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authorKarl Berry <karl@freefriends.org>2009-05-31 22:56:35 +0000
committerKarl Berry <karl@freefriends.org>2009-05-31 22:56:35 +0000
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tree996a0aa538b98a54ba279831cea46872eda44298 /Master/texmf-dist/doc/fonts/junicode
parent546f8ca33f9cc0db1468b1eb8bfcae64970855de (diff)
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+%&program=xelatex
+%&encoding=UTF-8 Unicode
+
+\documentclass[a4paper]{article}
+
+\usepackage{fontspec}
+
+\setromanfont{Junicode}
+
+\newICUfeature{StyleSet}{1}{+ss01}
+\newICUfeature{StyleSet}{insular}{+ss02,-liga}
+\newICUfeature{StyleSet}{highline}{+ss04}
+\newICUfeature{StyleSet}{medline}{+ss05}
+\newICUfeature{StyleSet}{enlarged}{+ss06}
+\newICUfeature{StyleSet}{underdot}{+ss07}
+\newICUfeature{StyleSet}{altyogh}{+ss08}
+\newICUfeature{StyleSet}{altpua}{+ss09}
+\newICUfeature{LigType}{disc}{+dlig}
+\newICUfeature{LigType}{hist}{+hlig}
+\newICUfeature{LongS}{on}{+hist,+fina}
+\newICUfeature{IPAMode}{on}{+mgrk,-liga}
+\newICUfeature{Compose}{off}{-ccmp}
+\newICUfeature{Contextual}{on}{+calt}
+\newICUfeature{Swash}{on}{+swsh}
+\newICUfeature{Fractions}{on}{+frac}
+\newICUfeature{Superscripts}{on}{+sups}
+\newICUfeature{Subscripts}{on}{+subs}
+\newcommand{\sampletext}{Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. 12345 \fontspec[Numbers=OldStyle]{Junicode}12345}
+\newcommand{\sctext}{Cum multa divinitus, pontifices, a
+ma\-ioribus nos\-tris in\-venta atque in\-sti\-tuta sunt}
+
+\frenchspacing
+
+\begin{document}
+\large
+\section*{Junicode}
+
+\fontspec[Contextual=on]{Junicode}The Junicode font is designed to
+meet the needs of medieval
+scholars; however, it has a large enough character set to be useful to
+the general user. It comes in Regular, Italic, Bold and Bold Italic
+faces. The Regular face has the fullest character set, and is richest
+in OpenType features.
+
+Because Junicode has been designed for medievalists, some of the
+default letter-shapes are wrong for modern languages: for example,
+eogonek (ę) is correctly shaped for medieval Latin but looks poor in
+Polish. It is possible to add language-specific letter-shapes, but
+this has not always been done. If you wish to see better support for
+any modern, medieval or ancient language, please leave a request
+at the Junicode project page (http://sourceforge.net/projects/junicode).
+
+Junicode partially implements the recommendation of the Medieval
+Unicode Font Initiative. Look for special MUFI characters in the
+Private Use Area (U+E000 and above). Download the complete
+recommendation at http://www.mufi.info/. Please note that MUFI and the
+Junicode font change as medieval characters are adopted by the Unicode
+standard: these changes are outlined in the MUFI recommendation, which
+maintainers of medieval editions should consult for help in keeping
+their projects up to date.
+
+Junicode is licensed under the GNU Public License. For a copy of
+this license and notes on the
+way the GPL applies to this font, see the file License.pdf.
+A quick summary of the license: You may use Junicode in any kind
+of publication without fee or restriction. You may modify the font
+for your own use. You may distribute your modified version if you
+license it under the GNU Public License.
+
+\pagebreak
+\subsection*{OpenType Features}
+
+{\itshape Only OpenType-aware applications can make use of OpenType
+ features. Among these are Adobe InDesign, Mellel, and (to a limited
+ extent) Microsoft Word. XeTeX, a typesetting program built on top of
+ TeX, has especially good support. The following are standard
+ OpenType features (not all available in all faces). For OpenType
+ features especially for medievalists, see the next section.}\\
+
+\noindent Like many old-style fonts, Junicode contains several f-ligatures
+(first flight offer office afflict fjord). It also has a number of
+other standard ligatures, e.g. thrift fifty afraid für fördern. It
+also has long-s ligatures (aſſert ſtart ſlick omiſſion and more). Most
+OpenType-aware applications will use these by default. You can disable
+them by turning off “Standard Ligatures” (liga). {\itshape All
+ faces.}\\
+
+\noindent If “Contextual Alternates” (calt) and “Horizontal Kerning” (kern)
+are on (as they should be by default), Junicode will avoid collisions
+between f and vowels with diacritics, e.g. fêler fíf fŭl.\\
+
+\noindent For circled numbers and letters, use “Discretionary Ligatures” (dlig):\\
+\hspace*{10pt}[1] {\fontspec[LigType=disc]{Junicode}= [1]}\\
+\hspace*{10pt}[A] {\fontspec[LigType=disc]{Junicode}= [A]}\\
+\hspace*{10pt}[a] {\fontspec[LigType=disc]{Junicode}= [a]}\\
+\hspace*{10pt}[[1]] {\fontspec[LigType=disc]{Junicode}= [[1]]}\\
+\hspace*{10pt}<1> {\fontspec[LigType=disc]{Junicode}= <1>}\\
+The same feature also gives you connected Roman numbers
+{\fontspec[LigType=disc]{Junicode}(I II III IV V VI VII VIII IX X XI
+ XII), and fancy ligatures, e.g. act star track bitten attract.}
+{\itshape Regular face only.}\\
+
+\noindent With “Glyph Composition/Decomposition” (ccmp), a base character
+followed by one or more combining diacritical marks is replaced with a
+precomposed character when one is available: A + U+301 makes Á; a +
+U+301 makes á. Notice that although the combining acute character
+(U+301) is the same, the A actually has a special capital form of the
+acute. {\itshape All faces, depending on the availability of composed
+ characters and combining diacritics.}\\
+
+\noindent Where no precomposed character is available, combining marks should
+still be correctly positioned, and marks can be “stacked” via “Mark
+to Base” (mark) and “Mark to Mark” (mkmk): ŏ́ (o + U+306 + U+301);
+ī̆ (i + U+304 + U+306). The dot of an i or j followed by a diacritic
+will generally be removed: i̽. {\itshape All faces; anchors less
+ plentiful in bold and italic faces than in regular; diacritic
+ stacking not available in bold italic.}\\
+
+\noindent Use “Small Caps” (smcp) to change lower-case letters to small caps;
+add “Caps to Small Caps” (c2sc) for text entirely in small
+caps. {\scshape Junicode has true small caps rather than scaled
+ capitals.} Common combining diacritical marks should be positioned
+correctly relative to small caps: {\scshape äçé}. {\itshape Regular
+ face only.}\\
+
+\noindent You have a choice of either standard “lining” figures or old-style
+figures, selected by “Old-Style Numbers” (onum): 0123456789
+{\fontspec[Numbers=OldStyle]{Junicode}0123456789.} {\itshape All
+ faces.}\\
+
+\noindent Superscript numbers are rendered with “Superscripts” (sups):
+{\fontspec[Superscripts=on]{Junicode} 0123456789}. Subscript numbers
+are rendered with “Subscripts” (subs):
+{\fontspec[Subscripts=on]{Junicode} 0123456789}. {\itshape Regular
+ only.}\\
+
+\noindent A sequence of number + slash + number is rendered by a fraction if the
+fraction has a Unicode encoding and “Fractions” (frac) is on:
+{\fontspec[Fractions=on]{Junicode} 1/2 1/4 2/3 3/4}. {\itshape All
+ faces, but fullest in regular and bold.}\\
+
+\noindent The design of a few Junicode characters has changed since the font was
+introduced. The original designs, if you prefer them, will always be
+available via “Style Set 9” (ss09). Currently there are just a few
+such alternates: {\fontspec[StyleSet=altpua]{Junicode} } for ,
+{\fontspec[StyleSet=altpua]{Junicode} T} for T,
+{\scshape{\fontspec[StyleSet=altpua]{Junicode} t} for t}.
