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authorKarl Berry <karl@freefriends.org>2010-10-29 00:32:04 +0000
committerKarl Berry <karl@freefriends.org>2010-10-29 00:32:04 +0000
commita3781ed6d0a0ab6e29fe0acc89bc0c991f100e4d (patch)
tree46c2f0221649339980d896237819540b9d4093ef /Master/texmf-dist/doc/fonts/memdesign
parent6bc1f5497cfb2f56d65c80a4c36ea3bad6dc046c (diff)
memdesign update (28oct10)
git-svn-id: svn://tug.org/texlive/trunk@20237 c570f23f-e606-0410-a88d-b1316a301751
Diffstat (limited to 'Master/texmf-dist/doc/fonts/memdesign')
-rw-r--r--Master/texmf-dist/doc/fonts/memdesign/README6
-rw-r--r--Master/texmf-dist/doc/fonts/memdesign/memdesign.pdfbin2019219 -> 1647152 bytes
-rw-r--r--Master/texmf-dist/doc/fonts/memdesign/memdesign.tex333
-rw-r--r--Master/texmf-dist/doc/fonts/memdesign/memetc.bib1446
4 files changed, 1640 insertions, 145 deletions
diff --git a/Master/texmf-dist/doc/fonts/memdesign/README b/Master/texmf-dist/doc/fonts/memdesign/README
index 3bff5b60672..576bb61c017 100644
--- a/Master/texmf-dist/doc/fonts/memdesign/README
+++ b/Master/texmf-dist/doc/fonts/memdesign/README
@@ -27,6 +27,7 @@ memdesign.pdf
The distribution consists of the following files:
README (this file)
memdesign.(tex|pdf) Source and PDF document
+memetc.bib Bibliography database
-------------------------------------------------------------------
@@ -42,12 +43,13 @@ Processing also requires the free Web-O-Mints font.
To process memdesign.tex (if you really want to do this and not just use
memdesign.pdf as supplied)
-o Run (pdf)latex twice on memman.tex
+o Run (pdf)latex twice on memdesign.tex
+o Run bibtex memdesign
o For an index run: makeindex -s memman.ist memdesign
o Run (pdf)latex once more on memdesign.tex
o Print the manual
-2009/08/23
+2009/12/14
Peter Wilson
herries dot press at earthlink dot net
diff --git a/Master/texmf-dist/doc/fonts/memdesign/memdesign.pdf b/Master/texmf-dist/doc/fonts/memdesign/memdesign.pdf
index 81ad6ae6b43..76651b84f1c 100644
--- a/Master/texmf-dist/doc/fonts/memdesign/memdesign.pdf
+++ b/Master/texmf-dist/doc/fonts/memdesign/memdesign.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/memdesign/memdesign.tex b/Master/texmf-dist/doc/fonts/memdesign/memdesign.tex
index 7297876a53c..70eaf7a5a21 100644
--- a/Master/texmf-dist/doc/fonts/memdesign/memdesign.tex
+++ b/Master/texmf-dist/doc/fonts/memdesign/memdesign.tex
@@ -1,6 +1,25 @@
% memdesign.tex Part I of memman.tex (the Memoir user manual) as a separate doc
% Author: Peter Wilson
% Copyright 2001, 2002, 2003, 2004, 2008, 2009 Peter R. Wilson
+%
+%% Author: Peter Wilson (herries dot press at earthlink dot net)
+%% Herries Press
+%% Copyright 2001--2009 Peter R. Wilson
+%%
+%% This work may be distributed and/or modified under the
+%% conditions of the LaTeX Project Public License, either
+%% version 1.3 of this license or (at your option) any
+%% later version.
+%% The latest version of the license is in
+%% http://www.latex-project.org/lppl.txt
+%% and version 1.3 or later is part of all distributions of
+%% LaTeX version 2003/06/01 or later.
+%%
+%% This work has the LPPL maintenance status "author-maintained".
+%% (Note: Lars Madsen is gradually taking over maintenance)
+%%
+%%
+%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% If you do not have the FontSite 500 fonts use the draft option whereby %%
%% all the FontSite fonts will be replaced by the regular body font, thus %%
@@ -15,7 +34,7 @@
%\documentclass[draft,10pt,letterpaper,extrafontsizes]{memoir}
\listfiles
\usepackage{comment}
-
+
% For (non-printing) notes \PWnote{date}{text}
\newcommand{\PWnote}[2]{}
\PWnote{2009/04/29}{Added fonttable to the used packages}
@@ -23,7 +42,8 @@
% same
\newcommand{\LMnote}[2]{}
-
+%%%% kill bibliographystyle used in memsty.sty
+\renewcommand*{\bibliographystyle}[1]{}
\usepackage{memsty}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%
\usepackage{titlepages} % code of the example titlepages
@@ -33,6 +53,21 @@
%%%% Change section heading styles
%%%\memmansecheads
+%%% use biblatex for the bibliography
+\usepackage[style=authoryear]{biblatex}
+%%% use \autocite instead of \cite to get parentheses round refs
+\providecommand*{\onctan}{On CTAN at }
+\let\origbibsetup\bibsetup
+\renewcommand*{\bibsetup}{\origbibsetup\small\raggedyright}
+\defbibnote{rectan}{{\small
+CTAN is the Comprehensive TeX Archive Network.
+Information on how to access CTAN is available at
+\url{http://www.tug.org}.}
+\par\vspace{\onelineskip}}
+\bibliography{memetc}
+
+
+
%%%% Use the built-in division styling
\headstyles{memman}
%%%% but swap section & subsection heads
@@ -162,16 +197,17 @@ Nos habebit humus.\par}
\makeatletter
-\renewcommand{\doidxbookmark}[1]{{\def\@tempa{Symbols}\def\@tempb{#1}%
- \centering\bfseries \ifx\@tempa\@tempb %
- Analphabetics
- \phantomsection
- \pdfbookmark[1]{Analphabetics}{Analphabetics-idx}%
- \else
- #1%
- \pdfbookmark[1]{#1}{#1-idx}%
- \fi%
- \vskip\onelineskip\par}}
+\LMnote{2010/10/28}{the definition from memsty is better}
+% \renewcommand{\doidxbookmark}[1]{{\def\@tempa{Symbols}\def\@tempb{#1}%
+% \centering\bfseries \ifx\@tempa\@tempb %
+% Analphabetics
+% \phantomsection
+% \pdfbookmark[1]{Analphabetics}{Analphabetics-idx}%
+% \else
+% #1%
+% \pdfbookmark[1]{#1}{#1-idx}%
+% \fi%
+% \vskip\onelineskip\par}}
%%% ToC down to subsections
\settocdepth{subsection}
@@ -289,7 +325,7 @@ First edition: & August 2009 \\
\setupmaintoc
\tableofcontents
\setlength{\unitlength}{1pt}
-\clearpage
+\clearpage
\listoffigures
\clearpage
\listoftables
@@ -323,16 +359,16 @@ professionals.
These notes briefly cover some aspects of book design and typography,
independently of the means of typesetting. Among
the several books on the subject listed in the \bibname{} I prefer
-Bringhurst's \btitle{The Elements of Typographic Style}~\cite{BRINGHURST99}.
+Bringhurst's \btitle{The Elements of Typographic Style}~\autocite{BRINGHURST99}.
The notes originally formed the first part of a user manual for
the \Pclass{memoir} class for
use with the \ltx\ typesetting system developed by Leslie
-Lamport~\cite{LAMPORT94} based
-on Donald Knuth's \tx\ system~\cite{TEXBOOK}.
+Lamport~\autocite{LAMPORT94} based
+on Donald Knuth's \tx\ system~\autocite{TEXBOOK}.
The manual was first published in 2001
and as the notes have grown in size and \Pclass{memoir}'s capabilities
-have been extended the manual also grew to approaching 700 pages~\cite{MEMMAN}.
+have been extended the manual also grew to approaching 700 pages~\autocite{MEMMAN}.
At that point seemed advantageous to separate the design notes from the
technicalities, hence this document.
@@ -639,17 +675,17 @@ because individual characters could be added or replaced. On the other hand,
Linotype output was easier to handle if complete sections had to be moved
around, for example for `quick' printing such as a daily newspaper.
- Alan Bartram~\cite{BARTRAM01} shows examples of book designs from between
+ Alan Bartram~\autocite{BARTRAM01} shows examples of book designs from between
1470 and 1948, not all of which he considers to be good. Examples of printed
pages from the 15th to the 20th century are in the TUG 2007 San Diego Meeting
-keynote presentation~\cite{TUGKEYNOTE07}.
+keynote presentation~\autocite{TUGKEYNOTE07}.
\section{Making type}
\typesubidx{manufacture|(}
This is a very brief description of how lead type is made. For
-a good overview see~\cite{CHAPPELL99} and Fred Smeijers~\cite{SMEIJERS96}
+a good overview see~\autocite{CHAPPELL99} and Fred Smeijers~\autocite{SMEIJERS96}
provides a detailed description of punchcutting.
Making type has been an inherently manual process. Having got a design
@@ -761,15 +797,15 @@ Typeface & & Lawson & Bringhurst & Vox \\ \midrule
shown in \tref{tab:typecat}. The listed schemes are
\begin{description}
\item[Lawson] from
-Lawson \& Agner~\cite{LAWSONAGNER90} who proposed
+Lawson \& Agner~\autocite{LAWSONAGNER90} who proposed
\emph{a Rational System} based on the historical sequence.
\item[Bringhurst] who categorizes according to the artistic and architectural
-period that a typeface can be said to represent~\cite{BRINGHURST99}.
+period that a typeface can be said to represent~\autocite{BRINGHURST99}.
\item[Vox] devised a system that has been adopted as a British Standard
(BS 2961: 1967). This tried to be language-neutral and get away from
the more traditional descriptions such as gothic, antique, grotesque, and
modern which have different, and somtimes opposite, meanings in different
-languages~\cite{MCLEAN80}.
+languages~\autocite{MCLEAN80}.
\end{description}
Later I will expand on the Lawson \& Agner system and show some types
corresponding to some of their categories. I have limited the examples to
@@ -875,9 +911,9 @@ separate & ligatured & separate & ligatured \\
For more detailed descriptions and further terms
you may wish to consult other sources, such as
-\cite{BRINGHURST99,LAWSONAGNER90,MEGGS00}. If you are interested in the
+\autocite{BRINGHURST99,LAWSONAGNER90,MEGGS00}. If you are interested in the
subtle, and the not so subtle, differences between typefaces then Karen
-Cheng's \btitle{Designing Type}~\cite{CHENG05} has a great deal to offer.
+Cheng's \btitle{Designing Type}~\autocite{CHENG05} has a great deal to offer.
The names of typefaces can be confusing; different suppliers have a
tendency to give different names to the same underlying typeface. For
@@ -1316,10 +1352,10 @@ be useful for book or chapter titles.
are still a few printers who still set type by hand, called
now letterpress\index{letterpress} printing, and on the odd occasion I am
one of them. Again, this is a brief description of the process but
-Chappell~\cite{CHAPPELL99}
+Chappell~\autocite{CHAPPELL99}
provides much more detail if you are interested. If you have a desire to
set up your own small print shop, perhaps in your garage or shed in the garden,
-then John Ryder\index{Ryder, John} has lots of pertinent advice~\cite{RYDER}.
+then John Ryder\index{Ryder, John} has lots of pertinent advice~\autocite{RYDER}.
