><a name="index-small-caps-fonts-65"></a>The letterspacing possibilities introduced by <code>fontinst</code> and
+virtual fonts have not yet become sufficiently widespread to make
+standardization beneficial. Likewise for the many possible ways to
+generate small caps fonts.
+
+ <p>Notes on specific variants, both old and new:
+
+ <dl>
+<dt>&lsquo;<samp><span class="samp">1</span></samp>&rsquo;<dt>&lsquo;<samp><span class="samp">4</span></samp>&rsquo;<dt>&lsquo;<samp><span class="samp">6</span></samp>&rsquo;<dt>&lsquo;<samp><span class="samp">b</span></samp>&rsquo;<dd><a name="index-semisans-variant-66"></a><a name="index-semiserif-variant-67"></a><a name="index-fax-variant-68"></a><a name="index-bright-variant-69"></a>These variants (`semisans', `bright', `semiserif', and `fax') were used
+only for single typefaces, so to conserve variant abbreviations, they
+now have typeface abbreviations instead. Also, for &lsquo;<samp><span class="samp">b</span></samp>&rsquo;, to avoid
+too-long names; and for the others, to avoid variant vs. design-size
+ambiguities.
+
+ <br><dt>&lsquo;<samp><span class="samp">g</span></samp>&rsquo;<dt>&lsquo;<samp><span class="samp">h</span></samp>&rsquo;<dd>Since these variants were not actually used in any font names, they are
+now obsolete and may be reassigned in the future.
+
+ <br><dt>&lsquo;<samp><span class="samp">5</span></samp>&rsquo;<dt>&lsquo;<samp><span class="samp">6</span></samp>&rsquo;<dt>&lsquo;<samp><span class="samp">7</span></samp>&rsquo;<dt>&lsquo;<samp><span class="samp">8</span></samp>&rsquo;<dt>&lsquo;<samp><span class="samp">9</span></samp>&rsquo;<dd><a name="index-phonetic-encodings-70"></a><a name="index-Cyrillic-encodings-71"></a><a name="index-g_t7_002dbit-encodings-72"></a><a name="index-g_t8_002dbit-encodings-73"></a><a name="index-expertised-encodings-74"></a><a name="index-SuperFont-75"></a><a name="index-g_t9s-_0040r_007bvariant_007d-76"></a>These characters begin a two-character <dfn>encoding variant</dfn>.
+Generally, &lsquo;<samp><span class="samp">7</span></samp>&rsquo; is for 7-bit encodings, &lsquo;<samp><span class="samp">8</span></samp>&rsquo; is for 8-bit
+encodings, and &lsquo;<samp><span class="samp">9</span></samp>&rsquo; is for expertised encodings with or without
+oldstyle digits (see the &lsquo;<samp><span class="samp">x</span></samp>&rsquo; item below), but this is not an
+absolute rule. Also, &lsquo;<samp><span class="samp">5</span></samp>&rsquo; is presently used for phonetic encodings
+and &lsquo;<samp><span class="samp">6</span></samp>&rsquo; for Cyrillic encodings. The &lsquo;<samp><span class="samp">9s</span></samp>&rsquo; (&lsquo;<samp><span class="samp">SuperFont</span></samp>&rsquo;)
+variant contain all of Adobe, Latin 1, and Expert glyphs, perhaps with
+slightly different metrics than the original fonts.
+
+ <p><a name="index-ligatures-and-encodings-77"></a><a name="index-Lslash-78"></a><a name="index-lslash-79"></a><a name="index-T1_002eetx-80"></a>For a font to be named with a certain encoding variant, it's not
+necessary that all the characters appear in precisely the same positions
+as in the encoding definition. It's enough that the usual TeX macros
+work. In practice, this means that it's ok for a font to be labelled
+&lsquo;<samp><span class="samp">7t</span></samp>&rsquo; if the only difference from Computer Modern is that the
+ligatures and the &lsquo;<samp><span class="samp">lslash</span></samp>&rsquo; and &lsquo;<samp><span class="samp">Lslash</span></samp>&rsquo; characters are
+different, since it's impossible to access or change the ligature table
+from TeX. Standard PostScript fonts don't have an &lsquo;<samp><span class="samp">lslash</span></samp>&rsquo;
+character the way Computer Modern does, but they do have the
+&lsquo;<samp><span class="samp">Lslash</span></samp>&rsquo; and &lsquo;<samp><span class="samp">lslash</span></samp>&rsquo; characters themselves, so the usual
+TeX <code>\lslash</code> and <code>\Lslash</code> macros can be made to work via
+ligatures. See the file <samp><span class="file">T1.etx</span></samp> file in the <code>fontinst</code>
+distribution for details.
+
+ <p><a name="index-encodings_002c-unspecified-81"></a><a name="index-Afm2tfm-encoding-82"></a><a name="index-LaserJet-4-fonts-83"></a>If a name does not contain a specific encoding variant, its encoding is
+unspecified. For example, some of the fonts distributed with Dvips(k)
+have names like &lsquo;<samp><span class="samp">ptmr</span></samp>&rsquo; for &lsquo;<samp><span class="samp">Times-Roman</span></samp>&rsquo;; they use the Dvips
+encoding (see <a href="#dvips">dvips</a>), which is close to (but not the same
+as) the TeX text encoding (as in Computer Modern Roman). Similarly,
+the TFM files distributed with Dvilj(k) for the builtin LaserJet 4 fonts
+have names like &lsquo;<samp><span class="samp">cunm</span></samp>&rsquo;, since these fonts, while compatible with
+TeX text, contain many additional characters.
+
+ <br><dt>&lsquo;<samp><span class="samp">9</span></samp>&rsquo;<dd>These items are needed only because &lsquo;<samp><span class="samp">x</span></samp>&rsquo; (and possibly &lsquo;<samp><span class="samp">j</span></samp>&rsquo;)
+followed by a two-character regular variant makes some names too long.
+That is, &lsquo;<samp><span class="samp">9t</span></samp>&rsquo; is equivalent in meaning to &lsquo;<samp><span class="samp">x7t</span></samp>&rsquo;, and &lsquo;<samp><span class="samp">9d</span></samp>&rsquo;
+is equivalent to &lsquo;<samp><span class="samp">jx7t</span></samp>&rsquo;. (This may not be true for all
+&lsquo;<samp><span class="samp">9</span><var>x</var></samp>&rsquo; encodings, though.)
+
+ <br><dt>&lsquo;<samp><span class="samp">k</span></samp>&rsquo;<dt>&lsquo;<samp><span class="samp">z</span></samp>&rsquo;<dd><a name="index-scripts-84"></a><a name="index-Greek-fonts-85"></a><a name="index-Cyrillic-fonts-86"></a>These variants (indicating Greek and Cyrillic fonts, respectively) are
+obsolete; future fonts in different scripts should be assigned an
+appropriate encoding abbreviation. These are not currently
+standardized, due to ignorance of the appropriate encodings. Please
+send suggestions for abbreviations to the address in <a href="#Introduction">Introduction</a>.
+
+ <br><dt>&lsquo;<samp><span class="samp">m</span></samp>&rsquo;<dt>&lsquo;<samp><span class="samp">v</span></samp>&rsquo;<dt>&lsquo;<samp><span class="samp">y</span></samp>&rsquo;<dd><a name="index-math-variants-87"></a>These math-related variants remain for the sake of typeface-specific
+math encodings, e.g., Lucida. Fonts that use the Computer Modern math
+encodings should use &lsquo;<samp><span class="samp">7m</span></samp>&rsquo; (see <a href="#texmital">texmital</a>), &lsquo;<samp><span class="samp">7v</span></samp>&rsquo;
+(see <a href="#texmext">texmext</a>), and &lsquo;<samp><span class="samp">7y</span></samp>&rsquo; (see <a href="#texmsym">texmsym</a>).
+
+ <br><dt>&lsquo;<samp><span class="samp">n</span></samp>&rsquo;<dd><a name="index-informal-variant-88"></a><a name="index-schoolbook-variant-89"></a><a name="index-Stone-Informal-90"></a>This is used for several different (but very rare) variants: only the
+Stone typeface has an &ldquo;informal&rdquo; variant, and only a few Monotype
+fonts have a &ldquo;schoolbook&rdquo; variant, with different `a', `g', and `y'
+shapes.
+
+ <br><dt>&lsquo;<samp><span class="samp">r</span></samp>&rsquo;<dd>Included only if no other variants, including encodings, apply, and
+either the width (see <a href="#Widths">Widths</a>) is not &lsquo;<samp><span class="samp">r</span></samp>&rsquo; or a design size is
+present. I.e., &lsquo;<samp><span class="samp">r</span></samp>&rsquo; is only used as a placeholder. When the normal
+version of the typeface is sans serif (e.g., Helvetica), &lsquo;<samp><span class="samp">r</span></samp>&rsquo; should
+be used when necessary, not &lsquo;<samp><span class="samp">s</span></samp>&rsquo;. Use &lsquo;<samp><span class="samp">s</span></samp>&rsquo; only when the
+typeface family has both serif and sans serif variants.
+
+ <br><dt>&lsquo;<samp><span class="samp">s</span></samp>&rsquo;<dt>&lsquo;<samp><span class="samp">t</span></samp>&rsquo;<dd><a name="index-typewriter-variant-91"></a><a name="index-sans-variant-92"></a><a name="index-Mittelbach_002c-Frank-93"></a>Mittelbach in <cite>TUGboat</cite> 13(1) suggests that these variants (for
+`sans' and `typewriter') should be identified as part of the typeface
+name, because there are few typeface families with these variants. I
+feel that since they are logically variants, it's best to name them that
+way. But &lsquo;<samp><span class="samp">LucidaSans</span></samp>&rsquo; (see <a href="#Typefaces">Typefaces</a>) and a few others are
+exceptions, to avoid too-long names.
+
+ <br><dt>&lsquo;<samp><span class="samp">x</span></samp>&rsquo;<dt>&lsquo;<samp><span class="samp">8x</span></samp>&rsquo;<dt>&lsquo;<samp><span class="samp">9?</span></samp>&rsquo;<dd><a name="index-expert-encoding-94"></a><a name="index-expertised-font-95"></a>&lsquo;<samp><span class="samp">8x</span></samp>&rsquo; indicates a font in the &lsquo;<samp><span class="samp">Expert</span></samp>&rsquo; encoding itself.
+&lsquo;<samp><span class="samp">x</span></samp>&rsquo; indicates an <dfn>expertised</dfn> font, i.e., a composite (virtual)
+font that includes characters from an &lsquo;<samp><span class="samp">8x</span></samp>&rsquo; font. And in fact an
+&lsquo;<samp><span class="samp">x</span><var>ee</var></samp>&rsquo; sequence is replaced by &lsquo;<samp><span class="samp">9</span><var>e</var></samp>&rsquo;, to save
+characters.
+</dl>
+
+ <p><a name="index-variant_002emap-96"></a>Fontname 1 assignments are shown in brackets in the following table,
+from the file <samp><span class="file">variant.map</span></samp>. It is organized alphabetically by
+abbreviation. Each line consists of an abbreviation and either any
+parts of a PostScript &lsquo;<samp><span class="samp">FontName</span></samp>&rsquo; which use that abbreviation or the
+PostScript &lsquo;<samp><span class="samp">Encoding</span></samp>&rsquo; name.
+
+<pre class="example"> <!-- @mapfile{ -->
+ <!-- license = "public domain", -->
+ <!-- email = "tex-fonts@@tug.org", -->
+ <!-- date = "18apr08", -->
+ <!-- url = "http://tug.org/fontname/variant.map", -->
+ <!-- supported = "yes", -->
+ <!-- docstring = "Variant abbreviations for TeX font names, unfortunately -->
+ <!-- including scripts and encodings." -->
+ <!-- } -->
+ 0 inferior
+ 1 superior
+ 2 <span class="roman">proportional digits, not tabular</span>
+ <span class="roman">obsolete [3=&gt;7f] Fraction</span>
+ <span class="roman">obsolete [4 fax; now typeface &lsquo;</span><samp><span class="samp">lx</span></samp><span class="roman">&rsquo;, Lucida Fax]</span>
+ 5 <span class="roman">escape for (presently) phonetic encodings</span>
+ 6 <span class="roman">escape for Cyrillic encodings [was &lsquo;</span><samp><span class="samp">SemiSerif</span></samp><span class="roman">&rsquo;]</span>
+ 7 <span class="roman">escape for (mostly) 7-bit encodings</span>
+ 8 <span class="roman">escape for (mostly) 8-bit encodings</span>
+ 9 <span class="roman">escape for (presently) expert encodings [was oldstyle digits]</span>
+ a Alt Arrows Alternative <span class="roman">[was alternate encoding]</span>
+ <span class="roman">obsolete [b bright; now typeface lh, Lucida Bright]</span>
+ c SmallCaps
+ d Display Titling Caption Headline TallCaps SwashCaps LombardicCaps Festive
+ e Engraved Copperplate Elite
+ f Fraktur Gothic OldEnglish Handtooled <span class="roman">(`gothic' can also be sans)</span>
+ g SmallText <span class="roman">lc only, or designed for small sizes [was grooved, as in the IBM logo]</span>
+ h Shadow
+ i Italic Kursiv Ital <span class="roman">text italic</span>
+ j <span class="roman">old-style digits [was invisible]</span>
+ k Greek <span class="roman">obsolete</span>
+ l Outline OpenFace Blanks
+ m <span class="roman">math italic</span>
+ n Informal Fashion Schlbk <span class="roman">for Stone</span>
+ o Oblique Obl <span class="roman">slanted</span>
+ p Ornaments
+ <span class="roman">obsolete [q=&gt;8t </span><span class="roman">Cork (TeX extended) encoding</span><span class="roman">]</span>
+ r <span class="roman">roman or sans; often omitted, see text</span>
+ s Gothic <span class="roman">sans serif</span>
+ t Monospace <span class="roman">fixed-width typewriter</span>
+ u <span class="roman">underline or unslanted italic</span>
+ v MathExtension
+ w Script Handwritten Swash Calligraphy Cursive Tango Ligature
+ x <span class="roman">built with Adobe expert encoding [was expert-encoded]</span>
+ y MathSymbol
+ z Cyrillic <span class="roman">font-dependent Cyrillic</span>
+ 5a PhoneticAlternate
+ 5i PhoneticIPA
+ 5s <span class="roman">sil-IPA</span>
+ 5t TeX-IPA <span class="roman">Fukui Rei, LaTeX T3</span>
+ 5w TeXAfricanLatin <span class="roman">wsuipa fonts, LaTeX OT3</span>
+ 5z <span class="roman">user</span>
+ 6a <span class="roman">T2A</span>
+ 6b <span class="roman">Cyrillic part of ISO 8859-5, seven bits</span>
+ 6c <span class="roman">T2C</span>
+ 6d <span class="roman">Cyrillic CP866 encoding</span>
+ 6i <span class="roman">ISO 8859-5</span>
+ 6k <span class="roman">Cyrillic KOI8-R encoding</span>
+ 6m <span class="roman">Cyrillic Macintosh encoding</span>
+ 6s <span class="roman">Storm extra encoding</span>
+ 6t <span class="roman">T2B</span>
+ 6w <span class="roman">Cyrillic CP1251 encoding</span>
+ 6x <span class="roman">X2</span>
+ 6y <span class="roman">LCY</span>
+ 6z user
+ 7a A <span class="roman">alternate characters only</span>
+ 7c Dfr <span class="roman">Fraktur</span>
+ 7d OsF OSF <span class="roman">oldstyle digit encoding</span>
+ 7f Fraction
+ 7k OT2Cyrillic
+ 7m TeXMathItalicEncoding <span class="roman">see <a href="#texmital">texmital</a></span>
+ 7t <span class="roman">TeX text encoding (as in Computer Modern Roman)</span>
+ 7v TeXMathExtensionEncoding <span class="roman">see <a href="#texmext">texmext</a></span>
+ 7y TeXMathSymbolEncoding <span class="roman">see <a href="#texmsym">texmsym</a></span>
+ 7z user
+ 82 GreekKeys
+ 83 Ibycus1
+ 84 Ibycus2
+ 8a StandardEncoding <span class="roman">Adobe standard encoding, see <a href="#g_t8a">8a</a></span>
+ 8c TeXTextCompanion <span class="roman">LaTeX TS1</span>
+ 8e CE <span class="roman">Adobe CE</span>
+ 8f TeXAfricanLatin <span class="roman">LaTeX T4</span>
+ 8g groff
+ 8i TS0 <span class="roman">Intersection of TS1/Adobe Standard</span>
+ 8m <span class="roman">Macintosh standard encoding</span>
+ 8n LM1 <span class="roman">Textures</span>
+ 8q encqxoosix <span class="roman">QX, from GUST</span>
+ 8r TeXBase1Encoding <span class="roman">(see <a href="#g_t8r">8r</a>)</span>
+ 8t ECEncoding CorkEncoding <span class="roman">(see <a href="#ec">ec</a>), aka tex256.enc</span>
+ 8u XT2Encoding <span class="roman">cmtt + Latin 2, see </span><samp><span class="file">xl2.enc</span></samp>
+ 8v TeXVietnamese <span class="roman">T5</span>
+ 8w <span class="roman">Windows 3.1 ANSI encoding</span>
+ 8x Expert <span class="roman">expert encoding</span>
+ 8y LY1 <span class="roman">texnansi</span>
+ 8z XL2Encoding <span class="roman">cmr + Latin 2, see </span><samp><span class="file">xl2.enc</span></samp>
+ 9c <span class="roman">expert + Text companion</span>
+ 9d <span class="roman">expert + oldstyle digits + Cork</span>
+ 9e <span class="roman">expert + Cork</span>
+ 9i TS0X <span class="roman">Intersection of TS1/Standard/Expert</span>
+ 9o <span class="roman">expert + oldstyle digits + TeX text</span>
+ 9s SF <span class="roman">SuperFont</span>
+ 9t <span class="roman">expert + TeX text</span>
+ 9u <span class="roman">Unicode-compatible</span>
+ 9x TeXnANSIEncodingX <span class="roman">texnansx, texnansi without repeats</span>
+ 9z user
+ - songti <span class="roman">for mnm</span>
+</pre>
+ <div class="node">
+<a name="Widths"></a>
+<p><hr>
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#Variants">Variants</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Filenames-for-fonts">Filenames for fonts</a>
+
+</div>
+
+<h3 class="section">2.5 Widths</h3>
+
+<p><a name="index-widths-97"></a><a name="index-compression-98"></a><a name="index-expansion-99"></a>
+The <dfn>width</dfn> of a font specifies the compression or expansion of the
+font. Arranged from narrowest to widest (more or less):
+
+<pre class="display"> ultra compressed, extra condensed, compressed, condensed, narrow
+ regular
+ semiextended, extended, expanded, wide
+</pre>
+ <p><a name="index-automatic-expansion-100"></a><a name="index-character-scaling_002c-automatic-101"></a>Expansion or compression of fonts is sometimes done automatically (as by
+the PostScript <code>scale</code> operator), and sometimes done by humans. In
+the latter case, the human will also presumably choose a font name which
+includes `Extended' or `Expanded' or `Condensed' or `Narrow' or whatever
+according to their own preferences; the abbreviation can follow along.
+When creating a new synthetically expanded or compressed font for use
+with TeX, e.g., with Afm2tfm or <code>fontinst</code>, use &lsquo;<samp><span class="samp">n</span></samp>&rsquo; and
+&lsquo;<samp><span class="samp">e</span></samp>&rsquo;.
+
+ <p><a name="index-width_002emap-102"></a>Here is the table, from the file <samp><span class="file">width.map</span></samp>. It is organized
+alphabetically by abbreviation. Each line consists of an abbreviation
+and any parts of a PostScript &lsquo;<samp><span class="samp">FontName</span></samp>&rsquo; which use that
+abbreviation.
+
+<pre class="example"> <!-- @mapfile{ -->
+ <!-- license = "public domain", -->
+ <!-- email = "tex-fonts@tug.org", -->
+ <!-- date = "5 February 2006", -->
+ <!-- url = "http://tug.org/fontname/width.map", -->
+ <!-- supported = "yes", -->
+ <!-- docstring = "Width abbreviations for TeX font names." -->
+ <!-- } -->
+ c Condensed Cond
+ e Expanded
+ n Narrow Semicondensed
+ o UltraCondensed
+ p Compressed Compact
+ q ExtraCompressed ExtraCondensed
+ r Normal Medium Regular <span class="roman">(usually omitted)</span>
+ t Thin
+ u UltraCompressed
+ v ExtraExpanded <span class="roman">more than </span><tt>Expanded</tt><span class="roman">, less than </span><tt>Wide</tt>
+ w Wide
+ x Extended Elongated
+ y Semiexpanded
+</pre>
+ <div class="node">
+<a name="Long-names"></a>
+<p><hr>
+Next:&nbsp;<a rel="next" accesskey="n" href="#Font-name-lists">Font name lists</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#Filenames-for-fonts">Filenames for fonts</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Top">Top</a>
+
+</div>
+
+<h2 class="chapter">3 Long names</h2>
+
+<p><a name="index-long-names-103"></a>
+Eight characters is not enough to unambiguously represent all fonts. To
+do that, we have to allow ourselves arbitrarily long names. Although we
+certainly cannot use such names for the files themselves, we could still
+use them in TeX documents given a simple mapping file, as discussed
+below.
+
+<ul class="menu">
+<li><a accesskey="1" href="#Name-mapping-file">Name mapping file</a>: Aliases for fonts.
+<li><a accesskey="2" href="#Long-naming-scheme">Long naming scheme</a>: A way to use more than 8 alphanumerics.
+</ul>
+
+<div class="node">
+<a name="Name-mapping-file"></a>
+<p><hr>
+Next:&nbsp;<a rel="next" accesskey="n" href="#Long-naming-scheme">Long naming scheme</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Long-names">Long names</a>
+
+</div>
+
+<h3 class="section">3.1 A fontname mapping file</h3>
+
+<p><a name="index-fontname-mapping-file-104"></a><a name="index-mapping-file-105"></a>
+At the moment, most implementations of TeX look up a TFM file (as
+part of the <code>\font</code> command), by searching for a file with the name
+given by the user (possibly in any of series of directories). But if we
+also looked TFM names up in <em>another</em> file (or set of files), which
+specifies the actual filename, the fontname given in the TeX source
+file could be almost anything at all, of any length.
+
+ <p><a name="index-texfonts_002emap-106"></a>In version 5.851d of Web2c, I implemented this mapping file. Each file
+<samp><span class="file">texfonts.map</span></samp> in a search path is read for abbreviations. The file
+has a straightforward format: each line specifies the filename and the
+TeX name for one font, separated by whitespace. Extra information on
+the line is ignored; then more information could be specified for the
+benefit of DVI-reading programs in the same file. Comments start with
+<code>%</code> and continue to the end of the line.
+
+ <p>Besides allowing long names, this sort of mapping file has other
+benefits. TeX source or DVI files can be more easily transported,
+because the font names in a particular file can be made work on every
+system. Also, when combined with a consistent naming scheme, macros
+could be written to access any of a number of fonts. Right now, each
+font family has to have specialized macros written to deal with it.
+
+ <p><a name="index-Knuth_002c-Donald-E_002e-107"></a>Incidentally, Professor Knuth has approved this as a legitimate
+&ldquo;system-dependent&rdquo; extension; a TeX with such a feature can still
+be called &ldquo;TeX&rdquo;.
+
+<div class="node">
+<a name="Long-naming-scheme"></a>
+<p><hr>
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#Name-mapping-file">Name mapping file</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Long-names">Long names</a>
+
+</div>
+
+<h3 class="section">3.2 A naming scheme for long names</h3>
+
+<p><a name="index-long-naming-scheme-108"></a>
+<a name="index-X-Window-System-font-names-109"></a>Once we allow ourselves long names, we can construct a naming scheme
+to handle arbitrary fonts without much difficulty. Here is one
+proposal, based on the X Window System font naming conventions.
+
+<pre class="example"> <var>supplier</var>-<var>family</var>-<var>weight</var>-<var>variants</var>-<var>width</var>-<var>encoding</var>--<var>size</var>
+</pre>
+ <p><var>supplier</var> is the usual <code>Adobe</code>, <code>Autologic</code>, etc., as
+well as <code>unknown</code> or <code>bizarre</code>&mdash;this last meaning the rest of
+the name is nonstandard. If the <var>supplier</var> is missing, i.e., the
+name starts with a <code>-</code>, &ldquo;public domain&rdquo; is assumed. For fonts
+made by individuals, the initials of the designer would probably make a
+good <var>supplier</var>.
+
+ <p><var>family</var> is <code>ComputerModern</code> or <code>Times</code> or whatever.
+
+ <p>Everything else is optional. The <code>--</code> before the <var>size</var> lets
+one specify a name with, say, a weight and variants, but then skip the
+<var>width</var> and <var>encoding</var>, but still be able to
+give a size.
+
+ <p><var>weight</var> and <var>width</var> are as described earlier.
+
+ <p>If there is more than one variant, they are separated with some
+character other than &lsquo;<samp><span class="samp">-</span></samp>&rsquo;, say &lsquo;<samp><span class="samp">=</span></samp>&rsquo;:
+<pre class="example"> B+H-Lucida-Bold-Sans=Typewriter--10
+</pre>
+ <p><a name="index-font_005fcoding_005fscheme-110"></a><var>encoding</var> is what Metafont calls the
+<code>font_coding_scheme</code>&mdash;the layout of the characters in the font.
+For example, &lsquo;<samp><span class="samp">Cork</span></samp>&rsquo; or &lsquo;<samp><span class="samp">ISOLatin1</span></samp>&rsquo; or &lsquo;<samp><span class="samp">AdobeAlternate</span></samp>&rsquo;.
+
+ <p><a name="index-category-codes-111"></a>Names are case-sensitive, for consistency with the rest of TeX and
+with PostScript, etc. Spaces cannot be used in the name, to make it
+easier for TeX to parse. Likewise, characters with default category
+codes other than 11 (letter) or 12 (other) should not be used.
+
+ <p>Another possibility is to forget all the above, and simply use the
+vendor's name (perhaps prefixed by the vendor):
+&lsquo;<samp><span class="samp">Times-Roman</span></samp>&rsquo;.
+
+<div class="node">
+<a name="Font-name-lists"></a>
+<p><hr>
+Next:&nbsp;<a rel="next" accesskey="n" href="#Encodings">Encodings</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#Long-names">Long names</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Top">Top</a>
+
+</div>
+
+<h2 class="appendix">Appendix A Font name lists</h2>
+
+<p>These sections contain a list of fonts from various suppliers together
+with the corresponding names.
+
+<ul class="menu">
+<li><a accesskey="1" href="#Standard-PostScript-fonts">Standard PostScript fonts</a>: The standard 35 PostScript fonts.
+<li><a accesskey="2" href="#Adobe-fonts">Adobe fonts</a>
+<li><a accesskey="3" href="#Apple-fonts">Apple fonts</a>
+<li><a accesskey="4" href="#Bitstream-fonts">Bitstream fonts</a>
+<li><a accesskey="5" href="#DTC-fonts">DTC fonts</a>
+<li><a accesskey="6" href="#ITC-fonts">ITC fonts</a>
+<li><a accesskey="7" href="#Linotype-fonts">Linotype fonts</a>
+<li><a accesskey="8" href="#Monotype-fonts">Monotype fonts</a>
+<li><a accesskey="9" href="#URW-fonts">URW fonts</a>
+</ul>
+
+<div class="node">
+<a name="Standard-PostScript-fonts"></a>
+<p><hr>
+Next:&nbsp;<a rel="next" accesskey="n" href="#Adobe-fonts">Adobe fonts</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Font-name-lists">Font name lists</a>
+
+</div>
+
+<h3 class="section">A.1 Standard PostScript fonts</h3>
+
+<p><a name="index-g_t35-standard-PostScript-fonts-112"></a><a name="index-standard-PostScript-fonts-113"></a><a name="index-PostScript-fonts_002c-standard-114"></a>
+Abbreviated names for the 35 standard PostScript fonts. An encoding
+variant, such as &lsquo;<samp><span class="samp">8a</span></samp>&rsquo; for the Adobe &lsquo;<samp><span class="samp">StandardEncoding</span></samp>&rsquo;, is
+omitted.
+
+ <dl>
+<dt><samp><span class="file">pagk</span></samp><dd> &lsquo;<samp><span class="samp">AvantGarde-Book</span></samp>&rsquo;
+<br><dt><samp><span class="file">pagko</span></samp><dd> &lsquo;<samp><span class="samp">AvantGarde-BookOblique</span></samp>&rsquo;
+<br><dt><samp><span class="file">pagd</span></samp><dd> &lsquo;<samp><span class="samp">AvantGarde-Demi</span></samp>&rsquo;
+<br><dt><samp><span class="file">pagdo</span></samp><dd> &lsquo;<samp><span class="samp">AvantGarde-DemiOblique</span></samp>&rsquo;
+<br><dt><samp><span class="file">pbkd</span></samp><dd> &lsquo;<samp><span class="samp">Bookman-Demi</span></samp>&rsquo;
+<br><dt><samp><span class="file">pbkdi</span></samp><dd> &lsquo;<samp><span class="samp">Bookman-DemiItalic</span></samp>&rsquo;
+<br><dt><samp><span class="file">pbkl</span></samp><dd> &lsquo;<samp><span class="samp">Bookman-Light</span></samp>&rsquo;
+<br><dt><samp><span class="file">pbkli</span></samp><dd> &lsquo;<samp><span class="samp">Bookman-LightItalic</span></samp>&rsquo;
+<br><dt><samp><span class="file">pcrb</span></samp><dd> &lsquo;<samp><span class="samp">Courier-Bold</span></samp>&rsquo;
+<br><dt><samp><span class="file">pcrbo</span></samp><dd> &lsquo;<samp><span class="samp">Courier-BoldOblique</span></samp>&rsquo;
+<br><dt><samp><span class="file">pcrr</span></samp><dd> &lsquo;<samp><span class="samp">Courier</span></samp>&rsquo;
+<br><dt><samp><span class="file">pcrro</span></samp><dd> &lsquo;<samp><span class="samp">Courier-Oblique</span></samp>&rsquo;
+<br><dt><samp><span class="file">phvb</span></samp><dd> &lsquo;<samp><span class="samp">Helvetica-Bold</span></samp>&rsquo;
+<br><dt><samp><span class="file">phvbo</span></samp><dd> &lsquo;<samp><span class="samp">Helvetica-BoldOblique</span></samp>&rsquo;
+<br><dt><samp><span class="file">phvbrn</span></samp><dd> &lsquo;<samp><span class="samp">Helvetica-NarrowBold</span></samp>&rsquo;
+<br><dt><samp><span class="file">phvbon</span></samp><dd> &lsquo;<samp><span class="samp">Helvetica-NarrowBoldOblique</span></samp>&rsquo;
+<br><dt><samp><span class="file">phvr</span></samp><dd> &lsquo;<samp><span class="samp">Helvetica</span></samp>&rsquo;
+<br><dt><samp><span class="file">phvro</span></samp><dd> &lsquo;<samp><span class="samp">Helvetica-Oblique</span></samp>&rsquo;
+<br><dt><samp><span class="file">phvrrn</span></samp><dd> &lsquo;<samp><span class="samp">Helvetica-Narrow</span></samp>&rsquo;
+<br><dt><samp><span class="file">phvron</span></samp><dd> &lsquo;<samp><span class="samp">Helvetica-NarrowOblique</span></samp>&rsquo;
+<br><dt><samp><span class="file">pncb</span></samp><dd> &lsquo;<samp><span class="samp">NewCenturySchlbk-Bold</span></samp>&rsquo;
+<br><dt><samp><span class="file">pncbi</span></samp><dd> &lsquo;<samp><span class="samp">NewCenturySchlbk-BoldItalic</span></samp>&rsquo;
+<br><dt><samp><span class="file">pncri</span></samp><dd> &lsquo;<samp><span class="samp">NewCenturySchlbk-Italic</span></samp>&rsquo;
+<br><dt><samp><span class="file">pncr</span></samp><dd> &lsquo;<samp><span class="samp">NewCenturySchlbk-Roman</span></samp>&rsquo;
+<br><dt><samp><span class="file">pplb</span></samp><dd> &lsquo;<samp><span class="samp">Palatino-Bold</span></samp>&rsquo;
+<br><dt><samp><span class="file">pplbi</span></samp><dd> &lsquo;<samp><span class="samp">Palatino-BoldItalic</span></samp>&rsquo;
+<br><dt><samp><span class="file">pplri</span></samp><dd> &lsquo;<samp><span class="samp">Palatino-Italic</span></samp>&rsquo;
+<br><dt><samp><span class="file">pplr</span></samp><dd> &lsquo;<samp><span class="samp">Palatino-Roman</span></samp>&rsquo;
+<br><dt><samp><span class="file">psyr</span></samp><dd> &lsquo;<samp><span class="samp">Symbol</span></samp>&rsquo;
+<br><dt><samp><span class="file">ptmb</span></samp><dd> &lsquo;<samp><span class="samp">Times-Bold</span></samp>&rsquo;
+<br><dt><samp><span class="file">ptmbi</span></samp><dd> &lsquo;<samp><span class="samp">Times-BoldItalic</span></samp>&rsquo;
+<br><dt><samp><span class="file">ptmri</span></samp><dd> &lsquo;<samp><span class="samp">Times-Italic</span></samp>&rsquo;
+<br><dt><samp><span class="file">ptmr</span></samp><dd> &lsquo;<samp><span class="samp">Times-Roman</span></samp>&rsquo;
+<br><dt><samp><span class="file">pzcmi</span></samp><dd> &lsquo;<samp><span class="samp">ZapfChancery-MediumItalic</span></samp>&rsquo;
+<br><dt><samp><span class="file">pzdr</span></samp><dd> &lsquo;<samp><span class="samp">ZapfDingbats</span></samp>&rsquo;
+</dl>
+
+<div class="node">
+<a name="Adobe-fonts"></a>
+<p><hr>
+Next:&nbsp;<a rel="next" accesskey="n" href="#Apple-fonts">Apple fonts</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#Standard-PostScript-fonts">Standard PostScript fonts</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Font-name-lists">Font name lists</a>
+
+</div>
+
+<h3 class="section">A.2 Adobe fonts</h3>
+
+<p><a name="index-adobe_002emap-115"></a>The <samp><span class="file">adobe.map</span></samp> file has abbreviations for Adobe fonts.
+
+<pre class="example"> <!-- @mapfile{ -->
+ <!-- license = "public domain", -->
+ <!-- email = "tex-fonts@tug.org", -->
+ <!-- date = "19apr04", -->
+ <!-- url = "http://tug.org/fontname/adobe.map", -->
+ <!-- supported = "yes", -->
+ <!-- docstring = "Adobe PostScript fonts." -->
+ <!-- } -->
+ <!-- List of fonts sold or resold by Adobe Systems Inc. -->
+ <!-- Font samples are available from: -->
+ <!-- http://www.adobe.com/type/browser/P/P_xxx.html -->
+ <!-- This list of Adobe fonts is not limited to Adobe Originals. -->
+ <!-- It also includes fonts by other suppliers (Berthold, ITC, -->
+ <!-- Linotype, Monotype, etc.) which are resold through Adobe. -->
+ <!-- The original supplier is sometimes indicated by a prefix -->
+ <!-- or suffix of the font name. -->
+ <!-- Notes on font encodings: -->
+ <!-- Typeface-SC = small caps, oldstyle figs -> pxxrc8a -->
+ <!-- Typeface-OsF = uc & lc, oldstyle figures -> pxxrj8a -->
+ <!-- Typeface-A = alternate font -> pxxra8a -->
+ <!-- Typeface-Alt = alternate glyphs -> pxxr7a -->
+ <!-- Typeface-Dfr = alternate glyphs (Fraktur) -> pxxr7c -->
+ <!-- Typeface-Sw = alternate swash alphabet -> pxxriw7a -->
+ <!-- Notes on font suppliers: -->
+ <!-- TypefaceBE = Berthold -> rxxr8a -->
+ <!-- TypefaceLH = Linotype-Hell -> lxxr8a -->
+ <!-- TypefaceMT = Monotype -> mxxr8a -->
+ pcrb8a Courier-Bold A 0.1 cob_____
+ pcrbo8a Courier-BoldOblique A 0.1 cobo____
+ pcrr8a Courier A 0.1 com_____
+ pcrro8a Courier-Oblique A 0.1 coo_____
+ phvr8a Helvetica A 0.2 hv______
+ phvb8a Helvetica-Bold A 0.2 hvb_____
+ phvbo8a Helvetica-BoldOblique A 0.2 hvbo____
+ phvro8a Helvetica-Oblique A 0.2 hvo_____
+ psyr Symbol A 0.3 sy______
+ ptmb8a Times-Bold A 0.4 tib_____
+ ptmbi8a Times-BoldItalic A 0.4 tibi____
+ ptmri8a Times-Italic A 0.4 tii_____
+ ptmr8a Times-Roman A 0.4 tir_____
+ phvr8an Helvetica-Narrow A 0.5 hvn_____
+ phvb8an Helvetica-Narrow-Bold A 0.5 hvnb____
+ phvbo8an Helvetica-Narrow-BoldOblique A 0.5 hvnbo___
+ phvro8an Helvetica-Narrow-Oblique A 0.5 hvno____
+ pplb8a Palatino-Bold A 001 pob_____
+ pplbi8a Palatino-BoldItalic A 001 pobi____
+ pplri8a Palatino-Italic A 001 poi_____
+ pplr8a Palatino-Roman A 001 por_____
+ pbkd8a Bookman-Demi A 002 bkd_____
+ pbkdi8a Bookman-DemiItalic A 002 bkdi____
+ pbkl8a Bookman-Light A 002 bkl_____
+ pbkli8a Bookman-LightItalic A 002 bkli____
+ pzcmi8a ZapfChancery-MediumItalic A 003 zcmi____
+ pzdr ZapfDingbats A 003 zd______
+ pagd8a AvantGarde-Demi A 004 agd_____
+ pagdo8a AvantGarde-DemiOblique A 004 agdo____
+ pagk8a AvantGarde-Book A 004 agw_____
+ pagko8a AvantGarde-BookOblique A 004 agwo____
+ pncb8a NewCenturySchlbk-Bold A 005 ncb_____
+ pncbi8a NewCenturySchlbk-BoldItalic A 005 ncbi____
+ pncri8a NewCenturySchlbk-Italic A 005 nci_____
+ pncr8a NewCenturySchlbk-Roman A 005 ncr_____
+ popr8a Optima A 006 op______
+ popb8a Optima-Bold A 006 opb_____
+ popbi8a Optima-BoldItalic A 006 opbi____
+ popbo8a Optima-BoldOblique A 006 opbo____
+ popri8a Optima-Italic A 006 opi_____
+ popro8a Optima-Oblique A 006 opo_____
+ psvd8a Souvenir-Demi A 007 sud_____
+ psvdi8a Souvenir-DemiItalic A 007 sudi____
+ psvl8a Souvenir-Light A 007 sul_____
+ psvli8a Souvenir-LightItalic A 007 suli____
+ plbd8a LubalinGraph-Demi A 008 lud_____
+ plbdo8a LubalinGraph-DemiOblique A 008 ludo____
+ plbk8a LubalinGraph-Book A 008 luw_____
+ plbko8a LubalinGraph-BookOblique A 008 luwo____
+ pgmb8a Garamond-Bold A 009 gab_____
+ pgmbi8a Garamond-BoldItalic A 009 gabi____
+ pgml8a Garamond-Light A 009 gal_____
+ pgmli8a Garamond-LightItalic A 009 gali____
+ patb8a AmericanTypewriter-Bold A 010 atb_____
+ patba8a AmericanTypewriter-BoldA A 010 atba____
+ patb8ac AmericanTypewriter-BoldCond A 010 atbc____
+ patba8ac AmericanTypewriter-BoldCondA A 010 atbca___
+ patr8ac AmericanTypewriter-Cond A 010 atc_____
+ patra8ac AmericanTypewriter-CondA A 010 atca____
+ patl8a AmericanTypewriter-Light A 010 atl_____
+ patla8a AmericanTypewriter-LightA A 010 atla____
+ patl8ac AmericanTypewriter-LightCond A 010 atlc____
+ patla8ac AmericanTypewriter-LightCondA A 010 atlca___
+ patm8a AmericanTypewriter-Medium A 010 atm_____
+ patma8a AmericanTypewriter-MediumA A 010 atma____
+ pbgb8a Benguiat-Bold A 011 bgb_____
+ pbgk8a Benguiat-Book A 011 bgw_____
+ pfqr8a FrizQuadrata A 011 fq______
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+ prcl8a Romic-Light A 383 rol_____
+ prcli8a Romic-LightItalic A 383 roli____
+ prcm8a Romic-Medium A 383 rom_____
+ p_____ Copal-Decorated A 384 _ddc____
+ p_____ Copal-Outline A 384 _dou____
+ p_____ Copal-Solid A 384 _dsd____
+ pxpMM7a ExPontoMM-Alternate A 385 jvalt___
+ pxpMM7ab ExPontoMM-Beginning A 385 jvbeg___
+ pxpMM7ae ExPontoMM-Ending A 385 jvend___
+ pxpMM8a ExPontoMM A 385 jvrg____
+ pxpMMj8a ExPontoMM-OsF A 385 jvros___
+ pysb8a GoudySans-Bold A 386 hgb_____
+ pysbi8a GoudySans-BoldItalic A 386 hgbi____
+ pysk8a GoudySans-Book A 386 hgbk____
+ pyski8a GoudySans-BookItalic A 386 hgbki___
+ pysc8a GoudySans-Black A 386 hgbl____
+ pysci8a GoudySans-BlackItalic A 386 hgbli___
+ pysm8a GoudySans-Medium A 386 hgm_____
+ pysmi8a GoudySans-MediumItalic A 386 hgmi____
+ p_____ Delphin-I A 387 df1_____
+ p_____ Delphin-IA A 387 df1a____
+ p_____ Delphin-II A 387 df2_____
+ p_____ Delphin-IIA A 387 df2a____
+ pc7b8a Kompakt A 387 kq______
+ p_____ KochAntiqua A 387 kv______
+ pnlb8a Neuland A 387 nq______
+ p_____ Caliban A 388 ni______
+ paxrw8a Alexa A 388 xa______
+ pbzrw8a Balzano A 388 zn______
+ p_____ JimboMM A 389 jprg____
+ pb7b8ac Bernhard-BoldCondensed A 390 dhbc____
+ pnw1r8a NeueHammerUnziale-One A 390 nw1_____
+ pnw1r7a NeueHammerUnziale-OneAlt A 390 nw1al___
+ pnw2r8a NeueHammerUnziale-Two A 390 nw2_____
+ pnw2r7a NeueHammerUnziale-TwoAlt A 390 nw2al___
+ pclrl8a Cloister-OpenFace A 390 oein____
+ poir8a Ondine A 390 og______
+ pghr7a Galahad-Alternate A 391 g_alt___
+ pghr8a Galahad-Regular A 391 g_rg____
+ pghrj8a Galahad-OsF A 391 g_ros___
+ popc8a Optima-Black A 392 opbl____
+ popci8a Optima-BlackItalic A 392 opbli___
+ popd8a Optima-DemiBold A 392 opd_____
+ popdi8a Optima-DemiBoldItalic A 392 opdi____
+ popx8a Optima-ExtraBlack A 392 opf_____
+ popm8a Optima-Medium A 392 opm_____
+ popmi8a Optima-MediumItalic A 392 opmi____
+ popxi8a Optima-ExtraBlackItalic A 392 opxfi___
+ p_____ Aja A 393 ja______
+ p_____ PopplExquisit-Medium A 393 xqm_____
+ p_____ PopplExquisit-Regular A 393 xqrg____
+ ppi033 NationalCodes-Africa A 394 ncaf____
+ ppi034 NationalCodes-America A 394 ncam____
+ ppi035 NationalCodes-AsiaPlus A 394 ncas____
+ ppi036 NationalCodes-Europe A 394 nceu____
+ ppi037 NationalCodes-Universal A 394 ncun____
+ p_____ ElGreco A 395 eq______
+ pakm8a Arkona-Medium A 395 xnm_____
+ pakr8a Arkona-Regular A 395 xnrg____
+ pfgd8ap FranklinGothic-DemiCmpr A 396 frdcp___
+ pfgdi8ap FranklinGothic-DemiCmprItal A 396 frdpi___
+ pfgd8aq FranklinGothic-DemiXCmpr A 396 frdx____
+ pfgk8ap FranklinGothic-BookCmpr A 396 frwcp___
+ pfgki8ap FranklinGothic-BookCmprItal A 396 frwpi___
+ pfgk8aq FranklinGothic-BookXCmpr A 396 frwx____
+ pfgd8ac FranklinGothic-DemiCnd A 397 frdc____
+ pfgdi8ac FranklinGothic-DemiCndItal A 397 frdci___
+ pfgm8ac FranklinGothic-MedCnd A 397 frmc____
+ pfgmi8ac FranklinGothic-MedCndItal A 397 frmci___
+ pfgk8ac FranklinGothic-BookCnd A 397 frwc____
+ pfgki8ac FranklinGothic-BookCndItal A 397 frwci___
+ p_____ Sassafras-Italic A 398 xfi_____
+ p_____ Sassafras-LxItalic A 398 xflgi___
+ p_____ Sassafras-Lx A 398 xflgr___
+ p_____ Sassafras-Roman A 398 xfr_____
+ p_____ Sassafras-SxItalic A 398 xfshi___
+ p_____ Sassafras-Sx A 398 xfshr___
+ pkxrd8a Kigali-Block A 399 kxblk___
+ pkxrw8a Kigali-ZigZag A 399 kxdc____
+ pkxri8a Kigali-Italic A 399 kxi_____
+ pkxli8a Kigali-LxItalic A 399 kxlgi___
+ pkxl8a Kigali-Lx A 399 kxlgr___
+ pkxr8a Kigali-Roman A 399 kxr_____
+ pkxsi8a Kigali-SxItalic A 399 kxshi___
+ pkxs8a Kigali-Sx A 399 kxshr___
+ pajMMi8a AJensonMM-It A 400 jei_____
+ pajMM8a AJensonMM A 400 jer_____
+ pajMM7a AJensonMM-Alt A 401 jealt___
+ pajMM8x AJensonMM-Ep A 401 jeexp___
+ pajMMi7a AJensonMM-ItAlt A 401 jeial___
+ pajMMic8a AJensonMM-ItSC A 401 jeisc___
+ pajMMi8x AJensonMM-ItEp A 401 jeixp___
+ pajMMc8a AJensonMM-SC A 401 jersc___
+ pajMMiw8a AJensonMM-Sw A 401 jeswc___
+ mbmb8a BulmerMT-Bold A 402 ybb_____
+ mbmbi8a BulmerMT-BoldItalic A 402 ybbi____
+ mbmbd8a BulmerMT-BoldDisplay A 402 ybdb____
+ mbmbid8a BulmerMT-BoldItalicDisplay A 402 ybdbi___
+ mbmrd8a BulmerMT-RegularDisplay A 402 ybds____
+ mbmrid8a BulmerMT-ItalicDisplay A 402 ybdsi___
+ mbmri8a BulmerMT-Italic A 402 ybi_____
+ mbmr8a BulmerMT-Regular A 402 ybrg____
+ mbms8a BulmerMT-SemiBold A 402 ybsb____
+ mbmsi8a BulmerMT-SemiBoldItalic A 402 ybsi____
+ mbmb7a BulmerMT-BoldAlt A 403 ybab____
+ mbmbi7a BulmerMT-BoldItalicAlt A 403 ybabi___
+ mbmr7a BulmerMT-RegularAlt A 403 ybarg___
+ mbms7a BulmerMT-SemiBoldAlt A 403 ybasb___
+ mbmsi7a BulmerMT-SemiBoldItalicAlt A 403 ybasi___
+ mbmbd7a BulmerMT-BoldDisplayAlt A 403 ybbda___
+ mbmbid7a BulmerMT-BoldItalDisplayAlt A 403 ybbid___
+ mbmbi8x BulmerMT-BoldItalicExpert A 403 ybbix___
+ mbmb8x BulmerMT-BoldExpert A 403 ybbxp___
+ mbmri7a BulmerMT-ItalicAlt A 403 ybial___
+ mbmrid7a BulmerMT-ItalicDisplayAlt A 403 ybida___
+ mbmri8x BulmerMT-ItalicExpert A 403 ybixp___
+ mbmrd7a BulmerMT-RegularDisplayAlt A 403 ybrda___
+ mbmr8x BulmerMT-RegularExpert A 403 ybrgx___
+ mbmrc8a BulmerMT-RegularSC A 403 ybrsc___
+ mbmsc8a BulmerMT-SemiBoldSC A 403 ybsbs___
+ mbms8x BulmerMT-SemiBoldExpert A 403 ybsbx___
+ mbmsi8x BulmerMT-SemiBoldItalExpert A 403 ybsix___
+ pizr8a Isabella A 404 iz______
+ prrr8a Raphael A 404 rr______
+ pxcr8a Eccentric A 404 xc______
+ p_____ OceanSansMM-It A 405 ohi_____
+ p_____ OceanSansMM A 405 ohr_____
+ plcrt8a LucidaTypewriter A 406 tl______
+ plcbt8a LucidaTypewriter-Bold A 406 tlb_____
+ plcbot8a LucidaTypewriter-BoldObl A 406 tlbo____
+ plcrot8a LucidaTypewriter-Obl A 406 tlo_____
+ plsrt8a LucidaSansTypewriter A 407 ty______
+ plsbt8a LucidaSansTypewriter-Bd A 407 tyb_____
+ plsbot8a LucidaSansTypewriter-BdObl A 407 tybo____
+ plsrot8a LucidaSansTypewriter-Obl A 407 tyo_____
+ p_____ BriemScriptMM-Exp A 408 iiexp___
+ p_____ BriemScriptMM A 408 iirg____
+ p_____ BriemScriptMM-SC A 408 iisc____
+ pkpMM8a KeplMM A 409 k_______
+ pkpMMi8a KeplMM-It A 409 k_i_____
+ pkpMM8x KeplMM-Ep A 410 k_exp___
+ pkpMMic8a KeplMM-ItSC A 410 k_isc___
+ pkpMMi8x KeplMM-ItEp A 410 k_ixp___
+ pkpMMp1 KeplMM-Or1 A 410 k_or1___
+ pkpMMp2 KeplMM-Or2 A 410 k_or2___
+ pkpMMp3 KeplMM-Or3 A 410 k_or3___
+ pkpMMc8a KeplMM-SC A 410 k_rsc___
+ pkpMMiw8a KeplMM-Sw A 410 k_sw____
+ pmjr8a Mojo A 411 fbrg____
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+ p_____ Andreas A 413 hy______
+ poqr8a Ouch A 414 oq______
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+ p_____ CongaBravaMM-St A 415 vbst____
+ p_____ CronosMM A 416 xo______
+ p_____ CronosMM-It A 416 xoi_____
+ p_____ CronosMM-Ep A 417 xoexp___
+ p_____ CronosMM-ItSC A 417 xoisc___
+ p_____ CronosMM-ItEp A 417 xoixp___
+ p_____ CronosMM-Or A 417 xoor____
+ p_____ CronosMM-SC A 417 xorsc___
+ p_____ CronosMM-Sw A 417 xosw____
+ pdkb8a Diskus-Bold A 418 d_b_____
