ebgaramond (2jul14)

git-svn-id: svn://tug.org/texlive/trunk@34499 c570f23f-e606-0410-a88d-b1316a301751

11 files changed, 735 insertions, 129 deletions

diff --git a/Master/texmf-dist/doc/fonts/ebgaramond/COPYING b/Master/texmf-dist/doc/fonts/ebgaramond/COPYING
index 7f90bb5354f..aed2255e253 100644
--- a/Master/texmf-dist/doc/fonts/ebgaramond/COPYING
+++ b/Master/texmf-dist/doc/fonts/ebgaramond/COPYING
@@ -1,93 +1,93 @@
-Copyright (c) 2010, 2011, 2012 Georg Duffner (http://www.georgduffner.at)

-

-This Font Software is licensed under the SIL Open Font License, Version 1.1.

-This license is copied below, and is also available with a FAQ at:

-http://scripts.sil.org/OFL

-

-

------------------------------------------------------------

-SIL OPEN FONT LICENSE Version 1.1 - 26 February 2007

------------------------------------------------------------

-

-PREAMBLE

-The goals of the Open Font License (OFL) are to stimulate worldwide

-development of collaborative font projects, to support the font creation

-efforts of academic and linguistic communities, and to provide a free and

-open framework in which fonts may be shared and improved in partnership

-with others.

-

-The OFL allows the licensed fonts to be used, studied, modified and

-redistributed freely as long as they are not sold by themselves. The

-fonts, including any derivative works, can be bundled, embedded, 

-redistributed and/or sold with any software provided that any reserved

-names are not used by derivative works. The fonts and derivatives,

-however, cannot be released under any other type of license. The

-requirement for fonts to remain under this license does not apply

-to any document created using the fonts or their derivatives.

-

-DEFINITIONS

-"Font Software" refers to the set of files released by the Copyright

-Holder(s) under this license and clearly marked as such. This may

-include source files, build scripts and documentation.

-

-"Reserved Font Name" refers to any names specified as such after the

-copyright statement(s).

-

-"Original Version" refers to the collection of Font Software components as

-distributed by the Copyright Holder(s).

-

-"Modified Version" refers to any derivative made by adding to, deleting,

-or substituting -- in part or in whole -- any of the components of the

-Original Version, by changing formats or by porting the Font Software to a

-new environment.

-

-"Author" refers to any designer, engineer, programmer, technical

-writer or other person who contributed to the Font Software.

-

-PERMISSION & CONDITIONS

-Permission is hereby granted, free of charge, to any person obtaining

-a copy of the Font Software, to use, study, copy, merge, embed, modify,

-redistribute, and sell modified and unmodified copies of the Font

-Software, subject to the following conditions:

-

-1) Neither the Font Software nor any of its individual components,

-in Original or Modified Versions, may be sold by itself.

-

-2) Original or Modified Versions of the Font Software may be bundled,

-redistributed and/or sold with any software, provided that each copy

-contains the above copyright notice and this license. These can be

-included either as stand-alone text files, human-readable headers or

-in the appropriate machine-readable metadata fields within text or

-binary files as long as those fields can be easily viewed by the user.

-

-3) No Modified Version of the Font Software may use the Reserved Font

-Name(s) unless explicit written permission is granted by the corresponding

-Copyright Holder. This restriction only applies to the primary font name as

-presented to the users.

-

-4) The name(s) of the Copyright Holder(s) or the Author(s) of the Font

-Software shall not be used to promote, endorse or advertise any

-Modified Version, except to acknowledge the contribution(s) of the

-Copyright Holder(s) and the Author(s) or with their explicit written

-permission.

-

-5) The Font Software, modified or unmodified, in part or in whole,

-must be distributed entirely under this license, and must not be

-distributed under any other license. The requirement for fonts to

-remain under this license does not apply to any document created

-using the Font Software.

-

-TERMINATION

-This license becomes null and void if any of the above conditions are

-not met.

-

-DISCLAIMER

-THE FONT SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND,

-EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO ANY WARRANTIES OF

-MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT

-OF COPYRIGHT, PATENT, TRADEMARK, OR OTHER RIGHT. IN NO EVENT SHALL THE

-COPYRIGHT HOLDER BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY,

-INCLUDING ANY GENERAL, SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIAL

-DAMAGES, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING

-FROM, OUT OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROM

-OTHER DEALINGS IN THE FONT SOFTWARE.