He directed
the design and production of many books for The Bodley Head, and, starting in
1930, produced much interesting work on an Adana\index{hand press!Adana}
@@ -1604,7 +1640,7 @@ how slight. As is common, tradeoffs seem inevitable.
\section{Setting maths}
I had always wondered how maths was typeset before TeX was available and
-I eventually found an answer in an article by David Wishart~\cite{WISHART03}.
+I eventually found an answer in an article by David Wishart~\autocite{WISHART03}.
The following is based upon his descriptions.
As described above, before the advent of typesetting machines compositors
@@ -1901,7 +1937,7 @@ Frederic Connes\index{Connes, Frederic}
has told me that in French typography there is often a division above the
part level. This is also sometimes the case with English typography where
it is typically called a \emph{book}\index{book} --- the
-\btitle{Chicago Manual of Style}~\cite[p. 21]{CMS} shows an example.
+\btitle{Chicago Manual of Style}~\autocite[p. 21]{CMS} shows an example.
A single physical book may thus be divided into levels from \emph{book}
through
\emph{part} and \emph{chapter} to further refinements.
@@ -2068,7 +2104,7 @@ imperial & \abyb{15}{11} & \abyb{11}{7.5} \\ \bottomrule
The metric sizes, given in \tref{tab:metricpapersizes}, are those now
recommended for book production where the metric system holds sway,
-which includes the UK~\cite[p. 104]{MCLEAN80}.
+which includes the UK~\autocite[p. 104]{MCLEAN80}.
\begin{table}
\centering
@@ -2108,7 +2144,7 @@ Sheet size & Book trim size & Common use & Pages per sheet (max) \\ \midrule
Commercial printers use paper larger than shown in the previous tables;
they print several (final) pages on a single sheet, then fold it and trim it
down to the finished page size. Table~\ref{tab:adriansizes} is from
-\cite[p. 59]{ADRIANWILSON93}. He also says that other common trimmed sizes are
+\autocite[p. 59]{ADRIANWILSON93}. He also says that other common trimmed sizes are
\abybm{9.25}{6.125}{in} out of \abybm{50}{38}{in} sheets,
\abybm{10.25}{8.25}{in} out of \abybm{45}{35}{in} sheets, and so on.
@@ -2259,7 +2295,7 @@ so that at the end it looked rather like handmade paper.
Paper for printing comes in different grades according to the intended
use. The common ones, together with their manufactured size in inches,
-are~\cite{POCKETPAL}:
+are~\autocite{POCKETPAL}:
\begin{description}
\item[Bond (\abyb{17}{22})]\index{paper!bond} Commonly used for letters and
business forms. They have surfaces acceptible for both pen and pencil.n
@@ -2559,7 +2595,7 @@ which in turn being halved produces the A2 sheet (\abyb{420}{594}), down
through the A3, A4 (\abybm{210}{297}{mm}), A5, \ldots sheets.
For many years it was thought that it was impossible to fold a sheet of
-paper\index{paper}, no matter how large and thin, more than six times
+paper\index{paper}, no matter how large and thin, more than eight times
altogether. This is not so as in 2002 a high school student, Britney Gallivan,
managed to fold a sheet of paper in half twelve times (see, for example,
\url{http://mathworld.wolfram.com/Folding.html}).
@@ -2763,12 +2799,12 @@ Then
Both the Fibonacci series and the golden section appear in nature.
The arrangement of seeds in a sunflower, the pattern on the surface of a
pinecone, and the spacing of leaves around a stalk all exhibit Fibonacci
-paterns (for example see~\cite{CONWAY96}). Martin Gardener~\cite{GARDNER66}
+paterns (for example see~\autocite{CONWAY96}). Martin Gardener~\autocite{GARDNER66}
reports on a study of 65 women that claimed that the average ratio of a
person's height to the height of the navel is $1.618+$ --- suspiciously
close to $\varphi$. According to Dan Brown, the author of
\btitle{The Da Vinci Code}, Mario Livio's
-\btitle{The Golden Ratio}~\cite{LIVIO02}
+\btitle{The Golden Ratio}~\autocite{LIVIO02}
`\ldots unveils the history and mystery of the remarkable
number phi in such a way that \ldots you will never again look at a pyramid,
pinecone, or Picasso in the same light'.
@@ -2941,7 +2977,7 @@ or folios\index{folio}.
Shown in \fref{fb:1} are two modern books. On the left is the layout
for Robert Bringhurst's\index{Bringhurst, Robert}
\btitle{The Elements of Typographical Style} published
-by Hartley \& Marks in 1992, and designed by Bringhurst~\cite{BRINGHURST99}.
+by Hartley \& Marks in 1992, and designed by Bringhurst~\autocite{BRINGHURST99}.
The text face is
Minion\facesubseeidx{Minion} set with $12$pt leading on a $21$pc measure.
The captions are set in Scala Sans\facesubseeidx{Scala Sans}. The original
@@ -3092,7 +3128,7 @@ patterns. It is set at \abyb{14/16}{22} on a page size of \abybm{240}{150}{mm}.
Figure~\ref{fb:4} (right) is the layout of another book on typefaces.
It is \btitle{The Anatomy of a Typeface} by Alexander Lawson published by
-David R.~Godine in 1990~\cite{LAWSON90}.
+David R.~Godine in 1990~\autocite{LAWSON90}.
This is set in Galliard\facesubseeidx{Galliard} with $13$pt leading and a measure of $24$pc on
a page size of \abybm{227.5}{150}{mm} on Glatfelter\index{paper!Glatfelter}
Offset Smooth Eggshell paper. The half-title\index{half-title}\index{page!half-title}
@@ -3286,7 +3322,7 @@ The book is \btitle{Hypnerotomachia Poliphili} by Francesco Colonna and was
published by Aldus Manutius\index{Manutius, Aldus} in Venice in 1499.
The story of this,
including some reproductions from the original, is told by Helen
-Barolini~\cite{BAROLINI92}.
+Barolini~\autocite{BAROLINI92}.
\begin{figure}
@@ -3621,7 +3657,7 @@ a ruler and a pair of compasses.
Jan Tschichold\index{Tschichold, Jan} gives a simple construction for the
layout of many of the books based on Gutenberg's\index{Gutenberg, Johannes}
-work~\cite[pages 44--57]{TSCHICHOLD91},
+work~\autocite[pages 44--57]{TSCHICHOLD91},
which is shown in \fref{flpage:lgut}.
The construction actually divides the page up into ninths (the point
\textsc{p} in the diagram, which is at the intersection of the main and half
@@ -3691,7 +3727,7 @@ may be read twice or the following line may be inadvertently jumped over.
For double column\index{column!double} text the ideal number of characters
is around 45, give or take 5 or so.
- Bringhurst\index{Bringhurst, Robert}~\cite{BRINGHURST99} gives a
+ Bringhurst\index{Bringhurst, Robert}~\autocite{BRINGHURST99} gives a
method for determining the number
of characters in a line for any font\index{font!measuring}:
measure the length of the lowercase alphabet and use a
@@ -3828,9 +3864,9 @@ at a fairly long, preferably a page, piece of normal text. Fonts from
different families produce different colors, and so may mixed fonts from
the same family. You can try this yourself by typesetting the same page
in, say, Computer Modern Roman, Italic, and Sans-serif fonts.
-The books by Rogers~\cite{ROGERS43}, Lawson~\cite{LAWSON90},
-Dowding~\cite{DOWDING98}, and
-Morison~\cite{MORISON99} all show pages set in many different fonts.
+The books by Rogers~\autocite{ROGERS43}, Lawson~\autocite{LAWSON90},
+Dowding~\autocite{DOWDING98}, and
+Morison~\autocite{MORISON99} all show pages set in many different fonts.
@@ -3853,7 +3889,7 @@ typeblock\index{typeblock} must be
chosen to optimise between legibility and `artistic' presentation.
The design of the document should be almost invisible, giving full
compliments to the author's communication. However, if you are a master,
-like Hermann Zapf\index{Zapf, Hermann}~\cite{ZAPF00}, you can break the rules.
+like Hermann Zapf\index{Zapf, Hermann}~\autocite{ZAPF00}, you can break the rules.
@@ -3931,7 +3967,7 @@ and then in roman:
\end{center}
Sans-serif fonts often require context to decipher the word.
-For example~\cite{MCLEAN80},
+For example~\autocite{MCLEAN80},
seeing this in isolation
\begin{center}
{\Huge\sffamily lll}
@@ -3945,7 +3981,7 @@ principles for setting text for
continuous reading.
\begin{enumerate}
-\item \emph{Sans-serif type is intrinsically less legible than seriffed type}~\cite{WHEILDON95}.
+\item \emph{Sans-serif type is intrinsically less legible than seriffed type}~\autocite{WHEILDON95}.
We have already seen that this is the case --- there is more variety
among seriffed letters than among sans-serif letters. Further, serifs
@@ -4002,27 +4038,27 @@ comments from some of the literature on the subject.
\begin{itemize}
\def\makelabel#1{\noindent #1}
-\item[Bohle~\cite{BOHLE90}] notes: Readers prefer a roman typeface for body
- type because they are most used to seeing that face~\cite{REHE72}.
+\item[Bohle~\autocite{BOHLE90}] notes: Readers prefer a roman typeface for body
+ type because they are most used to seeing that face~\autocite{REHE72}.
Roman type may well also be more readable than sans serif faces because
the serifs help connect the letters to form the word shape when
- we read~\cite{REHE72}.
+ we read~\autocite{REHE72}.
-\item[Craig~\cite{CRAIG92}] says: You will find that the serifs on a typeface
+\item[Craig~\autocite{CRAIG92}] says: You will find that the serifs on a typeface
facilitate the horizontal flow necessary to comfortable reading.
-\item[Degani~\cite{DEGANI92}] in a study of pilots reading checklists
+\item[Degani~\autocite{DEGANI92}] in a study of pilots reading checklists
in emergency cockpit situations decided that sans serif faces were
better than serif faces.
-\item[Schriver~\cite{SCHRIVER97}] notes: Serif and sans serif typefaces
+\item[Schriver~\autocite{SCHRIVER97}] notes: Serif and sans serif typefaces
are likely to be equally preferred by
- readers~\cite{HARTLEY83,TINKER63}
- and read equally quickly~\cite{GOULD87,HARTLEY83,ZACHRISSOM69}.
+ readers~\autocite{HARTLEY83,TINKER63}
+ and read equally quickly~\autocite{GOULD87,HARTLEY83,ZACHRISSOM69}.
Serif faces may be easier to read in continuous text than sans
- serif faces~\cite{BURT59,HVISTENDAHL75,ROBINSON71,WHEILDON95}.
+ serif faces~\autocite{BURT59,HVISTENDAHL75,ROBINSON71,WHEILDON95}.
-\item[Wheildon~\cite{WHEILDON95}] did a series of studies with around
+\item[Wheildon~\autocite{WHEILDON95}] did a series of studies with around
250 readers in Sydney, Australia, asking them to rate serif and sans fonts
in a variety of uses. Among the many results he reported:
\begin{itemize}
@@ -4120,7 +4156,7 @@ typeblock. Especially to be
avoided are widows that are the only line on a page, for example at the end
of a chapter\index{chapter}. Five lines on the last page of a
chapter\index{chapter} is a reasonable minimum.