+ pdkr8a Diskus A 418 d_rg____
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+ potr8a Coronet A 418 n_rg____
+ p_____ ChaparralMM-It A 419 xti_____
+ p_____ ChaparralMM A 419 xtr_____
+ p_____ ChaparralMM-Ep A 420 xtexp___
+ p_____ ChaparralMM-ItSC A 420 xtisc___
+ p_____ ChaparralMM-ItEp A 420 xtixp___
+ p_____ ChaparralMM-Or A 420 xtor____
+ p_____ ChaparralMM-SC A 420 xtrsc___
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+ p_____ BermudaLP-Squiggle A 422 uddc2___
+ p_____ BermudaLP-Open A 422 udou____
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+ pkwr8a KoloLP-Regular A 425 kwrg____
+ pkwr8aw KoloLP-Wide A 425 kwwd____
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+ p_____ Banshee A 427 zo______
+ p_____ KinesisMM A 428 kj______
+ p_____ KinesisMM-It A 428 kji_____
+ p_____ KinesisMM-Ep A 429 kjexp___
+ p_____ KinesisMM-ItSC A 429 kjisc___
+ p_____ KinesisMM-ItEp A 429 kjixp___
+ p_____ KinesisMM-SC A 429 kjrsc___
+ p_____ HardwoodLP A 430 hw______
+ p_____ ManitoLP A 431 mw______
+ p_____ Coriander A 432 uc______
+ p_____ SpringLP A 433 td______
+ p_____ SpringLP-Light A 433 tdl_____
+ pwhb8a WendyLP-Bold A 434 whb_____
+ pwhl8a WendyLP-Light A 434 whl_____
+ pwhm8a WendyLP-Medium A 434 whm_____
+ p_____ BickhamScriptMM-AltI A 435 b_a1____
+ p_____ BickhamScriptMM-AltII A 435 b_a2____
+ p_____ BickhamScriptMM-Beg A 435 b_bg____
+ p_____ BickhamScriptMM-End A 435 b_en____
+ p_____ BickhamScriptMM-Lig A 435 b_lig___
+ p_____ BickhamScriptMM-Or A 435 b_or____
+ p_____ BickhamScriptMM A 435 b_rg____
+ p_____ BickhamScriptMM-SwCaps A 435 b_swc___
+ pojr8a OldClaudeLP A 436 oj______
+ pojrj8a OldClaudeLP-OsF A 436 ojosf___
+ pojrc8a OldClaudeLP-SC A 436 ojsc____
+ p_____ FlorensLP A 437 fn______
+ p_____ FlorensLP-Alternates A 437 fnalt___
+ p_____ BriemAkademiMM A 438 dkrg____
+ p_____ Khaki-One A 439 hk1_____
+ p_____ Khaki-Two A 439 hk2_____
+ p_____ Pompeia-InlineItalic A 440 vpiit___
+ p_____ Pompeia-Inline A 440 vpin____
+ p_____ Flood A 441 fyrg____
+ pwtMM7a WatersTitlingMM-Alt A 442 jwalt___
+ pwtMM7al WatersTitlingMM-Lig A 442 jwlig___
+ pwtMM8a WatersTitlingMM A 442 jwr_____
+ pwtMMd8a WatersTitlingMM-TallCaps A 442 jwtlc___
+ p_____ CelestiaAntiqua-Regular A 443 zs______
+ p_____ CelestiaAntiqua-Bold A 443 zsb_____
+ p_____ CelestiaAntiqua-BoldLig A 443 zsbdl___
+ p_____ CelestiaAntiqua-Italic A 443 zsi_____
+ p_____ CelestiaAntiqua-ItalicLig A 443 zsitl___
+ p_____ CelestiaAntiqua-Ligatures A 443 zslig___
+ p_____ CelestiaAntiqua-Ornaments A 443 zsor____
+ p_____ CelestiaAntiqua-Semibold A 443 zssb____
+ p_____ CelestiaAntiqua-SmBdLig A 443 zssbl___
+ p_____ CelestiaAntiqua-SC A 443 zssc____
+ pmyr8ac Myriad-Condensed A 444 wmc_____
+ pmyb8ac Myriad-CnBold A 444 wmcb____
+ pmybi8ac Myriad-CnBoldItalic A 444 wmcbi___
+ pmyri8ac Myriad-CnItalic A 444 wmci____
+ pmys8ac Myriad-CnSemibold A 444 wms_____
+ pmysi8ac Myriad-CnSemiboldItalic A 444 wmsi____
+ p_____ Immi505 A 445 firg____
+ p_____ MagnoliaMVB A 446 xm______
+ p_____ MagnoliaMVB-Ligatures A 446 xmlig___
+ p_____ BossaNovaMVB A 447 xb______
+ p_____ BossaNovaMVB-Alternates A 447 xbalt___
+ p_____ Emmascript A 448 xe______
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+ p_____ RusselOblique-InformalAlt A 449 zralt___
+ p_____ RusselOblique-Informal A 449 zrinf___
+ mdtb8a DanteMT-Bold A 450 dlb_____
+ mdtbi8a DanteMT-BoldItalic A 450 dlbi____
+ mdtri8a DanteMT-Italic A 450 dli_____
+ mdtm8a DanteMT-Medium A 450 dlm_____
+ mdtmi8a DanteMT-MediumItalic A 450 dlmi____
+ mdtr8a DanteMT-Regular A 450 dlrg____
+ mdtb7a DanteMT-BoldAlt A 451 dlab____
+ mdtbi7a DanteMT-BoldItalicAlt A 451 dlabi___
+ mdtri7a DanteMT-ItalicAlt A 451 dlai____
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+ mdtm7a DanteMT-MediumAlt A 451 dlasb___
+ mdtmi7a DanteMT-MediumItalicAlt A 451 dlasi___
+ mdtbij8a DanteMT-BoldItalicOsF A 451 dlbio___
+ mdtbi8x DanteMT-BoldItalicExpert A 451 dlbix___
+ mdtbj8a DanteMT-BoldOsF A 451 dlbos___
+ mdtb8x DanteMT-BoldExpert A 451 dlbxp___
+ mdtrij8a DanteMT-ItalicOsF A 451 dlios___
+ mdtri8x DanteMT-ItalicExpert A 451 dlixp___
+ mdtmij8a DanteMT-MediumItalicOsF A 451 dlmio___
+ mdtmi8x DanteMT-MediumItalicExpert A 451 dlmix___
+ mdtmj8a DanteMT-MediumOsF A 451 dlmof___
+ mdtm8x DanteMT-MediumExpert A 451 dlmxp___
+ mdtr8x DanteMT-RegularExpert A 451 dlrgx___
+ mdtrc8a DanteMT-RegularSC A 451 dlsc____
+ mdtrd8a DanteMT-Titling A 451 dlttl___
+ myhb8a StrayhornMT-Bold A 452 yhb_____
+ myhbi8a StrayhornMT-BoldItalic A 452 yhbi____
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+ myhri8a StrayhornMT-Italic A 452 yhi_____
+ myhl8a StrayhornMT-Light A 452 yhl_____
+ myhli8a StrayhornMT-LightItalic A 452 yhli____
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+ myhbj8a StrayhornMT-BoldOsF A 453 yhbos___
+ myhxj8a StrayhornMT-ExtraBoldOsF A 453 yhebs___
+ myhxij8a StrayhornMT-ExtraBoldItaOsF A 453 yheis___
+ myhrij8a StrayhornMT-ItalicOsF A 453 yhios___
+ myhlij8a StrayhornMT-LightItalicOsF A 453 yhlio___
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+ p_____ Postino-Italic A 454 xzi_____
+ p_____ Postino A 454 xzr_____
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+ p_____ ReliqMM A 455 qer_____
+ p_____ Critter A 456 wc______
+ p_____ Cutout A 457 wu______
+ p_____ Studz A 458 wp______
+ p_____ Rad A 459 wr______
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+ pg2r8a Giddyup-Regular A 463 wg______
+ pg2r Giddyup-Thangs A 463 wgtha___
+ pmyrl8a Myriad-Sketch A 464 wmske___
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+ mber7a BellMT-RegularAlt A 466 xlarg___
+ mbes7a BellMT-SemiBoldAlt A 466 xlasb___
+ mbesi7a BellMT-SemiBoldItalicAlt A 466 xlasi___
+ mbebi8x BellMT-BoldItalicExpert A 466 xlbix___
+ mbeb8x BellMT-BoldExpert A 466 xlbxp___
+ mber8x BellMT-RegularExpert A 466 xlexp___
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+ mberi8x BellMT-ItalicExpert A 466 xlixp___
+ mberx7a BellMT-RegularExpertAlt A 466 xlrxa___
+ mbesc8a BellMT-SemiBoldSC A 466 xlsbs___
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+ mbesx7a BellMT-SemiBoldExpertAlt A 466 xlsxa___
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+ mf1ri8a FournierMT-Italic A 467 xyi_____
+ mf1rij8a FournierMT-ItalicOsF A 467 xyios___
+ mf1ri8x FournierMT-ItalicExpert A 467 xyixp___
+ mf1rp FournierMT-Ornaments A 467 xyorn___
+ mf1r8a FournierMT-Regular A 467 xyrg____
+ mf1r8x FournierMT-RegularExpert A 467 xyrgx___
+ mf1rc8a FournierMT-RegularSC A 467 xysc____
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+ mf1rd8a FournierMT-TallCaps A 467 xyttl___
+ p_____ CTMercurius-Black A 468 uibl____
+ p_____ CTMercurius-BlackItalic A 468 uibli___
+ p_____ CTMercurius-Light A 468 uil_____
+ p_____ CTMercurius-LightItalic A 468 uili____
+ p_____ CTMercurius-Medium A 468 uim_____
+ p_____ CTMercurius-MediumItalic A 468 uimi____
+ p_____ Fusaka-Regular A 469 fv______
+ p_____ Fusaka-Alternates A 469 fvalt___
+ p_____ MagnesiumMVB A 470 uh______
+ p_____ MagnesiumMVB-Grime A 470 uhdc1___
+ m_____ GillFloriatedCapsMT-Alt A 471 fwalt___
+ m_____ GillFloriatedCapsMT A 471 fwcap___
+ p_____ Origami-Bold A 472 xrb_____
+ p_____ Origami-BoldItalic A 472 xrbi____
+ p_____ Origami-Italic A 472 xri_____
+ p_____ Origami-Medium A 472 xrm_____
+ p_____ Origami-MediumItalic A 472 xrmi____
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+ p_____ Origami-Semibold A 472 xrsb____
+ p_____ Origami-SemiboldItalic A 472 xrsbi___
+ p_____ GreymantleMVB A 473 qg______
+ p_____ GreymantleMVB-Alternates A 473 qgalt___
+ p_____ GreymantleMVB-Ornaments A 473 qgor____
+ p_____ VerveMM-A A 474 vvaaa___
+ p_____ VerveMM A 474 vvr_____
+ p_____ VolutaScript A 475 vs______
+ p_____ VolutaScript-Alternates A 475 vsalt___
+ p_____ VolutaScript-Swash A 475 vssw____
+ pcwr8a Cottonwood A 476 c_______
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+ p_____ Pepperwood-Fill A 486 uwfi____
+ p_____ Pepperwood-Outline A 486 uwou____
+ p_____ Pepperwood-Regular A 486 uwrg____
+ p_____ Rosewood-Fill A 487 uxfi____
+ p_____ Rosewood-Regular A 487 uxrg____
+ p_____ Zebrawood-Fill A 488 uyfi____
+ p_____ Zebrawood-Regular A 488 uyrg____
+ ppi026 WoodtypeOrnaments-One A 489 woor____
+ ppi027 WoodtypeOrnaments-Two A 489 woor2___
+ pg1r8a Gothic-Thirteen A 490 gtt_____
+ ptph8ac Tempo-HeavyCondensed A 491 tehc____
+ ptphi8ac Tempo-HeavyCondensedItalic A 491 tehci___
+ ppsr8a Parisian A 492 pn______
+ pumr8a Umbra A 493 um______
+ mg4ri8a GoudyModernMT-Italic A 494 ygi_____
+ mg4r8a GoudyModernMT A 494 ygrg____
+ ms1ri8a ScotchRomanMT-Italic A 495 ysi_____
+ ms1r8a ScotchRomanMT A 495 ysrg____
+ mfsr8a FalstaffMT A 496 fprg____
+ mifb8a InflexMT-Bold A 497 iqb_____
+ mm8bl8a MonotypeOldStyleMT-BoldOut A 498 mbbou___
+ mfer8a ForteMT A 499 fz______
+ mklr8a KlangMT A 500 kn______
+ mmebw8a MercuriusMT-BoldScript A 501 uzbs____
+ p_____ Smaragd A 502 smar____
+ p_____ Smaragd-Alternate A 502 smara___
+ p_____ Ariadne-Roman A 503 aria____
+ pdiri8a Diotima-Italic A 503 dti_____
+ pdirij8a Diotima-ItalicOsF A 503 dtiof___
+ pdir8a Diotima-Roman A 503 dtr_____
+ pdirj8a Diotima-RomanOsF A 503 dtros___
+ pdirc8a Diotima-RomanSC A 503 dtrsc___
+ p_____ Legault A 504 ul______
+ p_____ Legault-Alternates A 504 ula_____
+ p_____ Legault-BoldAlternates A 504 ulab____
+ p_____ Legault-Bold A 504 ulb_____
+ p_____ BlueIsland A 505 ihrg____
+ <!-- "Value Pack" A 900 -->
+ pbdp8ap Bodoni-PosterCompressed A 900 bdpsc___
+ pbax8a Barmeno-ExtraBold A 900 bfeb____
+ pb0r8a Blackoak A 900 bo______
+ zpcp33bc Copperplate-ThirtyThreeBC A 900 cp33c___
+ prtr Carta A 900 cr______
+ pdcr8a DomCasual A 900 dc______
+ mtlr8a CastellarMT A 900 el______
+ mp2r8a PepitaMT A 900 epscr___
+ pgsr8ac GillSans-Condensed A 900 gnc_____
+ pgsu8a GillSans-UltraBold A 900 gnub____
+ mgtrd8a GoudyTextMT-LombardicCapitals A 900 gxlom___
+ piwr8a Ironwood A 900 i_______
+ mbfrw8a BiffoMT A 900 ifscr___
+ pimx8a Imago-ExtraBold A 900 ioeb____
+ mjori8a JoannaMT-Italic A 900 joi_____
+ mjor8a JoannaMT A 900 jor_____
+ p_____ Colossalis-Bold A 900 kob_____
+ plgr8a LetterGothic A 900 lg______
+ plor8a Lithos-Regular A 900 lorg____
+ pmqr8a Mesquite A 900 m_______
+ pmnrp Minion-Ornaments A 900 moor____
+ pnurw8a NuptialScript A 900 nu______
+ pper8a PrestigeElite A 900 pe______
+ pqsr8a Bellevue A 900 qsrg____
+ p_____ AGOldFace-Outline A 900 qwou____
+ mrur8ac RunicMT-Condensed A 900 ric_____
+ prwx8a Rockwell-ExtraBold A 900 rkeb____
+ pslr8a Stencil A 900 st______
+ pwwr8a Willow A 900 wi______
+ ppi027 WoodtypeOrnaments-Two A 900 woor2___
+ <!-- "Wild Type" A 901 -->
+ pbir8a Birch A 901 bi______
+ putrd8a Utopia-Headline A 901 uthd____
+ p_____ Critter A 901 wc______
+ pg2r8a Giddyup-Regular A 901 wg______
+ pg2r Giddyup-Thangs A 901 wgtha___
+ pmyrd8a Myriad-Headline A 901 wmhd____
+ pmyrl8a Myriad-Sketch A 901 wmske___
+ pmyrn8a Myriad-Tilt A 901 wmtil___
+ p_____ Studz A 901 wp______
+ p_____ Quake A 901 wq______
+ p_____ Rad A 901 wr______
+ p_____ Toolbox A 901 wt______
+ p_____ Cutout A 901 wu______
+ p_____ Mythos A 901 wy______
+ <!-- "Adobe Type Basics" A 902 -->
+ pagd8a AvantGarde-Demi A 902 agd_____
+ pagdo8a AvantGarde-DemiOblique A 902 agdo____
+ pagk8a AvantGarde-Book A 902 agw_____
+ pagko8a AvantGarde-BookOblique A 902 agwo____
+ pamr8a Americana A 902 am______
+ pamx8a Americana-ExtraBold A 902 ameb____
+ pacri8a ACaslon-Italic A 902 awi_____
+ pacr8a ACaslon-Regular A 902 awrg____
+ pacs8a ACaslon-Semibold A 902 awsb____
+ pacsi8a ACaslon-SemiboldItalic A 902 awsbi___
+ pbab8a Barmeno-Bold A 902 bfb_____
+ pbax8a Barmeno-ExtraBold A 902 bfeb____
+ pbam8a Barmeno-Medium A 902 bfm_____
+ pbar8a Barmeno-Regular A 902 bfrg____
+ pbkd8a Bookman-Demi A 902 bkd_____
+ pbkdi8a Bookman-DemiItalic A 902 bkdi____
+ pbkl8a Bookman-Light A 902 bkl_____
+ pbkli8a Bookman-LightItalic A 902 bkli____
+ pb0r8a Blackoak A 902 bo______
+ pcrb8a Courier-Bold A 902 cob_____
+ pcrbo8a Courier-BoldOblique A 902 cobo____
+ pcrr8a Courier A 902 com_____
+ pcrro8a Courier-Oblique A 902 coo_____
+ prtr Carta A 902 cr______
+ pfari8a Formata-Italic A 902 fmi_____
+ pfam8a Formata-Medium A 902 fmm_____
+ pfami8a Formata-MediumItalic A 902 fmmi____
+ pfar8a Formata-Regular A 902 fmrg____
+ padb8a AGaramond-Bold A 902 gdb_____
+ padbi8a AGaramond-BoldItalic A 902 gdbi____
+ padri8a AGaramond-Italic A 902 gdi_____
+ padr8a AGaramond-Regular A 902 gdrg____
+ phvr8a Helvetica A 902 hv______
+ phvb8a Helvetica-Bold A 902 hvb_____
+ phvbo8a Helvetica-BoldOblique A 902 hvbo____
+ phvr8an Helvetica-Narrow A 902 hvn_____
+ phvb8an Helvetica-Narrow-Bold A 902 hvnb____
+ phvbo8an Helvetica-Narrow-BoldOblique A 902 hvnbo___
+ phvro8an Helvetica-Narrow-Oblique A 902 hvno____
+ phvro8a Helvetica-Oblique A 902 hvo_____
+ pkur8a Kaufmann A 902 kf______
+ ploc8a Lithos-Black A 902 lobl____
+ plor8a Lithos-Regular A 902 lorg____
+ pncb8a NewCenturySchlbk-Bold A 902 ncb_____
+ pncbi8a NewCenturySchlbk-BoldItalic A 902 ncbi____
+ pncri8a NewCenturySchlbk-Italic A 902 nci_____
+ pncr8a NewCenturySchlbk-Roman A 902 ncr_____
+ ppar8a ParkAvenue A 902 pa______
+ ppsr8a Parisian A 902 pn______
+ pplb8a Palatino-Bold A 902 pob_____
+ pplbi8a Palatino-BoldItalic A 902 pobi____
+ pplri8a Palatino-Italic A 902 poi_____
+ pplr8a Palatino-Roman A 902 por_____
+ p_____ Poetica-SuppOrnaments A 902 pvor____
+ psyr Symbol A 902 sy______
+ ptmb8a Times-Bold A 902 tib_____
+ ptmbi8a Times-BoldItalic A 902 tibi____
+ ptmri8a Times-Italic A 902 tii_____
+ ptmr8a Times-Roman A 902 tir_____
+ ptjb8a Trajan-Bold A 902 tjb_____
+ ptkb8a Tekton-Bold A 902 tkb_____
+ ptkr8a Tekton A 902 tkrg____
+ ppi027 WoodtypeOrnaments-Two A 902 woor2___
+ pzcmi8a ZapfChancery-MediumItalic A 902 zcmi____
+ pzdr ZapfDingbats A 902 zd______
+ <!-- "Variety Pack" A 903 -->
+ mp1rw8a PalaceScriptMT A 903 _p______
+ pdjk8a Delta-Book A 903 djw_____
+ pdjki8a Delta-BookItalic A 903 djwi____
+ lenb8a EngraversLH-BoldFace A 903 ew______
+ pfarl8a Formata-Outline A 903 fmou____
+ pgsxd8a GillSans-ExtraBoldDisplay A 903 gnxbd___
+ mbfrw8a BiffoMT A 903 ifscr___
+ p_____ MonaLisa-Solid A 903 iysd____
+ pjpr8a Juniper A 903 j_______
+ p_____ LoType-Medium A 903 ljm_____
+ p_____ LoType-MediumItalic A 903 ljmi____
+ p_____ BerlinerGrotesk-Light A 903 otl_____
+ prwb8ac Rockwell-BoldCondensed A 903 rkbc____
+ prwr8ac Rockwell-Condensed A 903 rkc_____
+ p_____ AGBook-Stencil A 903 tast____
+ ms2bw8a ScriptMT-Bold A 903 tbscr___
+ p_____ Cutout A 903 wu______
+ ms1ri8a ScotchRomanMT-Italic A 903 ysi_____
+ ms1r8a ScotchRomanMT A 903 ysrg____
+ mm7r8a MaturaMT A 903 zz______
+ <!-- "Charleston Collection" A 904 -->
+ mr2l8a CantoriaMT-Light A 904 eol_____
+ p_____ Beesknees A 904 ikh_____
+ p_____ LoType-Medium A 904 ljm_____
+ pm1rw8a MonolineScriptMT A 904 on______
+ p_____ Ozwald A 904 ozh_____
+ mknr8a KinoMT A 904 qi______
+ pb7r8a BernhardModern-Bold A 904 rdb_____
+ puyr8a UniversityRoman A 904 ur______
+ <!-- "Jam Pack" A 905 -->
+ pbdp8ap Bodoni-PosterCompressed A 905 bdpsc___
+ pctl8ac Cheltenham-LightCond A 905 chlc____
+ pazl8ac AkzidenzGroteskBE-LightCn A 905 gflc____
+ pgsb8aq GillSans-BoldExtraCondensed A 905 gnbxc___
+ p_____ GaramondBE-Condensed A 905 gwc_____
+ p_____ LoType-MediumCondensed A 905 ljmc____
+ mrur8ac RunicMT-Condensed A 905 ric_____
+ prwr8ac Rockwell-Condensed A 905 rkc_____
+ <!-- "Originals Sampler 1" A 906 -->
+ p_____ Mezz-Regular A 906 vurg____
+ p_____ Mezz-Black A 906 vuz_____
+ p_____ CaflischScript-Bold A 906 vwb_____
+ p_____ CaflischScript-Regular A 906 vwrg____
+ p_____ Nueva-BoldExtendedItalic A 906 vxbei___
+ p_____ Nueva-BoldExtended A 906 vxbv____
+ p_____ Nueva-Italic A 906 vxi_____
+ p_____ Nueva-Roman A 906 vxr_____
+ pmyb8a Myriad-Bold A 906 wmb_____
+ pmybi8a Myriad-BoldItalic A 906 wmbi____
+ pmyri8a Myriad-Italic A 906 wmi_____
+ pmyr8a Myriad-Roman A 906 wmr_____
+ <!-- "Originals Sampler 2" A 907 -->
+ pmnb8ac Minion-BoldCondensed A 907 mobc____
+ pmnbi8ac Minion-BoldCondensedItalic A 907 mobci___
+ pmnr8ac Minion-Condensed A 907 moc_____
+ pmnri8ac Minion-CondensedItalic A 907 moci____
+ pvvx8ax Viva-BoldExtraExtended A 907 vabxe___
+ pvvl8ac Viva-LightCondensed A 907 valc____
+ pvvr8a Viva-Regular A 907 varg____
+ p_____ Sanvito-Light A 907 vyl_____
+ p_____ Sanvito-Roman A 907 vyr_____
+ p_____ Penumbra-SemiboldFlare A 907 vzsfl___
+ p_____ Penumbra-SemiboldSans A 907 vzssa___
+ p_____ Penumbra-SemiboldSerif A 907 vzsse___
+ <!-- "Script Teaser" A 908 -->
+ ppc___ Poetica-ChanceryI A 908 pvch1___
+ ppc___ Poetica-SuppLigatures A 908 pvlg____
+ ppc___ Poetica-SuppOrnaments A 908 pvor____
+ ppc___ Poetica-SuppSwashCapsI A 908 pvsw1___
+ p_____ CaflischScript-Bold A 908 vwb_____
+ p_____ CaflischScript-Regular A 908 vwrg____
+ p_____ Sanvito-BoldDisplay A 908 vydb____
+ p_____ Sanvito-Roman A 908 vyr_____
+ p_____ Sanvito-Semibold A 908 vysb____
+ pxpr8a ExPonto-Regular A 908 xprg____
+ <!-- "Touch of Classics 1" A 912 -->
+ padri8a AGaramond-Italic A 912 gdi_____
+ padr8a AGaramond-Regular A 912 gdrg____
+ pads8a AGaramond-Semibold A 912 gdsb____
+ padrc8a AGaramond-RegularSC A 912 gdsc____
+ padrd8a AGaramond-Titling A 912 gdttl___
+ <!-- "Touch of Classics 2" A 913 -->
+ pacri8a ACaslon-Italic A 913 awi_____
+ pacrp ACaslon-Ornaments A 913 awor____
+ pacr8a ACaslon-Regular A 913 awrg____
+ pacs8a ACaslon-Semibold A 913 awsb____
+ pacrc8a ACaslon-RegularSC A 913 awsc____
+ <!-- "Touch of Classics 3" A 914 -->
+ pajrd8a AJenson-RegularDisplay A 914 jsds____
+ pajri8a AJenson-Italic A 914 jsi_____
+ pajr8a AJenson-Regular A 914 jsrg____
+ pajs8a AJenson-Semibold A 914 jssb____
+ pajrc8a AJenson-RegularSC A 914 jssc____
+ <!-- "Originals on Display" A 915 -->
+ p_____ Jimbo-Bold A 915 jpb_____
+ pajsd8a AJenson-SemiboldDisplay A 915 jssp____
+ pkpbd8ax Kepler-BoldExtendedDisplay A 915 k_bed___
+ pkpsd8ac Kepler-SemiboldCondensedDisplay A 915 k_scd___
+ p_____ Mezz-Bold A 915 vub_____
+ p_____ Penumbra-BoldSerif A 915 vzbsr___
+ p_____ Cronos-Display A 915 xodr____
+ pxpr8a ExPonto-Regular A 915 xprg____
+ p_____ Chaparral-Display A 915 xtdr____
+ <!-- "Euro" A 916 -->
+ zpeurs EuroSans-Regular A 916 _1______
+ zpeubs EuroSans-Bold A 916 _1b_____
+ zpeubis EuroSans-BoldItalic A 916 _1bi____
+ zpeuris EuroSans-Italic A 916 _1i_____
+ zpeurt EuroMono-Regular A 916 _2______
+ zpeubt EuroMono-Bold A 916 _2b_____
+ zpeubit EuroMono-BoldItalic A 916 _2bi____
+ zpeurit EuroMono-Italic A 916 _2i_____
+ zpeur EuroSerif-Regular A 916 _3______
+ zpeub EuroSerif-Bold A 916 _3b_____
+ zpeubi EuroSerif-BoldItalic A 916 _3bi____
+ zpeuri EuroSerif-Italic A 916 _3i_____
+ <!-- "Essential Scripts" A 917 -->
+ pmsrw8a Mistral A 917 ms______
+ ppc___ Poetica-ChanceryII A 917 pvch2___
+ ppc___ Poetica-SuppSwashCapsII A 917 pvsw2___
+ pprl8a PopplResidenz-Light A 917 pzl_____
+ pprr8a PopplResidenz-Regular A 917 pzrg____
+ psrrw8a SnellRoundhand-Script A 917 sn______
+ mmebw8a MercuriusMT-BoldScript A 917 uzbs____
+ pwhm8a WendyLP-Medium A 917 whm_____
+ pbzrw8a Balzano A 917 zn______
+ ppi028 ScienceTypeCustomPi-No1T ??? ________
+ ppi029 ScienceTypeCustomPi-No2T ??? ________
+ ppi030 ScienceTypeCustomPi-No3T ??? ________
+ ppi031 ScienceTypeCustomPi-No4T ??? ________
+ ppi032 ScienceTypeCustomPi-No5T ??? ________
+</pre>
+ <div class="node">
+<a name="Apple-fonts"></a>
+<p><hr>
+Next:&nbsp;<a rel="next" accesskey="n" href="#Bitstream-fonts">Bitstream fonts</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#Adobe-fonts">Adobe fonts</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Font-name-lists">Font name lists</a>
+
+</div>
+
+<h3 class="section">A.3 Apple fonts</h3>
+
+<p><a name="index-apple_002emap-116"></a>The <samp><span class="file">apple.map</span></samp> file has abbreviations for Apple fonts.
+
+<pre class="example"> <!-- @mapfile{ -->
+ <!-- license = "public domain", -->
+ <!-- email = "tex-fonts@tug.org", -->
+ <!-- version = "2.2", -->
+ <!-- date = "1 July 1998", -->
+ <!-- url = "http://tug.org/fontname/apple.map", -->
+ <!-- supported = "yes", -->
+ <!-- docstring = "Apple PostScript fonts." -->
+ <!-- } -->
+ <!-- From kahn@math.toronto.edu. -->
+ eecr8r AppleChancery
+ eger8r Geneva
+ ehtr8r HoeflerText
+ emcr8r Monaco
+ epi001 Zeal
+ eskr8r Skia
+</pre>
+ <div class="node">
+<a name="Bitstream-fonts"></a>
+<p><hr>
+Next:&nbsp;<a rel="next" accesskey="n" href="#DTC-fonts">DTC fonts</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#Apple-fonts">Apple fonts</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Font-name-lists">Font name lists</a>
+
+</div>
+
+<h3 class="section">A.4 Bitstream fonts</h3>
+
+<p><a name="index-bitstrea_002emap-117"></a>The <samp><span class="file">bitstrea.map</span></samp> file has abbreviations for Bitstream fonts.
+
+<pre class="example"> <!-- @mapfile{ -->
+ <!-- email = "tex-fonts@tug.org", -->
+ <!-- date = "21may05", -->
+ <!-- url = "http://tug.org/fontname/bitstrea.map", -->
+ <!-- supported = "yes", -->
+ <!-- docstring = "Bitstream PostScript fonts.", -->
+ <!-- license = "public domain", -->
+ <!-- } -->
+ <!-- List of Bitstream fonts on the Corel Draw 12 CD-ROM. -->
+ <!-- see http://www.bitstream.com/products/world/font_cd/fontlists/500cd_fontlist.txt -->
+ bhvl8a Swiss721BT-Light BT 0001 swz721l
+ bhvli8a Swiss721BT-LightItalic BT 0002 swz721li
+ bhvr8a Swiss721BT-Roman BT 0003 swz721n
+ bhvri8a Swiss721BT-Italic BT 0004 swz721i
+ bhvb8a Swiss721BT-Bold BT 0005 swz721b
+ bhvbi8a Swiss721BT-BoldItalic BT 0006 swz721bi
+ bhvc8a Swiss721BT-Black BT 0007 swz721k
+ bhvci8a Swiss721BT-BlackItalic BT 0008 swz721ki
+ bhvr8ac Swiss721BT-RomanCondensed BT 0009 swz721c
+ bhvb8ac Swiss721BT-BoldCondensed BT 0010 swz721bc
+ btmr8a Dutch801BT-Roman BT 0011 dut801n
+ btmri8a Dutch801BT-Italic BT 0012 dut801i
+ btmb8a Dutch801BT-Bold BT 0013 dut801b
+ btmbi8a Dutch801BT-BoldItalic BT 0014 dut801bi
+ bopr8a ZapfHumanist601BT-Roman BT 0015 zhum601n
+ bopri8a ZapfHumanist601BT-Italic BT 0016 zhum601i
+ bopb8a ZapfHumanist601BT-Bold BT 0017 zhum601b
+ bopbi8a ZapfHumanist601BT-BoldItalic BT 0018 zhu601bi
+ bsvl8a SouvenirITCbyBT-Light BT 0019 souvnrl
+ bsvli8a SouvenirITCbyBT-LightItalic BT 0020 souvnrli
+ bsvd8a SouvenirITCbyBT-Demi BT 0021 souvnrd
+ bsvdi8a SouvenirITCbyBT-DemiItalic BT 0022 souvnrdi
+ bplr8a ZapfCalligraphic801BT-Roman BT 0023 zcal801n
+ bplri8a ZapfCalligraphic801BT-Italic BT 0024 zcal801i
+ bplb8a ZapfCalligraphic801BT-Bold BT 0025 zcal801b
+ bplbi8a ZapfCalligraphic801BT-BoldItal BT 0026 zca801bi
+ bexr8a News702BT-Roman BT 0027 news702n
+ bexri8a News702BT-Italic BT 0028 news702i
+ bexb8a News702BT-Bold BT 0029 news702b
+ bexbi8a News702BT-BoldItalic BT 0030 new702bi
+ bbdk8a BodoniBT-Book BT 0035 bodonin
+ bbdki8a BodoniBT-BookItalic BT 0036 bodonini
+ bbdb8a BodoniBT-Bold BT 0037 bodonib
+ bbdbi8a BodoniBT-BoldItalic BT 0038 bodonibi
+ bcnr8ax CenturyExpandedBT-Roman BT 0039 centexn
+ bcnri8ax CenturyExpandedBT-Italic BT 0040 centexi
+ bcnb8ax CenturyExpandedBT-Bold BT 0041 centexb
+ bcnbi8ax CenturyExpandedBT-BoldItalic BT 0042 centexbi
+ bg3r8a AmericanGaramondBT-Roman BT 0043 amrgaran
+ bg3ri8a AmericanGaramondBT-Italic BT 0044 amrgarai
+ bg3b8a AmericanGaramondBT-Bold BT 0045 amrgarab
+ bg3bi8a AmericanGaramondBT-BoldItalic BT 0046 amrgarbi
+ bngr8a NewsGothicBT-Roman BT 0047 newsgotn
+ bngri8a NewsGothicBT-Italic BT 0048 newsgot
+ bngb8a NewsGothicBT-Bold BT 0049 newsgotb
+ bngbi8a NewsGothicBT-BoldItalic BT 0050 newgotbi
+ bmlr8a ZapfElliptical711BT-Roman BT 0051 zelp711n
+ bmlri8a ZapfElliptical711BT-Italic BT 0052 zelp711i
+ bmlb8a ZapfElliptical711BT-Bold BT 0053 zelp711b
+ bmlbi8a ZapfElliptical711BT-BoldItalic BT 0054 zel711bi
+ bbdr8a BodoniBT-Roman BT 0055 bodoni
+ bbdri8a BodoniBT-Italic BT 0056 bodonii
+ bhbr8a HoboBT-Regular BT 0057 hobon
+ bonr8a News705BT-RomanB BT 0058 news705n
+ bonri8a News705BT-ItalicB BT 0059 news705i
+ bonb8a News705BT-BoldB BT 0060 news705b
+ b_____ BusoramaITCbyBT-Medium BT 0062 busoramm
+ bglr8a GalliardITCbyBT-Roman BT 0067 galirdn
+ bglri8a GalliardITCbyBT-Italic BT 0068 galirdi
+ bglb8a GalliardITCbyBT-Bold BT 0069 galirdb
+ bglbi8a GalliardITCbyBT-BoldItalic BT 0070 galirdbi
+ bbkl8a BookmanITCbyBT-Light BT 0075 bookmnl
+ bbkli8a BookmanITCbyBT-LightItalic BT 0076 bookmnli
+ bbkd8a BookmanITCbyBT-Demi BT 0079 bookmnd
+ bbkdi8a BookmanITCbyBT-DemiItalic BT 0080 bookmndi
+ bcsr8a CenturySchoolbookBT-Roman BT 0083 censbkn
+ bcsri8a CenturySchoolbookBT-Italic BT 0084 censbki
+ bcsb8a CenturySchoolbookBT-Bold BT 0085 censbkb
+ bcsbi8a CenturySchoolbookBT-BoldItalic BT 0086 censbkbi
+ bkrr8a KorinnaITCbyBT-Regular BT 0087 korinan
+ bkrri8a KorinnaITCbyBT-KursivRegular BT 0088 korinani
+ bkrb8a KorinnaITCbyBT-Bold BT 0089 korinab
+ bkrbi8a KorinnaITCbyBT-KursivBold BT 0090 korinabi
+ bhva8a Swiss721BT-Thin BT 0100 swz721t
+ bhvai8a Swiss721BT-ThinItalic BT 0101 swz721ti
+ bhvh8a Swiss721BT-Heavy BT 0102 swz721h
+ bhvhi8a Swiss721BT-HeavyItalic BT 0103 swz721hi
+ bhvh8aq Swiss911BT-ExtraCompressed BT 0105 swz911xc
+ bhvh8au Swiss911BT-UltraCompressed BT 0106 swz911uc
+ bgor8a GoudyOldStyleBT-Roman BT 0107 goudyosn
+ bgori8a GoudyOldStyleBT-Italic BT 0108 goudyosi
+ bgob8a GoudyOldStyleBT-Bold BT 0109 goudyosb
+ bgobi8a GoudyOldStyleBT-BoldItalic BT 0110 goudosbi
+ bgox8a GoudyOldStyleBT-ExtraBold BT 0111 goudosxb
+ bpnr8a Aldine721BT-Roman BT 0112 ald721n
+ bpnri8a Aldine721BT-Italic BT 0113 ald721i
+ bpnb8a Aldine721BT-Bold BT 0114 ald721b
+ bpnbi8a Aldine721BT-BoldItalic BT 0115 ald721bi
+ bjnr8a KisBT-Roman BT 0116 kisn
+ bjnri8a KisBT-Italic BT 0117 kisi
+ bc5r8a Caslon540BT-Roman BT 0118 casl540n
+ bc5ri8a Caslon540BT-Italic BT 0119 casl540i
+ bg1r8a GothicNo13BT-Regular BT 0120 gothic13
+ bbol8a BalloonBT-Light BT 0121 balloonl
+ bwnr8a WindsorBT-Roman BT 0122 wndsrn
+ bbgk8a BenguiatITCbyBT-Book BT 0123 benguian
+ bbgki8a BenguiatITCbyBT-BookItalic BT 0124 benguini
+ bbgb8a BenguiatITCbyBT-Bold BT 0127 benguiab
+ bbgbi8a BenguiatITCbyBT-BoldItalic BT 0128 benguibi
+ bbdp8a PosterBodoniBT-Roman BT 0129 pstrbodn
+ bbdpi8a PosterBodoniBT-Italic BT 0130 pstrbodi
+ bbwr8a BroadwayBT-Regular BT 0131 brdwayn
+ bngl8a NewsGothicBT-Light BT 0132 newsgotl
+ bngli8a NewsGothicBT-LightItalic BT 0133 newgotli
+ bopd8a ZapfHumanist601BT-Demi BT 0134 zhum601d
+ bopdi8a ZapfHumanist601BT-DemiItalic BT 0135 zhu601di
+ bopu8a ZapfHumanist601BT-Ultra BT 0136 zhum601u
+ bopui8a ZapfHumanist601BT-UltraItalic BT 0137 zhu601ui
+ bful8a FuturaBT-Light BT 0138 futural
+ bfuli8a FuturaBT-LightItalic BT 0139 futurali
+ bfuk8a FuturaBT-Book BT 0140 futuran
+ bfuki8a FuturaBT-BookItalic BT 0141 futurani
+ bfum8a FuturaBT-Medium BT 0142 futuram
+ bfumi8a FuturaBT-MediumItalic BT 0143 futurami
+ bfub8a FuturaBT-Bold BT 0144 futurab
+ bfubi8a FuturaBT-BoldItalic BT 0145 futurabi
+ bfuh8a FuturaBT-Heavy BT 0146 futurah
+ bfuhi8a FuturaBT-HeavyItalic BT 0147 futurahi
+ bfux8a FuturaBT-ExtraBlack BT 0148 futuraxk
+ bfuxi8a FuturaBT-ExtraBlackItalic BT 0149 futurxki
+ bsnk8a Geometric212BT-Book BT 0150 geo212n
+ bsnh8a Geometric212BT-Heavy BT 0151 geo212h
+ bagk8a AvantGardeITCbyBT-Book BT 0154 avgardn
+ bagko8a AvantGardeITCbyBT-BookOblique BT 0155 avgardni
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+ bpi008 SprocketBT-Regular BT 1244 ________
+ bpi009 SonicCutThruBT-Heavy BT 1247 ________
+ b_____ CharterITCbyBT-Roman BT 1268 ichrtrn
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+ b_____ CharterITCbyBT-Bold BT 1270 ichrtrb
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+ b_____ CharterITCbyBT-Black BT 1272 ichrtrk
+ b_____ CharterITCbyBT-BlackItalic BT 1273 ichrtrki
+ bo0r8a OldDreadfulNo7BT-Regular BT 7009 ________
+ bzdr ZapfDingbatsITCbyBT-Regular BT 8556 zafdingn
+ b_____ MICR10byBT-Regular BT 8729 micr010n
+ b_____ MICR12byBT-Regular BT 8730 micr012n
+ b_____ MICR13byBT-Regular BT 8731 micr013n
+ bpi003 UniversalMath1BT-Regular BT 9014 ________
+ bpi004 CommercialPiBT-Regular BT 9025 ________
+ bsyr SymbolProportionalBT-Regular BT 9830 symbpron
+ bpi010 HolidayPiBT-Regular BT 9832 ________
+ bpi001 NewspaperPiBT-Regular BT 9836 ________
+</pre>
+ <div class="node">
+<a name="DTC-fonts"></a>
+<p><hr>
+Next:&nbsp;<a rel="next" accesskey="n" href="#ITC-fonts">ITC fonts</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#Bitstream-fonts">Bitstream fonts</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Font-name-lists">Font name lists</a>
+
+</div>
+
+<h3 class="section">A.5 DTC fonts</h3>
+
+<p><a name="index-dtc_002emap-118"></a>The <samp><span class="file">dtc.map</span></samp> file has abbreviations for DTC (Digital Typeface
+Corporation) fonts.
+
+<pre class="example"> <!-- @mapfile{ -->
+ <!-- license = "public domain", -->
+ <!-- email = "tex-fonts@tug.org", -->
+ <!-- version = "2.2", -->
+ <!-- date = "1 July 1998", -->
+ <!-- url = "http://tug.org/fontname/dtc.map", -->
+ <!-- supported = "yes", -->
+ <!-- docstring = "DTC PostScript fonts." -->
+ <!-- } -->
+ <!-- From mackay@cs.washington.edu. -->
+ dhvc8rc SansBlackCondensed-DTC
+ dhvco8rc SansBlackCondensed-Oblique-DTC
+ dhvm8rx SansExtended-Medium-DTC
+ dhvr8rx SansExtended-Regular-DTC
+ dhvro8rc SansExtended-RegularOblique-DTC
+ dhvx8rc SansExtraBlackCondensed-DTC
+ dhvl8rx SansLightExtended-DTC
+ dhvh8rc SansThinCondensed-DTC
+ dhvho8rc SansThinCondensed-Oblique-DTC
+ dnbb8r NewBaskerville-Bold-DTC
+ dnbbi8r NewBaskerville-BoldItalic-DTC
+ dnbri8r NewBaskerville-RomanItalic-DTC
+ dnbr8r NewBaskerville-Roman-DTC
+ dopr8r Optimum-Roman-DTC
+ dopb8r Optimum-Bold-DTC
+ dopbo8r Optimum-BoldItalic-DTC
+ doro8r Optimum-RomanItalic-DTC
+ dpll8r Palton-Light-DTC
+</pre>
+ <div class="node">
+<a name="ITC-fonts"></a>
+<p><hr>
+Next:&nbsp;<a rel="next" accesskey="n" href="#Linotype-fonts">Linotype fonts</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#DTC-fonts">DTC fonts</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Font-name-lists">Font name lists</a>
+
+</div>
+
+<h3 class="section">A.6 ITC fonts</h3>
+
+<p><a name="index-itc_002emap-119"></a>The <samp><span class="file">itc.map</span></samp> file has abbreviations for ITC (International
+Typeface Corporation) fonts.
+
+<pre class="example"> <!-- @mapfile{ -->
+ <!-- license = "public domain", -->
+ <!-- email = "tex-fonts@tug.org", -->
+ <!-- version = "5sep03", -->
+ <!-- url = "http://tug.org/fontname/itc.map", -->
+ <!-- supported = "yes", -->
+ <!-- docstring = "ITC PostScript fonts." -->
+ <!-- } -->
+ <!-- List of ITC fonts sold directly by ITC, subsidiary of Letraset: -->
+ <!-- Font samples are available from: -->
+ <!-- http://www.itcfonts.com/fonts/ -->
+ <!-- This list does not specifically include ITC fonts sold -->
+ <!-- by Adobe or Linotype, which are listed usually without -->
+ <!-- any prefix in adobe.map or linotype.map. -->
+ <!-- Categories: -->
+ <!-- ITC2xxx - ITC Fontek Library -->
+ <!-- ITC4xxx - Design fonts -->
+ <!-- ITC5xxx - Ornaments -->
+ <!-- ITC6xxx - Serif fonts -->
+ <!-- ITC8xxx - Sans Serif fonts -->
+
+ <!-- These Euro fonts work with the euroitc package. -->
+ <!-- See message from Robert Schlicht to tex-fonts -->
+ <!-- at 05 Sep 2003 00:13:34 +0200. -->
+ zieuk EuroSerifITC-Book
+ zieuki EuroSerifITC-BookItalic
+ zieum EuroSerifITC-Medium
+ zieumi EuroSerifITC-MediumItalic
+ zieub EuroSerifITC-Bold
+ zieubi EuroSerifITC-BoldItalic
+ zieuc EuroSerifITC-Black
+ zieuci EuroSerifITC-BlackItalic
+ zieuks EuroSansITC-Book
+ zieukis EuroSansITC-BookItalic
+ zieums EuroSansITC-Medium
+ zieumis EuroSansITC-MediumItalic
+ zieubs EuroSansITC-Bold
+ zieubis EuroSansITC-BoldItalic
+ zieucs EuroSansITC-Black
+ zieucis EuroSansITC-BlackItalic
+
+ i_____ Aachen-Medium ITC 2000
+ i_____ Aachen-Bold ITC 2001
+ i_____ Academy-Engraved ITC 2002
+ i_____ Aftershock ITC 2003
+ i_____ Agincourt ITC 2004
+ i_____ Airstream ITC 2005
+ i_____ Algerian-Condensed ITC 2006
+ i_____ Ambrose ITC 2007
+ i_____ Angryhog ITC 2008
+ i_____ Anna ITC 2009
+ i_____ Aquinas ITC 2010
+ i_____ Aquitaine-Initials ITC 2011
+ i_____ Aristocrat ITC 2012
+ i_____ Arnova ITC 2013
+ i_____ Arriba ITC 2014
+ i_____ Arriba-Arriba ITC 2015
+ i_____ Artiste ITC 2016
+ i_____ Atmosphere ITC 2017
+ i_____ AugusteaOpen ITC 2018
+ i_____ Avenida ITC 2019
+ i_____ BaileyQuad-Bold ITC 2020
+ i_____ Balmoral ITC 2021
+ i_____ Banco-Light ITC 2022
+ i_____ Banco ITC 2023
+ i_____ Bang ITC 2024
+ i_____ Banner ITC 2025
+ i_____ BeckaScript ITC 2026
+ i_____ Beesknees ITC 2027
+ i_____ Belter ITC 2028
+ i_____ Belter-MegaOutline ITC 2029
+ i_____ Belwe-Mono ITC 2030
+ i_____ Belwe-MonoItalic ITC 2031
+ i_____ Bendigo ITC 2032
+ i_____ Bergell ITC 2033
+ i_____ Bertie ITC 2034
+ i_____ Bertram ITC 2035
+ i_____ BibleScriptFlourishes ITC 2036
+ i_____ BickleyScript ITC 2037
+ i_____ Binary-Light ITC 2038
+ i_____ Binary-Bold ITC 2039
+ i_____ Bitmax ITC 2040
+ i_____ BlackTulip ITC 2041
+ i_____ Blackadder ITC 2042
+ i_____ Blackmoor ITC 2043
+ i_____ Blaze ITC 2044
+ i_____ Bluntz ITC 2045
+ i_____ Bodoni-Brush ITC 2046
+ i_____ BodoniSeventyTwo-Book ITC 2047
+ i_____ BodoniSeventyTwo-BookItalic ITC 2048
+ i_____ BodoniSeventyTwo-BookItalicSwash ITC 2049
+ i_____ BodoniSeventyTwo-Bold ITC 2050
+ i_____ BodoniSeventyTwo-BoldItalic ITC 2051
+ i_____ BodoniSeventyTwo-BoldItalicSwash ITC 2052
+ i_____ Boink ITC 2053
+ i_____ Bordeaux-Roman ITC 2054
+ i_____ Bordeaux-Italic ITC 2055
+ i_____ Bordeaux-RomanBold ITC 2056
+ i_____ Bordeaux-Display ITC 2057
+ i_____ Bordeaux-Script ITC 2058
+ i_____ BradleyHand-Regular ITC 2059
+ i_____ BradleyHand-Bold ITC 2060
+ i_____ Braganza-Light ITC 2061
+ i_____ Braganza-Regular ITC 2062
+ i_____ Brighton-Light ITC 2063
+ i_____ Brighton-Medium ITC 2064
+ i_____ Brighton-Bold ITC 2065
+ i_____ Bronx ITC 2066
+ i_____ Buckeroo ITC 2067
+ i_____ Burlington ITC 2068
+ i_____ BuzzerThree ITC 2069
+ i_____ Cabaret ITC 2070
+ i_____ CabargaCursiva ITC 2071
+ i_____ Campaign ITC 2072
+ i_____ CancellarescaScript ITC 2073
+ i_____ Cancione ITC 2074
+ i_____ Caribbean ITC 2075
+ i_____ Carlton ITC 2076
+ i_____ Carumba ITC 2077
+ i_____ Caslon540-ItalicSwashes ITC 2078
+ i_____ CaxtonRoman-Light ITC 2079
+ i_____ CaxtonRoman-LightItalic ITC 2080
+ i_____ CaxtonRoman-Book ITC 2081
+ i_____ CaxtonRoman-Bold ITC 2082
+ i_____ CenturyHandtooled-Bold ITC 2083
+ i_____ CenturyHandtooled-BoldItalic ITC 2084
+ i_____ Challenge-Bold ITC 2085
+ i_____ Challenge-ExtraBold ITC 2086
+ i_____ Champers ITC 2087
+ i_____ CheltenhamHandtooled-Bold ITC 2088
+ i_____ CheltenhamHandtooled-BoldItalic ITC 2089
+ i_____ Cherie ITC 2090
+ i_____ Chiller ITC 2091
+ i_____ Chipper ITC 2092
+ i_____ ChocLightbyITC ITC 2093
+ i_____ Choc ITC 2094
+ i_____ ChromiumOne ITC 2095
+ i_____ Citation ITC 2096
+ i_____ ClaudeSans-Regular ITC 2097
+ i_____ ClaudeSans-Italic ITC 2098
+ i_____ ClaudeSans-BoldItalic ITC 2099
+ i_____ Clover ITC 2100
+ i_____ CommericalScript ITC 2101
+ i_____ Compacta ITC 2102
+ i_____ Compacta-Italic ITC 2103
+ i_____ Compacta-Bold ITC 2104
+ i_____ Coptek ITC 2105
+ i_____ Corinthian-Light ITC 2106
+ i_____ Corinthian-Medium ITC 2107
+ i_____ Corinthian-Bold ITC 2108
+ i_____ Corinthian-BoldCondensed ITC 2109
+ i_____ Crillee-Italic ITC 2110
+ i_____ Crillee-BoldItalic ITC 2111
+ i_____ Crillee-ExtraBoldItalic ITC 2112
+ i_____ Crillee-ItalicInlineShadow ITC 2113
+ i_____ Cult ITC 2114
+ i_____ Cyberkugel ITC 2115
+ i_____ Dancin ITC 2116
+ i_____ Data70 ITC 2117
+ i_____ Demian ITC 2118
+ i_____ DemianBold ITC 2119
+ i_____ DigitalWoodcuts ITC 2120
+ i_____ Digitek ITC 2121
+ i_____ Dinitials ITC 2122
+ i_____ Dolmen ITC 2123
+ i_____ Drycut ITC 2124
+ i_____ DynamoShadow ITC 2125
+ i_____ Eastwood ITC 2126
+ i_____ Edwardian-Medium ITC 2127
+ i_____ EdwardianScript-Regular ITC 2128
+ i_____ EdwardianScript-Bold ITC 2129
+ i_____ Ellipse-Roman ITC 2130
+ i_____ Ellipse-Italic ITC 2131
+ i_____ Ellipse-Bold ITC 2132
+ i_____ Ellipse-BoldItalic ITC 2133
+ i_____ Emphasis ITC 2134
+ i_____ Enviro ITC 2135
+ i_____ Epokha ITC 2136
+ i_____ Equinox ITC 2137
+ i_____ Etruscan ITC 2138
+ i_____ FaithfulFly ITC 2139
+ i_____ Farmhaus ITC 2140
+ i_____ Fashion-Compressed ITC 2141
+ i_____ Fashion-Engraved ITC 2142
+ i_____ FineHand ITC 2143
+ i_____ Flamenco-Inline ITC 2144
+ i_____ Flamme ITC 2145
+ i_____ Flatiron ITC 2146
+ i_____ Flight ITC 2147
+ i_____ Fling ITC 2148
+ i_____ Florinda ITC 2149
+ i_____ Follies ITC 2150
+ i_____ Fontoon ITC 2151
+ i_____ ForestShaded ITC 2152
+ i_____ FrancesUncial ITC 2153
+ i_____ Frankfurter-Medium ITC 2154
+ i_____ Frankfurter ITC 2155
+ i_____ Frankfurter-Highlight ITC 2156
+ i_____ Frankfurter-Inline ITC 2157
+ i_____ Freddo ITC 2158
+ i_____ FreestyleScript ITC 2159
+ i_____ FreestyleScript-Bold ITC 2160
+ i_____ GaramondHandtooled ITC 2161
+ i_____ GaramondHandtooled-Italic ITC 2162
+ i_____ Gigi ITC 2163
+ i_____ Gill-DisplayCompressed ITC 2164
+ i_____ Gill-KayoCondensed ITC 2165
+ i_____ GilliesGothic-ExtraBoldShaded ITC 2166
+ i_____ Glastonbury ITC 2167
+ i_____ GoldenCockerel-InitialsOrnaments ITC 2168
+ i_____ Grapefruit ITC 2169
+ i_____ Gravura ITC 2170
+ i_____ Green ITC 2171
+ i_____ GreytonScript ITC 2172
+ i_____ GrimshawHand ITC 2173
+ i_____ Hadfield ITC 2174
+ i_____ HandDrawn ITC 2175
+ i_____ Harlow ITC 2176
+ i_____ HarlowSolid ITC 2177
+ i_____ Harvey ITC 2178
+ i_____ Hazel ITC 2179
+ i_____ Heliotype ITC 2180
+ i_____ Helvetica-MediumCondensed ITC 2181
+ i_____ Helvetica-BoldCondensed ITC 2182
+ i_____ Highlight ITC 2183
+ i_____ Hollyweird ITC 2184
+ i_____ Hornpype ITC 2185
+ i_____ Ignatius ITC 2186
+ i_____ Impakt ITC 2187
+ i_____ IndyItalic ITC 2188
+ i_____ Informal-Roman ITC 2189
+ i_____ Inscription ITC 2190
+ i_____ Iris ITC 2191
+ i_____ Ironwork ITC 2192
+ i_____ Isis ITC 2193
+ i_____ Jaft ITC 2194
+ i_____ Jambalaya ITC 2195
+ i_____ Jazz ITC 2196
+ i_____ Jellybaby ITC 2197
+ i_____ JohnHandy ITC 2198
+ i_____ Jokerman ITC 2199
+ i_____ Juanita ITC 2200
+ i_____ Juanita-Condensed ITC 2201
+ i_____ Juanita-Deco ITC 2202
+ i_____ Juanita-Lino ITC 2203
+ i_____ Juanita-Xilo ITC 2204
+ i_____ Juanita-XiloCondensed ITC 2205
+ i_____ Juice ITC 2206
+ i_____ Kanban ITC 2207
+ i_____ Katfish ITC 2208
+ i_____ Kendo ITC 2209
+ i_____ Kick ITC 2210
+ i_____ Klee ITC 2211
+ i_____ Klepto ITC 2212
+ i_____ Kokoa ITC 2213
+ i_____ Kristen ITC 2214
+ i_____ Kulukundis ITC 2215
+ i_____ LaBamba ITC 2216
+ i_____ Lambada ITC 2217
+ i_____ Laser ITC 2218
+ i_____ LaserChrome ITC 2219
+ i_____ Latino-Elongated ITC 2220
+ i_____ Laura ITC 2221
+ i_____ LCD ITC 2222
+ i_____ LeGriffe ITC 2223
+ i_____ Lennox-Book ITC 2224
+ i_____ Lennox-Medium ITC 2225
+ i_____ Lennox-Bold ITC 2226
+ i_____ Lexikos ITC 2227
+ i_____ Lightnin' ITC 2228
+ i_____ LimehouseScript ITC 2229
+ i_____ LinoCut ITC 2230
+ i_____ Locarno-Light ITC 2231
+ i_____ Locarno-Italic ITC 2232
+ i_____ RennieMackintosh-Light ITC 2233
+ i_____ RennieMackintosh-Bold ITC 2234
+ i_____ Malibu ITC 2235
+ i_____ Malstock ITC 2236
+ i_____ Marguerita ITC 2237
+ i_____ Mastercard ITC 2238
+ i_____ Matisse ITC 2239
+ i_____ Mekanik-Regular ITC 2240
+ i_____ Mekanik-Italic ITC 2241
+ i_____ Milano ITC 2242
+ i_____ Minska-Light ITC 2243
+ i_____ Minska-Medium ITC 2244
+ i_____ Minska-Bold ITC 2245
+ i_____ Mistral-Light ITC 2246
+ i_____ Mistral ITC 2247
+ i_____ Mithras ITC 2248
+ i_____ MoFunkyFresh ITC 2249
+ i_____ MonaLisa-Recut ITC 2250
+ i_____ MonaLisa-Solid ITC 2251
+ i_____ Montage ITC 2252
+ i_____ MotterCorpus-Bold ITC 2253
+ i_____ MotterCorpus-CondensedBold ITC 2254
+ i_____ Musclehead ITC 2255
+ i_____ Musica ITC 2256
+ i_____ NeoNeo ITC 2257
+ i_____ NoovoLight ITC 2258
+ i_____ NoovoBold ITC 2259
+ i_____ Nora ITC 2260
+ i_____ Oberon ITC 2261
+ i_____ Odessa ITC 2262
+ i_____ OldEnglish ITC 2263
+ i_____ OneStrokeScript ITC 2264
+ i_____ OneStrokeScript-Bold ITC 2265
+ i_____ OneStrokeScript-Shaded ITC 2266
+ i_____ Orange ITC 2267
+ i_____ Orbon-Light ITC 2268
+ i_____ Orbon-Regular ITC 2269
+ i_____ Orbon-Bold ITC 2270
+ i_____ Orbon-Black ITC 2271
+ i_____ Orlando ITC 2272
+ i_____ Outback ITC 2273
+ i_____ OutoftheFridge ITC 2274
+ i_____ Ozwald ITC 2275
+ i_____ Pablo ITC 2276
+ i_____ Papyrus ITC 2277
+ i_____ Party ITC 2278
+ i_____ PendryScript ITC 2279
+ i_____ PetersMiro ITC 2280
+ i_____ Pink ITC 2281
+ i_____ Plaza ITC 2282
+ i_____ PleasureBoldShaded ITC 2283
+ i_____ Pneuma ITC 2284
+ i_____ Prague ITC 2285
+ i_____ Premier-Lightline ITC 2286
+ i_____ Premier-Shaded ITC 2287
+ i_____ Princetown ITC 2288
+ i_____ Pristina ITC 2289
+ i_____ Pritchard ITC 2290
+ i_____ Pritchard-LineOut ITC 2291
+ i_____ Pump-Regular ITC 2292
+ i_____ Pump-DemiBold ITC 2293
+ i_____ Quadrus ITC 2294
+ i_____ Quixley ITC 2295
+ i_____ RageItalic ITC 2296
+ i_____ Ragtime ITC 2297
+ i_____ Rapier ITC 2298
+ i_____ Refracta ITC 2299
+ i_____ RegattaCondensed ITC 2300
+ i_____ RetailScript ITC 2301
+ i_____ Retro-Bold ITC 2302
+ i_____ Retro-BoldCondensed ITC 2303
+ i_____ Riptide ITC 2304
+ i_____ Riva ITC 2305
+ i_____ Robotik ITC 2306
+ i_____ Robotik-Italic ITC 2307
+ i_____ Romic-Light ITC 2308
+ i_____ Romic-LightItalic ITC 2309
+ i_____ Roquette ITC 2310
+ i_____ Ru'ach ITC 2311
+ i_____ RubberStamp ITC 2312
+ i_____ Rundfunk ITC 2313
+ i_____ SantaFe ITC 2314
+ i_____ Savoye ITC 2315
+ i_____ Schizoid ITC 2316
+ i_____ Scratch ITC 2317
+ i_____ Scriba ITC 2318
+ i_____ Scriptease ITC 2319
+ i_____ Scriptek ITC 2320
+ i_____ Scriptek-Italic ITC 2321
+ i_____ Scruff ITC 2322
+ i_____ Serengetti ITC 2323
+ i_____ Shaman ITC 2324
+ i_____ Shatter ITC 2325
+ i_____ Sinaloa ITC 2326
+ i_____ SkidRow ITC 2327
+ i_____ Skylark ITC 2328
+ i_____ Slipstream ITC 2329
+ i_____ Smack ITC 2330
+ i_____ Smudger ITC 2331
+ i_____ Snap ITC 2332
+ i_____ Spirit ITC 2333
+ i_____ Spooky ITC 2334
+ i_____ Spotlight ITC 2335
+ i_____ Squire ITC 2336
+ i_____ Squire-ExtraBold ITC 2337
+ i_____ Static ITC 2338
+ i_____ Stranger ITC 2339
+ i_____ Strobos ITC 2340
+ i_____ StudioScript ITC 2341
+ i_____ Stylus-Regular ITC 2342
+ i_____ Stylus-Bold ITC 2343
+ i_____ Superstar ITC 2344
+ i_____ Surfboard ITC 2345