+
+\pagebreak
+\subsection*{Notes on Junicode and MUFI}
+
+The MUFI specification defines a great many characters of interest to
+medievalists; the current version of Junicode contains most of
+these. While many MUFI characters have Unicode encodings, many others
+have MUFI-recommended encodings in the “Private Use Area” (PUA) of the
+Unicode standard—that is, a range of code points not assigned to
+Unicode characters and available for use in fonts for specialized
+purposes. Use of the PUA allows MUFI to include many characters that
+are not part of the Unicode standard.
+
+There are risks with this approach. First, use of the PUA is
+deprecated by Adobe and Microsoft (major players in fonts and type rendering),
+and it is uncertain whether applications will continue to support it
+indefinitely. Second, and probably more important, MUFI characters are
+regularly accepted by the Unicode Consortium, whereupon they lose their
+PUA encodings and receive Unicode encodings—breaking any
+application that uses them.
+
+To minimize these risks, the MUFI specification strongly recommends “that PUA
+characters should be encoded with mark-up or entities, and that PUA characters should be used for the final display only, whether on screen or in print.” An alternative to
+entities is the use of OpenType features. If you are using an OpenType-aware
+application (e.g. XeTeX, InDesign, Mellel, and to a limited extent MS Word),
+many or all of the OpenType features of Junicode can help you avoid using PUA
+characters directly.\\
+
+\noindent {\bfseries Characters with diacritics.}
+Both Unicode and MUFI contain large numbers of characters with diacritics.
+Make it a habit never to use these “precomposed” characters directly; rather
+use the “plain” character followed by a character from the Unicode “Combining
+Diacritics” range. (This works with Word for Windows when Uniscribe is
+enabled, and also with other OpenType-aware applications.) In almost all cases
+the application will either substitute the correct precomposed character or
+position the diacritic correctly. For characters with more than one diacritic,
+follow these rules: when diacritics are stacked vertically, insert the one
+closest to the base character first; when diacritics are arranged horizontally,
+insert the leftmost one first. Examples: a + macron + acute = ā́; o + dot +
+acute = . Remember that Unicode has both spacing and combining diacritics;
+only the combining diacritics will work correctly. If any combination fails to
+work for you, please leave a bug report at the Junicode website.\\
+
+\noindent {\bfseries Small caps.}
+Make it a hard-and-fast rule {\itshape never} to insert any small cap character
+into your documents. The encoding of small caps is inherently unstable and
+non-portable. MUFI recommends using small cap-like characters from the
+Unicode phonetic ranges, but this would be an error with many fonts, including
+Junicode, which size phonetic “small caps” to harmonize with lower-case
+characters, whereas true small caps are somewhat larger. Always use the
+small caps command provided by the application you are using. If the
+application is able, it will use Junicode’s true small caps.
+
+You may use the “small caps” in the phonetic ranges to set IPA text. The
+“small cap” ʀ is also recommended for setting transliterations of early Norse
+runic texts.\\
+
+\noindent {\bfseries Nordic letter-forms.}
+The default shape of ð and þ in Junicode is English: this is unusual in
+modern fonts. For the shapes used in Icelandic, specify the Icelandic
+language, if your application has good language support, or select
+“Style Set 1” (ss01): {\fontspec[Language=Icelandic]{Junicode} ðþ}.\\
+
+\noindent {\bfseries Insular letter-forms.} Insular letter-forms have
+recently been accepted by Unicode, and therefore their encodings will
+change. For Junicode, use “Style Set 2” (ss02) for insular
+letter-forms if your application supports it:
+{\fontspec[StyleSet=insular]{Junicode} abcdefg.} Turn off “Standard
+Ligatures” (liga) for best results.\\
+
+\noindent {\bfseries Old English typography.} When Old English is set
+with Junicode, some letter combinations can produce unattractive
+collisions. To avoid this, make sure that “Contextual Alternates”
+(calt) and “Standard Ligatures” (liga) are on (as they should be by
+default): hæfð hæfþ fūl nīð.\\
+
+\noindent {\bfseries Enlarged minuscules.} In Junicode, “Style Set 6”
+(ss06) produces enlarged minuscules, thus:
+{\fontspec[StyleSet=enlarged]{Junicode} abcdefg.} Since the underlying
+text remains unchanged, enlarged text can be searched like normal
+text.\\
+
+\noindent {\bfseries Overlined characters.} The MUFI specification
+envisions a font-based mechanism for producing text with
+overlines. Probably this will not be practical in the near future;
+rather, use your application’s line-drawing facilities to produce text
+with overlines. For Junicode, roman numbers are an exception. Use
+“Style Set 4” (ss04) for roman numbers with high overline
+({\fontspec[StyleSet=highline]{Junicode} viii XCXV}) and “Style Set 5”
+(ss05) for lower-case roman numbers with medium-high overline
+({\fontspec[StyleSet=medline]{Junicode} viii dclx}).\\
+
+\noindent {\bfseries Letters with flourishes.}
+For letters with flourishes (sometimes used for setting Middle English
+texts), use “Swash” (swsh):
+{\fontspec[Swash=on]{Junicode}c d f g k n r}.\\
+
+\noindent {\bfseries Ligatures.} Nearly all of MUFI’s ligatures are
+accessible via “Historical Ligatures” (hlig).