-Jan Tschichold~\cite{TSCHICHOLD91} claims that Hurenkinder can always
+Jan Tschichold~\autocite{TSCHICHOLD91} claims that Hurenkinder can always
be avoided by even if a recto (verso) page must be made a line shorter or
longer than the corresponding verso (recto) page, which he considers to be
less of an affront than widows.
@@ -4384,7 +4420,7 @@ or small serifs will not display well unless on a high resolution screen.
to read a page. Each page should fit within the screen, which means that
Ebook pages will be shorter than traditional pages.
A suggested size for an Ebook page, in round numbers, is
-about 9 by 6 inches~\cite{ADOBEBOOK} or 23 by 15 centimetres overall.
+about 9 by 6 inches~\autocite{ADOBEBOOK} or 23 by 15 centimetres overall.
The page design for printed books is based on a double spread. For
Ebooks the design should be based on a single page. The
@@ -4453,7 +4489,7 @@ some elements, principally those in the \pixfrontmatter\ and \pixbackmatter\
may be treated slightly differently than the main body.
Much of this chapter is based on my interpretation of my namesake's
-work~\cite{ADRIANWILSON93} and the \btitle{Chicago Manual of Style}~\cite{CMS}.
+work~\autocite{ADRIANWILSON93} and the \btitle{Chicago Manual of Style}~\autocite{CMS}.
\section{\prFrontmatter}
@@ -4475,7 +4511,7 @@ other names likely to attract the reader, and perhaps the publisher and date.
Both the title pages are recto but the full title may be a double spread.
The full title layout in particular must be both attractive and informative.
- Quoting from Ruari McLean~\cite[p. 148]{MCLEAN80} in reference to the
+ Quoting from Ruari McLean~\autocite[p. 148]{MCLEAN80} in reference to the
title page he says:
\begin{quotation}
The title-page states, in words, the actual title (and sub-title, if
@@ -4821,9 +4857,9 @@ three points, should be inserted and below the extract.
\renewcommand*{\thefootnote}{\fnsymbol{footnote}}
\let\oldfootnoterule\footnoterule
\renewcommand*{\footnoterule}{}
- This section is a synthesis of the views of Ruari McLean~\cite{MCLEAN80},
-Jan Tschichold~\cite{TSCHICHOLD91} and
-Emerson Wulling~\cite{WULLING-FOOTNOTES}.
+ This section is a synthesis of the views of Ruari McLean~\autocite{MCLEAN80},
+Jan Tschichold~\autocite{TSCHICHOLD91} and
+Emerson Wulling~\autocite{WULLING-FOOTNOTES}.
Footnotes\index{footnote} are ancilliary to the main material and
expand in some way
@@ -5438,7 +5474,7 @@ of a word.
Frederic\index{Goudy, Frederic} Goudy (1865--1947), a very respected
American typographer and type designer, is said to have been fond of saying,
`A man who would letterspace lower case letters would steal sheep!' Writing
-in 1999 Robert\index{Bringhurst, Robert} Bringhurst~\cite[p. 31]{BRINGHURST99}
+in 1999 Robert\index{Bringhurst, Robert} Bringhurst~\autocite[p. 31]{BRINGHURST99}
felt that to bring this dictum to modern times it was simply necessary to
add that `A woman who would letterspace lower case would also steal sheep.'
@@ -5922,9 +5958,9 @@ difficult to get all the pieces of type with the bits of the vertical rules
aligned properly --- the eye is very sensitive to jags in what is meant to
be a straight line. In the days of digital typography the alignment problem
has gone away, so perhaps the antipathy to vertical lines is a tradition
-from earlier days. On the other hand Edward Tufte~\cite[p. 96]{TUFTE83}
+from earlier days. On the other hand Edward Tufte~\autocite[p. 96]{TUFTE83}
exhorts us to `Maximize the data-ink ratio' and to `Erase non-data-ink'
-and Bringhurst~\cite[p. 70]{BRINGHURST99} says `There should be a minimum
+and Bringhurst~\autocite[p. 70]{BRINGHURST99} says `There should be a minimum
amount of furniture (rules, boxes, dots and other guiderails for
travelling through typographic space) and a maximum amount
of information'.
@@ -6002,7 +6038,7 @@ be set with lining figures even if they are in the body of the text. For example
Most books or articles about typography at least mention some typefaces
by name, and may provide examples, and in some cases many examples.
- I have the the commercial FontSite\index{FontSite}
+ I have the commercial FontSite\index{FontSite}
fonts\pagenote[commercial FontSite fonts]{In 2002 I purchased a CD containing
512 fonts from \url{http://www.fontsite.com} but it appears that it is not
in production any more. I understand that as of 2009/08/12 there were only
@@ -6019,10 +6055,10 @@ by others, in particular the `\P'.}
%
licensed from the SoftMaker/ATF library, supported for \ltx\ through
Christopher\index{League, Christopher} League's estimable
-work~\cite{TEXFONTSITE}. This enables me to show a few of the typefaces
+work~\autocite{TEXFONTSITE}. This enables me to show a few of the typefaces
displayed in some of the books mentioned in the bibliography, in particular
-those by Birdsall~\cite{BIRDSALL04}, Bringhurst~\cite{BRINGHURST99} and
-and Lawson~\cite{LAWSON90}. To make it easier
+those by Birdsall~\autocite{BIRDSALL04}, Bringhurst~\autocite{BRINGHURST99} and
+and Lawson~\autocite{LAWSON90}. To make it easier
to see and compare them at first there are a few characters displayed at 18pt
and then text set at 12pt.
I have tried to indicate the typeface category
@@ -6099,7 +6135,7 @@ was designed by John Baskerville\index{Baskerville, John} in the
1750's and was cut by John Handy\index{Handy, John}.
The face was more popular on the
Continent than in England where it was made.
-(See~\cite{BRINGHURST99,LAWSON90})
+(See~\autocite{BRINGHURST99,LAWSON90})
\facetext}
@@ -6113,7 +6149,7 @@ Austin\index{Austin, Richard} for a publisher named Bell. It is a
(Transitional\typesubidx{Transitional}, Neoclassical\typesubidx{Neoclassical})
face. The FontSite version shown here is called
LanstonBell\facesubseeidx{LanstonBell}.
-(See~\cite{BIRDSALL04,BRINGHURST99,LAWSON90})
+(See~\autocite{BIRDSALL04,BRINGHURST99,LAWSON90})
\facetext}
@@ -6129,7 +6165,7 @@ in Venice in 1495. It is in the
Renaissance\typesubidx{Renaissance},
Garald\typesubidx{Garald}) style. The FontSite version shown here is called
Bergamo\facesubseeidx{Bergamo}.
-(See~\cite{BRINGHURST99,LAWSON90})
+(See~\autocite{BRINGHURST99,LAWSON90})
\facetext}
@@ -6144,7 +6180,7 @@ lived in Parma and designed hundreds of faces between 1765 and his death
in 1813. Types in his style, now categorized as (Modern\typesubidx{Modern},
Romantic \typesubidx{Romantic}, Didone\typesubidx{Didone}), were
revived in the first part of the twentieth century.
-(See~\cite{BRINGHURST99,LAWSON90})
+(See~\autocite{BRINGHURST99,LAWSON90})
\facetext}
@@ -6162,7 +6198,7 @@ based on his design. The general category of these is
(Venetian\typesubidx{Venetian}, Humanist\typesubidx{Humanist},
Renaissance\typesubidx{Renaissance}). The FontSite version shown here
is called University Old Style\facesubseeidx{University Old Style}.
-(See~\cite{BRINGHURST99,LAWSON90})
+(See~\autocite{BRINGHURST99,LAWSON90})
\facetext}
@@ -6177,7 +6213,7 @@ his death in 1766.
The first printing of the American Constitution used one of his types.
It falls into the (Dutch/English\typesubidx{Dutch/English},
Baroque\typesubidx{Baroque}, Garald\typesubidx{Garald}) category.
-(See~\cite{BRINGHURST99,LAWSON90})
+(See~\autocite{BRINGHURST99,LAWSON90})
\facetext}
@@ -6196,7 +6232,7 @@ perhaps the most faithfull rendition of Jenson's typeface, and is thus
categorized as (Venetian\typesubidx{Venetian}, Humanist\typesubidx{Humanist},
Renaissance\typesubidx{Renaissance}). The FontSite version shown here
is called Jenson Recut\facesubseeidx{Jenson Recut}.
-(See~\cite{BRINGHURST99,LAWSON90,ROGERS49})
+(See~\autocite{BRINGHURST99,LAWSON90,ROGERS49})
\facetext}
@@ -6211,7 +6247,7 @@ Theodore De Vinne\index{De Vinne, Theodore} and
Linn Boyd Benton\index{Benton, Linn Boyd} of the ATF as a magazine type,
named after De Vinne's \btitle{Century} magazine. It is essentially
a Transitional\typesubidx{Transitional} face.
-(See~\cite{BIRDSALL04,LAWSON90})
+(See~\autocite{BIRDSALL04,LAWSON90})
\facetext}
@@ -6225,7 +6261,7 @@ a Transitional\typesubidx{Transitional} face.
a font cut by Benjamin Fox for the Fann Street Foundry, London, in 1845.
It is categorized as (Square Serif\typesubidx{Square Serif},
Realist\typesubidx{Realist}, Mechanistic\typesubidx{Mechanistic}).
-(See~\cite{BIRDSALL04,BRINGHURST99,LAWSON90})
+(See~\autocite{BIRDSALL04,BRINGHURST99,LAWSON90})
\facetext}
@@ -6240,7 +6276,7 @@ Cleland\index{Cleland, Thomas Maitland} for the New York Type Foundry.
It is based on 15th century Florentine inscriptional capitals.
It can be classed as a (Venetian\typesubidx{Venetian},
Renaissance\typesubidx{Renaissance}, Humanist\typesubidx{Humanist}) face.
-(See~\cite{CONSUEGRA04})
+(See~\autocite{CONSUEGRA04})
\facetext}
@@ -6257,7 +6293,7 @@ revived in the 1920's. Modern Garamonds are categorized as
(Aldine/French\typesubidx{Aldine/French},
Renaissance\typesubidx{Renaissance} or Baroque\typesubidx{Baroque},
Garald\typesubidx{Garald}).
-(See~\cite{BRINGHURST99,LAWSON90})
+(See~\autocite{BRINGHURST99,LAWSON90})
\facetext}
@@ -6270,7 +6306,7 @@ Garald\typesubidx{Garald}).
{\pickfont{5go} Frederic Goudy\index{Goudy, Frederic} designed his Old Style
in 1915. It can be categorized as (Aldine/French\typesubidx{Aldine/French},
Renaissance\typesubidx{Renaissance}, Garald\typesubidx{Garald}).
-(See~\cite{LAWSON90})
+(See~\autocite{LAWSON90})
\facetext}
\end{comment}
@@ -6283,7 +6319,7 @@ Renaissance\typesubidx{Renaissance}, Garald\typesubidx{Garald}).
{\pickfont{5js} Joanna was designed by Eric Gill\index{Gill, Eric} and was
first cut in 1930.
The FontSite version shown here is called Jessica\facesubseeidx{Jessica}.
-(See~\cite{BIRDSALL04,BRINGHURST99}) % (Jessica)
+(See~\autocite{BIRDSALL04,BRINGHURST99}) % (Jessica)
\facetext}
@@ -6300,7 +6336,7 @@ in 1948. It has been categorized as (Aldine/French\typesubidx{Aldine/French},
Lyrical Modernist\typesubidx{Lyrical Modernist} cum
Neohumanist\typesubidx{Neohumanist}, Garald\typesubidx{Garald}).
