diff options
| author | Karl Berry <karl@freefriends.org> | 2011-08-21 23:21:13 +0000 |
|---|---|---|
| committer | Karl Berry <karl@freefriends.org> | 2011-08-21 23:21:13 +0000 |
| commit | a52c84f1c299b80d33bcef1f889db567b73c915b (patch) | |
| tree | 466f0d9417cb2856c20f24b4464d2e681d57b756 /Master/texmf-dist/doc/fonts/marvosym | |
| parent | ec151de0f3ba705d191c5e0a80c6b1c2e8342da1 (diff) | |
marvosym 3.10 (21aug11)
git-svn-id: svn://tug.org/texlive/trunk@23630 c570f23f-e606-0410-a88d-b1316a301751
Diffstat (limited to 'Master/texmf-dist/doc/fonts/marvosym')
21 files changed, 930 insertions, 602 deletions
diff --git a/Master/texmf-dist/doc/fonts/marvosym/FONTLOG.txt b/Master/texmf-dist/doc/fonts/marvosym/FONTLOG.txt new file mode 100644 index 00000000000..6b9236e24e6 --- /dev/null +++ b/Master/texmf-dist/doc/fonts/marvosym/FONTLOG.txt @@ -0,0 +1,126 @@ +FONTLOG for the MarVoSym font with TeX support + +This file provides detailed information on the MarVoSym font with TeX support. This information should be distributed along with the fonts and any derivative works. + +This file has been created for the MarVoSym font with TeX support. The original font MarVoSym at marvosym.com lacks a FONTLOG as recommended by the SIL Open Font Licence. + + +Basic Font Information + +MarVoSym is Martin Vogel's Symbols font. It contains many useful +symbols, especially for office and civil engineering purposes. + +This marvosym package contains additional support files for TeX. + + +Note: This is not a Unicode-compliant font. Characters that could have been +mapped to Unicode slots (like Zodiac) are all in ASCII range or under 256. + +Documentation is included in package that can be downloaded from + http://ctan.org/pkg/marvosym +If you want to contribute to the project, write to the maintainer or to +the tex-live mailing list: + tex-live at tug dot org + http://tug.org/mailman/listinfo/tex-live + + +ChangeLog + +2011-08-15 (Mojca Miklavec) MarVoSym font with TeX support Version 2.2 +- Fixed licence of TeX support files. Original font is licenced under OFL, + which prohibits GPL licence. Reorganized documentation, added OFL licence + texts and this FONTLOG.txt which is sadly missing in original font. + Thanks to Karl Berry for many useful suggestions and impromevents. +- Added original TTF font. +- Updated to font version 3.10 (2008-09-01). +- Recreated Type 1 font files with some incompatible changes in font metrics, + some glyphs removed and some newly introduced ones. Created TDS directory + structure and made LaTeX macros 100 % compatible with original names. + Old LaTeX names were kept as synonyms. +- AFM file now contains proper glyph names instead of names of + ASCII characters on those slots. +- Characters `A' and `p' (positions 0xF0 and 0xF1) are no longer present, + as they are not in the original font. +- Some high school logos were removed or replaced. + +2008-09-01 (Martin Vogel) MarVoSym font Version 3.10 +- note: documentation claims the release date to be 2008-09-01, + while font file refers to 2007-11-04 +- (changelog unknown; it can only be reconstructed from comparison of Thomas' + latest pfb and new ttf; maybe somebody will do that comparison one day) + +2006-05-11 (Thomas Henlich) MarVoSym font with TeX support Version 2.1 +- Renamed Rightarrow macro to MVRightarrow. +- New TeX name for font (umvs). +- Rewrote style file. +- Added fd file. + +2000-04-21 (Thomas Henlich) MarVoSym font with TeX support +- Updated the font and documentation. Changed /FontName to MarVoSym. +- Many new glyphs. +- Removed: + \Kross, \Snowflake, \Circles, \Womanside, \Manside, \Womanfront, \Manfront. + +1998-07-20 (Thomas Henlich) MarVoSym font with TeX support +- Changed (*) to /* in /FontName. Thanks to Denis B. Roegel + for telling me about this. + +1998-06-21 (Thomas Henlich) MarVoSym font with TeX support +- Conversion to type 1 font now done with ttf2pt1 program. +- Font works now with dvips 5.78 and partial font downloading. Thanks to Uwe + W. Gehring and Armin Geisse for cooperation. +- Added \Ankh macro. +- Renamed some macros. + +1998-06-10 (Thomas Henlich) MarVoSym font with TeX support +- First version. + +unknown-date (Martin Vogel) MarVoSym +- (history of original font unknown) + + +Software + +This is a list of tools used for conversions of ttf into TeX-friendly formats: + +- ttf2pt1 + TrueType to PS type 1 font converter (free software) + version: 3.4.4/ft + http://ttf2pt1.sourceforge.net/ + +- afm2tfm + converts Adobe font metrics to TeX font metrics + version: afm2tfm(k) (dvips(k) 5.96.1) 8.1 + distributed with TeX Live (http://www.tug.org/texlive/) + authors: Tomas Rokicki + +- t1asm, t1disasm + assemble and disassemble PostScript Type 1 fonts + version: 1.36 + http://www.lcdf.org/type/ + authors: I. Lee Hetherington, Eddie Kohler et al. + + +Acknowledgements + +If you make modifications be sure to add your name (N), email (E), web-address (if you have one) (W) and description (D). This list ordered by the time of first contribution. + +N: Martin Vogel +E: mail at martinvogel dot de +W: http://www.martinvogel.de/ + http://www.marvosym.com/ +D: Author of original font marvosym.ttf + +N: Thomas Henlich +E: thomas at henlich dot de +D: Initial Type 1 derivative, TeX macros, documentation + +N: Mojca Miklavec +E: mojca dot miklavec dot lists at gmail dot com +D: Brought Thomas' package up-to-date (August 2011), docs reorganization + +N: Karl Berry +E: karl at freefriends dot org +D: Many suggestion and improvements of Mojca's work + +----- diff --git a/Master/texmf-dist/doc/fonts/marvosym/LICENSE b/Master/texmf-dist/doc/fonts/marvosym/LICENSE deleted file mode 100644 index 588a3819dfb..00000000000 --- a/Master/texmf-dist/doc/fonts/marvosym/LICENSE +++ /dev/null @@ -1,21 +0,0 @@ - -marvosym - Type 1 font of useful symbols for the office - with accompanying LaTeX2e style file - -Copyright (C) 2000 Martin Vogel <mail@martinvogel.de> -Copyright (C) 2006 Thomas Henlich <thomas@henlich.de> - -marvosym is free software; you can redistribute it and/or modify -it under the terms of the GNU General Public License as published by -the Free Software Foundation; either version 2 of the License, or -(at your option) any later version. - -marvosym is distributed in the hope that it will be useful, -but WITHOUT ANY WARRANTY; without even the implied warranty of -MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -GNU General Public License for more details. - -You should have received a copy of the GNU General Public License -along with this program; if not, write to the Free Software -Foundation, Inc., 59 Temple Place - Suite 330, Boston, MA 02111-1307, USA - diff --git a/Master/texmf-dist/doc/fonts/marvosym/OFL-FAQ.txt b/Master/texmf-dist/doc/fonts/marvosym/OFL-FAQ.txt new file mode 100644 index 00000000000..edb55c6107c --- /dev/null +++ b/Master/texmf-dist/doc/fonts/marvosym/OFL-FAQ.txt @@ -0,0 +1,369 @@ +OFL FAQ - Frequently Asked Questions about the SIL Open Font License (OFL) +Version 1.1-update2 - 23 August 2010 +(See http://scripts.sil.org/OFL for updates) + + +CONTENTS OF THIS FAQ +1 USING AND DISTRIBUTING FONTS LICENSED UNDER THE OFL +2 USING OFL FONTS FOR WEB PAGES AND ONLINE WEBFONT SERVICES +3 MODIFYING OFL-LICENSED FONTS +4 LICENSING YOUR ORIGINAL FONTS UNDER THE OFL +5 CHOOSING RESERVED FONT NAMES +6 ABOUT THE FONTLOG +7 MAKING CONTRIBUTIONS TO OFL PROJECTS +8 ABOUT THE LICENSE ITSELF +9 ABOUT SIL INTERNATIONAL +APPENDIX A - FONTLOG EXAMPLE + + +1 USING AND DISTRIBUTING FONTS LICENSED UNDER THE OFL + +1.1 Can I use the fonts for a book or other print publication? +Yes. You can mention the font and author in the book's colophon if you wish, but that is not required. + +1.2 Can the fonts be included with Free/Libre and Open Source Software collections such as GNU/Linux and BSD distributions? +Yes! Fonts licensed under the OFL can be freely included alongside other software under FLOSS (Free/Libre and Open Source Software) licenses. Since fonts are typically aggregated with, not merged into, existing software, there is little need to be concerned about incompatibility with existing software licenses. You may also repackage the fonts and the accompanying components in a .rpm or .deb package and include them in distribution CD/DVDs and online repositories. (Also see section 5.9 about rebuilding from source.) + +1.3 I want to distribute the fonts with my program. Does this mean my program also has to be Free/Libre and Open Source Software? +No. Only the portions based on the Font Software are required to be released under the OFL. The intent of the license is to allow aggregation or bundling with software under restricted licensing as well. + +1.4 Can I sell a software package that includes these fonts? +Yes, you can do this with both the Original Version and a Modified Version of the fonts. Examples of bundling made possible by the OFL would include: word processors, design and publishing applications, training and educational software, games and entertainment software, mobile device applications, etc. + +1.5 Can I include the fonts on a CD of freeware or commercial fonts? +Yes, as long some other font or software is also on the disk, so the OFL font is not sold by itself. + +1.6 Why won't the OFL let me sell the fonts alone? +The intent is to keep people from making money by simply redistributing the fonts. The only people who ought to profit directly from the fonts should be the original authors, and those authors have kindly given up potential direct income to distribute their fonts under the OFL. Please honour and respect their contribution! + +1.7 What about sharing OFL fonts with friends on a CD, DVD or USB stick? +You are very welcome to share open fonts with friends, family and colleagues through removable media. Just remember to include the full font package, including any copyright notices and licensing information as available in OFL.txt. In the case where you sell the font, it has to come bundled with software. + +1.8 Can I host the fonts on a web site for others to use? +Yes, as long as you make the full font package available. In most cases it may be best to point users to the main site that distributes the Original Version so they always get the most recent stable and complete version. See also discussion of webfonts in Section 2. + +1.9 Can I host the fonts on a server for use over our internal network? +Yes. If the fonts are transferred from the server to the client computer by means that allow them to be used even if the computer is no longer attached to the network, the full package (copyright notices, licensing information, etc.) should be included. + +1.10 Does the full OFL license text always need to accompany the font? +The only situation in which an OFL font can be distributed without the text of the OFL (either in a separate file or in font metadata), is when a font is embedded in a document or bundled within a program. In the case of metadata included within a font, it is legally sufficient to include only a link to the text of the OFL on http://scripts.sil.org/OFL, but we strongly recommend against this. Most modern font formats include metadata fields that will accept the full OFL text, and full inclusion increases the likelihood that users will understand and properly apply the license. + +1.11 What do you mean by 'embedding'? How does that differ from other means of distribution? +By 'embedding' we mean inclusion of the font in a document or file in a way that makes extraction (and redistribution) difficult or clearly discouraged. In many cases the names of embedded fonts might also not be obvious to those reading the document, the font data format might be altered, and only a subset of the font - only the glyphs required for the text - might be included. Any other means of delivering a font to another person is considered 'distribution', and needs to be accompanied by any copyright notices and licensing information available in OFL.txt. + +1.12 So can I embed OFL fonts in my document? +Yes, either in full or a subset. The restrictions regarding font modification and redistribution do not apply, as the font is not intended for use outside the document. + +1.13 Does embedding alter the license of the document itself? +No. Referencing or embedding an OFL font in any document does not change the license of the document itself. The requirement for fonts to remain under the OFL does not apply to any document created using the fonts and their derivatives. Similarly, creating any kind of graphic using a font under OFL does not make the resulting artwork subject to the OFL. + +1.14 If OFL fonts are extracted from a document in which they are embedded (such as a PDF file), what can be done with them? Is this a risk to author(s)? +The few utilities that can extract fonts embedded in a PDF will typically output limited amounts of outlines - not a complete font. To