+{\fontspec[LigType=hist]{Junicode}Even if you are not a medievalist,
+ you may still be amused by the strange effects you can achieve by
+ turning on this feature: egg track caught fan sock book AA aa AO ao
+ AU au AV av.}\\
+
+\noindent {\bfseries Deleted text.}
+In medieval manuscripts, text is often deleted by placing a dot under each
+letter. Both Unicode and MUFI define many characters with dots below:
+{\fontspec[StyleSet=underdot]{Junicode} if possible, you should avoid
+hard-coding these and instead use} “Style Set 7” (ss07).\\
+
+\noindent {\bfseries Alternate yogh.}
+For Middle English, always use the yogh at U+021C and U+021D (Ȝȝ).
+Unicode also has an alternative yogh, which in Junicode has a
+flat top. If you prefer this, leave the underlying text the same and
+specify “Style Set 8” (ss08):
+{\fontspec[StyleSet=altyogh]{Junicode} Ȝȝ}.\\
+
+\noindent One conflict between MUFI and Junicode has been handled as
+follows: MUFI assigns {\scshape latin letter long s descending} to
+U+F127, where Junicode has {\scshape latin letter small insular s},
+and insular s to U+F22E. To maintain compatibility with earlier
+versions, Junicode has insular s at both code points. Note also
+that Unicode now assigns insular s to code point U+A785. Users should
+recode their documents to comply with the Unicode Standard; a future
+version of Junicode will have {\scshape latin letter long s
+ descending} at U+F127.
+
+\pagebreak
+\subsection*{Old and Middle English}
+
+Wē æthrynon mid ūrum ārum þā ȳðan þæs dēopan wǣles; wē
+ġesāwon ēac þā muntas ymbe þǣre sealtan sǣ strande, and wē mid
+āðēnedum hræġle and ġesundfullum windum þǣr ġewīcodon on þām
+ġemǣrum þǣre fæġerestan þēode. Þā ȳðan ġetācniað þisne dēopan
+cræft, and þā muntas ġetācniað ēac þā miċelnyssa þisses cræftes.\\
+
+
+\noindent{\small\itshape Apply the OpenType feature ss02 (Style Set 2)
+for insular letter-forms.}\\[1ex]
+\fontspec[StyleSet=insular]{Junicode}
+Her cynewulf benam sigebryht his rices \& westseaxna wiotan for
+unryhtum dædum buton hamtunscire \& he hæfde þa oþ he ofslog
+þone aldorman þe him lengest wunode \& hiene þa cynewulf on
+andred adræfde \& he þær wunade oþ þæt hine an swan ofstang
+æt pryfetesflodan \& he wræc þone aldorman cumbran \& se cynewulf
+oft miclum gefeohtum feaht uuiþ bretwalum.\\
+
+\fontspec{Junicode}
+\noindent SIÞEN þe sege and þe assaut watz sesed at Troye,\\
+Þe borȝ brittened and brent to brondez and askez,\\
+Þe tulk þat þe trammes of tresoun þer wroȝt\\
+Watz tried for his tricherie, þe trewest on erthe:\\
+Hit watz Ennias þe athel, and his highe kynde,\\
+Þat siþen depreced prouinces, and patrounes bicome\\
+Welneȝe of al þe wele in þe west iles.
+
+\subsection*{Old Icelandic}
+
+\fontspec[Language=Icelandic]{Junicode}
+{\small\itshape For Nordic shapes of þ and ð, specify the Icelandic
+language, if your application has good language support; or apply the OpenType
+ss01 (Style Set 1) feature.}\\[1ex]
+Um haustit sendi Mǫrðr Valgarðsson orð at Gunnarr myndi vera einn heimi, en
+lið alt myndi vera niðri í eyjum at lúka heyverkum. Riðu þeir Gizurr Hvíti ok
+Geirr Goði austr yfir ár, þegar þeir spurðu þat, ok austr yfir sanda til Hofs.
+Þá sendu þeir orð Starkaði undir Þríhyrningi; ok fundusk þeir þar allir er at
+Gunnari skyldu fara, ok réðu hversu at skyldi fara.
+
+\subsection*{Runic}
+\fontspec{Junicode}
+ᚠᛁᛋᚳ ᚠᛚᚩᛞᚢ ᚪᚻᚩᚠ ᚩᚾ ᚠᛖᚱᚷᛖᚾᛒᛖᚱᛁᚷ ᚹᚪᚱᚦ ᚷᚪ᛬ᛇᚱᛁᚳ ᚷᚱᚩᚱᚾ ᚦᚨᚱ ᚻᛖ ᚩᚾ ᚷᚱᛖᚢᛏ ᚷᛁᛇᚹᚩᛗ
+ᚻᚱᚩᚾᚨᛇ ᛒᚪᚾ\\
+ᚱᚩᛗᚹᚪᛚᚢᛇ ᚪᚾᛞ ᚱᛖᚢᛗᚹᚪᛚᚢᛇ ᛏᚹᛟᚷᛖᚾ ᚷᛁᛒᚱᚩᚦᚫᚱ ᚪᚠᛟᛞᛞᚫ ᛞᛁᚫ ᚹᚣᛚᛁᚠ ᚩᚾ ᚱᚩᛗᚫᚳᚫᛇᛏᛁ᛬
+ᚩᚦᛚᚫ ᚢᚾᚾᛖᚷ
+
+\subsection*{Latin}
+
+{\small\itshape Junicode contains the most common Latin
+abbreviations, making it suitable
+for diplomatic editions of Latin texts.}\\[1ex]
+Adiuuanos dſ̄ ſalutariſ noſter \& ꝓpt̄ głam nominiſ tui dnē liƀanoſ· \& ꝓpitiuſ
+eſto peccatiſ noſtriſ ꝓpter nomen tuum· Ne forte dicant ingentib: ubi eſt dſ̄
+eorum \& innoteſcat innationib: corā oculiſ nr̄iſ· Poſuerunt moſticina ſeruorū
+ruorū eſcaſ uolatilib: cęli carneſ ſcō tuo beſtiiſ tenice· Facti ſum obꝓbrium
+uiciniſ nr̄iſ·
+
+\subsection*{Gothic Transliteration}
+
+jabai auk ƕas gasaiƕiþ þuk þana habandan kunþi in galiuge stada
+anakumbjandan, niu miþwissei is siukis wisandins timrjada du
+galiugagudam gasaliþ matjan? fraqistniþ auk sa unmahteiga ana
+þeinamma witubnja broþar in þize Xristus gaswalt. swaþ~þan
+frawaurkjandans wiþra broþruns, slahandans ize gahugd siuka, du
+Xristau frawaurkeiþ.