The FontSite version shown here is called Palladio\facesubseeidx{Palladio}.
-(See~\cite{BRINGHURST99,LAWSON90}) % (Palladio)
+(See~\autocite{BRINGHURST99,LAWSON90}) % (Palladio)
\facetext}
\end{comment}
@@ -6317,7 +6353,7 @@ and issued in 1964 and can be categorized as
Renaissance\typesubidx{Renaissance},
Garald\typesubidx{Garald}).
The FontSite version shown here is called Savoy\facesubseeidx{Savoy}.
-(See~\cite{BRINGHURST99,LAWSON90}) % (Savoy)
+(See~\autocite{BRINGHURST99,LAWSON90}) % (Savoy)
\facetext}
@@ -6335,7 +6371,7 @@ Bodoni\index{Bodoni, Giambattista} and Firmin Didot\index{Didot, Firmin},
one of the great type designers of the period. The face
is categorized as (Modern\typesubidx{Modern},
Romantic\typesubidx{Romantic}, Didone\typesubidx{Didone}).
-(See~\cite{BIRDSALL04,BRINGHURST99})
+(See~\autocite{BIRDSALL04,BRINGHURST99})
\facetext}
@@ -6353,7 +6389,7 @@ Romantic\typesubidx{Romantic}, Didone\typesubidx{Didone}).
Morris Benton\index{Benton, Morris} in 1903 and is a
(Realist\typesubidx{Realist}
Sans-serif\typesubidx{Sans-serif}) face.
-(See~\cite{LAWSON90})
+(See~\autocite{LAWSON90})
\facetext}
\end{comment}
@@ -6368,7 +6404,7 @@ in 1924--26. It has been categorized as (Sans-serif\typesubidx{Sans-serif},
Geometric Lineal\typesubidx{Geometric Lineal},
Geometric Modernist\typesubidx{Geometric Modernist}).
The FontSite version shown here is called Function\facesubseeidx{Function}.
-(See~\cite{BIRDSALL04,BRINGHURST99,LAWSON90}) % (Function)
+(See~\autocite{BIRDSALL04,BRINGHURST99,LAWSON90}) % (Function)
\facetext}
@@ -6384,7 +6420,7 @@ Geometric Modernist\typesubidx{Geometric Modernist} with
Humanist\typesubidx{Humanist} hints,
Humanist Lineal\typesubidx{Humanist Lineal}).
The FontSite version shown here is called Chantilly\facesubseeidx{Chantilly}.
-(See~\cite{BIRDSALL04,BRINGHURST99,LAWSON90})
+(See~\autocite{BIRDSALL04,BRINGHURST99,LAWSON90})
\facetext}
@@ -6395,7 +6431,7 @@ The FontSite version shown here is called Chantilly\facesubseeidx{Chantilly}.
{\pickfont{5ys} Goudy Sans was designed by Frederic
Goudy\index{Goudy, Frederic} in 1929--30. It is a Sans-serif\typesubidx{Sans-serif}.
-(See~\cite{BRINGHURST99,LAWSON90})
+(See~\autocite{BRINGHURST99,LAWSON90})
\facetext}
@@ -6407,7 +6443,7 @@ Goudy\index{Goudy, Frederic} in 1929--30. It is a Sans-serif\typesubidx{Sans-ser
{\pickfont{5ly} Lydian is a calligraphic Sans-serif\typesubidx{Sans-serif}
face and was designed by Warren Chappell\index{Chappell, Warren}
in the 1930's for ATF.
-(See~\cite{LAWSON90})
+(See~\autocite{LAWSON90})
\facetext}
@@ -6419,7 +6455,7 @@ in the 1930's for ATF.
{\pickfont{5ngj} News Gothic is a Sans-serif\typesubidx{Sans-serif} face
designed by Morris Benton\index{Benton, Morris} for ATF.
-(See~\cite{LAWSON90})
+(See~\autocite{LAWSON90})
\facetext}
@@ -6435,7 +6471,7 @@ as (Sans-serif\typesubidx{Sans-serif}, Renaissance\typesubidx{Renaissance}
cum Neoclassical\typesubidx{Neoclassical},
Humanist Lineal\typesubidx{Humanist Lineal}).
The FontSite version shown here is called Opus\facesubseeidx{Opus}.
-(See~\cite{BRINGHURST99,LAWSON90}) % (Opus)
+(See~\autocite{BRINGHURST99,LAWSON90}) % (Opus)
\facetext}
@@ -6449,7 +6485,7 @@ The FontSite version shown here is called Opus\facesubseeidx{Opus}.
and issued in 1969 is a Neohumanist\typesubidx{Neohumanist}
Sans-serif\typesubidx{Sans-serif}.
The FontSite version shown here is called Struktur\facesubseeidx{Struktur}.
-(See~\cite{BRINGHURST99}) % (Struktur)
+(See~\autocite{BRINGHURST99}) % (Struktur)
\facetext}
@@ -6463,7 +6499,7 @@ The FontSite version shown here is called Struktur\facesubseeidx{Struktur}.
{\pickfont{5le} Legende is a Script\typesubidx{Script} face designed by
Ernst Schneider\index{Schneider, Ernst} in 1937. It could be categorised
as having a Baroque\typesubidx{Baroque} feel to it.
-(See~\cite{BRINGHURST99,LAWSON90})
+(See~\autocite{BRINGHURST99,LAWSON90})
\facetext}
@@ -6475,7 +6511,7 @@ as having a Baroque\typesubidx{Baroque} feel to it.
{\pickfont{5ms} Mistral, designed by Roger Excoffon\index{Excoffon, Roger},
is a Script\typesubidx{Script} face.
-(See~\cite{MCLEAN80})
+(See~\autocite{MCLEAN80})
\facetext}
\end{comment}
@@ -6492,7 +6528,7 @@ is a Script\typesubidx{Script} face.
{\pickfont{5gh} Goudy Handtooled was designed by Frederic
Goudy\index{goudy, Frederic} in 1922 as a Decorative\typesubidx{Decorative}
-type. (See~\cite{LAWSON90})
+type. (See~\autocite{LAWSON90})
\facetext}
@@ -6544,6 +6580,62 @@ Galapagos Design Group.\footnote{\url{http://www.galapagosdesign.com}}} \\
\printpagenotes
\clearpage
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% biblatex
+\printbibliography[prenote=rectan]
+
+
+\clearpage
+\twocolindex
+\pagestyle{index}
+%\renewcommand{\chaptermark}[1]{}
+\renewcommand{\preindexhook}{%
+The first page number is usually, but not always, the primary reference to
+the indexed topic.\vskip\onelineskip}
+\indexintoc
+
+%\makeatletter\renewcommand*{\toclevel@chapter}{-1}\makeatother
+%\makeatletter\renewcommand*{\toclevel@section}{0}\makeatother
+
+%%%\raggedright does nasty things to index entries
+\printindex
+
+
+%\onecolindex
+%\renewcommand*{\preindexhook}{}
+%\renewcommand*{\indexname}{Index of first lines}
+%\printindex[lines]
+
+\cleardoublepage
+\pagestyle{empty}
+\null\vfil
+
+\begin{adjustwidth}{1in}{1in}
+\begin{center}
+{\Large\textsf{Colophon}}
+\end{center}
+\begin{center}
+This manual was typeset using the LaTeX typesetting system
+created by Leslie Lamport and the memoir class.
+The body text is set 10/12pt on a
+33pc measure with Palatino designed by Hermann Zapf, which includes
+italics and small caps. Other fonts include
+Sans, Slanted and Typewriter from Donald Knuth's
+Computer Modern family.
+
+\end{center}
+
+\end{adjustwidth}
+
+\vfil
+
+\end{document}
+
+\endinput
+
+
+%%%%%%%% The original in-document bibliography. Now replaced by memetc.bib
+%%%%%%%% and biblatex package.
+\begin{comment}
\renewcommand{\prebibhook}{%
CTAN is the Comprehensive TeX Archive Network. Information on how to
@@ -7740,49 +7832,4 @@ David Wishart.
\end{thebibliography}
-
-\clearpage
-\twocolindex
-\pagestyle{index}
-%\renewcommand{\chaptermark}[1]{}
-\renewcommand{\preindexhook}{%
-The first page number is usually, but not always, the primary reference to
-the indexed topic.\vskip\onelineskip}
-\indexintoc
-
-%%%\raggedright does nasty things to index entries
-\printindex
-
-
-%\onecolindex
-%\renewcommand*{\preindexhook}{}
-%\renewcommand*{\indexname}{Index of first lines}
-%\printindex[lines]
-
-\cleardoublepage
-\pagestyle{empty}
-\null\vfil
-
-\begin{adjustwidth}{1in}{1in}
-\begin{center}
-{\Large\textsf{Colophon}}
-\end{center}
-\begin{center}
-This manual was typeset using the LaTeX typesetting system
-created by Leslie Lamport and the memoir class.
-The body text is set 10/12pt on a
-33pc measure with Palatino designed by Hermann Zapf, which includes
-italics and small caps. Other fonts include
-Sans, Slanted and Typewriter from Donald Knuth's
-Computer Modern family.
