new latex package musixguit (8mar11)

git-svn-id: svn://tug.org/texlive/trunk@21649 c570f23f-e606-0410-a88d-b1316a301751

7 files changed, 714 insertions, 1 deletions

diff --git a/Master/texmf-dist/doc/latex/musixguit/README b/Master/texmf-dist/doc/latex/musixguit/README
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+--------------------------------------------------------------------------
+the musixguit package
+musixtex and guitar
+--------------------------------------------------------------------------
+Clemens Niederberger
+2011/03/07
+--------------------------------------------------------------------------
+http://www.niederberger-berlin.net/2011/01/latex-und-noten-fuer-klassische-gitarre/
+kontakt@niederberger-berlin.net
+--------------------------------------------------------------------------
+Copyright 2011 Clemens Niederberge
+
+This work may be distributed and/or modified under the
+conditions of the LaTeX Project Public License, either version 1.3
+of this license or (at your option) any later version.
+The latest version of this license is in
+  http://www.latex-project.org/lppl.txt
+and version 1.3 or later is part of all distributions of LaTeX
+version 2005/12/01 or later.
+
+This work has the LPPL maintenance status `maintained'.
+
+The Current Maintainer of this work is Clemens Niederberger.
+
+This work consists of the files musixguit.sty and musixguit_de.tex
+--------------------------------------------------------------------------
+musixguit provides commands for typesetting notes for guitar,
+especially for simplifying guitar notation with musixtex.
+musixguit relies on the musixtex package and the setspace package.
+--------------------------------------------------------------------------
+If you have any ideas, questions, suggestions or bugs to report, please
+feel free to contact me.
+--------------------------------------------------------------------------
\ No newline at end of file
diff --git a/Master/texmf-dist/doc/latex/musixguit/musixguit_de.pdf b/Master/texmf-dist/doc/latex/musixguit/musixguit_de.pdf
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index 00000000000..d4af9e20280
--- /dev/null
+++ b/Master/texmf-dist/doc/latex/musixguit/musixguit_de.pdf
diff --git a/Master/texmf-dist/doc/latex/musixguit/musixguit_de.tex b/Master/texmf-dist/doc/latex/musixguit/musixguit_de.tex
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+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% ------------------------------------------------------------------------------------- %
+% - musixguit - musixguit_de.tex ------------------------------------------------------ %
+% - musixtex and guitar --------------------------------------------------------------- %
+% ------------------------------------------------------------------------------------- %
+% - Clemens Niederberger -------------------------------------------------------------- %
+% - 2011/03/07 ------------------------------------------------------------------------ %
+% ------------------------------------------------------------------------------------- %
+% - http://www.niederberger-berlin.net/2011/01/latex-und-noten-fuer-klassische-gitarre/ %
+% - kontakt@niederberger-berlin.net --------------------------------------------------- %
+% ------------------------------------------------------------------------------------- %
+% Copyright 2011 Clemens Niederberger                                                   %
+%                                                                                       %
+% This work may be distributed and/or modified under the                                %
+% conditions of the LaTeX Project Public License, either version 1.3                    %
+% of this license or (at your option) any later version.                                %
+% The latest version of this license is in                                              %
+%   http://www.latex-project.org/lppl.txt                                               %
+% and version 1.3 or later is part of all distributions of LaTeX                        %
+% version 2005/12/01 or later.                                                          %
+%                                                                                       %
+% This work has the LPPL maintenance status `maintained'.                               %
+%                                                                                       %
+% The Current Maintainer of this work is Clemens Niederberger.                          %
+%                                                                                       %
+% This work consists of the files musixguit.sty and musixguit_de.tex                    %
+% ------------------------------------------------------------------------------------- %
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\documentclass[DIV10]{scrartcl}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% = PAKETE/EINSTELLUNGEN ============================================================== %
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\usepackage[ngerman]{babel}                      % deutsche Sprache
+\usepackage[latin1]{inputenc}                    % Zeichenkodierung Eingabe
+\usepackage{etex}
+\usepackage{xcolor,xspace}
+  \definecolor{dunkelblau}{rgb}{0,0.33,0.62}
+  \colorlet{musixcolor}{dunkelblau!50!black!50}
+\usepackage[color=musixcolor]{chemexec}          % `chemexec' f"ur die Beispiel-Umgebung
+\usepackage[symbol,perpage]{footmisc}            % Fussnoten
+\usepackage{musixguit}                           %
+\usepackage{url,listings,graphicx}               % Web-Adressen und Code-Listings
+
+% = Kopfzeile ========================================================================= %