+
+\subsection*{Sanskrit Transliteration}
+
+\noindent mānaṃ dvividhaṃ viṣayadvai vidyātśaktyaśaktitaḥ \\
+ arthakriyāyāṃ keśadirnārtho ’narthādhimokṣataḥ\\[1ex]
+sadṛśāsadṛśatvācca viṣayāviṣayatvataḥ \\
+ śabdasyānyanimittānāṃ bhāve dhīsadasattvataḥ
+
+\subsection*{International Phonetic Alphabet}
+\fontspec[IPAMode=on]{Junicode}
+hwɑn θɑt ɑːprɪl wiθ is ʃuːrəs soːtə θə drʊxt ɔf mɑrʧ hɑθ peːrsəd toː
+θə roːte ɑnd bɑːðəd ɛvrɪ væɪn ɪn swɪʧ lɪkuːr ɔf hwɪʧ vɛrtɪu
+ɛnʤɛndrəd ɪs θə fluːr hwɑn zɛfɪrʊs eːk wɪθ hɪs sweːtə bræːθ
+\fontspec{Junicode}
+
+\subsection*{Greek}
+
+{\small\itshape The Greek typeface (new in version 0.6.12)
+is based on the Greek Double Pica cut by Alexander Wilson
+of Glasgow in the eighteenth century; in future releases it is likely
+to undergo revisions to adapt it for modern use.}\\[1ex]
+βίβλος
+γενέσεως ἰησοῦ χριστοῦ υἱοῦ δαυὶδ
+υἱοῦ ἀβραάμ.
+ἀβραὰμ
+ἐγέννησεν τὸν ἰσαάκ, ἰσαὰκ δὲ ἐγέννησεν
+τὸν ἰακώβ, ἰακὼβ δὲ ἐγέννησεν τὸν
+ἰούδαν καὶ τοὺς ἀδελφοὺς αὐτοῦ,
+ἰούδας
+δὲ ἐγέννησεν τὸν φάρες καὶ τὸν ζάρα
+ἐκ τῆς θαμάρ, φάρες δὲ ἐγέννησεν τὸν
+ἑσρώμ, ἑσρὼμ δὲ ἐγέννησεν τὸν ἀράμ,
+ἀρὰμ
+δὲ ἐγέννησεν τὸν ἀμιναδάβ, ἀμιναδὰβ
+δὲ ἐγέννησεν τὸν ναασσών, ναασσὼν δὲ
+ἐγέννησεν τὸν σαλμών,
+σαλμὼν
+δὲ ἐγέννησεν τὸν βόες ἐκ τῆς ῥαχάβ,
+βόες δὲ ἐγέννησεν
+
+\pagebreak
+
+\fontspec{Junicode}
+\noindent {\tiny \sampletext} {\small \sampletext} {\large \sampletext}
+{\Large \sampletext} {\LARGE \sampletext} {\huge \sampletext}\\
+
+{\itshape\noindent {\tiny \sampletext} {\small \sampletext} {\large \sampletext}
+{\Large \sampletext} {\LARGE \sampletext} {\huge \sampletext}}\\
+
+\noindent {\scshape {\tiny \sctext} {\small \sctext} {\large \sctext}
+{\Large \sctext} {\LARGE \sctext}}
+
+\pagebreak
+
+{\bfseries\noindent {\tiny \sampletext} {\small \sampletext} {\large \sampletext}
+{\Large \sampletext} {\LARGE \sampletext} {\huge \sampletext}}\\
+
+{\bfseries\itshape\noindent {\tiny \sampletext} {\small \sampletext} {\large \sampletext}
+{\Large \sampletext} {\LARGE \sampletext} {\huge \sampletext}}\\
+
+\noindent{\LARGE abcdefghijklmnopqrstuvwxyz æðþȝ\\
+ABCDEFGHIJKLMNOPQRSTUVWXYZ ÆÐÞȜ\\
+αβγδεζηθικλμνξοπρςστυφχψω\\
+ΑΒΓΔΕΖΗΘΙΚΛΜΝΞΟΠΡΣΤΥΦΧΨΩ}
+
+\pagebreak
+
+
+\noindent The Junicode font is available at
+http://junicode.sourceforge.net/. You can also find it in the
+repositories of many Linux distributions, and also via CTAN. Visit the
+Junicode Project Page at SourceForge to leave feature requests and bug
+reports. Contributions are welcome: if you wish to contribute to
+Junicode, leave a patch at the Project Page or contact the
+developer.\\
+
+\subsection*{Developer}
+Peter S. Baker, University of Virginia
+
+\subsection*{Contributors}
+Denis Moyogo Jacquerye\\
+Adam Buchbinder\\
+Pablo Rodriguez\\
+
+\noindent Thanks to the many users who have submitted feature requests
+and bug reports.\\
+
+\def\reflect#1{{\setbox0=\hbox{#1}\rlap{\kern0.5\wd0
+ \special{x:gsave}\special{x:scale -1 1}}\box0 \special{x:grestore}}}
+\def\XeTeX{\leavevmode
+ \setbox0=\hbox{X\lower.5ex\hbox{\kern-.15em\reflect{E}}\kern-.1667em \TeX}%
+ \dp0=0pt\ht0=0pt\box0 }
+
+\noindent This document was set with {\XeTeX}.