create a working font from this method is much more difficult and time consuming than finding the source of the original OFL font. So there is little chance that an OFL font would be extracted and redistributed inappropriately through this method. Even so, copyright laws address any misrepresentation of authorship. All Font Software released under the OFL and marked as such by the author(s) is intended to remain under this license regardless of the distribution method, and cannot be redistributed under any other license. We strongly discourage any font extraction - we recommend directly using the font sources instead - but if you extract font outlines from a document, please be considerate: use your common sense and respect the work of the author(s) and the licensing model. + +1.15 What about distributing fonts with a document? Within a compressed folder structure? Is it distribution, bundling or embedding? +Certain document formats may allow the inclusion of an unmodified font within their file structure which consists of a compressed folder containing the various resources forming the document (such as pictures and thumbnails). Including fonts within such a structure is understood as being different from embedding but rather similar to bundling (or mere aggregation) which the license explicitly allows. In this case the font is conveyed unchanged whereas embedding a font usually transforms it from the original format. The OFL does not allow anyone to extract the font from such a structure to then redistribute it under another license. The explicit permission to redistribute and embed does not cancel the requirement for the Font Software to remain under the license chosen by its author(s). + +1.16 What about ebooks shipping with open fonts? +The requirements differ depending on whether the fonts are linked, embedded or distributed (bundled or aggregated). Some ebook formats use web technologies to do font linking via @font-face, others are designed for font embedding, some use fonts distributed with the document or reading software, and a few rely solely on the fonts already present on the target system. The license requirements depend on the type of inclusion as discussed in 1.15. + +1.17 Can Font Software released under the OFL be subject to URL-based access restrictions methods or DRM (Digital Rights Management) mechanisms? +Yes, but these issues are out-of-scope for the OFL. The license itself neither encourages their use nor prohibits them since such mechanisms are not implemented in the components of the Font Software but through external software. Such restrictions are put in place for many different purposes corresponding to various usage scenarios. One common example is to limit potentially dangerous cross-site scripting attacks. However, in the spirit of libre/open fonts and unrestricted writing systems, we strongly encourage open sharing and reuse of OFL fonts, and the establishment of an environment where such restrictions are unnecessary. Note that whether you wish to use such mechanisms or you prefer not to, you must still abide by the rules set forth by the OFL when using fonts released by their authors under this license. Derivative fonts must be licensed under the OFL, even if they are part of a service for which you charge fees and/or for which access to source code is restricted. You may not sell the fonts on their own - they must be part of a larger software package, bundle or subscription plan. For example, even if the OFL font is distributed in a software package or via an online service using a DRM mechanism, the user would still have the right to extract that font, use, study, modify and redistribute it under the OFL. + +1.18 I've come across a font released under the OFL. How can I easily get more information about the Original Version? How can I know where it stands compared to the Original Version or other Modified Versions? +Consult the copyright statement(s) in the license for ways to contact the original authors. Consult the FONTLOG for information on how the font differs from the Original Version, and get in touch with the various contributors via the information in the acknowledgement section. Please consider using the Original Versions of the fonts whenever possible. + +1.19 What do you mean in condition 4? Can you provide examples of abusive promotion / endorsement / advertisement vs. normal acknowledgement? +The intent is that the goodwill and reputation of the author(s) should not be used in a way that makes it sound like the original author(s) endorse or approve of a specific Modified Version or software bundle. For example, it would not be right to advertise a word processor by naming the author(s) in a listing of software features, or to promote a Modified Version on a web site by saying "designed by ...". However, it would be appropriate to acknowledge the author(s) if your software package has a list of people who deserve thanks. We realize that this can seem to be a grey area, but the standard used to judge an acknowledgement is that if the acknowledgement benefits the author(s) it is allowed, but if it primarily benefits other parties, or could reflect poorly on the author(s), then it is not. + + +2 USING OFL FONTS FOR WEBPAGES AND ONLINE WEBFONT SERVICES + +2.1 Can I make webpages using these fonts? +Yes! Go ahead! Using CSS (Cascading Style Sheets) is recommended. Your three best options: +- referring directly in your stylesheet to open fonts which may be available on the user's system +- providing links to download the full package of the font - either from your own website or from elsewhere - so users can install it themselves +- using @font-face to distribute the font directly to browsers. This is recommended and explicitly allowed by the licensing model because it is distribution. The font file itself is distributed with other components of the webpage. It is not embedded in the webpage but referenced through a web address which will cause the browser to retrieve and use the corresponding font to render the webpage (see 1.11 and 1.15 for details related to embedding fonts into documents). As you take advantage of the @font-face cross-platform standard, be aware that webfonts are often tuned for a web environment and not intended for installation and use outside a browser. The reasons in favour of using webfonts are to allow design of dynamic text elements instead of static graphics, to make it easier for content to be localized and translated, indexed and searched, and all this with cross-platform open standards without depending on restricted extensions or plugins. You should check the CSS cascade (the order in which fonts are being called or delivered to your users) when testing. + +2.2 Can I make and use WOFF (Web Open Font Format) versions of OFL fonts? +Yes, but you need to be careful. A change in font format normally is considered modification, and Reserved Font Names (RFNs) cannot be used. Because of the design of the WOFF format, however, it is possible to create a WOFF version that is not considered modification, and so would not require a name change. You are allowed to create, use and distribute a WOFF version of an OFL font without changing the font name, but only if: + +- the original font data remains unchanged except for WOFF compression, and +- WOFF-specific metadata is either omitted altogether or present and includes, unaltered, the contents of all equivalent metadata in the original font. + +If the original font data or metadata is changed, or the WOFF-specific metadata is incomplete, the font must be considered a Modified Version, the OFL restrictions would apply and the name of the font must be changed: any RFNs cannot be used and copyright notices and licensing information must be included and cannot be deleted or modified. You must come up with a unique name - we recommend one corresponding to your domain or your particular web application. Be aware that only the original author(s) can use RFNs. This is to prevent collisions between a derivative tuned to your audience and the original upstream version and so to reduce confusion. + +Please note that most WOFF conversion tools and online services do not meet the two requirements listed above, and so their output must be considered a Modified Version. So be very careful and check to be sure that the tool or service you're using is compressing unchanged data and completely and accurately reflecting the original font metadata. + +2.3 What about other webfont formats such as EOT/EOTLite/CWT/etc.? +In most cases these formats alter the original font data more than WOFF, and do not completely support appropriate metadata, so their use must be considered modification and RFNs may not be used. + +2.4 Can I make OFL fonts available through webfont online services? +Yes, you are welcome to include OFL fonts in online webfont services as long as you properly meet all the conditions of the license. The origin and open status of the font should be clear among the other fonts you are hosting. Authorship, copyright notices and license information must be sufficiently visible to your users or subscribers so they know where the font comes from and the rights granted by the author(s). Make sure the font file contains the needed copyright notice(s) and licensing information in its metadata. Please double-check the accuracy of every field to prevent contradictory information. Other font formats, including EOT/EOTLite/CWT and superior alternatives like WOFF, already provide fields for this information. Remember that if you modify the font within your library or convert it to another format for any reason the OFL restrictions apply and you need to change the names accordingly. Please respect the author's wishes as expressed in the OFL and do not misrepresent original designers and their work. Don't lump quality open fonts together with dubious freeware or public domain fonts. Consider how you can best work with the original designers and foundries, support their efforts and generate goodwill that will benefit your service. (See 1.17 for details related to URL-based access restrictions methods or DRM mechanisms). + +2.5 Can I make and publish CMS themes or templates that use OFL fonts? Can I include the fonts themselves in the themes or templates? Can I sell the whole package? +Yes, you are very welcome to integrate open fonts into themes and templates for your preferred CMS and make them more widely available. Be aware that you can only sell the fonts and your CMS add-on as part of a software bundle. (See 1.4 for details and examples about selling bundles). + +2.6 Some webfont formats and services provide ways of "optimising" the font for a particular website or web application; is that allowed? +Yes, it is permitted, but remember that these optimised versions are Modified Versions and so must follow OFL requirements like appropriate renaming. Also you need to bear in mind the other important parameters beyond compression, speed and responsiveness: you need to consider the audience of your particular website or web application, as choosing some optimisation parameters may turn out to be less than ideal for them. Subsetting by removing certain glyphs or features may seriously limit functionality of the font in various languages used by your users. It may also introduce degradation of quality in the rendering or specific bugs on the various platforms compared to the original font. In other words, remember that one person's optimised font may be another person's missing feature. Various advanced typographic features are also available through CSS and may provide the desired effects without the need to modify the font. + + +3 MODIFYING OFL-LICENSED FONTS + +3.1 Can I change the fonts? Are there any limitations to what things I can and cannot change? +You are allowed to change anything, as long as such changes do not violate the terms of the license. In other words, you are not allowed to remove the copyright statement(s) from the font, but you could put additional information into it that covers your contribution. + +3.2 I have a font that needs a few extra glyphs - can I take them from an OFL licensed font and copy them into mine? +Yes, but if you distribute that font to others it must be under the OFL, and include the information mentioned in condition 2 of the license. + +3.3 Can I charge people for my additional work? In other words, if I add a bunch of special glyphs and/or OpenType/Graphite code, can I sell the enhanced font? +Not by itself. Derivative fonts must be released under the OFL and cannot be sold by themselves. It is permitted, however, to include them in a larger software package (such as text editors, office suites or operating systems), even if the larger package is sold. In that case, you are strongly encouraged, but not required, to also make that