+Copyright (c) 2010, 2011, 2012 Georg Duffner (http://www.georgduffner.at)
+
+This Font Software is licensed under the SIL Open Font License, Version 1.1.
+This license is copied below, and is also available with a FAQ at:
+http://scripts.sil.org/OFL
+
+
+-----------------------------------------------------------
+SIL OPEN FONT LICENSE Version 1.1 - 26 February 2007
+-----------------------------------------------------------
+
+PREAMBLE
+The goals of the Open Font License (OFL) are to stimulate worldwide
+development of collaborative font projects, to support the font creation
+efforts of academic and linguistic communities, and to provide a free and
+open framework in which fonts may be shared and improved in partnership
+with others.
+
+The OFL allows the licensed fonts to be used, studied, modified and
+redistributed freely as long as they are not sold by themselves. The
+fonts, including any derivative works, can be bundled, embedded, 
+redistributed and/or sold with any software provided that any reserved
+names are not used by derivative works. The fonts and derivatives,
+however, cannot be released under any other type of license. The
+requirement for fonts to remain under this license does not apply
+to any document created using the fonts or their derivatives.
+
+DEFINITIONS
+"Font Software" refers to the set of files released by the Copyright
+Holder(s) under this license and clearly marked as such. This may
+include source files, build scripts and documentation.
+
+"Reserved Font Name" refers to any names specified as such after the
+copyright statement(s).
+
+"Original Version" refers to the collection of Font Software components as
+distributed by the Copyright Holder(s).
+
+"Modified Version" refers to any derivative made by adding to, deleting,
+or substituting -- in part or in whole -- any of the components of the
+Original Version, by changing formats or by porting the Font Software to a
+new environment.
+
+"Author" refers to any designer, engineer, programmer, technical
+writer or other person who contributed to the Font Software.
+
+PERMISSION & CONDITIONS
+Permission is hereby granted, free of charge, to any person obtaining
+a copy of the Font Software, to use, study, copy, merge, embed, modify,
+redistribute, and sell modified and unmodified copies of the Font
+Software, subject to the following conditions:
+
+1) Neither the Font Software nor any of its individual components,
+in Original or Modified Versions, may be sold by itself.
+
+2) Original or Modified Versions of the Font Software may be bundled,
+redistributed and/or sold with any software, provided that each copy
+contains the above copyright notice and this license. These can be
+included either as stand-alone text files, human-readable headers or
+in the appropriate machine-readable metadata fields within text or
+binary files as long as those fields can be easily viewed by the user.
+
+3) No Modified Version of the Font Software may use the Reserved Font
+Name(s) unless explicit written permission is granted by the corresponding
+Copyright Holder. This restriction only applies to the primary font name as
+presented to the users.
+
+4) The name(s) of the Copyright Holder(s) or the Author(s) of the Font
+Software shall not be used to promote, endorse or advertise any
+Modified Version, except to acknowledge the contribution(s) of the
+Copyright Holder(s) and the Author(s) or with their explicit written
+permission.
+
+5) The Font Software, modified or unmodified, in part or in whole,
+must be distributed entirely under this license, and must not be
+distributed under any other license. The requirement for fonts to
+remain under this license does not apply to any document created
+using the Font Software.
+
+TERMINATION
+This license becomes null and void if any of the above conditions are
+not met.
+
+DISCLAIMER
+THE FONT SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND,
+EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO ANY WARRANTIES OF
+MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT
+OF COPYRIGHT, PATENT, TRADEMARK, OR OTHER RIGHT. IN NO EVENT SHALL THE
+COPYRIGHT HOLDER BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY,
+INCLUDING ANY GENERAL, SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIAL
+DAMAGES, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING
+FROM, OUT OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROM
+OTHER DEALINGS IN THE FONT SOFTWARE.
diff --git a/Master/texmf-dist/doc/fonts/ebgaramond/Changes b/Master/texmf-dist/doc/fonts/ebgaramond/Changes
new file mode 100644
index 00000000000..06700025be0
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/ebgaramond/Changes
@@ -0,0 +1,38 @@
+EB Garamond 0.016  (2014-04-07)
+===============================
+* License
+ - No reserved font name any more
+
+* New Features:
+ - [12-It] fina for e.fina (more shall come)
+ - [12-It] ss07: h and k with alternate accent placement above the stem
+ - [12-Re] Smallcaps now don’t enable ss20 any longer
+ - OS/2 Optical Size settings
+ - Change the naming scheme for the small-caps-fonts: they now relate to the preferred family “EB Garamond SC”, hence they are named “EBGaramondSCXX-Style” where XX is the design size and Style is Regular (Italic, Bold, … once they exist).
+
+* New and redrawn Glyphs:
+ - [08-Re] Half-ring modifiers
+ - [12-Re] Redraw esh (with Siva Kalyan)
+ - [12-Re] Regional identifiers 1F1E6 ­— 1F1FF (Tim Larson)
+ - [12-Re] Arrows and mathematical symbols (Tim Larson): arrowdbldown, arrowdblleft, arrowdblright, arrowdblup, gradient, product, uni210E, uni214B, uni219E — uni21A2, uni21DA — uni21DD, uni2210, uni2B45, uni2B46, uniFFFD
+ - [12-Re] e less round
+ - [12-Re] exclam more delicate
+ - [12-Re] Missing glyphs in Latin Extended C and D (Capillatus)
+ - [12-Re] uni1DC4 (more shall come)
+ - [12-Re] find a latin chi
+ - [12-Re] ditto mark
+ - [12-It] Fully redraw the small-caps
+ - [12-It] Redraw the Euro
+ - [12-It] Redraw the asterisk
+
+* Fixes:
+ - Caron and alternate caron position on l.sc, dcaron.sc and tcaron.sc
+ - Lots of kerning and spacing
+ - Lots of anchors freshly positioned
+ - Fix f-ligatures for German locale
+ - c2sc + German umlauts
+ - extended IPA small-caps are petite-caps now
+
+EB Garamond 0.015d (2013-06-28) and older
+=========================================
+Please have a look at the git sources.
diff --git a/Master/texmf-dist/doc/fonts/ebgaramond/EBGaramond-Initials-Glyphs.pdf b/Master/texmf-dist/doc/fonts/ebgaramond/EBGaramond-Initials-Glyphs.pdf
index 276da376f3e..327fa7e5b88 100644
--- a/Master/texmf-dist/doc/fonts/ebgaramond/EBGaramond-Initials-Glyphs.pdf
+++ b/Master/texmf-dist/doc/fonts/ebgaramond/EBGaramond-Initials-Glyphs.pdf
diff --git a/Master/texmf-dist/doc/fonts/ebgaramond/EBGaramond12-Italic-Glyphs.pdf b/Master/texmf-dist/doc/fonts/ebgaramond/EBGaramond12-Italic-Glyphs.pdf
index 9819c8d945d..2c6dfdfa9be 100644
--- a/Master/texmf-dist/doc/fonts/ebgaramond/EBGaramond12-Italic-Glyphs.pdf
+++ b/Master/texmf-dist/doc/fonts/ebgaramond/EBGaramond12-Italic-Glyphs.pdf
diff --git a/Master/texmf-dist/doc/fonts/ebgaramond/EBGaramond12-Regular-Glyphs.pdf b/Master/texmf-dist/doc/fonts/ebgaramond/EBGaramond12-Regular-Glyphs.pdf
index 2b477d4df68..9aa5f4198b8 100644
--- a/Master/texmf-dist/doc/fonts/ebgaramond/EBGaramond12-Regular-Glyphs.pdf
+++ b/Master/texmf-dist/doc/fonts/ebgaramond/EBGaramond12-Regular-Glyphs.pdf
diff --git a/Master/texmf-dist/doc/fonts/ebgaramond/README b/Master/texmf-dist/doc/fonts/ebgaramond/README
index 208ec432a36..5bbcd60e38b 100644
--- a/Master/texmf-dist/doc/fonts/ebgaramond/README
+++ b/Master/texmf-dist/doc/fonts/ebgaramond/README
@@ -1,22 +1,31 @@
-This is the README for the ebgaramond package, version 0.15 (2013-05-22).
-
-This package provides LaTeX, pdfLaTeX, XeLaTeX and LuaLaTeX support for
-the EB Garamond family of fonts, designed by Georg Duffner.
-
-EB Garamond is a revival of the 16th century fonts designed by Claude
-Garamont. The source for the letterforms is a scan of a specimen known
-as the "Berner specimen", which, composed in 1592 by Conrad Berner,
-son-in-law of Christian Egenolff and his successor at the Egenolff print
-office, shows Garamont's roman and Granjon's italic fonts at different
-sizes. Hence the name of this project: Egenolff-Berner Garamond.
-
-Currently only upright and italic variants in medium weight are available. 
-
-To install this package on a TDS-compliant TeX system unzip the
-file tex-archive/install/fonts/ebgaramond.tds.zip at the root of an
-appropriate texmf tree, likely a personal or local tree. If necessary,
-update the file-name database (e.g., texhash). Update the font-map files
-by enabling the Map file EBGaramond.map.
+This is the README for the ebgaramond package, version 0.16
+(2014-07-02).
+
+This package provides LaTeX, pdfLaTeX, XeLaTeX and LuaLaTeX
+support for the EB Garamond family of fonts, designed by
+Georg Duffner.
+
+EB Garamond is a revival of the 16th century fonts designed
+by Claude Garamont. The source for the letterforms is
+a scan of a specimen known as the "Berner specimen",
+which, composed in 1592 by Conrad Berner, son-in-law of
+Christian Egenolff and his successor at the Egenolff
+print office, shows Garamont's roman and Granjon's italic
+fonts at different sizes. Hence the name of this project:
+Egenolff-Berner Garamond.
+
+Currently only upright and italic variants in medium weight
+are available. The medium series will be automatically
+substituted for bold.
+
+To install this package on a TDS-compliant
+TeX system download the file
+"tex-archive"/install/fonts/ebgaramond.tds.zip, where the
+preferred URL for "tex-archive" is http://mirror.ctan.org.
+Unzip the archive at the root of an appropriate texmf tree,
+likely a personal or local tree. If necessary, update the
+file-name database (e.g., texhash). Update the font-map
+files by enabling the Map file EBGaramond.map.
 
 To use, add
 
@@ -38,9 +47,9 @@ it              italic
 sc              small caps
 scit            italic small caps
 
-Slanted variants are not supported; the italic variants will be
-automatically substituted. Font encodings supported are OT1, T1, LY1 and
-TS1.
+Slanted variants are not supported; the italic variants will
+be automatically substituted. Font encodings supported are
+OT1, T1, LY1 and TS1.
 
 Options scaled=<number> or scale=<number> may be used to adjust
 fontsizes. The type1 option may be used by xelatex or lualatex users
@@ -51,21 +60,25 @@ for local use of old-style figures or lining figures, respectively.
 Similarly, \tabularnums{...} and \proportionalnums{...} allow for local
 use of monospaced or varying-width figures, respectively.
 
-Superior numbers (for footnote markers) are available using \sufigures
-or \textsu{...}. Swash italic glyphs (for some letters) are available
-using \swshape or \textsw{...}.
+Superior numbers (for footnote markers) are available
+using \sufigures or \textsu{...}. Inferior numbers (for
+subscripts) are available using \infigures or \textinf{...}.
+Swash italic glyphs (for some letters) are available using
+\swshape or \textsw{...}.
 
 Command \textin{...} produces decorative initials; currently
-only the following glyphs are available: A, D, F, G, L, N, O, Q, T and X.
+only the following glyphs are available: A, D, F, G, L, N,
+O, Q, T and X.
 
 A configuration file for microtype usage is included.
 