+\usepackage{fancyhdr}
+\pagestyle{fancy}
+\fancyhead{}
+%\headheight 13pt
+\lhead{\rightmark}
+\chead{{\ttfamily musixguit.tex} \MGversion}
+\rhead{\leftmark}
+\lfoot{\small\color{lightgray}-~Seite~\thepage~-}
+\cfoot{}
+\rfoot{}
+% = "Uberschriften ==================================================================== %
+\setkomafont{disposition}{\rmfamily\bfseries}    % Gewicht fett und Schriftart roman
+
+% = Listings einstellen =============================================================== %
+\lstset{
+   language=[LaTeX]TeX,                          % Sprache festlegen
+   basicstyle={\ttfamily\footnotesize},          % Grundstil
+   extendedchars=true,
+   numbers=left,                                 % Zeilennummern
+   numberstyle=\tiny,                            % Gr"osse des Zeilennummern
+   numberblanklines=true,                        % Leerzeilen nummerieren
+   gobble=1,                                     % das erste Leerzeichen abschneiden
+   xleftmargin=20pt,                             % Einr"uckung links
+   breaklines=true,                              % Zeilenumbruch
+   moredelim=[is][\Red]{|}{|}                    % Hervorhebung
+}
+\usepackage{hyperref}
+  \hypersetup{colorlinks=true,                   % Setup der Hyperlinks und des pdf
+              linkcolor=black,
+              urlcolor=blue!70,
+              citecolor=black,
+              plainpages=false,
+              bookmarksopen=true,
+              bookmarksopenlevel=1,
+              bookmarksnumbered=true,
+              pdfstartview=FitH,
+              pdfauthor={Clemens Niederberger},
+              pdftitle={musixguit},
+              pdfsubject={Notes for (classical) guitar with musixTeX},
+              pdfkeywords={musixguit},
+              pdfcreator={LaTeX}
+  }
+
+% = Befehle =========================================================================== %
+\newcommand\Red{\color{red}}
+\makeatletter
+\newcommand\MG{{\color{musixcolor}musixguit}\xspace}
+\newcommand\MGversion{\mg@version\xspace}
+\newcommand\MGdate[1]{
+ \ifthenelse{\equal{#1}{de}}{\mg@date@de}{}
+ \ifthenelse{\equal{#1}{en}}{\mg@date@en}{}
+}
+\makeatother
+\begin{document}
+\title{{\Huge\MG} \MGversion}
+  \author{Clemens Niederberger \and \path=kontakt@niederberger-berlin.net=\thanks{~~Bei Anregungen, Kritik und Fragen bitte obenstehende E-Mail-Adresse verwenden.}\\
+   \path=http://www.niederberger-berlin.net/=}
+  \date{\MGdate{de}}
+\maketitle
+
+\begin{abstract}
+ Das \verb=musixguit= Paket stellt ein paar kleine Befehle zur Verf"ugung, um z.B. Songtexte mit Akkorden zu versehen.\\ Au\ss{}erdem werden einige Zusatzbefehle f"ur das \verb=musixtex= Paket definiert, die inbesondere dann n"utzlich sind, wenn man Noten f"ur Gitarre schreiben m"ochte.
+\end{abstract}
+\tableofcontents
+\section{Ben\"otigte Pakete}
+`musixguit' ben"otigt zwei Pakete, und zwar
+\begin{itemize}
+ \item \verb=setspace= und
+ \item \verb=musixtex=.
+\end{itemize}
+Au\ss erdem m"ussen die \verb=musixtex=-Erweiterungen \verb=musixper.tex= und \verb=musixgui.tex= ver\-f"ug\-bar sein.
+
+\section{Neue Befehle}
+\subsection{Allgemein}
+Folgende f"unf Befehle erleichtern das Setzen von Akkorden "uber Text:
+\begin{itemize}
+ \item \verb=\chord{#1}{#2}= setzt den Akkord \#1 "uber \#2: \chord{C}{Alle}.
+ \item \verb=\B= schreibt ein \B.
+ \item \verb=\K= schreibt ein \K.
+ \item \verb=\T= kann verwendet werden, um den Beginn oder das Ende eines Taktes anzudeuten: "`Alle meine \T\ Entchen\ldots"'.
+ \item Die Umgebung \verb=song= bringt die einzelnen Zeilen auf den erforderlichen Abstand, so dass die Akkorde bequem dazwischen passen.
+\end{itemize}
+\begin{beispiel}
+Folgender Code\footnote{Hervorgehobener Code ist auch im Ergebnis jeweils farbig hervorgehoben.}
+\begin{lstlisting}
+ \begin{framed}
+ \begin{|song|}\noindent
+  You are my |\T|\ |\chord{F}{|sunshine|}|, my only \T\ sunshine.\\
+  You make me \T\ \chord{B|\B|}{happy} when skies are \T\ \chord{F}{gray}.\\
+  You never \T\ \chord{B\B}{know}, Dear, how much I \T\ \chord{F}{love} you.\\
+  Please don't \T\ take my \chord{C$^7$}{sunshine} a-\T\chord{F}{way}.
+ \end{song}
+ \end{framed}
+\end{lstlisting}
+ergibt
+\begin{framed}
+\begin{song}\noindent
+ You are my \Red\T\ \normalcolor\chord{\Red F\normalcolor}{sunshine}, my only \T\ sunshine.\\
+ You make me \T\ \chord{B\Red\B\normalcolor}{happy} when skies are \T\ \chord{F}{gray}.\\
+ You never \T\ \chord{B\B}{know}, Dear, how much I \T\ \chord{F}{love} you.\\
+ Please don't \T\ take my \chord{C$^7$}{sunshine} a-\T\chord{F}{way}.
+\end{song}
+\end{framed}
+\end{beispiel}
+\newpage
+\subsection{`musixtex'}
+Folgende Befehle wurden f"ur die Verwendung mit `musixtex' definiert. Beachten Sie: wenn Sie das \verb=musixguit= Paket laden, m"ussen Sie das \verb=musixtex= Paket nicht mehr laden. Alle Befehle werden, wenn nicht anders angegeben, innerhalb \verb=\notes=\ldots\verb=\enotes= verwendet.
+\subsubsection{Klassische Notation}
+\begin{itemize}
+ %\item \verb=\teil{#1}= Markiert den Teil \#1 eines St"uckes.
+ \item \verb=\lage[#1]{#2}{#3}= Gibt die Lage \#2 des Fingersatzes an. \#2 muss eine arabische Ziffer sein. \#3 ist die Position der Angabe, \#1 eine zus"atzliche vertikale Verschiebung um \verb=#1\internote=. Letzteres kann in den seltenen F"allen n"utzlich sein, wenn die Notenh"ohe \verb=z= nicht ausreicht.
+ \item \verb=\finger{#1}{#2}= Wird verwendet, um den Fingersatz \textit{"uber} oder \textit{unter} eine Note zu schreiben. Dabei ist \#2 die Notenh"ohe der Fingersatzangabe und \#1 der benannte Finger.
+ \item \verb=\Finger{#1}{#2}= Wird verwendet, um den Fingersatz \textit{vor} eine Note zu schreiben. Dabei ist \#2 die Position der Note und \#1 der benannte Finger.