+ i_____ Synchro ITC 2346
+ i_____ Tag ITC 2347
+ i_____ Tannhauser ITC 2348
+ i_____ Teknik ITC 2349
+ i_____ Telegram ITC 2350
+ i_____ Temble ITC 2351
+ i_____ Tempus-Regular ITC 2352
+ i_____ Tempus-Italic ITC 2353
+ i_____ TempusSans-Regular ITC 2354
+ i_____ TempusSans-Italic ITC 2355
+ i_____ TigerRag ITC 2356
+ i_____ TirantiSolid ITC 2357
+ i_____ Trackpad ITC 2358
+ i_____ TropicaScript ITC 2359
+ i_____ TrueGrit ITC 2360
+ i_____ Twang ITC 2361
+ i_____ Typados ITC 2362
+ i_____ Ulysses ITC 2363
+ i_____ UniversityRoman ITC 2364
+ i_____ UniversityRoman-Italic ITC 2365
+ i_____ UniversityRoman-Bold ITC 2366
+ i_____ VanDijk ITC 2367
+ i_____ VanDijkBold ITC 2368
+ i_____ Varga ITC 2369
+ i_____ Vegas ITC 2370
+ i_____ Verkehr ITC 2371
+ i_____ Vermont ITC 2372
+ i_____ Victorian ITC 2373
+ i_____ Victorian-InlineShaded ITC 2374
+ i_____ ViennaExtended ITC 2375
+ i_____ VinerHand ITC 2376
+ i_____ Vintage ITC 2377
+ i_____ Vinyl-Black ITC 2378
+ i_____ Vinyl-Outline ITC 2379
+ i_____ Vinyl-SawtoothBlack ITC 2380
+ i_____ Vinyl-SawtoothOutline ITC 2381
+ i_____ Vivaldi ITC 2382
+ i_____ WadeSans-Light ITC 2383
+ i_____ Wanted ITC 2384
+ i_____ Waterloo-Bold ITC 2385
+ i_____ Westwood ITC 2386
+ i_____ WildThing ITC 2387
+ i_____ Willow ITC 2388
+ i_____ Wisteria ITC 2389
+ i_____ Xylo ITC 2390
+ i_____ YoungBaroque ITC 2391
+ i_____ Zaragoza ITC 2392
+ i_____ ZemkeHand ITC 2393
+ i_____ Zennor ITC 2394
+ i_____ Ziggy ITC 2395
+ i_____ Zinjaro ITC 2396
+ i_____ MotterSparta ITC 2397
+ i_____ Underscript ITC 2398
+ i_____ Stenberg ITC 2399
+ i_____ Stenberg-Inline ITC 2400
+ i_____ Arid ITC 2401
+ i_____ Tapioca ITC 2402
+ i_____ PiousHenry ITC 2403
+ i_____ Korigan-Light ITC 2404
+ i_____ Korigan-Bold ITC 2405
+ i_____ Abaton ITC 2406
+ i_____ Portago ITC 2407
+ i_____ Blair-Light ITC 2408
+ i_____ Blair-Medium ITC 2409
+ i_____ Blair-Bold ITC 2410
+ i_____ Scarborough ITC 2411
+ i_____ Scarborough-Bold ITC 2412
+ i_____ Gema ITC 2413
+ i_____ Roswell-Three ITC 2414
+ i_____ Roswell-Four ITC 2415
+ i_____ Simran ITC 2416
+ i_____ Tremor ITC 2417
+ i_____ Coconino ITC 2418
+ i_____ Stoclet-Light ITC 2419
+ i_____ Stoclet-Bold ITC 2420
+ i_____ JiggeryPokery ITC 2421
+ i_____ Deelirious ITC 2422
+ i_____ Flora-Medium ITC 2423
+ i_____ Flora-Bold ITC 2424
+ i_____ Manhattan ITC 2425
+ i_____ Attitudes ITC 4000
+ i_____ BackyardBeasties ITC 4001
+ i_____ CalligraphicOrnaments ITC 4002
+ i_____ Celebrations ITC 4003
+ i_____ Commercials ITC 4004
+ i_____ Connectivities ITC 4005
+ i_____ DavesRaves-One ITC 4006
+ i_____ DavesRaves-Two ITC 4007
+ i_____ DavesRaves-Three ITC 4008
+ i_____ Delectables ITC 4009
+ i_____ Diversions ITC 4010
+ i_____ Diversities ITC 4011
+ i_____ Eclectics ITC 4012
+ i_____ Energetics ITC 4013
+ i_____ Expressions ITC 4014
+ i_____ Fontoonies ITC 4015
+ i_____ Gargoonies ITC 4016
+ i_____ HomeImprovement ITC 4017
+ i_____ Incidentals ITC 4018
+ i_____ Industrials ITC 4019
+ i_____ Inspirations ITC 4020
+ i_____ Journeys ITC 4021
+ i_____ MoFunkyFresh-Symbols ITC 4022
+ i_____ Moderns ITC 4023
+ i_____ Naturals ITC 4024
+ i_____ Organics ITC 4025
+ i_____ Organics-Two ITC 4026
+ i_____ Primitives ITC 4027
+ i_____ Radicals ITC 4028
+ i_____ Situations ITC 4029
+ i_____ StainedGlass ITC 4030
+ i_____ TotSpots ITC 4031
+ i_____ Urbans ITC 4032
+ i_____ WellBeings ITC 4033
+ i_____ Wildlife ITC 4034
+ i_____ WildWest ITC 4035
+ i_____ Ancestor ITC 4036
+ i_____ Shadowettes ITC 4037
+ i_____ Beorama ITC 4038
+ i_____ Holistics ITC 4039
+ i_____ ProfessionalConnections ITC 4040
+ i_____ Bodoni-Ornaments ITC 5000
+ i_____ RennieMackintosh-Ornaments ITC 5002
+ i_____ TypeEmbellishments-One ITC 5003
+ i_____ TypeEmbellishments-Two ITC 5004
+ i_____ TypeEmbellishments-Three ITC 5005
+ i_____ JapaneseGarden ITC 5006
+ i_____ SevenTreasures ITC 5007
+ i_____ BodoniSix-Book ITC 6000
+ i_____ BodoniSix-BookItalic ITC 6001
+ i_____ BodoniSix-Bold ITC 6002
+ i_____ BodoniSix-BoldItalic ITC 6003
+ i_____ BodoniTwelve-Book ITC 6004
+ i_____ BodoniTwelve-BookItalic ITC 6005
+ i_____ BodoniTwelve-Bold ITC 6006
+ i_____ BodoniTwelve-BoldItalic ITC 6007
+ i_____ Charlotte-Book ITC 6008
+ i_____ Charlotte-BookItalic ITC 6009
+ i_____ Charlotte-Medium ITC 6010
+ i_____ Charlotte-Bold ITC 6011
+ i_____ Charter-Regular ITC 6012
+ i_____ Charter-RegularItalic ITC 6013
+ i_____ Charter-Bold ITC 6014
+ i_____ Charter-BoldItalic ITC 6015
+ i_____ Charter-Black ITC 6016
+ i_____ Charter-BlackItalic ITC 6017
+ i_____ Elysium-Book ITC 6018
+ i_____ Elysium-BookItalic ITC 6019
+ i_____ Elysium-Medium ITC 6020
+ i_____ Elysium-Bold ITC 6021
+ i_____ Figural-Book ITC 6022
+ i_____ Figural-BookItalic ITC 6023
+ i_____ Figural-Medium ITC 6024
+ i_____ Figural-Bold ITC 6025
+ i_____ FrizQuadrata-Regular ITC 6026
+ i_____ FrizQuadrata-Italic ITC 6027
+ i_____ FrizQuadrata-Bold ITC 6028
+ i_____ FrizQuadrata-BoldItalic ITC 6029
+ i_____ Gilgamesh-Book ITC 6030
+ i_____ Gilgamesh-BookItalic ITC 6031
+ i_____ Gilgamesh-Medium ITC 6032
+ i_____ Gilgamesh-Bold ITC 6033
+ i_____ GoldenCockerel-Roman ITC 6034
+ i_____ GoldenCockerel-Italic ITC 6035
+ i_____ GoldenCockerel-Titling ITC 6036
+ i_____ Humana-Light ITC 6037
+ i_____ Humana-LightItalic ITC 6038
+ i_____ Humana-Medium ITC 6039
+ i_____ Humana-MediumItalic ITC 6040
+ i_____ Humana-Bold ITC 6041
+ i_____ Humana-BoldItalic ITC 6042
+ i_____ HumanaScript-Light ITC 6043
+ i_____ HumanaScript-Medium ITC 6044
+ i_____ HumanaScript-Bold ITC 6045
+ i_____ Kallos-Book ITC 6046
+ i_____ Kallos-BookItalic ITC 6047
+ i_____ Kallos-Medium ITC 6048
+ i_____ Kallos-MediumItalic ITC 6049
+ i_____ Kallos-Bold ITC 6050
+ i_____ Kallos-BoldItalic ITC 6051
+ i_____ LegacySerif-Book ITC 6052
+ i_____ LegacySerif-BookItalic ITC 6053
+ i_____ LegacySerif-Medium ITC 6054
+ i_____ LegacySerif-MediumItalic ITC 6055
+ i_____ LegacySerif-Bold ITC 6056
+ i_____ LegacySerif-BoldItalic ITC 6057
+ i_____ LegacySerif-Ultra ITC 6058
+ i_____ MendozaRoman-Book ITC 6059
+ i_____ MendozaRoman-BookItalic ITC 6060
+ i_____ MendozaRoman-Medium ITC 6061
+ i_____ MendozaRoman-MediumItalic ITC 6062
+ i_____ MendozaRoman-Bold ITC 6063
+ i_____ MendozaRoman-BoldItalic ITC 6064
+ i_____ Obelisk-Light ITC 6065
+ i_____ Obelisk-LightItalic ITC 6066
+ i_____ Obelisk-Medium ITC 6067
+ i_____ Obelisk-Bold ITC 6068
+ i_____ OfficinaSerif-Book ITC 6069
+ i_____ OfficinaSerif-BookItalic ITC 6070
+ i_____ OfficinaSerif-Bold ITC 6071
+ i_____ OfficinaSerif-BoldItalic ITC 6072
+ i_____ StoneInformal-Medium ITC 6073
+ i_____ StoneInformal-MediumItalic ITC 6074
+ i_____ StoneInformal-SemiBold ITC 6075
+ i_____ StoneInformal-SemiBoldItalic ITC 6076
+ i_____ StoneInformal-Bold ITC 6077
+ i_____ StoneInformal-BoldItalic ITC 6078
+ i_____ StoneSerif-Medium ITC 6079
+ i_____ StoneSerif-MediumItalic ITC 6080
+ i_____ StoneSerif-SemiBold ITC 6081
+ i_____ StoneSerif-SemiBoldItalic ITC 6082
+ i_____ StoneSerif-Bold ITC 6083
+ i_____ StoneSerif-BoldItalic ITC 6084
+ i_____ Syndor-Book ITC 6085
+ i_____ Syndor-BookItalic ITC 6086
+ i_____ Syndor-Medium ITC 6087
+ i_____ Syndor-MediumItalic ITC 6088
+ i_____ Syndor-Bold ITC 6089
+ i_____ Syndor-BoldItalic ITC 6090
+ i_____ Tyfa-Book ITC 6091
+ i_____ Tyfa-BookItalic ITC 6092
+ i_____ Tyfa-Medium ITC 6093
+ i_____ Tyfa-MediumItalic ITC 6094
+ i_____ Tyfa-Bold ITC 6095
+ i_____ Tyfa-BoldItalic ITC 6096
+ i_____ OfficinaSerif-Medium ITC 6097
+ i_____ OfficinaSerif-MediumItalic ITC 6098
+ i_____ OfficinaSerif-ExtraBold ITC 6099
+ i_____ OfficinaSerif-ExtraBoldItalic ITC 6100
+ i_____ OfficinaSerif-Black ITC 6101
+ i_____ OfficinaSerif-BlackItalic ITC 6102
+ i_____ SerifGothic-Light ITC 6103
+ i_____ SerifGothic-Regular ITC 6104
+ i_____ SerifGothic-Bold ITC 6105
+ i_____ SerifGothic-ExtraBold ITC 6106
+ i_____ SerifGothic-Heavy ITC 6107
+ i_____ SerifGothic-Black ITC 6108
+ i_____ AmericanTypewriter-Light ITC 6109
+ i_____ AmericanTypewriter-LightItalic ITC 6110
+ i_____ AmericanTypewriter-Medium ITC 6111
+ i_____ AmericanTypewriter-MediumItalic ITC 6112
+ i_____ AmericanTypewriter-Bold ITC 6113
+ i_____ AmericanTypewriter-BoldItalic ITC 6114
+ i_____ AmericanTypewriter-CondLight ITC 6115
+ i_____ AmericanTypewriter-CondMedium ITC 6116
+ i_____ AmericanTypewriter-CondBold ITC 6117
+ i_____ LubalinGraph-ExtraLight ITC 6118
+ i_____ LubalinGraph-ExtraLightOblique ITC 6119
+ i_____ LubalinGraph-Book ITC 6120
+ i_____ LubalinGraph-BookOblique ITC 6121
+ i_____ LubalinGraph-Medium ITC 6122
+ i_____ LubalinGraph-MediumOblique ITC 6123
+ i_____ LubalinGraph-Demi ITC 6124
+ i_____ LubalinGraph-DemiOblique ITC 6125
+ i_____ LubalinGraph-Bold ITC 6126
+ i_____ LubalinGraph-BoldOblique ITC 6127
+ i_____ Benguiat-Book ITC 6128
+ i_____ Benguiat-BookItalic ITC 6129
+ i_____ Benguiat-Medium ITC 6130
+ i_____ Benguiat-MediumItalic ITC 6131
+ i_____ Benguiat-Bold ITC 6132
+ i_____ Benguiat-BoldItalic ITC 6133
+ i_____ Benguiat-CondensedBook ITC 6134
+ i_____ Benguiat-CondensedBookItalic ITC 6135
+ i_____ Benguiat-CondensedMedium ITC 6136
+ i_____ Benguiat-CondensedMediumItalic ITC 6137
+ i_____ Benguiat-CondensedBold ITC 6138
+ i_____ Benguiat-CondensedBoldItalic ITC 6139
+ i_____ Korinna-Regular ITC 6140
+ i_____ Korinna-KursivRegular ITC 6141
+ i_____ Korinna-Bold ITC 6142
+ i_____ Korinna-KursivBold ITC 6143
+ i_____ Korinna-ExtraBold ITC 6144
+ i_____ Korinna-KursivExtraBold ITC 6145
+ i_____ Korinna-Heavy ITC 6146
+ i_____ Korinna-KursivHeavy ITC 6147
+ i_____ Souvenir-Light ITC 6148
+ i_____ Souvenir-LightItalic ITC 6149
+ i_____ Souvenir-Medium ITC 6150
+ i_____ Souvenir-MediumItalic ITC 6151
+ i_____ Souvenir-Demi ITC 6152
+ i_____ Souvenir-DemiItalic ITC 6153
+ i_____ Souvenir-Bold ITC 6154
+ i_____ Souvenir-BoldItalic ITC 6155
+ i_____ Caslon224-Book ITC 6156
+ i_____ Caslon224-BookItalic ITC 6157
+ i_____ Caslon224-Medium ITC 6158
+ i_____ Caslon224-MediumItalic ITC 6159
+ i_____ Caslon224-Bold ITC 6160
+ i_____ Caslon224-BoldItalic ITC 6161
+ i_____ Caslon224-Black ITC 6162
+ i_____ Caslon224-BlackItalic ITC 6163
+ i_____ LubalinGraph-CondBook ITC 6164
+ i_____ LubalinGraph-CondBookOblique ITC 6165
+ i_____ LubalinGraph-CondMedium ITC 6166
+ i_____ LubalinGraph-CondMediumOblique ITC 6167
+ i_____ LubalinGraph-CondDemi ITC 6168
+ i_____ LubalinGraph-CondDemiOblique ITC 6169
+ i_____ LubalinGraph-CondBold ITC 6170
+ i_____ LubalinGraph-CondBoldOblique ITC 6171
+ i_____ Galliard-Regular ITC 6172
+ i_____ Galliard-Italic ITC 6173
+ i_____ Galliard-Bold ITC 6174
+ i_____ Galliard-BoldItalic ITC 6175
+ i_____ Galliard-Black ITC 6176
+ i_____ Galliard-BlackItalic ITC 6177
+ i_____ Galliard-Ultra ITC 6178
+ i_____ Galliard-UltraItalic ITC 6179
+ i_____ Dyadis-Book ITC 6180
+ i_____ Dyadis-BookItalic ITC 6181
+ i_____ Dyadis-Medium ITC 6182
+ i_____ Dyadis-MediumItalic ITC 6183
+ i_____ Dyadis-Bold ITC 6184
+ i_____ Dyadis-BoldItalic ITC 6185
+ i_____ BaileySans-Book ITC 8000
+ i_____ BaileySans-BookItalic ITC 8001
+ i_____ BaileySans-Bold ITC 8002
+ i_____ BaileySans-BoldItalic ITC 8003
+ i_____ Charlotte-SansBook ITC 8004
+ i_____ Charlotte-SansBookItalic ITC 8005
+ i_____ Charlotte-SansMedium ITC 8006
+ i_____ Charlotte-SansBold ITC 8007
+ i_____ Conduit-Light ITC 8008
+ i_____ Conduit-LightItalic ITC 8009
+ i_____ Conduit-Medium ITC 8010
+ i_____ Conduit-MediumItalic ITC 8011
+ i_____ Conduit-Bold ITC 8012
+ i_____ Conduit-BoldItalic ITC 8013
+ i_____ Highlander-Book ITC 8014
+ i_____ Highlander-BookItalic ITC 8015
+ i_____ Highlander-Medium ITC 8016
+ i_____ Highlander-MediumItalic ITC 8017
+ i_____ Highlander-Bold ITC 8018
+ i_____ Highlander-BoldItalic ITC 8019
+ i_____ HumanaSans-Light ITC 8020
+ i_____ HumanaSans-LightItalic ITC 8021
+ i_____ HumanaSans-Medium ITC 8022
+ i_____ HumanaSans-MediumItalic ITC 8023
+ i_____ HumanaSans-Bold ITC 8024
+ i_____ HumanaSans-BoldItalic ITC 8025
+ i_____ LegacySans-Book ITC 8026
+ i_____ LegacySans-BookItalic ITC 8027
+ i_____ LegacySans-Medium ITC 8028
+ i_____ LegacySans-MediumItalic ITC 8029
+ i_____ LegacySans-Bold ITC 8030
+ i_____ LegacySans-BoldItalic ITC 8031
+ i_____ LegacySans-Ultra ITC 8032
+ i_____ Odyssee-Light ITC 8033
+ i_____ Odyssee-LightItalic ITC 8034
+ i_____ Odyssee-Medium ITC 8035
+ i_____ Odyssee-MediumItalic ITC 8036
+ i_____ Odyssee-Bold ITC 8037
+ i_____ Odyssee-BoldItalic ITC 8038
+ i_____ Odyssee-Ultra ITC 8039
+ i_____ OfficinaSans-Book ITC 8040
+ i_____ OfficinaSans-BookItalic ITC 8041
+ i_____ OfficinaSans-Bold ITC 8042
+ i_____ OfficinaSans-BoldItalic ITC 8043
+ i_____ StoneSans-Medium ITC 8044
+ i_____ StoneSans-MediumItalic ITC 8045
+ i_____ StoneSans-SemiBold ITC 8046
+ i_____ StoneSans-SemiBoldItalic ITC 8047
+ i_____ StoneSans-Bold ITC 8048
+ i_____ StoneSans-BoldItalic ITC 8049
+ i_____ Woodland-Light ITC 8050
+ i_____ Woodland-Medium ITC 8051
+ i_____ Woodland-Demi ITC 8052
+ i_____ Woodland-Heavy ITC 8053
+ i_____ OfficinaSans-Medium ITC 8054
+ i_____ OfficinaSans-MediumItalic ITC 8055
+ i_____ OfficinaSans-ExtraBold ITC 8056
+ i_____ OfficinaSans-ExtraBoldItalic ITC 8057
+ i_____ OfficinaSans-Black ITC 8058
+ i_____ AvantGardeGothic-ExtraLight ITC 8059
+ i_____ AvantGardeGothic-ExtraLightObl ITC 8060
+ i_____ AvantGardeGothic-Book ITC 8061
+ i_____ AvantGardeGothic-BookOblique ITC 8062
+ i_____ AvantGardeGothic-Medium ITC 8063
+ i_____ AvantGardeGothic-MediumOblique ITC 8064
+ i_____ AvantGardeGothic-Demi ITC 8065
+ i_____ AvantGardeGothic-DemiOblique ITC 8066
+ i_____ AvantGardeGothic-Bold ITC 8067
+ i_____ AvantGardeGothic-BoldOblique ITC 8068
+ i_____ FranklinGothic-Book ITC 8069
+ i_____ FranklinGothic-BookItalic ITC 8070
+ i_____ FranklinGothic-Medium ITC 8071
+ i_____ FranklinGothic-MediumItalic ITC 8072
+ i_____ FranklinGothic-Demi ITC 8073
+ i_____ FranklinGothic-DemiItalic ITC 8074
+ i_____ FranklinGothic-Heavy ITC 8075
+ i_____ FranklinGothic-HeavyItalic ITC 8076
+ i_____ FranklinGothic-CondBook ITC 8077
+ i_____ FranklinGothic-CondBookItal ITC 8078
+ i_____ FranklinGothic-CondMedium ITC 8079
+ i_____ FranklinGothic-CondMediumItal ITC 8080
+ i_____ FranklinGothic-CondDemi ITC 8081
+ i_____ FranklinGothic-CondDemiItal ITC 8082
+ i_____ FranklinGothic-ComprBook ITC 8083
+ i_____ FranklinGothic-ComprBookItal ITC 8084
+ i_____ FranklinGothic-ComprDemi ITC 8085
+ i_____ FranklinGothic-ComprDemiItal ITC 8086
+ i_____ FranklinGothic-ExtraComprBook ITC 8087
+ i_____ FranklinGothic-ExtraComprDemi ITC 8088
+ i_____ OfficinaSans-BlackItalic ITC 8089
+ i_____ BenguiatGothic-Book ITC 8090
+ i_____ BenguiatGothic-BookItalic ITC 8091
+ i_____ BenguiatGothic-Medium ITC 8092
+ i_____ BenguiatGothic-MediumItalic ITC 8093
+ i_____ BenguiatGothic-Bold ITC 8094
+ i_____ BenguiatGothic-BoldItalic ITC 8095
+ i_____ BenguiatGothic-Heavy ITC 8096
+ i_____ BenguiatGothic-HeavyItalic ITC 8097
+ i_____ ItcEras-Light ITC 8098
+ i_____ ItcEras-Book ITC 8099
+ i_____ ItcEras-Medium ITC 8100
+ i_____ ItcEras-Demi ITC 8101
+ i_____ ItcEras-Bold ITC 8102
+ i_____ ItcEras-Ultra ITC 8103
+ i_____ AvantGardeGothic-CondBook ITC 8104
+ i_____ AvantGardeGothic-CondMedium ITC 8105
+ i_____ AvantGardeGothic-CondDemiBold ITC 8106
+ i_____ AvantGardeGothic-CondBold ITC 8107
+ i_____ ItcKabel-Book ITC 8108
+ i_____ ItcKabel-Medium ITC 8109
+ i_____ ItcKabel-Demi ITC 8110
+ i_____ ItcKabel-Bold ITC 8111
+ i_____ ItcKabel-Ultra ITC 8112
+</pre>
+ <div class="node">
+<a name="Linotype-fonts"></a>
+<p><hr>
+Next:&nbsp;<a rel="next" accesskey="n" href="#Monotype-fonts">Monotype fonts</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#ITC-fonts">ITC fonts</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Font-name-lists">Font name lists</a>
+
+</div>
+
+<h3 class="section">A.7 Linotype fonts</h3>
+
+<p><a name="index-linotype_002emap-120"></a>The <samp><span class="file">linotype.map</span></samp> file has abbreviations for Linotype fonts.
+
+<pre class="example"> <!-- @mapfile{ -->
+ <!-- license = "public domain", -->
+ <!-- email = "tex-fonts@tug.org", -->
+ <!-- version = "2.7", -->
+ <!-- date = "18 March 1999", -->
+ <!-- url = "http://tug.org/fontname/linotype.map", -->
+ <!-- supported = "yes", -->
+ <!-- docstring = "Linotype PostScript fonts." -->
+ <!-- } -->
+ <!-- List of fonts sold or resold by Linotype Library (LL). -->
+ <!-- Font samples are available from: -->
+ <!-- http://www.fonts.de/fonts/htm/F-SAMPLE.HTML?weight=xxx.x -->
+ <!-- http://www.linotypelibrary.com/fonts/htm/F-SAMPLE.HTML?weight=xxx.x -->
+ <!-- This list does not specifically include Linotype fonts -->
+ <!-- sold by Adobe which are listed in adobe.map as "FontLH". -->
+ <!-- However, this list does include fonts by other suppliers -->
+ <!-- (Adobe, Berthold, ITC, Monotype, etc.) which are resold -->
+ <!-- through Linotype Library. -->
+ <!-- Notes on font encodings: -->
+ <!-- Typeface -> Standard Encoding -->
+ <!-- Typeface CE -> Central European -->
+ <!-- Typeface EastA -> Eastern European -->
+ <!-- Typeface Cyr -> Cyrillic -->
+ <!-- Typeface CyrA -> Cyrillic Alternate -->
+ <!-- Typeface Greek -> monotonic Greek -->
+ <!-- Typeface GreekP -> polytonic Greek -->
+ <!-- Typeface Hd -> Hebrew -->
+ <!-- Notes on font collections and suppiers: -->
+ <!-- TypefaceLL -> Linotype Library -->
+ <!-- TypefaceEF -> EF fontinform (Elsner & Flake) -->
+ <!-- TypefaceBE -> Berthold Exclusive -->
+ <!-- TypefaceLH -> Linotype-Hell -->
+ <!-- TypefaceMT -> Monotype -->
+ l_____ Aachen-Bold 1.0
+ l_____ AachenEF-Medium 1.1
+ l_____ AachenEF-Bold 1.2
+ l_____ AharoniEF-RegularHd 2.0
+ l_____ AharoniEF-MediumHd 2.1
+ l_____ AharoniEF-SemiBoldHd 2.2
+ l_____ AharoniEF-BoldHd 2.3
+ l_____ AharoniEF-ExtraBoldHd 2.4
+ l_____ AharoniEF-OutlineHd 2.5
+ l_____ AharoniEF-ShadowHD 2.6
+ l_____ Aja 3.0
+ l_____ AkzidenzGrotesk-Light 4.0
+ l_____ AkzidenzGrotesk-Roman 4.1
+ l_____ AkzidenzGrotesk-Bold 4.2
+ l_____ AkzidenzGrotesk-Black 4.3
+ l_____ AkzidenzGroteskBE-Light 4.4
+ l_____ AkzidenzGroteskBE-LightOsF 4.5
+ l_____ AkzidenzGroteskBE-Regular 4.6
+ l_____ AkzidenzGroteskBE-Italic 4.7
+ l_____ AkzidenzGroteskBE-Md 4.8
+ l_____ AkzidenzGroteskBE-MdIt 4.9
+ l_____ AkzidenzGroteskBE-Bold 4.10
+ l_____ AkzidenzGroteskBE-BoldIt 4.11
+ l_____ AkzidenzGroteskBE-XBd 4.12
+ l_____ AkzidenzGroteskBE-Super 4.13
+ l_____ AkzidenzGroteskBE-LightCn 4.14
+ l_____ AkzidenzGroteskBE-Cn 4.15
+ l_____ AkzidenzGroteskBE-MdCn 4.16
+ l_____ AkzidenzGroteskBE-MdCnIt 4.17
+ l_____ AkzidenzGroteskBE-BoldCn 4.18
+ l_____ AkzidenzGroteskBE-XBdCn 4.19
+ l_____ AkzidenzGroteskBE-XBdCnIt 4.20
+ l_____ AkzidenzGroteskBE-LightEx 4.21
+ l_____ AkzidenzGroteskBE-Ex 4.22
+ l_____ AkzidenzGroteskBE-MdEx 4.23
+ l_____ AkzidenzGroteskBE-BoldEx 4.24
+ l_____ AkzidenzGroteskBE-BoldExIt 4.25
+ l_____ AGBookRounded-Regular 4.26
+ l_____ AGBookRounded-Medium 4.27
+ l_____ AGBookRounded-Bold 4.28
+ l_____ AGBookRounded-MediumOutline 4.29
+ l_____ AGBookRounded-BoldOutline 4.30
+ l_____ AGBookRounded-BoldCn 4.31
+ l_____ AGBookRounded-BoldCnOutline 4.32
+ l_____ AGBook-Stencil 4.33
+ l_____ AGOldFace-Regular 4.34
+ l_____ AGOldFace-Medium 4.35
+ l_____ AGOldFace-Bold 4.36
+ l_____ AGOldFace-Outline 4.37
+ l_____ AGOldFace-BoldOutline 4.38
+ l_____ AGOldFace-Shaded 4.39
+ l_____ AGSchoolbook-Regular 4.40
+ l_____ AGSchoolbook-RegularA 4.41
+ l_____ AGSchoolbook-Medium 4.42
+ l_____ AGSchoolbook-MediumA 4.43
+ l_____ AlcuinEF-Light 5.0
+ l_____ AlcuinEF-Regular 5.1
+ l_____ AlcuinEF-Bold 5.2
+ l_____ AlcuinEF-ExtraBold 5.3
+ l_____ Aldus-Roman 6.0
+ l_____ Aldus-RomanSC 6.1
+ l_____ Aldus-Italic 6.2
+ l_____ Aldus-ItalicOsF 6.3
+ l_____ AleOrnamentsRotatoLL 7.0
+ l_____ AleOrnamentsSpiratoLL 7.1
+ l_____ AlexieLL 8.0
+ l_____ AlteSchwabacherEF 9.0
+ l_____ AlternateGothicEF-NoOne 10.0
+ l_____ AlternateGothicEF-NoTwo 10.1
+ l_____ AlternateGothicEF-NoThree 10.2
+ l_____ AmericanUncialEF 11.0
+ l_____ Americana 12.0
+ l_____ Americana-Italic 12.1
+ l_____ Americana-Bold 12.2
+ l_____ Americana-ExtraBold 12.3
+ l_____ AmericanaEF-Regular 12.4
+ l_____ AmericanaEF-RegularItalic 12.5
+ l_____ AmericanaEF-Bold 12.6
+ l_____ AmericanaEF-ExtraBold 12.7
+ l_____ AnnlieEF-ExtraBold 14.0
+ l_____ AnnlieEF-ExtraBoldItalic 14.1
+ l_____ AntiqueOlive-Light 15.0
+ l_____ AntiqueOlive-Roman 15.1
+ l_____ AntiqueOlive-Italic 15.2
+ l_____ AntiqueOlive-Bold 15.3
+ l_____ AntiqueOlive-Black 15.4
+ l_____ AntiqueOlive-BoldCond 15.5
+ l_____ AntiqueOlive-Compact 15.6
+ l_____ AntiqueOlive-Nord 15.7
+ l_____ AntiqueOlive-NordItalic 15.8
+ l_____ AntiqueOliveCE-Light 15.9
+ l_____ AntiqueOliveCE-Roman 15.10
+ l_____ AntiqueOliveCE-Italic 15.11
+ l_____ AntiqueOliveCE-Bold 15.12
+ l_____ AntiqueOliveCE-Black 15.13
+ l_____ AntiqueOliveEastA-Light 15.14
+ l_____ AntiqueOliveEastA-Roman 15.15
+ l_____ AntiqueOliveEastA-Italic 15.16
+ l_____ AntiqueOliveEastA-Bold 15.17
+ l_____ AntiqueOliveEastA-Black 15.18
+ l_____ ApolloMT-Roman 16.0
+ l_____ ApolloMT-RomanSC 16.1
+ l_____ ApolloMT-RomanExpert 16.2
+ l_____ ApolloMT-Italic 16.3
+ l_____ ApolloMT-ItalicOsF 16.4
+ l_____ ApolloMT-ItalicExpert 16.5
+ l_____ ApolloMT-SemiBold 16.6
+ l_____ ApolloMT-SemiBoldOsF 16.7
+ l_____ ApolloMT-SemiBoldExpert 16.8
+ l_____ Arcadia 17.0
+ l_____ Arcadia-Alternate 17.1
+ l_____ Ariadne-Roman 18.0
+ l_____ Arioso 19.0
+ l_____ Arkona-Regular 20.0
+ l_____ Arkona-Medium 20.1
+ l_____ ArnoldBoecklin 21.0
+ l_____ AshleyScriptMT 22.0
+ l_____ NewAster 23.0
+ l_____ NewAster-Italic 23.1
+ l_____ NewAster-SemiBold 23.2
+ l_____ NewAster-SemiBoldItalic 23.3
+ l_____ NewAster-Bold 23.4
+ l_____ NewAster-BoldItalic 23.5
+ l_____ NewAster-Black 23.6
+ l_____ NewAster-BlackItalic 23.7
+ l_____ AsterEF-Regular 23.8
+ l_____ AsterEF-RegularItalic 23.9
+ l_____ AsterEF-Medium 23.10
+ l_____ AureliaEF-Light 24.0
+ l_____ AureliaEF-LightItalic 24.1
+ l_____ AureliaEF-Book 24.2
+ l_____ AureliaEF-BookItalic 24.3
+ l_____ AureliaEF-Bold 24.4
+ l_____ Auriol 25.0
+ l_____ Auriol-Italic 25.1
+ l_____ Auriol-Bold 25.2
+ l_____ Auriol-BoldItalic 25.3
+ l_____ Auriol-Black 25.4
+ l_____ Auriol-BlackItalic 25.5
+ l_____ BalderLL 28.0
+ l_____ BalloonEF-ExtraBold 29.0
+ l_____ BalloonEF-DropShadow 29.1
+ l_____ BalmoralEF-Regular 30.0
+ l_____ BalmoralEF-Alternative 30.1
+ l_____ Banco 31.0
+ l_____ BarbedorEF-Regular 32.0
+ l_____ BarbedorEF-RegularItalic 32.1
+ l_____ BarbedorEF-Medium 32.2
+ l_____ BarbedorEF-MediumItalic 32.3
+ l_____ BarbedorEF-Bold 32.4
+ l_____ BarbedorEF-BoldItalic 32.5
+ l_____ BarbedorEF-Black 32.6
+ l_____ BarbedorEF-BlackItalic 32.7
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+ l_____ TrumpMediaeval-ItalicOsF 346.3
+ l_____ TrumpMediaeval-Bold 346.4
+ l_____ TrumpMediaeval-BoldOsF 346.5
+ l_____ TrumpMediaeval-BoldItalic 346.6
+ l_____ TrumpMediaeval-BoldItalicOsF 346.7
+ l_____ Umbra 348.0
+ l_____ Univers-Light 349.0
+ l_____ Univers-LightOblique 349.1
+ l_____ Univers 349.2
+ l_____ Univers-Oblique 349.3
+ l_____ Univers-Bold 349.4
+ l_____ Univers-BoldOblique 349.5
+ l_____ Univers-Black 349.7
+ l_____ Univers-BlackOblique 349.8
+ l_____ Univers-ExtraBlack 349.9
+ l_____ Univers-ExtraBlackOblique 349.10
+ l_____ Univers-CondensedLight 349.11
+ l_____ Univers-CondensedLightOblique 349.12
+ l_____ Univers-Condensed 349.13
+ l_____ Univers-CondensedOblique 349.14
+ l_____ Univers-CondensedBold 349.15
+ l_____ Univers-CondensedBoldOblique 349.16
+ l_____ Univers-ThinUltraCondensed 349.17
+ l_____ Univers-LightUltraCondensedTwo 349.18
+ l_____ Univers-UltraCondensed 349.19
+ l_____ Univers-Extended 349.20
+ l_____ Univers-ExtendedObl 349.21
+ l_____ Univers-BoldExt 349.22
+ l_____ Univers-BoldExtObl 349.23
+ l_____ Univers-BlackExt 349.24
+ l_____ Univers-BlackExtObl 349.25
+ l_____ Univers-ExtraBlackExt 349.26
+ l_____ Univers-ExtraBlackExtObl 349.27
+ l_____ UniversCE-Light 349.28
+ l_____ UniversCE-LightOblique 349.29
+ l_____ UniversCE-Medium 349.30
+ l_____ UniversCE-Oblique 349.31
+ l_____ UniversCE-Bold 349.32
+ l_____ UniversCE-BoldOblique 349.33
+ l_____ UniversCE-Black 349.34
+ l_____ UniversCE-BlackOblique 349.35
+ lpi___ MathematicalPi-One 350.0
+ lpi___ MathematicalPi-Two 350.1
+ lpi___ MathematicalPi-Three 350.2
+ lpi___ MathematicalPi-Four 350.3
+ lpi___ MathematicalPi-Five 350.4
+ lpi___ MathematicalPi-Six 350.5
+ lpi___ Unversal-GreekwithMathPi 351.0
+ lpi___ MICR 351.1
+ lpi___ Unversal-NewswithCommPi 351.2
+ l_____ University-Roman 352.0
+ l_____ UniversityEF-Roman 352.1
+ l_____ UniversityEF-RomanItalic 352.2
+ l_____ UniversityEF-Bold 352.3
+ l_____ VAGRounded-Thin 353.0
+ l_____ VAGRounded-Light 353.1
+ l_____ VAGRounded-Bold 353.2
+ l_____ VAGRounded-Black 353.3
+ l_____ VAGRundschriftEF 353.4
+ l_____ VanDijkEF 354.0
+ l_____ VictorianEF 355.0
+ l_____ VivaldiEF 356.0
+ l_____ Walbaum-Roman 357.0
+ l_____ Walbaum-RomanSC 357.1
+ l_____ Walbaum-RomanOsF 357.2
+ l_____ Walbaum-Italic 357.3
+ l_____ Walbaum-ItalicOsF 357.4
+ l_____ Walbaum-Bold 357.5
+ l_____ Walbaum-BoldOsF 357.6
+ l_____ Walbaum-BoldItalic 357.7
+ l_____ Walbaum-BoldItalicOsF 357.8
+ l_____ WalbaumEF-Regular 357.9
+ l_____ WalbaumEF-RegularItalic 357.10
+ l_____ WalbaumEF-Medium 357.11
+ l_____ WalbaumEF-MediumItalic 357.12
+ l_____ WalbaumEF-Bold 357.13
+ l_____ WalbaumEF-BoldItalic 357.14
+ l_____ WalbaumBook-Regular 357.15
+ l_____ WalbaumBook-RegularSC 357.16
+ l_____ WalbaumBook-RegularExpert 357.17
+ l_____ WalbaumBook-Italic 357.18
+ l_____ WalbaumBook-ItalicOsF 357.19
+ l_____ WalbaumBook-ItalicExpert 357.20
+ l_____ WalbaumBook-Medium 357.21
+ l_____ WalbaumBook-MediumSC 357.22
+ l_____ WalbaumBook-MdExpert 357.23
+ l_____ WalbaumBook-MediumItalic 357.24
+ l_____ WalbaumBook-MdItalicOsF 357.25
+ l_____ WalbaumBook-MdItalicExpert 357.26
+ l_____ WalbaumBook-Bold 357.27
+ l_____ WalbaumBook-BoldOsF 357.28
+ l_____ WalbaumBook-BoldExpert 357.29
+ l_____ WalbaumBook-BoldItalic 357.30
+ l_____ WalbaumBook-BoldItalicOsF 357.31
+ l_____ WalbaumBook-BoldItalicExpert 357.32
+ l_____ WalbaumFrakturEF 357.33
+ l_____ WhyNotEF 358.0
+ l_____ WilhelmKlingsporGotisch 359.0
+ l_____ WilhelmKlingsporGotisch-Dfr 359.1
+ l_____ WindsorEF-Light 360.0
+ l_____ WindsorEF-Bold 360.1
+ l_____ WindsorEF-UltraHeavy 360.2
+ l_____ WindsorEF-BoldOutline 360.3
+ l_____ WindsorEF-LightCondensed 360.4
+ l_____ WindsorEF-ExtraBoldCondensed 360.5
+ l_____ WindsorEF-Elongated 360.6
+ ppi___ WoodtypeOrnaments-One 361.0
+ ppi___ WoodtypeOrnaments-Two 361.1
+ l_____ ZipperEF 363.0
+ l_____ BelshawEF 364.0
+ l_____ Belwe-Light 365.0
+ l_____ Belwe-Medium 365.1
+ l_____ Belwe-Bold 365.2
+ l_____ Belwe-Condensed 365.3
+ l_____ BelweEF-Light 365.4
+ l_____ BelweEF-Italic 365.5
+ l_____ BelweEF-Medium 365.6
+ l_____ BelweEF-Bold 365.7
+ l_____ BelweEF-BoldCondensed 365.8
+ l_____ Bembo 366.0
+ l_____ Bembo-SC 366.1
+ l_____ Bembo-Expert 366.2
+ l_____ Bembo-Italic 366.3
+ l_____ Bembo-ItalicOsF 366.4
+ l_____ Bembo-ItalicExpert 366.5
+ l_____ Bembo-Semibold 366.6
+ l_____ Bembo-SemiboldOsF 366.7
+ l_____ Bembo-SemiboldExpert 366.8
+ l_____ Bembo-SemiboldItalic 366.9
+ l_____ Bembo-SemiboldItalicOsF 366.10
+ l_____ Bembo-SemiboldItalicExpert 366.11
+ l_____ Bembo-Bold 366.12
+ l_____ Bembo-BoldOsF 366.13
+ l_____ Bembo-BoldExpert 366.14
+ l_____ Bembo-BoldItalic 366.15
+ l_____ Bembo-BoldItalicOsF 366.16
+ l_____ Bembo-BoldItalicExpert 366.17
+ l_____ Bembo-ExtraBold 366.18
+ l_____ Bembo-ExtraBoldOsF 366.19
+ l_____ Bembo-ExtraBoldExpert 366.20
+ l_____ Bembo-ExtraBoldItalic 366.21
+ l_____ Bembo-ExtraBoldItalicOsF 366.22
+ l_____ Bembo-ExtraBoldItalicExpert 366.23
+ l_____ BerlinerGrotesk-Light 368.0
+ l_____ BerlinerGrotesk-Medium 368.1
+ l_____ LoType-Light 369.0
+ l_____ LoType-Regular 369.1
+ l_____ LoType-Medium 369.2
+ l_____ LoType-MediumItalic 369.3
+ l_____ LoType-Bold 369.4
+ l_____ LoType-MediumCondensed 369.5
+ l_____ BiffoMT 370.0
+ l_____ BigbandTerrazzo 371.1
+ l_____ Birch 372.0
+ l_____ BirdsEF 373.0
+ l_____ BlockBE-Regular 375.0
+ l_____ BlockBE-Italic 375.1
+ l_____ BlockBE-Heavy 375.2
+ l_____ BlockBE-Condensed 375.3
+ l_____ BlockBE-ExtraCn 375.4
+ l_____ BlockBE-ExtraCnItalic 375.5
+ l_____ BoberiaLL-Light 376.0
+ l_____ BoberiaLL-LightItalic 376.1
+ l_____ BoberiaLL-SemiBold 376.2
+ l_____ Bodoni-Book 377.0
+ l_____ Bodoni-BookItalic 377.1
+ l_____ Bodoni 377.2
+ l_____ Bodoni-Italic 377.3
+ l_____ Bodoni-Bold 377.4
+ l_____ Bodoni-BoldItalic 377.5
+ l_____ Bodoni-BoldCondensed 377.6
+ l_____ BodoniEF-Light 377.7
+ l_____ BodoniEF-LightIta 377.8
+ l_____ BodoniEF-Regular 377.9
+ l_____ BodoniEF-RegularIta 377.10
+ l_____ BodoniEF-DemiBold 377.11
+ l_____ BodoniEF-Bold 377.12
+ l_____ BodoniEF-DemiBoldIta 377.13
+ l_____ BodoniEF-BoldIta 377.14
+ l_____ BodoniEF-RegularCn 377.15
+ l_____ BodoniEF-RegularCnIta 377.16
+ l_____ BodoniEF-BoldCn 377.17
+ l_____ BodoniEF-DemiBoldCn 377.18
+ l_____ BodoniEF-BoldCnItalic 377.19
+ l_____ BodoniEF-DemiBoldCnIta 377.20
+ l_____ BodoniEF-Black 377.21
+ l_____ BodoniEF-BlackIta 377.22
+ l_____ BodoniEF-Ultra 377.23
+ l_____ BauerBodoni-Roman 377.24
+ l_____ BauerBodoni-RomanSC 377.25
+ l_____ BauerBodoni-RomanOsF 377.26
+ l_____ BauerBodoni-Italic 377.27
+ l_____ BauerBodoni-ItalicOsF 377.28
+ l_____ BauerBodoni-Bold 377.29
+ l_____ BauerBodoni-BoldOsF 377.30
+ l_____ BauerBodoni-BoldItalic 377.31
+ l_____ BauerBodoni-BoldItalicOsF 377.32
+ l_____ BauerBodoni-Black 377.33
+ l_____ BauerBodoni-BlackItalic 377.34
+ l_____ BauerBodoni-BoldCond 377.35
+ l_____ BauerBodoni-BlackCond 377.36
+ l_____ BauerBodoniCE-Roman 377.37
+ l_____ BauerBodoniCE-Italic 377.38
+ l_____ BauerBodoniCE-Bold 377.39
+ l_____ BauerBodoniCE-BoldItalic 377.40
+ l_____ BauerBodoniCE-Black 377.41
+ l_____ BauerBodoniCE-BlackItalic 377.42
+ l_____ BauerBodoniCE-BoldCondensed 377.43
+ l_____ BauerBodoniCE-BlackCondensed 377.44
+ l_____ BauerBodoniEF-Regular 377.45
+ l_____ BauerBodoniEF-RegularItalic 377.46
+ l_____ BauerBodoniEF-Medium 377.47
+ l_____ BauerBodoniEF-MediumItalic 377.48
+ l_____ BauerBodoniEF-Bold 377.49
+ l_____ BauerBodoniEF-BoldItalic 377.50
+ l_____ BodoniBE-Light 377.51
+ l_____ BodoniBE-LightSC 377.52
+ l_____ BodoniBE-LightExpert 377.53
+ l_____ BodoniBE-LightItalic 377.54
+ l_____ BodoniBE-LightItalicOsF 377.55
+ l_____ BodoniBE-LightItalicExpert 377.56
+ l_____ BodoniBE-Regular 377.57
+ l_____ BodoniBE-RegularSC 377.58
+ l_____ BodoniBE-RegularExp 377.59
+ l_____ BodoniBE-Italic 377.60
+ l_____ BodoniBE-ItalicOsF 377.61
+ l_____ BodoniBE-ItalicExp 377.62
+ l_____ BodoniBE-Medium 377.63
+ l_____ BodoniBE-MediumSC 377.64
+ l_____ BodoniBE-MediumExp 377.65
+ l_____ BodoniBE-MediumItalic 377.66
+ l_____ BodoniBE-MediumItalicOsF 377.67
+ l_____ BodoniBE-MediumItalicExp 377.68
+ l_____ BodoniBE-Bold 377.69
+ l_____ BodoniBE-BoldOsF 377.70
+ l_____ BodoniBE-BoldExp 377.71
+ l_____ BodoniBE-BoldItalic 377.72
+ l_____ BodoniBE-BoldItalicOsF 377.73
+ l_____ BodoniBE-BoldItalicExp 377.74
+ l_____ BodoniBE-Condensed 377.75
+ l_____ BodoniBE-CnItalic 377.76
+ l_____ BodoniBE-MediumCn 377.77
+ l_____ BodoniBE-MediumCnItalic 377.78
+ l_____ BodoniBE-BoldCn 377.79
+ l_____ BodoniBE-BoldCnItalic 377.80
+ l_____ Bodoni-Poster 377.81
+ l_____ Bodoni-PosterItalic 377.82
+ l_____ Bodoni-PosterCompressed 377.83
+ l_____ BodoniSixEF-Book 377.84
+ l_____ BodoniSixEF-BookSC 377.85
+ l_____ BodoniSixEF-BookItalic 377.86
+ l_____ BodoniSixEF-Bold 377.87
+ l_____ BodoniSixEF-BoldItalic 377.88
+ l_____ BodoniTwelveEF-Book 377.89
+ l_____ BodoniTwelveEF-BookSC 377.90
+ l_____ BodoniTwelveEF-BookItalic 377.91
+ l_____ BodoniTwelveEF-Bold 377.92
+ l_____ BodoniTwelveEF-BoldItalic 377.93
+ l_____ BodoniSeventytwoEF-Book 377.94
+ l_____ BodoniSeventytwoEF-BookSC 377.95
+ l_____ BodoniSeventytwoEF-BookIta 377.96
+ l_____ BodoniSeventytwoEF-Bold 377.97
+ l_____ BodoniSeventytwoEF-BoldIta 377.98
+ l_____ BodoniOldFaceBE-Regular 377.99
+ l_____ BodoniOldFaceBE-RegularSC 377.100
+ l_____ BodoniOldFaceBE-RegularExp 377.101
+ l_____ BodoniOldFaceBE-Italic 377.102
+ l_____ BodoniOldFaceBE-ItalicSC 377.103
+ l_____ BodoniOldFaceBE-ItalicExp 377.104
+ l_____ BodoniOldFaceBE-Medium 377.105
+ l_____ BodoniOldFaceBE-MediumSC 377.106
+ l_____ BodoniOldFaceBE-MediumExp 377.107
+ l_____ BodoniOldFaceBE-MediumIt 377.108
+ l_____ BodoniOldFaceBE-MediumItOsF 377.109
+ l_____ BodoniOldFaceBE-MediumItExp 377.110
+ l_____ BodoniOldFaceBE-Bold 377.111
+ l_____ BodoniOldFaceBE-BoldOsF 377.112
+ l_____ BodoniOldFaceBE-BoldExp 377.113
+ l_____ BodoniOldFaceBE-BoldIt 377.114
+ l_____ BodoniOldFaceBE-BoldItOsF 377.115
+ l_____ BodoniOldFaceBE-BoldItExp 377.116
+ l_____ BordeauxEF-Regular 378.0
+ l_____ BordeauxEF-RegularItalic 378.1
+ l_____ BordeauxScriptEF 378.2
+ l_____ Boulevard 380.0
+ l_____ BritannicEF-ExtraLight 382.0
+ l_____ BritannicEF-Light 382.1
+ l_____ BritannicEF-Medium 382.2
+ l_____ BritannicEF-Bold 382.3
+ l_____ BritannicEF-Ultra 382.4
+ l_____ BrodyEF 383.0
+ l_____ BronxEF 384.0
+ l_____ BrushScript 385.0
+ l_____ BrushScriptEF 385.1
+ l_____ BuxomEF 386.0
+ l_____ CabaretEF 387.0
+ l_____ CalvertMT-Light 389.0
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+ l_____ CalvertMT-Bold 389.2
+ l_____ CamelliaEF 390.0
+ l_____ Candida-Roman 391.0
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+ l_____ Candida-Bold 391.2
+ l_____ CandidaEF-Regular 391.3
+ l_____ CandidaEF-RegularItalic 391.4
+ l_____ CandidaEF-Medium 391.5
+ l_____ CandidaEF-RegularCondensed 391.6
+ l_____ CandidaEF-MediumCondensed 391.7
+ l_____ CantoriaMT-Light 392.0
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+ l_____ CantoriaMT-Roman 392.2
+ l_____ CantoriaMT-Italic 392.3
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+ l_____ CantoriaMT-SemiBoldItalic 392.5
+ l_____ CantoriaMT-Bold 392.6
+ l_____ CantoriaMT-BoldItalic 392.7
+ l_____ CantoriaMT-ExtraBold 392.8
+ l_____ CantoriaMT-ExtraBoldItalic 392.9
+ l_____ Carolina 393.0
+ l_____ Carolina-Dfr 393.1
+ l_____ Carta 394.0
+ l_____ CartoonScript-Roman 395.0
+ l_____ ACaslon-Regular 396.0
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+ l_____ ACaslon-RegularSC 396.2
+ l_____ ACaslonExp-Regular 396.3
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+ l_____ ACaslon-AltItalic 396.5
+ l_____ ACaslon-ItalicOsF 396.6
+ l_____ ACaslonExp-Italic 396.7
+ l_____ ACaslon-Semibold 396.8
+ l_____ ACaslon-AltSemibold 396.9
+ l_____ ACaslon-SemiboldSC 396.10
+ l_____ ACaslonExp-Semibold 396.11
+ l_____ ACaslon-SemiboldItalic 396.12
+ l_____ ACaslon-AltSemiboldItalic 396.13
+ l_____ ACaslon-SemiboldItalicOsF 396.14
+ l_____ ACaslonExp-SemiboldItalic 396.15
+ l_____ ACaslon-Bold 396.16
+ l_____ ACaslon-AltBold 396.17
+ l_____ ACaslon-BoldOsF 396.18
+ l_____ ACaslonExp-Bold 396.19
+ l_____ ACaslon-BoldItalic 396.20
+ l_____ ACaslon-AltBoldItalic 396.21
+ l_____ ACaslon-BoldItalicOsF 396.22
+ l_____ ACaslonExp-BoldItalic 396.23
+ l_____ ACaslon-SwashItalic 396.24
+ l_____ ACaslon-SwashSemiboldItalic 396.25
+ l_____ ACaslon-SwashBoldItalic 396.26
+ l_____ ACaslon-Ornaments 396.27
+ l_____ CaslonThree-Roman 396.28
+ l_____ CaslonThree-RomanSC 396.29
+ l_____ CaslonThree-Italic 396.30
+ l_____ CaslonThree-ItalicOsF 396.31
+ l_____ CaslonFiveFourty-Roman 396.32
+ l_____ CaslonFiveFourty-RomanSC 396.33
+ l_____ CaslonFiveFourty-Italic 396.34
+ l_____ CaslonFiveFourty-ItalicOsF 396.35
+ l_____ CaslonOpenFace 396.36
+ l_____ CaslonFiveFourtyEF-Italic 396.37
+ l_____ CaslonBlackEF 396.38
+ l_____ CaslonAntiqueEF 396.39
+ l_____ CaslonGraphiqueEF 396.40
+ l_____ CaslonTwoTwentyFour-Book 396.41
+ l_____ CaslonTwoTwentyFour-BookIt 396.42
+ l_____ CaslonTwoTwentyFour-Medium 396.43
+ l_____ CaslonTwoTwentyFour-MediumIt 396.44
+ l_____ CaslonTwoTwentyFour-Bold 396.45
+ l_____ CaslonTwoTwentyFour-BoldIt 396.46
+ l_____ CaslonTwoTwentyFour-Black 396.47
+ l_____ CaslonTwoTwentyFour-BlackIt 396.48
+ l_____ CaslonTwoTwentyFourEF-Book 396.49
+ l_____ CaslonTwoTwentyFourEF-BookIt 396.50
+ l_____ CaslonTwoTwentyFourEF-Medium 396.51
+ l_____ CaslonTwoTwentyFourEF-MediumIt 396.52
+ l_____ CaslonTwoTwentyFourEF-Bold 396.53
+ l_____ CaslonTwoTwentyFourEF-BoldI 396.54
+ l_____ CaslonTwoTwentyFourEF-Black 396.55
+ l_____ CaslonTwoTwentyFourEF-BlackIt 396.56
+ l_____ CaslonBookBE-Regular 396.57
+ l_____ CaslonBookBE-RegularSC 396.58
+ l_____ CaslonBookBE-RegularExp 396.59
+ l_____ CaslonBookBE-Italic 396.60
+ l_____ CaslonBookBE-ItalicOsF 396.61
+ l_____ CaslonBookBE-ItalicExp 396.62
+ l_____ CaslonBookBE-Medium 396.63
+ l_____ CaslonBookBE-MediumSC 396.64
+ l_____ CaslonBookBE-MediumExp 396.65
+ l_____ CaslonBookBE-Bold 396.66
+ l_____ CaslonBookBE-BoldOsF 396.67
+ l_____ CaslonBookBE-BoldExp 396.68
+ l_____ CastleEF-Light 397.0
+ l_____ CastleEF-Book 397.1
+ l_____ CastleEF-Bold 397.2
+ l_____ CastleEF-Ultra 397.3
+ l_____ Catull-Regular 398.0
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+ l_____ Catull-Medium 398.2
+ l_____ Catull-Bold 398.3
+ l_____ Caxton-Light 399.0
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+ l_____ Caxton-Book 399.3
+ l_____ Caxton-Bold 399.4
+ l_____ Caxton-BoldItalic 399.5
+ l_____ CaxtonEF-Light 399.6
+ l_____ CaxtonEF-LightItalic 399.7
+ l_____ CaxtonEF-Book 399.8
+ l_____ CaxtonEF-BookItalic 399.9
+ l_____ CaxtonEF-Bold 399.10
+ l_____ CaxtonEF-BoldItalic 399.11
+ l_____ CaxtonEF-ExtraBold 399.12
+ l_____ CaxtonEF-ExtraBoldItalic 399.13
+ l_____ CaxtonEF-BoldCondensed 399.14
+ l_____ CaxtonEF-ExtraBoldCondensed 399.15
+ l_____ CentaurMT-Regular 400.0
+ l_____ CentaurMT-RegularSC 400.1
+ l_____ CentaurMT-RegularExpert 400.2
+ l_____ CentaurMT-Italic 400.3
+ l_____ CentaurMT-ItalicA 400.4
+ l_____ CentaurMT-ItalicAlternate 400.5
+ l_____ CentaurMT-ItalicOsF 400.6
+ l_____ CentaurMT-ItalicExpert 400.7
+ l_____ CentaurMT-Bold 400.8
+ l_____ CentaurMT-BoldOsF 400.9
+ l_____ CentaurMT-BoldExpert 400.10
+ l_____ CentaurMT-BoldItalic 400.11
+ l_____ CentaurMT-BoldItalicOsF 400.12
+ l_____ CentaurMT-BoldItalicExpert 400.13
+ l_____ CentaurMT-ItalicSwash 400.14
+ l_____ ChallengeEF-Bold 401.0
+ l_____ ChallengeEF-ExtraBold 401.1
+ l_____ Charme 402.0
+ l_____ Cheltenham-Light 403.0
+ l_____ Cheltenham-LightItalic 403.1
+ l_____ Cheltenham-Book 403.2
+ l_____ Cheltenham-BookItalic 403.3
+ l_____ Cheltenham-Bold 403.4
+ l_____ Cheltenham-BoldItalic 403.5
+ l_____ Cheltenham-Ultra 403.6
+ l_____ Cheltenham-UltraItalic 403.7
+ l_____ Cheltenham-LightCond 403.8
+ l_____ Cheltenham-LightCondItalic 403.9
+ l_____ Cheltenham-BookCond 403.10
+ l_____ Cheltenham-BookCondItalic 403.11
+ l_____ Cheltenham-BoldCond 403.12
+ l_____ Cheltenham-BoldCondItalic 403.13
+ l_____ Cheltenham-UltraCond 403.14
+ l_____ Cheltenham-UltraCondItalic 403.15
+ l_____ CheltenhamEF-Light 403.16
+ l_____ CheltenhamEF-LightItalic 403.17
+ l_____ CheltenhamEF-Book 403.18
+ l_____ CheltenhamEF-BookItalic 403.19
+ l_____ CheltenhamEF-Bold 403.20
+ l_____ CheltenhamEF-BoldItalic 403.21
+ l_____ CheltenhamEF-Ultra 403.22
+ l_____ CheltenhamEF-UltraItalic 403.23
+ l_____ CheltenhamHandtEF-Bold 403.24
+ l_____ CheltenhamHandtEF-BoldItalic 403.25
+ l_____ CheltenhamEF-LightCond 403.26
+ l_____ CheltenhamEF-LightCondItalic 403.27
+ l_____ CheltenhamEF-BookCond 403.28
+ l_____ CheltenhamEF-BookCondItalic 403.29
+ l_____ CheltenhamEF-BoldCond 403.30
+ l_____ CheltenhamEF-BoldCondItalic 403.31
+ l_____ CheltenhamEF-UltraCond 403.32
+ l_____ CheltenhamEF-UltraCondItalic 403.33
+ l_____ CheltenhamOldStyleEF 403.34
+ l_____ Cheq 404.0
+ l_____ ChiselEF 405.0
+ l_____ DigiGroteskNEF-Light 406.0
+ l_____ DigiGroteskNEF-Bold 406.1
+ l_____ DigiGroteskNEF-SemiBoldCond 406.2
+ l_____ DigiGroteskNEF-BoldCondens 406.3
+ l_____ DigiGroteskSEF-Light 406.4
+ l_____ DigiGroteskSEF-SemiBold 406.5
+ l_____ DomCasual 407.0
+ l_____ DomCasual-Bold 407.1
+ l_____ DomEF-CasualRegular 407.2
+ l_____ DomEF-DiagonalRegular 407.3
+ l_____ DomEF-CasualBold 407.4
+ l_____ DomEF-DiagonalBold 407.5
+ l_____ DorchesterScriptMT 408.0
+ l_____ DynamoEF-Medium 409.0
+ l_____ DynamoEF-Bold 409.1
+ l_____ DynamoEF-BoldShadow 409.2
+ l_____ DynamoEF-BoldCondensed 409.3
+ l_____ EdisonEF-Book 410.0
+ l_____ EdisonEF-BookItalic 410.1
+ l_____ EdisonEF-SemiBold 410.2
+ l_____ EdisonEF-SemiBoldItalic 410.3
+ l_____ EdisonEF-BoldCondensed 410.4
+ l_____ EdwardianEF-Light 411.0
+ l_____ EdwardianEF-LightIta 411.1
+ l_____ EdwardianEF-Medium 411.2
+ l_____ EdwardianEF-MediumIta 411.3
+ l_____ EdwardianEF-Bold 411.4
+ l_____ EdwardianEF-BoldIta 411.5
+ l_____ EdwardianEF-ExtraBold 411.6
+ l_____ EdwardianEF-ExtraBoldIta 411.7
+ l_____ EgizioEF-Condensed 412.0
+ l_____ EgyptianEF-BoldCondensed 414.0
+ l_____ EgyptianEF-BoldExtended 414.1
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+ l_____ Tiemann-Roman 9501.469
+ l_____ Trajanus-Roman 9501.470
+ l_____ Trajanus-Black 9501.471
+ l_____ Trajanus-BlackItalic 9501.472
+ l_____ Trajanus-BoldItalic 9501.473
+ l_____ Trajanus-Italic 9501.474
+ l_____ Trajanus-Bold 9501.475
+ l_____ Transport 9501.476
+ l_____ Transport-BoldItalic 9501.477
+ l_____ Transport-Light 9501.478
+ l_____ Transport-LightItalic 9501.479
+ l_____ Transport-SC 9501.480
+ l_____ Transport-LightSC 9501.481
+ l_____ Transport-Bold 9501.482
+ l_____ Transport-Italic 9501.483
+ l_____ UniversCyr-Light 9501.484
+ l_____ UniversCyr-LightOblique 9501.485
+ l_____ UniversCyr 9501.486
+ l_____ UniversCyr-Oblique 9501.487
+ l_____ UniversCyr-Bold 9501.488
+ l_____ UniversCyr-BoldOblique 9501.489
+ l_____ UniversCyr-Black 9501.490
+ l_____ UniversCyr-BlackOblique 9501.491
+ l_____ UniversityRomanCE 9501.492
+ l_____ UniversityCyr-Roman 9501.493
+ l_____ Vega 9501.494
+ l_____ Vega-Bold 9501.495
+ l_____ Vega-SemiBold 9501.496
+ l_____ Vega-SC 9501.497
+ l_____ Vega-SemiBoldItalic 9501.498
+ l_____ Vega-BoldItalic 9501.499
+ l_____ Vega-Italic 9501.500
+ l_____ WiesbadenSwingCyr-Roman 9501.501
+</pre>
+ <div class="node">
+<a name="Monotype-fonts"></a>
+<p><hr>
+Next:&nbsp;<a rel="next" accesskey="n" href="#URW-fonts">URW fonts</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#Linotype-fonts">Linotype fonts</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Font-name-lists">Font name lists</a>
+
+</div>
+
+<h3 class="section">A.8 Monotype fonts</h3>
+
+<p><a name="index-monotype_002emap-121"></a>The <samp><span class="file">monotype.map</span></samp> file has abbreviations for Monotype fonts.