 The original fonts are available at
-http://www.georgduffner.at/ebgaramond/ and are licensed under the SIL
-Open Font License, (version 1.1); the text may be found in the doc
-directory. Font charts may be found in the doc directory.
-
-The type1 versions were created using cfftot1. The support files were
-created using autoinst and are licensed under the terms of the LaTeX
-Project Public License. The maintainer of this package is Bob Tennent
-(rdt at cs.queensu.ca)
+http://www.georgduffner.at/ebgaramond/ and are licensed
+under the SIL Open Font License, (version 1.1); the text may
+be found in the doc directory. Font charts may be found in
+the doc directory.
+
+The type1 versions were created using cfftot1. The support
+files were created using autoinst and are licensed under the
+terms of the LaTeX Project Public License. The maintainer of
+this package is Bob Tennent (rdt at cs.queensu.ca)
diff --git a/Master/texmf-dist/doc/fonts/ebgaramond/README.xelualatex b/Master/texmf-dist/doc/fonts/ebgaramond/README.xelualatex
new file mode 100644
index 00000000000..1557583f1f2
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/ebgaramond/README.xelualatex
@@ -0,0 +1,21 @@
+Short note about using XeLaTeX and LuaLatex with EB Garamond via fontspec.
+
+EB Garamond fonts are loaded through fontspec with
+
+\setmainfont{EB Garamond}
+
+This will load the appropriate fonts for the actual sizes, currently EBGaramond08* for sizes up to 10pt and EBGaramond12* from 10.1pt onwards.
+
+If you want to stay with one design size, you have to load its regular font and switch off optical sizes:
+
+\setmainfont[OpticalSize=0]{EB Garamond 12 Regular}
+
+If you wish to use a specific font file, e.g. EB Garamond Italic:
+
+\setmainfont{EB Garamond 12 Italic}
+
+N.B. It is preferable to use the +c2sc and +scmp features for Small Caps, rather than the SC or ALLSC font files. 
+
+\newfontfamily{\smallcaps}[RawFeature={+c2sc,+scmp}]{EB Garamond}
+
+The specimen’s preamble may be a good guide too.
diff --git a/Master/texmf-dist/doc/fonts/ebgaramond/Specimen.pdf b/Master/texmf-dist/doc/fonts/ebgaramond/Specimen.pdf
index 36deb5c820e..f2f7d3e98c0 100644
--- a/Master/texmf-dist/doc/fonts/ebgaramond/Specimen.pdf
+++ b/Master/texmf-dist/doc/fonts/ebgaramond/Specimen.pdf
diff --git a/Master/texmf-dist/doc/fonts/ebgaramond/Specimen.tex b/Master/texmf-dist/doc/fonts/ebgaramond/Specimen.tex
new file mode 100644
index 00000000000..aeb25a804ef
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/ebgaramond/Specimen.tex
@@ -0,0 +1,529 @@
+\documentclass[pagesize,DIV14]{scrartcl}
+
+%% Fontspec provides an interface to system fonts and Opentype features
+\usepackage{fontspec}
+
+ %% Load default features. An asterisk means they are supposed to be
+ %% enabled by default, but engines may behave differently.
+ \defaultfontfeatures{%
+  RawFeature={%
+    %+calt   % *Contextual alternates
+    %,+clig  % *contextual ligatures
+    %,+ccmp  % *composition & decomposition
+    %,+tlig  % 'tex-ligatures': `` '' -- --- !` ?` << >>
+    ,+cv06  % narrow guillemets
+    }%
+  }
+
+ %% Finally set the main font
+ \setmainfont{EB Garamond}
+
+%% Load Microtype with default settings. This will use the
+%% EB-Garamond protrusion definitions if present.
+\usepackage{microtype}
+
+%% Use polyglossia to handle different languages.
+\usepackage[%
+  babelshorthands % needed to access "| as a ZWNJ symbol
+  ]{polyglossia}
+ \setdefaultlanguage{english}
+ \setotherlanguages{%
+  french,czech,polish,latin,italian,catalan,german,romanian,%
+  portuges,swedish,finnish,dutch,russian,serbian,ukrainian,%
+  bulgarian,slovenian,vietnamese,greek%
+  }
+
+%% csquotes provides an intelligent for quotation marks
+\usepackage{csquotes}
+
+%% Realscripts allows to easily access the font’s own sub-/superscripts
+%% with \textsuperscript and \textsubscript as well as \textsubsuperscript
+\usepackage{realscripts}
+
+%% Multicol for the two-column samples
+\usepackage{multicol}
+
+%% Format the headings in smallcaps
+\setkomafont{disposition}{\normalcolor\normalfont\rmfamily\scshape}
+
+\begin{document}
+{\pagestyle{empty}
+ \begin{center}
+  \pagestyle{empty}
+  \vspace*{5cm}
+  \fontsize{48}{48}{\addfontfeature{Color=980000}
+   EB Garamond}\\
+  \vspace*{2cm}
+  {\fontsize{24}{24}\addfontfeature{Color=000000}\textit{Claude {\addfontfeature{RawFeature=+swsh}G}aramont’s designs go open source}
+  \vfill\vfill
+  \today\\\vspace*{2cm}}%<-- superfluous brace. Don’t know, why it’s needed.
+  \fontsize{48}{48}{\addfontfeature{Color=980000}
+  \char"E001 \char"E002}
+ \end{center}\clearpage
+}
+
+\section{Samples}
+%% Samples that show the font used in different languages.
+\begin{multicols}{2}
+
+%% English
+\paragraph*{Claude Garamond} (ca. 1480 – 1561) was a Parisian publisher. He was one of the leading type designers  of his time, and is credited with the introduction of the apostrophe, the accent and the cedilla to the French language. Several contemporary typefaces, including those currently known as Garamond, Granjon, and Sabon, reflect his influence. Garamond was an apprentice of Simon de Colines; later, he was an assistant to Geoffroy Tory, whose interests in humanist typography and the ancient Greek capital letterforms, or majuscules, may have informed Garamond’s later work.
+
+\textit{Garamond came to prominence in 1541, when three of his Greek typefaces (e.g. the Grecs du roi (1541)) were requested for a royally-ordered book series by Robert Estienne. Garamond based these types on the handwriting of Angelo Vergecio, the King’s Librarian at Fontainebleau, as well as that of his ten-year-old pupil, Henri Estienne. According to Arthur Tilley, the resulting books are “among the most finished specimens of typography that exist.” Shortly thereafter, Garamond created the Roman types for which […]}\\
+{\scriptsize From Wikipedia, the free encyclopedia}
+
+%% Catalan
+\begin{catalan}
+\paragraph*{Claude Garamond}\addfontfeature{Language=Catalan} (París, 1490 - 1561) va ser un tipògraf, impressor i gravador de matrius francès. La seva obra tipogràfica es considera clàssica dins de l’estil antic i d'inspiració per a composicions modernes.
+El 1510 va començar el seu aprenentatge amb el tipògraf i impressor Antoine Augereau. Durant la primera meitat del segle XVI els impressors compartien totes les instàncies en l’elaboració d’un llibre des del disseny tipogràfic fins a l’enquadernació. Claude Garamond va ser el primer que es va especialitzar en el disseny, gravat i foneria de tipus com a servei a altres impressors ajudat pel seu aprenent Jacques Sabon.\par