+ \item \verb=\barree{#1}{#2}{#3}{#4}= Makro, um eine Barr\'e-Anweisung zu setzen. \#1 ist die Notenh"ohe, bei der die Barr\'e-Klammer beginnt, \#2 ist die vertikale L"ange der Klammer in \verb=#2\internote=, \#3 die horizontale L"ange in \verb=#3\noteskip= und \#4 die Lage des Barr\'e.
+ \item \verb=\saite{#1}{#2}= Die zu spielende Saite angeben. \#1 gibt die Nummer der Saite an, \#2 die Notenh"ohe, auf der das Symbol erscheinen soll.
+\end{itemize}
+\subsubsection{Jazz-Notation}
+\begin{itemize}
+ \item \verb=\strike=, \verb=\strk= Diagonaler Strich, der eine Viertelnotenl"ange repr"asentiert, ohne den Rhythmus zu spezifizieren, wie es in Jazz-Notationen "ublich ist; in einer gr"o\ss{}eren (\verb=\strike=) und einer kleineren (\verb=\strk=) Variante.
+ \item \verb=\pickd[#1]= Anweisung f"ur ein \textit{downward picking} (\tpickd) im Plektrenspiel. \#1 ist ein optionales Argument, um die Lage des Zeichens in der Notenlinie anzugeben. Die Default-Einstellung ist \verb=o=.
+ \item \verb=\picku[#1]= Anweisung f"ur ein \textit{upward picking} (\tpicku). \#1 hat die gleiche Funktion und Default-Einstellung wie bei \verb=\pickd=.
+ \item \verb=\tpickd=, \verb=\tpicku= Stellen die Picking-Symbole auch im Text dar und sind quasi nur neue Namen f"ur \verb=\downbow= bzw. \verb=\upbow=.
+ \item \verb=\release[#1]= Das Zeichen (\raisebox{\depth}{\huge ,}) zeigt an, dass der Druck der linken Hand auf die Saiten direkt nach dem Schlag entspannt werden soll, ohne die Finger von den Saiten zu nehmen. \#1 hat die gleiche Funktion wie bei \verb=\pickd=. Die Default-Einstellung ist \verb=h=
+ %\item \verb=\quart=
+ %\item \verb=\eighx=
+\end{itemize}
+
+\subsubsection{Beispiele}
+In diesem Abschnitt werden die Befehle im Einsatz demonstriert.
+\begin{beispiel}
+Folgender Code ist ein Beispiel f"ur \verb=\lage[#1]{#2}{#3}=, \verb=\saite{#1}{#2}= und\\
+\verb=\Finger{#1}{#2}=:
+\begin{lstlisting}
+ \generalmeter{\meterfrac44}%
+ \parindent 0pt
+ \setclefsymbol 1\treblelowoct
+ \systemnumbers
+ \generalsignature{0}
+ \startpiece
+ \leftrepeat\barno=1 % 1
+ \Notes|\lage2p|\ibu0c2|\Finger2c\saite5M|\qb0{cde}\tbu0\qb0f\en
+ \Notes\ibu0g1\qb0g|\Finger{1~~}g|\qb0{^g}\finger1h\qb0h\tbu0\qb0i\en
+ \bar % 2
+ \Notes\ibl0j2\qb0{jkl}\tbl0\Finger1m\qb0 m\en
+ \Notes\ibl0n0\Finger2n\qb0{n^no}\tbl0\qb0n\en
+ \bar % 3
+ \Notes\ibl0n{-2}\cna n\qb0n\Finger1m\qb0m\finger4l\qb0l\tbl0\qb0k\en
+ \Notes\ibl0j{-1}\qb0{jih}\Finger{4~~}h\tbl0\qb0{_h}\en
+ \bar % 4
+ \Notes\ibu0g{-2}\Finger4g\qb0{gfe}\tbu0\qb0d\en
+ \Notes\ibu0c{-1}\qb0{cba}\tbu0\qb0b\en
+ \setrightrepeat
+ \endpiece
+\end{lstlisting}
+Das Ergebnis\footnote{aus `A Modern Method for Guitar Volume 1' von William G. Leavitt} sieht so aus:\\
+\generalmeter{\meterfrac44}%
+\parindent 0pt
+\startbarno=1
+\setclefsymbol 1\treblelowoct
+\systemnumbers
+\generalsignature{0}
+\startpiece
+\leftrepeat\barno=1 % 1
+\Notes\Red\lage2p\normalcolor\ibu0c2\Red\Finger2c\saite5M\normalcolor\qb0{cde}\tbu0\qb0f\en
+\Notes\ibu0g1\qb0g\Red\Finger{1~~}g\normalcolor\qb0{^g}\Finger1h\qb0h\tbu0\qb0 i\en
+\bar % 2
+\Notes\ibl0j2\qb0{jkl}\tbl0\Finger1m\qb0 m\en
+\Notes\ibl0n0\Finger2n \qb0{n^no}\tbl0\qb0n\en
+\bar % 3
+\Notes\ibl0n{-2}\cna n\qb0n\Finger1m\qb0m\Finger4l\qb0l\tbl0\qb0k\en
+\Notes\ibl0j{-1}\qb0{jih}\Finger{4~~}h\tbl0\qb0{_h}\en
+\bar % 4
+\Notes\ibu0g{-2}\Finger4g\qb0{gfe}\tbu0\qb0d\en
+\Notes\ibu0c{-1}\qb0{cba}\tbu0\qb0b\en
+\setrightrepeat
+\endpiece
+