+
+<pre class="example"> <!-- @mapfile{ -->
+ <!-- license = "public domain", -->
+ <!-- email = "tex-fonts@tug.org", -->
+ <!-- date = "5 June 1999", -->
+ <!-- url = "http://tug.org/fontname/monotype.map", -->
+ <!-- supported = "yes", -->
+ <!-- docstring = "Monotype PostScript fonts." -->
+ <!-- } -->
+ <!-- List of Monotype fonts sold by Monotype, subsidiary of Agfa: -->
+ <!-- Font samples are available from: -->
+ <!-- http://www.agfahome.com/agfadirect/fonts/packagesearch.cfm?letter=X -->
+ <!-- http://www.agfahome.com/agfadirect/fonts/displayvol.cfm?volnum=71xxxx -->
+ <!-- This list does not specifically include Monotype fonts -->
+ <!-- sold by Adobe or Linotype, which are listed as "FontMT" -->
+ <!-- in adobe.map or linotype.map. -->
+ <!-- Notes on font encodings: -->
+ <!-- Typeface-SC = small caps, oldstyle figs -> pxxrc8a -->
+ <!-- Typeface-OsF = uc & lc, oldstyle figures -> pxxrj8a -->
+ <!-- Typeface SF = SuperFont -> mxxr9s -->
+ <!-- Typeface CE = Central European -> mxxr__ -->
+ <!-- Typeface Tur = Turkish -> mxxr__ -->
+ <!-- Typeface Cyr = Cyrillic -> mxxrz (?) -->
+ <!-- Typeface Gre = Greek -> mxxrk (?) -->
+ <!-- Typeface DualGreek = Greek -> mxxrk (?) -->
+ mapr8x ApolloMT-Expert MT 1001 ezexp___
+ maprc8a ApolloMT-SC MT 1001 ezi_____
+ mapri8x ApolloMT-ItalicExpert MT 1001 eziof___
+ mapri8a ApolloMT-Italic MT 1001 ezixp___
+ mapr8a ApolloMT MT 1001 ezr_____
+ maprij8a ApolloMT-ItalicOsF MT 1001 ezrsc___
+ maps8a ApolloMT-SemiBold MT 1001 ezsb____
+ mapsj8a ApolloMT-SemiBoldOsF MT 1001 ezsbo___
+ maps8x ApolloMT-SemiBoldExpert MT 1001 ezsbx___
+ mnrrw8a NewBerolinaMT MT 1002 _n______
+ mp1rw8a PalaceScriptMT MT 1002 _p______
+ mp1sw8a PalaceScriptMT-SemiBold MT 1002 _psb____
+ mahrw8a AshleyScriptMT MT 1002 le______
+ mm1rw8a MonolineScriptMT MT 1002 on______
+ mbvr8a BaskervilleMT MT 1003 bas_____
+ mbvb8a BaskervilleMT-Bold MT 1003 basb____
+ mbvbi8a BaskervilleMT-BoldItalic MT 1003 basbi___
+ mbvri8a BaskervilleMT-Italic MT 1003 basi____
+ mbvs8a BaskervilleMT-SemiBold MT 1003 bass____
+ mbvsi8a BaskervilleMT-SemiBoldItalic MT 1003 bassi___
+ mbbr8a Bembo MT 1004 bm______
+ mbbb8a Bembo-Bold MT 1004 bmb_____
+ mbbbi8a Bembo-BoldItalic MT 1004 bmbi____
+ mbbri8a Bembo-Italic MT 1004 bmi_____
+ mbbx8a Bembo-ExtraBold MT 1005 bmeb____
+ mbbxi8a Bembo-ExtraBoldItalic MT 1005 bmebi___
+ mbbs8a Bembo-SemiBold MT 1005 bmsb____
+ mbbsi8a Bembo-SemiBoldItalic MT 1005 bmsbi___
+ mdsrw8a DorchesterScriptMT MT 1006 dsscr___
+ mp2rw8a PepitaMT MT 1006 epscr___
+ mbfrw8a BiffoMT MT 1006 ifscr___
+ mswbw8a SwingMT-Bold MT 1006 swib____
+ ms2bw8a ScriptMT-Bold MT 1006 tbscr___
+ mb1ri8a BladoMT-Italic MT 1007 blai____
+ mpzr8a PoliphilusMT MT 1007 pol_____
+ mvdr8a VanDijckMT MT 1007 van_____
+ mvdri8a VanDijckMT-Italic MT 1007 vani____
+ mbdr8a BodoniMT MT 1008 bod_____
+ mbdb8a BodoniMT-Bold MT 1008 bodb____
+ mbdbi8a BodoniMT-BoldItalic MT 1008 bodbi___
+ mbdri8a BodoniMT-Italic MT 1008 bodi____
+ mbdu8a BodoniMT-UltraBold MT 1009 bodu____
+ mbdui8a BodoniMT-UltraBoldItalic MT 1009 bodui___
+ mbdk8a BodoniMT-Book MT 1009 bodw____
+ mbdki8a BodoniMT-BookItalic MT 1009 bodwi___
+ moxr8a OnyxMT MT 1009 ox______
+ mbdb8ac BodoniMT-CondensedBold MT 1010 bodc____
+ mbdbi8ac BodoniMT-CondensedBoldItalic MT 1010 bodci___
+ mbdc8a BodoniMT-Black MT 1010 bodk____
+ mbdci8a BodoniMT-BlackItalic MT 1010 bodki___
+ mb3r8a BraggadocioMT MT 1011 bra_____
+ mfir8a FigaroMT MT 1011 fig_____
+ mfer8a ForteMT MT 1011 for_____
+ mklr8a KlangMT MT 1011 kla_____
+ mc8b8a CalvertMT-Bold MT 1012 vtb_____
+ mc8l8a CalvertMT-Light MT 1012 vtl_____
+ mc8r8a CalvertMT MT 1012 vtrg____
+ mcnb8a CenturyMT-Bold MT 1013 cenb____
+ mcnbi8a CenturyMT-BoldItalic MT 1013 cenbi___
+ mcnb8ax CenturyMT-Expanded MT 1013 cenx____
+ mcnbi8ax CenturyMT-ExpandedItalic MT 1013 cenxi___
+ mcubi8a CenturyOSMT-BoldItalic MT 1015 cobi____
+ mcur8a CenturyOSMT MT 1015 cos_____
+ mcub8a CenturyOSMT-Bold MT 1015 cosb____
+ mcuri8a CenturyOSMT-Italic MT 1015 cosi____
+ mcdr8a ClarendonMT MT 1016 cld_____
+ meer8a EgyptianMT-Extended MT 1016 egyex___
+ mnnr8a NewClarendonMT MT 1016 ncl_____
+ mnnb8a NewClarendonMT-Bold MT 1016 nclb____
+ mc6r8a ClarionMT MT 1017 cla_____
+ mc6b8a ClarionMT-Bold MT 1017 clab____
+ mc6ri8a ClarionMT-Italic MT 1017 clai____
+ mcfb8a ClearfaceMT-Bold MT 1018 cleb____
+ mcfbs8a ClearfaceGothicMT-Bold MT 1018 clgb____
+ mcfds8a ClearfaceGothicMT-DemiBold MT 1018 clgdb___
+ mcrr8a12 CourierTwelveMT MT 1019 cot_____
+ mtyre8a TypewriterEliteMT MT 1019 tye_____
+ mtyrg8a TypewriterGothicMT MT 1019 tyg_____
+ mtyr8a TypewriterMT MT 1019 typ_____
+ metr8a EhrhardtMT MT 1020 ehr_____
+ metri8a EhrhardtMT-Italic MT 1020 ehri____
+ mets8a EhrhardtMT-SemiBold MT 1020 ehrs____
+ metsi8a EhrhardtMT-SemiBoldItalic MT 1020 ehrsi___
+ menr8a EngraversMT MT 1021 eng_____
+ menb8a EngraversMT-Bold MT 1021 engb____
+ menrf8a EngraversOldEnglishMT MT 1021 engoe___
+ mfsra8a FalstaffMT MT 1022 fprg____
+ mhdr8a HeadlineMT-Bold MT 1022 head____
+ mpdr8ac PlacardMT-Condensed MT 1022 plcc____
+ mpdb8ac PlacardMT-CondensedBold MT 1022 plccb___
+ mgmr8a GaramondMT MT 1023 gar_____
+ mgmb8a GaramondMT-Bold MT 1023 garb____
+ mgmbi8a GaramondMT-BoldItalic MT 1023 garbi___
+ mgmri8a GaramondMT-Italic MT 1023 gari____
+ mgmria8a GaramondMT-AlternativeItalic MT 1023 garit___
+ mgsr8a GillSans MT 1024 gn______
+ mgsb8a GillSans-Bold MT 1024 gnb_____
+ mgsbi8a GillSans-BoldItalic MT 1024 gnbi____
+ mgsri8a GillSans-Italic MT 1024 gni_____
+ mgsl8a GillSans-Light MT 1024 gnl_____
+ mgsli8a GillSans-LightItalic MT 1024 gnli____
+ mgsb8ac GillSans-BoldCondensed MT 1025 gnbc____
+ mgsr8ac GillSans-Condensed MT 1025 gnc_____
+ mgsx8a GillSans-ExtraBold MT 1025 gneb____
+ mgsu8a GillSans-UltraBold MT 1025 gnub____
+ mgsu8ac GillSans-UltraBoldCondensed MT 1025 gnubc___
+ mgrb8a GloucesMT-Bold MT 1026 glb_____
+ mgrb8ac GloucesMT-CondBold MT 1026 glcb____
+ mgrb8ax GloucesMT-ExtendedBold MT 1026 gleb____
+ mgrb8aq GloucesMT-ExtraCondensedBold MT 1026 glecb___
+ mgrr8a GloucesOldStyleMT MT 1026 glos____
+ mg5r8a GoudyCatalogueMT MT 1027 goc_____
+ mg5ri8a GoudyCatalogueMT-Italic MT 1027 goci____
+ mgor8a GoudyOldStyleMT MT 1027 gos_____
+ mgori8a GoudyOldStyleMT-Italic MT 1027 gosi____
+ mgyb8a GoudyMT-Bold MT 1027 goub____
+ mgybi8a GoudyMT-BoldItalic MT 1027 goubi___
+ mg4r8a GoudyModernMT MT 1028 gom_____
+ mg4ri8a GoudyModernMT-Italic MT 1028 gomi____
+ mgyx8a GoudyMT-ExtraBold MT 1028 goueb___
+ mgtr8a GoudyTextMT MT 1028 goutx___
+ mgqr8a GrotesqueMT MT 1029 gq______
+ mgqc8a GrotesqueMT-Black MT 1029 gqb_____
+ mgqb8a GrotesqueMT-Bold MT 1029 gqbl____
+ mgqri8a GrotesqueMT-Italic MT 1029 gqi_____
+ mgql8a GrotesqueMT-Light MT 1029 gql_____
+ mgqli8a GrotesqueMT-LightItalic MT 1029 gqli____
+ mgqc8a GrotesqueMT-Black MT 1030 gqbl____
+ mgqb8ax GrotesqueMT-BoldExtended MT 1030 gqbv____
+ mgqr8ac GrotesqueMT-Condensed MT 1030 gqc_____
+ mgqr8aq GrotesqueMT-ExtraCondensed MT 1030 gqec____
+ mgql8ac GrotesqueMT-LightCondensed MT 1030 gqlc____
+ miir8a ImprintMT MT 1032 im______
+ miib8a ImprintMT-Bold MT 1032 imb_____
+ miibi8a ImprintMT-BoldItalic MT 1032 imbi____
+ miiri8a ImprintMT-Italic MT 1032 imi_____
+ mifr8a InflexMT MT 1033 iqb_____
+ moer8a OldEnglishTextMT MT 1033 mbbou___
+ mosbl8a MonotOldStyleMT-BoldOutline MT 1033 old_____
+ mior8a IonicMT MT 1034 ion_____
+ miob8a IonicMT-Bold MT 1034 ionb____
+ miori8a IonicMT-Italic MT 1034 ioni____
+ misb8a ItalianOldStyleMT-Bold MT 1035 ieb_____
+ misbi8a ItalianOldStyleMT-BoldItalic MT 1035 iebi____
+ misri8a ItalianOldStyleMT-Italic MT 1035 iei_____
+ misr8a ItalianOldStyleMT MT 1035 ierg____
+ mmob8a ModernMT-Bold MT 1036 nmb_____
+ mmobi8a ModernMT-BoldItalic MT 1036 nmbi____
+ mmor8ax ModernMT-Extended MT 1036 nmex____
+ mmori8ax ModernMT-ExtendedItalic MT 1036 nmexi___
+ mnpr8a NewsPlantinMT MT 1038 npl_____
+ mnpb8a NewsPlantinMT-Bold MT 1038 nplb____
+ mnpbi8a NewsPlantinMT-BoldItalic MT 1038 nplbi___
+ mnpri8a NewsPlantinMT-Italic MT 1038 npli____
+ mosr8a OldStyleMT MT 1039 ost_____
+ mosb8a OldStyleMT-Bold MT 1039 ostb____
+ mosbi8a OldStyleMT-BoldItalic MT 1039 ostbi___
+ mosri8a OldStyleMT-Italic MT 1039 osti____
+ mpnr8a Plantin MT 1040 pl______
+ mpnb8a Plantin-Bold MT 1040 plb_____
+ mpnbi8a Plantin-BoldItalic MT 1040 plbi____
+ mpnri8a Plantin-Italic MT 1040 pli_____
+ mpnb8ac Plantin-BoldCondensed MT 1041 plbc____
+ mpnl8a Plantin-Light MT 1041 pll_____
+ mpnli8a Plantin-LightItalic MT 1041 plli____
+ mpns8a Plantin-SemiBold MT 1041 plsb____
+ mpnsi8a Plantin-SemiBoldItalic MT 1041 plsbi___
+ mrwr8a Rockwell MT 1042 rk______
+ mrwb8a Rockwell-Bold MT 1042 rkb_____
+ mrwbi8a Rockwell-BoldItalic MT 1042 rkbi____
+ mrwri8a Rockwell-Italic MT 1042 rki_____
+ mrwl8a Rockwell-Light MT 1042 rkl_____
+ mrwli8a Rockwell-LightItalic MT 1042 rkli____
+ mrwb8ac Rockwell-BoldCondensed MT 1043 rkbc____
+ mrwr8ac Rockwell-Condensed MT 1043 rkc_____
+ mrwx8a Rockwell-ExtraBold MT 1043 rkeb____
+ msbr8a SabonMT MT 1044 sab_____
+ msbri8a SabonMT-Italic MT 1044 sabi____
+ msbs8a SabonMT-SemiBold MT 1044 sabs____
+ msbsi8a SabonMT-SemiBoldItalic MT 1044 sabsi___
+ mntr8a TimesNRMT MT 1046 tim_____
+ mntb8a TimesNRMT-Bold MT 1046 timb____
+ mntbi8a TimesNRMT-BoldItalic MT 1046 timbi___
+ mntri8a TimesNRMT-Italic MT 1046 timi____
+ mntx8a TimesNRMT-ExtraBold MT 1047 timeb___
+ mnts8a TimesNRMT-SemiBold MT 1047 tims____
+ mntsi8a TimesNRMT-SemiBoldItalic MT 1047 timsi___
+ mntb8ac TimesNewRomanMT-BoldCond MT 1048 mtbc____
+ mntr8ac TimesNewRomanMT-Cond MT 1048 mtc_____
+ mntri8ac TimesNewRomanMT-CondItalic MT 1048 mtci____
+ mtwb8a TwCenMT-Bold MT 1049 tcb_____
+ mtwbi8a TwCenMT-BoldItalic MT 1049 tcbi____
+ mtwl8a TwCenMT-Light MT 1049 tcl_____
+ mtwli8a TwCenMT-LightItalic MT 1049 tcli____
+ mtwm8a TwCenMT-Medium MT 1049 tcm_____
+ mtwmi8a TwCenMT-MediumItalic MT 1049 tcmi____
+ mtwb8ac TwCenMT-CondensedBold MT 1050 tccb____
+ mtwm8ac TwCenMT-CondensedMedium MT 1050 tccm____
+ mtws8a TwCenMT-SemiBold MT 1050 tcsb____
+ mtwsm8a TwCenMT-SemiMedium MT 1050 tcsm____
+ mtwx8ac TwCenMT-CondensedExtraBold MT 1051 tcceb___
+ mtwu8ac TwCenMT-CondensedUltraBold MT 1051 tccub___
+ mtwxi8a TwCenMT-ExtraBoldItalic MT 1051 tcebi___
+ mtwu8a TwCenMT-UltraBold MT 1051 tcub____
+ mtwui8a TwCenMT-UltraBoldItalic MT 1051 tcubi___
+ mtwx8a TwCenMT-ExtraBold MT 1051 tweb____
+ mwbr8a WalbaumMT MT 1052 wl______
+ mwbri8a WalbaumMT-Italic MT 1052 wli_____
+ mwbm8a WalbaumMT-Medium MT 1052 wlm_____
+ mwbmi8a WalbaumMT-MediumItalic MT 1052 wlmi____
+ mnsb8a TimesNewRomanPS-Bold MT 1053 mtb_____
+ mnsbi8a TimesNewRomanPS-BoldItalic MT 1053 mtbi____
+ mnsri8a TimesNewRomanPS-Italic MT 1053 mti_____
+ mnsr8a TimesNewRomanPS MT 1053 mtr_____
+ ma1r8a ArialMT MT 1054 ari_____
+ ma1b8a ArialMT-Bold MT 1054 ariab___
+ ma1bi8a ArialMT-BoldItalic MT 1054 aribi___
+ ma1ri8a ArialMT-Italic MT 1054 arii____
+ ma1r8an ArialNarrowMT MT 1055 an______
+ ma1b8an ArialNarrowMT-Bold MT 1055 anb_____
+ ma1ri8an ArialNarrowMT-BoldItalic MT 1055 anbi____
+ ma1bi8an ArialNarrowMT-Italic MT 1055 ani_____
+ mcrr8a CourierPS MT 1058 cr______
+ mcrb8a CourierPS-Bold MT 1058 crb_____
+ mcrbi8a CourierPS-BoldItalic MT 1058 crbi____
+ mcrri8a CourierPS-Italic MT 1058 cri_____
+ msyr SymbolPS MT 1058 syps____
+ mnir8a NimrodMT MT 1061 nim_____
+ mnib8a NimrodMT-Bold MT 1061 nimb____
+ mnibi8a NimrodMT-BoldItalic MT 1061 nimbi___
+ mniri8a NimrodMT-Italic MT 1061 nimi____
+ ma1ci8a ArialMT-BlackItalic MT 1064 arbli___
+ ma1c8a ArialMT-Black MT 1064 aribl___
+ ma1l8a ArialMT-Light MT 1064 aril____
+ ma1li8a ArialMT-LightItalic MT 1064 arili___
+ mburw8a BrushScriptMT MT 1071 ________
+ mi0rw8a CommercialScriptMT MT 1071 ________
+ mr5rw8a FrenchScriptMT MT 1071 ________
+ motb8a CoronetMT-Bold MT 1071 corb____
+ mmebw8a MercuriusMT-BoldScript MT 1071 uzbs____
+ mppb8a Perpetua-Bold MT 1072 ptb_____
+ mppbi8a Perpetua-BoldItalic MT 1072 ptbi____
+ mppri8a Perpetua-Italic MT 1072 pti_____
+ mppr8a Perpetua MT 1072 ptrg____
+ mair8ac AbadiMT-Condensed MT 1074 abac____
+ maib8ac AbadiMT-CondensedBold MT 1074 abacb___
+ maix8ac AbadiMT-CondensedExtraBold MT 1074 abace___
+ mail8ac AbadiMT-CondensedLight MT 1074 abacl___
+ mtlr8a CastellerMT MT 1075 el______
+ malr8a AlbertusMT MT 1075 lr______
+ malri8a AlbertusMT-Italic MT 1075 lri_____
+ mall8a AlbertusMT-Light MT 1075 lrl_____
+ ma1x8a ArialMT-ExtraBold MT 1076 arie____
+ ma1xi8a ArialMT-ExtraBoldItalic MT 1076 ariei___
+ ma1m8a ArialMT-Medium MT 1076 arim____
+ ma1mi8a ArialMT-MediumItalic MT 1076 arimi___
+ ma1r8ac ArialMT-Condensed MT 1077 aric____
+ ma1b8ac ArialMT-CondensedBold MT 1077 aricb___
+ ma1x8ac ArialMT-CondensedExtraBold MT 1077 arice___
+ ma1l8ac ArialMT-CondensedLight MT 1077 aricl___
+ mbvr8x BskvillExpMT MT 1078 bay_____
+ mbvb8x BskvillExpMT-Bold MT 1078 bayb____
+ mbvbi8x BskvillExpMT-BoldItalic MT 1078 baybi___
+ mbvri8x BskvillExpMT-Italic MT 1078 bayi____
+ mbvs8x BskvillExpMT-SemiBold MT 1078 bays____
+ mbvsi8x BskvillExpMT-SemiBoldItal MT 1078 baysi___
+ mber8a BellMT MT 1079 bl______
+ mbeb8a BellMT-Bold MT 1079 blb_____
+ mbebi8a BellMT-BoldItalic MT 1079 blbi____
+ mberi8a BellMT-Italic MT 1079 bli_____
+ mbes8a BellMT-SemiBold MT 1079 bls_____
+ mbesi8a BellMT-SemiBoldItalic MT 1079 blsi____
+ mbbr7a Bembo-Alt MT 1080 bea_____
+ mbbb7a Bembo-AltBold MT 1080 beab____
+ mbbbi7a Bembo-AltBoldItalic MT 1080 beabi___
+ mbbri7a Bembo-AltItalic MT 1080 beai____
+ mbbb8x BemboExpert-Bold MT 1080 bey_____
+ mbbbi8x BemboExpert-BoldItalic MT 1080 beyb____
+ mbbri8x BemboExpert-Italic MT 1080 beybi___
+ mbbr8x BemboExpert-Roman MT 1080 beyi____
+ mbbx7a Bembo-AltExtraBold MT 1081 beae____
+ mbbs7a Bembo-AltSemiBold MT 1081 beas____
+ mbbsi7a Bembo-AltSemiBoldItalic MT 1081 beasi___
+ mbbx8x BemboExpert-ExtraBold MT 1081 beye____
+ mbbxi8x BemboExpert-ExtraBoldItalic MT 1081 beyei___
+ mbbs8x BemboExpert-SemiBold MT 1081 beys____
+ mbbsi8x BemboExpert-SemiBoldItalic MT 1081 beysi___
+ mbnr8ac BernardMT-Condensed MT 1082 berc____
+ mc7b8a CompactaMT-Bold MT 1082 comb____
+ mnkr8a NeographikMT MT 1082 neo_____
+ mrur8ac RunicMT-Condensed MT 1082 runc____
+ metr8x EhrhardtExptMT MT 1083 ehy_____
+ metri8x EhrhardtExptMT-Italic MT 1083 ehyi____
+ mets8x EhrhardtExptMT-SemiBold MT 1083 ehys____
+ metsi8x EhrhardtExptMT-SemiBoldItal MT 1083 ehysi___
+ mjnr8a JansonMT MT 1085 jan_____
+ mjnb8a JansonMT-Bold MT 1085 janb____
+ mjnbi8a JansonMT-BoldItalic MT 1085 janbi___
+ mjnri8a JansonMT-Italic MT 1085 jani____
+ mppr8x Perpetua-Expert MT 1087 pey_____
+ mpprc8a Perpetua-SC MT 1087 ptsc____
+ mpnbi8x PlantinExp-BoldItalic MT 1088 plbiy___
+ mpnb8x PlantinExp-Bold MT 1088 plby____
+ mpnri8x PlantinExp-Italic MT 1088 pliy____
+ mpnr8x PlantinExp MT 1088 ply_____
+ mpnra8x PlantinExp-AltFigures MT 1089 plya____
+ mpnl8x PlantinExp-Light MT 1089 plyl____
+ mpnli8x PlantinExp-LightItalic MT 1089 plyli___
+ mpns8x PlantinExp-SemiBold MT 1089 plys____
+ mpnsi8x PlantinExp-SemiBoldItalic MT 1089 plysi___
+ zmsnr34 Spartan-ThreeFourMT MT 1091 spf_____
+ zmsnr12 Spartan-OneTwoMT MT 1091 spo_____
+ zmsnr4 Spartan-FourMT MT 1091 spr_____
+ zmsnr13 Spartan-OneThreeMT MT 1091 spt_____
+ zmsnr24 Spartan-TwoFourMT MT 1091 spw_____
+ zmsnb34 Spartan-ThreeFourMT-Bold MT 1092 spfb____
+ zmsnb12 Spartan-OneTwoMT-Bold MT 1092 spob____
+ zmsnb4 Spartan-FourMT-Bold MT 1092 sprb____
+ zmsnb13 Spartan-OneThreeMT-Bold MT 1092 sptb____
+ zmsnb24 Spartan-TwoFourMT-Bold MT 1092 spwb____
+ zmsnri34 Spartan-ThreeFourMT-Italic MT 1093 spfi____
+ zmsnri12 Spartan-OneTwoMT-Italic MT 1093 spoi____
+ zmsnri4 Spartan-FourMT-Italic MT 1093 spri____
+ zmsnri13 Spartan-OneThreeMT-Italic MT 1093 spti____
+ zmsnri24 Spartan-TwoFourMT-Italic MT 1093 spwi____
+ mntm8a TimesNRMT-Medium MT 1094 timm____
+ mntmi8a TimesNRMT-MediumItalic MT 1094 timmi___
+ mtmrg8a TimesSmallTextMT MT 1094 tst_____
+ mtmbg8a TimesSmallTextMT-Bold MT 1094 tstb____
+ mtmrig8a TimesSmallTextMT-Italic MT 1094 tsti____
+ melr8a EllingtonMT MT 1095 ei______
+ melb8a EllingtonMT-Bold MT 1095 eib_____
+ melbi8a EllingtonMT-BoldItalic MT 1095 eibi____
+ melx8a EllingtonMT-ExtraBold MT 1095 eieb____
+ melxi8a EllingtonMT-ExtraBoldItalic MT 1095 eiebi___
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+ mngb__ NewsGothicCE-Bold MT 1379 ngub____
+ mngbi__ NewsGothicCE-BoldItalic MT 1379 ngubi___
+ mngri__ NewsGothicCE-Italic MT 1379 ngui____
+ mngrk NewsGothicGre MT 1380 ngg_____
+ mngbk NewsGothicGre-Bold MT 1380 nggb____
+ mngbik NewsGothicGre-BoldInclined MT 1380 nggbi___
+ mngrik NewsGothicGre-Inclined MT 1380 nggi____
+ mngrz NewsGothicCyr MT 1381 ngc_____
+ mngbz NewsGothicCyr-Bold MT 1381 ngcb____
+ mngbiz NewsGothicCyr-BoldInclined MT 1381 ngcbi___
+ mngriz NewsGothicCyr-Inclined MT 1381 ngci____
+ m_____ BuffaloGalMT MT 1382 bufg____
+ mrwr__ RockwellTur MT 1383 rkt_____
+ mrwb__ RockwellTur-Bold MT 1383 rktb____
+ mrwbi__ RockwellTur-BoldItalic MT 1383 rktbi___
+ mrwri__ RockwellTur-Italic MT 1383 rkti____
+ mrwl__ RockwellTur-Light MT 1383 rktl____
+ mrwli__ RockwellTur-LightItalic MT 1383 rktli___
+ mrwr__ RockwellCE MT 1383 rku_____
+ mrwb__ RockwellCE-Bold MT 1383 rkub____
+ mrwbi__ RockwellCE-BoldItalic MT 1383 rkubi___
+ mrwri__ RockwellCE-Italic MT 1383 rkui____
+ mrwl__ RockwellCE-Light MT 1383 rkul____
+ mrwli__ RockwellCE-LightItalic MT 1383 rkuli___
+ mo4bij8a OceanSansMT-BoldItalicOsF MT 1397 oebio___
+ mo4bic8a OceanSansMT-BoldItalicSC MT 1397 oebis___
+ mo4bj8a OceanSansMT-BoldOsF MT 1397 oebo____
+ mo4bc8a OceanSansMT-BoldSC MT 1397 oebs____
+ mo4kij8a OceanSansMT-BookItalicOsF MT 1397 oekio___
+ mo4kic8a OceanSansMT-BookItalicSC MT 1397 oekis___
+ mo4kj8a OceanSansMT-BookOsF MT 1397 oeko____
+ mo4kc8a OceanSansMT-BookSC MT 1397 oeks____
+ mo4lij8a OceanSansMT-LightItalicOsF MT 1398 oelio___
+ mo4lic8a OceanSansMT-LightItalicSC MT 1398 oelis___
+ mo4lj8a OceanSansMT-LightOsF MT 1398 oelo____
+ mo4lc8a OceanSansMT-LightSC MT 1398 oels____
+ mo4sij8a OceanSansMT-SemiBoldItaOsF MT 1398 oesio___
+ mo4sic8a OceanSansMT-SemiBoldItaSC MT 1398 oesis___
+ mo4sj8a OceanSansMT-SemiBoldOsF MT 1398 oeso____
+ mo4sc8a OceanSansMT-SemiBoldSC MT 1398 oess____
+ mo4xij8a OceanSansMT-ExtraBoldItaOsF MT 1398 oexio___
+ mo4xic8a OceanSansMT-ExtraBoldItaSC MT 1398 oexis___
+ mo4xj8a OceanSansMT-ExtraBoldOsF MT 1398 oexo____
+ mo4xc8a OceanSansMT-ExtraBoldSC MT 1398 oexs____
+ mgmrz GaramondCyrMT-Regular MT 1401 gac_____
+ mgmbz GaramondCyrMT-Bold MT 1401 gacb____
+ mgmriz GaramondCyrMT-Inclined MT 1401 gaci____
+ mgmrk GaramondDualGreekMT-Regular MT 1402 gad_____
+ mgmbk GaramondDualGreekMT-Bold MT 1402 gadb____
+ mgmrik GaramondDualGreekMT-Incl MT 1402 gadi____
+ mgmr__ GaramondCEMT-Regular MT 1403 gae_____
+ mgmb__ GaramondCEMT-Bold MT 1403 gaeb____
+ mgmri__ GaramondCEMT-Italic MT 1403 gaei____
+ mgmr__ GaramondTurMT-Regular MT 1403 gat_____
+ mgmb__ GaramondTurMT-Bold MT 1403 gatb____
+ mgmri__ GaramondTurMT-Italic MT 1403 gati____
+ mngr8ac NewsGothicMT-Condensed MT 1451 ngoc____
+ mngb8ac NewsGothicMT-CondensedBold MT 1451 ngocb___
+ m_____ MahsuriSansMT-Bold MT 1454 msb_____
+ m_____ MahsuriSansMT-BoldItalic MT 1454 msbi____
+ m_____ MahsuriSansMT-BoldItalicOsF MT 1454 msbio___
+ m_____ MahsuriSansMT-BoldOsF MT 1454 msbo____
+ m_____ MahsuriSansMT-Italic MT 1454 msi_____
+ m_____ MahsuriSansMT-ItalicOsF MT 1454 msio____
+ m_____ MahsuriSansMT-Light MT 1454 msl_____
+ m_____ MahsuriSansMT-LightItalic MT 1454 msli____
+ m_____ MahsuriSansMT-LightItalicOsF MT 1454 mslio___
+ m_____ MahsuriSansMT-LightOsF MT 1454 mslo____
+ m_____ MahsuriSansMT-Regular MT 1454 msr_____
+ m_____ MahsuriSansMT-RegularOsF MT 1454 msro____
+ m_____ MahsuriSansMT-ExtraBold MT 1454 msx_____
+ m_____ MahsuriSansMT-ExtraBoldItalic MT 1454 msxi____
+ m_____ MahsuriSansMT-ExtBoldItaOsF MT 1454 msxio___
+ m_____ MahsuriSansMT-ExtraBoldOsF MT 1454 msxo____
+ mu0r8a ColumbusMT MT 1492 cu______
+ mu0b8a ColumbusMTBold MT 1492 cub_____
+ mu0bi8a ColumbusMTBoldItalic MT 1492 cubi____
+ mu0ri8a ColumbusMTItalic MT 1492 cui_____
+ mu0s8a ColumbusMTSemiBold MT 1492 cus_____
+ mu0si8a ColumbusMTSemiBoldItalic MT 1492 cusi____
+ mpi001 ArabesqueOrnamentsOneMT <span class="roman">ornaments</span>
+ mpi002 ArabesqueOrnamentsTwoMT <span class="roman">ditto</span>
+ mpi003 ArabesqueOrnamentsThreeMT <span class="roman">ditto</span>
+ mpi004 RococoOrnamentsOneMT <span class="roman">ornaments</span>
+ mpi005 RococoOrnamentsTwoMT <span class="roman">ditto</span>
+ mpi006 RococoOrnamentsThreeMT <span class="roman">ditto</span>
+ mpi007 ChristmasOrnamentsMT-One <span class="roman">ornaments</span>
+ mpi008 ChristmasOrnamentsMT-Two <span class="roman">ditto</span>
+ mpi009 ChristmasOrnamentsMT-Three <span class="roman">ditto</span>
+ mpi010 ChristmasOrnamentsMT-Four <span class="roman">ditto</span>
+ mpi011 ChristmasOrnamentsMT-Five <span class="roman">ditto</span>
+ mpi012 ChristmasOrnamentsMT-Six <span class="roman">ditto</span>
+ mpi013 ContemporaryOrnMT-One <span class="roman">ornaments</span>
+ mpi014 ContemporaryOrnMT-Two <span class="roman">ditto</span>
+ mpi015 ContemporaryOrnMT-Three <span class="roman">ditto</span>
+ mpi016 ContemporaryOrnMT-Four <span class="roman">ditto</span>
+ mpi017 ContemporaryOrnMT-Five <span class="roman">ditto</span>
+ mpi101 AlmanacMT <span class="roman">zodiac</span>
+ mpi102 BotanicalMT <span class="roman">flowers</span>
+ mpi103 DirectionsMT <span class="roman">arrows &amp; pointers</span>
+ mpi104 SportsOneMT <span class="roman">sports</span>
+ mpi105 SportsTwoMT <span class="roman">ditto</span>
+ mpi106 TransportMT <span class="roman">signs</span>
+ mpi107 VacationMT <span class="roman">signs</span>
+ mpi108 SportsThreeMT <span class="roman">sports</span>
+ mpi109 SportsFourMT <span class="roman">ditto</span>
+ mpi201 CircleFrameMT <span class="roman">circled numerals</span>
+ mpi202 CircleFrameNegMT <span class="roman">ditto</span>
+ mpi203 SquareFrameMT <span class="roman">squared numerals</span>
+ mpi204 SquareFrameNegMT <span class="roman">ditto</span>
+ mpi205 DiamondBodoni <span class="roman">bullets &amp; markers</span>
+ mpi206 DiamondPositive <span class="roman">ditto</span>
+ mpi207 DiamondNegative <span class="roman">ditto</span>
+ mpi208 OvalFrameMT <span class="roman">circled numerals</span>
+ mpi209 OvalFrameNegativeMT <span class="roman">ditto</span>
+ mpi300 Giddyup-ThangsMT <span class="roman">cowboys &amp; indians</span>
+ mpi301 PetrucchioMT <span class="roman">???</span>
+ mpi302 AquaLifeMT <span class="roman">fish</span>
+ mpi303 BonApetit <span class="roman">food</span>
+ mpi304 DinosaursMT <span class="roman">dinosaurs</span>
+ mpi305 FrontierMT <span class="roman">cowboys &amp; indians</span>
+ mpi306 Holidays <span class="roman">greeting cards</span>
+ mpi307 KeystrokesExtrasMT <span class="roman">keyboards</span>
+ mpi308 KeystrokesMT <span class="roman">ditto</span>
+ mpi309 Melodies <span class="roman">musical instruments</span>
+ mpi310 MilestonesOneMT <span class="roman">clip art</span>
+ mpi311 MilestonesTwoMT <span class="roman">ditto</span>
+ mpi312 MonkeyBusiness <span class="roman">animals</span>
+ mpi313 MonotypeSorts <span class="roman">dingbats</span>
+ mpi314 NatureMT <span class="roman">animals</span>
+ mpi315 Parties <span class="roman">clip art</span>
+ mpi316 BingoMT <span class="roman">clip art</span>
+ mpi317 BongoMT <span class="roman">clip art</span>
+ mpi318 PieMT <span class="roman">food &amp; drinks</span>
+ mpi319 PlaytimeMT <span class="roman">toys</span>
+ mpi320 SignsMT <span class="roman">signs</span>
+ mpi321 SouthwestOrnamentsMT <span class="roman">geometric ornaments</span>
+ mpi322 KeystrokesShadowExtrasMT <span class="roman">keyboards</span>
+ mpi323 KeystrokesShadowMT <span class="roman">ditto</span>
+</pre>
+ <div class="node">
+<a name="URW-fonts"></a>
+<p><hr>
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#Monotype-fonts">Monotype fonts</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Font-name-lists">Font name lists</a>
+
+</div>
+
+<h3 class="section">A.9 URW fonts</h3>
+
+<p><a name="index-URW-fonts-122"></a><a name="index-Ertner_002c-Vincent-123"></a>
+Information graciously supplied through URW, via Vincent Ertner: Each
+URW font has an assigned font number. The last character describes
+the size or purpose of the font, as the design of the font is
+optimized accordingly:
+
+ <dl>
+<dt><code>X000000E</code><dd>Extreme: 8<span class="dmn">pt</span> and smaller
+
+ <br><dt><code>X000000T</code><dd>Text: between 8 and 18<span class="dmn">pt</span>
+
+ <br><dt><code>X000000D</code><dd>Display: 18<span class="dmn">pt</span> and larger
+
+ <br><dt><code>X000000P</code><dd>Poster: 48<span class="dmn">pt</span> and larger
+
+ <br><dt><code>X000000M</code><dd>Monospaced / Typewriter
+
+ <br><dt><code>X000000L</code><dd>LaserWriter / PostScript / Adobe compatible
+
+ <br><dt><code>X000000I</code><dd>Intellifont PCL (5) compatible
+
+ </dl>
+ An &lsquo;<samp><span class="samp">F</span></samp>&rsquo; identifier is not known.
+
+ <p><a name="index-urw_002emap-124"></a>The <samp><span class="file">urw.map</span></samp> file has abbreviations for URW fonts.
+
+<pre class="example"> <!-- @mapfile{ -->
+ <!-- license = "public domain", -->
+ <!-- email = "tex-fonts@tug.org", -->
+ <!-- version = "2.3", -->
+ <!-- date = "04 April 1999", -->
+ <!-- url = "http://tug.org/fontname/urw.map", -->
+ <!-- supported = "yes", -->
+ <!-- docstring = "URW PostScript fonts." -->
+ <!-- } -->
+ uagd8a URWGothicL-Demi a010015l
+ uagdo8a URWGothicL-DemiObli a010035l
+ uagk8a URWGothicL-Book a010013l
+ uagko8a URWGothicL-BookObli a010033l
+ ubkd8a URWBookmanL-DemiBold b018015l
+ ubkdi8a URWBookmanL-DemiBoldItal b018035l
+ ubkl8a URWBookmanL-Ligh b018012l
+ ubkli8a URWBookmanL-LighItal b018032l
+ ucrb8a NimbusMonL-Bold n022004l
+ ucrbo8a NimbusMonL-BoldObli n022024l
+ ucrr8a NimbusMonL-Regu n022003l
+ ucrro8a NimbusMonL-ReguObli n022023l
+ uhvb8a NimbusSanL-Bold n019004l
+ uhvb8ac NimbusSanL-BoldCond n019044l
+ uhvbo8a NimbusSanL-BoldItal n019024l
+ uhvbo8ac NimbusSanL-BoldCondItal n019064l
+ uhvr8a NimbusSanL-Regu n019003l
+ uhvr8ac NimbusSanL-ReguCond n019043l
+ uhvro8a NimbusSanL-ReguItal n019023l
+ uhvro8ac NimbusSanL-ReguCondItal n019063l
+ uncb8a CenturySchL-Bold c059016l
+ uncbi8a CenturySchL-BoldItal c059036l
+ uncr8a CenturySchL-Roma c059013l
+ uncri8a CenturySchL-Ital c059033l
+ uplb8a URWPalladioL-Bold p052004l
+ uplbi8a URWPalladioL-BoldItal p052024l
+ uplr8a URWPalladioL-Roma p052003l
+ uplri8a URWPalladioL-Ital p052023l
+ usyr StandardSymL s050000l
+ utmb8a NimbusRomNo9L-Medi n021004l
+ utmbi8a NimbusRomNo9L-MediItal n021024l
+ utmr8a NimbusRomNo9L-Regu n021003l
+ utmri8a NimbusRomNo9L-ReguItal n021023l
+ uzcmi8a URWChanceryL-MediItal z003034l
+ uzdr Dingbats d050000l
+</pre>
+ <div class="node">
+<a name="Encodings"></a>
+<p><hr>
+Next:&nbsp;<a rel="next" accesskey="n" href="#Font-legalities">Font legalities</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#Font-name-lists">Font name lists</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Top">Top</a>
+
+</div>
+
+<h2 class="appendix">Appendix B Encodings</h2>
+
+<p><a name="index-PostScript-encoding-vectors-125"></a><a name="index-encoding-vectors-126"></a>
+The following sections define various encodings as PostScript encoding
+vectors. These files can be installed in the Dvips header directory and
+then used in <samp><span class="file">psfonts.map</span></samp> to change font encodings of downloadable
+or builtin fonts (see <a href="dvips.html#psfonts_002emap">psfonts.map</a>).
+
+ <p>You can also specify these <samp><span class="file">.enc</span></samp> files to Afm2tfm when building a
+font (see <a href="dvips.html#Changing-font-encodings">Changing font encodings</a>).
+
+ <p>For a discussion of TeX font encodings in general, and defining new
+ones for use with <samp><span class="command">fontinst</span></samp> in particular, see
+<a href="http://www.ctan.org/tex-archive/fonts/utilities/fontinst/doc/encspecs">http://www.ctan.org/tex-archive/fonts/utilities/fontinst/doc/encspecs</a>.
+
+ <p>A tutorial on character code issues in general is available at
+<a href="http://www.cs.tut.fi/~jkorpela/chars.html">http://www.cs.tut.fi/~jkorpela/chars.html</a>.
+
+ <p>Naming specific characters is a tangled and difficult area. Here are
+some links to character tables for Unicode, Adobe, and WGL4, for your
+researching pleasure (thanks to Boguslaw Jackowski for the list):
+
+ <ul>
+<li><a href="http://www.unicode.org/Public/UNIDATA/UnicodeData.txt">http://www.unicode.org/Public/UNIDATA/UnicodeData.txt</a>
+<li><a href="http://www.unicode.org/Public/UNIDATA/NamesList.txt">http://www.unicode.org/Public/UNIDATA/NamesList.txt</a>
+<li><a href="http://partners.adobe.com/asn/tech/type/corporateuse-old.txt">http://partners.adobe.com/asn/tech/type/corporateuse-old.txt</a>
+<li><a href="http://partners.adobe.com/asn/tech/type/aglfn13.txt">http://partners.adobe.com/asn/tech/type/aglfn13.txt</a>
+<li><a href="http://partners.adobe.com/asn/tech/type/unicodegn.jsp">http://partners.adobe.com/asn/tech/type/unicodegn.jsp</a>
+<li><a href="http://www.microsoft.com/OpenType/otspec/WGL4.htm">http://www.microsoft.com/OpenType/otspec/WGL4.htm</a>
+</ul>
+
+<ul class="menu">
+<li><a accesskey="1" href="#g_t6w">6w</a>: CP-1251 (Cyrillic).
+<li><a accesskey="2" href="#g_t8a">8a</a>: Adobe standard.
+<li><a accesskey="3" href="#g_t8r">8r</a>: TeX base.
+<li><a accesskey="4" href="#dvips">dvips</a>: Dvips.
+<li><a accesskey="5" href="#ec">ec</a>: EC (aka COrk, TeX Latin 1, tex256).
+<li><a accesskey="6" href="#groff">groff</a>: 8g.
+<li><a accesskey="7" href="#t5">t5</a>: Vietnamese, from vntex.
+<li><a accesskey="8" href="#qx">qx</a>: QX, from GUST.
+<li><a accesskey="9" href="#texmext">texmext</a>: TeX math extension.
+<li><a href="#texmsym">texmsym</a>: TeX math symbol.
+<li><a href="#texmital">texmital</a>: TeX math italic.
+<li><a href="#texnansi">texnansi</a>: From Y&amp;Y.
+<li><a href="#texnansx">texnansx</a>: From Y&amp;Y.
+<li><a href="#xl2">xl2</a>: OT1 + ISO Latin 2 (extended).
+<li><a href="#xt2">xt2</a>: Typewriter version of xl2.
+</ul>
+
+<div class="node">
+<a name="g_t6w"></a>
+<p><hr>
+Next:&nbsp;<a rel="next" accesskey="n" href="#g_t8a">8a</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Encodings">Encodings</a>
+
+</div>
+
+<h3 class="section">B.1 &lsquo;<samp><span class="samp">6w.enc</span></samp>&rsquo;: Cyrillic CP-1251</h3>
+
+<p><a name="index-g_t62_002eenc-127"></a><a name="index-Cyrillic-encoding-128"></a><a name="index-CP_002d1251-encoding-129"></a><a name="index-encodings_002c-Cyrillic-CP_002d1251-130"></a>
+
+<pre class="verbatim">% @psencodingfile{
+% author = "Adobe",
+% version = "1.1",
+% date = "12jun05",
+% filename = "8a.enc",
+% license = "public domain",
+% email = "tex-fonts@tug.org",
+% codetable = "ISO/ASCII",
+% docstring = "Adobe StandardEncoding as an afm2tfm/dvips .enc file."
+% }
+% 12jun05 - comment changes only.
+/StandardEncoding [
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/space
+/exclam
+/quotedbl
+/numbersign
+/dollar
+/percent
+/ampersand
+/quoteright
+/parenleft
+/parenright
+/asterisk
+/plus
+/comma
+/hyphen
+/period
+/slash
+/zero
+/one
+/two
+/three
+/four
+/five
+/six
+/seven
+/eight
+/nine
+/colon
+/semicolon
+/less
+/equal
+/greater
+/question
+/at
+/A
+/B
+/C
+/D
+/E
+/F
+/G
+/H
+/I
+/J
+/K
+/L
+/M
+/N
+/O
+/P
+/Q
+/R
+/S
+/T
+/U
+/V
+/W
+/X
+/Y
+/Z
+/bracketleft
+/backslash
+/bracketright
+/asciicircum
+/underscore
+/quoteleft
+/a
+/b
+/c
+/d
+/e
+/f
+/g
+/h
+/i
+/j
+/k
+/l
+/m
+/n
+/o
+/p
+/q
+/r
+/s
+/t
+/u
+/v
+/w
+/x
+/y
+/z
+/braceleft
+/bar
+/braceright
+/asciitilde
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/exclamdown
+/cent
+/sterling
+/fraction
+/yen
+/florin
+/section
+/currency
+/quotesingle
+/quotedblleft
+/guillemotleft
+/guilsinglleft
+/guilsinglright
+/fi
+/fl
+/.notdef
+/endash
+/dagger
+/daggerdbl
+/periodcentered
+/.notdef
+/paragraph
+/bullet
+/quotesinglbase
+/quotedblbase
+/quotedblright
+/guillemotright
+/ellipsis
+/perthousand
+/.notdef
+/questiondown
+/.notdef
+/grave
+/acute
+/circumflex
+/tilde
+/macron
+/breve
+/dotaccent
+/dieresis
+/.notdef
+/ring
+/cedilla
+/.notdef
+/hungarumlaut
+/ogonek
+/caron
+/emdash
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/AE
+/.notdef
+/ordfeminine
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/Lslash
+/Oslash
+/OE
+/ordmasculine
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/ae
+/.notdef
+/.notdef
+/.notdef
+/dotlessi
+/.notdef
+/.notdef
+/lslash
+/oslash
+/oe
+/germandbls
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+] def
+</pre>
+
+<div class="node">
+<a name="g_t8a"></a>
+<p><hr>
+Next:&nbsp;<a rel="next" accesskey="n" href="#g_t8r">8r</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#g_t6w">6w</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Encodings">Encodings</a>
+
+</div>
+
+<h3 class="section">B.2 &lsquo;<samp><span class="samp">8a.enc</span></samp>&rsquo;: Adobe standard encoding</h3>
+
+<p><a name="index-g_t8a_002eenc-131"></a><a name="index-Adobe-standard-encoding-132"></a><a name="index-encodings_002c-Adobe-standard-133"></a>
+
+<pre class="verbatim">% @psencodingfile{
+% author = "Adobe",
+% version = "1.1",
+% date = "12jun05",
+% filename = "8a.enc",
+% license = "public domain",
+% email = "tex-fonts@tug.org",
+% codetable = "ISO/ASCII",
+% docstring = "Adobe StandardEncoding as an afm2tfm/dvips .enc file."
+% }
+% 12jun05 - comment changes only.
+/StandardEncoding [
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/space
+/exclam
+/quotedbl
+/numbersign
+/dollar
+/percent
+/ampersand
+/quoteright
+/parenleft
+/parenright
+/asterisk
+/plus
+/comma
+/hyphen
+/period
+/slash
+/zero
+/one
+/two
+/three
+/four
+/five
+/six
+/seven
+/eight
+/nine
+/colon
+/semicolon
+/less
+/equal
+/greater
+/question
+/at
+/A
+/B
+/C
+/D
+/E
+/F
+/G
+/H
+/I
+/J
+/K
+/L
+/M
+/N
+/O
+/P
+/Q
+/R
+/S
+/T
+/U
+/V
+/W
+/X
+/Y
+/Z
+/bracketleft
+/backslash
+/bracketright
+/asciicircum
+/underscore
+/quoteleft
+/a
+/b
+/c
+/d
+/e
+/f
+/g
+/h
+/i
+/j
+/k
+/l
+/m
+/n
+/o
+/p
+/q
+/r
+/s
+/t
+/u
+/v
+/w
+/x
+/y
+/z
+/braceleft
+/bar
+/braceright
+/asciitilde
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/exclamdown
+/cent
+/sterling
+/fraction
+/yen
+/florin
+/section
+/currency
+/quotesingle
+/quotedblleft
+/guillemotleft
+/guilsinglleft
+/guilsinglright
+/fi
+/fl
+/.notdef
+/endash
+/dagger
+/daggerdbl
+/periodcentered
+/.notdef
+/paragraph
+/bullet
+/quotesinglbase
+/quotedblbase
+/quotedblright
+/guillemotright
+/ellipsis
+/perthousand
+/.notdef
+/questiondown
+/.notdef
+/grave
+/acute
+/circumflex
+/tilde
+/macron
+/breve
+/dotaccent
+/dieresis
+/.notdef
+/ring
+/cedilla
+/.notdef
+/hungarumlaut
+/ogonek
+/caron
+/emdash
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/AE
+/.notdef
+/ordfeminine
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/Lslash
+/Oslash
+/OE
+/ordmasculine
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+/ae
+/.notdef
+/.notdef
+/.notdef
+/dotlessi
+/.notdef
+/.notdef
+/lslash
+/oslash
+/oe
+/germandbls
+/.notdef
+/.notdef
+/.notdef
+/.notdef
+] def
+</pre>
+
+<div class="node">
+<a name="g_t8r"></a>
+<p><hr>
+Next:&nbsp;<a rel="next" accesskey="n" href="#dvips">dvips</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#g_t8a">8a</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Encodings">Encodings</a>
+
+</div>
+
+<h3 class="section">B.3 &lsquo;<samp><span class="samp">8r.enc</span></samp>&rsquo;: TeX base encoding</h3>
+
+<p><a name="index-g_t8r_002eenc-134"></a><a name="index-g_t_0040TeX_007b_007d-base-encoding-135"></a><a name="index-base-encoding_002c-for-_0040TeX_007b_007d-136"></a><a name="index-encodings_002c-_0040TeX_007b_007d-base-137"></a><a name="index-Windows-ANSI-138"></a><a name="index-Lucida-Bright-139"></a>
+
+<pre class="verbatim">% File 8r.enc TeX Base 1 Encoding Revision 2.0 2002-10-30
+%
+% @@psencodingfile@{
+% author = "S. Rahtz, P. MacKay, Alan Jeffrey, B. Horn, K. Berry,
+% W. Schmidt, P. Lehman",
+% version = "2.0",
+% date = "27nov06",
+% filename = "8r.enc",
+% email = "tex-fonts@@tug.org",
+% docstring = "This is the encoding vector for Type1 and TrueType
+% fonts to be used with TeX. This file is part of the
+% PSNFSS bundle, version 9"
+% @}
+%
+% The idea is to have all the characters normally included in Type 1 fonts
+% available for typesetting. This is effectively the characters in Adobe
+% Standard encoding, ISO Latin 1, Windows ANSI including the euro symbol,
+% MacRoman, and some extra characters from Lucida.
+%
+% Character code assignments were made as follows:
+%
+% (1) the Windows ANSI characters are almost all in their Windows ANSI
+% positions, because some Windows users cannot easily reencode the
+% fonts, and it makes no difference on other systems. The only Windows
+% ANSI characters not available are those that make no sense for
+% typesetting -- rubout (127 decimal), nobreakspace (160), softhyphen
+% (173). quotesingle and grave are moved just because it's such an
+% irritation not having them in TeX positions.
+%
+% (2) Remaining characters are assigned arbitrarily to the lower part
+% of the range, avoiding 0, 10 and 13 in case we meet dumb software.
+%
+% (3) Y&amp;Y Lucida Bright includes some extra text characters; in the
+% hopes that other PostScript fonts, perhaps created for public
+% consumption, will include them, they are included starting at 0x12.
+% These are /dotlessj /ff /ffi /ffl.
+%
+% (4) hyphen appears twice for compatibility with both ASCII and Windows.
+%
+% (5) /Euro was assigned to 128, as in Windows ANSI
+%
+% (6) Missing characters from MacRoman encoding incorporated as follows:
+%
+% PostScript MacRoman TeXBase1
+% -------------- -------------- --------------
+% /notequal 173 0x16
+% /infinity 176 0x17
+% /lessequal 178 0x18
+% /greaterequal 179 0x19
+% /partialdiff 182 0x1A
+% /summation 183 0x1B
+% /product 184 0x1C
+% /pi 185 0x1D
+% /integral 186 0x81
+% /Omega 189 0x8D
+% /radical 195 0x8E
+% /approxequal 197 0x8F
+% /Delta 198 0x9D
+% /lozenge 215 0x9E
+%
+/TeXBase1Encoding [
+% 0x00
+ /.notdef /dotaccent /fi /fl
+ /fraction /hungarumlaut /Lslash /lslash
+ /ogonek /ring /.notdef /breve
+ /minus /.notdef /Zcaron /zcaron
+% 0x10
+ /caron /dotlessi /dotlessj /ff
+ /ffi /ffl /notequal /infinity
+ /lessequal /greaterequal /partialdiff /summation
+ /product /pi /grave /quotesingle
+% 0x20
+ /space /exclam /quotedbl /numbersign
+ /dollar /percent /ampersand /quoteright
+ /parenleft /parenright /asterisk /plus
+ /comma /hyphen /period /slash
+% 0x30
+ /zero /one /two /three
+ /four /five /six /seven
+ /eight /nine /colon /semicolon
+ /less /equal /greater /question
+% 0x40
+ /at /A /B /C
+ /D /E /F /G
+ /H /I /J /K
+ /L /M /N /O
+% 0x50
+ /P /Q /R /S
+ /T /U /V /W
+ /X /Y /Z /bracketleft
+ /backslash /bracketright /asciicircum /underscore
+% 0x60
+ /quoteleft /a /b /c
+ /d /e /f /g
+ /h /i /j /k
+ /l /m /n /o
+% 0x70
+ /p /q /r /s
+ /t /u /v /w
+ /x /y /z /braceleft
+ /bar /braceright /asciitilde /.notdef
+% 0x80
+ /Euro /integral /quotesinglbase /florin
+ /quotedblbase /ellipsis /dagger /daggerdbl
+ /circumflex /perthousand /Scaron /guilsinglleft
+ /OE /Omega /radical /approxequal
+% 0x90
+ /.notdef /.notdef /.notdef /quotedblleft
+ /quotedblright /bullet /endash /emdash
+ /tilde /trademark /scaron /guilsinglright
+ /oe /Delta /lozenge /Ydieresis
+% 0xA0
+ /.notdef /exclamdown /cent /sterling
+ /currency /yen /brokenbar /section
+ /dieresis /copyright /ordfeminine /guillemotleft
+ /logicalnot /hyphen /registered /macron
+% 0xB0
+ /degree /plusminus /twosuperior /threesuperior
+ /acute /mu /paragraph /periodcentered
+ /cedilla /onesuperior /ordmasculine /guillemotright
+ /onequarter /onehalf /threequarters /questiondown
+% 0xC0
+ /Agrave /Aacute /Acircumflex /Atilde
+ /Adieresis /Aring /AE /Ccedilla
+ /Egrave /Eacute /Ecircumflex /Edieresis
+ /Igrave /Iacute /Icircumflex /Idieresis
+% 0xD0
+ /Eth /Ntilde /Ograve /Oacute
+ /Ocircumflex /Otilde /Odieresis /multiply
+ /Oslash /Ugrave /Uacute /Ucircumflex
+ /Udieresis /Yacute /Thorn /germandbls
+% 0xE0
+ /agrave /aacute /acircumflex /atilde
+ /adieresis /aring /ae /ccedilla
+ /egrave /eacute /ecircumflex /edieresis
+ /igrave /iacute /icircumflex /idieresis
+% 0xF0
+ /eth /ntilde /ograve /oacute
+ /ocircumflex /otilde /odieresis /divide
+ /oslash /ugrave /uacute /ucircumflex
+ /udieresis /yacute /thorn /ydieresis
+] def
+
+</pre>
+<div class="node">
+<a name="dvips"></a>
+<p><hr>
+Next:&nbsp;<a rel="next" accesskey="n" href="#ec">ec</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#g_t8r">8r</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Encodings">Encodings</a>
+
+</div>
+
+<h3 class="section">B.4 &lsquo;<samp><span class="samp">dvips.enc</span></samp>&rsquo;: Dvips encoding</h3>
+
+<p><a name="index-dvips_002eenc-140"></a><a name="index-Dvips-encoding-141"></a><a name="index-encoding_002c-Dvips-142"></a>
+
+<pre class="verbatim">% @psencodingfile{
+% author = "T. Rokicki, K. Berry",
+% version = "2.1",
+% date = "12jun05",
+% filename = "dvips.enc",
+% email = "tex-fonts@tug.org",
+% codetable = "ISO/ASCII",
+% docstring = "An encoding for PostScript fonts to be used with TeX.