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/junicode/License.pdf b/Master/texmf-dist/doc/fonts/junicode/License.pdf
new file mode 100644
index 00000000000..d4a5f43dceb
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/junicode/License.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/junicode/License.tex b/Master/texmf-dist/doc/fonts/junicode/License.tex
new file mode 100644
index 00000000000..1528d85e5dc
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/junicode/License.tex
@@ -0,0 +1,430 @@
+%&program=xelatex
+%&encoding=UTF-8 Unicode
+
+\documentclass[a4paper]{article}
+
+\usepackage{fontspec}
+
+\setromanfont{Junicode}
+
+\newICUfeature{StyleSet}{2}{+ss02,-liga}
+\newICUfeature{StyleSet}{3}{+ss03}
+\newICUfeature{LigType}{disc}{+dlig}
+
+\begin{document}
+
+\section*{How the GNU General Public License Applies to Junicode}
+
+The GPL is intended to protect conventional software programs. Though
+fonts are software programs, they are something of a special case, for
+several reasons.
+
+First, the GPL requires that “source code” be distributed or made
+available whenever a program is distributed. “Source code” is “the
+preferred form of the work for making modifications to it.” For a
+TrueType font, that “preferred form” is just as likely to be the
+executable file, the binary font file, as anything else, since every
+major font editor allows the developer to open such a file, edit it,
+and save it again. Indeed, the binary TrueType format is more portable
+than the “source code” used by such programs as FontForge and
+FontLab. For this reason, {\bfseries if you create a font based on
+Junicode, you are not required to distribute source code for it other
+than the binary, “executable” font.} In a TrueType font, it is
+possible to set a flag to signal that the font may not be edited. In
+keeping with the spirit of the GPL, {\bfseries you must not set this
+flag}.
+
+Second, the manner in which a font is distributed may differ from that
+of a conventional program. Specifically, portions of a font, rather
+than the whole thing, may be embedded in a PDF file, web page, or
+other kind of document. It is unclear whether the various tools that
+produce such documents embed the font’s copyright notice along with
+the font itself. Nevertheless, {\bfseries nothing in the GPL should be
+ construed as prohibiting the embedding of a font in a document}. The
+font should always be marked “embeddable.” The developer of Junicode
+does not hold that the relationship between a font and the document in
+which it is embedded is the same as that between a subroutine library
+and a program in which it is incorporated. Your using Junicode does
+not restrict the licensing or copyright status of your document. On
+this point the developer of Junicode speaks only for himself and not
+for other font developers.
+
+Third, if you intend to edit Junicode you need to be aware that some
+font editors may insert program code that is incompatible with the GPL
+into a font. This is not true of FontForge, the program used to
+develop Junicode; it is certainly not true of Xgridfit, the GPL
+language compiler used to “hint” the font. But FontLab appears to
+insert a library of its own code into fonts that it “autohints” or
+that are hinted by its graphical hinter. The developer of Junicode has
+been unable to ascertain the legal status of this code, which
+{\itshape may} be incompatible with the GPL. {\bfseries If you intend
+to use FontLab or another proprietary tool (such as Microsoft’s VTT)
+for hinting, you should first make sure that doing so will not violate
+the GPL.} Contact the vendor of the tool you want to use if you are in
+doubt. Do not direct such questions to the developer of Junicode.
+
+\pagebreak
+
+\section*{GNU General Public License}
+
+Version 2, June 1991
+
+Copyright © 1989, 1991 Free Software Foundation, Inc.
+
+59 Temple Place, Suite 330, Boston, MA 02111-1307 USA
+
+Everyone is permitted to copy and distribute verbatim copies of this
+license document, but changing it is not allowed.
+
+\subsection*{Preamble}
+
+The licenses for most software are designed to take away your freedom
+to share and change it. By contrast, the GNU General Public License
+is intended to guarantee your freedom to share and change free
+software--to make sure the software is free for all its users. This
+General Public License applies to most of the Free Software
+Foundation's software and to any other program whose authors commit to
+using it. (Some other Free Software Foundation software is covered by
+the GNU Library General Public License instead.) You can apply it to
+your programs, too.
+
+When we speak of free software, we are referring to freedom, not
+price. Our General Public Licenses are designed to make sure that you
+have the freedom to distribute copies of free software (and charge for
+this service if you wish), that you receive source code or can get it
+if you want it, that you can change the software or use pieces of it
+in new free programs; and that you know you can do these things.
+
+To protect your rights, we need to make restrictions that forbid
+anyone to deny you these rights or to ask you to surrender the
+rights. These restrictions translate to certain responsibilities for
+you if you distribute copies of the software, or if you modify it.
+
+For example, if you distribute copies of such a program, whether
+gratis or for a fee, you must give the recipients all the rights that
+you have. You must make sure that they, too, receive or can get the
+source code. And you must show them these terms so they know their
+rights.
+
+We protect your rights with two steps: (1) copyright the software, and
+(2) offer you this license which gives you legal permission to copy,
+distribute and/or modify the software.
+
+Also, for each author's protection and ours, we want to make certain
+that everyone understands that there is no warranty for this free
+software. If the software is modified by someone else and passed on,
+we want its recipients to know that what they have is not the
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+
+Finally, any free program is threatened constantly by software
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+
+The precise terms and conditions for copying, distribution and
+modification follow.
+
+\subsection*{GNU GENERAL PUBLIC LICENSE\\
+TERMS AND CONDITIONS FOR COPYING, DISTRIBUTION AND MODIFICATION}
+
+0. This License applies to any program or other work which contains a
+ notice placed by the copyright holder saying it may be distributed
+ under the terms of this General Public License. The “Program”,
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+ portion of it, either verbatim or with modifications and/or
+ translated into another language. (Hereinafter, translation is
+ included without limitation in the term “modification”.) Each
+ licensee is addressed as “you”.
+
+Activities other than copying, distribution and modification are not
+covered by this License; they are outside its scope. The act of
+running the Program is not restricted, and the output from the Program
+is covered only if its contents constitute a work based on the Program
+(independent of having been made by running the Program). Whether that
+is true depends on what the Program does.
+
+1. You may copy and distribute verbatim copies of the Program's source
+ code as you receive it, in any medium, provided that you
+ conspicuously and appropriately publish on each copy an appropriate
+ copyright notice and disclaimer of warranty; keep intact all the
+ notices that refer to this License and to the absence of any
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+ this License along with the Program.
+
+You may charge a fee for the physical act of transferring a copy, and
+you may at your option offer warranty protection in exchange for a
+fee.
+
+2. You may modify your copy or copies of the Program or any portion of
+ it, thus forming a work based on the Program, and copy and
+ distribute such modifications or work under the terms of Section 1
+ above, provided that you also meet all of these conditions:
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+b) You must cause any work that you distribute or publish, that in
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+These requirements apply to the modified work as a whole. If
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+
+Thus, it is not the intent of this section to claim rights or contest
+your rights to work written entirely by you; rather, the intent is to
+exercise the right to control the distribution of derivative or
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+In addition, mere aggregation of another work not based on the Program
+with the Program (or with a work based on the Program) on a volume of
+a storage or distribution medium does not bring the other work under
+the scope of this License.