+\bsp Beispiel\footnote{Takte 35 und 36 der Sonate Nr. 14 Adagio sostenuto von L.v.Beethoven} f"ur \verb=\lage[#1]{#2}{#3}=:
+\begin{lstlisting}
+ \notes\lage4v\zwh L\ibu0l3\finger4m\qb0{=k}\finger1p\qb0{^n}\tbu0\finger3o\qb0{=m}\en
+ \notes\lage7y\ibu0o3\finger1r\qb0p\finger3p\qb0n\tbu0\finger4t\qb0{=r}\en
+ \notes|\lage[2]{12}z|\ibu0r3\finger1r\qb0p\finger2v\qb0{=t}\tbu0\finger4t\qb0r\en
+ \notes\lage[4]{16}z\ibu0t3\finger1w\qb0{^u}\finger3v\qb0t\tbu0\finger4y\qb0w\en
+ \bar
+ \notes\lage[3]{13}z\zwh L\ibu0t{-3}\finger4w\qb0{^u}\finger3t\qb0r\tbu0\finger1v\qb0t\en
+ \notes\lage{10}z\ibu0q{-3}\finger3r\qb0p\finger1t\qb0r\tbu0\lage7x\finger3p\qb0{^n}\en
+ \notes\ibu0o{-3}\finger1r\qb0p\finger4o\qb0m\tbu0\finger3p\qb0n\en
+ \notes\lage6v\ibu0l{-3}\finger2m\qb0k\finger1o\qb0m\tbu0\lage3v\finger2k\qb0i\en
+\end{lstlisting}
+\startbarno=35
+\setclefsymbol 1\treblelowoct
+\generalsignature{0}
+\setstaffs1{1}
+\startpiece
+\notes\lage4v\zwh L\ibu0l3\finger4m\qb0{=k}\finger1p\qb0{^n}\tbu0\finger3o\qb0{=m}\en
+\notes\lage7y\ibu0o3\finger1r\qb0p\finger3p\qb0n\tbu0\finger4t\qb0{=r}\en
+\notes\Red\lage[2]{12}z\normalcolor\ibu0r3\finger1r\qb0p\finger2v\qb0{=t}\tbu0\finger4t\qb0r\en
+\notes\lage[4]{16}z\ibu0t3\finger1w\qb0{^u}\finger3v\qb0t\tbu0\finger4y\qb0w\en
+\bar
+\notes\lage[3]{13}z\zwh L\ibu0t{-3}\finger4w\qb0{^u}\finger3t\qb0r\tbu0\finger1v\qb0t\en
+\notes\lage{10}z\ibu0q{-3}\finger3r\qb0p\finger1t\qb0r\tbu0\lage7x\finger3p\qb0{^n}\en
+\notes\ibu0o{-3}\finger1r\qb0p\finger4o\qb0m\tbu0\finger3p\qb0n\en
+\notes\lage6v\ibu0l{-3}\finger2m\qb0k\finger1o\qb0m\tbu0\lage3v\finger2k\qb0i\en
+\endpiece
+
+\bsp In diesem Beispiel\footnote{Takte 3 und 4 der Sonate Nr. 14 Adagio sostenuto von L.v.Beethoven} wird die Verwendung von \verb=\barree{#1}{#2}{#3}{#4}= demonstriert.
+\begin{lstlisting}
+ \notes|\barree M{24}{5.75}1| \zhl M\ibu0f8\Finger3f\qb0f\Finger2h\qb0h\tbu0\qb0j\en
+ \notes\ibu0f8\qb0f\qb0h\tbu0\qb0j\en
+ \notes\barree d{19}{5.75}3\finger3N\zhl d\ibu0f8\qb0f\qb0{_i}\tbu0\qb0k\en
+ \notes\ibu0f8\qb0f\qb0{_i}\tbu0\qb0k\en
+ \bar% Takt 4
+ \notes\Finger0L\zwh L\ibu0e8\Finger2e\qb0e\finger1d\qb0{^g}\tbu0\Finger4k\qb0k\en
+ \notes\ibu0e8\qb0e\Finger3h\qb0h\tbu0\Finger1j\qb0j\en
+ \notes\zwh L\ibu0e8\qb0e\qb0h\tbu0\finger0f\qb0{=i}\en
+ \notes\ibu0d8\Finger0d\qb0d\Finger1g\qb0g\tbu0\qb0i\en
+\end{lstlisting}
+\systemnumbers
+\generalmeter{\meterC}
+\generalsignature{0}
+\setstaffs1{1}
+\startbarno=3
+\setclefsymbol 1\treblelowoct
+\startpiece
+\notes{\Red\barree M{24}{5.75}1}\zhl M\ibu0f8\Finger3f\qb0f\Finger2h\qb0h\tbu0\qb0j\en
+\notes\ibu0f8\qb0f\qb0h\tbu0\qb0j\en
+\notes\barree d{19}{5.75}3\finger3N\zhl d\ibu0f8\qb0f\qb0{_i}\tbu0\qb0k\en
+\notes\ibu0f8\qb0f\qb0{_i}\tbu0\qb0k\en
+\bar% Takt 4
+\notes\Finger0L\zwh L\ibu0e8\Finger2e\qb0e\finger1d\qb0{^g}\tbu0\Finger4k\qb0k\en
+\notes\ibu0e8\qb0e\Finger3h\qb0h\tbu0\Finger1j\qb0j\en
+\notes\zwh L\ibu0e8\qb0e\qb0h\tbu0\finger0f\qb0{=i}\en
+\notes\ibu0d8\Finger0d\qb0d\Finger1g\qb0g\tbu0\qb0i\en
+\endpiece
+
+\bsp Folgendes Beispiel zeigt die Verwendung von \verb=\strike=, \verb=\strk= \verb=\pickd=, \verb=\picku= und \verb=\release=:
+\begin{lstlisting}
+ \parindent 0pt
+ \generalmeter\meterC
+ \nobarnumbers
+ \startextract % 1
+ \Notes\lage3x\Uptext{Cm$^7$}|\strike|\en
+ \Notes\strike\en
+ \Notes\strike\en
+ \Notes\strike\en
+ \bar % 2
+ \notes\lage5x\Uptext{Dm$^{7\B5}$}|\strk|\en
+ \notes\strk\en
+ \notes\strk\en
+ \notes\strk\en
+ \bar % 3
+ \notes\lage4x\en