-
-\end{center}
-
-\end{adjustwidth}
-
-\vfil
-
-\end{document}
-
-\endinput
-
+\end{comment}
diff --git a/Master/texmf-dist/doc/fonts/memdesign/memetc.bib b/Master/texmf-dist/doc/fonts/memdesign/memetc.bib
new file mode 100644
index 00000000000..f3d714fd9f0
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/memdesign/memetc.bib
@@ -0,0 +1,1446 @@
+AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA
+
+@book{IMPATIENT,
+ author = "Paul W. Abrahams and Kathryn Hargreaves and Karl Berry",
+ title = "{\TeX} for the Impatient",
+ publisher = "Addison-Wesley",
+ note = "Available at \url{ftp://tug.org/tex/impatient}",
+ year = 1990}
+
+%%% keep
+@misc{ADOBEBOOK,
+ title = "{How to Create Adobe PDF eBooks}",
+ publisher = "Adobe Systems Inc.",
+ note = "Available from
+ \url{http://www.adobe.com/epaper/tips/acr5ebook/pdfs/eBook.pdf}",
+ year = 2001}
+
+
+@manual{URL,
+ author = "Donald Arseneau",
+ title = "The url package",
+ month = feb,
+ note = "\onctan \url{/macros/latex/contrib/misc/url.sty}",
+ year = 1999}
+
+@manual{TITLEREF,
+ author = "Donald Arseneau",
+ title = "The titleref package",
+ month = apr,
+ note = "\onctan \url{/macros/latex/contrib/misc/titleref.sty}",
+ year = 2001}
+
+@manual{CHAPTERBIB,
+ author = "Donald Arseneau",
+ title = "The chapterbib package",
+ month = sep,
+ note = "\onctan \url{/macros/latex/contrib/cite/chapterbib.sty}",
+ year = 2001}
+
+@manual{FRAMED,
+ author = "Donald Arseneau",
+ title = "The framed package, v0.95",
+ month = oct,
+ note = "\onctan \url{/macros/latex/contrib/misc/framed.sty}",
+ year = 2007}
+
+@misc{AMSMATH,
+ author = "{AMS}",
+ title = "{AMS-LaTeX}",
+ note = "\url{http://www.ams.org/tex/amslatex.html}",
+ year = 2009}
+
+BBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBB
+
+@book{BAROLINI92,
+ author = "Helen Barolini",
+ title = "Aldus and his Dream Book",
+ publisher = "Italica Press",
+ isbn = "0--934977--22--4",
+ year = 1992}
+
+@book{BARTRAM01,
+ author = "Alan Bartram",
+ title = "Five hundred years of book design",
+ publisher = "Yale University Press",
+ isbn = "0--300--09058--7",
+ comment = "First published 2001 by The British Library",
+ year = 2001}
+
+@book{BIGELOW89,
+ editor = "Charles Bigelow and Paul Hayden Duensing and Linnea Gentry",
+ title = "Fine Print on Type",
+ publisher = "Fine Print, CA",
+ isbn = "0--9607290-X",
+ comment = "or Bedford Arts, CA (ISBN 0--938491--17--2)",
+ year = 1989}
+
+@book{BIRDSALL04,
+ author = "Derek Birdsall",
+ title = "notes on book design",
+ publisher = "Yale University Press",
+ isbn = "0--300--10347--6",
+ year = 2004}
+
+@book{BOHLE90,
+ author = "Robert Bohle",
+ title = "Publication Design for Editors",
+ publisher = "Prentice-Hall",
+ year = 1990}
+
+@manual{JURABIB,
+ author = "Jens Berger",
+ title = "The jurabib Package",
+ month = jan,
+ note = "\onctan \url{/macros/latex/contrib/jurabib}",
+ year = 2004}
+
+@manual{TITLESEC,
+ author = "Javier Bezos",
+ title = "The titlesec and titletoc Packages",
+ month = aug,
+ note = "\onctan \url{/macros/latex/contrib/titlesec}",
+ year = 2007}
+
+@manual{TITLETOC,
+ author = "Javier Bezos",
+ title = "The titlesec and titletoc Packages",
+ month = aug,
+ note = "\onctan \url{/macros/latex/contrib/titlesec}",
+ year = 2007}
+
+@manual{MAKEIDX,
+ author = "Johannes Braams and others",
+ title = "Standard {LaTeX2e} packages makeidx and showidx",
+ month = nov,
+ note = "\onctan \url{/macros/latex/base/makeindx.dtx(ins)}",
+ year = 1994}
+
+@manual{ALLTT,
+ author = "Johannes Braams",
+ title = "The alltt environment",
+ month = jun,
+ note = "\onctan \url{/macros/latex/base/alltt.dtx(ins)}",
+ year = 1997}
+
+@manual{BABEL,
+ author = "Johannes Braams",
+ title = "Babel: a multilingual package for use with {LaTeX's}
+ standard document classes",
+ month = apr,
+ note = "\onctan \url{/macros/latex/required/babel}",
+ year = 2008}
+
+
+@book{BRINGHURST99,
+ author = "Robert Bringhurst",
+ title = "The Elements of Typographic Style",
+ publisher = "Hartley \& Marks",
+ edition = 2,
+ isbn = "0--88179--033--8",
+ year = 1999}
+
+@book{BURT59,
+ author = "C. L. Burt",
+ title = "A Psychological Study of Typography",
+ publisher = "Cambridge University Press",
+ year = 1959}
+
+CCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCC
+
+@manual{DELARRAY,
+ author = "David Carlisle",
+ title = "The delarray package",
+ month = mar,
+ note = "\onctan \url{/macros/latex/required/tools}",
+ year = 1994}
+
+@manual{AFTERPAGE,
+ author = "David Carlisle",
+ title = "The afterpage package",
+ month = oct,
+ note = "\onctan \url{/macros/latex/required/tools}",
+ year = 1995}
+
+@manual{LONGTABLE,
+ author = "David Carlisle",
+ title = "The longtable package",
+ month = may,
+ note = "\onctan \url{/macros/latex/required/tools}",
+ year = 1998}
+
+@manual{ENUMERATE,
+ author = "David Carlisle",
+ title = "The enumerate package",
+ month = aug,
+ note = "\onctan \url{/macros/latex/required/tools}",
+ year = 1998}
+
+@manual{REMRESET,
+ author = "David Carlisle",
+ title = "The remreset package",
+ month = aug,
+ note = "\onctan \url{/macros/latex/contrib/carlisle}",
+ year = 1998}
+
+@manual{TABULARX,
+ author = "David Carlisle",
+ title = "The tabularx package",
+ month = jan,
+ mote = "\onctan \url{/macros/latex/required/tools}",
+ year = 1999}
+
+@manual{GRAPHICX,
+ author = "David Carlisle and Sebastian Rahtz",
+ title = "The graphicx package",
+ month = feb,
+ note = "\onctan \url{/macros/latex/required/graphics}",
+ year = 1999}
+
+@manual{DCOLUMN,
+ author = "David Carlisle",
+ title = "The dcolumn package",
+ month = may,
+ note = "\onctan \url{/macros/latex/required/tools}",
+ year = 2001}
+
+@manual{COLOR,
+ author = "David Carlisle",
+ title = "Packages in the graphics bundle",
+ month = nov,
+ note = "\onctan \url{/macros/latex/required/graphics}",
+ year = 2005}
+
+@manual{BIDI,
+ author = "Fran\c{c}ois Charette and Vafa Khalighi",
+ title = "Bidi: A convenient interface for typesetting bidirectional
+ texts with {XeLaTeX}",
+ note = "\onctan \url{/macros/xetex/latex/bidi}",
+ year = 2009}
+
+
+@book{CHAPPELL99,
+ author = "Warren Chappell and Robert Bringhurst",
+ title = "A Short History of the Printed Word",
+ publisher = "Hartley \& Marks",
+ isbn = "0--88179--154--7",
+ year = 1999}
+
+@article{CHEN88,
+ author = "Pehong Chen and Michael A. Harrison",
+ title = "Index Preparation and Processing",
+ journal = "Software: Practice and Experience",
+ volume = 19,
+ number = 8,
+ pages = "897--915",
+ month = sep,
+ note = "\onctan \url{/indexing/makeindex/paper}",
+ year = 1988}
+
+
+@book{CHENG05,
+ author = "Karen Cheng",
+ title = "Designing Type",
+ publisher = "Yale University Press",
+ isbn = "0--300--11150--9",
+ year = 2005}
+
+@book{CMS,
+ title = "The Chicago Manual of Style",
+ editor = "John Grossman",
+ edition = 14,
+ publisher = "The University of Chicago",
+ isbn = "0--226--10389--7",
+ year = 1993}
+
+@manual{SUBFIGURE,
+ author = "Steven Douglas Cochran",
+ title = "The subfigure package",
+ month = mar,
+ note = "\onctan \url{/macros/latex/contrib/subfigure}",
+ year = 2002}
+
+@book{CONSUEGRA04,
+ author = "David Consuegra",
+ title = "American Type Design \& Designers",
+ publisher = "Allworth Press",
+ isbn = "1--58115--320--1",
+ year = 2004}
+
+@book{CONWAY96,
+ author = "John H. Conway and Richard K. Guy",
+ title = "The Book of Numbers",
+ publisher = "Copernicus, Springer-Verlag",
+ isbn = "0--387--97993--X",
+ year = 1996}
+
+@book{CRAIG92,
+ author = "James Craig",
+ title = "Designing with Type: A Basic Course in Typography",
+ publisher = "Watson-Guptill, NY",
+ year = 1992}
+
+DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD
+
+@manual{NATBIB,
+ author = "Patrick W. Daly",
+ title = "Natural Sciences Citations and References",
+ month = may,
+ note = "\onctan \url{/macros/latex/contrib/natbib}",
+ year = 1999}
+
+@manual{MAKEBST,
+ author = "Patrick W. Daly",
+ title = "Customizing Bibliographic Style Files",
+ month = aug,
+ note = "\onctan \url{/macros/latex/contrib/custom-bib}",
+ year = 1999}
+
+@techreport{DEGANI92,
+ author = "Asaf Degani",
+ title = "On the Typography of Flight-Deck Documentation",
+ number = "NASA Contractor Report 177605",
+ month = dec,
+ note = "Available from
+ \url{http://members.aol.com/willadams/typgrphy.htm\#NASA}",
+ year = 1992}
+
+@book{DOWDING96,
+ author = "Geoffrey Dowding",
+ title = "Finer Points in the Spacing \& Arrangement of Type",
+ publisher = "Hartley \& Marks",
+ isbn = "0--88179--119--9",
+ year = 1996}
+
+@book{DOWDING98,
+ author = "Geoffrey Dowding",
+ title = "An Introduction to the History of Printing Types",
+ publisher = "The British Library and Oak Knoll Press",
+ isbn = "0--7123--4563--9 (The British Library), 1--884718--44--2
+ (Oak Knoll Press)",
+ year = 1998}
+
+@manual{PATCHCMD,
+ author = "Michael J. Downes",
+ title = "The patchcmd package",
+ month = jul,
+ note = "\onctan \url{/macros/latex/contrib/patchcmd}",
+ year = 2000}
+
+EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE
+
+@book{TEXBYTOPIC,
+ author = "Victor Eijkhout",
+ title = "{TeX} by Topic",
+ publisher = "Addison-Wesley",
+ isbn = "0--201--56882--9",
+ note = "Available from \url{http://www.eijkhout.net/tbt/}",
+ year = 1992}
+
+@manual{COMMENT,
+ author = "Victor Eijkhout",
+ title = "comment.sty",
+ month = oct,
+ note = "\onctan \url{/macros/latex/contrib/cpmment}",
+ year = 1999}
+
+FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF
+
+@manual{MOREVERB,
+ author = "Robin Fairbairns",
+ title = "The moreverb package",
+ month = dec,
+ note = "\onctan \url{/macros/latex/contrib/moreverb}",
+ year = 1998}
+
+@manual{FOOTMISC,
+ author = "Robin Fairbairns",
+ title = "footmisc --- a portmanteau package for customising
+ footnotes in {LaTeX2e}",
+ month = mar,
+ note = "\onctan \url{/macros/latex/contrib/footmisc}",
+ year = 2000}
+
+@manual{FAQ,
+ author = "Robin Fairbairns",
+ title = "The {UK TeX FAQ}",
+ note = "\onctan \url{/help/uk-tex-faq}",
+ year = 2009}
+
+@book{FARIN90,
+ author = "Gerald Farin",
+ title = "Curves and Surfaces for Computer Aided Geometric Design
+ --- A Practical Guide",
+ publisher = "Academic Press",
+ edition = 2,
+ isbn = "0122490517",
+ year = 1990}
+
+@book{FAUX80,
+ author = "I. D. Faux and M. J. Pratt",
+ title = "Computational Geometry for Design and Manufacture",
+ publisher = "Ellis Horwood",
+ isbn = "0853121141",
+ year = 1980}
+
+@manual{BOOKTABS,
+ author = "Simon Fear",
+ title = "Publication quality tables in {LaTeX}",
+ month = mar,
+ note = "\onctan \url{/macros/latex/contrib/booktabs}",
+ year = 2003}
+
+@book{FELICI03,
+ author = "James Felici",
+ title = "The Complete Manual of Typography --- A Guide to Setting
+ Perfect Type",
+ pubkisher = "Adobe Press/Peachpit Press",
+ isbn = "0--321--12730--7",
+ year = 2003}
+
+@manual{LETTRINE,
+ author = "Daniel Flipo",
+ title = "Typesetting `lettrines' in {LaTeX2e} documents",
+ month = mar,
+ note = "\onctan \url{/macros/latex/contrib/lettrine}",
+ year = 1998}
+
+@manual{FLYNN02,
+ author = "Peter Flynn",
+ title = "Formatting Information: A Beginner's Introduction to
+ Typesetting with {LaTeX2}",
+ note = "\onctan \url{/info/beginlatex}",
+ year = 2002}
+
+@manual{CROP,
+ author = "Melchior Franz",
+ title = "The crop package",
+ month = feb,
+ note = "\onctan \url{/macros/latex/contrib/crop}",
+ year = 2000}
+
+@book{FRIEDL98,
+ author = "Friedrich Friedl and Nicolaus Ott and Bernard Stein",
+ title = "Typography: An Encyclopedic Survey of Type Designs and
+ Techniques throughout History",
+ publisher = "Black Dog \& Leventhal Publishers Inc.",
+ isbn = "1--57912--023--7",
+ year = 1998}
+
+GGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGG
+
+@book{GARDNER66,
+ author = "Martin Gardner",
+ title = "More Mathematical Puzzles and Diversions",
+ publisher = "Penguin Books",
+ isbn = "0--14--020748--1",
+ year = 1996}
+
+@book{GCOMPANION,
+ author = "Michel Goossens and Frank Mittelbach and others",
+ title = "The {LaTeX} Graphics Companion",
+ edition = 2,
+ publisher = "Addison-Wesley",
+ isbn = "0--321--50892--0",
+ year = 2007}
+
+@book{WCOMPANION,
+ author = "Michel Goossens and Sebastian Rahtz and others",
+ title = "{The LaTeX Web Companion: Integrating TeX, HTML and XML}",
+ publisher = "Addison-Wesley",
+ isbn = "0--201--43311--7",
+ year = 1999}
+
+@article{GOULD87,
+ author = "J. D. Gould and others",
+ title = "Reading from {CRT} displays can be as fast as reading from paper",
+ journal = "Human Factors",
+ pages = "497--517",
+ volume = 29,
+ number = 5,
+ year = 1987}
+
+@book{GRATZER00,
+ author = "George Gr{\"a}tzer",
+ title = "Math into {LaTeX}",
+ edition = 3,
+ publisher = "Birkh{\"a}user Springer",
+ isbn = "0--8176--4131--9",
+ year = 2000}
+
+HHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH
+
+@article{HARTLEY83,
+ author = "J. Hartley and D. Rooum",
+ title = "Sir {C}yril {B}urt and typography",
+ journal = "British Journal of Psychology",
+ pages = "203--212",
+ volume = 74,
+ number = 2,
+ year = 1983}
+
+@book{HELLER01,
+ editor = "Steven Heller and Philip B. Meggs",
+ title = "Texts on Type: Critical Writings on Typography",
+ publisher = "Allworth Press",
+ isbn = "1--58115--082--2",
+ year = 2001}
+
+@book{HOENIG98,
+ author = "Alan Hoenig",
+ title = "{TeX Unbound: LaTeX and TeX} strategies for fonts,
+ graphics, and more",
+ publisher = "Oxford University Press",
+ isbn = "0--19--509686--X",
+ year = 1998}
+
+
+@article{HVISTENDAHL75,
+ author = "J. K. Hvistendahl and M. R. Kahl",
+ title = "Roman vs. sans serif body type: Readability and reader preference",
+ journal = "AANPA News Research Bulletin",
+ pages = "3--11",
+ month = jan,
+ day = 17,
+ year = 1975}
+
+IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII
+
+JJJJJJJJJJJJJJJJJJJJJJJJJJJJJJJJJJJJJJJJJJJJJJJJJJ
+
+@manual{INDEX,
+ author = "David M. Jones",
+ title = "A new implementation of {LaTeX's} indexing commands",
+ month = sep,
+ note = "\onctan \url{/macros/latex/contrib/camel}",
+ year = 1995}
+
+KKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKK
+
+@manual{XINDY,
+ author = "Roger Kehr",
+ title = "xindy: A flexible indexing system",
+ month = feb,
+ note = "\onctan \url{/indexing/xindy}",
+ year = 1998}
+
+@manual{XCOLOR,
+ author = "Uwe Kern",
+ title = "Extending {LaTeX's} color facilities: the xcolor package",
+ month = jan,
+ note = "\onctan \url{/macros/latex/contrib/xcolor}",
+ year = 2007}
+
+
+@book{TEXBOOK,
+ author = "Donald E. Knuth",
+ title = "The {TeX}book",
+ publisher = "Addison-Wesley",
+ isbn = "0--201--13448--9",
+ year = 1984}
+
+@book{TEXPROGRAM,
+ author = "Donald E. Knuth",
+ title = "TeX: The Program",
+ publisher = "Addison-Wesley",
+ isbn = "0--201--13437--3",
+ year = 1986}
+
+@book{CM,
+ author = "Donald E. Knuth",
+ title = "Computer Modern Typefaces",
+ publisher = "Addison-Wesley",
+ isbn = "0--201--134446--2",
+ year = 1987}
+
+@book{METAFONT,
+ author = "Donald E. Knuth",
+ title = "The {METAFONT} Book",
+ publisher = "Addison-Wesley",
+ isbn = "0--201--13444--6",
+ year = 1992}
+
+LLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLL
+
+@book{LAMPORT94,
+ author = "Leslie Lamport",
+ title = "{LaTeX}: A Document Preparation System",
+ publisher = "Addison-Wesley",
+ isbn = "0--201--52983--1",
+ year = 1994}
+
+@article{NTG,
+ author = "Leslie Lamport and Victor Eijkhout and Johannes Braams",
+ title = "{NTG} document classes for {LaTeX} version 2e",
+ month = jun,
+ note = "\onctan \url{/macros/latex/contrib/ntg}",
+ year = 2004}
+
+@article{CLASSES,
+ author = "Leslie Lamport and Frank Mittelbach and Johannes Braams",
+ title = "Standard document classes for {LaTeX} version 2e",
+ month = sep,
+ note = "\onctan \url{/macros/latex/base/classes.dtx}",
+ year = 1999}
+
+@book{LAWSON90,
+ author = "Alexander Lawson",
+ title = "Anatomy of a Typeface",
+ publisher = "David R. Godine",
+ isbn = "0--87923--333--8",
+ year = 1990}
+
+@book{LAWSONAGNER90,
+ author = "Alexander S. Lawson and Dwight Agner",
+ title = "Printing Types: An Introduction",
+ publisher = "Beacon Press",
+ isbn = "0--8070--6661--3",
+ year = 1990}
+
+@manual{TEXFONTSITE,
+ author = "Christopher League",
+ title = "{TeX} support for the {FontSite} 500 {CD}",
+ month = may,
+ note = "Available from \url{http://contrapunctus.net/fs500tex}",
+ year = 2003}
+
+@book{LEFAIVRE05,
+ author = "Liane Lefaivre",
+ title = "Leon Battista Alberti's `Hypnerotomachia Poliphili':
+ Re-Cognizing the Architectural Body in the Early Italian
+ Renaissance",
+ publisher = "MIT Press",
+ isbn = "0--262--62195--9",
+ year = 2005}
+
+
+@manual{FONTINST,
+ author = "Philipp Lehman",
+ title = "The Font Installation Guide",
+ month = dec,
+ note = "\onctan \url{/info/Type1fonts/fontinstallationguide}",
+ year = 2004}
+
+@manual{BIBLATEX,
+ author = "Philipp Lehman",
+ title = "The biblatex package: Programmable bibliographies
+ and citations",
+ month = jul,
+ note = "\onctan \url{/macros/latex/exptl/biblatex}",
+ year = 2009}
+
+@book{LEUNEN92,
+ author = "Mary-Claire van Leunen",
+ title = "A Handbook for Scholars",
+ publisher = "Oxford University Press",
+ isbn = "0--19--506954--4",
+ year = 1992}
+
+@book{LIVIO02,
+ author = "Mario Livio",
+ title = "The Golden Ratio: The Story of Phi, the World's Most
+ Astonishing Number",
+ publisher = "Broadway Books",
+ isbn = "0--7679--0816--3",
+ year = 2002}
+
+@manual{MULTIND,
+ author = "F. W. Long",
+ title = "multind",
+ month = aug,
+ note = "\onctan \url{/macros/latex209/contrib/misc/multind.sty}",
+ year = 1991}
+
+MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
+
+@manual{CHAPSTYLES,
+ author = "Lars Madsen",
+ title = "Various chapter styles for the memoir class",
+ month = jul,
+ note = "\onctan \url{/info/latex-samples/MemoirChapStyles}",
+ year = 2006}
+
+@article{MADSEN06,
+ author = "Lars Madsen",
+ title = "Avoid eqnarray!",
+ journal = "PracTeX",
+ note = "Available at \url{http://tug.org/pracjourn/2006-4/madsen/madsen.pdf}",
+ number = 4,
+ year = 2006}
+
+@manual{MEMEXSUPP,
+ author = "Lars Madsen",
+ title = "The Memoir Experimental Support Package",
+ note = "\onctan \url{/macros/latex/contrib/memexsupp}",
+ year = 2007}
+
+@book{MARAVELAS05,
+ author = "Paul Maravelas",
+ title = "Letterpress Printing --- A manual for modern fine press printers",
+ publisher = "Oak Knoll Press and The British Library",
+ isbn = "978--0--7123--4912--3 (The British Library), 978--1--58456--174--3
+ (Oak Knoll Press)",
+ year = 2005}
+
+@manual{SECTSTY,
+ author = "Rowland McDonnell",
+ title = "The sectsty package",
+ month = nov,
+ note = "\onctan \url{/macros/latex/contrib/secsty}",
+ year = 1998}
+
+@book{MCLEAN75,
+ author = "Ruari McLean",
+ title = "Jan Tschichold: Typographer",
+ publisher = "David R. Godine",
+ isbn = "0--87923--841--0",
+ year = 1975}
+
+@book{MCLEAN80,
+ author = "Ruari McLean",
+ title = "The Thames \& Hudson Manual of Typography",