derived font easily and freely available outside of the larger package. + +3.4 Can I pay someone to enhance the fonts for my use and distribution? +Yes. This is a good way to fund the further development of the fonts. Keep in mind, however, that if the font is distributed to others it must be under the OFL. You won't be able to recover your investment by exclusively selling the font, but you will be making a valuable contribution to the community. Please remember how you have benefited from the contributions of others. + +3.5 I need to make substantial revisions to the font to make it work with my program. It will be a lot of work, and a big investment, and I want to be sure that it can only be distributed with my program. Can I restrict its use? +No. If you redistribute a Modified Version of the font it must be under the OFL. You may not restrict it in any way beyond what the OFL permits and requires. This is intended to ensure that all released improvements to the fonts become available to everyone. But you will likely get an edge over competitors by being the first to distribute a bundle with the enhancements. Again, please remember how you have benefited from the contributions of others. + +3.6 Do I have to make any derivative fonts (including extended source files, build scripts, documentation, etc.) publicly available? +No, but please consider sharing your improvements with others. You may find that you receive in return more than what you gave. + +3.7 If a trademark is claimed in the OFL font, does that trademark need to remain in modified fonts? +Yes, any trademark notices must remain in any derivative fonts to respect trademark laws, but you may add any additional trademarks you claim, officially registered or not. For example if an OFL font called "Foo" contains a notice that "Foo is a trademark of Acme", then if you rename the font to "Bar" when creating a Modified Version, the new trademark notice could say "Foo is a trademark of Acme Inc. - Bar is a trademark of Roadrunner Technologies Ltd.". Trademarks work alongside the OFL and are not subject to the terms of the licensing agreement. Please refer to the appropriate trademark laws. + + +4 LICENSING YOUR ORIGINAL FONTS UNDER THE OFL + +4.1 Can I use the SIL OFL for my own fonts? +Yes! We heartily encourage everyone to use the OFL to distribute their own original fonts. It is a carefully constructed license that allows great freedom along with enough artistic integrity protection for the work of the authors as well as clear rules for other contributors and those who redistribute the fonts. The licensing model is used successfully by various organisations, both for-profit and not-for-profit, to release fonts of varying levels of scope and complexity. + +4.2 What do I have to do to apply the OFL to my font? +If you want to release your fonts under the OFL, we recommend you do the following: + +4.2.1 Put your copyright and Reserved Font Names information at the beginning of the main OFL.txt file in place of the dedicated placeholders. Include this file in your release package. + +4.2.2 Put your copyright and the OFL text with Reserved Font Names into your font files (the copyright and license fields). A link to the OFL text on the OFL web site is an acceptable (but not recommended) alternative. Also add this information to any other components (build scripts, glyph databases, documentation, test files, etc). Depending on the format of your fonts and sources, you can use template human-readable headers or machine-readable metadata. + +4.2.3 Write an initial FONTLOG.txt for your font and include it in the release package. + +4.2.4 Include the relevant practical documentation on the license by including the OFL-FAQ.txt in your package. + +4.3 Will you make my font OFL for me? +We won't do the work for you. We can, however, try to answer your questions, unfortunately we do not have the resources to review and check your font packages for correct use of the OFL. + +4.4 Will you distribute my OFL font for me? +No, although if the font is of sufficient quality and general interest we may include a link to it on our partial list of OFL fonts on the OFL web site. You may wish to consider other open font catalogs or hosting services, such as the Unifont Font Guide (http://unifont.org/fontguide), The League of Movable Type (http://theleagueofmovabletype.com), Kernest (http://kernest.com/) or the Open Font Library (http://openfontlibrary.org/), which despite the name has no direct relationship to the OFL or SIL. We do not endorse any particular catalog or hosting service - it is your responsibility to determine if the service is right for you. + +4.5 Why should I use the OFL for my fonts? +- to meet needs for fonts that can be modified to support minority languages +- to provide a legal and clear way for people to respect your work but still use it (and reduce piracy) +- to involve others in your font project +- to enable your fonts to be expanded with new weights and improved writing system/language support +- to allow more technical font developers to add features to your design (such as OpenType and Graphite support) +- to renew the life of an old font lying on your hard drive with no business model +- to allow your font to be included in Libre Software operating systems like Ubuntu +- to give your font world status and wide, unrestricted distribution +- to educate students about quality typeface and font design +- to expand your test base and get more useful feedback +- to extend your reach to new markets when users see your metadata and go to your website +- to get your font more easily into one of the webfont online services +- to attract attention for your commercial fonts +- to make money through webfont services +- to make money by bundling fonts with applications +- to make money adjusting and extending existing open fonts +- to get a better chance that foundations/NGOs/charities/companies who commission fonts will pick you +- to be part of a sharing design and development community +- to give back and contribute to a growing body of font sources + + +5 CHOOSING RESERVED FONT NAMES + +5.1 What are Reserved Font Names? +These are font names, or portions of font names, that the author has chosen to reserve for use only with the Original Version of the font, or for Modified Version(s) created by the original author. + +5.2 Why can't I use the Reserved Font Names in my derivative font names? I'd like people to know where the design came from. +The best way to acknowledge the source of the design is to thank the original authors and any other contributors in the files that are distributed with your revised font (although no acknowledgement is required). The FONTLOG is a natural place to do this. Reserved Font Names ensure that the only fonts that have the original names are the unmodified Original Versions. This allows designers to maintain artistic integrity while allowing collaboration to happen. It eliminates potential confusion and name conflicts. When choosing a name, be creative and avoid names that reuse almost all the same letters in the same order or sound like the original. It will help everyone if Original Versions and Modified Versions can easily be distinguished from one another and from other derivatives. Any substitution and matching mechanism is outside the scope of the license. + +5.3 What do you mean by "primary name as presented to the user"? Are you referring to the font menu name? +Yes, this applies to the font menu name and other mechanisms that specify a font in a document. It would be fine, however, to keep a text reference to the original fonts in the description field, in your modified source file or in documentation provided alongside your derivative as long as no one could be confused that your modified source is the original. But you cannot use the Reserved Font Names in any way to identify the font to the user (unless the Copyright Holder(s) allow(s) it through a separate agreement). Users who install derivatives (Modified Versions) on their systems should not see any of the original Reserved Font Names in their font menus, for example. Again, this is to ensure that users are not confused and do not mistake one font for another and so expect features only another derivative or the Original Version can actually offer. + +5.4 Am I not allowed to use any part of the Reserved Font Names? +You may not use individual words from the Reserved Font Names, but you would be allowed to use parts of words, as long as you do not use any word from the Reserved Font Names entirely. We do not recommend using parts of words because of potential confusion, but it is allowed. For example, if "Foobar" was a Reserved Font Name, you would be allowed to use "Foo" or "bar", although we would not recommend it. Such an unfortunate choice would confuse the users of your fonts as well as make it harder for other designers to contribute. + +5.5 So what should I, as an author, identify as Reserved Font Names? +Original authors are encouraged to name their fonts using clear, distinct names, and only declare the unique parts of the name as Reserved Font Names. For example, the author of a font called "Foobar Sans" would declare "Foobar" as a Reserved Font Name, but not "Sans", as that is a common typographical term, and may be a useful word to use in a derivative font name. Reserved Font Names should also be single words. A font called "Flowing River" should have Reserved Font Names "Flowing" and "River", not "Flowing River". You also need to be very careful about reserving font names which are already linked to trademarks (whether registered or not) which you do not own. + +5.6 Do I, as an author, have to identify any Reserved Font Names? +No, but we strongly encourage you to do so. This is to avoid confusion between your work and Modified Versions. + +5.7 Are any names (such as the main font name) reserved by default? +No. That is a change to the license as of version 1.1. If you want any names to be Reserved Font Names, they must be specified after the copyright statement(s). + +5.8 Is there any situation in which I can use Reserved Font Names for a Modified Version? +The Copyright Holder(s) can give certain trusted parties the right to use any of the Reserved Font Names through separate written agreements. For example, even if "Foobar" is a RFN, you could write up an agreement to give company "XYZ" the right to distribute a modified version with a name that includes "Foobar". This allows for freedom without confusion. + +5.9 Do font rebuilds require a name change? Do I have to change the name of the font when my packaging workflow includes a full rebuild from source? +Yes, all rebuilds which change the font data and the smart code are Modified Versions and the requirements of the OFL apply: you need to respect what the Author(s) have chosen in terms of Reserved Font Names. However if a package (or installer) is simply a wrapper or a compressed structure around the final font - leaving them intact on the inside - then no name change is required. Please get in touch with the author(s) and copyright holder(s) to inquire about the presence of font sources beyond the final font file(s) and the recommended build path. That build path may very well be non-trivial and hard to reproduce accurately by the maintainer. If a full font build path is made available by the upstream author(s) please be aware that any regressions and changes you may introduce when doing a rebuild for packaging purposes is your responsibility as a package maintainer since you are effectively creating a separate branch. You should make it very clear to your users that your rebuilt version is not the canonical one from upstream. + +5.10 Can I add other Reserved Font Names when making a derivative font? +Yes. List your additional Reserved Font Names after your additional copyright statement, as indicated with example placeholders at the top of the OFL.txt file. Be sure you do not remove any exiting RFNs but only add your own. + + +6 ABOUT THE FONTLOG + +6.1 What is this FONTLOG thing exactly? +It has three purposes: 1) to provide basic information on the font to users and other developers, 2) to document changes that have been made to the font or accompanying files, either by the original authors or others, and 3) to provide a place to acknowledge authors and other contributors. Please use it! + +6.2 Is the FONTLOG required? +It is not a requirement of the license, but we strongly recommend you have one. + +6.3 Am I required to update the FONTLOG when making Modified Versions? +No, but users, designers and other developers might get very frustrated with you if you don't. People need to know how derivative fonts differ from the original, and how to take advantage of the changes, or build on them. There are utilities that can help create and maintain a FONTLOG, such