+%
+% This is almost the default encoding produced by the afm2tfm program
+% that comes with the dvips distribution, when it is applied to a
+% StandardEncoding PostScript font. The positions of the accented
+% characters (which afm2tfm assigned more or less randomly in the
+% previous set of fonts) have been held fixed.
+%
+% It is almost upward-compatible with TeX text. (The primary exceptions
+% are dotaccent and hungarumlaut.) Some of the ligatures are also in
+% different positions, but this is not important, since ligature
+% positions are defined in the TFM file, not by macros.
+%
+% The character positions were assigned in this order:
+% 1) non-composite characters in the afm2tfm encoding (except dotlessj
+% was included in its plain TeX position);
+% 2) available characters in the Cork (EC) encoding;
+% 3) remaining composite characters in the base encoding (starting at
+% position 130 decimal). We don't include all the other base
+% characters because that changes the height/depth/width tables in
+% the TFM files (because more characters mean more distinct values).
+%
+% We leave the initial positions open for the Greek letters in Times-Roman.
+% "
+% }
+% 12jun05 - don't use extra @'s for Texinfo any more.
+%
+/DvipsEncoding [
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef
+ /.notdef /quotesingle /exclamdown /questiondown
+ /dotlessi /dotlessj /grave /acute /caron /breve /macron /ring
+ /cedilla /germandbls /ae /oe /oslash /AE /OE /Oslash
+ /space /exclam /quotedbl /numbersign /dollar /percent /ampersand /quoteright
+ /parenleft /parenright /asterisk /plus /comma /hyphen /period /slash
+ /zero /one /two /three /four /five /six /seven
+ /eight /nine /colon /semicolon /less /equal /greater /question
+ /at /A /B /C /D /E /F /G
+ /H /I /J /K /L /M /N /O
+ /P /Q /R /S /T /U /V /W
+ /X /Y /Z /bracketleft /backslash /bracketright /circumflex /underscore
+ /quoteleft /a /b /c /d /e /f /g
+ /h /i /j /k /l /m /n /o
+ /p /q /r /s /t /u /v /w
+ /x /y /z /braceleft /bar /braceright /tilde /dieresis
+ /asciicircum /asciitilde /Ccedilla /Iacute
+ /Icircumflex /atilde /edieresis /egrave
+ /scaron /zcaron /Eth /ff /ffi /ffl /.notdef /.notdef
+ /.notdef /.notdef /Scaron /.notdef /.notdef /.notdef /.notdef /.notdef
+ /Ydieresis /.notdef /Zcaron /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /cent /sterling /fraction /yen /florin /section
+ /currency /copyright /quotedblleft /guillemotleft
+ /guilsinglleft /guilsinglright /fi /fl
+ /degree /endash /dagger /daggerdbl /periodcentered /.notdef /paragraph /bullet
+ /quotesinglbase /quotedblbase /quotedblright /guillemotright
+ /ellipsis /perthousand /.notdef /.notdef
+ /Agrave /Aacute /Acircumflex /Atilde /Adieresis /Aring /.notdef /dotaccent
+ /Egrave /Eacute /Ecircumflex /Edieresis
+ /Igrave /hungarumlaut /ogonek /Idieresis
+ /emdash /Ntilde /Ograve /Oacute /Ocircumflex /Otilde /Odieresis /.notdef
+ /.notdef /Ugrave /Uacute /Ucircumflex /Udieresis /Yacute /Thorn /.notdef
+ /agrave /aacute /acircumflex /ordfeminine
+ /adieresis /aring /.notdef /ccedilla
+ /Lslash /eacute /ecircumflex /ordmasculine
+ /igrave /iacute /icircumflex /idieresis
+ /.notdef /ntilde /ograve /oacute /ocircumflex /otilde /odieresis /.notdef
+ /lslash /ugrave /uacute /ucircumflex /udieresis /yacute /thorn /ydieresis
+] def
+</pre>
+
+<div class="node">
+<a name="ec"></a>
+<p><hr>
+Next:&nbsp;<a rel="next" accesskey="n" href="#groff">groff</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#dvips">dvips</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Encodings">Encodings</a>
+
+</div>
+
+<h3 class="section">B.5 &lsquo;<samp><span class="samp">ec.enc</span></samp>&rsquo;: Cork encoding</h3>
+
+<p><a name="index-ec_002eenc-143"></a><a name="index-Cork-encoding-144"></a><a name="index-EC-encoding-145"></a><a name="index-g_t_0040TeX_007b_007d-Latin-1-encoding-146"></a><a name="index-encodings_002c-Cork-147"></a><a name="index-encodings_002c-EC-148"></a><a name="index-encodings_002c-_0040TeX_007b_007d-Latin-1-149"></a>
+
+<pre class="verbatim">% @@psencodingfile@{
+% date = "6jul08",
+% filename = "ec.enc",
+% email = "tex-fonts@@tug.org",
+% docstring = "This is the EC (aka Cork aka T1) encoding vector
+% for 8-bit fonts to be used with TeX."
+% @}
+%
+% Names of the glyphs try to comply with:
+% Adobe Glyph List For New Fonts, ver. 1.6, 30 Januaury 2006
+% http://partners.adobe.com/public/developer/en/opentype/aglfn13.txt
+% but some exceptions are listed below.
+%
+% The following characters are not present in Unicode:
+% - /perthousandzero = used to compose /perthousand, /pertenthousand, ... out of /percent + this character
+% - Germandbls = now there is a related character in Unicode,
+% U+1E9E - LATIN CAPITAL LETTER SHARP S
+% but probably /S_S ligature name should be used instead
+%
+% The following two characters have different Unicode mappings than on the AGL:
+% - /tcedilla = U+0163 - LATIN SMALL LETTER T WITH CEDILLA
+% according to AGL it should be /tcommaaccent
+% - /Tcedilla = U+0162 - LATIN CAPITAL LETTER T WITH CEDILLA
+% according to AGL it should be /Tcommaaccent
+% But having /scedilla and /tcommaaccent mixed is even more ugly.
+%
+% The following characters are not present on the AGL:
+% - /dotlessj = U+0237 - LATIN SMALL LETTER DOTLESS J
+% - /cwm = U+200B - ZERO WIDTH SPACE
+% - /visiblespace = U+2423 - OPEN BOX
+%
+% The following ligatures are deprecated by recent AGL:
+% - /ff, /fi, /fl, /ffi, /ffl = /f_i and similar should have been used instead
+%
+% Special characters:
+% - /hyphen.alt = hanging hyphen char (half-width)
+% used when no micro-typographic extensions were available yet
+%
+% Other remarks:
+% - /Eth = U+00D0 - LATIN CAPITAL LETTER ETH
+% must also be used as /Dcroat
+% U+0110 - LATIN CAPITAL LETTER D WITH STROKE
+%
+% Misleading names and shapes of letters (that lead to different names in past)
+% - /lcaron = U+013E - LATIN SMALL LETTER L WITH CARON
+% /lquoteright
+% - /Lcaron = U+013D - LATIN CAPITAL LETTER L WITH CARON
+% /Lquoteright
+% - /dcaron = U+010F - LATIN SMALL LETTER D WITH CARON
+% /dquoteright
+% - /tcaron = U+0165 - LATIN SMALL LETTER T WITH CARON
+% /tquoteright
+% - /dcroat = U+0111 - LATIN SMALL LETTER D WITH STROKE
+% /dbar, /dmacron
+%
+% - /cwm - /bom, /zerowidthnobreakspace
+% - /underscore - /underline
+% - /hyphen.alt - /sfthyphen, /hyphen, /dash
+%
+%
+% Turkish &amp; Romanian
+% --------------------
+% EC encoding has been defined to include /tcedilla and /scedilla.
+% For Turkish one needs /scedilla, while for Romanian one would need
+% "t with comma below" (/tcommaaccent) and "s with comma below" (/scommaaccent).
+% "t with cedilla" in not used in any language except in inferior
+% Romanian typography that can use cedillas instead of commas below.
+% AGL has a strange mapping as well.
+%
+% Without adding an additional character, it is impossible to support both
+% languages at the same time, so EC is not really best choice for Romanians,
+% even though it can be "misused" if one replaces both /scedilla and /tcedilla
+% with /scommaaccent and /tcommaaccent.
+%
+% Characters that have been renamed in July 2008:
+% 0x18 /zeroinferior -> /perthousandzero
+% 0x20 U+2423 /visualspace -> /visiblespace (if font doesn't have it, use /space)
+% 0x7F U+002D /hyphen -> /hyphen.alt U+???
+% 0x8D U+014A /Ng -> /Eng
+% 0x9E U+0111 /dbar -> /dcroat
+% 0xAD U+014B /ng -> /eng
+% 0xB4 U+0165 /tquoteright -> /tcaron
+%
+% Although these ligatures and kerns are somewhat questionable to have
+% in an encoding file, they've been here forever, and they are
+% traditional in the TeX world, so we preserve them.
+%
+% LIGKERN space l =: lslash ; space L =: Lslash ;
+% LIGKERN question quoteleft =: questiondown ; exclam quoteleft =: exclamdown ;
+% LIGKERN hyphen hyphen =: endash ; endash hyphen =: emdash ;
+% LIGKERN quoteleft quoteleft =: quotedblleft ;
+% LIGKERN quoteright quoteright =: quotedblright ;
+%
+% We blow away kerns to and from spaces (TeX doesn't have a
+% space) and also remove any kerns from the numbers (although
+% the only kern pair that mentions a number in Times-Roman.afm
+% is one one.)
+%
+% LIGKERN space {} * ; * {} space ; zero {} * ; * {} zero ;
+% LIGKERN one {} * ; * {} one ; two {} * ; * {} two ;
+% LIGKERN three {} * ; * {} three ; four {} * ; * {} four ;
+% LIGKERN five {} * ; * {} five ; six {} * ; * {} six ;
+% LIGKERN seven {} * ; * {} seven ; eight {} * ; * {} eight ;
+% LIGKERN nine {} * ; * {} nine ;
+% LIGKERN comma comma =: quotedblbase ; less less =: guillemotleft ;
+% LIGKERN greater greater =: guillemotright ;
+%
+/ECEncoding [ % now 256 chars follow
+/grave % 0x00 U+0060
+/acute % 0x01 U+00B4
+/circumflex % 0x02 U+02C6
+/tilde % 0x03 U+02DC
+/dieresis % 0x04 U+00A8
+/hungarumlaut % 0x05 U+02DD
+/ring % 0x06 U+02DA
+/caron % 0x07 U+02C7
+/breve % 0x08 U+02D8
+/macron % 0x09 U+00AF
+/dotaccent % 0x0A U+02D9
+/cedilla % 0x0B U+00B8
+/ogonek % 0x0C U+02DB
+/quotesinglbase % 0x0D U+201A
+/guilsinglleft % 0x0E U+2039
+/guilsinglright % 0x0F U+203A
+/quotedblleft % 0x10 U+201C
+/quotedblright % 0x11 U+201D
+/quotedblbase % 0x12 U+201E
+/guillemotleft % 0x13 U+00AB
+/guillemotright % 0x14 U+00BB
+/endash % 0x15 U+2013
+/emdash % 0x16 U+2014
+/cwm % 0x17 U+200B
+/perthousandzero % 0x18 ______
+/dotlessi % 0x19 U+0131
+/dotlessj % 0x1A U+0237
+/ff % 0x1B U+FB00
+/fi % 0x1C U+FB01
+/fl % 0x1D U+FB02
+/ffi % 0x1E U+FB03
+/ffl % 0x1F U+FB04
+/visiblespace % 0x20 U+2423
+/exclam % 0x21
+/quotedbl % 0x22
+/numbersign % 0x23
+/dollar % 0x24
+/percent % 0x25
+/ampersand % 0x26
+/quoteright % 0x27 U+2019
+/parenleft % 0x28
+/parenright % 0x29
+/asterisk % 0x2A
+/plus % 0x2B
+/comma % 0x2C
+/hyphen % 0x2D
+/period % 0x2E
+/slash % 0x2F
+/zero % 0x30
+/one % 0x31
+/two % 0x32
+/three % 0x33
+/four % 0x34
+/five % 0x35
+/six % 0x36
+/seven % 0x37
+/eight % 0x38
+/nine % 0x39
+/colon % 0x3A
+/semicolon % 0x3B
+/less % 0x3C
+/equal % 0x3D
+/greater % 0x3E
+/question % 0x3F
+/at % 0x40
+/A % 0x41
+/B % 0x42
+/C % 0x43
+/D % 0x44
+/E % 0x45
+/F % 0x46
+/G % 0x47
+/H % 0x48
+/I % 0x49
+/J % 0x4A
+/K % 0x4B
+/L % 0x4C
+/M % 0x4D
+/N % 0x4E
+/O % 0x4F
+/P % 0x50
+/Q % 0x51
+/R % 0x52
+/S % 0x53
+/T % 0x54
+/U % 0x55
+/V % 0x56
+/W % 0x57
+/X % 0x58
+/Y % 0x59
+/Z % 0x5A
+/bracketleft % 0x5B
+/backslash % 0x5C
+/bracketright % 0x5D
+/asciicircum % 0x5E
+/underscore % 0x5F
+/quoteleft % 0x60 U+2018
+/a % 0x61
+/b % 0x62
+/c % 0x63
+/d % 0x64
+/e % 0x65
+/f % 0x66
+/g % 0x67
+/h % 0x68
+/i % 0x69
+/j % 0x6A
+/k % 0x6B
+/l % 0x6C
+/m % 0x6D
+/n % 0x6E
+/o % 0x6F
+/p % 0x70
+/q % 0x71
+/r % 0x72
+/s % 0x73
+/t % 0x74
+/u % 0x75
+/v % 0x76
+/w % 0x77
+/x % 0x78
+/y % 0x79
+/z % 0x7A
+/braceleft % 0x7B
+/bar % 0x7C
+/braceright % 0x7D
+/asciitilde % 0x7E
+/hyphen.alt % 0x7F U+002D % U+????
+/Abreve % 0x80 U+0102
+/Aogonek % 0x81 U+0104
+/Cacute % 0x82 U+0106
+/Ccaron % 0x83 U+010C
+/Dcaron % 0x84 U+010E
+/Ecaron % 0x85 U+011A
+/Eogonek % 0x86 U+0118
+/Gbreve % 0x87 U+011E
+/Lacute % 0x88 U+0139
+/Lcaron % 0x89 U+013D
+/Lslash % 0x8A U+0141
+/Nacute % 0x8B U+0143
+/Ncaron % 0x8C U+0147
+/Eng % 0x8D U+014A
+/Ohungarumlaut % 0x8E U+0150
+/Racute % 0x8F U+0154
+/Rcaron % 0x90 U+0158
+/Sacute % 0x91 U+015A
+/Scaron % 0x92 U+0160
+/Scedilla % 0x93 U+015E
+/Tcaron % 0x94 U+0164
+/Tcedilla % 0x95 U+0162
+/Uhungarumlaut % 0x96 U+0170
+/Uring % 0x97 U+016E
+/Ydieresis % 0x98 U+0178
+/Zacute % 0x99 U+0179
+/Zcaron % 0x9A U+017D
+/Zdotaccent % 0x9B U+017B
+/IJ % 0x9C U+0132
+/Idotaccent % 0x9D U+0130
+/dcroat % 0x9E U+0111
+/section % 0x9F U+00A7
+/abreve % 0xA0 U+0103
+/aogonek % 0xA1 U+0105
+/cacute % 0xA2 U+0107
+/ccaron % 0xA3 U+010D
+/dcaron % 0xA4 U+010F
+/ecaron % 0xA5 U+011B
+/eogonek % 0xA6 U+0119
+/gbreve % 0xA7 U+011F
+/lacute % 0xA8 U+013A
+/lcaron % 0xA9 U+013E
+/lslash % 0xAA U+0142
+/nacute % 0xAB U+0144
+/ncaron % 0xAC U+0148
+/eng % 0xAD U+014B
+/ohungarumlaut % 0xAE U+0151
+/racute % 0xAF U+0155
+/rcaron % 0xB0 U+0159
+/sacute % 0xB1 U+015B
+/scaron % 0xB2 U+0161
+/scedilla % 0xB3 U+015F
+/tcaron % 0xB4 U+0165
+/tcedilla % 0xB5 U+0163
+/uhungarumlaut % 0xB6 U+0171
+/uring % 0xB7 U+016F
+/ydieresis % 0xB8 U+00FF
+/zacute % 0xB9 U+017A
+/zcaron % 0xBA U+017E
+/zdotaccent % 0xBB U+017C
+/ij % 0xBC U+0133
+/exclamdown % 0xBD U+00A1
+/questiondown % 0xBE U+00BF
+/sterling % 0xBF U+00A3
+/Agrave % 0xC0
+/Aacute % 0xC1
+/Acircumflex % 0xC2
+/Atilde % 0xC3
+/Adieresis % 0xC4
+/Aring % 0xC5
+/AE % 0xC6
+/Ccedilla % 0xC7
+/Egrave % 0xC8
+/Eacute % 0xC9
+/Ecircumflex % 0xCA
+/Edieresis % 0xCB
+/Igrave % 0xCC
+/Iacute % 0xCD
+/Icircumflex % 0xCE
+/Idieresis % 0xCF
+/Eth % 0xD0
+/Ntilde % 0xD1
+/Ograve % 0xD2
+/Oacute % 0xD3
+/Ocircumflex % 0xD4
+/Otilde % 0xD5
+/Odieresis % 0xD6
+/OE % 0xD7 U+0152
+/Oslash % 0xD8
+/Ugrave % 0xD9
+/Uacute % 0xDA
+/Ucircumflex % 0xDB
+/Udieresis % 0xDC
+/Yacute % 0xDD
+/Thorn % 0xDE
+/Germandbls % 0xDF (U+1E9E, /S_S)
+/agrave % 0xE0
+/aacute % 0xE1
+/acircumflex % 0xE2
+/atilde % 0xE3
+/adieresis % 0xE4
+/aring % 0xE5
+/ae % 0xE6
+/ccedilla % 0xE7
+/egrave % 0xE8
+/eacute % 0xE9
+/ecircumflex % 0xEA
+/edieresis % 0xEB
+/igrave % 0xEC
+/iacute % 0xED
+/icircumflex % 0xEE
+/idieresis % 0xEF
+/eth % 0xF0
+/ntilde % 0xF1
+/ograve % 0xF2
+/oacute % 0xF3
+/ocircumflex % 0xF4
+/otilde % 0xF5
+/odieresis % 0xF6
+/oe % 0xF7 U+0153
+/oslash % 0xF8
+/ugrave % 0xF9
+/uacute % 0xFA
+/ucircumflex % 0xFB
+/udieresis % 0xFC
+/yacute % 0xFD
+/thorn % 0xFE
+/germandbls % 0xFF U+00DF
+] def
+</pre>
+
+<div class="node">
+<a name="groff"></a>
+<p><hr>
+Next:&nbsp;<a rel="next" accesskey="n" href="#t5">t5</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#ec">ec</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Encodings">Encodings</a>
+
+</div>
+
+<h3 class="section">B.6 &lsquo;<samp><span class="samp">groff.enc</span></samp>&rsquo;: groff encoding</h3>
+
+<p><a name="index-groff_002eenc-150"></a><a name="index-Groff-encoding-151"></a><a name="index-encoding_002c-Groff-152"></a>
+
+<pre class="verbatim">%!PS-Adobe-3.0 Resource-Encoding
+%
+% @psencodingfile{
+% author = "Werner Lemberg, Michail Vidiassov",
+% version = "1.0",
+% date = "2006-Feb-03",
+% filename = "groff.enc",
+% license = "public domain",
+% email = "groff@gnu.org",
+% docstring = "Groff default text encoding. Used with MetaPost."
+% }
+
+%%BeginResource: encoding groffEncoding
+/groffEncoding [
+% 0x00 | 0
+ /asciicircum /asciitilde /Scaron /Zcaron
+ /scaron /zcaron /Ydieresis /trademark
+ /quotesingle /Euro /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef
+% 0x10 | 16
+ /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef
+% 0x20 | 32
+ /space /exclam /quotedbl /numbersign
+ /dollar /percent /ampersand /quoteright
+ /parenleft /parenright /asterisk /plus
+ /comma /hyphen /period /slash
+% 0x30 | 48
+ /zero /one /two /three
+ /four /five /six /seven
+ /eight /nine /colon /semicolon
+ /less /equal /greater /question
+% 0x40 | 64
+ /at /A /B /C
+ /D /E /F /G
+ /H /I /J /K
+ /L /M /N /O
+% 0x50 | 80
+ /P /Q /R /S
+ /T /U /V /W
+ /X /Y /Z /bracketleft
+ /backslash /bracketright /circumflex /underscore
+% 0x60 | 96
+ /quoteleft /a /b /c
+ /d /e /f /g
+ /h /i /j /k
+ /l /m /n /o
+% 0x70 | 112
+ /p /q /r /s
+ /t /u /v /w
+ /x /y /z /braceleft
+ /bar /braceright /tilde /.notdef
+% 0x80 | 128
+ /quotesinglbase /guillemotleft /guillemotright /bullet
+ /florin /fraction /perthousand /dagger
+ /daggerdbl /endash /emdash /ff
+ /fi /fl /ffi /ffl
+% 0x90 | 144
+ /dotlessi /dotlessj /grave /hungarumlaut
+ /dotaccent /breve /caron /ring
+ /ogonek /quotedblleft /quotedblright /oe
+ /lslash /quotedblbase /OE /Lslash
+% 0xA0 | 160
+ /.notdef /exclamdown /cent /sterling
+ /currency /yen /brokenbar /section
+ /dieresis /copyright /ordfeminine /guilsinglleft
+ /logicalnot /minus /registered /macron
+% 0xB0 | 176
+ /degree /plusminus /twosuperior /threesuperior
+ /acute /mu /paragraph /periodcentered
+ /cedilla /onesuperior /ordmasculine /guilsinglright
+ /onequarter /onehalf /threequarters /questiondown
+% 0xC0 | 192
+ /Agrave /Aacute /Acircumflex /Atilde
+ /Adieresis /Aring /AE /Ccedilla
+ /Egrave /Eacute /Ecircumflex /Edieresis
+ /Igrave /Iacute /Icircumflex /Idieresis
+% 0xD0 | 208
+ /Eth /Ntilde /Ograve /Oacute
+ /Ocircumflex /Otilde /Odieresis /multiply
+ /Oslash /Ugrave /Uacute /Ucircumflex
+ /Udieresis /Yacute /Thorn /germandbls
+% 0xE0 | 224
+ /agrave /aacute /acircumflex /atilde
+ /adieresis /aring /ae /ccedilla
+ /egrave /eacute /ecircumflex /edieresis
+ /igrave /iacute /icircumflex /idieresis
+% 0xF0 | 240
+ /eth /ntilde /ograve /oacute
+ /ocircumflex /otilde /odieresis /divide
+ /oslash /ugrave /uacute /ucircumflex
+ /udieresis /yacute /thorn /ydieresis
+] def
+%%EndResource
+
+% eof
+</pre>
+
+<div class="node">
+<a name="t5"></a>
+<p><hr>
+Next:&nbsp;<a rel="next" accesskey="n" href="#qx">qx</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#groff">groff</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Encodings">Encodings</a>
+
+</div>
+
+<h3 class="section">B.7 &lsquo;<samp><span class="samp">t5.enc</span></samp>&rsquo;: T5 encoding</h3>
+
+<p><a name="index-t5_002eenc-153"></a><a name="index-T5-encoding-154"></a><a name="index-Vietnamese-encoding-155"></a><a name="index-encoding_002c-T5-156"></a>
+
+<pre class="verbatim">% Copyright 2000-2005 Werner Lemberg &lt;wl@gnu.org>.
+% This file is part of vntex. License: LPPL, version 1.3 or newer,
+% according to http://www.latex-project.org/lppl.txt
+%
+%
+% t5.enc
+%
+%
+% This is LaTeX T5 encoding for Vietnamese
+%
+% history:
+% version 1.0 (28-Jan-2000):
+% First version.
+%
+% version 1.1 (29-Apr-2002):
+% Rewritten to make it AGL compliant.
+%
+% version 1.2 (01-May-2002):
+% Use uni2423 instead uni2420.
+%
+% version 1.3 (27-Sep-2002):
+% . Changed the following glyph names to Unicode entities:
+% 0xB3 uni1EBD etilde
+% 0x93 uni1EBC Etilde
+% . Ytilde (uni1EF8) was used in slot for ytilde (uni1EF9).
+% . Using .notdef in slot for compound word mark (on position 0x17)
+% caused some problems so it was changed to cwm (for compatibilty
+% with ec.enc).
+% . Use sfthyphen in slot 127 instead of hyphen.
+%
+% version 1.4 (20-Apr-2005):
+% Add copyright.
+% Minor documentation updates.
+%
+% LIGKERN hyphen hyphen =: endash ;
+% LIGKERN endash hyphen =: emdash ;
+% LIGKERN quoteleft quoteleft =: quotedblleft ;
+% LIGKERN quoteright quoteright =: quotedblright ;
+% LIGKERN comma comma =: quotedblbase ;
+%
+% We blow away kerns to and from spaces (TeX doesn't have a
+% space) and also remove any kerns from the numbers.
+%
+% LIGKERN space {} * ; * {} space ;
+% LIGKERN zero {} * ; * {} zero ;
+% LIGKERN one {} * ; * {} one ;
+% LIGKERN two {} * ; * {} two ;
+% LIGKERN three {} * ; * {} three ;
+% LIGKERN four {} * ; * {} four ;
+% LIGKERN five {} * ; * {} five ;
+% LIGKERN six {} * ; * {} six ;
+% LIGKERN seven {} * ; * {} seven ;
+% LIGKERN eight {} * ; * {} eight ;
+% LIGKERN nine {} * ; * {} nine ;
+%
+%
+% Some notes on the glyph names:
+%
+% . We follow the Adobe Glyph List (AGL), also using its associated
+% algorithm.
+%
+% . The glyphs `spacing dot below' (on position 0x05), `spacing hook above'
+% (on position 0x0C), and `compound word mark' (on position 0x17) are not
+% in Unicode. We call them `dotbelow', `hookabove', and `cwm',
+% respectively.
+%
+% . The following glyphs have no special name in the AGL (or names which
+% should not be used in general) and are thus represented as a Unicode
+% entity:
+%
+% 0x1A uni1EF6 Y hook above
+% 0x1B uni1EF7 y hook above
+% 0x1C uni1EF4 Y dot below
+% 0x1D uni1EF5 y dot below
+%
+% 0x20 uni2423 graphic symbol for space
+%
+% 0x83 uni1EA2 A hook above
+% 0x84 uni1EA0 A dot below
+% 0x86 uni1EA6 A circumflex grave
+% 0x87 uni1EA4 A circumflex acute
+% 0x88 uni1EAA A circumflex tilde
+% 0x89 uni1EA8 A circumflex hook above
+% 0x8A uni1EAC A circumflex dot below
+% 0x8C uni1EB0 A breve grave
+% 0x8D uni1EAE A breve acute
+% 0x8E uni1EB4 A breve tilde
+% 0x8F uni1EB2 A breve hook above
+% 0x90 uni1EB6 A breve dot below
+%
+% 0x93 uni1EBC E tilde
+% 0x94 uni1EBA E hook above
+% 0x95 uni1EB8 E dot below
+% 0x97 uni1EC0 E circumflex grave
+% 0x98 uni1EBE E circumflex acute
+% 0x99 uni1EC4 E circumflex tilde
+% 0x9A uni1EC2 E circumflex hook above
+% 0x9B uni1EC6 E circumflex dot below
+%
+% 0x9F uni1EC8 I hook above
+%
+% 0xA3 uni1EA3 a hook above
+% 0xA4 uni1EA1 a dot below
+% 0xA6 uni1EA7 a circumflex grave
+% 0xA7 uni1EA5 a circumflex acute
+% 0xA8 uni1EAB a circumflex tilde
+% 0xA9 uni1EA9 a circumflex hook above
+% 0xAA uni1EAD a circumflex dot below
+% 0xAC uni1EB1 a breve grave
+% 0xAD uni1EAF a breve acute
+% 0xAE uni1EB5 a breve tilde
+% 0xAF uni1EB3 a breve hook above
+% 0xB0 uni1EB7 a breve dot below
+%
+% 0xB3 uni1EBD e tilde
+% 0xB4 uni1EBB e hook above
+% 0xB5 uni1EB9 e dot below
+% 0xB7 uni1EC1 e circumflex grave
+% 0xB8 uni1EBF e circumflex acute
+% 0xB9 uni1EC5 e circumflex tilde
+% 0xBA uni1EC3 e circumflex hook above
+% 0xBB uni1EC7 e circumflex dot below
+%
+% 0xBF uni1EC9 i hook above
+%
+% 0xC0 uni1ECA I dot below
+%
+% 0xC4 uni1ECE O hook above
+% 0xC5 uni1ECC O dot below
+% 0xC7 uni1ED2 O circumflex grave
+% 0xC8 uni1ED0 O circumflex acute
+% 0xC9 uni1ED6 O circumflex tilde
+% 0xCA uni1ED4 O circumflex hook above
+% 0xCB uni1ED8 O circumflex dot below
+% 0xCD uni1EDC O horn grave
+% 0xCE uni1EDA O horn acute
+% 0xCF uni1EE0 O horn tilde
+% 0xD0 uni1EDE O horn hook above
+% 0xD1 uni1EE2 O horn dot below
+%
+% 0xD5 uni1EE6 U hook above
+% 0xD6 uni1EE4 U dot below
+% 0xD8 uni1EEA U horn grave
+% 0xD9 uni1EE8 U horn acute
+% 0xDA uni1EEE U horn tilde
+% 0xDB uni1EEC U horn hook above
+% 0xDC uni1EF0 U horn dot below
+%
+% 0xDF uni1EF8 Y tilde
+%
+% 0xE0 uni1ECB i dot below
+%
+% 0xE4 uni1ECF o hook above
+% 0xE5 uni1ECD o dot below
+% 0xE7 uni1ED3 o circumflex grave
+% 0xE8 uni1ED1 o circumflex acute
+% 0xE9 uni1ED7 o circumflex tilde
+% 0xEA uni1ED5 o circumflex hook above
+% 0xEB uni1ED9 o circumflex dot below
+% 0xED uni1EDD o horn grave
+% 0xEE uni1EDB o horn acute
+% 0xEF uni1EE1 o horn tilde
+% 0xF0 uni1EDF o horn hook above
+% 0xF1 uni1EE3 o horn dot below
+%
+% 0xF5 uni1EE7 u hook above
+% 0xF6 uni1EE5 u dot below
+% 0xF8 uni1EEB u horn grave
+% 0xF9 uni1EE9 u horn acute
+% 0xFA uni1EEF u horn tilde
+% 0xFB uni1EED u horn hook above
+% 0xFC uni1EF1 u horn dot below
+%
+% 0xFF uni1EF9 y tilde
+/T5Encoding [
+% 0x00
+ /grave /acute /circumflex /tilde
+ /dieresis /dotbelow /ring /caron
+ /breve /macron /dotaccent /cedilla
+ /hookabove /quotesinglbase /guilsinglleft /guilsinglright
+% 0x10
+ /quotedblleft /quotedblright /quotedblbase /guillemotleft
+ /guillemotright /endash /emdash /cwm
+ /zeroinferior /dotlessi /uni1EF6 /uni1EF7
+ /uni1EF4 /uni1EF5 /Dcroat /dcroat
+% 0x20
+ /uni2423 /exclam /quotedbl /numbersign
+ /dollar /percent /ampersand /quoteright
+ /parenleft /parenright /asterisk /plus
+ /comma /hyphen /period /slash
+% 0x30
+ /zero /one /two /three
+ /four /five /six /seven
+ /eight /nine /colon /semicolon
+ /less /equal /greater /question
+% 0x40
+ /at /A /B /C
+ /D /E /F /G
+ /H /I /J /K
+ /L /M /N /O
+% 0x50
+ /P /Q /R /S
+ /T /U /V /W
+ /X /Y /Z /bracketleft
+ /backslash /bracketright /asciicircum /underscore
+% 0x60
+ /quoteleft /a /b /c
+ /d /e /f /g
+ /h /i /j /k
+ /l /m /n /o
+% 0x70
+ /p /q /r /s
+ /t /u /v /w
+ /x /y /z /braceleft
+ /bar /braceright /asciitilde /sfthyphen
+% 0x80
+ /Agrave /Aacute /Atilde /uni1EA2
+ /uni1EA0 /Acircumflex /uni1EA6 /uni1EA4
+ /uni1EAA /uni1EA8 /uni1EAC /Abreve
+ /uni1EB0 /uni1EAE /uni1EB4 /uni1EB2
+% 0x90
+ /uni1EB6 /Egrave /Eacute /uni1EBC
+ /uni1EBA /uni1EB8 /Ecircumflex /uni1EC0
+ /uni1EBE /uni1EC4 /uni1EC2 /uni1EC6
+ /Igrave /Iacute /Itilde /uni1EC8
+% 0xA0
+ /agrave /aacute /atilde /uni1EA3
+ /uni1EA1 /acircumflex /uni1EA7 /uni1EA5
+ /uni1EAB /uni1EA9 /uni1EAD /abreve
+ /uni1EB1 /uni1EAF /uni1EB5 /uni1EB3
+% 0xB0
+ /uni1EB7 /egrave /eacute /uni1EBD
+ /uni1EBB /uni1EB9 /ecircumflex /uni1EC1
+ /uni1EBF /uni1EC5 /uni1EC3 /uni1EC7
+ /igrave /iacute /itilde /uni1EC9
+% 0xC0
+ /uni1ECA /Ograve /Oacute /Otilde
+ /uni1ECE /uni1ECC /Ocircumflex /uni1ED2
+ /uni1ED0 /uni1ED6 /uni1ED4 /uni1ED8
+ /Ohorn /uni1EDC /uni1EDA /uni1EE0
+% 0xD0
+ /uni1EDE /uni1EE2 /Ugrave /Uacute
+ /Utilde /uni1EE6 /uni1EE4 /Uhorn
+ /uni1EEA /uni1EE8 /uni1EEE /uni1EEC
+ /uni1EF0 /Ygrave /Yacute /uni1EF8
+% 0xE0
+ /uni1ECB /ograve /oacute /otilde
+ /uni1ECF /uni1ECD /ocircumflex /uni1ED3
+ /uni1ED1 /uni1ED7 /uni1ED5 /uni1ED9
+ /ohorn /uni1EDD /uni1EDB /uni1EE1
+% 0xF0
+ /uni1EDF /uni1EE3 /ugrave /uacute
+ /utilde /uni1EE7 /uni1EE5 /uhorn
+ /uni1EEB /uni1EE9 /uni1EEF /uni1EED
+ /uni1EF1 /ygrave /yacute /uni1EF9
+] def
+
+% end of t5.enc
+</pre>
+
+<div class="node">
+<a name="qx"></a>
+<p><hr>
+Next:&nbsp;<a rel="next" accesskey="n" href="#texmext">texmext</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#t5">t5</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Encodings">Encodings</a>
+
+</div>
+
+<h3 class="section">B.8 &lsquo;<samp><span class="samp">qx.enc</span></samp>&rsquo;</h3>
+
+<p><a name="index-qx_002eenc-157"></a><a name="index-encodings_002c-qx-158"></a><a name="index-qx-encoding-159"></a>
+From GUST.
+
+<pre class="verbatim">% =========================================================================
+ QX LAYOUT ver. 0.06
+% =========================================================================
+Release date: 24 August 2003
+Original URL: ftp://bop.eps.gda.pl/pub/qx/
+E-mail: JNSteam at gust.org.pl
+
+QX Layout is, actually, a pair of encodings: one for TeX and one for GUI
+systems. QX layout has been worked out by the Polish TeX Users Group GUST as
+a difficult compromise between needs and abilities. The character set of the
+QX layout is expected to suffice for the typesetting of texts (using TeX) in
+most of European languages.
+
+QX Encoding for TeX is based on EC (Cork Encoding) with a few characters
+exchanged. E.g., gbreve, Gbreve, uring, and Uring, which can be obtained by
+superimposing of an accent, are replaced by Lithuanian iogonek, Iogonek,
+uogonek, and Uogonek, respectively, which should not be assembled form
+separate elements; QX Encoding for GUI systems is a variant of the Code Page
+1250 (and also includes Lithuanian characters with ogonek).
+
+After a long debate, we decided (in ver. 0.04 of the QX layout) to replace
+omnipresent but actually nonexistent [tT]cedilla by Romanian [tT]commaaccent;
+censequently, Turkish [sS]cedilla was replaced by [sS]commaaccent (still we
+would recommend to keep the glyph of a [sS]cedilla character in a font).
+
+Under the pressure from euro currency funs, we included moreover an
+Euro symbol (in ver. 0.05 of the QX layout). We assigned the slot
+128 for it complying with Microsoft proposal for non-cyrillic fonts
+(http://www.microsoft.com/typography/faq/faq12.htm):
+
+ The symbol has been added to the following codepages at position
+ '0x80'; 1250 Eastern European, 1252 Western, 1253 Greek, 1254 Turkish,
+ 1257 Baltic, 1255 Hebrew, 1256 Arabic, 1258 Vietnamese, 874 Thai.
+ In 1251 Cyrillic the symbol will be added at position '0x88'.
+
+Therefore, we had to do something with a Lithuanian Iogonek character that
+previously had occupied this slot. We decided to remove Thorn (222, Tcedilla
+in CP 1250) and thorn (254, tcedilla in CP 1250) characters from the Windows
+QX layout (we recommend, as with [sS]cedilla characters, to keep the glyphs
+in a font) and use the freed slots for Iogonek (previously 128) and iogonek
+(previously 144, now free), respectively. The TeX QX layout, fortunately, had
+had the slot 128 already free, hence there was no need for rearrangement.
+
+Finally, we decided to change the name of a (non-standard) ligature
+fk to f_k, complying with Adobe recommendations contained in:
+http://partners.adobe.com/asn/developer/typeforum/unicodegn.html
+
+Most recent change (24.08.2003, ver. 0.06) was the extension of
+the character set by ligatures ij, IJ (available only in the TeX
+encoding) and a punctuation mark threequartersemdash.
+
+Below you'll find the comparison of basic layouts for TeX and GUI systems
+with QX ver. 0.06.
+
+% ===========================================================================
+% COMPARISON OF TeX LAYOUTS
+% ===========================================================================
+% CODE CM EC PL QX ver. 0.06
+% ===========================================================================
+ 0 00 Gamma grave Gamma alpha
+ 1 01 Delta acute Delta Delta
+ 2 02 Theta circumflex Theta beta
+ 3 03 Lambda tilde Lambda delta
+ 4 04 Xi dieresis Xi pi
+ 5 05 Pi hungarumlaut Pi Pi
+ 6 06 Sigma ring Sigma Sigma
+ 7 07 Upsilon caron Upsilon mu
+ 8 08 Phi breve Phi ellipsis
+ 9 09 Psi macron Psi f_k
+ 10 0A Omega dotaccent Omega Omega
+ 11 0B ff cedilla ff ff
+ 12 0C fi ogonek fi fi
+ 13 0D fl quotesinglbase fl fl
+ 14 0E ffi guilsinglleft ffi ffi
+ 15 0F ffl guilsinglright ffl ffl
+ 16 10 dotlessi quotedblleft dotlessi dotlessi
+ 17 11 dotlessj quotedblright dotlessj dotlessj
+ 18 12 grave quotedblbase grave grave
+ 19 13 acute guillemotleft acute acute
+ 20 14 caron guillemotright caron caron
+ 21 15 breve endash breve breve
+ 22 16 macron emdash macron macron
+ 23 17 ring compoundwordmark ring ring
+ 24 18 cedilla perthousand cedilla cedilla
+ 25 19 germandbls dotlessi germandbls germandbls
+ 26 1A ae dotlessj ae ae
+ 27 1B oe ff oe oe
+ 28 1C oslash fi oslash oslash
+ 29 1D AE fl AE AE
+ 30 1E OE ffi OE OE
+ 31 1F Oslash ffl Oslash Oslash
+ 32 20 suppress visualspace ogonek space
+ 33 21 exclam exclam exclam exclam
+ 34 22 quotedblright quotedbl quotedblright quotedblright
+ 35 23 numbersign numbersign numbersign numbersign
+ 36 24 dollar dollar dollar dollar
+ 37 25 percent percent percent percent
+ 38 26 ampersand ampersand ampersand ampersand
+ 39 27 quoteright quoteright quoteright quoteright
+ 40 28 parenleft parenleft parenleft parenleft
+ 41 29 parenright parenright parenright parenright
+ 42 2A asterisk asterisk asterisk asterisk
+ 43 2B plus plus plus plus
+ 44 2C comma comma comma comma
+ 45 2D hyphen hyphen hyphen hyphen
+ 46 2E period period period period
+ 47 2F slash slash slash slash
+ 48 30 zero zero zero zero
+ 49 31 one one one one
+ 50 32 two two two two
+ 51 33 three three three three
+ 52 34 four four four four
+ 53 35 five five five five
+ 54 36 six six six six
+ 55 37 seven seven seven seven
+ 56 38 eight eight eight eight
+ 57 39 nine nine nine nine
+ 58 3A colon colon colon colon
+ 59 3B semicolon semicolon semicolon semicolon
+ 60 3C exclamdown less exclamdown exclamdown
+ 61 3D equal equal equal equal
+ 62 3E questiondown greater questiondown questiondown
+ 63 3F question question question question
+ 64 40 at at at at
+ 65 41 A A A A
+ 66 42 B B B B
+ 67 43 C C C C
+ 68 44 D D D D
+ 69 45 E E E E
+ 70 46 F F F F
+ 71 47 G G G G
+ 72 48 H H H H
+ 73 49 I I I I
+ 74 4A J J J J
+ 75 4B K K K K
+ 76 4C L L L L
+ 77 4D M M M M
+ 78 4E N N N N
+ 79 4F O O O O
+ 80 50 P P P P
+ 81 51 Q Q Q Q
+ 82 52 R R R R
+ 83 53 S S S S
+ 84 54 T T T T
+ 85 55 U U U U
+ 86 56 V V V V
+ 87 57 W W W W
+ 88 58 X X X X
+ 89 59 Y Y Y Y
+ 90 5A Z Z Z Z
+ 91 5B bracketleft bracketleft bracketleft bracketleft
+ 92 5C quotedblleft backslash quotedblleft quotedblleft
+ 93 5D bracketright bracketright bracketright bracketright
+ 94 5E circumflex asciicircum circumflex circumflex
+ 95 5F dotaccent underscore dotaccent dotaccent
+ 96 60 quoteleft quoteleft quoteleft quoteleft
+ 97 61 a a a a
+ 98 62 b b b b
+ 99 63 c c c c
+100 64 d d d d
+101 65 e e e e
+102 66 f f f f
+103 67 g g g g
+104 68 h h h h
+105 69 i i i i
+106 6A j j j j
+107 6B k k k k
+108 6C l l l l
+109 6D m m m m
+110 6E n n n n
+111 6F o o o o
+112 70 p p p p
+113 71 q q q q
+114 72 r r r r
+115 73 s s s s
+116 74 t t t t
+117 75 u u u u
+118 76 v v v v
+119 77 w w w w
+120 78 x x x x
+121 79 y y y y
+122 7A z z z z
+123 7B endash braceleft endash endash
+124 7C emdash bar emdash emdash
+125 7D hungarumlaut braceright hungarumlaut hungarumlaut
+126 7E tilde asciitilde tilde tilde
+127 7F dieresis hyphen dieresis dieresis
+128 80 @ Abreve @ Euro
+129 81 @ Aogonek Aogonek Aogonek
+130 82 @ Cacute Cacute Cacute
+131 83 @ Ccaron @ greater
+132 84 @ Dcaron @ greaterequal
+133 85 @ Ecaron @ approxequal
+134 86 @ Eogonek Eogonek Eogonek
+135 87 @ Gbreve @ Iogonek
+136 88 @ Lacute @ less
+137 89 @ Lquoteright @ lessequal
+138 8A @ Lslash Lslash Lslash
+139 8B @ Nacute Nacute Nacute
+140 8C @ Ncaron @ asciitilde
+141 8D @ Eng @ asciicircum
+142 8E @ Ohungarumlaut @ ell
+143 8F @ Racute @ dagger
+144 90 @ Rcaron @ daggerdbl
+145 91 @ Sacute Sacute Sacute
+146 92 @ Scaron @ Scaron
+147 93 @ Scedilla @ Scommaaccent
+148 94 @ Tcaron @ degree
+149 95 @ Tcedilla @ Tcommaaccent
+150 96 @ Uhungarumlaut @ ogonek
+151 97 @ Uring @ Uogonek
+152 98 @ Ydieresis @ Ydieresis
+153 99 @ Zacute Zacute Zacute
+154 9A @ Zcaron @ Zcaron
+155 9B @ Zdotaccent Zdotaccent Zdotaccent
+156 9C @ IJ @ IJ
+157 9D @ Idotaccent @ braceleft
+158 9E @ dbar @ braceright
+159 9F @ section @ section
+160 A0 @ abreve @ @
+161 A1 @ aogonek aogonek aogonek
+162 A2 @ cacute cacute cacute
+163 A3 @ ccaron @ registered
+164 A4 @ dquoteright @ copyright
+165 A5 @ ecaron @ divide
+166 A6 @ eogonek eogonek eogonek
+167 A7 @ gbreve @ iogonek
+168 A8 @ lacute @ minus
+169 A9 @ lquoteright @ multiply
+170 AA @ lslash lslash lslash
+171 AB @ nacute nacute nacute
+172 AC @ ncaron @ plusminus
+173 AD @ eng @ infinity
+174 AE @ ohungarumlaut guillemotleft guillemotleft
+175 AF @ racute guillemotright guillemotright
+176 B0 @ rcaron @ paragraph
+177 B1 @ sacute sacute sacute
+178 B2 @ scaron @ scaron
+179 B3 @ scedilla @ scommaaccent
+180 B4 @ tquoteright @ bullet
+181 B5 @ tcedilla @ tcommaaccent
+182 B6 @ uhungarumlaut @ threequartersemdash
+183 B7 @ uring @ uogonek
+184 B8 @ ydieresis @ ydieresis
+185 B9 @ zacute zacute zacute
+186 BA @ zcaron @ zcaron
+187 BB @ zdotaccent zdotaccent zdotaccent
+188 BC @ ij @ ij
+189 BD @ exclamdown @ periodcentered
+190 BE @ questiondown @ quotedbl
+191 BF @ sterling @ quotesingle
+192 C0 @ Agrave @ Agrave
+193 C1 @ Aacute @ Aacute
+194 C2 @ Acircumflex @ Acircumflex
+195 C3 @ Atilde @ Atilde
+196 C4 @ Adieresis @ Adieresis
+197 C5 @ Aring @ Aring
+198 C6 @ AE @ backslash
+199 C7 @ Ccedilla @ Ccedilla
+200 C8 @ Egrave @ Egrave
+201 C9 @ Eacute @ Eacute
+202 CA @ Ecircumflex @ Ecircumflex
+203 CB @ Edieresis @ Edieresis
+204 CC @ Igrave @ Igrave
+205 CD @ Iacute @ Iacute
+206 CE @ Icircumflex @ Icircumflex
+207 CF @ Idieresis @ Idieresis
+208 D0 @ Eth @ Eth
+209 D1 @ Ntilde @ Ntilde
+210 D2 @ Ograve @ Ograve
+211 D3 @ Oacute Oacute Oacute
+212 D4 @ Ocircumflex @ Ocircumflex
+213 D5 @ Otilde @ Otilde
+214 D6 @ Odieresis @ Odieresis
+215 D7 @ OE @ currency
+216 D8 @ Oslash @ perthousand
+217 D9 @ Ugrave @ Ugrave
+218 DA @ Uacute @ Uacute
+219 DB @ Ucircumflex @ Ucircumflex
+220 DC @ Udieresis @ Udieresis
+221 DD @ Yacute @ Yacute
+222 DE @ Thorn @ Thorn
+223 DF @ Germandbls @ bar
+224 E0 @ agrave @ agrave
+225 E1 @ aacute @ aacute
+226 E2 @ acircumflex @ acircumflex
+227 E3 @ atilde @ atilde
+228 E4 @ adieresis @ adieresis
+229 E5 @ aring @ aring
+230 E6 @ ae @ underscore
+231 E7 @ ccedilla @ ccedilla
+232 E8 @ egrave @ egrave
+233 E9 @ eacute @ eacute
+234 EA @ ecircumflex @ ecircumflex
+235 EB @ edieresis @ edieresis
+236 EC @ igrave @ igrave
+237 ED @ iacute @ iacute
+238 EE @ icircumflex @ icircumflex
+239 EF @ idieresis @ idieresis
+240 F0 @ eth @ eth
+241 F1 @ ntilde @ ntilde
+242 F2 @ ograve @ ograve
+243 F3 @ oacute oacute oacute
+244 F4 @ ocircumflex @ ocircumflex
+245 F5 @ otilde @ otilde
+246 F6 @ odieresis @ odieresis
+247 F7 @ oe @ anglearc
+248 F8 @ oslash @ diameter
+249 F9 @ ugrave @ ugrave
+250 FA @ uacute @ uacute
+251 FB @ ucircumflex @ ucircumflex
+252 FC @ udieresis @ udieresis
+253 FD @ yacute @ yacute
+254 FE @ thorn @ thorn
+255 FF @ germandbls quotedblbase quotedblbase
+% ===========================================================================
+
+
+% ==========================================================
+% COMPARISON OF LAYOUTS FOR GUI SYSTEMS
+% ==========================================================
+% CODE NEW ANSI (0--127) Macintosh QX ver. 0.06
+% + CODE PAGE 1250 PLEURO
+% ==========================================================
+ 0 00 @ @ @
+ 1 01 @ @ acute
+ 2 02 @ @ circumflex
+ 3 03 @ @ cedilla
+ 4 04 @ @ dieresis
+ 5 05 @ @ breve
+ 6 06 @ @ dotaccent
+ 7 07 @ @ macron
+ 8 08 @ @ ring
+ 9 09 @ @ @
+ 10 0A @ @ hungarumlaut
+ 11 0B @ @ ogonek
+ 12 0C @ @ caron
+ 13 0D @ @ @
+ 14 0E @ @ dotlessi
+ 15 0F @ @ dotlessj
+ 16 10 @ @ tilde
+ 17 11 @ @ ff
+ 18 12 @ @ ffi
+ 19 13 @ @ ffl
+ 20 14 @ @ f_k
+ 21 15 @ @ approxequal
+ 22 16 @ @ ell
+ 23 17 @ @ infinity
+ 24 18 @ @ alpha
+ 25 19 @ @ beta
+ 26 1A @ @ delta
+ 27 1B @ @ pi
+ 28 1C @ @ Delta
+ 29 1D @ @ Pi
+ 30 1E @ @ Sigma
+ 31 1F @ @ Omega
+ 32 20 space space space
+ 33 21 exclam exclam exclam
+ 34 22 quotedbl quotedbl quotedbl
+ 35 23 numbersign numbersign numbersign
+ 36 24 dollar dollar dollar
+ 37 25 percent percent percent
+ 38 26 ampersand ampersand ampersand
+ 39 27 quotesingle quotesingle quotesingle
+ 40 28 parenleft parenleft parenleft
+ 41 29 parenright parenright parenright
+ 42 2A asterisk asterisk asterisk
+ 43 2B plus plus plus
+ 44 2C comma comma comma
+ 45 2D hyphen hyphen hyphen
+ 46 2E period period period
+ 47 2F slash slash slash
+ 48 30 zero zero zero
+ 49 31 one one one
+ 50 32 two two two
+ 51 33 three three three
+ 52 34 four four four
+ 53 35 five five five
+ 54 36 six six six
+ 55 37 seven seven seven
+ 56 38 eight eight eight
+ 57 39 nine nine nine
+ 58 3A colon colon colon
+ 59 3B semicolon semicolon semicolon
+ 60 3C less less less
+ 61 3D equal equal equal
+ 62 3E greater greater greater
+ 63 3F question question question
+ 64 40 at at at
+ 65 41 A A A
+ 66 42 B B B
+ 67 43 C C C
+ 68 44 D D D
+ 69 45 E E E
+ 70 46 F F F
+ 71 47 G G G
+ 72 48 H H H
+ 73 49 I I I
+ 74 4A J J J
+ 75 4B K K K
+ 76 4C L L L
+ 77 4D M M M
+ 78 4E N N N
+ 79 4F O O O
+ 80 50 P P P
+ 81 51 Q Q Q
+ 82 52 R R R
+ 83 53 S S S
+ 84 54 T T T
+ 85 55 U U U
+ 86 56 V V V
+ 87 57 W W W
+ 88 58 X X X
+ 89 59 Y Y Y
+ 90 5A Z Z Z
+ 91 5B bracketleft bracketleft bracketleft
+ 92 5C backslash backslash backslash
+ 93 5D bracketright bracketright bracketright
+ 94 5E asciicircum asciicircum asciicircum
+ 95 5F underscore underscore underscore
+ 96 60 grave grave grave
+ 97 61 a a a
+ 98 62 b b b
+ 99 63 c c c
+100 64 d d d
+101 65 e e e
+102 66 f f f
+103 67 g g g
+104 68 h h h
+105 69 i i i
+106 6A j j j
+107 6B k k k
+108 6C l l l
+109 6D m m m
+110 6E n n n
+111 6F o o o
+112 70 p p p
+113 71 q q q
+114 72 r r r
+115 73 s s s
+116 74 t t t
+117 75 u u u
+118 76 v v v
+119 77 w w w
+120 78 x x x
+121 79 y y y
+122 7A z z z
+123 7B braceleft braceleft braceleft
+124 7C bar bar bar
+125 7D braceright braceright braceright
+126 7E asciitilde asciitilde asciitilde
+127 7F @ @ @
+128 80 Euro @ Euro
+129 81 @ @ fi
+130 82 quotesinglbase quotesinglbase fl
+131 83 @ Ydieresis Ydieresis
+132 84 quotedblbase quotedblbase quotedblbase
+133 85 ellipsis ellipsis ellipsis
+134 86 dagger dagger dagger
+135 87 daggerdbl daggerdbl daggerdbl
+136 88 @ Ecircumflex Ecircumflex
+137 89 perthousand perthousand perthousand
+138 8A Scaron Scaron Scaron
+139 8B guilsinglleft guilsinglleft Scommaaccent
+140 8C Sacute Sacute Sacute
+141 8D Tcaron OE OE
+142 8E Zcaron Zcaron Zcaron
+143 8F Zacute Zacute Zacute
+144 90 @ @ threequartersemdash
+145 91 quoteleft quoteleft quoteleft
+146 92 quoteright quoteright quoteright
+147 93 quotedblleft quotedblleft quotedblleft
+148 94 quotedblright quotedblright quotedblright
+149 95 bullet bullet bullet
+150 96 endash endash endash
+151 97 emdash emdash emdash
+152 98 @ ecircumflex ecircumflex
+153 99 trademark trademark anglearc
+154 9A scaron scaron scaron
+155 9B guilsinglright guilsinglright scommaaccent
+156 9C sacute sacute sacute
+157 9D tquoteright oe oe
+158 9E zcaron zcaron zcaron
+159 9F zacute zacute zacute
+160 A0 @ nbspace nbspace
+161 A1 caron exclamdown exclamdown
+162 A2 breve questiondown questiondown
+163 A3 Lslash Lslash Lslash
+164 A4 currency currency currency
+165 A5 Aogonek Aogonek Aogonek
+166 A6 brokenbar brokenbar diameter
+167 A7 section section section
+168 A8 dieresis dieresis Uogonek
+169 A9 copyright copyright copyright
+170 AA Scedilla AE AE
+171 AB guillemotleft guillemotleft guillemotleft
+172 AC logicalnot Ntilde Ntilde
+173 AD hyphen minus minus
+174 AE registered registered registered
+175 AF Zdotaccent Zdotaccent Zdotaccent
+176 B0 degree degree degree
+177 B1 plusminus plusminus plusminus
+178 B2 ogonek twosuperior lessequal
+179 B3 lslash lslash lslash
+180 B4 acute acute greaterequal
+181 B5 mu mu mu
+182 B6 paragraph paragraph paragraph
+183 B7 periodcentered periodcentered periodcentered
+184 B8 cedilla @ uogonek
+185 B9 aogonek aogonek aogonek
+186 BA scedilla ae ae
+187 BB guillemotright guillemotright guillemotright
+188 BC Lquoteright ntilde ntilde
+189 BD hungarumlaut onehalf Tcommaaccent
+190 BE lquoteright threequarters tcommaaccent
+191 BF zdotaccent zdotaccent zdotaccent
+192 C0 Racute Agrave Agrave
+193 C1 Aacute Aacute Aacute
+194 C2 Acircumflex Acircumflex Acircumflex
+195 C3 Abreve Atilde Atilde
+196 C4 Adieresis Adieresis Adieresis
+197 C5 Lacute Aring Aring
+198 C6 Cacute Cacute Cacute
+199 C7 Ccedilla Ccedilla Ccedilla
+200 C8 Ccaron Egrave Egrave
+201 C9 Eacute Eacute Eacute
+202 CA Eogonek Eogonek Eogonek
+203 CB Edieresis Edieresis Edieresis
+204 CC Ecaron Igrave Igrave
+205 CD Iacute Iacute Iacute
+206 CE Icircumflex Icircumflex Icircumflex
+207 CF Dcaron Idieresis Idieresis
+208 D0 Eth Eth Eth
+209 D1 Nacute Nacute Nacute
+210 D2 Ncaron Ograve Ograve
+211 D3 Oacute Oacute Oacute
+212 D4 Ocircumflex Ocircumflex Ocircumflex
+213 D5 Ohungarumlaut Otilde Otilde
+214 D6 Odieresis Odieresis Odieresis
+215 D7 multiply multiply multiply
+216 D8 Rcaron Oslash Oslash
+217 D9 Uring Ugrave Ugrave
+218 DA Uacute Uacute Uacute
+219 DB Uhungarumlaut Ucircumflex Ucircumflex
+220 DC Udieresis Udieresis Udieresis
+221 DD Yacute Yacute Yacute
+222 DE Tcedilla Thorn Iogonek
+223 DF germandbls germandbls germandbls
+224 E0 racute agrave agrave
+225 E1 aacute aacute aacute
+226 E2 acircumflex acircumflex acircumflex
+227 E3 abreve atilde atilde
+228 E4 adieresis adieresis adieresis
+229 E5 lacute aring aring
+230 E6 cacute cacute cacute
+231 E7 ccedilla ccedilla ccedilla
+232 E8 ccaron egrave egrave
+233 E9 eacute eacute eacute
+234 EA eogonek eogonek eogonek
+235 EB edieresis edieresis edieresis
+236 EC ecaron igrave igrave
+237 ED iacute iacute iacute
+238 EE icircumflex icircumflex icircumflex
+239 EF dquoteright idieresis idieresis
+240 F0 dbar eth eth
+241 F1 nacute nacute nacute
+242 F2 ncaron ograve ograve
+243 F3 oacute oacute oacute
+244 F4 ocircumflex ocircumflex ocircumflex
+245 F5 ohungarumlaut otilde otilde
+246 F6 odieresis odieresis odieresis
+247 F7 divide divide divide
+248 F8 rcaron oslash oslash
+249 F9 uring ugrave ugrave
+250 FA uacute uacute uacute
+251 FB uhungarumlaut ucircumflex ucircumflex
+252 FC udieresis udieresis udieresis
+253 FD yacute yacute yacute
+254 FE tcedilla thorn iogonek
+255 FF dotaccent ydieresis ydieresis
+% ==========================================================
+
+</pre>
+
+<pre class="verbatim">/encqxoosix[
+/alpha
+/Delta
+/beta
+/delta
+/pi
+/Pi
+/Sigma
+/mu
+/ellipsis
+/f_k
+/Omega
+/ff
+/fi
+/fl
+/ffi
+/ffl
+/dotlessi
+/dotlessj
+/grave
+/acute
+/caron
+/breve
+/macron
+/ring
+/cedilla
+/germandbls
+/ae
+/oe
+/oslash
+/AE
+/OE
+/Oslash
+/space
+/exclam
+/quotedblright
+/numbersign
+/dollar
+/percent
+/ampersand
+/quoteright
+/parenleft
+/parenright
+/asterisk
+/plus
+/comma
+/hyphen
+/period
+/slash
+/zero
+/one
+/two
+/three
+/four
+/five
+/six
+/seven
+/eight
+/nine
+/colon
+/semicolon
+/exclamdown
+/equal
+/questiondown
+/question
+/at
+/A
+/B
+/C
+/D
+/E
+/F
+/G
+/H
+/I
+/J
+/K
+/L
+/M
+/N
+/O
+/P
+/Q
+/R
+/S
+/T
+/U
+/V
+/W
+/X
+/Y
+/Z
+/bracketleft
+/quotedblleft
+/bracketright
+/circumflex
+/dotaccent
+/quoteleft
+/a
+/b
+/c
+/d
+/e
+/f
+/g
+/h
+/i
+/j
+/k
+/l
+/m
+/n
+/o
+/p
+/q
+/r
+/s
+/t
+/u
+/v
+/w
+/x
+/y
+/z
+/endash
+/emdash
+/hungarumlaut
+/tilde
+/dieresis
+/Euro
+/Aogonek
+/Cacute
+/greater
+/greaterequal
+/approxequal
+/Eogonek
+/Iogonek
+/less
+/lessequal
+/Lslash
+/Nacute
+/asciitilde
+/asciicircum
+/ell
+/dagger
+/daggerdbl
+/Sacute
+/Scaron
+/Scommaaccent
+/degree
+/Tcommaaccent
+/ogonek
+/Uogonek
+/Ydieresis
+/Zacute
+/Zcaron
+/Zdotaccent
+/IJ
+/braceleft
+/braceright
+/section
+/.notdef
+/aogonek
+/cacute
+/registered
+/copyright
+/divide
+/eogonek
+/iogonek
+/minus
+/multiply
+/lslash
+/nacute
+/plusminus
+/infinity
+/guillemotleft
+/guillemotright
+/paragraph
+/sacute
+/scaron
+/scommaaccent
+/bullet
+/tcommaaccent
+/threequartersemdash
+/uogonek
+/ydieresis
+/zacute
+/zcaron
+/zdotaccent
+/ij
+/periodcentered
+/quotedbl
+/quotesingle
+/Agrave
+/Aacute
+/Acircumflex
+/Atilde
+/Adieresis
+/Aring
+/backslash
+/Ccedilla
+/Egrave
+/Eacute
+/Ecircumflex
+/Edieresis
+/Igrave
+/Iacute
+/Icircumflex
+/Idieresis
+/Eth
+/Ntilde
+/Ograve
+/Oacute
+/Ocircumflex
+/Otilde
+/Odieresis
+/currency
+/perthousand
+/Ugrave
+/Uacute
+/Ucircumflex
+/Udieresis
+/Yacute
+/Thorn
+/bar
+/agrave
+/aacute
+/acircumflex
+/atilde
+/adieresis
+/aring
+/underscore
+/ccedilla
+/egrave
+/eacute
+/ecircumflex
+/edieresis
+/igrave
+/iacute
+/icircumflex
+/idieresis
+/eth
+/ntilde
+/ograve
+/oacute
+/ocircumflex
+/otilde
+/odieresis
+/anglearc
+/diameter
+/ugrave
+/uacute
+/ucircumflex
+/udieresis
+/yacute
+/thorn
+/quotedblbase
+] def
+
+</pre>
+
+<div class="node">
+<a name="texmext"></a>
+<p><hr>
+Next:&nbsp;<a rel="next" accesskey="n" href="#texmsym">texmsym</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#qx">qx</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Encodings">Encodings</a>
+
+</div>
+
+<h3 class="section">B.9 &lsquo;<samp><span class="samp">texmext.enc</span></samp>&rsquo;: TeX math extension encoding</h3>
+
+<p><a name="index-texmext_002eenc-160"></a><a name="index-g_t_0040TeX_007b_007d-math-extension-encoding-161"></a><a name="index-math-extension_002c-_0040TeX_007b_007d-encoding-162"></a><a name="index-extension_002c-_0040TeX_007b_007d-math-encoding-163"></a><a name="index-encodings_002c-_0040TeX_007b_007d-math-symbol-164"></a>
+
+<pre class="verbatim">% @psencodingfile{
+% author = "Donald Knuth",
+% version = "1.0",
+% date = "12jun05",
+% filename = "texmext.enc",
+% license = "public domain",
+% email = "tex-fonts@tug.org",
+% codetable = "ISO/ASCII",
+% docstring = "TeX math extension encoding."