+\textit{Les referències tipogràfiques de Garamond inclouen els treballs de Conrad Sweynheym, Arnold Pannartz, Erhard Ratdolt, Nicholas Jenson, Aldo Manuzio, Francesco Griffo, Henri, Robert, Ludovicio degli Arrighi de Venècia, Giovani Antonio Tagliente i Giovanbattista Palatino, una llista eclèctica d’experts coneguts per la seva excel·lència tipogràfica. A finals del 1520 Garamond va ser comissionat per a subministrar els seus tipus al famós impressor escolar Robert Estienne.}\\
+{\scriptsize De Viquipèdia}
+\end{catalan}
+
+%% German
+\begin{german}
+%% Use the "locl" feature from the font:
+\addfontfeature{Language=German}
+\paragraph*{Claude Garamond,} auch Garamont, (*1499 (oder 1490) in Paris; †\,1561 in Paris) war ein französischer Schriftgießer, Typograf, Stempelschneider und Verleger. Er schuf die noch heute verwendete Schriftart Garamond.
+
+Claude Garamond lernte das Handwerk des Schriftschneidens bei Geoffroy Tory, er war Schüler und Mitarbeiter des Pariser Stempelschneiders und Druckers Antoine Augereau, einige der Arbeiten Garamonds werden in verschiedenen Quellen Augereau zugeordnet – in jedem Fall ist eine Einflussnahme seines Lehrers bis zu dessen Tod auf dem Scheiterhaufen im Jahr 1534 sehr wahrscheinlich.
+
+\textit{Garamonds erste Antiqua-Schriften dürf"|ten um 1530/1531 entstanden sein, als erstmals in vier verschiedenen Pariser Druckereien Schriften eines neuen Typus auf"|tauchten, die Claude Garamond zugeschrieben werden konnten. Die Vorarbeiten hierzu sind bis ins Jahr 1525 zurückzudatieren.}\\
+{\scriptsize Aus Wikipedia, der freien Enzyklopädie}
+\end{german}
+
+%% French
+\begin{french}
+\paragraph*{Claude Garamont,} souvent orthographié Garamond (à cause de son pseudonyme Garamondus), né en 1499 à Paris où il est mort en 1561, est un tailleur et fondeur de caractères et un imprimeur français.
+
+Avec Guillaume~I Le Bé et Robert Granjon, il est un des plus fameux créateurs de caractères français du {\addfontfeature{RawFeature=+c2sc}XVI{\addfontfeature{RawFeature=+ordn}e}} siècle. Il est notamment le créateur des « Grecs du Roi », une série de polices grecques imitée de modèles manuscrits, ainsi que d’un fameux type romain qui porte son nom et qui sera abondamment copié tout au long de l’histoire.
+
+Il a appris son métier en étant l’élève d’Antoine Augereau, un tailleur de caractères parisien qui s’était reconverti au métier de libraire et d’imprimeur.
+
+\textit{En 1540, Pierre Duchâtel, conseiller et aumônier de François I{\addfontfeature{RawFeature=+ordn}er} commanda à Garamond les poinçons de trois sortes de caractères d’un alphabet grec aux frais de Robert Estienne (qui en fit usage pour ses éditions grecques, à partir de 1543). Pour dessiner ces caractères, dit plus tard Grecs du Roi, […]}\\
+{\scriptsize De Wikipédia, l'encyclopédie libre.}
+\end{french}
+
+%% Portuguese
+\begin{portuges}
+\paragraph*{Claude Garamond} (1480-1561) foi um editor francês. As fontes criadas por Claude Garamond em Paris, a partir de 1530, refinadas dos tipos usados por Aldus Manutius, de 1455, são ainda hoje um referencial tipográfico forte, influenciando diversas interpretações em famílias de letras contemporâneas.
+
+\textit{Como ficou provado no início deste século (1925) por Beatrice Warde (sob a pseudônimo Paul Beaujon), seriam todas essas “descendentes”, em verdade, baseadas nos caracteres da "l’université in the imprimerie royale" de paris.}\\
+{\scriptsize Origem: Wikipédia, a enciclopédia livre.}
+\end{portuges}
+
+%% Italian
+\begin{italian}
+\paragraph*{Claude Garamond} (Parigi, 1499 – Parigi, 1561) è stato un tipografo francese, conosciuto anche con il nome italianizzato di Claudio Garamontio.
+
+Si tratta forse del più famoso incisore di caratteri mobili francese. Creò il grec du Roi (greco del re), cioè il carattere greco con cui erano pubblicate le edizioni dei classici dedicati al re di Francia. Creò inoltre il "romano" una serie di caratteri latini che porta il suo nome (Garamond) e che sarà abbondantemente copiato durante la storia.\\
+{\scriptsize Da Wikipedia, l'enciclopedia libera.}
+\end{italian}
+
+%% Dutch
+\begin{dutch}
+\paragraph*{Claude Garamond} (Parijs, ca. 1480 - aldaar, 1561) was een Parijse graveur van druklettermodellen, uitgever en één van de toonaangevende letterontwerpers van zijn tijd. Sommige van zijn lettertypen zijn nog in gebruik, in het bijzonder het naar hemzelf genoemde Garamond. Ca. 1510 werd Claude Garamond leerlinggraveur bij de drukker Antoine Augereau en rond 1520 werkte hij bij Geoffroy Tory de professor, vertaler, schrijver, boekverkoper, drukker, ontwerper en illustrator. Vanaf ongeveer 1530 werkte Garamond voor zichzelf en vervaardigde hij kant en klare drukletters voor drukkers.\\
+{\scriptsize Uit Wikipedia, de vrije encyclopedie.}
+\end{dutch}
+
+%% Swedish
+\begin{swedish}
+\paragraph*{Claude Garamond} född ca 1490, död 1561, var en fransk typsnittsskapare.
+
+Claude Garamond var troligen lärling hos stämpelskäraren Antoine Augereau. Sent 1520-tal blev Claude kontaktad av parisaren och tryckaren Robert Estienne som önskade en uppsättning antikvor. Dessa typer sågs för första gången i Paraphrasis in Elegantiarum Libros Laurentii Vallae. Många[vem?] anser att ursprunget till Claude Garamonds former kommer ifrån typer skurna åt Aldus Manutius av Francesco da Bologna med släktnamnet Griffo. Återstoden av Claude Garamonds matriser och patris finns numera i Plantin-Moretus Museum i Antwerpen, samt vid Imprimerie Nationale i Paris. Claude Garamond dog 1561.\\
+{\scriptsize Från Wikipedia}
+\end{swedish}
+
+%% Finnish
+\begin{finnish}
+\paragraph*{Claude Garamond} (n.1480–1561) oli ranskalainen kustantaja ja aikansa huomattavimpia kirjainmuotoilijoita.
+
+Yhä edelleen on käytössä useita antiikva-kirjasintyyppejä, jotka perustuvat hänen suunnittelemilleen kirjaimille. Näihin kuuluvat esimerkiksi Garamond No. 3, Garamond No. 5, Adobe Garamond, Simoncini Garamond, ITC Garamond ja Granjon.
+{\scriptsize Wikipedia}
+\end{finnish}
+
+%% Latin
+\begin{latin}
+%% Use the "locl" feature from the font:
+\addfontfeature{Language=Latin}
+\paragraph*{\addfontfeature{Language=Latin}Claudius Garamond} (etiam Garamont natus Lutetiae anno 1499 (aut anno 1490) - ibidem mortuus est anno 1561) fuit typographus et editor Francicus, qui clarus est praecipue quia scripturam quae eius nomen Garamond fert creavit.\\
+{\scriptsize E Vicipaedia}
+\end{latin}
+%\clearpage
+
+%% Czech