+ publisher = "Thames \& Hudson",
+ isbn = "0--500--68022--1",
+ year = 1980}
+
+@book{MCLEAN95,
+ editor = "Ruari McLean",
+ title = "Typographers on Type",
+ publisher = "W. W. Norton \& Co.",
+ isbn = "0--393--70201--4",
+ year = 1995}
+
+
+@book{MEGGS00,
+ editor = "Philip B. Meggs and Roy McKelvey",
+ title = "Revival of the Fittest: Digital Versions of the Classic Typefaces",
+ publisher = "RC Publications, Inc.",
+ isbn = "1--883915--08--2",
+ year = 2000}
+
+@manual{DOCSHORTVRB,
+ author = "Frank Mittelbach",
+ title = "The doc and shortvrb packages",
+ month = may,
+ note = "\onctan \url{/macros/latex/base}",
+ year = 1995}
+
+@manual{MULTICOL,
+ author = "Frank Mittelbach",
+ title = "An environment for multicolumn output",
+ month = jan,
+ note = "\onctan \url{/macros/latex/required/tools}",
+ year = 1998}
+
+@manual{ARRAY,
+ author = "Frank Mittelbach and David Carlisle",
+ title = "A new implementation of {LaTeX's} tabular and array environment",
+ month = may,
+ note = "\onctan \url{/macros/latex/required/tools}",
+ year = 1998}
+
+@manual{FIXLTX2E,
+ author = "Frank Mittelbach and David Carlisle",
+ title = "The fixltx2e package",
+ month = sep,
+ note = "\onctan \url{/macros/latex/base}",
+ year = 2000}
+
+@book{COMPANION,
+ author = "Frank Mittelbach and Michael Goossens and others",
+ title = "The {LaTeX} Companion",
+ edition = 2,
+ publisher = "Addison-Wesley",
+ isbn = "0--201--36299--6",
+ year = 2004}
+
+
+@book{MORISON99,
+ author = "Stanley Morison",
+ title = "A Tally of Types",
+ publisher = "David R. Godine",
+ isbn = "1--56792--004--7",
+ year = 1999}
+
+@book{MORTENSON85,
+ author = "Michael E. Mortenson",
+ title = "Geometric Modeling",
+ publisher = "John Wiley \& Sons",
+ isbn = "0471882798",
+ year = 1985}
+
+NNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNN
+
+@manual{SIDECAP,
+ author = "Rolf Niespraschk and Hubert G{\"a}{\ss}lein",
+ title = "The sidecap package",
+ month = jun,
+ note = "\onctan \url{/macros/latex/contrib/sidecap}",
+ year = 1998}
+
+OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO
+
+@manual{LSHORT,
+ author = "Tobias Oetiker and others",
+ title = "The Not So Short Introduction to {LaTeX2e}:
+ Or {LaTeX2e} in 141 minutes",
+ month = sep,
+ note = "\onctan \url{/info/lshort}",
+ year = 2008}
+
+@manual{FANCYHDR,
+ author = "Piet van Oostrum",
+ title = "Page Layout in {LaTeX}",
+ month = jun,
+ note = "\onctan \url{/macros/latex/contrib/fancyhdr}",
+ year = 1996}
+
+PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP
+
+@manual{SYMBOLS,
+ author = "Scott Pakin",
+ title = "The Comprehensive {LaTeX} Symbol List",
+ month = nov,
+ note = "\onctan \url{/info/symbols/comprehensive}",
+ year = 2009}
+
+@article{PARVILLE84,
+ author = "H. de Parville",
+ title = "Recreations mathematique: {La Tour d'Hanoi} et la question
+ du {Tonkin}",
+ journal = "La Nature",
+ number = "part I",
+ pages = "285--286",
+ note = "Paris",
+ year = 1884}
+
+@manual{BIBTEX,
+ author = "Oren Patashnik",
+ title = "{BibTeXing}",
+ month = feb,
+ note = "\onctan \url{/bibliography/bibtex/distribs/doc/btxdoc.tex}",
+ year = 1988}
+
+@manual{BIBTEXHACK,
+ author = "Oren Patashnik",
+ title = "Designing {BibTeX} Styles",
+ month = feb,
+ note = "\onctan \url{/bibliography/bibtex/distribs/doc/btxhak.tex}",
+ year = 1988}
+
+@manual{MATHPAZO,
+ author = "Diego Puga",
+ title = "{The Pazo Math fonts for mathematical typesetting
+ with the Palatino fonts}",
+ month = may,
+ note = "\onctan \url{/fonts/mathpazo}",
+ year = 2002}
+
+QQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQ
+
+RRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRR
+
+@book{POCKETPAL,
+ editor = "Frank Ramano and Michael Riordan",
+ title = "Pocket Pal --- The Handy Book of Graphic Arts Production",
+ edition = 20,
+ publisher = "International Paper Company",
+ isbn = "978--0--9772--7161--0",
+ year = 2007}
+
+@manual{NAMEREF,
+ author = "Sebastian Rahtz",
+ title = "Section name references in {LaTeX}",
+ month = jan,
+ note = "\onctan \url{/macros/latex/contrib/hyperref}",
+ year = 2001}
+
+@manual{HYPERREF,
+ author = "Sebastian Rahtz",
+ title = "Hypertext marks in {LaTeX}",
+ month = may,
+ note = "\onctan \url{/macros/latex/contrib/hyperref}",
+ year = 2002}
+
+@manual{EPSLATEX,
+ author = "Keith Reckdahl",
+ title = "Using Imported Graphics in {LaTeX2e}",
+ month = dec,
+ note = "\onctan \url{/info/epspatex.ps} or \url{/info/epslatex.pdf}",
+ year = 1997}
+
+@article{REHE72,
+ author = "Rolf Rehe",
+ title = "Type and how to make it most legible",
+ journal = "Design Research International",
+ year = 1972}
+
+@article{REINGOLD07,
+ author = "Edward M. Reingold",
+ title = "Writing numbers in words in {TeX}",
+ journal = "TUGboat",
+ volume = 28,
+ number = 2,
+ pages = "256--259",
+ year = 2007}
+
+
+@article{ROBINSON71,
+ author = "D. O. Robinson and M. Abbamonte and S. H. Evans",
+ title = "Why serifs are important: The perception of small print",
+ journal = "Visible Language",
+ number = 4,
+ pages = "353--359",
+ year = 1971}
+
+@book{ROGERS43,
+ author = "Bruce Rogers",
+ title = "Paragraphs on Printing",
+ publisher = "William E. Rudge's Sons, Inc.",
+ comment = "Reissued by Dover, 1979, ISBN 0--486--23817--2",
+ year = 1943}
+
+@book{ROGERS49,
+ author = "Bruce Rogers",
+ title = "Centaur Types",
+ publisher = "October House",
+ year = 1949}
+
+@book{ROUSEBALL,
+ author = "W. W. Rouse Ball and H. S. M. Coxeter",
+ title = "Mathematical Recreations and Essays",
+ publisher = "University of Toronto Press",
+ edition = 12,
+ year = 1974}
+
+@book{RYDER,
+ author = "John Ryder.",
+ title = "Printing for Pleasure",
+ publisher = "The Bodley Head",
+ isbn = "0--370--10443--9",
+ comment = "In the USA published by Henry Regenery Co., Michigan, 1977.
+ ISBN 0--8092--78103--3",
+ year = 1976}
+
+SSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSS
+
+@book{EBOOK,
+ author = "Douglas Schenck and Peter Wilson",
+ title = "Information Modeling the {EXPRESS} Way",
+ publisher = "Oxford University Press",
+ isbn = "0--19--508714--3",
+ year = 1994}
+
+@manual{VERBATIM,
+ author = "Rainer Sch{\"o}pf and Bernd Raichle and Chris Rowley",
+ title = "A New Implementation of {LaTeX's} verbatim
+ and verbatim* Environments",
+ month = dec,
+ note = "\onctan \url{/macros/latex/required/tools}",
+ year = 1999}
+
+@book{SCHRIVER97,
+ author = "Karen A. Schriver",
+ title = "Dynamics in Document Design",
+ publisher = "Wiley \& Sons",
+ year = 1997}
+
+@book{SMEIJERS96,
+ author = "Fred Smeijers",
+ title = "Counterpunch: making type in the sixteenth century,
+ designing typefaces now",
+ publisher = "Hyphen Press, London",
+ isbn = "0--907259--06--5",
+ year = 1996}
+
+@thesis{SNEEP04,
+ author = "Maarten Sneep",
+ title = "The atmosphere in the laboratory: cavity ring-down
+ measurements on scattering and absorption",
+ type = "Phd",
+ institution = "Vrijie Universiteit, Amsterdam",
+ year = 2004}
+
+TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT
+
+@manual{DATETIME,
+ author = "Nicola L. C. Talbot",
+ title = "datetime.sty: Formatting Current Date and Time",
+ month = dec,
+ note = "\onctan \url{/macros/latex/contrib/datetime}",
+ year = 2006}
+
+@article{ORNAMENTAL,
+ author = "Christina Thiele",
+ title = "Hey --- it works: Ornamental rules",
+ journal = "TUGboat",
+ volume = 19,
+ number = 4,
+ pages = "427",
+ month = dec,
+ year = 1998}
+
+@article{TTC199,
+ author = "Christina Thiele",
+ title = "The Treasure Chest: Package tours from {CTAN}",
+ journal = "TUGboat",
+ volume = 20,
+ number = 1,
+ pages = "53--58",
+ month = mar,
+ year = 1999}
+
+@article{CALC,
+ author = "Kresten Krab Thorup and Frank Jensen and Chris Rowley",
+ title = "The calc package --- Infix notation arithmetic in {LaTeX}",
+ month = aug,
+ note = "\onctan \url{/macros/latex/required}",
+ year = 2005}
+
+@book{TINKER63,
+ author = "Miles A. Tinker",
+ title = "Legibility of Print",
+ publisher = "Books on Demand (University Microfilms International)",
+ year = 1963}
+
+@manual{SETSPACE,
+ author = "Geoffrey Tobin",
+ title = "setspace.sty",
+ month = dec,
+ note = "\onctan \url{/macros/latex/contrib/setspace}",
+ year = 2000}
+
+@manual{L2TABU,
+ author = "Mark Trettin and J{\"u}rgen Fenn",
+ title = "An essential guide to {LaTeX2e} usage: {O}bsolete commands and
+ packages",
+ month = jun,
+ note = "\onctan \url{/info/l2tabu}",
+ year = 2007}
+
+@book{TSCHICHOLD91,
+ author = "Jan Tschichold",
+ title = "The Form of the Book",
+ publisher = "Lund Humphries",
+ isbn = "0--85331--623--6",
+ year = 1991}
+
+@book{TUFTE83,
+ author = "Edward R. Tufte",
+ title = "The Visual Display of Quantative Information",
+ publisher = "Graphics Press",
+ year = 1983}
+
+UUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUU
+
+@manual{GEOMETRY,
+ author = "Hideo Umeki",
+ title = "The geometry package",
+ month = nov,
+ note = "\onctan \url{/macros/latex/contrib/geometry}",
+ year = 1999}
+
+VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV
+
+@manual{MATHMODE,
+ author = "Herbert Vo{\ss}",
+ title = "Math mode",
+ month = apr,
+ note = "\onctan \url{/info/math/voss/mathmode}",
+ year = 2009}
+
+WWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWW
+
+@book{WHEILDON95,
+ author = "Colin Wheildon",
+ title = "Type \& Layout",
+ publisher = "Strathmore Press",
+ isbn = "0--9624891--5--8",
+ year = 1995}
+
+@manual{CATALOGUE,
+ author = "Graham Williams",