+ \notes\Uptext{G$^{7\B9}$}|\release\pickd|\roql i\en
+ \notes\release\pickd\roql i\en
+ \notes\zcharnote M{sim.}\pickd\roql i\en
+ \notes\pickd\roql i\en
+ \bar % 4
+ \notes\lage3x\en
+ \notes\Uptext{Cm$^7$}\ibl0i0\pickd\roqb0 i|\picku|\tbl0\roqb0 i\en
+ \notes\pickd\roql i\en
+ \notes\pickd\roql i\en
+ \notes\qp\en
+ \endextract
+\end{lstlisting}
+\generalmeter\meterC
+\nobarnumbers
+\smallmusicsize
+\def\quart{\roql i}
+\startextract % 1
+\Notes\lage3x\Uptext{Cm$^7$}\Red\strike\normalcolor\en
+\Notes\strike\en
+\Notes\strike\en
+\Notes\strike\en
+\bar % 2
+\notes\lage5x\Uptext{Dm$^{7\B5}$}\Red\strk\normalcolor\en
+\notes\strk\en
+\notes\strk\en
+\notes\strk\en
+\bar % 3
+\notes\lage4x\en
+\notes\Uptext{G$^{7\B9}$}\Red\release\pickd\normalcolor\quart\en
+\notes\release\pickd\quart\en
+\notes\zcharnote M{sim.}\pickd\quart\en
+\notes\pickd\quart\en
+\bar % 4
+\notes\lage3x\en
+\notes\Uptext{Cm$^7$}\ibl0i0\pickd\roqb0 i\Red\picku\normalcolor\tbl0\roqb0 i\en
+\notes\pickd\quart\en
+\notes\pickd\quart\en
+\notes\qp\en
+\endextract
+\normalmusicsize
+Beachten Sie, dass Sie f"ur die Perkussionssymbole im vierten Takt normalerweise \verb=musixper=-Erweiterung per \verb=\input= einbinden m"ussen. Das ist mit \verb=musixguit= nicht mehr n"otig.
+
+\bsp Einen ausgiebigeren Einsatz der Picking-Symbole zeigt folgende Arpeggio-"Ubung\footnote{aus `A Modern Method for Guitar Volume 1' von William G. Leavitt}:
+\begin{lstlisting}
+ \generalmeter{\meterfrac34}
+ \setclefsymbol 1\treblelowoct
+ \setsign13
+ \startpiece
+ \leftrepeat\barno=1 % 1
+ \notes\lage2r\en
+ \notes\ibu0a9\pickd\finger4L\qb0a\pickd\qb0c\pickd\qb0e|\pickd[p]|\qb0h\pickd[r]\qb0j|\picku[t]|\tbu0\qb0 l\en
+ \bar % 2
+ \notes\ibu0l{-9}\pickd[t]\qb0m\picku[s]\qb0{kifd}\tbu0\qb0 b\en
+ \bar % 3
+ \notes\ibl0f7\pickd\qb0e\picku\finger{4s}i\qb0g\pickd\qb0i\pickd\qb0k\picku\qb0l\pickd[p]\tbl0\qb0n\en
+ \bar % 4
+ \notes\ibu0n{-9}\pickd[v]\qb0o\picku[u]\qb0l\qb0{jhe}\tbu0\qb0c\en
+ \bar % 5
+ \notes\ibu0a8\pickd\qb0a\pickd\qb0d\pickd\qb0f\pickd[p]\qb0h\pickd[r]\qb0k\pickd[t]\tbu0\qb0m\en
+ \bar % 6
+ \notes\ibu0a8\pickd\qb0a\pickd\qb0c\pickd\qb0e\pickd[p]\qb0h\pickd[r]\qb0j\picku[t]\tbu0\qb0l\en
+ \bar % 7
+ \notes\ibu0j{-6}\pickd[r]\qb0k\picku[q]\qb0{iged}\tbu0\qb0b\en
+ \rightrepeat % 8
+ \Notes\zcharnote e{\qp}\hlp a\en
+ \notes\zh c\zh e\zhu h\en
+ \Endpiece
+ \begin{center}
+  Also practice arpeggios with alt. |\tpickd|\ |\tpicku| .
+ \end{center}
+\end{lstlisting}
+\generalmeter{\meterfrac34}
+\setclefsymbol 1\treblelowoct
+\setsign13
+\startpiece
+\leftrepeat\barno=1 % 1
+\notes\lage2r\en
+\notes\ibu0a9\pickd\finger4L\qb0a\pickd\qb0c\pickd\qb0e\Red\pickd[p]\normalcolor\qb0h\pickd[r]\qb0j\Red\picku[t]\normalcolor\tbu0\qb0 l\en
+\bar % 2
+\notes\ibu0l{-9}\pickd[t]\qb0m\picku[s]\qb0{kifd}\tbu0\qb0 b\en
+\bar % 3
+\notes\ibl0f7\pickd\qb0e\picku\finger{4s}i\qb0g\pickd\qb0i\pickd\qb0k\picku\qb0l\pickd[p]\tbl0\qb0n\en
+\bar % 4
+\notes\ibu0n{-9}\pickd[v]\qb0o\picku[u]\qb0l\qb0{jhe}\tbu0\qb0c\en
+\bar % 5
+\notes\ibu0a8\pickd\qb0a\pickd\qb0d\pickd\qb0f\pickd[p]\qb0h\pickd[r]\qb0k\pickd[t]\tbu0\qb0m\en
+\bar % 6
+\notes\ibu0a8\pickd\qb0a\pickd\qb0c\pickd\qb0e\pickd[p]\qb0h\pickd[r]\qb0j\picku[t]\tbu0\qb0l\en
+\bar % 7
+\notes\ibu0j{-6}\pickd[r]\qb0k\picku[q]\qb0{iged}\tbu0\qb0b\en
+\rightrepeat % 8
+\Notes\zcharnote e{\qp}\hlp a\en
+\notes\zh c\zh e\zhu h\en
+\Endpiece
+\begin{center}
+ Also practice arpeggios with alt. \Red\tpickd\ \tpicku\normalcolor .