+\begin{czech}
+\paragraph*{Sazba (od „sázeti“)} je původně tisková forma pro tisk z výšky (knihtisk), tvořená jednotlivými literami, případně obrázky. V širším slova smyslu hotová předloha pro tisk, zejména textová. Řemeslník, který vytvářel „horkou“ sazbu, se nazýval sazeč; s přechodem na modernější tiskové techniky, zejména ofset, pracuje grafik se sázecím programem na počítači.\par
+\textit{Sestavování tiskové formy z pohyblivých kovových liter se objevilo už ve 12.-13. století v Číně, nejstarší dochovaný exemplář je korejská kniha Jikji z roku 1377. Ruční zhotovování liter však bylo nesmírně pracné a technika se užívala jen sporadicky. Kolem roku 1440 udělal mohučský zlatník Johannes Gutenberg několik převratných vynálezů, mezi něž patřilo i odlévání liter. Ručně vyrobený ocelový model litery se zakalil a vyrazil do ocelové matrice, do níž se pak odléval libovolný počet shodných liter. Už Gutenberg také objevil liteřinu, slitinu olova a antimonu, která spojuje nízký bod tání s větší pevností.}\\
+{\scriptsize Z Wikipedie, otevřené encyklopedie.}
+\end{czech}
+
+%% Polish
+\begin{polish}
+\paragraph*{Skład} – termin zecerski (dziś już historyczny) oznaczający tekst, który powstał fizycznie, czyli został ułożony z czcionek lub wierszy linotypowych (a także innych elementów, jak monotypy, linie czy justunek). Skład ma postać szpalty i będzie dopiero łamany. Składem jest także tabela, już złożona, ale jeszcze nie włamana w kolumnę.\par
+\textit{Czynność, w wyniku której powstawał tekst uformowany w taki sposób, nazywano składaniem, i to niezależnie od tego, czy odbywała się ona całkowicie ręcznie, czy też pomagały w niej w pierwszej fazie maszyny odlewające linotypy i monotypy.}\\
+{\scriptsize Z Wikipedii, wolnej encyklopedii.}
+\end{polish}
+
+%% Slovenian
+\begin{slovenian}
+\paragraph*{Johannes Gensfleisch zur Laden zum Gutenberg,} nemški izumitelj, * okoli 1398, Mainz, Nemčija, † 3. februar 1468.\par
+Gutenberg je postal slaven zaradi svojih prispevkov k tehnologiji tiskanja na sredini 15. stoletja. Velja za izumitelja tiska s premičnimi kovinskimi črkami. Izpopolnil je črnilo, zlitine za črke, šablono za natančnejše vstavljanje črk, naredil pa je tudi novo vrsto tiskarske stiskalnice, zasnovane na stiskalnici za grozdje.
+{\scriptsize Iz Wikipedije, proste enciklopedije}
+\end{slovenian}
+
+%% Vietnamese
+\begin{vietnamese}
+\paragraph*{Johannes Gutenberg} (khoảng năm 1390 – 3 tháng 2 năm 1468), là một công nhân đồng thời là một nhà phát minh người Đức. Ông trở nên nổi tiếng vì phát minh ra phương pháp in dấu vào năm những năm 1450.
+
+Gutenberg sinh ở Mainz, nước Đức. Ông là con trai của một thương gia tên là Friele Gensfleisch zur Laden. Người cha của Gutenberg đã lấy "zum Gutenberg" là nơi họ đã sống lúc đó để đặt tên cho ông.
+
+\textit{Gutenberg đã phát minh ra một loại hợp kim dùng cho việc in ấn; mực; và cách cố định chữ in (chữ kim loại) rất chính xác; và một loại máy in mới. Nhiều người cho rằng Gutenberg đã phát minh ra loại bản in mẫu trượt ở châu Âu, nhưng thực ra nó đã được phát minh ra ở Triều Tiên trước đó.}\\
+{\scriptsize Bách khoa toàn thư mở Wikipedia}
+\end{vietnamese}
+
+%% Serbian
+\begin{serbian}
+%% Switch to triangular shaped д, л and љ
+\addfontfeature{RawFeature=+ss01}
+\paragraph*{%\addfontfeature{RawFeature=+ss01}
+ %% Use the "locl" feature from the font
+ \addfontfeature{Language=Serbian}%
+ Јохан Гутенберг} (нем. Johannes Gensfleisch zur Laden zum Gutenberg) (око 1400, Мајнц – 3.~фебруар 1468), је био немачки металски радник и сматра се проналазачем технике штампања металним помичним словима. Идеја те технике је била већ дуже позната али до тада није била усавршена у тој мери. Познати су и наводи да је та техника већ раније била реализована у Кини, Кореји и Јапану. Најстарија још учувана штампана књига датира из 868. године. Године 1041. се у Кини појављују и први примерци штампаних књига техником металних покретних слова и као проналазач се наводи извесни Би Шенг. Гутенбергова заслуга, као оца модерног штампарства, се састоји у усавршавању појединачних покретних слова, легура олова, антимона и калаја у техници високе штампе, али и тадашњи проналазак штампарске пресе.\par
+\textit{О његовом животу је веома мало познато и велики дио информација су само претпоставке. Његов брат Фриле Генсфлајш (нем. Friele Gensfleisch) је рођен у Елтвилу где је вероватно, са Гутенбергом основао малу штампарију и где је провео цели свој животни век (1434.-1447.).}\\
+{\scriptsize Из Википедије, слободне енциклопедије}
+\end{serbian}
+
+%% Russian
+\begin{russian}
+\paragraph*{Клод Гарамо́н} (ок. 1500—1561) — парижский пуансонист, печатник, одна из важнейших фигур французского ренессанса. Он был учеником печатников Антуана Ожеро и Симона де Колина. Позже основал небольшую книгопечатню неподалеку от Сорбонны.\par
+Впервые известность к Гарамону пришла в 1540-х гг., когда он вырезал grecs du roi — три греческих курсива для издания классиков, поддержанного королём. Позже Гарамон вырезал и другие шрифты, в том числе прямой. Его шрифты, основаны в первую очередь на альдовых, но достаточно оригинальны. В курсивах Гарамона впервые появляются наклонные прописные, а также т. н. росчерки (swash).\par
+\textit{Спустя 60 лет после смерти Гарамона, пуансонист Жан Жаннон повторил прямой шрифт Гарамона, однако в формах более близких к барокко, чем к ренессансу. Именно этот шрифт, утерянный и забытый, был вновь найден в первой половине XIX в., и ошибочно приписан Клоду Гарамону. Ошибка обнаружилась в 1927 г., однако за 5 лет до этого фирма Monotype уже выпустила новую версию шрифта Жаннона под названием Garamond Roman. Именно это стало причиной того, что в XX в. под одним названием было выпущено несколько шрифтов, восходящих не только к двум разным авторам, но и к двум разным эпохам.}
+\\
+{\scriptsize из Википедии — свободной энциклопедии}
+\end{russian}
+
+%% Bulgarian
+\begin{bulgarian}
+\paragraph*{Йоханес Генсфлайш цур Ладен цум Гутенберг} (на немски: Johannes Gensfleisch zur Laden zum Gutenberg) е германски златар и печатар, основоположник на съвременното книгопечатане. Изобретеният от него машинен печат с подвижен набор поставя началото на революция в печатането и често е определяно като едно от най-важните събития на Новото време. Изобретението му оказва силно влияние върху развитието на Ренесанса, Реформацията и Научната революция и поставя материалните основи на съвременната икономика на знанието и демократизация на образованието.\\
+{\scriptsize от Уикипедия, свободната енциклопедия}