+% }
+%
+% 12jun05 - add header.
+%
+% No ligatures or kerns.
+%
+/TeXMathExtensionEncoding [ % now 256 chars follow
+
+% 0x0
+/parenleftbig
+/parenrightbig
+/bracketleftbig
+/bracketrightbig
+/floorleftbig
+/floorrightbig
+/ceilingleftbig
+/ceilingrightbig
+
+% 0x8
+/braceleftbig
+/bracerightbig
+/angbracketleftbig
+/angbracketrightbig
+/vextendsingle
+/vextenddouble
+/slashbig
+/backslashbig
+
+% 0x10
+/parenleftBig
+/parenrightBig
+/parenleftbigg
+/parenrightbigg
+/bracketleftbigg
+/bracketrightbigg
+/floorleftbigg
+/floorrightbigg
+
+% 0x18
+/ceilingleftbigg
+/ceilingrightbigg
+/braceleftbigg
+/bracerightbigg
+/angbracketleftbigg
+/angbracketrightbigg
+/slashbigg
+/backslashbigg
+
+% 0x20
+/parenleftBigg
+/parenrightBigg
+/bracketleftBigg
+/bracketrightBigg
+/floorleftBigg
+/floorrightBigg
+/ceilingleftBigg
+/ceilingrightBigg
+
+% 0x28
+/braceleftBigg
+/bracerightBigg
+/angbracketleftBigg
+/angbracketrightBigg
+/slashBigg
+/backslashBigg
+/slashBig
+/backslashBig
+
+% 0x30
+/parenlefttp
+/parenrighttp
+/bracketlefttp
+/bracketrighttp
+/bracketleftbt
+/bracketrightbt
+/bracketleftex
+/bracketrightex
+
+% 0x38
+/bracelefttp
+/bracerighttp
+/braceleftbt
+/bracerightbt
+/braceleftmid
+/bracerightmid
+/braceex
+/arrowvertex
+
+% 0x40
+/parenleftbt
+/parenrightbt
+/parenleftex
+/parenrightex
+/angbracketleftBig
+/angbracketrightBig
+/unionsqtext
+/unionsqdisplay
+
+% 0x48
+/contintegraltext
+/contintegraldisplay
+/circledottext
+/circledotdisplay
+/circleplustext
+/circleplusdisplay
+/circlemultiplytext
+/circlemultiplydisplay
+
+% 0x50
+/summationtext
+/producttext
+/integraltext
+/uniontext
+/intersectiontext
+/unionmultitext
+/logicalandtext
+/logicalortext
+
+% 0x58
+/summationdisplay
+/productdisplay
+/integraldisplay
+/uniondisplay
+/intersectiondisplay
+/unionmultidisplay
+/logicalanddisplay
+/logicalordisplay
+
+% 0x60
+/coproducttext
+/coproductdisplay
+/hatwide
+/hatwider
+/hatwidest
+/tildewide
+/tildewider
+/tildewidest
+
+% 0x68
+/bracketleftBig
+/bracketrightBig
+/floorleftBig
+/floorrightBig
+/ceilingleftBig
+/ceilingrightBig
+/braceleftBig
+/bracerightBig
+
+% 0x70
+/radicalbig
+/radicalBig
+/radicalbigg
+/radicalBigg
+/radicalbt
+/radicalvertex
+/radicaltp
+/arrowvertexdbl
+
+% 0x78
+/arrowtp
+/arrowbt
+/bracehtipdownleft
+/bracehtipdownright
+/bracehtipupleft
+/bracehtipupright
+/arrowdbltp
+/arrowdblbt
+
+% Have to have 128 .notdef's now to fill things out.
+%
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+] def
+</pre>
+
+<div class="node">
+<a name="texmsym"></a>
+<p><hr>
+Next:&nbsp;<a rel="next" accesskey="n" href="#texmital">texmital</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#texmext">texmext</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Encodings">Encodings</a>
+
+</div>
+
+<h3 class="section">B.10 &lsquo;<samp><span class="samp">texmsym.enc</span></samp>&rsquo;: TeX math symbol encoding</h3>
+
+<p><a name="index-texmsym_002eenc-165"></a><a name="index-g_t_0040TeX_007b_007d-math-symbol-encoding-166"></a><a name="index-math-symbol_002c-_0040TeX_007b_007d-encoding-167"></a><a name="index-symbol_002c-_0040TeX_007b_007d-math-encoding-168"></a><a name="index-encodings_002c-_0040TeX_007b_007d-math-symbol-169"></a>
+
+<pre class="verbatim">% @psencodingfile{
+% author = "Donald Knuth",
+% version = "1.0",
+% date = "12jun05",
+% filename = "texmsym.enc",
+% license = "public domain",
+% email = "tex-fonts@tug.org",
+% codetable = "ISO/ASCII",
+% docstring = "TeX math symbols encoding."
+% }
+% 12jun05 - add header.
+%
+% No ligatures or kerns.
+%
+/TeXMathSymbolEncoding [ % now 256 chars follow
+% 0x0
+/minus
+/periodcentered
+/multiply
+/asteriskmath
+/divide
+/diamondmath
+/plusminus
+/minusplus
+
+% 0x8
+/circleplus
+/circleminus
+/circlemultiply
+/circledivide
+/circledot
+/circlecopyrt
+/openbullet
+/bullet
+
+% 0x10
+/equivasymptotic
+/equivalence
+/reflexsubset
+/reflexsuperset
+/lessequal
+/greaterequal
+/precedesequal
+/followsequal
+
+% 0x18
+/similar
+/approxequal
+/propersubset
+/propersuperset
+/lessmuch
+/greatermuch
+/precedes
+/follows
+
+% 0x20
+/arrowleft
+/arrowright
+/arrowup
+/arrowdown
+/arrowboth
+/arrownortheast
+/arrowsoutheast
+/similarequal
+
+% 0x28
+/arrowdblleft
+/arrowdblright
+/arrowdblup
+/arrowdbldown
+/arrowdblboth
+/arrownorthwest
+/arrowsouthwest
+/proportional
+
+% 0x30
+/prime
+/infinity
+/element
+/owner
+/triangle
+/triangleinv
+/negationslash
+/mapsto
+
+% 0x38
+/universal
+/existential
+/logicalnot
+/emptyset
+/Rfractur
+/Ifractur
+/latticetop
+/perpendicular
+
+% 0x40
+/aleph
+/A
+/B
+/C
+/D
+/E
+/F
+/G
+
+% 0x48
+/H
+/I
+/J
+/K
+/L
+/M
+/N
+/O
+
+% 0x50
+/P
+/Q
+/R
+/S
+/T
+/U
+/V
+/W
+
+% 0x58
+/X
+/Y
+/Z
+/union
+/intersection
+/unionmulti
+/logicaland
+/logicalor
+
+% 0x60
+/turnstileleft
+/turnstileright
+/floorleft
+/floorright
+/ceilingleft
+/ceilingright
+/braceleft
+/braceright
+
+% 0x68
+/angbracketleft
+/angbracketright
+/bar
+/bardbl
+/arrowbothv
+/arrowdblbothv
+/backslash
+/wreathproduct
+
+% 0x70
+/radical
+/coproduct
+/nabla
+/integral
+/unionsq
+/intersectionsq
+/subsetsqequal
+/supersetsqequal
+
+% 0x78
+/section
+/dagger
+/daggerdbl
+/paragraph
+/club
+/diamond
+/heart
+/spade
+
+% Have to have 128 .notdef's now to fill things out.
+%
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+] def
+</pre>
+
+<div class="node">
+<a name="texmital"></a>
+<p><hr>
+Next:&nbsp;<a rel="next" accesskey="n" href="#texnansi">texnansi</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#texmsym">texmsym</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Encodings">Encodings</a>
+
+</div>
+
+<h3 class="section">B.11 &lsquo;<samp><span class="samp">texmital.enc</span></samp>&rsquo;: TeX math italic encoding</h3>
+
+<p><a name="index-texmital_002eenc-170"></a><a name="index-g_t_0040TeX_007b_007d-math-italic-encoding-171"></a><a name="index-math-italic_002c-_0040TeX_007b_007d-encoding-172"></a><a name="index-italic_002c-_0040TeX_007b_007d-math-encoding-173"></a><a name="index-encodings_002c-_0040TeX_007b_007d-math-italic-174"></a>
+
+<pre class="verbatim">% @psencodingfile{
+% author = "Donald Knuth",
+% version = "1.0",
+% date = "12jun05",
+% filename = "texmital.enc",
+% license = "public domain",
+% email = "tex-fonts@tug.org",
+% codetable = "ISO/ASCII",
+% docstring = "TeX math italic encoding."
+% }
+%
+% 12jun05 - add header.
+%
+% No ligatures or kerns.
+%
+/TeXMathItalicEncoding [ % now 256 chars follow
+% 0x0
+/Gamma
+/Delta
+/Theta
+/Lambda
+/Xi
+/Pi
+/Sigma
+/Upsilon
+
+% 0x8
+/Phi
+/Psi
+/Omega
+/alpha
+/beta
+/gamma
+/delta
+/epsilon1
+
+% 0x10
+/zeta
+/eta
+/theta
+/iota
+/kappa
+/lambda
+/mu
+/nu
+
+% 0x18
+/xi
+/pi
+/rho
+/sigma
+/tau
+/upsilon
+/phi
+/chi
+
+% 0x20
+/psi
+/omega
+/epsilon
+/theta1
+/pi1
+/rho1
+/sigma1
+/phi1
+
+% 0x28
+/arrowlefttophalf
+/arrowleftbothalf
+/arrowrighttophalf
+/arrowrightbothalf
+/arrowhookleft
+/arrowhookright
+/triangleright
+/triangleleft
+
+% 0x30
+/zerooldstyle
+/oneoldstyle
+/twooldstyle
+/threeoldstyle
+/fouroldstyle
+/fiveoldstyle
+/sixoldstyle
+/sevenoldstyle
+
+% 0x38
+/eightoldstyle
+/nineoldstyle
+/period
+/comma
+/less
+/slash
+/greater
+/star
+
+% 0x40
+/partialdiff
+/A
+/B
+/C
+/D
+/E
+/F
+/G
+
+% 0x48
+/H
+/I
+/J
+/K
+/L
+/M
+/N
+/O
+
+% 0x50
+/P
+/Q
+/R
+/S
+/T
+/U
+/V
+/W
+
+% 0x58
+/X
+/Y
+/Z
+/flat
+/natural
+/sharp
+/slurbelow
+/slurabove
+
+% 0x60
+/lscript
+/a
+/b
+/c
+/d
+/e
+/f
+/g
+
+% 0x68
+/h
+/i
+/j
+/k
+/l
+/m
+/n
+/o
+
+% 0x70
+/p
+/q
+/r
+/s
+/t
+/u
+/v
+/w
+
+% 0x78
+/x
+/y
+/z
+/dotlessi
+/dotlessj
+/weierstrass
+/vector
+/tie
+
+% Have to have 128 .notdef's now to fill things out.
+%
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+/.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+] def
+</pre>
+
+<div class="node">
+<a name="texnansi"></a>
+<p><hr>
+Next:&nbsp;<a rel="next" accesskey="n" href="#texnansx">texnansx</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#texmital">texmital</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Encodings">Encodings</a>
+
+</div>
+
+<h3 class="section">B.12 &lsquo;<samp><span class="samp">texnansi.enc</span></samp>&rsquo;</h3>
+
+<p><a name="index-texnansi_002eenc-175"></a><a name="index-encodings_002c-texnansi-176"></a><a name="index-texnansi-encoding-177"></a>
+From Y&amp;Y.
+
+<pre class="verbatim">% @psencodingfile{
+% author = "Y&amp;Y, Inc.",
+% version = "1.1",
+% date = "1 December 1996",
+% filename = "texnansi.enc",
+% email = "help@YandY.com",
+% address = "45 Walden Street // Concord, MA 01742, USA",
+% codetable = "ISO/ASCII",
+% checksum = "xx",
+% docstring = "Encoding for fonts in Adobe Type 1 format for use with TeX."
+% }
+%
+% The idea is to have all 228 characters normally included in Type 1 text
+% fonts (plus a few more) available for typesetting. This is effectively
+% the character set in Adobe Standard Encoding, ISO Latin 1, plus a few more.
+%
+% Character code assignments were made as follows:
+%
+% (1) The character layout largely matches `ASCII' in the 32 -- 126 range,
+% except for `circumflex' in 94 and `tilde' in 126, to match `TeX text'
+% (`asciicircumflex' and `asciitilde' appear in 158 and 142 instead).
+%
+% (2) The character layout matches `Windows ANSI' in almost all places,
+% except for `quoteright' in 39 and `quoteleft' in 96 to match ASCII
+% (`quotesingle' and `grave' appear in 129 and 18 instead).
+%
+% (3) The character layout matches `TeX typewriter' used by CM text fonts
+% in most places (except for discordant positions such as hungarumlaut
+% (instead of braceright), dotaccent (instead of underscore) etc.
+%
+% (4) Remaining characters are assigned arbitrarily to the `control character'
+% range (0 -- 31), avoiding 0, 9, 10 and 13 in case we meet dumb software
+% - similarly one should really avoid 127 and 128 if possible.
+% In addition, the 8 open slots in Windows ANSI between 128 and 159 are used.
+%
+% (5) Y&amp;Y Lucida Bright includes some extra ligatures and such; ff, ffi, ffl,
+% and `dotlessj,' these are included 11 -- 15, and 17.
+%
+% (6) Hyphen appears both at 45 and 173 for compatibility with both ASCII
+% and Windows ANSI.
+%
+% (7) It doesn't really matter where ligatures appear (both real, such as ffi,
+% and pseudo such as ---) since these should not be accessed directly, only
+% via ligature information in the TFM file.
+%
+% SAMPLE USAGE (in `psfonts.map' file for DVIPS):
+%
+% lbr LucidaBright "TeXnANSIEncoding ReEncodeFont" &lt;texnansi.enc &lt;lbr.pfb
+%
+% This tells DVIPS that the font called `lbr' in TeX has PostScript
+% FontName `LucidaBright.' It also asks DVIPS to expand the file `lbr.pfb'
+% into PFA form, to include the attached `texnansi.enc' encoding vector,
+% and to then actually reencode the font based on that encoding vector.
+%
+% Revised 1996 June 1 by adding second position for `fl' to avoid Acrobat bug.
+% Revised 1996 June 1 by adding second position for `fraction' for same reason.
+% Revised 1997 Oct 1 by adding cwm (used in boundary char TFM code)
+% Revised 1998 Mar 1 by adding Unicode for Euro character
+%
+/TeXnANSIEncoding [
+/.notdef % 0
+/Euro % /Uni20AC 1
+/.notdef % 2
+/.notdef % 3
+/fraction % 4
+/dotaccent % 5
+/hungarumlaut % 6
+/ogonek % 7
+/fl % 8
+/.notdef % /fraction % 9 not used (see 4), backward compatability only
+/cwm % 10 not used, except boundary char internally maybe
+/ff % 11
+/fi % 12
+/.notdef % /fl % 13 not used (see 8), backward compatability only
+/ffi % 14
+/ffl % 15
+/dotlessi % 16
+/dotlessj % 17
+/grave % 18
+/acute % 19
+/caron % 20
+/breve % 21
+/macron % 22
+/ring % 23
+/cedilla % 24
+/germandbls % 25
+/ae % 26
+/oe % 27
+/oslash % 28
+/AE % 29
+/OE % 30
+/Oslash % 31
+/space % 32 % /suppress in TeX text
+/exclam % 33
+/quotedbl % 34 % /quotedblright in TeX text
+/numbersign % 35
+/dollar % 36
+/percent % 37
+/ampersand % 38
+/quoteright % 39 % /quotesingle in ANSI
+/parenleft % 40
+/parenright % 41
+/asterisk % 42
+/plus % 43
+/comma % 44
+/hyphen % 45
+/period % 46
+/slash % 47
+/zero % 48
+/one % 49
+/two % 50
+/three % 51
+/four % 52
+/five % 53
+/six % 54
+/seven % 55
+/eight % 56
+/nine % 57
+/colon % 58
+/semicolon % 59
+/less % 60 % /exclamdown in Tex text
+/equal % 61
+/greater % 62 % /questiondown in TeX text
+/question % 63
+/at % 64
+/A % 65
+/B % 66
+/C % 67
+/D % 68
+/E % 69
+/F % 70
+/G % 71
+/H % 72
+/I % 73
+/J % 74
+/K % 75
+/L % 76
+/M % 77
+/N % 78
+/O % 79
+/P % 80
+/Q % 81
+/R % 82
+/S % 83
+/T % 84
+/U % 85
+/V % 86
+/W % 87
+/X % 88
+/Y % 89
+/Z % 90
+/bracketleft % 91
+/backslash % 92 % /quotedblleft in TeX text
+/bracketright % 93
+/circumflex % 94 % /asciicircum in ASCII
+/underscore % 95 % /dotaccent in TeX text
+/quoteleft % 96 % /grave accent in ANSI
+/a % 97
+/b % 98
+/c % 99
+/d % 100
+/e % 101
+/f % 102
+/g % 103
+/h % 104
+/i % 105
+/j % 106
+/k % 107
+/l % 108
+/m % 109
+/n % 110
+/o % 111
+/p % 112
+/q % 113
+/r % 114
+/s % 115
+/t % 116
+/u % 117
+/v % 118
+/w % 119
+/x % 120
+/y % 121
+/z % 122
+/braceleft % 123 % /endash in TeX text
+/bar % 124 % /emdash in TeX test
+/braceright % 125 % /hungarumlaut in TeX text
+/tilde % 126 % /asciitilde in ASCII
+/dieresis % 127 not used (see 168), use higher up instead
+/Lslash % 128 this position is unfortunate, but now too late to fix
+/quotesingle % 129
+/quotesinglbase % 130
+/florin % 131
+/quotedblbase % 132
+/ellipsis % 133
+/dagger % 134
+/daggerdbl % 135
+/circumflex % 136
+/perthousand % 137
+/Scaron % 138
+/guilsinglleft % 139
+/OE % 140
+/Zcaron % 141
+/asciicircum % 142
+/minus % 143
+/lslash % 144
+/quoteleft % 145
+/quoteright % 146
+/quotedblleft % 147
+/quotedblright % 148
+/bullet % 149
+/endash % 150
+/emdash % 151
+/tilde % 152
+/trademark % 153
+/scaron % 154
+/guilsinglright % 155
+/oe % 156
+/zcaron % 157
+/asciitilde % 158
+/Ydieresis % 159
+/nbspace % 160 % /space (no break space)
+/exclamdown % 161
+/cent % 162
+/sterling % 163
+/currency % 164
+/yen % 165
+/brokenbar % 166
+/section % 167
+/dieresis % 168
+/copyright % 169
+/ordfeminine % 170
+/guillemotleft % 171
+/logicalnot % 172
+/sfthyphen % 173 % /hyphen (hanging hyphen)
+/registered % 174
+/macron % 175
+/degree % 176
+/plusminus % 177
+/twosuperior % 178
+/threesuperior % 179
+/acute % 180
+/mu % 181
+/paragraph % 182
+/periodcentered % 183
+/cedilla % 184
+/onesuperior % 185
+/ordmasculine % 186
+/guillemotright % 187
+/onequarter % 188
+/onehalf % 189
+/threequarters % 190
+/questiondown % 191
+/Agrave % 192
+/Aacute % 193
+/Acircumflex % 194
+/Atilde % 195
+/Adieresis % 196
+/Aring % 197
+/AE % 198
+/Ccedilla % 199
+/Egrave % 200
+/Eacute % 201
+/Ecircumflex % 202
+/Edieresis % 203
+/Igrave % 204
+/Iacute % 205
+/Icircumflex % 206
+/Idieresis % 207
+/Eth % 208
+/Ntilde % 209
+/Ograve % 210
+/Oacute % 211
+/Ocircumflex % 212
+/Otilde % 213
+/Odieresis % 214
+/multiply % 215 % OE in T1
+/Oslash % 216
+/Ugrave % 217
+/Uacute % 218
+/Ucircumflex % 219
+/Udieresis % 220
+/Yacute % 221
+/Thorn % 222
+/germandbls % 223
+/agrave % 224
+/aacute % 225
+/acircumflex % 226
+/atilde % 227
+/adieresis % 228
+/aring % 229
+/ae % 230
+/ccedilla % 231
+/egrave % 232
+/eacute % 233
+/ecircumflex % 234
+/edieresis % 235
+/igrave % 236
+/iacute % 237
+/icircumflex % 238
+/idieresis % 239
+/eth % 240
+/ntilde % 241
+/ograve % 242
+/oacute % 243
+/ocircumflex % 244
+/otilde % 245
+/odieresis % 246
+/divide % 247 % oe in T1
+/oslash % 248
+/ugrave % 249
+/uacute % 250
+/ucircumflex % 251
+/udieresis % 252
+/yacute % 253
+/thorn % 254
+/ydieresis % 255 % germandbls in T1
+] def
+</pre>
+
+<div class="node">
+<a name="texnansx"></a>
+<p><hr>
+Next:&nbsp;<a rel="next" accesskey="n" href="#xl2">xl2</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#texnansi">texnansi</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Encodings">Encodings</a>
+
+</div>
+
+<h3 class="section">B.13 &lsquo;<samp><span class="samp">texnansx.enc</span></samp>&rsquo;</h3>
+
+<p><a name="index-texnansx_002eenc-178"></a><a name="index-encodings_002c-texnansx-179"></a><a name="index-texnansx-encoding-180"></a>
+From Y&amp;Y. &lsquo;<samp><span class="samp">texnansi</span></samp>&rsquo; without repeats.
+
+<pre class="verbatim">% @psencodingfile{
+% author = "Y&amp;Y, Inc.",
+% version = "1.3",
+% date = "17 August 2008",
+% filename = "texnansx.enc",
+% email = "tex-fonts@tug.org",
+% codetable = "ISO/ASCII",
+% docstring = "Encoding for fonts in Adobe Type 1 format for use with TeX."
+% }
+%
+% MODIFIED FOR AFM2TFM to avoid repeated encodings.
+% 17aug08 change /Uni20AC (wrong capitalization of /Uni) to /Euro for
+% consistency with other encodings. tex-live mail from Vasile Gaburici,
+% 16 Aug 2008 20:44:08.
+%
+/TeXnANSIEncoding [
+/.notdef % 0
+/Euro % /uni20AC 1
+/.notdef % 2
+/.notdef % 3
+/fraction % 4
+/dotaccent % 5
+/hungarumlaut % 6
+/ogonek % 7
+/fl % 8
+/.notdef % /fraction % 9 not used (see 4), backward compatability only
+/cwm % 10 not used, except boundary char internally maybe
+/ff % 11
+/fi % 12
+/.notdef % /fl % 13 not used (see 8), backward compatability only
+/ffi % 14
+/ffl % 15
+/dotlessi % 16
+/dotlessj % 17
+/grave % 18
+/acute % 19
+/caron % 20
+/breve % 21
+/macron % 22
+/ring % 23
+/cedilla % 24
+/germandbls % 25
+/ae % 26
+/oe % 27
+/oslash % 28
+/AE % 29
+/OE % 30
+/Oslash % 31
+/space % 32 % /suppress in TeX text
+/exclam % 33
+/quotedbl % 34 % /quotedblright in TeX text
+/numbersign % 35
+/dollar % 36
+/percent % 37
+/ampersand % 38
+/quoteright % 39 % /quotesingle in ANSI
+/parenleft % 40
+/parenright % 41
+/asterisk % 42
+/plus % 43
+/comma % 44
+/hyphen % 45
+/period % 46
+/slash % 47
+/zero % 48
+/one % 49
+/two % 50
+/three % 51
+/four % 52
+/five % 53
+/six % 54
+/seven % 55
+/eight % 56
+/nine % 57
+/colon % 58
+/semicolon % 59
+/less % 60 % /exclamdown in Tex text
+/equal % 61
+/greater % 62 % /questiondown in TeX text
+/question % 63
+/at % 64
+/A % 65
+/B % 66
+/C % 67
+/D % 68
+/E % 69
+/F % 70
+/G % 71
+/H % 72
+/I % 73
+/J % 74
+/K % 75
+/L % 76
+/M % 77
+/N % 78
+/O % 79
+/P % 80
+/Q % 81
+/R % 82
+/S % 83
+/T % 84
+/U % 85
+/V % 86
+/W % 87
+/X % 88
+/Y % 89
+/Z % 90
+/bracketleft % 91
+/backslash % 92 % /quotedblleft in TeX text
+/bracketright % 93
+/circumflex % 94 % /asciicircum in ASCII
+/underscore % 95 % /dotaccent in TeX text
+/quoteleft % 96 % /grave accent in ANSI
+/a % 97
+/b % 98
+/c % 99
+/d % 100
+/e % 101
+/f % 102
+/g % 103
+/h % 104
+/i % 105
+/j % 106
+/k % 107
+/l % 108
+/m % 109
+/n % 110
+/o % 111
+/p % 112
+/q % 113
+/r % 114
+/s % 115
+/t % 116
+/u % 117
+/v % 118
+/w % 119
+/x % 120
+/y % 121
+/z % 122
+/braceleft % 123 % /endash in TeX text
+/bar % 124 % /emdash in TeX test
+/braceright % 125 % /hungarumlaut in TeX text
+/tilde % 126 % /asciitilde in ASCII
+/dieresis % 127 not used (see 168), use higher up instead
+/Lslash % 128 this position is unfortunate, but now too late to fix
+/quotesingle % 129
+/quotesinglbase % 130
+/florin % 131
+/quotedblbase % 132
+/ellipsis % 133
+/dagger % 134
+/daggerdbl % 135
+/.notdef % /circumflex % 136
+/perthousand % 137
+/Scaron % 138
+/guilsinglleft % 139
+/.notdef % /OE % 140
+/Zcaron % 141
+/asciicircum % 142
+/minus % 143
+/lslash % 144
+/.notdef % /quoteleft % 145
+/.notdef % /quoteright % 146
+/quotedblleft % 147
+/quotedblright % 148
+/bullet % 149
+/endash % 150
+/emdash % 151
+/.notdef % /tilde % 152
+/trademark % 153
+/scaron % 154
+/guilsinglright % 155
+/.notdef % /oe % 156
+/zcaron % 157
+/asciitilde % 158
+/Ydieresis % 159
+/nbspace % 160 % /space (no break space)
+/exclamdown % 161
+/cent % 162
+/sterling % 163
+/currency % 164
+/yen % 165
+/brokenbar % 166
+/section % 167
+/.notdef % /dieresis % 168
+/copyright % 169
+/ordfeminine % 170
+/guillemotleft % 171
+/logicalnot % 172
+/sfthyphen % 173 % /hyphen (hanging hyphen)
+/registered % 174
+/.notdef % /macron % 175
+/degree % 176
+/plusminus % 177
+/twosuperior % 178
+/threesuperior % 179
+/.notdef % /acute % 180
+/mu % 181
+/paragraph % 182
+/periodcentered % 183
+/.notdef % /cedilla % 184
+/onesuperior % 185
+/ordmasculine % 186
+/guillemotright % 187
+/onequarter % 188
+/onehalf % 189
+/threequarters % 190
+/questiondown % 191
+/Agrave % 192
+/Aacute % 193
+/Acircumflex % 194
+/Atilde % 195
+/Adieresis % 196
+/Aring % 197
+/.notdef % /AE % 198
+/Ccedilla % 199
+/Egrave % 200
+/Eacute % 201
+/Ecircumflex % 202
+/Edieresis % 203
+/Igrave % 204
+/Iacute % 205
+/Icircumflex % 206
+/Idieresis % 207
+/Eth % 208
+/Ntilde % 209
+/Ograve % 210
+/Oacute % 211
+/Ocircumflex % 212
+/Otilde % 213
+/Odieresis % 214
+/multiply % 215 % OE in T1
+/.notdef % /Oslash % 216
+/Ugrave % 217
+/Uacute % 218
+/Ucircumflex % 219
+/Udieresis % 220
+/Yacute % 221
+/Thorn % 222
+/.notdef % /germandbls % 223
+/agrave % 224
+/aacute % 225
+/acircumflex % 226
+/atilde % 227
+/adieresis % 228
+/aring % 229
+/.notdef % /ae % 230
+/ccedilla % 231
+/egrave % 232
+/eacute % 233
+/ecircumflex % 234
+/edieresis % 235
+/igrave % 236
+/iacute % 237
+/icircumflex % 238
+/idieresis % 239
+/eth % 240
+/ntilde % 241
+/ograve % 242
+/oacute % 243
+/ocircumflex % 244
+/otilde % 245
+/odieresis % 246
+/divide % 247 % oe in T1
+/.notdef % /oslash % 248
+/ugrave % 249
+/uacute % 250
+/ucircumflex % 251
+/udieresis % 252
+/yacute % 253
+/thorn % 254
+/ydieresis % 255 % germandbls in T1
+] def
+</pre>
+
+<div class="node">
+<a name="xl2"></a>
+<p><hr>
+Next:&nbsp;<a rel="next" accesskey="n" href="#xt2">xt2</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#texnansx">texnansx</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Encodings">Encodings</a>
+
+</div>
+
+<h3 class="section">B.14 &lsquo;<samp><span class="samp">xl2.enc</span></samp>&rsquo;: OT1 + ISO Latin 2 extended</h3>
+
+<p><a name="index-xl2_002eenc-181"></a><a name="index-ISO-Latin-2-extended_002c-_0040TeX_007b_007d-encoding-182"></a>
+
+<pre class="verbatim">% @psencodingfile{
+% author = "Petr Olsak, Zdenek Wagner",
+% date = "27aug05",
+% filename = "xl2.enc",
+% license = "public domain",
+% email = "tex-fonts@tug.org",
+% codetable = "ISO/ASCII",
+% docstring = "
+% some of our (CSTUG- czech TeX Users Group) users want to support
+% 8bit font coding such that:
+% -- lower 7bit is exactly OT1 (but with differences imposed
+% by DEK -- e.g. layout of cmr is different from cmtt)
+% -- upper part is taken from ISO-Latin 2 (iso 8859-2),
+% but some of empty positions are filled with useful characters
+% usually available in type-1 font (permill sign etc.)
+% "
+% }
+%
+% 27aug05 - record Petr Olsak and Zdenek Wagner as the authors.
+% 12jun05 - remove Texinfo @'s from LIGKERN's.
+%
+/XL2encoding [
+%%%%% '000 = "00
+ /Gamma
+ /Delta
+ /Theta
+ /Lambda
+ /Xi
+ /Pi
+ /Sigma
+ /Upsilon
+%%%%% '010 = "08
+ /Phi
+ /Psi
+ /Omega
+ /ff
+ /fi
+ /fl
+ /ffi
+ /ffl
+%%%%% '020 = "10
+ /dotlessi
+ /dotlessj
+ /grave
+ /acute
+ /caron
+ /breve
+ /macron
+ /ring
+%%%%% '030 = "18
+ /cedilla
+ /germandbls
+ /ae
+ /oe
+ /oslash
+ /AE
+ /OE
+ /Oslash
+%%%%% '040 = "20
+ /.notdef
+ /exclam
+ /quotedblright
+ /numbersign
+ /dollar
+ /percent
+ /ampersand
+ /quoteright
+%%%%% '050 = "28
+ /parenleft
+ /parenright
+ /asterisk
+ /plus
+ /comma
+ /hyphen
+ /period
+ /slash
+%%%%% '060 = "30
+ /zero
+ /one
+ /two
+ /three
+ /four
+ /five
+ /six
+ /seven
+%%%%% '070 = "38
+ /eight
+ /nine
+ /colon
+ /semicolon
+ /exclamdown
+ /equal
+ /questiondown
+ /question
+%%%%% '100 = "40
+ /at
+ /A
+ /B
+ /C
+ /D
+ /E
+ /F
+ /G
+%%%%% '110 = "48
+ /H
+ /I
+ /J
+ /K
+ /L
+ /M
+ /N
+ /O
+%%%%% '120 = "50
+ /P
+ /Q
+ /R
+ /S
+ /T
+ /U
+ /V
+ /W
+%%%%% '130 = "58
+ /X
+ /Y
+ /Z
+ /bracketleft
+ /quotedblleft
+ /bracketright
+ /circumflex
+ /dotaccent
+%%%%% '140 = "60
+ /quoteleft
+ /a
+ /b
+ /c
+ /d
+ /e
+ /f
+ /g
+%%%%% '150 = "68
+ /h
+ /i
+ /j
+ /k
+ /l
+ /m
+ /n
+ /o
+%%%%% '160 = "70
+ /p
+ /q
+ /r
+ /s
+ /t
+ /u
+ /v
+ /w
+%%%%% '170 = "78
+ /x
+ /y
+ /z
+ /endash
+ /emdash
+ /hungarumlaut
+ /tilde
+ /dieresis
+%%%%% '200 = "80
+ /ellipsis
+ /dagger
+ /daggerdbl
+ /bullet
+ /sterling
+ /paragraph
+ /.notdef
+ /.notdef
+%%%%% '210 = "88
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /perthousand
+ /.notdef
+ /.notdef
+%%%%% '220 = "90
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+%%%%% '230 = "98
+ /Agrave
+ /.notdef
+ /.notdef
+ /.notdef
+ /hyphen
+ /ogonek
+ /guillemotleft
+ /guillemotright
+%%%%% '240 = "A0
+ /.notdef
+ /Aogonek
+ /breve
+ /Lslash
+ /currency
+ /Lcaron
+ /Sacute
+ /section
+%%%%% '250 = "A8
+ /dieresis
+ /Scaron
+ /Scedilla
+ /Tcaron
+ /Zacute
+ /.notdef
+ /Zcaron
+ /Zdotaccent
+%%%%% '260 = "B0
+ /ring
+ /aogonek
+ /cedilla
+ /lslash
+ /acute
+ /lcaron
+ /sacute
+ /caron
+%%%%% '270 = "B8
+ /agrave
+ /scaron
+ /scedilla
+ /tcaron
+ /zacute
+ /hungarumlaut
+ /zcaron
+ /zdotaccent
+%%%%% '300 = "C0
+ /Racute
+ /Aacute
+ /Acircumflex
+ /Abreve
+ /Adieresis
+ /Lacute
+ /Cacute
+ /Ccedilla
+%%%%% '310 = "C8
+ /Ccaron
+ /Eacute
+ /Eogonek
+ /Edieresis
+ /Ecaron
+ /Iacute
+ /Icircumflex
+ /Dcaron
+%%%%% '320 = "D0
+ /Eth
+ /Nacute
+ /Ncaron
+ /Oacute
+ /Ocircumflex
+ /Ohungarumlaut
+ /Odieresis
+ /multiply
+%%%%% '330 = "D8
+ /Rcaron
+ /Uring
+ /Uacute
+ /Uhungarumlaut
+ /Udieresis
+ /Yacute
+ /Togonek
+ /germandbls
+%%%%% '340 = "E0
+ /racute
+ /aacute
+ /acircumflex
+ /abreve
+ /adieresis
+ /lacute
+ /cacute
+ /ccedilla
+%%%%% '350 = "E8
+ /ccaron
+ /eacute
+ /eogonek
+ /edieresis
+ /ecaron
+ /iacute
+ /icircumflex
+ /dcaron
+%%%%% '360 = "F0
+ /eth
+ /nacute
+ /ncaron
+ /oacute
+ /ocircumflex
+ /ohungarumlaut
+ /odieresis
+ /divide
+%%%%% '370 = "F8
+ /rcaron
+ /uring
+ /uacute
+ /uhungarumlaut
+ /udieresis
+ /yacute
+ /quotedblbase
+ /quotedblleft
+] def
+
+% LIGKERN hyphen hyphen =: endash ; endash hyphen =: emdash ;
+% LIGKERN quoteleft quoteleft =: quotedblleft ;
+% LIGKERN quoteright quoteright =: quotedblright ;
+% LIGKERN exclamdown exclamdown =: guillemotleft ;
+% frenchdblquotes
+% LIGKERN questiondown questiondown =: guillemotright ;
+% csquoteleft
+% LIGKERN comma comma =: quotedblbase ;
+% LIGKERN space {} * ; * {} space ; zero {} * ; * {} zero ;
+% LIGKERN one {} * ; * {} one ; two {} * ; * {} two ;
+% LIGKERN three {} * ; * {} three ; four {} * ; * {} four ;
+% LIGKERN five {} * ; * {} five ; six {} * ; * {} six ;
+% LIGKERN seven {} * ; * {} seven ; eight {} * ; * {} eight ;
+% LIGKERN nine {} * ; * {} nine ;
+% LIGKERN question {} quoteleft ; exclam {} quoteleft ;
+</pre>
+
+<div class="node">
+<a name="xt2"></a>
+<p><hr>
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#xl2">xl2</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Encodings">Encodings</a>
+
+</div>
+
+<h3 class="section">B.15 &lsquo;<samp><span class="samp">xt2.enc</span></samp>&rsquo;: typewriter OT1 + ISO Latin 2 extended</h3>
+
+<p><a name="index-xt2_002eenc-183"></a><a name="index-ISO-Latin-2-extended-and-typewriter_002c-_0040TeX_007b_007d-encoding-184"></a>
+
+<pre class="verbatim">% @psencodingfile{
+% author = "Petr Olsak, Zdenek Wagner",
+% date = "27aug05",
+% filename = "xt2.enc",
+% license = "public domain",
+% email = "tex-fonts@tug.org",
+% codetable = "ISO/ASCII",
+% docstring = "This is the typewriter version of xl2."
+% }
+%
+% 27aug05 - record Petr Olsak and Zdenek Wagner as the authors.
+% 12jun05 - remove Texinfo @'s from LIGKERN's.
+%
+/XT2encoding [
+%%%%% '000 = "00
+ /Gamma
+ /Delta
+ /Theta
+ /Lambda
+ /Xi
+ /Pi
+ /Sigma
+ /Upsilon
+%%%%% '010 = "08
+ /Phi
+ /Psi
+ /Omega
+ /arrowup
+ /arrowdown
+ /quotesingle
+ /exclamdown
+ /questiondown
+%%%%% '020 = "10
+ /dotlessi
+ /dotlessj
+ /grave
+ /acute
+ /caron
+ /breve
+ /macron
+ /ring
+%%%%% '030 = "18
+ /cedilla
+ /germandbls
+ /ae
+ /oe
+ /oslash
+ /AE
+ /OE
+ /Oslash
+%%%%% '040 = "20
+ /.notdef
+ /exclam
+ /quotedblright
+ /numbersign
+ /dollar
+ /percent
+ /ampersand
+ /quoteright
+%%%%% '050 = "28
+ /parenleft
+ /parenright
+ /asterisk
+ /plus
+ /comma
+ /hyphen
+ /period
+ /slash
+%%%%% '060 = "30
+ /zero
+ /one
+ /two
+ /three
+ /four
+ /five
+ /six
+ /seven
+%%%%% '070 = "38
+ /eight
+ /nine
+ /colon
+ /semicolon
+ /less
+ /equal
+ /greater
+ /question
+%%%%% '100 = "40
+ /at
+ /A
+ /B
+ /C
+ /D
+ /E
+ /F
+ /G
+%%%%% '110 = "48
+ /H
+ /I
+ /J
+ /K
+ /L
+ /M
+ /N
+ /O
+%%%%% '120 = "50
+ /P
+ /Q
+ /R
+ /S
+ /T
+ /U
+ /V
+ /W
+%%%%% '130 = "58
+ /X
+ /Y
+ /Z
+ /bracketleft
+ /backslash
+ /bracketright
+ /circumflex
+ /underscore
+%%%%% '140 = "60
+ /quoteleft
+ /a
+ /b
+ /c
+ /d
+ /e
+ /f
+ /g
+%%%%% '150 = "68
+ /h
+ /i
+ /j
+ /k
+ /l
+ /m
+ /n
+ /o
+%%%%% '160 = "70
+ /p
+ /q
+ /r
+ /s
+ /t
+ /u
+ /v
+ /w
+%%%%% '170 = "78
+ /x
+ /y
+ /z
+ /braceleft
+ /bar
+ /braceright
+ /tilde
+ /dieresis
+%%%%% '200 = "80
+ /ellipsis
+ /dagger
+ /daggerdbl
+ /bullet
+ /sterling
+ /paragraph
+ /.notdef
+ /.notdef
+%%%%% '210 = "88
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /perthousand
+ /.notdef
+ /.notdef
+%%%%% '220 = "90
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+%%%%% '230 = "98
+ /Agrave
+ /.notdef
+ /.notdef
+ /.notdef
+ /hyphen
+ /ogonek
+ /guillemotleft
+ /guillemotright
+%%%%% '240 = "A0
+ /.notdef
+ /Aogonek
+ /breve
+ /Lslash
+ /currency
+ /Lcaron
+ /Sacute
+ /section
+%%%%% '250 = "A8
+ /dieresis
+ /Scaron
+ /Scedilla
+ /Tcaron
+ /Zacute
+ /.notdef
+ /Zcaron
+ /Zdotaccent
+%%%%% '260 = "B0
+ /ring
+ /aogonek
+ /cedilla
+ /lslash
+ /acute
+ /lcaron
+ /sacute
+ /caron
+%%%%% '270 = "B8
+ /agrave
+ /scaron
+ /scedilla
+ /tcaron
+ /zacute
+ /hungarumlaut
+ /zcaron
+ /zdotaccent
+%%%%% '300 = "C0
+ /Racute
+ /Aacute
+ /Acircumflex
+ /Abreve
+ /Adieresis
+ /Lacute
+ /Cacute
+ /Ccedilla
+%%%%% '310 = "C8
+ /Ccaron
+ /Eacute
+ /Eogonek
+ /Edieresis
+ /Ecaron
+ /Iacute
+ /Icircumflex
+ /Dcaron
+%%%%% '320 = "D0
+ /Eth
+ /Nacute
+ /Ncaron
+ /Oacute
+ /Ocircumflex
+ /Ohungarumlaut
+ /Odieresis
+ /multiply
+%%%%% '330 = "D8
+ /Rcaron
+ /Uring
+ /Uacute
+ /Uhungarumlaut
+ /Udieresis
+ /Yacute
+ /Togonek
+ /germandbls
+%%%%% '340 = "E0
+ /racute
+ /aacute
+ /acircumflex
+ /abreve
+ /adieresis
+ /lacute
+ /cacute
+ /ccedilla
+%%%%% '350 = "E8
+ /ccaron
+ /eacute
+ /eogonek
+ /edieresis
+ /ecaron
+ /iacute
+ /icircumflex
+ /dcaron
+%%%%% '360 = "F0
+ /eth
+ /nacute
+ /ncaron
+ /oacute
+ /ocircumflex
+ /ohungarumlaut
+ /odieresis
+ /divide
+%%%%% '370 = "F8
+ /rcaron
+ /uring
+ /uacute
+ /uhungarumlaut
+ /udieresis
+ /yacute
+ /quotedblbase
+ /quotedblleft
+] def
+
+% LIGKERN quoteleft quoteleft =: quotedblleft ;
+% LIGKERN quoteright quoteright =: quotedblright ;
+% LIGKERN exclamdown exclamdown =: guillemotleft ;
+% frenchdblquotes
+% LIGKERN questiondown questiondown =: guillemotright ;
+% csquoteleft
+% LIGKERN comma comma =: quotedblbase ;
+% LIGKERN space {} * ; * {} space ; zero {} * ; * {} zero ;
+% LIGKERN one {} * ; * {} one ; two {} * ; * {} two ;
+% LIGKERN three {} * ; * {} three ; four {} * ; * {} four ;
+% LIGKERN five {} * ; * {} five ; six {} * ; * {} six ;
+% LIGKERN seven {} * ; * {} seven ; eight {} * ; * {} eight ;
+% LIGKERN nine {} * ; * {} nine ;
+% LIGKERN question {} quoteleft ; exclam {} quoteleft ;
+% LIGKERN f {} f ; f {} i ; f {} l ;
+</pre>
+
+<div class="node">
+<a name="Font-legalities"></a>
+<p><hr>
+Next:&nbsp;<a rel="next" accesskey="n" href="#General-index">General index</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#Encodings">Encodings</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Top">Top</a>
+
+</div>
+
+<h2 class="appendix">Appendix C Font legalities</h2>
+
+<p><a name="index-legalisms-185"></a><a name="index-typeface-design-protection-186"></a><a name="index-copyright-on-fonts-187"></a><a name="index-font-copyrighting-188"></a><a name="index-patenting-of-fonts-189"></a>
+<a name="index-Bigelow_002c-Charles-190"></a><a name="index-Holmes_002c-Kris-191"></a>This section owes a great deal to Charles Bigelow (co-designer with Kris
+Holmes of the Lucida typeface family, among others), who has generously
+answered our many queries about fonts and the law around the world with
+remarkable patience and understanding. (But he is naturally not
+responsible for any errors here, much less our opinions.)
+
+ <p>Fonts have always been treated rather strangely under the law, as befits
+their rather strange nature: letterforms are indivisibly both
+<em>useful</em> and <em>artistic</em>. In most countries&mdash;in all countries
+until recently&mdash;utility has taken precedence; i.e., it has been legal
+to copy fonts without permission or fee.
+
+ <p>In any case, to the best of my knowledge, the situation in those
+countries which have adopted any sort of typeface protection is as
+follows. This was originally written in the early 1990's; these days,
+the situation is probably different, due to widespread adoption of
+software patents, among other things, but I lack specific information
+to include.
+
+
+<a name="index-United-States_002c-font-design-protection-law-192"></a>
+<a name="index-Lucida_002c-protection-of-193"></a>
+<a name="index-Stone_002c-protection-of-194"></a>
+<dl><dt>United States<dd>Typeface designs can be patented, but not copyrighted. Only a few
+designs have been patented. (Lucida and Stone are the only ones I know
+of. I don't know what the grounds were for patenting Stone, but Lucida
+had some novel features in its design which make it reasonable to
+patent, given the acceptance of the patent system in the first place.)
+
+ <p>Particular programs which instantiate a font can be copyrighted just as
+any other computer program can. This is arguably wrong, since font
+programs are nothing but a description of the shapes, possibly with some
+simple hints, and there's only one basic way to describe the shapes in
+any given language. Thus, the creativity lies in making the shape
+right, not in making the computer program right, so it would seem that
+to be consistent, the copyright laws should protect the design, not the
+program&mdash;the opposite of the current situation.
+
+ <p><a name="index-Germany_002c-font-design-protection-law-195"></a><a name="index-Renner_002c-Paul-196"></a><a name="index-Futura-197"></a><br><dt>Germany<dd>Typeface designs have been copyrightable as original works of art since
+1981. As a result, many (perhaps most) designs have been copyrighted
+there. The law is not retroactive, but German courts have upheld the
+intellectual property rights of designers of earlier fonts as well: In
+one case the heirs of Paul Renner (designer of Futura) won a suit against
+the Bauer foundry for arbitrarily discontinuing a portion of their
+royalties.
+
+ <p><a name="index-England_002c-font-design-protection-law-198"></a><a name="index-Times-Roman_002c-protection-of-199"></a><a name="index-Morison_002c-Stanley-200"></a><br><dt>England<dd>A copyright law passed in 1989 covers typeface designs first published
+in England (or published in Britain within 30 days of its publication
+elsewhere), and it <em>is</em> retroactive. It's unclear how far back
+the law extends, but Times Roman, designed in the late 1920's and
+1930's by Stanley Morison is probably covered. This does not mean GNU
+(for example) cannot have a Times Roman; it just means we cannot start
+with an English version, as the law does not forbid importing foreign
+versions of English typefaces.
+
+ <p><a name="index-France_002c-font-design-protection-law-201"></a><a name="index-romain-du-roi-202"></a><a name="index-Grandjean_002c-Philippe-203"></a><br><dt>France<dd>The Romain du Roi typeface designed by Philippe Grandjean in 1702 for
+the French royal family is protected, and perhaps other such &ldquo;royal&rdquo;
+designs. There is no protection for designs in general.
+
+ </dl>
+
+ <p><a name="index-Vienna-treaty-204"></a>In 1973 the international Vienna treaty on typeface design protection
+was proposed. France ratified it in 1974 or 1975, and Germany in 1981.
+The English law might constitute ratification, but this has not been
+settled. In any case, since at least four countries have to ratify it
+before it takes effect (and even then it takes effect only in those
+countries which ratify it), it is still of no consequence for now.