+\end{center}
+\end{beispiel}
+
+\section{Redundanz}
+Durch Laden von \verb=musixguit= werden \verb=musixtex=, \verb=musixper= und \verb=musixgui= automatisch eingebunden und m"ussen nicht mehr separat eingebunden werden. So stehen die Akkord-Tabulaturen von \verb=musixgui= und die Perkussions-Notenformen von \verb=musixper= auch zur Verf"ugung.
+\begin{beispiel}
+In diesem Beispiel\footnote{Die ersten acht Takte von `Blue Bossa' von Kenny Dorham.} sehen Sie verschiedenen Funktionen vereint.
+\begin{lstlisting}
+ \generalmeter{\meterfrac44}
+ \setsign{1}{-3}
+ \nobarnumbers
+ \def\txh{-6.5}
+ \def\tx#1*{\zchar\txh{\lrlap{\kern3\Internote#1}}}
+ \def\rtx#1*{\zchar\txh{\kern-3\Internote#1}}
+ \stafftopmarg10\Interligne
+ \raiseguitar{20}
+ \nostartrule
+ \def\quart{\zcharnote{a}{|\roql d|}}
+ \def\eight{\zcharnote{a}{\rocl d}}
+ \def\eighx{\zcharnote{a}{|\xcl| d}}
+ \startpiece
+ \addspace{.5\afterruleskip}%
+ \NOtes\uptext{Bossa}\qa g\en
+ \doublebar % 1
+ \NOtes|\guitar {Cm$^7$}{2}x-----\gbarre1\gdot33\gdot52|{\tinynotesize|\pickd[a]||\quart|}\qlp n\en
+ \notes{\tinynotesize\pickd[a]|\release[N]\eight|}\en
+ \Notes{\tinynotesize\picku[a]\eight}\ca m{\tinynotesize\pickd[a]\eight}\ca l\en
+ \Notes{\tinynotesize\picku[a]\release[N]\quart}\qa k\en
+ \Notes{\tinynotesize\picku[a]|\eighx|}\isluru0j\ca j\en
+ \bar % 2
+ \NOtes\zcharnote{M}{sim.}\tslur0j\hlp j\en
+ \NOtes\qa i\en
+ \bar % 3
+ \NOTes\guitar {Fm$^7$}{}x----x\gdot24\gdot34\gdot43\gdot54\ha h\en
+ \Notes\qlp n\en
+ \Notes\isluru0m\ca m\en
+ \bar % 4
+ \NOTEs\tslur0m\wh m\en
+ \bar % 5
+ \NOtes\guitar {Dm$^{7|\B|5}$}{2}x----x\gdot23\gdot34\gdot43\gdot54\qlp m\en
+ \Notes\ca{lk}\qa j\en
+ \Notes\isluru0i\ca i\en
+ \bar % 6
+ \NOTEs\guitar {G$^{7\B9}$}{2}x----x\gdot23\gdot34\gdot42\gdot54\tslur0i\hlp i\en
+ \Notes\qa h\en
+ \bar % 7
+ \NOTes\guitar {Cm$^7$}{2}x-----\gbarre1\gdot33\gdot52\ha g\en
+ \Notes\qlp m\isluru0l\ca l\en
+ \bar % 8
+ \NOTEs\tslur0l\wh l\en
+ \endpiece
+\end{lstlisting}
+\begin{music}
+\hsize130mm
+\tenrm
+\parindent0pt
+\generalmeter{\meterfrac44}
+\setsign{1}{-3}
+\nobarnumbers
+\def\txh{-6.5}
+\def\tx#1*{\zchar\txh{\lrlap{\kern3\Internote#1}}}
+\def\rtx#1*{\zchar\txh{\kern-3\Internote#1}}
+\stafftopmarg10\Interligne
+\raiseguitar{20}
+\nostartrule
+\def\quart{\zcharnote{a}{\roql d}}
+\def\eight{\zcharnote{a}{\rocl d}}
+\def\eighx{\zcharnote{a}{\xcl d}}
+\startpiece
+\addspace{.5\afterruleskip}%
+\notes\uptext{Bossa}\en
+\NOtes\qa g\en
+\doublebar % 1
+\NOtes\Red\guitar {Cm$^7$}{2}x-----\gbarre1\gdot33\gdot52\normalcolor{\tinynotesize\Red\pickd[a]\quart\normalcolor}\qlp n\en
+\notes{\tinynotesize\pickd[a]\Red\release[N]\normalcolor\eight}\en
+\Notes{\tinynotesize\picku[a]\eight}\ca m{\tinynotesize\pickd[a]\eight}\ca l\en
+\Notes{\tinynotesize\picku[a]\release[N]\quart}\qa k\en
+\Notes{\tinynotesize\picku[a]\Red\eighx\normalcolor}\isluru0j\ca j\en
+\bar % 2
+\NOtes\zcharnote{M}{sim.}\tslur0j\hlp j\en
+\NOtes\qa i\en
+\bar % 3
+\NOTes\guitar {Fm$^7$}{2}x----x\gdot24\gdot34\gdot43\gdot54\ha h\en
+\Notes\qlp n\en
+\Notes\isluru0m\ca m\en
+\bar % 4
+\NOTEs\tslur0m\wh m\en
+\bar % 5
+\NOtes\guitar {Dm$^{7\Red\B\normalcolor5}$}{2}x----x\gdot23\gdot34\gdot43\gdot54\qlp m\en
+\Notes\ca{lk}\qa j\en
+\Notes\isluru0i\ca i\en
+\bar % 6
+\NOTEs\guitar {G$^{7\B9}$}{2}x----x\gdot23\gdot34\gdot42\gdot54\tslur0i\hlp i\en
+\Notes\qa h\en
+\bar % 7
+\NOTes\guitar {Cm$^7$}{2}x-----\gbarre1\gdot33\gdot52\ha g\en
+\Notes\qlp m\isluru0l\ca l\en
+\bar % 8
+\NOTEs\tslur0l\wh l\en
+\endpiece
+\end{music}
+\end{beispiel}
+
+\end{document}
\ No newline at end of file
diff --git a/Master/texmf-dist/tex/latex/musixguit/musixguit.sty b/Master/texmf-dist/tex/latex/musixguit/musixguit.sty
new file mode 100644
index 00000000000..3efae52b944
--- /dev/null
+++ b/Master/texmf-dist/tex/latex/musixguit/musixguit.sty
@@ -0,0 +1,183 @@
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% ------------------------------------------------------------------------------------- %
+% - musixguit - musixguit.sty --------------------------------------------------------- %
+% - musixtex and guitar --------------------------------------------------------------- %
+% ------------------------------------------------------------------------------------- %
+% - Clemens Niederberger -------------------------------------------------------------- %
+% - 2011/03/07 ------------------------------------------------------------------------ %
+% ------------------------------------------------------------------------------------- %
+% - http://www.niederberger-berlin.net/2011/01/latex-und-noten-fuer-klassische-gitarre/ %