+\end{bulgarian}
+
+%% Ukrainian
+\begin{ukrainian}
+\paragraph*{Йо́ганн Гутенбе́рг} (Johann Gutenberg) (* 1397-1400,
+Майнц (Німеччина) — † 3 лютого 1468) — європей-
+ський винахідник і першодрукар, який винайшов і за-
+провадив промислову технологію друкарства у пра-
+ктику виготовлення книжок.
+Прецизійний механік шляхетного роду.
+1434-1444 — працював у Страсбурзі. Відомо, що в
+цей час мав справу з судом через якийсь свій винахід,
+який намагався тримати у таємниці.
+Деякою мірою складання перегукується з верс-
+ткою.\\
+{\scriptsize з Вікіпедії — вільної енциклопедії.}
+\end{ukrainian}
+
+%% Mongolian
+\paragraph*{Иоханнэс Гутэнбэрг} (Герман хэл: Johannes Gensfleisch
+zur Laden zum Gutenberg; 1398 онд төрж 1468
+оны 2 дугаар сарын 3-нд нас барсан) нь 1439 оны
+үед Европт анх удаа зөөдөг үсэгтэй хэвлэлийн аргыг
+хэрэглэсэн, дэлхийд анх удаа механик хэвлэлийн
+суурь машин зохион бүтээсэн Германы алтны
+дархан, хэвлэгч юм. Түүний томоохон бүтээл болох
+Гутэнбэргийн библь нь (42 мөрт Библь гэдэг) гоо зүй,
+техникийн чанараараа үнэлэгдсээр ирсэн.\\
+{\scriptsize Чөлөөт нэвтэрхий толь, Википедиагаас}
+
+%% Mari
+\paragraph*{Ио́ганн Генсфляйш цур Ладен цум Гу́тенберг} (нем.
+Johannes Gensfleisch zur Laden zum Gutenberg, 1397
+и дон 1400 и лошты, Майнц — 3 февраль 1468,
+Майнц) — немӹц кӹртни пӓшӓ мастар, ювелир,
+книгӓм пецӓтлӹмӹ станым шанен лыкшы.\\
+{\scriptsize Ирӹкӓн энциклопеди Википеди гӹц материал}
+
+%% Rusyn
+\paragraph*{Йоганн Ґутенберґ} (1397/1400, Могуч – 3. února
+1468, Могуч) быв вынаходником технолоґії
+механічного книгтиску помочов рушаючіх ся писмен.\\
+{\scriptsize Матеріал з Вікіпедії}
+
+%% Greek
+\begin{greek}
+\paragraph*{Ο Ιωάννης Γουτεμβέργιος} (πλήρες γερμ. όνομα Johannes Gensfleisch zur Laden zum Gutenberg) γεννήθηκε κατά την επικρατέστερη εκδοχή το 1397 και απεβίωσε στις 3 Φεβρουαρίου του 1468 σε ηλικία 71 ετών. Τόπος γέννησής του είναι το Μάιντς (Mainz) της Γερμανίας και θεωρείται ο «πατέρας» της τυπογραφίας. Περίπου στα 1430 εγκαταστάθηκε στο Στρασβούργο. Τον Μάρτιο του 1434, ένα γράμμα του υποδεικνύει ότι εκείνη την εποχή διέμενε εκεί, όπου είχε κάποιους συγγενείς από την πλευρά της μητέρας του. Στο Στρασβούργο άρχισε να πειραματίζεται στη μεταλλουργία και στα 1434 έκανε τα πρώτα του βήματα στην τυπογραφία.\par
+\textit{Ο Γουτεμβέργιος θεωρείται ο «πατέρας» της μηχανικής εκτύπωσης μολονότι είχαν ήδη κατασκευαστεί κινητά τυπογραφικά στοιχεία από τον Ολλανδό Λαυρέντιο Κοστέρ στο Χάρλεμ, γιατί εκείνος συνέλαβε πρώτος την ιδέα της τυπογραφικής μεθόδου στο σύνολό της.}
+\\
+{\scriptsize Από τη Βικιπαίδεια, την ελεύθερη εγκυκλοπαίδεια}
+\end{greek}\\
+
+%% Ancient Greek
+\begin{greek}[variant=ancient]
+    Μῆνιν ἄειδε, θεά, Πηληϊάδεω Ἀχιλῆος
+    οὐλομένην, ἣ μυρί' Ἀχαιοῖς ἄλγε' ἔθηκε,
+    πολλὰς δ' ἰφθίμους ψυχὰς Ἄϊδι προΐαψεν
+    ἡρώων, αὐτοὺς δὲ ἑλώρια τεῦχε κύνεσσιν
+    οἰωνοῖσί τε πᾶσι, Διὸς δ' ἐτελείετο βουλή,
+    ἐξ οὗ δὴ τὰ πρῶτα διαστήτην ἐρίσαντε
+    Ἀτρεΐδης τε ἄναξ ἀνδρῶν καὶ δῖος Ἀχιλλεύς. \par
+    
+    {\addfontfeature{RawFeature={+cv80,+ss20,+mark}}
+    Ἄνδρα μοι ἔννεπε, Μοῦσα, πολύτροπον, ὃς μάλα πολλὰ
+    πλάγχθη, ἐπεὶ Τροίης ἱερὸν πτολίεθρον ἔπερσε·
+    πολλῶν δ’ ἀνθρώπων ἴδεν ἄστεα καὶ νόον ἔγνω,
+    πολλὰ δ’ ὅ γ’ ἐν πόντῳ πάθεν ἄλγεα ὃν κάτα θυμόν,
+    ἀρνύμενος ἥν τε ψυχὴν καὶ νόστον ἑταίρων.
+    ἀλλ’ οὔδ΄ ὣς ἑτάρους ἐρρύσατο ἱέμενός περ·
+    αὐτῶν γὰρ σφετέρῃσιν ἀτασθαλίῃσιν ὄλοντο,
+    νήπιοι, οἳ κατὰ βοῦς Ὑπερίονος Ἠελίοιο
+    ἤσθιον· αὐτὰρ ὃ τοῖσιν ἀφείλετο νόστιμον ἦμαρ.
+    τῶν ἁμόθεν γε, θεά, θύγατερ Διός, εἶπε καὶ ἡμῖν. \par
+
+}
+\end{greek}
+
+\end{multicols}
+
+\clearpage
+
+%% Documentation of the Opentype features
+\section{Features}
+
+The Opentype specs recommend some features to be enabled by default. As this is not mandatory, engines may decide to leave it to the user to activate them. Features that should be on by default are marked with an asterisk (*). All other features have to be enabled when they are required.
+
+\subsection{Locals}
+\paragraph*{German} prevents f-ligatures that are usually not allowed like fb, fh, fj, ffb, etc. because they would only occur at \enquote{Wortfugen}: {\addfontfeature{Language=German}Laufband, aufjagen, Sauerstoffflasche,…}\par
+In general it has to be noted that in German typography, ligatures are a complex matter, tied to the language’s morphology. There’s no way to apply them automatically without manual intervention. Efforts have been made to alleviate this task, like Mico Loretan’s \textsc{selnolig}\footnote{https://github.com/micoloretan/selnolig} for LuaLaTeX. Still, if in doubt, better leave the ligatures away!
+\paragraph*{Turkish, Azerbaijani, Crimtatar} correct replacement of i/ı as smallcaps etc.
+\paragraph*{Latin} replaces U by V, initial u by v and non-initial v by u: universalis → {\addfontfeature{Language=Latin} universalis}
+\paragraph*{Catalan} Correct positioning of “·” between two “l”s: {\addfontfeature{Language=Catalan}PARAL·LEL, paral·lel, \textsc{paral·lel}, \textit{PARAL·LEL, paral·lel, \textsc{paral·lel}}\\{\scriptsize PARAL·LEL, paral·lel, \textit{paral·lel}, \textsc{paral·lel}}}
+\paragraph*{Serbian/Macedonian} replaces б by \begin{serbian}б\end{serbian} and italic \textit{б, д, г, п, т, ш, ѓ} by \begin{serbian}\itshape б, д, г, п, т, ш, ѓ\end{serbian}
+
+\subsection{Character Composition and Decomposition}
+\paragraph*{ccmp*} contains rules for composing characters with combining diacritics like suppressing the tittle on i and j when they take an above diacritic: i + \textasciicircum → i\char"302, or to use flatter version when stacking diacritics: a\char"302\char"300, e\char"304\char"301, u\char"308\char"301\ and flatter diacritics on glyphs with ascenders: l\char"301.
+\paragraph*{ss20} decomposes precomposed characters into combinations of base characters and combining diacritics (or special variants thereof) conforming to the Unicode Normalization Charts. This is useful in cases when the desired precomposed forms don’t exist in the font but their components do (see smallcaps). This feature can be used to exchange a diacritic with an alternate form (see Greek variants).
+
+\subsection{Figures}
+This font is primarily intended for texts. Thus default figures are oldstyle proportional so they fit best in a text setting. For many purposes though, tabular (all figures have the same width) and/or lining figures (they are about caps height) are preferred. They can be accessed using the features \texttt{tnum} and \texttt{lnum}.
+The combinations are:
+\begin{tabbing}