as the FONTLOG support in FontForge. + +6.4 What should the FONTLOG look like? +It is typically a separate text file (FONTLOG.txt), but can take other formats. It commonly includes these four sections: + +- brief header describing the FONTLOG itself and name of the font family +- Basic Font Information - description of the font family, purpose and breadth +- ChangeLog - chronological listing of changes +- Acknowledgements - list of authors and contributors with contact information + +It could also include other sections, such as: where to find documentation, how to make contributions, information on contributing organizations, source code details, and a short design guide. See Appendix A for an example FONTLOG. + + +7 MAKING CONTRIBUTIONS TO OFL PROJECTS + +7.1 Can I contribute work to OFL projects? +In many cases, yes. It is common for OFL fonts to be developed by a team of people who welcome contributions from the wider community. Contact the original authors for specific information on how to participate in their projects. + +7.2 Why should I contribute my changes back to the original authors? +It would benefit many people if you contributed back in response to what you've received. Your contributions and improvements to the fonts and other components could be a tremendous help and would encourage others to contribute as well and 'give back'. You will then benefit from other people's contributions as well. Sometimes maintaining your own separate version takes more effort than merging back with the original. Be aware that any contributions, however, must be either your own original creation or work that you own, and you may be asked to affirm that clearly when you contribute. + +7.3 I've made some very nice improvements to the font. Will you consider adopting them and putting them into future Original Versions? +Most authors would be very happy to receive such contributions. Keep in mind that it is unlikely that they would want to incorporate major changes that would require additional work on their end. Any contributions would likely need to be made for all the fonts in a family and match the overall design and style. Authors are encouraged to include a guide to the design with the fonts. It would also help to have contributions submitted as patches or clearly marked changes - the use of smart source revision control systems like subversion, svk, mercurial, git or bzr is a good idea. Please follow the recommendations given by the author(s) in terms of preferred source formats and configuration parameters for sending contributions. If this is not indicated in a FONTLOG or other documentation of the font, consider asking them directly. Examples of useful contributions are bug fixes, additional glyphs, stylistic alternates (and the smart font code to access them) or improved hinting. Keep in mind that some kinds of changes (esp. hinting) may be technically difficult to integrate. + +7.4 How can I financially support the development of OFL fonts? +It is likely that most authors of OFL fonts would accept financial contributions - contact them for instructions on how to do this. Such contributions would support future development. You can also pay for others to enhance the fonts and contribute the results back to the original authors for inclusion in the Original Version. + + +8 ABOUT THE LICENSE ITSELF + +8.1 I see that this is version 1.1 of the license. Will there be later changes? +Version 1.1 is the first minor revision of the OFL. We are confident that version 1.1 will meet most needs, but are open to future improvements. Any revisions would be for future font releases, and previously existing licenses would remain in effect. No retroactive changes are possible, although the Copyright Holder(s) can re-release the font under a revised OFL. All versions will be available on our web site: http://scripts.sil.org/OFL. + +8.2 Does this license restrict the rights of the Copyright Holder(s)? +No. The Copyright Holder(s) still retain(s) all the rights to their creation; they are only releasing a portion of it for use in a specific way. For example, the Copyright Holder(s) may choose to release a 'basic' version of their font under the OFL, but sell a restricted 'enhanced' version. Only the Copyright Holder(s) can do this. + +8.3 Is the OFL a contract or a license? +The OFL is a license and not a contract and so does not require you to sign it to have legal validity. By using, modifying and redistributing components under the OFL you indicate that you accept the license. + +8.4 I really like the terms of the OFL, but want to change it a little. Am I allowed to take ideas and actual wording from the OFL and put them into my own custom license for distributing my fonts? +We strongly recommend against creating your very own unique open licensing model. Using a modified or derivative license will likely cut you off - along with the font(s) under that license - from the community of designers using the OFL, potentially expose you and your users to legal liabilities, and possibly put your work and rights at risk. The OFL went though a community and legal review process that took years of effort, and that review is only applicable to an unmodified OFL. The text of the OFL has been written by SIL (with review and consultation from the community) and is copyright (c) 2005-2010 SIL International. You may re-use the ideas and wording (in part, not in whole) in another non-proprietary license provided that you call your license by another unambiguous name, that you do not use the preamble, that you do not mention SIL and that you clearly present your license as different from the OFL so as not to cause confusion by being too similar to the original. If you feel the OFL does not meet your needs for an open license, please contact us. + +8.5 Can I translate the license and the FAQ into other languages? +SIL certainly recognises the need for people who are not familiar with English to be able to understand the OFL and its use. Making the license very clear and readable has been a key goal for the OFL, but we know that people understand their own language best. + +If you are an experienced translator, you are very welcome to translate the OFL and OFL-FAQ so that designers and users in your language community can understand the license better. But only the original English version of the license has legal value and has been approved by the community. Translations do not count as legal substitutes and should only serve as a way to explain the original license. SIL - as the author and steward of the license for the community at large - does not approve any translation of the OFL as legally valid because even small translation ambiguities could be abused and create problems. + +SIL gives permission to publish unofficial translations into other languages provided that they comply with the following guidelines: + +- Put the following disclaimer in both English and the target language stating clearly that the translation is unofficial: + +"This is an unofficial translation of the SIL Open Font License into <language_name>. It was not published by SIL International, and does not legally state the distribution terms for fonts that use the OFL. A release under the OFL is only valid when using the original English text. However, we recognize that this unofficial translation will help users and designers not familiar with English to better understand and use the OFL. We encourage designers who consider releasing their creation under the OFL to read the OFL-FAQ in their own language if it is available. Please go to http://scripts.sil.org/OFL for the official version of the license and the accompanying OFL-FAQ." + +- Keep your unofficial translation current and update it at our request if needed, for example if there is any ambiguity which could lead to confusion. + +If you start such a unofficial translation effort of the OFL and OFL-FAQ please let us know. + + +9 ABOUT SIL INTERNATIONAL + +9.1 Who is SIL International and what do they do? +SIL serves language communities worldwide, building their capacity for sustainable language development, by means of research, translation, training and materials development. SIL makes its services available to all without regard to religious belief, political ideology, gender, race, or ethnic background. SIL's members and volunteers share a Christian commitment. + +9.2 What does this have to do with font licensing? +The ability to read, write, type and publish in one's own language is one of the most critical needs for millions of people around the world. This requires fonts that are widely available and support lesser-known languages. SIL develops - and encourages others to develop - a complete stack of writing systems implementation components available under open licenses. This open stack includes input methods, smart fonts, smart rendering libraries and smart applications. There has been a need for a common open license that is specifically applicable to fonts and related software (a crucial component of this stack), so SIL developed the SIL Open Font License with the help of the Free/Libre and Open Source Software community. + +9.3 How can I contact SIL? +Our main web site is: http://www.sil.org/ +Our site about complex scripts is: http://scripts.sil.org/ +Information about this license (and contact information) is at: http://scripts.sil.org/OFL + + +APPENDIX A - FONTLOG EXAMPLE + +Here is an example of the recommended format for a FONTLOG, although other formats are allowed. + +----- +FONTLOG for the GlobalFontFamily fonts + +This file provides detailed information on the GlobalFontFamily Font Software. This information should be distributed along with the GlobalFontFamily fonts and any derivative works. + +Basic Font Information + +GlobalFontFamily is a Unicode typeface family that supports all languages that use the Latin script and its variants, and could be expanded to support other scripts. + +NewWorldFontFamily is based on the GlobalFontFamily and also supports Greek, Hebrew, Cyrillic and Armenian. + +More specifically, this release supports the following Unicode ranges... +This release contains... +Documentation can be found at... +To contribute to the project... + +ChangeLog + +1 August 2008 (Tom Parker) GlobalFontFamily version 1.2.1 +- Tweaked the smart font code (Branch merged with trunk version) +- Provided improved build and debugging environment for smart behaviours + +7 February 2007 (Pat Johnson) NewWorldFontFamily Version 1.3 +- Added Greek and Cyrillic glyphs + +7 March 2006 (Fred Foobar) NewWorldFontFamily Version 1.2 +- Tweaked contextual behaviours + +1 Feb 2005 (Jane Doe) NewWorldFontFamily Version 1.1 +- Improved build script performance and verbosity +- Extended the smart code documentation +- Corrected minor typos in the documentation +- Fixed position of combining inverted breve below (U+032F) +- Added OpenType/Graphite smart code for Armenian +- Added Armenian glyphs (U+0531 -> U+0587) +- Released as "NewWorldFontFamily" + +1 Jan 2005 (Joe Smith) GlobalFontFamily Version 1.0 +- Initial release + +Acknowledgements + +If you make modifications be sure to add your name (N), email (E), web-address (if you have one) (W) and description (D). This list is in alphabetical order. + +N: Jane Doe +E: jane@university.edu +W: http://art.university.edu/projects/fonts +D: Contributor - Armenian glyphs and code + +N: Fred Foobar +E: fred@foobar.org +W: http://foobar.org +D: Contributor - misc Graphite fixes + +N: Pat Johnson +E: pat@fontstudio.org +W: http://pat.fontstudio.org +D: Designer - Greek & Cyrillic glyphs based on Roman design + +N: Tom Parker +E: tom@company.com +W: http://www.company.com/tom/projects/fonts +D: Engineer - original smart font code + +N: Joe Smith +E: joe@fontstudio.org +W: http://joe.fontstudio.org +D: Designer - original Roman glyphs + +Fontstudio.org is an not-for-profit design group whose purpose is... +Foobar.org is a distributed community of developers... +Company.com is a small business who likes to support community designers... +University.edu is a renowed educational institution with a strong design department... +----- diff --git a/Master/texmf-dist/doc/fonts/marvosym/OFL.txt b/Master/texmf-dist/doc/fonts/marvosym/OFL.txt new file mode 100644 index 00000000000..1bfaf223df9 --- /dev/null +++ b/Master/texmf-dist/doc/fonts/marvosym/OFL.txt @@ -0,0 +1,101 @@ +Copyright (c) 2000, 2007 Martin Vogel <http://www.marvosym.com> +Copyright (c) 2006 Thomas Henlich <http://ctan.org/pkg/marvosym> +Copyright (c) 2011 Mojca Miklavec <mojca dot miklavec dot lists at gmail dot com> +with no Reserved Font Names. + +This redistribution of the MarVoSym font includes Martin's original font +in TrueType format (unmodified), and a Type 1 derivative prepared +automatically; see the accompanying files. + + +This Font Software is