+
+3. You may copy and distribute the Program (or a work based on it,
+ under Section 2) in object code or executable form under the terms
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+ following:
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+
+4. You may not copy, modify, sublicense, or distribute the Program
+ except as expressly provided under this License. Any attempt
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+
+5. You are not required to accept this License, since you have not
+ signed it. However, nothing else grants you permission to modify
+ or distribute the Program or its derivative works. These actions
+ are prohibited by law if you do not accept this License.
+ Therefore, by modifying or distributing the Program (or any work
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+ to do so, and all its terms and conditions for copying,
+ distributing or modifying the Program or works based on it.
+
+6. Each time you redistribute the Program (or any work based on the
+ Program), the recipient automatically receives a license from the
+ original licensor to copy, distribute or modify the Program subject
+ to these terms and conditions. You may not impose any further
+ restrictions on the recipients' exercise of the rights granted
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+
+7. If, as a consequence of a court judgment or allegation of patent
+ infringement or for any other reason (not limited to patent
+ issues), conditions are imposed on you (whether by court order,
+ agreement or otherwise) that contradict the conditions of this
+ License, they do not excuse you from the conditions of this
+ License. If you cannot distribute so as to satisfy simultaneously
+ your obligations under this License and any other pertinent
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+ Program at all. For example, if a patent license would not permit
+ royalty-free redistribution of the Program by all those who receive
+ copies directly or indirectly through you, then the only way you
+ could satisfy both it and this License would be to refrain entirely
+ from distribution of the Program.
+
+If any portion of this section is held invalid or unenforceable under
+any particular circumstance, the balance of the section is intended to
+apply and the section as a whole is intended to apply in other
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+
+It is not the purpose of this section to induce you to infringe any
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+integrity of the free software distribution system, which is
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+generous contributions to the wide range of software distributed
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+to distribute software through any other system and a licensee cannot
+impose that choice.
+
+This section is intended to make thoroughly clear what is believed to
+be a consequence of the rest of this License.
+
+8. If the distribution and/or use of the Program is restricted in
+ certain countries either by patents or by copyrighted interfaces,
+ the original copyright holder who places the Program under this
+ License may add an explicit geographical distribution limitation
+ excluding those countries, so that distribution is permitted only
+ in or among countries not thus excluded. In such case, this
+ License incorporates the limitation as if written in the body of
+ this License.
+
+9. The Free Software Foundation may publish revised and/or new
+ versions of the General Public License from time to time. Such new
+ versions will be similar in spirit to the present version, but may
+ differ in detail to address new problems or concerns.
+
+Each version is given a distinguishing version number. If the Program
+specifies a version number of this License which applies to it and
+“any later version”, you have the option of following the terms and
+conditions either of that version or of any later version published by
+the Free Software Foundation. If the Program does not specify a
+version number of this License, you may choose any version ever
+published by the Free Software Foundation.
+
+10. If you wish to incorporate parts of the Program into other free
+ programs whose distribution conditions are different, write to the
+ author to ask for permission. For software which is copyrighted
+ by the Free Software Foundation, write to the Free Software
+ Foundation; we sometimes make exceptions for this. Our decision
+ will be guided by the two goals of preserving the free status of
+ all derivatives of our free software and of promoting the sharing
+ and reuse of software generally.
+
+\subsection*{NO WARRANTY}
+
+11. BECAUSE THE PROGRAM IS LICENSED FREE OF CHARGE, THERE IS NO
+ WARRANTY FOR THE PROGRAM, TO THE EXTENT PERMITTED BY APPLICABLE
+ LAW. EXCEPT WHEN OTHERWISE STATED IN WRITING THE COPYRIGHT
+ HOLDERS AND/OR OTHER PARTIES PROVIDE THE PROGRAM “AS IS” WITHOUT
+ WARRANTY OF ANY KIND, EITHER EXPRESSED OR IMPLIED, INCLUDING, BUT
+ NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND
+ FITNESS FOR A PARTICULAR PURPOSE. THE ENTIRE RISK AS TO THE
+ QUALITY AND PERFORMANCE OF THE PROGRAM IS WITH YOU. SHOULD THE
+ PROGRAM PROVE DEFECTIVE, YOU ASSUME THE COST OF ALL NECESSARY
+ SERVICING, REPAIR OR CORRECTION.
+
+ 12. IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO
+IN WRITING WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MAY
+MODIFY AND/OR REDISTRIBUTE THE PROGRAM AS PERMITTED ABOVE, BE LIABLE
+TO YOU FOR DAMAGES, INCLUDING ANY GENERAL, SPECIAL, INCIDENTAL OR
+CONSEQUENTIAL DAMAGES ARISING OUT OF THE USE OR INABILITY TO USE THE
+PROGRAM (INCLUDING BUT NOT LIMITED TO LOSS OF DATA OR DATA BEING
+RENDERED INACCURATE OR LOSSES SUSTAINED BY YOU OR THIRD PARTIES OR A
+FAILURE OF THE PROGRAM TO OPERATE WITH ANY OTHER PROGRAMS), EVEN IF
+SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH
+DAMAGES. END OF TERMS AND CONDITIONS
+
+\subsection*{How to Apply These Terms to Your New Programs}
+
+ If you develop a new program, and you want it to be of the
+ greatest possible use to the public, the best way to achieve
+ this is to make it free software which everyone can
+ redistribute and change under these terms.
+
+ To do so, attach the following notices to the program. It is
+ safest to attach them to the start of each source file to most
+ effectively convey the exclusion of warranty; and each file
+ should have at least the “copyright” line and a pointer to
+ where the full notice is found.
+
+<one line to give the program's name and a brief idea of what it does.>
+
+Copyright (C) <year> <name of author>
+
+This program is free software; you can redistribute it and/or modify
+it under the terms of the GNU General Public License as published by
+the Free Software Foundation; either version 2 of the License, or (at
+your option) any later version.
+
+This program is distributed in the hope that it will be useful, but
+WITHOUT ANY WARRANTY; without even the implied warranty of
+MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU
+General Public License for more details.