+
+<div class="node">
+<a name="General-index"></a>
+<p><hr>
+Previous:&nbsp;<a rel="previous" accesskey="p" href="#Font-legalities">Font legalities</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="#Top">Top</a>
+
+</div>
+
+<h2 class="unnumbered">General index</h2>
+
+<ul class="index-cp" compact>
+<li><a href="#index-g_t35-standard-PostScript-fonts-112">35 standard PostScript fonts</a>: <a href="#Standard-PostScript-fonts">Standard PostScript fonts</a></li>
+<li><a href="#index-g_t62_002eenc-127"><code>62.enc</code></a>: <a href="#g_t6w">6w</a></li>
+<li><a href="#index-g_t7_002dbit-encodings-72">7-bit encodings</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-g_t8_002dbit-encodings-73">8-bit encodings</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-g_t8a_002eenc-131"><code>8a.enc</code></a>: <a href="#g_t8a">8a</a></li>
+<li><a href="#index-g_t8r_002eenc-134"><code>8r.enc</code></a>: <a href="#g_t8r">8r</a></li>
+<li><a href="#index-g_t9s-_0040r_007bvariant_007d-76"><code>9s </code><span class="roman">variant</span></a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-Adobe-standard-encoding-132">Adobe standard encoding</a>: <a href="#g_t8a">8a</a></li>
+<li><a href="#index-adobe_002emap-115"><code>adobe.map</code></a>: <a href="#Adobe-fonts">Adobe fonts</a></li>
+<li><a href="#index-Afm2tfm-encoding-82">Afm2tfm encoding</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-apple_002emap-116"><code>apple.map</code></a>: <a href="#Apple-fonts">Apple fonts</a></li>
+<li><a href="#index-attribution-of-fonts_002c-missing-48">attribution of fonts, missing</a>: <a href="#Suppliers">Suppliers</a></li>
+<li><a href="#index-automatic-expansion-100">automatic expansion</a>: <a href="#Widths">Widths</a></li>
+<li><a href="#index-Avant-Garde-44">Avant Garde</a>: <a href="#Suppliers">Suppliers</a></li>
+<li><a href="#index-base-encoding_002c-for-_0040TeX_007b_007d-136">base encoding, for TeX</a>: <a href="#g_t8r">8r</a></li>
+<li><a href="#index-Beebe_002c-Nelson-14">Beebe, Nelson</a>: <a href="#History">History</a></li>
+<li><a href="#index-Beeton_002c-Barbara-15">Beeton, Barbara</a>: <a href="#History">History</a></li>
+<li><a href="#index-Bernstein_002c-Rocky-16">Bernstein, Rocky</a>: <a href="#History">History</a></li>
+<li><a href="#index-Bigelow_002c-Charles-190">Bigelow, Charles</a>: <a href="#Font-legalities">Font legalities</a></li>
+<li><a href="#index-bitstrea_002emap-117"><code>bitstrea.map</code></a>: <a href="#Bitstream-fonts">Bitstream fonts</a></li>
+<li><a href="#index-bizarre-font-names-51">bizarre font names</a>: <a href="#Suppliers">Suppliers</a></li>
+<li><a href="#index-Bouche_002c-Thierry-17">Bouche, Thierry</a>: <a href="#History">History</a></li>
+<li><a href="#index-bright-variant-69">bright variant</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-bugs_002c-reporting-2">bugs, reporting</a>: <a href="#Introduction">Introduction</a></li>
+<li><a href="#index-category-codes-111">category codes</a>: <a href="#Long-naming-scheme">Long naming scheme</a></li>
+<li><a href="#index-character-scaling_002c-automatic-101">character scaling, automatic</a>: <a href="#Widths">Widths</a></li>
+<li><a href="#index-compression-98">compression</a>: <a href="#Widths">Widths</a></li>
+<li><a href="#index-contributors-13">contributors</a>: <a href="#History">History</a></li>
+<li><a href="#index-copyright-on-fonts-187">copyright on fonts</a>: <a href="#Font-legalities">Font legalities</a></li>
+<li><a href="#index-Cork-encoding-144">Cork encoding</a>: <a href="#ec">ec</a></li>
+<li><a href="#index-CP_002d1251-encoding-129">CP-1251 encoding</a>: <a href="#g_t6w">6w</a></li>
+<li><a href="#index-Cugley_002c-Damian-18">Cugley, Damian</a>: <a href="#History">History</a></li>
+<li><a href="#index-Cyrillic-encoding-128">Cyrillic encoding</a>: <a href="#g_t6w">6w</a></li>
+<li><a href="#index-Cyrillic-encodings-71">Cyrillic encodings</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-Cyrillic-fonts-86">Cyrillic fonts</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-design-size-specification-37">design size specification</a>: <a href="#Filenames-for-fonts">Filenames for fonts</a></li>
+<li><a href="#index-distribution-5">distribution</a>: <a href="#Introduction">Introduction</a></li>
+<li><a href="#index-dtc_002emap-118"><code>dtc.map</code></a>: <a href="#DTC-fonts">DTC fonts</a></li>
+<li><a href="#index-Dviljk-translator-33">Dviljk translator</a>: <a href="#References">References</a></li>
+<li><a href="#index-Dvips-encoding-141">Dvips encoding</a>: <a href="#dvips">dvips</a></li>
+<li><a href="#index-Dvips-translator-32">Dvips translator</a>: <a href="#References">References</a></li>
+<li><a href="#index-dvips_002eenc-140"><code>dvips.enc</code></a>: <a href="#dvips">dvips</a></li>
+<li><a href="#index-EC-encoding-145">EC encoding</a>: <a href="#ec">ec</a></li>
+<li><a href="#index-ec_002eenc-143"><code>ec.enc</code></a>: <a href="#ec">ec</a></li>
+<li><a href="#index-encoding-files-6">encoding files</a>: <a href="#Introduction">Introduction</a></li>
+<li><a href="#index-encoding-vectors-126">encoding vectors</a>: <a href="#Encodings">Encodings</a></li>
+<li><a href="#index-encoding_002c-Dvips-142">encoding, Dvips</a>: <a href="#dvips">dvips</a></li>
+<li><a href="#index-encoding_002c-Groff-152">encoding, Groff</a>: <a href="#groff">groff</a></li>
+<li><a href="#index-encoding_002c-T5-156">encoding, T5</a>: <a href="#t5">t5</a></li>
+<li><a href="#index-encodings_002c-Adobe-standard-133">encodings, Adobe standard</a>: <a href="#g_t8a">8a</a></li>
+<li><a href="#index-encodings_002c-Cork-147">encodings, Cork</a>: <a href="#ec">ec</a></li>
+<li><a href="#index-encodings_002c-Cyrillic-CP_002d1251-130">encodings, Cyrillic CP-1251</a>: <a href="#g_t6w">6w</a></li>
+<li><a href="#index-encodings_002c-EC-148">encodings, EC</a>: <a href="#ec">ec</a></li>
+<li><a href="#index-encodings_002c-qx-158">encodings, qx</a>: <a href="#qx">qx</a></li>
+<li><a href="#index-encodings_002c-_0040TeX_007b_007d-base-137">encodings, TeX base</a>: <a href="#g_t8r">8r</a></li>
+<li><a href="#index-encodings_002c-_0040TeX_007b_007d-Latin-1-149">encodings, TeX Latin 1</a>: <a href="#ec">ec</a></li>
+<li><a href="#index-encodings_002c-_0040TeX_007b_007d-math-italic-174">encodings, TeX math italic</a>: <a href="#texmital">texmital</a></li>
+<li><a href="#index-encodings_002c-_0040TeX_007b_007d-math-symbol-169">encodings, TeX math symbol</a>: <a href="#texmsym">texmsym</a></li>
+<li><a href="#index-encodings_002c-_0040TeX_007b_007d-math-symbol-164">encodings, TeX math symbol</a>: <a href="#texmext">texmext</a></li>
+<li><a href="#index-encodings_002c-texnansi-176">encodings, texnansi</a>: <a href="#texnansi">texnansi</a></li>
+<li><a href="#index-encodings_002c-texnansx-179">encodings, texnansx</a>: <a href="#texnansx">texnansx</a></li>
+<li><a href="#index-encodings_002c-unspecified-81">encodings, unspecified</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-England_002c-font-design-protection-law-198">England, font design protection law</a>: <a href="#Font-legalities">Font legalities</a></li>
+<li><a href="#index-Ertner_002c-Vincent-123">Ertner, Vincent</a>: <a href="#URW-fonts">URW fonts</a></li>
+<li><a href="#index-escape-for-nonstandard-names-53">escape for nonstandard names</a>: <a href="#Suppliers">Suppliers</a></li>
+<li><a href="#index-expansion-99">expansion</a>: <a href="#Widths">Widths</a></li>
+<li><a href="#index-expert-encoding-94">expert encoding</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-expertised-encodings-74">expertised encodings</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-expertised-font-95">expertised font</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-extension_002c-_0040TeX_007b_007d-math-encoding-163">extension, TeX math encoding</a>: <a href="#texmext">texmext</a></li>
+<li><a href="#index-fax-variant-68">fax variant</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-filenames_002c-basics-36">filenames, basics</a>: <a href="#Filenames-for-fonts">Filenames for fonts</a></li>
+<li><a href="#index-font-copyrighting-188">font copyrighting</a>: <a href="#Font-legalities">Font legalities</a></li>
+<li><a href="#index-font-scaling-39">font scaling</a>: <a href="#Filenames-for-fonts">Filenames for fonts</a></li>
+<li><a href="#index-font_005fcoding_005fscheme-110"><code>font_coding_scheme</code></a>: <a href="#Long-naming-scheme">Long naming scheme</a></li>
+<li><a href="#index-Fontinst-distribution-31">Fontinst distribution</a>: <a href="#References">References</a></li>
+<li><a href="#index-FontName-59"><code>FontName</code></a>: <a href="#Typefaces">Typefaces</a></li>
+<li><a href="#index-fontname-mapping-file-104">fontname mapping file</a>: <a href="#Name-mapping-file">Name mapping file</a></li>
+<li><a href="#index-Fontname-version-2-12">Fontname version 2</a>: <a href="#History">History</a></li>
+<li><a href="#index-foundries-42">foundries</a>: <a href="#Suppliers">Suppliers</a></li>
+<li><a href="#index-France_002c-font-design-protection-law-201">France, font design protection law</a>: <a href="#Font-legalities">Font legalities</a></li>
+<li><a href="#index-Futura-197">Futura</a>: <a href="#Font-legalities">Font legalities</a></li>
+<li><a href="#index-Garamond_002c-versions-of-56">Garamond, versions of</a>: <a href="#Typefaces">Typefaces</a></li>
+<li><a href="#index-Germany_002c-font-design-protection-law-195">Germany, font design protection law</a>: <a href="#Font-legalities">Font legalities</a></li>
+<li><a href="#index-Grandjean_002c-Philippe-203">Grandjean, Philippe</a>: <a href="#Font-legalities">Font legalities</a></li>
+<li><a href="#index-Greek-fonts-85">Greek fonts</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-Groff-encoding-151">Groff encoding</a>: <a href="#groff">groff</a></li>
+<li><a href="#index-groff_002eenc-150"><code>groff.enc</code></a>: <a href="#groff">groff</a></li>
+<li><a href="#index-hexadecimal-design-size-38">hexadecimal design size</a>: <a href="#Filenames-for-fonts">Filenames for fonts</a></li>
+<li><a href="#index-history-9">history</a>: <a href="#History">History</a></li>
+<li><a href="#index-Holmes_002c-Kris-191">Holmes, Kris</a>: <a href="#Font-legalities">Font legalities</a></li>
+<li><a href="#index-Horn_002c-Berthol-19">Horn, Berthol</a>: <a href="#History">History</a></li>
+<li><a href="#index-individual-font-designers-46">individual font designers</a>: <a href="#Suppliers">Suppliers</a></li>
+<li><a href="#index-informal-variant-88">informal variant</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-introduction-1">introduction</a>: <a href="#Introduction">Introduction</a></li>
+<li><a href="#index-ISO-Latin-2-extended-and-typewriter_002c-_0040TeX_007b_007d-encoding-184">ISO Latin 2 extended and typewriter, TeX encoding</a>: <a href="#xt2">xt2</a></li>
+<li><a href="#index-ISO-Latin-2-extended_002c-_0040TeX_007b_007d-encoding-182">ISO Latin 2 extended, TeX encoding</a>: <a href="#xl2">xl2</a></li>
+<li><a href="#index-italic_002c-_0040TeX_007b_007d-math-encoding-173">italic, TeX math encoding</a>: <a href="#texmital">texmital</a></li>
+<li><a href="#index-itc_002emap-119"><code>itc.map</code></a>: <a href="#ITC-fonts">ITC fonts</a></li>
+<li><a href="#index-Jeffrey_002c-Alan-20">Jeffrey, Alan</a>: <a href="#History">History</a></li>
+<li><a href="#index-Knuth_002c-Donald-E_002e-107">Knuth, Donald E.</a>: <a href="#Name-mapping-file">Name mapping file</a></li>
+<li><a href="#index-Lang_002c-Russell-21">Lang, Russell</a>: <a href="#History">History</a></li>
+<li><a href="#index-LaserJet-4-fonts-83">LaserJet 4 fonts</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-legalisms-185">legalisms</a>: <a href="#Font-legalities">Font legalities</a></li>
+<li><a href="#index-letterspacing-64">letterspacing</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-ligatures-and-encodings-77">ligatures and encodings</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-linotype_002emap-120"><code>linotype.map</code></a>: <a href="#Linotype-fonts">Linotype fonts</a></li>
+<li><a href="#index-long-names-103">long names</a>: <a href="#Long-names">Long names</a></li>
+<li><a href="#index-long-naming-scheme-108">long naming scheme</a>: <a href="#Long-naming-scheme">Long naming scheme</a></li>
+<li><a href="#index-lslash-79"><code>lslash</code></a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-Lslash-78"><code>Lslash</code></a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-Lubalin_002c-Herb-45">Lubalin, Herb</a>: <a href="#Suppliers">Suppliers</a></li>
+<li><a href="#index-Lucida-Bright-139">Lucida Bright</a>: <a href="#g_t8r">8r</a></li>
+<li><a href="#index-Lucida_002c-protection-of-193">Lucida, protection of</a>: <a href="#Font-legalities">Font legalities</a></li>
+<li><a href="#index-MacKay_002c-Pierre-22">MacKay, Pierre</a>: <a href="#History">History</a></li>
+<li><a href="#index-mapping-file-105">mapping file</a>: <a href="#Name-mapping-file">Name mapping file</a></li>
+<li><a href="#index-mapping-files-7">mapping files</a>: <a href="#Introduction">Introduction</a></li>
+<li><a href="#index-math-extension_002c-_0040TeX_007b_007d-encoding-162">math extension, TeX encoding</a>: <a href="#texmext">texmext</a></li>
+<li><a href="#index-math-italic_002c-_0040TeX_007b_007d-encoding-172">math italic, TeX encoding</a>: <a href="#texmital">texmital</a></li>
+<li><a href="#index-math-symbol_002c-_0040TeX_007b_007d-encoding-167">math symbol, TeX encoding</a>: <a href="#texmsym">texmsym</a></li>
+<li><a href="#index-math-variants-87">math variants</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-Mittelbach_002c-Frank-93">Mittelbach, Frank</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-Mittelbach_002c-Frank-40">Mittelbach, Frank</a>: <a href="#Filenames-for-fonts">Filenames for fonts</a></li>
+<li><a href="#index-Mittelbach_002c-Frank-10">Mittelbach, Frank</a>: <a href="#History">History</a></li>
+<li><a href="#index-modes_002emf-30"><code>modes.mf</code></a>: <a href="#References">References</a></li>
+<li><a href="#index-monotype_002emap-121"><code>monotype.map</code></a>: <a href="#Monotype-fonts">Monotype fonts</a></li>
+<li><a href="#index-Morison_002c-Stanley-200">Morison, Stanley</a>: <a href="#Font-legalities">Font legalities</a></li>
+<li><a href="#index-multiple-variants-63">multiple variants</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-nonstandard-names_002c-escape-for-52">nonstandard names, escape for</a>: <a href="#Suppliers">Suppliers</a></li>
+<li><a href="#index-patenting-of-fonts-189">patenting of fonts</a>: <a href="#Font-legalities">Font legalities</a></li>
+<li><a href="#index-phonetic-encodings-70">phonetic encodings</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-pi-fonts-57">pi fonts</a>: <a href="#Typefaces">Typefaces</a></li>
+<li><a href="#index-PostScript-encoding-vectors-125">PostScript encoding vectors</a>: <a href="#Encodings">Encodings</a></li>
+<li><a href="#index-PostScript-fonts_002c-standard-114">PostScript fonts, standard</a>: <a href="#Standard-PostScript-fonts">Standard PostScript fonts</a></li>
+<li><a href="#index-qx-encoding-159">qx encoding</a>: <a href="#qx">qx</a></li>
+<li><a href="#index-qx_002eenc-157"><code>qx.enc</code></a>: <a href="#qx">qx</a></li>
+<li><a href="#index-Rahtz_002c-Sebastian-23">Rahtz, Sebastian</a>: <a href="#History">History</a></li>
+<li><a href="#index-raw-fonts-50">raw fonts</a>: <a href="#Suppliers">Suppliers</a></li>
+<li><a href="#index-references-26">references</a>: <a href="#References">References</a></li>
+<li><a href="#index-related-files-27">related files</a>: <a href="#References">References</a></li>
+<li><a href="#index-Renner_002c-Paul-196">Renner, Paul</a>: <a href="#Font-legalities">Font legalities</a></li>
+<li><a href="#index-reporting-bugs-3">reporting bugs</a>: <a href="#Introduction">Introduction</a></li>
+<li><a href="#index-Rivlin_002c-Jean-24">Rivlin, Jean</a>: <a href="#History">History</a></li>
+<li><a href="#index-Rokicki_002c-Tom-25">Rokicki, Tom</a>: <a href="#History">History</a></li>
+<li><a href="#index-romain-du-roi-202">romain du roi</a>: <a href="#Font-legalities">Font legalities</a></li>
+<li><a href="#index-sans-variant-92">sans variant</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-Schoepf_002c-Rainer-11">Schoepf, Rainer</a>: <a href="#History">History</a></li>
+<li><a href="#index-schoolbook-variant-89">schoolbook variant</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-scripts-84">scripts</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-semisans-variant-66">semisans variant</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-semiserif-variant-67">semiserif variant</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-small-caps-fonts-65">small caps fonts</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-small-foundries-47">small foundries</a>: <a href="#Suppliers">Suppliers</a></li>
+<li><a href="#index-Southall_002c-Richard-35">Southall, Richard</a>: <a href="#References">References</a></li>
+<li><a href="#index-standard-PostScript-fonts-113">standard PostScript fonts</a>: <a href="#Standard-PostScript-fonts">Standard PostScript fonts</a></li>
+<li><a href="#index-Stone-Informal-90">Stone Informal</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-Stone_002c-protection-of-194">Stone, protection of</a>: <a href="#Font-legalities">Font legalities</a></li>
+<li><a href="#index-SuperFont-75"><code>SuperFont</code></a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-supplier_002emap-54"><code>supplier.map</code></a>: <a href="#Suppliers">Suppliers</a></li>
+<li><a href="#index-suppliers-41">suppliers</a>: <a href="#Suppliers">Suppliers</a></li>
+<li><a href="#index-symbol_002c-_0040TeX_007b_007d-math-encoding-168">symbol, TeX math encoding</a>: <a href="#texmsym">texmsym</a></li>
+<li><a href="#index-T1_002eetx-80"><code>T1.etx</code></a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-T5-encoding-154">T5 encoding</a>: <a href="#t5">t5</a></li>
+<li><a href="#index-t5_002eenc-153"><code>t5.enc</code></a>: <a href="#t5">t5</a></li>
+<li><a href="#index-TDS-standard-29">TDS standard</a>: <a href="#References">References</a></li>
+<li><a href="#index-terminology-34">terminology</a>: <a href="#References">References</a></li>
+<li><a href="#index-g_t_0040TeX_007b_007d-base-encoding-135">TeX base encoding</a>: <a href="#g_t8r">8r</a></li>
+<li><a href="#index-g_t_0040TeX_007b_007d-Directory-Structure-standard-28">TeX Directory Structure standard</a>: <a href="#References">References</a></li>
+<li><a href="#index-g_t_0040TeX_007b_007d-Latin-1-encoding-146">TeX Latin 1 encoding</a>: <a href="#ec">ec</a></li>
+<li><a href="#index-g_t_0040TeX_007b_007d-math-extension-encoding-161">TeX math extension encoding</a>: <a href="#texmext">texmext</a></li>
+<li><a href="#index-g_t_0040TeX_007b_007d-math-italic-encoding-171">TeX math italic encoding</a>: <a href="#texmital">texmital</a></li>
+<li><a href="#index-g_t_0040TeX_007b_007d-math-symbol-encoding-166">TeX math symbol encoding</a>: <a href="#texmsym">texmsym</a></li>
+<li><a href="#index-tex_002dfonts_0040_0040tug_002eorg-4"><code>tex-fonts@tug.org</code></a>: <a href="#Introduction">Introduction</a></li>
+<li><a href="#index-texfonts_002emap-106"><code>texfonts.map</code></a>: <a href="#Name-mapping-file">Name mapping file</a></li>
+<li><a href="#index-texmext_002eenc-160"><code>texmext.enc</code></a>: <a href="#texmext">texmext</a></li>
+<li><a href="#index-texmital_002eenc-170"><code>texmital.enc</code></a>: <a href="#texmital">texmital</a></li>
+<li><a href="#index-texmsym_002eenc-165"><code>texmsym.enc</code></a>: <a href="#texmsym">texmsym</a></li>
+<li><a href="#index-texnansi-encoding-177">texnansi encoding</a>: <a href="#texnansi">texnansi</a></li>
+<li><a href="#index-texnansi_002eenc-175"><code>texnansi.enc</code></a>: <a href="#texnansi">texnansi</a></li>
+<li><a href="#index-texnansx-encoding-180">texnansx encoding</a>: <a href="#texnansx">texnansx</a></li>
+<li><a href="#index-texnansx_002eenc-178"><code>texnansx.enc</code></a>: <a href="#texnansx">texnansx</a></li>
+<li><a href="#index-Times-Roman_002c-protection-of-199">Times Roman, protection of</a>: <a href="#Font-legalities">Font legalities</a></li>
+<li><a href="#index-type-foundries-43">type foundries</a>: <a href="#Suppliers">Suppliers</a></li>
+<li><a href="#index-typeface-design-protection-186">typeface design protection</a>: <a href="#Font-legalities">Font legalities</a></li>
+<li><a href="#index-typeface_002emap-58"><code>typeface.map</code></a>: <a href="#Typefaces">Typefaces</a></li>
+<li><a href="#index-typefaces-55">typefaces</a>: <a href="#Typefaces">Typefaces</a></li>
+<li><a href="#index-typewriter-variant-91">typewriter variant</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-unattributed-fonts-49">unattributed fonts</a>: <a href="#Suppliers">Suppliers</a></li>
+<li><a href="#index-United-States_002c-font-design-protection-law-192">United States, font design protection law</a>: <a href="#Font-legalities">Font legalities</a></li>
+<li><a href="#index-URW-fonts-122">URW fonts</a>: <a href="#URW-fonts">URW fonts</a></li>
+<li><a href="#index-urw_002emap-124"><code>urw.map</code></a>: <a href="#URW-fonts">URW fonts</a></li>
+<li><a href="#index-utilities-8">utilities</a>: <a href="#Introduction">Introduction</a></li>
+<li><a href="#index-variant_002emap-96"><code>variant.map</code></a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-variants-62">variants</a>: <a href="#Variants">Variants</a></li>
+<li><a href="#index-Vienna-treaty-204">Vienna treaty</a>: <a href="#Font-legalities">Font legalities</a></li>
+<li><a href="#index-Vietnamese-encoding-155">Vietnamese encoding</a>: <a href="#t5">t5</a></li>
+<li><a href="#index-weight-60">weight</a>: <a href="#Weights">Weights</a></li>
+<li><a href="#index-weight_002emap-61"><code>weight.map</code></a>: <a href="#Weights">Weights</a></li>
+<li><a href="#index-width_002emap-102"><code>width.map</code></a>: <a href="#Widths">Widths</a></li>
+<li><a href="#index-widths-97">widths</a>: <a href="#Widths">Widths</a></li>
+<li><a href="#index-Windows-ANSI-138">Windows ANSI</a>: <a href="#g_t8r">8r</a></li>
+<li><a href="#index-X-Window-System-font-names-109">X Window System font names</a>: <a href="#Long-naming-scheme">Long naming scheme</a></li>
+<li><a href="#index-xl2_002eenc-181"><code>xl2.enc</code></a>: <a href="#xl2">xl2</a></li>
+<li><a href="#index-xt2_002eenc-183"><code>xt2.enc</code></a>: <a href="#xt2">xt2</a></li>
+ </ul></body></html>
+
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@@ -0,0 +1,1349 @@
+\input texinfo
+@c This file is in the public domain and may be used freely.
+@c
+@c @texinfofile{
+@c author = "Karl Berry",
+@c date = "30oct08",
+@c filename = "fontname.texi",
+@c email = "tex-fonts@@math.utah.edu",
+@c url = "http://tug.org/fontname/",
+@c docstring = "A naming scheme for font files intended to be usable
+@c with all systems on which TeX runs."
+@c }
+@setfilename fontname.info
+@settitle Filenames for @TeX{} fonts
+
+@copying
+This document is in the public domain and may be used freely.
+@end copying
+
+@c Define a new index for filenames, and use the concept index for everything.
+@defcodeindex fl
+@syncodeindex fl cp
+@syncodeindex fn cp
+
+@dircategory TeX
+@direntry
+* Naming TeX fonts: (fontname). Filenames for TeX fonts.
+@end direntry
+
+
+@titlepage
+@title Fontname
+@subtitle October 2008
+@subtitle Filenames for @TeX{} fonts
+@author Karl Berry
+@end titlepage
+
+@contents
+
+@ifnottex
+@node Top
+@top Filenames for @TeX{} fonts
+
+This is Fontname, a naming scheme for (the base part of) external @TeX{}
+font filenames. Last update 30 October 2008.
+
+@menu
+* Introduction:: Rationale and basic information about fonts.
+* Filenames for fonts:: The construction of font names.
+* Long names:: A specification for long filenames.
+* Font name lists:: Real fontnames for many existing fonts.
+* Encodings:: Specifications for various encodings.
+* Font legalities:: Legal issues vary from country to country.
+* General index:: Index.
+
+@detailmenu
+ --- The Detailed Node Listing ---
+
+Introduction
+
+* History::
+* References::
+
+Filenames for fonts
+
+* Suppliers::
+* Typefaces::
+* Weights::
+* Variants::
+* Widths::
+
+Long names
+
+* Name mapping file:: Aliases for fonts.
+* Long naming scheme:: A way to use more than 8 alphanumerics.
+
+Font name lists
+
+* Standard PostScript fonts:: The standard 35 PostScript fonts.
+* Adobe fonts::
+* Apple fonts::
+* Bitstream fonts::
+* DTC fonts::
+* ITC fonts::
+* Linotype fonts::
+* Monotype fonts::
+* URW fonts::
+
+Encodings
+
+* 8a:: Adobe standard.
+* 8r:: TeX base.
+* dvips:: Dvips.
+* ec:: EC (aka Cork, TeX Latin 1, tex256).
+* qx:: QX, from GUST.
+* t5:: Vietnamese, from vntex.
+* texmext:: TeX math extension.
+* texmsym:: TeX math symbol.
+* texmital:: TeX math italic.
+* texnansi:: From Y&Y.
+* texnansx:: From Y&Y.
+* xl2:: OT1 + ISO Latin 2 (extended).
+* xt2:: Typewriter version of xl2.
+
+@end detailmenu
+@end menu
+
+@end ifnottex
+
+
+@node Introduction
+@chapter Introduction
+
+@cindex introduction
+
+This is Fontname, a naming scheme for (the base part of) external @TeX{}
+font filenames. This makes at most eight-character names from (almost)
+arbitrarily complex font names, thus helping portability of @TeX{}
+documents. We point out some shortcomings of the scheme, and ways of
+dealing with them.
+
+@cindex bugs, reporting
+@cindex reporting bugs
+@flindex tex-fonts@@tug.org
+Please send additions, corrections, or other comments to
+@email{tex-fonts@@tug.org}. Email
+@email{tex-fonts-request@@tug.org} to join the list.
+
+@cindex distribution
+@cindex encoding files
+@cindex mapping files
+@cindex utilities
+Besides this document, the Fontname distribution includes various
+encoding files, mapping files, and utilities. See the file
+@file{README} for details. You can retrieve the most up-to-date
+version of these lists from @uref{http://tug.org/fontname}. It is
+also mirrored on all CTAN hosts in the directory
+@file{tex-archive/doc/fontname}. For a list of CTAN mirrors, see
+@uref{http://www.ctan.org/tex-archive/CTAN.sites}.
+
+This document is in the public domain and may be used freely.
+
+@menu
+* History::
+* References::
+@end menu
+
+
+@node History
+@section History
+
+@cindex history
+
+@cindex Mittelbach, Frank
+@cindex Schoepf, Rainer
+The original inspiration for Fontname was Frank Mittelbach and Rainer
+Schoepf's article in @cite{TUGboat} 11(2) (June 1990), which led to my
+article in @cite{TUGboat} 11(4) (November 1990), pages 512--519.
+Mittelbach wrote another article criticizing the scheme below in
+@cite{TUGboat} 13(1) (April 1992), pages 51--53; most of his points are
+well-taken, but I saw no alternative then, and see no alternative now.
+Others of his points are addressed in the appropriate sections below.
+
+@cindex Fontname version 2
+In August 1995, Fontname version 2 was released, concomitantly with a new
+release of the PostScript fonts for use with La@TeX{} and Dvips. After
+several years of experience, several modifications of the original
+distribution seemed desirable: more precise specification of encodings
+(@pxref{Variants}); machine-readable mapping files (the @file{*.map}
+files in the distribution) and standardizing directory names as well as
+font filenames (included in @file{supplier.map} and
+@file{typeface.map}).
+
+In Fontname version 1, some encoding variant characters (@samp{0},
+@samp{2}, etc.) have been reassigned to a @samp{7} or @samp{8} sequence
+(@pxref{Variants}). Although this is an incompatible change, the
+advantages of (1) consistency in naming encoding variants, and (2)
+having some free variants makes it worthwhile. Also, not so
+coincidentally, new metrics for PostScript fonts in the Cork encoding
+were issued---same encoding, different metrics. So a new name served a
+practical purpose as well.
+
+@cindex contributors
+@cindex Beebe, Nelson
+@cindex Beeton, Barbara
+@cindex Bernstein, Rocky
+@cindex Bouche, Thierry
+@cindex Cugley, Damian
+@cindex Horn, Berthol
+@cindex Jeffrey, Alan
+@cindex Lang, Russell
+@cindex MacKay, Pierre
+@cindex Rahtz, Sebastian
+@cindex Rivlin, Jean
+@cindex Rokicki, Tom
+Many people have contributed to this work. In particular, I gratefully
+acknowledge Nelson Beebe, Barbara Beeton, Rocky Bernstein, Thierry Bouche,
+Damian Cugley, Berthold K.P. Horn, Alan Jeffrey, Russell Lang, Pierre
+MacKay, Sebastian Rahtz, Jean Rivlin, and Tom Rokicki.
+
+
+@node References
+@section References
+
+@cindex references
+@cindex related files
+
+Related files and distributions:
+
+@itemize @bullet
+@item
+@cindex @TeX{} Directory Structure standard
+@cindex TDS standard
+The @TeX{} Directory Structure (TDS) standard, available at
+(@uref{http://tug.org/tds} and @file{@var{CTAN:}/tds}) specifies a
+directory tree for all @TeX{} library files. The directory names
+given in @ref{Suppliers} and @ref{Typefaces} are intended to mesh with
+that standard.
+
+@item
+@flindex modes.mf
+The @file{modes.mf} file (@uref{ftp://tug.org/tex/modes.mf})
+contains recommended mode names to use as directory names.
+
+@item
+@cindex Fontinst distribution
+The Fontinst distribution (@url{http://tug.org/applications/fontinst}
+supports quite general creation of virtual fonts, named according to the
+scheme given here.
+
+@item
+@cindex Dvips translator
+The Dvips translator (@url{http://tug.org/dvips}) supports resident
+and downloadable PostScript fonts. Dvips was the first place where
+Fontname became widely known. Dvips also includes Afm2tfm, another
+program that can create virtual fonts.
+
+@item
+@cindex Dviljk translator
+The Dviljk processor (included in @TeX{} Live) contains @TeX{} support
+for the fonts built into the LaserJet@tie{}4.
+
+@item
+@cindex terminology
+@cindex Southall, Richard
+`Designing New Typefaces with Metafont', by Richard Southall,
+Stanford Computer Science Department Technical Report STAN-CS-85-1074,
+September 1985, for a comprehensive terminology of font design.
+
+@end itemize
+
+
+@node Filenames for fonts
+@chapter Filenames for fonts
+
+In this scheme, names may consist of only the letters (monocase a-z),
+numerals (0-9), and underscore. Having two names which differ only in
+case is undesirable, since it results in clashes on common Windows
+filesystems.
+
+@cindex filenames, basics
+Here is the basic scheme (the spaces here are merely for readability):
+
+@example
+ @var{S} @var{TT} @var{W} [@var{V@dots{}}] [@var{N}] [@var{E}] [@var{DD}]
+@end example
+
+@noindent where
+
+@table @var
+@item S
+represents the supplier of the font.
+
+@item TT
+represents the typeface name.
+
+@item W
+represents the weight.
+
+@item V@dots{}
+represents the variant(s), and is omitted if both it and the width are
+normal. Many fonts have more than one variant.
+
+@item N
+represents the encoding, and is omitted if the encoding is nonstandard.
+Encodings are subsumed in the section on variants (@pxref{Variants}).
+
+@item E
+represents the width (``expansion''), and is omitted if
+it is normal.
+
+@item DD
+@cindex design size specification
+@cindex hexadecimal design size
+@cindex font scaling
+@cindex Mittelbach, Frank
+represents the design size (in decimal), and is omitted if the font is
+linearly scaled. Mittelbach in @cite{TUGboat} 13(1) proposes using
+hexadecimal or base-36 notation. In my opinion, the increased range
+does not make up for the unreadability of the common sizes (e.g.,
+10@dmn{pt} fonts would have a suffix @samp{a} (in hex), or @samp{j}
+(in base 36)).
+
+@end table
+
+We used to try to limit font names to eight characters. This was
+never completely possible, and since DOS filesystems have become rare,
+it's no longer an issue.
+
+The weight, variants, and width are probably all best taken from the
+original name of the font, instead of trying to relate them to some
+external standard.
+
+@menu
+* Suppliers::
+* Typefaces::
+* Weights::
+* Variants::
+* Widths::
+@end menu
+
+
+@node Suppliers
+@section Suppliers
+
+@cindex suppliers
+@cindex foundries
+@cindex type foundries
+
+The @dfn{supplier} is the source of a font, typically a (digital) type
+foundry.
+
+@cindex Avant Garde
+@cindex Lubalin, Herb
+You should use the supplier letter which matches the supplier you
+obtained the font from, not the original source; for example, Avant
+Garde was designed by Herb Lubalin for ITC, but Adobe also sells it.
+The name of the font that you get from Adobe should start with @samp{p}.
+This is because font resellers typically make modifications to the
+original design.
+
+Notes on specific suppliers:
+
+@table @samp
+@item f
+@cindex individual font designers
+@cindex small foundries
+@cindex attribution of fonts, missing
+@cindex unattributed fonts
+For fonts that are distributed without any specific attribution to the
+creator, by individuals, or by small foundries. (Unfortunately, we
+don't have enough characters to assign one to every font
+supplier in the world.)
+
+@item r
+@cindex raw fonts
+obsolete; specifies raw fonts, in the old distribution of Dvips. New
+fonts should never use @samp{r}. (The right thing to do is specify the
+correct encoding, variant, or whatever the font's characteristics
+actually are.)
+
+@item z
+@cindex bizarre font names
+@cindex nonstandard names, escape for
+@cindex escape for nonstandard names
+for fonts that just don't fit well into the naming scheme. The @samp{z}
+should be followed by the real supplier letter.
+@end table
+
+@flindex supplier.map
+Here is the table from the file @file{supplier.map}. It is organized
+alphabetically by abbreviation. Each line consists of an abbreviation,
+directory name, and comment.
+
+@example
+@include supplier.map
+@end example
+
+
+@node Typefaces
+@section Typefaces
+
+@cindex typefaces
+
+For our purposes, a @dfn{typeface} is a collection of related fonts.
+
+We sometimes use the same typeface abbreviation for fonts with different
+supplier names, where we know (usually by inspection) that the fonts
+truly are the same. This helps conserve abbreviations.
+
+Notes on specific typefaces:
+
+@table @samp
+@item ad
+@itemx gm
+@cindex Garamond, versions of
+To explain a common confusion: @samp{ad} is Adobe Garamond (with a
+@samp{FontName} of @samp{AGaramond}). This is quite different from the
+@samp{Garamond} typeface distributed by Adobe, which is actually ITC
+Garamond. (Garamond No.@: 3 (@samp{f3}), Simoncini Garamond
+(@samp{ig}), and Stempel Garamond (@samp{eg}) are still other
+variations on the Garamond theme.)
+
+@item lh
+@itemx ls
+@itemx lx
+@itemx r1
+These abbreviations for Lucida typeface subfamilies, et al., solve a
+problem with names getting too long, or help conserve variant
+abbreviations. @xref{Variants}. Ideally, they would not exist.
+
+@item ns
+@itemx nt
+@itemx tm
+Suppliers offer as many variations on the Times New Roman design as they
+do Garamond. Adobe has @samp{Times}, @samp{TimesNewRoman}, and
+@samp{TimesNewRomanPS}. Although this last has been used by other
+foundries (e.g., Monotype) for a Times variation exactly compatible with
+Adobe's @samp{Times}, Adobe itself also offers it, so we must have
+abbreviations for all three.
+
+@item pi
+@cindex pi fonts
+For pi fonts. Since names of pi fonts are rather arbitrary, it is
+not useful to try to assign typeface abbreviations to all of
+them. Instead, we use the supplier letter, @samp{pi}, an
+arbitarily-assigned three-digit number, a weight and (if necessary) a
+variant. For example, @samp{mpi001r}. Pi font @samp{001} for one
+supplier has nothing to do with pi font @samp{001} for another.
+@end table
+
+@flindex typeface.map
+@findex FontName
+Here is the table, from the file @file{typeface.map}. It is organized
+alphabetically by abbreviation. Each line consists of an abbreviation
+and directory name, possibly followed by PostScript @samp{FontName}s
+and/or a comment in roman. The @samp{FontName} may be preceded by a
+letter @var{s} and a @samp{:}, as in @samp{b:Dutch}. In that case, the
+@var{s} is a supplier abbreviation, and we've used that abbreviation for
+the given @samp{FontName} from that supplier.
+
+@verbatiminclude typeface.map
+
+@node Weights
+@section Weights
+
+@cindex weight
+
+The @dfn{weight} of a font specifies its boldness. Arranged from
+lightest to heaviest (more or less):
+
+@display
+hairline, extra light, light
+book, regular, medium
+demibold, semibold, bold, extra bold, heavy
+black, ultra, poster
+@end display
+
+@flindex weight.map
+Here is the table, from the file @file{weight.map}. It is organized
+alphabetically by abbreviation. Each line consists of an abbreviation
+and any parts of a PostScript @samp{FontName} which use that
+abbreviation.
+
+@example
+@include weight.map
+@end example
+
+
+@node Variants
+@section Variants
+
+@cindex variants
+
+@dfn{Variants} include typeface variations (e.g., italic, sans serif),
+and font encodings (e.g., Adobe standard, @TeX{} text).
+
+@cindex multiple variants
+A fontname may require multiple variants. To resolve the worst
+ambiguities, we specify that any encoding variant (@samp{7}, @samp{8},
+or @samp{9}, see below) come last and any other numeral variant come
+first (to avoid confusion with a design size). We recommend but do not
+require that the other variants be given in alphabetical order. (It's
+not required because it's too painful to implement the sorting in
+@TeX{}, and many existing names already have non-alphabetized variants.)
+
+@cindex letterspacing
+@cindex small caps fonts
+The letterspacing possibilities introduced by @code{fontinst} and
+virtual fonts have not yet become sufficiently widespread to make
+standardization beneficial. Likewise for the many possible ways to
+generate small caps fonts.
+
+Notes on specific variants, both old and new:
+
+@table @samp
+@item 1
+@itemx 4
+@itemx 6
+@itemx b
+@cindex semisans variant
+@cindex semiserif variant
+@cindex fax variant
+@cindex bright variant
+These variants (`semisans', `bright', `semiserif', and `fax') were used
+only for single typefaces, so to conserve variant abbreviations, they
+now have typeface abbreviations instead. Also, for @samp{b}, to avoid
+too-long names; and for the others, to avoid variant vs.@: design-size
+ambiguities.
+
+@item g
+@itemx h
+Since these variants were not actually used in any font names, they are
+now obsolete and may be reassigned in the future.
+
+@item 5
+@itemx 6
+@itemx 7
+@itemx 8
+@itemx 9
+@cindex phonetic encodings
+@cindex Cyrillic encodings
+@cindex 7-bit encodings
+@cindex 8-bit encodings
+@cindex expertised encodings
+@findex SuperFont
+@findex 9s @r{variant}
+These characters begin a two-character @dfn{encoding variant}.
+Generally, @samp{7} is for 7-bit encodings, @samp{8} is for 8-bit
+encodings, and @samp{9} is for expertised encodings with or without
+oldstyle digits (see the @samp{x} item below), but this is not an
+absolute rule. Also, @samp{5} is presently used for phonetic encodings
+and @samp{6} for Cyrillic encodings. The @samp{9s} (@samp{SuperFont})
+variant contain all of Adobe, Latin 1, and Expert glyphs, perhaps with
+slightly different metrics than the original fonts.
+
+@cindex ligatures and encodings
+@findex Lslash
+@findex lslash
+@flindex T1.etx
+For a font to be named with a certain encoding variant, it's not
+necessary that all the characters appear in precisely the same positions
+as in the encoding definition. It's enough that the usual @TeX{} macros
+work. In practice, this means that it's ok for a font to be labelled
+@samp{7t} if the only difference from Computer Modern is that the
+ligatures and the @samp{lslash} and @samp{Lslash} characters are
+different, since it's impossible to access or change the ligature table
+from @TeX{}. Standard PostScript fonts don't have an @samp{lslash}
+character the way Computer Modern does, but they do have the
+@samp{Lslash} and @samp{lslash} characters themselves, so the usual
+@TeX{} @code{\lslash} and @code{\Lslash} macros can be made to work via
+ligatures. See the file @file{T1.etx} file in the @code{fontinst}
+distribution for details.
+
+@cindex encodings, unspecified
+@cindex Afm2tfm encoding
+@cindex LaserJet 4 fonts
+If a name does not contain a specific encoding variant, its encoding is
+unspecified. For example, some of the fonts distributed with Dvips(k)
+have names like @samp{ptmr} for @samp{Times-Roman}; they use the Dvips
+encoding (@pxref{dvips}), which is close to (but not the same
+as) the @TeX{} text encoding (as in Computer Modern Roman). Similarly,
+the TFM files distributed with Dvilj(k) for the builtin LaserJet 4 fonts
+have names like @samp{cunm}, since these fonts, while compatible with
+@TeX{} text, contain many additional characters.
+
+@item 9
+These items are needed only because @samp{x} (and possibly @samp{j})
+followed by a two-character regular variant makes some names too long.
+That is, @samp{9t} is equivalent in meaning to @samp{x7t}, and @samp{9d}
+is equivalent to @samp{jx7t}. (This may not be true for all
+@samp{9@var{x}} encodings, though.)
+
+@item k
+@itemx z
+@cindex scripts
+@cindex Greek fonts
+@cindex Cyrillic fonts
+These variants (indicating Greek and Cyrillic fonts, respectively) are
+obsolete; future fonts in different scripts should be assigned an
+appropriate encoding abbreviation. These are not currently
+standardized, due to ignorance of the appropriate encodings. Please
+send suggestions for abbreviations to the address in @ref{Introduction}.
+
+@item m
+@itemx v
+@itemx y
+@cindex math variants
+These math-related variants remain for the sake of typeface-specific
+math encodings, e.g., Lucida. Fonts that use the Computer Modern math
+encodings should use @samp{7m} (@pxref{texmital}), @samp{7v}
+(@pxref{texmext}), and @samp{7y} (@pxref{texmsym}).
+
+@item n
+@cindex informal variant
+@cindex schoolbook variant
+@cindex Stone Informal
+This is used for several different (but very rare) variants: only the
+Stone typeface has an ``informal'' variant, and only a few Monotype
+fonts have a ``schoolbook'' variant, with different `a', `g', and `y'
+shapes.
+
+@item r
+Included only if no other variants, including encodings, apply, and
+either the width (@pxref{Widths}) is not @samp{r} or a design size is
+present. I.e., @samp{r} is only used as a placeholder. When the normal
+version of the typeface is sans serif (e.g., Helvetica), @samp{r} should
+be used when necessary, not @samp{s}. Use @samp{s} only when the
+typeface family has both serif and sans serif variants.
+
+@item s
+@itemx t
+@cindex typewriter variant
+@cindex sans variant
+@cindex Mittelbach, Frank
+Mittelbach in @cite{TUGboat} 13(1) suggests that these variants (for
+`sans' and `typewriter') should be identified as part of the typeface
+name, because there are few typeface families with these variants. I
+feel that since they are logically variants, it's best to name them that
+way. But @samp{LucidaSans} (@pxref{Typefaces}) and a few others are
+exceptions, to avoid too-long names.
+
+@item x
+@itemx 8x
+@itemx 9?
+@cindex expert encoding
+@cindex expertised font
+@samp{8x} indicates a font in the @samp{Expert} encoding itself.
+@samp{x} indicates an @dfn{expertised} font, i.e., a composite (virtual)
+font that includes characters from an @samp{8x} font. And in fact an
+@samp{x@var{ee}} sequence is replaced by @samp{9@var{e}}, to save
+characters.
+@end table
+
+@flindex variant.map
+Fontname 1 assignments are shown in brackets in the following table,
+from the file @file{variant.map}. It is organized alphabetically by
+abbreviation. Each line consists of an abbreviation and either any
+parts of a PostScript @samp{FontName} which use that abbreviation or the
+PostScript @samp{Encoding} name.
+
+@example
+@include variant.map
+@end example
+
+
+@node Widths
+@section Widths
+
+@cindex widths
+@cindex compression
+@cindex expansion
+
+The @dfn{width} of a font specifies the compression or expansion of the
+font. Arranged from narrowest to widest (more or less):
+
+@display
+ultra compressed, extra condensed, compressed, condensed, narrow
+regular
+semiextended, extended, expanded, wide
+@end display
+
+@cindex automatic expansion
+@cindex character scaling, automatic
+Expansion or compression of fonts is sometimes done automatically (as by
+the PostScript @code{scale} operator), and sometimes done by humans. In
+the latter case, the human will also presumably choose a font name which
+includes `Extended' or `Expanded' or `Condensed' or `Narrow' or whatever
+according to their own preferences; the abbreviation can follow along.
+When creating a new synthetically expanded or compressed font for use
+with @TeX{}, e.g., with Afm2tfm or @code{fontinst}, use @samp{n} and
+@samp{e}.
+
+@flindex width.map
+Here is the table, from the file @file{width.map}. It is organized
+alphabetically by abbreviation. Each line consists of an abbreviation
+and any parts of a PostScript @samp{FontName} which use that
+abbreviation.
+
+@example
+@include width.map
+@end example
+
+
+@node Long names
+@chapter Long names
+
+@cindex long names
+
+Eight characters is not enough to unambiguously represent all fonts. To
+do that, we have to allow ourselves arbitrarily long names. Although we
+certainly cannot use such names for the files themselves, we could still
+use them in @TeX{} documents given a simple mapping file, as discussed
+below.
+
+@menu
+* Name mapping file:: Aliases for fonts.
+* Long naming scheme:: A way to use more than 8 alphanumerics.
+@end menu
+
+
+@node Name mapping file
+@section A fontname mapping file
+
+@cindex fontname mapping file
+@cindex mapping file
+
+At the moment, most implementations of @TeX{} look up a TFM file (as
+part of the @code{\font} command), by searching for a file with the name
+given by the user (possibly in any of series of directories). But if we
+also looked TFM names up in @emph{another} file (or set of files), which
+specifies the actual filename, the fontname given in the @TeX{} source
+file could be almost anything at all, of any length.
+
+@flindex texfonts.map
+In version 5.851d of Web2c, I implemented this mapping file. Each file
+@file{texfonts.map} in a search path is read for abbreviations. The file
+has a straightforward format: each line specifies the filename and the
+@TeX{} name for one font, separated by whitespace. Extra information on
+the line is ignored; then more information could be specified for the
+benefit of DVI-reading programs in the same file. Comments start with
+@code{%} and continue to the end of the line.
+
+Besides allowing long names, this sort of mapping file has other
+benefits. @TeX{} source or DVI files can be more easily transported,
+because the font names in a particular file can be made work on every
+system. Also, when combined with a consistent naming scheme, macros
+could be written to access any of a number of fonts. Right now, each
+font family has to have specialized macros written to deal with it.
+
+@cindex Knuth, Donald E.
+Incidentally, Professor Knuth has approved this as a legitimate
+``system-dependent'' extension; a @TeX{} with such a feature can still
+be called ``@TeX{}''.
+
+
+@node Long naming scheme
+@section A naming scheme for long names
+
+@cindex long naming scheme
+
+@cindex X Window System font names
+Once we allow ourselves long names, we can construct a naming scheme
+to handle arbitrary fonts without much difficulty. Here is one
+proposal, based on the X Window System font naming conventions.
+
+@example
+@var{supplier}-@var{family}-@var{weight}-@var{variants}-@var{width}-@var{encoding}--@var{size}
+@end example
+
+@var{supplier} is the usual @code{Adobe}, @code{Autologic}, etc., as
+well as @code{unknown} or @code{bizarre}---this last meaning the rest of
+the name is nonstandard. If the @var{supplier} is missing, i.e., the
+name starts with a @code{-}, ``public domain'' is assumed. For fonts
+made by individuals, the initials of the designer would probably make a
+good @var{supplier}.
+
+@var{family} is @code{ComputerModern} or @code{Times} or whatever.
+
+Everything else is optional. The @code{--} before the @var{size} lets
+one specify a name with, say, a weight and variants, but then skip the
+@var{width} and @var{encoding}, but still be able to
+give a size.
+
+@var{weight} and @var{width} are as described earlier.
+
+If there is more than one variant, they are separated with some
+character other than @samp{-}, say @samp{=}:
+@example
+B+H-Lucida-Bold-Sans=Typewriter--10
+@end example
+
+@findex font_coding_scheme
+@var{encoding} is what Metafont calls the
+@code{font_coding_scheme}---the layout of the characters in the font.
+For example, @samp{Cork} or @samp{ISOLatin1} or @samp{AdobeAlternate}.
+
+@cindex category codes
+Names are case-sensitive, for consistency with the rest of @TeX{} and
+with PostScript, etc. Spaces cannot be used in the name, to make it
+easier for @TeX{} to parse. Likewise, characters with default category
+codes other than 11 (letter) or 12 (other) should not be used.
+
+Another possibility is to forget all the above, and simply use the
+vendor's name (perhaps prefixed by the vendor):
+@samp{Times-Roman}.
+
+
+@node Font name lists
+@appendix Font name lists
+
+These sections contain a list of fonts from various suppliers together
+with the corresponding names.
+
+@menu
+* Standard PostScript fonts:: The standard 35 PostScript fonts.
+* Adobe fonts::
+* Apple fonts::
+* Bitstream fonts::
+* DTC fonts::
+* ITC fonts::
+* Linotype fonts::
+* Monotype fonts::
+* URW fonts::
+@end menu
+
+
+@node Standard PostScript fonts
+@section Standard PostScript fonts
+
+@cindex 35 standard PostScript fonts
+@cindex standard PostScript fonts
+@cindex PostScript fonts, standard
+
+Abbreviated names for the 35 standard PostScript fonts. An encoding
+variant, such as @samp{8a} for the Adobe @samp{StandardEncoding}, is
+omitted.
+
+@table @file
+@item pagk
+ @samp{AvantGarde-Book}
+@item pagko
+ @samp{AvantGarde-BookOblique}
+@item pagd
+ @samp{AvantGarde-Demi}
+@item pagdo
+ @samp{AvantGarde-DemiOblique}
+@item pbkd
+ @samp{Bookman-Demi}
+@item pbkdi
+ @samp{Bookman-DemiItalic}
+@item pbkl
+ @samp{Bookman-Light}
+@item pbkli
+ @samp{Bookman-LightItalic}
+@item pcrb
+ @samp{Courier-Bold}
+@item pcrbo
+ @samp{Courier-BoldOblique}
+@item pcrr
+ @samp{Courier}
+@item pcrro
+ @samp{Courier-Oblique}
+@item phvb
+ @samp{Helvetica-Bold}
+@item phvbo
+ @samp{Helvetica-BoldOblique}
+@item phvbrn
+ @samp{Helvetica-NarrowBold}
+@item phvbon
+ @samp{Helvetica-NarrowBoldOblique}
+@item phvr
+ @samp{Helvetica}
+@item phvro
+ @samp{Helvetica-Oblique}
+@item phvrrn
+ @samp{Helvetica-Narrow}
+@item phvron
+ @samp{Helvetica-NarrowOblique}
+@item pncb
+ @samp{NewCenturySchlbk-Bold}
+@item pncbi
+ @samp{NewCenturySchlbk-BoldItalic}
+@item pncri
+ @samp{NewCenturySchlbk-Italic}
+@item pncr
+ @samp{NewCenturySchlbk-Roman}
+@item pplb
+ @samp{Palatino-Bold}
+@item pplbi
+ @samp{Palatino-BoldItalic}
+@item pplri
+ @samp{Palatino-Italic}
+@item pplr
+ @samp{Palatino-Roman}
+@item psyr
+ @samp{Symbol}
+@item ptmb
+ @samp{Times-Bold}
+@item ptmbi
+ @samp{Times-BoldItalic}
+@item ptmri
+ @samp{Times-Italic}
+@item ptmr
+ @samp{Times-Roman}
+@item pzcmi
+ @samp{ZapfChancery-MediumItalic}
+@item pzdr
+ @samp{ZapfDingbats}
+@end table
+
+
+@node Adobe fonts
+@section Adobe fonts
+
+@flindex adobe.map
+The @file{adobe.map} file has abbreviations for Adobe fonts.
+
+@example
+@include adobe.map
+@end example
+
+
+@node Apple fonts
+@section Apple fonts
+
+@flindex apple.map
+The @file{apple.map} file has abbreviations for Apple fonts.
+
+@example
+@include apple.map
+@end example
+
+
+@node Bitstream fonts
+@section Bitstream fonts
+
+@flindex bitstrea.map
+The @file{bitstrea.map} file has abbreviations for Bitstream fonts.
+
+@example
+@include bitstrea.map
+@end example
+
+
+@node DTC fonts
+@section DTC fonts
+
+@flindex dtc.map
+The @file{dtc.map} file has abbreviations for DTC (Digital Typeface
+Corporation) fonts.
+
+@example
+@include dtc.map
+@end example
+
+
+@node ITC fonts
+@section ITC fonts
+
+@flindex itc.map
+The @file{itc.map} file has abbreviations for ITC (International
+Typeface Corporation) fonts.
+
+@example
+@include itc.map
+@end example
+
+
+@node Linotype fonts
+@section Linotype fonts
+
+@flindex linotype.map
+The @file{linotype.map} file has abbreviations for Linotype fonts.
+
+@example
+@include linotype.map
+@end example
+
+
+@node Monotype fonts
+@section Monotype fonts
+
+@flindex monotype.map
+The @file{monotype.map} file has abbreviations for Monotype fonts.
+
+@example
+@iftex
+@ifclear html
+@global@hfuzz@maxdimen
+@end ifclear
+@end iftex
+@include monotype.map
+@iftex
+@ifclear html
+@global@hfuzz1pt
+@end ifclear
+@end iftex
+@end example
+
+
+@node URW fonts
+@section URW fonts
+
+@cindex URW fonts
+@cindex Ertner, Vincent
+
+Information graciously supplied through URW, via Vincent Ertner: Each
+URW font has an assigned font number. The last character describes
+the size or purpose of the font, as the design of the font is
+optimized accordingly:
+
+@table @code
+@item X000000E
+Extreme: 8@dmn{pt} and smaller
+
+@item X000000T
+Text: between 8 and 18@dmn{pt}
+
+@item X000000D
+Display: 18@dmn{pt} and larger
+
+@item X000000P
+Poster: 48@dmn{pt} and larger
+
+@item X000000M
+Monospaced / Typewriter
+
+@item X000000L
+LaserWriter / PostScript / Adobe compatible
+
+@item X000000I
+Intellifont PCL (5) compatible
+
+@end table
+@noindent An @samp{F} identifier is not known.
+
+@flindex urw.map
+The @file{urw.map} file has abbreviations for URW fonts.
+
+@example
+@include urw.map
+@end example
+
+
+@node Encodings
+@appendix Encodings
+
+@cindex PostScript encoding vectors
+@cindex encoding vectors
+
+The following sections define various encodings as PostScript encoding
+vectors. These files can be installed in the Dvips header directory and
+then used in @file{psfonts.map} to change font encodings of downloadable
+or builtin fonts (@pxref{psfonts.map,,, dvips, Dvips}).
+
+You can also specify these @file{.enc} files to Afm2tfm when building a
+font (@pxref{Changing font encodings,,, dvips, Dvips}).
+
+For a discussion of @TeX{} font encodings in general, and defining new
+ones for use with @command{fontinst} in particular, see
+@uref{http://www.ctan.org/tex-archive/fonts/utilities/fontinst/doc/encspecs}.
+
+A tutorial on character code issues in general is available at
+@url{http://www.cs.tut.fi/~jkorpela/chars.html}.
+
+Naming specific characters is a tangled and difficult area. Here are
+some links to character tables for Unicode, Adobe, and WGL4, for your
+researching pleasure (thanks to Boguslaw Jackowski for the list):
+
+@itemize @bullet
+@item @uref{http://www.unicode.org/Public/UNIDATA/UnicodeData.txt}
+@item @uref{http://www.unicode.org/Public/UNIDATA/NamesList.txt}
+@item @uref{http://partners.adobe.com/asn/tech/type/corporateuse-old.txt}
+@item @uref{http://partners.adobe.com/asn/tech/type/aglfn13.txt}
+@item @uref{http://partners.adobe.com/asn/tech/type/unicodegn.jsp}
+@item @uref{http://www.microsoft.com/OpenType/otspec/WGL4.htm}
+@end itemize
+
+@menu
+* 6w:: CP-1251 (Cyrillic).
+* 8a:: Adobe standard.
+* 8r:: TeX base.
+* dvips:: Dvips.
+* ec:: EC (aka COrk, TeX Latin 1, tex256).
+* groff:: 8g.
+* t5:: Vietnamese, from vntex.
+* qx:: QX, from GUST.
+* texmext:: TeX math extension.
+* texmsym:: TeX math symbol.
+* texmital:: TeX math italic.
+* texnansi:: From Y&Y.
+* texnansx:: From Y&Y.
+* xl2:: OT1 + ISO Latin 2 (extended).
+* xt2:: Typewriter version of xl2.
+@end menu
+
+
+@node 6w
+@section @samp{6w.enc}: Cyrillic CP-1251
+
+@flindex 62.enc
+@cindex Cyrillic encoding
+@cindex CP-1251 encoding
+@cindex encodings, Cyrillic CP-1251
+
+@verbatiminclude 8a.enc
+
+
+@node 8a
+@section @samp{8a.enc}: Adobe standard encoding
+
+@flindex 8a.enc
+@cindex Adobe standard encoding
+@cindex encodings, Adobe standard
+
+@verbatiminclude 8a.enc
+
+
+@node 8r
+@section @samp{8r.enc}: @TeX{} base encoding
+
+@flindex 8r.enc
+@cindex @TeX{} base encoding
+@cindex base encoding, for @TeX{}
+@cindex encodings, @TeX{} base
+@cindex Windows ANSI
+@cindex Lucida Bright
+
+@verbatiminclude 8r.enc
+
+@node dvips
+@section @samp{dvips.enc}: Dvips encoding
+
+@flindex dvips.enc
+@cindex Dvips encoding
+@cindex encoding, Dvips
+
+@verbatiminclude dvips.enc
+
+
+@node ec
+@section @samp{ec.enc}: Cork encoding
+
+@flindex ec.enc
+@cindex Cork encoding
+@cindex EC encoding
+@cindex @TeX{} Latin 1 encoding
+@cindex encodings, Cork
+@cindex encodings, EC
+@cindex encodings, @TeX{} Latin 1
+
+@verbatiminclude ec.enc
+
+
+@node groff
+@section @samp{groff.enc}: groff encoding
+
+@flindex groff.enc
+@cindex Groff encoding
+@cindex encoding, Groff
+
+@verbatiminclude groff.enc
+
+
+@node t5
+@section @samp{t5.enc}: T5 encoding
+
+@flindex t5.enc
+@cindex T5 encoding
+@cindex Vietnamese encoding
+@cindex encoding, T5
+
+@verbatiminclude t5.enc
+
+
+@node qx
+@section @samp{qx.enc}
+
+@flindex qx.enc
+@cindex encodings, qx
+@cindex qx encoding
+
+From GUST.
+
+@verbatiminclude qx.txt
+@verbatiminclude qx.enc
+
+
+@node texmext
+@section @samp{texmext.enc}: @TeX{} math extension encoding
+
+@flindex texmext.enc
+@cindex @TeX{} math extension encoding
+@cindex math extension, @TeX{} encoding
+@cindex extension, @TeX{} math encoding
+@cindex encodings, @TeX{} math symbol
+
+@verbatiminclude texmext.enc
+
+
+@node texmsym
+@section @samp{texmsym.enc}: @TeX{} math symbol encoding
+
+@flindex texmsym.enc
+@cindex @TeX{} math symbol encoding
+@cindex math symbol, @TeX{} encoding
+@cindex symbol, @TeX{} math encoding
+@cindex encodings, @TeX{} math symbol
+
+@verbatiminclude texmsym.enc
+
+
+@node texmital
+@section @samp{texmital.enc}: @TeX{} math italic encoding
+
+@flindex texmital.enc
+@cindex @TeX{} math italic encoding
+@cindex math italic, @TeX{} encoding
+@cindex italic, @TeX{} math encoding
+@cindex encodings, @TeX{} math italic
+
+@verbatiminclude texmital.enc
+
+
+@node texnansi
+@section @samp{texnansi.enc}
+
+@flindex texnansi.enc
+@cindex encodings, texnansi
+@cindex texnansi encoding
+
+From Y&Y.