+ Oldstyle (medieval)8888 \= 88888888888888  \= 88888888888888 \kill
+  \> Proportional \> Tabular \\
+ Oldstyle (medieval) \> 12345678.90 \> {\addfontfeature{RawFeature=+tnum}12345678.90} \\
+ Lining		\> {\addfontfeature{RawFeature=+lnum}12345678.90} \> {\addfontfeature{RawFeature={+tnum,+lnum}}12345678.90} \\
+\end{tabbing}
+
+
+
+\subsection{Fractions}
+The feature \texttt{frac} allows for arbitrary fractions: {\addfontfeature{RawFeature=+frac} 1234/567890}
+
+\subsection{Sub- and Superscripts}
+There are four positions for optically sized Sub- and Superscripts, accessed by the features \texttt{sinf}, \texttt{subs}, \texttt{ordn} and \texttt{sups}:
+\paragraph*{Scientific inferiors (sinf)} l{\addfontfeature{RawFeature=+sinf}abcdefghijklmnopqrstuvwxyz0123456789}x
+\paragraph*{Subscript (subs)} l{\addfontfeature{RawFeature=+subs}abcdefghijklmnopqrstuvwxyz0123456789}x
+\paragraph*{Ordinals (ordn)} l{\addfontfeature{RawFeature=+ordn}abcdefghijklmnopqrstuvwxyz0123456789}x
+\paragraph*{Superscript (sups)} l{\addfontfeature{RawFeature=+sups}abcdefghijklmnopqrstuvwxyz0123456789}x
+\\
+\setlength\subsupersep{1pt}
+Combination of Sub- and Superscript: \textsubsuperscript[r]{92}{235}U
+\subsection{Small Caps}
+The features \texttt{smcp} and \texttt{c2sc} replace lower and uppercase glyphs by their smallcap equivalents:
+\paragraph*{smcp:} \textsc{Tramway, Straßenbahn, Métro}
+\paragraph*{c2sc:} {\addfontfeature{RawFeature=+c2sc}Tramway, Straßenbahn, Métro}
+\paragraph*{c2sc+scmp:} \textsc{\addfontfeature{RawFeature=+c2sc}Tramway, Straßenbahn, Métro}
+
+\subsection{Ligatures}
+\paragraph*{Standard Ligatures*} (feature \texttt{liga}): f and ſ + letter with ascender and f/ſ+i get replaced by a ligature: fluffy, ſhy, official;\\
+Additionally in italic: Q and g + descending character: \textit{egg, nagy, gjuha, Qyteti} 
+\paragraph*{Historical Ligatures} (feature \texttt{hlig}): historical ligatures for s+t and c+t and for s+p and s+k (the latter two italic only): {\addfontfeature{RawFeature=+hlig}standard, acta, \textit{speak, skies, standard, select}}
+\paragraph*{Contextual Ligatures*} (feature \texttt{clig}, italic only): ligatures for final s after a, e, i and u: \textit{%\addfontfeature{RawFeature=+clig}
+finalis, ligatures, humus, rosas}
+\paragraph*{Discretionary Ligatures} (feature \texttt{dlig}): T+h ligature: \addfontfeature{RawFeature=+dlig} Théatre, \textit{Theorie}
+
+\subsection{Contextual Alternates*}
+The feature \texttt{calt} controls the behaviour of contextually conditioned lettershapes. This allows to have a long-bowed \enquote{f} and \enquote{ſ} like in the original font wherever the bow doesn’t collide with the next letter or cover an empty space: gefährlich fahren ſüße Weſen;\\
+The long tailed Q is managed by this feature too: Qui, Quis, Quo, \textsc{Shqipëria}, IRAQ, 
+
+\subsection{Swash}
+The italic font will have a full set of swash capitals, accessible via the \texttt{swsh}: \\\textit{\addfontfeature{RawFeature=+swsh}A B C D E F G H I J K L M N O P Q Qui R S T U V W X Y Z\\
+\scriptsize A B C D E F G H I J K L M N O P Q Qu R S T U V W X Y Z}
+\subsection{Character Variants and Stylistic Sets}
+There are alternate representations for some glyphs, accessible via Character Variants (\texttt{cv01–cv99}) and as Stylistic Sets (\texttt{ss01–ss20}):
+
+\subsubsection{Historical Variants}
+
+At Claude Garamont’s times some conventions were still closer to latin orthography than to those of modern times. The following lookups imitate that usage:
+
+\paragraph{ss02:} v and u are visual representations of the same letter dependent on initial or non initial placement: {\addfontfeature{RawFeature=+ss02}l’universe, une œuvre}
+\paragraph*{cv01:} {\addfontfeature{RawFeature=+cv01}substitute non-final s with ſ (cave: this feature is \textsc{not} intelligent enough for german blackletter usage and probably other post-renaissance orthographies; it might be preferable to directly input ſ instead of using this feature!)}
+\paragraph*{cv03:} j as a separate letter didn’t have a fixed place  in renaissance orthographies, so one will find i where one expects a j. This feature replaces j with i: {\addfontfeature{RawFeature=+cv03}le jour}
+\paragraph*{ss05:} The Bible de Genève shows an apostrophe that sits upon the following letter if that has no ascender: {\addfontfeature{RawFeature=+ss05}l’estendue}
+
+\subsubsection{General Variants}
+
+\paragraph*{cv04:} Alternate ampersand (only italic): \textit{\&} → \textit{\addfontfeature{RawFeature=+cv04}\&}
+
+\paragraph*{cv05:} Alternate forms of v (only italic): 
+%% due to a bug in fontspec this doesn’t work as expected:
+%\textit{v → {\addfontfeature{CharacterVariant=5:0}\addfontfeature{CharacterVariant=5:1}v}}, \textit{\addfontfeature{CharacterVariant=5:2}v}, \textit{\addfontfeature{CharacterVariant=5:3}v}
+{\fontspec{EB Garamond 12 Italic} v →
+\addfontfeature{CharacterVariant=5:0} v,
+\addfontfeature{CharacterVariant=5:1} v,
+\addfontfeature{CharacterVariant=5:2} v,
+\addfontfeature{CharacterVariant=5:3} v}
+
+\paragraph*{cv06:} Alternate forms of guillemets (narrower): {\addfontfeature{RawFeature=-cv06}« ‹ › »} → {\addfontfeature{RawFeature=+cv06}« ‹ › »}
+
+\paragraph*{cv11:} Variants for the numeral one: some publishers prefer a numeral one that’s clearly different from small cap i: \textsc{i123} vs. {\addfontfeature{RawFeature={+cv11,+smcp}}i123}
+
+\paragraph*{cv21} Variants for a: a vs. {\addfontfeature{RawFeature=+cv21}a}
+
+\paragraph*{cv27} Variants for g: g/\textit{g} vs. {\addfontfeature{RawFeature=+cv27}g/\textit{g}}
+
+\paragraph*{cv47} Variants for ß: first Variant sets all ß to the ß-shape, second to ss: {weiß {\fontspec[CharacterVariant=21:0]{EBGaramond12-Regular}weiß} {\fontspec[CharacterVariant=21:1]{EBGaramond12-Regular}weiß}}
+
+\paragraph*{cv82} Alternate comma-shaped caron after d, l and t (for czech and slovak): ď, ľ, ť → {\addfontfeature{CharacterVariant=82}ď, ľ, ť}
+
+\subsubsection{Symbol Variants}
+\paragraph*{cv90:} floral hearts variants: \char"2619{}  and \char"2767{}  → {\addfontfeature{RawFeature=+cv90}\char"2619{} and \char"2767}
+
+\paragraph*{cv91:} Alternate Variant for the Pilcrow in form of the old capitulum symbol: {\addfontfeature{RawFeature=+cv91}¶}
+
+\subsubsection{Cyrillic Variants}
+\paragraph*{ss01:} triangular variants of Д, Л, Љ, \textit{Д, Л, Љ}, д, л and љ (in italic uppercase only): {\addfontfeature{RawFeature=+ss01} Д, Л, Љ, \textit{Д, Л, Љ}, д, л, љ 
+}
+{
+\subsubsection{Greek Variants}