licensed under the SIL Open Font License, Version 1.1. +This license is copied below, and is also available with a FAQ at: +http://scripts.sil.org/OFL + + +----------------------------------------------------------- +SIL OPEN FONT LICENSE Version 1.1 - 26 February 2007 +----------------------------------------------------------- + +PREAMBLE +The goals of the Open Font License (OFL) are to stimulate worldwide +development of collaborative font projects, to support the font creation +efforts of academic and linguistic communities, and to provide a free and +open framework in which fonts may be shared and improved in partnership +with others. + +The OFL allows the licensed fonts to be used, studied, modified and +redistributed freely as long as they are not sold by themselves. The +fonts, including any derivative works, can be bundled, embedded, +redistributed and/or sold with any software provided that any reserved +names are not used by derivative works. The fonts and derivatives, +however, cannot be released under any other type of license. The +requirement for fonts to remain under this license does not apply +to any document created using the fonts or their derivatives. + +DEFINITIONS +"Font Software" refers to the set of files released by the Copyright +Holder(s) under this license and clearly marked as such. This may +include source files, build scripts and documentation. + +"Reserved Font Name" refers to any names specified as such after the +copyright statement(s). + +"Original Version" refers to the collection of Font Software components as +distributed by the Copyright Holder(s). + +"Modified Version" refers to any derivative made by adding to, deleting, +or substituting -- in part or in whole -- any of the components of the +Original Version, by changing formats or by porting the Font Software to a +new environment. + +"Author" refers to any designer, engineer, programmer, technical +writer or other person who contributed to the Font Software. + +PERMISSION & CONDITIONS +Permission is hereby granted, free of charge, to any person obtaining +a copy of the Font Software, to use, study, copy, merge, embed, modify, +redistribute, and sell modified and unmodified copies of the Font +Software, subject to the following conditions: + +1) Neither the Font Software nor any of its individual components, +in Original or Modified Versions, may be sold by itself. + +2) Original or Modified Versions of the Font Software may be bundled, +redistributed and/or sold with any software, provided that each copy +contains the above copyright notice and this license. These can be +included either as stand-alone text files, human-readable headers or +in the appropriate machine-readable metadata fields within text or +binary files as long as those fields can be easily viewed by the user. + +3) No Modified Version of the Font Software may use the Reserved Font +Name(s) unless explicit written permission is granted by the corresponding +Copyright Holder. This restriction only applies to the primary font name as +presented to the users. + +4) The name(s) of the Copyright Holder(s) or the Author(s) of the Font +Software shall not be used to promote, endorse or advertise any +Modified Version, except to acknowledge the contribution(s) of the +Copyright Holder(s) and the Author(s) or with their explicit written +permission. + +5) The Font Software, modified or unmodified, in part or in whole, +must be distributed entirely under this license, and must not be +distributed under any other license. The requirement for fonts to +remain under this license does not apply to any document created +using the Font Software. + +TERMINATION +This license becomes null and void if any of the above conditions are +not met. + +DISCLAIMER +THE FONT SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, +EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO ANY WARRANTIES OF +MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT +OF COPYRIGHT, PATENT, TRADEMARK, OR OTHER RIGHT. IN NO EVENT SHALL THE +COPYRIGHT HOLDER BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, +INCLUDING ANY GENERAL, SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIAL +DAMAGES, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING +FROM, OUT OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROM +OTHER DEALINGS IN THE FONT SOFTWARE. diff --git a/Master/texmf-dist/doc/fonts/marvosym/PROBLEMS b/Master/texmf-dist/doc/fonts/marvosym/PROBLEMS deleted file mode 100644 index c43327a35d2..00000000000 --- a/Master/texmf-dist/doc/fonts/marvosym/PROBLEMS +++ /dev/null @@ -1,34 +0,0 @@ -Problem: -LaTeX complains with -! Font U/mvs/m/n/10=umvs at 10.0pt not loadable: Bad metric (TFM) file. -<to be read again> - -Possible cause: -File umvs.tfm was not downloaded in BINARY mode. - -Solution: -Download all files again, this time in BINARY mode. - - -Problem: -Some versions of dvips (e.g. 5.76) complain with error message -<marvosym.pfb> Second number not found ... -or similar - -Possible cause: -There is a problem with partial font downloading feature of dvips - -Solution: -Turn off partial font downloading with -dvips -j0 <dvi-file> - - -Problem: -Ghostscript complains. No errors with LaTeX or dvips. - -Possible cause: -Spelling error in Font map file. - -Solution: -Check line (especially the spaces) -umvs MarVoSym <marvosym.pfb diff --git a/Master/texmf-dist/doc/fonts/marvosym/README b/Master/texmf-dist/doc/fonts/marvosym/README index 8d174a0fa6c..99b6ca13a41 100644 --- a/Master/texmf-dist/doc/fonts/marvosym/README +++ b/Master/texmf-dist/doc/fonts/marvosym/README @@ -1,37 +1,62 @@ -The Martin Vogels Symbole (marvosym) font is a Type 1 font. -The marvosym style file lets you use this font in LaTeX2e documents. - -The font contains -- the Euro currency symbol as defined by the European commission -- Euro currency symbols in typefaces Times, Helvetica and Courier -- Symbols fur structural engineering -- Symbols for steel cross-sections -- Astronomy signs (Sun, Moon, planets) -- The 12 signs of the zodiac -- Scissor symbols -- a CE sign -and many others. +MarVoSym is Martin Vogel's Symbols font. It contains many useful +symbols, especially for office and civil engineering purposes. + +This marvosym package contains additional support files for TeX; any +questions or comments about it should go to its current maintainer, +not Martin. + +Original TrueType font creator: Martin Vogel +Type 1 derivative, TeX macros, documentation: + Thomas Henlich (original package) + Mojca Miklavec (updates; current maintainer) + +With special thanks to: + Karl Berry (many useful comments) + +Contact info, urls: see OFL.txt. + +Licensing: fonts under OFL; TeX support files under LPPL. + +Installation: for TeX, your TeX distribution should already provide the +package. If you need to install it yourself, you can download it from +CTAN (http://ctan.org/pkg/marvosym) and then see +http://tug.org/fonts/fontinstall.html. + +To install for non-TeX (native) use on Windows, copy the .ttf +into your system font directory or otherwise follow Windows procedures. + File list: -README.1st overview of what this package is -umvs.tfm TeX font metric file for the marvosym font -umvs.fd Font description file for the marvosym font -marvodoc.pdf The documentation for the marvosym package (PDF) -marvodoc.ps The documentation for the marvosym package (PS) -marvodoc.tex The source of the documentation -marvosym.afm Type 1 font metric file for the marvosym font -marvosym.pfb Type 1 font -marvosym.sty The marvosym style file for LaTeX2e -PROBLEMS describes some problems and their solutions -LICENSE License for this package - -IMPORTANT: -Download files in BINARY mode! - -Font design: Martin Vogel -Macros and documentation: Thomas Henlich - -marvosym is free software; you can redistribute it and/or modify -it under the terms of the GNU General Public License as published by -the Free Software Foundation; either version 2 of the License, or -(at your option) any later version. + +doc/ + fonts/marvosym/ + README This file + FONTLOG.txt Detailed information about font + marvodoc.tex Documentation source + marvodoc.pdf Formatted documentation + OFL.txt Licence + OFL-FAQ.txt Licence FAQ + +fonts/ + afm/public/marvosym/ + marvosym.afm Adobe metric file for marvosym + map/dvips/marvosym/ + marvosym.map Map file for pdftex, dvips, ... + tfm/public/marvosym/ + umvs.tfm TeX font metrics for marvosym. + truetype/public/marvosym/ + marvosym.ttf Original TrueType font + type1/ public/marvosym/ + marvosym.pfb Type 1 derivative + +source/ + fonts/marvosym/ + generate_marvosym_derivs.sh Shell script to generate afm, pfb + and tfm files from ttf + patch_marvosym_afm.sed Patch for font description in afm file + patch_marvosym_pfb.sed Patch for font description in pfb file + +tex/ + latex/marvosym/ + marvosym.sty The marvosym style file for LaTeX2e + umvs.fd L2E Font description file for marvosym diff --git a/Master/texmf-dist/doc/fonts/marvosym/mac/docs/obsolete/tex-me.tex b/Master/texmf-dist/doc/fonts/marvosym/mac/docs/obsolete/tex-me.tex deleted file mode 100644 index cff2b21b64c..00000000000 --- a/Master/texmf-dist/doc/fonts/marvosym/mac/docs/obsolete/tex-me.tex +++ /dev/null @@ -1,113 +0,0 @@ -%&latex -\documentclass[11pt]{article} -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% -% checksum = "60469 113 371 3478" -% -% This document has been altered if the CRC above does not -% match using Robert M. Solovay's utility. -% -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% -% A hack to give the page an European/decent look and fit the text on -% the page... -% -% Feel free to use it but it works with US Letter and 11pt only! -% Who said that Colombia uses ISO/DIN standards? -% Only on paper, which is usually US Legal in the government -% business. :) -% -\setlength{\baselineskip}{13.6pt} -\setlength{\evensidemargin}{17.34pt} -\setlength{\footskip}{47.6pt} -\setlength{\headheight}{17.0pt} -\setlength{\headsep}{20.4pt} -\setlength{\oddsidemargin}{17.34pt} -\setlength{\paperheight}{845.0pt} -\setlength{\paperwidth}{598.0pt} -\setlength{\parindent}{0.0pt} -\setlength{\parskip}{0.40\baselineskip} % hack for \parindent -\setlength{\textheight}{596.0pt} -\setlength{\textwidth}{418.3pt} -\setlength{\topmargin}{-25.2pt} -\setlength{\topskip}{11.0pt} -\frenchspacing % I ain't using no typewriter! -\nofiles % What is it to ouput anyway? -% -\def\OzTeX{O\kern-.03em z\kern-.15em\TeX} -\def\marvo{\textsc{Marvosym}} -\def\thefont{\textsc{Martin Vogels Symbole}} -\def\atm{\textsc{Adobe Type Manager\texttrademark\ Deluxe}} -\def\suitc{\textsc{Suitcase\texttrademark\ \textnormal{2.1 or 3.x}}} -\def\juggler{\textsc{Master Juggler\texttrademark}} -\def\macos{\textsc{M\textnormal{ac}OS}} -\def\qdraw{\textsc{QuickDraw\texttrademark}} -\def\pfa{\textsc{pfa}} -\def\ascii{\textsc{ascii}} -\def\lwfn{\textsc{lwfn}} -\def\tfm{\textsc{tfm}} -\def\dvips{\textsc{dvips}} -\def\lw{LaserWriter\texttrademark} -\def\yy{\textsc{y\&y}} -\def\html{\textsc{html}} -\def\dvi{\textsc{dvi}} -\def\PS1{\textsc{PS T\textnormal{ype 1}}} -% -\begin{document} -\title{\thefont \\ for the \macos} -\author{P. Alejandro L\'opez-Valencia} -\date{August, 1998} -\maketitle -\thispagestyle{empty} - -This is a \macos\ release of the free font \thefont\ \textcopyright -1998 Martin Vogel, -\verb|<http://www.fh-bochum.de/fb1/vogel/marvosym.html>|. - -My contributions are the creation of a bitmap suitcase to make the -font available to the \macos, be it installed in the Fonts folder or -using a font manager such as \atm, \suitc\ or \juggler; and the -lossless conversion of the \PS1\ outline from Printer File \ascii, -\pfa, to \lw\ Font, \lwfn\, format. -The font outline was converted from TrueType to -\PS1\ and custom reencoded by Thomas Henlich -\verb|(thenlich@rcs.urz.tu-dresden.de)|, and later hand hinted by \yy, -\verb|<http://www.yandy.com/>|. - -Included in this package are: - -\begin{itemize} - -\item The \LaTeX\ style and ``catalog'' files -contributed by Thomas Henlich, and available from -\verb|CTAN:fonts/psfonts/marvosym/|. - -\item The original documentation in \html\ format. - -\item Configuration files for \OzTeX\ which use the system -installed \PS1\ outline: - -\begin{itemize} - -\item Configuration file to use \marvo\ for \dvi\ previewing and -\qdraw\ printing. - -\item \tfm\ file. - -\item \dvips\ map and config files for \marvo. - -\end{itemize} - -\item The original \yy\ fonts in \pfa\ format, in -case you prefer to use them with \dvips. This is left as an -exercise to the reader\dots - -\end{itemize} - -\vspace{\baselineskip} - -P. Alejandro L\'opez-Valencia \\ -\verb|palopez@usa.net| \\ -Santa Fe de Bogot\'a, Colombia. \\ -25\textsuperscript{th}\ August, 1998. -\end{document} diff --git a/Master/texmf-dist/doc/fonts/marvosym/mac/docs/textures b/Master/texmf-dist/doc/fonts/marvosym/mac/docs/textures deleted file mode 100644 index 0b67630538b..00000000000 --- a/Master/texmf-dist/doc/fonts/marvosym/mac/docs/textures +++ /dev/null @@ -1 +0,0 @@ -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%