+% - kontakt@niederberger-berlin.net --------------------------------------------------- %
+% ------------------------------------------------------------------------------------- %
+% Copyright 2011 Clemens Niederberger                                                   %
+%                                                                                       %
+% This work may be distributed and/or modified under the                                %
+% conditions of the LaTeX Project Public License, either version 1.3                    %
+% of this license or (at your option) any later version.                                %
+% The latest version of this license is in                                              %
+%   http://www.latex-project.org/lppl.txt                                               %
+% and version 1.3 or later is part of all distributions of LaTeX                        %
+% version 2005/12/01 or later.                                                          %
+%                                                                                       %
+% This work has the LPPL maintenance status `maintained'.                               %
+%                                                                                       %
+% The Current Maintainer of this work is Clemens Niederberger.                          %
+%                                                                                       %
+% This work consists of the files musixguit.sty and musixguit_de.tex                    %
+% ------------------------------------------------------------------------------------- 
+% - Version 1.0, 15.08.2009                                                             %
+%   Basisversion                                                                        %
+% ------------------------------------------------------------------------------------- %
+% - Version 1.1, 24.01.2010:                                                            %
+%   Befehle \finger und \lage verbessert,                                               %
+%   Befehle \Finger, \saite und barree hinzugef"ugt.                                    %
+% ------------------------------------------------------------------------------------- %
+% - Version 1.2, 20.01.2011:                                                            %
+%   Umgebung `song' hinzugef"ugt.                                                       %
+% - Version 1.2.1, 07.06.2011                                                           %
+%   unnötige Abhängigkeit von AMSmath entfernt                                          %
+% - Version 1.2.2, 07.06.2011                                                           %
+%   falsche Fehlermeldung korrigiert                                                    %
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\def\mg@version{v1.2.2}
+\def\mg@date@de{07. M\"arz 2011}
+\def\mg@date@en{March 07. 2011}
+\ProvidesPackage{musixguit}[2011/03/07]
+\typeout{musixguit \mg@version}
+\typeout{2011/03/07 Clemens Niederberger}
+\typeout{musixTeX and guitar}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% - auf `setspace' ueberpruefen ------------------------------------------------------- %
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\IfFileExists{setspace.sty}{
+  \RequirePackage{setspace}
+}{% ... oder Fehler ausgeben
+  \PackageError{musixguit}{%
+    The `setspace' package is apparently unavailable.\MessageBreak
+    You need to install it from CTAN or where else you\MessageBreak
+    get your LaTeX packages from.%
+  }{%
+    `musixguit' needs to have the `setspace' package installed.\MessageBreak
+    You have to install it from CTAN or wherever you like\MessageBreak
+    to get your LaTeX packages instead.
+  }
+}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% - auf `musixtex' ueberpruefen ------------------------------------------------------- %
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\IfFileExists{musixtex.sty}{
+  \RequirePackage{musixtex}
+}{% ... oder Fehler ausgeben
+  \PackageError{musixguit}{%
+    The `musixtex' package is apparently unavailable.\MessageBreak
+    You need to install it from CTAN or where else you\MessageBreak
+    you like to get your LaTeX packages from.%
+  }{%
+    `musixguit' is a MUSICAL package which only makes sense\MessageBreak
+    in combination with the `musixtex' package. You NEED to install\MessageBreak
+    it from CTAN or wherever you like to get your LaTeX packages\MessageBreak
+    instead.