+
+You should have received a copy of the GNU General Public License
+along with this program; if not, write to the Free Software
+Foundation, Inc., 59 Temple Place, Suite 330, Boston, MA 02111-1307
+USA
+
+Also add information on how to contact you by electronic and paper mail.
+
+If the program is interactive, make it output a short notice like this
+when it starts in an interactive mode:
+
+Gnomovision version 69, Copyright (C) year name of author
+
+Gnomovision comes with ABSOLUTELY NO WARRANTY; for details type “show w”.
+
+This is free software, and you are welcome to redistribute it under
+certain conditions; type “show c” for details.
+
+The hypothetical commands “show w” and “show c” should show the
+appropriate parts of the General Public License. Of course, the
+commands you use may be called something other than “show w” and
+“show c”; they could even be mouse-clicks or menu
+items--whatever suits your program.
+
+You should also get your employer (if you work as a programmer) or
+your school, if any, to sign a “copyright disclaimer” for the
+program, if necessary. Here is a sample; alter the names:
+
+Yoyodyne, Inc., hereby disclaims all copyright interest in the program
+“Gnomovision” (which makes passes at compilers) written by James
+Hacker.
+
+<signature of Ty Coon>, 1 April 1989
+
+Ty Coon, President of Vice
+
+This General Public License does not permit incorporating your program
+into proprietary programs. If your program is a subroutine library,
+you may consider it more useful to permit linking proprietary
+applications with the library. If this is what you want to do, use
+the GNU Library General Public License instead of this License.
+
+
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/junicode/README b/Master/texmf-dist/doc/fonts/junicode/README
new file mode 100644
index 00000000000..76928686405
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/junicode/README
@@ -0,0 +1,3 @@
+The Junicode font for medievalists is supplied in TrueType format; it
+contains a number of OpenType features and should work very well with
+XeTeX. A LaTeX-specific version will follow in due course.
diff --git a/Master/texmf-dist/doc/fonts/junicode/aelfric_job.pdf b/Master/texmf-dist/doc/fonts/junicode/aelfric_job.pdf
new file mode 100644
index 00000000000..9e26aa4680e
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/junicode/aelfric_job.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/fonts/junicode/aelfric_job.tex b/Master/texmf-dist/doc/fonts/junicode/aelfric_job.tex
new file mode 100644
index 00000000000..d016d5c90e9
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/junicode/aelfric_job.tex
@@ -0,0 +1,74 @@
+%&program=xelatex
+%&encoding=UTF-8 Unicode
+
+\documentclass[letterpaper]{article}
+
+\usepackage{fontspec}
+
+\setromanfont{Junicode}
+
+\newICUfeature{StyleSet}{1}{+ss01}
+\newICUfeature{StyleSet}{2}{+ss02,-liga}
+\newICUfeature{StyleSet}{3}{+ss03}
+\newICUfeature{LigType}{disc}{+dlig}
+\newICUfeature{LigType}{hist}{+hlig}
+\newICUfeature{IPAMode}{on}{+mgrk,-liga}
+\newICUfeature{Compose}{off}{-ccmp}
+\newICUfeature{Contextual}{on}{+calt}
+\newICUfeature{Swash}{on}{+swsh}
+\newICUfeature{Fractions}{on}{+frac}
+\newICUfeature{Superscripts}{on}{+sups}
+\newICUfeature{Subscripts}{on}{+subs}
+
+\frenchspacing
+
+\begin{document}
+
+\section*{Old English with Junicode}
+
+\linespread{1.1}\fontspec[Contextual=on]{Junicode}\Large Sum wer wæs ġeseten on þām lande þe is ġehāten Hus; his nama wæs Iob. Se wer wæs swīðe bilewite and rihtwīs and ondrǣdende God and forbūgende yfel. Him wǣron ācennede \mbox{seofan} suna and ðrēo dohtra. Hē hæfde seofon ðūsend scēapa and ðrēo ðūsend olfenda, fīf hund ġetȳmu oxena and fīf hund assan and ormǣte miċelne hīred.
+
+Iob cwæð, “Iċ ālȳsde hrȳmende þearfan, and ðām stēopbearne þe būton fultume wæs iċ ġehēolp, and wydewan \mbox{heortan} iċ ġefrēfrode. Iċ wæs ymbscrȳd mid rihtwīsnysse. Iċ wæs blind\-um men ēage and healtum fōt and þearfena fæder. Of flȳsum mīnra scēapa wǣron ġehlȳwde ðearfena sīdan, and iċ ðearfum ne forwyrnde þæs ðe hī ġyrndon, ne iċ ne ǣt āna mīnne hlāf būton stēopbearne, ne iċ ne blissode on mīnum meniġfealdum welum. Ne fæġnode iċ on mīnes fēondes hryre, ne læġ ælðēodiġ man wiðūtan mīnum heġum, ac mīn duru ġeopenode symle weġfērendum. Ne behȳdde iċ mīne synna, ne iċ on mīnum bōsme ne bedīġlode mīne unrihtwīsnysse.”
+
+Efne ðā ġȳt cōm se fēorða ǣrendraca inn and cwæð, “Ðīne suna and ðīne dohtra ǣton and druncon mid heora yldestan brēðer, and efne þā fǣrlīċe swēġde swīðliċ wind of ðām wēstene and tōslōh þæt hūs æt ðām fēower hwemmum þæt hit hrēosende ðīne bearn ofþrihte and ācwealde. Iċ āna ætbærst þæt iċ ðē þis cȳdde.”
+
+“Fel sceal for felle, and swā hwæt swā man hæfð hē sylð for his līfe. Āstreċe nū ðīne hand and hrepa his bān and his flǣsc; ðonne ġesīhst ðū þæt hē ðē on ansȳne wiriġð.”
+
+\pagebreak
+
+\itshape\noindent Sum wer wæs ġeseten on þām lande þe is ġehāten Hus; his nama wæs Iob. Se wer wæs swīðe bilewite and rihtwīs and ondrǣdende God and forbūgende yfel. Him wǣron ācennede \mbox{seofan} suna and ðrēo dohtra. Hē hæfde seofon ðūsend scēapa and ðrēo ðūsend olfenda, fīf hund ġetȳmu oxena and fīf hund assan and ormǣte miċelne hīred.