% checksum = "60469 113 371 3478"
%
% This document has been altered if the CRC above does not
% match using Robert M. Solovay's utility.
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If using TeXtures 2.0 just install the font and let TeXtures take
care of the rest. If you use a previous version... You know how to
use EdMetrics, don't you? :)
\ No newline at end of file diff --git a/Master/texmf-dist/doc/fonts/marvosym/mac/oztex/configs/addmarvo b/Master/texmf-dist/doc/fonts/marvosym/mac/oztex/configs/addmarvo deleted file mode 100644 index 5c2f42f3914..00000000000 --- a/Master/texmf-dist/doc/fonts/marvosym/mac/oztex/configs/addmarvo +++ /dev/null @@ -1 +0,0 @@ -%%%%%%%%%%%%%
add_fonts (Martin Vogels Symbole, aka Marvosym)
% Marvosym
%
fmvr8x Marvosym Marvosym nil
end_fonts
\ No newline at end of file diff --git a/Master/texmf-dist/doc/fonts/marvosym/mac/oztex/dvips/inputs/config.fmv b/Master/texmf-dist/doc/fonts/marvosym/mac/oztex/dvips/inputs/config.fmv deleted file mode 100644 index 4781be79722..00000000000 --- a/Master/texmf-dist/doc/fonts/marvosym/mac/oztex/dvips/inputs/config.fmv +++ /dev/null @@ -1 +0,0 @@ -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%
% checksum = "31979 17 64 450"
%
% This document has been altered if the CRC above does not
% match using Robert M. Solovay's utility.
%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%
% This file loads the font Marvosym map into DVIPS If you are
% using the Y&Y supplied TFM
%
% (c) Aug 1998, palopez@usa.net
%
% Marvosym font
%
p +fmv.map
\ No newline at end of file diff --git a/Master/texmf-dist/doc/fonts/marvosym/mac/oztex/dvips/inputs/fmv.map b/Master/texmf-dist/doc/fonts/marvosym/mac/oztex/dvips/inputs/fmv.map deleted file mode 100644 index ac7ef820d9a..00000000000 --- a/Master/texmf-dist/doc/fonts/marvosym/mac/oztex/dvips/inputs/fmv.map +++ /dev/null @@ -1,18 +0,0 @@ -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% -% checksum = "23272 18 77 540" -% -% This document has been altered if the CRC above does not -% match using Robert M. Solovay's utility. -% -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% -% This file maps the font Marvosym to the postscript outline installed in -% the "System Folder:Fonts" folder in a Macintosh... -% -% (c) Aug 1998, palopez@usa.net -% -% Marvosym font -% -% If you are using the CTAN suplied TFM -fmvr8x marvosym < <Marvo diff --git a/Master/texmf-dist/doc/fonts/marvosym/mac/oztex/ps-files/marvosym.afm b/Master/texmf-dist/doc/fonts/marvosym/mac/oztex/ps-files/marvosym.afm deleted file mode 100644 index 7850acac9ff..00000000000 --- a/Master/texmf-dist/doc/fonts/marvosym/mac/oztex/ps-files/marvosym.afm +++ /dev/null @@ -1,135 +0,0 @@ -StartFontMetrics 2.0 -Comment CreationDate: 1998 June 13 15:57:44 -Version 000.101 -Notice Designed by Martin Vogel http://www.fh-bochum.de/fb1/vogel/marvosym.html -Notice Converted to PS format by Thomas Henlich thenlich@rcs.urz.tu-dresden.de -Notice Hinting and ATM compatability by Y&Y, Inc. http://www.YandY.com -FullName Marvosym -FamilyName Marvosym -Weight Normal -ItalicAngle 0 -IsFixedPitch false -UnderlinePosition -100 -UnderlineThickness 50 -FontName Marvosym -FontBBox -574 -212 1629 1007 -Comment UniqueID 5096697 -XHeight 533 -CapHeight 713 -Ascender 743 -Descender -196 -EncodingScheme FontSpecific -Comment following is extra info for TFM file -Comment DesignSize 10 (pts) -Comment Space 556 300 100 -Comment Quad 1000 -StartCharMetrics 107 -C 32 ; WX 556 ; N space ; B 0 0 0 0 ; -C 33 ; WX 831 ; N stop ; B 3 0 744 743 ; -C 34 ; WX 978 ; N beam ; B 0 -172 978 149 ; -C 35 ; WX 978 ; N bearing ; B 86 0 910 737 ; -C 36 ; WX 978 ; N bearingloose ; B 86 -172 910 737 ; -C 37 ; WX 978 ; N bearingfixed ; B 78 -172 910 737 ; -C 38 ; WX 978 ; N torqueleft ; B 274 0 667 731 ; -C 39 ; WX 978 ; N torqueright ; B 321 0 713 731 ; -C 40 ; WX 978 ; N force ; B 274 0 666 737 ; -C 41 ; WX 978 ; N lineload ; B 0 0 980 713 ; -C 42 ; WX 649 ; N snowflake ; B 16 0 455 486 ; -C 43 ; WX 509 ; N maltesecross ; B 16 63 439 486 ; -C 45 ; WX 465 ; N lightning ; B 0 0 384 713 ; -C 46 ; WX 861 ; N target ; B 0 0 736 736 ; -C 48 ; WX 556 ; N zero ; B 39 -8 510 713 ; -C 49 ; WX 556 ; N one ; B 79 0 392 713 ; -C 50 ; WX 556 ; N two ; B 24 0 510 713 ; -C 51 ; WX 556 ; N three ; B 39 -8 517 713 ; -C 52 ; WX 556 ; N four ; B 19 0 535 713 ; -C 53 ; WX 556 ; N five ; B 37 -8 517 713 ; -C 54 ; WX 556 ; N six ; B 39 -8 517 713 ; -C 55 ; WX 556 ; N seven ; B 43 0 514 713 ; -C 56 ; WX 556 ; N eight ; B 39 -8 510 713 ; -C 57 ; WX 556 ; N nine ; B 31 -8 510 713 ; -C 61 ; WX 643 ; N corresponds ; B 26 182 615 649 ; -C 62 ; WX 707 ; N arrowright ; B 20 39 674 502 ; -C 64 ; WX 975 ; N at ; B 31 -212 977 737 ; -C 65 ; WX 594 ; N pickup ; B 0 0 564 564 ; -C 66 ; WX 854 ; N letter ; B 31 39 706 478 ; -C 67 ; WX 1152 ; N CE ; B 79 -7 1084 711 ; -C 69 ; WX 465 ; N lightning1 ; B 0 0 384 713 ; -C 70 ; WX 698 ; N FHBO ; B 35 0 667 776 ; -C 72 ; WX 727 ; N cellphone ; B -7 0 681 1007 ; -C 73 ; WX 1046 ; N industry ; B 0 0 1004 713 ; -C 75 ; WX 993 ; N coffee ; B 0 0 845 773 ; -C 77 ; WX 813 ; N YandY ; B 20 -12 760 728 ; -C 79 ; WX 521 ; N boxempty ; B 22 59 500 545 ; -C 80 ; WX 0 ; N vectleft ; B -574 740 0 929 ; -C 81 ; WX 769 ; N scissorright ; B 29 64 736 488 ; -C 82 ; WX 770 ; N cuthere ; B 55 251 713 274 ; -C 83 ; WX 769 ; N scissorleft ; B 23 64 730 488 ; -C 84 ; WX 755 ; N phone ; B 6 0 727 494 ; -C 85 ; WX 659 ; N clock ; B 0 0 661 661 ; -C 86 ; WX 521 ; N boxchecked ; B 18 -8 543 545 ; -C 88 ; WX 521 ; N boxcrossed ; B 0 -74 498 545 ; -C 90 ; WX 933 ; N handpoint ; B 16 39 872 455 ; -C 98 ; WX 851 ; N handwrite ; B 24 0 792 564 ; -C 99 ; WX 748 ; N EuroHV ; B 23 -21 669 735 ; -C 100 ; WX 686 ; N EuroCR ; B 48 -16 625 615 ; -C 101 ; WX 729 ; N EuroTM ; B 23 -6 663 695 ; -C 102 ; WX 739 ; N FHBO1 ; B 0 0 706 713 ; -C 105 ; WX 827 ; N info ; B 8 0 753 737 ; -C 111 ; WX 739 ; N FussBall ; B 19 11 698 694 ; -C 112 ; WX 0 ; N vectleft1 ; B -574 588 0 776 ; -C 113 ; WX 770 ; N cutright ; B 39 39 709 502 ; -C 114 ; WX 770 ; N cutline ; B 8 188 666 212 ; -C 115 ; WX 770 ; N cutleft ; B 8 39 682 502 ; -C 116 ; WX 513 ; N fax ; B 0 0 490 487 ; -C 117 ; WX 1058 ; N faxbox ; B 0 0 1058 737 ; -C 118 ; WX 1013 ; N faxmachine ; B 0 0 948 725 ; -C 134 ; WX 474 ; N cross ; B 31 0 447 690 ; -C 135 ; WX 673 ; N crossring ; B 47 0 572 690 ; -C 136 ; WX 475 ; N ankh ; B 0 0 413 690 ; -C 140 ; WX 771 ; N heart ; B 24 -64 745 737 ; -C 150 ; WX 832 ; N flatsteel ; B 89 264 746 399 ; -C 151 ; WX 820 ; N squarepipe ; B 81 0 740 655 ; -C 152 ; WX 684 ; N rectpipe ; B 81 0 605 654 ; -C 153 ; WX 793 ; N Lbeam ; B 70 0 726 654 ; -C 154 ; WX 801 ; N Ibeam ; B 74 0 729 654 ; -C 155 ; WX 824 ; N circpipe ; B 76 -22 748 650 ; -C 156 ; WX 781 ; N Tbeam ; B 65 0 719 654 ; -C 164 ; WX 824 ; N Euro ; B 10 -11 751 743 ; -C 167 ; WX 790 ; N frown ; B 8 0 568 572 ; -C 169 ; WX 615 ; N smile ; B 8 0 568 572 ; -C 174 ; WX 1382 ; N bicycle ; B 46 10 1343 772 ; -C 192 ; WX 878 ; N Sun ; B 67 -20 826 733 ; -C 193 ; WX 825 ; N Moon ; B 49 -14 766 741 ; -C 194 ; WX 484 ; N Mercury ; B 54 -13 417 720 ; -C 195 ; WX 552 ; N Venus ; B 65 -9 503 737 ; -C 196 ; WX 922 ; N Mars ; B 49 -26 905 737 ; -C 197 ; WX 627 ; N Jupiter ; B 64 5 565 751 ; -C 198 ; WX 649 ; N Saturn ; B 53 -22 577 731 ; -C 199 ; WX 567 ; N Uranus ; B 59 -15 510 724 ; -C 200 ; WX 691 ; N Neptune ; B 46 -14 643 731 ; -C 201 ; WX 544 ; N Pluto ; B 30 0 516 750 ; -C 204 ; WX 171 ; N womanside ; B 0 0 133 740 ; -C 205 ; WX 157 ; N manside ; B 2 0 125 753 ; -C 206 ; WX 269 ; N womanfront ; B 0 0 254 755 ; -C 207 ; WX 356 ; N manfront ; B 0 0 337 753 ; -C 224 ; WX 947 ; N Aries ; B 37 0 895 748 ; -C 225 ; WX 612 ; N Taurus ; B 44 -14 562 723 ; -C 226 ; WX 712 ; N Gemini ; B 49 0 657 745 ; -C 227 ; WX 952 ; N Cancer ; B 51 -12 909 742 ; -C 228 ; WX 807 ; N Leo ; B 34 -8 770 749 ; -C 229 ; WX 865 ; N Virgo ; B 36 0 827 748 ; -C 230 ; WX 708 ; N Libra ; B 61 -14 682 732 ; -C 231 ; WX 1070 ; N Scorpio ; B 46 -38 1021 734 ; -C 232 ; WX 748 ; N Sagittarius ; B 34 -14 715 731 ; -C 233 ; WX 835 ; N Capricorn ; B 55 -23 780 731 ; -C 234 ; WX 959 ; N Aquarius ; B 58 -16 897 732 ; -C 235 ; WX 620 ; N Pisces ; B 31 -14 579 730 ; -C 240 ; WX 722 ; N A ; B 0 0 721 713 ; -C 241 ; WX 611 ; N p ; B 63 -196 572 533 ; -C 247 ; WX 411 ; N dotsquare ; B 296 307 392 401 ; -C 253 ; WX 1726 ; N fledermaus ; B 3 0 1629 695 ; -C 254 ; WX 1005 ; N womanface ; B 17 8 942 857 ; -C 255 ; WX 1110 ; N MartinVogel ; B 47 -199 563 799 ; -EndCharMetrics -EndFontMetrics diff --git a/Master/texmf-dist/doc/fonts/marvosym/mac/oztex/ps-files/marvosym.pfa b/Master/texmf-dist/doc/fonts/marvosym/mac/oztex/ps-files/marvosym.pfa deleted file mode 100644 index cc68e8427cc..00000000000 --- a/Master/texmf-dist/doc/fonts/marvosym/mac/oztex/ps-files/marvosym.pfa +++ /dev/null @@ -1 +0,0 @@ -%!PS-AdobeFont-1.1: Marvosym 000.101
%%CreationDate: 1998 Jun 13 11:13:47
% Designed by Martin Vogel http://www.fh-bochum.de/fb1/vogel/marvosym.html
% Converted to PS format by Thomas Henlich thenlich@rcs.urz.tu-dresden.de
% Hinting and ATM compatability by Y&Y, Inc. http://www.YandY.com
11 dict begin
/FontInfo 9 dict dup begin
/version (000.101) readonly def
/Notice (Designed by Martin Vogel http://www.fh-bochum.de/fb1/vogel/marvosym.html) readonly def
/Notice (Converted to PS format by Thomas Henlich thenlich@rcs.urz.tu-dresden.de) readonly def
/Notice (Hinting and ATM compatability by Y&Y, Inc. http://www.YandY.com) readonly def
/FullName (Marvosym) readonly def
/FamilyName (Marvosym) readonly def
/Weight (Normal) readonly def
/ItalicAngle 0 def
/isFixedPitch false def
/UnderlinePosition -100 def
/UnderlineThickness 50 def
end readonly def
/FontName /marvosym def
/PaintType 0 def
/FontType 1 def
/FontMatrix [0.001 0 0 0.001 0 0] readonly def
/Encoding 256 array
0 1 255 {1 index exch /.notdef put} for
dup 32 /space put
dup 33 /stop put
dup 34 /beam put
dup 35 /bearing put
dup 36 /bearingloose put
dup 37 /bearingfixed put
dup 38 /torqueleft put
dup 39 /torqueright put
dup 40 /force put
dup 41 /lineload put
dup 42 /snowflake put
dup 43 /maltesecross put
dup 45 /lightning put
dup 46 /target put
dup 48 /zero put
dup 49 /one put
dup 50 /two put
dup 51 /three put
dup 52 /four put
dup 53 /five put
dup 54 /six put
dup 55 /seven put
dup 56 /eight put
dup 57 /nine put
dup 61 /corresponds put
dup 62 /arrowright put
dup 64 /at put
dup 65 /pickup put
dup 66 /letter put
dup 67 /CE put
dup 69 /lightning1 put
dup 70 /FHBO put
dup 72 /cellphone put
dup 73 /industry put
dup 75 /coffee put
dup 77 /YandY put
dup 79 /boxempty put
dup 80 /vectleft put
dup 81 /scissorright put
dup 82 /cuthere put
dup 83 /scissorleft put
dup 84 /phone put
dup 85 /clock put
dup 86 /boxchecked put
dup 88 /boxcrossed put
dup 90 /handpoint put
dup 98 /handwrite put
dup 99 /EuroHV put
dup 100 /EuroCR put
dup 101 /EuroTM put
dup 102 /FHBO1 put
dup 105 /info put
dup 111 /FussBall put
dup 112 /vectleft1 put
dup 113 /cutright put
dup 114 /cutline put
dup 115 /cutleft put
dup 116 /fax put
dup 117 /faxbox put
dup 118 /faxmachine put
dup 134 /cross put
dup 135 /crossring put
dup 136 /ankh put
dup 140 /heart put
dup 150 /flatsteel put
dup 151 /squarepipe put
dup 152 /rectpipe put
dup 153 /Lbeam put
dup 154 /Ibeam put
dup 155 /circpipe put
dup 156 /Tbeam put
dup 164 /Euro put
dup 167 /frown put
dup 169 /smile put
dup 174 /bicycle put
dup 192 /Sun put
dup 193 /Moon put
dup 194 /Mercury put
dup 195 /Venus put
dup 196 /Mars put
dup 197 /Jupiter put
dup 198 /Saturn put
dup 199 /Uranus put
dup 200 /Neptune put
dup 201 /Pluto put
dup 204 /womanside put
dup 205 /manside put
dup 206 /womanfront put
dup 207 /manfront put
dup 224 /Aries put
dup 225 /Taurus put
dup 226 /Gemini put
dup 227 /Cancer put
dup 228 /Leo put
dup 229 /Virgo put
dup 230 /Libra put
dup 231 /Scorpio put
dup 232 /Sagittarius put
dup 233 /Capricorn put
dup 234 /Aquarius put
dup 235 /Pisces put
dup 240 /A put
dup 241 /p put
dup 247 /dotsquare put
dup 253 /fledermaus put
dup 254 /womanface put
dup 255 /MartinVogel put
readonly def
/FontBBox{-574 -212 1629 1007}readonly def
/UniqueID 5096697 def
currentdict end
currentfile eexec
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\ No newline at end of file diff --git a/Master/texmf-dist/doc/fonts/marvosym/mac/oztex/ps-files/readme.txt b/Master/texmf-dist/doc/fonts/marvosym/mac/oztex/ps-files/readme.txt deleted file mode 100644 index 7f7a4b3b3f2..00000000000 --- a/Master/texmf-dist/doc/fonts/marvosym/mac/oztex/ps-files/readme.txt +++ /dev/null @@ -1,4 +0,0 @@ -This folder contains the afm file and pfa (printer fount ascii) files -matching the Mac system versions of Marvosym kept elsewhere. They are -included because some deeply disturbed people might be able to find a use -for them.