+  }
+}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% - Erweiterungen einbinden ----------------------------------------------------------- %
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\input musixper.tex                              % Perkussion
+\input musixgui.tex                              % Gitarre
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% - \chord{#1}{#2} -------------------------------------------------------------------- %
+% ------------------------------------------------------------------------------------- %
+% - Dieser Befehl setzt den Akkord in #1 ueber #2 ------------------------------------- %
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\newlength\len
+\newlength\laen
+\providecommand\chord[2]{%
+\settowidth\len{\scriptsize~#1}%
+\settowidth\laen{~}%
+\raisebox{10pt}{{\scriptsize~#1}}\hspace{-\len}#2%
+}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% - \beginsong ------------------------------------------------------------------------ %
+% ------------------------------------------------------------------------------------- %
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\newenvironment{song}{%
+\begin{spacing}{1.8}%
+}{%
+\end{spacing}%
+}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% - \B, \K, \T ------------------------------------------------------------------------ %
+% ------------------------------------------------------------------------------------- %
+% - Die Befehle \B und \K schreiben ein b bzw. ein # ---------------------------------- %
+% - auch in normalem Text. ------------------------------------------------------------ %
+% - Der Befehl \T schreibt eine senkrechte Linie, die --------------------------------- %
+% - den Beginn eines Taktes andeuten soll. -------------------------------------------- %
+% ------------------------------------------------------------------------------------- %
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\providecommand\B{\ensuremath{\flat}}
+\providecommand\K{\ensuremath{\sharp}}
+\providecommand\T{\ensuremath{\vert}}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% - In Kombination mit `musixtex':                                                      %
+%   \strike, \teil{} \finger{} \lage{}                                                  %
+% - Alle Befehle sind innerhalb \notes...\enotes zu                                     %
+%   verwenden!                                                                          %
+% ------------------------------------------------------------------------------------- %
+% - Der Befehl \strike schreibt einen diagonalen                                        %
+% - Balken in die Notenzeile, der eine Vierteltaktzeit                                  %
+%   andeutet, aber den Rhythmus nicht n"aher                                            %
+%   spezifiziert.                                                                       %
+% - Der Befehl \teil{#1}, markiert einen Takt als den                                   %
+%   ersten des Stueck-Teiles #1.                                                        %
+% - Der Befehl \finger{#1}{#2} schreibt die Zahl #2 als                                 %
+%   Fingersatz-Angabe auf Notenh"ohe #1. Es wird em-                                    %
+%   pfohlen, die Notenh"ohe der zu bezeichnenden Note                                   %
+%   zu verwenden.                                                                       %
+% - Mit dem Befehl \lage{#1} kann man die Fingersatzlage                                %
+%   #1 angeben. Die Lage ist mit arabischen Ziffern                                     %
+%   anzugeben.                                                                          %
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% KLASSIK
+\providecommand\finger[2]{{\zcharnote{#2}{\scriptsize\sf #1}}}
+\providecommand\Finger[2]{\raise -\internote\hbox{\lcharnote{#2}{\scriptsize\sf #1~}}}
+\providecommand\saite[2]{\zcharnote{#2}{\hspace{-1mm}\textcircled{\hspace{-1pt}\scriptsize #1}}}
+\newcounter{lage}
+\providecommand\lage[3][0]{\setcounter{lage}{#2}\raise #1\internote\hbox{\zcharnote{#3}{\small\scshape\Roman{lage}}}}
+
+% \barree{N}{20}{30pt}{3} #1 = pitch, #2 = senrechte Länge in Notenhöhen #3 waagerechte Länge noteskip, #4 = Lage
+\newcounter{barree}
+\newcounter{barreee}
+\newcounter{laenge}
+\newlength{\lena}
+\newlength{\lenb}
+\newcommand\barree[4]{%
+  \setcounter{lage}{#4}%
+  \settowidth{\lena}{\small\scshape\Roman{lage}}%
+  \setlength{\lenb}{#3\noteskip}%
+  \addtolength{\lenb}{-\lena}%
+  \setcounter{barree}{#2}%
+  \addtocounter{barree}{-2}
+  \setcounter{barreee}{#2}%
+  \addtocounter{barreee}{-1}%
+  \raise \value{barreee}\internote\hbox{\zcharnote{#1}{\small\scshape\Roman{lage}}}%
+  \raise #2\internote\hbox{\zcharnote{#1}{\hspace{\the\lena}\rule{\lenb}{.5pt}}}%
+  \raise \value{barreee}\Internote\hbox{\zcharnote{#1}{\hspace{#3\noteskip}\rule{.5pt}{3pt}}}%
+  \bracket #1{#2}%
+}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% JAZZ
+\providecommand\strike{\loffset{0}{\ibl0n9}\roffset{2}{\tbl0}}
+\providecommand\strk{\zcharnote i{\musixchar118}}
+\providecommand\teil[1]{\uptext{\loffset{2.5}{\circleit{#1}}}}
+\providecommand\picku[1][n]{\zcharnote{#1}{\smallnotesize\upbow}}
+\providecommand\pickd[1][n]{\zcharnote{#1}{\smallnotesize\downbow}}
+\providecommand\tpickd{\;\downbow~~}
+\providecommand\tpicku{\upbow~~}
+\providecommand\release[1][h]{\zcharnote{#1}{\roff{\huge\sf ,}}}
\ No newline at end of file
diff --git a/Master/tlpkg/bin/tlpkg-ctan-check b/Master/tlpkg/bin/tlpkg-ctan-check
index 2a691bf7ca9..3ac3005f7dc 100755
--- a/Master/tlpkg/bin/tlpkg-ctan-check
+++ b/Master/tlpkg/bin/tlpkg-ctan-check
@@ -242,7 +242,7 @@ my @TLP_working = qw(
     moreverb movie15 mp3d mparhack mpgraphics
     mpman-ru ms msc msg mslapa msuthesis mtgreek
     multenum multibbl multibib multicap multirow
-    multibox multido multiobjective munich musixtex muthesis mwcls mxedruli
+    multibox multido multiobjective munich musixguit musixtex muthesis mwcls mxedruli
     mylatexformat
   nag namespc natbib nath nature navigator ncclatex ncctools
     needspace
diff --git a/Master/tlpkg/tlpsrc/collection-music.tlpsrc b/Master/tlpkg/tlpsrc/collection-music.tlpsrc
index 2a800468a15..c05c604e98a 100644
--- a/Master/tlpkg/tlpsrc/collection-music.tlpsrc
+++ b/Master/tlpkg/tlpsrc/collection-music.tlpsrc
@@ -6,6 +6,7 @@ depend figbas
 depend gchords
 depend guitar
 depend harmony
+depend musixguit
 depend musixtex
 depend songbook
 depend musixflx
diff --git a/Master/tlpkg/tlpsrc/musixguit.tlpsrc b/Master/tlpkg/tlpsrc/musixguit.tlpsrc
new file mode 100644
index 00000000000..e69de29bb2d
--- /dev/null
+++ b/Master/tlpkg/tlpsrc/musixguit.tlpsrc