+
+@verbatiminclude texnansi.enc
+
+
+@node texnansx
+@section @samp{texnansx.enc}
+
+@flindex texnansx.enc
+@cindex encodings, texnansx
+@cindex texnansx encoding
+
+From Y&Y. @samp{texnansi} without repeats.
+
+@verbatiminclude texnansx.enc
+
+
+@node xl2
+@section @samp{xl2.enc}: OT1 + ISO Latin 2 extended
+
+@flindex xl2.enc
+@cindex ISO Latin 2 extended, @TeX{} encoding
+
+@verbatiminclude xl2.enc
+
+
+@node xt2
+@section @samp{xt2.enc}: typewriter OT1 + ISO Latin 2 extended
+
+@flindex xt2.enc
+@cindex ISO Latin 2 extended and typewriter, @TeX{} encoding
+
+@verbatiminclude xt2.enc
+
+
+@node Font legalities
+@appendix Font legalities
+
+@cindex legalisms
+@cindex typeface design protection
+@cindex copyright on fonts
+@cindex font copyrighting
+@cindex patenting of fonts
+
+@cindex Bigelow, Charles
+@cindex Holmes, Kris
+This section owes a great deal to Charles Bigelow (co-designer with Kris
+Holmes of the Lucida typeface family, among others), who has generously
+answered our many queries about fonts and the law around the world with
+remarkable patience and understanding. (But he is naturally not
+responsible for any errors here, much less our opinions.)
+
+Fonts have always been treated rather strangely under the law, as befits
+their rather strange nature: letterforms are indivisibly both
+@emph{useful} and @emph{artistic}. In most countries---in all countries
+until recently---utility has taken precedence; i.e., it has been legal
+to copy fonts without permission or fee.
+
+In any case, to the best of my knowledge, the situation in those
+countries which have adopted any sort of typeface protection is as
+follows. This was originally written in the early 1990's; these days,
+the situation is probably different, due to widespread adoption of
+software patents, among other things, but I lack specific information
+to include.
+
+@table @asis
+
+@cindex United States, font design protection law
+@cindex Lucida, protection of
+@cindex Stone, protection of
+@item United States
+Typeface designs can be patented, but not copyrighted. Only a few
+designs have been patented. (Lucida and Stone are the only ones I know
+of. I don't know what the grounds were for patenting Stone, but Lucida
+had some novel features in its design which make it reasonable to
+patent, given the acceptance of the patent system in the first place.)
+
+Particular programs which instantiate a font can be copyrighted just as
+any other computer program can. This is arguably wrong, since font
+programs are nothing but a description of the shapes, possibly with some
+simple hints, and there's only one basic way to describe the shapes in
+any given language. Thus, the creativity lies in making the shape
+right, not in making the computer program right, so it would seem that
+to be consistent, the copyright laws should protect the design, not the
+program---the opposite of the current situation.
+
+@cindex Germany, font design protection law
+@cindex Renner, Paul
+@cindex Futura
+@item Germany
+Typeface designs have been copyrightable as original works of art since
+1981. As a result, many (perhaps most) designs have been copyrighted
+there. The law is not retroactive, but German courts have upheld the
+intellectual property rights of designers of earlier fonts as well: In
+one case the heirs of Paul Renner (designer of Futura) won a suit against
+the Bauer foundry for arbitrarily discontinuing a portion of their
+royalties.
+
+@cindex England, font design protection law
+@cindex Times Roman, protection of
+@cindex Morison, Stanley
+@item England
+A copyright law passed in 1989 covers typeface designs first published
+in England (or published in Britain within 30 days of its publication
+elsewhere), and it @emph{is} retroactive. It's unclear how far back
+the law extends, but Times Roman, designed in the late 1920's and
+1930's by Stanley Morison is probably covered. This does not mean GNU
+(for example) cannot have a Times Roman; it just means we cannot start
+with an English version, as the law does not forbid importing foreign
+versions of English typefaces.
+
+@cindex France, font design protection law
+@cindex romain du roi
+@cindex Grandjean, Philippe
+@item France
+The Romain du Roi typeface designed by Philippe Grandjean in 1702 for
+the French royal family is protected, and perhaps other such ``royal''
+designs. There is no protection for designs in general.
+
+@end table
+
+@cindex Vienna treaty
+In 1973 the international Vienna treaty on typeface design protection
+was proposed. France ratified it in 1974 or 1975, and Germany in 1981.
+The English law might constitute ratification, but this has not been
+settled. In any case, since at least four countries have to ratify it
+before it takes effect (and even then it takes effect only in those
+countries which ratify it), it is still of no consequence for now.
+
+
+@node General index
+@unnumbered General index
+
+@printindex cp
+
+
+@bye
diff --git a/Master/texmf-dist/doc/fonts/fontname/fontname.toc b/Master/texmf-dist/doc/fonts/fontname/fontname.toc
new file mode 100644
index 00000000000..2c1437a4b53
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/fontname.toc
@@ -0,0 +1,36 @@
+\numchapentry{Introduction}{1}{Introduction}{1}
+\numsecentry{History}{1.1}{History}{1}
+\numsecentry{References}{1.2}{References}{1}
+\numchapentry{Filenames for fonts}{2}{Filenames for fonts}{3}
+\numsecentry{Suppliers}{2.1}{Suppliers}{3}
+\numsecentry{Typefaces}{2.2}{Typefaces}{4}
+\numsecentry{Weights}{2.3}{Weights}{18}
+\numsecentry{Variants}{2.4}{Variants}{19}
+\numsecentry{Widths}{2.5}{Widths}{23}
+\numchapentry{Long names}{3}{Long names}{24}
+\numsecentry{A fontname mapping file}{3.1}{Name mapping file}{24}
+\numsecentry{A naming scheme for long names}{3.2}{Long naming scheme}{24}
+\appentry{Font name lists}{A}{Font name lists}{26}
+\appsecentry{Standard PostScript fonts}{A.1}{Standard PostScript fonts}{26}
+\appsecentry{Adobe fonts}{A.2}{Adobe fonts}{27}
+\appsecentry{Apple fonts}{A.3}{Apple fonts}{85}
+\appsecentry{Bitstream fonts}{A.4}{Bitstream fonts}{85}
+\appsecentry{DTC fonts}{A.5}{DTC fonts}{103}
+\appsecentry{ITC fonts}{A.6}{ITC fonts}{103}
+\appsecentry{Linotype fonts}{A.7}{Linotype fonts}{120}
+\appsecentry{Monotype fonts}{A.8}{Monotype fonts}{210}
+\appsecentry{URW fonts}{A.9}{URW fonts}{237}
+\appentry{Encodings}{B}{Encodings}{238}
+\appsecentry{\samp {8a.enc}: Adobe standard encoding}{B.1}{8a}{238}
+\appsecentry{\samp {8r.enc}: \TeX {} base encoding}{B.2}{8r}{243}
+\appsecentry{\samp {cork.enc}: Cork encoding}{B.3}{cork}{247}
+\appsecentry{\samp {dvips.enc}: Dvips encoding}{B.4}{dvips}{249}
+\appsecentry{\samp {texmext.enc}: \TeX {} math extension encoding}{B.5}{texmext}{250}
+\appsecentry{\samp {texmsym.enc}: \TeX {} math symbol encoding}{B.6}{texmsym}{254}
+\appsecentry{\samp {texmital.enc}: \TeX {} math italic encoding}{B.7}{texmital}{258}
+\appsecentry{\samp {texnansi.enc}}{B.8}{texnansi}{262}
+\appsecentry{\samp {texnansx.enc}}{B.9}{texnansx}{269}
+\appsecentry{\samp {xl2.enc}: OT1 + ISO Latin 2 extended}{B.10}{xl2}{276}
+\appsecentry{\samp {xt2.enc}: typewriter OT1 + ISO Latin 2 extended}{B.11}{xt2}{283}
+\appentry{Font legalities}{C}{Font legalities}{290}
+\unnchapentry{Index}{10001}{Index}{292}
diff --git a/Master/texmf-dist/doc/fonts/fontname/index.html b/Master/texmf-dist/doc/fonts/fontname/index.html
new file mode 100644
index 00000000000..cc076d74bf4
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/index.html
@@ -0,0 +1,100 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<h1 class="settitle">Filenames for TeX fonts</h1>
+
+<div class="contents">
+<h2>Table of Contents</h2>
+<ul>
+<li><a name="toc_Top" href="index.html#Top">Filenames for TeX fonts</a>
+<li><a name="toc_Introduction" href="Introduction.html#Introduction">Introduction</a>
+<ul>
+<li><a href="History.html#History">History</a>
+<li><a href="References.html#References">References</a>
+</li></ul>
+<li><a name="toc_Filenames%20for%20fonts" href="Filenames-for-fonts.html#Filenames%20for%20fonts">Filenames for fonts</a>
+<ul>
+<li><a href="Suppliers.html#Suppliers">Suppliers</a>
+<li><a href="Typefaces.html#Typefaces">Typefaces</a>
+<li><a href="Weights.html#Weights">Weights</a>
+<li><a href="Variants.html#Variants">Variants</a>
+<li><a href="Widths.html#Widths">Widths</a>
+</li></ul>
+<li><a name="toc_Long%20names" href="Long-names.html#Long%20names">Long names</a>
+<ul>
+<li><a href="Name-mapping-file.html#Name%20mapping%20file">A fontname mapping file</a>
+<li><a href="Long-naming-scheme.html#Long%20naming%20scheme">A naming scheme for long names</a>
+</li></ul>
+<li><a name="toc_Font%20name%20lists" href="Font-name-lists.html#Font%20name%20lists">Font name lists</a>
+<ul>
+<li><a href="Standard-PostScript-fonts.html#Standard%20PostScript%20fonts">Standard PostScript fonts</a>
+<li><a href="Adobe-fonts.html#Adobe%20fonts">Adobe fonts</a>
+<li><a href="Apple-fonts.html#Apple%20fonts">Apple fonts</a>
+<li><a href="Bitstream-fonts.html#Bitstream%20fonts">Bitstream fonts</a>
+<li><a href="DTC-fonts.html#DTC%20fonts">DTC fonts</a>
+<li><a href="ITC-fonts.html#ITC%20fonts">ITC fonts</a>
+<li><a href="Linotype-fonts.html#Linotype%20fonts">Linotype fonts</a>
+<li><a href="Monotype-fonts.html#Monotype%20fonts">Monotype fonts</a>
+<li><a href="URW-fonts.html#URW%20fonts">URW fonts</a>
+</li></ul>
+<li><a name="toc_Encodings" href="Encodings.html#Encodings">Encodings</a>
+<ul>
+<li><a href="8a.html#8a"><code>8a.enc</code>: Adobe standard encoding</a>
+<li><a href="8r.html#8r"><code>8r.enc</code>: TeX base encoding</a>
+<li><a href="cork.html#cork"><code>cork.enc</code>: Cork encoding</a>
+<li><a href="dvips.html#dvips"><code>dvips.enc</code>: Dvips encoding</a>
+<li><a href="texmext.html#texmext"><code>texmext.enc</code>: TeX math extension encoding</a>
+<li><a href="texmsym.html#texmsym"><code>texmsym.enc</code>: TeX math symbol encoding</a>
+<li><a href="texmital.html#texmital"><code>texmital.enc</code>: TeX math italic encoding</a>
+<li><a href="texnansi.html#texnansi"><code>texnansi.enc</code></a>
+<li><a href="texnansx.html#texnansx"><code>texnansx.enc</code></a>
+<li><a href="xl2.html#xl2"><code>xl2.enc</code>: OT1 + ISO Latin 2 extended</a>
+<li><a href="xt2.html#xt2"><code>xt2.enc</code>: typewriter OT1 + ISO Latin 2 extended</a>
+</li></ul>
+<li><a name="toc_Font%20legalities" href="Font-legalities.html#Font%20legalities">Font legalities</a>
+<li><a name="toc_Index" href="Index.html#Index">Index</a>
+</li></ul>
+</div>
+
+
+<div class="node">
+<p>
+Node:&nbsp;<a name="Top">Top</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="Introduction.html#Introduction">Introduction</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="../index.html#dir">(dir)</a>
+<hr><br>
+</div>
+
+<h2 class="unnumbered">Filenames for TeX fonts</h2>
+
+<p>This is Fontname, a naming scheme for (the base part of) external TeX
+font filenames. Last update 9 May 2003.
+
+<ul class="menu">
+<li><a accesskey="1" href="Introduction.html#Introduction">Introduction</a>: Rationale and basic information about fonts.
+<li><a accesskey="2" href="Filenames-for-fonts.html#Filenames%20for%20fonts">Filenames for fonts</a>: The construction of font names.
+<li><a accesskey="3" href="Long-names.html#Long%20names">Long names</a>: A specification for long filenames.
+<li><a accesskey="4" href="Font-name-lists.html#Font%20name%20lists">Font name lists</a>: Real fontnames for many existing fonts.
+<li><a accesskey="5" href="Encodings.html#Encodings">Encodings</a>: Specifications for various encodings.
+<li><a accesskey="6" href="Font-legalities.html#Font%20legalities">Font legalities</a>: Legal issues vary from country to country.
+<li><a accesskey="7" href="Index.html#Index">Index</a>: Index.
+</ul>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fonts/fontname/texmext.html b/Master/texmf-dist/doc/fonts/fontname/texmext.html
new file mode 100644
index 00000000000..932fd8bb10d
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/texmext.html
@@ -0,0 +1,220 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="texmext">texmext</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="texmsym.html#texmsym">texmsym</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="dvips.html#dvips">dvips</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Encodings.html#Encodings">Encodings</a>
+<hr><br>
+</div>
+
+<h3 class="section"><code>texmext.enc</code>: TeX math extension encoding</h3>
+
+<pre class="example">
+
+ % TeX math extension encoding.
+ % No ligatures or kerns.
+ %
+ /TeXMathExtensionEncoding [ % now 256 chars follow
+
+ % 0x0
+ /parenleftbig
+ /parenrightbig
+ /bracketleftbig
+ /bracketrightbig
+ /floorleftbig
+ /floorrightbig
+ /ceilingleftbig
+ /ceilingrightbig
+
+ % 0x8
+ /braceleftbig
+ /bracerightbig
+ /angbracketleftbig
+ /angbracketrightbig
+ /vextendsingle
+ /vextenddouble
+ /slashbig
+ /backslashbig
+
+ % 0x10
+ /parenleftBig
+ /parenrightBig
+ /parenleftbigg
+ /parenrightbigg
+ /bracketleftbigg
+ /bracketrightbigg
+ /floorleftbigg
+ /floorrightbigg
+
+ % 0x18
+ /ceilingleftbigg
+ /ceilingrightbigg
+ /braceleftbigg
+ /bracerightbigg
+ /angbracketleftbigg
+ /angbracketrightbigg
+ /slashbigg
+ /backslashbigg
+
+ % 0x20
+ /parenleftBigg
+ /parenrightBigg
+ /bracketleftBigg
+ /bracketrightBigg
+ /floorleftBigg
+ /floorrightBigg
+ /ceilingleftBigg
+ /ceilingrightBigg
+
+ % 0x28
+ /braceleftBigg
+ /bracerightBigg
+ /angbracketleftBigg
+ /angbracketrightBigg
+ /slashBigg
+ /backslashBigg
+ /slashBig
+ /backslashBig
+
+ % 0x30
+ /parenlefttp
+ /parenrighttp
+ /bracketlefttp
+ /bracketrighttp
+ /bracketleftbt
+ /bracketrightbt
+ /bracketleftex
+ /bracketrightex
+
+ % 0x38
+ /bracelefttp
+ /bracerighttp
+ /braceleftbt
+ /bracerightbt
+ /braceleftmid
+ /bracerightmid
+ /braceex
+ /arrowvertex
+
+ % 0x40
+ /parenleftbt
+ /parenrightbt
+ /parenleftex
+ /parenrightex
+ /angbracketleftBig
+ /angbracketrightBig
+ /unionsqtext
+ /unionsqdisplay
+
+ % 0x48
+ /contintegraltext
+ /contintegraldisplay
+ /circledottext
+ /circledotdisplay
+ /circleplustext
+ /circleplusdisplay
+ /circlemultiplytext
+ /circlemultiplydisplay
+
+ % 0x50
+ /summationtext
+ /producttext
+ /integraltext
+ /uniontext
+ /intersectiontext
+ /unionmultitext
+ /logicalandtext
+ /logicalortext
+
+ % 0x58
+ /summationdisplay
+ /productdisplay
+ /integraldisplay
+ /uniondisplay
+ /intersectiondisplay
+ /unionmultidisplay
+ /logicalanddisplay
+ /logicalordisplay
+
+ % 0x60
+ /coproducttext
+ /coproductdisplay
+ /hatwide
+ /hatwider
+ /hatwidest
+ /tildewide
+ /tildewider
+ /tildewidest
+
+ % 0x68
+ /bracketleftBig
+ /bracketrightBig
+ /floorleftBig
+ /floorrightBig
+ /ceilingleftBig
+ /ceilingrightBig
+ /braceleftBig
+ /bracerightBig
+
+ % 0x70
+ /radicalbig
+ /radicalBig
+ /radicalbigg
+ /radicalBigg
+ /radicalbt
+ /radicalvertex
+ /radicaltp
+ /arrowvertexdbl
+
+ % 0x78
+ /arrowtp
+ /arrowbt
+ /bracehtipdownleft
+ /bracehtipdownright
+ /bracehtipupleft
+ /bracehtipupright
+ /arrowdbltp
+ /arrowdblbt
+
+ % Have to have 128 .notdef's now to fill things out.
+ %
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ ] def
+ </pre>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fonts/fontname/texmital.html b/Master/texmf-dist/doc/fonts/fontname/texmital.html
new file mode 100644
index 00000000000..9760f802bf0
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/texmital.html
@@ -0,0 +1,219 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="texmital">texmital</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="texnansi.html#texnansi">texnansi</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="texmsym.html#texmsym">texmsym</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Encodings.html#Encodings">Encodings</a>
+<hr><br>
+</div>
+
+<h3 class="section"><code>texmital.enc</code>: TeX math italic encoding</h3>
+
+<pre class="example">
+
+ % TeX math italic encoding.
+ % No ligatures or kerns.
+ %
+ /TeXMathItalicEncoding [ % now 256 chars follow
+ % 0x0
+ /Gamma
+ /Delta
+ /Theta
+ /Lambda
+ /Xi
+ /Pi
+ /Sigma
+ /Upsilon
+
+ % 0x8
+ /Phi
+ /Psi
+ /Omega
+ /alpha
+ /beta
+ /gamma
+ /delta
+ /epsilon1
+
+ % 0x10
+ /zeta
+ /eta
+ /theta
+ /iota
+ /kappa
+ /lambda
+ /mu
+ /nu
+
+ % 0x18
+ /xi
+ /pi
+ /rho
+ /sigma
+ /tau
+ /upsilon
+ /phi
+ /chi
+
+ % 0x20
+ /psi
+ /omega
+ /epsilon
+ /theta1
+ /pi1
+ /rho1
+ /sigma1
+ /phi1
+
+ % 0x28
+ /arrowlefttophalf
+ /arrowleftbothalf
+ /arrowrighttophalf
+ /arrowrightbothalf
+ /arrowhookleft
+ /arrowhookright
+ /triangleright
+ /triangleleft
+
+ % 0x30
+ /zerooldstyle
+ /oneoldstyle
+ /twooldstyle
+ /threeoldstyle
+ /fouroldstyle
+ /fiveoldstyle
+ /sixoldstyle
+ /sevenoldstyle
+
+ % 0x38
+ /eightoldstyle
+ /nineoldstyle
+ /period
+ /comma
+ /less
+ /slash
+ /greater
+ /star
+
+ % 0x40
+ /partialdiff
+ /A
+ /B
+ /C
+ /D
+ /E
+ /F
+ /G
+
+ % 0x48
+ /H
+ /I
+ /J
+ /K
+ /L
+ /M
+ /N
+ /O
+
+ % 0x50
+ /P
+ /Q
+ /R
+ /S
+ /T
+ /U
+ /V
+ /W
+
+ % 0x58
+ /X
+ /Y
+ /Z
+ /flat
+ /natural
+ /sharp
+ /slurbelow
+ /slurabove
+
+ % 0x60
+ /lscript
+ /a
+ /b
+ /c
+ /d
+ /e
+ /f
+ /g
+
+ % 0x68
+ /h
+ /i
+ /j
+ /k
+ /l
+ /m
+ /n
+ /o
+
+ % 0x70
+ /p
+ /q
+ /r
+ /s
+ /t
+ /u
+ /v
+ /w
+
+ % 0x78
+ /x
+ /y
+ /z
+ /dotlessi
+ /dotlessj
+ /weierstrass
+ /vector
+ /tie
+
+ % Have to have 128 .notdef's now to fill things out.
+ %
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ ] def
+ </pre>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fonts/fontname/texmsym.html b/Master/texmf-dist/doc/fonts/fontname/texmsym.html
new file mode 100644
index 00000000000..8e3a0eb9bbe
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/texmsym.html
@@ -0,0 +1,219 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="texmsym">texmsym</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="texmital.html#texmital">texmital</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="texmext.html#texmext">texmext</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Encodings.html#Encodings">Encodings</a>
+<hr><br>
+</div>
+
+<h3 class="section"><code>texmsym.enc</code>: TeX math symbol encoding</h3>
+
+<pre class="example">
+
+ % TeX math symbols encoding.
+ % No ligatures or kerns.
+ %
+ /TeXMathSymbolEncoding [ % now 256 chars follow
+ % 0x0
+ /minus
+ /periodcentered
+ /multiply
+ /asteriskmath
+ /divide
+ /diamondmath
+ /plusminus
+ /minusplus
+
+ % 0x8
+ /circleplus
+ /circleminus
+ /circlemultiply
+ /circledivide
+ /circledot
+ /circlecopyrt
+ /openbullet
+ /bullet
+
+ % 0x10
+ /equivasymptotic
+ /equivalence
+ /reflexsubset
+ /reflexsuperset
+ /lessequal
+ /greaterequal
+ /precedesequal
+ /followsequal
+
+ % 0x18
+ /similar
+ /approxequal
+ /propersubset
+ /propersuperset
+ /lessmuch
+ /greatermuch
+ /precedes
+ /follows
+
+ % 0x20
+ /arrowleft
+ /arrowright
+ /arrowup
+ /arrowdown
+ /arrowboth
+ /arrownortheast
+ /arrowsoutheast
+ /similarequal
+
+ % 0x28
+ /arrowdblleft
+ /arrowdblright
+ /arrowdblup
+ /arrowdbldown
+ /arrowdblboth
+ /arrownorthwest
+ /arrowsouthwest
+ /proportional
+
+ % 0x30
+ /prime
+ /infinity
+ /element
+ /owner
+ /triangle
+ /triangleinv
+ /negationslash
+ /mapsto
+
+ % 0x38
+ /universal
+ /existential
+ /logicalnot
+ /emptyset
+ /Rfractur
+ /Ifractur
+ /latticetop
+ /perpendicular
+
+ % 0x40
+ /aleph
+ /A
+ /B
+ /C
+ /D
+ /E
+ /F
+ /G
+
+ % 0x48
+ /H
+ /I
+ /J
+ /K
+ /L
+ /M
+ /N
+ /O
+
+ % 0x50
+ /P
+ /Q
+ /R
+ /S
+ /T
+ /U
+ /V
+ /W
+
+ % 0x58
+ /X
+ /Y
+ /Z
+ /union
+ /intersection
+ /unionmulti
+ /logicaland
+ /logicalor
+
+ % 0x60
+ /turnstileleft
+ /turnstileright
+ /floorleft
+ /floorright
+ /ceilingleft
+ /ceilingright
+ /braceleft
+ /braceright
+
+ % 0x68
+ /angbracketleft
+ /angbracketright
+ /bar
+ /bardbl
+ /arrowbothv
+ /arrowdblbothv
+ /backslash
+ /wreathproduct
+
+ % 0x70
+ /radical
+ /coproduct
+ /nabla
+ /integral
+ /unionsq
+ /intersectionsq
+ /subsetsqequal
+ /supersetsqequal
+
+ % 0x78
+ /section
+ /dagger
+ /daggerdbl
+ /paragraph
+ /club
+ /diamond
+ /heart
+ /spade
+
+ % Have to have 128 .notdef's now to fill things out.
+ %
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+ ] def
+ </pre>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fonts/fontname/texnansi.html b/Master/texmf-dist/doc/fonts/fontname/texnansi.html
new file mode 100644
index 00000000000..3d920862794
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/texnansi.html
@@ -0,0 +1,353 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="texnansi">texnansi</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="texnansx.html#texnansx">texnansx</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="texmital.html#texmital">texmital</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Encodings.html#Encodings">Encodings</a>
+<hr><br>
+</div>
+
+<h3 class="section"><code>texnansi.enc</code></h3>
+
+<p>From Y&amp;Y.
+
+<pre class="verbatim">% @psencodingfile{
+% author = "Y&amp;Y, Inc.",
+% version = "1.1",
+% date = "1 December 1996",
+% filename = "texnansi.enc",
+% email = "help@YandY.com",
+% address = "45 Walden Street // Concord, MA 01742, USA",
+% codetable = "ISO/ASCII",
+% checksum = "xx",
+% docstring = "Encoding for fonts in Adobe Type 1 format for use with TeX."
+% }
+%
+% The idea is to have all 228 characters normally included in Type 1 text
+% fonts (plus a few more) available for typesetting. This is effectively
+% the character set in Adobe Standard Encoding, ISO Latin 1, plus a few more.
+%
+% Character code assignments were made as follows:
+%
+% (1) The character layout largely matches `ASCII' in the 32 -- 126 range,
+% except for `circumflex' in 94 and `tilde' in 126, to match `TeX text'
+% (`asciicircumflex' and `asciitilde' appear in 158 and 142 instead).
+%
+% (2) The character layout matches `Windows ANSI' in almost all places,
+% except for `quoteright' in 39 and `quoteleft' in 96 to match ASCII
+% (`quotesingle' and `grave' appear in 129 and 18 instead).
+%
+% (3) The character layout matches `TeX typewriter' used by CM text fonts
+% in most places (except for discordant positions such as hungarumlaut
+% (instead of braceright), dotaccent (instead of underscore) etc.
+%
+% (4) Remaining characters are assigned arbitrarily to the `control character'
+% range (0 -- 31), avoiding 0, 9, 10 and 13 in case we meet dumb software
+% - similarly one should really avoid 127 and 128 if possible.
+% In addition, the 8 open slots in Windows ANSI between 128 and 159 are used.
+%
+% (5) Y&amp;Y Lucida Bright includes some extra ligatures and such; ff, ffi, ffl,
+% and `dotlessj,' these are included 11 -- 15, and 17.
+%
+% (6) Hyphen appears both at 45 and 173 for compatibility with both ASCII
+% and Windows ANSI.
+%
+% (7) It doesn't really matter where ligatures appear (both real, such as ffi,
+% and pseudo such as ---) since these should not be accessed directly, only
+% via ligature information in the TFM file.
+%
+% SAMPLE USAGE (in `psfonts.map' file for DVIPS):
+%
+% lbr LucidaBright "TeXnANSIEncoding ReEncodeFont" &lt;texnansi.enc &lt;lbr.pfb
+%
+% This tells DVIPS that the font called `lbr' in TeX has PostScript
+% FontName `LucidaBright.' It also asks DVIPS to expand the file `lbr.pfb'
+% into PFA form, to include the attached `texnansi.enc' encoding vector,
+% and to then actually reencode the font based on that encoding vector.
+%
+% Revised 1996 June 1 by adding second position for `fl' to avoid Acrobat bug.
+% Revised 1996 June 1 by adding second position for `fraction' for same reason.
+% Revised 1997 Oct 1 by adding cwm (used in boundary char TFM code)
+% Revised 1998 Mar 1 by adding Unicode for Euro character
+%
+/TeXnANSIEncoding [
+/.notdef % 0
+/Euro % /Uni20AC 1
+/.notdef % 2
+/.notdef % 3
+/fraction % 4
+/dotaccent % 5
+/hungarumlaut % 6
+/ogonek % 7
+/fl % 8
+/.notdef % /fraction % 9 not used (see 4), backward compatability only
+/cwm % 10 not used, except boundary char internally maybe
+/ff % 11
+/fi % 12
+/.notdef % /fl % 13 not used (see 8), backward compatability only
+/ffi % 14
+/ffl % 15
+/dotlessi % 16
+/dotlessj % 17
+/grave % 18
+/acute % 19
+/caron % 20
+/breve % 21
+/macron % 22
+/ring % 23
+/cedilla % 24
+/germandbls % 25
+/ae % 26
+/oe % 27
+/oslash % 28
+/AE % 29
+/OE % 30
+/Oslash % 31
+/space % 32 % /suppress in TeX text
+/exclam % 33
+/quotedbl % 34 % /quotedblright in TeX text
+/numbersign % 35
+/dollar % 36
+/percent % 37
+/ampersand % 38
+/quoteright % 39 % /quotesingle in ANSI
+/parenleft % 40
+/parenright % 41
+/asterisk % 42
+/plus % 43
+/comma % 44
+/hyphen % 45
+/period % 46
+/slash % 47
+/zero % 48
+/one % 49
+/two % 50
+/three % 51
+/four % 52
+/five % 53
+/six % 54
+/seven % 55
+/eight % 56
+/nine % 57
+/colon % 58
+/semicolon % 59
+/less % 60 % /exclamdown in Tex text
+/equal % 61
+/greater % 62 % /questiondown in TeX text
+/question % 63
+/at % 64
+/A % 65
+/B % 66
+/C % 67
+/D % 68
+/E % 69
+/F % 70
+/G % 71
+/H % 72
+/I % 73
+/J % 74
+/K % 75
+/L % 76
+/M % 77
+/N % 78
+/O % 79
+/P % 80
+/Q % 81
+/R % 82
+/S % 83
+/T % 84
+/U % 85
+/V % 86
+/W % 87
+/X % 88
+/Y % 89
+/Z % 90
+/bracketleft % 91
+/backslash % 92 % /quotedblleft in TeX text
+/bracketright % 93
+/circumflex % 94 % /asciicircum in ASCII
+/underscore % 95 % /dotaccent in TeX text
+/quoteleft % 96 % /grave accent in ANSI
+/a % 97
+/b % 98
+/c % 99
+/d % 100
+/e % 101
+/f % 102
+/g % 103
+/h % 104
+/i % 105
+/j % 106
+/k % 107
+/l % 108
+/m % 109
+/n % 110
+/o % 111
+/p % 112
+/q % 113
+/r % 114
+/s % 115
+/t % 116
+/u % 117
+/v % 118
+/w % 119
+/x % 120
+/y % 121
+/z % 122
+/braceleft % 123 % /endash in TeX text
+/bar % 124 % /emdash in TeX test
+/braceright % 125 % /hungarumlaut in TeX text
+/tilde % 126 % /asciitilde in ASCII
+/dieresis % 127 not used (see 168), use higher up instead
+/Lslash % 128 this position is unfortunate, but now too late to fix
+/quotesingle % 129
+/quotesinglbase % 130
+/florin % 131
+/quotedblbase % 132
+/ellipsis % 133
+/dagger % 134
+/daggerdbl % 135
+/circumflex % 136
+/perthousand % 137
+/Scaron % 138
+/guilsinglleft % 139
+/OE % 140
+/Zcaron % 141
+/asciicircum % 142
+/minus % 143
+/lslash % 144
+/quoteleft % 145
+/quoteright % 146
+/quotedblleft % 147
+/quotedblright % 148
+/bullet % 149
+/endash % 150
+/emdash % 151
+/tilde % 152
+/trademark % 153
+/scaron % 154
+/guilsinglright % 155
+/oe % 156
+/zcaron % 157
+/asciitilde % 158
+/Ydieresis % 159
+/nbspace % 160 % /space (no break space)
+/exclamdown % 161
+/cent % 162
+/sterling % 163
+/currency % 164
+/yen % 165
+/brokenbar % 166
+/section % 167
+/dieresis % 168
+/copyright % 169
+/ordfeminine % 170
+/guillemotleft % 171
+/logicalnot % 172
+/sfthyphen % 173 % /hyphen (hanging hyphen)
+/registered % 174
+/macron % 175
+/degree % 176
+/plusminus % 177
+/twosuperior % 178
+/threesuperior % 179
+/acute % 180
+/mu % 181
+/paragraph % 182
+/periodcentered % 183
+/cedilla % 184
+/onesuperior % 185
+/ordmasculine % 186
+/guillemotright % 187
+/onequarter % 188
+/onehalf % 189
+/threequarters % 190
+/questiondown % 191
+/Agrave % 192
+/Aacute % 193
+/Acircumflex % 194
+/Atilde % 195
+/Adieresis % 196
+/Aring % 197
+/AE % 198
+/Ccedilla % 199
+/Egrave % 200
+/Eacute % 201
+/Ecircumflex % 202
+/Edieresis % 203
+/Igrave % 204
+/Iacute % 205
+/Icircumflex % 206
+/Idieresis % 207
+/Eth % 208
+/Ntilde % 209
+/Ograve % 210
+/Oacute % 211
+/Ocircumflex % 212
+/Otilde % 213
+/Odieresis % 214
+/multiply % 215 % OE in T1
+/Oslash % 216
+/Ugrave % 217
+/Uacute % 218
+/Ucircumflex % 219
+/Udieresis % 220
+/Yacute % 221
+/Thorn % 222
+/germandbls % 223
+/agrave % 224
+/aacute % 225
+/acircumflex % 226
+/atilde % 227
+/adieresis % 228
+/aring % 229
+/ae % 230
+/ccedilla % 231
+/egrave % 232
+/eacute % 233
+/ecircumflex % 234
+/edieresis % 235
+/igrave % 236
+/iacute % 237
+/icircumflex % 238
+/idieresis % 239
+/eth % 240
+/ntilde % 241
+/ograve % 242
+/oacute % 243
+/ocircumflex % 244
+/otilde % 245
+/odieresis % 246
+/divide % 247 % oe in T1
+/oslash % 248
+/ugrave % 249
+/uacute % 250
+/ucircumflex % 251
+/udieresis % 252
+/yacute % 253
+/thorn % 254
+/ydieresis % 255 % germandbls in T1
+] def
+</pre>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fonts/fontname/texnansx.html b/Master/texmf-dist/doc/fonts/fontname/texnansx.html
new file mode 100644
index 00000000000..c82c7e84c36
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/texnansx.html
@@ -0,0 +1,353 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="texnansx">texnansx</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="xl2.html#xl2">xl2</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="texnansi.html#texnansi">texnansi</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Encodings.html#Encodings">Encodings</a>
+<hr><br>
+</div>
+
+<h3 class="section"><code>texnansx.enc</code></h3>
+
+<p>From Y&amp;Y. <code>texnansi</code> without repeats.
+
+<pre class="verbatim">% @psencodingfile{
+% author = "Y&amp;Y, Inc.",
+% version = "1.1",
+% date = "1 December 1996",
+% filename = "texnansi.enc",
+% email = "help@YandY.com",
+% address = "45 Walden Street // Concord, MA 01742, USA",
+% codetable = "ISO/ASCII",
+% checksum = "xx",
+% docstring = "Encoding for fonts in Adobe Type 1 format for use with TeX."
+% }
+%
+% The idea is to have all 228 characters normally included in Type 1 text
+% fonts (plus a few more) available for typesetting. This is effectively
+% the character set in Adobe Standard Encoding, ISO Latin 1, plus a few more.
+%
+% Character code assignments were made as follows:
+%
+% (1) The character layout largely matches `ASCII' in the 32 -- 126 range,
+% except for `circumflex' in 94 and `tilde' in 126, to match `TeX text'
+% (`asciicircumflex' and `asciitilde' appear in 158 and 142 instead).
+%
+% (2) The character layout matches `Windows ANSI' in almost all places,
+% except for `quoteright' in 39 and `quoteleft' in 96 to match ASCII
+% (`quotesingle' and `grave' appear in 129 and 18 instead).
+%
+% (3) The character layout matches `TeX typewriter' used by CM text fonts
+% in most places (except for discordant positions such as hungarumlaut
+% (instead of braceright), dotaccent (instead of underscore) etc.
+%
+% (4) Remaining characters are assigned arbitrarily to the `control character'
+% range (0 -- 31), avoiding 0, 9, 10 and 13 in case we meet dumb software
+% - similarly one should really avoid 127 and 128 if possible.
+% In addition, the 8 open slots in Windows ANSI between 128 and 159 are used.
+%
+% (5) Y&amp;Y Lucida Bright includes some extra ligatures and such; ff, ffi, ffl,
+% and `dotlessj,' these are included 11 -- 15, and 17.
+%
+% (6) Hyphen appears both at 45 and 173 for compatibility with both ASCII
+% and Windows ANSI.
+%
+% (7) It doesn't really matter where ligatures appear (both real, such as ffi,
+% and pseudo such as ---) since these should not be accessed directly, only
+% via ligature information in the TFM file.
+%
+% SAMPLE USAGE (in `psfonts.map' file for DVIPS):
+%
+% lbr LucidaBright "TeXnANSIEncoding ReEncodeFont" &lt;texnansi.enc &lt;lbr.pfb
+%
+% This tells DVIPS that the font called `lbr' in TeX has PostScript
+% FontName `LucidaBright.' It also asks DVIPS to expand the file `lbr.pfb'
+% into PFA form, to include the attached `texnansi.enc' encoding vector,
+% and to then actually reencode the font based on that encoding vector.
+%
+% Revised 1996 June 1 by adding second position for `fl' to avoid Acrobat bug.
+% Revised 1996 June 1 by adding second position for `fraction' for same reason.
+% Revised 1997 Oct 1 by adding cwm (used in boundary char TFM code)
+% Revised 1998 Mar 1 by adding Unicode for Euro character
+%
+/TeXnANSIEncoding [
+/.notdef % 0
+/Euro % /Uni20AC 1
+/.notdef % 2
+/.notdef % 3
+/fraction % 4
+/dotaccent % 5
+/hungarumlaut % 6
+/ogonek % 7
+/fl % 8
+/.notdef % /fraction % 9 not used (see 4), backward compatability only
+/cwm % 10 not used, except boundary char internally maybe
+/ff % 11
+/fi % 12
+/.notdef % /fl % 13 not used (see 8), backward compatability only
+/ffi % 14
+/ffl % 15
+/dotlessi % 16
+/dotlessj % 17
+/grave % 18
+/acute % 19
+/caron % 20
+/breve % 21
+/macron % 22
+/ring % 23
+/cedilla % 24
+/germandbls % 25
+/ae % 26
+/oe % 27
+/oslash % 28
+/AE % 29
+/OE % 30
+/Oslash % 31
+/space % 32 % /suppress in TeX text
+/exclam % 33
+/quotedbl % 34 % /quotedblright in TeX text
+/numbersign % 35
+/dollar % 36
+/percent % 37
+/ampersand % 38
+/quoteright % 39 % /quotesingle in ANSI
+/parenleft % 40
+/parenright % 41
+/asterisk % 42
+/plus % 43
+/comma % 44
+/hyphen % 45
+/period % 46
+/slash % 47
+/zero % 48
+/one % 49
+/two % 50
+/three % 51
+/four % 52
+/five % 53
+/six % 54
+/seven % 55
+/eight % 56
+/nine % 57
+/colon % 58
+/semicolon % 59
+/less % 60 % /exclamdown in Tex text
+/equal % 61
+/greater % 62 % /questiondown in TeX text
+/question % 63
+/at % 64
+/A % 65
+/B % 66
+/C % 67
+/D % 68
+/E % 69
+/F % 70
+/G % 71
+/H % 72
+/I % 73
+/J % 74
+/K % 75
+/L % 76
+/M % 77
+/N % 78
+/O % 79
+/P % 80
+/Q % 81
+/R % 82
+/S % 83
+/T % 84
+/U % 85
+/V % 86
+/W % 87
+/X % 88
+/Y % 89
+/Z % 90
+/bracketleft % 91
+/backslash % 92 % /quotedblleft in TeX text
+/bracketright % 93
+/circumflex % 94 % /asciicircum in ASCII
+/underscore % 95 % /dotaccent in TeX text
+/quoteleft % 96 % /grave accent in ANSI
+/a % 97
+/b % 98
+/c % 99
+/d % 100
+/e % 101
+/f % 102
+/g % 103
+/h % 104
+/i % 105
+/j % 106
+/k % 107
+/l % 108
+/m % 109
+/n % 110
+/o % 111
+/p % 112
+/q % 113
+/r % 114
+/s % 115
+/t % 116
+/u % 117
+/v % 118
+/w % 119
+/x % 120
+/y % 121
+/z % 122
+/braceleft % 123 % /endash in TeX text
+/bar % 124 % /emdash in TeX test
+/braceright % 125 % /hungarumlaut in TeX text
+/tilde % 126 % /asciitilde in ASCII
+/dieresis % 127 not used (see 168), use higher up instead
+/Lslash % 128 this position is unfortunate, but now too late to fix
+/quotesingle % 129
+/quotesinglbase % 130
+/florin % 131
+/quotedblbase % 132
+/ellipsis % 133
+/dagger % 134
+/daggerdbl % 135
+/circumflex % 136
+/perthousand % 137
+/Scaron % 138
+/guilsinglleft % 139
+/OE % 140
+/Zcaron % 141
+/asciicircum % 142
+/minus % 143
+/lslash % 144
+/quoteleft % 145
+/quoteright % 146
+/quotedblleft % 147
+/quotedblright % 148
+/bullet % 149
+/endash % 150
+/emdash % 151
+/tilde % 152
+/trademark % 153
+/scaron % 154
+/guilsinglright % 155
+/oe % 156
+/zcaron % 157
+/asciitilde % 158
+/Ydieresis % 159
+/nbspace % 160 % /space (no break space)
+/exclamdown % 161
+/cent % 162
+/sterling % 163
+/currency % 164
+/yen % 165
+/brokenbar % 166
+/section % 167
+/dieresis % 168
+/copyright % 169
+/ordfeminine % 170
+/guillemotleft % 171
+/logicalnot % 172
+/sfthyphen % 173 % /hyphen (hanging hyphen)
+/registered % 174
+/macron % 175
+/degree % 176
+/plusminus % 177
+/twosuperior % 178
+/threesuperior % 179
+/acute % 180
+/mu % 181
+/paragraph % 182
+/periodcentered % 183
+/cedilla % 184
+/onesuperior % 185
+/ordmasculine % 186
+/guillemotright % 187
+/onequarter % 188
+/onehalf % 189
+/threequarters % 190
+/questiondown % 191
+/Agrave % 192
+/Aacute % 193
+/Acircumflex % 194
+/Atilde % 195
+/Adieresis % 196
+/Aring % 197
+/AE % 198
+/Ccedilla % 199
+/Egrave % 200
+/Eacute % 201
+/Ecircumflex % 202
+/Edieresis % 203
+/Igrave % 204
+/Iacute % 205
+/Icircumflex % 206
+/Idieresis % 207
+/Eth % 208
+/Ntilde % 209
+/Ograve % 210
+/Oacute % 211
+/Ocircumflex % 212
+/Otilde % 213
+/Odieresis % 214
+/multiply % 215 % OE in T1
+/Oslash % 216
+/Ugrave % 217
+/Uacute % 218
+/Ucircumflex % 219
+/Udieresis % 220
+/Yacute % 221
+/Thorn % 222
+/germandbls % 223
+/agrave % 224
+/aacute % 225
+/acircumflex % 226
+/atilde % 227
+/adieresis % 228
+/aring % 229
+/ae % 230
+/ccedilla % 231
+/egrave % 232
+/eacute % 233
+/ecircumflex % 234
+/edieresis % 235
+/igrave % 236
+/iacute % 237
+/icircumflex % 238
+/idieresis % 239
+/eth % 240
+/ntilde % 241
+/ograve % 242
+/oacute % 243
+/ocircumflex % 244
+/otilde % 245
+/odieresis % 246
+/divide % 247 % oe in T1
+/oslash % 248
+/ugrave % 249
+/uacute % 250
+/ucircumflex % 251
+/udieresis % 252
+/yacute % 253
+/thorn % 254
+/ydieresis % 255 % germandbls in T1
+] def
+</pre>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fonts/fontname/xl2.html b/Master/texmf-dist/doc/fonts/fontname/xl2.html
new file mode 100644
index 00000000000..effc42d63c4
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/xl2.html
@@ -0,0 +1,352 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="xl2">xl2</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="xt2.html#xt2">xt2</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="texnansx.html#texnansx">texnansx</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Encodings.html#Encodings">Encodings</a>
+<hr><br>
+</div>
+
+<h3 class="section"><code>xl2.enc</code>: OT1 + ISO Latin 2 extended</h3>
+
+<pre class="example">
+
+ % Date: Thu, 25 May 1995 19:00:36 +0200 (MET DST)
+ % From: Petr Sojka &lt;sojka@daeron.ics.muni.cz&gt;
+ %
+ % some of our (CSTUG- czech TeX Users Group) users want to support
+ % 8bit font coding such that:
+ % -- lower 7bit is exactly OT1 (but with differences imposed
+ % by DEK -- e.g. layout of cmr is different from cmtt)
+ % -- upper part is taken from ISO-Latin 2 (iso 8859-2),
+ % but some of empty positions are filled with useful characters
+ % usually available in type-1 font (permill sign etc.)
+ /XL2encoding [
+ %%%%% '000 = "00
+ /Gamma
+ /Delta
+ /Theta
+ /Lambda
+ /Xi
+ /Pi
+ /Sigma
+ /Upsilon
+ %%%%% '010 = "08
+ /Phi
+ /Psi
+ /Omega
+ /ff
+ /fi
+ /fl
+ /ffi
+ /ffl
+ %%%%% '020 = "10
+ /dotlessi
+ /dotlessj
+ /grave
+ /acute
+ /caron
+ /breve
+ /macron
+ /ring
+ %%%%% '030 = "18
+ /cedilla
+ /germandbls
+ /ae
+ /oe
+ /oslash
+ /AE
+ /OE
+ /Oslash
+ %%%%% '040 = "20
+ /.notdef
+ /exclam
+ /quotedblright
+ /numbersign
+ /dollar
+ /percent
+ /ampersand
+ /quoteright
+ %%%%% '050 = "28
+ /parenleft
+ /parenright
+ /asterisk
+ /plus
+ /comma
+ /hyphen
+ /period
+ /slash
+ %%%%% '060 = "30
+ /zero
+ /one
+ /two
+ /three
+ /four
+ /five
+ /six
+ /seven
+ %%%%% '070 = "38
+ /eight
+ /nine
+ /colon
+ /semicolon
+ /exclamdown
+ /equal
+ /questiondown
+ /question
+ %%%%% '100 = "40
+ /at
+ /A
+ /B
+ /C
+ /D
+ /E
+ /F
+ /G
+ %%%%% '110 = "48
+ /H
+ /I
+ /J
+ /K
+ /L
+ /M
+ /N
+ /O
+ %%%%% '120 = "50
+ /P
+ /Q
+ /R
+ /S
+ /T
+ /U
+ /V
+ /W
+ %%%%% '130 = "58
+ /X
+ /Y
+ /Z
+ /bracketleft
+ /quotedblleft
+ /bracketright
+ /circumflex
+ /dotaccent
+ %%%%% '140 = "60
+ /quoteleft
+ /a
+ /b
+ /c
+ /d
+ /e
+ /f
+ /g
+ %%%%% '150 = "68
+ /h
+ /i
+ /j
+ /k
+ /l
+ /m
+ /n
+ /o
+ %%%%% '160 = "70
+ /p
+ /q
+ /r
+ /s
+ /t
+ /u
+ /v
+ /w
+ %%%%% '170 = "78
+ /x
+ /y
+ /z
+ /endash
+ /emdash
+ /hungarumlaut
+ /tilde
+ /dieresis
+ %%%%% '200 = "80
+ /ellipsis
+ /dagger
+ /daggerdbl
+ /bullet
+ /sterling
+ /paragraph
+ /.notdef
+ /.notdef
+ %%%%% '210 = "88
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /perthousand
+ /.notdef
+ /.notdef
+ %%%%% '220 = "90
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ %%%%% '230 = "98
+ /Agrave
+ /.notdef
+ /.notdef
+ /.notdef
+ /hyphen
+ /ogonek
+ /guillemotleft
+ /guillemotright
+ %%%%% '240 = "A0
+ /.notdef
+ /Aogonek
+ /breve
+ /Lslash
+ /currency
+ /Lcaron
+ /Sacute
+ /section
+ %%%%% '250 = "A8
+ /dieresis
+ /Scaron
+ /Scedilla
+ /Tcaron
+ /Zacute
+ /.notdef
+ /Zcaron
+ /Zdotaccent
+ %%%%% '260 = "B0
+ /ring
+ /aogonek
+ /cedilla
+ /lslash
+ /acute
+ /lcaron
+ /sacute
+ /caron
+ %%%%% '270 = "B8
+ /agrave
+ /scaron
+ /scedilla
+ /tcaron
+ /zacute
+ /hungarumlaut
+ /zcaron
+ /zdotaccent
+ %%%%% '300 = "C0
+ /Racute
+ /Aacute
+ /Acircumflex
+ /Abreve
+ /Adieresis
+ /Lacute
+ /Cacute
+ /Ccedilla
+ %%%%% '310 = "C8
+ /Ccaron
+ /Eacute
+ /Eogonek
+ /Edieresis
+ /Ecaron
+ /Iacute
+ /Icircumflex
+ /Dcaron
+ %%%%% '320 = "D0
+ /Eth
+ /Nacute
+ /Ncaron
+ /Oacute
+ /Ocircumflex
+ /Ohungarumlaut
+ /Odieresis
+ /multiply
+ %%%%% '330 = "D8
+ /Rcaron
+ /Uring
+ /Uacute
+ /Uhungarumlaut
+ /Udieresis
+ /Yacute
+ /Togonek
+ /germandbls
+ %%%%% '340 = "E0
+ /racute
+ /aacute
+ /acircumflex
+ /abreve
+ /adieresis
+ /lacute
+ /cacute
+ /ccedilla
+ %%%%% '350 = "E8
+ /ccaron
+ /eacute
+ /eogonek
+ /edieresis
+ /ecaron
+ /iacute
+ /icircumflex
+ /dcaron
+ %%%%% '360 = "F0
+ /eth
+ /nacute
+ /ncaron
+ /oacute
+ /ocircumflex
+ /ohungarumlaut
+ /odieresis
+ /divide
+ %%%%% '370 = "F8
+ /rcaron
+ /uring
+ /uacute
+ /uhungarumlaut
+ /udieresis
+ /yacute
+ /quotedblbase
+ /quotedblleft
+ ] def
+
+ % LIGKERN hyphen hyphen =: endash ; endash hyphen =: emdash ;
+ % LIGKERN quoteleft quoteleft =: quotedblleft ;
+ % LIGKERN quoteright quoteright =: quotedblright ;
+ % LIGKERN exclamdown exclamdown =: guillemotleft ;
+ % frenchdblquotes
+ % LIGKERN questiondown questiondown =: guillemotright ;
+ % csquoteleft
+ % LIGKERN comma comma =: quotedblbase ;
+ % LIGKERN space {} * ; * {} space ; zero {} * ; * {} zero ;
+ % LIGKERN one {} * ; * {} one ; two {} * ; * {} two ;
+ % LIGKERN three {} * ; * {} three ; four {} * ; * {} four ;
+ % LIGKERN five {} * ; * {} five ; six {} * ; * {} six ;
+ % LIGKERN seven {} * ; * {} seven ; eight {} * ; * {} eight ;
+ % LIGKERN nine {} * ; * {} nine ;
+ % LIGKERN question {} quoteleft ; exclam {} quoteleft ;
+ </pre>
+
+ </body></html>
+
diff --git a/Master/texmf-dist/doc/fonts/fontname/xt2.html b/Master/texmf-dist/doc/fonts/fontname/xt2.html
new file mode 100644
index 00000000000..3ec3f0f32de
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fontname/xt2.html
@@ -0,0 +1,342 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+ pre.display { font-family:inherit }
+ pre.format { font-family:inherit }
+ pre.smalldisplay { font-family:inherit; font-size:smaller }
+ pre.smallformat { font-family:inherit; font-size:smaller }
+ pre.smallexample { font-size:smaller }
+ pre.smalllisp { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="xt2">xt2</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="xl2.html#xl2">xl2</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Encodings.html#Encodings">Encodings</a>
+<hr><br>
+</div>
+
+<h3 class="section"><code>xt2.enc</code>: typewriter OT1 + ISO Latin 2 extended</h3>
+
+<pre class="example">
+
+ % This is the typewriter version of xl2.
+ /XT2encoding [
+ %%%%% '000 = "00
+ /Gamma
+ /Delta
+ /Theta
+ /Lambda
+ /Xi
+ /Pi
+ /Sigma
+ /Upsilon
+ %%%%% '010 = "08
+ /Phi
+ /Psi
+ /Omega
+ /arrowup
+ /arrowdown
+ /quotesingle
+ /exclamdown
+ /questiondown
+ %%%%% '020 = "10
+ /dotlessi
+ /dotlessj
+ /grave
+ /acute
+ /caron
+ /breve
+ /macron
+ /ring
+ %%%%% '030 = "18
+ /cedilla
+ /germandbls
+ /ae
+ /oe
+ /oslash
+ /AE
+ /OE
+ /Oslash
+ %%%%% '040 = "20
+ /.notdef
+ /exclam
+ /quotedblright
+ /numbersign
+ /dollar
+ /percent
+ /ampersand
+ /quoteright
+ %%%%% '050 = "28
+ /parenleft
+ /parenright
+ /asterisk
+ /plus
+ /comma
+ /hyphen
+ /period
+ /slash
+ %%%%% '060 = "30
+ /zero
+ /one
+ /two
+ /three
+ /four
+ /five
+ /six
+ /seven
+ %%%%% '070 = "38
+ /eight
+ /nine
+ /colon
+ /semicolon
+ /less
+ /equal
+ /greater
+ /question
+ %%%%% '100 = "40
+ /at
+ /A
+ /B
+ /C
+ /D
+ /E
+ /F
+ /G
+ %%%%% '110 = "48
+ /H
+ /I
+ /J
+ /K
+ /L
+ /M
+ /N
+ /O
+ %%%%% '120 = "50
+ /P
+ /Q
+ /R
+ /S
+ /T
+ /U
+ /V
+ /W
+ %%%%% '130 = "58
+ /X
+ /Y
+ /Z
+ /bracketleft
+ /backslash
+ /bracketright
+ /circumflex
+ /underscore
+ %%%%% '140 = "60
+ /quoteleft
+ /a
+ /b
+ /c
+ /d
+ /e
+ /f
+ /g
+ %%%%% '150 = "68
+ /h
+ /i
+ /j
+ /k
+ /l
+ /m
+ /n
+ /o
+ %%%%% '160 = "70
+ /p
+ /q
+ /r
+ /s
+ /t
+ /u
+ /v
+ /w
+ %%%%% '170 = "78
+ /x
+ /y
+ /z
+ /braceleft
+ /bar
+ /braceright
+ /tilde
+ /dieresis
+ %%%%% '200 = "80
+ /ellipsis
+ /dagger
+ /daggerdbl
+ /bullet
+ /sterling
+ /paragraph
+ /.notdef
+ /.notdef
+ %%%%% '210 = "88
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /perthousand
+ /.notdef
+ /.notdef
+ %%%%% '220 = "90
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ /.notdef
+ %%%%% '230 = "98
+ /Agrave
+ /.notdef
+ /.notdef
+ /.notdef
+ /hyphen
+ /ogonek
+ /guillemotleft
+ /guillemotright
+ %%%%% '240 = "A0
+ /.notdef
+ /Aogonek
+ /breve
+ /Lslash
+ /currency
+ /Lcaron
+ /Sacute
+ /section
+ %%%%% '250 = "A8
+ /dieresis
+ /Scaron
+ /Scedilla
+ /Tcaron
+ /Zacute
+ /.notdef
+ /Zcaron
+ /Zdotaccent
+ %%%%% '260 = "B0
+ /ring
+ /aogonek
+ /cedilla
+ /lslash
+ /acute
+ /lcaron
+ /sacute
+ /caron
+ %%%%% '270 = "B8
+ /agrave
+ /scaron
+ /scedilla
+ /tcaron
+ /zacute
+ /hungarumlaut
+ /zcaron
+ /zdotaccent
+ %%%%% '300 = "C0
+ /Racute
+ /Aacute
+ /Acircumflex
+ /Abreve
+ /Adieresis
+ /Lacute
+ /Cacute
+ /Ccedilla
+ %%%%% '310 = "C8
+ /Ccaron
+ /Eacute
+ /Eogonek
+ /Edieresis
+ /Ecaron
+ /Iacute
+ /Icircumflex
+ /Dcaron
+ %%%%% '320 = "D0
+ /Eth
+ /Nacute
+ /Ncaron
+ /Oacute
+ /Ocircumflex
+ /Ohungarumlaut
+ /Odieresis
+ /multiply
+ %%%%% '330 = "D8
+ /Rcaron
+ /Uring
+ /Uacute
+ /Uhungarumlaut
+ /Udieresis
+ /Yacute
+ /Togonek
+ /germandbls
+ %%%%% '340 = "E0
+ /racute
+ /aacute
+ /acircumflex
+ /abreve
+ /adieresis
+ /lacute
+ /cacute
+ /ccedilla
+ %%%%% '350 = "E8
+ /ccaron
+ /eacute
+ /eogonek
+ /edieresis
+ /ecaron
+ /iacute
+ /icircumflex
+ /dcaron
+ %%%%% '360 = "F0
+ /eth
+ /nacute
+ /ncaron
+ /oacute
+ /ocircumflex
+ /ohungarumlaut
+ /odieresis
+ /divide
+ %%%%% '370 = "F8
+ /rcaron
+ /uring
+ /uacute
+ /uhungarumlaut
+ /udieresis
+ /yacute
+ /quotedblbase
+ /quotedblleft
+ ] def
+
+ % LIGKERN quoteleft quoteleft =: quotedblleft ;
+ % LIGKERN quoteright quoteright =: quotedblright ;
+ % LIGKERN exclamdown exclamdown =: guillemotleft ;
+ % frenchdblquotes
+ % LIGKERN questiondown questiondown =: guillemotright ;
+ % csquoteleft
+ % LIGKERN comma comma =: quotedblbase ;
+ % LIGKERN space {} * ; * {} space ; zero {} * ; * {} zero ;
+ % LIGKERN one {} * ; * {} one ; two {} * ; * {} two ;
+ % LIGKERN three {} * ; * {} three ; four {} * ; * {} four ;
+ % LIGKERN five {} * ; * {} five ; six {} * ; * {} six ;
+ % LIGKERN seven {} * ; * {} seven ; eight {} * ; * {} eight ;
+ % LIGKERN nine {} * ; * {} nine ;
+ % LIGKERN question {} quoteleft ; exclam {} quoteleft ;
+ % LIGKERN f {} f ; f {} i ; f {} l ;
+ </pre>
+
+ </body></html>
+