\ No newline at end of file diff --git a/Master/texmf-dist/doc/fonts/marvosym/mac/oztex/tex-font/misc/fmvr8x.tfm b/Master/texmf-dist/doc/fonts/marvosym/mac/oztex/tex-font/misc/fmvr8x.tfm Binary files differdeleted file mode 100644 index 06adb6cbd6e..00000000000 --- a/Master/texmf-dist/doc/fonts/marvosym/mac/oztex/tex-font/misc/fmvr8x.tfm +++ /dev/null diff --git a/Master/texmf-dist/doc/fonts/marvosym/mac/readme.txt b/Master/texmf-dist/doc/fonts/marvosym/mac/readme.txt deleted file mode 100644 index 3468c670728..00000000000 --- a/Master/texmf-dist/doc/fonts/marvosym/mac/readme.txt +++ /dev/null @@ -1,14 +0,0 @@ -The folders in this folder contain Mac versions of the Marvosym fount and -configuration files to set up OzTeX to use these founts. To use them with -LaTeX, you also need the marvosym package used by everyone else, kept in -the folder above this. - -This Mac version of Marvosym is based on the Y&Y re-worked version of -Marvosym, and the metrics are very slightly different to the original. -For this reason, you should use the tfm file in OzTeX:TeX-fonts:Misc: -rather than the original tfm file. - -The system fount files themselves are kept in the file the_font.bin, which -is a MacBinary encoded Stuffit compressed archive. This should not be -decoded or decompressed until it's safely on a Mac. StuffitExpander from -http://www.aladdinsys.com will do the job. diff --git a/Master/texmf-dist/doc/fonts/marvosym/mac/the_font.bin b/Master/texmf-dist/doc/fonts/marvosym/mac/the_font.bin Binary files differdeleted file mode 100644 index 6ebc8d49741..00000000000 --- a/Master/texmf-dist/doc/fonts/marvosym/mac/the_font.bin +++ /dev/null diff --git a/Master/texmf-dist/doc/fonts/marvosym/marvodoc.pdf b/Master/texmf-dist/doc/fonts/marvosym/marvodoc.pdf Binary files differindex c3d9202427d..070f0a20aa0 100644 --- a/Master/texmf-dist/doc/fonts/marvosym/marvodoc.pdf +++ b/Master/texmf-dist/doc/fonts/marvosym/marvodoc.pdf diff --git a/Master/texmf-dist/doc/fonts/marvosym/marvodoc.tex b/Master/texmf-dist/doc/fonts/marvosym/marvodoc.tex index 716adcfcc79..43aa2fc7051 100644 --- a/Master/texmf-dist/doc/fonts/marvosym/marvodoc.tex +++ b/Master/texmf-dist/doc/fonts/marvosym/marvodoc.tex @@ -4,7 +4,7 @@ \usepackage[latin1jk]{inputenc} \usepackage{times,marvosym,url,thumbpdf} \usepackage{hyperref} -\hypersetup{pdfauthor={Thomas Henlich}} +\hypersetup{pdfauthor={Thomas Henlich,Mojca Miklavec}} \hypersetup{pdfsubject={LaTeX package documentation}} \hypersetup{pdftitle={The MarVoSym Font Package}} \begin{document} @@ -15,39 +15,40 @@ %\def\email@#1{\hyper@linkurl{\begingroup \Url{#1}}{#1}} \newcommand\email{\begingroup \urlstyle{tt}\Url} \title{The MarVoSym F{\LARGE\Football}nt Package} -\author{Thomas Henlich (thomas@henlich.de)} +\author{Thomas Henlich\\ +Mojca Miklavec (mojca.miklavec.lists@gmail.com)} \maketitle \begin{abstract} This document describes how to use the \emph{Martin Vogel's Symbols} font - in your \LaTeX\ documents. The font is a PS font, so you need a PS printer - or \path{ghostscript}. Alternatively, you can use \path{pdflatex} to - produce a PDF file. The font provides the ``official'' Euro currency + in your \LaTeX\ documents. The package uses version 3.10 of MarVoSym font + (last updated on September 1, 2008) and provides both TrueType and Type 1 + versions. The font provides the ``official'' Euro currency symbol, Euro symbols which go well with the Times / Helvetica / Courier fonts, warning and safety-related symbols, astronomy symbols, zodiac signs and many others. \end{abstract} \section{Installation} -Note: If the MarVoSym package came as part of your \TeX{} distribution, you can skip this step.\\ -In the following, replace \path{$TEXMF} with your actual texmf directory, e.\,g. -\texttt{/usr/share/texmf}. -\begin{itemize} -\item Copy \path{marvosym.pfb} into a directory where dvips can find it, e.\,g. - \path{$TEXMF/fonts/type1/public/marvosym/}. -\item Copy \path{umvs.tfm} into a directory where \TeX{} will find it, e.\,g. - \path{$TEXMF/fonts/tfm/public/marvosym/}. -\item Copy \path{marvosym.map} into a directory where dvips (and pdflatex, if you want to use that as well) will find it, - e.\,g. \path{$TEXMF/dvips/marvosym/}. -\item Copy \path{marvosym.sty} and \path{umvs.fd} to a \TeX{} input directory, e.\,g. -\path{$TEXMF/tex/latex/marvosym/}. -\item Optionally copy \path{marvosym.afm} into an afm-directory, e.\,g. - \path{$TEXMF/fonts/afm/public/marvosym/} (\TeX{} doesn't need this file.) -\end{itemize} +These days, it is most likely that you already have MarVoSym as part of +your \TeX\ distribution, such as \TeX\ Live or MiK\TeX. You can find +out by trying to use the font (see next section). If you don't have it, +you can probably get it through the relevant package manager + +(\url{http://tug.org/texlive/pkginstall.html}). + +\noindent If you do need to install it manually, the steps to follow are described at + +\url{http://tug.org/fonts/fontinstall.html}. + +\noindent You can download it from CTAN (\url{http://ctan.org/pkg/marvosym}), and +the MarVoSym package there is ``TDS-arranged'', in the terminology of +that web page. + \section{Usage} -In your document's preamble, type \verb+\usepackage{marvosym}+. To insert a +In your document's preamble, include \verb+\usepackage{marvosym}+. To insert a symbol, use a macro as described in the next section. The symbol will appear in the currently selected font size. To get a bigger symbol, use a size-changing command like \\ @@ -60,14 +61,27 @@ size-changing command like \\ \subsection{Communication} \begin{tabular}{|*{10}{c}|} \hline -\leg{Pickup} & \leg{Letter} & -\leg{Mobilefone} & \leg{Telefon} & -\leg{fax} & \leg{FAX} & \leg{Faxmachine} & -\leg{Email} &\leg{Lightning} & \leg{Emailct} \\ -\sho{\Pickup} & \sho{\Letter} & -\sho{\Mobilefone} & \sho{\Telefon} & -\sho{\fax} & \sho{\FAX} & \sho{\Faxmachine} & -\sho{\Email} & \sho{\Lightning} & \sho{\Emailct} \\ \hline +\leg{Pickup} & +\leg{Letter} & +\leg{Mobilefone} & +\leg{Telefon} & +\leg{fax} & +\leg{FAX} & +\leg{Faxmachine} & +\leg{EMail} & +\leg{Lightning} & +\leg{EmailCT} \\ +\sho{\Pickup} & +\sho{\Letter} & +\sho{\Mobilefone} & +\sho{\Telefon} & +\sho{\fax} & +\sho{\FAX} & +\sho{\Faxmachine} & +\sho{\EMail} & +\sho{\Lightning} & +\sho{\EmailCT} \\ +\hline \end{tabular} @@ -76,53 +90,57 @@ size-changing command like \\ \begin{tabular}{|*{8}{c}|} \hline \leg{Beam} & \leg{Bearing} & -\leg{Loosebearing} & -\leg{Fixedbearing} & -\leg{Lefttorque} & -\leg{Righttorque} & +\leg{LooseBearing} & +\leg{FixedBearing} & +\leg{LeftTorque} & +\leg{RightTorque} & \leg{Lineload} & -\leg{Force} \\ +\leg{MVArrowDown} \\ \sho{\Beam} & \sho{\Bearing} & -\sho{\Loosebearing} & -\sho{\Fixedbearing} & -\sho{\Lefttorque} & -\sho{\Righttorque} & +\sho{\LooseBearing} & +\sho{\FixedBearing} & +\sho{\LeftTorque} & +\sho{\RightTorque} & \sho{\Lineload} & -\sho{\Force} \\ -\hline -\leg{Octosteel} & -\leg{Hexasteel} & -\leg{Squaresteel} & -\leg{Rectsteel} & -\leg{Circsteel} & -\leg{Flatsteel} & -\leg{Squarepipe} & -\leg{Rectpipe} \\ -\sho{\Octosteel} & -\sho{\Hexasteel} & -\sho{\Squaresteel} & -\sho{\Rectsteel} & -\sho{\Circsteel} & -\sho{\Flatsteel} & -\sho{\Squarepipe} & -\sho{\Rectpipe} \\ +\sho{\MVArrowDown} \\ \hline -\leg{Lsteel} & +\leg{OktoSteel} & +\leg{HexaSteel} & +\leg{SquareSteel} & +\leg{RectSteel} & +\leg{CircSteel} & +\leg{SquarePipe} & +\leg{RectPipe} & +\leg{CircPipe} +\\ +\sho{\OktoSteel} & +\sho{\HexaSteel} & +\sho{\SquareSteel} & +\sho{\RectSteel} & +\sho{\CircSteel} & +\sho{\SquarePipe} & +\sho{\RectPipe} & +\sho{\CircPipe} +\\ \hline +\leg{LSteel} & +\leg{RoundedLSteel} & +\leg{TSteel} & +\leg{RoundedTSteel} & \leg{TTsteel} & -\leg{Circpipe} & -\leg{Tsteel} & -\leg{RoundedTsteel} & -\leg{RoundedTTsteel} & -\leg{RoundedLsteel} & \\ -\sho{\Lsteel} & -\sho{\TTsteel} & -\sho{\Circpipe} & -\sho{\Tsteel} & -\sho{\RoundedTsteel} & -\sho{\RoundedTTsteel} & -\sho{\RoundedLsteel} & \\ -\hline +\leg{RoundedTTSteel} & +\leg{FlatSteel} & +\leg{Valve} +\\ +\sho{\LSteel} & +\sho{\RoundedLSteel} & +\sho{\TSteel} & +\sho{\RoundedTSteel} & +\sho{\TTSteel} & +\sho{\RoundedTTSteel} & +\sho{\FlatSteel} & +\sho{\Valve} +\\ \hline \end{tabular} \subsection{Information} @@ -130,44 +148,52 @@ size-changing command like \\ \begin{tabular}{|*{8}{c}|} \hline \leg{Industry} & \leg{Coffeecup} & -\leg{Rightscissors} & -\leg{Kutline} & -\leg{Leftscissors} & +\leg{LeftScissors} & +\leg{CuttingLine} & +\leg{RightScissors} & \leg{Football} & \leg{Bicycle} & \\ \sho{\Industry} & \sho{\Coffeecup} & -\sho{\Rightscissors} & -\sho{\Kutline} & -\sho{\Leftscissors} & +\sho{\LeftScissors} & +\sho{\CuttingLine} & +\sho{\RightScissors} & \sho{\Football} & \sho{\Bicycle} & \\ \hline \leg{Info} & -\leg{Clocklogo} & -\leg{Cutright} & -\leg{Cutline} & -\leg{Cutleft} & +\leg{ClockLogo} & +\leg{CutRight} & +\leg{CutLineine} & +\leg{CutLeft} & \leg{Wheelchair} & \leg{Gentsroom} & \leg{Ladiesroom} \\ \sho{\Info} & -\sho{\Clocklogo} & -\sho{\Cutright} & -\sho{\Cutline} & -\sho{\Cutleft} & +\sho{\ClockLogo} & +\sho{\CutRight} & +\sho{\CutLine} & +\sho{\CutLeft} & \sho{\Wheelchair} & \sho{\Gentsroom} & \sho{\Ladiesroom} \\ \hline -\leg{Checkedbox} & -\leg{Crossedbox} & -\leg{Pointinghand} & -\leg{Writinghand} &&&& \\ -\sho{\Checkedbox} & -\sho{\Crossedbox} & -\sho{\Pointinghand} & -\sho{\Writinghand} &&&& \\ +\leg{CheckedBox} & +\leg{CrossedBox} & +\leg{HollowBox} & +\leg{PointingHand} & +\leg{WritingHand} & +\leg{MineSign} & +\leg{Recycling} & +\leg{PackingWaste} \\ +\sho{\CheckedBox} & +\sho{\CrossedBox} & +\sho{\HollowBox} & +\sho{\PointingHand} & +\sho{\WritingHand} & +\sho{\MineSign} & +\sho{\Recycling} & +\sho{\PackingWaste} \\ \hline \end{tabular} @@ -177,16 +203,16 @@ size-changing command like \\ \leg{WashCotton} & \leg{WashSynthetics} & \leg{WashWool} & -\leg{Handwash} & -\leg{Dontwash} & +\leg{HandWash} & +\leg{NoWash} & \leg{Tumbler} & \leg{NoTumbler} & \leg{NoChemicalCleaning} \\ \sho{\WashCotton} & \sho{\WashSynthetics} & \sho{\WashWool} & -\sho{\Handwash} & -\sho{\Dontwash} & +\sho{\HandWash} & +\sho{\NoWash} & \sho{\Tumbler} & \sho{\NoTumbler} & \sho{\NoChemicalCleaning} \\ @@ -238,7 +264,7 @@ size-changing command like \\ \subsection{Currency} -\begin{tabular}{|*{10}{c}|} \hline +\begin{tabular}{|*{11}{c}|} \hline \leg{EUR} & \leg{EURdig} & \leg{EURhv} & @@ -248,27 +274,30 @@ size-changing command like \\ \leg{Shilling} & \leg{Denarius} & \leg{Pfund} & -\leg{EyesDollar} \\ - & - & - & - & - & +\leg{EyesDollar} & +\leg{Florin} \\ & +\leg{EurDig} & +\leg{EurHv} & +\leg{EurCr} & +\leg{EurTm} & +\leg{EstimatedSign} & & \leg{Deleatur} & & + & \\ \sho{\EUR} & -\sho{\EURdig} & -\sho{\EURhv} & -\sho{\EURcr} & -\sho{\EURtm} & -\sho{\Ecommerce} & +\sho{\EurDig} & +\sho{\EurHv} & +\sho{\EurCr} & +\sho{\EurTm} & +\sho{\EstimatedSign} & \sho{\Shilling} & \sho{\Deleatur} & \sho{\Pfund} & -\sho{\EyesDollar} \\ +\sho{\EyesDollar} & +\sho{\Florin} \\ \hline \end{tabular} @@ -287,21 +316,21 @@ something to do with money, so there you go{\ldots} \begin{tabular}{|*{8}{c}|} \hline \leg{Stopsign} & -\leg{CEsign} & +\leg{CESign} & \leg{Estatically} & \leg{Explosionsafe} & \leg{Laserbeam} & \leg{Biohazard} & \leg{Radioactivity} & -\leg{BSEfree} \\ +\leg{BSEFree} \\ \sho{\Stopsign} & -\sho{\CEsign} & +\sho{\CESign} & \sho{\Estatically} & \sho{\Explosionsafe} & \sho{\Laserbeam} & \sho{\Biohazard} & \sho{\Radioactivity} & -\sho{\BSEfree} \\ +\sho{\BSEFree} \\ \hline \end{tabular} @@ -349,7 +378,7 @@ something to do with money, so there you go{\ldots} \hline \end{tabular} -\subsection{Maths} +\subsection{Numbers} \begin{tabular}{|*{10}{c}|} \hline \leg{MVZero} & @@ -373,42 +402,121 @@ something to do with money, so there you go{\ldots} \sho{\MVEight} & \sho{\MVNine} \\ \hline +\end{tabular} + +\subsection{Maths} + +\begin{tabular}{|*{8}{c}|} \hline +\leg{MVLeftBracket} & +\leg{MVRightBracket} & +\leg{MVComma} & +\leg{MVPeriod} & +\leg{MVMinus} & +\leg{MVPlus} & +\leg{MVDivision} & +\leg{MVMultiplication} \\ +\sho{\MVLeftBracket} & +\sho{\MVRightBracket} & +\sho{\MVComma} & +\sho{\MVPeriod} & +\sho{\MVMinus} & +\sho{\MVPlus} & +\sho{\MVDivision} & +\sho{\MVMultiplication} \\ +\hline +% \end{tabular} +% +% \begin{tabular}{|*{10}{c}|} \hline +\leg{Conclusion} & +\leg{Equivalence} & +\leg{barOver} & +\leg{BarOver} & +\leg{arrowOver} & +\leg{ArrowOver} & +\leg{StrikingThrough} & +\leg{MultiplicationDot} \\ +\sho{\Conclusion} & +\sho{\Equivalence} & +\sho{\barOver} & +\sho{\BarOver} & +\sho{\arrowOver} & +\sho{\ArrowOver} & +\sho{\StrikingThrough} & +\sho{\MultiplicationDot} \\ +\hline +% \end{tabular} +% +% \begin{tabular}{|*{10}{c}|} \hline +\leg{LessOrEqual} & +\leg{LargerOrEqual} & +\leg{AngleSign} & \leg{Corresponds} & -\leg{Vectorarrowhigh} & -\leg{Anglesign} & -\leg{Vectorarrow} & -\leg{Squaredot} &&&&&\\ +\leg{Congruent} & +\leg{NotCongruent} & +\leg{Divides} & +\leg{DividesNot} \\ +\sho{\LessOrEqual} & +\sho{\LargerOrEqual} & +\sho{\AngleSign} & \sho{\Corresponds} & -\sho{\Vectorarrowhigh} & -\sho{\Anglesign} & -\sho{\Vectorarrow} & -\sho{\Squaredot} &&&&&\\ +\sho{\Congruent} & +\sho{\NotCongruent} & +\sho{\Divides} & +\sho{\DividesNot} \\ \hline \end{tabular} +% \subsection{Biology} +% +% \begin{tabular}{|*{10}{c}|} \hline +% \leg{Neutral} & +% \leg{Male} & +% \leg{Hermaphrodite} & +% \leg{Female} & +% \leg{MALE} & +% \leg{HERMAPHRODITE} & +% \leg{FEMALE} & +% \leg{MaleMale} & +% \leg{FemaleFemale} & +% \leg{FemaleMale} \\ +% \sho{\Neutral} & +% \sho{\Male} & +% \sho{\Hermaphrodite} & +% \sho{\Female} & +% \sho{\MALE} & +% \sho{\HERMAPHRODITE} & +% \sho{\FEMALE} & +% \sho{\MaleMale} & +% \sho{\FemaleFemale} & +% \sho{\FemaleMale} \\ +% \hline +% \end{tabular} + \subsection{Biology} -\begin{tabular}{|*{10}{c}|} \hline -\leg{Neutral} & +\begin{tabular}{|*{4}{c}|} \hline +\leg{Female} & \leg{Male} & \leg{Hermaphrodite} & -\leg{Female} & -\leg{MALE} & -\leg{HERMAPHRODITE} & -\leg{FEMALE} & -\leg{MaleMale} & -\leg{FemaleFemale} & -\leg{FemaleMale} \\ -\sho{\Neutral} & +\leg{Neutral} \\ +\sho{\Female} & \sho{\Male} & \sho{\Hermaphrodite} & -\sho{\Female} & -\sho{\MALE} & -\sho{\HERMAPHRODITE} & +\sho{\Neutral} \\ +\hline +\leg{FEMALE} & +\leg{MALE} & +\leg{HERMAPHRODITE} & \\ \sho{\FEMALE} & -\sho{\MaleMale} & +\sho{\MALE} & +\sho{\HERMAPHRODITE} & \\ +\hline +\leg{FemaleFemale} & +\leg{MaleMale} & +\leg{FemaleMale} & \\ \sho{\FemaleFemale} & -\sho{\FemaleMale} \\ +\sho{\MaleMale} & +\sho{\FemaleMale} & \\ \hline \end{tabular} @@ -475,25 +583,25 @@ something to do with money, so there you go{\ldots} \subsection{Others} \begin{tabular}{|*{10}{c}|} \hline -\leg{Yinyang} & -\leg{MVRightarrow} & +\leg{YinYang} & +\leg{MVRightArrow} & \leg{MVAt} & -\leg{FHBOlogo} & -\leg{FHBOLOGO} & -\leg{FullFHBO} & +\leg{BOLogo} & +\leg{BOLogoL} & +\leg{BALogoP} & \leg{Mundus} & \leg{Cross} & -\leg{Celtcross} & +\leg{CeltCross} & \leg{Ankh} \\ -\sho{\Yinyang} & -\sho{\MVRightarrow} & +\sho{\YinYang} & +\sho{\MVRightArrow} & \sho{\MVAt} & -\sho{\FHBOlogo} & -\sho{\FHBOLOGO} & -\sho{\FullFHBO} & +\sho{\BOLogo} & +\sho{\BOLogoL} & +\sho{\BOLogoP} & \sho{\Mundus} & \sho{\Cross} & -\sho{\Celtcross} & +\sho{\CeltCross} & \sho{\Ankh} \\ \hline \leg{Heart} & @@ -501,21 +609,22 @@ something to do with money, so there you go{\ldots} \leg{Bouquet} & \leg{Frowny} & \leg{Smiley} & +\leg{PeaceDove} & \leg{Bat} & -\leg{Womanface} & -\leg{MartinVogel} && \\ +\leg{WomanFace} & +\leg{ManFace} & \\ \sho{\Heart} & \sho{\CircledA} & \sho{\Bouquet} & \sho{\Frowny} & \sho{\Smiley} & +\sho{\PeaceDove} & \sho{\Bat} & -\sho{\Womanface} & -\sho{\MartinVogel} && \\ +\sho{\WomanFace} & +\sho{\ManFace} & \\ \hline \end{tabular} - \section{Authors} The font was designed by Martin Vogel. See @@ -525,9 +634,20 @@ The macros and this documentation were written by Thomas Henlich, who also converted the font to a Type 1 font. The latter involved running \path{ttf2pt1} and doing some manual fixes afterwards. +Mojca Miklavec added the original TrueType font to the package and +updated Type~1 and TFM font to reflect recent changes from original +font; Mojca is the new maintainer of the \TeX\ support. + \section{History} \begin{sloppypar} \begin{labeling}{9999-99-99} +\item[2011-08-15] Version 2.2: Updated to font version 3.10 (2008-09-01). +Changed licence from GPL to OFL. Reorganized documentation (thanks to Karl Berry for many useful suggestions and impromevents.) +Added original TTF font, recreated Type 1 font files with some incompatible changes in font metrics, some glyphs removed and some newly introduced ones. +Created TDS directory structure and made \LaTeX\ macros 100~\% compatible with original names. Old \LaTeX\ names were kept as synonyms. +AFM file now contains proper glyph names instead of names of ASCII characters on those slots. +Characters `A' and `p' (positions 0xF0 and 0xF1) are no longer present, as they are not in the original font. +Some high school logos were removed or replaced. \item[2006-05-11] Version 2.1: Renamed Rightarrow macro to MVRightarrow. New TeX name for font (umvs). Rewrote style file. Added fd file. \item[2000-04-21] Updated the font and documentation. Changed /FontName to MarVoSym. Many new glyphs. @@ -551,9 +671,3 @@ Removed: \end{document} - -%%% Local Varibles: -%%% mode: latex -%%% TeX-master: t -%%% End: - diff --git a/Master/texmf-dist/doc/fonts/marvosym/vtex/install.txt b/Master/texmf-dist/doc/fonts/marvosym/vtex/install.txt deleted file mode 100644 index cbf6bdebe48..00000000000 --- a/Master/texmf-dist/doc/fonts/marvosym/vtex/install.txt +++ /dev/null @@ -1,59 +0,0 @@ -============================================================ - - Installing the Marvosym Type1 font - with VTeX/Free 7.00 and above - -============================================================ - 2000-09-10 - Walter Schmidt - <walter.schmidt@arcormail.de> - - -The below instructions refer to version 2 of the Marvosym -Type1 font as of 2000-05-01. - -The directory name "texmf" refers to - - /usr/local/vtex/texmf (with VTeX/Lnx) -or - <drive>:\texmf (with VTeX/2) - - -(1) -Copy the Type1 font file file marvosym.pfb to the directory - - texmf/fonts/type1/public/marvosym - -(2) -Copy the Type1 font metrics file marvosym.afm to - - texmf/fonts/afm/public/marvosym - -(3) -Copy the TeX font metrics file fmvr8x.tfm to - - texmf/fonts/tfm/public/marvosym/ - -(4) -Copy the font map file marvosym.ali to - - texmf/vtex/config - -(5) -Add an entry for the above font map to the section TYPE1 of -the configuration files pdf.fm and ps.fm, which reside in -the directory texmf/vtex/config : - - TYPE1 { - ... - marvosym.ali - } - -(6) -Copy the style file marvosym.sty to a TeX input directory, -e.g. - texmf/tex/latex/misc - - -== finis - diff --git a/Master/texmf-dist/doc/fonts/marvosym/vtex/marvosym.ali b/Master/texmf-dist/doc/fonts/marvosym/vtex/marvosym.ali deleted file mode 100644 index e8af56d4972..00000000000 --- a/Master/texmf-dist/doc/fonts/marvosym/vtex/marvosym.ali +++ /dev/null @@ -1,5 +0,0 @@ -%1 = $TEXMF$fonts/afm/public/marvosym/ -%2 = $TEXMF$fonts/type1/public/marvosym/ - -@MarVoSym = fmvr8x %2,1,b="marvosym",a - |