+
+Iob cwæð, “Iċ ālȳsde hrȳmende þearfan, and ðām stēopbearne þe būton fultume wæs iċ ġehēolp, and wydewan \mbox{heortan} iċ ġefrēfrode. Iċ wæs ymbscrȳd mid rihtwīsnysse. Iċ wæs blind\-um men ēage and healtum fōt and þearfena fæder. Of flȳsum mīnra scēapa wǣron ġehlȳwde ðearfena sīdan, and iċ ðearfum ne forwyrnde þæs ðe hī ġyrndon, ne iċ ne ǣt āna mīnne hlāf būton stēopbearne, ne iċ ne blissode on mīnum meniġfealdum welum. Ne fæġnode iċ on mīnes fēondes hryre, ne læġ ælðēodiġ man wiðūtan mīnum heġum, ac mīn duru ġeopenode symle weġfērendum. Ne behȳdde iċ mīne synna, ne iċ on mīnum bōsme ne bedīġlode mīne unrihtwīsnysse.”
+
+Efne ðā ġȳt cōm se fēorða ǣrendraca inn and cwæð, “Ðīne suna and ðīne dohtra ǣton and druncon mid heora yldestan brēðer, and efne þā fǣrlīċe swēġde swīðliċ wind of ðām wēstene and tōslōh þæt hūs æt ðām fēower hwemmum þæt hit hrēosende ðīne bearn ofþrihte and ācwealde. Iċ āna ætbærst þæt iċ ðē þis cȳdde.”
+
+“Fel sceal for felle, and swā hwæt swā man hæfð hē sylð for his līfe. Āstreċe nū ðīne hand and hrepa his bān and his flǣsc; ðonne ġesīhst ðū þæt hē ðē on ansȳne wiriġð.”
+
+\pagebreak
+
+\upshape\bfseries\noindent Sum wer wæs ġeseten on þām lande þe is ġehāten Hus; his nama wæs Iob. Se wer wæs swīðe bilewite and rihtwīs and ondrǣdende God and forbūgende yfel. Him wǣron ācennede \mbox{seofan} suna and ðrēo dohtra. Hē hæfde seofon ðūsend scēapa and ðrēo ðūsend olfenda, fīf hund ġetȳmu oxena and fīf hund assan and ormǣte miċelne hīred.
+
+Iob cwæð, “Iċ ālȳsde hrȳmende þearfan, and ðām stēopbearne þe būton fultume wæs iċ ġehēolp, and wydewan heort\-an iċ ġefrēfrode. Iċ wæs ymbscrȳd mid rihtwīsnysse. Iċ wæs blind\-um men ēage and healtum fōt and þearfena fæder. Of flȳsum mīnra scēapa wǣron ġehlȳwde ðearfena sīdan, and iċ ðearfum ne forwyrnde þæs ðe hī ġyrndon, ne iċ ne ǣt āna mīnne hlāf būton stēopbearne, ne iċ ne blissode on mīnum meniġfealdum welum. Ne fæġnode iċ on mīnes fēondes hryre, ne læġ ælðēodiġ man wiðūtan mīnum heġum, ac mīn duru ġeopenode symle weġfērendum. Ne behȳdde iċ mīne synna, ne iċ on mīnum bōsme ne bedīġlode mīne unrihtwīsnysse.”
+
+Efne ðā ġȳt cōm se fēorða ǣrendraca inn and cwæð, “Ðīne suna and ðīne dohtra ǣton and druncon mid heora yldestan brēðer, and efne þā fǣrlīċe swēġde swīðliċ wind of ðām wēst\-ene and tōslōh þæt hūs æt ðām fēower hwemmum þæt hit hrēosende ðīne bearn ofþrihte and ācwealde. Iċ āna ætbærst þæt iċ ðē þis cȳdde.”
+
+“Fel sceal for felle, and swā hwæt swā man hæfð hē sylð for his līfe. Āstreċe nū ðīne hand and hrepa his bān and his flǣsc; ðonne ġesīhst ðū þæt hē ðē on ansȳne wiriġð.”
+
+\pagebreak
+
+\noindent\itshape Sum wer wæs ġeseten on þām lande þe is ġehāten Hus; his nama wæs Iob. Se wer wæs swīðe bilewite and rihtwīs and ondrǣdende God and forbūgende yfel. Him wǣron ācennede \mbox{seofan} suna and ðrēo dohtra. Hē hæfde seofon ðūsend scēapa and ðrēo ðūsend olfenda, fīf hund ġetȳmu oxena and fīf hund assan and ormǣte miċelne hīred.
+
+Iob cwæð, “Iċ ālȳsde hrȳmende þearfan, and ðām stēopbearne þe būton fultume wæs iċ ġehēolp, and wydewan heort\-an iċ ġefrēfrode. Iċ wæs ymbscrȳd mid rihtwīsnysse. Iċ wæs blind\-um men ēage and healtum fōt and þearfena fæder. Of flȳsum mīnra scēapa wǣron ġehlȳwde ðearfena sīdan, and iċ ðearfum ne forwyrnde þæs ðe hī ġyrndon, ne iċ ne ǣt āna mīnne hlāf būton stēopbearne, ne iċ ne blissode on mīnum meniġfealdum welum. Ne fæġnode iċ on mīnes fēondes hryre, ne læġ ælðēodiġ man wiðūtan mīnum heġum, ac mīn duru ġeopenode symle weġ\-fēr\-end\-um. Ne behȳdde iċ mīne synna, ne iċ on mīnum bōsme ne bedīġlode mīne unrihtwīsnysse.”
+
+Efne ðā ġȳt cōm se fēorða ǣrendraca inn and cwæð, “Ðīne suna and ðīne dohtra ǣton and druncon mid heora yldestan brēðer, and efne þā fǣrlīċe swēġde swīðliċ wind of ðām wēst\-ene and tōslōh þæt hūs æt ðām fēower hwemmum þæt hit hrēosende ðīne bearn ofþrihte and ācwealde. Iċ āna ætbærst þæt iċ ðē þis cȳdde.”
+
+“Fel sceal for felle, and swā hwæt swā man hæfð hē sylð for his līfe. Āstreċe nū ðīne hand and hrepa his bān and his flǣsc; ðonne ġesīhst ðū þæt hē ðē on ansȳne wiriġð.”
+
+\pagebreak
+
+\upshape\mdseries\small\noindent In Junicode, special attention has been paid to letter-combinations that often look
+unattractive in Old English text: these are handled by ligatures and alternate forms of f, þ and ð.
+To take fullest advantage of typographical features for Old English, make sure these OpenType
+features are enabled in your application: ccmp (Glyph Composition/Decomposition), calt
+(Contextual Alternates), liga (Standard Ligatures), kern (Horizontal Kerning).
+\end{document}