+\paragraph*{cv80:} \addfontfeature{RawFeature=+ss20}alternate circumflex: ῆ ἧ → {\addfontfeature{RawFeature=+cv80}ῆ ἧ} (\textsc{cave!} this enables complete decomposition like with ss20!)
+\paragraph*{cv81:} prosgegrammeni instead of ipogegrammeni: ᾞ → {\addfontfeature{StylisticSet=20,CharacterVariant=81:1} ᾞ} → {\addfontfeature{StylisticSet=20,CharacterVariant=81:2} ᾞ} (\textsc{cave!} this enables complete decomposition like with ss20!)\\
+Planned: alternate β, ε, θ, κ, π, ρ, σ, φ;\\
+}
+\subsubsection{IPA Variants}
+\paragraph*{ss06:} variants of greek letters that fit better with the other (latin) letters used in the IPA: β, θ, λ, χ → {\addfontfeature{RawFeature=+ss06}β, θ, λ, χ}
+
+\clearpage
+
+%% Show the glyphs
+\section{Glyphs}
+\fontsize{16}{16}
+\begin{center}
+{\addfontfeature{LetterSpace=10.0}
+ ¿ABCDEFGHIJKLMNOPQQRSẞTUVWXYZÞÐ?\\
+ ¡abcdefghijklmnopqrſsſßtuvwxyzþðđf!\\
+ \$0123456789€ \XeTeXglyph 99 %
+ {\addfontfeature{Numbers=Lining}%
+  9876543210}%
+ ¢\\
+ »«;:,.-–—›‹„“”‚‘’[…]\{\}()·×÷\\
+ "'\#\%\& *+/<=>@\textbackslash \textasciicircum \textasciitilde §©ªº°µΩ\\
+ \textsc{abcdefghijklmnopqrstuvwxyzß}\\
+ {\addfontfeature{LetterSpace=0}
+ fffiffiflfbfhfjfkft%\\
+ ffbffhffjffkfflfft\\
+ ſſſiſſiſlſbſhſjſkſt%\\
+ ſſbſſhſſjſſkſſlſſt
+ }\\
+ \char"261E %
+ {\addfontfeature{RawFeature=+hlig}ÆæstctœŒ}%
+ \char"261C\\
+ {\addfontfeature{LetterSpace=0}
+ Text{\addfontfeature{RawFeature=+sups}abcdefghijklmnopqrstuvwxyz0123456789}x %\\
+ Text{\addfontfeature{RawFeature=+ordn}abcdefghijklmnopqrstuvwxyz0123456789}x\\
+ Text{\addfontfeature{RawFeature=+subs}abcdefghijklmnopqrstuvwxyz0123456789}x %\\
+ Text{\addfontfeature{RawFeature=+sinf}abcdefghijklmnopqrstuvwxyz0123456789}x}\\
+ÁÀÃĄÄ{\addfontfeature{Language=German,LetterSpace=10.0}Ä}%Ǎ
+ÂĂÅÉÈẼ%
+ĘËĚÊĔÍÌĨĮÏǏÎĬİ\\
+ÓÒÕǪÖ%
+{\addfontfeature{Language=German,LetterSpace=10.0}Ö}%
+ǑÔŎŐØÚÙŨŲÜ%
+{\addfontfeature{Language=German,LetterSpace=10.0}Ü}ǓÛŬŮŰ\\
+áàãąäǎâăåéèẽęëěêĕíìĩįïǐîĭıóòõǫöǒôǒőøúùũųüǔûŭůű\\
+ĆćÇçĎďĢģĜĝǦǧĞğĤĥḨḩĴĵĸŁłĽľÑñŇňŃńŊŋ\\
+ŘřŔশŠšŞşŤťŢţŴŵÝýŶŷŸÿŹźŻżŽž\\
+{\addfontfeature{RawFeature={+smcp,+c2sc}}%ÁÀÃĄÄÂĂÅÉÈĘËĚÊĔÍÌĨĮÏÎĬİ%\\
+%ÓÒÕÖÔŎŐØÚÙŨŲÜÛŬŮŰ\\
+áàãąäâăåéèęëěêĕíìĩįïîĭıóòõ%
+{\addfontfeature{StylisticSet=20}ǫ}öô%
+{\addfontfeature{StylisticSet=20}ǒ}őøúùũųü%
+{\addfontfeature{StylisticSet=20}ǔ}ûŭůű\\
+ĆćÇçĎďĢģĜĝĞğĤĥĴĵĸŁłĽľÑñŇňŃńŊŋ\\
+ŘřŔশŠšŞşŤťŢţŴŵÝýŶŷŸÿŹźŻżŽž}\\
+{\Huge \char"E001 \char"B6 \char"E002}\\
+АБВГДЕЖЗИЙКЛМНОПРСТУФХЦЧШЩЪЫЬЭЮЯ\\
+\begin{serbian}	{\addfontfeature{Language=Serbian,LetterSpace=10.0,RawFeature=+ss01}%
+	АБВГДЂЕЖЗИЈКЛЉМНЊОПРСТЋУФХЦЧЏШ}
+\end{serbian}\\
+абвгдежзийклмнопрстуфхцчшщъыьэюя\\
+\begin{serbian}
+	{\addfontfeature{Language=Serbian,LetterSpace=10.0,RawFeature=+ss01}%
+	абвгдђежзијклљмнњопрстћуфхцчџш}
+\end{serbian}\\
+\textsc{абвгд%
+	{\addfontfeature{RawFeature=+ss01}д}%
+	ђежзийјкл%
+	{\addfontfeature{RawFeature=+ss01}л}%
+	љ%
+	{\addfontfeature{RawFeature=+ss01}љ}%
+	мнњопрстћуфхцчџшщъыьэюя}\\
+{\Huge \char"2619 {\addfontfeature{RawFeature=+cv91}¶}\char"2767}\\
+ΑΒΓΔΕΖΗΘΙΚΛΜΝΞΟΠΡΣΤΥΦΧΨΩ\\
+αβγδεζηθικλμνξοπρσςτυφχψω\\
+ϐϝϑϰϖϱϲϡϕϻ\\
+άέήίόύώϊϋΐΰ\\
+\textsc{αβγδεζηθικλμνξοπρσςτυφχψω}\\
+{\Huge \char"2766}\\
+}
+\end{center}
+\clearpage
+\fontsize{16}{16}\itshape
+\begin{center}{\addfontfeature{LetterSpace=10.0}
+¿ABCDEFGHIJKLMNOPQQRSẞTUVWXYZÞÐ?\\
+{\addfontfeature{RawFeature=+swsh}ABCDEFGHIJKLMNOPQQRSTUVWXYZ}
+¡abcdefghijklmnopqrsſßtuvw{\addfontfeature{RawFeature=+cv05:1}vw}{\addfontfeature{RawFeature={+ss03}}vw}xyzþðđf!\\
+\$0123456789€ \XeTeXglyph 99 {\addfontfeature{Numbers=Lining}9876543210}¢\\
+»«;:,.-–—›‹„“”‚‘’[…]\{\}()·×÷\\
+"'\#\%\&{\addfontfeature{RawFeature=+cv04}\&}*+/<=>@\textbackslash \textasciicircum \textasciitilde §©ªº°µΩ\\
+\textsc{abcdefghijklmnopqrstuvwxyzß}\\ 
+fffiffiflfbfhfjfkft%\\
+ffbffhffjffkfflfft\\
+ſſſiſſiſlſbſhſjſkſt%\\
+ſſbſſhſſjſſkſſlſſt\\
+\char"261E \addfontfeature{RawFeature=+dlig}ÆæstctœŒ\char"261C\\
+{\addfontfeature{LetterSpace=0}
+Text{\addfontfeature{RawFeature=+sups}abcdefghijklmnopqrstuvwxyz0123456789}x\\
+Text{\addfontfeature{RawFeature=+ordn}abcdefghijklmnopqrstuvwxyz0123456789}x\\
+Text{\addfontfeature{RawFeature=+subs}abcdefghijklmnopqrstuvwxyz0123456789}x\\
+Text{\addfontfeature{RawFeature=+sinf}abcdefghijklmnopqrstuvwxyz0123456789}x}\\
+ÁÀÃĄÄ{\addfontfeature{Language=German}Ä}%Ǎ
+ÂĂÅÉÈ%Ẽ
+ĘËĚÊĔÍÌĨĮÏ%Ǐ
+ÎĬİ\\
+ÓÒÕǪÖ{\addfontfeature{%
+Language=German}Ö}ǑÔŎŐØÚÙŨŲÜ{\addfontfeature{Language=German}Ü}ǓÛŬŮŰ\\
+áàãąä%ǎ
+âăåéè%ẽ
+ęëěêĕíìĩįï%ǐ
+îĭıóòõǫöǒôǒőøúùũųü%ǔ
+ûŭůű\\
+ĆćÇçĎďĢģĜĝǦǧĞğĤĥḨḩĴĵĸŁłĽľÑñŇňŃńŊŋ\\
+ŘřŔশŠšŞşŤťŢţŴŵÝýŶŷŸÿŹźŻżŽž\\
+{\addfontfeature{RawFeature={+smcp,+c2sc}}ÁÀÃĄÄÂĂÅÉÈĘËĚÊĔÍÌĨĮÏÎĬİ\\
+ÓÒÕÖÔŎŐØÚÙŨŲÜÛŬŮŰ\\
+áàãąäâăåéèęëěêĕíìĩįïîĭıóòõ{\addfontfeature{StylisticSet=20}ǫ}ö{\addfontfeature{StylisticSet=20}ǒ}ôǒőøúùũųü{\addfontfeature{StylisticSet=20}ǔ}ûŭůű\\
+ĆćÇçĎďĢģĜĝĞğĤĥĴĵĸŁłĽľÑñŇňŃńŊŋ\\
+ŘřŔশŠšŞşŤťŢţŴŵÝýŶŷŸÿŹźŻżŽž}\\
+\Huge \char"E001 \char"B6 \char"E002}\\
+АБВГДЕЖЗИЙКЛМНОПРСТУФХЦЧШЩЪЫЬЭЮЯ\\
+абвгдежзийклмнопрстуфхцчшщъыьэюя\\
+\begin{serbian}{\addfontfeature{Language=Serbian,LetterSpace=10.0,RawFeature=+ss01}
+абвгдђежзијклљмнњопрстћуфхцчџш}\end{serbian}\\
+ΑΒΓΔΕΖΗΘΙΚΛΜΝΞΟΠΡΣΤΥΦΧΨΩ\\
+αβγδεζηθικλμνξοπρστυφχψω
+\vfill
+\fontsize{12}{12}\scriptsize\textit{{\addfontfeature{RawFeature=+swsh}Georg Duffner} | www.georgduffner.at/ebgaramond | g.duffner@gmail.com}
+\end{center}
+\end{document}
diff --git a/Master/texmf-dist/doc/fonts/ebgaramond/samples.pdf b/Master/texmf-dist/doc/fonts/ebgaramond/samples.pdf
index 0773d62c868..ecb69d8be11 100644
--- a/Master/texmf-dist/doc/fonts/ebgaramond/samples.pdf
+++ b/Master/texmf-dist/doc/fonts/ebgaramond/samples.pdf
diff --git a/Master/texmf-dist/doc/fonts/ebgaramond/samples.tex b/Master/texmf-dist/doc/fonts/ebgaramond/samples.tex
index 6492ae85180..819328c2f5e 100644
--- a/Master/texmf-dist/doc/fonts/ebgaramond/samples.tex
+++ b/Master/texmf-dist/doc/fonts/ebgaramond/samples.tex
@@ -2,13 +2,14 @@
 \usepackage[T1]{fontenc}
 \usepackage{ebgaramond}
 \usepackage{microtype}
-\newcommand{\Section}[1]{\section*{\scshape\lsstyle#1}}
+\newcommand{\Section}[1]{\section*{\scshape#1}}
+\renewcommand{\,}{\kern0.2ex}
 \usepackage{lipsum}
 \usepackage{lettrine}
 \begin{document}
 
 \begin{center}\huge
-\textsc{\lsstyle egenolff-berner garamond}\\[0.5ex]
+\textsc{e\,g\,e\,n\,o\,l\,f\,f\,-\,b\,e\,r\,n\,e\,r\   \ g\,a\,r\,a\,m\,o\,n\,d}\\[0.5ex]
 \swshape\Large
 by Georg Duffner
 \end{center}
@@ -52,6 +53,10 @@ by Georg Duffner
 X\textsu{1234567890}
 
 
+\Section{Inferior Numbers}
+
+X\textinf{1234567890}
+
 \clearpage
 \Section{Initials}\Large