+ title = "The {TeX} Catalogue",
+ note = "\onctan \url{/help/Catalogue/catalogue.html}",
+ year = 2009}
+
+@book{WILSONS76,
+ author = "Adrian Wilson",
+ comment = "(assisted by Joyce Lancaster Wilson)",
+ title = "The Making of the Nuremberg Chronicle",
+ publisher = "Nico Israel, Amsterdam",
+ isbn = "90--6072--814--9",
+ year = 1976}
+
+@book{ADRIANWILSON93,
+ author = "Adrian Wilson",
+ title = "The Design of Books",
+ publisher = "Chronicle Books",
+ isbn = "0--8118--0304--X",
+ year = 1993}
+
+@manual{ABSTRACT,
+ author = "Peter Wilson",
+ title = "The abstract package",
+ month = feb,
+ note = "\onctan \url{/macros/latex/contrib/abstract}",
+ year = 2001}
+
+@manual{APPENDIX,
+ author = "Peter Wilson",
+ title = "The appendix package",
+ month = mar,
+ note = "\onctan \url{/macros/latex/contrib/appendix}",
+ year = 2001}
+
+@manual{BEZ123,
+ author = "Peter Wilson",
+ title = "The bez123 and multiply packages",
+ month = apr,
+ note = "\onctan \url{/macros/latex/contrib/bez123}",
+ year = 2004}
+
+@manual{BOOKLET,
+ author = "Peter Wilson",
+ title = "Printing booklets with {LaTeX}",
+ month = aug,
+ note = "\onctan \url{/macros/latex/contrib/booklet}",
+ year = 2001}
+
+@manual{CCAPTION,
+ author = "Peter Wilson",
+ title = "The ccaption package",
+ month = mar,
+ note = "\onctan \url{/macros/latex/contrib/ccaption}",
+ year = 2001}
+
+@manual{CHANGEPAGE,
+ author = "Peter Wilson",
+ title = "The changepage package",
+ month = mar,
+ note = "\onctan \url{/macros/latex/contrib/misc/changepage.sty}",
+ year = 2008}
+
+@manual{CHNGCNTR,
+ author = "Peter Wilson",
+ title = "The chngcntr package",
+ month = apr,
+ note = "\onctan \url{/macros/latex/contrib/misc/chngcntr.sty}",
+ year = 2001}
+
+@manual{CHNGPAGE,
+ author = "Peter Wilson",
+ title = "The chngpage package",
+ month = feb,
+ note = "\onctan \url{/macros/latex/contrib/misc/chngpage.sty}",
+ year = 2001}
+
+@manual{EPIGRAPH,
+ author = "Peter Wilson",
+ title = "The epigraph package",
+ month = feb,
+ note = "\onctan \url{/macros/latex/contrib/epigraph}",
+ year = 2000}
+
+@manual{FONTTABLE,
+ author = "Peter Wilson",
+ title = "The fonttable package",
+ month = apr,
+ note = "\onctan \url{/macros/latex/contrib/fonttable}",
+ year = 2009}
+
+@article{GLISTER1,
+ author = "Peter Wilson",
+ title = "Glisterings",
+ journal = "TUGboat",
+ volume = 22,
+ number = 4,
+ month = dec,
+ pages = "339--341",
+ year = 2001}
+
+@article{GLISTER2,
+ author = "Peter Wilson",
+ title = "Glisterings",
+ journal = "TUGboat",
+ volume = 24,
+ number = 2,
+ pages = "262--265",
+ year = 2003}
+
+@article{GLISTER3,
+ author = "Peter Wilson",
+ title = "Glisterings: Package/package and class/package clashes",
+ journal = "TUGboat",
+ volume = 25,
+ number = 2,
+ pages = "201--202",
+ year = 2004}
+
+@article{GLISTER4,
+ author = "Peter Wilson",
+ title = "Glisterings",
+ journal = "TUGboat",
+ volume = 26,
+ number = 3,
+ pages = "253--255",
+ year = 2005}
+
+@article{GLISTER5,
+ author = "Peter Wilson",
+ title = "Glisterings: Address lists, animated books",
+ journal = "TUGboat",
+ volume = 27,
+ number = 2,
+ pages = "119--120",
+ year = 2006}
+
+@article{GLISTER6,
+ author = "Peter Wilson",
+ title = "Glisterings: Stringing along, loops",
+ journal = "TUGboat",
+ volume = 28,
+ number = 1,
+ pages = "12--14",
+ year = 2007}
+
+@article{GLISTER7,
+ author = "Peter Wilson",
+ title = "Glisterings: Paragraphs regular, paragraphs particular,
+ paragraphs Russian",
+ journal = "TUGboat",
+ volume = 28,
+ number = 2,
+ pages = "229--232",
+ year = 2007}
+
+@article{GLISTER8,
+ author = "Peter Wilson",
+ title = "Glisterings: More on paragraphs regular, {LaTeX's}
+ defining triumvirate, {TeX's} dictator",
+ journal = "TUGboat",
+ volume = 29,
+ number = 2,
+ pages = "324--327",
+ year = 2008}
+
+@article{GLISTER9,
+ author = "Peter Wilson",
+ title = "Glisterings",
+ journal = "TUGboat: Reprise {MetaPost} and {pdfLaTeX}, Spidrons",
+ volume = 30,
+ number = 1,
+ pages = "69--73",
+ year = 2009}
+
+@article{GLISTER10,
+ author = "Peter Wilson",
+ title = "Glisterings: Repetition, rectangular text",
+ journal = "TUGboat",
+ volume = 30,
+ number = 2,
+ pages = "287--289",
+ year = 2009}
+
+@manual{HANGING,
+ author = "Peter Wilson",
+ title = "The hanging package",
+ month = mar,
+ note = "\onctan \url{/macros/latex/contrib/hanging}",
+ year = 2001}
+
+@manual{ISOCLASS,
+ author = "Peter Wilson",
+ title = "{LaTeX} files for typesetting {ISO} standards",
+ month = feb,
+ note = "\onctan \url{/macros/latex/contrib/isostds/iso}",
+ year = 2000}
+
+@manual{LAYOUTS,
+ author = "Peter Wilson",
+ title = "The layouts package",
+ month = nov,
+ note = "\onctan \url{/macros/latex/contrib/layouts}",
+ year = 2003}
+
+@manual{LEDMAC,
+ author = "Peter Wilson",
+ title = "ledmac: A presumptuous attempt to port {EDMAC} and {TABMAC}
+ to {LaTeX}",
+ month = nov,
+ note = "\onctan \url{/macros/latex/contrib/ledmac}",
+ year = 2003}
+
+@manual{MEMADD,
+ author = "Peter Wilson",
+ title = "ADDENDUM: The Memoir Class for Configurable Typesetting ---
+ User Guide",
+ month = nov,
+ note = "\onctan \url{/macros/latex/contrib/memoir}",
+ year = 2007}
+
+@manual{MEMCODE,
+ author = "Peter Wilson",
+ title = "The {LaTeX} memoir class for configurable book typesetting:
+ source code",
+ month = nov,
+ note = "\onctan \url{/macros/latex/contrib/memoir}",
+ year = 2007}
+
+@manual{MEMMAN,
+author = "Peter Wilson",
+ title = "The Memoir Class for Configurable Typesetting --- User Guide",
+ edition = 7,
+ month = jul,
+ note = "\onctan \url{/macros/latex/contrib/memoir}",
+ year = 2009}
+
+@manual{MEMMAN07,
+ author = "Peter Wilson",
+ title = "The Memoir Class for Configurable Typesetting --- User Guide",
+ month = nov,
+ note = "\onctan \url{/macros/latex/contrib/memoir}",
+ year = 2007}
+
+@manual{MEMOIR,
+ author = "Peter Wilson",
+ title = "The {LaTeX} memoir class for configurable book
+ typesetting: Source code",
+ month = jul,
+ note = "\onctan \url{/macros/latex/contrib/memoir}",
+ year = 2001}
+
+@manual{NEEDSPACE,
+ author = "Peter Wilson",
+ title = "The needspace package",
+ month = mar,
+ note = "\onctan \url{/macros/latex/contrib/misc/needspace.sty}",
+ year = 2000}
+
+@manual{NEXTPAGE,
+ author = "Peter Wilson",
+ title = "The nextpage package",
+ month = feb,
+ note = "\onctan \url{/macros/latex/contrib/misc/nextpage.sty}",
+ year = 2000}
+
+@manual{PAGENOTE,
+ author = "Peter Wilson",
+ title = "The pagenote package",
+ month = sep,
+ note = "\onctan \url{/macros/latex/contrib/pagenote}",
+ year = 2004}
+
+@book{RUMOUR,
+ author = "Peter Wilson",
+ title = "A Rumour of Humour: A scientist's commonplace book",
+ publisher = "Herries Press",
+ year = 2004}
+
+@manual{TITLEPAGES,
+ author = "Peter Wilson",
+ title = "Some Examples of Title Pages",
+ publisher = "Herries Press",
+ note = "\onctan \url{info/latex-samples/titlepages.pdf}",
+ year = 2007}
+
+@manual{TITLING,
+ author = "Peter Wilson",
+ title = "The titling package",
+ month = mar,
+ note = "\onctan \url{/macros/latex/contrib/titling}",
+ year = 2001}
+
+@manual{TOCBIBIND,
+ author = "Peter Wilson",
+ title = "The tocbibind package",
+ month = apr,
+ note = "\onctan \url{/macros/latex/contrib/tocbibind}",
+ year = 2001}
+
+@manual{TOCLOFT,
+ author = "Peter Wilson",
+ title = "The tocloft package",
+ month = apr,
+ note = "\onctan \url{/macros/latex/contrib/tocloft}",
+ year = 2001}
+
+@manual{TOCVSEC2,
+ author = "Peter Wilson",
+ title = "The tocvsec2 package",
+ month = jan,
+ note = "\onctan \url{/macros/latex/contrib/tocvsec2}",
+ year = 1999}
+
+@article{TUGKEYNOTE07,
+ author = "Peter Wilson",
+ title = "Between then and now --- A meandering memoir",
+ journal = "TUGboat",
+ volume = 28,
+ number = 3,
+ pages = "280--298",
+ year = 2007}
+
+@manual{VERSE,
+ author = "Peter Wilson",
+ title = "Typesetting simple verse with LaTeX",
+ month = jul,
+ note = "\onctan \url{/macros/latex/contrib/verse}",
+ year = 2001}
+
+@manual{XTAB,
+ author = "Peter Wilson",
+ title = "The xtab package",
+ month = apr,
+ note = "\onctan \texttt{macros/latex/contrib/xtab}",
+ year = 2000}
+
+@inbook{WISHART03,
+ author = "David Wishart",
+ title = "The Printing of Mathematics",
+ booktitle = "Type \& Typography: Highlights from {Matrix}, the
+ review for printers \& bibliophiles",
+ publisher = "Mark Batty Publisher",
+ isbn = "0--9715687--6--6",
+ comment = "Originally published in {Matrix 8}, 1988",
+ year = 2003}
+
+@book{WULLING-FOOTNOTES,
+ author = "Emerson G. Wulling",
+ title = "A Comp's-Eye View of Footnotes",
+ publisher = "Sumac Press",
+ year = 1953}
+
+@book{WULLING-WORDS,
+ author = "Emerson G. Wulling",
+ title = "A Comp's-Eye View of Words",
+ publisher = "Sumac Press",
+ year = 1948}
+
+XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX
+
+YYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY
+
+ZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZ
+
+@book{ZACHRISSOM69,
+ author = "B. Zachrissom",
+ title = "Studies in the Legibility of Printed Text",
+ publisher = "Almqvist \& Wiksell, Stockholm",
+ year = 1969}
+
+@manual{FANCYBOX,
+ author = "Timothy Van Zandt",
+ title = "Documentation for fancybox.sty: Box tips and tricks for
+ {LaTeX}",
+ month = nov,
+ note = "\onctan \url{/macros/latex/contrib/fancybox}",
+ year = 1998}
+
+@book{ZAPF00,
+ author = "Hermann Zapf",
+ title = "The Fine Art of Letters",
+ publisher = "The Grolier Club",
+ isbn = "0--910672--35--0",
+ year = 2000}
+